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Speaker 1: Look mad oh, I see you? Why Bowen look over there?

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Speaker 1: How is that nu? Yes? Goodness? Let do. And I

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Speaker 1: just finished writing a speech about Bowen Yang. Oh my god.

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Speaker 1: I just started writing a speech about myself, which is

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Speaker 1: truly the worst, worst worst. It has to be horrifying.

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Speaker 1: It's truly bad. And every I'm second guessing myself every sentence,

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Speaker 1: I'm like I would no one would ever say this.

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Speaker 1: So Bowen is getting the an award from the Human

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Speaker 1: Rights Campaign and thank you very much. They campaign for

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Speaker 1: human rights among many other things. And they're lgbtwo Q

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Speaker 1: we should say that. And they asked me, could I

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Speaker 1: present Bowen with the HRC's Visibility Awards, And so I

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Speaker 1: just typed up a little speech for you and cried.

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Speaker 1: I cried on the way there. Did you cry writing

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Speaker 1: about yourself? No, it's it's so bad, it's you're probably

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Speaker 1: gonna Everyone in this room is going to do it

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Speaker 1: at some point in their lives, and everyone's going to

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Speaker 1: get the it's actually a real culture number seventeen. Everyone

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Speaker 1: at some point is going to visibility award and it's

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Speaker 1: really I you're very visible. I just hate writing about myself.

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Speaker 1: I'm not gonna talking about myself. I really don't think

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Speaker 1: I'm good to talking about myself. So is it a

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Speaker 1: thank you speech? Have they given you a directive? No,

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Speaker 1: there's no directive, but I've I've watched basically everyone else

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Speaker 1: who's gotten like they put them up on YouTube, great

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Speaker 1: speeches all around from wonderful people in the past. Um

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Speaker 1: and I just want to do a good job. Yeah,

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Speaker 1: it's a lot of pressure. I think it's just I

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Speaker 1: want to make it fun. Not fun. I just want

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Speaker 1: to make it like have a nice little pettina of

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Speaker 1: like you know, you want to you wanted to impast

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Speaker 1: harm to it, but I think it's not even impact.

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Speaker 1: I just wanted to be like, I just want to

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Speaker 1: try to say something kind of kind of new. But

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Speaker 1: there's nothing new under the sun. It's not even a

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Speaker 1: fun speech where you might not you know, you don't

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Speaker 1: know if you're gonna win. So you can write it

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Speaker 1: a little thing up to time about me like, oh

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Speaker 1: my god, the humility, you know what I mean? Like,

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Speaker 1: do you okay? So when you were a young child

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Speaker 1: and gay, did you ever think what would you would

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Speaker 1: say if you want a major award? I have a

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Speaker 1: line that I have prepared. I don't know. I can't

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Speaker 1: do I would. I would like fantasize about it, but

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Speaker 1: I would never It would never get to the point

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Speaker 1: where I would like phony and like say stuff, Okay,

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Speaker 1: well I'm bravely going to say that I had a

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Speaker 1: whole first line prepared and this is what it is. Well,

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Speaker 1: whoever counted this is getting fired? So that's me. And

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Speaker 1: now guess why I can't use that. So now I'm

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Speaker 1: gonna have to go up. Now, whoever, whoever countered this

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Speaker 1: is getting fired? Well, let's just all this proves is

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Speaker 1: that someone can't count not good. I mean, it depends

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Speaker 1: on the delivery. It's one of those things, you know

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Speaker 1: what I'm always nervous about when I watched those awards,

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Speaker 1: like when someone wins and they say, and the people

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Speaker 1: in my category Renee Charlie's Lupete that they'll forget someone

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Speaker 1: and it will be the worst moment of my life

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Speaker 1: watching watching Oh you would not do that, but but

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Speaker 1: you know who did do it. Kate Winslett forgot Miss

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Speaker 1: Angeliana Jolie when she won her Oscar. She was like,

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Speaker 1: who else? Who else? Oh Angelina? And she's screaming, I

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Speaker 1: don't know about Kate Award shows. I really don't. Well,

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Speaker 1: we're about to get into We're about to get into it.

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Speaker 1: Kated Awards shows. Datha, Datha, remember when she won her

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Speaker 1: Golden Globe, wasn't she kept telling herself, Gatha gather, Yeah,

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Speaker 1: it's there. They're there for some for some reason, like

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Speaker 1: does not sit the Kate's Awards show girl sort of

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Speaker 1: behavior is as if not more, it's it's more despicable

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Speaker 1: than Anne, I gotta say. And Anne also, and you

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Speaker 1: know we're Doug. We're going there, engineer stop and this

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Speaker 1: might get me in trouble, but I always forget you

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Speaker 1: could get in trouble. Now, will you all say? For

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Speaker 1: saying things like Kate Winslet is despicable at award shows,

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Speaker 1: it's a dangerous path you walk. Now of the the days

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Speaker 1: she's being an HRC visible, she's an undeniable talent. Oh,

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Speaker 1: we all have to do better at award shows. But

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Speaker 1: we all have to do better at award shows. We

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Speaker 1: all have to do better. Who crushes award shows? Though

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Speaker 1: I don't think anybody does. Na Taga, not Gaga, not truly.

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Speaker 1: There's no one person in Hollywood right now who is

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Speaker 1: crushing it at award shows like I mean that John

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Speaker 1: Patrick Shanley film moon Struck, to be kidding, they know

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Speaker 1: who directed Moonstruck. They start the music right there, like

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Speaker 1: Jesus Christ. You know, get her out of here. I'm

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Speaker 1: gonna say something, you know, it's kind of annoying, truly.

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Speaker 1: The only person who was like such a fun character

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Speaker 1: to watch this season was Pungentho. That was and and

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Speaker 1: Sharon Choi, the interpreter, And there was rumors like her

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Speaker 1: on the show, rumors that she is writing a script

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Speaker 1: about awards, about the experience, but she denied it vehemently

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Speaker 1: in the last week. She's like, I'm not working on

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Speaker 1: a script, and working on something that's very clear. It

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Speaker 1: is to home. It takes place in Korea, and it's

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Speaker 1: not a script. Well she's she's she's working on the script.

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Speaker 1: But at some point in my career, I'm still processing

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Speaker 1: this whole moment in my life and at some point

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Speaker 1: I will know what to do with it creatively, which

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Speaker 1: I can't wait. I call the best of luck to Sharon,

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Speaker 1: best of best of luck to you receiving the award.

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Speaker 1: I hope you give a fine speech. I think you'll

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Speaker 1: be wonderful. I think you're talented. Think I think that

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Speaker 1: you have to a lot of talent. I think you

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Speaker 1: have a lot of talent. And you're gonna make me cry.

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Speaker 1: I didn't say I was worried about my speech. You

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Speaker 1: said you were worried about your speech. Wasn't even very talented? Yes,

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Speaker 1: And I'm just I'm just sort of validating. In addition,

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Speaker 1: speaking of my talent and writing scripts. Oh my god,

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Speaker 1: here's the thing about our guests, my boss, even the

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Speaker 1: boss even and the show runner. Yes, I have to

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Speaker 1: say a show that is going to and this is

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Speaker 1: like I'm going to go bravely say it. Please say

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Speaker 1: it will become a part of the culture. I can't

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Speaker 1: wor it will become part of the culture. You have

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Speaker 1: been telling me little bits and pieces I literally of

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Speaker 1: this of the story, and I'm just like, I can't believe. Yeah,

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Speaker 1: that's the I can't believe anything close to that's gonna be.

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Speaker 1: I told I was telling Bowen earlier, like I spoiled

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Speaker 1: Bowen with gifts, but with information information, And I told

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Speaker 1: him today about something that happens in the show Q

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Speaker 1: Force coming to Netflix June, so we'll have to have

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Speaker 1: him back. Um, But I told him something that happened

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Speaker 1: and he was like, that's crazy. You can't do that,

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Speaker 1: and I said, we can, and we're going to. I

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Speaker 1: I love it. You force everyone. It starts Sean Hayes

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Speaker 1: as the pitch is just a three word pitch Gay

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Speaker 1: James Bond And it's sold in the room, and it's

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Speaker 1: sold in the room with it was a three word

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Speaker 1: tell in the room. It's sold in the room. Oh

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Speaker 1: my god. And you love to see it because you

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Speaker 1: love to see It's that it feels like a fantasy.

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Speaker 1: Feels like a dream to me, it feels like a dream.

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Speaker 1: When you said it feels like that, it feels like that. Okay,

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Speaker 1: And then but like the other credits, we got it.

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Speaker 1: We gotta go go off. Written on every good, very

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Speaker 1: Good Show, Pen fifteen c insie Um, Truly a Parent,

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Speaker 1: Transparent Kroll Show and Iconic sketch Show, Iconic sketch Show,

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Speaker 1: iconic third of Big Terrific, Absolutely, and can you believe

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Speaker 1: part of the trifecta that is Big Terrific was the

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Speaker 1: straight man. Who's the first person to be on this podcasts.

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Speaker 1: We have not yet had the pleasure of having Jenny Slade.

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Speaker 1: Have you met Jenny's I have not met her. I

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Speaker 1: passed her in the hallway and she was wearing an

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Speaker 1: amazing outfit always and I know our guest things highly

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Speaker 1: of her. Of course, Max and Max and UM just

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Speaker 1: gently got to know him last year at Golden Globes.

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Speaker 1: Oh yes, you guys wrote for the Globes together. Very

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Speaker 1: fun and Um and you and I yeah, oh this

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Speaker 1: is good have formatively sort of interacted with his stand

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Speaker 1: up album. He doesn't know that. He doesn't know this,

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Speaker 1: and there's a whole story that we have to tell

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Speaker 1: him about. Well, we will tell him, yes, after we

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Speaker 1: bring him in, because I believe it's time to do.

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Speaker 1: It's time to do so. So Matt, when when don't

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Speaker 1: you do the honors? You gotta absolutely give it up

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Speaker 1: for game man Bottle, I pulled out of water, but

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Speaker 1: I footed my chair two inches forward the show. He

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Speaker 1: sit there for all of that. I made me. No

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Speaker 1: is beautiful. Well, I have to say I'm having I'm

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Speaker 1: having the best time writing on the show. I love

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Speaker 1: working with you. You're an amazing writer. You're so funny,

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Speaker 1: You're a great energy. I love having you around. Your

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Speaker 1: ideas are great. You're really good at writing. TV. Really

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Speaker 1: it makes me feel very very happy. Thank you when

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Speaker 1: you're an amazing actor. Oh gosh, let me tell you.

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Speaker 1: It's a room full of people of writers who perform.

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Speaker 1: That is true. It is very writer performer heavy. You know,

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Speaker 1: who's only one person who doesn't want to perform? That

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Speaker 1: Tim strip coordinator, strip coordinator. He's like, dum put me

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Speaker 1: in the show. Yeah, he's the only one. I asked,

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Speaker 1: I mean I want to cast everyone. Yeah, that's the dream,

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Speaker 1: that's the Cinderella story. Yeah, that is that's that's that's

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Speaker 1: actually what happened in Cinderella. That's what happened. She's a

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Speaker 1: writer in the room. He's right at the bar. She's

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Speaker 1: a writer in a room. She crushes the table, reading

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Speaker 1: exactly exact to see her, and they're like, put a

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Speaker 1: shoe on her. And then they put the shoe on

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Speaker 1: her and they're like, well, you know it doesn't fit.

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Speaker 1: But she has a good voice. Yeah, take her out

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Speaker 1: of the pumpkin. I don't know if she's right. Yeah yeah, yeah.

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Speaker 1: They could make up on her. And she's beautiful Kendrick

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Speaker 1: in her big blue dress. Yeah, huge, Kendrick beautiful. Can

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Speaker 1: I ask would you have given the opportunity cast yourself

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Speaker 1: and I already have. I already had. It was the

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Speaker 1: first thing I did even wrote a script. Come on, yeh,

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Speaker 1: I wrote myself apart that I think could be in

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Speaker 1: every episode. And I'm going to twist arms until that

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Speaker 1: comes true. Yeah. Yeah, actually wow. Now I'm gonna be

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Speaker 1: actively thinking about more places we can put this character in.

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Speaker 1: I feel we need to get. We need to get.

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Speaker 1: I mean even the other day, like you were talking

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Speaker 1: about like what's best for the episode, and we're like,

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Speaker 1: I think we're going to cut this character out, And

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Speaker 1: I thought to myself, I was like, you're talking to

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Speaker 1: yourself out of scale. You could have that. Now. This

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Speaker 1: show owes me six and that's it. But you know

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Speaker 1: you have to look humble everyone awhile, and then you

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Speaker 1: can pull some ship exactly exactly. He's coming back, yeah, no,

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Speaker 1: coming back for a day. He's getting the tag. Yeah

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Speaker 1: at the end of the day. If they don't get it,

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Speaker 1: put him in the right I'm going to sing the

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Speaker 1: theme song. Yeah, oh absolutely. And I was thinking, like

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Speaker 1: gay James Bond, like what do you what say you bow?

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Speaker 1: And let's get your bow and opinion on this. Do

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Speaker 1: we do instrumental like incredible esque music like orchestral or

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Speaker 1: do we get in your opinion, should we try to

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Speaker 1: get a damn Bond diva song? Can't you do? But

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Speaker 1: isn't there a world you do both? I guess we

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Speaker 1: could incorporate strings, I mean absolutely. I mean I think

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Speaker 1: a lot of those Bonds songs start with string. That

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Speaker 1: is true. They it can be both, I guess like

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Speaker 1: they truly it can. But I feel like the queerest

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Speaker 1: Bond song was I was gonna say I, but it is.

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Speaker 1: It's also in the most difference such a dance song,

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Speaker 1: and usually they're painfully slow. Yeah, what do you think

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Speaker 1: of the billy one? Um? Fine with it? It's kind

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Speaker 1: of haven't we? I mean also Adele's too. I'm not

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Speaker 1: going to listen to that. I have to tell you wrong?

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Speaker 1: You do? Am I wrong? I listened to it all

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Speaker 1: the time. I don't think they're wrong. I think I'm

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Speaker 1: probably deeply, deeply wrong. But also the Academy does agree

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Speaker 1: with me. That's right, and they're never Actually it's actually

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Speaker 1: really culture crash Desert number twelve's crash deserved it, And

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Speaker 1: then you have to make a face like this. They're

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Speaker 1: shrugging for those at home, because a visual medium, we

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Speaker 1: should carry that over. Yeah. So I'm having the best

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Speaker 1: time read It's so fun. It's like for me, it's

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Speaker 1: a scary job, but it's so fun. It's the most

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Speaker 1: fun I've ever had at work. Um, I love everyone.

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Speaker 1: It's so nice. The fives are so good. The Jew

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Speaker 1: in me literally only cares if everyone else is getting

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Speaker 1: along with each other? Or is that the Jew that's

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Speaker 1: the middle child. It's just something in me where I

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Speaker 1: get it all. I like I if the scripts sucked,

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Speaker 1: if the show got canceled, I would care less than

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Speaker 1: if everyone who was sitting at the table with me

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Speaker 1: were mad at each other. Oh my god. So just

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Speaker 1: that everyone likes each other is such a huge load off.

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Speaker 1: I mean, you've also been involved in a lot of shows.

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Speaker 1: I've probably dramatic places. Yeah, you've probably seen it all.

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Speaker 1: I have seen quite a lot. Yeah. Yeah, yeah, In fact,

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Speaker 1: we we do. We do have conversations here and there,

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Speaker 1: because guess what, Hollywood, people talk. People talk, So you

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Speaker 1: know what people talk. So when you act a fool,

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Speaker 1: just you know that people talk at Actually, really clare

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Speaker 1: in our thirty three people talk at food. People talk game.

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Speaker 1: Is this a thing where it's like you've accrued all

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Speaker 1: of this, Like, well, when I run a room, I'm

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Speaker 1: gonna do this, Like, is this is all having some

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Speaker 1: rules of workplace love. Let's say I've been really strict

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Speaker 1: about not having late hours. I don't know, if I

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Speaker 1: don't know anything get crept into your life in any way. Yeah, yeah,

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Speaker 1: I've just I've worked on so many shows where you

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Speaker 1: watch the whole day disappear, and if you're not in

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Speaker 1: the position of power, it feels like captivity, it feels

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Speaker 1: like assault, it feels like your life is passing. I've

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Speaker 1: just got fallen into so many depressions. Watching my boss

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Speaker 1: is waste time. So I like, I'm on a pretty

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Speaker 1: strict we're done by six unless it's an emergency. We

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Speaker 1: take a lot of breaks, um, and that's when you

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Speaker 1: can funk around. Right, It's like, you don't I try

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Speaker 1: not to be the person leading any fucking around. I

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Speaker 1: like kind of don't let myself do stuff because I've

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Speaker 1: seen my bosses do stuff. You kind of have to

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Speaker 1: be sort of the cipher in the room in a way. Yeah,

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Speaker 1: you kind of just have to like be okay with

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Speaker 1: anything happening organically in front of you. I don't know,

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Speaker 1: but I'm I'm speaking from a from no experience but

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Speaker 1: this but that like but from being in rooms, I'm

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Speaker 1: just like, Oh, it's a weirdly social job, entirely, entirely socially.

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Speaker 1: We're making eye contact with twelve people at all times.

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Speaker 1: So something I feel like people don't really realize. It's like,

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Speaker 1: while there is a name on a script, everyone writes

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Speaker 1: the scrip, which is something I think when I wasn't

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Speaker 1: actively writing television, I didn't really understand. Like I would

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Speaker 1: always like, like, whatever was nominated for the Comedy Emmys,

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Speaker 1: I was always like, oh, well, Matt Hubbard must be

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Speaker 1: the best writer on the best It's like not necessarily

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Speaker 1: true because everyone's jokes everyone, and he might be the

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Speaker 1: one who emails the Emmys, you know, like hey for

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Speaker 1: your consideration. But yeah, that's something I didn't realize. And

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Speaker 1: so it is so important to have a good atmosphere

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Speaker 1: in like in any working environment, but especially in a

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Speaker 1: creative collaborative environment. That chemistry is important. In a comedy,

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Speaker 1: everyone needs to be proud of the whole season because

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Speaker 1: they did all the all the work, all the work

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Speaker 1: top to bottom too. It's like from the person who

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Speaker 1: comes early to make sure there's bananas in the bowl,

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Speaker 1: they also need to be like this show fucking rules.

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Speaker 1: So it's just that's the culture of the workplace. That's

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Speaker 1: the culture of the workplace. Yeah, and I have been

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Speaker 1: the boss. I'm doing air quotes for those of you.

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Speaker 1: I've been the boss before, but this is the first

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Speaker 1: show that I created, So it was like sort of

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Speaker 1: like I have shepherded other people's things, but this is

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Speaker 1: a different vibe where I do feel like I really

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Speaker 1: need to set the tone at all times. That's a

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Speaker 1: lot though, it's a lot of work. I will say

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Speaker 1: he does it with so much like grace and leadership.

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Speaker 1: I thought we're gonna say with so much marijuana. He

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Speaker 1: doesn't with so much marijuana, which is sometimes to Grayson leadership.

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Speaker 1: It's a job working, working as a as a writer,

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Speaker 1: and TV means picking up on a million different nonverbal cues.

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Speaker 1: That's all I mean, that's not all it is. But

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Speaker 1: it's just like that's such a part of it, and like,

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Speaker 1: I don't know, it's great because I'm picking up on

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Speaker 1: very good vibes from Matt. It sounds like the funnest

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Speaker 1: funnest room in the world. And what I told him

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Speaker 1: was like, it must be fun to write animated and

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Speaker 1: something queer because it's like there's there's you can blue

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Speaker 1: sky anything, or there's there's no we have insane stuff

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Speaker 1: that's like supernatural happening. It's so queer. That is like

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Speaker 1: the most fun part where it's just like you can

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Speaker 1: just be so queer in your story. Is so queer

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Speaker 1: in the dialogue. So they talk like maniac just wrote

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Speaker 1: down on the paper, what is the show? I was like,

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Speaker 1: we definitely, said Doug, we definitely say it's Gay Jay's Bond.

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Speaker 1: But that's not the title. It's called Q four and

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Speaker 1: it's coming out in June on Netflix, Baby Baby, starring

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Speaker 1: Shawn Hayes, and not saying who else is in the

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Speaker 1: cast yet, but suffice it to say that if all

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Speaker 1: things go according to plan, the casting will be news. Yeah,

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Speaker 1: the casting is truly insane. People are taking a bit

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Speaker 1: to sign their deals. But it's looking really insane. It's

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Speaker 1: looking quick. I am incredulous at the casting. Yeah, I

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Speaker 1: think it'll be news anyway. Another reason why it's like

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Speaker 1: such a gag to work with you, and like why

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Speaker 1: it's like we were even you were. You didn't make

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Speaker 1: it because you had to work, but I was so

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Speaker 1: excited you were even doing. I don't think so, honey,

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Speaker 1: when you did, because that's just throwback to our story

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Speaker 1: that we were going to tell you it's gonna make

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Speaker 1: me sweat more. No, no, no, it's it's pretty beautiful.

