1 00:00:01,600 --> 00:00:06,040 Speaker 1: All right, welcome to episode eighty two podcast. Thanks for 2 00:00:06,080 --> 00:00:08,879 Speaker 1: bringing up. We're gonna talk about the top ten underrated 3 00:00:08,960 --> 00:00:13,160 Speaker 1: artists and country music. I mean completely subjective lists. I 4 00:00:13,240 --> 00:00:15,880 Speaker 1: knew it would be when I did it, so meaning 5 00:00:16,239 --> 00:00:20,840 Speaker 1: it's just my list and nobody else's. That's been fun. 6 00:00:21,160 --> 00:00:25,040 Speaker 1: Um should I do a spot first? Brought to you 7 00:00:25,079 --> 00:00:27,840 Speaker 1: by a Sleep Number, introducing the new Sleep Number three 8 00:00:27,880 --> 00:00:31,320 Speaker 1: sixties smart bed. I have a sleep number bed myself. 9 00:00:31,360 --> 00:00:33,800 Speaker 1: I have one downstairs to um. So you've heard me 10 00:00:33,800 --> 00:00:35,960 Speaker 1: talking about sleep number of bed and how while I sleep, 11 00:00:36,560 --> 00:00:39,200 Speaker 1: and my sleep number setting is thirty and my friends 12 00:00:39,240 --> 00:00:40,519 Speaker 1: a sleep number, which, by the way, if you need 13 00:00:40,560 --> 00:00:42,080 Speaker 1: a new bed, I got to sleep number because what 14 00:00:42,080 --> 00:00:44,680 Speaker 1: they do as you walk into the store and by 15 00:00:44,680 --> 00:00:46,400 Speaker 1: the way, they only had these beds sleep number stores, 16 00:00:46,440 --> 00:00:48,880 Speaker 1: and you lay down on the bed and you're down 17 00:00:48,880 --> 00:00:51,280 Speaker 1: on the bed, and then the store that I went to, 18 00:00:51,400 --> 00:00:53,520 Speaker 1: this screen on the ceiling and it shows your body 19 00:00:53,600 --> 00:00:56,480 Speaker 1: laid down kind of like a cartoon. I mean like cartoon, 20 00:00:56,600 --> 00:00:58,760 Speaker 1: like a robot, I don't know, but it's like your back, 21 00:00:58,840 --> 00:01:00,520 Speaker 1: your neck, and it shows you what you're sleep number 22 00:01:00,560 --> 00:01:02,880 Speaker 1: needs to be. That's you're setting in mind thirty and 23 00:01:02,920 --> 00:01:05,520 Speaker 1: they have a new bed now called the Sleep Number 24 00:01:05,560 --> 00:01:07,800 Speaker 1: three sixty which they let's choose your I deal firmness 25 00:01:07,800 --> 00:01:09,880 Speaker 1: and when you move, it moves with you. Apparently, dang, 26 00:01:09,920 --> 00:01:14,720 Speaker 1: I need that and it also pretty warms. Huh. So 27 00:01:15,040 --> 00:01:17,480 Speaker 1: there you go the new Sleep number bed and thanks 28 00:01:17,480 --> 00:01:19,800 Speaker 1: for them for being a sponsored with the old podcast 29 00:01:19,840 --> 00:01:21,959 Speaker 1: here and it's time that you meet a bed that 30 00:01:22,000 --> 00:01:24,600 Speaker 1: does all this. Going to a sleep number store savings 31 00:01:24,640 --> 00:01:26,560 Speaker 1: of two to four bucks on the Sleep number three 32 00:01:26,600 --> 00:01:29,760 Speaker 1: sixty smart bed sleep number dot com to find a 33 00:01:29,800 --> 00:01:33,480 Speaker 1: store near you. Yeah, been joined in my chair now 34 00:01:33,520 --> 00:01:36,959 Speaker 1: by my dog, who he doesn't get to sit in 35 00:01:37,040 --> 00:01:39,080 Speaker 1: here a lot when guests are here because he jumps 36 00:01:39,080 --> 00:01:40,880 Speaker 1: into the chair with them and not everybody is cool 37 00:01:40,880 --> 00:01:43,920 Speaker 1: with dogs. And he does like to lick the leather 38 00:01:45,560 --> 00:01:50,640 Speaker 1: then stop leathers like, so here we are, um, And 39 00:01:50,720 --> 00:01:55,640 Speaker 1: so what happened is I started this list of what 40 00:01:55,720 --> 00:02:00,120 Speaker 1: I felt were the ten most underrated, underappreciated what if 41 00:02:00,120 --> 00:02:02,320 Speaker 1: you want to say about it artists and country music 42 00:02:02,320 --> 00:02:05,280 Speaker 1: And again it was just my list, and lucky for me, 43 00:02:05,320 --> 00:02:06,920 Speaker 1: I get to be around a lot of these artists 44 00:02:07,320 --> 00:02:08,679 Speaker 1: and I get to see how how good some of 45 00:02:08,720 --> 00:02:11,040 Speaker 1: them are anything is I'm probably leaving out a hundred 46 00:02:11,080 --> 00:02:15,000 Speaker 1: people that are amazing, but this is just my opinion. 47 00:02:15,560 --> 00:02:17,680 Speaker 1: But from what I've been able to see and be around, 48 00:02:17,720 --> 00:02:20,120 Speaker 1: which is a lot, I was like, Man, these people, 49 00:02:20,120 --> 00:02:23,040 Speaker 1: I can't believe that they're not either bigger than they 50 00:02:23,040 --> 00:02:27,400 Speaker 1: are or people can't see this part of their career life. 51 00:02:28,280 --> 00:02:32,959 Speaker 1: So their artistry, especially with the Luke Bryanlin, and of 52 00:02:33,000 --> 00:02:35,360 Speaker 1: course I knew there'd be controversy. Also, if you make 53 00:02:35,440 --> 00:02:37,240 Speaker 1: a list and there's no controversy, why I haven't put 54 00:02:37,320 --> 00:02:41,280 Speaker 1: a list out Otherwise nobody cares, like there's a reason 55 00:02:41,320 --> 00:02:43,359 Speaker 1: Barbara Walters puts a Kardashian and like one of the 56 00:02:43,440 --> 00:02:46,720 Speaker 1: most interesting people, so people will talk about it. So 57 00:02:46,919 --> 00:02:49,360 Speaker 1: don't they get in put Luke there, knowing people we're 58 00:02:49,400 --> 00:02:51,560 Speaker 1: gonna freak out, like I was ready for. I wanted 59 00:02:51,560 --> 00:02:54,519 Speaker 1: it to be more quite frankly, but so I just 60 00:02:54,560 --> 00:02:56,040 Speaker 1: want to roll down these and you kind of talk 61 00:02:56,080 --> 00:02:58,560 Speaker 1: about why for a second. And I started the list 62 00:02:59,240 --> 00:03:08,880 Speaker 1: at number ten, Brandy Clark. It's called Girl next Door 63 00:03:09,320 --> 00:03:11,000 Speaker 1: and Brandy has been on the podcast, And I hope 64 00:03:11,000 --> 00:03:12,480 Speaker 1: you go back and listen to the Brandy Clark one 65 00:03:12,560 --> 00:03:15,680 Speaker 1: because I really like Brandy not only is an artist obviously, 66 00:03:15,720 --> 00:03:24,320 Speaker 1: but as a person. She's got three nod she's too 67 00:03:24,320 --> 00:03:27,720 Speaker 1: weeks plain on less monstrand So I put her in 68 00:03:27,840 --> 00:03:31,880 Speaker 1: number ten because once she can sing, she's such a 69 00:03:31,919 --> 00:03:38,120 Speaker 1: prolific songwriter. And yeah, she's been nominated for a Grammy 70 00:03:38,200 --> 00:03:42,680 Speaker 1: or CMA gram Yeah and so, and you're like, how 71 00:03:42,720 --> 00:03:46,320 Speaker 1: does someone underrated? Listen, underrated is on the mind, but 72 00:03:46,520 --> 00:03:50,600 Speaker 1: she's It's hard to say someone who's Grammy nominated is underrated, 73 00:03:51,160 --> 00:03:52,920 Speaker 1: but I do feel that she doesn't get the respect 74 00:03:52,960 --> 00:03:57,120 Speaker 1: that I feel like she deserves, or makes the money 75 00:03:57,120 --> 00:03:59,200 Speaker 1: that she should be making, or has the stage that 76 00:03:59,240 --> 00:04:01,840 Speaker 1: she should be getting. And how good she is as 77 00:04:01,880 --> 00:04:05,800 Speaker 1: a performer, um and listen, she ain't struggling, she's not 78 00:04:05,920 --> 00:04:08,520 Speaker 1: hungry because she's writing songs and she's such a good singer. 79 00:04:08,520 --> 00:04:10,640 Speaker 1: She has a new album out that's Live in Los Angeles, 80 00:04:10,920 --> 00:04:13,360 Speaker 1: which is a bunch of songs that you know, but 81 00:04:13,360 --> 00:04:15,400 Speaker 1: it's it's just a live record and it's really good. 82 00:04:15,400 --> 00:04:16,919 Speaker 1: It's like in a small club. So I bet her 83 00:04:17,000 --> 00:04:21,800 Speaker 1: number ten because she's just pure when she sings, and 84 00:04:21,839 --> 00:04:24,360 Speaker 1: she's coming twice and it's there are things when people 85 00:04:24,360 --> 00:04:26,320 Speaker 1: come to the studio and they sit and they play. 86 00:04:26,800 --> 00:04:29,440 Speaker 1: I kind of react differently if I stare at them 87 00:04:29,440 --> 00:04:33,000 Speaker 1: and I watched them like I'm really into it, or 88 00:04:33,040 --> 00:04:35,040 Speaker 1: I'm like or I'm kind of taking it back, and 89 00:04:35,160 --> 00:04:38,160 Speaker 1: how good or how different it is. If I'm just 90 00:04:38,240 --> 00:04:41,440 Speaker 1: looking down at the board, it's not good because and 91 00:04:41,600 --> 00:04:45,840 Speaker 1: I don't want it to be weird. Or if I'm 92 00:04:45,880 --> 00:04:48,040 Speaker 1: on my computer, there's a difference. I'll flip over on 93 00:04:48,080 --> 00:04:50,279 Speaker 1: my computer and do stuff that means I'm really comfortable 94 00:04:50,279 --> 00:04:52,000 Speaker 1: with the artists. They've been about a hundred times, and 95 00:04:52,000 --> 00:04:53,640 Speaker 1: I'm gonna go and look some stuff up real quick, 96 00:04:53,720 --> 00:04:55,880 Speaker 1: or I'm gonna check something real quick. Those are the 97 00:04:56,000 --> 00:04:59,720 Speaker 1: three things that I do because I'm sitting three f 98 00:05:00,120 --> 00:05:04,000 Speaker 1: from the person who's playing. So if I'm watching, like 99 00:05:04,040 --> 00:05:06,560 Speaker 1: I'm really into it, I'm like wow. If I'm not watching, 100 00:05:06,680 --> 00:05:09,400 Speaker 1: my head's just down. I'm like, oh no, this is 101 00:05:09,440 --> 00:05:11,839 Speaker 1: not a good look. And if I'm on my computer, 102 00:05:11,880 --> 00:05:14,320 Speaker 1: I'm kind of bouncing around. It's it's going just as 103 00:05:14,320 --> 00:05:16,080 Speaker 1: good as I expected it too. But and I'm very 104 00:05:16,080 --> 00:05:18,080 Speaker 1: comfortable with this artist, and they're comfortable with me bouncing 105 00:05:18,080 --> 00:05:20,200 Speaker 1: around because they just have to do and number ten 106 00:05:20,240 --> 00:05:22,200 Speaker 1: Brandy Clark and I hope you guys check her out. 107 00:05:22,240 --> 00:05:24,000 Speaker 1: She's I hope you listen to the Bobby Cast with 108 00:05:24,080 --> 00:05:35,560 Speaker 1: Brandy Clark. At number nine, Craig Campbell's Lord when outscart. 