WEBVTT - Dan Taberski: Missing Richard Simmons Recap

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<v Speaker 1>If you're like me, you probably listened to, or perhaps

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<v Speaker 1>we're obsessed with the Missing Richard Simmons podcast. The host

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<v Speaker 1>and creator Dan to Birsky, spent a few years trying

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<v Speaker 1>to find out why Richard Simmons abruptly cut himself off

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<v Speaker 1>from his adoring fans and so many good friends he

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<v Speaker 1>made along the way. So over the course of this series,

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<v Speaker 1>I'm looking for Richard. I'm reaching out in any way

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<v Speaker 1>I can and exploring every theory. The goal isn't to

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<v Speaker 1>drag him back. It's to find out why someone like

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<v Speaker 1>him would ditch the world. This is Missing Richard Simmons.

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<v Speaker 1>Dan visited Richard's brother in New Orleans. He pretty much

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<v Speaker 1>talked to everyone who knew Richard at some point in

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<v Speaker 1>their lives. Richard Simmons hasn't been seen in public for

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<v Speaker 1>over three years. I was particularly interested in this podcast

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<v Speaker 1>because I had interviewed Richard several times in the past,

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<v Speaker 1>and I too was worried about him. And I have

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<v Speaker 1>to be honest, listening to this made me fall in

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<v Speaker 1>love with Richard Simmons all over again. And I'm not

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<v Speaker 1>the only one. This podcast has been a huge hit.

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<v Speaker 1>It was the number one most downloaded podcast on iTunes.

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<v Speaker 1>But now that the show was over all six episodes,

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<v Speaker 1>there are still a lot of questions. I guess the

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<v Speaker 1>primary one is why did Richard become a recluse? But

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<v Speaker 1>there are also people who are questioning Dan's decision to

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<v Speaker 1>make this podcast and the ethics of doing so. In fact,

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<v Speaker 1>the New York Times even called it quote unquote morally suspect.

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<v Speaker 1>So I sat down with Dan to talk about why

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<v Speaker 1>he wanted to do this, what his experience was like,

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<v Speaker 1>and his reaction to all the criticism. Dan to Bersky,

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<v Speaker 1>is so nice to see you. Dan. So how are

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<v Speaker 1>you feeling now that everything is done? I can't imagine

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<v Speaker 1>the wild ride you've been on. It was a wild

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<v Speaker 1>ride and it was, um it still is, I guess

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<v Speaker 1>a little bit. Um. I'm I am super pleased that

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<v Speaker 1>it's done, just because until it's done, you don't know

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<v Speaker 1>how it's going to turn out, quality wise, and I'm

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<v Speaker 1>super happy with how it turned out. Um, but it

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<v Speaker 1>was a lot. It was a lot of It started

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<v Speaker 1>out just like we watched a creep up the iTunes

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<v Speaker 1>start and then people your phone start ringing, and then

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<v Speaker 1>it is an avalanche. Uh, and it struck a chord,

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<v Speaker 1>which is so lovely. I'm super excited about that. So

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<v Speaker 1>it was a little overwhelming, And of course it's been controversial.

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<v Speaker 1>There's been a lot of criticism of the podcast, and

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<v Speaker 1>we'll talk about that later, but I want to talk

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<v Speaker 1>about this as a medium, if you will. You're a

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<v Speaker 1>documentary filmmaker. You did a film called These cock Sucking Tears,

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<v Speaker 1>and I wanted to say that because I thought people

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<v Speaker 1>would enjoy hearing me say the title of your film.

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<v Speaker 1>I wanted And you also obviously worked in television a

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<v Speaker 1>producer at The Daily Show, So what made you decide

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<v Speaker 1>to do a podcast instead of a TV show. It

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<v Speaker 1>was an unusual story, and I was sort of following

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<v Speaker 1>it as it was happening, and I was doing it

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<v Speaker 1>as a documentary. I started shooting it as a documentary.

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<v Speaker 1>I was shooting video and I actually started on my iPhone.

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<v Speaker 1>I was literally like I had the whole rig and like, yeah,

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<v Speaker 1>I was doing it all myself. And I think part

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<v Speaker 1>of that is just like it needs to reach critical mass,

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<v Speaker 1>like you just got. You think it would have been

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<v Speaker 1>successful as a film. As a documentary, I'm really glad

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<v Speaker 1>it wasn't a documentary, because what happens to the documentary

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<v Speaker 1>is that you finished it and then there's like a

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<v Speaker 1>year until it comes out. I also think it would

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<v Speaker 1>have I think oddly just the audio. Just having audio

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<v Speaker 1>only is more intimate, even though you're missing a sense.

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<v Speaker 1>But I actually think having the visuals as well might

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<v Speaker 1>have made it fee you a little more invasive and

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<v Speaker 1>not in a good way. Like it's just and a

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<v Speaker 1>lot of people are uncomfortable with their bodies that I'm

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<v Speaker 1>talking to, and you know, it just adds another element

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<v Speaker 1>of do I really want to pour my heart out

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<v Speaker 1>to you? And were you influenced by any other podcasts?

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<v Speaker 1>For example? Were you a big fan of Sereal? Is

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<v Speaker 1>that one of the things that made you gravitate towards this? Um?

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<v Speaker 1>I was influenced by serial and just that I really

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<v Speaker 1>liked it. UM. I will say I don't have a

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<v Speaker 1>particular love of like mystery, like I don't love true crime.

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<v Speaker 1>That was a big part of this, not true crime,

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<v Speaker 1>but the mystery element. Yeah, and and part of but

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<v Speaker 1>also part of that was me figuring out how to

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<v Speaker 1>do that part and sometimes in the podcast with my

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<v Speaker 1>producer Henry, like, I don't know if it comes through

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<v Speaker 1>in the podcast. But sometimes you know, and especially the

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<v Speaker 1>people at pine Stream Media, they were pushing me to

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<v Speaker 1>do things due diligence. You have to do the basics.

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<v Speaker 1>You have to reach out this way and that way,

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<v Speaker 1>and those are the things that made me uncomfortable, but

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<v Speaker 1>that still needed to be done. Like the sort of

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<v Speaker 1>mystery solving parts were not my favorite part. The favorite

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<v Speaker 1>parts we're talking about Richard and the impact he had.

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<v Speaker 1>What kinds of things do they make you do that

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<v Speaker 1>made you uncomfortable, Katy? I mean you opened that door, Dan, No,

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<v Speaker 1>not anything I'm uncomfortable to. You know, this sounds absurd,

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<v Speaker 1>but sometimes I'm just uncomfortable to talk to people. And

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<v Speaker 1>so things like you know, just going and knocking on

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<v Speaker 1>Richard's door, like that was something I needed to do.

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<v Speaker 1>I needed to reach out to Richard and just do

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<v Speaker 1>the basics, like if he answered the door and he's like,

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<v Speaker 1>hey man, come on in, Like there goes a podcast.

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<v Speaker 1>But I needed to know those things. Let's peek behind

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<v Speaker 1>the curtains. Tell us how much traveling you did, the

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<v Speaker 1>reporting that you did before the episode started to air,

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<v Speaker 1>how this was done in real time? Can you just

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<v Speaker 1>tell us a little bit about your process feel like

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<v Speaker 1>I'm interviewing Martin Scorsese. Somehow I appreciate the comparison. I

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<v Speaker 1>don't get carried away totally the other way. No, I

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<v Speaker 1>didn't mean that, but I just, you know, I want

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<v Speaker 1>you to get too big for your bridges. As my

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<v Speaker 1>mom would say, it will not happen. My bridges are

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<v Speaker 1>just fine. The process was, um, it was a long one.

