WEBVTT - Marilyn Monroe: From Dullsville To Beverly Hills

0:00:01.920 --> 0:00:06.120
<v Speaker 1>Hello the Internet, and welcome to this spinoff episode of

0:00:06.480 --> 0:00:13.200
<v Speaker 1>The Daily Zeitgeist called Gaconograph Iconograph. Instead of looking at

0:00:13.200 --> 0:00:16.239
<v Speaker 1>the zeitgeist through current events, we're looking at it through

0:00:16.239 --> 0:00:19.720
<v Speaker 1>the lens of powerful pop cultural hork cruxes that are

0:00:19.720 --> 0:00:24.480
<v Speaker 1>our icons, pork Brooks. We use these characters to create meaning,

0:00:24.600 --> 0:00:28.280
<v Speaker 1>to build identity, to know what our grandfathers were jacking

0:00:28.320 --> 0:00:32.040
<v Speaker 1>off to grandpa, to teach us that when standing on

0:00:32.080 --> 0:00:34.599
<v Speaker 1>a subway, great, you should just wear a sensible pair

0:00:34.640 --> 0:00:38.519
<v Speaker 1>of slacks, much less problems. Uh. And most importantly, we

0:00:38.640 --> 0:00:42.319
<v Speaker 1>learn how to cure Frank Sinatra's erectile dysfunction. That's right,

0:00:42.400 --> 0:00:47.400
<v Speaker 1>today we're talking Marilyn Monroe, Nay, Norma Jean. That's the

0:00:47.440 --> 0:00:49.400
<v Speaker 1>first big one. Do you know our name wasn't even

0:00:49.440 --> 0:00:50.720
<v Speaker 1>actually Marilyn Monroe.

0:00:50.800 --> 0:00:51.640
<v Speaker 2>Dude.

0:00:52.080 --> 0:00:54.920
<v Speaker 1>I'm thrilled to be joined as always by my co host,

0:00:55.000 --> 0:00:56.480
<v Speaker 1>mister Miles Bray.

0:00:59.000 --> 0:00:59.480
<v Speaker 2>How are you?

0:00:59.720 --> 0:01:04.440
<v Speaker 1>Hey hey hey hey, hey, hey hey hey Jean.

0:01:04.560 --> 0:01:06.399
<v Speaker 3>That's one that's like, I think the only bit of

0:01:06.520 --> 0:01:11.600
<v Speaker 3>trueba normal Jane is that about her. I think that

0:01:11.680 --> 0:01:14.880
<v Speaker 3>was the first thing that was my first introduction. My

0:01:15.200 --> 0:01:18.560
<v Speaker 3>fucking name was dang. There was something like HBO movie

0:01:18.560 --> 0:01:21.240
<v Speaker 3>where it was like something in like Norma Jean or something,

0:01:21.440 --> 0:01:24.280
<v Speaker 3>and I was just like, oh, yep, yep, yep, that's

0:01:24.360 --> 0:01:27.560
<v Speaker 3>and that's the depth of my knowledge of Marilyn Monroe.

0:01:27.600 --> 0:01:30.160
<v Speaker 3>That and she's buried at Hollywood Forever Cemetery.

0:01:30.240 --> 0:01:36.720
<v Speaker 1>I think she's buried in the Westwood Cemetery, West Veteran. Yeah, dammit, Miles.

0:01:36.800 --> 0:01:39.760
<v Speaker 2>And it was drugs and we're we're.

0:01:39.560 --> 0:01:42.840
<v Speaker 1>Going to talk about it. Oh in our third seat.

0:01:43.360 --> 0:01:45.120
<v Speaker 1>A t d Z Hall of Famer, one of the

0:01:45.200 --> 0:01:47.960
<v Speaker 1>very faces on Mount Zeitmore, a brilliant stand up comedian.

0:01:48.080 --> 0:01:52.480
<v Speaker 1>You've seen on MTV, Comedy Central, NBC, True TV, h

0:01:52.680 --> 0:01:54.720
<v Speaker 1>You've heard her on Bob's Burgers. You can see her

0:01:54.800 --> 0:01:57.000
<v Speaker 1>in her hilarious special Life from the Big Dog, and

0:01:57.080 --> 0:01:59.640
<v Speaker 1>on her podcast spased out with Blair Saki because it

0:01:59.680 --> 0:02:08.079
<v Speaker 1>is Blair Sockerlair.

0:02:05.440 --> 0:02:07.520
<v Speaker 4>What's up? Iconographer's Gang?

0:02:08.120 --> 0:02:08.639
<v Speaker 1>What's up?

0:02:08.760 --> 0:02:10.239
<v Speaker 4>Miles and Jack Gang?

0:02:12.320 --> 0:02:13.720
<v Speaker 1>Hello, Blair Sockey.

0:02:14.400 --> 0:02:16.640
<v Speaker 4>I'm so thrilled to be here. You know what I

0:02:16.840 --> 0:02:22.119
<v Speaker 4>just remembered actually that I did read a gigantic Marilyn

0:02:22.360 --> 0:02:24.959
<v Speaker 4>Monroe biography, like years and years and years ago.

0:02:25.120 --> 0:02:28.160
<v Speaker 1>I had a feeling I had a feeling you had.

0:02:28.480 --> 0:02:30.880
<v Speaker 4>Because i'd psychically.

0:02:30.880 --> 0:02:36.520
<v Speaker 1>We're all the collective shared consciousness on the icon scale

0:02:36.520 --> 0:02:40.080
<v Speaker 1>that we use on this show. I feel like Marilyn

0:02:40.120 --> 0:02:44.960
<v Speaker 1>Monroe is at the tippy top. Einstein's up there, but.

0:02:47.520 --> 0:02:51.600
<v Speaker 4>Tupac like where their aura just keeps going for years

0:02:51.600 --> 0:02:53.840
<v Speaker 4>and years and years and years and years after their death.

0:02:54.000 --> 0:02:56.840
<v Speaker 3>But also just like the visual like this, once you

0:02:56.880 --> 0:02:59.720
<v Speaker 3>see it, it's like it's only one person. Some people

0:02:59.760 --> 0:03:04.160
<v Speaker 3>are so unwell that they're like, that's me now professionally.

0:03:03.720 --> 0:03:06.040
<v Speaker 1>Right, Yeah, there are We talked about how.

0:03:06.800 --> 0:03:08.960
<v Speaker 2>There's Elvis impersonators say it to people.

0:03:09.200 --> 0:03:13.880
<v Speaker 1>Maryland. Impersonators are a thing. I just the generic T

0:03:14.000 --> 0:03:17.760
<v Speaker 1>shirt store test you walk down a boardwalk today for

0:03:18.280 --> 0:03:21.920
<v Speaker 1>our office. One of the shittiest parts of LA the

0:03:22.000 --> 0:03:24.079
<v Speaker 1>nineteen eighties Times Square of La Not.

0:03:24.080 --> 0:03:26.840
<v Speaker 3>To don't know it was recently ranked as like one

0:03:26.919 --> 0:03:32.359
<v Speaker 3>of the worst tourist spots, like the in America purely.

0:03:33.560 --> 0:03:38.720
<v Speaker 1>He officially used German tourists walking around being.

0:03:38.600 --> 0:03:40.240
<v Speaker 2>Like, what's so many bummed out?

0:03:40.560 --> 0:03:42.440
<v Speaker 1>But I'll tell you what you will find. You might

0:03:42.480 --> 0:03:44.119
<v Speaker 1>not find what you were looking for, but you will

0:03:44.120 --> 0:03:47.320
<v Speaker 1>find many T shirt stores with pictures of Marylyn Monroe

0:03:47.400 --> 0:03:51.800
<v Speaker 1>on them and cardboard cutouts of Marylyn Monroe. She pas

0:03:51.880 --> 0:03:55.640
<v Speaker 1>the college dorm room wall like first apartment wall test

0:03:55.840 --> 0:03:59.960
<v Speaker 1>where just like you know, posters photos. The image of

0:04:00.080 --> 0:04:02.160
<v Speaker 1>her skirt being blown up by the subway grade is

0:04:02.200 --> 0:04:04.880
<v Speaker 1>one of the most famous moments in film history, though

0:04:05.320 --> 0:04:10.080
<v Speaker 1>it wasn't in the movie. That was a publicity stunt.

0:04:10.760 --> 0:04:13.720
<v Speaker 1>They reshot it on. The thing that we've all seen

0:04:13.960 --> 0:04:16.880
<v Speaker 1>was from a publicity shoot, and the reshoot that was

0:04:16.920 --> 0:04:19.599
<v Speaker 1>in the movie is not the same. Also, I'd say

0:04:19.600 --> 0:04:23.040
<v Speaker 1>one of the most misunderstood figures that we've covered so far,

0:04:23.520 --> 0:04:26.200
<v Speaker 1>Like that song, which was the first thing I knew about.

0:04:26.279 --> 0:04:30.440
<v Speaker 1>Goodbye norm Jean talks about her like as kind of

0:04:30.600 --> 0:04:33.960
<v Speaker 1>this like helpless victim, Like it talks about how Hollywood

0:04:34.000 --> 0:04:37.919
<v Speaker 1>made her change her name and like Hollywood created a superstar.

0:04:38.080 --> 0:04:43.040
<v Speaker 1>She did that shit. Man, She wanted to be a star,

0:04:43.600 --> 0:04:46.800
<v Speaker 1>and she was like really smart and really good at it.

0:04:46.839 --> 0:04:49.159
<v Speaker 1>She had to do twice as much to get half

0:04:49.200 --> 0:04:51.760
<v Speaker 1>as far as the men of her era, and she

0:04:51.920 --> 0:04:55.600
<v Speaker 1>still became, like I thought she was like famous and

0:04:55.640 --> 0:04:58.039
<v Speaker 1>then died and became like even more famous. She was

0:04:58.160 --> 0:05:00.760
<v Speaker 1>the most famous person on the planet, and she was alive,

0:05:01.000 --> 0:05:03.560
<v Speaker 1>she was a wild I feel.

0:05:03.320 --> 0:05:08.960
<v Speaker 4>Like she also started the whole thing where she really

0:05:09.400 --> 0:05:13.279
<v Speaker 4>like pretended to be a certain way, you know, this

0:05:13.520 --> 0:05:17.119
<v Speaker 4>soft like sex kitten, but really like the Paris Hilton

0:05:17.200 --> 0:05:22.040
<v Speaker 4>thing where it's like people had no idea how calculated

0:05:22.080 --> 0:05:23.320
<v Speaker 4>and intentional she was.

0:05:23.760 --> 0:05:25.000
<v Speaker 1>Do you have access to my notes?

0:05:25.440 --> 0:05:28.360
<v Speaker 2>Do you shoulder?

0:05:28.440 --> 0:05:30.880
<v Speaker 4>Here? Is the same biography though, even though mine was

0:05:30.920 --> 0:05:35.960
<v Speaker 4>many years ago. YEA fascinated because there's word, there's word

0:05:36.200 --> 0:05:39.280
<v Speaker 4>of Russell's whispers on the Internet that they think that

0:05:39.680 --> 0:05:43.960
<v Speaker 4>she might have also been a fellow autistic baddie and

0:05:44.080 --> 0:05:46.839
<v Speaker 4>so considering it through that lens.

0:05:46.880 --> 0:05:51.040
<v Speaker 1>Okay, But in terms of her films, I think that's

0:05:51.080 --> 0:05:53.080
<v Speaker 1>a very important point that you just brought up, that

0:05:53.360 --> 0:05:57.119
<v Speaker 1>her she like played the character from her films also

0:05:57.360 --> 0:06:00.880
<v Speaker 1>in reality and like all of she had like movie

0:06:00.920 --> 0:06:05.159
<v Speaker 1>lines ready to go for her real life, like it

0:06:05.240 --> 0:06:09.960
<v Speaker 1>was just like she had she had crackling comedic dialogue

0:06:10.080 --> 0:06:13.440
<v Speaker 1>in like press conferences. But just in terms of like

0:06:13.520 --> 0:06:17.080
<v Speaker 1>her films, they grossed two hundred million dollars by the

0:06:17.120 --> 0:06:19.640
<v Speaker 1>time of her death. That's the equivalent of two billion

0:06:19.720 --> 0:06:22.560
<v Speaker 1>dollars today twenty four in.

0:06:22.560 --> 0:06:25.279
<v Speaker 2>Back then money too. Yeah, oh my god.

0:06:25.520 --> 0:06:30.479
<v Speaker 1>Okay, and then her death is mysterious, like it's not

0:06:30.560 --> 0:06:34.080
<v Speaker 1>we we did Elvis last week player, And like Elvis's death,

0:06:34.720 --> 0:06:38.039
<v Speaker 1>he is fairly straightforward, like he was just doing so

0:06:38.200 --> 0:06:41.640
<v Speaker 1>many drugs and died from doing so so many drugs.

0:06:41.800 --> 0:06:44.800
<v Speaker 1>But with and And, people were just like, he's not

0:06:44.839 --> 0:06:47.120
<v Speaker 1>really dead because they just needed that to be true.

0:06:47.520 --> 0:06:51.040
<v Speaker 1>With Marilyn Monroe, like there is some very real, shady

0:06:51.120 --> 0:06:53.960
<v Speaker 1>shit that happened surrounding her death. So we're gonna we're

0:06:53.960 --> 0:06:56.520
<v Speaker 1>gonna spend more of this episode talking about her death

0:06:56.560 --> 0:06:58.120
<v Speaker 1>than maybe with past icons.

0:06:58.320 --> 0:07:00.719
<v Speaker 4>I wondered if I was gonna bring be the one

0:07:00.760 --> 0:07:02.200
<v Speaker 4>to bring up that freaky ship.

0:07:02.720 --> 0:07:06.440
<v Speaker 1>No, there's a yeah. I mean I ultimately I don't

0:07:06.640 --> 0:07:11.120
<v Speaker 1>think that she was killed by Frank Sinatra, JFK, RFK

0:07:11.320 --> 0:07:14.040
<v Speaker 1>and the CIA all at the same time. But uh,

0:07:14.680 --> 0:07:17.880
<v Speaker 1>there there's just some there's some weird ship that happened.

0:07:17.960 --> 0:07:21.800
<v Speaker 1>There's some weird shit went down, all right, But should

0:07:21.840 --> 0:07:25.280
<v Speaker 1>we get into just the bio and yeah, you know when.

0:07:25.280 --> 0:07:29.800
<v Speaker 3>Let me know, oh good that that part is from

0:07:29.840 --> 0:07:32.000
<v Speaker 3>Candle in the Wind. Is that what you're talking about?

0:07:32.160 --> 0:07:35.520
<v Speaker 1>Yeah? Yeah, oh yeah, Like.

0:07:37.800 --> 0:07:38.480
<v Speaker 2>The whole time I was.

0:07:38.480 --> 0:07:40.320
<v Speaker 1>Like, is there a song called Goodbye Normal Jean?

0:07:40.400 --> 0:07:41.560
<v Speaker 2>Or isn't that the big part of that.

0:07:41.640 --> 0:07:45.480
<v Speaker 1>At the beginning, that's the first line of wind Yeah, yeah, yeah, which.

0:07:45.280 --> 0:07:48.840
<v Speaker 3>Is about her every mother's favorite song from nineteen ninety seven.

0:07:49.120 --> 0:07:51.280
<v Speaker 1>He should have just kept making songs like because he

0:07:51.280 --> 0:07:53.320
<v Speaker 1>did it for Princess Die. He should just be that

0:07:53.440 --> 0:07:55.520
<v Speaker 1>every time someone died. Oh, he could make a lot

0:07:55.600 --> 0:07:56.920
<v Speaker 1>of mone. I'm just saying he can make a lot

0:07:56.960 --> 0:07:57.360
<v Speaker 1>of money.

0:07:57.640 --> 0:08:01.119
<v Speaker 2>He could have done a Betty White one. Yeah.

0:08:01.160 --> 0:08:03.800
<v Speaker 1>I also just saw Goodbye Golden Girls.

0:08:04.440 --> 0:08:07.000
<v Speaker 4>You know the people like all her husbands, like they

0:08:07.120 --> 0:08:11.840
<v Speaker 4>still loved her so much, like after their breakups, like

0:08:11.920 --> 0:08:15.360
<v Speaker 4>Joe DiMaggio sent her flowers every week.

0:08:16.760 --> 0:08:21.760
<v Speaker 1>Obsessed. Oh my god, you're obsessed with me. He was

0:08:22.560 --> 0:08:26.440
<v Speaker 1>super obsessed, but also a complete fucking monster when they

0:08:26.480 --> 0:08:29.280
<v Speaker 1>were married. But we're going to get to all of that.

0:08:30.360 --> 0:08:33.800
<v Speaker 1>We're just so. She was born Norma Jean Mortenson on

0:08:33.880 --> 0:08:36.360
<v Speaker 1>June first, nineteen twenty six, and the charity ward of

0:08:36.400 --> 0:08:40.200
<v Speaker 1>Los Angeles General Hospital. She was born very poor. Her

0:08:40.240 --> 0:08:45.440
<v Speaker 1>mother was diagnosed as a paranoid schizophrenic, and Norma Jean

0:08:45.720 --> 0:08:50.199
<v Speaker 1>wound up in various foster homes and orphanages her mom's diagnosis.

0:08:50.280 --> 0:08:53.240
<v Speaker 1>I just want to like this gave her, Like her

0:08:53.240 --> 0:08:57.520
<v Speaker 1>mom always being institutionalized, gave Marilyn a lifelong fear of

0:08:57.600 --> 0:09:00.400
<v Speaker 1>mental words, and like she would never lock her door,

0:09:00.480 --> 0:09:03.720
<v Speaker 1>which is gonna come into play in her death, but

0:09:04.160 --> 0:09:08.120
<v Speaker 1>probably understandable given the state of psychiatric care at the time.

0:09:08.400 --> 0:09:10.959
<v Speaker 1>And I just want to give a quick anecdote from

0:09:10.960 --> 0:09:13.360
<v Speaker 1>her mom's life that I think sets the stage for

0:09:13.600 --> 0:09:17.720
<v Speaker 1>the world of psychiatry, because that's a big part of

0:09:17.760 --> 0:09:19.840
<v Speaker 1>her story too, because you know, a lot of the

0:09:19.840 --> 0:09:23.120
<v Speaker 1>biographies are speculating about like what kind of mental illness

0:09:23.160 --> 0:09:26.160
<v Speaker 1>she had, and it's tough to tell because it was

0:09:26.200 --> 0:09:30.080
<v Speaker 1>a time when like women were not trusted at all,

0:09:30.360 --> 0:09:34.160
<v Speaker 1>and like just them having something to say or a

0:09:34.200 --> 0:09:38.280
<v Speaker 1>complaint was pathologized. This is just a wild anecdote from

0:09:38.320 --> 0:09:40.560
<v Speaker 1>her mom's life. So this is in the Donald Spotto

0:09:40.640 --> 0:09:44.280
<v Speaker 1>biography Male in Mom Roe. The biography tells the story

0:09:44.280 --> 0:09:48.600
<v Speaker 1>about how her mom learned that her most recent husband

0:09:48.679 --> 0:09:51.920
<v Speaker 1>had been killed in a motorcycle accident in Ohio, and

0:09:52.600 --> 0:09:55.760
<v Speaker 1>it turns out that wasn't true. It was just a

0:09:55.840 --> 0:09:58.760
<v Speaker 1>guy with the same name with like a similar background,

0:09:58.800 --> 0:10:00.640
<v Speaker 1>and her husband was still a lot than just being

0:10:00.640 --> 0:10:03.680
<v Speaker 1>a typical like shit ass absentee husband from the mid

0:10:03.679 --> 0:10:08.000
<v Speaker 1>twentieth century. Identity was like a real loose thing back

0:10:08.040 --> 0:10:11.600
<v Speaker 1>then where they were like Marilyn Momroe Norman Gy like

0:10:11.640 --> 0:10:15.800
<v Speaker 1>had different names on her birth certificate, on her baptismal certificate,

0:10:15.960 --> 0:10:18.760
<v Speaker 1>like your name was what you told them at the

0:10:18.880 --> 0:10:21.760
<v Speaker 1>DMV and they're like whatever you want to call yourself late, right,

0:10:22.600 --> 0:10:25.200
<v Speaker 1>But so by the time her mom's real husband shows

0:10:25.280 --> 0:10:28.960
<v Speaker 1>up from you know, being a shit ass Gladys, Marilyn's

0:10:28.960 --> 0:10:33.640
<v Speaker 1>mom is institutionalized and she gets a call from her

0:10:33.640 --> 0:10:36.840
<v Speaker 1>dead husband, which for someone who's been taught not to

0:10:36.880 --> 0:10:40.200
<v Speaker 1>trust her own mental health, like, she freaked the FuG out.

0:10:40.679 --> 0:10:43.240
<v Speaker 1>She like, yeah, she tried to like call him back,

0:10:43.720 --> 0:10:47.400
<v Speaker 1>and the people in the institution are like, she's trying

0:10:47.440 --> 0:10:50.800
<v Speaker 1>to call her dead husband. The dame's baby boys get

0:10:50.840 --> 0:10:54.880
<v Speaker 1>the butterfly nets, and because she freaks out about that,

0:10:54.920 --> 0:10:58.560
<v Speaker 1>they send her to a high security facility and like

0:10:58.600 --> 0:11:02.520
<v Speaker 1>people only really know about this, like mind fuck of

0:11:02.559 --> 0:11:05.480
<v Speaker 1>a thing that happened, because her daughter then goes on

0:11:05.520 --> 0:11:07.920
<v Speaker 1>to become the most famous person in the world, like

0:11:08.000 --> 0:11:10.800
<v Speaker 1>otherwise it's just a thing that happened to people at

0:11:10.840 --> 0:11:14.880
<v Speaker 1>that time was just people diagnosed you and then stop

0:11:15.200 --> 0:11:18.120
<v Speaker 1>believing anything that you had to say.

0:11:18.200 --> 0:11:19.880
<v Speaker 2>Yeah, once that labels on there, right.

