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Speaker 1: Does your wife keep track of what you ate? Oh? No, no, no, no, no,

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Speaker 1: she doesn't keep track of what I That's what I mean. Like,

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Speaker 1: how do I mean like keep track of what you

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Speaker 1: ate in terms of like, hey you're eating too much?

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Speaker 1: I mean like the good shit in our house. She's

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Speaker 1: watching like, hey, you had the last Eminem packet that's mine. Yeah.

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Speaker 1: We do fight over Eminem's, the peanut kind. We fight

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Speaker 1: over candy a lot. My wife and I yo yo, uh.

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Speaker 1: We should talk about this because a lot of people

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Speaker 1: don't know. But it was Sinco de Mayo yesterday. Yes,

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Speaker 1: you were fasting, so you didn't participate in Sinco de Mayo.

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Speaker 1: What did you do? What did you do? So? Casa

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Speaker 1: Vega is one of my favorite Mexican restaurants in the

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Speaker 1: Sherman Oaks area right and you know, nobody can go

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Speaker 1: to restaurants right now. But they had a little drive

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Speaker 1: through going on where you can get you know, tacos

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Speaker 1: and and and beans and rice and and you know

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Speaker 1: whatever was on the menu, and margaritas and margharita's. How

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Speaker 1: do they how do they give you the margharita? They

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Speaker 1: brought it in, they put it in a half gallon.

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Speaker 1: Picture that does not even a picture. It's like a

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Speaker 1: half gallon, you know, like we put milk in it.

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Speaker 1: You know, you get milk and it's a half gallon,

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Speaker 1: bob jar whatever it is. Yeah, they put it in that. Wow,

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Speaker 1: and we got three of them. Oh my god, did

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Speaker 1: you get hammer? We only have one left. You guys

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Speaker 1: had a party over there. We drank a gallon of

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Speaker 1: margarita yesterday. Oh my godlish I'm so jealous. I literally

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Speaker 1: this this this fast thing we're on. It's like all

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Speaker 1: you eat is this thin soup. It looks like it

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Speaker 1: looks like gruel, remember that thing that Oliver wanted more of.

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Speaker 1: That's what it looks like. Yeah, it looks like or

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Speaker 1: like what they what they'd slop on a pirate ship,

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Speaker 1: what they'd serve you for dinner. That's what it looks like. Right,

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Speaker 1: does have like a little bit of celery and like

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Speaker 1: a little bit of carrot. It looks like cartoonishly watered

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Speaker 1: down soup. That's what we're allowed to eat. But it's

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Speaker 1: it's white colored. No, it's the color of whatever flavor

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Speaker 1: they think it is. It's like tomato is like tomato colored,

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Speaker 1: but it's just got little specs of crap in it. Wow,

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Speaker 1: But just you wait, Donald, We're gonna you're gonna check

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Speaker 1: in when we record on Friday, and you're gonna you're

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Speaker 1: gonna say, wow, you look even thinner. I want to

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Speaker 1: I want to fast, but I shall we sing? Shall

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Speaker 1: we sing? Yeah? Sure? Why not? I'd like to count

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Speaker 1: in today because I realized I haven't counted it in

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Speaker 1: a long time. I've been giving it to you. I've

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Speaker 1: been giving it to Bill Lawrence, our guests, and giving

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Speaker 1: it to Judy as a present, and and I just

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Speaker 1: feel feeling left out. Well, Zach, I want you to

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Speaker 1: give it to me. Go ahead, okay, Dan, hit it.

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Speaker 1: I like a little you know what. You didn't wait

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Speaker 1: before you hit it? Dan? You know, I always thought

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Speaker 1: it was so cool when DJ's on the radio do

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Speaker 1: the thing they called talk up, like they know exactly

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Speaker 1: when the words come in, and they'd stop talking right

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Speaker 1: at I believe DJs call it talking up a song

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Speaker 1: right right, so they they I'm sure they haven't labeled somewhere,

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Speaker 1: like the lyrics start at five seconds in or something.

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Speaker 1: And I always thought it was so smooth. So I'd

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Speaker 1: like to talk up this song. Go ahead, do it. Okay,

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Speaker 1: here we go. So I'm not gonna count in, Dan,

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Speaker 1: I'm just gonna talk it up. Okay, I'm nervous now,

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Speaker 1: I'm nervous. Now Here we go. Welcome everybody to fake doctors,

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Speaker 1: real friends. We're so glad you're joining us. And here's

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Speaker 1: a song written by Junie blues Domphase on a Brown

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Speaker 1: coming at you. Here's some stories about show we made

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Speaker 1: about a bunch of does and said, he's stories. So

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Speaker 1: get around here? Are yato around you here? Hey? Lots

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Speaker 1: of talk on the social media about you know what

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Speaker 1: I mean? And uh? And you is it? Is it

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Speaker 1: that bad? No, it's It's just people just need to

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Speaker 1: accept it. It's part of your way of speaking. It

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Speaker 1: is part of mine. I'm just concerned though about those

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Speaker 1: who are doing it as a drinking game, that that

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Speaker 1: that we're gonna turn people into alcoholics. I'm up the

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Speaker 1: I think we should keep the things, but if you

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Speaker 1: don't don't want to keep the things, we could we

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Speaker 1: could remove the things. And also I heard, by the way, Dan,

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Speaker 1: that you missed some I saw on Twitter some people

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Speaker 1: were like that dings were hilarious, but you guys missed

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Speaker 1: like four You know what it means, Dan, what was

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Speaker 1: the total I mean, of the ones you caught, what

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Speaker 1: was the total nine? That's not a lot for an hour, dude.

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Speaker 1: By the way, that's when you were trying not to

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Speaker 1: say it, dude, But but I was also it was

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Speaker 1: me not it was me using it as slang, though

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Speaker 1: at that point it wasn't me just saying you know

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Speaker 1: what I mean. After everything I said, somebody brought to

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Speaker 1: my attention that you say, you know a lot. I'm

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Speaker 1: just gonna put it out there. Really, we're trying to

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Speaker 1: shift the ship on to me. Listen, listen, I do

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Speaker 1: I listen. We all have. We all if you record

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Speaker 1: someone for multiple hours, you're gonna hear some of the

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Speaker 1: things that they say when they speak. I'm sure we

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Speaker 1: all have our own ticks. Yeah, I'm sure you listening

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Speaker 1: right now judging us, you probably have some vocal go tos.

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Speaker 1: The ones that the ones that kind of get on

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Speaker 1: my nerves are like when people say I mean all

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Speaker 1: the time before they say anything I mean, it's like no,

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Speaker 1: I get it, or like I mean, I hear you

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Speaker 1: say like a lot. We all say like a lot,

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Speaker 1: I know. But the young folks really use like a lot. Yeah,

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Speaker 1: that that's the one that gets me. I mean, I mean,

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Speaker 1: I mean, I'm literally the wrong use of literally is

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Speaker 1: also a bit of a pet peeve. Really that's abused.

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Speaker 1: You literally don't like that. I literally literally get annoyed

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Speaker 1: when people overuse literally. Should we get into the episode, Donald,

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Speaker 1: let's do it. I love it everyone. I'm right in

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Speaker 1: and say, holy shit, you are so good in this episode.

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Speaker 1: I forgot how church centric it was. It is a

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Speaker 1: Turk episode, and it issode. It's a very Turk episode Donald,

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Speaker 1: right moments. I'm not just saying this because I love

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Speaker 1: you so much, but I do, But holy shit, you

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Speaker 1: are so good in this episode. And I multiple things.

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Speaker 1: There's the there's we could spend a whole episode of

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Speaker 1: this podcast on that gospel fantasy. We're going to spend

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Speaker 1: plenty of time on it, don't get me wrong. But

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Speaker 1: also you're dramatic acting at the end when you're all upset,

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Speaker 1: the scene with you and Judy on the roof, you

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Speaker 1: running to the park, I just thought you did really

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Speaker 1: really good working. Oh you're a sweetheart, you know. Thank

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Speaker 1: you first of all. Second of all, this was one

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Speaker 1: of my this isn't necessarily one of my favorite episodes.

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Speaker 1: But there's so many really cool things that happened in

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Speaker 1: this episode that I got to be a part of.

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Speaker 1: One was obviously the gospel choiet thing. That was a

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Speaker 1: lot of fun. One of my favorite movies of all

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Speaker 1: time is Coming to America too, and also Which Way

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Speaker 1: Is Up? And in Which Way Is Up? Richard Pryor

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Speaker 1: plays a reverend in a church and in Coming to America.

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Speaker 1: Arsineo Hall's portrayal of the reverend is amazing as well.

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Speaker 1: And so if any if I was doing anything in

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Speaker 1: that scene, I was stealing from the two of them, wow,

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Speaker 1: because I just get right, let's get right to it.

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Speaker 1: You are so fucking funny in that, and I well,

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Speaker 1: I watched it like multiple times just because that scene.

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Speaker 1: I think it's one of the I honestly, I know

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Speaker 1: we're just started this, but I think it's one of

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Speaker 1: the best fantasies in Scrub's history, solely because of your performance.

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Speaker 1: And I know that you're doing an homage to your

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Speaker 1: favorite one of our favorite movies, Coming to America, but

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Speaker 1: you really made it your own. I mean, I just

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Speaker 1: was dying laughing the Jerry Curl, the swinging of the arms,

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Speaker 1: the padding of the forehead. We gonna, we gonna what

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Speaker 1: do you want to cut them open, and then we

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Speaker 1: gonna stow them right back together. I remember that day

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Speaker 1: genuinely cracking up, and you were just going for it. Man,

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Speaker 1: you were you were literally sweating your ass on. That's

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Speaker 1: hot and you were just being But I wasn't sweating

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Speaker 1: my ass off. So you kind of used literally in

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Speaker 1: the way that you hate it. Okay, you're because I've

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Speaker 1: literally sweating, but my ass didn't fall off. All right, Okay,

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Speaker 1: there is there is it is. It is literally not

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Speaker 1: possible in literal sense for someone's ass to be sweat off.

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Speaker 1: I believe. I believe that's true. Joel, Please look that up.

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Speaker 1: I had a lot of fun doing that scene, man.

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Speaker 1: One of the one of the great things was looking

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Speaker 1: out into the audience also and seeing, you know, how

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Speaker 1: background really enjoyed themselves, and then also seeing familiar faces

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Speaker 1: in the background. Colonel Doctor for the first time is

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Speaker 1: in this episode. Wait, before you're you're jumping around, let's

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Speaker 1: just stay focused on you. We can't go to Colonel

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Speaker 1: Doctor is in the background. I know, but yes, okay, sorry,

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Speaker 1: but I didn't want to go to courl doctor yet

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Speaker 1: because it is his first appearance in a Scrubs episode,

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Speaker 1: he shows up in the background of Sarah's scene first.

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Speaker 1: Also Neil Flynn in the background of this episode clapping, Yes,

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Speaker 1: that was funny. What about me when I get the

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Speaker 1: spirit and then you catch in the Holy Ghost? Dude,

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Speaker 1: that freaked me out. The first time I ever saw that,

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Speaker 1: I'm gonna be in real life, My first time ever

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Speaker 1: seen I saw listen. I went to church with my babysitter.

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Speaker 1: It was like a midnight mass type thing, and we

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Speaker 1: went to church and we saw, first of all, people

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Speaker 1: around us are catching the spirit, right, catching the Holy Ghost,

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Speaker 1: and they're losing it. And I was like, all right,

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Speaker 1: I'm safe. I'm here with my babysitter. I know she's

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Speaker 1: not gonna catch the Holy Spirit. Last cut too, she

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Speaker 1: catches the bad Boy and I was like, yeah, so

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Speaker 1: how did she start acting like she just out of

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Speaker 1: out of nowhere? She just started dancing right like you did,

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Speaker 1: like your character does, like like JD does. She started

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Speaker 1: dancing and then she started praising God, which is what

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Speaker 1: you know as a youth when you don't see stuff

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Speaker 1: like that, Like my grandmother was Piscopalian, so we had

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Speaker 1: to go to Piscopalian church and stuff like that, and

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Speaker 1: it wasn't like that, you know what I mean. Even

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Speaker 1: though it was all black, it wasn't a Baptist church,

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Speaker 1: you know what I mean. And when you go to

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Speaker 1: a when you go to a Baptist church, you know

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Speaker 1: they put it in. That's something that's I'd love to

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Speaker 1: do that. By the way, Oh, it's amazing that everything.

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Speaker 1: I would love to have the experience of going to

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Speaker 1: a church like the one we're representing in this show.

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Speaker 1: I just think it would be amazing. I've never seen

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Speaker 1: that in real life, obviously, I've seen it on TV

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Speaker 1: and on video of people speaking in tongues and and

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Speaker 1: and no judgments. I'm not I'm whatever works for you.

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Speaker 1: That's amazing. I like you said, as a child, I

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Speaker 1: was always like, oh my God, what is what is happening? Right?

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Speaker 1: And it was so shocking to see someone reacting like that,

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Speaker 1: to get touched by the spirit of God. I like

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Speaker 1: the idea that JD you know, got the spirit when

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Speaker 1: you were such a good minister, that it just came

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Speaker 1: to him, right, the music got into him and and

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Speaker 1: and scripted or I just improved that. I don't recall,

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Speaker 1: do you remember, I don't know if it was scripted.

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Speaker 1: I think I think you might have improved it to

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Speaker 1: be I think I just thought I said to Bill, like,

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Speaker 1: oh my god, I should get the spirit. I think

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Speaker 1: that's funny. Yeah, amazing, amazing, man, A great scene. The

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Speaker 1: choir was. The choir was amazing. Although they although we

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Speaker 1: do we do have two of them that that spy

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Speaker 1: the lens and wave at the camera around eight sixteen.

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Speaker 1: I don't know if you caught that they got They

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Speaker 1: may have caught the spirit too and decided to wave

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Speaker 1: to the lens. But uh, but they were. They were amazing.

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Speaker 1: And by the way, why mistaken or did you? Or

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Speaker 1: did you when you were just riffing. One of the

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Speaker 1: things that was you were so great when when they

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Speaker 1: would when you would be in your element and they

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Speaker 1: would just tell you to go. Whether that could be

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Speaker 1: the dance, the famous dance you did that that everyone

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Speaker 1: always talks about, or or so many things, but in

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Speaker 1: this moment when you were just riffing and being that preacher,

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Speaker 1: I mean, you just got lost in it and it

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Speaker 1: was so amazing to watch you do that. But I

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Speaker 1: remember that when you can what's the name of the song?

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Speaker 1: We sing in yer, remember the song? And they kept

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Speaker 1: it in and that was so funny. It was supposed

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Speaker 1: to be something like quah, let us let us you know,

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Speaker 1: uh let us uh bless the congregation with the song

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Speaker 1: you know, Christ the Lord, right, right, And I remember

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Speaker 1: getting down back quile what's the name of a song

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Speaker 1: was singing? But you stayed in character. It was still funny.

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Speaker 1: You know. It was such a good lesson early on

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Speaker 1: in Scrubs that if if we stayed in character, a

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Speaker 1: lot of that stuff could if it was funny, would

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Speaker 1: stay in right. And and that was a perfect example

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Speaker 1: of of you doing that and Bill going in the

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Speaker 1: edit room like, oh, that's funny, that's staying yeah. Yeah.

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Speaker 1: So so this whole episode, it was written by Debford

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Speaker 1: hum that's right, who also wrote the musical episode. Right,

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Speaker 1: was the one of the main writers on the musical episode,

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Speaker 1: and I think actually participated in running a lot of

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Speaker 1: lyrics for the famous musical episode. That's right. And Jeff

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Speaker 1: Melman was the director, and I just learned a little

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Speaker 1: trivia that he directed some of the sitcom You did

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Speaker 1: the xes, Yeah, I did, I did. I do not

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Speaker 1: put two and two together. I did not remember that.

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Speaker 1: Do you remember? Do you remember it? I do know

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Speaker 1: Jeff Melman has, but now that you have said that,

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Speaker 1: he only directed one episode of Scrubs and it was

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Speaker 1: twenty years ago, So you're okay for not remembering that,

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Speaker 1: But I don't know if you put two and two together.

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Speaker 1: They also directed your sitcom The X. I think we

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Speaker 1: even talked about him directing an episode of Scrubs when

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Speaker 1: he directed the episode of The Exes. Anyway, and Kristin Johnston,

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Speaker 1: who you did The Exes with, I bought her house.

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Speaker 1: That's where I live. Yeah. Not only that, but you

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Speaker 1: guys also did Twelfth Night together. We did Twelfth Night

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Speaker 1: together in Central Park at the Dela Court and you

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Speaker 1: and that's when she said, Hey, I want to move

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Speaker 1: out of la I'm over it. Do you have any interest?

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Speaker 1: And I was just at the time when I was

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Speaker 1: starting to think about buying my first house. And what's

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Speaker 1: funny is that she was quite an entertainer. She threw

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Speaker 1: a lot of bashes at the house, and so over

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Speaker 1: the years when I've told people that I bought the

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Speaker 1: house from her, they're always like, ooh, I've been so

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Speaker 1: fucked up in your house. Wow. Wow. Well she's now

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Speaker 1: sober and she's written a wonderful book called Guts on

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Speaker 1: the market right now. And if you guys are listening

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Speaker 1: and want a good read in the voice of christ

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Speaker 1: and Johnson. She also does the audio book, check it out.

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Speaker 1: It's very, very, very revealing, and she's very open about

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Speaker 1: her addiction. And yeah, get and when you're I've read

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Speaker 1: the book and it's amazing and you should get it.

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Speaker 1: And when you're hearing about some of her partying, just

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Speaker 1: know it was happening in mind. Yo. Somebody got mad, dude,

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Speaker 1: you oh man, somebody got mad that I ruined that

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Speaker 1: joke or that not the joke, the bit of trivia.

