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Speaker 1: Okay, hey man, using my face, I'll get it.

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Speaker 2: Don't matter if you will buy an intramar want women,

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Speaker 2: I don't have friends.

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Speaker 1: I've got friendly broom, broom, and welcome to a brand

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Speaker 1: new episode of Fast Friends.

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Speaker 3: I'm j E.

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Speaker 1: Skes here in the Classic Factory along with our Fast

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Speaker 1: Friends expert Trey Kirby. Hey hey, also here at the

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Speaker 1: desk super producer J. D. Brim Our guy Esh under

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Speaker 1: the hood for this one. What's up?

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Speaker 4: Esh, I'll do it?

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Speaker 1: And back for the third time on Fast Friends. It's

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Speaker 1: the host of the Is This Good? Podcast coming to

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Speaker 1: us live from Dominic Toretto's neighborhood. It's Maddy Oh.

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Speaker 5: Hey, guys, thanks for having me, as you could see

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Speaker 5: cooking up another classic in the kitchen.

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Speaker 1: But you are in the Toretto neighborhood, right that house.

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Speaker 1: It's mere blocks from you.

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Speaker 5: It is near blocks from my actual home. But if

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Speaker 5: you listen to Is This Good? You know that my

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Speaker 5: actual home is condemned due to a pipe leak in

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Speaker 5: the crawl space. So now I'm at Jill's home. So

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Speaker 5: I'm now a couple miles from the Toretto family home.

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Speaker 1: Okay, okay, would you rather have a pipe leak in

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Speaker 1: your home or John Cena falling through the ceiling of

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Speaker 1: your living room.

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Speaker 5: Well, I'll take John Cena any day, because I think

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Speaker 5: the cleanup would be way easier. I remember from John Cena.

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Speaker 5: I mean the question is, could Don Toretto defeat my

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Speaker 5: greatest current enemy?

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Speaker 1: Mold We'll talk about it here. I'm fast friends. It's

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Speaker 1: great to have the band back together. Oh yeah, for

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Speaker 1: those of you who have maybe just stumbled upon this

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Speaker 1: in the No Dunk's feed and are wondering why we're

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Speaker 1: not talking about NBA free agents, see two years ago,

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Speaker 1: during the summer of COVID, when there were no hoops

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Speaker 1: and the boys were desperate for content, we decided to

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Speaker 1: watch and review every film from the Fast and Furious franchise.

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Speaker 1: It was a hell of an undertaking, but we did it.

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Speaker 1: We watched them all. It was my first time for

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Speaker 1: every single movie. I'm talking The Fast and the Furious.

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Speaker 1: I'm talking two Fast Too, Furious Tokyo Drift, Fast and

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Speaker 1: Furious four, Fast five, Fast and Furious six, Furious seven,

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Speaker 1: The Fate of the Furious Hobson, Shawn, nice little spinoff

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Speaker 1: f nine. Hell, we even watched some DVD shorts and

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Speaker 1: considered at one point playing the board game. Yeah, but

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Speaker 1: we never did. So that was the fall of twenty

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Speaker 1: twenty one. Flash forward to present day. We have arrived

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Speaker 1: at fast ten aka fast X. How do you call it?

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Speaker 1: How do you prefer?

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Speaker 2: I think it's supposed to be called fast ten, I know,

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Speaker 2: but I like to say fast xt us a little

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Speaker 2: bit more, always saying fast X. Usually make it the

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Speaker 2: hand signal as well. Every time it comes up.

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Speaker 1: I believe the director has said it is fast ten.

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Speaker 1: Fast ten your seat belts was the obviously running joke, Maddio,

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Speaker 1: what do you think fast xs are fast ten to you?

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Speaker 5: I got called out at a party here because I

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Speaker 5: was like talking about, Oh I gotta go watch fast X,

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Speaker 5: and someone's like, uh, it's actually fast ten, as in

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Speaker 5: fast ten your seat belts, And everyone fucking died laughing,

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Speaker 5: And I said, that's not an original joke. That's been

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Speaker 5: the joke since at least f nine, because on the

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Speaker 5: podcast we all talked about how they should call it

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Speaker 5: fast ten your seat belts. Don't get off high and

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Speaker 5: mighty on me. But glad we cleared it up. It

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Speaker 5: is fast ten, not since the band MGMT when we wondered,

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Speaker 5: is it MGM T or is it management? Has a

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Speaker 5: title been so confusing to me?

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Speaker 1: You're right, you're right. Well, we are going to break

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Speaker 1: down the tenth film in the Fast Saga, the eleventh

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Speaker 1: in the Fast and Furious universe, because we do count,

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Speaker 1: of course, bobs and shawt facts for everybody out there. Yes,

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Speaker 1: Fast Tan, Fast X whatever you want to call it.

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Speaker 1: Released May twenty twenty three, budget a mere three hundred

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Speaker 1: and forty million dollars. Oh so so cheap this one.

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Speaker 1: As of recording this pod, Fast X has grossed over

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Speaker 1: seven hundred and eleven million worldwide, becoming the third highest

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Speaker 1: grossing film of the year. Do you know who has

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Speaker 1: it beat?

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Speaker 3: Right now?

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Speaker 6: What?

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Speaker 1: Two movies?

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Speaker 3: Water No?

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Speaker 4: Twenty two, Guardians.

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Speaker 1: Guardians of the Galaxy three that's in second place?

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Speaker 4: And did it it?

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Speaker 3: Oh?

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Speaker 2: Super Mario brother Yes, the Super.

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Speaker 1: Mario Brothers movie is over a billion worldwide, so uh,

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Speaker 1: Super Mario Brothers, Guardians of the Galaxy three and then

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Speaker 1: Fast X. The skinny here Dom Toretto and his family

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Speaker 1: are targeted by the vengeful son of drug lord Hernan Reyes. Okay,

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Speaker 1: stars Vin Diesel and everybody. Yeah, absolutely everybody that you

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Speaker 1: know is in this movie the hot new star, though

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Speaker 1: Jason Momoa Man is the big, big star in this one.

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Speaker 1: Directed by French filmmaker Louis Leterrier Letterier. Excuse me who

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Speaker 1: replaced Justin Lynn as the director a week after filming began.

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Speaker 3: That's insane.

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Speaker 1: He just came in. Apparently he got introduced to everybody

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Speaker 1: and then was shooting the next day as a producer.

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Speaker 1: Does that not blow your mind?

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Speaker 3: Completely blows my mind, and it's over it. It seems

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Speaker 3: like a little bit of just a snit, a little

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Speaker 3: snip that Justin Lynn had right like he just kind

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Speaker 3: of had to melt down and walked out.

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Speaker 1: Is that what happened? What's the backstory with Lynn driving off?

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Speaker 3: I don't know why I'm looking at you.

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Speaker 2: It seems to me that maybe Vin is a tough

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Speaker 2: guy to work with. Vin likes to get his way.

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Speaker 2: If Lynn's way, Vin's way, you're on your way.

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Speaker 5: From what I read that he left over creative differences.

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Speaker 5: Apparently the creative difference was that Justin Lynn thought the

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Speaker 5: movie shouldn't suck.

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Speaker 1: Well, you're tipping your hand here right. Not a fan

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Speaker 1: of Fast X madiouh.

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Speaker 2: Well, you know.

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Speaker 5: I've watched all these movies, even though I haven't been

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Speaker 5: on all these podcasts. I wanted to be a completist.

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Speaker 5: I wanted to give respect to the fans of the

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Speaker 5: series and not just hop in for the ones that

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Speaker 5: I was involved in.

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Speaker 4: And this time.

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Speaker 5: You know, people always come at you when you complain

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Speaker 5: about this, They say it's just for fun. Don't take

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Speaker 5: it too seriously. Get a big old bag of popcorn,

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Speaker 5: take a five milligram at a bowl, Maybe take a

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Speaker 5: ten milligran, Maybe take a start with a ten. Then

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Speaker 5: end a first act, you pop in another five, enjoy

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Speaker 5: the ride, and turn your brain off. And my brain

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Speaker 5: has not come back online since that moment.

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Speaker 3: Oh wow, So I don't know.

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Speaker 1: I like, I know, I didn't enjoy it.

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Speaker 5: And probably the first moment when I was like, oh

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Speaker 5: my god, we are when I was my brain was

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Speaker 5: turned off. I got to enjoy this movie. I got

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Speaker 5: to enjoy this movie. And then Roman says about they're

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Speaker 5: going to Rome. I know we're gonna get to this,

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Speaker 5: but this just confused me right off the bat. He

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Speaker 5: said We're going to Rome. He says Rome, and TEDJ

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Speaker 5: just sort of making fun of me. He goes, Rome Roman,

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Speaker 5: That's all I need to know, and then TEDJ says,

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Speaker 5: the only thing you know about Rome is Roman noodles.

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Speaker 1: Yep, and then I honestly the movie.

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Speaker 5: Kept playing, obviously, but I was my stone brain was

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Speaker 5: stuck on that for a good eight minutes going, what

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Speaker 5: was a Roman noodles?

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Speaker 1: A joke on.

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Speaker 5: Noodles? Oh?

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Speaker 1: Yeah, yeah, a really bad, terribly forced joke.

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Speaker 5: Yes, so you're gonna tell me this movie is supposed

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Speaker 5: to be fun, and that's the kind of humor that

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Speaker 5: is in this movie.

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Speaker 4: I almost to go for sport a second, because I

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Speaker 4: know a lot of a lot of black people that

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Speaker 4: call them Roman noodles or Roman rules or something. Oh okay,

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Speaker 4: I think that's like really, yeah, bring in some color,

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Speaker 4: you know.

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Speaker 1: Okay, good, I'm glad we have you here, Ash, Yeah,

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Speaker 1: okay good.

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Speaker 5: So this joke, that joke wasn't for me.

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Speaker 2: Maybe not.

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Speaker 4: I've just heard a couple, a couple ofttle black people

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Speaker 4: buying out when they call them Roman noodles. For somebody, there,

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Speaker 4: it is, there, it is.

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Speaker 1: It's definitely what I had. I watched this a second

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Speaker 1: time at home. I can't believe I went to the

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Speaker 1: theater with my man Trey to actually watch this. I

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Speaker 1: had the time of my life in the theater.

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Speaker 2: Too good.

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Speaker 1: I mean, I don't know what you popped, what level

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Speaker 1: you pop, but you were having a blast. I was

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Speaker 1: right beside you. We're loving it. I felt like we

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Speaker 1: were having more fun in that theater than anybody else

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Speaker 1: we saw it opening weekend. Yeah, I thought the rest

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Speaker 1: of the crowd was pretty subdued.

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Speaker 2: I thought they would have been a little more hype. Yeah,

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Speaker 2: considering the absolute pleasure of what was happening on the street.

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Speaker 2: From start to finish, I was just grinning ear to ear,

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Speaker 2: gone off, the edibles, gone off, thirty two ounce touretto twist.

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Speaker 1: Oh yeah, that's right, I forgot you had that.

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Speaker 2: It's mister Pibb with a smooth cherry twist.

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Speaker 5: So do you think that Vinn selected that?

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Speaker 1: Yeah, that's why I heard Justin Lynn left because Diesel

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Speaker 1: wanted to mister the signature drink at the moving theater

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Speaker 1: and Lynn wasn't having it. Oh to finish that, I said.

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Speaker 1: Then I watched it the second time at home, and

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Speaker 1: I did have the captions on, and yes, it said

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Speaker 1: row Man noodles Romanos amazing. Okay, so let's start making

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Speaker 1: our way through this movie. I'm gonna try my best

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Speaker 1: guys to like set you guys up scene by scene,

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Speaker 1: but holy hell, I will say, how much do we

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Speaker 1: jump around in this damn movie? There is a there's

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Speaker 1: like a five minute stretch where we are in five

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Speaker 1: different countries in like the blink of an eye.

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Speaker 3: It's five different movies.

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Speaker 1: It feels like, yeah, I mean yeah, they're.

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Speaker 3: Happening simultaneously in different genres of me. I've got like

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Speaker 3: a Buddy Road, You've got like, you know, two different

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Speaker 3: action movies, and then just a slapstick comedy three Stooges

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Speaker 3: style thing when they when the guys throw it down

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Speaker 3: in the Internet cafe. Oh yeah, yeah crazy. Anyways, go ahead,

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Speaker 3: let's let's let's let's crank at it.

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Speaker 1: Okay, Okay, let's jump into it. Well, this movie starts

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Speaker 1: ten years prior. We are starting with the flashback to

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Speaker 1: Fast five, one of our favorite movies from the entire series.

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Speaker 1: Uh so we're going back there. We're going back to

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Speaker 1: the safe heist in Rio, and this is where we

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Speaker 1: obviously then see oh my god, our new character Dante

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Speaker 1: and he is it wasn't there in Fast five, but

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Speaker 1: he is there here.

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Speaker 2: In this new movie. Just didn't know to look for

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Speaker 2: him in the background. He was there the whole time.

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Speaker 1: He's also like doing something weird with his neck to

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Speaker 1: start this movie. Nora noysed it. She was like, what's

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Speaker 1: going on with Jason Momoa's neck. You seem to be

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Speaker 1: like sprunched up.

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Speaker 5: It's called anger from tension. I guess I was wanting

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Speaker 5: to what wanting to kill don Treado since Fast five? Right,

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Speaker 5: So he's this is the most like revenge is a dish,

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Speaker 5: best serve cold of all time, right, Like he was

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Speaker 5: very patient. He waited five movies.

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Speaker 1: Yeah, no, a long long time.

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Speaker 2: Well, I mean death will not suffice when suffering is own, Matt,

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Speaker 2: So you gotta take your time.

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Speaker 4: Did you?

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Speaker 1: Did you like the start of this though?

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Speaker 2: Oh yeah? Going back to Fast five, it was kind

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Speaker 2: of like just remastering, you know, like The Rolling Stones

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Speaker 2: coming out with Beggar's Banquet again, but we remastered it.

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Speaker 2: We made the same movie again. It's everybody's favorite movie,

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Speaker 2: so let's just go back and show you some other

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Speaker 2: things that may have happened. That's very much the Fast

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Speaker 2: and furious way. It's like we saw we saw Han

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Speaker 2: die and then we saw pull Back. It was Jason

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Speaker 2: Stathan do it. Oh wait, pull back. There was somebody

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Speaker 2: asking Jason Stathan to do it. Who knows how far

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Speaker 2: back these movies go. You never know who's hanging out

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Speaker 2: in the background.

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Speaker 1: It's a real onion.

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Speaker 3: Yeah, it's like one of those digital pictures you know

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Speaker 3: where they you see them like zoom in and oh yeah,

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Speaker 3: picture with a picture within a picture. I mean there

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Speaker 3: is no limit.

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Speaker 1: Matie. Oh were you hooked at the start of this one.

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Speaker 5: I was gonna say, this is the only slightly intellectual

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Speaker 5: thing I'm going to say, all podcast, Well, you know

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Speaker 5: it's up to you to decide. But you know how

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Speaker 5: like multiverse storytelling is basically all that's happening in Hollywood,

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Speaker 5: like especially from Marvel, where they're like, well we don't

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Speaker 5: you know, we want all your favorite Spider Man's to

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Speaker 5: come back, or in the DC case, like hey, you

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Speaker 5: like Michael Keaton, Michael Keaton's back, because it's a it's

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Speaker 5: a multiverse, right, This is sort of multiverse storytelling without

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Speaker 5: there being a multiverse, because people that weren't there in

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Speaker 5: the past, like Momoa wasn't there in the past, but

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Speaker 5: he's there now. People that you thought died while they're

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Speaker 5: back to life. Sure you didn't like this guy was

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Speaker 5: all about family, Well guess what for nine movies you

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Speaker 5: didn't know that he had a brother. But he right, right,

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Speaker 5: And and like, the problem with multiverse storytelling is there

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Speaker 5: are no stakes because everyone can come back. All your

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Speaker 5: favorites can come back, so you know, like no one

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Speaker 5: actually dies. And I find that's the same thing about

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Speaker 5: this movie. This movie suffers from the same consequences of

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Speaker 5: that style of storytelling where you're like, I mean, we're

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Speaker 5: gonna get to it, but is it three?

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Speaker 2: No?

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Speaker 5: Yeah, four main characters die at the end of this movie.

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Speaker 2: Uh?

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Speaker 4: Or do they?

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Speaker 3: Right?

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Speaker 1: Of course? I mean, look, I said Giselle was coming back, yeah,

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Speaker 1: during our fest and Furious during the Fast Friends breakdown

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Speaker 1: whatever movie that was. I can't even keep track anymore.

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Speaker 5: That was six, no, eight, seven, I think.

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Speaker 1: Okay, one of them, And in doing Fast Friends, I said,

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Speaker 1: there's no way she's coming back. Yeah, but oh she

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Speaker 1: fell playing the hell of a death. No, there's no

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Speaker 1: way because we had learned up to that point. I

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Speaker 1: had learned after watching them no, of course she's coming back. Yeah,

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Speaker 1: and she does at the end. Esh to take that

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Speaker 1: comment though from Mattio even one step further. You before

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Speaker 1: we jumped on this multiverse, this superhero talk, you think

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Speaker 1: that Fast and Furious like actually might fold into superhero movies,

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Speaker 1: like where we find out Dom is like basically a

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Speaker 1: Superman type.

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Speaker 4: Dude. You know I said that as a joke a

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Speaker 4: little bit, But would you even be surprised, Like we

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Speaker 4: get to Fast X three at the end of that,

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Speaker 4: because you know it's a trilogy now, yeah, and then

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Speaker 4: he's just like, no, I'm from Krypton, Like you wouldn't

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Speaker 4: be surprised.

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Speaker 1: You're like, yeah, Professor X is suddenly there like we

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Speaker 1: injected you when you were a small baby that you

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Speaker 1: can you're good at driving, and you're invincible, you know,

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Speaker 1: like like I mean, we're joking, but sure, why not exactly?

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Speaker 3: But he does lift a car. He lifts a car?

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Speaker 3: What one hand yep, Like that's that's my str.

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Speaker 4: And what was going on in Hobbs and Shaw, Like

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Speaker 4: wasn't it just elbow character like I'm black Superman, right?

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Speaker 3: Yeah, yeah, he's genetically enhanced.

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Speaker 4: Right, So you get to the point where people are

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Speaker 4: genetically enhanced or like whatever, anything is possible.

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Speaker 1: Yeah, yeah, that's right.

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Speaker 5: Well just just because this fits in. Now, let's just

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Speaker 5: get this topic off the table, talking about multi verses,

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Speaker 5: talking about bringing people back. Is there any way that

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Speaker 5: we're headed towards an AI CGI Paul Walker?

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Speaker 3: Oh yes, that is happening.

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Speaker 5: Oh wow, because in this in this movie that when

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Speaker 5: when Mia fights off the agency, Flunky's literally hits one

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Speaker 5: with a pan. I literally, I wrote a note. Mia

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Speaker 5: is very strong, and then Dom's like, go go back

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Speaker 5: to Brian and and you know, be safe or whatever.

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Speaker 5: So you know, they keep alluding to Brian. Brian's definitely

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Speaker 5: still alive. Yeah, obviously He's hanging out with him. So

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Speaker 5: is that what we're heading towards? And if that happens,

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Speaker 5: will people like, will people accept that? Will they hate that?

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Speaker 2: Like?

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Speaker 5: Will they think it's a sort of stepping all over

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Speaker 5: his memory?

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Speaker 1: Yeah, that's a good question.

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Speaker 2: They did that in this last movie, right, They had

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Speaker 2: his brother play him and use his face.

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Speaker 5: Yeah, but that was to give him like a touching.

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Speaker 5: They wouldn't have been able to say goodbye.

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Speaker 2: I think you got us operate Dom from vin. I

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Speaker 2: actually don't think Vin would do that to Paul Walker.

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Speaker 2: It makes sense that they would bring back Brian. Everybody

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Speaker 2: else comes back, But I don't think Vin.

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Speaker 3: Would do that.

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Speaker 1: Do you know what's more likely? Do you know what's

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Speaker 1: more likely? Because I thought he almost looked like it

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Speaker 1: already in this movie, computer generated dom Vin Diesel thirty

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Speaker 1: years from now will still be dominant, Tourette.

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Speaker 3: Interesting.

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Speaker 1: They'll have filmed so much and he'll have said so

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Speaker 1: many words that they'll just be able to like produce

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Speaker 1: anything with them. Doesn't he look fake in this movie?

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Speaker 4: Yes?

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Speaker 5: Yes, yes, I wrote that down. I was like uncanny

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Speaker 5: Valley Vin, Like, we actually know someone who works in

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Speaker 5: post production here, and I went out for a drink

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Speaker 5: with them, and she told me that basically on almost

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Speaker 5: every single movie you've seen, at least every like studio

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Speaker 5: movie they're going through and part of the post production

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Speaker 5: process is sort of like air brushing, yeah, the main actors.

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Speaker 5: And it's in a lot of people's contracts that this

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Speaker 5: service will be performed for them, basically like going back

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Speaker 5: and making them look fucking great or a little bit

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Speaker 5: younger than they are, you know, skin a little bit

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Speaker 5: tighter than it is. But somehow in this movie that

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Speaker 5: makes him look like a weird cartoon am.

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Speaker 1: Yes, yeah, that was one of my first notes from

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Speaker 1: rewatching it, like why does he look yeah, younger, perfect fake, yeah,

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Speaker 1: computer generated, whatever you want to say. I guess they

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Speaker 1: probably were doing.

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Speaker 3: This makeup plus the air brushing. And this is my theory.

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Speaker 3: I think. I think they're going to bring Brian back.

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Speaker 3: And I think that Vin is just pulling a James

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Speaker 3: Cameron and he's waiting for the technology to be so solid,

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Speaker 3: you know, like the way James Cameron waited for Avatar.

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Speaker 5: Oh holy shit, JD. Brian comes back as a novey.

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Speaker 3: Whoa, there's the time.

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Speaker 6: There you go.

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Speaker 5: He said that he's nine feet tall or however.

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Speaker 2: Tall than not he are?

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Speaker 1: They are big, quite large. All right, well, let's go

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Speaker 1: to the I guess the next two scenes I'll just

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Speaker 1: lump together. We get uh, we get Little Bee and

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Speaker 1: Dom driving. Right, there's the old find the line field

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Speaker 1: the car. But it's how old is Little Bee?

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Speaker 3: Eleven? I think, okay, is it eleven?

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Speaker 1: No, they say he's definitely not twelve yet, because somebody

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Speaker 1: says that at once, this guy's.

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Speaker 3: Not even twell, yeah, because ten years ago, I thought

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Speaker 3: he was younger. Well, yeah, I think so. I think

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Speaker 3: he is younger. When Dom the mother right in Rio,

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Speaker 3: she was a cop in Rio, right, is that right?

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Speaker 2: Yeah?

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Speaker 3: Yeah, yeah, okay, so probably eight or nine.

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Speaker 1: Okay, So we get them working on drifting right, I'm

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Speaker 1: still in out there in the parking lot. And then

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Speaker 1: we get the barbecue scene. I present those two scenes

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Speaker 1: to you. We go right to the.

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Speaker 2: I know what a what a curveball A first a barbecue.

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00:19:09,200 --> 00:19:10,840
Speaker 2: I know the house is looking good. We got a

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Speaker 2: new family member, Rida Moreno's there, just give it a speech.

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00:19:15,080 --> 00:19:17,240
Speaker 2: We get Han on his dating app, and we get

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Speaker 2: basically people just rehashing everything that's happened in the first

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Speaker 2: nine movies. I feel like every part of those gotta

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Speaker 2: mention at some point, even to the At one point,

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Speaker 2: Han and Dom are reminiscing about the Dominican Republic. Yeah,

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00:19:31,080 --> 00:19:35,600
Speaker 2: Dom says, loose Bandalero's like, that's why we do it.

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Speaker 2: That's why we want the DVD extras because it's gonna

397
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Speaker 2: pay off eventually. You don't think anything you watch matters

398
00:19:42,119 --> 00:19:45,359
Speaker 2: at all, but then Vin will dig d for the

399
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Speaker 2: tiniest little detail. I'll put somewhere further down the line. Yeah, hilarious.

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00:19:50,000 --> 00:19:50,640
Speaker 2: That was great.

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00:19:50,680 --> 00:19:53,240
Speaker 3: And then you get like the sweeping shot of you know,

402
00:19:53,560 --> 00:19:56,280
Speaker 3: all these snapshots from all the different movies, and.

403
00:19:56,560 --> 00:20:00,200
Speaker 1: Yeah, they've had a professional photographer following them around the

404
00:20:00,240 --> 00:20:00,960
Speaker 1: last twenty years.

405
00:20:01,080 --> 00:20:01,399
Speaker 2: One of my.

406
00:20:01,400 --> 00:20:05,040
Speaker 3: Biggest pet peeves in movies. And also move like we'll

407
00:20:05,080 --> 00:20:08,639
Speaker 3: tie it, We'll get to it. But Jack Reacher, you

408
00:20:08,720 --> 00:20:13,520
Speaker 3: Knowames Ames showing you know, all this footage from the movie. Yeah,

409
00:20:14,640 --> 00:20:19,040
Speaker 3: an all exposition like, oh, these guys barbecue all that life. Anyways,

410
00:20:20,119 --> 00:20:23,160
Speaker 3: your guys me crazy. It drives me crazy. Right, where

411
00:20:23,200 --> 00:20:25,399
Speaker 3: did that footage come from when you were like coming

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Speaker 3: through the tunnels through Mexico.

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00:20:27,440 --> 00:20:31,600
Speaker 1: Well, well, in Ames defense, there was that one movie

414
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Speaker 1: where they were all on their cell phones recording the race.

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Speaker 3: You're right, yo, right, true.

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Speaker 1: So they got in touch with Little bow Wow to

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Speaker 1: get all his footage.

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Speaker 2: Let me ask you this, JD. As a producer, do

419
00:20:45,680 --> 00:20:47,680
Speaker 2: you think that Godzie makes it a lot easier to

420
00:20:47,720 --> 00:20:51,920
Speaker 2: find b roll these days? Just get any footage of

421
00:20:52,000 --> 00:20:53,960
Speaker 2: anything that ever happened, throw it in there.

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00:20:54,160 --> 00:20:57,760
Speaker 1: Yeah, forgot any thoughts on you know, the teaching little

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Speaker 1: be to drive or the barbecue scene here at the beginning.

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Speaker 5: Well, I'll just say, like, if you think I hate

425
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Speaker 5: Fast and Furious, you know who hates it more the

426
00:21:06,640 --> 00:21:10,639
Speaker 5: people that own that house. What the first picture, please,

427
00:21:11,880 --> 00:21:15,159
Speaker 5: if you'll recall this is back in twenty twenty one,

428
00:21:15,280 --> 00:21:17,600
Speaker 5: peak pandemic. There I am in the foreground with the

429
00:21:17,720 --> 00:21:20,240
Speaker 5: Fast and Furious house in the background. I want you

430
00:21:20,320 --> 00:21:22,920
Speaker 5: to notice the white picket fence on the front.

431
00:21:23,200 --> 00:21:25,560
Speaker 1: Okay, I believe there is a sign there that maybe

432
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Speaker 1: says stay off the property.

433
00:21:26,680 --> 00:21:29,440
Speaker 5: I assume or yeah, that's the no trespassing sign. And

434
00:21:29,480 --> 00:21:32,000
Speaker 5: there's also a no trespassing sign at the stairs that

435
00:21:32,040 --> 00:21:35,479
Speaker 5: you can't see. Let me just also point out pandemic terrible.

436
00:21:36,000 --> 00:21:38,680
Speaker 5: But all I did was workout and run.

437
00:21:39,359 --> 00:21:40,880
Speaker 1: Look at you, yeah, look yeah.

438
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Speaker 5: Also the way the sun's coming through. I'm a better

439
00:21:44,000 --> 00:21:45,639
Speaker 5: director than Lenny Lettier.

440
00:21:46,240 --> 00:21:48,280
Speaker 2: Did you get that airbrushed? Because you're looking good?

441
00:21:48,960 --> 00:21:54,080
Speaker 5: I did get that airbrushed. It's called being three years younger. Okay,

442
00:21:54,119 --> 00:21:55,639
Speaker 5: So again, look at the white picket fence. This is

443
00:21:55,680 --> 00:22:00,200
Speaker 5: twenty twenty one. I ran by it yesterday. If you

444
00:22:00,240 --> 00:22:02,760
Speaker 5: could show that second picture, Look how high.

445
00:22:02,680 --> 00:22:07,240
Speaker 1: That they're They're tired of people popping a corona and

446
00:22:08,160 --> 00:22:10,639
Speaker 1: looking in their front window. That's right.

447
00:22:10,720 --> 00:22:14,040
Speaker 5: That fence is three times higher. There's no gaps between it.

448
00:22:14,920 --> 00:22:18,399
Speaker 5: And as you just mentioned, people taking picture of the corona.

449
00:22:18,600 --> 00:22:20,440
Speaker 5: I think I can't remember if I mentioned this on

450
00:22:20,560 --> 00:22:23,320
Speaker 5: one of your shows, but I literally did see that,

451
00:22:23,440 --> 00:22:26,080
Speaker 5: not yesterday, but in the past. I saw someone with

452
00:22:26,200 --> 00:22:28,880
Speaker 5: like a muscle car line it up in the middle

453
00:22:28,880 --> 00:22:32,399
Speaker 5: of the street, take out, open the trunk, take out

454
00:22:32,400 --> 00:22:35,399
Speaker 5: a six pack of corona, put the corona on the trunk,

455
00:22:35,960 --> 00:22:38,359
Speaker 5: and then stand back and frame up a shot in

456
00:22:38,520 --> 00:22:42,879
Speaker 5: case of corona and the house. Awesome, that's what these

457
00:22:42,880 --> 00:22:43,600
Speaker 5: people are dealing.

458
00:22:44,840 --> 00:22:47,879
Speaker 2: We'll move man, I mean, why are you? I mean,

459
00:22:49,680 --> 00:22:52,000
Speaker 2: sell it to d That's a great build a museum

460
00:22:52,119 --> 00:22:55,560
Speaker 2: or something. You can come and you can wear my jacket.

461
00:22:56,960 --> 00:22:59,360
Speaker 1: Hey, Matt, can you tell? Can you tell whether there's

462
00:22:59,400 --> 00:23:00,600
Speaker 1: the garage in the back?

463
00:23:00,840 --> 00:23:00,879
Speaker 2: Like?

464
00:23:01,160 --> 00:23:02,159
Speaker 5: Is that all okay?

465
00:23:03,200 --> 00:23:03,840
Speaker 1: Great question?

466
00:23:04,040 --> 00:23:05,960
Speaker 5: And I was that is what I was looking for.

467
00:23:06,320 --> 00:23:08,879
Speaker 5: I was like, is this all filmed? Actually filmed here

468
00:23:08,880 --> 00:23:13,320
Speaker 5: because it's a tiny little alley, yea, yea. And inconclusive,

469
00:23:13,840 --> 00:23:15,600
Speaker 5: I will say that the house that they show next

470
00:23:15,640 --> 00:23:17,600
Speaker 5: to it does appear to be that house, like when

471
00:23:17,600 --> 00:23:21,240
Speaker 5: they shoot the reverse with downtown in the background, but

472
00:23:22,720 --> 00:23:24,840
Speaker 5: I don't know. It doesn't seem like there's enough space there.

473
00:23:24,920 --> 00:23:27,360
Speaker 5: But I don't know, maybe they just recreated it part

474
00:23:27,400 --> 00:23:28,480
Speaker 5: of it on a sound stage.

475
00:23:29,640 --> 00:23:32,119
Speaker 1: Well to our next scene would have been difficult with

476
00:23:32,200 --> 00:23:34,560
Speaker 1: that new fence for Cipher to get in because she

477
00:23:34,680 --> 00:23:38,760
Speaker 1: shows up blood all over that new fence, just trying

478
00:23:38,800 --> 00:23:40,000
Speaker 1: to get over it. Yeah.

479
00:23:40,119 --> 00:23:40,280
Speaker 2: Yeah.

480
00:23:40,680 --> 00:23:44,359
Speaker 1: She shows up at Don's house and tells the story

481
00:23:44,440 --> 00:23:49,640
Speaker 1: of Dante taking her tech and her team. Where that's

482
00:23:49,640 --> 00:23:52,159
Speaker 1: where we get like our first like fight sequence of

483
00:23:52,240 --> 00:23:56,600
Speaker 1: this movie, if you don't count the heist thee Yeah.

484
00:23:58,640 --> 00:24:02,200
Speaker 3: Well, first of all, uh one more and more or more?

485
00:24:02,320 --> 00:24:07,359
Speaker 3: Note about the first two scenes Vin wearing sleeves, was

486
00:24:07,440 --> 00:24:10,280
Speaker 3: he Yeah, he wears sleeves while he's parenting.

487
00:24:13,880 --> 00:24:15,600
Speaker 5: He doesn't want to scare the other parents in the

488
00:24:15,640 --> 00:24:16,440
Speaker 5: pickup line.

489
00:24:16,359 --> 00:24:19,040
Speaker 1: Yeah, seves, you're saying when he was teaching little Bee

490
00:24:19,080 --> 00:24:21,000
Speaker 1: to drive the barbecue.

491
00:24:20,560 --> 00:24:22,800
Speaker 3: Like this, Yeah, wow, I didn't notice that I was

492
00:24:22,840 --> 00:24:25,000
Speaker 3: gonna cut their sleeves off this thing. But then I

493
00:24:25,080 --> 00:24:30,320
Speaker 3: thought why, because you know, Vin doesn't he doesn't have to.

494
00:24:30,400 --> 00:24:33,440
Speaker 3: He doesn't feel the need to always show his guns. Also,

495
00:24:33,520 --> 00:24:36,320
Speaker 3: he might have been out of shape anyways, whatever Cipher

496
00:24:36,400 --> 00:24:39,399
Speaker 3: shows up. This is this is a woman who what

497
00:24:39,800 --> 00:24:45,240
Speaker 3: six months beforehand? No, no, no, no, you were really

498
00:24:45,320 --> 00:24:45,800
Speaker 3: hung up on.

499
00:24:49,480 --> 00:24:50,040
Speaker 2: Little Bee.

500
00:24:50,359 --> 00:24:53,479
Speaker 3: Is was the baby in the in the plane? Right?

501
00:24:53,640 --> 00:24:53,840
Speaker 1: Where?

502
00:24:55,840 --> 00:24:59,840
Speaker 3: So ten eight years ago shot the mother of little

503
00:25:00,440 --> 00:25:04,320
Speaker 3: in the head. Yeah, ruthless and she just shows up

504
00:25:04,400 --> 00:25:09,080
Speaker 3: on the guy's doorstep like the nerve of her I'm

505
00:25:09,080 --> 00:25:10,360
Speaker 3: not king last night.

506
00:25:10,600 --> 00:25:12,840
Speaker 1: Yeah, well she had the enemy of my enemy is

507
00:25:12,920 --> 00:25:13,440
Speaker 1: your enemy?

