WEBVTT - SYMHC Classics: James Baldwin

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<v Speaker 1>Happy Saturday. James Baldwin was born August second, nineteen twenty four,

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<v Speaker 1>or one hundred and one years ago today, on the

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<v Speaker 1>day this episode is coming out, so he is Today's

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<v Speaker 1>Saturday classic. This episode originally came out on June seventeenth,

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<v Speaker 1>twenty twenty, so we recorded it in the immediate aftermath

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<v Speaker 1>of the murder of George Floyd. That may Baldwin's writing

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<v Speaker 1>and work felt deeply relevant in that moment, and that

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<v Speaker 1>continues to be true today. Welcome to Stuff You Missed

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<v Speaker 1>in History Class, a production of iHeartRadio. Hello, and welcome

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<v Speaker 1>to the podcast. I'm Tracy V. Wilson and I'm Holly Frye.

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<v Speaker 1>The last thing we recorded before I got to work

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<v Speaker 1>on today's episode was our June fifth behind the Scenes,

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<v Speaker 1>and if you've listened to that, I was clearly having

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<v Speaker 1>a hard time figuring out what to do next, and

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<v Speaker 1>when I remembered that I'd had James Baldwin on my

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<v Speaker 1>list for a while. But my inward response was like, yes, obviously,

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<v Speaker 1>James Baldwin. Of course, why didn't you even think of

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<v Speaker 1>this before? This description by Jan Williams in a piece

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<v Speaker 1>called Baldwin the Witness's testament, which was published in The

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<v Speaker 1>Washington Post the day after Baldwin's death in nineteen eighty seven,

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<v Speaker 1>illustrates why I had that response quote. Given the messy

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<v Speaker 1>nature of racial hatred, of the half truths, blasphemies, and

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<v Speaker 1>lies that make up American life, Baldwin's accuracy in reproducing

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<v Speaker 1>that world stands as a remarkable achievement. His accuracy was

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<v Speaker 1>key and his works the reader could resonate to the

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<v Speaker 1>sounds of the street Corner as drawn by Baldwin, could

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<v Speaker 1>feel the anger of Black Americans so long denied a

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<v Speaker 1>role in American life. As Baldwin wrote about that anger,

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<v Speaker 1>black people reading Baldwin knew he wrote the truth. White

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<v Speaker 1>people reading Baldwin sensed his truth about the lives of

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<v Speaker 1>black people in this of a racist nation. Interest in

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<v Speaker 1>James Baldwin's work has just really grown in the United

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<v Speaker 1>States over the last several years, in conjunction with the

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<v Speaker 1>Black Lives Matter movement. His nineteen sixty three book The

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<v Speaker 1>Fire Next Time is frequently on anti racism reading lists.

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<v Speaker 1>Sometimes it's paired up with Tana Hasse Coats Between the

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<v Speaker 1>World and Me, which was inspired by it, or with

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<v Speaker 1>The Fire This Time a New Generation Speaks about Race.

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<v Speaker 1>That's a book that came out in twenty sixteen. Basically,

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<v Speaker 1>James Baldwin was a brilliant essayist and one of the

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<v Speaker 1>chroniclers of the civil rights movement and a really powerful

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<v Speaker 1>voice against racism. And that is why we are talking

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<v Speaker 1>about him today. So we're going to start with his background.

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<v Speaker 1>James Baldwin was born James Arthur Jones in Harlem, New York,

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<v Speaker 1>on August second, nineteen twenty four. His mother was Emma

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<v Speaker 1>Burtist Jones, and she was a domestic worker when James

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<v Speaker 1>was born. Emma was not married and she never told

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<v Speaker 1>him who his biological father was. When James was three,

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<v Speaker 1>his mother married David Baldie, who was a factory worker

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<v Speaker 1>and an evangelical minister, and they went on to have

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<v Speaker 1>eight children together. The family was really poor. They were

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<v Speaker 1>living in a part of Harlem that Baldwin later called

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<v Speaker 1>Junkie's Hollow, and part of James's early years also took

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<v Speaker 1>place during the Great Depression. David Baldwin was strict, unyielding, authoritarian,

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<v Speaker 1>and cruel, including telling James that he was ugly and

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<v Speaker 1>reminding him of the circumstances of his birth, and of

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<v Speaker 1>course that was heavily stigmatized at the time. As an adult,

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<v Speaker 1>Baldwin described the whole household constantly working to appease his stepfather.

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<v Speaker 1>James also said David taught him to fight because he

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<v Speaker 1>had to continually fight back with patience and a kind

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<v Speaker 1>of ruthless determination, because I had to endure it, to

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<v Speaker 1>go under and come back up to wait. James Baldwin

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<v Speaker 1>attributed his stepfather's treatment of him and his mother and

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<v Speaker 1>siblings as being the product of living as a proud

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<v Speaker 1>man and a racist society where he just could not

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<v Speaker 1>make enough money to really support his family. And Baldwin

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<v Speaker 1>also credited his younger siblings as being a big part

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<v Speaker 1>of what kept him off the streets and largely out

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<v Speaker 1>of trouble in his youth. As the oldest, James was

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<v Speaker 1>always helping to look after the younger ones, and that

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<v Speaker 1>was something he described doing with a book in one hand,

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<v Speaker 1>because reading became one of his biggest means of escape.

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<v Speaker 1>He liked to tell people that he read every volume

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<v Speaker 1>in Harlem's library branches, and that he had to go

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<v Speaker 1>to the New York Public Library on forty second Street

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<v Speaker 1>to find any books that he hadn't read yet. He

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<v Speaker 1>also credited religion with helping to keep him out of trouble.

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<v Speaker 1>He had a religious conversion experience at the age of

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<v Speaker 1>fourteen and became a youth minister at Fireside Pentecostal Assembly.

