1 00:00:00,520 --> 00:00:03,559 Speaker 1: This is mister Wren in the morning show. 2 00:00:04,400 --> 00:00:06,640 Speaker 2: So a Dina Manzelle about to walk through the door. 3 00:00:06,720 --> 00:00:10,360 Speaker 2: She is starring in Redwood, a musical Broadway. Not only 4 00:00:10,440 --> 00:00:12,239 Speaker 2: is she starring in this thing, and you saw her, 5 00:00:13,039 --> 00:00:15,280 Speaker 2: yes did ye? She's absolutely part of the team to 6 00:00:15,320 --> 00:00:17,920 Speaker 2: put it together. It's kind of I think her idea. 7 00:00:18,079 --> 00:00:20,000 Speaker 3: Yeah, wait, you guys go see it because it's amazing. 8 00:00:20,000 --> 00:00:24,000 Speaker 3: The visual effects are incredible and she's actually climbing a tree, singing, 9 00:00:24,239 --> 00:00:26,360 Speaker 3: swinging all over the place. I don't know how she 10 00:00:26,400 --> 00:00:28,319 Speaker 3: does it. I want to feel her muscles because she 11 00:00:28,400 --> 00:00:29,640 Speaker 3: must have, like, you know, good arms. 12 00:00:29,720 --> 00:00:29,840 Speaker 1: Right. 13 00:00:29,840 --> 00:00:35,760 Speaker 2: Well, she's coming in now, Danielle wants to feel your muscles. 14 00:00:35,800 --> 00:00:36,159 Speaker 4: I want to be. 15 00:00:39,520 --> 00:00:43,040 Speaker 3: Very nice. 16 00:00:43,760 --> 00:00:46,839 Speaker 2: We're just talking about Redwood. Danielle saw it the other night, 17 00:00:47,280 --> 00:00:51,800 Speaker 2: she said, swinging around the trees and singing, and she said, 18 00:00:51,840 --> 00:00:53,599 Speaker 2: it's a little crazy. 19 00:00:53,720 --> 00:00:56,160 Speaker 3: How do you How do you do that while you're singing? 20 00:00:57,800 --> 00:01:02,560 Speaker 1: Choreograph my breathing. And I've also found that I can 21 00:01:02,600 --> 00:01:03,800 Speaker 1: hang upside down. 22 00:01:04,440 --> 00:01:06,280 Speaker 3: And sing pretty well like Spider Man. 23 00:01:06,400 --> 00:01:11,120 Speaker 2: Yeah, daniel says the staging is just amazing, that it's digital. 24 00:01:11,440 --> 00:01:14,280 Speaker 3: Yeah, the visual effects incredible because the only real thing 25 00:01:14,319 --> 00:01:17,160 Speaker 3: on the stage is the tree and then you and 26 00:01:17,319 --> 00:01:19,560 Speaker 3: everyone else. And it's a small cast too, and it's 27 00:01:19,600 --> 00:01:22,520 Speaker 3: only one one uh yeah, one act. 28 00:01:22,600 --> 00:01:22,840 Speaker 4: That's it. 29 00:01:22,880 --> 00:01:24,520 Speaker 3: There's no intermission. You don't have a pee break for 30 00:01:24,560 --> 00:01:24,920 Speaker 3: this one. 31 00:01:25,000 --> 00:01:27,920 Speaker 1: Well we we didn't want. We thought they can't pee 32 00:01:28,240 --> 00:01:33,080 Speaker 1: because then they'll go get twizzlers and then that'll break 33 00:01:33,520 --> 00:01:35,319 Speaker 1: the whole world we've just created. 34 00:01:36,880 --> 00:01:37,760 Speaker 4: Yes, he did. 35 00:01:37,800 --> 00:01:39,759 Speaker 2: It was weird, No problem with that, right. 