WEBVTT - V for Vendetta with Marcella Arguello

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<v Speaker 1>On the Beck dol Cast, the questions asked if movies

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<v Speaker 1>have women and are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef in best

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<v Speaker 1>start changing it with the beck Del Cast. Hello, Welcome

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<v Speaker 1>to the beck Del Cast. My name is Jamie, my

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<v Speaker 1>name is Katelin, says our podcast about the portrayal of

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<v Speaker 1>women in movies. That's right, and how it's usually not good.

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<v Speaker 1>That's right, but sometimes it is sometimes better than you think. Rightsive,

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<v Speaker 1>those are the outliers. I'm negative. Nancy over here, still fun, dynamic? Yeah,

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<v Speaker 1>good cop, bad cop. Yeah, I'm feeling I'm feeling good today.

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<v Speaker 1>It's very hot, but it's okay. And you just came

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<v Speaker 1>from Universal Studios. I did. I have a friend in

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<v Speaker 1>town and I had to occupy her for a finite

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<v Speaker 1>number of hours. Had some passes to Universal. It worked

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<v Speaker 1>out perfect. So we went on a bunch of did

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<v Speaker 1>you go to the Mommy Ride? If we go to

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<v Speaker 1>the mad it's the best ride. Yes, we did go

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<v Speaker 1>to the Mommy Ride. When on the Harry Potter Ride,

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<v Speaker 1>When in the Simpsons ride, did did the whole bit,

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<v Speaker 1>you know, like reach that point where It's like we've

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<v Speaker 1>been friends for so long that we got into like

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<v Speaker 1>a small silent argument in the middle of the day,

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<v Speaker 1>and then it just passed in the way that it

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<v Speaker 1>does with old friends. And then we went on the

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<v Speaker 1>Harry Potter ran again and now I'm here a pretty

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<v Speaker 1>good day. Great, awesome. I sat in my bed for

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<v Speaker 1>several hours. Amazing. Also a good day. So our podcast

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<v Speaker 1>is inspired by the Bechdel Test. It's a test that

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<v Speaker 1>requires that two characters in the movie are women, They

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<v Speaker 1>have names, they talk to each other in their conversation.

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<v Speaker 1>It can be about anything besides a man created by

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<v Speaker 1>Alison Bechdel. Been around for a long time. We just

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<v Speaker 1>use it as a yardstick for a larger discussion that

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<v Speaker 1>was concise, that was that was a really good one,

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<v Speaker 1>good for us, for us, for us, all right, And

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<v Speaker 1>with that, let's introduce our guests. You've seen her on

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<v Speaker 1>at midnight. She's gonna win at midnight world times. She's

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<v Speaker 1>a hilarious comedian. Marcella Arguayo, Oh my god, thank you

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<v Speaker 1>so much. Told the applause, Thank you everybody, Thank you

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<v Speaker 1>for having me, Thanks for coming. I'm excited. So we're

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<v Speaker 1>talking about v for Vendetta my favorite movie, okay, of

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<v Speaker 1>all time? I think, so well cool. When did you

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<v Speaker 1>first see it? Bad? I can't answer. I don't know.

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<v Speaker 1>I don't know when I first saw it. I just

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<v Speaker 1>remember loving it and calling it more, and then watching

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<v Speaker 1>it again and loving it more. And this is coming

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<v Speaker 1>from a person who hates movies. I hate movies, and

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<v Speaker 1>I don't know. I don't know what did it. I mean,

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<v Speaker 1>I guess I could guess, but I remember at the beginning,

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<v Speaker 1>I was like, I don't know what. Why do I

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<v Speaker 1>keep watching this movie over and over and over again?

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<v Speaker 1>When I loved it? Um, it used to be I

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<v Speaker 1>would watch it every fifth of November because I was like,

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<v Speaker 1>I'm watching this every year, I might as well kind

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<v Speaker 1>of like save it for the fifth of November. And

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<v Speaker 1>then my dad's funeral was on the fifth of November,

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<v Speaker 1>and then I stopped watching it. I stopped watching it

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<v Speaker 1>for a few years, and then I just recently got

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<v Speaker 1>back into watching it again. I don't know. I can't

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<v Speaker 1>associate the November five. I can associated with two things

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<v Speaker 1>and be fine with it. And actually that might have

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<v Speaker 1>been the first November if they missed it for for

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<v Speaker 1>that exact reason. And it's weird because I don't even

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<v Speaker 1>know how I landed on it, because, like I said,

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<v Speaker 1>I don't like a lot of movies, like watching a

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<v Speaker 1>lot of movies, but I really I liked this one,

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<v Speaker 1>and this is one of those movies too, Like I like,

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<v Speaker 1>even by looking at the poster, you're like, oh, this

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<v Speaker 1>movie is pretty long. Ye Like it looks like, oh

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<v Speaker 1>this is We're going to have to strap in and

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<v Speaker 1>do some thinking on this one. All right, Am I

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<v Speaker 1>ready a lecture? Yeah? Exactly. There's gonna be some philosophical

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<v Speaker 1>something or other, So there's gonna be a lot of

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<v Speaker 1>Domino visual. One of my favorite parts of the movie, like,

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<v Speaker 1>oh he just had this, He just had those rounds

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<v Speaker 1>he did. Yeah, he had everything. Where did come from?

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<v Speaker 1>He's still in a bunch of somebody also was able

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<v Speaker 1>to somehow for that giant house shadow gallery that he

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<v Speaker 1>lived in. This is what I kind of like about

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<v Speaker 1>like graphic novel adaptations to or like it's even more

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<v Speaker 1>so than film. I feel like such a visual symbolic

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<v Speaker 1>medium that when it's adapted to film, like probably in

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<v Speaker 1>the graphic novel, it looks super cool and normal to

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<v Speaker 1>be like, oh, he just has these dominants, but in

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<v Speaker 1>the movie you're just like, wait, he just has those

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<v Speaker 1>dominant Like it's still super cool, but I was like

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<v Speaker 1>taken out of it for a second of like who

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<v Speaker 1>set those up? Like he lives alone, he doesn't doesn't

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<v Speaker 1>use the internet. No, that's another thing. This takes place

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<v Speaker 1>in twenties seven, and no one seems to have phones,

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<v Speaker 1>and there's like chunky desktops, which I also love. I love.

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<v Speaker 1>I love like futuristic movies for that reason of like

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<v Speaker 1>why do they have, you know, personalized door knobs, but

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<v Speaker 1>no one has a cell phone. The video that he

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<v Speaker 1>like makes everyone watch when he's like, in a year

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<v Speaker 1>from now, I'm going to blow up a building. It's

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<v Speaker 1>on like a like a little mini seed like that technology.

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<v Speaker 1>I used to love those mini c ds though, because

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<v Speaker 1>you could, like you could get them at Staples, and

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<v Speaker 1>I would remember I would make my friends mix CDs,

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<v Speaker 1>but you could only fit like three or four songs

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<v Speaker 1>on it. It was had to be really concise mix. Yeah,

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<v Speaker 1>and he had a concise mix. He did well. And

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<v Speaker 1>to your point about the future, and they didn't have

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<v Speaker 1>any cell phones, but their government was controlling them, so

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<v Speaker 1>they would have cell phones, So it was just like

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<v Speaker 1>all in theory, all the informations routed to them via

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<v Speaker 1>TV and that's their only source. That makes sense. Yeah,

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<v Speaker 1>well yeah, because that would cut down on their ability

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<v Speaker 1>to communicate with each If you try to make fun

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<v Speaker 1>of this movie, I'm gonna knock you down. That's why

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<v Speaker 1>we do this. I love this movie. The Dominoes though.

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<v Speaker 1>The Dominoes really I like rerouted again just to be like,

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<v Speaker 1>where did these art department who? Like, every time I

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<v Speaker 1>see that, that's what I think about, especially now I'm worked.

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<v Speaker 1>I've worked in this industry, Like, oh my god, how

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<v Speaker 1>many times did they have to do that? That's like,

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<v Speaker 1>I hope there was a shot that they did where

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<v Speaker 1>the Dominoes went perfectly and they're like, oh my god,

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<v Speaker 1>the camera wasn't onwards, battery was out. We're so sorry.

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<v Speaker 1>It looked amazing. Please reset all four thousand domina Oh

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<v Speaker 1>my god. That's that's all. It's the only thing I

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<v Speaker 1>think of now when I watched it. Yeah, yeah, I

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<v Speaker 1>mean it's like a it's like a visually beautiful movie.

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<v Speaker 1>There's so there's so much and the graphic novel is

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<v Speaker 1>really dark. So you've read it, Yeah, I've read it

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<v Speaker 1>and it's obviously longer, and I'm not one of those

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<v Speaker 1>like the books movie because I didn't watch I didn't

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<v Speaker 1>read the book before I watched the movie. So for me,

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<v Speaker 1>I'm just like, it's different. It's just a little different.

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<v Speaker 1>But I like because it's darker, which is where the

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<v Speaker 1>element of that like darkness, and it's always kind of

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<v Speaker 1>just there's just so there's so many elements of darkness.

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<v Speaker 1>We've said it five times now dark Um. It's a

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<v Speaker 1>same author as Watchmen, which I didn't enjoy. I did

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<v Speaker 1>not enjoy that movie. I liked the book. I mean

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<v Speaker 1>they're similar books like thematically, it's a very dark very

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<v Speaker 1>he's a he's a head scratcher, that Alan Moore. He's

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<v Speaker 1>also got a big old head of hair. I got

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<v Speaker 1>his Wikipedia. He is h he's a wanderer. You could

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<v Speaker 1>tell you he's walking the streets at night and getting inspired. Yeah,

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<v Speaker 1>he's with his hands in pockets. Very film noir. I

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<v Speaker 1>was trying to figure out more about what his deal

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<v Speaker 1>is so he would not put his name on this movie.

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<v Speaker 1>I read that. Yeah, I think and wouldn't take royalties either,

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<v Speaker 1>because I think he's just like I don't know old

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<v Speaker 1>punk rock k I read something to the fact that

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<v Speaker 1>he was dissatisfied with other film adaptations of his works

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<v Speaker 1>he was watching before this or after after, but he

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<v Speaker 1>was referring to he was not satisfied with the adaptations

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<v Speaker 1>of From Hell or or A League of Extraordinary Gentlemen.

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<v Speaker 1>So he's like, I'm not going to watch me for

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<v Speaker 1>Vendetta and Funk calling you guys it was probably the

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<v Speaker 1>best one. Yeah, yeah, that's only you. Hear most about,

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<v Speaker 1>like people still watch it, Yeah, yeah, yeah, people are

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<v Speaker 1>still inspired by it, which brings me to my history

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<v Speaker 1>when this mommy. I saw it in the theater I

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<v Speaker 1>think multiple times, and I was obsessed with it for

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<v Speaker 1>a while. I was so obsessed with it I wanted

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<v Speaker 1>to get a tattoo of the V symbol. Well I

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<v Speaker 1>never did, but I was like, I, God, maybe I

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<v Speaker 1>should get because I would very very much regret it.

