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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: Thanks for joining me for this weekend's Best Bits of

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Speaker 1: the Week. I'll be counting down the best seven bits

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Speaker 1: from the show this week based on all of y'all's

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Speaker 1: engagement on social media online and whoever decided to call

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Speaker 1: on the show and talk to us about things. For

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Speaker 1: this weekend's show, I'm bringing on some members. Lunchbox and

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Speaker 1: Amy are going to come on and talk about some

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Speaker 1: things that happen with them during this week. And those

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Speaker 1: are always the fun moments. We get to hear everything

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Speaker 1: that they're feeling from what went down during the show

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Speaker 1: that week. So here we go. Listen back. We're gonna

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Speaker 1: break down the seven biggest segments from the week. So

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Speaker 1: first up, we had a really controversial segment on the show.

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Speaker 1: Bobby's getting married sometime this summer and he wants to

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Speaker 1: wear makeup on his wedding day, And as you can imagine,

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Speaker 1: everybody had a whole lot of opinions, including our listeners.

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Speaker 1: So listen back to this, let us know what you think.

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Speaker 1: Number seven for about a year ago, there we're going, Hey,

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Speaker 1: the guy shoe market is going to just explore load

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Speaker 1: maybe a year and a half or so ago, and

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Speaker 1: it's true, guys are buying more shoes than ever. It's

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Speaker 1: now become a trendy fashion thing for guys. I also

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Speaker 1: love shoes, although during the pandemic I just haven't bought

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Speaker 1: almost any because you don't get to go anywhere, you know.

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Speaker 1: But they were right, well, the same people are going, hey,

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Speaker 1: guys wearing makeup. Makeup for men is going to explode. Really,

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Speaker 1: what do you think about that? I'm not into it,

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Speaker 1: but I don't think it's like eyeshadow? What do you

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Speaker 1: or I was thinking eyeliner. I think I picture how

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Speaker 1: my brain always goes to the Hunger Games and thinking

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Speaker 1: of the Capitol and how are you and the men

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Speaker 1: even wore makeup and it was just acceptable to be

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Speaker 1: lavish like that. So that's how that's how I picture

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Speaker 1: our future. Well, maybe I feel defensive because you already

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Speaker 1: wear it about twice a week. I wear makeup for

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Speaker 1: TV projects that I do. If you're doing non shine,

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Speaker 1: I don't know what that means. It's like base stuffs.

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Speaker 1: Your skin doesn't foundation foundation. Maybe like if I have

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Speaker 1: like little blemishes, you put on the other creamy stuff

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Speaker 1: covered up. Yeah, So I wear that, but I think

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Speaker 1: it looked great. I love it. Like I Sometimes I

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Speaker 1: don't watch my face when I go to bed because

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Speaker 1: I want to wake up pretty the next day. Right.

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Speaker 1: How does Caitlyn feel about that? She has adjusted, but

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Speaker 1: there have been times early on she was like, you know,

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Speaker 1: I never thought of my life, I'd say, I gotta

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Speaker 1: put some makeup on my fiance so we can go

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Speaker 1: to work. But she does it now, and she does

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Speaker 1: my makeup for me when I do the opery now

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Speaker 1: and so but mel grooming, they say, And makeup is

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Speaker 1: expected to grow as men continue to spend more money

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Speaker 1: on stuff like face wash, hair removal products. Also we're

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Speaker 1: talking concealer, which is makeup foundations. The debate has been

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Speaker 1: and I know all the guys listen to the show

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Speaker 1: roll in their eyes at me. Now, fine, you probably

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Speaker 1: were already. This is not new. And I don't wear

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Speaker 1: it unless I have somewhere to like where there's gonna

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Speaker 1: be bright lights and a camera. So I don't just

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Speaker 1: sit around on a Tuesday and go, okay, let me.

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Speaker 1: But the debate has been for our wedding, I would

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Speaker 1: like to wear little makeup now, yeah, no, no, no,

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Speaker 1: because of all the pictures. No, I do it all

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Speaker 1: the time anyway. No, No, you do not need to

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Speaker 1: wear makeup for your wedding. It's gonna be video pictures.

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Speaker 1: I'm already comfortable wearing it. Huh. Okay, I love you.

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Speaker 1: Oh he just yelled no twice. What you did as

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Speaker 1: your best man. I think you should do you many yeah,

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Speaker 1: and even more than that. I think we should all

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Speaker 1: everyone in your party, we should all wear makeup. No.

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Speaker 1: H but you don't even notice on me. Really, that's

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Speaker 1: the best part of it. It just makes them look

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Speaker 1: ta you're talking this over with Caitlin. She didn't love it.

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Speaker 1: I'n be honest. Well, you're this is not American idol.

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Speaker 1: This is your wedding. You're you're not on National HDTV

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Speaker 1: or whatever the four D. What is it that that's TV?

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Speaker 1: Noo K, Like you're no bigger than that's his wedding.

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Speaker 1: I want to look perfect, right, Okay, you vote no,

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Speaker 1: I vote no. No. I need to ask her where

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Speaker 1: she really she feels probably like no, Well, but I

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Speaker 1: think she also will allow me if she's like if

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Speaker 1: that's important to you, now, it's gonna it's gonna graduate

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Speaker 1: or drinking to be like, every day, you're gonna start

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Speaker 1: wearing makeup every day. I don't. Don't. It's too much trouble.

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Speaker 1: I don't even fix my hair. I fix my hair none,

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Speaker 1: unless I'm going somewhere for to to have to be

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Speaker 1: have my hair fixed. You've done that forever. Yeah, I

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Speaker 1: don't fix my hair. I don't. I have two modes. Sweats,

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Speaker 1: that's it, or have to get really dressed up for something.

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Speaker 1: I don't have a middle mode. Lunchbox makeup for the

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Speaker 1: wedding or no, are you gonna wear a white dress? Also?

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Speaker 1: I mean really, I mean it's just you might as

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Speaker 1: well go all out. I mean, if you're gonna just

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Speaker 1: do whatever you want to do, wear the white dress.

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Speaker 1: And I mean that's for women. Makeup is for women.

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Speaker 1: It's not for men. Sorry. I mean I don't know

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Speaker 1: that I stand that far with it, But you do

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Speaker 1: not your side lunchbox or me. No, no, no no no.

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Speaker 1: I just said no makeup the wedding, so you're on

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Speaker 1: my side. But I'm not saying men should never wear makeup.

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Speaker 1: I just don't think Bobby needs it at his wedding,

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Speaker 1: and I feel strongly about that. Okay, I'll talk to Kate.

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Speaker 1: Let's see. She says, okay, all right, thank you guys

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Speaker 1: for hanging out and go to our Oh, I don't

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Speaker 1: want people to go to Facebook about that. We'll post

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Speaker 1: it whatever I can take it. I know it's not

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Speaker 1: gonna be popular. It's the best bits of the week

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Speaker 1: with Morgan number two. It's always fun when we get

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Speaker 1: to bring on guests, but it's even more fun when

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Speaker 1: we get to watch the guests come in for their

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Speaker 1: first time and then continue to come in and keep succeeding.

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Speaker 1: And that's what's been happening with Heath Sanders. He came

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Speaker 1: in a few years back after he went viral for

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Speaker 1: Chris Stapleton cover and now he's back in this week

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Speaker 1: to talk about his new EP, like life just blew

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Speaker 1: up for him and we couldn't be more excited. Plus

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Speaker 1: every time he performs, everybody loves it online. So listen

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Speaker 1: back to this and probably put it on repeat number

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Speaker 1: six on the Bobby Bones Show. Now, Sanders, I'm such

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Speaker 1: a big fan of this guy. Common Ground is the

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Speaker 1: new EP that's out today. How many songs on this Heath?

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Speaker 1: Four songs He's gonna play for us in just one second,

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Speaker 1: But You may remember Heath from back in the day.

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Speaker 1: He put a video up on Facebook and it was

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Speaker 1: a Chris Stapleton cover of either Way, And here's a

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Speaker 1: clip of that weekend just go. So that goes up

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Speaker 1: on Facebook. Everybody's like, look, how good this guy is.

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Speaker 1: He moves to Nashville, gets a record deal. You're working

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Speaker 1: in the oil field and he put that video up right. Yeah, man, Well,

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Speaker 1: so I know you're working, you're working every day in

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Speaker 1: the oil fields, but when were you playing music like

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Speaker 1: at night on Saturdays? Yeah, I really just started to

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Speaker 1: make Mike lunch money man, started playing you know shows

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Speaker 1: around Central archeandologic little bars and stuff. Man, I'm making

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Speaker 1: a couple of hundred bucks a weekend, just kind of

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Speaker 1: help me buy groceries. You know, was that fun for you? Meaning?

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Speaker 1: Would you work in the field all week and just

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Speaker 1: look forward to being able to play in a bar

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Speaker 1: on the weekend? Sure? You always look, you know, look

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Speaker 1: forward to cutting loose bit and you know there's a

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Speaker 1: lot of stress in the old field to take out

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Speaker 1: on a on a guitar to Mike. So yeah, yeah,

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Speaker 1: I was always looking forward to it. Do you remember

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Speaker 1: your last day on the job, because you knew this

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Speaker 1: was it for me. Like the next day, I'm a

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Speaker 1: full time music man. Yeah, what was that last day? Like, man,

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Speaker 1: it was a little bitter sweet, to be honest. You know,

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Speaker 1: you're walking away from a lot of camaraderie out there

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Speaker 1: in the field and a lot of good guys, and

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Speaker 1: so it was a little sad. But on the other side,

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Speaker 1: it was a little free too, man, it was. I

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Speaker 1: definitely slept in the next morning the first time in

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Speaker 1: years I didn't have to be up at five. So

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Speaker 1: how cool is that that you you get to go

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Speaker 1: and thank music. You're just a kid growing up small

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Speaker 1: town in Arkansas and you're moving to Nashville and you're

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Speaker 1: gonna pay your bills by doing something you love. It's unbelievable. Man.

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Speaker 1: I still three years later, I still wake up every

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Speaker 1: day just just in disbelief that I get to do

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Speaker 1: this for a living it and that and that the

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Speaker 1: people have you know, have supported me through this, and

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Speaker 1: you know, because it's really them doing it. You know,

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Speaker 1: I'm just writing words, and it's really them that's building

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Speaker 1: this thing and and supporting it. And so just have

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Speaker 1: to have that many people find you and helping you

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Speaker 1: out and giving you another way of life is amazing. Man,

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Speaker 1: are you gonna play a song for us? What are

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Speaker 1: you gonna do here? This is old schools in brother.

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Speaker 1: This is track one of the four songs. The whole

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Speaker 1: thing is called common Ground. This is Heath Sanders. I

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Speaker 1: introduce your guitar player over here. Yeah, this is my

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Speaker 1: guitar player, Casey Paraday. We actually met at a crawfish

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Speaker 1: bowl in northwest Arkansas, so he's been He's been with

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Speaker 1: me since the beginning of this thing. So all right,

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Speaker 1: here is a Heath Sanders doing old schools in say

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Speaker 1: the way ring class lead out a long time, a

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Speaker 1: goal in the world. Even going back to them when

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Speaker 1: we know it will call me crazy, But I wouldn't

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Speaker 1: buy have had lie even if they paid me. I

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Speaker 1: think we got a pretty damn good thing going over time.

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Speaker 1: Still cross the flash, steel flowers, Mama still cooks, and

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Speaker 1: God won't die. Dog Still hunt me man, A little

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Speaker 1: bit of red, just shronting your blood. He serious, ma'am,

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Speaker 1: handshake deals right, steel rooms, keep onneing real and three

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Speaker 1: cold saying the truth ain't going nowhere? Old school stealing

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Speaker 1: out here. Come on, look at that heat Sanders. Look

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Speaker 1: what you started, Bobby, Come on, it's so good man.

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Speaker 1: I tell you once. I've been a fanny heah for

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Speaker 1: a long time. And I was playing a show in Arkansas.

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Speaker 1: I was doing stand Out but at a theater there,

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Speaker 1: and I said he'd come out and play. I said,

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Speaker 1: just just come out. We won't really make a big

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Speaker 1: deal about you being there. But Heat's like me, grew

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Speaker 1: up in a small town in Arkansas, and man, there's

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Speaker 1: we get no proud and we get to play in

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Speaker 1: front of our own people, you know. And he comes

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Speaker 1: out and he plays, and the whole crowd stands up

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Speaker 1: and gives him a standing ovation. I knew I wouldn't

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Speaker 1: get a sand oovision. He like stole the show before

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Speaker 1: I went on, but I was happy for it. Look

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Speaker 1: at you. You made me smile. You're so good. He

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Speaker 1: made me proud. Man. I didn't do have anything to

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Speaker 1: do with it. I'm still proud. You've got a lot

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Speaker 1: to do with Bob. Thanks for everything, brother, I really

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Speaker 1: mean that. Man, just just so good. He's got four

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Speaker 1: new songs out today, old schools in can't undo I

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Speaker 1: do for you. I haven't heard I haven't heard it again.

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Speaker 1: I'm gonna listening today, I was just like, I love

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Speaker 1: needs making. There's a song. Okay, that's for you too. Okay,

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Speaker 1: there he is, Heath Sanders. Great job as always. You

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Speaker 1: are having truly and you're starting to be discovered now.

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Speaker 1: But you're truly that undiscovered gem that this town has

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Speaker 1: no idea. What's about? Hit him in the face. So

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Speaker 1: when you make it, you know, don't forget me. All Right, buddy,

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Speaker 1: I go, I'm gonna be I'll probably out of work.

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Speaker 1: He gives them tickets to that show, all right, Heath Sanders.

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Speaker 1: Check out his music. It's out today. Common Ground back

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Speaker 1: in the second. It's the best Bits of the week

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Speaker 1: with Morgan number two coming in at number five. Lunchbox

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Speaker 1: last week on the number five, I'm only number five.

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Speaker 1: I couldn't even get to the intro of this segment.

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Speaker 1: Oh am, I not number one. I thought I was

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Speaker 1: coming on here the oh, number one moment of the week.

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Speaker 1: I'm number five of five. Congratulations made it on the

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Speaker 1: best Ye a whole lot that happened this Ye yeah,

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Speaker 1: nothing bigger than this. I want to know what the

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Speaker 1: number one it is now? The number one is coming up,

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Speaker 1: so I cannot reveal that okay, go can I intro

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Speaker 1: you now? Go ahead? Okay? Well, last week Lunchbox came

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Speaker 1: on the show and he was making a big deal

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Speaker 1: out of his wife wanting him to teach her how

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Speaker 1: to drive stick shift. And then this week he comes

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Speaker 1: in with the audio of him teaching her how to

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Speaker 1: drive stick shift. So I brought on Lunchbox so we

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Speaker 1: could talk about this because the audio is hilarious. And

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Speaker 1: when I say hilarious, like I actually hilarious, so hilarious

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Speaker 1: we put it at the number five spot. It barely

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Speaker 1: we're in there. I mean, it was so hilarious and

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Speaker 1: it almost didn't make it. Okay, the bitterness is there.

