WEBVTT - She’s A Funny One (S3 E4, "One's Got Class and the Other One Dyes")

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<v Speaker 1>I am all in that I am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio Podcast. Hey everybody, Scott Patterson,

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<v Speaker 1>we are back. I Am all in Podcast, I Heart

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<v Speaker 1>Radio one eleven Productions. We are joined by Danielle Romo,

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<v Speaker 1>Terra s our newest member, and the one and only

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<v Speaker 1>Amy Sugarman. The straw that stirs the drink, the paddle

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<v Speaker 1>that turns the butter, the paddle that I don't know

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<v Speaker 1>I'm gonna stop there anyway, The paddle that waxed your

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<v Speaker 1>fanny when you're being bad, I try. What did you

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<v Speaker 1>think of this Lane centric episode? I loved it. I

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<v Speaker 1>really loved it, you know, I just you know, I

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<v Speaker 1>had a thought last night. Once in a while, I

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<v Speaker 1>get a thought, and I want to share my thought,

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<v Speaker 1>not thoughts, that's not plural thought. One thought. I had

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<v Speaker 1>one thought. And it seems like Lane is the Korean

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<v Speaker 1>version of Laurel I, and we are watching Lane go

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<v Speaker 1>through what Laurel I probably went through at some level

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<v Speaker 1>in real time. Uh. And isn't it interesting that did did?

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<v Speaker 1>Did you just blow your mind? Actually a little bit yes,

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<v Speaker 1>A little bit yes. And that's why because with the difficult,

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<v Speaker 1>strict mother trying to control it. I'm like, oh my god,

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<v Speaker 1>just exploded. Lane is Laureli. She rebels, she's rebelling against

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<v Speaker 1>a conservative mother. I actually, yeah, that's why. That's the

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<v Speaker 1>correct That's Rory's sister. That's why they're best friends. That's

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<v Speaker 1>why she's always over. And that's why Laurie's lauralized such

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<v Speaker 1>a great mother because she has been through this. She

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<v Speaker 1>understands this dynamic. That's her real mother. See every a

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<v Speaker 1>lot of fans wish that Lauren Graham was their mother.

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<v Speaker 1>I don't blame them, because she's a spectacular mother. The

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<v Speaker 1>character is spectacular, right, and Lane wants that too. My

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<v Speaker 1>head is actually exploded because I never thought of that.

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<v Speaker 1>Of the parallels between Lane and her mother and Laurela

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<v Speaker 1>and Emily, Yeah, it's yeah, It's just Mrs Kim is

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<v Speaker 1>almost like an enhanced version of Emily. That's why even

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<v Speaker 1>be more. That's why Emily and and and Mrs Kim

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<v Speaker 1>got along so well. Remember when they god, yes, when

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<v Speaker 1>she went shot and they went back and forth on

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<v Speaker 1>the price and it was like they respected each other.

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<v Speaker 1>They Yeah, Scott, I had a thought. That was a thought,

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<v Speaker 1>Thank you. I actually am impressed by that. Um well,

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<v Speaker 1>it just became, you know, finally we get to spend

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<v Speaker 1>some time, some real time with Lane, and I was

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<v Speaker 1>I was grateful for it because she's I tell you,

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<v Speaker 1>I don't think and you know another I did have

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<v Speaker 1>another thought and this is too much. There could be

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<v Speaker 1>another thought coming. Just look, but fasten your seatbelt. I

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<v Speaker 1>know it's a rare occasion. Let's mark the time. Time

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<v Speaker 1>mark um. Basically Laurel I. And here's the thing about

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<v Speaker 1>Lauren Graham. I wonder why she never got into stand

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<v Speaker 1>up comedy, because that's basically what her character is. Laurelize

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<v Speaker 1>the stand up comedian. She's making light of everything. She's

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<v Speaker 1>hysterically funny in every any situation, in every situation. And

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<v Speaker 1>you know, a career's stand up comic was waiting for her. Now, yeah,

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<v Speaker 1>she did it with those p t A moms. How

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<v Speaker 1>how great was that scene and how clear were her

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<v Speaker 1>comedic skills on display? It was so apparent that I'm

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<v Speaker 1>not saying she missed her calling. But when we when

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<v Speaker 1>we actually have her on on the podcast, I've got

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<v Speaker 1>to ask her about this because she you know, she

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<v Speaker 1>was She's in that kind of Whitney Cummings category. Brainy, beautiful, um,

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<v Speaker 1>incredibly intuitive, incredibly funny person and when you see her

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<v Speaker 1>on talk shows you realize how funny she is. I

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<v Speaker 1>haven't read her books, but I'm sure they're written in

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<v Speaker 1>that same tone she takes over the talk shows. I mean,

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<v Speaker 1>she's funnier than the hosts, right. So she tells her

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<v Speaker 1>stories and she's slaying all the time, right. Good for her.

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<v Speaker 1>M that's one question I'd want to ask her anyway, well,

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<v Speaker 1>amongst many. UM, okay, Daniel, do the synopsis. Because we

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<v Speaker 1>got all carried away. I was like, are we going

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<v Speaker 1>to order this episode or no? A little bit. I'm

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<v Speaker 1>gonna loosen that up a little bit because it started

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<v Speaker 1>to get kind of annoying. I was irritating myself. I

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<v Speaker 1>was so annoying. So I'm okay. So this one is

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<v Speaker 1>Season three, episode four. One's got class and the other

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<v Speaker 1>one dies. D y E yes exactly, d y e

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<v Speaker 1>s uh. Synopsis. Lore Li is invited to give a

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<v Speaker 1>speech at stars Hollow High School p t A, and

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<v Speaker 1>she convinces Luke to speak to Lane, needs to find

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<v Speaker 1>a plan to secretly attend her band practices, and tries

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<v Speaker 1>to rebel against her mom by dyeing her hair. Jessin

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<v Speaker 1>Shane's relationship is whatever, and Luke tries to confront him

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<v Speaker 1>about it. Yeah, here we go another Daniel Palladino written episode,

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<v Speaker 1>which again you can tell because I thought this episode

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<v Speaker 1>was perfectly written. Like I, I was laughing out loud

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<v Speaker 1>multiple times, and I also felt like it moved a

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<v Speaker 1>lot happening right and listen and Lane and it Canko again, uh,

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<v Speaker 1>putting her very formidable comedic skills on display here every

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<v Speaker 1>single scene, She's nailing it all over the place. And

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<v Speaker 1>the thing that impressed me in both the most better

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<v Speaker 1>performance was when she and Adam Brody were outside after

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<v Speaker 1>you know people you know, Todd started to quit or

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<v Speaker 1>Zack started to quit, and then John Cabrera quit and

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<v Speaker 1>she went outside. She was all huffy, you know, she was.

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<v Speaker 1>She was steaming um and Adam was trying to calm

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<v Speaker 1>her down. And and it's that she never went over

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<v Speaker 1>the top with the anger. She kept a comedic. She

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<v Speaker 1>kept it within the discipline. She kept it within the

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<v Speaker 1>style of the show, which is so hard to do

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<v Speaker 1>because when you're bubbling and going that fast and you're

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<v Speaker 1>bubbling up so much, it's it's it's easy to go

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<v Speaker 1>over the top, and maybe she did and they just

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<v Speaker 1>calmed her down. But it was very, very skillfully texically

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<v Speaker 1>and it really kept me in the moment. So I

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<v Speaker 1>love about Gilmore Girls. That I realized I was listening

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<v Speaker 1>to a different podcast this week that's called The Rewatchables.

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<v Speaker 1>I always listened to it. I'm obsessed with the Rewatchable.

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<v Speaker 1>So basically it does what we do for Gilmore Girls

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<v Speaker 1>on all different movies. So they're talking about the movie

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<v Speaker 1>Panic Room to remember that movie with Jodie Foster, and

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<v Speaker 1>what they point out is so in it, Jodie Foster's

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<v Speaker 1>daughter is diabetic, but you never get the weird scene

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<v Speaker 1>where she's like, you know, daughter, you better grab some

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<v Speaker 1>orange juice because of your diabetes. Like it doesn't shove

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<v Speaker 1>it in, like you just subtly see something in the

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<v Speaker 1>refrigerator and there's like a minute reference. And I feel

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<v Speaker 1>like Gilmore Girls does that too. They don't bang us

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<v Speaker 1>over the head of anything. It's like and dare I

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<v Speaker 1>bring up I don't want to bring it up. But

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<v Speaker 1>the Christopher showing up scene, it's like going back to it.

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<v Speaker 1>It's like, we don't need to be banged over the

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<v Speaker 1>head is bang is a bang bang, it's not banged.

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<v Speaker 1>And in this episode there was so much nuance and

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<v Speaker 1>then you're like, oh so good. Like with Rory and Shane,

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<v Speaker 1>Rory never says to Lane, I hate that check. She sucks.

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<v Speaker 1>She never says that. You just are like right. It's

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<v Speaker 1>like when you think that Rory doesn't have an answer

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<v Speaker 1>to that situation. She she went back in and bought

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<v Speaker 1>that black dye and delivered it. Okay, so we'll start

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<v Speaker 1>from the beginning, which is good with Shane and Jess

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<v Speaker 1>because we're in the diner and it's Rory Lorly and

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<v Speaker 1>Lane comes in, so we know there's some band elements happening.

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<v Speaker 1>And then be bop boom, here comes Shane and it's

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<v Speaker 1>just makeout city and I think you say make a hole. Um.

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<v Speaker 1>They referred to me as weird Rory Rory. They she

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<v Speaker 1>said you're weird, and then Rory said, but he's always

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<v Speaker 1>been weird? Is that the perception? Yeah? Remember when he

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<v Speaker 1>when he serves them to he said, dead cow, dead cows? Weird?

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<v Speaker 1>I was like, who wants to eat a burger after

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<v Speaker 1>your healthy? Luke doesn't eat the way they eat, and

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<v Speaker 1>so he always has to remind them from the beginning

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<v Speaker 1>of time you should be eating like asparagus. He's a

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<v Speaker 1>he's a healthy guy. He's a green guy. Good cowt

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<v Speaker 1>so good. The fake eating was a little bit too

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<v Speaker 1>fake for me though this episode because with the tiny

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<v Speaker 1>little bite out of the burger bun. My favorite when

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<v Speaker 1>Lane stole the burger for Rory and she goes, oh,

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<v Speaker 1>and then you look at the burger and there's like

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<v Speaker 1>a sessame seed off burg. I also have to comment

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<v Speaker 1>that I love the background actor in this scene. So

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<v Speaker 1>basically Rory and they're walking out and there's a couple

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<v Speaker 1>sitting right by the door and Shane blows in and

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<v Speaker 1>the woman at that table he does have to rewatch it.

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<v Speaker 1>She just gives the I like, and she maybe was

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<v Speaker 1>directed to do so, like oh like as Shane flies

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<v Speaker 1>in and then she gives her the stink guy as

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<v Speaker 1>she's making being out with Jess. I was like, oh,

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<v Speaker 1>way to go, because it was what I would have done, right.

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<v Speaker 1>That's a good background actor. She she was definitely directed

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<v Speaker 1>to do that, and if she did it of her

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<v Speaker 1>own volition, Steve Robin, the director went to her and said,

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<v Speaker 1>you know what, do that that's great. That reads great

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<v Speaker 1>because they're on the monitor. Everybody's in a video village

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<v Speaker 1>looking at it on the monitor. How does this look?

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<v Speaker 1>And how does that look? Too much? And you know,

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<v Speaker 1>and they're really watching for the extras and saying tamping

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<v Speaker 1>them down. It's like, you're doing too much. You're doing

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<v Speaker 1>too much. That one wasn't too much. That one they

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<v Speaker 1>probably loved. Yeah, yes, because I was like, if someone

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<v Speaker 1>blows through a door and sort of pushes someone aside

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<v Speaker 1>and goes make out with a dude, you're gonna be like,

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<v Speaker 1>what has happened? That's that's not stars like I do

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<v Speaker 1>I do? I like her, I do like her. I

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<v Speaker 1>liked her in that scene with Rory where because she's

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<v Speaker 1>not letting Rory get the better of her. You know,

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<v Speaker 1>she's fighting, but she's tough, right, and she doesn't seem

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<v Speaker 1>to let Jess walk all over her, like when they're

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<v Speaker 1>on the phone. It's kind of like she seems like

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<v Speaker 1>she's sort of a strong girl. Oh she's tough, Yeah,

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<v Speaker 1>she's she's a girl. Her personality, she wouldn't have gone

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<v Speaker 1>into the closet, although maybe she's just like, I don't

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<v Speaker 1>want to deal with your right in the face of

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<v Speaker 1>Luke Daan's she's everybody goes in the close. Come on kidding?

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<v Speaker 1>You mean you mean butcher Dans? Was that your picture?

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<v Speaker 1>Just tell us it wasn't my hair, but it was

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<v Speaker 1>my face. No, they photo shopped they did. That was

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<v Speaker 1>not my body, It was only my face. Cut your

0:11:51.679 --> 0:11:53.440
<v Speaker 1>face out and put it in there. They put a

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<v Speaker 1>younger version of my face. Yes, yeah, I think I

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<v Speaker 1>come back to you when you saw that where you're like,

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<v Speaker 1>that was funny. But it wasn't my hair. That was

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<v Speaker 1>somebody else's hair. They put some some flat top hair

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<v Speaker 1>do on there, and uh, that was somebody else's body too.

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<v Speaker 1>I never ran a track. Here's my question for you.

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<v Speaker 1>Is a fib a lie? Give me an example, like

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<v Speaker 1>Lane Lane, she FIBs to her mom like she says,

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<v Speaker 1>I'm with Laura lyon Rory, even though it's a fib

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<v Speaker 1>because she's only with them for eight point two seconds

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<v Speaker 1>as she's doing band practice or whatever. To her, it's

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<v Speaker 1>a fib. To her mom's it's a lie. It's depends

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<v Speaker 1>on your perspective because she's gonna get a cane in

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<v Speaker 1>if that ever she ever gets caught fibbing you. Know right,

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<v Speaker 1>she's gonna get a biblical cane in so yeah, definitely.

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<v Speaker 1>So where where are Danielle? Do you think a fib

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<v Speaker 1>is a lie? I think what Scott said was perfect.

