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Speaker 1: It's nine oh Gene onegin with Jenny Garth and Tory spelling. Okay,

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Speaker 1: Today on another installment of nine O two one on one,

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Speaker 1: we have another amazing guest star with us. We have

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Speaker 1: Jason Carter. We have Jason Carter.

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Speaker 2: You guys who played the one and only Roy Randolph.

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Speaker 1: Yes, he was in season four of Beverly Hill ZENA

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Speaker 1: two and oh and uh he was a controversial character.

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Speaker 1: So let's find out all about Roy Randolph.

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Speaker 2: Jason, are you there?

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Speaker 3: Hello?

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Speaker 1: Hello, silver Fox.

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Speaker 3: Silver Fox. That's right, that's me Hello that hi.

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Speaker 1: Oh my goodness, it's been a minute.

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Speaker 3: Yes it does.

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Speaker 1: We have just thirteen reveriting the Roy Randolph episodes on

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Speaker 1: our podcast Season four. You made quite a splash, quite

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Speaker 1: an impression on all the ladies in the show. But now,

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Speaker 1: as Tory and I are watching the show back for

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Speaker 1: the first time and seeing what really happened, you know,

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Speaker 1: from a from a viewer's fans perspective, we have to

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Speaker 1: tell you Roy Randolph's given us kind of creepy vibes.

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Speaker 2: What do you think I mean, I think he's sexy,

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Speaker 2: but she means in like how it plays out.

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Speaker 1: Yeah, you're a little close for comfort with the with

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Speaker 1: the co eds there.

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Speaker 3: I think I think I was. I think I was

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Speaker 3: playing the theatrical camp so it's not quite bad guy,

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Speaker 3: but in charge. I don't know it was. It's been

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Speaker 3: a long time. I'm supposed to remember this stuff.

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Speaker 1: Well back then it was a different day.

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Speaker 3: I mean, right, yeah, yeah, I'm wearing this shirt because

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Speaker 3: this actually is a nineties shirt, as you can tell

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Speaker 3: from the collar. I've had the thirty years and not worn.

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Speaker 1: Oh you dressed for the show. I love that.

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Speaker 2: That's amazing. Well, everything that's nine days back in so

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Speaker 2: you looked on trends, you looked very current.

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Speaker 1: Look at you.

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Speaker 3: He is.

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Speaker 2: Making an effort, you know what. And we appreciate that.

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Speaker 1: You had such your your character on the show. Did

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Speaker 1: you have you been able to rewatch any of the

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Speaker 1: episodes that you were in?

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Speaker 3: No, did you.

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Speaker 1: Ever see them?

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Speaker 3: Yes? I did? Yes, I did. I know I'm a

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Speaker 3: terrible man.

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Speaker 2: No, good, don't watch. Let us tell you what you did?

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Speaker 2: And then no comment.

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Speaker 1: So obviously you were the director.

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Speaker 2: It started with a chat on a hot tin roof

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Speaker 2: that the girls were all auditioning for and.

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Speaker 1: Met who was it? Kelly was auditioning Brenda was auditioning

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Speaker 1: and Laura.

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Speaker 3: It was funny because when I got the notification for

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Speaker 3: the casting to go to go and auditioned.

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Speaker 1: For it, Oh yeah, tell us.

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Speaker 3: It was being a r S director who was directing

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Speaker 3: on Broadway and was taking some time off and everything

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Speaker 3: like that, and the horror director and then at the

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Speaker 3: time with Peter Hall and Trevor Nan and all of

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Speaker 3: that lot, they all had goate's and long hair, which

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Speaker 3: is what I had, so.

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Speaker 1: Perfect, absolutely perfect for that part.

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Speaker 2: We walked in and They're like, nailed it for we

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Speaker 2: even hear the scene. Did you so you came in audition?

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Speaker 2: Did you audition for my Dad? Do you?

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Speaker 3: Yes? Yes? I did, Yes, I did, And it was

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Speaker 3: it was a straight I had just happened to be

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Speaker 3: one of my first roles in America because I just

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Speaker 3: moved to America and my Asian already had an agent

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Speaker 3: here from History. But and I was being sent up

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Speaker 3: for auditions and I got sent up for this one.

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Speaker 3: And I turned out and I'm wearing I've just come

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Speaker 3: from London, and I'm in London kind of actor style,

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Speaker 3: and I've got this huge military black coat on in

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Speaker 3: Los Angeles and I'm wearing this thing. I don't know

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Speaker 3: why I'm wearing this thing, and uh. And I was

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Speaker 3: staring out the window because the view from the office

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Speaker 3: was so great, and I think your dad walked in

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Speaker 3: and I said, oh, a great view, and then turned

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Speaker 3: back to the view. I was so kind of like

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Speaker 3: this was a whole new world as a consequence of

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Speaker 3: which I don't know. I think I I just accidentally

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Speaker 3: nailed it.

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Speaker 1: I don't think it was an accident.

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Speaker 3: Would you like to read for us, because I'm still

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Speaker 3: looking out of the window. I took my coat off,

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Speaker 3: put my coat on the couch, sat down on the couch,

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Speaker 3: picked up the pages. It was just it was, it was.

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Speaker 3: It worked very well. For some strange reason, I kind.

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Speaker 1: Of wish you had watched the episode back because I

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Speaker 1: want to ask you who you thought should have played

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Speaker 1: the role of Maggie if it was cast properly with Brenda,

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Speaker 1: or was it or.

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Speaker 2: It was Jenny who kind of came into the mix

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Speaker 2: because she was just you kind of got talked into it.

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Speaker 2: You were just going to read for another role, not

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Speaker 2: the main role in then Laura Kingman, the other one

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Speaker 2: who goes cuckoo, who literally this rule was everything to her.

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Speaker 3: That's right, that's right. Now I recalled who do I

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Speaker 3: think should have played it right?

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Speaker 1: And I think you can't really answer that it was

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Speaker 1: exactly the person. We do think that Shannon did an

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Speaker 1: amazing job.

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Speaker 3: Yes, yeah, yeah, yeah, because the whole point about it

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Speaker 3: is is that, I mean, even from Roy Randolphstanity, seeing

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Speaker 3: what could be expressed by this person given the given

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Speaker 3: the right coaxing.

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Speaker 2: I'm just curious. So Kelly kind of came in just

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Speaker 2: was Ernest did it and nailed it right, right, and

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Speaker 2: then all of a sudden, Brenda goes to his place.

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Speaker 1: Yes, Brenda knock knock knocks on on Roy Randolph's door

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Speaker 1: at night.

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Speaker 3: Yes, yes, that's right.

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Speaker 1: How did she get.

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Speaker 3: Er not to do that?

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Speaker 1: Yes? I think that's frowned upon these days. But I wonder,

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Speaker 1: we wonder what happened? What happened when she went into

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Speaker 1: Roy Randolph's house, right, because she got the role right

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Speaker 1: after that she did she did what?

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Speaker 3: Oh that's right, So you're asking me to speculate on

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Speaker 3: what may or may not have happened.

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Speaker 1: I can't imagine Roy Randolph doing anything terror like terror.

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Speaker 2: I feel like she gave another audition and just knocked

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Speaker 2: his socks off.

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Speaker 3: Yeah, I will just just the sheer audacity to even

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Speaker 3: come round to his house.