0:11:20.280 --> 0:11:24.560
<v Speaker 4>Especially the women, I mean like oh yeah, it's kind

0:11:24.559 --> 0:11:28.880
<v Speaker 4>of analogous to I mean like the Witch's time. Like

0:11:28.920 --> 0:11:31.319
<v Speaker 4>if one person just said you're a witch, like all

0:11:31.320 --> 0:11:33.440
<v Speaker 4>this sudden, you're a witch, and if you were like

0:11:33.800 --> 0:11:36.319
<v Speaker 4>if they're like, oh, she's she has hysteria, she has

0:11:36.360 --> 0:11:39.640
<v Speaker 4>the vapors, then they're like your toast.

0:11:39.640 --> 0:11:43.880
<v Speaker 1>Right, yeah, yeah, exactly. Yeah, this is the time of

0:11:44.000 --> 0:11:48.200
<v Speaker 1>lobotomies where they're like, she's difficult and we're gonna deal

0:11:48.200 --> 0:11:48.480
<v Speaker 1>with that.

0:11:48.800 --> 0:11:49.040
<v Speaker 2>Yeah.

0:11:49.720 --> 0:11:54.280
<v Speaker 1>For instance, right, so you know, her mom is in

0:11:54.360 --> 0:11:56.319
<v Speaker 1>and out of the picture. She goes from foster family

0:11:56.360 --> 0:12:00.960
<v Speaker 1>to foster family. Most biographers agree she's a toed at

0:12:01.040 --> 0:12:05.319
<v Speaker 1>age twelve and just has it. Has a really rough upbringing,

0:12:05.720 --> 0:12:09.240
<v Speaker 1>like she doesn't really have a home ever, and to

0:12:09.280 --> 0:12:12.800
<v Speaker 1>the point that like one of her maternal figures who

0:12:13.320 --> 0:12:16.000
<v Speaker 1>like took her to movies and like really helped delay.

0:12:16.000 --> 0:12:20.080
<v Speaker 1>The foundation for this also is like I found this

0:12:20.120 --> 0:12:22.720
<v Speaker 1>guy that I really like in West Virginia, So you're

0:12:22.760 --> 0:12:28.319
<v Speaker 1>going to marry our neighbor James Doherty, who to her

0:12:28.440 --> 0:12:32.200
<v Speaker 1>was just mister Doherty. And she is sixteen years old

0:12:32.440 --> 0:12:35.319
<v Speaker 1>when they marry her off. She's forced to drop out

0:12:35.320 --> 0:12:36.360
<v Speaker 1>of high school.

0:12:36.160 --> 0:12:38.240
<v Speaker 4>To do you imagine how scary that would be.

0:12:38.559 --> 0:12:39.040
<v Speaker 1>Yeah.

0:12:39.040 --> 0:12:43.120
<v Speaker 2>Wait, so this Carol One maternal figure she had was

0:12:43.160 --> 0:12:45.000
<v Speaker 2>just like, you're marrying mister Doherty.

0:12:45.120 --> 0:12:48.679
<v Speaker 1>You're marrying mister Doherty, our neighbor, because I don't know

0:12:48.720 --> 0:12:49.599
<v Speaker 1>what else to do with you.

0:12:49.640 --> 0:12:53.600
<v Speaker 4>Oh yeah, that she would be taking care of you probably, yeah.

0:12:53.360 --> 0:12:57.000
<v Speaker 2>Yeah, And that's at sixteen, okay.

0:12:56.080 --> 0:12:58.760
<v Speaker 1>And care yeah, straight up like dark age as shit,

0:12:58.800 --> 0:13:01.960
<v Speaker 1>where just like you may marrier off that's like the best,

0:13:02.400 --> 0:13:05.320
<v Speaker 1>the best way to kind of solve this problem. So

0:13:05.960 --> 0:13:07.840
<v Speaker 1>this is around the time of World War Two. He

0:13:07.920 --> 0:13:13.400
<v Speaker 1>joins the Merchant Marines and she starts working at a factory,

0:13:13.679 --> 0:13:16.800
<v Speaker 1>and weirdly enough, she is at the forefront of drone warfare.

0:13:17.160 --> 0:13:21.520
<v Speaker 1>At this time. She worked in a World War two

0:13:21.559 --> 0:13:25.840
<v Speaker 1>defense plant for a company called radio Plane, which made small,

0:13:25.920 --> 0:13:29.760
<v Speaker 1>remote controlled, pilotless aircraft. And it's straight up like there's

0:13:29.800 --> 0:13:34.040
<v Speaker 1>a direct line from people who had toy planes, like

0:13:34.120 --> 0:13:39.160
<v Speaker 1>toy remote controlled planes, to our modern drone warfare because

0:13:39.200 --> 0:13:45.160
<v Speaker 1>there's an actor named Reginald Denny no no relation, Yeah,

0:13:45.360 --> 0:13:49.480
<v Speaker 1>another same name. Yeah. So he's a famous actor who's

0:13:49.520 --> 0:13:53.520
<v Speaker 1>obsessed with remote control airplanes and is like, we could

0:13:53.559 --> 0:13:56.760
<v Speaker 1>start using these for target practice for the US Army,

0:13:57.040 --> 0:13:59.959
<v Speaker 1>like I think in nineteen thirty five. And then his

0:14:00.200 --> 0:14:02.640
<v Speaker 1>toy plane. He was so into toy planes. He had

0:14:02.679 --> 0:14:06.599
<v Speaker 1>a factory that gets converted into this like anti aircraft,

0:14:07.679 --> 0:14:12.600
<v Speaker 1>you know, drill thing that then gets acquired by Northrop

0:14:12.720 --> 0:14:18.480
<v Speaker 1>Aircraft and becomes essentially Northrop Grumman's autonomous systems that we

0:14:18.600 --> 0:14:22.960
<v Speaker 1>have today. Wow, she is the very first like public

0:14:23.040 --> 0:14:26.880
<v Speaker 1>pictures modeling pictures of her are her putting the propellers

0:14:27.000 --> 0:14:31.560
<v Speaker 1>on these planes that go on to become the first drones.

0:14:31.880 --> 0:14:33.680
<v Speaker 2>That's wow.

0:14:34.080 --> 0:14:38.320
<v Speaker 1>And another wild anecdote about those first pictures. So this

0:14:38.400 --> 0:14:42.440
<v Speaker 1>is where she's first discovered. Reginald Denny, the actor, is

0:14:43.080 --> 0:14:47.560
<v Speaker 1>at his factory and sees her. Says to this military

0:14:47.600 --> 0:14:51.280
<v Speaker 1>captain that he knew from Hollywood, you gotta get somebody

0:14:51.280 --> 0:14:53.720
<v Speaker 1>over here to look at the talent, you know what

0:14:53.760 --> 0:14:57.960
<v Speaker 1>I'm saying, brother, And that captain sends over a photographer

0:14:58.360 --> 0:15:00.960
<v Speaker 1>who takes these kind of rosy the river at her pictures.

0:15:01.000 --> 0:15:03.400
<v Speaker 1>Of her that end up getting some attention and like

0:15:03.480 --> 0:15:07.280
<v Speaker 1>launching her modeling career. That captain that he like reached

0:15:07.280 --> 0:15:14.480
<v Speaker 1>out to who hired the photographer Ronald Reagan. Wow, the only.

0:15:14.560 --> 0:15:17.320
<v Speaker 4>Picture of them the other day to get there, of

0:15:17.440 --> 0:15:20.440
<v Speaker 4>Ronald Reagan when he was still like an actor, the.

0:15:20.320 --> 0:15:23.920
<v Speaker 1>Only good thing in his legacy, and it required no

0:15:24.080 --> 0:15:26.479
<v Speaker 1>talent and could have been done by a phone operator.

0:15:26.640 --> 0:15:31.160
<v Speaker 1>But he is indirectly responsible for basically passing along the

0:15:31.200 --> 0:15:36.080
<v Speaker 1>message that this actor was horny for this woman who

0:15:36.160 --> 0:15:39.760
<v Speaker 1>worked in his factory, who ends up being Marilyn Monroe. Wow,

0:15:40.080 --> 0:15:43.120
<v Speaker 1>so get fucked, Ronald Reagan. This is the only good

0:15:43.120 --> 0:15:49.480
<v Speaker 1>thing you did, and it required no Okay, yeah, that

0:15:49.560 --> 0:15:52.280
<v Speaker 1>should have been the end. If only that had been

0:15:52.280 --> 0:15:52.880
<v Speaker 1>the end of.

0:15:55.160 --> 0:15:57.720
<v Speaker 2>This is I'm looking at the picture. Her hair is brown.

0:15:58.000 --> 0:15:59.920
<v Speaker 1>Her hair is brown and curly.

0:15:59.680 --> 0:16:03.120
<v Speaker 4>And reddish in the beginning kind of yes, yeah, yeah,

0:16:03.160 --> 0:16:05.760
<v Speaker 4>before she to her famous.

0:16:05.520 --> 0:16:07.760
<v Speaker 1>Yeah, this is where we get into So from this

0:16:08.160 --> 0:16:13.560
<v Speaker 1>very first photo shoot, she is like an immediate savant

0:16:13.640 --> 0:16:18.520
<v Speaker 1>and also like student of modeling. But yeah, to your point,

0:16:18.720 --> 0:16:21.440
<v Speaker 1>I don't think I ever like associated her with like

0:16:21.520 --> 0:16:24.200
<v Speaker 1>getting work done. I thought the work she had done

0:16:24.280 --> 0:16:27.600
<v Speaker 1>was just like her hair died blonde. She also had

0:16:27.600 --> 0:16:30.560
<v Speaker 1>a bump removed from her nose, had a silicon line

0:16:30.600 --> 0:16:34.200
<v Speaker 1>added to her jaw, got her overbite fixed, which was

0:16:34.200 --> 0:16:37.440
<v Speaker 1>paid for by the head of William Morris, who was

0:16:37.480 --> 0:16:40.200
<v Speaker 1>her boyfriend at that time. But she was like kind

0:16:40.240 --> 0:16:42.920
<v Speaker 1>of a Kardashian before the Kardashians.

0:16:43.520 --> 0:16:47.400
<v Speaker 4>I'm crazy. I've always wondered about that because I didn't

0:16:47.440 --> 0:16:48.760
<v Speaker 4>know that they could do that stuff.

0:16:48.840 --> 0:16:53.720
<v Speaker 2>A silicon, a silicon line in your jaw, like a.

0:16:53.760 --> 0:16:56.040
<v Speaker 4>Jaw, like you know what people put like filler in

0:16:56.080 --> 0:16:59.520
<v Speaker 4>their jaw. Now that's some Oh so this is just

0:16:59.560 --> 0:17:01.280
<v Speaker 4>like yeah, like sharp drawling.

0:17:01.600 --> 0:17:05.440
<v Speaker 1>Yeah wow. But just a couple of things from these

0:17:05.480 --> 0:17:08.959
<v Speaker 1>early stages because like the photographer at the time was

0:17:09.359 --> 0:17:11.920
<v Speaker 1>he said, blown away by her ability to scan as

0:17:12.200 --> 0:17:15.880
<v Speaker 1>sex on film. He also claimed they had a steamy

0:17:15.880 --> 0:17:20.119
<v Speaker 1>affair which is cooperated by him and only that's another

0:17:20.200 --> 0:17:24.560
<v Speaker 1>thing that just across her whole life. Everybody's like, yeah,

0:17:24.600 --> 0:17:28.120
<v Speaker 1>everybody the second she dies is like, here's my biography

0:17:28.680 --> 0:17:32.240
<v Speaker 1>where and I have with Marilyn Monroe.

0:17:32.400 --> 0:17:35.320
<v Speaker 3>So everyone becomes the Chris Farley bush Driver character in

0:17:35.359 --> 0:17:36.160
<v Speaker 3>Billy Maddison.

0:17:36.359 --> 0:17:40.040
<v Speaker 1>Yeah, yeah, exactly, And the biographers are like, yeah, nobody

0:17:40.119 --> 0:17:43.359
<v Speaker 1>believes that shit man, So it's kind of a pathetic look.

0:17:43.920 --> 0:17:46.159
<v Speaker 1>But he talks about how she's able to like flirt

0:17:46.200 --> 0:17:48.720
<v Speaker 1>with the camera in a way that like seems uncanny.

0:17:49.000 --> 0:17:52.280
<v Speaker 1>But I just want to read this from there's a

0:17:52.320 --> 0:17:55.800
<v Speaker 1>newer biography. The Spoto one that I mentioned earlier is

0:17:55.880 --> 0:17:58.919
<v Speaker 1>kind of the most widely read one, but there's a

0:17:58.960 --> 0:18:01.639
<v Speaker 1>newer one that I think might correct some of that

0:18:01.680 --> 0:18:05.440
<v Speaker 1>stuff by Jay Randy Tamborelli, called The Secret Life of

0:18:05.480 --> 0:18:11.800
<v Speaker 1>Marilyn Monroe. This quote is about these very first pictures

0:18:11.880 --> 0:18:15.240
<v Speaker 1>that she takes. Besides the speed of her success, what

0:18:15.440 --> 0:18:18.879
<v Speaker 1>was also fascinating about Norma Jean's first photo sessions was

0:18:18.880 --> 0:18:21.440
<v Speaker 1>how quickly she seemed to understand the business of modeling.

0:18:21.800 --> 0:18:24.840
<v Speaker 1>She was very inquisitive about the process and highly critical

0:18:24.840 --> 0:18:27.840
<v Speaker 1>of her appearance. For instance, she asked David Conover, that's

0:18:27.880 --> 0:18:31.879
<v Speaker 1>the guy who's taking these very first pictures, questions about lighting,

0:18:32.000 --> 0:18:35.600
<v Speaker 1>about different camera lenses, about how he coaxed his models

0:18:35.600 --> 0:18:38.720
<v Speaker 1>into giving their best performances in meetings with him. After

0:18:38.760 --> 0:18:41.960
<v Speaker 1>the sessions, she would study the contact sheets with the

0:18:42.040 --> 0:18:45.240
<v Speaker 1>kind of careful scrutiny one might expect from a professional model.

0:18:45.440 --> 0:18:47.320
<v Speaker 1>She wanted to know what she'd done wrong if an

0:18:47.320 --> 0:18:51.480
<v Speaker 1>exposure didn't meet with her approval. Again, like right from

0:18:51.480 --> 0:18:54.200
<v Speaker 1>the start, like in these photographs that are for an

0:18:54.480 --> 0:19:00.800
<v Speaker 1>army magazine called Yank, which oh my god, double entendre intended,

0:19:00.880 --> 0:19:04.160
<v Speaker 1>I have to assume like you're yeah, they're like you

0:19:04.560 --> 0:19:07.400
<v Speaker 1>jack off to this one. But the point about her

0:19:07.440 --> 0:19:10.520
<v Speaker 1>being highly critical of her appearance and you know, the

0:19:10.640 --> 0:19:13.520
<v Speaker 1>stuff we were talking about about her like getting a

0:19:13.560 --> 0:19:17.040
<v Speaker 1>bump in her nose fixed, and it seems like, first

0:19:17.040 --> 0:19:20.600
<v Speaker 1>of all very like crazy making to like exist in that,

0:19:20.840 --> 0:19:25.600
<v Speaker 1>but also she's really good at like viewing herself from

0:19:25.640 --> 0:19:29.159
<v Speaker 1>outside herself, Like right from the start, she's just immediately

0:19:29.200 --> 0:19:32.239
<v Speaker 1>like yeah, exactly, she's just like I'm viewing herself as

0:19:32.240 --> 0:19:34.440
<v Speaker 1>a product and being like how do I fix this.

0:19:34.720 --> 0:19:37.639
<v Speaker 1>There's another quote from the Spotto biography from one of

0:19:37.680 --> 0:19:41.720
<v Speaker 1>her early modeling teachers about again how hard she worked,

0:19:41.720 --> 0:19:46.840
<v Speaker 1>but also just the weird geometries of beauty that like

0:19:47.480 --> 0:19:50.639
<v Speaker 1>people talk about in the modeling industry. So she this

0:19:50.680 --> 0:19:53.440
<v Speaker 1>woman says she was a clean cut American, wholesome girl,

0:19:53.640 --> 0:19:57.119
<v Speaker 1>too plump, fuck off, but beautiful in a way we

0:19:57.200 --> 0:19:59.240
<v Speaker 1>tried to teach her how to pose, how to handle

0:19:59.240 --> 0:20:02.439
<v Speaker 1>her body. She always tried to lower her smile because

0:20:02.440 --> 0:20:05.240
<v Speaker 1>she smiled too high and it made her nose look

0:20:05.280 --> 0:20:09.480
<v Speaker 1>a little long. At first, she knew nothing about carriage posture, sitting,

0:20:09.560 --> 0:20:12.040
<v Speaker 1>or walking. She started out with less than any girl

0:20:12.080 --> 0:20:14.280
<v Speaker 1>I ever knew, but she wanted to learn, wanted to

0:20:14.320 --> 0:20:17.000
<v Speaker 1>be somebody more than anybody I ever saw before in

0:20:17.040 --> 0:20:21.760
<v Speaker 1>my life. So again, just like a student from the start,

0:20:21.960 --> 0:20:24.399
<v Speaker 1>but also the shit that she had to study is

0:20:24.440 --> 0:20:27.879
<v Speaker 1>like horrifying. For they're like, yeah, when you smile like that,

0:20:27.960 --> 0:20:29.480
<v Speaker 1>it makes your nose look long.

0:20:29.760 --> 0:20:30.040
<v Speaker 2>Yep.

0:20:30.560 --> 0:20:30.919
<v Speaker 1>Yeah.

0:20:31.000 --> 0:20:35.040
<v Speaker 4>And I just think also some of these people, like

0:20:35.080 --> 0:20:38.479
<v Speaker 4>these icons that impact culture in the way they do,

0:20:38.640 --> 0:20:42.720
<v Speaker 4>It's like it does feel like this real destined thing

0:20:43.480 --> 0:20:47.439
<v Speaker 4>because there's just all this certain amount of things that

0:20:47.560 --> 0:20:53.800
<v Speaker 4>add up into this like completely remarkable alchemy. You know,

0:20:53.920 --> 0:20:57.800
<v Speaker 4>like she comes from this insane childhood like absolutely nothing.

0:20:58.280 --> 0:21:03.000
<v Speaker 4>Then she learns how to be basically like ponjure energy

0:21:03.320 --> 0:21:06.720
<v Speaker 4>in a way that she can seduce like an entire

0:21:06.840 --> 0:21:11.560
<v Speaker 4>population for yeah, millennia.

0:21:10.520 --> 0:21:13.320
<v Speaker 3>Right right, Yeah, I mean to know, like you're to

0:21:13.359 --> 0:21:16.560
<v Speaker 3>your point of being so early to having that kind

0:21:16.600 --> 0:21:19.760
<v Speaker 3>of media savvy in such an early phase of like

0:21:19.880 --> 0:21:22.040
<v Speaker 3>mass media and be like, Okay, I know what I'm

0:21:22.040 --> 0:21:22.960
<v Speaker 3>gonna know what.

0:21:22.840 --> 0:21:23.560
<v Speaker 2>My angles are.

0:21:23.600 --> 0:21:25.679
<v Speaker 3>I'm gonna know what a well lit thing looks like

0:21:25.760 --> 0:21:29.240
<v Speaker 3>because every image that you will cast your gaze upon

0:21:29.400 --> 0:21:32.280
<v Speaker 3>will be perfected for maximum effect.

0:21:32.720 --> 0:21:37.000
<v Speaker 1>Yeah, you guys are absolutely like nailing that. She had

0:21:37.040 --> 0:21:39.640
<v Speaker 1>this like ability that people were like, she's just got

0:21:39.640 --> 0:21:41.960
<v Speaker 1>a magic power. I don't know what it is, right,

0:21:42.119 --> 0:21:45.320
<v Speaker 1>and it comes from like studying. And there's a quote

0:21:45.440 --> 0:21:48.080
<v Speaker 1>not to jump ahead, but like this continues right into

0:21:48.119 --> 0:21:50.879
<v Speaker 1>her work on film, Like on the set her co

0:21:51.040 --> 0:21:54.600
<v Speaker 1>stars would be like, this is a fucking disaster, and

0:21:54.680 --> 0:22:00.480
<v Speaker 1>then they would see the movie and be like. There's

0:22:00.520 --> 0:22:03.520
<v Speaker 1>a quote from her co star in one of her

0:22:03.560 --> 0:22:06.960
<v Speaker 1>early movies, Richard Windmark, and he said, at first we

0:22:07.000 --> 0:22:10.240
<v Speaker 1>thought she's not going to get anything right, and we'd mutter, oh,

0:22:10.280 --> 0:22:13.320
<v Speaker 1>this is impossible, Oh this is impossible. You can't print this.

0:22:14.080 --> 0:22:17.399
<v Speaker 1>But something happened between the lens and the film, and

0:22:17.440 --> 0:22:19.800
<v Speaker 1>when we looked at the rushes, which is like the

0:22:19.880 --> 0:22:22.680
<v Speaker 1>dailies from the she had the rest of us knocked

0:22:22.720 --> 0:22:25.159
<v Speaker 1>off the screen. And that just like happens over and

0:22:25.240 --> 0:22:28.679
<v Speaker 1>over where everyone's like, she's fucking up our movie. And

0:22:28.680 --> 0:22:31.320
<v Speaker 1>then you look on film and you hear this a

0:22:31.359 --> 0:22:33.679
<v Speaker 1>lot about like movie stars, where like people are on

0:22:33.720 --> 0:22:35.919
<v Speaker 1>the set of a movie and they're like, what the

0:22:35.960 --> 0:22:39.560
<v Speaker 1>fuck was that? Like he appears to be like whispering

0:22:39.720 --> 0:22:42.680
<v Speaker 1>or like there, you know, you don't see anything happening,

0:22:43.119 --> 0:22:47.119
<v Speaker 1>And then you actually look what they're doing with the

0:22:47.200 --> 0:22:50.720
<v Speaker 1>camera and it's like, oh, they know exactly what they're doing.

0:22:50.720 --> 0:22:53.280
<v Speaker 1>It's just very subtle, you know, and some people can't

0:22:53.280 --> 0:22:53.919
<v Speaker 1>appreciate it.

