WEBVTT - Rerun: The Max Headroom Incident

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<v Speaker 1>Welcome to tech Stuff, a production from my Heart Radio.

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<v Speaker 1>Pay there and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio,

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<v Speaker 1>and I love all things tech. And so last week

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<v Speaker 1>we were planning on running a classic episode of about

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<v Speaker 1>the Max Headroom Incident, a famous incident in which a

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<v Speaker 1>person was able to overpower TV broadcast signals and insert

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<v Speaker 1>a pirate signal into a television channel. And UH, then

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<v Speaker 1>like it turned out that we had a bunch of

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<v Speaker 1>other stuff that needed to be published last week, so

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<v Speaker 1>it ended up going up briefly and then coming back down.

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<v Speaker 1>But now we're putting it up for real Z's and

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<v Speaker 1>we're doing it today on Wednesday, because the episode I'm

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<v Speaker 1>working on UH is taking a little more time than

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<v Speaker 1>I had anticipated because I have to pull a lot

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<v Speaker 1>of information from a lot of different sources. But I

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<v Speaker 1>never want to leave you without an episode, so we're

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<v Speaker 1>moving up the classic episode for Friday to today Wednesday.

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<v Speaker 1>This all makes sense somewhere, maybe not right now, but

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<v Speaker 1>I promise somewhere down the line it does. So right now,

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<v Speaker 1>let's go back and listen to this classic episode about

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<v Speaker 1>the Max headroom incident. Well, the nice thing is that, uh,

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<v Speaker 1>you know, I like to let my guests kind of

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<v Speaker 1>pick a topic if they if they prefer, I mean,

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<v Speaker 1>if they don't, If they want me to pick one,

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<v Speaker 1>I'm happy to. But I gave you that that option,

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<v Speaker 1>and you came back with one of my favorite stories period,

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<v Speaker 1>not just in tech just it's just one of those cool,

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<v Speaker 1>weird things that have happened. And I do not want

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<v Speaker 1>to steal thunder. All I wanna ask you is, Chuck,

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<v Speaker 1>if you were in Chicago on November twenty, nineteen seven

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<v Speaker 1>and you were watching h w g N at nine

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<v Speaker 1>pm because you want to check out the news and

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<v Speaker 1>it's coming up on the sports, which I know you're

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<v Speaker 1>a fan of the sports, what happened? Well, that could

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<v Speaker 1>have happened because I would have been sixteen at the time. Yeah,

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<v Speaker 1>you and I are in this age wheelhouse. Yeah, we

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<v Speaker 1>we actually were alive at this time, and we were

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<v Speaker 1>we would have been aware of at least the entity

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<v Speaker 1>that appeared instead of the sports scores. Um. But yeah,

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<v Speaker 1>something weird happened at that moment. There was an interruption

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<v Speaker 1>in normal service, Yeah, what they call a broadcast intrusion,

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<v Speaker 1>and Uh, like all classic broadcast intrusions, it started with

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<v Speaker 1>a little grainy, you know, static going on, and they're

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<v Speaker 1>always a little unsettling when you watch them, even if

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<v Speaker 1>they're goofy. Yeah, this is something kind of creepy about it.

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<v Speaker 1>You know, what's out of place, and something that, especially

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<v Speaker 1>when it's something as ritualistic, is the news. You know

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<v Speaker 1>that follows a very specific pattern, and when something goes

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<v Speaker 1>outside that pattern, you know, that upsets our little world

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<v Speaker 1>balance for a moment. So in this case, the there was,

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<v Speaker 1>like you said, there was this this disturbance in the force,

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<v Speaker 1>and a new picture popped up and replaced the sportscaster,

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<v Speaker 1>and it was a guy in a disturbing rubber mass

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<v Speaker 1>and that mask was of a specific eighties icon, which

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<v Speaker 1>I think a lot of people don't even know who

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<v Speaker 1>this is anymore, but Max Headroom. Yeah, if if you're

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<v Speaker 1>a child of the eighties, Max max hedrum loomed large

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<v Speaker 1>for a while, and I know when this intrusion came out,

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<v Speaker 1>this broadcast intrusion, it seemed like about half the people

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<v Speaker 1>even knew who he was trying to imitate, and then

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<v Speaker 1>the other half just had no idea. They thought it

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<v Speaker 1>was just some weirdo with the mask. Well, and part

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<v Speaker 1>of that was because, uh, the quality of the video

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<v Speaker 1>was not exactly super high quality. But on top of that, yeah,

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<v Speaker 1>it's kind of a niche thing, and he was Max

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<v Speaker 1>Hedroom was used as sort of a spokes thing, I guess,

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<v Speaker 1>a spokesman for a new coke Sure that that great

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<v Speaker 1>move by the Coca Cola company. Yeah, oh man, I

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<v Speaker 1>remember that well, I remember it with Paine. Yeah. So

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<v Speaker 1>living living in Atlanta, the whole Coca Cola New Coke

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<v Speaker 1>thing was it definitely strikes close to home. So yeah,

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<v Speaker 1>he um. He was a spokesman for that as well

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<v Speaker 1>as a kind of a fantasy character who appeared on

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<v Speaker 1>lots of other stuff. But generally speaking, if you don't

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<v Speaker 1>know who Max Hedroom is first, just go ahead and

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<v Speaker 1>do an image search because it'll pop right up. Yeah,

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<v Speaker 1>but it's a a character that was supposed to look

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<v Speaker 1>like a digital character, right. It was supposed to like

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<v Speaker 1>a computer generated image, and it was kind of a

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<v Speaker 1>guy with a long face and weird, kind of ridged hair.

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<v Speaker 1>He had always had a dynamic c g I background

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<v Speaker 1>behind him that looked like kind of just like Neon

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<v Speaker 1>stripes that were constantly twisting and turning in different ways,

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<v Speaker 1>and he would stutter, yeah, the digital stutter occasionally, and

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<v Speaker 1>uh would be very kind of snarky and sarcastic, and

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<v Speaker 1>ultimately got a television series as well, as you know,

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<v Speaker 1>two couple different television series, one of them which was

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<v Speaker 1>like a talk show, and one of which was more

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<v Speaker 1>of a like an actual fictional story like with an arc. Yeah,

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<v Speaker 1>that one was pretty good. Actually, the original British show,

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<v Speaker 1>even though it was a lot of American actors, was

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<v Speaker 1>was pretty cool and definitely ahead of its time as

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<v Speaker 1>far as you know. The whole idea was that this

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<v Speaker 1>uh roving reporter was I think Matt Frewer played him

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<v Speaker 1>as a real dude and as Max Headroom, but he

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<v Speaker 1>was digitally replaced with this character Max Headroom, and at

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<v Speaker 1>the time it just seemed really odd. But now when

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<v Speaker 1>you look back at it and watch it, it's like, man,

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<v Speaker 1>this show was kind of ahead of this. Yeah, it

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<v Speaker 1>was really imprescient. Yeah it was. It also revealed where

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<v Speaker 1>the name came from, where Matt Frewer's character, as I recall,

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<v Speaker 1>is waylaid and the last thing he sees before he

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<v Speaker 1>loses consciousness is a sign on a on a a

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<v Speaker 1>wall that tells what the Max Headroom for that wall

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<v Speaker 1>is pretty clad became the character's name. Yeah. So the

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<v Speaker 1>person who appeared on this video was wearing a MAX

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<v Speaker 1>Headroom mask and had this corrugated metal background sort of

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<v Speaker 1>emulated the digital look, wore the suit that Max Headroom

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<v Speaker 1>more like just a dark suit and tie, and um, yeah,

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<v Speaker 1>this thing was the metal background. It looked like like

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<v Speaker 1>a garage door. It was just sort of spinning in

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<v Speaker 1>the background. Yeah, it was. It was on some sort

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<v Speaker 1>of gimbal or something. That's what I figured. Yeah, because

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<v Speaker 1>you can tell it's swinging back and forth, so predictably

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<v Speaker 1>it can't be held by somebody. You had to be

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<v Speaker 1>on some sort of pivot or something, and but it's

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<v Speaker 1>moving backward and forward. So it kind of mimics that

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<v Speaker 1>that digital line twisting in the background. And except for

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<v Speaker 1>one part, there's a part where there's a clear cut

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<v Speaker 1>in the video. The video itself was about or at

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<v Speaker 1>least what we've seen is about a minute and twenty

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<v Speaker 1>two seconds. Yeah. Well, actually I don't think we differentiated.

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<v Speaker 1>There were two videos, two intrusions. The first one was

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<v Speaker 1>short and had no audio and was on w g N,

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<v Speaker 1>and then about two hours later they hijacked the PPS

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<v Speaker 1>affiliate and that's where the classic minute and a half,

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<v Speaker 1>nearly minute and a half with audio, really strange audio

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<v Speaker 1>comes through. That's right, because that first one, like you said,

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<v Speaker 1>I'm glad you pointed that out, it was silent. It

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<v Speaker 1>was the images from the and the image and the

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<v Speaker 1>audio from w g N was cut, but there was

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<v Speaker 1>no audio coming in other than that. I think there's

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<v Speaker 1>like a buzzing noise that came in through the first intrusion,

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<v Speaker 1>and you saw this this figure just sitting there and

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<v Speaker 1>kind of rocking back and forth like left and right, Yeah,

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<v Speaker 1>which is also a disconcerting Yeah, definitely like you felt

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<v Speaker 1>like something is really wrong at that moment. And when

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<v Speaker 1>it came back, the sportscaster said, you might be wondering

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<v Speaker 1>what just happened. I know, I am, uh something along

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<v Speaker 1>those lines. But yes, the second one, you had the

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<v Speaker 1>audio and it played for the what we what appeared

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<v Speaker 1>to be the length of the video. The first section

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<v Speaker 1>had uh, the guy just saying odd things and they

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<v Speaker 1>were all very Chicago specific well, and and sort of

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<v Speaker 1>slamming w g N because he'd slammed the Chuck swart

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<v Speaker 1>Sky Yeah as a freaking liberal. Yeah, he's a sportscaster

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<v Speaker 1>for w g N. Yeah. And uh he also talked

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<v Speaker 1>about the Greatest World Newspaper Nerds something like that. But

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<v Speaker 1>w g N stands for World's Greatest Newspaper. Yeah, So

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<v Speaker 1>it turned out that that little know, the great the

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<v Speaker 1>great World Newspaper Nerds or whatever however he worded it,

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<v Speaker 1>that was a reference back to w g N. So

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<v Speaker 1>it's very clearly intended for w g N. Yeah. And

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<v Speaker 1>the first attack wasn't as effective as as they had

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<v Speaker 1>hoped because, uh, like I said, there was no audio.

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<v Speaker 1>And also the folks at w g N, once they

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<v Speaker 1>figured out something was going on, very quickly changed the

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<v Speaker 1>frequency transmitters. So they said, well, just hit PBS, I guess. Yeah, Yeah,

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<v Speaker 1>which is interesting. We'll talk more about how that kind

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<v Speaker 1>of helps us know a little more about the attackers.

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<v Speaker 1>Because here's the other thing. To this day, there there's

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<v Speaker 1>no the public has no idea who did this. Yeah.

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<v Speaker 1>I think that's why this story has lingered. And it's

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<v Speaker 1>so cool is because anytime you have an unsolved mystery,

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<v Speaker 1>even if it's uh just sort of an odd broadcast

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<v Speaker 1>intrusion like this, people are going to be obsessed with it, like, um,

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<v Speaker 1>we've a lot of the information from that I did

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<v Speaker 1>research on. Came from a motherboard kind of the mother

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<v Speaker 1>of all articles, had some great research, Yeah, Chris Middle

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<v Speaker 1>that's yeah. The article, if you want to look for it,

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<v Speaker 1>is the Mystery of the Creepiest Television Hack. And I

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<v Speaker 1>agree this article is fantastic. It really lays out not

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<v Speaker 1>just the incident, but also other things that had happened

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<v Speaker 1>beforehand that kind of laid the groundwork for this, as

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<v Speaker 1>well as just a discussion, although a brief one, about

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<v Speaker 1>the hacker culture that existed at that time and how

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<v Speaker 1>that kind of lends itself to people who maybe are

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<v Speaker 1>cleverer than is good for them or could be very

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<v Speaker 1>nice way to say, yeah, because as it turns out,

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<v Speaker 1>the f c C here in the United States does

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<v Speaker 1>not take kindly to folks intruding upon established airways. No,

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<v Speaker 1>it's it's a big no no, especially with bare butts,

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<v Speaker 1>which I think you said. Once the camera cuts, we

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<v Speaker 1>didn't continue there. That's when it got really weird because

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<v Speaker 1>there's a camera cut and then you see the mask

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<v Speaker 1>is off, but the guy has his head out of

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<v Speaker 1>frame and it's just sort of holding the mask. Yeah

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<v Speaker 1>he is, pants are down showing his his bear Fannie,

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<v Speaker 1>and then yeah from profile and then a lady on

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<v Speaker 1>the right. Uh, and it looks like some sort of

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<v Speaker 1>Old West like Antiochlely type garb. Yeah, spanks him with

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<v Speaker 1>the fly swatter on his butt, although spanks is really

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<v Speaker 1>being generous. She's very slowly and lightly tapping him on

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<v Speaker 1>the bottom with the flyswater, so to the point where

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<v Speaker 1>you're you're thinking, like, I guess that's supposed to represent spanking. Uh,

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<v Speaker 1>doesn't look like any spanking I ever received as a kid.

