1 00:00:15,480 --> 00:00:18,040 Speaker 1: Hello, I'm Rosie Knight, and welcome back to the x 2 00:00:18,120 --> 00:00:20,800 Speaker 1: Ray Vision the podcast Store. We dive deep into your 3 00:00:20,840 --> 00:00:23,279 Speaker 1: favorite shows, movies, comics, and pop culture. 4 00:00:23,800 --> 00:00:25,120 Speaker 2: We're here iHeart podcasts. 5 00:00:25,160 --> 00:00:27,880 Speaker 1: Where where we bring in you episodes every Tuesday and Thursday, 6 00:00:28,080 --> 00:00:29,680 Speaker 1: the summer's biggest movies every. 7 00:00:29,520 --> 00:00:32,159 Speaker 2: Friday, and news on Saturday. 8 00:00:32,920 --> 00:00:37,080 Speaker 3: In today's episode, we are re releasing a classic episode. 9 00:00:37,600 --> 00:00:40,880 Speaker 3: Last year, when Alien Romulus arrived in theaters, we did 10 00:00:40,920 --> 00:00:45,360 Speaker 3: speed recaps of the entire franchise, but with Alien Earth 11 00:00:45,400 --> 00:00:47,559 Speaker 3: around the corner, we thought everyone could use a quick 12 00:00:47,600 --> 00:00:50,640 Speaker 3: refresher course, so enjoy this classic episode. 13 00:00:52,280 --> 00:00:57,880 Speaker 4: So here we go, Alien Franchise recap in chronological order. 14 00:00:58,120 --> 00:01:00,440 Speaker 5: Wow, fictional chronological. 15 00:00:59,800 --> 00:01:03,960 Speaker 1: Order, chronological fictional honor, which is our favorite way to 16 00:01:04,040 --> 00:01:04,720 Speaker 1: do recap. 17 00:01:04,920 --> 00:01:11,679 Speaker 4: We begin with nineteen nineties Predator two. That's right, Predator two. 18 00:01:11,880 --> 00:01:14,760 Speaker 2: Woo Wow. The crowd goes wild. 19 00:01:16,120 --> 00:01:19,720 Speaker 1: Okay, let's precede this by saying that both Jason and 20 00:01:19,800 --> 00:01:21,920 Speaker 1: I shed a deep love for this movie when we 21 00:01:21,959 --> 00:01:22,520 Speaker 1: with children. 22 00:01:22,640 --> 00:01:24,440 Speaker 2: We love this movie, but it is. 23 00:01:24,360 --> 00:01:27,880 Speaker 1: A very problematic movie when you watch it again. 24 00:01:27,640 --> 00:01:31,360 Speaker 4: Hid watching it in the modern day, there's it definitely 25 00:01:31,480 --> 00:01:35,520 Speaker 4: raises some red flags. We open in Los Angeles. The 26 00:01:35,600 --> 00:01:40,840 Speaker 4: year is nineteen ninety seven. Los Angeles is slightly faturistic. 27 00:01:41,720 --> 00:01:48,640 Speaker 4: The Los Angeles is racked by hyper violent gang violence 28 00:01:49,000 --> 00:01:55,680 Speaker 4: between two, yes, very racially problematic, depictions of Colombian and 29 00:01:55,800 --> 00:02:00,280 Speaker 4: Jamaican gangs that are at each other's necks end. This 30 00:02:00,520 --> 00:02:05,200 Speaker 4: violence attracts the attentions of a predator who's like, oh, 31 00:02:05,400 --> 00:02:06,360 Speaker 4: I love violence. 32 00:02:06,760 --> 00:02:08,959 Speaker 5: Yeah, these guys are killing each other. 33 00:02:09,120 --> 00:02:11,120 Speaker 4: That I will kill the ones who are killing the 34 00:02:11,200 --> 00:02:13,200 Speaker 4: most because I'm a predator. That's what I love to 35 00:02:13,240 --> 00:02:14,639 Speaker 4: do is kill the most dangerous one. 36 00:02:14,680 --> 00:02:17,359 Speaker 1: And yeah, and then I'll be like the best killer 37 00:02:17,600 --> 00:02:19,399 Speaker 1: in downtown LA specifically. 38 00:02:19,440 --> 00:02:21,080 Speaker 5: So the alien, just. 39 00:02:21,080 --> 00:02:24,359 Speaker 4: As racking up bodies, cuts a bloody swath through both 40 00:02:24,440 --> 00:02:28,600 Speaker 4: of these gangs. LAPD Officer Mike Harrigan played by Danny Glover. 41 00:02:29,040 --> 00:02:33,280 Speaker 4: Huh that, Glover, Why were you cost in this movie? 42 00:02:33,320 --> 00:02:35,320 Speaker 4: I don't know, but I love it. He is too 43 00:02:35,400 --> 00:02:36,960 Speaker 4: old for this shit in this movie. 44 00:02:37,200 --> 00:02:38,519 Speaker 2: He does you don't want to be able. 45 00:02:38,360 --> 00:02:40,600 Speaker 4: To ashier suits in this than you would expect from 46 00:02:40,600 --> 00:02:41,600 Speaker 4: the Lethal Weapons series. 47 00:02:41,639 --> 00:02:41,799 Speaker 1: Huh. 48 00:02:41,960 --> 00:02:44,720 Speaker 4: So he's investigating the gang violence and he finds himself 49 00:02:44,720 --> 00:02:47,639 Speaker 4: in pursuit of the Predator, and of course nobody believes, 50 00:02:48,160 --> 00:02:50,120 Speaker 4: you know, he's getting all these reports, all this like 51 00:02:50,160 --> 00:02:51,239 Speaker 4: Invisible Killer. 52 00:02:51,680 --> 00:02:52,239 Speaker 5: It's weird. 53 00:02:52,280 --> 00:02:54,200 Speaker 4: It wasn't a man, it was a monster or whatever. 54 00:02:54,560 --> 00:02:57,200 Speaker 4: Towards the end of the film, as Harrogan is in 55 00:02:57,240 --> 00:03:01,040 Speaker 4: pursuit of this predator, the Predator goes to its ship 56 00:03:01,120 --> 00:03:04,480 Speaker 4: that it's hidden and as it you know, goes in 57 00:03:04,520 --> 00:03:07,800 Speaker 4: there to like restock on ammo et cetera, and like 58 00:03:08,280 --> 00:03:12,440 Speaker 4: treat its wounds, and we see among the Predator's trophies 59 00:03:12,639 --> 00:03:15,960 Speaker 4: is a xenomorph skull on the wall. And let me 60 00:03:15,960 --> 00:03:20,440 Speaker 4: tell you, in the pre internet era, when I saw 61 00:03:20,480 --> 00:03:24,080 Speaker 4: this as a kid and saw the alien style, I 62 00:03:24,200 --> 00:03:28,920 Speaker 4: was like, my mind literally exploded. But it's all I 63 00:03:28,919 --> 00:03:29,640 Speaker 4: could talk about. 64 00:03:29,760 --> 00:03:35,160 Speaker 6: You don't understand the aliens exist in the Predator universe. 65 00:03:35,800 --> 00:03:39,920 Speaker 6: I've never heard of such a. 66 00:03:39,880 --> 00:03:42,760 Speaker 2: Cross this game. Yeah. 67 00:03:42,960 --> 00:03:45,560 Speaker 1: Literally, I think for me this was probably also my 68 00:03:45,600 --> 00:03:48,640 Speaker 1: first crossover movie. And then I think the second one 69 00:03:48,720 --> 00:03:51,960 Speaker 1: was like I don't know, Frandy in Hell Freddie goes 70 00:03:52,000 --> 00:03:52,800 Speaker 1: to Hell and at. 71 00:03:52,680 --> 00:03:54,880 Speaker 2: The end he pulls down I mean that. 72 00:03:55,720 --> 00:03:59,200 Speaker 1: I think those are the two memories I have of like, 73 00:04:00,040 --> 00:04:02,000 Speaker 1: oh shit, like something's gonna happen. 74 00:04:02,120 --> 00:04:05,760 Speaker 4: So Harrigan kills the predator with its own like little weapon. 75 00:04:05,960 --> 00:04:07,080 Speaker 5: It's the Frisbee weapon. 76 00:04:07,600 --> 00:04:10,440 Speaker 4: And then a group of predators who I guess have 77 00:04:10,520 --> 00:04:15,120 Speaker 4: been like observing, appear and they take their fellow predators 78 00:04:15,160 --> 00:04:17,479 Speaker 4: corpse back with them to put it on the ship, 79 00:04:17,680 --> 00:04:21,599 Speaker 4: and they give Harrigan like an old like revolutionary war 80 00:04:21,680 --> 00:04:24,520 Speaker 4: pistol as. 81 00:04:24,640 --> 00:04:28,479 Speaker 5: A good job. All right, do you peace? 82 00:04:28,960 --> 00:04:32,960 Speaker 4: Next movie Alien Versus Predator two thousand and four. 83 00:04:33,040 --> 00:04:35,760 Speaker 5: The year is a year is two thousand and four. 84 00:04:36,960 --> 00:04:42,000 Speaker 4: Charles Whaland played by Lance Henrickson that you played Bishop, 85 00:04:42,080 --> 00:04:47,560 Speaker 4: the synthetic humanoid Bishop in Aliens and other roles which 86 00:04:47,600 --> 00:04:49,640 Speaker 4: we will get to in the Alien franchise, is the 87 00:04:49,680 --> 00:04:53,799 Speaker 4: CEO of Whalen Industries, and he sends a crack team 88 00:04:54,440 --> 00:04:59,760 Speaker 4: of international scientists and mercenaries to a recently discovered pyramid 89 00:05:00,400 --> 00:05:03,679 Speaker 4: which is under the Antarctic ice. Now the pyramid turns 90 00:05:03,680 --> 00:05:07,760 Speaker 4: out to be a predator like hunting temple, and it 91 00:05:07,839 --> 00:05:08,560 Speaker 4: turns out. 92 00:05:09,000 --> 00:05:10,680 Speaker 5: How do they build it? 93 00:05:10,920 --> 00:05:15,080 Speaker 4: Because they're the space faring highly advanced hunters And it 94 00:05:15,160 --> 00:05:16,000 Speaker 4: turns out. 95 00:05:16,120 --> 00:05:20,000 Speaker 5: They're just like SPC the predators. Now, it turns out. 96 00:05:20,279 --> 00:05:24,080 Speaker 4: The predators taught human beings how to build pyramids because 97 00:05:24,120 --> 00:05:29,480 Speaker 4: I guess people couldn't like figure out the triangle shape. 98 00:05:29,279 --> 00:05:33,440 Speaker 2: Like they were like they were like, this is a 99 00:05:33,480 --> 00:05:37,680 Speaker 2: two complex. What wo baby, I barely just got the 100 00:05:37,720 --> 00:05:39,320 Speaker 2: wheel going. I don't know what's going. 101 00:05:39,360 --> 00:05:44,919 Speaker 4: So predator culture apparently considers the xenomorph like the ultimate prey, 102 00:05:45,120 --> 00:05:47,720 Speaker 4: like the most dangerous thing you can hunt. 103 00:05:47,800 --> 00:05:49,120 Speaker 5: Right, So every one. 104 00:05:49,080 --> 00:05:52,440 Speaker 4: Hundred years, the predator contestants come to Earth to hunt 105 00:05:52,560 --> 00:05:58,440 Speaker 4: xenomorphs specifically hatched from sacrificial human beings, and this alien 106 00:05:58,520 --> 00:06:01,680 Speaker 4: queen that they have like frozen in the pyramid. And 107 00:06:01,839 --> 00:06:04,520 Speaker 4: this is like the predator version of the Olympics, right, 108 00:06:04,520 --> 00:06:08,280 Speaker 4: It's a big deal. And the scientists and the mercenaries 109 00:06:08,320 --> 00:06:11,839 Speaker 4: get all caught up in this competition and they're like, 110 00:06:11,880 --> 00:06:14,320 Speaker 4: we have to help the predators win because the aliens 111 00:06:14,320 --> 00:06:18,240 Speaker 4: if they overrun, you know, the predators, they'll like wild 112 00:06:18,279 --> 00:06:20,599 Speaker 4: on Earth and just kill everybody or use them as 113 00:06:20,760 --> 00:06:25,599 Speaker 4: you know, egg hatching incubators. The predators give Arctic guide 114 00:06:25,760 --> 00:06:28,400 Speaker 4: Lex played by snal A than a spear is a 115 00:06:28,440 --> 00:06:33,600 Speaker 4: gift and after this is after the predators defeat the aliens, uh, 116 00:06:33,880 --> 00:06:36,040 Speaker 4: they then get in the ship with one of their 117 00:06:36,080 --> 00:06:39,520 Speaker 4: fallen comrades named Scar and they take off, and then. 118 00:06:39,839 --> 00:06:42,720 Speaker 5: Soon after they take off, an. 119 00:06:42,720 --> 00:06:48,159 Speaker 4: Alien predator hybrid bursts from the dead predator's chest. Now 120 00:06:48,200 --> 00:06:54,240 Speaker 4: you would, after several centuries of dealing with these creatures, 121 00:06:54,520 --> 00:06:59,760 Speaker 4: that the predators would like X ray everybody that they designed. 122 00:07:00,120 --> 00:07:01,960 Speaker 5: Take that does with that, I. 123 00:07:01,920 --> 00:07:04,960 Speaker 4: Feel like to make sure they don't really think, y 124 00:07:05,720 --> 00:07:07,719 Speaker 4: know what these things do. 125 00:07:07,920 --> 00:07:09,800 Speaker 5: And you're still like, yeah, yeah, don't even check it. 126 00:07:09,920 --> 00:07:10,800 Speaker 5: Just bring it right on. 127 00:07:11,360 --> 00:07:13,600 Speaker 2: Just put him on the ship. He's fine. Definitely didn't 128 00:07:13,600 --> 00:07:14,160 Speaker 2: get that. 129 00:07:14,080 --> 00:07:18,360 Speaker 4: Brings us to two thousand and sevens Alien Predator Requiem, 130 00:07:18,400 --> 00:07:22,240 Speaker 4: which occurs in the same year as Alien vers Predat 131 00:07:22,240 --> 00:07:25,480 Speaker 4: two thousand and four, happens in fact immediately following the events. 