109 00:05:36,960 --> 00:05:39,240 Speaker 1: You know, Craig hasn't had a bunch of commercial success. 110 00:05:39,320 --> 00:05:43,320 Speaker 1: He's had a little bit, you know, he had out 111 00:05:43,320 --> 00:05:48,640 Speaker 1: of my head not to see smiling. Yeah, yeah, can't 112 00:05:48,680 --> 00:05:52,000 Speaker 1: get you out of mind. Another great Bobby Cast to 113 00:05:52,040 --> 00:05:55,000 Speaker 1: listen to it. Because Craig was playing side for Luke Bryan. 114 00:05:55,040 --> 00:05:57,560 Speaker 1: He's playing the keys, and there was a point where 115 00:05:57,600 --> 00:05:59,440 Speaker 1: Luke basically fired him because he was like, hey, I 116 00:05:59,440 --> 00:06:00,760 Speaker 1: know you want to go for so your own career go. 117 00:06:00,920 --> 00:06:03,839 Speaker 1: You should go do that, like get out of being 118 00:06:03,880 --> 00:06:06,080 Speaker 1: in a band and the comfortableness and go and try 119 00:06:06,160 --> 00:06:09,479 Speaker 1: to be a solo artist. And you know a lot 120 00:06:09,560 --> 00:06:11,320 Speaker 1: of these guys, you hear their songs out of a 121 00:06:11,360 --> 00:06:14,520 Speaker 1: studio and they all sound don't sounds the same as 122 00:06:14,800 --> 00:06:16,480 Speaker 1: meaning some songs are better than others, but they all 123 00:06:16,480 --> 00:06:21,400 Speaker 1: sound the same like sonically, they're all good quality songs. 124 00:06:22,560 --> 00:06:26,159 Speaker 1: But whenever Craig Campbell performs live and he sings because 125 00:06:26,160 --> 00:06:28,239 Speaker 1: he's camp he's come out and played with raging ideas before, 126 00:06:28,960 --> 00:06:31,480 Speaker 1: and he's played on the show many times. You're just 127 00:06:31,520 --> 00:06:33,920 Speaker 1: like whoa. And he can play everything, and you play 128 00:06:33,960 --> 00:06:38,120 Speaker 1: the piano like freaking Beethoven. He's like country Beethoven, and 129 00:06:38,200 --> 00:06:40,960 Speaker 1: you don't expect that from him. And he plays the 130 00:06:41,000 --> 00:06:44,119 Speaker 1: guitar and then he sings, and he is for people 131 00:06:44,240 --> 00:06:48,320 Speaker 1: that are looking for like that ultimate country traditional artist, 132 00:06:49,120 --> 00:06:51,560 Speaker 1: like that's Craig Campbell. And to me, it's crazy that 133 00:06:51,600 --> 00:06:53,600 Speaker 1: he hasn't been the one to cut through on that 134 00:06:53,680 --> 00:06:56,599 Speaker 1: level because inside the format there are all these little 135 00:06:56,640 --> 00:07:00,400 Speaker 1: sex sec t s x of there's a progressive guys, 136 00:07:00,880 --> 00:07:04,240 Speaker 1: there's I say guys, guys, girls, there's the right down 137 00:07:04,279 --> 00:07:07,000 Speaker 1: the middle putting out just the standard hits. And then 138 00:07:07,000 --> 00:07:09,760 Speaker 1: they are the people that are very traditional and Craig 139 00:07:09,760 --> 00:07:14,160 Speaker 1: Campbell's one of them and just such a pure singer, 140 00:07:14,640 --> 00:07:18,280 Speaker 1: can play multiple instruments. And I've said before that the 141 00:07:18,280 --> 00:07:20,840 Speaker 1: fact that he's not a star is crazy to me. 142 00:07:22,160 --> 00:07:24,680 Speaker 1: Just you know, his first label whenever this song came 143 00:07:24,680 --> 00:07:27,400 Speaker 1: out out of my head, I believe the label folded 144 00:07:27,400 --> 00:07:29,760 Speaker 1: while it was climbing the chart. The label this is 145 00:07:29,800 --> 00:07:34,000 Speaker 1: the biggest song. I believe it was this one, and 146 00:07:34,000 --> 00:07:37,200 Speaker 1: then Outskirts of Heaven was so good, but stupid radio 147 00:07:38,040 --> 00:07:41,160 Speaker 1: stations want to play because it's too slow, which comes 148 00:07:41,200 --> 00:07:46,520 Speaker 1: not a whole other topic, but that's number nine. At 149 00:07:46,600 --> 00:07:50,960 Speaker 1: number eight, I put Luke Bryant probably my most controversial, 150 00:07:50,960 --> 00:07:54,720 Speaker 1: will pick up all of them. I feel like he's 151 00:07:54,720 --> 00:07:56,720 Speaker 1: the biggest artist in the format. Why is he underrated? 152 00:07:57,400 --> 00:07:59,600 Speaker 1: I agree he's the biggest artist in the format, and 153 00:07:59,600 --> 00:08:05,920 Speaker 1: absolut is like, just try, but you can be super 154 00:08:06,000 --> 00:08:11,040 Speaker 1: highly rated and still be underrated. The second and where 155 00:08:11,080 --> 00:08:14,360 Speaker 1: I think he's underrated in his songwriting ability and his 156 00:08:14,480 --> 00:08:20,680 Speaker 1: actual artistry of sitting playing a piano, playing the guitar, 157 00:08:21,120 --> 00:08:24,280 Speaker 1: Like I've just seen him sitting play a piano and sing. 158 00:08:24,520 --> 00:08:26,080 Speaker 1: And it's like people get to see this part of 159 00:08:26,120 --> 00:08:28,480 Speaker 1: Luke Brian because he's the guy who puts on a 160 00:08:28,520 --> 00:08:32,480 Speaker 1: fantastic show. Because of his showmanship, he gets penalized for 161 00:08:32,520 --> 00:08:34,760 Speaker 1: how good of an artist he really is. And it's 162 00:08:34,800 --> 00:08:37,240 Speaker 1: a weird thing because the bigger he gets, the more 163 00:08:37,240 --> 00:08:40,560 Speaker 1: people forget how good of an artist he is. Bigger 164 00:08:40,559 --> 00:08:43,599 Speaker 1: he gets, the people see the superstar that And he 165 00:08:43,640 --> 00:08:44,880 Speaker 1: even said it on our show. He was like, you know, 166 00:08:45,480 --> 00:08:47,960 Speaker 1: I'm not wearing pants is tied anymore, because that's why 167 00:08:47,960 --> 00:08:50,280 Speaker 1: people start to know me as tight pants Luke, you know, 168 00:08:50,600 --> 00:08:54,199 Speaker 1: And he said something to that that that effect. I 169 00:08:54,320 --> 00:08:57,160 Speaker 1: gotta put Luke there because people just go, oh, Luke Brian, 170 00:08:57,200 --> 00:08:59,080 Speaker 1: that's the guy dance around tight pants and gets all 171 00:08:59,080 --> 00:09:01,480 Speaker 1: the hits. But you know, the reason he gets the 172 00:09:01,559 --> 00:09:04,040 Speaker 1: dancer on tight pants in front of thirty people is 173 00:09:04,080 --> 00:09:07,240 Speaker 1: because he's been a crazy good artist for years and 174 00:09:07,320 --> 00:09:09,360 Speaker 1: years and years before that. Like, he had to work 175 00:09:09,440 --> 00:09:11,880 Speaker 1: up to be able to be tight pants Luke, and 176 00:09:11,960 --> 00:09:13,960 Speaker 1: so he had to work out to get the American 177 00:09:14,000 --> 00:09:16,840 Speaker 1: Idol job. It's not like someone was like, hey, you 178 00:09:16,880 --> 00:09:18,640 Speaker 1: shake your butt and you we can give you some 179 00:09:18,679 --> 00:09:21,280 Speaker 1: good songs. You go on a big fella. It wasn't 180 00:09:21,280 --> 00:09:23,240 Speaker 1: it at all. He had to be an artist and 181 00:09:23,400 --> 00:09:25,600 Speaker 1: a lot of failure. He had a bunch of songs 182 00:09:25,640 --> 00:09:27,040 Speaker 1: that didn't make it early he went to a ton 183 00:09:27,240 --> 00:09:29,560 Speaker 1: wird song. So the Luke Brian that you know now, 184 00:09:29,559 --> 00:09:32,960 Speaker 1: it's not the Luke Brian that I've been lucky enough 185 00:09:33,000 --> 00:09:36,160 Speaker 1: to see at times when no one else is around. 186 00:09:36,200 --> 00:09:38,040 Speaker 1: So I put them on the list because I think 187 00:09:38,040 --> 00:09:39,840 Speaker 1: people just see Luke Bran now as the guy that 188 00:09:40,280 --> 00:09:42,520 Speaker 1: where's that same hat, where's the type pants? It gets 189 00:09:42,600 --> 00:09:45,640 Speaker 1: up there and shakes it and sings the hits, you know. 190 00:09:46,280 --> 00:09:48,160 Speaker 1: But he's also the guy who writes his songs. And 191 00:09:48,160 --> 00:09:50,520 Speaker 1: I've said it before, like even Billy Currington Good Directions 192 00:09:50,520 --> 00:09:54,240 Speaker 1: was song that Luke wrote. You know, people don't know. 193 00:09:54,280 --> 00:09:57,600 Speaker 1: People know that ten not Ada's Luke Bryan. Number seven 194 00:09:57,760 --> 00:10:07,320 Speaker 1: is Charlie Worsham. I'm a huge Charlie worship fan. I 195 00:10:07,360 --> 00:10:11,000 Speaker 1: don't know that there's an artist on this list that 196 00:10:11,160 --> 00:10:14,600 Speaker 1: is as respected in town by other artists as Charlie Worsham. 197 00:10:15,200 --> 00:10:17,240 Speaker 1: Is this that's a lot to say, because there's some 198 00:10:17,240 --> 00:10:21,520 Speaker 1: great artists on this list, But when Charlie Worsham will 199 00:10:21,520 --> 00:10:23,920 Speaker 1: do something in Nashville and he'll do it some kind 200 00:10:23,960 --> 00:10:26,560 Speaker 1: of night, and a writer and people like Eric Church 201 00:10:26,640 --> 00:10:30,040 Speaker 1: came to a Charlie Worsham small thing like that's how 202 00:10:30,440 --> 00:10:33,480 Speaker 1: respected Charlie Worsham is. Because he can play the guitar 203 00:10:35,679 --> 00:10:41,640 Speaker 1: so eloquently and perfectly, and he is such a kind guy. 204 00:10:41,040 --> 00:10:44,439 Speaker 1: And people say he's the best guitar player in town. 205 00:10:45,040 --> 00:10:46,440 Speaker 1: I don't know. I haven't met all the guitar players, 206 00:10:46,480 --> 00:10:50,000 Speaker 1: and that I feel like he's just had the right 207 00:10:50,000 --> 00:10:54,880 Speaker 1: song yet when the needle drives them. But when Eric 208 00:10:54,960 --> 00:10:58,240 Speaker 1: Church shows up at your thing, that's pretty freaking cool. 209 00:10:59,679 --> 00:11:03,960 Speaker 1: And I love Charlie's music because it's not super traditional. 