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Speaker 1: It's scary. Expressly expressed, you were terrified.

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Speaker 2: Every then you didn't know where this was going. How

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Speaker 2: did she?

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Speaker 1: Did you know? Did you know at that point? I don't,

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Speaker 1: None of us knew. But did you know that your

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Speaker 1: character was kind of being used to have Shannon's Brenda's

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Speaker 1: storyline separate from everybody else's And did you know that?

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Speaker 3: What? I was completely unacquainted with the show. I just

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Speaker 3: arrived in America. I'm going for an audition for show.

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Speaker 3: I don't know whatever, I'm going for it, and then

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Speaker 3: I get the part, and then I'm thrust into the

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Speaker 3: middle of it with you guys on a sound stage

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Speaker 3: similar to the sound stage that we had in Babylon five.

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Speaker 3: As it wasn't a sound stage, you have to stop.

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Speaker 1: At that time, it was not soundproof, no from LA

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Speaker 1: so you probably didn't know, but you were working in

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Speaker 1: at a time.

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Speaker 2: It's nice now, but thirty three years ago, a very

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Speaker 2: seedy area that was on It wasn't a sound stage,

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Speaker 2: it was an abandoned warehouse they turned into one, and

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Speaker 2: right next door they filmed porn.

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Speaker 3: Oh really, yeah, I missed that. I mean, you guys

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Speaker 3: check that out. I didn't. I don't know.

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Speaker 1: Well, the boys were all over that, but we weren't.

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Speaker 3: We were like, that's fun.

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Speaker 1: I love it that you didn't. You didn't know about

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Speaker 1: the show because the show was not popular overseas at

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Speaker 1: that time. Before it was.

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Speaker 3: It was the nineties. It was the most creative decade

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Speaker 3: I think occurred. It was a brilliant time to be

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Speaker 3: in Los Angeles. I mean I consequently went on It's

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Speaker 3: funny you stay, I was creepy and everything like that.

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Speaker 3: I consequently went on to play a bunch of bad

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Speaker 3: guys in Guests Evil.

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Speaker 1: You're so damn good at it.

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Speaker 3: Well, it's I think it's the trick is that maybe

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Speaker 3: it's the European thing to be able to get Hello Darling.

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Speaker 2: Right and then I mean, you're so iconic and known

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Speaker 2: for Babylon five obviously, but did you ever get recognized? Yes,

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Speaker 2: Roy Randolph, you did, Okay, like people were in public.

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Speaker 3: Okay, a very popular show, and it would come out

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Speaker 3: of left field. I wouldn't be expecting it. Oh you know,

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Speaker 3: they get you. You're you were on nine o two

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Speaker 3: or no, and for some reason the character had such

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Speaker 3: an impact on the world because it was the end

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Speaker 3: of episodes, at the end of the season, and Nike

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Speaker 3: I thought I was a new regular. Did you an invitation?

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Speaker 3: I was. I don't know. I got an invitation to

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Speaker 3: go to Nike and pick out some clothes nice promise

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Speaker 3: to wear them in interviews?

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Speaker 2: Remember that those days, Jen, Oh yeah, we got the

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Speaker 2: same back then with a good old day Nike.

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Speaker 3: Oh yeah, yeah, yeah, that's right, that's right. No, it was.

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Speaker 2: Do people ever come up and say, if it wasn't

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Speaker 2: for you, Brenda wouldn't be off the show because she

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Speaker 2: chose this acting off.

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Speaker 3: London mobody seems to know that I didn't sleep with her,

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Speaker 3: even after all the shows played.

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Speaker 2: Fans think it, Yeah, that's interesting.

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Speaker 3: So because because it's not clear, it's unresolved, it's it's

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Speaker 3: it's and then oh, please go to London to my

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Speaker 3: my my drama school. Did I run her?

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Speaker 1: Where in the we never see her again? So what

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Speaker 1: have you done with Brenda?

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Speaker 3: Ah?

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Speaker 2: What if they ended up getting married and had what

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Speaker 2: beautiful Brandon marriage, that's what you think happened?

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Speaker 3: Well, I was looking up because just before I do

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Speaker 3: the podcast I think I was on the German side

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Speaker 3: or whatever. But there's kind of fan fiction about that.

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Speaker 2: There is tell us, tell us, tell us this is

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Speaker 2: so cool.

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Speaker 3: No, no, no, it was five minutes. I just not

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Speaker 3: noticed that while you're checking it out.

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Speaker 1: So there is fan fiction. Sorry, we actually do not

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Speaker 1: know about this.

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Speaker 3: I didn't read it. I didn't read it, but it

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Speaker 3: was intimated that there was fiction, so I didn't click

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Speaker 3: on the link because I was busy. Oh what am

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Speaker 3: I doing? And I'll tell you something. It's if only

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Speaker 3: having been an acceor all my life here. Sorry, more

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Speaker 3: nervous about this than anything else.

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Speaker 2: Guys, Well it was everything you've done. You're nervous about this.

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Speaker 2: We're just low hanging fruit. No, what do you mean nervous?

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Speaker 2: What do you mean nervous?

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Speaker 3: No, I don't know it.

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Speaker 1: Just blushing? Are you blushing? Jason Carter?

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Speaker 3: No, I don't think so. I might be. I might

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Speaker 3: be hot, but flushed. That's right when I'm talking to babes.

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Speaker 3: What can I do remaining professional?

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Speaker 1: Yeah? Please? Please? So you moved just before this to America,

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Speaker 1: to Los Angeles, and you've stayed here ever since.

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Speaker 3: Yes, funny, isn't people? In fact? I think that happened

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Speaker 3: at the beginning, which is why we've got America point

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Speaker 3: out to people. You do realize that America was founded

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Speaker 3: by a bunch of Brits saying no to George, that's

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Speaker 3: Americans suddenly magically appeared.

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Speaker 1: You just came a little late.

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Speaker 3: Yes, yes, that's right. Fine, I came there, so I'm

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Speaker 3: a late immigrant.

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Speaker 1: And you've had such a crazy, like just fulfilling career.

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Speaker 1: You've done so much, many different projects, like.

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Speaker 3: Yeah, it's been well, it's it's yes, I think I

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Speaker 3: think I did all my theater in London and then

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Speaker 3: I came to America and didn't do theater ever again.

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Speaker 2: Really is that sad in you?

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Speaker 1: You can't really compare the theater here to the here

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Speaker 1: in London.

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Speaker 3: Well, I was in Los Angeles so at the time

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Speaker 3: during the nineties. I don't know what it's like now,

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Speaker 3: but it was basically a bunch of actors doing shows

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Speaker 3: for casting directors to see them and cast them in television. Yeah,

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Speaker 3: like Showcase, and half the audience would leave in the interval.

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Speaker 1: Once you moved here, you never did anymore. Once you

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Speaker 1: moved to America, you never did any more work In Britain.

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Speaker 3: That's correct.

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Speaker 1: Yeah, wow, so you walked quite a lot before you came.

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Speaker 3: Oh well, I was lucky enough to do the West

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Speaker 3: End four times National Theater.

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Speaker 2: Do you miss being on stage? Though?

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Speaker 3: There's a time of life thing. Do I miss anything?

