1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh, I see you? Why why? And look 2 00:00:04,840 --> 00:00:11,639 Speaker 1: over there? How is that culture? Yes? Goodness, let's ding dong, 3 00:00:12,160 --> 00:00:15,600 Speaker 1: let's culture's just calling. It's like I was giving you 4 00:00:15,640 --> 00:00:19,279 Speaker 1: a little hug with the opening words of the podcast. 5 00:00:19,320 --> 00:00:21,279 Speaker 1: I was trying to give you good energy with that. 6 00:00:21,480 --> 00:00:25,320 Speaker 1: I felt the direction, the hand off, the transfer, and 7 00:00:25,800 --> 00:00:28,200 Speaker 1: the warm tickle. You are in the mood to give 8 00:00:28,240 --> 00:00:30,720 Speaker 1: me a tickle. You have been a very sentimental girl lately. 9 00:00:30,960 --> 00:00:35,760 Speaker 1: Frosty girl, frosty girl, friendly girl. Um, well, guess what 10 00:00:36,080 --> 00:00:39,200 Speaker 1: readers Bone and night Sidebar today and had a long 11 00:00:39,280 --> 00:00:44,720 Speaker 1: conversation just as girls, just as girls. No no audio rolling. 12 00:00:44,960 --> 00:00:47,839 Speaker 1: It was just us talking, catching up, and we have 13 00:00:48,000 --> 00:00:51,040 Speaker 1: to make time for that because, honestly, I think the 14 00:00:51,120 --> 00:00:52,879 Speaker 1: last five or six times I had talked to you 15 00:00:52,960 --> 00:00:55,280 Speaker 1: before that was all on the pot and I need 16 00:00:55,320 --> 00:00:58,640 Speaker 1: my moment with my sister. You need that because otherwise 17 00:00:58,720 --> 00:01:01,560 Speaker 1: you're you're going to get locked into the podcast tone 18 00:01:01,600 --> 00:01:04,800 Speaker 1: when you're talking to your sister forever and then, God, 19 00:01:04,920 --> 00:01:07,200 Speaker 1: doesn't that sound just embarrassing? It's like, who does this? 20 00:01:07,360 --> 00:01:10,760 Speaker 1: It's like, you know, I think Bob Barker, this is 21 00:01:10,760 --> 00:01:13,880 Speaker 1: a terrible example. But before he passed just kind of 22 00:01:14,080 --> 00:01:16,160 Speaker 1: was yelling at everybody. He ever said, I'm yelling at 23 00:01:16,200 --> 00:01:19,280 Speaker 1: his children, his family. I'm sure, I'm just I'm making 24 00:01:19,280 --> 00:01:21,199 Speaker 1: a story up. But it's like, you know, you get 25 00:01:21,319 --> 00:01:24,800 Speaker 1: you get sort of sealed into a certain frequency of voice. 26 00:01:24,840 --> 00:01:26,800 Speaker 1: I think if you talk, if you talk too much 27 00:01:26,840 --> 00:01:29,520 Speaker 1: in that And that's why I ant to step away 28 00:01:29,560 --> 00:01:32,039 Speaker 1: with just my sister and I and say, hey, hey, 29 00:01:32,080 --> 00:01:36,080 Speaker 1: it's hey, this is my real voice. You know what 30 00:01:36,120 --> 00:01:40,360 Speaker 1: I've noticed is my your your your tone of voice 31 00:01:40,400 --> 00:01:43,040 Speaker 1: has remained mostly the same over the course of the 32 00:01:43,120 --> 00:01:45,440 Speaker 1: years of this podcast, and mine has gotten deeper. And 33 00:01:45,480 --> 00:01:48,400 Speaker 1: I think there's a clear reason. Go ahead and talk 34 00:01:48,440 --> 00:01:54,360 Speaker 1: about it. Well, it's cigarettes, I believe, and look deepened. 35 00:01:54,640 --> 00:01:57,240 Speaker 1: You have become deeper. I don't want to go any deeper. 36 00:01:57,280 --> 00:01:59,800 Speaker 1: I want to be able to remain a baritone and 37 00:02:00,560 --> 00:02:04,960 Speaker 1: not become a full base like Adnamon's all well, truly 38 00:02:05,120 --> 00:02:08,440 Speaker 1: the hardest thing to become. As your progresses as a 39 00:02:08,520 --> 00:02:11,519 Speaker 1: base and to see you lose your ones. I would 40 00:02:11,560 --> 00:02:16,000 Speaker 1: describe your range as I would say, you're up there 41 00:02:16,040 --> 00:02:20,320 Speaker 1: with with those tenors that can also call themselves too. 42 00:02:20,960 --> 00:02:23,280 Speaker 1: I was not a tenor in high school choir, but 43 00:02:23,520 --> 00:02:29,960 Speaker 1: thank you, and I'll stay quiet vibes. Sometimes sometimes you 44 00:02:30,000 --> 00:02:33,480 Speaker 1: would launch notes that I would be like, excuse me, miss, 45 00:02:33,840 --> 00:02:37,919 Speaker 1: I tell you from across the room unfortunately about a 46 00:02:38,000 --> 00:02:43,880 Speaker 1: Chris Brown song, and I'm sorry, Hey, no, we're not 47 00:02:43,960 --> 00:02:46,280 Speaker 1: We're not doing that today. I'm just not giving Chris 48 00:02:46,320 --> 00:02:52,160 Speaker 1: Brown any praise. Not on tonight. No, not on tonight. 49 00:02:52,360 --> 00:02:57,040 Speaker 1: I resinnd I retract, resind, retract. I you have the range, 50 00:02:57,360 --> 00:03:01,640 Speaker 1: and I wouldn't hate to see nicotine take that. You know, 51 00:03:02,080 --> 00:03:06,160 Speaker 1: I feel the actual beginnings of the wien Off for 52 00:03:06,160 --> 00:03:09,239 Speaker 1: for good. I just I have to reframe my whole 53 00:03:09,280 --> 00:03:13,240 Speaker 1: relationship with it, which is to actually feel, to preemptively 54 00:03:13,240 --> 00:03:15,799 Speaker 1: feel nauseous at the thought of wanting to smoke a cigarette. 55 00:03:15,840 --> 00:03:18,200 Speaker 1: That's what needs to happen. But it's actually it's good 56 00:03:18,240 --> 00:03:21,400 Speaker 1: because I'm replacing all of my pacifiers, my addictions with 57 00:03:21,440 --> 00:03:24,880 Speaker 1: other things like the New York Times crossword puzzle. I've 58 00:03:24,919 --> 00:03:28,280 Speaker 1: heard tell I've heard that it is quite the thriller, 59 00:03:28,440 --> 00:03:33,000 Speaker 1: quite the weekly thriller. It's a beautiful, beautiful, you know, 60 00:03:33,000 --> 00:03:36,080 Speaker 1: it's like a fossil you excavate every day. He does 61 00:03:36,160 --> 00:03:39,560 Speaker 1: stuff the dirt, find yourself a bone. I get so 62 00:03:39,720 --> 00:03:42,320 Speaker 1: frustrated when I try to play them. They really are 63 00:03:42,360 --> 00:03:44,200 Speaker 1: a skill you have to develop, because it's not even 64 00:03:44,240 --> 00:03:47,080 Speaker 1: about like, oh, what's my vocabulary, what are my references? 