WEBVTT - Mini Crush #99

0:00:00.640 --> 0:00:03.640
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

0:00:30.040 --> 0:00:36.160
<v Speaker 1>Hey everybody, and welcome to Mini Crush number nine nine

0:00:35.680 --> 0:00:41.040
<v Speaker 1>number what if it? I mean, I'm a little discappointed

0:00:41.080 --> 0:00:44.280
<v Speaker 1>it's not nine. We got a long way to go.

0:00:44.479 --> 0:00:47.600
<v Speaker 1>Here's to nine nine. Why do you think all these

0:00:47.760 --> 0:00:50.279
<v Speaker 1>red balloons are in here? Is that what color they are?

0:00:50.479 --> 0:00:54.480
<v Speaker 1>I'll tell you I'm red deficient. I'm colored deficient. There's

0:00:54.520 --> 0:00:59.400
<v Speaker 1>no balloons in here. Oh jeesus, your balloon deficients. So

0:01:00.080 --> 0:01:03.080
<v Speaker 1>here we are at the last Mini Crush recording of

0:01:03.120 --> 0:01:06.920
<v Speaker 1>our year, which puts this in to be released into

0:01:06.959 --> 0:01:10.120
<v Speaker 1>the new year. You were weirdly sitting across from me

0:01:10.880 --> 0:01:16.160
<v Speaker 1>because Ramsey is engineering this one. Oh did you hear

0:01:16.200 --> 0:01:20.520
<v Speaker 1>that I did? Uh? And uh? Can they pick you

0:01:20.600 --> 0:01:22.920
<v Speaker 1>up on that micro ram Yeah, yes, I can. Well

0:01:22.959 --> 0:01:25.160
<v Speaker 1>feel free to just fucking join in whenever you feel

0:01:25.200 --> 0:01:27.639
<v Speaker 1>like it. Then you have permission to speak. Permission to speak?

0:01:27.840 --> 0:01:30.360
<v Speaker 1>Permission granted, because nol is usually over there as the

0:01:30.440 --> 0:01:33.000
<v Speaker 1>ros to my Frasier, But we're mixing it up today

0:01:33.040 --> 0:01:35.800
<v Speaker 1>because Ramsey was like, Hey, I never do this, so

0:01:35.840 --> 0:01:37.840
<v Speaker 1>why not? Absolutely, And it's also the last one of

0:01:37.840 --> 0:01:40.679
<v Speaker 1>the year. We were thinking it was gonna be number

0:01:40.720 --> 0:01:45.399
<v Speaker 1>HOUNDO No, no, that's later, one later, it's one after this.

0:01:45.560 --> 0:01:48.760
<v Speaker 1>But let's maybe maybe maybe the new thing, the new

0:01:48.760 --> 0:01:51.760
<v Speaker 1>benchmarks should Why who cares about a hundred? I like

0:01:52.720 --> 0:01:55.800
<v Speaker 1>it's a more fun number anymo? No say, we still

0:01:55.840 --> 0:01:58.600
<v Speaker 1>got to do make gotta make it to do about

0:01:58.600 --> 0:02:02.960
<v Speaker 1>one now to so Ramsey surprised this with some Christmas gifts.

0:02:03.400 --> 0:02:06.240
<v Speaker 1>It was very kind. I didn't get anyone anything, but

0:02:06.320 --> 0:02:10.600
<v Speaker 1>you got me the the vinyl recording of emmett Otter's

0:02:10.680 --> 0:02:15.640
<v Speaker 1>jug Band Christmas, which is a special lithographed vinyl and

0:02:15.720 --> 0:02:17.600
<v Speaker 1>it's beautiful. What's the big song from that? Is that

0:02:17.720 --> 0:02:21.040
<v Speaker 1>one with like heat Miser snow Miser. That's different, that's different?

0:02:21.120 --> 0:02:24.399
<v Speaker 1>What is that? That's one of those ranking bass specials?

0:02:24.560 --> 0:02:27.320
<v Speaker 1>This is I mean if if they're all special to me?

0:02:27.360 --> 0:02:30.079
<v Speaker 1>But ain't no hole in the watch tub? Pretty big one.

0:02:30.280 --> 0:02:33.760
<v Speaker 1>And then of course the the river Bottom Nightmare Band

0:02:33.800 --> 0:02:37.400
<v Speaker 1>has the great song. Well, River Bottom Nightmare Band? Are

0:02:37.440 --> 0:02:40.160
<v Speaker 1>they the bad guys? Is their feuding band factions in

0:02:40.200 --> 0:02:43.240
<v Speaker 1>this film? The whole the whole uh story here is

0:02:43.280 --> 0:02:48.920
<v Speaker 1>there's a contest in the town, a talent contest, and

0:02:49.000 --> 0:02:51.320
<v Speaker 1>everyone it's sort of it's basically the gift of the Magi.

0:02:51.800 --> 0:02:58.040
<v Speaker 1>It told through puppet otters. So the Talent show, it's

0:02:58.080 --> 0:03:00.679
<v Speaker 1>like he gets a kid a harm Monica and the

0:03:00.760 --> 0:03:04.480
<v Speaker 1>kid doesn't have or something like it puts a hole

0:03:04.480 --> 0:03:06.400
<v Speaker 1>in the washtub to make a jug band so he

0:03:06.400 --> 0:03:09.640
<v Speaker 1>can buy his mother something special, and she wants to

0:03:09.639 --> 0:03:11.799
<v Speaker 1>buy him a guitar. No, I think he wants to

0:03:11.800 --> 0:03:14.359
<v Speaker 1>buy his mom on the guitar and then she I

0:03:14.360 --> 0:03:16.560
<v Speaker 1>don't want to support. No, no, no, it sounds lovely.

0:03:16.840 --> 0:03:19.280
<v Speaker 1>It's great. Yeah, classic Christmas class and it's a great

0:03:19.520 --> 0:03:24.680
<v Speaker 1>thank you. And Ramsey got me a Dumbledore Funko pop

0:03:24.720 --> 0:03:26.720
<v Speaker 1>toy because he knows how much I love the Harry

0:03:26.720 --> 0:03:29.920
<v Speaker 1>Potter franchise. He really did a little bit and I've

0:03:29.919 --> 0:03:32.919
<v Speaker 1>always wanted one of these. Uh. And that's weird because

0:03:33.120 --> 0:03:35.080
<v Speaker 1>I didn't realize would ever played with one. The head

0:03:35.240 --> 0:03:38.720
<v Speaker 1>pivots ever so slightly. Was it a bobblehead or no, no, no,

0:03:38.760 --> 0:03:41.120
<v Speaker 1>it's just it's just a little figure. But but he

0:03:41.120 --> 0:03:45.320
<v Speaker 1>can gaze back and forth judging lee across his student body.

0:03:45.520 --> 0:03:47.440
<v Speaker 1>But weirdly, you're holding the head still and you're moving

0:03:47.480 --> 0:03:49.560
<v Speaker 1>the body and stead no no, no, no, Okay, I

0:03:49.560 --> 0:03:53.960
<v Speaker 1>guess you're right. You're right, Chuck. Oh go oh goodness,

0:03:53.960 --> 0:03:56.560
<v Speaker 1>been a long year. So nol Ramsey, I have you

0:03:56.600 --> 0:03:59.640
<v Speaker 1>seen the Watchman TV show? I have one more episode

0:03:59.680 --> 0:04:03.360
<v Speaker 1>to watch. Oh well, we won't talk about the finale then,

0:04:03.480 --> 0:04:07.640
<v Speaker 1>Oh no, that's true. Uh well, let's just say spoiler

0:04:07.680 --> 0:04:10.160
<v Speaker 1>free that the finale was great. Yeah, we got a

0:04:10.160 --> 0:04:11.920
<v Speaker 1>bunch of stuff wrong. You told me that there were

0:04:11.920 --> 0:04:15.240
<v Speaker 1>eight episodes last time we recorded. How many were there? Six?

0:04:15.520 --> 0:04:18.440
<v Speaker 1>There were nine? Nine, So you told me. I thought

0:04:18.440 --> 0:04:20.600
<v Speaker 1>it was done, and then one more episode came up.

0:04:20.839 --> 0:04:22.760
<v Speaker 1>My bad, Like, well, that makes sense because they didn't

0:04:22.839 --> 0:04:24.880
<v Speaker 1>quite wrap things up. You know, I sometimes I just

0:04:24.920 --> 0:04:28.880
<v Speaker 1>say things. And I said erroneously that, oh yes, there

0:04:28.920 --> 0:04:31.920
<v Speaker 1>are even shooting season two right now, and they're not

0:04:32.240 --> 0:04:34.719
<v Speaker 1>shooting season two because there may not even be a season.

0:04:34.800 --> 0:04:36.920
<v Speaker 1>Well i'd heard that in the Watchman podcast that I've

0:04:36.920 --> 0:04:40.480
<v Speaker 1>been screaming about. He actually says that to uh, what's

0:04:40.480 --> 0:04:44.120
<v Speaker 1>his name, the guy, the Chernobyl guy, Craig Mazin. Um

0:04:44.320 --> 0:04:49.400
<v Speaker 1>uh the Lindeloff says, um, probably no season two. He

0:04:49.440 --> 0:04:51.599
<v Speaker 1>spent years of his life on this one. He doesn't

0:04:51.600 --> 0:04:54.560
<v Speaker 1>know that there's a meaning behind the season two. He

0:04:54.600 --> 0:04:57.479
<v Speaker 1>put all of this like political and kind of I

0:04:57.480 --> 0:05:00.080
<v Speaker 1>don't know, man, it's up to him that I I

0:05:00.120 --> 0:05:01.680
<v Speaker 1>hear what he's saying is what he's literally saying is

0:05:01.880 --> 0:05:04.240
<v Speaker 1>not up to him, though. It's up to him whether

0:05:04.240 --> 0:05:06.120
<v Speaker 1>he wants to do it or not, whether he does it.

0:05:06.279 --> 0:05:09.120
<v Speaker 1>That's right. There can still be a season two. I

0:05:09.120 --> 0:05:11.159
<v Speaker 1>guess you're right. There could be a handoff. That's what

0:05:11.240 --> 0:05:13.640
<v Speaker 1>I predict. You think, so I think he will remain

0:05:13.680 --> 0:05:17.640
<v Speaker 1>as EP and handed off to another show runner. That's interesting.

0:05:17.680 --> 0:05:20.039
<v Speaker 1>There's just more. I want more Sister Night. I want

0:05:20.040 --> 0:05:23.680
<v Speaker 1>more looking Glass. These are fucking great characters. I agree. No,

0:05:23.760 --> 0:05:27.159
<v Speaker 1>it's very, very good and without spoiling anything. Um he

0:05:27.960 --> 0:05:32.120
<v Speaker 1>uh saw the last frame of the season as a

0:05:32.400 --> 0:05:35.400
<v Speaker 1>final like this is it, whereas a lot of people

0:05:35.440 --> 0:05:38.640
<v Speaker 1>have read it as a cliffhanger. Yeah. Yeah, I agree

0:05:38.640 --> 0:05:42.440
<v Speaker 1>with him because I am a fan of an ambiguous ending,

0:05:42.640 --> 0:05:46.320
<v Speaker 1>which the comic had in and of itself. Yeah. So, Ramsay,

0:05:46.520 --> 0:05:49.240
<v Speaker 1>do you love it? I do? And you brought up

0:05:49.360 --> 0:05:52.719
<v Speaker 1>like the confusion of the episodes and stuff. Last night

0:05:52.760 --> 0:05:56.320
<v Speaker 1>I watched Dr Manhattan's episode. Man, that was good, and

0:05:56.720 --> 0:05:59.440
<v Speaker 1>it feels like a season ending. Yeah, that's why I

0:05:59.480 --> 0:06:03.799
<v Speaker 1>bought it. The biggest character and Watchman it's basically yeah,

0:06:04.040 --> 0:06:08.640
<v Speaker 1>you know, sure he's not though, he's just that he's

0:06:08.680 --> 0:06:11.039
<v Speaker 1>brought somewhere else for other things to happen at a

0:06:11.120 --> 0:06:13.080
<v Speaker 1>later date, which happened. But when you told me that

0:06:13.080 --> 0:06:15.760
<v Speaker 1>that was the finale, I believed it because it felt

0:06:15.800 --> 0:06:17.520
<v Speaker 1>like it could have been. It felt like maybe he

0:06:17.640 --> 0:06:21.920
<v Speaker 1>was vaporized or something. Yeah, but boy, that finale was great,

0:06:22.640 --> 0:06:24.640
<v Speaker 1>really good. It's really really good. And you know what, man,

0:06:24.680 --> 0:06:27.320
<v Speaker 1>I'm not a big like. I mean, there were a

0:06:27.320 --> 0:06:30.240
<v Speaker 1>few TV shows I've watched all the way through multiple times,

0:06:30.560 --> 0:06:33.280
<v Speaker 1>Party Down being one of them. You mentioned that, man,

0:06:33.400 --> 0:06:37.599
<v Speaker 1>But I'm gonna watch Watchman again soon, I think, because

0:06:37.640 --> 0:06:40.240
<v Speaker 1>it's one of those shows that once you know everything,

0:06:40.560 --> 0:06:44.559
<v Speaker 1>I think there are many rewards and rewatching to be had. Yeah,

0:06:44.680 --> 0:06:46.839
<v Speaker 1>you know what I'm saying. I can't even think of

0:06:46.880 --> 0:06:50.279
<v Speaker 1>a few bits already now that some reveals have happened.