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Speaker 1: Can can we move forward? Now? Yeah? How are you? Okay? Um, no,

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Speaker 1: you didn't answer my question. I'm I'm great besides that

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Speaker 1: interrupting that just happened, But sorry, how are you? I'm wonderful,

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Speaker 1: I'm glad to be here. I'm just glad to make it.

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Speaker 1: That's all that matters is making it right. Yes, it

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Speaker 1: does number one. Okay, Well, as you guys can tell,

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Speaker 1: Lunchboxes on with me to talk about this. Lunchbox, tell

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Speaker 1: me why you had to change of heart to finally

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Speaker 1: teach your wife how to drive stick shift after months

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Speaker 1: of her asking her more like years. She been begging

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Speaker 1: me for a long time, but I never would do it.

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Speaker 1: But then when she agreed that she would pay for

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Speaker 1: any damages she caused, I said, okay, then there's a care.

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Speaker 1: It's kind of a give or take, Like if she

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Speaker 1: wrecked your car, she'll pay for it and you get

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Speaker 1: new parts. And my car is an O five Ultimate

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Speaker 1: with two hundred and seven thousand miles on it, so

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Speaker 1: it could use some new parts. So if anything went wrong,

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Speaker 1: why she's driving it, it'd be perfect. And get it,

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Speaker 1: you know, get a little what do you call it?

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Speaker 1: A makeup? What do you call what is it? When

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Speaker 1: a girl goes in and gets a makeover, that's what's

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Speaker 1: called makeup? Make up? I couldn't think of the name. Well,

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Speaker 1: I mean, I have a question because obviously the car

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Speaker 1: you have now is a stick shift. It's gonna go

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Speaker 1: out at some point, like this car is not gonna

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Speaker 1: last forever. The next car that you get, is it

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Speaker 1: also going to be a stick shift? I would love

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Speaker 1: for it to be a stick shift. I'm telling you,

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Speaker 1: if you've ever driven a stick shift and then you

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Speaker 1: go to an automatic, it is so boring. It's like, oh,

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Speaker 1: this is lame. And so my first car when I

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Speaker 1: was sixteen was a stick shift. Didn't really know how

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Speaker 1: to drive it, but I learned. And then my second

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Speaker 1: car was automatic, and I was like, I'm never going

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Speaker 1: back to automatic. It is so boring. Okay, so is

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Speaker 1: it more fun to be driving a stick shift then,

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Speaker 1: like I've never driven one, I think it is. It's

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Speaker 1: more fun because then when you're sitting to stop, why

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Speaker 1: you can put it in neutral and you wiggle the joystill, well,

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Speaker 1: you can do that too. That's all I know of

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Speaker 1: a stick that impresses me. When you peel out in

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Speaker 1: the parking lot or somewhere, everybody turns heads like damn,

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Speaker 1: that dude's cool or that girl's cool. Maybe it's more

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Speaker 1: of like it's a boost of confidence for you to

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Speaker 1: I just think it's it's really fun. It really is fun,

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Speaker 1: like but like also you look cool to people. Well,

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Speaker 1: no one knows it's a stick shift unless you're peeling out.

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Speaker 1: Besides that, they don't know. But I mean it's just fun,

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Speaker 1: Like you feel like you're controlling that car when it's automatic.

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Speaker 1: It's just like all right, I think a real life

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Speaker 1: video game. Yeah, I guess you'd call it that. I

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Speaker 1: don't really play video games. Okay, Well, so it's your

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Speaker 1: real life video game. Yeah, it's just a blast. Okay. Well,

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Speaker 1: during this audio, you're calling your wife girl a lot yea,

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Speaker 1: and everybody you call me girl a lot and stud.

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Speaker 1: That's just like I didn't even know that that one.

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Speaker 1: Didn't even notice it until someone pointed it out. I

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Speaker 1: think Amy called me out on it. But I mean,

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Speaker 1: since you don't normally call your wife that, what do

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Speaker 1: you normally call your wife? Like? What are your names

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Speaker 1: for her? Hot stuff? Smoking, hot wife? Hey, baby mama, hey, main, squeeze,

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Speaker 1: I mean all of them. You just kind of keep

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Speaker 1: adding what is she? And your phone us her name?

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Speaker 1: So you don't have like her pet name in there. No,

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Speaker 1: because when I met her, I just put her name

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Speaker 1: in there. I mean I didn't know you left it. Yeah,

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Speaker 1: I mean, don't need to change it. I don't go

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Speaker 1: in and edit. I'm not like that. This bringing me

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Speaker 1: to him more. But you know what, I'm in her phone?

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Speaker 1: What watch box? What up? It's not even your real name?

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Speaker 1: Does she call you lunchbox at home? No? But she

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Speaker 1: called you that in her phone. Well, it's because when

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Speaker 1: she met me. Yeah, but like you know, after you

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Speaker 1: like meet, I don't know the love of your life,

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Speaker 1: you change in your phone. I mean it might be

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Speaker 1: lunchbox in the name, but I don't know, I mean,

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Speaker 1: or my name and then lunchbox. I don't know how

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Speaker 1: she has it, and she may edit it by now,

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Speaker 1: but for years it was that was what it was. Well,

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Speaker 1: I mean I do get it, because there's people that

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Speaker 1: are still in my phone. It's like name and then

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Speaker 1: bumble the dating right, and then there's like girl green dress.

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Speaker 1: I mean, I don't know who green dress is. That

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Speaker 1: was years ago, but I just never I don't go

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Speaker 1: back and take people out of my phone. So some

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Speaker 1: chick that was in a green dress at the bar,

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Speaker 1: however many years ago, she's just green dress. This is true.

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Speaker 1: I can't give you too much black on it. Okay,

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Speaker 1: So what's the latest update. Have you taught her again

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Speaker 1: or is that the only lesson? It was only lesson.

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Speaker 1: I gotta say, you know, when we did that, we

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Speaker 1: didn't It was porn rain and so she was really scared. Yeah,

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Speaker 1: but hey, hey, you gotta learn in all kinds of weather.

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Speaker 1: You have to be prepared for all You have to

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Speaker 1: be prepared for all situations. So I was like, look,

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Speaker 1: you might as well jump in head first, right, and

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Speaker 1: that what they say, dive in, jump in head for ca.

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Speaker 1: But yeah, she did great. I mean she did a

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Speaker 1: lot better than I thought she was gonna do. But

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Speaker 1: I mean, she definitely stalled a lot, and I want

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Speaker 1: her to go out on the road, but she's not

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Speaker 1: ready for that. She says, she'll need to quote a

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Speaker 1: lot more lessons. So I mean, you guys don't I mean,

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Speaker 1: I know you all have babysitters here, but your family

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Speaker 1: isn't here. They're all in Texas, right, So when you

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Speaker 1: did this, did you have somebody watching the kids or

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Speaker 1: the kids with no One kid was in the car,

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Speaker 1: the other kid was at daycare? So baby Box was

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Speaker 1: at daycare. Baby Box two, who is about to be

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Speaker 1: one years old, he was in the car. Were you

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Speaker 1: like scared at all? Like? No, I mean what you

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Speaker 1: guys weren't on a road or highway or anything. Right.

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Speaker 1: We were in the parking lot of a football stadium,

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Speaker 1: so there was nowhere. I mean, she could hit curbs

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Speaker 1: and maybe a couple of park cars that were randomly

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Speaker 1: parked there in the middle of the day. I don't

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Speaker 1: understand that. I'm just kind of like picturing baby box

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Speaker 1: in the back, Like, what did I get into? I

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Speaker 1: did not ask to be a part he was getting shaken.

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Speaker 1: It was like, oh, it was like a little massage

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Speaker 1: for the baby, even though he doesn't know what that is.

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Speaker 1: But he's like, wow, it's great. It's like a massag

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Speaker 1: cheering them all well before we go, and everybody listens

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Speaker 1: to this number five moment. Guys, not even number one.

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Speaker 1: Don't worry about it. Anything else you would like to

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Speaker 1: add to this moment with your wife? Oh no, I

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Speaker 1: mean I don't whatever. It's great. I think it's fun.

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Speaker 1: Are you gonna be teaching her anything else? Anything else?

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Speaker 1: I'm gonna teach her, No get dirty on this is

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Speaker 1: a family friendly podcast, teacher how to play fantasy football.

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Speaker 1: That's all. That's all I was gonna say, what are

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Speaker 1: you talking about? Sure, I saw your face. Nobody else

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Speaker 1: saw the space. I was all space. Hey, hey, guys,

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Speaker 1: you know where Morgan Number two is? Mine goes. When

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Speaker 1: I start talking about teaching my wife, something automatically goes dirty.

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Speaker 1: All I was gonna say, I was gonna teacher to

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Speaker 1: how to change the oil. I mean, you have no

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Speaker 1: idea what I was gonna say, but you really, is

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Speaker 1: there something else you would like to teach your wife? No,

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Speaker 1: I mean, if she wants me to teach her something,

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Speaker 1: she'll ask me. But I don't think so. All right,

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Speaker 1: she already knows how to cook, so I don't need

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Speaker 1: to teach her that. On that note, we should go. Yeah,

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Speaker 1: we gotta get We gotta get to the top moments

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Speaker 1: of the week. Guys, number five, we already did that.

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Speaker 1: Don't worry about it, all right? Well, thanks lunchbox, y'all

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Speaker 1: listen back. I hope you get a good laugh out

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Speaker 1: of this number five moment, not number one. Get a

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Speaker 1: good laugh at the number five. Goodbye number five. Okay, lunchbox,

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Speaker 1: talk with me. Here. Your wife comes to you and says,

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Speaker 1: what she's always wanted to learn how to drive stick

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Speaker 1: My car is a standard and she doesn't know how

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Speaker 1: to drive it. She's been begging me since we got

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Speaker 1: married to Teacher, and I always said no, and then

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Speaker 1: so finally we became we came to an agreement that

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Speaker 1: if she ruined my car, which I was worried about,

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Speaker 1: that she would pay for any damages she caused out

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Speaker 1: of her bank account. So two things we need to

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Speaker 1: address here. One, what kind of car is this? An

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Speaker 1: oh five Ultima five speed from room standard? Yeah, rocking blocking.

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Speaker 1: The next thing is just quickly you and your wife

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Speaker 1: have completely separate money, separate bank accounts, so that way

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Speaker 1: you don't fight over money. Her money is her money,

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Speaker 1: My money is my money, and we do percentages of

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Speaker 1: bills and things like that. So where did you go

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Speaker 1: to teacher how to drive the car? Nissan stadium? Oh,

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Speaker 1: so you got the football stadium. There's a lot of room.

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Speaker 1: There's a lot of room parking lot, not anybody around,

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Speaker 1: so that way she can't hit anything. Okay, here's up

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Speaker 1: one lunchbox explaining how to start up. The car started up,

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Speaker 1: and you can start it in neutral if you want

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Speaker 1: start in neutral. It's in neutral right now. You're just

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Speaker 1: having your foot on the brake. You don't need the

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Speaker 1: clutch and gas. No, you're not even on the car. Off,

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Speaker 1: but we were going, yeah, you're rolling because you're in neutral. Second,

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Speaker 1: start on the dank car. So the car still isn't on. No,

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Speaker 1: you know she gave it. Turn the car on. She's

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Speaker 1: pressing the gas without even being on, and we're rolling

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Speaker 1: backwards and she didn't understand. So eventually she gets the

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Speaker 1: car in motion, and I mean, or she tried to

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00:20:40,880 --> 00:20:42,440
Speaker 1: get the car in motion. She got it on. She

422
00:20:42,520 --> 00:20:47,720
Speaker 1: got it on. She got it on slowly, just slowly

423
00:20:47,840 --> 00:20:50,800
Speaker 1: let your foot off the clutch, and you're gonna feel it.

424
00:20:51,760 --> 00:20:55,359
Speaker 1: And as you're slowly coming off, you gotta take that

425
00:20:55,440 --> 00:20:59,560
Speaker 1: mercy break off, girl did I didn't know that that

426
00:20:59,680 --> 00:21:03,200
Speaker 1: was all It's off. Now now with your foot kind

427
00:21:03,240 --> 00:21:06,200
Speaker 1: of on the gas. Wait, I gotta slow as you're

428
00:21:06,240 --> 00:21:09,400
Speaker 1: slowly taking it off the clutch, slide your right foot

429
00:21:09,440 --> 00:21:13,800
Speaker 1: to the gas. Now press the gas because you're rolling.

430
00:21:13,840 --> 00:21:24,000
Speaker 1: Oh my gosh, dry he died. How frustrated were you

431
00:21:24,040 --> 00:21:26,159
Speaker 1: wanted to? It's like an eight nine. I mean, she

432
00:21:26,280 --> 00:21:29,240
Speaker 1: couldn't even understand that we kept rolling backwards. She didn't

433
00:21:29,280 --> 00:21:30,920
Speaker 1: know if it was in drive. She oh it was.

434
00:21:31,040 --> 00:21:33,840
Speaker 1: It was disaster. Okay, here is one final clip. Set

435
00:21:33,840 --> 00:21:36,240
Speaker 1: me up. Here she's driving, she's starting to move, you know,

436
00:21:36,640 --> 00:21:38,640
Speaker 1: but the problem is she's headed straight for a curb

437
00:21:38,720 --> 00:21:41,800
Speaker 1: and she doesn't know how to break or anything. Yeah,

438
00:21:41,840 --> 00:21:45,360
Speaker 1: that's a big part of it. She's not a break. Oh,

439
00:21:45,440 --> 00:21:50,840
Speaker 1: you gotta press that clutch. There's a sidewall. That's a

440
00:21:50,880 --> 00:21:55,720
Speaker 1: curb right there, girl, good queen, we're just gonna run

441
00:21:55,840 --> 00:22:00,800
Speaker 1: right into it. Did you see it? You see it? Honestly?

442
00:22:01,880 --> 00:22:05,520
Speaker 1: I sighed, Man, I hadn't register it was a dead end.

443
00:22:05,640 --> 00:22:10,520
Speaker 1: Yet there's a curb. A game. No, I'm swinging white

444
00:22:15,160 --> 00:22:22,240
Speaker 1: O shot. That sounded real bad. Oh, let it sound good.

445
00:22:23,440 --> 00:22:26,760
Speaker 1: We'll work on that. She stalled out because she wasn't present,

446
00:22:26,800 --> 00:22:28,720
Speaker 1: she wasn't given enough gas, or we're going slow and

447
00:22:28,760 --> 00:22:31,200
Speaker 1: its art rocking back and forth, and it was just

448
00:22:31,880 --> 00:22:34,040
Speaker 1: it sounds like she's having the best time. She's having

449
00:22:34,040 --> 00:22:36,719
Speaker 1: a great time ruining the car. How did it end?

