1 00:00:06,840 --> 00:00:09,880 Speaker 1: The stigma of being a girl playing guitar. I was 2 00:00:09,960 --> 00:00:12,520 Speaker 1: like setting up my guitar and the sound guy comes 3 00:00:12,560 --> 00:00:15,480 Speaker 1: up to me and was like, you know, you have 4 00:00:15,560 --> 00:00:17,959 Speaker 1: to plug your guitar into the amp to get sound 5 00:00:18,040 --> 00:00:18,319 Speaker 1: of it. 6 00:00:20,880 --> 00:00:24,680 Speaker 2: Episode four to forty five Grace Bowers. Yeah, Grace is awesome, 7 00:00:24,840 --> 00:00:27,840 Speaker 2: crazy guitar player, only seventeen years old. She just like 8 00:00:27,920 --> 00:00:30,000 Speaker 2: stumbles into guns and roses, which I would think if 9 00:00:30,000 --> 00:00:33,400 Speaker 2: you're like fourteen or however old. She was maybe younger 10 00:00:33,440 --> 00:00:35,159 Speaker 2: than that. When she stumbled into guns and roses, you 11 00:00:35,159 --> 00:00:37,440 Speaker 2: would just be like, who are these old ladies? I 12 00:00:37,479 --> 00:00:42,040 Speaker 2: mean men, you know, but like seems a lot older 13 00:00:42,040 --> 00:00:44,880 Speaker 2: when you talk to her, follow her on social media. 14 00:00:45,880 --> 00:00:48,599 Speaker 2: She's so good that she makes it look easy. So 15 00:00:48,720 --> 00:00:51,720 Speaker 2: I don't know at times that if you're not someone 16 00:00:51,760 --> 00:00:54,480 Speaker 2: who either plays or knows people that play, you even 17 00:00:54,560 --> 00:00:57,320 Speaker 2: understand how like elite that she is. It's like when 18 00:00:57,360 --> 00:00:59,120 Speaker 2: you watch a marathon runner and it looks like they're 19 00:00:59,200 --> 00:01:01,279 Speaker 2: running at a normal but they're really going like a 20 00:01:01,280 --> 00:01:03,320 Speaker 2: five minute mile. Yeah, it's a good point. Or like 21 00:01:03,320 --> 00:01:06,920 Speaker 2: the Olympics when they're all running super fast. You can't 22 00:01:06,920 --> 00:01:10,040 Speaker 2: tell the difference. Yeah, it looks normal. She's so good, 23 00:01:10,319 --> 00:01:14,200 Speaker 2: but again she's so young. We went to my wife's 24 00:01:14,319 --> 00:01:16,559 Speaker 2: church and we were watching this husband and wife play 25 00:01:17,360 --> 00:01:18,959 Speaker 2: and I was like, oh, this is different. This is 26 00:01:19,000 --> 00:01:21,160 Speaker 2: way better than even things that we have in our studio. 27 00:01:21,319 --> 00:01:22,680 Speaker 2: And my wife honestly was like, oh, I don't know 28 00:01:22,720 --> 00:01:24,480 Speaker 2: the difference. It just sounds like really good to me. 29 00:01:24,840 --> 00:01:27,279 Speaker 2: I can't really tell the difference in great and super 30 00:01:27,319 --> 00:01:30,040 Speaker 2: elite because a lot of the really small small things 31 00:01:30,080 --> 00:01:31,480 Speaker 2: they do. And I went up to them, I had 32 00:01:31,520 --> 00:01:32,840 Speaker 2: to tell them after church. I was like, you, guys, 33 00:01:33,120 --> 00:01:35,960 Speaker 2: that's amazing. It turns out there about super classically trained. 34 00:01:35,959 --> 00:01:37,880 Speaker 2: They travel the world. And I was like, man, I 35 00:01:37,920 --> 00:01:39,960 Speaker 2: knew they were so good. And I just hope people 36 00:01:40,000 --> 00:01:42,800 Speaker 2: don't take Grace and to see how awesome she is 37 00:01:42,840 --> 00:01:44,280 Speaker 2: and it kind of gets lost because she makes it 38 00:01:44,280 --> 00:01:47,720 Speaker 2: look so easy, but she's the real deal. She just 39 00:01:47,760 --> 00:01:50,840 Speaker 2: wrapped up recording her debut album with John Osborne from 40 00:01:50,840 --> 00:01:53,880 Speaker 2: Brothers Osbourne. She played on the New Year's Eve special 41 00:01:53,960 --> 00:01:57,360 Speaker 2: on CBS with Lany Wilson and with Dolly Parton as 42 00:01:57,360 --> 00:01:58,760 Speaker 2: part of her pet Gal That was a cool thing. 43 00:01:59,240 --> 00:02:02,120 Speaker 2: Her band is Grace Bowers and the Hodgepodge, which sometimes 44 00:02:02,680 --> 00:02:04,840 Speaker 2: I'll just see her go live and so I hit 45 00:02:04,880 --> 00:02:07,400 Speaker 2: it and she has that sign. This is great, Bowers. 46 00:02:07,440 --> 00:02:11,160 Speaker 2: They're all around microphones. She's not singing, she just dominates. 47 00:02:11,200 --> 00:02:14,880 Speaker 2: It reminded me of Santana. Santana didn't sing. Santana would 48 00:02:14,960 --> 00:02:18,200 Speaker 2: play the songs, even like the seventies, you know, Black 49 00:02:18,280 --> 00:02:22,800 Speaker 2: Magic Woman or later on you Maria Maria. Never are 50 00:02:22,840 --> 00:02:26,320 Speaker 2: Rob Thomas smooth smooth. Santana was so elite he didn't 51 00:02:26,360 --> 00:02:29,960 Speaker 2: have to sing. That's great, although I think she should. 52 00:02:30,000 --> 00:02:31,320 Speaker 2: She should sing. I told her that. I was like, 53 00:02:31,320 --> 00:02:34,079 Speaker 2: you can sing so and she's also we talk about it. 54 00:02:34,400 --> 00:02:36,040 Speaker 2: We invited her to play at the Million Dollar Show 55 00:02:36,040 --> 00:02:39,399 Speaker 2: with us coming up at the Ryman next week, tomorrow 56 00:02:39,560 --> 00:02:42,640 Speaker 2: and tomorrow. In this world, yeah, yeah, she's gonna complain. 57 00:02:42,680 --> 00:02:45,000 Speaker 2: People are gonna be blown away. Her favorite guitar player 58 00:02:45,040 --> 00:02:49,080 Speaker 2: is Leslie West of Mountain. You just hear how she 59 00:02:49,360 --> 00:02:52,400 Speaker 2: learned and why she learned, and it's unlike anybody else 60 00:02:52,400 --> 00:02:54,840 Speaker 2: that learned because she had no musical influence except that 61 00:02:55,360 --> 00:02:58,760 Speaker 2: those weird women on the internet. Guns and Roses. All right, 62 00:02:58,840 --> 00:03:01,720 Speaker 2: here you go. This is episode four to forty five. 63 00:03:01,760 --> 00:03:05,720 Speaker 2: Follow her Grace underscore Bowers here she has Grace Bowers. Grace. 64 00:03:05,720 --> 00:03:08,760 Speaker 2: I'm a big fan because I mean, I guess I 65 00:03:08,840 --> 00:03:10,880 Speaker 2: just would. I'm a big music guy, so I would 66 00:03:10,880 --> 00:03:15,000 Speaker 2: just see your videos pop up my algorithm. And your 67 00:03:15,000 --> 00:03:19,120 Speaker 2: hair is physically like you just see your hair and 68 00:03:19,120 --> 00:03:22,799 Speaker 2: a guitar first, Yeah, it's and as someone who has 69 00:03:22,840 --> 00:03:24,880 Speaker 2: big curly hair too, I just I just cut mine. 70 00:03:25,040 --> 00:03:27,040 Speaker 2: But I would be like, oh, look at this who 71 00:03:27,360 --> 00:03:29,120 Speaker 2: And then you know, once you click into it a 72 00:03:29,160 --> 00:03:31,120 Speaker 2: little bit and you find out that you're still a 73 00:03:31,160 --> 00:03:34,440 Speaker 2: teenager like and then so then I started watching some 74 00:03:34,480 --> 00:03:37,240 Speaker 2: of your practice sessions when you would just start streaming 75 00:03:37,240 --> 00:03:38,120 Speaker 2: your practice sessions. 76 00:03:38,280 --> 00:03:39,960 Speaker 1: Oh you watched those ideas a long time. 77 00:03:40,000 --> 00:03:41,800 Speaker 2: It wasn't but they were still still up in a 78 00:03:41,840 --> 00:03:44,720 Speaker 2: few places. Yeah, And so I was curious about that 79 00:03:44,720 --> 00:03:47,880 Speaker 2: you were letting people watch you practice, which I feel 80 00:03:47,880 --> 00:03:51,080 Speaker 2: like is a pretty vulnerable place to be because when 81 00:03:51,080 --> 00:03:53,680 Speaker 2: you're practicing, you're not doing it all. You're not supposed 82 00:03:53,680 --> 00:03:57,280 Speaker 2: to do it all, right, So who had the idea 83 00:03:57,480 --> 00:03:59,280 Speaker 2: for you just to stream practice? 84 00:04:00,880 --> 00:04:01,080 Speaker 3: Well? 85 00:04:01,120 --> 00:04:05,360 Speaker 1: I started it during COVID, and I was playing guitar 86 00:04:05,440 --> 00:04:08,160 Speaker 1: every day because there's nothing else to do, couldn't go 87 00:04:08,200 --> 00:04:12,520 Speaker 1: outside and I had this was on Reddit, which is 88 00:04:12,640 --> 00:04:14,480 Speaker 1: kind of a weird place to be, but that's kind 89 00:04:14,480 --> 00:04:16,800 Speaker 1: of where I got started on social media. 90 00:04:17,000 --> 00:04:18,200 Speaker 2: It's a very weird place to be, by the way, 91 00:04:18,240 --> 00:04:21,120 Speaker 2: because I've I've been a redditor and it's it's funny 92 00:04:21,160 --> 00:04:25,279 Speaker 2: and dark and yeah, yes, why Reddit though, Why. 93 00:04:25,920 --> 00:04:29,320 Speaker 1: Because that's just what I use. I didn't have Instagram 94 00:04:29,320 --> 00:04:29,839 Speaker 1: at the time. 95 00:04:30,400 --> 00:04:35,120 Speaker 2: Uh, it's what I used to doom scroll and doom scrolling. 96 00:04:35,839 --> 00:04:38,720 Speaker 1: I'm bad on that, I'm bad. But so I was 97 00:04:38,760 --> 00:04:42,680 Speaker 1: playing guitar every day, and this was when Reddit still 98 00:04:42,680 --> 00:04:45,039 Speaker 1: had the live streaming option, which they've since gotten rid of. 99 00:04:45,120 --> 00:04:49,560 Speaker 1: But I was like, well, if I'm doing this every day, 100 00:04:49,640 --> 00:04:53,520 Speaker 1: like I should like be letting other people see so 101 00:04:53,560 --> 00:04:58,719 Speaker 1: I can get some followers off of it. So I 102 00:04:58,720 --> 00:05:01,040 Speaker 1: didn't change the thing about what I doing it except 103 00:05:01,040 --> 00:05:03,000 Speaker 1: that set my phone up right in front of me 104 00:05:03,680 --> 00:05:05,799 Speaker 1: and people started watching it, like a lot of people. 105 00:05:05,960 --> 00:05:08,000 Speaker 2: Yeah, and I would see even screenshots because there are 106 00:05:08,000 --> 00:05:11,039 Speaker 2: certain websites that have parts of the videos you practicing. Still, 107 00:05:11,400 --> 00:05:17,920 Speaker 2: you have a massive, very passionate fan base of music folks, 108 00:05:17,960 --> 00:05:23,000 Speaker 2: but all ages from like seventy year old dudes to 109 00:05:24,040 --> 00:05:26,560 Speaker 2: twelve year old girls and everywhere in between because of 110 00:05:26,560 --> 00:05:28,160 Speaker 2: what you do. It's so universal. But some of the 111 00:05:28,160 --> 00:05:30,200 Speaker 2: screenshots I would see there were like nineteen thousand people 112 00:05:30,240 --> 00:05:31,160 Speaker 2: watching you practice. 113 00:05:31,360 --> 00:05:33,520 Speaker 1: Yeah, no, it was crazy. They some of them would 114 00:05:33,560 --> 00:05:37,479 Speaker 1: get like a million total viewers, which is wild because 115 00:05:37,480 --> 00:05:41,440 Speaker 1: it was just me with a guitar, just like messing around. 116 00:05:41,760 --> 00:05:45,400 Speaker 2: Would do you look at the amount of viewers while 117 00:05:45,440 --> 00:05:47,839 Speaker 2: you were practicing or would you just leave it on 118 00:05:47,960 --> 00:05:50,040 Speaker 2: and practice and go back and look I did. 119 00:05:50,080 --> 00:05:53,160 Speaker 1: That's funny because the way it worked is that you 120 00:05:53,200 --> 00:05:55,799 Speaker 1: would start out with like twenty maybe one hundred people, 121 00:05:56,080 --> 00:05:57,440 Speaker 1: and then all of a sudden it would spike to 122 00:05:57,480 --> 00:05:59,720 Speaker 1: twenty thousand, like there's no in between. So I'd be 123 00:05:59,720 --> 00:06:01,360 Speaker 1: playing a song and be at like one hundred, and 124 00:06:01,400 --> 00:06:03,040 Speaker 1: then I'd look at the screen and all of a sudden, 125 00:06:03,040 --> 00:06:04,839 Speaker 1: there's twenty thousand, and I'm like, oh, crap, I better 126 00:06:04,880 --> 00:06:07,279 Speaker 1: play a better song. So I would like switch to 127 00:06:08,279 --> 00:06:11,840 Speaker 1: whatever song that would keep people's attention. 