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<v Speaker 1>I mean I had originally met Richard in two thousand twelve,

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<v Speaker 1>and I wanted to do a documentary on him from

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<v Speaker 1>the beginning. Uh, And so that was our process of

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<v Speaker 1>getting to know each other was you know, we were

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<v Speaker 1>getting to know each other, but there was also you know,

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<v Speaker 1>there was another level of like do I trust you

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<v Speaker 1>to tell my story? So that started in two thousand twelve.

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<v Speaker 1>He disappeared in two thousand thirteen, and then about a

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<v Speaker 1>year later, I kind of realized that everybody was sort

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<v Speaker 1>of wondering what is going on? And there were no

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<v Speaker 1>easy answers, and a lot of people were really worried, um,

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<v Speaker 1>sincerely worried. Um. What did he say when you approached

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<v Speaker 1>him about a documentary? He said no? Wink, he said,

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<v Speaker 1>he said no. And then but he said it with

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<v Speaker 1>a smile, and we kept talking and I that was

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<v Speaker 1>the first day I took his class, and I said,

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<v Speaker 1>all right, I'll just keep going to class. And so

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<v Speaker 1>I did you bring it up again? Uh? Not for

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<v Speaker 1>a while. Um. And then maybe six months later I

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<v Speaker 1>kind of raised it again and then what did he say?

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<v Speaker 1>He said, I don't remember exactly what I said, but

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<v Speaker 1>it was like a slow process of he sort of

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<v Speaker 1>invited me to come to behind the scenes of one

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<v Speaker 1>of the tapings of his videos. Um. And then he

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<v Speaker 1>sort of invited me to lunch where we could talk

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<v Speaker 1>about it just that without like the class or anything

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<v Speaker 1>else distracting us. So you felt like you were making

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<v Speaker 1>some progress in achieving your goal of producing a documentary. Sure, yeah, yeah,

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<v Speaker 1>for sure. And then no, uh, we we actually started

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<v Speaker 1>doing negotiating a deal um about which gets complicated about

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<v Speaker 1>life rights and stuff like that, and house it's gonna work. Um.

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<v Speaker 1>And then sort of an early fall of two thousand thirteen, Um,

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<v Speaker 1>he I moved back to New York, uh, and he

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<v Speaker 1>put it on hold. And then a couple months later

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<v Speaker 1>he had disappeared, but we were still in touch and

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<v Speaker 1>still talking. He just wasn't quite ready, um, but then

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<v Speaker 1>he the disappeared quite literally. But you really thought it

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<v Speaker 1>was all systems go, that the two of you were

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<v Speaker 1>going to make a documentary together. I thought, no, I

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<v Speaker 1>thought we had hit a we hit a pause button,

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<v Speaker 1>which is totally fine, but oh yeah, yeah, yeah, we

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<v Speaker 1>were for sure like it was a we were doing it,

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<v Speaker 1>like you told people in the class, and like you

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<v Speaker 1>said it out loud and we talked. Yet for sure

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<v Speaker 1>it was happening. You also traveled extensively, went to New

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<v Speaker 1>Orleans and showed up outside his brother's house there you,

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<v Speaker 1>as you mentioned, went to Richard's house in l A.

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<v Speaker 1>How much traveling did you have to do for this?

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<v Speaker 1>I would say, I mean I went to we went

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<v Speaker 1>to New Orleans, and we went to Mississippi, and then

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<v Speaker 1>I went to l A about five or six times.

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<v Speaker 1>I mean I was out there, I would say for

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<v Speaker 1>four weeks altogether for this, which, gosh, I guess that's

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<v Speaker 1>a lot. You set boundaries for yourself, Dan, You did

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<v Speaker 1>you going into this say I won't do A, B

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<v Speaker 1>and C. Or did those boundaries evolve as the project

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<v Speaker 1>went on? The boundaries definitely did not evolve. Um, I

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<v Speaker 1>would say, I mean I don't consider myself a journalist.

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<v Speaker 1>I consider myself a documentarian, which are very similar rules,

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<v Speaker 1>but documentarians is a little more artful. You're trying, you're

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<v Speaker 1>you're allowed to be a little looser, not with the facts,

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<v Speaker 1>but with how you're expressing things. Um. But also the

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<v Speaker 1>easier rule was just like I consider him a friend

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<v Speaker 1>of mine, and what would you do to a friend

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<v Speaker 1>of yours? Like that became not pretending like I wasn't

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<v Speaker 1>out to get this guy. I wasn't out too upset him.

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<v Speaker 1>I wasn't out to expose anything. So just saying like,

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<v Speaker 1>you know what, like I'm not doing that. He's like,

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<v Speaker 1>I consider him my friend. He wouldn't want that, Like

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<v Speaker 1>that was kind of an easy line. So how did

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<v Speaker 1>you figure out which lines you wouldn't cross? Whichever one's

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<v Speaker 1>made me nauseous? It's a it's a I only I'm

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<v Speaker 1>only half kidding, Like if I really just don't feel right,

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<v Speaker 1>I'm just like I don't want to do that, Like

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<v Speaker 1>I have to decide if it's um, if it's just nerves,

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<v Speaker 1>or if it's really like now, there's something wrong with that.

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<v Speaker 1>Like in the past three years, I've been outside of

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<v Speaker 1>Richard's house maybe a total ten minutes, like you know

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<v Speaker 1>what I mean, Like a lot of the things that

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<v Speaker 1>people think, oh, you crossed boundaries, Like in fact, people

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<v Speaker 1>just think we cross boundary because we're showing them what

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<v Speaker 1>we were doing, like we were quite honest. Like I'm

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<v Speaker 1>gonna go knock on the door now, because that's basic.

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<v Speaker 1>You gotta do it if you're looking for somebody whereas

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<v Speaker 1>another journalist or a television crew, like they'll be camped

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<v Speaker 1>out for days and like, but you don't see that part.

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<v Speaker 1>Still for some reason, it feels less intrusive. But in fact,

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<v Speaker 1>like I hardly I didn't make any contact with him

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<v Speaker 1>hard I talked to his manager a couple of times.

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<v Speaker 1>Like it was just on the peripheries. If you had

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<v Speaker 1>to do it over again, would you do anything differently?

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<v Speaker 1>Um No, I'm not saying I didn't make mistakes. I

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<v Speaker 1>think I did make mistakes, although most of the mistakes

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<v Speaker 1>people people probably didn't pick up on. Like if um,

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<v Speaker 1>I'm really proud of it. Um, I'm really proud of it.

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<v Speaker 1>You can be proud of it, but also maybe think

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<v Speaker 1>regret a few things in it. Um, I wish I

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<v Speaker 1>was more prepared to understand that if people started listening

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<v Speaker 1>to that would change it, that that would change that,

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<v Speaker 1>that would change what was happening. Like the first I

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<v Speaker 1>think what happened is that people were really on board

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<v Speaker 1>and they were like, oh my gosh, Richard Simms is amazing.