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<v Speaker 1>It's it's all according to your perspective, because she wasn't

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<v Speaker 1>technically lying. However, she definitely admitted the truth. She's she's

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<v Speaker 1>moving the gold post for her. She knows her. She

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<v Speaker 1>had too. Because I live by the words of Lane.

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<v Speaker 1>I will fib, but I won't lie. But she is lying,

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<v Speaker 1>She's okay. And then we saw that the town at night.

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<v Speaker 1>It was beautiful. They showed this great shot of the

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<v Speaker 1>town at night. And then we go into band practice

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<v Speaker 1>and this is the first time we see Zack and

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<v Speaker 1>Bryant m hm, which was massive. Danielle has no idea why,

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<v Speaker 1>but but we know, Yeah, do I know? Why? Why

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<v Speaker 1>is it so massive? God? Not even answering that. I'm

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<v Speaker 1>just gonna let you guys live your lives and follow

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<v Speaker 1>the journey. I can't tell you. It will ruin so

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<v Speaker 1>many things. I will say, I'm very stoked for Dave

0:13:54.440 --> 0:13:57.480
<v Speaker 1>and Lane to whatever is going to happen there. I

0:13:57.559 --> 0:14:00.840
<v Speaker 1>love it. I like that relationship, how it's starting and

0:14:00.880 --> 0:14:04.280
<v Speaker 1>how he is. And you know, I can see why

0:14:04.320 --> 0:14:06.280
<v Speaker 1>he I can see why, I see why he went

0:14:06.320 --> 0:14:08.640
<v Speaker 1>on to a bigger and better things. Yes, because he's

0:14:08.679 --> 0:14:12.640
<v Speaker 1>so darling and he has amazing timing. He really has

0:14:12.720 --> 0:14:16.520
<v Speaker 1>the cadence for this show and actually took it with

0:14:16.600 --> 0:14:20.760
<v Speaker 1>him to the o C. He does speak Gilmore a

0:14:20.840 --> 0:14:23.000
<v Speaker 1>bit when he went to the o C. But you

0:14:23.040 --> 0:14:27.080
<v Speaker 1>know what, he wasn't really doing the Gilmore thing as

0:14:27.440 --> 0:14:31.040
<v Speaker 1>a member of this cast. He was doing his own thing.

0:14:32.920 --> 0:14:34.600
<v Speaker 1>And I don't know how they let him get away

0:14:34.640 --> 0:14:37.160
<v Speaker 1>with it, but I think they liked what he had

0:14:37.240 --> 0:14:39.440
<v Speaker 1>to bring to the table so much they just sort

0:14:39.440 --> 0:14:42.840
<v Speaker 1>of let it pass because he wasn't flying through the dialogue.

0:14:42.880 --> 0:14:45.520
<v Speaker 1>He wasn't. But he has a cadence and a rhythm

0:14:45.640 --> 0:14:49.680
<v Speaker 1>all his own, right, Yes, And he is like that

0:14:49.760 --> 0:14:52.160
<v Speaker 1>on the o C. Is he? I never I never

0:14:52.200 --> 0:14:54.520
<v Speaker 1>watched it. I might be wrong, but I think that

0:14:54.600 --> 0:14:56.840
<v Speaker 1>had he not left to do the o C, they

0:14:56.880 --> 0:15:00.760
<v Speaker 1>probably would have made him more prominent on gil More. Ah.

0:15:01.160 --> 0:15:03.320
<v Speaker 1>My gut is they would have kept him around, you know.

0:15:04.040 --> 0:15:07.080
<v Speaker 1>You know what all of the here's the interesting thing

0:15:07.080 --> 0:15:09.720
<v Speaker 1>about that, and here's a little inside information, behind the

0:15:09.720 --> 0:15:13.720
<v Speaker 1>scenes stuff. Um, all of those young guys, the uh,

0:15:14.560 --> 0:15:17.480
<v Speaker 1>the Chad, Michael Murray's, the Jared's then and and by

0:15:17.520 --> 0:15:20.360
<v Speaker 1>the way, let me say right now, I am sending

0:15:20.360 --> 0:15:24.160
<v Speaker 1>out love and support to Jared Padlicky and his lovely family.

0:15:24.800 --> 0:15:28.880
<v Speaker 1>I am hoping he recovers. I understand that he was

0:15:28.920 --> 0:15:33.520
<v Speaker 1>a passenger in a car. There was an accident. Jensen Echols,

0:15:33.640 --> 0:15:37.440
<v Speaker 1>his partner and crime for Supernatural, said he could have

0:15:37.520 --> 0:15:41.280
<v Speaker 1>been killed, but the airbag saved him, and Jared's quote

0:15:41.320 --> 0:15:45.280
<v Speaker 1>in Entertainment Weekly was it was like going twelve rounds

0:15:45.280 --> 0:15:49.040
<v Speaker 1>with Mike Tyson, as if anybody could survive that except

0:15:49.080 --> 0:15:51.640
<v Speaker 1>for a vendor holy Field, um and the guy on

0:15:51.680 --> 0:15:59.360
<v Speaker 1>the Southwest plane. Right. But you know, hoping you recover

0:15:59.400 --> 0:16:02.040
<v Speaker 1>a hundred percent. Take all the time you need, buddy,

0:16:02.200 --> 0:16:05.000
<v Speaker 1>and uh, we're hoping you come on the podcast we

0:16:05.080 --> 0:16:08.240
<v Speaker 1>all soon and tell us about your your wonderful career

0:16:08.640 --> 0:16:11.240
<v Speaker 1>and your time on Gilmore Girls. So all the best

0:16:11.240 --> 0:16:16.880
<v Speaker 1>to you and your wife and sons, um and speedy recovery, Buddy,

0:16:16.920 --> 0:16:26.560
<v Speaker 1>speedy recovery. We're you know, everybody is pulling for you. Yeah. Anyway,

0:16:26.640 --> 0:16:28.360
<v Speaker 1>let's get back to what we were talking about. What

0:16:28.400 --> 0:16:31.400
<v Speaker 1>we're talking about. So we're talking about ban practice and

0:16:31.400 --> 0:16:33.840
<v Speaker 1>they're you know, they're practicing at the record store. It's

0:16:33.880 --> 0:16:37.280
<v Speaker 1>the first time we meet Zack and Brian, right, we're

0:16:37.360 --> 0:16:39.760
<v Speaker 1>doing that, We're doing the Adam Brodie Cadence thing. So

0:16:39.840 --> 0:16:43.560
<v Speaker 1>he was really his own guy. He was just so

0:16:44.640 --> 0:16:47.160
<v Speaker 1>fully formed a character that he must have walked into

0:16:47.200 --> 0:16:50.680
<v Speaker 1>the audition and they just went, yeah, okay, don't change

0:16:50.680 --> 0:16:53.480
<v Speaker 1>a thing, don't speed him up, don't get him to

0:16:53.560 --> 0:16:56.720
<v Speaker 1>adhere to the Gilmore speed trap, you know, that kind

0:16:56.760 --> 0:17:00.320
<v Speaker 1>of a thing, because he was just handling it so well. Yeah,

0:17:00.400 --> 0:17:06.560
<v Speaker 1>he's very likable, yes, and against Lane and her hysteria, right,

0:17:07.320 --> 0:17:12.160
<v Speaker 1>her piste I mean justifiably piste off. People are gonna

0:17:12.240 --> 0:17:14.520
<v Speaker 1>quit or band for God's sake. All the efforts she

0:17:14.560 --> 0:17:17.600
<v Speaker 1>had to go through too to get that, which we'll

0:17:17.600 --> 0:17:19.520
<v Speaker 1>talk about in pop culture. But they make the reference

0:17:19.560 --> 0:17:23.119
<v Speaker 1>to Pete Best, which was that the like the Beatle

0:17:23.200 --> 0:17:25.639
<v Speaker 1>that never was. I think he was the guy he

0:17:25.720 --> 0:17:28.359
<v Speaker 1>dropped out. They either kicked no, they they actually no.

0:17:28.480 --> 0:17:31.919
<v Speaker 1>He was in Hamburg with them for a year or

0:17:31.960 --> 0:17:37.520
<v Speaker 1>so and Ringo quit. Who Pete Best quit the Beatles?

0:17:37.560 --> 0:17:39.840
<v Speaker 1>I think he I believe he was in Hamburg with

0:17:39.880 --> 0:17:41.640
<v Speaker 1>the Beatle for a couple you know, the Beatles became

0:17:41.640 --> 0:17:45.200
<v Speaker 1>the Beatles in Hamburg, Germany. They played thousands of shows

0:17:45.280 --> 0:17:47.000
<v Speaker 1>in two years. I mean, it's all they did was

0:17:47.000 --> 0:17:49.359
<v Speaker 1>play shows. They played five shows on a Sunday, they

0:17:49.359 --> 0:17:51.120
<v Speaker 1>played six shows on a Saturday, you know what I mean.

0:17:51.119 --> 0:17:52.640
<v Speaker 1>That's all they did. That's why they were so tight

0:17:52.640 --> 0:17:56.240
<v Speaker 1>and so great. And Ringo Starr was in Hamburg too,

0:17:56.280 --> 0:17:59.640
<v Speaker 1>and he was He was the most famous person in Hamburg.

0:17:59.720 --> 0:18:02.600
<v Speaker 1>Ringo stars and they always wanted him and they finally

0:18:02.600 --> 0:18:07.560
<v Speaker 1>got him. I correct, correct, my own error. Was fired.

0:18:07.720 --> 0:18:10.400
<v Speaker 1>He was not. He did not. He was fired because

0:18:10.880 --> 0:18:12.800
<v Speaker 1>they didn't like what he was doing with some of

0:18:12.840 --> 0:18:18.240
<v Speaker 1>the songs and they they needed a better drummer. Um.

0:18:18.280 --> 0:18:21.760
<v Speaker 1>But yeah, great scene is evidence that he was fired

0:18:21.800 --> 0:18:28.320
<v Speaker 1>because of his good looks. It's never a good thing. Okay.

0:18:28.320 --> 0:18:31.359
<v Speaker 1>So now you don't want to compete with Paul and John.

0:18:31.560 --> 0:18:38.040
<v Speaker 1>I'm looking at the photo. Paul is a more well

0:18:38.520 --> 0:18:41.720
<v Speaker 1>to each their own, but Paul is handsome, so okay.

0:18:41.720 --> 0:18:47.800
<v Speaker 1>So Lane's in her closets. Her closet was amazing. And

0:18:47.920 --> 0:18:50.439
<v Speaker 1>Roy's in her room, and I noticed a fund some

0:18:50.560 --> 0:18:54.760
<v Speaker 1>fun little tidbits as you guys in Rory's room, like

0:18:54.800 --> 0:18:58.399
<v Speaker 1>a nutcracker up in her room, Like the room was amazing,

0:18:59.040 --> 0:19:04.680
<v Speaker 1>and Lane's closet phenomenal. So then okay, sorry, while they're

0:19:04.720 --> 0:19:11.000
<v Speaker 1>on the phone, Debb Debbie Fincher clicks in and then

0:19:11.359 --> 0:19:16.960
<v Speaker 1>that whole thing happens. I Swedberg from the Seinfeld Fame. God,

0:19:17.640 --> 0:19:24.600
<v Speaker 1>she her mom hair was so bad. Yeah, wait, she's

0:19:24.640 --> 0:19:26.359
<v Speaker 1>not the one that dies. Look in the envelopes is

0:19:30.600 --> 0:19:32.960
<v Speaker 1>by the way, not today, but one of these days.

0:19:33.160 --> 0:19:35.040
<v Speaker 1>You have no idea how many people want us to

0:19:35.040 --> 0:19:37.960
<v Speaker 1>do a deep dive into the sponge worthiness, So one

0:19:37.960 --> 0:19:40.679
<v Speaker 1>of these days will do a special. I mean they

0:19:40.760 --> 0:19:42.880
<v Speaker 1>ask every week, so we gotta give it one day.

0:19:42.920 --> 0:19:46.080
<v Speaker 1>But no, oh my god, she died. Look in the

0:19:46.200 --> 0:19:52.760
<v Speaker 1>envelope her mom hair, Deb's mom hair, by the way,

0:19:52.800 --> 0:19:57.200
<v Speaker 1>great scene. My favorite part of it was when when

0:19:57.280 --> 0:19:59.760
<v Speaker 1>Laura I clicked off because she said, well, how's your

0:20:00.119 --> 0:20:03.080
<v Speaker 1>how how are your kids? She just held the phone

0:20:03.080 --> 0:20:05.720
<v Speaker 1>start talking to Rory. It's like she's just gonna talk

0:20:05.720 --> 0:20:07.960
<v Speaker 1>about her kids for a couple of minutes. I don't

0:20:07.960 --> 0:20:11.879
<v Speaker 1>need to know. Uh. The timing on that was beautiful.

0:20:11.880 --> 0:20:16.439
<v Speaker 1>Everything was great about that scene, um and uh, she

0:20:16.520 --> 0:20:19.439
<v Speaker 1>didn't know who the heck that woman was, so it

0:20:19.480 --> 0:20:24.280
<v Speaker 1>was hysterical. It was I thought this was such a

0:20:24.480 --> 0:20:28.240
<v Speaker 1>great episode for Lauren because she got to display in

0:20:28.240 --> 0:20:32.080
<v Speaker 1>a sort of very lighthearted way her comedy skills. It

0:20:32.200 --> 0:20:36.280
<v Speaker 1>was really Lane and Laurelai, which makes me even more

0:20:36.359 --> 0:20:39.679
<v Speaker 1>of an explosion because of your thing you said at

0:20:39.680 --> 0:20:46.520
<v Speaker 1>the top of this episode, like whoa. Also, the fashion

0:20:46.640 --> 0:20:50.480
<v Speaker 1>was so five stars in this episode, and Lane's fashion

0:20:51.680 --> 0:20:55.879
<v Speaker 1>was amazing, from the orange shirt, her original polo, to

0:20:56.280 --> 0:20:57.920
<v Speaker 1>her plaid that had like a little bit of a

0:20:57.960 --> 0:21:00.800
<v Speaker 1>Western element to it. Was just her fashion was babbies. Okay,

0:21:00.800 --> 0:21:02.920
<v Speaker 1>So then you can hold on. You can't you can't

0:21:02.920 --> 0:21:06.240
<v Speaker 1>talk fashion if you're not going to mention the mom's sweater.