128 00:06:12,520 --> 00:06:14,919 Speaker 2: And are you still in the stage. Because some of 129 00:06:14,960 --> 00:06:19,960 Speaker 2: my friends are very gifted and they work really hard 130 00:06:20,000 --> 00:06:22,040 Speaker 2: guitar players both. Some of them are very gifted, and 131 00:06:22,080 --> 00:06:24,320 Speaker 2: I'll work that hard. Some of them work really hard. 132 00:06:24,320 --> 00:06:25,880 Speaker 2: They're not that gifted, but I have a few that 133 00:06:25,960 --> 00:06:28,920 Speaker 2: are both, right, Like, that's it's like professional athletes, Like 134 00:06:28,920 --> 00:06:32,040 Speaker 2: if you're super genetically blessed and you work really hard, 135 00:06:32,080 --> 00:06:36,760 Speaker 2: like that's next level, that's it. And they don't practice 136 00:06:36,800 --> 00:06:39,560 Speaker 2: as much anymore. But when they write or they create, 137 00:06:39,640 --> 00:06:42,880 Speaker 2: that's kind of they're practicing because they they've all the fundamentals, 138 00:06:43,080 --> 00:06:45,599 Speaker 2: they've pretty they've mastered. Now they're a lot older than you. 139 00:06:45,880 --> 00:06:48,040 Speaker 2: Do you ever pull the guitar out and just practice? 140 00:06:48,200 --> 00:06:50,839 Speaker 2: Or is it you is your practice in creation now? 141 00:06:51,720 --> 00:06:51,840 Speaker 3: Uh? 142 00:06:51,880 --> 00:06:55,359 Speaker 1: No, I definitely still practice because I still have a 143 00:06:55,360 --> 00:06:57,680 Speaker 1: lot to practice. I don't think i've mastered anything yet. 144 00:06:58,320 --> 00:07:03,680 Speaker 1: And I also was not genetically gifted. No offense to 145 00:07:03,720 --> 00:07:09,880 Speaker 1: my mother's sitting here, I don't come from a musical family, 146 00:07:09,920 --> 00:07:13,320 Speaker 1: and lots of people call me a prodigy, but I'm like, 147 00:07:15,200 --> 00:07:17,280 Speaker 1: I worked for this for like seven years, like I've 148 00:07:17,320 --> 00:07:18,720 Speaker 1: been practicing that face. 149 00:07:18,800 --> 00:07:23,160 Speaker 2: Time just gave me that. I get so different. But 150 00:07:23,640 --> 00:07:25,720 Speaker 2: I just felt you in that face because people will 151 00:07:25,720 --> 00:07:27,280 Speaker 2: be like, hey, you're talented. I'm like, I'm not that talented. 152 00:07:27,280 --> 00:07:29,920 Speaker 2: I worked really freaking hard. Yeah, And I almost get 153 00:07:29,920 --> 00:07:32,600 Speaker 2: insulted when people say you're so talented, and I know 154 00:07:32,640 --> 00:07:35,000 Speaker 2: they're trying to say something nice to me. And the 155 00:07:35,040 --> 00:07:37,560 Speaker 2: person who kind of made me feel normal ish about 156 00:07:37,760 --> 00:07:40,680 Speaker 2: was there's an artist named Breeland. And Breland was like, Hey, 157 00:07:40,680 --> 00:07:42,720 Speaker 2: when people say that to you, like they mean, well, 158 00:07:43,240 --> 00:07:45,640 Speaker 2: like you may not take it because I'm like, I 159 00:07:45,880 --> 00:07:47,840 Speaker 2: feel like i have very little talent, but I feel 160 00:07:47,880 --> 00:07:53,000 Speaker 2: like I've spent a lot of time working, grinding, being tenacious. 161 00:07:53,840 --> 00:07:55,720 Speaker 2: And when you made that face when you said some 162 00:07:55,720 --> 00:07:57,520 Speaker 2: people call me a prodigy, like I just felt. I 163 00:07:57,600 --> 00:08:01,800 Speaker 2: felt that because yeah, I'm imagining you just lock yourself 164 00:08:01,840 --> 00:08:05,120 Speaker 2: in a room and you just play. And because a 165 00:08:05,120 --> 00:08:07,720 Speaker 2: lot of your you're learning too, is from YouTube and 166 00:08:07,760 --> 00:08:10,160 Speaker 2: self taught, right, yeah, absolutely, And there's nobody there really 167 00:08:10,200 --> 00:08:12,640 Speaker 2: if you're self taught or YouTube to go, that's not how. 168 00:08:12,760 --> 00:08:14,400 Speaker 2: You just have to see it and figure it out 169 00:08:14,440 --> 00:08:16,440 Speaker 2: based on what's showing you. Did you have a favorite 170 00:08:16,440 --> 00:08:19,640 Speaker 2: YouTube teacher or anybody that you would see play that 171 00:08:19,680 --> 00:08:21,400 Speaker 2: you learn the most from on YouTube? Maybe that's not 172 00:08:21,440 --> 00:08:22,440 Speaker 2: a direct teacher. 173 00:08:22,440 --> 00:08:25,720 Speaker 1: I watched in terms in terms of teachers, I watched 174 00:08:25,760 --> 00:08:28,800 Speaker 1: a lot of Martie Schwartz, who I actually just did. 175 00:08:28,640 --> 00:08:31,000 Speaker 2: A video with, So was it cool to do that 176 00:08:31,040 --> 00:08:31,680 Speaker 2: with him. 177 00:08:31,840 --> 00:08:34,120 Speaker 1: Yeah, it's kind of like a full circle moment, like, hey, 178 00:08:34,160 --> 00:08:37,959 Speaker 1: you taught me the pentatonic scale. We're making a video together. 179 00:08:37,840 --> 00:08:39,719 Speaker 2: And how long into your guitar playing did you learn 180 00:08:39,760 --> 00:08:43,559 Speaker 2: the pentatonic scale. Some of the classically trained people I 181 00:08:43,600 --> 00:08:45,720 Speaker 2: know learned it very early, but some who just like 182 00:08:45,760 --> 00:08:47,520 Speaker 2: had a guitar and lived somewhere where there was a 183 00:08:47,559 --> 00:08:50,320 Speaker 2: lot of resources, they didn't learn like that until way later. 184 00:08:50,440 --> 00:08:53,720 Speaker 1: You know, I literally did not know that until probably 185 00:08:53,720 --> 00:08:56,240 Speaker 1: three years ago, really, which is crazy. I've been playing 186 00:08:56,240 --> 00:09:00,960 Speaker 1: for seven almost eight years, and for four years no 187 00:09:01,000 --> 00:09:04,480 Speaker 1: one told me, hey, you should be doing something other 188 00:09:04,559 --> 00:09:05,760 Speaker 1: than like learning songs. 189 00:09:05,800 --> 00:09:11,320 Speaker 4: Note for note, why did you decide to Because when 190 00:09:11,360 --> 00:09:14,040 Speaker 4: you're learning songs, it's cool, but you're memorizing songs, right, Yeah, 191 00:09:14,120 --> 00:09:16,640 Speaker 4: But when you actually learn why certain things in the 192 00:09:16,640 --> 00:09:21,600 Speaker 4: mathematical formula is and scar like, then you can almost predict. 193 00:09:22,080 --> 00:09:24,480 Speaker 2: It's it's very it's very math based, or at least for me, 194 00:09:24,480 --> 00:09:26,080 Speaker 2: it's very number And I don't play like you in 195 00:09:26,080 --> 00:09:28,640 Speaker 2: any way. I play guitar and play comedy. But for 196 00:09:28,679 --> 00:09:33,360 Speaker 2: me that is since I know you know Fret Fingers, 197 00:09:33,440 --> 00:09:36,400 Speaker 2: you know, you just Why did you decide to learn 198 00:09:36,480 --> 00:09:41,640 Speaker 2: that way if you were already doing well playing songs. 199 00:09:42,600 --> 00:09:45,559 Speaker 1: Well, because playing songs is boring playing what other people. 200 00:09:46,360 --> 00:09:48,199 Speaker 2: When people are celebrating you and you're people are like, 201 00:09:48,280 --> 00:09:49,400 Speaker 2: look at she's awesome. 202 00:09:49,400 --> 00:09:51,320 Speaker 1: I mean, well, okay, it's one thing to play like 203 00:09:51,320 --> 00:09:54,920 Speaker 1: a cover song. It's another thing to play someone solo 204 00:09:55,080 --> 00:09:57,400 Speaker 1: note for note, And that's what I was doing. Like 205 00:09:58,080 --> 00:10:01,000 Speaker 1: I could play Appetite for Destruction out for note all 206 00:10:01,000 --> 00:10:03,559 Speaker 1: the way down. I could play every single song and. 207 00:10:03,960 --> 00:10:05,880 Speaker 2: Like Guns and Roads just for all your kids out there. 208 00:10:06,679 --> 00:10:11,320 Speaker 1: Yeah, and it's that's amazing, Like it was amazing that 209 00:10:11,360 --> 00:10:13,760 Speaker 1: I could do that. But at the same time, like 210 00:10:13,800 --> 00:10:17,439 Speaker 1: I didn't know any of the theory behind it. And now, 211 00:10:17,520 --> 00:10:19,400 Speaker 1: like looking back, when I go back to those sillos, 212 00:10:19,440 --> 00:10:21,680 Speaker 1: I'm like, oh this, like he's using this scale here, 213 00:10:21,800 --> 00:10:24,240 Speaker 1: he's using this here. And before that, I was just 214 00:10:24,280 --> 00:10:28,119 Speaker 1: like it was mindless. It was just I had memorized 215 00:10:28,120 --> 00:10:31,760 Speaker 1: it and I was playing it back, but like I 216 00:10:31,800 --> 00:10:35,520 Speaker 1: didn't know why I was, why he was playing this 217 00:10:35,920 --> 00:10:38,360 Speaker 1: in a certain spot, or I just didn't know anything 218 00:10:38,400 --> 00:10:42,440 Speaker 1: behind it and kind of learning all these scales and stuff, 219 00:10:42,480 --> 00:10:44,480 Speaker 1: not even that I like know a lot of music 220 00:10:44,559 --> 00:10:48,640 Speaker 1: theory or not because I don't. But learning even just 221 00:10:48,679 --> 00:10:50,800 Speaker 1: a little bit does make you go back and realize, 222 00:10:50,880 --> 00:10:52,800 Speaker 1: like it unlocks a lot. 223 00:10:52,840 --> 00:10:56,920 Speaker 2: I would say, yeah, and just generally when I've learned 224 00:10:56,960 --> 00:10:59,679 Speaker 2: something that's more of a fundamental part of whatever it is, 225 00:10:59,679 --> 00:11:02,679 Speaker 2: even if it's a comedy, it makes me realize I 226 00:11:02,720 --> 00:11:04,920 Speaker 2: don't know near as much as I thought. Yeah, and 227 00:11:04,960 --> 00:11:08,040 Speaker 2: then then I feel really dumb. It's almost like starting over. 228 00:11:08,640 --> 00:11:11,160 Speaker 2: It's like it's like I go from elementary school to 229 00:11:11,240 --> 00:11:13,840 Speaker 2: junior high and yeah, I'm better than all the elementary 230 00:11:13,920 --> 00:11:16,440 Speaker 2: kids now, but now there's all of this that I 231 00:11:16,559 --> 00:11:19,200 Speaker 2: now have to learn because I didn't even know. I 232 00:11:19,240 --> 00:11:21,839 Speaker 2: didn't know it. Did you experience that a bit whenever 233 00:11:21,880 --> 00:11:24,640 Speaker 2: you start to learn why and you know scales? 234 00:11:24,760 --> 00:11:27,520 Speaker 1: And oh yeah, absolutely? I mean I still feel that 235 00:11:27,559 --> 00:11:28,520 Speaker 1: way sometimes. 236 00:11:28,840 --> 00:11:31,160 Speaker 2: Do you see colors or anything weird? Like I was 237 00:11:31,200 --> 00:11:34,360 Speaker 2: with John Mayer has done the show before, and I'm 238 00:11:34,360 --> 00:11:36,200 Speaker 2: a big John Ayra fan, and you know he would 239 00:11:36,200 --> 00:11:39,280 Speaker 2: talk about how he it's times he assigns it to colors, 240 00:11:39,480 --> 00:11:44,720 Speaker 2: his brain works different. Yeah, do you when you're playing colors, numbers, 241 00:11:44,760 --> 00:11:47,040 Speaker 2: anything like that pop into your head? 242 00:11:48,320 --> 00:11:50,440 Speaker 1: I think what's that cold where you see where you 243 00:11:50,440 --> 00:11:52,120 Speaker 1: hear some of the sea colors. I think that's actually 244 00:11:52,160 --> 00:11:53,640 Speaker 1: like a thing that people. 245 00:11:53,600 --> 00:11:55,880 Speaker 2: My wife has synaesthesia. 246 00:11:56,160 --> 00:12:00,079 Speaker 1: Yeah, that's what's called. I don't have that, but I 247 00:12:00,080 --> 00:12:04,680 Speaker 1: do associate music with artwork, especially like like I just 248 00:12:04,720 --> 00:12:07,360 Speaker 1: had this guy make a picture for me and it 249 00:12:07,480 --> 00:12:09,480 Speaker 1: was like a picture of me on a stage and 250 00:12:09,520 --> 00:12:11,640 Speaker 1: then they had him like draw a bunch of color 251 00:12:11,679 --> 00:12:15,280 Speaker 1: coming out of my guitar, and like that is something 252 00:12:15,360 --> 00:12:17,200 Speaker 1: that like I can kind of associate with the kind 253 00:12:17,200 --> 00:12:18,080 Speaker 1: of music that I play. 254 00:12:18,200 --> 00:12:20,440 Speaker 2: So like the like it's kind of hard to like 255 00:12:20,480 --> 00:12:23,600 Speaker 2: her tone is tone of colored, like let your guitar tone, 256 00:12:23,640 --> 00:12:24,480 Speaker 2: Like what do you mean to color? 