WEBVTT - Creed Bratton

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<v Speaker 1>So cut to the next morning, and as God is

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<v Speaker 1>my witness, is exactly what happened. I'm at my pension

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<v Speaker 1>and I look up and there's my liver sitting in

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<v Speaker 1>a chair having a cup of coffee, waiting to get

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<v Speaker 1>back in my body. Oh God, so bad, so feeling

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<v Speaker 1>so horrible. And then I look over on the table

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<v Speaker 1>and there's the tablecloth from the night before and all

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<v Speaker 1>these names, Troy, whatever, lamps, things all crossed out, and

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<v Speaker 1>then there's it's a whole bunch of them. Then one

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<v Speaker 1>circled with little stars around it said Creed Bratton, and

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<v Speaker 1>I went, oh, that's my new name. Hi. I'm Creed

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<v Speaker 1>Bratton and I played Creed Bratton on the Office. I'm

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<v Speaker 1>also a lot of different names to creditors, but I

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<v Speaker 1>don't want to get into that right now.

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<v Speaker 2>Hi, there, foe. Welcome back to another episode of Off

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<v Speaker 2>the Beat. It's me Brian Baumgartner today. Well, my guest

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<v Speaker 2>is a very good friend of mine, as you just heard,

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<v Speaker 2>Creed Bratton back once again for his third time on

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<v Speaker 2>this podcast. But as ever, Creed has more to tell.

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<v Speaker 2>Creed has lived many, many, many lives, almost nine, but

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<v Speaker 2>not quite his first one. Well, he was a rock

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<v Speaker 2>star in the sixties, touring the world with his band

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<v Speaker 2>The Grassroots. Before you ever heard of him, in fact,

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<v Speaker 2>probably before you were even born, he already had multiple

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<v Speaker 2>Billboard Top ten hits and two gold records. Creed also

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<v Speaker 2>has a long solo career, with his tenth solo album

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<v Speaker 2>coming out this September. In fact, you've already heard some

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<v Speaker 2>of his music today are Theme, Bubble and Squeak, written

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<v Speaker 2>and performed by Creed Breton. And yeah, I forgot he

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<v Speaker 2>was also in the office with me as well, But

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<v Speaker 2>we already recorded two episodes where we talk about that

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<v Speaker 2>a lot. You can go back and listen to those,

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<v Speaker 2>in fact you should, But this time I wanted to

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<v Speaker 2>go deeper into his music career, learn how he managed

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<v Speaker 2>to become well a legend in both music and acting,

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<v Speaker 2>and hopefully hear more of his absolutely insane stories that

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<v Speaker 2>may or may not be true. Folks, if you have

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<v Speaker 2>never seen Creed Breton live on stage, I say only this,

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<v Speaker 2>do it. It's worth it. I have known the man

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<v Speaker 2>for twenty years and I have still barely cracked the surface.

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<v Speaker 2>Here he is one more hour for you listeners to

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<v Speaker 2>get to know the man. The myth, the legend, the

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<v Speaker 2>most interesting man in the world, the man who well,

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<v Speaker 2>here he is Creed Breton, Bubble and Squeak.

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<v Speaker 1>I love it, Bubble and Squeak. I know Bubble and Squeak.

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<v Speaker 1>I could get every month lift over from the ninetyople.

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<v Speaker 1>How's it going good, Buddy's good to see you.

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<v Speaker 2>It's so good to see you. We communicated recently without

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<v Speaker 2>seeing each other. I thought that, uh, I, for those

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<v Speaker 2>of you listening, some of you may know I no

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<v Speaker 2>longer live in Los Angeles proper. And I was up

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<v Speaker 2>in Los Angeles doing some work for the new book

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<v Speaker 2>coming out, and someone suggested that I go into a

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<v Speaker 2>coffee shop. I'd never been there for it was delicious, yep.

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<v Speaker 2>So I walk in. The guy starts chatting with me,

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<v Speaker 2>and you know, I'm like, okay, well he knows who

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<v Speaker 2>I am. It's fine. And then he stops and goes,

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<v Speaker 2>you know, Creed comes in here every morning, and I

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<v Speaker 2>was like, what wait, what were you serious? And he goes, yeah,

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<v Speaker 2>Creed comes in every day, gets his coffee, sits and

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<v Speaker 2>reads the paper or whatever. And so I made the guy.

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<v Speaker 2>They they they had the old school post it notes

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<v Speaker 2>where they write down your coffee order. So I took

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<v Speaker 2>a post it note and I said, I'm gonna I'm

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<v Speaker 2>not going to contact Creed. I want you to give

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<v Speaker 2>him this post it note the next time he comes in.

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<v Speaker 2>Sure Enough, a day later, I get I get a

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<v Speaker 2>text message from Creed that he got my post it note.

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<v Speaker 2>That was so fun.

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<v Speaker 1>I loved that it was. It was a great grade.

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<v Speaker 1>Wasn't it really a prank? It was just a great

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<v Speaker 1>little bit. I walk in there and they're beaming. Uh,

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<v Speaker 1>it's his name, Raymond and Faye, they work in there,

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<v Speaker 1>and they said, they look at each other giddy. They said,

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<v Speaker 1>somebody came in yesterday and got something for you. Said,

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<v Speaker 1>what are you talking about? They look like for you

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<v Speaker 1>and they have at this little piece of paper, and

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<v Speaker 1>I started laughing. Oh my god, it was a great

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<v Speaker 1>great yeah, you know.

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<v Speaker 2>You know what. It just occurred to me, Now, I

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<v Speaker 2>should have I should have at least bought your coffee.

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<v Speaker 2>I should have should at least I should have at

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<v Speaker 2>least pre bought your coffee. That would have been, That

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<v Speaker 2>would have been, that would have been nicer.

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<v Speaker 1>You've done plenty of things. See who you are? Just

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<v Speaker 1>you know, when you just said he done. Steve's laugh

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<v Speaker 1>was enough for all all of humanity to make us

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<v Speaker 1>laugh for all time. Oh boy, Uh.

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<v Speaker 2>It's great. It's great to see you. Now, you've been

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<v Speaker 2>here on the podcast before. Today we're going to talk.

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<v Speaker 2>We're going to talk music. I know you got a

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<v Speaker 2>new album coming out, new single just released on July nineteenth,

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<v Speaker 2>So I want to talk about your music career because look,

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<v Speaker 2>Creed is not just a television star. Creed is a

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<v Speaker 2>is a music musical star. What does that even mean?

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<v Speaker 2>He's a rock star, He's he was a star before

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<v Speaker 2>decades before you had you had ever seen him on

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<v Speaker 2>the office. You grew up in a in a small

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<v Speaker 2>town up there by Yosemite. Yes, but your your mom,

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<v Speaker 2>your grandparents, they were very musical, right, so did they

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<v Speaker 2>give you this, uh, the love of music? They introduced

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<v Speaker 2>you to music early on.

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<v Speaker 1>Absolutely. My my grandparents. My grandmother played drums, okay, and

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<v Speaker 1>my grandfather they had a band called the Happy Timers.

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<v Speaker 1>They were semi professional at Long Beach in the summer,

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<v Speaker 1>I go down and I spend the summer with them,

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<v Speaker 1>and I listened to them play all these country and

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<v Speaker 1>western the swing, mostly country swing, and but on I

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<v Speaker 1>grew up listening watching my mom play mandolin, and she

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<v Speaker 1>was gifted. She was gifted. She put her head back

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<v Speaker 1>and just whale. So I played trumpet from a young age.

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<v Speaker 1>I listened to a little Crystal set to b Mitchell

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<v Speaker 1>Reid from Los Angeles, and I knew somebody as would

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<v Speaker 1>come in depending on the weather and other times you

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<v Speaker 1>couldn't hear, but I'd hear all Fats Domino, Everly Brothers,

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<v Speaker 1>Jerry Lee Lewis, all the all the old fifties stuff,

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<v Speaker 1>you know, Eddie Cochran, and I just in Dwayne Eddie.

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<v Speaker 1>I love and I love this stuff. So I got

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<v Speaker 1>a guitar at a young age thirteen, which is some

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<v Speaker 1>people now are starting really really young, you know. But

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<v Speaker 1>but that was my first guitar. I played trumpet for

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<v Speaker 1>years through call, through high school and stuff, and then

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<v Speaker 1>by time seventeen, I'd figured out enough to start working

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<v Speaker 1>professionally at this band. And then I played played in

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<v Speaker 1>college at band it's dances and stuff on the weekends

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<v Speaker 1>to make money. And after college, after Europe with a

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<v Speaker 1>folk trio for over two years. That you know this story. Yeah,

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<v Speaker 1>Then the grassroots, the kids, their great grandparents will know

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<v Speaker 1>this band that I was in. We had Lift for

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<v Speaker 1>Today and Midnight Confessions to our two top ten songs.

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<v Speaker 2>Yeah.

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<v Speaker 3>So but before all that I read that you you

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<v Speaker 3>I don't think I knew this that you actually went

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<v Speaker 3>to college for acting.

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<v Speaker 1>Yes, yeah, and then I'm a major.

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<v Speaker 2>So this is like, so we're going back and forth

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<v Speaker 2>here and this, I mean, this is the first time

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<v Speaker 2>we're going. So you wanted to be an actor, yes,

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<v Speaker 2>but you were you were working professionally as a musician

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<v Speaker 2>to help make money, yes, yes, And so why did

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<v Speaker 2>you choose the right path? Not the right path? But

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<v Speaker 2>you have two paths. You could go and continue pursuing

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<v Speaker 2>acting or music. Why why did you go toward music?

