WEBVTT - Episode 424 w/ Mad Skillz

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<v Speaker 1>It is Drake Chans Mother Bucky podcast man.

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<v Speaker 2>He's a legendary queens rapper. He's agreed as your boy

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<v Speaker 2>in O r E. He's a Miami hip hop lion.

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<v Speaker 3>There put up his dj e f N.

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<v Speaker 2>Together they drink it up with some of the biggest players,

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<v Speaker 2>you know what I mean, and.

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<v Speaker 4>The most professional unprofessional.

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<v Speaker 2>Podcast and your number one source for drunk Chans Mother

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<v Speaker 2>every day is new. Ye see that it's time for

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<v Speaker 2>drink champions. Drink up motherfuck Mother.

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<v Speaker 1>Would a good be Hoby Swiss is your boy in

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<v Speaker 1>O r E?

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<v Speaker 2>What up his dj e f N?

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<v Speaker 1>This mithle Tapa crazy world Yeppiyawa make some of that.

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<v Speaker 2>Right now?

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<v Speaker 1>You know what this brother was doing very early on

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<v Speaker 1>the show, and our audience is banded it So if

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<v Speaker 1>we hear us reiterate some questions from earlier, it's because

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<v Speaker 1>our audience suspended.

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<v Speaker 2>But let's just drunk who this brother is.

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<v Speaker 1>When you when you say lyricists, when you say icon,

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<v Speaker 1>when you say legend, when you say your favorite ghost

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<v Speaker 1>writer's favorite ghost writer, he could dj We're gonna find

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<v Speaker 1>out for real? Is he gonna really put that mic down?

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<v Speaker 1>I made a segment just for him. Because I watched

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<v Speaker 1>him at the Beans Awards. I kept saying, damn, he

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<v Speaker 1>still got it. Every bar he kept saying and I

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<v Speaker 1>kept saying he still got it. So I was like, Yo,

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<v Speaker 1>I said, Yo, they said, skills is coming. I said,

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<v Speaker 1>why don't we come up with a segment skill skill

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<v Speaker 1>got it? In case you don't know what we're talking about,

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<v Speaker 1>so mother.

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<v Speaker 2>One only.

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<v Speaker 3>It's still as skills a top.

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<v Speaker 1>I want to ask this because this has been a very,

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<v Speaker 1>very hot topic on drink Champs.

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<v Speaker 2>It's a Virginia the side. Yo.

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<v Speaker 1>We're talking about this because I mean people from Virginia

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<v Speaker 1>that remind me of East Coast on the way. But

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<v Speaker 1>this is people when I beat in Virginia that remind

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<v Speaker 1>me of some real, real South Okay.

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<v Speaker 4>I say, were right in the middle. Like like I'm

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<v Speaker 4>gonna say the same thing I said before. We right

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<v Speaker 4>in the middle. So it's like we get a little

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<v Speaker 4>bit of the East Coast. I was heavily East Coast influence.

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<v Speaker 4>You could you could tell you know what I'm saying,

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<v Speaker 4>But we right right there in the middle.

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<v Speaker 3>So and you got all of the HBCUs.

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<v Speaker 4>So most of the people end up going to schools

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<v Speaker 4>and you gotta you know, you have to listen to DJs.

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<v Speaker 3>Had to play a South set.

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<v Speaker 4>They got played in New York set, they got played

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<v Speaker 4>an ATL set, you know what I mean. They got

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<v Speaker 4>played the LA set. So you heard so much music. Historically,

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<v Speaker 4>it was the capitol, Yeah, Confederate it was.

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<v Speaker 2>It was the capital of the claim that ship.

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<v Speaker 4>But it was it was the second biggest I want

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<v Speaker 4>to say, second or third biggest, like where the slaves were,

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<v Speaker 4>Like it was more slaves dead than anyway Turner where

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<v Speaker 4>all that rebellion and all that happened right right down

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<v Speaker 4>in Virginia.

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<v Speaker 2>Now turn was in Virginia.

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<v Speaker 4>Yeah, we killed all them white people. Yeah, I've seen

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<v Speaker 4>the movie too. Yeah that was I passed it all

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<v Speaker 4>the time. Yeah, it happened down there right.

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<v Speaker 2>So you being, you know, a liri cool giant.

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<v Speaker 1>We just I say, we witnessed one of the greatest battles.

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<v Speaker 2>I could say up all time. Because let me just

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<v Speaker 2>tell you why.

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<v Speaker 1>Okay, I'm not I'm not talking about the disrespect.

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<v Speaker 2>I'm not talking about the bars.

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<v Speaker 1>I'm actually talking about the acknowledgement. Like I don't care

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<v Speaker 1>where I was at, I could have.

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<v Speaker 5>Been in an Indian stretch parlor rightwt yoga, doing sweat

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<v Speaker 5>yoga and drinking drink like people have to drink speak English.

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<v Speaker 1>So as far as to me, it's one of the

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<v Speaker 1>greatest battles. And I know when you're thinking about and

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<v Speaker 1>you're thinking about.

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<v Speaker 2>We had a big part of it. What I mean

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<v Speaker 2>is it.

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<v Speaker 1>Was like the biggest what I mean like like you

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<v Speaker 1>couldn't go nowhere without people speaking about it.

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<v Speaker 3>Because of the end of this social media specifically.

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<v Speaker 2>Okay, what do you think about that?

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<v Speaker 3>I think.

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<v Speaker 4>I think Kendrick out maneuvered Drake. I think he thought

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<v Speaker 4>that it was going to be easy. But you gotta

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<v Speaker 4>you gotta think like Drake. I'm gonna say is. I

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<v Speaker 4>won't say was. I would say Drake is on like

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<v Speaker 4>a fifteen fourteen year run. Oh Hove didn't even Hove

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<v Speaker 4>didn't even have that type of run. And I don't

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<v Speaker 4>mean hip hop star, I mean rap pop star, you

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<v Speaker 4>know what I mean, Like he's over there, like he's

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<v Speaker 4>still hip hop. But Drake could sell out O two,

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<v Speaker 4>sell out with like whatever. So but Kendrick, I want

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<v Speaker 4>to say, just out maneuvered him, you know what I'm saying,

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<v Speaker 4>Like those records were very strategic.

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<v Speaker 1>He kind of did to Drake what Drake and Mill

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<v Speaker 1>went through. Like I believe that at one point Me

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<v Speaker 1>underestimated him, and I believe that at one point Drake

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<v Speaker 1>underestimated him because of the fact that Kendrick wasn't wasn't

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<v Speaker 1>immediately going back in the studio. So so you do

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<v Speaker 1>you think this is the biggest I has down sleeping?

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<v Speaker 2>Okay, we was.

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<v Speaker 3>We was around for jay z n.

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<v Speaker 4>And and and and krs. But the Internet made this one,

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<v Speaker 4>you know what I mean, Like, but we didn't. They

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<v Speaker 4>didn't have a It didn't have to be a summer

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<v Speaker 4>jam moment. You know, peace prize on the screen, Oh Shan,

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<v Speaker 4>you know what I mean. It didn't have to be that.

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<v Speaker 4>But he just outmaneuvered him man.

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<v Speaker 6>Using social media he used as a tool like that

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<v Speaker 6>concert was his summer jam moment, that constant way he

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<v Speaker 6>brung Drake dre out and he was like, imagine he

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<v Speaker 6>himself did his own summer jam moment, right because.

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<v Speaker 2>He did his own summer jam moments. What I'm saying

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<v Speaker 2>that I don't think that was equivalent.

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<v Speaker 6>I think that because you had to go to a

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<v Speaker 6>summer jam, he created it somebody.

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<v Speaker 2>A different way.

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<v Speaker 4>And even even thinking back, you got to think, So

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<v Speaker 4>Kendrick had a concert where he put on like all

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<v Speaker 4>l A artists, everybody in his hood. He had.

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<v Speaker 2>That's the concert.

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<v Speaker 4>Talking about the concert, Drake did that five years prior.

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<v Speaker 2>You got a concert a battle.

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<v Speaker 4>It was all Canadian artists, you know what I mean,

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<v Speaker 4>Like if you wasn't from Canada, you wasn't getting on

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<v Speaker 4>this bill from the whole school to the new School.

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<v Speaker 4>So it's like he did what he had already done,

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<v Speaker 4>but it just it was magnified. And Kendrick was just

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<v Speaker 4>very smart, Like just the small thing is like like

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<v Speaker 4>releasing the songs on YouTube, but taking the monetation off,

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<v Speaker 4>taking the eat so people could p his joints and

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<v Speaker 4>get money off of it.

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<v Speaker 3>They can do the reaction.

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<v Speaker 2>Videos, they could do whatever they want. Yeah, who's doing that?

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<v Speaker 2>So what was he doing? He was?

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<v Speaker 3>He was when he posted his videos.

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<v Speaker 4>He took off the whatever it is to where people

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<v Speaker 4>can't monetize. He let people monetize off of his his.

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<v Speaker 7>Lady copyright free, yeah copyright. He took the copyright off.

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<v Speaker 7>If I'm not mak your money, like go ahead, nigga.

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<v Speaker 7>It was for the people, like he was like, go ahead,

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<v Speaker 7>break your bread. If you get eighty million views on

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<v Speaker 7>your ship. My nigga counted up.

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<v Speaker 6>Like typically if someone does a reaction video, it won't monetize.

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<v Speaker 6>They'll get the views, but it won't monetize for them.

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<v Speaker 6>He's like, go ahead and make your money off of it. Yeah,

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<v Speaker 6>which was strictly for the people. Smart man. He went

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<v Speaker 6>got small part of the way. You're smart man. He

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<v Speaker 6>out maneuvered them.

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<v Speaker 4>I want to say, out bar them and then and

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<v Speaker 4>then he made a bot at the end, like not

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<v Speaker 4>like us. It was just a bot. Like it's about

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<v Speaker 4>you can't be mad at it. It's about I think.

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<v Speaker 1>I see the interview with you in two thoy eighteen

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<v Speaker 1>and they asked you who is who is the new generation?

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<v Speaker 1>And you named the Big Three. Back then you said

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<v Speaker 1>you said.

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<v Speaker 3>I saw it coming. I saw it coming.

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<v Speaker 4>I remember when they was all running together, Wilet, Cuddy, Drake, Kendrake,

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<v Speaker 4>you know what I'm saying. Nip was in there, but

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<v Speaker 4>Kendrick Man, he just different man. I went to see

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<v Speaker 4>his concert, his his big step is concert mister Morale,

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<v Speaker 4>and it, like bro it was. It was one of

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<v Speaker 4>the illest concerts I ever I put it top three,

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<v Speaker 4>and I seen Mike and Prince Wow. I put it

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<v Speaker 4>top three. Ken Kendrick showed his last tour. It was insane,

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<v Speaker 4>bro it was and it was like black Art, like

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<v Speaker 4>if you ever get a chance, I think it might

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<v Speaker 4>be still up on one of them streaming networks or whatever.

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<v Speaker 3>I'm gonna say the name, but look for it. But

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<v Speaker 3>it's bro.

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<v Speaker 2>I went. I went on a Tuesday.

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<v Speaker 3>I was in v A.

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<v Speaker 4>I went on a Tuesday in Charlotte because the tickets

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<v Speaker 4>was just cheaper, right, So I go to Charlotte, stay

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<v Speaker 4>to night, see the show. I'm blown away. I drive

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<v Speaker 4>back the VA Wednesday and he's in DC Thursday. I

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<v Speaker 4>woke up Wednesday like I might go see this ship again.

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<v Speaker 4>It was that fire like it was. I just and

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<v Speaker 4>I love how he pop out and then he just

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<v Speaker 4>go back home. He just go back inside. You don't

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<v Speaker 4>see him no more until it's time to see him.

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<v Speaker 2>You know.

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<v Speaker 1>So let me ask you, because this is something that

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<v Speaker 1>I was conflicted with, right, And I seen Jada Kiss

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<v Speaker 1>comment on this when j Cole came out right, they

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<v Speaker 1>covede this this this, this is this record and then

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<v Speaker 1>did a concert and almost like he apologized, not almost

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<v Speaker 1>he apologized, and a lot of Battle Rappers was like why,

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<v Speaker 1>like why, But then he said something that was conflicted

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<v Speaker 1>with me because if I'm sorry, sometimes I just got

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<v Speaker 1>to be sorry.

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<v Speaker 2>Right like I don't care.

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<v Speaker 8>What what what? What's what's the criteria of that being?

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<v Speaker 8>And we was like that it ain't sit right with

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<v Speaker 8>my soul. That ship touched me as a man that

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<v Speaker 8>been through older I've been through. That touched me. But

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<v Speaker 8>then the other half of me like, nig fuck, why

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<v Speaker 8>you say sorry? Like so where did you? Where did

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<v Speaker 8>you sit on that?

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<v Speaker 4>When I looked at the video and it was like

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<v Speaker 4>Ja Cole apologized as the Kendrick.

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<v Speaker 3>I looked at the video. I didn't get apology.

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<v Speaker 4>The headline that headline was why he did?

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<v Speaker 2>He got up and he was.

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<v Speaker 4>Like, yo, I did some ship. It wasn't really in

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<v Speaker 4>my heart, you know what I mean? I knew it

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<v Speaker 4>when I did it. I put it out there. I

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<v Speaker 4>was I ain't even really go one hundred because that's

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<v Speaker 4>my man, that's my friend. But I did something that

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<v Speaker 4>was out of my character. And if and if he

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<v Speaker 4>if he wanted to take it on the chain, cool,

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<v Speaker 4>if you want to come.

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<v Speaker 3>Back in and smart up.

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<v Speaker 2>Cool.

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<v Speaker 4>He got that, but I ain't standing on that because

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<v Speaker 4>that ain't how I really feel. And what people got

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<v Speaker 4>to understand is when you got friends in this game,

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<v Speaker 4>it's a little different. Okay, we talked about that last time, like,

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<v Speaker 4>if you're my friend, I'm not gonna do anything publicly

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<v Speaker 4>just for a look to.

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<v Speaker 2>Play you out.

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<v Speaker 4>Like I went through that with one of the wrap ups,

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<v Speaker 4>Like I remember when the Entanglement shit happened. Everybody was like, yo,

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<v Speaker 4>I can't believe he put Will and Jade in the

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<v Speaker 4>wrap up.

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<v Speaker 3>I'm like, that's my friend.

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<v Speaker 4>I'm not gonna waste a twenty year relationship for a

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<v Speaker 4>punchline for y'all niggas for a song you don't even buy.

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<v Speaker 2>Like, I'm not doing that.

0:11:41.000 --> 0:11:44.280
<v Speaker 4>That's my that's my friend. So I'm going to see

0:11:44.280 --> 0:11:46.440
<v Speaker 4>them at a barbecue. I'm going to see them at

0:11:46.559 --> 0:11:48.360
<v Speaker 4>a birthday party. I'm supposed to put that in the

0:11:48.400 --> 0:11:50.760
<v Speaker 4>wrap up for you. Now, I'm cool, And.

0:11:51.040 --> 0:11:52.720
<v Speaker 2>It might have been like it might have been like.

0:11:52.760 --> 0:11:54.800
<v Speaker 4>Only five people to ask, like, damn, I can't believe

0:11:54.840 --> 0:11:56.160
<v Speaker 4>he put that in there. Everybody was like, yo, the

0:11:56.200 --> 0:11:56.839
<v Speaker 4>Druman's crazy.

0:11:56.840 --> 0:11:57.320
<v Speaker 2>It was dope.

0:11:57.400 --> 0:11:59.439
<v Speaker 4>They ain't even they ain't even miss it. I'm like,

0:11:59.480 --> 0:12:01.880
<v Speaker 4>I'm not risk in that relationship. And I think Kendrick

0:12:01.920 --> 0:12:03.240
<v Speaker 4>and Cola friends.

0:12:04.200 --> 0:12:06.520
<v Speaker 1>You know, I also said something on Twitter. They fried

0:12:06.559 --> 0:12:10.120
<v Speaker 1>me for it. They fried me for it, and I

0:12:10.240 --> 0:12:13.839
<v Speaker 1>enjoyed every moment. I was like, Yo, Kim, Drake and Drake.

0:12:14.200 --> 0:12:16.920
<v Speaker 1>In a couple of years, we'll squash this and make

0:12:17.000 --> 0:12:19.360
<v Speaker 1>one of the greatest records of hip hop history.

0:12:19.440 --> 0:12:24.160
<v Speaker 4>And it ain't having You know what, I believe it

0:12:24.280 --> 0:12:25.200
<v Speaker 4>or did I delete it?

0:12:26.800 --> 0:12:28.880
<v Speaker 2>Did you believe it? Will you ever deleted it? You

0:12:28.920 --> 0:12:29.280
<v Speaker 2>know why?

0:12:29.360 --> 0:12:31.320
<v Speaker 1>Because you know why. I'm gonna be honest with you.

0:12:31.400 --> 0:12:34.400
<v Speaker 1>I got to see Jay and I I's patching it up.

0:12:34.440 --> 0:12:37.360
<v Speaker 1>I got to see Shan and ker rush One going

0:12:37.480 --> 0:12:38.400
<v Speaker 1>toll and do that.

0:12:38.480 --> 0:12:40.240
<v Speaker 4>I got to see that none of them got called

0:12:40.240 --> 0:12:40.880
<v Speaker 4>the pedophile.

0:12:41.760 --> 0:12:45.400
<v Speaker 2>Damn man, got it got pretty skating on this one.

0:12:45.840 --> 0:12:51.199
<v Speaker 4>You gotta hold that. That's that's like and listen.

0:12:51.040 --> 0:12:51.839
<v Speaker 3>I'm.

0:12:54.559 --> 0:12:57.440
<v Speaker 2>Love fit audible. I come from battle rap.

0:12:57.559 --> 0:13:00.440
<v Speaker 4>If I know that your sister got off the py shoe,

0:13:00.520 --> 0:13:00.880
<v Speaker 4>you fuck.

0:13:00.960 --> 0:13:05.800
<v Speaker 2>I'm say I'm puking at the ball.

0:13:06.240 --> 0:13:09.240
<v Speaker 4>My rooms for the battle wrapping when we did it

0:13:09.280 --> 0:13:12.000
<v Speaker 4>was if I'm in front of you and I'm blowing

0:13:12.080 --> 0:13:14.440
<v Speaker 4>you up, and I see you ball your hands up.

0:13:14.559 --> 0:13:16.920
<v Speaker 2>I won because now you want to fight me.

0:13:17.480 --> 0:13:19.880
<v Speaker 3>If I can make you want to fight me with work.

0:13:20.360 --> 0:13:26.360
<v Speaker 2>You already lost. So Jay and Nis, they were businessman.

0:13:26.520 --> 0:13:27.640
<v Speaker 2>I get it. You know what I'm saying.

0:13:27.679 --> 0:13:31.240
<v Speaker 4>They grew it was it was always tension between them,

0:13:31.360 --> 0:13:33.360
<v Speaker 4>shan and and and Chris.

0:13:33.440 --> 0:13:34.160
<v Speaker 3>I get it.

0:13:34.920 --> 0:13:39.240
<v Speaker 1>Between them, and they squashed it. Squawks be bro, that's

0:13:39.240 --> 0:13:39.760
<v Speaker 1>still beef.

0:13:41.040 --> 0:13:44.439
<v Speaker 4>Last year I was with I was working with mass

0:13:44.480 --> 0:13:50.520
<v Speaker 4>Appeal and Knobs on the fifty m. Anything they did,

0:13:52.080 --> 0:13:53.839
<v Speaker 4>they had it in downtown and they took it to

0:13:54.000 --> 0:13:55.880
<v Speaker 4>l A. I think it's moving around the world. Shout

0:13:55.880 --> 0:13:58.839
<v Speaker 4>to shout to Peter in them. So I'm in there

0:13:58.880 --> 0:14:01.199
<v Speaker 4>with Nas. Clark can't.

0:14:02.559 --> 0:14:07.480
<v Speaker 2>Can you pronounce Peter the last name bitten bitten bender Peter.

0:14:11.960 --> 0:14:14.800
<v Speaker 4>So it's me we in there, and and Nas comes

0:14:14.800 --> 0:14:17.120
<v Speaker 4>in and and I I.

0:14:17.080 --> 0:14:19.680
<v Speaker 3>Have seen I had seen Nas and years.

0:14:19.720 --> 0:14:22.480
<v Speaker 4>So we're sitting there talking and Clark is trying to

0:14:22.520 --> 0:14:24.720
<v Speaker 4>tell me how they want this thing done because they

0:14:24.720 --> 0:14:27.480
<v Speaker 4>called me in because I put things together with whatever.

0:14:27.800 --> 0:14:29.960
<v Speaker 4>So Nas is in there and Clark and Nastart talking

0:14:30.000 --> 0:14:31.400
<v Speaker 4>I'm just a fly on the wall or whatever.

0:14:31.760 --> 0:14:33.400
<v Speaker 3>So they talking.

0:14:33.600 --> 0:14:36.920
<v Speaker 4>And and they start talking about the old days, and

0:14:37.440 --> 0:14:39.720
<v Speaker 4>Clark said something like, yeah, you know, back in the day,

0:14:39.800 --> 0:14:41.680
<v Speaker 4>like because you know, I used to DJ for day

0:14:41.720 --> 0:14:41.960
<v Speaker 4>and day.

0:14:41.960 --> 0:14:43.160
<v Speaker 3>And the Nas look at him.

0:14:42.960 --> 0:14:46.440
<v Speaker 4>Like like like, Clauk, why you say that? Like I

0:14:46.440 --> 0:14:49.440
<v Speaker 4>don't know, like I had to post on my walk about.

0:14:49.720 --> 0:14:52.200
<v Speaker 4>So I started listening to Nas and I started realizing

0:14:52.280 --> 0:14:55.120
<v Speaker 4>how big of a fin himp Hops is.

0:14:55.640 --> 0:14:55.840
<v Speaker 1>Right.

0:14:56.000 --> 0:14:58.320
<v Speaker 4>So I'm sitting there and I'm a fly on the wall,

0:14:58.400 --> 0:15:00.760
<v Speaker 4>but I'm dead, but I just watched. I always wanted

0:15:00.760 --> 0:15:03.560
<v Speaker 4>to ask him this question. So I'm looking at him

0:15:03.840 --> 0:15:05.920
<v Speaker 4>and I said, I said, yo, Nah, I said, man,

0:15:06.080 --> 0:15:07.880
<v Speaker 4>I just want to ask you this one question one time.

0:15:07.960 --> 0:15:10.720
<v Speaker 4>He was like what I said, Yo, how was it

0:15:11.200 --> 0:15:15.440
<v Speaker 4>when the bridges over dropped? Like how was it like

0:15:15.560 --> 0:15:19.280
<v Speaker 4>when I tell you his whole and Ralph and Ralph?

0:15:19.360 --> 0:15:22.080
<v Speaker 4>Him and Ralph looked at each other like two queens niggas.

0:15:22.080 --> 0:15:25.960
<v Speaker 4>They looked at each other like So he goes, he

0:15:26.040 --> 0:15:28.320
<v Speaker 4>looks at me with the most serious look in his face.

0:15:28.440 --> 0:15:31.360
<v Speaker 4>NAS looks at me directing goes, he said, skills you

0:15:31.440 --> 0:15:35.960
<v Speaker 4>ever seen a Heroshima bomb? Hit some projects and I

0:15:36.080 --> 0:15:38.400
<v Speaker 4>was like, nah, I was like, it was like dang.

0:15:38.440 --> 0:15:40.120
<v Speaker 4>He looked at Ralph, he was like, my son of

0:15:40.160 --> 0:15:43.400
<v Speaker 4>my line. Rob was like, nah son, it was crazy.

0:15:44.360 --> 0:15:47.280
<v Speaker 4>He was like he said when it dropped, everybody was like, yo,

0:15:47.400 --> 0:15:49.240
<v Speaker 4>they heard about it, but they hadn't heard it.

0:15:49.600 --> 0:15:51.160
<v Speaker 2>So yo, who got the tape? Yo?

0:15:51.240 --> 0:15:53.120
<v Speaker 3>Boy, he got the tape? Hit the barber shop.

0:15:53.200 --> 0:15:56.200
<v Speaker 2>That's worse. And they go to the barber shop and Yo, Bobby,

0:15:56.200 --> 0:15:56.880
<v Speaker 2>what it take? Like?

0:15:56.960 --> 0:15:58.760
<v Speaker 3>Yo, I gave it to l L got the tape.

0:15:58.800 --> 0:15:59.520
<v Speaker 2>He up on the hill.

0:16:00.000 --> 0:16:02.280
<v Speaker 4>So they running around trying to find a tape.

0:16:02.520 --> 0:16:03.480
<v Speaker 2>You know what makes it bad?

0:16:03.600 --> 0:16:06.080
<v Speaker 1>It wasn't just like because you know, it's supposed to

0:16:06.120 --> 0:16:13.160
<v Speaker 1>be just between Krris one and and Shan, But for

0:16:13.200 --> 0:16:15.480
<v Speaker 1>some reason, Karris wants to go on the whole birth Yes,

0:16:15.880 --> 0:16:17.720
<v Speaker 1>and he said you didn't hear a peak from a

0:16:17.760 --> 0:16:18.560
<v Speaker 1>place called Queen?

0:16:18.760 --> 0:16:18.960
<v Speaker 4>Yes?

0:16:19.200 --> 0:16:22.000
<v Speaker 1>And boy, when I tell you, that was not the

0:16:22.040 --> 0:16:26.040
<v Speaker 1>best line, right. He created so many killers because we

0:16:26.120 --> 0:16:27.960
<v Speaker 1>were like, oh, we're gonna make more than the peak.

0:16:28.040 --> 0:16:29.800
<v Speaker 2>Motherfucker. You understand I'm saying.

0:16:29.800 --> 0:16:31.440
<v Speaker 1>I told Harris one day he just put his head

0:16:31.480 --> 0:16:34.160
<v Speaker 1>down and I said, damn, I didn't mean it.

0:16:34.280 --> 0:16:36.280
<v Speaker 2>I didn't mean that, but I want you to face reality.

0:16:36.440 --> 0:16:37.040
<v Speaker 2>You know what I mean.

0:16:37.120 --> 0:16:41.480
<v Speaker 9>But it wasn't until el Madicus. That's funny, That's exactly

0:16:41.520 --> 0:16:46.400
<v Speaker 9>what told. We didn't get back until me. He said,

0:16:46.400 --> 0:16:48.760
<v Speaker 9>you gotta understand. We used to go to the city

0:16:49.280 --> 0:16:52.560
<v Speaker 9>ninety one hundred deep and just wait for the motherfucker

0:16:52.600 --> 0:16:54.960
<v Speaker 9>to play the bridge. If he played the bridges over that.

0:16:54.920 --> 0:16:59.720
<v Speaker 4>Ship, the party's done and ocle raph when it sounded.

0:16:59.480 --> 0:17:01.360
<v Speaker 2>Like word, I was dead, like I've seen it.

0:17:01.480 --> 0:17:09.320
<v Speaker 4>He's like, yos soon as everything turned the yo, he said, Yo,

0:17:09.359 --> 0:17:11.760
<v Speaker 4>we didn't He said, Yo, we didn't get back until me.

0:17:12.280 --> 0:17:16.120
<v Speaker 4>He said, so you say something about queens you play

0:17:16.160 --> 0:17:18.719
<v Speaker 4>that record? Nah, you got you got an answer for that?

0:17:18.880 --> 0:17:20.960
<v Speaker 4>He said, Yo, we was running up on We running

0:17:21.000 --> 0:17:22.640
<v Speaker 4>up on man line where your man is at.

0:17:29.440 --> 0:17:30.639
<v Speaker 2>He said, Yo. He was crazy.

0:17:30.680 --> 0:17:35.280
<v Speaker 4>He was crazy and it was like that he was

0:17:35.280 --> 0:17:37.320
<v Speaker 4>like I said. I said, I said no, I said,

0:17:37.320 --> 0:17:40.560
<v Speaker 4>what was the time? How much times mad? A little

0:17:40.560 --> 0:17:42.280
<v Speaker 4>bit after that said I said.

0:17:42.119 --> 0:17:44.359
<v Speaker 2>Not, he's right there. He was signed. The cameras know

0:17:44.440 --> 0:17:45.920
<v Speaker 2>that this is way after that record.

0:17:46.400 --> 0:17:51.120
<v Speaker 4>I said, how much time passed between uh South Bronx

0:17:51.320 --> 0:17:52.520
<v Speaker 4>and and Britges over.

0:17:52.600 --> 0:17:54.720
<v Speaker 2>He Uncle Robin was like, yo was like a month?

0:17:55.680 --> 0:17:58.400
<v Speaker 4>He said, yos like a month, and it was how

0:17:58.440 --> 0:18:01.760
<v Speaker 4>long did this thing last? He said, it lasted for years?

0:18:02.040 --> 0:18:06.760
<v Speaker 4>And I know that I never record record And that's

0:18:06.760 --> 0:18:10.200
<v Speaker 4>why I feel like when Queen's Cast came out, y'all

0:18:10.240 --> 0:18:12.880
<v Speaker 4>came out with so much like we're not going back

0:18:12.880 --> 0:18:18.480
<v Speaker 4>there like that, and you know what's crazy, That's what

0:18:18.760 --> 0:18:20.520
<v Speaker 4>record was crazy.

0:18:20.680 --> 0:18:22.879
<v Speaker 1>That's why that you know, the Nots and jay Z

0:18:23.040 --> 0:18:26.119
<v Speaker 1>battle was so you know important, was because we couldn't

0:18:26.160 --> 0:18:29.400
<v Speaker 1>lose that one, Like we couldn't lose that one. And

0:18:29.760 --> 0:18:32.680
<v Speaker 1>you know, my brother like he's my brother. I love

0:18:32.800 --> 0:18:35.760
<v Speaker 1>NOAs like I can hit him right now, will he'll correspond?

0:18:36.240 --> 0:18:39.280
<v Speaker 1>But at first, you know, I know, I don't know

0:18:39.280 --> 0:18:41.640
<v Speaker 1>if I e ever revealed this. He didn't think Jay

0:18:41.760 --> 0:18:43.560
<v Speaker 1>was was going at him like people are coming up

0:18:43.600 --> 0:18:45.440
<v Speaker 1>to him like you gotta love the cause little Jewel

0:18:45.440 --> 0:18:47.719
<v Speaker 1>to reed, none of that food was getting fool with

0:18:47.760 --> 0:18:48.520
<v Speaker 1>me and.

0:18:48.240 --> 0:18:51.240
<v Speaker 2>I was like talking about about me and a lot.

0:18:51.160 --> 0:18:54.000
<v Speaker 1>Of people was like, yo, man, it was so I

0:18:54.000 --> 0:18:56.560
<v Speaker 1>think I think that the biggest battle between them was

0:18:56.600 --> 0:18:59.719
<v Speaker 1>between them, like it really didn't have anybody gassing them.

0:18:59.760 --> 0:19:02.399
<v Speaker 1>It's really just them too. But again, you know, I

0:19:02.440 --> 0:19:04.560
<v Speaker 1>want to commend those brothers for going out there giving

0:19:04.600 --> 0:19:07.320
<v Speaker 1>us a great battle and then you know, shaking hands

0:19:07.359 --> 0:19:09.080
<v Speaker 1>on stage. I remember how proud I.

0:19:09.040 --> 0:19:10.840
<v Speaker 2>Was seeing that. I know we're talking about the beasts

0:19:10.840 --> 0:19:11.280
<v Speaker 2>and all that.

0:19:12.320 --> 0:19:15.120
<v Speaker 1>How proud I was seeing Meek Milling and Drake squashed

0:19:15.160 --> 0:19:18.040
<v Speaker 1>it like, letting them get over. But nas and Jay

0:19:18.240 --> 0:19:21.000
<v Speaker 1>was the first stepping stone to that type of thing.

0:19:21.119 --> 0:19:24.479
<v Speaker 1>Grow you Was it Jay Z's B side concerts concert?

0:19:24.600 --> 0:19:27.320
<v Speaker 1>I believe it was, and he brung nads no no, no,

0:19:28.920 --> 0:19:31.640
<v Speaker 1>General Barclays and he came out because I remember Jay

0:19:31.640 --> 0:19:32.520
<v Speaker 1>had on the black.

0:19:32.440 --> 0:19:39.040
<v Speaker 2>And on the green Army coad. Yeah, how much broke? Remember?

0:19:43.280 --> 0:19:44.480
<v Speaker 2>So something else.

0:19:44.280 --> 0:19:48.520
<v Speaker 1>That something else that I was looking at all your

0:19:48.520 --> 0:19:52.280
<v Speaker 1>interviews and you said, people start asking you to subscribe Virginia,

0:19:52.760 --> 0:19:54.920
<v Speaker 1>and you said something, this is your first line. And

0:19:54.960 --> 0:19:57.840
<v Speaker 1>I don't know if you know this, but you said, yeah,

0:19:58.040 --> 0:20:02.800
<v Speaker 1>there's something in the water, right And then before you

0:20:02.840 --> 0:20:05.680
<v Speaker 1>know what I'm talking about, I said, damn, this motherfucking

0:20:05.720 --> 0:20:08.040
<v Speaker 1>the name for reals, for real, Jack.

0:20:07.920 --> 0:20:09.239
<v Speaker 2>You which one is it?

0:20:09.320 --> 0:20:09.560
<v Speaker 4>Listen?

0:20:09.760 --> 0:20:11.960
<v Speaker 3>We always we always said.

0:20:11.680 --> 0:20:13.399
<v Speaker 4>That you know what I'm saying I'm just something in

0:20:13.400 --> 0:20:15.960
<v Speaker 4>the water, but I might have been the first person

0:20:15.960 --> 0:20:16.520
<v Speaker 4>to say it, and.

0:20:16.560 --> 0:20:18.919
<v Speaker 2>Wrest I was the thing locally. I saw that. I

0:20:18.960 --> 0:20:20.440
<v Speaker 2>saw that record you first.

0:20:20.280 --> 0:20:24.280
<v Speaker 4>One fuckers, mother fuckers take my ideas like ship, you

0:20:24.280 --> 0:20:24.720
<v Speaker 4>know what I mean.

0:20:24.720 --> 0:20:27.200
<v Speaker 2>But when it's hometown, I don't you ghost writing ideas?

0:20:27.200 --> 0:20:37.320
<v Speaker 2>Too said so, but how did you feel when you

0:20:37.600 --> 0:20:38.920
<v Speaker 2>heard from announced that.

0:20:39.160 --> 0:20:41.280
<v Speaker 4>I thought it was dope man, like I just I

0:20:41.400 --> 0:20:43.840
<v Speaker 4>just spunded his his rap party for his movie.

0:20:44.560 --> 0:20:46.119
<v Speaker 2>He shot the Lego movie.

0:20:46.240 --> 0:20:48.520
<v Speaker 4>No not he got he got another movie clean out,

0:20:48.640 --> 0:20:51.480
<v Speaker 4>like a real, for real like bio pic. It's called Lantis.

0:20:51.520 --> 0:20:53.040
<v Speaker 4>I think it's called Lantis. I hope I didn't give

0:20:53.040 --> 0:20:56.760
<v Speaker 4>it away. And I know I know he's debuting the

0:20:56.840 --> 0:20:59.680
<v Speaker 4>Lego movie at Something in the Water this year.

0:21:00.160 --> 0:21:02.600
<v Speaker 2>It's not so a minute, so I don't know what

0:21:02.680 --> 0:21:04.080
<v Speaker 2>the funk I did you ain't it?

0:21:04.320 --> 0:21:08.960
<v Speaker 4>Yeah, don't tell the story about doing the voiceover.

0:21:09.240 --> 0:21:10.320
<v Speaker 2>Oh yeah, I mean this.

0:21:10.680 --> 0:21:12.520
<v Speaker 1>If there's anybody in the world that can tell me

0:21:12.560 --> 0:21:18.760
<v Speaker 1>to do something without giving me the full story, like

0:21:19.040 --> 0:21:21.000
<v Speaker 1>he's just like yo, I'm doing the animated like I

0:21:21.000 --> 0:21:23.879
<v Speaker 1>didn't put too and two together animated Lego like I

0:21:23.960 --> 0:21:25.880
<v Speaker 1>was just like he was just like yo, so asked

0:21:25.920 --> 0:21:28.960
<v Speaker 1>me questions. It was on the phone, we filmed it.

0:21:29.240 --> 0:21:31.080
<v Speaker 1>We still send it to them. I believe he did

0:21:31.200 --> 0:21:35.760
<v Speaker 1>or I'm not sure, but we and they never they

0:21:35.800 --> 0:21:38.480
<v Speaker 1>never told me it was a Lego Lego movie. So

0:21:38.480 --> 0:21:41.160
<v Speaker 1>so he drops the commercial and people were just.

0:21:41.080 --> 0:21:46.240
<v Speaker 4>Like, yo, man, you tell.

0:21:47.000 --> 0:21:49.600
<v Speaker 2>I don't want to surprised. I'm like I know. I'm

0:21:49.640 --> 0:21:50.240
<v Speaker 2>like yeah, yeah.

0:21:50.359 --> 0:21:54.240
<v Speaker 4>Sometimes you can't tell people to find a project just

0:21:54.640 --> 0:21:55.919
<v Speaker 4>because they'll go out and blow it.

0:21:56.000 --> 0:21:57.640
<v Speaker 3>Like it's don't telling Mary.

0:21:57.520 --> 0:22:01.200
<v Speaker 4>Well you knew for all and Chad and high school. No, no, no,

0:22:01.280 --> 0:22:03.200
<v Speaker 4>I met them. I met him at a trip called

0:22:03.280 --> 0:22:06.479
<v Speaker 4>quest concert. Yes, yes, I met him at her at

0:22:06.480 --> 0:22:09.760
<v Speaker 4>a trip called Courst Concert and Pharrell was trying to

0:22:09.840 --> 0:22:11.920
<v Speaker 4>rap for Q Tip and I.

0:22:11.880 --> 0:22:13.800
<v Speaker 2>Can see that. Yeah yeah, both tribe.

0:22:14.080 --> 0:22:17.879
<v Speaker 4>Yeah, the biggest Tribe fan in VA. Like, he was

0:22:18.920 --> 0:22:21.560
<v Speaker 4>crazy about trip called Courts and he wanted to rap

0:22:21.640 --> 0:22:23.480
<v Speaker 4>for him. I was just on stage with him rapping

0:22:24.000 --> 0:22:28.760
<v Speaker 4>and the bus was leaving and he was like, damn

0:22:28.880 --> 0:22:30.560
<v Speaker 4>they that's them. And I was like yeah, the bus

0:22:30.560 --> 0:22:32.080
<v Speaker 4>at the turn signal. I was like yeah, and he's

0:22:32.080 --> 0:22:34.520
<v Speaker 4>like yo, I got wrapped for Tippy got hit my beast.

0:22:34.600 --> 0:22:37.000
<v Speaker 4>I was like, Yo, that's the bus leaving bro like

0:22:37.040 --> 0:22:39.040
<v Speaker 4>about to cry, like you know what I'm saying, Like

0:22:39.040 --> 0:22:41.880
<v Speaker 4>he like he had missed his shot. And then later

0:22:41.920 --> 0:22:45.199
<v Speaker 4>on he connected with him, and uh, the rest was history.

0:22:45.240 --> 0:22:45.840
<v Speaker 2>You know what I'm saying.

0:22:45.880 --> 0:22:49.080
<v Speaker 4>He's still one of the most influential people in the world,

0:22:49.280 --> 0:22:49.800
<v Speaker 4>you know what I mean.

0:22:49.880 --> 0:22:51.680
<v Speaker 2>Like I love he man, like.

0:22:52.080 --> 0:22:53.679
<v Speaker 3>I just talked. I sent him. Oh, I sent him

0:22:53.720 --> 0:22:54.240
<v Speaker 3>a picture.

0:22:54.040 --> 0:22:57.400
<v Speaker 4>The other day of of Fife, Rest in Peace Fife

0:22:57.400 --> 0:22:59.960
<v Speaker 4>and Rest in Peace Dave from Daylight at that show,

0:23:00.040 --> 0:23:05.160
<v Speaker 4>oh wow, because because Fife had to know every time,

0:23:05.200 --> 0:23:06.720
<v Speaker 4>you know, fight would go to a city, he would

0:23:06.720 --> 0:23:09.560
<v Speaker 4>wear the jersey or whatever the team was. So he

0:23:09.600 --> 0:23:12.800
<v Speaker 4>had on a Virginia jersey. He had on the Virginia

0:23:12.920 --> 0:23:13.960
<v Speaker 4>sweatshirt at that show.

0:23:14.160 --> 0:23:17.680
<v Speaker 1>All right, let me ask you a cliche question. You

0:23:17.760 --> 0:23:19.720
<v Speaker 1>ever thought Virginia would be this popular?

0:23:19.920 --> 0:23:20.520
<v Speaker 2>Absolutely?

0:23:20.640 --> 0:23:25.560
<v Speaker 4>Not no, not not, you know, not not in hindsight,

0:23:25.600 --> 0:23:28.719
<v Speaker 4>because like I said, when I first came out, it

0:23:28.840 --> 0:23:30.680
<v Speaker 4>was it wasn't nobody, you know what I'm saying. It

0:23:30.720 --> 0:23:34.600
<v Speaker 4>was just it wasn't even locally was locally, but wasn't

0:23:34.600 --> 0:23:37.440
<v Speaker 4>nobody making no dents, and Teddy was.

0:23:37.400 --> 0:23:39.520
<v Speaker 1>Out, but Teddy was Clanton Harlem a little bit Teddy

0:23:39.600 --> 0:23:40.119
<v Speaker 1>Teddy was.

0:23:40.640 --> 0:23:42.520
<v Speaker 4>It was rump shaking and then you know you had

0:23:42.520 --> 0:23:44.120
<v Speaker 4>a killing then wrapping his little brother.

0:23:44.200 --> 0:23:45.520
<v Speaker 3>They was hallm you know what I'm saying.

0:23:45.520 --> 0:23:48.160
<v Speaker 4>So they were shoot they shot the video Virginia Beach,

0:23:48.240 --> 0:23:49.200
<v Speaker 4>but we didn't.

0:23:49.280 --> 0:23:51.200
<v Speaker 3>Yeah, we didn't know them, you know what I mean.

0:23:51.240 --> 0:23:53.480
<v Speaker 4>So I tell people all the time, I was you know,

0:23:53.520 --> 0:23:56.959
<v Speaker 4>I was the first one. So it's almost like I

0:23:57.000 --> 0:24:00.159
<v Speaker 4>look at rappers now and cat's be like, oh, you know,

0:24:00.200 --> 0:24:02.199
<v Speaker 4>I put my neighborhood on, I put my city on,

0:24:02.720 --> 0:24:05.080
<v Speaker 4>and when I look back at it, I'm like, I

0:24:05.080 --> 0:24:08.040
<v Speaker 4>put a whole state on because it really wasn't no

0:24:08.040 --> 0:24:10.440
<v Speaker 4>nobody else from Virginia. Usually I was the first person

0:24:10.480 --> 0:24:12.760
<v Speaker 4>you ever heard from of it, you know what I'm saying.

0:24:12.840 --> 0:24:16.720
<v Speaker 4>Like Like, so for me, it's like, yeah, I'm gonna

0:24:16.720 --> 0:24:18.520
<v Speaker 4>put a claim in there. I don't want motherfuckers to

0:24:18.520 --> 0:24:20.679
<v Speaker 4>forget that it was me, you know what I'm saying. Like,

0:24:25.200 --> 0:24:28.600
<v Speaker 4>And and once they came, I made it successful, you

0:24:28.640 --> 0:24:30.800
<v Speaker 4>know what I'm saying. Shout out to Magool because I

0:24:31.440 --> 0:24:33.880
<v Speaker 4>did my thing. And then they started doing they thing.

0:24:34.000 --> 0:24:36.080
<v Speaker 4>I got dropped. You know what I'm saying. I wasn't.

0:24:36.280 --> 0:24:38.399
<v Speaker 4>I was back on the local scene. Then Magoo pulled

0:24:38.440 --> 0:24:40.280
<v Speaker 4>me back in. You know what I'm saying, Like he

0:24:40.359 --> 0:24:42.800
<v Speaker 4>told Tim and Missy like, yo, we gotta get him.

0:24:43.200 --> 0:24:45.880
<v Speaker 4>That nigga pen game is nasty. We gotta get him.

0:24:46.560 --> 0:24:48.000
<v Speaker 4>And the rest was history.

0:24:48.640 --> 0:24:50.600
<v Speaker 1>Now, now I heard you say that you didn't want

0:24:50.640 --> 0:24:53.000
<v Speaker 1>to be a ghost writer, but you've seen Missy pull

0:24:53.080 --> 0:24:53.320
<v Speaker 1>up in.

0:24:53.240 --> 0:24:57.560
<v Speaker 4>The purple Ferrari Lambeau Lambo okay, with purple piping on

0:24:57.600 --> 0:25:01.639
<v Speaker 4>the seats. Nigga still the hell in four Me and

0:25:01.720 --> 0:25:03.680
<v Speaker 4>p Pablo seen that ship at the same time. You

0:25:03.920 --> 0:25:07.000
<v Speaker 4>thought we saw that, you would thought we saw a

0:25:07.040 --> 0:25:09.399
<v Speaker 4>ghost When that car pulled up, it was like niggas

0:25:09.440 --> 0:25:11.400
<v Speaker 4>can have that, you know what I'm saying, Like that,

0:25:11.640 --> 0:25:14.840
<v Speaker 4>She wasn't even it's not artist money, No, okay, she wasn't.

0:25:15.000 --> 0:25:17.840
<v Speaker 4>Silvia was begging her to put the album and she's like,

0:25:17.880 --> 0:25:19.800
<v Speaker 4>I put the album out if you give me a deal,

0:25:20.720 --> 0:25:21.719
<v Speaker 4>like a like a label.

0:25:21.880 --> 0:25:23.680
<v Speaker 2>Just before the group that she was in, No.

0:25:23.720 --> 0:25:24.720
<v Speaker 3>This is after sister.

0:25:25.440 --> 0:25:27.520
<v Speaker 4>But that was what Joe to see and Davante and

0:25:27.520 --> 0:25:29.320
<v Speaker 4>then the swing mob that failed.

0:25:29.640 --> 0:25:32.840
<v Speaker 3>So then they came from Virginia.

0:25:32.880 --> 0:25:36.160
<v Speaker 4>They from They from Charlotte, North Carolina.

0:25:36.520 --> 0:25:37.120
<v Speaker 2>You know what I'm saying.

0:25:37.119 --> 0:25:40.199
<v Speaker 4>But they was raised. They had Tim, Tim was under them,

0:25:40.240 --> 0:25:43.240
<v Speaker 4>junior wines like d m V. So yeah, all of

0:25:43.280 --> 0:25:44.040
<v Speaker 4>them was around.

0:25:44.680 --> 0:25:46.080
<v Speaker 2>She's the West proper cheese.

0:25:46.200 --> 0:25:46.440
<v Speaker 4>Yeah.

0:25:46.480 --> 0:25:52.480
<v Speaker 2>Man, God comes down and calls Nori.

0:25:58.880 --> 0:26:10.520
<v Speaker 1>Happy birthday, Joe drink chest Man skills man, skills man,

0:26:10.760 --> 0:26:11.199
<v Speaker 1>what up?

0:26:13.000 --> 0:26:18.360
<v Speaker 10>I'm good you good man, while.

0:26:18.200 --> 0:26:22.560
<v Speaker 4>Man, but always love you to bro. You already know always.

0:26:22.280 --> 0:26:25.520
<v Speaker 2>Your happy birthday, brother. I love it you by.

0:26:29.480 --> 0:26:34.840
<v Speaker 1>Recorded drink chest so as to say happy birthday.

0:26:34.119 --> 0:26:39.240
<v Speaker 2>Love love. That's dope. Yeah, jose A good dude.

0:26:39.240 --> 0:26:41.400
<v Speaker 1>He's actually getting the key to the city tomorrow.

0:26:41.760 --> 0:26:44.119
<v Speaker 2>That's dope to New York City. Man, this makes a

0:26:44.160 --> 0:26:51.080
<v Speaker 2>noise and it's his birthday. Damn. What the is I saying?

0:26:51.200 --> 0:26:54.359
<v Speaker 4>He was talking about ghost and not wanting to be

0:26:54.400 --> 0:26:57.280
<v Speaker 4>a Yeah yeah yeah.

0:26:57.440 --> 0:27:03.320
<v Speaker 1>God came down from heaven said, mad, we need you

0:27:03.400 --> 0:27:08.760
<v Speaker 1>to save humanity, whether you perform this song or just

0:27:08.920 --> 0:27:13.200
<v Speaker 1>write this song. Would you prefer you perform a song

0:27:13.280 --> 0:27:13.800
<v Speaker 1>or write the song?

0:27:13.840 --> 0:27:17.080
<v Speaker 2>And I could I probably just write it. Okay.

0:27:17.560 --> 0:27:22.520
<v Speaker 1>The God says a song you gonna write to save

0:27:22.600 --> 0:27:27.119
<v Speaker 1>humanity doesn't matter what kind of criteria song. So what

0:27:27.320 --> 0:27:30.399
<v Speaker 1>artists would you you want to say your words? And

0:27:30.400 --> 0:27:33.840
<v Speaker 1>then what producer would you pick it to produce that record?

0:27:34.720 --> 0:27:40.680
<v Speaker 4>Pharrell got to do the beat, God damn the beat.