450
00:22:37,680 --> 00:22:39,480
Speaker 1: I guess I said, that's enough for the day. Like

451
00:22:39,600 --> 00:22:41,080
Speaker 1: she wasn't ready to go on the road. There was

452
00:22:41,119 --> 00:22:42,919
Speaker 1: no way I was with the road. Like I did

453
00:22:43,000 --> 00:22:44,440
Speaker 1: not take her on the road because I was like,

454
00:22:44,600 --> 00:22:46,680
Speaker 1: you are not ready for that. Like it was just

455
00:22:46,960 --> 00:22:48,879
Speaker 1: it was too much. She did a good job. She

456
00:22:48,960 --> 00:22:51,880
Speaker 1: finally got it to where she got it into third gear.

457
00:22:52,359 --> 00:22:54,359
Speaker 1: Sometimes she would go from first to fifth because she

458
00:22:54,400 --> 00:22:57,479
Speaker 1: didn't really understand and it would stall out. But I mean,

459
00:22:57,560 --> 00:23:01,240
Speaker 1: she did better than I thought but boy, it was frustrating.

460
00:23:01,320 --> 00:23:02,760
Speaker 1: How long till you go on the highway, that's what

461
00:23:02,840 --> 00:23:04,720
Speaker 1: we want to hear. I need to tell you. The

462
00:23:04,800 --> 00:23:08,840
Speaker 1: highway is easier than this the regular streets because you've

463
00:23:08,880 --> 00:23:11,520
Speaker 1: got to start and stop on a regular streets. So highway,

464
00:23:11,560 --> 00:23:13,680
Speaker 1: once you're going, you're good. So I'm gonna give it

465
00:23:13,680 --> 00:23:16,200
Speaker 1: another two weeks. We'll practice and maybe take it on

466
00:23:16,280 --> 00:23:18,720
Speaker 1: the side roads and see when she gets her courage.

467
00:23:18,760 --> 00:23:21,720
Speaker 1: She's a very scared driver, as it is. Does anyone else?

468
00:23:21,800 --> 00:23:24,360
Speaker 1: Notice how many times lunch Bucks calls his wife and girl? Yeah?

469
00:23:24,600 --> 00:23:27,120
Speaker 1: Notice that. Yeah, it's just a it's just a pet name.

470
00:23:27,119 --> 00:23:29,560
Speaker 1: Who cares, I'm with you, Well, it's a girl. Nothing.

471
00:23:29,600 --> 00:23:31,800
Speaker 1: I've never heard you call it ever. I just I

472
00:23:31,840 --> 00:23:33,920
Speaker 1: didn't know if that was like a new thing, or

473
00:23:34,040 --> 00:23:36,159
Speaker 1: is that what you do at home? Hey girl? I mean,

474
00:23:36,200 --> 00:23:37,879
Speaker 1: it's just a name, my hey girl. Girls. It's not

475
00:23:37,880 --> 00:23:40,840
Speaker 1: like telling her het teenage girl is a girl? Creepy

476
00:23:40,840 --> 00:23:42,600
Speaker 1: of his heteenage girl? But it's nice. I mean, what

477
00:23:42,640 --> 00:23:44,160
Speaker 1: do we call her? Hey? Hot stuff? The whole time?

478
00:23:44,160 --> 00:23:45,680
Speaker 1: I very you get creeped out if I said that.

479
00:23:46,680 --> 00:23:49,399
Speaker 1: I think you're in a no win. Yeah, exactly, Okay,

480
00:23:49,760 --> 00:23:51,200
Speaker 1: in a couple of weeks, hit us back with the

481
00:23:51,200 --> 00:23:54,080
Speaker 1: audio of her on the big Streets. Okay, no rush,

482
00:23:54,200 --> 00:23:59,480
Speaker 1: by the way, we gotta keep practicing. It's the best

483
00:23:59,640 --> 00:24:05,199
Speaker 1: bits of the week with Morgan. Number two. Another awesome

484
00:24:05,240 --> 00:24:08,320
Speaker 1: guest we had on this week was Russell Dickerson. So

485
00:24:08,480 --> 00:24:10,880
Speaker 1: he came in, we got to play those performances. Hear

486
00:24:10,920 --> 00:24:12,600
Speaker 1: all about his new life as a dad. It's just

487
00:24:12,760 --> 00:24:15,040
Speaker 1: all like, you're just gonna swoon and also be like, oh,

488
00:24:15,119 --> 00:24:18,600
Speaker 1: this is so cute. So listen back Number four, the

489
00:24:18,760 --> 00:24:22,680
Speaker 1: Friday Morning conversation with Russell Dickerson. You know, Russell, I

490
00:24:22,760 --> 00:24:25,320
Speaker 1: was thinking, as you came in and here you have

491
00:24:25,680 --> 00:24:27,320
Speaker 1: what four number ones in a row? That's right right.

492
00:24:27,480 --> 00:24:29,280
Speaker 1: You walk in, you have nobody with you. You have

493
00:24:29,359 --> 00:24:32,000
Speaker 1: no record label person, you have no manager. And I'm

494
00:24:32,000 --> 00:24:35,119
Speaker 1: saying this in the most loving, like respectful way. You

495
00:24:35,200 --> 00:24:37,600
Speaker 1: have no crew. You showed up and I was like, hey,

496
00:24:37,720 --> 00:24:40,480
Speaker 1: I see Russell in the green room. Where's his people?

497
00:24:40,520 --> 00:24:42,040
Speaker 1: And They're like, no, no, he just rolled up by himself.

498
00:24:42,160 --> 00:24:46,359
Speaker 1: That's that's amazing. I don't know that anybody's done there, really,

499
00:24:46,560 --> 00:24:49,000
Speaker 1: I don't know. It feels weird to bring people like, hey, man,

500
00:24:49,080 --> 00:24:52,080
Speaker 1: come on, like d your labels though, would be like, hey,

501
00:24:52,119 --> 00:24:53,320
Speaker 1: we need to go with you and make sure Bobby

502
00:24:53,320 --> 00:24:55,560
Speaker 1: doesn't do anything stupid, all right, you know that haven't

503
00:24:55,600 --> 00:24:58,520
Speaker 1: done this enough times though, you know. I'm just saying, yeah,

504
00:24:58,640 --> 00:25:03,000
Speaker 1: I find it refreshing that you walked in here all alone.

505
00:25:03,119 --> 00:25:04,800
Speaker 1: And I was like, is Russell ready? I don't see

506
00:25:04,800 --> 00:25:07,159
Speaker 1: his people there. They're like he's himself. Also, let me

507
00:25:07,200 --> 00:25:09,600
Speaker 1: say this in the most respectful what you're jacked? Yeah,

508
00:25:10,400 --> 00:25:13,320
Speaker 1: because pressing against it's like when you push it up.

509
00:25:13,359 --> 00:25:16,040
Speaker 1: You know. I see you on Instagram and you do

510
00:25:16,200 --> 00:25:19,359
Speaker 1: your dad bod workout whatever you call him dad bodwad.

511
00:25:19,720 --> 00:25:22,040
Speaker 1: He did. Ah. He was doing a workout of the day,

512
00:25:22,240 --> 00:25:25,359
Speaker 1: some kind of Instagram showerhead thing. He was selling a

513
00:25:25,359 --> 00:25:27,199
Speaker 1: shower head of something and he had a shirt off,

514
00:25:27,240 --> 00:25:28,879
Speaker 1: and I end him up. I'm not about showerhead. I

515
00:25:28,960 --> 00:25:33,520
Speaker 1: was like, dude, who knew you had those apps? Am

516
00:25:33,560 --> 00:25:35,320
Speaker 1: I going a little too hard on his body right now? No?

517
00:25:35,560 --> 00:25:38,520
Speaker 1: I mean I'm sure he enjoys it. Let's just bring

518
00:25:38,560 --> 00:25:40,520
Speaker 1: it there a shower Is there a shower head we

519
00:25:40,600 --> 00:25:42,800
Speaker 1: need in our lives? Is a speaker or something? Yeah?

520
00:25:42,920 --> 00:25:47,040
Speaker 1: The Kohler. It's like Kohler Moxie and legit like within

521
00:25:47,160 --> 00:25:50,480
Speaker 1: the shower head as a Bluetooth speaker that sounds fantastic.

522
00:25:50,960 --> 00:25:52,760
Speaker 1: And then when you're done, pop it out, take it

523
00:25:52,840 --> 00:25:56,040
Speaker 1: over to the sink. It's it's legit. Interesting. Yeah, the

524
00:25:56,080 --> 00:25:58,760
Speaker 1: guy six foot four and he's ripped up. I'm just

525
00:25:58,880 --> 00:26:03,040
Speaker 1: amazed a new baby. Honestly, that's where it's from. Is

526
00:26:03,119 --> 00:26:07,480
Speaker 1: holding this twenty five pound kid just constantly. How hard

527
00:26:07,560 --> 00:26:09,800
Speaker 1: is it to have a newborn? Honestly, the first six

528
00:26:09,880 --> 00:26:12,760
Speaker 1: weeks I was like, another kid, let's go, let's do it.

529
00:26:13,280 --> 00:26:17,600
Speaker 1: And then that, like the exhaustion just never stopped, and

530
00:26:17,760 --> 00:26:20,600
Speaker 1: so it was like it was like, all right, we

531
00:26:20,720 --> 00:26:22,199
Speaker 1: might need a little minute, you know what I mean.

532
00:26:22,280 --> 00:26:24,760
Speaker 1: Like it was like kept going like, okay, no sleep

533
00:26:24,840 --> 00:26:28,040
Speaker 1: that night, We're good. Next day, no sleep, no sleep,

534
00:26:28,119 --> 00:26:31,560
Speaker 1: and then it just like never stops. Even last night

535
00:26:32,000 --> 00:26:34,920
Speaker 1: doesn't stop. So you're just always tired pretty much. I

536
00:26:35,000 --> 00:26:36,560
Speaker 1: want to play a couple of clips here. It's got

537
00:26:36,600 --> 00:26:38,160
Speaker 1: a bunch of number ones in a row. You guys

538
00:26:38,240 --> 00:26:46,840
Speaker 1: may know yours. Here you go, God Blue Tacoma, every

539
00:26:46,880 --> 00:26:57,040
Speaker 1: little thing ever, love you like I used to. You're

540
00:26:57,040 --> 00:27:00,399
Speaker 1: still a morning person. It's maybe me more of a

541
00:27:00,480 --> 00:27:02,600
Speaker 1: morning person. This guy wakes up and he's like, you

542
00:27:02,680 --> 00:27:06,639
Speaker 1: know in Oklahoma, Oh what a beautiful morning. That's literally

543
00:27:06,720 --> 00:27:09,719
Speaker 1: him every day of his life. He wakes up like SpongeBob.

544
00:27:09,840 --> 00:27:12,320
Speaker 1: He's like, this is the greatest day ever. He's always

545
00:27:12,359 --> 00:27:15,359
Speaker 1: in a good mood. What is it? What's your morning routine?

546
00:27:15,400 --> 00:27:17,840
Speaker 1: You wake up? What do you do? Uh? Now, it's

547
00:27:17,880 --> 00:27:20,080
Speaker 1: like I wake up and me and me and Remington

548
00:27:20,200 --> 00:27:22,040
Speaker 1: have just our bro time. I put him in his

549
00:27:22,119 --> 00:27:25,800
Speaker 1: little plaything, read a little bit, drink coffee, have a

550
00:27:25,840 --> 00:27:29,399
Speaker 1: little breakfast, and then because Kal's will get up in

551
00:27:29,440 --> 00:27:31,760
Speaker 1: the middle of the night and deal with baby, and

552
00:27:31,920 --> 00:27:34,480
Speaker 1: then so I let her sleep until whenever in the morning.

553
00:27:34,560 --> 00:27:38,280
Speaker 1: So that's my responsibility as a dad. How gross is

554
00:27:38,320 --> 00:27:41,000
Speaker 1: it to change your baby's diaper or not at all? Uh,

555
00:27:41,960 --> 00:27:45,560
Speaker 1: it's getting there. It's getting it's getting pretty because like

556
00:27:46,160 --> 00:27:48,959
Speaker 1: you have like a major blowout and it's like up

557
00:27:49,040 --> 00:27:51,600
Speaker 1: his back and like coming out the sides and the

558
00:27:51,720 --> 00:27:55,320
Speaker 1: thighs and everywhere, like and it never happens at home either.

559
00:27:55,800 --> 00:27:58,920
Speaker 1: It's like it's always out in public. It's at the mall,

560
00:27:59,080 --> 00:28:01,720
Speaker 1: it's you know, where wherever it is, and so we're

561
00:28:01,800 --> 00:28:05,080
Speaker 1: like on the on the tailgate of the truck, just

562
00:28:05,280 --> 00:28:07,720
Speaker 1: like changing our baby in the middle of a parking lot.

563
00:28:07,800 --> 00:28:10,800
Speaker 1: And it's, uh, it's not that gross, though I would

564
00:28:10,920 --> 00:28:13,720
Speaker 1: think that it's not because it's your baby. Still gross,

565
00:28:13,760 --> 00:28:16,000
Speaker 1: it's discussed like I'm still gross out on my dog's poop, right,

566
00:28:16,080 --> 00:28:17,639
Speaker 1: but it's my dog and he's sick. I'm just feeling

567
00:28:17,680 --> 00:28:20,200
Speaker 1: worse that he's feels sick than right. Yeah, and obviously

568
00:28:20,280 --> 00:28:23,440
Speaker 1: dog and a baby are the same. I felt. I

569
00:28:23,520 --> 00:28:25,600
Speaker 1: felt the entire listening audience roll their eyes when I

570
00:28:25,680 --> 00:28:28,320
Speaker 1: met the dog analogy. Russell broads guitar. So I'm gonna

571
00:28:28,320 --> 00:28:30,840
Speaker 1: play some song because we interview here. How about which

572
00:28:31,040 --> 00:28:34,760
Speaker 1: you know, Love You Like I Used to is continuing

573
00:28:34,840 --> 00:28:37,600
Speaker 1: to stay a top song even though it already hit

574
00:28:37,720 --> 00:28:39,720
Speaker 1: number one, You're onto the next song. It's insane. It's

575
00:28:39,760 --> 00:28:41,400
Speaker 1: continuing to stay at the top of the charts. Yeah,

576
00:28:41,480 --> 00:28:43,720
Speaker 1: it's insanity. You want to play a little bit for us?

577
00:28:43,760 --> 00:28:46,160
Speaker 1: Absolutely all right? Here is Russell Dickerson doing a little

578
00:28:46,160 --> 00:28:48,680
Speaker 1: bit of Love You Like I Used to? Girl, love

579
00:28:48,920 --> 00:28:55,280
Speaker 1: always loved you, but sus change blame it on time,

580
00:28:57,560 --> 00:29:01,680
Speaker 1: but it ain't the same is it's a deferent kind

581
00:29:01,760 --> 00:29:06,800
Speaker 1: of feeling. I don't want. I knew from sweet on

582
00:29:06,920 --> 00:29:09,960
Speaker 1: your limbs to how your hand in mind fits girl,

583
00:29:10,120 --> 00:29:15,120
Speaker 1: love always love you, but I john love you, lik,

584
00:29:15,160 --> 00:29:19,120
Speaker 1: I'm used to. This gets better if it's time you

585
00:29:19,720 --> 00:29:24,120
Speaker 1: kiss me like this. It's stronger the longer I'm with

586
00:29:24,480 --> 00:29:30,600
Speaker 1: you more than every single day before. Didn't know what

587
00:29:30,680 --> 00:29:34,280
Speaker 1: I could ever love you more than nine did? Baby?