508
00:25:13,520 --> 00:25:13,840
Speaker 6: What is it?

509
00:25:13,880 --> 00:25:16,960
Speaker 3: I don't know, the enemy of my enemy is my friend?

510
00:25:18,560 --> 00:25:21,000
Speaker 2: But yeah, crazy crazy?

511
00:25:21,080 --> 00:25:24,040
Speaker 1: Do we like Cer? I thought we hated Cipher.

512
00:25:24,160 --> 00:25:26,600
Speaker 2: I'm not a big Cipher fan at all, you know,

513
00:25:27,760 --> 00:25:31,040
Speaker 2: As as Ames mentions later, eventually all of the villains

514
00:25:31,160 --> 00:25:34,120
Speaker 2: joined the family at some point, so it makes sense

515
00:25:34,160 --> 00:25:36,360
Speaker 2: that she would finally turn. But I'm kind of surprised

516
00:25:36,400 --> 00:25:40,040
Speaker 2: that like Cipher as a villain has lasted for three movies.

517
00:25:40,160 --> 00:25:41,080
Speaker 2: Yeah that's surprising.

518
00:25:41,320 --> 00:25:43,280
Speaker 3: Yeah, yeah, well she was kind of locked up on

519
00:25:43,359 --> 00:25:47,400
Speaker 3: the Death Star last movie. True, but yes, yes, definitely see.

520
00:25:47,480 --> 00:25:49,480
Speaker 5: I'm gonna say Cipher is one of the best parts

521
00:25:49,520 --> 00:25:51,679
Speaker 5: of this movie, and I agree. I didn't like her before,

522
00:25:52,480 --> 00:25:56,760
Speaker 5: but her two action scenes like the flashback that we

523
00:25:56,880 --> 00:25:59,159
Speaker 5: see where she beats or we're about to get to

524
00:26:00,480 --> 00:26:02,399
Speaker 5: where she beats up all her guards, and then the

525
00:26:02,560 --> 00:26:05,840
Speaker 5: fight scene with Letty later, were those not two of

526
00:26:05,880 --> 00:26:07,880
Speaker 5: the better scenes? Like they didn't involve like a shit

527
00:26:07,960 --> 00:26:13,520
Speaker 5: ton of cgi, they felt more grounded. Yeah, Charlie's was

528
00:26:13,560 --> 00:26:14,000
Speaker 5: a winner in.

529
00:26:14,280 --> 00:26:18,080
Speaker 1: This I think I think her stunt double was was

530
00:26:18,119 --> 00:26:20,560
Speaker 1: a true winner doing some great stuff. I don't think

531
00:26:20,600 --> 00:26:23,520
Speaker 1: that was actually uh Charlie's, but maybe I'm wrong, Maybe

532
00:26:23,560 --> 00:26:25,600
Speaker 1: I'm wrong. But we got Dante, Yeah, we got that

533
00:26:25,640 --> 00:26:29,400
Speaker 1: scene where he's obviously yeah, he's he's like the Joker man,

534
00:26:29,960 --> 00:26:31,400
Speaker 1: is he? Well, that's what he's saying.

535
00:26:31,440 --> 00:26:34,880
Speaker 3: Everybody is just like really really excited about Jason Momoat

536
00:26:34,960 --> 00:26:37,320
Speaker 3: and I will say he is good in this movie.

537
00:26:37,359 --> 00:26:39,239
Speaker 3: He's one of the better things about this movie. Right,

538
00:26:39,480 --> 00:26:42,200
Speaker 3: but come on, he's not that good. And it's not

539
00:26:42,480 --> 00:26:48,080
Speaker 3: his fault either. It's whatever Lynn quitting or whatever happened.

540
00:26:48,240 --> 00:26:52,479
Speaker 3: It's like, this guy is a he becomes a complete psycho,

541
00:26:53,000 --> 00:26:55,439
Speaker 3: but he's not psychotic at the beginning of the movie, right,

542
00:26:55,600 --> 00:26:57,280
Speaker 3: or at least we have no hint of that.

543
00:26:58,359 --> 00:27:00,800
Speaker 1: And wait, what do you mean the flashback?

544
00:27:01,000 --> 00:27:02,879
Speaker 3: Okay, so we see it when we see him at

545
00:27:02,920 --> 00:27:07,639
Speaker 3: the beginning, he looks he looks neck thing. Notwithstanding, he

546
00:27:07,680 --> 00:27:10,760
Speaker 3: looks cool. He's wearing a suit, and he's like this

547
00:27:10,920 --> 00:27:13,679
Speaker 3: is serious, and we're like, we're not fucking around here, right.

548
00:27:14,560 --> 00:27:18,159
Speaker 3: He seemed like a normal villain, right. Smash cut to

549
00:27:18,400 --> 00:27:22,000
Speaker 3: him doing his nails with two dead bodies, like out

550
00:27:22,000 --> 00:27:22,480
Speaker 3: of nowhere.

551
00:27:22,560 --> 00:27:25,439
Speaker 1: He sort of explains it, though, does he not? He says, uh,

552
00:27:25,720 --> 00:27:29,280
Speaker 1: he basically cracked his head open. He died. He tells

553
00:27:29,359 --> 00:27:33,240
Speaker 1: us he died. He's off the bridge back and Fast

554
00:27:33,280 --> 00:27:34,320
Speaker 1: five back and Fast five.

555
00:27:34,480 --> 00:27:36,840
Speaker 3: But then but then they but then they subverted that

556
00:27:37,040 --> 00:27:40,359
Speaker 3: storyline by saying, oh, this kid's been like as a child,

557
00:27:40,480 --> 00:27:41,320
Speaker 3: he's been having.

558
00:27:41,160 --> 00:27:44,080
Speaker 2: Psycho true eide, So which is which?

559
00:27:44,440 --> 00:27:48,399
Speaker 3: Which is it? And like I'm totally fine with I

560
00:27:48,520 --> 00:27:51,880
Speaker 3: hit my head and now I'm psychotic or the death

561
00:27:51,920 --> 00:27:54,239
Speaker 3: of my father just pushed me off the deep end.

562
00:27:55,040 --> 00:27:58,280
Speaker 3: But it's just very inconsistent and just sort of.

563
00:27:58,359 --> 00:28:00,240
Speaker 1: Like, so you're saying you would have preferred in the

564
00:28:00,359 --> 00:28:03,040
Speaker 1: start of this movie, the flashback to Fast five when

565
00:28:03,200 --> 00:28:06,160
Speaker 1: suddenly he's there and he should be going like, oh

566
00:28:06,240 --> 00:28:08,240
Speaker 1: my god, they took my safe. Yeah, like he should

567
00:28:08,240 --> 00:28:08,480
Speaker 1: have been.

568
00:28:08,480 --> 00:28:11,600
Speaker 3: Kooky Cooky out of the gate, Cookie out of the Gate?

569
00:28:14,000 --> 00:28:14,359
Speaker 5: Or are we.

570
00:28:19,840 --> 00:28:23,680
Speaker 3: Too low money? But he but we don't see that

571
00:28:23,760 --> 00:28:25,800
Speaker 3: progression and it just sort of comes out of nowhere.

572
00:28:25,840 --> 00:28:28,480
Speaker 3: And I think Momo is actually pretty good in this movie.

573
00:28:28,560 --> 00:28:31,879
Speaker 3: But I just I'm getting tired of everybody. Wow, it's

574
00:28:32,000 --> 00:28:35,000
Speaker 3: like a Hot in Cleveland sort of scenario. You know

575
00:28:35,080 --> 00:28:37,399
Speaker 3: that show where it's like these these women are like

576
00:28:37,680 --> 00:28:39,800
Speaker 3: Four's in La, but they moved to Cleveland, and now

577
00:28:39,840 --> 00:28:42,400
Speaker 3: there's not only tens. I think that's what's happening here

578
00:28:42,520 --> 00:28:44,560
Speaker 3: is that this guy can actually act and is kind

579
00:28:44,600 --> 00:28:49,360
Speaker 3: of interesting. So in this dead zone of stupid characters,

580
00:28:49,440 --> 00:28:54,520
Speaker 3: he's actually seems better than he is. But anyway, here's

581
00:28:54,720 --> 00:28:56,800
Speaker 3: here's a problem. Another problem I have with that scene.

582
00:28:57,200 --> 00:29:03,040
Speaker 3: This guy kidnaps all of the families of all of

583
00:29:03,560 --> 00:29:08,760
Speaker 3: Cipher's henchmen. Who kidnapped Why did he need to do that?

584
00:29:10,000 --> 00:29:10,200
Speaker 2: Dude?

585
00:29:10,200 --> 00:29:12,160
Speaker 3: Why did he need her henchmen?

586
00:29:13,280 --> 00:29:15,200
Speaker 1: Well, they need I think the plan.

587
00:29:15,520 --> 00:29:17,400
Speaker 2: She got the best tech in the world.

588
00:29:17,560 --> 00:29:22,360
Speaker 3: Yeah, but those are her henchmen. She's he steals. Why

589
00:29:22,400 --> 00:29:24,240
Speaker 3: didn't he just show up with his own henchmen?

590
00:29:24,520 --> 00:29:26,720
Speaker 1: And now these guys are the tech guys. He really

591
00:29:26,800 --> 00:29:29,160
Speaker 1: calls them nerds. He's like, I need I need your

592
00:29:29,160 --> 00:29:31,920
Speaker 1: equipment and I need the people to operate it. So

593
00:29:32,040 --> 00:29:33,360
Speaker 1: who's holding the families?

594
00:29:34,840 --> 00:29:38,800
Speaker 2: He's got a whole They're terrible attack and they're terrible attack.

595
00:29:39,760 --> 00:29:41,720
Speaker 2: They can't get to update their phones.

596
00:29:42,440 --> 00:29:44,080
Speaker 3: They kidnapped twenty families.

597
00:29:44,560 --> 00:29:46,520
Speaker 1: Ye hold k.

598
00:29:46,880 --> 00:29:49,320
Speaker 2: They're good with the kidnappings, but when it comes to

599
00:29:49,520 --> 00:29:52,719
Speaker 2: like new guns that turn off, they don't know how

600
00:29:52,720 --> 00:29:53,000
Speaker 2: to do it.

601
00:29:53,080 --> 00:29:55,160
Speaker 1: Dante must have been pumped when that one guy had

602
00:29:55,240 --> 00:29:57,760
Speaker 1: no family and not even a cat, because he's like, Okay, sweet,

603
00:29:57,760 --> 00:29:59,640
Speaker 1: we don't need to send anybody to shoot this guy.

604
00:30:00,080 --> 00:30:03,480
Speaker 1: Doesn't matter. Yeah, Matt, any thoughts on the on the

605
00:30:03,840 --> 00:30:06,040
Speaker 1: the you like the fight party, the fight part of

606
00:30:06,080 --> 00:30:08,160
Speaker 1: that scene, you said, Donte versus, Yeah.

607
00:30:08,040 --> 00:30:13,760
Speaker 5: That was just a decent, a decent little scrape. But yeah,

608
00:30:13,760 --> 00:30:17,280
Speaker 5: I mean dom Dom broke the broke code. Man, you

609
00:30:17,320 --> 00:30:18,840
Speaker 5: don't steal another person's henchmen.

610
00:30:18,960 --> 00:30:21,280
Speaker 1: Well, I mean, what's your what's your take on this

611
00:30:21,440 --> 00:30:24,680
Speaker 1: whole momoa of this movie? Were you a fan of

612
00:30:25,120 --> 00:30:28,520
Speaker 1: him obviously cranking it up to like a hundred in

613
00:30:28,680 --> 00:30:31,880
Speaker 1: terms of him being psychotic and silly and funny and whatever.

614
00:30:33,200 --> 00:30:35,560
Speaker 5: Well, you know, let's say, compared to his dad, who

615
00:30:35,640 --> 00:30:39,000
Speaker 5: is the villain in Fast five, he's way better. Like

616
00:30:39,640 --> 00:30:43,280
Speaker 5: I'm like, oh wow, the guy who played Reys was

617
00:30:43,640 --> 00:30:46,640
Speaker 5: available for to reshoot these scenes, and I can't believe

618
00:30:46,880 --> 00:30:48,760
Speaker 5: this guy is so in demand, Like this is a

619
00:30:48,880 --> 00:30:51,440
Speaker 5: series for all the famous people in it that doesn't

620
00:30:51,480 --> 00:30:56,880
Speaker 5: have particularly memorable villains, Like even was John Cena memorable

621
00:30:57,000 --> 00:30:58,120
Speaker 5: villain in the last one.

622
00:30:58,200 --> 00:31:01,240
Speaker 1: No, No, this is why I love Momoa because he

623
00:31:01,320 --> 00:31:03,880
Speaker 1: at least is different than every other villain ever in

624
00:31:03,960 --> 00:31:07,760
Speaker 1: this series. And they're all the same state of cipher. Yeah,

625
00:31:07,920 --> 00:31:11,160
Speaker 1: Sina before, I mean, everybody that eventually becomes family that

626
00:31:11,400 --> 00:31:15,560
Speaker 1: was a villain, they're all just like serious badasses. At

627
00:31:15,640 --> 00:31:17,240
Speaker 1: least Mamoa is doing something different, and that's what it

628
00:31:17,280 --> 00:31:19,360
Speaker 1: feels like. It's like I'm just gonna go crazy, you mind?

629
00:31:19,720 --> 00:31:23,240
Speaker 3: Well, then they got him do it. Yes, that's the

630
00:31:23,400 --> 00:31:25,520
Speaker 3: that's the key. I think that Vin actually may have

631
00:31:25,600 --> 00:31:27,920
Speaker 3: taken that note because that was the biggest complaint from

632
00:31:28,160 --> 00:31:30,680
Speaker 3: Fast nine is that Sina, who is one of the

633
00:31:30,800 --> 00:31:34,520
Speaker 3: most electrifying actors out there and funny and charming, yeah,

634
00:31:36,120 --> 00:31:38,680
Speaker 3: completely wasted in nine. And actually we get to see

635
00:31:38,680 --> 00:31:41,000
Speaker 3: a little bit of that in this movie, which is great.

636
00:31:41,120 --> 00:31:43,240
Speaker 3: But yeah, I think they just let it, let Mamoa

637
00:31:43,400 --> 00:31:46,360
Speaker 3: do do his thing, and it was fine. It was fine.

638
00:31:46,360 --> 00:31:49,840
Speaker 3: I'm not gonna you know, I'm not throwing him oscars

639
00:31:49,880 --> 00:31:51,280
Speaker 3: and accolades or anything like that.

640
00:31:51,480 --> 00:31:54,040
Speaker 1: But yeah, no, jj I I agree. Well, this is

641
00:31:54,120 --> 00:31:56,320
Speaker 1: the hot yeah, hot in Cleveland. You're exactly right.

642
00:31:56,400 --> 00:31:58,440
Speaker 5: He was good, but that's just compared to how bad

643
00:31:58,480 --> 00:32:00,200
Speaker 5: the other ones were. What did you guys think the

644
00:32:00,320 --> 00:32:02,640
Speaker 5: tone shift of the John Cena character.

645
00:32:04,040 --> 00:32:07,320
Speaker 3: Welcome? Like I thought it was very, very welcome, you know,

646
00:32:07,600 --> 00:32:10,720
Speaker 3: like he's in the family now and he's playing the

647
00:32:10,880 --> 00:32:13,520
Speaker 3: uncle and most of his scenes are against this kid

648
00:32:13,600 --> 00:32:16,360
Speaker 3: who's actually pretty good in the movie. Like I enjoyed

649
00:32:16,440 --> 00:32:19,040
Speaker 3: it when we were riding in that car and I thought,

650
00:32:19,840 --> 00:32:21,920
Speaker 3: I thought the gag with the car worked, you know,

651
00:32:22,080 --> 00:32:24,280
Speaker 3: like this whole thing, Like I'm a nineties guy. You

652
00:32:24,400 --> 00:32:26,320
Speaker 3: haven't seen It's like he's been in a Calmas since

653
00:32:26,320 --> 00:32:28,880
Speaker 3: the nineteen nineties. Like it's great.

654
00:32:29,320 --> 00:32:31,960
Speaker 2: What did you think they needed levity? We talked about it.

655
00:32:32,040 --> 00:32:34,720
Speaker 2: I think in Fast nine and in Fast eight, Statham

656
00:32:34,800 --> 00:32:37,840
Speaker 2: is funny. But even then he's like a classic action

657
00:32:38,000 --> 00:32:40,760
Speaker 2: movie one liner funny guy. So they amped up John

658
00:32:40,800 --> 00:32:43,040
Speaker 2: Cena's role certainly and just let him be a little

659
00:32:43,080 --> 00:32:44,719
Speaker 2: bit more silly, which I think was smart. And then

660
00:32:44,760 --> 00:32:47,760
Speaker 2: I thought, Momoa is great. It's like such a contrast

661
00:32:47,800 --> 00:32:50,800
Speaker 2: to everything we've seen so far from every character in

662
00:32:50,880 --> 00:32:53,240
Speaker 2: this Like the coolest guy you've seen so far is

663
00:32:53,320 --> 00:32:57,120
Speaker 2: definitely Han, and he's just super low key. Dante Reyes

664
00:32:57,200 --> 00:32:59,560
Speaker 2: is the complete flip of things. So, like you said,

665
00:32:59,600 --> 00:33:01,920
Speaker 2: he's basic doing a joker, He's doing he's doing a

666
00:33:02,000 --> 00:33:04,160
Speaker 2: Heath Ledger And it totally worked for me.

667
00:33:04,440 --> 00:33:07,840
Speaker 1: Yeah. I read some interviews with the director because they

668
00:33:07,840 --> 00:33:12,160
Speaker 1: were showing obviously versions of the film to people and

669
00:33:12,280 --> 00:33:15,760
Speaker 1: they were like dying laughing. And his concern was like, oh,

670
00:33:16,440 --> 00:33:19,080
Speaker 1: have I taken this franchise and made it too silly

671
00:33:19,320 --> 00:33:22,880
Speaker 1: and too funny and not like thrilling enough. I guess,

672
00:33:22,960 --> 00:33:26,040
Speaker 1: you know, are actiony enough. I thought it was interesting.

673
00:33:26,080 --> 00:33:28,320
Speaker 1: I guess he ultimately went with it. He's like, why not,

674
00:33:28,840 --> 00:33:30,600
Speaker 1: all right, let's keep going. Here we learn of the

675
00:33:30,720 --> 00:33:35,880
Speaker 1: Rome set up for Roman TEJ Ramsey Han and this

676
00:33:36,040 --> 00:33:38,280
Speaker 1: is the whole Rome mission with the giant bomb in

677
00:33:38,360 --> 00:33:42,400
Speaker 1: the truck. It's Raiders of the lost arc the Boulder chase,

678
00:33:43,640 --> 00:33:48,400
Speaker 1: we get you know this this gas pump part where

679
00:33:49,120 --> 00:33:52,680
Speaker 1: Dom recognizes this thing is gonna hit something that's gonna explode.

680
00:33:52,720 --> 00:33:55,480
Speaker 1: So I think he uses his car to take out

681
00:33:56,000 --> 00:34:01,800
Speaker 1: a fabric awning to protect these civilians from the blast

682
00:34:01,880 --> 00:34:04,160
Speaker 1: of fire. Is that what happened. I think that's what happens.

683
00:34:04,280 --> 00:34:07,200
Speaker 1: Exactly what happened. It ends with Dom going airborne to

684
00:34:07,320 --> 00:34:10,160
Speaker 1: hit the crane to obviously stop the bomb from getting

685
00:34:10,200 --> 00:34:12,839
Speaker 1: to the Vatican, and then it ends with Dom out

686
00:34:12,920 --> 00:34:17,319
Speaker 1: driving the bomb somehow the blast. Even though his car

687
00:34:17,440 --> 00:34:21,080
Speaker 1: has just been totaled into a wall and drop fifty

688
00:34:21,160 --> 00:34:25,040
Speaker 1: feet down, he still has the nas left in him

689
00:34:25,080 --> 00:34:29,480
Speaker 1: to outrun the blast. So anyway, there's a big set piece.

690
00:34:29,640 --> 00:34:33,560
Speaker 1: TK thoughts on this whole roam situation.

691
00:34:34,080 --> 00:34:36,399
Speaker 2: Act one set piece is always a banger and fast

692
00:34:36,440 --> 00:34:39,399
Speaker 2: and furious, and I think no different in this one,

693
00:34:39,840 --> 00:34:43,840
Speaker 2: because you've got Dom pulling crazy moves like the pinball

694
00:34:43,920 --> 00:34:47,080
Speaker 2: shot with the crane pretty impressive, and you've also basically

695
00:34:47,200 --> 00:34:50,440
Speaker 2: got Dante Reyes involved in the scene as well, just

696
00:34:50,600 --> 00:34:53,759
Speaker 2: making it silly, making a little bit more high octane.

697
00:34:54,400 --> 00:34:57,400
Speaker 2: He's singing opera on the radio during this one, he

698
00:34:57,480 --> 00:35:02,520
Speaker 2: blows a fart at body. She's on the motorcycle. He

699
00:35:02,640 --> 00:35:06,920
Speaker 2: drops his first bouchere aroma. He's just really going for it.

700
00:35:07,000 --> 00:35:09,360
Speaker 2: So we get the introduction in the fight with a

701
00:35:10,080 --> 00:35:12,440
Speaker 2: with Cipher and the Henchman, and then this is more

702
00:35:12,480 --> 00:35:14,440
Speaker 2: of like the character filling in of this guy's this

703
00:35:14,520 --> 00:35:16,920
Speaker 2: guy's a wild card. He's not just a just our

704
00:35:17,000 --> 00:35:18,920
Speaker 2: standard villain. He likes having fun out there.

705
00:35:19,040 --> 00:35:22,040
Speaker 3: Yes, yeah, and it was fun to him. You know,

706
00:35:22,200 --> 00:35:24,520
Speaker 3: where where should we blow up you guys? You know

707
00:35:24,840 --> 00:35:27,840
Speaker 3: the Sistine Chapel? Oh you're going to help? Okay, Not

708
00:35:28,000 --> 00:35:29,319
Speaker 3: that part of it. That was fun.

709
00:35:29,680 --> 00:35:29,839
Speaker 4: Uh.

710
00:35:31,280 --> 00:35:34,080
Speaker 3: And the motorcycle part of the chase I loved. I

711
00:35:34,160 --> 00:35:38,600
Speaker 3: love that same fla. That's my favorite. That ironic that

712
00:35:38,680 --> 00:35:41,000
Speaker 3: it's a show, it's a movie about cars, but it's

713
00:35:41,040 --> 00:35:43,440
Speaker 3: the motorcycles that I was like, this is fun, this

714
00:35:43,600 --> 00:35:48,920
Speaker 3: is cool. But yeah, other than the motorcycles, finally kind

715
00:35:48,960 --> 00:35:51,600
Speaker 3: of boring. It was kind of the action sequences in

716
00:35:51,719 --> 00:35:54,319
Speaker 3: all these movies kind of just kind of wash over

717
00:35:54,440 --> 00:35:57,200
Speaker 3: me because, as Matt pointed out, there's no stakes, like,

718
00:35:57,280 --> 00:36:02,080
Speaker 3: there's no literally no, they did blow rome up. I

719
00:36:02,120 --> 00:36:03,279
Speaker 3: will give them that.

720
00:36:04,000 --> 00:36:05,960
Speaker 1: I'll give them that U j D.

721
00:36:06,040 --> 00:36:09,000
Speaker 5: I'm sorry to jump in unless I misheard this during

722
00:36:09,120 --> 00:36:12,680
Speaker 5: the compilation of news clips from around the world talking

723
00:36:12,680 --> 00:36:15,560
Speaker 5: about how the bomb has gone off. I'm pretty sure

724
00:36:15,600 --> 00:36:20,440
Speaker 5: they say the Vatican has incurred some structural damage, but

725
00:36:20,680 --> 00:36:24,880
Speaker 5: no lives were claimed. Oh wow, nobody died. That nobody,

726
00:36:25,239 --> 00:36:26,840
Speaker 5: nobody blast.

727
00:36:27,080 --> 00:36:30,440
Speaker 2: Well, they got it in the water, so bomb water.

728
00:36:30,440 --> 00:36:34,320
Speaker 5: People people during the chase for sure died. No, I

729
00:36:34,400 --> 00:36:38,279
Speaker 5: mean no, no, no cops, no civilians.

730
00:36:38,920 --> 00:36:45,160
Speaker 3: Yea, the meat battle through the Stitts of Rome. Those cars,

731
00:36:45,239 --> 00:36:48,120
Speaker 3: those cop cars are ripped apart by the domb blast. Yes,

732
00:36:48,200 --> 00:36:51,680
Speaker 3: that that the dom is I keep wanting to calling Vin.

733
00:36:52,160 --> 00:36:54,840
Speaker 1: Yeah, you always do that. You're staying consistent with the

734
00:36:55,000 --> 00:36:55,600
Speaker 1: best friends.

735
00:36:55,760 --> 00:36:57,680
Speaker 3: Yeah, yeah, that's the lore.

736
00:36:59,360 --> 00:37:00,600
Speaker 1: They're one in the say man.

737
00:37:01,080 --> 00:37:03,759
Speaker 3: But those cops definitely died. They died. They they were

738
00:37:03,880 --> 00:37:06,319
Speaker 3: They were ripped apart as you were in a shock wave.

739
00:37:07,000 --> 00:37:07,600
Speaker 3: There's no way.

740
00:37:09,440 --> 00:37:12,200
Speaker 1: Well, and how about uh, I'm just glad that no

741
00:37:12,280 --> 00:37:16,360
Speaker 1: one ever sits in the middle of a bus because

742
00:37:16,400 --> 00:37:18,080
Speaker 1: the bomb took out the middle of the bus. But

743
00:37:18,160 --> 00:37:19,840
Speaker 1: as everybody knows, you either sit at the front of

744
00:37:19,840 --> 00:37:20,839
Speaker 1: the bus or the back of the bus.

745
00:37:20,920 --> 00:37:21,600
Speaker 2: Nobody in the middle.

746
00:37:21,640 --> 00:37:24,120
Speaker 1: Everybody leaves the middle wide open, and everybody was good.

747
00:37:24,200 --> 00:37:28,040
Speaker 1: Who was driving the tiny Tees car that was bothering me?

748
00:37:28,239 --> 00:37:29,560
Speaker 1: Who was actually driving it?

749
00:37:29,840 --> 00:37:29,960
Speaker 4: Was that?

750
00:37:30,560 --> 00:37:32,640
Speaker 1: Was it Ramsey or Ted? Were they driving it? I

751
00:37:32,760 --> 00:37:34,240
Speaker 1: never saw them operating anything.

752
00:37:34,520 --> 00:37:39,600
Speaker 2: Yeah, yeah, doing from backup?

753
00:37:40,040 --> 00:37:42,839
Speaker 1: So he okay, So Tej was operating the tiny little

754
00:37:42,880 --> 00:37:45,880
Speaker 1: car that I guess released the uh the gas that

755
00:37:46,080 --> 00:37:49,040
Speaker 1: passed out the drivers of the truck. But he didn't know.

756
00:37:49,120 --> 00:37:51,320
Speaker 1: His face was on the little on the little machine

757
00:37:52,320 --> 00:37:54,560
Speaker 1: a little card.

758
00:37:53,840 --> 00:37:56,480
Speaker 2: As a Roman pull a fast one on te gotcha?

759
00:37:56,840 --> 00:37:59,840
Speaker 1: Yeah, okay, I guess gotcha.

760
00:38:00,000 --> 00:38:02,600
Speaker 2: I had a tiny scale model if you made put

761
00:38:02,640 --> 00:38:03,279
Speaker 2: it on our height.

762
00:38:03,719 --> 00:38:05,759
Speaker 1: And this was and this was all a slick move

763
00:38:05,800 --> 00:38:07,520
Speaker 1: from Dante. I mean it was to lure them there,

764
00:38:07,600 --> 00:38:10,799
Speaker 1: to get them there. Laughed out loud. When the truck

765
00:38:10,880 --> 00:38:14,359
Speaker 1: took over, or he operated the truck, it literally said

766
00:38:14,440 --> 00:38:17,920
Speaker 1: good luck on the dashboard when he locked the doors

767
00:38:18,040 --> 00:38:21,000
Speaker 1: and Tessen Rams you were inside, good luck this guy.

768
00:38:21,040 --> 00:38:23,759
Speaker 1: And he thinks of it all. He's trying to root

769
00:38:23,800 --> 00:38:27,919
Speaker 1: for you. Any other thoughts about on the Rome scene, Well.

770
00:38:27,800 --> 00:38:29,200
Speaker 5: The only thing I want to give a shout out

771
00:38:29,239 --> 00:38:32,200
Speaker 5: to is you mentioned Raiders as a reference point for

772
00:38:32,280 --> 00:38:34,239
Speaker 5: the ball rolling down. I want to shout out my

773
00:38:34,280 --> 00:38:35,960
Speaker 5: gamers out there, this is rocket.

774
00:38:35,760 --> 00:38:38,640
Speaker 1: Leg you guys all Rocket League. Yes, you're right.

775
00:38:40,080 --> 00:38:43,640
Speaker 5: Where people like cars, people like soccer, how about cars

776
00:38:43,680 --> 00:38:44,240
Speaker 5: playing soccer?

777
00:38:44,440 --> 00:38:46,239
Speaker 1: Yeah, and there was a lot a lot of that

778
00:38:46,480 --> 00:38:48,120
Speaker 1: from especially, there was a lot of that.

779
00:38:48,440 --> 00:38:52,520
Speaker 5: So Vin Diesels should should join Rick Fox's esports team.

780
00:38:53,680 --> 00:38:55,399
Speaker 5: I know if Task was here, he'd say Rick Fox

781
00:38:55,440 --> 00:38:59,640
Speaker 5: doesn't have anything right, but should out to that. And

782
00:38:59,719 --> 00:39:02,160
Speaker 5: also just I anytime a movie said in Italy, I

783
00:39:02,239 --> 00:39:05,000
Speaker 5: am reminded that like in the US we have the police.

784
00:39:05,440 --> 00:39:09,560
Speaker 5: In England they have the bobbies, but in Italy they

785
00:39:09,600 --> 00:39:12,160
Speaker 5: have kinda Beignetti and that is the best name.

786
00:39:13,840 --> 00:39:16,719
Speaker 1: You're right, you're right. And what do you think about

787
00:39:16,719 --> 00:39:19,440
Speaker 1: the ending about dom recognizing, Hey, if I hit the crane,

788
00:39:20,080 --> 00:39:22,360
Speaker 1: I could spin it around sort of mouse trap style

789
00:39:23,640 --> 00:39:25,960
Speaker 1: to prevent the bomb from going all the way to

790
00:39:26,040 --> 00:39:26,520
Speaker 1: the Vatican.

791
00:39:26,719 --> 00:39:29,520
Speaker 2: That's just veteran noha right there. That's a guy who's

792
00:39:29,560 --> 00:39:32,200
Speaker 2: been in that kind of a situation. He knows the angles.

793
00:39:33,080 --> 00:39:35,600
Speaker 2: That's why you can't go out there with a junior driver.

794
00:39:35,680 --> 00:39:38,160
Speaker 2: Would be ridiculous. Yeah, they have tiny Tess trying to

795
00:39:38,160 --> 00:39:40,799
Speaker 2: pull that off. He does, No way, no way, how

796
00:39:40,880 --> 00:39:42,120
Speaker 2: a chance? All right?

797
00:39:42,200 --> 00:39:45,160
Speaker 1: We go to agent headquarters. I guess Tess is talking

798
00:39:45,280 --> 00:39:49,120
Speaker 1: with the new boss, Ames jack Reacher. He gives us

799
00:39:49,239 --> 00:39:54,080
Speaker 1: the Fast and Furious power point presentation. He drops a

800
00:39:54,120 --> 00:39:57,080
Speaker 1: great line though, in this scene, everyone becomes family. It's

801
00:39:57,120 --> 00:40:00,520
Speaker 1: like a cult with cars. Yeah, he's right, He's right,

802
00:40:00,560 --> 00:40:04,399
Speaker 1: It's exactly what it's like. Yeah, anything to to add here?

803
00:40:04,440 --> 00:40:06,440
Speaker 1: We get, We get some like who's in charge here?

804
00:40:06,520 --> 00:40:06,680
Speaker 2: Now?

805
00:40:06,960 --> 00:40:10,760
Speaker 1: Where is mister Nobody Kurt Russell, who Matt Wants famously

806
00:40:10,840 --> 00:40:14,719
Speaker 1: shared a elevator ride with. Is that right, Matt?

807
00:40:14,760 --> 00:40:15,359
Speaker 2: Do I have that right?

808
00:40:15,920 --> 00:40:19,279
Speaker 1: That's correct? Okay, good, But he's gone. Mister Nobody has gone,

809
00:40:19,320 --> 00:40:23,759
Speaker 1: is missing his daughter. I guess is now has to

810
00:40:24,200 --> 00:40:26,520
Speaker 1: the real boss's aims like this. I'm so confused by this.

811
00:40:26,640 --> 00:40:28,960
Speaker 2: Well, you know, when your dad goes missing, you get

812
00:40:29,000 --> 00:40:33,840
Speaker 2: their job. Yeah, so like if Jad just disappears someday,

813
00:40:34,440 --> 00:40:37,040
Speaker 2: Jackson's gonna be in here for that's how it works.

814
00:40:37,160 --> 00:40:40,000
Speaker 1: So, Tess, you're saying, is the real boss, but it

815
00:40:40,040 --> 00:40:40,920
Speaker 1: feels like Ames.

816
00:40:40,800 --> 00:40:45,160
Speaker 3: Is Ames's Ames literally says as your direct period.

817
00:40:45,200 --> 00:40:46,440
Speaker 1: Well, he takes a vote.

818
00:40:47,000 --> 00:40:53,760
Speaker 2: Yeah, the TV people, we asked the Nielsen families, should

819
00:40:53,800 --> 00:40:54,200
Speaker 2: we do this?

820
00:40:55,840 --> 00:40:59,120
Speaker 3: Yeah, but she he outranks her. He orders her to

821
00:41:00,200 --> 00:41:01,240
Speaker 3: knock it off or whatever.

822
00:41:04,040 --> 00:41:07,120
Speaker 4: I don't know what, only like order that after though,

823
00:41:07,200 --> 00:41:08,319
Speaker 4: like after they take that vote.

824
00:41:08,400 --> 00:41:10,399
Speaker 3: Yeah, they take the vote. Those are the superiors, those

825
00:41:10,440 --> 00:41:11,799
Speaker 3: are the illuminati in charge.

826
00:41:12,080 --> 00:41:14,320
Speaker 4: She was she was in charge first, right though, Like

827
00:41:14,440 --> 00:41:17,879
Speaker 4: she's little miss Nobody, so she was, she was in charge.

