WEBVTT - The Full Monty

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>woen inum, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy zef invest start

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<v Speaker 1>changing it with the Bell Cast. Hey, Jamie, I have

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<v Speaker 1>to tell you something. Oh yeah, what what is it?

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<v Speaker 1>You know how we will resume touring and doing live shows,

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<v Speaker 1>you know, when it's safe. Yeah, of course. Well I

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<v Speaker 1>told everyone that we would be doing them completely nude.

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<v Speaker 1>Is that okay? No, no, But we have to give

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<v Speaker 1>them something that the other podcast hosts don't. We have

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<v Speaker 1>to go the full Monty. I okay, fine, you know what,

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<v Speaker 1>you know what, but only if it's shot from the back.

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<v Speaker 1>Only if it's shot from the back, And then yes,

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<v Speaker 1>I will do it. Yeah, we will just do our

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<v Speaker 1>shows with our butts facing the audience. Wouldn't be the

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<v Speaker 1>first time, it would be the first time in backtel

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<v Speaker 1>cast history that I wonder what if we just like

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<v Speaker 1>launched into a tour announcement. After that, we're like, so

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<v Speaker 1>does that sound exciting? And guess what, Chicago, We're finally

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<v Speaker 1>coming to your city. We're coming to your city. There,

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<v Speaker 1>you know what I in that that scene, I was like,

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<v Speaker 1>they should bail on him, they should bail on him.

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<v Speaker 1>There's a lot of times where I'm like, you know,

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<v Speaker 1>I get why gas is is our is our is

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<v Speaker 1>our he's our protagonist. We're supposed to root for him.

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<v Speaker 1>But there were a few times where I'm like, guys,

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<v Speaker 1>you've crossed several lines and I'm seeing everyone's points very clearly. Yeah,

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<v Speaker 1>he makes some choices. Certain choices were made in gazes, life,

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<v Speaker 1>choices were made. Welcome to the Back to Happy Birthday, Caitlin,

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<v Speaker 1>it's your birthday episode. Thank you so much. I'm so

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<v Speaker 1>delighted to be doing this movie. This is one of

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<v Speaker 1>my favorites. I love the full Monty. It's it's nice

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<v Speaker 1>to be having a birthday, something, something to look forward to,

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<v Speaker 1>some happy I feel like it is the is the

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<v Speaker 1>nice thing for I mean, we're we're you know then

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<v Speaker 1>that's very regional, but but here it's you know, these

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<v Speaker 1>birthdays are better than the last birthdays, and that's yes, great.

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<v Speaker 1>So yeah, this is our podcast, The Bechtel Has, by

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<v Speaker 1>the way, and uh, this is our podcast where we

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<v Speaker 1>examine movies through an intersectional feminist lens using the Bechtel

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<v Speaker 1>Tests simply as a jumping off point, Jamie, is my birthday.

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<v Speaker 1>I don't feel like you know saying what the Bechtel

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<v Speaker 1>test is that you do it literally? Fine, Yes, I

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<v Speaker 1>can tell you that. The Bechtel test is a media

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<v Speaker 1>matric invented by queer cartoonist Alison Bechdel, sometimes called the

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<v Speaker 1>Bechdel Wallace test for our purposes, to people of a

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<v Speaker 1>marginalized gender with names have a two line or more

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<v Speaker 1>discussion about something other than a man, and we request

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<v Speaker 1>going forward that that the conversation be meaningful in the plot,

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<v Speaker 1>that it has some sort of effect on what happens,

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<v Speaker 1>and it's not just a throwaway exchange. Okay, yes, So

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<v Speaker 1>that's the test, and this is the podcast and the

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<v Speaker 1>movie again is the full Monty, Jamie, what's your relationship

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<v Speaker 1>with this movie? It has to do with you? It's

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<v Speaker 1>literally I had not I'd heard of this movie quite

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<v Speaker 1>a bit. I didn't really know what it was about.

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<v Speaker 1>And then a couple of Christmases ago, because we keep

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<v Speaker 1>Christmas together and uh and yeah you you you turned

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<v Speaker 1>it on and I have we loved it. There you go.

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<v Speaker 1>I'm so glad and it was it was fun too,

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<v Speaker 1>because I mean, I think we want. We like kind

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<v Speaker 1>of half watched it on Christmas and I was like, wow,

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<v Speaker 1>this is really heartwarming. And then we watched Paddington Too,

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<v Speaker 1>which was all of them were heartwarming. Oh my goodness.

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<v Speaker 1>And now it's officially the greatest movie of all time.

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<v Speaker 1>I know it's by Citizen paing take that you turned,

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<v Speaker 1>you know what. I think that we can now double

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<v Speaker 1>down on never covering Citizen Game because now it's the

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<v Speaker 1>worst movie ever made. I think that's how that works, right, Yeah,

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<v Speaker 1>it's a cyclical. It's a cyclical. Once you leave the top,

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<v Speaker 1>you have actually been brought down to dead last um.

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<v Speaker 1>But yeah, no, My my history of it is you

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<v Speaker 1>showed it to me um over a holiday, and I

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<v Speaker 1>really enjoyed it and it was really interesting to watch

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<v Speaker 1>for podcast purposes. There's so much to talk about. Yes,

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<v Speaker 1>what's your history? My mom introduced me to this movie

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<v Speaker 1>when I was in high school. He kept renting and

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<v Speaker 1>raving about it and saying, Caitlin, this is such a

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<v Speaker 1>good movie. I think you'll really like it. And I

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<v Speaker 1>was resistant at first because I was like a thing

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<v Speaker 1>that my mom likes, there's no way it's good or cool.

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<v Speaker 1>And then I watched it Finally, I was probably a

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<v Speaker 1>sophomore in high school and I saw it. I think

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<v Speaker 1>she and I watched it together and I loved it,

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<v Speaker 1>So my mom was right. Turns out my mom has

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<v Speaker 1>pretty good taste in media at least, and I've loved

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<v Speaker 1>it ever since. I watched this movie several times a year.

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<v Speaker 1>I've seen it probably like forty times now, but I

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<v Speaker 1>haven't watched it through the Bechtel cast lens until until now.

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<v Speaker 1>Uh there's yeah, there there's I think for indie movie,

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<v Speaker 1>there's a hell of a to talk about. Yes, yes,

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<v Speaker 1>there sure is. Should I just dive in to the

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<v Speaker 1>recap and yeah, let's go for it. It's I mean,

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<v Speaker 1>it's your birthday. Lead the way, Oh my gosh, I

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<v Speaker 1>will guide you. Okay. So we open on a seventies

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<v Speaker 1>era news reel about Sheffield, England, which I learned was

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<v Speaker 1>like a real, like an actual like promotional movie made

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<v Speaker 1>about Sheffield. It's like a classic come to our industrial town.

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<v Speaker 1>There's things going on here, we swear. It feels kind

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<v Speaker 1>of familiar, and it's you're also like, this is all

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<v Speaker 1>lies right, and it is indeed about how Sheffield is

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<v Speaker 1>an industrial hot spot with an amazing nightlife and cool

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<v Speaker 1>things to do, and also it manufactures steal. Then we

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<v Speaker 1>cut to twenty five years later, the steel mill has closed.

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<v Speaker 1>We meet Gas, which is Robert Carlyle and his pal

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<v Speaker 1>Dave Mark Addie, who are unemployed steel mill workers. Gaz's

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<v Speaker 1>son Nathan is a boy Nivee, and I like, I, um,

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<v Speaker 1>this is for for Americans. Uh, watching this movie for

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<v Speaker 1>the first time, You're gonna want to have the subtitles

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<v Speaker 1>on more so than usual because I was like there

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<v Speaker 1>was whole I was like, holy knife. Even with the subtitles,

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<v Speaker 1>there's so much slang, like Yorkshire slang, that you you

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<v Speaker 1>have to do a lot of googling. There is also

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<v Speaker 1>some did you notice this? Um I I watched I

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<v Speaker 1>was watching this on Amazon Prime. Fun Jeff Bezos, but

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<v Speaker 1>I was watching it on Amazon Prime. But there were

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<v Speaker 1>like little phrases that were it seems like they were

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<v Speaker 1>a d ard to be Americanized, but in the subtitles

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<v Speaker 1>they remained English. Yeah, there was like they changed like

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<v Speaker 1>an English credit card to like master card or like

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<v Speaker 1>the little things like that. I was like, oh, they like,

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<v Speaker 1>I feel like that's like TBS syndrome or something. When

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<v Speaker 1>it was like oh. When they started syndicating this movie

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<v Speaker 1>in America, they changed things so that it would make

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<v Speaker 1>sense to our puny brains, right. But then there's also

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<v Speaker 1>large swaths of dialogue where they say something like um,

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<v Speaker 1>there's now now, which means nothing, or oh, I know

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<v Speaker 1>more than some chuffin woman, or um, which is a

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<v Speaker 1>very feminist thing to say, or don't get a benny on.

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<v Speaker 1>I never I never cracked that one. What is that?

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<v Speaker 1>I think it just means like it's like kind of

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<v Speaker 1>like don't get your panties in a bunch maybe, okay, okay.

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<v Speaker 1>I did consult my friend Jake. Shout out Jake, who

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<v Speaker 1>lived in Sheffield for a couple of years, and I

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<v Speaker 1>was like, I was like, Jake, tell me, because yeah,

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<v Speaker 1>I think he went to to university their Uni. Yeah.

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<v Speaker 1>But he was like, I honestly have not heard a

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<v Speaker 1>lot of this slang. So I don't know if it

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<v Speaker 1>was like nineties era slang that had like kind of

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<v Speaker 1>gone out of style by the time you lived there,

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<v Speaker 1>could have been really relegated to like working class slang.

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<v Speaker 1>There's a lot of possibilities. My favorite, my favorite turn

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<v Speaker 1>of phrase happens really early in the movie when they're

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<v Speaker 1>walking towards the Chippendale show and Gas is like, what

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<v Speaker 1>is this and Nathan is like, it's them Chippendale efforts,

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<v Speaker 1>And it's like, what an interesting way to say that.

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<v Speaker 1>I want to start calling all performances efforts. Um. I

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<v Speaker 1>feel like it's a more honest way of referring to

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<v Speaker 1>most performance like like our upcoming live shows, the Bectel

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<v Speaker 1>cast efforts. Yeah, were gonna start calling them our live efforts.

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<v Speaker 1>And you know if you don't like them that we

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<v Speaker 1>didn't say you're gonna like them. We said it was

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<v Speaker 1>gonna there was gonna be effort put in. Yeah, we

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<v Speaker 1>were gonna try. That's all. That's all we can do.

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<v Speaker 1>Oh goodness. Um. Yeah. So there's a lot of very

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<v Speaker 1>specific regional slang in the movie that makes some of

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<v Speaker 1>the dialogue a bit difficult to understand for Americans and

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<v Speaker 1>I'm sure other groups. But it's fun, but it's it's

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<v Speaker 1>fun to decode. Yes indeed. Okay, So where were we, um, Gaz,

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<v Speaker 1>Dave and Nathan are all in this steel mill trying

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<v Speaker 1>to steal an old girder or like an I I

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<v Speaker 1>what do we like? An ib my guess that would

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<v Speaker 1>have was what I would know that as um, yeah,

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<v Speaker 1>that sounds about right, yeah, so that they can like

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<v Speaker 1>sell it for scrap metal because they're unemployed and they

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<v Speaker 1>have very little money. Right on the way back home,

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<v Speaker 1>they pass a working men's club basically like a venue

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<v Speaker 1>a strip club where these Chippendale efforts are happening. So

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<v Speaker 1>it's like it's like ladies night at the men's club

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<v Speaker 1>essentially right right, because it's for women only, and Dave's

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<v Speaker 1>his wife, Jean is there. Gas and Nathan sneak into

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<v Speaker 1>the club. Jean and her friends come into the restroom.

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<v Speaker 1>They overhear Jean talking about how like Dave has given

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<v Speaker 1>up on their relationship, and then someone peas on a

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<v Speaker 1>wall deciding very exciting. Then we see Gas and Dave

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<v Speaker 1>at job club, which is like an unemployment office. Um,

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<v Speaker 1>they're trying to get jobs. Their former boss Gerald that's

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<v Speaker 1>Tom Wilkinson is there and they're talking about the strip

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<v Speaker 1>club and they're making remarks about sort of like how

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<v Speaker 1>they feel obsolete as men, but also like oh, there

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<v Speaker 1>were so many women there and they were paying money

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<v Speaker 1>to see men dance around. Then Gas gets noticed that

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<v Speaker 1>he's going to lose joint custody of Nathan if he

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<v Speaker 1>doesn't pay child support, which he can't afford to do.

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<v Speaker 1>This is a moment that in a in a very

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<v Speaker 1>different way. But this specific character of Barry, who's like

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<v Speaker 1>the new dad in town, he reminds me so much

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<v Speaker 1>of Neil from the Santa Claus franchise. I was like, Oh,

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<v Speaker 1>the new dad in town. I know this character. It's

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<v Speaker 1>a very like it's I mean, it's a it's a

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<v Speaker 1>stock character that's existed for a long time, like so

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<v Speaker 1>and so's new significant other and they're like villainized in

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<v Speaker 1>a way that is probably not fair. Uh, but I

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<v Speaker 1>feel like in the nineties it was such a spec

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<v Speaker 1>civic vibe that it was like and also he's got

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<v Speaker 1>a lot of hair, and he's wearing a sweater like

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<v Speaker 1>it was a really specific aesthetic of like, if you

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<v Speaker 1>are the new dad, you are wearing like a knit sweater,

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<v Speaker 1>a cable knit sweater. This was also carry you Else's

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<v Speaker 1>character in Liar Liar, a big movie of my childhood.

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<v Speaker 1>I have never They're like, I just have never seen it.

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<v Speaker 1>Jim Carrey and Adam Sandler. Cannon is like completely eluded

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<v Speaker 1>me as a youth, probably for the best I think

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<v Speaker 1>I'm better off for it. But but there are you know,

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<v Speaker 1>some some basic uh you know, party talk literacy that

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<v Speaker 1>I just can't I can't keep up is liar, liar? Good? Um,

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<v Speaker 1>I have not seen it since I was probably twelve,

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<v Speaker 1>so all right, but I don't imagine it holds up

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<v Speaker 1>very well. Reasonable, But I loved it when I was twelve.

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<v Speaker 1>Oh what if everything we love when we were twelve?

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<v Speaker 1>Howld up? You know I'd still be watching rent it,

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<v Speaker 1>you know. Anyways, Anyways, so Gaz argues with his ex

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<v Speaker 1>wife Mandy about this soul custody situation, and then he

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<v Speaker 1>gets the idea to put on a strip show as

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<v Speaker 1>a way of earning money to pay child support, which

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<v Speaker 1>he pitches to Dave, who is like, um no, this

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<v Speaker 1>doesn't sound like a good idea. Then they come upon Lumper,

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<v Speaker 1>a security guard at the steel mill who they rescue

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<v Speaker 1>from a suicide attempt, and they befriend him and they

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<v Speaker 1>all start hanging out and they rope him into this

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<v Speaker 1>strip show. That scene is very I mean, we'll talk

0:14:51.800 --> 0:14:54.680
<v Speaker 1>about it, but that scene is very sweet. Where he's

0:14:54.680 --> 0:14:57.200
<v Speaker 1>where they're like where, it's it's such a I don't know,

0:14:57.320 --> 0:15:01.440
<v Speaker 1>it's it's fun watching, like the the way that bonding

0:15:01.520 --> 0:15:05.080
<v Speaker 1>happens in this movie of like where they're all kind

0:15:05.120 --> 0:15:07.840
<v Speaker 1>of yelling at each other still, but they're trying to

0:15:07.920 --> 0:15:10.120
<v Speaker 1>be friends to each other. It's very sweet where they're like,

0:15:10.160 --> 0:15:13.120
<v Speaker 1>where are your mates now? And he's like, oh, okay,

0:15:13.600 --> 0:15:16.520
<v Speaker 1>like why are we yelling? But you know, I appreciate

0:15:16.560 --> 0:15:22.120
<v Speaker 1>the sentiment. Yeah, And then Gas is still on about

0:15:22.160 --> 0:15:25.360
<v Speaker 1>this strip show. He can't let it go, and Dave

0:15:25.480 --> 0:15:28.680
<v Speaker 1>is kind of warming up to the idea. Nathan is

0:15:28.800 --> 0:15:32.400
<v Speaker 1>very embarrassed by his dad. Well, Nathan just shouldn't be

0:15:32.560 --> 0:15:35.720
<v Speaker 1>around whatever is going on here. That's like my main

0:15:35.840 --> 0:15:40.080
<v Speaker 1>thing with Gas, like the well talk in general, I

0:15:40.080 --> 0:15:45.240
<v Speaker 1>don't think that gazes. Ex wife Mandy is demonized really,

0:15:45.880 --> 0:15:50.280
<v Speaker 1>which is good because I don't really I very much

0:15:50.360 --> 0:15:53.280
<v Speaker 1>see where she's coming from. Um, it seems like her

0:15:53.280 --> 0:15:58.160
<v Speaker 1>son is repeatedly being put in pretty unsafe, irresponsible situations.

0:15:58.840 --> 0:16:04.720
<v Speaker 1>You're not wrong, Yeah, yeah, So he's there, He, like guys,

0:16:04.840 --> 0:16:07.440
<v Speaker 1>is trying to do a strip tease just to like

0:16:07.600 --> 0:16:11.440
<v Speaker 1>see how it goes. He's terrible at it, it's embarrassed,

0:16:11.440 --> 0:16:14.320
<v Speaker 1>he runs away. Yes, It's so it's very funny, and

0:16:14.360 --> 0:16:16.760
<v Speaker 1>they realize that they can't really dance and they don't

0:16:16.760 --> 0:16:20.320
<v Speaker 1>know what they're doing. So they approach their old boss, Gerald,

0:16:20.480 --> 0:16:23.960
<v Speaker 1>who does like ballroom dance, and they asked him to

0:16:24.080 --> 0:16:27.960
<v Speaker 1>join their group. Gerald's whole thing is that he hasn't

0:16:28.000 --> 0:16:33.160
<v Speaker 1>told his wife that he's lost his job because he's

0:16:33.320 --> 0:16:38.000
<v Speaker 1>too proud um and he eventually agrees to join the group.

0:16:38.880 --> 0:16:41.840
<v Speaker 1>Then they hold auditions to add a couple more men

0:16:41.920 --> 0:16:46.720
<v Speaker 1>to their troop. They recruit Horse who's got some good

0:16:46.800 --> 0:16:52.960
<v Speaker 1>dance moves, and guy who has a large penis, and

0:16:53.040 --> 0:16:56.520
<v Speaker 1>that's what he has to contribute to the group. What's

0:16:56.560 --> 0:17:00.280
<v Speaker 1>the phrase that's like the lunchbox has landed. I'm like,

0:17:01.720 --> 0:17:03.760
<v Speaker 1>that's such a fun line of dialogue where I'm like,

0:17:04.000 --> 0:17:06.679
<v Speaker 1>out of context of like, this could mean anything, but

0:17:06.800 --> 0:17:10.320
<v Speaker 1>in context, I'm like, I know exactly what he's talking about.