210 00:11:05,880 --> 00:11:10,719 Speaker 1: It's not like cowboy hat country, but it's it's it 211 00:11:10,880 --> 00:11:12,920 Speaker 1: is country. You don't even debate it because some music 212 00:11:13,080 --> 00:11:15,319 Speaker 1: like this is I don't I don't even like a 213 00:11:15,360 --> 00:11:19,760 Speaker 1: signing genres frankly, but people like I wonted this is country, 214 00:11:20,040 --> 00:11:22,120 Speaker 1: just even you don't ever ask that about Charlie Wassham. 215 00:11:22,240 --> 00:11:25,000 Speaker 1: Yet it's still not super traditional. It's a weird line 216 00:11:25,040 --> 00:11:29,439 Speaker 1: with his music because no one goes love this this country, 217 00:11:30,080 --> 00:11:32,160 Speaker 1: but he's not cowboy hat country at the same time. 218 00:11:32,840 --> 00:11:35,959 Speaker 1: But and he's a guy. He's such a smart guy, 219 00:11:36,800 --> 00:11:39,520 Speaker 1: like I think, you know, because we've done a Bobby 220 00:11:39,559 --> 00:11:42,640 Speaker 1: cast with him, and the fact that he plays he's 221 00:11:42,800 --> 00:11:45,080 Speaker 1: as a kid played all those instruments. Didn't he play 222 00:11:45,200 --> 00:11:47,920 Speaker 1: like the but why did he play? It was so 223 00:11:47,960 --> 00:11:51,720 Speaker 1: crazy to me. He played like the accordion or something. 224 00:11:51,760 --> 00:11:54,160 Speaker 1: I don't even know what it was. But anyway, Charlie 225 00:11:54,160 --> 00:11:57,560 Speaker 1: Worsham ten nine eight is a number seven most Underrated 226 00:11:57,600 --> 00:12:00,400 Speaker 1: artist list, I encourage you to check out a new album. 227 00:12:07,640 --> 00:12:10,120 Speaker 1: I mean, if there's like a John Mayor of country music, 228 00:12:10,120 --> 00:12:11,800 Speaker 1: and not even just for the guitar, but just the 229 00:12:11,840 --> 00:12:14,800 Speaker 1: cerebralness of him, it's Charlie Worsham. If there's like a 230 00:12:14,880 --> 00:12:17,520 Speaker 1: John Mayor of country music, and I'll say John just 231 00:12:17,520 --> 00:12:19,199 Speaker 1: because the guitar playing skills. But John here is like 232 00:12:19,200 --> 00:12:21,040 Speaker 1: on a different level in his mind, like he sees 233 00:12:21,080 --> 00:12:24,480 Speaker 1: things differently, talks, he's quick, he's super smart. Wherever you are, 234 00:12:24,480 --> 00:12:25,959 Speaker 1: he's about to step ahead of you looking down and 235 00:12:26,040 --> 00:12:29,840 Speaker 1: you going, yeah, you stupid, you know so, Charlie Worsham 236 00:12:29,920 --> 00:12:31,520 Speaker 1: to me, is kind of the John Mayor of our format. 237 00:12:31,559 --> 00:12:33,320 Speaker 1: And I'll say stupid in a bad way, but like 238 00:12:34,120 --> 00:12:38,360 Speaker 1: he's just in a different place in his brain. Blue Apron, 239 00:12:38,440 --> 00:12:41,559 Speaker 1: Oh love Blue Apron for less than ten dollars per 240 00:12:41,600 --> 00:12:44,679 Speaker 1: person per mell. Got gotta email. Just got a email. 241 00:12:45,000 --> 00:12:47,520 Speaker 1: I wonder if it's from Blue Apron saying your new 242 00:12:47,520 --> 00:12:53,600 Speaker 1: blue Aprons. Here are these shorts. The zippers are like 243 00:12:54,160 --> 00:12:59,400 Speaker 1: cutting me um all right, let me Blue Apron. By 244 00:12:59,400 --> 00:13:01,480 Speaker 1: the way, Oh, let me tell you what you can 245 00:13:01,520 --> 00:13:04,480 Speaker 1: make garlic, butter, shrimp and corn with green bean salad 246 00:13:04,480 --> 00:13:06,600 Speaker 1: and roast of purple tomatoes. Probably I could never make that. 247 00:13:06,840 --> 00:13:09,400 Speaker 1: You can with Blue Apron, skillet vegetable chili with corn 248 00:13:09,400 --> 00:13:11,440 Speaker 1: meal and show to drop biscuits. You can the Blue Apron. 249 00:13:11,559 --> 00:13:13,079 Speaker 1: They send it right to your door and for the 250 00:13:13,160 --> 00:13:16,000 Speaker 1: less than ten dollars per person per meal, Blue Apron 251 00:13:16,040 --> 00:13:19,760 Speaker 1: delivers seasonal recipes along with pre portioned ingredients to make 252 00:13:19,760 --> 00:13:23,760 Speaker 1: delicious home cooked meals. And so they come to your door. 253 00:13:24,160 --> 00:13:25,920 Speaker 1: There's a car tells you how to make it, so 254 00:13:25,920 --> 00:13:28,400 Speaker 1: you have to worry about that. And again the pre 255 00:13:28,480 --> 00:13:30,079 Speaker 1: portion things, the big deals. You have to buy much 256 00:13:30,120 --> 00:13:33,480 Speaker 1: extra stuff and it's guarante to be fresh. It's just 257 00:13:34,280 --> 00:13:36,040 Speaker 1: it's so easy because you can put them in your house, 258 00:13:36,040 --> 00:13:37,120 Speaker 1: three or four of them, and you have to have 259 00:13:37,160 --> 00:13:38,640 Speaker 1: cook you have to eat them right away when they come. 260 00:13:38,960 --> 00:13:41,480 Speaker 1: You just make them whenever you're ready. I love Blue Apron. 261 00:13:41,480 --> 00:13:42,960 Speaker 1: For a limit of time, Belie Apro will be delivering 262 00:13:42,960 --> 00:13:46,640 Speaker 1: recipes inspired by the winning dishes on Master Chef Turned 263 00:13:46,679 --> 00:13:49,360 Speaker 1: into Master Chef on Fox Wednesday at eight seven Central. 264 00:13:49,520 --> 00:13:53,040 Speaker 1: Revisit Blue Apron starting August, Blue Apron dot com slash 265 00:13:53,160 --> 00:13:55,320 Speaker 1: Bobby Cast to get your first three meals for free. 266 00:13:55,559 --> 00:13:58,600 Speaker 1: You really try that Blue Apron dot com slash Bobby 267 00:13:58,679 --> 00:14:01,640 Speaker 1: cast first three meals us for free. Blue Apron is 268 00:14:01,640 --> 00:14:05,760 Speaker 1: a better way to cook. Alright. So we are at 269 00:14:05,920 --> 00:14:09,480 Speaker 1: Brandy Clark tin, Craig Campbell nine, Luke Bryant eight, Charlie 270 00:14:09,480 --> 00:14:12,520 Speaker 1: Worsham seven. This Cody Johnson. I've known about it for 271 00:14:12,559 --> 00:14:15,120 Speaker 1: a bit because obviously I lived basically fifteen years in 272 00:14:15,160 --> 00:14:18,960 Speaker 1: Texas and I love ostin Texas, so freaking watch and 273 00:14:19,200 --> 00:14:20,440 Speaker 1: when you're in Texas you meet a lot of the 274 00:14:20,480 --> 00:14:23,760 Speaker 1: Texas Country guys. And Cody put out a record, his 275 00:14:23,800 --> 00:14:31,640 Speaker 1: last record, which I thought was really really good, and 276 00:14:31,680 --> 00:14:33,080 Speaker 1: it was the first time I've lived in drawn any 277 00:14:33,080 --> 00:14:34,720 Speaker 1: of Cody Johnson's music, and I were playing it on 278 00:14:34,720 --> 00:14:42,120 Speaker 1: the air. People like, what this guy can save? Now 279 00:14:42,120 --> 00:14:49,440 Speaker 1: he's cowboy Country's Texas country had the Texas Country things 280 00:14:49,440 --> 00:14:50,680 Speaker 1: a little weird to me because I have so many 281 00:14:50,720 --> 00:14:54,360 Speaker 1: friends that do it, and they can't act like they 282 00:14:54,400 --> 00:14:56,640 Speaker 1: want to make it on a national level. I hate 283 00:14:56,680 --> 00:14:58,560 Speaker 1: to say even Nashville countrycause there's a lot of Texas 284 00:14:58,600 --> 00:15:01,200 Speaker 1: people here, but they can't act like they want to 285 00:15:01,240 --> 00:15:03,640 Speaker 1: make it. They have to act like in case they don't, 286 00:15:03,800 --> 00:15:06,360 Speaker 1: but they didn't try, and so I have art and 287 00:15:06,360 --> 00:15:07,880 Speaker 1: I do not even call friends. I've said it before, 288 00:15:08,120 --> 00:15:11,360 Speaker 1: like they're secretly trying to get deals in Nashville, and 289 00:15:11,360 --> 00:15:15,680 Speaker 1: if they don't, then they're like, oh, Nashville sucks. Not listen. 290 00:15:15,880 --> 00:15:18,760 Speaker 1: I don't care where you live. I don't care what. 291 00:15:19,040 --> 00:15:21,120 Speaker 1: If it's good, it's good. And you know, Aaron Watson 292 00:15:21,120 --> 00:15:22,400 Speaker 1: has done pretty well right now. I think you got 293 00:15:22,400 --> 00:15:26,440 Speaker 1: a song at like in the twenties, so but nobody 294 00:15:26,520 --> 00:15:29,440 Speaker 1: cares where he's from. Eli Young band when they crossed 295 00:15:29,480 --> 00:15:32,360 Speaker 1: their Texas Country artists that that crossed over. And here's 296 00:15:32,360 --> 00:15:35,240 Speaker 1: the deal. If you go from like Texas Country to 297 00:15:36,040 --> 00:15:39,640 Speaker 1: a national act where you're getting to tour, the doors 298 00:15:39,680 --> 00:15:42,160 Speaker 1: open for you a lot um, You make more money, 299 00:15:42,600 --> 00:15:47,280 Speaker 1: You get to support your kids better, are you niether clothes, 300 00:15:47,520 --> 00:15:48,880 Speaker 1: You get to give to your church a little more. 301 00:15:49,880 --> 00:15:53,040 Speaker 1: So you know, I just know a lot of the 302 00:15:53,400 --> 00:15:55,680 Speaker 1: Texas Country artists that have to on the front go 303 00:15:56,800 --> 00:16:00,320 Speaker 1: just Nashville stuff stupid. I love Red Dirt, but Sequiel, 304 00:16:00,320 --> 00:16:01,800 Speaker 1: they're in town trying to get record deals or text 305 00:16:01,800 --> 00:16:03,560 Speaker 1: me like, hey, what your dinner? But I like them, 306 00:16:03,600 --> 00:16:06,160 Speaker 1: like they're my friends. Or I would just don't under 307 00:16:06,160 --> 00:16:10,320 Speaker 1: the bus. But but I get it because it's a 308 00:16:10,400 --> 00:16:13,720 Speaker 1: it's a culture, and you still want to make you 309 00:16:13,760 --> 00:16:16,560 Speaker 1: don't want to play to your base. And there are 310 00:16:16,640 --> 00:16:20,000 Speaker 1: artists because of that culture in Texas, like National. I 311 00:16:20,040 --> 00:16:21,800 Speaker 1: don't even like to call Nashville because most people from 312 00:16:21,840 --> 00:16:24,320 Speaker 1: National art from Nahville. That's the weird thing in the Nashville. 