828
00:41:17,880 --> 00:41:19,560
Speaker 4: And then he's like, I don't like what you're doing

829
00:41:19,600 --> 00:41:22,480
Speaker 4: because you're too close to the situation, basically like your family.

830
00:41:23,280 --> 00:41:25,480
Speaker 2: So she had you're a family.

831
00:41:25,560 --> 00:41:29,240
Speaker 3: He accused her because she was too close to the Interesting.

832
00:41:29,760 --> 00:41:30,400
Speaker 3: I didn't catch that.

833
00:41:30,680 --> 00:41:33,840
Speaker 1: I thought that's what happened once on it interesting okay,

834
00:41:33,920 --> 00:41:37,440
Speaker 1: But basically we learn Ames is saying, go get the family,

835
00:41:38,360 --> 00:41:41,160
Speaker 1: because that's how we'll get sort of dumb, right, because

836
00:41:41,160 --> 00:41:43,560
Speaker 1: they're sort of on the run now, they're seen as

837
00:41:43,680 --> 00:41:46,239
Speaker 1: the villains here in Rome. They caused this bomb to

838
00:41:46,280 --> 00:41:48,239
Speaker 1: go off there the terrorists, like Matt said, there's the

839
00:41:48,280 --> 00:41:51,360
Speaker 1: whole montage of all these clips. So we go to

840
00:41:51,719 --> 00:41:56,000
Speaker 1: back to the house. Uh and uh Jacob John Cena,

841
00:41:56,600 --> 00:41:59,759
Speaker 1: Uncle Jacob. He shows up to save me a little bit,

842
00:41:59,800 --> 00:42:02,839
Speaker 1: becau is that all the agency guys are coming. Any

843
00:42:02,880 --> 00:42:05,399
Speaker 1: thoughts on this scene like this? I did.

844
00:42:05,560 --> 00:42:08,719
Speaker 3: I enjoyed this fight scene. This one I enjoyed. I

845
00:42:08,840 --> 00:42:11,000
Speaker 3: love seeing the house getting all torn up. I loved

846
00:42:11,040 --> 00:42:14,960
Speaker 3: it when John Cena fell through the floor. Was it

847
00:42:15,239 --> 00:42:15,880
Speaker 3: is that what happened?

848
00:42:15,920 --> 00:42:16,040
Speaker 2: Well?

849
00:42:16,040 --> 00:42:18,200
Speaker 1: I guess he sort of did like a wrestling move

850
00:42:18,320 --> 00:42:20,719
Speaker 1: on one of the bad guys. The hole is made

851
00:42:21,280 --> 00:42:23,719
Speaker 1: and then more guys come in on the first lard

852
00:42:23,800 --> 00:42:24,759
Speaker 1: he jumps to jump down.

853
00:42:25,040 --> 00:42:25,640
Speaker 3: He jumps down.

854
00:42:25,719 --> 00:42:29,279
Speaker 1: Yeah, which was foreshadowing for Dom's car falling out of

855
00:42:29,280 --> 00:42:30,680
Speaker 1: the sky onto other cars.

856
00:42:31,080 --> 00:42:33,440
Speaker 3: Right, interesting cinema exactly.

857
00:42:35,000 --> 00:42:39,319
Speaker 1: That's why you listen to I make those links. Yeah,

858
00:42:39,440 --> 00:42:40,800
Speaker 1: so you liked it. I liked it.

859
00:42:40,920 --> 00:42:44,759
Speaker 3: I was happy to see John Cena be fun John Cena,

860
00:42:44,880 --> 00:42:47,240
Speaker 3: like I said, And I thought the action was okay,

861
00:42:47,480 --> 00:42:50,319
Speaker 3: a nice little fist fight. I love it when they're

862
00:42:50,360 --> 00:42:54,320
Speaker 3: not in cars. That's weird. WHOA that is controversial, I know,

863
00:42:54,840 --> 00:42:57,120
Speaker 3: because it's this series has a real car problem.

864
00:42:57,560 --> 00:42:59,280
Speaker 1: They very little car talk.

865
00:42:59,160 --> 00:42:59,680
Speaker 4: In this movie.

866
00:42:59,719 --> 00:43:01,520
Speaker 3: Really a lot.

867
00:43:02,600 --> 00:43:05,759
Speaker 1: Guess we have one race. Yeah, and it took like

868
00:43:05,800 --> 00:43:07,840
Speaker 1: an hour and five minutes to get to in this

869
00:43:08,000 --> 00:43:10,200
Speaker 1: movie and we get to Rio finally, which we'll get to.

870
00:43:12,080 --> 00:43:13,040
Speaker 2: And that's it.

871
00:43:13,760 --> 00:43:21,759
Speaker 1: Well, sure, sure, sure there were motorcycles or trucks. Yeah,

872
00:43:22,480 --> 00:43:24,239
Speaker 1: the gear heads out there are saying, not enough car

873
00:43:24,320 --> 00:43:24,719
Speaker 1: talking this.

874
00:43:25,960 --> 00:43:28,320
Speaker 3: You get as you say, once we get to Brazil,

875
00:43:28,400 --> 00:43:30,680
Speaker 3: we get we got a nice quarter mile guys.

876
00:43:31,040 --> 00:43:31,239
Speaker 2: Yeah.

877
00:43:31,760 --> 00:43:33,680
Speaker 1: How do you guys feel about John Cena with so

878
00:43:33,800 --> 00:43:34,160
Speaker 1: much hair?

879
00:43:35,520 --> 00:43:36,120
Speaker 2: I don't like it.

880
00:43:36,960 --> 00:43:38,719
Speaker 1: You hair on his head?

881
00:43:39,840 --> 00:43:42,000
Speaker 3: Yes, I don't know.

882
00:43:42,040 --> 00:43:45,000
Speaker 1: If that's the wrestling fan of me speaking, I want

883
00:43:45,320 --> 00:43:48,319
Speaker 1: that you can't see me Johnson, I don't like too

884
00:43:48,400 --> 00:43:50,640
Speaker 1: much hair, and it looks it looks sort of fake.

885
00:43:50,680 --> 00:43:53,160
Speaker 1: I don't know. Maybe he's got some transplants going on.

886
00:43:53,239 --> 00:43:53,840
Speaker 1: I'm not sure.

887
00:43:54,120 --> 00:43:57,400
Speaker 3: Maybe it's the uncle cut. Yeah, I think that's what

888
00:43:57,520 --> 00:44:01,560
Speaker 3: it is, non threatening for little.

889
00:44:01,320 --> 00:44:03,880
Speaker 1: B Where does Jacob rank Matt in terms of the

890
00:44:04,000 --> 00:44:09,440
Speaker 1: greatest uncles in cinema history. We're talking Uncle Buck and

891
00:44:10,040 --> 00:44:11,160
Speaker 1: Uncle Jacob and.

892
00:44:11,560 --> 00:44:12,279
Speaker 3: Any other uncle.

893
00:44:14,880 --> 00:44:15,439
Speaker 4: Good question.

894
00:44:15,960 --> 00:44:18,880
Speaker 5: So, I mean, Uncle Buck's way better than Uncle Jacob's.

895
00:44:18,960 --> 00:44:22,560
Speaker 5: Uncle Buck was willing to fight for his nieces and nephews.

896
00:44:22,560 --> 00:44:25,480
Speaker 5: Remember he went down to the school, told that school

897
00:44:25,520 --> 00:44:28,440
Speaker 5: and ministry. He tossed a quarter on the table and said,

898
00:44:29,040 --> 00:44:32,239
Speaker 5: why don't you go pay a rat to gnaw that mole?

899
00:44:34,800 --> 00:44:36,880
Speaker 1: Wow, that's just re memory, but it was something like that.

900
00:44:37,360 --> 00:44:39,880
Speaker 3: Now you're totally right. That's one of the funniest scenes

901
00:44:40,000 --> 00:44:45,200
Speaker 3: ever on film. But he's distracted by the mole. Anyways, Uh,

902
00:44:45,640 --> 00:44:47,640
Speaker 3: that would have been great if Uncle Buck showed up

903
00:44:47,719 --> 00:44:49,280
Speaker 3: instead of Uncle Jacob.

904
00:44:49,320 --> 00:44:51,920
Speaker 5: Well, John Candy's dead, yeah, or is.

905
00:44:52,000 --> 00:44:58,720
Speaker 1: He bring him back? Okay, let's keep going. Unless anybody's

906
00:44:58,719 --> 00:45:02,400
Speaker 1: got any notes on that scene. It ends with Jacob,

907
00:45:02,520 --> 00:45:05,719
Speaker 1: John Cena, and Little Bee. They they head off in

908
00:45:05,800 --> 00:45:09,320
Speaker 1: their funny little car with the kayak on top of it,

909
00:45:10,040 --> 00:45:13,719
Speaker 1: and I guess Mia is headed. She says to see

910
00:45:13,920 --> 00:45:14,640
Speaker 1: Brian right.

911
00:45:15,719 --> 00:45:18,000
Speaker 3: She has swept under the rug her brother see you?

912
00:45:18,360 --> 00:45:20,600
Speaker 2: Yeah, I think she must be going to see Brian right.

913
00:45:21,800 --> 00:45:23,440
Speaker 1: She not in this movie for.

914
00:45:23,560 --> 00:45:25,239
Speaker 2: Very long, not much, not much.

915
00:45:25,440 --> 00:45:28,560
Speaker 5: Yeah, it was a real like like Jordana Brewster was like,

916
00:45:28,640 --> 00:45:32,680
Speaker 5: could be in this one? Fucking fine?

917
00:45:32,719 --> 00:45:35,640
Speaker 1: You could throw a frying pant at someone. Yeah, so

918
00:45:35,880 --> 00:45:38,520
Speaker 1: in uh, in Naples, I believe we are Try and

919
00:45:38,640 --> 00:45:40,759
Speaker 1: keep up. We're jumping around here. It's gonna get crazy.

920
00:45:40,800 --> 00:45:44,520
Speaker 1: In a second test meets with Dom in a shady bar.

921
00:45:45,880 --> 00:45:47,279
Speaker 3: This is the weirdest scene in the movie.

922
00:45:47,440 --> 00:45:51,439
Speaker 1: Very weird scene. Yeah, super strange. She delivers the cross

923
00:45:51,640 --> 00:45:55,719
Speaker 1: necklace eventually to Letty in the Black prison site. But yeah,

924
00:45:56,200 --> 00:45:59,000
Speaker 1: she has this confrontation with all these shady characters in

925
00:45:59,080 --> 00:45:59,880
Speaker 1: this underground bar.

926
00:46:01,000 --> 00:46:02,880
Speaker 2: Mister Nobody said he had a daughter.

927
00:46:07,480 --> 00:46:08,879
Speaker 1: Never met Dom up until this point.

928
00:46:08,920 --> 00:46:13,400
Speaker 2: I don't think so, so, no, wow, But why he

929
00:46:13,560 --> 00:46:18,960
Speaker 2: knew her dad and her brother mister Nobody and little

930
00:46:19,000 --> 00:46:22,120
Speaker 2: mister Nobody of course, Uh so, yeah, I guess they

931
00:46:22,160 --> 00:46:24,399
Speaker 2: just had to finally meet each other. Right now, we're

932
00:46:24,440 --> 00:46:26,720
Speaker 2: working together. He's in Brazil.

933
00:46:27,960 --> 00:46:30,680
Speaker 3: Yeah, I'm convinced this was a twenty five minute scene

934
00:46:30,719 --> 00:46:33,719
Speaker 3: that they cut down to three minutes because it makes

935
00:46:33,880 --> 00:46:42,080
Speaker 3: Zero's sense. She walks into this bar is it's definitely Naples, Naples,

936
00:46:42,640 --> 00:46:46,920
Speaker 3: some basement bar in Naples. And she walks in and

937
00:46:46,960 --> 00:46:49,960
Speaker 3: she's like, uh, I'm gonna buy everybody in this room

938
00:46:50,000 --> 00:46:53,279
Speaker 3: a drinks. Oh yeah, like the hell you are. But

939
00:46:53,600 --> 00:46:56,160
Speaker 3: like they all descend on her. You're looking for somebody.

940
00:46:56,640 --> 00:46:59,759
Speaker 3: I don't think so. I don't think so. The bartender

941
00:47:00,480 --> 00:47:05,799
Speaker 3: tosses her a gun, a gun shotgun. She fires off

942
00:47:05,880 --> 00:47:07,400
Speaker 3: around two round No.

943
00:47:07,480 --> 00:47:08,760
Speaker 1: One shots shots.

944
00:47:09,440 --> 00:47:12,640
Speaker 3: Yeah, that good lie. A decent line in there, I guess.

945
00:47:13,560 --> 00:47:16,320
Speaker 3: And then Dom, I don't know if you notice this,

946
00:47:16,760 --> 00:47:18,040
Speaker 3: he doesn't even turn around.

947
00:47:18,239 --> 00:47:20,239
Speaker 2: He's just does not look.

948
00:47:20,360 --> 00:47:23,319
Speaker 3: He doesn't even look. A fucking shotgun has just gone

949
00:47:23,360 --> 00:47:25,520
Speaker 3: off behind him, and he's not even curious. He's not

950
00:47:26,160 --> 00:47:28,480
Speaker 3: He's like, well, that's probably nobody's daughter coming.

951
00:47:28,600 --> 00:47:30,000
Speaker 1: You know what this scene had for me, It had

952
00:47:30,040 --> 00:47:33,000
Speaker 1: like a lot of Mandalorian vibes. Oh yeah, they're always

953
00:47:33,040 --> 00:47:35,840
Speaker 1: doing somebody in a bar and they're always in the

954
00:47:35,880 --> 00:47:38,319
Speaker 1: corner and there's always a fight before they eventually get

955
00:47:38,320 --> 00:47:38,719
Speaker 1: to each other.

956
00:47:38,880 --> 00:47:39,080
Speaker 4: Yeah.

957
00:47:39,120 --> 00:47:40,760
Speaker 3: Yeah, Anyways, why why.

958
00:47:40,640 --> 00:47:43,240
Speaker 5: Did the bartender throw her a gun? Is the implication

959
00:47:43,320 --> 00:47:45,040
Speaker 5: that he's part of the agency and.

960
00:47:45,800 --> 00:47:49,960
Speaker 2: She's connected, so she knows people in the underworld, even

961
00:47:50,040 --> 00:47:52,239
Speaker 2: just even a random bart Well.

962
00:47:52,280 --> 00:47:55,479
Speaker 1: This bartender, I hope she tipped him. Well, yeah, she goes,

963
00:47:55,920 --> 00:47:58,759
Speaker 1: can I get two beers? He is already handing her

964
00:47:58,800 --> 00:48:00,000
Speaker 1: two Stella's Port.

965
00:48:01,280 --> 00:48:04,120
Speaker 2: Belgian so quick.

966
00:48:04,200 --> 00:48:07,759
Speaker 3: This guy Stella is is not a quick pint either,

967
00:48:07,840 --> 00:48:09,960
Speaker 3: because you gotta full it up and you gotta get

968
00:48:09,960 --> 00:48:11,520
Speaker 3: the knife out, and so he.

969
00:48:11,560 --> 00:48:14,120
Speaker 1: Had already poured them. I guess that's while she was

970
00:48:14,200 --> 00:48:15,120
Speaker 1: threatening people.

971
00:48:16,200 --> 00:48:18,320
Speaker 3: Brows are the gun and then starts on the stell.

972
00:48:19,800 --> 00:48:21,520
Speaker 1: And so what happens in the sea that Dom and

973
00:48:21,600 --> 00:48:25,000
Speaker 1: Test talk. I mean, it's brief. Dom gives her the necklace.

974
00:48:25,560 --> 00:48:29,080
Speaker 3: Yeah, you gotta break her. You break my wife out

975
00:48:29,120 --> 00:48:29,600
Speaker 3: of jail.

976
00:48:30,440 --> 00:48:35,120
Speaker 2: It's basically just little miss Nobody giving exposition, saying Reyes

977
00:48:35,239 --> 00:48:37,040
Speaker 2: is in Brazil, you gotta go track him down there.

978
00:48:37,320 --> 00:48:39,719
Speaker 2: Letty is in a black slite prison. Here's how we're

979
00:48:39,719 --> 00:48:41,120
Speaker 2: gonna get him. And then I guess the rest of

980
00:48:41,200 --> 00:48:44,600
Speaker 2: the team goes to London. I think yes, I think yeah,

981
00:48:45,160 --> 00:48:45,720
Speaker 2: Can someone.

982
00:48:45,800 --> 00:48:48,879
Speaker 5: Just explain to me again? What is the little one

983
00:48:48,960 --> 00:48:53,600
Speaker 5: line of dialogue where they explain away why the other crew,

984
00:48:53,719 --> 00:48:56,680
Speaker 5: the four of them, Tej and Roman and them have

985
00:48:56,920 --> 00:48:59,759
Speaker 5: to go apart and why they cannot talk to Dom.

986
00:49:00,239 --> 00:49:02,719
Speaker 5: Is it just because their communications will get picked up

987
00:49:02,800 --> 00:49:05,359
Speaker 5: or something. I thought it was being a very thin

988
00:49:05,480 --> 00:49:07,000
Speaker 5: explanation as to why they couldn't.

989
00:49:07,239 --> 00:49:09,359
Speaker 2: There's a for the rest of the movie that scene

990
00:49:09,400 --> 00:49:14,239
Speaker 2: with Helen Mirren, Oh, Helen Miron where basically she's like,

991
00:49:14,360 --> 00:49:18,000
Speaker 2: I'm protecting the family, the agency has Letty and everybody's

992
00:49:18,040 --> 00:49:21,399
Speaker 2: coming for you. Ames we learn is using the God's eye,

993
00:49:21,880 --> 00:49:23,960
Speaker 2: So you got to stay hidden because you don't want

994
00:49:23,960 --> 00:49:26,120
Speaker 2: to get caught on that God's eye. So I guess

995
00:49:26,200 --> 00:49:29,840
Speaker 2: that's why they're in London, and she's protecting them, I think.

996
00:49:30,440 --> 00:49:33,360
Speaker 3: Right, But she she shows up in Rome though, no,

997
00:49:33,600 --> 00:49:35,960
Speaker 3: like isn't. He's surveying the damage and she just.

998
00:49:36,160 --> 00:49:38,319
Speaker 5: But would you say that, would you say that Vin

999
00:49:38,440 --> 00:49:41,360
Speaker 5: is no Gregory Peck and this was no Roman Holiday?

1000
00:49:42,719 --> 00:49:46,040
Speaker 5: I would say a cool reference for all the nineteen

1001
00:49:46,120 --> 00:49:46,719
Speaker 5: year olds.

1002
00:49:46,560 --> 00:49:50,920
Speaker 1: Watching this movie. Yeah, we jumped from Naples to London

1003
00:49:51,040 --> 00:49:54,600
Speaker 1: to California, to the to the to the prison to

1004
00:49:54,800 --> 00:50:00,560
Speaker 1: Rio in minutes. We are going everywhere to jump around

1005
00:50:00,600 --> 00:50:03,279
Speaker 1: with all of these people. But any thoughts on the

1006
00:50:03,760 --> 00:50:09,799
Speaker 1: prison exchange map where little miss Nobody I guess gives

1007
00:50:09,840 --> 00:50:13,520
Speaker 1: the necklace stabs Letty to ultimately get her out, and

1008
00:50:13,600 --> 00:50:16,480
Speaker 1: that pretends like she's being like attacked. Any thoughts mat

1009
00:50:16,640 --> 00:50:20,759
Speaker 1: on on on just Brelawson being in this at all?

1010
00:50:21,000 --> 00:50:21,160
Speaker 2: Oh?

1011
00:50:21,760 --> 00:50:26,480
Speaker 5: Yeah, not to hate, but Brie Larson is awful in

1012
00:50:26,600 --> 00:50:31,160
Speaker 5: this zero charisma, zero presence, And I don't even like

1013
00:50:31,200 --> 00:50:32,680
Speaker 5: I know, it seems to me that there's like a

1014
00:50:32,920 --> 00:50:35,360
Speaker 5: contingent of the Internet that does not like Bree Larson

1015
00:50:35,920 --> 00:50:39,880
Speaker 5: like old school and Hathaway style. But Bree Larson's been

1016
00:50:39,920 --> 00:50:42,839
Speaker 5: good and stuff, right, I mean, well, she was good

1017
00:50:42,880 --> 00:50:45,520
Speaker 5: in Room, she's bad in this.

1018
00:50:46,400 --> 00:50:46,600
Speaker 2: Yeah.

1019
00:50:46,719 --> 00:50:50,120
Speaker 5: I didn't see the miss Captain Marvel. I haven't seen

1020
00:50:50,160 --> 00:50:52,000
Speaker 5: her in a Marvel movie, like an action movie.

1021
00:50:52,520 --> 00:50:54,440
Speaker 1: Is she as bad at that as this is?

1022
00:50:54,520 --> 00:50:55,919
Speaker 5: She just not meant for action.

1023
00:50:56,680 --> 00:50:57,600
Speaker 1: She could probably speak to that.

1024
00:50:57,760 --> 00:51:02,080
Speaker 4: People absolutely despise Bree Larson and Captain Marvel, like they

1025
00:51:02,120 --> 00:51:04,520
Speaker 4: think it's one of the worst movies. I thought she

1026
00:51:04,719 --> 00:51:07,120
Speaker 4: was good in that, but he is terrible in this movie.

1027
00:51:08,120 --> 00:51:08,960
Speaker 4: She's just kind of there.

1028
00:51:09,440 --> 00:51:11,040
Speaker 1: It's really like, why is she here?

1029
00:51:11,880 --> 00:51:13,239
Speaker 2: Why did she do this?

1030
00:51:13,360 --> 00:51:14,280
Speaker 1: I mean obviously, I guess.

1031
00:51:14,640 --> 00:51:16,719
Speaker 5: Well, they want another star in this, right, I mean

1032
00:51:16,719 --> 00:51:19,360
Speaker 5: they have to introduce a new A list actor in everyone,

1033
00:51:19,719 --> 00:51:20,520
Speaker 5: but she'd already.

1034
00:51:20,320 --> 00:51:20,640
Speaker 4: Been in it.

1035
00:51:24,080 --> 00:51:26,680
Speaker 2: She had not, but they also did. She had.

1036
00:51:27,920 --> 00:51:28,920
Speaker 3: This is the first time we see her.

1037
00:51:29,080 --> 00:51:32,440
Speaker 1: Oh my god, Oh yeah, when why did you do this?

1038
00:51:32,640 --> 00:51:35,319
Speaker 1: Or well, yeah, it could have been anybody not even

1039
00:51:35,360 --> 00:51:35,560
Speaker 1: have it.

1040
00:51:35,680 --> 00:51:38,920
Speaker 3: My theory is that he wanted Oscar winners in the movie.

1041
00:51:39,360 --> 00:51:42,600
Speaker 3: That's why Rita Marino, That's why Bree Larson, isn't it

1042
00:51:42,960 --> 00:51:47,040
Speaker 3: Charlie's she won enough because he I saw a post

1043
00:51:47,120 --> 00:51:50,600
Speaker 3: of his saying, we got so many Oscar winners there

1044
00:51:51,200 --> 00:51:52,400
Speaker 3: want to be in this movie?

1045
00:51:52,520 --> 00:51:54,960
Speaker 1: Okay, okay, I had thought she was already in one

1046
00:51:55,000 --> 00:51:55,520
Speaker 1: of these things.

1047
00:51:55,560 --> 00:51:59,480
Speaker 3: Oh my god. And I think he wants credibility for

1048
00:52:00,120 --> 00:52:04,080
Speaker 3: for the film. Why then, then it's the Is it

1049
00:52:04,320 --> 00:52:08,680
Speaker 3: not like the best selling franchise in history or one

1050
00:52:08,719 --> 00:52:08,920
Speaker 3: of the.

1051
00:52:09,080 --> 00:52:09,480
Speaker 1: One of them?

1052
00:52:09,760 --> 00:52:12,439
Speaker 2: What's the critical acclaim? I know, I know how hard

1053
00:52:12,480 --> 00:52:15,000
Speaker 2: it is to build a world in Fast and Furious.

1054
00:52:15,000 --> 00:52:17,759
Speaker 2: I've seen these interviews with Ben talking about just the

1055
00:52:17,920 --> 00:52:23,400
Speaker 2: challenges of developing the lore. Yes, because every time he

1056
00:52:23,480 --> 00:52:26,120
Speaker 2: developed the lore, it's just how can we throw a

1057
00:52:26,200 --> 00:52:30,160
Speaker 2: person in the background of this shot? From how do

1058
00:52:30,280 --> 00:52:30,640
Speaker 2: we do that?

1059
00:52:31,440 --> 00:52:31,640
Speaker 3: Yeah?

1060
00:52:32,040 --> 00:52:34,920
Speaker 1: Yeah, he must like rewatch these movies more than anyone,

1061
00:52:35,200 --> 00:52:37,080
Speaker 1: because he must be taking notes like, oh, that'd be

1062
00:52:37,080 --> 00:52:40,400
Speaker 1: a good scene to pop somebody in there. We rewatch.

1063
00:52:42,760 --> 00:52:45,279
Speaker 5: One of the first one where they're stealing like the

1064
00:52:45,480 --> 00:52:46,880
Speaker 5: DVD players or something.

1065
00:52:48,000 --> 00:52:49,719
Speaker 1: I don't know, they pop in a DVD.

1066
00:52:52,480 --> 00:52:52,760
Speaker 2: Lewis.

1067
00:52:53,360 --> 00:52:57,720
Speaker 1: Yeah, that's a good idea. That's a great idea.

1068
00:52:58,040 --> 00:52:58,920
Speaker 3: I left foot in the.

1069
00:53:01,280 --> 00:53:01,719
Speaker 2: In real.

1070
00:53:01,840 --> 00:53:04,480
Speaker 1: Let's just go to real, uh, Dante comes face to

1071
00:53:04,520 --> 00:53:09,240
Speaker 1: face with Dom. Guns get drawn. You can't buy the streets,

1072
00:53:09,880 --> 00:53:16,320
Speaker 1: Dom says, and everybody grunts. So we got this and

1073
00:53:16,400 --> 00:53:18,160
Speaker 1: we got our first race. Like I said, we are

1074
00:53:18,160 --> 00:53:21,520
Speaker 1: an hour into this movie and we are racing.

1075
00:53:22,160 --> 00:53:25,480
Speaker 3: Old school back to the roots. Right when were we

1076
00:53:25,680 --> 00:53:26,520
Speaker 3: first in Brazil?

1077
00:53:26,640 --> 00:53:26,880
Speaker 2: That was?

1078
00:53:28,560 --> 00:53:30,600
Speaker 1: That was yeah, yeah, that's right right.

1079
00:53:30,640 --> 00:53:34,000
Speaker 3: So not exactly the roots, no, no, but halfway through

1080
00:53:34,080 --> 00:53:35,200
Speaker 3: the franchise.

1081
00:53:35,400 --> 00:53:37,600
Speaker 1: When the franchise really went to the next level exactly

1082
00:53:37,920 --> 00:53:39,840
Speaker 1: exactly right, So you were loving being.

1083
00:53:40,000 --> 00:53:40,400
Speaker 3: I loved it.

1084
00:53:40,520 --> 00:53:40,839
Speaker 1: I thought.

1085
00:53:40,960 --> 00:53:44,960
Speaker 3: I thought the the visuals of coming in over Brazil,

1086
00:53:45,600 --> 00:53:49,080
Speaker 3: the fireworks going off and just like pops of color

1087
00:53:49,560 --> 00:53:53,560
Speaker 3: butts everywhere. I was like, yes, yeah, we're back, We're back.

1088
00:53:53,960 --> 00:53:55,160
Speaker 3: And then the cars roll in.

1089
00:53:55,320 --> 00:53:56,359
Speaker 1: Oh the colorful cars.

1090
00:53:56,440 --> 00:53:59,920
Speaker 3: The cars look great. I was happy to be in Brazil,

1091
00:54:00,280 --> 00:54:01,839
Speaker 3: very happy to be in BRAZILA.

1092
00:54:01,640 --> 00:54:03,680
Speaker 2: One hundred percent agree. I wrote it down as a

1093
00:54:03,760 --> 00:54:09,200
Speaker 2: classic dance ass and carts, that's what it is. Man

1094
00:54:09,560 --> 00:54:12,440
Speaker 2: especially like compared to like the last few scenes that

1095
00:54:12,480 --> 00:54:15,799
Speaker 2: we've been talking about, We're like, what's happening, where are they?

1096
00:54:16,320 --> 00:54:18,920
Speaker 2: What are these people doing? But instead they just hit

1097
00:54:19,000 --> 00:54:22,080
Speaker 2: us with a classic fast and the furious staple. We're

1098
00:54:22,160 --> 00:54:24,560
Speaker 2: having a street race. There's a party out there, and

1099
00:54:24,640 --> 00:54:28,640
Speaker 2: we're gonna make it exciting. So a much needed scene here.

1100
00:54:28,600 --> 00:54:31,799
Speaker 1: I thought, Yeah, Maddio thoughts on Rio here in the race.

1101
00:54:33,520 --> 00:54:35,719
Speaker 5: I honestly, you guys are talking about up this little

1102
00:54:35,760 --> 00:54:38,840
Speaker 5: sequence of butts and pops of color. I was watching it,

1103
00:54:38,920 --> 00:54:41,279
Speaker 5: going did they just reuse this from the last one?

1104
00:54:41,280 --> 00:54:43,560
Speaker 5: Because it feels like that exact same montage is in

1105
00:54:43,640 --> 00:54:47,680
Speaker 5: every movie. I really like that they're driving home the

1106
00:54:48,360 --> 00:54:51,040
Speaker 5: Christ the Redeemer imagery, and I think they do. They

1107
00:54:51,080 --> 00:54:54,279
Speaker 5: even call dom Saint Dominic yep, always at some point yep.

1108
00:54:54,640 --> 00:54:55,759
Speaker 1: Okay, so that's good.

1109
00:54:56,200 --> 00:54:56,319
Speaker 2: Now.

1110
00:54:56,800 --> 00:55:00,359
Speaker 5: The problem I have with this movie is Elena sister

1111
00:55:00,680 --> 00:55:02,880
Speaker 5: is one of the drivers, right, and then they go

1112
00:55:03,000 --> 00:55:05,279
Speaker 5: back to the house and you see a picture of

1113
00:55:05,320 --> 00:55:07,040
Speaker 5: Elena on the wall, and they have this big dramatic

1114
00:55:07,120 --> 00:55:10,000
Speaker 5: scene and I'm saying, they're going, am I sort of

1115
00:55:10,080 --> 00:55:13,440
Speaker 5: the asshole here for not giving a shit about Elena?

1116
00:55:13,640 --> 00:55:14,800
Speaker 5: I don't miss Elena.

1117
00:55:14,920 --> 00:55:17,120
Speaker 1: I don't wonder what would have been.

1118
00:55:17,920 --> 00:55:20,759
Speaker 5: And now they're trying to get me to care. The

1119
00:55:20,840 --> 00:55:23,560
Speaker 5: problem is that they didn't make me care in the

1120
00:55:23,600 --> 00:55:26,440
Speaker 5: first place about her. The second problem is then cannot

1121
00:55:26,600 --> 00:55:29,719
Speaker 5: do emotional acting. I don't like maybe he wants an oscar, it.

1122
00:55:29,719 --> 00:55:30,680
Speaker 1: Ain't gonna happen to it.

1123
00:55:31,200 --> 00:55:33,480
Speaker 5: And in this scene there is a line of dialogue

1124
00:55:33,719 --> 00:55:38,520
Speaker 5: where Elena's sister says, the wrong sister died. You can't

1125
00:55:38,560 --> 00:55:41,640
Speaker 5: say that in a movie anymore, especially since Walk Hard,

1126
00:55:42,080 --> 00:55:44,600
Speaker 5: where that is the whole joke, over and over, the

1127
00:55:44,760 --> 00:55:48,040
Speaker 5: wrong boy died, the wrong son died. It's such a

1128
00:55:48,120 --> 00:55:51,399
Speaker 5: cliche that movies making fun of cliches have made fun

1129
00:55:51,440 --> 00:55:55,440
Speaker 5: of this cliche. You can't bring it back anymore. It's over, man, Like,

1130
00:55:55,920 --> 00:55:58,680
Speaker 5: we don't need these little emotional moments in this movie

1131
00:55:59,000 --> 00:56:01,200
Speaker 5: that you're trying to tell me is fun? Right?

1132
00:56:01,719 --> 00:56:02,399
Speaker 1: Fair? Fair?

1133
00:56:04,280 --> 00:56:07,840
Speaker 2: I thought you wanted steaks, man, Well that's by the

1134
00:56:07,880 --> 00:56:10,360
Speaker 2: one character who dies. Isn't good enough for you?

1135
00:56:11,160 --> 00:56:14,080
Speaker 5: Well, they tried to force stakes in, but like, you

1136
00:56:14,239 --> 00:56:16,120
Speaker 5: have to have something behind it for it to be

1137
00:56:16,360 --> 00:56:17,120
Speaker 5: a steak, you can't.

1138
00:56:17,160 --> 00:56:21,120
Speaker 2: A child little bee watched his mother get shot.

1139
00:56:25,680 --> 00:56:30,799
Speaker 5: Remember Walk Hard, either, man, people will rewatch Walk Hard

1140
00:56:30,880 --> 00:56:32,680
Speaker 5: more than they will rewatch fast X.

1141
00:56:32,960 --> 00:56:35,880
Speaker 2: Not a chance, weird bet, but not a chance.

1142
00:56:37,400 --> 00:56:40,200
Speaker 5: Okay, how do we go about finding we will pull

1143
00:56:40,440 --> 00:56:41,640
Speaker 5: everyone in this country.

1144
00:56:41,840 --> 00:56:45,960
Speaker 1: I what I hated about the race scene was we

1145
00:56:46,120 --> 00:56:50,719
Speaker 1: get like Dante basically at the starting line looking over

1146
00:56:50,840 --> 00:56:55,800
Speaker 1: at Dom and says something along the lines very vague,

1147
00:56:55,840 --> 00:57:00,840
Speaker 1: but like, you gotta choose, and Dom immediately like starts computing.

1148
00:57:01,400 --> 00:57:05,160
Speaker 1: Holy crap, I'm gonna have to choose between Isabelle this

1149
00:57:05,320 --> 00:57:10,120
Speaker 1: person I don't know, no, really, and uh, what's the

1150
00:57:10,160 --> 00:57:14,200
Speaker 1: guys Diago? Yeah, his buddy like yeah or somewhat friend

1151
00:57:14,239 --> 00:57:16,200
Speaker 1: acquaintance who was on his side at least when the

1152
00:57:16,240 --> 00:57:19,480
Speaker 1: guns were drawn, and he like knows somehow that there's

1153
00:57:19,560 --> 00:57:21,880
Speaker 1: bombs under both their cars, and he's like, I have

1154
00:57:22,040 --> 00:57:24,160
Speaker 1: to choose, because this is what Dante keeps saying, you

1155
00:57:24,200 --> 00:57:26,440
Speaker 1: got to pick one problem with the family, right, this

1156
00:57:26,520 --> 00:57:27,080
Speaker 1: is the problem.