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Speaker 3: Do I? What I do is I Actually, I'm very

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Speaker 3: grateful to having had experienced it. I know what it's

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Speaker 3: like to walk out in front of two thousand people

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Speaker 3: in a character. The hardest thing, the hardest thing, no

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Speaker 3: stage right there. The hardest thing was when you know

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Speaker 3: the science fiction thing, Babylon five, whatever that you know

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Speaker 3: from your fan base, When you have to step out

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Speaker 3: on a stage as yourself, it's a very strange experience.

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Speaker 3: Worst the first time I did it, I had no

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Speaker 3: idea what to do. And I don't know whether you

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Speaker 3: know him, great actor Peter Jurassica was in Babylon five

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Speaker 3: on my first audition, on my first convention, I followed

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Speaker 3: him out on stage. Well, he spoke for forty minutes

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Speaker 3: without fielding a question. He just talked me. I just

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Speaker 3: stood there like animal gon any questions.

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Speaker 2: Oh, that's like our Jason Priestley. I remember the first

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Speaker 2: time we were at the Emmy's and Jen and I

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Speaker 2: were going to present. Jason was doing something before and

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Speaker 2: we were so nervous because you know, talking as yourself

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Speaker 2: in front of and people are like, what do you mean?

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Speaker 2: You're an actor?

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Speaker 1: You can do it.

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Speaker 2: I said to Jason, are you nervous? And He's like, Nah,

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Speaker 2: this doesn't bother me at all. And I was like,

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Speaker 2: this is the hardest part.

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Speaker 3: Well, yeah, he's a special case. I think it was.

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Speaker 3: It was a weird because it was a weird experience

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Speaker 3: because we're on for an out. We had an hour

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Speaker 3: to talk to the crowd. This was in London, and.

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Speaker 1: He took forty five minutes of it.

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Speaker 3: Well he did forty five minutes without fielding a question,

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Speaker 3: and then and then it was my hour and I

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Speaker 3: was on next after was all the cars were there.

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Speaker 3: I went on an accent and I got to about

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Speaker 3: thirty minutes in and said, anybody got.

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Speaker 1: Any more questions, that would be me too.

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Speaker 3: Do you want to hear a poem?

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Speaker 2: I want to hear a poem, I.

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00:14:59,320 --> 00:15:01,000
Speaker 3: Said some of my I started saying to myself of

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Speaker 3: my parents, I write a drama school.

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Speaker 2: Wow, you could say anything to me right now. I

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Speaker 2: could listen to you.

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Speaker 1: I love it.

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Speaker 3: Oh well, thank you, thank you?

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Speaker 1: Okay, So did you have kids?

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Speaker 3: Did I have kids? This does a question that we

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Speaker 3: have after we've crossed the threshold and with death. So

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Speaker 3: how was your life?

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Speaker 1: Did you have kids? I've just told you live with

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Speaker 1: your family, but.

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Speaker 3: A bit of romantic rock and roll historically, but.

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Speaker 1: I have How old is.

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Speaker 3: Ever? So? I mean nearly forty thirty five and oh

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Speaker 3: I have to do the numbers on that one. But

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Speaker 3: you starting, I had two. I had two sons in London,

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Speaker 3: and I had a daughter in Los Angeles.

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Speaker 2: Okay, so very young okay.

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Speaker 3: And unfortunately divorces followed eventually. I'm not one a bad, bad, bad,

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Speaker 3: bad bad man, but I am happily married and with

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Speaker 3: an Albuquerque.

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Speaker 1: Oh wonderful, just at the foot of.

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Speaker 3: The San Dia Mountains, so I can.

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Speaker 2: Go from there. When'd you move to Albuquerque?

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Speaker 3: Uh? You about a year ago? Still getting used to

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Speaker 3: the lack of oxygen here because of course you're a

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Speaker 3: mile high. So the air is very thin. Wow much,

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Speaker 3: it's sunny from most of the year, and it's not d.

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Speaker 2: Well, it's not one And then wait, so uh why where?

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Speaker 1: Why there? Though?

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Speaker 3: Why there? That's it's a weird one. It's interestingly enough,

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Speaker 3: a friend of mine from thirty years ago in Los

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Speaker 3: Angeles had moved to Albuquerque, and he s, hey, you

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Speaker 3: ferenty moving to Albuquerque so we can hang out and

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Speaker 3: everything like that. I thought about it living louis the

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Speaker 3: end of the time and moved and we moved. I

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Speaker 3: told my wife about it, and she she was looking

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Speaker 3: at the idea and thinking about it and didn't tell me.

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Speaker 3: She applied for a job, got a job in Albuquerque.

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Speaker 3: Can she moved four months before I did.

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Speaker 1: It's wild, so we're just ready for a change.

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Speaker 3: Yeah, it had come to the point. Yeah, this is interesting.

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Speaker 3: So it's a weird story of me in America. I've

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Speaker 3: lived in the low desert Los Angeles, I've lived, then

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Speaker 3: I moved to Michigan so serious winters, then Louisiana and

333
00:17:24,280 --> 00:17:26,800
Speaker 3: so that's the swamp. And now I'm in the high desert,

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Speaker 3: so low desert whatever you call Michigan lake country.

335
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Speaker 1: And I feel like you need to move to the

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Speaker 1: Pacific Northwest next.

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00:17:35,080 --> 00:17:36,879
Speaker 3: That's a pretty good idea, just certainly.

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Speaker 1: Yeah, so you can play.

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Speaker 3: If there's time.

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Speaker 2: Well, we keep talking about your past, what are you

341
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Speaker 2: going on now?

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Speaker 1: Tell us about it.

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00:17:46,680 --> 00:17:51,960
Speaker 3: Tell us, no, I'm actually I'm happily contemplatively looking back

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Speaker 3: and not particularly worried about the future. And yes, I

345
00:17:54,040 --> 00:17:58,600
Speaker 3: did the outrageous thing. I'm sixty two. I retired. Doesn't

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Speaker 3: mean I can't work as an actress.

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Speaker 1: Enough, Wait, we can do that at sixty two, Can

348
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Speaker 1: we do it?

349
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Speaker 3: You can technically do it? Yeah, I mean I didn't

350
00:18:07,800 --> 00:18:09,680
Speaker 3: reize I could get a discount on the bus when

351
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Speaker 3: I was fifty.

352
00:18:10,320 --> 00:18:14,200
Speaker 1: But hey, the other day I wanted the movies with

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Speaker 1: my daughter and she bought me a senior citizen ticket.

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Speaker 3: Oh but that's the weird thing. And I get so

355
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Speaker 3: upset now when I'm in the supermarket and no one

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Speaker 3: wants to ide me that happened.

357
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Speaker 1: You're just there, living in the now.

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Speaker 3: I suppose. So I suppose. I suppose that. I suppose

359
00:18:35,200 --> 00:18:38,560
Speaker 3: that's the thing I've always done, which is why I've

360
00:18:38,640 --> 00:18:42,200
Speaker 3: just been responsive to life rather than having any plans.

361
00:18:42,240 --> 00:18:45,480
Speaker 3: Just like what doors appear, and then I go through

362
00:18:45,480 --> 00:18:47,439
Speaker 3: them if they appear, but they might not appear for

363
00:18:47,440 --> 00:18:49,840
Speaker 3: a very long time, and then they appear it or not,

364
00:18:50,240 --> 00:18:52,720
Speaker 3: what we'll see.