0:27:42.160 --> 0:27:46.760
<v Speaker 4>The artist, I'll probably say Kendrick right now, I'll probably

0:27:46.760 --> 0:27:50.119
<v Speaker 4>think Kendrick, even though I doubt he need anybody write anything.

0:27:51.960 --> 0:27:54.120
<v Speaker 4>It would be Kendrick with Pharrell and the beat. Last

0:27:54.119 --> 0:27:56.639
<v Speaker 4>time that happened, that was all right. That was a

0:27:56.720 --> 0:28:01.640
<v Speaker 4>anthem We're gonna be all right? Made that oly ship

0:28:01.760 --> 0:28:03.919
<v Speaker 4>that's for around on the hook saying we gonna be

0:28:04.000 --> 0:28:04.600
<v Speaker 4>all right?

0:28:05.160 --> 0:28:05.679
<v Speaker 2>Do you hear me?

0:28:05.720 --> 0:28:06.359
<v Speaker 3>Do you feel me?

0:28:06.880 --> 0:28:13.159
<v Speaker 2>Yo? You wild? I didn't know that.

0:28:13.320 --> 0:28:16.280
<v Speaker 4>I'm not even gonna act like I did, Like that's

0:28:16.359 --> 0:28:17.600
<v Speaker 4>that's gonna be my mission today.

0:28:17.600 --> 0:28:19.440
<v Speaker 3>I'm an educating on the line of ship.

0:28:19.800 --> 0:28:19.840
<v Speaker 4>Know.

0:28:20.800 --> 0:28:21.720
<v Speaker 2>I ain't gonna lie to you.

0:28:23.240 --> 0:28:25.440
<v Speaker 1>Because it's something that I heard you say.

0:28:25.720 --> 0:28:26.000
<v Speaker 2>You said.

0:28:26.000 --> 0:28:27.359
<v Speaker 1>They don't give a funk right now. They don't even

0:28:27.400 --> 0:28:31.920
<v Speaker 1>buy albums with credits, so nobody I don't know, Like

0:28:32.200 --> 0:28:36.160
<v Speaker 1>I don't know sometimes when I look at a person's song,

0:28:36.440 --> 0:28:39.160
<v Speaker 1>sometimes I don't even see people saying features. Right, Yeah,

0:28:39.200 --> 0:28:41.280
<v Speaker 1>it's like it's like different, like you ever thought that,

0:28:41.520 --> 0:28:43.840
<v Speaker 1>because you know, when we come from the era where

0:28:44.400 --> 0:28:47.000
<v Speaker 1>when your album dropped, I wanted to know who produced it.

0:28:47.200 --> 0:28:48.800
<v Speaker 2>I want to know who your A n R was.

0:28:48.960 --> 0:28:50.800
<v Speaker 1>I wanted to know where the address was for your

0:28:50.800 --> 0:28:51.480
<v Speaker 1>record label.

0:28:51.680 --> 0:28:54.000
<v Speaker 2>I wanted to know who your management. Who are you thinking?

0:28:55.440 --> 0:28:57.200
<v Speaker 2>Who was your thank you? Your thank you?

0:28:57.400 --> 0:28:59.800
<v Speaker 3>Yet that's how I learned rappers.

0:28:59.800 --> 0:29:02.600
<v Speaker 4>Really heard you say that, like you got the published

0:29:02.880 --> 0:29:06.400
<v Speaker 4>name Clifford Smith Ship that's method, man, you know what

0:29:06.400 --> 0:29:09.120
<v Speaker 4>I'm saying. Robert D Like, I know, we used to

0:29:09.160 --> 0:29:12.000
<v Speaker 4>play that game. You just throw out name Clifford Harris Man.

0:29:12.000 --> 0:29:13.520
<v Speaker 4>We're gonna still that game We're going to.

0:29:20.440 --> 0:29:23.440
<v Speaker 1>But yeah, so and right now they say it's just

0:29:23.560 --> 0:29:27.720
<v Speaker 1>it's disposable music, but it's actually disposable everything.

0:29:27.840 --> 0:29:32.400
<v Speaker 4>Yeah, songs don't even songs be like two minutes long. Yeah,

0:29:32.840 --> 0:29:33.880
<v Speaker 4>because people's attentions.

0:29:33.920 --> 0:29:34.080
<v Speaker 2>Man.

0:29:34.120 --> 0:29:36.400
<v Speaker 3>So it's like it's like a TikTok era. You know

0:29:36.440 --> 0:29:36.800
<v Speaker 3>what I'm saying.

0:29:36.840 --> 0:29:38.560
<v Speaker 4>These kids they just want to get it and go

0:29:38.640 --> 0:29:40.600
<v Speaker 4>to the next one, you know what I mean. So

0:29:41.120 --> 0:29:43.480
<v Speaker 4>the songs be so fast and sometimes they catch you.

0:29:43.520 --> 0:29:46.560
<v Speaker 4>Sometimes they not and then sometimes these kids can't even

0:29:46.560 --> 0:29:50.600
<v Speaker 4>perform these songs. Like you see him live and you're like, damn,

0:29:50.760 --> 0:29:54.320
<v Speaker 4>damn that ship. Yeah, I should don't hit this. They

0:29:54.400 --> 0:29:56.000
<v Speaker 4>damn near made it in a vacuum. I don't even

0:29:56.040 --> 0:29:59.320
<v Speaker 4>remember what bro The song ain't even mixed. They just

0:29:59.400 --> 0:30:02.320
<v Speaker 4>uploaded it and it went, it went crazy. You know

0:30:02.320 --> 0:30:04.800
<v Speaker 4>what I'm saying. That's that's the problem. Like I tell,

0:30:04.920 --> 0:30:07.400
<v Speaker 4>I tell these kids a lot, Like I'm like, yo, man, listen,

0:30:07.600 --> 0:30:09.440
<v Speaker 4>I'm like, I know it's I know what you're thinking.

0:30:10.040 --> 0:30:13.360
<v Speaker 4>You're thinking that you're hot because you got dismounting numbers

0:30:13.360 --> 0:30:15.400
<v Speaker 4>on TikTok and you got a million views and da

0:30:15.520 --> 0:30:17.840
<v Speaker 4>da da da. You can fake the views, you can

0:30:17.920 --> 0:30:20.760
<v Speaker 4>fake the followers, you can fake the likes, but you

0:30:20.840 --> 0:30:26.120
<v Speaker 4>can't fake making people care. You can't fake that. So

0:30:26.160 --> 0:30:28.479
<v Speaker 4>if you can, you can have eighty million followers. You

0:30:28.480 --> 0:30:31.080
<v Speaker 4>show up in VA and I and I heard that

0:30:31.120 --> 0:30:33.360
<v Speaker 4>it was only forty people with the show last night.

0:30:33.400 --> 0:30:34.600
<v Speaker 3>I already know what that is.

0:30:35.560 --> 0:30:39.240
<v Speaker 4>Like y'all, y'all faking the funk like on some real shit,

0:30:39.960 --> 0:30:42.120
<v Speaker 4>you know what I mean? Like, you can't fake making

0:30:42.160 --> 0:30:45.520
<v Speaker 4>people care. Man, the records gotta connect if they don't connect,

0:30:45.640 --> 0:30:47.360
<v Speaker 4>keep making records.

0:30:46.840 --> 0:30:52.000
<v Speaker 2>Right, who's the upper couple of artists you listening to me?

0:30:52.640 --> 0:30:55.760
<v Speaker 4>Oh man, it's a couple of cats from from VA

0:30:55.880 --> 0:30:56.840
<v Speaker 4>that I'm checking now.

0:30:56.920 --> 0:30:57.640
<v Speaker 2>It's a cat and they.

0:30:57.720 --> 0:31:01.160
<v Speaker 4>Noah, oh, he do a lot of stuff in this Noah,

0:31:01.200 --> 0:31:04.520
<v Speaker 4>like you know, hey, h dash oh look him up,

0:31:04.680 --> 0:31:12.200
<v Speaker 4>don't don't a couple of cases can Michael Millions. He's

0:31:12.200 --> 0:31:15.320
<v Speaker 4>a good engineer and he's a dope MC radio b

0:31:15.760 --> 0:31:18.640
<v Speaker 4>It was a few casts from my city that have

0:31:18.640 --> 0:31:21.320
<v Speaker 4>have have put their clan. They lyricists, you know what

0:31:21.320 --> 0:31:24.480
<v Speaker 4>I'm saying. They care about bars and and this line connecting.

0:31:24.520 --> 0:31:28.240
<v Speaker 4>It's not just oh I gotta catch you help, it's

0:31:28.360 --> 0:31:30.080
<v Speaker 4>it's it's some people that are still trying to keep

0:31:30.080 --> 0:31:31.360
<v Speaker 4>the lyricism thing alive.

0:31:31.400 --> 0:31:33.240
<v Speaker 2>And I appreciate that as an MC.

0:31:33.720 --> 0:31:36.240
<v Speaker 6>Now just wait, do we think that the Kendrick and

0:31:36.360 --> 0:31:41.200
<v Speaker 6>Drake thing is enough to bring back that into the.

0:31:41.400 --> 0:31:45.640
<v Speaker 4>Enough because we already back to the stupid records. But

0:31:45.640 --> 0:31:52.640
<v Speaker 4>but but Kendrick rapped circles like he rapped it was

0:31:52.960 --> 0:31:54.920
<v Speaker 4>and it was so it was so crazy listened to

0:31:54.960 --> 0:31:56.800
<v Speaker 4>him because even when I listened to one record, he

0:31:56.800 --> 0:31:58.320
<v Speaker 4>would change his voice full time.

0:31:58.480 --> 0:31:59.960
<v Speaker 3>I felt like I was listening to four people.

0:32:00.400 --> 0:32:05.200
<v Speaker 4>So I'm like, oh, that's four different money. I'm saying, like, so,

0:32:06.200 --> 0:32:08.400
<v Speaker 4>I don't know if Kendrick and and and the Drakes

0:32:08.440 --> 0:32:09.960
<v Speaker 4>and the j Coles are enough, because you.

0:32:09.960 --> 0:32:11.600
<v Speaker 2>Know, back in the day, we had way more than

0:32:11.920 --> 0:32:13.040
<v Speaker 2>three lyrics. Three.

0:32:13.480 --> 0:32:15.080
<v Speaker 6>You couldn't get a zeal, if you didn't have a

0:32:15.080 --> 0:32:17.000
<v Speaker 6>good bars deal, if you couldn't get a ball.

0:32:17.440 --> 0:32:18.880
<v Speaker 3>They didn't sign this ship.

0:32:19.240 --> 0:32:21.440
<v Speaker 4>But you know, it's a change of climate, man, And

0:32:21.480 --> 0:32:25.120
<v Speaker 4>I'll never be I never discontinue with disrespect a young

0:32:25.160 --> 0:32:27.760
<v Speaker 4>black man that's helping his family get out the hood,

0:32:28.160 --> 0:32:30.560
<v Speaker 4>get his mom a crib, helping us to go to school.

0:32:30.560 --> 0:32:32.440
<v Speaker 4>I don't know what kind of music he made, you

0:32:32.480 --> 0:32:34.320
<v Speaker 4>know what I'm saying. If you did that for your family,

0:32:34.400 --> 0:32:36.760
<v Speaker 4>off of that one little song you did, I got

0:32:36.840 --> 0:32:40.760
<v Speaker 4>love for you, young man. I just hope, God, I

0:32:40.880 --> 0:32:43.560
<v Speaker 4>hope you realize that as you make more music, it's

0:32:43.600 --> 0:32:44.800
<v Speaker 4>more to you than just that.

0:32:45.280 --> 0:32:47.200
<v Speaker 6>Well, it's not the sorry, it's not the creator. I

0:32:47.200 --> 0:32:49.840
<v Speaker 6>don't I don't ever felt the creator or someone that's

0:32:49.880 --> 0:32:52.720
<v Speaker 6>making the music that might do its thing. It's the

0:32:52.920 --> 0:32:56.120
<v Speaker 6>audience that's changed what they like, the appetite of what

0:32:56.120 --> 0:32:57.680
<v Speaker 6>they're into, you know, and it used to be where

0:32:57.880 --> 0:33:01.200
<v Speaker 6>they were more cerebral and then went way far from that.

0:33:01.520 --> 0:33:04.120
<v Speaker 4>I just did a project, maybe like two weeks ago.

0:33:04.160 --> 0:33:06.920
<v Speaker 4>I put out a spoken word project, and it's more

0:33:07.000 --> 0:33:07.720
<v Speaker 4>like poetry.

0:33:08.120 --> 0:33:09.120
<v Speaker 3>Like it ain't even I'm.

0:33:09.040 --> 0:33:11.760
<v Speaker 1>Not even rapping what spoken word is poetry?

0:33:12.520 --> 0:33:15.959
<v Speaker 4>Yeah, but it's it's called the Seven Number Ones. But

0:33:16.000 --> 0:33:18.840
<v Speaker 4>it's it's almost like some of the stuff was so personal.

0:33:18.960 --> 0:33:21.560
<v Speaker 4>I just felt more compelled to just say it than

0:33:21.600 --> 0:33:22.480
<v Speaker 4>to try to wrap it.

0:33:23.040 --> 0:33:23.760
<v Speaker 3>You know what I'm saying.

0:33:24.040 --> 0:33:26.600
<v Speaker 4>I just took another lane and I like to see

0:33:26.640 --> 0:33:29.479
<v Speaker 4>all this grow and try new things, Like because you

0:33:29.520 --> 0:33:31.080
<v Speaker 4>get stagged the man, you don't want to keep doing

0:33:31.120 --> 0:33:33.320
<v Speaker 4>the same shit over and over again. That's why I

0:33:33.360 --> 0:33:35.120
<v Speaker 4>quit the wrap up, you know what I'm saying.

0:33:35.760 --> 0:33:38.280
<v Speaker 1>You know, if somebody told me sorry, bounced around real quick.

0:33:38.520 --> 0:33:42.360
<v Speaker 1>You know who the real ultimate winner is of Drake

0:33:42.480 --> 0:33:46.640
<v Speaker 1>and Kendrick. You know, they both on the same same label,

0:33:47.360 --> 0:33:49.800
<v Speaker 1>ultimately Republic.

0:33:51.160 --> 0:33:52.320
<v Speaker 2>Universe, the universe.

0:33:52.480 --> 0:33:54.680
<v Speaker 1>Someone that was in the system so me that nothing

0:33:54.760 --> 0:33:58.120
<v Speaker 1>was moving while they was battling, like they put everything

0:33:58.200 --> 0:34:00.960
<v Speaker 1>into my home. I think that I think that with

0:34:01.160 --> 0:34:05.160
<v Speaker 1>l L and Cannabis. I see death Jam go crazy.

0:34:06.080 --> 0:34:10.520
<v Speaker 1>I see Death Jam go crazy. When John and dmxics

0:34:10.520 --> 0:34:13.479
<v Speaker 1>beef and they're on the same label. You think record

0:34:13.560 --> 0:34:15.799
<v Speaker 1>labels benefit, of course.

0:34:15.840 --> 0:34:17.720
<v Speaker 2>But I'm gonna be honest with you.

0:34:17.840 --> 0:34:19.440
<v Speaker 1>Let me give them a regular label, a little bit

0:34:19.480 --> 0:34:22.919
<v Speaker 1>of credit, a little bit of credit. I don't think

0:34:22.920 --> 0:34:26.520
<v Speaker 1>they start the beefs, but I think once the beefs start,

0:34:26.640 --> 0:34:28.520
<v Speaker 1>they know how to like answer.

0:34:28.680 --> 0:34:30.000
<v Speaker 2>I don't know. I think some of them have been

0:34:30.000 --> 0:34:31.520
<v Speaker 2>instigated by labels.

0:34:31.320 --> 0:34:34.200
<v Speaker 1>Maybe instigated, but I don't think full flex starts.

0:34:33.760 --> 0:34:38.600
<v Speaker 4>A businessman as a businessman, if I start Coke and

0:34:38.680 --> 0:34:41.240
<v Speaker 4>I see how well Coke does, I'm talking about Coca Cola.

0:34:41.520 --> 0:34:52.480
<v Speaker 4>It's only Miami. I'm sorry. I'm a smart businessman. If

0:34:52.520 --> 0:34:55.680
<v Speaker 4>I start Pepsi too, you know what I mean? Like

0:34:55.719 --> 0:34:58.520
<v Speaker 4>the what's the old fat guy that died in prison

0:34:58.560 --> 0:35:03.719
<v Speaker 4>that started the Backstreet Boy? He started the Backstreet Boys

0:35:03.760 --> 0:35:05.759
<v Speaker 4>and he made that competition.

0:35:05.840 --> 0:35:07.560
<v Speaker 3>They didn't even know they was on the same.

0:35:08.000 --> 0:35:11.920
<v Speaker 1>They just said from Fore's on boy Nego. They just

0:35:11.920 --> 0:35:16.680
<v Speaker 1>said that Negos got accused of putting out ice cream

0:35:16.800 --> 0:35:20.400
<v Speaker 1>or bababe or whatever. And then he also controlled the

0:35:20.440 --> 0:35:23.880
<v Speaker 1>bootleggers like he was making the bootleg Listen.

0:35:24.560 --> 0:35:25.080
<v Speaker 2>It's hard.

0:35:25.760 --> 0:35:29.160
<v Speaker 4>That's when you are moving in that type of space.

0:35:29.680 --> 0:35:32.600
<v Speaker 4>It's only right that you think bigger. You know what

0:35:32.640 --> 0:35:36.160
<v Speaker 4>I'm saying, Like think big man, like stop thinking small.

0:35:36.400 --> 0:35:39.040
<v Speaker 4>Put put your own competition out there. It's crazy. We

0:35:39.400 --> 0:35:41.680
<v Speaker 4>only have no no male groups. I said to my

0:35:41.760 --> 0:35:43.560
<v Speaker 4>other we only had no male singers one when he

0:35:43.640 --> 0:35:47.200
<v Speaker 4>got a group, ain't no new addition, no no, no

0:35:47.320 --> 0:35:50.439
<v Speaker 4>type of boys. Man, we don't even have. We don't

0:35:50.480 --> 0:35:53.040
<v Speaker 4>have none of that. And I feel like every eight

0:35:53.160 --> 0:35:55.520
<v Speaker 4>or nine years, we should it should happen, you know

0:35:55.520 --> 0:35:57.160
<v Speaker 4>what I'm saying, should be a boy group out right

0:35:57.200 --> 0:36:00.279
<v Speaker 4>now killing it outside of one more shot to one more,

0:36:00.320 --> 0:36:02.759
<v Speaker 4>which is one ye from boys the men. He got

0:36:02.760 --> 0:36:05.680
<v Speaker 4>four sons and they killing it. But that's it. I mean,

0:36:05.719 --> 0:36:06.960
<v Speaker 4>groups have gone away completely.

0:36:07.000 --> 0:36:10.720
<v Speaker 2>Yeah, don't body want ship the money more? And that's crazy,

0:36:10.719 --> 0:36:14.840
<v Speaker 2>that's crazy. You think about right now, probably Bro's brothers.

0:36:14.880 --> 0:36:17.240
<v Speaker 4>There's probably three brothers right now that grew up together

0:36:17.360 --> 0:36:20.480
<v Speaker 4>in Tallahassee and they probably can sing their ass off.

0:36:20.480 --> 0:36:22.239
<v Speaker 4>They don't even want to split the money with their brother.

0:36:22.880 --> 0:36:25.480
<v Speaker 4>It's like, will we ever have another wu Tang clan, like, right,

0:36:25.520 --> 0:36:25.959
<v Speaker 4>that's true.

0:36:25.960 --> 0:36:29.080
<v Speaker 2>It maybe what the young the only one?

0:36:29.320 --> 0:36:31.960
<v Speaker 6>Now I think it was maybe what flat flat Bush zombies?

0:36:32.560 --> 0:36:37.280
<v Speaker 6>Then before that our future who odd future? But migos,

0:36:37.320 --> 0:36:39.120
<v Speaker 6>is it not only three?

0:36:39.160 --> 0:36:42.120
<v Speaker 1>And then they ain't even maybe a littlan you just

0:36:42.120 --> 0:36:47.840
<v Speaker 1>stay over there, spit three niggas, come on, man a

0:36:47.960 --> 0:36:50.000
<v Speaker 1>vegan pizza, come on?

0:36:50.440 --> 0:36:51.960
<v Speaker 3>Just who was different?

0:36:52.040 --> 0:36:54.279
<v Speaker 4>But I think a lot of signs we get people

0:36:54.280 --> 0:36:56.040
<v Speaker 4>they don't even want to be clicked up because they

0:36:56.160 --> 0:36:57.800
<v Speaker 4>like I got split it with homie and Homie I

0:36:57.800 --> 0:37:00.359
<v Speaker 4>don't want to do that. So now that's I think

0:37:00.360 --> 0:37:01.960
<v Speaker 4>that's why we get so many songs. But it's just

0:37:02.000 --> 0:37:03.160
<v Speaker 4>like a solo artist.

0:37:03.320 --> 0:37:05.359
<v Speaker 6>You don't think labels also is just they don't want

0:37:05.360 --> 0:37:06.560
<v Speaker 6>to deal with groups anymore either.

0:37:06.560 --> 0:37:08.520
<v Speaker 4>I think, say, bro, if something come across fire and

0:37:08.520 --> 0:37:11.279
<v Speaker 4>it's and it's already blowing up, it would make sense

0:37:11.320 --> 0:37:13.839
<v Speaker 4>for them, like, let me find two singers that could

0:37:13.880 --> 0:37:17.560
<v Speaker 4>just sing like we'll never have another shot today, you

0:37:17.640 --> 0:37:19.200
<v Speaker 4>know what I mean, Like the day's over.

0:37:20.000 --> 0:37:22.040
<v Speaker 3>It's crazy. Don't nobody want to share nothing?

0:37:23.120 --> 0:37:26.439
<v Speaker 2>Do you feel like you got discovered by Q tip? Yes?

0:37:26.160 --> 0:37:30.560
<v Speaker 4>Yes, hands down, he said, And yeah I wouldn't be

0:37:30.600 --> 0:37:32.960
<v Speaker 4>here without them. Shout to tryal request getting it ducked

0:37:33.000 --> 0:37:41.319
<v Speaker 4>into the rock and rolls. That's right, yeah, so and

0:37:41.360 --> 0:37:44.160
<v Speaker 4>shout to you know, I leave jerobe.

0:37:46.719 --> 0:37:47.440
<v Speaker 2>Yeatnam Man.

0:37:47.600 --> 0:37:50.080
<v Speaker 4>I definitely I owe a lot to that man, you

0:37:50.120 --> 0:37:53.200
<v Speaker 4>know what I'm saying. And I'm very grateful that he

0:37:53.320 --> 0:37:56.080
<v Speaker 4>pulled me out of that tree and he said, spinc

0:37:56.120 --> 0:37:58.400
<v Speaker 4>some balls, you know what I'm saying. I wouldn't have

0:37:58.440 --> 0:38:00.600
<v Speaker 4>it wouldn't have been no Mad Skills without that moment.

0:38:00.719 --> 0:38:02.879
<v Speaker 4>So I'm happy that it happened, you know what I'm saying.

0:38:02.920 --> 0:38:05.799
<v Speaker 4>Shout the Q tip, the abstract poetic little sin.

0:38:06.480 --> 0:38:08.920
<v Speaker 2>Yeah, yeah, yeah, it's impressions. Yo.

0:38:09.000 --> 0:38:11.479
<v Speaker 1>Can we put up that clip? That's so the group chat,

0:38:11.719 --> 0:38:14.759
<v Speaker 1>the second clip, not the first one from the show.

0:38:15.120 --> 0:38:17.480
<v Speaker 2>Yeah. Then later on because.

0:38:17.360 --> 0:38:18.680
<v Speaker 3>I remember I said I didn't know if I had

0:38:18.680 --> 0:38:19.120
<v Speaker 3>his number.

0:38:19.320 --> 0:38:21.239
<v Speaker 4>Yeah, I got check and you was like, YO, make

0:38:21.320 --> 0:38:23.160
<v Speaker 4>that call now you got your number, and I was like,

0:38:23.160 --> 0:38:24.240
<v Speaker 4>I don't think you're gonna answer.

0:38:24.480 --> 0:38:27.960
<v Speaker 2>You made We thought you thought he had you blocked.

0:38:28.160 --> 0:38:32.080
<v Speaker 1>Yeah, but it was not blocked, and he picked up

0:38:32.360 --> 0:38:34.520
<v Speaker 1>y'all kicked it, y'all checked it, chopped it up.

0:38:35.000 --> 0:38:36.239
<v Speaker 2>I believe you said one tear.

0:38:36.600 --> 0:38:37.320
<v Speaker 3>Yeah, I believe it.

0:38:37.840 --> 0:38:39.799
<v Speaker 2>I tell the dope moment, Now, that was dope. That

0:38:39.840 --> 0:38:40.399
<v Speaker 2>was a dope moment.

0:38:40.960 --> 0:38:43.320
<v Speaker 3>We hadn't talked in like almost ten years.

0:38:43.520 --> 0:38:44.719
<v Speaker 2>That was a dope moment for us.

0:38:44.800 --> 0:38:47.240
<v Speaker 1>But to be honest with you, that was a personal

0:38:47.239 --> 0:38:51.520
<v Speaker 1>moment for you and him. So since the show, you know,

0:38:51.800 --> 0:38:55.680
<v Speaker 1>we're trying to do our more. We check up ship. Yeah, yeah,

0:38:56.000 --> 0:38:58.960
<v Speaker 1>what happened six years ago. I definitely have connected with him.

0:38:58.960 --> 0:39:00.399
<v Speaker 3>We talked. We talked a lot.

0:39:01.080 --> 0:39:03.960
<v Speaker 4>I went up to his crib and we spun like

0:39:03.960 --> 0:39:07.040
<v Speaker 4>a DJ set together, like a you know, four turntables

0:39:07.040 --> 0:39:07.560
<v Speaker 4>too two.

0:39:07.560 --> 0:39:08.719
<v Speaker 2>He went back and forth. He do it.

0:39:08.719 --> 0:39:13.200
<v Speaker 4>He does a stream on his on his platform. And

0:39:13.560 --> 0:39:14.880
<v Speaker 4>I went up there and hung out with him. It

0:39:14.960 --> 0:39:16.680
<v Speaker 4>was just good to see him, man. You know, it's

0:39:17.000 --> 0:39:17.640
<v Speaker 4>that's the homie.

0:39:17.680 --> 0:39:18.560
<v Speaker 2>Man. I love that dude.

0:39:19.040 --> 0:39:22.040
<v Speaker 4>I told the world I filled up. I filled up

0:39:22.040 --> 0:39:24.839
<v Speaker 4>to passpars. I seen the world messing with you as

0:39:24.840 --> 0:39:28.239
<v Speaker 4>he Jeff Man. So it's super dope, super dope dude. Man,

0:39:28.320 --> 0:39:28.799
<v Speaker 4>I love him.

0:39:28.880 --> 0:39:32.640
<v Speaker 2>You know what I'm saying. My brother, let me tell

0:39:32.680 --> 0:39:33.120
<v Speaker 2>you something.

0:39:34.000 --> 0:39:36.719
<v Speaker 1>So I wrote on the jet with him.

0:39:37.760 --> 0:39:38.840
<v Speaker 3>Yeah, yeah, I saw that picture.

0:39:38.880 --> 0:39:41.719
<v Speaker 1>Yeah, and then so I believe it's a dead back

0:39:42.040 --> 0:39:43.640
<v Speaker 1>the way back. It was just being him and I

0:39:44.280 --> 0:39:46.359
<v Speaker 1>didn't want him to ask me about that movement because

0:39:46.360 --> 0:39:51.799
<v Speaker 1>I didn't know if that But what's crazy that this is.

0:39:51.760 --> 0:39:54.240
<v Speaker 2>How you know this man been all over the world.

0:39:55.120 --> 0:39:59.560
<v Speaker 1>His wife opens up like a package or something. She

0:39:59.680 --> 0:40:01.840
<v Speaker 1>had every charger.

0:40:02.400 --> 0:40:06.920
<v Speaker 2>Ever made, all the adapters. That's that's the charger. You

0:40:07.000 --> 0:40:07.799
<v Speaker 2>understood what I said.

0:40:08.000 --> 0:40:11.719
<v Speaker 1>She had Germany, even though they probably the same, you

0:40:11.719 --> 0:40:12.640
<v Speaker 1>know what I'm trying to say.

0:40:13.080 --> 0:40:15.399
<v Speaker 2>A different I was like, yo, I was like, cause

0:40:15.400 --> 0:40:15.680
<v Speaker 2>I was.

0:40:15.719 --> 0:40:18.200
<v Speaker 1>I was like, I was getting up and I was like,

0:40:18.239 --> 0:40:20.840
<v Speaker 1>I'm gonna go to my seat and get my charger.

0:40:21.000 --> 0:40:23.880
<v Speaker 1>She was like, I got you. I looked at I

0:40:23.920 --> 0:40:26.360
<v Speaker 1>was like, what the fun every day? That's how you

0:40:26.400 --> 0:40:29.120
<v Speaker 1>know of a person just well traveled man.

0:40:29.760 --> 0:40:31.360
<v Speaker 2>What's the favorite place you've been to?

0:40:32.680 --> 0:40:37.440
<v Speaker 4>I'll probably say Australia. Australia was clean. It was the

0:40:37.520 --> 0:40:41.000
<v Speaker 4>cleanest city I ever seen. Couldn't believe clean and clean.

0:40:40.800 --> 0:40:42.040
<v Speaker 2>And diesel kangaroos.

0:40:42.280 --> 0:40:49.440
<v Speaker 4>Yes. Sydney, Sydney, Australia. Thailand. We got beautiful beaches there.

0:40:49.760 --> 0:40:50.799
<v Speaker 4>Place called food cut.

0:40:52.080 --> 0:40:54.480
<v Speaker 2>These are places you performed at Yeah okay.

0:40:54.960 --> 0:40:56.839
<v Speaker 3>And I Love La.

0:40:57.040 --> 0:40:58.920
<v Speaker 4>I got a love a spy in La, so I

0:40:59.040 --> 0:41:02.600
<v Speaker 4>go back and between her A v A. But yeah, man,

0:41:02.719 --> 0:41:05.080
<v Speaker 4>Australia was probably one of the most pretty and kate

0:41:05.200 --> 0:41:13.239
<v Speaker 4>town with with with the mountains and the cliffs.

0:41:14.360 --> 0:41:18.120
<v Speaker 1>You did our show before we give your flowers, but

0:41:18.200 --> 0:41:20.960
<v Speaker 1>we need to give your flowers physically face to face.

0:41:22.440 --> 0:41:25.839
<v Speaker 2>Yes, what that you came before we started? Yes, yes,

0:41:26.320 --> 0:41:28.120
<v Speaker 2>well bro, let me tell you something. Skills.

0:41:28.200 --> 0:41:30.799
<v Speaker 1>When we made this show is to give people like you,

0:41:30.920 --> 0:41:32.759
<v Speaker 1>people who staid.

0:41:32.440 --> 0:41:35.600
<v Speaker 2>The test of time, who stood the test of time and.

0:41:35.600 --> 0:41:38.879
<v Speaker 1>Motherfuckers stood on your motherfucking monkey foot and motherfucking did

0:41:38.880 --> 0:41:41.160
<v Speaker 1>what you gotta do, and you dedicated your life to

0:41:41.239 --> 0:41:44.319
<v Speaker 1>hip hop, and hip hop recognizes that we love you,

0:41:44.360 --> 0:41:45.400
<v Speaker 1>we respect you.

0:41:45.440 --> 0:41:46.040
<v Speaker 2>Want to keep.

0:41:51.320 --> 0:41:53.759
<v Speaker 4>Yeah. Yeah, I saw y'all get somebody else this and

0:41:53.800 --> 0:41:56.680
<v Speaker 4>I was like, damn, I ain't get that before we

0:41:56.760 --> 0:41:58.640
<v Speaker 4>started the traditional Yeah.

0:41:59.040 --> 0:42:00.880
<v Speaker 2>Now this is dope. Man. I'm just gonna go up

0:42:00.920 --> 0:42:02.800
<v Speaker 2>in the studio. This is this is power.

0:42:03.120 --> 0:42:06.920
<v Speaker 1>But let me ask you a quick question. Right, this

0:42:06.960 --> 0:42:10.239
<v Speaker 1>is me going through your disciography. Right, you clearly can

0:42:10.320 --> 0:42:13.799
<v Speaker 1>make any type of music right, whether it's even like

0:42:14.000 --> 0:42:18.080
<v Speaker 1>club music, girl music, street music, you know, bar music, whatever.

0:42:18.080 --> 0:42:18.400
<v Speaker 2>Whatever.

0:42:19.600 --> 0:42:22.680
<v Speaker 1>Do you think that the fact that because some some

0:42:22.920 --> 0:42:27.359
<v Speaker 1>like like some bars, even me knowing the record, I

0:42:27.400 --> 0:42:29.080
<v Speaker 1>have to go back and be like, oh, ship.

0:42:28.880 --> 0:42:30.920
<v Speaker 2>That's what the fuck he meant? Like And this is

0:42:31.080 --> 0:42:32.640
<v Speaker 2>years later, like and I'm.

0:42:32.440 --> 0:42:36.600
<v Speaker 1>An EMC right and sometimes you go over me right.

0:42:37.360 --> 0:42:39.360
<v Speaker 1>Do you think that was Do you think that was

0:42:39.400 --> 0:42:42.279
<v Speaker 1>a plus for your career or you think that might

0:42:42.320 --> 0:42:46.320
<v Speaker 1>have been one of the parts because you might have

0:42:46.360 --> 0:42:47.560
<v Speaker 1>been the smartest guy in the.

0:42:47.840 --> 0:42:51.200
<v Speaker 2>Place and like the smart kid in the in the

0:42:51.239 --> 0:42:51.880
<v Speaker 2>slow class.

0:42:52.280 --> 0:42:57.239
<v Speaker 4>Yeah, you know what I mean. Resource room Right now,

0:42:57.520 --> 0:43:01.839
<v Speaker 4>I really feel like I've realized once I made that transition, man,

0:43:01.880 --> 0:43:06.120
<v Speaker 4>I realized that people like what I say, they just

0:43:06.160 --> 0:43:09.560
<v Speaker 4>don't necessarily have to hear it coming from me, you

0:43:09.640 --> 0:43:10.240
<v Speaker 4>know what I'm saying.

0:43:10.320 --> 0:43:11.480
<v Speaker 2>So once I.

0:43:11.520 --> 0:43:15.880
<v Speaker 4>Realized that and that light bulb went off, I realized

0:43:15.920 --> 0:43:19.040
<v Speaker 4>that I could write anything and people call you know

0:43:19.080 --> 0:43:23.200
<v Speaker 4>what I'm saying, and ask for things, and sometimes there's

0:43:23.200 --> 0:43:25.719
<v Speaker 4>things that I can't even fathom that I get a

0:43:25.800 --> 0:43:31.680
<v Speaker 4>chance to do. And as much as people like sticking

0:43:31.760 --> 0:43:34.600
<v Speaker 4>to me for this, it was all for the wrap up,

0:43:34.800 --> 0:43:37.400
<v Speaker 4>you know what, I'm saying like the wrap Up was

0:43:38.480 --> 0:43:39.600
<v Speaker 4>a creation that.

0:43:40.040 --> 0:43:43.160
<v Speaker 3>Came the wrap Up.

0:43:43.200 --> 0:43:46.040
<v Speaker 4>Okay, it was something that you know, it started and

0:43:46.880 --> 0:43:49.600
<v Speaker 4>people ran with it and did their own versions of it,

0:43:49.680 --> 0:43:51.680
<v Speaker 4>and you know what I'm saying, but that that whole

0:43:51.719 --> 0:43:54.120
<v Speaker 4>thing started on like stretching Bobido. I started did a

0:43:54.160 --> 0:43:57.319
<v Speaker 4>stretch of Bobido freestyle like ninety three. It goes that

0:43:57.400 --> 0:44:00.799
<v Speaker 4>far back, like from just some tying things together, got that,

0:44:00.880 --> 0:44:01.560
<v Speaker 4>you know what I'm saying.

0:44:01.640 --> 0:44:03.600
<v Speaker 3>So that started in ninety three.

0:44:03.719 --> 0:44:05.760
<v Speaker 4>So now we in twenty twenty four, and I almost

0:44:05.800 --> 0:44:09.279
<v Speaker 4>look at it like how many motherfuckers did something in

0:44:09.400 --> 0:44:12.000
<v Speaker 4>ninety three and they could still do it in twenty

0:44:12.040 --> 0:44:15.520
<v Speaker 4>twenty four. Jordan can't jump from the file line no more.

0:44:15.920 --> 0:44:18.840
<v Speaker 4>That shit ain't happening. Shack can't post up in the

0:44:18.920 --> 0:44:21.399
<v Speaker 4>paint like he used to. So for me, when those

0:44:21.480 --> 0:44:25.160
<v Speaker 4>calls come, it's because I was able to do that.

0:44:25.239 --> 0:44:27.880
<v Speaker 4>Like even when the whole Rock and Roll Hall of

0:44:27.880 --> 0:44:31.160
<v Speaker 4>Fame shit came in, like I didn't.

0:44:30.840 --> 0:44:33.839
<v Speaker 3>I was like, I don't know if I could do this,

0:44:34.560 --> 0:44:36.680
<v Speaker 3>but it turned into something.

0:44:36.680 --> 0:44:40.000
<v Speaker 4>And once I saw all of those people Iris El

0:44:40.040 --> 0:44:43.200
<v Speaker 4>but Lisa Keys, Chris Rock, Kevin Hart, saying all them

0:44:43.320 --> 0:44:45.960
<v Speaker 4>jay Z lines, and then I saw a blue ivy

0:44:46.000 --> 0:44:48.120
<v Speaker 4>at the end and I was like, I did that.

0:44:48.640 --> 0:44:49.200
<v Speaker 3>You know what I'm saying.

0:44:49.239 --> 0:44:51.960
<v Speaker 4>I created that that call came because Yo, we know

0:44:52.040 --> 0:44:54.600
<v Speaker 4>when it comes to this hip hop shit, you the

0:44:54.719 --> 0:44:57.239
<v Speaker 4>dude that could connect them doves. That's how I ended

0:44:57.320 --> 0:45:00.080
<v Speaker 4>up working with NAS and Massive Pill for the and

0:45:00.120 --> 0:45:02.680
<v Speaker 4>the wrap up last year that the BT Awards, like,

0:45:03.080 --> 0:45:04.680
<v Speaker 4>you don't get them calls if you're not.

0:45:04.719 --> 0:45:05.680
<v Speaker 2>Good at what you do.

0:45:06.280 --> 0:45:10.440
<v Speaker 6>And I'd imagine in answering to what you're asking that

0:45:10.520 --> 0:45:15.280
<v Speaker 6>if you're a top tier lyricist, it's easier to come

0:45:15.320 --> 0:45:18.640
<v Speaker 6>down from that creatively than to be to have no

0:45:18.760 --> 0:45:20.759
<v Speaker 6>lyrical ability and try to scale up.

0:45:20.840 --> 0:45:23.200
<v Speaker 4>Right, what I'm saying, like that jay Z shit. I

0:45:23.200 --> 0:45:24.799
<v Speaker 4>did that jay Z rock and Roll Hall of Fame

0:45:24.840 --> 0:45:25.880
<v Speaker 4>shit in nine days.

0:45:26.200 --> 0:45:26.600
<v Speaker 2>Wow?

0:45:27.360 --> 0:45:32.719
<v Speaker 4>Like that that that happened fast, like Questlove call curated.

0:45:32.840 --> 0:45:34.160
<v Speaker 2>I wrote it? Okay wow?

0:45:35.000 --> 0:45:40.640
<v Speaker 4>Right? So so Questlove called because jay Z's getting inducted

0:45:40.680 --> 0:45:42.719
<v Speaker 4>into the Rock and Roll Hall of Fame and you

0:45:42.800 --> 0:45:44.960
<v Speaker 4>can't put an artist up there and let them do

0:45:45.760 --> 0:45:48.880
<v Speaker 4>allow me to reintroduce myself. That shit is corny, So

0:45:49.400 --> 0:45:52.359
<v Speaker 4>they have to figure out a way to tribute jay Z,

0:45:52.680 --> 0:45:55.560
<v Speaker 4>so jay Z will come because jay Z's like, I'm

0:45:55.560 --> 0:45:58.560
<v Speaker 4>not gone, and they're like, yo, it's the rock and

0:45:58.640 --> 0:46:00.880
<v Speaker 4>Roll Hall of Fame, like you you have to go,

0:46:01.040 --> 0:46:03.080
<v Speaker 4>and you know, Hope He's like, I don't, I don't.

0:46:02.880 --> 0:46:06.919
<v Speaker 2>Gotta do shit's with him and got inducted. No, yeah, yeah, yeah, okay.

0:46:07.040 --> 0:46:11.319
<v Speaker 4>So that that video montage that played with all the celebrities.

0:46:10.760 --> 0:46:12.160
<v Speaker 3>I wrote that word for word.

0:46:12.239 --> 0:46:15.200
<v Speaker 4>Oh wow, so quest Love calls and it was weird

0:46:15.200 --> 0:46:17.080
<v Speaker 4>because I was in a barber shop and he's like, yo,

0:46:17.560 --> 0:46:20.759
<v Speaker 4>when when did you stop listening to jay Z? I

0:46:20.840 --> 0:46:24.560
<v Speaker 4>was like what He's like, when did you stop listening

0:46:24.560 --> 0:46:28.720
<v Speaker 4>to Hop? I was like, I said, what's the context

0:46:28.719 --> 0:46:31.239
<v Speaker 4>of the question. He said, I remember you saying back

0:46:31.280 --> 0:46:33.399
<v Speaker 4>in the day, like you used to you could hear

0:46:33.440 --> 0:46:35.800
<v Speaker 4>a jay Z song one time and quote the balls.

0:46:36.480 --> 0:46:37.759
<v Speaker 3>I was like, yeah, back he was.

0:46:37.880 --> 0:46:39.560
<v Speaker 4>He was I used to love when Hope would get

0:46:39.680 --> 0:46:41.359
<v Speaker 4>mad at niggas, like you know what I mean, Like

0:46:41.440 --> 0:46:43.400
<v Speaker 4>when he was mad at Jimmy, was mad that he

0:46:43.440 --> 0:46:44.359
<v Speaker 4>was a different guy.

0:46:44.640 --> 0:46:45.759
<v Speaker 3>He really talked and ship.

0:46:46.080 --> 0:46:49.160
<v Speaker 4>So I said, maybe, like I said, the last thing

0:46:49.239 --> 0:46:51.239
<v Speaker 4>I really enjoyed was maybe four four four.

0:46:51.520 --> 0:46:52.720
<v Speaker 3>It was super dope.

0:46:52.880 --> 0:46:54.799
<v Speaker 4>He was like, Okay, cool, I need you to do

0:46:55.640 --> 0:46:58.560
<v Speaker 4>your thing, your wrap up stretching my beetle things, but

0:46:58.560 --> 0:46:59.640
<v Speaker 4>I need you to do it with all of the

0:46:59.719 --> 0:47:05.160
<v Speaker 4>Quinn Central jay Z lines. And I'm like, I said, okay,

0:47:05.200 --> 0:47:06.719
<v Speaker 4>that's that's gonna be fine. He said, IM about to

0:47:06.719 --> 0:47:08.840
<v Speaker 4>pisch the Beyond. I'm about to piss the idea to Beyonce.

0:47:09.280 --> 0:47:11.080
<v Speaker 4>So I'm like, okay, that'll be dope, he said, but

0:47:11.120 --> 0:47:14.239
<v Speaker 4>I need it in nine days. And I'm like, y'

0:47:14.280 --> 0:47:15.880
<v Speaker 4>I don't know if I could pull that off. So

0:47:15.920 --> 0:47:17.560
<v Speaker 4>he's like, well, you might not have to. She might

0:47:17.600 --> 0:47:20.440
<v Speaker 4>say no. So I'm I'm gonna hit you back, so

0:47:20.480 --> 0:47:23.000
<v Speaker 4>he hits me back. He's like, Beyonce says she'll do it,

0:47:23.520 --> 0:47:25.560
<v Speaker 4>but she don't want to do it byself. She wants

0:47:25.600 --> 0:47:29.000
<v Speaker 4>other artists to save Jay's lines. And I was like, oh,

0:47:29.080 --> 0:47:29.919
<v Speaker 4>that should be fire.

0:47:30.000 --> 0:47:30.600
<v Speaker 2>He was like, yeah.

0:47:30.600 --> 0:47:35.239
<v Speaker 4>So you're on the clock and I'm like, fun, so

0:47:35.360 --> 0:47:38.880
<v Speaker 4>I'm listening to I'm listening to Dots affects, hole fucking

0:47:39.520 --> 0:47:41.920
<v Speaker 4>can I get open? Stick your finger in the dyke

0:47:41.960 --> 0:47:44.160
<v Speaker 4>and all like all of these I start there and

0:47:44.200 --> 0:47:46.480
<v Speaker 4>I'm all the way up to four four four, so

0:47:46.560 --> 0:47:48.320
<v Speaker 4>all of the quintessential lines.

0:47:48.760 --> 0:47:49.960
<v Speaker 2>I will not lose.

0:47:50.560 --> 0:47:53.040
<v Speaker 3>It's about to go down like all of those lines.

0:47:55.320 --> 0:47:59.480
<v Speaker 4>So so he starts hitting me, and once I got

0:47:59.480 --> 0:48:02.959
<v Speaker 4>the piece together, now it's the double entendre of.

0:48:02.920 --> 0:48:04.560
<v Speaker 2>Who's gonna say the lines?

0:48:05.960 --> 0:48:09.919
<v Speaker 4>So Beyonce is gonna say, what's better than one billionaire?

0:48:10.160 --> 0:48:11.719
<v Speaker 2>Two? You know what I mean?

0:48:11.800 --> 0:48:16.160
<v Speaker 4>Like Dave Chappelle was gonna say, they say words are weapons,

0:48:16.200 --> 0:48:18.160
<v Speaker 4>so when you shoot meets you death in less than

0:48:18.200 --> 0:48:22.439
<v Speaker 4>eight seconds. So then the impart was David let Himan

0:48:22.560 --> 0:48:26.520
<v Speaker 4>says David. They tell David Letniman, you gonna say I

0:48:26.680 --> 0:48:31.480
<v Speaker 4>keep one eye open like CBS. And he's like that

0:48:31.480 --> 0:48:34.040
<v Speaker 4>that's y'all want me to say that. Why that's not

0:48:34.080 --> 0:48:36.279
<v Speaker 4>even a cool line. And they're like, no, no, no,

0:48:36.360 --> 0:48:39.759
<v Speaker 4>If you say I keep one eye open like CBS,

0:48:39.800 --> 0:48:42.080
<v Speaker 4>it's gonna be the coolest line of the whole ship.

0:48:43.040 --> 0:48:46.400
<v Speaker 4>So Jay Jay is at the Rock and Roll Hall

0:48:46.440 --> 0:48:47.040
<v Speaker 4>of Fame thing.

0:48:47.040 --> 0:48:49.600
<v Speaker 2>Let me ask you just j not this is going on? No, okay,

0:48:49.640 --> 0:48:50.680
<v Speaker 2>so this is no clue.

0:48:51.160 --> 0:48:53.680
<v Speaker 3>He has no clue. So Jay goes to the Rock

0:48:53.680 --> 0:48:54.479
<v Speaker 3>and Roll Hall of Fame.

0:48:54.520 --> 0:48:58.040
<v Speaker 4>They do the thing and he just he's sitting there

0:48:58.480 --> 0:49:01.400
<v Speaker 4>with Jay brann all him and this montage just comes

0:49:01.480 --> 0:49:05.080
<v Speaker 4>up and.

0:49:03.840 --> 0:49:05.040
<v Speaker 3>It starts with Beyonce.

0:49:05.560 --> 0:49:07.600
<v Speaker 4>So they got the camera hole and they got the

0:49:07.640 --> 0:49:09.200
<v Speaker 4>camera and thing, this is in the this is where

0:49:09.200 --> 0:49:11.960
<v Speaker 4>the Cavaliers players. Thirty thousand people in there. So you're

0:49:11.960 --> 0:49:13.360
<v Speaker 4>watching it live Cleveland.

0:49:13.680 --> 0:49:14.360
<v Speaker 2>So boom.

0:49:14.480 --> 0:49:16.920
<v Speaker 3>So they running through the lines and he got this

0:49:17.040 --> 0:49:18.120
<v Speaker 3>look on his face like.

0:49:19.719 --> 0:49:22.760
<v Speaker 4>Wow, and it's you know what I mean, it's Samuel Jackson,

0:49:22.800 --> 0:49:23.840
<v Speaker 4>it's Tyler Perry.

0:49:23.600 --> 0:49:25.200
<v Speaker 2>It's every it's black Hollywood.

0:49:25.400 --> 0:49:28.480
<v Speaker 4>And they all saying my words, my words inspired by

0:49:28.560 --> 0:49:30.280
<v Speaker 4>Jay Z right.

0:49:30.320 --> 0:49:34.160
<v Speaker 2>No, no, no, that one too, right. Yeah.

0:49:35.200 --> 0:49:38.200
<v Speaker 3>So they get to they get to the end.

0:49:38.920 --> 0:49:41.400
<v Speaker 4>They get to the end and Blue Ibby pops up

0:49:42.360 --> 0:49:46.880
<v Speaker 4>and she says, congratts s Carter ghost writer for the

0:49:47.000 --> 0:49:50.480
<v Speaker 4>right price, and you know, and it's like it's.

