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Speaker 1: Hey, friends, welcome to episode to Travis Denning will be

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Speaker 1: here in a second. We will share our top five

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Speaker 1: country truck songs and will debut his new song about

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Speaker 1: trucks too, which is cool to debut a song here.

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Speaker 1: And so Travis and are teamed up for the Charles

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Speaker 1: Schwab Challenge and I get to reveal the big prize

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Speaker 1: that's given to the champion this year. We'll tell you

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Speaker 1: about that coming up in a little bit. But just

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Speaker 1: super pumped about that. And if you don't know Travis,

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Speaker 1: you're gonna love him. He plays this like, um, just

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Speaker 1: a dumb guy from Georgia, but he's actually really smart

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Speaker 1: and a great musician. So Travis Denning coming up in

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Speaker 1: a minute. Let's do my top five songs this week.

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Speaker 1: Do Do Do first? Gary Lavox has a new Christian

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Speaker 1: album out called One on One. It features his current

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Speaker 1: single The Distance, and here's a new song called While

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Speaker 1: I Wait featuring his daughter Brittany Lavox. Until These Things

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Speaker 1: at number four, it's Old Dominion. Maybe you heard this

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Speaker 1: on the radio. They have a new song called I

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Speaker 1: Was on a boat that day, was backing the bag,

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Speaker 1: That was time all night and all the risk of

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Speaker 1: my life as she walking away, I can't sing, I

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Speaker 1: was on a Number three is Ben Rector. He has

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Speaker 1: a new song out called range Rover as he was

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Speaker 1: looking for that grade rob. At number two McCarney he

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Speaker 1: has a new album out called January Flower. Here is

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Speaker 1: a new song called Anywhere with You, Anywhere, Anywhere. And

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Speaker 1: at number one, Charlie warshawm has a new song called

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Speaker 1: Believe in Love Here, Yeah you get Me, trust You,

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Speaker 1: That's baby, It's true love. Charlie Warsham. There's a great

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Speaker 1: episode a couple back with Charlie just talking about his

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Speaker 1: whole story. Also music that's out, Parker McCollum's Got Drinking.

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Speaker 1: Miranda Lambert has a new song called They've Closed Down

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Speaker 1: the Hockey. Tonks Angels and air Waves they have a

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Speaker 1: song called Euphoria. Tino LARTs has a new song called

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Speaker 1: Back Then Right Now. BTS has a new song called Butter.

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Speaker 1: Blake Shelton has a new album called Body Language, and

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Speaker 1: Gary Allen has a new song called Slide Just Quick

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Speaker 1: and music news. Lots of tours announced this week. Lady

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Speaker 1: A is hitting the road this summer on their What

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Speaker 1: a Song Can Do tour. Itsoft July twenty nine in Connecticut.

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Speaker 1: It wraps in October New Hampshire. Blake Shelton is reviving

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Speaker 1: his Friends and Heroes tour. George Straight is doing Straight

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Speaker 1: to Vegas and rescheduled those shows. He'll be there August

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Speaker 1: thirteen and fourteen. And Jimmy Allen's first ever Betty James

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Speaker 1: Fest is going in August seven in Delaware. So good

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Speaker 1: to see music back out. It's gonna be fantastic. And

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Speaker 1: that's the deal. Let's do this and coming up Travis Denning. Alright,

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Speaker 1: Travis Denning is here. We got a lot to talk about.

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Speaker 1: First of all, let us play a hook of his

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Speaker 1: number one song. After a few here you go good

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Speaker 1: after drinks, it's always the same lost conversation. Man, have

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Speaker 1: we done one of these together? We never have. Actually,

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Speaker 1: I've always wanted to, Is that right? Yeah? I mean

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Speaker 1: we've done so many things together either away from studio.

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Speaker 1: We've golfed. Yeah, But I'm saying it's just it's crazy

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Speaker 1: that we haven't done this year. But he's pulling up

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Speaker 1: here to the house and he was like, oh, I

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Speaker 1: didn't boy, he pushed a little gate button. I was like, yeah,

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Speaker 1: I was there and he knew it was him, he

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Speaker 1: didn't know it was me, and I was asking him

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Speaker 1: inappropriate questions and he didn't know if I'm messing with

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Speaker 1: them or not. He was answering them, but I mean

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Speaker 1: answered him on the dot. Yeah, it was pretty funny.

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Speaker 1: I was on the phone with Madison and she was like,

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Speaker 1: what what? What in the world did you just say?

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Speaker 1: Like what just happened? Why? I asked him inappropriate questions

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Speaker 1: that you would only ask a friend and there's nobody around.

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Speaker 1: I'll leave it at that, But I was like, Uh,

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Speaker 1: is there anybody in the truck with you? And mostly

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Speaker 1: he probably thought I was Donner for security reasons. I

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Speaker 1: thought you were security guards. Anybody in the truck with you?

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Speaker 1: And He's like no. I was like, well then how

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Speaker 1: And then he was like anyway, it's all he's here

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Speaker 1: within a truck and we're gonna talk about trucks in

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Speaker 1: a minute. We're gonna get to that um where you

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Speaker 1: have your truck list. I have my truck list. We're

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Speaker 1: also going to do your new song that you wrote

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Speaker 1: about trucks or a truck? What what I'm doing the

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Speaker 1: Charles Schwab Challenge where I'm they're presenting the truck, and

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Speaker 1: you're doing the program too, and I'm playing in the

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Speaker 1: pro am. That is correct, And I wrote a song

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Speaker 1: inspired about the truck. Is that what it is? Did

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Speaker 1: you look at a picture of the truck? No, I

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Speaker 1: drove the truck. I've I've hung out with the truck

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Speaker 1: they're giving away. I'm, in fact one of the only

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Speaker 1: ones who've seen it. So as you can hear, both

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Speaker 1: Trivis and I are partners with Charles Schwab Challenge the

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Speaker 1: tournament prize Reville and the whole part of this thing

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Speaker 1: that's cool is well, give a first listen to a

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Speaker 1: new song that you wrote. And is there a new

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Speaker 1: video coming out? Yeah, we we filmed a video for

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Speaker 1: it too. Did you go up to like Montana? We

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Speaker 1: went to, Uh, it was an, Idaho, just outside of

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Speaker 1: Jackson Hole. I believe it's Driggs outa Ho is the

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Speaker 1: name that may not that actually may be totally incorrect,

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Speaker 1: but it's it's just through the Titon Pass. It is

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Speaker 1: the first city when you get outside of Jackson Hole.

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Speaker 1: Pretty cool, huh amazing. That's like my favorite place in

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Speaker 1: the world. I mean, it's so beautiful. My manager went

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Speaker 1: up there with you. We had a blast the first

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Speaker 1: night we got there. We kind of we kinda through

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Speaker 1: some beers back with the whole the whole crew, the

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Speaker 1: guy who built the truck, like everybody a part of

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Speaker 1: like filming it and stuff. We threw some beers back.

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Speaker 1: We do have our truck less coming up in a second.

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Speaker 1: But again, Travis and I've teamed up with Charles Schwab

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Speaker 1: and the Charles Schwab Challenge to reveal the epic prize

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Speaker 1: that will be given to the tournament champion this year.

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Speaker 1: It's you know a lot of these the winners get

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Speaker 1: some money, you do your thing, but what they want

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Speaker 1: to do is find a cool way to give a

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Speaker 1: prize away. And it was that's a cool truck, cool car,

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Speaker 1: that's awesome. It's like somebody giving me a nice, cool

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Speaker 1: pair of shoes. I don't need to be expensive, but

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Speaker 1: if someone goes to the time you give me a

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Speaker 1: cool pair of shoes, I like that more than if

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Speaker 1: somebody were to be like, hey, here's these shoes I'm

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Speaker 1: wearing right here the bottom lamb or at like wallaby

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Speaker 1: looking things like what is that? These are twisted X

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Speaker 1: I believe is the name. And these were just given

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Speaker 1: to me for doing a video thing, and I wear them.

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Speaker 1: I have worn them every single day since I've got it,

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Speaker 1: and that means it means more than anything else. So

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Speaker 1: there's a one of a kind of prize. The song

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Speaker 1: is called grew Up with the Truck will play and

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Speaker 1: it's entirety in a minute. But I have not heard

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Speaker 1: this song yet. Yeah you haven't. Okay, yeah you have.

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Speaker 1: It is not an expression. Yeah, yeah you have not

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Speaker 1: heard this song. Okay, let me, Mike, Can you play

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Speaker 1: me a little bit of the song fail love? We

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Speaker 1: at that be a run on or two lane with

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Speaker 1: the third seven song and just lack the power of

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Speaker 1: Wagon forty six if you were lucky to have as

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Speaker 1: good as I bet you burned a lot of rub.

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Speaker 1: So we'll play the full song coming up later on

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Speaker 1: and so you can watch this performance. And I think

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Speaker 1: it's gonna be the very first time people can actually

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Speaker 1: see the truck during this performance. Yeah, that's the way

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Speaker 1: you taped up there with the truck, right, We filmed

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Speaker 1: a video like totally with the truck. Didn't show me anything.

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Speaker 1: I supposed to be like the guy, No, I know nothing.

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Speaker 1: They told me. They're like, you're gonna You're gonna see

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Speaker 1: it way before Bobby sees it, and and they told

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Speaker 1: me I can totally brag about how awesome it is,

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Speaker 1: but not say what it is. I can't say what

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Speaker 1: it is. The video will be released on Travis's YouTube

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Speaker 1: and Instagram and three PM Central and again I will

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Speaker 1: attend the prize revealed on site in Texas on and

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Speaker 1: I will play in the pro am with a p G,

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Speaker 1: a tour professional on the twenty six, which is I'm

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Speaker 1: a little nervous about that. That's gonna be awesome. Do

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Speaker 1: you know who it's gonna be? I do not know yet,

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Speaker 1: And then tune in the tournament, find find out who

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Speaker 1: can take the price. Song you ever heard of? You

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Speaker 1: ever heard of Tiger Woods? What do Yeah? Yeah, he's

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Speaker 1: I think he does some of those programs and stuff

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Speaker 1: that well he's hurt right now? Yeah, I forgot about that.

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Speaker 1: Yeah about it will not be Tiger never mind. Let

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Speaker 1: me play another song. This is from Travis. This is

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Speaker 1: a single right now called Abbey and the name is

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Speaker 1: That's Drinking Cold. You still like that song? I love

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Speaker 1: that song. I mean, favorite moment to play live right now,

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Speaker 1: especially in the show. We're like slowly getting back on

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Speaker 1: the road. We've done a couple of things and the

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Speaker 1: response is insane. It's the biggest response in the whole show.

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Speaker 1: Over wait over, after a few for sure, really yeah,

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Speaker 1: and after after a few big like people still sing it.

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Speaker 1: But when we hit the top of Abbey, they lose

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Speaker 1: their minds and it's amazing that the name is abby

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Speaker 1: When they oh, I mean they go and yeah. When

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Speaker 1: that first chorus the last couple of shows we've done,

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Speaker 1: when it gets that line of them a name, I

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Speaker 1: just don't even sing it. I just hold the mic

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Speaker 1: out and it's so loud. I mean, it's crazy. What's

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Speaker 1: that on the radio chart right now? I don't think

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Speaker 1: it's at fifty yet. And people still that's a great

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Speaker 1: sign though, I know, I mean it's just and obviously

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Speaker 1: it's been out for you know a little while, but like, man,

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Speaker 1: just to see people like connecting to it that big,

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Speaker 1: I mean, it just it blows my mind and it

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Speaker 1: gets me excited that. I just feel like the more

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Speaker 1: and more it gets up the charts, he'll just get

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Speaker 1: even bigger from there. Did you think you would win

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Speaker 1: a c M New Artists of the Year, Mail, Uh? No,

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Speaker 1: I didn't win. You didn't win. Did you think you would?

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Speaker 1: Did I think I know you didn't win. Did you

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Speaker 1: think you would win? No, not at all? But did

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Speaker 1: you Were you holding out hope that you might Winna?

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Speaker 1: I just honestly, I didn't feel like it was my

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Speaker 1: year to have a good run at it, man, And honestly,

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Speaker 1: like the entire category was just stupid stacked, you know.

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Speaker 1: I mean I actually really felt like Jimmy was gonna

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Speaker 1: win because I felt like Jimmy just had I mean,

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Speaker 1: he had two number ones that were big hits, you know,

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Speaker 1: he did the Rock and New Year's like he just

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Speaker 1: had such an epic year. And I we fished about

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Speaker 1: a month ago, and what a month ago is right

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Speaker 1: after he won, and and I just told him, I

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Speaker 1: was like, dude, I had I had you pegged the

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Speaker 1: whole the whole way. Yeah. And also he's been around

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Speaker 1: in the mix a little longer. Yeah for sure. Yeah.

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Speaker 1: I told him I was insulted he was still up

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Speaker 1: for new artist, like you've been here a few years now,

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Speaker 1: I've been killing them. And he was like, yea, I'll

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Speaker 1: take what I can get. Absolutely, man, the hard water categories, you,

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Speaker 1: Jimmy Parker McCallum, Hardy and and Cody Johnson, and like

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Speaker 1: even Cody's been around a long he has been and

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Speaker 1: I know he's like Lyne in the Houston Rodeo though,

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Speaker 1: the only independent artist ever sell it out, you know,

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Speaker 1: and that was beviously before you had a record deal.

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Speaker 1: But yeah, like I know that he's new to like

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Speaker 1: kind of mainstream country fans in like Nashville. But yeah,

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Speaker 1: I've been listening to him for ten years. Yeah, you

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Speaker 1: aren't gonna win now I think about it. He really

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Speaker 1: had Now what even whatn't even clothes wasn't even clothes?

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Speaker 1: How about you being nominated? Pretty cool? It was awesome.

