WEBVTT - Jimi Hendrix Episode 12: Who Killed Jimi Hendrix?

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<v Speaker 1>The twenty seven Club is the production of I Heart

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<v Speaker 1>Radio and Double Elvis Media. Jimmie Hendricks died at the

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<v Speaker 1>age of and he died under mysterious circumstances. I can

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<v Speaker 1>give you twenty seven reasons why that statement is true.

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<v Speaker 1>Three would be the number of theories that armchair detectives

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<v Speaker 1>would bandy about for years after Jimmy's untimely death. Another

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<v Speaker 1>two would be the number of hitmen Michael Jeffrey, Jimmy's manager,

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<v Speaker 1>sent on a covert mission to drown Jimmy with booze

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<v Speaker 1>and pills, if, as one theory goes, Michael Jeffrey killed

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<v Speaker 1>Jimmie Hendrix. Two more would be the number of white

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<v Speaker 1>paramedics who refused to revive and treat the famous black

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<v Speaker 1>rock star as they drove him to an undignified death

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<v Speaker 1>at St. Mary Abbott's hospital, if, as another theory goes,

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<v Speaker 1>the neglectful paramedics really did kill Jimmie Hendrix. Twenty is

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<v Speaker 1>the number of the recommended dosage of vesper x, a

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<v Speaker 1>powerful barbiturates that would be fund in Jimmy's body. Twenty

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<v Speaker 1>times the recommended dosage all totally on this our final

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<v Speaker 1>episode of season one, covert hitman, neglectful paramedics, twenty times

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<v Speaker 1>the recommended dose, and Jimmie Hendricks. I'm Jake Brennan in

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<v Speaker 1>this cosy. James Tappywright wished he could unhear when he

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<v Speaker 1>just heard. It's shocked him. It shall olenged everything he knew.

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<v Speaker 1>It rocked his world, and it scared the ship out

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<v Speaker 1>of him. Michael Jeffrey had just confessed to Jimmie Hendricks's murder,

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<v Speaker 1>not in so many words, that is, it was strongly implied.

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<v Speaker 1>He had no choice. He told Tappy he was out

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<v Speaker 1>of options. He had to do it. Tappy and Michael

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<v Speaker 1>Jeffrey were at Jeffrey's apartment in February discussing the upcoming

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<v Speaker 1>American leg of the Jimmy Plays Berkeley Tour. They had

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<v Speaker 1>just finished touring the documentary film around the UK and Europe,

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<v Speaker 1>where they had sold out venues and continued to spread

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<v Speaker 1>the gospel of Jimmie Hendricks. His death was still fresh

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<v Speaker 1>in the minds of many. The movie could give fans

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<v Speaker 1>the thing that they would never be able to experience again.

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<v Speaker 1>A live performance by Jimmie Hendricks delivered on a thirty

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<v Speaker 1>ft tall movie theater screen, and they had a few

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<v Speaker 1>drinks and a few more, and Jeffrey was relaxed, but

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<v Speaker 1>also a little drunk. Tappy had noticed a change in

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<v Speaker 1>Jeffrey's recent daily to meet here. He was no longer

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<v Speaker 1>under pressure, no longer under the gun, and Tappy would notice.

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<v Speaker 1>He had been working for Jeffrey since the days back

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<v Speaker 1>in Newcastle, running clubs and bringing up the animals. A

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<v Speaker 1>respected roady, a doer. Tappy was there through it all,

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<v Speaker 1>did what needed doing, helped here, help there. Tappy was everywhere,

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<v Speaker 1>rubbing elbows with everyone, from the Beatles and the Rolling

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<v Speaker 1>Stones to kN Tina Turner to Elvis Presley. And he

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<v Speaker 1>was there as Jeffrey took on more responsibility with Jimmy

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<v Speaker 1>and the studio, took on more debts, new debts to

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<v Speaker 1>pay for old debts, even newer debts to pay for

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<v Speaker 1>the new debts to pay for the old debts. Tappy

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<v Speaker 1>was the one who would drive Jeoffrey out to New Jersey,

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<v Speaker 1>who was secluded suburban mob house. He'd sit in the car,

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<v Speaker 1>tap his fingers on the steering wheel as he listened

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<v Speaker 1>to the Archie's the Foundations, to Tommy James and the

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<v Speaker 1>Shawn Dells while Jeffrey was inside doing his business, shaking hands,

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<v Speaker 1>making deals, signing his life away. Jeffrey would walk back

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<v Speaker 1>to the car, suitcase in hand, loaded up with fresh

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<v Speaker 1>bills handed to him by mafia kingpins, the guys who

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<v Speaker 1>could afford to live in these ostentatious and Jersey mansions.

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<v Speaker 1>Tappy was there too when the calls started coming in,

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<v Speaker 1>when Jeffrey couldn't pay the mafia back. Jeffrey was over extended,

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<v Speaker 1>ambitious and greedy. Michael Jeffrey was fucked. Where's the money, Michael,

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<v Speaker 1>The heated mob voices would say from the other end

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<v Speaker 1>of the phone, Where's the fucking money? Ship in. Tappy

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<v Speaker 1>started living his life by looking around every corner, checking

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<v Speaker 1>underneath cars before getting inside, screening phone calls, Remaining extremely

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<v Speaker 1>wary of strangers. He lived his life every day like

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<v Speaker 1>someone was coming for his boss, Michael Jeffrey's head. And

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<v Speaker 1>now sitting in Jeffrey's apartment reminiscing on a wildly successful

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<v Speaker 1>documentary film Tour, things seem more relaxed. Tappy was no

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<v Speaker 1>longer on edge. Jeffrey had paid off the I R S,

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<v Speaker 1>paid off the Mob. He was even able to buy

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<v Speaker 1>out Jimmy's interest in electric ladies studios from Jimmy's father,

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<v Speaker 1>Al Tappy wanted to know where did Jeffrey get all

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<v Speaker 1>that money? Why was everything coming up roses, And that's

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<v Speaker 1>when the mood of the room changed. Jeffrey tensed up.

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<v Speaker 1>It had obviously been weighing on him all this time.

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<v Speaker 1>The secret he had. He had many secrets, all collected

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<v Speaker 1>through many years of his life, but this one, this

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<v Speaker 1>one may have been the hardest to keep inside, because

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<v Speaker 1>even though Jeffrey was a great keeper of secrets, this

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<v Speaker 1>one felt different. I had no bloody choice, Jeffrey told Tabby.

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<v Speaker 1>The implication hung there in the air like a thick

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<v Speaker 1>fog of Dunhills smoke. The look in Michael Jeffrey's cold

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<v Speaker 1>eyes filled into blanks. The look said a lot. Mostly

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<v Speaker 1>it said, I'm a survivor. When the ship house starts

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<v Speaker 1>to go up in flames, I'm the motherfucker with the

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<v Speaker 1>fire extinguisher. I'm Michael Jeffrey. I do what needs doing

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<v Speaker 1>to get myself undone, my man, qualified man. The look

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<v Speaker 1>filling in the space around Jeffrey's last comment, I had

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<v Speaker 1>no bloody choice. It also said it was the payout

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<v Speaker 1>and the two million dollar insurance policy took out on

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<v Speaker 1>Jimmy's head. And it was the insurance policy that rescued

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<v Speaker 1>Jeffrey from certain ruin or even death from his debtors.

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<v Speaker 1>The mob again, according to James Tappy, right, Michael Jeffrey

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<v Speaker 1>had no bloody choice. Tappy could believe it. Michael Jeffrey,

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<v Speaker 1>former agent of the Special Forces for the British Intelligence

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<v Speaker 1>Michael Jeffrey mobbed up. Michael Jeffrey, professional badass, Michael Jeffrey,

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<v Speaker 1>trained killer, or so he told Tappy. Jeffrey sold that

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<v Speaker 1>image hard, and guys like Tappy bought it hook line

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<v Speaker 1>and sinker. Tappy put two and two together Jeffrey's vague

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<v Speaker 1>confession and the reports from the attending doctors about the

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<v Speaker 1>red wine that had been in Jimmy's mouth and throat

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<v Speaker 1>but not in his stomach, and now Tappy was burdened

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<v Speaker 1>with this bombshell, one of a handful of people who

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<v Speaker 1>knew about it. He wished he didn't. He'd been on

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<v Speaker 1>the sidelines for most of his life on a need

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<v Speaker 1>to know basis, and now he was privy to the deepest,

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<v Speaker 1>darkest secrets. He sat across the table from Jeffrey in

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<v Speaker 1>the apartment and picked up what was being put down.