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<v Speaker 1>I never picked one, Bryan. It was just whatever whatever

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<v Speaker 1>came it catches catch can. I played the music. I

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<v Speaker 1>acted when I could get in a play. Was in

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<v Speaker 1>LA and you know, it was doing stage stuff and

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<v Speaker 1>you know, then got an agent. That's how it started.

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<v Speaker 1>Like most people, you know, so he pick sees you

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<v Speaker 1>and put you in some stuff.

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<v Speaker 2>When you when you were in the Young Californians how

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<v Speaker 2>old were you then, mid twenties, mid twenties, and so

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<v Speaker 2>how how did that? How did that group initially come together.

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<v Speaker 2>These were these were people that you knew.

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<v Speaker 1>Uh No, I had been well. I had a friend

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<v Speaker 1>of mine. I paid his boat ticket or we got

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<v Speaker 1>a freighter out of New Orleans, came into Venice, and

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<v Speaker 1>then he left because he he was couldn't he missed

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<v Speaker 1>his girlfriend. He was worried about that somebody else was

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<v Speaker 1>going to get her, so as the guys do, and

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<v Speaker 1>so he I was by myself, and my plan was

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<v Speaker 1>to go to uh enroll in the Good Institute in

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<v Speaker 1>Munich in German. Why I would learn German, Bryant. It

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<v Speaker 1>was one of the most hardiest artist language possible. Spanish

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<v Speaker 1>would be a French would have been easier, right, German.

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<v Speaker 1>So that's what I'm making it really rough on myself.

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<v Speaker 1>I'm coming one day and I was working the electronics factory,

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<v Speaker 1>waiting for the season to start, you know, the sessions

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<v Speaker 1>to start at school. And I was making money, and

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<v Speaker 1>I had some money put away there and I was

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<v Speaker 1>learnning a little German. And I came up to pick

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<v Speaker 1>up my mail at the America Express and there's two

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<v Speaker 1>guys there, Greg Fitzpatrick on acoustic guitar and Lee Zimmerman

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<v Speaker 1>on banjo, he's a banjo that he made himself, homemade banjo.

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<v Speaker 2>He made a banjo.

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<v Speaker 1>He made a banjo from scratch. You know, people can

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<v Speaker 1>people can do this, not me, not you, but people

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<v Speaker 1>can do this. So I heard them. They're playing Green Green,

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<v Speaker 1>Green Green, and it's the new Christy Minschel song and

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<v Speaker 1>uh and I went okay, and they said. They looked

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<v Speaker 1>at me, and I said, you know, can I show

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<v Speaker 1>you something? And I took the guitar and went, do

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<v Speaker 1>do do do? I played the riff for him, so

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<v Speaker 1>just just a free ratification. That's how I didn't say

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<v Speaker 1>that because I was too stupid to say that. But

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<v Speaker 1>then but I showed him, but they went, oh you

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<v Speaker 1>you play? I said, well yeah, and they said and

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<v Speaker 1>they told me we're going to go down to Africa

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<v Speaker 1>and hitch I can play and you know, make money

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<v Speaker 1>and do stuff like this. They were making money at

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<v Speaker 1>the Octoberfest. So I could have stayed on and done

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<v Speaker 1>the school, but I stayed away almost all night long

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<v Speaker 1>with this, in that eleventh hour of the soul kind

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<v Speaker 1>of thing, and I thought, no, this is what I

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<v Speaker 1>want to do. This is what I want to do.

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<v Speaker 1>So I went took the money out I bought it.

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<v Speaker 1>I didn't have a guitar. Brian, I bought a guitar.

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<v Speaker 1>I didn't have a guitar. Man I bought a guitar.

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<v Speaker 1>I bought some hiking boots, a rucksack, a big anorak,

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<v Speaker 1>a big park it with fur collar from the down

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<v Speaker 1>to their surplus store and this, and then I went

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<v Speaker 1>down there and there they were, and they went. I said,

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<v Speaker 1>let's go, guys. And then two and a half years later,

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<v Speaker 1>you know, I get back forty five pounds lighter to America,

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<v Speaker 1>you know, and I almost I was I'd been starving

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<v Speaker 1>at that time.

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<v Speaker 2>Yeah, because you weren't eating. Yeah, because it wasn't eating

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<v Speaker 2>because of money. Yeah, because yes, yeah, okay, yeah.

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<v Speaker 1>I was stealing. I shouldn't. I was stealing the milk

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<v Speaker 1>off of people's portras. Yes, stay just stay alive. Yeah,

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<v Speaker 1>I'm not proud of that fact. But I'm starving.

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<v Speaker 2>You're like Oliver twists pies. Wow, I didn't really, I

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<v Speaker 2>didn't know that.

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<v Speaker 1>Yeah, yeah, yeah.

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<v Speaker 2>I mean the fact is, the Young Californians did a

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<v Speaker 2>world tour. But this world tour wasn't finally curated. No, no, it.

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<v Speaker 1>Wasn't like there's Madonna or you know, you know John

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<v Speaker 1>may Or. No, it's guys going to the youth, the

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<v Speaker 1>youth hostel hostels and you're staying on a cot. And

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<v Speaker 1>then at night we go down to the major place,

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<v Speaker 1>the railway stations walk where it sounds the best, open

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<v Speaker 1>our guitar case to get money. But you when you

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<v Speaker 1>were when we were in Switzerland and Germany, we made

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<v Speaker 1>big money. We thought, oh my gosh, they throw these

0:13:05.520 --> 0:13:08.080
<v Speaker 1>big coins in where we were worth. They're a lot,

0:13:08.200 --> 0:13:10.319
<v Speaker 1>you know, right, they have dollars some of these things

0:13:10.320 --> 0:13:12.640
<v Speaker 1>where we're two and a half dollars these coins, right,

0:13:12.720 --> 0:13:15.160
<v Speaker 1>And then we end up in North Africa and we're

0:13:15.200 --> 0:13:17.680
<v Speaker 1>at a soup kitchen with people with you know, infantigo

0:13:17.800 --> 0:13:22.000
<v Speaker 1>and lionidis. They got these swollen arms and legs and

0:13:22.040 --> 0:13:24.600
<v Speaker 1>cataracts on their eyes. And we're eating the stuff hoping

0:13:24.600 --> 0:13:26.880
<v Speaker 1>we're I gonna die from this from the dog we're

0:13:26.880 --> 0:13:30.320
<v Speaker 1>eating oh yeah, oh yeah, And we and we that's

0:13:30.440 --> 0:13:33.840
<v Speaker 1>and then we hit shots across North Africa and we

0:13:33.880 --> 0:13:36.360
<v Speaker 1>played for the mobile oil. We were about five hundred

0:13:36.360 --> 0:13:38.960
<v Speaker 1>miles out in the Sahara desert playing for the oil

0:13:38.960 --> 0:13:41.559
<v Speaker 1>camps and stuff. But we made some of we made

0:13:41.600 --> 0:13:43.760
<v Speaker 1>good money, and then sometimes we start.

0:13:44.720 --> 0:13:48.800
<v Speaker 2>What what was the decision behind? So you're making good

0:13:48.880 --> 0:13:52.320
<v Speaker 2>money once in a while in well, in western Europe.

0:13:52.880 --> 0:13:56.880
<v Speaker 2>So why so, I mean, is this just young? I

0:13:56.960 --> 0:14:02.200
<v Speaker 2>don't know? Even take like we're going to travel north Africa.

0:14:02.480 --> 0:14:05.960
<v Speaker 1>That was always the plan when they met. We said,

0:14:05.960 --> 0:14:07.559
<v Speaker 1>we're going to go down and go cross north there

0:14:07.760 --> 0:14:10.840
<v Speaker 1>to Egypt, down through the Sudan, continue on and go

0:14:10.880 --> 0:14:12.720
<v Speaker 1>all the way down through Africa. This is down to

0:14:12.760 --> 0:14:15.680
<v Speaker 1>the down to the other bottom of Africa. This is

0:14:15.720 --> 0:14:20.800
<v Speaker 1>the plan. We'll see lions and elephants and and I went, yes,

0:14:20.920 --> 0:14:24.800
<v Speaker 1>this is for me. It's exciting, you know, did you

0:14:24.880 --> 0:14:28.080
<v Speaker 1>did you know? We we got to the Sudan, they

0:14:28.080 --> 0:14:31.760
<v Speaker 1>were running guns. They were running guns. The Congolese were

0:14:31.800 --> 0:14:34.920
<v Speaker 1>running guns. They wouldn't let us in. So we we

0:14:35.040 --> 0:14:38.040
<v Speaker 1>went back and we got a boat to Bay Route.

0:14:38.360 --> 0:14:41.280
<v Speaker 1>Before Bay Route blew up, Bay Route was still the

0:14:41.320 --> 0:14:45.320
<v Speaker 1>Paris of the Mediterranean. And we played at a brothel.

0:14:45.920 --> 0:14:48.480
<v Speaker 1>We played at a brothel called the Kit Cat Club's

0:14:48.560 --> 0:14:49.880
<v Speaker 1>famous famous brothel.

0:14:50.000 --> 0:14:52.600
<v Speaker 2>That is that true? Is that true? To God?

0:14:52.640 --> 0:14:52.920
<v Speaker 1>Truth?