0:06:50.279 --> 0:06:53.119
<v Speaker 1>When like they lay a lot of groundwork with little

0:06:53.120 --> 0:06:56.880
<v Speaker 1>pithy comments that don't seem to land in the in

0:06:56.920 --> 0:06:59.120
<v Speaker 1>the moment, but then in retrospect they're like, oh, that

0:06:59.200 --> 0:07:01.760
<v Speaker 1>was setting the ending up. The you know the table

0:07:01.839 --> 0:07:05.040
<v Speaker 1>for this thing that was to come and funnily uh,

0:07:05.360 --> 0:07:08.640
<v Speaker 1>a lot of the finale episode takes place Indicator Square again.

0:07:08.680 --> 0:07:11.200
<v Speaker 1>Oh it's right there like as is like with the

0:07:11.240 --> 0:07:14.520
<v Speaker 1>posts and everything. I'm gonna go by and take some

0:07:14.560 --> 0:07:17.440
<v Speaker 1>photos of that area and posted on the movie crush.

0:07:17.600 --> 0:07:19.120
<v Speaker 1>It's funny because I think people would get a get

0:07:19.160 --> 0:07:21.040
<v Speaker 1>done of it. They don't hide it at all, not

0:07:21.160 --> 0:07:23.280
<v Speaker 1>at all in those posts like you would think were

0:07:23.280 --> 0:07:26.840
<v Speaker 1>brought in for the show, but they're really there. They

0:07:26.880 --> 0:07:28.640
<v Speaker 1>did something to make them light up a little more,

0:07:28.920 --> 0:07:31.040
<v Speaker 1>let him up a lot more, and they movie fight

0:07:31.120 --> 0:07:33.400
<v Speaker 1>them or whatever. But I thought it was pretty funny.

0:07:33.440 --> 0:07:35.680
<v Speaker 1>If you live around here, it's you know, it's fun.

0:07:35.760 --> 0:07:37.160
<v Speaker 1>It takes you out of it for a second. But

0:07:37.200 --> 0:07:39.520
<v Speaker 1>it's such a good show. It's very very fun. I

0:07:39.560 --> 0:07:40.960
<v Speaker 1>know you haven't seen this, but I just want to

0:07:40.960 --> 0:07:43.400
<v Speaker 1>say to the community at large, if you haven't seen

0:07:43.480 --> 0:07:48.280
<v Speaker 1>Parasite yet, get thee to a cinema and see this movie. Um.

0:07:48.320 --> 0:07:51.000
<v Speaker 1>I rewatched it last night. The only reason never bring

0:07:51.000 --> 0:07:54.480
<v Speaker 1>it up is because you mentioned getting benefits from rewatching things.

0:07:54.560 --> 0:07:57.040
<v Speaker 1>This is one where I got so much out of

0:07:57.040 --> 0:07:59.720
<v Speaker 1>rewatching and because there are so many little things that's

0:07:59.720 --> 0:08:02.920
<v Speaker 1>easy to miss the first time. Um, I can't wait,

0:08:03.000 --> 0:08:05.560
<v Speaker 1>can't recommend it highly enough. And Nola'll just notice what's

0:08:05.560 --> 0:08:09.440
<v Speaker 1>peaking out underneath your zip hoodie. That is Ralph bosh

0:08:09.480 --> 0:08:14.240
<v Speaker 1>Ky's Wizards. Nice shirt, thanks man. I think the shirt

0:08:14.320 --> 0:08:17.440
<v Speaker 1>is better than the movie. Wizards was a product of

0:08:17.520 --> 0:08:20.280
<v Speaker 1>its time, right, It's but it's it's very like you

0:08:20.320 --> 0:08:23.040
<v Speaker 1>think of You see this image on the shirt, which

0:08:23.080 --> 0:08:25.680
<v Speaker 1>is just kind of creepy dude on like in a

0:08:25.760 --> 0:08:28.800
<v Speaker 1>red jumpsuit, like the laser gun thing on, like this

0:08:28.880 --> 0:08:33.079
<v Speaker 1>weird kind of almost and it it's got this cool,

0:08:34.080 --> 0:08:36.960
<v Speaker 1>I don't know ethereal weirdness to it. And the movie

0:08:37.040 --> 0:08:39.520
<v Speaker 1>is kind of goofy. It's a little bit goofy. It

0:08:39.559 --> 0:08:41.280
<v Speaker 1>would be better if they made it today. I think

0:08:41.640 --> 0:08:43.720
<v Speaker 1>I think this was a product of its time. The

0:08:43.720 --> 0:08:45.640
<v Speaker 1>other thing I wanted to mention before you get going, Nolan,

0:08:45.760 --> 0:08:49.280
<v Speaker 1>is I have started listening to the R. E. M

0:08:49.440 --> 0:08:53.120
<v Speaker 1>version of the Scott Ackerman and Adam Scott podcast. They

0:08:53.120 --> 0:08:56.960
<v Speaker 1>started off with are you talking YouTube to me? And

0:08:57.000 --> 0:08:59.040
<v Speaker 1>then they went through all of you two's albums, The

0:08:59.040 --> 0:09:01.760
<v Speaker 1>Great Scott Ackerman, The Great Adam Scott two, dudes, I'm

0:09:01.760 --> 0:09:04.000
<v Speaker 1>a huge fan of Are you talking? R E M? Remy?

0:09:06.280 --> 0:09:08.960
<v Speaker 1>And I can't get enough of it? Man, it is

0:09:09.320 --> 0:09:11.480
<v Speaker 1>if you're a fan of R. E. M. First of all,

0:09:11.480 --> 0:09:15.199
<v Speaker 1>it's great because they genuinely do go through all the stuff,

0:09:15.840 --> 0:09:18.040
<v Speaker 1>but they do it in such a way you just

0:09:18.080 --> 0:09:20.640
<v Speaker 1>got to hear it because they spend an hour doing

0:09:20.720 --> 0:09:24.480
<v Speaker 1>dumb comedy bits that are hysterical to me, but it's

0:09:24.480 --> 0:09:27.480
<v Speaker 1>certainly not for everyone. I love this style of humor too.

0:09:27.840 --> 0:09:31.719
<v Speaker 1>It's funny too, because Adam Scott is clearly the like

0:09:32.480 --> 0:09:35.520
<v Speaker 1>lifer R. E. M. Fanatic, you know, and wears his

0:09:35.640 --> 0:09:38.839
<v Speaker 1>fandom like squarely on his sleeve, and Scott Ackerman is

0:09:38.880 --> 0:09:40.920
<v Speaker 1>a fan of like the early handful of records, but

0:09:40.960 --> 0:09:42.800
<v Speaker 1>then kind of gets a little more matt as they

0:09:42.840 --> 0:09:45.760
<v Speaker 1>go on. You know, I'm only reckoning now, so I'm

0:09:45.760 --> 0:09:49.199
<v Speaker 1>a kind of episode three. Well that's it's just their

0:09:49.280 --> 0:09:52.240
<v Speaker 1>dynamic evolves, is all I'm saying. Uh, And they sound

0:09:52.320 --> 0:09:54.120
<v Speaker 1>like they do sound a little bit like but it

0:09:54.120 --> 0:09:58.439
<v Speaker 1>becomes a lot of um Adam Scott being like an R. E. M.

0:09:58.480 --> 0:10:02.040
<v Speaker 1>Apologist constantly, while Scott Ackerman is kind of being a

0:10:02.040 --> 0:10:04.640
<v Speaker 1>little more real about it. You know and and it

0:10:04.720 --> 0:10:07.680
<v Speaker 1>hurts uh Adam Scott's feelings quite a bit. And you

0:10:07.720 --> 0:10:09.680
<v Speaker 1>can tell that it's not an act and it's really

0:10:09.720 --> 0:10:12.080
<v Speaker 1>really cool. It's really great. And then at the end

0:10:12.600 --> 0:10:14.240
<v Speaker 1>there's a new one they came out with where they

0:10:14.240 --> 0:10:17.000
<v Speaker 1>actually get Stipe and company on the show. I've heard

0:10:17.040 --> 0:10:22.560
<v Speaker 1>that's coming. It's for the Monster reissue. So that's that's

0:10:22.559 --> 0:10:25.480
<v Speaker 1>a really great show. I think I'm I think it

0:10:25.559 --> 0:10:29.040
<v Speaker 1>maybe meeting with Scott Ackerman soon about something very secretive.

0:10:29.160 --> 0:10:32.120
<v Speaker 1>He is a he's a hero. Really yeah, same here, man,

0:10:32.280 --> 0:10:35.240
<v Speaker 1>I'm really looking forward to that. The meeting came up

0:10:35.280 --> 0:10:38.560
<v Speaker 1>this past week. It was on a Monday, and my

0:10:38.679 --> 0:10:41.040
<v Speaker 1>boss said, can you be in l A on Wednesday

0:10:41.080 --> 0:10:43.559
<v Speaker 1>to meet with him? Which is today? It's like, no, man,

0:10:43.600 --> 0:10:47.280
<v Speaker 1>I'm recording seven podcast episodes today for the holidays bank

0:10:47.280 --> 0:10:49.000
<v Speaker 1>and I yeah, I can't. I can't just go to

0:10:49.120 --> 0:10:51.960
<v Speaker 1>l A even to meet Scott Ackerman, which broke my heart.

0:10:52.679 --> 0:10:56.440
<v Speaker 1>All right, So let's get going. No, I've posted on

0:10:56.480 --> 0:11:00.439
<v Speaker 1>the old movie Crush page it's and so this is

0:11:00.480 --> 0:11:03.440
<v Speaker 1>a New Year's episode. We went with some New Year's content,

0:11:04.559 --> 0:11:10.840
<v Speaker 1>New Year's movie resolution, revolution, revolution, revelations, perhaps resolutions for

0:11:10.880 --> 0:11:15.440
<v Speaker 1>the New Year. Okay, and I listed mine as I believe,

0:11:15.480 --> 0:11:20.640
<v Speaker 1>I put seeing at least five films that are classic

0:11:20.720 --> 0:11:24.679
<v Speaker 1>films pre nineteen fifty. That's a really good one. I

0:11:25.040 --> 0:11:27.160
<v Speaker 1>started that already the other night. I didn't finish because

0:11:27.160 --> 0:11:29.400
<v Speaker 1>I started very late. But I started watching Rebel without

0:11:29.400 --> 0:11:32.920
<v Speaker 1>a Cause. This is my resolution. I'm can I borrow it.

0:11:33.160 --> 0:11:34.800
<v Speaker 1>I think it's a good one, is all I'm saying. Oh,

0:11:34.840 --> 0:11:37.240
<v Speaker 1>you're not allowed to watch old movies. Now. Have you

0:11:37.280 --> 0:11:39.679
<v Speaker 1>seen Rebel without a Cause? Yeah? I have seen that one.

0:11:39.840 --> 0:11:42.640
<v Speaker 1>It's it's really cool. It's not what I expected at all.

0:11:42.679 --> 0:11:47.120
<v Speaker 1>It's very strange. It's really interesting. Yeah, it's a great movie.

0:11:47.160 --> 0:11:48.480
<v Speaker 1>And you know, if you go to l A, go

0:11:48.559 --> 0:11:50.800
<v Speaker 1>up to Griffith Park Observatory. Didn't they get that far? You?