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<v Speaker 1>And I don't think it's exaggerating to say that I

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<v Speaker 1>did remind people that Richard Sims is amazing, and I

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<v Speaker 1>do think he has really become one dimensional in the

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<v Speaker 1>past ten twenty years, and that part of the fun

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<v Speaker 1>of this was just saying you don't understand, like he's

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<v Speaker 1>this businessman and he's helping all these people and all

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<v Speaker 1>these dimensions. Part of it was really like any biography

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<v Speaker 1>in a way. Yeah, But once people realized that it

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<v Speaker 1>wasn't just the guy that Letterman was making fun of

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<v Speaker 1>in short shorts, then people were like, Richard's amazing, and

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<v Speaker 1>they're like, wait a minute, leave rich Or alone. So

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<v Speaker 1>I kind of put myself into a trap again that

0:11:44.400 --> 0:11:47.680
<v Speaker 1>we weren't doing anything that was actually there was nothing

0:11:47.679 --> 0:11:49.320
<v Speaker 1>in truth about what we were doing. But I think

0:11:49.360 --> 0:11:51.280
<v Speaker 1>that more people got to know Richard, the more they

0:11:51.360 --> 0:11:54.320
<v Speaker 1>felt like they knew him. That got into your head, though,

0:11:54.360 --> 0:11:56.640
<v Speaker 1>But the fact that you were doing this in real

0:11:56.760 --> 0:12:00.679
<v Speaker 1>time sort of some of the backlash again into the show.

0:12:01.800 --> 0:12:05.720
<v Speaker 1>How did it influence sort of the latter episodes. The

0:12:05.760 --> 0:12:10.199
<v Speaker 1>stress level went up, like way up, like intensely up

0:12:10.240 --> 0:12:12.520
<v Speaker 1>for me. But that I do that to myself, um

0:12:12.679 --> 0:12:14.679
<v Speaker 1>as as I think you know a lot of directors,

0:12:14.840 --> 0:12:17.640
<v Speaker 1>producers or anybody would do describe how that felt when

0:12:17.800 --> 0:12:21.360
<v Speaker 1>people started saying, hey, wait a minute. Um, it's not.

0:12:21.480 --> 0:12:23.640
<v Speaker 1>It's not just that hey wait a minute is fine

0:12:23.640 --> 0:12:26.720
<v Speaker 1>because they weren't. Nobody out there has asked anything that

0:12:26.760 --> 0:12:29.280
<v Speaker 1>we haven't been asking ourselves for the past three years.

0:12:29.280 --> 0:12:31.920
<v Speaker 1>And I think that's what that like. We went eyes

0:12:31.960 --> 0:12:34.360
<v Speaker 1>wide open, like I have never worked on a project

0:12:34.400 --> 0:12:38.280
<v Speaker 1>for this long, so considerately. Um. I don't mean as

0:12:38.280 --> 0:12:40.120
<v Speaker 1>a complent. I just mean, like the sheer time and

0:12:40.200 --> 0:12:41.640
<v Speaker 1>do deal, gents, we did to make sure that we

0:12:41.640 --> 0:12:46.160
<v Speaker 1>were doing things away that we thought were was right. Um.

0:12:46.320 --> 0:12:50.240
<v Speaker 1>So it's more about the criticism, a little bit of criticism,

0:12:50.400 --> 0:12:54.760
<v Speaker 1>plus people really waiting for the next episode, plus people

0:12:54.800 --> 0:12:58.079
<v Speaker 1>who know Richard wanting to know what's going on, plus

0:12:58.520 --> 0:13:00.840
<v Speaker 1>knowing that Richard's out there and wondering what he's thinking,

0:13:01.400 --> 0:13:05.120
<v Speaker 1>plus just sheer time, Like you start to run out

0:13:05.120 --> 0:13:08.920
<v Speaker 1>of time. UM. So all that sort of coalesces into

0:13:09.000 --> 0:13:11.680
<v Speaker 1>nothing new, nothing that I'm sure you or a million

0:13:11.720 --> 0:13:15.160
<v Speaker 1>other people haven't experienced times ten. But you know, for me,

0:13:16.040 --> 0:13:18.040
<v Speaker 1>this time it was me. So it's serious and it

0:13:18.120 --> 0:13:21.079
<v Speaker 1>was a new phenomenon for you. Yeah, I had never

0:13:21.120 --> 0:13:22.760
<v Speaker 1>had you know, I had I had a kids show

0:13:22.840 --> 0:13:25.440
<v Speaker 1>like uh five years ago in Cartoon Network that was

0:13:25.440 --> 0:13:26.800
<v Speaker 1>a really big hit, but it was a big hit

0:13:26.840 --> 0:13:29.000
<v Speaker 1>with kids, and so like nobody knew what I was doing,

0:13:29.080 --> 0:13:30.840
<v Speaker 1>Like if a twelve year old came up to me,

0:13:30.920 --> 0:13:34.200
<v Speaker 1>I was the rock star, but it was really under

0:13:34.240 --> 0:13:36.840
<v Speaker 1>the radar with adults. UM. And there was something really

0:13:37.240 --> 0:13:41.120
<v Speaker 1>um pressureless about that UM. But this was the first

0:13:41.160 --> 0:13:43.440
<v Speaker 1>time where I did something you know that I was

0:13:43.480 --> 0:13:47.120
<v Speaker 1>at the center of that um that became really um

0:13:47.200 --> 0:13:50.400
<v Speaker 1>intense like that and so quickly and so surprisingly. I

0:13:50.480 --> 0:13:53.520
<v Speaker 1>wanna play a clip from the podcast. Here is what

0:13:53.600 --> 0:13:56.120
<v Speaker 1>you told your producer Henry at the start of the project.

0:13:57.400 --> 0:13:59.480
<v Speaker 1>If he said to you, like, why are you doing this?

0:14:00.200 --> 0:14:04.400
<v Speaker 1>What would you say? In my perfect world of worlds,

0:14:05.440 --> 0:14:08.480
<v Speaker 1>this gesture would be the entire world and all the

0:14:08.520 --> 0:14:10.959
<v Speaker 1>people around him telling Richard Simmons that he should love

0:14:11.040 --> 0:14:13.240
<v Speaker 1>himself and to the point where he would believe it.

0:14:14.520 --> 0:14:22.560
<v Speaker 1>I know that's impossible, but it'd be great. Go ahead.

0:14:23.360 --> 0:14:25.760
<v Speaker 1>Oh sorry, I thought that was more. Never my good.

0:14:25.840 --> 0:14:27.120
<v Speaker 1>I just oh my god. I just put my finger

0:14:27.200 --> 0:14:32.280
<v Speaker 1>up to Kati. Correctly, Katie hold on saying great. Many

0:14:32.360 --> 0:14:36.560
<v Speaker 1>people have said that the grand gesture this podcast in

0:14:36.600 --> 0:14:39.840
<v Speaker 1>your Search for Richard Simmons Dan wasn't all that grand.

0:14:39.920 --> 0:14:43.240
<v Speaker 1>That at best it was sweet, but at worst intrusive

0:14:43.280 --> 0:14:45.640
<v Speaker 1>and perhaps even self serving. Let me read to you

0:14:45.680 --> 0:14:48.440
<v Speaker 1>what a critic in The New York Times said. I

0:14:48.520 --> 0:14:51.880
<v Speaker 1>just say, I've never read this. People told me about.

0:14:51.880 --> 0:14:53.720
<v Speaker 1>Oh please read it, but people told me about anyway.