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Speaker 1: It's cool now to just you know, it's like when

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Speaker 1: you go and like valet your car and they're like,

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Speaker 1: can we get a name for that? And it's like,

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Speaker 1: Travis Nor, what's your last name? And I'm like a

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Speaker 1: c M nominated artists dinning and they're like, what was that?

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Speaker 1: You know? I repeat it very loudly. It's really cool

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Speaker 1: to say that you're from Warner Robbins, Georgia. Why do

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Speaker 1: I know Warner Robbins, Well, because if you've ever driven

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Speaker 1: to Florida, you've probably stopped off there and got gas

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Speaker 1: because it's smack dab in the middle of the state.

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Speaker 1: But who famous is from there? Travis Denning, a c

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Speaker 1: M nominated Travistit No Jesse Jesse James Decker is also

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Speaker 1: from one of Robins. Yeah she is. She went to

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Speaker 1: high school with I think she went to one of

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Speaker 1: Robins high She went to same high school as me.

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Speaker 1: But one of Robbins is known for their Little A

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Speaker 1: League team. They won the World Series a few times.

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Speaker 1: And we're like, I think we're the Southeast like regional

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Speaker 1: headquarters for the Little League system. To type this into

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Speaker 1: Google because I know, maybe that's what it is. It's

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Speaker 1: maybe we are we and I think we're like the

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Speaker 1: only team that has had the boys and girls win it.

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Speaker 1: I may be wrong on that, but they did. They've

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Speaker 1: both wanted and it was like not in the same year,

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Speaker 1: but back in to back years. Here I type born

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Speaker 1: in Warner Robbins, Georgia. Here are the famous people from there?

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Speaker 1: Betty Kntrail pageant, that's right, Yeah, she won, she won

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Speaker 1: the Miss America. Yeah she did. Her dad is like

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Speaker 1: has the Cantrail Center and it's like a think a physical,

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Speaker 1: big physical therapy spot. If you ever, if you ever

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Speaker 1: won Robbins, you need a little physical therapy. You go there.

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Speaker 1: Let's see Eddie Anderson, who was a safety somewhere. M

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Speaker 1: you are on the list, really is it on Wikipedia? Yeah?

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Speaker 1: Travis Didnning, Jesse, James Decker, Robert Davis, wide receiver, Jake

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Speaker 1: from Oh yeah, j yeah, Jay of course from Georgia

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Speaker 1: played George quarterback. Is at the Bills now. Yeah, he

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Speaker 1: lives in a house that my parents almost bought when

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Speaker 1: we moved back. L Babic seventeen years old. TikTok Star,

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Speaker 1: I don't I don't know the tiktoks. You probably follow her,

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Speaker 1: don't watch TikTok Um. The Big boss Man it's from

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Speaker 1: where in Georgia? Do you? Big boss Man is Big

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Speaker 1: boss Man? Oh? Come on, hold on, I'm gonna read

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Speaker 1: it to you, Big boss Man. He is from Marietta, Georgia.

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Speaker 1: How far is that from me? You tell about Allan Jackson? No,

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Speaker 1: the Big boss Man, the wrestler, the oh, the Big

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Speaker 1: boss Man, the wrestler. Oh, Mary, it is like an

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Speaker 1: hour and a half from me. That's like north of

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Speaker 1: it Land, like a little bit northwest Vitia all right,

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Speaker 1: so you're from one of Robins, Georgia. You get your

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Speaker 1: first success here in town by writing Yeah, that was

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Speaker 1: kind of I mean, my first publishing deal, and it's

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Speaker 1: like it was the first thing of like, Okay, I'm

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Speaker 1: gonna make rent by actually doing this now, and um,

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Speaker 1: that's really yeah. I spent four years just writing my

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Speaker 1: tail off and just trying to get cuts. You know.

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Speaker 1: Let me ask you a question, to be honest, don't

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Speaker 1: be humble. How good of a guitar player are you?

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Speaker 1: If ten is Keith? I remember at Paisley and they

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Speaker 1: play different styles obviously, but that level where people go

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Speaker 1: out that usually good, and then one is like me,

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Speaker 1: who fakes that people think is actually pretty decent? Are

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Speaker 1: you an eight? I think I'm like nine. In my

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Speaker 1: own way, I'd say a nine, but I don't think

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Speaker 1: anybody's ever a ten. I think if you're a ten,

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Speaker 1: then you've just given up? Could you play beside Paisley

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Speaker 1: and he's like no, no, no, You're like, oh cool,

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Speaker 1: my turn? I mean I no, no no, yeah, but it

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Speaker 1: would be all me. I mean I I would feel comfortable.

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Speaker 1: In fact, I dream of being able to jam with

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Speaker 1: with Keith and Brad one day, and I feel like

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Speaker 1: we could get up there and do working man blues

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Speaker 1: and have fun and I could hold my own. Of course,

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Speaker 1: I'm gonna play my way, and it's some people might

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Speaker 1: go like that sucks compared to Brad, and some people

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Speaker 1: might go, I like that better. But yeah, I mean,

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Speaker 1: you can't get up on stage and feel like I'm

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Speaker 1: not out of my league. I can hang up here. Yeah, no, totally.

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Speaker 1: I mean that's I mean, man, my my first love

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Speaker 1: was guitar playing. I started when I was eleven years old.

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Speaker 1: I mean I've been playing forever, I mean for over

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Speaker 1: half of my life now. I mean, it's my favorite

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Speaker 1: thing to do. How do you see music? Do you

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Speaker 1: hear notes? Do you chase complex sounds? Are you seeing

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Speaker 1: colors like some people do? Not? For for me? I

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Speaker 1: mean I still just for me, it starts with like

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Speaker 1: the hook and the idea like I want that the

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Speaker 1: end of a chorus to make me go damn, Like

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Speaker 1: why didn't I think of that? Or like yes, lyrics

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Speaker 1: and story is still what I look for, especially in

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Speaker 1: country music now if we're getting into southern rock and

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Speaker 1: all that it, I think it's a lot more like

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Speaker 1: intangible when I think about why I love the Almond

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Speaker 1: Brothers band and Leonard Skinnered. It's way more intangible, and

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Speaker 1: I don't I don't necessarily would say it's like colors

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Speaker 1: and stuff. But it's just like when I hear the

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Speaker 1: Almen Brothers, I have like this image in my mind

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Speaker 1: of like what I'm seeing when I hear it, and

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Speaker 1: for me, it's like it's weird. I don't know, it's

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Speaker 1: so weird to describe. It's like it's swampy. It's that

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Speaker 1: kind of like that romanticism of like just where you're at,

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Speaker 1: like how you grew up in a certain area, and

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Speaker 1: like because I think that's kind of what the Olmen

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Speaker 1: Brothers did. But then when I listened to like Alan Jackson,

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Speaker 1: I see him telling his story in drive or you know,

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Speaker 1: like anything like that. When you write, do you write

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Speaker 1: with a melody first or do you write with the

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Speaker 1: lyrics first? I have to start with like the idea

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Speaker 1: of the lyric, Like when I like I wrote the

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Speaker 1: other day with Jamison Rodgers and he just had this hook.

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Speaker 1: He had this idea and he said it and everybody

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Speaker 1: in the room was like, yep, we're right in that,

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Speaker 1: because it was he already had this perfect idea and

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Speaker 1: this way to attack it, and I think great songs

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Speaker 1: like when someone says that when they just say the

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Speaker 1: hook to a song, I feel like songwriters who were

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Speaker 1: writing a lot, they just immediately go like, I know

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Speaker 1: how to do that, and then you collab on it

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Speaker 1: because you know, it's like someone might have a different

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Speaker 1: idea of how they got there and you kind of

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Speaker 1: combine all that. For me, it's definitely lyric driven. You

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Speaker 1: were in a all Men Brothers tribute band called soul Shine.

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Speaker 1: But what did that consist of? Were you all teenagers? Oh? No,

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Speaker 1: I was the only teenager. Were Oh I was like

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Speaker 1: eighteen and everybody else was in their fifties. Yeah, And

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Speaker 1: I played to like fit like that's what I did

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Speaker 1: on the weekends. I didn't really, I mean I'd hang

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Speaker 1: with my friends, but like my weekends were playing it

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Speaker 1: rivalries and making and the humming Bird and with a

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Speaker 1: bunch of older guys. Oh yeah, for sure. Were you

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Speaker 1: way better than they were with your guitar since that

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Speaker 1: was like your that was gonna be your career where

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Speaker 1: they just like a hobbyists, um, you know, they kind

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Speaker 1: of had some rotating members and stuff. So at the

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Speaker 1: like front like Leading Soul Shine was Stand Killingsworth Stand

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Speaker 1: the drummer man is what we called him. He was

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Speaker 1: the drummer and he sang, and he was an incredible drummer,

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Speaker 1: like totally schooled in Butch Truck's style drumming. And you know,

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Speaker 1: he'd rotating guitar players and and I was with him

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Speaker 1: for I guess about a good eight months, maybe a year, um,

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Speaker 1: so you know, I think the rotating guys were definitely

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Speaker 1: like just it was fun. You know, it was fifty bucks,

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Speaker 1: hundred bucks, you know, a weekend. Um. But man, he

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Speaker 1: had a great keys player named Mike and I can't

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Speaker 1: remember his last name, but he was like he just

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Speaker 1: had it. He's like that older guy that has literally

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Speaker 1: he passed the final level whatever it is, you know,

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Speaker 1: and just his organ skills were like stupid good. And

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Speaker 1: I think that's just like a testimony to like the

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Speaker 1: people who just truly always work on their craft. All

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Speaker 1: of a sudden, I think they just hit a place

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Speaker 1: and they're like I've got it, you know, I've like

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Speaker 1: mastered it, you know, and they still learned, but they've

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Speaker 1: just figured it out. Did you sing that? No? I

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Speaker 1: never did. Actually, dude, my my Voice of eight team,

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Speaker 1: I only played Dwayne Almond's parts on guitar. I was

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Speaker 1: just played slide and all that stuff. Did you practice

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Speaker 1: a lot even a lot more for those songs because

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Speaker 1: you didn't want to screw with those songs up? Yeah,

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Speaker 1: it's like it's like an immersion in the because you

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Speaker 1: learn all the parts, but you know the whole thing too.

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Speaker 1: With like Whipping Post and State Sporo Blues and like

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Speaker 1: those big cornerstone songs of theirs, they were still based

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Speaker 1: on like improv and like what what you were feeling

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Speaker 1: that night. I mean, you can listen to one solo

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Speaker 1: of Dwayne Almonds, maybe from a night that he liked

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00:19:27,520 --> 00:19:29,800
Speaker 1: was piste off and it's got it's way more fire,

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Speaker 1: it's got more going on. And then you could listen

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Speaker 1: to one night where he was probably hungover or something

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Speaker 1: and it's more laid back. And so to me, it's

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Speaker 1: about learning the parts and the kind of brand and

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Speaker 1: the idea of like what it's supposed to at least

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Speaker 1: have one tether on, but past that, it's also like

390
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Speaker 1: do your thing, like be who you are when you

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Speaker 1: play these songs. But I definitely just wanted to always

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Speaker 1: make sure like the tone was right, the overall just

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00:19:56,520 --> 00:19:58,960
Speaker 1: approach to those songs, like I wanted to stay true

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Speaker 1: to the way they did it. I was talking to

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Speaker 1: John Mayra once and he was talking about when he

396
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Speaker 1: was going out with Dead and Company for the first

397
00:20:05,520 --> 00:20:08,440
Speaker 1: time and listen, prolific guitar player, you know, one of

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Speaker 1: the best, one of the best. And he was talking

399
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Speaker 1: about how he goes out to play his shows or

400
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Speaker 1: a new song. He may be like, all right, first

401
00:20:15,600 --> 00:20:17,760
Speaker 1: someone to play this. But if he messes up his

402
00:20:17,760 --> 00:20:19,240
Speaker 1: own stuff, it's his stuff. He has the right to

403
00:20:19,240 --> 00:20:20,840
Speaker 1: mess it up. Yeah, he said, but he's gonna go

404
00:20:20,840 --> 00:20:24,000
Speaker 1: out and have to play grateful Dead songs. He said,

405
00:20:24,000 --> 00:20:28,680
Speaker 1: he went up into Montana, He's got a home in Montana,

406
00:20:28,880 --> 00:20:32,360
Speaker 1: and just locked himself in for months because to him,

407
00:20:32,400 --> 00:20:34,760
Speaker 1: it was more important not to disrespect those songs. And

408
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Speaker 1: it was like a different phase in his life professionally

409
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Speaker 1: that he had never been in. It's also to like,

410
00:20:41,280 --> 00:20:44,639
Speaker 1: you're you're stepping into a territory of a fan base

411
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Speaker 1: that will they don't cut you any slack, like if

412
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Speaker 1: you if he came in there and did his pop

413
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Speaker 1: Steve Ray Vaughan Blues thing. They had a boot him

414
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Speaker 1: off the stage, you know, they'd been like get you know,

415
00:20:56,320 --> 00:20:59,720
Speaker 1: it's like a respect to the whole huge culture of

416
00:20:59,800 --> 00:21:02,360
Speaker 1: like what the grateful Dead is? I mean, that's that's scary.