0:11:51.000 --> 0:11:53.800
<v Speaker 1>Let's see all the famous scenes there, and there's the

0:11:53.880 --> 0:11:58.000
<v Speaker 1>James Dean statue up there. Interesting ensemble cast to begin

0:11:58.040 --> 0:12:01.520
<v Speaker 1>with two because it's got Thurston Howell from from Gilligan's

0:12:01.559 --> 0:12:03.640
<v Speaker 1>Island is in it, and then the chief from uh

0:12:04.280 --> 0:12:07.280
<v Speaker 1>get Smart is in it as well, and the chief

0:12:07.760 --> 0:12:11.120
<v Speaker 1>so many Young Ramsey, do you have any New Year's

0:12:11.120 --> 0:12:14.800
<v Speaker 1>Resolutions movie? I mean, I always try to do the

0:12:14.880 --> 0:12:17.800
<v Speaker 1>A F I top But okay, I did that a

0:12:17.800 --> 0:12:19.760
<v Speaker 1>couple of years ago, but I didn't really get that far.

0:12:19.920 --> 0:12:22.480
<v Speaker 1>But I think like a good benchmark would be to

0:12:22.559 --> 0:12:24.760
<v Speaker 1>listen all the movies that you guys do the round

0:12:24.760 --> 0:12:29.920
<v Speaker 1>table on before Yeah, I record them. Yeah, so you know,

0:12:29.960 --> 0:12:32.480
<v Speaker 1>we've been doing these Oscar round tables, and sadly Ramsey

0:12:32.559 --> 0:12:34.600
<v Speaker 1>his it's been the kind of thing where he can't

0:12:34.640 --> 0:12:37.960
<v Speaker 1>sit in or engineer them. I don't even know if

0:12:37.960 --> 0:12:42.120
<v Speaker 1>you're editing them. Quite frankly, yeah are you? Yeah, but

0:12:42.200 --> 0:12:44.760
<v Speaker 1>you're seeing the movie and then editing. I'm trying to

0:12:44.760 --> 0:12:48.040
<v Speaker 1>go trying to write otherwise, it's just like spoiler city

0:12:48.080 --> 0:12:50.920
<v Speaker 1>for you, right, I get it. It's hard to get

0:12:50.920 --> 0:12:53.080
<v Speaker 1>to the movies. So that's why Knives Out hasn't been

0:12:53.200 --> 0:12:58.280
<v Speaker 1>edited yet, which I'm so happy. I saw that, right,

0:12:58.320 --> 0:12:59.960
<v Speaker 1>he saw it last night or something I saw that

0:13:00.040 --> 0:13:02.160
<v Speaker 1>last night. Would you think how many times out of five?

0:13:02.400 --> 0:13:07.640
<v Speaker 1>I give it nine? Nine thumbs nine four and a half, okay,

0:13:07.679 --> 0:13:09.160
<v Speaker 1>four and a half. He was on a tens. How

0:13:09.200 --> 0:13:11.840
<v Speaker 1>many thumbs did you give it? I gave it five thumbs.

0:13:11.960 --> 0:13:15.520
<v Speaker 1>Great for what it was, you know, pres independently, Oh, yeah,

0:13:15.520 --> 0:13:17.360
<v Speaker 1>and not compared to other films, that's the thing though,

0:13:17.440 --> 0:13:20.600
<v Speaker 1>But it was like it was the quintessential that thing

0:13:20.760 --> 0:13:23.400
<v Speaker 1>that it was, only like it took all of the

0:13:23.440 --> 0:13:25.880
<v Speaker 1>nostalgia bits of it and then ramped it up to

0:13:25.960 --> 0:13:28.160
<v Speaker 1>eleven and like gave you this kind of like modern

0:13:28.200 --> 0:13:31.760
<v Speaker 1>retelling of this thing. Uh. My kid even loved it. Dude,

0:13:31.760 --> 0:13:34.679
<v Speaker 1>My eleven year old followed along every beat and was

0:13:34.720 --> 0:13:37.040
<v Speaker 1>super invested. I could tell, like we were like looking

0:13:37.040 --> 0:13:38.600
<v Speaker 1>at each other the whole time. That's gonna happen next.

0:13:38.679 --> 0:13:40.600
<v Speaker 1>It was really it was fun, a fun time at

0:13:40.640 --> 0:13:43.280
<v Speaker 1>the movies. Do you have any resolutions movie wise? Are

0:13:43.320 --> 0:13:46.280
<v Speaker 1>you just gonna steal mine? I only steal it because

0:13:46.320 --> 0:13:48.319
<v Speaker 1>I started it already the other night. You know. It's

0:13:48.360 --> 0:13:50.600
<v Speaker 1>one movie, though. I mean in general, I would love

0:13:50.679 --> 0:13:52.880
<v Speaker 1>I feel like I have a gap in that respect

0:13:52.880 --> 0:13:54.640
<v Speaker 1>and inspired being to do that. I don't have to

0:13:54.640 --> 0:13:57.600
<v Speaker 1>call it a resolution shock, if I remember correctly, an

0:13:57.600 --> 0:14:02.400
<v Speaker 1>eighties gap. Yeah, the eighties whole. Well, that's not entirely true.

0:14:02.400 --> 0:14:06.360
<v Speaker 1>I guess I haven't seen as many of the fundamentally eighties,

0:14:06.800 --> 0:14:09.240
<v Speaker 1>you know, tent pole type movies like John Hughes could

0:14:09.280 --> 0:14:11.960
<v Speaker 1>drive his car through your hole, John Hughes, what is

0:14:12.040 --> 0:14:14.240
<v Speaker 1>He probably has a very large car. He drives like

0:14:14.240 --> 0:14:19.200
<v Speaker 1>a he's passed away station wagons. That's not ill complimenting

0:14:19.240 --> 0:14:25.480
<v Speaker 1>the size of his car in life. Wow, sir, large car,

0:14:26.160 --> 0:14:29.160
<v Speaker 1>you must be somebody exactly. That's how they measured it

0:14:29.240 --> 0:14:31.200
<v Speaker 1>success in the eighties, right, the size of your car

0:14:32.320 --> 0:14:36.840
<v Speaker 1>eighties beatle. That sums it up clearly, don't know anything

0:14:36.840 --> 0:14:47.160
<v Speaker 1>about the eighties. Alright. So here we go with Tasha

0:14:47.200 --> 0:14:51.760
<v Speaker 1>Hamilton's watch one movie per week, maybe hopefully with my husband,

0:14:52.840 --> 0:14:57.680
<v Speaker 1>uh three year old opposite schedules. She's fallen off her game,

0:14:57.760 --> 0:15:00.720
<v Speaker 1>so she's going to get back on h oldest of friends.

0:15:00.800 --> 0:15:03.840
<v Speaker 1>Yuvon Bodette says, never been to the movies by myself?

0:15:04.440 --> 0:15:08.320
<v Speaker 1>Perhaps try that, well, Yvon, You've got a lot of

0:15:08.320 --> 0:15:11.840
<v Speaker 1>responses there. There's nothing better than going to a movie alone.

0:15:12.080 --> 0:15:14.480
<v Speaker 1>To me, you do it a lot. I do. I mean,

0:15:14.520 --> 0:15:16.200
<v Speaker 1>if I can't get Scotty to go with me, he's

0:15:16.240 --> 0:15:18.640
<v Speaker 1>my other matten Ae buddy, then I go alone and

0:15:18.680 --> 0:15:21.840
<v Speaker 1>I have I never saw it as like. And people

0:15:21.840 --> 0:15:23.600
<v Speaker 1>go to dinner alone too, so I'm not knocking in,

0:15:24.160 --> 0:15:27.520
<v Speaker 1>but people classify both of those sometimes it's like a sad,

0:15:27.960 --> 0:15:30.760
<v Speaker 1>lonely person thing. And I'm always like, no, it's just

0:15:30.840 --> 0:15:32.400
<v Speaker 1>if you can get to the movies. Of course, just

0:15:32.520 --> 0:15:35.000
<v Speaker 1>go get you to the movies. It doesn't I mean,

0:15:35.040 --> 0:15:36.720
<v Speaker 1>it can be a social thing, but to me, I'm

0:15:36.760 --> 0:15:38.720
<v Speaker 1>going to see a movie. The last movie I saw

0:15:38.800 --> 0:15:41.560
<v Speaker 1>of myself was it was the only one I see

0:15:41.560 --> 0:15:43.840
<v Speaker 1>about myself in a very very long time. Uh. It

0:15:44.040 --> 0:15:47.920
<v Speaker 1>was Once upon a Time in Hollywood at the uh

0:15:48.320 --> 0:15:50.640
<v Speaker 1>Alamo Drafthouse in Brooklyn, and that was a really cool

0:15:50.680 --> 0:15:53.160
<v Speaker 1>solo movie going experience. It was early too. It's a

0:15:53.160 --> 0:15:55.040
<v Speaker 1>long movie, so by the time I got out of it,

0:15:55.440 --> 0:15:57.200
<v Speaker 1>this the whole day was ahead of me. I had

0:15:57.240 --> 0:16:00.120
<v Speaker 1>just had this nice solo experience. It was good. I

0:16:00.160 --> 0:16:02.280
<v Speaker 1>love it. And you masturbated and this, of course I do,

0:16:02.400 --> 0:16:05.200
<v Speaker 1>which is fantastic. Ramsey, do you go to movies by

0:16:05.240 --> 0:16:10.760
<v Speaker 1>yourself and it's great, right, Yeah, yeah, you enjoy yourself. Yeah,

0:16:10.840 --> 0:16:12.640
<v Speaker 1>no one bugs you, No one bugs you. You don't

0:16:12.640 --> 0:16:14.680
<v Speaker 1>have to talk about the movie after, which is the worst.

0:16:15.120 --> 0:16:21.200
<v Speaker 1>Well yeah, normally obligatory like outside the thing unless inspired,

0:16:21.280 --> 0:16:24.720
<v Speaker 1>but you know, sometimes it's a little much, all right,

0:16:24.800 --> 0:16:26.600
<v Speaker 1>So we're all in favor of it. I love it, Yvon,

0:16:26.760 --> 0:16:32.200
<v Speaker 1>go to movies by yourself, liberate myself. E j Alivac says,

0:16:32.320 --> 0:16:34.520
<v Speaker 1>I'm going to get through as much of Mystery Science

0:16:34.560 --> 0:16:38.880
<v Speaker 1>Theater three thousand back catalog as humanly possible. I love it.

0:16:38.960 --> 0:16:41.760
<v Speaker 1>Mike Sam's top fan an old friend. Part of my

0:16:41.880 --> 0:16:47.000
<v Speaker 1>twenty whoa is to see twenty movies in the theater

0:16:47.160 --> 0:16:52.960
<v Speaker 1>and write reviews on Letterboxed. Okay, Ramsey, are you on Letterboxed? Okay?

0:16:53.080 --> 0:16:54.960
<v Speaker 1>I just signed up for letter box and they've gotten

0:16:55.000 --> 0:16:58.760
<v Speaker 1>a decent amount of followers just from the movie crush community. Um.

0:16:58.800 --> 0:17:00.960
<v Speaker 1>I've liked hand full of movies, but I haven't write

0:17:00.920 --> 0:17:03.080
<v Speaker 1>any reviews yet. I'm not writing reviews. I'm just sort

0:17:03.080 --> 0:17:05.520
<v Speaker 1>of listening and banking. That's what I'm gonna probably do.

0:17:05.560 --> 0:17:07.399
<v Speaker 1>I don't know how much value there is to to

0:17:07.440 --> 0:17:11.159
<v Speaker 1>be honest, I don't know to actually write the reviews.

0:17:11.200 --> 0:17:13.240
<v Speaker 1>I think that might be a lot of effort, but

0:17:13.640 --> 0:17:15.639
<v Speaker 1>uh for not a lot of payoff. But just I

0:17:15.720 --> 0:17:18.360
<v Speaker 1>like to see other people's lists, you know, and then

0:17:18.400 --> 0:17:23.320
<v Speaker 1>I can decide for myself. I get it. Alicia Diet's

0:17:23.400 --> 0:17:27.080
<v Speaker 1>old friend says, I recently filled the shining hole in

0:17:27.160 --> 0:17:29.040
<v Speaker 1>my life, So I guess I'll go with go into

0:17:29.080 --> 0:17:33.240
<v Speaker 1>the movies more by myself. Ah, yeah, for sure. Old

0:17:33.240 --> 0:17:36.720
<v Speaker 1>friend Zack Pointer pledged to get Disney Plus once it's

0:17:36.760 --> 0:17:41.120
<v Speaker 1>released in Japan. John millsap Old Pal says gonna work

0:17:41.119 --> 0:17:44.600
<v Speaker 1>through at least ten Best picture winners that I've never seen.