0:17:10.880 --> 0:17:12.840
<v Speaker 1>Do you remember on my Space when you could have

0:17:13.000 --> 0:17:17.400
<v Speaker 1>just like a little like tagline in your profile. That

0:17:17.480 --> 0:17:21.159
<v Speaker 1>was my tagline for the entire time I had my Space,

0:17:21.320 --> 0:17:25.720
<v Speaker 1>The lunchbox has landed. Oh my god, that is on it?

0:17:25.920 --> 0:17:28.520
<v Speaker 1>That is that holds up. I feel like mine were

0:17:28.560 --> 0:17:33.399
<v Speaker 1>just like bright eyes lyrics. Mine were pretty embarrassing and

0:17:33.520 --> 0:17:35.560
<v Speaker 1>we're like I wish I could write a perfect son

0:17:35.600 --> 0:17:44.119
<v Speaker 1>it like embarrassing. Oh goodness, Okay. They then steal a

0:17:44.359 --> 0:17:49.280
<v Speaker 1>copy of Flashdance and watch it for inspiration. We gotta

0:17:49.320 --> 0:17:52.240
<v Speaker 1>cover Flashdance on the podcast at some point. By the way,

0:17:52.280 --> 0:17:54.440
<v Speaker 1>there's so many levels of things I want to talk

0:17:54.440 --> 0:17:56.760
<v Speaker 1>about with Flash Dance because it's directed by the same

0:17:56.800 --> 0:18:03.719
<v Speaker 1>guy who directed Lolita. There's it's an Adrianne. Holy sh it.

0:18:03.800 --> 0:18:06.560
<v Speaker 1>I did not know that it was his first big movie.

0:18:07.720 --> 0:18:11.560
<v Speaker 1>How wild? How did he? I mean, I haven't watched

0:18:11.600 --> 0:18:13.320
<v Speaker 1>it in a couple of years, but I feel like

0:18:13.400 --> 0:18:17.120
<v Speaker 1>Flashdance is like cool with some feminist themes, and then

0:18:17.160 --> 0:18:20.040
<v Speaker 1>all of a sudden Lolita, like, how did things go

0:18:20.160 --> 0:18:24.920
<v Speaker 1>so wrong? Well, I I I could connect the dots there.

0:18:24.960 --> 0:18:28.600
<v Speaker 1>I think I think it's because once he did um

0:18:29.000 --> 0:18:33.600
<v Speaker 1>Fatal Attraction, he was like, oh, I'm just never it.

0:18:33.880 --> 0:18:37.119
<v Speaker 1>He made so much money, um, you know, making women

0:18:37.359 --> 0:18:42.000
<v Speaker 1>look um horrible that I think he's like, let's just

0:18:42.160 --> 0:18:45.639
<v Speaker 1>roll with this. That's my theory. But also I just

0:18:45.680 --> 0:18:49.440
<v Speaker 1>don't I think he's just kind of mediocre. But Flashdance itself,

0:18:50.240 --> 0:18:52.359
<v Speaker 1>I haven't seen it in like ten years, but I

0:18:52.400 --> 0:18:56.520
<v Speaker 1>really liked watching it. I just I associate that movie

0:18:56.520 --> 0:18:59.439
<v Speaker 1>with sweating because you just it makes you want to

0:18:59.480 --> 0:19:04.639
<v Speaker 1>get up dance. It's true anyway, so we'll cover it someday.

0:19:05.000 --> 0:19:08.919
<v Speaker 1>In the meantime, they're watching flash Dance. They start putting

0:19:08.960 --> 0:19:13.560
<v Speaker 1>together a choreographed routine, which they're all pretty bad at.

0:19:14.359 --> 0:19:18.080
<v Speaker 1>Then there's like this training montage. Then they come upon

0:19:18.240 --> 0:19:20.720
<v Speaker 1>a couple of women who they know, and they're like, well,

0:19:20.720 --> 0:19:23.320
<v Speaker 1>what do you guys have to offer that these real

0:19:23.520 --> 0:19:28.000
<v Speaker 1>chippendale dancers can't? And Gas is like, well, this lot

0:19:28.040 --> 0:19:30.960
<v Speaker 1>will go all the way the full monty and we're like,

0:19:31.400 --> 0:19:33.520
<v Speaker 1>that's the name of the movie. No, And then they

0:19:33.560 --> 0:19:36.000
<v Speaker 1>say it back and forth three different times, and I'm like,

0:19:36.160 --> 0:19:40.879
<v Speaker 1>it's really satisfying. But also, Gas, you gotta check in

0:19:40.920 --> 0:19:46.959
<v Speaker 1>with your friends. It's true, yeah, Gas problematic. But now

0:19:47.000 --> 0:19:50.160
<v Speaker 1>they have no choice but to do full nudity because

0:19:50.359 --> 0:19:54.960
<v Speaker 1>it has been announced to those two women who they're like, well,

0:19:54.960 --> 0:19:59.879
<v Speaker 1>there's such gossips that they'll tell everyone. Also, while the

0:20:00.000 --> 0:20:03.439
<v Speaker 1>this is all happening, um, we learned that most of

0:20:03.440 --> 0:20:07.840
<v Speaker 1>the men have something that they're like insecure about or

0:20:08.480 --> 0:20:12.280
<v Speaker 1>dealing with in their personal lives. For example, Dave is

0:20:12.400 --> 0:20:17.360
<v Speaker 1>having body image issues, which is leading to like a

0:20:17.400 --> 0:20:21.040
<v Speaker 1>sexual slump with Gene. He's not sure how to talk

0:20:21.080 --> 0:20:23.440
<v Speaker 1>about it with her. She doesn't know how to bring

0:20:23.480 --> 0:20:29.560
<v Speaker 1>it up with him. It's one of those things. Um

0:20:29.840 --> 0:20:35.760
<v Speaker 1>Horse is insecure about the size of his penis. Gerald

0:20:36.119 --> 0:20:40.680
<v Speaker 1>gets unexpected erections and he's worried that it'll happen when

0:20:40.680 --> 0:20:44.640
<v Speaker 1>he's on stage during the show. Then they do a

0:20:44.760 --> 0:20:48.399
<v Speaker 1>dress rehearsal in the old steel mill in front of

0:20:48.440 --> 0:20:51.719
<v Speaker 1>horses family, which this is one of my favorite scenes

0:20:51.840 --> 0:20:56.920
<v Speaker 1>in the movie. It's so funny. The reaction shots are

0:20:56.960 --> 0:21:01.840
<v Speaker 1>truly priceless. Yeah, Dave is not there because he's having

0:21:01.920 --> 0:21:05.639
<v Speaker 1>second thoughts. He's gotten a job as a security guard

0:21:05.920 --> 0:21:10.200
<v Speaker 1>at as Does, a same store he shoplifted right Yes.

0:21:13.520 --> 0:21:17.960
<v Speaker 1>During the dress rehearsal, they get caught by the Like

0:21:18.080 --> 0:21:22.160
<v Speaker 1>Factory security guard and they get arrested. Because of this,

0:21:22.600 --> 0:21:25.840
<v Speaker 1>Gas can no longer see his son until he like

0:21:26.320 --> 0:21:30.679
<v Speaker 1>has a meeting with Like Social Services. Also, Guy and

0:21:30.800 --> 0:21:34.639
<v Speaker 1>Lamper had like fled the scene when the security guard

0:21:34.920 --> 0:21:39.600
<v Speaker 1>shows up. They run off to Lamper's house where they

0:21:39.680 --> 0:21:43.960
<v Speaker 1>have a little moment with each other. I forgot about

0:21:44.000 --> 0:21:46.440
<v Speaker 1>that why. I don't know if I remember that for

0:21:46.520 --> 0:21:50.919
<v Speaker 1>my first feeling, and I was like, oh wow, yeah cute.

0:21:51.680 --> 0:21:55.879
<v Speaker 1>Then Gerald's wife finds out that he has been lying

0:21:55.960 --> 0:21:59.160
<v Speaker 1>about being unemployed this whole time, and she kicks him

0:21:59.200 --> 0:22:04.960
<v Speaker 1>out of the house. Lamper's mom passes away. Dave's wife

0:22:05.160 --> 0:22:08.199
<v Speaker 1>thinks that he's cheating on her because she finds his

0:22:08.320 --> 0:22:11.760
<v Speaker 1>like stripper thong and stuff. Um, so this is what

0:22:11.800 --> 0:22:15.560
<v Speaker 1>we would call the low point. But Dave is like, no,

0:22:15.760 --> 0:22:18.040
<v Speaker 1>I'm a stripper, but I'm not going to go through

0:22:18.080 --> 0:22:19.800
<v Speaker 1>with it because no one would want to see me.

0:22:19.920 --> 0:22:22.320
<v Speaker 1>And she's like, well, you should do it because I

0:22:22.359 --> 0:22:27.159
<v Speaker 1>would watch you. So now that's seen made me cry.

0:22:27.280 --> 0:22:32.040
<v Speaker 1>It's really they love each other, but they don't know

0:22:32.080 --> 0:22:37.440
<v Speaker 1>how to communicate. And then it's time for the big show.

0:22:38.080 --> 0:22:42.120
<v Speaker 1>The house is packed, They've sold hundreds of tickets. Oh

0:22:42.359 --> 0:22:45.240
<v Speaker 1>my gosh, it looks not on, like they have a

0:22:45.320 --> 0:22:48.480
<v Speaker 1>venue that is not on like venues that we do

0:22:48.760 --> 0:22:51.680
<v Speaker 1>where you're like it just it's a bar, but large,

0:22:51.960 --> 0:22:55.800
<v Speaker 1>it's it's it may be nostalgic for rooms full of

0:22:55.880 --> 0:23:00.560
<v Speaker 1>people I know, I know. And then Dave shows up

0:23:00.600 --> 0:23:03.000
<v Speaker 1>because he has decided to do the show after all.

0:23:03.720 --> 0:23:06.600
<v Speaker 1>Gas has some last minute second thoughts because there are

0:23:06.640 --> 0:23:10.080
<v Speaker 1>men in the audience. But then Nathan is like, come on, Dad,

0:23:10.520 --> 0:23:15.080
<v Speaker 1>go strip. Nathan's like, I gave you my only money,

0:23:15.440 --> 0:23:19.120
<v Speaker 1>you have to do it, and Gas is like, oh

0:23:19.200 --> 0:23:25.080
<v Speaker 1>yeah right. So he goes out there, they do the show,

0:23:26.000 --> 0:23:30.080
<v Speaker 1>they strip, they go the full Monty and then that's

0:23:30.240 --> 0:23:36.320
<v Speaker 1>the end of the movie freeze frame, and it's, uh,

0:23:36.560 --> 0:23:39.000
<v Speaker 1>what a treat, and that's the movie. Shall we take

0:23:39.000 --> 0:23:41.320
<v Speaker 1>a break. Let's take a break and we'll be right back.

0:23:48.160 --> 0:23:52.520
<v Speaker 1>And we're back, Yes, we are. Um. So, I think

0:23:52.560 --> 0:23:55.800
<v Speaker 1>one of the things that I have always been like

0:23:56.080 --> 0:24:01.080
<v Speaker 1>drawn to and attached to with this movie and this

0:24:01.119 --> 0:24:03.800
<v Speaker 1>is something like that. I one of the reasons, like

0:24:03.840 --> 0:24:07.800
<v Speaker 1>I wanted to start this podcast from the jump was

0:24:07.840 --> 0:24:09.840
<v Speaker 1>that I was noticing that so many of my favorite

0:24:09.880 --> 0:24:14.120
<v Speaker 1>movies were very like male centered and had male protagonists,

0:24:14.680 --> 0:24:19.840
<v Speaker 1>and women were not prominent characters in a lot of

0:24:19.840 --> 0:24:23.359
<v Speaker 1>the movies that I liked, because also that's most of

0:24:23.400 --> 0:24:27.720
<v Speaker 1>what's available. But I I still tend to like gravitate

0:24:28.040 --> 0:24:32.360
<v Speaker 1>towards stories about men that are like that, like, are

0:24:32.400 --> 0:24:36.520
<v Speaker 1>not about toxic men, I guess or not. I mean,

0:24:36.960 --> 0:24:41.320
<v Speaker 1>let's I'll throw one out there Paddington, Paddington's exactly famously

0:24:41.640 --> 0:24:49.399
<v Speaker 1>unproblematic um star of the best movie ever made officially

0:24:49.760 --> 0:24:56.600
<v Speaker 1>each ship orson Welles, which Citizen Kane very toxic man.

0:24:57.880 --> 0:25:03.159
<v Speaker 1>Wait are you suggesting Randolph Hurst was a toxic person?

0:25:03.880 --> 0:25:06.880
<v Speaker 1>I mean, we will never will never have this discussion

0:25:06.880 --> 0:25:08.880
<v Speaker 1>because we're never gonna cover We're never going to cover

0:25:08.960 --> 0:25:12.520
<v Speaker 1>this movie. But yes, so I appreciate stories about men

0:25:13.200 --> 0:25:15.680
<v Speaker 1>that are about men who are like not using with

0:25:15.800 --> 0:25:17.919
<v Speaker 1>toxic masculinity. And this is one of the things that

0:25:18.400 --> 0:25:19.919
<v Speaker 1>drew me to this movie, where I mean, there are

0:25:20.000 --> 0:25:22.560
<v Speaker 1>arguments to be made that like Guys does some like

0:25:23.040 --> 0:25:27.760
<v Speaker 1>he does make some questionable choices. But what I always

0:25:27.800 --> 0:25:30.560
<v Speaker 1>found so like interesting and compelling about this movie is

0:25:30.640 --> 0:25:34.359
<v Speaker 1>that one of the major themes that gets explored is

0:25:34.400 --> 0:25:39.920
<v Speaker 1>like the movie's exploration of toxic standards of masculinity and

0:25:40.160 --> 0:25:45.040
<v Speaker 1>how those standards really affect men in negative ways, whether

0:25:45.080 --> 0:25:50.280
<v Speaker 1>they are like beauty standards or the like expectation that

0:25:50.359 --> 0:25:54.440
<v Speaker 1>men are supposed to be providers um or whatever it is,

0:25:54.640 --> 0:26:00.920
<v Speaker 1>and how things that we tend to assume only affect women,

0:26:01.040 --> 0:26:03.880
<v Speaker 1>like beauty standards, that is not the case. Like all

0:26:03.920 --> 0:26:08.600
<v Speaker 1>these men are are affected by like Western standards of beauty.

0:26:08.920 --> 0:26:11.720
<v Speaker 1>So that's like kind of one of the big things

0:26:11.720 --> 0:26:14.320
<v Speaker 1>for me with this movie. I totally agree. I mean

0:26:14.320 --> 0:26:17.199
<v Speaker 1>I think that, and like what what especially I what

0:26:17.320 --> 0:26:19.639
<v Speaker 1>I like especially about this movie and we will, you know,

0:26:19.680 --> 0:26:21.720
<v Speaker 1>go through all the stuff that didn't age as well.

0:26:21.760 --> 0:26:25.919
<v Speaker 1>But the my favorite thing in the entire world is

0:26:25.960 --> 0:26:29.760
<v Speaker 1>when which I think this movie does so like effortlessly

0:26:29.880 --> 0:26:34.160
<v Speaker 1>for the most part, is like addresses like important issues,

0:26:34.440 --> 0:26:38.240
<v Speaker 1>but not in a way that is like tragedy porn

0:26:38.400 --> 0:26:40.840
<v Speaker 1>or bashing you over the head with it. Like it's

0:26:41.520 --> 0:26:45.320
<v Speaker 1>it's both like presented honestly and realistically, and it's also

0:26:45.480 --> 0:26:50.480
<v Speaker 1>just like funny and it I feel like that, I

0:26:50.520 --> 0:26:53.400
<v Speaker 1>don't know, like it's just like the kinds of movies

0:26:53.480 --> 0:26:57.040
<v Speaker 1>that I prefer to watch. And also I think that

0:26:57.080 --> 0:27:00.760
<v Speaker 1>it's like they were able to access to to wide

0:27:00.840 --> 0:27:05.360
<v Speaker 1>audience by making that choice here, where like I had

0:27:05.480 --> 0:27:09.520
<v Speaker 1>no idea how small this movie was versus how successful

0:27:09.560 --> 0:27:11.920
<v Speaker 1>it was. It like it was on a three point

0:27:11.960 --> 0:27:14.439
<v Speaker 1>five million dollar budget and it made two hundred fifty

0:27:14.480 --> 0:27:20.560
<v Speaker 1>eight million dollars in it's like absurd how successful it was.

0:27:21.160 --> 0:27:24.160
<v Speaker 1>And I feel like because it's because of what you're

0:27:24.160 --> 0:27:28.359
<v Speaker 1>describing of like the you know, not many movies that

0:27:28.480 --> 0:27:31.439
<v Speaker 1>have and you know, there's a ba jillion movies that

0:27:31.480 --> 0:27:35.359
<v Speaker 1>have a completely sis male cast um in terms of

0:27:35.400 --> 0:27:41.960
<v Speaker 1>central characters, but almost none of them examine the pressures

0:27:42.000 --> 0:27:44.840
<v Speaker 1>of masculinity. And I very much feel like we've talked

0:27:44.840 --> 0:27:49.320
<v Speaker 1>about this before, like part of being uh feminist is

0:27:49.480 --> 0:27:53.159
<v Speaker 1>examining masculinity and the effects that it has on on

0:27:53.200 --> 0:27:57.400
<v Speaker 1>the people it's thrust upon. And also it's it focuses

0:27:57.440 --> 0:28:00.040
<v Speaker 1>on the working class, which is like yet another a

0:28:00.160 --> 0:28:04.720
<v Speaker 1>layer that you don't get very much, especially in comedy

0:28:04.800 --> 0:28:07.280
<v Speaker 1>that is like centered around the working class. It's like,

0:28:07.400 --> 0:28:09.840
<v Speaker 1>you know, so often the working class is being punched

0:28:09.960 --> 0:28:13.200
<v Speaker 1>down at. They might appear in comedies as a punchline,

0:28:13.240 --> 0:28:16.040
<v Speaker 1>as a joke, but this is just like it's it's

0:28:16.119 --> 0:28:18.399
<v Speaker 1>just very matter of factly, like we're in a working

0:28:18.440 --> 0:28:22.480
<v Speaker 1>class community that it has been you know, like devastated

0:28:22.480 --> 0:28:26.040
<v Speaker 1>in a way that many industrial towns have been um

0:28:26.040 --> 0:28:29.760
<v Speaker 1>particularly in this Like I did a little little history dive.

0:28:29.800 --> 0:28:31.800
<v Speaker 1>I was like, oh, this is like, you know, but

0:28:32.119 --> 0:28:35.720
<v Speaker 1>that happens virtually everywhere, Like everyone knows of a place

0:28:35.800 --> 0:28:37.800
<v Speaker 1>where this I don't know my hometown used to be

0:28:38.600 --> 0:28:41.080
<v Speaker 1>shoe city. If you look at it used to be

0:28:41.200 --> 0:28:45.480
<v Speaker 1>shoe city and guess what, no more shoes Now there's

0:28:46.920 --> 0:28:50.560
<v Speaker 1>there's a loan there's a loan shoe company left in Brockton.

0:28:50.760 --> 0:28:53.760
<v Speaker 1>If you want to, uh, you know, go online too.