132 00:07:25,520 --> 00:07:29,240 Speaker 4: So right after the predators get in their ship and 133 00:07:29,280 --> 00:07:31,160 Speaker 4: take off to fly back to their home planet, the 134 00:07:31,160 --> 00:07:36,880 Speaker 4: pret alien, which is now hatched, it grows at a 135 00:07:36,880 --> 00:07:39,680 Speaker 4: fantastic rate, as we often see that these creatures do, 136 00:07:40,360 --> 00:07:43,880 Speaker 4: and immediately fucking goes ham and it causes the predator 137 00:07:44,360 --> 00:07:47,920 Speaker 4: home ship to crash into Gunnis in Colorado. Ah, Yes, 138 00:07:48,040 --> 00:07:51,360 Speaker 4: Gunnis in Colorado's poor town doesn't know what it's in for. 139 00:07:51,680 --> 00:07:56,640 Speaker 4: The Xenomorphs then go fucking crazy and they start, you know, 140 00:07:56,720 --> 00:08:03,000 Speaker 4: reproducing using humans as hosts, going nuts. A Predator champion 141 00:08:03,440 --> 00:08:07,200 Speaker 4: back on the Predator homeworld gets the distress signal and 142 00:08:07,280 --> 00:08:10,000 Speaker 4: it's like, fuck this, I'm going there alone. 143 00:08:11,200 --> 00:08:15,880 Speaker 1: If He's like, if you want to jump and I'm. 144 00:08:15,760 --> 00:08:18,920 Speaker 5: Going to wipe out all the xenomorphs on Earth. 145 00:08:19,320 --> 00:08:22,400 Speaker 4: Now things get really chaotic and crazy, so much so 146 00:08:22,480 --> 00:08:26,120 Speaker 4: that the military like immediately gets involved and they decide, 147 00:08:26,480 --> 00:08:29,440 Speaker 4: we can't we can't let this spread any further. Let's 148 00:08:29,560 --> 00:08:34,559 Speaker 4: nuke gunnison, a thing you've seen in a million movie Outbreak, the. 149 00:08:34,559 --> 00:08:35,680 Speaker 5: Blob, et cetera. 150 00:08:36,040 --> 00:08:38,400 Speaker 4: So, but I think it's actually like quite a reasonable 151 00:08:38,400 --> 00:08:40,079 Speaker 4: thing to do in this particular case. 152 00:08:40,520 --> 00:08:42,400 Speaker 2: Jason's like, in this case. 153 00:08:45,040 --> 00:08:47,320 Speaker 1: You go to do I feel like I feel like 154 00:08:47,400 --> 00:08:51,400 Speaker 1: they're they're not thinking about the fact that in the 155 00:08:51,480 --> 00:08:54,319 Speaker 1: canon of these kind of movies, if you nuke some creature, 156 00:08:54,360 --> 00:08:57,040 Speaker 1: it usually just becomes giant. So I would definitely be 157 00:08:57,080 --> 00:09:00,480 Speaker 1: thinking of the Godzilla potentials of the mutation, But I 158 00:09:00,520 --> 00:09:02,080 Speaker 1: still understand the intention. 159 00:09:02,200 --> 00:09:05,080 Speaker 4: It's pretty like you must imagine like the president would 160 00:09:05,080 --> 00:09:10,160 Speaker 4: have had to have been briefed Sally, Okay, mister President. 161 00:09:10,400 --> 00:09:16,439 Speaker 4: So what we've got is a parasitic alien race species 162 00:09:16,559 --> 00:09:20,200 Speaker 4: that is reproducing very quickly, and they are also being 163 00:09:21,200 --> 00:09:27,319 Speaker 4: fought by a humanoid alien race of hunters. Are you 164 00:09:27,400 --> 00:09:28,360 Speaker 4: getting this, sir. 165 00:09:29,320 --> 00:09:31,520 Speaker 2: To alien species you didn't know about until this. 166 00:09:32,000 --> 00:09:35,439 Speaker 4: The military nukes Gunisen, killing the predator and the Xenomorphs. 167 00:09:35,640 --> 00:09:41,480 Speaker 4: The Predator's gun is then gifted to miss Utani, who 168 00:09:41,559 --> 00:09:43,720 Speaker 4: does not have a first name in the movie, who 169 00:09:43,800 --> 00:09:48,640 Speaker 4: is the CEO of a Japanese cybernetics and robotics company, 170 00:09:48,840 --> 00:09:52,440 Speaker 4: the Utani Corporations. Now we have Wayland and Utani in 171 00:09:52,480 --> 00:09:53,000 Speaker 4: the universe. 172 00:09:53,080 --> 00:09:55,800 Speaker 1: Dude, I have to say the movies that are essentially 173 00:09:55,920 --> 00:09:57,200 Speaker 1: like so derived. 174 00:09:57,360 --> 00:09:58,440 Speaker 5: Both these movies are dumb. 175 00:09:58,720 --> 00:10:02,440 Speaker 1: Try to enjoy they are like so dumb, it's so funny, 176 00:10:02,480 --> 00:10:06,199 Speaker 1: how dedicated they have to. 177 00:10:06,160 --> 00:10:10,960 Speaker 4: Say they worked really hard, Like can't casting LANDA Hendrickson, Yeah, 178 00:10:10,960 --> 00:10:13,720 Speaker 4: I got you know, being like and they're like, we're 179 00:10:13,760 --> 00:10:16,800 Speaker 4: gonna make cannon manly, You're gonna kid, You're. 180 00:10:16,679 --> 00:10:17,560 Speaker 2: Gonna care about this. 181 00:10:17,760 --> 00:10:20,120 Speaker 1: People will be talking about this, and it's like, people, 182 00:10:20,240 --> 00:10:23,840 Speaker 1: these movies are so dumb, but I gotta they command 183 00:10:24,000 --> 00:10:28,319 Speaker 1: really hard to every single movie having a twist ending 184 00:10:28,400 --> 00:10:30,240 Speaker 1: that is somehow connectically in law. 185 00:10:30,320 --> 00:10:33,520 Speaker 4: These reveals do have an interesting effect on the overall cannon, 186 00:10:33,559 --> 00:10:36,040 Speaker 4: which we will discuss as we get there. Next up 187 00:10:36,400 --> 00:10:42,240 Speaker 4: twenty twelve's Prometheus, The year is twenty eighty nine. Archaeologist 188 00:10:42,280 --> 00:10:46,360 Speaker 4: Elizabeth Shaw and her boyfriend Charlie discover that many ancient 189 00:10:46,480 --> 00:10:50,359 Speaker 4: human cultures have a very similar foundational myth that involves 190 00:10:51,080 --> 00:10:55,880 Speaker 4: very tall aliens from a distant star system. And these 191 00:10:55,960 --> 00:11:00,520 Speaker 4: tall aliens are the engineers who I guess, so life 192 00:11:00,559 --> 00:11:06,000 Speaker 4: across the galaxy or something. Peter Whyland, who is very 193 00:11:06,080 --> 00:11:09,720 Speaker 4: very very very very old and about to die, Like 194 00:11:09,800 --> 00:11:12,319 Speaker 4: any second he's about to die. 195 00:11:12,400 --> 00:11:15,120 Speaker 2: He is about to go. It's happening as his. 196 00:11:15,480 --> 00:11:19,160 Speaker 4: Like video recording is being played to this science team 197 00:11:19,200 --> 00:11:23,160 Speaker 4: that he's put together. He's like, I'm not by the 198 00:11:23,240 --> 00:11:28,520 Speaker 4: time you watch this, I'm gone. So hes an ambitious 199 00:11:28,559 --> 00:11:32,520 Speaker 4: mission to a moon in that particular star system that 200 00:11:32,559 --> 00:11:36,360 Speaker 4: they matched to the cave paintings and different pieces of 201 00:11:36,480 --> 00:11:39,439 Speaker 4: art from all those human cultures, and so they're going 202 00:11:39,480 --> 00:11:42,280 Speaker 4: to this moon called LVY two twenty three because he 203 00:11:42,320 --> 00:11:46,160 Speaker 4: thinks the engineers are there, and mister Whaland wants the 204 00:11:46,160 --> 00:11:49,240 Speaker 4: engineers to tell him how he can like avoid dying, 205 00:11:49,440 --> 00:11:52,439 Speaker 4: which is such a fucking come. 206 00:11:52,280 --> 00:11:54,920 Speaker 2: On, just assassin thing to do. 207 00:11:55,240 --> 00:11:58,880 Speaker 1: Like, so many of the decisions in these movies are 208 00:11:59,000 --> 00:12:02,920 Speaker 1: so terrible, And it's really funny because once we you know, 209 00:12:03,000 --> 00:12:06,160 Speaker 1: we are doing this in fictional chronological order. So at 210 00:12:06,160 --> 00:12:08,480 Speaker 1: this point, by the time you get to Prometheus, the 211 00:12:08,559 --> 00:12:12,280 Speaker 1: movie is essentially like an MCU filled easter egg for 212 00:12:12,480 --> 00:12:14,880 Speaker 1: the previous alien movies that were released. But at this 213 00:12:14,920 --> 00:12:18,160 Speaker 1: point chronologically you're just like, my friend, what are you doing, 214 00:12:18,400 --> 00:12:20,960 Speaker 1: Like you have to spend this much money, I'm sure 215 00:12:20,960 --> 00:12:21,960 Speaker 1: you could just find. 216 00:12:21,720 --> 00:12:24,080 Speaker 2: A sign to do this instead of going in the 217 00:12:24,080 --> 00:12:24,680 Speaker 2: real world. 218 00:12:25,000 --> 00:12:30,719 Speaker 4: PayPal founder Peter Thiel, you know, investor in tech and 219 00:12:31,080 --> 00:12:34,640 Speaker 4: all around right wing nut job, has It's been credibly 220 00:12:34,760 --> 00:12:39,000 Speaker 4: reported that he injects himself with like the human blood 221 00:12:39,080 --> 00:12:40,920 Speaker 4: of like young healthy people. 222 00:12:41,559 --> 00:12:43,040 Speaker 2: So yeah, yeah, you. 223 00:12:43,000 --> 00:12:47,760 Speaker 4: Know they're doing crazy in the real world. 224 00:12:48,280 --> 00:12:49,840 Speaker 5: So yeah, okay. 225 00:12:49,880 --> 00:12:52,240 Speaker 4: The journey take to LV two twenty three takes them 226 00:12:52,280 --> 00:12:55,720 Speaker 4: four years. They're in cryo sleep the whole time. Cash 227 00:12:55,760 --> 00:12:58,480 Speaker 4: While they're in cryo sleep, they're watched over by David, 228 00:12:58,600 --> 00:13:03,120 Speaker 4: who is a synthetic a humanoid that was designed by 229 00:13:03,160 --> 00:13:07,160 Speaker 4: mister Whyland. On LV two twenty three, the team finds 230 00:13:07,280 --> 00:13:11,560 Speaker 4: like a ton of artifacts from the engineers, including all 231 00:13:11,600 --> 00:13:14,560 Speaker 4: these jars of like black goo that turns out to 232 00:13:14,559 --> 00:13:20,320 Speaker 4: be a bio weapon. David takes like a drop played 233 00:13:20,440 --> 00:13:23,640 Speaker 4: very creepily by Michael Fastbat takes a drop of the 234 00:13:23,720 --> 00:13:26,880 Speaker 4: black goo, and he infects Charlie with it. Charlie then 235 00:13:27,280 --> 00:13:32,320 Speaker 4: has sex with Elizabeth and impregnates her unknowingly with this 236 00:13:32,520 --> 00:13:38,040 Speaker 4: very fast growing alien fetus, just as David wanted. She asks, yeah, 237 00:13:38,120 --> 00:13:41,880 Speaker 4: as it's growing, like she's in more and more physical distress, 238 00:13:42,160 --> 00:13:44,640 Speaker 4: and they do a scan and he's like says, very. 239 00:13:44,640 --> 00:13:46,400 Speaker 5: Creepy, oh, you've got this alien in you. 240 00:13:46,840 --> 00:13:49,360 Speaker 4: And she's like, well, let's get it out. And he's like, well, 241 00:13:49,360 --> 00:13:53,000 Speaker 4: we don't have the stuff, we don't have any way 242 00:13:53,040 --> 00:13:55,120 Speaker 4: to do that here, and we yeah, yeah, yeah, Bat, 243 00:13:55,320 --> 00:13:56,760 Speaker 4: let's just seeze you take you home. 244 00:13:57,640 --> 00:13:59,640 Speaker 2: Okay, seems like nothing. 245 00:13:59,760 --> 00:14:05,160 Speaker 4: Very Elizabeth breaks into Charlie's thron's cabin on the ship 246 00:14:05,400 --> 00:14:08,440 Speaker 4: and uses her advanced like medical machine of which only 247 00:14:08,440 --> 00:14:11,000 Speaker 4: a dozen were made, and she does like an abortion 248 00:14:11,080 --> 00:14:17,719 Speaker 4: on herself, removing this like wriggling squid like alien. It's 249 00:14:17,760 --> 00:14:20,240 Speaker 4: really gross, it's really great super so can we just 250 00:14:20,280 --> 00:14:22,920 Speaker 4: say you mentioned Shaly's there on This movie has like 251 00:14:22,960 --> 00:14:28,320 Speaker 4: a wild cast is Yourselba Charlie's then Michael Fastbender, like 252 00:14:28,360 --> 00:14:31,360 Speaker 4: Wembridley Scott said he was coming back the original director 253 00:14:31,400 --> 00:14:31,800 Speaker 4: of Alien. 254 00:14:31,840 --> 00:14:34,960 Speaker 2: Everyone was like, I'm jumping on that ship. Like there's 255 00:14:35,040 --> 00:14:36,120 Speaker 2: some very. 256 00:14:36,200 --> 00:14:40,200 Speaker 1: Iconic images from this movie, like Idris Alba smoking a 257 00:14:40,280 --> 00:14:43,880 Speaker 1: Christmas tree that I feel actually have almost more longevity 258 00:14:43,920 --> 00:14:44,640 Speaker 1: than the movie. 259 00:14:44,720 --> 00:14:46,640 Speaker 2: It did inspire many important memes. 260 00:14:46,680 --> 00:14:50,320 Speaker 4: So we learned that LV two twenty three was an 261 00:14:50,320 --> 00:14:55,120 Speaker 4: engineer like bioweapon facility. They were making this bioweapon and 262 00:14:55,160 --> 00:14:58,800 Speaker 4: that they had planned to release it on Earth. Non 263 00:14:58,960 --> 00:15:03,720 Speaker 4: canon sources, namely Ridley Scott, who directed this film, says 264 00:15:04,280 --> 00:15:08,440 Speaker 4: that in his mind, they wanted to send the goo. 265 00:15:08,560 --> 00:15:10,240 Speaker 4: They made the decision to send the good to Earth 266 00:15:10,280 --> 00:15:12,960 Speaker 4: like two thousand years ago, and it was because the 267 00:15:13,080 --> 00:15:17,320 Speaker 4: humans had killed their emissary, the engineer emissary that sent 268 00:15:17,400 --> 00:15:18,960 Speaker 4: to Earth to tell them to like chill out and 269 00:15:18,960 --> 00:15:23,760 Speaker 4: stop being so violent, and that was Jesus. So Jesus 270 00:15:23,840 --> 00:15:26,360 Speaker 4: was an engineer, but then he didn't really put it 271 00:15:26,360 --> 00:15:30,760 Speaker 4: in so that credible kind of like the under that's 272 00:15:30,960 --> 00:15:33,480 Speaker 4: the subtext, man, that's straight from Ridley Scott. 