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<v Speaker 1>He was a youth minister for three years, and during

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<v Speaker 1>that time he crafted his use of language and his

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<v Speaker 1>speaking style. Throughout all this, James had been attending New

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<v Speaker 1>York public schools, first at PS twenty four, whose principle

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<v Speaker 1>was Gertrude Ayers. That was the first black principle new

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<v Speaker 1>York City. From there, he moved to Frederick Douglass Junior

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<v Speaker 1>High School, where Harlem Renaissance poet County Cullen was his

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<v Speaker 1>French teacher and the director of the school's literary club.

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<v Speaker 1>While at Frederick Douglas Junior High James was editor of

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<v Speaker 1>the school's newspaper, The Douglas Pilot, and also tried to

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<v Speaker 1>make money to help the family by shining shoes and

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<v Speaker 1>selling shopping bags. For high school, James was selected to

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<v Speaker 1>attend DeWitt Clinton High School in the Bronx. This was

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<v Speaker 1>one of New York's more elite schools, with a predominantly

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<v Speaker 1>Jewish student body. There, James again worked on the school newspaper,

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<v Speaker 1>The Magpie, and he excelled in his English and history courses.

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<v Speaker 1>He also met painter Viewford Delaney, who became a friend

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<v Speaker 1>and something of a mentor, as he demonstrated for Baldwin

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<v Speaker 1>that a black man could become an artist. James didn't

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<v Speaker 1>do nearly as well in his other courses as he

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<v Speaker 1>did in English and history, and his high school years

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<v Speaker 1>were personally very turbulent. In addition to all the stresses

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<v Speaker 1>of his home life, he had started to question his sexuality.

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<v Speaker 1>He had also started questioning the church as he began

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<v Speaker 1>to learn about the ways that Christianity had been used

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<v Speaker 1>as a weapon during slavery, and as he heard people

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<v Speaker 1>within his church and his stepfather make anti Semitic comments.

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<v Speaker 1>He ultimately left the church in nineteen forty one. James

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<v Speaker 1>Baldwin graduated from high school in nineteen forty two, six

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<v Speaker 1>months after the rest of his class. The internal turmoil

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<v Speaker 1>connected to his faith in his sexuality contributed to a

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<v Speaker 1>mental health crisis that derailed his studies. He had hoped

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<v Speaker 1>to go to the City College of New York, but

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<v Speaker 1>he couldn't afford a tuition Instead, he got a defense

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<v Speaker 1>industry job in Bellmeade, New Jersey, to try to help

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<v Speaker 1>support his family financially. By this point, James's stepfather was

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<v Speaker 1>struggling with his own mental health, with symptoms that included

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<v Speaker 1>depression and paranoia. Baldwin's job in Bellmead involved building a

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<v Speaker 1>new Army quartermaster depot, and it was Baldwin's first real

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<v Speaker 1>experience with overt racism on the job. The US Army

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<v Speaker 1>still segregated, and Baldwin continued to act the way he

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<v Speaker 1>had acted back in Harlem when he was around white

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<v Speaker 1>Southern service members, and they, of course expected him to

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<v Speaker 1>be totally deferential to them and to stay out of

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<v Speaker 1>their way. Of course, racism had existed in Harlem as well,

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<v Speaker 1>but this was a whole different set of social expectations

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<v Speaker 1>and consequences. Baldwin described this experience as learning what it

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<v Speaker 1>meant to be a Negro. He refused to back down

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<v Speaker 1>in the face of racism and harassment on the job,

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<v Speaker 1>and he was fired. A friend helped him get his

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<v Speaker 1>job back, and when the harassment resumed, he again pushed

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<v Speaker 1>back against it and was once again fired. On his

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<v Speaker 1>last night in Bellmead, Baldwin and some friends were refused

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<v Speaker 1>service at a diner because of their race, and Baldwin

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<v Speaker 1>really reached a breaking point. He threw a water pitcher

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<v Speaker 1>and that shattered the mirror behind the bar. He described

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<v Speaker 1>this moment as revelatory, realizing that he had been angry

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<v Speaker 1>enough to kill someone and that his own life was

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<v Speaker 1>in danger. In him words quote from the Hatred I

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<v Speaker 1>Carried in my own Heart. David Baldwin Senior died on

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<v Speaker 1>July twenty ninth, nineteen forty three, which was also the

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<v Speaker 1>day James's youngest sibling, Paula Maria, was born. Two days later,

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<v Speaker 1>on August first, an uprising swept through Harlem. It was

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<v Speaker 1>sparked when a black soldier tried to intervene as a

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<v Speaker 1>white police officer was trying to arrest a black woman.

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<v Speaker 1>The officer shot the soldier, and rumors spread that he

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<v Speaker 1>had been killed. This was one of a series of

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<v Speaker 1>similar riots that took place in cities around the United

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<v Speaker 1>States in nineteen forty three, and in Harlem, six black

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<v Speaker 1>people were killed as thousands of police were dispatched in

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<v Speaker 1>response to the violence. Baldwin really felt like living in

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<v Speaker 1>Harlem had become untenable and he moved to Greenwich Village

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<v Speaker 1>to try to make a living as a writer, while

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<v Speaker 1>also waiting tables and doing other work just to try

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<v Speaker 1>to make ends meet and to send what money he

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<v Speaker 1>could back to his family. He had relationships with men

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<v Speaker 1>and with women, and at one point became engaged to

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<v Speaker 1>a woman, but ultimately broke off that engagement. He also

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<v Speaker 1>became friends with a man named Eugene Wurse, who encouraged

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<v Speaker 1>Baldwin to join the Young People's Socialist League, although it's

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<v Speaker 1>not entirely clear how long Baldwin was involved or exactly

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<v Speaker 1>what his involvement even was. In the years just after

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<v Speaker 1>World War Two, he spent at least some time with

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<v Speaker 1>various political groups that were connected to things like socialism, communism,

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<v Speaker 1>and labor rights, but he didn't become exclusively focused on

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<v Speaker 1>any of them, or in some cases ever officially become

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<v Speaker 1>a member. Yeah One of the biographies that I read

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<v Speaker 1>of him characterize this period as kind of bouncing around

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<v Speaker 1>from one group to another, getting a sense of what