0:49:50.360 --> 0:49:51.200
<v Speaker 3>A curse word in that.

0:49:51.480 --> 0:49:52.640
<v Speaker 2>So Jay is looking like.

0:49:52.680 --> 0:49:57.920
<v Speaker 4>Yours my child on the Jobo truck and then she

0:49:58.400 --> 0:50:00.480
<v Speaker 4>says the line she says about we he made jo

0:50:00.560 --> 0:50:03.720
<v Speaker 4>hits tighter yo. So he stops and he like looks

0:50:03.719 --> 0:50:07.640
<v Speaker 4>like damn, they got me. So he does his speech

0:50:08.160 --> 0:50:10.040
<v Speaker 4>and I'm in the crib I'm in VA. I'm at

0:50:10.040 --> 0:50:12.799
<v Speaker 4>the crib. I don't see this happen live. I just

0:50:12.920 --> 0:50:15.279
<v Speaker 4>it's in a little splits of beasts or whatever. So

0:50:15.320 --> 0:50:19.240
<v Speaker 4>I wake up and it's like two in the morning

0:50:19.880 --> 0:50:21.680
<v Speaker 4>and I got a text from quest Love. He was like,

0:50:21.880 --> 0:50:23.640
<v Speaker 4>I said, how did it go? He said, Yo, he

0:50:23.760 --> 0:50:28.080
<v Speaker 4>loved it. It was crazy. Jay tweets, he tweeted, and

0:50:28.160 --> 0:50:30.640
<v Speaker 4>he don't really have a use tweeter like that. He tweeted, Yo,

0:50:30.640 --> 0:50:33.200
<v Speaker 4>whoever made that video package? I'm a cry in the car.

0:50:33.280 --> 0:50:38.440
<v Speaker 4>That was amazing. So I'm I'm like, damn, that's that's ill.

0:50:39.000 --> 0:50:40.759
<v Speaker 4>So then I get a text from quest Love and

0:50:40.800 --> 0:50:44.799
<v Speaker 4>he's like, yo, Jay about to hit you. So I'm like, yea,

0:50:44.800 --> 0:50:48.440
<v Speaker 4>all right whatever, Like that's just right. So I go

0:50:48.560 --> 0:50:50.400
<v Speaker 4>to sleep. It's two thirty in the morning. I go

0:50:50.520 --> 0:50:53.120
<v Speaker 4>to sleep. I wake up in the morning. I got

0:50:53.120 --> 0:50:55.880
<v Speaker 4>a text from Hole and I'm looking at it and

0:50:55.960 --> 0:50:56.560
<v Speaker 4>I'm just like.

0:50:58.040 --> 0:50:59.320
<v Speaker 2>Damn, what does it saying?

0:51:00.040 --> 0:51:04.080
<v Speaker 4>I can't really tell you that. I mean like, like, yo,

0:51:04.120 --> 0:51:08.239
<v Speaker 4>you did an amazing job. Like you did an amazing.

0:51:07.920 --> 0:51:12.520
<v Speaker 6>It's like I can't tell you look at it.

0:51:09.360 --> 0:51:13.120
<v Speaker 2>But I'm.

0:51:14.880 --> 0:51:17.719
<v Speaker 3>You know what I'm saying y'all. But it's the top joint.

0:51:17.760 --> 0:51:21.359
<v Speaker 4>But I'm waking up to text you hold and I'm like, yeah,

0:51:21.360 --> 0:51:24.799
<v Speaker 4>that's how And I'm like, Yo, this is crazy, man

0:51:24.920 --> 0:51:28.440
<v Speaker 4>like for Hole to say, Yo, what you did was brilliant,

0:51:28.440 --> 0:51:32.560
<v Speaker 4>man Like amazing, you know what I'm saying, Like to.

0:51:33.840 --> 0:51:34.600
<v Speaker 2>I'm fred.

0:51:37.960 --> 0:51:40.759
<v Speaker 4>I can even hear the laugh, right, you know, you

0:51:40.760 --> 0:51:42.759
<v Speaker 4>don't get from Hole every day.

0:51:43.280 --> 0:51:45.960
<v Speaker 1>By the way he writes bars and texts. He's still

0:51:45.960 --> 0:51:49.840
<v Speaker 1>writing bars.

0:51:48.280 --> 0:51:51.000
<v Speaker 4>So man, so you know, for me to have that moment,

0:51:51.640 --> 0:51:54.400
<v Speaker 4>and you know, rock and roll halls fame, that's forever.

0:51:54.960 --> 0:51:55.520
<v Speaker 2>You know what I'm saying.

0:51:55.600 --> 0:51:58.560
<v Speaker 4>Every year around his birthday they post that video, you

0:51:58.600 --> 0:51:59.960
<v Speaker 4>know what I'm saying, and I just be sitting back

0:52:00.200 --> 0:52:02.799
<v Speaker 4>like the proud father in the room, like yeah, I

0:52:02.840 --> 0:52:05.520
<v Speaker 4>did that. And it says a lot that you got

0:52:05.560 --> 0:52:07.200
<v Speaker 4>to call like a fucking superhero.

0:52:07.719 --> 0:52:10.200
<v Speaker 1>We need this right, like quest loved the King of

0:52:10.360 --> 0:52:14.600
<v Speaker 1>like ordination, because it's it's almost like, if you want

0:52:14.600 --> 0:52:16.120
<v Speaker 1>to if you want hip hop, if you.

0:52:16.080 --> 0:52:19.120
<v Speaker 4>Want to congratulate, to celebrate hip hop, and you wanted

0:52:19.200 --> 0:52:22.200
<v Speaker 4>to be done right, it's only a few people you're

0:52:22.200 --> 0:52:23.200
<v Speaker 4>gonna be able to call.

0:52:24.080 --> 0:52:27.200
<v Speaker 1>I think it's a little less than for you, right,

0:52:27.640 --> 0:52:29.560
<v Speaker 1>I mean, how did I think about it.

0:52:32.880 --> 0:52:37.480
<v Speaker 2>Especially with proper historical context? Ouse, who else you expect

0:52:37.560 --> 0:52:39.560
<v Speaker 2>enough that you think that could do this?

0:52:40.360 --> 0:52:44.879
<v Speaker 4>Mm hmm, black thought could Okay, I thought.

0:52:45.320 --> 0:52:47.400
<v Speaker 1>What I mean by that is like you're making it

0:52:47.440 --> 0:52:49.400
<v Speaker 1>makes sense and didn't have the crowd participate.

0:52:49.480 --> 0:52:52.520
<v Speaker 2>Like what you did at BT Awards was like.

0:52:52.680 --> 0:52:55.920
<v Speaker 1>So fucking I know, I'm bouncing around, but it was

0:52:55.960 --> 0:52:59.120
<v Speaker 1>so brilliant because you were showing love to the to

0:52:58.920 --> 0:53:01.239
<v Speaker 1>the to the to the old school, but you was

0:53:01.400 --> 0:53:03.440
<v Speaker 1>even showing the new school people that was dead that

0:53:03.520 --> 0:53:05.320
<v Speaker 1>they actually subconstoantly knew this.

0:53:06.320 --> 0:53:09.960
<v Speaker 2>Like I was watching this ship by the way there, Yeah,

0:53:10.000 --> 0:53:10.520
<v Speaker 2>we were there.

0:53:10.600 --> 0:53:15.399
<v Speaker 1>We were there, so so we were watching the old

0:53:15.400 --> 0:53:18.239
<v Speaker 1>school people feel appreciated, but we were watching the new

0:53:18.239 --> 0:53:19.040
<v Speaker 1>school people.

0:53:19.040 --> 0:53:20.279
<v Speaker 2>Feel a part of it.

0:53:20.920 --> 0:53:25.480
<v Speaker 1>I bridge the bridge in that gap like that, And

0:53:25.520 --> 0:53:28.520
<v Speaker 1>I was like wow, and you you was I say

0:53:28.520 --> 0:53:30.080
<v Speaker 1>this behind your backs, got to say it to your

0:53:30.120 --> 0:53:33.800
<v Speaker 1>front face. You were so brilliant of using the lines

0:53:34.040 --> 0:53:37.399
<v Speaker 1>that was like so so like like because you heard

0:53:37.400 --> 0:53:40.480
<v Speaker 1>this in your mom's house university, they knew the hip

0:53:41.640 --> 0:53:43.399
<v Speaker 1>even if they didn't know it, even if they never

0:53:43.440 --> 0:53:46.000
<v Speaker 1>heard that record live or heard that record. If you

0:53:46.040 --> 0:53:47.960
<v Speaker 1>say somebody that's grown up in hip hop, you have

0:53:48.080 --> 0:53:50.600
<v Speaker 1>to Yeah.

0:53:50.960 --> 0:53:55.399
<v Speaker 4>So that was that whole fifty fifty if year hip

0:53:55.400 --> 0:53:57.560
<v Speaker 4>hop wrap up. I didn't even want to do that

0:53:57.600 --> 0:54:01.480
<v Speaker 4>ship like when they called me. When when Jesse Collins

0:54:01.560 --> 0:54:02.040
<v Speaker 4>called me.

0:54:02.719 --> 0:54:04.480
<v Speaker 2>That's the guy that produces BT, he.

0:54:04.480 --> 0:54:07.719
<v Speaker 4>Produces all of the awards shows. He called me and

0:54:07.760 --> 0:54:10.320
<v Speaker 4>he was like yo. When he pitched it, He's like,

0:54:10.360 --> 0:54:11.799
<v Speaker 4>I got an idea I want to pitch to you.

0:54:12.080 --> 0:54:12.799
<v Speaker 3>I was like, what's up.

0:54:12.840 --> 0:54:15.440
<v Speaker 4>He was like, I was thinking about a fifty year

0:54:15.520 --> 0:54:18.520
<v Speaker 4>hip hop wrap up on the BET Awards and I

0:54:18.600 --> 0:54:20.759
<v Speaker 4>was thinking maybe you could write it. And I was like, yeah,

0:54:20.880 --> 0:54:22.880
<v Speaker 4>I could do that and he was like yeah, okay, cool.

0:54:23.239 --> 0:54:26.400
<v Speaker 4>So let me know who your people is and I

0:54:26.400 --> 0:54:27.360
<v Speaker 4>could make the connection.

0:54:27.440 --> 0:54:28.040
<v Speaker 3>Da da da da.

0:54:28.080 --> 0:54:30.640
<v Speaker 4>I was like, well, who who's in it? He was

0:54:30.680 --> 0:54:34.080
<v Speaker 4>like it's for the BET Awards. I said yeah, but like,

0:54:34.200 --> 0:54:37.640
<v Speaker 4>who's gonna who's in it? He was like, I was

0:54:37.680 --> 0:54:41.600
<v Speaker 4>thinking you was in. I was like, I'll do it

0:54:41.640 --> 0:54:42.960
<v Speaker 4>for you. I heard what you say. He was like yeah,

0:54:42.960 --> 0:54:44.760
<v Speaker 4>he said, but it can't be no longer than two minutes.

0:54:44.880 --> 0:54:47.840
<v Speaker 4>He said, I know. I know, asking for you to

0:54:47.920 --> 0:54:50.000
<v Speaker 4>wrap up fifty years hip Hop in two minutes. I

0:54:50.000 --> 0:54:51.719
<v Speaker 4>know you're gonna miss some shit. It's cool, but can

0:54:51.800 --> 0:54:53.640
<v Speaker 4>you do it in two minutes? I was like yeah,

0:54:53.840 --> 0:54:57.680
<v Speaker 4>I said, who, who's gonna say it? I'm still nice?

0:54:59.440 --> 0:55:00.319
<v Speaker 4>I was right.

0:55:00.360 --> 0:55:00.640
<v Speaker 2>Yeah.

0:55:00.760 --> 0:55:03.480
<v Speaker 3>He was like, so you could knock it down, send

0:55:03.560 --> 0:55:04.280
<v Speaker 3>me a draft.

0:55:04.520 --> 0:55:07.279
<v Speaker 4>I'm gonna get you with Adam Blackstone and then we're

0:55:07.320 --> 0:55:09.759
<v Speaker 4>gonna rehearse and then we're gonna shoot the awards on

0:55:09.800 --> 0:55:12.920
<v Speaker 4>the twenty fifth. So I go, who's gonna say it?

0:55:13.680 --> 0:55:17.680
<v Speaker 4>He was like you, I said, say what he said

0:55:17.680 --> 0:55:22.920
<v Speaker 4>the rapper I said on BT. He was like yeah,

0:55:23.000 --> 0:55:27.279
<v Speaker 4>I said live. He was like, yeah, we the was

0:55:27.360 --> 0:55:30.200
<v Speaker 4>is live and you remember it this minute it was

0:55:30.440 --> 0:55:33.279
<v Speaker 4>Remember it was a writer strike, so it wasn't no

0:55:33.400 --> 0:55:36.880
<v Speaker 4>writer right, but they but if they if they didn't

0:55:36.920 --> 0:55:38.920
<v Speaker 4>do the show, they would have missed the fiftieth year

0:55:39.040 --> 0:55:39.439
<v Speaker 4>hip Hop.

0:55:40.160 --> 0:55:42.640
<v Speaker 3>So he's like, I was thinking, you can do it.

0:55:42.680 --> 0:55:44.439
<v Speaker 3>I was like, oh yeah, yeah.

0:55:44.480 --> 0:55:47.480
<v Speaker 4>I said, well, yo, I had I had a gig

0:55:47.640 --> 0:55:51.200
<v Speaker 4>with out of town, but let me call him and

0:55:51.239 --> 0:55:53.399
<v Speaker 4>tell him I'm gonna have to cancel and I call

0:55:53.480 --> 0:55:55.600
<v Speaker 4>you back. Let me just let me cancel this gig.

0:55:55.640 --> 0:55:57.520
<v Speaker 4>He was like, all right, cool, hit me back this myself.

0:55:57.680 --> 0:55:59.440
<v Speaker 4>I hang the phone up. I look at my man said,

0:55:59.440 --> 0:56:02.880
<v Speaker 4>I'm not doing that shit. He was like, what do

0:56:02.920 --> 0:56:05.120
<v Speaker 4>you mean? I said, Bro, I'm not getting on BT

0:56:05.280 --> 0:56:07.080
<v Speaker 4>and doing no fifty year wrap up.

0:56:07.400 --> 0:56:09.359
<v Speaker 2>He said, who else they gonna get to do it?

0:56:09.400 --> 0:56:11.600
<v Speaker 1>Skill, I ain't gonna lot who's your man name? Let's

0:56:11.600 --> 0:56:17.120
<v Speaker 1>pick him up money DJ Money exactly if I was

0:56:17.160 --> 0:56:18.640
<v Speaker 1>in the car with you when you got that call,

0:56:18.719 --> 0:56:19.719
<v Speaker 1>that's exactly how I.

0:56:19.760 --> 0:56:22.800
<v Speaker 4>Show so much time the story goes. So he says,

0:56:23.560 --> 0:56:25.800
<v Speaker 4>I said, bro, I can't do that. He was like why,

0:56:26.480 --> 0:56:29.839
<v Speaker 4>I said, Bro, do you understand I've done the rap

0:56:29.920 --> 0:56:31.880
<v Speaker 4>up for twenty years. Do you know what it's gonna

0:56:31.880 --> 0:56:34.120
<v Speaker 4>look like if I get on TV and fuck up

0:56:34.160 --> 0:56:34.919
<v Speaker 4>the wrap up?

0:56:36.040 --> 0:56:38.120
<v Speaker 3>And he was like, you're not gonna fuck that shit up?

0:56:38.360 --> 0:56:39.920
<v Speaker 3>I said, Bro, I don't know.

0:56:40.239 --> 0:56:41.600
<v Speaker 2>I don't be boring like that.

0:56:41.719 --> 0:56:44.000
<v Speaker 4>I just right. I ain't even I gotta do a

0:56:44.040 --> 0:56:47.080
<v Speaker 4>red car. I'm not doing that shit. He's like, Nah,

0:56:47.080 --> 0:56:49.400
<v Speaker 4>you gotta do it, Son, you gotta do it. So

0:56:49.440 --> 0:56:53.200
<v Speaker 4>they talked me into it. I go to LA, I

0:56:53.239 --> 0:56:55.879
<v Speaker 4>wrote it. I wrote a small piece and I did

0:56:55.920 --> 0:56:59.000
<v Speaker 4>it over the instrumental for Maybag Music right, just as

0:56:59.000 --> 0:57:01.640
<v Speaker 4>a skeleton, like this is what I wanted to sound like.

0:57:01.680 --> 0:57:04.600
<v Speaker 4>I want the band to play some crazy strings. I

0:57:04.640 --> 0:57:07.719
<v Speaker 4>wanted to sound ill that we're gonna I get there.

0:57:08.800 --> 0:57:10.680
<v Speaker 4>They got the shoot on the on the Jumbo on

0:57:10.719 --> 0:57:13.440
<v Speaker 4>the tail, the teleprompt. I ain't never fucking looked at

0:57:13.440 --> 0:57:17.640
<v Speaker 4>a teleprompt. I'm rehearsing this ship. I'm reading the words

0:57:17.960 --> 0:57:20.480
<v Speaker 4>the lady on the teleprompt that got the ship all back.

0:57:20.560 --> 0:57:24.160
<v Speaker 4>But she got DJ cool flash after.

0:57:23.880 --> 0:57:24.800
<v Speaker 2>The hand bottle.

0:57:25.240 --> 0:57:33.960
<v Speaker 4>Like I'm spastic because I'm like, this ain't right, like so,

0:57:34.120 --> 0:57:36.200
<v Speaker 4>but you know, oh, you get two minutes to rehearse,

0:57:36.240 --> 0:57:38.760
<v Speaker 4>then we gotta go on to I'm like, y'all, bro,

0:57:38.800 --> 0:57:41.200
<v Speaker 4>I'm not doing this ship. I'm telling about whole I

0:57:41.480 --> 0:57:43.120
<v Speaker 4>got my whole squad, and I'm like, bro, I'm not

0:57:43.160 --> 0:57:45.120
<v Speaker 4>doing this shit. I'm not going on TV and fucking

0:57:45.160 --> 0:57:47.480
<v Speaker 4>up the round. I'm gonna be a mean bro. They

0:57:47.600 --> 0:57:49.840
<v Speaker 4>gonna I'm gonna be playing for the rest of my life.

0:57:49.880 --> 0:57:51.800
<v Speaker 4>They're like, nah, you got it, you got it. I

0:57:51.840 --> 0:57:53.760
<v Speaker 4>go back to rehearsal the next day. She got the

0:57:53.840 --> 0:57:58.520
<v Speaker 4>names right, but I still don't. I still don't like it.

0:57:58.560 --> 0:58:00.680
<v Speaker 4>I'm like, yo, so, how's the big play like? Your

0:58:00.800 --> 0:58:04.479
<v Speaker 4>skills ain't no band? I said, what you mean? Shout

0:58:04.520 --> 0:58:06.920
<v Speaker 4>added black song? He said, Yo, it's just tracks.

0:58:07.480 --> 0:58:09.280
<v Speaker 2>I said, well, Yo, what the fuck the nigga's over

0:58:09.320 --> 0:58:10.000
<v Speaker 2>there with God.

0:58:09.920 --> 0:58:12.360
<v Speaker 4>Last for He said, Oh, that's for Bust the tribute

0:58:12.400 --> 0:58:15.120
<v Speaker 4>they doing, I said, I said, but it's not real.

0:58:15.800 --> 0:58:18.080
<v Speaker 4>It's just the track. I said, Bro, you want me

0:58:18.160 --> 0:58:22.360
<v Speaker 4>to do it over Mayback music? He was like, nigga,

0:58:22.600 --> 0:58:29.480
<v Speaker 4>you got beef from Rick Rosses. I said, Bro, I

0:58:29.560 --> 0:58:31.760
<v Speaker 4>fuck y'all was gonna play something live? He said, skills,

0:58:31.800 --> 0:58:34.080
<v Speaker 4>It ain't no band, he said, trust me, just do

0:58:34.160 --> 0:58:36.520
<v Speaker 4>it over the track. I'm like, if I do it

0:58:36.520 --> 0:58:39.000
<v Speaker 4>over the track, then that means I gotta spit it.

0:58:39.000 --> 0:58:41.000
<v Speaker 4>It's got to be on tempo. If I fuck up

0:58:41.040 --> 0:58:43.120
<v Speaker 4>the beat, keep going with me. How far off from

0:58:43.120 --> 0:58:45.120
<v Speaker 4>the show two days out?

0:58:46.840 --> 0:58:50.960
<v Speaker 2>Bro, I'm walking around in my head.

0:58:50.880 --> 0:58:52.920
<v Speaker 4>Just what I was saying, these balls over and over

0:58:52.920 --> 0:58:55.720
<v Speaker 4>because I can't funk up on TV show day come.

0:58:56.720 --> 0:58:57.400
<v Speaker 3>You know how they do.

0:58:57.480 --> 0:58:59.760
<v Speaker 4>They keep They get you there at ten in the morning,

0:59:00.040 --> 0:59:03.360
<v Speaker 4>they keep you there all fucking day. Then the show comes,

0:59:03.400 --> 0:59:05.360
<v Speaker 4>they start whole skills, You're gonna take you to your

0:59:05.360 --> 0:59:07.360
<v Speaker 4>see I ain't even a no award showing years. I

0:59:07.400 --> 0:59:10.040
<v Speaker 4>see I see you on the red car. I'm like, yo,

0:59:10.600 --> 0:59:15.120
<v Speaker 4>this is it's lit. I get there. I'm watching everybody

0:59:15.120 --> 0:59:17.920
<v Speaker 4>else'll farm, d nice and see light. They're doing all

0:59:17.960 --> 0:59:20.720
<v Speaker 4>the little tributes on the stage, kicking priest, everybody killing it.

0:59:20.760 --> 0:59:22.040
<v Speaker 2>But they doing songs.

0:59:22.800 --> 0:59:26.560
<v Speaker 4>I basically got two minutes acapella at the BT war.

0:59:28.600 --> 0:59:28.840
<v Speaker 2>Right.

0:59:30.960 --> 0:59:33.760
<v Speaker 4>I go back to the trailer. I got the track on.

0:59:33.920 --> 0:59:36.520
<v Speaker 4>I'm walking around. I'm trying to remember the ship. Blah

0:59:36.520 --> 0:59:40.280
<v Speaker 4>blahh holy this bitch on the teleprompter, don't fuck it up.

0:59:43.120 --> 0:59:46.240
<v Speaker 2>Skills are ready for you, mad, skills are ready. I'm like,

0:59:46.440 --> 0:59:47.760
<v Speaker 2>fuck all right.

0:59:47.800 --> 0:59:49.400
<v Speaker 3>I throw my fitt on, my drippings on.

0:59:49.520 --> 0:59:50.320
<v Speaker 2>I go out there.

0:59:50.720 --> 0:59:54.320
<v Speaker 4>I walk over and Patty Lavelle standing next to me,

0:59:54.640 --> 0:59:57.040
<v Speaker 4>which was last time I said she was shooting the

0:59:57.120 --> 1:00:04.040
<v Speaker 4>day you got. I'm watching Patti LaBelle. Patty LeBell goes

1:00:04.080 --> 1:00:07.520
<v Speaker 4>before me. I believe she did a Tina Turner tribute.

1:00:07.880 --> 1:00:11.160
<v Speaker 4>Patti LaBelle goes on stage, starts singing Tina Turner and

1:00:11.200 --> 1:00:12.240
<v Speaker 4>forgets the words.

1:00:14.120 --> 1:00:17.960
<v Speaker 2>I look at Twitter they dragging Patty LaBelle. I'm like,

1:00:18.000 --> 1:00:19.160
<v Speaker 2>but you think they're gonna.

1:00:22.760 --> 1:00:25.920
<v Speaker 4>Because when we at home and we watch a tribute,

1:00:25.960 --> 1:00:27.800
<v Speaker 4>the first thing you think is when somebody fuck up,

1:00:27.840 --> 1:00:30.120
<v Speaker 4>they we'll be like this, this is a call so

1:00:30.160 --> 1:00:31.800
<v Speaker 4>and so to do that, he would have nailed there,

1:00:32.440 --> 1:00:34.440
<v Speaker 4>and like, Yo, how Patty up there sucking up the

1:00:34.440 --> 1:00:35.720
<v Speaker 4>words to get Patty out of here?

1:00:35.720 --> 1:00:36.800
<v Speaker 3>They should have called letisy.

1:00:36.840 --> 1:00:37.280
<v Speaker 2>They should have.

1:00:37.560 --> 1:00:43.480
<v Speaker 4>And I'm sitting there like, yo, skills, you up. They

1:00:43.520 --> 1:00:45.680
<v Speaker 4>put me on the fucking joint. I'm sitting in the

1:00:45.680 --> 1:00:48.320
<v Speaker 4>middle of the stage and you know how the awards are.

1:00:48.840 --> 1:00:51.760
<v Speaker 4>We need everybody to their seats in one minute, motherfucker. Still, Yo,

1:00:51.880 --> 1:00:53.040
<v Speaker 4>I'm gonna call you fan.

1:00:53.000 --> 1:00:58.439
<v Speaker 2>Noise, don't around, don't don't hit my arm.

1:00:58.440 --> 1:01:02.120
<v Speaker 4>Brother all this ship we're live in thirty minutes. I'm

1:01:02.160 --> 1:01:04.920
<v Speaker 4>sitting there like saying the words back and forth, back

1:01:04.960 --> 1:01:08.960
<v Speaker 4>and forth. All right, and we're on in China. They

1:01:09.000 --> 1:01:12.600
<v Speaker 4>do the countdown. You hear MC light, go ladies and gentlemen,

1:01:12.720 --> 1:01:15.160
<v Speaker 4>introducing mad Skills.

1:01:15.440 --> 1:01:16.200
<v Speaker 2>I walk out.

1:01:17.120 --> 1:01:20.840
<v Speaker 4>The fucking music starts playing and I look right in

1:01:20.840 --> 1:01:21.280
<v Speaker 4>front of.

1:01:21.240 --> 1:01:25.440
<v Speaker 2>Me and it's Buster Rhyme sitting right there with his family.

1:01:25.560 --> 1:01:28.360
<v Speaker 1>And Bust they got the lifetime.

1:01:28.880 --> 1:01:31.840
<v Speaker 4>So Buster is sitting there with his whole family. You

1:01:32.640 --> 1:01:41.600
<v Speaker 4>can't the dudeon Dragon. I say the first line of

1:01:41.640 --> 1:01:44.280
<v Speaker 4>the song a y'all was born in seventy three, not

1:01:44.400 --> 1:01:46.480
<v Speaker 4>even she would realize what she would grow up to be.

1:01:46.840 --> 1:01:59.000
<v Speaker 4>Buster goes facts, you know, and I just look at

1:01:59.040 --> 1:02:01.800
<v Speaker 4>Buster and I just started saying the rest. It was

1:02:01.840 --> 1:02:04.920
<v Speaker 4>almost like when we were in a cipher you spend

1:02:05.200 --> 1:02:08.320
<v Speaker 4>with me, I said the whole shout out to Bust

1:02:08.320 --> 1:02:10.720
<v Speaker 4>the rhymes. He probably don't even know how much he

1:02:10.840 --> 1:02:14.120
<v Speaker 4>helped me that day because I.

1:02:14.680 --> 1:02:15.960
<v Speaker 2>Ain't even looking at it. Tell Aprodum.

1:02:16.400 --> 1:02:19.160
<v Speaker 4>I just I had somebody that was hip hop, h

1:02:19.280 --> 1:02:22.760
<v Speaker 4>my lifeline, and I said it and I spitted the

1:02:22.800 --> 1:02:25.080
<v Speaker 4>bus And when I got to the last line, you

1:02:25.120 --> 1:02:27.080
<v Speaker 4>never thought that hip hop and bus was like take

1:02:27.120 --> 1:02:37.160
<v Speaker 4>it this farm shot bus man.

1:02:37.240 --> 1:02:40.080
<v Speaker 1>Because you know, I want to I'm gonna say skills

1:02:40.080 --> 1:02:43.720
<v Speaker 1>you know, were a big of BT real quick because

1:02:43.720 --> 1:02:45.680
<v Speaker 1>for the past couple of years, like them me even

1:02:45.720 --> 1:02:48.080
<v Speaker 1>having you like to know that you you to curate

1:02:48.160 --> 1:02:52.000
<v Speaker 1>that section and the Awards show, like their ward show,

1:02:52.000 --> 1:02:55.000
<v Speaker 1>I've been going I'm not a war show guy, because

1:02:55.880 --> 1:02:57.240
<v Speaker 1>I got a d D. You know what I mean,

1:02:57.280 --> 1:02:59.600
<v Speaker 1>Like I move around too much, you know, from the

1:02:59.600 --> 1:03:02.840
<v Speaker 1>resource room, special education, which up, y'all, you know what

1:03:02.880 --> 1:03:06.320
<v Speaker 1>I mean. So you know I haven't I haven't been good,

1:03:06.360 --> 1:03:09.960
<v Speaker 1>but I've been going these last years, and not only

1:03:10.480 --> 1:03:12.959
<v Speaker 1>have they made me feel welcome, they got the getting

1:03:12.960 --> 1:03:18.640
<v Speaker 1>it would say, I would say they ninety eight. Of

1:03:18.640 --> 1:03:20.640
<v Speaker 1>course on the award show is always gonna be hiccups.

1:03:20.680 --> 1:03:23.560
<v Speaker 1>It's it's gonna be an artist that wants yellow peanuts,

1:03:23.680 --> 1:03:24.520
<v Speaker 1>you know what I'm saying, and.

1:03:26.840 --> 1:03:29.920
<v Speaker 2>Purple grenades. You know what I'm saying, Little peanuts and

1:03:29.960 --> 1:03:32.040
<v Speaker 2>purple grenades. Yeah, you know how that ship is. So

1:03:32.160 --> 1:03:32.680
<v Speaker 2>you know what I mean.

1:03:32.720 --> 1:03:35.360
<v Speaker 1>But they've been doing it and I wanted to big

1:03:35.440 --> 1:03:37.920
<v Speaker 1>up you know, the whole bet staff man being professional

1:03:38.240 --> 1:03:42.200
<v Speaker 1>and in that whole statu Yeah Jesse, Yeah, yeah, Jesse's doing.

1:03:42.000 --> 1:03:44.800
<v Speaker 2>His thing and moving on.

1:03:44.880 --> 1:03:46.600
<v Speaker 1>But you just picked him up. But I want a

1:03:46.600 --> 1:03:48.480
<v Speaker 1>big mom because I spoke to him this morning. It's

1:03:48.520 --> 1:03:57.960
<v Speaker 1>crazy because for years since recently, back then on Violator,

1:03:58.040 --> 1:04:00.520
<v Speaker 1>we would both be late night guys like him, stay

1:04:00.520 --> 1:04:03.120
<v Speaker 1>at the studio late, you know. Now I'm on early

1:04:03.200 --> 1:04:05.840
<v Speaker 1>in the morning person like I'm up and me a

1:04:05.920 --> 1:04:09.560
<v Speaker 1>bus I only speak the bus from five to seven

1:04:09.640 --> 1:04:13.920
<v Speaker 1>in the morning, right and he's going in I'm waking up.

1:04:14.720 --> 1:04:16.680
<v Speaker 1>So we've been missing each other. So the other day

1:04:16.720 --> 1:04:19.160
<v Speaker 1>I just called them and I was just like, yo, man,

1:04:20.360 --> 1:04:21.960
<v Speaker 1>and I was like, don't change the subject.

1:04:22.680 --> 1:04:23.960
<v Speaker 2>And he was like, what do you mean. I was like,

1:04:23.960 --> 1:04:24.640
<v Speaker 2>don't change this stuff.

1:04:24.800 --> 1:04:26.840
<v Speaker 1>I know how you you reflect, you turn it back

1:04:26.840 --> 1:04:29.160
<v Speaker 1>on me and I don't want the props right now.

1:04:29.360 --> 1:04:31.000
<v Speaker 2>I want to just talk to you. And he was like,

1:04:31.040 --> 1:04:31.400
<v Speaker 2>what's up.

1:04:31.440 --> 1:04:33.640
<v Speaker 1>I was like, yo, I don't think there's no other

1:04:33.800 --> 1:04:36.160
<v Speaker 1>artists doing it at the level that you're doing it

1:04:36.560 --> 1:04:41.080
<v Speaker 1>for this long. He's selling our shows every fucking night.

1:04:41.160 --> 1:04:43.120
<v Speaker 1>And I say, in your outfice looks like he's twenty

1:04:43.280 --> 1:04:48.120
<v Speaker 1>fifty nine, Like he's not. He's in a few he passed,

1:04:48.560 --> 1:04:51.840
<v Speaker 1>he passed me. He's on some different shit Like I'm

1:04:51.920 --> 1:04:54.240
<v Speaker 1>I'm looking at it. I'm like, yo, I'm just proud

1:04:54.280 --> 1:04:55.720
<v Speaker 1>of him and it's my friend.

1:04:55.840 --> 1:04:57.280
<v Speaker 2>Yeah, no, you gotta love it. Man.

1:04:57.400 --> 1:04:58.760
<v Speaker 3>To watch where he come from.

1:04:59.320 --> 1:05:02.000
<v Speaker 4>In the trophy stipulations that bust and been through, he

1:05:02.040 --> 1:05:04.720
<v Speaker 4>still got the same squad, still scratch it to a

1:05:04.800 --> 1:05:06.520
<v Speaker 4>still split you know what I'm saying.

1:05:06.560 --> 1:05:10.480
<v Speaker 3>They still mash it energy, not even more.

1:05:10.560 --> 1:05:14.080
<v Speaker 4>One of the best performers and lyricists artists in this.

1:05:14.160 --> 1:05:16.840
<v Speaker 3>Game, man like I love where he coming.

1:05:17.040 --> 1:05:21.120
<v Speaker 4>It's it's it's inspirational to watch artists from from our

1:05:21.320 --> 1:05:24.480
<v Speaker 4>from our era still flourishing. You know what I'm saying,

1:05:24.560 --> 1:05:27.040
<v Speaker 4>Like I get, I get a lot of flak for

1:05:27.600 --> 1:05:31.440
<v Speaker 4>for saying this, but I still believe it.

1:05:31.560 --> 1:05:33.400
<v Speaker 2>You know what I'm saying Like I always said.

1:05:33.160 --> 1:05:36.080
<v Speaker 4>It, and it's probably more relevant now today than it

1:05:36.160 --> 1:05:38.120
<v Speaker 4>is when I was saying it. I've been saying this

1:05:38.200 --> 1:05:45.400
<v Speaker 4>five ten years. There is no rapper bigger, more famous,

1:05:46.240 --> 1:05:49.480
<v Speaker 4>got the best hip hop catalog, can wake up in

1:05:49.480 --> 1:05:52.720
<v Speaker 4>the morning and do everything that he want to do,

1:05:53.360 --> 1:05:56.240
<v Speaker 4>and go to bed at night and do everything he

1:05:56.280 --> 1:05:59.000
<v Speaker 4>did that day and never changed who he was and is.

1:05:58.920 --> 1:06:02.160
<v Speaker 2>As a person. And that's Snoop Doggie dog hands down.

1:06:02.240 --> 1:06:06.240
<v Speaker 4>There is no rapper yo, bigger, more famous than got

1:06:06.240 --> 1:06:07.760
<v Speaker 4>a better catabu than Snoop.

1:06:07.960 --> 1:06:09.880
<v Speaker 1>Let me just say something, because I swear to God,

1:06:09.880 --> 1:06:21.040
<v Speaker 1>I wanted to say this other than basketball volleyball. No,

1:06:21.080 --> 1:06:24.160
<v Speaker 1>I don't think I've watched the handball, break dances, break

1:06:24.240 --> 1:06:24.800
<v Speaker 1>fucked me up.

1:06:25.000 --> 1:06:27.520
<v Speaker 2>No, no, no, don't just don't take the one chick for.

1:06:29.520 --> 1:06:35.360
<v Speaker 6>Don't break dances, break break your legs back two of

1:06:35.400 --> 1:06:36.080
<v Speaker 6>them from Florida.

1:06:36.120 --> 1:06:38.000
<v Speaker 2>So let me just tell you something.

1:06:39.160 --> 1:06:41.479
<v Speaker 1>I've never wanted to watch the Olympics in my life

1:06:41.600 --> 1:06:43.680
<v Speaker 1>ever because of Sue Snoop.

1:06:44.440 --> 1:06:46.960
<v Speaker 2>He was still being Snoop. He cripped walk with the

1:06:46.960 --> 1:06:49.720
<v Speaker 2>motherfucker DRNK. That was hard. That was hard.

1:06:49.800 --> 1:06:52.520
<v Speaker 1>I was like, I almost didn't I almost didn't want

1:06:52.600 --> 1:06:55.160
<v Speaker 1>him to grip walk. But by the way, it was

1:06:55.160 --> 1:06:57.520
<v Speaker 1>a white person crip walll yo. I don't know if

1:06:57.520 --> 1:06:59.919
<v Speaker 1>you know what to say. He did it, but he

1:07:00.040 --> 1:07:05.960
<v Speaker 1>represented hip hop so good, like he didn't have to burn,

1:07:06.480 --> 1:07:08.560
<v Speaker 1>he didn't have to drink like you knew he was

1:07:08.640 --> 1:07:11.960
<v Speaker 1>really his eyes were still on Snoop's eyes.

1:07:12.560 --> 1:07:13.880
<v Speaker 2>But you know what I mean.

1:07:14.080 --> 1:07:20.000
<v Speaker 1>He represented America, but in the circle of America that's us.

1:07:20.840 --> 1:07:24.560
<v Speaker 6>He did such a great job, every incredible jocket.

1:07:26.000 --> 1:07:28.520
<v Speaker 2>When he watched the hurdles and the people with hurdles

1:07:28.960 --> 1:07:30.960
<v Speaker 2>and they just like like, I'm like, oh, I was

1:07:31.560 --> 1:07:31.840
<v Speaker 2>yo o.

1:07:32.000 --> 1:07:36.800
<v Speaker 4>Other rapper yes yea from five years old to eighty

1:07:36.880 --> 1:07:40.800
<v Speaker 4>five years old. That person doosed everybody for that age

1:07:40.840 --> 1:07:43.440
<v Speaker 4>and still in between knows exactly who he is. Yes,

1:07:43.760 --> 1:07:47.000
<v Speaker 4>you don't see him and go yo, Man, dude, look

1:07:47.160 --> 1:07:49.960
<v Speaker 4>like Snoop dog You see him and go yo, that's

1:07:50.040 --> 1:07:55.360
<v Speaker 4>Snoop Dog Like from a from a murder Case to

1:07:55.520 --> 1:08:00.080
<v Speaker 4>the Olympics to America's.

1:08:00.280 --> 1:08:02.640
<v Speaker 1>Is that the name album? From a murder Case to

1:08:02.680 --> 1:08:06.040
<v Speaker 1>the Olympics? Bro, that's all. I don't know of no

1:08:06.280 --> 1:08:09.840
<v Speaker 1>rapper in the world that could do that.

1:08:10.520 --> 1:08:14.480
<v Speaker 4>And in his catalog and people always say, oh skills,

1:08:14.560 --> 1:08:17.719
<v Speaker 4>now you that that that that that no Limited album

1:08:17.840 --> 1:08:20.960
<v Speaker 4>was trash skills. Snoop don't got the best catalog and

1:08:21.040 --> 1:08:24.240
<v Speaker 4>hip hop. I'm like, bro, when I say catalog, I

1:08:24.400 --> 1:08:28.120
<v Speaker 4>say songs that people know you for a song that

1:08:28.200 --> 1:08:30.960
<v Speaker 4>you are on and you're performing in your show.

1:08:31.280 --> 1:08:32.880
<v Speaker 3>That's a part of your catalog.

1:08:33.400 --> 1:08:37.920
<v Speaker 4>Snoop got so many records that you forget that he's

1:08:38.000 --> 1:08:42.719
<v Speaker 4>on that transcend him sid hip hop. I saw Snoop

1:08:42.760 --> 1:08:48.000
<v Speaker 4>Dogg in Amsterdam. This might have been twenty ten, twenty eleven.

1:08:48.560 --> 1:08:50.880
<v Speaker 4>He came out on stage. Willie Nelson had a show

1:08:50.960 --> 1:08:54.200
<v Speaker 4>the next day. Snoop got a show this night. I

1:08:54.280 --> 1:08:57.639
<v Speaker 4>come to watch Snoop Snoop come on stage at eleven o'clock.

1:08:58.200 --> 1:09:02.920
<v Speaker 4>This motherfucker performed forty five minutes. The first forty five

1:09:02.960 --> 1:09:06.920
<v Speaker 4>minutes was just guest appearances, and they was all hits.

1:09:07.800 --> 1:09:09.600
<v Speaker 3>I'm talking P I M P.

1:09:10.800 --> 1:09:13.400
<v Speaker 4>You forget he on that he was gonna fuck them

1:09:13.479 --> 1:09:15.120
<v Speaker 4>up and niggas because he was doing that.

1:09:17.320 --> 1:09:18.120
<v Speaker 2>By the time this.

1:09:18.040 --> 1:09:22.160
<v Speaker 4>Mother wugan did forty five minutes of guest appearances. By

1:09:22.200 --> 1:09:26.240
<v Speaker 4>the time Midnight hit the first Snoop Dogg song he did,

1:09:26.320 --> 1:09:28.680
<v Speaker 4>he was like, dude, superfly, I said, matn Snooper, you

1:09:28.680 --> 1:09:29.639
<v Speaker 4>ain't even did none of.

1:09:29.600 --> 1:09:33.400
<v Speaker 3>Your shit, hummy, and all your years dud do juice.

1:09:33.439 --> 1:09:37.960
<v Speaker 4>I was like, I didn't realize he had that many songs,

1:09:38.680 --> 1:09:43.280
<v Speaker 4>like Snoop has so many And here's another clincher, all

1:09:43.320 --> 1:09:46.320
<v Speaker 4>of the hits they all got his name in them.

1:09:46.880 --> 1:09:49.240
<v Speaker 4>So you on stage, are you going You don't even

1:09:49.280 --> 1:09:58.679
<v Speaker 4>realize that you're going Snoop or Snoop dom Snoop, Like, bro,

1:09:58.800 --> 1:10:02.000
<v Speaker 4>he got so many records that you forget he owned Snoop.

1:10:02.080 --> 1:10:03.240
<v Speaker 2>Let be like, oh, he'll.

1:10:03.040 --> 1:10:04.559
<v Speaker 3>Had no hiss. He he had no recess.

1:10:04.560 --> 1:10:07.719
<v Speaker 2>I'm like yo. His last hit was twenty eighteen.

1:10:07.800 --> 1:10:11.800
<v Speaker 4>He was on fucking I'm living my best life.

1:10:11.960 --> 1:10:14.639
<v Speaker 2>I ain't gonna how many records he own.

1:10:15.040 --> 1:10:15.760
<v Speaker 1>I forgot that.

1:10:16.080 --> 1:10:21.439
<v Speaker 4>Nobody got more nobody ll I love you whole second

1:10:21.600 --> 1:10:25.519
<v Speaker 4>second close. But Snoop got the best hip hop kalog ever.

1:10:25.560 --> 1:10:28.519
<v Speaker 4>Because you don't think that he's on these records. The

1:10:28.600 --> 1:10:31.040
<v Speaker 4>last thing that you think about when you hit one, two,

1:10:31.320 --> 1:10:32.439
<v Speaker 4>three into the folk.

1:10:32.360 --> 1:10:34.760
<v Speaker 3>You don't even know, you don't even don't register you.

1:10:34.840 --> 1:10:36.000
<v Speaker 2>That's not even his song.

1:10:36.360 --> 1:10:41.640
<v Speaker 4>That's Doctor Dre's song. When Snoop come on saves and go,

1:10:43.200 --> 1:10:48.720
<v Speaker 4>that's not even his song. He got so many, bro,

1:10:48.920 --> 1:10:51.400
<v Speaker 4>he got too many records. Man, Like, that's the one

1:10:51.400 --> 1:10:53.160
<v Speaker 4>person I ain't met yet that I want to meet

1:10:53.200 --> 1:10:57.520
<v Speaker 4>because I'm like, never met Snoop in my life.

1:10:57.240 --> 1:11:00.360
<v Speaker 6>Two times alumni and I take you Snoop, I tell

1:11:00.400 --> 1:11:02.479
<v Speaker 6>I tell Fuzzy told me he hit me.

1:11:02.520 --> 1:11:03.360
<v Speaker 2>I got the text to prove.

1:11:03.400 --> 1:11:04.519
<v Speaker 1>He was like, Yo, I'm gonna come and see you

1:11:04.560 --> 1:11:06.200
<v Speaker 1>at the Olympics. But I didn't know what the fuck

1:11:06.200 --> 1:11:07.400
<v Speaker 1>he was talking about back then.

1:11:08.000 --> 1:11:08.559
<v Speaker 2>We know now.

1:11:08.640 --> 1:11:10.720
<v Speaker 1>I thought he was hot, and then I'm like, oh,

1:11:10.800 --> 1:11:13.040
<v Speaker 1>this nigga is hosting the fucking Olympics.

1:11:13.080 --> 1:11:14.200
<v Speaker 2>One of the.

1:11:13.840 --> 1:11:17.639
<v Speaker 4>American listen and he never changes who he is. That's

1:11:17.680 --> 1:11:20.760
<v Speaker 4>the best part. He doesn't compromise himself. Doesn't compromise. You

1:11:20.800 --> 1:11:23.679
<v Speaker 4>know what you get when you book Snoop? Love that dude?

1:11:24.080 --> 1:11:29.880
<v Speaker 2>Who's your favorite rapper? Rock him? I can see that.

1:11:30.280 --> 1:11:32.400
<v Speaker 4>My whole DNA is rock Him and Kane.

1:11:32.840 --> 1:11:36.400
<v Speaker 2>Your top five in no particular order, no particular order.

1:11:36.560 --> 1:11:37.600
<v Speaker 3>Five is black.

1:11:37.360 --> 1:11:47.160
<v Speaker 4>Thought, Okay, number ice Cube, you don't like Ice. Number

1:11:47.160 --> 1:11:50.120
<v Speaker 4>three is whole, just not as much as you. Number

1:11:50.120 --> 1:11:54.320
<v Speaker 4>two is Kane. Number one is rock Him. Because I'm

1:11:54.320 --> 1:11:56.280
<v Speaker 4>the type of person I can't put people in front

1:11:56.280 --> 1:12:00.639
<v Speaker 4>of the person that they influenced, hole in front of Cain.

1:12:01.240 --> 1:12:03.639
<v Speaker 2>But you can't. But you didn't put Snoop in there.

1:12:04.080 --> 1:12:11.760
<v Speaker 4>Nah, Snoop famous, I said famous in catalog, no disrespect.

1:12:11.800 --> 1:12:14.080
<v Speaker 4>I've never I ain't heard Snoop say a line in

1:12:14.160 --> 1:12:15.639
<v Speaker 4>a few years and I'll be like, oh.

1:12:15.479 --> 1:12:16.479
<v Speaker 2>That's a hard ball.

1:12:17.160 --> 1:12:19.960
<v Speaker 4>It's just it's just Snoopy doing what he do, you

1:12:20.000 --> 1:12:22.160
<v Speaker 4>know what I mean? And when he when he stopped

1:12:22.160 --> 1:12:24.160
<v Speaker 4>focusing on trying to be the best m C and

1:12:24.160 --> 1:12:27.960
<v Speaker 4>started focusing on making songs that people remember and being memorable,

1:12:28.040 --> 1:12:30.920
<v Speaker 4>Drake taught him that he went into a different space

1:12:31.000 --> 1:12:34.360
<v Speaker 4>but rock Him and Kane are my whole d n A.

1:12:34.800 --> 1:12:37.320
<v Speaker 2>You realize rock Him didn't curse, Yes.

1:12:37.760 --> 1:12:38.680
<v Speaker 3>He did, he did one.

1:12:38.840 --> 1:12:44.360
<v Speaker 6>Somebody said, Mahogan mahogany, right, yeah, someone said, y'all, y'all

1:12:44.439 --> 1:12:46.640
<v Speaker 6>lie into the people is.

1:12:46.600 --> 1:12:48.400
<v Speaker 4>Such a dope record. I don't remember that the r

1:12:48.680 --> 1:12:51.160
<v Speaker 4>missed the show. That's the only time I ever heard.

1:12:51.120 --> 1:12:53.679
<v Speaker 2>Him curse your manicure on point.

1:12:55.800 --> 1:13:01.800
<v Speaker 4>That's never just shut like I feel like every it's

1:13:01.840 --> 1:13:02.439
<v Speaker 4>like a haircut.

1:13:03.080 --> 1:13:05.120
<v Speaker 3>He got two hands. I got to take my hands.

1:13:05.840 --> 1:13:10.479
<v Speaker 2>Yeah, I mean he's been shot. QUI quick time?

1:13:11.840 --> 1:13:14.640
<v Speaker 4>You got it? Well, listen, what's going on with these shots?

1:13:14.360 --> 1:13:15.160
<v Speaker 4>Who's doing?

1:13:15.200 --> 1:13:16.400
<v Speaker 2>What? Sonny?

1:13:16.439 --> 1:13:17.120
<v Speaker 1>Gonna drink from me?