588
00:29:34,400 --> 00:29:39,160
Speaker 1: And dude, I don't love you, lik, I'm used to

589
00:29:40,800 --> 00:29:44,000
Speaker 1: muscle make lissen here all six foot four of them.

590
00:29:44,280 --> 00:29:45,560
Speaker 1: You know, I was thinking because if we had this

591
00:29:45,800 --> 00:29:49,880
Speaker 1: doctor on who can extend height? What now? What happens?

592
00:29:50,360 --> 00:29:52,720
Speaker 1: Why he originally studied it because people get an accident,

593
00:29:52,760 --> 00:29:55,200
Speaker 1: so they're born with something and they can fix that

594
00:29:55,400 --> 00:29:57,600
Speaker 1: by equaling things. But then it's turned into a cosmetic

595
00:29:57,680 --> 00:29:59,840
Speaker 1: surgery where there was a guy it's five eleven, went in,

596
00:30:00,000 --> 00:30:02,840
Speaker 1: he's seventy five thousand dollars, he's six one now for

597
00:30:03,000 --> 00:30:05,160
Speaker 1: two inches for two inches now, the doctor told me

598
00:30:05,160 --> 00:30:07,800
Speaker 1: I could get six inches, didn't he? And that would

599
00:30:07,800 --> 00:30:09,920
Speaker 1: be taller than you for how much? Though? Is it

600
00:30:10,040 --> 00:30:14,880
Speaker 1: like two inches darts at? So? Yeah? He sent five

601
00:30:14,960 --> 00:30:17,960
Speaker 1: times three yeah, so, oh, he's gonna do the math ahead.

602
00:30:18,160 --> 00:30:21,360
Speaker 1: I know I don't have it, don't you know? There

603
00:30:21,440 --> 00:30:23,920
Speaker 1: was a really great story that happened over the holiday.

604
00:30:24,680 --> 00:30:28,040
Speaker 1: You came across your fans Sarah's story, tell the show

605
00:30:28,080 --> 00:30:30,120
Speaker 1: and tell her listeners what happened there? Oh man, So

606
00:30:30,560 --> 00:30:32,680
Speaker 1: I'm tagged in this video and it's this girl in

607
00:30:32,720 --> 00:30:36,600
Speaker 1: a hospital bed doing this little like dance to homesuite

608
00:30:37,080 --> 00:30:39,880
Speaker 1: and uh and I'm like, oh, that's that's fun. And

609
00:30:40,280 --> 00:30:42,600
Speaker 1: as I keep watching the video, I realized that, like,

610
00:30:43,000 --> 00:30:44,920
Speaker 1: and I read the story of what's happening, and she

611
00:30:45,120 --> 00:30:47,920
Speaker 1: was hit head on in a car crash and lost

612
00:30:48,000 --> 00:30:51,720
Speaker 1: both of her legs amputated, and so h just to

613
00:30:51,800 --> 00:30:54,280
Speaker 1: see the joy on her face like one of the

614
00:30:54,360 --> 00:30:58,040
Speaker 1: most special moments that I've seen. And so I'd called

615
00:30:58,120 --> 00:31:00,640
Speaker 1: my manager. I was like, what can we do any

616
00:31:00,680 --> 00:31:03,760
Speaker 1: and everything, like I'm all in. And so we ended

617
00:31:03,800 --> 00:31:07,160
Speaker 1: up teaming up with Chevy and they they gave her

618
00:31:07,280 --> 00:31:10,480
Speaker 1: a twenty twenty one Chevy Traverse and they're going to

619
00:31:10,560 --> 00:31:14,720
Speaker 1: fully upfit it for her, like, you know, her new life,

620
00:31:14,880 --> 00:31:17,480
Speaker 1: and so she'll be able to travel around in that

621
00:31:17,560 --> 00:31:20,320
Speaker 1: little thing. And so that was like one of the

622
00:31:20,760 --> 00:31:23,240
Speaker 1: highlights of my career is here. He's playing songs for us,

623
00:31:23,280 --> 00:31:25,800
Speaker 1: we're talking about new music. He's got four number ones

624
00:31:25,840 --> 00:31:27,680
Speaker 1: in a row, just killing it. Do you feel like

625
00:31:28,320 --> 00:31:31,760
Speaker 1: that it took forever to kill it because again, you're

626
00:31:32,000 --> 00:31:34,080
Speaker 1: one of the guys that had no money and we're

627
00:31:34,120 --> 00:31:36,920
Speaker 1: grinding no label, I mean, or do you feel like

628
00:31:37,440 --> 00:31:39,960
Speaker 1: it was like a climb that you kind of felt

629
00:31:40,520 --> 00:31:43,840
Speaker 1: momentum the entire time? No, dude, there were there were

630
00:31:43,920 --> 00:31:46,800
Speaker 1: moments along like early on, like I started off like

631
00:31:46,960 --> 00:31:52,640
Speaker 1: twenty ten eleven and man playing for any I mean

632
00:31:52,760 --> 00:31:56,800
Speaker 1: two hundred and fifty dollars to drive to Omaha, Nebraska

633
00:31:56,960 --> 00:32:00,400
Speaker 1: and play a dorm room lobby that only the r's

634
00:32:00,440 --> 00:32:02,640
Speaker 1: are there because they have to be there and then

635
00:32:03,360 --> 00:32:06,280
Speaker 1: and then, but not just that random, but that happening

636
00:32:06,400 --> 00:32:09,400
Speaker 1: like time after time after time again, Like you pull

637
00:32:09,520 --> 00:32:10,760
Speaker 1: up to a show, you're like, all right, maybe this

638
00:32:10,800 --> 00:32:12,560
Speaker 1: one will be different, maybe there'll be some people there,

639
00:32:12,920 --> 00:32:14,960
Speaker 1: and then you they're like, oh, yeah, you're actually playing

640
00:32:14,960 --> 00:32:18,680
Speaker 1: in the cafeteria to day, and and so like in

641
00:32:18,760 --> 00:32:23,320
Speaker 1: a concrete cafeteria with like there's a giant brick building

642
00:32:23,840 --> 00:32:27,680
Speaker 1: and everybody's like, da, please stop full band, like drums everything.

643
00:32:27,760 --> 00:32:29,920
Speaker 1: They're like, just please, like we're trying to eat lunch.

644
00:32:31,120 --> 00:32:34,280
Speaker 1: I'll pay you to not play. So there have been

645
00:32:34,320 --> 00:32:36,280
Speaker 1: times like that along the way. I remember your wife

646
00:32:36,480 --> 00:32:39,000
Speaker 1: and she was bragging on you but talking about how

647
00:32:39,040 --> 00:32:43,080
Speaker 1: you would play a full show, full band everything, at

648
00:32:43,480 --> 00:32:46,360
Speaker 1: like a festival and there will be eight people standing around,

649
00:32:46,400 --> 00:32:48,200
Speaker 1: but you would perform it as hard as possible. Oh yeah,

650
00:32:48,240 --> 00:32:51,160
Speaker 1: we raged it didn't matter. Yeah, two or two thousand,

651
00:32:51,240 --> 00:32:53,160
Speaker 1: like you were going hard. Yeah. I mean it's like

652
00:32:53,240 --> 00:32:56,360
Speaker 1: one of those things where you can either like pout

653
00:32:56,400 --> 00:32:58,720
Speaker 1: about it, or you can go in your mind and

654
00:32:58,920 --> 00:33:04,560
Speaker 1: just envision arenas and envision yourself getting there. And that's

655
00:33:04,600 --> 00:33:07,280
Speaker 1: what I chose to do. Man. Every every time you

656
00:33:07,360 --> 00:33:08,680
Speaker 1: know the song, I like to hear it like it

657
00:33:08,680 --> 00:33:11,920
Speaker 1: comes on the radio. Is that blue Tacoma? That's a

658
00:33:11,960 --> 00:33:14,640
Speaker 1: good one? Huh? What if baby said? No, how hilarious?

659
00:33:15,320 --> 00:33:19,800
Speaker 1: Was like not my favorite? Better? Honestly, coma, I don't

660
00:33:19,840 --> 00:33:21,880
Speaker 1: get it. Let's do uh, let's see a little bit

661
00:33:21,920 --> 00:33:27,600
Speaker 1: of blue to coma? Is it blue wheels rolling on

662
00:33:27,720 --> 00:33:32,240
Speaker 1: a norn toild twist top? I'm sun kids, seld you

663
00:33:32,400 --> 00:33:36,959
Speaker 1: brown him? Now that's coat Swain. If he haven't used anywhere,

664
00:33:38,040 --> 00:33:41,840
Speaker 1: ninety seeds at the top of a shuffling in or

665
00:33:41,920 --> 00:33:46,800
Speaker 1: stew the water missing turns, because that's our song. If

666
00:33:46,920 --> 00:33:51,200
Speaker 1: he haven't used anywhere, it's in a blue Tacoma, California,

667
00:33:52,040 --> 00:33:57,040
Speaker 1: white magno in your hair, raise the gold shining on you.

668
00:33:58,440 --> 00:34:03,200
Speaker 1: If heaven is anywhere, never running out of golden road?

669
00:34:04,160 --> 00:34:08,920
Speaker 1: Are we saving your hand holding a boots of Coma, California.

670
00:34:10,280 --> 00:34:15,239
Speaker 1: If it is anywhere, it's right. He nice, He held

671
00:34:15,280 --> 00:34:17,680
Speaker 1: it out to see. It's a small crowd, but you

672
00:34:17,760 --> 00:34:20,520
Speaker 1: played it hard. That's about like you. You went fully in, dude,

673
00:34:20,520 --> 00:34:23,120
Speaker 1: you gotta envision small crowd. I was talking to your

674
00:34:23,160 --> 00:34:25,040
Speaker 1: buddy Thomas Rhett and you guys are you guys are

675
00:34:25,080 --> 00:34:27,680
Speaker 1: good friends? Yes? And I was running some business ideas

676
00:34:27,760 --> 00:34:29,960
Speaker 1: by him, okay, like and I had a couple great

677
00:34:30,000 --> 00:34:31,560
Speaker 1: ones that he didn't like. He didn't want investing money

678
00:34:31,680 --> 00:34:34,000
Speaker 1: really well, I had, Yeah, I ask him, I give

679
00:34:34,080 --> 00:34:35,560
Speaker 1: him some A plus ideas, But I have a couple

680
00:34:35,640 --> 00:34:38,239
Speaker 1: for you. Let's go that. I think if you started these,

681
00:34:38,800 --> 00:34:40,279
Speaker 1: you can really make some money. And I would be

682
00:34:40,320 --> 00:34:42,840
Speaker 1: happy to come in as an angel investor. Oh yes, okay,

683
00:34:43,560 --> 00:34:46,600
Speaker 1: A Mill delivery kit, but instead of focusing on you know,

684
00:34:46,920 --> 00:34:50,520
Speaker 1: the meats and the cheeses, it's mostly just on Brussels sprouts.

685
00:34:50,520 --> 00:34:53,200
Speaker 1: And it's called Russell's Brussels. It's different Brussels sprouts from

686
00:34:53,280 --> 00:34:54,880
Speaker 1: all over it because there's a there's a demand for

687
00:34:54,920 --> 00:34:57,960
Speaker 1: Brussels sprouts. Honestly, yeah, I'm a huge fan of Brussels sprouts.

688
00:34:58,040 --> 00:35:01,880
Speaker 1: So think about that. Um, that's pretty much all I

689
00:35:01,880 --> 00:35:04,000
Speaker 1: want I had for him today. It's just tough, you know,

690
00:35:04,239 --> 00:35:06,720
Speaker 1: that's the only one you need. Just have a brilliant

691
00:35:06,760 --> 00:35:09,440
Speaker 1: idea like that. Which famous Russell would you most like

692
00:35:09,520 --> 00:35:12,640
Speaker 1: to hang out with? Russell Wilson quarterback for the Seahawks,

693
00:35:13,320 --> 00:35:18,359
Speaker 1: Russell brand, funny comedian, British dude, Russell Crowe who seems

694
00:35:18,400 --> 00:35:21,960
Speaker 1: like it'd be miserable to hang out with, So up

695
00:35:22,040 --> 00:35:26,560
Speaker 1: to you. Which one man, probably Russell Wilson. I feel

696
00:35:26,600 --> 00:35:28,360
Speaker 1: like that would be that'd be a great hand. I

697
00:35:28,360 --> 00:35:31,600
Speaker 1: actually met him one time and it was one of

698
00:35:31,640 --> 00:35:33,080
Speaker 1: the you know, one of those kind of stars struck

699
00:35:33,120 --> 00:35:35,560
Speaker 1: moments because he was a Sierra Sierra. Where did you

700
00:35:35,640 --> 00:35:38,640
Speaker 1: meet Russell? Because we're on in Seattle now? Um, and

701
00:35:38,719 --> 00:35:40,719
Speaker 1: he's a big fan Lestens every morning. Russell Wilson does

702
00:35:41,040 --> 00:35:43,920
Speaker 1: what's up? Dog? I'm sure I don't know if he does.

703
00:35:44,640 --> 00:35:46,920
Speaker 1: But where did you meet him? What was the situation

704
00:35:47,280 --> 00:35:50,719
Speaker 1: at the Clive Davis Grammy party? What a flex? He

705
00:35:50,760 --> 00:35:53,400
Speaker 1: didn't even flex? I pulled it out. Yeah. Sorry, So

706
00:35:53,480 --> 00:35:55,359
Speaker 1: you're at the Clive Davis Grammy party and he's chilling.

707
00:35:55,440 --> 00:35:57,640
Speaker 1: Here's yes. Here's the thing though, is we were like

708
00:35:58,560 --> 00:36:02,360
Speaker 1: we we had we entered in like the the backdoor,

709
00:36:02,920 --> 00:36:04,640
Speaker 1: and like our seats were taken when we went to

710
00:36:04,719 --> 00:36:07,799
Speaker 1: sit down, and like Brandy Carl, I'm literally not I'm

711
00:36:07,880 --> 00:36:11,680
Speaker 1: name dropping because of how little of peons we were

712
00:36:11,680 --> 00:36:14,520
Speaker 1: at this party. And so we're like, you know, Brandy Carl,

713
00:36:14,560 --> 00:36:17,040
Speaker 1: I'm like, hey, like I think these are our seats,

714
00:36:17,120 --> 00:36:19,520
Speaker 1: and like she shows us our tickets. We're like comparing

715
00:36:19,600 --> 00:36:21,680
Speaker 1: or whatever, and they're like, you know what, just forget it.