0:21:06.280 --> 0:21:08.320
<v Speaker 1>You just say you have to mention the sweater. Worse,

0:21:08.480 --> 0:21:10.639
<v Speaker 1>we will we will discuss more when we get to

0:21:10.640 --> 0:21:13.399
<v Speaker 1>that scene with the lamb, the Lambs sweater and the

0:21:13.600 --> 0:21:18.480
<v Speaker 1>deer sweater. So Lane's mom wants to force her to

0:21:18.520 --> 0:21:25.080
<v Speaker 1>go to religious college and really force her to do

0:21:25.160 --> 0:21:33.040
<v Speaker 1>what she MSRs Kim wants. H Well, she's she's not

0:21:33.080 --> 0:21:36.280
<v Speaker 1>going to bring up the band and then the face

0:21:36.359 --> 0:21:42.200
<v Speaker 1>of that going down hard. She's all aboard a board.

0:21:42.440 --> 0:21:46.720
<v Speaker 1>Oh man, look, she's in a bad spot. What's she

0:21:46.760 --> 0:21:49.200
<v Speaker 1>gonna do. She's she's got to make it work at

0:21:49.200 --> 0:21:52.359
<v Speaker 1>the local music store. She just has to. And I

0:21:53.160 --> 0:21:56.200
<v Speaker 1>think that I don't know. It's like, Zach, come on,

0:21:56.359 --> 0:22:00.280
<v Speaker 1>you know, you just practice, you don't listen. I used

0:22:00.320 --> 0:22:03.119
<v Speaker 1>to practice with the band all the time and we

0:22:03.160 --> 0:22:06.720
<v Speaker 1>would practice really loud, and you know what, it didn't help.

0:22:07.160 --> 0:22:09.840
<v Speaker 1>It didn't help anything. It doesn't make you better. It

0:22:09.960 --> 0:22:13.000
<v Speaker 1>just made us more deaf. It doesn't make you better.

0:22:13.760 --> 0:22:16.640
<v Speaker 1>There's no reason for it. And exactly just turn it down.

0:22:16.840 --> 0:22:19.120
<v Speaker 1>Just turn it way down, so then you can sort

0:22:19.160 --> 0:22:21.240
<v Speaker 1>of layer the guitars and you can sort of weave

0:22:21.280 --> 0:22:25.840
<v Speaker 1>stuff together. And you know, it's amazing that that he

0:22:25.880 --> 0:22:29.639
<v Speaker 1>didn't know that. Um, I don't know. Yeah, So that

0:22:30.800 --> 0:22:35.560
<v Speaker 1>for me an inauspicious debut for Zach, right, you know,

0:22:36.200 --> 0:22:40.160
<v Speaker 1>interesting character, for sure. I'm sure he comes around full circle.

0:22:40.280 --> 0:22:43.919
<v Speaker 1>But you know, the first we see Zack he quits

0:22:43.960 --> 0:22:46.960
<v Speaker 1>the band, it's like, what this is Lane's dream? What

0:22:47.000 --> 0:22:49.639
<v Speaker 1>are you doing? Bro? You know? And then John and

0:22:49.640 --> 0:22:53.520
<v Speaker 1>then who's John Cabara's character? Ryan? And then Ryan wants

0:22:53.520 --> 0:22:56.440
<v Speaker 1>to put the band but I guess that's how these

0:22:56.480 --> 0:22:58.479
<v Speaker 1>things are in high school. Right. It's like, I'm not

0:22:58.560 --> 0:23:01.280
<v Speaker 1>feeling it, man, So I'm at here. She didn't know

0:23:01.440 --> 0:23:04.240
<v Speaker 1>them before, she just met them. You know, they don't

0:23:04.320 --> 0:23:06.439
<v Speaker 1>go to her school. I mean, as an audience, we

0:23:06.600 --> 0:23:10.199
<v Speaker 1>know how big of a dream this is for for

0:23:10.440 --> 0:23:13.879
<v Speaker 1>Lane and how it's not I mean, it's the reason

0:23:13.960 --> 0:23:17.040
<v Speaker 1>people join rock bands and run away from home. She's

0:23:17.080 --> 0:23:22.040
<v Speaker 1>she's that not stereotypical situation, but it's like, you know,

0:23:22.080 --> 0:23:25.600
<v Speaker 1>whether it's you know, abuse or it's alcohol, whatever it is,

0:23:25.680 --> 0:23:26.959
<v Speaker 1>you know, it's like, we got to get away from

0:23:26.960 --> 0:23:28.560
<v Speaker 1>this and join a rock band and go be famous.

0:23:28.680 --> 0:23:33.920
<v Speaker 1>Um um, She's she's that girl and she really wants

0:23:33.960 --> 0:23:35.960
<v Speaker 1>to do this, and I think it's a It's it

0:23:36.040 --> 0:23:40.640
<v Speaker 1>makes that power, the power of that character palpable because

0:23:41.280 --> 0:23:44.800
<v Speaker 1>you know, it's so relatable. I mean, it's so relatable

0:23:44.920 --> 0:23:47.760
<v Speaker 1>and just a great episode for her. But I feel

0:23:47.760 --> 0:23:52.000
<v Speaker 1>like kids, they do seem like high school kids. Were

0:23:52.000 --> 0:23:55.040
<v Speaker 1>doing another show about nine o two one oh, and

0:23:55.119 --> 0:23:57.600
<v Speaker 1>those kids never seemed like they were in high school.

0:23:57.680 --> 0:24:01.480
<v Speaker 1>They were like ten years older, whereas these guys seem

0:24:01.520 --> 0:24:06.879
<v Speaker 1>the age they seen sixteen seventeen. They Act sixteen seventeen.

0:24:07.000 --> 0:24:12.520
<v Speaker 1>It's they definitely seemed like kids in high school. Yeah, like,

0:24:12.600 --> 0:24:14.199
<v Speaker 1>come on, Lane, you can figure it out. You can

0:24:14.240 --> 0:24:18.520
<v Speaker 1>get to Hartford. You know you can do it. Yeah,

0:24:18.520 --> 0:24:21.640
<v Speaker 1>I wonder, I guess. And here's another thing. I did

0:24:21.680 --> 0:24:25.679
<v Speaker 1>have another thought. Okay, I had another thought. The thoughts

0:24:25.840 --> 0:24:30.520
<v Speaker 1>got together at head Babies. If Mrs Kim is so

0:24:30.560 --> 0:24:35.119
<v Speaker 1>obsessed with Lane's education, and she's so concerned with Lane's future,

0:24:35.960 --> 0:24:39.880
<v Speaker 1>why isn't she in private school? Maybe they couldn't afford it. Okay,

0:24:39.920 --> 0:24:44.480
<v Speaker 1>there's scholarships, there's all kinds of there's there's financial aid,

0:24:44.520 --> 0:24:47.439
<v Speaker 1>there's right, it's a good point. Is Mrs Kim not

0:24:47.640 --> 0:24:51.200
<v Speaker 1>a woman of true hustle and means? I mean, she

0:24:51.240 --> 0:24:53.600
<v Speaker 1>could have figured that out. What's she doing in stars Hollow?

0:24:53.960 --> 0:24:57.199
<v Speaker 1>That's a great point. Not. I mean, it's not Chilton.

0:24:57.600 --> 0:25:00.240
<v Speaker 1>I don't know how highly rated Star Stars Hallow High

0:25:00.240 --> 0:25:03.520
<v Speaker 1>School is. But it's a small town right in Connecticut,

0:25:03.560 --> 0:25:06.080
<v Speaker 1>so it must be Connecticut as a great school. So

0:25:06.119 --> 0:25:08.920
<v Speaker 1>it's good, right, But it's not private school. And also

0:25:08.960 --> 0:25:11.160
<v Speaker 1>you would think that she would have gone to a

0:25:11.200 --> 0:25:15.119
<v Speaker 1>private school just because it was strict, you know, wearing

0:25:15.119 --> 0:25:20.200
<v Speaker 1>a uniform. Absolutely, this this, this like Mrs Kim, how

0:25:20.240 --> 0:25:22.520
<v Speaker 1>do you say no to Mrs Kemp. She would have

0:25:22.560 --> 0:25:24.600
<v Speaker 1>gone to any private school, made a deal with some

0:25:24.680 --> 0:25:27.639
<v Speaker 1>antique furniture or whatever, giving him half their business. She

0:25:27.640 --> 0:25:30.240
<v Speaker 1>would have done anything so that her daughter could go

0:25:30.320 --> 0:25:33.000
<v Speaker 1>to private school. Why didn't she do it? Do you

0:25:33.040 --> 0:25:34.840
<v Speaker 1>think it's because it's closer to her house so she

0:25:34.880 --> 0:25:38.000
<v Speaker 1>can actually watch lanes every move And she knows everyone

0:25:38.040 --> 0:25:43.359
<v Speaker 1>in Stars Hollow. That is an interesting point. She knows

0:25:43.480 --> 0:25:46.040
<v Speaker 1>every single person, every kid, every parent in that school.

0:25:47.560 --> 0:25:50.280
<v Speaker 1>That's a good point. She's got the eyes at school,

0:25:51.280 --> 0:25:54.679
<v Speaker 1>things flowing. Yeah, they're right across the street. She's right

0:25:54.720 --> 0:26:00.320
<v Speaker 1>across the town circle, town Square. Okay, So now we're

0:26:00.359 --> 0:26:03.359
<v Speaker 1>at the inn and lorealizes prepping her speech and you

0:26:03.440 --> 0:26:05.240
<v Speaker 1>get on the phone and you're like, I want to

0:26:05.240 --> 0:26:07.600
<v Speaker 1>back out, and she's doing the baby voice versus the

0:26:07.640 --> 0:26:17.280
<v Speaker 1>Louis Armstrong voice. That was highly comedic but very odd. Found. Yeah,

0:26:17.960 --> 0:26:23.320
<v Speaker 1>Michelle was perfect. Oh god, Oh, the man slays me.

0:26:24.320 --> 0:26:27.360
<v Speaker 1>The man just absolutely slays me. Did you just say

0:26:27.720 --> 0:26:33.800
<v Speaker 1>says that makes me so happy? It kills me. That

0:26:33.920 --> 0:26:37.320
<v Speaker 1>guy kills me. He delivers I mean, what did he

0:26:37.359 --> 0:26:41.400
<v Speaker 1>have one scene, what do you have? Five lines of dialogue?

0:26:41.440 --> 0:26:43.440
<v Speaker 1>And he steals the I don't know if he stole

0:26:43.480 --> 0:26:50.639
<v Speaker 1>the episode, but man, what a highlight that was. He

0:26:50.760 --> 0:26:53.680
<v Speaker 1>went so fast with it that I almost wanted to

0:26:53.680 --> 0:26:56.399
<v Speaker 1>watch it like eight more times because he is just

0:26:56.640 --> 0:27:00.639
<v Speaker 1>cruising with the liners, making fun of her. His timing

0:27:00.720 --> 0:27:05.840
<v Speaker 1>is perfect, It's perfect. He's perfect. It's just unbelievable. I

0:27:05.880 --> 0:27:08.960
<v Speaker 1>love that guy. I want to bring him back on

0:27:08.960 --> 0:27:12.399
<v Speaker 1>the podcast. Guy. I asked, Scott, you might want to

0:27:12.400 --> 0:27:15.080
<v Speaker 1>pop him a text because they pitched him to me.

0:27:15.160 --> 0:27:18.119
<v Speaker 1>He's got his new show coming. Yeah, and so I said,

0:27:18.359 --> 0:27:21.720
<v Speaker 1>we really want him to come on again. Yeah, he'll

0:27:21.760 --> 0:27:24.280
<v Speaker 1>come on. I know. He's so great. I was just

0:27:24.359 --> 0:27:26.480
<v Speaker 1>with him in Where was I with him? I said it?

0:27:26.520 --> 0:27:28.480
<v Speaker 1>I told him I was with him in Was I

0:27:28.520 --> 0:27:31.399
<v Speaker 1>with him in Atlanta? Yeah? At a convention? I was

0:27:31.440 --> 0:27:34.680
<v Speaker 1>with him. Yeah he was, Yeah, I was. We hung

0:27:34.680 --> 0:27:37.840
<v Speaker 1>out the whole time. He's great. We are booth boothe

0:27:37.840 --> 0:27:41.840
<v Speaker 1>were next to each other. Were you popular? Yeah? Yeah.

0:27:41.880 --> 0:27:47.400
<v Speaker 1>People wanted to double selfie. They wanted to you know, selfie.

0:27:47.560 --> 0:27:50.560
<v Speaker 1>I kept interrupting him. He kept interrupting me. Hey, Scott,

0:27:50.600 --> 0:27:54.040
<v Speaker 1>they wanted double and like Okay, excuse me, I'll have

0:27:54.080 --> 0:27:55.920
<v Speaker 1>to go over here. Now he's right there. He was

0:27:56.000 --> 0:27:58.520
<v Speaker 1>right next door. He was my neighbor. Did you guys

0:27:58.520 --> 0:28:01.480
<v Speaker 1>notice it's fall obviously because at the beginning of season three,

0:28:01.480 --> 0:28:03.679
<v Speaker 1>but they're really showing us fall with the pumpkins, the

0:28:03.720 --> 0:28:08.800
<v Speaker 1>Halloween decor. Yeah, that made me. He's like so excited.

0:28:08.840 --> 0:28:13.399
<v Speaker 1>And it's April here the Darnet still got a couple

0:28:13.440 --> 0:28:16.160
<v Speaker 1>of months ago. So Rory and Lane are walking through

0:28:16.240 --> 0:28:18.359
<v Speaker 1>town and this was another thing that I thought was

0:28:19.160 --> 0:28:22.040
<v Speaker 1>brilliant about this episode. They walk into the beauty shop,

0:28:22.080 --> 0:28:25.200
<v Speaker 1>which we've never been to the beauty shop. They're shopping.

0:28:26.080 --> 0:28:28.520
<v Speaker 1>Are you are you waitte? Are you? Are you skipping?