273 00:15:33,800 --> 00:15:38,320 Speaker 1: The movie is very heavily invested in the religious and God, 274 00:15:38,880 --> 00:15:41,360 Speaker 1: and part of the reason that Elizabeth even goes on 275 00:15:41,400 --> 00:15:43,920 Speaker 1: it is just because she's religious and she wants to meet God. 276 00:15:44,080 --> 00:15:46,920 Speaker 1: She wants to understand faith and where she comes from. 277 00:15:47,240 --> 00:15:49,840 Speaker 1: That is incredible and I had no idea that was 278 00:15:49,880 --> 00:15:51,520 Speaker 1: part of the canon, So thank you for that one, 279 00:15:51,640 --> 00:15:52,960 Speaker 1: Ridley Scott and Jason. 280 00:15:53,520 --> 00:15:55,880 Speaker 4: And now we mentioned that mister Oylan was like really 281 00:15:55,880 --> 00:15:58,840 Speaker 4: really old and about to die, and by the time 282 00:15:58,880 --> 00:16:01,160 Speaker 4: they land on LVT twenty three, everybody thought he was dead, 283 00:16:01,160 --> 00:16:05,120 Speaker 4: but surprise, he's actually alive, and David goes to get 284 00:16:05,200 --> 00:16:06,760 Speaker 4: him from wherever he was high. 285 00:16:06,800 --> 00:16:08,720 Speaker 5: He was like hiding in the in the ship the 286 00:16:08,760 --> 00:16:09,280 Speaker 5: whole time. 287 00:16:09,960 --> 00:16:12,560 Speaker 2: He had like a secret a secret. 288 00:16:13,320 --> 00:16:15,640 Speaker 5: False bottom, like in a desk or something. 289 00:16:15,960 --> 00:16:19,480 Speaker 4: So they get him out and David, you know, goes 290 00:16:19,520 --> 00:16:23,080 Speaker 4: with him, and Charlie's then sorry, Meredith Vickers, I'll call 291 00:16:23,120 --> 00:16:25,960 Speaker 4: it very character name. And Elizabeth and I go to 292 00:16:26,280 --> 00:16:30,880 Speaker 4: the engineership and then David wakes up an engineer and 293 00:16:30,920 --> 00:16:33,040 Speaker 4: he can talk to them because he's been studying proto 294 00:16:33,120 --> 00:16:37,680 Speaker 4: into a European this ancient language, and so he translates 295 00:16:37,680 --> 00:16:40,840 Speaker 4: for mister Whyland and basically says, hey, I know we 296 00:16:40,960 --> 00:16:43,400 Speaker 4: just woke you up, but like my boss wants to 297 00:16:43,440 --> 00:16:45,960 Speaker 4: know how he cannot die. And the engineer is like, 298 00:16:46,040 --> 00:16:48,160 Speaker 4: you came all the way here for this, and he 299 00:16:48,200 --> 00:16:51,640 Speaker 4: goes crazy. He rips David's head off. He's so pissed off, 300 00:16:51,680 --> 00:16:54,560 Speaker 4: He's like that, he rips. 301 00:16:54,400 --> 00:16:55,200 Speaker 5: David's head off. 302 00:16:55,440 --> 00:16:58,600 Speaker 4: He bashes mister Whyland in the head with David's head, 303 00:16:59,280 --> 00:17:03,040 Speaker 4: and then you know, it goes. He tries to take off, 304 00:17:03,400 --> 00:17:07,879 Speaker 4: but Elizabeth, you know, radios to Adris Elba and is like, 305 00:17:07,920 --> 00:17:10,400 Speaker 4: we need to crash the ship or else, like he's 306 00:17:10,400 --> 00:17:13,800 Speaker 4: gonna send the Black pep to Earth. The ship crashes. 307 00:17:14,240 --> 00:17:18,040 Speaker 4: Now the engineer is like chasing Elizabeth. It chases her 308 00:17:18,200 --> 00:17:22,360 Speaker 4: through the human ship, where all of a sudden, Elizabeth's 309 00:17:22,760 --> 00:17:26,520 Speaker 4: xenomorph baby that looks like now like a huge squid yeah, 310 00:17:27,000 --> 00:17:31,440 Speaker 4: math subdues the engineer and impregnates it, like puts its 311 00:17:31,480 --> 00:17:35,399 Speaker 4: like egg overpositor into the Engineer's mouth, which is like 312 00:17:35,440 --> 00:17:40,000 Speaker 4: super super gross. Elizabeth then recovers David's head and body 313 00:17:40,400 --> 00:17:42,480 Speaker 4: and is like, hey, I want to go to the 314 00:17:42,520 --> 00:17:43,520 Speaker 4: engineer Homeworld. 315 00:17:43,840 --> 00:17:44,720 Speaker 5: I need answers. 316 00:17:44,800 --> 00:17:46,480 Speaker 4: I want to find out why they're going to wipe 317 00:17:46,520 --> 00:17:50,840 Speaker 4: out humanity with the black Goo, and will you take me? 318 00:17:50,880 --> 00:17:57,400 Speaker 4: And David's like, you know what, fuck it, let's do it. 319 00:17:58,000 --> 00:18:02,520 Speaker 4: After this a xenomore, not a full alien as we 320 00:18:02,600 --> 00:18:05,600 Speaker 4: know from like alien and Aliens, but like more kind 321 00:18:05,600 --> 00:18:10,359 Speaker 4: of like certainly one that looks like right, it's getting there. 322 00:18:10,920 --> 00:18:15,000 Speaker 4: It bursts out of the Engineer's chest. Uh, and then 323 00:18:15,160 --> 00:18:18,520 Speaker 4: later off this is kind of like this is not 324 00:18:18,640 --> 00:18:20,800 Speaker 4: in the movie, but it's part of like the Off 325 00:18:20,880 --> 00:18:25,359 Speaker 4: Cannon and other fictional materials. Whaland Industries goes bankrupt because 326 00:18:26,040 --> 00:18:29,040 Speaker 4: mister Whalen put all his money. They flopped that to 327 00:18:29,160 --> 00:18:31,960 Speaker 4: just Coromedia's mission, and it is then acquired by the 328 00:18:32,000 --> 00:18:36,480 Speaker 4: Utani Corporation, creating the Whaland Utani Corporation that brings us 329 00:18:36,520 --> 00:18:41,080 Speaker 4: to Alien Covenant. The year is twenty one oh four. 330 00:18:42,680 --> 00:18:47,760 Speaker 4: The Whaland Utani ship Covenant, carrying several thousand Space Columnists, 331 00:18:47,920 --> 00:18:52,080 Speaker 4: is on its way to Orgie six Walter and Advanced 332 00:18:52,160 --> 00:18:57,280 Speaker 4: Synth using the David format, but with all of David's 333 00:18:57,320 --> 00:19:00,520 Speaker 4: like creative abilities that human beings found like really just 334 00:19:00,560 --> 00:19:05,320 Speaker 4: concerning removed manages things during the long cryo sleep of 335 00:19:05,400 --> 00:19:08,240 Speaker 4: the crew and all the colonists. But then tragedy strikes. 336 00:19:08,240 --> 00:19:12,240 Speaker 4: There's this neutrino burst and Walt tries to wake everybody 337 00:19:12,359 --> 00:19:14,359 Speaker 4: up to get them out of their tubes because the 338 00:19:14,359 --> 00:19:17,639 Speaker 4: ship is damaged, but Captain James Franco sadly dies in 339 00:19:17,680 --> 00:19:18,560 Speaker 4: his cryo tube. 340 00:19:18,800 --> 00:19:22,720 Speaker 2: Rip to that captain, rip to him. 341 00:19:23,040 --> 00:19:26,399 Speaker 4: Now, the crew while it's fixing the ship, gets a 342 00:19:26,480 --> 00:19:29,760 Speaker 4: distress signal from a nearby planet called Planet four, and 343 00:19:30,040 --> 00:19:34,000 Speaker 4: the new captain, Captain Orum, is like, let's go investigate. 344 00:19:34,040 --> 00:19:37,000 Speaker 4: So they investigate and they find out that this distress signal, 345 00:19:37,280 --> 00:19:39,399 Speaker 4: which came in the form of take Me Home, Country 346 00:19:39,440 --> 00:19:44,040 Speaker 4: Roads by John Denver in Christ, is from a planet 347 00:19:44,480 --> 00:19:49,040 Speaker 4: Planet four that is like completely like earthlike it can 348 00:19:49,200 --> 00:19:52,760 Speaker 4: it's got like water. They live there, and so the 349 00:19:52,760 --> 00:19:55,720 Speaker 4: whole crew is like, you know what, we just saw 350 00:19:55,760 --> 00:19:59,240 Speaker 4: the captain like get burned alive in his tube. Nobody 351 00:19:59,240 --> 00:20:03,960 Speaker 4: wants to get back for seven years. What if this 352 00:20:04,040 --> 00:20:05,679 Speaker 4: is the answer to all our problems? We just like 353 00:20:05,840 --> 00:20:09,359 Speaker 4: do this, We just like stay here. Daniels, who is 354 00:20:10,040 --> 00:20:13,080 Speaker 4: James Franco's widow now and is the second in command 355 00:20:13,160 --> 00:20:15,800 Speaker 4: is like, wait, wait, wait, it seems a little too perfect, 356 00:20:15,840 --> 00:20:18,359 Speaker 4: doesn't it, Like why didn't we ever we do all 357 00:20:18,400 --> 00:20:21,160 Speaker 4: these scans, which is how we found six, but now 358 00:20:21,160 --> 00:20:24,000 Speaker 4: there's this closer planet and we never saw it, and 359 00:20:24,040 --> 00:20:28,080 Speaker 4: it's like perfect, Like this doesn't seem any weird anybody, 360 00:20:28,240 --> 00:20:31,000 Speaker 4: And everybody's like shut up, no. So they go to 361 00:20:31,359 --> 00:20:36,359 Speaker 4: investigation and these are the dumbest fucking scientists ever. So 362 00:20:36,880 --> 00:20:39,400 Speaker 4: they go down to investigate this earth like planet and 363 00:20:39,800 --> 00:20:45,119 Speaker 4: they go with like literally no ppe, no helmets, no breathers, 364 00:20:45,560 --> 00:20:49,200 Speaker 4: nothing that we can just bring. Well, I guess they're 365 00:20:49,280 --> 00:20:51,600 Speaker 4: just like sitting on stuff and touching things and like 366 00:20:52,240 --> 00:20:54,400 Speaker 4: you don't see them drink the water, but they might 367 00:20:54,440 --> 00:20:56,560 Speaker 4: as well be, because they're just like breathing the error. 368 00:20:57,080 --> 00:21:01,920 Speaker 4: They're raw dogging this fucking planet and shocking Goose because 369 00:21:02,040 --> 00:21:07,680 Speaker 4: what they get infected by like sports the black goo, right, 370 00:21:08,840 --> 00:21:13,560 Speaker 4: And of course they then become hosts for xeno Morphs. 371 00:21:14,200 --> 00:21:16,720 Speaker 4: By the way, we also see that this there's a 372 00:21:16,760 --> 00:21:19,040 Speaker 4: city here and it's full of like dead engineers. This 373 00:21:19,160 --> 00:21:22,479 Speaker 4: is like the engineer home World. So one of the 374 00:21:22,680 --> 00:21:26,159 Speaker 4: infected team members gets taken back aboard the ship the covenant, 375 00:21:26,160 --> 00:21:28,280 Speaker 4: which is crazy. You just bring him back on he's 376 00:21:28,280 --> 00:21:29,840 Speaker 4: got he's sick with Why would you. 377 00:21:29,800 --> 00:21:32,199 Speaker 2: Do it every time? They are not following. 378 00:21:32,200 --> 00:21:36,440 Speaker 1: It's kind of like just keep him in quarantine. They 379 00:21:36,480 --> 00:21:39,879 Speaker 1: were not prepared whoever put together this team of colonists, 380 00:21:39,920 --> 00:21:42,840 Speaker 1: and they were not prepared to be colonizing the. 381 00:21:42,760 --> 00:21:45,640 Speaker 4: Rest of the group like remains on the planet's surface 382 00:21:45,720 --> 00:21:48,639 Speaker 4: with another infected guy. They then get attacked by the 383 00:21:48,800 --> 00:21:52,240 Speaker 4: xeno morphs that were one of which was born from 384 00:21:52,400 --> 00:21:56,040 Speaker 4: the infected person. But then they're saved by David Damon's 385 00:21:56,080 --> 00:21:57,040 Speaker 4: here dun dum. 386 00:21:58,160 --> 00:21:59,640 Speaker 2: It turns out he's. 387 00:21:59,480 --> 00:22:03,040 Speaker 4: David wiped out all the engineers by like dropping their 388 00:22:03,080 --> 00:22:07,480 Speaker 4: black goo bombs on them, and he's spent all the time, 389 00:22:07,680 --> 00:22:11,199 Speaker 4: like whatever it is eleven years later or something, trying 390 00:22:11,240 --> 00:22:14,640 Speaker 4: to perfect the perfect zenomorph because he loves making things. 391 00:22:16,040 --> 00:22:21,560 Speaker 2: He just loves this. You get some deeply wild moments. 