1:13:17.560 --> 1:13:19.640
<v Speaker 2>You got a ring? All right, Sonny? Come in? You

1:13:19.640 --> 1:13:24.719
<v Speaker 2>want to drive? You? Yeah? He driving?

1:13:24.920 --> 1:13:27.000
<v Speaker 4>Okay, You're gonna have to take some shots. You can

1:13:27.040 --> 1:13:27.760
<v Speaker 4>make a small shot.

1:13:28.080 --> 1:13:29.960
<v Speaker 3>We can say water shot, not water shot.

1:13:30.040 --> 1:13:31.240
<v Speaker 2>Say small shots.

1:13:32.479 --> 1:13:35.679
<v Speaker 3>Unless you want Sonny to drink for you. Who's sunny

1:13:35.640 --> 1:13:36.040
<v Speaker 3>can drink?

1:13:36.080 --> 1:13:37.800
<v Speaker 2>Money means you right here drink?

1:13:37.840 --> 1:13:38.559
<v Speaker 3>Come on, Sonny.

1:13:38.680 --> 1:13:41.280
<v Speaker 4>I'm doing the first one of them too, But I

1:13:41.320 --> 1:13:43.240
<v Speaker 4>have one shot with me at least. Of course I've

1:13:43.280 --> 1:13:45.519
<v Speaker 4>been drinking. Of course, I don't know this was sober

1:13:45.560 --> 1:13:46.040
<v Speaker 4>Champs today.

1:13:46.200 --> 1:13:46.639
<v Speaker 1>Have a shot.

1:13:47.000 --> 1:13:54.160
<v Speaker 2>But I guess you felt what you're looking to see

1:13:54.200 --> 1:13:56.760
<v Speaker 2>what you missed? No, no, no, this quick time is live,

1:13:56.800 --> 1:14:00.200
<v Speaker 2>this is this is all we played this last you

1:14:00.240 --> 1:14:00.839
<v Speaker 2>know the rules.

1:14:01.320 --> 1:14:01.840
<v Speaker 3>I don't think we.

1:14:03.360 --> 1:14:03.559
<v Speaker 2>Didn't.

1:14:04.640 --> 1:14:07.160
<v Speaker 4>I didn't get this and I didn't.

1:14:09.360 --> 1:14:11.920
<v Speaker 2>So then you orders have some drinks here because you

1:14:12.000 --> 1:14:13.120
<v Speaker 2>might not drink. It's up to you.

1:14:13.439 --> 1:14:15.559
<v Speaker 6>Come on, Okay, So we're gonna give you two choices.

1:14:16.120 --> 1:14:19.240
<v Speaker 6>If you pick one, you don't drink. Nobody drinks. If

1:14:19.280 --> 1:14:21.439
<v Speaker 6>I pick one, nobody drinks. Nobody drinks.

1:14:22.120 --> 1:14:22.599
<v Speaker 2>Okay.

1:14:22.920 --> 1:14:27.880
<v Speaker 4>If you say both or neither the PC answer, we

1:14:27.920 --> 1:14:30.679
<v Speaker 4>all drink. So if I say that, if I say

1:14:30.680 --> 1:14:32.320
<v Speaker 4>the PC answer, we all got to drink.

1:14:32.439 --> 1:14:34.160
<v Speaker 2>We all do that now we've.

1:14:33.920 --> 1:14:37.640
<v Speaker 4>Been doing it, started this ship after I'll do like

1:14:37.840 --> 1:14:40.240
<v Speaker 4>the flowers and this number when I was here and.

1:14:40.160 --> 1:14:43.000
<v Speaker 3>I did give me, give me five rappers that have

1:14:43.080 --> 1:14:43.760
<v Speaker 3>never been your.

1:14:43.680 --> 1:14:47.760
<v Speaker 2>Top five, y'all niggas, they got me a quick time?

1:14:51.320 --> 1:14:53.439
<v Speaker 2>You ready this one? Wait?

1:14:53.479 --> 1:14:53.800
<v Speaker 4>One more?

1:14:53.800 --> 1:14:54.320
<v Speaker 2>One more thing?

1:14:54.520 --> 1:14:57.400
<v Speaker 4>Anybody that we mentioned this is all positive story, any

1:14:57.560 --> 1:14:58.880
<v Speaker 4>story with them, just let's bring it up.

1:14:58.960 --> 1:15:01.840
<v Speaker 2>Let's talk about it. I bet I see where y'all

1:15:01.880 --> 1:15:02.920
<v Speaker 2>going with this.

1:15:03.240 --> 1:15:05.800
<v Speaker 1>By the way, it's the Colombian and the Dominican over there.

1:15:06.560 --> 1:15:07.960
<v Speaker 6>Let's give him some small I don't have to be

1:15:08.120 --> 1:15:09.400
<v Speaker 6>crazy because it's a long game.

1:15:10.640 --> 1:15:12.439
<v Speaker 2>Karras or m share.

1:15:16.080 --> 1:15:22.120
<v Speaker 4>KRS any story with cars. I do remember a time

1:15:22.240 --> 1:15:27.120
<v Speaker 4>when uh he had a song and everybody in my

1:15:27.160 --> 1:15:29.280
<v Speaker 4>neighborhood I had, I think the non fact that was

1:15:29.439 --> 1:15:31.599
<v Speaker 4>I was popping a little bit. Everybody was like, yo,

1:15:31.760 --> 1:15:34.400
<v Speaker 4>KRS got a song. He this ship out and I

1:15:34.439 --> 1:15:35.760
<v Speaker 4>was like, what are you talking about? They was like,

1:15:35.840 --> 1:15:39.040
<v Speaker 4>no kr Res got song. It's crazy, And I'm like

1:15:39.120 --> 1:15:41.479
<v Speaker 4>what what He's like, Nah, he dissed you.

1:15:41.479 --> 1:15:42.280
<v Speaker 2>You gotta go at him.

1:15:42.280 --> 1:15:45.599
<v Speaker 4>And I'm like, I'm not rapping against no krres one

1:15:45.640 --> 1:15:47.320
<v Speaker 4>way I'm talking about So that I finally hear the

1:15:47.439 --> 1:15:50.640
<v Speaker 4>song and I think it was MC's act like they

1:15:50.680 --> 1:15:54.599
<v Speaker 4>don't know and he said he said, MCS can only

1:15:54.720 --> 1:15:56.719
<v Speaker 4>better with punchline rhymes or something.

1:15:56.800 --> 1:15:58.320
<v Speaker 3>He was like, that's the problem.

1:15:58.360 --> 1:16:02.120
<v Speaker 4>You have no skills like and I was like, I

1:16:02.120 --> 1:16:06.280
<v Speaker 4>don't see talking about me. And I remember, I remember

1:16:06.680 --> 1:16:08.880
<v Speaker 4>there was this one thing that he said back in

1:16:08.880 --> 1:16:10.479
<v Speaker 4>the day. He was like, Yo, if you're in the

1:16:10.479 --> 1:16:16.400
<v Speaker 4>top ten or you I got already already got enough

1:16:16.439 --> 1:16:18.360
<v Speaker 4>for you. So I was like, all right, I gotta

1:16:18.400 --> 1:16:21.160
<v Speaker 4>write him around for Chris, and I wrote, I'm young,

1:16:21.200 --> 1:16:22.599
<v Speaker 4>I'm like twenty two twenties.

1:16:22.640 --> 1:16:25.640
<v Speaker 3>I wrote around and did Jersey.

1:16:26.000 --> 1:16:27.040
<v Speaker 2>Do you remember this rhyn?

1:16:27.120 --> 1:16:27.879
<v Speaker 3>No, I don't.

1:16:29.360 --> 1:16:31.280
<v Speaker 4>In case I came, because you know, Chris don't give

1:16:31.320 --> 1:16:34.280
<v Speaker 4>a fucks. Back in those days, I might have saw Chris.

1:16:34.320 --> 1:16:47.800
<v Speaker 4>He'd been like I was absolutely talking about. But I

1:16:47.800 --> 1:16:50.720
<v Speaker 4>would hope that Chris will will see me say that

1:16:50.800 --> 1:16:53.840
<v Speaker 4>and say I taught him well because I had a ball.

1:16:54.000 --> 1:16:55.720
<v Speaker 4>I had some balls to him too, like he had

1:16:55.840 --> 1:16:58.680
<v Speaker 4>everybody else. We need to ask him if that bar

1:16:58.840 --> 1:16:59.639
<v Speaker 4>was was about you?

1:17:00.080 --> 1:17:08.479
<v Speaker 2>The okay? Big L or Big punt hm hmm rest Yeah.

1:17:09.000 --> 1:17:10.880
<v Speaker 4>I used to get a lot of Big L comparisons

1:17:10.920 --> 1:17:13.240
<v Speaker 4>when I first because.

1:17:13.000 --> 1:17:15.439
<v Speaker 3>We both had that nasally.

1:17:16.720 --> 1:17:20.240
<v Speaker 4>But but hearing Big L back in the stretching Barbido days,

1:17:21.479 --> 1:17:23.800
<v Speaker 4>when I would hear Big L and I started, it

1:17:23.840 --> 1:17:24.160
<v Speaker 4>was two.

1:17:24.400 --> 1:17:26.160
<v Speaker 2>It was a couple of rappers.

1:17:25.800 --> 1:17:28.720
<v Speaker 4>That I knew they we were similar and it was

1:17:28.800 --> 1:17:31.479
<v Speaker 4>common and it was Big L. But Big L had

1:17:31.520 --> 1:17:33.400
<v Speaker 4>a rhyme pattern that I was like, if I'm a

1:17:33.520 --> 1:17:36.280
<v Speaker 4>round I can't do that. I can't do what he's

1:17:36.360 --> 1:17:39.200
<v Speaker 4>doing because Big L would do y'all, I'm a wild

1:17:39.320 --> 1:17:41.760
<v Speaker 4>child with the wild style. Your guns go boom boom,

1:17:41.840 --> 1:17:44.120
<v Speaker 4>my guns go pile pole from haul them up to

1:17:44.280 --> 1:17:46.920
<v Speaker 4>like he would always do double syllables and then and

1:17:46.960 --> 1:17:48.960
<v Speaker 4>so I was like, I can't ever rap like that.

1:17:49.080 --> 1:17:53.920
<v Speaker 2>I already got a voice that sounds like him. Boy.

1:17:54.000 --> 1:17:59.400
<v Speaker 3>Yeah, the voice he was Common was heavier to the line.

1:18:00.160 --> 1:18:00.640
<v Speaker 2>You know what I mean.

1:18:00.680 --> 1:18:03.680
<v Speaker 4>So if something happened and you to put it in

1:18:03.720 --> 1:18:06.800
<v Speaker 4>a ball, coming already got it in a record by

1:18:06.800 --> 1:18:08.640
<v Speaker 4>the time you say it in the sight of like

1:18:08.680 --> 1:18:11.120
<v Speaker 4>all you biting Common see, like damn this nigga. But

1:18:11.240 --> 1:18:14.160
<v Speaker 4>he was on Relativity, so Common Records singles was coming

1:18:14.160 --> 1:18:15.840
<v Speaker 4>out of Crazy. But they were saying this in his

1:18:15.880 --> 1:18:17.759
<v Speaker 4>first album when he was doing that that that's certain

1:18:17.800 --> 1:18:20.280
<v Speaker 4>that flow that he had changed afterwards. Yeah, yeah, And

1:18:20.720 --> 1:18:22.559
<v Speaker 4>every time I heard Big L. He used to run

1:18:22.600 --> 1:18:25.760
<v Speaker 4>that that that pattern back and forth. But pun was

1:18:25.920 --> 1:18:29.439
<v Speaker 4>one of my favorites, the way he would put words together.

1:18:29.479 --> 1:18:35.240
<v Speaker 2>So I would have to say big punt l l

1:18:35.479 --> 1:18:42.519
<v Speaker 2>O cannabis h y'all for realigas questions?

1:18:42.640 --> 1:18:51.559
<v Speaker 4>All right, I Love, I love L. I saw I

1:18:51.640 --> 1:18:55.519
<v Speaker 4>saw L one time back in the day at this

1:18:55.600 --> 1:18:59.559
<v Speaker 4>club in DC called Love Nightclub. Sounds like L belong

1:18:59.600 --> 1:19:02.439
<v Speaker 4>there violated days, you know what I'm saying. L was

1:19:02.520 --> 1:19:06.160
<v Speaker 4>killing him, you know, and he was. I saw him

1:19:06.160 --> 1:19:09.920
<v Speaker 4>going up the steps and and you know, just after

1:19:09.960 --> 1:19:14.320
<v Speaker 4>the this after the second run running. So I don't

1:19:14.320 --> 1:19:16.320
<v Speaker 4>really want to run and I don't want to speak

1:19:16.360 --> 1:19:19.519
<v Speaker 4>to none of my heroes because running all fucking dirty,

1:19:19.760 --> 1:19:22.000
<v Speaker 4>which is a classic hip hop Oh I have I

1:19:22.000 --> 1:19:24.280
<v Speaker 4>have an extension for that run that run story tell.

1:19:24.720 --> 1:19:27.639
<v Speaker 4>So I see L coming up the steps and L says,

1:19:28.760 --> 1:19:29.640
<v Speaker 4>I said, Yo, what's up?

1:19:29.640 --> 1:19:30.400
<v Speaker 2>Man? My name Mask.

1:19:30.479 --> 1:19:34.599
<v Speaker 3>He's like, I know you all beat? Yo, you dope, man,

1:19:34.640 --> 1:19:35.080
<v Speaker 3>you dope.

1:19:35.280 --> 1:19:36.120
<v Speaker 4>You still't put it up.

1:19:36.160 --> 1:19:37.360
<v Speaker 3>You don't put it on enough records.

1:19:37.360 --> 1:19:40.880
<v Speaker 2>Beat. And I was like, I'm all fucking rocks, Like

1:19:40.880 --> 1:19:42.720
<v Speaker 2>what do you want me to do? Like you want

1:19:42.720 --> 1:19:45.519
<v Speaker 2>me to make him put my shit? He was like, yo, yo,

1:19:45.560 --> 1:19:48.799
<v Speaker 2>put some more records out. Beat. I was like, damn

1:19:49.600 --> 1:19:51.000
<v Speaker 2>some records, you know what I mean. Like the fact

1:19:51.040 --> 1:19:52.040
<v Speaker 2>that he knew it.

1:19:52.280 --> 1:19:54.920
<v Speaker 4>Was like, so yeah, I'll have to say ll he

1:19:55.000 --> 1:19:56.480
<v Speaker 4>did cannabis dirty.

1:19:56.520 --> 1:19:57.880
<v Speaker 2>But one thing I want to.

1:19:57.840 --> 1:20:01.680
<v Speaker 6>Say about Cannabis is that we can't we can't say that. Like,

1:20:02.160 --> 1:20:05.479
<v Speaker 6>I think people forget how it was that moment that

1:20:05.520 --> 1:20:07.880
<v Speaker 6>Cannabis had when he came out on the mixtapes, on

1:20:07.920 --> 1:20:12.439
<v Speaker 6>the Clue mixtapes, Oh insane, like the bars that he had,

1:20:12.479 --> 1:20:14.840
<v Speaker 6>Like everybody was going crazy over cannabis, and I think

1:20:15.280 --> 1:20:18.120
<v Speaker 6>what happened between him and LL kind of people forgot

1:20:18.160 --> 1:20:18.519
<v Speaker 6>about that.

1:20:18.560 --> 1:20:19.639
<v Speaker 3>He just caught a bad one.

1:20:20.040 --> 1:20:21.360
<v Speaker 1>Ll L.

1:20:21.800 --> 1:20:24.920
<v Speaker 4>LL is probably and this is just from me viewing

1:20:25.000 --> 1:20:28.519
<v Speaker 4>him from then till now. LL is probably the most

1:20:28.560 --> 1:20:34.240
<v Speaker 4>competitive rapper in the fucking world. Like he he seems

1:20:34.280 --> 1:20:37.680
<v Speaker 4>like one of those people. He likes to compete, you

1:20:37.680 --> 1:20:39.280
<v Speaker 4>know what I mean. I'll never forget when I heard

1:20:39.360 --> 1:20:42.120
<v Speaker 4>the who Shot Your Record? And I remember seeing the

1:20:42.240 --> 1:20:45.559
<v Speaker 4>video and Keith Murray was in the beginning with it

1:20:45.600 --> 1:20:47.840
<v Speaker 4>was all black and white, and then they had box

1:20:48.000 --> 1:20:51.120
<v Speaker 4>in the video and then LL came out. LL was like,

1:20:51.200 --> 1:20:56.120
<v Speaker 4>your female rappers can get it too.

1:20:55.120 --> 1:21:00.360
<v Speaker 3>I was like, damn what Foxy dude, Like, Yo, that's just.

1:21:02.200 --> 1:21:03.400
<v Speaker 2>Like damn LLL.

1:21:03.600 --> 1:21:06.600
<v Speaker 4>He still seems very competitive, which I guess that's you know,

1:21:06.680 --> 1:21:09.040
<v Speaker 4>that's that's what drives him, and that's dope, dope, he

1:21:09.120 --> 1:21:11.800
<v Speaker 4>still has. Wish I could have had that career like

1:21:11.840 --> 1:21:14.320
<v Speaker 4>that career is amazing. To do what he did and

1:21:14.360 --> 1:21:16.320
<v Speaker 4>to see what he's still doing. Yeah, man, I saw

1:21:16.360 --> 1:21:19.120
<v Speaker 4>the love of doing that ship with the roots and

1:21:19.439 --> 1:21:21.519
<v Speaker 4>amazing show. And he was doing all this shit. He

1:21:21.600 --> 1:21:25.040
<v Speaker 4>was doing our songs, all walking with a panther. Now

1:21:25.080 --> 1:21:28.880
<v Speaker 4>he wearing bell bottoms. Let that man do what he

1:21:31.080 --> 1:21:35.400
<v Speaker 4>let listen from Queens, y'all got y'all the best borrow

1:21:35.479 --> 1:21:36.160
<v Speaker 4>for the rappers.

1:21:36.200 --> 1:21:38.920
<v Speaker 2>Man, that's my hero, Okay. I mean we know that

1:21:39.120 --> 1:21:43.640
<v Speaker 2>Kendrick or Drake Kendrick. We already did that. Cuba coming.

1:21:45.680 --> 1:21:47.280
<v Speaker 3>Coming hm hmm.

1:21:47.800 --> 1:21:48.200
<v Speaker 2>I can't.

1:21:48.240 --> 1:21:52.599
<v Speaker 6>I can't tell him that story. Well, please tell us.

1:21:52.640 --> 1:21:55.120
<v Speaker 6>It's just us, right, No, I'll tell you. I tell

1:21:55.120 --> 1:21:59.880
<v Speaker 6>you because I never told this before. So I'm all raucous, right.

1:22:01.200 --> 1:22:03.200
<v Speaker 6>And I did this record call so Far, So Good,

1:22:04.160 --> 1:22:10.320
<v Speaker 6>and I'm in Philly. I'm in Philly and somebody called this.

1:22:10.320 --> 1:22:12.880
<v Speaker 6>This is in two thousands. Somebody called a studio phone.

1:22:12.920 --> 1:22:16.639
<v Speaker 6>They call it stupid phone studio. My manager goes, Yo,

1:22:18.280 --> 1:22:21.240
<v Speaker 6>it's a dude on the phone, and they say they

1:22:21.240 --> 1:22:22.800
<v Speaker 6>want to talk to you about clearing a song.

1:22:23.320 --> 1:22:25.559
<v Speaker 4>I was like, who is it. He's a guy named

1:22:25.600 --> 1:22:27.960
<v Speaker 4>Derek Dudley. He say, man, it's common I was like,

1:22:28.000 --> 1:22:32.320
<v Speaker 4>common common sense. He's like yeah, like oh shit, I'll

1:22:32.320 --> 1:22:34.360
<v Speaker 4>get on the phone. Comic gets me on the phone.

1:22:34.360 --> 1:22:36.680
<v Speaker 4>I'm like, he's like, yo, what's up. I'm like, what's up?

1:22:36.720 --> 1:22:36.840
<v Speaker 2>Man?

1:22:36.840 --> 1:22:38.880
<v Speaker 4>He was like, Yo, so listen, I got this record man.

1:22:39.320 --> 1:22:41.080
<v Speaker 4>And I think he was on Giffing or whatever he

1:22:41.160 --> 1:22:43.400
<v Speaker 4>was on. He's like, and we shooting a video today.

1:22:43.640 --> 1:22:45.800
<v Speaker 4>He was like, but if I don't get all these

1:22:45.800 --> 1:22:48.920
<v Speaker 4>samples clear, they not They not going there's no budget,

1:22:48.920 --> 1:22:51.160
<v Speaker 4>they're not going through with it. I was like, okay,

1:22:51.600 --> 1:22:54.599
<v Speaker 4>why you need me. He's like, I Premo sampled your voice.

1:22:55.320 --> 1:22:56.880
<v Speaker 4>And I was like, what record is that he likes.

1:22:56.880 --> 1:22:59.519
<v Speaker 4>It's a record called the Game and I was like,

1:23:00.439 --> 1:23:02.360
<v Speaker 4>huh he said the line to me. I was like,

1:23:02.360 --> 1:23:05.400
<v Speaker 4>oh shit, that is me. He's like, yeah, Premot, scratch

1:23:05.479 --> 1:23:07.320
<v Speaker 4>you into the hook, like, yo, where you at?

1:23:07.640 --> 1:23:08.879
<v Speaker 3>You near a fax machine?

1:23:08.880 --> 1:23:08.960
<v Speaker 1>Like?

1:23:09.000 --> 1:23:11.559
<v Speaker 4>Can I get this clid like today? And I was

1:23:11.600 --> 1:23:13.559
<v Speaker 4>like yeah. Like he was like, yo, if you ever

1:23:13.680 --> 1:23:14.840
<v Speaker 4>need anything.

1:23:14.840 --> 1:23:15.320
<v Speaker 3>Let me know.

1:23:15.720 --> 1:23:19.519
<v Speaker 4>And I was like, actually, I'm all raucous. I'm you know,

1:23:19.600 --> 1:23:21.400
<v Speaker 4>I'm still trying to get there, you know what I mean,

1:23:21.479 --> 1:23:23.559
<v Speaker 4>Like I would love a verse And he was like

1:23:23.560 --> 1:23:25.439
<v Speaker 4>all right, cool, yeah I got you. So I was like,

1:23:25.479 --> 1:23:27.720
<v Speaker 4>all right, Bet said, we're gonna fact you over the paperwork.

1:23:28.120 --> 1:23:29.880
<v Speaker 4>I said, all right, bet. My manager goes, who's my

1:23:29.920 --> 1:23:31.720
<v Speaker 4>cousin at? He said, what do you say? I said,

1:23:31.720 --> 1:23:33.640
<v Speaker 4>they want me to clear this record. My manager goes,

1:23:33.680 --> 1:23:37.559
<v Speaker 4>WHOA get that ship in right, because I know how

1:23:37.600 --> 1:23:41.160
<v Speaker 4>it is when it's your turn. Niggas disappeared. I was

1:23:41.200 --> 1:23:47.000
<v Speaker 4>like what I said, maybe in the real billboard hip

1:23:47.040 --> 1:23:51.040
<v Speaker 4>hop where it's raucous and common. Bro like we this

1:23:51.160 --> 1:23:55.479
<v Speaker 4>ain't death Jam and Electra like your kids say right,

1:23:55.520 --> 1:23:56.479
<v Speaker 4>we come from the same car.

1:23:56.520 --> 1:23:59.680
<v Speaker 2>He like skills. Get that ship in.

1:23:59.680 --> 1:24:02.400
<v Speaker 4>Right, said Bro. But he needs the video he needed

1:24:02.439 --> 1:24:06.920
<v Speaker 4>clean today. He was like, I'm telling you, get to

1:24:07.000 --> 1:24:09.040
<v Speaker 4>get the paperwork. I said, no, I'm not gonna. I

1:24:09.080 --> 1:24:11.599
<v Speaker 4>called quest Love Yo is comic good?

1:24:11.760 --> 1:24:14.559
<v Speaker 2>Is he good? Good?

1:24:15.439 --> 1:24:16.439
<v Speaker 3>I called you know what I mean?

1:24:16.479 --> 1:24:18.840
<v Speaker 2>I called black though. He's like, yeah, yeah, good Bro.

1:24:19.520 --> 1:24:21.639
<v Speaker 4>I said, all right, man, they fashion over I signed

1:24:21.640 --> 1:24:27.960
<v Speaker 4>and send it back my record time. I can't find

1:24:27.960 --> 1:24:33.720
<v Speaker 4>this right and Rashid I love you. I never told

1:24:33.800 --> 1:24:38.519
<v Speaker 4>him this. I can't find him. The labels like, yo,

1:24:38.600 --> 1:24:41.200
<v Speaker 4>this is the first single, this is dope. I'm like, yo,

1:24:41.240 --> 1:24:43.160
<v Speaker 4>I got a Common com and gonna do.

1:24:43.120 --> 1:24:46.200
<v Speaker 3>A verse on his perfect They like, yeah, all right.

1:24:48.240 --> 1:24:51.800
<v Speaker 2>I'm like, I remember I went to a lock show.

1:24:52.160 --> 1:24:55.320
<v Speaker 2>Locks was NVA and I was telling styles and stop.

1:24:55.360 --> 1:24:59.800
<v Speaker 4>I remember Style saying, yo, beloved, if sh it is

1:25:00.320 --> 1:25:03.320
<v Speaker 4>up on you all the sun, the game is done.

1:25:05.120 --> 1:25:08.880
<v Speaker 4>And I was like, I can't find this thing. And

1:25:08.960 --> 1:25:12.120
<v Speaker 4>this Common was heavy on his acting ship right, So

1:25:12.479 --> 1:25:15.280
<v Speaker 4>we get we get ready shoot, I hit Tyler Qui.

1:25:15.560 --> 1:25:18.320
<v Speaker 4>I said, Yo, I need a verse. Tyl Lip does

1:25:18.320 --> 1:25:20.519
<v Speaker 4>the verse. He on Rockers too. He's like, y'all got you,

1:25:21.160 --> 1:25:22.880
<v Speaker 4>So we get me shoot the video.

1:25:23.320 --> 1:25:25.080
<v Speaker 2>Common. Common kept going to.

1:25:25.120 --> 1:25:27.320
<v Speaker 4>Different studios and they was trying to run you not

1:25:27.479 --> 1:25:29.800
<v Speaker 4>used to run the budget up. So they're like, yeah, yeah,

1:25:29.800 --> 1:25:33.120
<v Speaker 4>we need you know, we need chun king for eight hours.

1:25:33.160 --> 1:25:34.320
<v Speaker 3>We need a full budget.

1:25:34.720 --> 1:25:37.639
<v Speaker 4>Ain't no Rockers Like yeah, nah, we got twenty five

1:25:37.680 --> 1:25:40.840
<v Speaker 4>hundred dollars. You got four hours in in Caught.

1:25:41.920 --> 1:25:42.800
<v Speaker 3>It's not about to be.

1:25:43.720 --> 1:25:46.519
<v Speaker 4>He finally cuts the verse and I'm like, damn, this

1:25:46.520 --> 1:25:49.639
<v Speaker 4>ship is done. He killed DA six months later though,

1:25:49.800 --> 1:25:52.400
<v Speaker 4>so my ship been delayed. I've been waiting on this verse.

1:25:53.160 --> 1:25:55.720
<v Speaker 4>Chris Robinson's gonna shoot the video for me. Who's doing

1:25:55.800 --> 1:26:00.320
<v Speaker 4>all his videos? But Chris Robinson's a little brother. Chris

1:26:00.400 --> 1:26:03.679
<v Speaker 4>Robinson was like, skills, your video budget is so cheap.

1:26:03.800 --> 1:26:05.120
<v Speaker 3>I can't put my name on.

1:26:06.680 --> 1:26:10.880
<v Speaker 4>Rosin Rokys ain't spending no brand like that. I'm gonna

1:26:10.920 --> 1:26:12.920
<v Speaker 4>do the video, but I'm gonna sign it off on

1:26:12.960 --> 1:26:13.599
<v Speaker 4>my little my.

1:26:13.560 --> 1:26:14.960
<v Speaker 2>Little robot Films.

1:26:15.040 --> 1:26:19.160
<v Speaker 4>Yes, okay, right boom, Chris shoot, heren't shoot the video,

1:26:19.280 --> 1:26:22.519
<v Speaker 4>probably send me the treatment. Crazy I hit. I'm trying

1:26:22.520 --> 1:26:24.680
<v Speaker 4>to find coming. I just I just want you to

1:26:24.680 --> 1:26:29.240
<v Speaker 4>be in a video. I can't find a nigga again.

1:26:30.720 --> 1:26:32.080
<v Speaker 4>We we nine months late.

1:26:32.120 --> 1:26:33.559
<v Speaker 6>But you never got to hold him, so it's not

1:26:33.600 --> 1:26:35.080
<v Speaker 6>like you don't know if he's thisssing you.

1:26:35.400 --> 1:26:37.160
<v Speaker 3>But then here it comes it.

1:26:37.240 --> 1:26:42.200
<v Speaker 4>Ass, here's the ship I got over, But here's the ship.

1:26:43.280 --> 1:26:46.960
<v Speaker 4>He's in Budapest or some shit, shooting a movie, right,

1:26:47.000 --> 1:26:48.800
<v Speaker 4>I think it was that movie with Angelina Joe Lee

1:26:48.880 --> 1:26:50.800
<v Speaker 4>or whatever where they were shoot. They used to remember

1:26:50.840 --> 1:26:52.639
<v Speaker 4>him shooting. They was doing the guns and the bullet

1:26:53.960 --> 1:26:58.000
<v Speaker 4>remember that. I get him on the phone. I said, yo, man,

1:26:58.120 --> 1:27:02.919
<v Speaker 4>like this is my first and I'm really I'm really adamant.

1:27:03.000 --> 1:27:06.559
<v Speaker 4>I'm like, bro, I watched your career. I watched how

1:27:06.600 --> 1:27:10.360
<v Speaker 4>You Move like we come from the same cloth. Like

1:27:11.880 --> 1:27:16.679
<v Speaker 4>it's my video. It's the first single, and and this

1:27:16.840 --> 1:27:22.320
<v Speaker 4>nigga tells me. This nigga says, yeah, I'm not I'm

1:27:22.320 --> 1:27:26.800
<v Speaker 4>not really trying to do no videos right now. I said, bro,

1:27:26.840 --> 1:27:29.920
<v Speaker 4>But Chris Rabbinson is shooting it. He just shot nine of.

1:27:29.960 --> 1:27:32.439
<v Speaker 2>Your Laste that's the remember the Text to five video.

1:27:32.439 --> 1:27:33.759
<v Speaker 3>He shot all his videos.

1:27:33.800 --> 1:27:36.200
<v Speaker 4>I'm like, yo, Chris Rapbinson is shooting and he just

1:27:36.280 --> 1:27:41.240
<v Speaker 4>tells me no, like blatantly, like nah, I'm not trying

1:27:41.280 --> 1:27:45.640
<v Speaker 4>to shoot no video with you, And I'm like, what

1:27:45.840 --> 1:27:50.240
<v Speaker 4>the fuck is this? Months later, he do a movie

1:27:50.280 --> 1:27:53.760
<v Speaker 4>in a movie come out with Queen La Teeth just right.

1:27:54.400 --> 1:27:55.879
<v Speaker 2>Remember he was the leading man.

1:27:57.360 --> 1:27:59.000
<v Speaker 4>See I Love You. But this is the story. I

1:27:59.040 --> 1:28:00.840
<v Speaker 4>got this on dreams, not to keep it a bean,

1:28:03.040 --> 1:28:06.160
<v Speaker 4>and they promoted the movie. But they doing it like

1:28:06.160 --> 1:28:10.439
<v Speaker 4>like grassroots. They at theaters like yo, Queen Latifa is

1:28:10.479 --> 1:28:13.640
<v Speaker 4>at low sixteen and communists.

1:28:13.640 --> 1:28:14.719
<v Speaker 3>I was with Jazzy Jeff.

1:28:14.760 --> 1:28:18.080
<v Speaker 4>We was at the Palms in Las Vegas and Rashi

1:28:18.280 --> 1:28:25.679
<v Speaker 4>is downstairs Common. That's he's downstairs with the little table

1:28:25.760 --> 1:28:28.280
<v Speaker 4>out front and people coming to see the movie. And

1:28:28.360 --> 1:28:31.000
<v Speaker 4>Jeff like, Yo, let's go downstairs and check out Common

1:28:31.200 --> 1:28:32.040
<v Speaker 4>and Latifa movie.

1:28:32.200 --> 1:28:33.560
<v Speaker 3>I always see that ship.

1:28:35.920 --> 1:28:40.040
<v Speaker 4>Jeff going on, don't know okay, petty game my full

1:28:41.200 --> 1:28:49.000
<v Speaker 4>I go downstairs. Common is downstairs chilling, and I see

1:28:49.040 --> 1:28:54.120
<v Speaker 4>him and I'm looking at him like you you low

1:28:54.200 --> 1:28:56.680
<v Speaker 4>key kind of just jerked me, like you call me.

1:28:57.080 --> 1:28:59.800
<v Speaker 4>You called me one day and you needed something right

1:28:59.840 --> 1:29:02.040
<v Speaker 4>there and I got it off for you. And then

1:29:02.040 --> 1:29:02.800
<v Speaker 4>when it's time for.

1:29:02.840 --> 1:29:03.920
<v Speaker 2>Me, you ain't.

1:29:04.000 --> 1:29:06.599
<v Speaker 4>You ain't return to favor like yo, you I never

1:29:06.640 --> 1:29:08.759
<v Speaker 4>think you would be foul. Like That's how I'm thinking.

1:29:09.640 --> 1:29:13.639
<v Speaker 4>I see him, Hey, peace, Peace, how's the brother man?

1:29:13.720 --> 1:29:14.040
<v Speaker 2>Peace?

1:29:15.080 --> 1:29:15.679
<v Speaker 3>Peace King?

1:29:17.640 --> 1:29:23.240
<v Speaker 2>I'm like peace. I feel like Lawrence f Fast. I'm like, yo,

1:29:23.360 --> 1:29:27.760
<v Speaker 2>piece is not gonna say this, ain't And I want

1:29:27.800 --> 1:29:29.160
<v Speaker 2>to say it to him so bad.

1:29:29.160 --> 1:29:30.920
<v Speaker 3>It's like, oh, how's the brother man?

1:29:31.200 --> 1:29:31.360
<v Speaker 4>Ah?

1:29:31.479 --> 1:29:33.000
<v Speaker 3>Love love, you know it's all that.

1:29:33.320 --> 1:29:37.679
<v Speaker 4>And I'm sitting there going I'm really like I'm tight.

1:29:38.680 --> 1:29:39.240
<v Speaker 2>I'm tight.

1:29:40.280 --> 1:29:43.519
<v Speaker 4>The Jeff looking at me like, yo, what's up skills energy. Oh,

1:29:46.439 --> 1:29:49.240
<v Speaker 4>we gonna watch the movie the whole I'm hating fuck

1:29:49.320 --> 1:29:49.840
<v Speaker 4>this movie.

1:29:51.040 --> 1:29:52.040
<v Speaker 3>We watched the movie.

1:29:52.640 --> 1:29:56.879
<v Speaker 4>We watched the movie, We come back out, coming's still outside, Oh, Jesse.

1:29:56.800 --> 1:29:59.400
<v Speaker 2>Jeff skills off piece piece, what y'all.

1:29:59.280 --> 1:30:02.240
<v Speaker 3>Think of the movie? I'm like.

1:30:03.000 --> 1:30:05.360
<v Speaker 4>Jeff was like, yo, it was dope. Man, told him,

1:30:05.400 --> 1:30:07.120
<v Speaker 4>finally get to see you in the lead. Man, you

1:30:07.240 --> 1:30:09.280
<v Speaker 4>don't He looked at me, and I don't. He probably

1:30:09.280 --> 1:30:11.120
<v Speaker 4>don't even remember this. He was like, old skills man,

1:30:11.160 --> 1:30:12.840
<v Speaker 4>what you think of a movie? I was like, yo,

1:30:12.920 --> 1:30:26.559
<v Speaker 4>latif killed that ship. So I hold this grunge for years.

1:30:27.680 --> 1:30:28.600
<v Speaker 2>He don't know this.

1:30:28.800 --> 1:30:31.160
<v Speaker 4>He probably looking back like he probably gonna see this,

1:30:31.280 --> 1:30:34.800
<v Speaker 4>like damn, I didn't do that video. And then like

1:30:34.920 --> 1:30:36.360
<v Speaker 4>maybe like a couple of weeks ago, I was at

1:30:36.400 --> 1:30:38.519
<v Speaker 4>the roof the Rooster did the Hollywood Ball and it

1:30:38.640 --> 1:30:39.400
<v Speaker 4>was like the thing.

1:30:39.280 --> 1:30:41.679
<v Speaker 3>They did in for the grads. It was Avery Jumble Brothers.

1:30:42.760 --> 1:30:46.200
<v Speaker 4>And he came out and me and me and Rochie,

1:30:46.200 --> 1:30:48.120
<v Speaker 4>me and com on stage doing E. P M. D

1:30:48.760 --> 1:30:51.120
<v Speaker 4>versus going back and forth. So he probably don't you he't.

1:30:51.280 --> 1:30:53.280
<v Speaker 4>I never told him this, but I was tight about

1:30:53.280 --> 1:30:54.120
<v Speaker 4>that ship for years.

1:30:54.120 --> 1:30:56.519
<v Speaker 2>But I had to let it go. But I was

1:30:56.680 --> 1:31:00.439
<v Speaker 2>light go back to what what Style? So you again?

1:31:00.439 --> 1:31:03.160
<v Speaker 4>Because I was just like I told Styles about the

1:31:03.160 --> 1:31:05.360
<v Speaker 4>whole ship, you know, and it was, you know, it's

1:31:05.400 --> 1:31:06.519
<v Speaker 4>the paperwork.

1:31:06.040 --> 1:31:06.519
<v Speaker 3>You know what I'm saying.

1:31:06.560 --> 1:31:09.360
<v Speaker 4>So Styles was like, yo, I'm not even smoking a

1:31:09.479 --> 1:31:12.800
<v Speaker 4>blading like you're like, yo, skills and ship fucked up

1:31:12.800 --> 1:31:17.320
<v Speaker 4>on y'all? You know this ship?

1:31:17.439 --> 1:31:24.080
<v Speaker 1>What what do you mean by like the.

1:31:25.040 --> 1:31:26.559
<v Speaker 2>Like, we don't be fucking with you?

1:31:28.000 --> 1:31:30.120
<v Speaker 4>Hilarious like and.

1:31:30.240 --> 1:31:32.840
<v Speaker 2>Every time I was seeing it was peace peace, How

1:31:32.960 --> 1:31:39.400
<v Speaker 2>is the brother? And I'm like, I want to understand.

1:31:40.040 --> 1:31:41.640
<v Speaker 3>Shut out the.

1:31:43.760 --> 1:31:45.320
<v Speaker 2>You got a big holdo, holdo, holdo.

1:31:47.680 --> 1:31:50.840
<v Speaker 1>So it was it was let me ask you this

1:31:50.840 --> 1:31:55.559
<v Speaker 1>this before you keep going on. I can't believe is

1:31:55.600 --> 1:31:59.200
<v Speaker 1>that word backpack, wrap up, derogatory?

1:32:00.400 --> 1:32:04.400
<v Speaker 4>Hey man, I told you before. I think it's only

1:32:04.479 --> 1:32:06.320
<v Speaker 4>two kinds of music. I think it's good music and

1:32:06.360 --> 1:32:09.120
<v Speaker 4>bad music, you know what I'm saying. So they gonna

1:32:09.160 --> 1:32:14.880
<v Speaker 4>categorize it regardless, and people gonna use things and they're gonna,

1:32:15.720 --> 1:32:18.720
<v Speaker 4>you know, try to keep us in a box. But

1:32:19.520 --> 1:32:22.720
<v Speaker 4>you know, right, I started, like bro, I started as

1:32:22.720 --> 1:32:23.200
<v Speaker 4>a rapper.

1:32:23.320 --> 1:32:25.680
<v Speaker 2>I've done. I'm a writer now I've done so.

1:32:25.720 --> 1:32:28.040
<v Speaker 4>I did a movie since I've been going, like since

1:32:28.040 --> 1:32:30.760
<v Speaker 4>I was here last like, and it was funny because

1:32:30.800 --> 1:32:35.840
<v Speaker 4>y'all had rap Man on here right. I look at Supercell.

1:32:36.200 --> 1:32:39.439
<v Speaker 4>I'm watching super Cell, just just watch it. Watched the

1:32:39.479 --> 1:32:41.639
<v Speaker 4>first episode. I was like, damn, this shit is dope.

1:32:41.920 --> 1:32:44.680
<v Speaker 4>I kept seeing created and written by rap Man. I

1:32:44.720 --> 1:32:46.400
<v Speaker 4>was like, where the fuck do I know that name

1:32:46.640 --> 1:32:49.840
<v Speaker 4>rap Man? So I know that name Rapman. Watched the

1:32:49.880 --> 1:32:52.519
<v Speaker 4>whole series. I'm like, dag, I can't with season two.

1:32:52.560 --> 1:32:53.320
<v Speaker 4>I come out tomorrow.

1:32:53.320 --> 1:32:55.960
<v Speaker 2>This shit is crazy. Where the fuck do I know

1:32:56.040 --> 1:32:58.120
<v Speaker 2>that name rap Man from? I went to his page.

1:32:58.160 --> 1:33:00.479
<v Speaker 2>I looked at it. I was like, damn, whose son

1:33:00.600 --> 1:33:03.360
<v Speaker 2>face sitting there? One day?

1:33:03.400 --> 1:33:04.360
<v Speaker 3>I'm looking and.

1:33:04.320 --> 1:33:07.000
<v Speaker 4>I'm like, oh shit, I remember him. He used to

1:33:07.080 --> 1:33:11.599
<v Speaker 4>do wrap ups in the UK. He started in twenty

1:33:11.760 --> 1:33:14.479
<v Speaker 4>twenty twelve. He did wrap ups uptil like twenty eighteen.

1:33:14.520 --> 1:33:17.920
<v Speaker 4>I used to see him all the time. I DMM

1:33:17.920 --> 1:33:20.920
<v Speaker 4>when I go yo. I watched the show. I loved it.

1:33:21.880 --> 1:33:23.800
<v Speaker 4>I knew, I knew your face you used to do.

1:33:23.880 --> 1:33:25.479
<v Speaker 4>Then you used to do wrap ups back and he

1:33:25.520 --> 1:33:31.400
<v Speaker 4>was like skills, bro, oh my yo took your shit.

1:33:32.680 --> 1:33:34.600
<v Speaker 2>I was like, I knew I knew you.

1:33:35.680 --> 1:33:37.559
<v Speaker 3>And he was like, oh, bro, man, I took your

1:33:37.560 --> 1:33:37.960
<v Speaker 3>whole shit.

1:33:38.880 --> 1:33:41.439
<v Speaker 4>I used to do a rap bulls Day and I

1:33:41.520 --> 1:33:46.000
<v Speaker 4>was like, yo, I'm so crazy. So then I told him,

1:33:46.040 --> 1:33:48.960
<v Speaker 4>I said, bro, to go from writing wrap ups to

1:33:49.000 --> 1:33:51.479
<v Speaker 4>writing movies. I look at people like you, I look

1:33:51.520 --> 1:33:53.679
<v Speaker 4>at people like Cube, I look at Queen Latifa.

1:33:53.800 --> 1:33:55.759
<v Speaker 3>Like you know what I'm saying. I've done a film

1:33:55.800 --> 1:33:56.160
<v Speaker 3>since then.

1:33:56.200 --> 1:33:58.519
<v Speaker 4>It's a documentary, but still I'm like, bro, to watch

1:33:58.600 --> 1:33:59.000
<v Speaker 4>y'all do.

1:33:59.200 --> 1:34:01.240
<v Speaker 2>That and and and.

1:34:01.000 --> 1:34:03.960
<v Speaker 4>And rise up like that the skies, The sky's the

1:34:04.000 --> 1:34:06.000
<v Speaker 4>limit for all of us. Man, you know what I'm saying,

1:34:06.040 --> 1:34:09.800
<v Speaker 4>Like hip hop is global. Shout the rat man man.

1:34:09.800 --> 1:34:10.160
<v Speaker 2>And if you.

1:34:12.200 --> 1:34:13.479
<v Speaker 3>What the episode as.

1:34:13.360 --> 1:34:19.439
<v Speaker 4>Well, Yeah, dmx X because you know I had I

1:34:19.479 --> 1:34:22.320
<v Speaker 4>had to X story before we was here, when X passed,

1:34:22.800 --> 1:34:24.440
<v Speaker 4>when me and X was at the KFC.

1:34:26.320 --> 1:34:30.479
<v Speaker 2>Yeah, y'all remember when I.

1:34:30.479 --> 1:34:34.800
<v Speaker 4>Was here last and uh we I went to the

1:34:34.840 --> 1:34:39.360
<v Speaker 4>airport and DMX was at the airport and the flight

1:34:39.479 --> 1:34:42.920
<v Speaker 4>to New York got delayed and my baby moms came

1:34:43.000 --> 1:34:46.320
<v Speaker 4>back around and picked us both up and we went

1:34:46.360 --> 1:34:50.280
<v Speaker 4>to get some chicken at KFC, and we walked into

1:34:50.320 --> 1:34:55.599
<v Speaker 4>the KFC and the girls looking at us like, oh ship,

1:34:55.680 --> 1:34:58.120
<v Speaker 4>I know these two niggas and she looking to X

1:34:58.280 --> 1:35:00.160
<v Speaker 4>them say nothing. She's like, oh shit, I knew. And

1:35:00.160 --> 1:35:01.800
<v Speaker 4>then DMX she's like, can I help y'all?

1:35:01.840 --> 1:35:02.240
<v Speaker 2>Where you are?

1:35:02.360 --> 1:35:05.160
<v Speaker 4>DMX is the information line. Let me get an a

1:35:05.320 --> 1:35:09.840
<v Speaker 4>piece no skin. She's like, what, don't shit on my ship?

1:35:11.160 --> 1:35:13.559
<v Speaker 4>And it's before boneless like any of that shit.

1:35:13.600 --> 1:35:14.439
<v Speaker 2>This is ninety eight.

1:35:16.120 --> 1:35:21.400
<v Speaker 4>So he I've never seen nobody ordered chicken with no skin.

1:35:21.520 --> 1:35:22.840
<v Speaker 3>He got it, he ate it.

1:35:23.439 --> 1:35:26.840
<v Speaker 4>We went back to the airport like five. We fly

1:35:27.000 --> 1:35:32.080
<v Speaker 4>to JFK and it's it's a small plane, sixteen people

1:35:32.080 --> 1:35:34.479
<v Speaker 4>in me and DMX in first class and he's telling

1:35:34.520 --> 1:35:37.960
<v Speaker 4>me the whole premise of Belly because he about to

1:35:38.000 --> 1:35:38.680
<v Speaker 4>go shoot it.

1:35:39.040 --> 1:35:40.400
<v Speaker 2>And he's like, yeah, I got smoothie.

1:35:40.400 --> 1:35:42.240
<v Speaker 4>What I'm saying he box for me and ship you know,

1:35:42.240 --> 1:35:44.920
<v Speaker 4>I mean, nah, it's gonna be crazy. And I'm sitting

1:35:44.920 --> 1:35:48.400
<v Speaker 4>there like, yo, this nigga is wilding like and it's

1:35:48.439 --> 1:35:52.320
<v Speaker 4>me DMX and like twelve white business and everybody hears

1:35:52.320 --> 1:35:54.200
<v Speaker 4>the story. It's a small store, you.

1:35:54.120 --> 1:35:57.320
<v Speaker 2>Know what I mean? He come home. He go to Jamaica, shit,

1:35:57.439 --> 1:36:00.519
<v Speaker 2>right did he come back? You know what I mean?

1:36:00.520 --> 1:36:03.439
<v Speaker 4>But it's gonna be crazy like hype shot like a movie,

1:36:03.800 --> 1:36:06.320
<v Speaker 4>and I'm saying, they're like, yo, can you bring it down?

1:36:07.439 --> 1:36:09.479
<v Speaker 4>It feels a look you know you're not like yo,

1:36:09.680 --> 1:36:15.360
<v Speaker 4>you gotta relax. But there was no telling X to relax.

1:36:16.040 --> 1:36:18.439
<v Speaker 4>He was, he was how he was everywhere he went.

1:36:18.520 --> 1:36:21.320
<v Speaker 4>Rest in peace to the dog Man. Messed that dude.

1:36:23.720 --> 1:36:24.080
<v Speaker 2>As well.

1:36:24.160 --> 1:36:31.080
<v Speaker 1>Yeah, used I used to drink wine and from not like.

1:36:33.280 --> 1:36:34.120
<v Speaker 3>That sounds like.

1:36:36.160 --> 1:36:41.080
<v Speaker 2>Trill quest of Brand Nubian. Mm hmm.

1:36:41.880 --> 1:36:44.479
<v Speaker 4>Tribe, it's gonna have to be tribe, even though I

1:36:44.520 --> 1:36:47.839
<v Speaker 4>love I love what Brand Nubia did in the beginning.

1:36:48.800 --> 1:36:52.439
<v Speaker 4>Puba was one of my favorite rappers of all, but

1:36:52.600 --> 1:36:56.439
<v Speaker 4>tribe tribe was it for me? Like when I saw

1:36:56.479 --> 1:36:59.320
<v Speaker 4>trial called Quests, I saw myself. You know what I'm saying.