0:22:54.160 --> 0:22:56.399
<v Speaker 4>I also think that there's this inherent thing in it

0:22:56.480 --> 0:23:01.119
<v Speaker 4>still very much exists today, and it's just a psychological

0:23:01.200 --> 0:23:05.320
<v Speaker 4>bias that if someone's a really gorgeous woman slash blonde,

0:23:05.400 --> 0:23:08.359
<v Speaker 4>but just women in general, that they can't and like

0:23:08.440 --> 0:23:11.439
<v Speaker 4>I even catch myself. It's such deep programming for so

0:23:11.600 --> 0:23:17.200
<v Speaker 4>many thousand, millions of years actually thousands, I don't know where.

0:23:17.760 --> 0:23:20.440
<v Speaker 4>You can't be that smart, you can't know what you're doing.

0:23:20.640 --> 0:23:24.160
<v Speaker 4>It's like an either or a Madonna horror situation. Right,

0:23:24.200 --> 0:23:27.960
<v Speaker 4>you can't be a super intelligent person and also.

0:23:27.760 --> 0:23:31.760
<v Speaker 3>Like a sex right yes, and then when you are

0:23:31.800 --> 0:23:33.720
<v Speaker 3>people are just like, I don't know what they're doing.

0:23:34.040 --> 0:23:34.840
<v Speaker 1>Right, Yeah.

0:23:35.080 --> 0:23:37.600
<v Speaker 2>Yeah, it's like no, it's like they know what they're

0:23:37.600 --> 0:23:38.200
<v Speaker 2>doing well.

0:23:38.119 --> 0:23:41.679
<v Speaker 4>Shock and surprise, right right right, And it's just it

0:23:41.760 --> 0:23:44.119
<v Speaker 4>still happens like if I see a super hot person

0:23:44.160 --> 0:23:45.720
<v Speaker 4>on stage, I'm like, oh, they're not going to say

0:23:45.720 --> 0:23:49.159
<v Speaker 4>something funny, you know, like it's they're guilty until proven innocent.

0:23:49.440 --> 0:23:50.840
<v Speaker 2>Sure, dumb, they're dumb.

0:23:50.840 --> 0:23:56.119
<v Speaker 1>Everybody look how hot? Yeah, So the modeling career takes

0:23:56.119 --> 0:23:59.520
<v Speaker 1>off and then it leads to acting jobs, including parts

0:23:59.520 --> 0:24:02.879
<v Speaker 1>in John Houston's The Asphalt Jungle. These are all like

0:24:03.000 --> 0:24:06.640
<v Speaker 1>minor parts, but you know, she starts getting fan mail

0:24:06.960 --> 0:24:09.600
<v Speaker 1>kind of right away. This is when she changes her

0:24:09.680 --> 0:24:14.840
<v Speaker 1>name from Norma Jean Doherty to Marilyn Monroe. So Monroe

0:24:14.920 --> 0:24:17.400
<v Speaker 1>was her mother's maiden name, and then they were trying

0:24:17.440 --> 0:24:19.600
<v Speaker 1>to come up with the right first name, and this

0:24:19.680 --> 0:24:23.639
<v Speaker 1>Fox executive Ben Lyon was like, there used to be

0:24:23.680 --> 0:24:27.760
<v Speaker 1>this stage actress Marilyn Miller, who you kind of reminded

0:24:27.840 --> 0:24:33.280
<v Speaker 1>me of. And he later reveals like he was engaged

0:24:33.400 --> 0:24:37.600
<v Speaker 1>to her and she died at thirty eight, and he

0:24:37.760 --> 0:24:39.600
<v Speaker 1>was like, I don't they just like have a similar

0:24:39.680 --> 0:24:44.720
<v Speaker 1>vibe and also felt like similarly faded to like it's

0:24:44.800 --> 0:24:47.920
<v Speaker 1>kind of like this haunting confluence of like, well, don't

0:24:47.920 --> 0:24:49.240
<v Speaker 1>give her that name, man.

0:24:49.600 --> 0:24:53.680
<v Speaker 3>Yeah fuck, oh reminder of this woman who died young tragically.

0:24:53.920 --> 0:24:56.200
<v Speaker 4>Yeah, but that was also a thing back then. I

0:24:56.240 --> 0:24:59.119
<v Speaker 4>mean like it sounds like she was wanting this, but

0:24:59.200 --> 0:25:03.280
<v Speaker 4>like in that specific time period, like these girls would

0:25:03.280 --> 0:25:05.960
<v Speaker 4>walk into these studios and they'd get these studio deals

0:25:06.280 --> 0:25:08.400
<v Speaker 4>and they'd be like, Okay, we need to change your name,

0:25:08.480 --> 0:25:11.479
<v Speaker 4>your voice, you need to get married, so that too

0:25:11.720 --> 0:25:13.919
<v Speaker 4>for your image, you need to be seen with this person,

0:25:14.480 --> 0:25:19.360
<v Speaker 4>you know, like they would construct these entire personas from

0:25:19.359 --> 0:25:21.760
<v Speaker 4>the ground up. It's pretty interesting.

0:25:21.520 --> 0:25:24.800
<v Speaker 1>Yeah, totally. And in her case, there's a lot of

0:25:24.880 --> 0:25:29.960
<v Speaker 1>like studios being involved, but she is like they don't

0:25:30.040 --> 0:25:34.800
<v Speaker 1>trust her. There's the head of twentieth century Fox, Darryl

0:25:35.359 --> 0:25:39.080
<v Speaker 1>f Xanik, fired her months before she was in all

0:25:39.080 --> 0:25:43.960
<v Speaker 1>Abaltiv because she was not photogenic, was what he said.

0:25:44.359 --> 0:25:46.800
<v Speaker 1>So she like had to bounce back and forth. And

0:25:46.840 --> 0:25:49.080
<v Speaker 1>so a thing you see in a lot of biographies

0:25:49.160 --> 0:25:52.399
<v Speaker 1>is people being like I gave Marilyn Monroe this idea,

0:25:52.440 --> 0:25:55.040
<v Speaker 1>and I, you know, I taught her how to pose

0:25:55.119 --> 0:25:58.200
<v Speaker 1>in pictures like that one lady, And it's like well,

0:25:58.560 --> 0:26:01.639
<v Speaker 1>twenty thousand people can't be responsible.

0:26:01.520 --> 0:26:02.320
<v Speaker 2>At a certain point.

0:26:02.400 --> 0:26:04.240
<v Speaker 1>We have to at a certain point, we have to

0:26:04.280 --> 0:26:07.960
<v Speaker 1>look at the common denominator, which is Marilyn Monroe knew

0:26:07.960 --> 0:26:11.080
<v Speaker 1>exactly what the fuck she was doing and just kept

0:26:11.160 --> 0:26:15.440
<v Speaker 1>doing it really well all along. So in nineteen forty nine,

0:26:15.640 --> 0:26:19.320
<v Speaker 1>she's still pretty unknown. She's like has these bit parts

0:26:19.320 --> 0:26:23.000
<v Speaker 1>in the background of movies, and she's a famous kind

0:26:23.040 --> 0:26:27.040
<v Speaker 1>of pin up model, and she poses nude for a

0:26:27.040 --> 0:26:31.359
<v Speaker 1>photographer that and got paid fifty dollars for the shoot,

0:26:31.520 --> 0:26:35.560
<v Speaker 1>and she's on the cusp of stardom. And a Chicago

0:26:35.640 --> 0:26:38.439
<v Speaker 1>publisher includes one of the nude photos in a nineteen

0:26:38.520 --> 0:26:43.480
<v Speaker 1>fifty one calendar, and then that calendar sells so well

0:26:43.920 --> 0:26:46.840
<v Speaker 1>that they're just like, that's actually next year's calendar too,

0:26:46.880 --> 0:26:50.000
<v Speaker 1>And they just keep selling these calendars with nude photos

0:26:50.040 --> 0:26:54.119
<v Speaker 1>of Marilyn Monroe in it. And that's something I didn't realize,

0:26:54.160 --> 0:26:57.000
<v Speaker 1>like what one of the biographies was, basically like her

0:26:57.200 --> 0:27:02.239
<v Speaker 1>nude photos were more widely available than her movies, Like

0:27:02.520 --> 0:27:06.320
<v Speaker 1>everybody had kind of seen these because everyone was just

0:27:06.800 --> 0:27:08.640
<v Speaker 1>I guess that was like the equivalent of a sex

0:27:08.680 --> 0:27:12.440
<v Speaker 1>tape back then. It was like a calendar with nude

0:27:12.440 --> 0:27:18.800
<v Speaker 1>women's with nude women's women Okay, and so she had

0:27:18.840 --> 0:27:23.040
<v Speaker 1>like kind of starred in this underground, successful nude calendar

0:27:23.520 --> 0:27:26.240
<v Speaker 1>and so I guess in that way again just more

0:27:26.280 --> 0:27:30.760
<v Speaker 1>similar to like a Kim Kardashian than I expected. And

0:27:30.880 --> 0:27:34.600
<v Speaker 1>so her career starts to take off in movies and

0:27:34.680 --> 0:27:39.000
<v Speaker 1>then Fox is like, oh boy, like they get word

0:27:39.320 --> 0:27:43.320
<v Speaker 1>that she's in this calendar and she comes in for

0:27:43.359 --> 0:27:47.320
<v Speaker 1>this meeting and they're like, well, is it you? And

0:27:47.359 --> 0:27:51.840
<v Speaker 1>she's like, I'm really ashamed. I'm super embarrassed because they

0:27:51.840 --> 0:27:55.159
<v Speaker 1>didn't really get my best angle. Like she's just like

0:27:55.240 --> 0:27:59.240
<v Speaker 1>immediately like get dropping like fucking lines from a movie

0:27:59.720 --> 0:28:04.320
<v Speaker 1>on these studio executives who are like freaking the fuck out. Yeah.

0:28:04.840 --> 0:28:09.840
<v Speaker 1>There's also like people later asked her about the photo shoot,

0:28:10.080 --> 0:28:12.600
<v Speaker 1>like because there's tons of press around this like this

0:28:13.080 --> 0:28:15.440
<v Speaker 1>is the year that like and this scandal is kind

0:28:15.480 --> 0:28:17.520
<v Speaker 1>of what breaks her again, like similar to the Kim

0:28:17.560 --> 0:28:23.200
<v Speaker 1>Kardashian thing where she's famous ish and then this nudity

0:28:23.240 --> 0:28:27.960
<v Speaker 1>scandal happens and suddenly everybody's like holy shit, like nobody's

0:28:27.960 --> 0:28:30.040
<v Speaker 1>ever done something like this, and somebody's like, did you

0:28:30.080 --> 0:28:33.160
<v Speaker 1>have anything Marylynd Maryland, did you have anything on at

0:28:33.160 --> 0:28:36.960
<v Speaker 1>all during the shoot? And she's and she said I

0:28:37.040 --> 0:28:40.360
<v Speaker 1>had the radio on, which is such a good.

0:28:40.280 --> 0:28:44.040
<v Speaker 4>Line, and you know, I'm sure she wasn't. I'm sure

0:28:44.080 --> 0:28:49.320
<v Speaker 4>she's like, whoever, whatever man didn't negotiate for her to

0:28:49.320 --> 0:28:53.000
<v Speaker 4>get a like percentage or royalties from those being reprinted

0:28:53.160 --> 0:28:56.520
<v Speaker 4>over and over and over, right, So that yeah, sure

0:28:56.680 --> 0:28:59.240
<v Speaker 4>landed her, Thank God and movies.

0:28:59.320 --> 0:29:01.720
<v Speaker 1>Right exactly, So she does it does help her launch

0:29:01.760 --> 0:29:04.880
<v Speaker 1>her career, which like very savvy. The way that she

0:29:05.040 --> 0:29:08.720
<v Speaker 1>handled the quote unquote scandal was she like knew that

0:29:08.760 --> 0:29:11.920
<v Speaker 1>there was this journalist who was a woman who she

0:29:12.040 --> 0:29:14.880
<v Speaker 1>was like, I'm going to give you an exclusive interview

0:29:15.000 --> 0:29:17.560
<v Speaker 1>on this, and like was like, okay, can we go

0:29:17.600 --> 0:29:21.400
<v Speaker 1>off the record? Like, look, I did this because I

0:29:21.400 --> 0:29:24.520
<v Speaker 1>couldn't eat, and like now it's becoming a huge problem

0:29:24.600 --> 0:29:27.320
<v Speaker 1>for my career, Like do you have any like I

0:29:27.360 --> 0:29:29.680
<v Speaker 1>needed that money just to be able to actually put

0:29:29.680 --> 0:29:32.040
<v Speaker 1>food in my mouth? Do you have any advice on

0:29:32.160 --> 0:29:33.960
<v Speaker 1>like what I could do? Like pretending it was off

0:29:33.960 --> 0:29:36.080
<v Speaker 1>the record, but she knew for a fact, so they

0:29:36.080 --> 0:29:39.040
<v Speaker 1>were going to print that she actually used the money

0:29:39.120 --> 0:29:42.040
<v Speaker 1>to put a down payment on her car, so she's

0:29:42.040 --> 0:29:45.920
<v Speaker 1>going to lose her car. I know she's so I know,

0:29:46.040 --> 0:29:50.560
<v Speaker 1>she's so fucking cool. Oh my god. But that becomes

0:29:50.600 --> 0:29:53.280
<v Speaker 1>the story. That becomes the story she becomes, like the

0:29:53.360 --> 0:29:55.760
<v Speaker 1>rags to richest thing kind of becomes a part of

0:29:55.800 --> 0:29:59.200
<v Speaker 1>her story. And she's just like playing all these angles.

0:29:59.200 --> 0:30:01.920
<v Speaker 1>She's playing the stew video. You know, they're like we

0:30:02.000 --> 0:30:04.200
<v Speaker 1>got to be ashamed of her, we got to fire her.

0:30:04.200 --> 0:30:05.760
<v Speaker 1>And she comes in and is like, no, it's not

0:30:05.800 --> 0:30:07.120
<v Speaker 1>a big deal, and I'm going to talk to this

0:30:07.160 --> 0:30:09.880
<v Speaker 1>woman and make it all right. And she does, and

0:30:09.960 --> 0:30:14.880
<v Speaker 1>like that makes her this kind of unknown quantity in

0:30:14.920 --> 0:30:19.560
<v Speaker 1>American culture, which is like still super repressed at this time,

0:30:19.960 --> 0:30:23.200
<v Speaker 1>like somebody who is not afraid of their nudity or

0:30:23.200 --> 0:30:27.240
<v Speaker 1>their sexuality and is just like yeah, fuck it.

0:30:27.440 --> 0:30:30.640
<v Speaker 4>Like so interesting though, because she moves like the mind

0:30:30.680 --> 0:30:34.160
<v Speaker 4>of like Ari Ari Gold, what's his name, Ari Gold,

0:30:34.200 --> 0:30:37.440
<v Speaker 4>Ari Manuel, whatever, I don't know, I'm conflict.

0:30:38.680 --> 0:30:42.880
<v Speaker 3>Yeah no, you said Ari Gold based on Ari Emmanuel.

0:30:43.040 --> 0:30:45.760
<v Speaker 4>Oh okay, I have no idea about my recall, but

0:30:45.840 --> 0:30:50.320
<v Speaker 4>like I'm it's just so interesting because I'm like wondering,

0:30:50.680 --> 0:30:53.520
<v Speaker 4>did she have someone engineering this or these are just

0:30:53.640 --> 0:30:56.280
<v Speaker 4>all her ideas like Blair.

0:30:56.080 --> 0:30:58.400
<v Speaker 2>Period, so we can't question the genius.

0:30:58.600 --> 0:31:02.200
<v Speaker 3>Really, I love it's everybody one of the best improvisers

0:31:02.200 --> 0:31:03.440
<v Speaker 3>I think we've ever seen.

0:31:03.840 --> 0:31:08.080
<v Speaker 1>Everybody at the time. And speaking of improvisers, like everybody's

0:31:08.120 --> 0:31:13.200
<v Speaker 1>like she's really like has amazing comedic timing, She's like witty,

0:31:13.560 --> 0:31:16.880
<v Speaker 1>she has like her performances. She's playing a dumb blonde,

0:31:16.920 --> 0:31:21.240
<v Speaker 1>but her performances are like you know actors are like,

0:31:21.320 --> 0:31:22.560
<v Speaker 1>holy shit, She's got.

0:31:22.400 --> 0:31:26.720
<v Speaker 4>Like Sprina Carpenter is like really channeling this. I feel

0:31:26.720 --> 0:31:26.960
<v Speaker 4>like a.

0:31:26.960 --> 0:31:28.400
<v Speaker 1>Lot I think a lot of people have.

0:31:28.600 --> 0:31:32.160
<v Speaker 4>Yeah, a lot of people obviously have definitely like so

0:31:32.560 --> 0:31:35.560
<v Speaker 4>this does seem yeah now, like with the humor and

0:31:35.640 --> 0:31:37.640
<v Speaker 4>like the sexuality.

0:31:37.280 --> 0:31:39.959
<v Speaker 1>And I think Sabrina Carpenter is a great reference for this.

0:31:40.280 --> 0:31:44.600
<v Speaker 4>Yeah yeah, but just so much mega watts star power

0:31:44.640 --> 0:31:49.080
<v Speaker 4>with like the funniness and like the not taking yourself

0:31:49.120 --> 0:31:51.360
<v Speaker 4>too seriously, with like so much beauty.

0:31:51.400 --> 0:31:55.680
<v Speaker 1>Also yes, also like I hadn't realized. I think I

0:31:55.760 --> 0:31:59.040
<v Speaker 1>think I did maybe know that the first Playboy had

0:31:59.040 --> 0:32:02.920
<v Speaker 1>Marilyn Mamra on the car, but you have you Hefner

0:32:03.360 --> 0:32:07.600
<v Speaker 1>bought that calendar photo for five hundred dollars. Marilyn Monroe

0:32:07.640 --> 0:32:10.719
<v Speaker 1>never got any more than her original fifty dollars, and

0:32:10.760 --> 0:32:13.800
<v Speaker 1>that is what launched Playboy, was him just putting the

0:32:13.880 --> 0:32:17.800
<v Speaker 1>calendar photo. Calendar photo, that's the calendar photo is just

0:32:18.120 --> 0:32:21.040
<v Speaker 1>the one that she got paid fifty dollars. He bought

0:32:21.080 --> 0:32:26.320
<v Speaker 1>for five hundred dollars. Uh. And this like massively powerful

0:32:26.560 --> 0:32:30.040
<v Speaker 1>brand like Playboy, like that is launched by.

0:32:30.160 --> 0:32:33.680
<v Speaker 4>Heefner, Like I hate that man.

0:32:33.760 --> 0:32:35.800
<v Speaker 1>Yeah, not cool, not cool.

0:32:35.960 --> 0:32:38.000
<v Speaker 2>But the other way what happened.

0:32:37.720 --> 0:32:41.640
<v Speaker 1>With I know, I was gonna say, like so this

0:32:42.240 --> 0:32:45.120
<v Speaker 1>ability of him for him to just like pay five

0:32:45.240 --> 0:32:49.360
<v Speaker 1>hundred dollars for this photograph that launches the entire like

0:32:49.440 --> 0:32:54.080
<v Speaker 1>this massively powerful brand is fucking crazy. And again it's

0:32:54.120 --> 0:32:57.280
<v Speaker 1>like this huge brand that launches careers, like I don't

0:32:57.320 --> 0:33:05.560
<v Speaker 1>know Miles, right, does Jamie loftis Jamie? But that brand

0:33:05.600 --> 0:33:09.560
<v Speaker 1>doesn't exist exist if it's not right without Maryland that

0:33:09.680 --> 0:33:13.240
<v Speaker 1>she is like cultivating and like this chess game that

0:33:13.280 --> 0:33:14.720
<v Speaker 1>she's playing with the public.

0:33:14.840 --> 0:33:18.440
<v Speaker 3>That's actually like one of the most damning, the biggest

0:33:18.440 --> 0:33:22.080
<v Speaker 3>indictment against Playboy as this massive institution is to know

0:33:22.160 --> 0:33:25.120
<v Speaker 3>that it was launched off the back of him being like, dude,

0:33:25.160 --> 0:33:28.200
<v Speaker 3>you know that Poppin calendar. Yeah, that's going to be

0:33:28.240 --> 0:33:33.120
<v Speaker 3>the cover. That's like that's like some NFT ship that yeah,

0:33:33.200 --> 0:33:34.840
<v Speaker 3>you know what I mean. He's like, yeah, it's just

0:33:34.880 --> 0:33:38.120
<v Speaker 3>like my fucking art dog. No, you've literally hitched your

0:33:38.120 --> 0:33:39.520
<v Speaker 3>wagon to this massive star.

0:33:39.960 --> 0:33:40.480
<v Speaker 2>That's wild.

0:33:40.520 --> 0:33:42.920
<v Speaker 1>I stole her whole ship, like all of his like

0:33:42.960 --> 0:33:46.400
<v Speaker 1>bunnies kind of like drafted off of her, like look

0:33:46.680 --> 0:33:50.960
<v Speaker 1>off of her, and like he bought the plot above

0:33:51.040 --> 0:33:56.280
<v Speaker 1>her in the Westwood Cemetery and was like when you

0:33:56.320 --> 0:34:01.920
<v Speaker 1>bury me, like bury me above Maryland and then his yeah, yeah,

0:34:01.960 --> 0:34:06.400
<v Speaker 1>and his surviving wife was like, I'm actually gonna sell

0:34:06.400 --> 0:34:08.320
<v Speaker 1>that and pay off my mortgage.

0:34:08.400 --> 0:34:11.239
<v Speaker 2>Yes, I'm gonna put your ashes in. I'm gonna put

0:34:11.280 --> 0:34:12.040
<v Speaker 2>your ashes.

0:34:11.719 --> 0:34:16.240
<v Speaker 3>In a wonderbread bag and throw it off the ten Freeway.