0:14:53.560 --> 0:14:55.280
<v Speaker 2>Truth is the kit Cat Club?

0:14:55.560 --> 0:14:58.480
<v Speaker 1>Like you can look it up. You can look it up,

0:14:59.800 --> 0:15:02.640
<v Speaker 1>but all the shakes, this was the Mid Eastern Shakes,

0:15:02.640 --> 0:15:05.000
<v Speaker 1>and all the movers and shakers, all the gold and

0:15:05.040 --> 0:15:07.920
<v Speaker 1>oil money would go to this place and we'd play

0:15:08.160 --> 0:15:09.880
<v Speaker 1>on the stage in the back. That guy would do

0:15:09.920 --> 0:15:11.000
<v Speaker 1>what they did in brothel.

0:15:12.840 --> 0:15:15.640
<v Speaker 2>Did they give you a cot there at least? Or no? Yeah?

0:15:15.840 --> 0:15:18.000
<v Speaker 1>No, we were disgusting infidels.

0:15:18.040 --> 0:15:24.880
<v Speaker 2>You know, on this trip you became is that I

0:15:24.920 --> 0:15:26.320
<v Speaker 2>don't even know if that's the way to say it.

0:15:26.320 --> 0:15:32.080
<v Speaker 2>Either you you went from you transformed from William Charles

0:15:32.080 --> 0:15:38.440
<v Speaker 2>Shatner Schinzchneider, Schneider, Yeah, to Creed Bratton. Yes, why.

0:15:39.960 --> 0:15:43.520
<v Speaker 1>I had been how do we see this? I worked

0:15:43.560 --> 0:15:47.080
<v Speaker 1>on a movie called cast a Giant Showder, my first film.

0:15:47.240 --> 0:15:50.280
<v Speaker 1>This is so this is nineteen sixty four sixty five,

0:15:51.280 --> 0:15:54.239
<v Speaker 1>and I fell in love with the director's daughter, Lynn Shavelson,

0:15:54.440 --> 0:15:57.720
<v Speaker 1>and we went off to the Greek Islands and had

0:15:57.720 --> 0:16:01.440
<v Speaker 1>this most marvelous time. And she mentioned that that Creed,

0:16:01.720 --> 0:16:06.000
<v Speaker 1>that Chuck rt Mode, which was my stepfather's name, which

0:16:06.000 --> 0:16:08.360
<v Speaker 1>I had taken on. I thought I was legally adopted

0:16:08.760 --> 0:16:11.400
<v Speaker 1>as Chuck ert Mode. I didn't know I was still

0:16:11.520 --> 0:16:13.600
<v Speaker 1>until I got my passport to leave for Europe. I

0:16:13.640 --> 0:16:16.760
<v Speaker 1>found I was still William George Schneider. So I'd used

0:16:16.880 --> 0:16:20.520
<v Speaker 1>chuck Ert mode and Brian. If you can imagine kids,

0:16:20.760 --> 0:16:24.120
<v Speaker 1>you know, going hey, oh, they put their finger down

0:16:24.120 --> 0:16:26.720
<v Speaker 1>their throat and they like pretend like they're throwing up,

0:16:26.760 --> 0:16:28.320
<v Speaker 1>And that was I had no self esteem.

0:16:28.480 --> 0:16:31.800
<v Speaker 2>That's like Rain would do that still today.

0:16:31.520 --> 0:16:33.840
<v Speaker 1>By the way, but yes, yes, because he would. Yes

0:16:33.880 --> 0:16:35.400
<v Speaker 1>he does it if he came. You know, wait, what

0:16:35.400 --> 0:16:37.080
<v Speaker 1>do you breaking do to me to humiliate me?

0:16:37.200 --> 0:16:37.520
<v Speaker 2>He will.

0:16:38.680 --> 0:16:41.440
<v Speaker 1>So she mentioned there wasn't an attractive name, and I

0:16:41.480 --> 0:16:43.560
<v Speaker 1>then I kind of put that thing and I knew

0:16:43.560 --> 0:16:45.720
<v Speaker 1>it wasn't. I knew it wasn't, but for someone that

0:16:45.760 --> 0:16:48.520
<v Speaker 1>I was in love with to mention, well, that name.

0:16:48.920 --> 0:16:53.640
<v Speaker 1>So she goes back to college and I'm in Athens

0:16:53.960 --> 0:16:57.760
<v Speaker 1>at a cafe knowing that I've got to go sign

0:16:57.840 --> 0:17:00.640
<v Speaker 1>up for the draft and I got to go. I

0:17:00.680 --> 0:17:04.160
<v Speaker 1>got to go do my physical in Berlin, and I'm

0:17:04.240 --> 0:17:08.119
<v Speaker 1>dreading this for the Vietnam War, sitting there and having

0:17:08.160 --> 0:17:11.400
<v Speaker 1>some I think it was uzzo or retina whatever, those

0:17:11.440 --> 0:17:14.400
<v Speaker 1>liquorice tasting things they have over there, their alcohol their

0:17:14.440 --> 0:17:17.240
<v Speaker 1>god off, Oh yeah, you know what you've had.

0:17:17.680 --> 0:17:18.880
<v Speaker 2>I know what you're talking about. Yeah.

0:17:18.920 --> 0:17:21.719
<v Speaker 1>Yeah. So I'm there and I meet this this couple

0:17:21.800 --> 0:17:25.960
<v Speaker 1>from Oregon and they're going to Crete, the Isle of

0:17:26.040 --> 0:17:30.080
<v Speaker 1>Crete to teach English, to teach English to the Cretanskay

0:17:31.960 --> 0:17:34.960
<v Speaker 1>cre And I told my story. I said, I've got

0:17:35.040 --> 0:17:37.880
<v Speaker 1>visions of me being a drama you know, blah blah blah.

0:17:38.080 --> 0:17:39.719
<v Speaker 1>I play music, but I want to go and be

0:17:39.760 --> 0:17:42.800
<v Speaker 1>an actor and playing music whatever I can, you know,

0:17:42.920 --> 0:17:45.520
<v Speaker 1>either one or the other. And they said, well, that

0:17:45.720 --> 0:17:48.520
<v Speaker 1>Chuck RTMO name, that's that's not very good. I said, oh,

0:17:48.560 --> 0:17:50.560
<v Speaker 1>I know, I know it's not a good name. Said, well,

0:17:50.560 --> 0:17:54.160
<v Speaker 1>you really need something besides Chuck Bert Mode. I said,

0:17:54.160 --> 0:17:57.040
<v Speaker 1>I agree about arguing with you. So cut to the

0:17:57.040 --> 0:17:59.879
<v Speaker 1>next morning, and as God is my witness, is exactly

0:17:59.880 --> 0:18:04.200
<v Speaker 1>what happened. I'm at my pension and I look up

0:18:04.280 --> 0:18:08.639
<v Speaker 1>and there's my liver sitting in a chair having a

0:18:08.640 --> 0:18:10.639
<v Speaker 1>cup of coffee, waiting to get back in my body.

0:18:12.359 --> 0:18:16.159
<v Speaker 1>Oh God, so bad, so feeling so horrible. And then

0:18:16.160 --> 0:18:19.800
<v Speaker 1>I look over on the table and there's the tablecloth

0:18:19.840 --> 0:18:24.320
<v Speaker 1>from the night before and all these names, Troy, whatever, lamps,

0:18:24.320 --> 0:18:27.720
<v Speaker 1>things all crossed out, and then there's it's a whole

0:18:27.760 --> 0:18:30.760
<v Speaker 1>bunch of them, and then one circled with little stars

0:18:31.040 --> 0:18:34.400
<v Speaker 1>around it said Creed Bratt and I went, oh, that's

0:18:34.440 --> 0:18:37.840
<v Speaker 1>my new name. Now I don't use Brian. I don't

0:18:37.920 --> 0:18:41.360
<v Speaker 1>use that name until almost two years later. It takes

0:18:41.359 --> 0:18:44.600
<v Speaker 1>me another year to get back, and then another year

0:18:44.680 --> 0:18:48.040
<v Speaker 1>with the Thirteenth Floor. So yeah, So two years later,

0:18:48.200 --> 0:18:52.680
<v Speaker 1>we're signing contracts for Dunhill Records, and I've been chuckered

0:18:53.520 --> 0:18:55.720
<v Speaker 1>and I start to sign as Chucker when I went, oh,

0:18:55.760 --> 0:18:58.920
<v Speaker 1>that's right. So I signed Preed Bratt and I said

0:18:58.920 --> 0:19:02.280
<v Speaker 1>what who who's this cream broad guy? And they said

0:19:02.320 --> 0:19:04.359
<v Speaker 1>that's me, and then they that From that moment on,

0:19:04.840 --> 0:19:06.800
<v Speaker 1>people started looking at me a little like, you know,

0:19:06.920 --> 0:19:09.080
<v Speaker 1>like like people on the show did. They're like, WHOA,

0:19:09.280 --> 0:19:11.520
<v Speaker 1>he's a little weird. This guy's a little weird.

0:19:31.240 --> 0:19:33.760
<v Speaker 2>The thirteenth Floor. Tell me how you got involved with

0:19:33.840 --> 0:19:38.400
<v Speaker 2>the thirteenth Floor that then eventually became the Grassroots.

0:19:38.520 --> 0:19:39.480
<v Speaker 1>I became the grassroots.

0:19:39.560 --> 0:19:39.919
<v Speaker 2>Okay.