36 00:01:40,080 --> 00:01:43,960 Speaker 1: Well, I have my character Jesse, She's lives up in 37 00:01:44,000 --> 00:01:47,640 Speaker 1: a tree for some time, and we do say my 38 00:01:47,720 --> 00:01:50,400 Speaker 1: two friends and the show. They're these scientists, are tree 39 00:01:50,440 --> 00:01:54,440 Speaker 1: botanists who teach me all about this world. And they 40 00:01:54,440 --> 00:01:57,240 Speaker 1: bring in a bunch of stuff and they go this, 41 00:01:57,240 --> 00:02:01,440 Speaker 1: this trash is for trash and your waist. Yes, and 42 00:02:01,480 --> 00:02:03,480 Speaker 1: so everybody whenever I you know, I can't drink a 43 00:02:03,520 --> 00:02:05,440 Speaker 1: lot of water, and I need to drinkle lots of 44 00:02:05,440 --> 00:02:08,160 Speaker 1: water because I'm a singer, but I don't right before 45 00:02:08,200 --> 00:02:10,520 Speaker 1: I get on stage because I won't be able to. 46 00:02:10,560 --> 00:02:13,200 Speaker 1: And everybody always says, no, just go in the in 47 00:02:13,240 --> 00:02:15,359 Speaker 1: the trash can. And I said, how I'm going to 48 00:02:15,400 --> 00:02:17,280 Speaker 1: pull my pants down in front of everyone. 49 00:02:17,480 --> 00:02:19,480 Speaker 2: It's a part of the story make it a part 50 00:02:19,480 --> 00:02:22,040 Speaker 2: of the stage so authentic. Did you actually go to 51 00:02:22,080 --> 00:02:23,680 Speaker 2: California and climb some trees? 52 00:02:23,760 --> 00:02:27,240 Speaker 1: Yes, one of the most special experiences was with a 53 00:02:27,240 --> 00:02:29,560 Speaker 1: man named Tim Kobar. So he brought me all the 54 00:02:29,560 --> 00:02:32,520 Speaker 1: way up and I've been learning how to climb. So 55 00:02:32,600 --> 00:02:34,800 Speaker 1: we climbed all the way up there, a little by little, 56 00:02:34,800 --> 00:02:36,640 Speaker 1: and he told me stories. And when we got off there, 57 00:02:36,880 --> 00:02:39,119 Speaker 1: I sang my songs from the show for him up there, 58 00:02:40,200 --> 00:02:42,240 Speaker 1: because I also wanted to feel what it would feel 59 00:02:42,280 --> 00:02:44,760 Speaker 1: like to just be singing these songs, you know, in 60 00:02:44,800 --> 00:02:48,160 Speaker 1: the real environment. And so it was just really one 61 00:02:48,200 --> 00:02:50,400 Speaker 1: of the most beautiful days. And he came to the 62 00:02:50,400 --> 00:02:52,520 Speaker 1: show and he brought me to baby redwoods. 63 00:02:52,840 --> 00:02:53,040 Speaker 2: Yes. 64 00:02:53,240 --> 00:02:53,440 Speaker 4: Wow. 65 00:02:53,880 --> 00:02:56,119 Speaker 1: So my friend Jobi is you were trying to figure 66 00:02:56,120 --> 00:02:58,400 Speaker 1: out can it go in her backyard in Vermont? In 67 00:02:58,440 --> 00:03:04,560 Speaker 1: my backyard? Right? Job? He says, they can grow there. 68 00:03:04,880 --> 00:03:10,519 Speaker 2: Yeah, well wow, Okay, no, I have a farm. Okay, 69 00:03:11,200 --> 00:03:14,000 Speaker 2: so GONEI wants to sneak out there in plant redwoods. 70 00:03:14,080 --> 00:03:19,639 Speaker 1: Just yes, I think I do the research for you. 71 00:03:19,800 --> 00:03:22,639 Speaker 1: Maybe you want just a thousand years from now, it 72 00:03:22,639 --> 00:03:23,040 Speaker 1: will up. 73 00:03:24,520 --> 00:03:27,600 Speaker 4: I'm telling you, I'm not a religious person, but when 74 00:03:27,639 --> 00:03:30,720 Speaker 4: I was in the Redwood forest. I felt something there 75 00:03:31,080 --> 00:03:34,320 Speaker 4: that I cannot explain. With these thousand year old trees, you. 76 00:03:37,280 --> 00:03:37,840 Speaker 3: Will look at it. 77 00:03:37,960 --> 00:03:38,400 Speaker 4: I'm coming. 