0:28:28.560 --> 0:28:31.359
<v Speaker 1>The Luke wanting to back out of the she said

0:28:31.359 --> 0:28:36.000
<v Speaker 1>it was awkward. That's I mean, but there's more to it. Okay,

0:28:36.000 --> 0:28:38.480
<v Speaker 1>go tell no, no, I mean you go, you go

0:28:38.560 --> 0:28:41.760
<v Speaker 1>you tell Well. I did think the baby voice was awkward,

0:28:41.880 --> 0:28:44.960
<v Speaker 1>and the Louis Armstrong voice was like funny but awkward,

0:28:45.720 --> 0:28:51.440
<v Speaker 1>and then that she convinces Luke to do it. I

0:28:52.520 --> 0:28:56.200
<v Speaker 1>noticed something about these two. The banter between these two

0:28:56.400 --> 0:29:01.760
<v Speaker 1>is so even when it's awkward and cringe e, you

0:29:01.920 --> 0:29:06.160
<v Speaker 1>still feel the love. It comes through loud and clear.

0:29:06.200 --> 0:29:10.680
<v Speaker 1>They are perfectly matched. They are perfect for each other.

0:29:11.880 --> 0:29:17.280
<v Speaker 1>And you don't expect Luke to the You don't expect

0:29:17.320 --> 0:29:20.239
<v Speaker 1>those things to come out of Luke's mouth, right if

0:29:20.240 --> 0:29:22.360
<v Speaker 1>you're looking at him like, that's the last thing I

0:29:22.400 --> 0:29:25.400
<v Speaker 1>expected that guy to say. Which is that? Which is

0:29:25.400 --> 0:29:28.200
<v Speaker 1>why the character is so great. It's what he says,

0:29:28.520 --> 0:29:32.680
<v Speaker 1>and it makes Jess so brilliant because Jess calls him

0:29:32.680 --> 0:29:38.160
<v Speaker 1>out at the end of this episode. So that's I

0:29:38.200 --> 0:29:44.080
<v Speaker 1>thought that was, like, oh and Jess is Jess is

0:29:44.120 --> 0:29:46.680
<v Speaker 1>going down a couple of notches in my book, and

0:29:46.840 --> 0:29:52.920
<v Speaker 1>the character's going down a little bit. I agree. He

0:29:52.960 --> 0:29:57.400
<v Speaker 1>gave a look look when when when what's the girl's name?

0:29:57.480 --> 0:30:01.880
<v Speaker 1>The blonde? Shane and Jess passed Rory and and and

0:30:02.200 --> 0:30:05.840
<v Speaker 1>Lane on the street, you know, Jess looked back and

0:30:05.920 --> 0:30:08.800
<v Speaker 1>kind of gave her a dirty look. He's hurt, he's

0:30:08.880 --> 0:30:13.600
<v Speaker 1>broken hearted. He is. That's why he says nothing to me.

0:30:13.680 --> 0:30:16.760
<v Speaker 1>I don't even know her last name. The girl, he says,

0:30:16.840 --> 0:30:19.120
<v Speaker 1>the girl I like, doesn't want to be with me.

0:30:20.640 --> 0:30:23.440
<v Speaker 1>Part of course he gave her the dirty looft If

0:30:23.480 --> 0:30:28.080
<v Speaker 1>only he knew that Rory's flipping her lid on Shane.

0:30:29.200 --> 0:30:32.840
<v Speaker 1>He would be so happy. Literally, Jess is just using

0:30:32.880 --> 0:30:38.600
<v Speaker 1>Shane as a rebound. I get that. But listen, you know,

0:30:38.680 --> 0:30:40.560
<v Speaker 1>Rory got on a bus and went to New York City,

0:30:40.600 --> 0:30:42.360
<v Speaker 1>she'd never been there before to go find him. She

0:30:42.400 --> 0:30:45.479
<v Speaker 1>found him, Then he comes to the wedding, they kissed.

0:30:45.520 --> 0:30:48.440
<v Speaker 1>She kisses him. I mean, it's like, you know you're

0:30:48.480 --> 0:30:52.800
<v Speaker 1>going to break up with Dean. So in the beauty

0:30:52.840 --> 0:30:55.080
<v Speaker 1>shop the thing that I thought was so brilliant, just

0:30:55.360 --> 0:30:59.400
<v Speaker 1>beyond brilliant. They're shopping, they're doing all their hair thing,

0:30:59.480 --> 0:31:03.240
<v Speaker 1>and they're they're going, going, going, and then boom, Shane,

0:31:03.360 --> 0:31:05.640
<v Speaker 1>Like I did not even I've seen this episode at

0:31:05.720 --> 0:31:07.840
<v Speaker 1>least three times, and I forgot she was in there.

0:31:07.840 --> 0:31:12.400
<v Speaker 1>I'm like, what did you think, Danielle when she there?

0:31:12.440 --> 0:31:15.600
<v Speaker 1>She was? I mean, I loved it. That's the best,

0:31:15.720 --> 0:31:18.240
<v Speaker 1>you know, Like that's especially her being on the phone

0:31:18.320 --> 0:31:22.200
<v Speaker 1>kind of ignoring Rory a little bit and Rory demanding attention.

0:31:22.960 --> 0:31:26.040
<v Speaker 1>It's just it was on the phone with Jess. I know,

0:31:26.280 --> 0:31:29.040
<v Speaker 1>that's the best part. That's the later scene. That's the

0:31:29.120 --> 0:31:34.280
<v Speaker 1>later scene. I think she goes, that's okay, that's fine.

0:31:34.280 --> 0:31:39.560
<v Speaker 1>You guys. So, yeah, there's Shane. And I think it's

0:31:39.640 --> 0:31:46.120
<v Speaker 1>interesting that she never says to Lane that girl, that girl, yeah,

0:31:46.280 --> 0:31:49.040
<v Speaker 1>you know what, the best friend. She doesn't say, I

0:31:49.120 --> 0:31:51.080
<v Speaker 1>don't like that girl because I love Jess, like she

0:31:51.160 --> 0:31:54.440
<v Speaker 1>can't even she does kem and how about it in

0:31:54.480 --> 0:31:57.160
<v Speaker 1>the bathroom when Lane's like, I want someone like you

0:31:57.240 --> 0:31:59.280
<v Speaker 1>and you know, like Dean, like you and Dean, and

0:31:59.320 --> 0:32:02.040
<v Speaker 1>She's all you can tell that she's just like I know,

0:32:02.080 --> 0:32:04.800
<v Speaker 1>and she still can't even tell Lane like her. Oh

0:32:04.880 --> 0:32:07.080
<v Speaker 1>my god, any I didn't even think about that until now.

0:32:07.560 --> 0:32:11.200
<v Speaker 1>You're so right, Like literally, this has happened twice now,

0:32:11.440 --> 0:32:14.240
<v Speaker 1>like it was with Paris and Rory back when they were,

0:32:14.800 --> 0:32:17.560
<v Speaker 1>you know, in their summer camp thing, and then now

0:32:17.760 --> 0:32:21.600
<v Speaker 1>where Lane's like, you have the perfect guy. I want

0:32:21.640 --> 0:32:24.600
<v Speaker 1>your love and she still can't even say it's not

0:32:24.960 --> 0:32:27.320
<v Speaker 1>We'll imagine everyone tells you every day you have the

0:32:27.320 --> 0:32:30.280
<v Speaker 1>perfect guy with the perfect guy, but you're inside, you're like,

0:32:30.720 --> 0:32:33.280
<v Speaker 1>I don't think I like this dude anymore. But you're

0:32:33.320 --> 0:32:35.840
<v Speaker 1>like so conflicted because everyone's telling you this is the

0:32:35.880 --> 0:32:39.000
<v Speaker 1>guy and also telling you the guy you like isn't

0:32:39.040 --> 0:32:43.880
<v Speaker 1>the guy a teenager, I also think she loves both,

0:32:43.920 --> 0:32:45.920
<v Speaker 1>though I think she's kind of in the middle of

0:32:46.560 --> 0:32:48.680
<v Speaker 1>she loves Dean for who he is, but she has

0:32:48.720 --> 0:32:52.000
<v Speaker 1>this crush on Chess, so she's kind of she doesn't

0:32:52.040 --> 0:32:56.840
<v Speaker 1>want to admit that at all. I disagree. I think, yeah,

0:32:57.080 --> 0:33:00.560
<v Speaker 1>I think she loved Dean and like hasn't algio with

0:33:00.680 --> 0:33:04.200
<v Speaker 1>him and like history, but she doesn't care for him

0:33:04.200 --> 0:33:06.200
<v Speaker 1>now because if she cared for him now, she would

0:33:06.280 --> 0:33:09.480
<v Speaker 1>let him go, in my opinion, because she's so enamored,

0:33:09.520 --> 0:33:17.280
<v Speaker 1>which that's very evolved for a teenager. People hang you

0:33:17.320 --> 0:33:20.400
<v Speaker 1>know before you know, Yeah, you're right, But like, I don't.

0:33:21.080 --> 0:33:25.440
<v Speaker 1>I don't see her connection with Dean at all anymore. Well,

0:33:25.480 --> 0:33:27.440
<v Speaker 1>we saw it last week a little bit in the diner.

0:33:27.560 --> 0:33:29.680
<v Speaker 1>They were very cute, and I think even you admitted

0:33:29.720 --> 0:33:33.360
<v Speaker 1>they were cute. There's something there that remains. But it's

0:33:33.400 --> 0:33:37.920
<v Speaker 1>definitely like the flame is dying. Yeah, but she knows that.

0:33:38.160 --> 0:33:40.480
<v Speaker 1>I mean, it's it's almost like they're a married couple

0:33:40.520 --> 0:33:45.560
<v Speaker 1>at this point from her point of view, because he's

0:33:45.640 --> 0:33:49.440
<v Speaker 1>just always going to be there. She can rely on him.

0:33:49.480 --> 0:33:55.080
<v Speaker 1>He's a rock and maybe she felt it, you know

0:33:55.120 --> 0:33:57.480
<v Speaker 1>that maybe the flame is doused a little bit right,

0:33:57.520 --> 0:34:01.160
<v Speaker 1>She's not breaking up with him for some reason. He

0:34:01.760 --> 0:34:04.400
<v Speaker 1>is he started interrupted? Is he is he giving her

0:34:04.440 --> 0:34:08.520
<v Speaker 1>a reason to break up with him? No, so other

0:34:08.600 --> 0:34:12.200
<v Speaker 1>than just she doesn't like him as much. I have

0:34:12.239 --> 0:34:15.080
<v Speaker 1>a question. Do you think if Jess went up to

0:34:15.440 --> 0:34:18.360
<v Speaker 1>Rory in this episode and was like, I want to

0:34:18.400 --> 0:34:20.879
<v Speaker 1>be with you, but you need to break up a dean?

0:34:21.640 --> 0:34:25.279
<v Speaker 1>Would she break up a dean? Mhmm, I'm not going

0:34:25.320 --> 0:34:30.720
<v Speaker 1>to answer that. Oh no, does it happen shit times?

0:34:33.960 --> 0:34:39.759
<v Speaker 1>Are you predicting the future? I don't know. I don't

0:34:39.760 --> 0:34:43.480
<v Speaker 1>know what what she would do, because it's hard to

0:34:43.560 --> 0:34:46.239
<v Speaker 1>let go of somebody who has been so there for you,

0:34:46.320 --> 0:34:51.279
<v Speaker 1>built you a car, loves you unconditionally, doesn't necessarily understand

0:34:51.320 --> 0:34:56.320
<v Speaker 1>you a d um But I know she just doesn't

0:34:56.360 --> 0:35:00.440
<v Speaker 1>see that long that's not a long term arm thing

0:35:00.520 --> 0:35:04.239
<v Speaker 1>for her. That's gonna be somebody who maybe we'll be

0:35:04.280 --> 0:35:06.480
<v Speaker 1>in her life for a very long time on a

0:35:06.560 --> 0:35:09.960
<v Speaker 1>friendship basis, or some a very special someone. Right, But

0:35:11.840 --> 0:35:16.160
<v Speaker 1>you know they ain't walking down the aisle together. Well,

0:35:16.200 --> 0:35:21.200
<v Speaker 1>maybe they are. I don't know. I mean you no,

0:35:21.320 --> 0:35:25.919
<v Speaker 1>I'm just knowing hypothetically. Daniel, What did you just say

0:35:25.920 --> 0:35:30.960
<v Speaker 1>to Tara, I go to do this. You guys, I

0:35:31.080 --> 0:35:33.960
<v Speaker 1>legitately watching this for the first time, so I know

0:35:34.719 --> 0:35:39.400
<v Speaker 1>every exciting. Everyone criticized us in the beginning when we

0:35:39.440 --> 0:35:42.120
<v Speaker 1>started this podcast because they were like, Danyelle doesn't even

0:35:42.120 --> 0:35:45.000
<v Speaker 1>know the show. Sorry, that's probably not the tone to us,

0:35:45.200 --> 0:35:47.480
<v Speaker 1>but it was like we had a point. Our point

0:35:47.719 --> 0:35:53.200
<v Speaker 1>was Scott's in it. I've seen it almost every episode,

0:35:53.239 --> 0:35:57.560
<v Speaker 1>at least three to five times. Taras seen it a

0:35:57.600 --> 0:36:01.440
<v Speaker 1>lot of times. We wanted somebody that's watched this for

0:36:01.560 --> 0:36:06.520
<v Speaker 1>the virgin gilness. That was the original title original for

0:36:06.640 --> 0:36:16.879
<v Speaker 1>the show was Virgin Yeah. Okay, So we go into

0:36:16.920 --> 0:36:22.319
<v Speaker 1>the diner and she calls you, Lucas. Did you catch that? Lad? Yeah?

0:36:23.080 --> 0:36:26.719
<v Speaker 1>Somebody replay it, but I'm pretty sure she goes into

0:36:26.719 --> 0:36:31.200
<v Speaker 1>the diner, you're not dressed for the speech, and she's like, Lucas,

0:36:31.320 --> 0:36:35.000
<v Speaker 1>unless I misheard it, you know, I want to go back.