257 00:12:24,640 --> 00:12:24,720 Speaker 4: No? 258 00:12:24,960 --> 00:12:26,840 Speaker 1: Tone? Tone for me is like more of a feeling 259 00:12:26,920 --> 00:12:30,120 Speaker 1: rather than really Yeah, like I don't I don't know 260 00:12:30,120 --> 00:12:31,079 Speaker 1: how to describe it. 261 00:12:31,080 --> 00:12:33,439 Speaker 2: And it's almost indescribable because it's such an innate part 262 00:12:33,480 --> 00:12:37,560 Speaker 2: of you. Yeah, but to you, when you're chasing a tone, 263 00:12:37,600 --> 00:12:39,160 Speaker 2: a perfect tone and a good tone, whatever it is 264 00:12:39,200 --> 00:12:42,959 Speaker 2: that you're trying, that sound represents kind of a feeling 265 00:12:43,040 --> 00:12:47,040 Speaker 2: or an emotion that Yeah, so I don't have Cynasjon 266 00:12:47,120 --> 00:12:48,760 Speaker 2: kind of idiot when it comes Touff like that. My 267 00:12:48,800 --> 00:12:53,240 Speaker 2: wife does. But she numbers and days and months and food, 268 00:12:53,480 --> 00:12:56,480 Speaker 2: like Thursday's a seven. It's weird to how they associate it. 269 00:12:56,520 --> 00:12:59,480 Speaker 2: She can't explain why, but she's like, Thursday is always 270 00:12:59,480 --> 00:13:02,199 Speaker 2: a seven, number seven, And I'm like, but why shows 271 00:13:02,320 --> 00:13:05,839 Speaker 2: I don't know. And there's a perfect math to her. 272 00:13:05,960 --> 00:13:09,800 Speaker 2: Sinestiesian how she sees things and she can see words 273 00:13:10,120 --> 00:13:12,640 Speaker 2: like if I said the plane is blue, she can 274 00:13:12,640 --> 00:13:13,960 Speaker 2: go the plane is blue, and she can see it. 275 00:13:13,960 --> 00:13:15,560 Speaker 2: She can spell it backward too, because she's looking at 276 00:13:15,600 --> 00:13:18,440 Speaker 2: the letters. But you guys have something really cool, yourself included, 277 00:13:18,520 --> 00:13:20,840 Speaker 2: but everybody has that a little bit different. When you 278 00:13:20,880 --> 00:13:25,360 Speaker 2: said tone is like a feeling, that's exactly what that is. 279 00:13:25,360 --> 00:13:27,880 Speaker 2: You can't even just can't describe a feeling. Do you like? 280 00:13:28,240 --> 00:13:30,280 Speaker 2: Because I saw you work with John Osborne, who's like 281 00:13:30,320 --> 00:13:35,080 Speaker 2: one of my awesome Did you like Brothers Osborne's music 282 00:13:35,080 --> 00:13:36,920 Speaker 2: before you got to know him as a player or 283 00:13:36,960 --> 00:13:38,880 Speaker 2: did you Because for me, I kind of knew John 284 00:13:38,920 --> 00:13:42,880 Speaker 2: before I got into Brothers Osborne, like knowing them, what 285 00:13:43,080 --> 00:13:45,959 Speaker 2: was that relationship? And did you know the band before 286 00:13:45,960 --> 00:13:46,880 Speaker 2: you started working with him? 287 00:13:47,160 --> 00:13:49,920 Speaker 1: Yeah? I did, I'd actually seen them they played a 288 00:13:50,160 --> 00:13:52,200 Speaker 1: sun to amphitheater down here, and I went to that 289 00:13:52,240 --> 00:13:57,439 Speaker 1: show and I hadn't actually heard John play guitar before that, and. 290 00:13:58,760 --> 00:14:02,280 Speaker 2: Yeah, it's you're right, it's awesome. So do you feel 291 00:14:02,280 --> 00:14:03,520 Speaker 2: that way about other guitar players? 292 00:14:03,720 --> 00:14:04,920 Speaker 1: Oh? Yeah? 293 00:14:05,040 --> 00:14:06,440 Speaker 2: Is it weird when they say that about you? Though? 294 00:14:07,000 --> 00:14:07,320 Speaker 1: Yes? 295 00:14:09,200 --> 00:14:10,600 Speaker 2: Why is it weird when they say it about you? 296 00:14:12,160 --> 00:14:12,560 Speaker 1: I don't know? 297 00:14:13,440 --> 00:14:17,480 Speaker 2: Just is do you feel like you deserve them to 298 00:14:17,520 --> 00:14:18,120 Speaker 2: say it about you? 299 00:14:21,000 --> 00:14:22,280 Speaker 1: I feel like if I say yes, I'm going to 300 00:14:22,360 --> 00:14:23,160 Speaker 1: sound it's. 301 00:14:23,040 --> 00:14:25,240 Speaker 2: Not obnoxious or it's not cockey. I mean we're talking 302 00:14:25,320 --> 00:14:28,800 Speaker 2: art here, right, But you're supposed to feel that way 303 00:14:29,480 --> 00:14:31,560 Speaker 2: that way about others. But it is always awkward when 304 00:14:31,600 --> 00:14:33,480 Speaker 2: somebody's like wow, wow, Wow, Well I would. 305 00:14:33,280 --> 00:14:35,040 Speaker 1: I would hope they feel that way about Yeah. 306 00:14:35,040 --> 00:14:39,440 Speaker 2: And who's come to you and said, Chris, you've like 307 00:14:39,520 --> 00:14:42,080 Speaker 2: blown my mind at your style of playing. 308 00:14:43,480 --> 00:14:47,000 Speaker 1: Honestly, mostly just very nice people I meet who come 309 00:14:47,040 --> 00:14:49,160 Speaker 1: to my shows. 310 00:14:48,280 --> 00:14:51,360 Speaker 2: Like fans. Yeah, I mean like who though that like you? 311 00:14:51,600 --> 00:14:53,440 Speaker 2: It's a great guitar player that you've been able to 312 00:14:53,440 --> 00:14:55,880 Speaker 2: meet And they're like, man, that's you know what you do? 313 00:14:55,920 --> 00:14:56,520 Speaker 2: That's special? 314 00:14:58,120 --> 00:15:03,280 Speaker 1: Oh? Well, Nancy Wilson actually has from heart. Yeah, from heart. Actually, 315 00:15:03,320 --> 00:15:07,440 Speaker 1: just today she like left me a comment like, oh gosh, 316 00:15:07,520 --> 00:15:09,560 Speaker 1: I forgot exactly what she said, but she left one 317 00:15:09,600 --> 00:15:12,040 Speaker 1: that was like, I hail you with like a heart emoji. 318 00:15:12,360 --> 00:15:14,640 Speaker 2: How do you know these classic rock artists? 319 00:15:14,840 --> 00:15:14,880 Speaker 1: Like? 320 00:15:14,920 --> 00:15:16,160 Speaker 2: Where did that exposure come? 321 00:15:16,880 --> 00:15:20,560 Speaker 1: I don't know. Honestly, I didn't grow up around music. 322 00:15:22,040 --> 00:15:25,040 Speaker 1: The first time I ever like wanted a guitar was 323 00:15:25,080 --> 00:15:32,080 Speaker 1: when I was nine years old and I saw Slash. 324 00:15:30,440 --> 00:15:31,680 Speaker 2: Big top Hat the big guitar. 325 00:15:31,880 --> 00:15:36,360 Speaker 1: Yeah, yeah, that's what made me want to get a guitar. 326 00:15:36,520 --> 00:15:40,080 Speaker 2: How did you see Slash though you're nine? 327 00:15:38,800 --> 00:15:42,960 Speaker 1: I had unrestricted access to YouTube. Yeah, I don't know 328 00:15:43,000 --> 00:15:46,800 Speaker 1: how I came across it, but it was the Welcome 329 00:15:46,840 --> 00:15:48,760 Speaker 1: to the Jungle music video that I watched. 330 00:15:49,120 --> 00:15:51,080 Speaker 2: How often do you pull out an acoustic guitar? 331 00:15:53,960 --> 00:15:57,160 Speaker 1: Not as often as I should. I do have. My 332 00:15:57,280 --> 00:16:00,480 Speaker 1: friend left a nineteen sixty five Gibson twelve string with 333 00:16:00,560 --> 00:16:04,320 Speaker 1: me that I've been playing every day, so I've been 334 00:16:04,400 --> 00:16:04,840 Speaker 1: loving that. 335 00:16:05,600 --> 00:16:16,720 Speaker 3: Let's take a quick pause for a message from our sponsor, Wow, 336 00:16:17,080 --> 00:16:19,320 Speaker 3: and we're back on the Bobby Cast. 337 00:16:20,040 --> 00:16:23,560 Speaker 2: Do you feel that your fingers because there's a difference 338 00:16:23,760 --> 00:16:27,000 Speaker 2: in playing an acoustic and playing an electric electrical the 339 00:16:27,040 --> 00:16:30,200 Speaker 2: note a hold longer, obviously, right, But playing a twelve 340 00:16:30,240 --> 00:16:32,280 Speaker 2: string that's a whole different ballgame when it comes to 341 00:16:32,280 --> 00:16:34,840 Speaker 2: like pressure, like my finger will bleed immediately and I 342 00:16:34,840 --> 00:16:37,480 Speaker 2: can't play it. I can't really, There's no difference for 343 00:16:37,480 --> 00:16:38,840 Speaker 2: me to play two strings or one, so I'll just 344 00:16:38,840 --> 00:16:41,160 Speaker 2: play one. Yeah, is that different on your hand? 345 00:16:42,520 --> 00:16:47,160 Speaker 1: Definitely? With fingerpicking, it's different. Honestly. I feel like it's 346 00:16:47,200 --> 00:16:49,240 Speaker 1: just something to get used to and then after a 347 00:16:49,280 --> 00:16:51,800 Speaker 1: while you won't even like, really think about it anymore. 348 00:16:52,440 --> 00:16:54,600 Speaker 1: But yeah, it is definitely a little bit harder to 349 00:16:54,640 --> 00:16:55,280 Speaker 1: fingerpick on. 350 00:16:56,000 --> 00:16:58,480 Speaker 2: You say your parents weren't in the music at the 351 00:16:58,520 --> 00:17:00,200 Speaker 2: level that a lot of kids who grow up and 352 00:17:00,280 --> 00:17:03,040 Speaker 2: become great musicians are. Did they just have like a 353 00:17:03,160 --> 00:17:06,359 Speaker 2: favorite band or radio? Did? What did you know about 354 00:17:06,400 --> 00:17:07,600 Speaker 2: your parents when you were a young kid in the 355 00:17:07,640 --> 00:17:08,280 Speaker 2: music they liked? 356 00:17:10,400 --> 00:17:13,160 Speaker 1: Well, my dad likes what I like to call dad rock, 357 00:17:13,560 --> 00:17:18,800 Speaker 1: which includes uh Steve Miller, Uh, oh crap. 358 00:17:18,840 --> 00:17:20,720 Speaker 2: Who do you play any like? Will you play like 359 00:17:21,200 --> 00:17:22,640 Speaker 2: or you learn like fly like an eagle? And you'd 360 00:17:22,640 --> 00:17:25,320 Speaker 2: be like dad, dude, No, I went, I went and 361 00:17:25,359 --> 00:17:28,119 Speaker 2: give it to him, so He likes a lot of 362 00:17:28,160 --> 00:17:30,679 Speaker 2: the seventies and eighties in rock, Like he's like the 363 00:17:30,720 --> 00:17:32,359 Speaker 2: Motley Crueing. 364 00:17:32,400 --> 00:17:36,600 Speaker 1: You know, he wasn't he wasn't that cool. It was 365 00:17:36,640 --> 00:17:41,280 Speaker 1: it was more like a Steve Miller and the Eagles. 366 00:17:41,960 --> 00:17:46,600 Speaker 1: He likes country too, more current country. All right, mom my, 367 00:17:46,720 --> 00:17:48,000 Speaker 1: mom my, mom has good music. 368 00:17:48,000 --> 00:17:51,560 Speaker 2: Take what's your favorite band? You have a lot of 369 00:17:52,359 --> 00:17:54,320 Speaker 2: you wanted to Why don't you come come sit over 370 00:17:54,359 --> 00:17:56,400 Speaker 2: here with us. Let's do it. Come sit just sit 371 00:17:56,440 --> 00:17:58,240 Speaker 2: over here with We'll get your microphone to be Do 372 00:17:58,240 --> 00:18:00,639 Speaker 2: you care for that's for a few minutes, a few minutes. 373 00:18:00,680 --> 00:18:02,400 Speaker 1: Go ahead, just for a few minutes. 374 00:18:03,000 --> 00:18:05,440 Speaker 2: No, that's okay. I'll kick you out too, that's okay. 375 00:18:06,119 --> 00:18:08,040 Speaker 2: We're all under the understanding that this is only gonna 376 00:18:08,000 --> 00:18:10,439 Speaker 2: be a few minutes. Yeah, don't fall backward whatever you do. Okay, 377 00:18:10,440 --> 00:18:12,080 Speaker 2: So mom, just leaning there, this it'll be it'll be 378 00:18:12,119 --> 00:18:15,600 Speaker 2: two minutes. Mike need another Mica Favorite bands? Growing up? 379 00:18:16,520 --> 00:18:17,320 Speaker 1: Oh, growing up? 380 00:18:17,359 --> 00:18:21,560 Speaker 5: Yeah, first thing Billie Idola loved when I was younger, 381 00:18:21,720 --> 00:18:23,920 Speaker 5: Bruce Springsteen about. 382 00:18:23,720 --> 00:18:26,639 Speaker 2: My age, right, wedding, and then BRICEBT. You're born in 383 00:18:26,640 --> 00:18:31,119 Speaker 2: the USA, obviously, Lenny Kravis Number one still. 384 00:18:30,840 --> 00:18:31,280 Speaker 5: To this day. 385 00:18:31,520 --> 00:18:33,600 Speaker 2: For the first time, like three months ago a game. 386 00:18:33,840 --> 00:18:35,960 Speaker 5: He's great and I was dying when she got to 387 00:18:35,960 --> 00:18:36,320 Speaker 5: beat him. 388 00:18:36,359 --> 00:18:38,080 Speaker 2: I was like, what about now? 389 00:18:38,680 --> 00:18:40,400 Speaker 5: Now it's a little bit more diverse. 