0:34:17.120 --> 0:34:19.960
<v Speaker 1>But this is the stretch where, like, you know how

0:34:20.040 --> 0:34:23.359
<v Speaker 1>we had those periods where like Elon Musk is just

0:34:23.440 --> 0:34:26.000
<v Speaker 1>like constantly in the fucking news and you just like

0:34:26.040 --> 0:34:30.480
<v Speaker 1>can't escape him. Right now, it's like she's just every

0:34:30.640 --> 0:34:33.120
<v Speaker 1>day people at the time described as just being like

0:34:33.239 --> 0:34:36.120
<v Speaker 1>every day there's a new Marilyn Monroe story. Everybody's just

0:34:36.320 --> 0:34:39.799
<v Speaker 1>like obsessed with her. There's this one year where she's

0:34:39.800 --> 0:34:46.040
<v Speaker 1>like marrying Joe DiMaggio, She's getting emergency surgery for appendicitis.

0:34:46.200 --> 0:34:49.400
<v Speaker 1>She's revealed to be the Naked Lady and the nude calendar.

0:34:49.640 --> 0:34:53.040
<v Speaker 1>There's like some paparazzi are caught like selling nude pictures

0:34:53.040 --> 0:34:56.640
<v Speaker 1>they took without her permission, Like like that Aaron Andrews story.

0:34:56.680 --> 0:34:59.399
<v Speaker 1>Do you remember where that like creepy guy was like yeah,

0:34:59.480 --> 0:35:03.000
<v Speaker 1>like that have to her, like and it's like the

0:35:03.040 --> 0:35:06.120
<v Speaker 1>whole world is just like obsessed with her in a

0:35:06.120 --> 0:35:09.360
<v Speaker 1>way that I hadn't really. I just thought I thought

0:35:09.640 --> 0:35:12.680
<v Speaker 1>because that song was like one of the main first

0:35:12.760 --> 0:35:14.440
<v Speaker 1>things I just thought. It was like she was this

0:35:14.560 --> 0:35:19.960
<v Speaker 1>tragic figure. She was this like massive media mogul who

0:35:20.120 --> 0:35:22.200
<v Speaker 1>just wasn't getting paid like a mogul, but was like

0:35:22.320 --> 0:35:26.839
<v Speaker 1>create in terms of like the pop cultural power of

0:35:26.880 --> 0:35:31.560
<v Speaker 1>what she was creating was just insane. Also, during her

0:35:31.560 --> 0:35:35.080
<v Speaker 1>appendix surgery, just back to like how women were treated

0:35:35.120 --> 0:35:39.319
<v Speaker 1>in the medical world, she felt the need to put

0:35:39.360 --> 0:35:41.680
<v Speaker 1>a post it note on her abdomen as she was

0:35:41.719 --> 0:35:44.840
<v Speaker 1>going into surgery, being like, please don't botch my surgery

0:35:44.960 --> 0:35:49.800
<v Speaker 1>and make me infertile. Xx. Marilyn Monroe and the doctor.

0:35:50.320 --> 0:35:53.440
<v Speaker 1>The doctor got nervous and like brought in a gynecologist

0:35:54.120 --> 0:35:57.520
<v Speaker 1>for her appendic surgery because I guess he was planning

0:35:57.520 --> 0:35:59.640
<v Speaker 1>to botch her surgery up to that point.

0:35:59.840 --> 0:36:03.040
<v Speaker 2>I mean, not playing like he was shook after that.

0:36:03.440 --> 0:36:06.279
<v Speaker 4>She's so smart. That's what I did. Right before my

0:36:06.360 --> 0:36:09.080
<v Speaker 4>tumor surgery were like literally right. But as I was

0:36:09.120 --> 0:36:10.959
<v Speaker 4>going on door, I was like, please don't shave my head.

0:36:11.040 --> 0:36:12.560
<v Speaker 1>I know you're not going to shave my head.

0:36:12.560 --> 0:36:14.760
<v Speaker 4>Please don't shame begging.

0:36:15.160 --> 0:36:16.880
<v Speaker 3>Wait, but is that that was just a technique thing

0:36:17.000 --> 0:36:19.640
<v Speaker 3>of being able to do the surgery without shaving or

0:36:19.680 --> 0:36:20.520
<v Speaker 3>having to shave your head.

0:36:20.600 --> 0:36:22.120
<v Speaker 4>Well, they had told me for six months they were

0:36:22.120 --> 0:36:24.080
<v Speaker 4>going to have to shave my head get the tumor out.

0:36:24.920 --> 0:36:27.000
<v Speaker 4>It's like a big area. And then I woke up

0:36:27.000 --> 0:36:29.239
<v Speaker 4>and I just had like a little my hair was

0:36:29.280 --> 0:36:31.120
<v Speaker 4>still there with like a big patch gone.

0:36:31.200 --> 0:36:31.719
<v Speaker 2>There you go.

0:36:32.480 --> 0:36:35.239
<v Speaker 4>But Marilyn, I have friends who do this too, like

0:36:35.600 --> 0:36:39.160
<v Speaker 4>who have said before they went under for the C section,

0:36:39.360 --> 0:36:41.760
<v Speaker 4>like please, and they're like, and I asked the doctor

0:36:41.840 --> 0:36:44.399
<v Speaker 4>at the last minute, like please make me the smallest scar.

0:36:44.520 --> 0:36:46.120
<v Speaker 4>And that's why I was such a small scar.

0:36:46.080 --> 0:36:48.759
<v Speaker 3>You know, and they go, you know what, for you,

0:36:49.080 --> 0:36:51.600
<v Speaker 3>I'm going to do something very different this time.

0:36:51.680 --> 0:36:53.960
<v Speaker 2>For you. I do this seven times a day.

0:36:54.080 --> 0:36:55.920
<v Speaker 4>Her currency you know, yeah, yeah.

0:36:56.040 --> 0:36:59.239
<v Speaker 1>Sure, the post it is. And it's also just like, hey,

0:36:59.239 --> 0:37:02.000
<v Speaker 1>could you please view me as a human being? Yeah?

0:37:02.000 --> 0:37:03.680
<v Speaker 1>Thank you? That would be so such.

0:37:04.040 --> 0:37:06.399
<v Speaker 3>Oh boy, I got a lady in here who doesn't

0:37:06.440 --> 0:37:11.440
<v Speaker 3>want me to botch her appendixer, she can write boy.

0:37:21.760 --> 0:37:23.319
<v Speaker 1>So this is where we start getting like some of

0:37:23.320 --> 0:37:27.400
<v Speaker 1>her most iconic film performances. There's the movie Gentleman Prefer Blondes,

0:37:27.840 --> 0:37:32.440
<v Speaker 1>which has the Diamonds or a Girl's Best Friend performance,

0:37:32.880 --> 0:37:35.840
<v Speaker 1>which is I kind of I hadn't watched it until

0:37:35.840 --> 0:37:39.360
<v Speaker 1>doing the research for this, and it is essentially like

0:37:39.400 --> 0:37:42.600
<v Speaker 1>if you've seen the Madonna material Girl music video, it's

0:37:42.719 --> 0:37:45.319
<v Speaker 1>kind of just a shot for shot remake of the performance.

0:37:45.520 --> 0:37:47.640
<v Speaker 1>That's where her like pink dress comes from.

0:37:47.640 --> 0:37:49.560
<v Speaker 4>I need to watch that. I've never seen it.

0:37:49.960 --> 0:37:53.000
<v Speaker 1>But this is also a time like the Women's Club

0:37:53.200 --> 0:37:55.960
<v Speaker 1>was like a group that would come in and be like,

0:37:56.360 --> 0:38:00.440
<v Speaker 1>you can't have her on camera looking this good, like

0:38:00.520 --> 0:38:03.080
<v Speaker 1>she's too This is what we talked about this a

0:38:03.080 --> 0:38:06.560
<v Speaker 1>lot with Elvis. She was like too hot and America

0:38:06.719 --> 0:38:09.640
<v Speaker 1>was too horny, and they just felt like they had

0:38:09.680 --> 0:38:11.800
<v Speaker 1>to protect people from her.

0:38:12.080 --> 0:38:13.000
<v Speaker 2>Oh, like they're like.

0:38:13.320 --> 0:38:17.080
<v Speaker 3>This is like nuclear atomic energy you're feeling around heart.

0:38:18.480 --> 0:38:24.160
<v Speaker 4>This is a time where women can't own property by themselves,

0:38:24.160 --> 0:38:28.680
<v Speaker 4>don't have credit cards by themselves, probably have there still

0:38:29.280 --> 0:38:36.000
<v Speaker 4>can't have no fault divorce. Like women are socialized so

0:38:36.200 --> 0:38:41.040
<v Speaker 4>deeply to believe that their livelihood is being chosen by

0:38:41.120 --> 0:38:43.760
<v Speaker 4>their man, and then keeping their man to keep their family.

0:38:44.200 --> 0:38:48.000
<v Speaker 4>And so when you get this whole new sexual presence,

0:38:48.440 --> 0:38:51.839
<v Speaker 4>I could see easily how those women all, and it's sad,

0:38:52.239 --> 0:38:55.440
<v Speaker 4>felt so threatened all of a sudden, you know, and

0:38:55.560 --> 0:38:59.080
<v Speaker 4>men probably are thinking there's a whole new thing of like,

0:38:59.760 --> 0:39:02.719
<v Speaker 4>oh this is what's available, Like this could be you know,

0:39:02.880 --> 0:39:03.239
<v Speaker 4>it is.

0:39:03.440 --> 0:39:04.160
<v Speaker 2>A new standard.

0:39:04.840 --> 0:39:09.440
<v Speaker 4>Yeah, it's like disrupting in an entire ecosystem.

0:39:08.880 --> 0:39:12.200
<v Speaker 1>Right Yeah. So yeah, one of the things they objected

0:39:12.239 --> 0:39:16.680
<v Speaker 1>to was just her singing a song too seductively in

0:39:17.040 --> 0:39:20.359
<v Speaker 1>this movie Niagara, that is apparently one of her one

0:39:20.360 --> 0:39:22.600
<v Speaker 1>of her better movies. So to your point about just

0:39:22.600 --> 0:39:27.360
<v Speaker 1>like what was happening sexually at this time between gentlemen

0:39:27.360 --> 0:39:30.960
<v Speaker 1>prefer blondes and the seven year it the Kinsey Report

0:39:31.160 --> 0:39:36.319
<v Speaker 1>on Female Sexuality drop and revealed things that apparently like

0:39:36.360 --> 0:39:38.439
<v Speaker 1>came as a huge shock to Americans at the time

0:39:38.520 --> 0:39:41.360
<v Speaker 1>that like half of women were not virgins at marriage,

0:39:41.840 --> 0:39:45.479
<v Speaker 1>a quarter are like having affairs, and like many of them,

0:39:46.160 --> 0:39:49.680
<v Speaker 1>this is this is weird. They're like, apparently women are

0:39:49.760 --> 0:39:50.800
<v Speaker 1>enjoying sex.

0:39:52.480 --> 0:39:53.360
<v Speaker 4>We must in this.

0:39:53.960 --> 0:39:57.120
<v Speaker 1>People were furious and they got mad at Kinsey and

0:39:57.160 --> 0:40:01.719
<v Speaker 1>they also like basically blamed marilynmm because they were like, see,

0:40:01.760 --> 0:40:05.920
<v Speaker 1>she's channeling this thing that it kind of reminds like

0:40:05.920 --> 0:40:08.560
<v Speaker 1>in the Einstein episode. We talked about how he theorized

0:40:08.640 --> 0:40:11.080
<v Speaker 1>this black hole at the center of the universe and

0:40:11.080 --> 0:40:15.759
<v Speaker 1>then years later scientific instruments were able to actually observe it.

0:40:15.800 --> 0:40:20.000
<v Speaker 1>But like his was basically his math, like decades before

0:40:20.239 --> 0:40:22.960
<v Speaker 1>the scientific observation was able to be there, and it

0:40:23.040 --> 0:40:25.760
<v Speaker 1>was like the beginning of her career. She's like channeling

0:40:25.800 --> 0:40:30.160
<v Speaker 1>this thing and then the research comes out and is like, yeah,

0:40:30.160 --> 0:40:33.919
<v Speaker 1>that's exactly right, like people, this is what people want.

0:40:34.360 --> 0:40:37.479
<v Speaker 4>And she only could have known what was to come

0:40:37.560 --> 0:40:43.040
<v Speaker 4>about the just ubiquitous porn at any second, everywhere, at

0:40:43.080 --> 0:40:44.799
<v Speaker 4>all times, right, But.

0:40:45.280 --> 0:40:49.160
<v Speaker 1>The av club about her performance in Gentlemen Preferred Blondes

0:40:49.440 --> 0:40:51.319
<v Speaker 1>notes that the joke of the song is that Monro

0:40:51.520 --> 0:40:54.600
<v Speaker 1>values diamonds over the subservient men. She's clearly in on

0:40:54.719 --> 0:40:57.080
<v Speaker 1>that joke, and the movie is ultimately a celebration of

0:40:57.120 --> 0:41:02.080
<v Speaker 1>female ingenuity and solidarity. Monroe's dumb blonde character was clearly

0:41:02.120 --> 0:41:05.440
<v Speaker 1>the creation of a very savvy, intellectual performer, which I

0:41:05.440 --> 0:41:09.719
<v Speaker 1>guess seems obvious, but like at the time they're just like,

0:41:09.800 --> 0:41:14.840
<v Speaker 1>she's she's the dumb blonde on on screen, and I

0:41:14.840 --> 0:41:19.160
<v Speaker 1>think she you know, she also played that in public.

0:41:19.680 --> 0:41:22.920
<v Speaker 1>She said the act of like posing for photographs in

0:41:23.000 --> 0:41:26.520
<v Speaker 1>the camera would make her horny, which like everybody just

0:41:26.520 --> 0:41:30.879
<v Speaker 1>took it face value, but then you know, genius. Yeah,

0:41:31.080 --> 0:41:31.640
<v Speaker 1>she's just like.

0:41:31.640 --> 0:41:34.400
<v Speaker 4>Yeah, it's making her job that is very difficult that

0:41:34.520 --> 0:41:37.800
<v Speaker 4>she scrupulously studies and is so hard on herself about

0:41:38.120 --> 0:41:41.280
<v Speaker 4>like acting. Yeah, it's like she's faking an orgasm.

0:41:41.280 --> 0:41:44.799
<v Speaker 1>Basically, she's faking an orgasm for She's basically like you,

0:41:45.000 --> 0:41:47.440
<v Speaker 1>the film viewer, and the person who's looking at you,

0:41:48.400 --> 0:41:50.320
<v Speaker 1>I'm actually horny for you.

0:41:50.400 --> 0:41:53.800
<v Speaker 2>Like essentially, oh, you're right, like I'm actually so horny.

0:41:53.880 --> 0:41:57.000
<v Speaker 2>Like when I took that picture. You're right, yeah, exactly the.

0:41:57.719 --> 0:42:02.760
<v Speaker 1>Like I was stressed. Remind there's this poor hey Luis

0:42:02.920 --> 0:42:06.640
<v Speaker 1>bourgeous poem about Shakespeare called Everything and Nothing, where his

0:42:06.719 --> 0:42:09.080
<v Speaker 1>theory of like who Shakespeare was, and like what drove

0:42:09.160 --> 0:42:11.680
<v Speaker 1>him is that, to quote the poem, there was no

0:42:11.680 --> 0:42:14.040
<v Speaker 1>one inside him, nothing but a trace of chill, a

0:42:14.120 --> 0:42:17.080
<v Speaker 1>dream dreamt by no one else. And then like he

0:42:17.160 --> 0:42:20.360
<v Speaker 1>becomes an actor because quote he had become instinctively adept

0:42:20.360 --> 0:42:23.040
<v Speaker 1>at pretending to be somebody so that no one would

0:42:23.080 --> 0:42:26.640
<v Speaker 1>suspect he was in fact nobody. In London, he discovered

0:42:26.680 --> 0:42:28.759
<v Speaker 1>the profession for which he was destined, that of the

0:42:28.840 --> 0:42:30.799
<v Speaker 1>actor who stands on a stage and pretends to be

0:42:30.840 --> 0:42:33.279
<v Speaker 1>someone else in front of a group of people who

0:42:33.360 --> 0:42:35.960
<v Speaker 1>pretend to take him for that person. And there's just

0:42:36.000 --> 0:42:40.960
<v Speaker 1>like tons of I just love that theory of like

0:42:41.040 --> 0:42:44.920
<v Speaker 1>Shakespeare and like you know, why people create art, and

0:42:45.040 --> 0:42:50.040
<v Speaker 1>like how interesting and different like the internal interiority of

0:42:50.080 --> 0:42:53.960
<v Speaker 1>like different artists might be than we expect. There are

0:42:54.000 --> 0:42:58.959
<v Speaker 1>so many quotes from her throughout her biography where she's

0:42:59.000 --> 0:43:01.800
<v Speaker 1>basically saying, Zach that, like she says, I always felt

0:43:01.840 --> 0:43:03.640
<v Speaker 1>like I was a nobody and the only way for

0:43:03.680 --> 0:43:06.000
<v Speaker 1>me to be somebody was to be well somebody else,

0:43:06.320 --> 0:43:09.440
<v Speaker 1>which is probably why I wanted to act. So it's like,

0:43:10.040 --> 0:43:14.680
<v Speaker 1>I don't know, people are like psychoanalyzing her and being like, well,

0:43:14.719 --> 0:43:19.160
<v Speaker 1>she had this personality disorder, this psychiatric disorder. It's like

0:43:19.440 --> 0:43:22.880
<v Speaker 1>I don't know, like when when somebody theorizes about Shakespeare,

0:43:22.920 --> 0:43:26.600
<v Speaker 1>it's just like a cool It's just like, wow, that

0:43:26.640 --> 0:43:30.279
<v Speaker 1>what a cool idea about a cool artist, right? I do?

0:43:30.400 --> 0:43:32.440
<v Speaker 1>I do feel like I don't know a lot of

0:43:32.520 --> 0:43:36.239
<v Speaker 1>artists might be you know, empty on the inside and

0:43:36.440 --> 0:43:40.560
<v Speaker 1>creating their art to give themselves meaning, Like that's kind

0:43:40.560 --> 0:43:40.879
<v Speaker 1>of cool.

0:43:41.120 --> 0:43:47.080
<v Speaker 4>Well, also, I think artists do the work of being

0:43:47.120 --> 0:43:51.720
<v Speaker 4>honest about things that hold up a mirror for everyone

0:43:51.719 --> 0:43:56.400
<v Speaker 4>else to experience their own pathos or whatever. But she

0:43:56.520 --> 0:43:59.520
<v Speaker 4>had so much trauma, and then you know, she's like

0:43:59.560 --> 0:44:03.000
<v Speaker 4>the equivalent of fame of what a pop star is today,

0:44:03.080 --> 0:44:05.960
<v Speaker 4>Like the most famous pops are like a Justin Bieber

0:44:06.080 --> 0:44:08.960
<v Speaker 4>or a Taylor Swift or whatever, that type of level

0:44:09.000 --> 0:44:13.760
<v Speaker 4>of fame. I find it almost impossible when you become

0:44:13.880 --> 0:44:18.120
<v Speaker 4>an industry like that that's so massive and you know,

0:44:19.000 --> 0:44:23.640
<v Speaker 4>a very solidified idea of what people perceive you to be,

0:44:24.120 --> 0:44:27.719
<v Speaker 4>which you know, no matter what scale it is a

0:44:27.840 --> 0:44:31.719
<v Speaker 4>small or incredibly large, no one really knows the interior

0:44:32.440 --> 0:44:35.120
<v Speaker 4>of you. And I think that's just a very lonely

0:44:35.200 --> 0:44:38.080
<v Speaker 4>life when it gets to be such a magnitude, because

0:44:38.640 --> 0:44:43.240
<v Speaker 4>there's no way that you're not misunderstood by a large

0:44:43.280 --> 0:44:45.359
<v Speaker 4>amount of people at all times. So of course it's

0:44:45.400 --> 0:44:48.239
<v Speaker 4>going to impact your mental health. Like, yeah, I don't

0:44:48.280 --> 0:44:51.080
<v Speaker 4>know how anyone with that level of fame stays like

0:44:51.200 --> 0:44:54.880
<v Speaker 4>well to yourself anymore.

0:44:54.960 --> 0:44:57.759
<v Speaker 5>No, Yeah, you cease to be a person, and you

0:44:57.840 --> 0:45:01.520
<v Speaker 5>become an infinite number become an infinite number of things

0:45:01.520 --> 0:45:02.640
<v Speaker 5>to millions of people.

0:45:02.880 --> 0:45:05.600
<v Speaker 2>And yeah, and also you have no idea for what

0:45:05.760 --> 0:45:08.480
<v Speaker 2>reason anyone is interacting with you, Yeah, anymore?

0:45:08.560 --> 0:45:12.640
<v Speaker 1>And and multiple like her husbands like buy into that,

0:45:12.800 --> 0:45:16.840
<v Speaker 1>Like Joe Demaggio first saw her in a photograph of

0:45:16.880 --> 0:45:21.040
<v Speaker 1>her wearing like a baseball jersey and was like that,

0:45:21.040 --> 0:45:24.799
<v Speaker 1>that's that's how that's the first way he interacted with her.

0:45:25.280 --> 0:45:28.719
<v Speaker 1>And he was familiar with the image of this like

0:45:28.920 --> 0:45:34.000
<v Speaker 1>childlike no interest in independence woman. And then you know

0:45:34.160 --> 0:45:37.960
<v Speaker 1>she would marry Demaggio or Arthur Miller and then they'd

0:45:37.960 --> 0:45:41.239
<v Speaker 1>be like insulted when she would be like, I got

0:45:41.239 --> 0:45:43.319
<v Speaker 1>to put my career first because I'm like the most

0:45:43.360 --> 0:45:46.000
<v Speaker 1>famous person on the planet and this is I'm building

0:45:46.040 --> 0:45:48.960
<v Speaker 1>something here, And then I think she would be shocked

0:45:49.040 --> 0:45:52.080
<v Speaker 1>and disappointed that they like actually couldn't deal with that,

0:45:52.440 --> 0:45:52.800
<v Speaker 1>right you know?