392 00:22:21,640 --> 00:22:24,680 Speaker 1: I remember sitting in the movie theater in Long Beach, 393 00:22:25,200 --> 00:22:27,639 Speaker 1: where I believe I went with people from my old 394 00:22:27,720 --> 00:22:30,840 Speaker 1: comic shop that used to be on the waterfront at 395 00:22:30,880 --> 00:22:34,119 Speaker 1: Long Beach, and we went there and there is like 396 00:22:34,160 --> 00:22:37,119 Speaker 1: a five minute scene in this movie where one of 397 00:22:37,160 --> 00:22:43,080 Speaker 1: the Michael Fassbenders is like playing yeah, and then they're 398 00:22:43,160 --> 00:22:46,560 Speaker 1: like gonna kiss and like it is legitimately one of 399 00:22:46,600 --> 00:22:50,040 Speaker 1: the weirdest movies. Jason's Fantastic Recap has always is just 400 00:22:50,119 --> 00:22:52,640 Speaker 1: zooming through this, making it seem far more action packed 401 00:22:52,680 --> 00:22:53,119 Speaker 1: than it is. 402 00:22:53,359 --> 00:22:56,360 Speaker 2: This is like such a weirdly long. 403 00:22:56,240 --> 00:23:02,000 Speaker 1: Atmospheric like gothic movie, and the two micro fast mendez 404 00:23:02,040 --> 00:23:03,960 Speaker 1: are just having the wildest thought. 405 00:23:04,160 --> 00:23:08,320 Speaker 4: So David then kills Walter in the scene that Rosie 406 00:23:08,359 --> 00:23:10,520 Speaker 4: was just talking about after the flute scene, basically tricks 407 00:23:10,600 --> 00:23:12,600 Speaker 4: him and like rips something out of his neck and 408 00:23:13,040 --> 00:23:17,640 Speaker 4: fucking drops him dead. But Walter is a significantly upgraded model, 409 00:23:17,680 --> 00:23:19,960 Speaker 4: and he like fixes himself somehow off camera and comes 410 00:23:19,960 --> 00:23:21,360 Speaker 4: back and he takes out David. 411 00:23:21,560 --> 00:23:24,760 Speaker 5: Walter Daniels again. 412 00:23:24,840 --> 00:23:28,200 Speaker 4: James Franco's widow then flee back to the Covenant ship, 413 00:23:28,240 --> 00:23:32,280 Speaker 4: but then it turns out that the xenomorph hatched out 414 00:23:32,320 --> 00:23:34,399 Speaker 4: of the sick guy that they brought him to the 415 00:23:34,440 --> 00:23:38,239 Speaker 4: fucking ship is now loose on the ship. So uh, 416 00:23:38,720 --> 00:23:46,400 Speaker 4: David Daniels and Danny McBride worked together to kill the alien. Hey, 417 00:23:46,440 --> 00:23:51,480 Speaker 4: and as Daniels is being put back into cryo sleep by. 418 00:23:51,840 --> 00:23:55,800 Speaker 1: This bit is actually genuinely terrifying, and I still think 419 00:23:55,840 --> 00:23:57,040 Speaker 1: about how impact. 420 00:23:56,800 --> 00:23:59,080 Speaker 5: This and is was fucking great. 421 00:23:59,480 --> 00:24:02,320 Speaker 4: So Daniels has been put back into cry sleep by Walter, 422 00:24:03,000 --> 00:24:06,280 Speaker 4: and she says, hey, will you help me build my 423 00:24:06,440 --> 00:24:09,600 Speaker 4: log cabin earlier in the movie of building a log cabin, 424 00:24:09,760 --> 00:24:11,840 Speaker 4: and he doesn't get the reference, and she realizes with 425 00:24:11,960 --> 00:24:16,719 Speaker 4: horror that it's actually David, that's not Walter, and she 426 00:24:16,960 --> 00:24:19,320 Speaker 4: but she can't do anything now because the go to 427 00:24:19,359 --> 00:24:21,520 Speaker 4: sleep gases are filling the tube, and she goes to 428 00:24:21,520 --> 00:24:26,639 Speaker 4: fucking sleep. David then throws up to face huggers like 429 00:24:26,680 --> 00:24:27,399 Speaker 4: in little. 430 00:24:27,400 --> 00:24:30,840 Speaker 5: Plastic cash pill capsules, puts. 431 00:24:30,560 --> 00:24:34,960 Speaker 4: Them in the human embryo freezer, and then radio's mission 432 00:24:34,960 --> 00:24:38,080 Speaker 4: control back on Earth and says, hey, sorry, everybody died 433 00:24:38,640 --> 00:24:40,480 Speaker 4: and I'm trying to carry out the machine on my own. 434 00:24:40,960 --> 00:24:43,040 Speaker 4: We'll be back in just a moment after a word 435 00:24:43,119 --> 00:24:47,159 Speaker 4: from our friends at whalen Utani. Whalen Utani making the 436 00:24:47,200 --> 00:25:04,160 Speaker 4: galaxy better, and we're back. 437 00:25:04,640 --> 00:25:05,840 Speaker 5: That brings us too. 438 00:25:06,640 --> 00:25:12,120 Speaker 4: Yeah, Alien nineteen seventy nine's Alien. The movie that's started 439 00:25:12,240 --> 00:25:17,680 Speaker 4: all the year is twenty one twenty two The Wayland 440 00:25:17,760 --> 00:25:21,560 Speaker 4: Utanni Mining ship Nostromo receives a distress signal from planet 441 00:25:21,640 --> 00:25:24,400 Speaker 4: LV four twenty six. They go to investigate. They find 442 00:25:24,400 --> 00:25:28,200 Speaker 4: an alien ship. On the ship, there is a long 443 00:25:28,240 --> 00:25:30,880 Speaker 4: dead engineer still in a jump seat with like the 444 00:25:31,320 --> 00:25:36,320 Speaker 4: trademark burst out of its chest. A face hugger hatches 445 00:25:36,720 --> 00:25:41,119 Speaker 4: and attaches itself to the face of one of the 446 00:25:41,160 --> 00:25:45,359 Speaker 4: crew members named Kane, who is then taken back aboard 447 00:25:45,440 --> 00:25:49,679 Speaker 4: the ship by the fucking Captain Dallas played by Tom Scarrett. 448 00:25:49,680 --> 00:25:50,360 Speaker 5: I will say this is. 449 00:25:50,280 --> 00:25:54,720 Speaker 4: The most effective like breaking quarantine scene because Ripley Ellen Ripley, 450 00:25:54,720 --> 00:25:57,520 Speaker 4: played by Sigourney Weaver, the hero of the film, is 451 00:25:57,560 --> 00:26:00,240 Speaker 4: like you come, don't is like hard. 452 00:26:00,160 --> 00:26:02,800 Speaker 2: No, She is the safety officer, don't you. 453 00:26:03,280 --> 00:26:04,439 Speaker 5: Says I'm not letting you in. 454 00:26:04,480 --> 00:26:05,960 Speaker 4: You have to be there for you have to stay 455 00:26:05,960 --> 00:26:09,800 Speaker 4: in quarantine for twenty four hours. But it's Ash the 456 00:26:10,119 --> 00:26:12,000 Speaker 4: who then turns out to be Sayna, a human who, 457 00:26:12,040 --> 00:26:15,480 Speaker 4: as we will later learn, has other motives, lets them 458 00:26:15,600 --> 00:26:19,600 Speaker 4: aboard anyway. They get a board, and it's horrific. You know, 459 00:26:19,600 --> 00:26:22,680 Speaker 4: everybody's horrified by this faceoger on Kane. But then eventually 460 00:26:22,680 --> 00:26:25,960 Speaker 4: the face oger lets go and dies and everything seems fine, Yeah, 461 00:26:26,760 --> 00:26:31,160 Speaker 4: until they're all having a wonderful dinner before going back 462 00:26:31,200 --> 00:26:33,879 Speaker 4: and cry to sleep, and Kine is all of a 463 00:26:33,920 --> 00:26:39,040 Speaker 4: sudden in immense distressed, and that happens the Xenomorph burst 464 00:26:39,119 --> 00:26:42,560 Speaker 4: out of his chest to general screen runs across the 465 00:26:43,280 --> 00:26:44,040 Speaker 4: horrifying moment. 466 00:26:44,240 --> 00:26:46,320 Speaker 2: Hilarious and certainly one of. 467 00:26:46,240 --> 00:26:49,359 Speaker 5: The most just an iconic cinema moment. 468 00:26:49,480 --> 00:26:53,480 Speaker 1: Honestly, Yeah, this is still just like after watching all 469 00:26:53,560 --> 00:26:56,280 Speaker 1: these movies in this order, when you get here, the 470 00:26:56,359 --> 00:27:01,280 Speaker 1: pice's fautiful, the gorgeous set, the production design hr guyget 471 00:27:01,320 --> 00:27:01,760 Speaker 1: you can. 472 00:27:01,720 --> 00:27:04,440 Speaker 2: Just feel how tactile and. 473 00:27:04,480 --> 00:27:06,800 Speaker 1: Terrifying it really is compared to some of the more 474 00:27:06,840 --> 00:27:07,640 Speaker 1: modern versions. 475 00:27:07,840 --> 00:27:12,440 Speaker 2: And this scene is still so iconic and so. 476 00:27:13,560 --> 00:27:14,520 Speaker 5: Like this movie. 477 00:27:15,000 --> 00:27:19,600 Speaker 4: Obviously there's some dated things about it, but overall seen 478 00:27:19,640 --> 00:27:22,200 Speaker 4: the scene, just like looking at them walking through hallways 479 00:27:22,200 --> 00:27:25,119 Speaker 4: and stuff, it looks as good as anything need today. 480 00:27:25,280 --> 00:27:30,840 Speaker 1: It looks absolutely Yeah, and it's also a movie. 481 00:27:30,560 --> 00:27:32,480 Speaker 2: About like working classes. 482 00:27:32,320 --> 00:27:35,760 Speaker 5: Yeah, literally about work. It's about on the ship, like. 483 00:27:35,920 --> 00:27:37,399 Speaker 2: It's about blue collar guys. 484 00:27:37,600 --> 00:27:41,359 Speaker 1: It's so interesting in so many different ways that you 485 00:27:41,359 --> 00:27:45,679 Speaker 1: know this many years later still feel really relevant and cool. 486 00:27:45,760 --> 00:27:48,479 Speaker 4: So the Zeno Mooreph quickly grows to this to the 487 00:27:48,520 --> 00:27:50,160 Speaker 4: size of a very large. 488 00:27:49,920 --> 00:27:52,200 Speaker 5: Human being, and it begins. 489 00:27:52,520 --> 00:27:56,479 Speaker 4: Off crewmembers one at a time, including the captain, who 490 00:27:56,960 --> 00:27:59,800 Speaker 4: volunteers himself to go like try and flush this thing 491 00:27:59,840 --> 00:28:02,439 Speaker 4: out of the air ducks because clearly he's feeling like 492 00:28:02,520 --> 00:28:05,600 Speaker 4: shit because this is all his fucking fault, like he 493 00:28:05,800 --> 00:28:06,679 Speaker 4: broke corts me. 494 00:28:08,280 --> 00:28:09,159 Speaker 2: Just listened. 495 00:28:09,880 --> 00:28:16,040 Speaker 4: Now, Ripley discovers that Ash, the science officer, plans to 496 00:28:16,040 --> 00:28:19,360 Speaker 4: return to Earth with the Xenomorph and had in fact 497 00:28:20,560 --> 00:28:24,800 Speaker 4: been kind of directed to steer them towards this distress signal. 498 00:28:25,280 --> 00:28:29,680 Speaker 4: And because the company whyl and Utani that they all 499 00:28:29,720 --> 00:28:34,360 Speaker 4: work for, really, really really wants this xenomorph ip for 500 00:28:34,560 --> 00:28:37,760 Speaker 4: like their weapons divisions, sure like their healthcare division, for 501 00:28:37,840 --> 00:28:40,840 Speaker 4: all sorts of divisions that they have under their banner. 502 00:28:41,000 --> 00:28:43,600 Speaker 2: It really is a killing machine. And also, I want 503 00:28:43,640 --> 00:28:45,640 Speaker 2: to say this. 504 00:28:45,440 --> 00:28:49,560 Speaker 1: Is leads to another one of the most terrifying scenes 505 00:28:49,560 --> 00:28:52,120 Speaker 1: when Ash attacks Ripley. 506 00:28:52,280 --> 00:28:56,960 Speaker 4: It's so simple, but I remember being so disconcerted. First 507 00:28:56,960 --> 00:29:00,600 Speaker 4: of all, I saw this scene. I was not allowed 508 00:29:00,600 --> 00:29:03,720 Speaker 4: to watch the movie. I was probably like five, and 509 00:29:03,920 --> 00:29:06,360 Speaker 4: my parents had it on VHS and they were watching it, 510 00:29:06,440 --> 00:29:08,080 Speaker 4: and I watched it from the top of the stairs. 511 00:29:08,080 --> 00:29:09,160 Speaker 5: I watched the whole fucking thing. 512 00:29:09,840 --> 00:29:13,520 Speaker 4: This scene really bothered me because there's something so weird 513 00:29:13,560 --> 00:29:15,840 Speaker 4: about the way he tries, like he rolls up a 514 00:29:15,920 --> 00:29:18,680 Speaker 4: magazine and tries to stuff it in her mouth, And 515 00:29:18,720 --> 00:29:20,800 Speaker 4: to this day, I've never seen somebody try to kill 516 00:29:20,800 --> 00:29:24,720 Speaker 4: somebody like that, and it really just really bothered me. 517 00:29:24,920 --> 00:29:28,880 Speaker 4: The imagery was so disturbing. Anyway, Ash tries to kill Ripley, 518 00:29:28,880 --> 00:29:32,000 Speaker 4: but then is stopped by the surviving crew members, and 519 00:29:32,040 --> 00:29:35,760 Speaker 4: we discover that Ash is this synthetic human with like 520 00:29:36,040 --> 00:29:37,040 Speaker 4: milky blood. 521 00:29:37,920 --> 00:29:39,680 Speaker 2: Oh oh, so creepy. 522 00:29:39,920 --> 00:29:43,120 Speaker 4: Eventually it gets down to just Ripley because the alien 523 00:29:43,200 --> 00:29:46,320 Speaker 4: kills all these crew members. She and the ship cat 524 00:29:46,440 --> 00:29:49,320 Speaker 4: Jones said, the Stromo is self destuck, and they get 525 00:29:49,360 --> 00:29:53,080 Speaker 4: on a lifeboat and they launch and then Stromo explodes 526 00:29:53,120 --> 00:29:56,000 Speaker 4: and everything's fucking fine. No, it's not, because the alien 527 00:29:56,080 --> 00:29:57,600 Speaker 4: is hiding on the lifeboat. 528 00:29:57,960 --> 00:29:59,720 Speaker 5: They're really smart, these aliens. 529 00:30:00,120 --> 00:30:01,040 Speaker 2: They are very clever. 