390 00:18:40,560 --> 00:18:43,720 Speaker 1: But black pumas I. 391 00:18:43,760 --> 00:18:47,679 Speaker 2: Knew then from Ratless Yehaw from Colorado, Like I've met 392 00:18:47,680 --> 00:18:49,479 Speaker 2: these people in these random places where they but it's 393 00:18:49,480 --> 00:18:50,000 Speaker 2: I'm kind. 394 00:18:49,840 --> 00:18:52,800 Speaker 5: Of all over the place, but not not like super 395 00:18:52,800 --> 00:18:55,000 Speaker 5: hard rock, but I just I just like good music 396 00:18:55,040 --> 00:18:55,720 Speaker 5: that you can feel. 397 00:18:55,880 --> 00:19:00,439 Speaker 2: When did she When did her interest turn into only 398 00:19:00,920 --> 00:19:04,000 Speaker 2: guitar as like a hobby because you know, as a kid, 399 00:19:04,040 --> 00:19:05,280 Speaker 2: I like to do a lot of things. You like to, 400 00:19:05,520 --> 00:19:07,440 Speaker 2: you know, play ball, Like when did it turn into 401 00:19:07,480 --> 00:19:09,400 Speaker 2: I'm really just gonna focus almost all my free time 402 00:19:09,400 --> 00:19:10,760 Speaker 2: on guitar. What age it was? 403 00:19:10,800 --> 00:19:12,800 Speaker 5: Really when she got it? I always tell people because 404 00:19:12,800 --> 00:19:16,240 Speaker 5: we had tried everything else. We tried ballet because that's 405 00:19:16,280 --> 00:19:18,240 Speaker 5: what I did growing up. Definitely not a fit. We 406 00:19:18,280 --> 00:19:21,359 Speaker 5: tried gymnastics, she got kicked out. We did karate, she 407 00:19:21,400 --> 00:19:22,040 Speaker 5: got kicked out. 408 00:19:22,080 --> 00:19:22,840 Speaker 1: She did softball. 409 00:19:22,880 --> 00:19:24,720 Speaker 2: I'm saving all the kickout questions for you in a minute, Grace, 410 00:19:24,720 --> 00:19:25,360 Speaker 2: once she's out of here. 411 00:19:26,119 --> 00:19:28,800 Speaker 5: Softball hated it the only one the sport that she 412 00:19:28,840 --> 00:19:30,680 Speaker 5: really liked was flag football, and she was the only 413 00:19:30,680 --> 00:19:32,439 Speaker 5: girl on the team, played with all the boys. But 414 00:19:32,480 --> 00:19:36,080 Speaker 5: she also has two younger brothers, so and then we 415 00:19:36,080 --> 00:19:37,959 Speaker 5: were like, god, I mean nothing, you just want your 416 00:19:38,000 --> 00:19:40,400 Speaker 5: kid to find their passion, right, so nothing was sticking. 417 00:19:40,760 --> 00:19:42,560 Speaker 5: She asked me to get a guitar and I'm like, great, 418 00:19:42,640 --> 00:19:43,240 Speaker 5: let's do it. 419 00:19:43,960 --> 00:19:45,920 Speaker 2: And did you think it would come and go like everything? 420 00:19:46,119 --> 00:19:50,159 Speaker 5: Yeah, kind of every kid actually yeah, yeah, yeah, I 421 00:19:50,240 --> 00:19:52,000 Speaker 5: kind of figured. But then once she got it, I 422 00:19:52,000 --> 00:19:56,120 Speaker 5: mean the first year was it was definitely like grace, 423 00:19:56,160 --> 00:19:57,879 Speaker 5: you have to practice, Grace, you have to practice. But 424 00:19:57,920 --> 00:20:00,080 Speaker 5: I feel like once she got the hang of it, 425 00:20:00,119 --> 00:20:02,040 Speaker 5: was I very quickly didn't have to ask her to 426 00:20:02,080 --> 00:20:02,840 Speaker 5: practice anymore. 427 00:20:02,960 --> 00:20:04,560 Speaker 2: Two final questions and we're kicking you out and you're 428 00:20:04,560 --> 00:20:05,240 Speaker 2: going back to your manager. 429 00:20:05,240 --> 00:20:06,040 Speaker 5: Will kicking me out. 430 00:20:06,000 --> 00:20:08,760 Speaker 2: Because this gives me some great questions to ask her. 431 00:20:08,760 --> 00:20:10,439 Speaker 2: They used to follow up on, which is awesome for me. 432 00:20:10,880 --> 00:20:14,520 Speaker 2: So when she during the pandemic is getting this online 433 00:20:14,520 --> 00:20:19,600 Speaker 2: following and what are you six fifteen, sixteen, fourteen, okay, thirteen, 434 00:20:20,000 --> 00:20:23,560 Speaker 2: that's yeah, there's thousands thousands of people watching your thirteen 435 00:20:23,640 --> 00:20:26,200 Speaker 2: or fourteen year old daughter. Right, yes, on Reddit the 436 00:20:26,280 --> 00:20:30,320 Speaker 2: darkest play. Yeah, was there a conversation that you had 437 00:20:30,359 --> 00:20:32,320 Speaker 2: where you're super supportive, but it's also like there are 438 00:20:32,320 --> 00:20:34,359 Speaker 2: a lot of weirdos out there. Oh yeah, absolutely. 439 00:20:34,440 --> 00:20:37,000 Speaker 5: She didn't get an Instagram account till she was what 440 00:20:37,119 --> 00:20:41,399 Speaker 5: fifteen fifteen. 441 00:20:38,480 --> 00:20:38,560 Speaker 4: And. 442 00:20:40,240 --> 00:20:42,439 Speaker 5: It was under the condition because she had to be public, 443 00:20:42,480 --> 00:20:44,359 Speaker 5: and it was under the condition that it was on 444 00:20:44,359 --> 00:20:46,119 Speaker 5: my account and I can see it because there's creepers 445 00:20:46,119 --> 00:20:48,280 Speaker 5: out there. So yes, it was a little bit scary, 446 00:20:48,359 --> 00:20:50,920 Speaker 5: but she was good about coming to when there was 447 00:20:50,960 --> 00:20:53,000 Speaker 5: ever somebody creepy, and now it's like there's so many 448 00:20:53,000 --> 00:20:55,240 Speaker 5: of them. We just she just knows to block it 449 00:20:55,280 --> 00:20:56,760 Speaker 5: out and not respond. 450 00:20:56,400 --> 00:20:59,920 Speaker 2: And pretty pretty clear headed, mature kid. Yes, yeah, I 451 00:21:00,119 --> 00:21:02,520 Speaker 2: feel I don't know where I feel that way too. Yeah, 452 00:21:02,560 --> 00:21:04,600 Speaker 2: like it's an old soul type thing more than just 453 00:21:04,640 --> 00:21:07,320 Speaker 2: the music she plays. Yeah, it is just it is 454 00:21:07,359 --> 00:21:10,920 Speaker 2: the eye contact, just how she you know, manages herself. 455 00:21:11,080 --> 00:21:12,959 Speaker 2: Last question, and then you were going to kick her 456 00:21:12,960 --> 00:21:16,920 Speaker 2: out like you were kicked out of karate? Were you ever? 457 00:21:17,119 --> 00:21:20,320 Speaker 2: Like that's enough guitar where she was so consumed with 458 00:21:20,400 --> 00:21:21,760 Speaker 2: it still. 459 00:21:21,520 --> 00:21:27,439 Speaker 5: Not always loved found something she loved we've encouraged it, 460 00:21:27,480 --> 00:21:29,320 Speaker 5: you know, like take I would she was younger, take 461 00:21:29,320 --> 00:21:30,840 Speaker 5: her to live shows because every time you go to 462 00:21:30,880 --> 00:21:31,480 Speaker 5: a live show, you. 463 00:21:31,440 --> 00:21:32,480 Speaker 1: Come home with new inspiration. 464 00:21:32,880 --> 00:21:36,200 Speaker 5: So no, we've always been like I've always been all 465 00:21:36,240 --> 00:21:39,359 Speaker 5: in whatever it is. Finding teachers driving her. 466 00:21:39,200 --> 00:21:41,560 Speaker 2: Places, that's awesome. Okay, you have to go back to 467 00:21:41,560 --> 00:21:44,480 Speaker 2: your church. I'm sorry, listen you. Hey, why were you 468 00:21:44,520 --> 00:21:45,919 Speaker 2: getting kicked out of play? I heard a rumor you got 469 00:21:46,000 --> 00:21:49,720 Speaker 2: kicked out of some stuff. So what was the reason 470 00:21:49,760 --> 00:21:54,360 Speaker 2: that you would be removed from a structured organization? 471 00:21:56,080 --> 00:21:57,640 Speaker 1: Because I was a little asshole? 472 00:21:57,640 --> 00:22:00,160 Speaker 2: When were you, like, were you super competitive or were you? 473 00:22:00,200 --> 00:22:04,200 Speaker 1: No? I was? I was mean and not well behaved. 474 00:22:07,080 --> 00:22:09,880 Speaker 2: And what were you acting out because you didn't want 475 00:22:09,880 --> 00:22:13,840 Speaker 2: to do it? Were you? You know, it's not a competitiveness. 476 00:22:13,840 --> 00:22:14,880 Speaker 2: Why do you think you were mean? 477 00:22:15,000 --> 00:22:19,040 Speaker 1: Well? When I was really little, in like kindergarten, I 478 00:22:19,080 --> 00:22:24,440 Speaker 1: had an obsession with tigers, specifically white tigers, and I 479 00:22:24,480 --> 00:22:28,560 Speaker 1: would tell everyone that I was a tiger, and I 480 00:22:28,600 --> 00:22:32,280 Speaker 1: would go so far as to growl and like scratch kids. 481 00:22:32,880 --> 00:22:36,440 Speaker 1: And when you're trying to play soccer, that doesn't. 482 00:22:36,200 --> 00:22:40,639 Speaker 2: Really worklay doesn't go oh yeah, yeah, I felt that. 483 00:22:41,840 --> 00:22:44,240 Speaker 2: Do you ever feel like, all right, that's too much 484 00:22:44,280 --> 00:22:47,040 Speaker 2: guitar and I need to do something else just so 485 00:22:47,280 --> 00:22:50,040 Speaker 2: you can have a bit of fresh perspective or is 486 00:22:50,080 --> 00:22:52,240 Speaker 2: it all when you have freak time, it's you just 487 00:22:52,280 --> 00:22:53,080 Speaker 2: going to town on it. 488 00:22:54,640 --> 00:22:56,960 Speaker 1: There definitely have been sometimes where I've like been in 489 00:22:57,000 --> 00:22:58,720 Speaker 1: a rut where I like pick up a guitar and 490 00:22:58,720 --> 00:23:01,240 Speaker 1: I'm like, I feel like I'm playing the same stuff 491 00:23:01,280 --> 00:23:01,920 Speaker 1: over and over again. 492 00:23:02,000 --> 00:23:03,840 Speaker 2: So then they'll probably like, do you burn out? 493 00:23:04,480 --> 00:23:07,280 Speaker 1: No, I've I've not yet. I haven't experienced that yet. 494 00:23:07,320 --> 00:23:12,320 Speaker 1: But I will take like like maybe a day, like 495 00:23:12,359 --> 00:23:13,080 Speaker 1: I won't touch a. 496 00:23:13,119 --> 00:23:16,639 Speaker 2: Guitar purposefully, Yeah, just to almost cleanse the palate. 497 00:23:16,680 --> 00:23:20,840 Speaker 1: Yeah, which I don't do very often. But if I 498 00:23:20,880 --> 00:23:22,480 Speaker 1: do it for like longer than three days and I 499 00:23:22,560 --> 00:23:25,840 Speaker 1: go back and I just feel rusty. So I limit 500 00:23:25,880 --> 00:23:28,480 Speaker 1: myself to only one day and then I'll go back 501 00:23:28,480 --> 00:23:28,840 Speaker 1: to it. 502 00:23:29,720 --> 00:23:32,240 Speaker 2: So back to John Osborne for a second. Who you 503 00:23:32,240 --> 00:23:34,199 Speaker 2: guys work together on your music? Right? 504 00:23:34,240 --> 00:23:34,440 Speaker 1: Yeah? 505 00:23:34,480 --> 00:23:38,280 Speaker 2: On the record when you're working with John, because John 506 00:23:38,359 --> 00:23:41,080 Speaker 2: is such a great player, has such a great ear, 507 00:23:41,600 --> 00:23:43,800 Speaker 2: it's so proficient. He plays four minute solos on record 508 00:23:43,920 --> 00:23:46,200 Speaker 2: versions of thing you know he is. He's so good. 509 00:23:46,240 --> 00:23:49,320 Speaker 2: He's also such a good dude who values mental health 510 00:23:49,480 --> 00:23:52,320 Speaker 2: and he if like if our your mom, I'd be like. 511 00:23:52,400 --> 00:23:54,840 Speaker 2: John Osborne is like the guy you want to be 512 00:23:54,920 --> 00:23:57,600 Speaker 2: around as an influence. But when you're with him, like, 513 00:23:57,640 --> 00:24:00,600 Speaker 2: what did you want your sound to be? Because there's 514 00:24:00,600 --> 00:24:02,680 Speaker 2: a difference in being influenced by things and like you said, 515 00:24:02,760 --> 00:24:05,280 Speaker 2: playing things you memorize, what did you want your sound 516 00:24:05,400 --> 00:24:05,600 Speaker 2: to be? 517 00:24:06,800 --> 00:24:10,919 Speaker 1: Well, I came into him and I'm like, think like Funkadelics, 518 00:24:10,920 --> 00:24:13,640 Speaker 1: slan in the Family Stone, and the Meters. I want 519 00:24:13,720 --> 00:24:16,320 Speaker 1: you to mash those all together. I want that and 520 00:24:16,680 --> 00:24:20,600 Speaker 1: the songs that we wrote. We're kind of that style too, 521 00:24:20,640 --> 00:24:26,400 Speaker 1: kind of like funk soul, classic rock. And he totally understood. 522 00:24:26,840 --> 00:24:31,040 Speaker 1: And I've been getting mixes all week and not be 523 00:24:31,080 --> 00:24:31,600 Speaker 1: happier with that. 524 00:24:31,800 --> 00:24:32,440 Speaker 2: That's exciting. 