65 00:03:47,200 --> 00:03:50,600 Speaker 1: Just everybody. If you feel this way. If you feel 66 00:03:50,600 --> 00:03:53,240 Speaker 1: this way, download a New York Times app, the Crossword 67 00:03:53,280 --> 00:03:57,280 Speaker 1: Puzzle app. Purchase if you have the money, a Monday pack. 68 00:03:58,200 --> 00:04:00,440 Speaker 1: Start off on the Mondays, you do your easy days, 69 00:04:00,760 --> 00:04:02,880 Speaker 1: and then you you build your skill set from there. 70 00:04:03,280 --> 00:04:06,360 Speaker 1: And today, today, honey, I completed the Sunday one. I 71 00:04:06,440 --> 00:04:09,480 Speaker 1: had no doubt in my mind that once you said 72 00:04:09,480 --> 00:04:11,640 Speaker 1: you were going to get involved in the New York 73 00:04:11,640 --> 00:04:14,560 Speaker 1: Times Crossward puzzles, that you would thrive in that space. 74 00:04:14,880 --> 00:04:16,800 Speaker 1: There was no doubt in my mind. I was like, 75 00:04:16,960 --> 00:04:22,480 Speaker 1: he is going to slay those puzzles down. Can I 76 00:04:22,480 --> 00:04:25,040 Speaker 1: tell you I never felt in the doubt from you. 77 00:04:25,200 --> 00:04:28,640 Speaker 1: I always felt your support and I always cherished it. 78 00:04:28,839 --> 00:04:31,880 Speaker 1: I never took it for granted. That was all you 79 00:04:31,920 --> 00:04:33,679 Speaker 1: were going to get in your p L box, because 80 00:04:33,680 --> 00:04:35,599 Speaker 1: that was all that I was sending. You were gonna 81 00:04:35,640 --> 00:04:38,240 Speaker 1: you were gonna put in any other shenanigans. You were 82 00:04:38,240 --> 00:04:41,600 Speaker 1: going to mess with the postage. No, thank you, Thank you, queen, 83 00:04:41,760 --> 00:04:45,159 Speaker 1: no problem. I see. I respect that. Listen, before we 84 00:04:45,200 --> 00:04:48,680 Speaker 1: get into today's topic, I did write down something and 85 00:04:48,800 --> 00:04:51,920 Speaker 1: circle it what did you say? Which I think probably 86 00:04:51,960 --> 00:04:54,240 Speaker 1: means I wanted to share it with my sister. I 87 00:04:54,279 --> 00:04:57,240 Speaker 1: came up with while I was making myself today's cocktail, 88 00:04:57,760 --> 00:05:00,680 Speaker 1: which is just, you know, a Hendrick sent Tonic with 89 00:05:00,720 --> 00:05:04,560 Speaker 1: a splash of cram. I thought to myself, Oh, my goodness, 90 00:05:05,360 --> 00:05:10,920 Speaker 1: splash a cram. Is that a thing? Ms? Splash cram? Oh? 91 00:05:11,200 --> 00:05:14,640 Speaker 1: As a as a drag artist? Yes? Please tell me. 92 00:05:14,760 --> 00:05:16,960 Speaker 1: I don't think it's a drag artist. I don't think 93 00:05:16,960 --> 00:05:18,560 Speaker 1: it's any kind of performer. I don't think it's a 94 00:05:18,600 --> 00:05:24,000 Speaker 1: stage I know, but I think it's splash a song. No, 95 00:05:24,360 --> 00:05:26,880 Speaker 1: I think it's a song. You think splash of cran 96 00:05:27,120 --> 00:05:30,640 Speaker 1: is a song? If you say it like this, splash 97 00:05:30,720 --> 00:05:33,560 Speaker 1: a cran, you're not telling me that's not an OSCAR 98 00:05:33,680 --> 00:05:40,240 Speaker 1: nominated actress. I think a song called Hendricks parentheses splash 99 00:05:40,279 --> 00:05:46,480 Speaker 1: a cran? Oh? You think I should write the hen Yes? 100 00:05:46,640 --> 00:05:49,720 Speaker 1: So you you think, wow, this is huge. I'm gonna 101 00:05:49,720 --> 00:05:51,640 Speaker 1: have to think on that. You have the gift. You 102 00:05:51,680 --> 00:05:53,760 Speaker 1: have the gift on that one. Um, we're gonna have 103 00:05:53,839 --> 00:05:57,040 Speaker 1: to ruminate speaking of splash, a different oh splash, a 104 00:05:57,120 --> 00:06:02,039 Speaker 1: different splash, a different splash of different liquids. Today is 105 00:06:02,080 --> 00:06:04,760 Speaker 1: a special day. We have a big day, Big day. 106 00:06:04,800 --> 00:06:07,200 Speaker 1: This is day nine of of our twelve days of culture. 107 00:06:07,440 --> 00:06:10,440 Speaker 1: And my sister Matt Rogers picked this one out. I 108 00:06:10,480 --> 00:06:12,320 Speaker 1: think it's a good one. I think it's a good one. 109 00:06:12,480 --> 00:06:16,039 Speaker 1: Once I remembered this as a cultural phenomenon, I knew 110 00:06:16,240 --> 00:06:18,320 Speaker 1: it was on the list and built by the list. 111 00:06:18,360 --> 00:06:21,240 Speaker 1: I mean it was one of the twelve. Careful, there 112 00:06:21,360 --> 00:06:26,880 Speaker 1: is crossover, no just god potential this day. Let's discuss 113 00:06:26,960 --> 00:06:42,560 Speaker 1: it on the days we're keeping on. It was October nine, 114 00:06:45,160 --> 00:06:50,840 Speaker 1: the first Got milk ad drops it does the body good. 115 00:06:51,320 --> 00:06:58,440 Speaker 1: Milk culture was nineties culture. Yes, milk ruled in the 116 00:06:58,520 --> 00:07:01,080 Speaker 1: nine Days and if you were loactose, intolerant, or if 117 00:07:01,120 --> 00:07:03,280 Speaker 1: you did not drink dairy, if you were a vegan, 118 00:07:03,520 --> 00:07:06,440 Speaker 1: if you had any restriction that precluded you from drinking milk, 119 00:07:06,480 --> 00:07:08,400 Speaker 1: I'm sorry, but that was the culture you had to 120 00:07:08,440 --> 00:07:10,560 Speaker 1: live in. You were not seen, you were not you 121 00:07:10,560 --> 00:07:14,120 