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<v Speaker 1>different ideas were, but not really committing to any of

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<v Speaker 1>them at that point. In nineteen forty four, Baldwin met

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<v Speaker 1>Richard Wright, who helped him get Harper's Eugene F. Saxton Fellowship,

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<v Speaker 1>and that fellowship provided some of the funding to help

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<v Speaker 1>him launch a literary career. He started getting published and

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<v Speaker 1>established magazines, but then in nineteen forty six, Eugene Worth

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<v Speaker 1>died by suicide. That was something that traumatiz and haunted

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<v Speaker 1>Baldwin for the rest of his life. Two years later,

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<v Speaker 1>Baldwin had become certain that he could not live in

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<v Speaker 1>the United States anymore. It circled back to what he

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<v Speaker 1>had realized that last night in bell Mead. He had

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<v Speaker 1>a clear minded certainty that if he didn't leave the

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<v Speaker 1>US in its systematic racism and oppression, he would be

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<v Speaker 1>killed or he would kill someone. He finally decided to

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<v Speaker 1>go to France at the age of twenty four, or

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<v Speaker 1>get to that. After a quick sponsor break, James Baldwin

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<v Speaker 1>left for Paris on November eleventh, nineteen forty eight, using

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<v Speaker 1>the last of the money from a fellowship to pay

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<v Speaker 1>for a one way ticket by sea. Beyond that, he

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<v Speaker 1>had almost no money, virtually no connections, and nowhere to stay.

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<v Speaker 1>He also did not speak French, and his words quote,

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<v Speaker 1>I had no idea what might happen to me in

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<v Speaker 1>France but I was very clear what would happen if

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<v Speaker 1>I remained in New Baldwin faced some criticism for leaving

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<v Speaker 1>the US, with people arguing that he was abandoning a

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<v Speaker 1>country that he should have stayed in and tried to

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<v Speaker 1>help fix, but this first stretch of time in Paris

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<v Speaker 1>was critically important to his work and identity as a writer.

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<v Speaker 1>Unlike many of the other writers and artists who left

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<v Speaker 1>the US for Paris, he didn't think of himself as

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<v Speaker 1>an expatriate, but more as a commuter. He still felt

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<v Speaker 1>a deep connection to the United States, and he made

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<v Speaker 1>frequent trips back, and he spent long stretches of time

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<v Speaker 1>in other parts of the world, including Istanbul. Shortly after

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<v Speaker 1>arriving in Paris, Baldwin met Swiss artist Lucien Happersberger, who

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<v Speaker 1>was white, bisexual, and at one point married to a woman.

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<v Speaker 1>When they met, Baldwin was twenty four and Happersberger was seventeen.

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<v Speaker 1>They eventually started a relationship that went on for almost

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<v Speaker 1>forty years. Baldwin described Happersberger as the love of his life,

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<v Speaker 1>and he became godfather to Happersberger's children. Along with other

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<v Speaker 1>relationships in his life. Happersberger was one of the inspirations

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<v Speaker 1>for Baldwin's novel Giovanni's Room. While in France, Baldwin wrote

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<v Speaker 1>Everybody's Protest Novel, which argued that political novels like Harriet

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<v Speaker 1>Beecher Stowe's Uncle Tom's Cabin and Richard Wright's Native Son

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<v Speaker 1>were reinforcing stereotypes about black people and in particular, dehumanizing

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<v Speaker 1>black men. Although Wright had helped Baldwin secure his first

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<v Speaker 1>writing fellowship, the two men did not see eye to

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<v Speaker 1>eye on a number of issues, and they frequently criticized

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<v Speaker 1>one another. On December nineteenth, nineteen forty nine, Baldwin was

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<v Speaker 1>arrested for being in receipt of stolen property after he

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<v Speaker 1>borrowed a bedsheet that a friend had stolen from a hotel.

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<v Speaker 1>This whole experience led him to think about identity and

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<v Speaker 1>policing in the United States versus in France. The police

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<v Speaker 1>in France saw him as an American, while police in

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<v Speaker 1>New York would have seen him as an inherently criminal problem.

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<v Speaker 1>But he also became aware that most of the people

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<v Speaker 1>who were in jail with him in Paris were from

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<v Speaker 1>Northern Africa, and the French colonialism had its own part

0:13:02.240 --> 0:13:05.640
<v Speaker 1>to play in Racism in France. This first stretch of

0:13:05.720 --> 0:13:08.640
<v Speaker 1>time in France let Baldwin look back on the US

0:13:08.760 --> 0:13:12.000
<v Speaker 1>from a distance, seeing things from angles that just were

0:13:12.040 --> 0:13:14.120
<v Speaker 1>not possible for him while he was living in it.

0:13:14.840 --> 0:13:17.439
<v Speaker 1>He started coming to terms with both his own history

0:13:17.520 --> 0:13:20.960
<v Speaker 1>and with his sexuality while living in France. In Switzerland,

0:13:21.000 --> 0:13:24.040
<v Speaker 1>he finished his semi autobiographical novel Go Tell It on

0:13:24.080 --> 0:13:26.880
<v Speaker 1>the Mountain she had actually started writing in high school,

0:13:27.200 --> 0:13:29.800
<v Speaker 1>as well as a play called The Amen Corner and

0:13:30.000 --> 0:13:33.600
<v Speaker 1>a series of essays. In nineteen fifty two, Baldwin made

0:13:33.600 --> 0:13:35.960
<v Speaker 1>a trip back to the US with financial help from

0:13:35.960 --> 0:13:39.720
<v Speaker 1>Marlon Brando. He was awarded a Guggenheim Fellowship in June

0:13:39.760 --> 0:13:43.560
<v Speaker 1>of nineteen fifty four, and other fellowships followed. In nineteen

0:13:43.600 --> 0:13:46.440
<v Speaker 1>fifty nine, he was awarded a Ford Foundation grant to

0:13:46.480 --> 0:13:49.679
<v Speaker 1>work on the novel Another Country. When This novel included