0:17:45.040 --> 0:17:48.680
<v Speaker 1>These are all great goals, good movie goals. Let me

0:17:48.720 --> 0:17:54.240
<v Speaker 1>see here. Celest Edwards canna Get says I'm gonna try

0:17:54.240 --> 0:17:59.800
<v Speaker 1>and fill some of my holes Godfather, Matrix and pulp fiction. Boy. Celeste,

0:18:01.200 --> 0:18:05.480
<v Speaker 1>I'm not one to talk about a ladies holes in public,

0:18:05.600 --> 0:18:09.000
<v Speaker 1>but those are some pretty big holes. Can you believe

0:18:09.000 --> 0:18:11.919
<v Speaker 1>those three? Knowl I think those are all kind of

0:18:11.960 --> 0:18:15.879
<v Speaker 1>fundamentally required viewing. I would say whether you're whether you

0:18:15.880 --> 0:18:17.760
<v Speaker 1>think they're the end all be all of all cinema.

0:18:17.960 --> 0:18:19.600
<v Speaker 1>It's important to have seen them, I think, to be

0:18:19.680 --> 0:18:24.639
<v Speaker 1>part of the conversation the cultural canon in well, Adrian

0:18:24.640 --> 0:18:26.760
<v Speaker 1>Crane got Disney Plus and plans to catch up on

0:18:27.240 --> 0:18:30.280
<v Speaker 1>Disney and Pixar classics. It's kind of fun scrolling through

0:18:30.320 --> 0:18:33.840
<v Speaker 1>there and seeing what all is available on Do you

0:18:33.840 --> 0:18:36.199
<v Speaker 1>have it yet? Ramsey? Yes? Oh yeah, you like it?

0:18:36.240 --> 0:18:39.440
<v Speaker 1>You've been playing through stuff? Yeah, bed nobs and broomsticks. Uh.

0:18:39.840 --> 0:18:42.560
<v Speaker 1>I haven't done any of those yet. Yeah, like I

0:18:42.560 --> 0:18:46.679
<v Speaker 1>mean not if you saw toy story for the forkey shorts, No,

0:18:47.440 --> 0:18:49.800
<v Speaker 1>I love fourky though. Yeah. Oh there's a whole little

0:18:50.280 --> 0:18:54.520
<v Speaker 1>like a mini series. What's the computer? I mean, they're

0:18:54.520 --> 0:18:57.640
<v Speaker 1>like two minute shorts, but they're really well produced. Speaking

0:18:57.680 --> 0:19:00.200
<v Speaker 1>of the shorts, I love that all of the because

0:19:00.200 --> 0:19:02.679
<v Speaker 1>our shorts are available on Disney Plus, so there's so

0:19:02.680 --> 0:19:04.800
<v Speaker 1>many of them and they're all so good. I saw

0:19:04.840 --> 0:19:07.080
<v Speaker 1>the one that everyone said was such a tear jerker,

0:19:07.160 --> 0:19:10.199
<v Speaker 1>the Dumplings one. No, I had seen that before pre

0:19:10.840 --> 0:19:13.119
<v Speaker 1>one of the movies in the theater. But does it float?

0:19:13.920 --> 0:19:17.119
<v Speaker 1>What's the one with the kid that floats away? It

0:19:17.200 --> 0:19:19.439
<v Speaker 1>may be called fat Remember that one? You're all kind

0:19:19.480 --> 0:19:22.000
<v Speaker 1>of tear jerky. Yeah, there's one where there's a father

0:19:22.119 --> 0:19:25.639
<v Speaker 1>and his he has a kid that floats and his

0:19:25.840 --> 0:19:27.959
<v Speaker 1>job as a parent is to keep his kid from

0:19:28.000 --> 0:19:30.399
<v Speaker 1>floating away. Oh, floating like in the air, yes, okay,

0:19:30.520 --> 0:19:32.640
<v Speaker 1>got it. Yeah, and that's yeah, not floating like in water.

0:19:32.680 --> 0:19:34.640
<v Speaker 1>I don't I don't recall that one. Another one that's

0:19:34.720 --> 0:19:38.680
<v Speaker 1>really feels e is the one with the volcanoes um

0:19:38.800 --> 0:19:40.879
<v Speaker 1>that are in love or whatever. There's like seen that one.

0:19:40.920 --> 0:19:43.280
<v Speaker 1>That one was the one before Mowanna and it's it's

0:19:43.359 --> 0:19:45.639
<v Speaker 1>so it's like a musical kind of it's called I

0:19:45.840 --> 0:19:48.320
<v Speaker 1>Lava you. I think that's what it's called. That sounds about.

0:19:48.359 --> 0:19:50.760
<v Speaker 1>It's it's pretty cute. It's pretty damp cute. Mo Wana

0:19:50.840 --> 0:19:53.040
<v Speaker 1>was good. I love Molanna. We watched that again the

0:19:53.040 --> 0:19:55.359
<v Speaker 1>other day. That's a good movie. They're really it's funny

0:19:55.400 --> 0:19:59.320
<v Speaker 1>watching some of these older Disney films, even the cartoons

0:19:59.359 --> 0:20:02.359
<v Speaker 1>animated one are you know, the message isn't always on point.

0:20:02.840 --> 0:20:06.239
<v Speaker 1>They thought they were on point, but not necessarily, like

0:20:06.400 --> 0:20:09.280
<v Speaker 1>especially if you're a young girl. There's just a lot

0:20:09.400 --> 0:20:13.560
<v Speaker 1>of you know, damn Selinda stress boy Anita man to

0:20:13.600 --> 0:20:15.840
<v Speaker 1>come along and make for me. But I mean they

0:20:15.840 --> 0:20:18.600
<v Speaker 1>didn't exactly invent that, but they were sort of jumping

0:20:18.640 --> 0:20:21.439
<v Speaker 1>off of the source material they were from. I mean,

0:20:21.440 --> 0:20:23.840
<v Speaker 1>it's it's a time as old as can be. But

0:20:24.359 --> 0:20:26.639
<v Speaker 1>like they're doing the right thing now, I think and

0:20:26.680 --> 0:20:29.199
<v Speaker 1>empowering these carters. I agree completely. I mean I think, uh,

0:20:30.000 --> 0:20:31.879
<v Speaker 1>I love everything that Disney has put out in the

0:20:31.960 --> 0:20:34.760
<v Speaker 1>in the past, you know, several decades and good stuff

0:20:34.800 --> 0:20:37.879
<v Speaker 1>it's all quality entertainment. Kirk Castor says he's going to

0:20:37.920 --> 0:20:40.280
<v Speaker 1>watch all the Best Picture nominees for the first time

0:20:40.320 --> 0:20:43.920
<v Speaker 1>ever all of this year, I think for this year.

0:20:44.000 --> 0:20:46.720
<v Speaker 1>Probably probably not all of all time. No, that would

0:20:46.720 --> 0:20:50.640
<v Speaker 1>take forever, although you could do it. Old friend Making

0:20:50.680 --> 0:20:53.800
<v Speaker 1>Carrolls is trying to watch one new to me movie

0:20:53.840 --> 0:20:57.080
<v Speaker 1>a month. I become more of a TV adventer, so

0:20:57.400 --> 0:21:00.040
<v Speaker 1>I really miss sticking into the films. That's easy to

0:21:00.080 --> 0:21:02.840
<v Speaker 1>get side tracked with a good TV. These days, you know,

0:21:03.720 --> 0:21:06.800
<v Speaker 1>there is a lot out there, and it's easy to

0:21:07.440 --> 0:21:09.600
<v Speaker 1>kind of start something and then if it doesn't grab

0:21:09.600 --> 0:21:11.719
<v Speaker 1>you completely kind of drift away because there's just so

0:21:11.840 --> 0:21:14.720
<v Speaker 1>much out there too, you know, too much, I'd say,

0:21:14.880 --> 0:21:17.360
<v Speaker 1>too much. All right, we're gonna move on then too

0:21:17.400 --> 0:21:20.919
<v Speaker 1>coming attractions. I asked the movie crushers what movies they

0:21:20.960 --> 0:21:25.160
<v Speaker 1>were looking forward to most in UH and gave them

0:21:25.160 --> 0:21:29.360
<v Speaker 1>a little link to a Collider article detailing those releases.

0:21:29.520 --> 0:21:31.480
<v Speaker 1>Is a cheat sheet. Do you guys have any off

0:21:31.480 --> 0:21:36.800
<v Speaker 1>the top of your head that you know of. I'm

0:21:36.840 --> 0:21:39.720
<v Speaker 1>looking forward to that Black Widow movie. Okay, same Black

0:21:39.720 --> 0:21:44.640
<v Speaker 1>Widow like scar Joe Marble, isn't it gonna be r rating. Boy,

0:21:44.640 --> 0:21:45.960
<v Speaker 1>I hope so I heard it was gonna be like

0:21:45.960 --> 0:21:48.639
<v Speaker 1>a little more intense, Like, yeah, I could use some

0:21:48.680 --> 0:21:51.040
<v Speaker 1>more intensity because they've had some success with those now

0:21:51.600 --> 0:21:55.200
<v Speaker 1>with the Deadpool and Logan and all that, so interesting,

0:21:55.280 --> 0:21:58.359
<v Speaker 1>would be a fun thing to see. Yeah, what about you.

0:21:58.440 --> 0:22:01.840
<v Speaker 1>I know Dune is really up there doing is ian.

0:22:01.840 --> 0:22:05.240
<v Speaker 1>I just like, I just love villanev so much and

0:22:05.280 --> 0:22:06.919
<v Speaker 1>I think he'll handle that. Like I thought that this

0:22:06.960 --> 0:22:10.600
<v Speaker 1>Blade Runner was so genius. I think we've argued talked

0:22:10.600 --> 0:22:13.080
<v Speaker 1>about this. I'd argue it's better than the original. I think.

0:22:13.280 --> 0:22:15.359
<v Speaker 1>Obviously there's a lot of people that have issues with

0:22:15.480 --> 0:22:18.720
<v Speaker 1>David Lynch's Dune. It was a problematic, kind of imperfect.

0:22:19.600 --> 0:22:23.640
<v Speaker 1>I'm not a Dune guy, but I'm a fan of

0:22:25.280 --> 0:22:27.959
<v Speaker 1>the director of the French Canadian director that did uh

0:22:29.119 --> 0:22:33.200
<v Speaker 1>Blade Runner and uh Enemy and um Cicario and everything

0:22:33.200 --> 0:22:36.080
<v Speaker 1>he's done has been Oh also, uh is it um?

0:22:36.200 --> 0:22:37.800
<v Speaker 1>What was the one with the aliens and the language

0:22:37.800 --> 0:22:41.159
<v Speaker 1>barrier and stuff? Oh? The early one. No, it was

0:22:41.320 --> 0:22:43.840
<v Speaker 1>like maybe a couple four or three years ago. The Aliens.

0:22:45.200 --> 0:22:47.199
<v Speaker 1>It was about language. It was the name of it,

0:22:47.240 --> 0:22:50.119
<v Speaker 1>the alien and the language barrier. What the heck was

0:22:50.160 --> 0:22:53.760
<v Speaker 1>that Arrival? Yeah? Also great Now I love it. Um.

0:22:53.800 --> 0:22:56.440
<v Speaker 1>I think he's a percent club. So I'm actually a

0:22:56.520 --> 0:23:00.720
<v Speaker 1>fan of the original Dune. The only person when I

0:23:00.720 --> 0:23:02.280
<v Speaker 1>was a kid I watched it. Well, it's a fun

0:23:02.320 --> 0:23:04.840
<v Speaker 1>it's a fun, weird movie. It's a David Lynch sci

0:23:04.880 --> 0:23:06.960
<v Speaker 1>fi movie. But it's like, I think they ran out

0:23:06.960 --> 0:23:08.879
<v Speaker 1>of money, and it becomes very clear that they ran

0:23:08.920 --> 0:23:11.760
<v Speaker 1>out of money because the movie just kind of screeches

0:23:11.800 --> 0:23:14.640
<v Speaker 1>to a halt um. It was like, what's that guy's name,

0:23:15.280 --> 0:23:18.199
<v Speaker 1>Dino de laurentists or a big producer. I think he

0:23:18.280 --> 0:23:20.840
<v Speaker 1>financed it and it was going way over budget and

0:23:20.880 --> 0:23:23.720
<v Speaker 1>they just kind of like it feels like they jump

0:23:23.840 --> 0:23:27.160
<v Speaker 1>from like be two X really quickly because they didn't

0:23:27.160 --> 0:23:29.080
<v Speaker 1>have enough money to at the end, with the end

0:23:29.119 --> 0:23:34.160
<v Speaker 1>between part no more from Dino. Lynch turned down Jedi

0:23:34.359 --> 0:23:36.720
<v Speaker 1>to direct Jedi to do Dune. That's right, Like he

0:23:36.760 --> 0:23:38.080
<v Speaker 1>was going to do Return to the Jed. That's right.