Speaker 1: were not recognized by big culture because big culture at 122 00:07:14,120 --> 00:07:20,960 Speaker 1: the time was Got Milk and every a list girl 123 00:07:21,760 --> 00:07:25,240 Speaker 1: was up. And I got milk ad. And I'm telling you, 124 00:07:25,280 --> 00:07:27,520 Speaker 1: when you actually look at the list of people who 125 00:07:27,560 --> 00:07:32,120 Speaker 1: did got milk adds Beyonce and Tina Knowles, Serena Williams 126 00:07:32,320 --> 00:07:37,640 Speaker 1: and Venus Williams, We've got Frankie Munez, baby Shaquille O'Neal, 127 00:07:37,960 --> 00:07:42,679 Speaker 1: oh Ms, J T T was giving you a gotten 128 00:07:42,680 --> 00:07:48,680 Speaker 1: milk ad, the clooney, everyone acrossed every demographic. Bobby Flay, 129 00:07:49,240 --> 00:07:51,200 Speaker 1: I'm just I'm just looking at some of these people 130 00:07:53,480 --> 00:07:59,480 Speaker 1: flung pas. Yes, this is this was a time in 131 00:07:59,520 --> 00:08:02,440 Speaker 1: life when parents were telling their children because they were 132 00:08:02,440 --> 00:08:04,960 Speaker 1: being told by I guess they thought doctors, but really 133 00:08:05,000 --> 00:08:07,840 Speaker 1: maybe it was just an advertising company that you needed 134 00:08:07,880 --> 00:08:12,360 Speaker 1: to drink two full glasses of milk per day in 135 00:08:12,480 --> 00:08:15,640 Speaker 1: order to maintain healthy bones. Because the disease that was 136 00:08:15,840 --> 00:08:18,600 Speaker 1: very real and on everyone's lips in the nineties was 137 00:08:18,880 --> 00:08:24,119 Speaker 1: say it with me, the big oh osteos. People thought 138 00:08:24,200 --> 00:08:28,720 Speaker 1: this was something that was a real up on you. Yeah, sorry, 139 00:08:28,760 --> 00:08:32,719 Speaker 1: but pandemic, which I don't like to say. You went there, 140 00:08:32,720 --> 00:08:35,360 Speaker 1: a girl, you really went there. But look, I mean, 141 00:08:36,040 --> 00:08:39,160 Speaker 1: did they succeed I don't do you think do you 142 00:08:39,200 --> 00:08:43,520 Speaker 1: think they succeeded in eliminating the scourge that is osteoporosis. 143 00:08:43,920 --> 00:08:48,040 Speaker 1: I think it still exists today unfortunately so, but I mean, 144 00:08:48,440 --> 00:08:51,520 Speaker 1: I don't doubt that the Got Milk campaign was huge 145 00:08:51,640 --> 00:08:55,880 Speaker 1: and was culture defining. I'm just thinking, were they successful 146 00:08:55,880 --> 00:08:58,959 Speaker 1: in their mission of their supposed admission of getting rid 147 00:08:58,960 --> 00:09:01,800 Speaker 1: of of osteo perosis or do they just want to 148 00:09:01,840 --> 00:09:05,880 Speaker 1: get You know, bon Jovi next to Alicia Silverstone in 149 00:09:05,920 --> 00:09:08,680 Speaker 1: a in a magazine spread. Is that something that happened. No, 150 00:09:08,800 --> 00:09:12,080 Speaker 1: I'm just making well and that's the okay. So once 151 00:09:12,120 --> 00:09:14,120 Speaker 1: you said that, once you contentered up that image, I 152 00:09:14,200 --> 00:09:17,280 Speaker 1: was like, if that picture exists, I must see it. 153 00:09:18,480 --> 00:09:21,599 Speaker 1: I love the idea of bon Jovi and Alicia Silverstone 154 00:09:21,840 --> 00:09:25,680 Speaker 1: on like a ranch with their Got Milk stashes. But anyway, 155 00:09:25,880 --> 00:09:30,000 Speaker 1: I'm no David Lachapel, just an instinct. If someone photographer 156 00:09:30,000 --> 00:09:31,800 Speaker 1: out there wants to make it happen, I can only 157 00:09:31,840 --> 00:09:36,760 Speaker 1: sit back and watch. But yes, this I believe made 158 00:09:36,800 --> 00:09:42,040 Speaker 1: people calcium aware. And yeah, osteoporosis is not going to 159 00:09:42,080 --> 00:09:45,680 Speaker 1: be something we cure. It's a and this is important 160 00:09:45,720 --> 00:09:47,720 Speaker 1: for people to know. It's a thing that can happen 161 00:09:47,760 --> 00:09:53,719 Speaker 1: to anyone. Anyone out there this is. This is incurable, 162 00:09:54,160 --> 00:09:57,880 Speaker 1: so no advertising campaign could cure it. But I do 163 00:09:58,000 --> 00:10:01,520 Speaker 1: believe it was positive for the calcium culture, which was 164 00:10:01,559 --> 00:10:06,319 Speaker 1: big culture. I think that girls were drinking milk. I 165 00:10:06,360 --> 00:10:09,880 Speaker 1: was drinking milk. I am the type of girl to 166 00:10:09,960 --> 00:10:13,000 Speaker 1: go to the kitchen and pour myself a huge glass 167 00:10:13,280 --> 00:10:16,720 Speaker 1: of two percent. To this day, Mama, if it's in 168 00:10:16,760 --> 00:10:20,600 Speaker 1: the house, I like milk. I think because of milk culture, 169 00:10:20,960 --> 00:10:23,360 Speaker 1: which was they got milk outs. Were you a milk drinker? 170 00:10:23,679 --> 00:10:27,360 Speaker 1: I loved milk. I don't know when the drop off 171 00:10:27,679 --> 00:10:30,760 Speaker 1: was for me when I kind of cut it out. 172 00:10:31,400 --> 00:10:33,160 Speaker 1: Might have been a few years ago when I tried 173 00:10:33,280 --> 00:10:35,320 Speaker 1: when I tried whole thirty. But no, it wasn't even 174 00:10:35,320 --> 00:10:38,400 Speaker 1: like I had milk all the time in college. Like 175 00:10:38,480 --> 00:10:40,760 Speaker 1: in college, like I would go grocery shopping and I 176 00:10:40,760 --> 00:10:44,960 Speaker 1: would buy I would The big spend was on orange juice. 177 00:10:45,520 --> 00:10:49,200 Speaker 1: That was the big indulgence, huge, huge college drink. I 178 00:10:49,280 --> 00:10:51,920 Speaker 1: was about to say, yeah, who drinks milk in college? 