0:28:53.960 --> 0:28:56.840
<v Speaker 1>I think it's called foot Joy. Get some shoes from

0:28:56.880 --> 0:28:58.960
<v Speaker 1>foot Joy. It's the last. But there used to be

0:28:59.000 --> 0:29:03.200
<v Speaker 1>five trillions to factories in Brocton. But anyways, this is

0:29:03.240 --> 0:29:07.080
<v Speaker 1>a very common thing in you know, in working class neighborhoods,

0:29:07.160 --> 0:29:11.280
<v Speaker 1>and but you so rarely see working class people centered

0:29:11.320 --> 0:29:15.080
<v Speaker 1>in movies. And it's like watching specifically working class men

0:29:15.440 --> 0:29:20.760
<v Speaker 1>struggle with the pressures of masculinity on like all these

0:29:20.800 --> 0:29:25.920
<v Speaker 1>different levels. It's it's so unique, and it's I don't know,

0:29:26.080 --> 0:29:27.880
<v Speaker 1>like there's places where I'm like, oh, I wish they

0:29:27.920 --> 0:29:29.880
<v Speaker 1>had gone further. I wish that this character had more

0:29:29.920 --> 0:29:33.360
<v Speaker 1>of a complete arc. But I feel like even now

0:29:33.480 --> 0:29:36.600
<v Speaker 1>it's like that I can't really there's there's not many

0:29:37.040 --> 0:29:39.959
<v Speaker 1>movies that do this. I feel like it's there. There

0:29:40.080 --> 0:29:42.200
<v Speaker 1>is like a lot of good examination of like working

0:29:42.240 --> 0:29:44.320
<v Speaker 1>class issues in TV, but I don't think as much

0:29:44.360 --> 0:29:49.240
<v Speaker 1>in in movies. Yeah, I think that is really cool

0:29:49.600 --> 0:29:52.640
<v Speaker 1>and like you said it, um, these men are dealing

0:29:52.960 --> 0:29:59.640
<v Speaker 1>with these pressures of toxic masculinity and acting in ways

0:30:00.000 --> 0:30:03.480
<v Speaker 1>in some cases that were like mmmmm, I wish you

0:30:03.520 --> 0:30:07.840
<v Speaker 1>wouldn't use that homophobic slur and I wish you wouldn't

0:30:07.880 --> 0:30:11.479
<v Speaker 1>like cat call women who are like walking down the

0:30:11.520 --> 0:30:17.040
<v Speaker 1>street and reading them there for instance. Yeah, so you know,

0:30:17.080 --> 0:30:21.320
<v Speaker 1>they're their products of their environment, certainly. But yeah, I

0:30:21.320 --> 0:30:24.880
<v Speaker 1>think the movie does, especially for like a movie in

0:30:24.920 --> 0:30:29.000
<v Speaker 1>the nineties, does like a pretty good job of exploring

0:30:29.520 --> 0:30:34.640
<v Speaker 1>those standards and those pressures without like you said, being

0:30:34.760 --> 0:30:37.320
<v Speaker 1>very preachy and like bashing you over the head with it.

0:30:37.320 --> 0:30:39.400
<v Speaker 1>It just sort of like it presents the thing. Could

0:30:39.440 --> 0:30:43.320
<v Speaker 1>there have been more commentary maybe, but like any any

0:30:43.360 --> 0:30:47.760
<v Speaker 1>movie could go further. But but it tackles a lot

0:30:47.880 --> 0:30:52.320
<v Speaker 1>but doesn't necessarily go super far with any of it.

0:30:52.400 --> 0:30:55.560
<v Speaker 1>But it's also not like, you know, it's mostly there

0:30:55.600 --> 0:30:59.360
<v Speaker 1>to be a romp, which I appreciate it like it's

0:30:59.400 --> 0:31:03.240
<v Speaker 1>a romp, But they touches on a number of issues

0:31:03.280 --> 0:31:07.120
<v Speaker 1>surrounding toxic masculinity with that with like kind of so seamlessly.

0:31:07.160 --> 0:31:10.520
<v Speaker 1>It's like, yeah, I'll take it. I also really appreciate

0:31:10.560 --> 0:31:13.200
<v Speaker 1>it for in the casting of this movie that they

0:31:13.240 --> 0:31:16.880
<v Speaker 1>cast characteristic, They cast like people who look like people

0:31:18.000 --> 0:31:21.040
<v Speaker 1>and not like rigid because I feel like that, you know,

0:31:21.120 --> 0:31:25.040
<v Speaker 1>even sometimes when we do get movies about about everyday people,

0:31:25.440 --> 0:31:29.400
<v Speaker 1>they still look like movie stars who have the highest

0:31:29.520 --> 0:31:34.640
<v Speaker 1>like you know, it's without body shaming movie stars, I guess,

0:31:34.640 --> 0:31:37.520
<v Speaker 1>like you know, it's clear when you have the money

0:31:37.560 --> 0:31:40.880
<v Speaker 1>to look like a movie star versus not, right, And

0:31:40.920 --> 0:31:45.000
<v Speaker 1>I just I always appreciate when like it's a cast

0:31:45.200 --> 0:31:51.400
<v Speaker 1>of of working class everyday people and it isn't like Noah'

0:31:51.400 --> 0:31:56.479
<v Speaker 1>sentenao as like you know what I mean, right, It's like, oh,

0:31:56.680 --> 0:31:58.520
<v Speaker 1>the movie is telling us that this is a working

0:31:58.520 --> 0:32:02.120
<v Speaker 1>class person, but this actor clearly has a personal trainer

0:32:02.720 --> 0:32:06.000
<v Speaker 1>that they spend like an hour or more a day with.

0:32:06.240 --> 0:32:10.360
<v Speaker 1>They clearly spend like I don't know, fifty dollars a

0:32:10.440 --> 0:32:15.520
<v Speaker 1>day on smoothies and like whatever green drinks that French people.

0:32:16.240 --> 0:32:19.680
<v Speaker 1>This is a class war issue, what is? It's just

0:32:19.720 --> 0:32:23.800
<v Speaker 1>like and we're so we're so conditioned to just boop

0:32:24.160 --> 0:32:26.840
<v Speaker 1>through that cognitive dissonance, just like when you watch like

0:32:26.880 --> 0:32:30.640
<v Speaker 1>a whatever, like a teen soap, you're like, oh, yeah,

0:32:30.680 --> 0:32:33.960
<v Speaker 1>you know, teenagers are actually twenty eight years old, Like

0:32:34.280 --> 0:32:37.400
<v Speaker 1>it's just a dissonant thing that exists in culture. But

0:32:37.240 --> 0:32:40.680
<v Speaker 1>but when it actually isn't like that, and you get

0:32:40.720 --> 0:32:45.320
<v Speaker 1>a cast of like people who look like people, you know,

0:32:45.520 --> 0:32:47.400
<v Speaker 1>it's like it's it's like we talked about this in

0:32:47.440 --> 0:32:50.000
<v Speaker 1>eighth grade, which is this is maybe way off topic,

0:32:50.040 --> 0:32:54.320
<v Speaker 1>but just like how startling it is when you see uh,

0:32:54.600 --> 0:32:58.239
<v Speaker 1>teenager playing and looking like a teenager because you're so

0:32:58.360 --> 0:33:03.360
<v Speaker 1>used to seeing lady year old as teenagers. Yeah, I

0:33:03.360 --> 0:33:07.320
<v Speaker 1>feel like at thirty five, which I will be in

0:33:07.360 --> 0:33:11.200
<v Speaker 1>a few days on my birthday, I will just be

0:33:11.360 --> 0:33:15.200
<v Speaker 1>aging out of being able to play a teenager. Caitlyn,

0:33:15.240 --> 0:33:18.880
<v Speaker 1>I feel like you could very much still get cast

0:33:18.960 --> 0:33:23.240
<v Speaker 1>as like she's like she's a senior and I'm so

0:33:23.440 --> 0:33:27.080
<v Speaker 1>scared of her. Thank you so much. Yeah, of course,

0:33:28.000 --> 0:33:31.280
<v Speaker 1>I guess should we get into like individual characters and

0:33:31.320 --> 0:33:34.360
<v Speaker 1>sort of like because each character has like a pretty

0:33:34.600 --> 0:33:40.760
<v Speaker 1>specific like subplot that they are something that they're dealing with. Um,

0:33:40.840 --> 0:33:45.320
<v Speaker 1>shall we start with our protagonist, Gas? Let's do it?

0:33:45.560 --> 0:33:51.120
<v Speaker 1>Oh Gas, we need to talk so I mean as

0:33:51.160 --> 0:33:54.320
<v Speaker 1>far as like positives, because there are there are some

0:33:54.720 --> 0:34:01.120
<v Speaker 1>there are Yeah, I really appreciate that you have an

0:34:01.120 --> 0:34:07.200
<v Speaker 1>example of a man who like loves being a dad.

0:34:07.600 --> 0:34:10.600
<v Speaker 1>He loves his son more than anything in the world.

0:34:11.239 --> 0:34:13.920
<v Speaker 1>He will go to great lengths he wants. I think

0:34:13.960 --> 0:34:18.520
<v Speaker 1>he's cool so bad, Yes, And I feel like that's

0:34:18.520 --> 0:34:23.279
<v Speaker 1>not a super common thing in media to see for

0:34:23.560 --> 0:34:28.520
<v Speaker 1>like a blue color, working classman who like loves being

0:34:28.560 --> 0:34:31.759
<v Speaker 1>a dad and who's who is like very attentive to

0:34:32.280 --> 0:34:37.000
<v Speaker 1>his son and who very openly shows affection towards his son.

0:34:37.680 --> 0:34:41.239
<v Speaker 1>That doesn't mean that he also doesn't sometimes put his

0:34:41.719 --> 0:34:46.000
<v Speaker 1>son in situations that are inappropriate, which he definitely does

0:34:46.040 --> 0:34:50.920
<v Speaker 1>a lot. Yeah, but I like, I'm always just kind

0:34:50.920 --> 0:34:54.160
<v Speaker 1>of struck with um when I when I watched like

0:34:54.200 --> 0:34:59.480
<v Speaker 1>the relationship between Gas and Nathan, And while ultimately is

0:34:59.520 --> 0:35:04.040
<v Speaker 1>this a movie about fathers and sons? It always is, Yes,

0:35:04.120 --> 0:35:08.240
<v Speaker 1>it always is, But I like, don't even mind because

0:35:08.280 --> 0:35:12.520
<v Speaker 1>I'm just like it works. Yeah, it's it feels earned.

0:35:13.239 --> 0:35:18.120
<v Speaker 1>Despite his questionable parenting choices that he makes sometimes, I

0:35:18.160 --> 0:35:23.719
<v Speaker 1>still really love that representation of fatherhood. I agree, Yeah,

0:35:23.760 --> 0:35:26.640
<v Speaker 1>it's it's it's so tricky because it's like, you know,

0:35:26.800 --> 0:35:30.040
<v Speaker 1>it's part of it is like, well, if Gas was

0:35:31.120 --> 0:35:33.919
<v Speaker 1>being a completely responsible parent. The movie probably wouldn't even

0:35:33.960 --> 0:35:39.040
<v Speaker 1>happen the way that yes, because you wouldn't bring your

0:35:39.360 --> 0:35:44.160
<v Speaker 1>underage child to uh like like where you're you're going

0:35:44.200 --> 0:35:47.399
<v Speaker 1>to be completely naked, which is like that feels intuitive.

0:35:47.960 --> 0:35:51.919
<v Speaker 1>Um that said, I mean it's and this isn't too

0:35:51.960 --> 0:35:55.080
<v Speaker 1>excused the behavior, but I do think it's like, especially

0:35:55.120 --> 0:35:59.080
<v Speaker 1>in movies where there are parents, I feel like sometimes

0:35:59.280 --> 0:36:01.400
<v Speaker 1>kids are written not of the plot when it doesn't

0:36:01.440 --> 0:36:03.480
<v Speaker 1>serve the plot. But it is like, you know that

0:36:03.480 --> 0:36:08.440
<v Speaker 1>that's a very normal, especially because we know the financial

0:36:08.840 --> 0:36:13.239
<v Speaker 1>circumstance that that Gas is in that it would make

0:36:13.360 --> 0:36:15.840
<v Speaker 1>I mean, it's like can he afford childcare? Of course,

0:36:15.880 --> 0:36:18.000
<v Speaker 1>not like he's going to have to have Nath with

0:36:18.120 --> 0:36:22.359
<v Speaker 1>him wherever he is, And that is like, I don't know.

0:36:22.400 --> 0:36:24.040
<v Speaker 1>One of one of the plot points with with Guys

0:36:24.120 --> 0:36:28.160
<v Speaker 1>that really hit from me is is the custody issue.

0:36:28.280 --> 0:36:31.960
<v Speaker 1>And I kind of I appreciated that the custody issue,

0:36:32.239 --> 0:36:34.080
<v Speaker 1>at least the way I was watching it. And I'm

0:36:34.080 --> 0:36:37.520
<v Speaker 1>always like, if I had goggles on, I don't know,

0:36:37.840 --> 0:36:42.919
<v Speaker 1>I don't know, you know, but I felt like very often, Um,

0:36:42.960 --> 0:36:46.520
<v Speaker 1>and again I guess to go back to the Santa clause.

0:36:46.760 --> 0:36:50.760
<v Speaker 1>Of course, mothers seeking custody of their children are often

0:36:50.840 --> 0:36:56.960
<v Speaker 1>portrayed as being unreasonable, as being shrill, as being you know,

0:36:57.239 --> 0:37:01.480
<v Speaker 1>like unfair essentially, as like takeing something. But the way

0:37:01.520 --> 0:37:05.960
<v Speaker 1>that this custody situation is presented, I thought was like

0:37:06.360 --> 0:37:11.920
<v Speaker 1>pretty thought full on both ends, where like, I don't know,

0:37:12.200 --> 0:37:15.200
<v Speaker 1>how did you. I didn't feel like Mandy was really demonized,

0:37:15.239 --> 0:37:18.680
<v Speaker 1>and I understood her frustration and I understood her concern

0:37:18.960 --> 0:37:22.120
<v Speaker 1>like for sure, and then you also see completely why

0:37:22.239 --> 0:37:26.719
<v Speaker 1>like Gas is so frustrated with the situation, and it

0:37:26.880 --> 0:37:30.960
<v Speaker 1>is it's it is like they're being presented with this

0:37:31.040 --> 0:37:36.759
<v Speaker 1>impossible situation by poverty, and it just it and and

0:37:36.800 --> 0:37:41.080
<v Speaker 1>it's presented very like a matter of fact, and I

0:37:41.120 --> 0:37:44.200
<v Speaker 1>mean it makes me sad because it's just like something

0:37:44.239 --> 0:37:48.640
<v Speaker 1>that happens um in in poor families where it's like, yeah,

0:37:48.680 --> 0:37:52.160
<v Speaker 1>I understand why, um why Mandy is like this is

0:37:52.200 --> 0:37:55.640
<v Speaker 1>not a you know, responsible way for my son to

0:37:55.640 --> 0:37:58.160
<v Speaker 1>be spending this time. And then you also were like, well,

0:37:58.760 --> 0:38:03.719
<v Speaker 1>Gas can't afford to do much else at this time,

0:38:03.719 --> 0:38:05.560
<v Speaker 1>and does that mean that he should have his son

0:38:05.640 --> 0:38:08.000
<v Speaker 1>taken away from him? And you know, just all this

0:38:08.320 --> 0:38:11.480
<v Speaker 1>ship that they're like really complicated issues that could have

0:38:11.560 --> 0:38:17.080
<v Speaker 1>been really you know, melo dramatically harped upon, that are

0:38:17.120 --> 0:38:19.759
<v Speaker 1>presented in a way that I felt was like empathetic

0:38:20.200 --> 0:38:23.279
<v Speaker 1>and also not I don't know, I don't know, maybe

0:38:23.280 --> 0:38:25.560
<v Speaker 1>it was like too lighthearted, but I thought it was

0:38:25.600 --> 0:38:28.480
<v Speaker 1>pretty well done. And also just like and this is

0:38:28.520 --> 0:38:31.320
<v Speaker 1>like a I guess a through line of this movie

0:38:31.400 --> 0:38:34.759
<v Speaker 1>of like all the all the all the men in

0:38:35.360 --> 0:38:37.359
<v Speaker 1>the full Monty group is that the name of their

0:38:37.400 --> 0:38:40.200
<v Speaker 1>group is it called the full Monty They I don't

0:38:40.239 --> 0:38:44.439
<v Speaker 1>think they gave themselves. Ah no, it's hot metal when

0:38:44.440 --> 0:38:48.719
<v Speaker 1>they're um. When they put up the posters advertising their show,

0:38:48.800 --> 0:38:51.480
<v Speaker 1>they call themselves hot metal. I'm going to get you

0:38:51.560 --> 0:38:57.560
<v Speaker 1>a poster like that for your house. Hot metal. Um.

0:38:57.600 --> 0:39:00.399
<v Speaker 1>But but the way that like and this is and

0:39:00.400 --> 0:39:04.400
<v Speaker 1>and you know, everyone who has read you know, leftist

0:39:04.520 --> 0:39:06.400
<v Speaker 1>theory is going to be like I'm presenting this in

0:39:06.480 --> 0:39:11.239
<v Speaker 1>the most goofy, simplistic way possible, but basically, like all

0:39:11.320 --> 0:39:15.239
<v Speaker 1>these men are dealing with the failure of industry and

0:39:15.280 --> 0:39:18.640
<v Speaker 1>the failure of social safety net and the like, these

0:39:18.680 --> 0:39:23.680
<v Speaker 1>structural failures and because of the effect that toxic masculinity

0:39:23.760 --> 0:39:28.560
<v Speaker 1>has on them. They're interpreting it as personal failures. And

0:39:28.960 --> 0:39:32.480
<v Speaker 1>I think that this affects like almost every man in

0:39:32.520 --> 0:39:34.800
<v Speaker 1>this group, and you see it affect them in different ways.