0:45:53.160 --> 0:45:57.600
<v Speaker 4>Yeah, I think that still very very very much exists today, Like,

0:45:57.960 --> 0:46:02.520
<v Speaker 4>oh yeah, well, people are are extremely attracted to like

0:46:02.640 --> 0:46:07.319
<v Speaker 4>a sparkly woman or man, but more so women and

0:46:07.400 --> 0:46:11.920
<v Speaker 4>all that comes with like the star power and energy

0:46:11.960 --> 0:46:15.839
<v Speaker 4>and wattage of what makes them that person. But then

0:46:15.880 --> 0:46:19.120
<v Speaker 4>the reality of what it means to sort of live

0:46:19.200 --> 0:46:22.480
<v Speaker 4>in that shadow or coexist with that level of stardom

0:46:23.000 --> 0:46:25.799
<v Speaker 4>is like not sustainable for a lot of people's like

0:46:25.880 --> 0:46:26.840
<v Speaker 4>hearts and egos.

0:46:27.320 --> 0:46:31.919
<v Speaker 1>Yeah. So this is when she marries Joe DiMaggio. They

0:46:32.400 --> 0:46:35.440
<v Speaker 1>are only married for nine months. He is abusive. I

0:46:35.520 --> 0:46:38.000
<v Speaker 1>do just need to read this anecdote from the Spotal

0:46:38.080 --> 0:46:41.160
<v Speaker 1>biography about Joe Demagio and like what he was like

0:46:41.200 --> 0:46:44.080
<v Speaker 1>at that time. He just like watched TV a lot

0:46:44.600 --> 0:46:47.399
<v Speaker 1>and was just thiss, like really boring person, like hung

0:46:47.400 --> 0:46:51.000
<v Speaker 1>out at gentlemen's clubs. But from the Spotal biography, before

0:46:51.000 --> 0:46:53.640
<v Speaker 1>they met, he was hanging around gentlemen's Clubs and best

0:46:53.640 --> 0:46:57.160
<v Speaker 1>Buddies with a guy named George Solitaire. George Solitaire grew

0:46:57.239 --> 0:47:00.520
<v Speaker 1>up in Brownsville and then moved to Bronxville. Claims to

0:47:00.560 --> 0:47:04.080
<v Speaker 1>be the guy who invented calling boring things Dolesville and

0:47:04.160 --> 0:47:05.600
<v Speaker 1>divorces Splitsville.

0:47:10.680 --> 0:47:13.640
<v Speaker 4>I love that you just called Joe Dimaccio boring. That's

0:47:13.640 --> 0:47:14.160
<v Speaker 4>so funny.

0:47:14.800 --> 0:47:17.919
<v Speaker 1>That was That was Her initial response was like, holy ship,

0:47:18.000 --> 0:47:19.720
<v Speaker 1>this guy's so fucking boring.

0:47:20.040 --> 0:47:21.960
<v Speaker 2>I'm hanging out with George Solitaire.

0:47:22.080 --> 0:47:26.280
<v Speaker 1>Yeah, George Solitaire, such a fucking Tim Robinson character.

0:47:27.160 --> 0:47:30.560
<v Speaker 3>Alf own of a name like the Loneliest Mother for

0:47:30.560 --> 0:47:33.480
<v Speaker 3>her too, because you said a repulsive loser.

0:47:34.480 --> 0:47:38.560
<v Speaker 1>Claim to fame, I invented calling boring things Dolesville and

0:47:38.600 --> 0:47:41.080
<v Speaker 1>then and then it's like, I think my the story

0:47:41.080 --> 0:47:43.960
<v Speaker 1>of my authorship of those phrases comes from growing up

0:47:43.960 --> 0:47:46.960
<v Speaker 1>in Brownsville and Bronxville and having.

0:47:46.800 --> 0:47:51.239
<v Speaker 2>My god Dolesville in Splitsville. Yeah, that's how I kind

0:47:51.239 --> 0:47:53.840
<v Speaker 2>of came up with it anyway. Emotions.

0:47:54.680 --> 0:48:03.640
<v Speaker 1>Yeah, George Solitaire, So George South did get over here.

0:48:03.160 --> 0:48:04.560
<v Speaker 1>Why we're solid ditch.

0:48:07.719 --> 0:48:09.600
<v Speaker 2>I thought you're gonna say he created and invented the

0:48:09.600 --> 0:48:15.160
<v Speaker 2>game Solitaire. Nope, you're about to go to Dolesville. Yeah,

0:48:15.200 --> 0:48:16.280
<v Speaker 2>that's that's so funny.

0:48:16.280 --> 0:48:18.960
<v Speaker 3>When I was like, oh, George, Solitaire didn't invent so

0:48:19.360 --> 0:48:22.320
<v Speaker 3>he invented the phrase Splitsville and Dolesville.

0:48:22.440 --> 0:48:25.239
<v Speaker 1>Okay, and we you I saw. I'm gonna cite him

0:48:25.239 --> 0:48:28.239
<v Speaker 1>from now on every time I say, hey, daddy, Owe,

0:48:28.239 --> 0:48:29.400
<v Speaker 1>this place is Dolesville.

0:48:29.600 --> 0:48:31.680
<v Speaker 2>Let's get out of here, shout out to my boy George.

0:48:32.000 --> 0:48:34.120
<v Speaker 1>This is one the seven year itch came out, which

0:48:34.160 --> 0:48:38.880
<v Speaker 1>is the one with the famous photograph of hers or

0:48:38.920 --> 0:48:41.720
<v Speaker 1>her dress being blown up by a subway grate, which

0:48:42.280 --> 0:48:47.040
<v Speaker 1>I watched the first half of this movie. It sucks

0:48:47.120 --> 0:48:51.239
<v Speaker 1>so but it like the premise that she's great, But

0:48:51.360 --> 0:48:54.880
<v Speaker 1>the entire premise is like a middle aged man's wife

0:48:54.920 --> 0:48:58.200
<v Speaker 1>and kid leave town in the summertime and he wrestles

0:48:58.200 --> 0:49:00.400
<v Speaker 1>with the fact that he desperately wants to fuck his

0:49:00.440 --> 0:49:04.200
<v Speaker 1>neighbor who's like wildly out of his league. And that's

0:49:04.440 --> 0:49:08.200
<v Speaker 1>the entire plot, is that this seven y Yeah, well,

0:49:08.239 --> 0:49:11.239
<v Speaker 1>it's like when when you've been married for seven years. Yeah, yeah,

0:49:11.239 --> 0:49:13.920
<v Speaker 1>that's when a fella's eyes starts to wander, if you

0:49:13.960 --> 0:49:18.440
<v Speaker 1>know what I'm saying. But Uh, it's yeah, it's wild.

0:49:18.760 --> 0:49:20.720
<v Speaker 1>Like it's a lot of like him talking to himself

0:49:20.719 --> 0:49:24.600
<v Speaker 1>and be like, oh George, oh buddy, you're a good man.

0:49:25.120 --> 0:49:25.919
<v Speaker 2>What'll they say?

0:49:26.600 --> 0:49:30.520
<v Speaker 1>Yeah, So the photo shoot, like the one that everybody

0:49:30.560 --> 0:49:33.200
<v Speaker 1>has photographs of of where her skirt is being blown

0:49:33.239 --> 0:49:36.360
<v Speaker 1>up was from. They said that they like were trying

0:49:36.400 --> 0:49:39.799
<v Speaker 1>to film the movie scene on location in New York,

0:49:39.840 --> 0:49:41.640
<v Speaker 1>but I think they basically knew that this would be

0:49:41.680 --> 0:49:45.759
<v Speaker 1>an amazing publicity stunt. Five thousand people showed up and

0:49:45.800 --> 0:49:48.600
<v Speaker 1>it was this like wild, crowded scene to the point

0:49:48.640 --> 0:49:50.600
<v Speaker 1>that they like couldn't use any of the footage because

0:49:50.600 --> 0:49:54.200
<v Speaker 1>everyone was just screeching at the top of their lungs.

0:49:54.960 --> 0:49:58.359
<v Speaker 1>I talked about the movie Saturday Night, where like they

0:49:58.719 --> 0:50:03.160
<v Speaker 1>basically ram a bunch of like SNL lore into like

0:50:03.280 --> 0:50:05.759
<v Speaker 1>one night. They're like, yeah, all of this happened on

0:50:05.800 --> 0:50:09.920
<v Speaker 1>the first night of the filming of Saturday Night Live

0:50:10.000 --> 0:50:13.360
<v Speaker 1>Going Live, and there are like some weird moments in

0:50:13.560 --> 0:50:16.040
<v Speaker 1>this where like a bunch of different things happen. And

0:50:16.520 --> 0:50:19.320
<v Speaker 1>that scene where her skirts being blown up is also

0:50:19.560 --> 0:50:24.960
<v Speaker 1>what caused her and Demaggio's divorce because he was so

0:50:25.400 --> 0:50:29.040
<v Speaker 1>like Walter Winshell brought him because he knew that it was.

0:50:29.080 --> 0:50:32.000
<v Speaker 1>He's like a gossip columnist at the time, and he

0:50:32.120 --> 0:50:36.120
<v Speaker 1>like brought him to the set and Demaggio shouted, that's it,

0:50:36.239 --> 0:50:40.560
<v Speaker 1>I've had it and then stormed off, which is just

0:50:40.600 --> 0:50:43.960
<v Speaker 1>such a funny, old timey guy thing to say. And

0:50:44.000 --> 0:50:48.720
<v Speaker 1>then they were divorced like weeks later Wits Bill because

0:50:48.800 --> 0:50:51.480
<v Speaker 1>Joe DiMaggio turns out a little bit Dolesville.

0:50:54.200 --> 0:50:58.279
<v Speaker 3>You say, George, you're better off Joe that Marilyn was

0:50:58.320 --> 0:50:59.840
<v Speaker 3>Dolesville to the max.

0:51:00.360 --> 0:51:03.520
<v Speaker 4>Yeah, yeah, I got that from Brownsville. You can use it.

0:51:05.000 --> 0:51:08.759
<v Speaker 1>But again, incredibly iconic moment. Some people have said it's

0:51:08.800 --> 0:51:11.840
<v Speaker 1>the most iconic shot in film, even though it's not

0:51:11.960 --> 0:51:15.319
<v Speaker 1>in the film. The dress went for five point six

0:51:15.440 --> 0:51:17.440
<v Speaker 1>million dollars in twenty eleven.

0:51:17.800 --> 0:51:18.520
<v Speaker 4>That's crazy.

0:51:19.160 --> 0:51:19.600
<v Speaker 1>Yeah.

0:51:19.680 --> 0:51:21.520
<v Speaker 2>And then Kim kardash you wear that.

0:51:21.520 --> 0:51:24.520
<v Speaker 4>Dress, she wore the diamond, she wore the crystal one.

0:51:24.560 --> 0:51:32.520
<v Speaker 1>That's jf Which that's another kind of weird collapsible moment

0:51:32.960 --> 0:51:35.160
<v Speaker 1>or like everything kind of happening on top of each other.

0:51:35.160 --> 0:51:37.520
<v Speaker 1>I didn't realize the JFK moment happened like two months

0:51:37.600 --> 0:51:41.240
<v Speaker 1>before she died, Like yeah, it was like really soon before,

0:51:41.280 --> 0:51:44.560
<v Speaker 1>which is I guess where some of the suspicion comes from.

0:51:44.760 --> 0:51:48.560
<v Speaker 1>But yeah, she starts studying under the Strasburg Lee Strasberg,

0:51:48.760 --> 0:51:52.080
<v Speaker 1>who's like the founder of the Actors Studio and the

0:51:52.160 --> 0:51:54.920
<v Speaker 1>founder of method acting. And I think a lot of

0:51:54.920 --> 0:51:58.680
<v Speaker 1>people treat her working with them as like an incongruity

0:51:58.960 --> 0:52:01.439
<v Speaker 1>because it's like, this woman plays ditzy blonde is trying

0:52:01.480 --> 0:52:05.920
<v Speaker 1>to be, you know, this method actor. But again to

0:52:05.960 --> 0:52:10.359
<v Speaker 1>the point about her being a really great actor. There's

0:52:10.400 --> 0:52:15.200
<v Speaker 1>this cool anecdote from one of her later films called

0:52:15.320 --> 0:52:18.120
<v Speaker 1>I Think The Duke and the Showgirl or The Prince

0:52:18.160 --> 0:52:21.960
<v Speaker 1>and the Showgirl or something. She's co starring with Sir

0:52:22.080 --> 0:52:26.680
<v Speaker 1>Laurence Olivier, who is also directing her in this movie,

0:52:27.000 --> 0:52:29.719
<v Speaker 1>and he has this famous quote when he's working with

0:52:29.800 --> 0:52:32.960
<v Speaker 1>Dustin Hoffman on Marathon Man and Dustin Hoffman is, I

0:52:32.960 --> 0:52:35.680
<v Speaker 1>don't know, like running marathons to prepare for the role,

0:52:35.840 --> 0:52:38.560
<v Speaker 1>and Olivier is like, have you tried acting, my dear boy,

0:52:38.960 --> 0:52:41.400
<v Speaker 1>like instead of like doing the method thing where you

0:52:41.480 --> 0:52:44.520
<v Speaker 1>like have to inhabit the life of the character. He's

0:52:44.560 --> 0:52:46.799
<v Speaker 1>just like, that's all stupid. What are you doing? And

0:52:46.960 --> 0:52:49.600
<v Speaker 1>he was like a total asshole to Marilyn on set

0:52:49.760 --> 0:52:51.879
<v Speaker 1>and was like, you just need to be pretty? Would

0:52:51.920 --> 0:52:55.440
<v Speaker 1>you stop with this shit. He's like widely regarded as

0:52:55.520 --> 0:52:59.480
<v Speaker 1>the greatest, you know, British actor at the time, so

0:52:59.520 --> 0:53:01.359
<v Speaker 1>he doesn't have time for her bullshit on the set

0:53:01.440 --> 0:53:03.440
<v Speaker 1>of this. He thinks she sucks during the make of

0:53:03.480 --> 0:53:07.600
<v Speaker 1>the movie. Later puts it on for friends after the

0:53:07.680 --> 0:53:09.640
<v Speaker 1>fact and is like, I thought i'd like have a

0:53:09.680 --> 0:53:11.880
<v Speaker 1>good laugh at how shit the movie is, and like

0:53:12.000 --> 0:53:14.920
<v Speaker 1>we'd laugh at her performance. And you know, he had

0:53:14.960 --> 0:53:17.040
<v Speaker 1>directed it, so he thought he knew like what he

0:53:17.120 --> 0:53:19.440
<v Speaker 1>was about to see. But you know, when you're watching

0:53:19.440 --> 0:53:22.400
<v Speaker 1>something with different people, you can maybe sometimes see it

0:53:22.400 --> 0:53:24.400
<v Speaker 1>again with fresh eyes, and like by the end of

0:53:24.440 --> 0:53:27.520
<v Speaker 1>the screening, he's like, oh, she's by far the best

0:53:27.520 --> 0:53:29.799
<v Speaker 1>person in that movie, and like has like gone on

0:53:29.840 --> 0:53:32.600
<v Speaker 1>the record being like she fucking acted me off them

0:53:32.840 --> 0:53:36.560
<v Speaker 1>off the screen, but like, yeah, she gave him notes

0:53:36.600 --> 0:53:39.960
<v Speaker 1>on shots and was like you should like paste this up.

0:53:40.000 --> 0:53:42.239
<v Speaker 1>It's supposed to be a comedy and it's like very

0:53:42.280 --> 0:53:45.080
<v Speaker 1>plotting and he just like didn't listen to that and

0:53:45.360 --> 0:53:47.480
<v Speaker 1>was like, well, should you just need to be pretty?

0:53:47.680 --> 0:53:49.680
<v Speaker 1>But she just she just had that thing that great

0:53:49.680 --> 0:53:53.279
<v Speaker 1>film actors have where you see them on set doing

0:53:53.320 --> 0:53:55.640
<v Speaker 1>a thing and you're like, what the fuck is that,

0:53:55.840 --> 0:53:59.760
<v Speaker 1>and then it's just magic on film. How many films

0:54:00.120 --> 0:54:02.040
<v Speaker 1>she in I don't know the count, but.

0:54:02.400 --> 0:54:04.160
<v Speaker 3>Was it did she have like a long run, because

0:54:04.200 --> 0:54:08.360
<v Speaker 3>I my percept like, was it this like all happening

0:54:08.400 --> 0:54:11.040
<v Speaker 3>within a seven year span?

0:54:11.760 --> 0:54:12.200
<v Speaker 2>Less?

0:54:12.480 --> 0:54:16.400
<v Speaker 1>More so this I think her early film work was

0:54:16.440 --> 0:54:20.120
<v Speaker 1>like early fifties and she died in the early sixties.

0:54:20.320 --> 0:54:22.239
<v Speaker 1>So like the second year itch is fifty five and

0:54:22.280 --> 0:54:25.440
<v Speaker 1>she does in the early sixties, so okay, you know,

0:54:25.600 --> 0:54:27.839
<v Speaker 1>it's like she takes off and then there's like a

0:54:27.880 --> 0:54:31.120
<v Speaker 1>six seven year run. Right, she married Demagio. I'm fifty two,

0:54:31.239 --> 0:54:34.160
<v Speaker 1>so she's already like very famous. Then she starts appearing

0:54:34.200 --> 0:54:37.279
<v Speaker 1>in movies, and like those movies do incredibly well, even

0:54:37.320 --> 0:54:40.399
<v Speaker 1>though some of them are just about a rizzless guy

0:54:40.520 --> 0:54:43.360
<v Speaker 1>being like, god, she's hot for like an hour and

0:54:43.400 --> 0:54:45.920
<v Speaker 1>a half. But yeah, she's in a bunch of movies,

0:54:46.520 --> 0:54:49.799
<v Speaker 1>and like a lot of her performances towards the end

0:54:49.840 --> 0:54:53.200
<v Speaker 1>of her career are really like now critically acclaimed, whereas

0:54:53.200 --> 0:54:56.120
<v Speaker 1>they like weren't necessarily at the time, but I do

0:54:56.160 --> 0:55:01.440
<v Speaker 1>think there's something like kind of timeless that she is

0:55:02.040 --> 0:55:05.520
<v Speaker 1>kind of connecting with that you know, people weren't able

0:55:05.600 --> 0:55:07.279
<v Speaker 1>to appreciate at the time, but now you look at

0:55:07.320 --> 0:55:11.000
<v Speaker 1>a fucking Laurence Olivier performance and it's like, why is

0:55:11.040 --> 0:55:14.000
<v Speaker 1>he acting like that? Yeah, and you look at her

0:55:14.000 --> 0:55:16.479
<v Speaker 1>and you're like, oh, there goes the most beautiful person

0:55:16.520 --> 0:55:19.600
<v Speaker 1>I've ever seen on camera, just completely popping off. And

0:55:19.640 --> 0:55:22.640
<v Speaker 1>also she looks like she could exist now. You know.

0:55:23.560 --> 0:55:26.920
<v Speaker 1>She also married Arthur Miller, which is how she gets

0:55:27.000 --> 0:55:30.480
<v Speaker 1>the attention of the FBI because Arthur Miller wrote The Crucible,

0:55:30.719 --> 0:55:33.160
<v Speaker 1>which the FBI was like, they brought him before the

0:55:33.200 --> 0:55:37.879
<v Speaker 1>House on American Committee and he wouldn't name names. And

0:55:37.960 --> 0:55:39.960
<v Speaker 1>that was also when he was like, and I'm marrying

0:55:40.000 --> 0:55:44.080
<v Speaker 1>Marilyn Monroe. And she stuck by him during all this

0:55:44.680 --> 0:55:48.440
<v Speaker 1>even though she was being So there's another like kind

0:55:48.480 --> 0:55:51.239
<v Speaker 1>of in line with the story about her mom and

0:55:51.280 --> 0:55:54.080
<v Speaker 1>the dead husband coming back from the dead. Towards the

0:55:54.120 --> 0:55:56.319
<v Speaker 1>end of her life, therapist who worked with her were like,

0:55:56.400 --> 0:56:02.440
<v Speaker 1>she potentially displaying signs of having like schizophrenic tendencies like

0:56:02.480 --> 0:56:06.040
<v Speaker 1>her mom did, and that there are like some details

0:56:06.200 --> 0:56:08.960
<v Speaker 1>that make it seem like her mom when she was

0:56:09.360 --> 0:56:12.239
<v Speaker 1>committed refused to eat thinking the hospital was trying to

0:56:12.239 --> 0:56:14.160
<v Speaker 1>poison her, and marylyn mom road toward the end of

0:56:14.160 --> 0:56:17.360
<v Speaker 1>her life was like refusing to eat takeout and saying

0:56:17.360 --> 0:56:19.600
<v Speaker 1>she thought that like everybody was trying to poison her.

0:56:20.000 --> 0:56:23.040
<v Speaker 1>And Joe Demaggio was like, there, I just eat the

0:56:23.040 --> 0:56:25.560
<v Speaker 1>food like we're good, and she was like, well, Joe,

0:56:25.560 --> 0:56:29.440
<v Speaker 1>they're not trying to poison you, are they. Hah.

0:56:30.320 --> 0:56:34.360
<v Speaker 4>She probably with what a scandal she was at the time,

0:56:34.520 --> 0:56:37.279
<v Speaker 4>I'm sure she got like death threats and freaky shit.

0:56:37.480 --> 0:56:38.080
<v Speaker 1>Yeah all the time.

0:56:38.200 --> 0:56:40.680
<v Speaker 4>Oh all, So back then it was just like the

0:56:40.800 --> 0:56:45.080
<v Speaker 4>Yellow Pages, like you like, I think that her estate

0:56:45.120 --> 0:56:49.120
<v Speaker 4>in Brentwood was like recently just sold, Like you could

0:56:49.160 --> 0:56:52.880
<v Speaker 4>just walk up to someone's house, like everyone's house was listed,

0:56:53.160 --> 0:56:56.880
<v Speaker 4>like where everyone lived, you know. Bizarre.

0:56:57.200 --> 0:56:59.600
<v Speaker 1>Yeah, she couldn't get away from the cameras, like she

0:56:59.680 --> 0:57:03.120
<v Speaker 1>was there just pop ROSSI following her everywhere. But around

0:57:03.120 --> 0:57:05.400
<v Speaker 1>this time, when she's married Arthur Miller and living in

0:57:05.440 --> 0:57:08.640
<v Speaker 1>New York, there's an anecdote where she like meets up

0:57:08.680 --> 0:57:11.319
<v Speaker 1>a friend and she's like, I'm being followed and they're like, yeah,

0:57:11.360 --> 0:57:13.239
<v Speaker 1>of course you are like the most famous. And she's like, no,

0:57:13.280 --> 0:57:17.600
<v Speaker 1>by the FBI, and they're like, okay, fuck, she's lost it.