417
00:21:02,520 --> 00:21:04,520
Speaker 1: Who could you play a lot of right now? Like

418
00:21:04,520 --> 00:21:06,439
Speaker 1: who's take on brothers out? But if I were like, hey,

419
00:21:06,440 --> 00:21:08,919
Speaker 1: who's who's catalog? Would you know the most of not

420
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Speaker 1: the all my brothers? Honestly, probably probably John Mayers, I mean,

421
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Speaker 1: you know, and a lot of Keats because for me,

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Speaker 1: like when I was in high school and I started

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Speaker 1: shifting into like trying to write songs, and you know,

424
00:21:22,280 --> 00:21:24,840
Speaker 1: I mean, hell, I was sixteen seventeen, I started living

425
00:21:24,880 --> 00:21:26,880
Speaker 1: a little bit, and it's like I started to realize

426
00:21:26,920 --> 00:21:29,200
Speaker 1: how much I related to country music a whole lot

427
00:21:29,240 --> 00:21:31,800
Speaker 1: more once I kind of got to that age. And

428
00:21:32,440 --> 00:21:35,560
Speaker 1: so for me, let's start with Keith. It's like he's

429
00:21:35,560 --> 00:21:38,040
Speaker 1: a guitar player, singer and country music. It's like, how

430
00:21:38,080 --> 00:21:41,080
Speaker 1: can he not be one of my biggest influences? So

431
00:21:41,400 --> 00:21:43,960
Speaker 1: I mean to be here record and Golden Road and

432
00:21:44,640 --> 00:21:47,800
Speaker 1: love paying the whole crazy thing like that. Just I

433
00:21:48,200 --> 00:21:51,199
Speaker 1: definitely studied those a lot. And Dan hust production was

434
00:21:51,240 --> 00:21:53,600
Speaker 1: just like, I don't want to say simple because I

435
00:21:53,600 --> 00:21:56,240
Speaker 1: think that's rude, but it's like it just they didn't

436
00:21:56,280 --> 00:21:59,240
Speaker 1: think too hard about it. And then John Mayer was like,

437
00:22:00,160 --> 00:22:02,520
Speaker 1: holy hill. I mean, I'm like, this guy is literally

438
00:22:02,520 --> 00:22:06,560
Speaker 1: playing Albert King and Steve Ray Vaughan licks and Jimi

439
00:22:06,640 --> 00:22:09,280
Speaker 1: Hendricks licks and he's got like number one songs on

440
00:22:09,920 --> 00:22:12,560
Speaker 1: the Hot One, Like you know, that was so crazy

441
00:22:12,600 --> 00:22:15,520
Speaker 1: to me. And I just love that his guitar playing

442
00:22:15,640 --> 00:22:19,320
Speaker 1: was a main focus of his music. So I don't

443
00:22:19,359 --> 00:22:21,440
Speaker 1: know if you could. I don't know if I could

444
00:22:21,440 --> 00:22:24,399
Speaker 1: be stumped on the Mayor song. Honestly, maybe some of

445
00:22:24,440 --> 00:22:26,159
Speaker 1: the early stuff I couldn't play, like I don't know

446
00:22:26,200 --> 00:22:29,040
Speaker 1: if I remember eighty three, but like I could play

447
00:22:29,080 --> 00:22:32,360
Speaker 1: the Continuum album front of back three g an acoustic though, Yeah, yep,

448
00:22:32,400 --> 00:22:35,440
Speaker 1: you gotta do the thing. Yeah, I mean, that's that's

449
00:22:35,440 --> 00:22:37,800
Speaker 1: my favorite artist, you know, him and Garth depending. But

450
00:22:37,800 --> 00:22:42,439
Speaker 1: but as I started to hear lyrics speak not to

451
00:22:42,600 --> 00:22:45,000
Speaker 1: me but for me, which is a rare thing, and

452
00:22:45,040 --> 00:22:47,480
Speaker 1: that's that's what country music was for me. Was it

453
00:22:47,520 --> 00:22:50,000
Speaker 1: was the for me thing. I thought they were talking.

454
00:22:50,119 --> 00:22:52,800
Speaker 1: It sounded like, I mean, for me. It was in

455
00:22:52,880 --> 00:22:54,959
Speaker 1: high school. Al Dean and Luke Bryan were the biggest

456
00:22:54,960 --> 00:22:57,360
Speaker 1: thing in the world, and like, I just heard dirt

457
00:22:57,440 --> 00:22:59,800
Speaker 1: rhad anthem and I was like, that is my people.

458
00:23:00,119 --> 00:23:02,320
Speaker 1: That's what we do, and that's what we like, and

459
00:23:02,320 --> 00:23:04,280
Speaker 1: that's what we dream of doing like when we get

460
00:23:04,280 --> 00:23:06,920
Speaker 1: older and stuff. So I'm with you. I was on

461
00:23:07,119 --> 00:23:10,199
Speaker 1: an interview recently where I was being interviewed about Weezer,

462
00:23:10,280 --> 00:23:12,160
Speaker 1: which is a little before you. They're still around obviously,

463
00:23:12,200 --> 00:23:14,440
Speaker 1: but they were like, hey, what kind of like what

464
00:23:14,560 --> 00:23:16,080
Speaker 1: music spoke to you? I said, well, there are two

465
00:23:16,160 --> 00:23:19,320
Speaker 1: kinds of music that actually like reached inside of me

466
00:23:19,320 --> 00:23:21,840
Speaker 1: and touched me and as a kid. The first was

467
00:23:21,880 --> 00:23:23,920
Speaker 1: country music because it was the only music talked about

468
00:23:23,920 --> 00:23:27,480
Speaker 1: where I was from. That's it. Nobody talked about anything rural.

469
00:23:27,840 --> 00:23:32,280
Speaker 1: Nobody talked about the South Arkansas, no way until I

470
00:23:32,320 --> 00:23:36,119
Speaker 1: was able to hear country music on you know, Kissing

471
00:23:36,680 --> 00:23:38,359
Speaker 1: Us nineties exactly, and I was like, that was the

472
00:23:38,400 --> 00:23:40,600
Speaker 1: first music for me to talk about where I was from.

473
00:23:40,640 --> 00:23:44,160
Speaker 1: But then in the nineties, whenever grunge happens, and Weezer's

474
00:23:44,200 --> 00:23:46,040
Speaker 1: not really grunge, but they're in that same little space.

475
00:23:46,040 --> 00:23:48,560
Speaker 1: If like the alternative. Um. I was like, they actually

476
00:23:48,600 --> 00:23:53,320
Speaker 1: spoke about what I felt, which was like, I'm upset,

477
00:23:53,400 --> 00:23:55,920
Speaker 1: I'm sad, I don't know why I'm sad. This sucks.

478
00:23:56,160 --> 00:23:58,120
Speaker 1: And I was like, it was those two things for me.

479
00:23:58,480 --> 00:24:00,199
Speaker 1: It was country music where I was from, and it

480
00:24:00,280 --> 00:24:02,960
Speaker 1: was the rock stuff that the grunge, the wheezer that

481
00:24:03,080 --> 00:24:07,000
Speaker 1: actually spoke things that I was thinking and feeling. But

482
00:24:07,040 --> 00:24:09,040
Speaker 1: it was John Mayer was the first artist that I

483
00:24:09,080 --> 00:24:12,440
Speaker 1: ever heard that went, oh he's speaking as me, which

484
00:24:12,440 --> 00:24:15,240
Speaker 1: is a whole different level. Yeah, it's just crazy. You

485
00:24:15,880 --> 00:24:18,800
Speaker 1: connect to certain people for a lot of different reasons,

486
00:24:18,880 --> 00:24:21,240
Speaker 1: but when you find that artist at like, I just

487
00:24:21,280 --> 00:24:23,600
Speaker 1: feel like they they check all the boxes of something

488
00:24:23,640 --> 00:24:25,720
Speaker 1: that you're like, how do they even know? Like, how

489
00:24:25,720 --> 00:24:27,679
Speaker 1: do how do they know that that's what I'm feeling

490
00:24:27,760 --> 00:24:31,160
Speaker 1: in where my headspace is at? And it's yeah, it's

491
00:24:31,200 --> 00:24:33,280
Speaker 1: crazy to think about. I'm gonna ask you a question,

492
00:24:33,320 --> 00:24:35,159
Speaker 1: but I'm gonna answer it to give you a second

493
00:24:35,160 --> 00:24:36,720
Speaker 1: thing because I I feel like this is a pretty

494
00:24:36,760 --> 00:24:41,159
Speaker 1: profound question. Um, a lyric that you heard in a

495
00:24:41,200 --> 00:24:44,640
Speaker 1: song where you do that where you're like, oh yeah, wow,

496
00:24:44,760 --> 00:24:46,560
Speaker 1: it's like a comedian who tells a joke and you're like, oh,

497
00:24:46,600 --> 00:24:47,680
Speaker 1: I think the same thing. I don't know how to

498
00:24:47,680 --> 00:24:51,280
Speaker 1: say it that funny. Yeah, but like a lyric that

499
00:24:51,359 --> 00:24:54,040
Speaker 1: you heard in a song where you're like, oh, well,

500
00:24:54,080 --> 00:24:56,160
Speaker 1: how about that. I feel the same way if for me,

501
00:24:56,400 --> 00:24:58,320
Speaker 1: as you're thinking about yours, we're talking about John Mayor

502
00:24:58,800 --> 00:25:01,800
Speaker 1: and stop this train. He's like, Hey, I'm so scared

503
00:25:01,840 --> 00:25:04,960
Speaker 1: of getting older. I'm only good at being young. And

504
00:25:05,000 --> 00:25:06,200
Speaker 1: I was in the stage of my life where I

505
00:25:06,280 --> 00:25:07,879
Speaker 1: was really starting to hit in my career and I

506
00:25:07,920 --> 00:25:09,879
Speaker 1: was the youngest. Everything I did was the youngest in

507
00:25:09,920 --> 00:25:12,240
Speaker 1: the Radio Hall of Fame. I was the youngest syndicated

508
00:25:12,320 --> 00:25:14,080
Speaker 1: national show. And I was like, I think I don't

509
00:25:14,080 --> 00:25:15,800
Speaker 1: want to get older because I'm not that good. I'm

510
00:25:15,800 --> 00:25:18,520
Speaker 1: only good at being young and doing it. And it

511
00:25:18,640 --> 00:25:20,960
Speaker 1: was like, oh dang, Johnny were like, I get that.

512
00:25:21,000 --> 00:25:22,479
Speaker 1: And he was going through the same thing where he

513
00:25:22,520 --> 00:25:26,800
Speaker 1: was this young musician who was playing older music basically

514
00:25:26,880 --> 00:25:29,440
Speaker 1: but making a pop and then but he's all he's

515
00:25:29,440 --> 00:25:31,679
Speaker 1: fe years older than me, but he still spoke in

516
00:25:31,720 --> 00:25:33,680
Speaker 1: a lot of ways for me. Is there a song

517
00:25:33,760 --> 00:25:35,600
Speaker 1: where you think back to the lyric now and you

518
00:25:35,640 --> 00:25:37,040
Speaker 1: go that was that When I heard that, it kind

519
00:25:37,040 --> 00:25:40,320
Speaker 1: of pierced me, dude, honestly, and I'm getting I'm getting

520
00:25:40,400 --> 00:25:42,640
Speaker 1: chills singing back because so we're going back to those

521
00:25:42,680 --> 00:25:46,200
Speaker 1: first things you just remember. But there's a song actually

522
00:25:46,240 --> 00:25:50,840
Speaker 1: on Aldane's Wide Open record called fast Um, and it

523
00:25:50,920 --> 00:25:55,720
Speaker 1: wasn't ever a single, but dude, I just like everything

524
00:25:55,760 --> 00:25:57,800
Speaker 1: about that song hit me. And there's a lyric in

525
00:25:58,359 --> 00:26:01,959
Speaker 1: the second verse where he's singing. He's just kind of

526
00:26:02,000 --> 00:26:07,320
Speaker 1: singing to like that this town and this way of life,

527
00:26:07,400 --> 00:26:09,280
Speaker 1: and it's also a little spiritual, like I think he's

528
00:26:09,359 --> 00:26:11,320
Speaker 1: kind of talking to like God a little bit. And

529
00:26:11,359 --> 00:26:14,520
Speaker 1: it's just this lyric of like, you know, you know,

530
00:26:14,560 --> 00:26:17,760
Speaker 1: aren't these like these these four lanes fast that just

531
00:26:17,840 --> 00:26:19,800
Speaker 1: move you through life? And it's the road that got

532
00:26:19,840 --> 00:26:21,360
Speaker 1: me out of town some one that brought me back,

533
00:26:21,359 --> 00:26:23,480
Speaker 1: and it's the ones everywhere in between. And there's a

534
00:26:23,520 --> 00:26:28,680
Speaker 1: lyric in the second verse when he says um um.

535
00:26:28,800 --> 00:26:30,880
Speaker 1: He sits there and says, remember the time I rolled

536
00:26:30,960 --> 00:26:33,000
Speaker 1: my truck and you were there when I woke up.

537
00:26:33,040 --> 00:26:35,119
Speaker 1: You walked me home. Yeah, you led me home, And

538
00:26:35,160 --> 00:26:38,040
Speaker 1: he's talking about that road of like making this mistake,

539
00:26:38,119 --> 00:26:39,840
Speaker 1: but it kind of comes off a little bit deeper

540
00:26:39,840 --> 00:26:41,480
Speaker 1: in that, And dude, I I used to listen to

541
00:26:41,480 --> 00:26:44,440
Speaker 1: that song all the time, just driving around my hometown.