365
00:18:51,760 --> 00:18:53,359
Speaker 2: You giving her anxiety.

366
00:18:53,440 --> 00:18:56,160
Speaker 1: She's a planner I'm a planner, but I'm the same

367
00:18:56,160 --> 00:18:59,040
Speaker 1: way as you. I've never I've never had goals or

368
00:18:59,560 --> 00:19:01,879
Speaker 1: plan as far as like what I want to do

369
00:19:02,000 --> 00:19:05,719
Speaker 1: next with my life. So I love that that.

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00:19:06,520 --> 00:19:09,640
Speaker 3: Don't promise yourself. It's like Christ thinks something. But don't

371
00:19:09,640 --> 00:19:14,119
Speaker 3: promise yourself anything, and you won't disappoint yourself. If you

372
00:19:14,160 --> 00:19:17,440
Speaker 3: set goals, you can fail your goals. Now says they

373
00:19:17,480 --> 00:19:20,160
Speaker 3: never promise anybody anything, and then you'll never disappoint anybody.

374
00:19:20,600 --> 00:19:23,840
Speaker 2: Yeah, as a parent, that's a good one to practice.

375
00:19:24,000 --> 00:19:29,880
Speaker 1: Whatever I mean, that's it sounds like you have beautiful

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Speaker 1: life though.

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00:19:31,119 --> 00:19:38,080
Speaker 3: Well I do know, yeah, like most Well, I mean happiness,

378
00:19:38,560 --> 00:19:43,280
Speaker 3: this is for everybody. Happiness is a choice, no small print,

379
00:19:45,560 --> 00:19:48,400
Speaker 3: no read this book, no do this. It's a choice.

380
00:19:48,600 --> 00:19:53,119
Speaker 3: It's a choice. What did you just say happiness is

381
00:19:53,280 --> 00:19:54,199
Speaker 3: a choice.

382
00:19:54,960 --> 00:19:58,439
Speaker 2: Oh my god, I am so embarrassed, Jason Carter. I

383
00:19:58,480 --> 00:20:01,880
Speaker 2: did not hear happiness for whatever reason, it came out

384
00:20:02,840 --> 00:20:08,520
Speaker 2: pens and but Jen usually would react and she didn't,

385
00:20:08,600 --> 00:20:11,880
Speaker 2: And I was like, guys, I don't know what's happening

386
00:20:11,960 --> 00:20:12,360
Speaker 2: right now.

387
00:20:12,480 --> 00:20:17,880
Speaker 1: Is just a quote. People, he said happiness is a choice.

388
00:20:17,960 --> 00:20:18,359
Speaker 1: I thought he.

389
00:20:18,359 --> 00:20:20,720
Speaker 2: Said, my penis is a choice, and then he wanted.

390
00:20:21,000 --> 00:20:23,199
Speaker 3: It's my awful accent? Or is when I got to

391
00:20:23,240 --> 00:20:25,920
Speaker 3: Los Angeles and I'm meeting casting directors. Yeah he's great,

392
00:20:25,920 --> 00:20:27,080
Speaker 3: but can he lose the accent?

393
00:20:27,400 --> 00:20:29,000
Speaker 1: Can you? Can you lose your accent?

394
00:20:30,080 --> 00:20:30,240
Speaker 2: Oh?

395
00:20:30,240 --> 00:20:31,159
Speaker 1: Do let me do it?

396
00:20:31,200 --> 00:20:31,479
Speaker 3: Do it?

397
00:20:31,880 --> 00:20:34,600
Speaker 1: Talking like American? We just put him on a spot.

398
00:20:34,640 --> 00:20:39,600
Speaker 3: That's all I was about. Southerner. If I okay, just.

399
00:20:39,640 --> 00:20:44,680
Speaker 1: Say I'm living in Albuquerque with my wife, say that

400
00:20:44,760 --> 00:20:46,600
Speaker 1: in like American.

401
00:20:47,720 --> 00:20:49,800
Speaker 3: I'm living in Albuquerque with my wife.

402
00:20:50,640 --> 00:20:52,520
Speaker 2: No, pretty good. No, I heard it.

403
00:20:52,920 --> 00:20:57,119
Speaker 1: I heard the wife she did. I I love that.

404
00:20:57,160 --> 00:20:58,560
Speaker 2: You admit you can't though.

405
00:21:00,040 --> 00:21:02,159
Speaker 3: But the thing is, people say I've lived there for

406
00:21:02,200 --> 00:21:05,760
Speaker 3: thirty two years or whatever it is or more, and

407
00:21:06,080 --> 00:21:07,480
Speaker 3: people said, you haven't lost your accent.

408
00:21:08,840 --> 00:21:09,520
Speaker 1: Why would you?

409
00:21:10,359 --> 00:21:13,760
Speaker 3: Because yeah, why would I? Because here's it's different. It's

410
00:21:13,840 --> 00:21:17,200
Speaker 3: very common where I come from and where I come

411
00:21:17,200 --> 00:21:19,159
Speaker 3: from people that go, oh, I love your accent. They

412
00:21:19,160 --> 00:21:22,600
Speaker 3: don't do that, No, but they do here, so so

413
00:21:22,600 --> 00:21:25,720
Speaker 3: why would they change it? Also, Also, the nineties was

414
00:21:25,760 --> 00:21:28,880
Speaker 3: great because I did your show playing a very nice man,

415
00:21:29,240 --> 00:21:32,560
Speaker 3: but I did play a lot of villains and at

416
00:21:32,600 --> 00:21:36,959
Speaker 3: the time during the nineties, British villains were in in

417
00:21:37,000 --> 00:21:39,240
Speaker 3: a big way, you know, like the bad guys speaking

418
00:21:39,560 --> 00:21:41,920
Speaker 3: charmingly and not taking your gun out but just going

419
00:21:41,920 --> 00:21:46,000
Speaker 3: hello down everywhere else. Yeah, yeah, yeah, sinister, but in

420
00:21:46,040 --> 00:21:51,320
Speaker 3: a charming way, you know, darling villainry, which is what

421
00:21:52,160 --> 00:21:55,800
Speaker 3: you know, the Alan Rickman territory of life and camp villainry.

422
00:21:56,480 --> 00:21:59,720
Speaker 1: You're so sexy. Sorry, tell your wife, I apologize.

423
00:21:59,440 --> 00:22:02,520
Speaker 3: We thank you. Goodness me ah.

424
00:22:05,200 --> 00:22:06,520
Speaker 1: You can I ask you one question?

425
00:22:07,200 --> 00:22:10,840
Speaker 2: Please do so you did do a lot of comedy,

426
00:22:11,119 --> 00:22:14,720
Speaker 2: but you were on and tell us about your experience

427
00:22:14,920 --> 00:22:16,480
Speaker 2: on Third Rock from the Sun.

428
00:22:17,040 --> 00:22:19,840
Speaker 3: That was actually a marvelous experience. And I was very

429
00:22:19,920 --> 00:22:23,199
Speaker 3: lucky to have gone for that audition at that time

430
00:22:23,680 --> 00:22:26,679
Speaker 3: because they had had they cast it three times before me.

431
00:22:26,960 --> 00:22:29,760
Speaker 3: I didn't know this and hadn't got the right person.