0:57:17.880 --> 0:57:20.880
<v Speaker 1>And she was being followed by the FBI. She was like,

0:57:20.920 --> 0:57:23.360
<v Speaker 1>I've learned how to like lose them, and like she

0:57:23.440 --> 0:57:25.280
<v Speaker 1>was talking about what she would do to like get

0:57:25.320 --> 0:57:30.200
<v Speaker 1>them off her tail. And it's true, but everybody, of course,

0:57:30.720 --> 0:57:32.920
<v Speaker 1>that's like an in city, Like I feel like a

0:57:32.920 --> 0:57:38.160
<v Speaker 1>lot of our twentieth century icons are followed by the FBI,

0:57:38.360 --> 0:57:40.120
<v Speaker 1>and it's just like such a mind fuck.

0:57:40.880 --> 0:57:43.240
<v Speaker 4>Yeah, yeah, you're like I know this is happening, but

0:57:43.280 --> 0:57:45.120
<v Speaker 4>no one believes me because they sound like a psychopath.

0:57:45.200 --> 0:57:47.840
<v Speaker 4>But then back then it was like what was it

0:57:47.920 --> 0:57:49.920
<v Speaker 4>the Red Red Scare?

0:57:50.000 --> 0:57:51.480
<v Speaker 1>Yeah, exactly, all.

0:57:51.280 --> 0:57:54.480
<v Speaker 4>The blacklisted people and if you all those people were

0:57:54.480 --> 0:57:55.680
<v Speaker 4>being followed.

0:57:55.560 --> 0:57:59.800
<v Speaker 1>Yeah, and she was like hung out with leftist intellectuals

0:58:00.120 --> 0:58:04.960
<v Speaker 1>like those were her politics. She you know, once intervened

0:58:05.360 --> 0:58:08.600
<v Speaker 1>on behalf of El Fitzgerald, who was like, yes, not

0:58:08.760 --> 0:58:12.320
<v Speaker 1>able to check into a hotel or like get booked

0:58:12.400 --> 0:58:17.680
<v Speaker 1>at a club because it was America and raising.

0:58:17.400 --> 0:58:19.919
<v Speaker 4>Her and she like went and she's like all good

0:58:19.960 --> 0:58:22.560
<v Speaker 4>with you. And she walked in and was like you

0:58:22.560 --> 0:58:24.920
<v Speaker 4>need to put her on that stage. Yeah, and I

0:58:25.080 --> 0:58:27.400
<v Speaker 4>was like, go bitch, yes, yeah.

0:58:27.120 --> 0:58:30.720
<v Speaker 1>Which made her very dangerous. To the FBI. They were like, no,

0:58:30.840 --> 0:58:34.160
<v Speaker 1>we don't that's probably not as dangerous as They probably

0:58:34.240 --> 0:58:38.840
<v Speaker 1>underestimated her too, but they did tail her and eventually

0:58:38.880 --> 0:58:40.960
<v Speaker 1>they were like, God, damn it. She hasn't met with

0:58:41.080 --> 0:58:45.400
<v Speaker 1>any Communist officials. What is going on here? But to

0:58:46.120 --> 0:58:48.840
<v Speaker 1>your question about her film career, so towards the end,

0:58:48.920 --> 0:58:52.280
<v Speaker 1>she appears in Some Like It Hot, which I did not.

0:58:52.480 --> 0:58:53.840
<v Speaker 1>Have you guys seen Some Like It Hot?

0:58:54.560 --> 0:58:57.160
<v Speaker 2>Nope, I've seen clips of it.

0:58:57.680 --> 0:58:58.080
<v Speaker 1>Yeah.

0:58:58.240 --> 0:58:58.479
<v Speaker 2>Yeah.

0:58:58.480 --> 0:59:01.720
<v Speaker 1>It's like a comedy where her men dress up as

0:59:01.960 --> 0:59:06.960
<v Speaker 1>women and it's that's played for laughs. I think, yeah,

0:59:07.280 --> 0:59:10.200
<v Speaker 1>long Yo, Thanks for everything, Julie Numar.

0:59:10.440 --> 0:59:13.760
<v Speaker 3>I just remember Like It Grumpy Old Men when it

0:59:13.800 --> 0:59:16.280
<v Speaker 3>came out and my mom was like, Jack Lemon is

0:59:16.280 --> 0:59:18.360
<v Speaker 3>in Some Like It Hot, and I'm like, I don't

0:59:18.360 --> 0:59:20.520
<v Speaker 3>know what that is. I only know that this is

0:59:20.560 --> 0:59:22.440
<v Speaker 3>the guy from Grumpy Old Men. I don't know if

0:59:22.480 --> 0:59:25.440
<v Speaker 3>he has a career before this film, but that project

0:59:25.480 --> 0:59:29.200
<v Speaker 3>was built around her. She was the first to be cast.

0:59:30.080 --> 0:59:32.760
<v Speaker 3>It was her return to movies after some health issues,

0:59:32.800 --> 0:59:38.720
<v Speaker 3>including a miscarriage and some barbiturate dependency. So she took

0:59:38.800 --> 0:59:41.000
<v Speaker 3>like a two year break, came back with Some Like

0:59:41.040 --> 0:59:43.520
<v Speaker 3>It Hot, and it's been rated as like the best

0:59:44.040 --> 0:59:46.480
<v Speaker 3>filmed comedy you know, brilliance.

0:59:46.560 --> 0:59:49.080
<v Speaker 4>I need to go jeez, I need to watch these

0:59:49.200 --> 0:59:50.840
<v Speaker 4>I need to watch a few movies. I haven't seen

0:59:50.880 --> 0:59:51.280
<v Speaker 4>her movies.

0:59:51.400 --> 0:59:54.760
<v Speaker 2>I mean, I love the guy from Grumpy Old Men, So.

0:59:55.360 --> 1:00:00.240
<v Speaker 1>Yeah, she Producer Victor says, it's not that DVH. Just

1:00:00.520 --> 1:00:04.800
<v Speaker 1>on the subject of like her being witty, there's this

1:00:04.840 --> 1:00:07.720
<v Speaker 1>one anecdote that I didn't see it read anywhere as

1:00:07.760 --> 1:00:13.240
<v Speaker 1>her being witty, but so Joan Crawford, another movie star

1:00:13.440 --> 1:00:16.120
<v Speaker 1>at the time, basically like called her a slut in

1:00:16.160 --> 1:00:18.920
<v Speaker 1>the media as she was rising up, and like Marilyn

1:00:18.920 --> 1:00:21.880
<v Speaker 1>Monroe would never like she was always complimentary about like

1:00:22.120 --> 1:00:26.200
<v Speaker 1>all of her exes, everybody she had relationships with, and

1:00:26.560 --> 1:00:31.120
<v Speaker 1>so on. The Joan Crawford one, though, she like went

1:00:31.160 --> 1:00:33.200
<v Speaker 1>out of her way to pray. She was like, Oh,

1:00:33.280 --> 1:00:36.280
<v Speaker 1>I don't like, that's so crazy that she's mad at me.

1:00:36.560 --> 1:00:39.480
<v Speaker 1>I've like always admired her and especially like what a

1:00:39.480 --> 1:00:42.280
<v Speaker 1>good mother she is. I hear she's like the best mother,

1:00:42.880 --> 1:00:46.640
<v Speaker 1>and like Joan Crawford like turns out like she's the

1:00:47.080 --> 1:00:50.640
<v Speaker 1>subject of Mommy Dearest, So people were just like taking

1:00:50.640 --> 1:00:52.680
<v Speaker 1>it at face value. But I could see it being

1:00:52.720 --> 1:00:56.160
<v Speaker 1>her like knowing some dirt about her family and just

1:00:56.200 --> 1:00:58.560
<v Speaker 1>being like, I just hear she's such a good mom,

1:00:58.640 --> 1:01:00.840
<v Speaker 1>and like I've always wanted to just to be like

1:01:01.080 --> 1:01:04.160
<v Speaker 1>such a that's such a clear woman.

1:01:04.440 --> 1:01:09.760
<v Speaker 4>Yeah, that's what they call in wrapped now, sneak this, yees.

1:01:09.680 --> 1:01:11.680
<v Speaker 1>Sneak this. I feel like she was sneak this sing.

1:01:11.680 --> 1:01:14.800
<v Speaker 1>But like even even like her modern like one of

1:01:14.800 --> 1:01:17.720
<v Speaker 1>her more modern biographies, was still like it's kind of

1:01:17.760 --> 1:01:20.000
<v Speaker 1>a irony that she went out of her way to

1:01:20.080 --> 1:01:22.480
<v Speaker 1>talk about what a good mother she was because Joan Crawford,

1:01:22.680 --> 1:01:25.080
<v Speaker 1>of course, turned out to be a complete fucking monster.

1:01:25.160 --> 1:01:28.520
<v Speaker 1>I'm like, you're like, wasn't an accident irony at all? Yeah.

1:01:28.920 --> 1:01:32.640
<v Speaker 4>Yeah, Crawford's eyes are so fucking scary. Yeah, you know

1:01:33.720 --> 1:01:37.240
<v Speaker 4>there's those eyes like reveal reveal.

1:01:37.800 --> 1:01:42.760
<v Speaker 1>Yeah, there's the JFKN Sinatra stuff where I like, based

1:01:42.760 --> 1:01:48.800
<v Speaker 1>on most reporting, it seems like she had like one

1:01:49.320 --> 1:01:54.040
<v Speaker 1>encounter maybe with JFK. He was she was like summoned

1:01:54.040 --> 1:01:57.000
<v Speaker 1>to Bing Crosby's house. They hung out for like fifteen

1:01:57.000 --> 1:01:59.480
<v Speaker 1>minutes head sex and then he spent the rest of

1:01:59.520 --> 1:02:03.360
<v Speaker 1>the time complaining about how bad his back hurt. The men,

1:02:03.560 --> 1:02:06.000
<v Speaker 1>like over and over and over again. The men and

1:02:06.640 --> 1:02:09.360
<v Speaker 1>these stories are so pathetic to the point that like

1:02:09.480 --> 1:02:11.920
<v Speaker 1>she called her doctor. This is like one of the

1:02:11.920 --> 1:02:15.120
<v Speaker 1>ways we have it confirmed that they had an affair,

1:02:15.240 --> 1:02:18.560
<v Speaker 1>because like she called her doctor, who was like, oh,

1:02:18.320 --> 1:02:21.160
<v Speaker 1>the vibe was very clear that they had just had sex,

1:02:22.040 --> 1:02:25.360
<v Speaker 1>and she's like, here, talk to John F. Kennedy. First

1:02:25.360 --> 1:02:27.600
<v Speaker 1>of all, imagine being a doctor and getting that call.

1:02:27.880 --> 1:02:29.800
<v Speaker 1>But yeah, it does feel like a lot of her

1:02:29.920 --> 1:02:33.200
<v Speaker 1>energy towards men was like feeling sorry for them, and

1:02:33.280 --> 1:02:35.920
<v Speaker 1>like she like chases these incredibly accomplished men in the

1:02:35.920 --> 1:02:38.160
<v Speaker 1>hopes that one of them won't be pathetic, and they're

1:02:38.200 --> 1:02:40.760
<v Speaker 1>all like immediately just like, oh my.

1:02:40.720 --> 1:02:46.760
<v Speaker 3>Back was George solitarire, Jesus, you hurt my back when

1:02:46.800 --> 1:02:47.760
<v Speaker 3>we were doing it.

1:02:48.520 --> 1:02:50.120
<v Speaker 1>The fuck Wait.

1:02:50.320 --> 1:02:52.840
<v Speaker 4>I didn't realize that she was only thirty six when

1:02:52.840 --> 1:02:54.720
<v Speaker 4>she died. I thought she was forty six.

1:02:55.080 --> 1:02:59.200
<v Speaker 1>No, thirty six, yeah wow, And like God really coming

1:03:00.120 --> 1:03:02.720
<v Speaker 1>not not long after some like it hot, which is

1:03:02.760 --> 1:03:04.520
<v Speaker 1>like her biggest critical.

1:03:05.600 --> 1:03:06.480
<v Speaker 4>At the Apex.

1:03:06.840 --> 1:03:09.760
<v Speaker 1>Yeah, she also had an affair around this time with

1:03:09.800 --> 1:03:13.560
<v Speaker 1>Frank Sinatra. He gave her a Maltese puppy that she

1:03:13.680 --> 1:03:17.000
<v Speaker 1>named Moth, which was short for Mafia, because she was like,

1:03:17.120 --> 1:03:20.200
<v Speaker 1>this guy's hilarious Mafia. She really is.

1:03:20.880 --> 1:03:23.040
<v Speaker 4>She's so she's so funny. I love her.

1:03:23.480 --> 1:03:26.880
<v Speaker 2>Yeah, where'd you name the dog? Mafia? We'll call it

1:03:26.920 --> 1:03:28.680
<v Speaker 2>Moth though, so people don't really.

1:03:28.400 --> 1:03:31.600
<v Speaker 4>Tiny little mobster after my mobster boyfriend.

1:03:32.120 --> 1:03:38.000
<v Speaker 1>Yeah, but there this quote about Frank said because apparently

1:03:38.640 --> 1:03:42.040
<v Speaker 1>Frank was dealing with struggling with ed around this time,

1:03:42.080 --> 1:03:45.640
<v Speaker 1>and he credited Marilyn Monroe with during it. But just

1:03:45.680 --> 1:03:48.720
<v Speaker 1>in the same in the same world as George Solitaire,

1:03:48.960 --> 1:03:51.600
<v Speaker 1>just the way men were at the time. From the

1:03:51.880 --> 1:03:55.840
<v Speaker 1>Tamberelli biography, Actually, Frank had been going through this whole

1:03:55.880 --> 1:03:59.600
<v Speaker 1>impotency trip at the time, way too much sauce the

1:03:59.640 --> 1:04:02.600
<v Speaker 1>booze was completely ruining a sex like he's getting too

1:04:02.640 --> 1:04:04.760
<v Speaker 1>old to drink like that, and then expected to also

1:04:04.800 --> 1:04:05.680
<v Speaker 1>perform in the sack.

1:04:07.680 --> 1:04:11.880
<v Speaker 4>Can you imagine your friend saying that in the press

1:04:13.360 --> 1:04:15.800
<v Speaker 4>trick my boy, my boy can't get it off.

1:04:15.880 --> 1:04:18.200
<v Speaker 1>He's on an inpotity trick.

1:04:19.000 --> 1:04:22.360
<v Speaker 2>Bro, He's washed. Bro. He can't hit the bottles and

1:04:22.440 --> 1:04:23.680
<v Speaker 2>the booty in one night.

1:04:23.960 --> 1:04:26.880
<v Speaker 4>Yeah, And also I love them back then, being like,

1:04:26.960 --> 1:04:31.040
<v Speaker 4>oh yeah, it's just the woman that's the issue. These

1:04:31.120 --> 1:04:32.480
<v Speaker 4>chicks just aren't hot enough.

1:04:33.600 --> 1:04:36.440
<v Speaker 2>If that was nothing to do with his alcoholism.

1:04:36.680 --> 1:04:41.520
<v Speaker 1>Yeah, right, But the stories from that relationship, a lot

1:04:41.520 --> 1:04:44.120
<v Speaker 1>of her relationship, it does feel like she's like kind

1:04:44.120 --> 1:04:46.880
<v Speaker 1>of playing the role of that she plays on screen,

1:04:46.960 --> 1:04:49.800
<v Speaker 1>and like also the like of a woman in a

1:04:49.840 --> 1:04:54.320
<v Speaker 1>modern like porn like that she's just doing what she feels.

1:04:54.360 --> 1:04:58.520
<v Speaker 1>Like these men who she feels very sorry for want

1:04:58.880 --> 1:05:01.080
<v Speaker 1>and she's like good at just like reading that and

1:05:01.160 --> 1:05:05.000
<v Speaker 1>like doing whatever they want. And this is around the

1:05:05.040 --> 1:05:07.680
<v Speaker 1>time that she does the Happy Birthday to You performance

1:05:07.680 --> 1:05:10.920
<v Speaker 1>for JFK, which is, first of all only I first

1:05:10.920 --> 1:05:13.200
<v Speaker 1>found out about that from Mike Myers doing it in

1:05:13.240 --> 1:05:19.760
<v Speaker 1>Wayne's World, which is much less cool. Yeah, but yeah,

1:05:20.040 --> 1:05:23.400
<v Speaker 1>this happens like a couple months before she dies. And

1:05:23.440 --> 1:05:26.800
<v Speaker 1>it's also like apparently it was a surprise to everyone

1:05:27.000 --> 1:05:30.800
<v Speaker 1>that she went that hard, So I think that's probably

1:05:30.840 --> 1:05:33.440
<v Speaker 1>like unconsciously why some people are like that's kind of weird.

1:05:33.640 --> 1:05:37.440
<v Speaker 1>She like put that out there right before she died,

1:05:37.760 --> 1:05:40.040
<v Speaker 1>and like this was a person who is having like

1:05:40.280 --> 1:05:43.160
<v Speaker 1>crazy affairs all the time.

1:05:43.480 --> 1:05:48.240
<v Speaker 4>Did you see this about her IQ now that she

1:05:48.520 --> 1:05:51.320
<v Speaker 4>reportedly I don't know how this is proven or not,

1:05:52.720 --> 1:05:54.880
<v Speaker 4>so I don't know for a fact if this is true.

1:05:55.080 --> 1:05:59.640
<v Speaker 4>But apparently they said that she had an IQ of

1:05:59.680 --> 1:06:03.320
<v Speaker 4>once sixty eight when Einstein's was one sixty. Do you

1:06:03.360 --> 1:06:04.560
<v Speaker 4>think that's true?

1:06:05.400 --> 1:06:08.240
<v Speaker 1>I don't know. I mean I could definitely. I think

1:06:08.320 --> 1:06:12.080
<v Speaker 1>she is like a genius in many ways, and it

1:06:12.080 --> 1:06:16.520
<v Speaker 1>wouldn't surprise me to hear that she because like everything

1:06:16.680 --> 1:06:19.680
<v Speaker 1>that I found in this research was just like she

1:06:20.040 --> 1:06:23.880
<v Speaker 1>is playing chess while these guys around her are just

1:06:24.400 --> 1:06:27.040
<v Speaker 1>playing marbles. Yeah, more exactly.

1:06:27.680 --> 1:06:32.960
<v Speaker 4>And that they retrospectively like think that she had autism

1:06:33.160 --> 1:06:34.160
<v Speaker 4>spectrum disorder.

1:06:34.240 --> 1:06:38.240
<v Speaker 1>That was uh yeah, but they just had no concept

1:06:38.320 --> 1:06:40.560
<v Speaker 1>of what that could be, let alone like in the

1:06:40.600 --> 1:06:46.120
<v Speaker 1>package of Marilyn Monroe. You know. But the JFK Marilyn

1:06:46.160 --> 1:06:49.400
<v Speaker 1>affair has become a big deal over the years. The

1:06:49.640 --> 1:06:52.280
<v Speaker 1>people claim that it was carried out by secret tunnels

1:06:52.280 --> 1:06:56.040
<v Speaker 1>in New York's Carlisle Hotel, which I do know that

1:06:56.200 --> 1:07:00.240
<v Speaker 1>he did use tunnels underneath like New York hotels to

1:07:00.920 --> 1:07:03.800
<v Speaker 1>have affairs. I don't know if those included her.

1:07:04.120 --> 1:07:06.840
<v Speaker 4>That is so creepy to meet these ideas, this.

1:07:06.800 --> 1:07:09.800
<v Speaker 1>Perpetual sneaking people in in LA.

1:07:09.440 --> 1:07:12.040
<v Speaker 4>And tunnels, like there's always the sock up tunnels and

1:07:12.080 --> 1:07:13.640
<v Speaker 4>I know they're real, and it's so scary to me.

1:07:13.720 --> 1:07:14.840
<v Speaker 4>I think, I don't know why.

1:07:15.040 --> 1:07:17.360
<v Speaker 1>I don't know, so the ones in LA, Like, there

1:07:17.360 --> 1:07:19.800
<v Speaker 1>were also rumors that they dug a tunnel from the

1:07:19.840 --> 1:07:23.280
<v Speaker 1>Beverly Hilton Hotel to Monroe's house so that she could

1:07:23.320 --> 1:07:26.160
<v Speaker 1>get there, which people have looked back and that would

1:07:26.200 --> 1:07:30.720
<v Speaker 1>have cost three billion dollars to construct, so probably didn't happen.

1:07:31.080 --> 1:07:33.360
<v Speaker 1>It has like gone down as lore. There's a scene

1:07:33.440 --> 1:07:37.520
<v Speaker 1>in a white house down where Channing Tatum and Jamie

1:07:37.560 --> 1:07:40.640
<v Speaker 1>Fox they're like trying to escape the white house. He's like, good,

1:07:40.720 --> 1:07:43.000
<v Speaker 1>there's a series of tunnels that lead out to the street.

1:07:43.360 --> 1:07:46.320
<v Speaker 1>JFK used them to sneak Maryland. And he's like, I

1:07:46.320 --> 1:07:48.840
<v Speaker 1>thought those were a myth. He said, actually they're not.

1:07:49.120 --> 1:07:49.480
<v Speaker 2>They're not.

1:07:49.720 --> 1:07:53.000
<v Speaker 1>Let's go why as people are attacking you, why would

1:07:53.000 --> 1:07:54.800
<v Speaker 1>you give that backstory?

1:07:55.000 --> 1:07:57.600
<v Speaker 2>Because it's a movie, babe.