542
00:26:44,440 --> 00:26:46,520
Speaker 1: Like I would drive down Highway one twenty seven, which

543
00:26:46,520 --> 00:26:48,919
Speaker 1: is nowhere near the house that my parents had. It

544
00:26:49,000 --> 00:26:51,399
Speaker 1: was just this beautiful place in bon Air, and it

545
00:26:51,480 --> 00:26:53,399
Speaker 1: was like my happy place just to drive, Like I

546
00:26:53,560 --> 00:26:56,840
Speaker 1: love the road more than anything. I love traveling. I

547
00:26:56,920 --> 00:27:00,440
Speaker 1: love driving. I mean it cracks Madison up, like and

548
00:27:00,480 --> 00:27:03,479
Speaker 1: we drive to Kentucky and go see her parents. It's

549
00:27:03,520 --> 00:27:05,719
Speaker 1: a three hour drive, and I get like fired up

550
00:27:05,720 --> 00:27:08,399
Speaker 1: about it, Like I love grabbing my Red Bull and

551
00:27:08,600 --> 00:27:10,879
Speaker 1: putting on Chris Night, putting on John Mayer, putting on

552
00:27:10,920 --> 00:27:13,720
Speaker 1: my music, and just enjoyed driving. And I don't know,

553
00:27:13,800 --> 00:27:15,760
Speaker 1: I just always related that song and it kind of

554
00:27:15,760 --> 00:27:18,600
Speaker 1: became this weird little like it was always my little

555
00:27:18,640 --> 00:27:22,480
Speaker 1: safe kind of like anchor song of just like reminded

556
00:27:22,480 --> 00:27:25,480
Speaker 1: me why I love country music. Like continuing too, like

557
00:27:25,600 --> 00:27:28,520
Speaker 1: when when ship got hard, it's like just knowing that

558
00:27:30,240 --> 00:27:33,280
Speaker 1: I just love music so much, and I'm like I

559
00:27:33,320 --> 00:27:36,000
Speaker 1: can't stop and I'm not gonna And if it just

560
00:27:36,080 --> 00:27:38,520
Speaker 1: never takes off, it never takes off. But like music

561
00:27:38,600 --> 00:27:39,800
Speaker 1: is gonna be a part of my life. And there

562
00:27:39,840 --> 00:27:42,800
Speaker 1: was just something about that whole song, but that specific lyric.

563
00:27:42,880 --> 00:27:46,560
Speaker 1: Man just like when he rolled his truck, it just

564
00:27:46,880 --> 00:27:48,680
Speaker 1: hit rock bottom and all of a sudden he got

565
00:27:48,720 --> 00:27:50,400
Speaker 1: you know, he just got back to where he needed

566
00:27:50,440 --> 00:27:52,600
Speaker 1: to be. I don't know. That song always took me back,

567
00:27:52,640 --> 00:27:54,120
Speaker 1: and I can't remember who wrote it. I can look

568
00:27:54,119 --> 00:27:57,640
Speaker 1: at it. Here's here's a tissue is crying right now?

569
00:27:58,119 --> 00:28:00,520
Speaker 1: Um No, but it's it's crazy to think about songs

570
00:28:00,520 --> 00:28:09,760
Speaker 1: that just like like you're feel in your ribs and

571
00:28:09,760 --> 00:28:12,520
Speaker 1: you talk about driving. We can do our our truck list, now,

572
00:28:12,720 --> 00:28:15,240
Speaker 1: do you know yours? By heart? I got it right here.

573
00:28:16,160 --> 00:28:18,560
Speaker 1: We have teamed up to come up with our top

574
00:28:18,600 --> 00:28:23,720
Speaker 1: five truck songs, and I think I might have cheated

575
00:28:23,800 --> 00:28:26,280
Speaker 1: a little bit. I don't feel like I cheated, but

576
00:28:26,400 --> 00:28:29,080
Speaker 1: I some of mine truck is not the title, but

577
00:28:29,119 --> 00:28:31,000
Speaker 1: I think I don't have truck and the title one

578
00:28:31,040 --> 00:28:33,040
Speaker 1: of mine. Okay, some of mine aren't. There's just a

579
00:28:33,080 --> 00:28:35,760
Speaker 1: reference to a truck. And I went with what did

580
00:28:35,760 --> 00:28:37,760
Speaker 1: I think? With what I think of first truck songs?

581
00:28:38,120 --> 00:28:40,280
Speaker 1: Four of mine have truck on the title, but one

582
00:28:40,320 --> 00:28:43,120
Speaker 1: of them doesn't. I did know your number one, so

583
00:28:43,400 --> 00:28:45,640
Speaker 1: I would have put your number one in my top five,

584
00:28:45,720 --> 00:28:47,600
Speaker 1: but since that was the only one I knew of yours,

585
00:28:47,640 --> 00:28:49,120
Speaker 1: I was not able to put my number. So just

586
00:28:49,120 --> 00:28:50,960
Speaker 1: know that I love his number one. We're playing, I mean,

587
00:28:50,960 --> 00:28:52,800
Speaker 1: the number one has to be one of the Okay,

588
00:28:52,800 --> 00:28:55,000
Speaker 1: so let's start at your number five? What is your

589
00:28:55,080 --> 00:28:58,440
Speaker 1: number five? Truck song? Dude, I gotta go to the

590
00:28:58,480 --> 00:29:05,440
Speaker 1: Tifton Georgia boy, some them bout a truck kit more draft.

591
00:29:07,560 --> 00:29:11,720
Speaker 1: You mentioned Georgia. Why are there so many guys from Georgie? Like,

592
00:29:11,800 --> 00:29:16,440
Speaker 1: what what's happening? I think it's just geographical. It's like,

593
00:29:17,640 --> 00:29:20,080
Speaker 1: you know, it's a weird combination. But to me, the

594
00:29:20,120 --> 00:29:22,280
Speaker 1: domino of like for me, it was like, oh damn it.

595
00:29:22,360 --> 00:29:24,920
Speaker 1: You know, I met Cole Swindel when I was like nineteen,

596
00:29:25,000 --> 00:29:27,640
Speaker 1: and I remember thinking, well, hell, this guy moved up

597
00:29:27,640 --> 00:29:29,920
Speaker 1: and he was farther away than me, and it was

598
00:29:30,000 --> 00:29:33,040
Speaker 1: kind of this thing. And then Jason Audean's from making Georgia.

599
00:29:33,080 --> 00:29:35,600
Speaker 1: It's just thirty minutes north where I'm from, so it

600
00:29:35,680 --> 00:29:37,280
Speaker 1: was a little bit of this, like, well, hell if

601
00:29:37,320 --> 00:29:39,360
Speaker 1: they went and you know they worked at it, I mean,

602
00:29:39,360 --> 00:29:41,040
Speaker 1: why why couldn't I go up there and try and

603
00:29:41,040 --> 00:29:43,480
Speaker 1: make it happen. On top of that, you can get

604
00:29:43,520 --> 00:29:45,840
Speaker 1: there in five and a half hours on one take

605
00:29:45,920 --> 00:29:49,800
Speaker 1: of gas. You know. It's like it was so close

606
00:29:49,920 --> 00:29:51,760
Speaker 1: in the sense of like, why can't I just go

607
00:29:51,840 --> 00:29:53,440
Speaker 1: up there for a weekend right now? Why can't I

608
00:29:53,440 --> 00:29:55,360
Speaker 1: go try it out? You know? But if I just

609
00:29:55,720 --> 00:29:58,200
Speaker 1: totally fall into an accident or something happens, I gotta

610
00:29:58,240 --> 00:30:00,480
Speaker 1: get home, and I'm like, at the him, I can

611
00:30:00,480 --> 00:30:02,440
Speaker 1: get back home. I think it's a little bit of that.

612
00:30:02,960 --> 00:30:08,320
Speaker 1: And ultimately, I just think country music swung towards this

613
00:30:08,440 --> 00:30:10,840
Speaker 1: thing that was like happening in Georgia, that of just

614
00:30:10,920 --> 00:30:12,760
Speaker 1: like life and stuff, because you know, you could say

615
00:30:12,760 --> 00:30:15,840
Speaker 1: in the nineties there was Oklahoma reigned, really, you know,

616
00:30:15,960 --> 00:30:18,480
Speaker 1: and I think a lot of that life in Oklahoma

617
00:30:18,520 --> 00:30:21,560
Speaker 1: and Texas and all that was kind of driving what

618
00:30:21,600 --> 00:30:24,240
Speaker 1: people loved. And then it started turning more into like

619
00:30:24,960 --> 00:30:27,680
Speaker 1: less kind of cowboy and and those kind of things,

620
00:30:27,680 --> 00:30:31,840
Speaker 1: and turned more to like more like guys who farmed

621
00:30:31,880 --> 00:30:33,960
Speaker 1: and like told that story about just trying, you know,

622
00:30:33,960 --> 00:30:38,040
Speaker 1: trying to get Friday night and just burning you know,

623
00:30:38,560 --> 00:30:40,800
Speaker 1: donnuts and stuff and doing stupid stuff that we did

624
00:30:40,800 --> 00:30:42,720
Speaker 1: in Georgia because we had nothing to do. I think

625
00:30:42,760 --> 00:30:44,880
Speaker 1: once it swung that way, it just felt like that

626
00:30:44,960 --> 00:30:48,360
Speaker 1: inspiration kind of paved a better road for people. Skip

627
00:30:48,440 --> 00:30:52,080
Speaker 1: right over Arkansas, yeah, just I mean, when when duck

628
00:30:52,160 --> 00:30:54,840
Speaker 1: hunting finally takes over and country music is game over,

629
00:30:54,960 --> 00:30:59,520
Speaker 1: it's Arkansas. My number five is Brooks Had Done He'll

630
00:30:59,520 --> 00:31:09,520
Speaker 1: Billy Hello. Yeah, because of that line right there, you

631
00:31:09,560 --> 00:31:12,920
Speaker 1: know him really delust slick pick up truck, which I

632
00:31:12,960 --> 00:31:14,640
Speaker 1: feel like it is one of the more underrated Brooks

633
00:31:14,640 --> 00:31:16,560
Speaker 1: and Done songs. This is one of my favorite of

634
00:31:16,560 --> 00:31:19,600
Speaker 1: all times. It's one of their laters, you know, as

635
00:31:19,600 --> 00:31:21,240
Speaker 1: far as their big hits go. But sometimes I'll play

636
00:31:21,280 --> 00:31:22,880
Speaker 1: this on the show and people be like, I don't

637
00:31:22,920 --> 00:31:25,280
Speaker 1: know that song. I'm like, you checked out too early.

638
00:31:26,240 --> 00:31:28,920
Speaker 1: I mean, this is a Craig Wiseman just special. I mean,

639
00:31:28,920 --> 00:31:31,480
Speaker 1: they just wrote the mess out of this song because

640
00:31:31,520 --> 00:31:34,800
Speaker 1: it's like it's really nasty and grimmy and like really

641
00:31:35,200 --> 00:31:37,960
Speaker 1: lazy and kind of reminds me of like Steve Earle

642
00:31:38,040 --> 00:31:40,240
Speaker 1: stuff a little bit, just like way laid back. But

643
00:31:40,440 --> 00:31:42,920
Speaker 1: I love that song that makes me want to drive

644
00:31:42,960 --> 00:31:48,560
Speaker 1: a truck. Even the intro to this song, it's just like, yeah,

645
00:31:48,720 --> 00:31:52,840
Speaker 1: just good alright. Number four for you, uh, Prisoner of

646
00:31:52,840 --> 00:31:59,800
Speaker 1: the Highway Ronnie Mills sat because this is a truck song,

647
00:32:00,080 --> 00:32:02,080
Speaker 1: but it's a trucker song too, and I feel like

648
00:32:02,080 --> 00:32:04,360
Speaker 1: we had to throw one trucker song there. I've got

649
00:32:04,400 --> 00:32:06,680
Speaker 1: one trucker song coming out. It's perfect. I just saw

650
00:32:06,800 --> 00:32:09,080
Speaker 1: Ronnie at the Grand ol opry Man. I mean, you

651
00:32:09,120 --> 00:32:12,120
Speaker 1: can still sing it like he always did. He doesn't

652
00:32:12,160 --> 00:32:14,520
Speaker 1: play anymore, but he sits at the piano because that's

653
00:32:14,520 --> 00:32:16,960
Speaker 1: where he's comfortable. At least that night he didn't. But

654
00:32:17,040 --> 00:32:19,040
Speaker 1: I was listening to him up in my gym two.

655
00:32:19,160 --> 00:32:20,880
Speaker 1: He's one of my He's one of my favorite artists

656
00:32:20,880 --> 00:32:22,800
Speaker 1: in country music ever. I mean, I think his voice

657
00:32:22,800 --> 00:32:24,880
Speaker 1: is one of the best. At Number four for me

658
00:32:25,000 --> 00:32:28,040
Speaker 1: is Jake Owen Eight Second Ride because it's really not

659
00:32:28,200 --> 00:32:30,240
Speaker 1: about an eight second ride in a truck, but there's

660
00:32:30,240 --> 00:32:33,960
Speaker 1: a line about a dip cup in his truck, just like, honestly,

661
00:32:33,960 --> 00:32:35,520
Speaker 1: when you think about it's kind of a gross line.

662
00:32:35,560 --> 00:32:38,400
Speaker 1: It's a disgusting life, hey baby, watching a dip cups

663
00:32:38,640 --> 00:32:44,520
Speaker 1: right there here? It is was the I'm s side

664
00:32:45,600 --> 00:32:48,240
Speaker 1: hold all time because it's going to be wilder than

665
00:32:50,960 --> 00:32:53,840
Speaker 1: at the beginning, and it puts the big grunt out

666
00:32:53,880 --> 00:32:57,920
Speaker 1: there to it. I mean, he told me I don't

667
00:32:57,920 --> 00:33:00,120
Speaker 1: want to play that song live anymore. He was like,

668
00:33:00,160 --> 00:33:02,800
Speaker 1: I have to. I mean his sound has totally trent.