716
00:36:21,760 --> 00:36:23,160
Speaker 1: And so I went to I went out back to

717
00:36:23,160 --> 00:36:25,719
Speaker 1: the life. I was like, hey, like, we don't have seats, uh,

718
00:36:25,920 --> 00:36:28,560
Speaker 1: could we just like whatever? So we end up going

719
00:36:28,680 --> 00:36:30,320
Speaker 1: They're like, hey're just coming. So they put us on

720
00:36:30,360 --> 00:36:34,680
Speaker 1: the second row with like Miguel h what's her name

721
00:36:34,719 --> 00:36:38,560
Speaker 1: from the Pussycat dolls. Yeah, and so we're just like,

722
00:36:39,040 --> 00:36:41,320
Speaker 1: what the actual heck are we doing here? Like we

723
00:36:41,400 --> 00:36:45,240
Speaker 1: don't belong here by any means, we're not nominated for anything,

724
00:36:45,640 --> 00:36:48,880
Speaker 1: and we're just like, oh my god, this is crazy.

725
00:36:49,640 --> 00:36:51,560
Speaker 1: And that's when you meet Russell Wilson. Yeah. Was he

726
00:36:51,719 --> 00:36:55,080
Speaker 1: bigger in person? Yes? Yeah, yeah, because so she she's

727
00:36:55,120 --> 00:36:58,120
Speaker 1: tall too. Yeah, and then they were nice to you. Incredible.

728
00:36:59,040 --> 00:37:00,719
Speaker 1: I wonder how much a suit cost? That's what I

729
00:37:00,719 --> 00:37:03,120
Speaker 1: wonder when I see how much of her suits costs. Honestly,

730
00:37:04,040 --> 00:37:07,520
Speaker 1: she remembered my name though from me and you win. Well,

731
00:37:07,560 --> 00:37:10,239
Speaker 1: she's married to Russellison, just like bye Russell. I was like,

732
00:37:10,480 --> 00:37:13,560
Speaker 1: she can goes by. Oh she knows your name? Yeah,

733
00:37:13,760 --> 00:37:16,080
Speaker 1: I got it. No, you know, I like every little

734
00:37:16,120 --> 00:37:18,480
Speaker 1: thing because it's it's up It's the most upbeat of

735
00:37:18,520 --> 00:37:21,080
Speaker 1: your hits, I think, is it? Oh yeah for sure?

736
00:37:21,120 --> 00:37:25,400
Speaker 1: Heaven right, yeah, yeah, that's a good one. Where do

737
00:37:25,400 --> 00:37:29,920
Speaker 1: you put down the set list? Oh? Man? Usually it's

738
00:37:29,960 --> 00:37:31,719
Speaker 1: like to bring it back up kind of thing. You know,

739
00:37:32,200 --> 00:37:34,480
Speaker 1: he knocked them down, then you take them back h yeah, yeah, yeah,

740
00:37:34,480 --> 00:37:35,600
Speaker 1: all right, you don't play a little bit of that

741
00:37:35,600 --> 00:37:38,520
Speaker 1: for us. Absolutely, here is Russell Dickerson, another number one,

742
00:37:38,640 --> 00:37:47,560
Speaker 1: another one, My baby, she's Alabam my Dixie landed like

743
00:37:48,440 --> 00:37:51,720
Speaker 1: she kissed him in like my last slow and sweet,

744
00:37:52,040 --> 00:37:57,040
Speaker 1: oh just right endless. Oh you're some you Sunshine three

745
00:37:57,200 --> 00:38:01,160
Speaker 1: six five. But when she forgets the punchline, it still

746
00:38:01,280 --> 00:38:05,800
Speaker 1: gets me every time. Sing it because I love every little,

747
00:38:06,120 --> 00:38:10,239
Speaker 1: every little, every little thing about her love. And just

748
00:38:10,360 --> 00:38:15,040
Speaker 1: the little, just the little, just a little, Ain't I

749
00:38:15,160 --> 00:38:17,919
Speaker 1: gotta get it, gotta get it, get a little more

750
00:38:18,040 --> 00:38:26,720
Speaker 1: about sheets. Oh yeah, because I love every little, every little,

751
00:38:27,000 --> 00:38:33,920
Speaker 1: every little thing about her love. Ye, Russell Decker. You know,

752
00:38:34,200 --> 00:38:36,279
Speaker 1: here's why we didn't sing it when you said sing it,

753
00:38:36,360 --> 00:38:38,000
Speaker 1: Because this is the problem we have on this show.

754
00:38:38,480 --> 00:38:42,560
Speaker 1: Sometimes artists come in and inside their natural repertoire of

755
00:38:42,680 --> 00:38:44,840
Speaker 1: things they say in the middle of songs. They'll go, okay,

756
00:38:44,880 --> 00:38:46,120
Speaker 1: you do it. They don't really mean for us to

757
00:38:46,160 --> 00:38:47,680
Speaker 1: do it, and then we start doing it, and then

758
00:38:47,680 --> 00:38:50,759
Speaker 1: they're shocked that somebody's yelling back, so please, So we

759
00:38:50,840 --> 00:38:52,680
Speaker 1: just don't. So when you're like, sing it, we didn't

760
00:38:52,680 --> 00:38:54,920
Speaker 1: know if you normally say that then or if you

761
00:38:55,040 --> 00:38:58,200
Speaker 1: wanted us to sing it. I both, but also the

762
00:38:58,280 --> 00:39:01,399
Speaker 1: listeners too, you know, wherever. Okay, okay, fair enough, let's

763
00:39:01,440 --> 00:39:03,279
Speaker 1: do it again and we'll sing it, and this time

764
00:39:03,320 --> 00:39:05,799
Speaker 1: we'll sing it with him. We're allowed, We're allowed. How

765
00:39:05,800 --> 00:39:10,280
Speaker 1: about it? Turn every mic up's all right too? Because

766
00:39:10,440 --> 00:39:17,319
Speaker 1: I love every little little little thing, a just lit

767
00:39:17,800 --> 00:39:22,440
Speaker 1: just a little, just a little at Gotta get it,

768
00:39:22,719 --> 00:39:28,680
Speaker 1: gotta get it, get a little more these words, because

769
00:39:28,719 --> 00:39:39,279
Speaker 1: I love little every little thing backus of him. I

770
00:39:39,400 --> 00:39:41,399
Speaker 1: just know melodies. When songs come on the radio, I'm

771
00:39:41,440 --> 00:39:45,279
Speaker 1: like devolute. So that's another reason why we don't sing all.

772
00:39:47,440 --> 00:39:52,480
Speaker 1: We don't know every word. Okay at Russell E. Ed

773
00:39:54,040 --> 00:39:56,560
Speaker 1: Russell D was taken, So I just put my middle

774
00:39:56,600 --> 00:40:00,520
Speaker 1: initial in there too, Russell Eds he being funny. Well,

775
00:40:00,560 --> 00:40:02,840
Speaker 1: I asked him that too. I was like, what what

776
00:40:03,000 --> 00:40:06,160
Speaker 1: medical edition are you referring? You're here, Russell. Oh. I

777
00:40:06,320 --> 00:40:09,439
Speaker 1: saw some article that said if you put your middle

778
00:40:09,520 --> 00:40:13,960
Speaker 1: initial when you are announcing your name, that you instantly

779
00:40:14,280 --> 00:40:18,600
Speaker 1: or perceived as more intellectual or we hear a rectile.

780
00:40:19,640 --> 00:40:24,719
Speaker 1: It's one of those smart or no. If you were

781
00:40:24,760 --> 00:40:28,640
Speaker 1: to be like, hi, I'm Russell E. Dickerson, absolutely right,

782
00:40:29,080 --> 00:40:33,800
Speaker 1: you sound smart? Right? What's your middle inial? Amy E? Brown?

783
00:40:34,480 --> 00:40:37,840
Speaker 1: I just got smarter wait. I was like, did you

784
00:40:37,960 --> 00:40:44,880
Speaker 1: just stutter or was that Amy? Amy? Elizabeth's funny? All right,

785
00:40:45,440 --> 00:40:47,960
Speaker 1: Russell Dickerson is here. Let me encourage you guys. Check

786
00:40:48,000 --> 00:40:51,319
Speaker 1: out Southern Symphony. It came out in December. But he's

787
00:40:51,360 --> 00:40:53,560
Speaker 1: just knocking down the hits. He got the new song

788
00:40:53,600 --> 00:40:55,520
Speaker 1: home Sweet we played a few minutes ago. You know,

789
00:40:55,560 --> 00:40:57,640
Speaker 1: I love you Russell Dickerson. I love you, bro. Good

790
00:40:57,640 --> 00:40:59,560
Speaker 1: to see you, buddy. Yes, thanks for having me. Let's

791
00:40:59,560 --> 00:41:02,560
Speaker 1: clap him now and sing without the guitar. Every little

792
00:41:02,600 --> 00:41:09,080
Speaker 1: thing here we got a little everything about it. Love

793
00:41:09,920 --> 00:41:17,879
Speaker 1: just a little, just a little, just a little. It's

794
00:41:17,960 --> 00:41:21,399
Speaker 1: the best bits of the week with Morgan. Number two.

795
00:41:23,320 --> 00:41:26,080
Speaker 1: This week, Bobby came back from filming Running Wild with

796
00:41:26,160 --> 00:41:29,359
Speaker 1: Bear Girls with this Beyonce Caitlin, and he shared all

797
00:41:29,440 --> 00:41:31,680
Speaker 1: the things that went down. Plus there was a moment

798
00:41:31,800 --> 00:41:34,560
Speaker 1: during filming that he really had to help Caitlyn get

799
00:41:34,640 --> 00:41:36,840
Speaker 1: through it. And it's really sweet to hear how they

800
00:41:36,920 --> 00:41:38,960
Speaker 1: worked through it. And now we just want to watch

801
00:41:39,000 --> 00:41:41,800
Speaker 1: the episode that much more so hear all about Bobby

802
00:41:41,920 --> 00:41:45,200
Speaker 1: talking about his time filming with Caitlin. Now. Number three,

803
00:41:45,520 --> 00:41:47,640
Speaker 1: I come into the room today extremely sore. Now I

804
00:41:47,680 --> 00:41:49,680
Speaker 1: can only say a couple of things because this one

805
00:41:49,719 --> 00:41:51,040
Speaker 1: won't be on the air a little quicker than the

806
00:41:51,120 --> 00:41:53,400
Speaker 1: last time I did Running Wild with Bear Girls, So

807
00:41:53,560 --> 00:41:55,480
Speaker 1: in the next couple of months it'll be on. But

808
00:41:55,640 --> 00:41:57,200
Speaker 1: they asked Caitlin and I to go out and do

809
00:41:57,320 --> 00:42:00,160
Speaker 1: this show. It's an adventure show with bear Girls the

810
00:42:00,239 --> 00:42:03,920
Speaker 1: survival Expert. And we went up into the mountains in

811
00:42:04,040 --> 00:42:06,320
Speaker 1: northern California and it was cold and we had to

812
00:42:06,320 --> 00:42:08,760
Speaker 1: sleep outside. It was two degrees. We were in sleeping

813
00:42:08,760 --> 00:42:10,719
Speaker 1: bags and it was two degrees. We didn't hard. We

814
00:42:10,880 --> 00:42:13,279
Speaker 1: might have slept thirty minutes. Can you see how burnt

815
00:42:13,320 --> 00:42:15,600
Speaker 1: my faces from like wind? And yes, your lips are

816
00:42:15,719 --> 00:42:19,279
Speaker 1: very red, Jess, and your nose. And so I had

817
00:42:19,320 --> 00:42:21,239
Speaker 1: done the show before, but they definitely took it up

818
00:42:21,239 --> 00:42:23,000
Speaker 1: a level. And Caitlin had never and she has no

819
00:42:23,160 --> 00:42:25,520
Speaker 1: interest in really being on TV. And so she was great,

820
00:42:25,560 --> 00:42:27,560
Speaker 1: like because she didn't know what to say when camera's

821
00:42:27,560 --> 00:42:29,640
Speaker 1: wand her, which is great because she said exactly how

822
00:42:29,680 --> 00:42:31,960
Speaker 1: she felt. I was very proud of her. She was

823
00:42:32,040 --> 00:42:33,840
Speaker 1: so scared at one point of one thing we were

824
00:42:33,920 --> 00:42:38,040
Speaker 1: doing that she started tears were coming down her face. So,

825
00:42:38,239 --> 00:42:40,880
Speaker 1: how did you how we worked as a team. Were

826
00:42:40,960 --> 00:42:43,880
Speaker 1: you just as scared too. It's weird in crisis, and

827
00:42:43,920 --> 00:42:46,880
Speaker 1: I'll consider that a crisis moment for her and for

828
00:42:47,040 --> 00:42:49,040
Speaker 1: me because I don't like heights either, and it was

829
00:42:49,080 --> 00:42:52,719
Speaker 1: a massive cliff so I can tell you at this point.

830
00:42:52,800 --> 00:42:57,360
Speaker 1: But in chrisis period, when there are multiple people, different

831
00:42:57,480 --> 00:43:00,640
Speaker 1: roles are then accepted. So because he was freaking out,

832
00:43:00,640 --> 00:43:02,480
Speaker 1: I had to be the other role. I was like, well, wa,

833
00:43:02,600 --> 00:43:05,960
Speaker 1: we got this. We're gonna blah blah blah. And but

834
00:43:06,080 --> 00:43:11,040
Speaker 1: if she wasn't there, all right, Okay, but she is

835
00:43:11,120 --> 00:43:13,120
Speaker 1: a she's hurting. She took she took the day off

836
00:43:13,120 --> 00:43:16,120
Speaker 1: for it today, Okay, her shoulders and back and it's

837
00:43:16,160 --> 00:43:18,520
Speaker 1: just it's very physical. I'm hurting too, But I had

838
00:43:18,560 --> 00:43:20,200
Speaker 1: done that before, so I kind of knew what what

839
00:43:20,320 --> 00:43:22,200
Speaker 1: was happening. But I can't wait for you guys to

840
00:43:22,200 --> 00:43:25,279
Speaker 1: see it. We left and Caitlin said, I think Barrick

841
00:43:25,360 --> 00:43:26,920
Speaker 1: Girls is because we spent a lot of time with him,

842
00:43:27,000 --> 00:43:29,200
Speaker 1: not just on camera. You want to make a little

843
00:43:29,239 --> 00:43:30,680
Speaker 1: camp like you stay on the show and we spend

844
00:43:30,680 --> 00:43:32,120
Speaker 1: the night there and we hang out for you know,

845
00:43:32,280 --> 00:43:34,600
Speaker 1: ten twelve hours. She's like, I think Barrick Girls is

846
00:43:34,600 --> 00:43:36,000
Speaker 1: one of my top three favorite people I've ever met

847
00:43:36,320 --> 00:43:38,759
Speaker 1: because exactly the same off camera as he is on camera.