78 00:03:39,200 --> 00:03:40,240 Speaker 2: She's my new theater. 79 00:03:40,440 --> 00:03:43,640 Speaker 4: Yes, you have to come. What is that like to be? 80 00:03:43,800 --> 00:03:45,520 Speaker 4: I mean, I know what I felt there? How do 81 00:03:45,560 --> 00:03:46,280 Speaker 4: you feel in there? 82 00:03:46,480 --> 00:03:53,320 Speaker 1: The silence that you hear, it's a deafening silence. It's 83 00:03:53,480 --> 00:03:57,760 Speaker 1: you're all the life birds, all of the little creatures. 84 00:03:57,840 --> 00:04:00,000 Speaker 1: They live way up in the canopy, so you don't 85 00:04:00,160 --> 00:04:02,960 Speaker 1: hear much down there. It's just the moss and it's 86 00:04:03,040 --> 00:04:06,040 Speaker 1: very padded. So there's this beautiful silence down there that 87 00:04:06,240 --> 00:04:10,760 Speaker 1: can be like a sanctuary, but also which my character finds, 88 00:04:10,840 --> 00:04:13,640 Speaker 1: it can bring all the chaos back into your mind 89 00:04:13,640 --> 00:04:17,520 Speaker 1: because you're living in your own thoughts. So I think 90 00:04:17,560 --> 00:04:19,839 Speaker 1: that's kind of what the story is about. For my character, 91 00:04:20,040 --> 00:04:22,040 Speaker 1: is that she's trying to get as far away as 92 00:04:22,040 --> 00:04:26,520 Speaker 1: possible from her troubles and her heartbreak, and so she 93 00:04:26,600 --> 00:04:29,240 Speaker 1: thinks getting all the going all the way from New York, 94 00:04:29,400 --> 00:04:31,360 Speaker 1: getting in her car one night and driving all the 95 00:04:31,400 --> 00:04:35,600 Speaker 1: way to northern California, and she learns that, you know, 96 00:04:35,640 --> 00:04:38,200 Speaker 1: obviously we can't run from heartbreak and our loss we 97 00:04:38,279 --> 00:04:40,599 Speaker 1: have to figure out a way to connect with the world. 98 00:04:40,800 --> 00:04:43,640 Speaker 1: And so I think everyone in the audience, oh, you 99 00:04:43,680 --> 00:04:46,320 Speaker 1: were there. I feel like it's that kind of experience 100 00:04:46,320 --> 00:04:48,599 Speaker 1: for everyone, for us on stage, for the audience, that 101 00:04:48,640 --> 00:04:50,200 Speaker 1: we feel interconnected. 102 00:04:50,320 --> 00:04:51,039 Speaker 3: I'm gonna lose it. 103 00:04:51,080 --> 00:04:51,240 Speaker 1: Now. 104 00:04:51,320 --> 00:04:53,320 Speaker 3: There's two things. First of all, the name of your 105 00:04:53,360 --> 00:04:59,200 Speaker 3: son is Spencer, and that's my son's name character character. Yeah, 106 00:04:59,240 --> 00:05:01,400 Speaker 3: when your character starts talking about Spencer and then you 107 00:05:01,440 --> 00:05:03,640 Speaker 3: call him spending at one point, oh my gosh, I 108 00:05:03,760 --> 00:05:04,560 Speaker 3: just lost it. 109 00:05:05,240 --> 00:05:08,960 Speaker 1: And then yeah, show. 110 00:05:09,080 --> 00:05:10,920 Speaker 3: And then when you're in the tree and like you're saying, 111 00:05:10,960 --> 00:05:12,800 Speaker 3: you're going through all these emotions and you're spending the 112 00:05:12,880 --> 00:05:15,839 Speaker 3: night and you're going through chaos and then serenity and everything, 113 00:05:15,920 --> 00:05:17,400 Speaker 3: and then you name the tree. Which can I say 114 00:05:17,440 --> 00:05:19,479 Speaker 3: the name of the tree? She names the tree, Stella says. 115 00:05:19,480 --> 00:05:23,920 Speaker 3: Stella's talking to her. I started crying. My husband starts crying, 116 00:05:24,160 --> 00:05:25,599 Speaker 3: and I looked over to him and I'm just like, 117 00:05:25,640 --> 00:05:28,080 Speaker 3: he's like, this is just I don't even know what 118 00:05:28,160 --> 00:05:33,400 Speaker 3: it was, but it was just the most amazing moment. 119 00:05:33,440 --> 00:05:36,480 Speaker 3: And it just this clarity and this because the show 120 00:05:36,520 --> 00:05:38,640 Speaker 3: to me was all about strength and how at the 121 00:05:38,720 --> 00:05:40,720 Speaker 3: end of the day. The tree is so strong and 122 00:05:40,760 --> 00:05:42,640 Speaker 3: it's still there, and all the people that love you, 123 00:05:42,680 --> 00:05:44,080 Speaker 3: and all the people that are in your lives that 124 00:05:44,120 --> 00:05:46,120 Speaker 3: care about you, they're gonna still be there for you. 125 00:05:46,120 --> 00:05:48,839 Speaker 3: They're gonna always surround you. And so just you having 126 00:05:48,960 --> 00:05:51,680 Speaker 3: him name Spencer, these feelings in the tree and all 127 00:05:52,000 --> 00:05:54,000 Speaker 3: it's it was beautiful, and. 128 00:05:53,920 --> 00:05:59,280 Speaker 1: It was beautiful the heartwood. Heartwood is the innermost part 129 00:05:59,480 --> 00:06:04,200 Speaker 1: of the redwood. It's impervious to to k and disease, 130 00:06:04,279 --> 00:06:09,719 Speaker 1: but it's actually dead. So it's this idea that the 131 00:06:09,760 --> 00:06:13,600 Speaker 1: people we've lost, whatever it is we're struggling with, they 132 00:06:13,640 --> 00:06:15,719 Speaker 1: can be inside of us, and they can be the 133 00:06:15,760 --> 00:06:19,560 Speaker 1: things that empower us and strengthen us and and help 134 00:06:19,680 --> 00:06:21,520 Speaker 1: us find out who we are. They don't have to 135 00:06:21,560 --> 00:06:25,160 Speaker 1: be the things that bury us. If you will, just. 136 00:06:25,160 --> 00:06:29,240 Speaker 2: The description of this production is mind blowing. I'm loving it. 137 00:06:29,640 --> 00:06:31,640 Speaker 1: And then it's funny. 138 00:06:32,120 --> 00:06:32,760 Speaker 4: It is funny. 139 00:06:32,800 --> 00:06:35,320 Speaker 3: The guy who plays the you know, with the beer 140 00:06:35,480 --> 00:06:37,080 Speaker 3: park so funny. 141 00:06:36,839 --> 00:06:41,360 Speaker 1: Yeah, okay, so laughing. We hate you with the Zingers 142 00:06:41,360 --> 00:06:42,120 Speaker 1: a little layer. 143 00:06:42,920 --> 00:06:45,760 Speaker 3: Her Son sings a song at one point forget it. 144 00:06:46,680 --> 00:06:53,120 Speaker 2: You're spoiling the shut up, pour yourself together. Okay, So 145 00:06:53,279 --> 00:06:57,159 Speaker 2: there's more than Adina Menzel playing Jesse in Redwood. You 146 00:06:57,240 --> 00:07:01,000 Speaker 2: also are on the production team. You are producer, director, 147 00:07:01,200 --> 00:07:02,080 Speaker 2: created on the. 148 00:07:02,160 --> 00:07:06,039 Speaker 1: D L because it used to say those kind of 149 00:07:06,080 --> 00:07:08,640 Speaker 