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<v Speaker 1>Tappy was convinced that Jeffrey had offered Jimmy. Convinced that

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<v Speaker 1>Jeffrey had sent a couple of goons to that apartment

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<v Speaker 1>in Nodding Hill and it was there that they forced

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<v Speaker 1>the red wine down Jimmy's throat until he drowned. James.

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<v Speaker 1>Tappy right sat on his bar stool in a near

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<v Speaker 1>empty seaside Whitley Babe pub Convinced Michael Jeffrey killed Jimmie Hendricks,

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<v Speaker 1>his imagination went into overdrive. He could see it all,

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<v Speaker 1>how it all could have come together, and it was

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<v Speaker 1>moving fast. When Michael Jeffrey got the news that Jimmy

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<v Speaker 1>had taken meetings with Chaz Chandler and Alan Douglas, it

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<v Speaker 1>was the last straw. Tappy knew this. He knew Jimmy

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<v Speaker 1>meeting with Chaz again would have flipped out his boss Jeffrey.

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<v Speaker 1>So Tappy knew that if Jeffrey did what he thought

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<v Speaker 1>he did, they need to have the idea circling around

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<v Speaker 1>in his head for a while before moving on it,

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<v Speaker 1>Before taking it from just an annoying thought to an idea.

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<v Speaker 1>He needed to execute on. Michael Jeffrey's days as manager

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<v Speaker 1>to the greatest guitar player in the world were numbered.

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<v Speaker 1>If Jeffrey lost Jimmy, Tappy figured, then he would have

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<v Speaker 1>no way out from his mob debts. So Jeffrey moved quick.

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<v Speaker 1>If he was going to survive avoid being clipped by

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<v Speaker 1>the mafia, then Jimmie Hendricks had to go. It was

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<v Speaker 1>the only way for Michael Jeffrey. It was never a

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<v Speaker 1>question of if he could do it, It was a

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<v Speaker 1>question of how. In his rampant imagination, Tappy could see

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<v Speaker 1>Jeffrey going into full James Bond Boat total Mission Impossible

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<v Speaker 1>waking fantasy. Tappy saw Jeffrey tightening his cuff links, smoothing

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<v Speaker 1>his pressed white shirt, donning his black jacket, punching his cuffs,

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<v Speaker 1>methodically cleaning the lenses of his dark prescription glasses with

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<v Speaker 1>the pocket square from his suit jacket, the theme from

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<v Speaker 1>Peter Gunn playing in a loop in his head on

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<v Speaker 1>Max Volume. Tappy knew the training from Jeffrey's days laid

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<v Speaker 1>dormant inside of him, and that Jeffrey thought of it

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<v Speaker 1>as an ace up as sleeve. It was in part

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<v Speaker 1>what gave him the balls to deal with the mafia types.

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<v Speaker 1>He's so casually borrowed money from that training coiled inside

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<v Speaker 1>of him like a sleeper sell ready to be activated,

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<v Speaker 1>covert deep cover. No more. Now it was alive, ship

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<v Speaker 1>was on. Warner Brothers weren't the only ones with half

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<v Speaker 1>a fucking clue. Mike Jeffrey knew how thin the mortal

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<v Speaker 1>coil was being stretched by his client, Jimmy Hendricks, so

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<v Speaker 1>he took out a two million dollar life insurance policy

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<v Speaker 1>on his star attraction as well. And now, after all

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<v Speaker 1>the bullshit, after the arrest in Toronto and the subsequent trial,

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<v Speaker 1>the kidnapping at the Salvation Club, the shakedowns on the

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<v Speaker 1>streets of Harlem, the drugs and the girls, and the

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<v Speaker 1>constant deviation from the master plan, after Jimmy collapsing on

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<v Speaker 1>stage and barely escaping an island on fire, after coming

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<v Speaker 1>out from under a recording studio that was hell bent

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<v Speaker 1>on sinking no matter how hard they tried to keep

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<v Speaker 1>it afloat, After the back alley fist fights and threatening

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<v Speaker 1>phone calls and claims of illegitimate children, after all the

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<v Speaker 1>other fame hungry hangers on who wanted a piece of

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<v Speaker 1>Jimmy's pie. After all of that, at this time, finally

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<v Speaker 1>for Michael Jeffrey to cash in on his Voodoo child

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<v Speaker 1>cash cat to quit while he was ahead. Jimmy wasn't

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<v Speaker 1>gonna listen anymore. Jeffrey had resorted to keeping Jimmy as

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<v Speaker 1>preoccupied and disoriented as possible. He controlled his mind by

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<v Speaker 1>dosing him with drugs. He controlled his location by buying

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<v Speaker 1>him that swank house outside of Woodstock. He controlled his

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<v Speaker 1>creativity by giving him the recording studio of his dreams.

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<v Speaker 1>He did all of this just so he could minimize

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<v Speaker 1>the amount of not listening that Jimmy would do. Tabby

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<v Speaker 1>knew that Jeffrey knew that. The simple truth was that he,

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<v Speaker 1>Michael Jeffrey could not carry on with Jimmy Hendrix. If

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<v Speaker 1>Jimmy's behavior didn't drive him to the point of no return,

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<v Speaker 1>then his debt to the mob to keep him and

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<v Speaker 1>Jimmy happy and on the charts certainly did. Jeffrey had

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<v Speaker 1>no other artist in his stable that was enough of

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<v Speaker 1>a moneymaker. He wasn't going to bring him the bacon

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<v Speaker 1>with soft machine, no offense. He was losing his grip,

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<v Speaker 1>and he was too smart to not know the Chaz

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<v Speaker 1>Chandler wasn't too far behind. Chaz was always there when

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<v Speaker 1>it came to Jimmy, never quite out of the picture,

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<v Speaker 1>waiting in the cut, about to strike and steal Jeffrey's

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<v Speaker 1>voodoo child right out from under him, cut him down

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<v Speaker 1>to size. Tabby heard the rumors, Ship. They weren't even rumors,

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<v Speaker 1>they were more like public declarations. Jeffrey was a cheat,

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<v Speaker 1>a scoundrel, and opportunists. Eric Burden flat oled accused Jeffreys

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<v Speaker 1>stealing money from the animals, and Burden let anyone who

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<v Speaker 1>would listen know that he thought Michael Jeffrey was a

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<v Speaker 1>dirty thief, that he set up an offshore tax haven,

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<v Speaker 1>funneled skim and earnings from his bands into it to

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<v Speaker 1>avoid heavy UK taxes, move money around from country to country,

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<v Speaker 1>island to island, suitcase to suitcase. Good fellow and a

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<v Speaker 1>good fellow. Tappy knew that if Jimmy didn't know what

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<v Speaker 1>Burden knew, that he would know soon enough. And he

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<v Speaker 1>fucking a knew that Michael Jeffrey would have known this too,

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<v Speaker 1>known this that if Jimmy Hendricks cut Michael Jeffrey loose,

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<v Speaker 1>then Jimmie Hendricks was a fucking dead man. No Jimmy,

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<v Speaker 1>no money, no money, no more yank with the boys

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<v Speaker 1>from Jersey. It was a death sentence for Jeffrey. And

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<v Speaker 1>if the mob didn't get on and the I R

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<v Speaker 1>s would they take the studio, his houses, his fancy clothes,

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<v Speaker 1>his fancy drugs. They take every last thing and leave

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<v Speaker 1>him with barely the shoes on his feet. He'd have

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<v Speaker 1>to take the subway or the tube to work in

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<v Speaker 1>some downtown shipole or worse, to the unemployment office like

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<v Speaker 1>some ordinary joe. Fuck that. He wasn't gonna let that happen.