0:13:49.679 --> 0:13:53.440
<v Speaker 1>a fictionalized depiction of his friendship with Eugene Wirth, including

0:13:53.440 --> 0:13:58.079
<v Speaker 1>Worth's suicide. Professor and literary critic Fred Stanley later wrote

0:13:58.080 --> 0:14:02.200
<v Speaker 1>of Another Country quote, Baldwin has been audacious enough prior

0:14:02.240 --> 0:14:06.040
<v Speaker 1>to most other artists to grapple candidly with the usually

0:14:06.120 --> 0:14:11.160
<v Speaker 1>taboosed subjects of American society and culture, interracial sexual intercourse,

0:14:11.520 --> 0:14:15.959
<v Speaker 1>homosexuality as a normative mode of experience, and bisexuality as

0:14:16.000 --> 0:14:19.920
<v Speaker 1>a real phenomenon. After similar back and forth travel, Baldwin

0:14:20.000 --> 0:14:22.400
<v Speaker 1>returned to the US for a longer stretch, starting in

0:14:22.480 --> 0:14:25.920
<v Speaker 1>July of nineteen fifty seven. A lot of his written

0:14:25.920 --> 0:14:28.720
<v Speaker 1>work during this time documents or reflects on the Civil

0:14:28.840 --> 0:14:32.120
<v Speaker 1>Rights movement, a movement that he wasn't really sure how

0:14:32.200 --> 0:14:35.160
<v Speaker 1>he fit into. He had become well known and well

0:14:35.280 --> 0:14:37.600
<v Speaker 1>established as a writer by this point, and while he

0:14:37.680 --> 0:14:41.040
<v Speaker 1>did not want to describe himself as the movement's spokesperson,

0:14:41.560 --> 0:14:44.000
<v Speaker 1>there were definitely people who thought of him that way.

0:14:44.680 --> 0:14:48.000
<v Speaker 1>As the Civil rights movement grew and evolved, Baldwin found

0:14:48.080 --> 0:14:51.240
<v Speaker 1>himself aligned in some ways with Martin Luther King Junior's

0:14:51.320 --> 0:14:55.280
<v Speaker 1>approach through nonviolent action, and in other ways with Malcolm X,

0:14:55.320 --> 0:14:58.600
<v Speaker 1>the Nation of Islam, and the Black Power movement. For example,

0:14:58.680 --> 0:15:02.280
<v Speaker 1>as time went on, Baldwren increasingly favored the Black Power

0:15:02.320 --> 0:15:06.280
<v Speaker 1>movement's focus on immediate radical change instead of non violent

0:15:06.440 --> 0:15:10.200
<v Speaker 1>incremental progress, But he really did not agree with the

0:15:10.240 --> 0:15:14.360
<v Speaker 1>Black power movement's focus on black separatism. One hallmark of

0:15:14.400 --> 0:15:17.160
<v Speaker 1>Baldwin's writing during the Civil rights movement was that it

0:15:17.200 --> 0:15:21.920
<v Speaker 1>was accessible to and sometimes written specifically for a white audience.

0:15:22.800 --> 0:15:25.720
<v Speaker 1>Much of this written work carried an implicit or explicit

0:15:25.760 --> 0:15:29.160
<v Speaker 1>warning that racism was not just harming black people, that

0:15:29.240 --> 0:15:32.560
<v Speaker 1>it was also destroying white people as well. Some of

0:15:32.600 --> 0:15:36.160
<v Speaker 1>it has also been described as prophetic, foreseeing that the

0:15:36.160 --> 0:15:39.680
<v Speaker 1>movement would become more militant if nonviolent activism did not

0:15:39.800 --> 0:15:43.680
<v Speaker 1>meet its goals, and foreseeing that white activism would turn

0:15:43.720 --> 0:15:47.360
<v Speaker 1>away from that militancy. Baldwin's work in the movement was

0:15:47.400 --> 0:15:50.880
<v Speaker 1>not just about writing, though he also made speeches. He

0:15:51.160 --> 0:15:56.280
<v Speaker 1>donated money, wrote letters, sim petitions organized during the lunch

0:15:56.320 --> 0:15:58.280
<v Speaker 1>counter sit ins that we talked about on the show.

0:15:58.360 --> 0:16:01.720
<v Speaker 1>Earlier this year, James Baldwin traveled to Tallahassee to interview

0:16:01.760 --> 0:16:05.440
<v Speaker 1>student demonstrators. In nineteen sixty one, he became a sponsor

0:16:05.480 --> 0:16:08.240
<v Speaker 1>for the National Committee for a Sane Nuclear Policy, and

0:16:08.320 --> 0:16:11.280
<v Speaker 1>he also helped sponsor a rally to disband the House

0:16:11.360 --> 0:16:15.120
<v Speaker 1>on American Activities Committee. In nineteen sixty three, he took

0:16:15.160 --> 0:16:17.760
<v Speaker 1>a speaking tour through the South in conjunction with the

0:16:17.760 --> 0:16:21.360
<v Speaker 1>Congress of Racial Equality. During this tour, he met and

0:16:21.400 --> 0:16:25.280
<v Speaker 1>started working with civil rights activists and NAACP Field secretary

0:16:25.360 --> 0:16:29.040
<v Speaker 1>Medgar Evers. Baldwin's book The Fire Next Time came out

0:16:29.120 --> 0:16:32.600
<v Speaker 1>during this tour as well. It contains two essays, My

0:16:32.720 --> 0:16:35.560
<v Speaker 1>Dungeon Shook Letter to my Nephew on the one hundredth

0:16:35.560 --> 0:16:39.720
<v Speaker 1>anniversary of the Emancipation and Down at the Cross Letter

0:16:39.800 --> 0:16:43.160
<v Speaker 1>from a Region of My Mind. The latter essay dwells

0:16:43.160 --> 0:16:47.000
<v Speaker 1>on Baldwin's experiences with religion, including both Christianity and the