179 00:10:51,960 --> 00:10:54,040 Speaker 1: And then I remember, did you ever come to my 180 00:10:54,080 --> 00:10:56,120 Speaker 1: dorm room when I had that little fridge and I 181 00:10:56,160 --> 00:11:01,240 Speaker 1: had it chock full of you? Who's no? Oh my god, 182 00:11:01,280 --> 00:11:04,719 Speaker 1: A dark age, dark history. Maybe that's before we were 183 00:11:04,760 --> 00:11:07,040 Speaker 1: like close friends. It was like freshman year. I had 184 00:11:07,080 --> 00:11:10,520 Speaker 1: a little mini fridge and it was shocked. I'm telling you. 185 00:11:10,559 --> 00:11:14,040 Speaker 1: There were thirty four boxes of you who were there? 186 00:11:14,520 --> 00:11:19,480 Speaker 1: It was crazy, Bowen Yang, it was crazy. Talk about this. 187 00:11:19,600 --> 00:11:21,840 Speaker 1: What is the appeal of you? Who's to you? I'm 188 00:11:21,920 --> 00:11:25,880 Speaker 1: genuinely curious. I I enjoy you? Who's I enjoy you? Who's? 189 00:11:26,160 --> 00:11:29,400 Speaker 1: But for you to have them not only stopped, but 190 00:11:29,520 --> 00:11:34,400 Speaker 1: you had them stop piled, which is a different concept. Baby. 191 00:11:34,679 --> 00:11:39,679 Speaker 1: It was clearly I'm a I'm a child inside energy. 192 00:11:39,840 --> 00:11:42,559 Speaker 1: It was clearly let me keep a little bit of home. 193 00:11:43,040 --> 00:11:46,559 Speaker 1: I mean, but to imagine an eighteen year old college 194 00:11:46,559 --> 00:11:48,600 Speaker 1: boy with that much to you who? I just want 195 00:11:48,600 --> 00:11:50,680 Speaker 1: to go back and shake that girl and be like, 196 00:11:51,000 --> 00:11:54,319 Speaker 1: you can't be letting people see you have a mini 197 00:11:54,400 --> 00:11:57,400 Speaker 1: fridge full of you who? This is not a good look. 198 00:11:57,400 --> 00:12:00,600 Speaker 1: But you couldn't have told me. I'm and everyone that 199 00:12:00,679 --> 00:12:05,439 Speaker 1: came in and out very social place. The dorms very 200 00:12:05,480 --> 00:12:08,840 Speaker 1: social place. But that is all thanks to the got 201 00:12:08,840 --> 00:12:11,839 Speaker 1: Milk campaign. And this is what I'm saying is that 202 00:12:12,000 --> 00:12:15,400 Speaker 1: they got Milk camp campaign and milk culture as a result, 203 00:12:16,000 --> 00:12:22,200 Speaker 1: had had its tentacles in kids, impressionable kids. Let's let's 204 00:12:22,240 --> 00:12:26,319 Speaker 1: say something right now. Milk culture is different from calcium culture. 205 00:12:26,480 --> 00:12:30,880 Speaker 1: Here's why milk culture before got milk was well milk. 206 00:12:31,040 --> 00:12:33,360 Speaker 1: Calcium culture is a part of milk culture. But milk 207 00:12:33,400 --> 00:12:37,000 Speaker 1: culture before got milk was you had a little crate 208 00:12:37,040 --> 00:12:39,960 Speaker 1: outside of your door. It's the sixties. You live in 209 00:12:40,000 --> 00:12:43,120 Speaker 1: the suburbs. It's post you're living in a in an 210 00:12:43,160 --> 00:12:49,920 Speaker 1: economic boom. You're enjoying American success after the Big War. 211 00:12:50,440 --> 00:12:54,800 Speaker 1: The American image of milk. The milkman would come up 212 00:12:54,800 --> 00:13:00,640 Speaker 1: to you. He would be dressed like a gorgeous gorgeous 213 00:13:00,960 --> 00:13:04,600 Speaker 1: pushing you. It's king, be dressed like a milk king 214 00:13:04,880 --> 00:13:09,319 Speaker 1: king and a hat an apron maybe oh mama. And 215 00:13:09,480 --> 00:13:13,600 Speaker 1: you know a popular narrative around the milkman, what is 216 00:13:14,040 --> 00:13:18,960 Speaker 1: she'd been screwing the She'd screwing the milkman. This is 217 00:13:19,000 --> 00:13:21,800 Speaker 1: someone who was so impeccably dressed and showed up on 218 00:13:21,920 --> 00:13:27,880 Speaker 1: time everyday, dependable king that he would take your wife, fucker, 219 00:13:28,200 --> 00:13:32,000 Speaker 1: he would suck her and she would love every minute 220 00:13:32,040 --> 00:13:34,360 Speaker 1: of it, and then she would run your knife. If 221 00:13:34,360 --> 00:13:37,559 Speaker 1: you were to ever confront her about screwing the milkman. 222 00:13:37,840 --> 00:13:41,000 Speaker 1: She would fucking kill you. Tell him how he would 223 00:13:41,080 --> 00:13:48,839 Speaker 1: run into your knife ten times? Ten times? Now, Okay, 224 00:13:48,840 --> 00:13:53,640 Speaker 1: so that's that pain point. No culture is someone drops 225 00:13:53,679 --> 00:13:59,600 Speaker 1: it off and these perfectly sized Carafts bottles whatever a little. 226 00:13:59,640 --> 00:14:05,160 Speaker 1: I mean, they couldn't be more just attractively shaped, these bottles. Yes, 227 00:14:06,360 --> 00:14:09,920 Speaker 1: make me fly. Calcium culture is got milk Hayte and 228 00:14:10,000 --> 00:14:14,680 Speaker 1: Penny Tire holding an exploding carton of milk in a 229 00:14:14,800 --> 00:14:19,920 Speaker 1: red gown. Hello, Hello, iconography. Down, Shall we look through 230 00:14:20,000 --> 00:14:22,280 Speaker 1: some got milk ads and just sort of explained to 231 00:14:22,320 --> 00:14:25,120 Speaker 1: the readers what's happening? Yes, And I just want to say, 232 00:14:25,160 --> 00:14:28,960 Speaker 1: while you're looking some up, what's remarkable about got milk ads? Are? 233 00:14:29,120 --> 00:14:31,880 Speaker 1: They were the sort of fresh air with Terry Gross 234 00:14:32,240 --> 00:14:35,800 Speaker 1: interviews of the time. Every celebrity wanted one secretly or 235 00:14:36,240 --> 00:14:38,120 Speaker 1: secretly they were like, I want to get to a 236 00:14:38,120 --> 00:14:40,160 Speaker 1: place to put in my career so that I can 237 00:14:40,240 --> 00:14:42,800 Speaker 1: one day be approached to do a Got milk ad. 238 00:14:43,040 --> 00:14:46,640 Speaker 1: I mean, I can already tell you there's one here. 239 00:14:46,760 --> 00:14:49,080 Speaker 1: And this is not a celebrity who just gives himself 240 00:14:49,120 --> 00:14:53,280 Speaker 1: over to these types of campaigns. Harrison Ford is in 241 00:14:53,520 --> 00:14:59,200 Speaker 1: this got milk ad looking like the King Daddy, just 242 00:14:59,320 --> 00:15:03,760 Speaker 1: like olive green T shirt. I'm gonna guess I'm color blind. 