0:19:41.240 --> 0:19:44.760
<v Speaker 1>I met this guy named Warren Edner who has graduated

0:19:44.800 --> 0:19:49.359
<v Speaker 1>from UCLA, and uh, he had played in a band

0:19:49.440 --> 0:19:50.080
<v Speaker 1>with Phil.

0:19:49.920 --> 0:19:52.960
<v Speaker 2>Spector of All People back and was in college.

0:19:53.119 --> 0:19:56.800
<v Speaker 1>Really yeah, I got pictures of Warren with his Indian's

0:19:56.840 --> 0:20:00.920
<v Speaker 1>band with Phil Spector, you know, and uh, he came

0:20:00.960 --> 0:20:04.920
<v Speaker 1>to we were doing a folk festival and I think

0:20:04.920 --> 0:20:06.719
<v Speaker 1>he might have played there or I'm not sure if

0:20:06.720 --> 0:20:09.040
<v Speaker 1>he did or not. But anyway, he saw us play

0:20:09.040 --> 0:20:12.560
<v Speaker 1>at this folk festival in Tel Aviv. This is before

0:20:12.600 --> 0:20:15.760
<v Speaker 1>we got on the movie the cast Jihant Shadow, and

0:20:15.880 --> 0:20:17.600
<v Speaker 1>he came up and said, you play pretty good guitar.

0:20:17.600 --> 0:20:19.480
<v Speaker 1>I said, you wonder if you want to start a band?

0:20:20.119 --> 0:20:23.840
<v Speaker 1>He said, he gave me his number, Warren. So I

0:20:23.840 --> 0:20:26.720
<v Speaker 1>put that number. And I usually wouldn't pay much attention

0:20:26.760 --> 0:20:28.760
<v Speaker 1>to this movie, but this gun I felt right in

0:20:28.840 --> 0:20:31.520
<v Speaker 1>my gut. So I took the thing and I put

0:20:31.520 --> 0:20:34.720
<v Speaker 1>it under the cardboard bottom of my rocksack, so it

0:20:34.760 --> 0:20:37.400
<v Speaker 1>was down there. Any important numbers I put down under

0:20:37.440 --> 0:20:40.280
<v Speaker 1>this thing that it wouldn't move it. So I'm back

0:20:40.600 --> 0:20:44.440
<v Speaker 1>and I'm staying with my girlfriend who then became my wife, Joanna.

0:20:45.359 --> 0:20:48.639
<v Speaker 1>I just arrived. Within one week, I'm cleaning out my

0:20:48.760 --> 0:20:51.639
<v Speaker 1>rocksack and this paper flutters. I said, oh, Warren, I

0:20:51.760 --> 0:20:54.960
<v Speaker 1>call Warren And in one week we had a band

0:20:55.720 --> 0:20:58.800
<v Speaker 1>and we were playing at this topless joint in the

0:20:58.840 --> 0:21:03.280
<v Speaker 1>Salmon King Valley and Sabernana Valley and the very first

0:21:03.280 --> 0:21:07.640
<v Speaker 1>show I did in La there's a woman topless dancer

0:21:07.760 --> 0:21:11.000
<v Speaker 1>in a chair swinging like this, and if I'm playing

0:21:11.040 --> 0:21:13.840
<v Speaker 1>like this, I would have to move my body aside

0:21:14.119 --> 0:21:16.680
<v Speaker 1>from the michael so she wouldn't get me. So we swing,

0:21:16.880 --> 0:21:19.639
<v Speaker 1>swinging so close to this tiny stage, you know. And

0:21:19.720 --> 0:21:21.879
<v Speaker 1>at the same time she was doing it, she was

0:21:22.000 --> 0:21:23.600
<v Speaker 1>she had these little castles on her.

0:21:23.760 --> 0:21:24.720
<v Speaker 2>They should be one.

0:21:25.240 --> 0:21:27.680
<v Speaker 1>She'd get right tassel in the right breast to going,

0:21:28.040 --> 0:21:30.960
<v Speaker 1>you know, clockwise, and the left one counterclockwise. So she

0:21:31.040 --> 0:21:33.480
<v Speaker 1>come up. I don't know how she did. She was amazing,

0:21:33.520 --> 0:21:36.080
<v Speaker 1>you know. It was hard to concentrate and play music

0:21:36.119 --> 0:21:39.240
<v Speaker 1>and move and I get hit and watch the tassels

0:21:39.280 --> 0:21:39.960
<v Speaker 1>at the same time.

0:21:40.359 --> 0:21:43.080
<v Speaker 2>Well, you didn't play in those kind of places for

0:21:43.280 --> 0:21:49.399
<v Speaker 2>very long. Nope. Eventually ten or several top ten hits.

0:21:50.000 --> 0:21:54.280
<v Speaker 2>Four of your albums charted in the Billboard Top one hundred.

0:21:54.440 --> 0:21:56.000
<v Speaker 2>I mean you were a rock star.

0:21:56.320 --> 0:21:58.840
<v Speaker 1>Wes, Yes, well, I Phil Ambryant. I don't think you.

0:21:58.760 --> 0:22:02.680
<v Speaker 2>Don't know that. That's well, that's true. But for you

0:22:02.840 --> 0:22:06.639
<v Speaker 2>in the sixties in Los Angeles being a rock star,

0:22:07.400 --> 0:22:11.160
<v Speaker 2>who did you consider to be your peer at that time,

0:22:11.440 --> 0:22:16.320
<v Speaker 2>or your peers. There's a big music scene in Los Angeles.

0:22:16.320 --> 0:22:19.520
<v Speaker 1>It's a huge music scene. We uh, we're off there.

0:22:19.600 --> 0:22:21.360
<v Speaker 1>You're working all at times, so you're not hanging much.

0:22:21.400 --> 0:22:24.080
<v Speaker 1>And we toured with the Doors, Yeah, and we got

0:22:24.080 --> 0:22:26.520
<v Speaker 1>t I got tight with the Doors. I John Densmill

0:22:26.640 --> 0:22:28.520
<v Speaker 1>was my best man at my wedding. We were close.

0:22:28.560 --> 0:22:31.320
<v Speaker 1>He was a good friend. The Young Rascals, we toured

0:22:31.320 --> 0:22:33.800
<v Speaker 1>with them a lot. We hung out with Gene Cornish,

0:22:34.000 --> 0:22:36.560
<v Speaker 1>the guys at Three Dog Nike, we played with, We

0:22:36.600 --> 0:22:38.880
<v Speaker 1>played with everyone because you know, Brian, we just toured

0:22:38.920 --> 0:22:42.680
<v Speaker 1>with with everybody at that time. I guess for the grassroots,

0:22:42.720 --> 0:22:46.040
<v Speaker 1>as we started out in folk rock, we would be

0:22:46.119 --> 0:22:49.600
<v Speaker 1>considered in that, in that Buffalo Springfield kind of genre,

0:22:49.640 --> 0:22:51.439
<v Speaker 1>you know, with that folks folk rocky stuff. You know,

0:22:51.880 --> 0:22:53.480
<v Speaker 1>they were a better band. They were a better band,

0:22:53.520 --> 0:22:56.200
<v Speaker 1>without a doubt. But we had we had We had

0:22:56.200 --> 0:22:59.200
<v Speaker 1>some good singers. Warren and Rob were really really good vocalists,

0:22:59.240 --> 0:23:01.720
<v Speaker 1>you know, and we had great producers and some really

0:23:01.720 --> 0:23:02.760
<v Speaker 1>good songs.

0:23:03.480 --> 0:23:03.920
<v Speaker 2>Yeah.

0:23:04.560 --> 0:23:06.399
<v Speaker 1>So we had a good run. We had a good run.

0:23:07.000 --> 0:23:08.919
<v Speaker 2>I guess what I'm I guess what I'm getting at

0:23:09.080 --> 0:23:12.880
<v Speaker 2>is so for me, when The Office begins to take

0:23:12.920 --> 0:23:17.840
<v Speaker 2>off and we start getting recognition, and I mean in

0:23:17.920 --> 0:23:21.760
<v Speaker 2>terms of the show and winning awards and were invited

0:23:21.840 --> 0:23:27.040
<v Speaker 2>to fancy parties and like, so for you had you

0:23:27.160 --> 0:23:30.240
<v Speaker 2>experienced do you feel like you had experienced that before

0:23:30.480 --> 0:23:31.880
<v Speaker 2>back in the sixties.

0:23:31.480 --> 0:23:35.600
<v Speaker 1>Like, no, No, that's the Office was the first rush

0:23:35.640 --> 0:23:38.920
<v Speaker 1>of that kind of stuff. And we went to in

0:23:38.960 --> 0:23:42.480
<v Speaker 1>New York and we stayed at the Four Seasons, and

0:23:43.560 --> 0:23:46.480
<v Speaker 1>we played the Tonight Show, the Johnny Carson Tonight Show,

0:23:46.560 --> 0:23:48.960
<v Speaker 1>and we did all this. We did the TV show, sure,

0:23:49.280 --> 0:23:52.400
<v Speaker 1>but as far as go people saying we'll come on

0:23:53.040 --> 0:23:55.640
<v Speaker 1>this show and hang with us, you know, or coming

0:23:55.640 --> 0:23:57.800
<v Speaker 1>to these parties and stuff. No, we didn't have that.