313 00:16:24,880 --> 00:16:29,400 Speaker 1: Most people here, they're not from TZI, like they're from Georgia, Alabama, 314 00:16:29,800 --> 00:16:34,640 Speaker 1: south from Texas, not even Markansas, oddly California. It's California. Yeah, 315 00:16:35,080 --> 00:16:38,960 Speaker 1: there really are so um. I like Cody Johnson. I 316 00:16:39,000 --> 00:16:40,880 Speaker 1: don't even like to call him a Texas artist because 317 00:16:40,880 --> 00:16:44,640 Speaker 1: I think I don't like separating them. I just think 318 00:16:44,640 --> 00:16:47,120 Speaker 1: he's a great artist and he can sing, and I 319 00:16:47,160 --> 00:16:54,240 Speaker 1: really liked his last album. I think on YouTube I 320 00:16:54,320 --> 00:16:58,120 Speaker 1: did a video of like five artists I thought were fantastic, 321 00:16:58,200 --> 00:16:59,840 Speaker 1: a bit of going. I put him in there some time. 322 00:16:59,880 --> 00:17:02,400 Speaker 1: I our time to think Cody Johnson's awesome. Probably the 323 00:17:02,480 --> 00:17:05,800 Speaker 1: least known because he hadn't crossed over a lot yet, 324 00:17:05,960 --> 00:17:08,960 Speaker 1: but man, I think he has a potential. Um But 325 00:17:09,080 --> 00:17:11,520 Speaker 1: like Granger Smith deals with that, you know, he was 326 00:17:11,840 --> 00:17:14,920 Speaker 1: what was considered a Texas artist. But Granger did something 327 00:17:14,960 --> 00:17:18,600 Speaker 1: I haven't seen anybody else do, and the Texas artists seen. 328 00:17:18,880 --> 00:17:21,520 Speaker 1: He built it all himself, and he had all the 329 00:17:21,600 --> 00:17:24,520 Speaker 1: leverage in the world, and he had millions of followers 330 00:17:24,560 --> 00:17:27,679 Speaker 1: and fans and people were chomping at the bit to 331 00:17:27,680 --> 00:17:30,399 Speaker 1: sign him. He ain't got he didn't come begging, and 332 00:17:30,440 --> 00:17:32,080 Speaker 1: he was like, if it happens, it happens. It was 333 00:17:32,119 --> 00:17:34,560 Speaker 1: really amazing. And I'll say this, Granger and I are 334 00:17:35,760 --> 00:17:40,000 Speaker 1: are close. Like Granger and I text and we see. 335 00:17:41,080 --> 00:17:43,439 Speaker 1: He's one of the few that were like when the hurricane, 336 00:17:43,480 --> 00:17:44,600 Speaker 1: if I just called him, I was like, hey, dude, 337 00:17:44,600 --> 00:17:45,840 Speaker 1: if something that you know, we may need to do 338 00:17:45,880 --> 00:17:48,920 Speaker 1: something together if something else doesn't happen. And luckily a 339 00:17:48,960 --> 00:17:51,720 Speaker 1: lot of people got together and started doing things. But 340 00:17:52,560 --> 00:17:56,080 Speaker 1: Granger came to town and well everyone was like, wow, 341 00:17:56,119 --> 00:17:58,760 Speaker 1: we need this guy. But you know a lot of 342 00:18:00,040 --> 00:18:03,440 Speaker 1: Josh Abbott band, Eli Young band, you know, Pat Green 343 00:18:03,560 --> 00:18:05,600 Speaker 1: did for a bit and had Wave on Way, which 344 00:18:05,600 --> 00:18:07,440 Speaker 1: is a big national song. And then I don't think 345 00:18:07,440 --> 00:18:10,560 Speaker 1: a second song works anyway like Texas country. It's like sucks. 346 00:18:10,840 --> 00:18:12,600 Speaker 1: But I would do the same thing, like I took 347 00:18:12,640 --> 00:18:15,879 Speaker 1: I'd be like, i'n'na trying to make it, and then 348 00:18:15,920 --> 00:18:19,320 Speaker 1: if I don't, I'll be like, sorry, they're all sell outs. 349 00:18:19,840 --> 00:18:22,159 Speaker 1: Everybody just trying to make it. You can't hate out 350 00:18:22,200 --> 00:18:24,280 Speaker 1: of ever trying to make it. And what happens to 351 00:18:24,320 --> 00:18:26,560 Speaker 1: in that culture of Texas Country when an artist that 352 00:18:26,640 --> 00:18:28,560 Speaker 1: is gonna make it, everybody else hate to starts hating 353 00:18:28,600 --> 00:18:32,200 Speaker 1: on them, which is how America works. When someone tarts 354 00:18:32,200 --> 00:18:33,800 Speaker 1: to get success outside of your bubble, you're like, oh, 355 00:18:33,840 --> 00:18:36,840 Speaker 1: there's side anyway. I like Cody Johnson a lot. My 356 00:18:36,920 --> 00:18:39,520 Speaker 1: point now like Texas Country, but I don't like calling 357 00:18:39,520 --> 00:18:43,439 Speaker 1: in Texas Country, and it's just like national or national country. 358 00:18:43,480 --> 00:18:46,120 Speaker 1: Some of it sucks and some of it doesn't. Same 359 00:18:46,160 --> 00:18:47,879 Speaker 1: thing with what's quote Texas a right, some of it 360 00:18:47,960 --> 00:18:50,120 Speaker 1: sucks and some of it doesn't. Same thing with pop. 361 00:18:50,160 --> 00:18:52,119 Speaker 1: When I was walking to pop, a lot of it sucked, 362 00:18:52,160 --> 00:18:54,560 Speaker 1: but some of it was really awesome. When I was 363 00:18:54,600 --> 00:18:58,560 Speaker 1: working alternative, like that was the weirdest format for me 364 00:18:58,640 --> 00:19:03,760 Speaker 1: because I absolutely loved about two songs an hour, loved 365 00:19:03,840 --> 00:19:06,320 Speaker 1: about too, like my favorite songs, and then the rest 366 00:19:06,359 --> 00:19:10,560 Speaker 1: of just total crap. It was the weirdest it was 367 00:19:10,720 --> 00:19:12,560 Speaker 1: and it would be the weirdest thing, and I would 368 00:19:12,600 --> 00:19:14,720 Speaker 1: hate I would think, like, how are these even songs? 369 00:19:15,760 --> 00:19:17,760 Speaker 1: But then something would come on, like when Milky Chance 370 00:19:17,800 --> 00:19:18,960 Speaker 1: for I started coming out, I'll be like, this is 371 00:19:19,040 --> 00:19:23,760 Speaker 1: freaking amazing, but a'll turn it was dead. Now Obviously, 372 00:19:23,840 --> 00:19:26,119 Speaker 1: if you know me at all, I don't like the 373 00:19:26,200 --> 00:19:29,520 Speaker 1: fact that there are formats. I just love music and 374 00:19:29,640 --> 00:19:32,920 Speaker 1: then uh, yeah they're sucky and there's great and indifferent. 375 00:19:33,040 --> 00:19:35,280 Speaker 1: But the good thing is we get to be yeah, 376 00:19:35,800 --> 00:19:38,359 Speaker 1: to get to pick ourselves. Okay, so this Cody Johnson, 377 00:19:38,480 --> 00:19:40,200 Speaker 1: I encourage you to check him out. We're now in 378 00:19:40,240 --> 00:19:43,399 Speaker 1: the top five by Most Underrated Artist list, and I 379 00:19:43,440 --> 00:19:55,240 Speaker 1: picked Lauren Eline. Now, now Laura and I have spent 380 00:19:55,359 --> 00:19:57,560 Speaker 1: some time together. She came and opened up for the idiots. 381 00:19:57,600 --> 00:20:02,720 Speaker 1: She's done on the show a few times. I'm gonna 382 00:20:02,760 --> 00:20:05,680 Speaker 1: tell you she is as good a singer as anybody 383 00:20:05,760 --> 00:20:09,359 Speaker 1: in Nashville. That's it, she is. And people don't know that. 384 00:20:09,440 --> 00:20:12,880 Speaker 1: They know she's a good singer. But you can name 385 00:20:13,000 --> 00:20:15,960 Speaker 1: somebody and I'll be like, yeah, she's good at them. 386 00:20:17,200 --> 00:20:20,719 Speaker 1: It's tough. She's as good as anybody in Nashville. Now, 387 00:20:20,840 --> 00:20:24,560 Speaker 1: depending on your tastes now maybe you like Stapleton. Stapleton's 388 00:20:24,560 --> 00:20:27,880 Speaker 1: as good as anybody in Nashville. Now if you don't 389 00:20:27,920 --> 00:20:29,520 Speaker 1: like maybe because I was with the people fro My Heart, 390 00:20:29,560 --> 00:20:31,199 Speaker 1: They're like, yeah, he really can't sing, but and they 391 00:20:31,240 --> 00:20:33,320 Speaker 1: don't know much about country music. The people I was 392 00:20:33,359 --> 00:20:35,399 Speaker 1: with the already a music festival, They're like, man, he 393 00:20:35,440 --> 00:20:37,199 Speaker 1: can really sing, but I don't like his tone. They 394 00:20:37,240 --> 00:20:39,280 Speaker 1: felt like his tone was a little aggressive. Like his 395 00:20:39,440 --> 00:20:42,880 Speaker 1: voice because he does have a very good but he's 396 00:20:42,880 --> 00:20:47,080 Speaker 1: saying I love listen. My favorite story to tell. Because 397 00:20:47,080 --> 00:20:50,920 Speaker 1: I go to these meetings sometimes and a lot of 398 00:20:51,040 --> 00:20:53,560 Speaker 1: clients will want to start some sort of new music 399 00:20:53,880 --> 00:20:57,159 Speaker 1: thing with me, like hey, let's break smartis together. And 400 00:20:57,280 --> 00:21:00,240 Speaker 1: for me, I kind of hold that like got I 401 00:21:00,359 --> 00:21:03,560 Speaker 1: take a lot of pride and I don't want to 402 00:21:03,640 --> 00:21:06,920 Speaker 1: just sell that to someone unless like they're really in 403 00:21:07,040 --> 00:21:09,680 Speaker 1: it too and they can help me promote what I 404 00:21:09,760 --> 00:21:12,600 Speaker 1: want to promote. So there's been three or four major 405 00:21:12,840 --> 00:21:14,359 Speaker 1: clients that I've said, I don't think this is a 406 00:21:14,440 --> 00:21:19,200 Speaker 1: good relationship, um, because I