669
00:33:03,160 --> 00:33:05,480
Speaker 1: I mean it sounds like a Coheed and Cambria song

670
00:33:05,680 --> 00:33:09,080
Speaker 1: burning Nina No No, I mean, dang nice reference there. Yeah,

671
00:33:09,120 --> 00:33:10,680
Speaker 1: a little Coheed And that's where I'm trying to get

672
00:33:10,680 --> 00:33:15,600
Speaker 1: my hair too. Okay, Number three for you. We rode

673
00:33:15,600 --> 00:33:26,400
Speaker 1: in truck Slup Brian. We rode in trucks and pay

674
00:33:26,560 --> 00:33:30,160
Speaker 1: in the field with the radio. Like when I heard that,

675
00:33:30,160 --> 00:33:32,160
Speaker 1: that's like, that's what I talked about the stuff of

676
00:33:32,240 --> 00:33:36,720
Speaker 1: Like I mean, dude, I didn't farm, like like my

677
00:33:36,720 --> 00:33:39,960
Speaker 1: my country aspect of like my what makes me country?

678
00:33:40,000 --> 00:33:43,160
Speaker 1: Another Luke Brian song. I just loved being where I'm from,

679
00:33:43,200 --> 00:33:45,560
Speaker 1: and like I loved the small town aspect. I love,

680
00:33:45,640 --> 00:33:48,240
Speaker 1: like knowing people. I loved I loved riding those roads

681
00:33:48,240 --> 00:33:50,160
Speaker 1: and nobody's on and those kind of things. And I

682
00:33:50,240 --> 00:33:52,719
Speaker 1: was romantic about where I'm from. And like when I

683
00:33:52,760 --> 00:33:56,280
Speaker 1: heard this song, I was like, this is about bon Air, Georgia.

684
00:33:56,320 --> 00:33:58,760
Speaker 1: It's about one of Robbins. It's about Kathleen, all those

685
00:33:58,760 --> 00:34:01,479
Speaker 1: little areas outside of one of Robbins. And I don't know.

686
00:34:01,520 --> 00:34:04,560
Speaker 1: I just for that song, like I'll be honestly, I

687
00:34:04,640 --> 00:34:07,720
Speaker 1: probably crowded that song before I've called Hey, hold a

688
00:34:07,760 --> 00:34:11,120
Speaker 1: lot of hayes. It gets sucked all dirt sometimes, like

689
00:34:11,160 --> 00:34:12,840
Speaker 1: I remember someone be like I have a lot of

690
00:34:12,880 --> 00:34:17,359
Speaker 1: dirt at my house. I need it gone. Here's the difference, though, respectfully,

691
00:34:17,800 --> 00:34:19,479
Speaker 1: because I have also hald a little bit of dirt.

692
00:34:19,480 --> 00:34:23,759
Speaker 1: But Hey sucked because you had to have two. You

693
00:34:23,800 --> 00:34:26,279
Speaker 1: have to have to trail in the truck to throw

694
00:34:26,360 --> 00:34:28,840
Speaker 1: up into it one and to catch it and stack

695
00:34:28,920 --> 00:34:31,240
Speaker 1: it and it never stopped. Then you all went unloaded,

696
00:34:31,360 --> 00:34:33,040
Speaker 1: but you were covered. And Hey, it was discussed in

697
00:34:33,080 --> 00:34:36,480
Speaker 1: your back is just as it was awful, I have

698
00:34:36,480 --> 00:34:40,719
Speaker 1: a driver. If you had two and one to wait

699
00:34:40,840 --> 00:34:43,440
Speaker 1: a driver, one in the back to walking, that was

700
00:34:43,480 --> 00:34:46,600
Speaker 1: a great day. Sometimes there's one one one, it's awful,

701
00:34:46,760 --> 00:34:50,520
Speaker 1: just horrible. But hall and hay You can't even take

702
00:34:50,560 --> 00:34:52,400
Speaker 1: a forty five second break when it's that not if

703
00:34:52,440 --> 00:34:54,440
Speaker 1: you're not, if you're working. Yeah, I've never I've never

704
00:34:54,480 --> 00:34:58,080
Speaker 1: hauled Hey. Yeah, dirt's just a shovel and it just

705
00:34:58,160 --> 00:35:00,400
Speaker 1: drive still sucks. Yeah, it's not fun. I used to

706
00:35:00,440 --> 00:35:03,239
Speaker 1: build sea walls. That was awful because you had to

707
00:35:03,320 --> 00:35:07,239
Speaker 1: carry the concrete to the wall and your your legs

708
00:35:07,239 --> 00:35:09,239
Speaker 1: just get banged out. First you go up in your

709
00:35:09,239 --> 00:35:12,040
Speaker 1: flat bottom and you would see how we would do

710
00:35:12,080 --> 00:35:14,480
Speaker 1: it because we were just hustling. My uncle would go

711
00:35:14,520 --> 00:35:15,920
Speaker 1: and build the sea walls and I would help him.

712
00:35:16,239 --> 00:35:17,319
Speaker 1: We go up and you go whether it's a crack

713
00:35:17,320 --> 00:35:18,960
Speaker 1: in that wall here, like, let's go walk up there,

714
00:35:19,000 --> 00:35:20,680
Speaker 1: said they want us to prepare their wall and just

715
00:35:20,800 --> 00:35:22,560
Speaker 1: roll up and you walk up to the back door,

716
00:35:22,600 --> 00:35:24,759
Speaker 1: front door, like, hey, we're on the flat bottom here.

717
00:35:24,760 --> 00:35:26,560
Speaker 1: We noticed your wall, your sea walls cracked? Would you

718
00:35:26,560 --> 00:35:28,640
Speaker 1: like us to fix that? And they're like yeah, sure

719
00:35:29,040 --> 00:35:32,480
Speaker 1: that we with the concrete bucket is awful. That's just hustling,

720
00:35:32,520 --> 00:35:34,720
Speaker 1: like you said that was. That was He was a hustler.

721
00:35:35,200 --> 00:35:39,480
Speaker 1: But we would put a little troller motor Sall number

722
00:35:39,520 --> 00:35:47,439
Speaker 1: three for me is roll on from Alabama, Roll roll

723
00:35:49,160 --> 00:35:53,880
Speaker 1: what a banger, an emotional roller coaster of honestly, go

724
00:35:54,000 --> 00:35:56,480
Speaker 1: for it, tell me more. I mean starts off beautiful,

725
00:35:56,520 --> 00:35:58,000
Speaker 1: then he gets lost and it hurt from in a

726
00:35:58,000 --> 00:36:02,640
Speaker 1: while and then boo them all of a sudden, He's survived.

727
00:36:04,160 --> 00:36:07,319
Speaker 1: I tell you me and my dad saw Alabama in Alabama,

728
00:36:08,080 --> 00:36:11,680
Speaker 1: and the fake I D was probably used that night,

729
00:36:11,719 --> 00:36:14,359
Speaker 1: I'm not allegedly, and uh, I'll never forget my dad.

730
00:36:14,480 --> 00:36:17,240
Speaker 1: My dad loves Alabama. And we were at the wharf

731
00:36:17,520 --> 00:36:21,640
Speaker 1: in um Gulf Shores and he was like rocking and

732
00:36:21,640 --> 00:36:24,319
Speaker 1: really having a great time and he just lost his

733
00:36:24,320 --> 00:36:27,040
Speaker 1: footing and just fell down like six like six rows

734
00:36:27,080 --> 00:36:30,520
Speaker 1: of like bleachers. He fell here. Oh yeah, like like

735
00:36:30,640 --> 00:36:32,160
Speaker 1: not really he didn't really hurt himself, but he just

736
00:36:32,160 --> 00:36:34,280
Speaker 1: fell down like knocked all these people over and stuff,

737
00:36:34,320 --> 00:36:36,480
Speaker 1: and he and I mean I thought my dad like

738
00:36:36,520 --> 00:36:38,759
Speaker 1: broke his leg or something. And he got back up

739
00:36:39,120 --> 00:36:42,040
Speaker 1: and he just went, don't tell your mama did that,

740
00:36:42,080 --> 00:36:48,320
Speaker 1: and we well, you get out, get out of about.

741
00:36:48,360 --> 00:36:52,040
Speaker 1: He just like whoops. Uh number two for you, Uh

742
00:36:52,080 --> 00:37:04,160
Speaker 1: I drive your truck by Lee Bryce d Down Boy.

743
00:37:04,200 --> 00:37:08,200
Speaker 1: This was one that was a smash and also connected. Oh,

744
00:37:08,280 --> 00:37:11,799
Speaker 1: I mean this is like you know Jesse Alexander who

745
00:37:11,840 --> 00:37:14,160
Speaker 1: co wrote this song. She's one of my closest buddies

746
00:37:14,200 --> 00:37:17,400
Speaker 1: in the songwriting community. And I mean I've asked her

747
00:37:17,400 --> 00:37:19,799
Speaker 1: every question about this song, because I think those kind

748
00:37:19,840 --> 00:37:22,320
Speaker 1: of songs are like, that's why you moved to Nashville,

749
00:37:22,400 --> 00:37:24,160
Speaker 1: you want to write one of those. And to think

750
00:37:24,200 --> 00:37:29,360
Speaker 1: that smash song, career song for lee number one and

751
00:37:29,360 --> 00:37:31,319
Speaker 1: then one song of the Year, I mean, it just

752
00:37:31,400 --> 00:37:34,920
Speaker 1: hit everything. And just the fact that it's a true story,

753
00:37:35,080 --> 00:37:38,400
Speaker 1: you know. Um, Connie Harrington heard it on NPR on

754
00:37:38,440 --> 00:37:40,480
Speaker 1: the way in to write the song, and like just

755
00:37:40,880 --> 00:37:42,960
Speaker 1: they were talking about Memorial Day and a guy said, well,

756
00:37:43,000 --> 00:37:45,560
Speaker 1: I just you know, I just drive my son's truck

757
00:37:45,640 --> 00:37:48,120
Speaker 1: like he you know, he was killed and war and

758
00:37:48,280 --> 00:37:49,759
Speaker 1: I drive his truck. And that's how I kind of

759
00:37:49,800 --> 00:37:53,400
Speaker 1: cope with it. I mean, just that's that just don't happen,

760
00:37:53,560 --> 00:37:56,280
Speaker 1: you know, by happenstance. I mean, that's just a beautiful story.

761
00:37:56,360 --> 00:38:01,560
Speaker 1: And and yeah, that's a great song. I can most

762
00:38:01,920 --> 00:38:06,440
Speaker 1: which was they played that at that guy's funeral? Is

763
00:38:06,440 --> 00:38:09,960
Speaker 1: that right? They played when they had the number one party,

764
00:38:10,360 --> 00:38:12,800
Speaker 1: they brought the father of the guy they wrote the

765
00:38:12,800 --> 00:38:16,120
Speaker 1: song about, and he got up there and they had

766
00:38:16,120 --> 00:38:18,640
Speaker 1: no idea and they got out there and said he said, um,

767
00:38:18,719 --> 00:38:20,680
Speaker 1: this is no coincidence that they were supposed to write

768
00:38:20,680 --> 00:38:23,160
Speaker 1: this song because we played the climb at his funeral.

769
00:38:23,520 --> 00:38:25,400
Speaker 1: I mean they said they wanting to dry at the

770
00:38:25,480 --> 00:38:29,920
Speaker 1: number one party. Crazy. I love Jesse too, by the way.

771
00:38:30,280 --> 00:38:33,040
Speaker 1: She's so talented, I mean amazing. I had her come

772
00:38:33,040 --> 00:38:34,440
Speaker 1: in and play as an artist too, which you put

773
00:38:34,440 --> 00:38:37,320
Speaker 1: out her last project. Yeah, just so good. Oh it's

774
00:38:37,320 --> 00:38:40,360
Speaker 1: it's incredible. And like her and John Randall, her husband,

775
00:38:40,560 --> 00:38:43,399
Speaker 1: they're just like the coolest people. Like I mean, they're

776
00:38:43,480 --> 00:38:45,640
Speaker 1: like best friends with Matthew McConaughey, you know what I mean.

777
00:38:45,640 --> 00:38:47,359
Speaker 1: Like they just have all these weird little things about

778
00:38:47,440 --> 00:38:51,240
Speaker 1: them that are like the coolest thing about humans. And Jr.

779
00:38:51,320 --> 00:38:53,280
Speaker 1: Is just a badass. He's one of the best guitar

780
00:38:53,320 --> 00:38:55,319
Speaker 1: players I know. He can sing his butt off. And

781
00:38:55,440 --> 00:38:58,440
Speaker 1: they're awesome. I love them. Number two for me is

782
00:38:59,400 --> 00:39:03,080
Speaker 1: what to set Me in the back of my youth Directors.