0:36:35.040 --> 0:36:36.759
<v Speaker 1>You know, the only thing that could have made the

0:36:37.120 --> 0:36:41.600
<v Speaker 1>let's go back to the the the Rory and what's

0:36:41.600 --> 0:36:46.879
<v Speaker 1>her name again, Shane Shan Shane Rory Shane Sane. I'm

0:36:46.920 --> 0:36:50.200
<v Speaker 1>telling you, and I'm not trying to be sarcastic or

0:36:50.239 --> 0:36:54.719
<v Speaker 1>even a little bit of wisest, but um, I half expected.

0:36:54.760 --> 0:36:57.760
<v Speaker 1>There was a part of me and I was hoping

0:36:57.800 --> 0:36:59.799
<v Speaker 1>that it wouldn't happen. There was a part of me

0:37:00.800 --> 0:37:05.640
<v Speaker 1>that I thought, maybe, um, from behind some of the

0:37:05.840 --> 0:37:10.360
<v Speaker 1>display cans, that Christopher would break through them and say, Rory,

0:37:10.440 --> 0:37:15.880
<v Speaker 1>why haven't you called me? I've been There was just

0:37:15.960 --> 0:37:18.279
<v Speaker 1>a there was a twins, there was a tinge. There

0:37:18.320 --> 0:37:20.239
<v Speaker 1>was a part of me that was like, God, is

0:37:20.320 --> 0:37:23.680
<v Speaker 1>Christopher gonna show up here? Because I didn't expect Shane

0:37:23.680 --> 0:37:25.960
<v Speaker 1>and I like that. I said, that's how you do that.

0:37:26.280 --> 0:37:28.439
<v Speaker 1>But then it went back to the other episode when

0:37:28.520 --> 0:37:29.840
<v Speaker 1>you know they cut a hole in the roof and

0:37:29.920 --> 0:37:34.200
<v Speaker 1>drop him in, uh Emily's house. I thought, if he

0:37:34.280 --> 0:37:39.520
<v Speaker 1>shows up here, God, do you imagine christ or isn't

0:37:39.600 --> 0:37:46.960
<v Speaker 1>doing this with the shampoo? That would have been kind

0:37:47.000 --> 0:37:50.200
<v Speaker 1>of awesome. He knows where the bookstore is, Remember he

0:37:50.239 --> 0:37:54.120
<v Speaker 1>went to the bookstore. He's like in Doss Market. Underneath

0:37:54.120 --> 0:37:57.480
<v Speaker 1>the candle ups or something. Miss Patty lifts the candle

0:37:57.480 --> 0:38:07.080
<v Speaker 1>opens says, oh hello. I wouldn't have been mad. It

0:38:07.120 --> 0:38:13.359
<v Speaker 1>wouldn't have been It would have been um. Anyway, where

0:38:13.400 --> 0:38:16.000
<v Speaker 1>are we going now? So Desyner and She's like, you're

0:38:16.040 --> 0:38:18.320
<v Speaker 1>not dressed, and he's like, this is my power outfit.

0:38:18.440 --> 0:38:21.320
<v Speaker 1>It's my power outfit. And then she takes him upstairs

0:38:21.920 --> 0:38:23.840
<v Speaker 1>and Jesse is in the apartment and they kind of

0:38:24.560 --> 0:38:27.759
<v Speaker 1>he doesn't he way. This made me laugh. You go

0:38:27.800 --> 0:38:29.880
<v Speaker 1>in like the bathroom to change and she's like, th

0:38:30.040 --> 0:38:32.799
<v Speaker 1>shirt off, we've been to the lake or whatever. And

0:38:32.800 --> 0:38:35.680
<v Speaker 1>then which I thought was kind of flirty, flirty, like

0:38:36.320 --> 0:38:39.680
<v Speaker 1>I was definitely being like, I've seen you shirtless before,

0:38:40.360 --> 0:38:43.439
<v Speaker 1>and then dropping that little hint she knows that Jesse

0:38:43.480 --> 0:38:46.200
<v Speaker 1>has got a girl in the closet. So talk about

0:38:46.239 --> 0:38:51.960
<v Speaker 1>that scene. You know, that scene showed me that Laurel

0:38:52.000 --> 0:38:56.919
<v Speaker 1>I was really happy being with Luke and commanding him

0:38:57.719 --> 0:38:59.840
<v Speaker 1>to put on a shirt and clean up. She wants

0:38:59.880 --> 0:39:04.520
<v Speaker 1>to be that in that situation. That's what it showed me.

0:39:05.120 --> 0:39:07.879
<v Speaker 1>She wanted to be married, she wanted to be with him.

0:39:07.920 --> 0:39:11.040
<v Speaker 1>It's like, I'm really comfortable with this guy. I'm so

0:39:11.120 --> 0:39:13.200
<v Speaker 1>comfortable with this guy. I can order him around, i

0:39:13.200 --> 0:39:15.200
<v Speaker 1>can grab him by the shoulder, I can push him

0:39:15.280 --> 0:39:18.080
<v Speaker 1>up the stairs. And he likes it. And he liked

0:39:18.120 --> 0:39:21.520
<v Speaker 1>it too. He liked that she was doing She's the

0:39:21.560 --> 0:39:23.960
<v Speaker 1>only person in his life that can get away with

0:39:24.000 --> 0:39:27.520
<v Speaker 1>that because they like each other so much, you know,

0:39:27.680 --> 0:39:31.359
<v Speaker 1>and it's like finally a situation where they can have

0:39:31.400 --> 0:39:34.640
<v Speaker 1>some physical contact or be in contact with with each other,

0:39:34.719 --> 0:39:38.080
<v Speaker 1>except you know, as as customer and proprietor you know.

0:39:40.160 --> 0:39:44.000
<v Speaker 1>So I just think he relaxed a little bit, and

0:39:44.040 --> 0:39:46.759
<v Speaker 1>he was, you know, as looking forward to doing this

0:39:47.280 --> 0:39:50.200
<v Speaker 1>speech thing and spending time with Laurel as he can be.

0:39:50.719 --> 0:39:53.680
<v Speaker 1>And he's doing it for her. He has no interest

0:39:53.719 --> 0:39:55.920
<v Speaker 1>in doing this speech at all or going back to

0:39:55.960 --> 0:39:57.759
<v Speaker 1>the school or any of it. He's doing it to

0:39:57.840 --> 0:40:01.840
<v Speaker 1>be with her, right right. Did you suspect Luke to

0:40:01.880 --> 0:40:05.399
<v Speaker 1>be a parrot head? A parrot head that's the name

0:40:05.400 --> 0:40:10.319
<v Speaker 1>of the Jimmy Buffett fans. They're called parrot No, I

0:40:10.360 --> 0:40:14.560
<v Speaker 1>didn't know. I did not expect that. That was great. Yeah,

0:40:14.760 --> 0:40:19.680
<v Speaker 1>wait what, Danielle, No, Tara was buffet head. Not it's

0:40:19.800 --> 0:40:23.520
<v Speaker 1>actually parrot head. They call it the wrong name in

0:40:23.560 --> 0:40:28.680
<v Speaker 1>the show. But Buffett fans are actually called parrot heads.

0:40:29.280 --> 0:40:32.839
<v Speaker 1>It's it's commonly associated with a buffet fan. But she

0:40:33.000 --> 0:40:36.719
<v Speaker 1>did say buffet head, Yeah she did, Yeah she did.

0:40:37.800 --> 0:40:40.760
<v Speaker 1>But it's really like that's one of Tar's pop culture.

0:40:41.040 --> 0:40:43.600
<v Speaker 1>We'll get to it later this week, because I actually

0:40:43.840 --> 0:40:48.480
<v Speaker 1>confirmed we called parrot heads. I mean, unless I'm insane,

0:40:48.560 --> 0:40:51.359
<v Speaker 1>I'm not. I know, I'm right. Okay, So then we

0:40:51.480 --> 0:40:53.440
<v Speaker 1>so what did you think of Shane in the closet

0:40:53.480 --> 0:40:57.480
<v Speaker 1>and how Laura La knew and Luke did it? And

0:40:57.520 --> 0:40:59.799
<v Speaker 1>I could see it in her face. She's talking to

0:40:59.880 --> 0:41:01.640
<v Speaker 1>him and all of a sudden, you see in her eyeballs.

0:41:01.680 --> 0:41:04.279
<v Speaker 1>That's why I love her acting, because you're literally like

0:41:05.360 --> 0:41:08.080
<v Speaker 1>she gave him this look. We should freeze frame it

0:41:08.160 --> 0:41:10.040
<v Speaker 1>on the Instagram because she gives him a look like

0:41:10.120 --> 0:41:13.200
<v Speaker 1>saying like, there's a girl in your closet and I

0:41:13.200 --> 0:41:14.640
<v Speaker 1>know it, but I'm not your mom, so I'm going

0:41:14.680 --> 0:41:16.840
<v Speaker 1>to cruise out of here, but I'll be telling your uncle.

0:41:17.080 --> 0:41:19.360
<v Speaker 1>And also while she was looking through the closet, she

0:41:19.760 --> 0:41:21.759
<v Speaker 1>you know, like, I think this is what you're talking about,

0:41:21.760 --> 0:41:25.680
<v Speaker 1>but like Jess looked back to like, hey, you know

0:41:26.120 --> 0:41:29.719
<v Speaker 1>yet that it was that closet. For some reason, I

0:41:29.760 --> 0:41:32.320
<v Speaker 1>thought the girl was in a different closet. No, because

0:41:32.320 --> 0:41:36.200
<v Speaker 1>she was looking through the shirt see her. I think

0:41:36.239 --> 0:41:37.839
<v Speaker 1>that was the whole point, Like she was looking through

0:41:37.880 --> 0:41:40.319
<v Speaker 1>the closet and she kind of if you know, if

0:41:40.480 --> 0:41:43.360
<v Speaker 1>if you rewatch the scene, she's like looking through it

0:41:43.400 --> 0:41:46.640
<v Speaker 1>and kind of pauses and looks back and has a

0:41:46.640 --> 0:41:53.320
<v Speaker 1>connection with Jess, so that I'm sure that's these things.

0:41:53.800 --> 0:41:56.080
<v Speaker 1>Was that? What do you think? I think you're right

0:41:56.080 --> 0:41:59.440
<v Speaker 1>now that I think about it. Yeah, isn't it the

0:41:59.480 --> 0:42:01.400
<v Speaker 1>only clause it in that I didn't get the vibe

0:42:01.400 --> 0:42:04.680
<v Speaker 1>that she saw her. I got the vibe that she

0:42:04.840 --> 0:42:07.440
<v Speaker 1>just knew Jeff was up to something right, because he

0:42:07.520 --> 0:42:10.359
<v Speaker 1>kept looking back and it was all squirrely he was looking.

0:42:10.800 --> 0:42:13.440
<v Speaker 1>She saw him looking back at the closet, and I

0:42:13.440 --> 0:42:17.239
<v Speaker 1>thought there was a little noise. Yeah, they need to

0:42:17.320 --> 0:42:19.560
<v Speaker 1>get some eagle lines because he did that awkward move

0:42:19.640 --> 0:42:24.080
<v Speaker 1>back to the chair as soon as they walked in. Yeah. Yeah,

0:42:24.600 --> 0:42:26.959
<v Speaker 1>he did look healthy. So then we got a Lane's

0:42:27.320 --> 0:42:36.040
<v Speaker 1>gigantic bathroom. Did anybody else? House is huge? House Its huge.

0:42:36.800 --> 0:42:39.600
<v Speaker 1>Rory's wearing an awesome orange shirt, doing her hair. It's

0:42:39.640 --> 0:42:45.200
<v Speaker 1>totally stinging. Lane's like running around. Oh my god. That

0:42:45.360 --> 0:42:48.239
<v Speaker 1>is my favorite scene of the entire episode because when

0:42:48.400 --> 0:42:51.920
<v Speaker 1>Lane runs around the town square practically with a bleach

0:42:52.000 --> 0:42:57.160
<v Speaker 1>in her hair around her shoulder, so she's like, Rory's like,

0:42:57.160 --> 0:42:59.359
<v Speaker 1>I'm dizzy from the smell, and then she's reading the poddle.

0:42:59.480 --> 0:43:03.400
<v Speaker 1>Is your skill broken? I don't know my stone, my

0:43:03.560 --> 0:43:06.919
<v Speaker 1>scalp is broken, I don't know my skal thought. Well,

0:43:10.960 --> 0:43:16.319
<v Speaker 1>that scene was hysterical. So my only question about that

0:43:16.360 --> 0:43:19.400
<v Speaker 1>scene is is why weren't they sort of whisper shouting.

0:43:19.840 --> 0:43:22.240
<v Speaker 1>I mean they were talking at like a higher volume.

0:43:23.200 --> 0:43:26.840
<v Speaker 1>Um when Mrs Kim came home and I was thinking,

0:43:26.960 --> 0:43:29.640
<v Speaker 1>Mrs Kim can hear them upstairs? I don't know. That

0:43:29.719 --> 0:43:32.520
<v Speaker 1>house is so big, I mean the antique stores in

0:43:32.560 --> 0:43:38.000
<v Speaker 1>the house. It's like, but where did Rory exit too?

0:43:38.400 --> 0:43:40.720
<v Speaker 1>She got the window and out off over the roof.

0:43:43.000 --> 0:43:44.680
<v Speaker 1>I couldn't figure out if suddenly she was on the

0:43:44.680 --> 0:43:46.719
<v Speaker 1>first floor. I know, I thought the same thing. Yeah,

0:43:46.840 --> 0:43:50.480
<v Speaker 1>that was confusing, And I was also confused at how

0:43:50.600 --> 0:43:53.520
<v Speaker 1>quickly Lane got her hair back to black. Yeah. It's

0:43:53.680 --> 0:43:57.239
<v Speaker 1>very course, like literally within the next scene her hair

0:43:57.320 --> 0:44:00.279
<v Speaker 1>was black. I was like, WHOA, Well, first she went each,

0:44:00.400 --> 0:44:04.160
<v Speaker 1>then she went purple, then she freaked out. Then Rory

0:44:04.239 --> 0:44:05.879
<v Speaker 1>goes to get the black, and then it was black.

0:44:05.920 --> 0:44:08.840
<v Speaker 1>We're not totally sure on the the amount of time.