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<v Speaker 1>I got you. Anyway, That's pretty much where the video

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<v Speaker 1>cut off, and then it went right back into Doctor Who,

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<v Speaker 1>and which is really funny to see the transition. Yeah, yeah,

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<v Speaker 1>he died of an electric shock. Yeah, you've got to

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<v Speaker 1>watch the whole incident on YouTube if you haven't already.

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<v Speaker 1>And in case you're curious that episode, it's we're talking

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<v Speaker 1>classic Doctor Who. Obviously back in seven, this is not

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<v Speaker 1>the reboot. It was the Horror of fang Rock. So

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<v Speaker 1>if that's your favorite episode, I'm sorry that was interrupted

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<v Speaker 1>back in nine seven. So yeah, and like we said,

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<v Speaker 1>the the audio really showed that that the public television

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<v Speaker 1>station wasn't the intended target. It was. It was a

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<v Speaker 1>target of opportunity after the first attempt failed. And uh,

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<v Speaker 1>and we'll talk more about the technology behind that and

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<v Speaker 1>why they had to switch from one to the other. Um,

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<v Speaker 1>it turns out it was largely a practical issue, at

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<v Speaker 1>least as far as I can determine. And it was.

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<v Speaker 1>There were also references within the little weird diet tribe.

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<v Speaker 1>The guy made to Coca Cola because he said catch

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<v Speaker 1>the waves and he had a new coat can that

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<v Speaker 1>he threw down on the ground. Yeah, And also a

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<v Speaker 1>reference to the cult cartoon Clutch Cargo. Yeah, he hummed

0:12:46.720 --> 0:12:49.200
<v Speaker 1>the theme Clutch Cargo. If you've ever seen the movie

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<v Speaker 1>Pulp Fiction, Um, the scene with young Bruce Willis back

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<v Speaker 1>in the nineteen seventies, I guess with Christopher Walkin as

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<v Speaker 1>his guardian, he's watching Clutch Cargo on TV. There that

0:13:03.760 --> 0:13:06.880
<v Speaker 1>with the mouth's cut out. O'Brien has also used that

0:13:06.920 --> 0:13:12.200
<v Speaker 1>same comedic effect using the live action in order because

0:13:12.360 --> 0:13:14.120
<v Speaker 1>what what the whole point was was it was an

0:13:14.160 --> 0:13:18.200
<v Speaker 1>idea of of reducing the cost of animation big time

0:13:18.360 --> 0:13:21.080
<v Speaker 1>because there was no animation. You had to picture, yeah,

0:13:21.160 --> 0:13:24.440
<v Speaker 1>still picture, and then you would superimpose live actors mouths

0:13:24.440 --> 0:13:27.800
<v Speaker 1>on top of it. And if that sounds creepy and

0:13:27.960 --> 0:13:31.360
<v Speaker 1>disturbing to you, you you're on the right track. It

0:13:31.480 --> 0:13:33.400
<v Speaker 1>was not the only cartoon to do this. There were

0:13:33.440 --> 0:13:39.760
<v Speaker 1>a few others. Um, thank you Cambria Productions for and

0:13:39.880 --> 0:13:42.280
<v Speaker 1>uh yeah, so he hummed like the whole Clutch Cargo

0:13:42.360 --> 0:13:46.040
<v Speaker 1>theme and made references to actual episodes of Clutch Cargo.

0:13:46.720 --> 0:13:50.040
<v Speaker 1>Uh so it was certainly someone with an odd sense

0:13:50.080 --> 0:13:52.559
<v Speaker 1>of humor who did this. Now, there was no other message, right,

0:13:52.559 --> 0:13:55.640
<v Speaker 1>there was no. It wasn't like a political thing. It

0:13:55.760 --> 0:13:58.280
<v Speaker 1>was very stream of consciousness, kind of weird. He holds

0:13:58.400 --> 0:14:01.760
<v Speaker 1>up I guess what we can cleanly describe as a

0:14:01.800 --> 0:14:05.040
<v Speaker 1>marital aid. Yes, at one point, and throws that on

0:14:05.080 --> 0:14:08.360
<v Speaker 1>the ground and um, it's just once the fly swatting

0:14:08.400 --> 0:14:11.520
<v Speaker 1>comes in, it's just obvious that they're kind of free forming.

0:14:12.280 --> 0:14:14.120
<v Speaker 1>Although it was not live, which is important to know.

0:14:14.160 --> 0:14:16.520
<v Speaker 1>This is at some video tape that they made. Yeah, yeah,

0:14:16.559 --> 0:14:18.240
<v Speaker 1>and it was because I mean, in order to do

0:14:18.480 --> 0:14:23.600
<v Speaker 1>a live intrusion would require essentially a studio and you'd

0:14:23.600 --> 0:14:26.520
<v Speaker 1>have to have some sort of link to a transmitter

0:14:26.600 --> 0:14:28.840
<v Speaker 1>that also had line of sight to the same antenna

0:14:29.400 --> 0:14:32.600
<v Speaker 1>as whatever target you were you're aiming at, So that

0:14:32.640 --> 0:14:37.160
<v Speaker 1>would have been an astoundingly complicated. This is definitely a

0:14:37.160 --> 0:14:41.240
<v Speaker 1>little easier to pull off. So you know, now that

0:14:41.320 --> 0:14:44.360
<v Speaker 1>we know that this, they've they've never been found. They're

0:14:44.440 --> 0:14:48.200
<v Speaker 1>likely never to be found. I mean, it's always possible

0:14:48.240 --> 0:14:51.200
<v Speaker 1>that someone could come forward and say, all right, well

0:14:51.240 --> 0:14:53.040
<v Speaker 1>here's how it actually happened. I'm the guy who did this.

0:14:53.120 --> 0:14:56.120
<v Speaker 1>Would I'm surprised that hasn't happened by now because the

0:14:56.160 --> 0:14:58.880
<v Speaker 1>statute of limitations is up for Yeah, it's way up,

0:14:58.960 --> 0:15:01.800
<v Speaker 1>so you can't get in trouble, and it's um I

0:15:01.840 --> 0:15:04.600
<v Speaker 1>think they would unless they just think it's better left

0:15:04.600 --> 0:15:07.760
<v Speaker 1>as a mystery. They would live in like especially nowadays

0:15:07.760 --> 0:15:09.520
<v Speaker 1>with the Internet like it is, it would blow up,

0:15:10.080 --> 0:15:12.760
<v Speaker 1>you know, it would be right. It could possibly be

0:15:13.240 --> 0:15:15.840
<v Speaker 1>the fact that I mean, you know, of course we're

0:15:15.880 --> 0:15:18.800
<v Speaker 1>just projecting here, but it could possibly be that they

0:15:18.920 --> 0:15:21.880
<v Speaker 1>are no longer terribly proud of what they did, and

0:15:22.000 --> 0:15:24.720
<v Speaker 1>or that they've moved on in their lives. Yeah, there's

0:15:24.960 --> 0:15:27.200
<v Speaker 1>a significant amount of time since then, and they might

0:15:27.200 --> 0:15:29.200
<v Speaker 1>have thought you know, I'm not going to brag about

0:15:29.240 --> 0:15:32.480
<v Speaker 1>something I did when I was younger and dumber, especially

0:15:32.520 --> 0:15:36.040
<v Speaker 1>now that I'm the CEO of ABC, right that that

0:15:36.120 --> 0:15:38.440
<v Speaker 1>might end up. By the way, we do not actually

0:15:38.440 --> 0:15:41.240
<v Speaker 1>mean that the CEO of ABC or Didney Disney affiliates

0:15:41.280 --> 0:15:46.600
<v Speaker 1>are involved. But the other interesting thing is that this

0:15:46.680 --> 0:15:51.680
<v Speaker 1>was not the first time that um I A an

0:15:51.760 --> 0:15:56.120
<v Speaker 1>intrusion had happened in in broadcast history. The first one,

0:15:56.600 --> 0:15:59.120
<v Speaker 1>if you want to go back, actually didn't happen in

0:15:59.160 --> 0:16:02.600
<v Speaker 1>the United States, happened back in UH the UK in

0:16:02.720 --> 0:16:08.200
<v Speaker 1>nineteen seventies seven, and that was when a hoaxer interrupted

0:16:08.560 --> 0:16:13.280
<v Speaker 1>a Southern television broadcast by UH inserting audio. It didn't

0:16:13.360 --> 0:16:15.560
<v Speaker 1>change the video, So this is kind of the opposite

0:16:15.600 --> 0:16:18.080
<v Speaker 1>of what had happened the first time with the Max

0:16:18.120 --> 0:16:22.320
<v Speaker 1>Headroom insteat. But it was an audio stream that came

0:16:22.360 --> 0:16:27.120
<v Speaker 1>in and carried a message from the alien villa on UH.

0:16:27.160 --> 0:16:28.720
<v Speaker 1>And this is in the like I said, in the UK,

0:16:29.240 --> 0:16:34.400
<v Speaker 1>so obviously the alien had an English accent. I guess

0:16:34.400 --> 0:16:36.840
<v Speaker 1>that's only you know, fair like, if you're going to

0:16:36.880 --> 0:16:39.640
<v Speaker 1>interrupt someone's program, you want to make sure you're speaking

0:16:39.680 --> 0:16:44.800
<v Speaker 1>in the dialect, right, Yeah, suddenly they spoke like, like like

0:16:45.000 --> 0:16:47.360
<v Speaker 1>with a French accent. I mean that would just be

0:16:50.040 --> 0:16:53.000
<v Speaker 1>but anyway, so it was a message that essentially said

0:16:53.040 --> 0:16:55.720
<v Speaker 1>that humans should prepare themselves for the worst, because you know,

0:16:55.920 --> 0:16:58.640
<v Speaker 1>destruction is a common Yeah, that's great. That's what a

0:16:58.640 --> 0:17:01.480
<v Speaker 1>broadcast intrusion should be, right, some creepy warning, not just

0:17:01.600 --> 0:17:04.440
<v Speaker 1>a random series of images that disturb you for things

0:17:04.480 --> 0:17:06.720
<v Speaker 1>that you can't quite put your finger on, although that

0:17:06.840 --> 0:17:11.040
<v Speaker 1>is more disturbing. Almost. Yeah, then six we get the

0:17:11.080 --> 0:17:13.840
<v Speaker 1>first one in the United States. Uh, and this was

0:17:13.960 --> 0:17:17.680
<v Speaker 1>an inside job deal. This was happened on April at

0:17:17.680 --> 0:17:21.399
<v Speaker 1>twelve thirty two am, and it involved the East Coast

0:17:21.440 --> 0:17:26.359
<v Speaker 1>feed of HBO. And uh, what happened was the HBO

0:17:26.440 --> 0:17:30.120
<v Speaker 1>was showing a movie called The Falcon and the Snowman Classic.

0:17:30.600 --> 0:17:35.080
<v Speaker 1>You know, it certainly could not be helped by approximately

0:17:35.119 --> 0:17:38.440
<v Speaker 1>four minutes of footage missing because they've been replaced by

0:17:38.760 --> 0:17:41.359
<v Speaker 1>a series of colored bars that say good evening, HBO

0:17:41.520 --> 0:17:47.119
<v Speaker 1>from Captain Midnight twelve a month no way showtime movie

0:17:47.160 --> 0:17:50.720
<v Speaker 1>channel Beware. Yeah, that had a clear motive. Yeah, and

0:17:50.720 --> 0:17:54.160
<v Speaker 1>and and actually ironically, the um the guy was caught.