0:23:57.840 --> 0:24:01.800
<v Speaker 1>We I really felt that it would. You know. The

0:24:01.840 --> 0:24:04.920
<v Speaker 1>Office was a whole other animal. It's just yeah, that

0:24:04.920 --> 0:24:07.560
<v Speaker 1>that rarefied air. We just all of a sudden gasping

0:24:07.600 --> 0:24:08.680
<v Speaker 1>to get more.

0:24:10.320 --> 0:24:13.439
<v Speaker 2>Right. But in the sixties, you're invited to the Playboy Mansion.

0:24:13.640 --> 0:24:16.359
<v Speaker 2>Oh yeah, oh yeah, I see, I was invited to

0:24:16.359 --> 0:24:22.440
<v Speaker 2>the Playboy Mansion. So you were in the you were

0:24:22.480 --> 0:24:27.640
<v Speaker 2>in the Toronto in the sixties, yeah, and then what

0:24:28.200 --> 0:24:31.920
<v Speaker 2>then forty years later I was I was invited only

0:24:31.960 --> 0:24:36.720
<v Speaker 2>forty years later than you were years later. But you've

0:24:36.760 --> 0:24:42.560
<v Speaker 2>experienced all of that sort of Hollywood and I'm putting

0:24:42.600 --> 0:24:48.439
<v Speaker 2>air quotes on thatchery well Los Angeles, Like how do

0:24:48.520 --> 0:24:51.080
<v Speaker 2>I say this? The kind of clubs and I don't

0:24:51.119 --> 0:24:55.800
<v Speaker 2>mean clubs, but I mean like where you you're only invited.

0:24:56.160 --> 0:24:59.080
<v Speaker 2>You can't go unless you're invited. You can't guess that's

0:24:59.119 --> 0:25:00.200
<v Speaker 2>the thing, right.

0:25:00.080 --> 0:25:02.880
<v Speaker 1>When when you when some a lister brings up there

0:25:02.880 --> 0:25:05.520
<v Speaker 1>having a hot tub party and you're playing celebrity pud touch,

0:25:05.760 --> 0:25:07.479
<v Speaker 1>these are the only places that you can you're can

0:25:07.600 --> 0:25:08.400
<v Speaker 1>get invited.

0:25:08.119 --> 0:25:16.399
<v Speaker 2>To, right, Yes, what what is I hope that was?

0:25:17.240 --> 0:25:18.320
<v Speaker 1>You can cut that one.

0:25:19.520 --> 0:25:25.119
<v Speaker 2>No, I enjoyed it for you. What is the what

0:25:25.280 --> 0:25:29.359
<v Speaker 2>is your favorite experience that you had during that time?

0:25:29.520 --> 0:25:32.520
<v Speaker 2>During that run, I mean you you were doing movies too.

0:25:32.560 --> 0:25:34.840
<v Speaker 2>I know you did a movie with Doris Day, Oh

0:25:34.920 --> 0:25:35.399
<v Speaker 2>my gosh.

0:25:35.600 --> 0:25:39.480
<v Speaker 1>But I gotta say that with Brian Keith, he come

0:25:39.560 --> 0:25:42.040
<v Speaker 1>to the set, he wouldn't have any makeup on, you know,

0:25:42.119 --> 0:25:44.280
<v Speaker 1>he was like he was like Spencer Tracy. They put

0:25:44.320 --> 0:25:46.240
<v Speaker 1>makeup on, he would take it off. He hated it

0:25:46.560 --> 0:25:48.760
<v Speaker 1>and he just looked everybody else. They looked like thick,

0:25:48.840 --> 0:25:52.920
<v Speaker 1>like a mud, and he was just like gone, where

0:25:52.960 --> 0:25:56.920
<v Speaker 1>is he was? Right there? She had You've heard the

0:25:57.000 --> 0:26:00.159
<v Speaker 1>jokes about the door stay filters, all the filter in

0:26:00.200 --> 0:26:02.800
<v Speaker 1>front of the camera, right, yeah, there were they were

0:26:02.840 --> 0:26:05.320
<v Speaker 1>there with we. We said, what the hell? What are

0:26:05.359 --> 0:26:08.400
<v Speaker 1>all those things out fronts? I thoughts her filters, you know,

0:26:08.760 --> 0:26:11.159
<v Speaker 1>and you can cut. You can see George Carlin. This

0:26:11.200 --> 0:26:14.119
<v Speaker 1>is first movie with you know, he's George Carnes in

0:26:14.160 --> 0:26:16.119
<v Speaker 1>this movie. And theything click clicking, and all of a

0:26:16.160 --> 0:26:21.160
<v Speaker 1>sudden he comes boop, there's this mud, this dirty water

0:26:21.480 --> 0:26:23.760
<v Speaker 1>from the Doris and then everyone's clear again.

0:26:24.520 --> 0:26:29.440
<v Speaker 2>But look young, what's your favorite experience that you had

0:26:29.520 --> 0:26:30.240
<v Speaker 2>during this time?

0:26:31.280 --> 0:26:31.520
<v Speaker 3>Oh?

0:26:32.080 --> 0:26:37.000
<v Speaker 1>I think from a musical point of view, our second

0:26:37.000 --> 0:26:41.520
<v Speaker 1>album Feelings, the band instead of using the Wrecking Crew

0:26:41.560 --> 0:26:43.320
<v Speaker 1>for for some of the stuff or the bass and

0:26:43.320 --> 0:26:46.840
<v Speaker 1>the drums, Warren and I played on a lot of stuff,

0:26:48.160 --> 0:26:50.040
<v Speaker 1>but we didn't use our bass player and our drummer.

0:26:50.480 --> 0:26:50.840
<v Speaker 2>We did.

0:26:50.880 --> 0:26:53.240
<v Speaker 1>We did though on this second album and they took

0:26:53.280 --> 0:26:54.840
<v Speaker 1>a shot with it and we had a song called

0:26:54.880 --> 0:27:00.240
<v Speaker 1>Feelings that our original Kenny Fukumoto wrote Boom boom boom,

0:27:00.240 --> 0:27:06.840
<v Speaker 1>feel It's me feel So we were at Oxnard and

0:27:06.880 --> 0:27:12.119
<v Speaker 1>we played uh Live for Today Midnight Confessions the crowd

0:27:12.119 --> 0:27:16.000
<v Speaker 1>where they love that, but we played Feelings, which was

0:27:16.040 --> 0:27:18.800
<v Speaker 1>our song. It was our song, but it was our

0:27:18.840 --> 0:27:21.720
<v Speaker 1>song that we'd played, you know, completely, and the crowd

0:27:21.880 --> 0:27:25.359
<v Speaker 1>went like just they started it started galvanizing ituse with

0:27:25.480 --> 0:27:28.320
<v Speaker 1>that kind of song, And at that moment I thought, Okay,

0:27:28.359 --> 0:27:31.000
<v Speaker 1>here we go. We're the band, we are the ship

0:27:31.040 --> 0:27:34.080
<v Speaker 1>were the rest of the real deal. It was short lived,

0:27:34.440 --> 0:27:36.800
<v Speaker 1>but that was a moment where I thought, Okay, this

0:27:36.960 --> 0:27:41.280
<v Speaker 1>is genuinely exciting stuff. That when that grout crowd is

0:27:41.440 --> 0:27:44.640
<v Speaker 1>there with you like that, joining you, and they's they're

0:27:44.960 --> 0:27:47.919
<v Speaker 1>moss mash pitting or whatever it is called. Yeah, you know,

0:27:47.920 --> 0:27:51.040
<v Speaker 1>they're bouncing up and going and stuff like that. Yeah,

0:27:51.119 --> 0:27:52.840
<v Speaker 1>it was great. That was That was a great moment.

0:27:52.840 --> 0:27:55.080
<v Speaker 1>There's all kinds of other things, but as far as

0:27:55.200 --> 0:27:58.320
<v Speaker 1>what I wanted, I wanted respect from from people for

0:27:58.400 --> 0:28:01.679
<v Speaker 1>the music. It wasn't anything else but their respect and

0:28:01.760 --> 0:28:02.840
<v Speaker 1>doing good art, good art.

0:28:03.359 --> 0:28:07.520
<v Speaker 2>Can you talk about why the band ended? Why you left?

0:28:07.960 --> 0:28:15.000
<v Speaker 1>I had an epiphany after the Johnny Carson show. We

0:28:15.040 --> 0:28:17.520
<v Speaker 1>were heading back to the hotel and I listened to

0:28:17.720 --> 0:28:22.320
<v Speaker 1>the band music from Big Pink, and that was that

0:28:22.400 --> 0:28:27.959
<v Speaker 1>was a just a paradigm shift in my consciousness as

0:28:28.000 --> 0:28:31.040
<v Speaker 1>far as what you can accomplish. And that's not the

0:28:31.040 --> 0:28:33.680
<v Speaker 1>same that we could become the band. But I thought

0:28:33.680 --> 0:28:36.040
<v Speaker 1>that we had already done this. It wasn't. It didn't

0:28:36.119 --> 0:28:39.200
<v Speaker 1>wasn't as successful as the studio produced stuff. So the

0:28:39.240 --> 0:28:41.160
<v Speaker 1>ones they saw what it was, it wasn't didn't do

0:28:41.240 --> 0:28:43.120
<v Speaker 1>as go I on the charts. They went back to

0:28:43.160 --> 0:28:45.800
<v Speaker 1>the old formula. And I really wondered they should have

0:28:45.800 --> 0:28:47.720
<v Speaker 1>stayed with us a little longer and give us another

0:28:47.760 --> 0:28:50.480
<v Speaker 1>shot to stay longer. I mean, they gave us the

0:28:50.480 --> 0:28:53.480
<v Speaker 1>shot they did. I'll be fair about that, fair play.