0:16:47.080 --> 0:16:50.640
<v Speaker 1>Nation of Islam, relating them to race and racism, and

0:16:50.680 --> 0:16:54.160
<v Speaker 1>reflecting on his own beliefs. The Fire Next Time spent

0:16:54.200 --> 0:16:56.400
<v Speaker 1>more than forty weeks in the top five of the

0:16:56.440 --> 0:17:00.760
<v Speaker 1>New York Times bestseller list. On May seventeenth, nineteen sixty three,

0:17:00.960 --> 0:17:04.919
<v Speaker 1>during Martin Luther King Junior's Birmingham campaign, Baldwin was on

0:17:04.960 --> 0:17:07.760
<v Speaker 1>the cover of Time magazine under a banner that read

0:17:07.880 --> 0:17:11.960
<v Speaker 1>Birmingham and Beyond the Negro Push for Equality. A few

0:17:12.040 --> 0:17:15.600
<v Speaker 1>days before that Time magazine cover, Baldwin had sent a

0:17:15.640 --> 0:17:20.280
<v Speaker 1>telegram to Attorney General Robert F. Kennedy criticizing the United

0:17:20.280 --> 0:17:23.600
<v Speaker 1>States lack of response to the civil rights movement, especially

0:17:23.640 --> 0:17:27.159
<v Speaker 1>in the face of increasing violence and brutality against the

0:17:27.160 --> 0:17:31.160
<v Speaker 1>people who were participating in that movement. Baldwin framed this

0:17:31.280 --> 0:17:34.080
<v Speaker 1>inaction and the failure of the nation to make black

0:17:34.119 --> 0:17:38.280
<v Speaker 1>liberation a priority, as a moral treason. The result was

0:17:38.280 --> 0:17:41.320
<v Speaker 1>that Kennedy met with Baldwin for breakfast on May twenty third,

0:17:41.880 --> 0:17:45.080
<v Speaker 1>asking him to gather writers and activists to meet with him.

0:17:45.119 --> 0:17:48.440
<v Speaker 1>The next day, they met in Kennedy's apartment in New York,

0:17:48.520 --> 0:17:51.840
<v Speaker 1>where Kennedy was joined by Department of Justice lawyer Burke Marshall.

0:17:52.600 --> 0:17:55.840
<v Speaker 1>Baldwin had brought his brother David, as well as Harry Belafonte,

0:17:56.240 --> 0:18:00.000
<v Speaker 1>Lorraine Hansbury, Lena Horn, and Rip Torn, along with REPAT

0:18:00.000 --> 0:18:04.399
<v Speaker 1>representatives from the Chicago Urban League, Harlem Youth Opportunities Unlimited,

0:18:04.600 --> 0:18:09.080
<v Speaker 1>the NAACP, and core Clarence Benjamin Jones, who was one

0:18:09.080 --> 0:18:12.560
<v Speaker 1>of Martin Luther King Junior's advisors, was also there. But

0:18:12.720 --> 0:18:15.119
<v Speaker 1>Kennedy's goal for this meeting was not so much to

0:18:15.160 --> 0:18:17.800
<v Speaker 1>get a sense of what Black Americans needed, or what

0:18:17.840 --> 0:18:20.560
<v Speaker 1>the civil rights movement's goals were, or how the government

0:18:20.640 --> 0:18:24.240
<v Speaker 1>might incorporate those goals. He was more focused on figuring

0:18:24.320 --> 0:18:26.480
<v Speaker 1>out who among them might serve as sort of a

0:18:26.520 --> 0:18:29.720
<v Speaker 1>mouthpiece for the government, promoting the government's policies to the

0:18:29.720 --> 0:18:35.200
<v Speaker 1>black community to improve race relations, and also on outlining

0:18:35.240 --> 0:18:37.480
<v Speaker 1>what the government had done already so far to the

0:18:37.480 --> 0:18:42.879
<v Speaker 1>assembled group while basically asking for their patients. This meeting

0:18:42.960 --> 0:18:46.720
<v Speaker 1>consequently did not go well. Baldwin and the other assembled

0:18:46.760 --> 0:18:50.360
<v Speaker 1>activists were trying to describe the systemic racism that went

0:18:50.440 --> 0:18:53.600
<v Speaker 1>well beyond what was encoded in law, while Kennedy was

0:18:53.640 --> 0:18:56.399
<v Speaker 1>talking about how his own family had been oppressed for

0:18:56.520 --> 0:19:00.840
<v Speaker 1>being Irish. Kennedy came off as deeply naive and unwilling

0:19:00.880 --> 0:19:07.080
<v Speaker 1>to listen. Eventually, Lorraine Hansbury walked out and several others followed. Afterward,

0:19:07.200 --> 0:19:11.119
<v Speaker 1>the FBI started monitoring Baldwin, placing him on its security

0:19:11.119 --> 0:19:14.720
<v Speaker 1>Index of potentially dangerous people and amassing a file on

0:19:14.800 --> 0:19:18.680
<v Speaker 1>him that was more than seventeen hundred pages long. This meeting,

0:19:18.760 --> 0:19:22.720
<v Speaker 1>though while not immediately successful, is often credited with starting

0:19:22.760 --> 0:19:27.320
<v Speaker 1>to shift Robert Kennedy's perspectives, leading him to encourage his brother,

0:19:27.680 --> 0:19:30.240
<v Speaker 1>President John F. Kennedy, to address the nation on a

0:19:30.280 --> 0:19:33.880
<v Speaker 1>subject of civil rights. Kennedy gave his Civil Rights Address

0:19:33.960 --> 0:19:37.040
<v Speaker 1>on June eleventh, nineteen sixty three, in the early morning

0:19:37.080 --> 0:19:40.480
<v Speaker 1>hours of June twelfth, Medgar Evers was assassinated in his

0:19:40.600 --> 0:19:44.640
<v Speaker 1>driveway in front of his children. The culprit was Byrondella Beckwith,

0:19:44.640 --> 0:19:46.680
<v Speaker 1>who was found guilty of the crime more than thirty