wanted to like every Thursday, 407 00:21:19,280 --> 00:21:20,800 Speaker 1: and you know what, I don't think there's a good 408 00:21:20,880 --> 00:21:23,520 Speaker 1: somebody that I feel like putting my neck out every Thursday, 409 00:21:23,640 --> 00:21:25,840 Speaker 1: Like I just don't so. But what I'll do is 410 00:21:25,880 --> 00:21:28,400 Speaker 1: I'll tell the story a long time ago. Then it's 411 00:21:28,440 --> 00:21:32,359 Speaker 1: been close to three years now. There's this guy and 412 00:21:32,480 --> 00:21:36,119 Speaker 1: I I was familiar with one of his bands, and 413 00:21:36,880 --> 00:21:38,359 Speaker 1: I knew he was a songwriter in town. And I 414 00:21:38,400 --> 00:21:40,480 Speaker 1: remember calling him on the air one of our sales 415 00:21:40,560 --> 00:21:42,920 Speaker 1: girls named Kathy. I was like, Hey, can you get 416 00:21:42,920 --> 00:21:45,200 Speaker 1: this guy's number? And she texts me his number. Called him. 417 00:21:45,200 --> 00:21:47,000 Speaker 1: He was in the shower and he's like, I gotta 418 00:21:47,000 --> 00:21:48,199 Speaker 1: call you right back. We're on the air, like cat 419 00:21:48,280 --> 00:21:50,040 Speaker 1: call right back. And I was like, hey, yeah, so 420 00:21:50,640 --> 00:21:52,399 Speaker 1: calls me back on the air. Put him back on 421 00:21:52,440 --> 00:21:56,840 Speaker 1: the air. I mean, he was an unknown songwriter, and 422 00:21:56,960 --> 00:21:58,359 Speaker 1: so I was like, hey, dude, will you come in 423 00:21:58,440 --> 00:22:01,320 Speaker 1: and sing? Yeah? Yeah, super nice, comes in and play 424 00:22:01,359 --> 00:22:03,960 Speaker 1: things blows every anyway and find it back. It comes in, 425 00:22:04,080 --> 00:22:07,679 Speaker 1: sings blows everybodyway. What comes in things that three times soon? 426 00:22:07,800 --> 00:22:10,280 Speaker 1: Sings blows everywhere. Had written some hits for other people 427 00:22:10,880 --> 00:22:13,600 Speaker 1: and he played them, played the covers, not covers when 428 00:22:13,600 --> 00:22:15,000 Speaker 1: you write it, but even played the songs that he 429 00:22:15,080 --> 00:22:17,840 Speaker 1: wrote for other people hits. And I remember my boss going, hey, 430 00:22:17,880 --> 00:22:19,359 Speaker 1: people are upset that you keep bringing this guy that 431 00:22:19,400 --> 00:22:22,800 Speaker 1: nobody knows into the studio because he's not testing. Our 432 00:22:23,119 --> 00:22:24,720 Speaker 1: audience doesn't know him. And I'm like, it doesn't matter. 433 00:22:24,800 --> 00:22:27,200 Speaker 1: He's really good, Like there's a time when we should 434 00:22:27,240 --> 00:22:32,359 Speaker 1: just worry about the quality, not if it's unfamiliar, because 435 00:22:32,359 --> 00:22:35,720 Speaker 1: he's so good that unfamiliar doesn't matter. And I got 436 00:22:35,760 --> 00:22:38,160 Speaker 1: into a little bit of trouble and then it turns 437 00:22:38,200 --> 00:22:42,480 Speaker 1: out smash cut c M as it was Chris Stapleton, 438 00:22:43,119 --> 00:22:45,359 Speaker 1: and he put the record out and nominated with Justin Timber, 439 00:22:45,520 --> 00:22:48,000 Speaker 1: launched him into superstardom. That's like one of my favorite 440 00:22:48,000 --> 00:22:50,560 Speaker 1: stories ever because I got into trouble for puny Chris 441 00:22:50,600 --> 00:22:54,639 Speaker 1: Stapleton on the radio and now people and we have 442 00:22:54,680 --> 00:22:57,640 Speaker 1: a whole library at Chris Stapleton. We have an entire 443 00:22:57,760 --> 00:23:00,960 Speaker 1: library in our studio. Every Chris table, they come again, 444 00:23:01,000 --> 00:23:04,520 Speaker 1: playing everything from Traveler, every you know, songs he'd written 445 00:23:04,560 --> 00:23:07,160 Speaker 1: for Luke Bryan, Drinking Beer, Josh Turner. Because he would 446 00:23:07,160 --> 00:23:08,800 Speaker 1: just come in and be like, I'd love to play 447 00:23:08,880 --> 00:23:12,080 Speaker 1: this's awesome. What haven't I played? Yeah? Yeah, come in 448 00:23:12,160 --> 00:23:15,720 Speaker 1: and go, Bobby, what haven't I played? And we'd figure 449 00:23:15,760 --> 00:23:17,480 Speaker 1: out we'd look at a record or you know, even 450 00:23:17,560 --> 00:23:19,719 Speaker 1: like what are you listening to? Before Traveler came out, 451 00:23:19,800 --> 00:23:21,480 Speaker 1: he played that, you know, what do you live? Is 452 00:23:21,560 --> 00:23:25,200 Speaker 1: it a cover band? You know? So? Uh My point 453 00:23:25,320 --> 00:23:29,680 Speaker 1: is Lauren Elena to watch her singing person is that 454 00:23:29,920 --> 00:23:33,320 Speaker 1: kind of power. She's such a great singer in the 455 00:23:33,400 --> 00:23:36,080 Speaker 1: land of great singers. She's as good as anybody. I'm 456 00:23:36,080 --> 00:23:38,560 Speaker 1: not saying she's the best, because that's a taste thing, 457 00:23:39,200 --> 00:23:41,200 Speaker 1: but she's as good as that. I've seen Lauren Elena 458 00:23:41,520 --> 00:23:44,439 Speaker 1: sick come in and sing better than people, better than 459 00:23:44,520 --> 00:23:51,160 Speaker 1: Great six But you're like, whoa, you know, the weird 460 00:23:51,200 --> 00:23:54,119 Speaker 1: thing too about and I'm gonna lump her in, but 461 00:23:54,160 --> 00:23:56,560 Speaker 1: she's gonna be one of the better ones, if not 462 00:23:56,720 --> 00:23:58,800 Speaker 1: the best. When you have to sing on a reality 463 00:23:58,840 --> 00:24:01,840 Speaker 1: TV show, you're really good. They don't come in the 464 00:24:01,880 --> 00:24:04,000 Speaker 1: studio and they may not be famous, but like, you know, 465 00:24:04,040 --> 00:24:06,080 Speaker 1: you can sing her freaking brains out to Kelly Pickler 466 00:24:06,520 --> 00:24:08,000 Speaker 1: sinning and it hits a while and she's not a 467 00:24:08,080 --> 00:24:09,879 Speaker 1: label anymore. But she would come in and I'll be like, 468 00:24:10,000 --> 00:24:12,480 Speaker 1: oh my god, but you don't go on those shows. 469 00:24:12,600 --> 00:24:14,560 Speaker 1: Cassidy Pope, she opened for the idiots for a while 470 00:24:14,560 --> 00:24:16,480 Speaker 1: and I was like, oh my god, you don't go 471 00:24:16,560 --> 00:24:19,840 Speaker 1: and win those shows, Daniel Bradberry. When you go on 472 00:24:19,920 --> 00:24:23,120 Speaker 1: those shows, you have to be good and they come 473 00:24:23,160 --> 00:24:26,399 Speaker 1: in and fame or not. If someone goes on one 474 00:24:26,440 --> 00:24:29,720 Speaker 1: of those reality shows and maybe not now, I don't know, 475 00:24:29,760 --> 00:24:31,320 Speaker 1: because I haven't seen anybody in the last a couple 476 00:24:31,320 --> 00:24:33,320 Speaker 1: of years from any last couple of years of shows. 477 00:24:33,320 --> 00:24:34,840 Speaker 1: I don't know if they're watered down or night. But 478 00:24:34,920 --> 00:24:37,120 Speaker 1: they're really good, and Lauren was one of them. Even 479 00:24:37,160 --> 00:24:40,680 Speaker 1: when Scottie McCurry comes into saying, you're like, dang, he's good. 480 00:24:41,080 --> 00:24:42,879 Speaker 1: You know what. He sings like this, and you're like, 481 00:24:43,480 --> 00:24:45,600 Speaker 1: you know, it's kind of when he talks to kind 482 00:24:45,600 --> 00:24:48,159 Speaker 1: of silly cartoon character and then these things are like, 483 00:24:48,480 --> 00:24:51,159 Speaker 1: you know, but he's really he is really good. So anyway, 484 00:24:51,160 --> 00:24:53,400 Speaker 1: I put Lauren Lane at number five and number four 485 00:24:53,440 --> 00:24:55,800 Speaker 1: almost underrated arts lists as that make the list. I 486 00:24:55,880 --> 00:25:02,199 Speaker 1: put Kip more so god mad. I've developed a new 487 00:25:02,280 --> 00:25:06,800 Speaker 1: appreciation for Kept over the last year. I always thought 488 00:25:06,840 --> 00:25:09,000 Speaker 1: it was good, but again, as I get to have 489 00:25:09,080 --> 00:25:13,600 Speaker 1: personal relationships and see how much the art is important 490 00:25:13,680 --> 00:25:18,520 Speaker 1: to them, how good they are not just in a studio, 491 00:25:19,600 --> 00:25:21,600 Speaker 1: because that's the thing. Studio can make anythingays not good. 492 00:25:21,640 --> 00:25:23,240 Speaker 1: You hear the raging idiots, that's a son of studio. 493 00:25:24,160 --> 00:25:25,960 Speaker 1: I mean, we're good live too, but it's different. We're 494 00:25:26,000 --> 00:25:28,359 Speaker 1: crazy fun live, but we're go. In the studio. You 495 00:25:28,440 --> 00:25:30,679 Speaker 1: get bells and muscles, you get you get the best players, 496 00:25:31,160 --> 00:25:33,520 Speaker 1: you get everything in the studio. So Lindsay longheck about 497 00:25:33,520 --> 00:25:36,560 Speaker 1: it a song? It sounds pretty good. That's Lindsay Lohand song. 498 00:25:37,040 --> 00:25:40,120 Speaker 1: Do you remember rumors? Do you know that song? I'll 499 00:25:40,160 --> 00:25:43,359 Speaker 1: come back to remind me because it was good. Everybody 500 00:25:43,400 --> 00:25:45,320 Speaker 1: every used to hate on it. I was like, you 501 00:25:45,359 --> 00:25:48,200 Speaker 1: can hate on Lindsay Lohand, but don't hate on rumors. 502 00:25:48,280 --> 00:25:50,880 Speaker 1: That's all was kind of the jam. But kept more. 503 00:25:51,720 --> 00:25:53,399 Speaker 1: Which at one point in our life we did not 504 00:25:53,560 --> 00:25:56,720 Speaker 1: get along because I was like Kip relax with the 505 00:25:56,760 --> 00:25:59,119 Speaker 1: cell phones and telling everybody puts cell phones away. It shows. 