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<v Speaker 1>But I was like, maybe my first tattoo will be

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<v Speaker 1>in the V symbol. Yeah, I just I loved it.

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<v Speaker 1>I saw it so many times, but um, I hadn't

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<v Speaker 1>seen it in quite a few years before I rewatched

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<v Speaker 1>it for this, and I have a bit of a

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<v Speaker 1>different take on it. Oh yeah, I still like it,

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<v Speaker 1>and I was still very moved by it. I cried

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<v Speaker 1>like three different times. That's like, but watching it through,

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<v Speaker 1>watching it through the Bechdel lens, you have a little

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<v Speaker 1>different perspective on it. I can understand that, Yeah, I

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<v Speaker 1>saw this movie. I want to say I saw it

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<v Speaker 1>like late high school or something like that. And then

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<v Speaker 1>I remember, right before I went to college, someone gave

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<v Speaker 1>me a V for Vendetta poster and I and I like,

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<v Speaker 1>I didn't super remember the movie very well, but I

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<v Speaker 1>liked what that projected. I was like, it would be

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<v Speaker 1>cool if someone wanted my room and saw Viva Vendetta poster.

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<v Speaker 1>So remember my whole freshman year of college, I had

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<v Speaker 1>a v from Himdetta poster, and I was just constantly

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<v Speaker 1>in fear someone was going to ask me a follow

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<v Speaker 1>up question, like I would be like, I don't what

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<v Speaker 1>is it about? Because I would wake up next to

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<v Speaker 1>it every day and be like, man, I like what

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<v Speaker 1>this says about me. I feel like it says I'm cool.

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<v Speaker 1>But I was. I liked the movie, but I had

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<v Speaker 1>only seen it once and then maybe I think I've

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<v Speaker 1>seen it maybe three times total. Now I watched it yesterday. Yeah, yeah,

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<v Speaker 1>well I can't wait to discuss it. But first I'll

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<v Speaker 1>do the recap, pre cap, pree cap so V for

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<v Speaker 1>Vendetta is set in the UK in sort of like

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<v Speaker 1>a police state, um neo fascist regime. We meet Evie Hammond,

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<v Speaker 1>the young woman, and we meet the sort of like

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<v Speaker 1>a radical vigilante guy who is trying to ignite a revolution,

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<v Speaker 1>and they cross paths on his way to blowing up

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<v Speaker 1>the Old Bailey, this monument basically like a high a

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<v Speaker 1>politicized Phantom of the Opera. That's like accurate, right. He

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<v Speaker 1>wears a mask. You never see him to take off

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<v Speaker 1>his mask in the entire movie and dry Butler and

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<v Speaker 1>Fantom of the And they crossed paths and he ends

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<v Speaker 1>up having to save her from Fingerman these like cops

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<v Speaker 1>who are trying to rape her. Ironically, yeah, man, who

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<v Speaker 1>want to finger her? What a scary scene, like right

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<v Speaker 1>at the that's I had forgotten about that scene. That

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<v Speaker 1>was the watch I really was. And then so she

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<v Speaker 1>sort of becomes embroiled in his plot. He wants to

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<v Speaker 1>blow up the houses of Parliament, inspired by Guy Fox

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<v Speaker 1>who tried to do the same thing in sixteen o five.

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<v Speaker 1>But you find out you learn over the course of

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<v Speaker 1>the movie that he has this vendetta whoa that's the

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<v Speaker 1>name of the movie. He's trying to seek revenge on

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<v Speaker 1>different members who rose to power who had wronged him.

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<v Speaker 1>He was basically imprisoned in this facility, was tested on.

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<v Speaker 1>They were like trying to develop biological warfare viruses that

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<v Speaker 1>they could that they did unleash on the population. A

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<v Speaker 1>hundred thousand people or something like who died. Yeah, the government,

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<v Speaker 1>in their sort of authoritarian style covered it all up

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<v Speaker 1>and they're like it was actually these religious extremists, but

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<v Speaker 1>it was actually the government who did this. So he's

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<v Speaker 1>basically trying to uncover all these secrets and kill all

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<v Speaker 1>the people who wronged him. And then he wants to

0:11:23.520 --> 0:11:25.480
<v Speaker 1>blow up the building because the building is a symbol

0:11:25.520 --> 0:11:28.080
<v Speaker 1>and that's going to ignite a revolution that he went.

0:11:28.160 --> 0:11:29.600
<v Speaker 1>So he's like, in a year, I'm going to blow

0:11:29.679 --> 0:11:32.520
<v Speaker 1>up this building, and everyone's like, oh my god, oh gay,

0:11:32.720 --> 0:11:35.840
<v Speaker 1>And then I love it, like it is like, oh,

0:11:36.040 --> 0:11:39.040
<v Speaker 1>just count down to domestic terrorism. From moment one of

0:11:39.040 --> 0:11:42.680
<v Speaker 1>the movie, you're like, yeah, cool. So he has to

0:11:43.520 --> 0:11:50.320
<v Speaker 1>basically capture and imprison Evy because she gets this whole

0:11:50.360 --> 0:11:52.920
<v Speaker 1>like recurring theme of I'm going to kidnap this woman

0:11:52.960 --> 0:11:56.120
<v Speaker 1>and re educate her to think exactly like me. There's

0:11:56.120 --> 0:11:57.960
<v Speaker 1>a lot of parallels between and then like kind of

0:11:58.000 --> 0:12:00.720
<v Speaker 1>a I guess, like not as much Beauty and the

0:12:00.760 --> 0:12:02.600
<v Speaker 1>Beast for me. It's just like a weird like I'm

0:12:02.600 --> 0:12:07.319
<v Speaker 1>taking this woman who speaks to me for whatever reason

0:12:07.320 --> 0:12:10.400
<v Speaker 1>and that's open to interpretation, and I'm gonna, you know,

0:12:10.520 --> 0:12:12.760
<v Speaker 1>kind of just get her too things like me and

0:12:12.800 --> 0:12:15.920
<v Speaker 1>agree with me on things. And then you know, I

0:12:15.920 --> 0:12:18.360
<v Speaker 1>don't know, I don't know where Yeah, well, I mean

0:12:18.400 --> 0:12:20.280
<v Speaker 1>I know, I mean, oh, I mean that's what this

0:12:20.320 --> 0:12:23.280
<v Speaker 1>movie is about. Although you could argue differently, but like, yeah,

0:12:23.360 --> 0:12:25.719
<v Speaker 1>we're watching. I was like, oh man, sorry, I keep

0:12:25.720 --> 0:12:27.839
<v Speaker 1>in directing. No, it's I mean, I'm sort of all

0:12:27.840 --> 0:12:30.200
<v Speaker 1>over the place with this recap because it's a hard

0:12:30.240 --> 0:12:32.199
<v Speaker 1>movie to summarize. There's a lot going on. There's a

0:12:32.200 --> 0:12:34.560
<v Speaker 1>lot going on. So there's also this Chief Inspector Finch,

0:12:34.760 --> 0:12:38.440
<v Speaker 1>who is trying to uncover the identity of v and

0:12:38.440 --> 0:12:40.959
<v Speaker 1>he's also after Evie Hammond because everyone thinks she's like

0:12:41.000 --> 0:12:44.319
<v Speaker 1>this accomplice, which she ends up being. He's a real

0:12:44.360 --> 0:12:47.680
<v Speaker 1>grumbly Powder. He's a pounding all He's like, hey, what's

0:12:47.720 --> 0:12:51.360
<v Speaker 1>going on over here? Who can I trust? And then

0:12:51.480 --> 0:12:55.760
<v Speaker 1>this whole sort of conspiracy gets uncovered where V was

0:12:55.800 --> 0:12:59.280
<v Speaker 1>at this detention center at lark Hill. This virus had

0:12:59.320 --> 0:13:02.000
<v Speaker 1>been tested on and they were able to use something

0:13:02.040 --> 0:13:05.840
<v Speaker 1>about like the antibodies in his blood to develop a

0:13:05.840 --> 0:13:08.079
<v Speaker 1>cure for the virus that then they then unleashed on

0:13:08.120 --> 0:13:11.800
<v Speaker 1>the population for Chancellor Sutler to gain political power and

0:13:11.800 --> 0:13:13.400
<v Speaker 1>then make a bunch of people rich in the in

0:13:13.440 --> 0:13:16.520
<v Speaker 1>this party, this political party. So a lot of details,

0:13:16.559 --> 0:13:18.480
<v Speaker 1>a lot going on, and then so in the end,

0:13:18.920 --> 0:13:22.880
<v Speaker 1>V gets his last revenge on Chancellor Sutler and his

0:13:23.040 --> 0:13:27.160
<v Speaker 1>like right hand gooney guy Creedy, and then V kills

0:13:27.200 --> 0:13:30.200
<v Speaker 1>them both. And then evis like, I guess now I

0:13:30.360 --> 0:13:35.120
<v Speaker 1>have to destroy the fucking Big Bend building. And then

0:13:35.360 --> 0:13:39.120
<v Speaker 1>she does, and then everyone's like wow, a revolution, and

0:13:39.160 --> 0:13:42.520
<v Speaker 1>the grumbly Powder guy is there too, and and she's like,

0:13:42.600 --> 0:13:45.800
<v Speaker 1>I'm going to blow the building and he's kind of like, yeah, okay,

0:13:46.679 --> 0:13:48.439
<v Speaker 1>I like that part where he's like, you know what's like,

0:13:48.480 --> 0:13:53.000
<v Speaker 1>you know what, I'm gonna just stand up together? Ye yes, yeah,

0:13:53.080 --> 0:13:55.720
<v Speaker 1>you see, like a flash forward. It's like the future

0:13:55.760 --> 0:13:58.800
<v Speaker 1>and they're together. So that's at the moment that they

0:13:59.000 --> 0:14:01.320
<v Speaker 1>write that it happened. M what a little what a

0:14:01.400 --> 0:14:03.920
<v Speaker 1>cute meet cute. It's a real it's a real round

0:14:03.920 --> 0:14:08.360
<v Speaker 1>come meetute. That's for sure. I can't wait to meet

0:14:08.400 --> 0:14:11.640
<v Speaker 1>my next boyfriend on the eve of a revolution. That's

0:14:11.640 --> 0:14:14.600
<v Speaker 1>the high stakes meet cute, and I'm into it. What

0:14:14.720 --> 0:14:17.840
<v Speaker 1>a good story? Like, oh yeah, before we blew up parliament,

0:14:17.880 --> 0:14:21.600
<v Speaker 1>we're like, maybe there's something here, yeah, question And this

0:14:21.840 --> 0:14:24.040
<v Speaker 1>may have just genuinely been like I was not paying

0:14:24.080 --> 0:14:27.320
<v Speaker 1>close enough attention. Um, were there people in the Parliament building?