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<v Speaker 1>He got in the zone, he got a character, and

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<v Speaker 1>he moved with the quickness. Tappy can see it all happening.

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<v Speaker 1>Michael Jeffrey is Michael Caine and funeral in Berlin, doing

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<v Speaker 1>what had to be done to save his ass. A

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<v Speaker 1>qualified man smashing her motherfucker's face him with a vase

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<v Speaker 1>of roses without thinking twice if need be. But but

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<v Speaker 1>he wasn't about to get his own hands dirty in

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<v Speaker 1>the process. Jeffrey was too smart for that. Tappy knew

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<v Speaker 1>it best for Jeffrey to stay on the sidelines, call

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<v Speaker 1>the shots from behind his dark prescription classes don't risk

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<v Speaker 1>that two million dollar life insurance paym the goon is

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<v Speaker 1>listened intently, and Michael Jeffrey spoke, this is what you're

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<v Speaker 1>gonna do. Jimmy and his old lady are powering around

0:13:52.800 --> 0:13:55.520
<v Speaker 1>town today. Go sweat the Sammer kid. She's got a

0:13:55.600 --> 0:13:57.920
<v Speaker 1>room there. Wait till he's alone. Even if you have

0:13:58.000 --> 0:14:01.320
<v Speaker 1>to wait all night. Wait, he'll be watching. You'll be

0:14:01.360 --> 0:14:04.080
<v Speaker 1>waiting when he's alone. That's when you can't do it.

0:14:05.240 --> 0:14:07.720
<v Speaker 1>Tappy could see them in his mind's eye, the goons.

0:14:07.880 --> 0:14:12.079
<v Speaker 1>They're peering inside the Samarkan flat window, hiding undercover in

0:14:12.120 --> 0:14:15.400
<v Speaker 1>the small gardens and wrought iron fencing out front. They

0:14:15.440 --> 0:14:18.400
<v Speaker 1>watched while Monica made Jimmy the tuna sandwich, their own

0:14:18.440 --> 0:14:21.000
<v Speaker 1>bellies rumbling. They just needed to get this over with

0:14:21.120 --> 0:14:23.920
<v Speaker 1>so that they could go eat. They were starving. The

0:14:23.960 --> 0:14:27.840
<v Speaker 1>sun was coming up. Monica's eyes were going down. She

0:14:28.000 --> 0:14:31.720
<v Speaker 1>passed out. Jimmy absent mindedly grabbed a fistfull of sleeping

0:14:31.720 --> 0:14:35.040
<v Speaker 1>pills Monica's vesper x and slugged them back with another

0:14:35.040 --> 0:14:37.040
<v Speaker 1>swig of wine from the glass next to the bed.

0:14:37.760 --> 0:14:40.080
<v Speaker 1>It felt like he hadn't slept in days, and at

0:14:40.080 --> 0:14:42.640
<v Speaker 1>this moment it was all he needed the pills to

0:14:42.720 --> 0:14:45.520
<v Speaker 1>do the trick. Little did he know he was making

0:14:45.520 --> 0:14:50.120
<v Speaker 1>the job for the goons waiting outside all the more easy.

0:14:51.600 --> 0:14:56.480
<v Speaker 1>The goons stood quiet, watching, whispering, waiting. A few hours

0:14:56.560 --> 0:15:00.280
<v Speaker 1>later Monica woke, walked drowsily around the apartment, and then

0:15:00.320 --> 0:15:02.640
<v Speaker 1>she left, took a hike on up the street. Left

0:15:02.720 --> 0:15:06.600
<v Speaker 1>Jimmy passed out cold in bed. It was time the

0:15:06.640 --> 0:15:10.400
<v Speaker 1>goons tried the front door unlocked. They were in easy.

0:15:10.480 --> 0:15:12.480
<v Speaker 1>They swept into the flat like a gust of wind,

0:15:12.680 --> 0:15:15.760
<v Speaker 1>closed the door behind the dead bull blatched. They spoke

0:15:15.760 --> 0:15:18.880
<v Speaker 1>in hand signals, blinks of the eye, head nods. They

0:15:18.880 --> 0:15:22.040
<v Speaker 1>were in all black, black pants, black shirts, black beanie hats,

0:15:22.200 --> 0:15:25.480
<v Speaker 1>and they moved swiftly. Tappy could see them in his mind,

0:15:25.480 --> 0:15:28.200
<v Speaker 1>and now he thought of another Michael Caine reference gambit.

0:15:28.440 --> 0:15:31.600
<v Speaker 1>The goons would have been tall, one routon the other sickly,

0:15:31.800 --> 0:15:35.320
<v Speaker 1>a real young yang thing, one lanky, one short stacked.

0:15:35.720 --> 0:15:37.960
<v Speaker 1>The sickly goon spied the bottle of red wine on

0:15:38.000 --> 0:15:40.640
<v Speaker 1>the kitchen counter waiting for them, just as Jeffrey had said,

0:15:40.960 --> 0:15:44.160
<v Speaker 1>Jimmy's crypt tonite, and Jeffrey called it the fellow should

0:15:44.240 --> 0:15:46.960
<v Speaker 1>use it to their advantage. Jimmy was laying in bed,

0:15:47.080 --> 0:15:50.000
<v Speaker 1>fully closed on top of the sheets, his black strap

0:15:50.120 --> 0:15:52.640
<v Speaker 1>nestled next to him. The two stood over sleeping Jimmy

0:15:52.720 --> 0:15:54.880
<v Speaker 1>Hendrix and the sickly Goon pulled the cork from the

0:15:54.920 --> 0:15:57.720
<v Speaker 1>half empty bottom for red wine. It made a startling

0:15:57.840 --> 0:16:01.200
<v Speaker 1>popping sound, loud enough that Jimmy was roused. He started

0:16:01.280 --> 0:16:04.480
<v Speaker 1>mumbling something about Brian Jones, something about rotis reading, like

0:16:04.520 --> 0:16:07.240
<v Speaker 1>he was talking to them. The sickly goon with the

0:16:07.320 --> 0:16:09.760
<v Speaker 1>wine bottle motioned to his partner, who grabbed the front

0:16:09.800 --> 0:16:12.880
<v Speaker 1>of Jimmy's shirt and lifted his head slightly from the pillow.

0:16:13.440 --> 0:16:15.800
<v Speaker 1>Jimmy's eyes fought to open up, but the pills were

0:16:15.840 --> 0:16:20.480
<v Speaker 1>fighting him. He just kept mumbling Ryan, Ryan, Ryan, like

0:16:20.520 --> 0:16:22.720
<v Speaker 1>a tick, like it was on a loop in his brain.

0:16:23.680 --> 0:16:26.520
<v Speaker 1>And the sickly goon squeezed Jimmy's prone cheeks with his

0:16:26.600 --> 0:16:29.200
<v Speaker 1>left hand and shoved the wine bottle into Jimmy's mouth

0:16:29.280 --> 0:16:31.800
<v Speaker 1>was his right. The bottle was turned upside down and

0:16:31.840 --> 0:16:33.880
<v Speaker 1>the red wine came out like it had busted through

0:16:33.880 --> 0:16:36.920
<v Speaker 1>a floodgate. Jimmy's eyes still weren't fully open as he

0:16:36.960 --> 0:16:39.720
<v Speaker 1>started to guzzle the Bluese that was being forced on him,

0:16:39.840 --> 0:16:42.080
<v Speaker 1>and the bottle smacked against one of his front teeth.