0:19:46.760 --> 0:19:50.240
<v Speaker 1>years later. Baldwin continued his writing and work during the

0:19:50.320 --> 0:19:53.719
<v Speaker 1>nineteen sixties, but the assassination of Medgar Evers was the

0:19:53.720 --> 0:19:56.440
<v Speaker 1>first of a series of events that sort of shifted

0:19:56.440 --> 0:19:59.840
<v Speaker 1>his work and his outlook. Others included the Sixteenth Street

0:19:59.840 --> 0:20:02.840
<v Speaker 1>b Baptist Church bombing in nineteen sixty three, as well

0:20:02.880 --> 0:20:05.360
<v Speaker 1>as the assassinations of two other men that he had

0:20:05.440 --> 0:20:08.560
<v Speaker 1>known and worked with, Malcolm X in nineteen sixty five

0:20:08.960 --> 0:20:11.840
<v Speaker 1>and Martin Luther King Junior in nineteen sixty eight. And

0:20:11.920 --> 0:20:14.159
<v Speaker 1>we're going to get to more on that after we

0:20:14.280 --> 0:20:25.920
<v Speaker 1>first have a sponsor break. As we noted earlier, James

0:20:26.000 --> 0:20:29.639
<v Speaker 1>Baldwin never seemed really sure where he fit within the

0:20:29.680 --> 0:20:33.359
<v Speaker 1>civil rights movement. Although he participated in the nineteen sixty

0:20:33.400 --> 0:20:36.560
<v Speaker 1>three March on Washington for Jobs and Freedom, he wasn't

0:20:36.560 --> 0:20:38.880
<v Speaker 1>a big part of its public presence or its planning.

0:20:39.640 --> 0:20:42.040
<v Speaker 1>There's been some speculation that this was because of his

0:20:42.160 --> 0:20:45.520
<v Speaker 1>sexual orientation, but as We've noted on earlier episodes of

0:20:45.520 --> 0:20:48.359
<v Speaker 1>the show one of the major planners of the march

0:20:48.440 --> 0:20:51.840
<v Speaker 1>was Byered Rustin, who was also gay. It's more likely

0:20:52.040 --> 0:20:54.760
<v Speaker 1>the Baldwin's views were becoming less and less aligned with

0:20:54.800 --> 0:20:58.680
<v Speaker 1>Martin Luther King Junior's nonviolent arm of the movement. As

0:20:58.720 --> 0:21:02.720
<v Speaker 1>time went on, Baldwin became increasingly radical. When the Black

0:21:02.760 --> 0:21:06.480
<v Speaker 1>Panther Party was established in nineteen sixty six, Baldwin supported

0:21:06.520 --> 0:21:10.159
<v Speaker 1>many of its efforts, including school breakfast and lunch programs,

0:21:10.440 --> 0:21:15.760
<v Speaker 1>community healthcare programs, schools, and armed self defense programs meant

0:21:15.800 --> 0:21:19.359
<v Speaker 1>to protect black communities from violence, including violence at the

0:21:19.359 --> 0:21:23.240
<v Speaker 1>hands of police. Baldwin's written work had always been focused

0:21:23.240 --> 0:21:26.280
<v Speaker 1>on both racism and homophobia, and he had been both

0:21:26.320 --> 0:21:30.240
<v Speaker 1>critically acclaimed and a bestseller through this work, but in

0:21:30.280 --> 0:21:34.399
<v Speaker 1>the late sixties and early seventies, reviewers increasingly criticized him

0:21:34.440 --> 0:21:39.119
<v Speaker 1>for becoming more pessimistic, accusatory, and vehement and two directly

0:21:39.200 --> 0:21:42.600
<v Speaker 1>focused on civil rights. This included the three act play

0:21:42.640 --> 0:21:45.280
<v Speaker 1>Blues for Mister Charlie, which was based on the murder

0:21:45.280 --> 0:21:48.840
<v Speaker 1>of Emmett's Hill. And it wasn't just white literary reviewers

0:21:48.880 --> 0:21:53.000
<v Speaker 1>who were criticizing his work. His advocacy for Palestinian liberation

0:21:53.520 --> 0:21:57.119
<v Speaker 1>was criticized as anti semitic, although he also criticized anti

0:21:57.119 --> 0:22:01.879
<v Speaker 1>semitism within black activism. Members of the Black Arts movement

0:22:01.920 --> 0:22:04.920
<v Speaker 1>criticized his work because it was intended, at least in part,

0:22:04.960 --> 0:22:08.480
<v Speaker 1>for white audiences, rather than being written for other black people.

0:22:09.400 --> 0:22:12.320
<v Speaker 1>The non violent arm of the Civil rights movement criticized

0:22:12.320 --> 0:22:15.840
<v Speaker 1>his more radical and confrontational views, while the Black Power

0:22:15.880 --> 0:22:21.159
<v Speaker 1>movement criticized his sexual orientation and his integrationist stances. His

0:22:21.200 --> 0:22:25.439
<v Speaker 1>sexual orientation was also criticized from outside the movement. The

0:22:25.520 --> 0:22:30.000
<v Speaker 1>Kennedys nicknamed him Martin Luther Queen. He basically was criticized

0:22:30.040 --> 0:22:35.240
<v Speaker 1>from every conceivable direction. In nineteen seventy, Baldwin returned to France,

0:22:35.280 --> 0:22:37.679
<v Speaker 1>where he bought a farmhouse in the medieval village of

0:22:37.760 --> 0:22:40.239
<v Speaker 1>Saint Paul de Vance. Although he's still did a lot

0:22:40.240 --> 0:22:42.840
<v Speaker 1>of traveling, thus became his permanent home for the rest

0:22:42.840 --> 0:22:47.399
<v Speaker 1>of his life. Locals named it Shay Baldwin. Baldwin's writing

0:22:47.480 --> 0:22:51.560
<v Speaker 1>in political views had always been anti capitalist, anti colonial,