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Speaker 1: It's so this was what when was this? This was

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Speaker 1: twenty album came out perhaps, so we're doing a car

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Speaker 1: trip with our sketch group pop Roulette to Toronto, Toronto, Toronto.

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Speaker 1: Was it just Toronto Sketch Festival. I was a lot

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Speaker 1: of fun. We did. We did it. We were in

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Speaker 1: and out and then we drive all the way back

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Speaker 1: down from Toronto to throughout state New York, New York

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Speaker 1: because you drive. We were we didn't really have the

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Speaker 1: money at the time. This is like we had no money.

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Speaker 1: We're just like kind of weirdly, like a fifteen hour drift,

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Speaker 1: very like New York is such a weird shape, very long,

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Speaker 1: and so we are were like going in the red

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Speaker 1: always doing these sketch comedy festivals. You remember, like it's

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Speaker 1: like you're just doing it to do it, and like

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Speaker 1: hopefully someone sees it her. It's like a cool festival.

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Speaker 1: So we're coming back. It was a cool festival, and

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Speaker 1: we're in the rental car. It's me you and then

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Speaker 1: was it three other people? For me? You David rael Witzky,

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Speaker 1: maybe that was it? Kind Rachel or Amanda. Amanda was

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Speaker 1: not there because I remember if this happened to Amanda,

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Speaker 1: it would have been a nightmare because love Amanda to death,

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Speaker 1: but she would not have dealt with this situation, which

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Speaker 1: and she and she would since she would admit to that,

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Speaker 1: she would talk to that. But it was Rachel when

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Speaker 1: it's gave meet you, Doug White, David Zone. Yes. So

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Speaker 1: we're all in the car and we are driving along

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Speaker 1: in this rental car and the it's the car just

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Speaker 1: dies in the middle of nowhere upstate New York. So

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Speaker 1: it breaks down and we are like, okay, well we'll

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Speaker 1: call Triple A away. How long did it take? We

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Speaker 1: were rating in that car for about like almost four hours. No, no, no, no,

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Speaker 1: no no no. It was like iver sex. It was

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Speaker 1: a school day in this car, devastated like literally virgin tears,

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Speaker 1: going crazy. There's no one around. We call three hours

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Speaker 1: into waiting. Turns out Triple A had not left. They

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Speaker 1: forgot did not so they didn't dismatch anyone. We're in

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Speaker 1: the middle of nowhere. We're thinking about going to this

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Speaker 1: truly Texas chainsaw massacre looking house and being like, can

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Speaker 1: you feel that it was so bad? Finally, eventually, like

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Speaker 1: at six hours into this, we all like packed into

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Speaker 1: this little car, the different car we were driving home,

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Speaker 1: and I think it was Rachel. Who did you say,

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Speaker 1: Rachel Winnieski introduced you to game? Well, Rachel Wis introduced

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Speaker 1: me to Gable. First of all, Rachel was like, Rachel

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Speaker 1: my way back in the day. We're like, we should

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Speaker 1: go to open mics together, and and Gabe Leman's album

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Speaker 1: had just come out. Hi um, and I was like,

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Speaker 1: oh yeah, like he does that show with Jenny Slate

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Speaker 1: and that and that guy maxel Vestre and then got

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Speaker 1: me any album. I had the album on my Yes,

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Speaker 1: I remember music app So we're devastated, we're sucking cold,

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Speaker 1: we're crying, we're hungry. We had gone crazy and created

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Speaker 1: this like a bid on Instagram, which was not funny

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00:20:02,440 --> 00:20:05,280
Speaker 1: but like but we really thought it was like and um,

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Speaker 1: we were going nuts, and so we put on your

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Speaker 1: album and we laughed, laughed, laughed, laugh, And then for

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Speaker 1: like years afterwards, years after, we were quoting it and

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Speaker 1: I was telling like other like gay stand up that

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Speaker 1: I saw. I was like this, this was good. This

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Speaker 1: is like gay lidman, like I would see anyone that

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Speaker 1: had like a good set. I was like, this is good,

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Speaker 1: this is like do you know gay liedman stand up?

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Speaker 1: And I remember at the time like I had not

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Speaker 1: listened to a stand up album with friends since I

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Speaker 1: was like on the cross country bus in middle school

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Speaker 1: listening like Dame Cook, and I remember saying like, I'm

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Speaker 1: so glad that kids nowadays have a gay Dame Cook.

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Speaker 1: Oh my god, I love it. I'm i am. My

402
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Speaker 1: arms are like, well, there's a harder. There's a hoarder's

403
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Speaker 1: bit on the album again today a couple of hours ago,

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Speaker 1: and we were quoting it. We were like, um, this,

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00:21:06,640 --> 00:21:09,040
Speaker 1: someone comes over on the show Hoarders Do so game

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Speaker 1: has this whole bit about hoarders, and it starts off

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Speaker 1: with him saying I love Hoarders the show, but I

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Speaker 1: hate hoarders the people. Great great like intro for perfect

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Speaker 1: like introductory sentence into the whole body paragraph. But then um,

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Speaker 1: he just goes he just talks about hoarders and he

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Speaker 1: goes like it's a crew of like twelve muscular men

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Speaker 1: from the neighborhood and one like one like leader whatever.

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Speaker 1: This team comes over to their house and they'll be like, Hi,

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Speaker 1: can we help clean up here? Insane and then got sweating. No,

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Speaker 1: I'm so flattered. That's so nice. It's beautiful, it's very good.

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Speaker 1: I'm proud. Yes, my only album. It was so like

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Speaker 1: you know, it was good. Yes, I felt good about it.

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Speaker 1: And here's the thing. Here's the thing that we just

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Speaker 1: have revealed that Gabe was culture that influenced us. And

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Speaker 1: after this ad break, I'm looking into Dug Engineer's eyes. Um,

421
00:22:12,080 --> 00:22:14,600
Speaker 1: we are going to find out what culture made gay

422
00:22:14,640 --> 00:22:17,880
Speaker 1: bled men say I forgot the rest of it cultures

423
00:22:17,920 --> 00:22:21,200
Speaker 1: for me. There you go right after this and we're

424
00:22:21,240 --> 00:22:23,080
Speaker 1: back with gay bled men of the game. We're gonna

425
00:22:23,119 --> 00:22:24,399
Speaker 1: ask you the question that we ask all of our

426
00:22:24,400 --> 00:22:26,560
Speaker 1: guests because is what is the culture that made you

427
00:22:26,600 --> 00:22:29,720
Speaker 1: say culture is for me? The culture that made me

428
00:22:29,880 --> 00:22:35,119
Speaker 1: say culture is for me? The film The Craft? Has

429
00:22:35,160 --> 00:22:38,879
Speaker 1: anyone else done that? So okay, it really changed everything

430
00:22:38,880 --> 00:22:40,800
Speaker 1: for me. Tell tell us about the Craft because I

431
00:22:40,880 --> 00:22:44,000
Speaker 1: know vaguely about the craft. Have you not seen the craft?

432
00:22:44,240 --> 00:22:45,880
Speaker 1: I think you might be talking to two people who

433
00:22:45,880 --> 00:22:48,320
Speaker 1: have not seen the really who culturally know the craft

434
00:22:48,920 --> 00:22:51,679
Speaker 1: understand the significant First of all, that's absolutely fine. I'm

435
00:22:51,720 --> 00:22:54,119
Speaker 1: not one of those people. UM see it in your

436
00:22:54,119 --> 00:22:56,760
Speaker 1: own time, but do see it. It's really good. It's

437
00:22:56,840 --> 00:23:02,120
Speaker 1: about four teenage witches in high school. So it kind

438
00:23:02,160 --> 00:23:06,800
Speaker 1: of starts there's like these three outcasts who um are

439
00:23:06,880 --> 00:23:09,560
Speaker 1: like the you know, kind of everyone's shipping on them

440
00:23:09,560 --> 00:23:12,240
Speaker 1: in their grades. Three girls. It's a Catholic school. Then

441
00:23:12,240 --> 00:23:17,120
Speaker 1: a new girl comes to school and she is like

442
00:23:17,240 --> 00:23:21,119
Speaker 1: the fourth person you need to put together a coven.

443
00:23:22,240 --> 00:23:25,400
Speaker 1: You need four for the cardinal direction of course. So

444
00:23:25,680 --> 00:23:28,760
Speaker 1: um yeah, and they know this because she can make

445
00:23:28,800 --> 00:23:33,520
Speaker 1: a pencil stand on its tip during class with totally

446
00:23:34,240 --> 00:23:36,359
Speaker 1: and they're like did you see that? And then they

447
00:23:36,440 --> 00:23:39,200
Speaker 1: kind of become friends with her, and their powers grow.

448
00:23:39,720 --> 00:23:44,040
Speaker 1: But it corrupts some of them. I would imagine it does.

449
00:23:44,560 --> 00:23:47,320
Speaker 1: And it's just sort of like their rise in high

450
00:23:47,320 --> 00:23:52,439
Speaker 1: school from being like the complete ship outcast, like scarily

451
00:23:52,600 --> 00:23:55,879
Speaker 1: popular and magical, and then they kind of turn on

452
00:23:55,920 --> 00:23:59,560
Speaker 1: each other and you know, does evil prevail or does good.

453
00:23:59,600 --> 00:24:08,520
Speaker 1: I guess I don't know. So famously for we stand,

454
00:24:08,800 --> 00:24:11,920
Speaker 1: we stand. She is the face of the nineties for

455
00:24:12,280 --> 00:24:17,600
Speaker 1: so many people. Also, Nev Campbell, I was gonna nineties

456
00:24:17,600 --> 00:24:21,720
Speaker 1: star power. I applaud absolutely. Then it's also then. The

457
00:24:21,760 --> 00:24:25,040
Speaker 1: third person is Robin Tunney, who has gone on. She

458
00:24:25,240 --> 00:24:31,280
Speaker 1: acted on a big CBS drama. She's still working famously

459
00:24:31,359 --> 00:24:37,520
Speaker 1: now in the Alison Bree Netflix playing like a cop

460
00:24:37,600 --> 00:24:40,720
Speaker 1: on a procedural that she's watching, which is um. And

461
00:24:40,720 --> 00:24:44,879
Speaker 1: the fourth person is Rachel True, who has become an author.

462
00:24:44,960 --> 00:24:47,760
Speaker 1: She writes like witchy books, and I heard that she

463
00:24:47,800 --> 00:24:51,080
Speaker 1: reads tarot cards at this witch store in Silver Lake

464
00:24:51,119 --> 00:24:53,600
Speaker 1: called the House of Intuition that I have not actually

465
00:24:53,760 --> 00:24:55,280
Speaker 1: followed up on that, but I do follow her in

466
00:24:55,400 --> 00:24:59,520
Speaker 1: all social media. Um, what's really a bummer is that

467
00:24:59,560 --> 00:25:03,359
Speaker 1: they have left her name out of the credits on Netflix.

468
00:25:03,640 --> 00:25:05,679
Speaker 1: And I follow her on social media, and she does

469
00:25:05,840 --> 00:25:08,679
Speaker 1: like everyone's not Everyone's a while quite often is like

470
00:25:08,840 --> 00:25:12,280
Speaker 1: hey Netflix, and you please add my name you This

471
00:25:12,359 --> 00:25:15,320
Speaker 1: is crazy, that insane. So she's one of the leads

472
00:25:15,400 --> 00:25:18,399
Speaker 1: to the to the little like little like brow text

473
00:25:18,480 --> 00:25:23,240
Speaker 1: exactly exactly. So sorry Nev Campbell for Rousa Bak, maybe

474
00:25:23,280 --> 00:25:27,800
Speaker 1: Robin Tuney as well, yea, and one of the I

475
00:25:27,840 --> 00:25:35,560
Speaker 1: think Skeet ol Rich is the boy. Yes, I think

476
00:25:35,560 --> 00:25:37,720
Speaker 1: it's him. I'm going to get dragged. Also, like watched

477
00:25:37,720 --> 00:25:39,960
Speaker 1: it like a month ago. I is it one of

478
00:25:39,960 --> 00:25:41,879
Speaker 1: those movies you're you frequently go. I watched it a

479
00:25:41,880 --> 00:25:44,040
Speaker 1: couple of times a year, and it's like it kind

480
00:25:44,040 --> 00:25:48,880
Speaker 1: of defined like fashion for me, very grunge. It's very

481
00:25:49,040 --> 00:25:52,840
Speaker 1: like Kilts eyeliner, which is nothing that I'm wearing right now,

482
00:25:52,880 --> 00:25:55,240
Speaker 1: but it's like what I think is hot. You know

483
00:25:55,240 --> 00:25:59,160
Speaker 1: who I think loves this movie, Pat Into the Craf.

484
00:25:59,280 --> 00:26:01,640
Speaker 1: I can actually feel that from across the country. Yeah, yeah, yeah,

485
00:26:01,640 --> 00:26:03,160
Speaker 1: I know he actually loves the craft. And I also

486
00:26:03,200 --> 00:26:05,840
Speaker 1: think he follows nev Kemberl and would follow her the

487
00:26:05,840 --> 00:26:09,560
Speaker 1: rest of her. She's the best. She's literally such a

488
00:26:09,640 --> 00:26:13,320
Speaker 1: good actress. Yeah. The latest Scream is amazing, really good.

489
00:26:13,440 --> 00:26:16,040
Speaker 1: Scream four, you've seen it, I haven't seen it's actually

490
00:26:16,080 --> 00:26:20,000
Speaker 1: any Scream movie. I gotta watch the first one. I

491
00:26:20,040 --> 00:26:22,679
Speaker 1: gotta watch all of them. I watched them for Courtney

492
00:26:22,720 --> 00:26:26,359
Speaker 1: Cox for Courtney is actually incredible and also not for nothing,

493
00:26:26,359 --> 00:26:29,920
Speaker 1: but one of the best intro scenes to any movie

494
00:26:30,680 --> 00:26:34,000
Speaker 1: Withdrew because they also that's when they could pull off

495
00:26:34,040 --> 00:26:37,639
Speaker 1: that thing of like you see Drew Barrymore on the

496
00:26:37,680 --> 00:26:39,520
Speaker 1: poster and assume she's going to be the star because

497
00:26:39,560 --> 00:26:40,920
Speaker 1: she's one of the most famous people. And then it

498
00:26:40,920 --> 00:26:43,200
Speaker 1: gets killed five minutes in and you're like, what anything

499
00:26:43,200 --> 00:26:45,679
Speaker 1: could happen which you couldn't do? Now, well you couldn't.

500
00:26:45,680 --> 00:26:47,719
Speaker 1: They've done that recently, mom and Mia two did that

501
00:26:47,760 --> 00:26:51,520
Speaker 1: with Meryl. You put Mary on the damn post, right.

502
00:26:54,240 --> 00:26:59,320
Speaker 1: We literally want no, we got really really high. I

503
00:26:59,320 --> 00:27:01,080
Speaker 1: want to go see him, I mean too. And then

504
00:27:01,200 --> 00:27:04,000
Speaker 1: the movie opens and it's like Meryl, she's picture on

505
00:27:04,040 --> 00:27:06,439
Speaker 1: the wall and it's like very clear. Seconds in and

506
00:27:06,520 --> 00:27:09,360
Speaker 1: Bowen turns to me and goes, is Meryl Streep not?

507
00:27:10,800 --> 00:27:13,200
Speaker 1: And I said, she's not in it? And not till

508
00:27:13,240 --> 00:27:15,640
Speaker 1: the end? I don't think then why the funk are

509
00:27:15,680 --> 00:27:17,920
Speaker 1: we here? And I was like, she is going to

510
00:27:18,000 --> 00:27:20,159
Speaker 1: come on in ninety minutes and she's gonna sing a

511
00:27:20,160 --> 00:27:25,320
Speaker 1: song while walking down the stairs wild So that's like

512
00:27:25,320 --> 00:27:27,560
Speaker 1: a reverse because Meryl shows up at the end, but

513
00:27:27,560 --> 00:27:31,520
Speaker 1: that's a reverse scream. I'm telling you, like, I think

514
00:27:31,520 --> 00:27:34,680
Speaker 1: that script should be nominated for an Oscar Scream screams yes,

515
00:27:35,000 --> 00:27:36,640
Speaker 1: because I think it's like one of those things where

516
00:27:36,640 --> 00:27:39,200
Speaker 1: it's like genre wise, you don't take it seriously. It's

517
00:27:39,200 --> 00:27:43,000
Speaker 1: like clueless like girls, it's like girls like mean girls,

518
00:27:43,000 --> 00:27:45,840
Speaker 1: like mean girls, like clueless, like clueless. Yeah, Like I

519
00:27:45,880 --> 00:27:48,359
Speaker 1: mean absolutely, I mean, these are scripts that are packed

520
00:27:48,400 --> 00:27:50,840
Speaker 1: with jokes and like define their genre. And I think

521
00:27:50,880 --> 00:27:53,640
Speaker 1: because you can't. You don't know a genre is being

522
00:27:53,680 --> 00:27:56,960
Speaker 1: defined while it's happening. You know, you might find yourself

523
00:27:57,040 --> 00:27:59,840
Speaker 1: quoting it twenty years later. Literally, I mean, and Clues

524
00:27:59,840 --> 00:28:01,119
Speaker 1: is one that I watched several times a year. But

525
00:28:01,200 --> 00:28:05,240
Speaker 1: Scream that first scene, like from a scripting perspective, from

526
00:28:05,240 --> 00:28:08,360
Speaker 1: a directorial perspective, from an acting perspective, She's so good.

527
00:28:08,560 --> 00:28:10,439
Speaker 1: She's so good. She's one of the best. She's one

528
00:28:10,440 --> 00:28:14,240
Speaker 1: of the best. Did she came up? Yeah? Are you

529
00:28:14,320 --> 00:28:16,879
Speaker 1: a Drew fan? I love Drew. She has her own style.

530
00:28:17,720 --> 00:28:21,560
Speaker 1: Very few actors do. Drew Barrymore is the only celebrity

531
00:28:21,640 --> 00:28:25,040
Speaker 1: with a housewear line that could make me buy from Walmart. Truly,

532
00:28:25,080 --> 00:28:30,000
Speaker 1: she got some cute stuff. She really got cute lamps,

533
00:28:30,359 --> 00:28:35,160
Speaker 1: cute little framed you know, drawings of palm trees, really cute, cute.

534
00:28:35,240 --> 00:28:37,920
Speaker 1: Here's what I'd say. We often play on this podcast

535
00:28:37,960 --> 00:28:42,280
Speaker 1: star actress. I'm gonna say both. I'm gonna say both

536
00:28:43,120 --> 00:28:47,000
Speaker 1: because she often elevates materials and this is the thing,

537
00:28:47,040 --> 00:28:48,680
Speaker 1: this is like the j Loo of it all. It's like,

538
00:28:48,680 --> 00:28:51,080
Speaker 1: you can't you can't be mad at j Loo because

539
00:28:51,080 --> 00:28:53,200
Speaker 1: some of the ship she's been in, like Drew Barrymore

540
00:28:53,200 --> 00:28:55,600
Speaker 1: has been in some garbage. But she always elevates about

541
00:28:56,400 --> 00:29:02,200
Speaker 1: movie star totally, absolutely, and sometimes she produces it. Sometimes

542
00:29:02,240 --> 00:29:06,640
Speaker 1: she produces Charlie's Flower films. Done Darko, Donnie Darko, you

543
00:29:06,720 --> 00:29:10,440
Speaker 1: forget to play the teacher famous. Now, okay, let's do

544
00:29:10,480 --> 00:29:11,720
Speaker 1: this with the rest of Let's do this with the

545
00:29:11,720 --> 00:29:15,640
Speaker 1: cast of of the craft. Nev is what I would say,

546
00:29:15,720 --> 00:29:19,440
Speaker 1: Nev is, this is an interesting if she, if she

547
00:29:19,520 --> 00:29:22,120
Speaker 1: had her druthers, she would be both. I think she

548
00:29:22,240 --> 00:29:24,880
Speaker 1: should be both. I think that she is. Wow, it's

549
00:29:24,880 --> 00:29:27,680
Speaker 1: so undeniably an actress. I guess I guess I'm gonna

550
00:29:27,720 --> 00:29:30,320
Speaker 1: say actress. But I do think she has stardom to

551
00:29:30,360 --> 00:29:32,480
Speaker 1: her and and we we should say that stardom is

552
00:29:33,160 --> 00:29:39,120
Speaker 1: purely defined by level of fame, right, Okay, she just no, no,

553
00:29:39,120 --> 00:29:45,800
Speaker 1: no, no no actress. Yeah, hard actress, ability to act high level.

554
00:29:46,080 --> 00:29:47,920
Speaker 1: But for me, stardom is like you see them on

555
00:29:48,000 --> 00:29:50,200
Speaker 1: screen and you're like, I mean, yeah, and you do

556
00:29:50,200 --> 00:29:52,560
Speaker 1: do that with her. But something she also has the

557
00:29:52,600 --> 00:29:55,960
Speaker 1: acting great very good on House of Cards and Madmen.