1: things in the theater of vanity projects, even though in 150 00:07:09,040 --> 00:07:13,320 Speaker 1: film and TV you can be an actor. And but yeah, 151 00:07:13,400 --> 00:07:15,440 Speaker 1: I because I wanted to learn. I didn't want to 152 00:07:15,480 --> 00:07:18,280 Speaker 1: just sit around waiting for jobs, you know, I wanted 153 00:07:18,320 --> 00:07:22,240 Speaker 1: to learn other parts of of the business. And so 154 00:07:22,320 --> 00:07:24,040 Speaker 1: she as I'm getting older, I want to be able 155 00:07:24,080 --> 00:07:27,120 Speaker 1: to have some kind of control and create things for 156 00:07:27,360 --> 00:07:30,920 Speaker 1: myself and for other people, but also make sure I 157 00:07:30,960 --> 00:07:34,760 Speaker 1: got myself covered as I get a little that in. 158 00:07:34,640 --> 00:07:39,160 Speaker 2: Case the acting thing doesn't work out. You singing, he's 159 00:07:39,200 --> 00:07:45,560 Speaker 2: hit those flat notes production, I know it's every night. 160 00:07:46,520 --> 00:07:50,800 Speaker 1: Yeah, of course I sing two million notes in a night. 161 00:07:51,160 --> 00:07:57,840 Speaker 2: I'm gonna miss too, going going from acting and. 162 00:07:58,400 --> 00:08:01,600 Speaker 1: Producing being on Why you want to do that to yourself? 163 00:08:01,600 --> 00:08:05,280 Speaker 2: Seriously? Well, yeah, so there's an email, there's it's business, 164 00:08:05,400 --> 00:08:09,240 Speaker 2: there's dollars, signs, there is If that you don't. 165 00:08:09,120 --> 00:08:11,720 Speaker 1: Know life, you'd be so you would be so surprised. 166 00:08:11,880 --> 00:08:14,720 Speaker 1: Sometimes I go in to the theater for the first 167 00:08:14,760 --> 00:08:17,480 Speaker 1: part of the day and I go over I shouldn't say, 168 00:08:17,600 --> 00:08:20,960 Speaker 1: I go over to the office, the box office, box office, 169 00:08:20,960 --> 00:08:23,640 Speaker 1: and there's this lovely lady and how it's. 170 00:08:23,480 --> 00:08:25,679 Speaker 3: Going, How are we doing today? Wow? 171 00:08:26,520 --> 00:08:29,040 Speaker 1: Give me, give me the numbers. And she's like, and 172 00:08:29,480 --> 00:08:32,960 Speaker 1: she's been told by everyone else, do not tell me anything. 173 00:08:34,840 --> 00:08:37,520 Speaker 1: She's like, we're doing great, and people are coming and 174 00:08:37,559 --> 00:08:40,360 Speaker 1: there's lines around the block. Like she just tells me stuff. 175 00:08:41,240 --> 00:08:44,640 Speaker 1: But the idea that we've accomplished this after so many years, 176 00:08:44,960 --> 00:08:48,000 Speaker 1: that the idea that it is really here at the 177 00:08:48,040 --> 00:08:50,640 Speaker 1: Neederlander Theater where I got my start and my whole 178 00:08:50,640 --> 00:08:51,280 Speaker 1: career in rent. 179 00:08:51,400 --> 00:08:54,360 Speaker 2: Of course, thirty years ago. 180 00:08:56,480 --> 00:08:59,079 Speaker 3: You guys were like, we were like your first interview, 181 00:08:59,080 --> 00:09:00,520 Speaker 3: you came up in the whole cast. 182 00:09:01,600 --> 00:09:04,960 Speaker 1: You know, I'm in my same dressing room. That's awesome, yes, 183 00:09:04,960 --> 00:09:06,680 Speaker 1: but I want to come clean. I've been doing some 184 00:09:06,800 --> 00:09:10,319 Speaker 