0:17:54.240 --> 0:17:56.840
<v Speaker 1>His name was John R. McDougall, and he was an

0:17:56.840 --> 0:18:01.159
<v Speaker 1>employee of Central Florida Teleport and he used what do

0:18:01.200 --> 0:18:03.840
<v Speaker 1>you use? He the was it the text that he used?

0:18:04.200 --> 0:18:08.120
<v Speaker 1>He yeah, so the text generators that the companies used

0:18:08.160 --> 0:18:10.520
<v Speaker 1>in order to put an overlay on top of a screen.

0:18:10.960 --> 0:18:14.080
<v Speaker 1>So like like the actual words that were being used there, Well,

0:18:14.200 --> 0:18:18.080
<v Speaker 1>they're very particular, and by measuring things like the height

0:18:18.160 --> 0:18:21.959
<v Speaker 1>of the the font, the how far uh the middle

0:18:22.400 --> 0:18:25.159
<v Speaker 1>bar of an e is according to the other side,

0:18:25.560 --> 0:18:29.639
<v Speaker 1>how close together those words are, investigators were able to

0:18:29.760 --> 0:18:36.000
<v Speaker 1>narrow it down to a specific machine. Yeah, it's pretty there. Yeah, yeah,

0:18:36.040 --> 0:18:38.400
<v Speaker 1>this is like incredible forensics, right. It's sort of like

0:18:38.680 --> 0:18:41.160
<v Speaker 1>if someone gets hold of a typewritten sheet of paper

0:18:41.200 --> 0:18:44.399
<v Speaker 1>and is able to determine the model of typewriter that

0:18:44.480 --> 0:18:47.000
<v Speaker 1>was used to actually make this. But in this case

0:18:47.040 --> 0:18:50.520
<v Speaker 1>it got even more specific because these machines aren't everywhere,

0:18:50.760 --> 0:18:55.160
<v Speaker 1>and that's what led them to track down McDougall, who, uh,

0:18:55.280 --> 0:18:59.639
<v Speaker 1>who have just decided that the recent hike in prices

0:18:59.800 --> 0:19:03.840
<v Speaker 1>for a monthly subscription to HBO were unconscionable and he

0:19:03.880 --> 0:19:06.040
<v Speaker 1>had to make it known. So, yeah, he had a

0:19:06.080 --> 0:19:09.879
<v Speaker 1>side job selling satellite dish service yeah, so he thought

0:19:09.920 --> 0:19:14.240
<v Speaker 1>that would nick his business some. And so he eventually

0:19:14.280 --> 0:19:17.160
<v Speaker 1>was caught and pled guilty, paid a five thousand dollar fine,

0:19:17.640 --> 0:19:20.520
<v Speaker 1>and served just one year probation. And it was that

0:19:20.720 --> 0:19:24.359
<v Speaker 1>incident that led I believe, Congress to make it a

0:19:24.400 --> 0:19:29.359
<v Speaker 1>federal violation to abroad. Yeah, it was a felony all

0:19:29.359 --> 0:19:31.840
<v Speaker 1>of a sudden. Yeah, because they suddenly said, wait, now

0:19:31.840 --> 0:19:34.920
<v Speaker 1>that people can actually do this. Now great, this was someone,

0:19:34.960 --> 0:19:37.199
<v Speaker 1>like we said, an inside job. They had access to,

0:19:37.960 --> 0:19:40.159
<v Speaker 1>uh a satellite. What what he actually did was he

0:19:40.280 --> 0:19:47.920
<v Speaker 1>pointed the satellite of Central Florida Teleport at the HBO satellite. Chuck,

0:19:48.200 --> 0:19:51.119
<v Speaker 1>You and I we wouldn't even know where the heck

0:19:51.200 --> 0:19:54.119
<v Speaker 1>that satellite is. Yeah, so even if we had the

0:19:54.160 --> 0:19:57.879
<v Speaker 1>equipment and everything else, we'd just beat Well, the sky

0:19:57.960 --> 0:20:00.720
<v Speaker 1>is a lot bigger than I had taken into account,

0:20:00.880 --> 0:20:02.840
<v Speaker 1>and uh you know, of course we'd have to be

0:20:02.920 --> 0:20:04.880
<v Speaker 1>someplace where we could actually get a good clear view

0:20:04.920 --> 0:20:06.800
<v Speaker 1>of the sky because if they're building in the way

0:20:06.880 --> 0:20:11.000
<v Speaker 1>or something. But uh yeah, so he he was a

0:20:11.000 --> 0:20:13.959
<v Speaker 1>good example of that. And then September n so this

0:20:14.040 --> 0:20:18.760
<v Speaker 1>is just before the the incident with the Max Headgroom incident,

0:20:19.800 --> 0:20:23.919
<v Speaker 1>Thomas Haney hijacked a signal at on the Playboy channel.

0:20:23.960 --> 0:20:26.439
<v Speaker 1>I think I remember hearing about this one. Yeah, it

0:20:26.560 --> 0:20:29.679
<v Speaker 1>was one where it was sending in religious messages essentially

0:20:29.720 --> 0:20:33.320
<v Speaker 1>saying repent and and you know you are, uh, discard

0:20:33.359 --> 0:20:35.920
<v Speaker 1>your wicked ways, that kind of thing, right, And it's

0:20:36.000 --> 0:20:39.720
<v Speaker 1>no surprise because he actually worked for the Christian Broadcast Network. Yeah,

0:20:39.760 --> 0:20:42.240
<v Speaker 1>so again he had a job. Yeah, he had access

0:20:42.280 --> 0:20:45.560
<v Speaker 1>to the equipment necessary and the knowledge necessary to be

0:20:45.600 --> 0:20:48.720
<v Speaker 1>able to do this. It's not something that the average

0:20:48.760 --> 0:20:51.399
<v Speaker 1>person would be able to do. And again it was

0:20:51.440 --> 0:20:55.199
<v Speaker 1>the character generator, the the font generator that kind of

0:20:55.320 --> 0:20:57.600
<v Speaker 1>led the way. It was the main piece of evidence

0:20:57.640 --> 0:21:00.880
<v Speaker 1>that was leveled against him. Um. I remember that Pat

0:21:00.960 --> 0:21:04.760
<v Speaker 1>Robertson was very upset when the verdict was handled handed down.

0:21:04.760 --> 0:21:07.520
<v Speaker 1>He said that there wasn't enough evidence to um to

0:21:07.920 --> 0:21:10.160
<v Speaker 1>say that Haney was in fact the person who who

0:21:10.200 --> 0:21:13.040
<v Speaker 1>did this. Well, he was convicted, but um, I think

0:21:13.119 --> 0:21:17.080
<v Speaker 1>just got probation. And the first guy, McDougald, is interesting.

0:21:17.119 --> 0:21:20.400
<v Speaker 1>What he got convicted for was operating without a license

0:21:20.960 --> 0:21:22.960
<v Speaker 1>even though he had a license. So that was a

0:21:23.000 --> 0:21:25.240
<v Speaker 1>bit of a hinky ruling. I think they just had

0:21:25.280 --> 0:21:26.800
<v Speaker 1>to convict him of something, because I don't know if

0:21:26.840 --> 0:21:28.760
<v Speaker 1>the law was in place at that point. Yeah, yeah,

0:21:28.880 --> 0:21:30.960
<v Speaker 1>I mean it's it's kind of like that deal where

0:21:31.000 --> 0:21:34.080
<v Speaker 1>you realize, this is someone that we need to punish,

0:21:34.119 --> 0:21:36.560
<v Speaker 1>but we don't have a law that covers the crime.

0:21:37.520 --> 0:21:39.520
<v Speaker 1>We haven't defined it as a crime, but we know

0:21:39.600 --> 0:21:42.040
<v Speaker 1>that this is something people really shouldn't be able to do,

0:21:42.600 --> 0:21:45.879
<v Speaker 1>so we have to somehow justify it. Um. Yeah. And

0:21:45.920 --> 0:21:50.520
<v Speaker 1>as it turns out, the every nation, uh, in some

0:21:50.600 --> 0:21:55.119
<v Speaker 1>way or another, ends up regulating the electromagnetic spectrum, but

0:21:55.200 --> 0:21:57.800
<v Speaker 1>it changes from one place to the other. Sure, there's

0:21:57.800 --> 0:22:01.600
<v Speaker 1>only so much room, right, yeah, exactly. So electromagnetic spectrum

0:22:01.720 --> 0:22:04.480
<v Speaker 1>goes all the way from radio waves, which can a

0:22:04.560 --> 0:22:07.960
<v Speaker 1>radio wave can be kilometers long, right, and then you

0:22:08.000 --> 0:22:09.560
<v Speaker 1>go all the way to the other side to like

0:22:09.640 --> 0:22:13.680
<v Speaker 1>gamma rays we're talking about on the nanoscale and everything

0:22:13.720 --> 0:22:17.120
<v Speaker 1>in between. That's the electromagnetic spectrum. Visible light is part

0:22:17.160 --> 0:22:20.240
<v Speaker 1>of that. You know, visible light is on the short side,

0:22:20.480 --> 0:22:23.120
<v Speaker 1>but radio waves and microwaves are on the longer side.

0:22:23.760 --> 0:22:27.240
<v Speaker 1>And uh not all those radio waves. You know, we

0:22:27.280 --> 0:22:29.600
<v Speaker 1>can't just all use the same ones because then we

0:22:29.600 --> 0:22:34.160
<v Speaker 1>would have interference, right if if the television and your

0:22:34.240 --> 0:22:37.520
<v Speaker 1>phone used the same frequencies, then you would have interference

0:22:37.560 --> 0:22:39.680
<v Speaker 1>between the two and that would be terrible. Nothing would

0:22:39.680 --> 0:22:42.120
<v Speaker 1>be usable. Yeah, don't call it a crunch if there's

0:22:42.119 --> 0:22:44.840
<v Speaker 1>too much activity on one frequency. Yeah, that's that's if

0:22:44.920 --> 0:22:48.000
<v Speaker 1>you've got everyone just using you know what they're supposed to.

0:22:48.080 --> 0:22:52.719
<v Speaker 1>Let's say everyone in the cellular network has they're all

0:22:52.760 --> 0:22:54.800
<v Speaker 1>on their phones. That we've seen this happen in the

0:22:54.960 --> 0:23:00.600
<v Speaker 1>life events the post couldn't. Yeah, or even just going

0:23:00.640 --> 0:23:03.200
<v Speaker 1>to a big event like any like c e S

0:23:03.480 --> 0:23:05.560
<v Speaker 1>or any large event like that, you suddenly can't get

0:23:05.600 --> 0:23:09.160
<v Speaker 1>access to anything. That's where you've got more demand for

0:23:09.320 --> 0:23:11.960
<v Speaker 1>data transmission than there is capacity. Yeah, I've tried to

0:23:11.960 --> 0:23:15.240
<v Speaker 1>get a signal at Comic Con before and it's no. No,

0:23:15.440 --> 0:23:17.159
<v Speaker 1>same thing is true a Dragon Con and that's a

0:23:17.480 --> 0:23:21.200
<v Speaker 1>like a third the size of Comic Con. But yeah,

0:23:21.240 --> 0:23:25.000
<v Speaker 1>it's It's also true that there are wavelengths within the

0:23:25.040 --> 0:23:28.840
<v Speaker 1>electromagnetic spectrum that are really good for carrying data and

0:23:28.920 --> 0:23:33.399
<v Speaker 1>some that aren't. So the government has divided up the

0:23:33.880 --> 0:23:36.880
<v Speaker 1>electromanetic spectrum and saying these are the sections that can

0:23:36.880 --> 0:23:40.040
<v Speaker 1>be used for specific purposes. So a large part of

0:23:40.040 --> 0:23:43.199
<v Speaker 1>it is set aside for government and military use a

0:23:43.280 --> 0:23:46.840
<v Speaker 1>large part of his side for UH radio SO AM

0:23:46.880 --> 0:23:50.000
<v Speaker 1>and FM UH. And then you also have television broadcast

0:23:50.720 --> 0:23:54.920
<v Speaker 1>that are that are partial partitioned off as well cellular

0:23:55.000 --> 0:23:57.879
<v Speaker 1>data WiFi. All of these things have their specific place

0:23:58.000 --> 0:24:01.760
<v Speaker 1>that is mandated by the government. Yeah, we'll be back

0:24:01.800 --> 0:24:05.439
<v Speaker 1>with more about the Max Hedgroom incident in just a moment.

