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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Daniel Henderson, and we are here.

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Speaker 1: This is gonna be a fun one, right.

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Speaker 2: It is our penultimate episode.

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Speaker 1: No, this is exciting. We did so we did something

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Speaker 1: like this, like after our first year. We did kind

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Speaker 1: of like a look back on our favorite moments, and

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Speaker 1: so now we're doing it. Except it's now the entire

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Speaker 1: podcast run and I have not heard some of these

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Speaker 1: episodes since we recorded them, So I am excited to

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Speaker 1: kind of go back and revisit some of our fames.

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Speaker 3: I'm really psyched. I think that when I was picking

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Speaker 3: my clips was I didn't have time to go through

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Speaker 3: from the beginning and just listen to every.

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Speaker 2: Full episode for the last four years.

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Speaker 3: So I just thought of the ones that made me

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Speaker 3: laugh the hardest, or the ones that were thoughtful or

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Speaker 3: just tried to remember, oh yeah.

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Speaker 2: This episode that was really funny.

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Speaker 3: So I picked clips that were based on things that

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Speaker 3: I remembered on the show that I've always made me

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Speaker 3: think or laugh.

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Speaker 2: Yeah.

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Speaker 1: No, yeah, me too. This is gonna be super fun. Okay,

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Speaker 1: So what we're gonna do is we're just gonna kind

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Speaker 1: of set up that we're gonna probably tell you what

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Speaker 1: episode it's from, just in case you want to go

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Speaker 1: back and listen to the actual full length episode. But

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Speaker 1: then we'll play a little bit of the audio, which

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Speaker 1: again I said, I think it's gonna sound We're gonna

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Speaker 1: sound different. I don't know. I feel like, yeah, especially

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Speaker 1: early days, we were in a different headspace, different fact

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Speaker 1: there was like COVID happening in a major way, and

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Speaker 1: maybe we'll hear the stress of that in our voices.

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Speaker 1: Maybe not, we'll see.

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Speaker 2: Well, I'm excited to jump in.

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Speaker 3: Yes, that was like, it'll be a fun episode and

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Speaker 3: we're gonna start way back episode eight. The episode title

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Speaker 3: is drop a Pin. It's the episode where we discussed

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Speaker 3: the fly and seconds, oh boy, this is a clip

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Speaker 3: that we've chosen to discuss. So he kind of shows

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Speaker 3: Ronnie to the Geena Davis character. He shows Ronnie his

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Speaker 3: experiment with her on her stockings and she's like, ooh,

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Speaker 3: what happens when you send something living through there? And

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Speaker 3: he's like, I'll show you, and he puts a babboon

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Speaker 3: in the telepod, sends it through and again iconic scenes

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Speaker 3: in this there are at least two, maybe three iconic

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Speaker 3: images from this film. One of them is he sends

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Speaker 3: his baboon through and in the haze and smoke of

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Speaker 3: the teleportation, you just see like a bloody hand hit

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Speaker 3: the door screen and then like kind of slide down.

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Speaker 3: But then here's the thing that fucked me up. The

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Speaker 3: next thing he sends through is a steak. Why didn't

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Speaker 3: he start with the steak? And who keeps giving him

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Speaker 3: all these fucking baboons? Can you not start with the

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Speaker 3: flesh of a steak?

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Speaker 1: I mean, presumably he lives in it's like a warehouse

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Speaker 1: or a loft or something like that. It's these baboons

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Speaker 1: in this uh warehouse.

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Speaker 3: With night, Like, how does he get these fucking Like

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Speaker 3: if you come to me and you even need three baboons,

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Speaker 3: I'm gonna be like, dude, what are you doing with

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Speaker 3: these baboons?

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Speaker 1: I Like? So that episode was we had this tradition

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Speaker 1: on the podcast where we would do like a New

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Speaker 1: Year's episode and it was called New Year, New Me.

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Speaker 1: And every year we did it, it was like, and

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Speaker 1: how do we, you know, play, how do we figure

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Speaker 1: out this like concept right of like changing you know

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Speaker 1: a lot of times it was about like people's bodies

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Speaker 1: changing or sometimes they were teleporting through time and you know,

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Speaker 1: like becoming children again and stuff. But yeah, this was

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Speaker 1: I think our first one, our first dip into the

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Speaker 1: New Year episode, and we picked two bangers for sure.

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Speaker 3: And it's legitimate questions, the kind of questions that you

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Speaker 3: can only consider years later after first watching a film.

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Speaker 2: Is who's given him these bad boons?

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Speaker 1: Yeah, and that's that's I think a question that I've

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Speaker 1: always had generally is how do scientists working in the

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Speaker 1: home procure wild animals for their experiments? Certainly there's laws

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Speaker 1: against that, right.

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Speaker 3: Good just a glimpse of a taste of our thought

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Speaker 3: processes and personalities.

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Speaker 1: Yeah, absolutely, Well, so this second clip comes from this

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Speaker 1: episode that I believe, like when we recorded it, I

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Speaker 1: was like, this was so fun, and then a lot

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Speaker 1: of people responded to it, so I felt like, you know,

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Speaker 1: we really like hit the nail on the head. But

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Speaker 1: it it comes from episode eleven. The name of the

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Speaker 1: episode was called Freddy the Krueger, which I don't even

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Speaker 1: remember why we even named it that.

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Speaker 3: You said at one point Freddy the Krueger, and we

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Speaker 3: just you know, of course, focusing ran with it Freddy

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Speaker 3: the Kruger.

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Speaker 1: Like Megan v. Stallion. But the movies that we did

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Speaker 1: were Graveyard Shift and should and I think it was

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Speaker 1: called from Beneath You It dwells.

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Speaker 2: It wasn't that devours.

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Speaker 1: It devours, That's right, It's like subterranean creatures.

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Speaker 2: And listen.

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Speaker 1: I don't know where they found all these rat actors

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Speaker 1: to be in this movie because they look like they're

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Speaker 1: acting in a menacing way.

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Speaker 3: Completely. There's that one. I was like, I want to

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Speaker 3: ask you, like, which which rat are you? Are you

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Speaker 3: the rat that like casually is into the bloodied up

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Speaker 3: cotton ball just eating that, or are you like the

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Speaker 3: chomping on a cigarette rat? Like these rats are trained

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Speaker 3: to do some stuff I've never seen.

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Speaker 1: I swear to god, they should have all been nominated

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Speaker 1: for like some kind of Screen Actors Guild reward. Because

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Speaker 1: they were like the part at the beginning where they're

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Speaker 1: like lined up on the top of that wall. I

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Speaker 1: was like, damn, these are good acting ass rats.

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Speaker 3: Man.

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Speaker 2: They had like facial expressions.

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Speaker 3: It was looked me like one of them.

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Speaker 1: But the weirdest thing is that one of them looked okay,

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Speaker 1: like he was chill, But then the next one would

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Speaker 1: look super fucking mean, and I'm like, how does that

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Speaker 1: work out?

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Speaker 2: Like, oh no, and they are fucking professionals. I feel it.

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Speaker 2: I feel it.

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Speaker 3: I want to know who train you? Who train you?

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Speaker 3: Who was at Pizza redet? Is it like a lineage?

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Speaker 3: What's going on there? Like the guy like his dad

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Speaker 3: was in Graveyard Shift and your dad was in Graveyard Shift,

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Speaker 3: but your pizzare at.

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Speaker 1: They're like the great like the Barrymores, the Houston's. You know,

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Speaker 1: it's like this lineage of actors, right.

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Speaker 3: I felt like that was an important one to pull

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Speaker 3: out because we have a lot of long running jokes,

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Speaker 3: yes inside jokes, and if you never heard the origin

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Speaker 3: of the rat actor's joke that we made continuously throughout

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Speaker 3: the four years of this show, that is where it started.

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Speaker 3: And it just always makes me laugh to think about

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Speaker 3: you listing off the Baramore.

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Speaker 1: Well, it's like, to this day, I have not found

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Speaker 1: out more info about those rat actors, like like I

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Speaker 1: want to know, like who owns them? I mean, listen,

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Speaker 1: I watched a whole ass documentary about the butterfly bug

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Speaker 1: guy from Silence of the Lamps. I was like, certainly

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Speaker 1: we can find the person who owned these rats and

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Speaker 1: trained them to have different facial expressions in a scene like.

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Speaker 2: He did anyone even own them? Where they did? They

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Speaker 2: just show up and they're like, we need some.

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Speaker 3: Rats, and a bucket of rat showed up and they

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Speaker 3: all knew.

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Speaker 1: What to do. I was so impressed by those.

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Speaker 2: You and me both. Now. Our next clip comes from

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Speaker 2: episode fourteen.

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Speaker 3: The title of the episode is Sexy Living in mid Air,

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Speaker 3: which is a Millie specialty that again we referenced tons

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Speaker 3: of times on the show. The films that we discussed

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Speaker 3: were Shame and Lover's Rock because we're focusing on the director,

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Speaker 3: Steve McQueen, and Shame kind of ruined Millie's life. That's

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Speaker 3: all right, But this clip explores something else that was

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Speaker 3: pretty consistent in our podcast. Does our podcast need to

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Speaker 3: come with a disclaimer about how we keep subconsciously picking

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Speaker 3: movies with full frontal.

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Speaker 1: This is why we picked it.

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Speaker 2: No, I'm kidding, but this is like out the Gate.

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Speaker 3: Like the first thing you see, aside from him kind

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Speaker 3: of sprawled out in ben in this really beautiful shot,

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Speaker 3: actually is him just walking around his house, just naked.

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Speaker 3: Just Wang's a fly in so I don't know, maybe

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Speaker 3: think a little bit more deeply about us.

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Speaker 1: The thing that I did notice about this tendency of

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Speaker 1: him walking around naked in his he is that he

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Speaker 1: lives in one of those apartments with no window coverings

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Speaker 1: on a high rise, which I call sexy living, where

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Speaker 1: you're like in a city and you don't have like

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Speaker 1: shades or drapes or anything, and you're just kind of like,

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Speaker 1: I'm so hot and successful, I'm walking around make it,

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Speaker 1: living my life with no fucking privacy. I want you

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Speaker 1: to see.

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Speaker 3: It, and I'm just it's guys, it's such an exhibitionist

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Speaker 3: approach to life that I do not have.

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Speaker 2: I'm the exact opposite. Like, give me those like thick

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Speaker 2: Victorian drapes.

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Speaker 3: Yes, I want to put drapes over every reflective surface,

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Speaker 3: Like get them on the microwave.

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Speaker 2: I want drapes.

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Speaker 1: It's like when you watch episodes of The Crown and

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Speaker 1: you see like a one person coming in and opening

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Speaker 1: these heavy ass fucking queen drapes, and I'm like, that's

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Speaker 1: how I live. I can't live sexy in the air

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Speaker 1: like that. That's just too crazy, Okay.

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Speaker 2: I can't live sexy in the air like that. Is

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Speaker 2: the title of this fucking episode. We're not sure sexy

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Speaker 2: in mid air? Is it? Oh? God?

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Speaker 1: Still true? Still true, I'll know about you.

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Speaker 2: Absolutely true.

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Speaker 3: Although I am sexy living in the woods, I'm always

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Speaker 3: Donald duck.

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Speaker 1: In it with no curtains, is what you're saying.

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Speaker 2: No curtains.

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Speaker 1: Okay, that's fine.

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Speaker 2: There's nobody around.

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Speaker 3: I can't put up curtains because every window upstairs in

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Speaker 3: my house is a fucking skylight.

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Speaker 2: It's on an angle.

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Speaker 1: Yeaheah, yeah, but there's nobody around who's gonna watch, Like,

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Speaker 1: no one cares.

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Speaker 3: And even even if they are watching, it's like, well,

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Speaker 3: knock yourself out.

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Speaker 1: No, I'm talking about I think when we were doing

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Speaker 1: the episode, it was really about like, I mean, he

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Speaker 1: was living in a major metropolitan area with no curtains.

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Speaker 2: He's living in downtown New York. Yeah, just weigh out.

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Speaker 1: No no covers, no blackout curtains. I was like, damn, man,

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Speaker 1: Like that is confidence. That's a rich guy confidence. That's

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Speaker 1: a big dick energy situation, right it truly is it?

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Speaker 3: Just it brought up an interesting concept that I'd never

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Speaker 3: considered sexy living in mid air.