0:16:42.280 --> 0:16:45.640
<v Speaker 1>He started to choke, made wretching noises, sending SIPs of

0:16:45.640 --> 0:16:51.000
<v Speaker 1>wine splattering onto the sickly goon's black jacket. Two held

0:16:51.040 --> 0:16:53.760
<v Speaker 1>him there, made him take it, made him taste it,

0:16:53.800 --> 0:16:56.880
<v Speaker 1>made him swim in it, drowning it. After the last

0:16:56.920 --> 0:16:59.080
<v Speaker 1>drop was out of the bottle, they dropped Jimmy's head

0:16:59.120 --> 0:17:03.240
<v Speaker 1>back down onto the pillow. He was unconscious again, seemed,

0:17:03.280 --> 0:17:07.959
<v Speaker 1>but his chest was still heaving. The goons split fast.

0:17:08.320 --> 0:17:10.879
<v Speaker 1>The empty wine bottle was recorked, put back on the

0:17:10.960 --> 0:17:14.240
<v Speaker 1>kitchen counter, and they could hear sputtering and wretching coming

0:17:14.280 --> 0:17:17.879
<v Speaker 1>from the bedroom, and then silence. They left up the

0:17:17.920 --> 0:17:21.840
<v Speaker 1>front door, closed it behind them. They had done Michael

0:17:21.880 --> 0:17:25.000
<v Speaker 1>Jeffrey's bidding, and now they were getting something to eat,

0:17:25.440 --> 0:17:29.520
<v Speaker 1>and they were fucking starving. And James Tappy right sitting

0:17:29.520 --> 0:17:32.280
<v Speaker 1>on his bar stool, but a year after his boss's

0:17:32.400 --> 0:17:36.160
<v Speaker 1>most famous client up and died, was thirsty as fuck.

0:17:37.160 --> 0:17:39.879
<v Speaker 1>The thought of it, all, the why, the how, the

0:17:40.000 --> 0:17:43.600
<v Speaker 1>who is shook Tappy with fear. He pushed the who

0:17:43.640 --> 0:17:46.360
<v Speaker 1>done into the back of his mind, straightened himself out

0:17:46.400 --> 0:17:50.160
<v Speaker 1>on his stool, shrugged, and ordered another pint. It could

0:17:50.200 --> 0:17:53.240
<v Speaker 1>have happened that way, but Tappy wouldn't know for sure.

0:17:53.880 --> 0:17:56.320
<v Speaker 1>The only thing he was sure of was that Jimmie

0:17:56.320 --> 0:17:59.280
<v Speaker 1>Hendricks was dead and that Michael Jeffrey was a bad,

0:17:59.440 --> 0:18:04.920
<v Speaker 1>bad and we'll be right back after this word were were?

0:18:06.840 --> 0:18:09.840
<v Speaker 1>Monica Danemon spoke calmly as she told her attorney the

0:18:09.880 --> 0:18:13.000
<v Speaker 1>same story she'd been telling the world for over twenty years,

0:18:13.600 --> 0:18:16.320
<v Speaker 1>the same story she told the day Jimmie Hendricks died,

0:18:16.800 --> 0:18:19.040
<v Speaker 1>The same story she told in the Inner World of

0:18:19.119 --> 0:18:22.480
<v Speaker 1>Jimmie Hendricks, the book she had just published. The same

0:18:22.520 --> 0:18:26.760
<v Speaker 1>story she was now being taken to court over charged

0:18:26.760 --> 0:18:31.520
<v Speaker 1>with libel against Cathy Etchingham, another of Jimmie Hendricks's former girlfriends.

0:18:32.119 --> 0:18:34.960
<v Speaker 1>But Monica didn't see herself as just another girlfriend. She

0:18:35.000 --> 0:18:38.399
<v Speaker 1>told the attorney. Monica Daneman hadn't known Jimmie Hendricks for

0:18:38.480 --> 0:18:42.400
<v Speaker 1>that law. The connection she felt was strong, and who

0:18:42.400 --> 0:18:45.199
<v Speaker 1>were they to tell her that her connection wasn't strong,

0:18:45.680 --> 0:18:47.879
<v Speaker 1>she didn't feel the way she felt, or that Jimmy

0:18:48.000 --> 0:18:50.080
<v Speaker 1>wasn't as true blue as she believed him to be.

0:18:50.520 --> 0:18:53.520
<v Speaker 1>The haters were just jealous they wanted what she had

0:18:53.560 --> 0:18:56.960
<v Speaker 1>and they couldn't have it. Who fucking who for them?

0:18:57.040 --> 0:18:59.359
<v Speaker 1>When she first met Jimmy in a bar and Dusseldor

0:18:59.359 --> 0:19:02.840
<v Speaker 1>if it was all over all downhill, She left Germany,

0:19:02.960 --> 0:19:05.360
<v Speaker 1>left her job as an ice skating instructor, and went

0:19:05.400 --> 0:19:09.359
<v Speaker 1>where Jimmy went. Sometimes she'd get his attention, other times not.

0:19:10.200 --> 0:19:12.040
<v Speaker 1>And they had a few nights together here, a few

0:19:12.119 --> 0:19:14.919
<v Speaker 1>nights together there, and then those last days in London

0:19:14.960 --> 0:19:18.800
<v Speaker 1>at the Samarcan she had his complete attention in the garden,

0:19:18.880 --> 0:19:20.760
<v Speaker 1>he told her he loved her, He told her that

0:19:20.800 --> 0:19:23.040
<v Speaker 1>he would marry her. Didn't matter if he said those

0:19:23.080 --> 0:19:25.920
<v Speaker 1>same things to other girls on other days and other gardens.

0:19:26.480 --> 0:19:28.600
<v Speaker 1>He belonged to her now and she wasn't about to

0:19:28.680 --> 0:19:33.400
<v Speaker 1>let go. And Kathy Etchingham I thought Monica was offered,

0:19:33.440 --> 0:19:36.680
<v Speaker 1>not deluded, that she had casually met Jimmie hendrickson a

0:19:36.760 --> 0:19:40.600
<v Speaker 1>bar and Dooseldorf and almost instantly concocted a fantasy where

0:19:40.600 --> 0:19:43.919
<v Speaker 1>she and Jimmy were the leading roles. And furthermore, she

0:19:43.920 --> 0:19:46.399
<v Speaker 1>would say whatever she needed to say to push other people,

0:19:46.480 --> 0:19:49.440
<v Speaker 1>people like Kathy further out of the picture. No one

0:19:49.520 --> 0:19:51.560
<v Speaker 1>was going to write her out of history, least of

0:19:51.560 --> 0:19:54.960
<v Speaker 1>all a delusional ice skater. Monica had been accused of

0:19:55.000 --> 0:19:58.359
<v Speaker 1>a lot of things in Jimmy's death. Accused of neglect, lies,

0:19:58.520 --> 0:20:01.119
<v Speaker 1>accused of poisoning him, used of waiting too long to

0:20:01.160 --> 0:20:04.560
<v Speaker 1>call an ambulance. But she stuck to her story. She

0:20:04.640 --> 0:20:07.520
<v Speaker 1>sat across the table from her attorney and spoke her truth,

0:20:08.080 --> 0:20:13.120
<v Speaker 1>the things she believed. Others called them conspiracies, fantasies, falsehoods,

0:20:13.160 --> 0:20:15.480
<v Speaker 1>meant to benefit no one but Monica Daneman, but she

0:20:15.560 --> 0:20:18.520
<v Speaker 1>stood her ground. She told her attorney that she thought

0:20:18.520 --> 0:20:22.160
<v Speaker 1>the paramedics were neglectful. The paramedics refused to give Jimmy

0:20:22.200 --> 0:20:26.119
<v Speaker 1>the help he needed because he was black. It was

0:20:26.160 --> 0:20:28.800
<v Speaker 1>so fucking obvious, she thought, I could see it in

0:20:28.840 --> 0:20:31.840
<v Speaker 1>her mind, see how the whole thing played out. It

0:20:31.960 --> 0:20:34.160
<v Speaker 1>was obvious because Jimmy's life was full of more than

0:20:34.200 --> 0:20:37.359
<v Speaker 1>his fair share of racist encounters. He had told her