558
00:29:56,600 --> 00:29:59,720
Speaker 1: So she doesn't yes, and yes she doesn't. She doesn't

559
00:30:00,200 --> 00:30:02,840
Speaker 1: uh coexist. She doesn't hold both at the same time

560
00:30:02,880 --> 00:30:05,920
Speaker 1: that much. But she can flip between the two. Rum

561
00:30:07,440 --> 00:30:11,680
Speaker 1: I'm gonna go ahead and say start. And it's shocking

562
00:30:11,720 --> 00:30:14,520
Speaker 1: that she's not more of a thing. Yeah, I mean,

563
00:30:14,600 --> 00:30:17,040
Speaker 1: and because she's such a thing, you could just stick

564
00:30:17,040 --> 00:30:21,160
Speaker 1: her anywhere. She just would make a part of her own. Yeah.

565
00:30:21,320 --> 00:30:23,880
Speaker 1: But also you know she's okay. I don't know that

566
00:30:23,920 --> 00:30:30,280
Speaker 1: she's okay. Yeah. Honestly, she's like from the Brittany Murphy school. Yeah,

567
00:30:30,320 --> 00:30:32,960
Speaker 1: that kind of edgy girl in the nineties. Who would

568
00:30:33,000 --> 00:30:35,640
Speaker 1: have did I was I talking to you about this.

569
00:30:35,720 --> 00:30:37,200
Speaker 1: I think I brought it up, maybe even to the room.

570
00:30:37,280 --> 00:30:39,200
Speaker 1: You were saying Britney would have won an oscar right now. No,

571
00:30:39,520 --> 00:30:41,040
Speaker 1: I don't think she would have won an oscar. I

572
00:30:41,040 --> 00:30:44,640
Speaker 1: think Brittany Murphy would have popped off in the age

573
00:30:44,640 --> 00:30:47,760
Speaker 1: of prestige television. Yeah, you did say that in your

574
00:30:47,840 --> 00:30:50,120
Speaker 1: right I think that she is the kind of actress

575
00:30:50,120 --> 00:30:52,640
Speaker 1: who you can see Britney Murphy on like The Hendmaid's Tail,

576
00:30:52,920 --> 00:30:55,120
Speaker 1: you can see Brittany Murphy and like any of these

577
00:30:55,200 --> 00:30:57,960
Speaker 1: like cable dramas, like you can see her on like

578
00:30:58,160 --> 00:31:01,040
Speaker 1: you know, doing that Rolese Burn role on. Damn she's

579
00:31:01,080 --> 00:31:08,080
Speaker 1: my Mazel. Yeah, yesshtag my mazel. We love Rachel. We

580
00:31:08,120 --> 00:31:11,960
Speaker 1: love Rachel. Is Britney was Brittany Jewish? She's New Yorky?

581
00:31:12,040 --> 00:31:15,600
Speaker 1: I don't know, okay, Rael, Yeah, there you go, not Jewish?

582
00:31:15,960 --> 00:31:19,280
Speaker 1: Um okay? And then Robin and Rachel do we say

583
00:31:19,480 --> 00:31:21,560
Speaker 1: you gotta say you'd have to I'd have to be

584
00:31:21,640 --> 00:31:24,160
Speaker 1: able to know face looks like when someone says your

585
00:31:24,200 --> 00:31:26,240
Speaker 1: name for you to be a star. These are actresses

586
00:31:26,440 --> 00:31:30,040
Speaker 1: and now um an author and authors and terror readers

587
00:31:30,080 --> 00:31:32,760
Speaker 1: and yeah, and you know what, it's better to be

588
00:31:32,800 --> 00:31:34,560
Speaker 1: an author than a star and actress. And that's a

589
00:31:34,640 --> 00:31:37,400
Speaker 1: ruler culture one percent of the time, it's better to

590
00:31:37,440 --> 00:31:38,960
Speaker 1: be an author than a star or no. And which

591
00:31:39,000 --> 00:31:43,200
Speaker 1: rule culture is that? Again? Whastrul which roller coaster is that?

592
00:31:43,760 --> 00:31:45,840
Speaker 1: Rules of rule of culture sounds a lot like roller coaster.

593
00:31:45,960 --> 00:31:47,960
Speaker 1: It doesn't really, and that's a rule of culture. So

594
00:31:48,080 --> 00:31:51,880
Speaker 1: ruler culture number seventy two is rule culture sounder coature,

595
00:31:51,960 --> 00:31:56,960
Speaker 1: and rule culture number is it's better to be an

596
00:31:56,960 --> 00:32:00,120
Speaker 1: author than a star or actress. Okay, And we have

597
00:32:01,000 --> 00:32:02,760
Speaker 1: even though even though neither of us have seen the craft,

598
00:32:02,800 --> 00:32:05,040
Speaker 1: we have to thank the craft and Cete our sources.

599
00:32:05,440 --> 00:32:12,280
Speaker 1: The phenomenal music video to the little mixed song La Magic. No,

600
00:32:12,760 --> 00:32:15,680
Speaker 1: this is gonna be afterwars. We're gonna show you the culture.

601
00:32:15,720 --> 00:32:18,920
Speaker 1: And that's actually, um, readers, that's actually homework for you guys,

602
00:32:18,960 --> 00:32:23,280
Speaker 1: to please, please guys, do your homework and watch the

603
00:32:23,320 --> 00:32:27,280
Speaker 1: little music video for black Magic. It's phenomenal. Okay, speaking

604
00:32:27,320 --> 00:32:31,040
Speaker 1: of the supernatural, and Taro Matt wants to bring this up,

605
00:32:31,040 --> 00:32:33,320
Speaker 1: and I'm so curious as well. So you actually and

606
00:32:33,400 --> 00:32:36,000
Speaker 1: this is something I liked even about you even more

607
00:32:36,120 --> 00:32:37,720
Speaker 1: as I got to know you like you are a

608
00:32:37,760 --> 00:32:40,280
Speaker 1: little cookie like me, and you like to do tarot

609
00:32:40,320 --> 00:32:44,720
Speaker 1: readings and so oh god, my ex boyfriend Henry would

610
00:32:44,800 --> 00:32:52,560
Speaker 1: roll over, I almost, but at least that I put

611
00:32:52,640 --> 00:32:55,760
Speaker 1: him through so much, I should pay for his grave. Um.

612
00:32:55,800 --> 00:32:58,160
Speaker 1: But if he knew that I was into saro. So

613
00:32:58,400 --> 00:33:00,920
Speaker 1: we did a little Taro reading in the room and

614
00:33:00,960 --> 00:33:03,400
Speaker 1: then I was like, I wonder how far this goes?

615
00:33:03,720 --> 00:33:06,680
Speaker 1: And then you said something which really set me on

616
00:33:06,680 --> 00:33:08,880
Speaker 1: a path. Try to do this with my boyfriend? Would

617
00:33:08,880 --> 00:33:12,240
Speaker 1: you do with your husband? Which is you hired a

618
00:33:12,320 --> 00:33:15,880
Speaker 1: dog psychic? Yes? Well I did this despite my husband. Okay,

619
00:33:15,920 --> 00:33:20,400
Speaker 1: he really um, I mean, look, it's like he can't

620
00:33:20,400 --> 00:33:23,320
Speaker 1: like physically stop me. But he was not like, he

621
00:33:23,440 --> 00:33:25,360
Speaker 1: was not like you gotta do this, babe. He was like,

622
00:33:25,400 --> 00:33:28,640
Speaker 1: this is so dumb. Make sure it's not that expensive.

623
00:33:29,320 --> 00:33:31,280
Speaker 1: And then when I told him all the information, he

624
00:33:31,360 --> 00:33:35,000
Speaker 1: was like, yeah, um, he was not impressed. I mean

625
00:33:35,080 --> 00:33:37,560
Speaker 1: by some of some of the things were impressive. So

626
00:33:37,640 --> 00:33:40,400
Speaker 1: tell us, say, tell us why you wanted the psychic,

627
00:33:40,560 --> 00:33:42,600
Speaker 1: what your questions were, and what the answers were, if

628
00:33:42,600 --> 00:33:46,320
Speaker 1: you don't mind. Process was telling me about the process,

629
00:33:46,360 --> 00:33:51,040
Speaker 1: about how the process. Okay, So I found this dog

630
00:33:51,080 --> 00:33:54,360
Speaker 1: psychic through a coworker's mom who talks to her. I

631
00:33:54,400 --> 00:33:59,600
Speaker 1: think extremely regularly. I consider this probably a one time deal.

632
00:33:59,680 --> 00:34:01,160
Speaker 1: Maybe all follow up in a couple of years or

633
00:34:01,160 --> 00:34:04,360
Speaker 1: something insane happens. There's more of a curiosity. So I

634
00:34:04,400 --> 00:34:07,480
Speaker 1: have a puppy. She's one hatter since she was eight

635
00:34:07,480 --> 00:34:09,880
Speaker 1: weeks or whenever you get a puppy. Um, she's a

636
00:34:09,920 --> 00:34:13,800
Speaker 1: rescue UM. And but he put his hands up like,

637
00:34:14,000 --> 00:34:21,319
Speaker 1: don't shoot, don't shoot. She's a rescue lydia. She's stunning Instagram.

638
00:34:21,400 --> 00:34:24,839
Speaker 1: One of the most beautiful woman in the world, straight

639
00:34:24,920 --> 00:34:27,719
Speaker 1: up hot. I'll say it about my own um. And

640
00:34:27,960 --> 00:34:33,719
Speaker 1: so like she puppies go through phases, like they have personalities,

641
00:34:33,760 --> 00:34:36,319
Speaker 1: and she was like very like open to everything. As

642
00:34:36,800 --> 00:34:39,440
Speaker 1: a young puppy. Everything pleased her. She was jumping every

643
00:34:39,760 --> 00:34:42,560
Speaker 1: super super happy. And then as she grew up a

644
00:34:42,560 --> 00:34:44,640
Speaker 1: little bit, she started to like not like when we

645
00:34:44,680 --> 00:34:47,359
Speaker 1: had guests, and you know how every dog will kind

646
00:34:47,360 --> 00:34:49,000
Speaker 1: of like bark at you for like a couple of

647
00:34:49,000 --> 00:34:50,719
Speaker 1: minutes when you walk in the house and then they chill.

648
00:34:51,440 --> 00:34:54,160
Speaker 1: Like she did not get to that next place where

649
00:34:54,160 --> 00:34:57,080
Speaker 1: she chilled. It was like a constant emergency for like

650
00:34:57,120 --> 00:35:00,480
Speaker 1: two hours during dinner and it's like embarrassing and it's

651
00:35:00,520 --> 00:35:07,840
Speaker 1: like annoying. Um. And we got a trainer, UM, but honestly,

652
00:35:07,880 --> 00:35:10,640
Speaker 1: training a doctas out of practice and like I'm like

653
00:35:10,840 --> 00:35:15,319
Speaker 1: pretty inconsistent about ship, and um, I was like, maybe

654
00:35:15,320 --> 00:35:17,160
Speaker 1: the psychic can just like crack her head open and

655
00:35:17,160 --> 00:35:21,960
Speaker 1: tell her to chill. She kind of did, didn't, but okay,

656
00:35:21,960 --> 00:35:29,280
Speaker 1: So the process is you send a photo. You said, okay, yeah, sorry,

657
00:35:29,280 --> 00:35:34,720
Speaker 1: I'm in California, this woman is in Massachusetts. My dog

658
00:35:34,840 --> 00:35:37,160
Speaker 1: is in another part. Like I'm in my office, my

659
00:35:37,239 --> 00:35:40,640
Speaker 1: dog is at home. We're not anywhere near each other.

660
00:35:41,560 --> 00:35:44,719
Speaker 1: The woman, the psychic is even further away. She's thousands

661
00:35:44,719 --> 00:35:47,200
Speaker 1: of miles away. She just wants to know your dog's

662
00:35:47,280 --> 00:35:50,000
Speaker 1: name and to see a picture too. So I did that,

663
00:35:50,160 --> 00:35:52,719
Speaker 1: and that's all it takes to commune, to commune, and

664
00:35:52,760 --> 00:35:55,040
Speaker 1: then you get on the phone with her, you call

665
00:35:55,120 --> 00:35:57,719
Speaker 1: her landline. That's also she doesn't like email. Like to

666
00:35:57,760 --> 00:35:59,560
Speaker 1: schedule with her, you also have to call her landline,

667
00:35:59,560 --> 00:36:05,160
Speaker 1: which so you know what we're getting into. So um

668
00:36:05,560 --> 00:36:09,799
Speaker 1: she so I was like, Lydia just doesn't chill out

669
00:36:09,800 --> 00:36:13,040
Speaker 1: her own guests. Can you like tell her that, like

670
00:36:13,120 --> 00:36:15,799
Speaker 1: if a guest is in our house for more than

671
00:36:15,840 --> 00:36:18,120
Speaker 1: like two minutes and we're not scared, she needs to

672
00:36:18,600 --> 00:36:22,840
Speaker 1: calm down, calm down. And she was like, okay, um,

673
00:36:23,520 --> 00:36:26,600
Speaker 1: I'm getting in touch with Lydia and Okay, Oh wow,

674
00:36:26,640 --> 00:36:34,200
Speaker 1: she's really funny. And I was like really, and she goes, yeah,

675
00:36:34,239 --> 00:36:36,920
Speaker 1: she's my daughter. She was like, it's so funny. She

676
00:36:37,040 --> 00:36:39,400
Speaker 1: just said, well can you tell him? It's just like

677
00:36:39,520 --> 00:36:41,160
Speaker 1: isn't it so much better when it's just the three

678
00:36:41,200 --> 00:36:46,680
Speaker 1: of us? Whoa? And I was like, I mean, she's

679
00:36:46,719 --> 00:36:49,600
Speaker 1: kind of right, but she's also like it's not up

680
00:36:49,680 --> 00:36:53,000
Speaker 1: to her, like I don't And I had not mentioned

681
00:36:53,000 --> 00:36:55,920
Speaker 1: that I was married or anything. I mean, look, she

682
00:36:56,000 --> 00:36:57,840
Speaker 1: knew my person last name. Maybe she instagram me, I

683
00:36:57,880 --> 00:36:59,600
Speaker 1: don't think. So I had to schedule with her on

684
00:36:59,680 --> 00:37:05,160
Speaker 1: my Yeah. Um so that was pretty crazy. It was

685
00:37:05,200 --> 00:37:06,960
Speaker 1: the one thing that pushed it over the edge where

686
00:37:06,960 --> 00:37:08,920
Speaker 1: I was because I'm trying to get Jared to do

687
00:37:08,960 --> 00:37:10,960
Speaker 1: this yes okay, and what was the real what was

688
00:37:11,000 --> 00:37:15,000
Speaker 1: the thing that she was like, this is insane? Okay.

689
00:37:15,040 --> 00:37:18,239
Speaker 1: So she also like doesn't love being in the car.

690
00:37:18,320 --> 00:37:20,399
Speaker 1: It's like she doesn't get like, she doesn't throw up,

691
00:37:20,480 --> 00:37:22,880
Speaker 1: but she just never chills. She like stands on the

692
00:37:22,880 --> 00:37:25,120
Speaker 1: backseat and just kind of like walks back and forth.

693
00:37:25,160 --> 00:37:29,359
Speaker 1: It's like falls because the car is moving. Um so um,

694
00:37:29,400 --> 00:37:33,600
Speaker 1: I was like she suddenly like hates the car and um.

695
00:37:33,760 --> 00:37:38,440
Speaker 1: She was like, huh, let me ask her about that. Um, okay,

696
00:37:38,440 --> 00:37:40,680
Speaker 1: this is interesting. Did you ever have to take her

697
00:37:40,719 --> 00:37:45,839
Speaker 1: to the vet for an allergic reaction? And I was like, actually, yeah,

698
00:37:46,360 --> 00:37:48,560
Speaker 1: I did. Like we were playing in the backyard and

699
00:37:48,560 --> 00:37:51,120
Speaker 1: then I looked down and like her face had just

700
00:37:51,200 --> 00:37:53,439
Speaker 1: blown up and it was like her eyes were swollen shut,

701
00:37:53,480 --> 00:37:55,400
Speaker 1: her mouth was like crazy and huge, and she just

702
00:37:55,440 --> 00:37:58,680
Speaker 1: like looked crazy. So I like scooped her up and

703
00:37:58,840 --> 00:38:01,759
Speaker 1: drove her to the vet and was really upset, and

704
00:38:01,880 --> 00:38:06,480
Speaker 1: she Lydia told her that when I took her to

705
00:38:06,520 --> 00:38:10,279
Speaker 1: the vet for her allergic reaction, she Lydia could tell

706
00:38:10,400 --> 00:38:13,319
Speaker 1: I was thinking she was going to die, because I

707
00:38:13,400 --> 00:38:16,319
Speaker 1: totally was. By the way, the whole time. I was like, fun,

708
00:38:16,400 --> 00:38:18,560
Speaker 1: I can't believe this is how she dies. She's so young.

709
00:38:18,640 --> 00:38:21,719
Speaker 1: Daniels out of town and I was just like, this

710
00:38:21,760 --> 00:38:24,480
Speaker 1: is the most freak thing ever. Is it different when

711
00:38:24,480 --> 00:38:28,319
Speaker 1: she's in the car with Daniel? Sorry, doesn't Oh, I don't.

712
00:38:28,360 --> 00:38:30,680
Speaker 1: I don't know. Well, Daniel, we share a car and

713
00:38:30,680 --> 00:38:32,879
Speaker 1: I always drive. Daniel doesn't like driving it all, Okay,

714
00:38:32,920 --> 00:38:36,000
Speaker 1: he drives start in other cities. But yeah, no, it's

715
00:38:36,000 --> 00:38:37,840
Speaker 1: just like she just all of a sudden doesn't like

716
00:38:37,920 --> 00:38:40,200
Speaker 1: the car um And I was like, and she was like,

717
00:38:40,239 --> 00:38:43,200
Speaker 1: she could just tell that. You could tell you were

718
00:38:43,200 --> 00:38:44,879
Speaker 1: thinking she's going to die right now. And then now

719
00:38:44,920 --> 00:38:46,719
Speaker 1: she's scared of the vet and she's a little scared

720
00:38:46,719 --> 00:38:49,799
Speaker 1: of the car. So you can like tell her we're

721
00:38:49,800 --> 00:38:51,200
Speaker 1: going to the park, We're not going to the vets,

722
00:38:51,200 --> 00:38:55,080
Speaker 1: don't worry, and she might like calm down. That didn't

723
00:38:55,080 --> 00:38:56,879
Speaker 1: exactly work. But she also gave me some herbs feater,

724
00:38:56,920 --> 00:38:59,920
Speaker 1: which I didn't buy. At that point you trace it

725
00:39:00,000 --> 00:39:01,719
Speaker 1: back and all of a sudden, her landline is an

726
00:39:01,719 --> 00:39:06,120
Speaker 1: herb and you realize the sick operation that this woman

727
00:39:06,200 --> 00:39:08,560
Speaker 1: is running. Wait, is that really what happened? She's she's

728
00:39:08,600 --> 00:39:12,480
Speaker 1: a very the craft. But she was like, you could

729
00:39:12,480 --> 00:39:14,440
Speaker 1: give her these herbs in my palmer down. I was like,

730
00:39:14,840 --> 00:39:16,640
Speaker 1: when she sold enough, I'll give her weed. I don't know.

731
00:39:17,320 --> 00:39:18,719
Speaker 1: So I'm going to get on the phone with this

732
00:39:18,840 --> 00:39:21,920
Speaker 1: with this woman, because I was convinced and jared when

733
00:39:21,920 --> 00:39:24,440
Speaker 1: you were saying, I'm a little convinced about the picture.

734
00:39:25,200 --> 00:39:27,520
Speaker 1: It's very weird. What is that? So she was looking

735
00:39:27,520 --> 00:39:28,880
Speaker 1: at the picture and she was like Lydia sayings to

736
00:39:28,920 --> 00:39:32,800
Speaker 1: me right, that makes no sense right now. But um,

737
00:39:32,880 --> 00:39:35,520
Speaker 1: she's telling me, but she thinks she looks fat in

738
00:39:35,560 --> 00:39:39,799
Speaker 1: the bad picture. No, she was saying. Lydia was telling her,

739
00:39:40,080 --> 00:39:42,680
Speaker 1: I'm a boxer. Can you tell him I'm a boxer?

740
00:39:43,520 --> 00:39:47,600
Speaker 1: And wait, wait what is Well, okay, she's a beagle.