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Speaker 1: Again, I have to like that whole conversation was really

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Speaker 1: inspired by my friend Will Tait, who is an obsessed

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Speaker 1: listener of the podcast. He loves Danielle more than he

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Speaker 1: loves me. I've talked about this many, many times where

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Speaker 1: he's like, yo, I just straight up like your friend

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Speaker 1: more than you at this point. She's funnier, she's smarter,

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Speaker 1: and I'm like, yo, you're not wrong, but you know,

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Speaker 1: see yourself. You don't want to tell me about it.

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Speaker 1: But he he's the original sexy living in mid air guy.

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Speaker 1: Because I went to his high rise apartment in downtown Atlanta.

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Speaker 1: He lived on like the nineteenth floor and he's a lawyer.

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Speaker 1: He got it like that. And I was like, there

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Speaker 1: are no curtains on any of these windows. People are

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Speaker 1: just looking. I was like, people are just looking at you.

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Speaker 1: And he's just like, well no, it's like you know whatever.

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Speaker 1: And I'm like this is bold, Like I could not

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Speaker 1: live like that. It's crazy.

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Speaker 3: This goes also to what we talked about in our

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Speaker 3: last episode about wealth.

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Speaker 2: You get so wealthy you don't need curtains anymore. You

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Speaker 2: got no shame.

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Speaker 1: Yeah, there is something to that point. My friend Will

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Speaker 1: is disgusting capitalist who makes people watch him live. Not kidding,

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Speaker 1: but but yeah, that was what made me think of

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Speaker 1: this when we were and plus we'ves talked about Michael

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Speaker 1: Fassmander so much on this podcast. I feel like he

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Speaker 1: should be like a third co host.

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Speaker 3: It's between Modene Fastbender, Yeah, and probably one other person

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Speaker 3: that I can't think of right now.

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Speaker 1: Gregory Pack Perhaps we talk about it.

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Speaker 2: I cannot believe we didn't pick that clip.

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Speaker 1: For the there's so many there's so many inside jokes.

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Speaker 2: I think we did pick it for the first year though, right, Yeah.

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Speaker 1: I think we did the first year.

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Speaker 3: Yeah, which, by the way, ever since like you revealed

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Speaker 3: that you love a high ass Gregory Peck, who's dick

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Speaker 3: you would destroy, people.

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Speaker 1: Send me Gregory Peck me. It's like they say them

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Speaker 1: to me. And I was like, now we've become so

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Speaker 1: affiliated with the high ass Gregory Peck vibe that people

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Speaker 1: like sending me, you know, slow motion fan edits of

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Speaker 1: him like trapesing through with like a hot look. I'm like,

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Speaker 1: damn he is.

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Speaker 3: And his ass is already always next to somebody's ears

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Speaker 3: because he's a high ass man.

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Speaker 1: He's got that hot donk. So our next clip we

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Speaker 1: pulled speaking of classic Hollywood. Uh this was from episode

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Speaker 1: twenty five. We called this a gangle jangle dance, which

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Speaker 1: is definitely you. You said that term, the gangle jangle dance.

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Speaker 3: That's what Baby Jane looks like to me on that stage,

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Speaker 3: does gangling and jangling.

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Speaker 1: And this was an episode where we did Hereditary and

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Speaker 1: whatever happened to Baby Jane Hereditary, which fucking detroyed me.

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Speaker 2: Like life ruining, ruined my.

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Speaker 1: Life in a way like this was like one of

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Speaker 1: the classic moments where you just fucking made me watch

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Speaker 1: some shit that gave me nightmares for weeks. But ah yeah.

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Speaker 3: It also it set the precedent for I set a

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Speaker 3: bar for comparison for the podcast of how much did

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Speaker 3: this movie fuck you up? Was at Hereditary level or

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Speaker 3: higher or.

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Speaker 1: Lower absolute tone setting.

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Speaker 2: I can't believe you watched this movie with your mom.

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Speaker 3: That is still I'm never gonna stop cracking up about this.

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Speaker 1: I know, I truly went in blind, like I had

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Speaker 1: obviously heard of this movie. I've obviously heard about ari

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Speaker 1: astor you know, I remember when Midsummer came out like

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Speaker 1: it was all the rage, But I truly didn't know

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Speaker 1: what this movie was going to be about like I

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Speaker 1: just thought, Okay, well Daniels picked it for this theme,

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Speaker 1: so I might have an inkling, but let's just watch

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Speaker 1: it with my mom and see what happens.

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Speaker 3: And hmmm, yes, what happened was your mom now has

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Speaker 3: a lot of questions about this podcast.

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Speaker 1: She's said that, yes, I don't know why she does

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Speaker 1: this podcast at all.

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Speaker 3: She loves you, she supports you, and now she's deeply

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Speaker 3: worried about you and probably me too.

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Speaker 1: Yeah. I mean it's so funny because, like she this

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Speaker 1: was when we record this episode, I was like living

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Speaker 1: in their guest bedroom, right because it was COVID And

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Speaker 1: you know, I have not lived with my parents since

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Speaker 1: I was like seventeen years old, right right because the

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Speaker 1: moment I was able to, I left their.

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Speaker 2: House absolutely, you know what I'm saying, Like I.

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Speaker 1: Was gone when I when I could be gone. And

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Speaker 1: this was the first time that I had lived with them,

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Speaker 1: like for an extended period of time. And it was

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Speaker 1: really interesting because it kind of got me back into

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Speaker 1: like noticing just their habits and what they do with

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Speaker 1: their spare time. And I realized that my dad goes

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Speaker 1: to bed at like eight pm. Hero, Yeah, he's he

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Speaker 1: went he plays golf so much that he basically gets

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Speaker 1: up at five o'clock in the morning, so he goes

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Speaker 1: to bed really early. And then my mom is the

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Speaker 1: night out. She stays up really late, and she watches

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Speaker 1: movies that a lot of times she's watching like action

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Speaker 1: ship like John Wick. Uh you know, she watches you know,

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Speaker 1: whatever like stuff that's like she likes action and sort

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Speaker 1: of drama and that kind of stuff. And then there

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Speaker 1: were been there were times where, uh, you know, I

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Speaker 1: would tell her like, I gotta watch this movie for

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Speaker 1: the podcast, do you want to watch it with me?

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Speaker 1: And she'd be like, okay, sure, And so yeah, I

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Speaker 1: put on Hereditary and she was just like what is this?

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Speaker 1: She could not she couldn't like the part with the

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Speaker 1: daughter and I think you know what part I'm talking about?

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Speaker 3: Yeah, like what and that is so early in the

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Speaker 3: movie that you're like, what else could happen? Oh?

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Speaker 2: I just I love it. Your mom is the real

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Speaker 2: third third co host of the podcast.

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Speaker 1: Yeah, we got to get a round table with Michael

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Speaker 1: fastben Er, my Mom and well relaunch a new podcast

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Speaker 1: and I don't know call it the.

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Speaker 2: We'll call it sir. Why is your weigh out.

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Speaker 3: Your mom asking actors why they're doing full frontal God

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Speaker 3: bless or it could be called what's wrong with you?

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Speaker 3: And she's just questioning directors like Ari asked her, Yeah no.

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Speaker 1: And that's the thing too, is like he's so famously

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Speaker 1: his movies are so famously about mom issues that I

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Speaker 1: was like, Okay, don't watch his movies with your mother

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Speaker 1: if possible. Oh my god.

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Speaker 3: Well, well, the next clip that we picked out is

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Speaker 3: a little bit more gentle. This comes from episode twenty seven,

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Speaker 3: the title of which is pour one Out for Miss Havisham,

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Speaker 3: where we discussed stand by Me and Deliverance.

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Speaker 1: That scene that you talked about with Gordy and Chris

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Speaker 1: like that, I was crying my eyes out.

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Speaker 2: I was a mess around.

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Speaker 3: This is a part of the fireside conversation too, is

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Speaker 3: like when Teddy and Verne go to sleep, Chris and

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Speaker 3: Gordy have a conversation because Gordy's father has earlier said

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Speaker 3: that he doesn't want Gordy hanging around Chris because he's

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Speaker 3: bad news. And he stole the milk money, right, and

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Speaker 3: then around the fire you get the other side of

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Speaker 3: that story, which is Chris did steal the milk money

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Speaker 3: because he's you know, he's a little bad ass, but

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Speaker 3: he brought it back and the teacher didn't give it in.

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Speaker 2: She bought herself a new outfit.

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Speaker 3: And so he's now like this town pariah and he's

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Speaker 3: just crying and it's so evocative, like he really starts

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Speaker 3: weeping about this. He's revealed a layer of the adult

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Speaker 3: world and it has devastated him.

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Speaker 1: Yeah, and River Phoenix, my god, it's like he is

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Speaker 1: he was truly conveying emotion in that scene. Like it

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Speaker 1: doesn't feel like a fake kid actor cry. It feels

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Speaker 1: like somebody who is way more sensitive and intuitive beyond

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Speaker 1: his years, Like just such a good actor and at

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Speaker 1: such a young age. I mean, it's just it was

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Speaker 1: really incredible. It really hit me this time just how

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Speaker 1: talented he was. But then all of them are. Then

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Speaker 1: they're all talented, you know, as children, they were incredible actors.

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Speaker 1: But I mean that scene really just wrecked me. And

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Speaker 1: I was like, oh my god, these sweet babies that

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Speaker 1: are you know, having these big feelings and I just

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Speaker 1: I want to hug them.

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Speaker 2: All, you know, I completely agree.

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Speaker 3: And it was they do that like high pitch little

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Speaker 3: kid cry thing where they're talking and squeaks, and it

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Speaker 3: went right to my heart. And it also reminded me

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Speaker 3: a little bit of the Steve McQueen episode that we did,

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Speaker 3: Sexy Living in mid Air, and how Steve McQueen in

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Speaker 3: his own life talked about how there were so many

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Speaker 3: boys who were pushed aside into these parts of school

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Speaker 3: that were meant for kind of a more remedial life

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Speaker 3: and weren't even given a chance. And it just reminded

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Speaker 3: me of how often that happens, and how you can

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Speaker 3: condemn someone at childhood essentially, is what Steve McQueen was saying,

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Speaker 3: and I could see that here and it just really

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Speaker 3: made me so sad. I love that episode, and I

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Speaker 3: think that one of the reasons I picked that clip

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Speaker 3: is that, yes, we have fun, Yes we laugh a lot,

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Speaker 3: but we also do such great critical work on this show.

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Speaker 2: And it's a nice mix. To me.

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Speaker 3: It's nice to remember that we've had such a mix

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Speaker 3: of opinions and of you know, of films themselves that

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Speaker 3: we brought to the table and you know, put together

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Speaker 3: in these strange ways, possibly because of the theme we picked.

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Speaker 3: But we're smart sometimes.

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Speaker 1: Yeah, no, I listen, I think I've said this before

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Speaker 1: I think that not the tout our own horn, but

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Speaker 1: we are. That's why we're doing this. We I think

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Speaker 1: have we've done a different thing with this podcast from

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Speaker 1: I think a lot of other film podcasts perhaps, or

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Speaker 1: at least when we started. I mean now I think,

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Speaker 1: you know, I don't know if we ushered in a

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Speaker 1: new era of film podcast criticism perhaps, but like, we

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Speaker 1: really are obsessed with characters within the context of a story, right,

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Speaker 1: And I think part of that is because I mean

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Speaker 1: you more than I, but we're both writers, and we

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Speaker 1: both love books and reading and narrative structures. And that

408
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Speaker 1: is like one thing that I think we've done particularly

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Speaker 1: well over the course of podcast is we're able to

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Speaker 1: like really drill down into the emotional centers of film

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Speaker 1: characters and kind of figuring out like what their motivations

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Speaker 1: are or like what they're conveying. Yes, and maybe if

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Speaker 1: it wasn't, because that's the thing that's ultimately really interesting

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Speaker 1: to me about film and about scripts is that the

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Speaker 1: way the like the methods of how a script has

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Speaker 1: an intention for a character and what the motivation is

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Speaker 1: the character is how that actor chooses to display that

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Speaker 1: characterization and then how as you know, viewers interpret it,

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Speaker 1: you know exactly. It's very textured, and I love discussing it.