0:39:34.840 --> 0:39:38.880
<v Speaker 1>But it is like it's so sad and frustrating to

0:39:38.920 --> 0:39:42.920
<v Speaker 1>see for guys that he he is both really doing

0:39:42.960 --> 0:39:46.160
<v Speaker 1>everything he can to like get through and be able

0:39:46.200 --> 0:39:48.759
<v Speaker 1>to keep custody of his son and be able to

0:39:48.760 --> 0:39:51.640
<v Speaker 1>support himself financially, but he's being put in this impossible

0:39:51.640 --> 0:39:55.319
<v Speaker 1>situation and also because of all the messaging that you know,

0:39:55.400 --> 0:39:58.000
<v Speaker 1>everybody gets, is made to feel like he is like

0:39:58.280 --> 0:40:03.200
<v Speaker 1>failed as a provid eider as well. And so it's

0:40:03.239 --> 0:40:06.680
<v Speaker 1>it's just I don't know, Yeah, it's so it's so complicated,

0:40:06.719 --> 0:40:09.279
<v Speaker 1>but it's not presented like that. I just think it's

0:40:09.320 --> 0:40:12.239
<v Speaker 1>really cool. I don't know. Yeah, I will say that

0:40:12.320 --> 0:40:15.400
<v Speaker 1>when I watched this movie when I was younger, like

0:40:15.440 --> 0:40:17.840
<v Speaker 1>when I was a teenager, I feel like I did

0:40:18.160 --> 0:40:22.640
<v Speaker 1>maybe think that his ex wife Mandy was kind of

0:40:22.680 --> 0:40:26.399
<v Speaker 1>presented sort of as like your kind of typical like

0:40:26.920 --> 0:40:32.759
<v Speaker 1>mother Shrew character, especially because in every scene she's in,

0:40:33.440 --> 0:40:39.880
<v Speaker 1>she and Gas are arguing over Nathan, but rewatching it

0:40:39.960 --> 0:40:44.080
<v Speaker 1>like through this lens. I fully like, I saw where

0:40:44.120 --> 0:40:46.640
<v Speaker 1>she was coming from, and I was like, well, of

0:40:46.680 --> 0:40:52.520
<v Speaker 1>course she's constantly arguing with him. It's because he's, like again,

0:40:52.560 --> 0:40:57.040
<v Speaker 1>making questionable parental decisions. He's also, I would argue that

0:40:57.040 --> 0:41:00.239
<v Speaker 1>he's not necessarily doing everything he can to like no, okay,

0:41:00.520 --> 0:41:04.760
<v Speaker 1>child's moore, because he's also she offers him a job,

0:41:05.520 --> 0:41:08.480
<v Speaker 1>there are jobs available, but there he like kind of

0:41:08.600 --> 0:41:11.440
<v Speaker 1>I think he might see him like certain work to

0:41:11.560 --> 0:41:14.239
<v Speaker 1>be below him because he's also I know, I don't

0:41:14.239 --> 0:41:15.960
<v Speaker 1>want this job. No, I'm not going to be a

0:41:15.960 --> 0:41:21.400
<v Speaker 1>security guy like he. So he's refusing opportunities for work,

0:41:21.480 --> 0:41:25.520
<v Speaker 1>which I found should be frustrating. Yeah, I mean I agree.

0:41:25.680 --> 0:41:28.560
<v Speaker 1>I also felt like he didn't want to work under

0:41:28.719 --> 0:41:31.279
<v Speaker 1>her because he has a lot of I mean, I

0:41:31.320 --> 0:41:33.560
<v Speaker 1>feel like the main thing with Gas for me is

0:41:33.560 --> 0:41:37.040
<v Speaker 1>is the the bringing your kids places your kids shouldn't

0:41:37.040 --> 0:41:41.719
<v Speaker 1>be and misogyny. Um are are two and not the

0:41:41.760 --> 0:41:44.880
<v Speaker 1>only things, but like two big things where like, clearly

0:41:44.960 --> 0:41:47.720
<v Speaker 1>this guy has some issues with women, and it seems

0:41:47.719 --> 0:41:50.920
<v Speaker 1>like he does not want it. Seems like he is

0:41:51.000 --> 0:41:53.200
<v Speaker 1>and I guess, yeah, it's like I'm watching it with

0:41:53.239 --> 0:41:58.080
<v Speaker 1>my goggles on where I'm like, yeah, like it seems

0:41:58.120 --> 0:42:00.360
<v Speaker 1>like he doesn't want to work beneath man D and

0:42:00.400 --> 0:42:03.120
<v Speaker 1>that like that to him is like I would rather

0:42:04.520 --> 0:42:09.960
<v Speaker 1>like hatch a scheme than work beneath someone. But it's

0:42:09.960 --> 0:42:14.040
<v Speaker 1>also like it's I don't know, it's it's such a

0:42:14.040 --> 0:42:17.000
<v Speaker 1>tricky area where it's like, you know, should he be

0:42:17.120 --> 0:42:19.479
<v Speaker 1>forced to take a job that he doesn't want to take?

0:42:19.719 --> 0:42:23.120
<v Speaker 1>Like that doesn't seem reasonable either, But he's just like

0:42:23.160 --> 0:42:26.480
<v Speaker 1>everyone's being put in an impossible situation. But yeah, I

0:42:26.760 --> 0:42:31.360
<v Speaker 1>definitely interpreted the like her. I'm also like two fifty

0:42:31.440 --> 0:42:40.360
<v Speaker 1>an hour even like what it was pounds? It was pounds,

0:42:41.120 --> 0:42:44.279
<v Speaker 1>but yeah, like what would that have converted to in

0:42:44.640 --> 0:42:47.040
<v Speaker 1>late nineties money? Yeah, And it's like, yeah, I mean

0:42:47.360 --> 0:42:49.600
<v Speaker 1>a lot of people who grew up in working class circumstances,

0:42:49.800 --> 0:42:52.839
<v Speaker 1>like their parents to support them, took jobs that they

0:42:52.840 --> 0:42:56.600
<v Speaker 1>did not were not passionate about, and certainly felt were

0:42:56.640 --> 0:42:59.920
<v Speaker 1>below their skill set and below what they wanted to do.

0:43:00.160 --> 0:43:02.880
<v Speaker 1>And sometimes, you know, I don't know, we're not parents

0:43:04.480 --> 0:43:06.920
<v Speaker 1>that said I did. I Yeah, I was also frustrated

0:43:06.960 --> 0:43:12.960
<v Speaker 1>by him, you know, scheme over Garen, Like it's it's

0:43:13.000 --> 0:43:17.480
<v Speaker 1>he's he's a self sabotager, like he's a major self sabotager,

0:43:17.520 --> 0:43:21.040
<v Speaker 1>and that it's like, you know, if if this movie

0:43:21.040 --> 0:43:23.279
<v Speaker 1>took place in the real world and nobody came to

0:43:23.320 --> 0:43:26.759
<v Speaker 1>that show, he would simply lose custody of his son,

0:43:27.200 --> 0:43:30.040
<v Speaker 1>like it would blow up in his face royally, I

0:43:30.040 --> 0:43:34.439
<v Speaker 1>don't know. And then I mean, like you mentioned, he

0:43:35.000 --> 0:43:40.600
<v Speaker 1>does pretty clearly have some issues with misogyny that I

0:43:40.680 --> 0:43:44.000
<v Speaker 1>like to think that he starts to work through after

0:43:44.480 --> 0:43:47.120
<v Speaker 1>this show and that he grotes as a person. But

0:43:47.160 --> 0:43:50.520
<v Speaker 1>there's like that whole scene when they're at the job

0:43:50.560 --> 0:43:55.200
<v Speaker 1>club and he's talking about how, oh, like men are obsolete,

0:43:55.520 --> 0:43:58.160
<v Speaker 1>and I feel like that's like a reflection of this

0:43:58.760 --> 0:44:03.080
<v Speaker 1>idea that as soon as women, if there's any kind

0:44:03.080 --> 0:44:08.000
<v Speaker 1>of like women's liberation, men interpret that is like, well, well,

0:44:08.040 --> 0:44:11.520
<v Speaker 1>if if women are are free and have rights and

0:44:11.600 --> 0:44:15.680
<v Speaker 1>can have jobs and stuff, then men won't even need

0:44:15.760 --> 0:44:18.879
<v Speaker 1>to exist, and they feel like very threat from me. Yeah,

0:44:18.920 --> 0:44:24.600
<v Speaker 1>it is so like boomer mentality. Yeah. Yeah, So that's

0:44:24.640 --> 0:44:29.520
<v Speaker 1>like very clearly what guys is talking about in this

0:44:29.719 --> 0:44:32.520
<v Speaker 1>scene to me where he's like, well, gee whiz. And

0:44:32.520 --> 0:44:36.839
<v Speaker 1>then there's also like funny slash bizarre thing where they're

0:44:36.880 --> 0:44:39.879
<v Speaker 1>like talking about that woman who they saw peeing while

0:44:39.960 --> 0:44:44.640
<v Speaker 1>she was standing up and they were like how how

0:44:44.680 --> 0:44:47.920
<v Speaker 1>could that even happen? And then some random guys like

0:44:48.200 --> 0:44:52.160
<v Speaker 1>genetic mutations, they're turning into us, and then they're like, yeah,

0:44:52.200 --> 0:44:55.480
<v Speaker 1>we're going extinct. We're only going to be in like

0:44:55.560 --> 0:44:59.200
<v Speaker 1>a zoo. Again. It's like that sort of thing where

0:44:59.200 --> 0:45:02.600
<v Speaker 1>I'm just like I'm putting my I'm trying to put

0:45:02.640 --> 0:45:05.759
<v Speaker 1>on goggles and I just don't have access to them.

0:45:05.760 --> 0:45:08.000
<v Speaker 1>I'm like, how was what was this joke supposed to

0:45:08.000 --> 0:45:10.120
<v Speaker 1>be about when it came out? Because maybe it's like,

0:45:10.840 --> 0:45:13.360
<v Speaker 1>but I thought that that scene was like kind it

0:45:13.520 --> 0:45:17.080
<v Speaker 1>was fun in that I felt like and again maybe

0:45:17.080 --> 0:45:19.399
<v Speaker 1>I'm giving them moving more credit than it deserves, like

0:45:19.960 --> 0:45:22.799
<v Speaker 1>that it was they were supposed to look kind of

0:45:22.840 --> 0:45:25.360
<v Speaker 1>desperate and ridiculous in the way that they were talking

0:45:25.360 --> 0:45:28.520
<v Speaker 1>about women, where it was like, I don't know, like

0:45:28.600 --> 0:45:31.640
<v Speaker 1>it's just it's not all of but you know, a

0:45:31.640 --> 0:45:35.440
<v Speaker 1>lot of misogyny is like men being insecure about themselves

0:45:35.440 --> 0:45:38.320
<v Speaker 1>and then weaponizing it against someone that they think is

0:45:38.360 --> 0:45:42.319
<v Speaker 1>an easy target. And like the way that they talk

0:45:42.400 --> 0:45:45.920
<v Speaker 1>about women in terms of like women who are working

0:45:45.960 --> 0:45:49.360
<v Speaker 1>while they're not. It's like, well, what a huge insult.

0:45:49.440 --> 0:45:51.759
<v Speaker 1>And it's like we we just need to think a

0:45:51.800 --> 0:45:54.520
<v Speaker 1>little bigger, guys, we need to think a little bigger.

0:45:54.640 --> 0:46:00.799
<v Speaker 1>It's not there, it's not them. Um yeah, um, why

0:46:00.800 --> 0:46:03.000
<v Speaker 1>don't we take a quick break and then we'll come

0:46:03.040 --> 0:46:12.960
<v Speaker 1>back for a more discussion and we're back. Is there

0:46:12.960 --> 0:46:17.839
<v Speaker 1>anything else we wanna say regarding Gas? Um? I guess well,

0:46:17.880 --> 0:46:22.520
<v Speaker 1>I think guys, He's just it's for our protagonist. He

0:46:22.760 --> 0:46:27.640
<v Speaker 1>I feel like embodies a lot of toxic mail, Like

0:46:27.680 --> 0:46:30.600
<v Speaker 1>I feel like more so than any other character really

0:46:31.160 --> 0:46:35.640
<v Speaker 1>except for maybe Gerald, But like Gas has a lot

0:46:35.719 --> 0:46:39.840
<v Speaker 1>like he has the misogyny. He makes homophobic comments about

0:46:40.000 --> 0:46:44.719
<v Speaker 1>the Chippendales at first, he you know, fat shames Dave

0:46:44.800 --> 0:46:49.000
<v Speaker 1>at times, like he he is extremely rigid in binary

0:46:49.160 --> 0:46:51.360
<v Speaker 1>in the way that he thinks, which is like we

0:46:51.440 --> 0:46:56.040
<v Speaker 1>can pretty reasonably say product of his environment. But also

0:46:56.080 --> 0:46:58.080
<v Speaker 1>it's like there are men in this same environment that

0:46:58.160 --> 0:47:01.080
<v Speaker 1>seemed to have more open lines and are kind of

0:47:02.320 --> 0:47:07.560
<v Speaker 1>a more productive path. So Gaz isn't my favorite, but um,

0:47:07.719 --> 0:47:10.480
<v Speaker 1>I I respect his journey. I'm glad he didn't lose

0:47:10.520 --> 0:47:16.120
<v Speaker 1>custody of his son. Also, I what do you think

0:47:16.160 --> 0:47:19.560
<v Speaker 1>about Gas taking money from Nath. I feel like that's

0:47:19.600 --> 0:47:22.560
<v Speaker 1>another complicated thing where it's like it has to happen

0:47:22.640 --> 0:47:28.319
<v Speaker 1>plot wise, but like they're had, like especially when he

0:47:28.360 --> 0:47:31.520
<v Speaker 1>could have just worked for Mandy for a couple of

0:47:31.640 --> 0:47:34.960
<v Speaker 1>days and gotten the same amount of money over taking

0:47:35.000 --> 0:47:38.520
<v Speaker 1>it from his son's savings account. I don't know. I

0:47:38.640 --> 0:47:40.840
<v Speaker 1>like especially that young like, I don't know. It's like

0:47:42.280 --> 0:47:47.000
<v Speaker 1>the way money loves within working class families is definitely complicated.

0:47:47.040 --> 0:47:51.840
<v Speaker 1>But I'm like, taking your whatever, ten year old only money, Gas,

0:47:51.960 --> 0:47:58.080
<v Speaker 1>really really I don't like it. He's perhaps also too

0:47:58.120 --> 0:48:03.520
<v Speaker 1>quick to be like, okay, take your money. He doesn't

0:48:01.680 --> 0:48:08.239
<v Speaker 1>push one, but yeah, what I'll say there is that

0:48:08.560 --> 0:48:12.359
<v Speaker 1>I hope he pays it back immediately after doing this

0:48:12.440 --> 0:48:16.799
<v Speaker 1>show with like interest. I feel like he will to,

0:48:17.320 --> 0:48:21.600
<v Speaker 1>like he loves he loves Naith, right, But I'm like, God,

0:48:21.680 --> 0:48:24.799
<v Speaker 1>you're putting Nathan between a rock and a hard place here,

0:48:24.920 --> 0:48:31.240
<v Speaker 1>gash my god. I also think that Nathan will help

0:48:31.640 --> 0:48:34.880
<v Speaker 1>to rid Gas of some of his misogyny. And I

0:48:34.960 --> 0:48:38.000
<v Speaker 1>say this because there's a scene in the very beginning

0:48:38.440 --> 0:48:42.920
<v Speaker 1>where Gus sees a woman rates her on like a

0:48:43.000 --> 0:48:46.840
<v Speaker 1>one to ten scale. Says a bunch of really sexist stuff,

0:48:46.880 --> 0:48:49.560
<v Speaker 1>like he's like, well she's a night maybe even a nine.

0:48:49.640 --> 0:48:52.239
<v Speaker 1>You never can tell until you see their tids um,

0:48:52.320 --> 0:48:56.399
<v Speaker 1>and we're like gas um. And while he's saying this,

0:48:57.040 --> 0:49:00.920
<v Speaker 1>Nathan's like dad, like in a very like testy way.

0:49:01.920 --> 0:49:06.480
<v Speaker 1>And I hope that as Nathan gets older, he sits

0:49:06.520 --> 0:49:10.480
<v Speaker 1>his dad down and says, Dad, you shouldn't be objectifying

0:49:10.560 --> 0:49:14.360
<v Speaker 1>women like that. You should not be valuing a woman

0:49:14.520 --> 0:49:19.240
<v Speaker 1>based on how attractive you perceive her to be, et cetera.

0:49:19.800 --> 0:49:23.320
<v Speaker 1>So I agree, Yeah, I thought that, like nath being

0:49:23.840 --> 0:49:27.920
<v Speaker 1>embarrassed by his dad's misogyny hopefully means that down down

0:49:28.160 --> 0:49:31.399
<v Speaker 1>the road. Also, I'm like, is Nathan their manager now?

0:49:31.600 --> 0:49:34.840
<v Speaker 1>Like what happens now? I don't know. He seems to

0:49:34.840 --> 0:49:37.440
<v Speaker 1>be kind of I mean he's clearly he's an investor,

0:49:37.520 --> 0:49:40.160
<v Speaker 1>that much is for sure. He's an early investor in

0:49:40.239 --> 0:49:45.200
<v Speaker 1>the group. Who knows he's he's wearing many hats. Yeah,

0:49:45.400 --> 0:49:48.960
<v Speaker 1>he's you know, a complex, a complex character. Shout out

0:49:49.000 --> 0:49:51.799
<v Speaker 1>to Nathan. You know what a what a sweetheart, what

0:49:51.840 --> 0:49:56.000
<v Speaker 1>a sweet kid and a pretty good child actor, pretty good. Yeah.

0:49:56.040 --> 0:49:59.600
<v Speaker 1>His name is William Snape, which I was like, huh

0:49:59.760 --> 0:50:02.439
<v Speaker 1>that it sounds like a fake name, but right, because

0:50:02.440 --> 0:50:05.280
<v Speaker 1>then you're and you're like, oh wait, I guess Harry

0:50:05.360 --> 0:50:08.480
<v Speaker 1>Potter that name isn't a fake name, which is what

0:50:08.560 --> 0:50:11.880
<v Speaker 1>I always thought when I it's like it sounds like snake,

0:50:12.280 --> 0:50:17.799
<v Speaker 1>So turn out it's a real last name. Well, you know,

0:50:18.800 --> 0:50:22.879
<v Speaker 1>water under the bridge at this point, Um, where where

0:50:22.880 --> 0:50:29.439
<v Speaker 1>shall we? Where shall we go from here? What about Dave? Dave? Okay, Yes,

0:50:29.520 --> 0:50:33.880
<v Speaker 1>I I Dave's journey is unique, and I feel like,

0:50:34.000 --> 0:50:37.600
<v Speaker 1>not just unique in this group, but unique for talking

0:50:37.600 --> 0:50:44.279
<v Speaker 1>about masculinity and body standards at all. Yes, So the

0:50:44.280 --> 0:50:48.320
<v Speaker 1>thing that he is predominantly dealing with in this movie

0:50:48.640 --> 0:50:53.800
<v Speaker 1>is that he feels a lot of shame about being fat,

0:50:54.520 --> 0:50:59.200
<v Speaker 1>probably because his peers constantly fat shame him. Yeah, and

0:50:59.360 --> 0:51:01.920
<v Speaker 1>he's he so mentions. I thought it was like a

0:51:02.080 --> 0:51:04.439
<v Speaker 1>useful context that is like this is something that has

0:51:04.719 --> 0:51:07.799
<v Speaker 1>been his whole life, Like he's been made fun of

0:51:07.840 --> 0:51:10.319
<v Speaker 1>for this and it and and it's like clearly just

0:51:10.360 --> 0:51:14.360
<v Speaker 1>like his body type because he's like, I haven't changed anything,

0:51:14.400 --> 0:51:16.960
<v Speaker 1>It's just who I am. But like people will not

0:51:17.200 --> 0:51:21.480
<v Speaker 1>leave him alone about it. Yeah, and then it's at

0:51:21.560 --> 0:51:24.440
<v Speaker 1>least suggested in the movie that the shame he is

0:51:24.480 --> 0:51:30.759
<v Speaker 1>feeling is manifesting as like this sexual dry spell with

0:51:31.360 --> 0:51:37.080
<v Speaker 1>his wife because he's experiencing impotency issues. He's uh seems

0:51:37.080 --> 0:51:40.680
<v Speaker 1>to be unable to get an erection, uh, and it's

0:51:40.840 --> 0:51:44.319
<v Speaker 1>affecting his sex life with his wife. The fact that

0:51:44.360 --> 0:51:48.920
<v Speaker 1>this is even like talked about at all in a

0:51:49.000 --> 0:51:54.399
<v Speaker 1>movie in the nineties is like kind of groundbreaking. But yeah,

0:51:54.400 --> 0:51:58.480
<v Speaker 1>and I felt as though that was all dealt with

0:51:59.200 --> 0:52:03.520
<v Speaker 1>pretty responsibly. Yeah. Yeah, and I think like in making

0:52:03.520 --> 0:52:06.800
<v Speaker 1>it clear that all of this is happening in response

0:52:06.880 --> 0:52:11.880
<v Speaker 1>to you know, just how others are perceiving his body.