741
00:39:47,719 --> 00:39:49,960
Speaker 1: No I do know, because I all I do is

742
00:39:49,960 --> 00:39:53,879
Speaker 1: spend money. And so I have done two DNA tests

743
00:39:53,880 --> 00:39:56,080
Speaker 1: on her because I was like, I'll always doubt the

744
00:39:56,120 --> 00:39:58,800
Speaker 1: first one, so I need to buy two different companies

745
00:39:58,840 --> 00:40:02,920
Speaker 1: that cost thousands, I mean not thousands, hundreds. Um one

746
00:40:02,960 --> 00:40:05,719
Speaker 1: was like forty bucks and the other one but I

747
00:40:05,880 --> 00:40:08,680
Speaker 1: needed then to compare and they both had the same

748
00:40:10,360 --> 00:40:14,240
Speaker 1: And she is a beagle, a pit bull, a lab,

749
00:40:14,680 --> 00:40:18,719
Speaker 1: and fourthly a boxer, and so whenever I but she

750
00:40:18,719 --> 00:40:20,520
Speaker 1: doesn't look anything like a boxer. She looks like a lab.

751
00:40:20,560 --> 00:40:22,719
Speaker 1: Everyone's like she's a chocolate lab. But then I'm like,

752
00:40:22,840 --> 00:40:24,840
Speaker 1: she's actually a beagle and pit bull is what I

753
00:40:24,880 --> 00:40:27,160
Speaker 1: always say, because that's what she looks like to me.

754
00:40:27,960 --> 00:40:31,040
Speaker 1: And then she was like, I'm a boxer. I want

755
00:40:31,120 --> 00:40:33,279
Speaker 1: can you tell him I'm a boxer? And she was like,

756
00:40:33,880 --> 00:40:35,080
Speaker 1: she was like, this makes no sense to me. Because

757
00:40:35,080 --> 00:40:37,200
Speaker 1: I'm looking at the picture. She doesn't she's not a boxer, right,

758
00:40:37,280 --> 00:40:41,640
Speaker 1: And I was like, she's like one eighth boxer whatever,

759
00:40:42,360 --> 00:40:45,360
Speaker 1: and she feels like a boxer and she this woman

760
00:40:45,520 --> 00:40:48,920
Speaker 1: the psychic was like dogs. Some dogs have a relationship

761
00:40:48,960 --> 00:40:52,760
Speaker 1: to breed that you would equate to like nationality or religion.

762
00:40:52,920 --> 00:40:56,200
Speaker 1: I was gonna say, so she identifies as a boxer.

763
00:40:56,480 --> 00:40:58,400
Speaker 1: So she was like, I don't know if it would

764
00:40:58,400 --> 00:41:01,080
Speaker 1: help her relax if when people ask what breed you

765
00:41:01,160 --> 00:41:03,800
Speaker 1: throw boxer in there, or maybe you can look online

766
00:41:03,880 --> 00:41:07,920
Speaker 1: some you know, different breeds, like different activities. Do boxer

767
00:41:07,960 --> 00:41:12,080
Speaker 1: stuff with her and like a pet identity. Yeah, it's

768
00:41:12,120 --> 00:41:16,520
Speaker 1: not crazy. And I'm begging. He's like, I don't know.

769
00:41:17,040 --> 00:41:21,080
Speaker 1: He was like, baby, he's like the dog is all

770
00:41:21,120 --> 00:41:23,840
Speaker 1: over games Instagram. I was like yeah, but you know

771
00:41:23,920 --> 00:41:27,359
Speaker 1: what though, it's not like that. She was able. He

772
00:41:27,440 --> 00:41:30,040
Speaker 1: was talking, he was talking down to me. I felt, yeah,

773
00:41:30,120 --> 00:41:35,680
Speaker 1: I broke up with him and we haven't spoken. This

774
00:41:35,760 --> 00:41:39,239
Speaker 1: is the final wait what even? Oh? Okay? She was like,

775
00:41:39,880 --> 00:41:43,880
Speaker 1: Lydia's telling me that she saw you and Daniel the

776
00:41:43,960 --> 00:41:48,319
Speaker 1: day before you adopted her, which is true because we

777
00:41:48,360 --> 00:41:50,440
Speaker 1: went to the rescue place because you have to like

778
00:41:50,520 --> 00:41:53,640
Speaker 1: interview for dogs. We went there to get approved for

779
00:41:53,719 --> 00:41:56,920
Speaker 1: other puppies who were still too young. We saw them

780
00:41:56,920 --> 00:41:59,799
Speaker 1: on like the rescue places Instagram. We're like, oh, let's

781
00:41:59,800 --> 00:42:01,880
Speaker 1: go like get it on the list for these puppies.

782
00:42:02,520 --> 00:42:05,919
Speaker 1: Went and got interviewed, and then we're like leaving because

783
00:42:05,960 --> 00:42:08,799
Speaker 1: those puppies were still too young to take home. And

784
00:42:08,840 --> 00:42:11,600
Speaker 1: we were on leaving and we were approved to get

785
00:42:11,640 --> 00:42:15,480
Speaker 1: a dog, and Lydia was like the puppy in the

786
00:42:15,520 --> 00:42:18,400
Speaker 1: window and we were driving home and were like, that

787
00:42:18,440 --> 00:42:21,400
Speaker 1: puppy in the window was so cute. Should we just

788
00:42:21,440 --> 00:42:25,040
Speaker 1: go back tomorrow and get her? So we did, and

789
00:42:25,160 --> 00:42:29,200
Speaker 1: Lydia told the psychic that that happened, but also said

790
00:42:29,920 --> 00:42:32,719
Speaker 1: she thinks that it was She feels that it was

791
00:42:32,840 --> 00:42:37,560
Speaker 1: great timing that we got her when we did, because specifically, I,

792
00:42:38,080 --> 00:42:42,040
Speaker 1: according to Lydia, was coming out of a tailspin. Is

793
00:42:42,120 --> 00:42:46,719
Speaker 1: this true? So true? Oh my god, unless this woman

794
00:42:46,840 --> 00:42:51,279
Speaker 1: is like the landline owners, I was coming out of

795
00:42:51,280 --> 00:42:53,520
Speaker 1: a tail space. That's when you get right. Of course,

796
00:42:53,520 --> 00:42:56,319
Speaker 1: it's probably true of most people, honestly, that that could

797
00:42:56,320 --> 00:42:57,920
Speaker 1: be a thing she picked up on, but like, that

798
00:42:58,040 --> 00:43:00,279
Speaker 1: is crazy to me. And also it is. I can't

799
00:43:00,320 --> 00:43:02,040
Speaker 1: describe how funny I think it is. Where she's like

800
00:43:02,320 --> 00:43:09,440
Speaker 1: Lydia feels that, oh she's funny, she's actually hilarious. Yep,

801
00:43:09,680 --> 00:43:14,520
Speaker 1: that is so okay. Well, I I I started off

802
00:43:14,840 --> 00:43:17,160
Speaker 1: as a skeptic, and I gotta say I'm fully convinced.

803
00:43:17,200 --> 00:43:19,160
Speaker 1: Now you gotta do it, you gotta do Okay, Well,

804
00:43:19,200 --> 00:43:21,120
Speaker 1: when we come back, Matt, I want, I want to

805
00:43:21,160 --> 00:43:24,200
Speaker 1: hear more about Jane Jared's dog, and then and yeah,

806
00:43:24,239 --> 00:43:27,400
Speaker 1: and and I'll convince my boyfriend, new fan of the

807
00:43:27,400 --> 00:43:31,160
Speaker 1: podcast by the way, never listen to it until he

808
00:43:31,200 --> 00:43:33,000
Speaker 1: went away. Now he's in Atlanta and he's like, I

809
00:43:33,040 --> 00:43:35,680
Speaker 1: love the podcast. It's the best podcast of all time.

810
00:43:36,400 --> 00:43:40,560
Speaker 1: I was like, hyperbolic. He's the hyperbolic queen, hyperbolic. After

811
00:43:40,600 --> 00:43:42,680
Speaker 1: the ad brick, I'll tell you all about his special

812
00:43:42,760 --> 00:43:47,439
Speaker 1: needs dog. And we're back. So the dog's name is Jane,

813
00:43:47,480 --> 00:43:50,840
Speaker 1: and she's special needs. I feel we feel she's crazy,

814
00:43:50,880 --> 00:43:53,000
Speaker 1: she's cookie. I want to know what's up with her.

815
00:43:53,280 --> 00:43:56,800
Speaker 1: She sometimes just won't listen. She is one and a half,

816
00:43:57,440 --> 00:43:59,360
Speaker 1: um and that could be it. Yeah, I think I

817
00:43:59,400 --> 00:44:00,839
Speaker 1: think this could be what it is. And I think

818
00:44:00,840 --> 00:44:04,920
Speaker 1: they're suckers like, oh stupid, they're so dumb. Yeah, and

819
00:44:04,960 --> 00:44:06,960
Speaker 1: training them is so much work. Like I just watch

820
00:44:07,040 --> 00:44:09,839
Speaker 1: him with the dog and like like sometimes he'll have

821
00:44:09,880 --> 00:44:11,719
Speaker 1: to take the dog and like sit it down and

822
00:44:12,120 --> 00:44:14,839
Speaker 1: stop bad girl. And I hear it and I'm like,

823
00:44:15,080 --> 00:44:17,640
Speaker 1: you can't talk to her like that, and he's like

824
00:44:17,640 --> 00:44:21,200
Speaker 1: this is parenting. No exactly exactly. Daniels so good about

825
00:44:21,239 --> 00:44:24,280
Speaker 1: that ship and I'm so inconsistent and all the trainers

826
00:44:24,320 --> 00:44:26,520
Speaker 1: are always yelling at me the whole time, like they're like,

827
00:44:26,560 --> 00:44:29,359
Speaker 1: your dog is not you are sucked up where it's

828
00:44:29,400 --> 00:44:33,160
Speaker 1: like this is like not why this? Yeah, it's just

829
00:44:33,200 --> 00:44:35,440
Speaker 1: like when you're yelling at them, you're not allowed. I

830
00:44:35,440 --> 00:44:37,560
Speaker 1: feel so bad. So I pet her and like be

831
00:44:37,640 --> 00:44:43,160
Speaker 1: like and they're like you're undoing everything. She doesn't understand you, now, okay,

832
00:44:43,239 --> 00:44:44,919
Speaker 1: that's what it is. Like. Yeah, it's it's like when

833
00:44:44,960 --> 00:44:48,120
Speaker 1: you yell at the dog and then you a second

834
00:44:48,160 --> 00:44:50,960
Speaker 1: later laugh at something it's doing, or like, yes, exactly

835
00:44:51,239 --> 00:44:52,719
Speaker 1: gets mad at me when I laugh at the dog

836
00:44:52,719 --> 00:44:56,080
Speaker 1: when he's like stop and because you because the dogs

837
00:44:56,080 --> 00:44:59,879
Speaker 1: are so dumb. Yeah, I mean Jane is I've only

838
00:44:59,880 --> 00:45:02,919
Speaker 1: my Jane once. She was she was very groggy. She'd

839
00:45:02,960 --> 00:45:05,560
Speaker 1: just come out of a drugging nap. Well that's when

840
00:45:05,760 --> 00:45:09,080
Speaker 1: that's no. Yeah, well that I mean yeah, like sometimes

841
00:45:09,080 --> 00:45:14,560
Speaker 1: you gotta you gotta make the dogs go on drugs.

842
00:45:15,160 --> 00:45:19,719
Speaker 1: We're having people over, is this um like uh what wait?

843
00:45:19,760 --> 00:45:22,560
Speaker 1: What is that Bena drill? It was like it was

844
00:45:22,600 --> 00:45:24,080
Speaker 1: it was like in that I don't I don't think

845
00:45:24,120 --> 00:45:26,759
Speaker 1: it was weed. Although, like there's so much weed in

846
00:45:26,760 --> 00:45:29,320
Speaker 1: our in our apartment, Like we don't live together, but

847
00:45:29,360 --> 00:45:31,480
Speaker 1: when we are together, there is so much weed filling

848
00:45:31,480 --> 00:45:35,160
Speaker 1: the air. At all times. There's dog weed. Yeah right,

849
00:45:35,480 --> 00:45:37,640
Speaker 1: but this dog I think would get second hand high

850
00:45:37,640 --> 00:45:40,120
Speaker 1: probably every single day of his life. But but it's

851
00:45:40,160 --> 00:45:42,200
Speaker 1: not like it calms down. The dog is jumping all

852
00:45:42,200 --> 00:45:44,560
Speaker 1: over the place. The dog. You gotta drug your dog.

853
00:45:44,640 --> 00:45:48,200
Speaker 1: Sometimes the dog has the energy of Ashton Kutcher Young.

854
00:45:49,480 --> 00:45:52,760
Speaker 1: That's how that's the energy that that kind of butterfly

855
00:45:52,800 --> 00:45:57,000
Speaker 1: effects energy is and and the butterfly effect is actually

856
00:45:57,040 --> 00:45:59,279
Speaker 1: what we remember Ashton Kutcher for, and it's actually real

857
00:45:59,360 --> 00:46:02,480
Speaker 1: culture number four. The butterfly effect is actually what we

858
00:46:02,520 --> 00:46:05,600
Speaker 1: remember Ashton Kutcher for. And that's his most iconic contribution

859
00:46:05,680 --> 00:46:11,680
Speaker 1: to film and television, Where My Car, Where's My Weed? Always? Remember?

860
00:46:11,680 --> 00:46:14,319
Speaker 1: Which is so iconic to me is that the movie

861
00:46:14,360 --> 00:46:19,560
Speaker 1: No Strings Attached was Ashton Kutcher, and then it was

862
00:46:19,760 --> 00:46:23,560
Speaker 1: Natalie Apartman and Natalie Apartment's three best friends were played

863
00:46:23,560 --> 00:46:35,000
Speaker 1: by What What What? Clearly have not seen the movie.

864
00:46:35,040 --> 00:46:39,600
Speaker 1: What can you believe? Literally, Ashton Kutcher is getting paid

865
00:46:39,600 --> 00:46:42,080
Speaker 1: the most. I'm sure he's in the room with four

866
00:46:42,840 --> 00:46:47,720
Speaker 1: truly brilliant multi hyphen a people. Yes, Guy Bradam, iconic,

867
00:46:48,680 --> 00:46:56,040
Speaker 1: mindy legend, the growing Natalie. I'm gonna wear an embroidered

868
00:46:56,120 --> 00:46:59,720
Speaker 1: coat with the name. Every female director on Love Anyone

869
00:46:59,840 --> 00:47:05,600
Speaker 1: was interestod. I got to say that movie is. People

870
00:47:05,680 --> 00:47:08,000
Speaker 1: have not talked about that movie in that way because

871
00:47:08,040 --> 00:47:12,040
Speaker 1: it truly is. That's in. It's crazy enough for it

872
00:47:12,080 --> 00:47:15,600
Speaker 1: to just be mindy, right, just mindy and well. I

873
00:47:15,640 --> 00:47:18,440
Speaker 1: think the craziest thing is to remind yourself that Greta

874
00:47:18,480 --> 00:47:23,000
Speaker 1: Gerwig acts. Yes, they're also I mean wildly different ages. Yes,

875
00:47:23,760 --> 00:47:27,759
Speaker 1: a lot a friend group. Grwig is like about to

876
00:47:27,880 --> 00:47:34,560
Speaker 1: turn basically she's so young, she's in her thirties. Yeah,

877
00:47:34,600 --> 00:47:37,080
Speaker 1: they were all playing surgeons or something, right, they were

878
00:47:37,080 --> 00:47:39,399
Speaker 1: all like, yeah, we're did the same hospital. Oh my god,

879
00:47:39,440 --> 00:47:44,520
Speaker 1: that's that intelligence. Read what they were all intelligent. I

880
00:47:44,600 --> 00:47:48,200
Speaker 1: believe that we have these motherfucker's on grazit out of me.

881
00:47:48,239 --> 00:47:50,920
Speaker 1: I'm like, you can't know, you can't say that word

882
00:47:50,680 --> 00:47:53,720
Speaker 1: kind of. Oh of course. I love Guy is actually

883
00:47:53,800 --> 00:47:57,480
Speaker 1: number one and so great. I've lucked out. And when

884
00:47:57,520 --> 00:47:59,920
Speaker 1: I heard, because I was excited to hear if I

885
00:47:59,920 --> 00:48:01,400
Speaker 1: was going to get the job on Q Force, and

886
00:48:01,400 --> 00:48:03,799
Speaker 1: I also heard that he was maybe going to get there,

887
00:48:03,800 --> 00:48:06,160
Speaker 1: and I was like praying because we worked at and

888
00:48:06,320 --> 00:48:08,520
Speaker 1: we worked at the others two together, and I enjoyed

889
00:48:08,520 --> 00:48:11,600
Speaker 1: working with him so much. My work wife, work wife.

890
00:48:11,800 --> 00:48:14,680
Speaker 1: He has talked me off so many lodges, just mentally,

891
00:48:14,719 --> 00:48:17,799
Speaker 1: just like I. He's checked in with me so often lately.

892
00:48:17,880 --> 00:48:20,600
Speaker 1: He's very good at that. And he has said the

893
00:48:20,640 --> 00:48:23,279
Speaker 1: exact right thing at the exact right time every time.

894
00:48:23,440 --> 00:48:27,800
Speaker 1: What a beautiful, beautiful, beauty beautiful. Yang's Wikipedia it says

895
00:48:27,800 --> 00:48:31,120
Speaker 1: he is mentored by Guy Brandon. Really personal life used

896
00:48:31,160 --> 00:48:35,040
Speaker 1: to be Gang is gay. He lives, he lives in Brooklyn.

897
00:48:35,120 --> 00:48:39,239
Speaker 1: He's mentored by Guy brand No, I think it is.

898
00:48:39,360 --> 00:48:42,680
Speaker 1: I think I mentioned him in some articles mentors. I

899
00:48:42,719 --> 00:48:45,400
Speaker 1: was like oh, guy brand him like the guy Brandon

900
00:48:45,480 --> 00:48:48,799
Speaker 1: was always when we were when we were really starting out.

901
00:48:48,840 --> 00:48:52,640
Speaker 1: I remember, well he did your show at Ethnic in

902
00:48:52,760 --> 00:48:56,560
Speaker 1: the pit based basement and I did a little I

903
00:48:56,640 --> 00:48:59,040
Speaker 1: used to do a little character at the basement. It

904
00:48:59,200 --> 00:49:05,440
Speaker 1: was the pit, a new pit, not the one that

905
00:49:05,560 --> 00:49:10,200
Speaker 1: was right. Yeah, we all did. We all were kicking

906
00:49:10,200 --> 00:49:15,640
Speaker 1: around the many different pits. Yeah okay and otherwise, um,

907
00:49:15,680 --> 00:49:18,399
Speaker 1: but he came to like he did bow and show

908
00:49:18,440 --> 00:49:22,040
Speaker 1: I think you hosted with so this is like what

909
00:49:22,280 --> 00:49:25,200
Speaker 1: six seven years ago, and he did like a little

910
00:49:25,280 --> 00:49:27,839
Speaker 1: character bit on it. And I remember, like we were

911
00:49:27,840 --> 00:49:29,480
Speaker 1: so excited he was there because we had on him

912
00:49:29,480 --> 00:49:31,800
Speaker 1: from Jos Tyler and I've known him from totally biased

913
00:49:31,840 --> 00:49:36,799
Speaker 1: and stuff, and he was so nice. He has never

914
00:49:36,920 --> 00:49:39,920
Speaker 1: needed to be because I always looked up to him.

915
00:49:40,000 --> 00:49:42,280
Speaker 1: So anyway, guy brownam is in the room. And also

916
00:49:42,320 --> 00:49:44,000
Speaker 1: I should set shout out who else is in the room,

917
00:49:44,000 --> 00:49:46,839
Speaker 1: which is Ira Madison, the third who I loved Ira

918
00:49:46,960 --> 00:49:50,440
Speaker 1: beforehand just from like being friends. It's a different it's

919
00:49:50,440 --> 00:49:53,120
Speaker 1: a different Ira. And the thing is like his energy.