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Speaker 1: I love picking it apart because you know, obviously, I

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00:23:20,240 --> 00:23:22,359
Speaker 1: think in that moment, I think that River Phoenix was

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00:23:22,400 --> 00:23:25,359
Speaker 1: doing an incredible job of conveying that like nuance of

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Speaker 1: being the like bad seed kid in a school, which

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Speaker 1: is really painful. Like you said, it is like it

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Speaker 1: it sets this agenda for someone's life at such an

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Speaker 1: early age that it becomes a part of their identity

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Speaker 1: where they think they're this bad kid who does bad things,

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Speaker 1: and it has all these ramifications obviously for later in life.

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Speaker 1: But just the way is that we have processed that

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Speaker 1: performance in our own, like via our own lives and

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00:23:53,480 --> 00:23:56,760
Speaker 1: our own experiences. And I know that you and I

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Speaker 1: are super protective of people, or we had that instinct

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Speaker 1: that to protect people that maybe society has deemed unlovable

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Speaker 1: or you know, they have thrown away. So I don't know,

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Speaker 1: I just feel in that moment it was like both

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00:24:12,600 --> 00:24:15,399
Speaker 1: of us like having that like super empathetic moment with

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00:24:15,480 --> 00:24:17,479
Speaker 1: that character. And I just love that they picked it.

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Speaker 3: Oh, thank you said that so beautifully, so beautifully, And yeah,

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Speaker 3: I just I also love I just love that we've

440
00:24:25,119 --> 00:24:28,320
Speaker 3: had the chance to really showcase who we are and

441
00:24:28,480 --> 00:24:29,800
Speaker 3: that you don't have to pick one or the other.

442
00:24:29,840 --> 00:24:31,359
Speaker 3: You don't have to be super goofy all the time,

443
00:24:31,440 --> 00:24:33,280
Speaker 3: you have to be super academic all the time. That

444
00:24:33,920 --> 00:24:36,200
Speaker 3: we also kind of discussed the importance of going back

445
00:24:36,200 --> 00:24:41,160
Speaker 3: to films, which I think is crucial because you don't

446
00:24:41,160 --> 00:24:44,760
Speaker 3: get that kind of depth of revelation unless you've seen

447
00:24:44,800 --> 00:24:47,040
Speaker 3: it before and have something to compare it to emotionally.

448
00:24:47,160 --> 00:24:56,919
Speaker 1: So yeah, yeah, oh yeah, absolutely. Well, in spite of this,

449
00:24:57,480 --> 00:25:00,000
Speaker 1: we did decide to pick a couple of funny goofy

450
00:25:00,080 --> 00:25:03,200
Speaker 1: on right for this next one. These are both we

451
00:25:03,280 --> 00:25:06,480
Speaker 1: got like two clips from the same episode, which is

452
00:25:06,520 --> 00:25:11,200
Speaker 1: the episode from UH episode thirty six. It's called Vampire Dave,

453
00:25:11,680 --> 00:25:14,680
Speaker 1: I believe, and it was an episode where we talked

454
00:25:14,680 --> 00:25:17,399
Speaker 1: about people who worked in video stores. So we picked

455
00:25:17,680 --> 00:25:19,840
Speaker 1: the Lost Boys and Watermelon Woman.

456
00:25:20,240 --> 00:25:23,280
Speaker 3: This is where we meet after the concert. He tries

457
00:25:23,320 --> 00:25:26,879
Speaker 3: to chatter up and this is where we meet. The

458
00:25:26,960 --> 00:25:32,760
Speaker 3: key for for Sutherland character of David, which again you're

459
00:25:32,800 --> 00:25:35,800
Speaker 3: gonna be a vamp named David.

460
00:25:37,359 --> 00:25:40,440
Speaker 2: I don't know why. Just puts me up a little bit.

461
00:25:41,480 --> 00:25:42,080
Speaker 2: What's your name.

462
00:25:42,119 --> 00:25:47,439
Speaker 3: It's not like Nikolai or like fucking Morris. Yeah, my

463
00:25:47,520 --> 00:25:48,440
Speaker 3: name's David.

464
00:25:48,560 --> 00:25:50,560
Speaker 2: I'm Dave. I'm vampire, vampire.

465
00:25:50,680 --> 00:25:54,240
Speaker 1: Dave down on the boardwalks.

466
00:25:53,160 --> 00:25:55,119
Speaker 2: Like a character from what we do in the Shadows,

467
00:25:57,040 --> 00:26:00,760
Speaker 2: Count Dave, I vamp. Can't stop me. I'll bite your

468
00:26:00,800 --> 00:26:01,840
Speaker 2: face right fucking now.

469
00:26:03,280 --> 00:26:05,040
Speaker 1: Kiefer was working that mullet man.

470
00:26:05,080 --> 00:26:06,720
Speaker 2: Holy shit, Oh my god.

471
00:26:06,920 --> 00:26:09,920
Speaker 3: The best thing about this vampire gang, which consists of

472
00:26:10,080 --> 00:26:15,000
Speaker 3: Alex Winter, Billy Worth, and Brooke McCarter. The best thing

473
00:26:15,000 --> 00:26:19,520
Speaker 3: about this vampire gang is that they automatically arrange themselves

474
00:26:19,720 --> 00:26:23,280
Speaker 3: by the impressiveness of the mullet that they have. Yes, like,

475
00:26:23,320 --> 00:26:25,920
Speaker 3: the mullet with the big te's bangs is always right

476
00:26:25,960 --> 00:26:28,640
Speaker 3: behind David because David's the leader. He's got the most

477
00:26:28,680 --> 00:26:31,760
Speaker 3: serious coat and the most intense mullet, so he is

478
00:26:31,800 --> 00:26:34,720
Speaker 3: the leader and they just automatically line up that way.

479
00:26:34,760 --> 00:26:37,639
Speaker 3: And then Alex Winter comes along. Alex Winter looks like

480
00:26:37,640 --> 00:26:40,520
Speaker 3: a little doll. He looks like an American girl vampire,

481
00:26:42,640 --> 00:26:44,520
Speaker 3: just like a doll that you've let out sit outside

482
00:26:44,520 --> 00:26:46,960
Speaker 3: in the snow for a season. He's just like so

483
00:26:47,160 --> 00:26:51,399
Speaker 3: cute but so withered. I love this vampgang.

484
00:26:52,840 --> 00:26:56,480
Speaker 1: Being arranged by mullet size is such an astute observation.

485
00:26:57,359 --> 00:26:59,560
Speaker 1: I don't think anybody's pointed that out. I'm just gonna

486
00:26:59,560 --> 00:27:01,159
Speaker 1: say it right now. You might need to trademark that.

487
00:27:02,240 --> 00:27:02,520
Speaker 2: Look.

488
00:27:02,680 --> 00:27:07,320
Speaker 3: I'm all for being the vanguard when it comes to

489
00:27:07,320 --> 00:27:10,960
Speaker 3: discussing lost boys. And the second clip that we have

490
00:27:11,800 --> 00:27:15,160
Speaker 3: is something I think about just on a random day

491
00:27:15,280 --> 00:27:18,119
Speaker 3: sometimes and just crack the fuck up.

492
00:27:18,960 --> 00:27:23,119
Speaker 1: Okay, this is someone's vampire layers.

493
00:27:23,160 --> 00:27:24,040
Speaker 2: Talk about this.

494
00:27:24,359 --> 00:27:26,719
Speaker 3: I have like a full page of notes about this

495
00:27:26,800 --> 00:27:29,919
Speaker 3: layer alone. First of all, nothing good is happening in

496
00:27:29,960 --> 00:27:31,480
Speaker 3: a sunken resort.

497
00:27:33,000 --> 00:27:35,360
Speaker 2: But more importantly, there's this little.

498
00:27:35,080 --> 00:27:39,000
Speaker 3: Fucking kid that hangs out with them, and nothing good

499
00:27:39,080 --> 00:27:42,720
Speaker 3: is happening. If you belong to a gang of people

500
00:27:43,040 --> 00:27:45,680
Speaker 3: where there's a little kid hanging out with you after

501
00:27:45,760 --> 00:27:47,200
Speaker 3: eleven PM, If.

502
00:27:47,040 --> 00:27:48,280
Speaker 2: You're a sibling and you.

503
00:27:48,280 --> 00:27:51,000
Speaker 3: Brought your little sibling along because you have to babysit them,

504
00:27:51,240 --> 00:27:54,080
Speaker 3: then you're being a bad sibling. If you're a parent,

505
00:27:54,320 --> 00:27:56,600
Speaker 3: you already know this kid has a bedtime. Get his

506
00:27:56,680 --> 00:27:58,760
Speaker 3: ass home. And if you're the leader of.

507
00:27:58,720 --> 00:28:01,760
Speaker 2: A vampire gang, try to be a little more subtle.

508
00:28:01,880 --> 00:28:04,359
Speaker 3: Don't be dragging this little kid around who's got missing

509
00:28:04,400 --> 00:28:05,760
Speaker 3: posters up all over the place.

510
00:28:06,359 --> 00:28:11,320
Speaker 1: This little kid is so weird, like so Weird's kind

511
00:28:11,320 --> 00:28:13,520
Speaker 1: of like Chaka from Land of the Loss. He's just

512
00:28:13,680 --> 00:28:19,680
Speaker 1: like a little creature that runs around everywhere. And he's

513
00:28:19,720 --> 00:28:22,000
Speaker 1: also wearing one of these jackets, you know what I mean.

514
00:28:22,040 --> 00:28:24,480
Speaker 1: I'm just sort of like, how are you getting a.

515
00:28:24,480 --> 00:28:27,720
Speaker 3: Child size Russian revolutionary jacket out here in these fucking

516
00:28:28,119 --> 00:28:29,280
Speaker 3: boardwalk streets?

517
00:28:30,160 --> 00:28:31,600
Speaker 2: Again, be more subtle.

518
00:28:31,760 --> 00:28:37,359
Speaker 3: You can't dress up a missing kid like a fucking Rasputan.

519
00:28:38,960 --> 00:28:40,040
Speaker 2: On these streets.

520
00:28:40,400 --> 00:28:44,520
Speaker 1: David, Oh my god, this little kid. Every time, every

521
00:28:44,560 --> 00:28:50,640
Speaker 1: time it comes on, scream, I scream with laughter. He's

522
00:28:50,720 --> 00:28:56,760
Speaker 1: so weird.

523
00:28:55,000 --> 00:29:00,960
Speaker 2: A Chaka the law, yo.

524
00:29:01,880 --> 00:29:06,160
Speaker 1: That is one of the most true facts you have

525
00:29:06,320 --> 00:29:09,520
Speaker 1: ever uttered on this podcast. Is a kid that's hanging

526
00:29:09,560 --> 00:29:13,640
Speaker 1: out after eleven PM. This gang is.

527
00:29:13,680 --> 00:29:14,720
Speaker 2: Up to no good.

528
00:29:15,400 --> 00:29:17,960
Speaker 3: No good is coming from this Anyone hanging out near

529
00:29:18,080 --> 00:29:22,640
Speaker 3: or around this kid ain't right. It ain't right. Oh god,

530
00:29:22,640 --> 00:29:25,719
Speaker 3: that episode makes me laugh so hard. But then we

531
00:29:25,760 --> 00:29:28,160
Speaker 3: also had the Watermelon Woman, which is a very touching

532
00:29:28,840 --> 00:29:29,960
Speaker 3: quintessential film.

533
00:29:30,000 --> 00:29:31,800
Speaker 2: Again, we mix it up, we mix it up.

534
00:29:31,960 --> 00:29:33,959
Speaker 3: But I think about that little fucked up kid and

535
00:29:34,040 --> 00:29:36,440
Speaker 3: just crack up sometimes when you call him Chalker from

536
00:29:36,480 --> 00:29:37,760
Speaker 3: Land of the Laws.

537
00:29:39,400 --> 00:29:46,240
Speaker 1: Okay, so this next one is from a very classic episode.

538
00:29:46,440 --> 00:29:50,720
Speaker 1: I have to say. It was from episode sixty one.