530 00:30:01,240 --> 00:30:06,920 Speaker 4: Ripley gets into a spacesuit, she opens the airlock, shoots 531 00:30:06,960 --> 00:30:09,920 Speaker 4: the alien in the chest with a harpoon, sending it 532 00:30:10,000 --> 00:30:12,800 Speaker 4: out of the airlock, and then when it tries to 533 00:30:12,800 --> 00:30:16,800 Speaker 4: crawl back onto the hull of the ship. It ends 534 00:30:16,880 --> 00:30:19,480 Speaker 4: up like inside one of the engines of the ship, 535 00:30:19,480 --> 00:30:22,360 Speaker 4: and she hits the thruster and it burns up, and 536 00:30:22,400 --> 00:30:24,200 Speaker 4: then she goes in a cry of sleep at Jones 537 00:30:24,320 --> 00:30:27,800 Speaker 4: and everything is happily ever after, right. 538 00:30:28,360 --> 00:30:31,720 Speaker 2: Of course, normal problems. She escaped with the cat. That's 539 00:30:31,760 --> 00:30:32,320 Speaker 2: all she needed. 540 00:30:32,360 --> 00:30:35,640 Speaker 4: That brings us to coming to a theater near you. Romulus, 541 00:30:36,000 --> 00:30:39,360 Speaker 4: set between the events of Alien and the next movie 542 00:30:39,360 --> 00:30:43,880 Speaker 4: in the series Aliens from nineteen eighty Aliens, Now Aliens 543 00:30:43,960 --> 00:30:46,600 Speaker 4: takes place in the year twenty one to seventy nine. 544 00:30:47,160 --> 00:30:51,400 Speaker 4: Ripley has been asleep for fifty seven years when she 545 00:30:51,880 --> 00:30:54,080 Speaker 4: is discovered by a salvage ship. 546 00:30:54,160 --> 00:30:57,640 Speaker 5: She returns to Earth, but all hope of. 547 00:30:57,640 --> 00:31:02,600 Speaker 4: Like restarting like a normal life are scuttled because her 548 00:31:02,600 --> 00:31:07,520 Speaker 4: credit score is absolutely fucking shit housed because whyland Utani 549 00:31:08,520 --> 00:31:12,720 Speaker 4: considers her financially liable unbelievable for the destruction of the 550 00:31:12,800 --> 00:31:14,720 Speaker 4: now Stroma, which she had to do, And she tries 551 00:31:14,720 --> 00:31:17,160 Speaker 4: to tell them, well, there's this fucking alien, there's a cenomorph. 552 00:31:17,240 --> 00:31:20,480 Speaker 4: It killed the whole crewude, and the shot whatever, We've 553 00:31:20,480 --> 00:31:22,640 Speaker 4: never heard of anything like that. 554 00:31:22,720 --> 00:31:25,480 Speaker 2: Meanwhile, we know, yeah, what are you talking about? 555 00:31:25,720 --> 00:31:30,080 Speaker 4: Utani company, And separately, both the Whyland and Utani sides 556 00:31:30,120 --> 00:31:33,840 Speaker 4: of the company have been aware, well aware of the 557 00:31:34,560 --> 00:31:39,880 Speaker 4: existence of xenomorphs, saying since the twentieth century, they've known about. 558 00:31:39,560 --> 00:31:41,440 Speaker 2: It, they've been trying to make one. 559 00:31:41,760 --> 00:31:43,560 Speaker 1: Also, I just want to say, you know, this is 560 00:31:43,600 --> 00:31:46,320 Speaker 1: a huge change from Ridley Scott, the original director. Now 561 00:31:46,320 --> 00:31:48,600 Speaker 1: you've got James Cameron. That's two of the biggest directors 562 00:31:48,600 --> 00:31:52,080 Speaker 1: of all time. But I love that James Cameron respected 563 00:31:52,160 --> 00:31:55,320 Speaker 1: that this needed to at least begin by being a 564 00:31:55,320 --> 00:31:57,640 Speaker 1: movie about a blue collar worker getting fucked over by 565 00:31:57,680 --> 00:32:00,680 Speaker 1: a corporation. He was like, that part is really important, 566 00:32:00,720 --> 00:32:02,280 Speaker 1: even if the rest of the movie is going to 567 00:32:02,360 --> 00:32:04,960 Speaker 1: be totally different. I just need people to know I 568 00:32:05,080 --> 00:32:07,880 Speaker 1: remember that that is what made that movie. 569 00:32:07,920 --> 00:32:11,400 Speaker 4: And I have to say, you gotta love James Cameron 570 00:32:12,560 --> 00:32:17,280 Speaker 4: before the Avatar movies, before this complete CG revolution that 571 00:32:17,320 --> 00:32:21,640 Speaker 4: he undertook, because here's another movie with the production design, 572 00:32:21,680 --> 00:32:27,080 Speaker 4: the practical effects, the sets that looks so tactile and 573 00:32:27,160 --> 00:32:31,120 Speaker 4: real and lived in and it looks again, it looks 574 00:32:31,160 --> 00:32:33,720 Speaker 4: as good as any movie that will come out like 575 00:32:33,800 --> 00:32:40,360 Speaker 4: it just looks fucking great. Anyway, when Wayland loses contact 576 00:32:40,400 --> 00:32:44,840 Speaker 4: with their colony, Hadley's Hope on LV four twenty six. 577 00:32:45,680 --> 00:32:49,560 Speaker 2: Why did they stock Alanya Guy? Well, I think they 578 00:32:49,640 --> 00:32:50,880 Speaker 2: knew it. I think they did that. 579 00:32:51,000 --> 00:32:52,080 Speaker 5: Honestly, I think they did this. 580 00:32:52,640 --> 00:32:57,000 Speaker 4: They did so they strong armed Ripley into going back 581 00:32:57,240 --> 00:32:59,880 Speaker 4: because she's the only person with experience with Xeno Morrison. 582 00:33:00,080 --> 00:33:02,400 Speaker 4: She's like, you'll be a consultant, and by the way, 583 00:33:02,400 --> 00:33:05,600 Speaker 4: you'll be completely safe because we're sending you with a 584 00:33:05,640 --> 00:33:10,640 Speaker 4: squad of heavily armed colonial marines. These these men and 585 00:33:10,720 --> 00:33:15,520 Speaker 4: women are fucking badasses. They're so buff and they go 586 00:33:15,760 --> 00:33:17,520 Speaker 4: they're fucking professionals. 587 00:33:18,000 --> 00:33:20,280 Speaker 2: There's nothing that can happen to them. 588 00:33:20,360 --> 00:33:26,560 Speaker 4: They've kill, kill, kill, and there's nobody better Baby Galaxy 589 00:33:26,640 --> 00:33:28,560 Speaker 4: than them. Well, yes there is, because as soon as 590 00:33:28,600 --> 00:33:33,480 Speaker 4: they land, the aliens wipe out the fucking Marines like quick, 591 00:33:33,760 --> 00:33:37,840 Speaker 4: like ten minutes. There's only a handful of marines, and 592 00:33:37,880 --> 00:33:41,760 Speaker 4: this thrust Ripley, a surviving colonist, this little girl named Nude, 593 00:33:42,120 --> 00:33:47,520 Speaker 4: and a rag tag of marines and one company hack 594 00:33:47,680 --> 00:33:51,200 Speaker 4: named Carter Burke into a struggle to survive. They come 595 00:33:51,280 --> 00:33:54,800 Speaker 4: up with a plan to nuke the There're just like, 596 00:33:54,920 --> 00:33:56,200 Speaker 4: let's get back on our ship. 597 00:33:56,560 --> 00:34:01,120 Speaker 5: And fucking nuke. Like what you know, now, Company hack. 598 00:34:00,960 --> 00:34:05,160 Speaker 4: Burke disagrees in Gunnissan Company hack Burke is like, now, 599 00:34:05,160 --> 00:34:09,759 Speaker 4: hold on, this installation holds a significant dollar value to 600 00:34:10,160 --> 00:34:14,719 Speaker 4: the stockholders, not to mention the potential gains to be 601 00:34:14,840 --> 00:34:17,760 Speaker 4: made from the alien ip They're like, shut the fuck up, bitch, 602 00:34:18,120 --> 00:34:19,439 Speaker 4: shut up where nuke. 603 00:34:20,120 --> 00:34:22,240 Speaker 2: They're like, this is alway the problem. 604 00:34:22,560 --> 00:34:24,600 Speaker 1: This is where the problem comes from. You're not taking 605 00:34:24,640 --> 00:34:26,680 Speaker 1: an alien home. It's not Jurassic Park. 606 00:34:26,760 --> 00:34:30,080 Speaker 4: It's again, it must be said, they've been trying to 607 00:34:30,120 --> 00:34:32,640 Speaker 4: take an alien back to Earth for like one hundred 608 00:34:32,719 --> 00:34:36,480 Speaker 4: years at this point. Anyway, this so they ignore him 609 00:34:36,480 --> 00:34:40,000 Speaker 4: and they proceed with nuke from orbit plan, which requires 610 00:34:40,040 --> 00:34:43,279 Speaker 4: them to escape back to their ship. But the aliens 611 00:34:43,560 --> 00:34:46,480 Speaker 4: fucking go crazy. They kill Company Hack, Carter Burke, and 612 00:34:46,520 --> 00:34:51,160 Speaker 4: a bunch of others. Ripley eventually escapes with Newt and 613 00:34:52,040 --> 00:34:56,040 Speaker 4: a bishop the new Synth played by Lance Henrickson, who 614 00:34:56,160 --> 00:34:58,680 Speaker 4: you know Ripley has been struggling to kind of trust 615 00:34:58,960 --> 00:35:01,399 Speaker 4: up until this time. Yeah, they get back on board 616 00:35:01,440 --> 00:35:04,279 Speaker 4: their ship and they are gonna nuke it from orbit, 617 00:35:04,400 --> 00:35:07,440 Speaker 4: but then guess what. It turns out that the alien 618 00:35:07,560 --> 00:35:12,000 Speaker 4: queen who Ripley had previously burned up all the eggs, 619 00:35:12,080 --> 00:35:14,680 Speaker 4: all the alien face hugger eggs in front of the queen. 620 00:35:14,960 --> 00:35:17,960 Speaker 4: It made the queen super angry. Now she's so pissed. 621 00:35:18,160 --> 00:35:20,560 Speaker 4: She attached herself to their jump ship and like was 622 00:35:20,600 --> 00:35:22,560 Speaker 4: hiding in the wheel well and now she appears. She 623 00:35:22,640 --> 00:35:25,759 Speaker 4: tears Bishop in half. But then Ripley, in one of 624 00:35:25,800 --> 00:35:30,560 Speaker 4: the most iconic scenes in movies, Yeah legendary scene, puts 625 00:35:30,600 --> 00:35:34,920 Speaker 4: on a loader suit basically a mech suit and beats 626 00:35:34,920 --> 00:35:38,920 Speaker 4: the shit out of the queen get away from Yeah bitch. 627 00:35:39,120 --> 00:35:44,600 Speaker 2: How you bitch? Also just need to say, like, the 628 00:35:44,719 --> 00:35:46,239 Speaker 2: queen design is so sick. 629 00:35:47,000 --> 00:35:50,880 Speaker 1: It's really hard to come from a movie like Alien 630 00:35:51,680 --> 00:35:54,919 Speaker 1: where you have someone's literal nightmares. In HL Guy Got 631 00:35:54,960 --> 00:35:57,279 Speaker 1: Coming to life as the xenomov, it shocked people. We 632 00:35:57,360 --> 00:35:59,719 Speaker 1: had no idea of what an alien could look like 633 00:35:59,800 --> 00:36:00,359 Speaker 1: before all that. 634 00:36:00,400 --> 00:36:00,879 Speaker 2: Before it had. 635 00:36:00,840 --> 00:36:03,560 Speaker 1: Always been the you know, the the Gray Men kind 636 00:36:03,600 --> 00:36:07,239 Speaker 1: of trope. And then to have to find a new 637 00:36:07,280 --> 00:36:11,080 Speaker 1: way to scare people in the new movie is. 638 00:36:10,560 --> 00:36:11,560 Speaker 2: So well done. 639 00:36:11,640 --> 00:36:13,640 Speaker 1: Even though this is definitely more of an action than 640 00:36:13,680 --> 00:36:16,720 Speaker 1: a sci Fi horror. I do think the Queen design 641 00:36:17,000 --> 00:36:19,360 Speaker 1: goes down as like one of the most badass designs. 642 00:36:19,400 --> 00:36:23,719 Speaker 4: And it must be said, Cameron has created two of 643 00:36:23,760 --> 00:36:28,560 Speaker 4: the greatest sequels of all time T two and Aliens. Ever, 644 00:36:29,600 --> 00:36:33,040 Speaker 4: you know, it's like Godfather too off T two Aliens. 645 00:36:33,080 --> 00:36:36,279 Speaker 4: That's like the triumvirate of the greatest sequels of all 646 00:36:36,320 --> 00:36:37,960 Speaker 4: time and James Cameron has made two of them. 647 00:36:38,280 --> 00:36:41,720 Speaker 5: So yeah, Ripley Jettison's the Queen out into space. 648 00:36:42,440 --> 00:36:46,080 Speaker 4: She puts Hicks into cryo sleep, she puts Nude into 649 00:36:46,120 --> 00:36:48,480 Speaker 4: cryo sleep, she puts herself into cryo sleep. 650 00:36:49,320 --> 00:36:52,439 Speaker 5: And they won. That's it. That's it, We've won. 651 00:36:52,480 --> 00:36:55,759 Speaker 2: We're going back to Thema problems. She's got a nice 652 00:36:55,800 --> 00:36:56,799 Speaker 2: little baby. 653 00:36:56,560 --> 00:37:00,680 Speaker 7: Norm She's a kid likenw no young mute. 654 00:37:01,120 --> 00:37:03,600 Speaker 4: That brings us to Alien three from nineteen ninety two. 655 00:37:03,640 --> 00:37:05,720 Speaker 4: The year is twenty one seventy. 656 00:37:05,360 --> 00:37:07,240 Speaker 2: Nine Dun Dun Dum. 657 00:37:07,480 --> 00:37:12,640 Speaker 4: After a fire aboard the marine intergalactic ship causes the 658 00:37:12,680 --> 00:37:18,000 Speaker 4: lifeboat to be launched, which contains the cryo tubes of Hicks, Ripley, Newt, 659 00:37:18,200 --> 00:37:23,120 Speaker 4: and Bishop. The lifeboat then crashes on a prison planet 660 00:37:23,239 --> 00:37:28,840 Speaker 4: inhabited by all male inmates. Only Ripley survives no scratch. 661 00:37:28,920 --> 00:37:32,680 Speaker 4: That a face hugger, a face hug that was aboard 662 00:37:32,719 --> 00:37:36,440 Speaker 4: the ship also survives. The face hugger then hug wild 663 00:37:36,640 --> 00:37:39,439 Speaker 4: one of the inmates dogs, and the dog quickly gives 664 00:37:39,480 --> 00:37:43,640 Speaker 4: birth to a really bad looking xenomorph alien hybrid. 