525 00:24:32,640 --> 00:24:33,160 Speaker 1: Yeah. 526 00:24:33,240 --> 00:24:37,520 Speaker 2: And so when you say funk soul, classic rock and 527 00:24:37,600 --> 00:24:39,560 Speaker 2: you say sli in the Family Stone, I think of 528 00:24:39,600 --> 00:24:41,200 Speaker 2: Slying the Family Stone a whole lot of people on 529 00:24:41,240 --> 00:24:44,240 Speaker 2: a stage, all of them being really good individually, Like 530 00:24:44,280 --> 00:24:45,920 Speaker 2: you could pull any of them off and they would 531 00:24:45,920 --> 00:24:50,200 Speaker 2: be just so proficient at keys or or drums or 532 00:24:50,280 --> 00:24:55,080 Speaker 2: just different percussion. Right, but that's that is quite the 533 00:24:55,160 --> 00:24:58,639 Speaker 2: achievement to want to be like that and then feel like, hey, 534 00:24:58,640 --> 00:25:01,239 Speaker 2: we kind of accomplished. Where it's heavily influenced by Sly, it's 535 00:25:01,280 --> 00:25:04,199 Speaker 2: also so seventies, yeah, very and visual. It's kind of 536 00:25:04,200 --> 00:25:07,440 Speaker 2: your visual vibe to a bit. Yeah, any chance you're 537 00:25:07,520 --> 00:25:10,919 Speaker 2: like an old dude who died in the seventies and 538 00:25:11,040 --> 00:25:13,560 Speaker 2: came back to life as like as like a kid 539 00:25:13,800 --> 00:25:15,359 Speaker 2: and like they like put you in the wrong body 540 00:25:15,480 --> 00:25:17,880 Speaker 2: because when you said signed the family stone, like even 541 00:25:17,880 --> 00:25:20,800 Speaker 2: now your vibe now is that? Has that always been 542 00:25:21,920 --> 00:25:25,440 Speaker 2: like the fashion the era that you liked and felt 543 00:25:25,480 --> 00:25:26,120 Speaker 2: most comfortable? 544 00:25:27,320 --> 00:25:27,399 Speaker 6: No? 545 00:25:27,600 --> 00:25:31,159 Speaker 1: Actually, well, when I was again, when I heard Slash 546 00:25:31,160 --> 00:25:33,320 Speaker 1: for the first time, that got me really into hair metal. 547 00:25:34,000 --> 00:25:36,880 Speaker 1: For three or four years it was only hair metal. 548 00:25:36,920 --> 00:25:41,840 Speaker 1: It was like Warrant Rat Motley Crew, like the cheesiest 549 00:25:41,880 --> 00:25:46,200 Speaker 1: stuff you can imagine. I loved it, and so that's 550 00:25:46,200 --> 00:25:46,959 Speaker 1: what I listened to. 551 00:25:47,200 --> 00:25:48,240 Speaker 2: Why why'd you love it so much? 552 00:25:48,240 --> 00:25:52,440 Speaker 1: You think, honestly, because I still love it. I will 553 00:25:52,480 --> 00:25:54,240 Speaker 1: still go back and listen to it. Sometimes I was like, 554 00:25:55,160 --> 00:25:57,159 Speaker 1: I'm not gonna say it's a guilty pleasure because I 555 00:25:57,240 --> 00:26:02,520 Speaker 1: like it and I'm not guilty about it, but it 556 00:26:02,600 --> 00:26:04,199 Speaker 1: was kind of all I knew at the time, Like 557 00:26:04,240 --> 00:26:07,919 Speaker 1: I didn't like, I wasn't around like different kinds of 558 00:26:08,080 --> 00:26:11,800 Speaker 1: music to like, I wasn't exposed to it. Like I 559 00:26:11,840 --> 00:26:13,760 Speaker 1: moved out here and I heard bluegrass for the first 560 00:26:13,760 --> 00:26:15,920 Speaker 1: time because and I had no idea that was even 561 00:26:15,960 --> 00:26:16,560 Speaker 1: like a thing. 562 00:26:17,560 --> 00:26:20,320 Speaker 2: So when you moved here, you already playing guitar, right, yeah, 563 00:26:20,359 --> 00:26:23,639 Speaker 2: So but when you hear bluegrass and it's uh bluegrass, 564 00:26:23,760 --> 00:26:28,399 Speaker 2: is it's very quick, very yeah mandolin. I mean it's 565 00:26:29,800 --> 00:26:33,879 Speaker 2: in you as a musician, even at a young age. 566 00:26:34,040 --> 00:26:36,240 Speaker 2: Some people may go, oh, you heard bluegrass any but 567 00:26:36,280 --> 00:26:37,879 Speaker 2: bluegrass is really complicated. 568 00:26:38,080 --> 00:26:41,440 Speaker 1: It's insane. I can't play a lick of bluegrass. 569 00:26:42,119 --> 00:26:45,720 Speaker 2: When you would hear bluegrass, would that inspire you to 570 00:26:46,320 --> 00:26:48,119 Speaker 2: try to get better in a certain way or was 571 00:26:48,160 --> 00:26:50,480 Speaker 2: it like, Man, I don't know, I don't know what 572 00:26:50,600 --> 00:26:52,639 Speaker 2: how to bluegrass influence you because it's so hard. 573 00:26:53,720 --> 00:26:56,720 Speaker 1: Well, there is a banjo sitting in my room because 574 00:26:56,800 --> 00:26:58,320 Speaker 1: I thought I was going to learn how to play 575 00:26:58,320 --> 00:27:03,920 Speaker 1: the banjo after sitting a bluegrass station then and didn't 576 00:27:03,920 --> 00:27:04,399 Speaker 1: really work out. 577 00:27:04,480 --> 00:27:06,679 Speaker 2: You can get the fake one, the ganjo six stringer. 578 00:27:07,240 --> 00:27:08,840 Speaker 1: Yeah, that's probably what I should have gotten. 579 00:27:09,240 --> 00:27:11,080 Speaker 2: Yeah. Yeah, some of my friends play that. They're like, 580 00:27:11,200 --> 00:27:12,920 Speaker 2: I'll play a banjo, and I'm like wow, they're like, 581 00:27:12,960 --> 00:27:15,520 Speaker 2: not really his six strings, it's just a fake banjo. 582 00:27:15,800 --> 00:27:18,040 Speaker 2: Do you get a lot of people sending you free 583 00:27:18,119 --> 00:27:18,680 Speaker 2: guitars now? 584 00:27:19,240 --> 00:27:19,359 Speaker 4: Oh? 585 00:27:19,440 --> 00:27:20,720 Speaker 2: Yeah, I would imagine I. 586 00:27:20,680 --> 00:27:23,440 Speaker 1: Have too many guitars at this point. Yeah. 587 00:27:23,480 --> 00:27:26,600 Speaker 2: I would imagine everybody wants you to play their guitar 588 00:27:27,480 --> 00:27:30,480 Speaker 2: on social media or something, but then not give you 589 00:27:30,520 --> 00:27:33,520 Speaker 2: money to actually be the endorsery, just send you the guitars. 590 00:27:33,680 --> 00:27:36,280 Speaker 1: I don't know. I feel like I'm okay with that. 591 00:27:36,320 --> 00:27:38,520 Speaker 1: I'll take I'll take free guitars any day. 592 00:27:39,480 --> 00:27:41,320 Speaker 2: You'll take them, but you may not get on Instagram 593 00:27:41,400 --> 00:27:42,800 Speaker 2: and play them. 594 00:27:42,880 --> 00:27:43,320 Speaker 1: Correct. 595 00:27:43,359 --> 00:27:46,080 Speaker 2: Do you have a favorite? What's your favorite guitar? My 596 00:27:46,280 --> 00:27:48,600 Speaker 2: sixty one is g Now, when you say sixty one, 597 00:27:49,320 --> 00:27:53,919 Speaker 2: that's nineteen sixty one. How we have we have old Bronco, 598 00:27:54,000 --> 00:27:56,639 Speaker 2: this from before I was born. We've changed out a 599 00:27:56,640 --> 00:28:00,119 Speaker 2: lot of the parts in a sixty one SG. I 600 00:28:00,119 --> 00:28:02,120 Speaker 2: don't know. I'm talking about things I don't know now. 601 00:28:02,520 --> 00:28:05,200 Speaker 2: Is it all except for the string? Is it original parts? 602 00:28:05,200 --> 00:28:07,200 Speaker 2: For the most part on mine? 603 00:28:07,240 --> 00:28:11,719 Speaker 1: It is? Yeah, I haven't changed anything about it since, like, oh, 604 00:28:12,520 --> 00:28:15,040 Speaker 1: I don't want to people like like people will tell 605 00:28:15,040 --> 00:28:16,520 Speaker 1: me like, oh, it needs a new bridge, it needs 606 00:28:16,560 --> 00:28:20,400 Speaker 1: to be refretted, and like it still sounds okay, I'm 607 00:28:20,400 --> 00:28:21,760 Speaker 1: not gonna. I don't want to change it. 608 00:28:21,800 --> 00:28:22,719 Speaker 2: Do you travel with it? 609 00:28:23,600 --> 00:28:29,320 Speaker 1: I do, but I'm gonna Gibson is gonna make like 610 00:28:29,320 --> 00:28:31,359 Speaker 1: they're gonna like scan it and make a replica of 611 00:28:31,400 --> 00:28:32,920 Speaker 1: it to bring. 612 00:28:32,720 --> 00:28:34,640 Speaker 2: Out to festivals and yeah, something that precious. 613 00:28:34,920 --> 00:28:37,280 Speaker 1: Yeah, I don't. Yeah, I don't want to be traveling with. 614 00:28:37,240 --> 00:28:39,240 Speaker 2: It, especially if it's been around since the sixties. It's 615 00:28:39,280 --> 00:28:40,840 Speaker 2: not like a lot of bumpings and gonna be good 616 00:28:40,880 --> 00:28:41,080 Speaker 2: for it. 617 00:28:41,360 --> 00:28:41,560 Speaker 1: Yeah. 618 00:28:41,680 --> 00:28:41,880 Speaker 4: Yeah. 619 00:28:42,000 --> 00:28:45,880 Speaker 2: And if you're flying, I mean you don't ever check 620 00:28:45,880 --> 00:28:49,280 Speaker 2: your guitars, right never Yeah. You see what they do 621 00:28:49,320 --> 00:28:51,400 Speaker 2: with luggage, right, Like they just they're just throwing stuff. 622 00:28:51,560 --> 00:28:54,520 Speaker 2: So you carried on and and Southwest is always really good. 623 00:28:54,520 --> 00:28:56,600 Speaker 1: About Yeah, Southwest has been good. 624 00:28:57,320 --> 00:28:59,719 Speaker 2: Anybody ever wrote your guitar you have a bad experience 625 00:28:59,720 --> 00:29:00,920 Speaker 2: with try not. 626 00:29:00,960 --> 00:29:05,000 Speaker 1: Yet, not yet, not to jinx it. But I do 627 00:29:05,080 --> 00:29:06,560 Speaker 1: get some dirty looks every now and then. 628 00:29:06,680 --> 00:29:07,720 Speaker 2: Could you take up a whole. 629 00:29:07,720 --> 00:29:10,640 Speaker 1: One like the flights like filled up and I come 630 00:29:10,680 --> 00:29:11,800 Speaker 1: on with a big old guitar. 631 00:29:12,480 --> 00:29:16,200 Speaker 2: Do people recognize you if you're just wearing your hair 632 00:29:16,520 --> 00:29:18,880 Speaker 2: curly more than if you're wearing a hat or you 633 00:29:18,920 --> 00:29:20,920 Speaker 2: have as a very distinct look. 634 00:29:21,160 --> 00:29:23,080 Speaker 1: Yeah, I mean I never wear a hat. I think 635 00:29:23,080 --> 00:29:26,400 Speaker 1: I look goofy in hats. So I do get recognized 636 00:29:26,440 --> 00:29:28,920 Speaker 1: quite a bit, because again, I think I'm kind of 637 00:29:28,960 --> 00:29:29,520 Speaker 1: hard to miss. 638 00:29:29,920 --> 00:29:31,840 Speaker 2: And do they say you're a grace or do some 639 00:29:31,840 --> 00:29:35,120 Speaker 2: people go, I know you from somewhere, Oh, you're the 640 00:29:35,120 --> 00:29:37,880 Speaker 2: person that played guitar on my whatever it is, you know, 641 00:29:37,920 --> 00:29:39,600 Speaker 2: they see it on any formal places. Does that ever 642 00:29:39,600 --> 00:29:41,200 Speaker 2: happen where they just can't quite place you and they 643 00:29:41,240 --> 00:29:42,640 Speaker 2: realize here's the girl that plays guitar. 644 00:29:42,720 --> 00:29:43,640 Speaker 1: Yeah, it happens all the time. 645 00:29:43,760 --> 00:29:45,040 Speaker 2: Do you feel like you get a lot of older 646 00:29:45,280 --> 00:29:49,560 Speaker 2: and men especially who are like, ah, you're just a girl. Yeah, 647 00:29:49,640 --> 00:29:51,520 Speaker 2: until you show them what the freak is up? 648 00:29:51,560 --> 00:29:55,200 Speaker 1: Oh my gosh. Absolutely. I just talked to CBS about this. 649 00:29:55,280 --> 00:29:58,520 Speaker 1: It's like a whole segment on like the stigma of 650 00:29:58,560 --> 00:30:02,240 Speaker 1: being a girl playing guitar, And I told him the story. 651 00:30:02,840 --> 00:30:07,160 Speaker 1: It happened at Americana fests down here, and I was like, 652 00:30:07,200 --> 00:30:10,280 Speaker 1: setting up my guitar and the sound guy comes up 653 00:30:10,280 --> 00:30:13,240 Speaker 1: to me and was like, you know, you have to 654 00:30:13,280 --> 00:30:15,719 Speaker 1: plug your guitar into the amp to get sound out 655 00:30:15,720 --> 00:30:15,959 Speaker 1: of it. 656 00:30:17,040 --> 00:30:20,960 Speaker 2: I'm like, see, that's when you challenge him to a duel, right, 657 00:30:21,040 --> 00:30:24,280 Speaker 2: then get a guitar, wise guy, and then you do. 658 00:30:24,360 --> 00:30:26,280 Speaker 2: You're a little clunky with the first you're like man, 659 00:30:27,080 --> 00:30:28,760 Speaker 2: and then he's like, oh, I got her, and then 660 00:30:28,800 --> 00:30:31,480 Speaker 2: you just shred him. I bet you there are people's face, 661 00:30:31,800 --> 00:30:34,080 Speaker 2: like if you're at a festival and they're not familiar 662 00:30:34,120 --> 00:30:37,000 Speaker 2: with you and you start playing, I bet there's a 663 00:30:37,040 --> 00:30:42,760 Speaker 2: lot of confusion because again, you're a teenage girl playing 664 00:30:43,080 --> 00:30:48,320 Speaker 2: traditionally an instrument that older men have played, and it's 665 00:30:48,480 --> 00:30:52,960 Speaker 2: and rock music itself right now, it's not as if 666 00:30:53,000 --> 00:30:54,720 Speaker 2: it's the most popular, which is why it makes it 667 00:30:54,760 --> 00:30:56,880 Speaker 2: so much cooler that you're doing it. It's not the 668 00:30:56,920 --> 00:31:00,680 Speaker 2: most popular format, which like hip hop is, is massive 669 00:31:00,720 --> 00:31:04,960 Speaker 2: right now. So when you see a young female doing 670 00:31:05,000 --> 00:31:08,680 Speaker 2: something that isn't the trendiest it's super trendy, then it's 671 00:31:08,680 --> 00:31:11,320 Speaker 2: super cool. And do you find people are surprised when 672 00:31:11,360 --> 00:31:13,400 Speaker 2: they're like, well look at that, Oh wow, she's just 673 00:31:13,440 --> 00:31:13,840 Speaker 2: a kid. 674 00:31:14,720 --> 00:31:16,680 Speaker 1: Yeah, yeah. I get a lot of comments like you're 675 00:31:16,720 --> 00:31:20,160 Speaker 1: only seventeen or like whatever age I was at at 676 00:31:20,160 --> 00:31:22,360 Speaker 1: the time the video was posted. It happens all the time. 677 00:31:22,360 --> 00:31:23,520 Speaker 2: When did you get your driver's license? 