783
00:39:03,120 --> 00:39:05,000
Speaker 1: Then as they're picking up everybody to go to church

784
00:39:05,040 --> 00:39:08,560
Speaker 1: on Sunday morning, this song comes on from Shannondoah and

785
00:39:08,600 --> 00:39:10,759
Speaker 1: it just reminds this and Diamond Rio. But this is

786
00:39:10,760 --> 00:39:12,920
Speaker 1: the only truck song that would is next to you,

787
00:39:13,000 --> 00:39:17,000
Speaker 1: next to me so good? Yeah, pick up True, you

788
00:39:17,160 --> 00:39:19,640
Speaker 1: better be ready because I'm picking you up with the

789
00:39:19,640 --> 00:39:23,719
Speaker 1: full moon Shine. I mean that to me is nineties country. Oh,

790
00:39:23,760 --> 00:39:27,480
Speaker 1: I mean Shenandoah is the there probably top three favorite

791
00:39:27,480 --> 00:39:29,719
Speaker 1: band of all time for me. Like when I met

792
00:39:29,760 --> 00:39:32,080
Speaker 1: Marty for the first time, it was at one of

793
00:39:32,080 --> 00:39:35,040
Speaker 1: the hot country like not or the nineties nights they

794
00:39:35,080 --> 00:39:38,360
Speaker 1: used to do at um Marathon Music Works where a

795
00:39:38,400 --> 00:39:40,040
Speaker 1: new artist would sing and then they would do a

796
00:39:40,080 --> 00:39:43,080
Speaker 1: duet with the nineties artists. And we closed the show

797
00:39:43,640 --> 00:39:47,600
Speaker 1: with Shenandoah. And before we went on, I just said, hey, Marty,

798
00:39:47,640 --> 00:39:49,800
Speaker 1: I said, I tell you, like, if you need anybody

799
00:39:49,840 --> 00:39:52,680
Speaker 1: to sing any part of Church on Crumblin Road, I

800
00:39:52,760 --> 00:39:55,720
Speaker 1: know every word to that song because I've been covering

801
00:39:55,719 --> 00:39:58,720
Speaker 1: it for like five years. And third verse he pointed

802
00:39:58,760 --> 00:40:02,040
Speaker 1: at me. It was like me t j Osborne, Carly Pierce,

803
00:40:02,400 --> 00:40:04,640
Speaker 1: Eastern Corbin and I'm like at the end of the

804
00:40:04,680 --> 00:40:06,880
Speaker 1: line and he's like points at me, and he's like,

805
00:40:07,000 --> 00:40:09,000
Speaker 1: come here and singing, and I'm like, my whole life

806
00:40:09,360 --> 00:40:13,240
Speaker 1: has been preparing for this moment. Your number one truck

807
00:40:13,360 --> 00:40:16,839
Speaker 1: song Travis Denny, the number one of all time, Top

808
00:40:16,880 --> 00:40:19,560
Speaker 1: five greatest nineties country songs of all time. That ain't

809
00:40:19,600 --> 00:40:30,640
Speaker 1: my truck. Mr Ritt Aiken's True Thomas res Daddy, It's

810
00:40:30,760 --> 00:40:43,160
Speaker 1: Lije's Loving Shadow, and my number one song is Joe

811
00:40:43,200 --> 00:40:47,600
Speaker 1: Diffy pick up Me Absolutely and roll it down a

812
00:40:47,760 --> 00:40:54,480
Speaker 1: hill And still wasn't traded for I mean and here

813
00:40:54,560 --> 00:40:57,279
Speaker 1: and I got. What's really great for me was I

814
00:40:57,320 --> 00:41:00,319
Speaker 1: got to be buddies with Joe in his a couple

815
00:41:00,320 --> 00:41:02,520
Speaker 1: of years of life because he was a fan of

816
00:41:02,560 --> 00:41:04,479
Speaker 1: the radio show and his daughter was a massive fan,

817
00:41:04,920 --> 00:41:07,600
Speaker 1: and so he would always be like, hey, we take

818
00:41:07,640 --> 00:41:09,279
Speaker 1: a picture my daughters because it's super cool, and I'd

819
00:41:09,320 --> 00:41:10,880
Speaker 1: be like, can I take a picture with you? And

820
00:41:10,960 --> 00:41:12,920
Speaker 1: I was like, wait, I think you're confused here. Like

821
00:41:13,000 --> 00:41:14,680
Speaker 1: the first time I ever met him was at the

822
00:41:14,680 --> 00:41:16,520
Speaker 1: Grand Old Opera. We were both playing and I was like,

823
00:41:16,880 --> 00:41:19,920
Speaker 1: hey man, and I approached him just to say, you

824
00:41:20,000 --> 00:41:21,919
Speaker 1: have no idea. And I'm sure he did because people

825
00:41:21,920 --> 00:41:23,320
Speaker 1: told him his whole life, like you have no idea?

826
00:41:23,920 --> 00:41:26,120
Speaker 1: You know the problem episode the jukebox video on CMT.

827
00:41:26,239 --> 00:41:29,279
Speaker 1: I would wait for it to come on, like I

828
00:41:29,440 --> 00:41:31,840
Speaker 1: was such a big Joe Diffy fan growing up, and

829
00:41:31,920 --> 00:41:33,400
Speaker 1: he was like, we're about to finish, and he was

830
00:41:33,440 --> 00:41:35,759
Speaker 1: being real nice and he goes, hey, I hate to

831
00:41:35,760 --> 00:41:37,640
Speaker 1: stop you, I can I take a picture with you?

832
00:41:37,800 --> 00:41:39,280
Speaker 1: And I was like, wait, no, I think you're confused

833
00:41:39,320 --> 00:41:42,800
Speaker 1: on what just happened. Here he goes, my daughter is

834
00:41:42,800 --> 00:41:44,279
Speaker 1: such a big pan because I listened to the show too,

835
00:41:44,320 --> 00:41:46,440
Speaker 1: but the daughter's massive fancy. We took it and then

836
00:41:46,560 --> 00:41:49,200
Speaker 1: we slowly with see each other out and became better buddies.

837
00:41:49,200 --> 00:41:51,239
Speaker 1: And he would come over and do this, and um,

838
00:41:51,880 --> 00:41:54,160
Speaker 1: he I still have a direct message sent me on Instagram.

839
00:41:54,280 --> 00:41:56,759
Speaker 1: I just can't take that. I just can't delete of

840
00:41:56,840 --> 00:41:58,440
Speaker 1: like the first time he was like, hey, I'm following you.

841
00:41:58,760 --> 00:42:01,400
Speaker 1: I'm in a bay ssetball game. Are you here? And

842
00:42:01,440 --> 00:42:02,880
Speaker 1: I was just He's like trying to like meet up

843
00:42:02,920 --> 00:42:04,440
Speaker 1: with you and say, hey, you need to get that,

844
00:42:04,600 --> 00:42:07,160
Speaker 1: like you need to frame it in one of your rooms.

845
00:42:07,239 --> 00:42:09,120
Speaker 1: And when he died, that and that hit me, and

846
00:42:09,320 --> 00:42:11,439
Speaker 1: sometimes people dying you're like, oh, man, that Sabba doesn't

847
00:42:11,440 --> 00:42:14,080
Speaker 1: really hit you because you know, although it's I don't

848
00:42:14,080 --> 00:42:16,920
Speaker 1: know him and stuff, it's like, yeah, that that does

849
00:42:17,000 --> 00:42:19,600
Speaker 1: have to be just like the coolest part of your career,

850
00:42:19,960 --> 00:42:23,600
Speaker 1: job of your career and your job too. You like,

851
00:42:23,680 --> 00:42:26,720
Speaker 1: there are some parts where I don't really find anybody

852
00:42:26,800 --> 00:42:29,359
Speaker 1: cool that's famous unless I felt they were famous before

853
00:42:29,400 --> 00:42:32,000
Speaker 1: I got cool and almost you know whatever kind of

854
00:42:32,040 --> 00:42:34,760
Speaker 1: fake famous I am. Well, it's funny like in my hometown,

855
00:42:34,840 --> 00:42:38,279
Speaker 1: like people like like just kind of my I guess,

856
00:42:38,320 --> 00:42:40,360
Speaker 1: the little class of guys who came up at the

857
00:42:40,440 --> 00:42:43,200
Speaker 1: same time with mine. It's like, you know, when I

858
00:42:43,280 --> 00:42:46,600
Speaker 1: talked to people about like Riley or Hardy, It's like,

859
00:42:46,920 --> 00:42:48,680
Speaker 1: I mean, we were just like all buddies. We played

860
00:42:48,760 --> 00:42:51,359
Speaker 1: radio shows together. We weren't making any money, and it's

861
00:42:51,440 --> 00:42:55,000
Speaker 1: like it's that. But man, like when Keith Urban, like

862
00:42:55,160 --> 00:42:58,719
Speaker 1: he roasted me to um low Cash to press him

863
00:42:58,719 --> 00:43:01,560
Speaker 1: from low Cash, and that's one of my greatest accomplishments

864
00:43:01,640 --> 00:43:04,000
Speaker 1: of my life is that he like poked fun at

865
00:43:04,040 --> 00:43:07,480
Speaker 1: me in a text to Preston that he acknowledged just

866
00:43:09,120 --> 00:43:12,239
Speaker 1: for me. I mean again, Garth is different because he's

867
00:43:12,239 --> 00:43:16,480
Speaker 1: the greatest, but that is special to me. But like

868
00:43:16,600 --> 00:43:19,320
Speaker 1: Joe Diffy was special to me, like Barry Switzer and

869
00:43:19,400 --> 00:43:22,040
Speaker 1: I'm not an Oklahoma fan switches from Arkansas, and when

870
00:43:22,040 --> 00:43:23,720
Speaker 1: i got to meet him on randomly on an airplane,

871
00:43:23,719 --> 00:43:26,560
Speaker 1: I'm geeking out, Yeah, just freaking out, just because I'm like,

872
00:43:26,760 --> 00:43:28,480
Speaker 1: if you were famous to me, as a kid, I

873
00:43:28,600 --> 00:43:31,520
Speaker 1: still think you're the coolest person unless you prove your

874
00:43:31,560 --> 00:43:33,760
Speaker 1: a douce. And there's been a couple to half. That's

875
00:43:33,800 --> 00:43:36,600
Speaker 1: what's cool to me still, I totally, I totally agree, man,

876
00:43:36,719 --> 00:43:39,719
Speaker 1: just those special moments for sure. Well those are our

877
00:43:39,760 --> 00:43:41,680
Speaker 1: top five songs there, you go feel pretty good about

878
00:43:41,719 --> 00:43:44,760
Speaker 1: those honestly are one and one. They might be tied

879
00:43:44,880 --> 00:43:48,040
Speaker 1: all time number one. Like out of that, ain't my

880
00:43:48,080 --> 00:43:50,680
Speaker 1: truck and Pickup Man? Well, I guess you'd pick pickup Man,

881
00:43:50,719 --> 00:43:52,000
Speaker 1: but like I would, but I would have put that

882
00:43:52,040 --> 00:43:53,880
Speaker 1: in my truck at number two in mine. Yeah, and

883
00:43:53,960 --> 00:43:56,799
Speaker 1: they're close, I mean they're really. I was thinking about

884
00:43:56,800 --> 00:43:58,480
Speaker 1: as you were talking to a second ago back Abby

885
00:43:58,640 --> 00:44:00,080
Speaker 1: and how that song gets such a big reaction and

886
00:44:00,760 --> 00:44:05,040
Speaker 1: that video is a lot of two thousands country because you're,

887
00:44:06,040 --> 00:44:08,239
Speaker 1: you know, ten years younger than I am. Um, how

888
00:44:08,280 --> 00:44:11,960
Speaker 1: old are you? Okay, so twelve years younger than I am?

889
00:44:12,960 --> 00:44:16,360
Speaker 1: Are the two thousand's artists the two thousand music? Is

890
00:44:16,440 --> 00:44:19,359
Speaker 1: that what's most influential to you? Oh? Yeah, I mean

891
00:44:19,880 --> 00:44:23,120
Speaker 1: I think well and also just yeah, I mean I

892
00:44:23,200 --> 00:44:24,960
Speaker 1: guess al Dean, I mean Al Dean was just a

893
00:44:25,000 --> 00:44:27,560
Speaker 1: big influence too. Just because I loved his music, because

894
00:44:27,600 --> 00:44:30,000
Speaker 1: you know, I love heavy metal and hard rock and

895
00:44:30,080 --> 00:44:31,880
Speaker 1: that was kind of what got me into playing guitar.

896
00:44:32,760 --> 00:44:34,359
Speaker 1: And like, I feel like al Dean was the first

897
00:44:34,400 --> 00:44:36,880
Speaker 1: guy that kind of pushed it really hard from that standpoint,

898
00:44:37,160 --> 00:44:39,279
Speaker 1: so he was a big influence and also just him

899
00:44:39,360 --> 00:44:41,839
Speaker 1: being from where I'm from. But man, when I think

900
00:44:41,840 --> 00:44:44,719
Speaker 1: about the country music I fell in love with, oh yeah,

901
00:44:44,719 --> 00:44:47,239
Speaker 1: I mean it was Kenny Chesney and a lot of

902
00:44:47,280 --> 00:44:50,200
Speaker 1: that early Rascal Flat stuff. Uh. I mean, dude, I

903
00:44:50,200 --> 00:44:52,520
Speaker 1: remember seeing Toby Keith in concert when I was like

904
00:44:53,200 --> 00:44:55,960
Speaker 1: eleven or twelve years old, and like, I like he

905
00:44:56,000 --> 00:44:58,320
Speaker 1: played American Soldier and I like just cried like I

906
00:44:58,440 --> 00:45:00,200
Speaker 1: was like eleven years old. But it just I just

907
00:45:00,280 --> 00:45:03,560
Speaker 1: connected to Toby. I thought he was hilarious. Uh. Tim mcgrawl,

908
00:45:03,920 --> 00:45:06,279
Speaker 1: Yeah for sure. Some of those guys even go back

909
00:45:06,280 --> 00:45:08,919
Speaker 1: into when I was first starting. Yeah, because I mean listen,

910
00:45:08,960 --> 00:45:11,719
Speaker 1: McGraw's a freaking nineties country totally, and he's also two

911
00:45:11,719 --> 00:45:13,319
Speaker 1: thousands and he's also a two thousand tents and heck,

912
00:45:13,360 --> 00:45:15,080
Speaker 1: you know what, he's a two thousand twenties artists too.

913
00:45:15,200 --> 00:45:18,000
Speaker 1: It's so crazy crazy how there are artists, and I've

914
00:45:18,040 --> 00:45:21,600
Speaker 1: made this where people are like, you know, and I mean,

915
00:45:21,640 --> 00:45:25,120
Speaker 1: this is a total um sign of respect, not this

916
00:45:25,160 --> 00:45:27,040
Speaker 1: isn't towards you. I destrikee you gonna care. But but

917
00:45:28,040 --> 00:45:31,560
Speaker 1: we were talking about I was with some programmers, brogram directors,

918
00:45:31,560 --> 00:45:32,960
Speaker 1: and they were like going, hey, what do you think?