0:20:37.400 --> 0:20:39.560
<v Speaker 1>about the time that the cops had stopped Jimmy and

0:20:39.600 --> 0:20:42.439
<v Speaker 1>Cathy as they walked on the streets of London. Jimmy

0:20:42.520 --> 0:20:46.000
<v Speaker 1>dressed in that antique royal vet core jacket, guilty only

0:20:46.040 --> 0:20:49.800
<v Speaker 1>of walking while black, or perhaps more accurately, walking while

0:20:49.840 --> 0:20:52.920
<v Speaker 1>black with a white woman on his arm. Jimmy had

0:20:52.920 --> 0:20:55.600
<v Speaker 1>also told her stories about touring with the experience in

0:20:55.640 --> 0:20:58.280
<v Speaker 1>the States, about the restaurants in the South where he

0:20:58.320 --> 0:21:01.600
<v Speaker 1>would begrudgingly eat with the rest the tour crew, and Jimmy,

0:21:01.640 --> 0:21:03.919
<v Speaker 1>the only black man in the joint, he managed to

0:21:03.960 --> 0:21:07.119
<v Speaker 1>sit through an awkwardly quick meal, all white eyes in

0:21:07.119 --> 0:21:10.400
<v Speaker 1>the place on him the entire time. The tour made

0:21:10.400 --> 0:21:12.480
<v Speaker 1>its way to Seattle, where a cop pulled a gun

0:21:12.480 --> 0:21:15.080
<v Speaker 1>on Jimmy, a cop who was hired to protect him

0:21:15.359 --> 0:21:17.760
<v Speaker 1>because he was walking hand in hand with a white woman.

0:21:18.280 --> 0:21:21.760
<v Speaker 1>Other cops pulled their guns too. The whole situation turned

0:21:21.760 --> 0:21:25.399
<v Speaker 1>into a standoff of extremely ignorant proportions and ended with

0:21:25.480 --> 0:21:28.760
<v Speaker 1>hired cops walking off the job simply because they couldn't

0:21:28.760 --> 0:21:31.960
<v Speaker 1>stomach Jimmy, a black man walking with a white woman.

0:21:32.920 --> 0:21:35.280
<v Speaker 1>Monica was convinced that the day he died was the

0:21:35.320 --> 0:21:38.160
<v Speaker 1>same thing that a couple of white paramedics walked into

0:21:38.200 --> 0:21:40.560
<v Speaker 1>the flat, saw a white woman with a black man,

0:21:40.680 --> 0:21:47.840
<v Speaker 1>and their inherent racism flared to the surface. Monica closed

0:21:47.840 --> 0:21:51.040
<v Speaker 1>her eyes and envisioned the whole scenario clearly in her head.

0:21:54.359 --> 0:21:57.440
<v Speaker 1>She could see Jimmy's life slipping away inside the ambulance.

0:21:57.800 --> 0:22:00.240
<v Speaker 1>Every bump in the road that the ambulance hit, he

0:22:00.400 --> 0:22:03.320
<v Speaker 1>felt it in his bones. His stomach went into revolt

0:22:03.320 --> 0:22:06.160
<v Speaker 1>with every sharp turn, each breath he took, it felt

0:22:06.200 --> 0:22:09.880
<v Speaker 1>like it could be his last. He was sitting up

0:22:09.880 --> 0:22:12.800
<v Speaker 1>in a stretcher, his shirts soiled with vomit and wine

0:22:12.840 --> 0:22:15.920
<v Speaker 1>spots dried red wine threw out his hair, his eyes

0:22:16.000 --> 0:22:19.119
<v Speaker 1>swarming around in his head. He felt his pulse quicken

0:22:19.200 --> 0:22:22.080
<v Speaker 1>and then suddenly dropped down to a dribble, and then

0:22:22.080 --> 0:22:24.879
<v Speaker 1>it quickened again. He was just as surprised as anyone

0:22:24.920 --> 0:22:27.280
<v Speaker 1>that he was actually conscious in the back of this ride.

0:22:27.640 --> 0:22:29.479
<v Speaker 1>He could have sworn he felt dead there for a

0:22:29.480 --> 0:22:32.520
<v Speaker 1>few minutes earlier in the morning, and the paramedics both

0:22:32.520 --> 0:22:35.000
<v Speaker 1>sat in the front of the ambulance, one driving, another

0:22:35.080 --> 0:22:37.960
<v Speaker 1>riding shotgun. Shouldn't one of them be back here with me,

0:22:38.040 --> 0:22:41.480
<v Speaker 1>Jimmy thought, fighting the ways of pain and nausea. Why

0:22:41.560 --> 0:22:45.160
<v Speaker 1>wasn't someone taking his vitals, monitoring his pulse, making sure

0:22:45.200 --> 0:22:48.200
<v Speaker 1>he remained in this world. I'll meet in the next one,

0:22:48.520 --> 0:22:52.240
<v Speaker 1>don't be late. And they passed the first hospital. Through

0:22:52.240 --> 0:22:54.639
<v Speaker 1>his half masted eyes, he watched the hospital come and

0:22:54.640 --> 0:22:57.480
<v Speaker 1>go through the ambulance window. He raised his arm, pointed

0:22:57.520 --> 0:22:59.919
<v Speaker 1>out the window, mumbled some words something to draw ten

0:23:00.080 --> 0:23:01.679
<v Speaker 1>into the fact that they had just driven by a

0:23:01.760 --> 0:23:05.119
<v Speaker 1>fucking hospital. His mumbling seemed to fall on deaf ears,

0:23:05.400 --> 0:23:08.159
<v Speaker 1>and the paramedics weren't any rush to get to their destination.

0:23:08.520 --> 0:23:12.679
<v Speaker 1>They weren't in a rush period. The two paramedics had

0:23:12.760 --> 0:23:15.760
<v Speaker 1>arrived at Monica's rented flat about ten minutes after she

0:23:15.840 --> 0:23:18.840
<v Speaker 1>made the call, and they took their time, didn't bust

0:23:18.880 --> 0:23:21.639
<v Speaker 1>down the apartment door, didn't scatter and make up for

0:23:21.760 --> 0:23:26.360
<v Speaker 1>lost time. They walked patiently into the bedroom, found Jimmy unconscious,

0:23:26.359 --> 0:23:28.680
<v Speaker 1>and gradually got him up on the stretcher and packed

0:23:28.720 --> 0:23:32.240
<v Speaker 1>into the ambulance. They slapped his face, attended to and

0:23:32.320 --> 0:23:35.159
<v Speaker 1>rustled around for some medical instruments in their bag, and

0:23:35.200 --> 0:23:39.119
<v Speaker 1>within seconds, Jimmy's eyes had fluttered open slightly. He was

0:23:39.160 --> 0:23:45.880
<v Speaker 1>still there, still inside that body, still with it. When

0:23:45.880 --> 0:23:48.919
<v Speaker 1>they left, Monica remembered that they didn't turn the siren

0:23:48.960 --> 0:23:52.520
<v Speaker 1>back on, just merged into traffic like any other vehicle

0:23:52.640 --> 0:23:59.640
<v Speaker 1>driving on any other Friday. Jimmy wheezed, spattered some more,

0:24:00.000 --> 0:24:03.080
<v Speaker 1>felt another wave of wretching coming on. It was burning up.

0:24:03.880 --> 0:24:07.359
<v Speaker 1>One of the paramedics clicked the stereo on and the

0:24:07.440 --> 0:24:09.520
<v Speaker 1>chairman of the boards, You've got Me Dangling on a

0:24:09.560 --> 0:24:12.919
<v Speaker 1>String rolled through its giddy yet mournful chorus, and the

0:24:12.960 --> 0:24:17.320
<v Speaker 1>paramedic writing shotguns snapped his fingers. Now this is music,

0:24:17.720 --> 0:24:20.320
<v Speaker 1>truth be told. This is my kind of black music.