920
00:49:53,200 --> 00:49:55,160
Speaker 1: I love. I love sharing an office with him. And

921
00:49:55,200 --> 00:49:58,480
Speaker 1: I was telling Boonen before, like you think you see

922
00:49:58,520 --> 00:50:00,600
Speaker 1: a meme on the internet and it's funny, and then

923
00:50:00,640 --> 00:50:02,480
Speaker 1: I gets a hold of it and it's like like

924
00:50:02,560 --> 00:50:04,920
Speaker 1: the knives out thing. Every time he does it, it's

925
00:50:04,920 --> 00:50:09,319
Speaker 1: still funny and like, honestly, like I'm waiting to be

926
00:50:09,360 --> 00:50:13,279
Speaker 1: annoyed by like her knives are, but I'm I'm not

927
00:50:13,400 --> 00:50:17,440
Speaker 1: sick of It's not annoying. It's crazy, honey, her gems

928
00:50:17,840 --> 00:50:20,279
Speaker 1: they're cut. I'm just like, this is the smut ship

929
00:50:20,400 --> 00:50:24,640
Speaker 1: I've ever also talk about, like expert employment of oh

930
00:50:24,840 --> 00:50:31,480
Speaker 1: knows exactly what he does with the other girls did. Yeah,

931
00:50:31,640 --> 00:50:33,759
Speaker 1: I'm wait, I'm actually gonna play what I say right now,

932
00:50:33,800 --> 00:50:36,280
Speaker 1: I'm gonna play one because this was one he found

933
00:50:36,280 --> 00:50:40,160
Speaker 1: the other day. And this to me is like somehow

934
00:50:40,239 --> 00:50:44,319
Speaker 1: he'll somehow just like find these Whitney Houston interviews. And

935
00:50:44,880 --> 00:50:48,480
Speaker 1: I remember he posted He's like Billie Eilish New Bond

936
00:50:48,560 --> 00:50:51,960
Speaker 1: theme a song and then he said this my reaction

937
00:50:52,040 --> 00:50:54,960
Speaker 1: to the Billie Eilish song. And he said this, You know,

938
00:50:55,120 --> 00:50:58,799
Speaker 1: songs like that, they are stories that people can identify with,

939
00:50:59,640 --> 00:51:03,800
Speaker 1: you know me, anybody. Children were singing this song at graduations,

940
00:51:04,360 --> 00:51:11,719
Speaker 1: at weddings, as funerals, children were graduation weddings at funerals

941
00:51:11,800 --> 00:51:15,720
Speaker 1: to talk about this song. I'm like, this is so dumb.

942
00:51:15,800 --> 00:51:17,840
Speaker 1: I mean, what do we have? Do we should we

943
00:51:17,840 --> 00:51:21,279
Speaker 1: credit him for a moment most pleasing to me in

944
00:51:21,320 --> 00:51:24,960
Speaker 1: my career? I mean I think so? Do you know

945
00:51:25,000 --> 00:51:28,600
Speaker 1: how to make memes? Literally have no idea? And there's

946
00:51:28,640 --> 00:51:30,799
Speaker 1: been one for years that I've always wanted to use,

947
00:51:30,840 --> 00:51:33,840
Speaker 1: which is from Jennifer Hudson's American Idol audition. It's literally

948
00:51:33,920 --> 00:51:37,279
Speaker 1: just this. Whenever anyone says something that's true, I I

949
00:51:37,400 --> 00:51:44,279
Speaker 1: post this, Yeah, definitely, definitely that, like the words definitely that,

950
00:51:44,840 --> 00:51:47,480
Speaker 1: Like I am saying that what you're saying is true.

951
00:51:47,680 --> 00:51:52,560
Speaker 1: Definitely that. And I wanted for so long And how

952
00:51:52,600 --> 00:51:54,640
Speaker 1: much more work needs to be done other than that

953
00:51:54,680 --> 00:51:56,600
Speaker 1: clip that you have? I mean, now I haven't now

954
00:51:56,640 --> 00:52:02,359
Speaker 1: you have be posting Jennifer saying definitely, but you you

955
00:52:02,400 --> 00:52:05,440
Speaker 1: post the full video enough times to like an accompanying

956
00:52:05,440 --> 00:52:07,640
Speaker 1: tweet or something, and then at a certain point you

957
00:52:07,760 --> 00:52:10,240
Speaker 1: just post a screen grab of that and the people

958
00:52:10,360 --> 00:52:12,680
Speaker 1: can hear it. And literally now it's just Jennifer Hudson

959
00:52:12,760 --> 00:52:14,640
Speaker 1: standing there in front of the American Idle logo and

960
00:52:14,840 --> 00:52:18,799
Speaker 1: everyone knows what I'm saying definitely that, Yeah, front runner

961
00:52:18,840 --> 00:52:21,839
Speaker 1: for a title of that. Definitely definitely that. Um wait,

962
00:52:21,960 --> 00:52:25,320
Speaker 1: and also in the room is Megan m ram god

963
00:52:25,600 --> 00:52:29,160
Speaker 1: a goddess And also we truly gave came here and

964
00:52:29,200 --> 00:52:31,520
Speaker 1: did one of our favorite episodes of last one of

965
00:52:31,520 --> 00:52:33,120
Speaker 1: the best. I don't think so honey is in my book.

966
00:52:33,280 --> 00:52:35,240
Speaker 1: I don't think so honey. Hell kitty, you white bitch.

967
00:52:35,960 --> 00:52:39,160
Speaker 1: Just what a master for a bigger Disney gay than me.

968
00:52:39,480 --> 00:52:44,200
Speaker 1: That's so fascinating. Yeah, I mean and everything gay. Like

969
00:52:44,440 --> 00:52:48,919
Speaker 1: she's a Broadway gay, she's a Disney gay. She's a game. Yeah,

970
00:52:49,000 --> 00:52:52,680
Speaker 1: she's like this neighborhood of Hollywood game. She goes to

971
00:52:52,760 --> 00:52:57,920
Speaker 1: this freaking mall with the David Busters unwind. She's the gayest.

972
00:52:58,680 --> 00:53:01,080
Speaker 1: I was. You know, when you when you sell a

973
00:53:01,080 --> 00:53:02,960
Speaker 1: gay show, you're like, I'm going to have an all

974
00:53:03,120 --> 00:53:06,920
Speaker 1: gay writers. Yes, yes, And then we get bumps along

975
00:53:06,920 --> 00:53:09,279
Speaker 1: the way and get suggestions from the network in the

976
00:53:09,320 --> 00:53:13,960
Speaker 1: studio and um, when Megan, you know, came across my way.

977
00:53:14,000 --> 00:53:16,279
Speaker 1: We've been friends for a long time, I was like,

978
00:53:16,600 --> 00:53:19,879
Speaker 1: I actually think that by most people standards, she's gayer

979
00:53:19,880 --> 00:53:24,920
Speaker 1: than I. Yes, I would say she has like something

980
00:53:25,239 --> 00:53:28,200
Speaker 1: like is going on with her. That's gay energy and

981
00:53:28,239 --> 00:53:31,560
Speaker 1: it seeps through because I'll say her tweets are also queer. Yeah,

982
00:53:31,600 --> 00:53:34,759
Speaker 1: and you have a queer Twitter too, because it's bravely

983
00:53:35,560 --> 00:53:38,840
Speaker 1: still the bit is sticking where you say all capitals

984
00:53:38,960 --> 00:53:42,000
Speaker 1: send at the end of every tweet year truly and iconic.

985
00:53:42,120 --> 00:53:44,000
Speaker 1: I think it's been going for like ten years or something.

986
00:53:44,000 --> 00:53:46,759
Speaker 1: I deleted old tweets. Love it, Yeah, I love it. It

987
00:53:46,680 --> 00:53:49,520
Speaker 1: It should never dance the chest of time. It really does.

988
00:53:50,200 --> 00:53:52,319
Speaker 1: And that's the repetition that I'm saying that this is

989
00:53:52,840 --> 00:53:55,760
Speaker 1: the chosen family of queer force. You do that, Fra

990
00:53:55,880 --> 00:53:58,919
Speaker 1: does all his memes. Megan will post every day. Today

991
00:53:59,000 --> 00:54:01,319
Speaker 1: was the day Donald Trump fine only became president. I

992
00:54:01,360 --> 00:54:04,200
Speaker 1: give it like every time I see every time in thousand,

993
00:54:04,280 --> 00:54:09,440
Speaker 1: like she's a million typing it every day because it's different,

994
00:54:09,560 --> 00:54:13,080
Speaker 1: it's different and it comes out at weird time. She's

995
00:54:13,120 --> 00:54:15,720
Speaker 1: taking the time to type that sentence and hitting sense.

996
00:54:15,800 --> 00:54:19,440
Speaker 1: So it's them. Guy Branda, Max Sylvestri, who we met

997
00:54:19,480 --> 00:54:21,799
Speaker 1: on literally cannot believe he was your first guess. He

998
00:54:21,880 --> 00:54:24,439
Speaker 1: was love that he was. He was our first guest.

999
00:54:24,440 --> 00:54:28,520
Speaker 1: Out of you, I got no he came in like

1000
00:54:28,560 --> 00:54:30,560
Speaker 1: we probably have done like seventy episodes, and it was

1001
00:54:30,600 --> 00:54:34,279
Speaker 1: fully a blind date. We didn't know him, and he's

1002
00:54:34,320 --> 00:54:37,479
Speaker 1: friends with my man, with our manager, Kara Maslin, and

1003
00:54:37,719 --> 00:54:41,600
Speaker 1: because Kara reps John Lane and there, and so she

1004
00:54:41,760 --> 00:54:44,120
Speaker 1: was like, you would like to have Max on the podcast?

1005
00:54:44,160 --> 00:54:46,279
Speaker 1: And I was like, sure, let's go. And we hit

1006
00:54:46,360 --> 00:54:49,400
Speaker 1: it off and it's truly funny. It's the funniest, how

1007
00:54:49,480 --> 00:54:55,960
Speaker 1: smart famous. I will do a plug right after this

1008
00:54:56,520 --> 00:54:58,960
Speaker 1: and we're back. I will say that Max Sylvestry is

1009
00:54:58,960 --> 00:55:01,920
Speaker 1: a contestant on My Quimby Show game show coming out

1010
00:55:01,920 --> 00:55:03,800
Speaker 1: in April six, and he is the first thing you

1011
00:55:03,880 --> 00:55:06,040
Speaker 1: see in our trailer. It's so funny. He is the

1012
00:55:06,080 --> 00:55:09,680
Speaker 1: first thing and it's gonna be great. Him lies to

1013
00:55:09,760 --> 00:55:14,280
Speaker 1: Die is an icon, a genius. Yeah. I actually fucking

1014
00:55:14,360 --> 00:55:17,239
Speaker 1: love her and I had known her years ago. Did

1015
00:55:17,239 --> 00:55:19,160
Speaker 1: you know her in New York? I knew of Like

1016
00:55:19,200 --> 00:55:22,000
Speaker 1: the incident that happened yet hit by a jam track?

1017
00:55:22,360 --> 00:55:25,359
Speaker 1: She got ran over by the fucking subway, Yes, and

1018
00:55:25,400 --> 00:55:28,239
Speaker 1: survived and lived to tell the tale. What did they

1019
00:55:28,280 --> 00:55:31,799
Speaker 1: call it? What happened to her? Like? Do you know

1020
00:55:31,840 --> 00:55:35,120
Speaker 1: what a gloving is? It's like the flesh comes off

1021
00:55:35,280 --> 00:55:40,440
Speaker 1: and the muscle. Yeah, girl, she has her leg barely,

1022
00:55:40,560 --> 00:55:42,320
Speaker 1: you know what I mean. Like it's been a real process.

1023
00:55:42,360 --> 00:55:45,040
Speaker 1: She's been recovering for I don't know, six years or

1024
00:55:45,080 --> 00:55:51,359
Speaker 1: something like that. Reconstructed wound, hair pain managed, and just

1025
00:55:51,760 --> 00:55:53,759
Speaker 1: you know, fighting spirit. And here she has I mean,

1026
00:55:53,760 --> 00:55:56,880
Speaker 1: she has an amazing job and she's killing. Yeah. I

1027
00:55:56,880 --> 00:56:02,200
Speaker 1: love her, Chloe Keenan wrote on Transparent amazing. And then

1028
00:56:02,239 --> 00:56:05,600
Speaker 1: we've got who else is in there? Oh my god,

1029
00:56:05,719 --> 00:56:09,399
Speaker 1: and Mr Miss Mike we must stand, we stand. Mike.

1030
00:56:09,520 --> 00:56:13,680
Speaker 1: I love him. Yeah, he's the greatest, great future you know.

1031
00:56:13,960 --> 00:56:17,520
Speaker 1: He he's like I think, I said to him, I

1032
00:56:17,520 --> 00:56:20,520
Speaker 1: got him for Secret Santa. This guy, you guys, Mike Leebanson.

1033
00:56:20,520 --> 00:56:23,200
Speaker 1: Look him up on Instagram and he's great and he's

1034
00:56:23,239 --> 00:56:26,000
Speaker 1: really good energy and it emanates from him. And I said,

1035
00:56:26,040 --> 00:56:28,279
Speaker 1: the first time I saw him perform, and he I

1036
00:56:28,320 --> 00:56:30,319
Speaker 1: do musical comedy and he does too. And I saw

1037
00:56:30,520 --> 00:56:33,160
Speaker 1: what he did and I really like it clicked with me.

1038
00:56:33,239 --> 00:56:34,680
Speaker 1: I was like, oh that's I feel like we speak

1039
00:56:34,680 --> 00:56:36,840
Speaker 1: the same language. And I said to him when I

1040
00:56:36,840 --> 00:56:38,839
Speaker 1: got him for Secret for Secret Santah, I got him

1041
00:56:38,840 --> 00:56:42,279
Speaker 1: in this like hideous bright shirt and I said, you're

1042
00:56:42,320 --> 00:56:45,920
Speaker 1: a star and you need a hideous statement peace. So

1043
00:56:46,000 --> 00:56:49,160
Speaker 1: I got you. Meanwhile, he's got like all the hideous

1044
00:56:49,560 --> 00:56:52,200
Speaker 1: and they're glamorous yea. And he looks great every day.

1045
00:56:52,360 --> 00:56:56,800
Speaker 1: It's always look Yeah. Well, we do themes for Okay,

1046
00:56:56,800 --> 00:57:02,479
Speaker 1: so we were kind of inspired by the Nora Yes

1047
00:57:02,840 --> 00:57:05,360
Speaker 1: and the looks you guys were turning out and posting.

1048
00:57:05,400 --> 00:57:09,960
Speaker 1: And we do a fashion and stuff for Q Force Looks,

1049
00:57:10,000 --> 00:57:11,880
Speaker 1: which is just we did a soft launch. There's not

1050
00:57:11,920 --> 00:57:14,000
Speaker 1: many picks up, but they're coming. Oh, I have to

1051
00:57:14,080 --> 00:57:16,680
Speaker 1: follow it, but we you have to find follow it. Um.

1052
00:57:16,720 --> 00:57:21,120
Speaker 1: But we do like an optional kind of fashion challenge today.

1053
00:57:21,160 --> 00:57:23,760
Speaker 1: Actually in Matt's absence, we didn't have a freaking challenge,

1054
00:57:24,080 --> 00:57:26,320
Speaker 1: but I hear, I mean I thought the theme was magic.

1055
00:57:27,320 --> 00:57:30,120
Speaker 1: Oh what I missed the thing. I think that maybe

1056
00:57:30,120 --> 00:57:33,080
Speaker 1: everyone was focused on work today and not not it

1057
00:57:33,280 --> 00:57:36,280
Speaker 1: mean challenge who dressed magic? Now? I'm just like looking

1058
00:57:36,320 --> 00:57:40,080
Speaker 1: at Mike look magical today. My gud always looks magic.

1059
00:57:40,160 --> 00:57:45,200
Speaker 1: He's always before that was country strong, country, and like

1060
00:57:45,520 --> 00:57:50,760
Speaker 1: he looked amazing for that shirt and everything, and from

1061
00:57:50,800 --> 00:57:53,160
Speaker 1: Melick came over to him and was like, you would

1062
00:57:53,200 --> 00:57:56,080
Speaker 1: like this designer right now and was like like told him,

1063
00:57:56,120 --> 00:57:58,800
Speaker 1: like the style of shirt that he was wearing. He

1064
00:57:59,120 --> 00:58:02,760
Speaker 1: told him about like where that originated from. He was

1065
00:58:02,800 --> 00:58:07,080
Speaker 1: like knowledgeable about the origins of that kind of style. No,

1066
00:58:07,280 --> 00:58:13,040
Speaker 1: this Nelix god, um, But we've had some funny challenges

1067
00:58:13,120 --> 00:58:15,720
Speaker 1: so far. Yeah, yeah, yeah, And I'm at a backlog

1068
00:58:15,760 --> 00:58:19,720
Speaker 1: of photos coming yeah for the top. But yeah, we're

1069
00:58:19,720 --> 00:58:23,040
Speaker 1: having a great time. It sounds truly so joyful. I

1070
00:58:23,080 --> 00:58:27,760
Speaker 1: can't wait for the Zachary Stevens writer's assistant with other

1071
00:58:27,800 --> 00:58:31,160
Speaker 1: writer's assistants, it's it's a it's a that's a hard job,

1072
00:58:31,360 --> 00:58:33,320
Speaker 1: that is hard job, that is a hard job. And

1073
00:58:33,360 --> 00:58:37,720
Speaker 1: Tims in tech and of course the hardest, hardest timp

1074
00:58:37,760 --> 00:58:42,480
Speaker 1: Cardinator's hard Jean Paul working Bergeron and I thought was

1075
00:58:42,520 --> 00:58:47,200
Speaker 1: he related to Tom Bergeron and non independent is an

1076
00:58:47,200 --> 00:58:50,600
Speaker 1: independent Burgeron, which actuallyly I love for him. But yeah, anyway,

1077
00:58:50,640 --> 00:58:53,000
Speaker 1: I couldn't be couldn't be more excited about what it's

1078
00:58:53,040 --> 00:58:54,840
Speaker 1: going to be and what it's shaping up to become.

1079
00:58:55,080 --> 00:58:56,440
Speaker 1: And it's going to be part of the culture, which

1080
00:58:56,480 --> 00:58:59,680
Speaker 1: is the highest compliment anyone could give. And you know,

1081
00:58:59,760 --> 00:59:02,480
Speaker 1: I'm just knocking on every damn piece of wood for

1082
00:59:02,520 --> 00:59:06,520
Speaker 1: these for all these casting buttons to be to be up,

1083
00:59:08,080 --> 00:59:10,320
Speaker 1: because i want to spoil it so bad, but I'm

1084
00:59:10,360 --> 00:59:13,840
Speaker 1: not going to you know what, I already know the

1085
00:59:13,920 --> 00:59:19,520
Speaker 1: Instagram up. I'm going to use. Yeah if if we

1086
00:59:19,560 --> 00:59:22,160
Speaker 1: get it, who we think we're getting and there's a

1087
00:59:22,160 --> 00:59:24,640
Speaker 1: deadline announcement, which there I think would be. I mean,

1088
00:59:28,680 --> 00:59:30,680
Speaker 1: I love it now, So now what would you say?

1089
00:59:30,680 --> 00:59:32,480
Speaker 1: It's probably time? I think it's time. I think it

1090
00:59:32,560 --> 00:59:34,120
Speaker 1: might be time for I don't think so honey, now,

1091
00:59:34,240 --> 00:59:36,040
Speaker 1: nott what I don't think it's honey talk. Well I'll

1092
00:59:36,040 --> 00:59:38,200
Speaker 1: tell you I don't think so honey. Is a segment

1093
00:59:38,240 --> 00:59:41,440
Speaker 1: that we do and have been doing, um where we

1094
00:59:41,480 --> 00:59:43,760
Speaker 1: take one minute to rant against something in pop culture

1095
00:59:43,800 --> 00:59:46,520
Speaker 1: that we don't like, we find a distaste for, we

1096
00:59:46,560 --> 00:59:51,000
Speaker 1: hate even um which is hard to say, but you

1097
00:59:51,040 --> 00:59:55,200
Speaker 1: know often true. Yes, um, so Bowen, I would like

1098
00:59:55,280 --> 00:59:57,760
Speaker 1: I do have a topic. I have one that might

1099
00:59:57,800 --> 00:59:59,520
Speaker 1: not be an actual thing that I have. Would you

1100
00:59:59,560 --> 01:00:01,479
Speaker 1: like me to go first? Um? I can go first.