0:52:11.960 --> 0:52:15.760
<v Speaker 1>And it's like that moment at the end with his

0:52:15.760 --> 0:52:20.920
<v Speaker 1>his wife, um, but where it's like I don't know,

0:52:21.000 --> 0:52:23.040
<v Speaker 1>I don't know. I mean, there's so so much about

0:52:23.080 --> 0:52:25.319
<v Speaker 1>that scene that I thought was really sweet and well

0:52:25.360 --> 0:52:29.319
<v Speaker 1>thought out of just you know, she she loves him,

0:52:29.360 --> 0:52:32.240
<v Speaker 1>and she's attracted to him, and she loves his body,

0:52:32.280 --> 0:52:36.520
<v Speaker 1>and just hearing that sometimes is like, I don't know,

0:52:36.560 --> 0:52:39.200
<v Speaker 1>it's like I feel like, and this is a generalization,

0:52:39.280 --> 0:52:44.000
<v Speaker 1>but a lot of men, straight men particularly don't always

0:52:44.000 --> 0:52:47.799
<v Speaker 1>know how to like ask for what they need or

0:52:47.880 --> 0:52:51.120
<v Speaker 1>there's like there's on top of like shame attached to

0:52:51.239 --> 0:52:54.240
<v Speaker 1>your body, which you know affects people of all genders,

0:52:54.760 --> 0:52:57.160
<v Speaker 1>Like there is like this I don't know if like

0:52:57.200 --> 0:53:01.200
<v Speaker 1>there there's this kind of general like you can't admit weakness,

0:53:01.520 --> 0:53:06.839
<v Speaker 1>you know, you can't discuss shame with your partner when

0:53:06.880 --> 0:53:11.200
<v Speaker 1>it's so clearly like it's one conversation that like totally

0:53:11.239 --> 0:53:15.160
<v Speaker 1>sets him free and like clearly, I mean, it doesn't

0:53:15.200 --> 0:53:18.680
<v Speaker 1>solve the problem right away, but it's it's just so

0:53:18.680 --> 0:53:22.600
<v Speaker 1>so simple and so nice and but but it you

0:53:22.640 --> 0:53:24.879
<v Speaker 1>totally understand why he's going through this journey the way

0:53:24.920 --> 0:53:27.640
<v Speaker 1>he is, because it's just like shame on top of shame,

0:53:27.680 --> 0:53:29.359
<v Speaker 1>on top of shame on top of shame, and it's

0:53:29.400 --> 0:53:35.200
<v Speaker 1>all connected to this like toxicity around men and and

0:53:35.239 --> 0:53:40.120
<v Speaker 1>around the way that people like police each other's bodies totally.

0:53:40.440 --> 0:53:42.480
<v Speaker 1>There are a couple of scenes in the movie where

0:53:42.480 --> 0:53:46.799
<v Speaker 1>they're hanging out at Gerald's house, and one of them,

0:53:46.920 --> 0:53:51.480
<v Speaker 1>Dave is kind of expressing his insecurity about like not

0:53:51.600 --> 0:53:55.239
<v Speaker 1>wanting to show his naked body in front of a

0:53:55.280 --> 0:53:59.120
<v Speaker 1>bunch of people, and Gerald kind of dismisses him and

0:53:59.200 --> 0:54:03.759
<v Speaker 1>says fat David is a feminist issue, and he's like,

0:54:03.800 --> 0:54:07.680
<v Speaker 1>what's that supposed to mean when it's at home? And yeah,

0:54:08.040 --> 0:54:09.799
<v Speaker 1>so like even when he does try to open up

0:54:09.800 --> 0:54:14.000
<v Speaker 1>and talk about it, he's like it's being dismissed. And

0:54:14.120 --> 0:54:20.439
<v Speaker 1>because like Gerald holds this toxic viewpoint of like, well,

0:54:20.520 --> 0:54:25.560
<v Speaker 1>being fat is something that's like only women are concerned about,

0:54:25.640 --> 0:54:28.239
<v Speaker 1>or only women should be concerned about, and like this

0:54:28.400 --> 0:54:31.560
<v Speaker 1>it should you know, it shouldn't affect you, but obviously,

0:54:31.600 --> 0:54:36.240
<v Speaker 1>like body and beauty standards affect everyone who has a body,

0:54:36.239 --> 0:54:41.960
<v Speaker 1>which is everyone. So yeah, so he's not being taken seriously.

0:54:42.520 --> 0:54:48.640
<v Speaker 1>And then there's a later scene where they're looking at

0:54:49.880 --> 0:54:53.960
<v Speaker 1>like a porn magazine and um Lumper is like, oh,

0:54:54.000 --> 0:54:57.520
<v Speaker 1>well her tits are too big, and Dave's like, well,

0:54:57.560 --> 0:54:59.719
<v Speaker 1>I hope they're not going to be looking at us

0:55:00.120 --> 0:55:02.719
<v Speaker 1>like that. I hope the women in the audience are

0:55:02.719 --> 0:55:09.960
<v Speaker 1>more understanding comes through and then they're like, well why

0:55:10.000 --> 0:55:14.719
<v Speaker 1>would why would they be judging our bodies? And he's

0:55:14.719 --> 0:55:17.920
<v Speaker 1>just like, well, you know, why not. He's just commented

0:55:18.080 --> 0:55:21.720
<v Speaker 1>on her breast siyes and lumbers, like well it's different

0:55:21.960 --> 0:55:26.319
<v Speaker 1>where blokes, but well I guess I mean, yes, the

0:55:26.360 --> 0:55:29.480
<v Speaker 1>standards of beauty do tend to be a bit harsher

0:55:29.520 --> 0:55:33.080
<v Speaker 1>and more rigid for women, but men and people of

0:55:33.080 --> 0:55:39.640
<v Speaker 1>all genders are subjected to specific and often rigid beauty standards. Yeah.

0:55:39.680 --> 0:55:43.200
<v Speaker 1>I thought that that story, you know, it played out

0:55:43.520 --> 0:55:46.040
<v Speaker 1>pretty well. And it's like and and the fact that

0:55:46.080 --> 0:55:50.280
<v Speaker 1>it's like having that conversation with his where his wife, um,

0:55:50.320 --> 0:55:55.160
<v Speaker 1>but having that conversation with her, like and communicating and

0:55:55.280 --> 0:56:02.280
<v Speaker 1>acknowledging where you feel vulnerable, which again not what straight

0:56:02.400 --> 0:56:06.960
<v Speaker 1>men are generally known for. Um is able to like

0:56:07.040 --> 0:56:12.520
<v Speaker 1>kind of unlock this confidence in himself and an acceptance

0:56:12.560 --> 0:56:16.200
<v Speaker 1>and like enjoying being in his own skin. It's so

0:56:17.200 --> 0:56:21.560
<v Speaker 1>simple and so nice, and I just, yeah, I I

0:56:21.600 --> 0:56:25.160
<v Speaker 1>really enjoyed it. And there's also there's a quote I

0:56:25.200 --> 0:56:29.239
<v Speaker 1>want to pull from friend of the cast, Jenna Schmiding,

0:56:29.560 --> 0:56:33.120
<v Speaker 1>who gave an interview recently that I don't know it

0:56:33.200 --> 0:56:35.040
<v Speaker 1>just timed out well. Watched this movie last night, this

0:56:35.080 --> 0:56:39.680
<v Speaker 1>interview came out this morning. Uh so, Janna says, quote,

0:56:40.120 --> 0:56:42.360
<v Speaker 1>Oh sorry, let me actually lead in with the quote.

0:56:42.760 --> 0:56:46.800
<v Speaker 1>Uh In. In Schmiding's estimation, we can only really celebrate

0:56:46.800 --> 0:56:51.400
<v Speaker 1>body positivity when quote we create equity and access for

0:56:51.440 --> 0:56:53.960
<v Speaker 1>fat people in all aspects of our lives. The term

0:56:54.040 --> 0:56:57.400
<v Speaker 1>body positivity, Yes, it is about celebrating our existence and

0:56:57.480 --> 0:57:00.680
<v Speaker 1>celebrating our bodies. But it's nearly impossible to do that

0:57:00.719 --> 0:57:03.920
<v Speaker 1>when every system and structure around us is built and

0:57:04.080 --> 0:57:07.480
<v Speaker 1>created to exclude fat people and to essentially vilify and

0:57:07.520 --> 0:57:11.680
<v Speaker 1>oppress fat individuals and fatness as a concept. We need

0:57:11.719 --> 0:57:13.800
<v Speaker 1>to get to a place where fatness is normalized widely

0:57:13.840 --> 0:57:16.000
<v Speaker 1>and people have access to medical care and all of

0:57:16.320 --> 0:57:21.680
<v Speaker 1>the same social norms that non fat people have access to, unquote,

0:57:22.240 --> 0:57:24.440
<v Speaker 1>which is you know, I don't think that this movie

0:57:24.760 --> 0:57:28.600
<v Speaker 1>goes all the way, but I think that it in

0:57:28.720 --> 0:57:34.080
<v Speaker 1>terms of just even having that discussion in in a

0:57:34.280 --> 0:57:36.400
<v Speaker 1>kind of I mean, I I feel like part of

0:57:36.400 --> 0:57:39.080
<v Speaker 1>this movie's strength is that everyone in this group is

0:57:39.240 --> 0:57:42.640
<v Speaker 1>kind of clueless, and they're all kind of like coming

0:57:42.680 --> 0:57:45.760
<v Speaker 1>to most of these issues with like I don't know,

0:57:45.880 --> 0:57:49.560
<v Speaker 1>and like learning from each other through trial and error,

0:57:49.640 --> 0:57:52.560
<v Speaker 1>and it's just like, I don't know. It's it's cool.

0:57:52.640 --> 0:57:55.919
<v Speaker 1>It's as as uncomfortable as it is at times, it's

0:57:55.960 --> 0:58:01.800
<v Speaker 1>cool to watch them work through it. Yeah, because like, yeah,

0:58:01.880 --> 0:58:06.200
<v Speaker 1>it wouldn't be super realistic if all of these men

0:58:06.520 --> 0:58:12.520
<v Speaker 1>in were like super woke and like I knew all

0:58:12.560 --> 0:58:14.919
<v Speaker 1>the stuff and just like we're it wouldn't make sense

0:58:14.920 --> 0:58:18.720
<v Speaker 1>in one like it's like I do, I do like

0:58:18.840 --> 0:58:21.120
<v Speaker 1>and I hope that that kind of I would like

0:58:21.160 --> 0:58:23.560
<v Speaker 1>to see. I guess more of that of like people

0:58:24.120 --> 0:58:30.400
<v Speaker 1>learning on the screen and like shedding the ship mentality

0:58:31.040 --> 0:58:34.760
<v Speaker 1>and not coming in a fully formed you know, being,

0:58:34.960 --> 0:58:39.040
<v Speaker 1>because like no one does. And yeah, it's it's just

0:58:39.120 --> 0:58:42.360
<v Speaker 1>like super interesting because it's like, yeah, I mean, guys

0:58:42.360 --> 0:58:45.080
<v Speaker 1>in that group are fucking up in terms of like

0:58:45.560 --> 0:58:48.600
<v Speaker 1>they're dismissing Dave's concerns. They're telling him it's not a thing,

0:58:48.680 --> 0:58:52.600
<v Speaker 1>and then they realize over time that oh, it very

0:58:52.680 --> 0:58:56.439
<v Speaker 1>much is a thing, and it's affecting my friend who

0:58:56.520 --> 0:59:02.960
<v Speaker 1>I love. Yeah, Dave does not display as much misogyny

0:59:03.000 --> 0:59:05.800
<v Speaker 1>as Gas does, But there is one part of the

0:59:05.840 --> 0:59:10.000
<v Speaker 1>movie when they're watching Flash Dance and Dave is commenting

0:59:10.120 --> 0:59:15.000
<v Speaker 1>on the main characters welding abilities, so and they're like

0:59:15.280 --> 0:59:18.040
<v Speaker 1>you don't know how to well, yeah, guys, is like,

0:59:18.080 --> 0:59:21.400
<v Speaker 1>what the funk do you know about welding? And Dave says,

0:59:21.920 --> 0:59:26.000
<v Speaker 1>I know more than some chuffing woman, which chuffing I'm

0:59:26.080 --> 0:59:29.919
<v Speaker 1>I'm guessing is like fucking, I don't like, I don't, goddamn,

0:59:30.240 --> 0:59:35.200
<v Speaker 1>I don't. Yeah, correct as if we're wrong. Yeah, yeah,

0:59:35.240 --> 0:59:40.920
<v Speaker 1>you know, so he doesn't think that women can weld

0:59:40.400 --> 0:59:44.840
<v Speaker 1>really really, what Dave is more guilty of is letting

0:59:44.880 --> 0:59:48.400
<v Speaker 1>things slide when other men around him say fucked up stuff,

0:59:48.400 --> 0:59:52.120
<v Speaker 1>because it's like, I mean, Nathan is doing more to

0:59:52.240 --> 0:59:58.480
<v Speaker 1>push up against gazes casual misogyny than Davis, and Nathan's

0:59:58.600 --> 1:00:03.240
<v Speaker 1>like ten, uh so that's not great. Yeah, because it's

1:00:03.240 --> 1:00:05.439
<v Speaker 1>like any time like I feel like and you see

1:00:05.480 --> 1:00:08.200
<v Speaker 1>this like I don't know, like I've I've seen this

1:00:08.280 --> 1:00:13.720
<v Speaker 1>interaction where it's like someone says something really casually fucked

1:00:13.840 --> 1:00:16.080
<v Speaker 1>up and then the other persons like, oh, come on,

1:00:16.840 --> 1:00:20.920
<v Speaker 1>like and then they just never talk about it. That

1:00:21.080 --> 1:00:25.000
<v Speaker 1>is Dave. That that seems like Dave's m O is like, well,

1:00:25.000 --> 1:00:26.680
<v Speaker 1>I'm not going to say it myself, but I'm never

1:00:26.720 --> 1:00:30.480
<v Speaker 1>going to point out when someone's being you know, bigoted, unfair,

1:00:30.800 --> 1:00:37.600
<v Speaker 1>misogynist at yea, yeah, yeah, shall we talk about Gerald? Yeah,

1:00:37.720 --> 1:00:42.560
<v Speaker 1>let's talk about Gerald. So his situation is that he

1:00:42.920 --> 1:00:47.240
<v Speaker 1>is ashamed at having lost his job. He cannot be

1:00:47.320 --> 1:00:51.680
<v Speaker 1>the provider anymore. He is unable to admit this to

1:00:51.800 --> 1:00:56.480
<v Speaker 1>his wife because of all the shame he feels um

1:00:56.520 --> 1:00:59.360
<v Speaker 1>which again goes back to that kind of toxic standard

1:00:59.360 --> 1:01:02.840
<v Speaker 1>of masculine city where men are expected to be the

1:01:02.920 --> 1:01:09.800
<v Speaker 1>providers and if they can't do that, then the other

1:01:09.920 --> 1:01:14.200
<v Speaker 1>a failure, they don't know what they're worth is and

1:01:14.240 --> 1:01:16.720
<v Speaker 1>stuff like that. So, um, yeah, I thought that was

1:01:16.760 --> 1:01:21.120
<v Speaker 1>a very interesting thing to explore. There are there's like

1:01:21.160 --> 1:01:24.320
<v Speaker 1>at least one scene where even Gazz is like, why

1:01:24.400 --> 1:01:28.480
<v Speaker 1>can't you just tell your wife? And Gerald's like, well,

1:01:28.520 --> 1:01:31.200
<v Speaker 1>it's been six months now, Like how can I tell

1:01:31.240 --> 1:01:33.560
<v Speaker 1>her now? I've let it go on for way too

1:01:33.600 --> 1:01:37.040
<v Speaker 1>long and and part of it is like, also, this

1:01:37.240 --> 1:01:41.400
<v Speaker 1>just not being able to be like open and forthcoming

1:01:42.200 --> 1:01:47.120
<v Speaker 1>to the romantic partner, and it's it's so like and

1:01:47.160 --> 1:01:50.600
<v Speaker 1>it's it seems to be like in Dave and Gerald's case,

1:01:50.840 --> 1:01:54.520
<v Speaker 1>wives that they love very much. It makes me sad.

1:01:55.120 --> 1:02:00.200
<v Speaker 1>And what I really loved is his wife's response when

1:02:00.240 --> 1:02:03.520
<v Speaker 1>she does find out and I don't I feel like

1:02:03.600 --> 1:02:06.800
<v Speaker 1>you do learn her name, but I he mentioned it

1:02:06.840 --> 1:02:09.360
<v Speaker 1>a few times, but it's the dialogue in this movie

1:02:09.440 --> 1:02:12.000
<v Speaker 1>was so tough for me. And she does have a name,

1:02:12.040 --> 1:02:13.760
<v Speaker 1>I don't remember what it was off the top of

1:02:13.800 --> 1:02:16.920
<v Speaker 1>my head. Linda I think is her name? That yes, Okay.

1:02:17.480 --> 1:02:20.680
<v Speaker 1>So she finds out because people come into her home

1:02:20.880 --> 1:02:25.800
<v Speaker 1>and start repossessing things. And Gerald comes home while this

1:02:25.880 --> 1:02:28.240
<v Speaker 1>is happening, and she's like, how long has this been

1:02:28.280 --> 1:02:30.920
<v Speaker 1>going on? He's like about six months. And she's like,

1:02:31.040 --> 1:02:33.840
<v Speaker 1>all right, well, you know, I can deal with losing

1:02:33.840 --> 1:02:37.640
<v Speaker 1>the sun bed, the car, whatever, like material possessions. She

1:02:37.720 --> 1:02:40.440
<v Speaker 1>lists off. She's like, I can even deal with the

1:02:40.520 --> 1:02:44.120
<v Speaker 1>shame of everyone watching this, but six months and you

1:02:44.160 --> 1:02:47.800
<v Speaker 1>couldn't even tell me your wife. So she's not upset

1:02:47.840 --> 1:02:50.200
<v Speaker 1>about which I think is like a pretty major subversion

1:02:50.360 --> 1:02:55.200
<v Speaker 1>for like the wife character of just like being upset

1:02:55.240 --> 1:02:59.080
<v Speaker 1>about like losing these like luxury items and stuff like that.