1:36:59.320 --> 1:37:02.280
<v Speaker 4>They were the native tongues, that whole thing. They was

1:37:02.280 --> 1:37:06.360
<v Speaker 4>the gateway too. You could still be yourself. I ain't

1:37:06.360 --> 1:37:08.200
<v Speaker 4>got to be against the rapper. I ain't got to

1:37:08.200 --> 1:37:12.160
<v Speaker 4>be from the hood, I ain't got to be try

1:37:12.200 --> 1:37:15.360
<v Speaker 4>to be super sexy. I could just be that so

1:37:15.880 --> 1:37:17.280
<v Speaker 4>trib man that first time.

1:37:17.520 --> 1:37:20.559
<v Speaker 1>Oh you do what you fucked me up. I always

1:37:20.640 --> 1:37:23.840
<v Speaker 1>kind of attributed that to my era, to phar real,

1:37:23.920 --> 1:37:25.280
<v Speaker 1>but I'm forgetting for well.

1:37:25.360 --> 1:37:31.240
<v Speaker 4>Got that from yeah, absolutely got it from Jungle Brothers. Yes, yeah,

1:37:31.240 --> 1:37:34.679
<v Speaker 4>we gotta go further back. Yeah, try change my life.

1:37:34.880 --> 1:37:36.880
<v Speaker 4>Like I literally, I literally have a T shirt that

1:37:36.920 --> 1:37:40.040
<v Speaker 4>says that, and when I wear it, it's literally true.

1:37:40.120 --> 1:37:41.280
<v Speaker 2>Like they really changed my life.

1:37:41.400 --> 1:37:43.960
<v Speaker 1>I never told you like you know from Queen's I

1:37:44.000 --> 1:37:47.240
<v Speaker 1>looked up to them so much and when I met wife,

1:37:48.200 --> 1:37:50.960
<v Speaker 1>I tell the story because I took his line when

1:37:51.000 --> 1:37:52.960
<v Speaker 1>me said, both know this and bo't know that?

1:37:53.280 --> 1:37:55.760
<v Speaker 2>Do know Jack? And I was like, no, we know

1:37:55.840 --> 1:37:56.960
<v Speaker 2>this and don't we know that?

1:37:57.240 --> 1:38:01.040
<v Speaker 1>No? Gad wow, because no he buked that. Why you've

1:38:01.120 --> 1:38:03.280
<v Speaker 1>seeing me like instead of me like like.

1:38:04.520 --> 1:38:05.760
<v Speaker 2>He was like, I'm getting you back.

1:38:06.200 --> 1:38:10.680
<v Speaker 4>I was like, what that sounds like he was?

1:38:10.960 --> 1:38:12.559
<v Speaker 2>He was like, I don't know which line I'm gonna

1:38:12.600 --> 1:38:17.880
<v Speaker 2>take on yourself. Just shoot you know he's something I'm

1:38:18.280 --> 1:38:20.439
<v Speaker 2>gonna get you back. And I was like, hey, but.

1:38:20.560 --> 1:38:25.040
<v Speaker 4>By the way, I'm like I'm trying to he was.

1:38:25.280 --> 1:38:28.519
<v Speaker 1>He was competitive, like he said, he didn't care like

1:38:28.600 --> 1:38:30.320
<v Speaker 1>he he looked at everything like a sport.

1:38:30.400 --> 1:38:31.639
<v Speaker 2>He looked at everything like a game.

1:38:31.760 --> 1:38:34.679
<v Speaker 1>Yeah, like like when I say a game, not playing around,

1:38:34.720 --> 1:38:36.720
<v Speaker 1>I mean like like like like that.

1:38:36.920 --> 1:38:41.800
<v Speaker 2>Okay, and I'm Nas or jay z mm hm, yeah,

1:38:41.840 --> 1:38:42.680
<v Speaker 2>I can't pick one of that.

1:38:42.800 --> 1:38:44.600
<v Speaker 4>So then he finally take a shot. I got a

1:38:44.640 --> 1:38:46.680
<v Speaker 4>text from home in my phone. I did work with

1:38:46.840 --> 1:38:47.720
<v Speaker 4>Nas last year.

1:38:47.800 --> 1:38:50.880
<v Speaker 1>Yeah, and you gotta recod Nas on timbolin, right. He

1:38:50.960 --> 1:38:53.040
<v Speaker 1>watched me, oh shot like.

1:38:53.000 --> 1:38:59.120
<v Speaker 2>You got a drinking there. Yeah, it's not in here, Okay, Jamie, Okay, he.

1:38:59.040 --> 1:39:01.439
<v Speaker 6>Says he'll take whatever whatever y'all he wants my mohuna

1:39:01.439 --> 1:39:04.360
<v Speaker 6>here gilt small shall I'll tell I'll take it.

1:39:05.360 --> 1:39:05.559
<v Speaker 2>Yeah.

1:39:05.640 --> 1:39:08.800
<v Speaker 4>Nas watched me on that on that song, but I

1:39:09.240 --> 1:39:13.240
<v Speaker 4>just damn he really put me in the fucking dirts.

1:39:13.320 --> 1:39:14.880
<v Speaker 2>What really came this?

1:39:15.040 --> 1:39:16.240
<v Speaker 3>I came back to the studio.

1:39:18.160 --> 1:39:20.760
<v Speaker 4>Tim played that be and I'm thinking they gonna play

1:39:20.840 --> 1:39:23.880
<v Speaker 4>my So imagine coming back into the studio and you

1:39:24.080 --> 1:39:27.559
<v Speaker 4>think you don't even know nobody's been in the room.

1:39:28.360 --> 1:39:32.000
<v Speaker 3>You just come record. I come back in the studio.

1:39:32.040 --> 1:39:35.160
<v Speaker 4>I'm thinking Jimmy Douglas then mixed it this this the

1:39:35.240 --> 1:39:38.240
<v Speaker 4>clean crystal clean version. B.

1:39:38.439 --> 1:39:40.960
<v Speaker 3>Come on, I hear splashyt.

1:39:40.439 --> 1:39:42.920
<v Speaker 4>Dudes of gas I use ice jingle off my chest

1:39:42.920 --> 1:39:46.160
<v Speaker 4>because my cast improved. Nice knuckle game. Ship to way

1:39:46.200 --> 1:39:48.519
<v Speaker 4>of bucking change. I want the doe, fuck the fame,

1:39:48.560 --> 1:39:51.280
<v Speaker 4>already made history. Y'all can have that. That ain't ship

1:39:51.280 --> 1:39:55.519
<v Speaker 4>to me. I was like, God Jesus, like it was

1:39:55.600 --> 1:39:59.599
<v Speaker 4>the way Nas floated on that. I wanted to say,

1:39:59.640 --> 1:40:03.720
<v Speaker 4>take me off, but I was like, I got a

1:40:03.720 --> 1:40:06.519
<v Speaker 4>song with no only nigga from Virginia got a song.

1:40:06.360 --> 1:40:08.880
<v Speaker 2>With naves at the time, so I had to take it.

1:40:08.920 --> 1:40:09.360
<v Speaker 2>But let me.

1:40:09.960 --> 1:40:14.439
<v Speaker 6>Yeah, now you take it again and we ain't see you.

1:40:14.720 --> 1:40:17.360
<v Speaker 2>It didn't happen. Oh that's not that bad. I love

1:40:17.439 --> 1:40:18.840
<v Speaker 2>this one. By the way.

1:40:18.840 --> 1:40:20.040
<v Speaker 1>I just want you to know they make that in

1:40:20.120 --> 1:40:23.760
<v Speaker 1>a tub and Kindle makes that with his feet. Just

1:40:23.760 --> 1:40:28.960
<v Speaker 1>so you know I'm just playing.

1:40:32.320 --> 1:40:36.000
<v Speaker 2>I just played as a joke. N W. A Republican man,

1:40:36.000 --> 1:40:37.439
<v Speaker 2>I wanted that one.

1:40:38.200 --> 1:40:38.519
<v Speaker 4>Hm hm.

1:40:40.640 --> 1:40:40.960
<v Speaker 3>Damn.

1:40:41.800 --> 1:40:42.200
<v Speaker 2>Chuck D.

1:40:44.680 --> 1:40:46.240
<v Speaker 3>Remember I told your teaching to college.

1:40:47.040 --> 1:40:48.560
<v Speaker 4>Chuck D was one of the people that wrote a

1:40:48.640 --> 1:40:53.160
<v Speaker 4>letter to the dean tell them to hire me. I

1:40:53.200 --> 1:40:58.200
<v Speaker 4>still got the letter framed. You asked him to do that, Yeah,

1:40:59.080 --> 1:41:02.559
<v Speaker 4>and he did it, and crazy about the letter looked

1:41:02.560 --> 1:41:05.519
<v Speaker 4>like graffiti hand wrote it. It looked like graffiti. It

1:41:05.600 --> 1:41:08.880
<v Speaker 4>wasn't a type letter signed Chuck the public Enemy. He

1:41:08.920 --> 1:41:11.639
<v Speaker 4>wrote it like graffiti to the crazy.

1:41:12.360 --> 1:41:15.120
<v Speaker 3>But in w A.

1:41:16.080 --> 1:41:20.240
<v Speaker 4>And I'm gonna say this, and I mean this because

1:41:20.920 --> 1:41:24.439
<v Speaker 4>I don't think it's ever been a group that when

1:41:24.439 --> 1:41:30.160
<v Speaker 4>they came in, they changed everything and the ship was

1:41:30.280 --> 1:41:34.760
<v Speaker 4>never the same. Gangster rap came in and the ship

1:41:34.960 --> 1:41:38.960
<v Speaker 4>never left since in w A. So I would have

1:41:39.040 --> 1:41:43.040
<v Speaker 4>to say n w A is the most influential hip

1:41:43.040 --> 1:41:44.400
<v Speaker 4>hop group of all time.

1:41:44.760 --> 1:41:48.439
<v Speaker 2>So it's in w A. See me. I think they're

1:41:48.439 --> 1:41:50.520
<v Speaker 2>both influential in the opposite.

1:41:50.120 --> 1:41:58.920
<v Speaker 4>Ways of the coast. Like they're my two favorite groups forever. Yeah,

1:41:59.040 --> 1:42:01.719
<v Speaker 4>I just know when when when niggas, When niggas realized

1:42:01.720 --> 1:42:03.479
<v Speaker 4>that they could rap about their hood and talk some

1:42:03.560 --> 1:42:07.200
<v Speaker 4>gangster shit, they never stopped, right, It never stopped. And

1:42:07.560 --> 1:42:11.280
<v Speaker 4>the nw A hit the pond and that ripple and

1:42:11.280 --> 1:42:13.960
<v Speaker 4>that motherfucker still going in twenty twenty five. And I

1:42:13.960 --> 1:42:18.240
<v Speaker 4>think the next iteration of that change was Master p Yep.

1:42:18.880 --> 1:42:20.200
<v Speaker 2>I think that changed a lot after you.

1:42:20.479 --> 1:42:24.320
<v Speaker 1>It definitely did, definitely for good Okay, Cold Crush or

1:42:24.320 --> 1:42:25.080
<v Speaker 1>the Fearest.

1:42:24.800 --> 1:42:30.400
<v Speaker 4>Five I gotta go with. I gotta go with Cold

1:42:30.400 --> 1:42:35.960
<v Speaker 4>Crush because Kaz was kaz was. Kas was a problem.

1:42:36.000 --> 1:42:36.200
<v Speaker 1>Bro.

1:42:37.160 --> 1:42:39.160
<v Speaker 4>Listen, I listened to them old tapes. Kas was a

1:42:39.200 --> 1:42:39.920
<v Speaker 4>problem man.

1:42:40.360 --> 1:42:41.760
<v Speaker 3>So it was mail shit.

1:42:42.160 --> 1:42:46.240
<v Speaker 4>Yeah, listen, and you want to talk about you want

1:42:46.240 --> 1:42:47.920
<v Speaker 4>to talk about changing the game.

1:42:49.479 --> 1:42:52.919
<v Speaker 3>After the message the game changed?

1:42:53.080 --> 1:42:57.719
<v Speaker 4>Yes, fat Nobody, nobody knew that they could rap about

1:42:57.840 --> 1:43:01.400
<v Speaker 4>what was going on in the neighborhood for real until

1:43:01.439 --> 1:43:07.080
<v Speaker 4>that happened. I sat down with Master G from the

1:43:07.120 --> 1:43:11.040
<v Speaker 4>sugar Hill Get and I asked him, I say, Yo,

1:43:11.680 --> 1:43:17.639
<v Speaker 4>when you rapped, everybody rapped the same way. They would say,

1:43:17.640 --> 1:43:20.880
<v Speaker 4>a long ass sentence with a word that rhymed.

1:43:20.600 --> 1:43:21.080
<v Speaker 2>At the end.

1:43:21.520 --> 1:43:24.160
<v Speaker 4>I got some some some some someth to some some some

1:43:24.160 --> 1:43:26.320
<v Speaker 4>something to talk. I had some some something and some

1:43:26.400 --> 1:43:30.240
<v Speaker 4>some something watching it play basketball. That was how everybody rapped.

1:43:30.520 --> 1:43:32.920
<v Speaker 4>And he was like, right, I said, who the fuck

1:43:33.160 --> 1:43:34.280
<v Speaker 4>changed it?

1:43:34.360 --> 1:43:34.759
<v Speaker 3>Because?

1:43:35.200 --> 1:43:38.400
<v Speaker 4>Man, And he's but but here's the thing, because the

1:43:38.439 --> 1:43:40.479
<v Speaker 4>first time I heard it was running them right. That's

1:43:40.479 --> 1:43:44.160
<v Speaker 4>when I recognized. But melly mail came first. But I

1:43:44.160 --> 1:43:45.720
<v Speaker 4>didn't realize, for.

1:43:45.800 --> 1:43:48.360
<v Speaker 1>Lack of a better term, melly mail and was first

1:43:48.360 --> 1:43:50.960
<v Speaker 1>because that I think it sounded like a pauset Mellie

1:43:51.000 --> 1:43:55.520
<v Speaker 1>mil came first.

1:43:53.720 --> 1:43:59.520
<v Speaker 6>Even though sugar Hill represent like Jack Kas, but everybody

1:43:59.680 --> 1:44:02.559
<v Speaker 6>thought that they had to rap the exact same way.

1:44:02.680 --> 1:44:05.080
<v Speaker 4>And then Mel and them came in and shortened it

1:44:05.720 --> 1:44:09.519
<v Speaker 4>so that phrasing wasn't that long sentence with the word

1:44:09.600 --> 1:44:12.320
<v Speaker 4>at the end no more a child is born, no

1:44:12.439 --> 1:44:15.080
<v Speaker 4>state of mind lying to the waves of mankind. It

1:44:15.160 --> 1:44:19.200
<v Speaker 4>was way more words rhyming in the change. Yeah, and

1:44:19.280 --> 1:44:22.280
<v Speaker 4>once it changed, it never went the front back.

1:44:23.320 --> 1:44:25.080
<v Speaker 2>W A did that? Nas? Did that?

1:44:25.240 --> 1:44:30.000
<v Speaker 4>You had started changing that? Nobody rapped like that? Since

1:44:30.640 --> 1:44:32.439
<v Speaker 4>you hear nigga rap like that, like, oh that's that

1:44:32.520 --> 1:44:35.400
<v Speaker 4>old school floor. Then they got me eighty rapping like that.

1:44:35.560 --> 1:44:37.479
<v Speaker 4>You know what I'm saying, Like it's not the same.

1:44:37.560 --> 1:44:41.760
<v Speaker 4>But so I would have to say, Mel, you know

1:44:41.840 --> 1:44:43.559
<v Speaker 4>what now furious for our co crest.

1:44:43.600 --> 1:44:47.720
<v Speaker 2>I can't choose. Okay, I can't choose. I can't take

1:44:47.720 --> 1:44:50.320
<v Speaker 2>you like to drink. So you got whatever? What?

1:44:51.360 --> 1:44:56.240
<v Speaker 4>Okay, Biggie or tupac rest in pieces of both rest

1:44:56.240 --> 1:44:57.679
<v Speaker 4>and piece both you better both?

1:44:57.760 --> 1:44:57.880
<v Speaker 2>Right?

1:44:58.439 --> 1:45:01.120
<v Speaker 4>I met Pocket and elevated Jack the Rapper. Did we

1:45:01.120 --> 1:45:03.639
<v Speaker 4>talk about this last time? Oh?

1:45:03.680 --> 1:45:06.560
<v Speaker 2>No, I met Big.

1:45:10.160 --> 1:45:12.679
<v Speaker 4>Yeah. Stay with the elevator, because I've heard elevator stories

1:45:12.680 --> 1:45:14.840
<v Speaker 4>with Tupac and they were always something crazy going on.

1:45:15.120 --> 1:45:17.320
<v Speaker 4>He was in the elevator, jack the rap, he was

1:45:17.360 --> 1:45:19.599
<v Speaker 4>coming downstairs. He had the call kann I vests on

1:45:19.680 --> 1:45:22.080
<v Speaker 4>with the with the bandana. Was there a beef about

1:45:22.080 --> 1:45:24.280
<v Speaker 4>the papa that was? That was the ship when Luke

1:45:24.320 --> 1:45:26.960
<v Speaker 4>and them got the beefing with Death Row Pop going

1:45:27.000 --> 1:45:29.599
<v Speaker 4>on Death Row Yet the Towers and Compton record. They

1:45:29.640 --> 1:45:33.640
<v Speaker 4>threw that down in the in the in the in

1:45:33.680 --> 1:45:37.200
<v Speaker 4>the Marriott, Mark Keith and I remember getting off the

1:45:37.200 --> 1:45:37.880
<v Speaker 4>elevators crazy.

1:45:37.880 --> 1:45:38.960
<v Speaker 3>I remember getting off the elevator and.

1:45:38.960 --> 1:45:47.240
<v Speaker 4>I saw Russell Simmons and mc search right, and my

1:45:47.320 --> 1:45:49.320
<v Speaker 4>man was like, damn, that was fucking that was Tupac.

1:45:50.160 --> 1:45:51.400
<v Speaker 4>And I wasn't a Tupac fan.

1:45:51.439 --> 1:45:54.680
<v Speaker 2>It's a digital underground. Yeah, so he's not involved in

1:45:54.720 --> 1:45:55.040
<v Speaker 2>that beef.

1:45:55.560 --> 1:45:56.559
<v Speaker 3>He wasn't involved in that.

1:45:57.800 --> 1:46:02.639
<v Speaker 4>Biggie I was on the same label was Junior Mafia, Yeah,

1:46:02.680 --> 1:46:06.320
<v Speaker 4>Big Beat, Atlantic Beat with Reef Shot my man Reef

1:46:07.040 --> 1:46:10.240
<v Speaker 4>Daddy Reef, Yeah, me and Reefed in my whole first album.

1:46:10.479 --> 1:46:14.080
<v Speaker 4>I remember going to I remember I stayed. I stayed

1:46:14.439 --> 1:46:18.280
<v Speaker 4>two blocks up from Unique Studios, right, so you walk

1:46:18.320 --> 1:46:20.720
<v Speaker 4>past Quad, you go down, Unique was dead. I was

1:46:20.760 --> 1:46:23.880
<v Speaker 4>living there with Yeah, I was living there. I lived

1:46:23.880 --> 1:46:26.439
<v Speaker 4>in a place in Big Beat moved me to New

1:46:26.520 --> 1:46:27.840
<v Speaker 4>York so I could do the album because it won't

1:46:27.840 --> 1:46:31.360
<v Speaker 4>those studios in Virginia like that, but because it was

1:46:31.400 --> 1:46:32.720
<v Speaker 4>cheaper than for me to come to New York.

1:46:32.760 --> 1:46:33.320
<v Speaker 3>I lived on.

1:46:34.680 --> 1:46:36.599
<v Speaker 4>I lived somewhere in New York where you had no

1:46:36.640 --> 1:46:40.759
<v Speaker 4>business living. I lived in like forty ninth six radio

1:46:40.840 --> 1:46:41.680
<v Speaker 4>city apartments.

1:46:41.680 --> 1:46:42.320
<v Speaker 3>I neet.

1:46:42.400 --> 1:46:44.200
<v Speaker 4>I had a little maid that used to come marry

1:46:44.760 --> 1:46:46.280
<v Speaker 4>every fucking every week.

1:46:46.680 --> 1:46:49.439
<v Speaker 1>But I remember going into Quad.

1:46:49.680 --> 1:46:52.639
<v Speaker 2>I wasn't what you said.

1:46:57.680 --> 1:46:58.880
<v Speaker 3>Yeah, I was living New York.

1:46:58.920 --> 1:47:01.200
<v Speaker 4>I used to get on the end of the you know,

1:47:01.240 --> 1:47:03.400
<v Speaker 4>go down to rock and soul, get records or whatever.

1:47:03.680 --> 1:47:08.759
<v Speaker 4>I remember going in the Quad when they gave Biggie

1:47:08.760 --> 1:47:12.320
<v Speaker 4>the deal, Biggie and under Deal and me and the artifacts.

1:47:12.360 --> 1:47:15.479
<v Speaker 4>It was like, yeah, it's about to be a rap

1:47:16.160 --> 1:47:20.880
<v Speaker 4>yeah because yeah, yeah, don my soul. That was. That's

1:47:20.880 --> 1:47:23.080
<v Speaker 4>the first record I was ever I love this remix

1:47:23.200 --> 1:47:25.800
<v Speaker 4>is one of the to the studio big in there

1:47:27.120 --> 1:47:31.639
<v Speaker 4>uh sees and I think it was Reef, I can't remember.

1:47:31.720 --> 1:47:36.240
<v Speaker 4>Reef introduced me to him to him and un I

1:47:36.320 --> 1:47:41.320
<v Speaker 4>can't remember. It was reef for somebody from the label Entertainment. Yeah,

1:47:41.439 --> 1:47:44.320
<v Speaker 4>and I he said, yo, this this this mads kills

1:47:44.600 --> 1:47:47.080
<v Speaker 4>and saying he knew on Big Beat. I said, what's

1:47:47.160 --> 1:47:49.080
<v Speaker 4>up man? I was supposed to game pound and he

1:47:49.160 --> 1:47:52.080
<v Speaker 4>was smart money. He said, damn dude. Them Tams is leaning,

1:47:53.400 --> 1:47:57.479
<v Speaker 4>and he looked like I had on Tims but they

1:47:57.600 --> 1:47:58.200
<v Speaker 4>wasn't fresh.

1:47:58.240 --> 1:48:08.599
<v Speaker 10>Like but I'm like, I'm like, I'm like, I don't

1:48:08.640 --> 1:48:09.160
<v Speaker 10>even know.

1:48:09.200 --> 1:48:11.920
<v Speaker 4>This, nigga, I can't do that with Tims.

1:48:12.360 --> 1:48:13.000
<v Speaker 2>I don't know.

1:48:13.760 --> 1:48:15.639
<v Speaker 4>No, no, no, you got what I'm saying.

1:48:15.680 --> 1:48:17.520
<v Speaker 3>I really look like I work construction.

1:48:20.160 --> 1:48:23.920
<v Speaker 2>I bring up like yeah, I mean.

1:48:24.360 --> 1:48:26.559
<v Speaker 4>So he was like and he didn't even He looked

1:48:26.600 --> 1:48:29.800
<v Speaker 4>once and he was like, damn dude, them Tims is

1:48:29.880 --> 1:48:38.760
<v Speaker 4>lean and Seas falls out. I'm like, yo, and was like, oh,

1:48:38.840 --> 1:48:43.040
<v Speaker 4>so so we do he gets he he has he

1:48:43.160 --> 1:48:46.040
<v Speaker 4>has my beat. Clark can't plays in the beef for

1:48:46.160 --> 1:48:50.120
<v Speaker 4>Move your Body and he wants to beat, but Clark

1:48:50.160 --> 1:48:54.599
<v Speaker 4>has already told me who wants big Okay, So Clark

1:48:54.760 --> 1:48:57.400
<v Speaker 4>is like, you can't have that. That's Mad skills be

1:48:58.000 --> 1:49:04.840
<v Speaker 4>and he like, who he on your he's on Big Beat,

1:49:05.080 --> 1:49:08.800
<v Speaker 4>he's Kim and the label. Man, he was like, and

1:49:08.880 --> 1:49:11.400
<v Speaker 4>the other one that's that's for Jay. He's like, man,

1:49:11.439 --> 1:49:14.920
<v Speaker 4>you get this nigga everything talking about Jay and then

1:49:15.000 --> 1:49:18.639
<v Speaker 4>Jayson and Clark goes, well, Jay is my artist, your

1:49:18.760 --> 1:49:22.599
<v Speaker 4>Puffy's artist. He was like, man, but this joint is Clark.

1:49:22.680 --> 1:49:26.439
<v Speaker 4>Come on, man, this man, come on. He was like, nah,

1:49:26.640 --> 1:49:29.840
<v Speaker 4>man A promised that the mask kills. So he like,

1:49:29.880 --> 1:49:34.320
<v Speaker 4>all right, whatever, we do the song. And I just

1:49:34.960 --> 1:49:36.960
<v Speaker 4>I'm like, remember, I don't know no hooks. I don't

1:49:36.960 --> 1:49:40.160
<v Speaker 4>know who the hook is. So I just lay three verses.

1:49:40.560 --> 1:49:42.200
<v Speaker 4>Clark like, yeah, we're gonna put a hook.

1:49:42.040 --> 1:49:47.479
<v Speaker 1>In Heredy and I take everybody.

1:49:48.200 --> 1:49:52.880
<v Speaker 4>I sampled Big and Havoc from an old Mob deep record,

1:49:54.800 --> 1:50:00.000
<v Speaker 4>So Clark biggie, here's the record and has to clear

1:50:00.000 --> 1:50:03.000
<v Speaker 4>period because it has moved it.

1:50:03.280 --> 1:50:06.160
<v Speaker 2>Everybody move your body and.

1:50:06.000 --> 1:50:09.160
<v Speaker 3>He like, yo, you owe me, Clock, you owe me?

1:50:09.200 --> 1:50:11.600
<v Speaker 4>And Clock like yeah, I got you, I got you.

1:50:11.640 --> 1:50:13.519
<v Speaker 4>And I think that was I think the next record

1:50:13.520 --> 1:50:15.879
<v Speaker 4>he hooked him up on was Brooklyn's finest.

1:50:15.960 --> 1:50:20.040
<v Speaker 3>But and I didn't find this out until twenty twenty.

1:50:20.640 --> 1:50:23.559
<v Speaker 4>I'm just I'm talking to Clock on my podcast and

1:50:23.600 --> 1:50:25.479
<v Speaker 4>he just goes, yeah, I can't tell you about that

1:50:25.520 --> 1:50:29.840
<v Speaker 4>time big one and we I said, Yo, what.

1:50:30.200 --> 1:50:34.000
<v Speaker 2>He could have had said, Yo, why you record? Yeah?

1:50:34.040 --> 1:50:36.360
<v Speaker 4>He was like, yo, he said, because that was your record.

1:50:36.960 --> 1:50:39.920
<v Speaker 4>I wasn't gonna give him your record. And I was like,

1:50:40.479 --> 1:50:42.840
<v Speaker 4>but we didn't know what was gonna happen. And how Clock,

1:50:42.920 --> 1:50:44.719
<v Speaker 4>I mean, how big was gonna turn to the greatest

1:50:44.720 --> 1:50:48.000
<v Speaker 4>fire Clock was like, yo, you know me, I'm loyal

1:50:48.120 --> 1:50:50.760
<v Speaker 4>like and I was just like that, that's dope, Clark,

1:50:51.439 --> 1:50:53.680
<v Speaker 4>big up, that's my old g I gotta get it.

1:50:55.960 --> 1:50:57.240
<v Speaker 3>Biggie almost had my ship.

1:50:58.120 --> 1:51:02.519
<v Speaker 2>That's hilarious. All right.

1:51:05.040 --> 1:51:08.439
<v Speaker 4>I'm gonna say they both are important to the culture.

1:51:09.280 --> 1:51:11.479
<v Speaker 4>But anytime you say them two names, the first thing

1:51:11.520 --> 1:51:16.000
<v Speaker 4>that popping into my head is the fucking battle. I

1:51:16.080 --> 1:51:19.519
<v Speaker 4>never thought I would see today. And I love Killer,

1:51:20.280 --> 1:51:23.920
<v Speaker 4>I love I love Jim, I love the lots. I

1:51:24.000 --> 1:51:28.440
<v Speaker 4>never thought i'd see today with Jada without cam cam

1:51:28.720 --> 1:51:33.680
<v Speaker 4>mm hmmm, because he was more entertaining, he was more funny,

1:51:33.960 --> 1:51:34.679
<v Speaker 4>you know what I'm saying.

1:51:34.960 --> 1:51:35.479
<v Speaker 2>And when I.

1:51:37.479 --> 1:51:38.880
<v Speaker 3>So, when I looked at that.

1:51:38.880 --> 1:51:45.479
<v Speaker 4>Battle, what I realized was that shot technician too, because

1:51:46.040 --> 1:51:49.920
<v Speaker 4>that battle would not be the same. Yeah. Yeah, when

1:51:49.960 --> 1:51:54.360
<v Speaker 4>I realized from that that the locks of brothers loyal,

1:51:54.640 --> 1:51:58.320
<v Speaker 4>they friends, they brotherhood. They've done a million shows together,

1:51:58.880 --> 1:52:00.679
<v Speaker 4>so for them to get together of her that night

1:52:01.360 --> 1:52:04.120
<v Speaker 4>was light work because they've done that a million times.

1:52:04.800 --> 1:52:10.439
<v Speaker 4>Dipset got together that night for that. They probably hadn't

1:52:10.439 --> 1:52:16.160
<v Speaker 4>really spoke too tough before that, so I know, as

1:52:16.280 --> 1:52:20.200
<v Speaker 4>outside of looking in, it was a it had to

1:52:20.240 --> 1:52:22.200
<v Speaker 4>be a cold day and haul them the next day.

1:52:22.560 --> 1:52:25.040
<v Speaker 1>You know, I'll tell you the truth. You know, I was,

1:52:25.200 --> 1:52:28.439
<v Speaker 1>you know, they all my brothers. I love them both,

1:52:29.760 --> 1:52:33.479
<v Speaker 1>but I was kind of kind of being nosy. And

1:52:33.520 --> 1:52:35.960
<v Speaker 1>I remember the day before I just called them all

1:52:36.439 --> 1:52:39.400
<v Speaker 1>and I remember, you know, Jim being one place, Cam

1:52:39.600 --> 1:52:42.759
<v Speaker 1>being another place, and I don't think you els actually answered,

1:52:44.280 --> 1:52:47.639
<v Speaker 1>but I remember me calling kiss and then hanging up

1:52:47.680 --> 1:52:49.519
<v Speaker 1>and then calling Styles and they're like, yeah, you know

1:52:50.120 --> 1:52:54.560
<v Speaker 1>right here, and I'm like, oh, like you know what

1:52:54.600 --> 1:52:56.400
<v Speaker 1>I mean, Like they were together, like you know what

1:52:56.400 --> 1:52:56.840
<v Speaker 1>I'm saying.

1:52:56.920 --> 1:52:59.639
<v Speaker 2>So and they were.

1:52:59.680 --> 1:53:02.519
<v Speaker 1>They were they were like planning, it was rehearsing. So

1:53:03.080 --> 1:53:04.360
<v Speaker 1>I think that that was the difference.

1:53:04.360 --> 1:53:04.800
<v Speaker 3>I don't think.

1:53:04.840 --> 1:53:07.439
<v Speaker 2>I don't think. Let me let me go on the limit.

1:53:07.560 --> 1:53:10.160
<v Speaker 1>Say, I don't think the Locks is overall better group

1:53:10.240 --> 1:53:11.120
<v Speaker 1>than this said at all.

1:53:11.160 --> 1:53:12.559
<v Speaker 2>I don't think. I don't think either all.

1:53:12.760 --> 1:53:14.840
<v Speaker 1>I think that night it was about who who had

1:53:14.840 --> 1:53:16.919
<v Speaker 1>the better performance, who had the better.

1:53:16.720 --> 1:53:21.080
<v Speaker 4>Focus, and that was them. I loved it as a

1:53:21.120 --> 1:53:23.720
<v Speaker 4>fan of hip hop. It was such a beautiful night.

1:53:23.960 --> 1:53:28.000
<v Speaker 4>It was and you know, to see that, to see

1:53:28.000 --> 1:53:30.880
<v Speaker 4>them popping ship and getting hippy with each other, you

1:53:30.880 --> 1:53:35.479
<v Speaker 4>know what I'm saying, not violating, you know what I mean. Yeah, yeah,

1:53:35.479 --> 1:53:37.360
<v Speaker 4>you can tell they had talked before they like just

1:53:37.360 --> 1:53:41.520
<v Speaker 4>don't say nothing crazy about like you don't say this nigga.

1:53:41.680 --> 1:53:43.599
<v Speaker 2>But I knew.

1:53:43.640 --> 1:53:47.320
<v Speaker 4>I knew from the beginning when when when Cam came

1:53:47.360 --> 1:53:52.040
<v Speaker 4>out and said, Yo, y'all niggas gotta go first, y'all

1:53:52.040 --> 1:53:56.040
<v Speaker 4>not home. You're not home, nigga, we at home. Y'all

1:53:56.080 --> 1:53:59.639
<v Speaker 4>not home, and like reminding niggas like, Yo, these niggas

1:53:59.640 --> 1:54:03.040
<v Speaker 4>is from because bro, they're not from the city, like nigga,

1:54:03.120 --> 1:54:06.320
<v Speaker 4>we at home. And then Jaden looked at that nigga

1:54:06.360 --> 1:54:08.840
<v Speaker 4>and said, Yo, hey, Kim, you.

1:54:08.840 --> 1:54:19.080
<v Speaker 2>Live in Miami. I knew then, but man, it was

1:54:19.160 --> 1:54:21.960
<v Speaker 2>crazy in the show when he said that was a.

1:54:22.240 --> 1:54:26.120
<v Speaker 4>Beautiful battle man and hip hop won that night, So

1:54:26.200 --> 1:54:28.000
<v Speaker 4>I would have to say the locks.

1:54:28.080 --> 1:54:31.280
<v Speaker 1>Okay, rough riders a Rockefeller mm.

1:54:31.160 --> 1:54:40.080
<v Speaker 4>Hmm, damn Yo, I'm gonna say, hey day, I have

1:54:40.160 --> 1:54:43.600
<v Speaker 4>to say Rockefeller because I was such a fan of

1:54:44.720 --> 1:54:47.720
<v Speaker 4>them together, Dame Biggs and Jay and what they created.

1:54:47.720 --> 1:54:52.360
<v Speaker 4>It let them showing us black millionaires and businessmen, even.

1:54:52.200 --> 1:54:54.280
<v Speaker 2>Though it didn't end up the way.

1:54:54.520 --> 1:54:57.760
<v Speaker 4>Every time I hear it's a record by Rel called

1:54:57.800 --> 1:55:02.440
<v Speaker 4>Love Love for Free, And every time Jay come on

1:55:02.520 --> 1:55:04.760
<v Speaker 4>that record and the chords come on, you hear jay

1:55:04.840 --> 1:55:08.600
<v Speaker 4>Z go, this is Rockefeller for live, This is Rockefeller

1:55:08.640 --> 1:55:12.240
<v Speaker 4>for live. I still think about, damn what what that

1:55:12.240 --> 1:55:13.520
<v Speaker 4>could have been?

1:55:13.040 --> 1:55:16.280
<v Speaker 2>It would have been for life. You know what I'm saying.

1:55:16.560 --> 1:55:22.200
<v Speaker 2>I'm gonna leave that subject alone. I knew you was

1:55:22.200 --> 1:55:28.959
<v Speaker 2>gonna stay away. Yeah, it's like whoa.

1:55:31.240 --> 1:55:34.000
<v Speaker 1>Or stay away from that one.

1:55:34.480 --> 1:55:35.640
<v Speaker 2>Clue or flex.

1:55:42.280 --> 1:55:48.240
<v Speaker 4>Clue is a Flex is a.

1:55:46.960 --> 1:55:48.680
<v Speaker 3>Better party d J?

1:55:48.880 --> 1:55:51.280
<v Speaker 4>I would say, then clue for me, I've been to

1:55:51.280 --> 1:55:51.960
<v Speaker 4>a clue party.

1:55:52.000 --> 1:55:52.480
<v Speaker 2>It was cool.

1:55:52.480 --> 1:55:54.440
<v Speaker 4>I've been in flex wite flex trying to mash it.

1:55:54.520 --> 1:55:57.760
<v Speaker 4>Definitely different kinds of different kinds of DJ. As far

1:55:57.800 --> 1:56:03.240
<v Speaker 4>as influential, they both Flex is super influential in New

1:56:03.320 --> 1:56:06.520
<v Speaker 4>York City and across the world. Clue, the mixtapes that

1:56:06.520 --> 1:56:06.880
<v Speaker 4>that was.

1:56:06.800 --> 1:56:10.280
<v Speaker 2>Our lifeline for years, showed me the money part one

1:56:10.400 --> 1:56:13.520
<v Speaker 2>and Columa not all that ship. They both controlled, one

1:56:13.560 --> 1:56:14.000
<v Speaker 2>controlled this.

1:56:14.160 --> 1:56:17.320
<v Speaker 4>Ye, yes, they both had different different they was getting

1:56:17.320 --> 1:56:19.560
<v Speaker 4>money in different ways, but it was all under music

1:56:20.720 --> 1:56:24.000
<v Speaker 4>and I it's still versions on Clue songs, Clue tapes

1:56:24.040 --> 1:56:28.800
<v Speaker 4>that I still haven't heard to this day. I'm gonna

1:56:28.800 --> 1:56:30.880
<v Speaker 4>say Clue. I'm gonna say Clue.

1:56:31.000 --> 1:56:34.080
<v Speaker 1>I think Clue is the greatest mixtape DJ of all time. Yeah,

1:56:34.280 --> 1:56:37.600
<v Speaker 1>and I think Funk Flex is the greatest radio D

1:56:37.960 --> 1:56:38.440
<v Speaker 1>all time.

1:56:38.600 --> 1:56:40.200
<v Speaker 2>Flex made me miss flights before.

1:56:40.480 --> 1:56:43.280
<v Speaker 1>Yeah, Like when Flex they pull over, I pull over,

1:56:44.880 --> 1:56:46.120
<v Speaker 1>you pull over New York.

1:56:45.960 --> 1:56:47.120
<v Speaker 2>City, I'll be like word.

1:56:48.280 --> 1:56:50.480
<v Speaker 1>Like, I don't even understand that this is an act

1:56:50.600 --> 1:56:51.640
<v Speaker 1>or if it's an act or not.

1:56:51.720 --> 1:56:53.520
<v Speaker 3>I just do you really want that?

1:56:54.840 --> 1:56:57.760
<v Speaker 4>I only got I think I only got one Flex

1:56:57.800 --> 1:56:59.280
<v Speaker 4>bomb in my life.

1:57:00.560 --> 1:57:04.560
<v Speaker 2>And now I did, uh literally one no. No, he

1:57:04.680 --> 1:57:05.360
<v Speaker 2>hit a couple.

1:57:06.960 --> 1:57:10.160
<v Speaker 4>I read, I redid the slick Rick record, Lick the balls,

1:57:10.840 --> 1:57:14.560
<v Speaker 4>licked the ball. He loved it and and and dropped

1:57:14.560 --> 1:57:16.720
<v Speaker 4>it and put the bombs on it and I just

1:57:16.760 --> 1:57:20.160
<v Speaker 4>remember having that feeling like damn, like we we we

1:57:20.280 --> 1:57:22.600
<v Speaker 4>in the city and fucking fledged dropping bombs.

1:57:23.120 --> 1:57:24.600
<v Speaker 2>I knew what it felt like, you know what I'm

1:57:24.600 --> 1:57:27.600
<v Speaker 2>saying only once though.

1:57:27.920 --> 1:57:34.360
<v Speaker 1>But yeah, Kanye or just Blaze obviously producer wise.

1:57:36.960 --> 1:57:38.120
<v Speaker 2>Hm hmm, it could be anything.

1:57:38.160 --> 1:57:41.280
<v Speaker 4>Remember I would say, I would say just Blaze because

1:57:41.320 --> 1:57:42.360
<v Speaker 4>he's a nicer.

1:57:42.040 --> 1:57:44.120
<v Speaker 2>Person that's.

1:57:45.640 --> 1:57:46.560
<v Speaker 1>Got a story.

1:57:48.120 --> 1:57:49.000
<v Speaker 3>Kanye's story.

1:57:49.920 --> 1:57:59.360
<v Speaker 4>Yeah, yeah, this is pig polo Kanye. Yeah, okay, he

1:57:59.440 --> 1:58:01.920
<v Speaker 4>lived a whole woke in New Jersey.

1:58:02.040 --> 1:58:02.839
<v Speaker 3>I'm on Racers.

1:58:02.840 --> 1:58:05.640
<v Speaker 4>There was a dude name Howie McDuffie, Okumber, how we

1:58:05.680 --> 1:58:09.120
<v Speaker 4>make w fat Boy used to talk all slow, yo, kid,

1:58:09.440 --> 1:58:11.440
<v Speaker 4>I could take you up the hind ninety seven yo.

1:58:12.440 --> 1:58:14.720
<v Speaker 4>I'm like, You're like, I'm gonna take you over to

1:58:14.760 --> 1:58:17.440
<v Speaker 4>this dude named Kanye you do beats for? He like

1:58:17.440 --> 1:58:19.320
<v Speaker 4>he about to be the new high tech. I remember

1:58:19.400 --> 1:58:22.280
<v Speaker 4>him saying that we go over to his crib and

1:58:22.320 --> 1:58:26.600
<v Speaker 4>he got the the It was a rolling vs. Sixteen eighty,

1:58:26.600 --> 1:58:31.280
<v Speaker 4>remember though. So he playing me these beats and I'm

1:58:31.320 --> 1:58:32.840
<v Speaker 4>listening to the beast because I got a deal. My

1:58:32.880 --> 1:58:35.240
<v Speaker 4>album's coming out on Racers. I got a budget, so

1:58:35.400 --> 1:58:37.640
<v Speaker 4>Kanye trying to get on. He played me a few beats.

1:58:37.800 --> 1:58:41.640
<v Speaker 4>He burned him to a CD. And I'm leaving and

1:58:41.640 --> 1:58:43.839
<v Speaker 4>I'm about to get the train and go back to Virginia.

1:58:44.600 --> 1:58:49.320
<v Speaker 4>And he writes down his number and his name or whatever,

1:58:50.320 --> 1:58:53.240
<v Speaker 4>and he's handed me the CD for the beasts. I

1:58:53.240 --> 1:58:55.240
<v Speaker 4>took him right in like twelve. So he's handing me

1:58:55.280 --> 1:58:57.160
<v Speaker 4>to CD. I put my hand up and he did

1:58:57.280 --> 1:59:01.360
<v Speaker 4>like this. He was like, hey, can I just explain

1:59:01.520 --> 1:59:05.240
<v Speaker 4>one thing to you before you take these beats? I

1:59:05.280 --> 1:59:08.880
<v Speaker 4>was like yeah. He was like, if you don't like

1:59:08.960 --> 1:59:13.720
<v Speaker 4>the beats, you don't want to use them, don't put

1:59:13.760 --> 1:59:17.839
<v Speaker 4>my ship on no mixtape, don't leave my beats.

1:59:18.080 --> 1:59:21.080
<v Speaker 2>That's how e B. I was like this.

1:59:22.440 --> 1:59:25.120
<v Speaker 4>He's like, yo, that's how you ain't the You ain't

1:59:25.160 --> 1:59:27.720
<v Speaker 4>the only person that got these beats all over the place.

1:59:27.760 --> 1:59:29.280
<v Speaker 4>So if you don't want to, if you don't want

1:59:29.280 --> 1:59:31.600
<v Speaker 4>to use them, cool, Just I don't want to look

1:59:31.680 --> 1:59:34.480
<v Speaker 4>up and you want a new WOOTI woo. And I

1:59:34.520 --> 1:59:36.440
<v Speaker 4>was like all right, cool. I was like, all right,

1:59:36.480 --> 1:59:38.000
<v Speaker 4>I got you, bro, Like no doubt, you know. I

1:59:38.360 --> 1:59:40.640
<v Speaker 4>respect he was. So he hands me to see He's

1:59:40.680 --> 1:59:45.480
<v Speaker 4>like no, but I'm serious. And I was like, all right, man,

1:59:46.480 --> 1:59:49.160
<v Speaker 4>I heard you. I'm not young, I'm not a four

1:59:49.240 --> 1:59:52.040
<v Speaker 4>year old. You don't got to explain something twice. So

1:59:52.960 --> 1:59:56.120
<v Speaker 4>we at the door, backpacks on about the walk out, like.

1:59:59.600 --> 2:00:02.960
<v Speaker 2>Utiful. It's the third time.

2:00:03.080 --> 2:00:05.600
<v Speaker 4>The third time, so I'm like, all right, man, And

2:00:05.640 --> 2:00:08.320
<v Speaker 4>it's in a little clear case or whatever. So he

2:00:08.440 --> 2:00:13.080
<v Speaker 4>hands it back over and he was like, he said, yo,

2:00:13.280 --> 2:00:16.080
<v Speaker 4>I'm for real man. He pulls it back again. Howie

2:00:16.160 --> 2:00:20.280
<v Speaker 4>McDuffie goes this, he pulls it back. I said, yo,

2:00:20.320 --> 2:00:21.760
<v Speaker 4>I heard you. But to the point I'm like, YOA,

2:00:21.800 --> 2:00:23.800
<v Speaker 4>I really don't, don't. I don't want to shit, you

2:00:23.840 --> 2:00:28.320
<v Speaker 4>know what I'm saying, Like the fuck like so between Yeah,

2:00:28.480 --> 2:00:31.440
<v Speaker 4>he was that's my Kanye story.

2:00:31.480 --> 2:00:31.800
<v Speaker 2>He was.

2:00:31.880 --> 2:00:34.800
<v Speaker 4>He was crazy back then. He was a little weird

2:00:34.840 --> 2:00:37.360
<v Speaker 4>though back then. So did you ever get to use

2:00:37.400 --> 2:00:37.960
<v Speaker 4>the beat? No?

2:00:38.200 --> 2:00:38.800
<v Speaker 2>No, I didn't.

2:00:38.880 --> 2:00:41.480
<v Speaker 4>I was gonna take I had one and I did

2:00:41.680 --> 2:00:44.880
<v Speaker 4>like one, and I remember me and Howie used to

2:00:44.880 --> 2:00:47.280
<v Speaker 4>play it a lot, and I was gonna go to

2:00:47.800 --> 2:00:50.280
<v Speaker 4>I was me doing this.

2:00:50.600 --> 2:00:51.440
<v Speaker 2>He told me not to do.

2:00:51.520 --> 2:00:53.440
<v Speaker 4>I was gonna said he was going to go to

2:00:53.480 --> 2:00:55.480
<v Speaker 4>high ninety seven and I was gonna wrap over it

2:00:56.120 --> 2:00:59.840
<v Speaker 4>on Case Slate Ship, but I wrapped over something else

2:01:00.960 --> 2:01:03.960
<v Speaker 4>because Casey was probably rest in Peace. Case Slave Case

2:01:04.160 --> 2:01:08.000
<v Speaker 4>was probably the first DJ in New York to just

2:01:08.120 --> 2:01:13.600
<v Speaker 4>totally fucking disrespected me, like.

2:01:12.240 --> 2:01:15.360
<v Speaker 2>Like shipped it on me. And I was just like, wow,

2:01:16.000 --> 2:01:17.000
<v Speaker 2>what you mean? I was?

2:01:17.680 --> 2:01:20.960
<v Speaker 3>I remember it was now. I ain't say this last

2:01:21.000 --> 2:01:22.160
<v Speaker 3>time it was.

2:01:22.240 --> 2:01:25.520
<v Speaker 4>It was a video shoot for Styles had a song

2:01:26.160 --> 2:01:27.880
<v Speaker 4>on Rackers with Pharaohmont Yeah.

2:01:28.320 --> 2:01:29.360
<v Speaker 2>Yeah, what was it?

2:01:29.400 --> 2:01:32.160
<v Speaker 4>Called my Life? My Life? We was all in the

2:01:32.240 --> 2:01:36.560
<v Speaker 4>video m O P Fox Rest in Peace five record.

2:01:36.560 --> 2:01:37.360
<v Speaker 3>She was in the video.

2:01:37.840 --> 2:01:39.400
<v Speaker 2>Were all at the video shoot.

2:01:39.960 --> 2:01:40.760
<v Speaker 3>I go to the VIDEOSO.

2:01:40.760 --> 2:01:44.440
<v Speaker 4>I go get a pizza, the uh taking steal in

2:01:44.480 --> 2:01:47.040
<v Speaker 4>there everybody in the video. I go gets and piecea

2:01:47.040 --> 2:01:49.360
<v Speaker 4>I'm walking back across the street and I want to

2:01:49.360 --> 2:01:50.120
<v Speaker 4>say it's graph.

2:01:50.880 --> 2:01:52.320
<v Speaker 3>I want to say Graph was out there.