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Speaker 1: I know on one of the last episodes, I said

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Speaker 1: I'm gonna I was gonna do a trivia for Donald

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Speaker 1: involving the Breakfast Club, and he ruined it and some

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Speaker 1: guy and some guy wrote on Twitter I was legit

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Speaker 1: excited for a bit of trivia and Donald did indeed

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Speaker 1: ruin it. We gotta filter in some more trivia to

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Speaker 1: this show. Absolutely so okay, dev Ford, him, Jeff Melman,

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Speaker 1: It's a great episode. I gotta say, you know, They're

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Speaker 1: not all this good. This was a darn good one.

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Speaker 1: And first thing I wrote down was Nurse Tisdale at

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Speaker 1: thirty five seconds in Yes, which is a oma to

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Speaker 1: film fast Times a Ridgemond High. Now, some of you

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Speaker 1: younger folk might not know that movie. You should watch

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Speaker 1: it because it's a seminole eighties film. And I remember

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Speaker 1: watching it at someone's house, far too young to be

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Speaker 1: watching it, Like I should not have been watching that

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Speaker 1: movie at the age I was, And I remember feeling like,

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Speaker 1: don't move because I don't want any adult to notice

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Speaker 1: that I'm here and I'm watching this and I probably

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Speaker 1: shouldn't be watching Phoebe Kates reveal her bosoms. Yeah, you

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Speaker 1: remember when you saw that movie. I do remember when

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Speaker 1: I saw that movie. And you know, the one thing

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Speaker 1: that stuck out from that movie for me was Sean

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Speaker 1: Pinn totally awesome and his Jeff Spoccoli. Yeah, a little

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Speaker 1: bit of trivia for you. Do you know who wrote

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Speaker 1: that movie? Yes, it was Amy Heckerling, No Cameron Crowe.

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Speaker 1: Amy Heckerling directed it, absolutely, okay. Amy Heckerling, who wrote

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Speaker 1: and directed Clueless, wrote and directed Clueless. Yes, so it's

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Speaker 1: six degrees of Donald Fazon is what your six degrees

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Speaker 1: of Donald Fazon. Forrest Whittakers also in that movie. He

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Speaker 1: directed Waiting to Exhale and I was in it, and

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Speaker 1: I remember going on the audition for Waiting to Exhale

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Speaker 1: at the same time I was shooting Clueless, the movie,

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Speaker 1: and I was, you know, Forrest and I had a

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Speaker 1: little conversation about his experience with Amy and the reason

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Speaker 1: why I got Waiting to Xer because I'm sure there

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Speaker 1: were a bunch of people who auditioned for it. But

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Speaker 1: Forrest told me, he was like, you know, I went

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Speaker 1: with you because you know you're working with Amy, and

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Speaker 1: Amy gave me my start, and it was something there

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Speaker 1: was a form of nostalgia and for me. So I

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Speaker 1: got to be in Waiting Exhale with Whitney, Houston, Angel Labassett, Lauretta,

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Speaker 1: Divine Lee, liber Sean, I got to oh Man, I

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Speaker 1: got to meet several actors, from Michael Beach to one

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Speaker 1: of my favorite all time performers, Gregory Hines. That's what

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Speaker 1: I've never seen the movie. I've got to be honest

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Speaker 1: with you, but you've never seen Waiting to Exhale. No,

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Speaker 1: but I'm gonna write it down because we're looking for

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Speaker 1: quarantine movies. And I do love your work. You should

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Speaker 1: watch way in exhale. It's a lot of fun. It's

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Speaker 1: if you have a good pardon it or should I

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Speaker 1: need to just fast forward to your scenes. No, you

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Speaker 1: should watch the movie. The movie is actually very entertaining.

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Speaker 1: It's it's it's and the soundtrack is amazing. By the way,

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Speaker 1: Holy cow, baby face, you put your foot in it

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Speaker 1: when you made that one. I don't know what that means.

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Speaker 1: It just means he puts them, he puts them. He did.

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Speaker 1: He put a little strowsy on it. You know, he's

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Speaker 1: still doing this thing. Oh, I just haven't heard about

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Speaker 1: him his name in the public lexicon in a long time. Anyway,

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Speaker 1: we digress. Let's get back here, all right, we digress.

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Speaker 1: Nurse Tisdale. Um, she's coming down doing a homage to

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Speaker 1: Fast Times at ridge Mont High. By the way, if

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Speaker 1: you haven't seen Fast Times at Rige Mond High, you

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Speaker 1: should because it perfectly I think encapsulates a period of

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Speaker 1: time in the eighties. And uh, and it's a really

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Speaker 1: really I mean it was written by Cameron Crowe. I

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Speaker 1: mean it's a great movie. Um, fifty eight seconds Snoop

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Speaker 1: you know, showing up. Snoop's in a lot of this episode.

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Speaker 1: Snoop Dogg. In turn, Snoop Dogg was in a lot

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Speaker 1: of this show. I know. It's funny. If you guys

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Speaker 1: start looking at the background, you'll not Snoop Dogg real

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Speaker 1: Snoop dog Snoop dog if you'll see if you guys look,

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Speaker 1: if you guys look at these episodes closely, you'll see

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Speaker 1: that basically they're just they're just moving around the same

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Speaker 1: twenty background folks. And there's times where it's like there'll

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Speaker 1: be one scene and Snoops in the background, and then

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Speaker 1: then we're upstairs and Stoops in the background. I'm like, guys,

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Speaker 1: come on, well he worked a lot and then yeah,

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Speaker 1: but now we're starting to introduce new characters, so you'll see, ye.

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Speaker 1: Doctor one fifty one a momentous moment. Colonel Doctor first

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Speaker 1: appearance in the background, as Bill told us on the

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Speaker 1: last episode, named because everyone thought he looked like um

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Speaker 1: Colonel Sanders the Kentucky Fried Chicken commercials. And is he

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Speaker 1: still alive or did he pass I believe he passed away.

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Speaker 1: I believes where he was an older fellow when we're

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Speaker 1: doing this twenty years ago. By the way, someone clarified

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Speaker 1: for me on the social media interwebs that the Beard

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Speaker 1: Fusse film I was trying to remember was Girl with

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Speaker 1: the Dragon tattoo. I knew it was a Fincher, so

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Speaker 1: I was right about it being Fincher. It's Girl with

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Speaker 1: the Dragon. Had to um, Daniel Craig is on a

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Speaker 1: plane and the camera sort of just dollis past a

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Speaker 1: close up of Beard Fusse. So thank you for the

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Speaker 1: for the listener who helped me out with that. All right,

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Speaker 1: we're gonna go to break, We'll be right back, and

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Speaker 1: we're back. Hey listen. I occasionally Season one would go

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Speaker 1: out partying with you during the week. Yes, I was occasionally, Yes,

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Speaker 1: I was feeling myself. I had never had a dollar

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Speaker 1: in my pocket, let alone, um, some hit television show

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Speaker 1: and you and I. I can't I mean, it's forty

385
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Speaker 1: five years old. You can't imagine you would ever do this.

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Speaker 1: But in our twenties we would occasionally go out the

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Speaker 1: nights of filming. Occasionally, I remember we would say things like,

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00:19:53,560 --> 00:19:57,760
Speaker 1: all right, look, just want to do one shot? How

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00:19:57,760 --> 00:20:00,560
Speaker 1: about just one I'm sure everybody out there can relate

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00:20:00,600 --> 00:20:03,600
Speaker 1: to your friend going, how about just one? Yeah, We're

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Speaker 1: gonna do one shot hard hard, six o'clock in the morning.

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Speaker 1: If we're gone by midnight, we could be home by

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00:20:09,520 --> 00:20:11,919
Speaker 1: one and it will still have a good five hours asleep.

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Speaker 1: Right hard cut to like at six in the morning,

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Speaker 1: we're in Orlando Jones is swimming. Oh my god, it

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Speaker 1: wasn't even six. It was like four forty five, right,

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Speaker 1: And it was the night. You had to be at

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Speaker 1: work at six and I had to Did you have

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Speaker 1: to go in or just me? You didn't have to

400
00:20:26,119 --> 00:20:27,119
Speaker 1: go in, and I had to go in, but I

401
00:20:27,160 --> 00:20:29,720
Speaker 1: didn't have to be in until like, oh man, this

402
00:20:29,800 --> 00:20:31,159
Speaker 1: was this is This is if you looked at a

403
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Speaker 1: graph of me being irresponsible at work. This was the

404
00:20:34,359 --> 00:20:37,440
Speaker 1: high point because I think I was in Orlando Jones's

405
00:20:37,480 --> 00:20:40,919
Speaker 1: pool hammered at four forty five, and that day I

406
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Speaker 1: had to shoot this Fawnzie fantasy at three forty one

407
00:20:44,119 --> 00:20:46,800
Speaker 1: that starts at three forty one. So when you see

408
00:20:46,800 --> 00:20:49,920
Speaker 1: that Fawnsie thing, not only am I hung over, I'm

409
00:20:49,960 --> 00:20:55,159
Speaker 1: still buzzed, right right, I'm still buzzed from partying with

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Speaker 1: Orlando Jones dude to this day. That's still one of

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Speaker 1: the most epic nights. I mean, we've had some pretty

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Speaker 1: epic nights, but well, because he was so young and

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Speaker 1: fresh in the game, and I hadn't met that many stars,

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Speaker 1: and and I was just like, I can't believe are

415
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Speaker 1: we going to Orlando Jones's house yet. Yeah, he was

416
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Speaker 1: fresh off of doing uh he had he had already

417
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Speaker 1: said goodbye to the seven up commercials, and now he

418
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Speaker 1: had the movie that had just come out with him

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Speaker 1: and David Duchovny and Sean William Scott called Evolution or

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Speaker 1: something like that, and we were all hanging out. I

421
00:21:26,040 --> 00:21:28,640
Speaker 1: don't know, but I was in any star. I was excited.

422
00:21:28,720 --> 00:21:30,560
Speaker 1: I was as excited. I felt like, I'm living the

423
00:21:30,600 --> 00:21:33,840
Speaker 1: Hollywood dream. I'm not waiting tables anymore. I'm partying with

424
00:21:33,960 --> 00:21:40,159
Speaker 1: Orlando Jones and Donald phays On in a pod and

425
00:21:40,320 --> 00:21:45,080
Speaker 1: Deonte Gordon Donald's Donald stand in slash our friend and uh.

426
00:21:45,119 --> 00:21:46,959
Speaker 1: And then I went and did this fantasy. So I

427
00:21:47,000 --> 00:21:49,359
Speaker 1: was just watching it because I remember that being in pain,

428
00:21:49,520 --> 00:21:52,080
Speaker 1: and it's it's a very funny fantasy. So I'm i'm, i'm.

429
00:21:52,119 --> 00:21:54,280
Speaker 1: I was grateful this many years later, I didn't ruin

430
00:21:54,400 --> 00:21:56,320
Speaker 1: a moment for the fans, because that's a funny fantasy.

431
00:21:56,400 --> 00:21:59,800
Speaker 1: It's hilarious. He's not gonna make it then you come

432
00:21:59,840 --> 00:22:03,920
Speaker 1: in jebox. But those of you who are too young

433
00:22:03,960 --> 00:22:07,240
Speaker 1: to remember, the Fawns who I'm spoofing here could pretty

434
00:22:07,280 --> 00:22:09,640
Speaker 1: much had magical powers. I mean it happened. It came

435
00:22:09,680 --> 00:22:13,640
Speaker 1: to jukeboxes and women. Yes, the maybe in the beginning

436
00:22:13,720 --> 00:22:16,040
Speaker 1: he was just jukeboxing. But then like as I recall

437
00:22:16,119 --> 00:22:18,560
Speaker 1: later in later episodes of Happy Days, he would literally

438
00:22:18,560 --> 00:22:21,360
Speaker 1: he could like work magic because snap and women out

439
00:22:21,359 --> 00:22:24,000
Speaker 1: of nowhere would show up. Yeah, Fawns. He had to

440
00:22:24,040 --> 00:22:26,680
Speaker 1: move out of Milwaukee because he had dated every woman

441
00:22:26,720 --> 00:22:29,679
Speaker 1: in Milwaukee. That was that was a subplot. He had

442
00:22:29,760 --> 00:22:31,560
Speaker 1: He had been on a date with every single woman

443
00:22:31,600 --> 00:22:33,480
Speaker 1: in Milwaukee and he could, so he had to go

444
00:22:33,480 --> 00:22:36,280
Speaker 1: out of city for that right on. Such a funny

445
00:22:36,280 --> 00:22:39,040
Speaker 1: scene though, such a funny scene. And that's how you

446
00:22:39,040 --> 00:22:42,080
Speaker 1: you know we all believe in miracles. Well that's how

447
00:22:42,119 --> 00:22:44,960
Speaker 1: that's what starts off your really cool arc about testing

448
00:22:44,960 --> 00:22:48,040
Speaker 1: your faith and and so was it dropped from you

449
00:22:48,040 --> 00:22:50,879
Speaker 1: You mentioned earlier that it was was your was churks

450
00:22:51,520 --> 00:22:54,399
Speaker 1: religiousness dropped from here on out? Like did it ever

451
00:22:54,440 --> 00:22:56,520
Speaker 1: come up? Did you stop wearing that cross? The cross?

452
00:22:58,119 --> 00:22:59,800
Speaker 1: You never see this cross ever before? But in this

453
00:23:00,000 --> 00:23:01,960
Speaker 1: sood because you're supposed be religious, the crosses in every

454
00:23:02,080 --> 00:23:05,120
Speaker 1: every shot. Well, we we shot it in another episode also,

455
00:23:05,200 --> 00:23:08,679
Speaker 1: but the cross is was it was after this you

456
00:23:08,680 --> 00:23:11,919
Speaker 1: don't see the cross anymore, Um, I believe, And we

457
00:23:11,960 --> 00:23:15,680
Speaker 1: don't talk about Turk's faith really anymore, which is bizarre

458
00:23:15,680 --> 00:23:18,120
Speaker 1: because at the end of the episode your faith is restored.

459
00:23:18,200 --> 00:23:20,640
Speaker 1: I mean, you literally have a sign from God. Did

460
00:23:20,640 --> 00:23:24,280
Speaker 1: you go save a pregnant woman in the park? Right? Like?

461
00:23:24,320 --> 00:23:26,320
Speaker 1: I just knew she was in the park? Yeah, how

462
00:23:26,359 --> 00:23:28,320
Speaker 1: did you just know? Did you even know? Does Turk

463
00:23:28,400 --> 00:23:31,800
Speaker 1: even know Sarah's storyline about her having a pregnant woman?

464
00:23:31,880 --> 00:23:34,240
Speaker 1: I think the I think the whole hospital knows about

465
00:23:34,240 --> 00:23:38,600
Speaker 1: it because she's escaped and everybody's on the lookout. Okay,

466
00:23:38,840 --> 00:23:40,520
Speaker 1: so you're on the roof, by the way, How funny

467
00:23:40,600 --> 00:23:42,400
Speaker 1: is it the judy trying to cheer you up, wants

468
00:23:42,440 --> 00:23:44,439
Speaker 1: to bang on the roof of the hospital. I know,

469
00:23:44,720 --> 00:23:47,120
Speaker 1: I thought that was a funny plot line, Like here, baby,

470
00:23:47,119 --> 00:23:49,760
Speaker 1: I'll cheer you up. Let's have sex on this gravelly

471
00:23:49,880 --> 00:23:53,560
Speaker 1: dirty rooftop. Yeah, I look back at that. I look

472
00:23:53,640 --> 00:23:55,720
Speaker 1: back at that and like, Turk, what were you thinking?

473
00:23:56,040 --> 00:23:59,080
Speaker 1: I love us, I love us, I love I'm wanting

474
00:23:59,119 --> 00:24:01,600
Speaker 1: it going be so gross And you're like, oh, what

475
00:24:01,680 --> 00:24:10,720
Speaker 1: was Turk thinking? I mean, like, I don't know. I

476
00:24:11,160 --> 00:24:14,159
Speaker 1: think having sex in like really awkward places is always

477
00:24:14,200 --> 00:24:16,560
Speaker 1: so like such a thing you only see in movies, Like,

478
00:24:16,960 --> 00:24:19,640
Speaker 1: have you had sex and awkward places before? Well, I'm

479
00:24:19,680 --> 00:24:22,520
Speaker 1: not gonna go too into my sex life for everybody,

480
00:24:22,520 --> 00:24:24,199
Speaker 1: but I do. I think I have hooked up on

481
00:24:24,240 --> 00:24:27,520
Speaker 1: the beach with with with someone and thought this looks

482
00:24:27,560 --> 00:24:32,199
Speaker 1: way better in the movies. There's like sand in my creases. Yeah. No,

483
00:24:32,320 --> 00:24:35,680
Speaker 1: I have never had sex and really any awkward. There

484
00:24:35,720 --> 00:24:39,280
Speaker 1: you go. We're giving the exclusive here on fake Doctor's

485
00:24:39,280 --> 00:24:42,520
Speaker 1: Real Friends Donald Phazon never having sex in an awkward place,

486
00:24:42,840 --> 00:24:44,600
Speaker 1: Like I know people that have done it in some

487
00:24:44,680 --> 00:24:47,159
Speaker 1: crazy places. I'm like, there's people who are into that.

488
00:24:47,200 --> 00:24:49,040
Speaker 1: They're like they like they think of it like notches

489
00:24:49,080 --> 00:24:51,120
Speaker 1: on their belt, like we you're not gonna believe where

490
00:24:51,160 --> 00:24:58,200
Speaker 1: we bang the hospital roof. Yeah, Turk and Carla, aren't

491
00:24:58,200 --> 00:25:00,520
Speaker 1: that couple? What about those people who bran rag about

492
00:25:00,560 --> 00:25:02,960
Speaker 1: having sex on air in airplane bathrooms. I always thought

493
00:25:02,960 --> 00:25:06,360
Speaker 1: that would be humiliating to come out of the bathroom

494
00:25:06,400 --> 00:25:09,680
Speaker 1: and everyone's looking at you and so obvious what you did.