848
00:43:38,840 --> 00:43:40,279
Speaker 1: That's school just the best. You can't wait for you

849
00:43:40,320 --> 00:43:43,040
Speaker 1: guys to see the show. Well do we have a timeframe?

850
00:43:44,120 --> 00:43:45,560
Speaker 1: Not one that I can share, but in the next

851
00:43:45,600 --> 00:43:47,480
Speaker 1: couple of a few months. Okay, it'll be out on

852
00:43:48,120 --> 00:43:50,360
Speaker 1: NAT GEO and Disney Plus. But I'm very excited about that.

853
00:43:50,840 --> 00:43:53,839
Speaker 1: She crushed it. I was so proud of her. It's

854
00:43:53,880 --> 00:43:57,359
Speaker 1: the best bits of the week with Morgan. Number two.

855
00:43:58,920 --> 00:44:00,840
Speaker 1: So many guests on the show this week. My personal

856
00:44:00,920 --> 00:44:03,840
Speaker 1: highlight was having Clint Black and Lisa Hartman Black because

857
00:44:04,360 --> 00:44:06,840
Speaker 1: not only are they just the nicest and funniest humans,

858
00:44:07,160 --> 00:44:09,840
Speaker 1: but they are also iconic. They were just on the

859
00:44:09,880 --> 00:44:12,560
Speaker 1: show the mass singer, so they talked about their time

860
00:44:12,680 --> 00:44:15,600
Speaker 1: on the show, plus some behind the scenes moments from

861
00:44:15,640 --> 00:44:18,320
Speaker 1: the show that you'll definitely love to hear about. And

862
00:44:18,600 --> 00:44:21,399
Speaker 1: we even heard their love story, Yes, how they met

863
00:44:21,560 --> 00:44:24,480
Speaker 1: thirty years ago and how they're still together today. So

864
00:44:24,760 --> 00:44:28,560
Speaker 1: listen to this and swoon before that Valentine's Day holiday

865
00:44:28,600 --> 00:44:31,680
Speaker 1: comes up. Number two, I'd have Clint Black and his

866
00:44:31,760 --> 00:44:34,560
Speaker 1: wife Lisa Hartman Black on the show. Both great singers.

867
00:44:35,120 --> 00:44:37,200
Speaker 1: Clint has so many hits. He's been on the show before,

868
00:44:37,840 --> 00:44:53,640
Speaker 1: for example, better Man, Killing Time, nothing but the tail Lights,

869
00:44:54,400 --> 00:45:00,840
Speaker 1: talking in the moonl getting ready to come on now.

870
00:45:00,880 --> 00:45:02,799
Speaker 1: But they went on the Mass Singer and the song

871
00:45:02,880 --> 00:45:04,200
Speaker 1: that we're going to talk about they wrote during it.

872
00:45:04,239 --> 00:45:06,680
Speaker 1: And here's a clip of them being revealed on the

873
00:45:06,719 --> 00:45:26,719
Speaker 1: Mass Singer. Back and Lisa mccome. You are right, all right,

874
00:45:26,800 --> 00:45:30,840
Speaker 1: there you go. They're on now here we go on

875
00:45:30,960 --> 00:45:35,160
Speaker 1: the Bobby Bones Show. Now, Clint and Lisa Black, Hello, friends,

876
00:45:36,160 --> 00:45:38,120
Speaker 1: Hey there, Hey, how are you. I'm pretty good. I

877
00:45:38,120 --> 00:45:39,640
Speaker 1: got a lot of questions for you, guys. First of all,

878
00:45:39,719 --> 00:45:41,800
Speaker 1: let me just say, for the one hundredth time to

879
00:45:42,040 --> 00:45:44,520
Speaker 1: you and about you. I love you very much, both

880
00:45:44,600 --> 00:45:47,840
Speaker 1: of you. We love you. Thanks. Before you say anything, Bobby,

881
00:45:47,960 --> 00:45:52,360
Speaker 1: we have a really really important announcement. Okay, okay, there's

882
00:45:52,400 --> 00:45:55,879
Speaker 1: a red Camrie Toyota as a target parking lot left

883
00:45:55,920 --> 00:45:59,319
Speaker 1: this fly song. Thank you Ford, thank you. Okay, there

884
00:45:59,360 --> 00:46:01,120
Speaker 1: he is, Clint. I see that's what That's what happened

885
00:46:01,160 --> 00:46:02,719
Speaker 1: to Clint the whole time. You gotta be ready. You

886
00:46:02,719 --> 00:46:06,520
Speaker 1: don't know what's going to come at you. Important stuff.

887
00:46:06,840 --> 00:46:08,400
Speaker 1: You're on because you have a new song till the

888
00:46:08,480 --> 00:46:09,759
Speaker 1: end of time, and I want to get to that.

889
00:46:09,880 --> 00:46:12,040
Speaker 1: But that's that's the main reason that we're back talking

890
00:46:12,120 --> 00:46:15,000
Speaker 1: professionally again. However, I have some questions leading up to this.

891
00:46:15,560 --> 00:46:18,080
Speaker 1: First of all, this is a love song. I want

892
00:46:18,120 --> 00:46:20,520
Speaker 1: to know you guys's love story, Like how did you

893
00:46:20,719 --> 00:46:23,799
Speaker 1: meet and how long until you knew? Well, we mest

894
00:46:23,920 --> 00:46:28,480
Speaker 1: New Year's Eve thirty years ago, this past New Year's Eve,

895
00:46:28,520 --> 00:46:31,239
Speaker 1: and we were married ten months and twenty days later,

896
00:46:31,640 --> 00:46:34,719
Speaker 1: so we knew pretty quickly. And how long until when

897
00:46:34,800 --> 00:46:36,520
Speaker 1: you guys got together, I went on a first or

898
00:46:36,560 --> 00:46:39,160
Speaker 1: second date at least, I'll ask you how long until

899
00:46:39,200 --> 00:46:41,640
Speaker 1: you knew that Clint was the one for you? That

900
00:46:41,719 --> 00:46:44,640
Speaker 1: hasn't pretty quickly. I mean there was an immediate attraction

901
00:46:44,719 --> 00:46:47,400
Speaker 1: and then we went on our first date and we

902
00:46:48,160 --> 00:46:51,560
Speaker 1: talked about everything under the sun, and we just, I

903
00:46:51,640 --> 00:46:53,799
Speaker 1: don't know, you just click. You just know. There's something

904
00:46:53,840 --> 00:46:55,920
Speaker 1: I think. I think because we were a little bit older,

905
00:46:56,000 --> 00:46:58,439
Speaker 1: you know, we weren't in our twenties, and so we'd

906
00:46:58,480 --> 00:47:01,319
Speaker 1: lived quite you know, we'd lived life, and we had

907
00:47:01,320 --> 00:47:04,000
Speaker 1: a lot of relationships. We just had a feeling and

908
00:47:04,239 --> 00:47:07,080
Speaker 1: we were right. It's thirty years later, I'm about to

909
00:47:07,080 --> 00:47:09,480
Speaker 1: get married for the first time coming up, and you

910
00:47:09,600 --> 00:47:11,880
Speaker 1: are a few months. Yeah, I just I got engaged

911
00:47:12,160 --> 00:47:15,240
Speaker 1: like last fall. And you know, for me, never been engaged,

912
00:47:15,320 --> 00:47:17,560
Speaker 1: never been married, no kids yet, but all that's coming.

913
00:47:17,680 --> 00:47:20,279
Speaker 1: But what is you know, being together thirty years? Like,

914
00:47:20,440 --> 00:47:22,120
Speaker 1: what do you what advice do you give you know,

915
00:47:22,200 --> 00:47:25,279
Speaker 1: a newbie like me. Well, first of all, congratulations and

916
00:47:25,400 --> 00:47:30,799
Speaker 1: it's wonderful. Good for you and her communication. Right, yeah,

917
00:47:31,040 --> 00:47:33,680
Speaker 1: you know, when Roy Rogers heard we were getting married,

918
00:47:33,760 --> 00:47:36,799
Speaker 1: he said, I'll give you one piece of advice. Don't

919
00:47:36,840 --> 00:47:40,919
Speaker 1: ever go to bed angry. A way a psychologist talked

920
00:47:40,960 --> 00:47:43,839
Speaker 1: about it in a book was if you look at

921
00:47:43,880 --> 00:47:47,600
Speaker 1: emotions as drop some mercury on the table. You want

922
00:47:47,640 --> 00:47:50,560
Speaker 1: to clear one off before another one comes along, because

923
00:47:51,040 --> 00:47:53,200
Speaker 1: before too long, you'll end up with a blob. You

924
00:47:53,280 --> 00:47:56,879
Speaker 1: can't dissect it, you can't identify anything from the path,

925
00:47:57,600 --> 00:47:59,360
Speaker 1: and so it's good to get that stuff out of

926
00:47:59,400 --> 00:48:02,760
Speaker 1: the way as you go. We're going to make mistakes,

927
00:48:02,800 --> 00:48:06,680
Speaker 1: we're gonna mis misread each other, and you have to

928
00:48:06,760 --> 00:48:08,800
Speaker 1: assume the best of your spouse and give them a

929
00:48:08,880 --> 00:48:12,080
Speaker 1: chance to tell you that it was only gas. That's

930
00:48:12,160 --> 00:48:16,400
Speaker 1: why I was looking at you that way. Oh my god. Okay,

931
00:48:16,719 --> 00:48:18,319
Speaker 1: so you have to deal with it in the moment.

932
00:48:18,400 --> 00:48:21,360
Speaker 1: That's my quick answer. In the moment, don't wait, don't

933
00:48:21,480 --> 00:48:23,400
Speaker 1: you know you got to deal with it now. And

934
00:48:23,520 --> 00:48:30,479
Speaker 1: you're like, I'm done, I'm I'm done. Clint Black Lisa

935
00:48:30,560 --> 00:48:32,359
Speaker 1: Hartman Black are both on the show right now. They

936
00:48:32,400 --> 00:48:33,919
Speaker 1: have a new song called Till the End of Time,

937
00:48:34,239 --> 00:48:37,839
Speaker 1: which they wrote while they were on the Mass Singer.

938
00:48:37,920 --> 00:48:39,359
Speaker 1: Let me play a clip of this song real quick.

939
00:48:39,880 --> 00:48:47,759
Speaker 1: You were the begining up forever and like a favorite

940
00:48:47,920 --> 00:48:55,640
Speaker 1: song or the perfect now when it says you wrote

941
00:48:55,640 --> 00:48:58,319
Speaker 1: it during the Mass Singer, did you write it while

942
00:48:58,360 --> 00:49:01,360
Speaker 1: you were in Los Angeles, like doing the show or

943
00:49:01,440 --> 00:49:03,280
Speaker 1: did you like write it at home in between tapings?

944
00:49:03,320 --> 00:49:05,440
Speaker 1: How did the song come about? It was it was

945
00:49:05,600 --> 00:49:08,480
Speaker 1: just it was right after and we were all talking

946
00:49:08,640 --> 00:49:12,160
Speaker 1: and somebody said we should record the prayer and we

947
00:49:12,320 --> 00:49:14,719
Speaker 1: were thinking, yeah, you know, we could record one of

948
00:49:14,800 --> 00:49:17,439
Speaker 1: the songs. We did, and I thought maybe I could

949
00:49:17,480 --> 00:49:19,600
Speaker 1: write something new, and I beat my head against the

950
00:49:19,640 --> 00:49:23,680
Speaker 1: wall for days until I finally came up with the

951
00:49:23,840 --> 00:49:25,960
Speaker 1: opening line, which is I can tell you how the

952
00:49:26,080 --> 00:49:30,719
Speaker 1: story never ends. It just came together quickly. How did

953
00:49:30,880 --> 00:49:32,840
Speaker 1: someone approach you too to do the Master? Could you

954
00:49:32,840 --> 00:49:35,440
Speaker 1: guys were the owls? If I'm remembering correctly, What was

955
00:49:35,520 --> 00:49:37,480
Speaker 1: that who gave you that call? And what was the pitch?

956
00:49:37,520 --> 00:49:39,640
Speaker 1: Do you guys do it together? We were in the

957
00:49:39,760 --> 00:49:42,840
Speaker 1: kitchen actually, and Clint has a little station for his computer,

958
00:49:43,000 --> 00:49:46,840
Speaker 1: and an email came in and we started laughing, and

959
00:49:47,280 --> 00:49:50,160
Speaker 1: it went from laughter too, maybe we're going to do

960
00:49:50,320 --> 00:49:55,279
Speaker 1: this we loved the show? Then we really laughed. What

961
00:49:55,480 --> 00:49:59,320
Speaker 1: you agree to do something outrageous? And the giddiness kicked in.

962
00:50:00,000 --> 00:50:02,480
Speaker 1: I'm assuming it's pretty secretive when you're doing the show

963
00:50:02,520 --> 00:50:04,759
Speaker 1: in real time, Like how secretive were they when you

964
00:50:04,800 --> 00:50:08,080
Speaker 1: were on set or near set? Everything is very very secretive.

965
00:50:08,120 --> 00:50:10,600
Speaker 1: I mean the idea of doing something together like that

966
00:50:10,880 --> 00:50:13,040
Speaker 1: seem like so much fun, and then, like he said,

967
00:50:13,080 --> 00:50:15,520
Speaker 1: you commit and you realize what you've taken on and

968
00:50:16,000 --> 00:50:19,759
Speaker 1: the whole secrecy thing. I mean, you've dressed heads and toe.

969
00:50:20,160 --> 00:50:22,560
Speaker 1: She wore sandals to the set and they gave it

970
00:50:23,280 --> 00:50:25,040
Speaker 1: so you can't get out of the car with your

971
00:50:25,520 --> 00:50:28,640
Speaker 1: feet showing, right, So I mean you really, you truly

972
00:50:28,680 --> 00:50:30,640
Speaker 1: are You're covered head to tell they inspect you before

973
00:50:30,680 --> 00:50:31,960
Speaker 1: you get out of the car. Then you go to

974
00:50:32,040 --> 00:50:34,120
Speaker 1: your dressing room. Then if you leave the dressing room

975
00:50:34,160 --> 00:50:37,000
Speaker 1: for something, you're back in it. So it's quite to

976
00:50:37,120 --> 00:50:39,920
Speaker 1: the point when we get back to the hotel and

977
00:50:40,120 --> 00:50:42,759
Speaker 1: we should starts to leave the hotel for something and

978
00:50:43,239 --> 00:50:46,520
Speaker 1: you look around for our shoot our coverage suit. Right,

979
00:50:47,000 --> 00:50:49,000
Speaker 1: Oh no, we don't have it. We couldn't be ourselves.