1:02:59.560 --> 1:03:02.040
<v Speaker 1>She's like, I don't even care about that. I only

1:03:02.120 --> 1:03:05.240
<v Speaker 1>care that you you weren't honest with me, and you

1:03:05.280 --> 1:03:07.280
<v Speaker 1>weren't open with me, and you didn't tell me that

1:03:07.400 --> 1:03:10.919
<v Speaker 1>this is something that was happening, especially because like she's

1:03:10.920 --> 1:03:14.360
<v Speaker 1>sort of set up to seem kind of like materialistic

1:03:14.480 --> 1:03:18.080
<v Speaker 1>because she's like, let's go, like, let's spend all this money.

1:03:18.120 --> 1:03:21.000
<v Speaker 1>I want to go on like a ski trip and

1:03:21.000 --> 1:03:23.080
<v Speaker 1>stuff like that. But then she's like, I don't actually

1:03:23.080 --> 1:03:27.160
<v Speaker 1>care about that. I just wanted you to be honest

1:03:27.240 --> 1:03:30.720
<v Speaker 1>with me. I Yeah, I really liked that too, because

1:03:30.760 --> 1:03:33.000
<v Speaker 1>I honestly was like the way that they were setting

1:03:33.000 --> 1:03:35.400
<v Speaker 1>her up where they were like, you know, she's kind

1:03:35.440 --> 1:03:38.480
<v Speaker 1>of this. I mean, they're you know, their vibe is

1:03:38.760 --> 1:03:43.320
<v Speaker 1>like upper middle class assholes. But yeah, it's like that

1:03:43.320 --> 1:03:46.960
<v Speaker 1>that is a cool subversion where it's it's and and

1:03:47.000 --> 1:03:50.440
<v Speaker 1>again it's I feel like, you know, in the same

1:03:50.480 --> 1:03:53.600
<v Speaker 1>way that I'm like, I totally understand why Mandy is

1:03:53.680 --> 1:03:57.600
<v Speaker 1>so frustrated with Gas, you can also see why Linda

1:03:57.720 --> 1:04:01.360
<v Speaker 1>is so hurt by this because and also and and

1:04:01.360 --> 1:04:06.160
<v Speaker 1>and again where both sides of this conflict like they're

1:04:06.200 --> 1:04:10.560
<v Speaker 1>just both prisoners to this like his toxic masculinity that

1:04:10.600 --> 1:04:12.760
<v Speaker 1>he's been taking in his whole life, and it's affecting

1:04:13.080 --> 1:04:17.919
<v Speaker 1>everyone so negatively. Oh it makes me and and and

1:04:18.040 --> 1:04:20.760
<v Speaker 1>it's hard to not feel for Gerald in a way

1:04:20.800 --> 1:04:24.880
<v Speaker 1>to where it's like, yeah, you're being a absolute fool

1:04:25.280 --> 1:04:28.880
<v Speaker 1>about how you're dealing with this. Talk to bottom, talk

1:04:29.080 --> 1:04:33.120
<v Speaker 1>to your wife. But like that concept of yeah, just

1:04:33.360 --> 1:04:38.600
<v Speaker 1>being defined by your ability to provide and and not

1:04:38.680 --> 1:04:43.680
<v Speaker 1>being able to provide connected to just like complete emasculation

1:04:44.480 --> 1:04:47.600
<v Speaker 1>in a way that I'm just I mean, like every movie,

1:04:47.640 --> 1:04:51.640
<v Speaker 1>I'm like, you know, therapy, therapy would fix, would fix

1:04:51.640 --> 1:04:55.400
<v Speaker 1>a lot of these issues. Um, another movie where all

1:04:55.440 --> 1:05:03.800
<v Speaker 1>of these characters need to be in therapy, including ethan Um. Yes, uh,

1:05:03.800 --> 1:05:07.960
<v Speaker 1>but yeah, I liked that's right. And also just like them,

1:05:08.360 --> 1:05:11.760
<v Speaker 1>you know, Gerald being like, well, you know, she's used

1:05:11.800 --> 1:05:14.320
<v Speaker 1>to a standard of living and I don't want to

1:05:14.360 --> 1:05:17.600
<v Speaker 1>ask her to have to compromise, which I don't know.

1:05:17.680 --> 1:05:24.320
<v Speaker 1>That was just giving me like major O eight recession vibes. Um,

1:05:24.520 --> 1:05:27.040
<v Speaker 1>you know, like he would rather go into debt than

1:05:27.160 --> 1:05:32.120
<v Speaker 1>admit that his financial status has changed, Like he would

1:05:32.200 --> 1:05:35.440
<v Speaker 1>rather sever the most important relationship in his life than

1:05:35.520 --> 1:05:39.200
<v Speaker 1>admit that, you know, a situation out of his control

1:05:40.320 --> 1:05:43.920
<v Speaker 1>is affecting his family. And it's like, come on, man,

1:05:44.080 --> 1:05:46.919
<v Speaker 1>but you also understand where it all comes from, right,

1:05:47.080 --> 1:05:51.480
<v Speaker 1>It's not happening in a vacuum. Gerald. It also makes

1:05:51.520 --> 1:05:56.720
<v Speaker 1>you wonder, how does Linda not know that the factory

1:05:56.920 --> 1:05:59.880
<v Speaker 1>closed down six months ago? Like wouldn't that have been

1:06:00.320 --> 1:06:04.400
<v Speaker 1>like in the newspaper, wouldn't people be talking about it

1:06:04.800 --> 1:06:08.080
<v Speaker 1>that I had that question also, but I'm like, maybe

1:06:08.160 --> 1:06:10.800
<v Speaker 1>he was like just like, oh, I'm working somewhere else

1:06:11.000 --> 1:06:15.760
<v Speaker 1>dot dot dot think he got a different job. I know.

1:06:15.800 --> 1:06:17.560
<v Speaker 1>I was just like, I wish that had been clarified

1:06:17.560 --> 1:06:21.200
<v Speaker 1>because otherwise it just makes her seem like completely oblivious

1:06:22.480 --> 1:06:24.760
<v Speaker 1>because I'm like, well, where where were you for the

1:06:24.840 --> 1:06:30.120
<v Speaker 1>last six months, Linda. Um. The other thing with Gerald

1:06:30.440 --> 1:06:33.040
<v Speaker 1>is that we learn a bit later on in the

1:06:33.080 --> 1:06:40.240
<v Speaker 1>movie that he's experiencing a situation where he gets unexpected erections.

1:06:40.360 --> 1:06:42.400
<v Speaker 1>I don't know what the medical term for this is,

1:06:43.000 --> 1:06:47.040
<v Speaker 1>I can't help. And this is something that he like

1:06:47.160 --> 1:06:54.280
<v Speaker 1>confides in to Dave. But because Dave he's experiencing impotency, Yeah,

1:06:54.320 --> 1:06:56.480
<v Speaker 1>they're not seeing eye to eye on it. He's like, I,

1:06:56.760 --> 1:07:00.400
<v Speaker 1>you're talking to the wrong man, right, Um. So he

1:07:00.480 --> 1:07:04.960
<v Speaker 1>also he kind of dismisses Gerald after Gerald had dismissed

1:07:05.280 --> 1:07:09.400
<v Speaker 1>Dave for like being insecure about his weight, and then

1:07:09.440 --> 1:07:13.120
<v Speaker 1>the other members of the group. I guess he confides

1:07:13.360 --> 1:07:15.480
<v Speaker 1>in them or they find out about it in some

1:07:15.520 --> 1:07:18.480
<v Speaker 1>way and they're like it's this thing where they're like

1:07:19.080 --> 1:07:21.280
<v Speaker 1>trying to be supportive because they're like, oh, well, what

1:07:21.320 --> 1:07:23.640
<v Speaker 1>if like think about boring things and then you like

1:07:23.720 --> 1:07:26.200
<v Speaker 1>won't get an erection. But then they also tease him

1:07:26.240 --> 1:07:29.080
<v Speaker 1>about it, and I don't know how to feel about

1:07:29.120 --> 1:07:31.640
<v Speaker 1>that because I was like, oh, well, they shouldn't be

1:07:31.640 --> 1:07:34.960
<v Speaker 1>teasing him, but this is how I don't know, Like

1:07:35.520 --> 1:07:40.440
<v Speaker 1>I mean, that's like, that's another through line that this

1:07:40.480 --> 1:07:44.880
<v Speaker 1>movie touches on, I think, with four different characters where

1:07:45.200 --> 1:07:49.000
<v Speaker 1>it's like some sort of self definition by if not

1:07:49.120 --> 1:07:53.440
<v Speaker 1>your penis's size, what your penis is doing in its

1:07:53.680 --> 1:08:02.000
<v Speaker 1>spare time, its leisure hours, etcetera. Um, and and it honestly,

1:08:02.120 --> 1:08:06.360
<v Speaker 1>like I know that it's imperfectly done. I don't feel

1:08:06.440 --> 1:08:12.840
<v Speaker 1>qualified to get even like incredibly specific with how um,

1:08:12.880 --> 1:08:16.639
<v Speaker 1>but but I do. Yeah, it's I kind of wonder

1:08:16.760 --> 1:08:22.000
<v Speaker 1>I for uh, for our listeners that have some insight here.

1:08:22.320 --> 1:08:24.439
<v Speaker 1>I guess it's like I I viewed the way that

1:08:24.680 --> 1:08:27.040
<v Speaker 1>not in all situations, but in some situations, it's like

1:08:27.560 --> 1:08:32.439
<v Speaker 1>these men can only communicate by like sort of making

1:08:32.479 --> 1:08:36.240
<v Speaker 1>a joke out of everything, and like they clearly it's

1:08:36.320 --> 1:08:39.559
<v Speaker 1>really hard for them to have a straight discussion because

1:08:39.600 --> 1:08:42.439
<v Speaker 1>as we see from how all their relationships are, they

1:08:42.520 --> 1:08:49.040
<v Speaker 1>cannot communicate with anybody until it's like an absolute breaking point,

1:08:49.080 --> 1:08:51.280
<v Speaker 1>like they their life has to be almost destroyed before

1:08:51.280 --> 1:08:54.040
<v Speaker 1>they'll communicate, And so I sort of view that as

1:08:54.080 --> 1:08:57.240
<v Speaker 1>like an extension of that of like they're teasing each

1:08:57.280 --> 1:09:00.599
<v Speaker 1>other instead of talking about it, but through easy each other,

1:09:00.640 --> 1:09:03.040
<v Speaker 1>they're trying to talk about it, but it's not really

1:09:03.040 --> 1:09:08.519
<v Speaker 1>like it's a very imperfect approach, I don't know, being real,

1:09:09.560 --> 1:09:14.880
<v Speaker 1>real straight guys some of them. And then that might

1:09:14.920 --> 1:09:22.439
<v Speaker 1>bring us to Lamper and or guy. So Lumper is

1:09:22.560 --> 1:09:25.400
<v Speaker 1>I think like the third character to join the group.

1:09:26.200 --> 1:09:31.320
<v Speaker 1>He's the one who they stop like an active suicide

1:09:31.320 --> 1:09:36.160
<v Speaker 1>attempt um. The aftermath of that is again like a

1:09:36.320 --> 1:09:39.599
<v Speaker 1>very like they're joking with him about the like the

1:09:39.640 --> 1:09:45.519
<v Speaker 1>other ways that he could have attempted suicide, yeah, which

1:09:45.600 --> 1:09:48.360
<v Speaker 1>is which is like, I don't know, I don't hate

1:09:48.360 --> 1:09:50.880
<v Speaker 1>the way it's written that they trying to talk him down.

1:09:51.040 --> 1:09:55.400
<v Speaker 1>They also clearly have no idea how to talk about this. Yeah,

1:09:55.640 --> 1:09:58.400
<v Speaker 1>And then it it ends with him saying like, well,

1:09:58.439 --> 1:10:01.240
<v Speaker 1>I don't have any friends, and they're like, well, how

1:10:01.280 --> 1:10:04.720
<v Speaker 1>could you tell us that we're not your friends? You know,

1:10:04.800 --> 1:10:08.040
<v Speaker 1>we just saved your life, and he's like really that

1:10:08.160 --> 1:10:12.560
<v Speaker 1>little smile where he's like oh, oh, I know it's

1:10:12.240 --> 1:10:15.960
<v Speaker 1>it's it's very sweet. It's very sweet. Yeah. And then

1:10:16.200 --> 1:10:17.880
<v Speaker 1>and then a little bit later, I don't know if

1:10:17.880 --> 1:10:22.479
<v Speaker 1>you caught this, but Gas is saying, he's like, yeah,

1:10:22.479 --> 1:10:26.160
<v Speaker 1>I roped him into the group because this could be

1:10:26.200 --> 1:10:31.560
<v Speaker 1>good therapy for him. Yes, yes, that was very sweet.

1:10:31.960 --> 1:10:34.800
<v Speaker 1>And it's like, well, you know, real therapy would be

1:10:34.840 --> 1:10:39.280
<v Speaker 1>good therapy for him, but um, if that's not available.

1:10:39.320 --> 1:10:41.519
<v Speaker 1>But we also it's like it it were, you know,

1:10:41.600 --> 1:10:44.439
<v Speaker 1>in a in a very low income area, it's very

1:10:44.439 --> 1:10:47.160
<v Speaker 1>likely that that would not be made available on top

1:10:47.280 --> 1:10:50.960
<v Speaker 1>of the stigma. Although they're in England, so maybe they

1:10:51.000 --> 1:10:53.080
<v Speaker 1>do have more access to things. I don't really know.

1:10:53.560 --> 1:10:57.880
<v Speaker 1>I don't really know. English listeners help us out here. Yeah,

1:10:59.000 --> 1:11:03.439
<v Speaker 1>and then for long or it's revealed that he is

1:11:04.040 --> 1:11:09.160
<v Speaker 1>gay or queer. He's attracted to men, which guy also is.

1:11:10.120 --> 1:11:15.360
<v Speaker 1>Because they have that moment when they're like running away

1:11:15.360 --> 1:11:20.679
<v Speaker 1>from the dress rehearsal and they are like very close

1:11:20.800 --> 1:11:24.120
<v Speaker 1>and they're face to face and they have their vibing.

1:11:24.520 --> 1:11:28.360
<v Speaker 1>You're like, let's have three movies of this, right. The

1:11:29.320 --> 1:11:32.800
<v Speaker 1>only other thing, the only other part of this very

1:11:32.840 --> 1:11:37.880
<v Speaker 1>minimal storyline is a few scenes later when Lamper's mother

1:11:38.000 --> 1:11:40.600
<v Speaker 1>has passed away and they're at her funeral, and we

1:11:40.680 --> 1:11:42.880
<v Speaker 1>see a very tiny glimpse of the two of them

1:11:42.920 --> 1:11:50.400
<v Speaker 1>holding hands, which then Gas and Dave notice and comment on,

1:11:51.320 --> 1:11:55.519
<v Speaker 1>and it's, you know, they're just kind of surprised and

1:11:55.680 --> 1:11:59.640
<v Speaker 1>it was unexpected for them. And then Dave says a

1:11:59.760 --> 1:12:05.719
<v Speaker 1>very like Northern England expression, there's not as queer as folk,

1:12:05.960 --> 1:12:08.920
<v Speaker 1>and I was like, which doesn't specifically is not specifically

1:12:08.960 --> 1:12:11.840
<v Speaker 1>about queer people. It's just means like, there's nothing as

1:12:11.840 --> 1:12:14.520
<v Speaker 1>strange as people. But then he like kind of realizes

1:12:14.560 --> 1:12:17.120
<v Speaker 1>the double on tenda of what he said, and then

1:12:17.160 --> 1:12:20.040
<v Speaker 1>they start laughing. They're cracking up at the funeral. At

1:12:20.040 --> 1:12:23.280
<v Speaker 1>the funeral, right, So I guess my main thing here

1:12:23.439 --> 1:12:27.360
<v Speaker 1>is that I just really would have liked to see

1:12:27.400 --> 1:12:32.439
<v Speaker 1>more of this storyline. It gets so breezed past, and

1:12:32.600 --> 1:12:38.679
<v Speaker 1>we don't really learn anything about them as a couple

1:12:39.760 --> 1:12:43.560
<v Speaker 1>except for just the very those two tiny little glimpses.

1:12:44.080 --> 1:12:50.680
<v Speaker 1>It's freustra and it's so it's so seven and unfortunately

1:12:50.720 --> 1:12:55.160
<v Speaker 1>kind of like best case scenario where the fact that

1:12:55.200 --> 1:12:58.200
<v Speaker 1>they are interested in each other and that they like

1:12:58.280 --> 1:13:00.520
<v Speaker 1>seemed to be at the beginning of our relation sationship

1:13:01.040 --> 1:13:04.400
<v Speaker 1>um is presented in a very you know, pretty matter

1:13:04.439 --> 1:13:07.720
<v Speaker 1>of fact way, but it's so brief, and it's like,

1:13:08.479 --> 1:13:12.600
<v Speaker 1>you know that if this were hederal relationship, that it

1:13:12.640 --> 1:13:15.280
<v Speaker 1>would all of a sudden take over the entire plot

1:13:15.680 --> 1:13:19.679
<v Speaker 1>in the way that had hedteral relationships that you barely

1:13:19.680 --> 1:13:25.679
<v Speaker 1>know anything about consume the plot entirely in in many movies, it's,

1:13:25.720 --> 1:13:28.000
<v Speaker 1>you know, we're kind of going for scraps here. I

1:13:28.040 --> 1:13:33.000
<v Speaker 1>do appreciate that it passed queer coding, and you know,

1:13:33.160 --> 1:13:36.240
<v Speaker 1>explicitly we're like, these are these are queer characters, but

1:13:36.280 --> 1:13:40.080
<v Speaker 1>it's like, I don't know of like I feel like,

1:13:40.200 --> 1:13:43.160
<v Speaker 1>of all the issues that are like reference, but only

1:13:43.280 --> 1:13:47.120
<v Speaker 1>like in a very surface, scratchy sort of way. This

1:13:47.120 --> 1:13:50.880
<v Speaker 1>this was one of the big ones. But that said,

1:13:50.880 --> 1:13:55.479
<v Speaker 1>what is there? I think it's very sweet and I'm

1:13:55.520 --> 1:13:58.559
<v Speaker 1>I'm rooting for them, ing for them too, But yeah,

1:13:58.640 --> 1:14:04.120
<v Speaker 1>the movie spends more screen time on Dave and Gaz's

1:14:04.200 --> 1:14:07.120
<v Speaker 1>reaction to learning this information than it does on the

1:14:07.160 --> 1:14:11.080
<v Speaker 1>relationship itself, which I guess like and again, this is

1:14:11.120 --> 1:14:15.080
<v Speaker 1>extremely bare minimum for them to for Gaz to have

1:14:15.120 --> 1:14:19.760
<v Speaker 1>said homophobic things prior to that, but generally seemed to

1:14:19.800 --> 1:14:25.360
<v Speaker 1>be accepting of this relationship is like again bare minimum,

1:14:25.520 --> 1:14:27.840
<v Speaker 1>but this is yeah, I mean, it does seem like

1:14:27.880 --> 1:14:30.200
<v Speaker 1>this whole movie to an extent, is a journey of

1:14:30.400 --> 1:14:35.800
<v Speaker 1>bare minimum acceptance narratives where it's like, oh, I'm not

1:14:35.880 --> 1:14:38.800
<v Speaker 1>going to mock my friend's body anymore. I'm not going

1:14:38.840 --> 1:14:43.880
<v Speaker 1>to make casually homophobic comments about whomever, Like I'm not

1:14:43.960 --> 1:14:48.920
<v Speaker 1>going to assume the worst in and like objectify every

1:14:48.920 --> 1:14:51.040
<v Speaker 1>woman who walks into my path, like it's like the

1:14:51.080 --> 1:14:54.519
<v Speaker 1>bar is on the floor. But yeah, I mean, but

1:14:54.600 --> 1:14:59.040
<v Speaker 1>you're totally right, is like harping on the reaction versus

1:14:59.080 --> 1:15:01.439
<v Speaker 1>like there's just there's room there was And I'm not

1:15:01.520 --> 1:15:04.280
<v Speaker 1>even asking for, you know, this relationship to take over

1:15:04.320 --> 1:15:07.160
<v Speaker 1>the movie. That wouldn't make sense. But it's like, can

1:15:07.240 --> 1:15:10.040
<v Speaker 1>we have a scene with the two of them? Can

1:15:10.120 --> 1:15:13.240
<v Speaker 1>we have a scene with the two of them? Especially

1:15:13.280 --> 1:15:19.240
<v Speaker 1>because according to our favorite scholarly journal Wikipedia, the original

1:15:19.280 --> 1:15:23.360
<v Speaker 1>cut of the movie came in under ninety minutes, so

1:15:23.400 --> 1:15:26.679
<v Speaker 1>they went back and re shot, like shot some new scenes,

1:15:26.800 --> 1:15:29.679
<v Speaker 1>like new scenes were like written into the movie. For example,

1:15:29.800 --> 1:15:33.000
<v Speaker 1>the the scene where they're like doing an exercise montage

1:15:33.040 --> 1:15:36.080
<v Speaker 1>and then they're like playing soccer that was shot later.