0:14:54.040 --> 0:14:57.240
<v Speaker 1>I just have one line from this article. The writer

0:14:57.320 --> 0:15:00.840
<v Speaker 1>said it was morally suspect, and added is what friends do,

0:15:01.080 --> 0:15:04.400
<v Speaker 1>turn their loved ones personal crisis into a fun mystery

0:15:04.440 --> 0:15:08.960
<v Speaker 1>investigation and record it for a hit podcast. The hit

0:15:09.000 --> 0:15:10.880
<v Speaker 1>podcast part that I love that. I love that it's

0:15:10.880 --> 0:15:12.440
<v Speaker 1>assumed that I just knew this was going to be

0:15:12.480 --> 0:15:16.040
<v Speaker 1>a hit, like for me. I for me, it feels

0:15:16.080 --> 0:15:18.600
<v Speaker 1>like I tricked people into giving me money to make

0:15:18.640 --> 0:15:20.880
<v Speaker 1>this project about somebody that I think is really great,

0:15:21.160 --> 0:15:24.280
<v Speaker 1>and I it never of course I wanted it to

0:15:24.320 --> 0:15:26.760
<v Speaker 1>be a big thing, but I didn't realize that it

0:15:26.800 --> 0:15:30.400
<v Speaker 1>would be. The flip side of that is, I really

0:15:30.400 --> 0:15:32.880
<v Speaker 1>do think that there's a real question of like, when

0:15:32.920 --> 0:15:35.800
<v Speaker 1>are you supposed to start asking these questions about people

0:15:35.840 --> 0:15:38.360
<v Speaker 1>that you think are great and that are important and

0:15:38.400 --> 0:15:40.080
<v Speaker 1>you think might be in trouble. I mean, are we

0:15:40.200 --> 0:15:43.760
<v Speaker 1>supposed to wait? Like this might sound grim? Uh, you know,

0:15:43.760 --> 0:15:46.200
<v Speaker 1>are we supposed to wait till you know, in twenty years,

0:15:46.240 --> 0:15:49.640
<v Speaker 1>like Richard Simmons is dead, and then you know, and

0:15:49.640 --> 0:15:51.840
<v Speaker 1>then he lived the last twenty years of his life

0:15:51.840 --> 0:15:54.600
<v Speaker 1>in solitude, and there's all these questions about it, and

0:15:54.600 --> 0:15:57.120
<v Speaker 1>then you know, people just line up like planes landing

0:15:57.120 --> 0:15:59.400
<v Speaker 1>into l a X trying to get on MSNBC to

0:15:59.440 --> 0:16:02.280
<v Speaker 1>talk about it. Um and for some and for some reason,

0:16:02.320 --> 0:16:04.960
<v Speaker 1>that would be the sad thing to do for me.

0:16:05.120 --> 0:16:07.800
<v Speaker 1>But with all due respect, is that really your job?

0:16:07.920 --> 0:16:11.680
<v Speaker 1>I mean, who made you the guy who should be

0:16:11.840 --> 0:16:16.240
<v Speaker 1>responsible for tracking down Richard Simmons when maybe he just

0:16:17.040 --> 0:16:20.560
<v Speaker 1>wants to be left alone. I would think that, you know,

0:16:20.640 --> 0:16:22.560
<v Speaker 1>I think anybody who sort of endeavors in a project

0:16:22.640 --> 0:16:25.400
<v Speaker 1>like this, there's some sort of you have to decide

0:16:25.400 --> 0:16:28.320
<v Speaker 1>that this is a story worth telling. UM. You know,

0:16:28.640 --> 0:16:33.800
<v Speaker 1>I also think that, um, there were real questions, and

0:16:33.840 --> 0:16:36.720
<v Speaker 1>because I knew him, UM, it made me feel like

0:16:36.720 --> 0:16:38.760
<v Speaker 1>I was in a position to ask these questions, whereas

0:16:38.760 --> 0:16:43.000
<v Speaker 1>other people maybe couldn't. UM. Do you think you know,

0:16:43.400 --> 0:16:46.920
<v Speaker 1>when you say that, people might think, well, he was

0:16:46.960 --> 0:16:52.640
<v Speaker 1>really taking advantage of this friendship. Uh, they might that

0:16:52.640 --> 0:16:56.120
<v Speaker 1>that would be a shame. UM, but I certainly hope

0:16:56.160 --> 0:16:58.840
<v Speaker 1>they wouldn't. I mean, I do think it's worth reminding

0:17:00.960 --> 0:17:06.919
<v Speaker 1>people and myself that there were real questions up to

0:17:07.000 --> 0:17:10.560
<v Speaker 1>six weeks ago about what was going on with Richard Simmons.

0:17:10.680 --> 0:17:13.320
<v Speaker 1>And that's not a joke, that's not hyperbole, that's not

0:17:13.560 --> 0:17:15.560
<v Speaker 1>you know, making something out of nothing. That to me,

0:17:15.720 --> 0:17:20.240
<v Speaker 1>knowing many many people, almost anybody I knew who knew

0:17:20.320 --> 0:17:22.960
<v Speaker 1>Richard Simmons from that class and knew him for years,

0:17:23.000 --> 0:17:25.840
<v Speaker 1>thought that something was wrong. And everybody, every one of

0:17:25.840 --> 0:17:29.720
<v Speaker 1>those people, including me, recognized that what they felt and

0:17:29.760 --> 0:17:33.360
<v Speaker 1>what they knew about Richard and what his management and

0:17:33.400 --> 0:17:37.880
<v Speaker 1>his publicists were saying did not match up. They were saying,

0:17:37.880 --> 0:17:40.679
<v Speaker 1>he just retired, He's fine, That's not what happened. And

0:17:40.720 --> 0:17:44.280
<v Speaker 1>so it created this like there was just this gap

0:17:44.320 --> 0:17:46.639
<v Speaker 1>between what the people who were around him were saying

0:17:47.080 --> 0:17:50.200
<v Speaker 1>versus what the people who knew him were feeling. And

0:17:50.560 --> 0:17:54.480
<v Speaker 1>I think in in in large part, we're correct at.

0:17:54.480 --> 0:17:57.119
<v Speaker 1>On top of that, one of the one of the

0:17:57.119 --> 0:17:59.959
<v Speaker 1>closest people to Richard before he disappeared, who I got

0:18:00.080 --> 0:18:02.600
<v Speaker 1>to know through Richard, who Richard told me to trust,

0:18:03.520 --> 0:18:06.360
<v Speaker 1>was telling me that something's going on here, that this

0:18:06.480 --> 0:18:09.160
<v Speaker 1>is not good, that this is scary, and here the reasons.

0:18:09.680 --> 0:18:12.199
<v Speaker 1>So it wasn't. This isn't. There's a part of it

0:18:12.200 --> 0:18:14.160
<v Speaker 1>where we treat it really light and have fun with it,

0:18:14.200 --> 0:18:17.520
<v Speaker 1>just like Richard will cry one second and laugh the next,

0:18:17.560 --> 0:18:19.440
<v Speaker 1>Like I love that sort of thing. But there's another

0:18:19.480 --> 0:18:24.080
<v Speaker 1>part of this where people were concerned and it bared investigating.

0:18:24.320 --> 0:18:26.400
<v Speaker 1>How did you reach out to some of the other

0:18:26.440 --> 0:18:29.400
<v Speaker 1>people who you feature in the podcast. The woman who

0:18:29.480 --> 0:18:33.920
<v Speaker 1>Richard drove to exercise class, who is how old again?

0:18:34.119 --> 0:18:36.840
<v Speaker 1>She's naughty five. She just had a ninety fifth birthday.