243 00:15:03,840 --> 00:15:06,880 Speaker 1: Remember this. Maybe it's it's like a dark green tucked 244 00:15:06,920 --> 00:15:11,200 Speaker 1: into these like dark jeans with this dad belt. He's 245 00:15:11,200 --> 00:15:13,880 Speaker 1: got his hand in his pockets. They watch is expensive. 246 00:15:14,160 --> 00:15:18,680 Speaker 1: He's got a Caesar like a faded like blonde into 247 00:15:18,680 --> 00:15:22,520 Speaker 1: grace Caesar happening. And he's got a milk mustache. And 248 00:15:23,440 --> 00:15:26,960 Speaker 1: below it it says below him the following words, it 249 00:15:27,000 --> 00:15:30,960 Speaker 1: says action. Nine out of ten Americans aren't getting essential 250 00:15:31,040 --> 00:15:34,440 Speaker 1: nutrients we need. That's a serious gap. But just one 251 00:15:34,480 --> 00:15:36,960 Speaker 1: more serving of nutrient rich milk a day for you 252 00:15:37,000 --> 00:15:39,920 Speaker 1: and your family can help fill it. So here's the direction. 253 00:15:40,320 --> 00:15:45,480 Speaker 1: Pour one more got milk, And honestly, I'm sucking dine 254 00:15:45,560 --> 00:15:54,960 Speaker 1: milk after I see you and read that one because 255 00:15:55,000 --> 00:15:59,200 Speaker 1: it may be Remember how much I fucking love milk. Okay, 256 00:15:59,200 --> 00:16:01,320 Speaker 1: what do you have to say day to people who 257 00:16:01,960 --> 00:16:05,520 Speaker 1: can't drink it for whatever reason. I'm a big proponent 258 00:16:05,560 --> 00:16:09,480 Speaker 1: of almond milk. Now, all the different types of new 259 00:16:09,520 --> 00:16:12,240 Speaker 1: milk they're coming up with, the nut milks, I love it. 260 00:16:12,640 --> 00:16:15,360 Speaker 1: I don't mean to I don't mean to keep putting 261 00:16:15,800 --> 00:16:19,280 Speaker 1: impediments in front of you, questionably bad for the environment. 262 00:16:19,360 --> 00:16:24,359 Speaker 1: Some of these, seriously, there's just a lot of water involved. 263 00:16:24,520 --> 00:16:28,000 Speaker 1: It's it's there's just a lot of environmental strain it 264 00:16:28,080 --> 00:16:33,000 Speaker 1: puts on the world. I ask you a question. I 265 00:16:33,160 --> 00:16:35,320 Speaker 1: have to ask you a question. Then, as the person's 266 00:16:35,320 --> 00:16:38,280 Speaker 1: going to provide this fodder, please, how do you take 267 00:16:38,320 --> 00:16:42,720 Speaker 1: your coffee? Black? Black honey? Every single time. I have 268 00:16:42,800 --> 00:16:45,960 Speaker 1: not had any kind of dairy or dairy alternative in 269 00:16:46,000 --> 00:16:50,840 Speaker 1: my coffee since twenty seventeen. And you better believe that 270 00:16:50,880 --> 00:16:55,160 Speaker 1: one any any person who served me coffee in the 271 00:16:55,240 --> 00:16:59,000 Speaker 1: last four years. I'm really racking my brain, and I 272 00:16:59,400 --> 00:17:02,440 Speaker 1: actually can't remember the last time you had something in 273 00:17:02,480 --> 00:17:05,600 Speaker 1: your coffee. Have you seen me? You've seen me many 274 00:17:05,640 --> 00:17:10,200 Speaker 1: a time, I know for a fact, clutching a vegetile 275 00:17:10,359 --> 00:17:13,000 Speaker 1: plastic cup full of ice coffee. And what color was 276 00:17:13,040 --> 00:17:16,280 Speaker 1: that it was? It was black? Don't ever question I'm 277 00:17:16,320 --> 00:17:21,000 Speaker 1: sorry my moral stands on any issue. I will always 278 00:17:21,040 --> 00:17:23,040 Speaker 1: be right. I'm just kidding. I just want to say 279 00:17:23,080 --> 00:17:25,680 Speaker 1: there's never we can really point to this as a 280 00:17:25,760 --> 00:17:30,200 Speaker 1: stark difference between us, because you know me, I am 281 00:17:30,359 --> 00:17:36,880 Speaker 1: a light and sweet. Goddess, I needed to be very 282 00:17:37,000 --> 00:17:39,920 Speaker 1: light and very sweet, to the point where I'm really 283 00:17:39,960 --> 00:17:44,119 Speaker 1: just drinking milky sugar. So do you like Dunkin Donuts 284 00:17:44,200 --> 00:17:47,120 Speaker 1: for that reason? Because I still for Dunking Donuts, but 285 00:17:47,240 --> 00:17:50,040 Speaker 1: I will say they overdo it. I mean, we all 286 00:17:50,119 --> 00:17:53,960 Speaker 1: know we've all ordered an ice coffee at Dunkin Donuts 287 00:17:54,040 --> 00:17:58,320 Speaker 1: and had that just sort of life or death moment 288 00:17:58,720 --> 00:18:02,280 Speaker 1: where you drinking just a huge amount of sugar and 289 00:18:02,320 --> 00:18:05,040 Speaker 1: you say, Okay, I can find out this happens and 290 00:18:05,080 --> 00:18:09,399 Speaker 1: continue on. Shall I choose the smoothest course and just 291 00:18:09,520 --> 00:18:14,080 Speaker 1: go right into diabetic hell or just you know, go 292 00:18:14,119 --> 00:18:16,040 Speaker 1: out there there in the world of coffee shops and 293 00:18:16,080 --> 00:18:18,919 Speaker 1: continue to find your place, because Duncan Donuts is not it. 294 00:18:19,240 --> 00:18:22,159 Speaker 1: The smoothest course is the steady, beating trump co Well, 295 00:18:22,200 --> 00:18:24,320 Speaker 1: I sort of did something interesting with it, I said, 296 00:18:24,359 --> 00:18:26,480 Speaker 1: the smooth this course was to sort of give in 297 00:18:26,520 --> 00:18:30,800 Speaker 1: to this, this corporation of Duncan Donuts because of the fast, 298 00:18:30,840 --> 00:18:34,120 Speaker 1: casual nous of it all. Whereas, for some reason, for me, 299 00:18:34,640 --> 00:18:38,520 Speaker 1: the rocky, more adventurous path is to forge on and 300 00:18:38,960 --> 00:18:45,040 Speaker 1: experience more and more coffee. That's beautiful, that's beautiful, but yes, 301 00:18:45,320 --> 00:18:48,199 Speaker 1: that is a big bone Yang and matt Rogers difference. 