0:28:53.880 --> 0:28:55.440
<v Speaker 1>And I've said I told him, I said, I think

0:28:55.480 --> 0:28:57.640
<v Speaker 1>we should go off in Woodshed. I think we should

0:28:57.640 --> 0:28:59.120
<v Speaker 1>come up with their own stuff because we're not gonna

0:28:59.120 --> 0:29:02.400
<v Speaker 1>have credibility. And they didn't want to do it. And

0:29:04.440 --> 0:29:06.400
<v Speaker 1>a lot of people think it's because I dropped acid

0:29:06.520 --> 0:29:10.480
<v Speaker 1>at the film or and it couldn't finish the show.

0:29:11.040 --> 0:29:13.000
<v Speaker 1>But it wasn't that at all. A lot there's a

0:29:13.040 --> 0:29:17.320
<v Speaker 1>lot that was another Friday for most rock bands. You know.

0:29:18.680 --> 0:29:20.360
<v Speaker 1>It was this thing that I wanted to do that.

0:29:20.560 --> 0:29:22.880
<v Speaker 1>So they said, if you're not happy, you can leave

0:29:22.920 --> 0:29:24.240
<v Speaker 1>and we'll give you a settlement nights.

0:29:24.280 --> 0:29:24.840
<v Speaker 2>And I took it.

0:29:24.880 --> 0:29:28.440
<v Speaker 1>You know, I left, and I've thought for a long

0:29:28.480 --> 0:29:31.120
<v Speaker 1>time maybe it was a bad move. But obviously, as

0:29:31.160 --> 0:29:33.160
<v Speaker 1>we know, it all worked out worse out.

0:29:33.840 --> 0:29:40.360
<v Speaker 2>Yeah, you left the grassroots in nineteen sixty nine, you

0:29:40.480 --> 0:29:45.000
<v Speaker 2>put out a solo album in two thousand and three. Yep,

0:29:45.160 --> 0:29:48.560
<v Speaker 2>now we know what you were up to in front

0:29:48.560 --> 0:29:52.360
<v Speaker 2>of the camera, if you will, musically, for you, what

0:29:53.600 --> 0:29:58.640
<v Speaker 2>changed or shifted or evolved for you during that time?

0:30:00.200 --> 0:30:03.680
<v Speaker 1>Okay, I think the big that's a good question, Ryan,

0:30:03.720 --> 0:30:07.000
<v Speaker 1>that's a really good question. I uh, don't, don't get

0:30:07.080 --> 0:30:10.920
<v Speaker 1>deadly go to your head, just did I won't.

0:30:11.320 --> 0:30:12.640
<v Speaker 2>I get one every month.

0:30:13.920 --> 0:30:17.400
<v Speaker 1>I don't get any I don't get anything. I'm jealous,

0:30:17.640 --> 0:30:20.360
<v Speaker 1>just jealous to give that. I think what happened is

0:30:20.480 --> 0:30:22.880
<v Speaker 1>that at that time I had to go out and

0:30:22.960 --> 0:30:27.040
<v Speaker 1>with my guitar and play these little clubs, and uh,

0:30:27.120 --> 0:30:28.560
<v Speaker 1>I've did another kind of jokes, but I would go

0:30:28.600 --> 0:30:33.360
<v Speaker 1>play it. And so with my acoustic guitar, I had

0:30:33.400 --> 0:30:36.760
<v Speaker 1>to sing and I had to write songs. So I

0:30:36.800 --> 0:30:38.680
<v Speaker 1>started writing. I had been writing songs, but I started

0:30:38.680 --> 0:30:41.640
<v Speaker 1>writing more personal songs, and trust me, I wrote a

0:30:41.640 --> 0:30:44.600
<v Speaker 1>lot of really bad songs. I mean, you know, hundreds

0:30:44.600 --> 0:30:47.400
<v Speaker 1>of songs that were like oh people, oh God, and

0:30:47.480 --> 0:30:50.160
<v Speaker 1>you move on, you move on. Finally you get something

0:30:50.240 --> 0:30:52.880
<v Speaker 1>like all the Faces comes along, and then you start.

0:30:53.200 --> 0:30:56.000
<v Speaker 1>Then I guess you put enough time into it. The

0:30:56.120 --> 0:30:59.400
<v Speaker 1>muse says, well, you're worth it now you you've you've

0:30:59.400 --> 0:31:01.280
<v Speaker 1>paid your due. Is we're going to give you some

0:31:01.320 --> 0:31:03.719
<v Speaker 1>better material. And I think it was just because I

0:31:03.760 --> 0:31:07.240
<v Speaker 1>wasn't just playing lead guitar in a band. I had

0:31:07.240 --> 0:31:09.480
<v Speaker 1>to stand up with my hand, stand up and be counted,

0:31:09.720 --> 0:31:12.280
<v Speaker 1>write my songs, sing them myself. I had to serve

0:31:12.360 --> 0:31:16.080
<v Speaker 1>the songs with my voice. And as you sing in

0:31:16.160 --> 0:31:19.680
<v Speaker 1>clubs and tour, you get stronger, you get a stronger voice,

0:31:19.760 --> 0:31:22.600
<v Speaker 1>you know. And I think on this, the songs you've heard,

0:31:22.760 --> 0:31:25.880
<v Speaker 1>the voices, the voice is getting stronger. It's just getting better.

0:31:26.160 --> 0:31:27.680
<v Speaker 1>It's just the way it worked, the way it works.

0:31:27.840 --> 0:31:29.480
<v Speaker 1>So that was a good It was a good thing.

0:31:29.520 --> 0:31:32.760
<v Speaker 1>What are the uh the obstacles? Was Marcus Aurelius and

0:31:32.840 --> 0:31:36.440
<v Speaker 1>the stoics said, the obstacle, You know, obstacles the way

0:31:36.520 --> 0:31:38.480
<v Speaker 1>you get you get obstacles in your life. They're not

0:31:38.560 --> 0:31:41.080
<v Speaker 1>the end, they're not a problem. Just you just become

0:31:41.080 --> 0:31:42.960
<v Speaker 1>adaptable and you get stronger.

0:31:42.960 --> 0:32:03.880
<v Speaker 2>Because so earlier in your career when you were a kid,

0:32:03.920 --> 0:32:06.440
<v Speaker 2>did you consider yourself a singer? No.

0:32:06.600 --> 0:32:11.080
<v Speaker 1>I always thought I would sing harmonies with the Torques,

0:32:11.120 --> 0:32:13.800
<v Speaker 1>the band I played when I was young, and I

0:32:13.800 --> 0:32:17.080
<v Speaker 1>would sing, But I never considered myself just a guitar

0:32:17.120 --> 0:32:20.400
<v Speaker 1>player mostly, and I'd sing harmonies and I staying some

0:32:20.960 --> 0:32:26.080
<v Speaker 1>leads with the grassroots, but they were you could hear that.

0:32:26.160 --> 0:32:29.040
<v Speaker 1>You could hear the early recordings. It's very tentative. It's

0:32:29.120 --> 0:32:32.800
<v Speaker 1>kind of a sweet voice, but it's not confident, certainly

0:32:32.800 --> 0:32:33.720
<v Speaker 1>not confident at all.

0:32:34.040 --> 0:32:38.840
<v Speaker 2>Yeah, you put out six solo albums with Kindred Records

0:32:39.160 --> 0:32:42.560
<v Speaker 2>in the two thousands. Was there something that happened for

0:32:42.680 --> 0:32:46.720
<v Speaker 2>you that enabled you to become really prolific in terms

0:32:46.720 --> 0:32:49.880
<v Speaker 2>of your writing and recording music during that time?

0:32:51.160 --> 0:32:56.880
<v Speaker 1>Persistence and uh and also just uh. I it helped

0:32:56.880 --> 0:32:59.600
<v Speaker 1>a lot with the office. Right right off the bat,

0:32:59.600 --> 0:33:03.720
<v Speaker 1>I was able to go out and tour again. And

0:33:03.760 --> 0:33:06.360
<v Speaker 1>when we first when I first started touring, I didn't

0:33:06.360 --> 0:33:09.400
<v Speaker 1>have the bits. I didn't have the I had to

0:33:09.520 --> 0:33:11.440
<v Speaker 1>I've sat there just sweating bullets or trying to come

0:33:11.480 --> 0:33:13.960
<v Speaker 1>up with something to say in between the songs. Eventually

0:33:14.000 --> 0:33:16.880
<v Speaker 1>I wrote, I started writing material and started working and

0:33:16.920 --> 0:33:20.560
<v Speaker 1>people laughed. And then before the show was over, I

0:33:20.640 --> 0:33:24.320
<v Speaker 1>was doing tours and when we were on hiatus and stuff,

0:33:24.840 --> 0:33:26.880
<v Speaker 1>and people come up and so we came because you're

0:33:26.920 --> 0:33:30.120
<v Speaker 1>so funny, but we really love those songs. You know,

0:33:30.120 --> 0:33:33.040
<v Speaker 1>we're gonna go download these songs. These songs touch us emotionally.