0:24:13.359 --> 0:24:16.000
<v Speaker 1>So if you go in and start messing around with that,

0:24:16.320 --> 0:24:20.160
<v Speaker 1>the government gets breaking up set. Yeah, because I think

0:24:20.320 --> 0:24:22.280
<v Speaker 1>you know, it's sort of a Nippot in the bud situation,

0:24:22.440 --> 0:24:25.439
<v Speaker 1>like one broadcast intrusion, really no big deal. And that

0:24:25.520 --> 0:24:30.679
<v Speaker 1>apparently is why the lead investigator said that um, I

0:24:30.680 --> 0:24:32.920
<v Speaker 1>think his name was Marcus. He had a hard time

0:24:32.960 --> 0:24:35.679
<v Speaker 1>getting resources because there was a little egg on the

0:24:35.720 --> 0:24:38.000
<v Speaker 1>face and they probably just wanted it to go away

0:24:38.520 --> 0:24:41.159
<v Speaker 1>more than anything. And no one's really hurt. There was

0:24:41.200 --> 0:24:43.160
<v Speaker 1>no damage done, so they're not gonna throw a lot

0:24:43.160 --> 0:24:46.199
<v Speaker 1>of money in time trying to find this person. And

0:24:46.200 --> 0:24:49.960
<v Speaker 1>and he also had some fairly harsh words for an

0:24:50.040 --> 0:24:54.480
<v Speaker 1>fcc UH investigator. He was actually in Chicago. He didn't

0:24:54.600 --> 0:24:57.480
<v Speaker 1>name the person and he's still salty about it though. Yeah,

0:24:57.480 --> 0:24:59.439
<v Speaker 1>I said that said that this guy wasn't willing to

0:24:59.480 --> 0:25:02.600
<v Speaker 1>go and not con doors to actually do some investigation,

0:25:03.080 --> 0:25:05.639
<v Speaker 1>and part of that is probably because there was this

0:25:05.720 --> 0:25:09.760
<v Speaker 1>embarrassment factor. They're also but without the teeth, you know,

0:25:10.160 --> 0:25:12.560
<v Speaker 1>with the authority, it makes it hard for someone to

0:25:12.680 --> 0:25:16.440
<v Speaker 1>go out and say there's a justification for spending the time,

0:25:16.520 --> 0:25:20.440
<v Speaker 1>resources and money necessarily for a small fine in probation,

0:25:20.520 --> 0:25:24.320
<v Speaker 1>even if they do catch the person. Now the maximum fine,

0:25:24.640 --> 0:25:27.440
<v Speaker 1>although I doubt that we would see a maximum fine

0:25:27.520 --> 0:25:29.320
<v Speaker 1>for something as small as a men and a half

0:25:29.400 --> 0:25:34.000
<v Speaker 1>interruption in Doctor Who Doctor Who fans, please don't take

0:25:34.000 --> 0:25:36.639
<v Speaker 1>me to task for that. But the maximum fine is

0:25:36.680 --> 0:25:39.280
<v Speaker 1>a hundred thousand dollars or a year in jail or both. Yeah,

0:25:39.320 --> 0:25:41.520
<v Speaker 1>which they were very big on announcing at the time

0:25:42.480 --> 0:25:44.560
<v Speaker 1>as well as UM. I think they had a lot

0:25:44.600 --> 0:25:47.840
<v Speaker 1>of misinformation they or I don't know if it's misinformation

0:25:47.920 --> 0:25:50.080
<v Speaker 1>or they were trying to get out a little misinformation

0:25:50.160 --> 0:25:53.440
<v Speaker 1>saying how sophisticated of an operation it was and how

0:25:53.440 --> 0:25:55.960
<v Speaker 1>expensive all the equipment must have been, which is really

0:25:55.960 --> 0:25:57.679
<v Speaker 1>not the case now. I think I think it was

0:25:58.000 --> 0:26:03.280
<v Speaker 1>a lot of people trying to discourage future pranksters from

0:26:03.320 --> 0:26:06.720
<v Speaker 1>following in their footsteps. So that means, well, let's make

0:26:06.760 --> 0:26:11.040
<v Speaker 1>sure we we set the the bar very high, saying

0:26:11.400 --> 0:26:14.680
<v Speaker 1>it's really hard to do and it's really expensive. Yeah,

0:26:14.680 --> 0:26:16.640
<v Speaker 1>and if you do try, it's gonna get even more

0:26:16.640 --> 0:26:18.440
<v Speaker 1>expensive for you, because we're gonna find you a hundred

0:26:18.480 --> 0:26:23.000
<v Speaker 1>thousand dollars. So now, the truth was that the transmission

0:26:23.000 --> 0:26:25.720
<v Speaker 1>equipment that was that could be used to do such

0:26:25.720 --> 0:26:29.159
<v Speaker 1>a thing, while brand new, would cost maybe you know,

0:26:29.200 --> 0:26:31.399
<v Speaker 1>a few thousand dollars, which is a significant amount of

0:26:31.440 --> 0:26:34.800
<v Speaker 1>money once it hits the aftermarket. Like you know, let's

0:26:34.840 --> 0:26:38.520
<v Speaker 1>say that you've got a a station, a small station

0:26:38.920 --> 0:26:41.119
<v Speaker 1>that is upgrading its equipment and it gets rid of

0:26:41.160 --> 0:26:43.800
<v Speaker 1>the old stuff that was on the amateur market. So

0:26:43.840 --> 0:26:45.800
<v Speaker 1>you could go out and buy that stuff and it

0:26:45.840 --> 0:26:47.800
<v Speaker 1>would be much less expensive than if you were to

0:26:47.800 --> 0:26:52.359
<v Speaker 1>buy it brand new. So I mentioned earlier in this

0:26:52.400 --> 0:26:56.880
<v Speaker 1>episode about the the hacker culture, Well have you heard

0:26:56.920 --> 0:27:02.159
<v Speaker 1>about freakers? Okay, so a freak or spelled p R

0:27:02.240 --> 0:27:05.040
<v Speaker 1>E A K I n G. I like it already freaking.

0:27:05.560 --> 0:27:09.680
<v Speaker 1>It's all about manipulating the phone system. So Steve Jobs

0:27:09.680 --> 0:27:13.520
<v Speaker 1>and Steve Wozniac were freakers, founders of Apple, actually Wasniac

0:27:13.640 --> 0:27:15.360
<v Speaker 1>was really the guy who knew how to do it,

0:27:15.960 --> 0:27:17.800
<v Speaker 1>but there were a ton of them. One of the

0:27:17.800 --> 0:27:21.240
<v Speaker 1>most famous ones his name was Captain Crunch, and Captain

0:27:21.280 --> 0:27:24.320
<v Speaker 1>Crunch was called that because he discovered that by using

0:27:24.359 --> 0:27:27.480
<v Speaker 1>a Captain Crunch plastic whistle then came in a box

0:27:27.480 --> 0:27:31.399
<v Speaker 1>of cereal, he could mimic the tone that the telephone

0:27:31.440 --> 0:27:35.360
<v Speaker 1>company was using and allow him to make free long

0:27:35.400 --> 0:27:39.600
<v Speaker 1>distance phone calls. So you had this culture of people who, wait,

0:27:39.640 --> 0:27:43.000
<v Speaker 1>what's a long distance phone call? Yeah, okay, kids, Once

0:27:43.040 --> 0:27:46.160
<v Speaker 1>upon a time, if you wanted to call anyone outside

0:27:46.160 --> 0:27:50.160
<v Speaker 1>of your area code, it cost extra. Lady actually tell

0:27:50.200 --> 0:27:51.800
<v Speaker 1>me that the other day that was cutting my hair.

0:27:51.920 --> 0:27:53.520
<v Speaker 1>She got a phone call. She said, I'm sorry, it's

0:27:53.560 --> 0:27:55.840
<v Speaker 1>my daughter long distance. I need to step away. And

0:27:55.880 --> 0:28:00.359
<v Speaker 1>I was sitting there, going, what's long distance? Maybe intern national?

0:28:00.840 --> 0:28:02.600
<v Speaker 1>That might be it? That's about it, or you could

0:28:02.600 --> 0:28:04.720
<v Speaker 1>just keep cutting my hair, right? Yeah, yeah, you know,

0:28:04.760 --> 0:28:07.560
<v Speaker 1>it's fine. I mean, I'm not gonna know her half

0:28:07.600 --> 0:28:12.040
<v Speaker 1>a conversation, but yeah, the the uh. These were people

0:28:12.040 --> 0:28:15.320
<v Speaker 1>who thought that these huge systems were fascinating, that the

0:28:15.560 --> 0:28:18.399
<v Speaker 1>telephone system was really interesting, and learning how it worked

0:28:18.480 --> 0:28:20.800
<v Speaker 1>was fascinating, and then once you know how it works,

0:28:21.080 --> 0:28:24.120
<v Speaker 1>you know how to kind of game the system. Yeah,

0:28:24.160 --> 0:28:27.760
<v Speaker 1>and it's not necessarily the case that they were looking

0:28:27.840 --> 0:28:31.119
<v Speaker 1>to cause trouble or to be pranksters. Although there was

0:28:31.160 --> 0:28:33.639
<v Speaker 1>some mischief involved there too, a lot of it was

0:28:33.680 --> 0:28:36.600
<v Speaker 1>more about, oh, now I know how this works, and

0:28:36.680 --> 0:28:38.760
<v Speaker 1>that means this works this other way. It was really

0:28:38.800 --> 0:28:42.720
<v Speaker 1>more about learning the system and then negotiating it kind

0:28:42.720 --> 0:28:45.800
<v Speaker 1>of like, yes, very much like a little mischief, a

0:28:45.800 --> 0:28:48.959
<v Speaker 1>little civil disobedience. But I don't think most of these

0:28:48.960 --> 0:28:51.280
<v Speaker 1>people early on, we're trying to cause harm. No, it

0:28:51.400 --> 0:28:55.640
<v Speaker 1>was really more of insatiable curiosity. Really, I can so

0:28:55.760 --> 0:28:57.640
<v Speaker 1>let me just try it out and see if it works.

0:28:57.720 --> 0:28:59.960
<v Speaker 1>I think that's exactly what happened with this, Max Head.

0:29:00.120 --> 0:29:03.720
<v Speaker 1>I totally agree. You had people who said, let's you know,

0:29:03.800 --> 0:29:06.880
<v Speaker 1>we know how radio works. Television broadcast is essentially a

0:29:06.960 --> 0:29:09.920
<v Speaker 1>radio broadcast. So once you know how that works, and

0:29:09.960 --> 0:29:11.840
<v Speaker 1>once you know that the basics behind it, are there

0:29:11.880 --> 0:29:15.040
<v Speaker 1>ways where we could end up injecting our own signal

0:29:15.120 --> 0:29:17.600
<v Speaker 1>into this and have a little fun and have a

0:29:17.640 --> 0:29:20.480
<v Speaker 1>little fun exactly. And so it was one of those

0:29:20.480 --> 0:29:22.360
<v Speaker 1>things where you had the people who had to know how,

0:29:22.520 --> 0:29:24.560
<v Speaker 1>and yet the people who had the willingness to do it,

0:29:24.680 --> 0:29:28.920
<v Speaker 1>and they were working together to create this prank and

0:29:29.080 --> 0:29:31.760
<v Speaker 1>uh again aiming at a very specific target and when

0:29:31.760 --> 0:29:34.560
<v Speaker 1>that didn't work, switching to doctor Who, Yeah, I appreciate

0:29:34.640 --> 0:29:37.480
<v Speaker 1>the attitude of most of this stuff too. To be honest, Um,

0:29:37.520 --> 0:29:39.840
<v Speaker 1>I don't think there's being wrong with a little hi

0:29:40.000 --> 0:29:41.880
<v Speaker 1>jinks to thumb your nose at the man if you're

0:29:41.880 --> 0:29:44.320
<v Speaker 1>not hurting anybody. Um, I mean, you don't want to

0:29:44.320 --> 0:29:45.640
<v Speaker 1>see it all the time because then it takes out

0:29:45.720 --> 0:29:48.040
<v Speaker 1>all the teeth out of it. But every now and then,

0:29:48.040 --> 0:29:50.000
<v Speaker 1>I kind of like, you know, when they interviewed people

0:29:50.000 --> 0:29:52.400
<v Speaker 1>in Chicago, some people on the street were really upset

0:29:52.640 --> 0:29:53.960
<v Speaker 1>and some people just kind of laughed. I was like,

0:29:54.160 --> 0:29:57.080
<v Speaker 1>I think it's pretty great. Yeah. Yeah, because again, like

0:29:57.080 --> 0:30:00.320
<v Speaker 1>like we were saying, there wasn't any lasting harm or right,

0:30:00.360 --> 0:30:04.200
<v Speaker 1>and of course not the actual intrusion didn't cause any damage.