2:01:52.320 --> 2:01:54.800
<v Speaker 4>It might have been Papoos and it's Case Slay and

2:01:54.800 --> 2:01:57.600
<v Speaker 4>this the drama was the hottest in the world. So

2:01:57.760 --> 2:02:00.400
<v Speaker 4>I just me being me, I say, yo, man, like

2:02:00.440 --> 2:02:01.840
<v Speaker 4>I can I said, yo slack?

2:02:02.000 --> 2:02:03.160
<v Speaker 2>He like what up?

2:02:03.240 --> 2:02:03.680
<v Speaker 3>I said, Yo?

2:02:03.680 --> 2:02:05.920
<v Speaker 4>How can I get on the drama hour? And he

2:02:06.560 --> 2:02:08.720
<v Speaker 4>ain't even look at me. This nigga said you gotta

2:02:08.760 --> 2:02:13.800
<v Speaker 4>be nice, and he looked over there. I'm like, my man,

2:02:13.880 --> 2:02:17.000
<v Speaker 4>my man, look at me like I'm from Vijay. We

2:02:17.160 --> 2:02:20.800
<v Speaker 4>used to niggas disrespecting us, but you're not gonna do

2:02:20.840 --> 2:02:23.800
<v Speaker 4>it for too long. So I'm like, I said, you're

2:02:23.800 --> 2:02:26.600
<v Speaker 4>saying I ain't nice. He's like, now, I'm just saying,

2:02:26.640 --> 2:02:29.480
<v Speaker 4>get on the drama, you gotta be nice. Still ain't

2:02:29.480 --> 2:02:32.760
<v Speaker 4>looking at me. I go to Rucus the next day.

2:02:32.800 --> 2:02:35.280
<v Speaker 4>I say, hey, nigga, I don't give a fuck. How

2:02:35.360 --> 2:02:37.680
<v Speaker 4>y'all pull it off. I gotta get on the drama,

2:02:37.680 --> 2:02:41.280
<v Speaker 4>our hot nice seven. I don't tell me when and when.

2:02:41.400 --> 2:02:43.440
<v Speaker 4>I don't even funck how you do it? So how

2:02:43.440 --> 2:02:47.840
<v Speaker 4>we McDuff he finest, finest slay Like Yo, I'm gonna

2:02:47.840 --> 2:02:49.720
<v Speaker 4>come up there with the roucous all. I'm gonna bring

2:02:50.040 --> 2:02:52.920
<v Speaker 4>fha roah, I'm gonna bring modest. I'ma bring quality. Had

2:02:52.920 --> 2:02:55.440
<v Speaker 4>a new rapper the d Oe or whatever, and I'm

2:02:55.440 --> 2:02:57.760
<v Speaker 4>gonna bring mass skills. They're all gonna freestyle on your

2:02:57.760 --> 2:03:00.360
<v Speaker 4>shoulder slay like, all right, bring them up because it's

2:03:00.400 --> 2:03:03.000
<v Speaker 4>just guest on the show. And I think this pharaoh,

2:03:03.200 --> 2:03:06.920
<v Speaker 4>I think Parrol had a ba bather. Simon says, get

2:03:06.920 --> 2:03:10.480
<v Speaker 4>the fuck right. I come up that bitch with a vengeance.

2:03:10.560 --> 2:03:13.520
<v Speaker 4>I'm pissed. I don't even I think Most showed up

2:03:14.480 --> 2:03:18.560
<v Speaker 4>Pharaoh didn't. They still let us come, So I go

2:03:18.640 --> 2:03:21.200
<v Speaker 4>up there. This was this fifty cent had just dropped

2:03:21.200 --> 2:03:26.400
<v Speaker 4>in the club. His going around. Most did his verse

2:03:26.480 --> 2:03:29.520
<v Speaker 4>for Beef, the same he spit on the Sapel Show.

2:03:30.560 --> 2:03:31.040
<v Speaker 2>Come to me.

2:03:32.240 --> 2:03:34.400
<v Speaker 4>I said, Yo, throw the throw that throw that fifty

2:03:34.440 --> 2:03:37.720
<v Speaker 4>shit on and they threw the fifty beat on and

2:03:37.760 --> 2:03:39.960
<v Speaker 4>I blacked the funk out.

2:03:39.960 --> 2:03:43.200
<v Speaker 3>Like spas and he goes.

2:03:43.760 --> 2:03:45.080
<v Speaker 4>I get to the end of the I think I

2:03:45.120 --> 2:03:48.160
<v Speaker 4>did sick like I was sick before Big Daddy Kane

2:03:48.240 --> 2:03:49.960
<v Speaker 4>was doing this. I was sick when biz Mark he

2:03:50.120 --> 2:03:51.680
<v Speaker 4>was a cute baby like I was doing all these

2:03:51.960 --> 2:03:55.680
<v Speaker 4>I was sick when Bobby Brown was fucking dancing for shiit.

2:03:55.840 --> 2:03:57.640
<v Speaker 4>I was doing all this shit. And he gets to

2:03:57.680 --> 2:03:59.360
<v Speaker 4>the end of the free side and then he I

2:03:59.360 --> 2:04:01.440
<v Speaker 4>guess the board op or whatever. I think his name

2:04:01.480 --> 2:04:04.600
<v Speaker 4>was Malaki, and I heard he said a A A Malaka.

2:04:05.200 --> 2:04:07.240
<v Speaker 4>He was like, yo, that that might be the hottest

2:04:07.240 --> 2:04:10.360
<v Speaker 4>freestyle nigga ever. Split up here be like, yo, that

2:04:10.440 --> 2:04:12.680
<v Speaker 4>shit was crazy, and I just looked at the nig

2:04:12.800 --> 2:04:18.960
<v Speaker 4>and I was I just walked out, like I want

2:04:18.960 --> 2:04:21.720
<v Speaker 4>to say. It's still on YouTube somewhere like look up

2:04:21.800 --> 2:04:27.000
<v Speaker 4>Mad Skilled Skills, Case Slade Drama. I blacked out, like

2:04:27.040 --> 2:04:29.360
<v Speaker 4>I lost it. But it was a good moment. But yeah,

2:04:29.400 --> 2:04:32.080
<v Speaker 4>Case Slade lit a whole fire in me. So appreciate that.

2:04:32.200 --> 2:04:39.680
<v Speaker 4>Rest and peace. As many of y'all know, Drink Chance

2:04:39.720 --> 2:04:42.200
<v Speaker 4>wants to give flowers, but people are here to receive them.

2:04:42.640 --> 2:04:45.200
<v Speaker 4>Giving flowers and celebrating our legends while they can still

2:04:45.240 --> 2:04:48.120
<v Speaker 4>smell us. We have partnered with What the Flowers to

2:04:48.240 --> 2:04:51.040
<v Speaker 4>create this mooonment where everyone can give flowers to the

2:04:51.120 --> 2:04:54.120
<v Speaker 4>legends in their lives. You can now order a custom

2:04:54.160 --> 2:04:57.040
<v Speaker 4>flower box for to someone you want to show appreciation

2:04:57.200 --> 2:05:00.480
<v Speaker 4>to you by visiting www dot.

2:05:00.040 --> 2:05:08.640
<v Speaker 2>W U t D Primo, Pete Rock.

2:05:09.400 --> 2:05:12.440
<v Speaker 4>Mm hmm those are both my guys, man, So you're

2:05:12.440 --> 2:05:13.040
<v Speaker 4>taking a shot.

2:05:13.320 --> 2:05:17.600
<v Speaker 2>Whoa, whoa, that's a good dream promote pre You know

2:05:17.640 --> 2:05:22.160
<v Speaker 2>what Promo sampled me. You didn't get the diverse.

2:05:22.960 --> 2:05:26.480
<v Speaker 4>I ain't get diverse in common either, but Primo sampled

2:05:26.480 --> 2:05:29.320
<v Speaker 4>me a couple of times on the game and he

2:05:29.400 --> 2:05:32.240
<v Speaker 4>sampled me on a j Rue song. So I'm gonna

2:05:32.240 --> 2:05:34.960
<v Speaker 4>go with promo. I still want to wrap over promo

2:05:35.040 --> 2:05:37.840
<v Speaker 4>be that's like my you haven't I have? I never

2:05:37.840 --> 2:05:39.120
<v Speaker 4>wrapped over promo be what.

2:05:39.480 --> 2:05:43.240
<v Speaker 2>You got one MI one one m C and one

2:05:43.600 --> 2:05:44.200
<v Speaker 2>rock Damn?

2:05:44.240 --> 2:05:47.320
<v Speaker 4>I got song with Pete Rock Damn and that com

2:05:47.400 --> 2:05:52.480
<v Speaker 4>Pete Rock album is though inspired fire Let the album

2:05:53.600 --> 2:05:57.200
<v Speaker 4>tim Berlander Pharrell, We're not doing that, Yeah we are.

2:05:59.600 --> 2:06:01.000
<v Speaker 3>Come on, I'm not doing that.

2:06:01.080 --> 2:06:04.000
<v Speaker 2>You know drinking that I don't. I don't know that

2:06:04.120 --> 2:06:09.680
<v Speaker 2>you got I'm not doing drinking actually, like that damn

2:06:10.200 --> 2:06:11.160
<v Speaker 2>ship for Rall.

2:06:11.120 --> 2:06:13.440
<v Speaker 4>And Damn Timbo that's a hard one.

2:06:16.320 --> 2:06:17.760
<v Speaker 2>Chris Brown is Trey songs.

2:06:19.040 --> 2:06:20.760
<v Speaker 4>Now, we're not doing that.

2:06:21.160 --> 2:06:24.080
<v Speaker 2>I guess you guys, by the way, that's just what

2:06:24.120 --> 2:06:25.600
<v Speaker 2>are y'all doing? The mean man?

2:06:25.680 --> 2:06:29.520
<v Speaker 4>Come on, come on man, yeah, how I'm on Pitt

2:06:29.640 --> 2:06:30.360
<v Speaker 4>Virginia Artist.

2:06:31.440 --> 2:06:32.760
<v Speaker 2>What happened? You did that?

2:06:32.760 --> 2:06:32.920
<v Speaker 4>Bro?

2:06:33.320 --> 2:06:34.800
<v Speaker 2>What then are you doing on my music?

2:06:34.840 --> 2:06:35.000
<v Speaker 4>Bro?

2:06:35.840 --> 2:06:36.640
<v Speaker 2>You drink and drunk?

2:06:36.720 --> 2:06:39.200
<v Speaker 6>Come on first, Booge you almost broke my record and

2:06:39.920 --> 2:06:45.400
<v Speaker 6>what they yeah.

2:06:45.640 --> 2:06:55.640
<v Speaker 2>Stuff anxiety exact. I was like this boot you record

2:06:55.680 --> 2:06:56.360
<v Speaker 2>for so long?

2:06:56.400 --> 2:06:59.560
<v Speaker 1>So he's doing in the middle one like talking my

2:06:59.640 --> 2:07:01.280
<v Speaker 1>stream in so bout you grabs this.

2:07:01.680 --> 2:07:03.560
<v Speaker 2>Yeah, it was like this is not funny. And he's

2:07:03.640 --> 2:07:05.240
<v Speaker 2>like this what is he said?

2:07:05.760 --> 2:07:09.760
<v Speaker 1>Inctal property and he was taking the mind go to

2:07:09.840 --> 2:07:14.960
<v Speaker 1>the cloud, cloud cloud, and then like you know.

2:07:15.240 --> 2:07:19.000
<v Speaker 2>What, I'm like, he's saying that physical boy.

2:07:26.520 --> 2:07:31.720
<v Speaker 1>Space because he's saying in the world's record.

2:07:32.080 --> 2:07:38.760
<v Speaker 2>You know that's what I was gonna be, like health records,

2:07:38.840 --> 2:07:39.120
<v Speaker 2>just like you.

2:07:41.280 --> 2:07:44.080
<v Speaker 4>But that's right, that's my pay fast blessing.

2:07:48.080 --> 2:07:49.440
<v Speaker 2>Okay, held on, where's the next one?

2:07:49.600 --> 2:07:50.840
<v Speaker 3>And you trained Chris y'all?

2:07:51.240 --> 2:07:56.400
<v Speaker 4>Yeah, yeah, that's the missy or Eve missy Okay, you

2:07:56.560 --> 2:08:03.200
<v Speaker 4>mean it. He's let us on dog Pound. First of all,

2:08:03.200 --> 2:08:08.120
<v Speaker 4>it's gonna be the clips. That's family. But I had

2:08:08.240 --> 2:08:10.839
<v Speaker 4>do have not even a story, but I do remember

2:08:11.320 --> 2:08:14.400
<v Speaker 4>you probably don't. Most people probably don't remember this when

2:08:14.400 --> 2:08:17.720
<v Speaker 4>we but we were talking about when I thought Kris.

2:08:17.360 --> 2:08:18.560
<v Speaker 2>One just this.

2:08:19.680 --> 2:08:23.240
<v Speaker 4>So at the beginning of New York, New York, when

2:08:23.280 --> 2:08:25.920
<v Speaker 4>the song comes on and you start hearing the fading,

2:08:25.960 --> 2:08:28.760
<v Speaker 4>you start hearing we don't even and they start talking

2:08:28.840 --> 2:08:32.280
<v Speaker 4>New York Yo, b yo, be your word of mother son,

2:08:33.120 --> 2:08:35.360
<v Speaker 4>and then you hear niggas say, yo, I got mad

2:08:35.440 --> 2:08:41.480
<v Speaker 4>skills son like right in the beginning, just talking about

2:08:42.520 --> 2:08:44.640
<v Speaker 4>but I knew, I knew they was trying. They was.

2:08:44.800 --> 2:08:47.320
<v Speaker 3>I knew it was they was this. There was there

2:08:47.360 --> 2:08:47.960
<v Speaker 3>was no question.

2:08:48.280 --> 2:08:51.960
<v Speaker 4>But I always remember that, like, damn, like that isn't

2:08:51.960 --> 2:08:54.840
<v Speaker 4>corrupt say my name and the song. I should have said,

2:08:56.040 --> 2:08:58.360
<v Speaker 4>it's so low though, but if you go back and listen,

2:08:58.400 --> 2:08:59.360
<v Speaker 4>you can hear it and ship.

2:09:00.000 --> 2:09:03.440
<v Speaker 1>I was so mad when Poked and mentioned us missed

2:09:04.080 --> 2:09:04.920
<v Speaker 1>it was all record.

2:09:05.360 --> 2:09:08.040
<v Speaker 2>I was like, damn, bro, I was like, I mean

2:09:08.160 --> 2:09:10.680
<v Speaker 2>he didn't even say he mentioned us at Oh. Like

2:09:10.760 --> 2:09:12.760
<v Speaker 2>I was like, did you gonna do a remix or something?

2:09:12.880 --> 2:09:14.440
<v Speaker 2>I was like, I wanted to.

2:09:15.760 --> 2:09:19.520
<v Speaker 6>What a crazy time man? Okay, here we at m

2:09:19.560 --> 2:09:20.560
<v Speaker 6>O per mob deep.

2:09:21.400 --> 2:09:25.520
<v Speaker 2>Yeah I wanted to ask that one. It took too long,

2:09:25.560 --> 2:09:30.800
<v Speaker 2>but I got an m O P story. Please.

2:09:31.640 --> 2:09:33.760
<v Speaker 4>They did a show in v A at this club

2:09:33.800 --> 2:09:36.560
<v Speaker 4>called Flavors and it was them I want to say,

2:09:36.600 --> 2:09:40.920
<v Speaker 4>original original gun Clappers o GC and it was Jay Rue.

2:09:41.920 --> 2:09:43.520
<v Speaker 2>Motherfuckers wasn't feeling Jay Rope.

2:09:43.760 --> 2:09:46.120
<v Speaker 4>They were scammaging. They was tossing it up on the

2:09:46.160 --> 2:09:50.760
<v Speaker 4>stage or whatever, and it was it was like, yeah,

2:09:50.760 --> 2:09:51.720
<v Speaker 4>we're not really hit that.

2:09:52.360 --> 2:09:54.320
<v Speaker 2>Where is this against them? Sin Virginia.

2:09:54.400 --> 2:09:56.680
<v Speaker 1>This is he had come clean? Yeah you want the

2:09:56.680 --> 2:10:01.280
<v Speaker 1>front J's dope. Though it was back there, it was early.

2:10:01.320 --> 2:10:04.000
<v Speaker 2>I don't even think the record had caught on before

2:10:04.040 --> 2:10:04.640
<v Speaker 2>the record was in.

2:10:04.760 --> 2:10:09.360
<v Speaker 4>Ce comes out, they do their thing, and the mop

2:10:09.520 --> 2:10:15.320
<v Speaker 4>come on stage. I'll never forget it. Them niggas had

2:10:16.440 --> 2:10:20.880
<v Speaker 4>a slew of people with and Fame got on the

2:10:20.960 --> 2:10:22.680
<v Speaker 4>mic and was like, yeah, you know what I'm saying,

2:10:22.680 --> 2:10:24.960
<v Speaker 4>We from New York. You know what I'm saying, Browns

2:10:25.120 --> 2:10:27.800
<v Speaker 4>whatever he was saying, mash our posse. You know, we're

2:10:27.800 --> 2:10:30.080
<v Speaker 4>about to do a couple of songs. We're gonna fucking rap.

2:10:30.240 --> 2:10:31.680
<v Speaker 4>You know what I'm saying. We're gonna play some joints.

2:10:31.680 --> 2:10:33.400
<v Speaker 4>We're gonna get it off here. You know what I'm saying.

2:10:33.440 --> 2:10:35.600
<v Speaker 4>I'm gonna let yall niggas know now, any of y'all

2:10:35.640 --> 2:10:38.160
<v Speaker 4>niggas throw some ship up here, I'm gonna punch y'all

2:10:38.200 --> 2:10:40.320
<v Speaker 4>niggas in the face, and my man right here gonna

2:10:40.360 --> 2:10:43.040
<v Speaker 4>jump off the stage. My man' here gonna jump off

2:10:43.040 --> 2:10:44.880
<v Speaker 4>the stage and kick all your niggas in the face.

2:10:44.960 --> 2:10:46.400
<v Speaker 3>Breach birth style word.

2:10:46.440 --> 2:10:49.640
<v Speaker 4>The mother's son played my ship and the b came

2:10:49.720 --> 2:10:53.800
<v Speaker 4>on and everybody just stood there, and I was like, Yo,

2:10:53.960 --> 2:11:00.640
<v Speaker 4>these niggas like literally like they literally came on stage

2:11:00.720 --> 2:11:05.520
<v Speaker 4>and scared the audience into not doing anything while they

2:11:05.680 --> 2:11:10.440
<v Speaker 4>fucking rapped. And I mean they gonna bought some all

2:11:10.560 --> 2:11:19.120
<v Speaker 4>call and niggas knew that song it and nobody's gonna.

2:11:17.560 --> 2:11:18.920
<v Speaker 10>They were so scared the.

2:11:18.880 --> 2:11:24.440
<v Speaker 4>Crowd wouldn't even say the hook. I watched it happen.

2:11:25.480 --> 2:11:29.480
<v Speaker 4>I swing past the hotel because my DJ was dropping

2:11:29.480 --> 2:11:31.720
<v Speaker 4>off his equipment or whatever. They all in front of

2:11:31.760 --> 2:11:34.280
<v Speaker 4>this rinking because it's a college town. It ain't no

2:11:34.640 --> 2:11:37.960
<v Speaker 4>five star hotels in this town. It's in Petersburg, So

2:11:38.040 --> 2:11:40.760
<v Speaker 4>they stand in front of the hotel and I didn't

2:11:40.760 --> 2:11:42.000
<v Speaker 4>even know they knew who I was.

2:11:42.080 --> 2:11:44.120
<v Speaker 2>So I'm dropping my men off. I give him PAM

2:11:44.480 --> 2:11:44.840
<v Speaker 2>and I.

2:11:44.880 --> 2:11:45.920
<v Speaker 3>Just hear fame go.

2:11:46.520 --> 2:11:50.880
<v Speaker 2>And your man scared. I'm like, shit, this nigga know

2:11:50.960 --> 2:11:55.480
<v Speaker 2>my name. I'm like, what's up? You're with a wei

2:11:55.520 --> 2:11:58.720
<v Speaker 2>that I was like, I was smoked.

2:12:00.120 --> 2:12:03.880
<v Speaker 3>I'll find you something. I don't smoke, you know what

2:12:03.880 --> 2:12:04.280
<v Speaker 3>I'm saying.

2:12:04.280 --> 2:12:06.280
<v Speaker 4>But I was like I remember saying like yeah, man,

2:12:06.280 --> 2:12:08.880
<v Speaker 4>I'll get your I send my man over here, so

2:12:09.120 --> 2:12:10.840
<v Speaker 4>I sent my DJ to go talk to him.

2:12:10.840 --> 2:12:13.360
<v Speaker 2>I think they hooked him up with the plug that night.

2:12:13.520 --> 2:12:14.040
<v Speaker 2>But I just.

2:12:14.000 --> 2:12:16.440
<v Speaker 4>Remember how scared they had everybody in that club.

2:12:16.800 --> 2:12:17.080
<v Speaker 2>It was.

2:12:17.160 --> 2:12:20.880
<v Speaker 4>But it's slipped all day in Virginia. Man, they came

2:12:20.960 --> 2:12:22.520
<v Speaker 4>down there and scared the audience.

2:12:23.120 --> 2:12:30.280
<v Speaker 1>Yeah, next one.

2:12:27.600 --> 2:12:30.360
<v Speaker 4>Teddy Riley or Q tip Q tip come on man.

2:12:31.040 --> 2:12:33.000
<v Speaker 4>But he said that quickly. Two money styles.

2:12:33.280 --> 2:12:35.560
<v Speaker 3>But everything.

2:12:35.560 --> 2:12:37.920
<v Speaker 4>It's funny because every time I when I see Teddy, right,

2:12:38.000 --> 2:12:40.160
<v Speaker 4>he don't even call me mask. He's just called me Virginia.

2:12:40.560 --> 2:12:42.400
<v Speaker 4>Every time I see he say what Virginia? He don't

2:12:42.400 --> 2:12:45.880
<v Speaker 4>even say my name Virginia. We got to say we

2:12:45.920 --> 2:12:49.440
<v Speaker 4>got the same lawyer. But yeah, it's q tip all day.

2:12:49.480 --> 2:12:56.000
<v Speaker 4>And y'all already know why. Okay, loyalty or respect? How

2:12:56.000 --> 2:13:00.800
<v Speaker 4>about trust? He threw a third one in there, because

2:13:00.840 --> 2:13:04.640
<v Speaker 4>I feel like this. I feel like I feel like

2:13:04.640 --> 2:13:09.160
<v Speaker 4>trust is I'd rather be trusted than love because I

2:13:09.160 --> 2:13:13.839
<v Speaker 4>feel like if I trust you, I'll go through anything

2:13:13.880 --> 2:13:17.120
<v Speaker 4>with you. If I trust you, the love gonna be

2:13:17.120 --> 2:13:22.120
<v Speaker 4>there regardless if I trust you. So for me, outside

2:13:22.120 --> 2:13:24.080
<v Speaker 4>of loyalty and respect, even though you didn't ask, I

2:13:24.080 --> 2:13:25.880
<v Speaker 4>would say trust. But if I had to pick one,

2:13:26.720 --> 2:13:30.800
<v Speaker 4>I would say the loyalty because if I got the loyalty,

2:13:30.800 --> 2:13:32.400
<v Speaker 4>the respect will come.

2:13:34.400 --> 2:13:35.120
<v Speaker 2>Yeah, you know what I mean.

2:13:35.160 --> 2:13:37.640
<v Speaker 3>And so many they write they write in the same

2:13:37.720 --> 2:13:38.640
<v Speaker 3>vein you.

2:13:38.560 --> 2:13:41.600
<v Speaker 2>Know what I mean. So yeah, I would say loyalty. Okay.

2:13:42.120 --> 2:13:45.240
<v Speaker 1>So now you said you had a we're gonna we're

2:13:45.240 --> 2:13:48.880
<v Speaker 1>gonna recap the run DMC story. He has a follow

2:13:48.960 --> 2:13:49.240
<v Speaker 1>up to it.

2:13:49.600 --> 2:13:50.000
<v Speaker 3>Follow up.

2:13:50.040 --> 2:13:50.280
<v Speaker 2>Okay.

2:13:50.280 --> 2:13:53.000
<v Speaker 4>So so you remember the first time I was on

2:13:53.120 --> 2:13:55.640
<v Speaker 4>hen and I said, here's the quick version. I said,

2:13:55.720 --> 2:13:58.440
<v Speaker 4>run them run from run dem see played me three

2:13:58.520 --> 2:14:01.200
<v Speaker 4>times in my life. Up my hand out, you'll give

2:14:01.240 --> 2:14:02.680
<v Speaker 4>him a pair of niggas, pat me on the.

2:14:02.720 --> 2:14:03.840
<v Speaker 3>Back, walked off.

2:14:05.560 --> 2:14:10.480
<v Speaker 4>I told y'all this story how many years ago, and

2:14:10.520 --> 2:14:14.120
<v Speaker 4>it goes viral. It's the biggest moment from my drink

2:14:14.160 --> 2:14:19.320
<v Speaker 4>tam Mad Skills tried to beat up Red Run. Everybody

2:14:19.480 --> 2:14:22.560
<v Speaker 4>seen it. It was an aggressive story in your past

2:14:22.600 --> 2:14:25.400
<v Speaker 4>because y'all called me at the end of drink Champs and.

2:14:25.440 --> 2:14:26.520
<v Speaker 3>Let me tell y'all what y'all did.

2:14:26.600 --> 2:14:28.080
<v Speaker 4>Let me tell you. Let me explain something to you.

2:14:28.280 --> 2:14:30.200
<v Speaker 4>This is what y'all did to me last time. Because

2:14:30.200 --> 2:14:33.600
<v Speaker 4>I'm smarter now. I came here last time. The show's

2:14:33.640 --> 2:14:35.840
<v Speaker 4>called Drink Champs. It is what it is. I get it.

2:14:36.000 --> 2:14:39.920
<v Speaker 4>I'm a lightweight. I counted how many shots I took

2:14:39.960 --> 2:14:43.880
<v Speaker 4>on drink. It was eleven fucking shots.

2:14:44.000 --> 2:14:44.840
<v Speaker 2>Can I tell you something?

2:14:44.840 --> 2:14:47.240
<v Speaker 4>You know, when we recounted you come in on drinks chants,

2:14:47.280 --> 2:14:48.680
<v Speaker 4>We're like, we don't think he drank.

2:14:51.040 --> 2:14:51.960
<v Speaker 2>And let me shot.

2:14:52.440 --> 2:14:59.800
<v Speaker 4>Ask God, now, I don't think he drinks. Disrespectful ship.

2:15:00.240 --> 2:15:03.120
<v Speaker 4>This is the most disrespectful thing and Noy ever did

2:15:03.160 --> 2:15:07.000
<v Speaker 4>to me. I did all of those drinks. I say,

2:15:07.080 --> 2:15:09.920
<v Speaker 4>I'm saving his story for the book. Noy says, no, no,

2:15:09.960 --> 2:15:14.480
<v Speaker 4>you got I tell the story ruin your book.

2:15:16.400 --> 2:15:17.120
<v Speaker 2>That's what we do.

2:15:17.760 --> 2:15:20.440
<v Speaker 3>I tell the story. Story goes viral.

2:15:22.080 --> 2:15:25.600
<v Speaker 4>The next week, I watched Drink Champs and Cam is

2:15:25.640 --> 2:15:30.480
<v Speaker 4>on here. First time, Killer Cam I think was on here,

2:15:31.560 --> 2:15:32.440
<v Speaker 4>and y'all said.

2:15:32.320 --> 2:15:34.960
<v Speaker 2>Y'all make some noise, Killer Cam hale them all that.

2:15:34.960 --> 2:15:38.320
<v Speaker 4>Shit, y'all off of caim a drink and that nigga says, yeah,

2:15:38.320 --> 2:15:47.440
<v Speaker 4>I ain't drinking, and I go the fucking drinks always

2:15:47.880 --> 2:15:52.040
<v Speaker 4>so boom. Anyway, I go off of the rails and

2:15:52.080 --> 2:15:54.680
<v Speaker 4>tell the story about how I was gonna beat up

2:15:54.760 --> 2:15:59.680
<v Speaker 4>Run from Run DMC. I actually find the video of

2:16:00.040 --> 2:16:04.600
<v Speaker 4>and Run violated me at the concerts show show.

2:16:04.720 --> 2:16:05.960
<v Speaker 3>It's on my gram.

2:16:06.000 --> 2:16:09.200
<v Speaker 4>I dubbed the video up after when he said, Yo,

2:16:09.240 --> 2:16:11.560
<v Speaker 4>and man, he ain't no photographer. He working that nigga

2:16:11.640 --> 2:16:15.440
<v Speaker 4>like he he. I didn't see the video, okay, So

2:16:15.640 --> 2:16:17.960
<v Speaker 4>the moment was viral from when I said I was

2:16:17.960 --> 2:16:21.440
<v Speaker 4>gonna jump on then the video everybody I can't Skills

2:16:21.440 --> 2:16:28.000
<v Speaker 4>got received. This really happened fast forward, the moment dies down.

2:16:28.120 --> 2:16:31.840
<v Speaker 4>Whatever I'm in v A, it's my birthday. I'm out

2:16:31.880 --> 2:16:35.360
<v Speaker 4>with my family getting something to eat.

2:16:36.720 --> 2:16:38.640
<v Speaker 2>Chill now. It might have been like a Tuesday or so.

2:16:39.200 --> 2:16:43.240
<v Speaker 11>Charlie matcoor Charlie mac calls care punt Charlie mack from

2:16:43.240 --> 2:16:47.440
<v Speaker 11>Philly because Charlie mack han talked to Jazzy Jeff and said, Yo,

2:16:47.480 --> 2:16:49.560
<v Speaker 11>I seen an interview with this nigga Skills talking about

2:16:49.560 --> 2:16:50.400
<v Speaker 11>he was gonna beat up Run.

2:16:50.640 --> 2:16:53.760
<v Speaker 2>Is wrong with this nigga? Yo, Yo, you don't talk

2:16:53.800 --> 2:16:55.680
<v Speaker 2>about our legends like that. I'm not doing that. Baby,

2:16:55.720 --> 2:16:58.119
<v Speaker 2>You're not, Charlie, so we're not Jeff.

2:16:58.320 --> 2:17:01.400
<v Speaker 4>Jeff Skills got tightened up and if Jeff tells Charlie,

2:17:01.440 --> 2:17:04.000
<v Speaker 4>who he's known since he was six six seven fifteen.

2:17:04.160 --> 2:17:08.240
<v Speaker 4>He said, Charlie, I was with Skills that night, and.

2:17:10.320 --> 2:17:13.680
<v Speaker 3>It was warranted what he said.

2:17:13.760 --> 2:17:13.960
<v Speaker 2>Yo.

2:17:14.160 --> 2:17:16.879
<v Speaker 3>If if Skills would have took off, he.

2:17:16.840 --> 2:17:20.800
<v Speaker 4>Kind of had, Charlie, he had, he had legs.

2:17:19.600 --> 2:17:24.240
<v Speaker 2>He got wild, disrespected. No, no, baby, I don't make

2:17:24.280 --> 2:17:25.200
<v Speaker 2>this right. And make this right.

2:17:25.640 --> 2:17:27.760
<v Speaker 3>It's my birthday. I'm with my family.

2:17:27.800 --> 2:17:32.600
<v Speaker 4>My phone rings, it's Charlie Meg. I'm thinking he called

2:17:32.600 --> 2:17:35.920
<v Speaker 4>me to tell me happy birthday or tell me, you know,

2:17:36.080 --> 2:17:37.800
<v Speaker 4>maybe you know, Will might.

2:17:37.680 --> 2:17:41.600
<v Speaker 2>Want to start working on some music or something. He's like, Yo,

2:17:41.840 --> 2:17:42.400
<v Speaker 2>where you at?

2:17:42.760 --> 2:17:48.360
<v Speaker 4>I said, I'm out eating with my family. Yo, step outside. Hey,

2:17:48.480 --> 2:17:53.080
<v Speaker 4>Nigga just said him with my family? He ain't me Skills.

2:17:54.160 --> 2:17:56.320
<v Speaker 4>This is me, baby, I said, Charlie, I know who

2:17:56.320 --> 2:18:01.400
<v Speaker 4>it is. Since Charlie Mag, I'm with my family. Were

2:18:01.480 --> 2:18:03.160
<v Speaker 4>right in the middle, like you know what I mean.

2:18:03.520 --> 2:18:05.400
<v Speaker 4>I know that the cake is coming in a minute

2:18:05.400 --> 2:18:07.560
<v Speaker 4>with the happy birthday on everybody.

2:18:09.000 --> 2:18:09.520
<v Speaker 2>Like Charlie.

2:18:09.560 --> 2:18:11.640
<v Speaker 4>He like, step outside where you are? I said, I'm

2:18:11.720 --> 2:18:15.640
<v Speaker 4>with my family? Step outside, I said. Charlie said, Skills,

2:18:15.640 --> 2:18:19.560
<v Speaker 4>do I ever ask you for anything? I said no, well,

2:18:19.560 --> 2:18:21.680
<v Speaker 4>can you do me this one? Favorite step outside for

2:18:21.720 --> 2:18:22.200
<v Speaker 4>a second.

2:18:22.240 --> 2:18:22.800
<v Speaker 3>I can't hear it.

2:18:23.000 --> 2:18:24.600
<v Speaker 4>I can't hear you his why it's busy In that,

2:18:25.440 --> 2:18:29.160
<v Speaker 4>I said, I walk outside. I tell my family, I

2:18:29.200 --> 2:18:34.640
<v Speaker 4>step outside by myself, outside in front of this restaurant. Hello,

2:18:35.680 --> 2:18:40.240
<v Speaker 4>I said hello. I hear somebody say, is this mad skills?

2:18:41.040 --> 2:18:44.120
<v Speaker 4>I said, oh shit. As soon as he said this,

2:18:44.320 --> 2:18:48.440
<v Speaker 4>I was like, this is run. He says, is am

2:18:48.480 --> 2:18:52.480
<v Speaker 4>I speaking to mad skills? I automatically turned back into

2:18:52.560 --> 2:18:57.080
<v Speaker 4>the thirteen year old kid. I said, yes, sir. He said,

2:18:57.200 --> 2:19:00.640
<v Speaker 4>first of all, I want to apologize to you. I

2:19:00.680 --> 2:19:02.879
<v Speaker 4>said no, no, no, no no. I said no, no, no, you know,

2:19:02.959 --> 2:19:04.720
<v Speaker 4>I said, run. You don't have to rev you don't

2:19:04.720 --> 2:19:06.600
<v Speaker 4>have to do He said, no, no, no, I do. I

2:19:06.640 --> 2:19:09.320
<v Speaker 4>do have to do this. He said, let me do this.

2:19:09.480 --> 2:19:13.080
<v Speaker 4>I said, okay. He said, I want to apologize to

2:19:13.120 --> 2:19:15.480
<v Speaker 4>you for how I treated you when I met you

2:19:16.200 --> 2:19:19.879
<v Speaker 4>when you were thirteen, when I met you again, and then.

2:19:19.840 --> 2:19:21.360
<v Speaker 2>The last time that I saw you.

2:19:23.280 --> 2:19:26.039
<v Speaker 4>Well, he said it on the show he went, he

2:19:26.080 --> 2:19:29.119
<v Speaker 4>went chronicle with so he said. I said, I said,

2:19:29.160 --> 2:19:30.840
<v Speaker 4>I said, yo, man like. He said, no, no, no,

2:19:30.879 --> 2:19:33.840
<v Speaker 4>He said, it's not cool. It wasn't cool then, it's

2:19:33.879 --> 2:19:37.560
<v Speaker 4>not cool now. He said, I just want to apologize

2:19:37.600 --> 2:19:40.280
<v Speaker 4>to you because I didn't know who.

2:19:40.520 --> 2:19:41.080
<v Speaker 2>I didn't not.

2:19:41.480 --> 2:19:43.160
<v Speaker 4>I did not that you have to be somebody to

2:19:43.200 --> 2:19:46.080
<v Speaker 4>be treated a certain way, but I was another person.

2:19:46.120 --> 2:19:49.400
<v Speaker 4>Then I want to apologize to you now. And I said, oh, man,

2:19:49.440 --> 2:19:51.080
<v Speaker 4>I said, run, I really appreciate that.

2:19:51.120 --> 2:19:51.440
<v Speaker 2>He said.

2:19:51.560 --> 2:19:55.160
<v Speaker 4>Also, I'm sitting here and I'm looking at I have

2:19:55.280 --> 2:20:00.000
<v Speaker 4>your hat right here. I said, right ware. He said,

2:20:00.080 --> 2:20:02.760
<v Speaker 4>I haven't right here. He said, I'm old school. I

2:20:02.760 --> 2:20:05.320
<v Speaker 4>got a pen and I got some paper. So if

2:20:05.320 --> 2:20:08.280
<v Speaker 4>you tell me your address, I'm going to send this

2:20:08.320 --> 2:20:10.720
<v Speaker 4>to you FedEx and it will be to you next

2:20:10.800 --> 2:20:11.440
<v Speaker 4>two days.

2:20:12.080 --> 2:20:18.480
<v Speaker 3>I spit my address right, he says. He said. And

2:20:18.520 --> 2:20:19.760
<v Speaker 3>I heard it's your birthday today.

2:20:19.760 --> 2:20:22.640
<v Speaker 4>I said yeah. He said, happy birthday. I said, wow,

2:20:23.040 --> 2:20:26.120
<v Speaker 4>thank you. He said, that's all love. He said, Charle,

2:20:26.280 --> 2:20:30.040
<v Speaker 4>He said, I heard this story. It was moving around

2:20:30.040 --> 2:20:32.320
<v Speaker 4>a couple of people told me about it, and I was, like,

2:20:32.520 --> 2:20:37.280
<v Speaker 4>I asked, he said, I asked some people.

2:20:37.280 --> 2:20:37.600
<v Speaker 2>He said.

2:20:37.760 --> 2:20:40.959
<v Speaker 4>I thought to myself, who knows everybody? Charlie mc knows everybody.

2:20:41.120 --> 2:20:42.600
<v Speaker 4>So I called him and I said, do you know

2:20:42.640 --> 2:20:45.160
<v Speaker 4>a guy named Mad Skills, and Charlie said, that's my guy.

2:20:45.480 --> 2:20:48.360
<v Speaker 4>Is I need. I need his phone number and his address.

2:20:48.400 --> 2:20:50.760
<v Speaker 4>Charlie said, I call him right now. So they called

2:20:50.760 --> 2:20:54.800
<v Speaker 4>me and it just happened. It happen for my birthday.

2:20:54.959 --> 2:20:59.480
<v Speaker 4>I give him the address. Charlie says, look, do me

2:20:59.480 --> 2:21:03.360
<v Speaker 4>a favor. When you get the box, don't open it.

2:21:03.920 --> 2:21:06.920
<v Speaker 4>FaceTime me when you about to open it. I said,

2:21:06.959 --> 2:21:11.560
<v Speaker 4>all right, cool box comes in two days. I facetimed

2:21:11.640 --> 2:21:14.640
<v Speaker 4>Charlie Matt. I got the box in front of me.

2:21:15.080 --> 2:21:16.640
<v Speaker 4>I got a camera. I got it because I got

2:21:16.720 --> 2:21:19.119
<v Speaker 4>I got a camera here because I got I gotta

2:21:19.120 --> 2:21:22.800
<v Speaker 4>get that moment. Yes, face time. Charlie Mack picks on

2:21:22.840 --> 2:21:24.840
<v Speaker 4>the phone. Chart Mac says, Yo, you got it. I

2:21:24.840 --> 2:21:27.959
<v Speaker 4>said yeah, he said, hold on. He clicks over. Two

2:21:28.000 --> 2:21:29.959
<v Speaker 4>faces pop up on my phone. Charlie back on the

2:21:29.959 --> 2:21:30.920
<v Speaker 4>top box, Red.

2:21:30.800 --> 2:21:31.600
<v Speaker 2>Run on the bottom.

2:21:32.040 --> 2:21:35.720
<v Speaker 3>Red Run goes, Yo, you got the hat. I said yeah.

2:21:35.800 --> 2:21:38.480
<v Speaker 4>Charlie said, open up the box, baby, open that shit up.

2:21:39.440 --> 2:21:41.959
<v Speaker 4>Charlie going hand. I opened up the box. It's a

2:21:42.080 --> 2:21:45.840
<v Speaker 4>note in it. It says too too mask. I can't

2:21:45.840 --> 2:21:50.040
<v Speaker 4>remember what it says. Paraphraser two Mad skills, enjoy your birthday.

2:21:50.320 --> 2:21:53.000
<v Speaker 4>Here's your hat. Keep doing great things.

2:21:53.040 --> 2:21:53.600
<v Speaker 2>Rev. Run.

2:21:54.920 --> 2:21:59.640
<v Speaker 4>I'm looking at the box, run goes. Charlie goes. He said, now,

2:21:59.720 --> 2:22:02.280
<v Speaker 4>he said, that's not a new hat. That's the hat

2:22:02.280 --> 2:22:06.160
<v Speaker 4>that I won before. That's that's not I didn't just

2:22:06.320 --> 2:22:08.840
<v Speaker 4>get you a hat. That's one out of my collection.

2:22:09.000 --> 2:22:11.720
<v Speaker 4>So that's one of the prize ones. I was like,

2:22:11.760 --> 2:22:13.920
<v Speaker 4>oh my, I said, run, thank you so much. He said,

2:22:13.920 --> 2:22:15.800
<v Speaker 4>how is it how you feel? I said, yo, I

2:22:15.879 --> 2:22:18.760
<v Speaker 4>feel like a thirteen year old kid again. Man, I'm

2:22:18.840 --> 2:22:22.000
<v Speaker 4>wilding right now. Charlie says, yo, put the hat on.

2:22:24.480 --> 2:22:26.160
<v Speaker 4>I take I take the phone, put it on and

2:22:26.200 --> 2:22:28.560
<v Speaker 4>put it on the thing. I take the hat. I

2:22:28.600 --> 2:22:30.959
<v Speaker 4>start putting the hat on. When I start putting the

2:22:31.040 --> 2:22:35.600
<v Speaker 4>hat on, Charlie, Matt goes, run run right right right, Run,

2:22:35.640 --> 2:22:37.440
<v Speaker 4>starts going.

2:22:37.480 --> 2:22:41.240
<v Speaker 2>I'm like, so I put the hat on.

2:22:41.400 --> 2:22:44.560
<v Speaker 4>Charlie said, cross the alls, b boy, staff, crossed the moms.

2:22:44.760 --> 2:22:46.880
<v Speaker 4>I crossed my arms and look at Buffy and they're

2:22:46.920 --> 2:22:51.720
<v Speaker 4>like yeah. I'm like, yo, this is so.

2:22:52.040 --> 2:22:53.800
<v Speaker 2>I'm like, that's how.

2:22:53.879 --> 2:22:56.840
<v Speaker 4>And I posted that on my Gram and it was

2:22:57.800 --> 2:23:00.480
<v Speaker 4>two thousand comments, people being like, oh, this is this.

2:23:00.720 --> 2:23:03.240
<v Speaker 4>I love when hip hop connects and the story ended

2:23:03.320 --> 2:23:05.240
<v Speaker 4>up well, and that's side the story. And I got

2:23:05.240 --> 2:23:08.400
<v Speaker 4>the hat and I got a shoe signed from DMC.

2:23:08.600 --> 2:23:10.760
<v Speaker 4>So I got the hat from running and the shoe

2:23:10.959 --> 2:23:13.640
<v Speaker 4>a shelter in my studio from both of them.

2:23:13.879 --> 2:23:18.560
<v Speaker 2>That's dope. So happy for that.

2:23:18.560 --> 2:23:22.160
<v Speaker 1>Story, bro, He's like, yo, man, we're so happy because

2:23:22.440 --> 2:23:25.720
<v Speaker 1>you know, it's one thing, you know, to document our history,

2:23:25.760 --> 2:23:30.039
<v Speaker 1>you know, and then it's one thing to keep making it. Yes,

2:23:30.320 --> 2:23:32.320
<v Speaker 1>you know, because that's what we're doing. We're documenting it

2:23:32.440 --> 2:23:37.360
<v Speaker 1>and you know, making it and documenting it. And for

2:23:37.440 --> 2:23:39.640
<v Speaker 1>us to have anything to do with that, that's pretty

2:23:39.720 --> 2:23:41.200
<v Speaker 1>pretty man.

2:23:41.360 --> 2:23:44.120
<v Speaker 2>And you hitting me up about it, man, Yeah, it

2:23:44.200 --> 2:23:46.720
<v Speaker 2>makes something to happen, man, But it happened, yeah man,

2:23:46.760 --> 2:23:47.760
<v Speaker 2>hell yeah, hell yeah.

2:23:48.040 --> 2:23:51.280
<v Speaker 1>So you and Jeffer's cool, your every one is cool. Yes, okay,

2:23:51.280 --> 2:23:52.120
<v Speaker 1>all right, cool ship.

2:23:53.000 --> 2:23:55.680
<v Speaker 6>But I want to ask you, because I really do

2:23:55.720 --> 2:23:59.320
<v Speaker 6>love this record that you did with the Artifacts. Can

2:23:59.320 --> 2:24:01.039
<v Speaker 6>you tell me I was all whack could tell me

2:24:01.080 --> 2:24:03.520
<v Speaker 6>a story about this record? And you know ri ip

2:24:03.720 --> 2:24:06.760
<v Speaker 6>ta one, Yes, I love the Artifacts. Tell me about

2:24:06.760 --> 2:24:10.000
<v Speaker 6>this record I signed, I got, I got signed to

2:24:10.080 --> 2:24:10.840
<v Speaker 6>Big Beat.

2:24:11.040 --> 2:24:14.560
<v Speaker 4>Uh. I want to say right after the New Music

2:24:14.600 --> 2:24:18.400
<v Speaker 4>Seminar when I battled Supernatural because it was like I

2:24:18.440 --> 2:24:21.240
<v Speaker 4>had sent out demos, but my tape is just sitting

2:24:21.280 --> 2:24:24.160
<v Speaker 4>in offices and sitting there, Tommy Boys sitting there loud.

2:24:24.840 --> 2:24:29.240
<v Speaker 4>Nobody checked it. I do this seminar battle and everybody

2:24:29.280 --> 2:24:32.360
<v Speaker 4>I sent the tape to its all in the same room.

2:24:32.640 --> 2:24:36.199
<v Speaker 3>Reef Eclipse Search from Wild Pitch.

2:24:36.240 --> 2:24:38.640
<v Speaker 4>Everybody's in the same room because this is the DJ

2:24:38.720 --> 2:24:41.920
<v Speaker 4>battle in the MC battles battle. I do the song.

2:24:41.959 --> 2:24:44.560
<v Speaker 4>I mean, I do the battle, and then the next Monday,

2:24:44.600 --> 2:24:47.240
<v Speaker 4>it's like a bidding wark. They like everybody trying to

2:24:47.280 --> 2:24:50.039
<v Speaker 4>sign this kid mad skills. I don't sign yet. I

2:24:50.120 --> 2:24:52.080
<v Speaker 4>go back and forth. Q Tip takes me to stretch

2:24:52.120 --> 2:24:55.240
<v Speaker 4>them by bido. I do another freestyle that goes up,

2:24:56.520 --> 2:24:58.000
<v Speaker 4>and Reef got me like a.

2:24:59.760 --> 2:25:02.800
<v Speaker 3>Chain and face his budget. I had a big ass budget.

2:25:03.280 --> 2:25:07.000
<v Speaker 4>That's how I was able to get Q Tip, Clark Kent,

2:25:07.400 --> 2:25:11.600
<v Speaker 4>all these people and the artifacts. Reef was like, I

2:25:11.640 --> 2:25:13.640
<v Speaker 4>want you to I got a song. I mean easy

2:25:13.760 --> 2:25:19.480
<v Speaker 4>LP did that remix. Shout Easop he did that remix,

2:25:19.600 --> 2:25:24.119
<v Speaker 4>and Easyop did that remix. Yeah, I hey little brother,

2:25:24.240 --> 2:25:26.720
<v Speaker 4>yeah second bro. I did not look deeply into this.

2:25:27.360 --> 2:25:29.800
<v Speaker 1>Yeah, w don't you read it upside down?

2:25:30.200 --> 2:25:33.120
<v Speaker 2>No, bro, he got it right. So I did this song,

2:25:33.760 --> 2:25:36.240
<v Speaker 2>and I remember when it came out.

2:25:36.440 --> 2:25:38.680
<v Speaker 4>I remember buying a Coscess single and I saw my name,

2:25:38.720 --> 2:25:41.000
<v Speaker 4>you know, my name and the credits and featuring the

2:25:41.080 --> 2:25:43.280
<v Speaker 4>my government name you know for the ass cat be

2:25:43.360 --> 2:25:46.320
<v Speaker 4>at mine whatever, and I was like, damn, Like, so

2:25:46.360 --> 2:25:48.560
<v Speaker 4>the Artifacts was the first people to actually let me

2:25:48.560 --> 2:25:50.520
<v Speaker 4>get on because they could have said no, you know

2:25:50.560 --> 2:25:52.480
<v Speaker 4>what I'm saying, like I don't know about dude, like

2:25:52.560 --> 2:25:55.320
<v Speaker 4>he ain't even he from Jersey hometown, Like you know

2:25:55.320 --> 2:25:58.720
<v Speaker 4>what I'm saying, But they let me get on, and

2:25:58.720 --> 2:25:59.400
<v Speaker 4>and I'm.