539
00:29:51,160 --> 00:29:54,280
Speaker 1: It was called I Don't Have the Neck Muscles. I

540
00:29:54,280 --> 00:29:56,840
Speaker 1: have no idea what that is in reference here now,

541
00:29:57,200 --> 00:30:00,360
Speaker 1: but it is the episode in which we discussed Rank

542
00:30:00,640 --> 00:30:03,520
Speaker 1: two and the Transporter, which was one of the most

543
00:30:03,520 --> 00:30:07,680
Speaker 1: exhilarating double features I think we've ever watched. To give

544
00:30:07,720 --> 00:30:10,200
Speaker 1: you a little bit of background about the first movie,

545
00:30:10,280 --> 00:30:13,880
Speaker 1: just to orient you in this second movie. Okay, the

546
00:30:13,920 --> 00:30:17,880
Speaker 1: first crank movie is about this ex hitman who was

547
00:30:17,920 --> 00:30:24,920
Speaker 1: played by Statham. His name is chev Chelli O's And

548
00:30:25,680 --> 00:30:29,160
Speaker 1: for the record, I cannot get over Chef Chellis.

549
00:30:29,280 --> 00:30:31,960
Speaker 2: I'm losing my mind. I'm losing my mind.

550
00:30:33,160 --> 00:30:35,200
Speaker 1: Like this is what actually makes me think that this

551
00:30:35,240 --> 00:30:37,440
Speaker 1: movie was written by a fifteen year old, because only

552
00:30:37,560 --> 00:30:41,320
Speaker 1: teenagers would create this like stupid prank phone called name

553
00:30:41,840 --> 00:30:42,880
Speaker 1: like Chef Cellios.

554
00:30:43,240 --> 00:30:47,400
Speaker 3: Absolutely cheff Chellios has ordered ten pizzas to their best

555
00:30:47,400 --> 00:30:50,160
Speaker 3: friend and made them pay for it.

556
00:30:50,240 --> 00:30:53,239
Speaker 1: Like it's like, may I speak to mister Smith. This

557
00:30:53,360 --> 00:31:00,480
Speaker 1: is doctor Chef Cellios from you're dying by like.

558
00:31:00,920 --> 00:31:02,520
Speaker 2: You got small dick disease.

559
00:31:02,760 --> 00:31:06,600
Speaker 1: Hah my, Like it is so busy.

560
00:31:09,360 --> 00:31:11,160
Speaker 2: You've got a boner disease.

561
00:31:26,240 --> 00:31:33,200
Speaker 1: Oh my god, I I'm literally crying. That's uge tears.

562
00:31:33,480 --> 00:31:37,400
Speaker 3: Cheff Chillios absolutely sounds like that, Like this is Chechells.

563
00:31:37,440 --> 00:31:39,480
Speaker 2: You got boner problems.

564
00:31:39,560 --> 00:31:43,400
Speaker 1: Yeah.

565
00:31:43,880 --> 00:31:46,880
Speaker 3: I live to make you laugh. So that is one

566
00:31:46,920 --> 00:31:49,520
Speaker 3: of my all time favorite clips.

567
00:31:50,520 --> 00:31:51,800
Speaker 1: It's so true.

568
00:31:53,320 --> 00:31:55,720
Speaker 2: You lost your mind. I love it.

569
00:31:56,240 --> 00:32:01,320
Speaker 1: I like the minute Chef Cillios happened, I could not

570
00:32:01,400 --> 00:32:06,840
Speaker 1: stop laughing. Even now, I'm like, oh my god, problems. Yeah,

571
00:32:06,920 --> 00:32:12,680
Speaker 1: that that name, that whole franchise, just everything about that.

572
00:32:13,280 --> 00:32:15,320
Speaker 2: And that That was a great episode in general.

573
00:32:15,360 --> 00:32:16,880
Speaker 3: That was That was one of our all the way

574
00:32:16,960 --> 00:32:19,520
Speaker 3: up episodes, which I don't think anyone ever really understood.

575
00:32:19,520 --> 00:32:22,760
Speaker 2: We've we've apparently introduced.

576
00:32:22,240 --> 00:32:28,480
Speaker 3: Some somewhat complex issues to the podcast, which did not

577
00:32:28,600 --> 00:32:31,880
Speaker 3: feel complex to us, but no one ever really got

578
00:32:31,920 --> 00:32:33,440
Speaker 3: all the way up, so we kind of just stopped

579
00:32:33,440 --> 00:32:33,840
Speaker 3: doing it.

580
00:32:34,760 --> 00:32:38,120
Speaker 1: At some point we were like, all right, nobody's getting it.

581
00:32:38,120 --> 00:32:40,640
Speaker 1: It's just making us laugh. At what point do we

582
00:32:40,760 --> 00:32:41,280
Speaker 1: call it?

583
00:32:41,680 --> 00:32:45,000
Speaker 3: Yeah, but this was a banger episode.

584
00:32:45,160 --> 00:32:47,440
Speaker 2: Oh please go listen to the whole thing. It is

585
00:32:47,520 --> 00:32:48,120
Speaker 2: so funny.

586
00:32:48,240 --> 00:32:49,240
Speaker 1: Yeah, yeah, for sure.

587
00:32:49,360 --> 00:32:53,640
Speaker 2: Oh good. This next clip comes from episode sixty four.

588
00:32:54,240 --> 00:32:58,959
Speaker 3: The title is The Chocolate Millionaire, where we discussed atonement

589
00:32:59,120 --> 00:33:00,960
Speaker 3: and all that haven't allows.

590
00:33:00,640 --> 00:33:02,160
Speaker 2: Is about these shitty little kids.

591
00:33:05,200 --> 00:33:08,560
Speaker 3: But I will say that I so I bought a

592
00:33:08,640 --> 00:33:12,160
Speaker 3: house about a year into the podcast, which became kind

593
00:33:12,200 --> 00:33:15,320
Speaker 3: of a especially for that first year, an ongoing discussion

594
00:33:15,360 --> 00:33:19,000
Speaker 3: about what I was experiencing in my house, primarily that

595
00:33:19,080 --> 00:33:21,960
Speaker 3: a bunch of men kept coming in to do work

596
00:33:22,000 --> 00:33:26,440
Speaker 3: on my house and making me feel small and making

597
00:33:26,440 --> 00:33:30,560
Speaker 3: me feel like shit, and just just engaging with a

598
00:33:30,680 --> 00:33:35,080
Speaker 3: level of misogyny that I hadn't in a long time.

599
00:33:35,400 --> 00:33:39,360
Speaker 2: Like so boldly. So this is now miss a palace

600
00:33:39,400 --> 00:33:42,880
Speaker 2: of missingry, and I.

601
00:33:42,840 --> 00:33:45,800
Speaker 3: Will only I'm gonna go so far as to have

602
00:33:45,920 --> 00:33:49,400
Speaker 3: those signs engraved. I'm gonna find a things remembered. I

603
00:33:49,440 --> 00:33:54,680
Speaker 3: will unearth the last things remembered in this nation, and

604
00:33:54,760 --> 00:33:57,440
Speaker 3: I'm having them fucking engraved.

605
00:33:57,240 --> 00:33:59,240
Speaker 2: Because I've absolutely fucking had it.

606
00:33:59,400 --> 00:34:03,560
Speaker 3: Like, sir, you're here to do one thing, drop off drywall.

607
00:34:04,200 --> 00:34:06,880
Speaker 3: I am not here for your unsolicited opinions about what

608
00:34:06,920 --> 00:34:09,640
Speaker 3: you would do if this was your house. The guy

609
00:34:09,640 --> 00:34:12,200
Speaker 3: who came to measure for my countertops, was like, Oh,

610
00:34:12,440 --> 00:34:14,640
Speaker 3: you're not gonna do a tileback pleasure, you do top backs,

611
00:34:15,080 --> 00:34:17,680
Speaker 3: I said, sir, I ordered what I ordered.

612
00:34:17,719 --> 00:34:20,080
Speaker 2: I want what I want. That sounds great, Do it

613
00:34:20,120 --> 00:34:22,120
Speaker 2: in your house? Yeah, okay.

614
00:34:22,280 --> 00:34:26,399
Speaker 1: Imagine if the fucking situation was reversed. Okay, imagine if

615
00:34:26,440 --> 00:34:31,759
Speaker 1: you walked into this guy's unfinished garage delivery drywall and

616
00:34:31,800 --> 00:34:33,799
Speaker 1: you just like walked around the joint being like, you

617
00:34:33,840 --> 00:34:36,640
Speaker 1: know what, be fucking cool in here is a fucking.

618
00:34:36,400 --> 00:34:40,600
Speaker 3: Cat cafe, right like, ah, this would be a great

619
00:34:40,640 --> 00:34:43,560
Speaker 3: fucking pussy hole or whatever, a man.

620
00:34:44,920 --> 00:34:51,680
Speaker 1: Pussy hole. If there is not a current cat cafe

621
00:34:51,800 --> 00:34:57,000
Speaker 1: called the pussy hole, I will I will walk into

622
00:34:57,040 --> 00:34:57,399
Speaker 1: the sea.

623
00:34:58,320 --> 00:35:00,480
Speaker 2: That could be our next act. That could be.

624
00:35:00,560 --> 00:35:02,920
Speaker 3: We have a lot of good business ideas on this pod,

625
00:35:03,840 --> 00:35:04,919
Speaker 3: and that should be one of them.

626
00:35:04,960 --> 00:35:09,759
Speaker 2: I was just so fucking mad just over this.

627
00:35:10,080 --> 00:35:12,160
Speaker 3: Just any simple thing that had to be done in

628
00:35:12,160 --> 00:35:14,520
Speaker 3: my house, if a man showed up, it was always

629
00:35:14,560 --> 00:35:16,279
Speaker 3: a fucking problem. Yeah.

630
00:35:16,320 --> 00:35:19,080
Speaker 1: Oh my god, they were giving so much unsolicited advice

631
00:35:19,120 --> 00:35:20,680
Speaker 1: to you in that time that I was just like

632
00:35:21,800 --> 00:35:23,760
Speaker 1: absolutely pissed on your behalf.

633
00:35:24,440 --> 00:35:25,759
Speaker 2: Oh my god, you made.

634
00:35:25,800 --> 00:35:30,920
Speaker 3: You actually had a very beautiful custom banner made for

635
00:35:30,960 --> 00:35:33,240
Speaker 3: me that now hangs above the bed in my guest

636
00:35:33,320 --> 00:35:37,120
Speaker 3: room because of this experience, and it says do write

637
00:35:37,160 --> 00:35:38,640
Speaker 3: and fear no man, and I.

638
00:35:38,600 --> 00:35:42,120
Speaker 1: Love it absolutely. That was like your mantra during this

639
00:35:42,160 --> 00:35:49,319
Speaker 1: ebsolutely sure. Okay, So this next clip, So I feel

640
00:35:49,360 --> 00:35:52,040
Speaker 1: like this episode was a real high point for us.

641
00:35:52,120 --> 00:35:56,839
Speaker 1: I feel like we we really like talked about this

642
00:35:57,239 --> 00:36:00,400
Speaker 1: for a long time afterwards because we both this episode

643
00:36:00,480 --> 00:36:03,000
Speaker 1: like sort of in a weird way to find the

644
00:36:03,040 --> 00:36:05,400
Speaker 1: podcast in certain ways, because we were just like going

645
00:36:05,440 --> 00:36:07,719
Speaker 1: really hard on both these movies, and it was this

646
00:36:07,840 --> 00:36:14,800
Speaker 1: very specific theme. It was about volcanoes, right, the Flora's lava.

647
00:36:15,280 --> 00:36:18,319
Speaker 1: Oh yeah, the Flora's Lava. We were like, oh, let's

648
00:36:18,320 --> 00:36:21,080
Speaker 1: talk about movies that featured volcanoes, which is such a

649
00:36:21,160 --> 00:36:23,280
Speaker 1: random thing to talk about, but it was really funny.

650
00:36:23,520 --> 00:36:25,480
Speaker 1: And then the ways in which we talked about both

651
00:36:25,480 --> 00:36:27,319
Speaker 1: these movies I think people were really connected to. But

652
00:36:27,400 --> 00:36:30,400
Speaker 1: it's from episode thirty four. The name of the episode

653
00:36:30,480 --> 00:36:35,280
Speaker 1: is called She's Blowing, She's Going, which is a direct

654
00:36:35,360 --> 00:36:38,279
Speaker 1: quote from one of our movies, and we talked about

655
00:36:38,320 --> 00:36:44,440
Speaker 1: of course, Joe versus volcano and Dante's peak. They're in

656
00:36:44,480 --> 00:36:49,239
Speaker 1: this acid lake which is eating this boat that they're in.