0:30:04.400 --> 0:30:07.200
<v Speaker 1>It wasn't it wasn't something that was going to wreck

0:30:07.520 --> 0:30:10.960
<v Speaker 1>physical equipment. No, you lost eighty seconds of doctor Who, Yeah,

0:30:11.120 --> 0:30:15.280
<v Speaker 1>which some might say is some people say it's priceless. Uh,

0:30:15.360 --> 0:30:17.600
<v Speaker 1>you know, this is Tom Baker, doctor Who we're talking about, well,

0:30:17.640 --> 0:30:19.680
<v Speaker 1>especially back then when you just couldn't go look up

0:30:19.800 --> 0:30:21.360
<v Speaker 1>you know the scene that I missed the night before,

0:30:21.880 --> 0:30:24.160
<v Speaker 1>like that was a true intrusion. Yeah, yeah, I mean

0:30:24.200 --> 0:30:27.160
<v Speaker 1>this is this is obviously pre well. I mean, the

0:30:27.160 --> 0:30:30.040
<v Speaker 1>Internet was around, but nobody was on it except for

0:30:30.080 --> 0:30:33.120
<v Speaker 1>its boards and stuff that was That was pretty much

0:30:33.120 --> 0:30:36.240
<v Speaker 1>what most hackers had access to unless they were in

0:30:36.240 --> 0:30:38.880
<v Speaker 1>a university and they had some access to the preliminary

0:30:39.000 --> 0:30:42.120
<v Speaker 1>version of the Internet. Um, but there was no worldwide Web.

0:30:42.400 --> 0:30:44.400
<v Speaker 1>There was no web. There wouldn't be another. There wouldn't

0:30:44.400 --> 0:30:48.320
<v Speaker 1>be a worldwide Web for another five years. So there

0:30:48.400 --> 0:30:50.880
<v Speaker 1>was no way of being able to go on and

0:30:50.880 --> 0:30:53.480
<v Speaker 1>and check something you missed, Nor was there a way

0:30:53.520 --> 0:30:57.280
<v Speaker 1>for you to really easily communicate with folks all over

0:30:57.320 --> 0:30:59.400
<v Speaker 1>the world. Now they could do it with local Bolton

0:30:59.440 --> 0:31:03.000
<v Speaker 1>board system And in fact, that's what we suspect, or

0:31:03.000 --> 0:31:05.440
<v Speaker 1>at least there there's a lot of suspicion that, in fact,

0:31:05.480 --> 0:31:09.480
<v Speaker 1>one of the local Chicago bbs is had people in

0:31:09.520 --> 0:31:12.560
<v Speaker 1>a forum who were at least tangentially involved in this,

0:31:12.720 --> 0:31:17.320
<v Speaker 1>if not directly responsible. But to really understand what was

0:31:17.360 --> 0:31:23.160
<v Speaker 1>going on, it helps to understand how a broadcast. Television

0:31:23.200 --> 0:31:27.160
<v Speaker 1>broadcast actually works. So here we go. We're gonna going

0:31:27.280 --> 0:31:33.600
<v Speaker 1>back to the analog days of TV broadcast technology. So now, Chuck,

0:31:33.640 --> 0:31:37.440
<v Speaker 1>you've you've been in a television studio too, right, Yeah,

0:31:37.520 --> 0:31:39.040
<v Speaker 1>you and you and Josh I'm sure have done some

0:31:39.080 --> 0:31:41.680
<v Speaker 1>of this. I've done some of this. When you see

0:31:41.720 --> 0:31:45.400
<v Speaker 1>how a TV studio works, it's actually very eye opening.

0:31:45.400 --> 0:31:48.880
<v Speaker 1>I mean to me, it completely pulled away a lot

0:31:48.880 --> 0:31:52.400
<v Speaker 1>of misconceptions that I had had. For example, you think

0:31:52.440 --> 0:31:57.160
<v Speaker 1>of like cameraman, but in large part camera operation is

0:31:57.200 --> 0:32:02.040
<v Speaker 1>done remotely, not behind a camera. Right. Uh. These cameras

0:32:02.160 --> 0:32:05.959
<v Speaker 1>that you see in the studio are enormous and they're heavy.

0:32:06.080 --> 0:32:09.160
<v Speaker 1>And this is also the reason why I'm explaining this

0:32:09.240 --> 0:32:13.920
<v Speaker 1>is also to to illustrate why doing this live would

0:32:13.920 --> 0:32:19.640
<v Speaker 1>have been impractical. Yea, these television cameras are the reason

0:32:19.720 --> 0:32:22.360
<v Speaker 1>why they're so big and heavy is in part so

0:32:22.400 --> 0:32:25.840
<v Speaker 1>that they're incredibly smooth and steady and they aren't going

0:32:25.880 --> 0:32:29.000
<v Speaker 1>to jitter. If you know, you could drop something right

0:32:29.040 --> 0:32:30.760
<v Speaker 1>next to one, it's not going to move at all. Yeah,

0:32:30.760 --> 0:32:33.240
<v Speaker 1>it's the same reason a camera Dolly ways, you know,

0:32:33.400 --> 0:32:35.840
<v Speaker 1>a thousand pounds. Yeah, yeah, it's in order to get

0:32:35.880 --> 0:32:39.080
<v Speaker 1>that that stability that you want, so that you have

0:32:39.160 --> 0:32:41.760
<v Speaker 1>thousand pounds. By the way, they're less than that, but

0:32:41.760 --> 0:32:44.240
<v Speaker 1>they're super heavy for that reason, right, you want that

0:32:44.280 --> 0:32:48.880
<v Speaker 1>stability and that smoothness. Uh. And also, television camera doesn't

0:32:48.880 --> 0:32:51.640
<v Speaker 1>pick up sound. It doesn't have a microphone on it.

0:32:51.640 --> 0:32:54.160
<v Speaker 1>It's all about just capturing the image. Yeah, the mic

0:32:54.440 --> 0:32:58.920
<v Speaker 1>the sound is captured separately and together. They explain the magic. Yeah.

0:32:59.240 --> 0:33:03.440
<v Speaker 1>So the photons, that's the particles of light that are

0:33:03.480 --> 0:33:07.160
<v Speaker 1>coming from a scene and are being captured by a camera.

0:33:07.720 --> 0:33:10.880
<v Speaker 1>The light passes through a lens, which goes through a prism.

0:33:10.920 --> 0:33:13.200
<v Speaker 1>The prism is the purpose of a prism is to

0:33:13.240 --> 0:33:17.360
<v Speaker 1>break up light into its component parts. And this case,

0:33:17.360 --> 0:33:20.040
<v Speaker 1>we're talking about a prism that breaks light into red, green,

0:33:20.200 --> 0:33:24.880
<v Speaker 1>and blue. That's all you needed. And each of those

0:33:24.880 --> 0:33:28.280
<v Speaker 1>streams goes and is hit by or it hits a

0:33:28.360 --> 0:33:31.320
<v Speaker 1>c c D a charge couple device. Now a charge

0:33:31.320 --> 0:33:33.480
<v Speaker 1>couple device. What does is when photons hit it, it it

0:33:33.600 --> 0:33:38.479
<v Speaker 1>generates a stream of electricity that essentially reflects the nature

0:33:38.520 --> 0:33:41.880
<v Speaker 1>of the photons that hit it. So you've got these

0:33:41.880 --> 0:33:44.760
<v Speaker 1>three streams coming out the red, green, and blue. Uh.

0:33:44.880 --> 0:33:49.680
<v Speaker 1>They then go into an encoder. Meanwhile, the sound that

0:33:49.720 --> 0:33:52.040
<v Speaker 1>you're creating is also going to head back over towards

0:33:52.080 --> 0:33:55.760
<v Speaker 1>the master control room. The information from the encoder goes

0:33:55.800 --> 0:33:59.040
<v Speaker 1>to the master control room, it gets mixed together. So

0:33:59.120 --> 0:34:02.520
<v Speaker 1>you then have a saynal that has both video and sound.

0:34:02.640 --> 0:34:07.000
<v Speaker 1>Now there, if you were to be able to visualize this, uh,

0:34:07.040 --> 0:34:10.760
<v Speaker 1>it would actually be like the the visual data would

0:34:10.760 --> 0:34:14.880
<v Speaker 1>make up most of the a range of frequencies like

0:34:15.680 --> 0:34:20.520
<v Speaker 1>four within four mega hurts, and then the very edge

0:34:20.520 --> 0:34:23.080
<v Speaker 1>of it, like on the far right side, that would

0:34:23.120 --> 0:34:25.839
<v Speaker 1>represent the sound. So it's just a little sliver that's

0:34:25.880 --> 0:34:28.600
<v Speaker 1>the sound. Yeah, and you're either preparing to broadcast this

0:34:28.719 --> 0:34:30.799
<v Speaker 1>out to the masses live or you're just putting it

0:34:30.840 --> 0:34:33.040
<v Speaker 1>to tape to do so later. Yeah, these days we

0:34:33.120 --> 0:34:35.799
<v Speaker 1>put on a sea or both. Yeah, exactly if you

0:34:35.800 --> 0:34:38.480
<v Speaker 1>wanted to to to keep it forever. Now, you may

0:34:38.520 --> 0:34:43.000
<v Speaker 1>have heard that there were times where people were broadcasting

0:34:43.040 --> 0:34:45.680
<v Speaker 1>stuff and never recording it. So there there are things

0:34:45.719 --> 0:34:48.359
<v Speaker 1>that have been created for television that we will never

0:34:48.400 --> 0:34:52.000
<v Speaker 1>see again. It's kind of like in some ways going

0:34:52.040 --> 0:34:54.359
<v Speaker 1>to see a live stage show. If you were there,

0:34:54.520 --> 0:34:59.200
<v Speaker 1>you saw it and weren't that's it. But uh, in

0:34:59.239 --> 0:35:02.919
<v Speaker 1>this case, where talking about a live newscast, So that's

0:35:02.920 --> 0:35:06.480
<v Speaker 1>being broadcast out from that point. When it's all been encoded,

0:35:06.719 --> 0:35:09.800
<v Speaker 1>and you've got this video signal that has all the information.

0:35:09.800 --> 0:35:11.680
<v Speaker 1>It's got the red, the green, the blue, and the

0:35:11.760 --> 0:35:15.560
<v Speaker 1>audio all four things that you need, Yeah, it's time

0:35:15.600 --> 0:35:20.080
<v Speaker 1>to transmit that out and it goes from the studio

0:35:20.239 --> 0:35:24.319
<v Speaker 1>to a transmitter. It's called a studio transmitter link. Now,

0:35:24.360 --> 0:35:28.480
<v Speaker 1>most studios don't have an enormous antenna that's at a

0:35:28.480 --> 0:35:32.640
<v Speaker 1>really high elevation in broadcast to the general area. Cities

0:35:32.719 --> 0:35:36.279
<v Speaker 1>share them. Yeah, and we're talking about an era of

0:35:36.440 --> 0:35:39.239
<v Speaker 1>over the air television, right, You're using your antenna to

0:35:39.320 --> 0:35:42.360
<v Speaker 1>pick up wavelengths. So what what they would do is

0:35:42.400 --> 0:35:46.680
<v Speaker 1>they would use the studio transmitter link to beam this

0:35:46.800 --> 0:35:51.359
<v Speaker 1>information to a nearby antenna on a very tall building. Yeah.