1101
01:00:01,480 --> 01:00:03,520
Speaker 1: This time you can find of mix it up huge

1102
01:00:03,640 --> 01:00:07,040
Speaker 1: all right, this is bone Yanks. Actually I don't think

1103
01:00:07,080 --> 01:00:08,880
Speaker 1: so honey. And the thing is his time starts now,

1104
01:00:08,960 --> 01:00:11,840
Speaker 1: I don't think so, honey. Sticky menus at restaurants, do

1105
01:00:11,920 --> 01:00:15,040
Speaker 1: you know what I'm talking about, where the sauce or

1106
01:00:15,080 --> 01:00:20,000
Speaker 1: the drink or the substance has stuck and added to

1107
01:00:20,160 --> 01:00:23,600
Speaker 1: the laminate of the menu. Darling. You either make it

1108
01:00:23,960 --> 01:00:27,520
Speaker 1: a fully f you wipe down the menus after each use,

1109
01:00:27,680 --> 01:00:29,560
Speaker 1: or you make it a damn place matt And that

1110
01:00:29,600 --> 01:00:32,760
Speaker 1: actually does not elevate the experience for some I don't

1111
01:00:32,760 --> 01:00:34,480
Speaker 1: care if you're a damn Capital grill and you've got

1112
01:00:34,480 --> 01:00:36,040
Speaker 1: the menu on the place matts. I don't even know

1113
01:00:36,080 --> 01:00:38,400
Speaker 1: if they do that, but it takes me out when

1114
01:00:38,400 --> 01:00:40,400
Speaker 1: the when I can read the words on the thing

1115
01:00:40,440 --> 01:00:41,760
Speaker 1: that i'm that my plate is on. You know what

1116
01:00:41,800 --> 01:00:44,520
Speaker 1: I'm saying. But sticky menus, let's go back to the

1117
01:00:44,600 --> 01:00:50,800
Speaker 1: let's go back to the culprit. Sticky menus. You're you're

1118
01:00:51,120 --> 01:00:54,760
Speaker 1: upsetting me from the jump and I I have to

1119
01:00:55,160 --> 01:00:56,960
Speaker 1: really really crawl out of the hole that you've dug

1120
01:00:57,000 --> 01:01:00,560
Speaker 1: me into. And sticky menus, I think that automatically bring

1121
01:01:01,160 --> 01:01:03,840
Speaker 1: the health department grade down to a sea and it

1122
01:01:03,920 --> 01:01:06,959
Speaker 1: only goes downhill from there if you bring me more

1123
01:01:07,160 --> 01:01:09,440
Speaker 1: sticky menu. And that's actually one minute. And I can

1124
01:01:09,440 --> 01:01:13,320
Speaker 1: say as a server, as a former server, that it

1125
01:01:15,720 --> 01:01:20,400
Speaker 1: on the list of backup house judies. It is it

1126
01:01:20,440 --> 01:01:23,200
Speaker 1: gets skipped. And then these menus are disgusting. And you

1127
01:01:23,280 --> 01:01:27,480
Speaker 1: have these girls. You have these young girls marrying ketchups

1128
01:01:27,840 --> 01:01:31,000
Speaker 1: at nauseum. You have these young girls elbow deep and

1129
01:01:31,040 --> 01:01:35,080
Speaker 1: salad dressings marrying those. You have these young girls really

1130
01:01:35,520 --> 01:01:38,160
Speaker 1: grease in their elbow. Which is which is actually is

1131
01:01:38,200 --> 01:01:42,760
Speaker 1: a phrase rolling silverware. Yes, I'm shaking my head and

1132
01:01:42,800 --> 01:01:45,240
Speaker 1: you are, and and Bowen is all of us right

1133
01:01:45,280 --> 01:01:48,000
Speaker 1: now shaking his head. But one actually is all of

1134
01:01:48,080 --> 01:01:51,480
Speaker 1: us right now. Matt wants to revive the very basic

1135
01:01:51,560 --> 01:01:54,640
Speaker 1: phrase that person is all of the girl wearing this

1136
01:01:54,720 --> 01:01:56,680
Speaker 1: hat is all of us right now. I like that that.

1137
01:01:57,720 --> 01:02:00,160
Speaker 1: Oh it's a thing. I would have invented it now. Oh,

1138
01:02:00,200 --> 01:02:02,360
Speaker 1: I mean I wish, I wish I could say I

1139
01:02:02,400 --> 01:02:07,800
Speaker 1: invented almost anything that I say, But it's not true. Um,

1140
01:02:07,840 --> 01:02:12,200
Speaker 1: but yeah, it's like all of us right now because

1141
01:02:12,200 --> 01:02:15,880
Speaker 1: we feel empty now backup house duties. So it's it's

1142
01:02:15,880 --> 01:02:19,040
Speaker 1: the server's job. Well, what happens is so I stay

1143
01:02:19,120 --> 01:02:22,880
Speaker 1: backup house students. But really I think it's the host's job. Yes,

1144
01:02:23,040 --> 01:02:25,760
Speaker 1: but that often is the host job. But these things

1145
01:02:25,800 --> 01:02:28,760
Speaker 1: cross over, you know, just because well let me say this,

1146
01:02:29,120 --> 01:02:32,880
Speaker 1: but then you gotta get hot. I was gonna, girl,

1147
01:02:32,960 --> 01:02:35,440
Speaker 1: it's you know where it is. It's gonna drip on

1148
01:02:35,480 --> 01:02:39,840
Speaker 1: the reservation. Yeah. Here's the thing. First of all, this

1149
01:02:39,120 --> 01:02:43,280
Speaker 1: is this is the year of otions happen online. Thank you? Okay,

1150
01:02:43,560 --> 01:02:46,280
Speaker 1: true enough, And that's just that, And I mean I

1151
01:02:46,320 --> 01:02:50,480
Speaker 1: won't say anything else about it. I refuse um over

1152
01:02:50,520 --> 01:02:53,120
Speaker 1: the phone. Reservations are all of us, you guys, They're

1153
01:02:53,560 --> 01:02:55,920
Speaker 1: all of us right now. Calling the restaurant is all

1154
01:02:55,960 --> 01:02:59,400
Speaker 1: of us. I mean, that's why they call it the reservations.

1155
01:02:59,640 --> 01:03:01,360
Speaker 1: So that I another stupid bit that we started doing

1156
01:03:01,360 --> 01:03:06,720
Speaker 1: in probably cross Side on high, this magic event, and

1157
01:03:06,880 --> 01:03:08,600
Speaker 1: I am not able to get over at the funniest

1158
01:03:08,600 --> 01:03:10,800
Speaker 1: thing in the world. I don't know. That was looked fun.

1159
01:03:11,040 --> 01:03:14,120
Speaker 1: It was looks really fun. And then it got dark

1160
01:03:14,400 --> 01:03:17,080
Speaker 1: for me, okay, because I looked around and I was like,

1161
01:03:17,640 --> 01:03:23,640
Speaker 1: oh I look, I feel and look bad. The circuit people,

1162
01:03:23,680 --> 01:03:25,240
Speaker 1: we can get it. It's hard, like you know, like

1163
01:03:25,320 --> 01:03:28,320
Speaker 1: the like and like this sort of like like that

1164
01:03:28,480 --> 01:03:30,520
Speaker 1: was coming to l A was like, oh my god,

1165
01:03:30,600 --> 01:03:34,040
Speaker 1: we could go on probably I don't think so, Okay,

1166
01:03:34,400 --> 01:03:35,720
Speaker 1: well then we want touch on this. We'll save it

1167
01:03:35,800 --> 01:03:37,800
Speaker 1: for after. But but what I was saying was backup

1168
01:03:37,800 --> 01:03:40,480
Speaker 1: house stories. It's really sidework that I'm concerned with. I'm

1169
01:03:40,560 --> 01:03:42,840
Speaker 1: concerned that what we're doing is we're busying the young

1170
01:03:42,960 --> 01:03:46,480
Speaker 1: girls who are keeping the restaurant industry up, and we

1171
01:03:46,560 --> 01:03:50,560
Speaker 1: applaud them for that. We're concerning them with all this

1172
01:03:50,720 --> 01:03:53,000
Speaker 1: side work because we're used to saying, like, of course

1173
01:03:53,040 --> 01:03:56,200
Speaker 1: side rock Mary, the catchups were letting the sticky menus

1174
01:03:56,240 --> 01:03:59,080
Speaker 1: fall by the wayside, and it's bringing down the restaurant.

1175
01:03:59,200 --> 01:04:02,400
Speaker 1: Absolutely it is. Now I do have to tell people

1176
01:04:02,640 --> 01:04:04,520
Speaker 1: what the bit was. Oh, yes, tell the people the bit.

1177
01:04:04,640 --> 01:04:07,080
Speaker 1: So I don't know. Somehow we'd gotten to talk about

1178
01:04:07,200 --> 01:04:12,360
Speaker 1: bon Jovi. Yeah, already laughing, and then topic discussion at

1179
01:04:12,360 --> 01:04:13,960
Speaker 1: the gay house at the gay house is bon Jovi,

1180
01:04:14,040 --> 01:04:16,520
Speaker 1: and we're like, guys like bon Jovie, like has has

1181
01:04:16,640 --> 01:04:22,080
Speaker 1: the heads And then Matt goes, well, yes, he well, yes,

1182
01:04:22,160 --> 01:04:24,760
Speaker 1: he breaks the boundaries. That's actually why they call him.

1183
01:04:25,960 --> 01:04:29,160
Speaker 1: That's why they call him bond Jovi. And so then

1184
01:04:29,200 --> 01:04:30,880
Speaker 1: it just became me like, well, you know, that's why

1185
01:04:30,920 --> 01:04:33,920
Speaker 1: they call him Bowen. Yeah, it's like like something that

1186
01:04:33,920 --> 01:04:36,400
Speaker 1: has nothing to do with the name. It's like Boone

1187
01:04:36,480 --> 01:04:38,919
Speaker 1: is a very good photographer. That's why they call him. Yeah,

1188
01:04:41,120 --> 01:04:44,280
Speaker 1: the stupidest thing try it at home, and the dumb

1189
01:04:44,320 --> 01:04:47,320
Speaker 1: miss thing in the world, you know. And it was

1190
01:04:47,400 --> 01:04:49,760
Speaker 1: something I made up. So I'm proud. So it's I

1191
01:04:49,760 --> 01:04:51,600
Speaker 1: think you should be very proud and that you can

1192
01:04:51,640 --> 01:04:53,680
Speaker 1: source back to you. I guess you might have to

1193
01:04:53,680 --> 01:04:55,520
Speaker 1: get a merch store. Oh my god, we might have

1194
01:04:55,560 --> 01:04:56,840
Speaker 1: to get a merch But how would we put that

1195
01:04:56,880 --> 01:05:00,560
Speaker 1: on merch anyway? Not for the Okay, Now, I think

1196
01:05:00,560 --> 01:05:02,320
Speaker 1: it's time for Matt Rodgers. I don't think so, honey.

1197
01:05:02,360 --> 01:05:04,280
Speaker 1: I actually think it is okay. So I have you

1198
01:05:04,360 --> 01:05:06,360
Speaker 1: on on my little time or on my phone, and

1199
01:05:06,440 --> 01:05:10,200
Speaker 1: this is Matt. Hold on, I'm looking at two and saying, Okay, Okay,

1200
01:05:10,280 --> 01:05:12,400
Speaker 1: I know what I'm gonna do. Okay, this is Matt Rodgers.

1201
01:05:12,400 --> 01:05:13,880
Speaker 1: I don't think so, honey. As time starts now, I

1202
01:05:13,920 --> 01:05:16,240
Speaker 1: don't think so, honey. You made a snap judgment on

1203
01:05:16,320 --> 01:05:20,360
Speaker 1: the morning show. Honey girl. It actually gets good after

1204
01:05:20,480 --> 01:05:23,680
Speaker 1: the first few episodes, and Jennifer Aniston is turning into

1205
01:05:23,720 --> 01:05:26,840
Speaker 1: performance and I don't think so, honey you And also

1206
01:05:26,880 --> 01:05:29,120
Speaker 1: I would include in the royal you capital y oh

1207
01:05:29,240 --> 01:05:32,600
Speaker 1: you me for making a snap judgment on the Morning Show,

1208
01:05:32,640 --> 01:05:34,720
Speaker 1: because even on this very podcast, I said, L O

1209
01:05:35,200 --> 01:05:37,960
Speaker 1: L the Morning Show suc g s and then I

1210
01:05:38,000 --> 01:05:40,480
Speaker 1: actually continue to watch it and guess what they figured

1211
01:05:40,520 --> 01:05:43,960
Speaker 1: it out. I do think so honey the second back

1212
01:05:44,120 --> 01:05:46,600
Speaker 1: the back half of the season, because let me tell

1213
01:05:46,640 --> 01:05:50,480
Speaker 1: you something, Miss Google and botha raw giving you a performance.

1214
01:05:51,400 --> 01:05:57,080
Speaker 1: Ms Reese, you know she's giving you giving it to you. Um,

1215
01:05:57,640 --> 01:06:01,560
Speaker 1: but Jennifer is saying, and what's his name, Billy crude Up,

1216
01:06:03,760 --> 01:06:05,760
Speaker 1: I'm actually gonna have to give it up for that weirdo.

1217
01:06:06,200 --> 01:06:08,840
Speaker 1: I do think he's like a psycho in the in

1218
01:06:08,920 --> 01:06:11,680
Speaker 1: the show, his weird performance is weird, very iris socratic.

1219
01:06:11,960 --> 01:06:14,120
Speaker 1: I think it actually made a comment on me too

1220
01:06:14,480 --> 01:06:16,600
Speaker 1: better than a lot of these other girls. And that's

1221
01:06:16,640 --> 01:06:19,160
Speaker 1: one minute you're saying Billy Crudup made a better comment

1222
01:06:19,200 --> 01:06:21,400
Speaker 1: on me. No, no, no, I said the Morning Show

1223
01:06:21,480 --> 01:06:24,560
Speaker 1: made a better comment like what was the Bomb Show? Okay,

1224
01:06:24,640 --> 01:06:27,920
Speaker 1: So I think that the Morning Show is a smarter,

1225
01:06:28,640 --> 01:06:33,480
Speaker 1: better look at what a better comment on me too

1226
01:06:33,640 --> 01:06:37,080
Speaker 1: in the Bomb Show? Interesting, I've only watched the first

1227
01:06:37,080 --> 01:06:44,760
Speaker 1: two episodes because it sucks. I was really like, I'm

1228
01:06:44,840 --> 01:06:47,400
Speaker 1: sure it's so accurate, but literally, when she fucking drinks

1229
01:06:47,480 --> 01:06:50,760
Speaker 1: red Bull to work out in the morning in the morning,

1230
01:06:50,960 --> 01:06:52,640
Speaker 1: I was like, I don't think I can watch this. Now,

1231
01:06:53,080 --> 01:06:54,760
Speaker 1: give me the weirdest. It was like written by a

1232
01:06:54,840 --> 01:06:57,320
Speaker 1: computer that was told like, hey, this she has to

1233
01:06:57,640 --> 01:06:59,560
Speaker 1: we have to get across that she needs her energy.

1234
01:06:59,560 --> 01:07:02,160
Speaker 1: And it's very yeah, but I'm but I'm now I'm

1235
01:07:02,320 --> 01:07:04,240
Speaker 1: and now I'm saying that. I'm like, I don't know

1236
01:07:04,320 --> 01:07:06,760
Speaker 1: if they do maybe, but no, I thought it would be.

1237
01:07:06,840 --> 01:07:09,200
Speaker 1: I thought it was pretty bad. But I like to

1238
01:07:09,280 --> 01:07:11,400
Speaker 1: hear that it's good. I like both of those actresses.

1239
01:07:12,200 --> 01:07:15,160
Speaker 1: It's a good I actually identify. I identify as Reese.

1240
01:07:15,880 --> 01:07:20,800
Speaker 1: Now what what about that character in my life? Oftentimes,

1241
01:07:20,840 --> 01:07:22,880
Speaker 1: like I'll just be walking around and like you never

1242
01:07:23,040 --> 01:07:25,040
Speaker 1: you ever, you ever? Like you ever like see a

1243
01:07:25,120 --> 01:07:27,280
Speaker 1: person in your head when you picture yourself. For me,

1244
01:07:27,480 --> 01:07:30,320
Speaker 1: almost of the time, I see myself as Rees. Like

1245
01:07:30,320 --> 01:07:32,720
Speaker 1: when I look in there here, I see Reese. I

1246
01:07:32,760 --> 01:07:34,320
Speaker 1: don't know what that means for me, but like Rees,

1247
01:07:34,440 --> 01:07:36,400
Speaker 1: especially in big Little Lies, I was like, I'm her,

1248
01:07:37,640 --> 01:07:40,520
Speaker 1: you are you are, specifically Reece when she gets arrested.

1249
01:07:40,600 --> 01:07:47,040
Speaker 1: If I saw that video for the first time, because yeah,

1250
01:07:47,280 --> 01:07:51,480
Speaker 1: it makes you like her more. Absolutely, it's so crazy,

1251
01:07:51,960 --> 01:07:56,280
Speaker 1: so long, it's endearing. But I need to know what

1252
01:07:56,480 --> 01:08:00,520
Speaker 1: is going on. This is that she keeps saying, I'm American, American,

1253
01:08:00,640 --> 01:08:03,640
Speaker 1: I'm American standing on American ground ground, and I have

1254
01:08:03,960 --> 01:08:07,280
Speaker 1: I have rights. Yeah, but her her going on Good

1255
01:08:07,320 --> 01:08:10,440
Speaker 1: Morning America or Today's show the next day icon iconic

1256
01:08:10,480 --> 01:08:12,000
Speaker 1: because she was like she was like, I said I

1257
01:08:12,080 --> 01:08:14,640
Speaker 1: was pregnant. I wasn't. She was, so she was just

1258
01:08:14,760 --> 01:08:16,360
Speaker 1: so like down to earth about it. She was like, yeah,

1259
01:08:16,400 --> 01:08:19,200
Speaker 1: it's stupid. I got drunk, I too too much to drink.

1260
01:08:19,760 --> 01:08:23,559
Speaker 1: And it was truly iconic. Do you know who I am? Well,

1261
01:08:23,600 --> 01:08:25,040
Speaker 1: you're gonna find out who I am. This this guy

1262
01:08:25,320 --> 01:08:28,600
Speaker 1: National News, I'm gonna find out who I am. It

1263
01:08:28,720 --> 01:08:31,760
Speaker 1: was so every everything you don't say, everything that no

1264
01:08:31,840 --> 01:08:33,720
Speaker 1: one else can say. That's what bugged me about is

1265
01:08:33,800 --> 01:08:37,120
Speaker 1: like anyone else says two of those words and gets

1266
01:08:37,200 --> 01:08:39,679
Speaker 1: clubbed over the head or put in jail for sure,

1267
01:08:40,320 --> 01:08:43,000
Speaker 1: which bothers me that. But at the I think, like

1268
01:08:43,360 --> 01:08:45,320
Speaker 1: I think, because it's really that's why I didn't think

1269
01:08:45,360 --> 01:08:48,120
Speaker 1: it's so funny, which is her privilege. Yeah, yeah, yeah,

1270
01:08:48,360 --> 01:08:51,160
Speaker 1: it's but that is when it is internutshell. And also

1271
01:08:51,560 --> 01:08:53,760
Speaker 1: it's so funny because like she gets put away in

1272
01:08:53,800 --> 01:08:55,519
Speaker 1: the car because she's like, I need to know what's

1273
01:08:55,560 --> 01:08:58,960
Speaker 1: going on. He's like, man, I'm on and her boyfriend

1274
01:08:59,120 --> 01:09:02,000
Speaker 1: is like her agent and it's her husband, and her

1275
01:09:02,080 --> 01:09:04,920
Speaker 1: husband is like says to the cop I'm sorry, I

1276
01:09:05,000 --> 01:09:09,320
Speaker 1: don't I had nothing to do with that. When she's

1277
01:09:09,360 --> 01:09:13,240
Speaker 1: in the cop car, she's talking to herself, resting me,

1278
01:09:14,560 --> 01:09:19,120
Speaker 1: talking to herself, I've done nothing. And then she goes,

1279
01:09:19,200 --> 01:09:24,080
Speaker 1: I'm obstructing his interest. Interesting. Interesting? Now, um, what about

1280
01:09:24,160 --> 01:09:26,120
Speaker 1: the episodes made you can want to keep watching if

1281
01:09:26,120 --> 01:09:29,280
Speaker 1: they were so bad in the beginning. Well, the thing

1282
01:09:29,439 --> 01:09:31,800
Speaker 1: is like I think it's the morning show, noess of

1283
01:09:31,880 --> 01:09:35,160
Speaker 1: it all, and I love that ship. Like I was like,

1284
01:09:35,240 --> 01:09:37,439
Speaker 1: I'm interested in this and invested in an end. I

1285
01:09:37,520 --> 01:09:39,120
Speaker 1: had had people that I trust tell me that it

1286
01:09:39,200 --> 01:09:41,439
Speaker 1: got better, and I was like, I'm honestly, I'm ready

1287
01:09:41,520 --> 01:09:44,920
Speaker 1: for it to be good to be there's honestly, maybe

1288
01:09:44,960 --> 01:09:46,920
Speaker 1: it's the fact that you adjust to the heightened writing,

1289
01:09:47,560 --> 01:09:49,439
Speaker 1: or just like it evens out a little bit. I

1290
01:09:49,560 --> 01:09:51,840
Speaker 1: can't really decide whether it's I'm getting used to the

1291
01:09:51,880 --> 01:09:55,519
Speaker 1: fact that it's like and campy or if it actually

1292
01:09:55,560 --> 01:09:57,880
Speaker 1: got better. I think it's probably an element of both.

1293
01:09:58,400 --> 01:10:03,120
Speaker 1: But the last episode, like did it did its thing? Yeah,

1294
01:10:03,240 --> 01:10:05,560
Speaker 1: and it got a little edgy for me, like in

1295
01:10:05,720 --> 01:10:07,559
Speaker 1: terms of what whether whether or not I was seeing

1296
01:10:07,640 --> 01:10:10,360
Speaker 1: was like appropriate or like responsible. But I bought it,

1297
01:10:11,200 --> 01:10:14,800
Speaker 1: and I should know better, Like I'm we're in the

1298
01:10:14,840 --> 01:10:16,960
Speaker 1: thick of writing the first couple of episodes of a show.