302 00:18:48,680 --> 00:18:50,879 Speaker 1: Let's see who else is standing out to you in 303 00:18:50,880 --> 00:18:53,320 Speaker 1: these ads. I mean, I see a really hot one 304 00:18:53,320 --> 00:18:55,760 Speaker 1: of Matthew Fox, but we don't really recognize her anymore. 305 00:18:56,040 --> 00:18:58,320 Speaker 1: Kermit the Frog, I mean, can we just talk for 306 00:18:58,359 --> 00:19:00,960 Speaker 1: a second about Kermit culture. I mean, if Kermit was 307 00:19:01,040 --> 00:19:04,000 Speaker 1: doing it, America was doing it. And that's a rule 308 00:19:04,000 --> 00:19:08,040 Speaker 1: of culture. That's rule culture number forty. If Kermit was 309 00:19:08,119 --> 00:19:12,080 Speaker 1: doing is doing it, America was, America was doing it her. 310 00:19:12,680 --> 00:19:15,440 Speaker 1: I have no words. I truly feel like you don't 311 00:19:15,440 --> 00:19:17,400 Speaker 1: mean to wind down the conversation. I think we still 312 00:19:17,400 --> 00:19:20,600 Speaker 1: have a lot to talk about. But I think that 313 00:19:20,840 --> 00:19:29,080 Speaker 1: you've picked such truly an iconic cultural day. Everyone got 314 00:19:29,200 --> 00:19:32,960 Speaker 1: involved in this movement. Everyone was It was a movement, 315 00:19:33,040 --> 00:19:36,199 Speaker 1: thank you, because it's about the people and what does 316 00:19:36,240 --> 00:19:41,160 Speaker 1: what do every people have? What do every people have? Skeleton? 317 00:19:41,520 --> 00:19:47,640 Speaker 1: What do every people people have a skeleton? Skeleton? What 318 00:19:47,720 --> 00:19:53,120 Speaker 1: do every people have? People have skeleton? And this is 319 00:19:53,520 --> 00:19:58,199 Speaker 1: important to remember as we look at Jonathan Lipniki, you 320 00:19:58,240 --> 00:20:01,240 Speaker 1: know what I mean, Yes, it's im wort to remember reader. 321 00:20:01,280 --> 00:20:05,440 Speaker 1: When we look at Noah Wiley, these nineties only icons reader. 322 00:20:05,680 --> 00:20:09,360 Speaker 1: I want you to this is, this is the thing 323 00:20:09,440 --> 00:20:11,560 Speaker 1: you all have to do today if you want to 324 00:20:11,600 --> 00:20:14,000 Speaker 1: be on this journey with us. I know, we don't. 325 00:20:14,320 --> 00:20:15,960 Speaker 1: I know, we don't sort of you know, call on 326 00:20:16,000 --> 00:20:19,600 Speaker 1: you to do too much in terms of actions, because 327 00:20:19,640 --> 00:20:22,000 Speaker 1: we just want this to be a peaceful listening experience 328 00:20:22,000 --> 00:20:25,560 Speaker 1: for you. But you have to do. What you have 329 00:20:25,680 --> 00:20:30,120 Speaker 1: to do today is google Jonathan Lipniki got milk and 330 00:20:30,160 --> 00:20:35,359 Speaker 1: say the words what do every people have? Bone, a skeleton, 331 00:20:35,440 --> 00:20:37,480 Speaker 1: A shout it out loud. We need for you to 332 00:20:37,480 --> 00:20:41,160 Speaker 1: say it out loud. And if you don't, then precious one, 333 00:20:41,359 --> 00:20:44,800 Speaker 1: you're without, You're without. And let's see that's sort of 334 00:20:44,800 --> 00:20:48,880 Speaker 1: our tailor folklore narrative. That's how we keep stringing together 335 00:20:49,600 --> 00:20:51,639 Speaker 1: because by the end, one thing we wanted to reveal 336 00:20:51,680 --> 00:20:54,800 Speaker 1: on this episode was by the end um you're going 337 00:20:54,880 --> 00:20:57,480 Speaker 1: to find out out of the twelve episodes, like what 338 00:20:57,640 --> 00:21:00,280 Speaker 1: the underlying narrative was. Yeah, and with the aim of 339 00:21:00,440 --> 00:21:03,560 Speaker 1: Ryan Reynolds and Blake Leiley's children are and they're in here, 340 00:21:03,720 --> 00:21:06,200 Speaker 1: and they're in here. Sara Ramires, I'm looking at Sarah 341 00:21:06,240 --> 00:21:08,800 Speaker 1: Ramires right now. I mean I've seen one of Billy 342 00:21:08,920 --> 00:21:13,399 Speaker 1: ray Cyrus back when it wasn't like a joke version 343 00:21:13,400 --> 00:21:17,880 Speaker 1: of Billy ray Cyrus. Sorry to oh, Mario is here 344 00:21:17,880 --> 00:21:21,240 Speaker 1: doing one? Like I mean, they got animated girls oh 345 00:21:21,320 --> 00:21:25,399 Speaker 1: from you know, the very same. By the way, stop everything. 346 00:21:25,920 --> 00:21:31,520 Speaker 1: Speaking of Mario in Universal Studios in Japan, Japan. I 347 00:21:31,560 --> 00:21:36,479 Speaker 1: heard there is footage girl, um the inside of the 348 00:21:36,480 --> 00:21:39,560 Speaker 1: Mario Kart ride, which is done, and the whole Super 349 00:21:39,600 --> 00:21:43,400 Speaker 1: Nintendo World in Universal Studios in Japan is done. It's 350 00:21:43,400 --> 00:21:45,960 Speaker 1: opening this summer, and it's opening this summer. They're going 351 00:21:46,000 --> 00:21:49,200 Speaker 1: to be able to go, Oh my word. The fact 352 00:21:49,200 --> 00:21:51,639 Speaker 1: that there's going to be a ride version of Mario 353 00:21:51,760 --> 00:21:56,399 Speaker 1: Kart is just it is every what I mean, maybe 354 00:21:56,400 --> 00:21:59,640 Speaker 1: we'll have to return to Mario on another DFC another 355 00:21:59,720 --> 00:22:01,680 Speaker 1: df say, we might have to return to Mario. But 356 00:22:01,760 --> 00:22:04,360 Speaker 1: before I just just to sort of put the crime 357 00:22:04,440 --> 00:22:06,800 Speaker 1: out for the reader, and I want to ask you this. 358 00:22:08,000 --> 00:22:10,119 Speaker 1: We are not the kind of people to get dressed 359 00:22:10,240 --> 00:22:12,600 Speaker 1: up for a theme park. That is not to alienate 360 00:22:12,600 --> 00:22:15,639 Speaker 1: our our listeners who do do that. We're not costume girls. 