0:22:51.920 --> 0:22:58.560
<v Speaker 1>anti imperialist, anti racist, anti homophobic, Pan African, pro Palestinian liberation,

0:22:58.920 --> 0:23:03.600
<v Speaker 1>and against mass incarceration. He also made connections between black

0:23:03.640 --> 0:23:07.600
<v Speaker 1>liberation in the US and United States foreign policy, noting

0:23:07.600 --> 0:23:10.399
<v Speaker 1>that a nation that truly supported black liberation would be

0:23:10.480 --> 0:23:14.120
<v Speaker 1>supporting black freedom fighters elsewhere in the world and supporting

0:23:14.119 --> 0:23:17.879
<v Speaker 1>people who were fighting for independence from colonial powers. All

0:23:17.920 --> 0:23:21.399
<v Speaker 1>this work had also been primarily focused on men in

0:23:21.440 --> 0:23:24.439
<v Speaker 1>the nineteen seventies and eighties. That started to change, in

0:23:24.480 --> 0:23:28.720
<v Speaker 1>part through televised conversations with poets Nikki Giovanni and past

0:23:28.760 --> 0:23:33.280
<v Speaker 1>podcast subject Audrey Lord. Both women really pushed Baldwin on

0:23:33.359 --> 0:23:37.680
<v Speaker 1>issues of gender, gender roles, and sexuality, ultimately leading him

0:23:37.680 --> 0:23:41.280
<v Speaker 1>to criticize the whiteness of the mainstream feminist movement, as

0:23:41.320 --> 0:23:46.600
<v Speaker 1>well as its homophobia and anti lesbianism. But like Bayard Rustin, James,

0:23:46.600 --> 0:23:49.240
<v Speaker 1>Baldwin never took a leadership role within the gay rights

0:23:49.280 --> 0:23:51.919
<v Speaker 1>movement as it became more public and widespread in the

0:23:51.960 --> 0:23:56.440
<v Speaker 1>nineteen seventies and eighties. He also expressed some ambivalence about

0:23:56.600 --> 0:24:00.520
<v Speaker 1>exactly how to describe himself in his own identity. In

0:24:00.600 --> 0:24:05.960
<v Speaker 1>one nineteen sixty five interview, he said, quote those terms homosexual, bisexual,

0:24:06.040 --> 0:24:10.720
<v Speaker 1>heterosexual are twentieth century terms which for me really have

0:24:10.920 --> 0:24:15.199
<v Speaker 1>very little meaning I've never myself, in watching myself and

0:24:15.240 --> 0:24:18.840
<v Speaker 1>watching other people, been able to discern exactly where the

0:24:18.840 --> 0:24:22.399
<v Speaker 1>barriers were. I read one piece as I was working

0:24:22.400 --> 0:24:26.119
<v Speaker 1>on this that noted that this has some similarities to

0:24:26.240 --> 0:24:29.360
<v Speaker 1>conversations happening today about all of these ideas being socially

0:24:29.359 --> 0:24:34.040
<v Speaker 1>constructed and what they mean. Baldwin continued to travel and

0:24:34.119 --> 0:24:36.560
<v Speaker 1>teach and write and work until late in his life,

0:24:36.640 --> 0:24:39.240
<v Speaker 1>but by the late nineteen eighties he was having serious

0:24:39.240 --> 0:24:43.160
<v Speaker 1>issues with his health. He had developed hepatitis and experienced

0:24:43.160 --> 0:24:45.840
<v Speaker 1>liver damage back in the nineteen seventies, followed by two

0:24:45.880 --> 0:24:49.119
<v Speaker 1>heart attacks. Then in nineteen eighty seven, he was diagnosed

0:24:49.160 --> 0:24:52.359
<v Speaker 1>with esophageal cancer. I actually also found references that it

0:24:52.400 --> 0:24:55.240
<v Speaker 1>was stomach cancer or pancreatic cancer, and I don't know

0:24:55.280 --> 0:24:59.480
<v Speaker 1>which of those is correct. Regardless, though the cancer progressed

0:24:59.480 --> 0:25:02.800
<v Speaker 1>really quickly. He gave his last interview to journalist Quincy

0:25:02.840 --> 0:25:06.199
<v Speaker 1>Troop just days before his death. James Baldwin died on

0:25:06.240 --> 0:25:09.960
<v Speaker 1>December one, nineteen eighty seven, at the age of sixty three.

0:25:10.040 --> 0:25:12.800
<v Speaker 1>Lucian Happersberger was there with him, as well as a

0:25:12.800 --> 0:25:16.119
<v Speaker 1>household attendant. His funeral was held at the Church of

0:25:16.119 --> 0:25:19.200
<v Speaker 1>Saint John the Divine in Manhattan with five thousand people

0:25:19.280 --> 0:25:23.520
<v Speaker 1>in attendance. A Mary Baraka delivered the eulogy with tributes

0:25:23.520 --> 0:25:27.080
<v Speaker 1>from others including Maya Angelou and Tony Morrison. In the

0:25:27.119 --> 0:25:30.440
<v Speaker 1>words of a. Mary Baraka's eulogy, quote, this man traveled

0:25:30.440 --> 0:25:35.440
<v Speaker 1>the earth, like its history and its biographer. He reported, criticized,

0:25:35.560 --> 0:25:41.560
<v Speaker 1>made beautiful, analyzed, cajoled, lyricized, attacked, saying made us think,

0:25:41.920 --> 0:25:45.639
<v Speaker 1>made us better, made us consciously human, or perhaps more

0:25:45.720 --> 0:25:49.520
<v Speaker 1>acidly prehuman. And also in the words of Tony Morrison,

0:25:49.680 --> 0:25:52.960
<v Speaker 1>addressing the late Baldwin as Jemmy, quote, in your hands,

0:25:53.240 --> 0:25:56.400
<v Speaker 1>language was handsome again. In your hands we saw how

0:25:56.440 --> 0:25:59.639
<v Speaker 1>it was meant to be, neither bloodless nor bloody, and

0:25:59.720 --> 0:26:03.200
<v Speaker 1>yet alive. It should surprise no one who knows anything

0:26:03.200 --> 0:26:07.760
<v Speaker 1>about Tony Morrison. That tribute to Baldwin from the funeral

0:26:07.920 --> 0:26:12.360
<v Speaker 1>is beautiful and I highly encourage reading it. During his lifetime,

0:26:12.440 --> 0:26:16.480
<v Speaker 1>James Baldwin wrote twenty two books, including six novels. He

0:26:16.520 --> 0:26:18.679
<v Speaker 1>was a member of the National Advisory Board of the

0:26:18.720 --> 0:26:21.480
<v Speaker 1>Congress on Racial Equality, as well as being a member

0:26:21.520 --> 0:26:24.240
<v Speaker 1>of the American Academy and Institute of Arts and Letters.