432
00:22:30,119 --> 00:22:35,640
Speaker 3: Because they're the comedians. They're looking for something to launch from,

433
00:22:35,760 --> 00:22:38,880
Speaker 3: some spring from. So I had the chain smoking, roll

434
00:22:39,000 --> 00:22:43,000
Speaker 3: up poet London guy, which I can easily do. But

435
00:22:44,440 --> 00:22:48,080
Speaker 3: I got cast. I got cast pretty much on the

436
00:22:48,119 --> 00:22:50,480
Speaker 3: set because they were doing all the auditions at the

437
00:22:50,480 --> 00:22:54,639
Speaker 3: studio Columbia. Figures. Can't remember, no, but I'm there and

438
00:22:54,680 --> 00:22:57,400
Speaker 3: I'm on the phone outside in a British phone box,

439
00:22:57,440 --> 00:22:59,560
Speaker 3: of course, because they decorate sometimes and I'm on the

440
00:22:59,600 --> 00:23:02,800
Speaker 3: phone just calling my wife and suddenly there's an assistant

441
00:23:02,800 --> 00:23:06,240
Speaker 3: tapping in the window. You've got the job. What you've

442
00:23:06,240 --> 00:23:10,200
Speaker 3: got the job? Can you go to wardrobe and makeup? Whoa?

443
00:23:10,440 --> 00:23:11,640
Speaker 1: Literally go right there.

444
00:23:11,880 --> 00:23:14,560
Speaker 3: It was all Hollywood. It was like you were doing it.

445
00:23:14,760 --> 00:23:17,240
Speaker 3: We were in rehears because they rehearsed it, and it

446
00:23:17,320 --> 00:23:20,280
Speaker 3: is shot in front of a live audience. And John Lithgow,

447
00:23:21,119 --> 00:23:24,480
Speaker 3: the massive, massive John Lifga is the nicest man on

448
00:23:24,520 --> 00:23:28,480
Speaker 3: the planet. And it was directed by David Hughes who

449
00:23:28,560 --> 00:23:31,760
Speaker 3: was also massive as indeed was what's the name that

450
00:23:31,840 --> 00:23:33,960
Speaker 3: the daughter. I can't remember their names now, but they're

451
00:23:33,960 --> 00:23:37,160
Speaker 3: all massive, and I was her boyfriend. There's the point

452
00:23:37,200 --> 00:23:39,280
Speaker 3: that was the gag, and then they're all chained smoking

453
00:23:39,359 --> 00:23:44,479
Speaker 3: and doing poetry. But every single take that John Lithgu

454
00:23:44,560 --> 00:23:50,200
Speaker 3: did was different. And the director, John Hughes, I found out,

455
00:23:50,720 --> 00:23:52,280
Speaker 3: directed the original Monty Python.

456
00:23:53,280 --> 00:23:54,080
Speaker 1: Oh wow.

457
00:23:54,400 --> 00:23:57,600
Speaker 3: That hence the relationship with John Clees being on the

458
00:23:57,600 --> 00:23:59,719
Speaker 3: shore and stuff like that. But he would just let

459
00:23:59,800 --> 00:24:04,520
Speaker 3: John Lift do his stuff. Just Ris.

460
00:24:06,280 --> 00:24:09,560
Speaker 2: Kristin Johnston, she's yeah, very tall, oh.

461
00:24:09,560 --> 00:24:15,359
Speaker 3: But they were all super lovely and and being their comedians,

462
00:24:15,359 --> 00:24:18,520
Speaker 3: they needed something to launch from. So having this chained smoke,

463
00:24:18,640 --> 00:24:22,800
Speaker 3: self indulgent of writing the poem about myself to myself,

464
00:24:24,160 --> 00:24:26,119
Speaker 3: by writing my poem of myself, it was already just

465
00:24:26,119 --> 00:24:29,320
Speaker 3: like all intents and yeah, and they're all chained smoking

466
00:24:29,320 --> 00:24:30,639
Speaker 3: and they're all wearing black.

467
00:24:31,320 --> 00:24:34,879
Speaker 2: I didn't realize John Lithgow was that tall.

468
00:24:35,800 --> 00:24:38,399
Speaker 3: Oh, he's massively tall, and so is that so so

469
00:24:38,520 --> 00:24:43,040
Speaker 3: is David Houston, the British director there was Oh yeah.

470
00:24:43,000 --> 00:24:43,920
Speaker 2: I love him so much.

471
00:24:45,480 --> 00:24:49,880
Speaker 3: Brilliant, so sweet and so in charge, just different, different

472
00:24:50,080 --> 00:24:52,840
Speaker 3: stuff coming out of their mouths each time. Great people,

473
00:24:53,920 --> 00:24:59,520
Speaker 3: we love that. Yeah, and very welcoming, very gracious, very hello,

474
00:24:59,720 --> 00:25:04,840
Speaker 3: Thank you, Ry, you know, very nice. Well, that's good

475
00:25:05,240 --> 00:25:07,280
Speaker 3: your show is having like that, But it's very often

476
00:25:07,280 --> 00:25:11,280
Speaker 3: regulars can be total guests.

477
00:25:11,280 --> 00:25:13,560
Speaker 1: Which wasn't your experience on the show.

478
00:25:13,680 --> 00:25:14,520
Speaker 3: Wasn't your show?

479
00:25:14,800 --> 00:25:16,240
Speaker 2: That never happened on our show?

480
00:25:17,040 --> 00:25:19,960
Speaker 1: No, no, no no.

481
00:25:31,680 --> 00:25:33,600
Speaker 2: How did everyone treat you on our set when you

482
00:25:33,640 --> 00:25:34,199
Speaker 2: first came on?

483
00:25:34,359 --> 00:25:36,720
Speaker 3: Oh? Very well, it was it was you.

484
00:25:36,600 --> 00:25:40,520
Speaker 2: Can't transition after seeing these like a less megastars were

485
00:25:40,560 --> 00:25:44,000
Speaker 2: amazing and then now be like you guys were okay, no, no.

486
00:25:44,800 --> 00:25:47,080
Speaker 3: It was it was. It was fair enough, it was.

487
00:25:47,080 --> 00:25:51,439
Speaker 3: It was a weird one because initially I was a

488
00:25:51,480 --> 00:25:54,720
Speaker 3: bit of fish at water because everyone had relationships and

489
00:25:54,760 --> 00:25:57,560
Speaker 3: it's all going on, and most of my scenes were

490
00:25:57,600 --> 00:26:01,520
Speaker 3: with Shannon, and initially, first couple of episodes, Shandon didn't

491
00:26:01,560 --> 00:26:04,280
Speaker 3: talk to me. That's fine because I was in my

492
00:26:04,320 --> 00:26:06,439
Speaker 3: own world as well, and I was more interested in

493
00:26:06,560 --> 00:26:08,240
Speaker 3: how the camera worked and stuff like that.

494
00:26:08,320 --> 00:26:12,080
Speaker 1: Hey, I was young, But why didn't she talk to you?

495
00:26:13,560 --> 00:26:15,280
Speaker 3: I don't know who she talked to, but she didn't

496
00:26:15,280 --> 00:26:18,600
Speaker 3: talk to me at the time, but then then the

497
00:26:18,800 --> 00:26:22,080
Speaker 3: subsequent episode because I didn't bother Maybe because it didn't

498
00:26:22,080 --> 00:26:26,320
Speaker 3: bother me. I was invited to a birthday party, which

499
00:26:26,400 --> 00:26:28,119
Speaker 3: was her twenty third birthday party.