0:24:20.720 --> 0:24:24.879
<v Speaker 1>It's calm, catchy, strings are nice, boy, Too much of

0:24:24.880 --> 0:24:29.439
<v Speaker 1>you give. People's music is loud and political. Paramedic driving

0:24:29.480 --> 0:24:32.760
<v Speaker 1>chimed in, say it loud. He's black and he's almost dead.

0:24:33.440 --> 0:24:35.800
<v Speaker 1>And as you shared a laugh while the song played on,

0:24:36.320 --> 0:24:38.919
<v Speaker 1>You've got Me Dangling on a string. Please don't let

0:24:38.960 --> 0:24:43.520
<v Speaker 1>me trapping because everything I've gotten Back in the stretcher,

0:24:43.640 --> 0:24:47.639
<v Speaker 1>more reclined than upright, Jimmy began choking some more. He

0:24:47.760 --> 0:24:50.880
<v Speaker 1>felt his airway clog up again, tasted the Vombit there,

0:24:51.040 --> 0:24:54.560
<v Speaker 1>lodge tight that your girl back there at the apartment.

0:24:54.760 --> 0:24:58.640
<v Speaker 1>Shotgun writing paramedic yelped towards Jimmy and the stretcher, twisting

0:24:58.680 --> 0:25:01.200
<v Speaker 1>his neck just enough so that his voice would carry

0:25:01.240 --> 0:25:03.960
<v Speaker 1>into the back. How many white women does that make

0:25:04.000 --> 0:25:06.639
<v Speaker 1>for you? Oh, it's the problem. You don't like black ladies.

0:25:07.760 --> 0:25:10.960
<v Speaker 1>Jimmy's face went flush as he lost more ability to breathe.

0:25:11.119 --> 0:25:14.080
<v Speaker 1>He was too tired to move. He was slipping under again.

0:25:14.160 --> 0:25:16.800
<v Speaker 1>He could feel it. He'ld come up for air only

0:25:16.800 --> 0:25:20.520
<v Speaker 1>to be humiliated and ignored by these racist assholes, and

0:25:20.560 --> 0:25:22.600
<v Speaker 1>now they were just gonna let him die here. He

0:25:22.800 --> 0:25:25.240
<v Speaker 1>knew it, looking down at his feet in the back

0:25:25.240 --> 0:25:28.080
<v Speaker 1>of the shot bus ambulance, listening to the chairman of

0:25:28.119 --> 0:25:31.119
<v Speaker 1>the fucking board on this goddamn slow boat to China.

0:25:32.119 --> 0:25:36.240
<v Speaker 1>When the ambulance pulled into St. Mary Abbott's Hospital in Kensington,

0:25:36.560 --> 0:25:39.600
<v Speaker 1>Jimmy was under again, and the paramedics flung open the

0:25:39.640 --> 0:25:42.000
<v Speaker 1>back doors, pulled the stretcher out, and went to wheel

0:25:42.040 --> 0:25:45.400
<v Speaker 1>him into the emergency room. And they didn't check any vitals,

0:25:45.720 --> 0:25:48.440
<v Speaker 1>They didn't take stock of the situation, and they didn't

0:25:48.440 --> 0:25:51.320
<v Speaker 1>look back as they casually walked away out of the

0:25:51.359 --> 0:25:54.760
<v Speaker 1>hospital and back to their ambulance. They didn't give two

0:25:54.760 --> 0:25:57.520
<v Speaker 1>ships because it didn't really matter to them at all.

0:25:58.000 --> 0:26:00.560
<v Speaker 1>Jimmy Hendricks didn't matter to them at all. They got

0:26:00.640 --> 0:26:04.399
<v Speaker 1>him there, it was someone else's job to care. The

0:26:04.480 --> 0:26:07.320
<v Speaker 1>doctor's noted the unusual amounts of red wine residue on

0:26:07.400 --> 0:26:10.640
<v Speaker 1>Jimmy's clothes, in his hair, in his throat, in his lungs,

0:26:10.680 --> 0:26:13.520
<v Speaker 1>if not necessarily in his stomach, it was coming out

0:26:13.520 --> 0:26:15.440
<v Speaker 1>of his nose, in his mouth. When one of the

0:26:15.520 --> 0:26:18.160
<v Speaker 1>nurses saw Jimmy on the stretcher and shouted and shocked, Oh,

0:26:18.280 --> 0:26:22.440
<v Speaker 1>that's Jimmy Hendrix. Who's Jimmy Hendrix, the attending doctor responded.

0:26:23.040 --> 0:26:26.399
<v Speaker 1>Moments later, the same doctor called it confirmed Jimmy's long

0:26:26.480 --> 0:26:30.320
<v Speaker 1>running premonitions that he, James Marshall Jimmy Hendrix was dead

0:26:30.400 --> 0:26:41.120
<v Speaker 1>at just months away from his twenty birthday. With Jimmy gone,

0:26:41.200 --> 0:26:43.919
<v Speaker 1>it was just Monica's story against the world in the

0:26:43.960 --> 0:26:47.640
<v Speaker 1>world had questions, The world had doubts. The world wasn't

0:26:47.680 --> 0:26:50.000
<v Speaker 1>buying her story about the death of the most famous

0:26:50.040 --> 0:26:52.960
<v Speaker 1>guitar player on the planet, not buying it at all.

0:26:53.800 --> 0:27:16.560
<v Speaker 1>Not one. The theory about Michael Jeffrey's better dead than

0:27:16.600 --> 0:27:20.280
<v Speaker 1>alive goonish takedown of Jimmy Hendrix and the theory about

0:27:20.320 --> 0:27:25.959
<v Speaker 1>incompetent racist paramedics are arguably far fetched. They seem more

0:27:26.040 --> 0:27:28.600
<v Speaker 1>like attempts to explain the sudden death of a unique

0:27:28.680 --> 0:27:32.560
<v Speaker 1>musical talent that Jimmy's death couldn't have been so blah,

0:27:32.800 --> 0:27:37.520
<v Speaker 1>so pedestrian, so clich that some sinister force must have

0:27:37.600 --> 0:27:41.640
<v Speaker 1>taken him down something fantastical. He was just too unique,

0:27:41.800 --> 0:27:45.960
<v Speaker 1>too special, too immortal to die so predictably. The truth

0:27:46.040 --> 0:27:48.840
<v Speaker 1>may have been less pulpy than the twin theories positive

0:27:48.880 --> 0:27:52.240
<v Speaker 1>by Tabby and Monica, but the truth was tragic. Nonetheless,

0:27:52.840 --> 0:27:57.760
<v Speaker 1>the truth about Jimmie hendricks death goes like this. Jimmie

0:27:57.800 --> 0:28:01.240
<v Speaker 1>Hendricks took nine of Monica Daneman's vest Direx pills. That's

0:28:01.280 --> 0:28:04.480
<v Speaker 1>nearly twenty times the recommended dosage. It was enough to

0:28:04.480 --> 0:28:08.159
<v Speaker 1>take down a goddamn rhino. The autopsy concluded that he

0:28:08.240 --> 0:28:12.159
<v Speaker 1>died from inhalation of vomit due to barbituate intoxication and

0:28:12.240 --> 0:28:15.600
<v Speaker 1>phetamines plus wine plus second all and then a ship

0:28:15.680 --> 0:28:18.679
<v Speaker 1>ton of vesper x. He chugged the booze, he chugged

0:28:18.680 --> 0:28:21.520
<v Speaker 1>the pills, He fell asleep on his back, and he

0:28:21.560 --> 0:28:25.480
<v Speaker 1>didn't wake up when his body rejected the leaf of cocktail. Intentional,

0:28:25.920 --> 0:28:28.600
<v Speaker 1>probably not a dumb move made by a guy who

0:28:28.680 --> 0:28:30.879
<v Speaker 1>was running on fumes and just wanted the world to

0:28:30.960 --> 0:28:33.440
<v Speaker 1>stop for a moment so his body and mind could

0:28:33.440 --> 0:28:37.000
<v Speaker 1>catch up. That's most likely what happened, but we'll never

0:28:37.119 --> 0:28:42.720
<v Speaker 1>really know. Jimmie Hendricks was buried at Greenwood Cemetery in

0:28:42.760 --> 0:28:46.040
<v Speaker 1>rent In, Washington, a Seattle suburb. It was the first

0:28:46.120 --> 0:28:50.000
<v Speaker 1>day of October in n It was cheaper to bury

0:28:50.120 --> 0:28:53.440
<v Speaker 1>Jimmy in Renton than in Seattle. Between the naughty mess

0:28:53.480 --> 0:28:56.160
<v Speaker 1>that was his estate and the paltry salary that his

0:28:56.240 --> 0:28:59.840
<v Speaker 1>father Al earned his landscaper, it just made fiscal sense

0:28:59.880 --> 0:29:02.960
<v Speaker 1>to bury him there. Plus, his mother, Lucille, was buried

0:29:02.960 --> 0:29:07.760
<v Speaker 1>there too. The funeral took place at the Dumblap Baptist Church.