1157
00:57:27,480 --> 00:57:28,400
Speaker 2: You can't protect them all.

1158
00:57:30,280 --> 00:57:34,080
Speaker 3: But logically you're right, like what is he choose? How

1159
00:57:34,200 --> 00:57:35,080
Speaker 3: is he choosing?

1160
00:57:35,520 --> 00:57:36,000
Speaker 2: What? Like?

1161
00:57:36,160 --> 00:57:38,360
Speaker 3: What what is the choice to be made? Like, Okay,

1162
00:57:38,520 --> 00:57:40,480
Speaker 3: I have to save one of them, I suppose. But

1163
00:57:41,480 --> 00:57:43,600
Speaker 3: there he's not really given a chance to choose because

1164
00:57:43,640 --> 00:57:44,600
Speaker 3: he blows up one car.

1165
00:57:44,840 --> 00:57:49,280
Speaker 1: Well he does, he basically doesn't. He crash Isabella's Isabelle.

1166
00:57:50,080 --> 00:57:54,360
Speaker 1: He crashes her up purposely, Yes, so her car clips

1167
00:57:54,360 --> 00:57:57,720
Speaker 1: another car that happens to be on the on the racetrack,

1168
00:57:58,080 --> 00:58:00,760
Speaker 1: the spectator, and it pops off the bomb, right, so

1169
00:58:00,880 --> 00:58:03,640
Speaker 1: it does protect her, Yes, but.

1170
00:58:03,800 --> 00:58:04,600
Speaker 3: He didn't get a chance.

1171
00:58:04,640 --> 00:58:05,960
Speaker 1: How does he know those bumps are even there?

1172
00:58:06,480 --> 00:58:08,280
Speaker 3: I don't think he figures out that there's a bomber?

1173
00:58:08,480 --> 00:58:10,720
Speaker 3: Well he must, Why would he be Why would he

1174
00:58:10,760 --> 00:58:13,240
Speaker 3: be hitting her car because the other car blew up?

1175
00:58:13,880 --> 00:58:17,320
Speaker 1: Okay, right? And I think he I think he's so

1176
00:58:17,480 --> 00:58:19,400
Speaker 1: smart that he knows he maybe can see those red

1177
00:58:19,480 --> 00:58:30,120
Speaker 1: flashing lights on the ashphall maybe and he's like, oh damn, that's.

1178
00:58:29,160 --> 00:58:29,440
Speaker 3: Okay.

1179
00:58:30,000 --> 00:58:33,240
Speaker 1: I just yeah, I mean the race, the Dante dom

1180
00:58:33,360 --> 00:58:35,560
Speaker 1: Any like because we got a funny Dante lions here,

1181
00:58:35,680 --> 00:58:37,400
Speaker 1: like at the start of the race. That's great. And

1182
00:58:37,520 --> 00:58:40,000
Speaker 1: even within the race, he's good. He's silly, he's stupid,

1183
00:58:40,080 --> 00:58:42,680
Speaker 1: but whatever. But I hated that part, like how does

1184
00:58:42,720 --> 00:58:47,160
Speaker 1: Dom know and he doesn't know Isabelle at that point.

1185
00:58:47,120 --> 00:58:49,640
Speaker 3: Is I don't think he realizes it's her sister.

1186
00:58:50,120 --> 00:58:51,240
Speaker 2: To this guy that.

1187
00:58:51,320 --> 00:58:54,480
Speaker 1: Talks all the fucking every day about family, knows nothing

1188
00:58:54,520 --> 00:58:55,640
Speaker 1: about families.

1189
00:58:57,160 --> 00:59:01,320
Speaker 2: Think about think about from Dom's person active he's in Brazil,

1190
00:59:02,080 --> 00:59:05,320
Speaker 2: it's hectic, man, They're trying to plan a heist of

1191
00:59:05,440 --> 00:59:09,120
Speaker 2: this crazy ten million dollars safe from a police station.

1192
00:59:09,520 --> 00:59:13,160
Speaker 2: And he just meets Elena in the walk of the job.

1193
00:59:13,440 --> 00:59:14,320
Speaker 1: You know that's true.

1194
00:59:14,560 --> 00:59:16,760
Speaker 2: His mind is elsewhere. He doesn't have time to stop

1195
00:59:16,840 --> 00:59:19,040
Speaker 2: and think, do you have a sister? What does she

1196
00:59:19,120 --> 00:59:22,360
Speaker 2: look like? And is she a street racer? Also, would

1197
00:59:22,440 --> 00:59:25,760
Speaker 2: she have kept all of your police files he passed away,

1198
00:59:25,760 --> 00:59:29,080
Speaker 2: because yeah, she would apparently. Yeah, it's just she's a hoarder,

1199
00:59:29,280 --> 00:59:30,160
Speaker 2: she keeps everything.

1200
00:59:30,360 --> 00:59:34,440
Speaker 3: Yeah, good, hold on, he did fuck her though, right,

1201
00:59:34,680 --> 00:59:37,120
Speaker 3: who dumb the sister?

1202
00:59:37,320 --> 00:59:39,840
Speaker 2: He would not No, no, Elena.

1203
00:59:39,960 --> 00:59:42,200
Speaker 1: Yeah, they never came up and never came back.

1204
00:59:42,200 --> 00:59:42,320
Speaker 2: I know.

1205
00:59:42,400 --> 00:59:42,960
Speaker 1: That's what I'm saying.

1206
00:59:43,120 --> 00:59:47,320
Speaker 3: What I'm saying the heat of the moment, pillow time.

1207
00:59:47,480 --> 00:59:51,240
Speaker 1: A guy that talks non stot about family. He never

1208
00:59:51,440 --> 00:59:54,120
Speaker 1: cares really about anyone's family. He can't even keep track

1209
00:59:54,200 --> 00:59:55,000
Speaker 1: of his own family.

1210
00:59:55,160 --> 00:59:57,320
Speaker 3: It's the first thing that he would ask. You would

1211
00:59:57,360 --> 01:00:00,800
Speaker 3: be like, oh, that was amazing, had any brothers?

1212
01:00:02,240 --> 01:00:05,640
Speaker 1: And of course he would ask, I'll you one step

1213
01:00:05,760 --> 01:00:09,280
Speaker 1: further to get aroused. He would be like, Okay, tell

1214
01:00:09,320 --> 01:00:11,760
Speaker 1: me about your sister, Tell me about your brother. I

1215
01:00:11,840 --> 01:00:14,720
Speaker 1: love family, I love gotty grandma.

1216
01:00:14,880 --> 01:00:18,360
Speaker 5: Still, oh yeah, move higher on that family trick. Get

1217
01:00:18,440 --> 01:00:19,880
Speaker 5: up on this branches.

1218
01:00:19,520 --> 01:00:20,960
Speaker 1: Baby, oh yeah.

1219
01:00:21,400 --> 01:00:24,320
Speaker 5: Oh, this is a big California red book and I'm

1220
01:00:24,440 --> 01:00:30,840
Speaker 5: getting near the top that's being aroused during sex. Okay,

1221
01:00:30,880 --> 01:00:33,280
Speaker 5: but now this is a serious question about to ask you.

1222
01:00:34,360 --> 01:00:37,200
Speaker 5: He witnesses her sister who doesn't know what she has.

1223
01:00:37,240 --> 01:00:40,720
Speaker 5: Sister gets shot in the head. Does he not notify

1224
01:00:40,840 --> 01:00:41,479
Speaker 5: next to kids?

1225
01:00:42,480 --> 01:00:46,280
Speaker 1: He is busy, busy, busy, busy.

1226
01:00:47,400 --> 01:00:48,240
Speaker 2: He's too busy.

1227
01:00:48,240 --> 01:00:50,360
Speaker 1: He's gotta by ship for the next barbecue.

1228
01:00:50,440 --> 01:00:53,120
Speaker 2: Many a single dad.

1229
01:00:54,320 --> 01:00:58,320
Speaker 1: That's right, all right, let's keep going. The London crew

1230
01:00:58,480 --> 01:01:04,080
Speaker 1: that nobody cares about. Yep, they've been hacked. Every dollar

1231
01:01:04,160 --> 01:01:07,000
Speaker 1: they've made over the last twenty years is gone. It's

1232
01:01:07,040 --> 01:01:10,080
Speaker 1: being rerouted to actually hire the mercenaries to come and

1233
01:01:10,160 --> 01:01:14,320
Speaker 1: try and kill them. But Ramsey knows a guy Pete

1234
01:01:14,360 --> 01:01:18,840
Speaker 1: Davidson aka Bowie. He runs a black market. And we

1235
01:01:18,920 --> 01:01:22,320
Speaker 1: get this scene in this old internet cafe, and I

1236
01:01:22,360 --> 01:01:26,680
Speaker 1: can tell by everybody's reaction nobody cares about this London story,

1237
01:01:26,800 --> 01:01:28,440
Speaker 1: this London crew as I call them.

1238
01:01:28,960 --> 01:01:31,800
Speaker 3: He also left out the fact that Roman has money

1239
01:01:32,000 --> 01:01:36,200
Speaker 3: sewn in his clothes. Are he supposed to believe that

1240
01:01:36,320 --> 01:01:38,600
Speaker 3: he's had that this whole time?

1241
01:01:38,640 --> 01:01:40,920
Speaker 1: I don't buy that. I laughed at him. He's the

1242
01:01:41,040 --> 01:01:47,520
Speaker 1: type he ain't. That's a slick callback to way back

1243
01:01:47,640 --> 01:01:50,200
Speaker 1: him and Brian. I guess that would be too fast,

1244
01:01:50,240 --> 01:01:53,720
Speaker 1: too furious where they put the money on them right

1245
01:01:53,760 --> 01:01:55,040
Speaker 1: at the end, at the end of the movie.

1246
01:01:55,160 --> 01:01:58,280
Speaker 3: Yep, and he had him on ever since. He's ad it.

1247
01:01:58,480 --> 01:02:04,000
Speaker 1: Yes, that so much. But Matt, you're not not a

1248
01:02:04,080 --> 01:02:08,480
Speaker 1: fan of the London uh B C D plot in

1249
01:02:08,520 --> 01:02:11,160
Speaker 1: this movie that this little crew no no, no.

1250
01:02:11,360 --> 01:02:13,080
Speaker 5: No, I mean they spent the parties, so they got

1251
01:02:13,160 --> 01:02:15,760
Speaker 5: to give him something to do, which is why, like

1252
01:02:15,840 --> 01:02:17,880
Speaker 5: they were literally sitting me, like, how do we add

1253
01:02:18,880 --> 01:02:22,560
Speaker 5: anything to this boring ass scene of going to see

1254
01:02:22,680 --> 01:02:26,200
Speaker 5: Pete Davidson? Yeah, well probably one cass Pete Davidson because

1255
01:02:27,160 --> 01:02:28,120
Speaker 5: people think he's funny.

1256
01:02:28,200 --> 01:02:29,160
Speaker 1: Right right then?

1257
01:02:29,400 --> 01:02:32,400
Speaker 5: Oh, what if Han's on drugs?

1258
01:02:32,800 --> 01:02:34,840
Speaker 1: Why does Han eat the muppet after they.

1259
01:02:34,880 --> 01:02:37,160
Speaker 2: Tell the hot always eating?

1260
01:02:37,240 --> 01:02:38,479
Speaker 1: I know, I like that always eating.

1261
01:02:38,600 --> 01:02:40,680
Speaker 3: Actually I think that's the first thing he eats in

1262
01:02:40,760 --> 01:02:44,520
Speaker 3: the movie, so he's probably fucking starving. The guy's used

1263
01:02:44,560 --> 01:02:48,000
Speaker 3: to having something at all times and He's like, I

1264
01:02:48,200 --> 01:02:52,720
Speaker 3: know it's full of drugs, but I have I'm I'm

1265
01:02:52,760 --> 01:02:53,440
Speaker 3: dying over here.

1266
01:02:53,640 --> 01:02:56,640
Speaker 1: Han gets angry and in the next movies.

1267
01:02:58,680 --> 01:02:59,080
Speaker 2: Hungry.

1268
01:03:00,800 --> 01:03:03,080
Speaker 5: The most important thing I wrote down for this scene

1269
01:03:03,320 --> 01:03:07,280
Speaker 5: was this Summer's hottest success story is the outdoor laptop

1270
01:03:07,440 --> 01:03:08,640
Speaker 5: candy striper strap.

1271
01:03:10,400 --> 01:03:11,800
Speaker 1: Do you know what I'm talking about?

1272
01:03:12,920 --> 01:03:13,120
Speaker 3: Yeah?

1273
01:03:13,240 --> 01:03:13,720
Speaker 2: I think so.

1274
01:03:14,120 --> 01:03:18,280
Speaker 1: About how they're just how they always have, yeah, the

1275
01:03:18,320 --> 01:03:19,640
Speaker 1: strap for all their equipment.

1276
01:03:20,240 --> 01:03:25,600
Speaker 5: No, no, no, specifically Ramsey right yeah, yeah, oh no,

1277
01:03:25,760 --> 01:03:27,880
Speaker 5: is this this must be a later scene right where

1278
01:03:27,920 --> 01:03:29,920
Speaker 5: they're in London.

1279
01:03:30,040 --> 01:03:34,600
Speaker 3: Yeah, when they're waiting outside of the of Decord's place. Yes,

1280
01:03:34,880 --> 01:03:37,520
Speaker 3: and she's got the Nathan Free laptop.

1281
01:03:37,680 --> 01:03:42,960
Speaker 1: Yeah, it's you met document. There's always like, they do

1282
01:03:43,080 --> 01:03:44,680
Speaker 1: have a lot of straps on their equipment.

1283
01:03:44,760 --> 01:03:47,840
Speaker 5: Yeah, they do, but but this strap drove me insane

1284
01:03:47,920 --> 01:03:50,360
Speaker 5: because normally the hacker would be in like the van

1285
01:03:50,640 --> 01:03:53,680
Speaker 5: or something, or in a black site hacking into the system.

1286
01:03:53,720 --> 01:03:55,200
Speaker 5: But they can't do that because they want her there.

1287
01:03:55,520 --> 01:03:58,200
Speaker 5: So they they're like, well, she's got to have a laptop. Well,

1288
01:03:58,240 --> 01:04:00,560
Speaker 5: how's she going to carry around a laptop? They're walking

1289
01:04:00,600 --> 01:04:03,000
Speaker 5: around and they just put a strap over her shoulders

1290
01:04:03,200 --> 01:04:05,520
Speaker 5: and the laptop is here exactly like Jad said, like

1291
01:04:05,640 --> 01:04:09,000
Speaker 5: in the rehearsal with Nathan Fielder, and it's so.

1292
01:04:10,480 --> 01:04:14,560
Speaker 3: Dorky, Like, I don't know, why do they do Ramsey

1293
01:04:14,680 --> 01:04:18,840
Speaker 3: so dirty like that? Because Tej he can hack anything

1294
01:04:18,880 --> 01:04:21,600
Speaker 3: on a phone and fucking cipher. She doesn't even have

1295
01:04:21,720 --> 01:04:24,440
Speaker 3: to lootch. She's just a little side thing on a

1296
01:04:24,560 --> 01:04:27,520
Speaker 3: stretcher or whatever, and she's hacked into the entire mid frame.

1297
01:04:27,640 --> 01:04:31,600
Speaker 3: So why does she need an actual laptop? I don't

1298
01:04:31,640 --> 01:04:31,880
Speaker 3: get it.

1299
01:04:32,080 --> 01:04:33,920
Speaker 1: If they invented the gods, if they were to have

1300
01:04:34,000 --> 01:04:37,760
Speaker 1: a coating competition, who would win in the early universe

1301
01:04:38,360 --> 01:04:41,840
Speaker 1: Ramsey's cipher I think? Okay, Ramsey cipher. I guess Ted

1302
01:04:41,920 --> 01:04:43,440
Speaker 1: would be in the mix. And then let's throw Dom

1303
01:04:43,480 --> 01:04:47,000
Speaker 1: in there just for you think it's Cipher.

1304
01:04:47,480 --> 01:04:51,560
Speaker 3: Well okay, well what about Dante because he stole money?

1305
01:04:52,520 --> 01:04:54,520
Speaker 3: I mean, like, what kind of hacker.

1306
01:04:54,720 --> 01:04:57,720
Speaker 1: He's really good with visual mediums. He's got a little

1307
01:04:57,760 --> 01:05:00,040
Speaker 1: clips playing and projectoris.

1308
01:05:01,360 --> 01:05:01,760
Speaker 2: Creative.

1309
01:05:02,080 --> 01:05:04,760
Speaker 3: It's very creative, but a.

1310
01:05:04,800 --> 01:05:07,000
Speaker 1: Sean I'm interested, Like, what do you think of the

1311
01:05:07,120 --> 01:05:10,240
Speaker 1: London crew as we've called them here? I mean, there's

1312
01:05:10,280 --> 01:05:14,040
Speaker 1: a lot of forced Tej Roman jokes humor. This is

1313
01:05:14,120 --> 01:05:16,400
Speaker 1: nothing really new. It's been happening now for like movies

1314
01:05:16,440 --> 01:05:19,320
Speaker 1: on end, is it funny to any Like these are

1315
01:05:19,560 --> 01:05:20,880
Speaker 1: not great jokes.

1316
01:05:20,720 --> 01:05:24,520
Speaker 4: So like Ts and Ludacris, like they they've been funny

1317
01:05:24,600 --> 01:05:29,040
Speaker 4: in the past, but every single movie is the same. James,

1318
01:05:29,280 --> 01:05:34,200
Speaker 4: they're gonna joke about Tis's head what's his name, joke

1319
01:05:34,240 --> 01:05:37,160
Speaker 4: about Romans head being big. Yeah, they're gonna joke about

1320
01:05:37,720 --> 01:05:40,240
Speaker 4: how they both want to be with Ramsey. They're gonna

1321
01:05:40,240 --> 01:05:43,080
Speaker 4: it's the same jokes every single time. And then they

1322
01:05:43,160 --> 01:05:44,960
Speaker 4: had the little scrap with in front of Pete Davis

1323
01:05:45,000 --> 01:05:45,320
Speaker 4: and it's.

1324
01:05:45,280 --> 01:05:45,480
Speaker 2: Just like.

1325
01:05:46,960 --> 01:05:49,280
Speaker 4: All right, dude, Like that's that's why I'm tired of them.

1326
01:05:49,440 --> 01:05:52,360
Speaker 4: Just please at some point, either get some new material

1327
01:05:52,520 --> 01:05:54,520
Speaker 4: or get them out of here. Let them retire with

1328
01:05:54,640 --> 01:05:57,439
Speaker 4: their money and they can go start a podcast or something.

1329
01:06:01,120 --> 01:06:03,080
Speaker 1: I'm jumping in the end, but we all hope that

1330
01:06:03,200 --> 01:06:06,400
Speaker 1: plane actually engulf them in flames and they're done. Wait

1331
01:06:06,480 --> 01:06:09,000
Speaker 1: know they're not, but I think everybody would be okay

1332
01:06:09,120 --> 01:06:13,920
Speaker 1: with it. The plane. I don't think Hans with them,

1333
01:06:13,920 --> 01:06:16,480
Speaker 1: He's with uh okay, okay.

1334
01:06:17,680 --> 01:06:21,320
Speaker 3: Does anyone understand that when he when Roman throws the

1335
01:06:21,400 --> 01:06:22,920
Speaker 3: dirt in the air after.

1336
01:06:22,960 --> 01:06:26,560
Speaker 1: The My biggest question from this entire movie was that

1337
01:06:26,880 --> 01:06:29,520
Speaker 1: part where he just throws dust. It's like the lebron

1338
01:06:30,080 --> 01:06:32,920
Speaker 1: He throws it into the light and they literally make

1339
01:06:32,960 --> 01:06:35,600
Speaker 1: a comment like, what, that's weird they I think Pete

1340
01:06:35,680 --> 01:06:38,120
Speaker 1: Davison calls him even like a black magician or something,

1341
01:06:38,880 --> 01:06:40,600
Speaker 1: and then he throws it in Pete Davison's space.

1342
01:06:40,960 --> 01:06:41,600
Speaker 2: But what is it?

1343
01:06:42,000 --> 01:06:42,360
Speaker 3: I don't know.

1344
01:06:42,560 --> 01:06:45,040
Speaker 1: Is it just debris from them fighting? Is it from

1345
01:06:45,080 --> 01:06:48,680
Speaker 1: the machine copy Machine was so confused by what where

1346
01:06:48,800 --> 01:06:50,000
Speaker 1: that dust came from?

1347
01:06:50,680 --> 01:06:51,960
Speaker 5: I think it was debris.

1348
01:06:52,080 --> 01:07:00,720
Speaker 1: Larson, It's good. That was funny if one of them

1349
01:07:00,760 --> 01:07:02,400
Speaker 1: had said that, Pete Davidson had said that.

1350
01:07:05,520 --> 01:07:07,960
Speaker 5: And then by the way, I'm actually Pete Davis.

1351
01:07:09,880 --> 01:07:13,800
Speaker 1: Oh yeah, there's this team here. But yeah, Hans Hans

1352
01:07:14,040 --> 01:07:17,320
Speaker 1: all messed up on the magic muffin which they really

1353
01:07:17,360 --> 01:07:18,040
Speaker 1: didn't lean into.

1354
01:07:18,280 --> 01:07:24,560
Speaker 5: Uh psychedelic twelve seconds he sees like waves yea father fighting.

1355
01:07:24,800 --> 01:07:26,680
Speaker 1: That was it, and then he was sort of fine,

1356
01:07:27,440 --> 01:07:29,439
Speaker 1: all right, well, let's keep going. I mean, we gotta

1357
01:07:29,680 --> 01:07:31,960
Speaker 1: check in on Jacob little b they're trying to get

1358
01:07:32,000 --> 01:07:34,920
Speaker 1: by airport security. We think they're in Arizona.

1359
01:07:36,240 --> 01:07:38,440
Speaker 3: Yeah, they're confirmed confirmed.

1360
01:07:39,480 --> 01:07:43,000
Speaker 1: Yeah, okay, okay, I don't have anything right now. I mean,

1361
01:07:43,040 --> 01:07:45,640
Speaker 1: there's there's some comedy here, and there's they're dancing in

1362
01:07:45,760 --> 01:07:47,840
Speaker 1: the car. That's fun.

1363
01:07:47,960 --> 01:07:51,600
Speaker 3: That's a fun, little sweet moments. I thought they were

1364
01:07:51,640 --> 01:07:54,120
Speaker 3: gonna make that poor kid wear pajamas the entire time.

1365
01:07:54,160 --> 01:07:57,040
Speaker 3: Oh yeah, but he got some gas station clothes, so

1366
01:07:57,200 --> 01:07:57,640
Speaker 3: that's good.

1367
01:07:57,840 --> 01:07:58,040
Speaker 1: Yeah.

1368
01:07:58,360 --> 01:08:03,400
Speaker 3: And uh yeah, the whole airplane thing, I mean, I

1369
01:08:03,440 --> 01:08:05,240
Speaker 3: guess we're coming back to that. Oh my god, this

1370
01:08:05,400 --> 01:08:06,360
Speaker 3: is I know.

1371
01:08:06,560 --> 01:08:09,480
Speaker 1: I well, let's just like include it now because we

1372
01:08:09,560 --> 01:08:12,400
Speaker 1: will be jumped. We've already talked about the Isabelle and

1373
01:08:12,520 --> 01:08:15,439
Speaker 1: Dom scene. They get the files. There is a Letty

1374
01:08:15,520 --> 01:08:20,400
Speaker 1: Cipher fight UFC two ninety two. But yeah, this whole

1375
01:08:20,479 --> 01:08:23,040
Speaker 1: Jacob and the kayak that turns into a plane.

1376
01:08:22,880 --> 01:08:29,560
Speaker 2: Right, that was surprising to me. I thought it was

1377
01:08:29,640 --> 01:08:35,880
Speaker 2: just a kayaking, just going out to Milo paddling, But nope, didn't.

1378
01:08:35,960 --> 01:08:40,240
Speaker 1: Didn't Dom and Letty have sex on a kayak back in.

1379
01:08:40,360 --> 01:08:43,560
Speaker 3: The That's what I was. Well, I was hoping that

1380
01:08:43,680 --> 01:08:46,680
Speaker 3: it was the just a kayak because I thought it

1381
01:08:46,720 --> 01:08:49,880
Speaker 3: was hilarious that he was bringing the kayak into the

1382
01:08:50,240 --> 01:08:51,280
Speaker 3: airport and stuff.

1383
01:08:51,360 --> 01:08:51,519
Speaker 4: Like that.

1384
01:08:51,800 --> 01:08:54,400
Speaker 1: No, it's it's a plane and they use some little

1385
01:08:54,600 --> 01:08:58,240
Speaker 1: mini bottles of alcohol and they jump out. And that

1386
01:08:58,360 --> 01:09:00,479
Speaker 1: part was very confusing though, because it felt like they

1387
01:09:00,520 --> 01:09:03,840
Speaker 1: had just gotten on this plane in Arizona. Yes, because

1388
01:09:03,840 --> 01:09:06,400
Speaker 1: they hadn't from what I could tell, hadn't even buckled

1389
01:09:06,400 --> 01:09:09,360
Speaker 1: their seatbelt yet, and little bees afraid of flying. Yes,

1390
01:09:10,080 --> 01:09:13,519
Speaker 1: And one minute later they're falling out of the plane

1391
01:09:14,479 --> 01:09:15,760
Speaker 1: over Portugal.

1392
01:09:15,640 --> 01:09:18,400
Speaker 3: Again what So we figured that they had must have

1393
01:09:18,439 --> 01:09:20,760
Speaker 3: been in the air for about eight hours, right, like

1394
01:09:21,840 --> 01:09:22,280
Speaker 3: I can.

1395
01:09:22,360 --> 01:09:26,080
Speaker 1: Fly direct from Arizona to Spain or wherever it was

1396
01:09:26,200 --> 01:09:28,320
Speaker 1: going where they obviously drop out in Portugal, I don't know.

1397
01:09:28,680 --> 01:09:30,840
Speaker 3: Yeah, and the plane and the plane itself is in

1398
01:09:31,000 --> 01:09:33,720
Speaker 3: on it as part of this spy tech. And sorry, like,

1399
01:09:33,880 --> 01:09:35,599
Speaker 3: what is Jacob a spy?

1400
01:09:35,840 --> 01:09:35,880
Speaker 2: Like?

1401
01:09:36,080 --> 01:09:39,360
Speaker 3: I know he's he's got underground connections from his previous

1402
01:09:39,439 --> 01:09:43,879
Speaker 3: villainous stage of his Yeah, but this is a commercial

1403
01:09:44,040 --> 01:09:49,040
Speaker 3: flight that has a trap door and somebody presumably set

1404
01:09:49,120 --> 01:09:53,200
Speaker 3: up the kayak to be let out over Portugal.

1405
01:09:55,040 --> 01:09:56,400
Speaker 5: You would have liked the movie more if you had

1406
01:09:56,439 --> 01:09:57,639
Speaker 5: to move some bags?

1407
01:10:03,360 --> 01:10:07,080
Speaker 3: Well, I guess yes, I would have. Maybe, I don't know.

1408
01:10:08,240 --> 01:10:11,120
Speaker 2: Well, I did seem like a suspiciously empty carget.

1409
01:10:12,640 --> 01:10:13,679
Speaker 1: On an eight hour flight.

1410
01:10:14,560 --> 01:10:17,440
Speaker 3: One kayak and a bunch of little bottles of alcohol.

1411
01:10:18,160 --> 01:10:18,439
Speaker 2: That's it.

1412
01:10:18,680 --> 01:10:20,599
Speaker 1: Yeah, yeah, it's suddenly a plane.

1413
01:10:21,520 --> 01:10:24,040
Speaker 3: Yeah, I mean I thought that the plane was kind

1414
01:10:24,080 --> 01:10:27,599
Speaker 3: of cool the way it came. Fun runs on vodka.

1415
01:10:29,760 --> 01:10:33,879
Speaker 1: Don't you dare put red wine into this though, ridiculous idiots.

1416
01:10:38,400 --> 01:10:41,160
Speaker 2: I do like the touch that little be scared of

1417
01:10:41,200 --> 01:10:45,080
Speaker 2: flying his mom is killed on the plane. Oh my god,

1418
01:10:46,479 --> 01:10:50,040
Speaker 2: as a baby by Jason Stapham. Of course he hates planes.

1419
01:10:50,520 --> 01:10:54,439
Speaker 5: Oh that's called generational Trauma's well, I didn't put that

1420
01:10:54,560 --> 01:10:58,120
Speaker 5: together night, ye uh you, I just because I don't

1421
01:10:58,120 --> 01:10:58,880
Speaker 5: want to gloss over it.

1422
01:10:59,000 --> 01:11:02,880
Speaker 1: Maddie Letty versus Cipher. You like the fight? You like

1423
01:11:02,960 --> 01:11:06,200
Speaker 1: that battle there where they you know, they're side by

1424
01:11:06,240 --> 01:11:09,400
Speaker 1: side on the stretcher and they, I guess Cipher, Yeah,

1425
01:11:09,520 --> 01:11:14,120
Speaker 1: like hacks into the system, releases the gas. Everybody passes out.

1426
01:11:15,080 --> 01:11:17,760
Speaker 3: Because you know how you have in a jail. I

1427
01:11:17,840 --> 01:11:22,280
Speaker 3: guess you have tanks of sleeping gas.

1428
01:11:26,080 --> 01:11:28,720
Speaker 5: Sure, I know this is not important, but was it

1429
01:11:28,880 --> 01:11:32,920
Speaker 5: part of Bree Larson's plan that when she stabbed Letty,

1430
01:11:33,000 --> 01:11:35,000
Speaker 5: Letty would get moved to the infirmary. We know that

1431
01:11:35,120 --> 01:11:37,400
Speaker 5: that was part of it, Yes, But was that was

1432
01:11:37,479 --> 01:11:39,960
Speaker 5: Did she know that Cipher was also there? Then Cipher

1433
01:11:39,960 --> 01:11:42,840
Speaker 5: would get her out or I have I'm gonna stab you.

1434
01:11:42,960 --> 01:11:45,200
Speaker 5: You go to the infirmary, you'll be out of this

1435
01:11:46,040 --> 01:11:47,760
Speaker 5: holding pen. You figure it out from there.

1436
01:11:48,320 --> 01:11:50,960
Speaker 1: And then Cipher just happened to be there. Yeah, because

1437
01:11:50,960 --> 01:11:52,360
Speaker 1: she's also being hunted.

1438
01:11:52,439 --> 01:11:53,679
Speaker 3: I think that's by a design.

1439
01:11:54,040 --> 01:11:54,240
Speaker 4: Yeah.

1440
01:11:54,400 --> 01:11:58,040
Speaker 1: Do you think Tess then went and did the same

1441
01:11:58,120 --> 01:12:01,559
Speaker 1: thing to Cipher a her too, got her over there.

1442
01:12:01,560 --> 01:12:05,840
Speaker 2: Thing, just get there? Why was she there?

1443
01:12:06,040 --> 01:12:09,920
Speaker 3: Have identical wounds? Get the laser thing. We gotta we

1444
01:12:10,000 --> 01:12:13,080
Speaker 3: got two patients already hurt, hurt.

1445
01:12:14,720 --> 01:12:19,240
Speaker 1: She heard herself climbing over the tall fence. She fell

1446
01:12:19,360 --> 01:12:20,040
Speaker 1: quite far out.

1447
01:12:21,439 --> 01:12:25,320
Speaker 3: Yeah. That that that pissed me off a lot. The

1448
01:12:25,800 --> 01:12:29,160
Speaker 3: the decision to fight, you know, Letty makes the decision.

1449
01:12:29,439 --> 01:12:31,439
Speaker 3: It's like, we're getting out of here. I just hacked

1450
01:12:31,479 --> 01:12:34,120
Speaker 3: this whole thing. I know we're enemies, but that's so

1451
01:12:34,280 --> 01:12:37,960
Speaker 3: much more interesting to me. The two people who hate

1452
01:12:37,960 --> 01:12:41,240
Speaker 3: each other they have to work together to get out of. Yes,

1453
01:12:41,760 --> 01:12:45,360
Speaker 3: this prison that we find out is in Antarctica, that's

1454
01:12:45,479 --> 01:12:49,160
Speaker 3: just what It's just way more like begrudgingly working together.

1455
01:12:49,280 --> 01:12:51,960
Speaker 3: But Letty's like, oh, we got four minutes. I'm gonna

1456
01:12:52,000 --> 01:12:54,439
Speaker 3: kick your ass. Yeah, and I mean we're gonna It

1457
01:12:54,560 --> 01:12:56,760
Speaker 3: just makes no logical sense. And I didn't think the

1458
01:12:56,880 --> 01:12:58,000
Speaker 3: fat fight was that good.

1459
01:12:59,560 --> 01:13:01,880
Speaker 1: Yeah, Trey, what do you think of the fight?

1460
01:13:02,640 --> 01:13:05,200
Speaker 2: I think Michelle Rodriguez ges the fight if she wants to.

1461
01:13:05,439 --> 01:13:05,639
Speaker 3: Yeah.

1462
01:13:05,920 --> 01:13:09,759
Speaker 2: So that's basically what it came down for me. Apparently

1463
01:13:09,840 --> 01:13:13,120
Speaker 2: this was an unscripted fight, like they were just actually fighting,

1464
01:13:13,320 --> 01:13:17,000
Speaker 2: not like a choreographed or anything, Charlie's and Michelle Rodriguez.

1465
01:13:17,720 --> 01:13:20,040
Speaker 2: But it did feel superfluous to me, like we got

1466
01:13:20,120 --> 01:13:22,679
Speaker 2: to Letty fights here, Yes, we don't need that many.

1467
01:13:23,200 --> 01:13:25,800
Speaker 1: And then I can't remember if it happens now or later.

1468
01:13:25,920 --> 01:13:29,920
Speaker 1: She Letty climbs up, she scales up that little tunnel

1469
01:13:30,680 --> 01:13:33,960
Speaker 1: and pops her head out and she's like damn it.

1470
01:13:34,479 --> 01:13:37,280
Speaker 5: She's like, oh man, six more weeks a winter.

1471
01:13:39,880 --> 01:13:42,559
Speaker 1: She literally comes down and Cypher's like, yeah, you're gonna

1472
01:13:42,600 --> 01:13:42,800
Speaker 1: need a.

1473
01:13:42,840 --> 01:13:46,240
Speaker 2: Jack went out there. It's Antarctica, Yeah it is, yeah

1474
01:13:46,439 --> 01:13:46,680
Speaker 2: it is.