1299
01:10:17,000 --> 01:10:21,360
Speaker 1: It's hard. It's so hard, impossible, and like, so to

1300
01:10:21,560 --> 01:10:25,320
Speaker 1: forget it one or two, forget it, I mean, not trash.

1301
01:10:25,400 --> 01:10:30,080
Speaker 1: It's so hard. And then I watched other people shows.

1302
01:10:30,080 --> 01:10:33,679
Speaker 1: I'm like, oh, it's ship in twenty seconds a shot.

1303
01:10:33,920 --> 01:10:36,680
Speaker 1: It's like, no show is good until episode four by

1304
01:10:36,720 --> 01:10:39,920
Speaker 1: Matt Rogers. Well, I'm on the fourth episode of our show,

1305
01:10:40,040 --> 01:10:42,559
Speaker 1: and it's I actually felt that we had the most

1306
01:10:42,600 --> 01:10:45,600
Speaker 1: difficult time like breaking that one, because that's when you

1307
01:10:45,680 --> 01:10:48,200
Speaker 1: really have to wrap up like what's essentially the first arc,

1308
01:10:48,680 --> 01:10:49,680
Speaker 1: you know what I mean. So there's a lot of

1309
01:10:49,720 --> 01:10:52,280
Speaker 1: things that need to happen, if not the pilot anymore, right, right, right,

1310
01:10:52,600 --> 01:10:54,680
Speaker 1: it's not you're not just like having fun setting things up.

1311
01:10:54,680 --> 01:11:00,120
Speaker 1: It's like things have to start coming together yes to do.

1312
01:11:00,439 --> 01:11:02,479
Speaker 1: And so it's like, honestly, whenever i'm critical of a

1313
01:11:02,520 --> 01:11:04,920
Speaker 1: show now, it's like we were just saying, it's like, well,

1314
01:11:04,960 --> 01:11:06,559
Speaker 1: you know what it's like like to be in there,

1315
01:11:06,600 --> 01:11:08,120
Speaker 1: and it's like sometimes it's like it's like it's like

1316
01:11:08,160 --> 01:11:10,840
Speaker 1: sitting in front of a math problems. Yeah, you know

1317
01:11:11,720 --> 01:11:14,160
Speaker 1: British bake offf when they're like, you've overworked the dough.

1318
01:11:15,080 --> 01:11:21,519
Speaker 1: That's every fucking pilot being pulled and re shaped for years.

1319
01:11:21,600 --> 01:11:25,240
Speaker 1: And it's sometimes and then it sucks always. Always, there's

1320
01:11:25,280 --> 01:11:27,840
Speaker 1: always always that feeling in SNL where it's like you've

1321
01:11:27,880 --> 01:11:30,759
Speaker 1: like it worked in the beginning, it played at table,

1322
01:11:30,840 --> 01:11:33,360
Speaker 1: it was great, and then you do rewrite on it.

1323
01:11:33,479 --> 01:11:36,160
Speaker 1: You did more rewrites, and then producers give you notes

1324
01:11:36,160 --> 01:11:38,080
Speaker 1: because they mean well, and then by the end you're like,

1325
01:11:38,479 --> 01:11:40,800
Speaker 1: what the fund is this? Yeah, it's like it has

1326
01:11:40,880 --> 01:11:44,840
Speaker 1: like a vestigial tail. Yeah you know that. You know,

1327
01:11:45,000 --> 01:11:47,200
Speaker 1: it's like it's like it made sense at some point

1328
01:11:47,560 --> 01:11:49,760
Speaker 1: and then it's gone through ten versions. Then you're back

1329
01:11:49,840 --> 01:11:52,920
Speaker 1: to basically the second version, but it has like a

1330
01:11:53,000 --> 01:11:55,679
Speaker 1: wing coming off its body and then it's so funny

1331
01:11:55,720 --> 01:11:57,559
Speaker 1: because it's like you were just saying, and we can

1332
01:11:57,600 --> 01:11:59,560
Speaker 1: relate it to this show because it's like it's like

1333
01:11:59,800 --> 01:12:01,240
Speaker 1: at ultimately, at the end of the day, it goes

1334
01:12:01,320 --> 01:12:02,840
Speaker 1: up in front of an audience and the plays where

1335
01:12:02,840 --> 01:12:05,360
Speaker 1: it doesn't like, we'll do the table reads. Like some

1336
01:12:05,520 --> 01:12:08,160
Speaker 1: of the jokes I felt like, like that I knew

1337
01:12:08,200 --> 01:12:10,719
Speaker 1: were going to kill I was just like, huh, really

1338
01:12:11,040 --> 01:12:14,759
Speaker 1: that one didn't work. It's very hot, very humbling. Yes,

1339
01:12:15,360 --> 01:12:17,240
Speaker 1: so interesting because you know it's it's got to make

1340
01:12:17,280 --> 01:12:18,559
Speaker 1: people laugh. At the end of the day, we gotta

1341
01:12:18,560 --> 01:12:22,360
Speaker 1: start packing it with gays. Yeah, it's a little straight.

1342
01:12:22,960 --> 01:12:25,400
Speaker 1: I think that in our in our writer, in our

1343
01:12:25,720 --> 01:12:28,439
Speaker 1: table reads. Yeah, I think we need some gays in

1344
01:12:28,479 --> 01:12:31,000
Speaker 1: the audience. Come on. Yeah, you know there's a game

1345
01:12:31,040 --> 01:12:36,120
Speaker 1: in every department here or there, and then there's there's

1346
01:12:36,439 --> 01:12:40,120
Speaker 1: there should be well we should bring all the goddamn assistance. Yeah,

1347
01:12:40,280 --> 01:12:42,800
Speaker 1: because you know there there, those are the game boys,

1348
01:12:43,360 --> 01:12:45,679
Speaker 1: and they're going to run this town in a few years.

1349
01:12:47,360 --> 01:12:50,640
Speaker 1: I think it's time. I think, okay, it might not

1350
01:12:50,720 --> 01:12:54,720
Speaker 1: be a minute long. Well, we're just gonna have to

1351
01:12:54,760 --> 01:12:56,439
Speaker 1: sit here and fucking stare at you and watch you

1352
01:12:56,640 --> 01:12:59,840
Speaker 1: drown for the for the time you don't feel just kid,

1353
01:13:00,120 --> 01:13:04,679
Speaker 1: it's I'm interested to see what will happen, because Gabe

1354
01:13:04,760 --> 01:13:07,439
Speaker 1: has the right mind for this kind of thing, can't

1355
01:13:07,439 --> 01:13:11,920
Speaker 1: you say, I don't think? Yeah, absolutely, Okay, do you

1356
01:13:11,960 --> 01:13:14,160
Speaker 1: want a time? Remember you want me? Um, I want

1357
01:13:14,200 --> 01:13:17,679
Speaker 1: you to do it? Okay, okay, So this is gabe believings.

1358
01:13:17,680 --> 01:13:19,400
Speaker 1: I don't think so, honey, And as time starts now,

1359
01:13:19,920 --> 01:13:25,080
Speaker 1: I don't think so honey. Me working out anymore, I'm

1360
01:13:25,160 --> 01:13:28,160
Speaker 1: just not gonna do it anymore. I look the same.

1361
01:13:29,600 --> 01:13:32,800
Speaker 1: I look the same whether I work out or I

1362
01:13:32,960 --> 01:13:36,000
Speaker 1: don't work out, and I just don't think I have

1363
01:13:36,200 --> 01:13:39,240
Speaker 1: time for that anymore. From the second I was born

1364
01:13:39,680 --> 01:13:42,360
Speaker 1: to now where I am about to be thirty eight,

1365
01:13:42,479 --> 01:13:45,360
Speaker 1: my body has always been a collection of circles. I'm

1366
01:13:45,479 --> 01:13:48,080
Speaker 1: the bunch of grapes from the fruit of the loom,

1367
01:13:48,439 --> 01:13:52,200
Speaker 1: from your shawls. And it's fine. And you know, there's

1368
01:13:52,200 --> 01:13:54,160
Speaker 1: just not enough time in the day. If it's not

1369
01:13:54,280 --> 01:13:57,880
Speaker 1: gonna fucking do anything for me anymore. I go to work,

1370
01:13:58,720 --> 01:14:02,640
Speaker 1: I smoke ween, I jerk off, and then it's tomorrow.

1371
01:14:03,960 --> 01:14:07,280
Speaker 1: You wait with the day. That's it. And I just

1372
01:14:07,439 --> 01:14:09,320
Speaker 1: don't think I want to put the time into that.

1373
01:14:09,560 --> 01:14:12,000
Speaker 1: Everyone has tips. You know what you should be lifting,

1374
01:14:12,280 --> 01:14:16,200
Speaker 1: you should be doing hot yoga. Hey look I did

1375
01:14:16,280 --> 01:14:22,320
Speaker 1: it all and it look say one, Oh my god,

1376
01:14:22,360 --> 01:14:24,680
Speaker 1: that was perfect. You know which you know what the

1377
01:14:24,720 --> 01:14:26,800
Speaker 1: one that's killing me. You know, abs are made in

1378
01:14:26,840 --> 01:14:30,000
Speaker 1: the kitchen. I'm like, girl, hurt it. You know what?

1379
01:14:30,120 --> 01:14:33,599
Speaker 1: Abs are made on skinny people. And if you are

1380
01:14:33,840 --> 01:14:36,800
Speaker 1: fat and you work out, there's no point you look

1381
01:14:36,920 --> 01:14:39,439
Speaker 1: the same, I will say. Like, and also it's like

1382
01:14:39,640 --> 01:14:42,479
Speaker 1: you try to put yourself on like like Jared and

1383
01:14:42,520 --> 01:14:44,240
Speaker 1: I are supposed to be quote unquote on a diet

1384
01:14:44,360 --> 01:14:46,920
Speaker 1: right now, I have little rules. No matter what the

1385
01:14:47,040 --> 01:14:50,400
Speaker 1: rules are, you'll fix it on it and be miserable. Yes,

1386
01:14:50,720 --> 01:14:53,240
Speaker 1: and then also you'll you'll eventually break them and be

1387
01:14:53,320 --> 01:14:55,400
Speaker 1: hard on yourself. And like I did whole thirty. It

1388
01:14:55,520 --> 01:14:57,559
Speaker 1: was great, it was fine, and then it was over

1389
01:14:57,680 --> 01:15:00,519
Speaker 1: and like maybe it worked and like something, you know,

1390
01:15:00,640 --> 01:15:02,800
Speaker 1: working out as good for your mental health, but it's

1391
01:15:02,840 --> 01:15:05,160
Speaker 1: like I just like I've been so mad at myself

1392
01:15:05,200 --> 01:15:08,120
Speaker 1: since this room has started. I've worked out twice and

1393
01:15:08,200 --> 01:15:10,559
Speaker 1: it's been three months, and I'm just like beating myself

1394
01:15:10,680 --> 01:15:11,880
Speaker 1: up about it, and I'm just like, you know what,

1395
01:15:12,040 --> 01:15:15,280
Speaker 1: I'm busy, I'll work out again. I'm seeing myself. It

1396
01:15:15,479 --> 01:15:18,040
Speaker 1: literally looked exactly this. You have no reason to feel

1397
01:15:18,120 --> 01:15:21,280
Speaker 1: guilty about not working out. Yeah. Also another thing is

1398
01:15:21,360 --> 01:15:23,680
Speaker 1: like no one is looking at you as hard as

1399
01:15:23,720 --> 01:15:25,760
Speaker 1: you are. Yes, that's another thing. And it's like I

1400
01:15:25,960 --> 01:15:29,639
Speaker 1: do think that I love living here now. I really

1401
01:15:29,720 --> 01:15:32,960
Speaker 1: love living here a lot. My life has gotten I

1402
01:15:33,040 --> 01:15:38,479
Speaker 1: think better. But it is hard the culture in l A. Yeah,

1403
01:15:38,600 --> 01:15:43,600
Speaker 1: it's hard at first because even if you like objectively

1404
01:15:43,960 --> 01:15:47,160
Speaker 1: look fine and everyone does like, it's like, like, again,

1405
01:15:47,200 --> 01:15:50,080
Speaker 1: no one's thinking about you. You kill yourself as a

1406
01:15:50,160 --> 01:15:52,280
Speaker 1: gay man in this In this l A, l A.

1407
01:15:52,960 --> 01:15:55,400
Speaker 1: I think that people in New York are just as hot,

1408
01:15:55,560 --> 01:15:59,600
Speaker 1: if not hotter. It's just they're more naked here, and

1409
01:15:59,720 --> 01:16:04,240
Speaker 1: they're it's hard, yeah, and they're dressed down like people

1410
01:16:04,320 --> 01:16:08,000
Speaker 1: here are in their pj's at restaurants, and in New

1411
01:16:08,040 --> 01:16:10,160
Speaker 1: York it's like you have three layers to go to

1412
01:16:10,280 --> 01:16:15,320
Speaker 1: the bodega exactly, and so like you look great always always, yeah,

1413
01:16:15,520 --> 01:16:19,160
Speaker 1: because here you look like an asshole all the time,

1414
01:16:19,560 --> 01:16:23,080
Speaker 1: right right, Yeah, I'm I'm I'm posting stuff to the

1415
01:16:23,160 --> 01:16:25,720
Speaker 1: fence to where I'm like going to dark places with

1416
01:16:25,800 --> 01:16:29,160
Speaker 1: all this like fucking self images. It is hard. I'm

1417
01:16:29,160 --> 01:16:32,559
Speaker 1: not really out there too. Is that change things for you? Yeah,

1418
01:16:32,600 --> 01:16:36,760
Speaker 1: because I'm noticing myself being like, yeah, I look weird there.

1419
01:16:36,880 --> 01:16:38,840
Speaker 1: I don't look like myself and I don't feel like myself.

1420
01:16:38,880 --> 01:16:41,280
Speaker 1: It's like, that's not the that's not the version of

1421
01:16:41,360 --> 01:16:43,640
Speaker 1: myself that I know to be that I picture in

1422
01:16:43,720 --> 01:16:46,400
Speaker 1: my head, which is a crazy thing to like match

1423
01:16:46,520 --> 01:16:49,160
Speaker 1: up against. Like when I see like myself, like truly

1424
01:16:50,080 --> 01:16:53,800
Speaker 1: wearing a crazy costume, I'm like, well, I don't look normal.

1425
01:16:53,840 --> 01:16:57,559
Speaker 1: It's like, of course I don't look normal. Yeah, truly

1426
01:16:57,840 --> 01:17:00,360
Speaker 1: it's it's it's weird, but you feel you feel that

1427
01:17:00,479 --> 01:17:02,280
Speaker 1: when they put you on the cast, like something did

1428
01:17:02,400 --> 01:17:05,160
Speaker 1: change in you subconsciously or unconsciously where it was like

1429
01:17:06,439 --> 01:17:09,920
Speaker 1: it's it's truly a thing where like I did, like

1430
01:17:10,400 --> 01:17:13,160
Speaker 1: like because when Gab and I met a Golden Globes, Yeah,

1431
01:17:13,280 --> 01:17:14,920
Speaker 1: that was the first time. Maybe was the first time

1432
01:17:14,920 --> 01:17:17,680
Speaker 1: I was doing the whole day too. Yes, I remember this. Yeah,

1433
01:17:17,720 --> 01:17:19,519
Speaker 1: I met in New York. We met in New York

1434
01:17:19,840 --> 01:17:21,960
Speaker 1: very briefly, but then that was like we talk and

1435
01:17:22,000 --> 01:17:29,840
Speaker 1: I was like, I'm doing yes, there's no a um

1436
01:17:30,120 --> 01:17:33,000
Speaker 1: and then uh but yes, okay, so yeah, and you

1437
01:17:33,080 --> 01:17:34,840
Speaker 1: were on the whole thirty and you were doing good.

1438
01:17:34,960 --> 01:17:37,120
Speaker 1: I was doing okay. I I fell off after like

1439
01:17:37,240 --> 01:17:42,559
Speaker 1: day twenty. I treat it and then but recently I'll

1440
01:17:42,640 --> 01:17:45,720
Speaker 1: like be eating a salad and then Sudi will be like, oh,

1441
01:17:45,840 --> 01:17:47,800
Speaker 1: he's on camera, and I'm like, oh, wait a minute,

1442
01:17:47,880 --> 01:17:51,080
Speaker 1: that's like not a result. It's not it's it's not

1443
01:17:51,160 --> 01:17:53,240
Speaker 1: like a direct correlation to like this one thing. But

1444
01:17:53,320 --> 01:17:55,800
Speaker 1: now it feels like it's reinforced. Suddenly you have a

1445
01:17:56,000 --> 01:17:58,760
Speaker 1: lot of eyes on you in this way that's so different. Sure,

1446
01:17:58,800 --> 01:18:00,080
Speaker 1: but then it's like but it's like me eat a

1447
01:18:00,160 --> 01:18:02,759
Speaker 1: salad is not because I'm on camera, but like she's

1448
01:18:02,840 --> 01:18:05,479
Speaker 1: like reinforcing the idea that I'm on camera, so I

1449
01:18:05,520 --> 01:18:07,720
Speaker 1: should be watching. Let's call her. We're going to call

1450
01:18:07,760 --> 01:18:09,400
Speaker 1: her right now. No, no, no, but it makes it

1451
01:18:09,479 --> 01:18:11,920
Speaker 1: makes sense. It makes total sense, and son't I'm just

1452
01:18:12,000 --> 01:18:14,640
Speaker 1: noticing that. It's it's the thing that I am. I

1453
01:18:14,680 --> 01:18:18,559
Speaker 1: am having a hard time talking about therapy as as yeah,

1454
01:18:18,560 --> 01:18:20,760
Speaker 1: I would have wh which it never happens. I'm always like, yeah,

1455
01:18:20,840 --> 01:18:23,000
Speaker 1: let's talk about let's talk about everything. And this is

1456
01:18:23,040 --> 01:18:24,840
Speaker 1: a weird thing where I'm like I have not thought

1457
01:18:24,840 --> 01:18:27,320
Speaker 1: about this enough and that scares me. I feel like

1458
01:18:27,439 --> 01:18:29,559
Speaker 1: my thing is like I'm I'm trying to be on camera,

1459
01:18:29,640 --> 01:18:31,920
Speaker 1: like I'm still auditioning every now and then, and it's

1460
01:18:31,960 --> 01:18:34,600
Speaker 1: like that, I think is the thing where it's like

1461
01:18:34,600 --> 01:18:36,920
Speaker 1: I wonder if I booked a show, if I would

1462
01:18:36,960 --> 01:18:39,160
Speaker 1: feel like a little bit more relaxed about it or

1463
01:18:39,240 --> 01:18:41,320
Speaker 1: put more pressure on myself because I know, like right

1464
01:18:41,479 --> 01:18:43,840
Speaker 1: now like attempting to be on camera and going in

1465
01:18:43,960 --> 01:18:46,400
Speaker 1: and auditioning and like wanting to look good for the cast.

1466
01:18:46,439 --> 01:18:48,320
Speaker 1: Intrectors are wanting to look good on camera, which is

1467
01:18:48,360 --> 01:18:50,760
Speaker 1: a whole fucking other thing. Like you could look in

1468
01:18:50,840 --> 01:18:53,040
Speaker 1: the mirror and think actually, yeah, and then you see

1469
01:18:53,080 --> 01:18:57,160
Speaker 1: yourself on camera and you're like, oh my god, that's

1470
01:18:57,360 --> 01:19:02,400
Speaker 1: bad and it's just like so miserable. And but like

1471
01:19:03,120 --> 01:19:06,280
Speaker 1: I think that right now because I'm like trying to

1472
01:19:06,320 --> 01:19:09,200
Speaker 1: be on camera desperately. I'm like looking in and right

1473
01:19:09,240 --> 01:19:11,840
Speaker 1: now my thing with myself is like I'm killing myself

1474
01:19:11,880 --> 01:19:13,760
Speaker 1: because like there's like a little red spots around my

1475
01:19:13,880 --> 01:19:18,880
Speaker 1: eyes used to be there, and no one and it's

1476
01:19:19,120 --> 01:19:23,080
Speaker 1: crazy cuckoo loo. Yeah, and it's just like but it's

1477
01:19:23,120 --> 01:19:25,080
Speaker 1: that thing. It's like when you're around the entertainment industry,

1478
01:19:25,120 --> 01:19:29,680
Speaker 1: when you're around you know, uh, I think gay men

1479
01:19:29,760 --> 01:19:33,040
Speaker 1: who like make that a priority, which is great if

1480
01:19:33,080 --> 01:19:35,240
Speaker 1: you do, it's like hard, it's like it's a lot

1481
01:19:35,320 --> 01:19:37,080
Speaker 1: to keep up with at the top of mind constantly.