0:29:07.960 --> 0:29:11.480
<v Speaker 1>Only one reporter and one photographer gotten the door. Hundreds

0:29:11.480 --> 0:29:15.000
<v Speaker 1>of fans lined the streets outside. Jimmy's family was intended

0:29:15.080 --> 0:29:18.600
<v Speaker 1>says were Michael Jeffrey No Reading, Mitch Mitchell and Buddy Miles,

0:29:18.680 --> 0:29:23.400
<v Speaker 1>Johnny Winter, Alan Douglas, Miles Davis, and Devin Wilson. Devon

0:29:23.760 --> 0:29:27.240
<v Speaker 1>flung herself at the open grave. A short time later,

0:29:27.280 --> 0:29:31.600
<v Speaker 1>in February of one, she took another dive. This time

0:29:31.880 --> 0:29:34.240
<v Speaker 1>it was from a ninth story window of the Chelsea

0:29:34.320 --> 0:29:38.880
<v Speaker 1>Hotel in New York City. She was dead as soon

0:29:38.920 --> 0:29:41.640
<v Speaker 1>as she hit the pavement on twenty third Street. The

0:29:41.680 --> 0:29:45.720
<v Speaker 1>whole thing was shrouded in mystery. Was Devin Wilson pushed

0:29:45.840 --> 0:29:49.000
<v Speaker 1>or did she jump? And there wasn't much of an investigation,

0:29:49.520 --> 0:29:52.760
<v Speaker 1>Devon being devon. As far as many were concerned, it

0:29:52.840 --> 0:29:54.920
<v Speaker 1>was the jump kup her nose and in her arm

0:29:55.000 --> 0:29:59.280
<v Speaker 1>that did her in. Jimmy's dark shadows snuffed out, case closed.

0:30:00.120 --> 0:30:03.000
<v Speaker 1>The tragic deaths of people in Jimmy's life didn't end there.

0:30:03.520 --> 0:30:06.080
<v Speaker 1>It was only three days after Jimmy's funeral that Janis

0:30:06.160 --> 0:30:11.320
<v Speaker 1>Joplin checked out in Hollywood heroin overdose. Jim Morrison followed

0:30:11.320 --> 0:30:14.640
<v Speaker 1>a short nine months later, supposedly heart failure and a

0:30:14.680 --> 0:30:18.760
<v Speaker 1>bathtub in Paris. Like Jimmy, they too were only twenty

0:30:18.800 --> 0:30:22.920
<v Speaker 1>seven years old. In March of nineteen seventy three, Michael

0:30:23.000 --> 0:30:25.760
<v Speaker 1>Jeffrey was traveling from ma Yorker to London to attend

0:30:25.800 --> 0:30:29.640
<v Speaker 1>a trial on UK royalties for Jimmy's music. Depending on

0:30:29.680 --> 0:30:31.880
<v Speaker 1>the verdict, he was looking to add another layer of

0:30:31.920 --> 0:30:36.000
<v Speaker 1>lining to his already well stuffed pockets. The Iberian Airways

0:30:36.080 --> 0:30:38.240
<v Speaker 1>d C nine he was on collided with the Span

0:30:38.320 --> 0:30:42.840
<v Speaker 1>Text Coronado and mid air over France. All forty seven passengers,

0:30:43.160 --> 0:30:47.600
<v Speaker 1>including Michael Jeffrey, were killed. Noel Redding was one of

0:30:47.600 --> 0:30:50.160
<v Speaker 1>the few who called bullshit on the plane crash. They

0:30:50.200 --> 0:30:53.800
<v Speaker 1>never identified Jeffrey's body in the wreckage. Surely must be

0:30:53.880 --> 0:30:55.840
<v Speaker 1>hiding on one of these islands with one of his

0:30:55.960 --> 0:30:59.960
<v Speaker 1>many suitcases of money, dead and loving it. Most certain

0:31:00.160 --> 0:31:03.560
<v Speaker 1>not true. But Jeffrey was, to paraphrase Winston Churchill, a

0:31:03.680 --> 0:31:07.600
<v Speaker 1>riddle wrapped in a mystery inside an enigma. Anything's possible.

0:31:08.400 --> 0:31:12.239
<v Speaker 1>In April of n Monica Daneman was found guilty of

0:31:12.280 --> 0:31:15.040
<v Speaker 1>contempt of court. She had been lying to reporters about

0:31:15.080 --> 0:31:18.960
<v Speaker 1>Jimmy's death when Cathy Etchingham had the coroner's inquest, reopened.

0:31:19.320 --> 0:31:21.880
<v Speaker 1>Her fantasy world about a relationship with Jimmy took on

0:31:21.920 --> 0:31:24.040
<v Speaker 1>a life of its own after his death, and she

0:31:24.200 --> 0:31:27.680
<v Speaker 1>remained consumed by his memory. The walls of her house

0:31:27.720 --> 0:31:30.000
<v Speaker 1>were filled with paintings of Jimmy that she had created.

0:31:30.320 --> 0:31:32.800
<v Speaker 1>She held on to Jimmy's black stratocaster that he had

0:31:32.800 --> 0:31:35.600
<v Speaker 1>been playing that last day. She wrote a book about

0:31:35.600 --> 0:31:38.640
<v Speaker 1>her brief time with her supposed fiance, The Inner World

0:31:38.720 --> 0:31:41.280
<v Speaker 1>of Jimmie Hendricks, which contained a lot of photos she

0:31:41.400 --> 0:31:45.000
<v Speaker 1>took on her last day together. Two days after she

0:31:45.160 --> 0:31:48.600
<v Speaker 1>was found guilty of contempt. She parked from Mercedes bends

0:31:48.600 --> 0:31:52.640
<v Speaker 1>in her garage, closed the garage door, rolled her windows down,

0:31:52.960 --> 0:31:56.880
<v Speaker 1>breathed in, d filled her lungs with carbon monoxide, and

0:31:56.880 --> 0:31:59.600
<v Speaker 1>they were the last breaths she would take. She was

0:31:59.640 --> 0:32:03.280
<v Speaker 1>fifty years old. Chas Chandler was fifty seven when he

0:32:03.320 --> 0:32:06.160
<v Speaker 1>died in his sleep at Newcastle General Hospital in July.

0:32:07.920 --> 0:32:10.000
<v Speaker 1>He had been admitted to undergo tests for a new

0:32:10.080 --> 0:32:14.440
<v Speaker 1>ordic aneurism his heart gave out. Noel Redding had a

0:32:14.520 --> 0:32:18.240
<v Speaker 1>rocky relationship with the Hendricks estate following Jimmy's death in

0:32:18.280 --> 0:32:20.880
<v Speaker 1>the seventies. He first sued Warner Brothers for hundreds of

0:32:20.920 --> 0:32:24.360
<v Speaker 1>thousands of dollars and damages plus royalties, and then sued

0:32:24.360 --> 0:32:27.520
<v Speaker 1>both Warners and chas Chandler for a cool three million.