657
00:36:49,400 --> 00:36:52,440
Speaker 1: I mean, now I have question whether or not they

658
00:36:52,440 --> 00:36:54,839
Speaker 1: would have even had five seconds in this boat before

659
00:36:54,880 --> 00:36:58,360
Speaker 1: they were just like it was just destroyed by the

660
00:36:58,480 --> 00:37:02,280
Speaker 1: acid in this lake. But they're in the boat. They're

661
00:37:02,560 --> 00:37:06,040
Speaker 1: like getting there, They're getting there. They're singing fucking like

662
00:37:06,680 --> 00:37:10,359
Speaker 1: rounds of like what is it? Like, I'm like, what

663
00:37:10,400 --> 00:37:14,920
Speaker 1: the fuck? So suddenly the boat motor gets eaten okay

664
00:37:15,040 --> 00:37:17,840
Speaker 1: by the acid, and the boat's just sitting in the

665
00:37:17,920 --> 00:37:20,520
Speaker 1: river and they're like yards from the dock and they

666
00:37:20,520 --> 00:37:23,960
Speaker 1: can see it there, almost there, And in a truly

667
00:37:24,400 --> 00:37:30,800
Speaker 1: stunning fucking moment, the grandma jumps in the fucking lake

668
00:37:31,840 --> 00:37:41,680
Speaker 1: and pulls the boat to safety. And I screamed. I

669
00:37:42,000 --> 00:37:44,080
Speaker 1: screamed what this was happening.

670
00:37:44,600 --> 00:37:48,840
Speaker 3: Especially because the whole time she's been so obstinate, and

671
00:37:48,880 --> 00:37:52,800
Speaker 3: she's the reason that they're in taking a metal boat

672
00:37:52,880 --> 00:37:57,279
Speaker 3: across an acid lake. So I'm like, yeah, jump in

673
00:37:57,320 --> 00:37:59,240
Speaker 3: that fucking water and save your family.

674
00:37:59,239 --> 00:38:01,360
Speaker 2: You're the reason we are here, asshole.

675
00:38:02,239 --> 00:38:06,799
Speaker 1: And let me just tell you, she is sizzling when

676
00:38:06,800 --> 00:38:11,040
Speaker 1: they pull her out, Okay, Like I legit screamed, she

677
00:38:11,280 --> 00:38:23,680
Speaker 1: is sizzling' is not? I mean quite honestly. Pointing out

678
00:38:23,800 --> 00:38:27,279
Speaker 1: the plot holes in Dante's Peak was good one of

679
00:38:27,360 --> 00:38:31,839
Speaker 1: the most memorable moments of my life, let alone this podcast.

680
00:38:32,960 --> 00:38:35,799
Speaker 2: Mine as well.

681
00:38:35,840 --> 00:38:39,160
Speaker 3: I never looked that deeply at that film and you

682
00:38:39,280 --> 00:38:41,880
Speaker 3: had me rolling it.

683
00:38:42,280 --> 00:38:46,360
Speaker 1: We always love a stunning and dramatic grandma turn in

684
00:38:46,440 --> 00:38:49,360
Speaker 1: a film, Like anytime a grandma comes through for something,

685
00:38:49,600 --> 00:38:55,879
Speaker 1: we're always like on our feet, slow clapping. But yeah,

686
00:38:56,280 --> 00:38:58,719
Speaker 1: the whole thing about the acid like in Dante's Peak

687
00:38:58,800 --> 00:39:02,280
Speaker 1: is so stupid because it's like the acid lake destroyed

688
00:39:02,280 --> 00:39:03,320
Speaker 1: a boat motor.

689
00:39:04,320 --> 00:39:06,960
Speaker 3: Yeah, so why do think it wouldn't destroy the boat? Well,

690
00:39:07,200 --> 00:39:09,000
Speaker 3: the boat is the same metal.

691
00:39:09,760 --> 00:39:12,200
Speaker 1: And the fact that the grandma comes out of the

692
00:39:12,239 --> 00:39:16,480
Speaker 1: water with her skin was really impressive to It was like,

693
00:39:16,560 --> 00:39:18,480
Speaker 1: how is this even possible.

694
00:39:19,200 --> 00:39:21,759
Speaker 3: Especially because we had seen two bodies before in a

695
00:39:21,760 --> 00:39:24,719
Speaker 3: little pool, a little waiting pool that were like piranha,

696
00:39:24,800 --> 00:39:27,160
Speaker 3: so like style eaten alive.

697
00:39:28,400 --> 00:39:30,960
Speaker 2: From being in an acid lea. Oh my god.

698
00:39:31,160 --> 00:39:34,319
Speaker 1: I Dante's Peak just gives so much.

699
00:39:35,239 --> 00:39:38,440
Speaker 3: So it's a perfect fucking movie in so many ways,

700
00:39:39,080 --> 00:39:43,319
Speaker 3: as are the movies. In our next clip, This is

701
00:39:43,360 --> 00:39:44,560
Speaker 3: from episode thirty eight.

702
00:39:45,040 --> 00:39:48,000
Speaker 2: The title is ding Dong's in the Hinterland.

703
00:39:48,400 --> 00:39:52,600
Speaker 3: Which is a Millie special, and the movies we discussed

704
00:39:52,600 --> 00:39:56,719
Speaker 3: were Misery and Piranha. But this is also the origin

705
00:39:56,960 --> 00:40:02,200
Speaker 3: of another I saw what you did classic reference Annie,

706
00:40:02,360 --> 00:40:06,520
Speaker 3: because she's been kind of following him. She crow bars

707
00:40:06,600 --> 00:40:09,440
Speaker 3: him out of the car and drags him back to

708
00:40:09,520 --> 00:40:14,320
Speaker 3: her house with what I'm assuming is just a preternatural strength,

709
00:40:14,360 --> 00:40:16,280
Speaker 3: because she really drags him around a lot.

710
00:40:16,160 --> 00:40:16,760
Speaker 2: In this movie.

711
00:40:16,800 --> 00:40:19,319
Speaker 1: Oh yeah, she picks him up and carries him down

712
00:40:19,360 --> 00:40:23,480
Speaker 1: the stairs. I'm like, hell, yeah, my fucking James, my

713
00:40:23,560 --> 00:40:24,880
Speaker 1: fucking jim Queen.

714
00:40:27,160 --> 00:40:30,319
Speaker 3: Jesus God is a stocky guy, and she's like, I

715
00:40:30,360 --> 00:40:32,880
Speaker 3: do not need to do your TikTok weight workouts.

716
00:40:32,920 --> 00:40:36,000
Speaker 2: I'm just gonna throw Jimmy conn around for an hour.

717
00:40:36,239 --> 00:40:39,200
Speaker 1: I'm gonna deadlift Sonny Corleone.

718
00:40:40,600 --> 00:40:42,160
Speaker 2: Ah.

719
00:40:42,320 --> 00:40:45,600
Speaker 3: I want this episode to be called ding Dongs in

720
00:40:45,680 --> 00:40:55,440
Speaker 3: the Hinterland or Deadlifting Sonny COOLEO. Holy shit, this actually

721
00:40:55,560 --> 00:41:00,640
Speaker 3: kicked off for you a weightlifting goal or series of

722
00:41:00,719 --> 00:41:02,240
Speaker 3: goals in your real life.

723
00:41:02,440 --> 00:41:06,960
Speaker 1: Oh yeah, I mean this like this episode, This stupid

724
00:41:07,400 --> 00:41:11,520
Speaker 1: observation that we made was the launch pad for so

725
00:41:11,640 --> 00:41:15,920
Speaker 1: many things, like in my personal life. I was like, oh,

726
00:41:16,120 --> 00:41:20,440
Speaker 1: because it would be. It became this thing where we

727
00:41:20,440 --> 00:41:23,840
Speaker 1: we set it and then we used it as like

728
00:41:24,000 --> 00:41:27,920
Speaker 1: we just kept mentioning it as this like fitness challenge

729
00:41:29,440 --> 00:41:31,279
Speaker 1: that like we want to be we both want to

730
00:41:31,280 --> 00:41:35,040
Speaker 1: be strong enough to where we could potentially deadlift James.

731
00:41:34,719 --> 00:41:38,759
Speaker 3: Kahn right, which also resulted in us having to figure

732
00:41:38,800 --> 00:41:40,360
Speaker 3: out how much we thought James.

733
00:41:40,120 --> 00:41:42,600
Speaker 2: Con wait yeap at any given moment.

734
00:41:42,920 --> 00:41:46,200
Speaker 1: Absolutely, And then I was like, well, I should join

735
00:41:46,239 --> 00:41:49,840
Speaker 1: a weightlifting club so I could work towards this fucked

736
00:41:49,880 --> 00:41:53,360
Speaker 1: up goal that we mentioned on the podcast, And like

737
00:41:54,360 --> 00:41:59,840
Speaker 1: two years later, I'm still doing that shit. I was like, wow,

738
00:42:00,239 --> 00:42:02,720
Speaker 1: I can't believe that this like, and when I told

739
00:42:02,760 --> 00:42:07,640
Speaker 1: my coach about why, she was just like wait what

740
00:42:07,800 --> 00:42:10,160
Speaker 1: And I'm like, oh, it's a long story, but basically,

741
00:42:10,680 --> 00:42:13,239
Speaker 1: I do a podcast about movies and my my co

742
00:42:13,320 --> 00:42:16,080
Speaker 1: host and I talked about the movie Misery and bla blah.

743
00:42:16,120 --> 00:42:18,319
Speaker 1: I was like walking it back and then I started like,

744
00:42:18,440 --> 00:42:22,239
Speaker 1: as I was talking, I was like, nobody will get

745
00:42:22,280 --> 00:42:23,160
Speaker 1: this but us.

746
00:42:23,600 --> 00:42:27,680
Speaker 3: It was but us, No, this is just as wild

747
00:42:27,680 --> 00:42:29,919
Speaker 3: as I think it sounds in my head.

748
00:42:31,040 --> 00:42:33,160
Speaker 2: Oh, I just and then James con.

749
00:42:32,960 --> 00:42:35,680
Speaker 3: Had the fucking nerve to die right after we announced

750
00:42:35,680 --> 00:42:37,800
Speaker 3: this challenge, so then we had to include his coffin

751
00:42:37,840 --> 00:42:41,560
Speaker 3: and the deadlifting uh wait ratio.

752
00:42:43,840 --> 00:42:45,879
Speaker 2: And you were pasted it. I feel like you could

753
00:42:46,080 --> 00:42:48,040
Speaker 2: deadlift Sunny Corleone and his coffin.

754
00:42:48,200 --> 00:42:51,200
Speaker 1: Yeah, I I hope so I could. I could do

755
00:42:51,320 --> 00:42:55,319
Speaker 1: a one rep Max, I know that, but it's uh, yeah,

756
00:42:55,360 --> 00:42:57,640
Speaker 1: it was so funny how that's the origin for so

757
00:42:57,719 --> 00:43:03,320
Speaker 1: many other things. But yeah, that was a really fun episode. Okay,

758
00:43:03,360 --> 00:43:08,880
Speaker 1: so this next one is, uh what kind of STEMI

759
00:43:08,960 --> 00:43:11,879
Speaker 1: recent within the past year or so. It was from

760
00:43:11,920 --> 00:43:16,160
Speaker 1: episode one thirty nine and the episode was called the

761
00:43:16,280 --> 00:43:20,120
Speaker 1: Doodoo Room. I think you know which one we're talking about.

762
00:43:20,600 --> 00:43:24,520
Speaker 1: We're talking about the movie Saw and the movie Total Recall.

763
00:43:24,840 --> 00:43:29,080
Speaker 1: And this is one of the funniest things that you've

764
00:43:29,120 --> 00:43:30,160
Speaker 1: ever said on this podcast.

765
00:43:33,080 --> 00:43:38,160
Speaker 3: Danny Glover enters the scene as Detective David Tepp and

766
00:43:38,200 --> 00:43:41,360
Speaker 3: this was definitely my like, oh, you got divorced, your children,

767
00:43:41,440 --> 00:43:43,880
Speaker 3: your grandchildren need to go to college. Like en Ron

768
00:43:44,760 --> 00:43:48,080
Speaker 3: Bernie made off. Something happened that Danny Glover said yes

769
00:43:48,120 --> 00:43:52,799
Speaker 3: to this, and like you live in Texas in your

770
00:43:52,880 --> 00:43:54,680
Speaker 3: lights are going off all the time in the winter.