506 00:25:59,800 --> 00:26:01,640 Speaker 1: But once I got to know him, and we'd spent 507 00:26:03,520 --> 00:26:06,479 Speaker 1: four or five because we went to breakfast, we got 508 00:26:06,560 --> 00:26:08,399 Speaker 1: we were not on good terms, and we just like, 509 00:26:08,480 --> 00:26:10,160 Speaker 1: let's just talk about it breakfast. I told the story 510 00:26:10,200 --> 00:26:12,240 Speaker 1: before in different places, but and then we talked for 511 00:26:12,240 --> 00:26:13,760 Speaker 1: a while, and I was like, he's just a very 512 00:26:13,800 --> 00:26:16,600 Speaker 1: passionate guy, and I cannot agree with them, but I 513 00:26:16,680 --> 00:26:20,119 Speaker 1: have to respect the fact that he's super passionate. Like 514 00:26:20,200 --> 00:26:21,520 Speaker 1: I don't have to agree with a lot of people, 515 00:26:21,560 --> 00:26:24,000 Speaker 1: but I can respect them. And so I don't agree 516 00:26:24,040 --> 00:26:25,600 Speaker 1: with KiB when he's like, put your cell phones down 517 00:26:25,640 --> 00:26:27,200 Speaker 1: on play it, Like I would never do that, but 518 00:26:27,200 --> 00:26:28,879 Speaker 1: I don't have to agree with them. That's his thing, 519 00:26:29,440 --> 00:26:31,480 Speaker 1: but I respect it because he's like, I'm here, I've 520 00:26:31,480 --> 00:26:33,200 Speaker 1: been walking on with music. I want you to take 521 00:26:33,240 --> 00:26:36,360 Speaker 1: this music in. And I respect that about him. And man, 522 00:26:37,040 --> 00:26:39,639 Speaker 1: the guy like he had there's a drum beat, right, 523 00:26:40,440 --> 00:26:42,119 Speaker 1: and he has his own and he plays to his 524 00:26:42,160 --> 00:26:46,280 Speaker 1: own and he just walks along to it. And yeah, 525 00:26:47,600 --> 00:26:49,800 Speaker 1: that's just what you want to do in life, if 526 00:26:49,840 --> 00:26:52,240 Speaker 1: you can figure out how to just live your life 527 00:26:52,280 --> 00:26:56,639 Speaker 1: your way and just say f everybody else. And and 528 00:26:56,800 --> 00:27:03,199 Speaker 1: Kipt does that in a lot of ways, especially musically. 529 00:27:03,840 --> 00:27:07,280 Speaker 1: So yeah, I like it. It keeps not one that 530 00:27:07,320 --> 00:27:09,000 Speaker 1: I would sit around and joke around with, didn't have 531 00:27:09,160 --> 00:27:12,000 Speaker 1: he's had the funny guy, not a real sense of 532 00:27:12,080 --> 00:27:14,159 Speaker 1: humor guy, but he's someone that can sit and talk 533 00:27:14,200 --> 00:27:17,440 Speaker 1: about music with and like really get down into it, 534 00:27:17,560 --> 00:27:19,520 Speaker 1: and that's a that's a really cool thing. And so 535 00:27:19,640 --> 00:27:22,240 Speaker 1: and he's a hard work, really really hard worker, and 536 00:27:22,359 --> 00:27:25,200 Speaker 1: it's crazy and I'm crazy too, and crazy recognize crazy. 537 00:27:25,240 --> 00:27:26,680 Speaker 1: It's one of those things where it's like, yeah, I 538 00:27:26,720 --> 00:27:29,240 Speaker 1: get where you're off just a little bit. So that's 539 00:27:29,320 --> 00:27:36,120 Speaker 1: kept more at number four. Um, all right, his authenticity 540 00:27:36,240 --> 00:27:40,040 Speaker 1: as an artist, his passion for the artistry and not 541 00:27:40,440 --> 00:27:43,880 Speaker 1: about making songs that just sound good on the radio. 542 00:27:44,320 --> 00:27:46,239 Speaker 1: That was the scale tipper for me. I mayna put 543 00:27:46,280 --> 00:27:47,719 Speaker 1: him on the list anyway, but just spend a time 544 00:27:47,760 --> 00:27:50,159 Speaker 1: with him, like, and he's good. Yes, you have to 545 00:27:50,160 --> 00:27:52,520 Speaker 1: be good to be on the list anyway. At number three, 546 00:27:52,680 --> 00:27:54,359 Speaker 1: someone that just nobody's paying attention to it yet and 547 00:27:54,359 --> 00:27:55,960 Speaker 1: one day she's gonna pop and everybody's gonna be like, 548 00:27:56,480 --> 00:27:58,879 Speaker 1: how did I in the world did I not know 549 00:27:59,160 --> 00:28:12,800 Speaker 1: that she was even killing it? Is Aubrey Sellers. I 550 00:28:12,840 --> 00:28:15,359 Speaker 1: don't even know why she hasn't made. Her songs are 551 00:28:15,520 --> 00:28:18,280 Speaker 1: hookie and catchy, and yeah they're different, but it's not 552 00:28:18,440 --> 00:28:23,159 Speaker 1: like there's anything crazy, it's they're not crazy different. She 553 00:28:23,240 --> 00:28:25,560 Speaker 1: did a whole record with no acoustic guitars, but who cares. 554 00:28:25,680 --> 00:28:27,800 Speaker 1: It's not like you can't. This song is in here 555 00:28:27,840 --> 00:28:29,800 Speaker 1: and cry. It should be. It should have been a 556 00:28:29,920 --> 00:28:41,920 Speaker 1: radio hit. This is the country song. I love Aubrey Sellers. 557 00:28:41,960 --> 00:28:45,200 Speaker 1: I love her music. I like her. She's super smart. 558 00:28:45,280 --> 00:28:50,320 Speaker 1: She raised like three books a week, like just a crazy. 559 00:28:50,520 --> 00:28:52,560 Speaker 1: You know, she's been out with us two on the road, 560 00:28:52,600 --> 00:28:54,160 Speaker 1: and I got a chance to get to know her, 561 00:28:54,680 --> 00:28:58,480 Speaker 1: and I think Aubrey Sellers and her record is awesome. 562 00:28:59,760 --> 00:29:03,680 Speaker 1: You know. She's someone too who went in and was like, 563 00:29:03,720 --> 00:29:05,000 Speaker 1: I want to a Rectord this way, and she just 564 00:29:05,040 --> 00:29:06,280 Speaker 1: did it. And she's like, if it doesn't work, I 565 00:29:06,360 --> 00:29:08,760 Speaker 1: took my chances and did it my way, and I'd 566 00:29:08,840 --> 00:29:11,480 Speaker 1: rather failed doing it my way then failed doing it 567 00:29:11,560 --> 00:29:14,360 Speaker 1: somebody else's way. So there's something be said for that. 568 00:29:18,520 --> 00:29:21,320 Speaker 1: Aubrey Sellers is at number three, and so here we 569 00:29:21,440 --> 00:29:24,560 Speaker 1: are at number two. And again this is someone who's 570 00:29:24,560 --> 00:29:29,120 Speaker 1: nominated for Entertainer of the Year. So yeah, it's a 571 00:29:29,160 --> 00:29:32,520 Speaker 1: little weird to put a Luke Brian Entertainer of the 572 00:29:32,600 --> 00:29:35,880 Speaker 1: Year biggest Star and Eric Church is nominated for Entertainer 573 00:29:35,880 --> 00:29:40,560 Speaker 1: of the Year. Two different thing with Eric Church, though 574 00:29:43,360 --> 00:29:47,800 Speaker 1: everybody knows Eric Church is just a maniac at doing 575 00:29:47,960 --> 00:29:51,520 Speaker 1: live shows. I thought one of the coolest things he 576 00:29:51,560 --> 00:29:52,840 Speaker 1: did was a hold of my own tour when he 577 00:29:52,840 --> 00:29:54,120 Speaker 1: goes out by himself and he places for an hour 578 00:29:54,120 --> 00:29:56,440 Speaker 1: and a half, goes water fol and gets drink water, 579 00:29:56,480 --> 00:30:00,440 Speaker 1: comes back like that's cool. The fact that Church has 580 00:30:00,480 --> 00:30:03,360 Speaker 1: developed this Church quiet he has such a dedicated fan 581 00:30:03,440 --> 00:30:04,960 Speaker 1: base because he does think he just goes out and 582 00:30:05,840 --> 00:30:08,160 Speaker 1: crushes it and puts it all out there. And you 583 00:30:08,240 --> 00:30:12,160 Speaker 1: know when they did his um uh mr misunderstood, right. 584 00:30:12,160 --> 00:30:13,760 Speaker 1: I don't think that's the one they sent it out 585 00:30:13,800 --> 00:30:16,880 Speaker 1: to for free to all the fan club. And there's 586 00:30:17,040 --> 00:30:19,920 Speaker 1: some controversy to that because from what I know, and 587 00:30:20,000 --> 00:30:22,200 Speaker 1: I'll speak completely just for me and I can mess 588 00:30:22,240 --> 00:30:24,200 Speaker 1: the fact that the record level got mad they did 589 00:30:24,240 --> 00:30:26,840 Speaker 1: that because they're like, here is a guy who's gonna 590 00:30:26,880 --> 00:30:29,320 Speaker 1: sell a ton of records, especially to the fan, his 591 00:30:29,560 --> 00:30:33,160 Speaker 1: huge fans, yet he's sending them all free records. And 592 00:30:33,320 --> 00:30:39,280 Speaker 1: so from what I've heard, there was some animosity there 593 00:30:39,320 --> 00:30:44,240 Speaker 1: between like the label and Churches. People in Church Church 594 00:30:44,320 --> 00:30:46,600 Speaker 1: wanted to He's like, these are my fans. I'm gonna 595 00:30:46,640 --> 00:30:48,680 Speaker 1: get to a free they're the fan club. And then 596 00:30:48,720 --> 00:30:51,640 Speaker 1: the label understandably because they're in the business of making 597 00:30:51,720 --> 00:30:53,800 Speaker 1: money off of music, and whoa, whoa, whoa, why are 598 00:30:53,840 --> 00:30:56,760 Speaker 1: you giving people for free something they would for sure buy? Like, 599 00:30:56,800 --> 00:31:01,800 Speaker 1: we're in this together. So I understand both sides, but 600 00:31:01,880 --> 00:31:03,760 Speaker 1: I look at just the Eric Church part of it 601 00:31:03,880 --> 00:31:08,000 Speaker 1: and go man like, dude loves his fans, and man, 602 00:31:08,080 --> 00:31:11,120 Speaker 1: they love him back. Holy cow. I think he gets 603 00:31:11,200 --> 00:31:13,080 Speaker 1: overlooked for Entertainer of the Year a lot of years, 604 00:31:13,160 --> 00:31:15,840 Speaker 1: as as he's nominated this year. But I think he 605 00:31:15,840 --> 00:31:17,880 Speaker 1: gets overlooked a lot because he's not the guy that's 606 00:31:17,920 --> 00:31:21,520 Speaker 1: out doing much press. He's not out doing a munch 607 00:31:21,560 --> 00:31:25,240 Speaker 1: of a bunch of big festivals. He does some. He's 608 00:31:25,240 --> 00:31:27,520 Speaker 1: not the guy that's that's trying to fit in at all, 609 00:31:28,440 --> 00:31:31,120 Speaker 1: And so because of that, you get penalized a little bit. 610 00:31:31,880 --> 00:31:35,640 Speaker 1: Churches penalized. Sam Hawnk gets penalized. And I've said before 611 00:31:35,720 --> 00:31:40,640 Speaker 1: they're they're similar in that they just don't care. And 612 00:31:41,360 --> 00:31:42,800 Speaker 1: I've compared to them many times, and every time I do, 613 00:31:42,840 --> 00:31:45,960 Speaker 1: people like, they're not the same. We have no crap, 614 00:31:46,040 --> 00:31:48,000 Speaker 1: they're not the same. I didn't say they were the same. 615 00:31:48,160 --> 00:31:50,000 Speaker 1: I said they're similar in the way they don't care 616 00:31:50,120 --> 00:31:53,360 Speaker 1: and their monsters, and they're they're so successful, both of 617 00:31:53,440 --> 00:31:56,800 Speaker 1: them and partly because they just don't care. They d 618 00:31:56,960 --> 00:32:01,040 Speaker 1: g af. Yeah they don't. Yeah said those letters. Right. 