1:07:57.400 --> 1:08:02.040
<v Speaker 1>All right. So this is when she is found dead

1:08:02.080 --> 1:08:06.320
<v Speaker 1>in her home August fifth, nineteen sixty two. The Los

1:08:06.360 --> 1:08:09.200
<v Speaker 1>Angeles Police concluded that it was caused by a self

1:08:09.200 --> 1:08:11.840
<v Speaker 1>administered overdose of sedative drugs and that the mode of

1:08:11.840 --> 1:08:16.680
<v Speaker 1>death is probable suicide. The suicide rate in Los Angeles

1:08:16.800 --> 1:08:25.040
<v Speaker 1>spikes by like fifty percent in the month after her death. Yes, crazy, Yeah,

1:08:25.120 --> 1:08:29.559
<v Speaker 1>And then people immediately kind of are like, what happened?

1:08:29.600 --> 1:08:31.880
<v Speaker 1>They don't want to believe it. But then there is

1:08:32.520 --> 1:08:36.840
<v Speaker 1>this theory of the Kennedy's involvement, and like a lot

1:08:36.840 --> 1:08:39.759
<v Speaker 1>of our conspiracy theories, like you can look to where

1:08:40.000 --> 1:08:44.240
<v Speaker 1>it was started, and there's there was a nineteen sixty

1:08:44.240 --> 1:08:48.680
<v Speaker 1>four self published pamphlet, The Strange Death of Marilyn Monroe,

1:08:48.840 --> 1:08:52.599
<v Speaker 1>which conspicuously came out during an election year when RFK

1:08:52.840 --> 1:08:56.879
<v Speaker 1>was running for Senate, and it basically it sed Munroe

1:08:57.320 --> 1:09:00.760
<v Speaker 1>had surrounded herself with communist and communist sympathy, and the

1:09:00.800 --> 1:09:03.160
<v Speaker 1>person who wrote it is just like a you know,

1:09:03.760 --> 1:09:08.519
<v Speaker 1>psycho right wing person, Frank A. Cappel. And then one

1:09:08.560 --> 1:09:12.679
<v Speaker 1>of the books that I read was Marilyn Monroe biography

1:09:12.680 --> 1:09:17.240
<v Speaker 1>by Donald Spado, and he has this theory about her

1:09:17.320 --> 1:09:23.839
<v Speaker 1>housekeeper Eunice Murray and her doctor Ralph Greenson that seems

1:09:23.880 --> 1:09:29.240
<v Speaker 1>like the most likely of the conspiracy theories, so I'm

1:09:29.280 --> 1:09:31.519
<v Speaker 1>just going to go through some of the details. The

1:09:31.600 --> 1:09:36.160
<v Speaker 1>official story is that she is talking to Peter Lawford

1:09:36.400 --> 1:09:40.720
<v Speaker 1>on the phone. She says, say goodbye to Jack sagobye

1:09:40.760 --> 1:09:43.240
<v Speaker 1>to Pat say goodbye to yourself too, because you're a

1:09:43.320 --> 1:09:47.400
<v Speaker 1>nice person. And he can tell she's like very you know,

1:09:47.439 --> 1:09:50.439
<v Speaker 1>out of it and on drugs, and those sound like

1:09:50.520 --> 1:09:52.479
<v Speaker 1>the last words of someone who's planning to die or

1:09:52.560 --> 1:09:56.400
<v Speaker 1>knows they're dying. Lawford got that was like, damn, that

1:09:56.479 --> 1:09:59.599
<v Speaker 1>can't be a good sign. Calls her housekeeper, who calls

1:09:59.600 --> 1:10:04.680
<v Speaker 1>her doc who the doctor. Actually, Lawford doesn't call the housekeeper.

1:10:04.680 --> 1:10:09.080
<v Speaker 1>He calls like his person because Lawford is weirdly rfk's

1:10:09.120 --> 1:10:12.120
<v Speaker 1>brother in law. The last person she's on the phone

1:10:12.120 --> 1:10:14.479
<v Speaker 1>with is rfk's brother in law, which also is like,

1:10:14.560 --> 1:10:19.320
<v Speaker 1>that's kind of weird, as bro exactly. But he instead

1:10:19.360 --> 1:10:22.920
<v Speaker 1>of calling directly the police or anything, he calls like

1:10:24.160 --> 1:10:26.800
<v Speaker 1>her manager because he's like, I don't this could be

1:10:26.800 --> 1:10:30.839
<v Speaker 1>bad for the Kennedys if I'm attached to this. Manager

1:10:30.880 --> 1:10:35.360
<v Speaker 1>calls doctor, doctor, calls the housekeeper. Housekeeper is just like

1:10:35.439 --> 1:10:39.240
<v Speaker 1>she's fine, and this is like when when that call

1:10:39.360 --> 1:10:43.639
<v Speaker 1>is made, she's in her room dying. So like there

1:10:43.640 --> 1:10:46.160
<v Speaker 1>there are some things. The official story is just she

1:10:46.400 --> 1:10:49.919
<v Speaker 1>took too many pills, whether on purpose or by accident

1:10:49.960 --> 1:10:54.080
<v Speaker 1>and died. And but there's like some really so the

1:10:54.080 --> 1:10:57.120
<v Speaker 1>weird stuff that's kind of shady is just like the

1:10:57.160 --> 1:11:02.080
<v Speaker 1>behavior of the like the timeline doesn't make sense of

1:11:02.120 --> 1:11:05.439
<v Speaker 1>like when she found and not. But I just want

1:11:05.479 --> 1:11:10.439
<v Speaker 1>to just going through the most famous conspiracy theories. The

1:11:10.479 --> 1:11:14.559
<v Speaker 1>first one is the Kennedy angle. Joe DiMaggio later said,

1:11:14.720 --> 1:11:17.040
<v Speaker 1>I always knew who killed her, but I didn't want

1:11:17.040 --> 1:11:18.960
<v Speaker 1>to start a revolution in this country.

1:11:19.920 --> 1:11:26.680
<v Speaker 4>Okay, So she's apparently called her a psychiatrist and hairdresser

1:11:26.880 --> 1:11:31.760
<v Speaker 4>and both said that she was in distress about betrayal

1:11:31.800 --> 1:11:34.760
<v Speaker 4>by men in high places right there.

1:11:34.960 --> 1:11:38.400
<v Speaker 1>So all of that, there's tons of shit. So like

1:11:38.439 --> 1:11:43.040
<v Speaker 1>this that theory, there's like it became an entire what

1:11:43.160 --> 1:11:47.600
<v Speaker 1>once that pamphlet came out, It became a huge industry

1:11:48.280 --> 1:11:52.240
<v Speaker 1>to like write tell all stories about this stuff, right

1:11:53.000 --> 1:11:55.760
<v Speaker 1>and I don't know who's Yeah, Like some books say

1:11:55.800 --> 1:11:57.799
<v Speaker 1>she was calling the White House a lot at that time,

1:11:58.120 --> 1:12:02.240
<v Speaker 1>and like Kennedy was just like could you stop. She

1:12:02.320 --> 1:12:04.200
<v Speaker 1>did like to call people late at night.

1:12:04.360 --> 1:12:08.680
<v Speaker 4>So but she claimed she claimed to the doctor that

1:12:08.880 --> 1:12:12.320
<v Speaker 4>RFK had visited her her and yelled at her that day.

1:12:12.520 --> 1:12:14.280
<v Speaker 4>According to the Vanity.

1:12:13.920 --> 1:12:18.720
<v Speaker 1>Fair right, but he was in San Francisco the whole day,

1:12:19.200 --> 1:12:21.800
<v Speaker 1>so that probably didn't happen. Like he was at a

1:12:21.840 --> 1:12:26.639
<v Speaker 1>family people people are like he who was in California, Okay,

1:12:27.040 --> 1:12:29.000
<v Speaker 1>and it's like, well, he was in San Francisco at

1:12:29.040 --> 1:12:32.639
<v Speaker 1>a thing with like his whole family, and I don't have.

1:12:32.680 --> 1:12:36.240
<v Speaker 5>The spatial awareness or critical things. So that's nineteen sixty two,

1:12:36.400 --> 1:12:36.680
<v Speaker 5>you know.

1:12:36.840 --> 1:12:40.439
<v Speaker 4>Right, you know what I can't bear like And I

1:12:40.560 --> 1:12:45.080
<v Speaker 4>know this sounds absolutely insane for two people who host

1:12:45.120 --> 1:12:49.519
<v Speaker 4>a podcast largely about politics, But I cannot bear that

1:12:49.600 --> 1:12:54.000
<v Speaker 4>like these men JFK and RFK presented as like these

1:12:54.640 --> 1:12:59.559
<v Speaker 4>wonderful leaders of the country and then did this stuff

1:12:59.640 --> 1:13:05.200
<v Speaker 4>behind closed doors. Like my autistic brain cannot hold deal

1:13:05.560 --> 1:13:09.360
<v Speaker 4>both of that. Both of those can be true, Yeah right,

1:13:09.560 --> 1:13:12.840
<v Speaker 4>I really can't. It's like, yeah, breaks my brain.

1:13:13.320 --> 1:13:17.120
<v Speaker 1>Yeah. There's definitely a difference between the image that they

1:13:17.120 --> 1:13:19.280
<v Speaker 1>were projecting and then who they were behind closed doors,

1:13:19.360 --> 1:13:22.280
<v Speaker 1>especially with groats to how they treated women. But the

1:13:22.320 --> 1:13:26.120
<v Speaker 1>mysterious detail. Like there's tons of like really mysterious, like

1:13:26.360 --> 1:13:28.840
<v Speaker 1>people claiming that she wrote letters to Jack and threatened

1:13:28.880 --> 1:13:30.320
<v Speaker 1>to reveal her secret.

1:13:30.600 --> 1:13:36.320
<v Speaker 4>Everyone knew the secret, Yeah, everyone knew what the birthday

1:13:36.360 --> 1:13:37.920
<v Speaker 4>and the whisper in the dress.

1:13:38.280 --> 1:13:39.960
<v Speaker 1>I think I had a feeling they knew what was

1:13:40.000 --> 1:13:43.320
<v Speaker 1>going on. There's like this famous red diary where she

1:13:43.360 --> 1:13:49.360
<v Speaker 1>could supposedly like took down sensitive information, but like none

1:13:49.360 --> 1:13:53.479
<v Speaker 1>of that stuff's corroborated. The one like really weird detail

1:13:54.080 --> 1:13:56.599
<v Speaker 1>is that there was no pill residue in her system,

1:13:57.600 --> 1:14:01.200
<v Speaker 1>like in her stomach, which people have pointed to is

1:14:01.240 --> 1:14:03.639
<v Speaker 1>like weird and would suggest that she was like killed

1:14:03.640 --> 1:14:06.880
<v Speaker 1>with an injection, but there was no injection point on

1:14:06.880 --> 1:14:10.240
<v Speaker 1>her body, which would have still been there. I do

1:14:10.320 --> 1:14:12.799
<v Speaker 1>think it's very weird that the last person she called

1:14:13.400 --> 1:14:16.920
<v Speaker 1>was Peter Lawford, who was RFK Junior's brother in law.

1:14:17.120 --> 1:14:20.040
<v Speaker 1>That's like who she was on the phone was when

1:14:20.040 --> 1:14:21.120
<v Speaker 1>she died, and.

1:14:21.000 --> 1:14:24.200
<v Speaker 4>The empty pill bottles, Like and she's found face down

1:14:24.280 --> 1:14:26.360
<v Speaker 4>with like the empty pill bottles.

1:14:26.160 --> 1:14:28.519
<v Speaker 1>And then there's no pills in her stomach, yeah, and.

1:14:28.439 --> 1:14:31.479
<v Speaker 4>Then the phone is in her hand, you know.

1:14:32.040 --> 1:14:35.639
<v Speaker 1>Yeah. The weird thing is that like her I think

1:14:35.760 --> 1:14:40.040
<v Speaker 1>lawyer is called at midnight and told she's dead, and

1:14:40.200 --> 1:14:42.400
<v Speaker 1>they don't call the police until four in the morning.

1:14:43.000 --> 1:14:46.200
<v Speaker 1>And when the police show up at four in the morning,

1:14:46.600 --> 1:14:52.120
<v Speaker 1>her housekeeper is doing laundry, which is fucking weird behavior.

1:14:52.400 --> 1:14:55.200
<v Speaker 4>What's tampering with the crime scene.

1:14:54.920 --> 1:14:57.880
<v Speaker 1>Right, And for so there's like a four hour window

1:14:57.880 --> 1:15:01.680
<v Speaker 1>there where it's like her housekeeper and this guy doctor Greenson,

1:15:02.160 --> 1:15:07.559
<v Speaker 1>who was like this really controlling psychiatrist who was like

1:15:08.000 --> 1:15:11.200
<v Speaker 1>not letting certain people see her at this time. And

1:15:11.640 --> 1:15:16.160
<v Speaker 1>there's also reports that at the scene he was heard

1:15:16.400 --> 1:15:18.840
<v Speaker 1>yelling like damn it. Hyde gave her a prescription I

1:15:18.880 --> 1:15:22.960
<v Speaker 1>didn't know about. So one theory, like if the scene

1:15:23.080 --> 1:15:25.639
<v Speaker 1>was staged, which a lot of people thought it looked staged,

1:15:26.439 --> 1:15:30.840
<v Speaker 1>one theory would be that he like had plans that

1:15:30.960 --> 1:15:35.120
<v Speaker 1>night and told the housekeeper to give her like a

1:15:35.840 --> 1:15:40.519
<v Speaker 1>enema of this medication that he had given her before,

1:15:41.000 --> 1:15:43.519
<v Speaker 1>and that's what gave her the fatal overdose, which is

1:15:43.520 --> 1:15:45.760
<v Speaker 1>why there was no pill residue in her stomach. But

1:15:45.840 --> 1:15:48.679
<v Speaker 1>then they were like, oh shit, we killed Marilyn Monroe,

1:15:48.880 --> 1:15:51.960
<v Speaker 1>and so they like created this whole story and it

1:15:52.000 --> 1:15:54.760
<v Speaker 1>was suicide, but it was suicide.

1:15:54.240 --> 1:15:56.400
<v Speaker 4>Like a Michael Jackson doctor type of thing.

1:15:56.760 --> 1:15:59.320
<v Speaker 2>Yeah, medical malpractice, huh.

1:15:59.040 --> 1:16:02.400
<v Speaker 1>Yeah, exactly, my Michael Jackson doctor, Elvis doctor. Like that's

1:16:02.439 --> 1:16:05.360
<v Speaker 1>a thing that just seems to happen over and over

1:16:05.720 --> 1:16:10.479
<v Speaker 1>with these uh like incredibly famous people. The one thing

1:16:10.520 --> 1:16:14.120
<v Speaker 1>is that, like, so that's the theory from the Spoto biography,

1:16:14.520 --> 1:16:17.160
<v Speaker 1>and then like the more recent one, they like have

1:16:17.240 --> 1:16:20.240
<v Speaker 1>a lot more evidence, a lot more anecdotes of like

1:16:20.320 --> 1:16:23.040
<v Speaker 1>the fact that she was like really doing a lot

1:16:23.080 --> 1:16:25.000
<v Speaker 1>of drugs at the time and was also like self

1:16:25.040 --> 1:16:29.280
<v Speaker 1>administering injections and stuff, and so it could have also

1:16:29.400 --> 1:16:35.000
<v Speaker 1>been that she just self administered the dose that killed her,

1:16:35.240 --> 1:16:38.479
<v Speaker 1>whether because she was trying to do that or it

1:16:38.520 --> 1:16:42.439
<v Speaker 1>was accidental, but she was very like kind of fucked

1:16:42.479 --> 1:16:43.679
<v Speaker 1>up on drugs towards the gym.

1:16:43.880 --> 1:16:46.960
<v Speaker 4>Was also a deep shit with endometriosis, which they knew

1:16:47.000 --> 1:16:50.519
<v Speaker 4>nothing about then. It was growing all over her body.

1:16:50.640 --> 1:16:54.280
<v Speaker 4>She had several miscarriages when she really wanted children so badly,

1:16:54.840 --> 1:16:59.599
<v Speaker 4>and like not to mention that like all mixed with autism,

1:16:59.680 --> 1:17:03.240
<v Speaker 4>like the the what endometriosis does. It's so harsh on

1:17:03.280 --> 1:17:06.040
<v Speaker 4>your buddy, Like scientists are now like that now that

1:17:06.080 --> 1:17:09.040
<v Speaker 4>they're just starting to do research on it. They're like

1:17:09.320 --> 1:17:12.599
<v Speaker 4>saying it should be classified as cancer. Is how gnarly

1:17:12.680 --> 1:17:16.200
<v Speaker 4>it is, yeah, and like that really affects your hormones

1:17:16.320 --> 1:17:20.479
<v Speaker 4>so intensely. It is like an all consuming disease, and

1:17:20.640 --> 1:17:23.920
<v Speaker 4>especially for her, like when she had very bad thin

1:17:25.320 --> 1:17:28.040
<v Speaker 4>like it's almost impossible to be thin as well when

1:17:28.080 --> 1:17:33.439
<v Speaker 4>you have endometriosis, because it's you know whatever, and oh

1:17:33.520 --> 1:17:36.080
<v Speaker 4>my god, Yeah, I think she was like so much pain.

1:17:36.479 --> 1:17:40.240
<v Speaker 4>She's on, she can't sleep, she's on like diet pills

1:17:40.280 --> 1:17:43.800
<v Speaker 4>like upers downers, like all this stuff. Like she's involved

1:17:44.240 --> 1:17:46.600
<v Speaker 4>with like every major.

1:17:46.600 --> 1:17:52.880
<v Speaker 1>Person in the world exactly, Like yeah, so it's it's

1:17:53.240 --> 1:17:56.120
<v Speaker 1>kind of impossible to know. I do, my my, if

1:17:56.120 --> 1:17:58.200
<v Speaker 1>I had to guess, I think the scene was staged

1:17:58.200 --> 1:18:01.080
<v Speaker 1>by the housekeeper and the doctor either because they didn't

1:18:01.080 --> 1:18:04.040
<v Speaker 1>want her to look bad. And like I guess the

1:18:04.160 --> 1:18:06.879
<v Speaker 1>drug that she oded on would cause your body potentially

1:18:06.880 --> 1:18:09.080
<v Speaker 1>to expel stuff, so that could be why she was

1:18:09.600 --> 1:18:11.479
<v Speaker 1>like doing the laundry. It was just so that like

1:18:11.520 --> 1:18:14.599
<v Speaker 1>they didn't find her like covered in shit or whatever.

1:18:14.760 --> 1:18:17.519
<v Speaker 1>But I think it could also be that they were

1:18:17.560 --> 1:18:20.240
<v Speaker 1>covering their own ass and like that there was a

1:18:20.280 --> 1:18:24.040
<v Speaker 1>Walter White breaking bad situation where she died in front

1:18:24.040 --> 1:18:26.559
<v Speaker 1>of them and they were like fuck were yeah, you know,

1:18:26.640 --> 1:18:30.240
<v Speaker 1>they didn't do enough and were too scared to do anything,

1:18:30.560 --> 1:18:33.080
<v Speaker 1>and so they then like concocted this story like there's

1:18:33.400 --> 1:18:36.840
<v Speaker 1>there's a thing where the official narrative is that she

1:18:36.880 --> 1:18:39.040
<v Speaker 1>went to check on her and her door was locked,

1:18:39.120 --> 1:18:41.040
<v Speaker 1>and then she called the doctor to come over and

1:18:41.080 --> 1:18:43.519
<v Speaker 1>he had to like break a window, but like the

1:18:43.640 --> 1:18:45.960
<v Speaker 1>door didn't have a lock on it. And also Marilyn

1:18:46.040 --> 1:18:51.120
<v Speaker 1>Monroe like never locked her door because of her intense fear.

1:18:51.400 --> 1:18:54.120
<v Speaker 4>Yeah, so can you imagine how insane that is though

1:18:54.160 --> 1:18:55.880
<v Speaker 4>to be Marilyn Monroe and not lock your door?

1:18:56.040 --> 1:18:58.920
<v Speaker 1>I know, ye yeah, oh my god.

1:18:59.400 --> 1:19:04.000
<v Speaker 4>Yeah, they didn't have security back then, right, Like I

1:19:04.000 --> 1:19:06.000
<v Speaker 4>don't know, it just seems like you could just knock

1:19:06.040 --> 1:19:09.360
<v Speaker 4>on every like someone's door in Hollywood.

1:19:09.680 --> 1:19:14.400
<v Speaker 1>Right. So the premise of Calendar Girl, the great Jason

1:19:14.439 --> 1:19:18.479
<v Speaker 1>Priestley movie that nobody fucking remembers. That's that's one weird thing,

1:19:18.520 --> 1:19:21.200
<v Speaker 1>so real quick. Just like in terms of her overall

1:19:21.240 --> 1:19:24.240
<v Speaker 1>like legacy, the Warhol painting, like we've talked about how

1:19:24.280 --> 1:19:27.519
<v Speaker 1>much her dress is sold for the Warhol painting shot

1:19:27.560 --> 1:19:30.479
<v Speaker 1>Stage Blue Marylyn was auctioned for one hundred and ninety

1:19:30.479 --> 1:19:33.439
<v Speaker 1>five million dollars in twenty twenty two. If you just

1:19:33.479 --> 1:19:36.840
<v Speaker 1>like put a dollar figure on her iconography with like

1:19:36.880 --> 1:19:43.800
<v Speaker 1>Playboy high Art, like Box Office Success two billion, Madonna's iconography,

1:19:44.200 --> 1:19:46.599
<v Speaker 1>Like I think this Piggy's character is like built out

1:19:46.600 --> 1:19:49.640
<v Speaker 1>of her, like all the ads that still feature her

1:19:49.720 --> 1:19:55.000
<v Speaker 1>to this day, Like she's probably number one, you know, so, yeah,

1:19:55.040 --> 1:19:57.040
<v Speaker 1>they use her in ads, and she was like at

1:19:57.040 --> 1:20:00.120
<v Speaker 1>the forefront or her estate was at the forefront of

1:20:00.160 --> 1:20:04.559
<v Speaker 1>like you know, making money off of somebody's brand, you know,

1:20:04.880 --> 1:20:07.680
<v Speaker 1>Like what's the name of the company that did it?

1:20:08.120 --> 1:20:13.000
<v Speaker 1>A CMG Worldwide who just specialized in managing the estate

1:20:13.040 --> 1:20:17.200
<v Speaker 1>of dead celebrities and they just cash in on this.