361 00:22:15,760 --> 00:22:18,040 Speaker 1: It's fine, We're just we're not like we're not gay 362 00:22:18,080 --> 00:22:21,720 Speaker 1: Days girls were owners a matching shirt we're not. We're 363 00:22:21,720 --> 00:22:25,480 Speaker 1: not paraphernalia queens. But I think in order to something 364 00:22:25,520 --> 00:22:28,800 Speaker 1: has to. It would be imagine the impact of going 365 00:22:28,920 --> 00:22:34,760 Speaker 1: on that ride dressed as Mario and Luigi. No, Oh, 366 00:22:34,880 --> 00:22:42,360 Speaker 1: Queen Peach Honey in a pink gown, blond wig, crown, turquoise, 367 00:22:42,600 --> 00:22:48,639 Speaker 1: giant turquoise jewel on your chest, white gloves. You know 368 00:22:48,640 --> 00:22:51,320 Speaker 1: what I want for you? What? And this is something 369 00:22:51,400 --> 00:22:54,439 Speaker 1: I would only give to my sister. You should be 370 00:22:54,480 --> 00:23:00,280 Speaker 1: Princess Peach and I'll be Daisy. No, Queen, you're the each, 371 00:23:00,320 --> 00:23:03,080 Speaker 1: I'm the Daisy. I don't know, girl, I think that 372 00:23:03,160 --> 00:23:07,879 Speaker 1: you are truly Peach and I'm more Daisy. I am. 373 00:23:08,080 --> 00:23:11,399 Speaker 1: You know your Peach. It's okay. I see it on 374 00:23:11,440 --> 00:23:14,440 Speaker 1: your face right now. I know I see you sort of. 375 00:23:15,240 --> 00:23:18,639 Speaker 1: And this also, I want this because it's right, but 376 00:23:18,720 --> 00:23:21,960 Speaker 1: I will throw this out. This is all another concept 377 00:23:22,200 --> 00:23:28,879 Speaker 1: twin Rosalina's. Ah. No, if I'm Peach, then you are Rosalina. 378 00:23:30,440 --> 00:23:33,800 Speaker 1: That might be true. You are Rosalina. You have your 379 00:23:34,160 --> 00:23:38,640 Speaker 1: Oh no, you know Davis Rosalina. I think you have. Well. 380 00:23:38,640 --> 00:23:40,920 Speaker 1: First of all, you have to play Super Mario Galaxy 381 00:23:41,000 --> 00:23:44,879 Speaker 1: to really understand this girl's story. Oh my god. Rosalina. 382 00:23:45,160 --> 00:23:48,440 Speaker 1: Rosalina gets like a narrative. She runs the spaceship that 383 00:23:48,560 --> 00:23:52,399 Speaker 1: saves Mario. Okay, I pause, pause pause, First of all, 384 00:23:52,400 --> 00:23:54,960 Speaker 1: Super Mario Galaxy one of the greatest platforms of all time, 385 00:23:55,040 --> 00:23:57,120 Speaker 1: arguably one of the greatest video games of all time, 386 00:23:57,960 --> 00:24:02,760 Speaker 1: largely widely considered the sort of that superlative. Mario is 387 00:24:02,800 --> 00:24:05,800 Speaker 1: on his way to go see Princess Peach. Of course, 388 00:24:05,880 --> 00:24:08,840 Speaker 1: Bowser swoops in, blows up the castle, takes peace. I 389 00:24:08,920 --> 00:24:12,240 Speaker 1: hate him. I hate don't you hate that that one? 390 00:24:12,520 --> 00:24:16,720 Speaker 1: I hate that one. Always ruining the night, always ruining 391 00:24:16,720 --> 00:24:20,600 Speaker 1: the night. But here's here's the twist. Mari is about 392 00:24:20,600 --> 00:24:26,320 Speaker 1: to jump into Bowser's you know, boat flying in, but 393 00:24:26,359 --> 00:24:32,120 Speaker 1: then he goes, guess what I brought? A giant spaceship comes, 394 00:24:33,080 --> 00:24:35,959 Speaker 1: lifts the castle off of the off of the ground, 395 00:24:36,080 --> 00:24:39,160 Speaker 1: and they go off into space. Mario gets dragged up, 396 00:24:39,560 --> 00:24:44,000 Speaker 1: but then she gets thrown out into into full emptiness. 397 00:24:44,040 --> 00:24:48,919 Speaker 1: But who should save him but Rosalina, who runs a 398 00:24:49,119 --> 00:24:53,480 Speaker 1: giant space flight complex. And you don't really You're like, 399 00:24:53,560 --> 00:24:55,960 Speaker 1: what's her deal? But she has all of these little 400 00:24:56,000 --> 00:25:02,520 Speaker 1: star creatures so adorable called lumas. Oh my god, I loomas, 401 00:25:03,040 --> 00:25:09,399 Speaker 1: I'm obsessed, adorable. And then there's all these different facilitascraft 402 00:25:09,680 --> 00:25:12,560 Speaker 1: so cute. Google Luma right now, l u m a Mario. 403 00:25:12,880 --> 00:25:18,560 Speaker 1: Oh my god, this is such a moment, the most Okay, 404 00:25:18,560 --> 00:25:25,600 Speaker 1: I need all of them in every home. Rosalina is 405 00:25:25,880 --> 00:25:28,240 Speaker 1: the queen of the Lumas. But she is not a 406 00:25:28,320 --> 00:25:34,000 Speaker 1: luminous she is she is a true bugerty, true girl. 407 00:25:34,280 --> 00:25:37,560 Speaker 1: So she is running the ship that has all the 408 00:25:37,640 --> 00:25:40,359 Speaker 1: Luomas and the and the ship has so many different facilities. 409 00:25:40,400 --> 00:25:44,439 Speaker 1: It has a queen, it has a kitchen, it has 410 00:25:43,000 --> 00:25:46,400 Speaker 1: a shop, it has all these different things. But there's 411 00:25:46,440 --> 00:25:49,480 Speaker 1: a mysterious library in the corner, and you go, what's there. 412 00:25:49,760 --> 00:25:52,560 Speaker 1: There's always more to the story, always more to the story. 