665 00:37:43,800 --> 00:37:46,440 Speaker 2: Yeah, really ugly dog xenom off hybrid. 666 00:37:46,440 --> 00:37:48,520 Speaker 1: Okay, I just want to stop us that because in 667 00:37:48,560 --> 00:37:50,799 Speaker 1: one of the original scripts this movie was written like 668 00:37:51,040 --> 00:37:53,160 Speaker 1: four or five times before it was made. 669 00:37:53,840 --> 00:37:55,319 Speaker 2: It was originally going to be. 670 00:37:55,320 --> 00:37:59,000 Speaker 4: A cow instead of a dog, which I would have 671 00:37:59,080 --> 00:37:59,880 Speaker 4: loved to see. 672 00:38:00,160 --> 00:38:02,000 Speaker 2: Also, this movie is. 673 00:38:01,960 --> 00:38:06,000 Speaker 1: One of my favorite almost movie scripts, which was the 674 00:38:06,080 --> 00:38:09,320 Speaker 1: original Alien three script was that it was going to 675 00:38:09,400 --> 00:38:12,960 Speaker 1: be set on a planet of monks and the planet 676 00:38:13,000 --> 00:38:16,920 Speaker 1: was entirely wooden, and inside the wooden planet were all 677 00:38:16,920 --> 00:38:18,640 Speaker 1: these tunnels, and you kind of get to see a 678 00:38:18,640 --> 00:38:20,799 Speaker 1: little Instead of monks, you get the prisoners who are 679 00:38:20,800 --> 00:38:23,839 Speaker 1: religious fanatics, and you get some of those tunnels still 680 00:38:23,840 --> 00:38:26,680 Speaker 1: going through the prison planet. But it's not in any 681 00:38:26,680 --> 00:38:28,840 Speaker 1: way as wild as that would have been. This movie 682 00:38:28,880 --> 00:38:32,160 Speaker 1: had true production hell, it went through. 683 00:38:31,960 --> 00:38:36,400 Speaker 4: And this is David Fincher's feature film debut. David Fincher 684 00:38:36,719 --> 00:38:40,440 Speaker 4: was by this time a very accomplished music video and 685 00:38:40,560 --> 00:38:46,520 Speaker 4: commercial director some really like iconic music videos for Madonna 686 00:38:46,800 --> 00:38:50,319 Speaker 4: and many many other notables, and did a lot of 687 00:38:50,320 --> 00:38:54,239 Speaker 4: ad campaigns for Levi's Nike, et cetera. But this is 688 00:38:54,320 --> 00:38:56,920 Speaker 4: his first movie, and he has since he disowned the movie. 689 00:38:57,320 --> 00:38:59,200 Speaker 2: Yes, all three cups. 690 00:38:59,360 --> 00:39:01,879 Speaker 1: He doesn't like the work print, he doesn't like the 691 00:39:01,880 --> 00:39:05,200 Speaker 1: theatrical print, he doesn't like the special edition, he said, 692 00:39:05,280 --> 00:39:05,680 Speaker 1: not for me. 693 00:39:06,040 --> 00:39:09,319 Speaker 2: I find that also, this movie really feels like it. 694 00:39:09,280 --> 00:39:13,239 Speaker 1: Was heavily influenced by like a French cinema at the time, 695 00:39:13,360 --> 00:39:16,480 Speaker 1: like the City of Lost Children. 696 00:39:16,760 --> 00:39:19,240 Speaker 4: We Have Lost Children, kind of like the breakout film 697 00:39:19,440 --> 00:39:22,439 Speaker 4: of the director who directed Alien Resurrection, the next film 698 00:39:22,480 --> 00:39:25,440 Speaker 4: in it. Yeah, and it really feels to me like 699 00:39:25,600 --> 00:39:29,360 Speaker 4: this was influenced I agree with you by that by Delicatessen. 700 00:39:29,440 --> 00:39:32,680 Speaker 2: It has this kind of weird it's incredibly. 701 00:39:33,880 --> 00:39:38,319 Speaker 1: Monotone like the Yeah, it has like these monotone kind 702 00:39:38,360 --> 00:39:42,160 Speaker 1: of like and it's very slow compared to you know, Aliens. 703 00:39:42,480 --> 00:39:45,920 Speaker 1: And yes, the dog's animal hybrid is notoriously bad in 704 00:39:45,960 --> 00:39:49,080 Speaker 1: this and it actually has there's a very famous scene 705 00:39:49,120 --> 00:39:51,640 Speaker 1: with it's just hands and some black leather gloves and 706 00:39:51,680 --> 00:39:54,160 Speaker 1: they just come down on the screen and everyone's like, 707 00:39:54,239 --> 00:39:56,440 Speaker 1: no human adds. 708 00:39:56,360 --> 00:39:59,440 Speaker 4: CG for it, And this is nineteen ninety two, and 709 00:39:59,600 --> 00:40:01,560 Speaker 4: you know, by this point it's like the state of 710 00:40:01,600 --> 00:40:04,680 Speaker 4: the art for this kind of CG was again probably 711 00:40:04,719 --> 00:40:08,560 Speaker 4: T two and What's the James Cameron. 712 00:40:08,640 --> 00:40:10,200 Speaker 1: Which, by the way was also at the time the 713 00:40:10,200 --> 00:40:13,840 Speaker 1: most expensive underwater deep the Abyss. 714 00:40:14,080 --> 00:40:15,640 Speaker 5: So you know, at this time. 715 00:40:15,480 --> 00:40:17,080 Speaker 4: The state of the art for this kind of effects 716 00:40:17,160 --> 00:40:19,680 Speaker 4: was probably like T two and The Abyss, both by 717 00:40:19,760 --> 00:40:20,239 Speaker 4: James Cameron. 718 00:40:20,280 --> 00:40:21,040 Speaker 5: By the way, the. 719 00:40:21,040 --> 00:40:25,600 Speaker 8: Dog Allian Dog alias Let's go with them, they like 720 00:40:26,360 --> 00:40:31,839 Speaker 8: gave it this kind of green sheen, which I think 721 00:40:31,880 --> 00:40:34,160 Speaker 8: what they were intending to do was to make it 722 00:40:34,280 --> 00:40:39,440 Speaker 8: stand out from these very gray stone hallway backgrounds that stand. 723 00:40:39,200 --> 00:40:40,320 Speaker 5: Out from the shadows. 724 00:40:40,600 --> 00:40:44,600 Speaker 4: But the issue is it made it look completely not 725 00:40:44,840 --> 00:40:46,880 Speaker 4: realistic to the way light works. 726 00:40:47,160 --> 00:40:50,759 Speaker 1: Yeah, in any way, so it just looks anyway, I 727 00:40:50,800 --> 00:40:53,239 Speaker 1: will say as well. Another interesting thing I learned because 728 00:40:53,280 --> 00:40:55,680 Speaker 1: I watched this on laser disc, so I was like, oh, 729 00:40:55,920 --> 00:40:58,439 Speaker 1: maybe the laser disc lasion is a different cock because 730 00:40:58,440 --> 00:41:00,719 Speaker 1: I've seen many different cots of the Alien movie. 731 00:41:00,760 --> 00:41:01,600 Speaker 2: Because there were just so. 732 00:41:01,640 --> 00:41:05,239 Speaker 1: Many no, But what I did learn is that how 733 00:41:05,280 --> 00:41:07,520 Speaker 1: they did the CG on this so they could see 734 00:41:07,520 --> 00:41:09,560 Speaker 1: what it looked like was they would take a. 735 00:41:09,560 --> 00:41:11,840 Speaker 2: Laser disc version of the dailies and then. 736 00:41:11,920 --> 00:41:15,839 Speaker 1: Overlay the CIG on top of the movie to see 737 00:41:15,880 --> 00:41:16,680 Speaker 1: what it would look like. 738 00:41:16,800 --> 00:41:18,040 Speaker 2: Yeah, that's how they were making it. 739 00:41:18,080 --> 00:41:20,080 Speaker 1: So laser disc actually a very important part of the 740 00:41:20,120 --> 00:41:23,520 Speaker 1: making of this movie. But yeah, it does look like 741 00:41:23,560 --> 00:41:25,719 Speaker 1: the CG was done with laser disc, so that did 742 00:41:25,760 --> 00:41:26,920 Speaker 1: not actually surprise me. 743 00:41:28,160 --> 00:41:30,759 Speaker 5: Ripley forms a bond with Clemens. 744 00:41:30,760 --> 00:41:34,560 Speaker 4: The prison doctor played by Charles Dance aka Tywon Lanister 745 00:41:35,480 --> 00:41:39,640 Speaker 4: Taiwan landis dog alien goes on a fucking hot streak 746 00:41:39,840 --> 00:41:42,320 Speaker 4: like killing Sbury. It's just kill Ay, kills the warden 747 00:41:42,680 --> 00:41:46,200 Speaker 4: while the warden is giving kills the warden while the 748 00:41:46,239 --> 00:41:49,160 Speaker 4: warden is giving like a speech about how no one 749 00:41:49,160 --> 00:41:51,240 Speaker 4: should be worried about like the people who've been dying 750 00:41:51,280 --> 00:41:54,680 Speaker 4: recently in any rumor that there's like a dragon running 751 00:41:54,680 --> 00:41:55,800 Speaker 4: around they. 752 00:41:55,480 --> 00:41:56,520 Speaker 5: Killing people's nature. 753 00:41:56,920 --> 00:42:00,600 Speaker 4: The dog alien like reaches down from the fucking sea 754 00:42:00,760 --> 00:42:02,440 Speaker 4: and just like. 755 00:42:02,520 --> 00:42:06,640 Speaker 5: Choose him up. But it doesn't kill Ripley because guess why. 756 00:42:07,120 --> 00:42:09,560 Speaker 2: Huh, oh man, I wonder why it. 757 00:42:10,360 --> 00:42:13,000 Speaker 4: With an alien the face hugger got her in the 758 00:42:14,160 --> 00:42:17,919 Speaker 4: oh Man so and so remember it bummed out about 759 00:42:17,920 --> 00:42:20,080 Speaker 4: this and she's like, well, I'm gonna kill myself. 760 00:42:20,120 --> 00:42:21,920 Speaker 5: I want to die. And the inmates are. 761 00:42:21,760 --> 00:42:24,120 Speaker 2: Like, Noah's more, you die. 762 00:42:24,360 --> 00:42:26,480 Speaker 5: You have to help us beat this thing because you've 763 00:42:27,560 --> 00:42:31,799 Speaker 5: you've done it twice. Now we can't. We need you. 764 00:42:31,880 --> 00:42:33,680 Speaker 5: We need your help, you see, and then you can 765 00:42:33,800 --> 00:42:35,040 Speaker 5: kill yourself. And she's like okay. 766 00:42:35,360 --> 00:42:36,880 Speaker 4: So that she comes up with a plant to like 767 00:42:36,960 --> 00:42:40,440 Speaker 4: lure it because they have no weapons on this prison facility, 768 00:42:40,800 --> 00:42:44,880 Speaker 4: lure it into it like a furnace facility that they 769 00:42:44,920 --> 00:42:47,839 Speaker 4: have where they can dump like molten metal on it 770 00:42:47,920 --> 00:42:48,319 Speaker 4: and kill it. 771 00:42:48,360 --> 00:42:49,319 Speaker 5: And so they managed to do that. 772 00:42:49,360 --> 00:42:52,799 Speaker 4: They dumped the molten metal on it and then just 773 00:42:53,000 --> 00:42:55,960 Speaker 4: like terminated too. They like spray it with water which 774 00:42:56,080 --> 00:42:59,960 Speaker 4: has this like rapid temperature shift and its it like shatters. 775 00:43:00,719 --> 00:43:04,279 Speaker 4: Okay again, just you think this must be one of 776 00:43:04,280 --> 00:43:05,560 Speaker 4: the things that bothers Fincher too. 777 00:43:05,600 --> 00:43:06,440 Speaker 5: He's like, but they did. 778 00:43:06,680 --> 00:43:09,080 Speaker 4: They did an interminator too, and then we're doing it 779 00:43:09,080 --> 00:43:12,160 Speaker 4: at the end of the So then Ripley is about 780 00:43:12,160 --> 00:43:15,640 Speaker 4: to jump in the furnace. Mission accomplished she wants wants 781 00:43:15,680 --> 00:43:17,719 Speaker 4: to kill this turns out she's an alien queen in 782 00:43:17,800 --> 00:43:22,840 Speaker 4: her chest. But then a whalen Utani rescue team arrives, 783 00:43:23,600 --> 00:43:28,560 Speaker 4: led by mister Bishop, the human creator of Bishop the Synth. 784 00:43:29,800 --> 00:43:33,120 Speaker 4: He's glens Hendrick is back and there and whaling Utani 785 00:43:33,200 --> 00:43:35,640 Speaker 4: must be thinking, finally, this is it. We've got it, 786 00:43:35,719 --> 00:43:39,880 Speaker 4: We've it actually did it's We've been trying to do 787 00:43:39,960 --> 00:43:42,760 Speaker 4: this for two hundred years and now we finally got 788 00:43:42,800 --> 00:43:45,360 Speaker 4: a human with a with an alieness and it's an 789 00:43:45,400 --> 00:43:47,880 Speaker 4: alien queen. We've got to get this thing back to Earth. 790 00:43:48,800 --> 00:43:50,600 Speaker 5: But it doesn't work. 791 00:43:50,760 --> 00:43:53,879 Speaker 4: And even though mister Bishop is very very I might 792 00:43:53,920 --> 00:43:55,400 Speaker 4: have been persuaded by mister Bishop. 793 00:43:55,560 --> 00:43:57,799 Speaker 5: He really puts the charm on. He's like, Ripley, what 794 00:43:57,840 --> 00:44:03,000 Speaker 5: are you? Don't you want to go Homely, it's gonna 795 00:44:03,000 --> 00:44:03,440 Speaker 5: be great. 