619 00:32:01,720 --> 00:32:11,200 Speaker 1: So number two Eric Church round here, buzz. So I'm 620 00:32:11,240 --> 00:32:13,040 Speaker 1: just kind of giving you guys background as to why 621 00:32:13,080 --> 00:32:20,840 Speaker 1: I picked them, um number one. And if people like 622 00:32:20,920 --> 00:32:23,200 Speaker 1: man if Eric Churches at number two, who would you 623 00:32:23,240 --> 00:32:27,560 Speaker 1: put it number one? And number one? The raging idiots? No, 624 00:32:28,120 --> 00:32:30,200 Speaker 1: I wouldn't even do that, wouldn't. I wouldn't even distrespect 625 00:32:30,240 --> 00:32:33,720 Speaker 1: my own list by that I had number one. Most 626 00:32:33,840 --> 00:32:39,800 Speaker 1: underrated artists is brother's Osborn And how do you say? Well, 627 00:32:39,840 --> 00:32:41,760 Speaker 1: they want to see him a Ford where they want 628 00:32:41,800 --> 00:32:44,200 Speaker 1: for seem a vocal overy said, I see him do it, 629 00:32:44,920 --> 00:32:48,160 Speaker 1: but no one expected him too. Who can you tested? 630 00:32:50,200 --> 00:32:53,320 Speaker 1: I mean they're a rock and roll band. The I 631 00:32:53,400 --> 00:32:55,800 Speaker 1: mean they're they're a rock and roll country band. Like 632 00:32:55,920 --> 00:32:59,920 Speaker 1: those guys are so freaking good. John plays to get 633 00:33:00,040 --> 00:33:03,960 Speaker 1: car he did, there's an eight minutes solo at the end. 634 00:33:04,000 --> 00:33:05,680 Speaker 1: I think it's eight minutes, then stay a little longer. 635 00:33:07,920 --> 00:33:10,480 Speaker 1: It's like Matt, It's like listening to magic. It's like 636 00:33:10,600 --> 00:33:14,240 Speaker 1: what they did. Uh, well, you know we had Robert 637 00:33:14,280 --> 00:33:17,680 Speaker 1: Eaton and Robert Eaton put like that on TV the 638 00:33:17,760 --> 00:33:21,160 Speaker 1: solo when I when I watched John play, it reminds 639 00:33:21,200 --> 00:33:22,520 Speaker 1: me how to go back to the John era thing 640 00:33:22,560 --> 00:33:26,200 Speaker 1: where it doesn't look effort. It looks like if I 641 00:33:26,240 --> 00:33:28,520 Speaker 1: were and I if I were just going for a run, 642 00:33:29,240 --> 00:33:30,800 Speaker 1: like I gotta put a little work into it. I 643 00:33:30,840 --> 00:33:32,640 Speaker 1: gotta look at where I'm stepping, but mostly I'm just 644 00:33:32,960 --> 00:33:36,800 Speaker 1: subconsciously doing it. I'm subconstantly running. I'm not thinking about 645 00:33:36,800 --> 00:33:38,800 Speaker 1: every muscle in my body lifting and going down. I'm 646 00:33:38,840 --> 00:33:40,520 Speaker 1: not looking at every step after take. I'm making sure 647 00:33:40,560 --> 00:33:42,920 Speaker 1: I don't step on a rock. I'm watching our cars, 648 00:33:43,680 --> 00:33:46,960 Speaker 1: but mostly I'm just out running. That's what it reminds 649 00:33:47,000 --> 00:33:48,400 Speaker 1: me of. When he plays the guitar. He's out taking 650 00:33:48,400 --> 00:33:51,040 Speaker 1: a jog like he's so good at it, did not 651 00:33:51,160 --> 00:33:53,760 Speaker 1: taking a jog. And he wants veer left, he can 652 00:33:53,880 --> 00:33:55,720 Speaker 1: veer left. He wants to be a right, could be 653 00:33:55,760 --> 00:34:00,360 Speaker 1: a right, but he's got out of control, and so 654 00:34:00,560 --> 00:34:05,400 Speaker 1: he is. And obviously t J is distinct and it's 655 00:34:06,320 --> 00:34:12,480 Speaker 1: just a powerful, gritty singer. And this here's the jam, 656 00:34:12,880 --> 00:34:16,360 Speaker 1: and it's I think it's like top Tag. Now I 657 00:34:16,360 --> 00:34:19,120 Speaker 1: don't know when you're gonna hear this, but I hope 658 00:34:19,160 --> 00:34:22,200 Speaker 1: it's the number one song school can test it. I 659 00:34:22,280 --> 00:34:24,440 Speaker 1: don't know that by looking at it now, I don't 660 00:34:24,480 --> 00:34:25,920 Speaker 1: know if it is or not. I would like for 661 00:34:25,960 --> 00:34:27,080 Speaker 1: it to be. But I'm just looking at like the 662 00:34:27,160 --> 00:34:33,200 Speaker 1: metrics time and they're different. I love that about it. 663 00:34:33,280 --> 00:34:35,080 Speaker 1: I'm like, they're just in your face for two dudes, 664 00:34:35,160 --> 00:34:37,200 Speaker 1: we're not trying to be pretty. We're just playing. So 665 00:34:37,360 --> 00:34:40,520 Speaker 1: we're playing rock and roll coaching music. And like they're 666 00:34:40,520 --> 00:34:43,120 Speaker 1: going places and play. They played the Theater and California 667 00:34:43,160 --> 00:34:44,960 Speaker 1: and the roof Cave did so, then they got on 668 00:34:44,960 --> 00:34:47,520 Speaker 1: the bus and play on top of the bus. They 669 00:34:47,600 --> 00:34:50,959 Speaker 1: just are music that you're just we're here to play music. 670 00:34:51,600 --> 00:34:53,319 Speaker 1: We hope you like it. And if you don't, looks okay. 671 00:34:53,320 --> 00:34:54,560 Speaker 1: But if you do, we're gonna play a lot of 672 00:34:54,600 --> 00:35:01,239 Speaker 1: freaking good music for you. Yeah, Brothers Osborne to me 673 00:35:01,280 --> 00:35:08,920 Speaker 1: the most underrated active country music. Mama, name my name, Mama, 674 00:35:09,040 --> 00:35:15,359 Speaker 1: reason my lacking norm wrong? That's number one. Why can't 675 00:35:15,360 --> 00:35:17,560 Speaker 1: I give my music up over here? Because I wanted 676 00:35:17,560 --> 00:35:20,640 Speaker 1: to play Lindsay Lohan rumors, but for some reason, this 677 00:35:20,719 --> 00:35:28,719 Speaker 1: one open right right, there. Yeah, oh, get into the 678 00:35:28,760 --> 00:35:32,520 Speaker 1: old forced quit to get its open, back up backards 679 00:35:32,560 --> 00:35:34,800 Speaker 1: in this chair. We have to get. We're in the 680 00:35:34,840 --> 00:35:37,239 Speaker 1: eighties now in these episodes. We've got to get. I 681 00:35:37,320 --> 00:35:39,160 Speaker 1: say that our radios to do a sucks even worse 682 00:35:39,200 --> 00:35:45,480 Speaker 1: in this place, but we um, we gotta get a 683 00:35:45,560 --> 00:35:50,520 Speaker 1: better studio. Listening on this computer, okay. Lindsay Longhan rumors 684 00:35:50,880 --> 00:35:53,160 Speaker 1: the song was good and you know what sucking if 685 00:35:53,200 --> 00:35:54,960 Speaker 1: you don't think so, because I know it's a pop 686 00:35:55,040 --> 00:35:57,000 Speaker 1: song band and they don't like pop songs. Okay, but whatever, 687 00:35:57,480 --> 00:35:59,439 Speaker 1: but when this thing came out, it's kind of cool 688 00:36:00,040 --> 00:36:06,440 Speaker 1: to see probably ten years old or whatever. So I 689 00:36:06,560 --> 00:36:08,560 Speaker 1: was like, all right, so feel I'm driving down the road. 690 00:36:13,280 --> 00:36:18,759 Speaker 1: I thought you wrap over this. Uh yeah, signed a 691 00:36:19,000 --> 00:36:21,680 Speaker 1: seven in with the club and we wanted to tune 692 00:36:21,719 --> 00:36:24,760 Speaker 1: it up. I'm feeling energy all around and my buddy 693 00:36:24,800 --> 00:36:27,480 Speaker 1: can't stop to the sound. But I can feld that 694 00:36:27,520 --> 00:36:29,640 Speaker 1: you're watching me and you're probably gonna like what you 695 00:36:29,760 --> 00:36:32,560 Speaker 1: didn't see. We'll just do a little safe to breathe. 696 00:36:32,600 --> 00:36:39,640 Speaker 1: Can you please respect my privacy? You just like if 697 00:36:39,719 --> 00:36:41,239 Speaker 1: someone said this is Calvin Harris would be like, this 698 00:36:41,280 --> 00:36:46,360 Speaker 1: is fantastic. Calvin Hears and bb Rex. This sounds amazing 699 00:36:48,280 --> 00:36:54,160 Speaker 1: years ago, is it? I'm I'm the starting and I'm 700 00:36:54,800 --> 00:36:59,200 Speaker 1: being following. I'm kind of people lying Sie, that's pretty 701 00:36:59,200 --> 00:37:03,400 Speaker 1: good beat, all right? Even still, can't they let me 702 00:37:03,640 --> 00:37:11,840 Speaker 1: live it? Wait? I mean, come on, you can say that. 703 00:37:11,960 --> 00:37:14,520 Speaker 1: Maybe that doesn't hold up with today, but that's that's 704 00:37:14,600 --> 00:37:16,480 Speaker 1: kind of the jam. Do you remember Paras Shelton when 705 00:37:16,480 --> 00:37:18,680 Speaker 1: she put a record, Oh yeah, and she had stars 706 00:37:18,719 --> 00:37:21,520 Speaker 1: are Blind Again not terrible song because you get people 707 00:37:21,520 --> 00:37:25,759 Speaker 1: with the right producers. Here's Paras Shelton, stars Are Blind? 708 00:37:25,800 --> 00:37:29,640 Speaker 1: How long were you about the seven? Here's Para Silton. 