2:25:59.200 --> 2:26:01.640
<v Speaker 6>Forever grateful to him for that. It's a great record, man,

2:26:02.240 --> 2:26:04.600
<v Speaker 6>it was a super amazing record. I wish you had

2:26:04.600 --> 2:26:06.360
<v Speaker 6>did a video for it. We didn't get a chance to.

2:26:06.680 --> 2:26:08.160
<v Speaker 6>It was on the table for a minute, but then

2:26:08.160 --> 2:26:08.840
<v Speaker 6>we didn't do it.

2:26:09.120 --> 2:26:11.640
<v Speaker 4>But yeah, that was that was reefing and the Artifacts

2:26:11.680 --> 2:26:13.520
<v Speaker 4>is showing love like he's the new kid.

2:26:13.879 --> 2:26:15.440
<v Speaker 3>Let's let's get a verse on the new kid.

2:26:16.760 --> 2:26:19.240
<v Speaker 1>I heard you say on I Forget with an interview.

2:26:19.520 --> 2:26:24.439
<v Speaker 1>You said you made one girl record, right and and

2:26:24.440 --> 2:26:26.160
<v Speaker 1>he said the reaction you got for it. You said

2:26:26.160 --> 2:26:29.880
<v Speaker 1>you wish we would have been I wish I told

2:26:29.959 --> 2:26:31.080
<v Speaker 1>you that was record.

2:26:31.920 --> 2:26:34.520
<v Speaker 3>It's a record called for Real. It's called for Real.

2:26:34.560 --> 2:26:35.200
<v Speaker 2>He don't own me.

2:26:36.800 --> 2:26:39.640
<v Speaker 4>Bank did that song and Bank already had the hook

2:26:39.640 --> 2:26:41.320
<v Speaker 4>and everything. Somebody else was singing and.

2:26:41.240 --> 2:26:43.000
<v Speaker 2>I heard it not hen on me.

2:26:43.280 --> 2:26:46.240
<v Speaker 4>Yeah, yeah, okay, And that was probably the only that

2:26:46.360 --> 2:26:48.680
<v Speaker 4>was probably one of the first records that I was like,

2:26:48.760 --> 2:26:52.920
<v Speaker 4>I've seen how I reacted with women, and you know.

2:26:52.879 --> 2:26:53.800
<v Speaker 3>I was like, damn.

2:26:54.000 --> 2:26:57.000
<v Speaker 4>I really looked at LL different after that, Like damn,

2:26:57.320 --> 2:26:59.560
<v Speaker 4>because as a DJ, like you know, as a DJ,

2:26:59.680 --> 2:27:02.200
<v Speaker 4>we play for the women in the party because we

2:27:02.240 --> 2:27:04.199
<v Speaker 4>know the dudes come in regardless. If it's women, there's

2:27:04.200 --> 2:27:06.720
<v Speaker 4>gonna be it's gonna be girl, it's gonna be, they

2:27:06.840 --> 2:27:10.440
<v Speaker 4>gonna be there. So I just wish that I had

2:27:10.480 --> 2:27:14.680
<v Speaker 4>started earlier. But but those types of records are very

2:27:15.480 --> 2:27:18.320
<v Speaker 4>you know, keen to to people's successes because you can

2:27:18.400 --> 2:27:21.840
<v Speaker 4>always perform those records like I just dropped the record

2:27:22.600 --> 2:27:24.400
<v Speaker 4>maybe like I will dropped the video for a record

2:27:24.440 --> 2:27:28.640
<v Speaker 4>maybe like a month ago, called the Golden Girls, where

2:27:28.680 --> 2:27:33.440
<v Speaker 4>I name every female that's ever been mentioned in a

2:27:33.560 --> 2:27:34.039
<v Speaker 4>rap song.

2:27:34.800 --> 2:27:36.720
<v Speaker 2>So Benita Applebaum.

2:27:36.879 --> 2:27:42.320
<v Speaker 4>Jane Davett, Veronica of Veronica. Damn, I ain't put super well,

2:27:42.320 --> 2:27:44.000
<v Speaker 4>I said, I said from the golden era.

2:27:44.200 --> 2:27:49.000
<v Speaker 3>So he's the end of the going there.

2:27:49.760 --> 2:27:52.039
<v Speaker 4>So the funny part is, so I shoot, I get

2:27:52.040 --> 2:27:53.920
<v Speaker 4>a new camera and I'm just at the studio and

2:27:53.920 --> 2:27:55.120
<v Speaker 4>I came with the idea. I was like that this

2:27:55.240 --> 2:27:57.080
<v Speaker 4>might be dope. It was fifty years of hip hop.

2:27:57.240 --> 2:27:58.600
<v Speaker 4>I was like, Yo, I might this might be dope

2:27:58.640 --> 2:28:01.240
<v Speaker 4>to just shoot a little videos on ig whatever whatever.

2:28:01.560 --> 2:28:05.280
<v Speaker 4>I shoot the video edited myself and throwing all of

2:28:05.320 --> 2:28:08.560
<v Speaker 4>the clips of all of the girls, and the ship

2:28:08.680 --> 2:28:10.720
<v Speaker 4>goes up and people are like, Yo, this record is

2:28:10.760 --> 2:28:13.120
<v Speaker 4>so dope and so fresh man, this is this is

2:28:13.160 --> 2:28:15.400
<v Speaker 4>what hip hop needs this. I'm like, yo, this record

2:28:15.440 --> 2:28:17.760
<v Speaker 4>is twelve years old. They don't even know I just

2:28:17.760 --> 2:28:19.360
<v Speaker 4>shot a video for it now because I got a

2:28:19.360 --> 2:28:23.160
<v Speaker 4>new camera. But it's like the record old as hell,

2:28:23.480 --> 2:28:26.840
<v Speaker 4>you know what I'm saying. But it still resonates with people.

2:28:26.920 --> 2:28:29.200
<v Speaker 4>So you know, when you make things like that, man,

2:28:29.360 --> 2:28:32.959
<v Speaker 4>you gotta pay attention to your audience and what's missing

2:28:33.040 --> 2:28:34.879
<v Speaker 4>in the marketplace too, you know what I'm saying.

2:28:34.920 --> 2:28:37.000
<v Speaker 3>So it was just it was just one of the things.

2:28:37.000 --> 2:28:38.760
<v Speaker 3>It was a dope. I dis I just did it.

2:28:39.440 --> 2:28:40.800
<v Speaker 2>If you had a chance to do it all over,

2:28:40.879 --> 2:28:41.920
<v Speaker 2>would you? Oh?

2:28:42.000 --> 2:28:43.760
<v Speaker 4>If I had, If I had a chance to do

2:28:43.800 --> 2:28:47.959
<v Speaker 4>it all over, my first record would have been Beanita, Benita, Benita.

2:28:48.160 --> 2:28:51.680
<v Speaker 6>I would have started with a girl looking So it's okay,

2:28:51.840 --> 2:28:55.520
<v Speaker 6>so celeborate on that. This mad skills? What would this

2:28:55.640 --> 2:29:02.920
<v Speaker 6>mad skills? Tell this mad skills? Great question, Go for

2:29:03.000 --> 2:29:07.560
<v Speaker 6>the bitches. I don't know.

2:29:08.760 --> 2:29:12.160
<v Speaker 4>I wouldn't have interfered with him because his path was

2:29:12.200 --> 2:29:17.640
<v Speaker 4>his path, and I wouldn't have been I wouldn't have

2:29:17.680 --> 2:29:20.040
<v Speaker 4>been seasoned or smart enough to handle all of this

2:29:20.120 --> 2:29:23.039
<v Speaker 4>ship that might have came out way then. I was

2:29:23.080 --> 2:29:26.119
<v Speaker 4>so bit barring up. I was ready to rap against anybody.

2:29:26.200 --> 2:29:28.240
<v Speaker 4>I thought, if you had the best bars, you would

2:29:28.280 --> 2:29:30.480
<v Speaker 4>be the best rapper, not the best selling rapper.

2:29:30.959 --> 2:29:34.720
<v Speaker 3>You know what I'm saying. Did selling matter to you?

2:29:34.800 --> 2:29:34.879
<v Speaker 4>Like?

2:29:34.959 --> 2:29:37.080
<v Speaker 2>Did did how many copies you sold?

2:29:37.080 --> 2:29:39.640
<v Speaker 6>Because I mean the era we were in in that timeframe,

2:29:40.160 --> 2:29:41.199
<v Speaker 6>that didn't really.

2:29:41.080 --> 2:29:43.480
<v Speaker 2>Yeah it didn't really matter. But maybe at the major

2:29:43.720 --> 2:29:45.720
<v Speaker 2>when you were signed, Yeah, maybe you were.

2:29:45.840 --> 2:29:48.039
<v Speaker 4>I might Yeah I didn't, you know, I gotta let

2:29:48.080 --> 2:29:49.480
<v Speaker 4>go or whatever. I didn't sell him enough.

2:29:50.320 --> 2:29:50.959
<v Speaker 2>But that was right.

2:29:51.000 --> 2:29:54.040
<v Speaker 4>But when the Jiggy Erea came in, so crush crush

2:29:54.120 --> 2:29:56.560
<v Speaker 4>on you came out and get money, and it was

2:29:56.600 --> 2:30:00.480
<v Speaker 4>over fit anybody with it.

2:30:00.760 --> 2:30:02.680
<v Speaker 3>No, no, no, just just the shiny suit.

2:30:02.520 --> 2:30:07.800
<v Speaker 4>Era, you know, and everything that went back boy yeah,

2:30:08.000 --> 2:30:10.959
<v Speaker 4>bad boy in the ninety six coming into ninety seven

2:30:11.080 --> 2:30:12.320
<v Speaker 4>before Biggie passed away.

2:30:13.040 --> 2:30:17.360
<v Speaker 1>It was Oh, I hated them everybody on that side.

2:30:17.360 --> 2:30:19.720
<v Speaker 2>I had on army fatigues at that time. I had

2:30:19.760 --> 2:30:22.520
<v Speaker 2>a straight army. They got a shiny suits. You still

2:30:22.560 --> 2:30:25.840
<v Speaker 2>got it? What you can still rap? No, I don't

2:30:25.879 --> 2:30:26.400
<v Speaker 2>really rap.

2:30:27.720 --> 2:30:28.879
<v Speaker 3>I knew he was trying to.

2:30:28.920 --> 2:30:28.960
<v Speaker 4>No.

2:30:29.720 --> 2:30:33.480
<v Speaker 3>No, I spit every now and then, but I just

2:30:33.600 --> 2:30:33.879
<v Speaker 3>you know.

2:30:34.280 --> 2:30:37.040
<v Speaker 4>I ain't gonna I'm only gonna wrap if Nori raps

2:30:38.320 --> 2:30:41.039
<v Speaker 4>ain't rapping hook no.

2:30:41.160 --> 2:30:43.920
<v Speaker 1>So but that's that's something I forgot to ask you

2:30:43.920 --> 2:30:44.480
<v Speaker 1>on quick Time.

2:30:44.480 --> 2:30:51.039
<v Speaker 2>It's line rapping on DJ. You say something, J what

2:30:51.080 --> 2:30:51.520
<v Speaker 2>I what?

2:30:51.600 --> 2:30:54.240
<v Speaker 4>I lost the passion that I lost and rap and

2:30:54.280 --> 2:30:59.480
<v Speaker 4>I found in DJ did a little bit not really crazy.

2:30:59.520 --> 2:31:03.280
<v Speaker 2>So you found on this passion afterwards? Yeah? Was it

2:31:03.959 --> 2:31:08.480
<v Speaker 2>pre pandemic though, or pandemic. It's pre pandemic and.

2:31:10.400 --> 2:31:13.240
<v Speaker 1>Your passion of getting in the booth, your passion from

2:31:13.240 --> 2:31:15.160
<v Speaker 1>getting in the booth, and that's when you started the DJ.

2:31:15.400 --> 2:31:17.800
<v Speaker 2>Yeah, is that one memes in the truth?

2:31:20.040 --> 2:31:24.240
<v Speaker 4>I just did a show back at in Va my last,

2:31:24.440 --> 2:31:27.360
<v Speaker 4>my last hip hop show, and I really had fun.

2:31:27.920 --> 2:31:31.000
<v Speaker 4>And I had wrapped them records in years, you know

2:31:31.040 --> 2:31:31.520
<v Speaker 4>what I'm saying.

2:31:31.600 --> 2:31:34.240
<v Speaker 2>And I had a whole I had a.

2:31:34.160 --> 2:31:38.560
<v Speaker 6>Whole festival like show crazy. I was shot congret that

2:31:38.680 --> 2:31:40.800
<v Speaker 6>many people show, you.

2:31:40.840 --> 2:31:41.320
<v Speaker 2>Know what I mean.

2:31:41.360 --> 2:31:45.160
<v Speaker 4>And I brought out Freeway. Freeway pulled up, Tylip Quality

2:31:45.280 --> 2:31:48.120
<v Speaker 4>pulled up, you know what I'm saying. My man Rahem

2:31:48.200 --> 2:31:51.400
<v Speaker 4>DeVaughn pulled up. I had my homies, Butcher Brown, they

2:31:51.400 --> 2:31:53.600
<v Speaker 4>played with me and it was a dope show.

2:31:53.959 --> 2:31:55.040
<v Speaker 3>And I hadn't spit.

2:31:56.000 --> 2:31:58.800
<v Speaker 4>I hadn't spent some of them songs in fifteen years,

2:31:59.320 --> 2:32:01.959
<v Speaker 4>twelve years, and I had a ball at That show

2:32:02.080 --> 2:32:04.400
<v Speaker 4>was a good So if the bag right, I probably

2:32:04.440 --> 2:32:05.039
<v Speaker 4>hop back.

2:32:04.959 --> 2:32:06.400
<v Speaker 3>Out and do a show. You know what I'm saying.

2:32:06.400 --> 2:32:08.959
<v Speaker 4>But that was my last show in Virginia and I

2:32:09.000 --> 2:32:11.120
<v Speaker 4>went out with a bang. That ship was nutty like

2:32:11.160 --> 2:32:13.600
<v Speaker 4>it was. It shut the city down. The city is

2:32:13.640 --> 2:32:16.039
<v Speaker 4>still on me, texting me daily. Like, yeah, we have

2:32:16.160 --> 2:32:18.039
<v Speaker 4>to do a festival next year, like you.

2:32:18.040 --> 2:32:19.880
<v Speaker 2>Have to your last show.

2:32:20.480 --> 2:32:22.720
<v Speaker 4>It was my last as a rap, as a rapper,

2:32:23.480 --> 2:32:25.720
<v Speaker 4>no man, you yeah.

2:32:25.480 --> 2:32:28.920
<v Speaker 2>I am. I say that all the time to though right.

2:32:28.920 --> 2:32:31.840
<v Speaker 4>Now you you do, you see it all the time

2:32:31.879 --> 2:32:34.640
<v Speaker 4>every year, the last one, last show you did?

2:32:34.840 --> 2:32:36.080
<v Speaker 3>How long ago when you did the show?

2:32:37.240 --> 2:32:40.640
<v Speaker 2>Then? I can't that's DJ right, that was.

2:32:42.240 --> 2:32:44.520
<v Speaker 1>Last summer or two summers ago.

2:32:45.000 --> 2:32:50.640
<v Speaker 3>I think you did something hip hop, you did something.

2:32:54.520 --> 2:32:56.119
<v Speaker 2>Oh yeah, that's before.

2:32:56.120 --> 2:32:59.520
<v Speaker 1>That was twenty twenty lover and lovers in Friends, Lovers

2:32:59.560 --> 2:33:02.360
<v Speaker 1>in French. That was in between that, and that was

2:33:02.400 --> 2:33:06.480
<v Speaker 1>clearly for a bag. I didn't want to perform, like

2:33:06.520 --> 2:33:12.199
<v Speaker 1>you know, there's certain time you want to perform.

2:33:10.120 --> 2:33:11.240
<v Speaker 2>You know. You know what's crazy.

2:33:11.280 --> 2:33:14.360
<v Speaker 1>I heard you mentioned a nod factor earlier and I

2:33:14.360 --> 2:33:16.600
<v Speaker 1>had this, that's one of my notes on a nod factor.

2:33:16.640 --> 2:33:19.720
<v Speaker 1>You said you're like a black president because you ain't

2:33:19.760 --> 2:33:25.000
<v Speaker 1>seeing you and I did the actually we actually hold.

2:33:24.760 --> 2:33:27.800
<v Speaker 2>On, hold on, hold on two war question when.

2:33:27.640 --> 2:33:32.600
<v Speaker 1>You wrote that, was having a black president that far out?

2:33:32.879 --> 2:33:33.080
<v Speaker 4>Yeah?

2:33:33.200 --> 2:33:34.679
<v Speaker 2>Nor right?

2:33:34.840 --> 2:33:37.879
<v Speaker 4>So you got to understand the song I heard before

2:33:37.920 --> 2:33:41.120
<v Speaker 4>that was pop and even though we ain't, we ain't

2:33:41.160 --> 2:33:43.600
<v Speaker 4>ready for a black president, you know what I mean?

2:33:43.720 --> 2:33:48.160
<v Speaker 4>Like you heard that before whole Poxmaker came first. That

2:33:48.280 --> 2:33:51.440
<v Speaker 4>was something I would I could never foresee. But that's

2:33:51.440 --> 2:33:55.879
<v Speaker 4>one of the punchlines that I'm so glad that's changed now.

2:33:56.360 --> 2:33:57.040
<v Speaker 3>That got changed.

2:33:57.480 --> 2:33:59.360
<v Speaker 4>Not like it's not like I can say, yo, you

2:33:59.400 --> 2:34:01.240
<v Speaker 4>go to the hood, can still kill the niggas. That's

2:34:01.480 --> 2:34:05.040
<v Speaker 4>that's still happen. But I'm glad that I can. Like

2:34:05.200 --> 2:34:07.359
<v Speaker 4>when I wraped that song, now I gotta change.

2:34:07.080 --> 2:34:12.800
<v Speaker 2>The line that was wrong we had we had. You're

2:34:12.800 --> 2:34:13.680
<v Speaker 2>glad that was wrong.

2:34:14.440 --> 2:34:15.360
<v Speaker 3>I'm glad that was wrong.

2:34:15.360 --> 2:34:17.879
<v Speaker 4>I'm glad that's wrong now and hopefully, you know, we'll

2:34:17.959 --> 2:34:19.560
<v Speaker 4>be able to change that again this year.

2:34:19.720 --> 2:34:21.160
<v Speaker 1>You know what I'm saying, because it's like a whole

2:34:21.160 --> 2:34:23.520
<v Speaker 1>bunch of but I look at it, listen to rap

2:34:24.480 --> 2:34:26.280
<v Speaker 1>Donald Trump was so cool back then.

2:34:28.040 --> 2:34:29.360
<v Speaker 2>Trump It's like.

2:34:29.360 --> 2:34:31.800
<v Speaker 4>Yo, do you ever do you ever listen to any

2:34:31.879 --> 2:34:34.840
<v Speaker 4>of your old balls or punch size and just cringe.

2:34:34.600 --> 2:34:38.080
<v Speaker 2>Yes all the time? Right, Yes, it's horrible, Yo, I

2:34:38.120 --> 2:34:39.000
<v Speaker 2>was a horrible person.

2:34:39.120 --> 2:34:43.120
<v Speaker 4>I heard something I said the other day and it

2:34:43.240 --> 2:34:46.040
<v Speaker 4>was in a freestyle of something and I said, uh,

2:34:46.560 --> 2:34:49.560
<v Speaker 4>I said, yeah, yeah, y'all rappers. All y'all rappers, my sons,

2:34:49.600 --> 2:34:52.560
<v Speaker 4>get out the way. Disrespect popping. You're gonna get popped

2:34:52.560 --> 2:34:53.400
<v Speaker 4>like Marvin Gay.

2:34:53.680 --> 2:34:57.320
<v Speaker 6>And I was like, I was like, I can't believe

2:34:57.360 --> 2:35:00.560
<v Speaker 6>I said that because it was the shock value, right, but.

2:35:00.840 --> 2:35:04.840
<v Speaker 1>Because now you're the oh you get crazy?

2:35:05.080 --> 2:35:06.240
<v Speaker 2>Yeah you know what I mean, Like I.

2:35:06.160 --> 2:35:09.400
<v Speaker 4>Hear, I hear ball man the grandpa and you right now, yeah,

2:35:09.680 --> 2:35:12.680
<v Speaker 4>you're like we talked last time and yo.

2:35:12.800 --> 2:35:15.440
<v Speaker 2>My daughter was like, yo, what what are you doing?

2:35:15.520 --> 2:35:17.279
<v Speaker 3>Don't you have class somewhere?

2:35:17.160 --> 2:35:17.880
<v Speaker 2>Are you doing this?

2:35:17.959 --> 2:35:22.520
<v Speaker 12>And I'm like, ah, this cringe worthy lines. Man, I'm

2:35:22.560 --> 2:35:27.440
<v Speaker 12>not gonna lie this. I know one man is getting

2:35:27.440 --> 2:35:30.280
<v Speaker 12>old or im old.

2:35:30.920 --> 2:35:34.160
<v Speaker 2>I'm we old bro time and stuff to day.

2:35:35.320 --> 2:35:36.840
<v Speaker 1>And they just thought, I don't want to say the

2:35:36.879 --> 2:35:38.240
<v Speaker 1>girl's artist's name.

2:35:39.080 --> 2:35:41.800
<v Speaker 2>And they just like and.

2:35:41.720 --> 2:35:46.039
<v Speaker 3>I'm just listening like offended, I'm old.

2:35:47.440 --> 2:35:49.400
<v Speaker 2>Did I thought about it? I was like, that's probably

2:35:49.400 --> 2:35:51.840
<v Speaker 2>how they felt. What I'm talking about technics and shoot

2:35:51.879 --> 2:35:55.959
<v Speaker 2>off the block. You were somewhere to you like you.

2:35:55.920 --> 2:35:58.080
<v Speaker 4>Were somewhere saying now you like me getting head on

2:35:58.160 --> 2:36:03.200
<v Speaker 4>the highway. It's like you hear it, you like, yo,

2:36:03.640 --> 2:36:04.840
<v Speaker 4>She wasn't crashing it.

2:36:07.240 --> 2:36:09.760
<v Speaker 2>I'm telling you, I couldn't fight it.

2:36:09.760 --> 2:36:14.320
<v Speaker 1>It was the lyrics were so vulgar, and by the way,

2:36:14.600 --> 2:36:17.160
<v Speaker 1>it was just like but I get it, I get it,

2:36:17.200 --> 2:36:20.320
<v Speaker 1>I get I'm who my parents. I get that, I

2:36:20.360 --> 2:36:22.959
<v Speaker 1>get that part like I get that. But I was

2:36:23.040 --> 2:36:26.440
<v Speaker 1>just like, wow, this is what's happening now. And as

2:36:26.520 --> 2:36:27.640
<v Speaker 1>I'm saying it, I'm like.

2:36:27.560 --> 2:36:31.400
<v Speaker 2>You sound just like the old folks, like I.

2:36:31.360 --> 2:36:33.760
<v Speaker 1>Cannot I cannot identify with some of the ship, like

2:36:33.959 --> 2:36:37.440
<v Speaker 1>I cannot identify with drill music because I don't know.

2:36:37.400 --> 2:36:40.040
<v Speaker 6>Like, but wait, but I don't think it's fair, and

2:36:40.080 --> 2:36:42.760
<v Speaker 6>this is probably the old person in me. I don't

2:36:42.760 --> 2:36:46.640
<v Speaker 6>think it's fair to say the similarities in that because

2:36:47.160 --> 2:36:52.200
<v Speaker 6>people actually are killing themselves, raving about it, dancing on graves,

2:36:52.720 --> 2:36:55.440
<v Speaker 6>social media all about it, like it's a very big.

2:36:57.560 --> 2:37:01.600
<v Speaker 2>As the Chicks right now, Light No More No.

2:37:01.840 --> 2:37:04.320
<v Speaker 4>And the crazy part is, I never think that any

2:37:04.440 --> 2:37:07.880
<v Speaker 4>generation is going to like the music of the generation

2:37:08.040 --> 2:37:12.280
<v Speaker 4>after it. But not liking it and disrespecting yourself as well,

2:37:12.320 --> 2:37:14.840
<v Speaker 4>all that's that's literally a whole other level. But the

2:37:14.879 --> 2:37:17.600
<v Speaker 4>only reason we had a connection was because we were

2:37:17.680 --> 2:37:21.880
<v Speaker 4>sampling our parents' music. So when we said we would say, Yo,

2:37:21.959 --> 2:37:24.240
<v Speaker 4>it's this new song, big Poppama, you gotta hear it,

2:37:24.320 --> 2:37:26.080
<v Speaker 4>like the ain't nothing but the Izi brothers. Boy, I

2:37:26.080 --> 2:37:28.760
<v Speaker 4>ain't doing nothing new. So we had that connection. What

2:37:29.040 --> 2:37:31.280
<v Speaker 4>these kids got smarter. They're like, oh, I gotta get it.

2:37:31.320 --> 2:37:32.879
<v Speaker 4>I gotta get round fifty.

2:37:32.640 --> 2:37:33.320
<v Speaker 2>Percent of my shit.

2:37:33.320 --> 2:37:35.640
<v Speaker 4>Hell now, hey, hey, whoop woop, make that beat on

2:37:35.680 --> 2:37:37.440
<v Speaker 4>the on the thing from scratch. I don't give fuck,

2:37:37.520 --> 2:37:39.800
<v Speaker 4>don't sample nothing. I want to own one hundred percent

2:37:39.840 --> 2:37:42.000
<v Speaker 4>of this if it goes up and once a.

2:37:42.040 --> 2:37:45.160
<v Speaker 6>Death stamp them my fart, let's make that right.

2:37:45.400 --> 2:37:49.520
<v Speaker 4>So it's like they they they got business smarter from

2:37:49.520 --> 2:37:50.800
<v Speaker 4>not from not taking.

2:37:50.920 --> 2:37:51.840
<v Speaker 2>They absolutely did.

2:37:51.720 --> 2:37:54.280
<v Speaker 4>You know what I'm saying, Like so because they still

2:37:54.280 --> 2:37:56.760
<v Speaker 4>got paid before. But now they're like, nah, we're just

2:37:56.760 --> 2:37:58.600
<v Speaker 4>gonna make this shit from scratch and we're gonna go up.

2:37:58.920 --> 2:38:01.080
<v Speaker 4>And yeah, I don't I don't like it, but it

2:38:01.120 --> 2:38:02.879
<v Speaker 4>ain't for me. Like I told you before. It's like

2:38:02.920 --> 2:38:05.440
<v Speaker 4>it's like my son got the car. Now it's his car,

2:38:05.920 --> 2:38:08.240
<v Speaker 4>go fuck it up, damn.

2:38:08.879 --> 2:38:11.959
<v Speaker 2>But fucking it up could be very detrimental. It can't be.

2:38:12.440 --> 2:38:16.240
<v Speaker 4>Don't kill yourself in it. Don't drink and dry. Don't

2:38:16.280 --> 2:38:19.840
<v Speaker 4>drink it, just drink Champs. I got to loosen up

2:38:20.200 --> 2:38:26.320
<v Speaker 4>on the new music because I was just like, sometimes

2:38:26.320 --> 2:38:29.800
<v Speaker 4>sometimes I don't mind. I love the era of music

2:38:29.840 --> 2:38:31.920
<v Speaker 4>that we came from. We listen, I tell my man,

2:38:32.000 --> 2:38:34.200
<v Speaker 4>my man. My man said this to me, and he

2:38:34.320 --> 2:38:36.200
<v Speaker 4>was like, yo, think about how far we came. Like

2:38:36.520 --> 2:38:39.360
<v Speaker 4>if you were if you are a person that break

2:38:39.440 --> 2:38:43.520
<v Speaker 4>danced on cardboard and you uploaded your song to the

2:38:43.600 --> 2:38:48.200
<v Speaker 4>internet and you posted your picture on Instagram, look at

2:38:48.240 --> 2:38:54.720
<v Speaker 4>what you lived through hip hop wise, that's a lot lucky,

2:38:54.800 --> 2:38:58.320
<v Speaker 4>you know what I'm saying. Like we we see at

2:38:58.440 --> 2:39:01.800
<v Speaker 4>nine eleven in between now carry a boombox, yeah, oh

2:39:02.040 --> 2:39:08.760
<v Speaker 4>yeah yeah, and its ye. We saw the m P

2:39:08.959 --> 2:39:11.640
<v Speaker 4>three players, like we've seen a lot in our dad.

2:39:12.080 --> 2:39:13.879
<v Speaker 4>So we just gotta be thankful that we had it

2:39:13.920 --> 2:39:15.879
<v Speaker 4>when we had it. Now it's this and now we

2:39:15.959 --> 2:39:19.600
<v Speaker 4>get why the older people say, well I love my era, yes,

2:39:19.680 --> 2:39:23.520
<v Speaker 4>because they're like, well, this is my ever in my day.

2:39:23.760 --> 2:39:25.280
<v Speaker 2>I never thought I was gonna do that.

2:39:25.440 --> 2:39:30.240
<v Speaker 4>Listen, bro, I've said to myself and and my man

2:39:30.280 --> 2:39:30.879
<v Speaker 4>said it to me.

2:39:30.959 --> 2:39:34.000
<v Speaker 3>He was like, he said, when you start talking about.

2:39:33.720 --> 2:39:38.440
<v Speaker 4>These stories, when you are older, you gonna sound crazy

2:39:38.480 --> 2:39:42.200
<v Speaker 4>as fucking Forrest Gump, he said, because it don't even

2:39:42.280 --> 2:39:43.119
<v Speaker 4>sound real.

2:39:43.720 --> 2:39:46.360
<v Speaker 2>And I was like, I can't imagine talking to.

2:39:46.280 --> 2:39:49.720
<v Speaker 4>My grandson and saying, yeah, you know, I used to

2:39:49.720 --> 2:39:52.480
<v Speaker 4>put out a song every year and people used to

2:39:52.480 --> 2:39:55.600
<v Speaker 4>wait for that one song every year. Yeah, shut up,

2:39:55.600 --> 2:39:58.080
<v Speaker 4>grandpa be lying now. And one time I did a

2:39:58.120 --> 2:40:01.160
<v Speaker 4>song for I wrote a whole piece for and they

2:40:01.160 --> 2:40:02.800
<v Speaker 4>put it in the Rock and Roll Hall of Fame

2:40:02.879 --> 2:40:04.080
<v Speaker 4>for a rapping Ain't jay Z.

2:40:04.400 --> 2:40:05.160
<v Speaker 3>Shut the fuck up?

2:40:05.200 --> 2:40:07.640
<v Speaker 2>You said?

2:40:07.760 --> 2:40:07.960
<v Speaker 1>Nah?

2:40:07.959 --> 2:40:09.440
<v Speaker 2>I did I And they put me.

2:40:09.400 --> 2:40:11.520
<v Speaker 4>On BT one time and I just did a whole

2:40:11.520 --> 2:40:13.200
<v Speaker 4>piece about the whole thing of hip hop.

2:40:13.480 --> 2:40:14.400
<v Speaker 2>Know the fuck yo?

2:40:14.560 --> 2:40:18.120
<v Speaker 4>Stop lying, granddaddy, like that don't even sound It doesn't

2:40:18.160 --> 2:40:19.000
<v Speaker 4>sound real.

2:40:19.560 --> 2:40:19.760
<v Speaker 2>Yeah.

2:40:19.760 --> 2:40:21.840
<v Speaker 4>And then I got into a beef with with Shack

2:40:21.959 --> 2:40:25.400
<v Speaker 4>and I was beefing with these that it doesn't sound real.

2:40:25.480 --> 2:40:28.320
<v Speaker 4>We've seen a lot of ship, bro a lot of

2:40:28.360 --> 2:40:29.960
<v Speaker 4>ship We covered a lot of ground.

2:40:30.920 --> 2:40:33.720
<v Speaker 6>Let me tell you two things that my kids say

2:40:33.760 --> 2:40:35.440
<v Speaker 6>to me. One I'm not proud of. One I am

2:40:35.480 --> 2:40:39.879
<v Speaker 6>proud of. We walk in the in the grocery store

2:40:39.879 --> 2:40:42.680
<v Speaker 6>and we walked past the beer and liquor and my

2:40:42.760 --> 2:40:44.080
<v Speaker 6>son says, daddy's work.

2:40:46.120 --> 2:40:48.680
<v Speaker 2>Not proud of that, not proud of that. I could

2:40:48.680 --> 2:40:52.360
<v Speaker 2>have kept that. No, no, but it's real. It's real, real.

2:40:52.959 --> 2:40:56.280
<v Speaker 6>Then, but every time he sees a boombox or vinyl

2:40:56.640 --> 2:40:58.360
<v Speaker 6>or breakdance, daddy's work.

2:40:58.800 --> 2:41:02.480
<v Speaker 2>Daddy's work. That problem. That's dope.

2:41:02.560 --> 2:41:10.279
<v Speaker 4>Okay, she said, So don't do half of that's work, please.

2:41:12.720 --> 2:41:14.400
<v Speaker 2>Smokes. Now.

2:41:14.440 --> 2:41:19.600
<v Speaker 1>One of the craziest dopest records ever made ever slept

2:41:19.640 --> 2:41:22.760
<v Speaker 1>on is Extra Abstract Skills.

2:41:23.520 --> 2:41:25.320
<v Speaker 2>Yes, that is that record.

2:41:25.080 --> 2:41:28.560
<v Speaker 1>Is so so dope, and I listened to it recently

2:41:29.040 --> 2:41:35.039
<v Speaker 1>and I'm just like this, I wish like that. That's

2:41:35.080 --> 2:41:37.520
<v Speaker 1>one of the phenomenal records. Like, what was you thinking

2:41:37.600 --> 2:41:38.320
<v Speaker 1>coming up with that?

2:41:38.920 --> 2:41:41.760
<v Speaker 4>I had. I wanted to get beats from Large Professor

2:41:42.280 --> 2:41:44.599
<v Speaker 4>to me and Reef we would go out the flushing.

2:41:44.280 --> 2:41:46.040
<v Speaker 2>And you got to the hook as well, right, yeah, yeah,

2:41:46.040 --> 2:41:46.520
<v Speaker 2>we would go.

2:41:46.480 --> 2:41:50.200
<v Speaker 4>Out the Flushing and I wanted to have Large Offessor

2:41:50.240 --> 2:41:52.120
<v Speaker 4>on the record. He already did a song called that

2:41:52.200 --> 2:41:55.800
<v Speaker 4>we had called Skills in ninety five, but I fucked

2:41:55.879 --> 2:42:01.160
<v Speaker 4>up because on the Tribe album, Uh, Large Professor had

2:42:01.200 --> 2:42:03.800
<v Speaker 4>told Q Tip never say the year in the song

2:42:03.840 --> 2:42:08.720
<v Speaker 4>because you date the song right, so I needed another song.

2:42:08.879 --> 2:42:10.600
<v Speaker 4>I want a Q tip on the album. He was

2:42:10.600 --> 2:42:14.960
<v Speaker 4>coming back and forth to the studio and Paul shout, shout,

2:42:14.959 --> 2:42:19.120
<v Speaker 4>Paul large pro he I would spend so much money

2:42:19.120 --> 2:42:21.400
<v Speaker 4>with him because he would just buy records and then

2:42:21.520 --> 2:42:23.280
<v Speaker 4>just come to the studio and listen to him.

2:42:23.760 --> 2:42:26.040
<v Speaker 3>He wouldn't have to beat loaded up in that spat.

2:42:26.480 --> 2:42:28.720
<v Speaker 4>He would just come to the studio and sit down

2:42:28.800 --> 2:42:30.720
<v Speaker 4>and make you listen.

2:42:30.480 --> 2:42:32.039
<v Speaker 2>To all of and you had to pay for what

2:42:32.080 --> 2:42:32.760
<v Speaker 2>that studio time.

2:42:32.840 --> 2:42:37.959
<v Speaker 4>And we in there unique, we was in was in

2:42:38.000 --> 2:42:39.080
<v Speaker 4>the city, in the city.

2:42:39.120 --> 2:42:40.039
<v Speaker 3>So he's sitting there.

2:42:40.000 --> 2:42:42.959
<v Speaker 4>Put the record on just and you just keep hearing

2:42:42.959 --> 2:42:45.120
<v Speaker 4>the needles skipping through joints.

2:42:44.879 --> 2:42:45.760
<v Speaker 2>And I can't. I can't.

2:42:45.959 --> 2:42:47.760
<v Speaker 3>I can't tell his nigga how to make a beat.

2:42:48.280 --> 2:42:50.640
<v Speaker 4>So I'm like, you said, you never working with promo, No, no,

2:42:51.720 --> 2:42:54.120
<v Speaker 4>just sitting there, just sitting there, boom boom boom. And

2:42:54.160 --> 2:42:56.280
<v Speaker 4>then you hear a little something and he'll loop it

2:42:56.360 --> 2:42:59.080
<v Speaker 4>up his doors and I'm like, damn, that's kind of funky.

2:42:59.080 --> 2:43:01.000
<v Speaker 2>That might be dope. He'll race it.

2:43:01.680 --> 2:43:03.240
<v Speaker 3>I'm like, yo, Paul, you race that.

2:43:04.320 --> 2:43:08.440
<v Speaker 4>Yeah, nah nah. So that wasn't it worth the mother son. Word, Yo,

2:43:08.480 --> 2:43:11.000
<v Speaker 4>you're gonna like this next one? Baby, Paul wor it up.

2:43:12.480 --> 2:43:15.800
<v Speaker 4>He's just talking and so I'm in there like, yo,

2:43:15.840 --> 2:43:19.680
<v Speaker 4>we've been to get six al of them should already

2:43:19.760 --> 2:43:23.800
<v Speaker 4>fifteen hundred dollars. And he like, yo, word yo some

2:43:24.000 --> 2:43:24.880
<v Speaker 4>mad humphy son.

2:43:25.600 --> 2:43:27.920
<v Speaker 2>Yo. Yo. We don't order yo, we order it.

2:43:28.360 --> 2:43:28.520
<v Speaker 4>Yo?

2:43:28.560 --> 2:43:30.760
<v Speaker 2>What we doing?

2:43:31.080 --> 2:43:33.039
<v Speaker 4>Engineer like, yeah, I might give me a I might

2:43:33.080 --> 2:43:35.080
<v Speaker 4>get a plate new song. So yeah, worry, let's order

2:43:35.080 --> 2:43:39.000
<v Speaker 4>from there. Word the mother son. And I'm like, make

2:43:39.080 --> 2:43:39.920
<v Speaker 4>this fucking beat.

2:43:40.040 --> 2:43:40.080
<v Speaker 2>No.

2:43:40.600 --> 2:43:42.000
<v Speaker 3>So he finally gets me a beat.

2:43:42.400 --> 2:43:44.959
<v Speaker 2>Say this is the South talking to the North. Yeah.

2:43:45.000 --> 2:43:45.960
<v Speaker 2>I finally get to beat.

2:43:46.080 --> 2:43:48.440
<v Speaker 4>He likes it, and I tell Q Tip I said, yo,

2:43:48.560 --> 2:43:50.960
<v Speaker 4>Paul got this this crazy joint. He's like where it

2:43:51.040 --> 2:43:51.520
<v Speaker 4>is like that.

2:43:51.920 --> 2:43:53.240
<v Speaker 3>I was like, yo, it's crazy.

2:43:53.560 --> 2:43:55.600
<v Speaker 2>He's like, I gotta get yo, I gotta here. I

2:43:55.600 --> 2:43:56.520
<v Speaker 2>gotta hear that Joey.

2:43:56.879 --> 2:43:59.600
<v Speaker 4>So I played for him, like for whord this is

2:43:59.680 --> 2:44:02.120
<v Speaker 4>crazy and I'm like, you want how born?

2:44:02.160 --> 2:44:04.320
<v Speaker 3>And he was like I got some and he come by.

2:44:04.360 --> 2:44:04.720
<v Speaker 3>He take it.

2:44:04.760 --> 2:44:06.199
<v Speaker 2>He takes time, but he come by the studio.

2:44:06.440 --> 2:44:07.920
<v Speaker 4>So I'm sitting there and I'm like, yo, I got

2:44:07.920 --> 2:44:11.240
<v Speaker 4>a song with a large professor and cutes it on

2:44:11.360 --> 2:44:13.360
<v Speaker 4>my album. You know what I'm saying, Like, I'm like,

2:44:13.840 --> 2:44:15.400
<v Speaker 4>in my monm, I'm like, yo, I'm.

2:44:15.280 --> 2:44:17.440
<v Speaker 2>Out of here, this is gone.

2:44:17.560 --> 2:44:19.199
<v Speaker 3>This is this hip hop's finest.

2:44:19.879 --> 2:44:22.680
<v Speaker 2>So we do this, we do the song.

2:44:22.720 --> 2:44:27.000
<v Speaker 4>It current turns out dope, and I just I still

2:44:27.160 --> 2:44:29.840
<v Speaker 4>bug out of the fact that I think sometimes I

2:44:29.879 --> 2:44:31.680
<v Speaker 4>just take it for granted, like yeah, yeah, I did that,

2:44:31.720 --> 2:44:33.039
<v Speaker 4>But I'm like, yeah, that that's.

2:44:32.879 --> 2:44:33.680
<v Speaker 2>One of the ones.

2:44:33.760 --> 2:44:35.600
<v Speaker 4>You know what I'm saying, Like it was a good record,

2:44:36.200 --> 2:44:39.000
<v Speaker 4>And I still I still thank Paul to this day

2:44:39.040 --> 2:44:41.760
<v Speaker 4>because that time that it took for him to find

2:44:41.760 --> 2:44:44.840
<v Speaker 4>that loop and put them drums on, get it right

2:44:44.879 --> 2:44:45.800
<v Speaker 4>and made it a classic.

2:44:45.879 --> 2:44:48.360
<v Speaker 6>So and do you not think that those records in

2:44:48.400 --> 2:44:51.120
<v Speaker 6>that record, the whole album went as far as you

2:44:51.160 --> 2:44:51.960
<v Speaker 6>thought it was gonna go.

2:44:54.200 --> 2:44:57.120
<v Speaker 4>When they asked me what I wanted to accomplish with

2:44:57.200 --> 2:45:00.160
<v Speaker 4>that album, I said, I want to I.

2:45:00.080 --> 2:45:01.640
<v Speaker 2>Want people to know my name and I want them

2:45:01.680 --> 2:45:02.720
<v Speaker 2>to know where I'm from.

2:45:03.120 --> 2:45:05.000
<v Speaker 4>If I was thinking smart, I would have said I

2:45:05.080 --> 2:45:07.959
<v Speaker 4>want to sell more than thriller, and then they would

2:45:07.959 --> 2:45:10.039
<v Speaker 4>have known my name and where I was from. Regardless

2:45:10.800 --> 2:45:13.880
<v Speaker 4>but I look back at some of this stuff I did,

2:45:14.959 --> 2:45:17.800
<v Speaker 4>and it's hard for me to process that I did it.

2:45:18.000 --> 2:45:20.240
<v Speaker 4>Like you might catch me on a humble day, like

2:45:20.920 --> 2:45:23.279
<v Speaker 4>for the most part, I'm super humble and like I'm

2:45:23.360 --> 2:45:26.040
<v Speaker 4>usually humble when I'm not rapping, you know what I'm saying.

2:45:26.280 --> 2:45:28.959
<v Speaker 4>I just found just through pytherapy. I just found out

2:45:29.800 --> 2:45:32.800
<v Speaker 4>in the last years some change that I got impost syndrome.

2:45:34.040 --> 2:45:38.560
<v Speaker 4>It's like when when a person refuses to accept their

2:45:38.600 --> 2:45:42.400
<v Speaker 4>flowers or all of them, you know what I'm saying. Like,

2:45:42.800 --> 2:45:45.720
<v Speaker 4>so for me, I'm very I don't.

2:45:46.240 --> 2:45:46.560
<v Speaker 2>I don't.

2:45:47.000 --> 2:45:49.680
<v Speaker 4>I try to, you know what I mean, But I

2:45:49.720 --> 2:45:51.359
<v Speaker 4>can't change people's memories.

2:45:51.400 --> 2:45:54.320
<v Speaker 2>Like people come up to me, people perceive me right

2:45:54.360 --> 2:45:54.800
<v Speaker 2>because I.

2:45:54.760 --> 2:45:55.440
<v Speaker 3>Never I never.

2:45:55.600 --> 2:45:57.520
<v Speaker 4>I never want to walk around like I got a

2:45:57.520 --> 2:46:00.000
<v Speaker 4>big head, like like life humble me early I felt

2:46:00.200 --> 2:46:03.440
<v Speaker 4>like so. But for me, it's it's like people in

2:46:03.440 --> 2:46:06.160
<v Speaker 4>my life now like no, no, you have to accept

2:46:06.160 --> 2:46:08.360
<v Speaker 4>that you have done some amazing things and.

2:46:08.320 --> 2:46:11.400
<v Speaker 2>It's okay to say that you've.

2:46:11.200 --> 2:46:12.520
<v Speaker 3>Done it, like you know what I mean.

2:46:12.640 --> 2:46:14.440
<v Speaker 4>Like I get people coming to me like yo, my

2:46:14.480 --> 2:46:16.880
<v Speaker 4>first hip hop show was you Man Use. The first

2:46:16.879 --> 2:46:18.640
<v Speaker 4>thing that I saw from the hood on Rap City. Bro,

2:46:18.720 --> 2:46:20.120
<v Speaker 4>when I saw you, I knew I could make it,

2:46:20.120 --> 2:46:23.000
<v Speaker 4>and dah da da da, and I'd be like, like,

2:46:23.480 --> 2:46:25.800
<v Speaker 4>you know what I mean, I don't want to don't

2:46:25.840 --> 2:46:28.000
<v Speaker 4>put me up there because because the ain't nowhere to

2:46:28.000 --> 2:46:29.120
<v Speaker 4>go but down from there.

2:46:29.520 --> 2:46:31.560
<v Speaker 3>So for me, it's a weird place to be in.

2:46:31.600 --> 2:46:34.039
<v Speaker 4>And sometimes I talk my ship, Like earlier today, I

2:46:34.040 --> 2:46:36.039
<v Speaker 4>was like, yeah, nigga, I put a whole state on

2:46:36.160 --> 2:46:36.880
<v Speaker 4>by myself.

2:46:37.320 --> 2:46:37.800
<v Speaker 3>You know what I'm saying.

2:46:37.800 --> 2:46:40.560
<v Speaker 2>That's a fact. That's not I'm not bragging, that's just

2:46:40.600 --> 2:46:42.440
<v Speaker 2>what I did, you know what I mean.

2:46:42.480 --> 2:46:47.480
<v Speaker 3>So I teeter from from from that point.

2:46:47.320 --> 2:46:50.120
<v Speaker 2>Which is every artist is going to teeter on that. Yeah,

2:46:50.360 --> 2:46:52.080
<v Speaker 2>I think. So you don't everything.

2:46:52.120 --> 2:46:53.640
<v Speaker 4>I want to get too big head, because the thing

2:46:53.680 --> 2:46:56.320
<v Speaker 4>is that ego is what is driving that.

2:46:56.600 --> 2:46:59.439
<v Speaker 2>Yes, And what I believe is that ego.

2:46:59.360 --> 2:47:02.720
<v Speaker 6>Is necessary artistry yeah, and creativity.

2:47:02.840 --> 2:47:03.080
<v Speaker 2>Yeah.

2:47:03.160 --> 2:47:06.160
<v Speaker 6>You cannot be creative without ego, right, because the ego

2:47:06.240 --> 2:47:08.000
<v Speaker 6>is what gives you the confidence to say I'm going

2:47:08.040 --> 2:47:09.800
<v Speaker 6>to create this and then give it to the world, right,

2:47:09.959 --> 2:47:11.920
<v Speaker 6>And once you put it in the world, once you

2:47:11.959 --> 2:47:14.039
<v Speaker 6>put it out there, it's the public's perception.

2:47:14.680 --> 2:47:17.040
<v Speaker 4>You can't once you can't. You can't take it back

2:47:17.080 --> 2:47:19.720
<v Speaker 4>once it's out there. Yeah, so somebody say, yo, man,

2:47:19.720 --> 2:47:22.440
<v Speaker 4>that ship was trash. You just gotta eat it right.

2:47:22.720 --> 2:47:23.760
<v Speaker 1>You can't get back.

2:47:23.800 --> 2:47:24.840
<v Speaker 3>You know what I'm saying, You can't.

2:47:25.040 --> 2:47:26.960
<v Speaker 4>And it's like like when Ratman was on here, he

2:47:27.000 --> 2:47:29.959
<v Speaker 4>was like, I read all all the messages, bro, read

2:47:30.040 --> 2:47:31.920
<v Speaker 4>them all, Like I can't, you know what I'm saying.

2:47:32.160 --> 2:47:34.200
<v Speaker 4>I remember talking to Charlotte Man. I remember telling h

2:47:34.440 --> 2:47:35.840
<v Speaker 4>I was like, I don't know how to fuck. I

2:47:35.879 --> 2:47:37.440
<v Speaker 4>don't know how to fuck. You even look at your

2:47:37.480 --> 2:47:40.400
<v Speaker 4>social media and Charloamann was like, skills, I don't.

2:47:40.440 --> 2:47:41.680
<v Speaker 2>I don't read my comments.