1475
01:13:47,600 --> 01:13:50,960
Speaker 3: So when did Letty realize? I mean, obviously she didn't

1476
01:13:51,000 --> 01:13:53,280
Speaker 3: realize she was in Antarctica when she stuck her head

1477
01:13:53,280 --> 01:13:57,240
Speaker 3: out just by looking at the landscape. Right, Oh yeah,

1478
01:13:57,320 --> 01:13:58,960
Speaker 3: she would have like had to come back down.

1479
01:13:59,120 --> 01:14:00,839
Speaker 2: You don't think she had fight a landmark?

1480
01:14:01,080 --> 01:14:05,120
Speaker 3: Well, I don't know. It's like if if she doesn't

1481
01:14:05,200 --> 01:14:07,200
Speaker 3: know she's in Antarctica, and.

1482
01:14:07,280 --> 01:14:08,920
Speaker 1: How could she? No, she probably doesn't.

1483
01:14:09,000 --> 01:14:13,360
Speaker 3: Yeah, wouldn't she try to, like unless it's so cold.

1484
01:14:14,160 --> 01:14:16,400
Speaker 1: Freezing cold? It's like she was in like a tank top.

1485
01:14:16,720 --> 01:14:21,200
Speaker 3: So Cipher said, Hey, by the way, we're we're actually

1486
01:14:21,360 --> 01:14:26,479
Speaker 3: in Antarctica. I get and that He's like, get, no,

1487
01:14:26,880 --> 01:14:31,320
Speaker 3: we're not. And She's like, I'm fucking serious. We are

1488
01:14:31,560 --> 01:14:36,800
Speaker 3: in Antarctica. Sounds big, It sounds preposterous even for a

1489
01:14:36,880 --> 01:14:38,360
Speaker 3: fast and furious and.

1490
01:14:38,360 --> 01:14:40,920
Speaker 5: Then Cipher's like, fun, fact, did you know that Antarctica

1491
01:14:41,120 --> 01:14:42,559
Speaker 5: is the biggest desert in the world.

1492
01:14:44,320 --> 01:14:48,120
Speaker 1: Okay, well, we gotta go back to the London crew

1493
01:14:48,200 --> 01:14:50,920
Speaker 1: hashtag justice for Han. We got the fight scene with Shaw,

1494
01:14:52,120 --> 01:14:55,760
Speaker 1: but it's not really it doesn't last long because it's

1495
01:14:55,760 --> 01:14:58,760
Speaker 1: really those two then working together to fight the agency

1496
01:14:59,000 --> 01:15:03,000
Speaker 1: of men that show up, and then of course eventually

1497
01:15:03,240 --> 01:15:05,680
Speaker 1: Ramsey Tagent Roman get into the room. But we get

1498
01:15:05,720 --> 01:15:08,000
Speaker 1: some more action here. It's on it's hat in Shaw

1499
01:15:08,840 --> 01:15:14,479
Speaker 1: working together to take down these nameless agency men.

1500
01:15:15,320 --> 01:15:18,640
Speaker 3: It's a good thing they shut up, because there is

1501
01:15:18,720 --> 01:15:22,559
Speaker 3: no other way that Shaw would have realized. Oh okay,

1502
01:15:22,680 --> 01:15:25,320
Speaker 3: he actually is on my side here, because he was

1503
01:15:25,400 --> 01:15:27,920
Speaker 3: just like, I'm gonna lock on the door and hilarious,

1504
01:15:28,160 --> 01:15:31,120
Speaker 3: like this was the cut scene from nine? Is that nine?

1505
01:15:33,120 --> 01:15:33,920
Speaker 2: I think it's nine?

1506
01:15:34,240 --> 01:15:38,280
Speaker 3: Okay, Well, anyways, Shaw is torturing a man in a

1507
01:15:38,560 --> 01:15:42,080
Speaker 3: body bag that's that looks like a punching bag.

1508
01:15:43,360 --> 01:15:43,479
Speaker 2: Uh.

1509
01:15:44,720 --> 01:15:47,639
Speaker 3: But so that all of this, like the most hilarious

1510
01:15:47,680 --> 01:15:50,360
Speaker 3: thing is that it's like, I gotta do this alone, guys,

1511
01:15:50,439 --> 01:15:53,000
Speaker 3: because that's how we shot it in the previous movie.

1512
01:15:53,680 --> 01:15:58,360
Speaker 3: So do not come in here, because I if you're

1513
01:15:58,520 --> 01:16:03,080
Speaker 3: seen at all, they're gonna have to go back and

1514
01:16:03,280 --> 01:16:06,160
Speaker 3: digitally put you, guys into a movie that we released

1515
01:16:06,439 --> 01:16:11,280
Speaker 3: two years ago. So please let me do this and uh,

1516
01:16:11,960 --> 01:16:14,240
Speaker 3: and then the fighting sues and it was fine. I

1517
01:16:14,360 --> 01:16:15,800
Speaker 3: was fine with it, but I did it in Jaz

1518
01:16:15,960 --> 01:16:16,840
Speaker 3: was like, how a they gonna do this?

1519
01:16:17,080 --> 01:16:17,200
Speaker 2: Well?

1520
01:16:17,280 --> 01:16:21,000
Speaker 3: Like, so it just shows that they haven't. They there's

1521
01:16:21,120 --> 01:16:23,360
Speaker 3: no thought put into these guys seats at all, as

1522
01:16:23,400 --> 01:16:27,160
Speaker 3: we'll find, as we'll learn in this movie. But Anyways,

1523
01:16:28,120 --> 01:16:29,200
Speaker 3: I just I just loved it.

1524
01:16:29,320 --> 01:16:32,679
Speaker 1: I loved everybody's team Han, everybody loves Shaw.

1525
01:16:33,520 --> 01:16:33,720
Speaker 2: Yeah.

1526
01:16:33,920 --> 01:16:36,599
Speaker 1: Yeah, they have a little moment together and then they're

1527
01:16:36,600 --> 01:16:40,040
Speaker 1: fighting together. Yeah and yeah, I will admit you guys

1528
01:16:40,080 --> 01:16:42,400
Speaker 1: were saying all this body bag stuff, the guy popping out.

1529
01:16:42,520 --> 01:16:44,320
Speaker 1: I watched it in the movie theater the first time

1530
01:16:44,360 --> 01:16:47,080
Speaker 1: with you. I was I felt like Roman when that

1531
01:16:47,120 --> 01:16:50,040
Speaker 1: guy popped out of that pack and he literally goes

1532
01:16:50,160 --> 01:16:52,640
Speaker 1: like I think it's something like, well, that's random or

1533
01:16:52,680 --> 01:16:55,120
Speaker 1: that's weird or something, And I was like, what the fuck?

1534
01:16:55,160 --> 01:16:56,360
Speaker 1: Why where did that guy come from?

1535
01:16:57,040 --> 01:16:57,439
Speaker 2: Underwear?

1536
01:16:58,080 --> 01:16:59,920
Speaker 1: Why is he just screwing up? Like? I was legit

1537
01:17:00,200 --> 01:17:03,160
Speaker 1: like so weirded out by it until watching it the

1538
01:17:03,240 --> 01:17:06,800
Speaker 1: second time, going oh, yeah he's in the body bag.

1539
01:17:07,120 --> 01:17:09,439
Speaker 1: This is that Yeah, and it was like, okay, that

1540
01:17:09,600 --> 01:17:10,160
Speaker 1: was sort of funny.

1541
01:17:10,200 --> 01:17:12,519
Speaker 3: It is very random if you don't really I don't

1542
01:17:12,680 --> 01:17:17,599
Speaker 3: know that there because we were rewatched it here yesterday

1543
01:17:17,600 --> 01:17:19,400
Speaker 3: and Rachel was like, oh, that guy was in the

1544
01:17:19,479 --> 01:17:22,800
Speaker 3: other movie, Like how do you even I didn't recognize.

1545
01:17:22,400 --> 01:17:23,320
Speaker 1: Matt were you all over that?

1546
01:17:23,479 --> 01:17:23,720
Speaker 4: Did you?

1547
01:17:23,960 --> 01:17:25,760
Speaker 1: Did you pick up on that guy in the body bag?

1548
01:17:27,000 --> 01:17:27,120
Speaker 6: Uh?

1549
01:17:27,560 --> 01:17:30,040
Speaker 5: Well, Skeets, I told you about the edibles I had.

1550
01:17:30,360 --> 01:17:33,160
Speaker 5: I was very surprised to see that guy at the end.

1551
01:17:36,560 --> 01:17:40,200
Speaker 1: Okay uh. We go to Dom at the police headquarters

1552
01:17:40,920 --> 01:17:44,880
Speaker 1: looking at Dante's vision board and they talk on the phone.

1553
01:17:45,960 --> 01:17:48,320
Speaker 2: They have a call with each other. I'm coming for you,

1554
01:17:49,240 --> 01:17:50,760
Speaker 2: but wait, I'm coming for you.

1555
01:17:53,160 --> 01:17:57,519
Speaker 3: I really liked Dom's you know Walmart phone technique, yea

1556
01:17:58,280 --> 01:18:01,880
Speaker 3: free donuts and bright crew. That was great.

1557
01:18:02,720 --> 01:18:07,439
Speaker 1: So mad any thoughts on that scene here the this

1558
01:18:07,640 --> 01:18:08,240
Speaker 1: is your life?

1559
01:18:08,439 --> 01:18:12,240
Speaker 5: No, I mean didn't understand it, Like Jad said, you

1560
01:18:12,240 --> 01:18:15,040
Speaker 5: don't understand where all this footage was coming from. Didn't

1561
01:18:15,120 --> 01:18:18,400
Speaker 5: understand why, like it was set up in that way.

1562
01:18:20,920 --> 01:18:22,120
Speaker 5: Scene was just a miss for me.

1563
01:18:22,720 --> 01:18:30,760
Speaker 1: Moving on right, fair Aimes arrest Dom and this leads

1564
01:18:30,800 --> 01:18:33,040
Speaker 1: to the fight on the bridge. This is where Tests

1565
01:18:33,200 --> 01:18:36,200
Speaker 1: shows up. This is where we get the you're a

1566
01:18:36,280 --> 01:18:41,439
Speaker 1: butthole line or you butthole from Done to Dom, which

1567
01:18:41,520 --> 01:18:45,439
Speaker 1: was great. And the helicopter comes and like the helicopter

1568
01:18:45,520 --> 01:18:49,880
Speaker 1: shoots Tests, helicopter shoots aims and is a bell but

1569
01:18:50,000 --> 01:18:52,479
Speaker 1: Dom saves her. There's a lot going on here.

1570
01:18:53,160 --> 01:18:57,000
Speaker 3: Alter the tune of from Swamp Lake Lake right oh yes,

1571
01:18:57,160 --> 01:18:59,320
Speaker 3: which presumably.

1572
01:18:58,920 --> 01:19:02,640
Speaker 1: Only pointing at the helicopter and shots.

1573
01:19:03,040 --> 01:19:05,400
Speaker 3: They're not hearing them. We're hearing it.

1574
01:19:05,600 --> 01:19:07,000
Speaker 1: And do you know how do you know it's not

1575
01:19:07,120 --> 01:19:08,080
Speaker 1: playing on speedars?

1576
01:19:09,080 --> 01:19:12,680
Speaker 3: He could be coming from the helicopter. Somehow I did it.

1577
01:19:12,800 --> 01:19:16,080
Speaker 1: Right, And I glossed over like the Ames arresting Dom

1578
01:19:16,320 --> 01:19:20,000
Speaker 1: and Dom in the back there of the truck saying,

1579
01:19:20,280 --> 01:19:23,280
Speaker 1: you know, basically you better buckle up here because.

1580
01:19:23,240 --> 01:19:26,080
Speaker 3: Some ship's going down. Yeah, Dom knows, And did you

1581
01:19:26,200 --> 01:19:29,880
Speaker 3: notice I've noticed this on the second viewing. Dom takes

1582
01:19:29,920 --> 01:19:33,640
Speaker 3: his foot and places it saves him.

1583
01:19:33,760 --> 01:19:35,559
Speaker 1: Yes he does. I did notice.

1584
01:19:35,600 --> 01:19:39,280
Speaker 3: But as we find out, Ames knows all this is coming,

1585
01:19:39,360 --> 01:19:41,719
Speaker 3: and he still doesn't put his and he he doesn't

1586
01:19:41,720 --> 01:19:44,400
Speaker 3: buckle up or anything like he's just he knows that

1587
01:19:44,680 --> 01:19:48,040
Speaker 3: Dom is going to save his life by holding him.

1588
01:19:48,560 --> 01:19:52,160
Speaker 1: Like I was just confused. How Dom knew yeah coming

1589
01:19:52,240 --> 01:19:54,519
Speaker 1: and yeah, what was the tell there? How did he

1590
01:19:54,640 --> 01:19:57,840
Speaker 1: know to buckle up? And we're going to be you know.

1591
01:19:57,920 --> 01:20:01,679
Speaker 3: He's like, what are we going on that? Cause time's

1592
01:20:01,720 --> 01:20:03,920
Speaker 3: gonna happen. Always happens on this car.

1593
01:20:04,439 --> 01:20:06,799
Speaker 1: So you think bridge is dangerous? Looks out the window

1594
01:20:06,840 --> 01:20:12,599
Speaker 1: he said, oh this bridge, I know this bridge. Maybe

1595
01:20:14,360 --> 01:20:17,040
Speaker 1: I don't know I think he was tipping his hand

1596
01:20:17,040 --> 01:20:18,960
Speaker 1: a little bit dumb. Was a couple of times in

1597
01:20:19,040 --> 01:20:23,439
Speaker 1: this movie he keeps saying nobody listens. He says it twice.

1598
01:20:23,439 --> 01:20:28,640
Speaker 1: I think in the movie nobody, mister nobody. Okay, I

1599
01:20:28,680 --> 01:20:30,679
Speaker 1: don't know what that means, but I feel like they're linked.

1600
01:20:31,600 --> 01:20:36,880
Speaker 3: Yes, yes, keep saying is like trans.

1601
01:20:38,479 --> 01:20:41,920
Speaker 5: Maybe Jason Jason Momoa also refers to himself as nobody.

1602
01:20:42,360 --> 01:20:44,599
Speaker 5: I don't know if you caught that wanted nobody talk

1603
01:20:44,640 --> 01:20:47,040
Speaker 5: in this Nobody talk. You guys are really making this

1604
01:20:47,600 --> 01:20:49,519
Speaker 5: making a good argument for rewatching this.

1605
01:20:51,800 --> 01:20:54,519
Speaker 1: Hey, this scene, this seems wild because, yeah, people are

1606
01:20:54,520 --> 01:20:59,680
Speaker 1: getting shot. Tess is in her crazy spiky sneakers ruining Dante's.

1607
01:20:59,280 --> 01:21:02,040
Speaker 2: Car out about that, Yeah, she gives it.

1608
01:21:02,080 --> 01:21:04,040
Speaker 1: She gives it like she's putting out a cigarette on it.

1609
01:21:04,520 --> 01:21:06,960
Speaker 3: Yeah, and they didn't do anything.

1610
01:21:07,960 --> 01:21:08,160
Speaker 5: Well.

1611
01:21:08,320 --> 01:21:10,680
Speaker 3: They add this sound effect like a cat. It's like

1612
01:21:10,880 --> 01:21:14,560
Speaker 3: metal on metal, sort of grinding it. But on the

1613
01:21:14,680 --> 01:21:16,240
Speaker 3: bottom it's.

1614
01:21:16,200 --> 01:21:16,479
Speaker 2: Just like.

1615
01:21:18,640 --> 01:21:21,920
Speaker 1: As I loved it, like that in all of these movies,

1616
01:21:21,960 --> 01:21:25,040
Speaker 1: somebody's standing on the car is finally the thing that

1617
01:21:25,120 --> 01:21:27,760
Speaker 1: pushes somebody over the edge of like, hey, respect my car.

1618
01:21:28,120 --> 01:21:31,160
Speaker 1: They do everything with these cars. They destroying them left

1619
01:21:31,240 --> 01:21:32,519
Speaker 1: and right. They don't seem to care.

1620
01:21:32,640 --> 01:21:35,880
Speaker 2: But my god, you're sneaker on then step on my car?

1621
01:21:36,040 --> 01:21:39,960
Speaker 1: Yeah? Uh thoughts from the bridge fight here.

1622
01:21:40,360 --> 01:21:43,719
Speaker 2: Yeah, when Dante gets his tooth knocked out and says,

1623
01:21:43,760 --> 01:21:45,479
Speaker 2: you bought hoole, I loved it.

1624
01:21:45,760 --> 01:21:47,200
Speaker 1: We popped, we loved it.

1625
01:21:49,160 --> 01:21:52,040
Speaker 2: Just a funny word. But yeah, I'm like, I'm looking

1626
01:21:52,080 --> 01:21:54,000
Speaker 2: at my notes back and it's been less than a

1627
01:21:54,040 --> 01:21:56,240
Speaker 2: month since I saw this movie, and I have no

1628
01:21:56,400 --> 01:22:00,120
Speaker 2: idea what happens. Ames gives Dom a gun, suddenly has

1629
01:22:00,280 --> 01:22:02,280
Speaker 2: is there with a gun. Dom fights reyes but wait,

1630
01:22:02,360 --> 01:22:04,760
Speaker 2: he has snipers, takes down everybody, but gives his sister

1631
01:22:04,880 --> 01:22:07,519
Speaker 2: fifteen seconds what right? Yeah?

1632
01:22:08,280 --> 01:22:10,040
Speaker 1: That was right? I mean, and I guess we forgot

1633
01:22:10,120 --> 01:22:12,200
Speaker 1: within this. This is the don picking up the car.

1634
01:22:12,600 --> 01:22:15,160
Speaker 3: Yeah, he picks up the car and he uses the

1635
01:22:15,280 --> 01:22:17,759
Speaker 3: car is running and he uses the car. He's shooting

1636
01:22:17,840 --> 01:22:20,280
Speaker 3: at the guy, but it's the car that takes him

1637
01:22:20,320 --> 01:22:23,080
Speaker 3: out right that he had to lift up anyways, and

1638
01:22:23,160 --> 01:22:25,160
Speaker 3: then it's like, who are you gonna choose again? Who

1639
01:22:25,160 --> 01:22:27,200
Speaker 3: are you gonna choose? Dom? Who are you gonna choose? Yeah,

1640
01:22:28,320 --> 01:22:32,519
Speaker 3: Alena's sister is just standing there clar like, why can't

1641
01:22:32,600 --> 01:22:34,759
Speaker 3: she run? You know what I mean? Like she's standing

1642
01:22:34,800 --> 01:22:36,680
Speaker 3: in the middle of the carsway and it's just like

1643
01:22:37,040 --> 01:22:38,320
Speaker 3: five four.

1644
01:22:38,240 --> 01:22:39,960
Speaker 1: And he's like he's literally counting.

1645
01:22:39,880 --> 01:22:48,559
Speaker 3: Literally almost almost saying two and a half one, you know. Anyways,

1646
01:22:52,200 --> 01:22:52,920
Speaker 3: he says.

1647
01:22:53,360 --> 01:22:56,400
Speaker 1: JOm is still doing his Amazon order for corn and

1648
01:22:56,520 --> 01:22:57,760
Speaker 1: meat for the barbecue.

1649
01:22:58,720 --> 01:22:59,280
Speaker 5: Go man.

1650
01:23:00,560 --> 01:23:02,439
Speaker 1: He saves her. He saves her with I guess the

1651
01:23:02,720 --> 01:23:06,720
Speaker 1: car door right used as a shield, Yes, Kevin, exactly.

1652
01:23:07,200 --> 01:23:09,040
Speaker 1: I mean, I don't think you're right here at I

1653
01:23:09,120 --> 01:23:12,160
Speaker 1: think he's he's going to be full Avenger in four

1654
01:23:12,280 --> 01:23:15,000
Speaker 1: or five years. Mad anything to add to that wild

1655
01:23:15,080 --> 01:23:16,320
Speaker 1: scene or do you remember any of it?

1656
01:23:17,080 --> 01:23:18,920
Speaker 5: No, No, I was. I was gonna say, I'm surprised

1657
01:23:18,960 --> 01:23:20,800
Speaker 5: you stopped there because I think of from here to

1658
01:23:20,960 --> 01:23:23,640
Speaker 5: basically the end as one sequence.

1659
01:23:25,200 --> 01:23:28,000
Speaker 1: Yeah, no, you're not wrong, because so I will save.

1660
01:23:27,880 --> 01:23:30,479
Speaker 5: My comments for what I consider to be the most

1661
01:23:30,520 --> 01:23:31,479
Speaker 5: important part of the movie.

1662
01:23:31,600 --> 01:23:35,680
Speaker 1: Okay, So the rendezvous point really, if I can jump there,

1663
01:23:35,880 --> 01:23:40,800
Speaker 1: it's an old mine in Portugal. It's basically a bat cave, yes, right.

1664
01:23:41,720 --> 01:23:44,920
Speaker 1: The mercenaries show up, Jacob and little b there their

1665
01:23:45,000 --> 01:23:48,400
Speaker 1: first to the mine. They escape in a cannon car.

1666
01:23:51,400 --> 01:23:55,679
Speaker 1: So the chases on cannon car, the chases on Dante

1667
01:23:55,840 --> 01:23:59,120
Speaker 1: is there. Dom drops his car out of a plane,

1668
01:23:59,680 --> 01:24:02,240
Speaker 1: which it's ridiculous. I mean, I know, this whole damn

1669
01:24:02,280 --> 01:24:04,960
Speaker 1: franchise is like, how would that possibly happen? How would

1670
01:24:05,000 --> 01:24:07,720
Speaker 1: that work? But he drops his plane out of the

1671
01:24:07,840 --> 01:24:11,040
Speaker 1: car and crushes two cars in the process and continues

1672
01:24:11,120 --> 01:24:14,720
Speaker 1: to drive. So we get the chase here, and it

1673
01:24:14,960 --> 01:24:21,360
Speaker 1: leads to Dante grabbing little Bee because he gets out

1674
01:24:21,520 --> 01:24:25,320
Speaker 1: sort of of the vehicle to I guess, dislodge the cannon.

1675
01:24:25,400 --> 01:24:29,880
Speaker 3: The cannon gets jammed. Yeah, R two D two style ash.

1676
01:24:34,120 --> 01:24:36,320
Speaker 3: That's one of my favorite lines of dialogue is that

1677
01:24:36,520 --> 01:24:40,080
Speaker 3: a child is on a cannon car scrambling around on

1678
01:24:40,200 --> 01:24:44,200
Speaker 3: the back of it. Uncle Jacob says, careful.

1679
01:24:48,760 --> 01:24:52,519
Speaker 1: You should be wearing your helmet. Yeah, and then Dante

1680
01:24:52,680 --> 01:24:56,320
Speaker 1: sees the opening, so he's like, oh, yeah, I'm grabbing him,

1681
01:24:56,920 --> 01:25:03,040
Speaker 1: yoinks him, and that leads to Jacob then sacrificing himself

1682
01:25:03,880 --> 01:25:07,200
Speaker 1: to open up a path for Dom. And he does

1683
01:25:07,320 --> 01:25:12,320
Speaker 1: this by pressing a button that turns the cannons sort

1684
01:25:12,360 --> 01:25:16,840
Speaker 1: of downwards to then he can fire them and explode

1685
01:25:17,040 --> 01:25:20,760
Speaker 1: up sort of over a barrier and just like like

1686
01:25:20,880 --> 01:25:23,120
Speaker 1: as if he was bowling, like just take out it

1687
01:25:23,240 --> 01:25:27,280
Speaker 1: appears like eight vehicles that then Dom can like, uh,

1688
01:25:27,640 --> 01:25:32,599
Speaker 1: you know, squeeze his way through. I will pause there. Okay, okay, okay,

1689
01:25:34,680 --> 01:25:37,200
Speaker 1: once more, but I'll pause there for a second. We'll

1690
01:25:37,240 --> 01:25:39,360
Speaker 1: get to the helicopter a second. Actually you said you

1691
01:25:39,400 --> 01:25:40,000
Speaker 1: have a comment here.

1692
01:25:40,000 --> 01:25:42,679
Speaker 4: It feels yeah, and a movie full of dumb ass shit.

1693
01:25:43,479 --> 01:25:45,720
Speaker 4: This is the dumbest thing. I was like, what, like,

1694
01:25:46,080 --> 01:25:47,080
Speaker 4: what part what part?

1695
01:25:47,200 --> 01:25:47,240
Speaker 5: No?

1696
01:25:47,320 --> 01:25:50,840
Speaker 4: I mean, yeah, okay, yeah, but him sacrificing himself, I

1697
01:25:50,920 --> 01:25:53,800
Speaker 4: didn't really see like like what he do that for,

1698
01:25:54,160 --> 01:25:56,160
Speaker 4: you know, I mean like he could have done anything else.

1699
01:25:56,160 --> 01:25:59,519
Speaker 4: There's like one hundred different solutions, and he's like, I'm

1700
01:25:59,520 --> 01:26:02,400
Speaker 4: a blow myself up and I'm gonna kill myself. And

1701
01:26:02,560 --> 01:26:04,640
Speaker 4: then this is like and then like you said, it

1702
01:26:04,680 --> 01:26:06,400
Speaker 4: could have back right, it could have killed all of them.

1703
01:26:07,040 --> 01:26:09,360
Speaker 4: So what was what was the point?

1704
01:26:09,800 --> 01:26:10,000
Speaker 3: Yeah?

1705
01:26:10,400 --> 01:26:14,439
Speaker 1: Yeah, he just decided this convoy this is gonna be

1706
01:26:14,439 --> 01:26:18,160
Speaker 1: a problem for Dom. I got to eliminate it. I'm

1707
01:26:18,160 --> 01:26:22,360
Speaker 1: gonna use the cannons. I'm gonna try this this system

1708
01:26:22,479 --> 01:26:24,320
Speaker 1: that will launch me in the air. I've probably never

1709
01:26:24,400 --> 01:26:26,760
Speaker 1: tried it yet before. I'm glad I included it in

1710
01:26:26,880 --> 01:26:29,759
Speaker 1: making this car though, right, and yeah, that he flips

1711
01:26:29,880 --> 01:26:32,720
Speaker 1: and like he's dead, right, I mean Jacob's dead.

1712
01:26:33,840 --> 01:26:36,040
Speaker 3: Nope, I think he is dead.

1713
01:26:36,360 --> 01:26:39,000
Speaker 1: I toant.

1714
01:26:39,439 --> 01:26:42,960
Speaker 3: I mean, you know, maybe not, I don't know. But

1715
01:26:44,520 --> 01:26:46,720
Speaker 3: the reason I think he's dead is because we are

1716
01:26:46,880 --> 01:26:52,800
Speaker 3: in the end game. Here be Matt brought up. You know,

1717
01:26:52,920 --> 01:26:56,920
Speaker 3: the Christ the Redeemer. There's a lot of Christ stuff

1718
01:26:57,280 --> 01:27:01,040
Speaker 3: in this movie in general. The cross is the necklace

1719
01:27:01,800 --> 01:27:04,400
Speaker 3: we see. We see Dante in The Christ of the

1720
01:27:04,439 --> 01:27:09,479
Speaker 3: Redeemer pose multiple times over he's standing over the Sistine Chapel.

1721
01:27:11,240 --> 01:27:15,000
Speaker 3: I think that that's a theme in this movie is sacrifice,

1722
01:27:15,160 --> 01:27:19,960
Speaker 3: sacrifice for your family. So I think he might be dead.

1723
01:27:20,200 --> 01:27:26,240
Speaker 3: I think he sacrificed himself unnecessarily, I agree with. But

1724
01:27:26,400 --> 01:27:31,439
Speaker 3: he did sacrifice himself very very easy. Like I don't

1725
01:27:31,479 --> 01:27:35,360
Speaker 3: know what they were going in the wrong direction on

1726
01:27:35,640 --> 01:27:40,679
Speaker 3: the on the highway. Why not just stop and turn around? Dom,

1727
01:27:40,840 --> 01:27:42,800
Speaker 3: you know what I mean? Like, I know it's not

1728
01:27:42,840 --> 01:27:47,960
Speaker 3: an option in Fast and Furious, applying is not an option,

1729
01:27:49,160 --> 01:27:51,479
Speaker 3: but you could spin around and then you're at least

1730
01:27:51,520 --> 01:27:54,719
Speaker 3: going in the right direction because they're not actually going anywhere.

1731
01:27:55,040 --> 01:27:57,439
Speaker 3: They're just trying to get away, right, Well.

1732
01:27:57,240 --> 01:28:01,760
Speaker 1: They're trying to get a little b wait right yeah, yeah,

1733
01:28:01,880 --> 01:28:04,719
Speaker 1: he is getting away with his child, right, Yeah, forgot.

1734
01:28:04,880 --> 01:28:07,439
Speaker 1: He's got to keep going in that direction. Though a

1735
01:28:07,560 --> 01:28:10,360
Speaker 1: ten point turn from Dom, like turning around would have been.

1736
01:28:13,640 --> 01:28:16,560
Speaker 2: I had a few questions on this one. Uh, the

1737
01:28:16,680 --> 01:28:19,880
Speaker 2: secret layer is Dom's like he just he just has

1738
01:28:19,920 --> 01:28:22,439
Speaker 2: a secret layer in a mine in Portugal?

1739
01:28:22,760 --> 01:28:27,320
Speaker 3: Yes, but it is or is the Is it Jacobs?

1740
01:28:27,360 --> 01:28:28,600
Speaker 3: Though it could be.

1741
01:28:30,439 --> 01:28:31,800
Speaker 1: I think it's Jacob cannon car.

1742
01:28:32,920 --> 01:28:34,719
Speaker 4: Did Jacob say something that will be about working.

1743
01:28:34,600 --> 01:28:37,200
Speaker 2: On like he's like I thought he said his dad

1744
01:28:37,240 --> 01:28:41,200
Speaker 2: had been working Did I really? Oh? Did you anyway?

1745
01:28:41,320 --> 01:28:44,320
Speaker 3: But like when when Dom in Portugal when he lives

1746
01:28:44,360 --> 01:28:46,120
Speaker 3: in California, that just doesn't.

1747
01:28:46,840 --> 01:28:51,120
Speaker 2: See I'll tell you that he's busy man. He can't

1748
01:28:51,360 --> 01:28:53,519
Speaker 2: can't get to know his in laws because he's got

1749
01:28:53,640 --> 01:28:56,479
Speaker 2: to make a cannon car. And honestly, when he told Jacob,

1750
01:28:56,560 --> 01:28:59,360
Speaker 2: you know what I'm gonna do. These cannons they flipped

1751
01:28:59,439 --> 01:29:02,120
Speaker 2: down and you can just launch yourself. Jacob's like, why

1752
01:29:03,800 --> 01:29:10,679
Speaker 2: just wait, just wait, no problem. One of the funniest

1753
01:29:10,680 --> 01:29:12,400
Speaker 2: things in the entire movie. I think is during this

1754
01:29:12,560 --> 01:29:17,640
Speaker 2: scene when they are driving on the bridge, Dom is

1755
01:29:17,760 --> 01:29:20,360
Speaker 2: driving the wrong way and a car flashes their lights

1756
01:29:20,400 --> 01:29:26,960
Speaker 2: at us. I was like, Okay, that's realist.

1757
01:29:27,880 --> 01:29:32,880
Speaker 1: Be me. Hey, all right, Matt, what do you do?

1758
01:29:32,880 --> 01:29:34,519
Speaker 1: You want to chime in on whether you think Jacob

1759
01:29:34,680 --> 01:29:36,120
Speaker 1: is actually dead?

1760
01:29:37,960 --> 01:29:39,760
Speaker 5: I'm gonna say dead. I'm gonna say dead on this

1761
01:29:39,920 --> 01:29:44,519
Speaker 5: one because I think they must have worked it up before.

1762
01:29:44,840 --> 01:29:47,000
Speaker 5: Now what I'd like to know? And maybe this will

1763
01:29:47,000 --> 01:29:49,600
Speaker 5: help me decide. Do we know at what point in

1764
01:29:49,640 --> 01:29:52,400
Speaker 5: production the Rock decided to come back? Because I remember

1765
01:29:52,479 --> 01:29:56,360
Speaker 5: from Fast nine we said the Rock and Vin hate

1766
01:29:56,360 --> 01:29:58,280
Speaker 5: each other. The Rock's done with it, That's why they

1767
01:29:58,280 --> 01:30:00,600
Speaker 5: spun him off into Hobbs and Shaw. He's never going

1768
01:30:00,680 --> 01:30:03,439
Speaker 5: to share the silver screen with Vin Diesel again.

1769
01:30:03,960 --> 01:30:04,760
Speaker 1: But now he's back.

1770
01:30:05,280 --> 01:30:07,439
Speaker 5: So is there some kind of contractual thing where they

1771
01:30:07,479 --> 01:30:09,680
Speaker 5: were like, either we don't need John Cena. Now he

1772
01:30:09,760 --> 01:30:11,400
Speaker 5: got the Rock back, so we can let him do

1773
01:30:11,520 --> 01:30:14,960
Speaker 5: this ultimate sacrifice and die. Does John Cena in the Rock?

1774
01:30:15,000 --> 01:30:15,880
Speaker 5: Do they hate each other?

1775
01:30:17,200 --> 01:30:17,240
Speaker 2: Like?

1776
01:30:17,400 --> 01:30:19,960
Speaker 5: When do we think the Rock coming back into it

1777
01:30:20,120 --> 01:30:20,960
Speaker 5: was happening.

1778
01:30:21,640 --> 01:30:27,240
Speaker 3: The day James Gunn got hired and DC and Black.

1779
01:30:27,680 --> 01:30:31,920
Speaker 5: Could you translate for the people too to complete news.

1780
01:30:32,560 --> 01:30:35,960
Speaker 3: Well, I mean, you know, The Rock was going to

1781
01:30:36,479 --> 01:30:39,840
Speaker 3: in his mind going to be the next superhero for DC,

1782
01:30:40,200 --> 01:30:43,320
Speaker 3: and he had a whole franchise planned out with.

1783
01:30:43,400 --> 01:30:46,480
Speaker 2: Black Black Adam, Yes, Black Adam.