678 00:31:24,040 --> 00:31:24,160 Speaker 4: Uh? 679 00:31:24,520 --> 00:31:25,000 Speaker 1: A year ago? 680 00:31:25,000 --> 00:31:26,240 Speaker 2: You got it when you turned sixteen? 681 00:31:26,560 --> 00:31:28,160 Speaker 1: Yeah, not right when I turned sixteen. I was a 682 00:31:28,160 --> 00:31:28,600 Speaker 1: little late. 683 00:31:28,640 --> 00:31:31,960 Speaker 2: But it's weird now because some and I have a 684 00:31:32,000 --> 00:31:34,720 Speaker 2: nephew who's your age, and he didn't even want to 685 00:31:34,720 --> 00:31:35,360 Speaker 2: get a license. 686 00:31:35,520 --> 00:31:37,280 Speaker 1: I told him, yeah, I've heard that from a lot 687 00:31:37,280 --> 00:31:39,640 Speaker 1: of people. I was like, my generation isn't as motivated. 688 00:31:39,800 --> 00:31:41,200 Speaker 2: You may have to get to a gig though, like 689 00:31:41,240 --> 00:31:43,120 Speaker 2: you may have to go to work. Yeah, a bit different. 690 00:31:43,520 --> 00:31:45,440 Speaker 2: And he was like, why do I I can uber 691 00:31:45,600 --> 00:31:47,360 Speaker 2: or I was like no, no, no, I'll buy you a car. 692 00:31:47,640 --> 00:31:50,480 Speaker 2: I'll tell him, like I said, if you whatever money 693 00:31:50,520 --> 00:31:55,120 Speaker 2: you get, I'll go times three that many money growing up. 694 00:31:55,160 --> 00:31:56,719 Speaker 2: So I want to help like my nephew and fa 695 00:31:56,920 --> 00:31:59,920 Speaker 2: And he's like, yeah, I appreciate that, but I'm good, 696 00:32:00,120 --> 00:32:04,040 Speaker 2: I'll take it exactly. It's like when I was sixteen, 697 00:32:04,080 --> 00:32:05,960 Speaker 2: I couldn't wait to do it. How many nights a 698 00:32:06,000 --> 00:32:08,640 Speaker 2: week do you play in front of people, regardless of 699 00:32:08,640 --> 00:32:10,040 Speaker 2: what it is. If it's a you know, you're going 700 00:32:10,080 --> 00:32:12,920 Speaker 2: to to a club or a bar, or you're playing 701 00:32:12,920 --> 00:32:14,440 Speaker 2: a big show. How many nights what you think you 702 00:32:14,480 --> 00:32:15,080 Speaker 2: get in front of people? 703 00:32:16,680 --> 00:32:19,320 Speaker 1: Well, for a while, I was doing it what felt 704 00:32:19,360 --> 00:32:22,760 Speaker 1: like almost every night of the week. But I've been 705 00:32:22,760 --> 00:32:25,160 Speaker 1: trying to kind of scale it back now that I've 706 00:32:25,160 --> 00:32:27,680 Speaker 1: got my own band and kind of make it a 707 00:32:27,760 --> 00:32:30,360 Speaker 1: little more special when I do play in Nashville, So 708 00:32:30,400 --> 00:32:35,800 Speaker 1: I'm not like out every single night, but a lot, 709 00:32:36,640 --> 00:32:38,440 Speaker 1: a lot. 710 00:32:38,520 --> 00:32:50,960 Speaker 6: The Bobby cast will be right back. This is the 711 00:32:51,000 --> 00:32:52,880 Speaker 6: Bobby cast. 712 00:32:52,440 --> 00:32:55,720 Speaker 2: When well, before I go out on tour and tell jokes, 713 00:32:55,800 --> 00:32:57,400 Speaker 2: I will try to find a couple of places to 714 00:32:57,440 --> 00:33:00,080 Speaker 2: go and sometimes I'll just go to the Bluebird and 715 00:33:00,160 --> 00:33:02,560 Speaker 2: I won't announce it, and I'll play some comedy stuff 716 00:33:02,600 --> 00:33:04,080 Speaker 2: just to see if it works. Yeah, you know, to 717 00:33:04,120 --> 00:33:06,040 Speaker 2: do very small shows, and like the big comedians will 718 00:33:06,040 --> 00:33:07,920 Speaker 2: go and they'll play little clubs and places just to 719 00:33:07,960 --> 00:33:11,520 Speaker 2: work material and so, which was leading to that, And 720 00:33:11,520 --> 00:33:12,960 Speaker 2: you may not do that as much anymore. Do you 721 00:33:12,960 --> 00:33:14,120 Speaker 2: ever feel like you need to go out and play 722 00:33:14,120 --> 00:33:16,160 Speaker 2: some stuff, even if it's for like eleven people in 723 00:33:16,160 --> 00:33:18,440 Speaker 2: a small place, just to kind of kind of get 724 00:33:18,440 --> 00:33:20,240 Speaker 2: your bearings back or at this point are you just 725 00:33:20,760 --> 00:33:21,960 Speaker 2: rated to fire on all cylinders. 726 00:33:22,040 --> 00:33:23,800 Speaker 1: I'm doing that tonight actually. 727 00:33:23,400 --> 00:33:26,320 Speaker 2: Really yeah, and this won't be on and so that 728 00:33:26,480 --> 00:33:28,800 Speaker 2: what you're doing tonight will already have happened probably a 729 00:33:28,800 --> 00:33:29,240 Speaker 2: week ago. 730 00:33:29,440 --> 00:33:31,280 Speaker 1: Oh yeah, I mean I still like post like, hey, 731 00:33:31,320 --> 00:33:34,320 Speaker 1: I'm going to be here because I don't like playing 732 00:33:34,320 --> 00:33:37,240 Speaker 1: the empty rooms. But it is a really small room. 733 00:33:37,280 --> 00:33:39,920 Speaker 1: So like, even if we like pack it out like 734 00:33:41,080 --> 00:33:42,880 Speaker 1: one hundred hundred and fifty people. 735 00:33:42,680 --> 00:33:45,480 Speaker 2: Max, what's the energy like for a packed two hundred 736 00:33:45,520 --> 00:33:51,120 Speaker 2: room or a middle middlely filled two thousand person room. 737 00:33:51,960 --> 00:33:55,520 Speaker 1: It's I I would rather play a small dive bar 738 00:33:56,400 --> 00:34:01,120 Speaker 1: that is absolutely packed than a large venue that's halfway field. Like, 739 00:34:01,160 --> 00:34:02,280 Speaker 1: I'll take the small venue. 740 00:34:02,120 --> 00:34:04,880 Speaker 2: Anything because of the energy and because of the rabbit. 741 00:34:05,240 --> 00:34:07,240 Speaker 2: If they're in a packed place, they had there was 742 00:34:07,320 --> 00:34:09,480 Speaker 2: intention on getting there. Yeah right, what's the last show 743 00:34:09,480 --> 00:34:12,680 Speaker 2: you've been to I've been to as a fan where 744 00:34:12,719 --> 00:34:14,480 Speaker 2: you didn't go where they were like this is grace, 745 00:34:14,719 --> 00:34:17,080 Speaker 2: were like I'm just gonna get tickets. I'm gonna get 746 00:34:17,080 --> 00:34:21,920 Speaker 2: a ticket and go to the show. Oh now you 747 00:34:21,920 --> 00:34:23,560 Speaker 2: want your mom? Now, All of a sudden, Mom she's 748 00:34:23,600 --> 00:34:24,279 Speaker 2: calling you back in. 749 00:34:27,040 --> 00:34:34,520 Speaker 1: Yeah, sure, was it music cares? 750 00:34:32,239 --> 00:34:38,839 Speaker 2: Oh yeah, yeah, oh yeah, that's cool. Yeah but did 751 00:34:38,840 --> 00:34:40,239 Speaker 2: you did you end up getting up and playing at 752 00:34:40,239 --> 00:34:41,000 Speaker 2: all music heres? 753 00:34:41,320 --> 00:34:41,480 Speaker 1: No? 754 00:34:41,880 --> 00:34:43,360 Speaker 2: Okay, no, no, but that's good. That's what That's what 755 00:34:43,400 --> 00:34:45,560 Speaker 2: I'm asking, like, when did you just go? And they 756 00:34:45,600 --> 00:34:48,040 Speaker 2: weren't like, they weren't like great, get up because music 757 00:34:48,040 --> 00:34:50,080 Speaker 2: care is cool because it's a lot of really good 758 00:34:50,080 --> 00:34:52,440 Speaker 2: people that they're playing on stage that night. Who did 759 00:34:52,440 --> 00:34:53,840 Speaker 2: you see? Who were you blown away by? There? 760 00:34:56,080 --> 00:34:59,920 Speaker 1: I mean, Bruce Springsteen got up? That was pretty insane. 761 00:35:00,080 --> 00:35:04,160 Speaker 2: Yeah, it's weird what you appreciate. Yeah, I just don't. 762 00:35:05,600 --> 00:35:08,200 Speaker 2: Unlike the younger generation of country artists that are like 763 00:35:08,280 --> 00:35:12,319 Speaker 2: twenty four or twenty five, I feel like that's even 764 00:35:12,360 --> 00:35:14,800 Speaker 2: lost on them. And the fact that you're not coming 765 00:35:14,800 --> 00:35:16,759 Speaker 2: from a family that's beating over there with vinyl going 766 00:35:16,800 --> 00:35:20,080 Speaker 2: you must love Bruce Springsteen, Yet you still found it 767 00:35:20,200 --> 00:35:22,719 Speaker 2: and you're still passionate about it. I'm convinced there's a 768 00:35:22,760 --> 00:35:26,480 Speaker 2: little old man living and you who died, and he's 769 00:35:26,520 --> 00:35:28,279 Speaker 2: like pulling the strings and you're like, I am great, 770 00:35:28,880 --> 00:35:32,320 Speaker 2: and you still enjoy you still enjoy just playing the guitar. 771 00:35:32,719 --> 00:35:34,040 Speaker 1: Yeah, it's my favorite thing to do. 772 00:35:33,960 --> 00:35:36,279 Speaker 2: Do you get lost sometimes in a good way if 773 00:35:36,280 --> 00:35:39,400 Speaker 2: you're just up playing, where you're just able to remove 774 00:35:39,840 --> 00:35:42,000 Speaker 2: all thought because that's where you're supposed to be. 775 00:35:42,200 --> 00:35:43,960 Speaker 1: Oh yeah, every single time. 776 00:35:46,000 --> 00:35:50,560 Speaker 2: Favorite guitar solo you've ever learned of someone else's ooh 777 00:35:52,920 --> 00:35:54,719 Speaker 2: that when you finished it, you were like, that's cool. 778 00:35:54,760 --> 00:35:55,760 Speaker 2: I know that one. 779 00:35:56,800 --> 00:35:59,319 Speaker 1: Sweet Little Angel by BB King it was like the 780 00:35:59,360 --> 00:36:02,640 Speaker 1: first blue solo. It was actually it was the first 781 00:36:02,680 --> 00:36:05,480 Speaker 1: like blue song I had ever heard. Was a Sweet 782 00:36:05,520 --> 00:36:08,920 Speaker 1: Little Angel, And I remember I used to I learned 783 00:36:09,000 --> 00:36:11,160 Speaker 1: every single look from it. I've probably forgotten most of 784 00:36:11,200 --> 00:36:14,319 Speaker 1: them now, but this was back when I still didn't 785 00:36:14,360 --> 00:36:16,799 Speaker 1: know the panatomic scale, and I would like play these 786 00:36:16,880 --> 00:36:19,040 Speaker 1: licks in front of people, like to pretend like I 787 00:36:19,040 --> 00:36:19,680 Speaker 1: did know it. 788 00:36:20,960 --> 00:36:23,439 Speaker 2: Did you add a phase a BB King phase where 789 00:36:23,600 --> 00:36:26,480 Speaker 2: you know I started off with like I found my 790 00:36:26,640 --> 00:36:29,279 Speaker 2: through like the you know, Blueberry Hill and you know 791 00:36:29,320 --> 00:36:30,320 Speaker 2: the thriller's gone. 792 00:36:30,400 --> 00:36:30,680 Speaker 1: Yeah. 793 00:36:30,680 --> 00:36:32,439 Speaker 2: Did you do that or did you just go into 794 00:36:32,520 --> 00:36:34,640 Speaker 2: like the B side stuff where like only the greats 795 00:36:34,680 --> 00:36:36,640 Speaker 2: get to get to live? Did you like the singles 796 00:36:36,719 --> 00:36:38,040 Speaker 2: the songs that I liked too? 797 00:36:40,239 --> 00:36:46,440 Speaker 1: I listened to a lot of honestly, like like before 798 00:36:46,520 --> 00:36:49,319 Speaker 1: b B. King, like I got into Mississippi, John Hurt 799 00:36:49,320 --> 00:36:53,000 Speaker 1: and like Fred McDowell, Elmore James, Yeah, and. 800 00:36:52,960 --> 00:36:55,799 Speaker 2: I see you'd lost me. It's you're so cool that 801 00:36:55,920 --> 00:36:57,719 Speaker 2: it's hard for me to even connect here because I'm like, 802 00:36:57,800 --> 00:36:58,920 Speaker 2: I listened to a lot of BB King, but it 803 00:36:58,920 --> 00:37:01,160 Speaker 2: was always like BB King's greatest hit. Huh where you're 804 00:37:01,200 --> 00:37:04,719 Speaker 2: listening to like people that influenced him and even his 805 00:37:04,800 --> 00:37:08,279 Speaker 2: music that you mentioned, I don't even know. And to me, 806 00:37:08,320 --> 00:37:09,879 Speaker 2: it's just how in the world did you get there? 