1: press and I've been saying, oh, I'm in the same 185 00:09:10,400 --> 00:09:13,160 Speaker 1: dressing room that Daphne room Bega and I were in, 186 00:09:13,400 --> 00:09:16,400 Speaker 1: and that the other dressing room adjacent was so small, 187 00:09:16,559 --> 00:09:18,200 Speaker 1: you know, because we are unknown, so they just like 188 00:09:18,679 --> 00:09:21,560 Speaker 1: put us in these tiny crasies. So now I'm just 189 00:09:21,640 --> 00:09:23,920 Speaker 1: a diva, right, So they've they've now broken down the 190 00:09:23,920 --> 00:09:26,680 Speaker 1: wall to the adjacent dressing room which used to have 191 00:09:26,800 --> 00:09:29,720 Speaker 1: three of the guys and I for the last six months. 192 00:09:29,720 --> 00:09:31,839 Speaker 1: Whenever I tell the story, I say, it was on 193 00:09:32,000 --> 00:09:34,640 Speaker 1: in Pascal, Anthony Rapp and my ex husband Tay Diggs. 194 00:09:34,640 --> 00:09:36,600 Speaker 1: But I just knocked that wall down and I've been in. 195 00:09:36,760 --> 00:09:39,600 Speaker 1: I thought it sounded look at you. So he just 196 00:09:39,640 --> 00:09:42,280 Speaker 1: recently came to the show. He was so blown away, 197 00:09:42,520 --> 00:09:45,960 Speaker 1: so supportive, so emotional about it, and I said, remember 198 00:09:46,280 --> 00:09:47,760 Speaker 1: used to be and he goes, do you don't know 199 00:09:47,920 --> 00:09:55,040 Speaker 1: I was in that dressing room. A good story, don't 200 00:09:55,120 --> 00:09:55,440 Speaker 1: change it. 201 00:09:57,120 --> 00:10:00,920 Speaker 2: You get it right, Menzel, of course you was just 202 00:10:00,920 --> 00:10:03,760 Speaker 2: turning us on. Redwood is on Broadway. Today's Wednesday, So 203 00:10:03,800 --> 00:10:06,040 Speaker 2: you do two shows today, so you can be swinging 204 00:10:06,080 --> 00:10:08,640 Speaker 2: around a tree and singing twice a day, go straight. 205 00:10:08,440 --> 00:10:11,480 Speaker 1: To the theater, take a quick nap, and then I go. 206 00:10:11,800 --> 00:10:13,560 Speaker 1: What I do is I gotten elliftical at the theater 207 00:10:13,679 --> 00:10:16,960 Speaker 1: now so that I can get myself moving and sweating 208 00:10:17,080 --> 00:10:19,560 Speaker 1: and singing at the same time. Because the morning shows 209 00:10:19,559 --> 00:10:22,600 Speaker 1: are just I mean, I will miss four out of 210 00:10:22,640 --> 00:10:25,440 Speaker 1: the two million notes that I have, and that is 211 00:10:25,679 --> 00:10:31,400 Speaker 1: just it's humiliating. Now, there's nothing more humiliating on Broadway stage, 212 00:10:31,400 --> 00:10:33,679 Speaker 1: where you just people come coming to see you. You're 213 00:10:33,679 --> 00:10:36,160 Speaker 1: known as this wonderful singer and you just crack like 214 00:10:36,240 --> 00:10:38,440 Speaker 1: all hell in the middle of a big importance. 