771
00:43:55,280 --> 00:43:59,920
Speaker 1: I love that we've connected Danny Glover to ed Row

772
00:44:00,040 --> 00:44:02,040
Speaker 1: on what do you remember.

773
00:44:01,760 --> 00:44:05,120
Speaker 3: When Kevin Bacon got Bernie madoffed, Like this shit happens,

774
00:44:05,200 --> 00:44:07,400
Speaker 3: y'all wait making the decision.

775
00:44:07,440 --> 00:44:10,600
Speaker 1: Danny Glover was working at ed Ron and lost his

776
00:44:12,239 --> 00:44:17,960
Speaker 1: lost his retirement fund. He now has to do the som.

777
00:44:18,080 --> 00:44:19,120
Speaker 2: Tried method acting.

778
00:44:19,239 --> 00:44:22,840
Speaker 3: He worked at Enron for a smooth ten years and

779
00:44:22,960 --> 00:44:27,320
Speaker 3: now he's doing sow there residual crying right now, crying.

780
00:44:29,800 --> 00:44:30,880
Speaker 2: There were so many.

781
00:44:30,640 --> 00:44:35,520
Speaker 1: Times where Dan Yelle would like gently float this like

782
00:44:35,960 --> 00:44:39,239
Speaker 1: idea on the podcast to where it was like a

783
00:44:39,320 --> 00:44:41,800
Speaker 1: real person's life. But then she would just like drop

784
00:44:41,880 --> 00:44:44,960
Speaker 1: in this like fake mythology about them, and we would

785
00:44:44,960 --> 00:44:48,120
Speaker 1: always joke like, oh, we should just change the Wikipedia

786
00:44:48,680 --> 00:44:51,600
Speaker 1: of this famous person, this actual person in real life

787
00:44:51,640 --> 00:44:54,680
Speaker 1: to reflect whatever it is that you said. And this

788
00:44:54,800 --> 00:44:57,040
Speaker 1: is so funny to me, the idea that like you

789
00:44:57,080 --> 00:45:00,200
Speaker 1: were just like, oh, yeah, Danny Glover worked at Enron.

790
00:45:08,680 --> 00:45:11,279
Speaker 2: He's a method he's a method actor. He goes deep.

791
00:45:15,000 --> 00:45:16,680
Speaker 1: And then it was like, oh, fuck, I gotta do

792
00:45:16,760 --> 00:45:19,640
Speaker 1: these saw movies now because I need money, I need

793
00:45:19,680 --> 00:45:21,080
Speaker 1: my retirement.

794
00:45:21,080 --> 00:45:23,239
Speaker 3: And Ron fucked me out of my retirement, which I

795
00:45:23,239 --> 00:45:26,279
Speaker 3: probably wasn't gonna take anyway, because I am a And

796
00:45:26,400 --> 00:45:30,239
Speaker 3: I set this up in the episode when discussing this

797
00:45:30,320 --> 00:45:35,120
Speaker 3: film a star of stage and screen, like a legacy actor,

798
00:45:36,520 --> 00:45:38,520
Speaker 3: and I'm like, well, he must be doing saw because

799
00:45:38,800 --> 00:45:42,640
Speaker 3: something happened and it must have been Enron.

800
00:45:44,760 --> 00:45:49,640
Speaker 1: Berdie made off en Ron. Oh my god, cracks me up.

801
00:45:50,000 --> 00:45:51,960
Speaker 2: Oh that episode. That episode was great.

802
00:45:52,000 --> 00:45:54,120
Speaker 3: But I have to say our next clip is from

803
00:45:54,200 --> 00:45:57,680
Speaker 3: the episode directly after it, and these two episodes combined

804
00:45:57,880 --> 00:46:00,879
Speaker 3: are my absolute favorite one two that we've ever done.

805
00:46:01,920 --> 00:46:06,440
Speaker 3: So the next clip is from episode the title was

806
00:46:06,560 --> 00:46:10,000
Speaker 3: The Boondock Aints, where we talked about Boondock Saints and

807
00:46:10,040 --> 00:46:14,160
Speaker 3: goodwill hunting, and I feel like I disassociated and lost

808
00:46:14,200 --> 00:46:16,640
Speaker 3: my actual mind while we were talking about the Boondock Saints.

809
00:46:17,800 --> 00:46:21,799
Speaker 3: I have jobs, as you know, their butchers, Yes, so

810
00:46:21,840 --> 00:46:26,279
Speaker 3: they do their butcher job during the day and then

811
00:46:26,320 --> 00:46:28,520
Speaker 3: they become human butchers at night.

812
00:46:29,440 --> 00:46:34,800
Speaker 1: Oh my god, various stute observation.

813
00:46:35,280 --> 00:46:36,120
Speaker 2: Don't get me right.

814
00:46:36,160 --> 00:46:39,960
Speaker 3: In Boondock Saints three, I would do a better job.

815
00:46:41,800 --> 00:46:43,799
Speaker 1: What would you call Boondock Saints three?

816
00:46:43,880 --> 00:46:44,960
Speaker 2: By the way, I would.

817
00:46:44,760 --> 00:46:49,560
Speaker 3: Call it Boondock Saints three. I can't believe we have

818
00:46:49,680 --> 00:46:56,760
Speaker 3: another chance at this shit. Boondock Saints three, toxic masculinity

819
00:46:57,160 --> 00:46:58,080
Speaker 3: shows up again.

820
00:47:02,280 --> 00:47:05,680
Speaker 1: Oh my god, more like Boondock Aints.

821
00:47:07,320 --> 00:47:09,560
Speaker 3: Oh why did you ask me what I would call it?

822
00:47:09,600 --> 00:47:12,360
Speaker 3: And you just had that in your pocket? That's perfect

823
00:47:12,560 --> 00:47:16,520
Speaker 3: boon Dock Saints three more like Boondock As.

824
00:47:18,880 --> 00:47:26,440
Speaker 1: My god, I'm always advocating for you to do sequels

825
00:47:26,880 --> 00:47:30,799
Speaker 1: to yes classic films, and uh.

826
00:47:30,800 --> 00:47:33,080
Speaker 3: I'm I'm gonna have to go back through and listen

827
00:47:33,160 --> 00:47:34,920
Speaker 3: and take you up on some of those, because this

828
00:47:36,080 --> 00:47:37,880
Speaker 3: was fucking hilarious.

829
00:47:38,120 --> 00:47:42,319
Speaker 1: Yeah. Oh man, the like I the whole episode about

830
00:47:42,360 --> 00:47:45,200
Speaker 1: Boon Talk Saints was, I mean, I had never seen

831
00:47:45,239 --> 00:47:47,360
Speaker 1: it before, and like again, if you go back and

832
00:47:47,480 --> 00:47:49,680
Speaker 1: listen to that episode, there's just all of this like

833
00:47:49,800 --> 00:47:54,320
Speaker 1: weird Hollywood mythology around that movie and the people involved

834
00:47:54,320 --> 00:47:56,480
Speaker 1: in that movie. And so when we finally watched it,

835
00:47:56,800 --> 00:48:00,120
Speaker 1: I think we were having like genuine reactions to it,

836
00:48:00,160 --> 00:48:03,359
Speaker 1: Like we were both like what the fuck is going on?

837
00:48:03,440 --> 00:48:06,200
Speaker 1: And I just love the idea of just like picking

838
00:48:06,239 --> 00:48:08,719
Speaker 1: it apart. And that's like one of my favorite things

839
00:48:08,719 --> 00:48:10,560
Speaker 1: to do on this podcast, is she just like ask

840
00:48:10,640 --> 00:48:11,839
Speaker 1: the questions right.

841
00:48:12,120 --> 00:48:16,359
Speaker 3: Absolutely absolutely loved it, loved it, loved it.

842
00:48:16,719 --> 00:48:22,960
Speaker 1: Okay, So this this next clip, uh is from episode

843
00:48:22,960 --> 00:48:25,080
Speaker 1: one thirty five. It was called I Was a teenage

844
00:48:25,160 --> 00:48:29,279
Speaker 1: Edgelord and we talk about the movie Seven and the

845
00:48:29,320 --> 00:48:32,359
Speaker 1: movie No Country for Old Men, and I feel like

846
00:48:33,520 --> 00:48:37,160
Speaker 1: we were in this like weird moment of movies where

847
00:48:37,200 --> 00:48:41,440
Speaker 1: we had seen like multiple movies in a row about

848
00:48:41,480 --> 00:48:49,279
Speaker 1: like intelligent serial killers and we were both annoyed by it.

849
00:48:49,360 --> 00:48:51,440
Speaker 1: We were both like, oh my god, like what, like

850
00:48:51,800 --> 00:48:54,440
Speaker 1: what are these movies about these like serial killers that

851
00:48:54,480 --> 00:48:59,120
Speaker 1: are just like very detail oriented, like cause it was Saw,

852
00:48:59,320 --> 00:49:02,439
Speaker 1: like the movie four was Saw. That's about another It's

853
00:49:02,480 --> 00:49:05,960
Speaker 1: like a lot of like setup for these for these characters.

854
00:49:05,960 --> 00:49:08,440
Speaker 1: And we were like asking the question, like what the fuck?

855
00:49:08,640 --> 00:49:12,719
Speaker 1: And I think that's what inspired this conversation for us.

856
00:49:13,719 --> 00:49:16,640
Speaker 3: I hate that scene to this day. It's so graphic.

857
00:49:17,160 --> 00:49:19,040
Speaker 3: I'm just gonna say, there's a knife, dick involved.

858
00:49:19,520 --> 00:49:23,719
Speaker 1: Yeah, the dick knife. This is again annoying, and the

859
00:49:23,800 --> 00:49:28,759
Speaker 1: serial killer sucks so bad. He's so annoying. He's had

860
00:49:28,800 --> 00:49:32,240
Speaker 1: to go to like get a custom dick knife made

861
00:49:32,719 --> 00:49:34,520
Speaker 1: to enact his stupid crimes.

862
00:49:36,320 --> 00:49:39,319
Speaker 2: There's nothing funnier to me than you getting angry at

863
00:49:39,320 --> 00:49:44,840
Speaker 2: a serial killer for out they are. We get it.

864
00:49:44,880 --> 00:49:46,719
Speaker 2: You're smart and lonely, we get it.

865
00:49:46,960 --> 00:49:49,160
Speaker 1: And you hate everybody so much.

866
00:49:49,120 --> 00:49:50,440
Speaker 2: Join the goddamn club.

867
00:49:51,840 --> 00:49:54,160
Speaker 3: None of us around here making knife dicks, just because

868
00:49:54,160 --> 00:49:55,320
Speaker 3: we're part of the human condition.

869
00:49:57,880 --> 00:50:02,040
Speaker 2: So by the time we can't to fucking we're like,

870
00:50:02,120 --> 00:50:04,000
Speaker 2: wait a minute, what's going on here?

871
00:50:04,440 --> 00:50:06,640
Speaker 3: We still got two fucking killings to go, or two

872
00:50:06,840 --> 00:50:12,040
Speaker 3: you know, killings to go, and Somerset abounds to fucking retire. Well,

873
00:50:12,040 --> 00:50:16,160
Speaker 3: don't worry, because the killer walks himself into the precinct

874
00:50:16,360 --> 00:50:17,480
Speaker 3: and turns himself in.

875
00:50:18,040 --> 00:50:18,320
Speaker 1: Yep.

876
00:50:18,719 --> 00:50:22,400
Speaker 2: And this is why I chose this for this theme.

877
00:50:23,040 --> 00:50:24,680
Speaker 3: Okay, even though I don't want to, I know it's

878
00:50:24,880 --> 00:50:26,400
Speaker 3: probably some of your probably like it's so unfair that

879
00:50:26,440 --> 00:50:29,160
Speaker 3: you don't want to talk about the killer. I chose

880
00:50:29,200 --> 00:50:31,480
Speaker 3: this because this is a killer who would have who

881
00:50:31,480 --> 00:50:33,560
Speaker 3: would have gotten away with it fully if he hadn't

882
00:50:33,560 --> 00:50:38,760
Speaker 3: walked himself into the police station, but who also still

883
00:50:38,880 --> 00:50:42,880
Speaker 3: gets away with it after he's caught. I will explain,

884
00:50:43,200 --> 00:50:47,120
Speaker 3: because the last two murders still take place, so he

885
00:50:47,160 --> 00:50:50,520
Speaker 3: doesn't turn himself in until he knows he has completed

886
00:50:50,520 --> 00:50:51,040
Speaker 3: his cycle.