0:33:33.320 --> 0:33:36.720
<v Speaker 1>And at that moment, Ryan I thought, Okay, okay, uh,

0:33:36.960 --> 0:33:39.760
<v Speaker 1>this is legit and I'm not just go and smoke

0:33:39.840 --> 0:33:43.280
<v Speaker 1>up my own ass. You know. It's uh, it's there's

0:33:43.280 --> 0:33:45.800
<v Speaker 1>are good songs. And then I started Then when when

0:33:45.840 --> 0:33:48.320
<v Speaker 1>you get the confidence to believe you're doing something good,

0:33:48.520 --> 0:33:51.600
<v Speaker 1>then you you you'll project more and you'll, uh, you'll

0:33:52.360 --> 0:33:58.680
<v Speaker 1>not only enthusiastic. I was definitely enthusiastic. I just had conviction, confidence, confidence.

0:33:58.720 --> 0:34:00.760
<v Speaker 2>Thank you guys, if you do you ever have the

0:34:00.800 --> 0:34:04.760
<v Speaker 2>opportunity to see this guy, if he's ever in your town,

0:34:04.880 --> 0:34:08.400
<v Speaker 2>let me tell you something. I was lucky enough to

0:34:08.520 --> 0:34:12.360
<v Speaker 2>go to a big concert that that Creed that was

0:34:12.360 --> 0:34:15.920
<v Speaker 2>at the Roxy, right, ye, yes, at the Roxy. The

0:34:16.160 --> 0:34:22.000
<v Speaker 2>historic Roxy Theater on Sunset Boulevard there in Los Angeles.

0:34:22.080 --> 0:34:26.239
<v Speaker 2>I'm telling you what, guys, he is a rock star. No,

0:34:26.880 --> 0:34:31.480
<v Speaker 2>there's no pretending, there is no like this. He is legit.

0:34:31.719 --> 0:34:35.279
<v Speaker 2>It is a show and I would guess that we

0:34:35.400 --> 0:34:38.160
<v Speaker 2>broke records for how many people were in the Roxy. Now,

0:34:38.200 --> 0:34:41.600
<v Speaker 2>maybe back in the sixties they jammed people in the fire.

0:34:41.680 --> 0:34:44.520
<v Speaker 2>Marshal wasn't looking at it, but I'm telling you it

0:34:44.600 --> 0:34:47.360
<v Speaker 2>was jam packed and a lot of fun and everybody

0:34:48.040 --> 0:34:52.320
<v Speaker 2>really enjoyed it. You started your own label, Alien Chicken

0:34:53.600 --> 0:34:55.759
<v Speaker 2>several years ago. Why'd you decide to do that?

0:34:56.000 --> 0:34:57.759
<v Speaker 1>Well, first of let me say about the rock saying

0:34:57.800 --> 0:35:00.200
<v Speaker 1>it would have been a good show, but with you

0:35:00.320 --> 0:35:04.480
<v Speaker 1>there and Angela there, then that's that's where the people

0:35:04.520 --> 0:35:07.440
<v Speaker 1>came out because of the show. It was also charity

0:35:07.480 --> 0:35:10.759
<v Speaker 1>for the Australian Wildfire's Wildfires thing.

0:35:10.800 --> 0:35:10.960
<v Speaker 2>You know.

0:35:11.320 --> 0:35:14.600
<v Speaker 1>Yeah, it's still the same thing. I was Kendrick's Music

0:35:14.600 --> 0:35:18.680
<v Speaker 1>as my publishing company. When it became my company, Alien Chicken,

0:35:18.760 --> 0:35:21.520
<v Speaker 1>I just changed. I just went over to just ok

0:35:21.719 --> 0:35:23.279
<v Speaker 1>as a matter of course, just change it over to

0:35:23.320 --> 0:35:23.920
<v Speaker 1>Alien Chicken.

0:35:24.239 --> 0:35:27.200
<v Speaker 2>Okay. Yeah, last time that I talked to you here

0:35:27.680 --> 0:35:31.600
<v Speaker 2>on the podcast. You'd put out an album slightly altered,

0:35:32.160 --> 0:35:38.960
<v Speaker 2>although some would argue it is morely significantly altered. But anyway,

0:35:38.960 --> 0:35:42.120
<v Speaker 2>it's your title. You get to do what you want. Now.

0:35:42.360 --> 0:35:46.200
<v Speaker 2>Right now as we speak, you're working on your tenth

0:35:46.640 --> 0:35:51.000
<v Speaker 2>so incredible album, dow Pop. It releases in the fall.

0:35:51.480 --> 0:35:54.160
<v Speaker 2>Talk to me just first. I know you have your

0:35:54.200 --> 0:35:57.000
<v Speaker 2>second song just out. I'll talk about that in a second.

0:35:57.040 --> 0:35:59.960
<v Speaker 2>What was your journey from Slightly Altered to dow Pop.

0:36:01.320 --> 0:36:04.680
<v Speaker 1>We had more time, and we also had I wrote

0:36:04.680 --> 0:36:08.120
<v Speaker 1>a couple of songs we recorded just me and Dylan

0:36:08.120 --> 0:36:12.120
<v Speaker 1>O'Brien because of the COVID thing, and then when it

0:36:12.200 --> 0:36:14.399
<v Speaker 1>was over we get the band in there. We took

0:36:14.480 --> 0:36:16.600
<v Speaker 1>time and I was able to when I got back

0:36:16.680 --> 0:36:18.680
<v Speaker 1>touring again, I was able to sing these songs live

0:36:19.000 --> 0:36:21.040
<v Speaker 1>in front of the audience to find which ones worked,

0:36:21.160 --> 0:36:23.319
<v Speaker 1>which ones didn't work. So this is more of a

0:36:23.360 --> 0:36:27.680
<v Speaker 1>SELECTI process. Also, four of the songs, always Dreaming of You,

0:36:27.960 --> 0:36:31.399
<v Speaker 1>the one that you you have now, the second single

0:36:31.440 --> 0:36:35.120
<v Speaker 1>I wrote that with Dylan O'Brien, just out July nineteenth.

0:36:35.280 --> 0:36:39.080
<v Speaker 1>July nineteenth, and then Tuga Wore I wrote Dylan, Excuse Me,

0:36:39.200 --> 0:36:42.040
<v Speaker 1>Billy Harvey Turned the Corner of the Universe, which is

0:36:42.080 --> 0:36:48.040
<v Speaker 1>already out with Vance DeGeneres, Ellen's brother who ran Steve's company.

0:36:48.120 --> 0:36:49.759
<v Speaker 1>That's where I met him in the set one day

0:36:50.480 --> 0:36:53.719
<v Speaker 1>and it's got very funny, really good guy and I

0:36:53.719 --> 0:36:57.880
<v Speaker 1>write great stuff. And then my Jeff Pearlman, who's just

0:36:57.880 --> 0:37:00.920
<v Speaker 1>a great guitar play wrote this comm country song called

0:37:00.960 --> 0:37:05.240
<v Speaker 1>toy Bote and uh, it's we got We've got Dean

0:37:05.400 --> 0:37:09.080
<v Speaker 1>Parks on this album, Elliott Easton from the Cars, so

0:37:09.480 --> 0:37:11.840
<v Speaker 1>playing on a couple of songs. It's it's just the

0:37:12.160 --> 0:37:14.680
<v Speaker 1>it's by Brian's the best album, so proud of This

0:37:14.719 --> 0:37:16.319
<v Speaker 1>album really is a good one.

0:37:16.800 --> 0:37:18.719
<v Speaker 2>Is your this is you think this is the best album?

0:37:19.360 --> 0:37:21.640
<v Speaker 1>Yeah, I'm sure of it. I'm sure of it. Yeah,

0:37:21.719 --> 0:37:24.040
<v Speaker 1>so I have That's why I'm going out of my

0:37:24.080 --> 0:37:27.200
<v Speaker 1>way to get a publicist and go through all of this. Suddencuse,

0:37:27.239 --> 0:37:28.279
<v Speaker 1>I really believe it warrants it.

0:37:28.920 --> 0:37:32.240
<v Speaker 2>So when you're about to release an album, I've always

0:37:32.280 --> 0:37:35.560
<v Speaker 2>been curious about this do you have is it Is

0:37:35.600 --> 0:37:38.000
<v Speaker 2>it like a movie? Do you view it like that

0:37:38.080 --> 0:37:41.759
<v Speaker 2>where you have sort of an overarching story or an

0:37:41.840 --> 0:37:45.160
<v Speaker 2>idea from for this album from the get go, or

0:37:45.200 --> 0:37:48.800
<v Speaker 2>does it evolve and change as different songs and different

0:37:48.840 --> 0:37:52.640
<v Speaker 2>collaborations that you just mentioned feed into it too, and

0:37:52.640 --> 0:37:54.560
<v Speaker 2>and and make up the individual songs.

0:37:56.000 --> 0:37:58.600
<v Speaker 1>That's a good wow, that's a really good question too.

0:37:58.680 --> 0:38:05.120
<v Speaker 2>It's number two. That's not a roll, My man's a roll.

0:38:07.080 --> 0:38:10.919
<v Speaker 1>The the theme of it is is the down pop

0:38:10.960 --> 0:38:12.400
<v Speaker 1>thing is on the picture is me talking to a

0:38:12.440 --> 0:38:15.799
<v Speaker 1>couple of alien robots. It says, uh, it's for that's

0:38:15.800 --> 0:38:19.360
<v Speaker 1>from chipping the Chip in my brain song no I wrote.