1784
01:30:46,479 --> 01:30:50,559
Speaker 3: And uh, well it got it flopped and he basically

1785
01:30:50,680 --> 01:30:54,760
Speaker 3: got fired. And he went with his little hat in

1786
01:30:54,880 --> 01:30:58,559
Speaker 3: his hand and went back to his old friend Vin

1787
01:30:58,720 --> 01:31:03,120
Speaker 3: Diesel and said, please been let me and your multi

1788
01:31:03,200 --> 01:31:07,680
Speaker 3: billion dollar franchise because mine just shot the bed. And

1789
01:31:07,840 --> 01:31:11,439
Speaker 3: by the way, Gal Gadot was right behind him because

1790
01:31:11,479 --> 01:31:18,000
Speaker 3: she just got fired from a Wonder Woman three. Now, Gal,

1791
01:31:19,120 --> 01:31:21,120
Speaker 3: did she deserve to be fired? I mean probably not

1792
01:31:21,240 --> 01:31:24,400
Speaker 3: as more Patty Jenkins's fault for making Wonder Woman two

1793
01:31:24,560 --> 01:31:26,240
Speaker 3: or eighty four? What do you want to want to

1794
01:31:27,240 --> 01:31:31,320
Speaker 3: that's my theory. So yeah, I mean that's what happened, right,

1795
01:31:31,439 --> 01:31:35,760
Speaker 3: I mean, it's either it's either that or it's been

1796
01:31:36,560 --> 01:31:39,920
Speaker 3: a three year marketing plan. It's a fake fight.

1797
01:31:40,160 --> 01:31:42,479
Speaker 1: This is a wrestler, This could be a work, This

1798
01:31:42,600 --> 01:31:45,600
Speaker 1: could have been an entire work in the Rock. I

1799
01:31:45,680 --> 01:31:47,080
Speaker 1: think you're probably right. I guess so.

1800
01:31:47,280 --> 01:31:51,160
Speaker 3: But for like a literal tact on cut scene, Well,

1801
01:31:51,200 --> 01:31:52,720
Speaker 3: he would have shown up in the movie, or way

1802
01:31:53,120 --> 01:31:56,720
Speaker 3: it wouldn't have been at post. That's what I think.

1803
01:31:56,840 --> 01:32:02,320
Speaker 5: But so James gun is responsible for breathing life back

1804
01:32:02,360 --> 01:32:04,960
Speaker 5: into the Fast and Furious franchise then, or at least

1805
01:32:05,000 --> 01:32:07,000
Speaker 5: allowing them to have these old favorites come back.

1806
01:32:07,080 --> 01:32:10,479
Speaker 3: If, if, if his entire tenure at DC is a

1807
01:32:10,560 --> 01:32:14,120
Speaker 3: complete failure, he can always have this on his resume.

1808
01:32:15,280 --> 01:32:17,880
Speaker 3: It's already a success because.

1809
01:32:17,760 --> 01:32:20,920
Speaker 5: Rock right, right, right, So it is all it is

1810
01:32:21,080 --> 01:32:25,920
Speaker 5: all connected because James Gunn gets hired to do DC

1811
01:32:26,160 --> 01:32:30,800
Speaker 5: because David's aslov of Discovery buys in Time Warner, right,

1812
01:32:31,360 --> 01:32:33,840
Speaker 5: they who they buy Time Warner because AT and T,

1813
01:32:34,040 --> 01:32:37,439
Speaker 5: who had previously bought him more, wants to spin it off. Yes, yeah,

1814
01:32:37,520 --> 01:32:41,519
Speaker 5: When AT and T buys Time Warner, they fire six

1815
01:32:41,840 --> 01:32:45,760
Speaker 5: hard working gentlemen on a great show sidiary network called

1816
01:32:46,920 --> 01:32:50,040
Speaker 5: Those people are Trey Herby, Jay Skeets, Matt Austin, and

1817
01:32:50,120 --> 01:32:50,800
Speaker 5: Jason Doyle.

1818
01:32:51,000 --> 01:32:56,719
Speaker 7: So in a sense, in a sense, we are part

1819
01:32:56,800 --> 01:33:02,960
Speaker 7: of the Fastball, yes, all right, which means we can

1820
01:33:03,040 --> 01:33:03,559
Speaker 7: never die.

1821
01:33:04,200 --> 01:33:11,200
Speaker 1: Awesome, incredible, sweet, sweet sweet, Let's get to the helicopter harpoons.

1822
01:33:15,200 --> 01:33:18,000
Speaker 1: Great to have harpoons back. We've talked a lot about

1823
01:33:18,080 --> 01:33:19,920
Speaker 1: in The Fast Friends serious, but there's a lot of

1824
01:33:20,120 --> 01:33:21,840
Speaker 1: just like shooting harpoons at cars.

1825
01:33:22,040 --> 01:33:24,800
Speaker 2: Have you ever seen a harpoon in your life in

1826
01:33:24,960 --> 01:33:25,439
Speaker 2: real life?

1827
01:33:25,600 --> 01:33:26,439
Speaker 3: Interesting? I don't know.

1828
01:33:26,680 --> 01:33:32,160
Speaker 1: I've seen my grandfather fish with a bow and arrow, like, yeah,

1829
01:33:32,160 --> 01:33:35,679
Speaker 1: it's pretty handheld. Incredible skill. You gotta, you know, figure

1830
01:33:35,680 --> 01:33:38,240
Speaker 1: out the you know, with the refraction of the water,

1831
01:33:38,360 --> 01:33:39,760
Speaker 1: your angle, that arrow is coming in.

1832
01:33:40,920 --> 01:33:42,080
Speaker 3: Wait, is it attached?

1833
01:33:42,120 --> 01:33:43,240
Speaker 2: It's attached to a rope.

1834
01:33:43,280 --> 01:33:46,880
Speaker 1: You know, that's pretty badass when you actually get what

1835
01:33:47,320 --> 01:33:49,920
Speaker 1: I've always ever saw him successfully get one fish, but

1836
01:33:50,040 --> 01:33:52,320
Speaker 1: it was cool. I was a lot younger. Uh no,

1837
01:33:52,520 --> 01:33:54,120
Speaker 1: not not a real harpoon, though, I would say.

1838
01:33:54,240 --> 01:33:56,880
Speaker 2: Yeah, I'm mostly in the action movie as well as

1839
01:33:56,880 --> 01:33:58,280
Speaker 2: where I'm seeing most by harpoons.

1840
01:33:58,920 --> 01:34:01,240
Speaker 1: Uh well, you know how to beat a guy that's

1841
01:34:01,280 --> 01:34:04,400
Speaker 1: awesome at the street race? You take away no excuse me,

1842
01:34:04,640 --> 01:34:07,120
Speaker 1: I wrote it my notes. You know I wrote it

1843
01:34:07,200 --> 01:34:08,760
Speaker 1: my notes. You know how to beat skeets in the

1844
01:34:08,800 --> 01:34:12,479
Speaker 1: street race, You take away the streets. That's a no, dug.

1845
01:34:14,800 --> 01:34:16,880
Speaker 1: I've never lost the street race. But the best way

1846
01:34:16,920 --> 01:34:18,639
Speaker 1: to beat me the street race is take away the streets.

1847
01:34:18,680 --> 01:34:22,000
Speaker 1: But you get what I'm saying here, they helicopter harpoon

1848
01:34:22,160 --> 01:34:24,679
Speaker 1: Dom's car, because the best way to beat a guy

1849
01:34:25,040 --> 01:34:28,160
Speaker 1: that's awesome in his car is to take away the streets.

1850
01:34:28,920 --> 01:34:32,800
Speaker 3: Yeah, and it didn't work. No, it didn't work. His

1851
01:34:32,960 --> 01:34:39,439
Speaker 3: rear his rear rear wheel drive. I don't know. Maybe

1852
01:34:39,479 --> 01:34:43,360
Speaker 3: it's a four wheel Maybe he as and when he

1853
01:34:43,520 --> 01:34:46,160
Speaker 3: was installing the carbureight or whatever he's talking about with it,

1854
01:34:46,439 --> 01:34:49,240
Speaker 3: be he just was like, Okay, well let's do four

1855
01:34:49,280 --> 01:34:51,880
Speaker 3: wheel drive, because you never know, I never know.

1856
01:34:52,040 --> 01:34:54,760
Speaker 1: The power of his muscle car is enough to bring

1857
01:34:54,840 --> 01:35:00,640
Speaker 1: the two helicopters together. They're there, they're blades connect, they explode,

1858
01:35:00,880 --> 01:35:03,599
Speaker 1: they're still attached to him. He's still driving. And in fact,

1859
01:35:03,920 --> 01:35:10,599
Speaker 1: he then spins a fucking burning chopper that is harpoon

1860
01:35:10,720 --> 01:35:13,720
Speaker 1: to his car. He spins his car, uses it as

1861
01:35:13,800 --> 01:35:18,000
Speaker 1: a weapon, right to take out or at least hit

1862
01:35:18,080 --> 01:35:21,240
Speaker 1: the car of Dante, which has his son in it. Yep,

1863
01:35:21,400 --> 01:35:26,000
Speaker 1: the balls on this guy. And then everybody's spinning. And

1864
01:35:26,880 --> 01:35:28,880
Speaker 1: I don't know he like, I guess he knows. His

1865
01:35:29,040 --> 01:35:33,000
Speaker 1: son just knows drifting so well. And then the mechanics

1866
01:35:33,080 --> 01:35:35,840
Speaker 1: of spinning that they were practicing earlier in this movie,

1867
01:35:35,960 --> 01:35:38,040
Speaker 1: like I'm gonna get up beside you and You're gonna jump.

1868
01:35:38,360 --> 01:35:40,640
Speaker 1: That was this the part you were waiting for to

1869
01:35:40,760 --> 01:35:41,760
Speaker 1: really break down because we.

1870
01:35:41,760 --> 01:35:45,479
Speaker 5: See little leap from a car still to my apartment.

1871
01:35:45,640 --> 01:35:47,840
Speaker 2: Okay, okay, find the line, feel the car, and let

1872
01:35:47,880 --> 01:35:49,600
Speaker 2: it fly, I.

1873
01:35:49,600 --> 01:35:51,640
Speaker 5: Will say, okay, so let me reach you. Something that

1874
01:35:51,760 --> 01:35:54,760
Speaker 5: I read on the ringer. So it's an interview with

1875
01:35:54,800 --> 01:35:57,280
Speaker 5: the director and he's talking about how they like put

1876
01:35:57,400 --> 01:35:59,880
Speaker 5: so much effort into doing practical effects to make it

1877
01:36:00,000 --> 01:36:00,519
Speaker 5: look real.

1878
01:36:01,880 --> 01:36:02,639
Speaker 1: So it says.

1879
01:36:04,200 --> 01:36:06,320
Speaker 5: That paid off in the final leg of the highway chase,

1880
01:36:06,400 --> 01:36:08,920
Speaker 5: when Brian leaps out of Dante's car and into Dom's

1881
01:36:09,000 --> 01:36:12,639
Speaker 5: arms as both cars spin and sync. Jack remembers spending

1882
01:36:12,640 --> 01:36:15,200
Speaker 5: a week of rehearsal at Warner Brothers Studios, where the

1883
01:36:15,240 --> 01:36:18,640
Speaker 5: effects team built a rotating spindle rig and well did

1884
01:36:18,720 --> 01:36:21,720
Speaker 5: two cars together at the right distance before wiring up

1885
01:36:21,760 --> 01:36:24,639
Speaker 5: a young stunt performer to leap between them. Quote, that's

1886
01:36:24,720 --> 01:36:26,920
Speaker 5: the great part of doing fast and furious. They want

1887
01:36:26,920 --> 01:36:28,600
Speaker 5: to get the shots as real as possible, so we

1888
01:36:28,720 --> 01:36:33,120
Speaker 5: dedicate our time to making it work. Are there in

1889
01:36:33,280 --> 01:36:35,439
Speaker 5: moments in this where you're like that, wow, that feels

1890
01:36:35,600 --> 01:36:40,000
Speaker 5: real because that's you know, as much like shout out

1891
01:36:40,040 --> 01:36:42,280
Speaker 5: to this sorry, it's actually like I guess a stunt

1892
01:36:42,320 --> 01:36:45,080
Speaker 5: person that's being quoted there, like shout it to these people,

1893
01:36:45,160 --> 01:36:48,800
Speaker 5: Like this is dangerous work they do. It's incredibly time intensive,

1894
01:36:49,200 --> 01:36:53,040
Speaker 5: it's incredibly choreographed. They put so much hard work into it,

1895
01:36:53,200 --> 01:36:55,639
Speaker 5: and I'm sorry to say it doesn't appear on screen.

1896
01:36:56,240 --> 01:36:58,080
Speaker 5: And the part that I do want to talk about,

1897
01:36:58,479 --> 01:37:01,559
Speaker 5: which I will get to, like the the damn jump.

1898
01:37:01,600 --> 01:37:05,080
Speaker 5: Oh they're talking about this like they put so much

1899
01:37:05,200 --> 01:37:07,040
Speaker 5: when you read the things they did, and I'm like,

1900
01:37:07,360 --> 01:37:09,240
Speaker 5: that thing looked like shit. It might as well have

1901
01:37:09,360 --> 01:37:14,200
Speaker 5: been like completely Pixar animated for how it looked on screen.

1902
01:37:15,120 --> 01:37:17,280
Speaker 5: So like part of what makes me angry about this movie.

1903
01:37:17,320 --> 01:37:19,200
Speaker 5: It's a three hundred and forty million dollar budget. As

1904
01:37:19,240 --> 01:37:23,240
Speaker 5: you said, Skeets, it's the eighth most expensive movie ever made,

1905
01:37:23,640 --> 01:37:25,759
Speaker 5: and you don't see that money on the screen, especially

1906
01:37:25,800 --> 01:37:27,559
Speaker 5: since they didn't have to shoot the first sequence. They

1907
01:37:27,640 --> 01:37:30,360
Speaker 5: just took most of it from the fifth movie. Where

1908
01:37:30,479 --> 01:37:35,679
Speaker 5: is this money going? I looked us, Yeah, uh yeah, yeah,

1909
01:37:35,680 --> 01:37:38,160
Speaker 5: I guess Mission Apostle follow one hundred and seventy eight

1910
01:37:38,200 --> 01:37:39,440
Speaker 5: million dollar budget.

1911
01:37:39,280 --> 01:37:40,320
Speaker 1: Like half the budget.

1912
01:37:41,280 --> 01:37:44,200
Speaker 5: That's crazy. That's considering how cool that movie looks.

1913
01:37:45,000 --> 01:37:48,360
Speaker 1: Yeah, this the spinning part here with little Bee jumping,

1914
01:37:48,960 --> 01:37:52,000
Speaker 1: it did look bad, the jumping part for sure, and

1915
01:37:52,120 --> 01:37:55,000
Speaker 1: it's just like it's it was the link the trying

1916
01:37:55,280 --> 01:37:58,720
Speaker 1: to get me to to try and get me from

1917
01:37:59,040 --> 01:38:02,120
Speaker 1: the start of the movie where they're practicing drifting around

1918
01:38:03,040 --> 01:38:06,000
Speaker 1: I don't know, light poles or whatever, the trees or

1919
01:38:06,040 --> 01:38:08,000
Speaker 1: whatever the hell they're doing, like you know, eight's around

1920
01:38:08,479 --> 01:38:11,160
Speaker 1: to then this like as if they're like one and

1921
01:38:11,240 --> 01:38:16,479
Speaker 1: the same was so weird. What were they practicing jumping

1922
01:38:16,560 --> 01:38:18,120
Speaker 1: from car to car and it was just on a

1923
01:38:18,240 --> 01:38:21,120
Speaker 1: scene we saw, Like, I guess it's just the drifting

1924
01:38:21,200 --> 01:38:23,720
Speaker 1: part of it. This is so weird that part.

1925
01:38:23,840 --> 01:38:27,000
Speaker 3: Yeah, you're one hundred percent right. Yeah, the connection is

1926
01:38:27,320 --> 01:38:29,760
Speaker 3: very very weak, and Matt is one hundred percent right

1927
01:38:29,800 --> 01:38:34,240
Speaker 3: as well. It looked it didn't look good, and it didn't.

1928
01:38:34,560 --> 01:38:37,040
Speaker 3: I mean not that I wanted to be feel realistic,

1929
01:38:37,160 --> 01:38:39,280
Speaker 3: but I kind of do a little bit. If that's

1930
01:38:39,320 --> 01:38:42,680
Speaker 3: what they're Matt, you're saying that they're they're doing all

1931
01:38:42,760 --> 01:38:45,400
Speaker 3: this uh this prep work and trying to make it

1932
01:38:45,479 --> 01:38:49,880
Speaker 3: look as realistic as possible. It just they failed miserably.

1933
01:38:50,760 --> 01:38:56,679
Speaker 1: Well, suddenly we're on a hydroelectric dam. Oh yeah, baby too.

1934
01:38:56,920 --> 01:39:01,640
Speaker 1: Semi trucks they block Dom's because Dom has little b

1935
01:39:01,840 --> 01:39:04,680
Speaker 1: at this point, and I guess is headed towards the

1936
01:39:05,400 --> 01:39:08,559
Speaker 1: airfield to meet up with Ames, right, that's what he's saying. Yeah,

1937
01:39:09,240 --> 01:39:13,439
Speaker 1: but he's blocked. He's on this dam. Dante is back

1938
01:39:14,479 --> 01:39:17,439
Speaker 1: just like that. Yeah, and you know, we see a

1939
01:39:17,520 --> 01:39:20,679
Speaker 1: plane with the London crew aims fires a missile takes

1940
01:39:20,760 --> 01:39:22,880
Speaker 1: out that plane. It goes around the corner. It's one

1941
01:39:22,920 --> 01:39:27,200
Speaker 1: engines on fire. It just disappears around a mountain. They're dead.

1942
01:39:27,280 --> 01:39:32,280
Speaker 1: They're absolutely dead. Rest in peace to Ramsey, Taj and Roman.

1943
01:39:32,960 --> 01:39:37,000
Speaker 1: And then Dante sends the two oil field trucks to

1944
01:39:37,240 --> 01:39:42,040
Speaker 1: crush Dom. But you forgot to take away his car, man, idiots,

1945
01:39:42,200 --> 01:39:46,720
Speaker 1: you stupid fool. He's got his car still. He backs up.

1946
01:39:47,320 --> 01:39:48,639
Speaker 1: That part made me laugh out loud.

1947
01:39:48,920 --> 01:39:50,280
Speaker 4: It's like, did he really did.

1948
01:39:50,280 --> 01:39:52,880
Speaker 1: He really need to back up? But he backs up

1949
01:39:53,600 --> 01:39:56,479
Speaker 1: and he speeds off the side of the dam. He

1950
01:39:56,640 --> 01:40:01,000
Speaker 1: uses the NASE to then outrace the fireball explosion from

1951
01:40:01,080 --> 01:40:04,080
Speaker 1: the two trucks that were you know, these oil rigs

1952
01:40:04,120 --> 01:40:09,400
Speaker 1: that are exploding and boom into the water. And this

1953
01:40:09,600 --> 01:40:12,880
Speaker 1: is our cliffhanger. Really, I mean this is this is

1954
01:40:13,439 --> 01:40:17,120
Speaker 1: Dante getting ready to explode the dam. Yes, yep, and

1955
01:40:17,160 --> 01:40:19,880
Speaker 1: they're gonna be wiped out after they swim out of

1956
01:40:19,920 --> 01:40:23,040
Speaker 1: their car to the shore, right, Matt, this was the scene.

1957
01:40:24,880 --> 01:40:28,120
Speaker 5: This was the scene because on an episode of Is

1958
01:40:28,160 --> 01:40:29,680
Speaker 5: This Good? I can't remember if this was on the

1959
01:40:29,760 --> 01:40:31,680
Speaker 5: air or not, but I was talking to JDJD told

1960
01:40:31,680 --> 01:40:33,760
Speaker 5: me he had seen the movie in preparation for doing

1961
01:40:33,840 --> 01:40:36,720
Speaker 5: this podcast, and I was talking to him. I was like,

1962
01:40:36,720 --> 01:40:38,240
Speaker 5: you know, like, I'm not super excited to see it.

1963
01:40:38,320 --> 01:40:41,160
Speaker 5: It isn't getting good reviews. I mean, obviously, but I

1964
01:40:41,320 --> 01:40:43,400
Speaker 5: was hoping that this maybe would be like a return

1965
01:40:43,520 --> 01:40:46,160
Speaker 5: to form of like the Fifth One. But whatever, I'm

1966
01:40:46,160 --> 01:40:47,800
Speaker 5: not looking forward to it. But the only thing I'm

1967
01:40:47,840 --> 01:40:53,559
Speaker 5: excited about is when Vin Diesel drives down the Hoover Dam. Because,

1968
01:40:54,000 --> 01:40:56,559
Speaker 5: as you'll remember from our last visit to Las Vegas

1969
01:40:56,640 --> 01:40:58,920
Speaker 5: last summer, Jill and I went to see the Hoover

1970
01:40:59,080 --> 01:41:02,600
Speaker 5: Dam and I was fascinated, blown away, one of the

1971
01:41:02,680 --> 01:41:04,400
Speaker 5: coolest things I've ever seen in my life. We took

1972
01:41:04,400 --> 01:41:07,400
Speaker 5: a tour, we were down in the bowels of the

1973
01:41:07,800 --> 01:41:09,960
Speaker 5: Hoover Dam, just seeing how it all worked. I came

1974
01:41:10,000 --> 01:41:12,160
Speaker 5: home I started I don't have a child, but I

1975
01:41:12,280 --> 01:41:15,799
Speaker 5: was dad mode watching like national geo videos on YouTube

1976
01:41:15,840 --> 01:41:17,519
Speaker 5: about like how the dam was built. So I'm like,

1977
01:41:18,560 --> 01:41:20,639
Speaker 5: what a great idea to use this in a set piece,

1978
01:41:20,920 --> 01:41:24,360
Speaker 5: and then JD goes, yeah, I need to tell you this,

1979
01:41:24,520 --> 01:41:27,920
Speaker 5: but that's not the Hoover Dam. First of all, my bad.

1980
01:41:27,960 --> 01:41:30,200
Speaker 5: I guess I don't know the Hoover Dam as well

1981
01:41:30,280 --> 01:41:33,160
Speaker 5: as that he This is of course the Alda da

1982
01:41:33,280 --> 01:41:36,519
Speaker 5: Villa Dam between on the border of Spain and Portugal. Right,

1983
01:41:37,880 --> 01:41:41,360
Speaker 5: So yeah, I mean I went into this being really

1984
01:41:41,479 --> 01:41:44,960
Speaker 5: really bummed out, but still I did some reading on it.

1985
01:41:45,080 --> 01:41:47,240
Speaker 5: Here's something funny. They're like, well, how's he going to

1986
01:41:47,320 --> 01:41:50,240
Speaker 5: jump over the railing? And they go, oh, there's a

1987
01:41:50,360 --> 01:41:53,280
Speaker 5: ramp there, And then the stunt guy was like why

1988
01:41:53,320 --> 01:41:56,720
Speaker 5: would there be a ramp there? And then the directors like,

1989
01:41:58,040 --> 01:42:00,519
Speaker 5: uh yeah, Like it's funny that that's the part where

1990
01:42:00,520 --> 01:42:02,880
Speaker 5: they like drew the line on why why would there

1991
01:42:02,960 --> 01:42:05,040
Speaker 5: be a crane there that he could knock around, you

1992
01:42:05,120 --> 01:42:10,120
Speaker 5: know whatever. So they said like, oh, we always pop

1993
01:42:10,200 --> 01:42:13,400
Speaker 5: a wheelie in these movies. We haven't popped a wheelie yet.

1994
01:42:13,920 --> 01:42:17,840
Speaker 5: What a perfect time to pop a wheelie. So that's

1995
01:42:17,920 --> 01:42:21,160
Speaker 5: how it all went down. And I was so excited

1996
01:42:21,200 --> 01:42:23,000
Speaker 5: waiting for it. I was like, and as the movie's going,

1997
01:42:23,040 --> 01:42:25,840
Speaker 5: I'm like realizing, oh, this is the last scene in

1998
01:42:25,880 --> 01:42:31,479
Speaker 5: the movie, and it looked so bad that it just

1999
01:42:31,960 --> 01:42:33,880
Speaker 5: I was like, it was the one thing I was

2000
01:42:33,920 --> 01:42:37,479
Speaker 5: looking forward to, and it left an even worse taste

2001
01:42:37,520 --> 01:42:40,000
Speaker 5: in my mouth, unfortunately. And so what I'm hoping is

2002
01:42:41,360 --> 01:42:43,519
Speaker 5: that Dom and Little Bee die when these.

2003
01:42:43,439 --> 01:42:49,800
Speaker 1: Photogo Yes, yes, so that's it for them. Dom can't swim, well,

2004
01:42:51,880 --> 01:42:54,640
Speaker 1: that's his Uh, that'd be awesome if that was the

2005
01:42:54,720 --> 01:42:55,840
Speaker 1: one thing he just sucks at.

2006
01:42:56,320 --> 01:42:57,679
Speaker 2: We've seen him swimming. Unfortunately.

2007
01:42:57,840 --> 01:43:01,519
Speaker 1: I know, no, I know, I don't forget about it.

2008
01:43:01,520 --> 01:43:02,760
Speaker 1: But this is the cliffhanger here.

2009
01:43:02,840 --> 01:43:08,080
Speaker 3: Yeah, yeah, So, I mean, I guess do we want

2010
01:43:08,120 --> 01:43:09,360
Speaker 3: to speculate what happens?

2011
01:43:09,520 --> 01:43:09,760
Speaker 2: Sure?

2012
01:43:10,400 --> 01:43:10,880
Speaker 1: How about it?

2013
01:43:11,280 --> 01:43:14,439
Speaker 3: Well I didn't. I mean, I who.

2014
01:43:14,360 --> 01:43:17,599
Speaker 1: Saves who saves them at the start of this next movie?

2015
01:43:18,360 --> 01:43:22,320
Speaker 1: How do they survive this? Does the damn explode? Does

2016
01:43:22,400 --> 01:43:22,600
Speaker 1: it not?

2017
01:43:22,960 --> 01:43:23,439
Speaker 3: I think it?

2018
01:43:23,560 --> 01:43:26,760
Speaker 1: Do you think can you fit a submarine in that river?

2019
01:43:28,520 --> 01:43:28,680
Speaker 6: Right?

2020
01:43:28,800 --> 01:43:32,120
Speaker 1: Because yeah, that was the final scene. And then we

2021
01:43:32,160 --> 01:43:35,360
Speaker 1: obviously have the mid credits. But Letty inside forget out

2022
01:43:35,400 --> 01:43:39,040
Speaker 1: of the prison. And they are in in Antarctica and

2023
01:43:39,560 --> 01:43:42,960
Speaker 1: out pops a sub. Uh, and Giselle is in it

2024
01:43:43,080 --> 01:43:44,960
Speaker 1: because we knew she was alive, we called it and

2025
01:43:45,080 --> 01:43:47,080
Speaker 1: there she is. She's going to save them. Yes, can

2026
01:43:47,160 --> 01:43:52,880
Speaker 1: they bring that sub from Antarctica come on out up

2027
01:43:52,920 --> 01:43:54,280
Speaker 1: into the river to save them?

2028
01:43:54,320 --> 01:43:56,160
Speaker 3: I don't know how long would that take?

2029
01:43:56,280 --> 01:43:56,680
Speaker 4: Do you think?

2030
01:43:57,400 --> 01:43:59,280
Speaker 1: I see? I think mister Nobody saves them.

2031
01:43:59,439 --> 01:44:00,760
Speaker 2: Yep, I agree.

2032
01:44:00,920 --> 01:44:04,720
Speaker 1: Hence these little Nobody listens drops into a chopper with

2033
01:44:04,760 --> 01:44:06,280
Speaker 1: a ladder. Just jump on your fine.

2034
01:44:06,640 --> 01:44:11,240
Speaker 5: Okay, So Momoa is the big bad for the next

2035
01:44:11,479 --> 01:44:13,840
Speaker 5: two movies, rightly?

2036
01:44:14,479 --> 01:44:14,719
Speaker 1: Yeah?

2037
01:44:15,160 --> 01:44:18,599
Speaker 2: Well and Ames, I guess yeah, will be a bad guy?

2038
01:44:19,240 --> 01:44:22,000
Speaker 1: Which one? Which one is more likely to become a

2039
01:44:22,040 --> 01:44:24,360
Speaker 1: part of the family, Ames or Mama?

2040
01:44:26,760 --> 01:44:28,320
Speaker 4: No, no, no, neither one of them are going to

2041
01:44:28,360 --> 01:44:29,720
Speaker 4: be in the family. You don't think so because it's

2042
01:44:29,760 --> 01:44:31,800
Speaker 4: the end of everything. There's like, there's no more fans.

2043
01:44:31,840 --> 01:44:33,160
Speaker 1: That's not the end of everything.

2044
01:44:33,920 --> 01:44:36,880
Speaker 4: Because if they do this and they do the trilogy, right, yeah,

2045
01:44:37,400 --> 01:44:39,920
Speaker 4: so then at the end of this trilogy there's no

2046
01:44:40,120 --> 01:44:42,639
Speaker 4: way that those two are going to be joining the family.

2047
01:44:42,680 --> 01:44:44,519
Speaker 4: Cipher just joined them too, you know what I'm saying,

2048
01:44:44,560 --> 01:44:48,680
Speaker 4: there's no everybody joins, not no, not this time, this time.

2049
01:44:48,680 --> 01:44:50,680
Speaker 1: But if you had to pick one, who would be

2050
01:44:50,760 --> 01:44:53,560
Speaker 1: the it I guess you would have to think it

2051
01:44:53,640 --> 01:44:56,400
Speaker 1: would be Ames, right, I think as Dante's a little

2052
01:44:56,439 --> 01:45:02,800
Speaker 1: too wild, Yeah, but great joke at the barbecue accidentally

2053
01:45:02,840 --> 01:45:04,920
Speaker 1: sets the barbecue on fire, Dante's inferno.

2054
01:45:09,000 --> 01:45:12,040
Speaker 5: I do feel bad for Cipher's henchmen. They're gonna be

2055
01:45:12,080 --> 01:45:16,759
Speaker 5: kidnapped for three whole movies for parents to be kidnapped

2056
01:45:16,760 --> 01:45:17,759
Speaker 5: for three hot syndrome.

2057
01:45:18,200 --> 01:45:20,960
Speaker 1: That's right, that's right. What do you think of the ending?

2058
01:45:21,000 --> 01:45:22,680
Speaker 1: Because it's it is sort of like for a very

2059
01:45:22,720 --> 01:45:24,439
Speaker 1: long movie. It felt like all of this sudden like

2060
01:45:24,520 --> 01:45:28,759
Speaker 1: this like sudden, just cliffhangers, like oh it's over. Yeah, whoa, Okay,

2061
01:45:28,880 --> 01:45:30,559
Speaker 1: see you next movie. I guess we'll find out if

2062
01:45:30,600 --> 01:45:31,840
Speaker 1: they get out of that valley.

2063
01:45:33,400 --> 01:45:33,680
Speaker 2: Did you?

2064
01:45:33,920 --> 01:45:35,240
Speaker 1: I mean, did you like it?

2065
01:45:36,320 --> 01:45:38,920
Speaker 2: I like the last scene. I like how it all

2066
01:45:39,000 --> 01:45:41,559
Speaker 2: comes to it. But I mean when you're watching Fast

2067
01:45:41,760 --> 01:45:45,960
Speaker 2: and you see a plane crash around the corner, you're like, oh,

2068
01:45:45,960 --> 01:45:48,200
Speaker 2: they probably just found some sort of airstrip around there,

2069
01:45:48,360 --> 01:45:50,400
Speaker 2: just gonna pull it in for an easy landing, and

2070
01:45:50,520 --> 01:45:53,000
Speaker 2: there ain't no way. They're just gonna start the next

2071
01:45:53,040 --> 01:45:57,600
Speaker 2: movie with dom and Little Bee drowning. Oh oh, a

2072
01:45:57,640 --> 01:45:59,880
Speaker 2: lot of crazy edging, and then everything else just takes

2073
01:45:59,880 --> 01:46:05,320
Speaker 2: it over the family. I don't know. It was disappointing

2074
01:46:05,360 --> 01:46:08,160
Speaker 2: that it was a cliffhanger, but I knew it was

2075
01:46:08,200 --> 01:46:10,120
Speaker 2: going to be a cliffhanger. But that's why they saved

2076
01:46:10,120 --> 01:46:11,920
Speaker 2: it with the mid credit scene, I think, right.

2077
01:46:12,280 --> 01:46:15,439
Speaker 1: And the mid credit scene, we see a special Forces

2078
01:46:15,520 --> 01:46:18,120
Speaker 1: team entering a theater. They find a video message from

2079
01:46:18,160 --> 01:46:23,040
Speaker 1: Dante announcing another target for his revenge. Even though Dominic

2080
01:46:23,160 --> 01:46:28,080
Speaker 1: Toretto injured his father, it was actually Luke Hobbs who

2081
01:46:28,160 --> 01:46:30,840
Speaker 1: finally shot and killed him, and it is revealed that

2082
01:46:30,960 --> 01:46:33,920
Speaker 1: it's Hobbes who is leading the team and watching the

2083
01:46:33,960 --> 01:46:36,760
Speaker 1: message I popped in the theater when he took off

2084
01:46:36,800 --> 01:46:39,360
Speaker 1: the mask. I actually thought, like I obviously knew right away,

2085
01:46:39,479 --> 01:46:41,680
Speaker 1: oh that's the Rock, but I thought they were not

2086
01:46:41,800 --> 01:46:45,000
Speaker 1: gonna show us that it was the Rock. Yeah, in

2087
01:46:45,120 --> 01:46:47,519
Speaker 1: the mid credit scene, because of this whole controversy and

2088
01:46:47,560 --> 01:46:48,960
Speaker 1: all that was like, oh, they're just setting it up

2089
01:46:48,960 --> 01:46:50,640
Speaker 1: for the next one, but then he pops it off

2090
01:46:50,640 --> 01:46:51,559
Speaker 1: into Yeah.

2091
01:46:51,680 --> 01:46:54,880
Speaker 3: I was surprised and I was delighted. I was absolutely

2092
01:46:55,000 --> 01:46:57,040
Speaker 3: delighted to see the Rock to have Hobbs back.

2093
01:46:57,200 --> 01:46:57,400
Speaker 2: Yeah.

2094
01:46:57,439 --> 01:47:01,120
Speaker 3: And I can't believe because I saw it. I guess

2095
01:47:01,160 --> 01:47:03,080
Speaker 3: I saw the movie at least two weeks after it

2096
01:47:03,160 --> 01:47:06,480
Speaker 3: came out, and I had no idea avoided. I avoided

2097
01:47:06,840 --> 01:47:10,639
Speaker 3: the spoilers, so uh, yeah it was. It was great

2098
01:47:10,720 --> 01:47:13,519
Speaker 3: to see him. I felt like, yes, come into my arms,

2099
01:47:14,000 --> 01:47:19,080
Speaker 3: Rocky Rock, Rocky doesn't work, but yeah, he was. I

2100
01:47:19,240 --> 01:47:21,879
Speaker 3: was excited and now I am actually kind of excited

2101
01:47:21,920 --> 01:47:26,360
Speaker 3: to see the next one. Oh I know.

2102
01:47:28,960 --> 01:47:30,160
Speaker 1: They got me.