1:20:17.439 --> 1:20:20.360
<v Speaker 1>In nineteen ninety six alone, the licensing of Marilyn Monroe's

1:20:20.439 --> 1:20:23.840
<v Speaker 1>name and image has pulled in over thirty million dollars

1:20:23.840 --> 1:20:26.439
<v Speaker 1>in revenues. That's just in ninety six, just like a

1:20:26.520 --> 1:20:27.160
<v Speaker 1>random year.

1:20:27.560 --> 1:20:29.360
<v Speaker 4>Oh, I was going to say, I was like, that

1:20:29.600 --> 1:20:31.840
<v Speaker 4>seems unbelievably low, But that's one year.

1:20:31.960 --> 1:20:34.479
<v Speaker 1>Yeah, that's one year. Yeah. Twenty sixteen, we got a

1:20:34.520 --> 1:20:38.080
<v Speaker 1>Snicker's commercial that she appeared in where like Willem Dafoe

1:20:38.120 --> 1:20:40.360
<v Speaker 1>plays her on the set of seven Year Itch.

1:20:40.360 --> 1:20:42.479
<v Speaker 4>And then like all the and imagine even all the

1:20:42.600 --> 1:20:46.639
<v Speaker 4>unplaned like that they don't even yeah.

1:20:46.040 --> 1:20:48.439
<v Speaker 1>Yeah, but I do think it's interesting that like the

1:20:48.479 --> 1:20:51.200
<v Speaker 1>one place she doesn't really live on is in like

1:20:51.400 --> 1:20:57.519
<v Speaker 1>movies about her, Like people keep trying. There's Blonde Arsne Yeah,

1:20:57.760 --> 1:21:00.599
<v Speaker 1>the Armists. Uh. There there is one called My Week

1:21:00.640 --> 1:21:03.360
<v Speaker 1>with Marylyn starring Michelle Williams, like who I think is

1:21:03.400 --> 1:21:07.559
<v Speaker 1>one of the best actors of like her generation. HBO's

1:21:07.560 --> 1:21:11.880
<v Speaker 1>Norman Gyena Maryland of course, nineteen ninety three's Calendar Girl,

1:21:12.080 --> 1:21:15.400
<v Speaker 1>where Jason Priestley and Jerry O'Connell drive to la and

1:21:15.439 --> 1:21:19.160
<v Speaker 1>just stalk Marilyn Monroe. That's the entire They should have

1:21:19.200 --> 1:21:23.160
<v Speaker 1>just marked it as a horror movie. But I do

1:21:23.200 --> 1:21:26.320
<v Speaker 1>think that it's just because of that thing she had,

1:21:26.360 --> 1:21:28.000
<v Speaker 1>like the thing that the guy was like between the

1:21:28.080 --> 1:21:30.760
<v Speaker 1>lens and the film, Like there's just this magic that

1:21:30.840 --> 1:21:34.120
<v Speaker 1>she had because of her talent and like how hard

1:21:34.160 --> 1:21:37.479
<v Speaker 1>she worked at it that like you can't really do

1:21:37.640 --> 1:21:40.920
<v Speaker 1>her justice by having somebody else play her, right, So

1:21:41.160 --> 1:21:45.479
<v Speaker 1>like there's just that's the one place that her star

1:21:45.680 --> 1:21:48.080
<v Speaker 1>is not as bright as like anyone else trying to

1:21:49.080 --> 1:21:52.800
<v Speaker 1>be her so and I just don't think you can

1:21:52.800 --> 1:21:55.000
<v Speaker 1>do it because she was so good at what she did.

1:21:55.400 --> 1:21:59.479
<v Speaker 1>And that's that's it. Love you, Marilyn, Love you, Marilyn,

1:22:00.120 --> 1:22:00.360
<v Speaker 1>Love you.

1:22:00.439 --> 1:22:05.400
<v Speaker 2>George Solitaire my favorite side characters.

1:22:05.479 --> 1:22:07.559
<v Speaker 1>So George Solitaire is great, isn't it.

1:22:07.600 --> 1:22:10.320
<v Speaker 4>This podcast was the opposite of Dolesville. I'll tell you

1:22:10.360 --> 1:22:14.519
<v Speaker 4>what riveted start to finish and Jock, you really did

1:22:14.520 --> 1:22:15.719
<v Speaker 4>an incredible research.

1:22:16.000 --> 1:22:18.160
<v Speaker 1>Oh, thank you so much. This is what he does.

1:22:18.400 --> 1:22:22.040
<v Speaker 1>I was reminded multiple times during the researching of her

1:22:22.120 --> 1:22:25.519
<v Speaker 1>life of the phrase you smoked too tough, you're swag

1:22:25.600 --> 1:22:28.400
<v Speaker 1>too different, your bitch is too bad, don't kill you.

1:22:28.960 --> 1:22:32.200
<v Speaker 1>I was like, this is about her, she except she

1:22:32.360 --> 1:22:36.240
<v Speaker 1>is the bitch that's too bad at this podcast.

1:22:36.280 --> 1:22:38.360
<v Speaker 4>That is my ship. I can't wait to listen like

1:22:38.479 --> 1:22:41.400
<v Speaker 4>I love like this is my dream podcast to listen to.

1:22:41.520 --> 1:22:43.040
<v Speaker 2>Well, we'll have to pick another icon.

1:22:43.720 --> 1:22:47.439
<v Speaker 4>Yes, I can't wait to listen to this. Not my

1:22:47.600 --> 1:22:50.200
<v Speaker 4>episode I lived it, I mean the other episode.

1:22:50.280 --> 1:22:52.320
<v Speaker 1>Yeah, I live. How many if we don't we don't like?

1:22:52.800 --> 1:22:54.080
<v Speaker 1>Is this our sixth seventh?

1:22:54.560 --> 1:22:54.760
<v Speaker 2>Yeah?

1:22:55.040 --> 1:22:56.000
<v Speaker 4>Are they out right.

1:22:55.880 --> 1:22:59.639
<v Speaker 1>Now, Yeah, they're they're out there all right, Blair Sackey.

1:23:00.040 --> 1:23:00.920
<v Speaker 1>Such a pleasure of having you.

1:23:01.040 --> 1:23:02.840
<v Speaker 4>I love you, guys. Thank you so much as you

1:23:02.920 --> 1:23:05.040
<v Speaker 4>for doing that. I love Maryland. Okay, I love you

1:23:05.840 --> 1:23:11.280
<v Speaker 4>Zichang Iconography Gang. Listen to my podcast and come see

1:23:11.280 --> 1:23:14.680
<v Speaker 4>me on my show dates I put on my social media.

1:23:14.800 --> 1:23:17.320
<v Speaker 1>There you go, Miles, thank you for doing it.

1:23:17.600 --> 1:23:19.880
<v Speaker 2>Thank you for having me. As usual, We're.

1:23:19.720 --> 1:23:21.080
<v Speaker 1>Going to take a quick break, and then I'm going

1:23:21.120 --> 1:23:23.160
<v Speaker 1>to come back and give you my no no, no

1:23:23.160 --> 1:23:26.880
<v Speaker 1>no notebook dump where I talked about the stuff, the

1:23:26.920 --> 1:23:29.679
<v Speaker 1>best stuff that I forgot to tell Blair and Miles.

1:23:42.280 --> 1:23:46.639
<v Speaker 1>Oh right. That was our Marilyn Monroe episode with blair sake.

1:23:46.960 --> 1:23:50.720
<v Speaker 1>Thanks to Blair and thanks to JM McNabb for the

1:23:50.760 --> 1:23:54.840
<v Speaker 1>research help on this one. Here are a few interesting

1:23:54.960 --> 1:23:58.000
<v Speaker 1>things we didn't get to from our research. That's right,

1:23:58.040 --> 1:24:00.559
<v Speaker 1>it's time for the no no, no, no oh book.

1:24:00.720 --> 1:24:03.960
<v Speaker 1>Don't don't do a thing I've come up against in

1:24:03.960 --> 1:24:08.080
<v Speaker 1>the last two episodes. Actually, Elvis in this one. That's

1:24:08.280 --> 1:24:12.960
<v Speaker 1>just an interesting portal into how weird history was and

1:24:13.000 --> 1:24:15.599
<v Speaker 1>just how different the world used to be. Has to

1:24:15.640 --> 1:24:20.840
<v Speaker 1>do with names and identity. I mentioned that her mom's

1:24:20.880 --> 1:24:24.320
<v Speaker 1>husband was presumed dead because someone who just happened to

1:24:24.320 --> 1:24:27.680
<v Speaker 1>have his same name and like fit his general description

1:24:28.120 --> 1:24:31.759
<v Speaker 1>died in a motorcycle accident in Ohio, like states away.

1:24:32.360 --> 1:24:35.840
<v Speaker 1>And obviously we talked about her famous name change. That

1:24:36.000 --> 1:24:38.439
<v Speaker 1>was just one of her name changes. She was born

1:24:38.560 --> 1:24:42.160
<v Speaker 1>as Norma Jean Mortenson. By the time she was baptized,

1:24:43.000 --> 1:24:47.640
<v Speaker 1>her mom was going with Norma Jean Baker, and that

1:24:47.760 --> 1:24:51.880
<v Speaker 1>first last named Mortenson, the Spoto biography points out, was

1:24:51.920 --> 1:24:57.960
<v Speaker 1>spelled differently at different times by her and her grandparents,

1:24:58.040 --> 1:25:01.719
<v Speaker 1>just like depending on how they were feeling that day,

1:25:01.960 --> 1:25:05.679
<v Speaker 1>I guess. And going back to the Elvis episode, apparently

1:25:05.760 --> 1:25:10.120
<v Speaker 1>a big part of the Elvis wasn't really dead faked

1:25:10.120 --> 1:25:14.680
<v Speaker 1>his own death conspiracy was that his name was misspelled

1:25:14.840 --> 1:25:19.600
<v Speaker 1>on his tombstone. His middle name was spelled Aaron a

1:25:19.920 --> 1:25:24.360
<v Speaker 1>Ron in life, and then Aron to quote the key

1:25:24.400 --> 1:25:27.920
<v Speaker 1>and peel sketch on his tombstone or vice versa. Who

1:25:27.920 --> 1:25:30.559
<v Speaker 1>gives a shit? But like you know, according to Elvis

1:25:30.600 --> 1:25:35.160
<v Speaker 1>conspiracy theorists, that was done as a clue. You know,

1:25:35.640 --> 1:25:39.280
<v Speaker 1>all right, we faked my death chosen the most embarrassing

1:25:39.320 --> 1:25:41.559
<v Speaker 1>death possible, by the way, having me die on the

1:25:41.600 --> 1:25:45.760
<v Speaker 1>toilet for some reason, we've swapped my body with a

1:25:45.800 --> 1:25:50.880
<v Speaker 1>look alike who we presumably had to murder, then paid

1:25:50.880 --> 1:25:54.240
<v Speaker 1>off the doctors to make sure nobody will ever know.

1:25:55.600 --> 1:25:59.639
<v Speaker 1>Just one thing left to do, that's right. The clues

1:26:00.240 --> 1:26:02.720
<v Speaker 1>to steal a bit from the stand up comedian Nick

1:26:02.800 --> 1:26:06.840
<v Speaker 1>Mullen talking about nine to eleven conspiracies worth going to

1:26:06.920 --> 1:26:09.920
<v Speaker 1>check out that YouTube clip. But yeah, it turns out

1:26:10.040 --> 1:26:14.920
<v Speaker 1>that wasn't a intentionally planted clue by Elvis. There's even

1:26:14.960 --> 1:26:17.160
<v Speaker 1>a song I think called like the Name on the

1:26:17.200 --> 1:26:20.960
<v Speaker 1>Stone that was supposedly a song by Elvis being like

1:26:21.000 --> 1:26:23.720
<v Speaker 1>and that's that's why I put the name misspelled on

1:26:23.840 --> 1:26:28.240
<v Speaker 1>the stone, was because I wanted you guys to pick

1:26:28.320 --> 1:26:30.760
<v Speaker 1>up on the fact that I faked my death and

1:26:30.920 --> 1:26:33.960
<v Speaker 1>did all that stuff. But yeah, it turns out Elvis,

1:26:34.080 --> 1:26:37.599
<v Speaker 1>like Marilyn Monroe and her ancestors, just spelled his name

1:26:37.640 --> 1:26:42.240
<v Speaker 1>differently at different times. There's examples of him and his

1:26:42.280 --> 1:26:45.439
<v Speaker 1>handwriting spelling it with two a's and with one a.

1:26:46.600 --> 1:26:52.559
<v Speaker 1>And there's just all sorts of interesting historical stories that

1:26:52.640 --> 1:26:57.000
<v Speaker 1>hopefully we keep intersecting with in these Icon episodes. About

1:26:57.000 --> 1:27:02.439
<v Speaker 1>people just not having a sing name and using that

1:27:02.600 --> 1:27:04.799
<v Speaker 1>to their advantage, showing up in a town and claiming

1:27:04.840 --> 1:27:07.719
<v Speaker 1>to be someone famous, you know, a princess who died,

1:27:08.560 --> 1:27:12.240
<v Speaker 1>or people just leaving town and starting over with a

1:27:12.280 --> 1:27:15.479
<v Speaker 1>new name. It's just a different world now. Everything's so

1:27:15.600 --> 1:27:19.960
<v Speaker 1>particular and standardized. My name has an apostrophe in it,

1:27:20.520 --> 1:27:24.040
<v Speaker 1>and it ruins my ability to like register for anything

1:27:24.160 --> 1:27:28.240
<v Speaker 1>or be found in any database, because you know, the

1:27:28.800 --> 1:27:32.559
<v Speaker 1>operating systems can't deal with apostrophes sometimes, and so I

1:27:32.640 --> 1:27:35.640
<v Speaker 1>leave it out, and then that just becomes a completely

1:27:35.680 --> 1:27:38.479
<v Speaker 1>different name when the apostrophe is not there. And I

1:27:39.080 --> 1:27:42.280
<v Speaker 1>think they had it better. You know, who cares about

1:27:42.320 --> 1:27:45.320
<v Speaker 1>a little mistaken identity here and there? You get to

1:27:45.840 --> 1:27:49.439
<v Speaker 1>just live free. You get people coming back from the dead.

1:27:49.760 --> 1:27:52.880
<v Speaker 1>What's better than that? Another thing. I didn't want to

1:27:52.880 --> 1:27:55.680
<v Speaker 1>spend too much time focusing on the relationships and all

1:27:55.680 --> 1:27:59.200
<v Speaker 1>the famous people that Marilyn Monroe slept with, because I

1:27:59.200 --> 1:28:01.960
<v Speaker 1>feel like that was the stuff I knew coming in,

1:28:02.320 --> 1:28:05.639
<v Speaker 1>and I feel like most people know about I don't

1:28:05.720 --> 1:28:09.280
<v Speaker 1>feel like most people realize what a genius she was.

1:28:09.360 --> 1:28:12.920
<v Speaker 1>But she did have a lot of ill fated relationships,

1:28:13.280 --> 1:28:16.720
<v Speaker 1>not just with her husbands, but depending on the biographer,

1:28:17.080 --> 1:28:19.960
<v Speaker 1>she also had a lot of sex. Some suggest she

1:28:20.000 --> 1:28:22.360
<v Speaker 1>worked as a sex worker for a stretch of her

1:28:22.400 --> 1:28:27.160
<v Speaker 1>early career, and a lot of biographers and podcasters tend

1:28:27.160 --> 1:28:33.680
<v Speaker 1>to like psychoanalyze her and say that her solicitous relationship

1:28:34.000 --> 1:28:39.400
<v Speaker 1>with men was caused by psychiatric pathologies and early abuse,

1:28:39.439 --> 1:28:43.240
<v Speaker 1>and she was abused early in her life. But I

1:28:43.240 --> 1:28:46.560
<v Speaker 1>will just say that a lot of how she interacted

1:28:46.560 --> 1:28:51.120
<v Speaker 1>with men seemed to be having sex with the ones

1:28:51.240 --> 1:28:55.920
<v Speaker 1>she was interested in, or for forwarding her career, or

1:28:56.160 --> 1:28:59.400
<v Speaker 1>early in her career for self preservation, And I just

1:28:59.439 --> 1:29:01.640
<v Speaker 1>feel like it's the sort of thing that if it

1:29:01.720 --> 1:29:04.639
<v Speaker 1>was a man building his career by having sex with

1:29:04.920 --> 1:29:07.800
<v Speaker 1>the most beautiful and impressive women in the world, we'd

1:29:07.880 --> 1:29:12.280
<v Speaker 1>just be like that guy was cool. And the fact

1:29:12.320 --> 1:29:15.040
<v Speaker 1>that people felt the need for her behavior to come

1:29:15.080 --> 1:29:18.800
<v Speaker 1>from some deep trauma might be more specific to the

1:29:18.880 --> 1:29:23.880
<v Speaker 1>era than like something wrong with her. But anyways, we

1:29:23.960 --> 1:29:27.439
<v Speaker 1>talked about how the conspiracies about rfk's involvement and her

1:29:27.520 --> 1:29:30.360
<v Speaker 1>death came from a propaganda pamphlet from a right wing

1:29:30.479 --> 1:29:34.120
<v Speaker 1>ideologue who hated the Kennedys. I always just find it

1:29:34.200 --> 1:29:38.880
<v Speaker 1>interesting to note how so many of the conspiracies we

1:29:39.000 --> 1:29:45.000
<v Speaker 1>have today started as purposefully planted propaganda, like the KGB

1:29:45.280 --> 1:29:49.200
<v Speaker 1>helped create the moon landing conspiracy, helped gas some of

1:29:49.240 --> 1:29:54.519
<v Speaker 1>the early JFK conspiracy theories. Here we have the other

1:29:54.720 --> 1:30:00.400
<v Speaker 1>engine of misinformation in the twentieth century and really speeding

1:30:00.479 --> 1:30:02.479
<v Speaker 1>up in the twenty first century, which is the fascist

1:30:02.560 --> 1:30:06.280
<v Speaker 1>right wing in America who would spread rumors and they

1:30:06.320 --> 1:30:11.640
<v Speaker 1>also would actively sabotage and murder people or make them

1:30:11.680 --> 1:30:14.960
<v Speaker 1>think they were crazy in this case, which just a

1:30:15.000 --> 1:30:17.920
<v Speaker 1>recurring theme in our icons. Yet another one of our

1:30:18.120 --> 1:30:23.000
<v Speaker 1>icons who died with a very thick FBI file on her.

1:30:24.000 --> 1:30:27.960
<v Speaker 1>Russian state media also used her as propaganda inside the

1:30:28.040 --> 1:30:31.160
<v Speaker 1>USSR at the time of her divorce from Arthur Miller,

1:30:31.320 --> 1:30:37.520
<v Speaker 1>saying that the most American things are apple pie, gum, baseball,

1:30:37.560 --> 1:30:42.320
<v Speaker 1>and Marilyn Monroe. Well, she just discarded Arthur Miller after

1:30:42.439 --> 1:30:45.000
<v Speaker 1>he wrote her a few movies, because I think he

1:30:45.120 --> 1:30:47.960
<v Speaker 1>was a bit of a hero inside Russia for not

1:30:48.080 --> 1:30:51.400
<v Speaker 1>being completely hostile to the idea of socialism and being

1:30:51.439 --> 1:30:53.760
<v Speaker 1>targeted by the Red Scare. I would just say that

1:30:54.000 --> 1:30:57.280
<v Speaker 1>he might have gotten something out of the deal. Being

1:30:57.360 --> 1:30:59.880
<v Speaker 1>married to the most beautiful and most famous person on earth.

1:31:00.080 --> 1:31:03.520
<v Speaker 1>And just as for the husbands, we talked about Demaggio,

1:31:04.280 --> 1:31:07.360
<v Speaker 1>who was just kind of boring. We just watched TV

1:31:08.280 --> 1:31:11.400
<v Speaker 1>fish she was just like, God, damn, this is boring.

1:31:12.160 --> 1:31:15.200
<v Speaker 1>Arthur Miller much cooler, smarter, more impressive figure to me,

1:31:15.960 --> 1:31:19.840
<v Speaker 1>but he also pulled some of the same bullshit as Demaggio.

1:31:20.439 --> 1:31:23.040
<v Speaker 1>He announced they were going to get married before he

1:31:23.120 --> 1:31:27.240
<v Speaker 1>confirmed that with her publicly, and at one point he

1:31:27.280 --> 1:31:30.679
<v Speaker 1>told the press that she would start making fewer movies,

1:31:30.840 --> 1:31:33.800
<v Speaker 1>stating she will be my wife. That's a full time job.

1:31:34.439 --> 1:31:38.040
<v Speaker 1>Imagine marrying the most famous person on the planet and

1:31:38.080 --> 1:31:41.479
<v Speaker 1>thinking that's how it was going to be. Presumably she

1:31:41.680 --> 1:31:45.280
<v Speaker 1>was effective at making it look like an accident to everyone,

1:31:45.439 --> 1:31:48.680
<v Speaker 1>and so I guess they were surprised when it required

1:31:48.920 --> 1:31:51.639
<v Speaker 1>a tremendous amount of work and that she was not

1:31:51.720 --> 1:31:55.599
<v Speaker 1>just willing to give that all up to be missus.

1:31:55.720 --> 1:31:59.479
<v Speaker 1>Arthur Miller, all right, that is going to do it

1:31:59.760 --> 1:32:04.160
<v Speaker 1>for or Marilyn Monroe probably my favorite one to research

1:32:04.240 --> 1:32:08.320
<v Speaker 1>thus far. Our next icon goes a completely different direction,

1:32:08.720 --> 1:32:12.679
<v Speaker 1>particularly with marriage. Mary's one guy who's basically a nobody,

1:32:12.960 --> 1:32:16.840
<v Speaker 1>and then he's her writer die from day one. One

1:32:16.880 --> 1:32:20.080
<v Speaker 1>week from today, we'll be dropping our episode about the

1:32:20.479 --> 1:32:25.080
<v Speaker 1>icon Dolly Parton with guest Lydia Popovich, and you can

1:32:25.240 --> 1:32:29.919
<v Speaker 1>check back then and many more TDZ episodes in between.

1:32:30.640 --> 1:32:34.720
<v Speaker 1>All Right, we'll talk to you all then Bite