500
00:26:28,160 --> 00:26:30,480
Speaker 1: I think where was it.

501
00:26:30,480 --> 00:26:35,679
Speaker 3: It was in a in a nightclub thing in Hollywood,

502
00:26:36,880 --> 00:26:42,040
Speaker 3: down by the Grime and Chinese I think theater, and

503
00:26:42,080 --> 00:26:44,480
Speaker 3: there was a lot. There was a bunch of fights

504
00:26:44,560 --> 00:26:48,040
Speaker 3: there and bouncers. It was a wild one.

505
00:26:48,400 --> 00:26:51,959
Speaker 2: I was just a Thursday night out. But okay, are

506
00:26:52,000 --> 00:26:55,320
Speaker 2: we talking bar one? Are we talking China Club? Are

507
00:26:55,359 --> 00:26:57,240
Speaker 2: we talking Rosy?

508
00:26:57,960 --> 00:27:00,480
Speaker 3: No? I believe me even if i'd gone to those places.

509
00:27:00,520 --> 00:27:01,800
Speaker 3: I probably couldn't remember now.

510
00:27:03,080 --> 00:27:03,720
Speaker 1: Was I there?

511
00:27:04,200 --> 00:27:07,359
Speaker 2: You don't have to remember this, did you?

512
00:27:07,440 --> 00:27:09,080
Speaker 1: Did you g I'm serious? Was I there?

513
00:27:09,359 --> 00:27:10,240
Speaker 3: I went to the party?

514
00:27:10,320 --> 00:27:12,840
Speaker 1: Yes, went Jason, but toured. Do you don't you.

515
00:27:12,760 --> 00:27:13,920
Speaker 2: Remember was being there?

516
00:27:13,960 --> 00:27:16,639
Speaker 1: I goeh? Were we there? We just came about it.

517
00:27:16,680 --> 00:27:21,159
Speaker 3: Remember now, it's all overwhelmed by the fact there was

518
00:27:21,200 --> 00:27:25,240
Speaker 3: a big fight. I suddenly broke out from our primaries

519
00:27:25,280 --> 00:27:27,399
Speaker 3: and don't know what it was. But of course the

520
00:27:28,040 --> 00:27:29,800
Speaker 3: tabloids decided there was a reason.

521
00:27:30,359 --> 00:27:35,000
Speaker 2: How did you remember, specifically twenty third birthday? I have

522
00:27:35,040 --> 00:27:36,800
Speaker 2: a good memory. I would never remember that.

523
00:27:37,480 --> 00:27:39,440
Speaker 1: Maybe because you were so shocked to get the invitation.

524
00:27:40,720 --> 00:27:43,200
Speaker 3: Yeah, but well it was it was I wonder what was?

525
00:27:43,320 --> 00:27:44,520
Speaker 3: It was a weird one, and it was also an

526
00:27:44,560 --> 00:27:46,960
Speaker 3: interesting lesson that I had in life because the big

527
00:27:46,960 --> 00:27:49,080
Speaker 3: fight was happening. One of the guys who was fing

528
00:27:49,480 --> 00:27:52,159
Speaker 3: I actually was. I was. I don't know what it was.

529
00:27:52,200 --> 00:27:53,600
Speaker 3: It was the time of my life. I was in

530
00:27:53,680 --> 00:27:57,400
Speaker 3: Jesus mode. I don't know, but I grabbed this big, hulking,

531
00:27:57,520 --> 00:28:00,240
Speaker 3: massive guy and just I'm holding him a whole him

532
00:28:00,240 --> 00:28:03,920
Speaker 3: like this, Like the big man walks away the big

533
00:28:03,960 --> 00:28:09,520
Speaker 3: man walks away. You b calmed him down, and he's

534
00:28:09,600 --> 00:28:12,760
Speaker 3: trying to the door, and then the bouncers grab him

535
00:28:12,760 --> 00:28:15,040
Speaker 3: and the fight starts again because they're violent too.

536
00:28:20,400 --> 00:28:22,359
Speaker 1: There. I don't know.

537
00:28:22,720 --> 00:28:26,600
Speaker 3: I think you would remember a big fight again.

538
00:28:26,880 --> 00:28:31,360
Speaker 2: You'd be typical Thursday night out. No, every time.

539
00:28:32,800 --> 00:28:35,440
Speaker 3: Because I got it involved, because I decided to pretend

540
00:28:35,440 --> 00:28:37,479
Speaker 3: that I could solve the problem.

541
00:28:38,000 --> 00:28:40,280
Speaker 1: And I feel like you did. You made a difference.

542
00:28:40,440 --> 00:28:46,160
Speaker 3: First second, more than the lost of people went crazy. Yeah,

543
00:28:46,760 --> 00:28:48,400
Speaker 3: I was looking for a fight. Don't calm him down.

544
00:28:49,160 --> 00:28:51,800
Speaker 3: I didn't say that, but that's it.

545
00:28:52,880 --> 00:28:54,000
Speaker 1: Gosh, we wish we could.

546
00:28:54,840 --> 00:28:56,480
Speaker 3: It's lovely when she's thinking.

547
00:28:58,800 --> 00:29:09,600
Speaker 2: You're talking about me yourself into trouble right now? Wow,

548
00:29:09,720 --> 00:29:12,720
Speaker 2: it's just fun to catch up with our producers find it.

549
00:29:12,800 --> 00:29:14,680
Speaker 2: Oh my gosh, I have to know where that birthday

550
00:29:14,680 --> 00:29:17,320
Speaker 2: party was. I wonder if we'll look it up. Wheat

551
00:29:17,720 --> 00:29:20,200
Speaker 2: Was it at the Hollywood Athletic Club?

552
00:29:22,040 --> 00:29:24,280
Speaker 3: It might have been. I was very I was very

553
00:29:24,320 --> 00:29:26,760
Speaker 3: new to Los Angeles, so I couldn't have pinned anything down,

554
00:29:27,080 --> 00:29:28,720
Speaker 3: but I knew we were down in Hollywood.

555
00:29:28,920 --> 00:29:30,920
Speaker 2: I think it's coming back to me, But you know,

556
00:29:30,960 --> 00:29:33,560
Speaker 2: I don't know this is how her process works about

557
00:29:33,560 --> 00:29:34,400
Speaker 2: thirty minutes.

558
00:29:34,160 --> 00:29:35,920
Speaker 1: So I hope you have some time. Yeah, what are

559
00:29:35,920 --> 00:29:36,240
Speaker 1: you doing?

560
00:29:37,120 --> 00:29:40,680
Speaker 2: I'll get there and then I'll be whoa amazing Okay, anyway,

561
00:29:40,720 --> 00:29:44,560
Speaker 2: we'll find out at some point. Okay, I'll slide into

562
00:29:44,640 --> 00:29:50,400
Speaker 2: your DMS and not to talk about that, but just kidding.

563
00:29:50,480 --> 00:29:55,680
Speaker 2: Jason Carter, do you have Instagram?