0:23:38.080 --> 0:23:41.320
<v Speaker 1>He was asked. He was asked directly by Lucas Boy.

0:23:41.400 --> 0:23:43.080
<v Speaker 1>I can't imagine what that would have been like, I mean,

0:23:43.080 --> 0:23:44.720
<v Speaker 1>he would have had obviously, I'm sure they would have

0:23:44.720 --> 0:23:46.520
<v Speaker 1>had to rain am in a little bit or yeah,

0:23:47.119 --> 0:23:52.000
<v Speaker 1>would have been killer, yeah, because well he might have

0:23:52.040 --> 0:23:55.919
<v Speaker 1>saved Jedi looking back, because I'm not a fan, not

0:23:55.960 --> 0:23:58.159
<v Speaker 1>a fan. I mean, it's fine, but now I was

0:23:58.320 --> 0:23:59.440
<v Speaker 1>is that the one where you feel like they just

0:23:59.520 --> 0:24:01.320
<v Speaker 1>through the k and sink, you know, and just like

0:24:01.400 --> 0:24:03.240
<v Speaker 1>kind of we're just trying to you know. My problems

0:24:03.280 --> 0:24:08.000
<v Speaker 1>with Jedi were mainly that Luke became a badass and

0:24:08.040 --> 0:24:09.800
<v Speaker 1>I didn't like seeing him that way. I like the

0:24:09.880 --> 0:24:13.320
<v Speaker 1>Luke of a new Hope and empire vulnerable Luke. Yeah,

0:24:13.320 --> 0:24:15.040
<v Speaker 1>and then when he came out wearing all black and

0:24:15.080 --> 0:24:17.000
<v Speaker 1>he was a tough guy. It just it was such

0:24:17.000 --> 0:24:20.520
<v Speaker 1>a character shift for me. I didn't buy it, uh,

0:24:20.760 --> 0:24:22.679
<v Speaker 1>And that was my biggest problem with it, and it

0:24:22.720 --> 0:24:24.879
<v Speaker 1>was it was a bit of a mess to me.

0:24:26.520 --> 0:24:28.880
<v Speaker 1>It definitely seems like it's hit or miss for even

0:24:29.080 --> 0:24:32.800
<v Speaker 1>the biggest fans of the of the Zack Pointer says

0:24:32.800 --> 0:24:36.600
<v Speaker 1>Bill and Ted Eternals and Black Widow. Dude, have you

0:24:36.680 --> 0:24:40.800
<v Speaker 1>seen Kumalan, Johnny, I'll jack looking. I saw that for

0:24:40.800 --> 0:24:43.400
<v Speaker 1>the first time yesterday and I almost fucking fell out

0:24:43.400 --> 0:24:46.320
<v Speaker 1>of my chair. It's like border line upsetting. Yeah, like

0:24:46.359 --> 0:24:48.399
<v Speaker 1>I thought it was. I thought it was a photoshop.

0:24:48.480 --> 0:24:53.040
<v Speaker 1>First of all, it's just it's not it's bought crazy. Yeah,

0:24:53.160 --> 0:24:57.040
<v Speaker 1>it's that Marvel like Super Soldier program they've got going on, man,

0:24:57.400 --> 0:25:01.239
<v Speaker 1>and somebody put me in a Marvel movie. Yeah, so

0:25:01.320 --> 0:25:03.000
<v Speaker 1>I can look like that, I mean look like it

0:25:03.040 --> 0:25:07.320
<v Speaker 1>takes a year of like just you know, complete obsession

0:25:07.520 --> 0:25:09.800
<v Speaker 1>and like live in trainers and all of that. The

0:25:09.920 --> 0:25:13.280
<v Speaker 1>same thing happened with uh, what's his name from Parks

0:25:13.320 --> 0:25:15.399
<v Speaker 1>and rec Um, You know when he when he did

0:25:15.440 --> 0:25:17.880
<v Speaker 1>the Guardians of the Galaxy movie star Lord with his name,

0:25:18.400 --> 0:25:21.760
<v Speaker 1>yeah Pratt, Pratt. Yeah, he went from like shlubby Andy

0:25:21.880 --> 0:25:23.960
<v Speaker 1>to like Paul Rudd. Jack's up a little free a man.

0:25:24.040 --> 0:25:28.439
<v Speaker 1>Not like he didn't go come on gihnni style, but

0:25:29.000 --> 0:25:30.719
<v Speaker 1>he's in eternals. That was the reason I bring it up.

0:25:30.840 --> 0:25:33.119
<v Speaker 1>Come on Johnny's and internals, which is why he did

0:25:33.160 --> 0:25:36.399
<v Speaker 1>it right exactly. Yeah, it's weird, man. I hope he

0:25:36.440 --> 0:25:38.639
<v Speaker 1>doesn't get less funny because usually people look like that

0:25:38.720 --> 0:25:41.960
<v Speaker 1>can't be funny too, what I mean it since the

0:25:42.040 --> 0:25:45.879
<v Speaker 1>humor has gone. Um, Samantha h else is wonder Woman

0:25:46.000 --> 0:25:48.000
<v Speaker 1>is at the tippy top of my list. It looks

0:25:48.000 --> 0:25:50.600
<v Speaker 1>fun did you see the trailer? Yeah? Man five, I

0:25:50.600 --> 0:25:53.200
<v Speaker 1>mean the first one was great, it was I want

0:25:53.200 --> 0:25:54.920
<v Speaker 1>to see more of that. This is like they're taking

0:25:54.960 --> 0:25:58.119
<v Speaker 1>the first one question together with like stranger things, you know,

0:25:58.840 --> 0:26:01.720
<v Speaker 1>shoving it out the door. Shoving it out the door.

0:26:02.640 --> 0:26:06.480
<v Speaker 1>Uh men, Old Data says, now that I know David

0:26:06.480 --> 0:26:10.040
<v Speaker 1>Harbor is in it. Black Widow and Wonder Woman is

0:26:10.040 --> 0:26:12.840
<v Speaker 1>a close second. Yeah. Harbor looks so good in that.

0:26:14.520 --> 0:26:17.679
<v Speaker 1>Did you see his hell Boy? No, I didn't didn't

0:26:17.680 --> 0:26:20.520
<v Speaker 1>get Did you see it Ramsey? Yeah? He gave it

0:26:20.560 --> 0:26:26.600
<v Speaker 1>two thumbs way down. It was it's yeah. I mean

0:26:27.200 --> 0:26:28.960
<v Speaker 1>you look at the cast or like, this is gonna

0:26:29.000 --> 0:26:35.520
<v Speaker 1>be great, but it was awful. Yeah, shame because the

0:26:35.560 --> 0:26:39.480
<v Speaker 1>ones the the um there's a lot of problematic stuff

0:26:39.480 --> 0:26:41.360
<v Speaker 1>on this set though, I think, well I heard that,

0:26:41.680 --> 0:26:44.439
<v Speaker 1>but what's what's the director? Of course Del Toro. The

0:26:44.440 --> 0:26:48.359
<v Speaker 1>first two are just so delightful. They're fun, they're exciting.

0:26:48.480 --> 0:26:51.720
<v Speaker 1>There's like intrigue and mystery, and there's just a lot

0:26:51.720 --> 0:26:53.960
<v Speaker 1>of good writing and the visuals are awesome, and it

0:26:54.080 --> 0:26:57.120
<v Speaker 1>just seemed like they really ship the bed on this one. Yeah.

0:26:57.200 --> 0:26:59.360
<v Speaker 1>They took the first those first two movies and put

0:26:59.359 --> 0:27:02.960
<v Speaker 1>it into one movie. They did too much interestation had

0:27:03.040 --> 0:27:04.960
<v Speaker 1>just taken one part of hell Boy and done a

0:27:04.960 --> 0:27:07.080
<v Speaker 1>movie about it. You know it sounds like a mess.

0:27:07.240 --> 0:27:10.480
<v Speaker 1>Yeah bummer, But yeah he got jacked for that movie.

0:27:10.520 --> 0:27:14.560
<v Speaker 1>He did. He did. Uh, he was fairly jack by

0:27:14.560 --> 0:27:18.159
<v Speaker 1>the way. David Harbor. Fantastic apartment he was in. It

0:27:18.160 --> 0:27:21.040
<v Speaker 1>was either architectural Digest or dwell or something, and they

0:27:21.080 --> 0:27:25.199
<v Speaker 1>did a little if you're into home decor in architecture.

0:27:25.520 --> 0:27:28.119
<v Speaker 1>He redid this apartment New York. It's very lovely. Advise

0:27:28.160 --> 0:27:31.760
<v Speaker 1>you to look it up. Christine Scott topped Gun and Dune.

0:27:32.640 --> 0:27:36.199
<v Speaker 1>The new Top Gun trailer is out and it's you know,

0:27:36.320 --> 0:27:38.720
<v Speaker 1>hitting all the nostalgia buttons. For me, that's what everyone

0:27:38.720 --> 0:27:40.920
<v Speaker 1>seems to say. I only saw like the original teaser

0:27:41.240 --> 0:27:44.520
<v Speaker 1>that had like inside cockpit view I think, and then

0:27:44.560 --> 0:27:47.760
<v Speaker 1>like some tricks and hearing the internal monologue or whatever.

0:27:48.840 --> 0:27:52.480
<v Speaker 1>It's good and the just if you're a fan of aviation,

0:27:52.600 --> 0:27:55.399
<v Speaker 1>just seeing the what's going on flying wise in this movie,

0:27:55.760 --> 0:27:59.360
<v Speaker 1>it just looks off the charts amazing. Dan Maynard Old

0:27:59.359 --> 0:28:03.240
<v Speaker 1>Friends is so many but the New Ghostbusters and New Mutants,

0:28:03.640 --> 0:28:07.879
<v Speaker 1>if it actually happens, it's gonna be great, Amy Boss Is,

0:28:07.880 --> 0:28:10.040
<v Speaker 1>wonder Woman and Ghostbusters. Would you guys think of the

0:28:10.040 --> 0:28:15.119
<v Speaker 1>Ghostbusters trailer? It looked pretty cool? Yeah, I'm down. I'm intrigued. Yeah,

0:28:15.160 --> 0:28:17.320
<v Speaker 1>I think it was a good teaser. People are like,

0:28:17.359 --> 0:28:19.080
<v Speaker 1>it was gonna be funny and stuff. I like, of

0:28:19.119 --> 0:28:21.360
<v Speaker 1>course it will be here putting that Stranger Things kid

0:28:21.400 --> 0:28:24.840
<v Speaker 1>and everything that I'll tell you. Then wolf Hard, Yeah,

0:28:24.960 --> 0:28:27.720
<v Speaker 1>what else was he? He He was in it? Right? Yeah,

0:28:27.720 --> 0:28:29.960
<v Speaker 1>it's almost like he can act or something. He's pretty good.

0:28:30.280 --> 0:28:32.399
<v Speaker 1>He does a good job. Old pal Gene Van Valence

0:28:32.400 --> 0:28:36.639
<v Speaker 1>says the New Coming to America. Yeah, I'm very nervous

0:28:36.640 --> 0:28:42.640
<v Speaker 1>about that. It's not that here. Oh did they Eddie

0:28:42.680 --> 0:28:44.800
<v Speaker 1>Murphy was in town? I didn't get him on I guess,

0:28:44.840 --> 0:28:48.400
<v Speaker 1>so that's so surprising. What do you think about it?

0:28:48.440 --> 0:28:50.520
<v Speaker 1>I haven't even seen the trailer trailer? Man, Do you

0:28:50.560 --> 0:28:53.440
<v Speaker 1>think the original is great? Yes? You do? Okay, it's

0:28:53.480 --> 0:28:55.720
<v Speaker 1>one of your favorite comedy type of I think it's

0:28:55.720 --> 0:28:58.360
<v Speaker 1>really holds up, is very funny. What is it about

0:28:58.440 --> 0:29:00.200
<v Speaker 1>it that does it for you that you would they

0:29:00.200 --> 0:29:02.160
<v Speaker 1>wouldn't be able to get right in a in a reboot? Well,

0:29:02.160 --> 0:29:06.000
<v Speaker 1>what I'm worried about with the sequel, is uh that

0:29:06.080 --> 0:29:07.880
<v Speaker 1>it will be the worst kind of sequel, which is

0:29:08.640 --> 0:29:13.200
<v Speaker 1>doing the same thing over and like the same jokes,

0:29:13.240 --> 0:29:16.280
<v Speaker 1>even in the same setups. Like that's the laziest, worst

0:29:16.320 --> 0:29:17.800
<v Speaker 1>kind of sequel you can do, kind of like the

0:29:17.880 --> 0:29:19.640
<v Speaker 1>Zoolanders sequel. I'm not sure if you saw that. I

0:29:19.680 --> 0:29:22.960
<v Speaker 1>didn't even see that. I heard what they did essentially, Yeah,

0:29:23.000 --> 0:29:26.080
<v Speaker 1>why bother? I didn't see the Anchorman sequel, especially with

0:29:26.120 --> 0:29:28.640
<v Speaker 1>so much time having passed, Like unless there's a real

0:29:28.680 --> 0:29:31.760
<v Speaker 1>compelling reason to bring back these characters and like see

0:29:31.800 --> 0:29:34.760
<v Speaker 1>what they've been up to, it's maybe there will be that.