0:18:37.119 --> 0:18:42.639
<v Speaker 1>My name is Jerry, Jerry Sinclair. Other friends call Gi

0:18:43.080 --> 0:18:48.080
<v Speaker 1>yeah and and and she was so sweet and really

0:18:48.160 --> 0:18:51.840
<v Speaker 1>darling in this podcast. Not many people have a fourty

0:18:51.880 --> 0:18:58.480
<v Speaker 1>year relationship with their exercise instructor. Well, these easy love

0:18:59.600 --> 0:19:03.960
<v Speaker 1>and I do I did become like a second mother.

0:19:04.600 --> 0:19:08.080
<v Speaker 1>How did you convince her? I mean was she reticent? No,

0:19:08.359 --> 0:19:11.480
<v Speaker 1>she wasn't reticent. The people around her were reticent. UM.

0:19:11.520 --> 0:19:13.160
<v Speaker 1>And I think the fact that I had been taking

0:19:13.160 --> 0:19:16.320
<v Speaker 1>the class and that I was a familiar face to

0:19:16.359 --> 0:19:18.720
<v Speaker 1>a lot of these people, UM, and that I wasn't

0:19:18.720 --> 0:19:21.119
<v Speaker 1>an outsider coming in trying to do a story and

0:19:21.240 --> 0:19:24.720
<v Speaker 1>Richard Simmons, I was kind of coming from within and saying, Hey,

0:19:24.760 --> 0:19:26.920
<v Speaker 1>what's going on, guys and sort of hearing what everybody

0:19:26.960 --> 0:19:30.840
<v Speaker 1>was saying, really not understanding what was happening. Um. And

0:19:31.280 --> 0:19:34.680
<v Speaker 1>I think there was a familiarity that UM that allowed

0:19:34.720 --> 0:19:37.360
<v Speaker 1>me to talk to people. It just it made them

0:19:37.359 --> 0:19:39.080
<v Speaker 1>open up a little bit more. But it was still

0:19:39.640 --> 0:19:42.359
<v Speaker 1>not an easy road to ho like, people are still

0:19:42.440 --> 0:19:45.920
<v Speaker 1>really protective of Richard, and people are afraid to you know,

0:19:45.960 --> 0:19:48.160
<v Speaker 1>they don't want to say something that's going to be misconstrued.

0:19:48.200 --> 0:19:51.120
<v Speaker 1>And so did anyone call you after you interviewed them

0:19:51.160 --> 0:19:54.040
<v Speaker 1>and say I don't really feel comfortable do you mind

0:19:54.040 --> 0:19:58.440
<v Speaker 1>not including that? Were you hoping that this would end

0:19:59.200 --> 0:20:02.359
<v Speaker 1>with Richard being an interview with you and telling you

0:20:02.640 --> 0:20:07.520
<v Speaker 1>where he'd been, what he'd been doing and what had happened, um,

0:20:07.600 --> 0:20:10.280
<v Speaker 1>and the best of all possible worlds. Yeah, and the

0:20:10.320 --> 0:20:13.760
<v Speaker 1>best of all possible worlds. Um. A big part of

0:20:13.760 --> 0:20:16.320
<v Speaker 1>what I was hoping for was that he would feel

0:20:16.440 --> 0:20:19.240
<v Speaker 1>that that he would that he would feel that a

0:20:19.280 --> 0:20:24.320
<v Speaker 1>lot of people think and felt that he was isolated

0:20:24.400 --> 0:20:26.960
<v Speaker 1>and alone in a way that wasn't healthy for him

0:20:27.080 --> 0:20:28.680
<v Speaker 1>or for others, and that he would tell the same

0:20:28.720 --> 0:20:32.199
<v Speaker 1>to them when he was there, like it's it's a

0:20:32.200 --> 0:20:34.360
<v Speaker 1>big part of obesity. Is like when we talked about

0:20:34.400 --> 0:20:37.680
<v Speaker 1>in the podcast, is is you isolate yourself, um, and

0:20:37.760 --> 0:20:40.119
<v Speaker 1>it's unhealthy and you have to find people you trust.

0:20:40.200 --> 0:20:45.000
<v Speaker 1>And I you know, Misca supposedly is at his fighting weight.

0:20:45.960 --> 0:20:48.080
<v Speaker 1>Detective Becker tells me that, Yeah, it was just great,

0:20:48.119 --> 0:20:51.280
<v Speaker 1>It's amazing. Um. But what I was hoping was that

0:20:51.480 --> 0:20:53.399
<v Speaker 1>if he wasn't in a good way, that he would

0:20:53.400 --> 0:20:56.800
<v Speaker 1>feel that that love and he would feel that understanding

0:20:56.840 --> 0:20:59.080
<v Speaker 1>and people respecting the impact he's made on them, and

0:20:59.119 --> 0:21:01.360
<v Speaker 1>that would have an impact. I'm sure. So in a way,

0:21:01.400 --> 0:21:05.639
<v Speaker 1>you tried to deliver a love letter, not a voyeuristic

0:21:05.720 --> 0:21:08.919
<v Speaker 1>invasion of privacy. No, I mean I would try to

0:21:08.920 --> 0:21:10.679
<v Speaker 1>do a love letter. I also tried to tell a

0:21:10.720 --> 0:21:14.119
<v Speaker 1>really compelling story. UM. I also tried to tell the

0:21:14.160 --> 0:21:16.960
<v Speaker 1>story of you know, the story of Richard Simmons is

0:21:16.960 --> 0:21:20.680
<v Speaker 1>an incredible one that people forgot absolutely. I will say

0:21:20.720 --> 0:21:22.960
<v Speaker 1>in terms of voyers UM. I don't mean this to

0:21:23.040 --> 0:21:25.040
<v Speaker 1>sound coy, but there's a ton of stuff that we

0:21:25.040 --> 0:21:27.399
<v Speaker 1>didn't put in there, like stuff that people that he

0:21:27.440 --> 0:21:29.959
<v Speaker 1>would never want anybody talking about. Um. And and so

0:21:30.000 --> 0:21:32.160
<v Speaker 1>it wasn't about digging up dirt and putting it out

0:21:32.160 --> 0:21:35.280
<v Speaker 1>there like I I we that's not what this was

0:21:35.320 --> 0:21:37.359
<v Speaker 1>at all. Like if if we wanted to do voyeuristic,

0:21:37.400 --> 0:21:40.159
<v Speaker 1>that would have been super easy, and that's not I

0:21:40.480 --> 0:21:43.520
<v Speaker 1>hope that's not what we did. Well. It's interesting because

0:21:43.560 --> 0:21:46.800
<v Speaker 1>some of the things that you anticipated would be included

0:21:46.840 --> 0:21:51.800
<v Speaker 1>in the sixth episode, uh, they weren't. And you explain

0:21:51.880 --> 0:21:55.399
<v Speaker 1>at the beginning that if people were wondering what was

0:21:55.520 --> 0:21:59.400
<v Speaker 1>left out, it included a boom box and a letter.

0:21:59.640 --> 0:22:03.360
<v Speaker 1>You're gills at gift wrapping and you being way too

0:22:03.400 --> 0:22:07.000
<v Speaker 1>deep into the story, and you say to the listeners,

0:22:07.119 --> 0:22:10.439
<v Speaker 1>if you ever wonder what what happened and what we

0:22:10.560 --> 0:22:13.080
<v Speaker 1>kept out, asked me, and I'll tell you so Dan,

0:22:14.320 --> 0:22:17.960
<v Speaker 1>why did you take things out? What were they? They were? Um?