919
00:45:33,040 --> 00:45:36,279
Speaker 1: And I don't really offer my musical opinion to people

920
00:45:36,280 --> 00:45:38,520
Speaker 1: who are programming radio. That ain't my deal. I can

921
00:45:38,560 --> 00:45:40,279
Speaker 1: play stuff if I want to play it, but I'm

922
00:45:40,280 --> 00:45:42,839
Speaker 1: not going I know what works on radio. Not my job.

923
00:45:43,000 --> 00:45:45,160
Speaker 1: I'm here to be funny and be compelling. Occasionally I'll

924
00:45:45,160 --> 00:45:47,520
Speaker 1: find something I like. And they were like, hey, let's

925
00:45:47,560 --> 00:45:50,239
Speaker 1: talk about you know, some of these um didn't call

926
00:45:50,320 --> 00:45:54,520
Speaker 1: him legendary, but they were like more established legacy, legacy,

927
00:45:54,560 --> 00:45:57,360
Speaker 1: and they were like, so like Lady A their legacy, like,

928
00:45:57,440 --> 00:45:59,040
Speaker 1: but you have these new people like Brett Young, And

929
00:45:59,080 --> 00:46:00,680
Speaker 1: I was like, guys, Brett Young's older than Lady A.

930
00:46:01,080 --> 00:46:04,920
Speaker 1: He just happened to come on later. And so when

931
00:46:04,960 --> 00:46:08,080
Speaker 1: he goes to Tim McGraw, he's a legacy. But he's

932
00:46:08,120 --> 00:46:11,800
Speaker 1: also making hits at the same time, like smash hits,

933
00:46:12,680 --> 00:46:14,440
Speaker 1: like I remember when how we don't care came out

934
00:46:14,480 --> 00:46:17,200
Speaker 1: and I was like, this is arguably one of his

935
00:46:17,360 --> 00:46:20,960
Speaker 1: best singles he's ever put it radio. Maybe it's just crazy. Yeah,

936
00:46:21,080 --> 00:46:25,840
Speaker 1: it's weird the perception of when people entered like a

937
00:46:25,920 --> 00:46:27,640
Speaker 1: Brett Young who came a little later and he was

938
00:46:27,680 --> 00:46:30,759
Speaker 1: a little bit older versus a Lady A. They were

939
00:46:30,800 --> 00:46:33,360
Speaker 1: just young and smashed itself. They've just been at it

940
00:46:33,400 --> 00:46:35,600
Speaker 1: such a long time. They feel like a legacy act

941
00:46:36,000 --> 00:46:38,560
Speaker 1: even though they're not that old. Man. I always think

942
00:46:38,560 --> 00:46:41,080
Speaker 1: about that because you know, you kind of hear these

943
00:46:41,120 --> 00:46:44,360
Speaker 1: stories of like there's certain artists that are the let legacy.

944
00:46:44,440 --> 00:46:47,600
Speaker 1: I'll say, which that seems like such a like passive

945
00:46:47,640 --> 00:46:49,680
Speaker 1: aggressive main thing to say. It does, and that's why

946
00:46:49,719 --> 00:46:51,840
Speaker 1: I let it with. This is not a sign expect

947
00:46:52,200 --> 00:46:55,279
Speaker 1: but like because obviously everybody just wants to continue making

948
00:46:55,400 --> 00:46:58,560
Speaker 1: music and they want to continue, like I say, relevant,

949
00:46:58,600 --> 00:46:59,759
Speaker 1: but it's just like they want to continue to have

950
00:47:00,040 --> 00:47:04,040
Speaker 1: it's But man, there's something cool about like also getting

951
00:47:04,080 --> 00:47:06,719
Speaker 1: on stage and being able to say, like, look at

952
00:47:06,800 --> 00:47:09,359
Speaker 1: this insane body of work I'm making, and yeah, I'm

953
00:47:09,400 --> 00:47:11,640
Speaker 1: still making it and I'm adding to it. But like

954
00:47:11,840 --> 00:47:14,200
Speaker 1: I'm also proud of all this because not many people

955
00:47:14,280 --> 00:47:16,520
Speaker 1: even get to do that there, you know, we're we're

956
00:47:16,560 --> 00:47:19,200
Speaker 1: lucky if we get one hit to begin with. I

957
00:47:19,239 --> 00:47:20,799
Speaker 1: think now is a good time to play your song.

958
00:47:21,640 --> 00:47:23,520
Speaker 1: It's the full song, the full one. Never heard the

959
00:47:23,560 --> 00:47:25,360
Speaker 1: full version, just heard a minute ago we played a

960
00:47:25,360 --> 00:47:27,640
Speaker 1: clip all I heard. Tell me about this song, like

961
00:47:27,920 --> 00:47:31,239
Speaker 1: you wrote this up in northern Idaho. Yeah, um, yeah,

962
00:47:31,320 --> 00:47:33,600
Speaker 1: this was a song that you know. They when we

963
00:47:33,680 --> 00:47:36,560
Speaker 1: first started talking with Charles Schwab about this partnership and

964
00:47:36,640 --> 00:47:38,600
Speaker 1: I got to see the vehicle and see it for

965
00:47:38,640 --> 00:47:40,960
Speaker 1: the first time, they're like, we wanted to write a

966
00:47:41,000 --> 00:47:43,800
Speaker 1: song kind of somewhat inspired by but they're also like

967
00:47:43,920 --> 00:47:46,520
Speaker 1: just inspired by trucks, like the things that lead to

968
00:47:46,640 --> 00:47:50,040
Speaker 1: like awesome vehicles like this, And you know, I just

969
00:47:50,160 --> 00:47:52,160
Speaker 1: kicked around ideas and thought about it. It's like the

970
00:47:52,239 --> 00:47:55,120
Speaker 1: first so like song I've written by myself in years,

971
00:47:55,760 --> 00:47:58,560
Speaker 1: and I just went back, like like I said about

972
00:47:59,160 --> 00:48:01,719
Speaker 1: how Way one seven and just being romantic about like

973
00:48:02,239 --> 00:48:04,600
Speaker 1: driving in a truck and driving around small towns and

974
00:48:04,680 --> 00:48:07,080
Speaker 1: being happier where I'm from. I thought about that, and

975
00:48:07,120 --> 00:48:09,360
Speaker 1: I thought about growing up with one and getting my

976
00:48:09,440 --> 00:48:11,759
Speaker 1: first truck and driving my dad's and so I got

977
00:48:11,840 --> 00:48:14,120
Speaker 1: the idea of grew up with a truck, and I

978
00:48:14,239 --> 00:48:16,160
Speaker 1: just kind of wrote down all those things that I

979
00:48:16,320 --> 00:48:18,440
Speaker 1: remember doing, and I was just kind of singing it

980
00:48:18,520 --> 00:48:21,080
Speaker 1: to someone, saying, if you were lucky to have it

981
00:48:21,200 --> 00:48:23,480
Speaker 1: like I did, And I bet you grew up right

982
00:48:23,560 --> 00:48:36,560
Speaker 1: here it is bit you saved up paulog some jive catch,

983
00:48:37,280 --> 00:48:40,480
Speaker 1: got a little along from the bank in your dad.

984
00:48:40,960 --> 00:48:44,279
Speaker 1: You promised not to drive too fast when they threw

985
00:48:44,400 --> 00:48:48,440
Speaker 1: you the keys. Bet you learned how to drive it

986
00:48:48,680 --> 00:48:52,200
Speaker 1: in the parking line, showing it off to all your

987
00:48:52,239 --> 00:48:55,080
Speaker 1: friends the post game spot. I'm sure you ran a

988
00:48:55,200 --> 00:48:59,160
Speaker 1: lot of sunsets down. I feel like the king and

989
00:48:59,360 --> 00:49:04,239
Speaker 1: you own town. I bet you burn a lot of

990
00:49:04,400 --> 00:49:07,840
Speaker 1: rubber down on main Street, Crain on some country with

991
00:49:08,080 --> 00:49:11,600
Speaker 1: your baby in the front seat. Found it a freedom

992
00:49:11,719 --> 00:49:15,480
Speaker 1: just driving around? Yeah, if you're anything like me, kind

993
00:49:15,560 --> 00:49:19,280
Speaker 1: of words you're talking about, the lot of is living

994
00:49:19,400 --> 00:49:22,520
Speaker 1: e up kicked up some back road dup and think

995
00:49:22,560 --> 00:49:25,800
Speaker 1: the man up above. You grew up with the troll.

996
00:49:28,840 --> 00:49:31,560
Speaker 1: I bet you feel in love with it. That be

997
00:49:31,920 --> 00:49:36,760
Speaker 1: a run only two lane with the third sevens honey,

998
00:49:37,080 --> 00:49:40,800
Speaker 1: just like a power wagon and forty ships. If you

999
00:49:40,920 --> 00:49:45,360
Speaker 1: were lucky to have as good as I did. I

1000
00:49:45,520 --> 00:49:48,720
Speaker 1: bet you burn a lot of rubber down on main street.

1001
00:49:49,120 --> 00:49:51,600
Speaker 1: I ain't got some country with your baby in the

1002
00:49:51,800 --> 00:49:56,160
Speaker 1: frontal seat, founding it a freedom, just driving around? Yeah,

1003
00:49:56,200 --> 00:49:59,400
Speaker 1: if you're anything like me. Kind of words, you're talking

1004
00:49:59,440 --> 00:50:03,160
Speaker 1: about the light of the living it up, kicked up

1005
00:50:03,239 --> 00:50:06,400
Speaker 1: some back road dust and thank the man up above.

1006
00:50:06,840 --> 00:50:15,279
Speaker 1: You grew up with the truth. There, you grew up

1007
00:50:15,360 --> 00:50:25,959
Speaker 1: with the true. So it is too that someone out

1008
00:50:26,040 --> 00:50:31,800
Speaker 1: there night turning the key on the follow wee. I

1009
00:50:31,960 --> 00:50:35,120
Speaker 1: bet you burn a line of rubbing down on main street,

1010
00:50:35,560 --> 00:50:39,000
Speaker 1: craned up some country with your baby in the front seat.

1011
00:50:39,440 --> 00:50:43,480
Speaker 1: Fun then a freedom just driving around? Yeah, doing anything

1012
00:50:43,640 --> 00:50:45,960
Speaker 1: like me? I know it is that me. What you're

1013
00:50:46,000 --> 00:50:49,600
Speaker 1: talking about the light of living it up, kicked up

1014
00:50:49,680 --> 00:50:52,920
Speaker 1: some back road dust and thank the man up a bug.

1015
00:50:55,239 --> 00:51:03,680
Speaker 1: You grew up with the truth. Yeah, you grew up

1016
00:51:03,719 --> 00:51:11,719
Speaker 1: with the true. So there you go. You wrote that

1017
00:51:11,719 --> 00:51:15,280
Speaker 1: by yourself. Yep, just me. We are doing this thing together.

1018
00:51:15,400 --> 00:51:18,560
Speaker 1: It's the Charles Schwab Challenge. Travis and Nive teamed up

1019
00:51:18,560 --> 00:51:20,680
Speaker 1: with Charles Schwab and the Charles Schwab Challenge to reveal

1020
00:51:20,719 --> 00:51:23,000
Speaker 1: the epic prize it's gonna be given away. This tradition

1021
00:51:23,080 --> 00:51:27,000
Speaker 1: started back nineteen. It was a fully renovated nineteen seventy

1022
00:51:27,080 --> 00:51:30,480
Speaker 1: three dodged Challenger, which is pretty cool looking. Have you

1023
00:51:30,520 --> 00:51:33,160
Speaker 1: seen that? Oh it's amazing. Yeah, And all that was

1024
00:51:33,239 --> 00:51:35,360
Speaker 1: because that's the year that the Schwab was founded. It

1025
00:51:35,480 --> 00:51:38,040
Speaker 1: was presented to Kevin Nah who did the thing where

1026
00:51:38,040 --> 00:51:39,400
Speaker 1: he goes you know, I know I want it, but

1027
00:51:39,520 --> 00:51:41,480
Speaker 1: I'm gonna give it to my caddy who's car obsessed.

1028
00:51:41,560 --> 00:51:43,919
Speaker 1: And because his caddy had been talking the whole time

1029
00:51:44,000 --> 00:51:46,120
Speaker 1: about like, if you win this, I want it, you know,

1030
00:51:46,280 --> 00:51:48,640
Speaker 1: And it was I mean, he wasn't slated at all

1031
00:51:48,719 --> 00:51:50,840
Speaker 1: to even be in a like running for to win it.

1032
00:51:50,880 --> 00:51:52,960
Speaker 1: And he is that how people win, They run, They

1033
00:51:53,080 --> 00:51:55,480
Speaker 1: like to look at an election. Yeah, you know, he

1034
00:51:55,560 --> 00:51:57,680
Speaker 1: just didn't campaign to win that tournament very well. You know,

1035
00:51:57,840 --> 00:52:00,280
Speaker 1: it's the seventy fifth year of the tournament at Colonial

1036
00:52:00,280 --> 00:52:02,520
Speaker 1: Country Club before with Texas, so it's the longest running

1037
00:52:02,560 --> 00:52:04,279
Speaker 1: PGA event at the same location. And I'm gonna go

1038
00:52:04,280 --> 00:52:06,760
Speaker 1: out and play the program. And I'm extremely nervous about

1039
00:52:06,800 --> 00:52:10,120
Speaker 1: this um because I don't want people to be irritated

1040
00:52:10,120 --> 00:52:12,600
Speaker 1: to me for holding them up. We played golf together. Yeah,

1041
00:52:13,200 --> 00:52:16,960
Speaker 1: but we've Yeah, we've played golf together. We hung out

1042
00:52:16,960 --> 00:52:20,200
Speaker 1: and swung golf clubs. Yeah, and you're gonna post this.