0:14:27.560 --> 0:14:29.520
<v Speaker 1>Were we killing people? I feel like they had a

0:14:29.600 --> 0:14:32.840
<v Speaker 1>year's notice to like call in to work that day. Yeah,

0:14:33.040 --> 0:14:35.280
<v Speaker 1>I don't know. It didn't seem like there was or

0:14:35.280 --> 0:14:37.520
<v Speaker 1>I think I just seen it. Okay, that makes me

0:14:37.520 --> 0:14:39.040
<v Speaker 1>feel a little bit. I mean, I would assume it

0:14:39.080 --> 0:14:41.680
<v Speaker 1>would strictly be employees, So why would it be working

0:14:41.680 --> 0:14:44.400
<v Speaker 1>in the middle of the night. That's true, Yeah, because

0:14:44.400 --> 0:14:46.840
<v Speaker 1>it was at midnight when this happened. I was just

0:14:47.440 --> 0:14:49.360
<v Speaker 1>I was just like, I just hope. Yeah. I don't

0:14:49.360 --> 0:14:51.160
<v Speaker 1>think I'm all for symbolism. I just don't want to

0:14:51.160 --> 0:14:53.280
<v Speaker 1>want to get hurt. Yeah, I don't know. I don't

0:14:53.360 --> 0:14:56.120
<v Speaker 1>think people were in the building. If there were, would

0:14:56.120 --> 0:14:58.840
<v Speaker 1>have seen it, right. I don't think anyone was killed

0:14:58.880 --> 0:15:02.320
<v Speaker 1>when he blew up the bay Lee monument, either because

0:15:02.400 --> 0:15:05.080
<v Speaker 1>he did a lot of people. But but it would

0:15:05.080 --> 0:15:07.520
<v Speaker 1>have been reported or would it have been because the government,

0:15:09.440 --> 0:15:11.840
<v Speaker 1>it would have been discussed in the movie, not necessarily

0:15:12.280 --> 0:15:17.320
<v Speaker 1>told or informed. We would we would know. So that's

0:15:17.320 --> 0:15:19.200
<v Speaker 1>the story, and I kind of want to go through

0:15:19.240 --> 0:15:22.120
<v Speaker 1>the story in a different way, but as it relates

0:15:22.160 --> 0:15:24.200
<v Speaker 1>to the treatment of women, so I have some like

0:15:24.320 --> 0:15:28.160
<v Speaker 1>major pointing. So one of the first things that happens

0:15:28.360 --> 0:15:32.920
<v Speaker 1>is that ev goes outside past this government curfew and

0:15:33.160 --> 0:15:38.600
<v Speaker 1>almost gets raped by policemen the government, right, and then

0:15:39.000 --> 0:15:41.440
<v Speaker 1>she has to be saved by a man, and this

0:15:41.480 --> 0:15:43.880
<v Speaker 1>is when she meets V. So we see the trope

0:15:43.880 --> 0:15:45.840
<v Speaker 1>of a of a man having to save a woman

0:15:45.880 --> 0:15:48.960
<v Speaker 1>because she's in a dangerous situation. Well, there there is

0:15:48.960 --> 0:15:51.640
<v Speaker 1>something to be said about, especially what's going on in

0:15:51.680 --> 0:15:54.040
<v Speaker 1>the news right now with the Harvey Weinstein's and all

0:15:54.040 --> 0:15:57.160
<v Speaker 1>these motherfucker's that are sexually assaulting and raping women. I mean,

0:15:57.280 --> 0:15:59.960
<v Speaker 1>we do need men to stand beside us, so sure.

0:16:00.200 --> 0:16:03.040
<v Speaker 1>So in that way, I do like that he does

0:16:03.120 --> 0:16:05.240
<v Speaker 1>save her because he knows it's the right thing to do,

0:16:05.800 --> 0:16:07.960
<v Speaker 1>and he almost makes her feel like I'm not going

0:16:07.960 --> 0:16:11.080
<v Speaker 1>to do this too, because that's not right. There are people,

0:16:11.120 --> 0:16:13.320
<v Speaker 1>there are men and women that can exist side by side,

0:16:13.760 --> 0:16:15.640
<v Speaker 1>and a woman does not have to feel like she's

0:16:15.680 --> 0:16:18.000
<v Speaker 1>going to be raped by a man, because there's plenty

0:16:18.000 --> 0:16:20.080
<v Speaker 1>of guy friends of mine that I feel that way.

0:16:20.280 --> 0:16:21.920
<v Speaker 1>I feel safe with them, and we have to feel

0:16:21.960 --> 0:16:25.800
<v Speaker 1>safe with men in order to coexist, right, So I

0:16:25.800 --> 0:16:29.160
<v Speaker 1>actually like that. I honestly didn't mind it either. I

0:16:29.240 --> 0:16:31.120
<v Speaker 1>was more calling out that that is a trup that

0:16:31.160 --> 0:16:33.400
<v Speaker 1>we see over and over again, but it never bothered

0:16:33.400 --> 0:16:35.520
<v Speaker 1>me with this movie when I saw it. Well also

0:16:35.640 --> 0:16:37.760
<v Speaker 1>we we I mean, how often do we see a

0:16:37.840 --> 0:16:42.239
<v Speaker 1>woman about to get raped and then the dude immediately

0:16:42.640 --> 0:16:45.800
<v Speaker 1>kills those dudes because he's like, fuck you, how fucking

0:16:45.880 --> 0:16:49.600
<v Speaker 1>dare you rape this? Like no questions asked, Like there's

0:16:49.680 --> 0:16:53.120
<v Speaker 1>rarely immediate consequence, which is nice to see it. It is,

0:16:53.520 --> 0:16:56.560
<v Speaker 1>And it's also it's just nice that he just just like, oh,

0:16:56.560 --> 0:16:58.440
<v Speaker 1>you're gonna rape her, I'm gonna kill you, Like that's

0:16:58.480 --> 0:17:01.480
<v Speaker 1>not why are you mean this? And he doesn't know her,

0:17:01.600 --> 0:17:03.520
<v Speaker 1>he doesn't need to know her. I love that. I

0:17:03.640 --> 0:17:07.159
<v Speaker 1>really do love that. Yeah, I I I'm always like

0:17:07.480 --> 0:17:09.399
<v Speaker 1>a little bit like the second I you know, if

0:17:09.640 --> 0:17:12.080
<v Speaker 1>a woman is being like rescued at the very top

0:17:12.080 --> 0:17:14.479
<v Speaker 1>of the movies, and I'm like, I don't know. But

0:17:14.760 --> 0:17:16.920
<v Speaker 1>what I really do like about that scene is that

0:17:17.280 --> 0:17:21.040
<v Speaker 1>the conversation that takes place afterwards, where it's not implied

0:17:21.080 --> 0:17:23.560
<v Speaker 1>in any way that she owes him something, where she

0:17:24.119 --> 0:17:29.320
<v Speaker 1>asks her to hang that's okay, she agrees, that's okay,

0:17:29.400 --> 0:17:32.119
<v Speaker 1>Like I, you know, where it's like, okay, we've seen,

0:17:32.560 --> 0:17:33.800
<v Speaker 1>you know, at the top of the movie the man

0:17:33.840 --> 0:17:35.440
<v Speaker 1>saves the woman. But then I feel like it's very

0:17:35.480 --> 0:17:39.359
<v Speaker 1>often implied and now she is indebted to him and

0:17:39.400 --> 0:17:41.040
<v Speaker 1>it will spend a lot of time in the movie

0:17:41.040 --> 0:17:44.560
<v Speaker 1>trying to, you know, repay him, and that was never

0:17:44.640 --> 0:17:48.080
<v Speaker 1>implied in their relationship. Was also like the first time

0:17:48.200 --> 0:17:50.720
<v Speaker 1>the spark in his eye for her started because he

0:17:50.800 --> 0:17:53.800
<v Speaker 1>did the whole vv vv V and his monologue and

0:17:53.880 --> 0:17:56.439
<v Speaker 1>what's her name? And what's her name? E V And

0:17:56.440 --> 0:17:59.600
<v Speaker 1>he says, of course it is, you know, it's it's

0:17:59.680 --> 0:18:01.800
<v Speaker 1>it's right. I love it well, because his whole theme

0:18:01.920 --> 0:18:05.280
<v Speaker 1>is there are no coincidences. You know, everything is supposed

0:18:05.280 --> 0:18:09.000
<v Speaker 1>to be the illusion of yeah, it's it's linear, and uh,

0:18:09.320 --> 0:18:11.520
<v Speaker 1>I like that she has She's just like this, who

0:18:11.560 --> 0:18:14.560
<v Speaker 1>is this fucking psychopath? And he was just like, oh no,

0:18:14.640 --> 0:18:16.800
<v Speaker 1>this is meant to be. This is kind of cool. Right.

0:18:18.680 --> 0:18:21.800
<v Speaker 1>Do you think that he workshopped that speech? Do you

0:18:21.800 --> 0:18:26.960
<v Speaker 1>think he took it to open my practice? I'm so

0:18:27.000 --> 0:18:30.360
<v Speaker 1>ready for that moment? Like, and that's another fun like

0:18:30.640 --> 0:18:34.840
<v Speaker 1>adaptation trope where it's like that's such a like you know,

0:18:34.960 --> 0:18:39.119
<v Speaker 1>such a like poetic, like every word in the dictionary

0:18:39.119 --> 0:18:45.080
<v Speaker 1>that begins with V, he's like vile and viola ver

0:18:45.720 --> 0:18:47.480
<v Speaker 1>like you know, he went through there's a lot of

0:18:47.520 --> 0:18:50.680
<v Speaker 1>words he crossed out, probably in the pursuit of He's like, well,

0:18:50.680 --> 0:18:54.159
<v Speaker 1>when I meet a girl that I like, I'm going

0:18:54.200 --> 0:18:56.280
<v Speaker 1>to be so ready with not even it. He was

0:18:56.320 --> 0:18:58.639
<v Speaker 1>just like, when someone is worth talking to, I'm going

0:18:58.680 --> 0:19:01.160
<v Speaker 1>to be able to unleash the he's got. I've got

0:19:01.160 --> 0:19:03.600
<v Speaker 1>a tight three minutes of speech, and he got and

0:19:03.600 --> 0:19:08.600
<v Speaker 1>he's been practicing it the way he practices, which I

0:19:08.680 --> 0:19:13.879
<v Speaker 1>thought was very It was charming. You know what he's weird,

0:19:14.080 --> 0:19:16.160
<v Speaker 1>he's weird, he likes to have fun, he's still he's

0:19:16.160 --> 0:19:19.800
<v Speaker 1>still childlike. Yeah, the best people are still childlike. And

0:19:19.840 --> 0:19:22.920
<v Speaker 1>also I feel like just a general this isn't even

0:19:22.960 --> 0:19:25.520
<v Speaker 1>like a super gendered trope, but like just you see

0:19:25.560 --> 0:19:30.240
<v Speaker 1>like very isolated, lonely characters you don't very often see

0:19:30.840 --> 0:19:33.160
<v Speaker 1>just weird ship that they do, Like you know, when

0:19:33.160 --> 0:19:35.879
<v Speaker 1>you're alone a lot, and I can speak from personal experience,

0:19:36.160 --> 0:19:39.440
<v Speaker 1>you do weird ship, and like when someone's around, you're like,

0:19:39.480 --> 0:19:42.440
<v Speaker 1>oh wait, sorry, that's weird. Like I really enjoyed because

0:19:42.560 --> 0:19:45.880
<v Speaker 1>when she walks in on him, he's so embarrassed. He's like, right,

0:19:47.119 --> 0:19:48.760
<v Speaker 1>it would have been so easy for him to be

0:19:48.840 --> 0:19:51.159
<v Speaker 1>like and here's five more words that begin with me.