796 00:44:03,640 --> 00:44:06,319 Speaker 2: You think we couldn't be great. And then she's like 797 00:44:06,840 --> 00:44:07,279 Speaker 2: part of. 798 00:44:07,239 --> 00:44:09,399 Speaker 5: The whale of you family like don't do. 799 00:44:09,320 --> 00:44:13,280 Speaker 1: That, and she's like, well, my adopted daughter is dead 800 00:44:13,520 --> 00:44:16,000 Speaker 1: and I'm pregnant with the alien baby, so I'm just 801 00:44:16,040 --> 00:44:19,279 Speaker 1: gonna jump into this CG molten metal like. 802 00:44:19,320 --> 00:44:21,719 Speaker 5: Jumps into the CG molten metal just. 803 00:44:21,840 --> 00:44:26,640 Speaker 4: Like Jesus Christ just as the alien queen burst out 804 00:44:26,640 --> 00:44:30,920 Speaker 4: of her chest and she's like like a baby, and 805 00:44:30,960 --> 00:44:33,640 Speaker 4: they hit they hit the metal and they burn up 806 00:44:33,680 --> 00:44:34,160 Speaker 4: and that's it. 807 00:44:34,239 --> 00:44:35,640 Speaker 5: Happily. Ever, after that's. 808 00:44:35,440 --> 00:44:38,520 Speaker 1: It, we just have to take a break to go 809 00:44:38,680 --> 00:44:42,680 Speaker 1: and insert the alien eggs into our human sacrifices so 810 00:44:42,719 --> 00:44:45,360 Speaker 1: we can have xenomorphs ready for you after this. 811 00:44:45,280 --> 00:45:06,040 Speaker 7: Message, and we're back. 812 00:45:06,560 --> 00:45:10,360 Speaker 2: Finally, Ripley is free from the aliens. Nothing else could happen. 813 00:45:11,040 --> 00:45:15,839 Speaker 5: Alien Resurrection nineteen ninety seven the year, but it's been 814 00:45:15,880 --> 00:45:18,960 Speaker 5: two hundred years, directed by Jean Pierre Jeunette. 815 00:45:19,480 --> 00:45:22,160 Speaker 2: Still haven't done it. They still haven't. 816 00:45:22,200 --> 00:45:26,760 Speaker 5: Directed by French weirdo Jean Pierre Jeanne of Omily fame 817 00:45:27,239 --> 00:45:30,160 Speaker 5: and the City of City of Lost Children, City of 818 00:45:30,200 --> 00:45:33,319 Speaker 5: Lost Children. Super weird, really fun movie. 819 00:45:33,640 --> 00:45:35,960 Speaker 4: I'm not sure he was the correct choice for this film, 820 00:45:36,000 --> 00:45:40,440 Speaker 4: but regardless. Whalen Utani scientists a border ship named the 821 00:45:40,440 --> 00:45:43,880 Speaker 4: Ariga clone Ripley from a blood sample and they combine 822 00:45:43,880 --> 00:45:47,680 Speaker 4: it with xenomorphtine clone Ripley and then grows up to 823 00:45:48,000 --> 00:45:51,600 Speaker 4: like adult Ripley in a very short period of time. 824 00:45:51,640 --> 00:45:53,239 Speaker 4: Because you know how the aliens do that. They just 825 00:45:53,239 --> 00:45:58,280 Speaker 4: grow up and clone Ripley Ye super strong, has acid 826 00:45:58,280 --> 00:46:01,759 Speaker 4: blood and also has a very weird psychic link to 827 00:46:01,800 --> 00:46:05,560 Speaker 4: the aliens. And also because I guess the xenomorphs have 828 00:46:05,640 --> 00:46:09,520 Speaker 4: like a genetic memory, they chair the memory of like 829 00:46:09,719 --> 00:46:12,720 Speaker 4: other I don't know how it works, but whatever. Ripley 830 00:46:12,800 --> 00:46:17,799 Speaker 4: also somehow she has memories of herself, but they're from 831 00:46:17,800 --> 00:46:20,320 Speaker 4: the perspective of the aliens that like fought. 832 00:46:20,040 --> 00:46:24,520 Speaker 5: Her wild So are the aliens psychic? Like how do 833 00:46:24,600 --> 00:46:27,040 Speaker 5: they get the memory? 834 00:46:27,080 --> 00:46:29,360 Speaker 2: I think maybe it's like a hive mind. 835 00:46:29,680 --> 00:46:30,760 Speaker 5: This is very venerable. 836 00:46:30,880 --> 00:46:36,680 Speaker 2: They all are experience. This is the next video essay 837 00:46:36,680 --> 00:46:38,799 Speaker 2: how Alien Resurrection shaped the. 838 00:46:41,040 --> 00:46:44,080 Speaker 4: Okay, so mercenaries arrive on the Arega. They're here to 839 00:46:44,080 --> 00:46:47,240 Speaker 4: deliver prisoners. They are going to be used as incubators 840 00:46:47,239 --> 00:46:50,880 Speaker 4: for the alien eggs for to create more aliens. Evil 841 00:46:51,000 --> 00:46:55,600 Speaker 4: Annilie Call played by Winona Ryder decides like, Hey, this 842 00:46:55,680 --> 00:46:58,319 Speaker 4: is a really fucked up thing that's happening here. They're 843 00:46:58,400 --> 00:47:02,880 Speaker 4: using humans to get the aliens. And also the aliens 844 00:47:02,880 --> 00:47:05,520 Speaker 4: are like a super weapon and if they get out 845 00:47:05,520 --> 00:47:06,320 Speaker 4: it would be really crazy. 846 00:47:06,320 --> 00:47:07,240 Speaker 5: We can't let this happen. 847 00:47:07,800 --> 00:47:11,359 Speaker 4: But of course, eventually the aliens escape from where they're 848 00:47:11,400 --> 00:47:15,040 Speaker 4: being researched, and actually this way, I thought, this is 849 00:47:15,120 --> 00:47:16,719 Speaker 4: kind of like my favorite part of the movie is like, 850 00:47:16,920 --> 00:47:19,560 Speaker 4: so they've got these two aliens, they're running tests on them, 851 00:47:19,920 --> 00:47:22,000 Speaker 4: and then the aliens can't get out because like every 852 00:47:22,000 --> 00:47:23,840 Speaker 4: time they approach the glass or approach the walls, like 853 00:47:23,880 --> 00:47:27,080 Speaker 4: they get shot with this like very very cold like gas. 854 00:47:27,680 --> 00:47:30,520 Speaker 4: And so one of the aliens, the aliens are really smart, guys, 855 00:47:30,680 --> 00:47:31,880 Speaker 4: how often. 856 00:47:31,600 --> 00:47:32,319 Speaker 5: Do we have to say it? 857 00:47:32,440 --> 00:47:34,759 Speaker 4: They're like, wait a second, we have acid blood, and 858 00:47:34,800 --> 00:47:37,520 Speaker 4: they one of the aliens kills the other one who 859 00:47:37,600 --> 00:47:41,560 Speaker 4: just like lets itself get killed, and the blood builts 860 00:47:41,600 --> 00:47:44,400 Speaker 4: the floor and then it jumps through the floor and 861 00:47:44,440 --> 00:47:47,840 Speaker 4: gets out into the the facility. Now we should mention again, 862 00:47:49,440 --> 00:47:53,120 Speaker 4: whaleen U Tani has been researching these aliens for two centuries. 863 00:47:53,960 --> 00:47:56,360 Speaker 2: They know about it acid blood. I feel like it 864 00:47:56,400 --> 00:48:00,480 Speaker 2: should be like having a guy the acid blood melts. Guys. 865 00:48:01,080 --> 00:48:03,920 Speaker 4: You know about the acid blood. 866 00:48:03,960 --> 00:48:06,120 Speaker 2: Really, you definitely know. 867 00:48:08,120 --> 00:48:12,520 Speaker 4: A queen alien containing some of Ripley's human DNA gives 868 00:48:13,360 --> 00:48:16,120 Speaker 4: birth human like birth because it has like a uterus 869 00:48:16,160 --> 00:48:17,000 Speaker 4: like a human. 870 00:48:17,120 --> 00:48:25,600 Speaker 5: To a almost funny looking human alien that looks like Rosie. 871 00:48:25,640 --> 00:48:26,000 Speaker 5: I don't know. 872 00:48:26,040 --> 00:48:28,560 Speaker 4: Do you agree with me on this looks like Pumpkinhead. 873 00:48:28,680 --> 00:48:33,360 Speaker 4: I do agree Mkinhead from the titular villain from Pumpkinhead, 874 00:48:33,440 --> 00:48:40,359 Speaker 4: the film which also stars Aliens star Dun Dunn Lance Henrickson, 875 00:48:41,560 --> 00:48:45,719 Speaker 4: He's back. He's connected six degrees of Lance Ericksen in 876 00:48:45,760 --> 00:48:46,760 Speaker 4: the Alien universe. 877 00:48:46,920 --> 00:48:48,279 Speaker 2: It does look like Pumpkinhead. 878 00:48:48,560 --> 00:48:53,440 Speaker 1: They did not deliver the new cool alien design when 879 00:48:53,520 --> 00:48:56,120 Speaker 1: it came to that little guy. Also, I feel like 880 00:48:56,160 --> 00:49:01,000 Speaker 1: maybe this is one of those like weird social and constructs. 881 00:49:01,160 --> 00:49:03,040 Speaker 1: But I swear to God, like when I was a kid, 882 00:49:03,520 --> 00:49:06,200 Speaker 1: I thought when on a Ryder was like her door 883 00:49:06,440 --> 00:49:09,600 Speaker 1: or something in this movie, or her clothes or something, 884 00:49:09,680 --> 00:49:11,719 Speaker 1: And then when I rewatched it, I was like, that 885 00:49:11,880 --> 00:49:13,719 Speaker 1: is definitely not what it's like. 886 00:49:14,719 --> 00:49:18,880 Speaker 4: If you get fire five vibes from the mercenaries and 887 00:49:19,120 --> 00:49:23,280 Speaker 4: from like the design. That might be because Joss Whedon 888 00:49:23,320 --> 00:49:28,400 Speaker 4: wrote this terrible fucking script. This movie is like, it's 889 00:49:28,520 --> 00:49:32,920 Speaker 4: so bad, but it's the worst looking of the Alien 890 00:49:32,920 --> 00:49:36,640 Speaker 4: movies by far, at least Alien three. Every few years 891 00:49:36,640 --> 00:49:37,560 Speaker 4: with Alien three. 892 00:49:37,880 --> 00:49:40,279 Speaker 1: Hence why I own it on Bloomin Laser disc that 893 00:49:40,320 --> 00:49:44,640 Speaker 1: I just bought recently from Amba in La. It's like 894 00:49:44,760 --> 00:49:47,960 Speaker 1: every few years I reconsider it because there's it's like 895 00:49:48,040 --> 00:49:52,520 Speaker 1: a visual, there's a visual, a choice that David Fincher made. 896 00:49:52,640 --> 00:49:56,239 Speaker 1: It's very strange, it's very dreary, it's slow burn. It 897 00:49:56,280 --> 00:50:00,480 Speaker 1: has this weird religious kind of subtext to it. 898 00:50:00,680 --> 00:50:04,360 Speaker 2: But it is, I have to say, sadly quite boring movie. 899 00:50:04,680 --> 00:50:07,000 Speaker 2: But at least it has vibes. 900 00:50:07,440 --> 00:50:10,520 Speaker 1: Alien four Resurrection does not have vibes and does not 901 00:50:10,840 --> 00:50:13,239 Speaker 1: live up to a movie that has both Sigourney Weaver, 902 00:50:13,440 --> 00:50:14,279 Speaker 1: and it. 903 00:50:14,200 --> 00:50:17,680 Speaker 4: Looks sadly like a very cheap film. 904 00:50:17,840 --> 00:50:20,879 Speaker 5: It does not look expensive or good at all. 905 00:50:21,280 --> 00:50:24,040 Speaker 4: It does have what I consider to be one of 906 00:50:24,080 --> 00:50:28,080 Speaker 4: the most iconic basketball scenes in movies in which the Mercenaries. 907 00:50:28,360 --> 00:50:32,120 Speaker 2: This is the Mercenaries encounter with the cat super Ripley. 908 00:50:32,160 --> 00:50:33,160 Speaker 5: So super Ripley. 909 00:50:32,920 --> 00:50:36,560 Speaker 4: Again, Remember has the alien DNA, and she's like practicing 910 00:50:36,600 --> 00:50:40,239 Speaker 4: basketball and her game is like Peau Charles Barkley, like 911 00:50:40,280 --> 00:50:42,120 Speaker 4: she just like drives to the hoop of. 912 00:50:42,239 --> 00:50:44,279 Speaker 5: Dunks, that's what he is. 913 00:50:45,239 --> 00:50:49,240 Speaker 4: And then of course there's this really amazing shot where 914 00:50:49,520 --> 00:50:52,200 Speaker 4: she's like walking away from the basket and she shoots 915 00:50:52,200 --> 00:50:54,560 Speaker 4: a basket over her head and it goes in, and 916 00:50:54,600 --> 00:50:58,080 Speaker 4: she actually made that shot. That's like the take that's 917 00:50:58,160 --> 00:50:59,960 Speaker 4: in the movie is for actually making the. 918 00:51:00,120 --> 00:51:03,319 Speaker 2: Show is so good you can't believe it. 919 00:51:03,320 --> 00:51:06,239 Speaker 1: It's like that Catwoman scene with Michelle Biba where she 920 00:51:06,440 --> 00:51:08,480 Speaker 1: gets all the heads off with the whips. 921 00:51:09,000 --> 00:51:10,440 Speaker 2: It's one of those things. 922 00:51:10,239 --> 00:51:13,319 Speaker 1: Where it just becomes a legendary scene that you never 923 00:51:13,360 --> 00:51:16,600 Speaker 1: believe was done without cg And yeah it was Sigourney. 924 00:51:16,640 --> 00:51:19,000 Speaker 2: Weave a continue you can go Queen and the. 925 00:51:19,000 --> 00:51:23,319 Speaker 4: Queen go on YouTube and see like the outtake, it's 926 00:51:23,360 --> 00:51:27,520 Speaker 4: not an outtake, it's Ron Perlman like reacts the way 927 00:51:27,640 --> 00:51:29,920 Speaker 4: any person would react to that by just going, oh 928 00:51:29,960 --> 00:51:34,440 Speaker 4: my god. And he thought for a second that he 929 00:51:34,520 --> 00:51:36,719 Speaker 4: like hauld ruin the take because he says it like 930 00:51:36,840 --> 00:51:39,720 Speaker 4: right after it goes in, but there was enough space 931 00:51:39,760 --> 00:51:42,560 Speaker 4: there for them to like cut anyway, Go watch it 932 00:51:42,560 --> 00:51:42,920 Speaker 4: on YouTube. 933 00:51:42,920 --> 00:51:43,480 Speaker 5: It's really funny. 934 00:51:43,480 --> 00:51:44,080 Speaker 2: It's very cool. 935 00:51:44,160 --> 00:51:48,200 Speaker 5: So Ripley manages to. 936 00:51:47,400 --> 00:51:50,920 Speaker 4: Launch the alien Queen into space by melting a window 937 00:51:50,960 --> 00:51:52,080 Speaker 4: with her acid blood. 