980
00:50:49,120 --> 00:50:51,120
Speaker 1: At first, it's kind of fun because you're feeling really

981
00:50:51,200 --> 00:50:53,600
Speaker 1: sneaky and you're part of this like group of you know,

982
00:50:54,000 --> 00:50:57,160
Speaker 1: it's the sneakiness is fun. And then then it becomes

983
00:50:57,400 --> 00:51:00,400
Speaker 1: a bit laborious. But it's fine. I mean, we we

984
00:51:00,680 --> 00:51:02,720
Speaker 1: enjoyed it so much. It was great to work together

985
00:51:02,800 --> 00:51:05,080
Speaker 1: like that. Do you know who the other contestants are

986
00:51:05,239 --> 00:51:07,759
Speaker 1: or is that all secret too? Oh no, but but

987
00:51:07,920 --> 00:51:12,279
Speaker 1: you could sometimes we could overhear someone else's rehearsals and

988
00:51:12,719 --> 00:51:15,680
Speaker 1: I heard one of the singers and I said, the Lisa,

989
00:51:15,840 --> 00:51:19,120
Speaker 1: that's Liam as she said, I don't know, maybe did it,

990
00:51:19,280 --> 00:51:22,160
Speaker 1: And then she had an idea, I think of who

991
00:51:22,200 --> 00:51:24,880
Speaker 1: it might be. And then we weren't sure after that,

992
00:51:25,080 --> 00:51:28,600
Speaker 1: and then when we saw the show when it aired, Uh,

993
00:51:28,880 --> 00:51:31,480
Speaker 1: it was just it was we quickly knew. We knew

994
00:51:31,600 --> 00:51:34,280
Speaker 1: right away. Well listen, hope everybody out there, it's listening

995
00:51:34,320 --> 00:51:36,440
Speaker 1: to me. Now we'll check out till the end of time.

996
00:51:36,520 --> 00:51:40,439
Speaker 1: It's a new song from Clinton Lisa, and hey, Lisa,

997
00:51:40,520 --> 00:51:42,319
Speaker 1: let me ask you a question. What's your favorite all

998
00:51:42,360 --> 00:51:47,239
Speaker 1: time Clint Black song? Well, I love Um, I know

999
00:51:47,320 --> 00:51:50,640
Speaker 1: it's tough. She really liked to loosen up my string.

1000
00:51:50,840 --> 00:51:54,160
Speaker 1: Well for them, I love listen, but I love something

1001
00:51:54,239 --> 00:51:58,200
Speaker 1: that we do. Yeah, but I mean they're just so many. Fortunately,

1002
00:51:58,280 --> 00:52:01,040
Speaker 1: he's so talented and he's written so many incredible songs.

1003
00:52:01,080 --> 00:52:05,520
Speaker 1: I mean, it's true, say more stuff like that. Okay,

1004
00:52:06,920 --> 00:52:09,800
Speaker 1: I love something that we do. And then until the

1005
00:52:09,880 --> 00:52:13,000
Speaker 1: end of time. We're gonna go on tour together this November,

1006
00:52:13,080 --> 00:52:16,319
Speaker 1: and I'm gonna make her sing one of my take

1007
00:52:16,400 --> 00:52:20,080
Speaker 1: one of my old hits and turn it into a duet. So, Bobby,

1008
00:52:20,160 --> 00:52:22,960
Speaker 1: the name of the tour is mostly hits and the misses.

1009
00:52:24,160 --> 00:52:27,239
Speaker 1: How's that When you guys decide you're gonna announce it

1010
00:52:27,360 --> 00:52:29,960
Speaker 1: coming here, do a little performance, you guys can perform together.

1011
00:52:29,960 --> 00:52:31,480
Speaker 1: I'd love to see you guys in person. Once we

1012
00:52:31,600 --> 00:52:34,520
Speaker 1: all get that that shot in our shoulder and you

1013
00:52:34,600 --> 00:52:36,520
Speaker 1: know I adore you until the end of time is

1014
00:52:36,560 --> 00:52:38,600
Speaker 1: the new song. I go to talk to you guys,

1015
00:52:38,680 --> 00:52:41,480
Speaker 1: and hopefully I will see you soon. Okay, Hey, thanks,

1016
00:52:41,560 --> 00:52:44,480
Speaker 1: Look for us on PBS by the way, Finding Your Roots,

1017
00:52:45,440 --> 00:52:49,920
Speaker 1: find Out the terrible background of my life? Wall are

1018
00:52:49,960 --> 00:52:52,319
Speaker 1: you being don't? I never know if you're serious? Plant ever?

1019
00:52:52,560 --> 00:52:56,440
Speaker 1: I know, congratulations, I never know. I never know if

1020
00:52:56,440 --> 00:52:58,479
Speaker 1: he's messing with me or not. I think he's been serious. Okay,

1021
00:52:59,000 --> 00:53:02,320
Speaker 1: PBS February third, Find My Root the History of the

1022
00:53:02,360 --> 00:53:04,879
Speaker 1: Owl on Mass Singer. Okay, Clint, talk to you later

1023
00:53:05,000 --> 00:53:11,520
Speaker 1: by Lisa your favorite Clint Black song Lack the Rain,

1024
00:53:12,600 --> 00:53:17,279
Speaker 1: strong contender for me killing time. Yeah, but probably no,

1025
00:53:17,360 --> 00:53:24,439
Speaker 1: I'm leaving. He probably right, nothing but the tailights, that's nothing.

1026
00:53:25,120 --> 00:53:29,359
Speaker 1: Come on, Oh when my ship comes in. Yeah, jam

1027
00:53:29,440 --> 00:53:32,919
Speaker 1: sandwiches for sure, all right, Clint Black, Lisa Hartman Black

1028
00:53:33,000 --> 00:53:35,640
Speaker 1: always fantastic. You can never quite get a handle on Clint.

1029
00:53:35,760 --> 00:53:39,359
Speaker 1: What I'm saying. It's the best bits of the week.

1030
00:53:40,160 --> 00:53:44,440
Speaker 1: With Morgan number two coming in at the number one spot.

1031
00:53:44,600 --> 00:53:48,040
Speaker 1: This week, Amy sang some karaoke and when I say

1032
00:53:48,120 --> 00:53:50,480
Speaker 1: she's slated, she did really good. I think everybody was

1033
00:53:50,560 --> 00:53:53,000
Speaker 1: smiling along with her while she was singing. So I

1034
00:53:53,080 --> 00:53:54,960
Speaker 1: brought on Amy to come in and talk about this

1035
00:53:55,120 --> 00:53:57,479
Speaker 1: really fun moment on the show. Hey, hey, I feel

1036
00:53:57,480 --> 00:53:59,759
Speaker 1: honored that I'm the number one slot. Are they in

1037
00:54:00,080 --> 00:54:03,279
Speaker 1: order of like best worst? Yes? Oh okay, well, I

1038
00:54:03,360 --> 00:54:05,360
Speaker 1: mean he's the best seven of the whole week, so

1039
00:54:05,560 --> 00:54:09,120
Speaker 1: like they're even topping all the things that happened this wow. Okay, So,

1040
00:54:09,440 --> 00:54:11,120
Speaker 1: and I think everybody will agree with me on this

1041
00:54:11,239 --> 00:54:13,799
Speaker 1: because you really sang your heart out. Now. I need

1042
00:54:13,880 --> 00:54:15,800
Speaker 1: to know, though, was there ever like a point in

1043
00:54:15,880 --> 00:54:18,680
Speaker 1: your life that you wanted to be a singer? I

1044
00:54:18,760 --> 00:54:21,000
Speaker 1: mean no, not really. I think you can tell by

1045
00:54:21,239 --> 00:54:26,400
Speaker 1: hearing when I sing that I can't sing. But I

1046
00:54:26,520 --> 00:54:30,120
Speaker 1: think you know, when I was nine or ten years old,

1047
00:54:30,360 --> 00:54:34,080
Speaker 1: I would sing at church with my sister, and somehow

1048
00:54:34,120 --> 00:54:35,960
Speaker 1: they let us on stage, and I think I thought

1049
00:54:36,040 --> 00:54:38,960
Speaker 1: I was actually good, and of course our mom would

1050
00:54:39,000 --> 00:54:41,959
Speaker 1: tell us we were good. But you know, we sang

1051
00:54:43,320 --> 00:54:46,799
Speaker 1: the Lord has a will and I have a need

1052
00:54:47,200 --> 00:54:52,520
Speaker 1: to follow that will dumbly be still. Oh no, mate,

1053
00:54:52,640 --> 00:54:54,719
Speaker 1: that's maybe the song I sang when I got baptized.

1054
00:54:54,760 --> 00:54:57,160
Speaker 1: But then my sister and I sang a totally different one.

1055
00:54:57,239 --> 00:54:59,120
Speaker 1: There was multiple times that I was allowed to sing,

1056
00:54:59,239 --> 00:55:02,839
Speaker 1: which I when I shouldn't have. So yes, maybe when

1057
00:55:02,880 --> 00:55:05,800
Speaker 1: I was ten, but as an adult, no reality hit me.

1058
00:55:05,880 --> 00:55:08,040
Speaker 1: I can't sing. Did you ever have any like solo

1059
00:55:08,160 --> 00:55:12,200
Speaker 1: moments when you were in the church choir? Well, yeah,

1060
00:55:12,280 --> 00:55:13,680
Speaker 1: I mean the one I just sang for you. I

1061
00:55:13,760 --> 00:55:15,640
Speaker 1: sang solo just me and some guy with a guitar,

1062
00:55:16,600 --> 00:55:19,640
Speaker 1: and then that was pretty awesome. Though when my sister

1063
00:55:19,840 --> 00:55:22,800
Speaker 1: and I sang, it was just us too, and probably

1064
00:55:22,880 --> 00:55:27,800
Speaker 1: I think a soundtrack over the you know, PA system

1065
00:55:27,920 --> 00:55:30,600
Speaker 1: or whatever was called at church. I don't know, but yeah, music.

1066
00:55:30,719 --> 00:55:34,120
Speaker 1: And then funny side note about that is the performance

1067
00:55:34,160 --> 00:55:36,200
Speaker 1: probably would have gone better because you know, we were

1068
00:55:36,239 --> 00:55:40,040
Speaker 1: great singers, but my sister's boyfriend at the time sprayed

1069
00:55:40,120 --> 00:55:43,560
Speaker 1: my mom's pepper spray in the middle of church right

1070
00:55:43,640 --> 00:55:47,800
Speaker 1: before we sang, and so everybody, including us, was coughing

1071
00:55:48,160 --> 00:55:52,000
Speaker 1: during the performance. So my big moment on stage was

1072
00:55:52,560 --> 00:55:56,279
Speaker 1: ruined by people coughing, but we killed it. Well, you

1073
00:55:56,400 --> 00:55:58,880
Speaker 1: did mention when you were singing the Chicks. There's your

1074
00:55:58,920 --> 00:56:00,960
Speaker 1: trouble that this was a carry o song that you

1075
00:56:01,200 --> 00:56:03,320
Speaker 1: used to do all the time, and it was because

1076
00:56:03,480 --> 00:56:06,520
Speaker 1: you wanted the guy you liked at the time to notice,

1077
00:56:06,600 --> 00:56:08,880
Speaker 1: which I think everybody can relate to they've had that

1078
00:56:09,000 --> 00:56:12,919
Speaker 1: song in that moment. So you talked on the show

1079
00:56:13,000 --> 00:56:16,319
Speaker 1: that he had never heard you were No, he has

1080
00:56:16,400 --> 00:56:19,160
Speaker 1: no idea. No. I just thought, what wouldn't it be

1081
00:56:19,239 --> 00:56:22,160
Speaker 1: so cool if he came to the same karaoke bar

1082
00:56:22,400 --> 00:56:24,360
Speaker 1: that night that we were out and he heard me

1083
00:56:24,480 --> 00:56:27,160
Speaker 1: singing it, And of course he probably wouldn't know that

1084
00:56:27,239 --> 00:56:29,759
Speaker 1: it was even for him, but maybe it would send

1085
00:56:29,920 --> 00:56:32,480
Speaker 1: some sort of a message of him thinking, oh, man,

1086
00:56:32,640 --> 00:56:35,080
Speaker 1: is this my trouble? Am I with the wrong one?

1087
00:56:36,200 --> 00:56:39,120
Speaker 1: Should I see that Amy loves me, she really loved me?

1088
00:56:39,800 --> 00:56:42,240
Speaker 1: Or should I just keep holding on there's my trouble.

1089
00:56:42,400 --> 00:56:44,080
Speaker 1: So I thought maybe he would hear the lyrics and

1090
00:56:44,080 --> 00:56:47,040
Speaker 1: it would speak to him. But he never did. And

1091
00:56:47,200 --> 00:56:50,080
Speaker 1: I still know the guy to this day and he

1092
00:56:50,480 --> 00:56:53,279
Speaker 1: ever brought it up to him like that. Now. I mean,

1093
00:56:53,320 --> 00:56:55,319
Speaker 1: I'm sure at this point I probably could, but now

1094
00:56:55,400 --> 00:56:57,640
Speaker 1: he's married with kids and I'm married with kids, so

1095
00:56:57,800 --> 00:57:01,160
Speaker 1: this that would be awkward. But I actually ran into

1096
00:57:01,280 --> 00:57:04,239
Speaker 1: him a couple of years ago in downtown Austin. We

1097
00:57:04,320 --> 00:57:07,680
Speaker 1: were both with our spouses and walking down like downtown

1098
00:57:07,920 --> 00:57:12,319
Speaker 1: saw him. Hey, And so for me, I definitely had

1099
00:57:13,440 --> 00:57:16,760
Speaker 1: a long crush on this guy, great guy, but we

1100
00:57:16,960 --> 00:57:22,200
Speaker 1: dated kind of ish. But he never heard me singing karaoke,

1101
00:57:22,680 --> 00:57:25,400
Speaker 1: So obviously you did this and he wasn't there and stuff.

1102
00:57:25,440 --> 00:57:27,840
Speaker 1: Did you ever like go to karaoke as a date

1103
00:57:28,000 --> 00:57:31,040
Speaker 1: and you did sing to a guy that you know? No? No, no,

1104
00:57:31,280 --> 00:57:33,800
Speaker 1: karaoke is only something I did with my roommates. It

1105
00:57:33,960 --> 00:57:35,480
Speaker 1: was like a girl thing. Yeah, it was just a

1106
00:57:35,560 --> 00:57:38,720
Speaker 1: girl thing. We also would sing what's that song? Um?