1482
01:19:37,120 --> 01:19:39,080
Speaker 1: I think because of what you're saying, specifically in this city,

1483
01:19:39,160 --> 01:19:42,400
Speaker 1: because there's always the possibility of being like sons out,

1484
01:19:42,439 --> 01:19:45,080
Speaker 1: guns out, and it's like it makes you say grew.

1485
01:19:45,200 --> 01:19:47,600
Speaker 1: It really does makes you say grew. This is not

1486
01:19:47,880 --> 01:19:50,600
Speaker 1: totally related, but somewhat related. Have we talked about this

1487
01:19:50,640 --> 01:19:55,400
Speaker 1: Instagram face article in The New Yorker but wrote it's

1488
01:19:55,439 --> 01:19:57,080
Speaker 1: about I looked for her book the other day in

1489
01:19:57,120 --> 01:19:58,559
Speaker 1: the store and they said they were all sold out.

1490
01:19:58,840 --> 01:20:01,600
Speaker 1: You have to drift me or I'm going to read it.

1491
01:20:01,680 --> 01:20:03,920
Speaker 1: Have you read it? It's great? No, but I bought it.

1492
01:20:04,400 --> 01:20:06,840
Speaker 1: I'm one of those. Yeah you have the book. Uh,

1493
01:20:07,479 --> 01:20:10,280
Speaker 1: you and we love and there's a joking games album.

1494
01:20:10,760 --> 01:20:15,639
Speaker 1: He's like, don't like books, don't like literally literally sister life.

1495
01:20:15,840 --> 01:20:18,360
Speaker 1: But this is She wrote this article in New Yorker

1496
01:20:18,360 --> 01:20:21,120
Speaker 1: about um, the concept of Instagram face, which is like

1497
01:20:21,160 --> 01:20:26,080
Speaker 1: the Kim Kardashian like everyone but like with face tune

1498
01:20:26,200 --> 01:20:28,560
Speaker 1: paired with Instagram. It's like everyone's trying to basically like

1499
01:20:29,280 --> 01:20:33,320
Speaker 1: achieve that but now but then it's like kind of

1500
01:20:33,400 --> 01:20:37,800
Speaker 1: like expands out into like the sort of like cosmetics

1501
01:20:38,000 --> 01:20:41,160
Speaker 1: cosmetic procedure world where it's people are getting fillers and

1502
01:20:42,000 --> 01:20:46,320
Speaker 1: it's and then getting there whatever's like done, and it's

1503
01:20:46,400 --> 01:20:48,240
Speaker 1: we're teetering on the edge of this thing now where

1504
01:20:48,280 --> 01:20:51,600
Speaker 1: it's like getting your jawline like saw down is like

1505
01:20:51,680 --> 01:20:55,160
Speaker 1: the equivalent to like a spa day. It's self care.

1506
01:20:55,280 --> 01:20:58,479
Speaker 1: It's like it's self care now to get fillers. You're

1507
01:20:58,600 --> 01:21:01,160
Speaker 1: basically there. It's becoming it's becoming a thing where it's

1508
01:21:01,160 --> 01:21:03,560
Speaker 1: like that is like normalized and again, do whatever you

1509
01:21:03,680 --> 01:21:05,000
Speaker 1: want if you want to do it, but it's like

1510
01:21:05,080 --> 01:21:06,800
Speaker 1: it's becoming normalized. Like it's like, oh, yeah, I went

1511
01:21:06,800 --> 01:21:09,080
Speaker 1: to the tanning booths. Yes, that's what it is. And

1512
01:21:10,600 --> 01:21:13,759
Speaker 1: like one of the last lines and the last paragraphs

1513
01:21:13,760 --> 01:21:16,559
Speaker 1: in this article is, um, she's talking to this doctor

1514
01:21:16,880 --> 01:21:18,240
Speaker 1: with one of the one of the one of the

1515
01:21:18,439 --> 01:21:22,559
Speaker 1: surgeons or whatever, and he like it's making all these

1516
01:21:22,600 --> 01:21:25,400
Speaker 1: great points throughout the interview, and then he just ends

1517
01:21:25,400 --> 01:21:27,599
Speaker 1: it with you know when you get like the perfect

1518
01:21:27,640 --> 01:21:29,040
Speaker 1: haircut and you look in the mirror and you go,

1519
01:21:29,240 --> 01:21:32,400
Speaker 1: this is like the best version of myself. That's what

1520
01:21:32,560 --> 01:21:36,640
Speaker 1: all these procedures are like times a thousand. It's like

1521
01:21:36,840 --> 01:21:38,960
Speaker 1: you like, look, you look at yourself and you're like,

1522
01:21:39,080 --> 01:21:41,040
Speaker 1: this is who this is what I meant to look like.

1523
01:21:41,120 --> 01:21:42,920
Speaker 1: I don't even know what. I don't know what that

1524
01:21:44,320 --> 01:21:46,960
Speaker 1: don't have that you have recent least, Yeah, I mean

1525
01:21:47,320 --> 01:21:51,880
Speaker 1: I do think I look like, yeah, I'm five three,

1526
01:21:52,680 --> 01:21:57,200
Speaker 1: have gorgeous blond hair. Highly get you an orange wig, yeah,

1527
01:21:57,960 --> 01:22:01,360
Speaker 1: a strong jaw, very drunk jim Yeah, and a square

1528
01:22:01,400 --> 01:22:03,840
Speaker 1: face and maybe an underby but it works on her.

1529
01:22:03,880 --> 01:22:05,320
Speaker 1: But one of the most beautiful women, one of those

1530
01:22:05,320 --> 01:22:08,400
Speaker 1: beaut Yeah, we were we saw a picture of Ariel

1531
01:22:08,600 --> 01:22:12,400
Speaker 1: from Little Mermaid before. I was like, and and bowen,

1532
01:22:13,520 --> 01:22:15,680
Speaker 1: I was very stoned earlier this week and we're like

1533
01:22:15,760 --> 01:22:17,800
Speaker 1: we were like Arrow had come up and then I

1534
01:22:17,960 --> 01:22:21,200
Speaker 1: was like, God, Ariel's so beautiful, and I said, well,

1535
01:22:21,200 --> 01:22:22,960
Speaker 1: it's just one of the most beautiful women in the world.

1536
01:22:24,360 --> 01:22:26,479
Speaker 1: You know. The thing about Ariel is she's when you

1537
01:22:26,560 --> 01:22:28,639
Speaker 1: look at all the women in the world. She's among

1538
01:22:28,720 --> 01:22:31,320
Speaker 1: the most gorgeous in the world. Yeah, she's up there

1539
01:22:31,400 --> 01:22:35,439
Speaker 1: with you know, Christie Brinkley. Yes, it goes Christie Brinkley,

1540
01:22:35,680 --> 01:22:48,600
Speaker 1: Ariel Windy Houston, Fergie Um, Tamara Um all real housewives

1541
01:22:49,400 --> 01:22:52,400
Speaker 1: and Gemma Chan and Gemma Cham you know gay But

1542
01:22:52,560 --> 01:22:55,080
Speaker 1: Gabe laughing is all of us right now. Yeah, him

1543
01:22:55,160 --> 01:22:57,720
Speaker 1: laughing is actually all of us right now right not

1544
01:22:57,840 --> 01:23:02,479
Speaker 1: to blast it into the micah ask. Maybe maybe the

1545
01:23:02,520 --> 01:23:04,760
Speaker 1: title of that is, oh my god, you're all of

1546
01:23:04,880 --> 01:23:11,160
Speaker 1: us right we have? We invented by Matt, invented by Matt.

1547
01:23:11,280 --> 01:23:14,639
Speaker 1: Important to say. I feel that one thing we forgot

1548
01:23:14,680 --> 01:23:17,880
Speaker 1: to mention is your podcast called I'm Afraid That on

1549
01:23:18,040 --> 01:23:22,640
Speaker 1: Little Everywhere with yourself and Daniels Omparelli, Daniels OPPRELLI my

1550
01:23:22,760 --> 01:23:28,080
Speaker 1: husband and Um Daniel mostly I guess host with him.

1551
01:23:28,520 --> 01:23:33,920
Speaker 1: Um interviews people about their weirdest, most interesting fears and

1552
01:23:34,120 --> 01:23:37,200
Speaker 1: so sometimes they're common ones like flying, but sometimes they're

1553
01:23:37,280 --> 01:23:40,840
Speaker 1: so bizarre. Specific. We had Megan am Ram and she's

1554
01:23:40,840 --> 01:23:45,240
Speaker 1: afraid of her own veins. Like it's it's like very

1555
01:23:45,400 --> 01:23:48,200
Speaker 1: interesting and we've got amazing guests. If you want to

1556
01:23:48,600 --> 01:23:53,559
Speaker 1: binge at Jordan's Peel Jenny Slade um really great people.

1557
01:23:53,880 --> 01:23:58,720
Speaker 1: Aliza talks about her leg so yeah, check it out.

1558
01:24:00,040 --> 01:24:03,599
Speaker 1: Spheres is like getting yeah, I mean she's afraid it's

1559
01:24:03,600 --> 01:24:07,160
Speaker 1: gonna happen in or just another trauma like god. Um,

1560
01:24:07,360 --> 01:24:10,360
Speaker 1: so it's really an interesting topic. So we talk to

1561
01:24:10,439 --> 01:24:14,120
Speaker 1: people and then um, he'll talk to you like an expert. Also,

1562
01:24:14,320 --> 01:24:16,760
Speaker 1: so it's he's not a psychologist or anything. So it's

1563
01:24:16,800 --> 01:24:19,000
Speaker 1: just sort of to round it out, and it's it's

1564
01:24:19,120 --> 01:24:22,439
Speaker 1: really interesting. You know, that sounds very very cool and

1565
01:24:22,600 --> 01:24:25,040
Speaker 1: actually like it's very interesting to find out how people

1566
01:24:25,080 --> 01:24:27,360
Speaker 1: can take steps to get over their affairs. For example,

1567
01:24:27,479 --> 01:24:30,479
Speaker 1: did you know maybe you do because this podcast is

1568
01:24:30,800 --> 01:24:34,120
Speaker 1: in your orbit, but people who are afraid of flying,

1569
01:24:34,880 --> 01:24:36,760
Speaker 1: one way to get over a fear of flying that

1570
01:24:36,920 --> 01:24:40,320
Speaker 1: works is to join a program where you book a

1571
01:24:40,479 --> 01:24:44,280
Speaker 1: flight every day and you get the notifications like you

1572
01:24:44,280 --> 01:24:46,240
Speaker 1: should be getting on the plane now, and so you know,

1573
01:24:46,320 --> 01:24:48,280
Speaker 1: this is when you get on the plane, the plane

1574
01:24:48,360 --> 01:24:51,080
Speaker 1: is now, the closed doors are closing, you're in the air,

1575
01:24:51,240 --> 01:24:54,320
Speaker 1: this is where you are now, you're plane landed. So essentially,

1576
01:24:54,400 --> 01:24:57,280
Speaker 1: like every single day you take a flight quote unquote

1577
01:24:57,680 --> 01:25:00,360
Speaker 1: to to show you that a plane is never going

1578
01:25:00,400 --> 01:25:05,280
Speaker 1: to crash. Like, so it's basically you experience the routine

1579
01:25:05,600 --> 01:25:09,560
Speaker 1: of of actually like the duration of being on the

1580
01:25:09,600 --> 01:25:12,439
Speaker 1: plane without doing it, and that reinforces to you that

1581
01:25:12,560 --> 01:25:16,240
Speaker 1: it's like every plane lands, which is pretty cool. Yeah

1582
01:25:16,400 --> 01:25:18,479
Speaker 1: my way of getting over Yeah, yeah, that makes total

1583
01:25:18,520 --> 01:25:20,640
Speaker 1: since I'm like, my way of getting over any like

1584
01:25:21,040 --> 01:25:23,519
Speaker 1: fear I have, Wilifly is like, oh, there's truly a

1585
01:25:23,640 --> 01:25:26,439
Speaker 1: billion planes in the sky every day, but exactly somehow

1586
01:25:26,560 --> 01:25:31,439
Speaker 1: that freaks me out even more crash into another. It's

1587
01:25:31,439 --> 01:25:35,400
Speaker 1: all just software. It's crazy. Literally, how does it's not

1588
01:25:35,520 --> 01:25:38,320
Speaker 1: breaking bad? Like yeah, fully fully full. At the end

1589
01:25:38,360 --> 01:25:40,840
Speaker 1: of every conversation with myself where I'm like, there's billions

1590
01:25:40,840 --> 01:25:42,160
Speaker 1: of planes in the air, it's safer to be up

1591
01:25:42,200 --> 01:25:43,640
Speaker 1: here than it is even walking around on the air,

1592
01:25:43,720 --> 01:25:45,720
Speaker 1: I'm like, it's still a hungry metal in this. Yes,

1593
01:25:46,439 --> 01:25:49,200
Speaker 1: we're not. We don't belong there. We don't belong. It's

1594
01:25:49,240 --> 01:25:54,400
Speaker 1: not magic, it's not it's actually not geniuses either. They're

1595
01:25:54,400 --> 01:25:57,200
Speaker 1: actually just like you and I, flesh and blood. One

1596
01:25:57,240 --> 01:26:00,360
Speaker 1: of these planes just had a weird software that made

1597
01:26:00,400 --> 01:26:04,559
Speaker 1: it nos dive everyone just like That's what I mean

1598
01:26:04,640 --> 01:26:09,440
Speaker 1: by I'm not saying that pilots and gus. It's technology.

1599
01:26:09,600 --> 01:26:11,760
Speaker 1: Someone thought, you know, it's like it's code and it's

1600
01:26:11,840 --> 01:26:13,960
Speaker 1: people taking guess here. I hope no one's listening to

1601
01:26:14,040 --> 01:26:17,719
Speaker 1: this on a plane, truly. Wow, Oh my god. Anyway,

1602
01:26:17,800 --> 01:26:22,040
Speaker 1: sorry bitch, s Hang. I hope you texted everyone you

1603
01:26:22,160 --> 01:26:28,720
Speaker 1: loved that. Um what what an happen? And you must

1604
01:26:28,760 --> 01:26:32,439
Speaker 1: come back when the show Yea, I love you guys.

1605
01:26:32,520 --> 01:26:34,200
Speaker 1: Oh my god, we love you and we wanted to

1606
01:26:34,240 --> 01:26:40,599
Speaker 1: have loved you. I'm so happy you're doing in l A. Yeah. Well,

1607
01:26:40,680 --> 01:26:43,160
Speaker 1: the thing is like we was like when we found

1608
01:26:43,200 --> 01:26:45,560
Speaker 1: it going to be on different coasts, Like we were like,

1609
01:26:46,040 --> 01:26:49,120
Speaker 1: we gotta keep yea. And honestly, I'm ad at all

1610
01:26:49,160 --> 01:26:50,719
Speaker 1: the listeners that they thought we were going to cancel

1611
01:26:50,760 --> 01:26:53,280
Speaker 1: it because they didn't believe we would never ess actually

1612
01:26:53,320 --> 01:26:57,560
Speaker 1: meaningful when you'd make the decision to believe podcasts, thank you.

1613
01:26:57,840 --> 01:27:01,960
Speaker 1: I believe it was Constant who said that I believe podcasts,

1614
01:27:02,000 --> 01:27:05,840
Speaker 1: believe podcasters. Um. Now we end every episode with the

1615
01:27:05,920 --> 01:27:08,320
Speaker 1: song um wait, but do we say everything? Oh? Okay

1616
01:27:08,920 --> 01:27:13,679
Speaker 1: follow out Glio bliedman, Um okay, listen to I'm afraid

1617
01:27:13,760 --> 01:27:19,400
Speaker 1: that Yes, Uh watch every show, every good show that's

1618
01:27:19,439 --> 01:27:26,880
Speaker 1: been that's watch PEN fifteen. That's good, and there is

1619
01:27:27,080 --> 01:27:30,400
Speaker 1: a lot more PEN fifteen coming. When is the second season?

1620
01:27:30,400 --> 01:27:33,400
Speaker 1: We'll be back. It's coming back, okay, So we're more

1621
01:27:33,479 --> 01:27:37,840
Speaker 1: than halfway done shooting it coming out in two bursts, UM,

1622
01:27:38,000 --> 01:27:41,160
Speaker 1: there's there. Honestly, over the next year, there's like fifteen

1623
01:27:41,200 --> 01:27:44,200
Speaker 1: episodes to come out in a burst of seven ups.

1624
01:27:44,400 --> 01:27:46,680
Speaker 1: And did you work on the show? Yes? I did,

1625
01:27:46,760 --> 01:27:48,320
Speaker 1: I were. I just was a writer in the room.

1626
01:27:48,400 --> 01:27:50,920
Speaker 1: They took over show running UM and they got a

1627
01:27:51,000 --> 01:27:55,560
Speaker 1: new sort of like writing ep right. UM has a

1628
01:27:55,600 --> 01:27:57,920
Speaker 1: lot of experience and a couple of more writers. They

1629
01:27:58,000 --> 01:28:02,840
Speaker 1: basically got money UM a writer's room because it used

1630
01:28:02,840 --> 01:28:05,200
Speaker 1: to just be the three of them and me and

1631
01:28:05,320 --> 01:28:10,000
Speaker 1: this are wonderful. UM writer's assistant Jessica Watson, who you know,

1632
01:28:12,479 --> 01:28:14,880
Speaker 1: absolute genius and has gone on to staff on sex

1633
01:28:14,920 --> 01:28:20,800
Speaker 1: great shows herself Energy. Are you going? Are you on

1634
01:28:20,960 --> 01:28:23,960
Speaker 1: set for shooting now? I mean I went and visited

1635
01:28:25,120 --> 01:28:28,720
Speaker 1: while they were shooting. Yeah, and they shoot at a

1636
01:28:28,760 --> 01:28:30,640
Speaker 1: real school, so sometimes they do weekend shoot. So I

1637
01:28:30,720 --> 01:28:33,080
Speaker 1: went for a weekend shoot. It was one of my episodes.

1638
01:28:33,280 --> 01:28:35,720
Speaker 1: But they're continuing to shoot for several months now, but

1639
01:28:36,200 --> 01:28:40,400
Speaker 1: there are fourteen normal episodes and like, I don't know

1640
01:28:40,400 --> 01:28:41,880
Speaker 1: if I should say this, but like kind of like

1641
01:28:42,000 --> 01:28:48,320
Speaker 1: special I love them and it's really good. Really it

1642
01:28:48,600 --> 01:28:54,400
Speaker 1: truly startling, startlingly funny, like it strikes you like and

1643
01:28:54,560 --> 01:28:59,160
Speaker 1: Sam are absolute genius. It's because it's so it's so

1644
01:29:00,120 --> 01:29:03,400
Speaker 1: brand new, brand new, and um, okay, you're truly one

1645
01:29:03,439 --> 01:29:09,240
Speaker 1: of the hardest working people and just rocks. Give him

1646
01:29:09,400 --> 01:29:15,080
Speaker 1: more money, everyone give it to him, say yeah, honestly, like,

1647
01:29:15,479 --> 01:29:17,240
Speaker 1: please shut this dog up. But the dog has a

1648
01:29:17,360 --> 01:29:19,479
Speaker 1: lot of feelings and thoughts. Actually game needs to perform

1649
01:29:19,479 --> 01:29:23,360
Speaker 1: at least two more DNA tests. Yeah on this, I

1650
01:29:23,439 --> 01:29:26,400
Speaker 1: believe she's a boxing right exactly. And it's actually meaningful,

1651
01:29:26,720 --> 01:29:29,200
Speaker 1: um to make the choice to believe dogs when they

1652
01:29:29,240 --> 01:29:33,720
Speaker 1: say what they are. Constance said that. Um. And so

1653
01:29:33,880 --> 01:29:39,720
Speaker 1: speaking of um, Constance, Constance woo, which is a musical noise. Um.

1654
01:29:39,800 --> 01:29:43,160
Speaker 1: We do end every episode with a song take it away, Bowen,

1655
01:29:44,960 --> 01:29:49,840
Speaker 1: what songe really listening to? Earlier? Oh? I should have

1656
01:29:49,880 --> 01:29:52,920
Speaker 1: started no, no, you got you. You can't remember this

1657
01:29:52,960 --> 01:29:59,639
Speaker 1: spot everyone, I thought you were going to do Russian Roulette.

1658
01:30:00,000 --> 01:30:02,439
Speaker 1: Don't know chard about that. Well, okay, Doug, we're gonna

1659
01:30:02,439 --> 01:30:04,519
Speaker 1: cut around this. No, we're gonna No, we're not. Everything

1660
01:30:04,600 --> 01:30:08,559
Speaker 1: stays in. We're raw. Pull it up, put up, it up,

1661
01:30:08,600 --> 01:30:12,680
Speaker 1: fall out, pull up, that's it up, ball out. We

1662
01:30:12,720 --> 01:30:18,400
Speaker 1: don't see its side. Let's see us dot of side.

1663
01:30:19,280 --> 01:30:23,280
Speaker 1: Oh shut up. Sorry, fine,