0:22:18.040 --> 0:22:21.200
<v Speaker 1>And I do think that's definitely part of the um

0:22:21.480 --> 0:22:24.280
<v Speaker 1>challenge of doing something in real time, like you know,

0:22:24.320 --> 0:22:26.199
<v Speaker 1>episode five comes out and you're not quite sure what

0:22:26.200 --> 0:22:28.159
<v Speaker 1>episodes ticks is going to be because it's happening, like

0:22:28.200 --> 0:22:31.159
<v Speaker 1>the phone's ringing and people are giving you information that

0:22:31.200 --> 0:22:34.800
<v Speaker 1>you feel like it's important. And um. There were two

0:22:34.800 --> 0:22:37.040
<v Speaker 1>things that we were going to put in there. UM.

0:22:37.119 --> 0:22:40.760
<v Speaker 1>There was one where UM, where I wanted to make

0:22:40.800 --> 0:22:44.240
<v Speaker 1>sure that Richard was hearing the podcast because that was

0:22:44.280 --> 0:22:46.760
<v Speaker 1>a big part of this. And literally, like sometimes I

0:22:46.800 --> 0:22:49.000
<v Speaker 1>think about Richard Simmons like my grandmother, like I'm not

0:22:49.080 --> 0:22:52.640
<v Speaker 1>quite sure if he knows how the internet works type thing. Um.

0:22:52.720 --> 0:22:55.080
<v Speaker 1>And so it was literally just putting what we had

0:22:55.119 --> 0:22:57.840
<v Speaker 1>done into a boom box and putting on his front

0:22:58.280 --> 0:23:00.600
<v Speaker 1>on a stoop. I guess if you can call a mansion.

0:23:00.600 --> 0:23:03.080
<v Speaker 1>I don't know if a mansion has a stoop, um,

0:23:03.160 --> 0:23:08.280
<v Speaker 1>but from steps, yeah, exactly, uh and to uh and

0:23:08.359 --> 0:23:11.080
<v Speaker 1>to get his reaction and so that we would know

0:23:11.119 --> 0:23:13.600
<v Speaker 1>that he would had heard it. The other thing that

0:23:13.640 --> 0:23:17.800
<v Speaker 1>was in there UM was something about to the entilator

0:23:17.920 --> 0:23:23.560
<v Speaker 1>characters Morrow and Teresa. UM and basically, gosh, how do

0:23:23.640 --> 0:23:27.879
<v Speaker 1>I say this without um, without telling you, because the

0:23:27.880 --> 0:23:29.320
<v Speaker 1>whole point of not putting in there was to not

0:23:29.359 --> 0:23:33.719
<v Speaker 1>tell people. UM. I think yeah, the reasoning was it

0:23:33.800 --> 0:23:40.000
<v Speaker 1>was it was UM. It turned out to be. My

0:23:40.000 --> 0:23:42.080
<v Speaker 1>my sense is that what we were going to put

0:23:42.119 --> 0:23:45.120
<v Speaker 1>in there in wretched after talking to people, because after

0:23:45.200 --> 0:23:47.280
<v Speaker 1>the podcast came out, a lot more people started talking

0:23:47.320 --> 0:23:49.920
<v Speaker 1>to us, UM, a lot more people who were close

0:23:49.960 --> 0:23:51.800
<v Speaker 1>to Richard. We're giving us there two cents in a

0:23:51.840 --> 0:23:56.160
<v Speaker 1>really good way. UM. And we kind of realized that

0:23:56.840 --> 0:23:59.200
<v Speaker 1>the stuff that we thought was important uh and pertain

0:23:59.280 --> 0:24:01.080
<v Speaker 1>to Richard, it was less about Richard and it was

0:24:01.119 --> 0:24:03.800
<v Speaker 1>more about Morrow and Teresa. UH. And so it was

0:24:03.880 --> 0:24:07.840
<v Speaker 1>drama and it was good tape. UM. But in the end,

0:24:08.200 --> 0:24:10.240
<v Speaker 1>the story that we really wanted to tell was the

0:24:10.240 --> 0:24:12.479
<v Speaker 1>story about Richard. And as we got closer to the end,

0:24:12.520 --> 0:24:16.359
<v Speaker 1>we realized, you know what, that's just not it's just

0:24:16.440 --> 0:24:19.000
<v Speaker 1>bringing up stuff that doesn't affect Richard at all. I

0:24:19.040 --> 0:24:21.280
<v Speaker 1>think it's just about them. I will say that we

0:24:21.280 --> 0:24:24.679
<v Speaker 1>were over I think there's lesson learned in terms of

0:24:24.680 --> 0:24:28.800
<v Speaker 1>being over zealous with a tease. Don't tease what you

0:24:28.840 --> 0:24:33.080
<v Speaker 1>can't deliver, Dan, I know I under promise and over deliver,

0:24:33.520 --> 0:24:36.280
<v Speaker 1>I know for sure. Well I have to ask you though,

0:24:36.400 --> 0:24:39.680
<v Speaker 1>I have to ask you about the boom box. Can

0:24:39.720 --> 0:24:44.200
<v Speaker 1>you tell me it? Oh? What happened? Yeah? Yeah, what happened?

0:24:45.480 --> 0:24:48.480
<v Speaker 1>I know you put it there, but what happened? Okay?

0:24:48.560 --> 0:24:51.800
<v Speaker 1>So did you hear the tease? Yeah? Okay, so yeah, yeah, okay,

0:24:51.840 --> 0:24:54.719
<v Speaker 1>So here's what happened. It's gonna sound really small, um,

0:24:54.800 --> 0:24:56.800
<v Speaker 1>but it was kind of incredible. So what happened is

0:24:56.840 --> 0:24:59.719
<v Speaker 1>we put it down. Um. It had four balloons on

0:24:59.720 --> 0:25:02.479
<v Speaker 1>it and um, and it was a boom box with

0:25:02.560 --> 0:25:05.320
<v Speaker 1>the podcast in it. And I put it his front

0:25:05.359 --> 0:25:08.200
<v Speaker 1>door or over the fence. Um, which is super easy

0:25:08.240 --> 0:25:10.359
<v Speaker 1>to do, um because it's right there in the street.

0:25:10.600 --> 0:25:13.199
<v Speaker 1>And then we left and as we're driving away, we

0:25:13.200 --> 0:25:15.159
<v Speaker 1>saw Trace, so the housekeeper come pick it up. So

0:25:15.200 --> 0:25:18.800
<v Speaker 1>we're like, great, mission accomplished. He's gonna get it. And

0:25:18.920 --> 0:25:21.040
<v Speaker 1>inside was a note saying we moved back tomorrow at

0:25:21.080 --> 0:25:22.680
<v Speaker 1>nine o'clock. If you want to talk to me, I

0:25:22.720 --> 0:25:24.280
<v Speaker 1>don't know if you're getting into my messages. I don't

0:25:24.280 --> 0:25:25.760
<v Speaker 1>know if it's getting through through Trace. I don't know

0:25:25.760 --> 0:25:28.320
<v Speaker 1>if it's getting through your manager. If if we'll come

0:25:28.320 --> 0:25:31.240
<v Speaker 1>back at out o'clock tomorrow and we'll wait ten minutes um.