495
00:25:10,400 --> 00:25:14,199
Speaker 1: It's not. Well, the thing is not a lot of

496
00:25:14,200 --> 00:25:17,359
Speaker 1: people have the opportunity to have sex over a mile

497
00:25:17,440 --> 00:25:21,320
Speaker 1: above the earth, right, And so I get the allure. Yeah,

498
00:25:21,359 --> 00:25:23,240
Speaker 1: you do get the allure. Yeah, I get the allure,

499
00:25:23,280 --> 00:25:25,320
Speaker 1: but I'm not really I'm not jealous of it. Like

500
00:25:25,359 --> 00:25:27,439
Speaker 1: you just said, I can't picture you doing that. It

501
00:25:27,440 --> 00:25:29,760
Speaker 1: doesn't sound like a very Donald phase on thing to do.

502
00:25:30,400 --> 00:25:34,400
Speaker 1: I mean, you never know, so you might. I mean

503
00:25:34,440 --> 00:25:37,960
Speaker 1: if it's a private jet, oh, a private jet doesn't count.

504
00:25:38,040 --> 00:25:41,400
Speaker 1: I'm talking about a commercial airplane. Like yeah, no, no no, no, no, no,

505
00:25:41,400 --> 00:25:44,479
Speaker 1: no no, especially now after what we're going through right

506
00:25:44,520 --> 00:25:47,400
Speaker 1: now with this whole quarantine thing. I'm all, before the quarantine,

507
00:25:47,440 --> 00:25:49,640
Speaker 1: you would definitely bang in a bathroom. Before the quarantine.

508
00:25:49,680 --> 00:25:51,400
Speaker 1: I think a lot of people would be like, yeah,

509
00:25:51,400 --> 00:25:53,919
Speaker 1: that's a possibility. But I think after the quarantine thing,

510
00:25:53,920 --> 00:25:55,639
Speaker 1: it's like there's a little too much of germs, and

511
00:25:55,760 --> 00:25:58,480
Speaker 1: I can't picture Casey Cobb being like, there's no way,

512
00:25:58,520 --> 00:26:01,240
Speaker 1: it's absolutely not. I would be like, babe, let's do it,

513
00:26:01,280 --> 00:26:02,920
Speaker 1: and she'd look at me like I was stupid. Should

514
00:26:02,960 --> 00:26:06,639
Speaker 1: come home, buddy, my own buddy. That's funny, all right.

515
00:26:06,800 --> 00:26:08,879
Speaker 1: So the parks called Miller Park. I couldn't help but

516
00:26:09,040 --> 00:26:13,880
Speaker 1: think that might be for Krista Miller. Okay, right, yeah, sure,

517
00:26:14,000 --> 00:26:15,960
Speaker 1: the parks called Miller Park. I mean, Bill said he's

518
00:26:16,000 --> 00:26:18,480
Speaker 1: not great at naming shit. So speaking of Christa Miller,

519
00:26:18,560 --> 00:26:23,480
Speaker 1: she's back. She's back, and she looks beautiful and she's

520
00:26:23,520 --> 00:26:26,880
Speaker 1: funny as shit. And six thirty three is the first

521
00:26:26,920 --> 00:26:30,840
Speaker 1: time I say banana hammock? Nelson, what is a banana hammock?

522
00:26:30,920 --> 00:26:34,159
Speaker 1: Is it the thing that Rob that Rob aka Todd

523
00:26:34,200 --> 00:26:39,920
Speaker 1: wears the tiny Yes, yes, and and and it's called

524
00:26:39,960 --> 00:26:44,240
Speaker 1: a banana hammock because obviously it's like laying your banana

525
00:26:44,280 --> 00:26:47,160
Speaker 1: in a Hanna hammock. Okay, now I guess there are

526
00:26:47,160 --> 00:26:51,239
Speaker 1: people men that wear these for real strippers. Yeah, I

527
00:26:51,240 --> 00:26:53,719
Speaker 1: mean I think if you're comfortable, if you don't have

528
00:26:53,800 --> 00:26:59,680
Speaker 1: problems with your thighs rubbing together, banana hammocks are very comfortable.

529
00:26:59,760 --> 00:27:02,040
Speaker 1: They do you would could you ever consider? Would you

530
00:27:02,080 --> 00:27:04,840
Speaker 1: ever consider? No? Because before you answer, if you knew

531
00:27:04,840 --> 00:27:07,720
Speaker 1: you weren't going to be photographed by a Papa rots So,

532
00:27:08,080 --> 00:27:10,959
Speaker 1: by the way, singular of Papa Rozzi is Papa Rozzo.

533
00:27:11,000 --> 00:27:12,679
Speaker 1: I don't know if you knew that, Okay, if you

534
00:27:12,760 --> 00:27:14,440
Speaker 1: knew that you weren't going to be photographed and it

535
00:27:14,440 --> 00:27:17,480
Speaker 1: would just be you on the beach and wherever Brazil,

536
00:27:17,680 --> 00:27:19,879
Speaker 1: would you would you rock one of those? If I

537
00:27:19,920 --> 00:27:23,680
Speaker 1: had no worry about anyone ever seeing me in this, yeah,

538
00:27:23,720 --> 00:27:26,640
Speaker 1: then why not go nude? Right? No, I'm talking about

539
00:27:26,640 --> 00:27:29,200
Speaker 1: you're still on a beach, people are like around, No,

540
00:27:29,200 --> 00:27:32,200
Speaker 1: then no, I would not rock one. If people are around,

541
00:27:32,600 --> 00:27:36,320
Speaker 1: then no, I would never. I sometimes think it would

542
00:27:36,320 --> 00:27:39,800
Speaker 1: be fun to wear a speedo like you know. Um again,

543
00:27:39,840 --> 00:27:41,560
Speaker 1: I don't want to wear it and have people look

544
00:27:41,600 --> 00:27:44,399
Speaker 1: at me and judge, you know, everything going on. But

545
00:27:44,440 --> 00:27:46,320
Speaker 1: I think I just think sometimes when I see people

546
00:27:46,359 --> 00:27:48,040
Speaker 1: wearing them, I go, I think that might feel nice

547
00:27:48,160 --> 00:27:51,080
Speaker 1: have a speedo on be out and about. Yeah. I don't,

548
00:27:51,080 --> 00:27:53,679
Speaker 1: I don't know, I don't, I don't. I'd prefer to.

549
00:27:54,200 --> 00:27:56,879
Speaker 1: I have issues with like chafing with my thighs and

550
00:27:56,880 --> 00:27:59,760
Speaker 1: stuff like that because we don't have a thigh gap. Yeah,

551
00:28:00,160 --> 00:28:05,719
Speaker 1: I got quads and I got some thigh gap I

552
00:28:05,760 --> 00:28:08,600
Speaker 1: think I might have a thigh gap. Let me see. Yeah,

553
00:28:08,640 --> 00:28:10,159
Speaker 1: I have a little thigh gap. I don't have a

554
00:28:10,200 --> 00:28:14,400
Speaker 1: thigh gap. My my, my, my inner thigh touch. Yeah,

555
00:28:14,440 --> 00:28:17,600
Speaker 1: they clap, they clap. That's the worst. Oh, you want

556
00:28:17,640 --> 00:28:24,400
Speaker 1: to talk about feeling uh, feeling uh running with the

557
00:28:24,480 --> 00:28:28,600
Speaker 1: chafe after a while and then having the burn in between.

558
00:28:29,280 --> 00:28:31,840
Speaker 1: You can't jog because of your thighs. I can jog

559
00:28:31,840 --> 00:28:33,800
Speaker 1: if I put on something like compression shorts, but I

560
00:28:33,840 --> 00:28:35,760
Speaker 1: can't wear like. I can't wear tidy whities, like I

561
00:28:35,760 --> 00:28:38,760
Speaker 1: don't wear tighty whities because even just walking is an

562
00:28:38,760 --> 00:28:41,440
Speaker 1: issue with tighty whities. Yeah. I don't wear tidy whities

563
00:28:41,440 --> 00:28:44,880
Speaker 1: anymore either, but I used to be quite loyal to them. Yeah,

564
00:28:45,640 --> 00:28:49,600
Speaker 1: the janitor is for no reason that ninety punched in

565
00:28:49,600 --> 00:28:52,680
Speaker 1: the balls by a little girl and m Both the

566
00:28:52,680 --> 00:28:57,920
Speaker 1: little girl and the mom acknowledge the janitor, So m Bill,

567
00:28:59,040 --> 00:29:02,800
Speaker 1: since you hold fast to the idea that the janitor

568
00:29:02,880 --> 00:29:05,440
Speaker 1: only reacted with j D in season one and may

569
00:29:05,480 --> 00:29:09,000
Speaker 1: have been a figment of his imagination, why is it

570
00:29:09,200 --> 00:29:12,320
Speaker 1: that a little girl randomly punches Neil in the balls

571
00:29:12,920 --> 00:29:17,000
Speaker 1: and he reacts. Yeah, when the janitor got hitting the

572
00:29:17,280 --> 00:29:20,040
Speaker 1: balls by that girl, like the nine and a half

573
00:29:20,040 --> 00:29:25,760
Speaker 1: minute mark. You want me to explain how the janitor

574
00:29:25,840 --> 00:29:28,640
Speaker 1: can only interact with j D if this actually happened,

575
00:29:28,640 --> 00:29:38,320
Speaker 1: that's easy, Um five six, Stop fucking guy, Um the

576
00:29:38,400 --> 00:29:43,280
Speaker 1: old school PSA. Yes, great, hilarious, so funny, very funny

577
00:29:43,320 --> 00:29:46,560
Speaker 1: and very clever. Yeah, I mean really and and just

578
00:29:46,640 --> 00:29:51,280
Speaker 1: well executed. Kudos to Jeff Melman, the director and deb

579
00:29:51,360 --> 00:29:53,320
Speaker 1: for writing it. I thought that was just really clever,

580
00:29:53,440 --> 00:29:56,840
Speaker 1: really well executed. Those those sort of spoofing, those nineteen

581
00:29:56,920 --> 00:30:01,600
Speaker 1: fifties you know, what do you call them instructional videos? Yes,

582
00:30:01,760 --> 00:30:04,200
Speaker 1: But then afterward, after the fantasy was over, we did

583
00:30:04,240 --> 00:30:08,920
Speaker 1: it again where the person who did the voice over

584
00:30:09,000 --> 00:30:11,280
Speaker 1: for the fantasy is now in the room with you, right,

585
00:30:11,560 --> 00:30:14,320
Speaker 1: and he brings up like communism as though he's still

586
00:30:14,360 --> 00:30:17,240
Speaker 1: back in the fifties, right, and then looks he's looking

587
00:30:17,280 --> 00:30:21,240
Speaker 1: off into the distance, I guess, into nowhere, and then

588
00:30:21,280 --> 00:30:23,479
Speaker 1: you look at him to see what he's looking at, right,

589
00:30:23,600 --> 00:30:25,760
Speaker 1: and then you exit that direction. I think he was

590
00:30:25,800 --> 00:30:28,160
Speaker 1: trying to be one of those like, you know, picture

591
00:30:28,200 --> 00:30:30,760
Speaker 1: like a nineteen fifties announcer guy who's like looking off

592
00:30:30,760 --> 00:30:34,120
Speaker 1: into the distance, and thus we will fight communism and so,

593
00:30:34,240 --> 00:30:36,600
Speaker 1: and then he's sort of frozen like that. And then

594
00:30:36,680 --> 00:30:38,600
Speaker 1: but it was sort of a JD sort of headlook.

595
00:30:38,640 --> 00:30:40,040
Speaker 1: So then I kind of did a look to him

596
00:30:40,040 --> 00:30:41,520
Speaker 1: like are you doing my thing? Or what are you

597
00:30:41,520 --> 00:30:43,480
Speaker 1: looking at? And then I try to look where he

598
00:30:43,520 --> 00:30:46,040
Speaker 1: was going. But that's pulling out of a fantasy and

599
00:30:46,160 --> 00:30:49,280
Speaker 1: still being yes, you know, it's rather example of that's

600
00:30:49,360 --> 00:30:52,239
Speaker 1: not something that happened too often. No, this is like

601
00:30:52,240 --> 00:30:54,400
Speaker 1: then the second time it happened. Well, we talked about

602
00:30:54,440 --> 00:30:57,680
Speaker 1: the guy who was frozen after at the orderly, who

603
00:30:57,720 --> 00:31:00,600
Speaker 1: was frozen after everybody else was frozen. It's not something

604
00:31:00,640 --> 00:31:02,800
Speaker 1: I think Bill. I think he said that he started

605
00:31:02,800 --> 00:31:05,480
Speaker 1: phasing that out, but I thought it was clever, very clever.

606
00:31:05,800 --> 00:31:12,440
Speaker 1: Same here, um, I UM, I have a couple of things.

607
00:31:12,440 --> 00:31:15,600
Speaker 1: We shaved the baby, I laughed out loud. I laughed

608
00:31:15,640 --> 00:31:20,560
Speaker 1: out loud. I shaved the baby, shaved in a haircut.

609
00:31:21,040 --> 00:31:25,240
Speaker 1: Two yeah, I laughed out loud. That was JD's jad's

610
00:31:25,360 --> 00:31:28,720
Speaker 1: um improvisation for solving the problem. We shaved the baby.

611
00:31:28,920 --> 00:31:34,200
Speaker 1: You shaved the baby, yep, shaved the baby, shave and

612
00:31:34,320 --> 00:31:39,959
Speaker 1: a haircut. Long pause. Two bits Bill told me um

613
00:31:40,760 --> 00:31:43,240
Speaker 1: early on that one of the things he loved about

614
00:31:43,280 --> 00:31:46,800
Speaker 1: Michael J. Fox working on Spin City was that Michael J.

615
00:31:47,160 --> 00:31:49,720
Speaker 1: And everybody, when you think about this, when you hear this,

616
00:31:49,760 --> 00:31:52,600
Speaker 1: you'll think about family ties. And some of the amazing

617
00:31:53,320 --> 00:31:57,360
Speaker 1: timing he had was that he knew how long he

618
00:31:57,400 --> 00:32:00,520
Speaker 1: could milk a pause before that punchline. Like Michael J.

619
00:32:00,640 --> 00:32:04,200
Speaker 1: Fox was fucking genius at you know, I'll just use

620
00:32:04,240 --> 00:32:07,000
Speaker 1: this example, how long he could have the audience, especially

621
00:32:07,000 --> 00:32:09,480
Speaker 1: if the audience got ahead of it, right, he knew

622
00:32:09,520 --> 00:32:11,800
Speaker 1: that you still, I mean, it's even better with a

623
00:32:11,840 --> 00:32:14,800
Speaker 1: sitcom live audience, but he knew that shaven a haircut,

624
00:32:18,200 --> 00:32:20,720
Speaker 1: you know, like he could he could just milk it.

625
00:32:21,560 --> 00:32:24,560
Speaker 1: Even if the audience started and a sitcom started giggling

626
00:32:24,560 --> 00:32:27,120
Speaker 1: because they were ahead of it. He could just milk that.

627
00:32:27,200 --> 00:32:29,800
Speaker 1: And Bill said, and I think I think that landed

628
00:32:29,840 --> 00:32:32,480
Speaker 1: in my head in some of my scrubs timings because

629
00:32:32,520 --> 00:32:35,880
Speaker 1: I wanted to impress him like Michael J. Fox. But um,

630
00:32:36,120 --> 00:32:38,280
Speaker 1: but I but I I always think of that when

631
00:32:38,280 --> 00:32:40,720
Speaker 1: you watch some of Michael J. Fox's amazing timing, how

632
00:32:41,040 --> 00:32:43,120
Speaker 1: how he could just he just was a master of

633
00:32:43,320 --> 00:32:45,200
Speaker 1: how long to hold it, like even let the audience

634
00:32:45,240 --> 00:32:47,240
Speaker 1: get ahead of it. It's fine, and then say and

635
00:32:47,240 --> 00:32:49,840
Speaker 1: it would be so much more gratifying, right, I mean,

636
00:32:50,000 --> 00:32:52,400
Speaker 1: Michael J. Fox is you know, one of our our

637
00:32:52,440 --> 00:32:56,280
Speaker 1: best when it comes to Family Ties. Did you watch

638
00:32:56,280 --> 00:32:59,680
Speaker 1: Family Ties? Of course I watched Family Ties. He was

639
00:32:59,720 --> 00:33:02,720
Speaker 1: amazing in that. And also Back to the Future, you know,

640
00:33:02,800 --> 00:33:04,560
Speaker 1: the first. I talk about Back to the Future a

641
00:33:04,600 --> 00:33:06,240
Speaker 1: lot because it's one of my favorite movies, but the

642
00:33:06,280 --> 00:33:08,880
Speaker 1: first Back to the Future. I know there's some plot

643
00:33:08,920 --> 00:33:11,880
Speaker 1: holes in it that a lot of people can't get over,

644
00:33:12,160 --> 00:33:14,560
Speaker 1: but to me, that movie is almost flawless, you know

645
00:33:14,600 --> 00:33:17,880
Speaker 1: what I mean. As far as time travel stories are

646
00:33:17,920 --> 00:33:20,280
Speaker 1: so difficult to do, you know what I mean? And

647
00:33:20,440 --> 00:33:22,680
Speaker 1: or I shouldn't say it difficult to do. I should

648
00:33:22,720 --> 00:33:26,120
Speaker 1: say they're just doing a time travel story. It's been

649
00:33:26,160 --> 00:33:28,840
Speaker 1: done so many times before, and so you have to

650
00:33:28,840 --> 00:33:32,160
Speaker 1: be pretty creative to make it feel like, oh, this

651
00:33:32,280 --> 00:33:35,640
Speaker 1: is oh you know, people say another time travel story.

652
00:33:35,720 --> 00:33:39,520
Speaker 1: But if it's as good as Back to the Future was,

653
00:33:40,360 --> 00:33:43,240
Speaker 1: you accept it and you're willing to go on the ride.

654
00:33:43,280 --> 00:33:46,040
Speaker 1: Otherwise it's like some cheese shit, and you you know,

655
00:33:46,160 --> 00:33:48,640
Speaker 1: theory gets in the way of a lot of stuff.