0:44:09.440 --> 0:44:12.480
<v Speaker 1>It could have been a few hours because Laurel is

0:44:12.560 --> 0:44:14.880
<v Speaker 1>given the speech and then she has the whole drama

0:44:14.920 --> 0:44:21.960
<v Speaker 1>with the Moms TV Magic um and the pie is done,

0:44:23.120 --> 0:44:26.520
<v Speaker 1>very very funny stuff. Okay, so now we go to

0:44:26.560 --> 0:44:34.400
<v Speaker 1>the school and this was like beyond Butch the Kids,

0:44:36.640 --> 0:44:43.600
<v Speaker 1>classic scene between classic reveal Butch Danes. That's classic. We

0:44:43.640 --> 0:44:47.680
<v Speaker 1>see that, We see the goofy face shot of me

0:44:47.840 --> 0:44:49.680
<v Speaker 1>when I don't know how all that did. You guys

0:44:49.719 --> 0:44:52.200
<v Speaker 1>see the poster in the school that says homework don't

0:44:52.280 --> 0:45:00.759
<v Speaker 1>leave home without it? So good. I think we're kind

0:45:00.760 --> 0:45:03.400
<v Speaker 1>of bebopping back and forth because I think we're at school.

0:45:03.719 --> 0:45:07.000
<v Speaker 1>Then we go back to the hair situation. But I mean,

0:45:07.440 --> 0:45:09.960
<v Speaker 1>but we find out that Luke did not have a

0:45:09.960 --> 0:45:13.840
<v Speaker 1>good time in school, didn't like school. What's that about?

0:45:14.320 --> 0:45:16.479
<v Speaker 1>Let's discuss. Well, I think we knew that a little

0:45:16.480 --> 0:45:18.240
<v Speaker 1>bit when you had to go to the principal's office

0:45:18.239 --> 0:45:22.000
<v Speaker 1>because of Jess. I don't want to be here right right,

0:45:22.080 --> 0:45:25.120
<v Speaker 1>So what happened? What happened? I don't know because I

0:45:25.239 --> 0:45:27.759
<v Speaker 1>just assume you were popular. Maybe you just didn't get

0:45:27.760 --> 0:45:30.400
<v Speaker 1>straight a's and it was like you didn't love school.

0:45:31.000 --> 0:45:35.040
<v Speaker 1>That you were popular. I think you were popular, yeah,

0:45:35.640 --> 0:45:38.120
<v Speaker 1>and obviously, butch Days was an athlete. I think you

0:45:38.160 --> 0:45:40.960
<v Speaker 1>just weren't good at school, but you're so good at

0:45:41.040 --> 0:45:46.520
<v Speaker 1>math m hm h. And it seems like you went

0:45:46.560 --> 0:45:51.160
<v Speaker 1>to college because you know how to run a business,

0:45:51.160 --> 0:45:53.520
<v Speaker 1>but maybe just learned it. I don't think you. I

0:45:53.520 --> 0:45:55.040
<v Speaker 1>don't think you need to go to college when you

0:45:55.080 --> 0:45:57.840
<v Speaker 1>Inherit a diner or a hard worship's right, you did

0:45:58.000 --> 0:46:03.120
<v Speaker 1>inherit It. You grew up in it. So Wlayne admits

0:46:03.160 --> 0:46:09.440
<v Speaker 1>she's in love with Dave. Very cute, and then the

0:46:09.520 --> 0:46:11.680
<v Speaker 1>scenes are going back and forth. That's the trick. That's

0:46:11.680 --> 0:46:13.799
<v Speaker 1>why I'm kind of jumping around because you see the

0:46:13.840 --> 0:46:15.799
<v Speaker 1>first part of school, then we go back to the hair,

0:46:16.040 --> 0:46:18.160
<v Speaker 1>then we go back to school, and now we're in

0:46:18.200 --> 0:46:23.080
<v Speaker 1>the classroom and the bleep hits the fan. Um. I

0:46:23.120 --> 0:46:28.719
<v Speaker 1>think this might have been Lauren's best work, some some

0:46:28.840 --> 0:46:32.560
<v Speaker 1>of the best work I've ever seen her do. Um.

0:46:32.600 --> 0:46:37.960
<v Speaker 1>I was just beaming with pride watching watching her execute

0:46:37.960 --> 0:46:42.279
<v Speaker 1>those very quirky, little funny little lines and pauses, and

0:46:43.080 --> 0:46:45.520
<v Speaker 1>I mean, it's just not a lot of people could

0:46:45.560 --> 0:46:49.440
<v Speaker 1>do that, and it was just wonderful to watch. I

0:46:49.560 --> 0:46:52.760
<v Speaker 1>agree that whole thing was amazing, really wonderful to watch.

0:46:53.000 --> 0:46:56.880
<v Speaker 1>I loved I'm showing. I loved the cursive on the chalkboard.

0:46:57.000 --> 0:47:01.360
<v Speaker 1>Did you guys notice it was like beautiful Lorela Gilmore

0:47:01.520 --> 0:47:04.520
<v Speaker 1>and linked days and chalk crseft Did you guys not

0:47:04.600 --> 0:47:07.160
<v Speaker 1>see that? Seems like a Deb move to me? Verry Deb?

0:47:08.400 --> 0:47:14.319
<v Speaker 1>How about Deb? Just horrified, like just horrified. They're like,

0:47:14.560 --> 0:47:19.440
<v Speaker 1>didn't get pregnant at sixteen? Like these braddy little kids,

0:47:19.520 --> 0:47:24.000
<v Speaker 1>like can you not what the heck? Yeah? And I

0:47:24.040 --> 0:47:28.440
<v Speaker 1>think and if it's Deb's class, right, No, Deb's the

0:47:28.480 --> 0:47:32.240
<v Speaker 1>p t A mom putting it together, a teacher who's

0:47:32.239 --> 0:47:35.759
<v Speaker 1>who's teaching the class? I don't know that we knew that?

0:47:35.880 --> 0:47:39.720
<v Speaker 1>Or maybe this was more of an after school thing. Yeah, okay,

0:47:39.880 --> 0:47:41.800
<v Speaker 1>was that three at four o'clock? Right? Yeah? So I

0:47:41.800 --> 0:47:43.600
<v Speaker 1>think this was some sort of p t A. So

0:47:43.680 --> 0:47:47.560
<v Speaker 1>why didn't Deb stand up and stop the students? Yeah?

0:47:47.560 --> 0:47:51.720
<v Speaker 1>They kind of blame why they try? Right exactly? Lorel

0:47:51.760 --> 0:47:55.000
<v Speaker 1>I did all she could, and she was gracious and funny,

0:47:55.080 --> 0:47:58.120
<v Speaker 1>and you know, she was polite about it, and they

0:47:58.239 --> 0:48:01.040
<v Speaker 1>just so. So Deb should have stood up and said, now,

0:48:01.120 --> 0:48:03.719
<v Speaker 1>now you know, listen, we're here for this and we

0:48:03.840 --> 0:48:07.640
<v Speaker 1>got to stay and she didn't and then she yeah,

0:48:07.760 --> 0:48:09.839
<v Speaker 1>I agree completely, and then all the moms getting up

0:48:09.840 --> 0:48:12.040
<v Speaker 1>on Laurel like it was her fault. She's like, you

0:48:12.080 --> 0:48:16.800
<v Speaker 1>asked me to come, and I what is Lorrela supposed

0:48:16.800 --> 0:48:18.520
<v Speaker 1>to do in that situation? Right? You know what I mean?

0:48:18.719 --> 0:48:21.439
<v Speaker 1>Like she's like, she can't say I wish I didn't

0:48:21.440 --> 0:48:24.239
<v Speaker 1>get pregnant, didn't have Rory, because those are all you know,

0:48:24.600 --> 0:48:27.439
<v Speaker 1>those kids all know Rory. So she's kind of got

0:48:27.440 --> 0:48:29.880
<v Speaker 1>to be like, I'm so thankful that I got Rory

0:48:29.920 --> 0:48:32.839
<v Speaker 1>out of this very unfortunate situation, you know what I mean?

0:48:33.000 --> 0:48:35.719
<v Speaker 1>Like my second favorite one in the whole episode, you

0:48:35.719 --> 0:48:41.720
<v Speaker 1>know what's fun to talk about late check out. She tried,

0:48:42.000 --> 0:48:52.719
<v Speaker 1>she tried bringing back let's go through that everything. I

0:48:52.760 --> 0:48:55.759
<v Speaker 1>also felt really bad because Lorela was so excited for

0:48:55.800 --> 0:48:59.359
<v Speaker 1>this moment because it's something that was hers, and they

0:48:59.440 --> 0:49:02.359
<v Speaker 1>keep bringing back that she got pregnant at sixteen, which

0:49:02.400 --> 0:49:05.080
<v Speaker 1>just isn't really fair to her because she created a

0:49:05.120 --> 0:49:08.040
<v Speaker 1>whole life on her own and it's still biting her.

0:49:08.239 --> 0:49:13.120
<v Speaker 1>You know. That's that's small towns for you. That's like

0:49:14.480 --> 0:49:18.080
<v Speaker 1>everybody knows your business and they don't forget. Yeah, you

0:49:18.120 --> 0:49:23.440
<v Speaker 1>know Yeah, there was more meaning there, just as we

0:49:23.480 --> 0:49:26.840
<v Speaker 1>talked about last week, like Dan Pelladino writing about the

0:49:26.920 --> 0:49:34.040
<v Speaker 1>Harvard family. There's significance to that, you know. So then

0:49:34.040 --> 0:49:36.920
<v Speaker 1>we go back to Lane, Lane's freaking out and Roy.

0:49:36.120 --> 0:49:39.560
<v Speaker 1>But but then would would not have been another perfect moment,

0:49:40.080 --> 0:49:43.600
<v Speaker 1>you know, to find a use for Christopher again comes

0:49:43.640 --> 0:49:47.880
<v Speaker 1>into the classroom. Plural I why haven't you called me?

0:49:49.800 --> 0:49:53.720
<v Speaker 1>It's like Superman saves the day. Okay, So Rory goes

0:49:53.920 --> 0:50:00.080
<v Speaker 1>to the beauty shop and has the altercation, which I

0:50:00.120 --> 0:50:06.560
<v Speaker 1>know it's just saying, holy cow, I thought that Shane

0:50:07.360 --> 0:50:12.239
<v Speaker 1>held her own. Yes, I agree, but Rory delivered the

0:50:12.320 --> 0:50:16.960
<v Speaker 1>knockout blow. Yeah, and I assume that Shane has no context,

0:50:17.080 --> 0:50:18.719
<v Speaker 1>you know what I mean, Like she's like, why is

0:50:18.800 --> 0:50:22.840
<v Speaker 1>this chick all up in my grill? Because she doesn't

0:50:22.880 --> 0:50:27.080
<v Speaker 1>know that there's something going on between Rory and Jess,

0:50:27.600 --> 0:50:31.400
<v Speaker 1>So she's just like, why is this customer crazy? She

0:50:31.480 --> 0:50:38.920
<v Speaker 1>also acts like she's never seen Rory before, right, right? Bad? Yeah,

0:50:39.000 --> 0:50:41.480
<v Speaker 1>but maybe she doesn't even notice her. Maybe Shane just

0:50:41.520 --> 0:50:45.200
<v Speaker 1>doesn't notice her in the diner. Yeah, and she didn't

0:50:45.239 --> 0:50:48.760
<v Speaker 1>know she is he making out the whole time, only

0:50:48.880 --> 0:50:51.719
<v Speaker 1>in Jesse's Eyes twenty four seven, when she's in that

0:50:52.560 --> 0:50:56.000
<v Speaker 1>they first kissed by the tree and Rory she never

0:50:56.040 --> 0:51:00.680
<v Speaker 1>saw Rory. That's true. Now there is a debate, though,

0:51:01.360 --> 0:51:05.320
<v Speaker 1>I need everyone to weigh in. Is blowdy a word?

0:51:07.400 --> 0:51:13.080
<v Speaker 1>Because I use blowdy all the time. It appears to

0:51:13.239 --> 0:51:20.399
<v Speaker 1>be in the Wictionary, which seems to be the Wikipedia

0:51:20.520 --> 0:51:24.480
<v Speaker 1>version of the dictionary, So it's slang. It's think it's

0:51:24.480 --> 0:51:30.520
<v Speaker 1>slang slang. It's not in like Websters, right, it's in

0:51:30.560 --> 0:51:34.839
<v Speaker 1>the Urban Dictionary. I feel like that I've heard I've

0:51:34.880 --> 0:51:37.920
<v Speaker 1>heard that used that way before, and I definitely feel

0:51:37.960 --> 0:51:42.520
<v Speaker 1>blowty whenever I eat too much peanut butter. Anyone what

0:51:42.680 --> 0:51:51.560
<v Speaker 1>an odd expecting? And blueberry muffins at breakfast? Blueberry muffins

0:51:51.560 --> 0:51:53.719
<v Speaker 1>could make you feel blowty. Peanut butter is a very

0:51:53.719 --> 0:51:57.799
<v Speaker 1>blowty food. It's like it's a known fact. Yes, And

0:51:57.840 --> 0:52:00.399
<v Speaker 1>the older you get and you eat it, the more

0:52:00.440 --> 0:52:04.479
<v Speaker 1>blow do you feel. Yeah? Those young kids, they need

0:52:04.480 --> 0:52:07.560
<v Speaker 1>to back off because I'm of a certain age where

0:52:07.760 --> 0:52:10.279
<v Speaker 1>I'm gonna try almond butter. Does almond butter make you

0:52:10.320 --> 0:52:17.080
<v Speaker 1>feel as blowty as peanut butter? Uh? Yeah? Okay? To

0:52:17.120 --> 0:52:28.120
<v Speaker 1>limit my butter just butters and generally okay. So we

0:52:28.600 --> 0:52:33.880
<v Speaker 1>now have the confrontation of Luke and Laurelai and the

0:52:33.920 --> 0:52:37.000
<v Speaker 1>p t a mom's in the lamb sweater, the deer

0:52:37.000 --> 0:52:39.920
<v Speaker 1>sweater with the hair. They didn't have a leg to

0:52:39.920 --> 0:52:42.920
<v Speaker 1>stand on. It was ridiculous. It was it was a

0:52:42.960 --> 0:52:46.000
<v Speaker 1>tailor maids. It was like a softball pitch to laurel

0:52:46.080 --> 0:52:47.600
<v Speaker 1>I to hit it out of the park, and she did.