0:19:52.200 --> 0:19:53.720
<v Speaker 1>But he's sort of like, oh sorry, it's my favorite

0:19:53.720 --> 0:19:55.960
<v Speaker 1>movie and do you want to watch it? Like it's

0:19:56.000 --> 0:19:58.959
<v Speaker 1>super cute, and then he recites the lines as he's watching.

0:19:58.960 --> 0:20:01.639
<v Speaker 1>It's just something I am so guilty of it very

0:20:01.680 --> 0:20:06.879
<v Speaker 1>interest You'll find your own tree. Yeah, I thought that

0:20:06.880 --> 0:20:09.040
<v Speaker 1>that was He even changed his voice to say the

0:20:09.080 --> 0:20:12.400
<v Speaker 1>line that's what was also cute. Yeah, I was very

0:20:12.440 --> 0:20:16.960
<v Speaker 1>charmed by that scene. I watched it twice back to

0:20:17.000 --> 0:20:20.439
<v Speaker 1>the like him saving her thing. I wasn't bothered by

0:20:20.440 --> 0:20:23.000
<v Speaker 1>it as much because then you see her save him

0:20:23.119 --> 0:20:26.560
<v Speaker 1>later with what's that character's named Dominic. One of the

0:20:26.560 --> 0:20:29.399
<v Speaker 1>detectives is about to shoot him when they're in the

0:20:29.440 --> 0:20:32.159
<v Speaker 1>bt N building and Evie taps him on the shoulder

0:20:32.160 --> 0:20:35.359
<v Speaker 1>and then mass him, allowing v to get away. So right,

0:20:35.520 --> 0:20:37.840
<v Speaker 1>she sort of returns. I mean, that's why I always

0:20:37.920 --> 0:20:40.800
<v Speaker 1>liked and he always knew as there were equals. That's

0:20:40.800 --> 0:20:43.080
<v Speaker 1>what I always liked about their romance. Is as soon

0:20:43.119 --> 0:20:44.960
<v Speaker 1>as he met her and found out her name was Evie,

0:20:45.000 --> 0:20:48.480
<v Speaker 1>he was like, oh, fuck, yeah, she's it. She's my equal,

0:20:48.520 --> 0:20:50.160
<v Speaker 1>and not like she's a bitch I want to fuck.

0:20:50.840 --> 0:20:54.040
<v Speaker 1>She's my equal. And that's why you know she she

0:20:54.160 --> 0:20:56.399
<v Speaker 1>saves his life because he saved hers. And it's like,

0:20:56.440 --> 0:21:00.000
<v Speaker 1>that's what you do. You pay, You pay motherfucker back. Okay,

0:21:00.080 --> 0:21:01.960
<v Speaker 1>So the next thing that happens, and again I'm just

0:21:02.000 --> 0:21:04.960
<v Speaker 1>sort of like, I know, like the movie is more

0:21:05.040 --> 0:21:07.840
<v Speaker 1>nuanced than this, there's a lot more to take into consideration,

0:21:07.880 --> 0:21:09.960
<v Speaker 1>but I'm sort of just boiling down like very basic

0:21:09.960 --> 0:21:12.440
<v Speaker 1>plot points. So the next thing that happened, so she

0:21:12.720 --> 0:21:15.439
<v Speaker 1>goes with him to this quote unquote concert. The building

0:21:15.480 --> 0:21:17.879
<v Speaker 1>explodes and it's clear that V had something to do

0:21:17.920 --> 0:21:20.359
<v Speaker 1>with it. So the next day at work, she was

0:21:20.640 --> 0:21:24.360
<v Speaker 1>like a BBC adjacent but it's like a government controlled

0:21:24.760 --> 0:21:29.480
<v Speaker 1>TV network fake news, fake very fake news. I love

0:21:29.960 --> 0:21:33.000
<v Speaker 1>just really quick. I love the I forget what his

0:21:33.040 --> 0:21:37.159
<v Speaker 1>title was, but like the guy's TV shower just like

0:21:37.400 --> 0:21:41.359
<v Speaker 1>what like again, just fun futuristic production design. That's like

0:21:41.400 --> 0:21:43.840
<v Speaker 1>who is this for it? Like I have forty five

0:21:43.920 --> 0:21:49.840
<v Speaker 1>TVs that show the same channel in my shower, right, Yeah,

0:21:49.880 --> 0:21:51.800
<v Speaker 1>that was that was like such a and he would

0:21:51.840 --> 0:21:54.240
<v Speaker 1>just turn around and be four more TVs. It was great.

0:21:54.480 --> 0:21:57.040
<v Speaker 1>Oh that scene was a little crazy to me because

0:21:57.240 --> 0:22:00.159
<v Speaker 1>so EV's job is you can sort of assume like

0:22:00.160 --> 0:22:03.000
<v Speaker 1>a p A because someone asks her to get like coffee,

0:22:03.240 --> 0:22:06.200
<v Speaker 1>but then she also somehow has the clearance to access

0:22:06.240 --> 0:22:10.439
<v Speaker 1>that dude's like private office room because V uses her.

0:22:10.480 --> 0:22:12.919
<v Speaker 1>I d to like scanself into that, and it's like

0:22:13.000 --> 0:22:17.400
<v Speaker 1>she would not have that clearance. Yeah, but it's fine,

0:22:17.440 --> 0:22:20.000
<v Speaker 1>We'll ignore that. I was also going to say, and

0:22:20.040 --> 0:22:23.120
<v Speaker 1>I don't know if you ladies feel this, but it's

0:22:23.160 --> 0:22:26.560
<v Speaker 1>it's definitely different to watching the Trump era. Watching this

0:22:26.760 --> 0:22:29.400
<v Speaker 1>is actually a crazy movie to watch right now, especially

0:22:29.440 --> 0:22:33.200
<v Speaker 1>because I feel that this sort of like authoritarian government

0:22:33.560 --> 0:22:36.160
<v Speaker 1>already sort of is happening or could get much worse

0:22:36.680 --> 0:22:39.119
<v Speaker 1>in this movie any day. And that was the thing

0:22:39.160 --> 0:22:42.119
<v Speaker 1>I think when I first watched it when I was younger,

0:22:42.160 --> 0:22:44.480
<v Speaker 1>I was like, this is possible. I remember thinking that

0:22:44.520 --> 0:22:47.280
<v Speaker 1>this is something that could happen if people don't speak up,

0:22:47.359 --> 0:22:49.400
<v Speaker 1>if they don't because when I was I guess that's

0:22:49.400 --> 0:22:51.520
<v Speaker 1>the other thing is when I was younger, when I

0:22:51.560 --> 0:22:53.240
<v Speaker 1>was in my early twenties, used to be so much

0:22:53.240 --> 0:22:55.960
<v Speaker 1>more politically active. I would march with my with my friends.

0:22:56.080 --> 0:22:58.760
<v Speaker 1>My my friend she used to organize marches and protests

0:22:58.760 --> 0:23:01.320
<v Speaker 1>and now she's a civil rights lawyer and I used

0:23:01.359 --> 0:23:03.400
<v Speaker 1>to march with her and we would do all this ship.

0:23:03.560 --> 0:23:05.439
<v Speaker 1>And I remember like watching this movie and being like,

0:23:05.680 --> 0:23:08.560
<v Speaker 1>this is what could happen if we don't do anything.

0:23:09.080 --> 0:23:11.359
<v Speaker 1>And then now we're like in it. So it's interesting

0:23:11.400 --> 0:23:15.000
<v Speaker 1>to watch because people are now becoming informed, I think

0:23:15.200 --> 0:23:18.040
<v Speaker 1>through Trump. So I guess it's it's like, guys, we

0:23:18.119 --> 0:23:19.760
<v Speaker 1>got to avoid this ship right here. This is the

0:23:19.760 --> 0:23:22.520
<v Speaker 1>ship we're trying to avoid, you know. It's it didn't

0:23:22.560 --> 0:23:27.240
<v Speaker 1>feel as you know, alternative future as it as it

0:23:27.320 --> 0:23:29.560
<v Speaker 1>used to. Yeah, like you know five when it came out,

0:23:29.600 --> 0:23:32.560
<v Speaker 1>like you know, it feels like a possibility, but there

0:23:32.560 --> 0:23:37.840
<v Speaker 1>weren't quite as many direct parallels that, you know. Yeah,

0:23:37.840 --> 0:23:40.480
<v Speaker 1>it is a very bizarre movie to watch, even just

0:23:40.520 --> 0:23:43.240
<v Speaker 1>like with the way that the government treats it's people

0:23:43.359 --> 0:23:46.119
<v Speaker 1>where that felt I remember, I remember like when I

0:23:46.119 --> 0:23:49.760
<v Speaker 1>first saw it felt way more cartoony then it does

0:23:49.880 --> 0:23:53.600
<v Speaker 1>now and just yeah, just waiting for that curfew to

0:23:53.720 --> 0:23:55.919
<v Speaker 1>roll in. I mean, for me, it didn't feel cartoony

0:23:55.920 --> 0:23:58.440
<v Speaker 1>in the past because my parents came from a third

0:23:58.440 --> 0:24:01.960
<v Speaker 1>world government, Like I've been informed about this ship. So

0:24:02.080 --> 0:24:05.359
<v Speaker 1>for me, it was always like this could happen. So

0:24:05.480 --> 0:24:07.840
<v Speaker 1>for me, it was always this could happen, This could happen.

0:24:07.880 --> 0:24:10.520
<v Speaker 1>Now watching it was like, oh, this is happening, you know,

0:24:11.200 --> 0:24:14.200
<v Speaker 1>and like like going back to fake news, like that's

0:24:14.200 --> 0:24:16.840
<v Speaker 1>what's happening. It's so weird to watch in a movie

0:24:16.840 --> 0:24:18.760
<v Speaker 1>in a theatrical sense because you're like, this is how

0:24:18.760 --> 0:24:21.640
<v Speaker 1>these conversations are happening within our own government right now.