656
00:33:48,680 --> 00:33:52,479
Speaker 1: And they just it's just one of those movies that

657
00:33:53,080 --> 00:33:55,880
Speaker 1: you know, you make a it's just it's in my opinion,

658
00:33:55,880 --> 00:33:58,160
Speaker 1: it's one. It's a perfect movie. And wasn't it amazing

659
00:33:58,240 --> 00:34:00,760
Speaker 1: that a movie you could turn out that good? And

660
00:34:01,360 --> 00:34:03,960
Speaker 1: it was a film that they started over because they

661
00:34:04,040 --> 00:34:08,000
Speaker 1: recast the lead, right yeah, well yeah, yeah, yeah, I

662
00:34:08,000 --> 00:34:10,000
Speaker 1: mean you mentioned this, you mentioned this before, but for

663
00:34:10,040 --> 00:34:11,560
Speaker 1: those of you who didn't hear that or didn't know

664
00:34:11,680 --> 00:34:13,960
Speaker 1: it was originally Eric Stoltz, I don't know how long

665
00:34:14,040 --> 00:34:15,759
Speaker 1: they shot. You read the book. Do you remember they

666
00:34:15,840 --> 00:34:17,960
Speaker 1: shot half of the movie, So they shot all of

667
00:34:17,960 --> 00:34:21,680
Speaker 1: the stuff that credible. They shot half of the fucking movie. Yeah,

668
00:34:21,680 --> 00:34:24,160
Speaker 1: so they shot everything in the fifties. What they talk

669
00:34:24,239 --> 00:34:26,960
Speaker 1: about They talk about the movie like, you know, Michael J.

670
00:34:27,160 --> 00:34:29,839
Speaker 1: Fox is very athletic. It's the name of this book.

671
00:34:29,880 --> 00:34:32,440
Speaker 1: Do you remember. For people don't remember it, dude tweeted,

672
00:34:34,280 --> 00:34:36,680
Speaker 1: But they shot half the movie and they said, you know,

673
00:34:36,680 --> 00:34:39,920
Speaker 1: Michael J. Fox is very athletic. But they said Eric

674
00:34:39,960 --> 00:34:42,719
Speaker 1: Stolts on a skateboard was magic. He just seemed way

675
00:34:42,760 --> 00:34:46,040
Speaker 1: more at home on a skateboard than it was a skateboard. Yeah,

676
00:34:46,120 --> 00:34:48,600
Speaker 1: right then, Michael J. Fox did, and you know the

677
00:34:48,719 --> 00:34:51,959
Speaker 1: rock and roll side of things. They say in the book.

678
00:34:52,000 --> 00:34:54,560
Speaker 1: You know, Eric Stoltz had that, you know, has that

679
00:34:54,760 --> 00:34:59,120
Speaker 1: very much grun rock appeal to him, you know what

680
00:34:59,160 --> 00:35:02,200
Speaker 1: I mean. And Jay Fox is you know, he is

681
00:35:02,400 --> 00:35:05,600
Speaker 1: he is what he is. He's you know, when you

682
00:35:05,640 --> 00:35:09,080
Speaker 1: look at him, you're not like, yo, that dude is

683
00:35:09,200 --> 00:35:11,239
Speaker 1: just Licksen's to rock all it. Even even if he

684
00:35:11,320 --> 00:35:13,239
Speaker 1: does you know what I mean, he doesn't have that

685
00:35:13,760 --> 00:35:16,640
Speaker 1: look to him. And they said, Eric did, it just

686
00:35:16,640 --> 00:35:19,200
Speaker 1: didn't work out. Yeah, I mean, how humbling can you

687
00:35:19,239 --> 00:35:21,400
Speaker 1: imagine your I mean, thank god. Eric Stoltz went on

688
00:35:21,400 --> 00:35:24,439
Speaker 1: to have this incredible career and holy shit in Mask

689
00:35:24,600 --> 00:35:27,239
Speaker 1: if you haven't. And that's the thing. So they talk

690
00:35:27,280 --> 00:35:28,920
Speaker 1: about that in the book. The reason why he was

691
00:35:28,920 --> 00:35:30,960
Speaker 1: put in the movie was because he had Mask, the

692
00:35:31,000 --> 00:35:33,160
Speaker 1: Mask coming out, you know what I mean, And so

693
00:35:33,560 --> 00:35:36,200
Speaker 1: they were banking on him getting nominated for an Academy

694
00:35:36,200 --> 00:35:39,319
Speaker 1: Award for that movie, but then being in this blockbuster

695
00:35:39,840 --> 00:35:43,279
Speaker 1: action adventure time travel movie. The name of the book

696
00:35:43,360 --> 00:35:45,680
Speaker 1: is Back to the Future. I got to click on

697
00:35:45,760 --> 00:35:49,920
Speaker 1: The Ultimate Visual History. Yes, Back to the Future, The

698
00:35:50,040 --> 00:35:55,359
Speaker 1: Ultimate Visual History by Michael Klasterin Yeah, so if you're

699
00:35:55,400 --> 00:35:57,759
Speaker 1: a fan of the movie, uh like as much as

700
00:35:57,800 --> 00:35:59,759
Speaker 1: Donald is, you might want to check that out because

701
00:35:59,840 --> 00:36:03,399
Speaker 1: it sounds fascinating. I'm always fascinating these production stories where

702
00:36:03,880 --> 00:36:06,879
Speaker 1: someone's recast or they start over. I mean, I don't

703
00:36:06,880 --> 00:36:08,640
Speaker 1: know if it's true, so don't hold me to this.

704
00:36:08,680 --> 00:36:10,600
Speaker 1: But I heard that American Beauty, which is one of

705
00:36:10,680 --> 00:36:13,200
Speaker 1: my favorite movies, they shot like, not not as much

706
00:36:13,239 --> 00:36:15,520
Speaker 1: as this, but they shot like a week of and

707
00:36:15,520 --> 00:36:20,879
Speaker 1: and um, and the director said to the producers, I

708
00:36:20,880 --> 00:36:22,759
Speaker 1: I didn't get the tone quite right. You know, the

709
00:36:22,800 --> 00:36:26,600
Speaker 1: tone of American media is so specific. And as the

710
00:36:26,680 --> 00:36:28,840
Speaker 1: as the rumor I heard goes, he said, I just

711
00:36:28,880 --> 00:36:30,480
Speaker 1: didn't quite nail it. I need to I need to

712
00:36:30,520 --> 00:36:34,000
Speaker 1: scrap that week and start over. And and the DreamWorks producers,

713
00:36:34,040 --> 00:36:36,719
Speaker 1: including Spielberg and the other fellows, let him do it.

714
00:36:36,800 --> 00:36:39,239
Speaker 1: That's interesting because Spielberg's very much involved in Back to

715
00:36:39,320 --> 00:36:41,880
Speaker 1: the Future as so maybe he's the kind of producer

716
00:36:41,920 --> 00:36:44,640
Speaker 1: that if you're lets with Sam Mende, sorry Sam Mendi's

717
00:36:44,680 --> 00:36:47,080
Speaker 1: first film, and I love American Beauty, please see that

718
00:36:47,080 --> 00:36:50,160
Speaker 1: if you haven't. But I again, it might be Hollywood lore,

719
00:36:50,200 --> 00:36:52,560
Speaker 1: But I heard that that that they sort of started

720
00:36:52,560 --> 00:36:54,759
Speaker 1: over again on that one. So these stories where where

721
00:36:54,840 --> 00:36:57,840
Speaker 1: some movie is so incredible, it has such an impact,

722
00:36:58,000 --> 00:37:01,720
Speaker 1: and then there's there's something that happened where they happens

723
00:37:01,760 --> 00:37:04,080
Speaker 1: all the time some you know, some Star Wars movie.

724
00:37:04,080 --> 00:37:05,600
Speaker 1: They did that with some of the Star Wars movies,

725
00:37:05,640 --> 00:37:08,719
Speaker 1: like Rogue one. Apparently there's a whole you know, they

726
00:37:09,120 --> 00:37:12,000
Speaker 1: shot almost all of Rogue one and went back and

727
00:37:12,080 --> 00:37:16,239
Speaker 1: reshot a lot of the stuff in it. Really, yeah,

728
00:37:16,320 --> 00:37:18,720
Speaker 1: same thing with the same thing with Solo. You remember,

729
00:37:18,719 --> 00:37:21,640
Speaker 1: you know, of course that's changing, that's changing the directors.

730
00:37:21,640 --> 00:37:24,360
Speaker 1: That's that's seven crazy. Yeah, but there's a whole cut.

731
00:37:24,440 --> 00:37:27,400
Speaker 1: There's a whole movie. According to Lore, there's a whole

732
00:37:27,440 --> 00:37:31,080
Speaker 1: movie that they made that you can actually take all

733
00:37:31,120 --> 00:37:33,239
Speaker 1: of the special effects and all of the things that

734
00:37:33,280 --> 00:37:37,600
Speaker 1: they did in the actual Solo movie and you can

735
00:37:37,719 --> 00:37:40,920
Speaker 1: put it into what they shot and it's a completely

736
00:37:40,960 --> 00:37:42,920
Speaker 1: different movie, but it still all fits. What do you

737
00:37:42,960 --> 00:37:45,400
Speaker 1: think happen? They were obviously my guesses, they were just

738
00:37:45,440 --> 00:37:49,720
Speaker 1: doing their hilarious improv comedic thing. And then Kathleen Kennedy

739
00:37:49,760 --> 00:37:51,880
Speaker 1: that's her name, did she just not like that style?

740
00:37:51,920 --> 00:37:54,040
Speaker 1: She's saying that's not Star wars. No, I don't know

741
00:37:54,080 --> 00:37:55,560
Speaker 1: if it was her. I don't know if it was

742
00:37:56,239 --> 00:37:58,600
Speaker 1: I don't know if it was the writer of the

743
00:37:58,640 --> 00:38:01,440
Speaker 1: movie who's gone on to write some incredible movies. Uh,

744
00:38:02,360 --> 00:38:06,480
Speaker 1: Jonathan Kasden. It's Jonathan, but his dad wrote Raiders the

745
00:38:06,520 --> 00:38:09,200
Speaker 1: Lost Ark. Yeah. Lawrence Kasten, Yeah, he wrote Raised in the

746
00:38:09,160 --> 00:38:11,640
Speaker 1: the Lost Ark The Empire strikes Back and they both

747
00:38:11,640 --> 00:38:13,560
Speaker 1: teamed up to right solo. I don't know what happened.

748
00:38:13,560 --> 00:38:15,839
Speaker 1: I'd love to know that story. We could reach out

749
00:38:15,840 --> 00:38:17,320
Speaker 1: to them and they want to be on the podcast,

750
00:38:17,360 --> 00:38:19,919
Speaker 1: and right here they want to talk about I don't

751
00:38:19,920 --> 00:38:21,560
Speaker 1: think even if we were to get Chris and Phil

752
00:38:21,640 --> 00:38:24,080
Speaker 1: on the podcast, I don't think they're gonna out there whole.

753
00:38:24,080 --> 00:38:27,839
Speaker 1: So let's ask Jonathan Kaston and Lawrence Caston. All right,

754
00:38:27,880 --> 00:38:30,279
Speaker 1: they'll never do it. I don't think how cool would

755
00:38:30,280 --> 00:38:31,759
Speaker 1: it be if I could go and cut two and

756
00:38:31,800 --> 00:38:39,600
Speaker 1: then they said it. You know, as the podcast gets

757
00:38:39,600 --> 00:38:41,840
Speaker 1: bigger and bigger, maybe we'll be able to get like

758
00:38:41,960 --> 00:38:48,399
Speaker 1: really fancy guests like and now Lawrence Kasten. Um. Yeah.

759
00:38:48,400 --> 00:38:49,960
Speaker 1: I always wondered what happened with that, because I don't

760
00:38:50,000 --> 00:38:52,719
Speaker 1: know why you'd hire Christen Phil if not to do

761
00:38:52,800 --> 00:38:56,120
Speaker 1: what they do so well, which was to make it funny.

762
00:38:56,120 --> 00:38:58,480
Speaker 1: And it seems to me, not as someone who's just

763
00:38:58,520 --> 00:39:00,640
Speaker 1: dialed into the Star Wars universe as you. But when

764
00:39:00,680 --> 00:39:03,000
Speaker 1: I think of Han Solo, I think, oh, let's give

765
00:39:03,080 --> 00:39:06,040
Speaker 1: him some some jokes. Let's have him be quippy and funny.

766
00:39:06,040 --> 00:39:08,560
Speaker 1: And it seemed like a perfect marriage. But it would

767
00:39:08,560 --> 00:39:11,600
Speaker 1: be a real interesting it'd be very interesting to see that.

768
00:39:12,080 --> 00:39:14,200
Speaker 1: You know that sidefects and I love Solo, you know

769
00:39:14,200 --> 00:39:15,359
Speaker 1: what I mean. There are a lot of people out

770
00:39:15,400 --> 00:39:18,279
Speaker 1: there that really like that movie, and I'm one of

771
00:39:18,280 --> 00:39:21,560
Speaker 1: those people. Um, it's a fun Star Wars movie. So

772
00:39:21,600 --> 00:39:24,640
Speaker 1: then Ron Howard came in, and you know, he's an

773
00:39:24,680 --> 00:39:27,560
Speaker 1: amazing director himself, right, you know, it's one of my

774
00:39:27,600 --> 00:39:30,200
Speaker 1: favorite Ron Howard movies is Parenthood the movie if you

775
00:39:30,280 --> 00:39:34,560
Speaker 1: have great cast, great movie. He went on. They went

776
00:39:34,600 --> 00:39:36,719
Speaker 1: on to make a very popular TV show, starting My

777
00:39:36,800 --> 00:39:39,480
Speaker 1: Doppelgang or Dak Shephard. I'm gonna say something right now,

778
00:39:40,080 --> 00:39:42,200
Speaker 1: that movie has one of my favorite actors. I am

779
00:39:42,239 --> 00:39:46,360
Speaker 1: a huge fan of Rick moranis Yeah, has been. He's amazing. Yeah,

780
00:39:46,400 --> 00:39:48,480
Speaker 1: he's on his way. I guess he's he's agreed to

781
00:39:48,520 --> 00:39:50,279
Speaker 1: do another project. I don't know what it is, but

782
00:39:50,280 --> 00:39:52,239
Speaker 1: he's honey, I shrunk the kids. Maybe he's coming back

783
00:39:52,280 --> 00:39:54,799
Speaker 1: for that. That would be so awesome. I know they're

784
00:39:54,800 --> 00:39:57,439
Speaker 1: redoing that with Josh Gadd and I think of that

785
00:39:57,520 --> 00:40:00,880
Speaker 1: he might be joining him. So well's nodding, so that

786
00:40:00,960 --> 00:40:04,239
Speaker 1: means yeah. Rick Morani's tragically lost his wife at the

787
00:40:04,280 --> 00:40:06,880
Speaker 1: height of his career, so he quit to raise his children,

788
00:40:07,400 --> 00:40:09,759
Speaker 1: and now his children are growing and he's coming back,

789
00:40:09,760 --> 00:40:12,960
Speaker 1: and I'm so excited. God, he's so talented. I'm so

790
00:40:13,080 --> 00:40:15,360
Speaker 1: I'm so happy he's coming back because he's a funny,

791
00:40:15,400 --> 00:40:18,239
Speaker 1: funny man. All right, let's get back to the show.

792
00:40:18,440 --> 00:40:20,200
Speaker 1: Let's get back to the show. Donald one of my

793
00:40:20,200 --> 00:40:23,760
Speaker 1: favorite fantasies. Uh, and I still use it to this day.

794
00:40:23,800 --> 00:40:27,400
Speaker 1: I ain't buying it. Trying to sell somebody the book

795
00:40:28,000 --> 00:40:31,920
Speaker 1: on the kid getting hit, the baby with prenatal lice. Yeah,

796
00:40:31,960 --> 00:40:35,960
Speaker 1: and Christa says what it says, I'm buying it at

797
00:40:36,000 --> 00:40:39,160
Speaker 1: the funny that's funny, that's funny. And you passed something

798
00:40:39,160 --> 00:40:41,080
Speaker 1: that I wanted to say still about shaving the baby's head.

799
00:40:41,080 --> 00:40:43,080
Speaker 1: That was funny. Oh when when Johnny sees mad that

800
00:40:43,120 --> 00:40:45,759
Speaker 1: I didn't correctly tape over them. By the way, for

801
00:40:45,800 --> 00:40:48,239
Speaker 1: those of you are young, that's that's a VHS recorder.

802
00:40:48,320 --> 00:40:52,839
Speaker 1: So there used to be these giant tapes called VHS tapes. Um,

803
00:40:52,880 --> 00:40:54,920
Speaker 1: but I was laughing, and when Johnny SE's yelling at

804
00:40:54,920 --> 00:40:57,080
Speaker 1: me because I fucked up the tape, and I go,

805
00:40:58,320 --> 00:41:01,960
Speaker 1: I was there, I could you know, jot down some

806
00:41:02,040 --> 00:41:07,480
Speaker 1: of my feelings and impressions? It's I could I could

807
00:41:07,600 --> 00:41:12,839
Speaker 1: you know, hot down some of my feelings and impressions? Like,

808
00:41:12,880 --> 00:41:14,960
Speaker 1: I was good, What am I gonna do? Like write down? Like?

809
00:41:14,960 --> 00:41:21,320
Speaker 1: And then the head emerged. Um, let's talk about Johnny

810
00:41:21,360 --> 00:41:23,520
Speaker 1: c McGinley as the Grinch. That was really funny. He

811
00:41:23,600 --> 00:41:28,000
Speaker 1: nailed that, Yes he did. Yeah. And the words that

812
00:41:28,040 --> 00:41:31,640
Speaker 1: he's saying are those words from doctor Seus's nurse. I

813
00:41:31,640 --> 00:41:34,239
Speaker 1: think they're supposed to be doctor Susy, but they're not

814
00:41:34,320 --> 00:41:36,680
Speaker 1: real sus But they're not real Seuss words. Yeah. But

815
00:41:36,800 --> 00:41:38,360
Speaker 1: they did a great job on his hair and makeup.