413 00:25:52,720 --> 00:25:55,560 Speaker 1: You as Mario, you go into that library, of course, 414 00:25:55,800 --> 00:25:59,399 Speaker 1: can you see all the A lot of lumas gathered 415 00:25:59,440 --> 00:26:02,720 Speaker 1: around Russellina and she's opening up a story book she's 416 00:26:02,720 --> 00:26:05,119 Speaker 1: about to read to the lumas. And what she reads 417 00:26:05,119 --> 00:26:09,280 Speaker 1: to the Lumas is a beautifully illustrated children's tale about 418 00:26:09,760 --> 00:26:13,840 Speaker 1: a girl who has lost alone in space, crying, wondering 419 00:26:14,000 --> 00:26:17,000 Speaker 1: where all her friends and loved ones and and family went. 420 00:26:17,680 --> 00:26:21,520 Speaker 1: Who should save my God. But all the lumas. She 421 00:26:21,600 --> 00:26:24,280 Speaker 1: meets lumas and they all but it's truly the most 422 00:26:24,280 --> 00:26:26,560 Speaker 1: I might even She read to the lumas the story 423 00:26:26,640 --> 00:26:29,960 Speaker 1: of their own experience. She read to the lumas the 424 00:26:30,000 --> 00:26:31,480 Speaker 1: story of a little girl, and you find out the 425 00:26:31,480 --> 00:26:35,320 Speaker 1: little girl is her at the vag But it's actually 426 00:26:35,480 --> 00:26:39,600 Speaker 1: so beautifully done. And I have said on record that 427 00:26:39,600 --> 00:26:42,800 Speaker 1: that story book in Super Mario Galaxy is better and 428 00:26:42,840 --> 00:26:48,760 Speaker 1: more iconic space children's stories, a more iconic space children's 429 00:26:48,760 --> 00:26:52,040 Speaker 1: story than The Little Prince than the Little Prince. You 430 00:26:52,200 --> 00:26:55,520 Speaker 1: have to get into Rosalina reader, and Matt you are Rosalina. 431 00:26:55,760 --> 00:26:59,959 Speaker 1: I give you that title. You are Rosalina. You are 432 00:27:00,040 --> 00:27:06,040 Speaker 1: the mother you you you create the ground for other people. Mama, 433 00:27:06,520 --> 00:27:08,960 Speaker 1: that is the nicest thing I have ever said to me. 434 00:27:09,000 --> 00:27:11,639 Speaker 1: And people have said many nice things. They have said 435 00:27:11,720 --> 00:27:13,840 Speaker 1: such nice things to me ever since I was born. 436 00:27:14,560 --> 00:27:17,600 Speaker 1: And this was this ranks as number one. Thank you. 437 00:27:18,080 --> 00:27:20,760 Speaker 1: I just want to close out by asking a question, 438 00:27:20,760 --> 00:27:23,760 Speaker 1: not about milk, which was the topic of the episode, 439 00:27:24,000 --> 00:27:30,720 Speaker 1: but rather about rest law. Do you think that Peach 440 00:27:30,880 --> 00:27:37,800 Speaker 1: is absolutely shook that this girl who's not for nothing, 441 00:27:38,560 --> 00:27:44,240 Speaker 1: Queen of the Spacecraft comes in. She's queen of a people, 442 00:27:44,440 --> 00:27:49,760 Speaker 1: the loomas I'm sorry. She sweeps along and she saves 443 00:27:49,800 --> 00:27:55,919 Speaker 1: Mario's life. Oh okay, you're gonna tell me that Princess 444 00:27:56,000 --> 00:28:02,320 Speaker 1: Peach is not s h oh okay shook in her 445 00:28:02,560 --> 00:28:09,520 Speaker 1: damn dress of pink at this development, This woman, the 446 00:28:09,560 --> 00:28:16,800 Speaker 1: hottest woman in the fucking universe, comes along and scoops 447 00:28:16,880 --> 00:28:22,240 Speaker 1: your man, you're not shook. Literally, what does Princess Peach 448 00:28:22,359 --> 00:28:27,760 Speaker 1: feel like? Because she should feel like a nervous wreck one. 449 00:28:29,000 --> 00:28:32,719 Speaker 1: And guess what it's kind of like what I The 450 00:28:32,800 --> 00:28:35,119 Speaker 1: only thing I can compare it to is if you 451 00:28:35,240 --> 00:28:37,440 Speaker 1: go to this is not quite the same, but it's 452 00:28:37,440 --> 00:28:42,280 Speaker 1: the closest thing. You go to couple of therapy and 453 00:28:42,440 --> 00:28:47,320 Speaker 1: your therapist seduces your damn man bye, and your therapist is, 454 00:28:47,360 --> 00:28:51,640 Speaker 1: by the way, a model. Good luck, good luck, good 455 00:28:51,720 --> 00:28:54,120 Speaker 1: luck with the rest of your life. Good luck booking 456 00:28:54,200 --> 00:28:59,120 Speaker 1: that life you speak of. Queen. Oh, you're taking me 457 00:28:59,200 --> 00:29:04,880 Speaker 1: out with this callback to Rihanna v. Sierra. Here's um 458 00:29:04,960 --> 00:29:07,520 Speaker 1: ultimately what bit? No? Please close that. You go up 459 00:29:07,520 --> 00:29:08,800 Speaker 1: to the air, you go up to the other You 460 00:29:08,840 --> 00:29:11,479 Speaker 1: had a proclamation, I was I was kind of gesturing 461 00:29:11,560 --> 00:29:14,280 Speaker 1: you I was giving you the floor. Okay you you 462 00:29:14,320 --> 00:29:17,000 Speaker 1: were about to slip into a beautiful sign off. Fasten it. 463 00:29:17,320 --> 00:29:20,880 Speaker 1: As as Wendy said on the Potomac Reunion, what we 464 00:29:20,920 --> 00:29:24,360 Speaker 1: want to say to milk. While Bowen and I have 465 00:29:24,480 --> 00:29:27,880 Speaker 1: different opinions on how frequently you should be consumed in 466 00:29:28,000 --> 00:29:33,080 Speaker 1: what sort of um states, be it in coffee, by yourself, 467 00:29:33,520 --> 00:29:36,040 Speaker 1: sort of in cereal whatever, I'm sure that's a whole 468 00:29:36,120 --> 00:29:38,920 Speaker 1: rabbit hole. I have to say. I love I love milk. 469 00:29:39,120 --> 00:29:41,040 Speaker 1: I just don't put in my coffee. That's and then 470 00:29:41,080 --> 00:29:43,600 Speaker 1: that that's it, That's all it is. Well, like we said, 471 00:29:43,880 --> 00:29:45,880 Speaker 1: so some people are being a little bit kger with 472 00:29:45,920 --> 00:29:48,719 Speaker 1: how they feel about you, But other people on the podcast, 473 00:29:49,760 --> 00:29:57,480 Speaker 1: namely me, are sort of sucking sucking who who's you, 474 00:29:57,600 --> 00:30:00,920 Speaker 1: the milk or the reader? Who is the thing? I 475 00:30:00,960 --> 00:30:04,240 Speaker 1: was talking about my own relationship with milk, What we 476 00:30:04,240 --> 00:30:16,280 Speaker 1: want to say is thank you for giving me God,