1107
00:57:38,920 --> 00:57:43,400
Speaker 1: Get low rayism here? I don't know. That's when I

1108
00:57:43,520 --> 00:57:47,680
Speaker 1: learned how dirty those lyrics are, something about your boss

1109
00:57:49,280 --> 00:57:53,600
Speaker 1: to the ball, and I thought, oh my gosh. So yes,

1110
00:57:53,720 --> 00:57:57,560
Speaker 1: that was something we did, uh as with girlfriends, like

1111
00:57:57,920 --> 00:58:01,880
Speaker 1: for many years, not even just college after I probably

1112
00:58:01,880 --> 00:58:04,000
Speaker 1: should go do it more. I mean, I think you're

1113
00:58:04,080 --> 00:58:06,400
Speaker 1: really great at karaoke. So have you thought about buying

1114
00:58:06,440 --> 00:58:08,600
Speaker 1: a karaoke thing for your house to do with like

1115
00:58:08,720 --> 00:58:11,000
Speaker 1: your kids? Oh? Yes, we have one. Okay, well, I

1116
00:58:11,080 --> 00:58:13,200
Speaker 1: mean we haven't really busted it out, but yeah, they

1117
00:58:13,280 --> 00:58:16,280
Speaker 1: got this some microphone thing. It's actually really easy to

1118
00:58:16,360 --> 00:58:19,080
Speaker 1: do these days, especially how computers sync up with TVs

1119
00:58:19,160 --> 00:58:21,960
Speaker 1: and you can have your It's not this dramatic setup

1120
00:58:22,000 --> 00:58:23,560
Speaker 1: that it probably was back in the day when we

1121
00:58:23,640 --> 00:58:28,080
Speaker 1: were kids. But yeah, we probably a year into getting

1122
00:58:28,120 --> 00:58:30,880
Speaker 1: the kids from Haiti. That's something we did to, you know,

1123
00:58:31,520 --> 00:58:34,960
Speaker 1: entertain them, and then I was tired of hearing them

1124
00:58:35,040 --> 00:58:37,960
Speaker 1: scream into the microphone, so that we no longer do.

1125
00:58:39,480 --> 00:58:41,280
Speaker 1: Did you and your husband ever do like a duet

1126
00:58:41,360 --> 00:58:44,160
Speaker 1: on karaoke for these like karaoke nights with the family. No,

1127
00:58:44,520 --> 00:58:48,280
Speaker 1: we've never done a duet performing. He's even shy at home,

1128
00:58:48,440 --> 00:58:51,000
Speaker 1: like he's shy in public in general, but even at

1129
00:58:51,040 --> 00:58:53,439
Speaker 1: home when we have dance parties because we're like dad

1130
00:58:53,720 --> 00:58:56,160
Speaker 1: dance at this and we really have to get after

1131
00:58:56,280 --> 00:58:59,880
Speaker 1: him to just break loose and dance a little. Nobody's watching.

1132
00:58:59,920 --> 00:59:04,280
Speaker 1: It's fine. So no, it's not his thing. It's just

1133
00:59:04,360 --> 00:59:06,160
Speaker 1: not his thing. Well, I definitely think it's your thing.

1134
00:59:06,240 --> 00:59:07,960
Speaker 1: I think you killed it. That's why you were the

1135
00:59:08,080 --> 00:59:10,520
Speaker 1: number one spot, that's why everybody on social media. Yeah,

1136
00:59:10,560 --> 00:59:13,400
Speaker 1: I don't know. Bobby's management sent me a text they

1137
00:59:13,480 --> 00:59:16,040
Speaker 1: were listening Tom Lord shout out. He probably doesn't listen

1138
00:59:16,040 --> 00:59:17,560
Speaker 1: to the post show pre show, but I'm pretty sure.

1139
00:59:17,680 --> 00:59:23,080
Speaker 1: Let me read you. His message said to me, Hey, Amy,

1140
00:59:24,000 --> 00:59:26,720
Speaker 1: hold on now, I'm trying to find the text. He goes, Wow,

1141
00:59:27,360 --> 00:59:30,080
Speaker 1: two thoughts. Number one, we don't really ever need to

1142
00:59:30,120 --> 00:59:33,840
Speaker 1: talk about managing you as a singer. And then number two,

1143
00:59:34,000 --> 00:59:37,360
Speaker 1: he's like, your dedication inspired me to chase some other

1144
00:59:37,440 --> 00:59:39,720
Speaker 1: dreams that I'm not necessarily great at. But he just

1145
00:59:39,880 --> 00:59:43,880
Speaker 1: loved my passion, so I inspired him. There, you inspired

1146
00:59:43,880 --> 00:59:45,360
Speaker 1: a lot of people. You just went at it, and

1147
00:59:45,400 --> 00:59:47,680
Speaker 1: I think that's the only thing we can do about

1148
00:59:47,720 --> 00:59:49,640
Speaker 1: anything in life is just go full at it. And

1149
00:59:49,640 --> 00:59:51,800
Speaker 1: I think that's exactly what you did. Yes, that's why

1150
00:59:51,840 --> 00:59:54,680
Speaker 1: I was owning it with my highlighter as my microphone,

1151
00:59:54,840 --> 00:59:57,240
Speaker 1: two microphones. It was beautiful. Yeah, so you posted it

1152
00:59:57,360 --> 01:00:01,240
Speaker 1: on the Bobby Bones Show Instagram so people can go

1153
01:00:01,320 --> 01:00:03,360
Speaker 1: watch it if they want to. Oh my gosh, you're

1154
01:00:03,360 --> 01:00:05,560
Speaker 1: gonna play it back. You're now and it back here.

1155
01:00:05,760 --> 01:00:09,080
Speaker 1: Oh I'm sorry in advance, but yeah, well thanks for

1156
01:00:09,200 --> 01:00:11,240
Speaker 1: joining us and everybody. You can listen back now to

1157
01:00:11,320 --> 01:00:13,960
Speaker 1: Amy using, but also go watch the video because the highlighter,

1158
01:00:14,400 --> 01:00:16,760
Speaker 1: it was the highlighter for me that really did in

1159
01:00:16,840 --> 01:00:20,400
Speaker 1: the whole performance. So Okay, listen this and watch it back,

1160
01:00:20,480 --> 01:00:23,600
Speaker 1: all right, thanks Morgan. Number one. Ear later in the show,

1161
01:00:23,760 --> 01:00:25,400
Speaker 1: we're talking about the Dixie Chicks and how on this

1162
01:00:25,480 --> 01:00:27,760
Speaker 1: day in nineteen ninety eight they're the Chicks now just

1163
01:00:27,760 --> 01:00:29,640
Speaker 1: want to get any trouble here, But when they put

1164
01:00:29,720 --> 01:00:31,800
Speaker 1: the record out nineteen ninety eight, they were the Dixie Chicks,

1165
01:00:31,960 --> 01:00:34,760
Speaker 1: and Wide Open Spaces was the record their first major label,

1166
01:00:35,080 --> 01:00:37,120
Speaker 1: and it shook all of our lives. We loved it,

1167
01:00:37,680 --> 01:00:40,800
Speaker 1: and Amy mentioned that that was the song She's sang

1168
01:00:40,920 --> 01:00:43,560
Speaker 1: as karaoke, right, yeah, my freshman year in college. So

1169
01:00:43,720 --> 01:00:47,680
Speaker 1: let me hear the Dixie Chicks version, there's your trouble

1170
01:00:49,000 --> 01:00:54,240
Speaker 1: from the album Wide Open Spaces. Wrong, Oh, don't waste it, okay,

1171
01:00:54,240 --> 01:00:56,840
Speaker 1: And that's what I'm warming up. So tell me you

1172
01:00:56,840 --> 01:00:59,080
Speaker 1: would get it. Where would you do karaoke? Oh I'm

1173
01:00:59,120 --> 01:01:00,920
Speaker 1: trying to think of the name, but it was a

1174
01:01:01,040 --> 01:01:05,560
Speaker 1: honky talk bar in college Station, Texas, and my roommates

1175
01:01:05,600 --> 01:01:09,880
Speaker 1: and I would go, and this guy that was also

1176
01:01:10,200 --> 01:01:14,160
Speaker 1: at school with us. I would sometimes hope he was

1177
01:01:14,200 --> 01:01:16,360
Speaker 1: in the crowd because he wasn't with me, it was

1178
01:01:16,400 --> 01:01:18,720
Speaker 1: with somebody else. And I was thinking I was singing

1179
01:01:18,800 --> 01:01:23,120
Speaker 1: there's your trouble to him, you know, because I knew

1180
01:01:23,160 --> 01:01:24,680
Speaker 1: how I felt about him, and I didn't think she

1181
01:01:24,840 --> 01:01:27,480
Speaker 1: felt that way about him. The song was just so perfect,

1182
01:01:28,360 --> 01:01:31,120
Speaker 1: so I would sing it at karaoke. He was never there,

1183
01:01:31,160 --> 01:01:33,160
Speaker 1: I don't think. Do you want to look at Mike

1184
01:01:33,240 --> 01:01:37,480
Speaker 1: d and imagine that's him? No? I mean, I'm just

1185
01:01:37,560 --> 01:01:41,520
Speaker 1: gonna face and I have my microphone. You have a

1186
01:01:41,600 --> 01:01:44,520
Speaker 1: microphone in front of you, Okay, a real one. Amy

1187
01:01:44,560 --> 01:01:46,280
Speaker 1: has a bottle as a microphone. Now you have you

1188
01:01:46,400 --> 01:01:48,360
Speaker 1: literally have a microphone in front of you. Okay, okay,

1189
01:01:48,520 --> 01:01:51,120
Speaker 1: all right, are we ready to it? Okay? Here's Amy doing?

1190
01:01:51,280 --> 01:01:57,320
Speaker 1: Hopefully I can hear when to go in? Here? We

1191
01:01:57,400 --> 01:02:05,160
Speaker 1: go here? No, okay, all right? This is where you

1192
01:02:05,280 --> 01:02:08,400
Speaker 1: stand awkfully in front of the crowd. It should have

1193
01:02:08,560 --> 01:02:12,560
Speaker 1: been different, but it wasn't different. Was a same old

1194
01:02:12,720 --> 01:02:16,800
Speaker 1: story and dear John so long. It should have feel

1195
01:02:16,880 --> 01:02:19,400
Speaker 1: like a love. It should have feel like a ring,

1196
01:02:19,680 --> 01:02:23,880
Speaker 1: like a diamond ring choking up a true love. Should

1197
01:02:23,960 --> 01:02:28,840
Speaker 1: have worked out, but it didn't. She should be here now,

1198
01:02:29,240 --> 01:02:33,520
Speaker 1: but she is in. There's your trouble. There's your trouble.

1199
01:02:33,800 --> 01:02:37,680
Speaker 1: You keep see in double with the wrong one and

1200
01:02:37,840 --> 01:02:41,560
Speaker 1: you can't see I love you, you can't see she doesn't,

1201
01:02:41,640 --> 01:02:46,200
Speaker 1: but you just keep a holding on. There's your trouble.

1202
01:02:49,320 --> 01:02:51,560
Speaker 1: Let's go, I need some more. Okay, here we go.

1203
01:02:53,600 --> 01:02:57,760
Speaker 1: So now you're thinking about, oh you're missing, how deep

1204
01:02:57,880 --> 01:03:01,720
Speaker 1: you're sinking round and brown and dragging down? Why don't

1205
01:03:01,760 --> 01:03:04,120
Speaker 1: you cash in your chips? Why don't you call it

1206
01:03:04,360 --> 01:03:07,320
Speaker 1: a loss? Not such a big loss? Chucked it up

1207
01:03:07,360 --> 01:03:11,800
Speaker 1: for better look good, have been true love, but it wasn't.

1208
01:03:12,760 --> 01:03:17,400
Speaker 1: It should all add up, but it doesn't. Guys, you trouble,

1209
01:03:17,760 --> 01:03:23,040
Speaker 1: there's trouble. Keep seeing double with the chrome one and

1210
01:03:23,200 --> 01:03:26,920
Speaker 1: you can't see I love you. You can't see she doesn't,

1211
01:03:27,000 --> 01:03:34,760
Speaker 1: but you just keep beholding on. There's church Queen Amy,

1212
01:03:35,680 --> 01:03:39,600
Speaker 1: So yeah, I would awkward leaving that though you can

1213
01:03:39,600 --> 01:03:41,920
Speaker 1: definitely feel you getting warm the second verse though she's

1214
01:03:41,920 --> 01:03:44,720
Speaker 1: tarting to feel herself a little bit. Yeah. Perfect scenario

1215
01:03:44,880 --> 01:03:46,200
Speaker 1: is he doesn't hear you do the first verse, but

1216
01:03:46,320 --> 01:03:49,360
Speaker 1: walks in the room in the middle of the second, right, Yeah,

1217
01:03:49,520 --> 01:03:53,120
Speaker 1: and somehow he would like magically know oh wow, yeah,

1218
01:03:53,720 --> 01:03:57,080
Speaker 1: that's who I need to be with her, And you

1219
01:03:57,080 --> 01:03:58,880
Speaker 1: guys don't know this is that guy. Now Amy's husband.

1220
01:03:59,000 --> 01:04:06,320
Speaker 1: Oh really, no, is it George Strait's son. I never

1221
01:04:06,440 --> 01:04:08,560
Speaker 1: dated him, but I know he was my neighbor, but

1222
01:04:10,320 --> 01:04:13,840
Speaker 1: rush on him? No, no, he did no, I mean

1223
01:04:14,080 --> 01:04:16,000
Speaker 1: he was George Traite's sons. We were all kind of

1224
01:04:16,080 --> 01:04:19,240
Speaker 1: like what in the world. And he lived like see

1225
01:04:19,280 --> 01:04:21,480
Speaker 1: him all like parking his car and he lived nearby

1226
01:04:22,120 --> 01:04:24,560
Speaker 1: his car's truck. He had a huge truck. It see

1227
01:04:24,600 --> 01:04:27,840
Speaker 1: him smiling, and so we would like leaping keys at

1228
01:04:27,880 --> 01:04:32,520
Speaker 1: his doorstep. It was no big deal. It's the best

1229
01:04:32,680 --> 01:04:37,320
Speaker 1: bits of the week with Morgan. Number two. Well, that's

1230
01:04:37,360 --> 01:04:39,760
Speaker 1: a rap for this week's show. I really appreciate y'all

1231
01:04:39,800 --> 01:04:41,840
Speaker 1: taking the time to hang out with me listening back

1232
01:04:41,880 --> 01:04:44,640
Speaker 1: to these segments and here from Amy and Lunchbox on

1233
01:04:44,760 --> 01:04:47,160
Speaker 1: some of their big moments from the week. Make sure

1234
01:04:47,200 --> 01:04:49,640
Speaker 1: you follow the show on Twitter and Instagram and like

1235
01:04:49,800 --> 01:04:52,520
Speaker 1: us on Facebook. It's all at Bobby Bones Show. You

1236
01:04:52,600 --> 01:04:55,640
Speaker 1: can relive all the great moments in video form. Yes,

1237
01:04:55,760 --> 01:04:58,560
Speaker 1: there's a video of pretty much everything. Plus you can

1238
01:04:58,640 --> 01:05:02,680
Speaker 1: follow me on everything Instagram, Twitter, Facebook at web girl Morgan.

1239
01:05:02,760 --> 01:05:08,440
Speaker 1: I've been tiktoking a lot lately. Bye sees The Bobby

1240
01:05:08,600 --> 01:05:09,440
Speaker 1: By Show.