0:32:27.920 --> 0:32:30.240
<v Speaker 1>In a few thousand three, he sued the Hendricks estate

0:32:30.320 --> 0:32:33.600
<v Speaker 1>for another five million in royalty zone. A few months later,

0:32:33.880 --> 0:32:36.120
<v Speaker 1>he was found dead by his manager at his home

0:32:36.160 --> 0:32:39.960
<v Speaker 1>in Ireland, unknown causes, and he was only fifty seven.

0:32:40.840 --> 0:32:43.480
<v Speaker 1>Mitch Mitchell died in a Portland, Oregon hotel room in

0:32:43.480 --> 0:32:46.000
<v Speaker 1>November two thousand and eight. He was on the last

0:32:46.000 --> 0:32:48.920
<v Speaker 1>stop of a US tour with the experienced Hendricks show

0:32:49.240 --> 0:32:53.240
<v Speaker 1>attribute show to his former group featuring high profile musical guests.

0:32:53.640 --> 0:32:56.160
<v Speaker 1>His death was due to natural causes and he was

0:32:56.240 --> 0:33:00.120
<v Speaker 1>just sixty one. Over the years, all these musicians and

0:33:00.200 --> 0:33:02.640
<v Speaker 1>more were wrapped up and tied up in the ongoing

0:33:02.720 --> 0:33:06.960
<v Speaker 1>legacy of Jimmy Hendricks, his music, his legend, his place

0:33:07.000 --> 0:33:09.600
<v Speaker 1>in the nineteen sixties, and in the pantheon of rock

0:33:09.680 --> 0:33:13.960
<v Speaker 1>music architects. Though he only released three studio albums, one

0:33:14.040 --> 0:33:17.360
<v Speaker 1>live album, and one compilation album during a short lifetime,

0:33:17.720 --> 0:33:22.640
<v Speaker 1>his postumous catalog continues to grow. There have been releases

0:33:22.760 --> 0:33:27.400
<v Speaker 1>galore of live shows and studio outtakes, but also lawsuits galore.

0:33:27.920 --> 0:33:31.120
<v Speaker 1>Record companies, bandmates, family members. A lot of hands have

0:33:31.240 --> 0:33:35.840
<v Speaker 1>dipped into the Hendricks pie. Jimmy remains the ultimate archetype

0:33:35.880 --> 0:33:39.560
<v Speaker 1>for rock guitarists, for psychedelic music makers, for left handers

0:33:39.560 --> 0:33:42.400
<v Speaker 1>and freak flag waivers, and for those who like their

0:33:42.440 --> 0:33:47.680
<v Speaker 1>fashion sense to raise a few eyebrows. If Jimmy had

0:33:47.720 --> 0:33:51.080
<v Speaker 1>stopped searching along the way, stop trying to find that thing,

0:33:51.640 --> 0:33:54.560
<v Speaker 1>that thing that clicked, the right thing with his left hand,

0:33:54.920 --> 0:33:58.040
<v Speaker 1>searching for something that made sense, the right band or

0:33:58.120 --> 0:34:01.160
<v Speaker 1>right song, or right girl. If he stopped searching that,

0:34:01.240 --> 0:34:03.239
<v Speaker 1>he wouldn't have been Jimmy. He would have been just

0:34:03.280 --> 0:34:05.520
<v Speaker 1>another dude from Seattle with a guitar and a head

0:34:05.560 --> 0:34:08.359
<v Speaker 1>full of illicit drugs. He would have done what Little

0:34:08.440 --> 0:34:12.040
<v Speaker 1>Richard told him to do. Remained in the shadows, but

0:34:12.080 --> 0:34:15.480
<v Speaker 1>there was always something new to seek out. Sometimes, like

0:34:15.520 --> 0:34:18.080
<v Speaker 1>the music he made with Band of Gypsies, the results

0:34:18.120 --> 0:34:21.720
<v Speaker 1>of the detour were great. Other times, like that last

0:34:21.800 --> 0:34:25.319
<v Speaker 1>Faithful night with Monica, they were deadly. But it was

0:34:25.400 --> 0:34:28.719
<v Speaker 1>always Jimmy's move. Jimmy made it happen, and there was

0:34:28.760 --> 0:34:31.880
<v Speaker 1>no way he wouldn't. People don't realize as he wants,

0:34:31.920 --> 0:34:34.920
<v Speaker 1>say that a plastic cage is so easy to break.

0:34:35.719 --> 0:34:39.680
<v Speaker 1>Jimmy hendricks Stone free to do what he please. He

0:34:39.800 --> 0:34:45.880
<v Speaker 1>can't stay, He's gotta get away. I'm Jake Brennan and

0:34:46.080 --> 0:35:02.160
<v Speaker 1>this is the seven col. Twenty seven Club is scored

0:35:02.200 --> 0:35:05.480
<v Speaker 1>and co written by me Jake Brennan. Zeth Lundi is

0:35:05.520 --> 0:35:08.840
<v Speaker 1>the lead writer, editor and co producer. The twenty seven

0:35:08.840 --> 0:35:11.440
<v Speaker 1>Club is mixed and engineered by Sean kaal And and

0:35:11.520 --> 0:35:14.960
<v Speaker 1>Matt Bowden, both of whom lent their considerable music talent

0:35:15.040 --> 0:35:18.280
<v Speaker 1>to the scoring of this series, as well additional music

0:35:18.280 --> 0:35:21.759
<v Speaker 1>and score elements by Ryan Spreaker. The twenty seven Club

0:35:21.840 --> 0:35:24.640
<v Speaker 1>is produced by myself a Double Elvis in partnership with

0:35:24.719 --> 0:35:28.680
<v Speaker 1>iHeart Radio. Sources for this episode are available at Double

0:35:28.719 --> 0:35:31.760
<v Speaker 1>Elvis dot com on the twenty seven Club series page.

0:35:32.239 --> 0:35:35.920
<v Speaker 1>The twenty seven Club is released weekly every Thursday. Season

0:35:35.920 --> 0:35:39.239
<v Speaker 1>one features twelve episodes on Jimmy hendricks In season two

0:35:39.280 --> 0:35:42.680
<v Speaker 1>will feature twelve episodes on Jim Morrison. If you'd like

0:35:42.760 --> 0:35:44.600
<v Speaker 1>what to hear, please be sure to subscribe to the

0:35:44.640 --> 0:35:47.520
<v Speaker 1>twenty seven Called on Apple podcast the I Heart Radio

0:35:47.560 --> 0:35:50.400
<v Speaker 1>Apple wherever you get their podcasts. Then if you'd like

0:35:50.440 --> 0:35:53.000
<v Speaker 1>to win a free twenty seven Club poster designed by

0:35:53.000 --> 0:35:55.840
<v Speaker 1>the man himself, Nate Gonzalez, and then leave a review

0:35:55.880 --> 0:35:59.600
<v Speaker 1>for twenty seven Club on Apple podcasts or hashtag subscribed

0:35:59.680 --> 0:36:02.839
<v Speaker 1>to twenty seven Club on social media and we'll pick

0:36:02.920 --> 0:36:05.520
<v Speaker 1>two winners each week and announce them on the Double

0:36:05.560 --> 0:36:09.440
<v Speaker 1>Elvis Instagram page that's at Double Elvis. You're gonna want

0:36:09.440 --> 0:36:11.680
<v Speaker 1>to give that a follow, so get out there and

0:36:11.719 --> 0:36:14.880
<v Speaker 1>please spread the word about the part. As always, you

0:36:14.880 --> 0:36:17.120
<v Speaker 1>can find me blabbing a route other crazy rock stars

0:36:17.120 --> 0:36:19.919
<v Speaker 1>on my other podcast disgrace Land, and you can talk

0:36:19.960 --> 0:36:23.600
<v Speaker 1>to me per usual on Instagram and Twitter at graceland

0:36:23.680 --> 0:36:26.480
<v Speaker 1>pot one way or another. I hope to talking to you,

0:36:26.640 --> 0:36:37.400
<v Speaker 1>Sue until then. What's up for your ears?