1:15:36.240 --> 1:15:38.519
<v Speaker 1>Well that makes sense and really long, and I didn't

1:15:38.520 --> 1:15:43.000
<v Speaker 1>know why I was there. It's unnecessary. And if you notice,

1:15:43.680 --> 1:15:47.639
<v Speaker 1>Robert Carlyle is not in that scene, those scenes because

1:15:47.840 --> 1:15:51.000
<v Speaker 1>he was like filming other stuff, because this was after

1:15:51.120 --> 1:15:54.200
<v Speaker 1>like principal photography on this movie and he wasn't available,

1:15:54.640 --> 1:15:57.280
<v Speaker 1>so double frustrating. So there was like there was room,

1:15:57.400 --> 1:16:02.120
<v Speaker 1>explicitly room for this relationship to be explored further, and

1:16:02.160 --> 1:16:06.599
<v Speaker 1>the choice was simply made to not annoying. I don't like. Wow,

1:16:06.880 --> 1:16:11.360
<v Speaker 1>now that I know that, I'm triple annoyed. Yeah, but

1:16:12.120 --> 1:16:15.519
<v Speaker 1>I like what's there. But but it's barely there. It's

1:16:15.560 --> 1:16:17.920
<v Speaker 1>barely there, and it's you know, I kind of added

1:16:17.960 --> 1:16:20.719
<v Speaker 1>in towards the end, and then you see a referenced

1:16:20.720 --> 1:16:25.000
<v Speaker 1>in two scenes and then it's you know, we we

1:16:25.120 --> 1:16:26.960
<v Speaker 1>spend and I'm not even saying it's a bad thing

1:16:26.960 --> 1:16:29.160
<v Speaker 1>that we spend a lot of time with Dave and

1:16:29.280 --> 1:16:31.120
<v Speaker 1>his wife, and we spend a lot of time with

1:16:31.200 --> 1:16:34.439
<v Speaker 1>Gas and Mandy, but it's like, let's uh spread the

1:16:34.479 --> 1:16:39.320
<v Speaker 1>love around movie, come on. And then the final character

1:16:39.760 --> 1:16:44.320
<v Speaker 1>is horse to discuss, so the thing that he is

1:16:44.360 --> 1:16:49.320
<v Speaker 1>dealing with is that he is insecure about his penis size,

1:16:50.280 --> 1:16:54.080
<v Speaker 1>which again is another just sort of byproduct of the

1:16:54.120 --> 1:16:58.880
<v Speaker 1>patriarchal society that we live in, this toxic standard of masculinity.

1:16:59.280 --> 1:17:03.880
<v Speaker 1>We talked about this on a recent episode on be

1:17:04.000 --> 1:17:11.679
<v Speaker 1>Dazzled of All movies about society's obsession with penis size

1:17:12.000 --> 1:17:18.440
<v Speaker 1>and penis function. I suppose the idea is obsessed with penises,

1:17:18.560 --> 1:17:23.920
<v Speaker 1>and it's like, um, we as a society must grow

1:17:24.040 --> 1:17:28.439
<v Speaker 1>up on this. Really it's hurting people, it is, yeah,

1:17:28.680 --> 1:17:32.479
<v Speaker 1>because there's this idea that, you know, you should measure

1:17:32.479 --> 1:17:36.840
<v Speaker 1>a person's masculinity based on how big their penises and

1:17:37.360 --> 1:17:40.920
<v Speaker 1>how it works. And it's like, it's very common still

1:17:41.080 --> 1:17:45.120
<v Speaker 1>today to shame a person for having a small penis,

1:17:45.280 --> 1:17:51.160
<v Speaker 1>or shame someone who's experiencing impotency or premature ejaculation, or

1:17:51.200 --> 1:17:54.720
<v Speaker 1>any number of things. And four different characters in this

1:17:54.760 --> 1:17:58.200
<v Speaker 1>movie their subplot or at least part of their subplot

1:17:58.320 --> 1:18:02.320
<v Speaker 1>has something to do with something relating to their penis,

1:18:03.360 --> 1:18:06.200
<v Speaker 1>which I feel like for the most part, this movie

1:18:06.240 --> 1:18:10.800
<v Speaker 1>handles pretty well, like the just that it gets explored

1:18:11.000 --> 1:18:13.880
<v Speaker 1>at all that these men feel this pressure to have

1:18:14.960 --> 1:18:20.639
<v Speaker 1>a penis that like aligns with society's expectations, and they

1:18:20.680 --> 1:18:29.160
<v Speaker 1>sentence feel the best sentence I've ever said. Um, you know,

1:18:29.360 --> 1:18:32.760
<v Speaker 1>it starts to explore these, like, you know, toxic standards,

1:18:32.760 --> 1:18:38.240
<v Speaker 1>and granted it doesn't dive very far into them. I

1:18:38.280 --> 1:18:42.040
<v Speaker 1>think where the movie kind of fails here is that

1:18:42.400 --> 1:18:44.840
<v Speaker 1>the character Guy, who I would argue we know the

1:18:44.920 --> 1:18:48.360
<v Speaker 1>least about of all of these people. Yeah, all we

1:18:48.439 --> 1:18:52.639
<v Speaker 1>know is that he is the lunchbox and that he

1:18:53.080 --> 1:18:58.120
<v Speaker 1>readd Gerald La. I think that's all we know. And

1:18:58.280 --> 1:19:02.000
<v Speaker 1>he gets brought into the group strictly based on the

1:19:02.040 --> 1:19:05.639
<v Speaker 1>fact that he has a large penis, so they are

1:19:05.800 --> 1:19:08.040
<v Speaker 1>valuing him. They think that he has something to bring

1:19:08.040 --> 1:19:11.880
<v Speaker 1>to the table based on his penis size, and they're

1:19:11.920 --> 1:19:14.599
<v Speaker 1>not doing that in a vacuum. But that said, like

1:19:14.680 --> 1:19:19.160
<v Speaker 1>it's you know, it's a it's a loaded decision, yes,

1:19:20.080 --> 1:19:26.240
<v Speaker 1>And then I'm kind of curious about Horse being the character,

1:19:27.400 --> 1:19:31.360
<v Speaker 1>so he's insecure about what he perceives to be his

1:19:31.439 --> 1:19:36.160
<v Speaker 1>small penis. Um He's also the only black character, and

1:19:36.400 --> 1:19:40.840
<v Speaker 1>because there is a popular stereotype that black men have

1:19:41.160 --> 1:19:45.560
<v Speaker 1>large penises, which of course is a very toxic stereotype

1:19:45.560 --> 1:19:49.280
<v Speaker 1>because it's historically been used to over sexualized black men

1:19:49.400 --> 1:19:54.400
<v Speaker 1>and to accuse them of being sexually aggressive. So the

1:19:54.479 --> 1:19:58.400
<v Speaker 1>movie subverts this stereotype, and it also kind of makes

1:19:58.439 --> 1:20:02.559
<v Speaker 1>me wonder, like, do as horse feel the pressure to

1:20:02.640 --> 1:20:07.800
<v Speaker 1>have a bigger penis based on this stereotype? And it

1:20:08.000 --> 1:20:13.519
<v Speaker 1>barely requires saying, but all of these stereotypes are completely

1:20:13.680 --> 1:20:16.719
<v Speaker 1>erroneous and there and they're also you know, in Horses

1:20:17.000 --> 1:20:20.519
<v Speaker 1>clearly having an effect on his self esteem based on

1:20:20.600 --> 1:20:24.559
<v Speaker 1>these complete lies that are being you know, forced upon him.

1:20:24.680 --> 1:20:27.400
<v Speaker 1>And it's kind of made a joke of in this movie,

1:20:27.640 --> 1:20:29.800
<v Speaker 1>not in a way that I feel like it's aggressively

1:20:30.040 --> 1:20:32.000
<v Speaker 1>punching down, but I do think that there was like

1:20:32.040 --> 1:20:35.719
<v Speaker 1>a little more room just in the way that there

1:20:35.880 --> 1:20:39.040
<v Speaker 1>is more room to explore his character in general, there

1:20:39.120 --> 1:20:44.200
<v Speaker 1>was more room to kind of directly interrogate that stereotype,

1:20:44.360 --> 1:20:47.120
<v Speaker 1>you know, where it's like referenced, but it's almost referenced

1:20:47.160 --> 1:20:49.760
<v Speaker 1>as a given, rather than making it clear that it's

1:20:49.800 --> 1:20:53.840
<v Speaker 1>like and this is total bullshit, you know, right, there's

1:20:53.920 --> 1:21:00.000
<v Speaker 1>nothing there's like no explicit indication that that is what's

1:21:00.120 --> 1:21:03.880
<v Speaker 1>being referenced. It's just sort of like the movie just

1:21:03.920 --> 1:21:06.920
<v Speaker 1>sort of treats that is like this is probably common knowledge,

1:21:07.040 --> 1:21:10.680
<v Speaker 1>the very wink wink way of addressing it. Yeah, you

1:21:10.720 --> 1:21:12.800
<v Speaker 1>know in a movie that I think that does a

1:21:12.840 --> 1:21:16.200
<v Speaker 1>lot well. That is like a stereotype that is referenced

1:21:16.240 --> 1:21:20.200
<v Speaker 1>without being interrogated or explored in anyway. And it just

1:21:20.240 --> 1:21:24.960
<v Speaker 1>feels like a kind of a clearly missed opportunity for sure.

1:21:25.280 --> 1:21:28.080
<v Speaker 1>But because of how this story is set up, there's

1:21:28.120 --> 1:21:31.639
<v Speaker 1>no one but white guys around to talk to um.

1:21:31.680 --> 1:21:34.240
<v Speaker 1>The fact that we are having this conversation at all

1:21:34.280 --> 1:21:37.760
<v Speaker 1>about like, the ambiguity of it makes it clear that

1:21:37.880 --> 1:21:40.960
<v Speaker 1>the topic was not you know, made clear enough or

1:21:41.160 --> 1:21:48.200
<v Speaker 1>adequately explored. And it's yeah, I it's I. I really

1:21:48.240 --> 1:21:52.720
<v Speaker 1>like Horses character. And but he's you know, he's the

1:21:52.760 --> 1:21:55.080
<v Speaker 1>only person of color in this group at all. He's

1:21:55.080 --> 1:21:57.559
<v Speaker 1>certainly the only black man in this group. We see

1:21:57.680 --> 1:22:01.440
<v Speaker 1>his family in that really funny scene where like horses

1:22:01.600 --> 1:22:05.560
<v Speaker 1>Horses feel like they really um, they're they're very supportive

1:22:05.960 --> 1:22:09.559
<v Speaker 1>of his endeavors. And they show up and we don't

1:22:09.560 --> 1:22:11.240
<v Speaker 1>get to talk to them, we don't get to know

1:22:11.280 --> 1:22:13.479
<v Speaker 1>who they are, Like they're the only black women in

1:22:13.479 --> 1:22:15.439
<v Speaker 1>the movie, and they don't say anything, and we don't

1:22:15.479 --> 1:22:18.000
<v Speaker 1>know who they are, and it's like I feel like

1:22:18.040 --> 1:22:21.680
<v Speaker 1>this this is a really We've talked about this a

1:22:21.680 --> 1:22:25.080
<v Speaker 1>bazillion times, particularly with nineties movies, but it is a

1:22:25.280 --> 1:22:30.240
<v Speaker 1>you know, very a persistent trope of you know, the

1:22:30.280 --> 1:22:34.440
<v Speaker 1>only person of color, you don't know that much about

1:22:34.479 --> 1:22:38.479
<v Speaker 1>their background or their home life, like in the way

1:22:38.520 --> 1:22:40.960
<v Speaker 1>that and and and I get that it's like, you know,

1:22:41.160 --> 1:22:47.200
<v Speaker 1>we we don't see the lunchboxes home life. Uh, but

1:22:47.200 --> 1:22:51.719
<v Speaker 1>but I do think that that it's like again because

1:22:52.000 --> 1:22:55.680
<v Speaker 1>we fully know that there are there is room to

1:22:56.520 --> 1:22:58.920
<v Speaker 1>build out each and every one of these characters we've

1:22:58.960 --> 1:23:02.160
<v Speaker 1>got the time, I think it's it's like it kind

1:23:02.160 --> 1:23:06.040
<v Speaker 1>of sticks out that horses um home life, and his

1:23:06.200 --> 1:23:10.160
<v Speaker 1>character isn't more fully fleshed out, and we don't get

1:23:10.200 --> 1:23:14.519
<v Speaker 1>to explore it more. I was like really disappointed, not

1:23:14.640 --> 1:23:18.720
<v Speaker 1>surprised with the fact that our only black character, we

1:23:18.960 --> 1:23:22.240
<v Speaker 1>we he has an arc. He you know, it's not

1:23:22.280 --> 1:23:25.839
<v Speaker 1>like he has no story. He definitely does. And it's

1:23:25.880 --> 1:23:28.479
<v Speaker 1>you know, comparable to the stories that the other men

1:23:28.520 --> 1:23:30.800
<v Speaker 1>are going through, where he's like you know, going you know,

1:23:30.880 --> 1:23:35.080
<v Speaker 1>navigating this um these toxic expectations and coming out on

1:23:35.120 --> 1:23:39.440
<v Speaker 1>the other side more confident and more satisfied with himself,

1:23:40.120 --> 1:23:42.439
<v Speaker 1>but you don't get the whole aspect of it, which

1:23:42.479 --> 1:23:45.960
<v Speaker 1>I think you get for every character except for Horse

1:23:46.840 --> 1:23:50.920
<v Speaker 1>and what is his actual name? Guy? Literally his name

1:23:50.960 --> 1:23:52.679
<v Speaker 1>is Guy, which is why I keep I'm like, because

1:23:52.680 --> 1:23:55.040
<v Speaker 1>I keep wanted to say that guy, but because his

1:23:55.120 --> 1:23:58.599
<v Speaker 1>name is Guy. Um, Horse and Guy, you don't get

1:23:58.640 --> 1:24:03.479
<v Speaker 1>that background. And I just feel like it would be

1:24:04.200 --> 1:24:06.400
<v Speaker 1>you know, it would benefit both of those characters, but

1:24:06.439 --> 1:24:12.000
<v Speaker 1>particularly Hoarse, to to more fully explore what their background is,

1:24:12.000 --> 1:24:14.720
<v Speaker 1>where they're coming from. You know. It's like that the

1:24:14.960 --> 1:24:18.920
<v Speaker 1>four men we have the home lives of four white guys,

1:24:19.280 --> 1:24:24.200
<v Speaker 1>you know, no problem. Um. So it feels it feels pointed,

1:24:24.760 --> 1:24:28.880
<v Speaker 1>and it feels just like his characters, you know, under

1:24:29.040 --> 1:24:32.080
<v Speaker 1>underwritten in a way that you know, for me, I'm like,

1:24:32.120 --> 1:24:36.040
<v Speaker 1>it doesn't it makes no sense. Um. And Also, Paul

1:24:36.080 --> 1:24:39.160
<v Speaker 1>Barber is such a fun character actor, and I just

1:24:39.160 --> 1:24:42.760
<v Speaker 1>would have liked to like see him more like he's

1:24:42.840 --> 1:24:47.439
<v Speaker 1>just he's just fun. He's so funny. This movie is

1:24:47.439 --> 1:24:52.880
<v Speaker 1>so funny. It is, I know. So it's yeah, I mean,

1:24:52.920 --> 1:24:55.640
<v Speaker 1>and and I wish I wish that that that his

1:24:55.680 --> 1:24:58.519
<v Speaker 1>story was just more fully explored because the fact that

1:24:58.520 --> 1:25:03.280
<v Speaker 1>we have this little to talk about, like, well, yeah, yeah,

1:25:03.400 --> 1:25:08.759
<v Speaker 1>it's telling. Yes. Do you you have any other thoughts

1:25:08.800 --> 1:25:13.920
<v Speaker 1>about the film? Um, I don't really think so. I

1:25:13.960 --> 1:25:17.360
<v Speaker 1>think just in terms of, um, you know, it's I

1:25:17.360 --> 1:25:21.120
<v Speaker 1>guess it will not really uh shock anybody to know

1:25:21.280 --> 1:25:25.000
<v Speaker 1>that it's all you know, white men talk to bottom.

1:25:25.040 --> 1:25:29.800
<v Speaker 1>In terms of production, I guess if it's actually there.

1:25:29.840 --> 1:25:33.960
<v Speaker 1>There there is a female composer and Dudley who was

1:25:34.000 --> 1:25:37.800
<v Speaker 1>nominated for an Academy Award for the score, which is

1:25:37.840 --> 1:25:41.719
<v Speaker 1>interesting because I I feel like it's a jukebox movie,

1:25:41.840 --> 1:25:44.599
<v Speaker 1>but she got dominated for her score, which I don't remember.

1:25:44.600 --> 1:25:47.639
<v Speaker 1>There is Yeah, it's a lot of um the soundtrack. Well,

1:25:47.640 --> 1:25:51.120
<v Speaker 1>first of all, the soundtrack is incredible. Um, there is

1:25:51.160 --> 1:25:54.639
<v Speaker 1>some original score that is really good. And I believe,

1:25:55.080 --> 1:25:59.639
<v Speaker 1>if I'm not mistaken, she won the Academy Award. Did

1:25:59.640 --> 1:26:04.440
<v Speaker 1>she win for it? Yeah? One for Best Original Musical

1:26:04.720 --> 1:26:08.680
<v Speaker 1>or Comedy Score. Weight Okay, I think this is a

1:26:08.720 --> 1:26:11.920
<v Speaker 1>different category that I'm not sure actually still exists anymore

1:26:11.960 --> 1:26:15.120
<v Speaker 1>for the Academy Awards. I'm not sure, but either way,

1:26:15.600 --> 1:26:18.679
<v Speaker 1>shout out and Dudley. Shout out and Dudley. So there

1:26:18.720 --> 1:26:21.880
<v Speaker 1>there was you know, a win there, but like, this

1:26:21.920 --> 1:26:24.040
<v Speaker 1>movie was just I don't know, I think it's like,

1:26:24.640 --> 1:26:28.760
<v Speaker 1>ultimately it speaks to like this movie is taking a

1:26:28.760 --> 1:26:33.479
<v Speaker 1>really funny, interesting way of exploring really commonly explored topics

1:26:33.479 --> 1:26:36.880
<v Speaker 1>that clearly people wanted to see discussed in a movie.