0:52:48.480 --> 0:52:50.200
<v Speaker 1>The thing I liked so much about the scene is

0:52:50.239 --> 0:52:52.839
<v Speaker 1>that Luke got the heck out of there. I didn't

0:52:52.880 --> 0:52:55.360
<v Speaker 1>want to deal with anything. He's like bugged that. He

0:52:55.440 --> 0:52:58.920
<v Speaker 1>just went back to the dinner. I just don't know

0:52:58.920 --> 0:53:04.200
<v Speaker 1>how her but he didn't need him there right, which

0:53:04.239 --> 0:53:07.759
<v Speaker 1>I think was also sort of more to you know,

0:53:08.280 --> 0:53:11.400
<v Speaker 1>she doesn't need him to like save her. And I

0:53:11.440 --> 0:53:15.279
<v Speaker 1>think that's another thing about their relationship, like he's like,

0:53:15.440 --> 0:53:18.239
<v Speaker 1>she's got this right. That's not even a fair fight,

0:53:18.239 --> 0:53:22.480
<v Speaker 1>five against one against laurel against these puffs? Do they

0:53:22.560 --> 0:53:25.600
<v Speaker 1>do they even know what they're getting involved. She's a chainsaw.

0:53:25.719 --> 0:53:28.120
<v Speaker 1>She's going to chew these people up. Daniel, Wait, what

0:53:28.160 --> 0:53:30.000
<v Speaker 1>were you going to say about the I was gonna say,

0:53:30.280 --> 0:53:34.200
<v Speaker 1>how dare you try to confront Laurela in those sweaters

0:53:34.200 --> 0:53:37.000
<v Speaker 1>like it's not going to happen. What are you wearing?

0:53:38.920 --> 0:53:42.640
<v Speaker 1>And the hair, the hair right exactly, the fact that

0:53:42.680 --> 0:53:45.560
<v Speaker 1>you all use the same hair. Lousy hairdresser. If anyone

0:53:45.600 --> 0:53:48.440
<v Speaker 1>could find that lamb sweater, I will rock it. I

0:53:48.480 --> 0:53:51.799
<v Speaker 1>will rock it so hard. Yeah, that is cool about

0:53:51.800 --> 0:53:56.920
<v Speaker 1>their relationship. Yeah, she's strong. Yeah. Yeah, he doesn't have

0:53:57.040 --> 0:53:59.279
<v Speaker 1>to stay and he knows that, and she knows that.

0:53:59.400 --> 0:54:01.440
<v Speaker 1>It's not like she went to him later and was

0:54:01.480 --> 0:54:03.520
<v Speaker 1>like you left me out through with those crazy moms.

0:54:03.560 --> 0:54:05.839
<v Speaker 1>Like she's like, no, dude, I guess right. That's an

0:54:05.880 --> 0:54:09.680
<v Speaker 1>indication that he understands her better than anybody. Yes, I agree,

0:54:11.800 --> 0:54:17.600
<v Speaker 1>so and recognizes her power. Yes, yeah, and she just

0:54:17.960 --> 0:54:21.160
<v Speaker 1>calls them out and she's she was, you know, professional

0:54:21.200 --> 0:54:23.000
<v Speaker 1>about it, I guess is the word to say. And

0:54:23.040 --> 0:54:25.680
<v Speaker 1>then she gives them the dig like your lousy hairdresser.

0:54:32.520 --> 0:54:37.080
<v Speaker 1>So then Jess and Luke have their the best scene.

0:54:39.760 --> 0:54:43.680
<v Speaker 1>I'll let you comment on it first. Interesting, Yeah, Daniel

0:54:43.760 --> 0:54:48.640
<v Speaker 1>entire you guys go first. A favorite scene. Honestly my

0:54:48.640 --> 0:54:52.359
<v Speaker 1>favorite scene of the whole episode. Um, Luke comes in

0:54:52.480 --> 0:54:56.560
<v Speaker 1>pretty pretty hot, right, and Jess is just taking it

0:54:56.640 --> 0:55:01.120
<v Speaker 1>and also giving back like all the comebacks in the world,

0:55:01.560 --> 0:55:04.279
<v Speaker 1>like when when Luke was like, I know you had

0:55:04.280 --> 0:55:06.480
<v Speaker 1>a girl in the closet, and he was like, yeah,

0:55:06.719 --> 0:55:09.400
<v Speaker 1>I know, you know, like I didn't ask her to

0:55:09.400 --> 0:55:10.959
<v Speaker 1>go in there, like I didn't care if you guys

0:55:10.960 --> 0:55:15.480
<v Speaker 1>caught us. Like literally, he was kind of like, can

0:55:15.520 --> 0:55:18.640
<v Speaker 1>I say badass? He was kind of a badass in

0:55:18.680 --> 0:55:21.440
<v Speaker 1>that scene. I was like, WHOA. Also so was Luke,

0:55:21.480 --> 0:55:26.279
<v Speaker 1>because Luke really wanted totally teach Jess the right thing,

0:55:26.400 --> 0:55:31.480
<v Speaker 1>and ultimately I felt that Luke's lesson for Jess was

0:55:31.520 --> 0:55:40.280
<v Speaker 1>all about respect, respecting yourself, respecting the girl, respecting your uncle,

0:55:40.520 --> 0:55:44.840
<v Speaker 1>your parents, having respect for another human. And I thought

0:55:44.880 --> 0:55:50.279
<v Speaker 1>that was very beautiful too. Yeah, I agree. It was

0:55:50.320 --> 0:55:53.120
<v Speaker 1>a really touching moment. I was like, I loved I

0:55:53.160 --> 0:55:56.960
<v Speaker 1>loved Luke and how he was like a total fought

0:55:57.040 --> 0:56:00.880
<v Speaker 1>like fatherly discussion with his son. It felt like, you know, obviously,

0:56:00.920 --> 0:56:04.160
<v Speaker 1>we know that's not it. Jess is just his nephew,

0:56:04.320 --> 0:56:06.880
<v Speaker 1>but like literally, like that was like such a like

0:56:06.920 --> 0:56:09.120
<v Speaker 1>a cool moment to see between the two of them.

0:56:09.360 --> 0:56:12.080
<v Speaker 1>And you also saw like the sadness that Jess had,

0:56:12.440 --> 0:56:14.839
<v Speaker 1>you know, like there's a lot of hurt in jest

0:56:14.960 --> 0:56:19.000
<v Speaker 1>right now. And and I think that scene just kind

0:56:19.000 --> 0:56:22.000
<v Speaker 1>of showed that, like Luke is like the one person

0:56:22.080 --> 0:56:25.279
<v Speaker 1>that like he's really got and Luke doesn't want him

0:56:25.320 --> 0:56:28.399
<v Speaker 1>to just mess around with a girl. He wants him

0:56:28.440 --> 0:56:33.480
<v Speaker 1>to care about someone and that person to care about him. Right,

0:56:33.520 --> 0:56:36.960
<v Speaker 1>He's going to miss out on the pageantry of life,

0:56:37.640 --> 0:56:42.360
<v Speaker 1>you know if he continues to hide, you know, bury

0:56:42.440 --> 0:56:47.200
<v Speaker 1>his feelings and just use people burious feelings. That's exactly right. Um.

0:56:47.239 --> 0:56:49.440
<v Speaker 1>I called that. Have you that that scene? Have your

0:56:49.440 --> 0:56:53.160
<v Speaker 1>new decency, Mr Jeff Jess. He just wants him, he

0:56:53.200 --> 0:56:54.920
<v Speaker 1>wants him to be He's trying to raise him, like

0:56:55.320 --> 0:56:57.480
<v Speaker 1>and influence him to be decent. Just be a decent

0:56:57.560 --> 0:57:01.200
<v Speaker 1>human being. Respect people, it doesn't matter who they are.

0:57:01.320 --> 0:57:04.080
<v Speaker 1>Just respect them, and respect the town. And respect me,

0:57:04.239 --> 0:57:09.640
<v Speaker 1>and respect Rory, and respect respect yourself. Respect yourself. But

0:57:10.400 --> 0:57:15.280
<v Speaker 1>Jess was right calling Luke out, saying, you haven't told

0:57:15.400 --> 0:57:19.440
<v Speaker 1>Laurela how you feel. And she can convince you to

0:57:19.520 --> 0:57:22.840
<v Speaker 1>do anything and you do it like a puppy, but

0:57:23.400 --> 0:57:26.480
<v Speaker 1>you don't say how you feel. That's a cheap shot,

0:57:27.280 --> 0:57:31.120
<v Speaker 1>true though, that's not true, but it's different. It's a

0:57:31.160 --> 0:57:35.360
<v Speaker 1>different context. I mean we're talking about you know, he's

0:57:35.560 --> 0:57:40.240
<v Speaker 1>he's a fly by night character, a transit transit transitory

0:57:40.360 --> 0:57:42.560
<v Speaker 1>character who's coming in and out of town, who knows

0:57:42.560 --> 0:57:44.960
<v Speaker 1>how long he's going to stay. He doesn't have any responsibilities,

0:57:44.960 --> 0:57:47.040
<v Speaker 1>he has no roots in that town. It's easy for

0:57:47.080 --> 0:57:49.040
<v Speaker 1>him to say something like that. I thought it was cheap.

0:57:49.480 --> 0:57:52.840
<v Speaker 1>I thought they were all cheap shots because because Luke

0:57:53.000 --> 0:57:56.360
<v Speaker 1>Luke Luke has roots in that town, He's got a

0:57:56.360 --> 0:58:02.520
<v Speaker 1>certain respect in that town. Always respects Lorelai right, and

0:58:02.560 --> 0:58:06.720
<v Speaker 1>that's the core of it. That's why he respects himself right,

0:58:06.840 --> 0:58:09.480
<v Speaker 1>and he's right, and he's protective of himself. It's like,

0:58:09.600 --> 0:58:11.400
<v Speaker 1>I'm not going to go out on a limb unless

0:58:11.440 --> 0:58:16.120
<v Speaker 1>I'm sure, because the consequences could be dire for his business,

0:58:16.200 --> 0:58:19.480
<v Speaker 1>for him personally, for Lorela, for Rory. So he's doing

0:58:19.480 --> 0:58:23.720
<v Speaker 1>the right thing. Examples and oranges. Although there is some

0:58:23.800 --> 0:58:26.440
<v Speaker 1>truth to Jess calling him out, like why don't you

0:58:26.640 --> 0:58:31.720
<v Speaker 1>say how you feel? Like the theme of season three

0:58:32.120 --> 0:58:34.680
<v Speaker 1>is don't tell the people that you need to tell

0:58:34.760 --> 0:58:41.800
<v Speaker 1>how you feel, you know, like Rory isn't telling Jazz,

0:58:41.880 --> 0:58:46.520
<v Speaker 1>Jess isn't telling Rory, Luca isn't telling Lorelai and vice versa.

0:58:46.720 --> 0:58:51.560
<v Speaker 1>It's just a lot of lost communication. But Luke is

0:58:51.600 --> 0:58:54.720
<v Speaker 1>not that guy. At least he's not that that guy yet.

0:58:55.120 --> 0:58:57.800
<v Speaker 1>Where he's sitting around talking about his feelings or or

0:58:57.880 --> 0:59:01.600
<v Speaker 1>spilling his guts to somebody, it's not him. It's he

0:59:03.240 --> 0:59:08.840
<v Speaker 1>understands the value of long term, and he understands the

0:59:08.960 --> 0:59:13.280
<v Speaker 1>value of friendship right, and he understands community. I think

0:59:13.320 --> 0:59:16.480
<v Speaker 1>that's why he's beloved. He does understand all those things,

0:59:16.880 --> 0:59:21.800
<v Speaker 1>and he's not willing to, in a selfish way, risk

0:59:22.120 --> 0:59:26.280
<v Speaker 1>all of that, plus his reputation and maybe the reputation

0:59:26.280 --> 0:59:28.960
<v Speaker 1>of somebody else or their heart by making a move

0:59:29.400 --> 0:59:33.560
<v Speaker 1>on a girl that he's really good friends with, whose

0:59:33.640 --> 0:59:37.560
<v Speaker 1>daughter is in a precarious position because she doesn't need

0:59:37.680 --> 0:59:39.640
<v Speaker 1>to be disrupted at this point in her life. She

0:59:39.680 --> 0:59:43.520
<v Speaker 1>needs to focus and study, and her mother doesn't need

0:59:43.560 --> 0:59:47.680
<v Speaker 1>to be involved in some you know, highly charged relationship,

0:59:47.800 --> 0:59:51.640
<v Speaker 1>which which it would be right because of the chemistry,

0:59:51.880 --> 0:59:54.560
<v Speaker 1>it would be explosive, you know. I hope I'm not

0:59:54.560 --> 0:59:58.320
<v Speaker 1>speaking out of turn, but um, you know, let Rory

0:59:58.360 --> 1:00:00.840
<v Speaker 1>get to college and then make maybe he makes a move,

1:00:01.840 --> 1:00:04.440
<v Speaker 1>you know what I mean. It's like, don't disrupt. I

1:00:04.520 --> 1:00:08.360
<v Speaker 1>see where you're coming from with that. I think we

1:00:08.440 --> 1:00:11.560
<v Speaker 1>just need to because that's how I played it. Yeah,

1:00:11.640 --> 1:00:14.760
<v Speaker 1>that's how I that's how I interpreted Like, your role

1:00:14.840 --> 1:00:18.600
<v Speaker 1>here is to be a steady influence on Rory's life

1:00:19.360 --> 1:00:23.320
<v Speaker 1>and also Laurela because she needs it too. Yeah. I

1:00:23.360 --> 1:00:27.120
<v Speaker 1>think that as far as the conversation with Jess goes,

1:00:28.960 --> 1:00:33.840
<v Speaker 1>Luke was not being so Rory wasn't entering his mind

1:00:34.200 --> 1:00:36.919
<v Speaker 1>as much as he's saying, you shouldn't hide a girl

1:00:36.920 --> 1:00:39.840
<v Speaker 1>in the closet, and you need to have respect for

1:00:39.880 --> 1:00:42.640
<v Speaker 1>her and respect for yourself and and respect for what

1:00:42.720 --> 1:00:44.600
<v Speaker 1>I want, which is not having a girl in here

1:00:44.600 --> 1:00:46.640
<v Speaker 1>at all or in the closet. But also if you

1:00:46.720 --> 1:00:49.080
<v Speaker 1>like a girl, then like that girl, but don't use

1:00:49.120 --> 1:00:53.760
<v Speaker 1>a girl. Mm hmm. It was a good father moment,

1:00:54.200 --> 1:00:57.840
<v Speaker 1>basic values. Yeah, if you want my respect, then you

1:00:57.880 --> 1:01:04.440
<v Speaker 1>should respect others. Yes, yes, it's like this is your life.