0:29:34.880 --> 0:29:36.760
<v Speaker 1>What worries me is I think the plot is his

0:29:37.440 --> 0:29:40.560
<v Speaker 1>prince Akim's son now wants to come to America to

0:29:40.600 --> 0:29:45.719
<v Speaker 1>find his wife. And it's like that does like, uh,

0:29:46.120 --> 0:29:48.360
<v Speaker 1>you gotta you gotta do something different with it. Is

0:29:48.360 --> 0:29:53.680
<v Speaker 1>there anybody worthy attached to it making directing or you know, okay,

0:29:53.880 --> 0:29:55.520
<v Speaker 1>come to America too. I don't know. I know this

0:29:55.640 --> 0:29:58.400
<v Speaker 1>is all bringing back to all the same casts. Um, yeah,

0:29:58.480 --> 0:30:05.560
<v Speaker 1>the people that are still alive obviously, uh Brewer, Craig

0:30:05.600 --> 0:30:08.160
<v Speaker 1>Brewer did it. Yeah, okay, is he good? Yeah? He

0:30:08.160 --> 0:30:11.040
<v Speaker 1>did hustle and flow and I think he did the

0:30:11.040 --> 0:30:15.720
<v Speaker 1>foot Loose remake which he sort of hustle and flows good,

0:30:15.960 --> 0:30:18.880
<v Speaker 1>hustle and flows great. The Dolomite movie that any Murphy

0:30:18.920 --> 0:30:21.040
<v Speaker 1>did was was awesome enough, you guys, I haven't seen

0:30:21.040 --> 0:30:23.800
<v Speaker 1>it yet. It's a Netflix jam, right, Yeah, yeah, I

0:30:23.800 --> 0:30:26.160
<v Speaker 1>need to see that one I have. I'm nervous about

0:30:26.200 --> 0:30:28.760
<v Speaker 1>it too. Just like the Bill and Ted movie, it

0:30:29.000 --> 0:30:33.280
<v Speaker 1>just doesn't it seems really forced, like they're bringing back death. Yeah,

0:30:33.400 --> 0:30:35.480
<v Speaker 1>it's like, why I bring back the same characters when

0:30:35.520 --> 0:30:38.479
<v Speaker 1>you can have new characters, new stories. You know what

0:30:38.800 --> 0:30:41.239
<v Speaker 1>I've said it on here before. My dirty secret is

0:30:41.680 --> 0:30:44.120
<v Speaker 1>I never I thought Bill and Ted was that great.

0:30:44.240 --> 0:30:46.360
<v Speaker 1>It was fine, it's whatever, But I'm not one of

0:30:46.360 --> 0:30:50.400
<v Speaker 1>these people that it's just like it's not super funny.

0:30:50.440 --> 0:30:53.280
<v Speaker 1>It's just kind of kitchy and like I was that

0:30:53.360 --> 0:30:56.480
<v Speaker 1>saw that it was fine, but um, if you rewatch it,

0:30:56.480 --> 0:30:59.200
<v Speaker 1>there's actually some problematic language in it, kind of they

0:30:59.240 --> 0:31:01.760
<v Speaker 1>call each other uh F word a lot, like you know,

0:31:01.840 --> 0:31:05.120
<v Speaker 1>the the not not the fuck no, the bad one

0:31:05.160 --> 0:31:07.840
<v Speaker 1>that we don't like to say. That's a pejorative that

0:31:07.880 --> 0:31:09.600
<v Speaker 1>they used to say in the nineties a lot, just

0:31:09.640 --> 0:31:15.320
<v Speaker 1>like Willie Nilly sure frogs, that's the one. Um, Michael

0:31:15.320 --> 0:31:18.280
<v Speaker 1>O'Neil says, The Color out of Space. I haven't heard

0:31:18.320 --> 0:31:21.600
<v Speaker 1>of that one. Oh, it looks good. Really, yeah, it's uh,

0:31:21.640 --> 0:31:23.520
<v Speaker 1>it's got something to do with some of the production

0:31:23.520 --> 0:31:25.960
<v Speaker 1>team behind Mandy and I knew you were a little

0:31:26.760 --> 0:31:29.400
<v Speaker 1>lukewarm about that one, but visually you can't deny that

0:31:29.440 --> 0:31:32.200
<v Speaker 1>it had a cool thing going on. Esthetically, like it's

0:31:32.200 --> 0:31:35.120
<v Speaker 1>really beyond and like crazy looking. This looks very much

0:31:35.120 --> 0:31:37.440
<v Speaker 1>like that. The Color out of Space is a HP

0:31:37.600 --> 0:31:43.000
<v Speaker 1>Lovecraft short story about like literally an alien invader that

0:31:43.160 --> 0:31:46.080
<v Speaker 1>is is experienced in the form of being a color

0:31:47.440 --> 0:31:49.680
<v Speaker 1>And the trailer looks real kookie ye and fun and

0:31:49.720 --> 0:31:53.520
<v Speaker 1>it's Nick Cage Nick caging out. Yeah. I think Pam

0:31:53.600 --> 0:31:55.760
<v Speaker 1>our colleagues share that on her Facebook wall, and I

0:31:55.760 --> 0:31:58.320
<v Speaker 1>watched it because Pam shured it and I trust Pam.

0:31:59.080 --> 0:32:01.800
<v Speaker 1>Trying to get Pam back on here. Yeah, she's she's

0:32:01.880 --> 0:32:04.800
<v Speaker 1>given me the high hat. I've never heard that expression

0:32:04.840 --> 0:32:08.720
<v Speaker 1>move for Miller's crossing, giving me the high the high hat. Yes,

0:32:08.840 --> 0:32:11.320
<v Speaker 1>that's right. I don't even know what it means. Let

0:32:11.360 --> 0:32:15.959
<v Speaker 1>me see here, Kevin Clark says, Angelica Houston isn't excited

0:32:16.000 --> 0:32:18.000
<v Speaker 1>about the Witches, so I don't know how I can

0:32:18.040 --> 0:32:21.200
<v Speaker 1>be Wait a minute, there's a there's Our Witches remake sequel.

0:32:21.520 --> 0:32:24.240
<v Speaker 1>I'm not sure. Uh. And then let's finish up with

0:32:24.240 --> 0:32:27.280
<v Speaker 1>our old pal culver Matthew. He just has a two

0:32:27.280 --> 0:32:35.080
<v Speaker 1>word list, fucking dune. Yeah, totally, it's gonna be good.

0:32:35.240 --> 0:32:37.440
<v Speaker 1>Is there anything out there about doing Is any video

0:32:37.600 --> 0:32:41.720
<v Speaker 1>any nothing? I don't have anything. Um. I did see

0:32:41.760 --> 0:32:44.479
<v Speaker 1>the new Bill and Ted photos were released yesterday, and

0:32:44.560 --> 0:32:47.840
<v Speaker 1>the deal is their daughters are in the movie as

0:32:47.920 --> 0:32:51.680
<v Speaker 1>the I think the main protagonists. So I'm down with that.

0:32:59.640 --> 0:33:02.600
<v Speaker 1>But we are going to finish up here everyone with

0:33:02.680 --> 0:33:07.720
<v Speaker 1>an addition of Chuck's Holes. Because I saw and you

0:33:07.760 --> 0:33:10.480
<v Speaker 1>saw as well, Nolan the movie Crushers page. They thought

0:33:10.520 --> 0:33:13.040
<v Speaker 1>it would be a good idea to on their own

0:33:13.200 --> 0:33:15.440
<v Speaker 1>come up with movies that they would force us to

0:33:15.480 --> 0:33:19.760
<v Speaker 1>watch that are our holes. And we're both down with it. Um,

0:33:19.800 --> 0:33:22.200
<v Speaker 1>as long as it's not the Harry Potter series, right,

0:33:22.320 --> 0:33:24.040
<v Speaker 1>that's my only stipulation. No, you know, it would be

0:33:24.040 --> 0:33:28.440
<v Speaker 1>the Harry Potter series for me exactly. But you I

0:33:28.480 --> 0:33:32.080
<v Speaker 1>mean your no, your your holes are our legendary at

0:33:32.080 --> 0:33:34.000
<v Speaker 1>this point they are and very well far and wide.

0:33:34.200 --> 0:33:39.560
<v Speaker 1>But my holes are a little more secretive. Good lord,

0:33:40.320 --> 0:33:45.320
<v Speaker 1>Uh so I thought I could expose my holes more today,

0:33:45.200 --> 0:33:49.080
<v Speaker 1>maybe give aid to this list that they're going to

0:33:49.160 --> 0:33:51.640
<v Speaker 1>come up with stuff that they're gonna make me watch.

0:33:52.720 --> 0:33:56.240
<v Speaker 1>Ramsey has the traditional sharpie. Unless you have your own method,

0:33:56.320 --> 0:33:58.840
<v Speaker 1>I don't. I seed a slip of here if you

0:33:58.840 --> 0:34:01.880
<v Speaker 1>can use this all right, Oh it's column shaped already,

0:34:01.920 --> 0:34:06.960
<v Speaker 1>I love. So what do you do? You just tally? Well,

0:34:07.000 --> 0:34:09.000
<v Speaker 1>I do a y on one side and then in

0:34:09.160 --> 0:34:11.000
<v Speaker 1>on the other knoll, and then I do the old

0:34:11.040 --> 0:34:14.600
<v Speaker 1>one diagonal five. But you do what however you want.

0:34:14.640 --> 0:34:15.880
<v Speaker 1>But you make you number it. Do you make a

0:34:15.960 --> 0:34:18.640
<v Speaker 1>numbered list all the way to twenty? Uh No, I

0:34:18.680 --> 0:34:21.640
<v Speaker 1>don't do that. I just read them out loud. But

0:34:21.719 --> 0:34:24.720
<v Speaker 1>you do what however you want. No rames. He's laughing

0:34:25.200 --> 0:34:29.200
<v Speaker 1>at your methods. So I'm out of I'm already out

0:34:29.239 --> 0:34:32.359
<v Speaker 1>of room. Um. You know what I'm gonna do, well,

0:34:32.400 --> 0:34:35.000
<v Speaker 1>say am just because since we have a finite number,

0:34:35.600 --> 0:34:39.200
<v Speaker 1>I'm just gonna make a tally of the of the

0:34:39.480 --> 0:34:42.360
<v Speaker 1>just of the yeses, and then we'll buy product of

0:34:42.400 --> 0:34:46.719
<v Speaker 1>the process of elimination. Determine how many knows there were

0:34:46.760 --> 0:34:50.120
<v Speaker 1>after the fact that some complicated math is at a

0:34:50.160 --> 0:34:51.759
<v Speaker 1>certain point. I'm gonna ask you what the score is,

0:34:51.880 --> 0:34:55.799
<v Speaker 1>no ol, so just get ready for that. That's comedy, okay, alright, fine,

0:34:56.480 --> 0:34:58.920
<v Speaker 1>all right? But what if I get it off kilter

0:34:59.000 --> 0:35:01.399
<v Speaker 1>and I kiss? Is amazing everybody? What's happening right here?

0:35:02.520 --> 0:35:05.200
<v Speaker 1>Put a y on one side, and then and on

0:35:05.239 --> 0:35:07.319
<v Speaker 1>the other. Okay, and then just moved down. But what

0:35:07.360 --> 0:35:10.200
<v Speaker 1>if I need twenty spaces though that's a lot. This

0:35:10.280 --> 0:35:12.040
<v Speaker 1>is a very short piece of painting. Ramsey was just

0:35:12.160 --> 0:35:15.319
<v Speaker 1>videoing this. I think, all right, you know what Nolan

0:35:15.560 --> 0:35:18.879
<v Speaker 1>is now looking for another piece. Wow, you really can't

0:35:18.880 --> 0:35:21.239
<v Speaker 1>figure this out. I have I figured it out. Check.