816
00:41:38,400 --> 00:41:40,120
Speaker 1: I thought he looked really cool and he was. It

817
00:41:40,160 --> 00:41:41,960
Speaker 1: was funny looking. I wonder how long he was in

818
00:41:42,000 --> 00:41:44,240
Speaker 1: hair and makeup for I could I could tell from

819
00:41:44,239 --> 00:41:46,240
Speaker 1: from being on the show that was hours and hours

820
00:41:46,239 --> 00:41:49,000
Speaker 1: and hours. He had hair like green hair glued to

821
00:41:49,040 --> 00:41:52,240
Speaker 1: his face and stuff. Yeah, Sinner Man by Nina Simone,

822
00:41:52,280 --> 00:41:54,520
Speaker 1: which is they really must have rolled out the bucks

823
00:41:54,520 --> 00:41:56,960
Speaker 1: for it to pay for Nina Simone on this episode.

824
00:41:56,960 --> 00:41:59,960
Speaker 1: As you run to the to Miller Park, to Miller Park,

825
00:42:00,600 --> 00:42:02,560
Speaker 1: you know that that was what I was talking about

826
00:42:02,600 --> 00:42:07,480
Speaker 1: when we were talking about the platform shoes, and they

827
00:42:07,520 --> 00:42:10,040
Speaker 1: made Deontay do all of the things that you saw

828
00:42:10,120 --> 00:42:14,480
Speaker 1: me do in that episode in like twelve inch platform shoes. However,

829
00:42:14,520 --> 00:42:17,560
Speaker 1: sure how much shorter he is than me? Eight inch? Whatever?

830
00:42:17,800 --> 00:42:19,719
Speaker 1: Why are you running? Why are you running like a

831
00:42:19,719 --> 00:42:22,160
Speaker 1: cartoon character? Do you notice that? It's like this really

832
00:42:22,239 --> 00:42:25,080
Speaker 1: dramatic moment and then you're taking corners. You know how

833
00:42:25,080 --> 00:42:27,440
Speaker 1: when cartoon people run, they're like skid at the corners

834
00:42:27,440 --> 00:42:30,680
Speaker 1: and they have to like like catch you're doing that?

835
00:42:30,719 --> 00:42:34,320
Speaker 1: Ship Well, it's all It all comes from Michael J.

836
00:42:34,480 --> 00:42:38,200
Speaker 1: Fox Man speaking. We spoke about him earlier. It really

837
00:42:38,280 --> 00:42:40,920
Speaker 1: is true, man, Mike. Michael J. Fox had some of

838
00:42:41,000 --> 00:42:45,160
Speaker 1: the best running moments in the history of running in

839
00:42:45,239 --> 00:42:48,080
Speaker 1: teen Wolf when he's running through the halls and the

840
00:42:48,160 --> 00:42:51,160
Speaker 1: guys mopping and he's like it's slippery, that way and

841
00:42:51,280 --> 00:42:54,640
Speaker 1: Mike runs through and then slides all the way through camera,

842
00:42:54,960 --> 00:42:57,360
Speaker 1: run the way through the hallway and then comes running back.

843
00:42:57,880 --> 00:42:59,680
Speaker 1: But as he's coming back, he's trying to keep his

844
00:42:59,719 --> 00:43:02,440
Speaker 1: balance on the slippery floor. So you're saying that moment

845
00:43:02,600 --> 00:43:06,320
Speaker 1: you're running, and this was inspiring everything everything, I you know, everything,

846
00:43:06,440 --> 00:43:10,160
Speaker 1: I've done. Everything I do, I do it for you,

847
00:43:10,400 --> 00:43:12,920
Speaker 1: I do it for Michael J. F Well, no, but

848
00:43:12,960 --> 00:43:15,960
Speaker 1: every there's a you know, whether it's a run or

849
00:43:16,000 --> 00:43:19,799
Speaker 1: a walk or you know, a facial expression. A lot

850
00:43:19,840 --> 00:43:22,799
Speaker 1: of these come from my favorite actors, So like Harrison Ford,

851
00:43:22,880 --> 00:43:28,880
Speaker 1: Denzel Washington, Sydney Portier, Michael J. Fox, Rick Moranis, Robin Williams,

852
00:43:29,320 --> 00:43:32,680
Speaker 1: Bill Murray. You know, all of these people did something

853
00:43:32,880 --> 00:43:35,319
Speaker 1: that I saw and I was like, I'm gonna I'm

854
00:43:35,320 --> 00:43:38,480
Speaker 1: gonna try and dot I wrote down in nineteen eighteen,

855
00:43:38,520 --> 00:43:41,879
Speaker 1: Turk runs like a cartoon character. Right, that all came

856
00:43:41,920 --> 00:43:44,520
Speaker 1: from me trying to run like Michael J. Fox. Yeah,

857
00:43:44,600 --> 00:43:47,759
Speaker 1: So Turke gets a sign. He's on the roof again, Right,

858
00:43:47,800 --> 00:43:49,680
Speaker 1: You're on the roof again. Yeah, and you're just up

859
00:43:49,719 --> 00:43:51,920
Speaker 1: there having a moment and you have a come to

860
00:43:52,080 --> 00:43:54,960
Speaker 1: Jesus moment if you will that there's a pregnant woman

861
00:43:55,000 --> 00:43:58,200
Speaker 1: about to give birth in the park, and you run

862
00:43:58,520 --> 00:44:01,360
Speaker 1: and you run like a cartoon character to Nina Simone's

863
00:44:01,480 --> 00:44:05,600
Speaker 1: Center Man beautiful song and uh, and then you run

864
00:44:05,640 --> 00:44:07,440
Speaker 1: to the park and you deliver a baby. Now that

865
00:44:07,480 --> 00:44:10,240
Speaker 1: Turk probably hasn't delivered that many babies. Well, he's a surgeon,

866
00:44:11,160 --> 00:44:13,640
Speaker 1: but he's not. Yeah, he's probably done a fair amount.

867
00:44:14,239 --> 00:44:16,040
Speaker 1: I imagine that he's he's not a guy, no, but

868
00:44:16,080 --> 00:44:18,239
Speaker 1: I know him. Oh, I want to go to something

869
00:44:18,280 --> 00:44:21,319
Speaker 1: that Joel, the speaking of guy knows we're jumping around.

870
00:44:21,360 --> 00:44:23,840
Speaker 1: But in the very beginning the episode, Kelso is is

871
00:44:23,880 --> 00:44:26,600
Speaker 1: being sexist and saying to Sarah that she's going to

872
00:44:26,680 --> 00:44:30,520
Speaker 1: become a guy in college ob gyn and then Joel

873
00:44:30,600 --> 00:44:32,960
Speaker 1: found this thing. According to an article by the American

874
00:44:33,000 --> 00:44:37,080
Speaker 1: Medical Association the Breakdown of Specialties dominated by women in

875
00:44:37,160 --> 00:44:43,160
Speaker 1: twenty nineteen, eighty three point four percent of ob GYNs

876
00:44:43,200 --> 00:44:49,240
Speaker 1: are women. Wow, and seventy two percent of pediatricians are women.

877
00:44:49,239 --> 00:44:54,360
Speaker 1: Am I reading that right? Joe So? Which was well,

878
00:44:54,719 --> 00:44:57,719
Speaker 1: I mean I was offended by Kelso. I was like,

879
00:44:57,800 --> 00:45:01,799
Speaker 1: fuck this guy. And then Joel handing me the and uh,

880
00:45:01,840 --> 00:45:04,680
Speaker 1: you know, I guess, but I understand that, like I

881
00:45:04,680 --> 00:45:08,000
Speaker 1: I was your was your have your ob gyn's been

882
00:45:08,120 --> 00:45:11,880
Speaker 1: been female? Or male? Uh? First one was a guy?

883
00:45:12,239 --> 00:45:18,920
Speaker 1: I was asking Donald Joel, but please, oh my god, Joel,

884
00:45:19,080 --> 00:45:24,280
Speaker 1: this question, like for his wife got laughing so hard.

885
00:45:24,719 --> 00:45:27,480
Speaker 1: Jobel got so lost in the episode, she started answering,

886
00:45:28,719 --> 00:45:31,759
Speaker 1: you're totally asking. Wait, Joel, sorry, I want I want

887
00:45:31,800 --> 00:45:33,880
Speaker 1: you to answer. Don't get me wrong, but you go

888
00:45:33,960 --> 00:45:36,399
Speaker 1: furtist and then we'll call on Donald. Donald has had

889
00:45:36,480 --> 00:45:39,080
Speaker 1: eleven thousand children, So I wanted to know what go

890
00:45:39,200 --> 00:45:41,600
Speaker 1: for you, Joel? Have your ob g y n's been

891
00:45:41,800 --> 00:45:45,479
Speaker 1: uh mostly let's say mostly? Yeah? Three women, one guy?

892
00:45:45,600 --> 00:45:48,680
Speaker 1: How about you? Donald's my life, Casey's is a male?

893
00:45:49,120 --> 00:45:52,160
Speaker 1: M h and and and your other other baby mamas?

894
00:45:52,160 --> 00:45:54,920
Speaker 1: Do you remember you don't remember? It's okay not to remember.

895
00:45:55,040 --> 00:45:57,239
Speaker 1: I don't. I feel like if I was giving birth

896
00:45:57,480 --> 00:45:59,279
Speaker 1: and I had a vagina, i'd want a woman. But

897
00:45:59,320 --> 00:46:02,239
Speaker 1: maybe I'm maybe that's ridiculous to say, I just what's

898
00:46:02,280 --> 00:46:04,319
Speaker 1: my gut response? Okay, Well, here's a here's here's a

899
00:46:04,320 --> 00:46:06,719
Speaker 1: good survey. We should, we should do and we won't

900
00:46:06,760 --> 00:46:10,440
Speaker 1: and we won't. Use uh that as an example. Let's

901
00:46:10,560 --> 00:46:14,040
Speaker 1: use massaging as an example. Okay, yeah, yeah, because that's

902
00:46:14,080 --> 00:46:16,520
Speaker 1: pretty intimate and it's harmless. And what do you get

903
00:46:16,520 --> 00:46:18,839
Speaker 1: a man or a woman? Exactly? What do you get

904
00:46:18,880 --> 00:46:21,320
Speaker 1: a man? I always get a woman. Same here, Joel

905
00:46:21,640 --> 00:46:25,720
Speaker 1: the strongest hands, who has the strongest hands? So you choose,

906
00:46:26,239 --> 00:46:29,040
Speaker 1: You say who's got the best hands. So when they

907
00:46:29,040 --> 00:46:32,560
Speaker 1: say manner of female, male or female, you say strongest hands. Absolutely.

908
00:46:33,120 --> 00:46:34,840
Speaker 1: Oh the end. I thought it was funny that Sarah

909
00:46:34,920 --> 00:46:37,719
Speaker 1: was You're holding Jooty like in front of you, but

910
00:46:37,840 --> 00:46:40,359
Speaker 1: Sarah's holding me in front of her, right in front

911
00:46:40,360 --> 00:46:44,600
Speaker 1: of the Christmas tree. Yes, yes, funny. I also there

912
00:46:44,680 --> 00:46:46,680
Speaker 1: was one other part that we should talk about, and

913
00:46:46,719 --> 00:46:50,479
Speaker 1: that's uh, when Cox and Jordan are fighting each other

914
00:46:50,960 --> 00:46:53,480
Speaker 1: about the haircut, shaving and everything like that, and then

915
00:46:53,520 --> 00:46:56,280
Speaker 1: you jump in the middle and then they automatically turn

916
00:46:57,040 --> 00:47:01,000
Speaker 1: on j D. And that's a lesson that I've learned

917
00:47:01,040 --> 00:47:03,279
Speaker 1: at ay, that I learned at a young age. I

918
00:47:03,280 --> 00:47:06,640
Speaker 1: guess JD was never you know, I didn't have friends

919
00:47:06,680 --> 00:47:09,120
Speaker 1: that had brothers or sisters or anything like that. But

920
00:47:09,840 --> 00:47:12,000
Speaker 1: never get involved in a couple is fighting. You stay

921
00:47:12,000 --> 00:47:16,520
Speaker 1: out of it, unless unless they invite you into the argument.

922
00:47:16,640 --> 00:47:19,399
Speaker 1: Stay away because that thing will turn on you so quick.

923
00:47:19,920 --> 00:47:21,719
Speaker 1: It's hard sometimes because you want to weigh in but

924
00:47:21,760 --> 00:47:23,880
Speaker 1: you can't. But you can't. You gotta keep it to yourself.

925
00:47:23,920 --> 00:47:26,799
Speaker 1: You gotta keep it to yourself. I had friends growing up,

926
00:47:26,840 --> 00:47:29,080
Speaker 1: the Rogers brothers, there was four of them, right, and

927
00:47:29,120 --> 00:47:31,840
Speaker 1: they would you know, when they fought, they would fight viciously,

928
00:47:32,320 --> 00:47:34,919
Speaker 1: punching and grabbing and choking, and you know, they would

929
00:47:34,960 --> 00:47:37,239
Speaker 1: beat each other up and you'd be like, you guys

930
00:47:37,239 --> 00:47:39,640
Speaker 1: are brothers, stop it, and you'd get in the middle

931
00:47:39,680 --> 00:47:42,640
Speaker 1: of it, and then their anger all of a sudden

932
00:47:42,719 --> 00:47:45,520
Speaker 1: went from them wanting to kick each other's ass to

933
00:47:45,640 --> 00:47:48,839
Speaker 1: now them kicking your ass. And two on one ain't fun, dude,

934
00:47:48,880 --> 00:47:50,879
Speaker 1: or three on one, four on one ain't fun, man,

935
00:47:51,239 --> 00:47:53,839
Speaker 1: and it would be it would be I would So

936
00:47:53,920 --> 00:47:57,799
Speaker 1: when JD did that to Jordan and Cox, I was like,

937
00:47:59,160 --> 00:48:01,800
Speaker 1: that's the dumb that's a rookie mistake. That's the dumbest

938
00:48:01,800 --> 00:48:05,640
Speaker 1: move ever. Never get involved in couples arguing, right right,

939
00:48:05,719 --> 00:48:08,680
Speaker 1: I well, I I definitely try and stay out. But

940
00:48:08,719 --> 00:48:11,239
Speaker 1: in your head you're thinking like you're you're judging, and

941
00:48:11,280 --> 00:48:13,480
Speaker 1: you're saying, like, aren't you also happy when you're out

942
00:48:13,480 --> 00:48:14,840
Speaker 1: in public and you see a couple of fighting and

943
00:48:14,880 --> 00:48:19,279
Speaker 1: you're like, yes, it's not me. Yeah, absolutely absolutely. That's

944
00:48:19,280 --> 00:48:21,400
Speaker 1: the one thing that my wife and I tried not

945
00:48:21,480 --> 00:48:24,080
Speaker 1: to do. It's always like to wait, wait till we

946
00:48:24,120 --> 00:48:26,120
Speaker 1: get home, wait till we Oh, really you do the

947
00:48:26,120 --> 00:48:27,600
Speaker 1: wait till we get home? Well, I don't do that.

948
00:48:27,600 --> 00:48:30,040
Speaker 1: That's what she does to me. Really, we can talk

949
00:48:30,120 --> 00:48:33,839
Speaker 1: when we get home, go right and I know, right

950
00:48:33,880 --> 00:48:35,279
Speaker 1: there and there, I'm not going to I'm not going

951
00:48:35,280 --> 00:48:38,160
Speaker 1: to sleep tonight. And then you have to drive home

952
00:48:38,200 --> 00:48:41,080
Speaker 1: and just like in silence, yeah, and then we walk

953
00:48:41,120 --> 00:48:44,680
Speaker 1: in and it's on. And my wife's the type of

954
00:48:44,680 --> 00:48:47,560
Speaker 1: person that's like, I don't like going to ben mad. Well,

955
00:48:47,600 --> 00:48:49,040
Speaker 1: at least she has it out, you know. I I

956
00:48:49,120 --> 00:48:50,960
Speaker 1: think that's way better to have it out, even if

957
00:48:51,000 --> 00:48:53,920
Speaker 1: it's like impassioned, rather than just sitting on it. I

958
00:48:53,960 --> 00:48:56,160
Speaker 1: hate that and U and I don't think you should

959
00:48:56,160 --> 00:48:58,839
Speaker 1: go to sleep mad either. I think that's a good

960
00:48:59,239 --> 00:49:02,200
Speaker 1: a good habit to have. Trying. Dude, I've been I've

961
00:49:02,239 --> 00:49:05,560
Speaker 1: been damn near sleeping where I'm just in huh, where

962
00:49:05,600 --> 00:49:08,040
Speaker 1: I'm passed out, my eyes are closed and I'm just

963
00:49:08,680 --> 00:49:11,279
Speaker 1: agreeing now right, just so I could go to sleep

964
00:49:11,360 --> 00:49:13,719
Speaker 1: the Path of Least Resistance and She'll be like, so

965
00:49:13,760 --> 00:49:15,760
Speaker 1: what did I say? And I'd be like, oh, gosh,

966
00:49:15,760 --> 00:49:20,520
Speaker 1: there you go. See you are listening. I was listening.

967
00:49:23,080 --> 00:49:26,120
Speaker 1: Don't go to been angry. Everybody that's here from fake

968
00:49:26,200 --> 00:49:29,919
Speaker 1: Doctor's real friends. Oh, one last thing I've forgotten. Let's

969
00:49:29,920 --> 00:49:32,279
Speaker 1: ask Bill about this. Also, go ahead, before we're gonna

970
00:49:32,320 --> 00:49:33,960
Speaker 1: go to We're gonna get Bill two this week. Okay,

971
00:49:33,960 --> 00:49:36,359
Speaker 1: go ahead, Yeah, okay, So there was an alternate ending

972
00:49:36,400 --> 00:49:40,000
Speaker 1: to this episode, right, but that's that's so dark. Note

973
00:49:40,480 --> 00:49:42,960
Speaker 1: so dark. It was so dark to end the Christmas episode.