807 00:37:09,920 --> 00:37:13,160 Speaker 2: Like what about you? What was in you know, we're 808 00:37:13,200 --> 00:37:16,040 Speaker 2: all attracted to different things, some of us nature, some 809 00:37:16,080 --> 00:37:21,360 Speaker 2: of us sports or competition, But to you is music 810 00:37:21,600 --> 00:37:24,879 Speaker 2: and a music that most people your age don't fall 811 00:37:24,920 --> 00:37:27,000 Speaker 2: in love with unless they are influenced heavily by someone 812 00:37:27,080 --> 00:37:29,120 Speaker 2: saying you must fall in love with it, which is 813 00:37:29,160 --> 00:37:31,120 Speaker 2: really freaking cool. Like you have the power to like 814 00:37:31,239 --> 00:37:36,960 Speaker 2: change music back in that direction, trying to yeah, because 815 00:37:37,800 --> 00:37:42,279 Speaker 2: you know you're you're not trying to be them, but 816 00:37:42,360 --> 00:37:46,440 Speaker 2: you also respect what they were able to do and 817 00:37:46,480 --> 00:37:49,840 Speaker 2: to be young and just like a kid. Are you 818 00:37:49,840 --> 00:37:51,320 Speaker 2: ever a kid? Do you ever feel like a kid? 819 00:37:51,600 --> 00:37:55,120 Speaker 1: Oh? Yeah, I'm still a teenager, so you can separate, 820 00:37:55,239 --> 00:37:56,399 Speaker 1: you can't can't escape that. 821 00:37:57,880 --> 00:38:00,359 Speaker 2: Nineteen years old playing the shows I saw you're playing 822 00:38:00,360 --> 00:38:04,239 Speaker 2: with Laney. Yeah on the CBS the New Year's Show. 823 00:38:04,360 --> 00:38:04,560 Speaker 1: Yeh. 824 00:38:05,640 --> 00:38:08,279 Speaker 2: Make you nervous to play National TV live? Or is 825 00:38:08,280 --> 00:38:12,200 Speaker 2: that just what you're meant to do? That specific show 826 00:38:12,840 --> 00:38:15,600 Speaker 2: I recorded? I used to host it too. Yeah, they 827 00:38:15,600 --> 00:38:17,520 Speaker 2: recorded a lot of arts. Do they record yours ahead 828 00:38:17,520 --> 00:38:18,399 Speaker 2: of time? Or did you do that one? 829 00:38:18,680 --> 00:38:20,759 Speaker 1: No? It was love and it was in front of 830 00:38:20,760 --> 00:38:23,360 Speaker 1: two hundred and fifteen thousand people. That's crazy, which is 831 00:38:23,360 --> 00:38:26,440 Speaker 1: the biggest crowd I've ever played for. And the entire 832 00:38:26,520 --> 00:38:30,560 Speaker 1: time I was like waiting for myself to get nervous 833 00:38:30,600 --> 00:38:34,240 Speaker 1: because I usually do in front of that many people, 834 00:38:36,239 --> 00:38:38,080 Speaker 1: and I never did. I don't know why. 835 00:38:38,120 --> 00:38:44,920 Speaker 2: I just well, I never got nervous. Why Hodgepodge. 836 00:38:45,760 --> 00:38:49,799 Speaker 1: Because people used to book me and I didn't have 837 00:38:49,840 --> 00:38:53,160 Speaker 1: a band, so I would have to I still had 838 00:38:53,200 --> 00:38:54,680 Speaker 1: to put a show together, so I would just like 839 00:38:55,200 --> 00:38:58,680 Speaker 1: ask a bunch of local musicians that I knew of 840 00:38:58,800 --> 00:39:02,040 Speaker 1: to like basically be band for one show and then 841 00:39:02,080 --> 00:39:05,719 Speaker 1: that was it. So it was literally a hodgepodg So 842 00:39:05,920 --> 00:39:10,600 Speaker 1: that's what I called it, and then eventually I found 843 00:39:10,640 --> 00:39:13,840 Speaker 1: like people that it worked with and that like aren't 844 00:39:13,840 --> 00:39:17,400 Speaker 1: an actual band now, but I like the name, so 845 00:39:17,400 --> 00:39:18,160 Speaker 1: I didn't change it. 846 00:39:18,239 --> 00:39:19,640 Speaker 2: And you can just trade them out too. 847 00:39:19,400 --> 00:39:20,080 Speaker 1: Cares exactly. 848 00:39:20,160 --> 00:39:22,960 Speaker 2: Yeah, they get a little mouthy out can go hodgepodge. 849 00:39:23,000 --> 00:39:26,960 Speaker 2: Everybody gets replaced. When you look at videos of your 850 00:39:27,000 --> 00:39:29,359 Speaker 2: favorite guitar players or guitar players that you just kind 851 00:39:29,360 --> 00:39:31,600 Speaker 2: of like, but you see stylistically what they do is 852 00:39:31,640 --> 00:39:35,400 Speaker 2: so different and distinct and you're like, wow, that is example. 853 00:39:35,560 --> 00:39:37,120 Speaker 2: Maybe I can example it better, they can ask it. 854 00:39:37,160 --> 00:39:40,479 Speaker 2: But Eddie van Halen plays in a way that nobody 855 00:39:40,520 --> 00:39:43,760 Speaker 2: else plays, right. You know his tone, you know his style. 856 00:39:43,960 --> 00:39:47,360 Speaker 2: Even Brad Paisley, you know when his finger it's just different. 857 00:39:47,400 --> 00:39:50,319 Speaker 2: You can tell it's Brad. With John Mayer, you can. 858 00:39:50,840 --> 00:39:51,000 Speaker 4: You know. 859 00:39:51,000 --> 00:39:52,920 Speaker 2: I'm such a fan. Who was it to you that 860 00:39:52,960 --> 00:39:55,080 Speaker 2: you saw and you were like, wow, that is so 861 00:39:55,320 --> 00:39:57,400 Speaker 2: distinct and original on how they play the guitar. 862 00:39:58,680 --> 00:40:03,239 Speaker 1: I haven't seen him live, but definitely Derek Trucks like 863 00:40:04,680 --> 00:40:06,880 Speaker 1: he was like the first like slide guitar player I'd 864 00:40:06,880 --> 00:40:08,560 Speaker 1: ever heard of, and I was watching a video of 865 00:40:08,640 --> 00:40:11,920 Speaker 1: him when he was like thirteen opening for the Alman 866 00:40:11,960 --> 00:40:16,680 Speaker 1: Brothers and took the most beautiful solo I've ever heard 867 00:40:16,760 --> 00:40:17,880 Speaker 1: and just blew me away. 868 00:40:18,160 --> 00:40:22,480 Speaker 2: I saw Tedesky Trucks play and you know them to 869 00:40:22,760 --> 00:40:25,840 Speaker 2: and it was maybe I don't know that I underestimated 870 00:40:25,880 --> 00:40:28,600 Speaker 2: how good a guitar player he was, but oh, it's unreal. 871 00:40:28,760 --> 00:40:32,000 Speaker 2: It's unreal. I watch Johnny Lane play when he was young, 872 00:40:32,800 --> 00:40:34,880 Speaker 2: but before he cut his hair, you know, and that 873 00:40:34,960 --> 00:40:38,479 Speaker 2: was cool because he was a young, long haired kid 874 00:40:38,520 --> 00:40:41,000 Speaker 2: blues player. Yeah, And that was super cool because that 875 00:40:41,040 --> 00:40:42,640 Speaker 2: he was doing a bit of you know, he wasn't 876 00:40:42,680 --> 00:40:45,160 Speaker 2: trying to put on anything other than what he was. 877 00:40:45,520 --> 00:40:47,960 Speaker 2: It was just cool that he was a kid and 878 00:40:48,000 --> 00:40:49,719 Speaker 2: that's what he was drawn to. Do you meet any 879 00:40:49,760 --> 00:40:53,000 Speaker 2: other not I won't say Reddick, but do you meet 880 00:40:53,040 --> 00:40:58,960 Speaker 2: any other like young blues influenced or you know, rhythm 881 00:40:58,960 --> 00:41:03,200 Speaker 2: and blues guitar influence young generation people that sometimes you 882 00:41:03,239 --> 00:41:06,040 Speaker 2: guys just get together and play. 883 00:41:06,239 --> 00:41:08,080 Speaker 1: Yeah, I mean not. 884 00:41:08,480 --> 00:41:10,040 Speaker 2: I can't imagine who the young I can't imagine you 885 00:41:10,040 --> 00:41:12,400 Speaker 2: the youngest everywhere you go on you play, No. 886 00:41:12,200 --> 00:41:16,759 Speaker 1: But I usually am. But I haven't really met a 887 00:41:16,800 --> 00:41:20,000 Speaker 1: lot of kids my age or younger like playing the 888 00:41:20,040 --> 00:41:22,360 Speaker 1: music that I do. But there's definitely a lot of 889 00:41:22,360 --> 00:41:25,279 Speaker 1: them online and they're just killing it. 890 00:41:26,239 --> 00:41:27,960 Speaker 2: I would assume you're influencing a bunch of kids to 891 00:41:28,040 --> 00:41:28,720 Speaker 2: learn to play. 892 00:41:28,880 --> 00:41:29,520 Speaker 1: I hope so. 893 00:41:29,600 --> 00:41:31,560 Speaker 2: And you get videos going, hey, look I'm. 894 00:41:31,760 --> 00:41:34,680 Speaker 1: I do actually sometimes like someone's like someone's parents will 895 00:41:34,680 --> 00:41:37,360 Speaker 1: message me like I just got my daughter a guitar 896 00:41:37,520 --> 00:41:40,400 Speaker 1: because of you. That's cool and it makes my holding 897 00:41:40,400 --> 00:41:41,640 Speaker 1: when I get messages like that. 898 00:41:41,920 --> 00:41:46,120 Speaker 2: Who do you want to meet that you haven't Slash 899 00:41:46,520 --> 00:41:47,640 Speaker 2: still haven't met him yet. 900 00:41:47,680 --> 00:41:48,560 Speaker 1: I have not met him yet. 901 00:41:50,640 --> 00:41:52,960 Speaker 2: Yeah, that would be cool. I met Lenny Kravitz and 902 00:41:52,960 --> 00:41:54,360 Speaker 2: you met You met Lenny Kravits. 903 00:41:54,440 --> 00:41:55,000 Speaker 1: Yeah? 904 00:41:55,000 --> 00:41:57,040 Speaker 2: How long ago did you meet him? 905 00:41:57,840 --> 00:41:59,520 Speaker 1: A couple of weeks ago? Maybe a month now? 906 00:42:00,120 --> 00:42:02,000 Speaker 2: Were you a Leny Kravitz fan before you met him? 907 00:42:02,120 --> 00:42:04,680 Speaker 1: He was one of the first concerts I ever went to. Really, 908 00:42:04,800 --> 00:42:08,160 Speaker 1: and then we've been following each other on Instagram for 909 00:42:08,440 --> 00:42:11,840 Speaker 1: years now and he recognized me like right away with 910 00:42:12,680 --> 00:42:13,320 Speaker 1: it was awesome. 911 00:42:13,440 --> 00:42:14,880 Speaker 2: Isn't he like the chillest dude? 912 00:42:14,960 --> 00:42:15,760 Speaker 1: He was so nice. 913 00:42:15,880 --> 00:42:18,120 Speaker 2: Yeah, he was so nice to me too, and he 914 00:42:18,239 --> 00:42:19,800 Speaker 2: just didn't have to be you know. It wasn't a 915 00:42:19,840 --> 00:42:22,279 Speaker 2: place where the guy had to put any effort into 916 00:42:22,320 --> 00:42:25,359 Speaker 2: being kind, but he was like so chill. And he's 917 00:42:25,400 --> 00:42:29,880 Speaker 2: had different seasons sonically, you know, from when he started 918 00:42:29,920 --> 00:42:33,400 Speaker 2: and it was like, you know, are you going to 919 00:42:33,480 --> 00:42:36,080 Speaker 2: go my way? Which is that opening guitar like da 920 00:42:37,360 --> 00:42:39,239 Speaker 2: like really one of the most famous opening guitar, like 921 00:42:39,600 --> 00:42:43,520 Speaker 2: of like from my life and to the stuff like 922 00:42:43,800 --> 00:42:45,359 Speaker 2: it ain't over till it's over. And then he comes 923 00:42:45,400 --> 00:42:48,439 Speaker 2: back and he does an American woman. He's been able 924 00:42:48,480 --> 00:42:51,520 Speaker 2: to kind of make his thing. He's changed it, but 925 00:42:51,560 --> 00:42:55,400 Speaker 2: he's always been distinct and it's always been him. And 926 00:42:55,400 --> 00:42:57,160 Speaker 2: then that's like an artist that I think is super 927 00:42:57,200 --> 00:43:00,000 Speaker 2: cool to look up to because I never felt like 928 00:43:00,120 --> 00:43:02,960 Speaker 2: he was compromising. Yeah, and I think that's really big 929 00:43:03,000 --> 00:43:05,000 Speaker 2: for an artist who's made. He probably could have just 930 00:43:05,080 --> 00:43:06,680 Speaker 2: kept doing the same thing and been successful, but he's 931 00:43:06,680 --> 00:43:09,400 Speaker 2: been able to change, you know, over time. Do you 932 00:43:09,400 --> 00:43:12,799 Speaker 2: feel yourself at times modifying because you're getting a little 933 00:43:12,800 --> 00:43:14,400 Speaker 2: more mature, You're like, well let me try some new 934 00:43:14,440 --> 00:43:14,879 Speaker 2: sound here. 935 00:43:14,960 --> 00:43:19,080 Speaker 1: Oh yeah, definitely every day, I feel like especially since, 936 00:43:19,160 --> 00:43:22,080 Speaker 1: like like I said earlier, like I still have so 937 00:43:22,200 --> 00:43:26,400 Speaker 1: much practicing and learning to do, Like I'm always figuring 938 00:43:26,440 --> 00:43:28,480 Speaker 1: out new stuff and my sounds changing. 