0:35:21.280 --> 0:35:22.560
<v Speaker 1>You threw me for a loop when you said I

0:35:22.560 --> 0:35:24.239
<v Speaker 1>had to tell you what the score was halfway through?

0:35:24.480 --> 0:35:26.600
<v Speaker 1>I could tell you anyway. All right, let's just get

0:35:26.600 --> 0:35:30.040
<v Speaker 1>to it, shaw we man, this is great. Okay, I

0:35:30.040 --> 0:35:32.400
<v Speaker 1>had no I didn't see this coming. Well here it

0:35:32.480 --> 0:35:35.439
<v Speaker 1>is all right. Here it is exposing more of my holes.

0:35:35.440 --> 0:35:38.640
<v Speaker 1>They're called math holes. Um okay, number one on the list.

0:35:38.840 --> 0:35:43.160
<v Speaker 1>We've got a sort of a niche Japanese sort of

0:35:43.520 --> 0:35:49.000
<v Speaker 1>schlocky action slash Yakuza picture called Ichi the Killer Nope

0:35:49.200 --> 0:35:53.000
<v Speaker 1>by Takashi Mika. Is there to this list? Not really,

0:35:54.880 --> 0:35:59.040
<v Speaker 1>So that's a no okay um. Just so everyone knows,

0:35:59.120 --> 0:36:03.239
<v Speaker 1>no one was writing and wise right as what would

0:36:03.280 --> 0:36:05.120
<v Speaker 1>what would you recommend you? I already told you what

0:36:05.160 --> 0:36:07.480
<v Speaker 1>I'd recommend, But what did you know? What to remind me?

0:36:07.640 --> 0:36:08.920
<v Speaker 1>What was it? I thought you want to see you

0:36:08.920 --> 0:36:11.120
<v Speaker 1>do it your way? I know that's great. I love it.

0:36:12.239 --> 0:36:14.480
<v Speaker 1>Pooh pooed all my other methods. I'm just loving It's

0:36:14.520 --> 0:36:16.400
<v Speaker 1>a big in over there. Yeah, all right, what's the

0:36:16.440 --> 0:36:20.719
<v Speaker 1>next movie? The next one is a very long engagement.

0:36:22.120 --> 0:36:25.680
<v Speaker 1>It's a French film by the directors of Amalie. And

0:36:25.760 --> 0:36:29.279
<v Speaker 1>I've seen that. I don't think I have no I'm

0:36:29.280 --> 0:36:33.799
<v Speaker 1>gonna have to say no okay, so I've got two

0:36:33.880 --> 0:36:38.000
<v Speaker 1>ends here now yell for nose um all right. This

0:36:38.080 --> 0:36:41.480
<v Speaker 1>is a very famous animated anime film. This is not

0:36:41.560 --> 0:36:44.359
<v Speaker 1>a niche one though, it's just it's pretty commonly people

0:36:44.400 --> 0:36:49.920
<v Speaker 1>have seen this one a Kira no okay um. Next

0:36:49.960 --> 0:36:57.120
<v Speaker 1>we have a um Emilio Estevez and Mick Jagger uh

0:36:57.320 --> 0:37:00.759
<v Speaker 1>vehicle free Jack free Jack. Yet you've seen free Jack?

0:37:01.040 --> 0:37:05.080
<v Speaker 1>That was shot in Atlanta. Actually was it really? Yeah? Okay, alright,

0:37:05.480 --> 0:37:14.320
<v Speaker 1>how about um a little British gangster picture called layer Cake. Yes, okay,

0:37:14.560 --> 0:37:18.359
<v Speaker 1>I like this, uh free free form. Yeah, it's good. Yeah,

0:37:18.400 --> 0:37:21.160
<v Speaker 1>it's all over the place. Without I figured we'd we

0:37:21.160 --> 0:37:24.320
<v Speaker 1>would want like a nice look into your overall whole

0:37:24.520 --> 0:37:29.719
<v Speaker 1>escape as opposed to, you know, just one genre focusing

0:37:29.800 --> 0:37:34.520
<v Speaker 1>on the single hole exactly. Next, Chuck, sir, we have

0:37:35.400 --> 0:37:39.080
<v Speaker 1>a little film, a science fiction film from the eighties

0:37:39.320 --> 0:37:42.680
<v Speaker 1>starring Arnold Schwarzenegger, based on a short story by the

0:37:42.719 --> 0:37:45.719
<v Speaker 1>Great Stephen King called The Running Man. You've seen The

0:37:45.800 --> 0:37:48.720
<v Speaker 1>running Man. My goal is to predict the title before

0:37:48.800 --> 0:37:50.560
<v Speaker 1>you even say it. All right, I'm gonna try to

0:37:50.560 --> 0:37:52.799
<v Speaker 1>be a little more vague then. Uh. Next, we have

0:37:52.840 --> 0:37:56.879
<v Speaker 1>another kind of man. Okay, Uh, he's not running this time?

0:37:57.000 --> 0:38:00.280
<v Speaker 1>Or is he kind of is? Technically he's participating eating

0:38:00.280 --> 0:38:04.719
<v Speaker 1>And what a running event, Chuck, A running event and

0:38:04.760 --> 0:38:07.120
<v Speaker 1>he is h he is. He is tortured by a

0:38:07.239 --> 0:38:12.520
<v Speaker 1>Nazi dentist, the marathon Man. You've seen the marathon Man. Okay,

0:38:12.840 --> 0:38:15.680
<v Speaker 1>that's with that's is it safe? That's with the great

0:38:16.600 --> 0:38:23.200
<v Speaker 1>Laurence Olivier. Yeah, he plays the said Nazi dentist. That's right. Okay. Um,

0:38:23.320 --> 0:38:27.200
<v Speaker 1>here we have something of a a mock buster. You

0:38:27.239 --> 0:38:30.239
<v Speaker 1>can call this the original mockbuster. It was a mockbuster.

0:38:30.360 --> 0:38:32.759
<v Speaker 1>Is sort of a movie that mimics another type of

0:38:32.760 --> 0:38:36.279
<v Speaker 1>more famous movie. Um So, instead of transformers, you've got

0:38:36.280 --> 0:38:39.239
<v Speaker 1>trans morphers. Instead of snakes on a plane, you've got

0:38:39.239 --> 0:38:42.120
<v Speaker 1>snakes on a train something like that. This isn't exactly that,

0:38:42.160 --> 0:38:46.680
<v Speaker 1>but this was infamously known for its McDonald's product placement.

0:38:47.320 --> 0:38:49.759
<v Speaker 1>Um and also for Paul Rudd playing a clip from

0:38:49.800 --> 0:38:51.759
<v Speaker 1>it every time he's on the Cone and O'Brien show.

0:38:52.400 --> 0:38:55.200
<v Speaker 1>It's called Mac and Me. Yeah that you're you're not

0:38:55.239 --> 0:38:59.600
<v Speaker 1>missing anything. It's it's an awful, awful well it's the

0:38:59.600 --> 0:39:01.879
<v Speaker 1>scene where the kids in the wheelchair and he goes down,

0:39:01.880 --> 0:39:04.360
<v Speaker 1>he rolls down the hill and then the break breaks

0:39:04.400 --> 0:39:07.040
<v Speaker 1>off and then he flies through you know, clearly a

0:39:07.120 --> 0:39:09.680
<v Speaker 1>dummy falling off of this cliff. And then the bad

0:39:09.719 --> 0:39:12.839
<v Speaker 1>looking alien sits up and go one of the great

0:39:12.880 --> 0:39:16.360
<v Speaker 1>recurring bits. Very good from the great Paul Rud. Okay. Um,

0:39:16.400 --> 0:39:19.480
<v Speaker 1>Next we have a sequel, a holiday sequel, Home Alone Too,

0:39:19.600 --> 0:39:22.959
<v Speaker 1>Lost in New York. Yes, of course, you've seen that one. Okay, great,

0:39:23.000 --> 0:39:25.319
<v Speaker 1>but only once. I think you're doing quite well. Chuck,

0:39:25.320 --> 0:39:28.920
<v Speaker 1>you're doing quite well. And next we have this is

0:39:28.920 --> 0:39:32.600
<v Speaker 1>sort of a be kind of cult science fiction film

0:39:32.640 --> 0:39:36.160
<v Speaker 1>starring the great Jason Robards. It's called A Boy and

0:39:36.239 --> 0:39:39.839
<v Speaker 1>His Dog, also starring Don Johnson. No, okay, it's serve

0:39:39.880 --> 0:39:44.680
<v Speaker 1>a post apocalyptic sci fi schlock kind of fest. All right,

0:39:45.280 --> 0:39:47.920
<v Speaker 1>we've got that one as an end. My system is

0:39:47.960 --> 0:39:50.120
<v Speaker 1>working just fine, Chuck. I love it. Took a picture

0:39:50.120 --> 0:39:53.480
<v Speaker 1>of that later. It's interesting how your brain works. Well,

0:39:53.520 --> 0:39:55.160
<v Speaker 1>I guess I could have just did then I'm in

0:39:55.200 --> 0:39:59.759
<v Speaker 1>a line I didn't have to. I'm you're getting a

0:39:59.760 --> 0:40:03.160
<v Speaker 1>g since in my brain processes. All right, Um, I

0:40:03.200 --> 0:40:05.120
<v Speaker 1>think I remember you saying that you have not seen

0:40:05.160 --> 0:40:08.680
<v Speaker 1>this one, but we'll see hell Raiser the movie. Uh yeah,

0:40:08.719 --> 0:40:11.160
<v Speaker 1>I saw that the original hell Raiser. Was there a sequel?

0:40:11.200 --> 0:40:13.080
<v Speaker 1>Because there's there's a lot of sequels, there's a lot

0:40:13.120 --> 0:40:19.480
<v Speaker 1>of secret pinhead. Okay, great. Next we have another Clive

0:40:19.560 --> 0:40:24.240
<v Speaker 1>Barker film from probably the late eighties, possibly very early nineties,

0:40:24.360 --> 0:40:26.160
<v Speaker 1>Night Bread. I have not seen. You have not seen

0:40:26.239 --> 0:40:30.840
<v Speaker 1>night Bread. It's not great, but it was clearly very expensive.

0:40:32.120 --> 0:40:36.040
<v Speaker 1>It's an interesting movie. It's it's got David Cronenberg plays

0:40:36.040 --> 0:40:38.400
<v Speaker 1>a big villain in it. Um, he's a sort of

0:40:38.440 --> 0:40:41.600
<v Speaker 1>a slasher character. It's it's a fun Ramsey nodding, enthusiastical.

0:40:41.760 --> 0:40:44.160
<v Speaker 1>Do you like Nightbreed Ramsey? I did when I was

0:40:44.200 --> 0:40:46.480
<v Speaker 1>a kid. It's right, it's it doesn't hold I don't

0:40:46.520 --> 0:40:48.960
<v Speaker 1>think it holds up. But it's a fun Uh, it's

0:40:48.960 --> 0:40:53.520
<v Speaker 1>a fun monster fest. There's a I don't I don't

0:40:53.520 --> 0:40:55.320
<v Speaker 1>know see the lead. I don't know, I don't know.

0:40:55.320 --> 0:40:58.120
<v Speaker 1>I didn't know him super well the lead anyway. Um, okay,

0:40:58.200 --> 0:40:59.960
<v Speaker 1>I have a friend who had sex with him. Wow,

0:41:01.200 --> 0:41:06.399
<v Speaker 1>that's a claim to fame. How was he? Well man,

0:41:06.719 --> 0:41:08.560
<v Speaker 1>there's more to the story. I'll tell you guys after

0:41:09.080 --> 0:41:11.960
<v Speaker 1>fair Fairer is pretty good in it, though he is

0:41:12.160 --> 0:41:16.880
<v Speaker 1>very sex wither no way. I once went on a

0:41:16.920 --> 0:41:18.520
<v Speaker 1>tender date with the girl who had a friend who

0:41:18.520 --> 0:41:21.160
<v Speaker 1>has sex with Quentin Tarantino. And apparently he really does

0:41:21.200 --> 0:41:25.000
<v Speaker 1>have a foot fetish. Really interesting, of course he does.

0:41:25.080 --> 0:41:27.200
<v Speaker 1>That's all I got. That's not a surprise. Next, we

0:41:27.280 --> 0:41:31.160
<v Speaker 1>have a film starring David Bowie who he also did

0:41:31.160 --> 0:41:34.480
<v Speaker 1>the soundtrack for it, and it's called Absolute Beginners. Yeah,

0:41:34.520 --> 0:41:37.560
<v Speaker 1>that's a great movie. You enjoy that movie. I've heard

0:41:37.600 --> 0:41:39.399
<v Speaker 1>mixed things about it. I haven't seen it, but yeah

0:41:39.400 --> 0:41:41.239
<v Speaker 1>I haven't. I mean, it's it's been many, many years.