1:26:36.880 --> 1:26:42.439
<v Speaker 1>Because it was so ridiculously successful. Um, it was the

1:26:42.560 --> 1:26:48.600
<v Speaker 1>highest grossing film in the UK until it was outperformed

1:26:48.760 --> 1:26:55.439
<v Speaker 1>by Titanic Feels Good, which, like, so it would have

1:26:55.479 --> 1:26:57.760
<v Speaker 1>only been the highest grossing movie in the UK for

1:26:57.800 --> 1:27:02.800
<v Speaker 1>a few months because Titanic came out a few months later. Look,

1:27:03.320 --> 1:27:07.920
<v Speaker 1>I hope they enjoyed their brief but significant rain over

1:27:07.960 --> 1:27:11.080
<v Speaker 1>the UK box office. It's such a fun movie, Like

1:27:11.200 --> 1:27:15.200
<v Speaker 1>it's Yeah, if you haven't seen this movie, you really

1:27:15.520 --> 1:27:18.800
<v Speaker 1>do yourself a favor. It's a blast. Yeah, it really is.

1:27:18.880 --> 1:27:20.760
<v Speaker 1>And it's about I mean, we didn't talk too much

1:27:20.760 --> 1:27:26.280
<v Speaker 1>about this, but like any movie that's about like that

1:27:26.439 --> 1:27:30.320
<v Speaker 1>explores and I don't know, well, we've talked about some

1:27:30.320 --> 1:27:34.000
<v Speaker 1>of the ways in which these friendships are maybe not

1:27:34.439 --> 1:27:37.479
<v Speaker 1>the most healthy, but I think for the most part,

1:27:37.600 --> 1:27:42.440
<v Speaker 1>especially oh By, like it's the friends, the male friendships

1:27:42.439 --> 1:27:47.000
<v Speaker 1>that are being explored in this movie are just really sweet,

1:27:47.160 --> 1:27:50.040
<v Speaker 1>and I really like them and they clearly need it.

1:27:50.040 --> 1:27:52.040
<v Speaker 1>It's I do think that this is like a great

1:27:52.080 --> 1:27:57.280
<v Speaker 1>example of like the realism is it's you know, no

1:27:57.360 --> 1:28:00.280
<v Speaker 1>one is in the space of what a couple weeks

1:28:00.600 --> 1:28:04.160
<v Speaker 1>going to go from being entrenched in thirty five years

1:28:04.160 --> 1:28:08.160
<v Speaker 1>of toxic masculinity to being like, now all my male

1:28:08.240 --> 1:28:11.760
<v Speaker 1>friends and I are talking about our insecurities every day, Like,

1:28:12.720 --> 1:28:15.200
<v Speaker 1>but you see the seeds of it, you see and

1:28:15.280 --> 1:28:16.920
<v Speaker 1>it is I mean we've talked, yeah, like we've talked

1:28:16.920 --> 1:28:19.240
<v Speaker 1>about this on the show before of just like not

1:28:19.320 --> 1:28:23.240
<v Speaker 1>really an emphasis on like healthy friendships between men. It's

1:28:23.320 --> 1:28:28.080
<v Speaker 1>just not something that's emphasized in I mean in society,

1:28:28.080 --> 1:28:31.360
<v Speaker 1>but also in movies When and and and you see

1:28:31.400 --> 1:28:35.280
<v Speaker 1>kind of the repercussions of that through like repression and

1:28:35.360 --> 1:28:39.760
<v Speaker 1>pushing stuff down and not communicating how you're feeling. And

1:28:39.800 --> 1:28:43.160
<v Speaker 1>then you see, you know, like through their friendships, they

1:28:43.400 --> 1:28:47.160
<v Speaker 1>start to feel some relief, they start to see other perspectives,

1:28:47.160 --> 1:28:50.480
<v Speaker 1>They start to realize they're not alone in their insecurities

1:28:50.520 --> 1:28:53.920
<v Speaker 1>and their worries that they thought were just so unique

1:28:53.960 --> 1:28:58.679
<v Speaker 1>to them. It's beautiful, It's really this movie is really nice.

1:28:58.920 --> 1:29:03.120
<v Speaker 1>I like it's much they helped set each other free

1:29:03.160 --> 1:29:06.880
<v Speaker 1>because they learned to be more open and honest. I

1:29:06.920 --> 1:29:09.720
<v Speaker 1>love when the boys set each other free. It's so

1:29:10.160 --> 1:29:13.800
<v Speaker 1>there's this is you know, we're we're We're not in

1:29:13.840 --> 1:29:18.240
<v Speaker 1>the business of endorsing entirely where I'm not in the

1:29:18.280 --> 1:29:21.360
<v Speaker 1>business of endorsing seven or six six or seven men

1:29:21.400 --> 1:29:25.240
<v Speaker 1>on a poster ordinarily. But this movie really is an

1:29:25.240 --> 1:29:28.479
<v Speaker 1>exception to the rule. It's true, it's great. Does it

1:29:28.520 --> 1:29:31.120
<v Speaker 1>pass the Bechdel t I do not believe. So they're

1:29:31.200 --> 1:29:35.240
<v Speaker 1>only scene where women interact with each other is that

1:29:35.320 --> 1:29:38.799
<v Speaker 1>bathroom scene towards the beginning, Jean and her two friends.

1:29:39.400 --> 1:29:43.840
<v Speaker 1>They either talk about Dave or this guy named Frank.

1:29:44.240 --> 1:29:47.519
<v Speaker 1>Most of the time there's like a couple of stray

1:29:47.560 --> 1:29:50.400
<v Speaker 1>exchanges that like technically would pass, except that we don't

1:29:50.479 --> 1:29:53.280
<v Speaker 1>learn the friends names. I do not believe, and they're

1:29:53.320 --> 1:29:57.760
<v Speaker 1>also not characters who ever show up again. So I

1:29:57.800 --> 1:30:01.960
<v Speaker 1>would say that that's not a pass as far as

1:30:01.960 --> 1:30:05.040
<v Speaker 1>our nipple scale, and which we rate the movie on

1:30:05.080 --> 1:30:08.559
<v Speaker 1>a scale of zero to five nipples based on an

1:30:08.600 --> 1:30:12.759
<v Speaker 1>examination of intersectional feminism. So while this is a story

1:30:12.840 --> 1:30:18.720
<v Speaker 1>that centers men and where women are like the side

1:30:18.760 --> 1:30:24.240
<v Speaker 1>like his wife characters or his ex wife characters. Um.

1:30:24.280 --> 1:30:29.760
<v Speaker 1>Even so, because this is a movie that by and

1:30:29.880 --> 1:30:35.280
<v Speaker 1>large explores what toxic standards of masculinity due to men,

1:30:35.400 --> 1:30:42.679
<v Speaker 1>how they affect men negatively, and how the men are

1:30:43.200 --> 1:30:45.680
<v Speaker 1>once they sort of start to set them like to

1:30:46.760 --> 1:30:50.760
<v Speaker 1>try to cast those standards aside and like set themselves

1:30:50.840 --> 1:30:57.960
<v Speaker 1>free of those standards, do they become happier and more successful? Um?

1:30:58.000 --> 1:31:00.800
<v Speaker 1>And people are celebrating them to like at that at

1:31:00.880 --> 1:31:03.599
<v Speaker 1>the end. I don't think we mentioned this yet, but yeah,

1:31:03.680 --> 1:31:08.639
<v Speaker 1>like at the end to like see the boys all

1:31:08.680 --> 1:31:11.759
<v Speaker 1>like comfortable in their own bodies and their whole families

1:31:11.800 --> 1:31:18.400
<v Speaker 1>are like, yes, my confident family member, Like is it, oh,

1:31:18.760 --> 1:31:21.479
<v Speaker 1>you know, if you put yourself in the position of

1:31:21.520 --> 1:31:23.960
<v Speaker 1>like looking at I don't know. I'm like, what I

1:31:24.000 --> 1:31:25.800
<v Speaker 1>want to see my dad in this kind of show. No,

1:31:26.280 --> 1:31:32.320
<v Speaker 1>but I appreciate the sentiment. Horses family, I think they're

1:31:32.360 --> 1:31:35.880
<v Speaker 1>they're right at the end, they're there. I imagine they're

1:31:35.920 --> 1:31:39.559
<v Speaker 1>covering their eyes whenever, or they're just like not looking

1:31:40.880 --> 1:31:45.200
<v Speaker 1>horses direction. Also, Nathan is there. Nathan probably really just

1:31:45.240 --> 1:31:49.440
<v Speaker 1>shouldn't be there around for most of this movie. Um.

1:31:50.560 --> 1:31:54.960
<v Speaker 1>But but with all that in mind. Um. It's a

1:31:55.000 --> 1:31:58.719
<v Speaker 1>story about men who are products of their environment, who

1:31:59.600 --> 1:32:03.720
<v Speaker 1>feel emasculated because of the circumstances and because of this

1:32:03.800 --> 1:32:07.599
<v Speaker 1>patriarchal society that they live in, that start to learn

1:32:08.240 --> 1:32:13.880
<v Speaker 1>to embrace other standards and to embrace healthier options. So

1:32:13.960 --> 1:32:18.280
<v Speaker 1>because of that, I'm going to give this movie this

1:32:18.360 --> 1:32:22.240
<v Speaker 1>is too high. Okay, I'm gonna give it three nibbles.

1:32:22.680 --> 1:32:26.519
<v Speaker 1>I was going to do that as well. And it's

1:32:26.560 --> 1:32:29.400
<v Speaker 1>your birthday, so it's my birthday, and I love this movie,

1:32:29.479 --> 1:32:31.799
<v Speaker 1>so I can do whatever I want. Damn good movie.

1:32:32.320 --> 1:32:37.400
<v Speaker 1>It's so good. It's so funny, I really And while

1:32:37.520 --> 1:32:42.040
<v Speaker 1>the characters do say some aggressive things that are homophobic

1:32:42.160 --> 1:32:46.120
<v Speaker 1>and misogynist, I feel like there's a difference between the

1:32:46.200 --> 1:32:49.760
<v Speaker 1>characters being that way and the movie also subscribing to

1:32:50.960 --> 1:32:54.400
<v Speaker 1>that ideology where a lot of movies, especially from this era,

1:32:55.320 --> 1:32:57.439
<v Speaker 1>the jokes that are being made by the movie are

1:32:57.520 --> 1:33:00.479
<v Speaker 1>like punching down. I don't feel like the movie is

1:33:00.520 --> 1:33:03.439
<v Speaker 1>doing this. The movie isn't menching down. I care that

1:33:03.439 --> 1:33:05.840
<v Speaker 1>they're supposed to look ridiculous when they say these things,

1:33:05.880 --> 1:33:10.120
<v Speaker 1>and and and wrong, I hope, but at least that's

1:33:10.120 --> 1:33:13.080
<v Speaker 1>how I view it. And especially because so much of

1:33:13.120 --> 1:33:18.519
<v Speaker 1>comedy from this era, and most of like comedy movies

1:33:18.760 --> 1:33:22.599
<v Speaker 1>from every decade, we're so reliant on punching down and

1:33:22.680 --> 1:33:28.599
<v Speaker 1>making jokes that were homophobic, racist, sexist, transphobic, ablest, you

1:33:28.680 --> 1:33:33.360
<v Speaker 1>name it. This movie avoids that for the most part,

1:33:34.080 --> 1:33:39.639
<v Speaker 1>and I appreciate that. So, yeah, three nipples. I'll give

1:33:40.960 --> 1:33:45.479
<v Speaker 1>one to horses family. Hell yeah, I will give one

1:33:46.080 --> 1:33:50.479
<v Speaker 1>too Mandy, who I have more of an appreciation for

1:33:50.600 --> 1:33:54.320
<v Speaker 1>than I did as a younger person. And I'll give

1:33:54.960 --> 1:33:58.400
<v Speaker 1>one nipple to the woman who peas on the wall

1:33:58.920 --> 1:34:04.680
<v Speaker 1>while standing up incredible. Yeah, I'll also go with with

1:34:04.840 --> 1:34:08.560
<v Speaker 1>a three here. I think that it is a very

1:34:08.680 --> 1:34:15.760
<v Speaker 1>rare movie that is able to acknowledge toxic masculinity without

1:34:15.840 --> 1:34:20.479
<v Speaker 1>endorsing it like that is such a difficult line to toe,

1:34:20.640 --> 1:34:25.800
<v Speaker 1>and I feel like it ordinarily fails pretty spectacularly. But

1:34:25.880 --> 1:34:28.720
<v Speaker 1>it doesn't hear like I like you're like you were

1:34:28.760 --> 1:34:32.719
<v Speaker 1>saying it is, I feel like that you understand. It's

1:34:32.760 --> 1:34:37.040
<v Speaker 1>interesting to see very flawed male characters presented with empathy

1:34:37.120 --> 1:34:42.360
<v Speaker 1>but also not endorsing what their behaviors and clearly demonstrating

1:34:42.400 --> 1:34:44.720
<v Speaker 1>through the plot and through their arts and through how

1:34:44.760 --> 1:34:50.280
<v Speaker 1>their behaviors affect their relationships, that this is not the

1:34:50.400 --> 1:34:56.080
<v Speaker 1>way to live. I just I it's so well written.

1:34:56.160 --> 1:34:59.200
<v Speaker 1>It blows my mind. I was like, how did man,

1:35:00.200 --> 1:35:02.240
<v Speaker 1>you know you hand it? You gotta hand it to

1:35:02.280 --> 1:35:05.120
<v Speaker 1>them every once in a while. Um. I mean, I

1:35:05.439 --> 1:35:08.040
<v Speaker 1>do think that the two characters that you neglect to

1:35:08.560 --> 1:35:13.120
<v Speaker 1>um create a meaningful home life and backstory. For being

1:35:13.439 --> 1:35:17.040
<v Speaker 1>your only black protagonist and one of your only queer

1:35:17.160 --> 1:35:20.760
<v Speaker 1>characters is uh, perhaps let's say, a bit glaring when

1:35:20.840 --> 1:35:23.080
<v Speaker 1>we are definitely focusing on the home lives of the

1:35:23.120 --> 1:35:28.080
<v Speaker 1>straight white guys. No problem. That is just very and

1:35:28.760 --> 1:35:33.320
<v Speaker 1>um annoying, especially because we know there's room for it. Um. However,

1:35:33.479 --> 1:35:35.880
<v Speaker 1>I just think it is. It is a very well

1:35:36.000 --> 1:35:42.000
<v Speaker 1>crafted story about men working through their ship and also

1:35:42.080 --> 1:35:46.680
<v Speaker 1>working through their ship together you know, and it and

1:35:46.920 --> 1:35:50.200
<v Speaker 1>learning to communicate with each other, with their partners with

1:35:50.680 --> 1:35:53.560
<v Speaker 1>you know, and and and how learning how to communicate.

1:35:53.880 --> 1:35:57.799
<v Speaker 1>Even though it does not lift them out of poverty,

1:35:57.880 --> 1:36:00.479
<v Speaker 1>even though it does not solve the systemic problems, it

1:36:00.520 --> 1:36:04.880
<v Speaker 1>does give them more peace and it gives and it's like,

1:36:05.600 --> 1:36:08.160
<v Speaker 1>I don't know, I like I like when stories and

1:36:08.280 --> 1:36:12.200
<v Speaker 1>just in general and people ask themselves like, are you know,

1:36:12.760 --> 1:36:16.040
<v Speaker 1>I don't know. It's it's it doesn't end perfectly. You

1:36:16.120 --> 1:36:19.000
<v Speaker 1>know that this one show isn't going to lift them

1:36:19.040 --> 1:36:23.280
<v Speaker 1>all out of solve Solving Industrial unless it does. But like,

1:36:23.720 --> 1:36:26.960
<v Speaker 1>you know, there, there is there, all are all these

1:36:27.000 --> 1:36:30.280
<v Speaker 1>things out of their control, and there are these things

1:36:30.280 --> 1:36:32.759
<v Speaker 1>that are within their control, and it's they're just parsing

1:36:32.800 --> 1:36:35.639
<v Speaker 1>that out throughout the movie and it's just it's really

1:36:35.640 --> 1:36:42.920
<v Speaker 1>cool to watch. Yes, Happy birthday, Thank you. I love

1:36:42.960 --> 1:36:46.760
<v Speaker 1>you so much. I've got your gift and I'm not

1:36:46.760 --> 1:36:48.400
<v Speaker 1>going to show. I was like, I'm not gonna give

1:36:48.400 --> 1:36:50.200
<v Speaker 1>it to you on camera. That would be very you know,

1:36:50.680 --> 1:36:54.840
<v Speaker 1>we need to have our interior life. But um, but

1:36:54.920 --> 1:36:58.000
<v Speaker 1>happy birthday. You're the best. Thank you, Thank you. I

1:36:58.040 --> 1:37:03.719
<v Speaker 1>love you, Jamie, I love you too well everyone, and

1:37:03.600 --> 1:37:09.360
<v Speaker 1>a and a happy birthday to you all. Um. You

1:37:09.400 --> 1:37:12.280
<v Speaker 1>know the stuff. By now follow us on social media.

1:37:12.439 --> 1:37:16.560
<v Speaker 1>Hey for my birthday. Here's what you can do, listeners,

1:37:17.040 --> 1:37:24.040
<v Speaker 1>give us a five star nipple rating on Apple Podcasts

1:37:24.160 --> 1:37:28.080
<v Speaker 1>or wherever you are able to rate podcasts. It's a

1:37:28.240 --> 1:37:30.360
<v Speaker 1>nice thing to do. If you like the show. If

1:37:30.360 --> 1:37:33.720
<v Speaker 1>you don't like the show, keep it to yourself. It

1:37:32.760 --> 1:37:36.040
<v Speaker 1>would it would be such a nice birthday gift if

1:37:36.080 --> 1:37:41.280
<v Speaker 1>you gave me five nipples. Um, if you've got five dollars,

1:37:42.040 --> 1:37:47.080
<v Speaker 1>you can put that toward a Matreon subscription, always an

1:37:47.080 --> 1:37:50.800
<v Speaker 1>option that. There's also merch at t public dot com,

1:37:50.840 --> 1:37:56.559
<v Speaker 1>slash the Bechtel Cast and um yeah, Jamie. Now it's

1:37:56.720 --> 1:38:02.360
<v Speaker 1>time for us to prepare for our live show in

1:38:02.479 --> 1:38:05.600
<v Speaker 1>which you'll see her. I don't know when it is,

1:38:05.680 --> 1:38:09.799
<v Speaker 1>and you might see your butts. Bye bye bye