2103
01:47:30,280 --> 01:47:34,240
Speaker 3: Yeah fine. I love Dwayne Johnson and he was He

2104
01:47:34,400 --> 01:47:37,960
Speaker 3: was the best part of five, I thought, and he

2105
01:47:38,080 --> 01:47:39,280
Speaker 3: was the best part of the franchise.

2106
01:47:39,320 --> 01:47:41,800
Speaker 1: I thought, I can't wait for the Rock to fight

2107
01:47:42,080 --> 01:47:46,320
Speaker 1: Uh steroid Pat McAfee and Jack Reacher there, names like

2108
01:47:46,920 --> 01:47:47,559
Speaker 1: that'd be great.

2109
01:47:48,120 --> 01:47:51,320
Speaker 3: I love that guy too, Like I don't know what

2110
01:47:51,439 --> 01:47:51,600
Speaker 3: it is.

2111
01:47:51,720 --> 01:47:53,400
Speaker 1: I just could not. I mean I said it in

2112
01:47:53,479 --> 01:47:55,200
Speaker 1: the theater. I was like, I can't keep looking. I

2113
01:47:55,200 --> 01:47:56,960
Speaker 1: can't stop looking at this guy, thinking he looks like

2114
01:47:57,000 --> 01:48:01,200
Speaker 1: Pat McAfee's feel like, holy crap. But yeah, I know,

2115
01:48:01,360 --> 01:48:03,680
Speaker 1: watch any of these Jack Reachers things, right, are they?

2116
01:48:04,080 --> 01:48:05,000
Speaker 1: I should watch them?

2117
01:48:05,000 --> 01:48:06,000
Speaker 3: I Mean they're stupid.

2118
01:48:06,120 --> 01:48:09,439
Speaker 5: But it's just all right.

2119
01:48:09,560 --> 01:48:13,120
Speaker 2: So he just travels with a toothbrush, man, That's that's true.

2120
01:48:13,760 --> 01:48:17,240
Speaker 3: That's all what well that he literally para jeans and

2121
01:48:17,320 --> 01:48:19,960
Speaker 3: that's it in a toothbrush and just wanders the earth.

2122
01:48:20,520 --> 01:48:21,560
Speaker 3: But what's his what is what?

2123
01:48:21,840 --> 01:48:22,000
Speaker 1: Is he?

2124
01:48:22,800 --> 01:48:25,479
Speaker 2: Like? Just a bad mammon jama, but like a good

2125
01:48:25,520 --> 01:48:26,120
Speaker 2: bad manage.

2126
01:48:27,840 --> 01:48:31,400
Speaker 3: Yeah, he's like a x X agency type like C

2127
01:48:31,600 --> 01:48:32,360
Speaker 3: I A or whatever.

2128
01:48:33,120 --> 01:48:34,839
Speaker 1: He's sort of the same characters.

2129
01:48:34,880 --> 01:48:37,160
Speaker 3: Just yeah, he's he's like and he just sort of

2130
01:48:37,520 --> 01:48:40,000
Speaker 3: he solves a mystery in the first season, and then

2131
01:48:40,280 --> 01:48:42,240
Speaker 3: he's just one of those cool guys. It's just like

2132
01:48:43,160 --> 01:48:45,400
Speaker 3: he's like he tells you what's going to happen, and

2133
01:48:45,439 --> 01:48:46,799
Speaker 3: then it happens exactly.

2134
01:48:47,240 --> 01:48:50,519
Speaker 1: It's like the scene in the when he's in Rio

2135
01:48:50,600 --> 01:48:52,880
Speaker 1: and all the guys are coming up on him. He

2136
01:48:53,000 --> 01:48:55,000
Speaker 1: basically tells him about what's going to happen about the

2137
01:48:55,080 --> 01:48:55,719
Speaker 1: Watch members.

2138
01:48:56,439 --> 01:49:00,240
Speaker 2: Yeah, like that. Not to be confused with Tom Cruise Jack.

2139
01:49:00,400 --> 01:49:02,680
Speaker 3: Yeah, the same character but different guy.

2140
01:49:02,800 --> 01:49:07,000
Speaker 1: Yeah, Okay, yeah, well that's the movie. So let's do this.

2141
01:49:07,880 --> 01:49:09,599
Speaker 1: We do a thing called the Fast and the Furious.

2142
01:49:09,600 --> 01:49:12,160
Speaker 1: The fast are things we like, maybe a favorite scene,

2143
01:49:12,320 --> 01:49:14,760
Speaker 1: favorite quote, whatever, and then we'll do the furious. The

2144
01:49:15,120 --> 01:49:17,200
Speaker 1: dumbest scene or the thing that upset you the most. Matt,

2145
01:49:17,360 --> 01:49:20,080
Speaker 1: let's start with you. We're gonna get everybody here. Yeah,

2146
01:49:20,160 --> 01:49:24,120
Speaker 1: your your favorite part of the movie, Matt, or quote

2147
01:49:24,200 --> 01:49:24,479
Speaker 1: or whatever.

2148
01:49:25,960 --> 01:49:27,400
Speaker 5: Well, I didn't know what you were doing this part,

2149
01:49:27,520 --> 01:49:30,000
Speaker 5: so and I have to pretend I had a favorite part.

2150
01:49:30,960 --> 01:49:34,400
Speaker 1: Let me see you hated every second of it? Not

2151
01:49:34,920 --> 01:49:38,920
Speaker 1: well no, but like I didn't really like it.

2152
01:49:39,280 --> 01:49:42,400
Speaker 5: Okay, uh, let's say me have thrown the frying pan

2153
01:49:42,439 --> 01:49:42,800
Speaker 5: at the guy.

2154
01:49:43,240 --> 01:49:46,800
Speaker 1: I really did like this, okay, JD.

2155
01:49:48,080 --> 01:49:53,559
Speaker 3: I wanted defend Tej and Roman for just a second, okay,

2156
01:49:53,640 --> 01:49:57,920
Speaker 3: because Ash is very correct in that they have a

2157
01:49:58,000 --> 01:50:02,320
Speaker 3: one note relationship and Joe throughout, but we did get

2158
01:50:02,400 --> 01:50:05,800
Speaker 3: to see a little bit of growth from Roman when

2159
01:50:05,840 --> 01:50:07,960
Speaker 3: he's I think he's on a plane or wherever he

2160
01:50:08,160 --> 01:50:10,479
Speaker 3: is with Tej and there's a moment where he's like,

2161
01:50:10,920 --> 01:50:13,040
Speaker 3: I fuck, this is all my fault. Yeah you know

2162
01:50:13,080 --> 01:50:15,600
Speaker 3: what I mean, And he was he was given the

2163
01:50:15,720 --> 01:50:18,400
Speaker 3: leadership role and then he is kind of filled with

2164
01:50:18,840 --> 01:50:20,120
Speaker 3: regret because of it.

2165
01:50:21,200 --> 01:50:21,600
Speaker 2: I like that.

2166
01:50:21,720 --> 01:50:24,040
Speaker 3: I like seeing a little bit of growth. Finally, these

2167
01:50:24,080 --> 01:50:26,320
Speaker 3: guys have been to space together and they haven't grown

2168
01:50:26,400 --> 01:50:30,960
Speaker 3: at all. But now he's like, I messed up and

2169
01:50:31,920 --> 01:50:33,800
Speaker 3: you know, and then they have a nice sweet moment.

2170
01:50:34,000 --> 01:50:36,880
Speaker 3: And I felt good about that because I feel like

2171
01:50:37,160 --> 01:50:42,679
Speaker 3: these poor actors have been and Ramsey included, given nothing

2172
01:50:42,760 --> 01:50:45,880
Speaker 3: to do in this and just the worst part of

2173
01:50:45,920 --> 01:50:48,760
Speaker 3: the movie and nobody cares. Yeah, So I like that

2174
01:50:49,200 --> 01:50:52,080
Speaker 3: about it. And there were some there, and in general,

2175
01:50:52,120 --> 01:50:55,920
Speaker 3: there were some lines that I enjoyed. I enjoyed the

2176
01:50:56,000 --> 01:50:59,200
Speaker 3: gag of a little bee going to the big pickup truck,

2177
01:50:59,479 --> 01:51:01,439
Speaker 3: you know, and going, oh, this is a cool car,

2178
01:51:01,560 --> 01:51:03,760
Speaker 3: and it's like, no, it's this one, this one, and

2179
01:51:04,960 --> 01:51:07,280
Speaker 3: Sena owned that scene and he was really great in it,

2180
01:51:07,680 --> 01:51:13,920
Speaker 3: and again Sina being Sena rather than the villain Sena

2181
01:51:13,960 --> 01:51:17,800
Speaker 3: that we we had to endure last movie. And it

2182
01:51:17,920 --> 01:51:20,760
Speaker 3: was generally an improvement over nine for sure.

2183
01:51:20,960 --> 01:51:22,479
Speaker 1: So okay, that's you know.

2184
01:51:23,320 --> 01:51:25,559
Speaker 3: I didn't I didn't hate this movie as much as

2185
01:51:25,600 --> 01:51:27,880
Speaker 3: I thought I was going to, but I definitely hated it.

2186
01:51:28,200 --> 01:51:29,600
Speaker 3: I mean, don't get me.

2187
01:51:29,680 --> 01:51:32,160
Speaker 1: Wrong, trey your favorite scene, quote, whatever.

2188
01:51:32,600 --> 01:51:35,640
Speaker 2: My favorite thing from the movie is Jason Momoa in

2189
01:51:35,800 --> 01:51:38,680
Speaker 2: general wrote down some of my favorite lines. When they're

2190
01:51:38,680 --> 01:51:40,840
Speaker 2: getting ready to race in Rio, and he looks at

2191
01:51:40,880 --> 01:51:42,640
Speaker 2: Dom and says, I can't believe I'm going to race

2192
01:51:42,680 --> 01:51:43,799
Speaker 2: the great Dominic Toretto.

2193
01:51:44,120 --> 01:51:45,240
Speaker 1: I have butterflies.

2194
01:51:45,840 --> 01:51:51,360
Speaker 2: Very funny to me. When Dom goes to where Rays

2195
01:51:51,479 --> 01:51:53,960
Speaker 2: was staying, sees the vision board and literally says, I'm

2196
01:51:53,960 --> 01:51:56,760
Speaker 2: a little embarrassed. You saw my vision board. That's great.

2197
01:51:57,560 --> 01:52:00,880
Speaker 2: When he finally steals a little he's got him in

2198
01:52:00,880 --> 01:52:02,240
Speaker 2: the Cristais. You know, I beat your dad in a

2199
01:52:02,280 --> 01:52:04,200
Speaker 2: street race, which I think is hilarious. You know, Dom

2200
01:52:04,240 --> 01:52:05,400
Speaker 2: would absolutely hate that.

2201
01:52:06,040 --> 01:52:06,160
Speaker 4: Uh.

2202
01:52:06,320 --> 01:52:12,200
Speaker 2: And then after Dom drives drives a helicopter into Dante

2203
01:52:12,320 --> 01:52:15,120
Speaker 2: rey As, Reyes says, did you hit me with a helicopter?

2204
01:52:15,240 --> 01:52:15,639
Speaker 1: Back there?

2205
01:52:15,960 --> 01:52:16,280
Speaker 2: Ouch?

2206
01:52:16,920 --> 01:52:17,599
Speaker 1: Big brute?

2207
01:52:19,280 --> 01:52:22,280
Speaker 2: Great lines. So I thought they gave him funny lines,

2208
01:52:22,320 --> 01:52:23,759
Speaker 2: and I thought he delivered him very funny.

2209
01:52:24,120 --> 01:52:27,639
Speaker 1: All of these lines that Jason Momoa does in the movie,

2210
01:52:28,240 --> 01:52:32,160
Speaker 1: I can't help but picture after they say cut him

2211
01:52:32,200 --> 01:52:35,599
Speaker 1: having to go to Vin Diesel. Hey man, I'm just kidding.

2212
01:52:35,600 --> 01:52:38,040
Speaker 6: Hey, I'm just kidding, Like because like I feel like

2213
01:52:38,240 --> 01:52:43,000
Speaker 6: dom is, you call me a bottle again, you call

2214
01:52:43,080 --> 01:52:45,040
Speaker 6: me a brute, Like you're making fun of this, You're

2215
01:52:45,040 --> 01:52:46,000
Speaker 6: making a mockery.

2216
01:52:45,760 --> 01:52:47,960
Speaker 1: This that he's kept going through my head that you

2217
01:52:47,960 --> 01:52:50,360
Speaker 1: would have to apologize after ever, you see, like I'm

2218
01:52:50,439 --> 01:52:54,840
Speaker 1: just acting, man, I'm just acting. Uh yeah, those are great.

2219
01:52:54,920 --> 01:52:59,040
Speaker 1: I'm a fan of of Dante in general. The over topness.

2220
01:52:59,120 --> 01:53:02,599
Speaker 1: It gave it some The Weekend at Bernie scene.

2221
01:53:03,680 --> 01:53:06,160
Speaker 2: Weird, but I little weird. I didn't hate that scene.

2222
01:53:06,200 --> 01:53:07,519
Speaker 2: It was just sort of out of nowhere.

2223
01:53:07,520 --> 01:53:10,880
Speaker 1: It's just like whoa, he's so psychoed. Yeah, yeah, yeah.

2224
01:53:11,640 --> 01:53:15,439
Speaker 1: My favorite part of the movie, like action sequence to

2225
01:53:15,560 --> 01:53:17,920
Speaker 1: back to the to go back to the motorcycles, Letty

2226
01:53:18,160 --> 01:53:21,599
Speaker 1: or the stunt woman or man on the bike when

2227
01:53:21,640 --> 01:53:25,439
Speaker 1: they do that cool like three sixty sort of pop

2228
01:53:25,520 --> 01:53:29,880
Speaker 1: wheelie over the bar that's dropped that looks sick.

2229
01:53:30,040 --> 01:53:32,200
Speaker 3: Yeah, And it was in the trailer too, and it

2230
01:53:32,320 --> 01:53:35,000
Speaker 3: was like, wow, that's cool and I was still blown away.

2231
01:53:35,320 --> 01:53:39,360
Speaker 3: It's amazing and I think it looked like they actually

2232
01:53:39,439 --> 01:53:42,439
Speaker 3: did that. Oh yeah yeah as well, like the motorcycle

2233
01:53:42,520 --> 01:53:43,240
Speaker 3: shit is just cool.

2234
01:53:43,439 --> 01:53:46,400
Speaker 1: Ash. Do you have a favorite moment from a Fast ten?

2235
01:53:46,960 --> 01:53:47,080
Speaker 6: Uh?

2236
01:53:47,840 --> 01:53:48,800
Speaker 4: Favorite favorite moment.

2237
01:53:48,840 --> 01:53:49,160
Speaker 5: I don't know.

2238
01:53:49,400 --> 01:53:52,360
Speaker 4: Yeah, the bomb chase was cool, but I like Dante too.

2239
01:53:52,400 --> 01:53:55,479
Speaker 4: I like Jayson Momoa's betrayal. I thought it was okay. Uh,

2240
01:53:55,960 --> 01:54:00,160
Speaker 4: and he's crazy, so like I also like they he

2241
01:54:00,360 --> 01:54:04,760
Speaker 4: was kind of poking fun at the franchise, Yeah, like

2242
01:54:04,880 --> 01:54:07,240
Speaker 4: being kind of self aware in the movies, like who

2243
01:54:07,360 --> 01:54:09,479
Speaker 4: does that? Like who drops a card of a plane?

2244
01:54:09,479 --> 01:54:11,519
Speaker 2: Who does that? Like how do y'all do this shit? Right?

2245
01:54:12,200 --> 01:54:14,599
Speaker 4: So I'm here for stuff like that, like being self

2246
01:54:14,640 --> 01:54:15,080
Speaker 4: aware a bit.

2247
01:54:15,479 --> 01:54:17,719
Speaker 3: Yeah, I think I think the good thing about Momoa

2248
01:54:17,840 --> 01:54:20,560
Speaker 3: as well is he doesn't need it. He doesn't need this,

2249
01:54:20,760 --> 01:54:23,040
Speaker 3: He doesn't need any of this fast and furious bullshit.

2250
01:54:23,560 --> 01:54:27,519
Speaker 3: The Rock needs it, then Diesel obviously needs it. Uh

2251
01:54:27,960 --> 01:54:31,280
Speaker 3: you know Romantage, they all sort of need it there,

2252
01:54:31,600 --> 01:54:33,960
Speaker 3: you know, it's it's the teeth they've been feeding on

2253
01:54:34,280 --> 01:54:37,480
Speaker 3: for a very very long time. Mamoa. He's Aquaman. He

2254
01:54:37,480 --> 01:54:39,840
Speaker 3: doesn't need it. I mean, he's not Aquaman anymore, but

2255
01:54:40,120 --> 01:54:42,879
Speaker 3: he's he is getting a job in the DC universe.

2256
01:54:43,080 --> 01:54:46,200
Speaker 4: To be just real quick, all of the DCU has

2257
01:54:46,280 --> 01:54:49,720
Speaker 4: not been recasted. You keep saying that, but some people

2258
01:54:49,760 --> 01:54:53,600
Speaker 4: are coming back, such as maybe Jason Momoa or maybe

2259
01:54:54,040 --> 01:54:55,680
Speaker 4: as not as Aquaman.

2260
01:54:55,760 --> 01:55:00,680
Speaker 2: It's not official, not after Aquaman bomb though. Right, No,

2261
01:55:00,800 --> 01:55:02,720
Speaker 2: I think needs this just as much as those guys.

2262
01:55:02,760 --> 01:55:03,760
Speaker 2: What's he got going on? No?

2263
01:55:03,880 --> 01:55:05,720
Speaker 5: No, Aquaman made over a billion dollars.

2264
01:55:05,840 --> 01:55:10,520
Speaker 3: Yeah, Akaman did well. And I'm just saying that Momoa,

2265
01:55:11,200 --> 01:55:14,320
Speaker 3: he's he's with uh what's her name, Lisa Benett, Like

2266
01:55:14,480 --> 01:55:16,680
Speaker 3: he doesn't get he doesn't need this ship. I don't

2267
01:55:16,680 --> 01:55:18,800
Speaker 3: think he cares about this stuff. Like he's one of

2268
01:55:18,840 --> 01:55:20,640
Speaker 3: the he's a cool movie star, you know what I'm saying.

2269
01:55:20,680 --> 01:55:21,720
Speaker 1: Yeah, you're saying.

2270
01:55:21,800 --> 01:55:24,560
Speaker 3: You know, like the guy that cuts Trey and I

2271
01:55:24,680 --> 01:55:28,240
Speaker 3: his hair, hung out with Momoa while he was shooting

2272
01:55:28,320 --> 01:55:31,320
Speaker 3: some and it's just like he's a guy that will be, hey,

2273
01:55:31,800 --> 01:55:34,440
Speaker 3: hey Barber that I just met, come over to my

2274
01:55:34,520 --> 01:55:37,680
Speaker 3: backyard and we're gonna I'm gonna do some archery, you know.

2275
01:55:38,120 --> 01:55:39,760
Speaker 3: Like he doesn't need it, he doesn't care.

2276
01:55:39,960 --> 01:55:40,880
Speaker 4: This is this is why.

2277
01:55:41,440 --> 01:55:44,120
Speaker 3: It's just like so he can be relaxed. So I

2278
01:55:44,200 --> 01:55:47,480
Speaker 3: don't think he's groveling to Vin, right, you know, I

2279
01:55:47,560 --> 01:55:49,680
Speaker 3: think he's like, fuck it, this is how I'm doing it,

2280
01:55:49,680 --> 01:55:51,120
Speaker 3: and fire me. I don't care.

2281
01:55:51,240 --> 01:55:53,560
Speaker 1: Yeah, you know, what I mean, Like, okay, it probably

2282
01:55:53,640 --> 01:55:56,920
Speaker 1: wasn't Momoa having to apologize, but it was some lackey

2283
01:55:57,400 --> 01:56:00,440
Speaker 1: where Dom would Vin would storm off to his I

2284
01:56:00,480 --> 01:56:03,880
Speaker 1: can't believe he called me a butt to the script

2285
01:56:04,320 --> 01:56:07,280
Speaker 1: you wrote it. He said it like he meant it.

2286
01:56:08,200 --> 01:56:12,480
Speaker 1: The furious Matt Dumba scene, the thing you hated the most.

2287
01:56:12,600 --> 01:56:13,440
Speaker 1: I guess what was it?

2288
01:56:15,000 --> 01:56:17,560
Speaker 5: Well, they ruined my damn, my precious.

2289
01:56:17,240 --> 01:56:20,920
Speaker 1: Dam You weren't alone. By the way, we blew Tray

2290
01:56:21,000 --> 01:56:24,840
Speaker 1: Kirby's mind before recording this podcast that it wasn't in

2291
01:56:24,920 --> 01:56:26,680
Speaker 1: the States. It wasn't the Hoover dam. That's not the

2292
01:56:26,720 --> 01:56:29,080
Speaker 1: same thing. Yeah, I still think it is. We were like,

2293
01:56:29,160 --> 01:56:30,480
Speaker 1: it's in Portugal the damn.

2294
01:56:30,600 --> 01:56:33,000
Speaker 2: I changed my notes to say Portugal's Hoover dam.

2295
01:56:38,200 --> 01:56:40,360
Speaker 1: Okay, So that ruined the damn for you.

2296
01:56:40,760 --> 01:56:42,040
Speaker 5: Yeah, oh, you know what. I should have said this

2297
01:56:42,120 --> 01:56:46,640
Speaker 5: in my in my good parts. So this is also

2298
01:56:46,680 --> 01:56:49,200
Speaker 5: from the same article I read it earlier. The director

2299
01:56:49,320 --> 01:56:51,320
Speaker 5: of the movie, Okay, this is what this is how

2300
01:56:51,360 --> 01:56:54,160
Speaker 5: the article opens. When he was eight years old, Louis Leterrier,

2301
01:56:54,320 --> 01:56:57,440
Speaker 5: that's the director began designing his own car crashes growing

2302
01:56:57,520 --> 01:56:59,800
Speaker 5: up in Paris in the early eighties. He often made

2303
01:57:00,240 --> 01:57:02,400
Speaker 5: films with a Super eight camera, turning the slope of

2304
01:57:02,440 --> 01:57:05,280
Speaker 5: his parents' driveway into a highway for his toy cars.

2305
01:57:05,720 --> 01:57:08,280
Speaker 5: In the midst of building ramps and conceiving miniature set pieces,

2306
01:57:08,360 --> 01:57:10,520
Speaker 5: he wondered, what if I drew up a car escaping

2307
01:57:10,640 --> 01:57:13,280
Speaker 5: down a damp, down a dam with a jump. The

2308
01:57:13,400 --> 01:57:15,440
Speaker 5: idea sat with him for forty years. Then he got

2309
01:57:15,480 --> 01:57:18,120
Speaker 5: a call last spring from Universal executives who asked him

2310
01:57:18,120 --> 01:57:20,520
Speaker 5: to take over directorial duties from Justin Lynn and lead

2311
01:57:20,600 --> 01:57:24,560
Speaker 5: fast X. Suddenly fulfilling a boyhood goal while paying tribute

2312
01:57:24,560 --> 01:57:28,240
Speaker 5: to a franchise he adored, seemed possible. I was like, Okay, well,

2313
01:57:28,680 --> 01:57:29,440
Speaker 5: now I get to do it.

2314
01:57:30,200 --> 01:57:31,120
Speaker 1: How cool is that?

2315
01:57:31,480 --> 01:57:31,520
Speaker 2: Like?

2316
01:57:32,040 --> 01:57:34,200
Speaker 5: Because Jade and I were just talking about whether you

2317
01:57:34,280 --> 01:57:37,280
Speaker 5: need to try in high school, whether it's important, And

2318
01:57:37,960 --> 01:57:39,760
Speaker 5: one thing we're talking about is whether or not you try.

2319
01:57:39,880 --> 01:57:41,840
Speaker 5: Just have a passion at a time when you can

2320
01:57:41,920 --> 01:57:43,480
Speaker 5: be obsessed about something, be.

2321
01:57:43,520 --> 01:57:44,320
Speaker 1: Obsessed with something.

2322
01:57:44,880 --> 01:57:48,360
Speaker 5: And this stuff makes me smile like that he was.

2323
01:57:48,400 --> 01:57:49,080
Speaker 1: Eight years old.

2324
01:57:49,440 --> 01:57:51,440
Speaker 5: He was a director when he was eight years old,

2325
01:57:51,520 --> 01:57:55,360
Speaker 5: and he actually became a director, unlike me, who my

2326
01:57:55,440 --> 01:57:57,680
Speaker 5: parents said, I had an incredible sense of fairness when

2327
01:57:57,720 --> 01:57:59,080
Speaker 5: I was a child, so they thought I would be

2328
01:57:59,280 --> 01:58:04,240
Speaker 5: like a human rights lawyer. That didn't pan out, but

2329
01:58:04,360 --> 01:58:06,760
Speaker 5: I do love that he got to finally do his

2330
01:58:07,000 --> 01:58:11,360
Speaker 5: damn shot right even though you hated it, even though

2331
01:58:11,400 --> 01:58:11,720
Speaker 5: I hated.

2332
01:58:11,880 --> 01:58:13,680
Speaker 3: I'm happy for right right fair.

2333
01:58:13,840 --> 01:58:16,840
Speaker 1: Yeah, of course, what about you, JD? What was your

2334
01:58:17,040 --> 01:58:17,640
Speaker 1: least favorite thing?

2335
01:58:18,080 --> 01:58:20,480
Speaker 3: Curious? I made it. I I already talked about it.

2336
01:58:20,600 --> 01:58:24,040
Speaker 3: But the Naples bar scene, it made no sense. It

2337
01:58:24,320 --> 01:58:28,160
Speaker 3: just made me angry. It was confusing, and I was

2338
01:58:28,280 --> 01:58:30,360
Speaker 3: confused a lot in this movie, but that was the

2339
01:58:30,440 --> 01:58:33,480
Speaker 3: scene that was just like, why what is happening here?

2340
01:58:34,600 --> 01:58:34,880
Speaker 3: That's it?

2341
01:58:35,600 --> 01:58:39,160
Speaker 2: TK The thing that made me most furious Skeets. When

2342
01:58:39,200 --> 01:58:41,240
Speaker 2: we went to see this and I got my thirty

2343
01:58:41,280 --> 01:58:44,280
Speaker 2: two ounce Toretto twist, they wouldn't give me the fast

2344
01:58:44,440 --> 01:58:45,360
Speaker 2: X commemorative cup.

2345
01:58:45,400 --> 01:58:45,720
Speaker 1: That's right.

2346
01:58:46,080 --> 01:58:46,400
Speaker 3: Why not?

2347
01:58:46,640 --> 01:58:49,760
Speaker 2: Because I didn't buy the facts fast X pack. It

2348
01:58:49,920 --> 01:58:52,080
Speaker 2: comes along with like a car that you can flip up.

2349
01:58:52,160 --> 01:58:53,880
Speaker 2: But guess what. I went back and saw to the

2350
01:58:53,960 --> 01:58:56,960
Speaker 2: theater a second time and they gave me the fast

2351
01:58:57,120 --> 01:58:59,880
Speaker 2: X Commemorative cup. But then I got furious again. But

2352
01:59:00,160 --> 01:59:02,280
Speaker 2: the cup is too big to sit in my garbage

2353
01:59:02,320 --> 01:59:04,280
Speaker 2: spot in my car. So no, I just got a

2354
01:59:04,320 --> 01:59:07,440
Speaker 2: fast XT cup hanging out. I just wish it was

2355
01:59:07,480 --> 01:59:08,080
Speaker 2: in my car.

2356
01:59:09,560 --> 01:59:11,240
Speaker 5: A drinking from it on this show.

2357
01:59:12,920 --> 01:59:14,600
Speaker 2: Didn't think about it, got it? Yeah, I didn't think

2358
01:59:14,600 --> 01:59:16,800
Speaker 2: about it. I'll send you a picture of me drinking

2359
01:59:16,880 --> 01:59:17,920
Speaker 2: from it later today.

2360
01:59:19,040 --> 01:59:20,600
Speaker 5: In the car that you get, is it like the

2361
01:59:20,680 --> 01:59:22,760
Speaker 5: trunk opens and that's where they put the popcorn or.

2362
01:59:22,880 --> 01:59:25,000
Speaker 2: I think I think the top of the car pops

2363
01:59:25,040 --> 01:59:31,360
Speaker 2: off and then you can put popcorn in. There's like

2364
01:59:31,480 --> 01:59:35,720
Speaker 2: two commemorative two commemorative cups in a literally like a car,

2365
01:59:36,120 --> 01:59:38,840
Speaker 2: a Chevy Chevelle, you can fill with popcorn.

2366
01:59:41,000 --> 01:59:43,400
Speaker 5: And then the nase is the hot butter.

2367
01:59:45,080 --> 01:59:50,920
Speaker 2: Hit. The NOAs worst part of the movie for me

2368
01:59:51,600 --> 01:59:54,000
Speaker 2: was the check in scenes, like the middle act of

2369
01:59:54,040 --> 01:59:56,760
Speaker 2: the movie, when we're just going from the location to

2370
01:59:56,880 --> 01:59:59,360
Speaker 2: location a location to spend five or ten minutes with

2371
01:59:59,440 --> 02:00:03,040
Speaker 2: all of our favorite Fast friends. Uh, that just really

2372
02:00:03,120 --> 02:00:03,720
Speaker 2: really dragged.

2373
02:00:03,920 --> 02:00:06,120
Speaker 1: It's it's true, and it made the movie too long.

2374
02:00:06,280 --> 02:00:08,560
Speaker 1: Is the other part, because there's too many characters and

2375
02:00:08,600 --> 02:00:10,000
Speaker 1: they're all over the world and we have to keep

2376
02:00:10,040 --> 02:00:13,480
Speaker 1: checking in somehow, like a team that has Han, the

2377
02:00:13,680 --> 02:00:18,040
Speaker 1: coolest guy in the Fast and Furious Universe, and I

2378
02:00:18,120 --> 02:00:20,240
Speaker 1: didn't even care. I didn't even want to go back

2379
02:00:20,320 --> 02:00:22,960
Speaker 1: to see Han with everybody else because they weren't doing

2380
02:00:23,040 --> 02:00:26,240
Speaker 1: anything really. And even then and then Shaw, who was

2381
02:00:26,280 --> 02:00:29,640
Speaker 1: pretty cool too, it's like, ugh, and yeah, the the

2382
02:00:29,760 --> 02:00:31,800
Speaker 1: prison stuff with Letty and it was like it was

2383
02:00:31,960 --> 02:00:33,760
Speaker 1: just you were just like, let's get back to Dante

2384
02:00:34,560 --> 02:00:37,160
Speaker 1: and Dom fighting. That's like the real meat here. So

2385
02:00:37,600 --> 02:00:39,920
Speaker 1: that's my least favorite thing too. And just the the

2386
02:00:40,480 --> 02:00:43,320
Speaker 1: the one note jokes between Tej and Roman, which is

2387
02:00:43,400 --> 02:00:46,560
Speaker 1: now five six movies running. It's like, oh, you just

2388
02:00:46,640 --> 02:00:48,000
Speaker 1: feel bad for them at a certain point.

2389
02:00:48,080 --> 02:00:48,240
Speaker 2: Yeah.

2390
02:00:48,640 --> 02:00:50,600
Speaker 1: And Ramsey, like, I guess she had like a little

2391
02:00:50,640 --> 02:00:53,640
Speaker 1: moment where she's like, oh, I made God's eye. I

2392
02:00:53,760 --> 02:00:56,120
Speaker 1: thought it was going to be for good, right, What

2393
02:00:56,200 --> 02:01:00,320
Speaker 1: did she think it was going to be used for good? Good? Yeah,

2394
02:01:00,400 --> 02:01:01,879
Speaker 1: like just finding bad guys.

2395
02:01:01,680 --> 02:01:03,000
Speaker 2: And you're gonna find the criminals.

2396
02:01:03,120 --> 02:01:04,960
Speaker 1: But now it's in the in the wrong hands.

2397
02:01:05,480 --> 02:01:09,240
Speaker 3: Well I hate to say this, but looking ahead to

2398
02:01:09,320 --> 02:01:11,840
Speaker 3: the next movie, I think it's gonna get way worse.

2399
02:01:11,960 --> 02:01:15,240
Speaker 3: I think there's gonna be way more characters coming in

2400
02:01:15,680 --> 02:01:18,640
Speaker 3: and the cast that we have already has already fractured

2401
02:01:18,680 --> 02:01:22,360
Speaker 3: because Shaw is now with Han. Yeah, and then and

2402
02:01:22,440 --> 02:01:26,080
Speaker 3: what are they doing going to save queeny? Who we're

2403
02:01:26,160 --> 02:01:26,920
Speaker 3: gonna have more of?

2404
02:01:28,240 --> 02:01:31,560
Speaker 2: I think that'll be Hobbs and Shaw too personally. Oh interesting,

2405
02:01:32,360 --> 02:01:34,520
Speaker 2: just a guess literally, just the guess. But that's probably

2406
02:01:34,600 --> 02:01:37,680
Speaker 2: what that whole scene was about, was setting up whatever's

2407
02:01:37,680 --> 02:01:39,520
Speaker 2: gonna happen in Hobbs and Shaw too. Maybe so they

2408
02:01:39,560 --> 02:01:41,120
Speaker 2: had to go somewhere. He said, I'm gonna go dig

2409
02:01:41,240 --> 02:01:42,200
Speaker 2: some graves or whatever.

2410
02:01:42,800 --> 02:01:45,560
Speaker 3: That's I hope you're right, because then we got we

2411
02:01:45,680 --> 02:01:48,760
Speaker 3: got Hobbs, Shaw and Han. That the three best characters

2412
02:01:49,400 --> 02:01:51,400
Speaker 3: doing their own movie and we don't have to deal

2413
02:01:51,440 --> 02:01:55,760
Speaker 3: with any of the other. But there's also a litany

2414
02:01:55,960 --> 02:02:00,240
Speaker 3: of cast members from previous ten movies that you know,

2415
02:02:00,520 --> 02:02:05,640
Speaker 3: what about Sean the Tokyo Drift guys, he's gonna come back,

2416
02:02:05,680 --> 02:02:06,560
Speaker 3: He will come back.

2417
02:02:08,280 --> 02:02:08,480
Speaker 2: Yeah.

2418
02:02:08,720 --> 02:02:13,400
Speaker 3: What about the what's her name? Cardi B? Like, where's she?

2419
02:02:13,640 --> 02:02:14,120
Speaker 3: She's coming?

2420
02:02:15,800 --> 02:02:16,000
Speaker 2: Yeah?

2421
02:02:16,480 --> 02:02:19,720
Speaker 3: What about the two Dominican guys that he the Bandeleros.