0:25:31.280 --> 0:25:34.359
<v Speaker 1>If um, if you come out, then then we'll be

0:25:34.359 --> 0:25:36.320
<v Speaker 1>waiting for you. We could talk. If not, well this

0:25:36.400 --> 0:25:38.960
<v Speaker 1>is it. That's it, we're done. Um. And he didn't

0:25:38.960 --> 0:25:42.560
<v Speaker 1>come out. Um, and a bird shit on me and

0:25:42.840 --> 0:25:46.240
<v Speaker 1>like I started raining. Yeah totally. Oh the gods were

0:25:46.280 --> 0:25:49.879
<v Speaker 1>literally like enough to burs key. Um all really like

0:25:50.040 --> 0:25:53.120
<v Speaker 1>benign stuff like just like so why not include that

0:25:53.400 --> 0:25:56.120
<v Speaker 1>because it wasn't important. It seemed silly compared to what

0:25:56.200 --> 0:25:59.000
<v Speaker 1>really happened. Is that ultimately the person that we got

0:25:59.000 --> 0:26:00.960
<v Speaker 1>closer to Richard than we thought we would, which was

0:26:01.000 --> 0:26:03.200
<v Speaker 1>a manager and who shut me down over and over

0:26:03.280 --> 0:26:06.040
<v Speaker 1>and who and he's known Richard for thirty years. Um.

0:26:06.119 --> 0:26:09.680
<v Speaker 1>And then he decided to talk to me and gave

0:26:09.720 --> 0:26:12.280
<v Speaker 1>me a quiet, an extentive interview and said something really,

0:26:12.320 --> 0:26:14.639
<v Speaker 1>I mean, he speaks for Richard in in every way.

0:26:15.000 --> 0:26:17.800
<v Speaker 1>And he said some things that were really surprising and

0:26:17.880 --> 0:26:23.119
<v Speaker 1>really moving, and it became, um, a more real story

0:26:23.240 --> 0:26:26.000
<v Speaker 1>and a sadder story. Um that made the other stuff

0:26:26.040 --> 0:26:30.680
<v Speaker 1>feel unimportant. Look, we all we all know that this

0:26:30.760 --> 0:26:40.040
<v Speaker 1>is you know, a very emotional, um, empathetic, sympathetic, compassionate person.

0:26:40.800 --> 0:26:44.400
<v Speaker 1>I think anybody that has those traits over a long

0:26:44.440 --> 0:26:48.920
<v Speaker 1>period of time. Yeah, I think goodbyes are tough. Yeah,

0:26:49.119 --> 0:26:51.480
<v Speaker 1>most people want you know, you know, want want to

0:26:51.600 --> 0:26:57.040
<v Speaker 1>want that last bow. Not everybody. Are you worried that

0:26:57.160 --> 0:27:00.560
<v Speaker 1>Richard is upset with you for doing this? And I

0:27:00.560 --> 0:27:04.960
<v Speaker 1>guess he is, or you've gotten the vibe that he

0:27:05.119 --> 0:27:11.320
<v Speaker 1>is or not. Um, I don't know, I mean haven't

0:27:11.840 --> 0:27:15.960
<v Speaker 1>but no, but through his representatives and his avoidance of

0:27:15.960 --> 0:27:19.160
<v Speaker 1>of you, you know, he's just not that into you, Dan.

0:27:19.240 --> 0:27:21.800
<v Speaker 1>Apparently it makes me clear it's not hard to avoid

0:27:21.800 --> 0:27:24.520
<v Speaker 1>somebody when they're not I mean, he is an isolated person.

0:27:24.600 --> 0:27:28.639
<v Speaker 1>He is in his home, does not speak, he's not

0:27:28.720 --> 0:27:30.960
<v Speaker 1>he's he's isolating himself. So it's not like we weren't

0:27:31.000 --> 0:27:33.000
<v Speaker 1>throwing rocks at his window. It's just saying, Richard, come

0:27:33.000 --> 0:27:36.159
<v Speaker 1>out like that is not anywhere. But obviously you reached

0:27:36.200 --> 0:27:40.399
<v Speaker 1>out repeatedly to all his his representatives, and you know

0:27:40.480 --> 0:27:43.320
<v Speaker 1>clearly he knew that that's what you ultimately wanted. Look,

0:27:43.320 --> 0:27:45.439
<v Speaker 1>if anybody had, if anybody has a problem with me

0:27:46.200 --> 0:27:49.320
<v Speaker 1>calling his publicist a couple too many times, like that

0:27:49.480 --> 0:27:51.560
<v Speaker 1>is the least of our worries here, you know, But

0:27:51.640 --> 0:27:53.760
<v Speaker 1>I mean he was clearly avoiding you. I guess is

0:27:53.880 --> 0:27:56.840
<v Speaker 1>the bottom certain? And are you worried that he is

0:27:56.880 --> 0:28:00.240
<v Speaker 1>going to be like Dan, get off my back, lead

0:28:00.280 --> 0:28:03.119
<v Speaker 1>me alone? Why are you doing this? Why are you

0:28:03.720 --> 0:28:07.800
<v Speaker 1>capitalizing on our relationship? I don't want I want to

0:28:07.800 --> 0:28:11.280
<v Speaker 1>be alone. I don't want this kind of attention. I'm pissed.

0:28:11.680 --> 0:28:14.600
<v Speaker 1>It's possible, for sure. I don't know. He hasn't told me.

0:28:14.920 --> 0:28:17.760
<v Speaker 1>I think it's not so much what I did. I

0:28:17.800 --> 0:28:20.920
<v Speaker 1>think it's the way other people reacted to it, and

0:28:21.040 --> 0:28:23.520
<v Speaker 1>so the press that follows, so now you know, like

0:28:23.560 --> 0:28:25.760
<v Speaker 1>I just saw People magazine. There's a picture of his

0:28:25.800 --> 0:28:28.960
<v Speaker 1>housekeeper like taking out the recycling, like literally people camped out.

0:28:29.160 --> 0:28:32.040
<v Speaker 1>Are you sorry that you kind of started that? I

0:28:32.040 --> 0:28:34.480
<v Speaker 1>am sorry for any negatives because I don't. I really

0:28:34.520 --> 0:28:36.520
<v Speaker 1>like him. I think he's really special and I know

0:28:36.560 --> 0:28:40.040
<v Speaker 1>he's a really sensitive guy. And but am I do

0:28:40.120 --> 0:28:41.920
<v Speaker 1>I am? I really proud of it? Yeah? And do?

0:28:41.960 --> 0:28:44.719
<v Speaker 1>I think it's impacted a lot of people. And I

0:28:44.760 --> 0:28:47.680
<v Speaker 1>think I think to remind people about empathy at a

0:28:47.720 --> 0:28:50.200
<v Speaker 1>time when studies show that empathy is at an all

0:28:50.240 --> 0:28:52.440
<v Speaker 1>time low. I'm sure at an all tie exactly, at

0:28:52.440 --> 0:28:54.520
<v Speaker 1>an all time low. Like it's a real thing, and

0:28:54.560 --> 0:28:58.120
<v Speaker 1>so to remind people of the specialness of that, like

0:28:58.600 --> 0:29:00.440
<v Speaker 1>I'm really proud of that, and I think it's had

0:29:00.440 --> 0:29:04.440
<v Speaker 1>an impact. Are you convinced that Richard is Okay? I'm

0:29:04.480 --> 0:29:06.400
<v Speaker 1>as convinced as I can be. I mean, I do

0:29:06.520 --> 0:29:09.360
<v Speaker 1>know that his his manager, and I do think his housekeeper,

0:29:09.360 --> 0:29:11.800
<v Speaker 1>I do think they love him very much, and um

0:29:11.960 --> 0:29:14.000
<v Speaker 1>and this is you know, and I think that the

0:29:14.040 --> 0:29:16.920
<v Speaker 1>stories are aligning now, like what his what the people

0:29:16.920 --> 0:29:20.200
<v Speaker 1>around him are saying, is matching up to reality now,

0:29:20.720 --> 0:29:23.040
<v Speaker 1>whereas before it wasn't, and it was very scary for

0:29:23.080 --> 0:29:25.280
<v Speaker 1>a lot of people. You can you just can't overstate

0:29:25.600 --> 0:29:28.960
<v Speaker 1>the real concerns and valid concerns that all the people

0:29:29.000 --> 0:29:32.280
<v Speaker 1>around Richard Simmons had, especially when someone does such a

0:29:32.280 --> 0:29:34.840
<v Speaker 1>one eight right, not only do they do. It's not

0:29:34.880 --> 0:29:36.720
<v Speaker 1>like George Clooney decided he was going to go to

0:29:36.760 --> 0:29:39.080
<v Speaker 1>Lake Como, you know, and take a couple of years off.