215 00:10:39,000 --> 00:10:40,679 Speaker 2: You just laugh it off. At this point, it's like, 216 00:10:40,720 --> 00:10:43,320 Speaker 2: what do you It depends more than fire me. 217 00:10:43,480 --> 00:10:47,000 Speaker 1: I try to have a short memory, you know. But 218 00:10:47,000 --> 00:10:49,920 Speaker 1: but it's our last night. I I there's a line. 219 00:10:51,000 --> 00:10:52,600 Speaker 1: There's a line I have, And I say, I have 220 00:10:52,640 --> 00:10:55,240 Speaker 1: a lot of experience. It's in art because I'm an 221 00:10:55,280 --> 00:10:58,080 Speaker 1: art gallery. On it. It's an art not trees. But 222 00:10:58,120 --> 00:11:01,120 Speaker 1: it's still valuable. Actually, I said, I have a lot 223 00:11:01,160 --> 00:11:06,440 Speaker 1: of experience. It's in cars, not trees. No, it's not 224 00:11:06,520 --> 00:11:09,280 Speaker 1: in cars. 225 00:11:09,920 --> 00:11:10,319 Speaker 3: You don't know. 226 00:11:11,040 --> 00:11:13,760 Speaker 1: I'm an art gallery Desira, I mean. And I was like, 227 00:11:14,400 --> 00:11:17,960 Speaker 1: sometimes you can't get out and who would have known 228 00:11:18,200 --> 00:11:20,920 Speaker 1: except you? And I came on stage at Michael USA. 229 00:11:21,040 --> 00:11:24,120 Speaker 1: Was funny. He's like, so you're a car dealer, a 230 00:11:24,160 --> 00:11:25,480 Speaker 1: really good card dealer today. 231 00:11:25,679 --> 00:11:27,520 Speaker 2: I mean, one day you look back on and just 232 00:11:27,600 --> 00:11:29,160 Speaker 2: laugh and laughing cars. 233 00:11:29,440 --> 00:11:30,440 Speaker 1: I laugh at that stuff. 234 00:11:30,600 --> 00:11:33,280 Speaker 4: Is little Adina really proud of Big Adena right now 235 00:11:33,400 --> 00:11:35,760 Speaker 4: because you started in this dressing room that was so 236 00:11:35,840 --> 00:11:37,800 Speaker 4: tiny you were able to knock down all the walls, 237 00:11:38,040 --> 00:11:40,040 Speaker 4: and you're behind the scenes and in front. 238 00:11:40,400 --> 00:11:43,240 Speaker 1: I'm very proud of myself, and because I have a 239 00:11:43,400 --> 00:11:48,240 Speaker 1: fifteen year old son who's usually a moody teenager, he's 240 00:11:48,280 --> 00:11:52,800 Speaker 1: actually expresses his pride to me quite often. He was 241 00:11:52,840 --> 00:11:54,640 Speaker 1: here recently and he wanted to see the show three 242 00:11:54,679 --> 00:11:58,720 Speaker 1: times in different places, so to see through his eyes 243 00:11:58,840 --> 00:12:00,680 Speaker 1: that he thinks it's a really big deal. And he 244 00:12:00,800 --> 00:12:03,880 Speaker 1: actually reminds me when I'm pessimistic at times, like mom, 245 00:12:04,360 --> 00:12:08,840 Speaker 1: you're an icon seriously. So it's yes, thank you. I 246 00:12:08,880 --> 00:12:11,800 Speaker 1: am proud. I tend to be hard on myself, but 247 00:12:11,960 --> 00:12:15,160 Speaker 1: I've been taking a lot of time to to give 248 00:12:15,160 --> 00:12:17,240 Speaker 1: myself some props and then be able to see it 249 00:12:17,480 --> 00:12:22,960 Speaker 1: through my son as well. It is. It's pretty profound. 250 00:12:23,040 --> 00:12:23,800 Speaker 4: That that's awesome. 251 00:12:23,960 --> 00:12:28,480 Speaker 2: Congratulations, awesome Redwood. It's on Broadway and Adina Minzel's right 252 00:12:28,480 --> 00:12:32,000 Speaker 2: there at the top of the tree. She's up there. 253 00:12:32,400 --> 00:12:34,839 Speaker 2: Thank you for coming in today. You have two shows 254 00:12:34,880 --> 00:12:36,760 Speaker 2: to do today and four notes to miss. 255 00:12:38,200 --> 00:12:38,640 Speaker 1: Thank you. 256 00:12:38,800 --> 00:12:41,720 Speaker 2: Thank you wisely have awesome