2422
02:02:20,160 --> 02:02:23,880
Speaker 3: They make direct reference to Lost Bandelero's for life. True,

2423
02:02:24,160 --> 02:02:26,560
Speaker 3: We're gonna see him, guys, We're gonna see them. It's

2424
02:02:26,600 --> 02:02:28,680
Speaker 3: gonna be Okay, so this is the shout out to

2425
02:02:28,720 --> 02:02:30,839
Speaker 3: Jerome because I was talking to him on the phone yesterday.

2426
02:02:31,520 --> 02:02:33,440
Speaker 3: We were talking about work, but of course we did

2427
02:02:33,520 --> 02:02:36,680
Speaker 3: twenty minutes just talking about Fast X and theories. He

2428
02:02:36,800 --> 02:02:38,880
Speaker 3: almost got on a plane to come down here to

2429
02:02:38,960 --> 02:02:43,120
Speaker 3: do this show because he was that excited. He thinks

2430
02:02:43,200 --> 02:02:47,480
Speaker 3: that Vin Diesel watched the Avengers Endgame and UH and

2431
02:02:47,640 --> 02:02:51,320
Speaker 3: Infinity Wars, and what we just saw was Dante doing

2432
02:02:51,400 --> 02:02:55,840
Speaker 3: the Fanos snap. Half the cast is gone, presumed dead,

2433
02:02:57,240 --> 02:03:00,240
Speaker 3: and then they're all gonna come back, like literally, really

2434
02:03:00,280 --> 02:03:04,680
Speaker 3: everybody's gonna come back, including Paul Walker at c g I,

2435
02:03:05,200 --> 02:03:09,480
Speaker 3: Paul Walker. It's gonna be like the final scene in Endgame.

2436
02:03:10,160 --> 02:03:12,400
Speaker 3: Captain America is there with his hammer. He's like, I

2437
02:03:12,480 --> 02:03:15,080
Speaker 3: could do this all day. But then all of a sudden,

2438
02:03:15,400 --> 02:03:18,480
Speaker 3: we get the we get the doctor, strange circley whirly

2439
02:03:18,600 --> 02:03:23,480
Speaker 3: thing carting. Who do we hear in the on the Old,

2440
02:03:24,080 --> 02:03:27,120
Speaker 3: the Old? You know, Dom's gonna be like on his

2441
02:03:27,240 --> 02:03:29,920
Speaker 3: last leg, He's gonna be desperate. He's kitting the nass,

2442
02:03:30,560 --> 02:03:35,360
Speaker 3: Paul Walker behind him saying too early, too early, too early,

2443
02:03:35,480 --> 02:03:38,040
Speaker 3: Man on your left is gonna be like that boom

2444
02:03:38,240 --> 02:03:41,920
Speaker 3: comes in, and then it's gonna be fucking the entire

2445
02:03:42,120 --> 02:03:46,120
Speaker 3: cast from twelve movies or whatever. That's what's gonna happen, taking.

2446
02:03:46,000 --> 02:03:50,400
Speaker 1: Down who fighting who Dante Dante's dansants.

2447
02:03:50,880 --> 02:03:56,200
Speaker 3: Well there's two of them, I guess. Yeah, but I

2448
02:03:56,280 --> 02:03:58,880
Speaker 3: think he's not wrong about that. You know, Like we

2449
02:03:59,000 --> 02:04:02,280
Speaker 3: even saw a little bit of time heistis type at

2450
02:04:02,320 --> 02:04:05,440
Speaker 3: the beginning of the movie. We see it's like, oh,

2451
02:04:05,560 --> 02:04:08,160
Speaker 3: this is something we've already seen, but there's new characters

2452
02:04:08,240 --> 02:04:10,560
Speaker 3: running around and we're seeing it from a different perspective.

2453
02:04:10,880 --> 02:04:13,720
Speaker 3: I don't know, I think I think that's I think

2454
02:04:13,760 --> 02:04:16,560
Speaker 3: we're gonna see a lot of cast members. So strap

2455
02:04:16,680 --> 02:04:21,920
Speaker 3: in up whatever past ten year seatbelt. Yeah, it's gonna

2456
02:04:21,920 --> 02:04:22,800
Speaker 3: be it's gonna be terrible.

2457
02:04:22,840 --> 02:04:25,640
Speaker 1: All right, it's a theory for sure.

2458
02:04:28,040 --> 02:04:30,080
Speaker 2: If they don't bring back everybody, I'm gonna be pissed.

2459
02:04:30,160 --> 02:04:32,920
Speaker 3: Yeah, I mean why, I mean, nobody's coming back, and.

2460
02:04:34,640 --> 02:04:38,360
Speaker 2: Yeah, that would be the ultimate bring back. They gotta

2461
02:04:38,400 --> 02:04:38,720
Speaker 2: get him.

2462
02:04:38,880 --> 02:04:39,640
Speaker 3: That guy needs it.

2463
02:04:41,880 --> 02:04:42,560
Speaker 2: That guy needs it.

2464
02:04:43,280 --> 02:04:46,440
Speaker 1: So who will be the doctor Strange? Who's gonna be

2465
02:04:46,480 --> 02:04:50,360
Speaker 1: making the circle? Great question, great question, Ramsey, No, No,

2466
02:04:50,480 --> 02:04:54,080
Speaker 1: she's dead dead Air quotes, Well, you keep you saying,

2467
02:04:54,120 --> 02:04:56,560
Speaker 1: you're saying this is the version of half the people

2468
02:04:56,600 --> 02:04:57,000
Speaker 1: are gone.

2469
02:04:57,200 --> 02:05:00,680
Speaker 4: We right, Like she's just st back up and then

2470
02:05:00,720 --> 02:05:02,160
Speaker 4: she's about to shed the surface.

2471
02:05:02,520 --> 02:05:05,040
Speaker 5: Yeah, but JD in your theory. By the way, I

2472
02:05:05,120 --> 02:05:06,040
Speaker 5: had chills during that.

2473
02:05:08,040 --> 02:05:10,840
Speaker 3: It's Jeromes Jeromes theory. I add my own flavor.

2474
02:05:10,920 --> 02:05:14,480
Speaker 5: But yeah, you're saying that none of that's gonna happen

2475
02:05:14,600 --> 02:05:16,200
Speaker 5: in the next one though. They're gonna wait for the

2476
02:05:16,280 --> 02:05:18,480
Speaker 5: third part of the trilogy, right, But you're saying we're

2477
02:05:18,560 --> 02:05:23,080
Speaker 5: not going to see Tedge Roman Ramsey in this in

2478
02:05:23,160 --> 02:05:23,760
Speaker 5: this next one.

2479
02:05:24,600 --> 02:05:28,360
Speaker 3: That I that I don't know. I think, yeah, it's possible.

2480
02:05:28,480 --> 02:05:31,240
Speaker 3: I mean, when the plane goes around the mountain, do

2481
02:05:31,360 --> 02:05:33,200
Speaker 3: we not hear an explosion?

2482
02:05:33,280 --> 02:05:35,840
Speaker 1: Oh yeah, yeah, but we do. Yeah, I mean yes,

2483
02:05:35,920 --> 02:05:38,640
Speaker 1: it goes down, it goes down. It's on the ground.

2484
02:05:38,640 --> 02:05:41,960
Speaker 1: But they're there. They've done something in there that yeah,

2485
02:05:42,160 --> 02:05:45,240
Speaker 1: or jumped out. Yeah all right, well you.

2486
02:05:45,280 --> 02:05:45,920
Speaker 2: Got me hyped.

2487
02:05:46,240 --> 02:05:51,800
Speaker 1: Yeah, Paul Walker seeing on your left the Adventures, just

2488
02:05:51,880 --> 02:05:52,839
Speaker 1: put them in cars.

2489
02:05:53,440 --> 02:05:54,440
Speaker 2: Don't even worry about it.

2490
02:05:54,880 --> 02:05:57,480
Speaker 1: I mean they got they have already Captain Marvel, they

2491
02:05:57,520 --> 02:06:01,360
Speaker 1: already have Wonder Woman, I mean got Aquamanic.

2492
02:06:01,720 --> 02:06:03,280
Speaker 4: How the escaped the plane eject.

2493
02:06:04,280 --> 02:06:09,840
Speaker 2: Yeah, if they get an ejectocido from the airplane, that's

2494
02:06:09,880 --> 02:06:13,280
Speaker 2: what I'm saying, be awesome. There is easter eggs all

2495
02:06:13,360 --> 02:06:15,440
Speaker 2: over in this one. Something I wanted to mention my

2496
02:06:15,480 --> 02:06:18,120
Speaker 2: favorite Easter egg in the whole thing. Very early after

2497
02:06:18,240 --> 02:06:22,080
Speaker 2: Cipher shows up to warn Dom. The next day, Little

2498
02:06:22,280 --> 02:06:24,880
Speaker 2: Nobody comes and is kind of like exposition guy, just

2499
02:06:25,080 --> 02:06:27,240
Speaker 2: talking about where they're gonna have to go all this stuff.

2500
02:06:27,800 --> 02:06:30,840
Speaker 2: In the background, they're in Dom's house. You can see

2501
02:06:31,440 --> 02:06:35,920
Speaker 2: Vince's guitar from the very first Fast one play a

2502
02:06:36,360 --> 02:06:39,520
Speaker 2: while bullseye guitar at the middle of a party. It's

2503
02:06:39,600 --> 02:06:42,440
Speaker 2: just sitting on a stand like behind what they're talking.

2504
02:06:42,880 --> 02:06:45,480
Speaker 2: I was rolling, like, nice attention to detail.

2505
02:06:46,840 --> 02:06:49,640
Speaker 1: That's interesting, that's interesting. I did hear or read the

2506
02:06:49,720 --> 02:06:52,680
Speaker 1: director say in an interview with Esquire. When you watch

2507
02:06:52,840 --> 02:06:56,080
Speaker 1: Fast ten again, pay attention to everything that's being said.

2508
02:06:56,720 --> 02:06:59,959
Speaker 1: It's planting the seeds that will bloom and become beautiful,

2509
02:07:00,560 --> 02:07:03,360
Speaker 1: super satisfying flowers by the end.

2510
02:07:03,560 --> 02:07:03,880
Speaker 3: Wow.

2511
02:07:04,440 --> 02:07:04,760
Speaker 2: I don't know.

2512
02:07:04,840 --> 02:07:06,080
Speaker 1: I don't know if he means that. I assume it

2513
02:07:06,120 --> 02:07:08,480
Speaker 1: means the end of the trilogy. Could mean the end

2514
02:07:08,520 --> 02:07:10,160
Speaker 1: of the movie. Like, watch that movie and at the

2515
02:07:10,280 --> 02:07:12,720
Speaker 1: end it pays off like I'm saying that nobody listens.

2516
02:07:13,000 --> 02:07:14,640
Speaker 1: That's when I was like, oh, that's got to mean something.

2517
02:07:15,200 --> 02:07:18,040
Speaker 1: Nobody miss or nobody has to he's been listening. He's

2518
02:07:18,080 --> 02:07:20,800
Speaker 1: gonna save them. We'll see. I have a little trivia

2519
02:07:20,880 --> 02:07:22,680
Speaker 1: question for you guys before we rank this thing.

2520
02:07:23,040 --> 02:07:23,440
Speaker 2: Score it.

2521
02:07:24,000 --> 02:07:26,160
Speaker 1: How many times do you think the word family is said?

2522
02:07:27,040 --> 02:07:30,680
Speaker 1: Triarity knows how many times is the word family said

2523
02:07:30,760 --> 02:07:31,440
Speaker 1: in Fast ten.

2524
02:07:33,560 --> 02:07:34,240
Speaker 5: I'm gonna go with.

2525
02:07:40,960 --> 02:07:43,160
Speaker 1: Twenty one times twenty one, okay, JD.

2526
02:07:43,640 --> 02:07:48,880
Speaker 3: I'm gonna say fifty two times, esh seventy three and you.

2527
02:07:48,960 --> 02:07:53,440
Speaker 1: Know the answer. The answer, JD, very very close, fifty six.

2528
02:07:53,920 --> 02:07:56,920
Speaker 1: Oh my, fifty six times family is said.

2529
02:07:57,520 --> 02:08:00,080
Speaker 5: So set the over under on the next And one

2530
02:08:00,080 --> 02:08:03,040
Speaker 5: of those times was domb asking Elane if she had one.

2531
02:08:03,120 --> 02:08:03,280
Speaker 3: Yeah.

2532
02:08:05,960 --> 02:08:08,720
Speaker 1: Uh So let's rank this and we will turn to

2533
02:08:08,840 --> 02:08:12,680
Speaker 1: our FF expert here. You know, I guess, on a

2534
02:08:12,800 --> 02:08:14,520
Speaker 1: on a scale of one to ten, what would the

2535
02:08:14,640 --> 02:08:17,560
Speaker 1: number you would give to this TK and like, where

2536
02:08:17,600 --> 02:08:19,840
Speaker 1: does it fall in terms of the all of.

2537
02:08:19,880 --> 02:08:22,320
Speaker 2: The movies in the franchise on a scale of the

2538
02:08:22,440 --> 02:08:25,800
Speaker 2: Fast and the Furious to Fast X I'm going to

2539
02:08:25,840 --> 02:08:28,960
Speaker 2: give this one an F nine nine out of ten

2540
02:08:29,040 --> 02:08:32,280
Speaker 2: for me. Well, wow, okay, that's a high score. That's

2541
02:08:32,360 --> 02:08:33,040
Speaker 2: a high score.

2542
02:08:33,200 --> 02:08:34,440
Speaker 1: I loved this.

2543
02:08:36,080 --> 02:08:38,000
Speaker 2: The first time I watched it, Skeets, you were there.

2544
02:08:38,040 --> 02:08:39,600
Speaker 3: I was grinning your yours.

2545
02:08:39,800 --> 02:08:41,560
Speaker 1: I'm so there.

2546
02:08:44,000 --> 02:08:46,880
Speaker 2: He's not exaggerating, and I'm thinking, maybe it's just the

2547
02:08:46,920 --> 02:08:49,440
Speaker 2: Toretto twist. Maybe I'm just so hid to be seeing

2548
02:08:49,440 --> 02:08:51,200
Speaker 2: this in the theater. We didn't see F nine in

2549
02:08:51,280 --> 02:08:54,040
Speaker 2: a theater, so it's good to be back. But then

2550
02:08:54,080 --> 02:08:55,840
Speaker 2: I went and saw it in the theater again by

2551
02:08:55,920 --> 02:08:59,800
Speaker 2: myself at a matine and it held up completely for

2552
02:09:00,320 --> 02:09:05,760
Speaker 2: so I think best Fast since seven, okay, which was

2553
02:09:05,800 --> 02:09:09,240
Speaker 2: the Paul Walker's last one, and maybe best Fast since five,

2554
02:09:09,400 --> 02:09:12,360
Speaker 2: which this is basically Fast five the remix. And if

2555
02:09:12,400 --> 02:09:14,800
Speaker 2: you like Fast five, you're gonna like this one, I think.

2556
02:09:14,920 --> 02:09:19,960
Speaker 1: Okay, okay, yeah, remix or twist, that's exactly right.

2557
02:09:20,040 --> 02:09:22,560
Speaker 2: This is Fast five. Touretto twist a lot of us.

2558
02:09:22,640 --> 02:09:24,760
Speaker 1: When we were doing our rankings of all the movies,

2559
02:09:24,960 --> 02:09:29,360
Speaker 1: we had Fast five, Furious seven, and then the original,

2560
02:09:29,520 --> 02:09:33,200
Speaker 1: The Fast and the Furious quite high like we figure

2561
02:09:33,280 --> 02:09:35,560
Speaker 1: those are the best of the best. Then there's a

2562
02:09:35,600 --> 02:09:37,720
Speaker 1: whole bunch that are sort of average and some really

2563
02:09:37,760 --> 02:09:42,480
Speaker 1: shitty ones. Nobody liked Too Fast, too Furious. But yeah,

2564
02:09:42,520 --> 02:09:44,440
Speaker 1: what do you think? Where's this one fall for you?

2565
02:09:44,640 --> 02:09:44,880
Speaker 2: JD.

2566
02:09:45,080 --> 02:09:46,839
Speaker 1: It sounds like it's middle of the package.

2567
02:09:46,840 --> 02:09:49,920
Speaker 3: Middle. I think, yeah, I think Fast five is definitely better.

2568
02:09:50,080 --> 02:09:53,120
Speaker 3: I think, I mean, Hobbs and Shaw is my favorite.

2569
02:09:53,200 --> 02:09:57,240
Speaker 3: I think I liked Tokyo Drift as I remember. Yeah,

2570
02:09:57,560 --> 02:10:01,520
Speaker 3: so I'm gonna put it under Fast five. I liked

2571
02:10:01,600 --> 02:10:04,640
Speaker 3: Fast eight. The Plane Fight. Is that the one?

2572
02:10:05,680 --> 02:10:08,680
Speaker 1: Is that maybe Stifer on a plane?

2573
02:10:08,720 --> 02:10:11,560
Speaker 3: Yeah, on a plane? Yeah, so I like that one.

2574
02:10:11,680 --> 02:10:14,880
Speaker 1: So yeah, is that the one with U with Shaw

2575
02:10:14,920 --> 02:10:17,480
Speaker 1: and the baby. Yes, yeah, that's a great one that

2576
02:10:17,920 --> 02:10:19,120
Speaker 1: puts the headphones the sub.

2577
02:10:19,240 --> 02:10:20,880
Speaker 3: The sub is in that one as well. That's where

2578
02:10:20,920 --> 02:10:21,600
Speaker 3: they get the sub.

2579
02:10:22,880 --> 02:10:23,800
Speaker 1: Yeah, I'm gonna put it.

2580
02:10:24,400 --> 02:10:27,040
Speaker 3: You know, it's under four or five of them, So

2581
02:10:27,320 --> 02:10:28,680
Speaker 3: that's right in the middle, right in the middle.

2582
02:10:29,760 --> 02:10:31,040
Speaker 1: Mado, what about you?

2583
02:10:34,640 --> 02:10:36,880
Speaker 5: I don't know, but it's in the middle. Fast X

2584
02:10:37,120 --> 02:10:44,440
Speaker 5: more like Fast Forward. I will say, Yeah, it's not

2585
02:10:44,520 --> 02:10:50,120
Speaker 5: as good as five or seven probably or one, So

2586
02:10:50,200 --> 02:10:51,760
Speaker 5: I guess that makes it basically in the middle.

2587
02:10:52,120 --> 02:10:52,760
Speaker 1: But I'll tell you.

2588
02:10:52,800 --> 02:10:53,840
Speaker 5: It's better than a lot of them.

2589
02:10:54,000 --> 02:10:55,440
Speaker 1: It is even as much shit.

2590
02:10:55,480 --> 02:10:57,280
Speaker 5: I'm talking, it's better than a lot.

2591
02:10:57,400 --> 02:10:59,880
Speaker 1: Yeah, that's exactly where I fell with this too. I

2592
02:11:00,480 --> 02:11:04,000
Speaker 1: think you're right. Five seven one probably. I oddly think

2593
02:11:04,040 --> 02:11:07,480
Speaker 1: about Tokyo Drift more than any other uh fast and

2594
02:11:07,560 --> 02:11:11,360
Speaker 1: furious movie. That's you know, just great scenes for the

2595
02:11:11,400 --> 02:11:12,360
Speaker 1: first vibe.

2596
02:11:12,480 --> 02:11:15,880
Speaker 3: Yeah, it's a nice fish out of water thing. And

2597
02:11:16,080 --> 02:11:18,400
Speaker 3: there's no Dominic Toretto until the very end.

2598
02:11:18,480 --> 02:11:18,920
Speaker 1: That's true.

2599
02:11:18,960 --> 02:11:21,200
Speaker 3: It is true, makes it, it just elevates it.

2600
02:11:21,720 --> 02:11:24,960
Speaker 1: Sorry, dom but this one is better than a lot

2601
02:11:25,040 --> 02:11:29,720
Speaker 1: of the other ones, specially F nine, which was garbage.

2602
02:11:30,240 --> 02:11:33,080
Speaker 1: This is like a cinematic masterpiece compared to that one.

2603
02:11:33,160 --> 02:11:36,120
Speaker 1: So yeah, I'm with you, guys. So you put it anywhere.

2604
02:11:36,160 --> 02:11:38,880
Speaker 1: It feels like between three and three, four five, I

2605
02:11:38,960 --> 02:11:41,360
Speaker 1: guess in the whole canon, probably three or four. Yeah,

2606
02:11:42,040 --> 02:11:43,760
Speaker 1: but let's hear from you guys and ash I can't remember.

2607
02:11:43,760 --> 02:11:46,760
Speaker 1: Have you watched all these Okay? Sorry, then I didn't know.

2608
02:11:46,760 --> 02:11:49,160
Speaker 1: If you had, where would you put it near the top?

2609
02:11:49,200 --> 02:11:50,160
Speaker 1: Middle or bottom?

2610
02:11:50,320 --> 02:11:50,520
Speaker 3: Yeah?

2611
02:11:51,000 --> 02:11:55,080
Speaker 4: In the middle for me? Yeah, Fast five, Fast seven probably.

2612
02:11:55,200 --> 02:11:56,880
Speaker 4: I think I like Fast seven better Fast five, but

2613
02:11:57,320 --> 02:11:58,760
Speaker 4: just preference emotional.

2614
02:11:58,960 --> 02:12:03,040
Speaker 3: You know, the ending, this sendoff is amazing, but it

2615
02:12:03,480 --> 02:12:06,640
Speaker 3: just hits you every time. I don't love that movie, no,

2616
02:12:07,080 --> 02:12:10,640
Speaker 3: I mean, you know, it has its problems. It gets

2617
02:12:10,680 --> 02:12:13,360
Speaker 3: a past because you know Paul died in the middle

2618
02:12:13,440 --> 02:12:13,560
Speaker 3: of it.

2619
02:12:14,080 --> 02:12:15,200
Speaker 4: That's right, good point.

2620
02:12:16,280 --> 02:12:18,760
Speaker 1: So the next one, and it is a part two

2621
02:12:18,800 --> 02:12:21,200
Speaker 1: of a trilogy. It was supposed to be a two parter.

2622
02:12:22,160 --> 02:12:25,680
Speaker 1: And then what Vin swerved and said, we got enough.

2623
02:12:26,040 --> 02:12:26,960
Speaker 1: We got enough here.

2624
02:12:28,880 --> 02:12:31,680
Speaker 3: Vin would have us believe that a studio executive turned

2625
02:12:31,680 --> 02:12:33,520
Speaker 3: to him and said this has got to be.

2626
02:12:35,280 --> 02:12:37,000
Speaker 1: That's the way he said, That's how he said it.

2627
02:12:38,920 --> 02:12:42,080
Speaker 5: Vin said, there's been movies that have ended in cliffhangers,

2628
02:12:42,280 --> 02:12:44,480
Speaker 5: but never a damn Dangler.

2629
02:12:48,800 --> 02:12:51,920
Speaker 3: But then there was this a he Vin Diesel posted

2630
02:12:52,200 --> 02:12:54,640
Speaker 3: him and Sun Kang. I don't know where they were,

2631
02:12:54,720 --> 02:12:59,240
Speaker 3: probably the Dominican Republic, uh, you know, saying hey, we've

2632
02:12:59,280 --> 02:13:02,280
Speaker 3: heard what you about, what you don't like about the movie,

2633
02:13:02,360 --> 02:13:05,120
Speaker 3: and we're gonna make changes. So this thing isn't even

2634
02:13:05,160 --> 02:13:06,960
Speaker 3: written yet. And by the way, they didn't even know

2635
02:13:07,080 --> 02:13:09,760
Speaker 3: the Rock was gonna be and until two months ago probably, so.

2636
02:13:12,160 --> 02:13:14,160
Speaker 5: I don't know it could be sorry, Jad, they heard

2637
02:13:14,200 --> 02:13:17,360
Speaker 5: what people didn't like about this movie. Yeah, oh okay,

2638
02:13:17,480 --> 02:13:18,600
Speaker 5: so the NeXT's gonna be great.

2639
02:13:18,680 --> 02:13:21,560
Speaker 2: So they're taking notes apparently, so hopefully they see this.

2640
02:13:21,840 --> 02:13:25,240
Speaker 1: What do you think people's biggest issue is with this movie?

2641
02:13:25,520 --> 02:13:28,440
Speaker 1: If they're taking these notes, you know a couple things.

2642
02:13:28,560 --> 02:13:31,840
Speaker 1: It isn't too silly? Could that be a note? No,

2643
02:13:32,320 --> 02:13:33,600
Speaker 1: people love that part. I don't.

2644
02:13:33,640 --> 02:13:37,160
Speaker 3: I honestly don't know. I can't imagine people this is

2645
02:13:37,280 --> 02:13:41,120
Speaker 3: this movie is way more fun than nine, So I don't.

2646
02:13:41,200 --> 02:13:45,480
Speaker 3: I can't imagine people being like the silliness factor that

2647
02:13:45,560 --> 02:13:47,480
Speaker 3: it's not it, that's not it. I think it's the

2648
02:13:47,560 --> 02:13:49,720
Speaker 3: splinter Yeah, it's got a splinter factors.

2649
02:13:49,760 --> 02:13:52,160
Speaker 1: Too many characters, there's too many little stories going on

2650
02:13:52,280 --> 02:13:54,640
Speaker 1: that nobody cares about about half of them exactly.

2651
02:13:55,560 --> 02:13:58,840
Speaker 5: What if people's like comments on it were like not

2652
02:13:59,120 --> 02:14:00,320
Speaker 5: enough titties.

2653
02:14:01,560 --> 02:14:04,600
Speaker 1: Not enough cars. I think people, uh, they want more racing,

2654
02:14:04,640 --> 02:14:07,400
Speaker 1: A want more drifting, they want more talking about.

2655
02:14:07,400 --> 02:14:10,880
Speaker 2: There was like very little drifting in this one. Yeah,

2656
02:14:11,080 --> 02:14:13,800
Speaker 2: just Van Dom and Brian No I.

2657
02:14:13,800 --> 02:14:20,040
Speaker 1: Would say act to drifted. Yeah, the part of the

2658
02:14:20,120 --> 02:14:22,360
Speaker 1: final part of the last forty five minutes of this movie,

2659
02:14:23,080 --> 02:14:25,360
Speaker 1: you're already very I mean you're al been sitting there

2660
02:14:25,400 --> 02:14:27,200
Speaker 1: for an hour and a half and it's like, oh boy,

2661
02:14:27,280 --> 02:14:31,560
Speaker 1: oh boy, oh boy. Yeah, but yeah, okay, we'll see,

2662
02:14:31,640 --> 02:14:33,680
Speaker 1: we'll see. We got two more of these to do, guys,

2663
02:14:33,800 --> 02:14:35,840
Speaker 1: and then there'll be more after that. That's not ending.

2664
02:14:36,000 --> 02:14:38,320
Speaker 5: Hey, I congrats boys, because I've been keeping my eye

2665
02:14:38,360 --> 02:14:40,280
Speaker 5: on the clock. I think we just passed the run

2666
02:14:40,360 --> 02:14:40,960
Speaker 5: time of the movie.

2667
02:14:42,480 --> 02:14:44,920
Speaker 1: That's how you do it, That is how you do it. Well,

2668
02:14:45,000 --> 02:14:45,760
Speaker 1: let's call it there.

2669
02:14:45,840 --> 02:14:45,960
Speaker 2: Then.

2670
02:14:46,000 --> 02:14:48,640
Speaker 1: I think that's the perfect spot. We will, of course

2671
02:14:48,720 --> 02:14:51,720
Speaker 1: be back for the next Fast Friends in a couple

2672
02:14:51,760 --> 02:14:54,880
Speaker 1: of years. I highly encourage you, if you are just

2673
02:14:55,200 --> 02:14:57,240
Speaker 1: for whatever reason picking up here at Fast ten, to

2674
02:14:57,320 --> 02:14:59,000
Speaker 1: go back and listen to our other Fast Friends. We

2675
02:14:59,080 --> 02:15:02,520
Speaker 1: were re releasing them recently as we built up to

2676
02:15:02,680 --> 02:15:05,120
Speaker 1: the big movie release. Any final thoughts taking well.

2677
02:15:04,960 --> 02:15:08,560
Speaker 2: I'm saying here now that Vin Diesel has said the

2678
02:15:08,680 --> 02:15:10,879
Speaker 2: release date for the sequel is April fourth.

2679
02:15:11,880 --> 02:15:14,960
Speaker 1: Yeah, okay, two years that is exactly right. Oh boy,

2680
02:15:15,160 --> 02:15:20,000
Speaker 1: We'll be right back here. I can't believe the full

2681
02:15:20,040 --> 02:15:22,520
Speaker 1: circle I've done with these movies. Think about this. I

2682
02:15:22,640 --> 02:15:24,760
Speaker 1: had never watched a single one of these movies. I

2683
02:15:24,880 --> 02:15:27,800
Speaker 1: have had voted, voited, it my entire life. Then we

2684
02:15:27,960 --> 02:15:30,200
Speaker 1: decided to do this crazy series. I'm watching them all

2685
02:15:30,240 --> 02:15:32,320
Speaker 1: but I'm renting them at home. And then here I

2686
02:15:32,360 --> 02:15:36,320
Speaker 1: am at ten going on opening weekend. Yeah, with the

2687
02:15:36,440 --> 02:15:39,160
Speaker 1: Fast and Furious expert himself. I'm sitting side by side

2688
02:15:39,200 --> 02:15:44,879
Speaker 1: with a legend, shopping every minute with this damn crew Skeates.

2689
02:15:44,960 --> 02:15:48,760
Speaker 2: I felt so proud of you during the street race

2690
02:15:48,880 --> 02:15:51,680
Speaker 2: in Rio at one point, somebody hits the nas too

2691
02:15:51,720 --> 02:15:56,800
Speaker 2: early and you go to mego. I was like, he knows.

2692
02:15:57,400 --> 02:16:00,480
Speaker 1: It was a surreal experience because I had on my

2693
02:16:00,680 --> 02:16:03,720
Speaker 1: left tray on my right Norah the whole movie and

2694
02:16:03,800 --> 02:16:05,600
Speaker 1: go like, this is so stupid.

2695
02:16:05,760 --> 02:16:06,520
Speaker 2: What the hell?

2696
02:16:07,160 --> 02:16:09,920
Speaker 1: What are they doing? Tray on my right? Every time

2697
02:16:09,960 --> 02:16:12,800
Speaker 1: I looked at him, he's loving it. He's like saluting

2698
02:16:12,960 --> 02:16:15,560
Speaker 1: and bumpusted and just having the time.

2699
02:16:15,720 --> 02:16:16,640
Speaker 4: So it was great.

2700
02:16:16,800 --> 02:16:17,280
Speaker 2: It was great.

2701
02:16:17,480 --> 02:16:19,280
Speaker 1: I'm glad I went and saw it in the theater. Hey,

2702
02:16:19,360 --> 02:16:20,800
Speaker 1: those explosions.

2703
02:16:21,840 --> 02:16:22,240
Speaker 2: For sure.

2704
02:16:22,920 --> 02:16:24,640
Speaker 3: This was the first one I saw in the movie too.

2705
02:16:25,400 --> 02:16:26,760
Speaker 3: There you go.

2706
02:16:26,960 --> 02:16:30,879
Speaker 1: All right, fast friends, guys, we've made it through eleven

2707
02:16:31,000 --> 02:16:33,120
Speaker 1: really of these movies, and we'll be back for the

2708
02:16:33,240 --> 02:16:35,280
Speaker 1: next one. Thanks so much. If you listen, leave your

2709
02:16:35,280 --> 02:16:37,760
Speaker 1: boys a five star rating and review and yeah, go

2710
02:16:37,879 --> 02:16:39,840
Speaker 1: back and watch and listen to our other ones. Mattie, Oh,

2711
02:16:39,920 --> 02:16:42,520
Speaker 1: thanks for jumping on once again. At the end of

2712
02:16:42,640 --> 02:16:46,640
Speaker 1: Fast nine f nine, we did lock you into this

2713
02:16:46,800 --> 02:16:50,200
Speaker 1: one begrudgingly and said, oh you got to come back.

2714
02:16:51,080 --> 02:16:53,240
Speaker 1: Are you coming back for the next one? Yes? The

2715
02:16:53,280 --> 02:16:54,720
Speaker 1: only time I'm going to see you in two years?

2716
02:16:55,320 --> 02:17:01,400
Speaker 1: All right, all right, sweet sweet? Also, you've kidnapped my family.

2717
02:17:03,720 --> 02:17:03,920
Speaker 3: Hey.

2718
02:17:04,240 --> 02:17:06,800
Speaker 1: And at the end of the f nine of our

2719
02:17:06,879 --> 02:17:12,160
Speaker 1: podcast of Fast Friends, this guy said, he teased, teased

2720
02:17:12,760 --> 02:17:14,840
Speaker 1: that there were a bunch of cross necklaces in the

2721
02:17:14,959 --> 02:17:17,760
Speaker 1: mail that we're going to be showing up on all

2722
02:17:17,800 --> 02:17:21,560
Speaker 1: our steps. Did you get one, matt I did not

2723
02:17:21,640 --> 02:17:22,879
Speaker 1: get one. I didn't see what.

2724
02:17:25,760 --> 02:17:26,000
Speaker 3: I mean.

2725
02:17:26,120 --> 02:17:29,400
Speaker 2: Check the mail. Jane is in the mail.

2726
02:17:30,800 --> 02:17:32,680
Speaker 5: I hope you sent a giant cross to j D,

2727
02:17:32,760 --> 02:17:34,520
Speaker 5: a giant cross to Skeets, and you sent me a

2728
02:17:34,600 --> 02:17:39,119
Speaker 5: giant Mgenda Vide. Just a big old star a day.

2729
02:17:39,160 --> 02:17:42,360
Speaker 5: But I could rest comfortably in my hairy chest.

2730
02:17:44,720 --> 02:17:44,959
Speaker 4: Yeah.

2731
02:17:45,080 --> 02:17:47,160
Speaker 5: Well, see you guys in a couple of years. And

2732
02:17:47,800 --> 02:17:50,680
Speaker 5: let's say this to tie us over for two years,

2733
02:17:50,920 --> 02:17:53,320
Speaker 5: let's say maybe a year. Let's get together and play.

2734
02:17:53,160 --> 02:17:57,840
Speaker 1: That board game. Yeah, we did promise that as well,

2735
02:17:57,959 --> 02:17:59,440
Speaker 1: the last one. All right, Ash, you want to play

2736
02:17:59,480 --> 02:18:02,360
Speaker 1: some fast and furious you know board game?

2737
02:18:02,800 --> 02:18:04,000
Speaker 4: Oh yeah with us? Okay, let's do it.

2738
02:18:04,080 --> 02:18:06,720
Speaker 1: Okay, great, all right, we'll be doing that soon. Thanks

2739
02:18:06,760 --> 02:18:08,280
Speaker 1: for joining us. Every buddy take care of them.