1:01:04.480 --> 1:01:08.240
<v Speaker 1>You're throwing it away, you know, one person at a time, right,

1:01:08.280 --> 1:01:09.680
<v Speaker 1>Because he was sort of like, I didn't make a

1:01:09.680 --> 1:01:11.480
<v Speaker 1>good and there you didn't care about me either, and

1:01:11.640 --> 1:01:14.520
<v Speaker 1>Jess is sort of liked all good and Luke's whole

1:01:14.520 --> 1:01:17.280
<v Speaker 1>point is No, that's not all good. Like I want

1:01:17.320 --> 1:01:19.280
<v Speaker 1>you with someone you care about, that cares about you.

1:01:19.360 --> 1:01:23.480
<v Speaker 1>I don't. You and Shane are just like being like

1:01:25.080 --> 1:01:32.160
<v Speaker 1>disrespectful almost like to everybody. Listen, Um, Jess is in

1:01:32.200 --> 1:01:35.760
<v Speaker 1>a very tough spot. He is not going to come

1:01:35.800 --> 1:01:39.200
<v Speaker 1>out of that. You know, when you get rejected by

1:01:39.600 --> 1:01:44.360
<v Speaker 1>two parents. Now what you know, who's who's the dad? Right?

1:01:44.840 --> 1:01:49.400
<v Speaker 1>Who's his dad? You? No? But I mean who's his

1:01:50.120 --> 1:01:54.400
<v Speaker 1>biological father? I don't know. We do know, we do know,

1:01:55.360 --> 1:01:58.000
<v Speaker 1>we don't know yet. He got it's rob Hesti's because

1:01:58.000 --> 1:02:02.080
<v Speaker 1>he goes right, but we don't know that yet. Okay,

1:02:02.160 --> 1:02:04.600
<v Speaker 1>so then his mom can't handle him. I man, this

1:02:04.720 --> 1:02:09.640
<v Speaker 1>kid is in such deep pain. He's really confused. He

1:02:09.760 --> 1:02:14.680
<v Speaker 1>does not when he's heartbroken the girl he likes. He's

1:02:14.720 --> 1:02:18.800
<v Speaker 1>completely out of control. And yes, he's highly vulnerable. He

1:02:18.880 --> 1:02:22.320
<v Speaker 1>doesn't know why he's doing these things. These things are

1:02:22.360 --> 1:02:24.800
<v Speaker 1>just happening. There's just band aids. Shane is a total

1:02:24.840 --> 1:02:27.360
<v Speaker 1>band aid. It makes him like feel better in the moment.

1:02:28.480 --> 1:02:33.560
<v Speaker 1>He's going to sabotage his entire life. Um, because of

1:02:33.600 --> 1:02:38.200
<v Speaker 1>how he because of this rejection, this parental rejection, and

1:02:38.640 --> 1:02:41.760
<v Speaker 1>Luke has a you know, he's he may have bitten

1:02:41.760 --> 1:02:44.240
<v Speaker 1>off more than he can chew here, but he I

1:02:44.280 --> 1:02:48.160
<v Speaker 1>think he understands what Jess is going through. It just

1:02:48.200 --> 1:02:51.320
<v Speaker 1>doesn't want to play into it. Yes, I think I

1:02:51.320 --> 1:02:53.840
<v Speaker 1>think he does understand how crucial this is. And that's

1:02:53.840 --> 1:02:56.440
<v Speaker 1>why I think that scene was so powerful. Yeah, and

1:02:56.480 --> 1:03:01.880
<v Speaker 1>you know, that's the biggest scene of the episode. Is

1:03:01.920 --> 1:03:06.480
<v Speaker 1>typically the scene before the last scene. I've noticed that

1:03:06.600 --> 1:03:10.160
<v Speaker 1>repeatedly in Gilmore Girls, Like this is the dramatic scene,

1:03:10.240 --> 1:03:13.800
<v Speaker 1>this is the crescendo, whatever we call it. But then

1:03:13.840 --> 1:03:17.120
<v Speaker 1>we still have that moment where Lane and Roy are

1:03:17.160 --> 1:03:20.120
<v Speaker 1>walking and Lane has the cute thirteen sweatshirt which really

1:03:20.160 --> 1:03:22.919
<v Speaker 1>made me think of Taylor Swift. But uh, and Laura

1:03:22.960 --> 1:03:26.080
<v Speaker 1>Lai walks up and notices the black hair. LAURAA starts

1:03:26.160 --> 1:03:29.160
<v Speaker 1>to tell her about the p t A Moms and

1:03:29.200 --> 1:03:32.000
<v Speaker 1>then it kind of fades out right. Why did they

1:03:32.120 --> 1:03:40.080
<v Speaker 1>want to go to Alic's pancake oil? All about that

1:03:40.280 --> 1:03:42.920
<v Speaker 1>was a little weird. Maybe it's because Laura la I

1:03:43.080 --> 1:03:47.080
<v Speaker 1>didn't want her daughter to see Jess kissing Jane again.

1:03:48.440 --> 1:03:53.080
<v Speaker 1>She's protecting her daughter from that. I don't know, because

1:03:53.080 --> 1:03:55.960
<v Speaker 1>she doesn't know about all she does. She's sitting there right,

1:03:56.040 --> 1:04:00.560
<v Speaker 1>and she doesn't. She's sitting there right, Laura. La doesn't

1:04:00.560 --> 1:04:03.680
<v Speaker 1>know that Rory had a confrontation, but she sees that

1:04:03.760 --> 1:04:06.360
<v Speaker 1>Jess is kissing this girl. She knows that she she

1:04:06.520 --> 1:04:09.520
<v Speaker 1>senses there's something between those two. Obviously, she doesn't want

1:04:09.520 --> 1:04:13.840
<v Speaker 1>it to happen. She doesn't like Okay, now that you're

1:04:13.880 --> 1:04:18.000
<v Speaker 1>saying it. Obviously she saw Rory kind of when they

1:04:18.040 --> 1:04:22.600
<v Speaker 1>were kissing in the diner, and she knows that Shane

1:04:22.640 --> 1:04:26.600
<v Speaker 1>was in the closet, so could be right. I don't

1:04:26.600 --> 1:04:28.640
<v Speaker 1>think it had anything to no, no, no, but I

1:04:28.680 --> 1:04:31.640
<v Speaker 1>think Luke's Diner has become a little toxic for Rory.

1:04:31.720 --> 1:04:33.760
<v Speaker 1>And let's go to als pancake roll and give my

1:04:33.800 --> 1:04:39.040
<v Speaker 1>daughter a break, you know. Interesting being a good mom, right,

1:04:39.160 --> 1:04:43.480
<v Speaker 1>being a good mom? There. Um, So that pretty much

1:04:43.480 --> 1:04:46.400
<v Speaker 1>wraps it up. I look, this is back to back

1:04:46.480 --> 1:04:50.120
<v Speaker 1>Daniel Palladino written episodes, and I just find them. I

1:04:50.160 --> 1:04:53.160
<v Speaker 1>find his writing to be so pleasant, and I just

1:04:53.240 --> 1:04:55.480
<v Speaker 1>really think he captures the spirit of what the show

1:04:56.200 --> 1:05:00.960
<v Speaker 1>is at its best, lighthearted, fun, high paced and uh

1:05:01.160 --> 1:05:04.280
<v Speaker 1>pointing at the end. And I just love how he

1:05:04.320 --> 1:05:09.000
<v Speaker 1>sets everything up, you know, I agree, and he writes

1:05:09.080 --> 1:05:16.280
<v Speaker 1>the funniest Yes, you know, isn't it interesting? It's so interesting?

1:05:16.360 --> 1:05:21.840
<v Speaker 1>This this this Amy and Dan Palladino. Right, this, this couple,

1:05:22.000 --> 1:05:25.800
<v Speaker 1>this writing couple. Here's the lead of their most successful

1:05:25.840 --> 1:05:29.680
<v Speaker 1>show to date at that time, a girl who's a

1:05:29.720 --> 1:05:32.080
<v Speaker 1>stand up comedian. You put her in this situation, right,

1:05:32.560 --> 1:05:34.680
<v Speaker 1>She's basically a stand up comic. And then they make

1:05:34.720 --> 1:05:37.440
<v Speaker 1>another show, Miselle, where the woman's a stand up comedian.

1:05:37.520 --> 1:05:40.040
<v Speaker 1>So they they're writing to their strengths. They know what

1:05:40.200 --> 1:05:44.200
<v Speaker 1>they're doing well, and how interesting. They've been married for

1:05:44.320 --> 1:05:47.880
<v Speaker 1>so long and they've worked together and obviously it's going

1:05:47.920 --> 1:05:53.240
<v Speaker 1>well and they're both brilliant writers, and uh yeah, good

1:05:53.240 --> 1:05:56.360
<v Speaker 1>for them, Good for them. But I love, love, love

1:05:56.440 --> 1:06:00.360
<v Speaker 1>the Dan Palladino episodes. They're filled with musical references, they're

1:06:00.480 --> 1:06:05.160
<v Speaker 1>filled with the spirit. They're filled with rebellious characters fighting

1:06:05.160 --> 1:06:09.480
<v Speaker 1>back in humorous ways and there it's just just wonderful stuff.

1:06:09.640 --> 1:06:12.760
<v Speaker 1>What was what was your favorite lines? What was everybody's?

1:06:12.840 --> 1:06:16.480
<v Speaker 1>Daniel Tara stop, I could go, So I'm going to

1:06:16.520 --> 1:06:19.000
<v Speaker 1>give it to my girl Lane, And Lane says, I'll

1:06:19.040 --> 1:06:21.840
<v Speaker 1>fix Bryan's deviated septum. I'll shove one of my sticks

1:06:21.880 --> 1:06:29.280
<v Speaker 1>up his nose because I literally just kept laughing after

1:06:30.000 --> 1:06:32.040
<v Speaker 1>she was holding her little drumsticks. That was just like,

1:06:32.080 --> 1:06:36.400
<v Speaker 1>oh my god. UM. My favorite was also from Lane

1:06:36.440 --> 1:06:39.480
<v Speaker 1>this episode, and it's when Rory's during her hair and

1:06:39.520 --> 1:06:41.320
<v Speaker 1>she says, of course I don't exactly have what you

1:06:41.360 --> 1:06:44.160
<v Speaker 1>and Dean have because you love Dean and Dean loves you.

1:06:44.440 --> 1:06:47.000
<v Speaker 1>In my situation, I love Dave and Dave thinks that

1:06:47.040 --> 1:06:54.080
<v Speaker 1>I have a decent sense of rhythm. I really like

1:06:54.280 --> 1:06:57.480
<v Speaker 1>laurelized line. Uh once she flipped the card and tried

1:06:57.520 --> 1:07:10.160
<v Speaker 1>to change stuffing. Now let's talk about late check out. Yeah,

1:07:10.640 --> 1:07:14.040
<v Speaker 1>and I gotta give it to my boy Yannick Trusdale.

1:07:16.080 --> 1:07:20.120
<v Speaker 1>That entire scene was genius. That was my favorite scene,

1:07:20.440 --> 1:07:23.480
<v Speaker 1>but the second favorite, Laurela in the classroom was my

1:07:23.520 --> 1:07:26.680
<v Speaker 1>favorite scene. I stay strong on This might have been

1:07:26.720 --> 1:07:30.160
<v Speaker 1>one of my favorite fashion episodes too, Lanes fashion everything.

1:07:30.160 --> 1:07:34.160
<v Speaker 1>I kind of glazed over it. But Scott Luke really

1:07:34.240 --> 1:07:37.400
<v Speaker 1>dressed up and pulled himself together this episode with the

1:07:37.440 --> 1:07:41.280
<v Speaker 1>button down and the hair. I was like, Okay, what

1:07:41.320 --> 1:07:48.600
<v Speaker 1>can I Luke is all schnazzy today. Oh my god, wait,

1:07:48.600 --> 1:07:53.400
<v Speaker 1>what's next week? What is next week. We've got eight

1:07:53.400 --> 1:07:57.280
<v Speaker 1>o'clock at the Oasis, Episode five, Season three, eight o'clock

1:07:57.320 --> 1:08:03.960
<v Speaker 1>at the Oasis. So anyway, Uh, thank you everybody. That

1:08:04.120 --> 1:08:09.000
<v Speaker 1>was a fun discussion. I really enjoyed the episode. Um,

1:08:09.000 --> 1:08:15.920
<v Speaker 1>and I thought we had some pretty interesting insights. Yeah, no, no, no,

1:08:16.000 --> 1:08:22.040
<v Speaker 1>I'm come on, that's mine. Anyway, thanks guys, and again,

1:08:22.280 --> 1:08:25.640
<v Speaker 1>best fans on the planet. I appreciate the comments. Keep

1:08:25.680 --> 1:08:30.200
<v Speaker 1>them coming. Uh and uh, and that's gonna be it

1:08:30.280 --> 1:08:32.679
<v Speaker 1>for us. We'll see you next time. Stay safe, everybody,

1:08:33.120 --> 1:09:07.040
<v Speaker 1>No one feels yea hey everybody, and don't forget Follow

1:09:07.120 --> 1:09:11.000
<v Speaker 1>us on Instagram at I Am all In podcast and

1:09:11.120 --> 1:09:15.840
<v Speaker 1>email us at Gilmore at I heart radio dot com.

1:09:15.840 --> 1:09:17.639
<v Speaker 1>Oh you Gilmore fans. If you're looking for the best

1:09:17.680 --> 1:09:20.520
<v Speaker 1>cup of coffee in the world, go to my website

1:09:20.560 --> 1:09:23.639
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1:09:23.640 --> 1:09:26.759
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1:09:26.760 --> 1:09:38.120
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