564
00:29:55,800 --> 00:30:00,240
Speaker 3: I am very bad on all those social things. Yes

565
00:30:00,320 --> 00:30:02,560
Speaker 3: I do. I think I do, but I don't use

566
00:30:02,600 --> 00:30:04,440
Speaker 3: it in the same way as I don't use Twitter,

567
00:30:04,480 --> 00:30:09,520
Speaker 3: which I also have. Yeah, what's going on? Because she

568
00:30:09,560 --> 00:30:14,200
Speaker 3: scrolls down and goes gives me the news. But but

569
00:30:14,240 --> 00:30:17,520
Speaker 3: I use WhatsApp. That's it. What'sapp with my family? Very

570
00:30:17,520 --> 00:30:18,240
Speaker 3: cool WhatsApp.

571
00:30:18,480 --> 00:30:24,200
Speaker 1: It is what's up? What's upp what'spp what's up? Well,

572
00:30:24,280 --> 00:30:27,080
Speaker 1: what's happy you? Then? Yeah, you can what's happened? When

573
00:30:27,080 --> 00:30:29,200
Speaker 1: you remember where the bird? I remember the party?

574
00:30:29,240 --> 00:30:32,560
Speaker 3: Okay, okay? Or email me. I have my email addresse,

575
00:30:32,560 --> 00:30:35,560
Speaker 3: which hasn't changed in thirty years.

576
00:30:35,920 --> 00:30:36,600
Speaker 1: A speeler.

577
00:30:38,160 --> 00:30:39,760
Speaker 2: Oh my gosh, don't tell us.

578
00:30:40,320 --> 00:30:46,280
Speaker 1: Are you Are you AOL dot com?

579
00:30:46,880 --> 00:30:47,160
Speaker 3: No?

580
00:30:48,560 --> 00:30:52,280
Speaker 1: Oh, don't react that way. We're proud we are AOL

581
00:30:52,320 --> 00:30:55,720
Speaker 1: dot com and it makes us pretty proud it is, even.

582
00:30:55,560 --> 00:30:58,080
Speaker 2: Though every time we give it to someone I.

583
00:30:57,960 --> 00:31:01,960
Speaker 3: Know historically America online, way back, way back, way back,

584
00:31:01,960 --> 00:31:04,840
Speaker 3: way back. Yes, but they're still running, are they there?

585
00:31:04,840 --> 00:31:07,000
Speaker 3: You go just now.

586
00:31:07,120 --> 00:31:09,360
Speaker 2: But we can't let it go. It's literally just the

587
00:31:09,360 --> 00:31:13,360
Speaker 2: two of us, the habit. I'll never let it go,

588
00:31:13,440 --> 00:31:14,080
Speaker 2: will you, Jen?

589
00:31:14,520 --> 00:31:14,960
Speaker 1: Nope?

590
00:31:15,000 --> 00:31:15,400
Speaker 2: Nope?

591
00:31:15,560 --> 00:31:17,880
Speaker 1: Hold on, what are you looking at, Jason?

592
00:31:18,200 --> 00:31:22,000
Speaker 3: I'm looking at Tory Spelling's twenty third birthday and I

593
00:31:22,000 --> 00:31:23,040
Speaker 3: can't find it either.

594
00:31:24,280 --> 00:31:28,160
Speaker 2: You mean Shannon's Tory Spelling on the brain? Nor?

595
00:31:28,520 --> 00:31:33,600
Speaker 3: Sorry? Sorry, I'm old? All right? You young people don't understand.

596
00:31:33,240 --> 00:31:35,360
Speaker 1: We are not that much younger than you. Just know

597
00:31:35,480 --> 00:31:36,400
Speaker 1: I want you to We're not.

598
00:31:38,480 --> 00:31:40,440
Speaker 3: It's the great leveling out as you get older. Like

599
00:31:40,480 --> 00:31:43,880
Speaker 3: my my younger brother, My youngest brother is seven years

600
00:31:43,840 --> 00:31:46,480
Speaker 3: younger than me. Well, when I'm eighteen and he's eleven,

601
00:31:47,400 --> 00:31:51,320
Speaker 3: that's a big difference, no relationship whatsoever. But I'm sixty

602
00:31:51,320 --> 00:31:53,480
Speaker 3: two he's fifty five. Were the same age.

603
00:31:55,040 --> 00:31:55,640
Speaker 2: It happens.

604
00:31:56,400 --> 00:31:58,720
Speaker 1: And don't you like what age do you feel even

605
00:31:58,720 --> 00:32:00,800
Speaker 1: though you're sixty five? How old do you feel?

606
00:32:02,280 --> 00:32:02,440
Speaker 3: Well?

607
00:32:04,800 --> 00:32:05,800
Speaker 2: We all have that number.

608
00:32:06,400 --> 00:32:09,240
Speaker 3: Are you prepared for some Jason kind of thought wisdom

609
00:32:09,400 --> 00:32:13,960
Speaker 3: things is that some people get old. Bear with this one.

610
00:32:14,040 --> 00:32:18,200
Speaker 3: Some people get old and turn into old men. Other

611
00:32:18,240 --> 00:32:23,280
Speaker 3: people just become decrepit. That I'm that model. I will

612
00:32:23,280 --> 00:32:26,960
Speaker 3: always be Jason, but the vehicle will fall apart.

613
00:32:27,240 --> 00:32:29,640
Speaker 1: But some people, Wait, you just called yourself decrepit.

614
00:32:30,000 --> 00:32:33,680
Speaker 3: Yeah yeah, yah, yeah yeah, but but but I'm not decrepit.

615
00:32:33,720 --> 00:32:37,480
Speaker 3: But I'm just saying my vehicle will fall apart, right,

616
00:32:37,680 --> 00:32:40,720
Speaker 3: but I will still be driving it. Some people turn

617
00:32:40,760 --> 00:32:44,040
Speaker 3: into something else. Some people become old people. I don't

618
00:32:44,040 --> 00:32:46,000
Speaker 3: know what it is. I've met loads of old people

619
00:32:46,040 --> 00:32:50,720
Speaker 3: who didn't you get a point. Yes, you remain You're

620
00:32:50,720 --> 00:32:53,520
Speaker 3: the same driver. You're the you guys have been driving

621
00:32:53,720 --> 00:32:55,520
Speaker 3: for the years you have. I can see you're the

622
00:32:55,560 --> 00:32:56,240
Speaker 3: same drivers.

623
00:32:57,000 --> 00:32:59,000
Speaker 1: I don't think Tori and I will ever become old

624
00:32:59,080 --> 00:32:59,720
Speaker 1: people in.

625
00:32:59,840 --> 00:33:02,320
Speaker 3: My no, but that that's the point.

626
00:33:02,400 --> 00:33:05,800
Speaker 2: And emotionally.

627
00:33:05,880 --> 00:33:10,800
Speaker 3: The weird lesson for this was during COVID. Yes, I've

628
00:33:10,800 --> 00:33:14,840
Speaker 3: done some strange jobs. I was a working for a

629
00:33:14,880 --> 00:33:19,800
Speaker 3: wine liquor store and as a delivery driver in Louisiana

630
00:33:20,080 --> 00:33:22,960
Speaker 3: during COVID. Okay, and I had to go.

631
00:33:23,320 --> 00:33:25,360
Speaker 1: That was that was a necessity for people.