0:24:21.680 --> 0:24:23.400
<v Speaker 1>Not that it wasn't the same in the past. I'm

0:24:23.400 --> 0:24:25.600
<v Speaker 1>sure the government and the news were always working a

0:24:25.600 --> 0:24:28.240
<v Speaker 1>little bit side by side, but now it's like their

0:24:28.359 --> 0:24:31.520
<v Speaker 1>enemies because they're not all working together with the government,

0:24:31.560 --> 0:24:36.959
<v Speaker 1>and so it's like it's being exposed. It's so weird, man. Yeah,

0:24:37.119 --> 0:24:38.800
<v Speaker 1>I mean, I feel like Trump has like taken down

0:24:38.800 --> 0:24:41.320
<v Speaker 1>that fourth wall, you know, yeah, and trying to build

0:24:41.400 --> 0:24:46.200
<v Speaker 1>up another one between here in Mexico. But thanks, guys,

0:24:46.200 --> 0:24:48.800
<v Speaker 1>I'm here for the jokes anyway. So the next thing

0:24:48.840 --> 0:24:51.479
<v Speaker 1>that happens, he comes to the TV network, he plays

0:24:51.480 --> 0:24:53.720
<v Speaker 1>his message to all the people on the little tinny

0:24:53.760 --> 0:24:57.280
<v Speaker 1>c d oh yeah yeah, and then she helps and

0:24:57.359 --> 0:25:01.080
<v Speaker 1>saves him by macing the cop which Jame mentioned earlier.

0:25:01.600 --> 0:25:06.159
<v Speaker 1>He takes her and basically forces her to live with

0:25:06.240 --> 0:25:10.120
<v Speaker 1>him for a year, or that's the expectation at that point,

0:25:10.160 --> 0:25:13.880
<v Speaker 1>which we understand why he does that, otherwise she would

0:25:13.920 --> 0:25:18.320
<v Speaker 1>be grave danger or killed. But it's also like the

0:25:18.359 --> 0:25:21.600
<v Speaker 1>thing where it's like you are my prisoners sort of.

0:25:22.600 --> 0:25:26.200
<v Speaker 1>It's it's again, it's not to keep pulling it back

0:25:26.240 --> 0:25:29.280
<v Speaker 1>to family and the opera, but I mean it's like

0:25:29.320 --> 0:25:33.600
<v Speaker 1>a more justified, high stakes version of that story where

0:25:33.640 --> 0:25:37.840
<v Speaker 1>it's like it is for her safety, but there's but

0:25:37.880 --> 0:25:40.640
<v Speaker 1>he also gives it the option. It's true, like, yeah,

0:25:41.280 --> 0:25:46.120
<v Speaker 1>you can leave right she does and she does. Um,

0:25:46.480 --> 0:25:49.440
<v Speaker 1>I don't know their their relationship is something that It's

0:25:49.480 --> 0:25:51.280
<v Speaker 1>just like there were some points where I was like, Okay,

0:25:51.280 --> 0:25:52.800
<v Speaker 1>I get it, and then other points where I was like,

0:25:52.840 --> 0:25:56.359
<v Speaker 1>this does not bode well. I don't know. Well, well,

0:25:56.400 --> 0:25:58.000
<v Speaker 1>I was gonna say, before we get into this, I

0:25:58.000 --> 0:26:00.680
<v Speaker 1>was going to bring up the plan the year in

0:26:00.760 --> 0:26:04.240
<v Speaker 1>advance protests, whatever you wanna call it. I just found

0:26:04.280 --> 0:26:08.159
<v Speaker 1>it funny because when um Rose McGowan did the women

0:26:08.440 --> 0:26:11.400
<v Speaker 1>boycott Twitter thing, I was like, that's why it didn't work,

0:26:11.440 --> 0:26:13.919
<v Speaker 1>because a bitch don't plan the ship out like a

0:26:13.960 --> 0:26:17.440
<v Speaker 1>good protest or a good boycott. You need to let

0:26:17.440 --> 0:26:20.359
<v Speaker 1>everybody know. You need to like set a date, you

0:26:20.440 --> 0:26:22.840
<v Speaker 1>need all that it's happening. There needs to be some

0:26:22.920 --> 0:26:25.600
<v Speaker 1>build up so that there are some consequences that are severe.

0:26:26.280 --> 0:26:28.119
<v Speaker 1>This wasn't that like a next day. I found out

0:26:28.160 --> 0:26:29.600
<v Speaker 1>in the middle of what I was supposed to. That's

0:26:29.640 --> 0:26:31.719
<v Speaker 1>why I was so stupid. I mean it was I

0:26:31.760 --> 0:26:33.399
<v Speaker 1>was like, listen, bit, if you would have planned this

0:26:33.480 --> 0:26:35.880
<v Speaker 1>like next week, I'm getting up Twitter four a week,

0:26:36.320 --> 0:26:38.320
<v Speaker 1>then we could have all had that discussion. Women of

0:26:38.400 --> 0:26:40.000
<v Speaker 1>color could have been like, what the funk are you

0:26:40.000 --> 0:26:42.120
<v Speaker 1>talking about? And you know, we could have had those

0:26:42.200 --> 0:26:44.400
<v Speaker 1>arguments with each other or there's discussions with each other.

0:26:45.080 --> 0:26:47.280
<v Speaker 1>Um So I love that he's like in a year,

0:26:47.400 --> 0:26:50.920
<v Speaker 1>motherfucker's I'm a ride or die for this ship? Are you?

0:26:51.520 --> 0:26:54.840
<v Speaker 1>I'm bunkering down until it happens. But I love I

0:26:54.880 --> 0:26:57.160
<v Speaker 1>love that, and I love that. You know, the timeline

0:26:57.160 --> 0:26:59.640
<v Speaker 1>of the movie, I just everybody's you know, it's the Fall,

0:26:59.680 --> 0:27:02.920
<v Speaker 1>It's the and it builds well, it builds very well.

0:27:03.520 --> 0:27:07.120
<v Speaker 1>So the next thing that happens is that she essentially

0:27:07.160 --> 0:27:09.679
<v Speaker 1>tricks him into thinking that she wants to help, and

0:27:09.720 --> 0:27:12.200
<v Speaker 1>whether or not she actually wants to help maybe the case,

0:27:12.600 --> 0:27:14.920
<v Speaker 1>but she sort of uses it as a way to

0:27:15.160 --> 0:27:18.000
<v Speaker 1>try to escape, which is what happens where she's like,

0:27:18.040 --> 0:27:19.439
<v Speaker 1>I want to help. If there's anything I can do.

0:27:19.480 --> 0:27:22.280
<v Speaker 1>He's like, actually, you can dress up as a sex

0:27:22.320 --> 0:27:24.879
<v Speaker 1>worker and trick this and this is one of those

0:27:24.920 --> 0:27:28.040
<v Speaker 1>moms whereas like, ah, there, surely there was another way

0:27:28.080 --> 0:27:32.119
<v Speaker 1>to do that, but she yeah. So she then goes

0:27:32.240 --> 0:27:35.280
<v Speaker 1>to this bishop who's one of the people that V

0:27:35.440 --> 0:27:38.760
<v Speaker 1>is targeting to kill, and then she's all like, help

0:27:38.840 --> 0:27:42.240
<v Speaker 1>me I need protection. I'm evie him, and I'm a

0:27:42.280 --> 0:27:45.639
<v Speaker 1>prisoner of this terrorist. The bishop doesn't believe her. He

0:27:45.720 --> 0:27:49.040
<v Speaker 1>just proceeds with trying to rape her, and then he

0:27:49.160 --> 0:27:52.879
<v Speaker 1>comes in and kills him. I actually liked that scene

0:27:53.440 --> 0:27:57.760
<v Speaker 1>because I love that men are so perverted and fucked

0:27:57.840 --> 0:28:02.200
<v Speaker 1>up that women can use their sexuality against them, because

0:28:02.240 --> 0:28:04.960
<v Speaker 1>men are weak, and I wish them more women knew

0:28:05.000 --> 0:28:08.800
<v Speaker 1>how to manipulate that and into our favor, you know,

0:28:09.240 --> 0:28:11.720
<v Speaker 1>which is why I like them working side by side

0:28:11.760 --> 0:28:14.480
<v Speaker 1>to kind of take advantage of this man's weakness of

0:28:14.600 --> 0:28:16.919
<v Speaker 1>you know, wanting to fuck kids, and then they use

0:28:17.000 --> 0:28:20.240
<v Speaker 1>it against him and then he kills him, which is great. Yeah,

0:28:20.280 --> 0:28:22.800
<v Speaker 1>because I think sex workers should be looked at as

0:28:23.200 --> 0:28:26.640
<v Speaker 1>heroes in our society because they are doing the lord's work,

0:28:26.680 --> 0:28:29.640
<v Speaker 1>because men are pieces of ship. Um not all man

0:28:29.680 --> 0:28:33.960
<v Speaker 1>hashtag whatever funk off, but so many men are. Aristottle

0:28:34.040 --> 0:28:37.080
<v Speaker 1>is really nice. Everyone else he can say, he can

0:28:37.119 --> 0:28:39.840
<v Speaker 1>say everyone else, everyone. I just I just think that

0:28:39.920 --> 0:28:42.760
<v Speaker 1>sex workers are are looked down upon, and I love

0:28:42.800 --> 0:28:44.640
<v Speaker 1>that they kind of flipped it on its head of like, no,

0:28:44.720 --> 0:28:48.840
<v Speaker 1>they're going to use this against him, and it is

0:28:49.000 --> 0:28:52.080
<v Speaker 1>his inevitable downfall, and it's because men are weak. I

0:28:52.120 --> 0:28:54.600
<v Speaker 1>was feeling hard for for e V in that scene

0:28:54.600 --> 0:28:57.240
<v Speaker 1>because like, for a large trunk of the movie, and

0:28:57.240 --> 0:29:00.479
<v Speaker 1>and towards the end she's able to you know, she

0:29:00.600 --> 0:29:04.280
<v Speaker 1>has agency more in a way where she has more options,

0:29:04.920 --> 0:29:07.640
<v Speaker 1>but for for a lot of the movie, it's very

0:29:07.720 --> 0:29:10.160
<v Speaker 1>survival based decisions that she has to make of like

0:29:10.240 --> 0:29:12.959
<v Speaker 1>this is what I have to do to stay on

0:29:12.960 --> 0:29:15.560
<v Speaker 1>this person's good side so that I can remain safe,

0:29:15.920 --> 0:29:17.240
<v Speaker 1>or this is what I have to do so I

0:29:17.240 --> 0:29:19.720
<v Speaker 1>can remain alive or whatever. So like there's so much

0:29:19.720 --> 0:29:22.600
<v Speaker 1>going on in that scene of like she has I

0:29:22.640 --> 0:29:24.720
<v Speaker 1>don't know if I do. We we don't see that

0:29:24.760 --> 0:29:28.840
<v Speaker 1>discussion of like the plan of right, so we don't

0:29:28.840 --> 0:29:30.840
<v Speaker 1>know whose idea it is or like or anything like that.