1043
00:52:20,360 --> 00:52:23,319
Speaker 1: This is gonna be up on your Instagram, your YouTube video,

1044
00:52:23,440 --> 00:52:26,359
Speaker 1: it'll be everywhere. Yeah, YouTube dot com, slash Travis Denning,

1045
00:52:26,680 --> 00:52:29,160
Speaker 1: what's you tell me? What can you say about this truck?

1046
00:52:29,239 --> 00:52:32,440
Speaker 1: Because I haven't seen it yet. It's uh, can you

1047
00:52:32,560 --> 00:52:35,759
Speaker 1: drive it? Yeah? I gotta drive it a little bit. Awes, Yeah,

1048
00:52:36,040 --> 00:52:38,160
Speaker 1: it drives like what it is. Yeah, I can't even

1049
00:52:38,160 --> 00:52:40,600
Speaker 1: really tell you like what it is, but it's, man,

1050
00:52:40,680 --> 00:52:42,960
Speaker 1: it's just cool. It's like the it's just one of

1051
00:52:43,000 --> 00:52:46,160
Speaker 1: the most manliest looking things I've ever seen. It looks

1052
00:52:46,239 --> 00:52:48,200
Speaker 1: like it it looks like it has a story to

1053
00:52:48,239 --> 00:52:49,920
Speaker 1: tell about, like what it's been through and all that,

1054
00:52:50,120 --> 00:52:53,359
Speaker 1: and it's just kind of like you exactly. Yeah, when

1055
00:52:53,400 --> 00:52:54,839
Speaker 1: you're out back, when you're back out on the road

1056
00:52:54,920 --> 00:52:58,040
Speaker 1: full time. We kicked back where we start with Brothers

1057
00:52:58,080 --> 00:53:00,759
Speaker 1: Osborne or Not for Everyone tour the end of July

1058
00:53:01,440 --> 00:53:04,560
Speaker 1: and we run till December. Good for you, man. We're

1059
00:53:04,680 --> 00:53:07,840
Speaker 1: We're playing the Beacon Theater in New York and the

1060
00:53:08,000 --> 00:53:10,080
Speaker 1: Greek and LTT We're playing like all these venues I've

1061
00:53:10,120 --> 00:53:12,800
Speaker 1: dreamed of, So I'm excited. Will Madison go with you?

1062
00:53:13,280 --> 00:53:16,080
Speaker 1: She's gonna come to some of them. Yeah. We got

1063
00:53:16,200 --> 00:53:18,320
Speaker 1: three weeks like straight on the West Coast, so I

1064
00:53:18,360 --> 00:53:19,840
Speaker 1: think she'll come out for like a week for that.

1065
00:53:21,560 --> 00:53:24,560
Speaker 1: Do you guys live together, No, she's got a place

1066
00:53:24,600 --> 00:53:27,640
Speaker 1: in the stayed together, Yeah, pretty much. I mean, well,

1067
00:53:27,760 --> 00:53:30,640
Speaker 1: especially just during this like during the pandemic, it was like,

1068
00:53:31,239 --> 00:53:32,960
Speaker 1: I mean we went to Kentucky for two months and

1069
00:53:33,080 --> 00:53:36,000
Speaker 1: just stayed at the Did you stay at the Montgomery's

1070
00:53:37,360 --> 00:53:39,239
Speaker 1: like their main house? Yeah? Did you stay in the

1071
00:53:39,280 --> 00:53:44,200
Speaker 1: same bedroom? Yeah? Alright, I guess Hey, we know who's

1072
00:53:44,239 --> 00:53:47,920
Speaker 1: running the rooms stuff there. Travis Danning shows up. Okay,

1073
00:53:48,760 --> 00:53:51,080
Speaker 1: new song release last Friday. Here's a clip of Travis

1074
00:53:51,200 --> 00:54:02,360
Speaker 1: Dinning call it country that Charlie dan care down town.

1075
00:54:02,520 --> 00:54:06,279
Speaker 1: Ain't afraid to get money what you want to We

1076
00:54:06,480 --> 00:54:10,600
Speaker 1: just called it country on that in that hook. That's all.

1077
00:54:10,640 --> 00:54:12,799
Speaker 1: We just called it country. Are you doing the deep

1078
00:54:12,840 --> 00:54:14,040
Speaker 1: part of that too? Did you going to do that? Now?

1079
00:54:14,160 --> 00:54:16,120
Speaker 1: That was Jason set right my He does all my

1080
00:54:16,160 --> 00:54:18,799
Speaker 1: background vocals. He he can go all over the place.

1081
00:54:18,880 --> 00:54:21,120
Speaker 1: He does the We just call it country. He does

1082
00:54:21,160 --> 00:54:23,040
Speaker 1: it really good. If you blow your voice out and

1083
00:54:23,080 --> 00:54:24,560
Speaker 1: you have to go a play show, what do you do?

1084
00:54:24,760 --> 00:54:26,359
Speaker 1: Can you have your guys help you out a little bit?

1085
00:54:26,719 --> 00:54:29,400
Speaker 1: It's it's tough. I mean, I know this is definitely

1086
00:54:29,400 --> 00:54:31,680
Speaker 1: not healthy, but honestly, the best thing that's gonna get

1087
00:54:31,680 --> 00:54:34,080
Speaker 1: me through it is just like two or three Jack

1088
00:54:34,120 --> 00:54:37,520
Speaker 1: and Dock cokes just kind of numb the situation that

1089
00:54:37,560 --> 00:54:38,800
Speaker 1: I'll get a steroid shot if I have to go

1090
00:54:38,840 --> 00:54:41,759
Speaker 1: do you stand up? Yeah, I'm losing it and it's

1091
00:54:41,800 --> 00:54:45,680
Speaker 1: just gone. It's yeah, and it's great for a bit, yeah,

1092
00:54:45,920 --> 00:54:49,840
Speaker 1: but after you finished performing, it's toast. It's to Steroids

1093
00:54:49,880 --> 00:54:52,840
Speaker 1: are like so scary with your vocal cords because like

1094
00:54:53,080 --> 00:54:55,360
Speaker 1: when it's you know, if it's a c MS or

1095
00:54:55,360 --> 00:54:57,960
Speaker 1: CMAS or some big performance and it has to happen,

1096
00:54:58,560 --> 00:55:01,000
Speaker 1: it can get you there, but it's yeah, they're scary.

1097
00:55:01,360 --> 00:55:04,640
Speaker 1: I've I've been on one round of steroids one time, uh,

1098
00:55:05,320 --> 00:55:08,800
Speaker 1: you know obviously for bodybuilding and uh just wrecked my throat.

1099
00:55:09,600 --> 00:55:11,680
Speaker 1: I only like to do it on the if I

1100
00:55:11,760 --> 00:55:13,880
Speaker 1: can force my If I'm doing two shows on a

1101
00:55:13,960 --> 00:55:16,440
Speaker 1: Friday and Saturday, I will really try to force my

1102
00:55:16,520 --> 00:55:18,160
Speaker 1: way through the Friday and then get hit for the Saturday.

1103
00:55:18,160 --> 00:55:20,200
Speaker 1: Because I have to get hit for the Friday. There's

1104
00:55:20,200 --> 00:55:24,799
Speaker 1: a possibility I'm done period, and you just feel awful too.

1105
00:55:24,920 --> 00:55:27,319
Speaker 1: I'll be honestly, I've really never blown my voice out

1106
00:55:27,400 --> 00:55:29,839
Speaker 1: ever at a show. I mean, knock on wood, of course,

1107
00:55:29,920 --> 00:55:33,239
Speaker 1: But if we're like really on the road, we're grounding it.

1108
00:55:33,680 --> 00:55:37,279
Speaker 1: I don't. I don't really like party, and if and

1109
00:55:37,320 --> 00:55:39,239
Speaker 1: if I'm going to, I pretty much wait till last night,

1110
00:55:39,400 --> 00:55:41,800
Speaker 1: Like if I'm gonna maybe go to a bar with

1111
00:55:41,920 --> 00:55:44,239
Speaker 1: a band or stay up on the bus and and

1112
00:55:44,360 --> 00:55:47,239
Speaker 1: drink and listen to music and stuff, and I'll wait

1113
00:55:47,280 --> 00:55:49,360
Speaker 1: untill last night because I know I can just go

1114
00:55:49,480 --> 00:55:52,080
Speaker 1: home on Sunday and chill and recuperate. But for me,

1115
00:55:52,200 --> 00:55:54,160
Speaker 1: it's not always out blowing my voice out because I'm

1116
00:55:54,200 --> 00:55:55,960
Speaker 1: doing a lot. Mean, listen, I talk all week all

1117
00:55:55,960 --> 00:55:58,000
Speaker 1: the time. You know, I'm doing hours and hours of

1118
00:55:58,040 --> 00:56:00,360
Speaker 1: Monday to Friday until I go. If and if I

1119
00:56:00,400 --> 00:56:02,560
Speaker 1: get on stage, it's mostly if I have like some

1120
00:56:02,640 --> 00:56:10,040
Speaker 1: sort of nasal issue drainage. Oh just wake up like this, yeah,

1121
00:56:10,960 --> 00:56:12,680
Speaker 1: and it takes a while to get that thing back

1122
00:56:12,719 --> 00:56:14,759
Speaker 1: up and moving. This has been a riveting discussion about

1123
00:56:15,120 --> 00:56:17,359
Speaker 1: losing our voices. We really went out on the high

1124
00:56:17,360 --> 00:56:19,319
Speaker 1: note for sure. Hey listen, I hope you guys are

1125
00:56:19,600 --> 00:56:21,560
Speaker 1: check this video out the Travis is doing. I checked

1126
00:56:21,560 --> 00:56:24,239
Speaker 1: the song out. I have not seen the truck yet either,

1127
00:56:24,320 --> 00:56:27,160
Speaker 1: so I will be waiting. I'm I'll be clicking refresh

1128
00:56:27,239 --> 00:56:30,680
Speaker 1: refresh every single day. YouTube dot Com slash Travis Denning.

1129
00:56:30,719 --> 00:56:35,239
Speaker 1: When do you get to see the truck? I They

1130
00:56:35,280 --> 00:56:36,480
Speaker 1: asked me if I wanted to see it, and I said,

1131
00:56:36,480 --> 00:56:37,640
Speaker 1: I don't want to see it yet till you do

1132
00:56:37,719 --> 00:56:41,920
Speaker 1: your video. It's like, to give an example, a lot

1133
00:56:41,920 --> 00:56:43,320
Speaker 1: of friends make music and they're like, hey, let me

1134
00:56:43,400 --> 00:56:44,919
Speaker 1: send you my stuff before it goes out. I don't

1135
00:56:44,920 --> 00:56:46,359
Speaker 1: want to hear it before it goes out. I don't

1136
00:56:46,400 --> 00:56:48,160
Speaker 1: want to have anything to do with saying oh it's cool,

1137
00:56:48,200 --> 00:56:50,560
Speaker 1: it's not cool just when it's out like everybody else.

1138
00:56:50,600 --> 00:56:52,720
Speaker 1: I want to experience it and have that same emotion exactly.

1139
00:56:52,800 --> 00:56:55,280
Speaker 1: So I said I want to see when Travis is done. Um, okay,

1140
00:56:55,440 --> 00:57:00,160
Speaker 1: the videoill be released PM Central Travis our Dining on

1141
00:57:00,239 --> 00:57:03,120
Speaker 1: Instagram Travis Denning on you, you gotta clean this up, man,

1142
00:57:03,160 --> 00:57:06,160
Speaker 1: It's just too many tried. There's certain there's there's like Travis.

1143
00:57:06,239 --> 00:57:08,080
Speaker 1: There's a Travis Dinning on Instagram and I can't get

1144
00:57:08,080 --> 00:57:11,720
Speaker 1: the name. You have it Travis are Dinning on Instagram,

1145
00:57:11,800 --> 00:57:14,480
Speaker 1: Travis Denning on YouTube. All right, I'm a big fan,

1146
00:57:14,719 --> 00:57:16,480
Speaker 1: you know. You know, I just I think the crap

1147
00:57:16,520 --> 00:57:18,280
Speaker 1: out of you. I appreciate time to get a haircut,

1148
00:57:18,360 --> 00:57:20,280
Speaker 1: though I say that lovingly. It is a little it's

1149
00:57:20,280 --> 00:57:22,360
Speaker 1: a little out there. Yeah. Um, and there he is.

1150
00:57:22,400 --> 00:57:24,560
Speaker 1: You guys check out Abby, you guys check out call

1151
00:57:24,600 --> 00:57:27,440
Speaker 1: it country. You guys check out really grew up with

1152
00:57:27,520 --> 00:57:30,040
Speaker 1: a truck and check out the charge Shwap challenge because

1153
00:57:30,200 --> 00:57:31,760
Speaker 1: I will be there. And he wrote the song for

1154
00:57:31,840 --> 00:57:33,760
Speaker 1: You're not going to the tournamental Huh No, I can't

1155
00:57:33,800 --> 00:57:35,800
Speaker 1: make it, but I wish I could. I'm closing on

1156
00:57:35,880 --> 00:57:38,280
Speaker 1: a house right around man. Really, I'm moving out to

1157
00:57:38,320 --> 00:57:41,920
Speaker 1: the country, are you Yeah, right next to you. I'm

1158
00:57:41,960 --> 00:57:44,520
Speaker 1: not only in the country, bro, Yeah, No, I'm gonna

1159
00:57:44,520 --> 00:57:47,120
Speaker 1: be way out in the Okay. All right, there is

1160
00:57:47,440 --> 00:57:48,880
Speaker 1: Travis Dnning. You gotta check it out.