974
00:49:42,960 --> 00:49:44,239
Speaker 1: I wasn't even to bring it up because we were

975
00:49:44,280 --> 00:49:46,360
Speaker 1: being so giddy and it's a bit it's a bit dark,

976
00:49:46,480 --> 00:49:48,560
Speaker 1: but okay, go for it. Yeah, there was a dark

977
00:49:48,640 --> 00:49:50,279
Speaker 1: ending to this episode, and I'm sure that I don't

978
00:49:50,280 --> 00:49:51,920
Speaker 1: think it wasn't was it an ending or it was

979
00:49:51,960 --> 00:49:54,600
Speaker 1: a subplot that was woven through. I think it was

980
00:49:54,640 --> 00:49:56,839
Speaker 1: a subplot. It might have been let's ask Bill, Bill.

981
00:49:57,160 --> 00:49:59,440
Speaker 1: I know at the end of this episode, there was

982
00:49:59,440 --> 00:50:03,359
Speaker 1: a moment in between Jordan and Uh we almost forgot

983
00:50:03,400 --> 00:50:06,680
Speaker 1: about the call. There was a moment with Jordan and

984
00:50:07,200 --> 00:50:11,960
Speaker 1: uh and Cox where they said something different when they

985
00:50:11,960 --> 00:50:14,120
Speaker 1: were looking at the baby when they finally went to

986
00:50:14,200 --> 00:50:18,120
Speaker 1: visit the baby, and there was no there was a subplot.

987
00:50:18,120 --> 00:50:19,120
Speaker 1: Do you want me to tell you what it is

988
00:50:19,120 --> 00:50:21,239
Speaker 1: and then have Bill talk about it? Sure, it was

989
00:50:21,280 --> 00:50:23,279
Speaker 1: a subplot that they when they were together, had lost

990
00:50:23,280 --> 00:50:27,600
Speaker 1: a child and um, so that was some of the

991
00:50:27,680 --> 00:50:32,200
Speaker 1: dramatic undertones of of of them and dealing with their

992
00:50:32,200 --> 00:50:34,959
Speaker 1: friends having a new baby, and that's why they didn't

993
00:50:34,960 --> 00:50:37,120
Speaker 1: want to go to the room, right. And I believe

994
00:50:37,320 --> 00:50:40,680
Speaker 1: or the or the nursery where you see kids, and

995
00:50:40,760 --> 00:50:43,560
Speaker 1: I believe that Bill had an argument with the network

996
00:50:43,680 --> 00:50:47,919
Speaker 1: about cutting that out. So Bill tell us about that

997
00:50:47,960 --> 00:50:50,800
Speaker 1: and what your struggle with the network was, please, you know,

998
00:50:50,800 --> 00:50:53,560
Speaker 1: it's interesting. I don't remember specifically the struggle with the

999
00:50:53,600 --> 00:50:57,120
Speaker 1: Jordan Cox losing a baby thing. But the one thing

1000
00:50:57,160 --> 00:51:00,200
Speaker 1: that we were always dealing with early on in Scrub

1001
00:51:01,280 --> 00:51:05,040
Speaker 1: was that we would pitch the network stories that weren't

1002
00:51:05,080 --> 00:51:09,600
Speaker 1: specifically comedies, you know, and it didn't sound like, Hey,

1003
00:51:09,880 --> 00:51:11,560
Speaker 1: three patients come in and one of the three of

1004
00:51:11,560 --> 00:51:14,040
Speaker 1: them are going to die, but they all three die. Hey,

1005
00:51:14,160 --> 00:51:16,200
Speaker 1: Doctor Cox used to be married to someone they lost

1006
00:51:16,200 --> 00:51:20,479
Speaker 1: a baby. Hey, we're gonna introduce a super big movie

1007
00:51:20,480 --> 00:51:22,799
Speaker 1: star guest star who seems really funny in jovial, but

1008
00:51:22,880 --> 00:51:25,480
Speaker 1: he's gonna have Lukemian then come back next year and

1009
00:51:25,520 --> 00:51:29,799
Speaker 1: die from it. So we always met resistance. Thank you, Bill.

1010
00:51:30,239 --> 00:51:32,360
Speaker 1: Let's take a break. We'll be right back after these

1011
00:51:32,760 --> 00:51:45,040
Speaker 1: fine words, now, Joelle, I believe we have a caller

1012
00:51:45,239 --> 00:51:48,359
Speaker 1: or two. Hi, guys, how are you doing? Brian good?

1013
00:51:48,400 --> 00:51:52,320
Speaker 1: How are you Bryan O'Malley? Oh my god, Brian, you

1014
00:51:52,400 --> 00:51:55,080
Speaker 1: got to record that somehow? You good? I am recording

1015
00:51:55,080 --> 00:51:57,040
Speaker 1: it actually, And you know what, Brian, that can be

1016
00:51:57,080 --> 00:51:59,440
Speaker 1: your your new ring tone, Donald giving you an opera?

1017
00:52:00,120 --> 00:52:06,439
Speaker 1: Oh mav and why oh man? That is definitely gonna happen.

1018
00:52:06,440 --> 00:52:09,200
Speaker 1: Speaking of ring tones, I digress for a moment. The

1019
00:52:09,280 --> 00:52:12,239
Speaker 1: good people at I Heeart are putting together the ability

1020
00:52:12,360 --> 00:52:15,839
Speaker 1: for for folks to have our theme song be your

1021
00:52:15,920 --> 00:52:18,440
Speaker 1: ring tone. We're working on it, and that's in the

1022
00:52:18,480 --> 00:52:20,600
Speaker 1: works because I've gotten been getting a lot of love

1023
00:52:20,719 --> 00:52:24,160
Speaker 1: on the social media for our theme song, especially Wilder's version,

1024
00:52:24,800 --> 00:52:28,040
Speaker 1: and um, Wilder's version will not that's not going to

1025
00:52:28,080 --> 00:52:30,360
Speaker 1: be available for Wilder's version will not be available for

1026
00:52:30,440 --> 00:52:32,239
Speaker 1: ring tone. Although I did her. A lot of people

1027
00:52:32,280 --> 00:52:34,320
Speaker 1: say that should be the new version forget your version,

1028
00:52:34,680 --> 00:52:37,480
Speaker 1: but those people are wrong. Um, but pretty bright. What's

1029
00:52:37,480 --> 00:52:40,839
Speaker 1: your drinking? Man? What are you drinking? Brian? Uh? This

1030
00:52:40,920 --> 00:52:43,520
Speaker 1: is beer? Okay? What kind of beer you got there?

1031
00:52:43,960 --> 00:52:47,400
Speaker 1: It's like a hazy I pa juicy eight percent. I

1032
00:52:47,440 --> 00:52:50,000
Speaker 1: like stuff that's strong. Okay, Well I got myself a

1033
00:52:50,000 --> 00:52:55,319
Speaker 1: little margarita. Is that just like lime juice? Tequila? I

1034
00:52:55,320 --> 00:52:57,600
Speaker 1: don't know what they use at Casa Vega the rest

1035
00:52:57,920 --> 00:53:00,839
Speaker 1: in my neighborhood that they that you're still drinking out

1036
00:53:00,840 --> 00:53:03,560
Speaker 1: of your your gallons there? We have so many. Yeah,

1037
00:53:03,560 --> 00:53:06,160
Speaker 1: oh that's awesome. Um, Hi guys, where do you live in?

1038
00:53:06,200 --> 00:53:09,520
Speaker 1: What's happening in? Brian? Introduce your your girlfriend, wife, friend?

1039
00:53:10,200 --> 00:53:12,960
Speaker 1: This is my partner. This is uh doctor Ellen, a

1040
00:53:13,080 --> 00:53:18,320
Speaker 1: grief doc. Hi doc? And uh we live in Evanston. Oh,

1041
00:53:18,360 --> 00:53:22,200
Speaker 1: I went to Northwestern right, Yeah, so we we we

1042
00:53:22,320 --> 00:53:25,120
Speaker 1: both worked that here actually too. Um. She works at

1043
00:53:25,120 --> 00:53:27,640
Speaker 1: a hospital here and I own a small business on

1044
00:53:27,719 --> 00:53:30,960
Speaker 1: Central Street, you know, right down from the stadium. Um

1045
00:53:31,000 --> 00:53:34,000
Speaker 1: and so yeah, we just um we do that. And

1046
00:53:34,160 --> 00:53:41,480
Speaker 1: Ellen is uh eight and yeah, almost nine months pregnant Emma. Congratulations,

1047
00:53:41,480 --> 00:53:44,960
Speaker 1: congratulations you guys know what you're having a boy? Nice?

1048
00:53:45,080 --> 00:53:50,600
Speaker 1: Is there a person? But yeah, a person? Good congratulations guys. Yeah,

1049
00:53:50,880 --> 00:53:53,560
Speaker 1: way to go guys. Yeah, so we're you know, it's

1050
00:53:53,600 --> 00:53:57,680
Speaker 1: definitely uh anxiety causing you know, I, I, we neither

1051
00:53:57,719 --> 00:54:00,279
Speaker 1: of us have had kids before. Um. I used to

1052
00:54:00,280 --> 00:54:02,680
Speaker 1: be a teacher. But it's not quite the same when

1053
00:54:02,680 --> 00:54:04,239
Speaker 1: you know you can send them home at like three

1054
00:54:04,280 --> 00:54:06,719
Speaker 1: o'clock and just be done with them. Um. So now

1055
00:54:06,760 --> 00:54:09,080
Speaker 1: it's like they're here for good. Okay, Brian, I'm gonna

1056
00:54:09,080 --> 00:54:10,759
Speaker 1: give you a little bit of you're talking to the

1057
00:54:10,800 --> 00:54:15,879
Speaker 1: right man, Brian Donald many kids, Okay, that's right, Yeah,

1058
00:54:15,920 --> 00:54:19,319
Speaker 1: something like that. He doesn't even remember something like that, right,

1059
00:54:19,440 --> 00:54:21,919
Speaker 1: that's that's great. That's a great story. How many kids

1060
00:54:21,920 --> 00:54:25,720
Speaker 1: you got? Something like nine? Six that I know about.

1061
00:54:26,680 --> 00:54:31,040
Speaker 1: So the first year, Brian, there's not much you can do,

1062
00:54:32,280 --> 00:54:37,320
Speaker 1: that's the honest to goodness truth, except be supportive. Change diapers.

1063
00:54:38,080 --> 00:54:39,680
Speaker 1: But there's not much you can do because the baby.

1064
00:54:39,680 --> 00:54:41,600
Speaker 1: You can say, can't you say, honey, can I get

1065
00:54:41,640 --> 00:54:45,280
Speaker 1: you anything? Absolutely better? Say that you have to, right, Yeah,

1066
00:54:45,360 --> 00:54:48,239
Speaker 1: that's being supportive. So there's not much you can do

1067
00:54:48,320 --> 00:54:51,759
Speaker 1: the first year. It's after that where you are you

1068
00:54:51,800 --> 00:54:54,520
Speaker 1: are hands on and in it to win it, or

1069
00:54:54,640 --> 00:54:59,040
Speaker 1: she's going to leave you. Yeah, yes, yeah, Brian, write

1070
00:54:59,080 --> 00:55:03,000
Speaker 1: that down. Yes, yes, she is basically keeping us comfortable.

1071
00:55:03,080 --> 00:55:06,600
Speaker 1: So I'm not gonna play with that at all. Right, well,

1072
00:55:06,680 --> 00:55:08,920
Speaker 1: I'm so, I'm so happy for you. That's exciting and

1073
00:55:09,200 --> 00:55:11,040
Speaker 1: thank you. And what do you do? You have any

1074
00:55:11,080 --> 00:55:15,239
Speaker 1: names in mind, like Zach or Donald? Yeah, I wanted

1075
00:55:15,480 --> 00:55:20,200
Speaker 1: Jennifer Dylan or something like that. That'll work. It's a boy.

1076
00:55:20,560 --> 00:55:24,200
Speaker 1: So we went with We're gonna even Gabriel and Colin.

1077
00:55:24,320 --> 00:55:30,080
Speaker 1: Gabe beautiful. I love it, beautiful, beautiful name. Gabe. Finn O'Malley. Oh,

1078
00:55:30,200 --> 00:55:33,560
Speaker 1: Finn's a good name too, now, Finn from Star Wars

1079
00:55:33,680 --> 00:55:37,560
Speaker 1: or just Finn because everything is Star Wars. Donald, sometimes

1080
00:55:37,560 --> 00:55:39,920
Speaker 1: it can be I couldn't huh, Honestly, I would think

1081
00:55:39,960 --> 00:55:42,280
Speaker 1: it more Huck Finn from Mark Twain to be okay,

1082
00:55:42,360 --> 00:55:45,600
Speaker 1: Oh yeah, there's that fin too, literary Donald, come on,

1083
00:55:45,760 --> 00:55:48,440
Speaker 1: here's that fin too. Brian, go ahead with your question

1084
00:55:48,520 --> 00:55:53,840
Speaker 1: for the legendary Donald Fason and it's for both of you. Yeah,

1085
00:55:54,080 --> 00:55:57,239
Speaker 1: it definitely relates to what we were talking about. But um,

1086
00:55:57,280 --> 00:56:01,120
Speaker 1: I was curious of which character between you and Donald

1087
00:56:01,120 --> 00:56:04,080
Speaker 1: and maybe doctor Cox, do you think it was like

1088
00:56:04,120 --> 00:56:07,440
Speaker 1: the best dad overall? And then kind of a follow up,

1089
00:56:07,440 --> 00:56:09,160
Speaker 1: but like, what do you think their kids would be

1090
00:56:09,200 --> 00:56:13,960
Speaker 1: like now, like fifteen twenty years later? Wow? Wow, good question. Well,

1091
00:56:14,000 --> 00:56:17,480
Speaker 1: I do think both characters were very excited about their children,

1092
00:56:17,600 --> 00:56:21,480
Speaker 1: and and I think we saw from a flash forward

1093
00:56:21,520 --> 00:56:23,760
Speaker 1: as I recall that don't they end up getting married?

1094
00:56:24,000 --> 00:56:28,720
Speaker 1: They do and we and we lose it. That was likesode.

1095
00:56:28,840 --> 00:56:32,000
Speaker 1: I think I faint. Uh as I recall I did this,

1096
00:56:32,080 --> 00:56:36,560
Speaker 1: I wiped my I fanned my eyes and fainted. Yeah,

1097
00:56:36,600 --> 00:56:40,000
Speaker 1: that's a gift I see all the time. Um, I

1098
00:56:40,040 --> 00:56:42,360
Speaker 1: don't know. I think we'd be great parents because um,

1099
00:56:42,400 --> 00:56:47,200
Speaker 1: you know, we're both characters were again not afraid of

1100
00:56:47,200 --> 00:56:50,799
Speaker 1: showing emotion, not afraid of being affectionate. Um I my

1101
00:56:50,880 --> 00:56:53,719
Speaker 1: father was very a very affectionate man and gave me

1102
00:56:53,800 --> 00:56:58,360
Speaker 1: hugs and kissed me and and um, and I always

1103
00:56:58,360 --> 00:57:02,480
Speaker 1: thought that that was and I love that he did that.

1104
00:57:02,719 --> 00:57:04,839
Speaker 1: And I think that both Turk and j D would

1105
00:57:04,880 --> 00:57:08,000
Speaker 1: be very involved. They're the kind of fathers that would

1106
00:57:08,040 --> 00:57:10,400
Speaker 1: want to be all over not one of those people's like,

1107
00:57:10,400 --> 00:57:12,680
Speaker 1: all right, you to the woman, you handle it. I'll

1108
00:57:13,440 --> 00:57:16,960
Speaker 1: I'll coach sports one day. That was That was not

1109
00:57:17,080 --> 00:57:22,680
Speaker 1: my experience. But I think Turk and j D co

1110
00:57:22,920 --> 00:57:24,920
Speaker 1: parented too, you know what I mean. I think they

1111
00:57:25,080 --> 00:57:28,960
Speaker 1: helped each other out as far as raising their kids went.

1112
00:57:29,520 --> 00:57:31,680
Speaker 1: You know, they say it takes a village to raise

1113
00:57:32,240 --> 00:57:35,160
Speaker 1: a child, and I think their little village. I think

1114
00:57:35,200 --> 00:57:40,680
Speaker 1: the hospital or you know, wherever they wound up when

1115
00:57:40,680 --> 00:57:44,080
Speaker 1: the show ended. I'm I believe they still lived in

1116
00:57:44,080 --> 00:57:47,520
Speaker 1: the same proximity of each other. I think there it

1117
00:57:47,640 --> 00:57:51,520
Speaker 1: was a communal raising of the children, even even uh,

1118
00:57:53,080 --> 00:57:56,480
Speaker 1: I think, yeah, I think j D. I uh and uh?

1119
00:57:56,600 --> 00:58:00,920
Speaker 1: What was what was Elizabeth Bank's character's name, Kim? Was

1120
00:58:00,960 --> 00:58:05,720
Speaker 1: it Kim him? You didn't know Zach, you didn't know.

1121
00:58:06,040 --> 00:58:08,439
Speaker 1: I was waiting for Brian. I was waiting for Brian.

1122
00:58:08,520 --> 00:58:11,400
Speaker 1: I was about I was like this, I was like

1123
00:58:11,480 --> 00:58:13,479
Speaker 1: about to say, I was like pretending that my mouth

1124
00:58:13,560 --> 00:58:16,520
Speaker 1: was opening, and then Brian said, yeah, Kim Donald, I

1125
00:58:16,560 --> 00:58:18,960
Speaker 1: was waiting for Zach. Sorry. So my baby mama, my

1126
00:58:19,000 --> 00:58:21,600
Speaker 1: baby mama. Right. So I think both kids, the one

1127
00:58:21,680 --> 00:58:23,680
Speaker 1: that he that JD had with Kim and the one

1128
00:58:23,680 --> 00:58:27,520
Speaker 1: that he had with Elliott uh and then Turk's kids

1129
00:58:27,560 --> 00:58:30,440
Speaker 1: as well. I think they they were raised together and

1130
00:58:30,440 --> 00:58:32,680
Speaker 1: they grew up together. I think in one of the

1131
00:58:32,680 --> 00:58:34,720
Speaker 1: episode you try to like, I think they got you

1132
00:58:34,760 --> 00:58:36,480
Speaker 1: were trying to set them up, right, like it was

1133
00:58:36,520 --> 00:58:39,480
Speaker 1: one of the series finales. Maybe that we were trying

1134
00:58:39,520 --> 00:58:41,960
Speaker 1: to set the kids up. Yeah, weren't they like they

1135
00:58:42,120 --> 00:58:46,840
Speaker 1: met or something and now they remember. I remember doing

1136
00:58:46,840 --> 00:58:52,240
Speaker 1: an episode in the park where we're dolls, like dumbs.