0:29:31.000 --> 0:29:33.560
<v Speaker 1>Maybe that's in the book. I don't remember, but like

0:29:33.640 --> 0:29:35.680
<v Speaker 1>we see her do that, and it's like, Okay, this

0:29:35.720 --> 0:29:37.840
<v Speaker 1>was someone's idea. We don't know whose idea was. It

0:29:37.840 --> 0:29:40.880
<v Speaker 1>could have been EV's idea. But then you know, once

0:29:40.920 --> 0:29:45.280
<v Speaker 1>she's in that interaction with the bishop, she's placed a

0:29:45.320 --> 0:29:48.360
<v Speaker 1>fair amount of trust in his authority to help her

0:29:48.400 --> 0:29:51.160
<v Speaker 1>out and get her free of someone she's not yet

0:29:51.280 --> 0:29:54.560
<v Speaker 1>quite sure about, and then that backfires and he's a

0:29:54.600 --> 0:29:59.480
<v Speaker 1>fucking lecherous, evil creed and then he's killed rightfully. So

0:29:59.600 --> 0:30:02.440
<v Speaker 1>but in now she suddenly faced with this new dynamic

0:30:02.480 --> 0:30:04.960
<v Speaker 1>of like, now V knows that she doesn't really trust him,

0:30:05.440 --> 0:30:08.000
<v Speaker 1>and she just is like I'm sorry and like leaves

0:30:08.040 --> 0:30:10.120
<v Speaker 1>and it's like, I just that whole scene was so

0:30:10.800 --> 0:30:14.120
<v Speaker 1>stressful to watch, but it's just like she's just making

0:30:14.160 --> 0:30:17.360
<v Speaker 1>all these survival based decisions of like, Okay, that happened,

0:30:17.440 --> 0:30:21.360
<v Speaker 1>Now what do I do to remain safe? Yeah, but

0:30:21.440 --> 0:30:24.560
<v Speaker 1>that scene is good because it's a reminder to people

0:30:24.600 --> 0:30:27.320
<v Speaker 1>that they shouldn't trust people that are in power just

0:30:27.360 --> 0:30:29.280
<v Speaker 1>because they're in power. That's why I like that scene,

0:30:29.480 --> 0:30:33.120
<v Speaker 1>because I like that she puts faith in a bishop

0:30:33.520 --> 0:30:35.480
<v Speaker 1>because I think we all would think that would be

0:30:35.560 --> 0:30:37.640
<v Speaker 1>the thing to do with that moment, to be able

0:30:37.640 --> 0:30:40.800
<v Speaker 1>to trust, right. And then once you realize that's a mistake,

0:30:40.880 --> 0:30:42.360
<v Speaker 1>she runs because she was like, well, not who do

0:30:42.440 --> 0:30:45.240
<v Speaker 1>I trust? You know? And I do to your point,

0:30:45.320 --> 0:30:47.840
<v Speaker 1>I do like that She's always making these like last

0:30:47.880 --> 0:30:51.440
<v Speaker 1>minute decisions, but they keep kind of exposing who the

0:30:51.680 --> 0:30:55.280
<v Speaker 1>real weak people are in our society. Well, which is

0:30:55.280 --> 0:30:56.959
<v Speaker 1>why I like kind of hits for me that she

0:30:57.120 --> 0:31:00.080
<v Speaker 1>does end up trusting V by the I mean, and

0:31:00.120 --> 0:31:03.960
<v Speaker 1>there are other points that will get to but it

0:31:04.120 --> 0:31:05.920
<v Speaker 1>is sort of time and time again where she we

0:31:06.000 --> 0:31:09.920
<v Speaker 1>see her testing everything she's been taught and that is

0:31:10.000 --> 0:31:16.200
<v Speaker 1>unraveling and really the only consistent anything is the wanting

0:31:16.280 --> 0:31:19.680
<v Speaker 1>to keep her safe. Well, he's trying to make her strong.

0:31:19.760 --> 0:31:22.120
<v Speaker 1>I mean, that's what she says, and that when she's

0:31:22.160 --> 0:31:24.760
<v Speaker 1>first captured, because like, I wish I was stronger. I

0:31:24.800 --> 0:31:27.720
<v Speaker 1>wish I wasn't so weak. And you see his you know,

0:31:27.800 --> 0:31:29.240
<v Speaker 1>there's a shot of him where he kind of like

0:31:29.280 --> 0:31:31.440
<v Speaker 1>cox his head like, oh you do do you you

0:31:31.480 --> 0:31:33.400
<v Speaker 1>want to be stronger? I can make you stronger. A

0:31:33.400 --> 0:31:37.640
<v Speaker 1>lot of head cock acting had to do. Like it's

0:31:37.640 --> 0:31:39.920
<v Speaker 1>so funny about that movie is there's like these long

0:31:40.280 --> 0:31:42.360
<v Speaker 1>monologues and it's just a mask, and you're like, am

0:31:42.400 --> 0:31:45.400
<v Speaker 1>I really just watching a mask right now? Like no

0:31:45.560 --> 0:31:48.920
<v Speaker 1>emotion there, just it's all on the boy's But I

0:31:48.960 --> 0:31:50.800
<v Speaker 1>do I like that he just he sees it and

0:31:50.880 --> 0:31:52.800
<v Speaker 1>he almost like accepts the challenge of like, bitch, I

0:31:52.800 --> 0:31:55.040
<v Speaker 1>will make you the strongest, ye, I will make you

0:31:55.040 --> 0:31:57.680
<v Speaker 1>as strong as I am. And we are, Because at

0:31:57.720 --> 0:31:59.720
<v Speaker 1>first you're like, Okay, is she just saying that to

0:32:00.120 --> 0:32:02.680
<v Speaker 1>on his good side so that he'll trust him enough

0:32:03.040 --> 0:32:05.680
<v Speaker 1>for her to be able to leverage that into running away.

0:32:05.720 --> 0:32:08.320
<v Speaker 1>But then you also understand why she could very well

0:32:08.840 --> 0:32:12.040
<v Speaker 1>want that, because her sort of like main driving desire

0:32:12.040 --> 0:32:14.080
<v Speaker 1>in this movie ends up being like, I do want

0:32:14.080 --> 0:32:16.320
<v Speaker 1>to be stronger. I do want to be strong enough

0:32:16.360 --> 0:32:20.720
<v Speaker 1>to rise up and tear down this regime basically well,

0:32:20.720 --> 0:32:24.160
<v Speaker 1>and like learning about her background later exactly her parents

0:32:24.200 --> 0:32:27.280
<v Speaker 1>did and stuff. Yeah, because her parents were political activists

0:32:27.280 --> 0:32:29.760
<v Speaker 1>and her brother was killed in the St. Mary's virus outbreak,

0:32:30.000 --> 0:32:31.680
<v Speaker 1>which is one of the things that like the government

0:32:31.760 --> 0:32:37.640
<v Speaker 1>unleashed on its unpopulation to control its people, comparably, reasons

0:32:37.640 --> 0:32:40.800
<v Speaker 1>for her to actually want that are established. So I mean,

0:32:40.840 --> 0:32:43.200
<v Speaker 1>I think that was her journey in this movie is

0:32:43.240 --> 0:32:46.920
<v Speaker 1>a lesson impulsiveness, because even after she saves him and

0:32:46.960 --> 0:32:50.000
<v Speaker 1>spray paints dominic, the next morning, she's like, I don't

0:32:50.040 --> 0:32:51.480
<v Speaker 1>know why I did that. I can't believe I did that.

0:32:51.480 --> 0:32:53.280
<v Speaker 1>I don't know why I did that. Like she's questioning

0:32:53.320 --> 0:32:56.080
<v Speaker 1>the thing that she impulsively did. But it was the

0:32:56.160 --> 0:32:59.080
<v Speaker 1>right thing to do, you know, for her to save him,

0:32:59.160 --> 0:33:02.480
<v Speaker 1>but she's listly doubting herself and questioning herself because she

0:33:02.480 --> 0:33:05.280
<v Speaker 1>doesn't she's not thinking things through all the way because

0:33:05.280 --> 0:33:08.640
<v Speaker 1>then he says, like, is that what you think? And

0:33:08.680 --> 0:33:10.920
<v Speaker 1>that's the whole journey for her throughout the whole movie

0:33:10.960 --> 0:33:13.360
<v Speaker 1>until you know it gets to work it, which is

0:33:13.360 --> 0:33:15.920
<v Speaker 1>a compelling journey that we don't often see women go

0:33:16.040 --> 0:33:20.280
<v Speaker 1>through in movies. So that's cool because that's the thing is,

0:33:20.280 --> 0:33:22.760
<v Speaker 1>she's not making decisions based on her feelings for him.

0:33:22.840 --> 0:33:25.400
<v Speaker 1>She's making decisions based on what she thinks she wants

0:33:25.480 --> 0:33:27.880
<v Speaker 1>or doesn't want, or what's right or what's wrong for her.

0:33:28.640 --> 0:33:31.320
<v Speaker 1>That's what she's doing, right, And in a lot of ways,

0:33:31.320 --> 0:33:34.200
<v Speaker 1>I feel like she's for so long she is making

0:33:34.200 --> 0:33:36.880
<v Speaker 1>a lot of instinctive survival based us. And then by

0:33:36.920 --> 0:33:41.080
<v Speaker 1>the end she has more agency to the point where

0:33:41.120 --> 0:33:44.120
<v Speaker 1>like v literally puts the agency in her hands and like,

0:33:44.560 --> 0:33:48.560
<v Speaker 1>you decide whether this happens because you know the student

0:33:48.640 --> 0:33:51.800
<v Speaker 1>is ready right, right? And I like that because by

0:33:51.840 --> 0:33:54.120
<v Speaker 1>the end she genuinely does have a choice, and we

0:33:54.160 --> 0:33:56.240
<v Speaker 1>see from most of the movie her not really having

0:33:56.360 --> 0:33:59.720
<v Speaker 1>much of a choice, but she does have a choice.