0:35:51.400 --> 0:35:54.360
<v Speaker 1>Usually the tallest buildings in your city will have these,

0:35:54.520 --> 0:35:56.920
<v Speaker 1>and Chicago has a lot of tall building, yes, and

0:35:56.960 --> 0:36:01.799
<v Speaker 1>they use them for that purpose exactly. So if you

0:36:01.840 --> 0:36:04.239
<v Speaker 1>stream that out to the antenna, the antenna then ends

0:36:04.360 --> 0:36:08.880
<v Speaker 1>up broadcasting an electro magnetic signal and that ends up

0:36:08.920 --> 0:36:12.400
<v Speaker 1>being picked up by the antenna of your television, which

0:36:12.719 --> 0:36:15.920
<v Speaker 1>the electromagnetic signal when it hits the antenna generates an

0:36:15.920 --> 0:36:19.440
<v Speaker 1>electrical current. A tuner in your television is able to

0:36:19.480 --> 0:36:22.600
<v Speaker 1>focus in on a specific channel and thus kind of

0:36:22.640 --> 0:36:26.399
<v Speaker 1>filter the signal from the noise, and then it ends

0:36:26.480 --> 0:36:30.520
<v Speaker 1>up pulling out that video stream creating the red, green, blue,

0:36:30.560 --> 0:36:32.680
<v Speaker 1>and the audio, and you get your TV that you

0:36:32.719 --> 0:36:37.600
<v Speaker 1>get to watch. It's beautiful. It's I joked with you

0:36:37.760 --> 0:36:40.560
<v Speaker 1>earlier that we should just give them the explanation from

0:36:40.560 --> 0:36:45.760
<v Speaker 1>Willy Wonka, which is slightly more simplistic but but easier

0:36:45.800 --> 0:36:50.040
<v Speaker 1>to explain. But unfortunately it's not quite that easy. So

0:36:51.080 --> 0:36:53.759
<v Speaker 1>knowing how this works, where you've got the signal coming

0:36:53.760 --> 0:36:57.360
<v Speaker 1>from the studio being transmitted out to a giant antenna

0:36:57.440 --> 0:37:01.520
<v Speaker 1>and then broadcast to an area, there are several areas

0:37:01.600 --> 0:37:06.319
<v Speaker 1>that could be potentially vulnerable to intrusion. If you are

0:37:06.400 --> 0:37:10.160
<v Speaker 1>working on the inside, then if you're able to intercept

0:37:10.280 --> 0:37:12.239
<v Speaker 1>and put in a new signal to go to the

0:37:13.000 --> 0:37:16.560
<v Speaker 1>studio transmitter link to go out, then you're done. That's

0:37:16.560 --> 0:37:18.480
<v Speaker 1>all you need to do. You need just very easy

0:37:18.520 --> 0:37:21.200
<v Speaker 1>to do and very easy to trace back exactly. Yeah,

0:37:21.280 --> 0:37:23.560
<v Speaker 1>inside job, you're like, well, let's look at the people

0:37:23.560 --> 0:37:26.200
<v Speaker 1>who have access, because now that's all that could have

0:37:26.200 --> 0:37:30.239
<v Speaker 1>done this, But as it turns out, with a over

0:37:30.280 --> 0:37:33.680
<v Speaker 1>the air analog transmission, there was an easier way of

0:37:33.680 --> 0:37:36.200
<v Speaker 1>doing this where you didn't have to break into the

0:37:36.200 --> 0:37:38.879
<v Speaker 1>studio to do it. It was pretty great, actually. Yeah,

0:37:38.960 --> 0:37:41.640
<v Speaker 1>So all you have to do, and I say all

0:37:41.640 --> 0:37:44.120
<v Speaker 1>you have to do this still is pretty significant, is

0:37:44.160 --> 0:37:46.719
<v Speaker 1>you have to have a transmitter of your own. You

0:37:46.760 --> 0:37:48.600
<v Speaker 1>have to be able to have a direct line of

0:37:48.640 --> 0:37:52.239
<v Speaker 1>sight to the antenna that's going to pick up the

0:37:52.600 --> 0:37:56.319
<v Speaker 1>transmission from the studio, and you have to transmit on

0:37:56.520 --> 0:38:00.560
<v Speaker 1>the frequency that the studio uses at a higher intensity

0:38:00.840 --> 0:38:02.760
<v Speaker 1>than what the studio is doing. And then the antenna,

0:38:02.880 --> 0:38:06.280
<v Speaker 1>which is stupid. Yeah, it can't differentiate all of noses.

0:38:06.480 --> 0:38:08.680
<v Speaker 1>That's a bad signal. I don't want to broadcast. They

0:38:08.680 --> 0:38:10.440
<v Speaker 1>don't know that if it's the right frequency, it's going

0:38:10.520 --> 0:38:14.880
<v Speaker 1>to broadcast it. So when you hit the antenna, it's

0:38:14.920 --> 0:38:16.960
<v Speaker 1>gonna go for the strongest signal. I mean, this makes

0:38:17.000 --> 0:38:19.759
<v Speaker 1>sense because if you had two signals that were the

0:38:19.800 --> 0:38:23.160
<v Speaker 1>same frequency and one is stronger than the other, chances

0:38:23.200 --> 0:38:26.200
<v Speaker 1>are the other frequency is coming from a different source

0:38:26.280 --> 0:38:29.759
<v Speaker 1>further away, and that's not the one you want to transmit. Yes,

0:38:29.800 --> 0:38:31.920
<v Speaker 1>so literally all they needed. I mean, they didn't need

0:38:31.960 --> 0:38:34.359
<v Speaker 1>to to blow it out of the water, They just

0:38:34.400 --> 0:38:37.360
<v Speaker 1>needed to be stronger and to do so. Do you

0:38:37.400 --> 0:38:39.360
<v Speaker 1>just need to be a little closer. Yeah, it may

0:38:39.400 --> 0:38:42.120
<v Speaker 1>be a lot closer in this case, but but yeah, exactly,

0:38:42.120 --> 0:38:45.000
<v Speaker 1>they just had to be somewhere along the pathway from

0:38:45.120 --> 0:38:48.200
<v Speaker 1>the studio to the antenna that was being used. Uh,

0:38:48.239 --> 0:38:51.240
<v Speaker 1>they and they just had to transmit on the right frequency,

0:38:51.280 --> 0:38:53.719
<v Speaker 1>which was that was information they could get. They could

0:38:53.719 --> 0:38:57.040
<v Speaker 1>get the information on what frequency to use. So you've

0:38:57.080 --> 0:38:59.719
<v Speaker 1>got your transmitter, you've got your media, which in this

0:38:59.760 --> 0:39:02.600
<v Speaker 1>case was a tape that they had shot earlier that

0:39:02.680 --> 0:39:05.080
<v Speaker 1>wasn't lying. You're probably on a building, and they've got

0:39:05.080 --> 0:39:06.920
<v Speaker 1>to be somewhere pretty high up. So yeah, likely on

0:39:06.960 --> 0:39:08.960
<v Speaker 1>top of a building or at least on like a

0:39:09.000 --> 0:39:11.400
<v Speaker 1>balcony or fire escape or something where they can have

0:39:11.400 --> 0:39:14.239
<v Speaker 1>a line of sight. Uh, they are. They've got their

0:39:14.280 --> 0:39:17.360
<v Speaker 1>transmitter and geared up to the right amount of power,

0:39:17.600 --> 0:39:19.839
<v Speaker 1>they shoot it off and everything else is taken care

0:39:19.880 --> 0:39:22.359
<v Speaker 1>of for them. They don't try to do anything else.

0:39:22.400 --> 0:39:24.640
<v Speaker 1>In this case, the John Hancock building in the Sears

0:39:24.640 --> 0:39:27.480
<v Speaker 1>Tower with the two towers that had these two receivers.

0:39:28.080 --> 0:39:31.040
<v Speaker 1>And there's been a lot of theories over the years. Um,

0:39:31.239 --> 0:39:33.719
<v Speaker 1>most people believe they were probably high up, but I

0:39:33.760 --> 0:39:37.160
<v Speaker 1>have seen one theory that they were mobile in a van.

0:39:38.120 --> 0:39:41.680
<v Speaker 1>Not necessarily high up, but just super super close they Yeah,

0:39:41.800 --> 0:39:44.759
<v Speaker 1>that would also require them to have some way of

0:39:44.920 --> 0:39:49.600
<v Speaker 1>maintaining that line of sight and that that steady transmission,

0:39:49.600 --> 0:39:52.000
<v Speaker 1>because you know, if you if you don't, if you

0:39:52.040 --> 0:39:56.720
<v Speaker 1>don't have your electromagnetic waves directed right at the receiver,

0:39:57.480 --> 0:39:59.560
<v Speaker 1>then it's point it's not going to be a strong

0:39:59.640 --> 0:40:01.879
<v Speaker 1>enough sick. Yeah, I don't. I don't buy the van theory.

0:40:01.920 --> 0:40:05.000
<v Speaker 1>It would be really really challenging powering everything. It's to

0:40:05.239 --> 0:40:08.160
<v Speaker 1>be a pretty more sophisticated. It does make me suddenly

0:40:08.239 --> 0:40:11.479
<v Speaker 1>think that the Scooby Gang was responsible for it, because

0:40:11.640 --> 0:40:14.280
<v Speaker 1>you've got the big rubber mask like old man Withers.

0:40:16.239 --> 0:40:17.799
<v Speaker 1>We have a bit more to say about the Max

0:40:17.880 --> 0:40:20.120
<v Speaker 1>Headroom incident, but before we get to that, let's take

0:40:20.160 --> 0:40:30.880
<v Speaker 1>this quick break. So Channel nine, which was w g

0:40:31.080 --> 0:40:34.440
<v Speaker 1>N in Chicago. Uh, if you look at the channels

0:40:34.480 --> 0:40:37.200
<v Speaker 1>in the United States, they actually have the designated frequencies

0:40:37.239 --> 0:40:40.240
<v Speaker 1>they have to you know, use at least the range

0:40:40.760 --> 0:40:43.680
<v Speaker 1>that's around a D eight seven mega hurts. So you

0:40:43.719 --> 0:40:46.640
<v Speaker 1>tune your transmitter to that signal and you aim it

0:40:46.680 --> 0:40:49.480
<v Speaker 1>at the you know where the antenna is. You've identified that,

0:40:49.520 --> 0:40:52.920
<v Speaker 1>you've got it all lined up, and you're good to go. Well,

0:40:53.120 --> 0:40:56.879
<v Speaker 1>once w g N changed their frequency, that meant that

0:40:57.480 --> 0:40:59.680
<v Speaker 1>it didn't matter how much power they poured into the transit.

0:41:00.400 --> 0:41:04.160
<v Speaker 1>It's like you're speaking the wrong language. So that meant

0:41:04.239 --> 0:41:07.080
<v Speaker 1>that suddenly their their prank didn't really go anywhere. They

0:41:07.080 --> 0:41:10.440
<v Speaker 1>had a brief appearance with no audio. Yeah, so they

0:41:10.520 --> 0:41:13.480
<v Speaker 1>probably did something a little wrong on their end, on

0:41:13.520 --> 0:41:16.240
<v Speaker 1>their well, probably wasn't a test run. They probably wanted

0:41:16.239 --> 0:41:20.640
<v Speaker 1>it to work right, right right, But then unfortunately for them,

0:41:20.760 --> 0:41:23.440
<v Speaker 1>unfortunately for them, it didn't work with you know, without

0:41:23.440 --> 0:41:26.120
<v Speaker 1>a hitch. So they then say, well, what can we do?

0:41:26.160 --> 0:41:30.239
<v Speaker 1>How can we um save this and maybe get the

0:41:30.280 --> 0:41:36.120
<v Speaker 1>actual video that we shot scene and great, Yeah, if

0:41:36.120 --> 0:41:39.200
<v Speaker 1>you guys haven't watched this video, you really kind of

0:41:39.239 --> 0:41:43.440
<v Speaker 1>need to. But at any rate, so they then decided

0:41:43.480 --> 0:41:46.239
<v Speaker 1>to do their backup plan. They knew the frequency that

0:41:46.360 --> 0:41:50.479
<v Speaker 1>the local public broadcast channel was using, and they knew

0:41:50.520 --> 0:41:52.600
<v Speaker 1>that that antenna was on top of the sears tower

0:41:52.960 --> 0:41:56.400
<v Speaker 1>and that they could aim at that one. And uh so,

0:41:56.800 --> 0:41:59.800
<v Speaker 1>whether or not they had to relocate, they they probably

0:41:59.840 --> 0:42:01.920
<v Speaker 1>did it just to get a good line of sight

0:42:02.040 --> 0:42:06.480
<v Speaker 1>on the on the antenna. But uh it was only

0:42:06.520 --> 0:42:09.200
<v Speaker 1>a two hour time difference between the first attack and

0:42:09.239 --> 0:42:14.120
<v Speaker 1>the second attack, so to retune the transmitter, to prep

0:42:14.200 --> 0:42:17.239
<v Speaker 1>it to get ready to hit the target, and to

0:42:17.280 --> 0:42:18.680
<v Speaker 1>make sure you have a line of sight on it,

0:42:19.000 --> 0:42:22.680
<v Speaker 1>they probably stayed in the same general area, which is

0:42:23.719 --> 0:42:27.239
<v Speaker 1>northwest part of Chicago. Northwest. Yeah, there's actually that that

0:42:27.640 --> 0:42:31.000
<v Speaker 1>article we were talking about, the Motherboard article. They have

0:42:31.080 --> 0:42:34.920
<v Speaker 1>a great picture that shows the location of both studios

0:42:34.960 --> 0:42:37.239
<v Speaker 1>and both antenna and it kind of shows you like

0:42:37.320 --> 0:42:41.359
<v Speaker 1>an area where where the two lines almost crossed, and

0:42:41.400 --> 0:42:44.600
<v Speaker 1>you figure, I bet, I bet they were somewhere in

0:42:44.600 --> 0:42:47.080
<v Speaker 1>this general area so that they could if they didn't

0:42:47.120 --> 0:42:51.880
<v Speaker 1>have to relocate. Uh then they just you know, shifted position,

0:42:52.000 --> 0:42:55.800
<v Speaker 1>or maybe they relocated by a couple of blocks. Um,

0:42:55.840 --> 0:42:57.840
<v Speaker 1>which raises the question how they get access to a

0:42:57.920 --> 0:43:00.440
<v Speaker 1>high enough area and still have power and all that

0:43:00.480 --> 0:43:02.160
<v Speaker 1>kind of stuff. Right now, they were just on their

0:43:02.200 --> 0:43:05.600
<v Speaker 1>buddies the roof of his apartment with an extension quarter.