2:47:42.080 --> 2:47:43.720
<v Speaker 4>Like what you mean? He said, I haven't read my

2:47:43.760 --> 2:47:46.840
<v Speaker 4>comments in like five years, Bro, I don't read comments.

2:47:47.080 --> 2:47:49.119
<v Speaker 4>He's you know, when you open Instagram and you see

2:47:49.160 --> 2:47:50.520
<v Speaker 4>the one that's at the top and in the one

2:47:50.560 --> 2:47:53.200
<v Speaker 4>that's at the bottle, he's, I see those, but I

2:47:53.200 --> 2:47:54.400
<v Speaker 4>don't open my comments.

2:47:54.400 --> 2:47:55.600
<v Speaker 2>And I was like, damn.

2:47:55.800 --> 2:47:57.640
<v Speaker 4>I was like, you would have to not do that

2:47:57.680 --> 2:48:01.320
<v Speaker 4>in order to live in that space. Because you talk

2:48:01.440 --> 2:48:05.600
<v Speaker 4>every day and you people giving you their opinion every day.

2:48:06.160 --> 2:48:08.960
<v Speaker 4>Sometimes it's like he's like, I don't read that ship.

2:48:09.000 --> 2:48:10.560
<v Speaker 4>I'm like, Damn, that's a good tactic.

2:48:10.640 --> 2:48:13.840
<v Speaker 2>You shouldn't. You shouldn't read them. You shouldn't. If there's

2:48:13.840 --> 2:48:19.000
<v Speaker 2>something you could do over, what would you do over? Mmm?

2:48:19.160 --> 2:48:20.400
<v Speaker 4>I don't know if I do. I don't know if

2:48:20.400 --> 2:48:22.680
<v Speaker 4>I would do anything. Oh, I think I would do

2:48:22.720 --> 2:48:24.520
<v Speaker 4>it just the way I did it. If I could,

2:48:24.879 --> 2:48:32.640
<v Speaker 4>I probably would started taking writing seriously earlier, just writing.

2:48:32.320 --> 2:48:34.400
<v Speaker 3>Songs period before missing pulled.

2:48:34.200 --> 2:48:36.680
<v Speaker 4>Up and the skill of you being able to write. Yes,

2:48:36.959 --> 2:48:38.560
<v Speaker 4>you know what I'm saying, Like, I probably would have

2:48:38.600 --> 2:48:41.039
<v Speaker 4>did that. What about you?

2:48:42.000 --> 2:48:44.480
<v Speaker 2>If I could do over? If you could do something over, I.

2:48:44.440 --> 2:48:46.080
<v Speaker 1>Would try to sell out much faster.

2:48:46.800 --> 2:48:50.840
<v Speaker 3>Wow, Jesus Christmas, what about you?

2:48:52.080 --> 2:48:54.600
<v Speaker 4>I would have started trying to do everything I was

2:48:54.640 --> 2:48:56.039
<v Speaker 4>doing today.

2:48:56.560 --> 2:48:57.720
<v Speaker 2>Earlier in high school.

2:48:57.720 --> 2:48:59.880
<v Speaker 6>Like I started at the end of my senior year,

2:49:00.760 --> 2:49:02.400
<v Speaker 6>and I felt like I had an advantage then.

2:49:02.600 --> 2:49:04.040
<v Speaker 2>But I would have even started earlier.

2:49:04.400 --> 2:49:07.800
<v Speaker 1>Yeah, but let me let me let me pederate my answer,

2:49:07.920 --> 2:49:10.440
<v Speaker 1>because I do mean that, but I mean it in

2:49:10.480 --> 2:49:13.039
<v Speaker 1>this way. I wish I would have knew that this

2:49:13.240 --> 2:49:17.040
<v Speaker 1>was not love, this was or more about business, like

2:49:17.120 --> 2:49:18.800
<v Speaker 1>you know what I mean? I was like like like

2:49:19.240 --> 2:49:23.720
<v Speaker 1>until I met pun I was all my features love

2:49:23.840 --> 2:49:26.320
<v Speaker 1>for free. I didn't I didn't know people were talking

2:49:26.400 --> 2:49:33.040
<v Speaker 1>people like and I was like, hey, my dad man,

2:49:33.280 --> 2:49:36.120
<v Speaker 1>especially when you had that's fifteen grand And I remember

2:49:36.160 --> 2:49:38.200
<v Speaker 1>me and pun of me. She was just and even

2:49:38.280 --> 2:49:40.560
<v Speaker 1>then I was doing it getting bread, but it was

2:49:40.560 --> 2:49:44.000
<v Speaker 1>still love like I was still I remember, I say

2:49:44.040 --> 2:49:47.880
<v Speaker 1>this real quick. I showed up to a video and

2:49:47.920 --> 2:49:53.160
<v Speaker 1>it was my video and I got paid and this

2:49:53.320 --> 2:49:55.720
<v Speaker 1>was cool. Ray Kwan got paid and then showed up

2:49:55.760 --> 2:49:57.520
<v Speaker 1>to the video and then Ray Kwan one of another

2:49:57.560 --> 2:50:01.480
<v Speaker 1>paper for the video and and I remember her label

2:50:01.600 --> 2:50:04.440
<v Speaker 1>like oh ship man like Ray Kwana is a bad person.

2:50:04.680 --> 2:50:07.480
<v Speaker 2>They're like nor is a good person? Like so cool cool.

2:50:07.640 --> 2:50:10.680
<v Speaker 1>Ray Kwang got paid. And when it came back time

2:50:10.879 --> 2:50:12.920
<v Speaker 1>for Maya to do my record, guess.

2:50:12.720 --> 2:50:14.000
<v Speaker 3>What she was with?

2:50:14.160 --> 2:50:23.000
<v Speaker 1>Common was together, but I remember it was a guy

2:50:23.080 --> 2:50:28.840
<v Speaker 1>named Hakeem Islam or Hawk Islam Islam that was in

2:50:28.959 --> 2:50:32.080
<v Speaker 1>charge of her project. And I came to him and

2:50:32.120 --> 2:50:34.360
<v Speaker 1>this is the guy who thanked me for for being

2:50:34.400 --> 2:50:37.039
<v Speaker 1>on time at the video but showing up for wearing

2:50:37.080 --> 2:50:39.039
<v Speaker 1>the clothes that they asked Ray We're none of the.

2:50:39.040 --> 2:50:41.560
<v Speaker 2>Clothes that day asked for. I did all that I did.

2:50:41.640 --> 2:50:43.840
<v Speaker 1>I was under the sparks, sparkles, I did all the

2:50:43.920 --> 2:50:45.879
<v Speaker 1>dump ship that I wasn't supposed to do as an

2:50:45.959 --> 2:50:48.599
<v Speaker 1>established artist when I was trying to form a relationship.

2:50:48.800 --> 2:50:51.320
<v Speaker 1>And so anyway, when it came time, we went to

2:50:51.320 --> 2:50:52.880
<v Speaker 1>see him and he was like, yeah, we're not going

2:50:52.920 --> 2:50:53.760
<v Speaker 1>to go in this direction.

2:50:54.000 --> 2:50:56.840
<v Speaker 2>And I was just like, oh, okay, that's what we're doing.

2:50:56.879 --> 2:50:59.720
<v Speaker 1>I was like, okay, okay, wait to tell Maya his face,

2:50:59.720 --> 2:51:02.199
<v Speaker 1>because I almost guarantee you she doesn't notice.

2:51:02.440 --> 2:51:06.360
<v Speaker 2>Right. She says she's down to be on here, take

2:51:06.440 --> 2:51:10.440
<v Speaker 2>vegan shots whatever she comes liquor with her. Let's look

2:51:10.520 --> 2:51:14.600
<v Speaker 2>up the execution. This okay rock Raider.

2:51:16.240 --> 2:51:18.760
<v Speaker 4>He scratched on my first album.

2:51:18.920 --> 2:51:20.080
<v Speaker 2>He was on this album, he.

2:51:20.040 --> 2:51:22.960
<v Speaker 4>Was on He's on All in It, and he's cutting

2:51:23.000 --> 2:51:23.800
<v Speaker 4>on another record.

2:51:24.520 --> 2:51:26.519
<v Speaker 3>And that's when I knew.

2:51:28.040 --> 2:51:33.520
<v Speaker 4>When somebody is so good, it's hard for them to

2:51:33.640 --> 2:51:35.000
<v Speaker 4>do something very simple.

2:51:35.280 --> 2:51:35.920
<v Speaker 2>Mm hm.

2:51:35.959 --> 2:51:38.640
<v Speaker 4>So imagine telling Steph, y'all just want you to just

2:51:38.680 --> 2:51:39.800
<v Speaker 4>lay the ball up right here.

2:51:40.120 --> 2:51:42.840
<v Speaker 2>Carry Yeah. I love how you call everybody the first name.

2:51:43.600 --> 2:51:45.640
<v Speaker 2>He goes crazy with the names, like.

2:51:47.320 --> 2:51:51.199
<v Speaker 4>Yeah, yeah, I shoot from way, I shoot from outside

2:51:51.280 --> 2:51:51.600
<v Speaker 4>the gym.

2:51:51.600 --> 2:51:53.360
<v Speaker 2>You're like, yeah, but just I just want you to

2:51:53.440 --> 2:51:54.879
<v Speaker 2>lay it up. That's all you want.

2:51:55.600 --> 2:51:58.000
<v Speaker 4>So I had Rock Raided in the studio and I'm

2:51:58.000 --> 2:51:59.720
<v Speaker 4>telling him to do I'll say, He's like, how you

2:51:59.720 --> 2:52:00.480
<v Speaker 4>want to scratched us?

2:52:00.600 --> 2:52:03.520
<v Speaker 2>I wanted to liked.

2:52:03.840 --> 2:52:06.600
<v Speaker 3>He like, that's ridiculous, and I'm like, yeah.

2:52:06.600 --> 2:52:09.600
<v Speaker 2>Just god, cop God, you.

2:52:09.480 --> 2:52:12.080
<v Speaker 4>Could have done that yourself. I wasn't, but you know,

2:52:12.400 --> 2:52:13.960
<v Speaker 4>Rock Raider, you know what I'm saying. I want him

2:52:14.000 --> 2:52:16.800
<v Speaker 4>on a joint. So the tape run and they're like,

2:52:16.920 --> 2:52:24.800
<v Speaker 4>I won, dude, and I'm like, no, that's not it,

2:52:24.879 --> 2:52:29.280
<v Speaker 4>and he like, I thought you wanted God, and I'm like.

2:52:29.640 --> 2:52:31.360
<v Speaker 3>That's what I want you to do. He like, that's it.

2:52:32.200 --> 2:52:35.160
<v Speaker 4>You might run it back three times over God, this God.

2:52:37.000 --> 2:52:40.720
<v Speaker 4>And in my mind, I'm going, he's so good he

2:52:40.840 --> 2:52:45.120
<v Speaker 4>can't Dodd. I'm like, yo, you you gotta called one

2:52:45.160 --> 2:52:48.720
<v Speaker 4>of your homies in here. Because he ended up doing it,

2:52:48.760 --> 2:52:51.400
<v Speaker 4>but it took so long because and in my mind,

2:52:51.440 --> 2:52:53.039
<v Speaker 4>I'm like, why you just can't do the Sumple ship

2:52:53.280 --> 2:52:54.880
<v Speaker 4>and he like, that's what I do when I was ten.

2:52:55.360 --> 2:52:58.600
<v Speaker 4>But to his defense, yeah, to his defense, he was

2:52:58.600 --> 2:53:01.640
<v Speaker 4>so advanced. He saw and you're asking him dumb himself down.

2:53:01.920 --> 2:53:04.680
<v Speaker 4>That represents him too, right, right, So when I when

2:53:04.720 --> 2:53:06.440
<v Speaker 4>I hopped on the song with the executions, they was

2:53:06.480 --> 2:53:09.680
<v Speaker 4>on loud and he reached back out and he asked him,

2:53:09.680 --> 2:53:11.600
<v Speaker 4>He's like, your skills you working on the execution the album?

2:53:11.800 --> 2:53:13.279
<v Speaker 2>Can I get a verse? I was like, of course,

2:53:13.640 --> 2:53:15.640
<v Speaker 2>And the first thing that popped he tell you I want?

2:53:16.360 --> 2:53:17.800
<v Speaker 4>He was like, yo, dude, you and the first thing

2:53:17.840 --> 2:53:19.240
<v Speaker 4>I popped on mouth like yo, I should come in

2:53:19.280 --> 2:53:21.560
<v Speaker 4>this jong and wrap like boning on the ship. I

2:53:21.560 --> 2:53:22.240
<v Speaker 4>should come in here.

2:53:22.120 --> 2:53:22.840
<v Speaker 2>And right like bone.

2:53:22.840 --> 2:53:23.080
<v Speaker 3>Thus.

2:53:23.120 --> 2:53:25.120
<v Speaker 4>I know they want some hip hop spinish ship, but

2:53:25.160 --> 2:53:27.920
<v Speaker 4>I should come in here and fucking do triple syllables

2:53:27.920 --> 2:53:30.920
<v Speaker 4>and ship because because you know what I mean I want.

2:53:31.000 --> 2:53:33.400
<v Speaker 4>It was just like an inside joke with him. But yeah,

2:53:33.440 --> 2:53:37.879
<v Speaker 4>the execution is man's like for the dopest DJs, but ever.

2:53:37.840 --> 2:53:40.800
<v Speaker 2>Sing in my life. They changed the game, them and

2:53:40.879 --> 2:53:42.960
<v Speaker 2>the beat junkies. You know what I'm saying. Everybody and

2:53:43.000 --> 2:53:45.000
<v Speaker 2>the allies from Miami the same way.

2:53:45.040 --> 2:53:49.360
<v Speaker 1>You have a story about Common, right, and could you

2:53:49.480 --> 2:53:51.880
<v Speaker 1>not I don't know if you're on Common sat down

2:53:51.879 --> 2:53:53.160
<v Speaker 1>and spoke about it recently.

2:53:53.280 --> 2:53:53.840
<v Speaker 2>No, we haven't.

2:53:54.080 --> 2:53:57.520
<v Speaker 3>Yeah, I love them, but I held the grudge phone.

2:53:57.840 --> 2:54:00.200
<v Speaker 1>But this is what I'm trying to say is Commember

2:54:00.280 --> 2:54:02.840
<v Speaker 1>probably sit down and be like his mind was so

2:54:05.560 --> 2:54:08.600
<v Speaker 1>he probably won't even remember that, right. Is there anybody

2:54:08.760 --> 2:54:12.920
<v Speaker 1>in this world that has a story about you like that?

2:54:14.320 --> 2:54:15.519
<v Speaker 2>Man? You just somebody?

2:54:15.720 --> 2:54:19.760
<v Speaker 1>Yeah, every one of us, just one person by mistake, accident.

2:54:20.000 --> 2:54:22.240
<v Speaker 4>Here's the thing I take it. So I remember one.

2:54:22.400 --> 2:54:25.600
<v Speaker 4>I remember one girl telling me. She was like, yeah,

2:54:25.600 --> 2:54:27.400
<v Speaker 4>you don't even remember me. I gave I gave you,

2:54:27.440 --> 2:54:29.200
<v Speaker 4>I spit some balls and you told me I just

2:54:29.200 --> 2:54:32.200
<v Speaker 4>need to stop rapping. And I was like, but that's

2:54:32.240 --> 2:54:34.560
<v Speaker 4>kind of sound like a little bit say that.

2:54:35.879 --> 2:54:39.480
<v Speaker 3>I would never say that to a person. It's another dude.

2:54:39.640 --> 2:54:41.199
<v Speaker 2>This guy said that guy.

2:54:41.480 --> 2:54:44.560
<v Speaker 4>There's another dude. There was another dude. It was on Instagram,

2:54:48.160 --> 2:54:50.440
<v Speaker 4>so he says, he says it was I think I

2:54:50.520 --> 2:54:52.520
<v Speaker 4>might have posted somebody. It was big birthday and I

2:54:52.520 --> 2:54:54.480
<v Speaker 4>put up the big story. But when he said, damn,

2:54:54.480 --> 2:54:56.760
<v Speaker 4>do your tims leaning and he said, yeah, I remember

2:54:56.840 --> 2:54:59.800
<v Speaker 4>being backstage at a club in Norfolk and you was

2:55:00.200 --> 2:55:03.120
<v Speaker 4>behind Julir mafia and the story sounded like right, I

2:55:03.120 --> 2:55:04.600
<v Speaker 4>was like, oh, you ain't fighting in the hood. I

2:55:04.600 --> 2:55:08.040
<v Speaker 4>was probably rolling with them with money, alling them like yeah,

2:55:08.040 --> 2:55:09.560
<v Speaker 4>you got to the back door and they closed the

2:55:09.560 --> 2:55:11.360
<v Speaker 4>back door and they ain't let you in and you

2:55:11.360 --> 2:55:13.640
<v Speaker 4>were standing back some about the mad skills.

2:55:14.000 --> 2:55:16.119
<v Speaker 2>I was like, I would never.

2:55:16.040 --> 2:55:18.280
<v Speaker 4>Say no shit like that, like you had me up

2:55:18.320 --> 2:55:21.600
<v Speaker 4>until the end. No you said that shit. You said

2:55:21.600 --> 2:55:24.720
<v Speaker 4>that shit, gee, And I was like, I don't remember

2:55:24.800 --> 2:55:27.600
<v Speaker 4>saying that. Bro, Like so like, how you something with Rapp?

2:55:27.640 --> 2:55:29.240
<v Speaker 4>And he was like, Yo, why is it always the

2:55:29.320 --> 2:55:32.760
<v Speaker 4>negative comment and we always run to It could be

2:55:32.760 --> 2:55:35.800
<v Speaker 4>one hundred people telling you great, your dangy change my life,

2:55:35.920 --> 2:55:38.240
<v Speaker 4>and it's that one. But it's like we have to

2:55:38.360 --> 2:55:42.920
<v Speaker 4>overcome that negativity because this is what I realized about

2:55:43.000 --> 2:55:48.680
<v Speaker 4>social media. These motherfuckers. They don't care if they wrong

2:55:48.800 --> 2:55:53.280
<v Speaker 4>or they right. They just want to get attention. I

2:55:53.360 --> 2:55:56.280
<v Speaker 4>don't have that bone in my body because I'm like,

2:55:56.360 --> 2:55:59.879
<v Speaker 4>I'm still really outside, So I can't go on my

2:56:00.120 --> 2:56:03.400
<v Speaker 4>podcasts and just say yo, she trash her whole song trash.

2:56:03.520 --> 2:56:05.800
<v Speaker 4>If I ever saw her, yo, I probably just mush

2:56:05.840 --> 2:56:06.320
<v Speaker 4>in her face.

2:56:06.360 --> 2:56:07.039
<v Speaker 2>She trash.

2:56:07.320 --> 2:56:09.640
<v Speaker 4>Because I might be somewhere DJing and the nigga might

2:56:09.680 --> 2:56:11.440
<v Speaker 4>come and say Yo, what you say about my niece.

2:56:11.840 --> 2:56:14.440
<v Speaker 2>You can't Joe button niggas. You're saying, I.

2:56:14.360 --> 2:56:16.240
<v Speaker 4>Can't do that, you know what I'm saying. So because

2:56:16.280 --> 2:56:19.280
<v Speaker 4>I'm like, I'm still really outside. So for me, it's

2:56:19.360 --> 2:56:22.600
<v Speaker 4>like I realized that they not they don't want to

2:56:22.640 --> 2:56:24.600
<v Speaker 4>be right or they don't want to be wrong. They

2:56:24.680 --> 2:56:28.360
<v Speaker 4>just want to get attention so that it's put there

2:56:28.800 --> 2:56:31.720
<v Speaker 4>to get a reaction. So people get online and say

2:56:31.760 --> 2:56:33.160
<v Speaker 4>the most outland of ship.

2:56:33.560 --> 2:56:35.160
<v Speaker 3>Just because they go, Yo, look I got this.

2:56:35.480 --> 2:56:37.680
<v Speaker 4>I got like eighty I got eighty thousand likes off

2:56:37.760 --> 2:56:42.520
<v Speaker 4>it's crazy ass coming like, but sometimes people remember, sometimes

2:56:42.560 --> 2:56:43.720
<v Speaker 4>it's started to be butts.

2:56:44.160 --> 2:56:45.080
<v Speaker 2>This is crazy shit.

2:56:45.120 --> 2:56:48.720
<v Speaker 1>This is the reason why I when I post, I post,

2:56:48.760 --> 2:56:50.600
<v Speaker 1>and I basically get the fuck out of the gotcha,

2:56:51.040 --> 2:56:54.039
<v Speaker 1>I get out of there. You drop on tweets, I drive,

2:56:54.120 --> 2:56:57.400
<v Speaker 1>I do drop like I do draw tweets.

2:56:57.440 --> 2:56:57.920
<v Speaker 2>For sure.

2:56:58.480 --> 2:57:00.400
<v Speaker 1>I might stay on the ground for a little because

2:57:00.440 --> 2:57:01.680
<v Speaker 1>it's something that my cleaning.

2:57:01.480 --> 2:57:07.320
<v Speaker 2>Lady taught me. You're clearly, let's hear this something that

2:57:07.400 --> 2:57:12.800
<v Speaker 2>she taught me. For years, I would's roaches and then

2:57:12.840 --> 2:57:15.760
<v Speaker 2>this I'm gonna be back later blunts. Right, this is

2:57:15.760 --> 2:57:20.080
<v Speaker 2>all related like a bigger you say, I come back

2:57:20.120 --> 2:57:20.560
<v Speaker 2>to you later.

2:57:21.760 --> 2:57:24.360
<v Speaker 1>But for years she would come into my astray and

2:57:24.440 --> 2:57:27.000
<v Speaker 1>if if it's these bunchs that you come back to later,

2:57:27.560 --> 2:57:29.080
<v Speaker 1>she would throw them, sister fuck away.

2:57:29.120 --> 2:57:31.120
<v Speaker 2>She's a good clean And then I would be like, yo,

2:57:31.760 --> 2:57:32.800
<v Speaker 2>you can't tell.

2:57:33.520 --> 2:57:35.720
<v Speaker 1>And then I started to think about it, and it's like,

2:57:35.840 --> 2:57:38.920
<v Speaker 1>how could she tell? This is good blunts? Is two

2:57:39.000 --> 2:57:42.800
<v Speaker 1>or three good blunts and a world full of fucking track,

2:57:43.600 --> 2:57:45.160
<v Speaker 1>She's supposed to throw the ship out.

2:57:45.959 --> 2:57:47.520
<v Speaker 2>That's what I feel about social media.

2:57:47.560 --> 2:57:49.760
<v Speaker 1>It's like, even though I might be the good blunt,

2:57:50.240 --> 2:57:54.000
<v Speaker 1>I'm standing in the fucking food full of astrays.

2:57:54.000 --> 2:57:55.359
<v Speaker 2>So that's so profound.

2:57:56.600 --> 2:58:02.280
<v Speaker 1>Pound I clean, like like like I swear to God

2:58:02.320 --> 2:58:06.960
<v Speaker 1>because I'm like, yo, because I swear, I'm gonna embarrass myself.

2:58:06.959 --> 2:58:11.360
<v Speaker 1>I'm keeping there with y'all. I've been smoking hash much lately,

2:58:11.840 --> 2:58:13.600
<v Speaker 1>and I've been smoking diamonds.

2:58:13.640 --> 2:58:17.120
<v Speaker 2>You know, it is bad expensive. So when I put

2:58:17.120 --> 2:58:20.400
<v Speaker 2>this ship out, is she doing the way I went in?

2:58:20.800 --> 2:58:25.520
<v Speaker 2>The garbage? It's the brand new you know.

2:58:25.560 --> 2:58:28.760
<v Speaker 1>She had just took out the bag, but literally just

2:58:28.840 --> 2:58:30.680
<v Speaker 1>that garbage. And I went in and I picked the

2:58:30.720 --> 2:58:33.120
<v Speaker 1>two or three that was good out, And then I

2:58:33.200 --> 2:58:34.240
<v Speaker 1>looked at my wife is.

2:58:34.200 --> 2:58:36.440
<v Speaker 4>Looking at me, and she's like, why you're digging in

2:58:36.440 --> 2:58:39.840
<v Speaker 4>the She's like, you look like George from Seinfeld, Like

2:58:39.920 --> 2:58:42.040
<v Speaker 4>what are you doing in the fucking garbage?

2:58:42.040 --> 2:58:45.160
<v Speaker 1>And I'm like, I can't even explain, like these months

2:58:45.320 --> 2:58:45.720
<v Speaker 1>are like a.

2:58:45.800 --> 2:58:48.880
<v Speaker 2>Hundred dollars and that, and I'm looking at it.

2:58:48.879 --> 2:58:50.560
<v Speaker 1>I'm like, not gonna make sense, and I'm like and

2:58:50.640 --> 2:58:52.879
<v Speaker 1>then I'm saying, yo, but that's the cleaning, like like

2:58:52.920 --> 2:58:55.800
<v Speaker 1>she shouldn't have she should have known she's and look,

2:58:55.840 --> 2:58:58.440
<v Speaker 1>and I'm like, how can she knows what's good and

2:58:58.440 --> 2:59:01.160
<v Speaker 1>what's bad? It's all it's in a That's that's how

2:59:01.160 --> 2:59:03.520
<v Speaker 1>I feel about social media. It's like, how could you

2:59:03.560 --> 2:59:05.800
<v Speaker 1>find out who the fuck is the good of? It's

2:59:05.879 --> 2:59:08.680
<v Speaker 1>all in the fucking bad, full of fucking as that

2:59:08.920 --> 2:59:09.920
<v Speaker 1>should be dumped out.

2:59:10.240 --> 2:59:12.440
<v Speaker 3>But it's also true.

2:59:15.160 --> 2:59:18.119
<v Speaker 4>Also a too that we got to use because it's

2:59:18.840 --> 2:59:21.040
<v Speaker 4>you can't the one thing we can't change and run

2:59:21.080 --> 2:59:22.120
<v Speaker 4>from his technology.

2:59:22.200 --> 2:59:23.280
<v Speaker 3>So I love the.

2:59:23.240 --> 2:59:27.360
<v Speaker 4>Fact that you could have an idea today and sell

2:59:27.400 --> 2:59:30.960
<v Speaker 4>it to everybody to fuck with you tomorrow. You could say, yo, y'all, y'all,

2:59:31.040 --> 2:59:32.840
<v Speaker 4>y'all saw that ship I did Saturday. You're talking about

2:59:32.840 --> 2:59:36.680
<v Speaker 4>your bottles if I threw them up up or somebody saying, yo,

2:59:36.760 --> 2:59:38.600
<v Speaker 4>Noiri's performing in Connecticut tomorrow.

2:59:38.640 --> 2:59:41.320
<v Speaker 2>You can be like, no, I'm not that bag ain't come.

2:59:42.040 --> 2:59:44.000
<v Speaker 4>So nobody's gonna go to that show because they, like

2:59:44.160 --> 2:59:47.000
<v Speaker 4>Norry said it on his page from him, he's not

2:59:47.080 --> 2:59:48.440
<v Speaker 4>scheduled to perform at that.

2:59:48.560 --> 2:59:50.400
<v Speaker 3>I like how you can like that. I like you

2:59:50.440 --> 2:59:50.879
<v Speaker 3>know what I'm saying.

2:59:50.920 --> 2:59:53.400
<v Speaker 1>I like you, Yeah, I do.

2:59:53.680 --> 2:59:53.960
<v Speaker 2>Listen.

2:59:54.040 --> 2:59:56.280
<v Speaker 1>Let me just tell you something. Whenever I want to

2:59:56.320 --> 2:59:59.760
<v Speaker 1>feel humble, you go home, I go to say something

2:59:59.760 --> 3:00:02.640
<v Speaker 1>to Ship just just so they can just attack me,

3:00:02.680 --> 3:00:05.039
<v Speaker 1>and I'd like, ah, like like.

3:00:06.720 --> 3:00:08.440
<v Speaker 4>I feel I feel like I feel like at some

3:00:08.520 --> 3:00:12.000
<v Speaker 4>point I might do like some sort of experiment where

3:00:12.120 --> 3:00:16.280
<v Speaker 4>I just start saying the craziest ship just to see

3:00:16.360 --> 3:00:17.400
<v Speaker 4>how oh yes.

3:00:17.680 --> 3:00:20.000
<v Speaker 1>Oh yes, you know what I mean. Yes, and you'll

3:00:20.040 --> 3:00:23.280
<v Speaker 1>create a whole nother audience. Yeah, just for this to see.

3:00:23.400 --> 3:00:26.000
<v Speaker 4>And when it happens, you look at you all gonna

3:00:26.000 --> 3:00:29.039
<v Speaker 4>read the tweet and like skills probably doing that thing

3:00:29.080 --> 3:00:31.119
<v Speaker 4>he said, you know, because there's no way you believe

3:00:31.200 --> 3:00:34.879
<v Speaker 4>what he just said, right, Your son is why and

3:00:34.959 --> 3:00:36.760
<v Speaker 4>it's gonna get to a point where you're gonna be like,

3:00:38.160 --> 3:00:38.600
<v Speaker 4>I don't know.

3:00:38.520 --> 3:00:39.039
<v Speaker 3>If he sucking.

3:00:39.320 --> 3:00:41.920
<v Speaker 2>I got to yo. You know you're wild right now.

3:00:42.320 --> 3:00:44.520
<v Speaker 2>You know it's like thinking about how many people were.

3:00:44.440 --> 3:00:47.600
<v Speaker 4>Even thinking to say that, you know what I mean, Like,

3:00:47.640 --> 3:00:50.000
<v Speaker 4>it's a crazy space, man, it's crazy.

3:00:50.480 --> 3:00:52.680
<v Speaker 2>This is a two part question. One.

3:00:52.959 --> 3:00:55.480
<v Speaker 1>I heard you say that you could be You could

3:00:55.520 --> 3:00:58.160
<v Speaker 1>be great. You just can't be the best if someone

3:00:58.240 --> 3:01:01.920
<v Speaker 1>goes right for you, right. I also wanted to ask

3:01:02.000 --> 3:01:06.000
<v Speaker 1>you because in this new day and age, when I

3:01:06.040 --> 3:01:08.680
<v Speaker 1>watch these young kids perform, I don't see.

3:01:08.480 --> 3:01:12.640
<v Speaker 2>The perform on the beat. I see them perform with

3:01:12.720 --> 3:01:15.879
<v Speaker 2>the vocals. Yes, can they consider their self real?

3:01:16.120 --> 3:01:19.039
<v Speaker 1>See if you're performing with the talking about the whole

3:01:19.080 --> 3:01:21.360
<v Speaker 1>show with the vocals on it is that considered?

3:01:21.520 --> 3:01:22.800
<v Speaker 2>And so it's a two part question.

3:01:23.080 --> 3:01:27.160
<v Speaker 1>So performing if you're rhyming with the vocals, and can

3:01:27.240 --> 3:01:29.560
<v Speaker 1>you ever be considered a goat if you had.

3:01:29.920 --> 3:01:31.920
<v Speaker 3>Someone goes right, you can't be considered a goat.

3:01:32.120 --> 3:01:34.640
<v Speaker 4>You can't if you if somebody wrote for you, Okay,

3:01:35.360 --> 3:01:36.160
<v Speaker 4>I don't think so.

3:01:36.440 --> 3:01:38.000
<v Speaker 2>You can still be considered one of the best.

3:01:38.040 --> 3:01:39.800
<v Speaker 4>You could be one of the best, but you can't

3:01:39.800 --> 3:01:42.000
<v Speaker 4>be the got okay, they had to come from you.

3:01:44.160 --> 3:01:48.160
<v Speaker 4>The analogy of performing over vocals, I think that shit

3:01:48.280 --> 3:01:54.920
<v Speaker 4>started when people started just going to clubs. But it

3:01:55.000 --> 3:01:57.600
<v Speaker 4>wasn't a performance. It was just yo, so and sow

3:01:57.720 --> 3:02:00.320
<v Speaker 4>them over there, got a section we just on so

3:02:00.480 --> 3:02:04.400
<v Speaker 4>is that tonight? And their sound systems and they will go,

3:02:05.120 --> 3:02:07.760
<v Speaker 4>they will go. And you didn't get paid to perform.

3:02:07.840 --> 3:02:10.200
<v Speaker 4>You just got paid to be there. So the promoter

3:02:10.320 --> 3:02:12.080
<v Speaker 4>might try to sneak this. You might try to throw

3:02:12.120 --> 3:02:14.080
<v Speaker 4>something in, Yo, We're gonna throw on your joint.

3:02:15.320 --> 3:02:16.720
<v Speaker 3>If you want to say something to the people.

3:02:16.760 --> 3:02:19.320
<v Speaker 4>They hoping you're gonna do your song, and they're like, nah,

3:02:19.400 --> 3:02:21.640
<v Speaker 4>ain't he't paid for the performance money, Like you just

3:02:21.680 --> 3:02:25.640
<v Speaker 4>getting boom boom boom. So you got a DJ there,

3:02:25.680 --> 3:02:27.640
<v Speaker 4>he just gonna play your He don't got the TV track,

3:02:27.720 --> 3:02:28.720
<v Speaker 4>he don't got the instrumental.

3:02:28.760 --> 3:02:32.439
<v Speaker 3>That ain't your DJ. So you throwing the record.

3:02:32.760 --> 3:02:35.720
<v Speaker 4>And that that's the way you can move in different

3:02:35.760 --> 3:02:40.600
<v Speaker 4>cities without having a DJ. So if the DJ at

3:02:40.640 --> 3:02:42.600
<v Speaker 4>the club just play your record and you wrap over it,

3:02:42.720 --> 3:02:44.680
<v Speaker 4>you don't got pay for that plane ticket, you don't

3:02:44.680 --> 3:02:45.160
<v Speaker 4>got pay for.

3:02:45.120 --> 3:02:47.440
<v Speaker 1>That hotel room. Yeah, but I think you're talking about

3:02:47.480 --> 3:02:49.800
<v Speaker 1>our day. I'm thinking about right now. I'm talking about

3:02:49.800 --> 3:02:52.320
<v Speaker 1>these cats now. But right now you got a hard drive,

3:02:52.360 --> 3:02:54.400
<v Speaker 1>you got you got that in your phone, you got

3:02:54.440 --> 3:02:55.080
<v Speaker 1>your instrumental.

3:02:55.640 --> 3:02:59.640
<v Speaker 2>Look, okay, I don't even think they make instrumentals.

3:02:59.720 --> 3:03:01.560
<v Speaker 6>Hold on, guys, and some of them, I don't know

3:03:01.640 --> 3:03:05.040
<v Speaker 6>that someone whose man artist. A side of that is

3:03:05.840 --> 3:03:11.200
<v Speaker 6>having artists perform at terrible venues that had terrible sound systems,

3:03:11.320 --> 3:03:14.320
<v Speaker 6>where the mics were horrible, and some of these younger

3:03:14.400 --> 3:03:16.360
<v Speaker 6>artists was like, I'm not gonna go through that again.

3:03:16.400 --> 3:03:19.400
<v Speaker 6>I'd rather relate my my my record with my vocals

3:03:19.400 --> 3:03:21.640
<v Speaker 6>and I'll just try to do the best I can

3:03:21.760 --> 3:03:23.720
<v Speaker 6>over it. And it became I'm not going to chance

3:03:24.040 --> 3:03:26.400
<v Speaker 6>having bad mics and bad sound systems.

3:03:26.560 --> 3:03:30.920
<v Speaker 4>That's gonna sound like monitors. If the if the sound

3:03:30.959 --> 3:03:34.360
<v Speaker 4>in the club is trash, the hit record ain't gonna

3:03:34.400 --> 3:03:37.360
<v Speaker 4>hit Dreams of Nightmas ain't gonna hit the same way

3:03:37.560 --> 3:03:41.440
<v Speaker 4>speakers and hear trash period because the audience is blaming

3:03:41.879 --> 3:03:42.600
<v Speaker 4>the artist, right.

3:03:42.879 --> 3:03:45.119
<v Speaker 1>You know, it's crazy. You know, really really really really

3:03:45.120 --> 3:03:48.879
<v Speaker 1>really really taught us that was Compona Noriega were on

3:03:48.879 --> 3:03:52.960
<v Speaker 1>the worldwide tour. There's certain records that they didn't make

3:03:53.040 --> 3:03:55.520
<v Speaker 1>instrumentals far back then, right, so.

3:03:55.480 --> 3:03:59.160
<v Speaker 2>We didn't have time, We didn't know. We went to Europe,

3:04:00.840 --> 3:04:02.640
<v Speaker 2>we do an hour and a half show.

3:04:03.120 --> 3:04:06.040
<v Speaker 1>We go go because we only do like thirty forty

3:04:06.080 --> 3:04:08.440
<v Speaker 1>minutes in America. So we think it like, we toy

3:04:08.480 --> 3:04:11.320
<v Speaker 1>it down. We get off the stage, they're like, how

3:04:11.320 --> 3:04:15.240
<v Speaker 1>do you like the show? They're like the vocals, man, yeah.

3:04:15.080 --> 3:04:15.880
<v Speaker 2>We like what.

3:04:16.120 --> 3:04:18.480
<v Speaker 1>We just get y'all extra twenty five minutes and it

3:04:18.680 --> 3:04:21.000
<v Speaker 1>was like they didn't care. It's like yo, but you

3:04:21.000 --> 3:04:23.600
<v Speaker 1>guys wrapped over the vocals and we're.

3:04:23.440 --> 3:04:25.680
<v Speaker 2>Like, why am I coming to see you? Yeah? Yeah?

3:04:26.280 --> 3:04:28.640
<v Speaker 1>And this was this was only like records like that

3:04:28.640 --> 3:04:31.120
<v Speaker 1>that we didn't have have, you know, you know what

3:04:31.120 --> 3:04:35.200
<v Speaker 1>I mean, So like like super super Underground B B side,

3:04:35.240 --> 3:04:37.240
<v Speaker 1>Super C side, I don't even know if that's the thing,

3:04:37.480 --> 3:04:38.000
<v Speaker 1>you know what I mean?

3:04:38.040 --> 3:04:40.280
<v Speaker 2>But yeah, yeah, I'm like.

3:04:40.240 --> 3:04:43.840
<v Speaker 4>When you left the studio, any engineer that has a

3:04:43.920 --> 3:04:46.560
<v Speaker 4>right frame of mind is going to give you the

3:04:46.640 --> 3:04:51.040
<v Speaker 4>main song, the clean version of TV tracks, instrumental, the

3:04:51.120 --> 3:04:53.520
<v Speaker 4>TV track, and the Hoka fucking peal.

3:04:53.800 --> 3:04:55.240
<v Speaker 3>You supposed to have all that.

3:04:55.120 --> 3:04:58.280
<v Speaker 4>When you lead a studio anywhere for every record, but

3:04:58.400 --> 3:05:01.000
<v Speaker 4>every most engineers on only doing it for what did

3:05:01.000 --> 3:05:01.840
<v Speaker 4>you say the single was?

3:05:01.920 --> 3:05:03.000
<v Speaker 2>Okay, that's where that's coming.

3:05:03.120 --> 3:05:05.360
<v Speaker 4>But you should have it for every record, and that's

3:05:05.400 --> 3:05:09.200
<v Speaker 4>just about being prepared. But these kids they don't you know,

3:05:09.200 --> 3:05:10.080
<v Speaker 4>they don't care about that.

3:05:10.360 --> 3:05:13.480
<v Speaker 2>No, do you think it's ever gonna change? Hell? No,

3:05:13.560 --> 3:05:16.840
<v Speaker 2>we stuck, stuck. Yeah, we fun. I'm gonna go ahead

3:05:16.840 --> 3:05:17.480
<v Speaker 2>take a shot to that.

3:05:18.000 --> 3:05:19.960
<v Speaker 1>Hold on, let me let me have you ever seen

3:05:19.959 --> 3:05:21.200
<v Speaker 1>the movie Idiocracy?

3:05:22.120 --> 3:05:24.280
<v Speaker 2>Okay? Hold up, man, we didn't even.

3:05:24.520 --> 3:05:27.120
<v Speaker 1>I suggest you see that movie Idiocracy because that's what

3:05:27.240 --> 3:05:28.240
<v Speaker 1>we're stuck Nori.

3:05:31.000 --> 3:05:33.240
<v Speaker 2>Yo? Man? So's anything else you have to say.

3:05:33.080 --> 3:05:38.120
<v Speaker 3>To h anything I missed? I got movie out?

3:05:38.120 --> 3:05:39.640
<v Speaker 2>You check the movie? Okay, where's the movie?

3:05:40.120 --> 3:05:42.000
<v Speaker 4>I was on YouTube with streaming. I did a movie

3:05:42.040 --> 3:05:45.480
<v Speaker 4>called Mad Skills in the nineties. Girl brunch about that.

3:05:47.720 --> 3:05:50.240
<v Speaker 4>So yeah, I saw.

3:05:50.280 --> 3:05:50.560
<v Speaker 2>I saw.

3:05:50.840 --> 3:05:52.280
<v Speaker 4>When I saw a rap man on here, I was

3:05:52.320 --> 3:05:55.280
<v Speaker 4>super inspired because I was like, damn, like the nigga

3:05:55.320 --> 3:05:56.279
<v Speaker 4>went from right wrap.

3:05:56.120 --> 3:05:58.000
<v Speaker 2>Ups, the right movies, the TV shows.

3:05:58.000 --> 3:06:01.880
<v Speaker 4>So but I already have mine, but I'm definitely gonna

3:06:02.360 --> 3:06:05.440
<v Speaker 4>dive more into film. Still teaching, you know what I'm saying.

3:06:06.520 --> 3:06:09.640
<v Speaker 4>You know, still writing, doing a lot of TV sync work,

3:06:10.360 --> 3:06:12.160
<v Speaker 4>you know what I mean. So yeah, you know, having

3:06:12.200 --> 3:06:14.800
<v Speaker 4>fun with it. Is it ever a chance for you

3:06:14.879 --> 3:06:16.080
<v Speaker 4>as you to wrap up together?

3:06:16.680 --> 3:06:17.640
<v Speaker 2>Absolutely not.

3:06:20.080 --> 3:06:24.720
<v Speaker 1>Nah, beef, It's just no, no, no, there's no beef.

3:06:25.160 --> 3:06:28.400
<v Speaker 2>I got you know, I got love for him. You

3:06:28.400 --> 3:06:31.520
<v Speaker 2>know what I'm saying. I never ever, we never even met.

3:06:31.800 --> 3:06:34.320
<v Speaker 2>It's crazy part that's funny. We talked. We talked in

3:06:34.400 --> 3:06:37.160
<v Speaker 2>the d M one time. So funny, dude.

3:06:37.200 --> 3:06:40.199
<v Speaker 4>So I can you know you're here wild, funny nag,

3:06:40.520 --> 3:06:43.840
<v Speaker 4>you know what I'm saying. Like my stance on him

3:06:43.920 --> 3:06:47.640
<v Speaker 4>now from what it was before, this is definitely like

3:06:48.720 --> 3:06:51.280
<v Speaker 4>it's crazy. Like when I stopped, when I stopped doing

3:06:51.280 --> 3:06:53.280
<v Speaker 4>the wrap up, when I look at all of the

3:06:53.320 --> 3:06:55.720
<v Speaker 4>ship that I did in that time since I've been

3:06:55.760 --> 3:06:59.040
<v Speaker 4>here last, it's like, I don't even miss the song.

3:06:59.320 --> 3:06:59.800
<v Speaker 2>You know what I'm saying.

3:07:00.400 --> 3:07:02.800
<v Speaker 4>I did the jay Z Rock and Roll of Fame BT,

3:07:03.360 --> 3:07:05.280
<v Speaker 4>I did a festival in my city. I didn't did

3:07:05.320 --> 3:07:07.240
<v Speaker 4>a film, you know what I'm saying. Like I did

3:07:07.400 --> 3:07:10.400
<v Speaker 4>so much in that time, so I don't miss I

3:07:10.400 --> 3:07:12.160
<v Speaker 4>don't miss it at all, even though people still hit

3:07:12.200 --> 3:07:12.920
<v Speaker 4>me up about it.

3:07:13.280 --> 3:07:14.840
<v Speaker 2>I don't miss it at all. Do you have a

3:07:14.840 --> 3:07:16.600
<v Speaker 2>favorite wrap up? You did the first one?

3:07:16.720 --> 3:07:20.320
<v Speaker 4>The first one, Yeah, that was the inaugural one. Man.

3:07:20.520 --> 3:07:22.920
<v Speaker 4>I remember I listened to it, maybe not too long

3:07:22.959 --> 3:07:25.840
<v Speaker 4>ago when I was like, uh, I got to the

3:07:25.840 --> 3:07:28.520
<v Speaker 4>point where I was like I said, I said, Snoop,

3:07:28.560 --> 3:07:31.920
<v Speaker 4>stop smoking in though Michael Jackson put his baby out

3:07:31.920 --> 3:07:35.160
<v Speaker 4>the window. And it's like they because it's like they

3:07:35.240 --> 3:07:36.119
<v Speaker 4>time capsules.

3:07:36.120 --> 3:07:38.320
<v Speaker 3>Man. You go back and listen to them and they

3:07:38.360 --> 3:07:39.039
<v Speaker 3>tell you so much.

3:07:39.080 --> 3:07:41.520
<v Speaker 4>And when I think about all of the people that

3:07:41.680 --> 3:07:45.160
<v Speaker 4>you know, have you know, borrowed that concept, like like

3:07:45.280 --> 3:07:47.800
<v Speaker 4>you know, we talked about rap man and I just

3:07:47.879 --> 3:07:50.080
<v Speaker 4>hit Nate Burroson today. He used to do an NFL

3:07:50.120 --> 3:07:52.560
<v Speaker 4>wrap up you on Good Morning America. Now you know

3:07:52.600 --> 3:07:55.280
<v Speaker 4>what I'm saying, Like, like we talked about before, so

3:07:55.320 --> 3:07:59.440
<v Speaker 4>many franchises and just people just just doing their own

3:07:59.520 --> 3:08:02.560
<v Speaker 4>version of it. So I'm glad I started something that

3:08:02.600 --> 3:08:06.520
<v Speaker 4>people love, and now it's just time to keep keep

3:08:06.560 --> 3:08:07.800
<v Speaker 4>starting new traditions.

3:08:07.879 --> 3:08:10.080
<v Speaker 2>You know what I'm saying. Oh yeah, for sure, We'll

3:08:10.120 --> 3:08:11.160
<v Speaker 2>continue to do your thing.

3:08:11.280 --> 3:08:17.160
<v Speaker 1>Man, hope everybody's right.

3:08:19.280 --> 3:08:22.680
<v Speaker 6>Drink Champs is a drink Champs LLC production hosts and

3:08:22.800 --> 3:08:26.200
<v Speaker 6>executive producers n O r E and dj e f N.

3:08:27.360 --> 3:08:31.520
<v Speaker 6>Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

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<v Speaker 6>or wherever you get your podcasts. Thanks for joining us

3:08:35.480 --> 3:08:38.119
<v Speaker 6>for another episode of Drink Champs hosted by Yours Truly,

3:08:38.200 --> 3:08:40.800
<v Speaker 6>dj e f N and n O r E. Please

3:08:40.800 --> 3:08:43.000
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3:08:43.040 --> 3:08:46.400
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3:08:46.480 --> 3:08:49.040
<v Speaker 6>go on I g at Noriaga.

3:08:48.520 --> 3:08:51.240
<v Speaker 4>On Twitter, mine is at Who's Crazy on I g

3:08:52.040 --> 3:08:54.880
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3:08:54.920 --> 3:08:57.760
<v Speaker 4>stay up to date with the latest releases, news and

3:08:57.879 --> 3:08:59.959
<v Speaker 4>merch by going to drink Champs dot.

3:09:10.440 --> 3:09:17.440
<v Speaker 13>Hazard is Sounds Rising the Machines Castrumentals Volume one, available

3:09:17.520 --> 3:09:33.119
<v Speaker 13>now on all platforms. Download today Rosing the Machines Song

3:09:33.240 --> 3:09:37.680
<v Speaker 13>Contest seeking out all artists that want to take their

3:09:37.720 --> 3:09:40.640
<v Speaker 13>career to the next level. Go ahead and join today

3:09:41.320 --> 3:09:45.000
<v Speaker 13>by downloading the album, picking out your favorite beat, and

3:09:45.080 --> 3:09:48.240
<v Speaker 13>making a song versu or hook to it submitted to

3:09:48.640 --> 3:09:51.960
<v Speaker 13>Hazard It Sounds at gmail dot com and you will

3:09:51.959 --> 3:09:52.600
<v Speaker 13>be judged by.

3:09:52.600 --> 3:09:54.760
<v Speaker 2>Celebrity judges dj E f N.

3:09:54.920 --> 3:09:59.800
<v Speaker 13>Drink Champs owned SB Killer Platinum producer and Scram Jones

3:10:00.080 --> 3:10:03.800
<v Speaker 13>Multiplannum producer as well. You can also summit via IG

3:10:04.360 --> 3:10:09.600
<v Speaker 13>by recording a video and performing the song simply tag

3:10:09.760 --> 3:10:13.439
<v Speaker 13>Rise of the Machine Song Contest and we will repost

3:10:13.680 --> 3:10:18.359
<v Speaker 13>your video as well. Winners will be announced September seventh.

3:10:20.160 --> 3:10:22.840
<v Speaker 13>Joined today and May the best artists Way

3:10:29.440 --> 3:10:29.720
<v Speaker 2>Editor