0:33:59.760 --> 0:34:01.800
<v Speaker 1>That's the things. She always had a choice, It's just

0:34:01.880 --> 0:34:04.560
<v Speaker 1>that she didn't always think things through. That's why I

0:34:04.600 --> 0:34:07.840
<v Speaker 1>like her story, because she constantly had to make a decision,

0:34:07.840 --> 0:34:11.080
<v Speaker 1>and sometimes it was on a whim, right right, and

0:34:11.200 --> 0:34:14.680
<v Speaker 1>something that again, just like watching it in this particular

0:34:14.960 --> 0:34:17.680
<v Speaker 1>era right now is like there's a lot of fear

0:34:17.719 --> 0:34:21.040
<v Speaker 1>based decision making too, where I don't think I mean,

0:34:21.080 --> 0:34:22.920
<v Speaker 1>I don't remember specifically, but I don't think when I

0:34:22.920 --> 0:34:26.600
<v Speaker 1>first saw this movie I could as closely identify with like,

0:34:27.200 --> 0:34:28.959
<v Speaker 1>you know, it's like, why would she have this job

0:34:29.120 --> 0:34:32.560
<v Speaker 1>at the not BBC working for the people who are

0:34:32.600 --> 0:34:35.480
<v Speaker 1>oppressing her and everyone she knows. But then, you know,

0:34:35.480 --> 0:34:37.920
<v Speaker 1>when you have more of a real life applicable way,

0:34:37.960 --> 0:34:40.680
<v Speaker 1>it's like, oh, because she's afraid, Like look at all

0:34:40.719 --> 0:34:43.759
<v Speaker 1>these people. She's lost for these exact reasons, and it

0:34:43.800 --> 0:34:46.960
<v Speaker 1>does take a lot of inner strength to be able to,

0:34:47.680 --> 0:34:54.520
<v Speaker 1>you know, make a a antarchic decision. Right. So um, okay,

0:34:54.560 --> 0:34:57.440
<v Speaker 1>So now we're leading up to the part where she

0:34:57.600 --> 0:35:01.080
<v Speaker 1>goes to Gordon Dietrich's house and Dietrich is a friend

0:35:01.080 --> 0:35:06.000
<v Speaker 1>of hers and who hosts like weird Pratfall British like

0:35:06.040 --> 0:35:11.200
<v Speaker 1>Benny Hill's style satire show. What a weird fun scene

0:35:11.239 --> 0:35:13.800
<v Speaker 1>in the middle of that movie to watch that goofy

0:35:13.840 --> 0:35:18.040
<v Speaker 1>goofy broadcast that gets him murdered. Yeah. Wild. Well, then

0:35:18.080 --> 0:35:20.520
<v Speaker 1>that leads to what I find to be the most

0:35:20.640 --> 0:35:23.040
<v Speaker 1>unsettling part of the movie is that she so she

0:35:23.120 --> 0:35:25.680
<v Speaker 1>goes to Gordon Dietrich's house. She's under his care and

0:35:25.760 --> 0:35:33.800
<v Speaker 1>protection for a while. Step. Yes, he makes that episode crazy. Yeah,

0:35:34.560 --> 0:35:36.480
<v Speaker 1>it was cool that he was like defined, He's like, yeah,

0:35:36.360 --> 0:35:39.279
<v Speaker 1>we we threwout the censor proof script shot this one.

0:35:39.360 --> 0:35:45.160
<v Speaker 1>It gets him killed, He gets him black bagged by Creedy,

0:35:45.200 --> 0:35:48.160
<v Speaker 1>and then yeah, they find a Koran in his house

0:35:48.239 --> 0:35:51.520
<v Speaker 1>and that gets executed. And we also know he is

0:35:51.640 --> 0:35:55.640
<v Speaker 1>one of I believe to queer characters whose stories we

0:35:55.760 --> 0:35:59.000
<v Speaker 1>hear reference in this That's the other thing. This is

0:35:59.040 --> 0:36:00.600
<v Speaker 1>one of the first movies that we've discussed on this

0:36:00.640 --> 0:36:04.800
<v Speaker 1>podcast where there's a prominent character in the movie who

0:36:05.000 --> 0:36:07.959
<v Speaker 1>is queer. We do kind of well yeah, yeah, yeah,

0:36:08.160 --> 0:36:10.680
<v Speaker 1>the Valerie who we who we meet a little later.

0:36:10.880 --> 0:36:17.640
<v Speaker 1>So yeah, So, once Dietrich gets captured by Creedy, she

0:36:17.760 --> 0:36:20.759
<v Speaker 1>has to flee again, and then she gets captured almost immediately,

0:36:20.800 --> 0:36:23.879
<v Speaker 1>and we assume that it's also by Creedy's people. She's

0:36:23.920 --> 0:36:25.640
<v Speaker 1>in prison, she's locked in the cell. All of her

0:36:25.680 --> 0:36:32.080
<v Speaker 1>hair gets shaven off. This woman, Yep, you get the

0:36:32.160 --> 0:36:35.560
<v Speaker 1>more empowered you get in movies usually if you're it's

0:36:35.600 --> 0:36:39.720
<v Speaker 1>the rule. Yes. Anyway, So she gets captured, she's in prison,

0:36:39.840 --> 0:36:42.680
<v Speaker 1>she's tortured. We think it's from Creedy and all of

0:36:42.719 --> 0:36:46.960
<v Speaker 1>those guys. And in this process of her being imprisoned,

0:36:47.360 --> 0:36:49.640
<v Speaker 1>she loses her fear. She's like, you know what, I'm

0:36:49.640 --> 0:36:51.160
<v Speaker 1>not going to be an informant. I'm not going to

0:36:51.280 --> 0:36:53.040
<v Speaker 1>tell you where V is. You can funk off and

0:36:53.040 --> 0:36:57.920
<v Speaker 1>shoot me. And she learns story. Who we learned is

0:36:57.960 --> 0:37:00.440
<v Speaker 1>a character that was in the cell next V all

0:37:00.440 --> 0:37:03.200
<v Speaker 1>those years ago when he was imprisoned and being used

0:37:03.200 --> 0:37:07.040
<v Speaker 1>for these like biological experiments. That's also another moment I

0:37:07.160 --> 0:37:09.760
<v Speaker 1>bugged me because she was like, I'm writing this note

0:37:09.760 --> 0:37:12.240
<v Speaker 1>on toilet paper, and I'm like, that's a regular paper,

0:37:12.560 --> 0:37:16.080
<v Speaker 1>right toilet paper in that world, Like you can write

0:37:16.200 --> 0:37:19.279
<v Speaker 1>on his parchment. I know, it's like you're wiping her

0:37:19.280 --> 0:37:23.080
<v Speaker 1>ass with really nice parching. That was one of those

0:37:23.200 --> 0:37:26.680
<v Speaker 1>uh moments where she can use her idea together anywhere.

0:37:26.680 --> 0:37:29.319
<v Speaker 1>I'm like, all right, that's that's a stretch. But then

0:37:29.320 --> 0:37:32.120
<v Speaker 1>I sort of like then I was like, now, like Evie,

0:37:32.200 --> 0:37:35.080
<v Speaker 1>you're dumb because that's just a flaw and V's plan

0:37:35.200 --> 0:37:38.400
<v Speaker 1>of he had parchment and he's like you did you

0:37:38.440 --> 0:37:40.879
<v Speaker 1>really think that the parchment is toilet paper? And where

0:37:40.880 --> 0:37:44.920
<v Speaker 1>did she get a pen? Not discussed nice pen, great handwriting?

0:37:45.360 --> 0:37:49.719
<v Speaker 1>What was a pencil? Right? Yeah? Maybe either way that

0:37:49.840 --> 0:37:52.600
<v Speaker 1>was that was funny. Yeah, that was funny. I'm glad

0:37:52.640 --> 0:37:55.960
<v Speaker 1>we all agree on that. So once she is devoid

0:37:56.120 --> 0:37:59.320
<v Speaker 1>of fear, she gets let free and then she comes

0:37:59.320 --> 0:38:03.920
<v Speaker 1>into the room into literally in figuratively she's set free. Yes,

0:38:04.560 --> 0:38:07.960
<v Speaker 1>And then yeah, that scene where views like it was

0:38:08.000 --> 0:38:12.560
<v Speaker 1>me and it was like, um, real high level gas lighting.

0:38:13.040 --> 0:38:17.880
<v Speaker 1>Way to commit to gasoline. Yeah. Again, it's hard because

0:38:17.920 --> 0:38:19.920
<v Speaker 1>it's like you can look at that one level of

0:38:20.040 --> 0:38:23.920
<v Speaker 1>like yeah, that's high level psychological abuse. On the other end,

0:38:24.360 --> 0:38:27.960
<v Speaker 1>if we're looking at like the student teacher relationship in

0:38:28.000 --> 0:38:32.320
<v Speaker 1>the direst of times, I don't know. I mean, I

0:38:32.800 --> 0:38:35.400
<v Speaker 1>am sort of left floating in the wind on that

0:38:35.440 --> 0:38:39.399
<v Speaker 1>one because it worked, it didn't work, it worked, but

0:38:39.640 --> 0:38:43.440
<v Speaker 1>did the surely there was a better way means, But

0:38:43.520 --> 0:38:45.920
<v Speaker 1>I mean there's also there's something to be said about

0:38:46.120 --> 0:38:49.560
<v Speaker 1>I mean, the government killed her whole family, and that

0:38:50.080 --> 0:38:52.480
<v Speaker 1>is fucked up. And she didn't take it as the

0:38:52.560 --> 0:38:55.719
<v Speaker 1>government doing it to her. She took it as just like, well,

0:38:55.719 --> 0:38:58.080
<v Speaker 1>I guess I got to be scared, just like everybody else.

0:38:58.800 --> 0:39:01.879
<v Speaker 1>So she didn't become stronger after that happened, even though

0:39:01.960 --> 0:39:04.879
<v Speaker 1>I think she should have. And on the flip, Fee

0:39:04.960 --> 0:39:06.560
<v Speaker 1>is like, no, I'm going to do this to you

0:39:07.080 --> 0:39:11.280
<v Speaker 1>to make you stronger, because you are strong. And that's

0:39:11.760 --> 0:39:13.520
<v Speaker 1>I mean, like I said, you guys can throw anything

0:39:13.520 --> 0:39:15.759
<v Speaker 1>you want at man to make it work. But I mean,

0:39:15.760 --> 0:39:17.880
<v Speaker 1>that's the thing, is that going back to that the

0:39:17.960 --> 0:39:19.800
<v Speaker 1>quote of like people shouldn't be scared of the governments,

0:39:19.840 --> 0:39:22.200
<v Speaker 1>or government should be scared of our people, because that's

0:39:22.239 --> 0:39:25.360
<v Speaker 1>that it's a flip on that, you know, it's it's

0:39:25.520 --> 0:39:28.919
<v Speaker 1>him kind of exposing like you should have changed after

0:39:29.000 --> 0:39:31.880
<v Speaker 1>your parents were murdered and your brother was murdered. But

0:39:31.960 --> 0:39:34.799
<v Speaker 1>she got more scared and it shouldn't be because she

0:39:35.239 --> 0:39:37.319
<v Speaker 1>should know, like, you're gonna die one day, so you

0:39:37.320 --> 0:39:40.279
<v Speaker 1>should be strong no matter what. And so he just

0:39:40.400 --> 0:39:44.120
<v Speaker 1>kind of tortured her to be like basically, if you're government,

0:39:44.160 --> 0:39:46.560
<v Speaker 1>because that's the illusion, right, the government is doing this

0:39:46.640 --> 0:39:49.120
<v Speaker 1>to her and she finally can stand up to them

0:39:49.239 --> 0:39:51.920
<v Speaker 1>as before she couldn't, and then of course to find

0:39:51.920 --> 0:39:54.560
<v Speaker 1>out it's him, it's a total line funk for everybody, right,

0:39:54.600 --> 0:39:58.480
<v Speaker 1>And we do see her she has an appropriate because

0:39:58.600 --> 0:40:04.120
<v Speaker 1>she was just like oh good one like right well,

0:40:04.120 --> 0:40:07.320
<v Speaker 1>And this got me back to thinking about the other

0:40:07.440 --> 0:40:12.200
<v Speaker 1>kind of popular examples of the captor re educating the