632
00:33:27,320 --> 00:33:30,560
Speaker 3: Nobody was on the road, so the police weren't stopping anybody,

633
00:33:30,600 --> 00:33:32,520
Speaker 3: because who was going to stop anybody? You'd have to

634
00:33:32,560 --> 00:33:35,680
Speaker 3: talk to them. So we were the heroes of the

635
00:33:35,760 --> 00:33:39,880
Speaker 3: road in the medical profession, delivering liquor in Louisiana, in

636
00:33:39,960 --> 00:33:44,000
Speaker 3: loss in New Orleans, of course, but because of the law,

637
00:33:44,240 --> 00:33:46,360
Speaker 3: I would have to ask them for their birthday and

638
00:33:46,400 --> 00:33:49,680
Speaker 3: the holding their license up to their window, like how

639
00:33:49,760 --> 00:33:51,880
Speaker 3: dare you come to my door? You ordered the liquor?

640
00:33:53,080 --> 00:34:00,120
Speaker 3: But old people. I see old men, and I know

641
00:34:00,160 --> 00:34:03,600
Speaker 3: I'm twenty years older than them. They're in the forties.

642
00:34:04,600 --> 00:34:07,959
Speaker 3: But they had they appeared to be old. They had set,

643
00:34:08,200 --> 00:34:13,320
Speaker 3: they had set, they had become, they had stopped. Unfortunate.

644
00:34:14,360 --> 00:34:16,480
Speaker 3: So I'm My father died when he was seventy one,

645
00:34:16,800 --> 00:34:19,680
Speaker 3: ten years ago. But my mother said at his funeral,

646
00:34:19,680 --> 00:34:22,200
Speaker 3: isn't as Brian, Brian has his name Brian? Or is it?

647
00:34:22,760 --> 00:34:24,880
Speaker 3: Because I always used to say to Brian, growing up

648
00:34:24,960 --> 00:34:29,160
Speaker 3: is optional? Growing up is optional?

649
00:34:30,040 --> 00:34:32,600
Speaker 1: Yeah, very wise words, Jason.

650
00:34:32,960 --> 00:34:34,320
Speaker 3: I stole him. I stole them.

651
00:34:34,480 --> 00:34:36,880
Speaker 2: One last thing though, to Jen's point, because there is

652
00:34:36,960 --> 00:34:38,920
Speaker 2: I feel like we all have that one number stuck

653
00:34:38,960 --> 00:34:41,400
Speaker 2: in our head, like you remember yourself at and for

654
00:34:41,400 --> 00:34:43,200
Speaker 2: some reason is there an age.

655
00:34:43,680 --> 00:34:46,799
Speaker 3: Well, I suppose it's going to actually be the most

656
00:34:47,440 --> 00:34:50,279
Speaker 3: consequential period of your life as well as that sound.

657
00:34:50,520 --> 00:34:51,960
Speaker 3: And that would have probably been when I went to

658
00:34:52,320 --> 00:34:54,560
Speaker 3: Grammar School when I was twenty. I mean I was

659
00:34:54,560 --> 00:34:56,719
Speaker 3: there when I was eighteen to twenty one, but I

660
00:34:56,760 --> 00:35:01,200
Speaker 3: was at Lambda, not the Royal had Me Acting school,

661
00:35:01,239 --> 00:35:05,440
Speaker 3: which of course was invented by Peter Frere. He sent

662
00:35:05,520 --> 00:35:06,000
Speaker 3: me the shirt.

663
00:35:07,160 --> 00:35:09,640
Speaker 2: Oh my god, I wondered why you had that shirt.

664
00:35:09,760 --> 00:35:13,200
Speaker 1: Of course, Peter is okay, amazing.

665
00:35:13,480 --> 00:35:17,239
Speaker 3: Yeah, I was playing Roy Randolph now and I did

666
00:35:17,280 --> 00:35:20,520
Speaker 3: it totally camp and I wore wore top hat. Really,

667
00:35:20,560 --> 00:35:24,400
Speaker 3: I was directing epic productions and I'd married somebody who

668
00:35:24,400 --> 00:35:25,400
Speaker 3: had a stately home.

669
00:35:26,320 --> 00:35:27,400
Speaker 2: I just had an epiphany.

670
00:35:28,280 --> 00:35:29,759
Speaker 3: Wait, I'm sorry about that.

671
00:35:29,760 --> 00:35:31,040
Speaker 1: What if this had.

672
00:35:30,920 --> 00:35:34,280
Speaker 2: Happened to you, guys, because I keep bringing up Brenda

673
00:35:34,320 --> 00:35:36,560
Speaker 2: went there and married you or whatever and had babies.

674
00:35:36,920 --> 00:35:39,960
Speaker 2: But in the final episode that we ever see Brenda Walsh,

675
00:35:40,200 --> 00:35:43,560
Speaker 2: she says to Dylan, give me something to come back to,

676
00:35:44,320 --> 00:35:48,680
Speaker 2: and we allude to the fact that they make love

677
00:35:49,320 --> 00:35:53,799
Speaker 2: one last time. But if we were to allude to

678
00:35:53,840 --> 00:35:55,640
Speaker 2: the fact that when she went to get the part

679
00:35:55,680 --> 00:36:00,600
Speaker 2: for Maggie the cat. She made love with Roy Randolph,

680
00:36:01,080 --> 00:36:04,960
Speaker 2: then technically she could go away and she could have

681
00:36:05,000 --> 00:36:08,319
Speaker 2: come baby and be pregnant or have a baby. But

682
00:36:08,400 --> 00:36:10,640
Speaker 2: we don't know who the father is. It could be

683
00:36:10,800 --> 00:36:13,480
Speaker 2: Dylan or it could be Roy Randolph. Oh, my dad

684
00:36:13,520 --> 00:36:15,240
Speaker 2: would be so proud, right now.

685
00:36:15,200 --> 00:36:18,319
Speaker 3: That's right. I don't know. Wow, this is obviously an

686
00:36:18,360 --> 00:36:21,240
Speaker 3: adventure that could have happened.

687
00:36:22,120 --> 00:36:25,840
Speaker 1: Oh my god, these things that will never know. This

688
00:36:25,960 --> 00:36:30,919
Speaker 1: is sad, but it's so great to catch up with you,

689
00:36:31,080 --> 00:36:35,160
Speaker 1: so much to see you and you will forever be

690
00:36:35,560 --> 00:36:36,360
Speaker 1: Roy Randolph.

691
00:36:36,480 --> 00:36:40,520
Speaker 3: You're wonderfully nice. Thank you, and you're looking great.

692
00:36:40,640 --> 00:36:44,440
Speaker 2: Guys, thank you. I apologize to your wife that I

693
00:36:44,480 --> 00:36:46,359
Speaker 2: seem to have hit on you. I wasn't. I just

694
00:36:46,400 --> 00:36:47,080
Speaker 2: appreciate you.

695
00:36:47,239 --> 00:36:48,920
Speaker 3: Hey, you can hit tell me anytime.

696
00:36:49,000 --> 00:36:56,280
Speaker 1: Sorry, all right, Thank you so much. Jon, Bye, Jason.

697
00:36:56,080 --> 00:36:57,080
Speaker 3: Thank you very much.

698
00:36:57,200 --> 00:37:00,480
Speaker 1: Bye bye bye bye.

699
00:37:00,640 --> 00:37:00,879
Speaker 3: Two