938 00:51:53,080 --> 00:51:55,640 Speaker 2: Of course again acid be. 939 00:51:55,880 --> 00:51:57,759 Speaker 4: We should have thought about it, like we gotta ask 940 00:51:57,840 --> 00:52:03,720 Speaker 4: to prove this entire facility, the mercenaries and Ripley escape 941 00:52:03,760 --> 00:52:06,560 Speaker 4: the Orega, which crashes into Earth. 942 00:52:07,239 --> 00:52:09,560 Speaker 5: Uh oh, but it does explode, so. 943 00:52:09,640 --> 00:52:13,920 Speaker 4: Maybe, like all the aliens and alien research are fine. 944 00:52:14,440 --> 00:52:18,040 Speaker 4: And then the mercenaries are like, where should we go? 945 00:52:18,320 --> 00:52:21,080 Speaker 4: And then Ripley is like, you know, I don't know. 946 00:52:21,200 --> 00:52:24,000 Speaker 4: I'm like two weeks old. Yeah, I don't, like, I 947 00:52:24,040 --> 00:52:26,439 Speaker 4: don't know anything, and then the movie's over. 948 00:52:26,800 --> 00:52:28,439 Speaker 5: The movie is so fucking dumb. 949 00:52:28,560 --> 00:52:29,600 Speaker 2: It's so dumb. 950 00:52:31,239 --> 00:52:36,680 Speaker 4: And that brings us to the chronological end of the 951 00:52:36,719 --> 00:52:40,720 Speaker 4: Alien Universe as we know it now again. 952 00:52:41,320 --> 00:52:45,799 Speaker 5: Alien Romulus coming to theaters near you soon takes place. 953 00:52:45,600 --> 00:52:50,239 Speaker 4: Between alien and aliens. So that'd be very interesting to see. 954 00:52:50,400 --> 00:52:52,200 Speaker 2: Yes, very interesting. 955 00:52:52,239 --> 00:52:55,440 Speaker 1: And it's Fetti Alvarez, who's like a don't Breathe the 956 00:52:55,520 --> 00:52:57,440 Speaker 1: Evil Dad remake. That man knows how to make a 957 00:52:57,440 --> 00:53:01,600 Speaker 1: scary movie. So I'm excited to see what happens. 958 00:53:01,840 --> 00:53:03,799 Speaker 4: One question I have for you that I think is 959 00:53:04,920 --> 00:53:08,319 Speaker 4: listen this to your point, they did do a surprising 960 00:53:08,320 --> 00:53:12,520 Speaker 4: amount of like lore building in this specifically in like 961 00:53:12,560 --> 00:53:16,799 Speaker 4: the Alien Verse Presator Really why Yeah, The overall like 962 00:53:16,920 --> 00:53:19,480 Speaker 4: world building is quite spotty, Like there's a lot of 963 00:53:19,560 --> 00:53:21,200 Speaker 4: un answered questions and there's a lot of things that 964 00:53:21,239 --> 00:53:23,160 Speaker 4: don't line up. And here's one of my biggest ones, 965 00:53:23,480 --> 00:53:25,920 Speaker 4: and we don't really ever get the answer. Why were 966 00:53:25,920 --> 00:53:28,360 Speaker 4: the engineers going to wipe out Earth other than the. 967 00:53:28,480 --> 00:53:30,239 Speaker 2: Jesus in Jesus? 968 00:53:32,239 --> 00:53:34,399 Speaker 1: Well, I do think you make a good point. I'm 969 00:53:34,480 --> 00:53:37,080 Speaker 1: sure that Ridley Scott was planning to make the Jesus 970 00:53:37,080 --> 00:53:37,960 Speaker 1: think canon. 971 00:53:37,680 --> 00:53:38,239 Speaker 2: For some reason. 972 00:53:38,360 --> 00:53:42,760 Speaker 1: These old directors from this error of action, they love Jesus. 973 00:53:43,560 --> 00:53:45,920 Speaker 2: Poor Verhoven's the same, He loves Jesus. 974 00:53:46,040 --> 00:53:51,920 Speaker 1: If you watch his very entertaining lesbian nonsplitation movie Benedetta. 975 00:53:52,000 --> 00:53:56,000 Speaker 1: It's about like a nun in eighteenth Centuary Rome, you know, 976 00:53:56,000 --> 00:53:58,400 Speaker 1: who begins having these visions. But when she has visions 977 00:53:58,400 --> 00:54:01,600 Speaker 1: of Jesus, she's having visions of like hunky like action, 978 00:54:01,760 --> 00:54:04,359 Speaker 1: start nuts, watchenegga Jesus. It's like some of the most 979 00:54:04,400 --> 00:54:06,640 Speaker 1: outrageous stuff. I don't know why they love Jesus, but 980 00:54:06,719 --> 00:54:09,880 Speaker 1: why were they gonna wipe us out? Probably, you know, 981 00:54:10,040 --> 00:54:10,800 Speaker 1: some kind. 982 00:54:10,560 --> 00:54:12,359 Speaker 2: Of like Godzilla esque. 983 00:54:12,680 --> 00:54:15,759 Speaker 1: The engineers saw that we were destroying the Earth and 984 00:54:15,800 --> 00:54:18,880 Speaker 1: they decided the best thing to do, or they wanted 985 00:54:18,920 --> 00:54:22,239 Speaker 1: to terraform Earth and take it over and use it 986 00:54:22,280 --> 00:54:25,600 Speaker 1: as a breeding ground. For these aliens, which would become 987 00:54:25,680 --> 00:54:28,280 Speaker 1: like weapons if they wanted to take over other planets. 988 00:54:28,520 --> 00:54:31,080 Speaker 1: But I think Prometheus kind of messes us up because 989 00:54:31,120 --> 00:54:35,920 Speaker 1: Prometheus adds in the lore of like they are the creators, 990 00:54:35,960 --> 00:54:38,640 Speaker 1: they are where the god mythology comes from. So then 991 00:54:38,680 --> 00:54:41,520 Speaker 1: that takes on a lot of a heavier weight of 992 00:54:41,640 --> 00:54:44,680 Speaker 1: kind of why they would want to destroy us. 993 00:54:45,080 --> 00:54:47,280 Speaker 4: I guess part of me wonders so that you find 994 00:54:47,280 --> 00:54:50,960 Speaker 4: out that the planet that they go to in Prometheus, 995 00:54:51,000 --> 00:54:54,840 Speaker 4: like or at least the supposition from our science friends 996 00:54:55,280 --> 00:54:58,840 Speaker 4: in the story, is that this is like a bioweapons facility, 997 00:54:58,960 --> 00:55:02,360 Speaker 4: So maybe like yeah, maybe it's like the two ingredients 998 00:55:02,360 --> 00:55:06,880 Speaker 4: of the weapon, like Earth is where the incubators are 999 00:55:06,920 --> 00:55:10,440 Speaker 4: and then they have the actual weapon stuff. Honestly, that 1000 00:55:10,480 --> 00:55:12,480 Speaker 4: would be the smartest way to do it, seeing how 1001 00:55:12,600 --> 00:55:15,480 Speaker 4: violent this these this weapon is, is to like have 1002 00:55:15,680 --> 00:55:18,359 Speaker 4: them separate and then combine them later at some other 1003 00:55:18,480 --> 00:55:21,919 Speaker 4: place somewhere. Would they be fighting? Why would they need 1004 00:55:21,920 --> 00:55:24,319 Speaker 4: this weapon? I guess that's the other thing, like who 1005 00:55:24,320 --> 00:55:25,279 Speaker 4: were they scared of? 1006 00:55:25,400 --> 00:55:27,279 Speaker 5: Like the predators, but like. 1007 00:55:27,239 --> 00:55:31,000 Speaker 4: The prenators don't really feel like that's big a threat. 1008 00:55:30,719 --> 00:55:34,080 Speaker 1: To not really a formidable threat killing one engineer, like 1009 00:55:34,120 --> 00:55:36,359 Speaker 1: the engineers could just like step up or like. 1010 00:55:36,280 --> 00:55:39,879 Speaker 5: Can they kill like one engineer years like big fucking deal. Yeah. 1011 00:55:39,920 --> 00:55:43,160 Speaker 1: Also as well, the Predators, I feel like that always 1012 00:55:43,280 --> 00:55:45,799 Speaker 1: just willing to like team up with someone thanks to 1013 00:55:45,840 --> 00:55:48,399 Speaker 1: the laylo, So I feel like the Energy Engineers could 1014 00:55:48,400 --> 00:55:50,400 Speaker 1: have just been like, let's not be beefing, bro, Like, 1015 00:55:50,560 --> 00:55:53,799 Speaker 1: let's just be cool. I won't make a bioweapon to 1016 00:55:53,880 --> 00:55:56,400 Speaker 1: kill you if you just chill out a bit. But 1017 00:55:56,480 --> 00:55:58,600 Speaker 1: you know what, that's the interesting thing. I've been thinking 1018 00:55:58,600 --> 00:56:01,880 Speaker 1: a lot about prequels cause of House of the Dragon, 1019 00:56:01,920 --> 00:56:04,040 Speaker 1: which I believe is currently up there for me for 1020 00:56:04,120 --> 00:56:06,560 Speaker 1: like one of the greatest prequels that we've ever gotten, 1021 00:56:06,600 --> 00:56:08,799 Speaker 1: the way that the TV series decided to adapt Fire 1022 00:56:08,800 --> 00:56:13,040 Speaker 1: and Blood. And actually, like, prequels are so complex because 1023 00:56:13,040 --> 00:56:16,319 Speaker 1: you do start to build in or this law that 1024 00:56:16,440 --> 00:56:19,960 Speaker 1: was never intended in the original films, you know, so 1025 00:56:20,080 --> 00:56:23,400 Speaker 1: with Alien versus Predator in these movies that are so 1026 00:56:24,360 --> 00:56:27,640 Speaker 1: far away from really being connected to like the original Alien. 1027 00:56:28,040 --> 00:56:32,040 Speaker 1: But because they start technically before you are watching a prequel, 1028 00:56:32,120 --> 00:56:34,239 Speaker 1: and if you're a nerd like us, you can't help 1029 00:56:34,280 --> 00:56:37,319 Speaker 1: connecting those things together. So you do start asking these 1030 00:56:37,400 --> 00:56:40,520 Speaker 1: questions about how these things all connect. 1031 00:56:40,600 --> 00:56:43,920 Speaker 2: And I do still think with Alien. 1032 00:56:43,520 --> 00:56:47,640 Speaker 1: And Predator now both under the Disney banner after the 1033 00:56:47,719 --> 00:56:51,040 Speaker 1: twentieth Century Fox acquisition, I do think that we will 1034 00:56:51,040 --> 00:56:53,840 Speaker 1: probably get another Alien Predator movie in our time that 1035 00:56:54,000 --> 00:56:58,440 Speaker 1: is more concerned with the Ridley Scott style law because 1036 00:56:58,440 --> 00:57:01,440 Speaker 1: it's just such an enjoy ball match up. 1037 00:57:01,719 --> 00:57:02,880 Speaker 2: But you make a good. 1038 00:57:02,760 --> 00:57:05,799 Speaker 1: Point that, really, in general, the Predators, I think the 1039 00:57:05,840 --> 00:57:08,080 Speaker 1: reason they focus on humans is because they're not actually 1040 00:57:08,080 --> 00:57:12,279 Speaker 1: that good peoples, Like they could go to the engineers, 1041 00:57:12,280 --> 00:57:14,280 Speaker 1: but instead they're like, oh, I'll just see what happens 1042 00:57:14,280 --> 00:57:16,320 Speaker 1: if I kill a human, Like, I'm sure. 1043 00:57:16,160 --> 00:57:16,760 Speaker 2: That's so far? 1044 00:57:16,840 --> 00:57:17,320 Speaker 5: Are they? 1045 00:57:17,400 --> 00:57:22,200 Speaker 4: Like the predators trophies that they give like humans, it's 1046 00:57:22,240 --> 00:57:25,360 Speaker 4: always like a flintlock, pistol, a spirit? Can I get 1047 00:57:25,400 --> 00:57:27,640 Speaker 4: something from elsewhere in the get like give me an 1048 00:57:27,680 --> 00:57:28,760 Speaker 4: alien weapon? 1049 00:57:28,920 --> 00:57:30,320 Speaker 2: Yeah? Could I have? 1050 00:57:30,480 --> 00:57:31,000 Speaker 5: I mean anyone? 1051 00:57:31,080 --> 00:57:31,280 Speaker 4: Yeah? 1052 00:57:31,320 --> 00:57:33,960 Speaker 5: Like could I get something like a gun or something? 1053 00:57:34,000 --> 00:57:35,560 Speaker 5: This is what they can fucking go to. 1054 00:57:36,840 --> 00:57:39,400 Speaker 4: But no, they dude, they don't want to give it 1055 00:57:39,400 --> 00:57:40,760 Speaker 4: to you because then you could kill them. 1056 00:57:40,800 --> 00:57:41,880 Speaker 2: Because they're not that good. 1057 00:57:42,160 --> 00:57:44,520 Speaker 4: They gotta give you, like they're like, make sure you 1058 00:57:44,520 --> 00:57:46,320 Speaker 4: give them weapon that's at least one hundred and fifty 1059 00:57:46,360 --> 00:57:48,000 Speaker 4: years old, or he might be able to take us out. 1060 00:57:48,280 --> 00:57:52,240 Speaker 2: See and that's our show. Join us Thursday when we finally. 1061 00:57:51,840 --> 00:57:56,400 Speaker 1: Dive deep into the darkness of deep space. 1062 00:57:56,560 --> 00:57:59,160 Speaker 2: In Alien Up Episode. 1063 00:57:58,680 --> 00:58:04,040 Speaker 4: One by x ray Vision is hosted by Jason Concepcion 1064 00:58:04,120 --> 00:58:06,880 Speaker 4: and Rosie Knight and is a production of iHeart Podcasts. 1065 00:58:07,040 --> 00:58:10,640 Speaker 1: Our executive producers are Joel Monique and Aaron Kaufman. 1066 00:58:10,880 --> 00:58:12,920 Speaker 5: Our supervising producer is Abu Zafar. 1067 00:58:13,320 --> 00:58:17,280 Speaker 1: Our producers are Common Laurent Dean Jonathan and Fay Wag. 1068 00:58:17,360 --> 00:58:20,160 Speaker 4: A theme song is by Brian Vasquez, with alternate theme 1069 00:58:20,200 --> 00:58:21,480 Speaker 4: songs by Aaron Kauffman. 1070 00:58:21,640 --> 00:58:25,040 Speaker 1: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 1071 00:58:25,120 --> 00:58:26,880 Speaker 1: Heidi our discord moderator.