1137
00:58:53,320 --> 00:58:56,040
Speaker 1: Do you have another question? I mean one of my

1138
00:58:56,080 --> 00:58:58,400
Speaker 1: other questions was just, you know, advice for being a dad.

1139
00:58:58,440 --> 00:59:01,240
Speaker 1: But you you kind of already covered that. You got this, dude,

1140
00:59:01,800 --> 00:59:03,960
Speaker 1: you got Yeah. I mean, it's listen, my advice, and

1141
00:59:04,120 --> 00:59:05,920
Speaker 1: I'm gonna be honest with you. My advice. Aint shit,

1142
00:59:06,080 --> 00:59:08,240
Speaker 1: I'm gonna keep it one hundred with you. You know.

1143
00:59:08,320 --> 00:59:12,439
Speaker 1: It's it's how you two decide to do the thing.

1144
00:59:12,640 --> 00:59:14,680
Speaker 1: You know what I mean my advice I can all

1145
00:59:14,720 --> 00:59:17,320
Speaker 1: I can say is just just show as much love

1146
00:59:17,600 --> 00:59:20,960
Speaker 1: as you can to your boy. That's so important. I

1147
00:59:21,000 --> 00:59:22,520
Speaker 1: like what Zach was saying too. I mean me and

1148
00:59:22,560 --> 00:59:24,760
Speaker 1: Ellen were joking, but I was like, I think, like

1149
00:59:24,960 --> 00:59:27,960
Speaker 1: the fact that JD was a sensey. You know, like

1150
00:59:28,040 --> 00:59:31,360
Speaker 1: being sensitive is like an important thing to impart in

1151
00:59:31,480 --> 00:59:34,640
Speaker 1: kids early, especially boys I think nowadays, and so I

1152
00:59:34,680 --> 00:59:37,040
Speaker 1: think that's one of our you know, our big focuses

1153
00:59:37,280 --> 00:59:39,640
Speaker 1: for him and just let them be whoever they are.

1154
00:59:39,680 --> 00:59:41,520
Speaker 1: You know. A testament to my father was he wasn't

1155
00:59:41,560 --> 00:59:43,440
Speaker 1: he was so into sports, my dad, but he wasn't

1156
00:59:43,720 --> 00:59:46,680
Speaker 1: trying to make me a job. He wasn't. Unfortunately, he

1157
00:59:46,680 --> 00:59:48,600
Speaker 1: was also into theater, which which was what I took

1158
00:59:48,640 --> 00:59:51,520
Speaker 1: to But um, but I mean, just like my advice,

1159
00:59:51,560 --> 00:59:53,160
Speaker 1: and again, I have no kids, so don't listen to me.

1160
00:59:53,200 --> 00:59:55,720
Speaker 1: I have dogs, and I can highly recommend create training.

1161
00:59:56,040 --> 01:00:00,200
Speaker 1: I try that, but um with the kid. Yeah, well

1162
01:00:00,440 --> 01:00:02,200
Speaker 1: that's what I always say to Donald when I when

1163
01:00:02,240 --> 01:00:03,720
Speaker 1: I say to when I'm with Donald and his kids

1164
01:00:03,720 --> 01:00:05,120
Speaker 1: are misbehaving, I'm like, why don't you just put him

1165
01:00:05,120 --> 01:00:06,880
Speaker 1: in the crate? Dude? That works great for my puppy.

1166
01:00:07,120 --> 01:00:08,520
Speaker 1: My daughter looked at me and she was like, you're

1167
01:00:08,520 --> 01:00:13,560
Speaker 1: gonna put me in the crate? Yeah right now, She's like,

1168
01:00:13,600 --> 01:00:16,760
Speaker 1: but I'm not a dog. But I mean, just let them. Well.

1169
01:00:16,800 --> 01:00:18,280
Speaker 1: One of the things I one of the things I

1170
01:00:19,040 --> 01:00:21,480
Speaker 1: really cherished about my relationship with my father was that

1171
01:00:21,560 --> 01:00:25,080
Speaker 1: he was so accepting of whoever his kids were. And

1172
01:00:25,120 --> 01:00:28,120
Speaker 1: I you know, you're obviously it's nature nurture. You're going

1173
01:00:28,200 --> 01:00:29,960
Speaker 1: to be shaping a part of who they are, of

1174
01:00:29,960 --> 01:00:32,760
Speaker 1: course too. But but let them show you who they

1175
01:00:32,760 --> 01:00:35,040
Speaker 1: are and then and then and then celebrate that and

1176
01:00:35,120 --> 01:00:38,880
Speaker 1: let that flourish. Again, that's coming from someone with no children,

1177
01:00:38,880 --> 01:00:41,040
Speaker 1: but it is coming from someone who had a great

1178
01:00:41,120 --> 01:00:43,760
Speaker 1: dad and and and was really appreciative that he was

1179
01:00:43,800 --> 01:00:46,439
Speaker 1: like that, Well, can I ask one more thing sort

1180
01:00:46,480 --> 01:00:49,080
Speaker 1: of related? But did you guys You know I didn't

1181
01:00:49,080 --> 01:00:51,720
Speaker 1: like look up biographies. Did you guys have siblings? Yes?

1182
01:00:51,960 --> 01:00:56,880
Speaker 1: I have several siblings. I have four brothers, two uh

1183
01:00:57,080 --> 01:01:00,520
Speaker 1: that I grew up with and two that I did

1184
01:01:00,560 --> 01:01:03,640
Speaker 1: not grow up with. But we were a big family.

1185
01:01:03,680 --> 01:01:05,360
Speaker 1: I think that's why I have such a big family.

1186
01:01:05,400 --> 01:01:08,400
Speaker 1: Now I feel like it's the more the marrier. Yeah,

1187
01:01:09,040 --> 01:01:14,479
Speaker 1: I have two. I have three. Sorry, let me start again.

1188
01:01:14,920 --> 01:01:17,680
Speaker 1: I had four children total in my family, and I'm sorry,

1189
01:01:17,720 --> 01:01:19,560
Speaker 1: I'm struggling with this. Just to be honest, I lost

1190
01:01:19,600 --> 01:01:21,560
Speaker 1: my sister two years ago, so I'm like literally trying

1191
01:01:21,560 --> 01:01:23,840
Speaker 1: to Sorry, it's okay, but I'm trying to answer this

1192
01:01:23,920 --> 01:01:27,280
Speaker 1: question honestly, and it's like I'm having to recount. There

1193
01:01:27,280 --> 01:01:29,040
Speaker 1: were four children in my family, and then my parents

1194
01:01:29,080 --> 01:01:32,360
Speaker 1: got divorced and remarried and I gained three stepsisters, so

1195
01:01:32,680 --> 01:01:35,360
Speaker 1: two stepsisters on one side, one step sister on the

1196
01:01:35,400 --> 01:01:39,880
Speaker 1: other side, so we were we're a huge family. And

1197
01:01:39,880 --> 01:01:41,720
Speaker 1: and yeah, so I also think you guys should have

1198
01:01:41,760 --> 01:01:44,000
Speaker 1: more So sorry, sorry guys, but you're gonna have to

1199
01:01:44,040 --> 01:01:45,800
Speaker 1: have more kids so they can. Well, that's what I

1200
01:01:45,840 --> 01:01:47,600
Speaker 1: would think, because we only have the one, and that's

1201
01:01:47,600 --> 01:01:50,240
Speaker 1: probably gonna be it. Um, so you know, I'm the

1202
01:01:50,280 --> 01:01:52,880
Speaker 1: whole only child, especially nowadays when I don't even know

1203
01:01:52,920 --> 01:01:55,560
Speaker 1: when he'll be able to hang out with other kids,

1204
01:01:55,640 --> 01:01:56,960
Speaker 1: you know, or if he'll be able to go to

1205
01:01:57,000 --> 01:02:00,200
Speaker 1: preschool or stuff like that daycare. I think you got

1206
01:02:00,200 --> 01:02:02,959
Speaker 1: it some years before you be worried about that. So

1207
01:02:04,280 --> 01:02:09,280
Speaker 1: vaccines or will be infended and we can all go

1208
01:02:09,360 --> 01:02:13,320
Speaker 1: back to a new normal, right sometime within a year

1209
01:02:13,480 --> 01:02:18,200
Speaker 1: or two. Yeah, awesome? Is the keg still open in Evanston?

1210
01:02:18,440 --> 01:02:22,080
Speaker 1: The bar? No, that's where we used to go and

1211
01:02:22,120 --> 01:02:25,160
Speaker 1: try and sneak in with our fake IDs. Yeah, we're

1212
01:02:25,200 --> 01:02:29,280
Speaker 1: we're like, that's probably what's the name of your what's

1213
01:02:29,280 --> 01:02:31,760
Speaker 1: the name of your place? It's called Beer on Central.

1214
01:02:32,080 --> 01:02:34,160
Speaker 1: It's not very inventive because if we're on I want

1215
01:02:34,240 --> 01:02:35,520
Speaker 1: us to do an ad for it. Right now, we're

1216
01:02:35,520 --> 01:02:38,080
Speaker 1: gonna do an ad for it. Donald. But I'm in Evanston, Illinois,

1217
01:02:38,160 --> 01:02:39,560
Speaker 1: and I want a beer. You know where I go?

1218
01:02:39,760 --> 01:02:42,360
Speaker 1: Where do you go, Zach? I go to Beer on Central.

1219
01:02:42,800 --> 01:02:45,320
Speaker 1: Beer on Central is Oh, yes, Oh it's a place,

1220
01:02:45,360 --> 01:02:47,560
Speaker 1: and it's in Evanston. And if you're gonna buy beer,

1221
01:02:48,040 --> 01:02:50,120
Speaker 1: it's the best place to buy beer. It's called Beer

1222
01:02:50,240 --> 01:02:53,320
Speaker 1: on Central. Is it on Central? It's on Central. It's

1223
01:02:53,320 --> 01:02:56,040
Speaker 1: called Beer on Central. And you know a lot of

1224
01:02:56,120 --> 01:03:00,000
Speaker 1: Northwestern students are always looking for a place to buy beer. Yeah.

1225
01:03:00,040 --> 01:03:03,320
Speaker 1: Do you sell kegs, Brian? We don't, but I mean

1226
01:03:03,360 --> 01:03:06,040
Speaker 1: after this I can. Yes, Brian is gonna change his

1227
01:03:06,080 --> 01:03:10,440
Speaker 1: whole business model to offer kegs to all you can. Yes,

1228
01:03:10,600 --> 01:03:13,160
Speaker 1: this is worth millions of dollars in free advertising. Yeah. No,

1229
01:03:13,240 --> 01:03:16,720
Speaker 1: this is insane. So Donald's Central Beer on Central. The

1230
01:03:16,800 --> 01:03:19,600
Speaker 1: next time I'm in Evanston, Illinois, I am going to

1231
01:03:19,680 --> 01:03:23,200
Speaker 1: check out Beer on Central. Yeah. And you know what, Donald,

1232
01:03:23,320 --> 01:03:25,280
Speaker 1: You know what, Donald, I might even just go to

1233
01:03:25,360 --> 01:03:29,760
Speaker 1: Evanston to buy beer from Beer on Central. Yeah, you

1234
01:03:29,800 --> 01:03:32,720
Speaker 1: know what if you do, just tell him, Brian O'Malley sentia,

1235
01:03:32,920 --> 01:03:38,400
Speaker 1: I will what's a beer that you's the only one there?

1236
01:03:38,440 --> 01:03:42,160
Speaker 1: So be like Brian everything, Brian. For for those of

1237
01:03:42,240 --> 01:03:45,200
Speaker 1: people who are listening, who like who like beer, can

1238
01:03:45,280 --> 01:03:50,320
Speaker 1: you recommend one of your microbrew or fancy beers that

1239
01:03:50,360 --> 01:03:53,720
Speaker 1: people should try that you highly recommend? Um, you know

1240
01:03:53,800 --> 01:03:55,760
Speaker 1: right now? Like what's really popular is like I was

1241
01:03:55,840 --> 01:03:59,080
Speaker 1: drinking earlier, these like hazy I pas there tend to

1242
01:03:59,120 --> 01:04:01,520
Speaker 1: be like kind of strong, are very juicy, not bitter,

1243
01:04:01,760 --> 01:04:05,400
Speaker 1: very popular. This one's from Saint Aaron. They're great, hot butcher.

1244
01:04:05,600 --> 01:04:07,440
Speaker 1: There's a bunch of really cool ones in the city,

1245
01:04:07,800 --> 01:04:11,919
Speaker 1: so so so Saint Aaron is the brand. This one. Yeah,

1246
01:04:11,920 --> 01:04:13,720
Speaker 1: that's what I'm having now is a Saint Aaron. Can

1247
01:04:13,760 --> 01:04:15,120
Speaker 1: I get that in anywhere? Can I get that in

1248
01:04:15,160 --> 01:04:18,360
Speaker 1: Los Angeles? No? Like right now, we only do local stuff.

1249
01:04:19,400 --> 01:04:21,760
Speaker 1: Only doing that's even cool. One of the other things

1250
01:04:21,760 --> 01:04:24,280
Speaker 1: I like about beer on Central Donald what it's all

1251
01:04:24,560 --> 01:04:29,240
Speaker 1: it's all local beer. Oh you're talking about beer on Central. Yeah.

1252
01:04:29,280 --> 01:04:31,080
Speaker 1: One of the things that one of my favorite things

1253
01:04:31,120 --> 01:04:34,520
Speaker 1: about beer on Central in Evanston, Illinois. Is that it's

1254
01:04:34,640 --> 01:04:40,720
Speaker 1: all all stocked with local breweries. That sounds delicious. I

1255
01:04:40,800 --> 01:04:42,840
Speaker 1: like IPA a lot, by the way, and this is

1256
01:04:42,880 --> 01:04:45,320
Speaker 1: going to sound really lame in Hollywood, but I'm gluten free,

1257
01:04:45,400 --> 01:04:50,600
Speaker 1: and uh, there are some really good gluten free IPA beers. Yeah,

1258
01:04:50,640 --> 01:04:53,120
Speaker 1: we have some too. There's one called Omission. I'll give

1259
01:04:53,160 --> 01:04:57,040
Speaker 1: a shout out too. And there's one I think called Glutenberg,

1260
01:04:57,160 --> 01:05:00,440
Speaker 1: not Steve Gutenberg, Glutenberg Glutenberg. Yeah, there have gluten in

1261
01:05:00,480 --> 01:05:02,840
Speaker 1: the title. So there you go. I'm giving those beers

1262
01:05:02,840 --> 01:05:04,560
Speaker 1: a shout out, and they should advertise with us, because

1263
01:05:04,560 --> 01:05:07,360
Speaker 1: we're giving such a wonderful advertisement to beer from you guys.

1264
01:05:07,360 --> 01:05:10,320
Speaker 1: Out of box, you know, give me an address. No, no, no, no,

1265
01:05:11,680 --> 01:05:16,000
Speaker 1: I'm not giving you my address. Give me a po box.

1266
01:05:16,520 --> 01:05:18,520
Speaker 1: We don't want to take your your wares. We don't

1267
01:05:18,520 --> 01:05:20,080
Speaker 1: want to take your wares. We want you to you

1268
01:05:20,120 --> 01:05:22,600
Speaker 1: need to make that money for this baby. That's right,

1269
01:05:23,240 --> 01:05:27,400
Speaker 1: She's right. Really. So that being said, if you're ever

1270
01:05:27,440 --> 01:05:32,720
Speaker 1: in Evanston, Illinois, the place to go for a great

1271
01:05:32,760 --> 01:05:36,000
Speaker 1: local beer. Yeah, beer on Central, Beer on Central. Everybody

1272
01:05:36,080 --> 01:05:39,000
Speaker 1: beer on Central. And listen, guys, thanks for coming on

1273
01:05:39,040 --> 01:05:41,520
Speaker 1: thanks for the good questions, thanks for telling us about

1274
01:05:41,520 --> 01:05:44,240
Speaker 1: Beer on Central, and um, have fun and I's Illinois.

1275
01:05:44,280 --> 01:05:46,920
Speaker 1: I spent I spent four years there and had a

1276
01:05:46,960 --> 01:05:49,360
Speaker 1: great time, although it's too fucking cold for human beings.

1277
01:05:50,200 --> 01:05:53,800
Speaker 1: Ladies and gentlemen. Big round of applause for Brian o'maly

1278
01:05:56,840 --> 01:06:01,040
Speaker 1: and Beer on Central. Wow, you give you give beer

1279
01:06:01,040 --> 01:06:03,640
Speaker 1: on Central? The oper treatment? Yeah, why not? What's what's

1280
01:06:03,680 --> 01:06:09,800
Speaker 1: the name of your partner? Again? Ellen and doctor Ellen agreed,

1281
01:06:11,120 --> 01:06:14,080
Speaker 1: thank you. You're blowing out the mixer here, Donald, I'm

1282
01:06:14,120 --> 01:06:19,920
Speaker 1: not Oprah. Oprah doesn't go that loud. Sure, she has

1283
01:06:19,920 --> 01:06:22,280
Speaker 1: them the mixer at the Oprah shows, like here she

1284
01:06:22,360 --> 01:06:25,400
Speaker 1: goes and he's fucking reagular. She's about to do it

1285
01:06:26,800 --> 01:06:29,200
Speaker 1: and over the button. You can just see the mixer

1286
01:06:29,200 --> 01:06:30,800
Speaker 1: in the back of the Opra show going, oh shit,

1287
01:06:30,960 --> 01:06:35,600
Speaker 1: she's gonna yell, I'm getting this finger over. I hope

1288
01:06:35,680 --> 01:06:37,560
Speaker 1: Dan does that when you're when you're saying a load

1289
01:06:37,560 --> 01:06:39,840
Speaker 1: of guests, all right, bye, guys, thank you so much,

1290
01:06:40,480 --> 01:06:45,920
Speaker 1: thank you so much. Healthy, congratulations you thanks, thank you. Wow. Donald?