939 00:43:28,640 --> 00:43:31,480 Speaker 2: How many pedals do you play if it's a full show? 940 00:43:31,719 --> 00:43:32,880 Speaker 2: How many pedals down below you? 941 00:43:33,440 --> 00:43:38,799 Speaker 1: Ooh? I think four or five right now? I like 942 00:43:38,880 --> 00:43:42,400 Speaker 1: to keep it more stripped back. But because before that, 943 00:43:42,520 --> 00:43:45,560 Speaker 1: I was like, no pedals, that all straight into the amp. 944 00:43:46,120 --> 00:43:48,560 Speaker 1: And when you're sitting in with people and you don't 945 00:43:48,560 --> 00:43:50,520 Speaker 1: know what am they're gonna have on stage, that doesn't 946 00:43:50,560 --> 00:43:53,160 Speaker 1: that's not a good idea. So it doesn't always work out. 947 00:43:53,239 --> 00:43:56,000 Speaker 1: So I got a pedal word that originally just had 948 00:43:56,320 --> 00:43:59,360 Speaker 1: three pedals on it, and it keeps growing because I 949 00:43:59,440 --> 00:44:03,759 Speaker 1: keep buying more. It's becoming a problem. So I'm gonna 950 00:44:03,800 --> 00:44:05,120 Speaker 1: try to keep it at five for now. 951 00:44:05,719 --> 00:44:08,160 Speaker 2: Well, yeah, what you do is really cool, And that's 952 00:44:08,200 --> 00:44:11,040 Speaker 2: the super vague way of just it's just it's just 953 00:44:11,080 --> 00:44:14,680 Speaker 2: really cool, like who you are, your style, why you 954 00:44:14,760 --> 00:44:16,840 Speaker 2: learned it? Because why did you learn it? I have 955 00:44:16,880 --> 00:44:19,879 Speaker 2: no idea. Again, you didn't grow up in a house 956 00:44:19,920 --> 00:44:22,960 Speaker 2: with a music museum. And I think it's really cool. 957 00:44:23,000 --> 00:44:26,640 Speaker 2: I'm I'm a big fan, and so I'm super pumped 958 00:44:26,719 --> 00:44:28,520 Speaker 2: that you came over and I got to meet you. 959 00:44:28,600 --> 00:44:31,880 Speaker 2: And you know, I fought like whenever you post a 960 00:44:31,880 --> 00:44:35,600 Speaker 2: new video, and you're playing guitar. And my wife knows 961 00:44:35,600 --> 00:44:38,040 Speaker 2: when I'm watching a guitar video of you, because she's like, 962 00:44:38,040 --> 00:44:40,960 Speaker 2: you're watching Grace play guitar. Yeah, yeah, I don't know you. 963 00:44:41,239 --> 00:44:44,399 Speaker 2: She's like, I'm like, yeah, yeah, so I am. And 964 00:44:44,440 --> 00:44:45,880 Speaker 2: this is a town of giants where there's a lot 965 00:44:45,920 --> 00:44:49,520 Speaker 2: of great people, and there's a lot of great guitar players. 966 00:44:50,600 --> 00:44:52,640 Speaker 2: John is a friend of mine. Charlie Warsham is a 967 00:44:52,640 --> 00:44:55,160 Speaker 2: really great guitar player, urban good friend of mine. But 968 00:44:55,960 --> 00:44:58,400 Speaker 2: in a in the land of giants, like you still 969 00:44:58,400 --> 00:45:00,759 Speaker 2: have found your way to be really tall at only 970 00:45:00,840 --> 00:45:04,080 Speaker 2: nineteen years old. Seventeen, that's right. Oh, I'm making you 971 00:45:04,080 --> 00:45:07,800 Speaker 2: older and we sit here, that's right. Well do you 972 00:45:07,880 --> 00:45:09,480 Speaker 2: drive like a rock and roll Do you drive like 973 00:45:09,480 --> 00:45:12,719 Speaker 2: a sixty eight Barracuda or anything like that? Oh? 974 00:45:12,800 --> 00:45:14,800 Speaker 1: I wish I have a I do have a really 975 00:45:14,800 --> 00:45:15,839 Speaker 1: cool jeep out front. 976 00:45:15,840 --> 00:45:19,120 Speaker 2: Though, Oh that's not na. That's a little too trendy 977 00:45:19,120 --> 00:45:20,520 Speaker 2: and new. We need to fix that. We need to 978 00:45:20,520 --> 00:45:23,680 Speaker 2: get around like a beat her Mike. We and I'm 979 00:45:23,719 --> 00:45:26,359 Speaker 2: not sure what your deal is. I do a big 980 00:45:26,360 --> 00:45:29,359 Speaker 2: show with the Ryman once a year for Saint Jude, 981 00:45:29,360 --> 00:45:31,279 Speaker 2: which is the hospital. I was in the hospital lot 982 00:45:31,280 --> 00:45:33,280 Speaker 2: as a kid, and so we work with them directly. 983 00:45:33,280 --> 00:45:35,279 Speaker 2: We've been able to like twenty seven million dollars or 984 00:45:35,280 --> 00:45:38,160 Speaker 2: something for the kids there. And Keith's played it before, 985 00:45:38,280 --> 00:45:40,840 Speaker 2: John him and TJ played it before. If you're in 986 00:45:40,840 --> 00:45:43,799 Speaker 2: town April third, it's already it's already sold out. But 987 00:45:44,160 --> 00:45:46,080 Speaker 2: you are, you've played the Rymen, you play Rymand I 988 00:45:46,120 --> 00:45:48,759 Speaker 2: have yet. Yeah, you should come and play a song 989 00:45:48,840 --> 00:45:50,520 Speaker 2: or two with us. I would It can be. I 990 00:45:50,560 --> 00:45:52,759 Speaker 2: don't know if you're don't commit now, because you could 991 00:45:52,800 --> 00:45:54,800 Speaker 2: just say yes, and I was a home with the idiot. 992 00:45:54,840 --> 00:45:56,080 Speaker 2: I had to say something no, I don't want that 993 00:45:56,160 --> 00:45:59,680 Speaker 2: to be what it is. But April third, we're playing 994 00:45:59,719 --> 00:46:05,080 Speaker 2: in this year. It's like Sam Hunt, it's Ben Recked 995 00:46:05,239 --> 00:46:07,279 Speaker 2: or Matt Carney. It's a lot of people. I'm gonna 996 00:46:07,320 --> 00:46:09,719 Speaker 2: don't want to get I'll miss people. But I would 997 00:46:09,760 --> 00:46:10,520 Speaker 2: love for you to come. 998 00:46:10,960 --> 00:46:11,839 Speaker 1: Yeah, I would love that. 999 00:46:12,000 --> 00:46:15,319 Speaker 2: And well, my band's all session players, Like I'm so bad, 1000 00:46:15,320 --> 00:46:17,040 Speaker 2: I have to get all session play great session players 1001 00:46:17,040 --> 00:46:19,000 Speaker 2: to make up for the fact. And so you can 1002 00:46:19,000 --> 00:46:21,719 Speaker 2: tell us what you want to play. Usually people come 1003 00:46:21,719 --> 00:46:23,160 Speaker 2: out and if you want to do an original song. 1004 00:46:23,200 --> 00:46:25,319 Speaker 2: If yours great, we'll learn it. Usually people do an 1005 00:46:25,320 --> 00:46:28,680 Speaker 2: original song or they and they do a cover. You 1006 00:46:28,719 --> 00:46:30,440 Speaker 2: can do whatever you want. You just let us know. 1007 00:46:30,440 --> 00:46:31,839 Speaker 2: I would love for you to come because I'm such 1008 00:46:31,840 --> 00:46:33,560 Speaker 2: a big fan and it'd be really cool to me 1009 00:46:33,719 --> 00:46:35,279 Speaker 2: to for me to have you out there. 1010 00:46:35,480 --> 00:46:36,720 Speaker 1: Yeah, that'd be awesome. 1011 00:46:36,920 --> 00:46:39,719 Speaker 2: You're not committing now, mom, she's not committing now. Look 1012 00:46:39,719 --> 00:46:43,720 Speaker 2: at the calendar April third, and it's like a Wednesday. 1013 00:46:43,760 --> 00:46:46,160 Speaker 2: That's why we do it. It's a Wednesday, Morgan. Yes, 1014 00:46:46,320 --> 00:46:48,839 Speaker 2: if we do it midweek because I'm on the road 1015 00:46:48,840 --> 00:46:50,759 Speaker 2: a lot, and every artist is on the road. That's 1016 00:46:50,800 --> 00:46:53,440 Speaker 2: when you pay the bills. Have you already start thinking 1017 00:46:53,440 --> 00:46:55,600 Speaker 2: about moving out? 1018 00:46:55,960 --> 00:46:58,520 Speaker 1: Well, if I was making enough money to do so, 1019 00:46:59,000 --> 00:46:59,600 Speaker 1: I would be. 1020 00:47:01,120 --> 00:47:06,120 Speaker 2: Like when I was seventeen, I'd ready to go school. 1021 00:47:07,239 --> 00:47:10,960 Speaker 2: You can teach school at this point, you know, are 1022 00:47:11,000 --> 00:47:14,439 Speaker 2: you a junior or senior? Officially? Okay, so this year 1023 00:47:15,440 --> 00:47:20,080 Speaker 2: then next year, but the open road, that's school, you know. 1024 00:47:21,400 --> 00:47:21,920 Speaker 2: I see. 1025 00:47:22,040 --> 00:47:22,480 Speaker 1: I mean. 1026 00:47:26,960 --> 00:47:28,440 Speaker 2: That sounds like an hour too much. I get her 1027 00:47:28,440 --> 00:47:30,719 Speaker 2: on the get Hey, let's just make some music, you know, 1028 00:47:30,840 --> 00:47:35,000 Speaker 2: give the earth what they demand. Uh, let me know 1029 00:47:35,640 --> 00:47:37,279 Speaker 2: when in the next few days. I'd love for you 1030 00:47:37,320 --> 00:47:39,040 Speaker 2: to come play the show with us. And I'm a 1031 00:47:39,080 --> 00:47:42,960 Speaker 2: big fan. Uh, it's awesome. You're awesome stage and I 1032 00:47:43,040 --> 00:47:45,120 Speaker 2: have to tell you that because like, I'm cooler because 1033 00:47:45,120 --> 00:47:47,720 Speaker 2: I'm doing this interview and Mom, thank you for coming 1034 00:47:48,040 --> 00:47:49,719 Speaker 2: and thanks for sitting Hey, thanks for sitting in with 1035 00:47:49,760 --> 00:47:52,480 Speaker 2: the band for a few minutes too. Yeah, and letting us. Uh, 1036 00:47:52,680 --> 00:47:54,200 Speaker 2: so you're just thinking about Grace. You can follow her 1037 00:47:54,280 --> 00:47:58,480 Speaker 2: Grace Underscore Boers on Instagram and on TikTok Grace Underscore 1038 00:47:58,480 --> 00:48:01,799 Speaker 2: Bowers one. You couldn't get the name on TikTok without 1039 00:48:01,800 --> 00:48:04,680 Speaker 2: the one on it. No, somebody has it. 1040 00:48:04,800 --> 00:48:06,680 Speaker 1: Someone took graces. 1041 00:48:06,120 --> 00:48:08,360 Speaker 2: Okay, do they use it or do they Just somebody 1042 00:48:08,360 --> 00:48:09,920 Speaker 2: squatted my name and I wouldn't buy it from him, 1043 00:48:09,920 --> 00:48:11,680 Speaker 2: so just say no, no, I haven't checked yet. I'm 1044 00:48:11,680 --> 00:48:14,719 Speaker 2: about to leave it to me. Leave it to me, 1045 00:48:15,360 --> 00:48:18,839 Speaker 2: and then I know. You recorded your album, the debut 1046 00:48:18,840 --> 00:48:21,359 Speaker 2: album with John like is producing it. But when is when? 1047 00:48:22,120 --> 00:48:24,720 Speaker 2: When does that happen where anybody gets to hear anything. 1048 00:48:25,440 --> 00:48:27,600 Speaker 1: Well, we're hoping to have the whole thing out sometime 1049 00:48:27,680 --> 00:48:28,719 Speaker 1: during the summer. 1050 00:48:28,640 --> 00:48:30,560 Speaker 2: But what about like a song or something, and. 1051 00:48:30,480 --> 00:48:33,920 Speaker 1: Then we'll put out a single, hopefully in April. 1052 00:48:34,120 --> 00:48:34,560 Speaker 2: That's cool. 1053 00:48:34,840 --> 00:48:37,120 Speaker 1: There will be another single after that, which we don't 1054 00:48:37,120 --> 00:48:37,839 Speaker 1: have a date for yet. 1055 00:48:38,000 --> 00:48:39,200 Speaker 2: Do you know which one already? 1056 00:48:39,880 --> 00:48:41,799 Speaker 1: Yeah. The first single is going to be a song 1057 00:48:41,840 --> 00:48:44,240 Speaker 1: called tell Me Why You Do That? That I actually 1058 00:48:44,960 --> 00:48:46,400 Speaker 1: co wrote with John and Lucy. 1059 00:48:47,000 --> 00:48:50,960 Speaker 2: Oh, Lucy's awesome too. Lucy's the greatest len I want 1060 00:48:51,000 --> 00:48:53,000 Speaker 2: to say it awesome. I like Lucy better than John. 1061 00:48:53,640 --> 00:48:55,400 Speaker 2: Lucy went on the road. I went, well, I know 1062 00:48:55,440 --> 00:48:56,680 Speaker 2: that book. Lucy went on the road with me for 1063 00:48:56,719 --> 00:48:58,759 Speaker 2: a while too. Lucy is awesome. Does she play keys? 1064 00:48:58,760 --> 00:49:00,440 Speaker 2: When you wrote? Did she said to the keys? She 1065 00:49:00,960 --> 00:49:06,600 Speaker 2: she did. I like Lucy two times as much as John. Well, 1066 00:49:06,600 --> 00:49:08,640 Speaker 2: we're very excited. Let us know when it's out. We 1067 00:49:08,680 --> 00:49:10,719 Speaker 2: would love to promote it and just be a big 1068 00:49:10,719 --> 00:49:12,040 Speaker 2: part of it. And it's been great to meet you. 1069 00:49:12,760 --> 00:49:16,400 Speaker 2: Grace Underscore Bours. You guys follow her and that's it. Grace. Thanks, 1070 00:49:17,160 --> 00:49:19,600 Speaker 2: that was awesome. Thanks for hopping into that was fun. Yeah, 1071 00:49:19,640 --> 00:49:24,240 Speaker 2: that was awesome. Thanks for listening to a Bobby cast production.