0:41:41.280 --> 0:41:44.520
<v Speaker 1>What's it about. It's like about like high society ballroom

0:41:44.680 --> 0:41:47.880
<v Speaker 1>dancing or something, you know what. I don't recall, but

0:41:47.920 --> 0:41:50.440
<v Speaker 1>I definitely saw it. I'm not cheating on this one.

0:41:50.320 --> 0:41:51.759
<v Speaker 1>You know, you're doing what you're doing? Great, Chuck, you're

0:41:51.760 --> 0:41:53.560
<v Speaker 1>doing great. You're it's a pretty even split. I think

0:41:53.560 --> 0:41:55.719
<v Speaker 1>you're the yeses. Are you in favor of the yes?

0:41:55.880 --> 0:41:59.040
<v Speaker 1>Is here? Um? The yes column looks like seven to

0:41:59.160 --> 0:42:02.480
<v Speaker 1>six to me. Don't look at my paper, Chuck, don't

0:42:02.480 --> 0:42:03.959
<v Speaker 1>look at my paper. Should we do it a little?

0:42:04.000 --> 0:42:06.319
<v Speaker 1>Let's say so for knows, you've got with a one

0:42:06.360 --> 0:42:10.160
<v Speaker 1>in six, six nos and seven wise, So yeah, you're

0:42:10.280 --> 0:42:13.239
<v Speaker 1>very neck and neck, neck and neck, Chuck. All right.

0:42:13.680 --> 0:42:19.000
<v Speaker 1>Next we have another rock star film turn with Under

0:42:19.040 --> 0:42:22.120
<v Speaker 1>the Cherry Moon. Uh you know what, man, I want

0:42:22.120 --> 0:42:23.640
<v Speaker 1>to say, yes, but I don't think i've ever seen

0:42:23.680 --> 0:42:25.560
<v Speaker 1>it all the way through. Prince, I'm gonna have to

0:42:25.600 --> 0:42:30.560
<v Speaker 1>say and yeah, uh wait, and Absolute Beginners. I think

0:42:30.560 --> 0:42:33.799
<v Speaker 1>she's an absolute beginners. Excuse me, I'm m getting mixed

0:42:33.840 --> 0:42:35.719
<v Speaker 1>up here, but yeah, apparently Under the Cherry Moon is

0:42:35.800 --> 0:42:37.640
<v Speaker 1>quite bad, but I have not seen it, so we're

0:42:37.640 --> 0:42:40.840
<v Speaker 1>gonna give that a no. All right, thanks for being honest.

0:42:41.040 --> 0:42:42.440
<v Speaker 1>I cannot say that I saw that one all the

0:42:42.440 --> 0:42:45.319
<v Speaker 1>way through. Okay, Next we have I only just learned

0:42:45.320 --> 0:42:47.240
<v Speaker 1>about this movie because there's a there's a new series

0:42:47.280 --> 0:42:51.080
<v Speaker 1>on Netflix that explores the creation of movies that went

0:42:51.120 --> 0:42:53.839
<v Speaker 1>on to become kind of iconic, but with the time

0:42:53.840 --> 0:42:56.640
<v Speaker 1>we're sort of underfunded in a little bit like Fledgling.

0:42:56.920 --> 0:43:00.000
<v Speaker 1>And this was the making of Home Alone one. Uh.

0:43:00.120 --> 0:43:03.719
<v Speaker 1>And it was directed by Chris Columbus, whose only other

0:43:03.800 --> 0:43:07.280
<v Speaker 1>feature to that point was an Elvis movie called Heartbreak

0:43:07.320 --> 0:43:11.120
<v Speaker 1>Hotel from nineteen and it did get a wide release

0:43:11.160 --> 0:43:15.200
<v Speaker 1>but apparently bombed and it wasn't good. Okay, I know

0:43:15.280 --> 0:43:18.239
<v Speaker 1>the movie you're talking on, A Heartbreak Hotel was the movie, right, yeah,

0:43:18.239 --> 0:43:24.560
<v Speaker 1>Heartbreak Hotel? Al right. Next we have The Phantom of

0:43:24.600 --> 0:43:27.560
<v Speaker 1>the Paradise, the kids movie. No it's not, no, it's

0:43:27.560 --> 0:43:29.880
<v Speaker 1>not it's not a kiss movie. It's uh, it's the

0:43:29.920 --> 0:43:32.560
<v Speaker 1>guy that did the music like the Phantom of the Park.

0:43:32.960 --> 0:43:36.360
<v Speaker 1>Yess a kiss movie. Yeah, but no, I know Phantom

0:43:36.400 --> 0:43:37.879
<v Speaker 1>of the Paradise, but I have not seen that. It's

0:43:37.880 --> 0:43:42.239
<v Speaker 1>that guy Paul Um. Paul Williams did the music and

0:43:42.280 --> 0:43:44.640
<v Speaker 1>it's like a rock opera kind of thing. He did

0:43:44.680 --> 0:43:46.000
<v Speaker 1>that one too. Yeah, he did a lot of them,

0:43:46.040 --> 0:43:51.239
<v Speaker 1>The Muppet, the Muppet music, Rainbow Connection and all that stuff. Okay, great, Um. Next,

0:43:51.239 --> 0:43:53.440
<v Speaker 1>I don't think you added to know though, that I

0:43:53.440 --> 0:43:57.359
<v Speaker 1>did know because I'm keeping up there. Yeah, because you

0:43:57.360 --> 0:43:59.799
<v Speaker 1>you had not seen Heartbreak, Hotel or Under the Cherry Moans.

0:43:59.880 --> 0:44:02.719
<v Speaker 1>That's three ends in a row. Yeah. Man, I'm I'm

0:44:02.719 --> 0:44:07.320
<v Speaker 1>getting hammered here. Next, Uh the Seminal Nineties. Uh. Computer

0:44:07.560 --> 0:44:10.600
<v Speaker 1>What would a computer look like in a movie? Approximation?

0:44:10.719 --> 0:44:15.680
<v Speaker 1>Electric Dream, Hallmark is Hackers. Yes, you've seen Hackers. Okay,

0:44:15.920 --> 0:44:19.680
<v Speaker 1>good movie. It's fun, it is, certainly. What doesn't hold

0:44:19.760 --> 0:44:22.600
<v Speaker 1>up is the way the internet looks. Yeah, you can't

0:44:22.800 --> 0:44:25.200
<v Speaker 1>make a movie about your technology and expect that to

0:44:25.239 --> 0:44:30.000
<v Speaker 1>ever hold you. Sure camp Okay, Next, we have um,

0:44:30.000 --> 0:44:31.920
<v Speaker 1>a film from a director who went on to do

0:44:32.120 --> 0:44:34.399
<v Speaker 1>a lot of big Marvel pictures but kind of got

0:44:34.400 --> 0:44:37.920
<v Speaker 1>his start doing more low budge kind of horror comedy.

0:44:38.200 --> 0:44:41.000
<v Speaker 1>This was somewhere in between those two worlds with a

0:44:41.000 --> 0:44:44.640
<v Speaker 1>movie called dark Man. Oh sure, okay, I feel like

0:44:44.680 --> 0:44:46.000
<v Speaker 1>we're near the end all I think we need a

0:44:46.000 --> 0:44:48.279
<v Speaker 1>tally to see how we're gonna Yeah, you got you

0:44:48.360 --> 0:44:51.520
<v Speaker 1>got two left? So we're at one, two, three four

0:44:51.600 --> 0:44:55.960
<v Speaker 1>or five six seven eight nine? Yeses one two three

0:44:56.080 --> 0:45:00.839
<v Speaker 1>four or five six seven eight nine Nos. Yes it is, Chuck.

0:45:01.080 --> 0:45:04.439
<v Speaker 1>I'm just confirming my figures here. You know, all right, man,

0:45:04.480 --> 0:45:06.280
<v Speaker 1>this is really it always comes down to the wires

0:45:06.520 --> 0:45:08.600
<v Speaker 1>to the wire. Um, you've you've you've been a worthy

0:45:08.600 --> 0:45:14.319
<v Speaker 1>adversary here, Chuck. Um, despite shredding my tallying methods, which

0:45:14.360 --> 0:45:16.640
<v Speaker 1>is absolutely fun, what are you gonna post? What's what's

0:45:16.640 --> 0:45:19.560
<v Speaker 1>what's so comical about this? Chuck? This is helpful for me.

0:45:19.560 --> 0:45:21.799
<v Speaker 1>I wack and differentiate between the wise and you know,

0:45:22.160 --> 0:45:23.919
<v Speaker 1>it really is a peak though. I think you may

0:45:23.960 --> 0:45:27.640
<v Speaker 1>work spatially in your brain more. Yeah, yeah, you might

0:45:27.680 --> 0:45:31.920
<v Speaker 1>be a spatial learner. I'm definitely a spacey learner. It's true. Um, Okay,

0:45:32.080 --> 0:45:36.959
<v Speaker 1>next we have That was a drum roll, Howard the Duck.

0:45:37.680 --> 0:45:40.040
<v Speaker 1>I never saw that stinker. Oh that could have gone

0:45:40.040 --> 0:45:42.320
<v Speaker 1>either way, Chuck. That could have gone either way Howard

0:45:42.360 --> 0:45:45.399
<v Speaker 1>the Duck. Even young Chuck knew that was a bad movie.

0:45:45.440 --> 0:45:48.840
<v Speaker 1>All right, Well, I can either equalize or be defeated.

0:45:49.920 --> 0:45:53.720
<v Speaker 1>I'm pretty sure you've seen this one, hocus Pocus. Yes,

0:45:54.920 --> 0:45:57.080
<v Speaker 1>in fact, I just saw that for the first time

0:45:57.160 --> 0:45:59.960
<v Speaker 1>this year. It's a dead heat, Chuck. Yeah, there's that

0:46:00.040 --> 0:46:03.440
<v Speaker 1>the expression heat or is it a dead heat or

0:46:03.480 --> 0:46:05.880
<v Speaker 1>a dead heap? It's a dead heat, a dead heat.

0:46:06.320 --> 0:46:08.080
<v Speaker 1>What does that mean? Though? What is a dead heat

0:46:08.280 --> 0:46:10.080
<v Speaker 1>a dead heap? You don't want to come across a

0:46:10.080 --> 0:46:12.040
<v Speaker 1>dead heat. What is a dead heat? Though? A dead heat?

0:46:12.160 --> 0:46:14.719
<v Speaker 1>Heat is a race, So a dead heat would be

0:46:14.760 --> 0:46:16.879
<v Speaker 1>a race where it is a tie. A dead heat

0:46:16.920 --> 0:46:20.280
<v Speaker 1>would be like a pile of bodies. That would be terrible.

0:46:20.719 --> 0:46:24.080
<v Speaker 1>Should we do a tiebreaker from Ramsey? Maybe? Oh no,

0:46:24.080 --> 0:46:28.600
<v Speaker 1>we don't never tiebreak. We'll just keep it at my

0:46:28.760 --> 0:46:33.680
<v Speaker 1>ten holes. You can pick from that list if you want. Um.

0:46:33.719 --> 0:46:36.280
<v Speaker 1>But yeah, I'm eager to get involved in this crusher

0:46:36.360 --> 0:46:39.440
<v Speaker 1>thing where we are forced to watch movies occasionally. How

0:46:39.640 --> 0:46:41.520
<v Speaker 1>should we do that? How they hold us accountable though?

0:46:41.840 --> 0:46:45.880
<v Speaker 1>The owner system? I told them they could design it

0:46:45.920 --> 0:46:47.520
<v Speaker 1>however they want, So we'll just leave it to them

0:46:48.000 --> 0:46:50.200
<v Speaker 1>and see how they Absolutely, yeah, I'm gonna do it.

0:46:50.320 --> 0:46:52.600
<v Speaker 1>Power to the people, Power to the crushers. That's right,

0:46:52.800 --> 0:46:56.000
<v Speaker 1>all right, everyone, thanks for listening, welcome to Thank you

0:46:56.080 --> 0:47:00.080
<v Speaker 1>Ramsey H for a great nineteen and knowl and to

0:47:00.360 --> 0:47:17.440
<v Speaker 1>look forward to more to come this year. Indeed, for

0:47:17.520 --> 0:47:19.919
<v Speaker 1>more podcasts for My heart Radio, visit the I Heart

0:47:19.960 --> 0:47:22.640
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:47:22.640 --> 0:47:23.320
<v Speaker 1>favorite shows.