0:26:24.480 --> 0:26:28.879
<v Speaker 1>The Authors League, the International Pen the Dramatist Guild, the

0:26:28.920 --> 0:26:32.800
<v Speaker 1>Actors Studio, and the National Committee for a Sane Nuclear Policy.

0:26:33.480 --> 0:26:36.119
<v Speaker 1>He also hoped that his Holme in France would be

0:26:36.200 --> 0:26:38.840
<v Speaker 1>turned into a writer's colony after his death, but it

0:26:38.920 --> 0:26:42.640
<v Speaker 1>was eventually sold to developers and torn down. Baldwin had

0:26:42.680 --> 0:26:45.840
<v Speaker 1>been a bestseller during his career, especially during the prolific

0:26:45.960 --> 0:26:48.560
<v Speaker 1>nineteen sixties, but by the end of his life he

0:26:48.640 --> 0:26:51.840
<v Speaker 1>was not as widely read. That started to change, as

0:26:51.880 --> 0:26:53.280
<v Speaker 1>we said at the top of the show, with the

0:26:53.400 --> 0:26:56.080
<v Speaker 1>rise of the Black Lives Matter movement and the many

0:26:56.160 --> 0:27:01.200
<v Speaker 1>connections between the movement and Baldwin's ideas and writings decades earlier.

0:27:01.840 --> 0:27:03.840
<v Speaker 1>In the last few years, there's also been a film

0:27:03.880 --> 0:27:06.960
<v Speaker 1>adaptation of his novel If Beale Street Could Talk, which

0:27:07.040 --> 0:27:09.399
<v Speaker 1>came out in twenty eighteen, as well as the award

0:27:09.440 --> 0:27:12.560
<v Speaker 1>winning twenty sixteen documentary called I Am Not Your Negro.

0:27:13.240 --> 0:27:15.400
<v Speaker 1>As we said at the top of the show, Baldwin's

0:27:15.400 --> 0:27:19.320
<v Speaker 1>work is frequently part of anti racism courses and reading lists,

0:27:19.720 --> 0:27:21.760
<v Speaker 1>so we thought we would end with just a couple

0:27:21.800 --> 0:27:24.800
<v Speaker 1>of quotes quickly from that work. One is from the

0:27:24.880 --> 0:27:27.960
<v Speaker 1>end of the Fire Next Time quote everything now we

0:27:28.040 --> 0:27:30.480
<v Speaker 1>must assume is in our hands. We have no right

0:27:30.560 --> 0:27:33.639
<v Speaker 1>to assume otherwise. If we, and now I mean the

0:27:33.680 --> 0:27:36.840
<v Speaker 1>relatively conscious whites and the relatively conscious blacks, who must,

0:27:37.080 --> 0:27:40.679
<v Speaker 1>like lovers, insist on or create the consciousness of the others,

0:27:41.040 --> 0:27:43.359
<v Speaker 1>do not falter in our duty now we may be

0:27:43.480 --> 0:27:46.960
<v Speaker 1>able handful that we are to end the racial nightmare

0:27:47.040 --> 0:27:49.679
<v Speaker 1>and achieve our country and change the history of the world.

0:27:50.240 --> 0:27:53.560
<v Speaker 1>If we do not now dare everything The fulfillment of

0:27:53.600 --> 0:27:56.720
<v Speaker 1>that prophecy recreated from the Bible in a song by

0:27:56.760 --> 0:27:59.960
<v Speaker 1>a slave is upon us. God gave Noah the rainbow sign,

0:28:00.560 --> 0:28:03.480
<v Speaker 1>no more water, the fire next time. The other quote

0:28:03.480 --> 0:28:05.720
<v Speaker 1>is from an interview that he gave in nineteen seventy

0:28:06.240 --> 0:28:09.560
<v Speaker 1>where he said, I'm optimistic about the future, but not

0:28:09.800 --> 0:28:13.480
<v Speaker 1>about the future of this civilization. I'm optimistic about the

0:28:13.480 --> 0:28:17.960
<v Speaker 1>civilization which will replace this one, not as James Baldwin.

0:28:19.280 --> 0:28:21.119
<v Speaker 1>I talked to various friends as I was trying to

0:28:21.119 --> 0:28:23.880
<v Speaker 1>figure out what I needed to work on next, and

0:28:23.960 --> 0:28:27.400
<v Speaker 1>in every case when I said I think James Baldwin,

0:28:27.520 --> 0:28:34.359
<v Speaker 1>the answer was like, obviously yes, so yeah, I hope

0:28:34.400 --> 0:28:42.120
<v Speaker 1>I have done his life and work justice today. Thanks

0:28:42.120 --> 0:28:45.040
<v Speaker 1>so much for joining us on this Saturday. If you'd

0:28:45.080 --> 0:28:47.479
<v Speaker 1>like to send us a note, our email addresses History

0:28:47.600 --> 0:28:51.880
<v Speaker 1>Podcast at iHeartRadio dot com, and you can subscribe to

0:28:51.920 --> 0:28:55.240
<v Speaker 1>the show on the iHeartRadio app, Apple Podcasts, or wherever

0:28:55.280 --> 0:29:03.400
<v Speaker 1>you listen to your favorite shows.