1291
01:06:45,960 --> 01:06:49,680
Speaker 1: What what nice folks? Donald? And Um and I gotta

1292
01:06:49,680 --> 01:06:53,400
Speaker 1: tell you, Um, I'm gonna I'm gonna. I'm gonna. I'm

1293
01:06:53,400 --> 01:06:56,960
Speaker 1: gonna frequent beer on Central next time you're in Evanston, Illinois.

1294
01:06:57,000 --> 01:06:59,200
Speaker 1: Do you drink beer? You't only drink beer anymore, do you.

1295
01:06:59,320 --> 01:07:02,200
Speaker 1: I'm a huge a drinker. I just you know, it's

1296
01:07:02,200 --> 01:07:05,200
Speaker 1: so fine. I find yeah, I find that. Uh it's

1297
01:07:05,320 --> 01:07:07,320
Speaker 1: a little heavy for me. That's the only thing. It

1298
01:07:07,360 --> 01:07:09,120
Speaker 1: just feels like shit when you're working out and trying

1299
01:07:09,120 --> 01:07:11,000
Speaker 1: to stay thin and then you have a fucking big

1300
01:07:11,080 --> 01:07:13,000
Speaker 1: as thick beer and you're like, I might as well

1301
01:07:13,040 --> 01:07:16,600
Speaker 1: have a milkshake, right, I like hard liquor. Yeah, I know,

1302
01:07:16,680 --> 01:07:21,520
Speaker 1: I like, oh, I know, Oh you're an asshole like tequila? Well, no,

1303
01:07:21,680 --> 01:07:25,000
Speaker 1: I I you know. I it was sinco de mayo yesterday.

1304
01:07:25,040 --> 01:07:27,160
Speaker 1: So and the last time I had to kill it

1305
01:07:27,200 --> 01:07:28,680
Speaker 1: was the last thing that I had in the in

1306
01:07:28,760 --> 01:07:31,240
Speaker 1: the in the cupboard. But what I truly like, I

1307
01:07:31,280 --> 01:07:35,360
Speaker 1: like a good bourbon or Scotch. What about Corvassier? No,

1308
01:07:35,920 --> 01:07:39,080
Speaker 1: what is what is corvasia? I don't it's a it's

1309
01:07:39,080 --> 01:07:42,720
Speaker 1: a drink. It's a it's a it's a brown liquor. Um.

1310
01:07:42,920 --> 01:07:46,439
Speaker 1: You know, for a while I was coasa, she's looking

1311
01:07:46,600 --> 01:07:48,920
Speaker 1: I was a Hennessy drinker for a while, you know,

1312
01:07:49,200 --> 01:07:52,919
Speaker 1: or ian Ja. I liked ian j back in the day.

1313
01:07:54,080 --> 01:07:55,720
Speaker 1: I don't know what any of these drinks are. You

1314
01:07:55,720 --> 01:07:57,640
Speaker 1: don't know what Hennessey is. I've heard of Hennessey, but

1315
01:07:57,680 --> 01:07:59,200
Speaker 1: I don't think I've ever tried. I don't know what Hanna,

1316
01:07:59,280 --> 01:08:01,120
Speaker 1: You've had an incredible Hulk before, and you don't know

1317
01:08:01,160 --> 01:08:03,160
Speaker 1: what Hennessey. Do you remember the incredible Hulk? Oh? Well,

1318
01:08:03,280 --> 01:08:05,840
Speaker 1: used to play poker and you would make a Oh

1319
01:08:05,840 --> 01:08:09,400
Speaker 1: it's cogniac, she says. We used to play poker and

1320
01:08:09,560 --> 01:08:12,040
Speaker 1: you would make a drink called the Hulks. Was that

1321
01:08:12,120 --> 01:08:13,800
Speaker 1: a real drink or you made it up? I didn't

1322
01:08:13,800 --> 01:08:17,559
Speaker 1: make that up. But when you mixed Tennessee and not

1323
01:08:17,720 --> 01:08:23,679
Speaker 1: Alasa but hypnotic, Hennessey and hypnotic mixed together, sounds horrible. Oh,

1324
01:08:23,720 --> 01:08:27,519
Speaker 1: but it would turn Hulk green and you would only

1325
01:08:27,560 --> 01:08:30,080
Speaker 1: need one. It was so sweet, right, But you'd only

1326
01:08:30,120 --> 01:08:32,760
Speaker 1: need one to knock you on your ass. And we

1327
01:08:32,760 --> 01:08:36,479
Speaker 1: would play poker and the crew would come over, you know,

1328
01:08:36,560 --> 01:08:39,519
Speaker 1: Calvin would come over, Ethan would come over. You would

1329
01:08:39,520 --> 01:08:43,920
Speaker 1: come over, and we drink that all night and freaking

1330
01:08:44,040 --> 01:08:47,479
Speaker 1: be hammered until like four o'clock, five o'clock in the morning. Yeah,

1331
01:08:47,520 --> 01:08:51,120
Speaker 1: playing poker. Have you ever had a cement mixer? What

1332
01:08:51,160 --> 01:08:54,519
Speaker 1: the heck is that? It's fucking nasty. It's two different things.

1333
01:08:54,760 --> 01:08:56,439
Speaker 1: You guys can google it if you want to puke.

1334
01:08:56,600 --> 01:08:58,800
Speaker 1: I remember doing this on my twenty first birthday and

1335
01:08:58,920 --> 01:09:03,000
Speaker 1: I puked. Um. But it's two different alcohols you put

1336
01:09:03,080 --> 01:09:07,040
Speaker 1: in your mouth and they solidify when they react with

1337
01:09:07,080 --> 01:09:10,320
Speaker 1: each other, and it feels like a cementy oatmeal thing

1338
01:09:10,560 --> 01:09:14,200
Speaker 1: that's disgusted. It's so bross. It's like it's the kind

1339
01:09:14,240 --> 01:09:16,639
Speaker 1: of thing that college kids do shots of, like Yager Moister.

1340
01:09:16,640 --> 01:09:18,880
Speaker 1: Do you ever do shots a Yeager Moister? Yeah? I'm

1341
01:09:18,920 --> 01:09:21,240
Speaker 1: proud to say that at forty five years old, I

1342
01:09:21,240 --> 01:09:23,479
Speaker 1: can't drink like that anymore, nor do I want to hangover.

1343
01:09:23,479 --> 01:09:27,000
Speaker 1: It's like four days. Yeah, you know, I've learned a

1344
01:09:27,000 --> 01:09:29,559
Speaker 1: little thing. You remember we did that thing in Scrubs. Yeah,

1345
01:09:29,600 --> 01:09:32,000
Speaker 1: pd we did that thing in Scrubs that it's become

1346
01:09:32,080 --> 01:09:34,200
Speaker 1: so relevant in my life. I don't know what episode

1347
01:09:34,200 --> 01:09:37,599
Speaker 1: it was, but we went around the table of all

1348
01:09:37,640 --> 01:09:41,800
Speaker 1: the different ages of women. Who was the was Mandy

1349
01:09:41,640 --> 01:09:45,599
Speaker 1: the young? It was many more, and then Sarah and

1350
01:09:45,640 --> 01:09:49,240
Speaker 1: then Judy and then Christa, and they were all hungover,

1351
01:09:49,360 --> 01:09:52,719
Speaker 1: and the camera went around and showed all the different

1352
01:09:52,800 --> 01:09:56,000
Speaker 1: levels of how it hangover affects different ages. Yes, and

1353
01:09:56,000 --> 01:09:57,599
Speaker 1: then by the time it got to Christa, she had

1354
01:09:57,600 --> 01:10:01,160
Speaker 1: sunglasses on and was asleep and just blacked out yeah,

1355
01:10:01,320 --> 01:10:02,960
Speaker 1: with a smile on her face. I think of that

1356
01:10:03,000 --> 01:10:05,280
Speaker 1: fantasy over, not fantasy. I think of that moment all

1357
01:10:05,280 --> 01:10:08,439
Speaker 1: the time, because, man, a hangover at forty five is

1358
01:10:08,479 --> 01:10:12,000
Speaker 1: not a hangover at twenty five. No, it's not. Listen,

1359
01:10:12,720 --> 01:10:15,760
Speaker 1: I miss you, do you? It's always so nice to

1360
01:10:15,760 --> 01:10:19,639
Speaker 1: touch base with you. Do you really miss me? Man?

1361
01:10:19,720 --> 01:10:22,479
Speaker 1: If if the world were open, I'd have you over.

1362
01:10:22,640 --> 01:10:24,920
Speaker 1: We'd we'd we'd sit by the pool. We'd have we'd

1363
01:10:24,920 --> 01:10:27,200
Speaker 1: have a Margarita. I would I bring my picture of

1364
01:10:27,240 --> 01:10:30,240
Speaker 1: Margarita to do you bring your picture over. I'm supposed

1365
01:10:30,240 --> 01:10:33,000
Speaker 1: to write today, but I would. I would scrap writing

1366
01:10:33,040 --> 01:10:35,280
Speaker 1: and just join you by the pool for Margarita's. That's

1367
01:10:35,280 --> 01:10:38,120
Speaker 1: what would happen today. You're working right now, huh I am,

1368
01:10:38,160 --> 01:10:39,800
Speaker 1: I'm writing. Look do you want to see I'll show you.

1369
01:10:39,920 --> 01:10:41,960
Speaker 1: Look at this. This is just showing that shit ain't

1370
01:10:42,000 --> 01:10:45,240
Speaker 1: fucking around. This is the first draft. Wow, you're for

1371
01:10:45,320 --> 01:10:48,479
Speaker 1: real about it? He just pulled out a two finger

1372
01:10:48,960 --> 01:10:51,599
Speaker 1: that's about an inch of Yeah, it's way too long

1373
01:10:51,680 --> 01:10:55,040
Speaker 1: right now. A typical screen a typical screenplay for those

1374
01:10:55,080 --> 01:10:57,599
Speaker 1: of you not in the know, it is roughly one

1375
01:10:57,640 --> 01:11:02,200
Speaker 1: hundred and twenty pages, because they say roughly a script

1376
01:11:02,280 --> 01:11:04,240
Speaker 1: works out to a page a minute, and you don't

1377
01:11:04,280 --> 01:11:06,519
Speaker 1: want your movie typically to exceed one hundred and twenty

1378
01:11:06,520 --> 01:11:09,519
Speaker 1: minutes um. And this first draft is one hundred and

1379
01:11:09,560 --> 01:11:12,000
Speaker 1: forty four pages, so there'll be lots of cutting to

1380
01:11:12,000 --> 01:11:14,919
Speaker 1: to occur. But it's happening. Donald, The wheels are turning

1381
01:11:15,080 --> 01:11:17,320
Speaker 1: good for you. Yeah, for you. Aren't you going to

1382
01:11:17,360 --> 01:11:19,240
Speaker 1: ask what you usually ask when I write a screenplay

1383
01:11:19,400 --> 01:11:22,439
Speaker 1: and any black people in it? There are black people

1384
01:11:22,439 --> 01:11:24,200
Speaker 1: in it, and there might even be a part for you,

1385
01:11:24,920 --> 01:11:26,640
Speaker 1: a good part, or you just gonna throw me a

1386
01:11:26,640 --> 01:11:30,840
Speaker 1: little bone. You'll probably have to audition. When I gave

1387
01:11:30,880 --> 01:11:34,639
Speaker 1: Donald my first draft of Garden State, he said said

1388
01:11:34,640 --> 01:11:37,280
Speaker 1: to me, I really want you to read my script.

1389
01:11:37,760 --> 01:11:40,200
Speaker 1: It was my first screenplay. He was my new best friend,

1390
01:11:40,360 --> 01:11:42,720
Speaker 1: and I said, I'd really like you to read this,

1391
01:11:42,840 --> 01:11:44,800
Speaker 1: And he said, are there any black people in it?

1392
01:11:45,360 --> 01:11:48,519
Speaker 1: And I said, um, there's there's one or two. One

1393
01:11:48,600 --> 01:11:52,639
Speaker 1: you're not right for because he's he's an African man

1394
01:11:52,760 --> 01:11:56,320
Speaker 1: that's been adopted by Natalie Portman's family, and the other

1395
01:11:56,640 --> 01:12:00,280
Speaker 1: is um is being played. At the time you had

1396
01:12:00,280 --> 01:12:02,760
Speaker 1: given to part to most deaf. Is what you said

1397
01:12:02,760 --> 01:12:06,320
Speaker 1: to me? No, I didn't, Yeah, you did, really method

1398
01:12:06,360 --> 01:12:08,240
Speaker 1: it was method It was always method man. It was okay,

1399
01:12:08,240 --> 01:12:10,479
Speaker 1: so then it was method man at the time you said,

1400
01:12:10,560 --> 01:12:12,639
Speaker 1: you said yeah, And then the other part I gave

1401
01:12:12,720 --> 01:12:15,160
Speaker 1: to method Man. And I knew right then and there

1402
01:12:15,200 --> 01:12:17,360
Speaker 1: that I would never read that script. And so Donald

1403
01:12:17,400 --> 01:12:21,080
Speaker 1: Donald in protest because I had given the role to

1404
01:12:21,080 --> 01:12:25,519
Speaker 1: to method man. Um never read the script. It's a

1405
01:12:25,560 --> 01:12:29,759
Speaker 1: great movie, though, thank you, thanks very very very well received. Also,

1406
01:12:29,880 --> 01:12:32,280
Speaker 1: thank you, and and you're in you know I could

1407
01:12:32,320 --> 01:12:35,439
Speaker 1: thank you. Oh Dan's given thumbs up. And Donald, I mean,

1408
01:12:35,520 --> 01:12:37,920
Speaker 1: I didn't make the same mistake twice. And I made

1409
01:12:37,920 --> 01:12:41,480
Speaker 1: sure to put you in wish I was here. Yeah,

1410
01:12:41,520 --> 01:12:42,920
Speaker 1: and I was very happy to be in that movie

1411
01:12:42,920 --> 01:12:45,599
Speaker 1: as well. Great movie, Mandy, but Timken, holy cow. Yeah,

1412
01:12:45,640 --> 01:12:47,240
Speaker 1: and you were very funny in that movie. You only

1413
01:12:47,280 --> 01:12:51,000
Speaker 1: had Mandy Tenken. Let's let's get Mandy Buttemken, Josh Gad

1414
01:12:51,280 --> 01:12:56,000
Speaker 1: Holy cow. Yeah, Kate Hudson, Holy cow. Yeah. There's some

1415
01:12:56,040 --> 01:12:58,160
Speaker 1: great performance. And though we just great performance, funny and

1416
01:12:58,200 --> 01:12:59,920
Speaker 1: sh in the movie, let's give a shout out to

1417
01:12:59,920 --> 01:13:02,320
Speaker 1: the film Wish I Was Here, which you can you

1418
01:13:02,320 --> 01:13:03,880
Speaker 1: can see. I think it's on Netflix. You know how

1419
01:13:03,880 --> 01:13:05,679
Speaker 1: I know it's on Netflix at least in the United States?

1420
01:13:05,840 --> 01:13:08,719
Speaker 1: Is uh Joey King, who's plays My Daughter, has become

1421
01:13:08,760 --> 01:13:12,400
Speaker 1: so faw. Joey King steals the movie and has become

1422
01:13:12,479 --> 01:13:16,800
Speaker 1: so famous that Netflix has redone the poster, so it's

1423
01:13:16,840 --> 01:13:21,880
Speaker 1: just Joey King's face. Even if you don't watch the movie,

1424
01:13:22,000 --> 01:13:23,840
Speaker 1: do me a favor and go to your Netflix and

1425
01:13:23,840 --> 01:13:25,320
Speaker 1: look up Wish I Was Here, and you will see

1426
01:13:25,360 --> 01:13:28,479
Speaker 1: it's a picture of Joey King's head because she has

1427
01:13:28,520 --> 01:13:31,519
Speaker 1: become such a big star, and particularly on Netflix with

1428
01:13:31,520 --> 01:13:33,760
Speaker 1: with with Kissing Booth, which was like one of their

1429
01:13:33,840 --> 01:13:36,400
Speaker 1: most watch movies ever. And I just thought it was

1430
01:13:36,400 --> 01:13:39,360
Speaker 1: funny that Netflix was like, no, we don't need Kate Hudson,

1431
01:13:39,439 --> 01:13:41,360
Speaker 1: Zach Ralph, Josh God, maybe Potancic on the plush are

1432
01:13:41,400 --> 01:13:44,960
Speaker 1: just a shot of Joey's head, but much deserved she's

1433
01:13:44,960 --> 01:13:47,400
Speaker 1: a superstar that she has a superstar. Thank you so

1434
01:13:47,479 --> 01:13:50,599
Speaker 1: much for listening to fake doctor's real friends. I'm your

1435
01:13:50,600 --> 01:13:53,040
Speaker 1: co host, Zach Braff, along with my friend Donald fayze

1436
01:13:53,120 --> 01:13:54,720
Speaker 1: On here to make you laugh, here to make a

1437
01:13:54,760 --> 01:14:01,920
Speaker 1: smile with a touch of nostalgia about sure we made

1438
01:14:03,160 --> 01:14:06,280
Speaker 1: about a bunch of docs and nurses and a janitor

1439
01:14:06,320 --> 01:14:10,240
Speaker 1: who learned him. I said, he's the stories natur all

1440
01:14:10,439 --> 01:14:13,280
Speaker 1: should know. So Gato