709 00:37:36,440 --> 00:37:37,880 Speaker 1: I remember playing this in the radio and I was like, 710 00:37:38,000 --> 00:37:46,319 Speaker 1: I hate Paras Selton so terrible. Don't standing soon day 711 00:37:47,960 --> 00:37:55,000 Speaker 1: she's hanging here with you, don't. I mean if dam 712 00:37:55,160 --> 00:37:59,239 Speaker 1: the Botto does this or playing to Gomez hit right 713 00:37:59,320 --> 00:38:06,399 Speaker 1: down those other guys take what would I want? It's 714 00:38:06,440 --> 00:38:13,440 Speaker 1: sucking silly side So people never get this stupid for 715 00:38:13,520 --> 00:38:16,560 Speaker 1: the course here and now I'll move on, see me 716 00:38:16,760 --> 00:38:28,719 Speaker 1: inside and satisfied down the gas are crazy enough? You 717 00:38:28,840 --> 00:38:33,920 Speaker 1: show me me like baby, I'll show you by making 718 00:38:34,120 --> 00:38:37,080 Speaker 1: nice ns terrible top like I wouldn't listen to on 719 00:38:37,160 --> 00:38:39,000 Speaker 1: my own and it was Linden the long hands on 720 00:38:39,120 --> 00:38:42,279 Speaker 1: moment either. I remember they're not terrible pop songs. I 721 00:38:42,360 --> 00:38:45,800 Speaker 1: mean Ashley Simpson had the jams like Mike dian I 722 00:38:45,840 --> 00:38:48,440 Speaker 1: we talking about this last week we started. She had 723 00:38:48,480 --> 00:38:51,279 Speaker 1: the jams like Pieces of Me was the jams come 724 00:38:51,320 --> 00:38:55,960 Speaker 1: back today? My head Randow the piece of pieces Day, 725 00:38:56,000 --> 00:39:02,200 Speaker 1: pieces of Mating, Tuesday, I'm day, and the Wednesday I 726 00:39:02,680 --> 00:39:05,880 Speaker 1: guess because she was such a big deal for a bit. 727 00:39:06,040 --> 00:39:10,279 Speaker 1: Then the following here are you in the darkness is 728 00:39:10,320 --> 00:39:19,000 Speaker 1: a clear view. You're come to rescue me with you. 729 00:39:19,200 --> 00:39:36,440 Speaker 1: I'm so fair? Who thing? Dogs look at me like 730 00:39:38,160 --> 00:39:43,239 Speaker 1: your dogs? Like what's happening with like don't jam? That 731 00:39:43,320 --> 00:39:45,919 Speaker 1: was the jam and then thing happened. But I'm gonna 732 00:39:45,920 --> 00:39:47,279 Speaker 1: tell you what the song I liked. The motion of 733 00:39:47,400 --> 00:39:49,560 Speaker 1: her was this l O V. It was so good 734 00:39:49,920 --> 00:39:54,000 Speaker 1: you know that. L Afternoon said, yeah, she had two 735 00:39:54,040 --> 00:39:55,759 Speaker 1: of them. I'll play you a couple, actually, sep mus 736 00:39:55,920 --> 00:40:03,080 Speaker 1: get to the good music. Oh my girls standing in 737 00:40:03,160 --> 00:40:07,120 Speaker 1: a circle. Then y'all hand this is for you. Send 738 00:40:07,239 --> 00:40:11,000 Speaker 1: down sighs and loves and don't don't using me through 739 00:40:11,400 --> 00:40:13,680 Speaker 1: my boyfriend he don't have them on the Tello phone. 740 00:40:14,080 --> 00:40:16,960 Speaker 1: I don't even know where the hell he goes. My 741 00:40:17,239 --> 00:40:20,520 Speaker 1: girl's wearing a circle and no body is going to 742 00:40:20,600 --> 00:40:27,760 Speaker 1: break through. Hello Hello, Hello, Hello, Hello Hello Hello Hello, Hello, 743 00:40:28,440 --> 00:40:33,879 Speaker 1: Hello Hello Hello hell. I mean, come on, I hope 744 00:40:34,120 --> 00:40:38,799 Speaker 1: is that hello hello hello hello? B Hello Hello Hello? Man? 745 00:40:39,560 --> 00:40:42,320 Speaker 1: Then la la, all right, listen, I was kind of athletes. 746 00:40:44,440 --> 00:40:49,759 Speaker 1: Remember that's punk five to her in voice, trust me 747 00:40:49,920 --> 00:40:54,240 Speaker 1: up and time you can trust me up in dirt? 748 00:40:54,920 --> 00:40:59,360 Speaker 1: Which song was it she screwed up on? She just 749 00:40:59,520 --> 00:41:02,960 Speaker 1: like a Hoda red dance and then ran off. That 750 00:41:03,000 --> 00:41:13,319 Speaker 1: was big band. That's a big deal. I'm lad you'll 751 00:41:13,360 --> 00:41:31,560 Speaker 1: make my water. That's kind of the jam like, I mean, 752 00:41:31,600 --> 00:41:33,120 Speaker 1: you can hate if you want. I may come on, 753 00:41:33,200 --> 00:41:37,720 Speaker 1: what this remember Hillary Depp? So yesterday? Do you remember 754 00:41:37,800 --> 00:41:43,560 Speaker 1: this one? I remember? So, yes, do this yesterday? Yeah, 755 00:41:44,320 --> 00:41:48,320 Speaker 1: that was a good one. Change your life if you 756 00:41:48,400 --> 00:41:56,400 Speaker 1: want it, if you want come clean. Hillary Deaf had 757 00:41:56,440 --> 00:42:00,160 Speaker 1: some jam anyway, Hey, don't forget. You can check at 758 00:42:00,200 --> 00:42:04,640 Speaker 1: the podcast from Whiskey Riff called Whiskey Riff Raff when 759 00:42:04,680 --> 00:42:06,279 Speaker 1: they talk about in the last one, remember it was 760 00:42:06,360 --> 00:42:09,719 Speaker 1: like growing up as like lower middle class nineties kids. Uh, 761 00:42:09,800 --> 00:42:12,279 Speaker 1: those guys who are not listen if you're scared bad words. 762 00:42:12,360 --> 00:42:14,200 Speaker 1: Probably not the best one pretty listened to. But I 763 00:42:14,239 --> 00:42:16,600 Speaker 1: think they're funny. And we don't curse on this one. 764 00:42:16,680 --> 00:42:19,600 Speaker 1: But you know they're they're talking about country music from 765 00:42:19,600 --> 00:42:22,200 Speaker 1: a fan perspective and I'm not just life. So you're 766 00:42:22,200 --> 00:42:24,160 Speaker 1: gonna check them out. If you're looking for another podcast 767 00:42:24,200 --> 00:42:26,840 Speaker 1: to listen to, it's called Whiskey Riff Raff from the 768 00:42:26,840 --> 00:42:29,640 Speaker 1: guys at Whiskey Riff and that's Uh, I don't do it. 769 00:42:29,840 --> 00:42:32,400 Speaker 1: I think we're good. Huh do we want to uh 770 00:42:33,880 --> 00:42:42,879 Speaker 1: leave on some Vanessa Hudgens got well was our biggest song. 771 00:42:45,440 --> 00:42:51,120 Speaker 1: You can't pick any of high school must before songs. 772 00:42:51,200 --> 00:42:58,759 Speaker 1: Socks outside. I don't know. Maybe she didn't know. I'm looking. 773 00:42:58,840 --> 00:43:02,680 Speaker 1: I don't see anything that was you fine? You Lesten. 774 00:43:03,520 --> 00:43:09,919 Speaker 1: I'm still, Oh, sounds terrible. Athletes to Jo, that sounds terrible. 775 00:43:12,200 --> 00:43:14,759 Speaker 1: We've not gone down a rabbit hole out on how 776 00:43:14,800 --> 00:43:18,200 Speaker 1: did you get out of Hey? Um? Which one do I? 777 00:43:18,239 --> 00:43:20,919 Speaker 1: Where's that music at? Which sound bite? Yeah? I gotta 778 00:43:21,000 --> 00:43:25,640 Speaker 1: thank you? What episode this? Hey too? Thank you very 779 00:43:25,719 --> 00:43:28,080 Speaker 1: much for being with us? Uh Instagram Mr Bobby and 780 00:43:28,080 --> 00:43:30,839 Speaker 1: thank you for listening to this. Yeah, I'd be good. 781 00:43:31,400 --> 00:43:33,799 Speaker 1: Thanks the blue apron next to sleep number and we'll 782 00:43:33,800 --> 00:43:36,800 Speaker 1: see that Devin Dawson, but be the next one we do. 783 00:43:36,920 --> 00:43:39,640 Speaker 1: Devon Dawson got that, I got the song. Uh, you 784 00:43:39,760 --> 00:43:42,239 Speaker 1: can have a damon has on me. You can not 785 00:43:42,480 --> 00:43:45,439 Speaker 1: do badas on me, and you did not do bad 786 00:43:45,520 --> 00:43:51,680 Speaker 1: as that song right there? Put it all on me. Yeah, yeah, 787 00:43:51,719 --> 00:43:54,400 Speaker 1: that's those are the exact words. He's next. Um, I 788 00:43:54,480 --> 00:43:57,799 Speaker 1: think Buzzby's coming up, big time producer writer. Uh did 789 00:43:57,840 --> 00:43:59,520 Speaker 1: a lot of Keith Urban stuff, did a lot of stuff. 790 00:43:59,560 --> 00:44:01,480 Speaker 1: So we got some colns coming up. You know it's 791 00:44:01,520 --> 00:44:05,960 Speaker 1: a jam. This isn't right here, Mr Postman? Do you 792 00:44:06,040 --> 00:44:07,840 Speaker 1: know that I was talking about on the air. I 793 00:44:07,920 --> 00:44:09,640 Speaker 1: was like, is this portrale the man? You feel? It's 794 00:44:09,640 --> 00:44:12,520 Speaker 1: still so what it's called? Listen prying about song? This 795 00:44:12,600 --> 00:44:16,440 Speaker 1: sounded like can I hear that song? Hey wait a minute, 796 00:44:16,560 --> 00:44:19,000 Speaker 1: Mr Postman? You know from the old like maybe like 797 00:44:19,080 --> 00:44:25,240 Speaker 1: fifties Google and I didn't look it up, but apparently 798 00:44:25,280 --> 00:44:27,719 Speaker 1: he did get brought in credit to them. I wasn't 799 00:44:27,719 --> 00:44:29,320 Speaker 1: even saying like you should get right, but I was like, 800 00:44:29,480 --> 00:44:30,840 Speaker 1: this song is that so much like it they should, 801 00:44:31,239 --> 00:44:33,400 Speaker 1: And some listener was like, hey, douchebag dudes. But I 802 00:44:33,480 --> 00:44:36,240 Speaker 1: was like wow, wow, wow, I understand that he didn't. 803 00:44:37,000 --> 00:44:39,320 Speaker 1: You guys act like check my facts. I just say stuff. 804 00:44:41,280 --> 00:44:47,000 Speaker 1: It's probably called Mr Postman please, Mr Postman. Yeah, the 805 00:44:47,080 --> 00:44:50,080 Speaker 1: problem was right, but up A weird version is a 806 00:44:50,239 --> 00:45:01,360 Speaker 1: marble lester. Wait a minute, Mr Postman, Mr pe just 807 00:45:01,520 --> 00:45:06,320 Speaker 1: party here. Oh yes, wait a minute, Mr Postman, So 808 00:45:06,560 --> 00:45:11,920 Speaker 1: that's that sped up on this one little listen posted here? 809 00:45:11,920 --> 00:45:19,960 Speaker 1: It sped up? Did you before? Just posted my ears 810 00:45:21,520 --> 00:45:25,480 Speaker 1: like little angels in sides of my head? Whoa wait 811 00:45:25,600 --> 00:45:32,840 Speaker 1: a minute, Mr Postman sped up? Wait listen to posting 812 00:45:33,920 --> 00:45:39,040 Speaker 1: Boom boom you gotta golight episode just heay too. Thanks 813 00:45:39,040 --> 00:45:41,680 Speaker 1: for listen, Bobby, guys, see you next time. Good