0:43:06.640 --> 0:43:11.320
<v Speaker 1>That's probably what happened. Uh. So they then did the

0:43:11.360 --> 0:43:15.000
<v Speaker 1>second attack at eleven o'clock or eleven fourteen, and that

0:43:15.040 --> 0:43:18.680
<v Speaker 1>one worked much better. Um. And like we said, the

0:43:19.000 --> 0:43:23.320
<v Speaker 1>material they had, the equipment they had was readily available,

0:43:23.560 --> 0:43:26.239
<v Speaker 1>wasn't It wasn't as rare as you would think it

0:43:26.280 --> 0:43:29.960
<v Speaker 1>would be. No. Dr Marcus, the lead investigator, said that, uh,

0:43:30.080 --> 0:43:32.239
<v Speaker 1>like a direct TV size intent of these days, it

0:43:32.280 --> 0:43:33.920
<v Speaker 1>is about all you would have needed. It's not like

0:43:33.960 --> 0:43:37.920
<v Speaker 1>one of those like school bus size stillite used to

0:43:37.960 --> 0:43:41.879
<v Speaker 1>see in backyards back in the day. It's pretty incredible. Uh,

0:43:42.080 --> 0:43:44.759
<v Speaker 1>the how little you would need in order to do it.

0:43:45.760 --> 0:43:50.719
<v Speaker 1>So fascinating attack, fascinating fact that it they were able

0:43:50.719 --> 0:43:54.440
<v Speaker 1>to do it without being caught. Um. And the fact

0:43:54.440 --> 0:43:57.320
<v Speaker 1>that you know, there weren't a whole lot of broadcast

0:43:57.360 --> 0:43:59.920
<v Speaker 1>intrusions after this point. You heard about maybe one or

0:44:00.040 --> 0:44:05.040
<v Speaker 1>to the Disney Channel has infamously been the attack the

0:44:05.480 --> 0:44:08.440
<v Speaker 1>side of an attack on multiple occasions. Yeah. I think

0:44:08.520 --> 0:44:11.000
<v Speaker 1>the Super Bowl was hijacked briefly a few years ago

0:44:11.160 --> 0:44:15.280
<v Speaker 1>in one city only though. Yeah. Yeah, Uh, it's it's

0:44:15.280 --> 0:44:17.279
<v Speaker 1>harder and harder to do now because you've got things

0:44:17.320 --> 0:44:21.879
<v Speaker 1>like digital encoding. Yeah, that make it much much more

0:44:22.200 --> 0:44:24.960
<v Speaker 1>difficult for the average hacker to do. I'm surprised it

0:44:24.960 --> 0:44:28.040
<v Speaker 1>didn't happen more often back in those days, with those

0:44:28.080 --> 0:44:30.480
<v Speaker 1>early I think there's sort of the wild West. It

0:44:30.520 --> 0:44:33.120
<v Speaker 1>may very well have been that the scare tactics the

0:44:33.239 --> 0:44:36.279
<v Speaker 1>FCC used. We have totally worried, Like people said like, well,

0:44:36.320 --> 0:44:38.359
<v Speaker 1>I know I can do this, but I'm totally not

0:44:38.400 --> 0:44:41.840
<v Speaker 1>gonna do this. Um, and you know, we we talked

0:44:41.840 --> 0:44:45.200
<v Speaker 1>a little bit. Uh. There are some theories out there

0:44:45.200 --> 0:44:47.880
<v Speaker 1>about who it could have been responsible for this. My

0:44:47.960 --> 0:44:51.240
<v Speaker 1>favorite was the the one that is probably the easiest

0:44:51.280 --> 0:44:55.800
<v Speaker 1>to dismiss, which was Eric Fournier, who was a punk

0:44:55.920 --> 0:44:59.960
<v Speaker 1>rock musician as well as an avant garde artist who

0:45:00.040 --> 0:45:04.239
<v Speaker 1>created a series of videos. Um. It's funny because the

0:45:04.239 --> 0:45:07.640
<v Speaker 1>Motherboard article refers to it as a YouTube channel, but

0:45:07.680 --> 0:45:10.479
<v Speaker 1>in fact the videos predate YouTube. Oh yeah, I guess

0:45:10.480 --> 0:45:12.799
<v Speaker 1>it is now on a YouTube channel. But they were

0:45:12.840 --> 0:45:15.719
<v Speaker 1>called shay h s h A y E St John

0:45:16.200 --> 0:45:18.640
<v Speaker 1>Sha st John. And if you look at these, you

0:45:18.640 --> 0:45:23.240
<v Speaker 1>you've forced me to earlier. They do have similar quality, um,

0:45:23.640 --> 0:45:28.800
<v Speaker 1>very a similar feel, almost absurd, surreal, disturbing. Doesn't necessarily

0:45:28.840 --> 0:45:31.279
<v Speaker 1>make much sense. You know, I think of it like

0:45:31.320 --> 0:45:35.520
<v Speaker 1>you you've seen the horror movies where they all um

0:45:35.680 --> 0:45:39.680
<v Speaker 1>center around like a creepy looking doll. Right, that's a

0:45:39.840 --> 0:45:42.160
<v Speaker 1>that's a genre unto itself. There's a brand new one,

0:45:42.239 --> 0:45:46.160
<v Speaker 1>right about a doll ab Yeah. Yeah, so that's the

0:45:46.200 --> 0:45:49.000
<v Speaker 1>fact that I responded so quickly with that is not

0:45:49.120 --> 0:45:52.720
<v Speaker 1>good for me. But yeah, it's this idea of things

0:45:52.760 --> 0:45:57.680
<v Speaker 1>that look not quite right. And the st John videos

0:45:57.719 --> 0:46:01.560
<v Speaker 1>are all about that, and they involve the looping of

0:46:02.239 --> 0:46:07.320
<v Speaker 1>certain phrases over and over again, experiments and lighting experiments

0:46:07.360 --> 0:46:12.040
<v Speaker 1>in uh camera angles, as well as digital effects or

0:46:12.080 --> 0:46:15.040
<v Speaker 1>maybe not even digital effects but special effects. The earlier

0:46:15.040 --> 0:46:19.560
<v Speaker 1>ones are actually more trippy the ones that are on

0:46:19.600 --> 0:46:23.279
<v Speaker 1>the YouTube channel itself. Um, so you can see that

0:46:23.320 --> 0:46:28.600
<v Speaker 1>the there's some shared uh aesthetics. Yeah, and he lived

0:46:28.600 --> 0:46:32.480
<v Speaker 1>in Indiana, apparently just a few hours from Chicago. Um.

0:46:32.480 --> 0:46:34.680
<v Speaker 1>He passed away in two thousand tens, so we'll never know.

0:46:34.880 --> 0:46:38.200
<v Speaker 1>I read one article that said that he admitted to

0:46:38.239 --> 0:46:40.640
<v Speaker 1>his friends that it was him, but I couldn't find

0:46:40.719 --> 0:46:44.759
<v Speaker 1>anything else to substantiate that. And the Motherboard article goes

0:46:44.800 --> 0:46:47.359
<v Speaker 1>so far as to suggest that that it's not him.

0:46:47.440 --> 0:46:50.120
<v Speaker 1>It's not him, because his friends all said he at

0:46:50.160 --> 0:46:53.520
<v Speaker 1>that time in ven he had no knowledge of video editing.

0:46:54.440 --> 0:46:56.840
<v Speaker 1>All the video stuff he did was later on. It

0:46:56.960 --> 0:47:00.480
<v Speaker 1>was in the late nineties, early two thousand's, so it

0:47:00.520 --> 0:47:04.319
<v Speaker 1>would make sense that, um, while it's the same sort

0:47:04.320 --> 0:47:07.479
<v Speaker 1>of kind of humor, it's not the same person. Yeah.

0:47:07.520 --> 0:47:10.920
<v Speaker 1>His old bandmate even said, you know, Eric didn't do this,

0:47:10.960 --> 0:47:12.920
<v Speaker 1>but he would have loved it. Yeah, he would have

0:47:12.960 --> 0:47:16.200
<v Speaker 1>thought it was really funny. Yeah. Yeah, And there's another

0:47:17.200 --> 0:47:20.040
<v Speaker 1>theory that Ice per sal and read it. That's how

0:47:20.080 --> 0:47:23.880
<v Speaker 1>I saw the link to motherboard, and you sent me

0:47:23.920 --> 0:47:26.000
<v Speaker 1>the link and I saw it and read it as well. Yeah,

0:47:26.040 --> 0:47:29.120
<v Speaker 1>this one holds some water to me. Unless this guy

0:47:29.360 --> 0:47:34.000
<v Speaker 1>Bowie j is that Pogue poagg one of the two,

0:47:36.360 --> 0:47:40.000
<v Speaker 1>unless he is just making all this stuff up. This

0:47:40.120 --> 0:47:42.719
<v Speaker 1>otherwise this sounds like a pretty decent lead. Yeah, I've

0:47:42.760 --> 0:47:45.360
<v Speaker 1>heard I've heard some people suggest that that perhaps the

0:47:45.400 --> 0:47:47.600
<v Speaker 1>guy himself is the one who did it, and he's

0:47:47.680 --> 0:47:51.960
<v Speaker 1>invented these personas to be the way of him explaining

0:47:52.000 --> 0:47:54.200
<v Speaker 1>how it was done without actually admitting that he did it.

0:47:54.719 --> 0:47:57.360
<v Speaker 1>But he he maintains his innocence. He says, no, I

0:47:57.719 --> 0:48:01.000
<v Speaker 1>really all of the evidence I have is early circumstantial.

0:48:01.040 --> 0:48:03.680
<v Speaker 1>I was thirteen when this happened, which to me suggests

0:48:03.680 --> 0:48:05.600
<v Speaker 1>that it's not him. Right, It does not seem like

0:48:05.600 --> 0:48:08.520
<v Speaker 1>a thirteen year old. No, there's no way. The voice

0:48:08.880 --> 0:48:11.600
<v Speaker 1>in the video is distorted, but it does. It definitely

0:48:11.640 --> 0:48:14.840
<v Speaker 1>seems like it's someone who's older than that. Um. But

0:48:14.920 --> 0:48:20.560
<v Speaker 1>he talks about uh, two brothers and one brother he said,

0:48:20.760 --> 0:48:24.520
<v Speaker 1>he described him as seeming to be on the autism spectrum,

0:48:24.560 --> 0:48:28.440
<v Speaker 1>and that he had a very keen interest in broadcast

0:48:28.640 --> 0:48:34.920
<v Speaker 1>spectrum and broadcast technology, but didn't have very many social skills. Yeah,

0:48:34.920 --> 0:48:39.359
<v Speaker 1>he was the poag. Yeah, he was very big as

0:48:39.400 --> 0:48:41.720
<v Speaker 1>a thirteen year old on that in that hacker scene.