0:38:19.800 --> 0:38:22.960
<v Speaker 1>I wrote ten songs, six six by myself, four with

0:38:23.000 --> 0:38:26.239
<v Speaker 1>other people. Each song is indifferent, but when the the

0:38:26.320 --> 0:38:29.080
<v Speaker 1>Chip in my Brain came along, that kind of set

0:38:29.120 --> 0:38:31.400
<v Speaker 1>the tone for the album cover. So there's really no

0:38:31.480 --> 0:38:34.560
<v Speaker 1>rhyme or reason too. Uh, it's just ten really good

0:38:34.640 --> 0:38:37.720
<v Speaker 1>songs and the theme the theme. If there's a theme,

0:38:37.760 --> 0:38:40.920
<v Speaker 1>it's because it's the artwork theme that holds it together. Okay,

0:38:41.239 --> 0:38:46.480
<v Speaker 1>But my songs are always yearning spiritual growth, overcoming versity,

0:38:47.560 --> 0:38:48.440
<v Speaker 1>just me my life.

0:38:48.600 --> 0:38:51.359
<v Speaker 2>You've continued to do that, Yes, Yes, that is a

0:38:51.719 --> 0:38:55.879
<v Speaker 2>that is a constant journey for us, all for all

0:38:55.920 --> 0:38:58.839
<v Speaker 2>of us. But you're very you're very open about that

0:38:59.360 --> 0:39:01.239
<v Speaker 2>for yourself, which I admire. About you.

0:39:01.360 --> 0:39:05.359
<v Speaker 1>Oh, thank you man. I don't I feel obviously very

0:39:05.560 --> 0:39:07.840
<v Speaker 1>very lucky. And if not a day goes by that

0:39:07.880 --> 0:39:10.560
<v Speaker 1>I don't give gratitude for how my life is turned out.

0:39:10.719 --> 0:39:12.759
<v Speaker 1>It's astonished. I have to pinch myself. Really.

0:39:13.440 --> 0:39:14.279
<v Speaker 2>Yeah, So that's it.

0:39:14.360 --> 0:39:17.840
<v Speaker 1>So the album comes out September twenty seventh, as you

0:39:17.880 --> 0:39:20.120
<v Speaker 1>know you July and I think you said July nineteenth.

0:39:20.200 --> 0:39:21.520
<v Speaker 1>You know more about this thing than I do.

0:39:21.719 --> 0:39:24.320
<v Speaker 2>Yeah, is it done? Is the album done?

0:39:24.520 --> 0:39:26.040
<v Speaker 1>The album's absolutely done, completely done.

0:39:26.080 --> 0:39:28.120
<v Speaker 2>Why are you making us wait for it? Then? Well,

0:39:28.239 --> 0:39:33.280
<v Speaker 2>what is this? Let's just look look look oh oh

0:39:33.600 --> 0:39:38.040
<v Speaker 2>I'm looking at it right now, guys, dow Pop. What

0:39:38.160 --> 0:39:42.960
<v Speaker 2>a what a great picture that that artwork. We'll post

0:39:43.000 --> 0:39:46.440
<v Speaker 2>a picture of this. That artwork should win. And you're

0:39:46.480 --> 0:39:48.040
<v Speaker 2>going on tour of course.

0:39:48.000 --> 0:39:50.399
<v Speaker 1>On tour and playing the Baked Potato with my friend

0:39:50.480 --> 0:39:56.680
<v Speaker 1>Tim Hawckenberry, Charlie Ferrager and Sebastian Lenz on the tenth okay,

0:39:57.480 --> 0:39:59.560
<v Speaker 1>and then well then where all the four of us

0:39:59.560 --> 0:40:01.560
<v Speaker 1>are going to go out in September and do a

0:40:01.600 --> 0:40:04.840
<v Speaker 1>California tour in a spreader that that will be so

0:40:04.960 --> 0:40:07.400
<v Speaker 1>people in California look for us we'll go. I'll be

0:40:07.440 --> 0:40:11.359
<v Speaker 1>coming through with the band in a spreader van, big one.

0:40:11.600 --> 0:40:13.120
<v Speaker 2>Are you going to stay in hostels?

0:40:14.480 --> 0:40:17.040
<v Speaker 1>If I could find one, I would in California?

0:40:17.880 --> 0:40:22.520
<v Speaker 2>All right, last question. You know, I don't reveal anyone's age,

0:40:22.719 --> 0:40:26.479
<v Speaker 2>but it occurred to me that you are of a

0:40:26.560 --> 0:40:32.040
<v Speaker 2>similar age as the two uh gentlemen, to put it nicely,

0:40:32.239 --> 0:40:34.960
<v Speaker 2>who are are running for president? Right now? Let me

0:40:35.040 --> 0:40:39.960
<v Speaker 2>ask you this here and now, for your fans and

0:40:40.040 --> 0:40:45.640
<v Speaker 2>for this nation, Creed, would you consider running for president.

0:40:47.640 --> 0:40:57.319
<v Speaker 1>My fellow Americans? Uhh, that's really so rough, you kid. No, yeah, right,

0:40:57.320 --> 0:40:59.520
<v Speaker 1>That's what they need is Creed for president.

0:40:59.840 --> 0:41:04.040
<v Speaker 2>That is Hey, listen, let me promise you this. You would,

0:41:04.160 --> 0:41:07.359
<v Speaker 2>You would get my vote and I and I suspect

0:41:07.560 --> 0:41:12.640
<v Speaker 2>Creed you would get a fair number of votes for

0:41:12.719 --> 0:41:19.480
<v Speaker 2>the presidency. You're always, as I said before, striving to

0:41:19.560 --> 0:41:24.279
<v Speaker 2>be a better person and to continue to work on

0:41:24.480 --> 0:41:28.560
<v Speaker 2>yourself to make the world a better place. And you

0:41:28.719 --> 0:41:33.280
<v Speaker 2>do that through well just who you are and also

0:41:33.600 --> 0:41:36.040
<v Speaker 2>your art. So I want to thank you for that.

0:41:36.200 --> 0:41:38.440
<v Speaker 2>I want to thank you for your friendship. I want

0:41:38.440 --> 0:41:41.680
<v Speaker 2>to wish you all the best on dow Pop and

0:41:41.920 --> 0:41:45.520
<v Speaker 2>uh yeah, next time, I'm going to be up there

0:41:45.800 --> 0:41:48.319
<v Speaker 2>and go to your coffee shop. I'm going to call

0:41:48.360 --> 0:41:49.360
<v Speaker 2>you in advance.

0:41:49.280 --> 0:41:51.120
<v Speaker 1>Call me, call me, we'll call me in and we'll meet.

0:41:51.160 --> 0:41:53.640
<v Speaker 2>We'll meet now now, I know. Yeah.

0:41:53.760 --> 0:41:54.600
<v Speaker 1>I love you, Brian.

0:41:54.840 --> 0:41:55.759
<v Speaker 2>I love you too much.

0:41:55.840 --> 0:41:59.040
<v Speaker 1>You are an inspiration to me too, because you're not

0:41:59.160 --> 0:42:02.239
<v Speaker 1>that character Kevin and He but ladies and gentlemen, he did.

0:42:02.280 --> 0:42:04.600
<v Speaker 1>He came to it and did it every day and

0:42:04.640 --> 0:42:06.600
<v Speaker 1>people I know believe he's but he's not that guy.

0:42:07.000 --> 0:42:12.120
<v Speaker 1>Far as far as the cooler, yes, yes, much smarter,

0:42:12.280 --> 0:42:13.640
<v Speaker 1>much muchmarter.

0:42:14.960 --> 0:42:30.040
<v Speaker 2>Creed, have a good summer, Creed. Great to talk to

0:42:30.080 --> 0:42:33.560
<v Speaker 2>you as always, and uh, well, next time I'll buy

0:42:33.560 --> 0:42:36.480
<v Speaker 2>you that coffee. Come back as many times as you like,

0:42:36.719 --> 0:42:40.840
<v Speaker 2>my friend, You are always welcome here with me. Listeners,

0:42:41.320 --> 0:42:45.439
<v Speaker 2>listen to his new single I'll always be dreaming of you,

0:42:45.680 --> 0:42:48.759
<v Speaker 2>and keep an eye out for Dow Pop coming out

0:42:49.280 --> 0:42:52.560
<v Speaker 2>in September and between now in September, you can fill

0:42:52.600 --> 0:42:56.719
<v Speaker 2>your ears by coming back here and listening to me.

0:42:57.280 --> 0:43:02.319
<v Speaker 2>It may not rhyme, it may not be melodious, but well,

0:43:02.360 --> 0:43:05.880
<v Speaker 2>we try to have fun. Until next time, everybody, have

0:43:05.960 --> 0:43:19.560
<v Speaker 2>a great week. Off The Beat is hosted and executive

0:43:19.560 --> 0:43:24.440
<v Speaker 2>produced by me Brian Baumgartner, alongside our executive producer Lang Lee.

0:43:24.800 --> 0:43:28.800
<v Speaker 2>Our senior producer is Diego Tapia. Our producers are Emily

0:43:28.880 --> 0:43:32.840
<v Speaker 2>Carr and Seth Olanski, and our talent producer is Ryan

0:43:33.200 --> 0:43:37.000
<v Speaker 2>Papa Zachary. Our theme song Bubble and Squeak, performed by

0:43:37.000 --> 0:43:39.120
<v Speaker 2>the one and Only Creed Bretton