887
00:50:51,920 --> 00:50:55,400
Speaker 2: Yes, brilliant, fucking brilliant.

888
00:50:55,560 --> 00:50:58,560
Speaker 1: And he's like, I can't wait for you to see it.

889
00:50:59,000 --> 00:51:11,680
Speaker 1: Oh shut up, Ah, so annoying. In ninety five, this

890
00:51:11,840 --> 00:51:17,200
Speaker 1: was all terror, terror filled details, Like I was like,

891
00:51:17,600 --> 00:51:19,520
Speaker 1: I can't believe a man would do that. I can't

892
00:51:19,560 --> 00:51:22,400
Speaker 1: believe that that would happen. This guy is so insane

893
00:51:22,520 --> 00:51:25,360
Speaker 1: he's done this, and now I'm like god because he

894
00:51:25,440 --> 00:51:27,560
Speaker 1: has a lot of pomp and circumstance at the end,

895
00:51:27,640 --> 00:51:30,160
Speaker 1: like this is to your exact point. It's like the

896
00:51:30,239 --> 00:51:32,720
Speaker 1: thing that's like he got away with it. Oh good

897
00:51:32,800 --> 00:51:39,840
Speaker 1: for you, aren't you cute with your fucking like murderous

898
00:51:39,960 --> 00:51:56,120
Speaker 1: Rube Goldberg bullshit like Rube Goldberg murder Still irritating as fuck. Man.

899
00:51:58,680 --> 00:52:03,480
Speaker 3: I love how genuinely irritated you are and were at

900
00:52:03,520 --> 00:52:04,360
Speaker 3: this concept.

901
00:52:04,440 --> 00:52:06,000
Speaker 2: It cracked me the fuck up.

902
00:52:06,120 --> 00:52:09,520
Speaker 1: Oh, it's like looking into the mirror of like a

903
00:52:09,560 --> 00:52:12,680
Speaker 1: deep seated nerdiness. It's like, Oh, here's a fucking serial

904
00:52:12,719 --> 00:52:16,720
Speaker 1: killer that's such a nerd, such a detail oriented nerd,

905
00:52:16,760 --> 00:52:21,719
Speaker 1: that he's gonna create this entire infrastructure to make these crimes,

906
00:52:21,880 --> 00:52:24,000
Speaker 1: Like just fucking kill somebody. Why do you have to

907
00:52:24,080 --> 00:52:27,239
Speaker 1: do the like, you know, the setups of all of

908
00:52:27,280 --> 00:52:29,960
Speaker 1: this intricate shit. I just in that moment, I was like,

909
00:52:30,400 --> 00:52:32,759
Speaker 1: fuck these dudes like.

910
00:52:33,000 --> 00:52:41,279
Speaker 3: Just just hand up his own ass making me do homework.

911
00:52:42,880 --> 00:52:49,879
Speaker 2: Fucking algebra, algorithmic equations. Yeah, riddle, kill riddles, like.

912
00:52:49,880 --> 00:52:53,200
Speaker 1: All these fucking riddles. I'm just like, come on, just

913
00:52:53,200 --> 00:52:57,200
Speaker 1: like kill people in the old style. Why do we thing?

914
00:52:57,280 --> 00:52:59,640
Speaker 2: You know? No, the killing is bad enough.

915
00:53:00,320 --> 00:53:02,279
Speaker 3: Threw me over the edge for this shit, like, oh,

916
00:53:02,280 --> 00:53:04,520
Speaker 3: you want me to crawl through barbed wire and solve

917
00:53:04,560 --> 00:53:10,040
Speaker 3: a fucking lock like locking key puzzle and then do

918
00:53:10,120 --> 00:53:12,280
Speaker 3: a crossword and I only have ten minutes.

919
00:53:12,320 --> 00:53:14,960
Speaker 2: I'm like, fuck you, and I'm just dying, I know.

920
00:53:15,040 --> 00:53:17,040
Speaker 1: And this is like the thing that is so annoying

921
00:53:17,080 --> 00:53:19,399
Speaker 1: to me is that so much of it depends on

922
00:53:19,960 --> 00:53:25,840
Speaker 1: what that this fucking murderous psycho feels like should happen

923
00:53:25,880 --> 00:53:27,560
Speaker 1: in order for the next part. You're like, you've got

924
00:53:27,600 --> 00:53:29,719
Speaker 1: to set up a domino for it's a fall. And

925
00:53:29,800 --> 00:53:31,640
Speaker 1: so that's the thing is that in so in particular,

926
00:53:31,719 --> 00:53:34,800
Speaker 1: it's like, oh, like, let's hope that Carrie Elvis pulls

927
00:53:34,840 --> 00:53:38,320
Speaker 1: his fucking wallet out, because the rest of the movie

928
00:53:38,360 --> 00:53:41,560
Speaker 1: won't happen. If that happenstly, you know, if that doesn't happen,

929
00:53:41,640 --> 00:53:44,560
Speaker 1: and I just am like, fuck these serial killers, man.

930
00:53:45,239 --> 00:53:48,080
Speaker 3: Well, it delights me how much how much you don't

931
00:53:48,200 --> 00:53:52,040
Speaker 3: like the movie serial Killer and the reasons why it's just.

932
00:53:51,960 --> 00:53:54,719
Speaker 1: Because they're deep nerds and I can't take it.

933
00:53:55,840 --> 00:54:00,879
Speaker 2: They're annoying set up based on their nerd.

934
00:54:01,360 --> 00:54:05,600
Speaker 1: Well, okay, this is the last one. Huh, last clip, people.

935
00:54:05,360 --> 00:54:07,520
Speaker 3: The last clip, the last clip we pulled, and I

936
00:54:07,560 --> 00:54:10,360
Speaker 3: think you just set this one up too well.

937
00:54:10,480 --> 00:54:13,160
Speaker 1: The reason, the reason why I picked this one and

938
00:54:13,239 --> 00:54:16,960
Speaker 1: ultimately like this is from our most pretty recent episode,

939
00:54:17,000 --> 00:54:20,520
Speaker 1: episode one sixty one is good. I'm your therapist. I

940
00:54:20,520 --> 00:54:24,560
Speaker 1: can't even say it. I'm your therapist now, bitch. We

941
00:54:24,719 --> 00:54:29,120
Speaker 1: talked about uh, movies featuring you know, like guests, like

942
00:54:29,200 --> 00:54:32,800
Speaker 1: house guests, right, so we picked the guests at mad House.

943
00:54:32,840 --> 00:54:37,319
Speaker 1: And I feel like this is the joy of doing

944
00:54:37,320 --> 00:54:40,719
Speaker 1: this podcast with you because we're the same around the

945
00:54:40,719 --> 00:54:45,880
Speaker 1: same age. We have the same references for like music, movies,

946
00:54:45,920 --> 00:54:51,360
Speaker 1: and culture. And it's like this moment was so funny

947
00:54:51,360 --> 00:54:54,360
Speaker 1: to me because it really like was very specific about

948
00:54:54,400 --> 00:54:57,520
Speaker 1: like stuff that we had grown up with, and it

949
00:54:57,680 --> 00:55:00,960
Speaker 1: just makes me fucking laugh even to this day. One

950
00:55:01,000 --> 00:55:03,480
Speaker 1: of the best things that happens in this movie is

951
00:55:03,520 --> 00:55:09,360
Speaker 1: that Dan Stevens at one point is throwing grenades to

952
00:55:09,719 --> 00:55:15,359
Speaker 1: the song because I Love You the Postman song by

953
00:55:15,480 --> 00:55:16,520
Speaker 1: Stevie b.

954
00:55:17,840 --> 00:55:23,400
Speaker 3: That makes the entire movie for me. That scene makes

955
00:55:23,480 --> 00:55:25,480
Speaker 3: the whole fucking movie for me.

956
00:55:29,560 --> 00:55:34,040
Speaker 1: I like, that was such a middle school song, and

957
00:55:34,080 --> 00:55:36,120
Speaker 1: then he just brought it all together. I was like,

958
00:55:36,200 --> 00:55:38,600
Speaker 1: this is exactly what needs to be happening right now.

959
00:55:38,640 --> 00:55:40,279
Speaker 2: I was like, how do you see what's next? Is

960
00:55:40,920 --> 00:55:43,919
Speaker 2: he gonna stab someone to I'll be sure what's going on?

961
00:55:45,880 --> 00:55:51,280
Speaker 2: Let me tell you. Hell feel the bed, didn't they snap? Stapsad?

962
00:55:52,280 --> 00:55:53,920
Speaker 2: I was like, if you pull out.

963
00:55:54,640 --> 00:56:01,800
Speaker 1: Assault rifle to Tevin Campbell, I'm in, like, can we

964
00:56:02,000 --> 00:56:07,560
Speaker 1: talk for a minute, not fucking I'll be sure. I

965
00:56:07,600 --> 00:56:08,759
Speaker 1: can't even believe you.

966
00:56:09,239 --> 00:56:11,800
Speaker 2: Oh Not'm Tavin Campbell?

967
00:56:15,840 --> 00:56:19,319
Speaker 1: Oh my god? That Yeah, that shit made me laugh

968
00:56:19,680 --> 00:56:20,640
Speaker 1: so hard.

969
00:56:21,480 --> 00:56:22,880
Speaker 2: What I still does.

970
00:56:23,440 --> 00:56:26,160
Speaker 3: It still does because, like you said the references, it's

971
00:56:26,200 --> 00:56:29,400
Speaker 3: just so easy to do this podcast with you because

972
00:56:29,400 --> 00:56:32,000
Speaker 3: it's and it's so fun to do this podcast with you.

973
00:56:32,120 --> 00:56:33,320
Speaker 2: It has been wonderful.

974
00:56:33,640 --> 00:56:36,640
Speaker 3: Yeah, because of stuff like this, You're exactly right like

975
00:56:36,719 --> 00:56:39,760
Speaker 3: that that clip is us.

976
00:56:39,520 --> 00:56:43,440
Speaker 1: Yeah, in a nutshell, And that's like, I'm gonna get

977
00:56:43,440 --> 00:56:46,080
Speaker 1: a little sentimental here, only because I feel like we can.

978
00:56:46,920 --> 00:56:53,399
Speaker 1: But there is such an ease of talking to you

979
00:56:54,560 --> 00:56:58,080
Speaker 1: and getting the pleasure of doing that every week, pretty

980
00:56:58,120 --> 00:56:59,960
Speaker 1: much every week, multiple times a week, for the past

981
00:57:00,160 --> 00:57:04,680
Speaker 1: four years. That is one of the most special things

982
00:57:04,840 --> 00:57:07,200
Speaker 1: I think in my life is to be you know how,

983
00:57:07,320 --> 00:57:08,960
Speaker 1: I've talked about this. I've got a record about this.

984
00:57:09,000 --> 00:57:12,799
Speaker 1: I've always I always tell think and perceive that I'm like,

985
00:57:13,280 --> 00:57:16,320
Speaker 1: you know, complicated and no one gets me, and I'm

986
00:57:16,520 --> 00:57:19,400
Speaker 1: you know this and that, but honestly, like you get me,

987
00:57:19,720 --> 00:57:23,160
Speaker 1: like you get It's like I can say some stupid

988
00:57:23,200 --> 00:57:25,800
Speaker 1: shit like that and you you know exactly what I'm

989
00:57:25,840 --> 00:57:31,560
Speaker 1: talking about, and that is That's what life is about,

990
00:57:32,320 --> 00:57:34,560
Speaker 1: is to be understood in that way. And I just

991
00:57:34,600 --> 00:57:36,160
Speaker 1: have to say it, like I just have to.