0:48:41.760 --> 0:48:44.080
<v Speaker 1>But trying it sounded like really like one of the

0:48:44.120 --> 0:48:47.320
<v Speaker 1>young ones trying to ingratiate himself into the group, into

0:48:47.360 --> 0:48:49.480
<v Speaker 1>the group. These were a little older guys who were

0:48:49.480 --> 0:48:52.439
<v Speaker 1>more experienced. Um. He calls them J and K, which

0:48:52.440 --> 0:48:55.160
<v Speaker 1>are not their names, to provide their you know, to

0:48:55.200 --> 0:48:58.360
<v Speaker 1>guard their anonymity. And he said that Ja, who was

0:48:58.520 --> 0:49:01.400
<v Speaker 1>supposedly the autistic one, is Um. He's the one who

0:49:01.480 --> 0:49:03.880
<v Speaker 1>says that was the guy in the mask. They had

0:49:03.920 --> 0:49:07.799
<v Speaker 1>the same build. He references his brother in the video. Yeah,

0:49:07.800 --> 0:49:09.719
<v Speaker 1>he says that because he he shows a glove and

0:49:09.719 --> 0:49:12.320
<v Speaker 1>he says, uh, this one is dirty. My brother is

0:49:12.360 --> 0:49:16.080
<v Speaker 1>wearing the other one. Yeah, he apparently, he says, this

0:49:16.160 --> 0:49:19.160
<v Speaker 1>is from his reddit. He said, Uh, he liked to

0:49:19.160 --> 0:49:22.200
<v Speaker 1>tell dirty jokes. The dirty jokes were funny, at least

0:49:22.200 --> 0:49:24.399
<v Speaker 1>to me. Is a thirteen year old and a woman

0:49:24.480 --> 0:49:27.200
<v Speaker 1>dressed up as Antioakley swatting someone's bare butt with a

0:49:27.239 --> 0:49:31.840
<v Speaker 1>fly swatter is a perfect reflection of his sense of humor. Uh.

0:49:31.920 --> 0:49:35.000
<v Speaker 1>It was usually childish and sexually deviant. Yea. And he

0:49:35.120 --> 0:49:38.399
<v Speaker 1>talked about how he had kind of a verbal tick

0:49:38.600 --> 0:49:41.440
<v Speaker 1>that instead of saying uh, when he was trying to

0:49:41.440 --> 0:49:44.640
<v Speaker 1>think of something, he'd say oh yeah, and that if

0:49:44.640 --> 0:49:48.160
<v Speaker 1>you listen to the video, there's some there's a yeah,

0:49:48.160 --> 0:49:51.320
<v Speaker 1>there's a lot of him kind of making oh noises

0:49:51.560 --> 0:49:54.839
<v Speaker 1>between when he's saying things. Yeah. So it does kind

0:49:54.840 --> 0:49:56.839
<v Speaker 1>of come across as someone who's trying to think of

0:49:56.840 --> 0:49:59.520
<v Speaker 1>the next thing to say, Like, it didn't feel like

0:49:59.640 --> 0:50:01.760
<v Speaker 1>it's He does not feel that the Max Headroom incident

0:50:01.880 --> 0:50:04.759
<v Speaker 1>was terribly scripted, Like I think it was a lot

0:50:04.800 --> 0:50:11.120
<v Speaker 1>off the cuffman. Yeah. So the the other brother, Kay

0:50:11.400 --> 0:50:17.680
<v Speaker 1>was Jay's caretaker uh and also was possibly. The theory

0:50:17.760 --> 0:50:19.960
<v Speaker 1>seems to be that Kay was the one working the camera,

0:50:20.600 --> 0:50:23.840
<v Speaker 1>that Ja was the one on camera, and that Kay's

0:50:24.080 --> 0:50:28.360
<v Speaker 1>girlfriend was the one with the fly swatter, and again

0:50:28.440 --> 0:50:31.480
<v Speaker 1>all of this ends up being circumstantial evidence. He said that,

0:50:31.600 --> 0:50:34.839
<v Speaker 1>as uh Pogue said, as a thirteen year old, he

0:50:34.880 --> 0:50:38.320
<v Speaker 1>went to this apartment that was just filled with equipment.

0:50:39.120 --> 0:50:41.960
<v Speaker 1>He says that there was nothing, you know, no normal

0:50:42.000 --> 0:50:44.680
<v Speaker 1>decorations except like a rainbow kite or something in there.

0:50:44.719 --> 0:50:49.360
<v Speaker 1>Everything else was electronic equipment and that they were the

0:50:49.400 --> 0:50:53.520
<v Speaker 1>people they were talking about something but not explicitly talking about,

0:50:53.600 --> 0:50:55.920
<v Speaker 1>just saying that something big was gonna happen and that

0:50:56.000 --> 0:50:59.360
<v Speaker 1>he should definitely make sure to be watching channel nine

0:51:00.000 --> 0:51:03.640
<v Speaker 1>at nine pm, uh like w g N at nine pm,

0:51:03.719 --> 0:51:05.319
<v Speaker 1>so he could see the big thing that was going

0:51:05.360 --> 0:51:08.440
<v Speaker 1>to happen, and that he claims he didn't even put

0:51:08.480 --> 0:51:10.720
<v Speaker 1>two and two together, ye like, he saw the incident

0:51:10.760 --> 0:51:13.400
<v Speaker 1>go down and knew that something big was going to happen,

0:51:13.920 --> 0:51:16.000
<v Speaker 1>which does seem a little hinky to me, but he

0:51:16.080 --> 0:51:18.600
<v Speaker 1>says years later, as when it all kind of connected

0:51:18.640 --> 0:51:21.719
<v Speaker 1>for me, it seems a little weird. That does seem

0:51:21.719 --> 0:51:23.600
<v Speaker 1>a little weird to me too, but he said. He

0:51:23.719 --> 0:51:25.600
<v Speaker 1>does go on to defend himself a bit and say,

0:51:25.680 --> 0:51:29.880
<v Speaker 1>you know that there were I heard a dozen things

0:51:29.920 --> 0:51:31.920
<v Speaker 1>from them a day that we're just sort of weird

0:51:31.960 --> 0:51:34.959
<v Speaker 1>and out there, and it wouldn't register as anything big

0:51:34.960 --> 0:51:36.759
<v Speaker 1>to me. With they said, you know, we're gonna do

0:51:36.800 --> 0:51:38.680
<v Speaker 1>something big watch the TV tonight. So in other words,

0:51:38.680 --> 0:51:42.120
<v Speaker 1>they were a bunch of big talkers, but not Yeah,

0:51:42.120 --> 0:51:43.719
<v Speaker 1>this is a kid. He's trying to fit in. He

0:51:44.400 --> 0:51:45.680
<v Speaker 1>you know, it sounds like he was kind of nervous

0:51:45.719 --> 0:51:48.719
<v Speaker 1>hanging around this crowd, eager to please. Yeah, exactly. Yeah, Well,

0:51:48.760 --> 0:51:51.920
<v Speaker 1>at any rate, he's the one who on Reddit just

0:51:52.000 --> 0:51:55.960
<v Speaker 1>laid out the situation and explained what he thought had

0:51:56.000 --> 0:51:59.839
<v Speaker 1>happened based upon circumstantial evidence. Again, he never witnessed any

0:51:59.840 --> 0:52:02.080
<v Speaker 1>of the us himself, according to his account, and it

0:52:02.160 --> 0:52:03.839
<v Speaker 1>kind of blew up on Reddit, didn't it? I did?

0:52:03.920 --> 0:52:06.839
<v Speaker 1>It did? And he gave specific updates and in fact,

0:52:06.920 --> 0:52:10.400
<v Speaker 1>he was interviewed heavily for the Motherboard article. Yeah, and

0:52:10.800 --> 0:52:12.880
<v Speaker 1>he explained that he tried to get in touch with

0:52:13.000 --> 0:52:17.520
<v Speaker 1>j and k Um through multiple media, like he knows

0:52:17.560 --> 0:52:21.240
<v Speaker 1>where they are still. Yep, he sent them Facebook messages,

0:52:21.280 --> 0:52:24.479
<v Speaker 1>he sent an email, and he sent them actual snail mail,

0:52:24.800 --> 0:52:27.000
<v Speaker 1>right and didn't get any response. And he says, I'm

0:52:27.000 --> 0:52:30.680
<v Speaker 1>taking that as a indication that they don't want to

0:52:30.719 --> 0:52:33.360
<v Speaker 1>talk about this, and so out of respect for their privacy,

0:52:33.360 --> 0:52:36.960
<v Speaker 1>I'm dropping it. Yeah, And so he never revealed the

0:52:37.040 --> 0:52:39.640
<v Speaker 1>identities of the people. Now, he did have other people

0:52:39.680 --> 0:52:42.399
<v Speaker 1>on the reddit the said they were around that same

0:52:42.440 --> 0:52:45.040
<v Speaker 1>scene back then, and it sort of checks out. The

0:52:45.040 --> 0:52:48.440
<v Speaker 1>guy had a similar ability short of shortened squatty and um,

0:52:48.719 --> 0:52:50.919
<v Speaker 1>so he had a little bit of support. But it's

0:52:50.920 --> 0:52:54.400
<v Speaker 1>all circumstantial and conjecture. You know, there's obviously no proof,

0:52:54.440 --> 0:52:57.880
<v Speaker 1>no smoking gun, right, so we may never know for

0:52:58.000 --> 0:52:59.920
<v Speaker 1>sure who did this. We'll have someone will have to

0:53:00.000 --> 0:53:02.000
<v Speaker 1>them forward. That's the only way. Yeah. But it's one

0:53:02.000 --> 0:53:05.520
<v Speaker 1>of those mysteries that is really interesting to read about too.

0:53:06.600 --> 0:53:09.120
<v Speaker 1>And the fact that it it's still you know, you

0:53:09.120 --> 0:53:11.879
<v Speaker 1>can you can watch the video, you can actually see

0:53:12.080 --> 0:53:14.680
<v Speaker 1>what happened. It's kind of cool because there are a

0:53:14.680 --> 0:53:17.520
<v Speaker 1>lot of these these weird moments you just have second

0:53:17.600 --> 0:53:20.080
<v Speaker 1>or third hand accounts and you can't you can't really

0:53:20.120 --> 0:53:22.200
<v Speaker 1>experience it for yourself. You have to think, oh, what

0:53:22.239 --> 0:53:24.680
<v Speaker 1>would it have been like, But now you can actually see. Yeah,

0:53:24.680 --> 0:53:27.839
<v Speaker 1>it's a pretty neat little time capsule experience, especially if

0:53:27.840 --> 0:53:29.600
<v Speaker 1>you grew up in the eighties, right, And if you

0:53:29.600 --> 0:53:31.439
<v Speaker 1>don't know who Max Headroom is, then maybe you should

0:53:31.480 --> 0:53:33.880
<v Speaker 1>do some research on that first and then watch the

0:53:33.960 --> 0:53:36.560
<v Speaker 1>video to understand how weird this was. That b B show.

0:53:36.560 --> 0:53:40.800
<v Speaker 1>I'm telling you it's pretty good. People should watch that. Yeah, totally, Well, Chuck,

0:53:40.880 --> 0:53:43.000
<v Speaker 1>I have to thank you for coming on the show

0:53:43.040 --> 0:53:45.440
<v Speaker 1>and for suggesting this. This was a ton of fun too.

0:53:46.480 --> 0:53:48.239
<v Speaker 1>I love on stuff. You should know doing our more

0:53:48.320 --> 0:53:51.400
<v Speaker 1>history centric ones, and this this is totally a history

0:53:51.400 --> 0:53:54.839
<v Speaker 1>podcast when you think about it. For history episode. Yeah. Absolutely.

0:53:55.760 --> 0:53:58.520
<v Speaker 1>I hope you enjoyed that classic episode of tech Stuff

0:53:59.160 --> 0:54:03.600
<v Speaker 1>published several years ago. Now, I should probably do another

0:54:03.680 --> 0:54:07.600
<v Speaker 1>episode about incidents in which people were able to overpower

0:54:08.320 --> 0:54:11.719
<v Speaker 1>television or radio signals and create pirate stations and that

0:54:11.800 --> 0:54:13.520
<v Speaker 1>sort of stuff. I think that would be a fun

0:54:13.520 --> 0:54:16.759
<v Speaker 1>episode to do, so I'm thinking about doing that in

0:54:16.800 --> 0:54:19.560
<v Speaker 1>the near future. If you have suggestions for topics I

0:54:19.600 --> 0:54:22.040
<v Speaker 1>should cover in future episodes of tech Stuff, let me

0:54:22.080 --> 0:54:24.480
<v Speaker 1>know on Twitter. The handle we use there is tech

0:54:24.560 --> 0:54:35.200
<v Speaker 1>Stuff hsw and I'll talk to again really soon. Tech

0:54:35.280 --> 0:54:38.719
<v Speaker 1>Stuff is an I heart Radio production. For more podcasts

0:54:38.760 --> 0:54:41.520
<v Speaker 1>from my heart Radio, visit the i heart Radio app,

0:54:41.640 --> 0:54:44.800
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.