0:29:39.360 --> 0:29:43.320
<v Speaker 1>He was the most accessible celebrity on the planet. He

0:29:43.360 --> 0:29:46.760
<v Speaker 1>would wait at his window and run outside multiple times

0:29:46.760 --> 0:29:48.760
<v Speaker 1>a day and talk to people and tour vans driving

0:29:48.800 --> 0:29:50.520
<v Speaker 1>by and take pictures them. He wouldn't invite them into

0:29:50.520 --> 0:29:52.640
<v Speaker 1>his house and give him stuff. And so I'm not

0:29:52.680 --> 0:29:55.479
<v Speaker 1>saying he because he was so accessible before that he

0:29:55.600 --> 0:30:00.000
<v Speaker 1>that he doesn't deserve privacy now, but it absolutely means

0:30:00.200 --> 0:30:02.760
<v Speaker 1>that to switch like that on a day, UM is

0:30:02.800 --> 0:30:06.760
<v Speaker 1>concerning at the very least, Where do you go from here? Dan? Here,

0:30:06.800 --> 0:30:11.920
<v Speaker 1>You've got this podcast that's creating really a huge amount

0:30:11.920 --> 0:30:17.719
<v Speaker 1>of buzz, a lot of controversy. It's really prompting Richard

0:30:17.720 --> 0:30:19.560
<v Speaker 1>to be on the cover of People magazine. I mean,

0:30:19.600 --> 0:30:24.120
<v Speaker 1>this is probably much bigger than you ever anticipated. So

0:30:25.000 --> 0:30:30.640
<v Speaker 1>what are your plans for the future? Um, I don't know.

0:30:30.880 --> 0:30:33.120
<v Speaker 1>I literally just finished the first I mean, I have

0:30:33.160 --> 0:30:36.000
<v Speaker 1>a couple of things that I'm cooking up, but I

0:30:36.040 --> 0:30:41.360
<v Speaker 1>mean hopefully it'll be Um, can you tell us what

0:30:41.440 --> 0:30:44.120
<v Speaker 1>you're cooking up? Give it, give us a little bit

0:30:44.160 --> 0:30:46.520
<v Speaker 1>of an idea. Why not? Yeah, I'm working, Well, give

0:30:46.560 --> 0:30:48.720
<v Speaker 1>me a scoop here, Dan, It's not it's gonna sound

0:30:48.760 --> 0:30:51.200
<v Speaker 1>really boring compared to this one. I'm working on a

0:30:51.240 --> 0:30:55.520
<v Speaker 1>documentary idea about the Minnesota State Fair, uh and all

0:30:55.520 --> 0:30:58.360
<v Speaker 1>the different people that coalesced on this thing that started

0:30:58.400 --> 0:31:01.640
<v Speaker 1>a fifty years ago as for you know, if you're

0:31:01.640 --> 0:31:03.880
<v Speaker 1>a way for farmers to get together, and now it's

0:31:03.960 --> 0:31:08.520
<v Speaker 1>literally a crossroads of of different cultures and issues in

0:31:08.520 --> 0:31:11.240
<v Speaker 1>the state and larger issues and plus you know, like

0:31:11.280 --> 0:31:13.440
<v Speaker 1>butter sculptures. I was going to say, a big sea

0:31:13.480 --> 0:31:16.240
<v Speaker 1>of humanity and a lot of funnel cakes. Yeah, I

0:31:16.280 --> 0:31:18.160
<v Speaker 1>want to come back like I'll need Richard more than

0:31:18.360 --> 0:31:21.800
<v Speaker 1>a lot of corn dogs. That sounds interesting. That's a

0:31:21.800 --> 0:31:26.440
<v Speaker 1>good sign for sure. Dan to Bersky, thank you for

0:31:26.560 --> 0:31:29.280
<v Speaker 1>talking to me, and I think your listeners will be

0:31:29.320 --> 0:31:32.960
<v Speaker 1>interested in hearing your views on all this because this

0:31:33.040 --> 0:31:36.800
<v Speaker 1>is a little more unfiltered and it's really coming from

0:31:36.800 --> 0:31:42.160
<v Speaker 1>your heart. Thank you. Thanks to Dan to Pursky, First

0:31:42.160 --> 0:31:44.720
<v Speaker 1>Look Media, and Stitcher for making this possible. I really

0:31:44.800 --> 0:31:48.400
<v Speaker 1>enjoyed going behind the scenes of this podcast, and a

0:31:48.440 --> 0:31:51.360
<v Speaker 1>big thank you to my team at Erewolf and mid

0:31:51.440 --> 0:31:55.080
<v Speaker 1>Roll as well. Thanks to Gianna Palmer for producing and

0:31:55.120 --> 0:31:58.960
<v Speaker 1>to Gared O'Connell mixing and engineering. Thanks also to our

0:31:59.000 --> 0:32:02.440
<v Speaker 1>social media may event we like that because it's alliterative,

0:32:02.680 --> 0:32:06.160
<v Speaker 1>Alison Bresnik, and to Emily Beana for her part in

0:32:06.200 --> 0:32:09.080
<v Speaker 1>producing this show. Also a big thank you to Chris

0:32:09.080 --> 0:32:12.560
<v Speaker 1>Bannon and Mark Phillips. Thank you as always for our

0:32:13.000 --> 0:32:16.360
<v Speaker 1>Ruthie theme music. Bryan Goldsmith, Mitch s Emil and I

0:32:16.480 --> 0:32:20.120
<v Speaker 1>are executive producers of this podcast. And lastly, if you

0:32:20.200 --> 0:32:23.360
<v Speaker 1>came here because you're missing Richard Simmons fan and you

0:32:23.400 --> 0:32:26.959
<v Speaker 1>liked what you heard, you might like other episodes of

0:32:26.960 --> 0:32:30.160
<v Speaker 1>our podcast. We hope so like the one where Alec

0:32:30.200 --> 0:32:33.280
<v Speaker 1>Baldwin shared what it's like to perform as President Trump

0:32:33.280 --> 0:32:36.360
<v Speaker 1>on SNL, or when Samantha b gave her take on

0:32:36.440 --> 0:32:39.640
<v Speaker 1>being the only woman in Late Night. Recently, I got

0:32:39.680 --> 0:32:44.080
<v Speaker 1>Tony Robbins explanation of how President Trump's leadership style compares

0:32:44.480 --> 0:32:47.960
<v Speaker 1>to President Obama's. Interesting right, So if you like what

0:32:48.080 --> 0:32:51.880
<v Speaker 1>you've heard, please subscribe to my podcast on iTunes just

0:32:52.000 --> 0:32:54.840
<v Speaker 1>search Katie Couric. Very creative, I know,