992
00:57:36,880 --> 00:57:40,440
Speaker 3: Well that makes me want to cry, and I agree

993
00:57:40,880 --> 00:57:45,920
Speaker 3: completely because it's it's beyond just the references. It's like

994
00:57:46,000 --> 00:57:48,040
Speaker 3: you said, the ease of talking to you and just

995
00:57:48,080 --> 00:57:51,720
Speaker 3: being myself, yeah, and being able to just be ourselves

996
00:57:52,160 --> 00:57:55,680
Speaker 3: and learning more about you and learning more about you

997
00:57:55,720 --> 00:57:58,240
Speaker 3: know what makes you laugh and the references that you love,

998
00:57:58,360 --> 00:58:01,640
Speaker 3: and it's it's it's so similar for both of us

999
00:58:01,720 --> 00:58:05,760
Speaker 3: that it's really a friendship enhancer. Yeah, like nothing I've

1000
00:58:05,800 --> 00:58:09,120
Speaker 3: ever experienced. It's just been so special, And like you said,

1001
00:58:09,120 --> 00:58:11,080
Speaker 3: we've been able to do this multiple times a week

1002
00:58:11,160 --> 00:58:16,200
Speaker 3: sometimes for four years, which is just the best feeling

1003
00:58:16,360 --> 00:58:17,040
Speaker 3: in the world.

1004
00:58:17,320 --> 00:58:17,600
Speaker 2: Yeah.

1005
00:58:17,600 --> 00:58:21,360
Speaker 1: Oh, I totally agree. And it's like, you know, we

1006
00:58:21,640 --> 00:58:26,040
Speaker 1: were able to talk about like serious stuff. We've cried

1007
00:58:26,120 --> 00:58:28,880
Speaker 1: on this podcast. We've you know, talked about really hard things,

1008
00:58:28,880 --> 00:58:32,600
Speaker 1: but we've also laughed so much and have had and

1009
00:58:32,760 --> 00:58:35,560
Speaker 1: we have like a little language between us that I

1010
00:58:35,560 --> 00:58:37,960
Speaker 1: feel like our listeners really picked up on. And I

1011
00:58:38,000 --> 00:58:41,640
Speaker 1: appreciate that too, because it is like, you know a

1012
00:58:41,720 --> 00:58:44,640
Speaker 1: moment where you're like, oh, I'm doing this thing. I'm

1013
00:58:44,680 --> 00:58:47,560
Speaker 1: having this kind of like weekly conversation with somebody. We

1014
00:58:47,640 --> 00:58:50,840
Speaker 1: know each other, we get each other, but then like

1015
00:58:50,920 --> 00:58:54,240
Speaker 1: does that translate to other people? And I mean I

1016
00:58:54,320 --> 00:58:58,280
Speaker 1: was so surprised about the reactions that we were getting

1017
00:58:58,360 --> 00:59:02,120
Speaker 1: from listeners because it was like they totally understood the references.

1018
00:59:02,120 --> 00:59:04,200
Speaker 1: They totally got it, they understood like what we were

1019
00:59:04,200 --> 00:59:06,680
Speaker 1: trying to, you know, Uncover when we were like going

1020
00:59:06,720 --> 00:59:10,120
Speaker 1: hard on some of these movies. And yeah, I mean

1021
00:59:10,160 --> 00:59:12,480
Speaker 1: I got to say as somebody who just really like

1022
00:59:12,880 --> 00:59:18,080
Speaker 1: really just you know, makes compassion and empathy and being

1023
00:59:18,160 --> 00:59:20,880
Speaker 1: understood like a priority, and like it's it's I know

1024
00:59:20,920 --> 00:59:23,600
Speaker 1: you feel the same way too. It is a great feeling.

1025
00:59:23,920 --> 00:59:27,680
Speaker 1: So I just have to say, is I'm.

1026
00:59:27,040 --> 00:59:29,800
Speaker 2: Glad you I'm glad you did.

1027
00:59:30,480 --> 00:59:32,720
Speaker 3: I love this too, And it's it's something special that

1028
00:59:32,800 --> 00:59:35,640
Speaker 3: I've also noticed, which now is it's tend to be

1029
00:59:35,680 --> 00:59:36,520
Speaker 3: a little sentimental.

1030
00:59:37,880 --> 00:59:40,600
Speaker 2: I feel like You've never been.

1031
00:59:42,320 --> 00:59:44,520
Speaker 3: Like a wilting flower at all. You've always been super

1032
00:59:44,560 --> 00:59:48,280
Speaker 3: funny and out there. But I feel like this podcast

1033
00:59:48,440 --> 00:59:52,360
Speaker 3: opened you up in a different way to your own

1034
00:59:52,400 --> 00:59:55,680
Speaker 3: capabilities and how to how you could be vulnerable and

1035
00:59:55,720 --> 00:59:58,800
Speaker 3: present yourself to people, because I think that was a

1036
00:59:58,800 --> 01:00:00,600
Speaker 3: fear of yours in the beginning, you know, like how

1037
01:00:00,680 --> 01:00:02,400
Speaker 3: much should I say or could I say? A lot

1038
01:00:02,480 --> 01:00:04,040
Speaker 3: of it was because of the job you had at

1039
01:00:04,040 --> 01:00:07,920
Speaker 3: the time, but I think it really just helped you

1040
01:00:07,960 --> 01:00:10,360
Speaker 3: realize that what you were just saying about how people

1041
01:00:10,400 --> 01:00:15,080
Speaker 3: connected to what we were saying. I felt the shift

1042
01:00:15,120 --> 01:00:18,560
Speaker 3: of you feeling more at ease with talking about yourself

1043
01:00:18,680 --> 01:00:20,480
Speaker 3: and talking about things that were important to you, which

1044
01:00:20,520 --> 01:00:21,240
Speaker 3: I just love.

1045
01:00:21,480 --> 01:00:24,479
Speaker 1: Yeah. Well, and you know, to give you a little

1046
01:00:24,480 --> 01:00:31,080
Speaker 1: bit more compliment, you helped me do that, like your vulnerability,

1047
01:00:31,480 --> 01:00:36,960
Speaker 1: your ability to you know, go into what you're thinking

1048
01:00:37,040 --> 01:00:39,560
Speaker 1: and your deep thoughts and your emotions and be able

1049
01:00:39,600 --> 01:00:42,240
Speaker 1: to like you have that bravery to talk about it

1050
01:00:42,280 --> 01:00:47,200
Speaker 1: really encouraged me to be more honest about things, which

1051
01:00:47,240 --> 01:00:50,960
Speaker 1: is like, you know, I think I've learned and grown

1052
01:00:51,000 --> 01:00:54,800
Speaker 1: a lot on this podcast. I mean, it's weird to

1053
01:00:54,840 --> 01:00:57,240
Speaker 1: say it because it's like a public place, you know,

1054
01:00:57,320 --> 01:00:59,200
Speaker 1: But at the same time, you yeah, I mean you

1055
01:00:59,240 --> 01:01:03,000
Speaker 1: were completely influential in me doing that. So I have

1056
01:01:03,120 --> 01:01:05,640
Speaker 1: you to think making me a better and honest, more

1057
01:01:05,680 --> 01:01:07,320
Speaker 1: honest person. You're the best.

1058
01:01:07,440 --> 01:01:09,320
Speaker 3: It's it's because I'm I'm mentally ill and I've been

1059
01:01:09,320 --> 01:01:10,520
Speaker 3: in therapy for twenty years.

1060
01:01:10,560 --> 01:01:17,080
Speaker 1: So listen, we're all mentally ill. We're all together in

1061
01:01:17,120 --> 01:01:20,920
Speaker 1: the Acid Lake together, so why not.

1062
01:01:21,000 --> 01:01:22,920
Speaker 2: We're all sizzling, we are all.

1063
01:01:25,480 --> 01:01:25,640
Speaker 3: Ah.

1064
01:01:26,000 --> 01:01:30,480
Speaker 1: Well, we hope you enjoyed this little, uh like this

1065
01:01:30,560 --> 01:01:34,720
Speaker 1: little time machine episode that we've done. Like you said,

1066
01:01:34,760 --> 01:01:38,040
Speaker 1: I think it was the last episode all of our

1067
01:01:38,320 --> 01:01:41,840
Speaker 1: prior episodes will still be available on the on the

1068
01:01:41,840 --> 01:01:47,560
Speaker 1: feeds on your favorite podcast platform. Uh so listen, it's

1069
01:01:47,560 --> 01:01:50,120
Speaker 1: still there. You still have an opportunity to tell people

1070
01:01:50,120 --> 01:01:51,840
Speaker 1: about us if they want to go back and start

1071
01:01:51,840 --> 01:01:54,080
Speaker 1: from the beginning and you know, figure it all out,

1072
01:01:54,160 --> 01:01:56,920
Speaker 1: and uh well yeah, those will be up forever, so

1073
01:01:57,480 --> 01:01:58,040
Speaker 1: check it out.

1074
01:01:59,760 --> 01:02:03,240
Speaker 3: And and we do have some great films for you

1075
01:02:03,520 --> 01:02:05,560
Speaker 3: next week for our last episode.

1076
01:02:05,560 --> 01:02:06,160
Speaker 2: You do have.

1077
01:02:06,120 --> 01:02:09,480
Speaker 3: Homework, Yes, you do, so, Millie, do you want to

1078
01:02:09,520 --> 01:02:14,320
Speaker 3: tell them what their last homework assignment is for next week?

1079
01:02:15,040 --> 01:02:19,040
Speaker 1: Yes? I will. It's a bittersweet moment, you're we're giving

1080
01:02:19,120 --> 01:02:22,960
Speaker 1: your last bit of homework. So the movies for the

1081
01:02:23,080 --> 01:02:28,120
Speaker 1: last episode of I Saw What You Did are Alien

1082
01:02:28,440 --> 01:02:33,959
Speaker 1: from nineteen seventy nine and Faster Postycat Kill Kill from

1083
01:02:34,040 --> 01:02:35,800
Speaker 1: nineteen sixty five.

1084
01:02:36,960 --> 01:02:39,880
Speaker 2: Uh I love the theme so much.

1085
01:02:40,560 --> 01:02:41,720
Speaker 1: Will they guess the theme?

1086
01:02:42,600 --> 01:02:43,840
Speaker 2: Litt they? Well, they will?

1087
01:02:43,840 --> 01:02:46,880
Speaker 3: This be the one where someone finally guesses the theme.

1088
01:02:47,240 --> 01:02:49,600
Speaker 3: I know, as people have commented and said I'm zero

1089
01:02:49,680 --> 01:02:52,560
Speaker 3: for one hundred and sixty or whatever they've never gotten it,

1090
01:02:53,080 --> 01:02:55,000
Speaker 3: will this be the one?

1091
01:02:55,480 --> 01:02:59,520
Speaker 1: And they have to get every single correct or else

1092
01:02:59,520 --> 01:02:59,960
Speaker 1: they're wrong.

1093
01:03:01,160 --> 01:03:05,080
Speaker 2: So yeah, for this one, same rules apply. We're not.

1094
01:03:05,160 --> 01:03:07,520
Speaker 3: We're not letting up on the gas just because this

1095
01:03:07,600 --> 01:03:09,800
Speaker 3: is the last episode. You got to guess the actual

1096
01:03:09,880 --> 01:03:11,720
Speaker 3: whole every word that's right.

1097
01:03:11,880 --> 01:03:12,280
Speaker 2: The theme.

1098
01:03:12,800 --> 01:03:17,120
Speaker 1: Yeah, we're very consistent about that. Please well listen. Danielle

1099
01:03:18,040 --> 01:03:22,160
Speaker 1: as always a fucking pleasure doing this podcast with you.

1100
01:03:22,920 --> 01:03:26,200
Speaker 2: A true pleasure. You're the best. This is so much.

1101
01:03:26,080 --> 01:03:32,160
Speaker 1: Fun, Babe, donor problems.

1102
01:03:37,920 --> 01:03:40,640
Speaker 2: This has been an exactly right production. Our senior producer

1103
01:03:40,680 --> 01:03:41,520
Speaker 2: is Casey O'Brien.

1104
01:03:41,760 --> 01:03:45,320
Speaker 3: Episode mixing and theme music by Tom Bryfogel, artwork by

1105
01:03:45,320 --> 01:03:48,800
Speaker 3: Garrett Ross. Our executive producers are Georgia hart Start, Karen

1106
01:03:48,840 --> 01:03:51,360
Speaker 3: kil Gareff, and Daniel Kramer. You can follow us on

1107
01:03:51,400 --> 01:03:54,360
Speaker 3: Instagram and Twitter at I Saw pod, and you can

1108
01:03:54,440 --> 01:03:56,680
Speaker 3: email us at I Saw What you Did Pod at

1109
01:03:56,720 --> 01:03:57,120
Speaker 3: gmail