0:40:12.239 --> 0:40:15.120
<v Speaker 1>captive for whatever reason. And this is again like a

0:40:15.160 --> 0:40:19.560
<v Speaker 1>movie where in most situations we see a captor holding

0:40:19.600 --> 0:40:23.680
<v Speaker 1>someone hostage and changing their way of thinking, but usually

0:40:24.080 --> 0:40:27.160
<v Speaker 1>pretty much for selfish reasons, pretty much for like I

0:40:27.200 --> 0:40:28.799
<v Speaker 1>want you to love me, so I'm going to keep

0:40:28.800 --> 0:40:32.560
<v Speaker 1>you in a room until you do. Where this there,

0:40:32.719 --> 0:40:37.200
<v Speaker 1>it's far more complicated, like and personally, I think that

0:40:37.239 --> 0:40:39.880
<v Speaker 1>this movie and story would work for me if there

0:40:39.960 --> 0:40:43.839
<v Speaker 1>wasn't a love story. There is, and that's fine too,

0:40:43.880 --> 0:40:46.560
<v Speaker 1>but like if this ended up being like the sort

0:40:46.600 --> 0:40:49.520
<v Speaker 1>of like and these two characters just have like an inseparable,

0:40:49.680 --> 0:40:53.200
<v Speaker 1>very intense bond that works for me too. But either way,

0:40:53.600 --> 0:40:56.680
<v Speaker 1>he's not holding her to make her fall in love

0:40:56.719 --> 0:40:59.120
<v Speaker 1>with him, and I think that that's the most common

0:40:59.400 --> 0:41:03.279
<v Speaker 1>male cap. You're holding a woman and so I love

0:41:03.520 --> 0:41:09.839
<v Speaker 1>Beauty and the Beast phantom. Yeah, so it's a similar situation,

0:41:09.920 --> 0:41:13.319
<v Speaker 1>but the end goal is very different where he's trying

0:41:13.320 --> 0:41:15.359
<v Speaker 1>to I guess more or less cure her of her

0:41:15.400 --> 0:41:19.319
<v Speaker 1>own fear. And so in that way, even though it

0:41:19.360 --> 0:41:25.560
<v Speaker 1>looks similar, the end goal is not really selfish. And

0:41:25.600 --> 0:41:29.640
<v Speaker 1>then and so it well, I mean it is his

0:41:29.920 --> 0:41:32.680
<v Speaker 1>revolution that he's trying to start, so it is like

0:41:33.040 --> 0:41:36.480
<v Speaker 1>a smidge selfish, but also she has every reason to

0:41:36.520 --> 0:41:38.840
<v Speaker 1>want to be a part of this revolution. She's a

0:41:38.920 --> 0:41:43.600
<v Speaker 1>good pick based on her. Yeah, it's it's tricky. It's tricky,

0:41:43.640 --> 0:41:45.480
<v Speaker 1>and I mean when they I mean you see the

0:41:45.480 --> 0:41:47.560
<v Speaker 1>world that they live in, like, of course you'd want

0:41:47.560 --> 0:41:49.960
<v Speaker 1>to tear that down and not live in that regime.

0:41:50.120 --> 0:41:54.719
<v Speaker 1>So the sticks are high, and it does stand a

0:41:54.760 --> 0:41:58.120
<v Speaker 1>reason why all these characters would want to dismantle this

0:41:58.200 --> 0:42:02.399
<v Speaker 1>horrible government. So and not to just say like, hey,

0:42:02.520 --> 0:42:04.439
<v Speaker 1>here's the thing that this movie could have done wrong

0:42:04.480 --> 0:42:07.240
<v Speaker 1>but didn't, But there's like a lot of I feel

0:42:07.239 --> 0:42:09.400
<v Speaker 1>like easy bad writing things that could have been in

0:42:09.400 --> 0:42:13.200
<v Speaker 1>here in terms of like maybe there's another guy that's

0:42:13.360 --> 0:42:16.040
<v Speaker 1>very common in like these capture situations where there's a

0:42:16.120 --> 0:42:18.560
<v Speaker 1>guy on the other side who's like fighting to try

0:42:18.560 --> 0:42:21.239
<v Speaker 1>and find her and save her, and she doesn't have that,

0:42:21.360 --> 0:42:25.200
<v Speaker 1>like she has whoever mumbly grumbly British police guy that

0:42:25.239 --> 0:42:27.880
<v Speaker 1>she ends up with is. But he's not trying to

0:42:27.920 --> 0:42:31.800
<v Speaker 1>help her, right Like, there isn't anyone trying to save

0:42:31.840 --> 0:42:34.520
<v Speaker 1>her really like and you can even argue V's not

0:42:34.600 --> 0:42:37.920
<v Speaker 1>really trying to save her as much as get her

0:42:37.960 --> 0:42:39.799
<v Speaker 1>to where he thinks she needs to be, well, where

0:42:39.800 --> 0:42:43.360
<v Speaker 1>she wants to be. She says it right, right, but

0:42:43.360 --> 0:42:45.560
<v Speaker 1>but it's tricky, and I mean he is sneaky about

0:42:45.800 --> 0:42:49.000
<v Speaker 1>of course have to, right, you kind of have to.

0:42:49.360 --> 0:42:53.520
<v Speaker 1>It's tricky. You can't just tell someone be stronger, stronger,

0:42:53.760 --> 0:42:56.080
<v Speaker 1>fight the government. It's you know, to imprison them for

0:42:56.120 --> 0:42:57.880
<v Speaker 1>a few weeks first, Like but do you have to?

0:42:58.080 --> 0:43:01.839
<v Speaker 1>That's the question A struggle you can like where it

0:43:01.920 --> 0:43:05.520
<v Speaker 1>was there another way maybe not, but like he just

0:43:05.600 --> 0:43:08.560
<v Speaker 1>knew through his experience it worked for him. That was

0:43:08.680 --> 0:43:11.520
<v Speaker 1>like that's all he has to go on. Yeah, it's

0:43:11.560 --> 0:43:14.160
<v Speaker 1>true because in some ways that you do see him

0:43:14.239 --> 0:43:17.360
<v Speaker 1>kind of sculpting her in his vision based on his

0:43:17.400 --> 0:43:22.239
<v Speaker 1>own past. And again it's like dire times. But I

0:43:22.280 --> 0:43:27.279
<v Speaker 1>mean he knows how like painful, and you know, like

0:43:27.320 --> 0:43:29.400
<v Speaker 1>he is actively making that choice to cause someone he

0:43:29.440 --> 0:43:34.080
<v Speaker 1>cares about pain, and that is something that I don't mean,

0:43:34.080 --> 0:43:36.480
<v Speaker 1>I don't know, it's open to interpretation. Yeah, because he

0:43:36.840 --> 0:43:39.520
<v Speaker 1>says something like, um, you don't understand how hard that

0:43:39.640 --> 0:43:41.239
<v Speaker 1>was for me to do. But every time I saw

0:43:41.280 --> 0:43:43.440
<v Speaker 1>you resist, like I knew I had to keep going

0:43:43.560 --> 0:43:45.600
<v Speaker 1>like she was like on the brink, and then he

0:43:45.680 --> 0:43:48.719
<v Speaker 1>just had to push it a little bit further. It

0:43:48.880 --> 0:43:51.399
<v Speaker 1>is and it is very gaslighting because he I mean,

0:43:51.440 --> 0:43:55.040
<v Speaker 1>that's the most elaborate gaslighting we've ever seen. He knows

0:43:55.040 --> 0:43:57.440
<v Speaker 1>the high kind would have. Who is funding him because

0:43:57.440 --> 0:43:59.680
<v Speaker 1>he's playing all these different characters. He's got all these

0:43:59.680 --> 0:44:02.960
<v Speaker 1>different costumes, he's changing his voice around. Who's donating to

0:44:03.040 --> 0:44:11.440
<v Speaker 1>his Patreon apparently has all those he has all those masks.

0:44:11.760 --> 0:44:13.960
<v Speaker 1>He has the resources to something. He said something like

0:44:14.040 --> 0:44:16.000
<v Speaker 1>he clears the tracks and lays more of it. He

0:44:16.080 --> 0:44:19.920
<v Speaker 1>lays subway tracks ten years. Yeah, like where where is

0:44:19.920 --> 0:44:23.080
<v Speaker 1>he getting his wealth? That's another weird trope with this

0:44:23.160 --> 0:44:27.640
<v Speaker 1>setup though, of like the captor somehow has unlimited resources.

0:44:27.840 --> 0:44:30.600
<v Speaker 1>They always live in a castle. They live something some

0:44:30.600 --> 0:44:33.879
<v Speaker 1>some subterranean palace, and they're like, I have a lot

0:44:33.880 --> 0:44:37.600
<v Speaker 1>of money, don't ask. It's gonna look nice. The letting

0:44:37.680 --> 0:44:40.840
<v Speaker 1>is going to be low. It's gonna be nice. I

0:44:40.920 --> 0:44:43.759
<v Speaker 1>have a TV, but I also have candles. V's room

0:44:43.800 --> 0:44:45.839
<v Speaker 1>is kind of a library. She's surrounded by all those

0:44:45.880 --> 0:44:49.000
<v Speaker 1>books and Belle and beauty. The Beast loved the library.

0:44:49.080 --> 0:44:52.440
<v Speaker 1>There's a lot of symmetry here. There's a lot. I

0:44:52.480 --> 0:44:54.760
<v Speaker 1>was gonna say to going back to um, you mentioned

0:44:54.800 --> 0:44:57.320
<v Speaker 1>that you didn't like that there was like a romance

0:44:57.320 --> 0:45:00.000
<v Speaker 1>storyline and you could have done without it. So yeah, yeah,

0:45:00.120 --> 0:45:03.200
<v Speaker 1>h My civil rights lawyer friend when I was like, oh, look,

0:45:03.200 --> 0:45:05.000
<v Speaker 1>because I think I was had the book or I

0:45:05.040 --> 0:45:06.640
<v Speaker 1>had the mask or something in my room, and she

0:45:06.719 --> 0:45:08.239
<v Speaker 1>saw it and she's like, oh, do you like the movie?

0:45:08.280 --> 0:45:09.360
<v Speaker 1>I was like, oh, I love that movie. I was like,

0:45:09.520 --> 0:45:11.520
<v Speaker 1>you don't like as a political activist, like you don't

0:45:11.560 --> 0:45:13.600
<v Speaker 1>like this movie. She was like, it's a good movie.

0:45:13.640 --> 0:45:17.000
<v Speaker 1>She was like, except for him torturing her, like for love,

0:45:17.520 --> 0:45:20.839
<v Speaker 1>I have too much experience with that within civil rights organizers.

0:45:20.840 --> 0:45:22.319
<v Speaker 1>She was like, the men are like that, where like

0:45:22.360 --> 0:45:25.759
<v Speaker 1>they torture you and torture you, and they're really like

0:45:25.920 --> 0:45:28.880
<v Speaker 1>of course the men in in you know, activism are

0:45:28.920 --> 0:45:31.120
<v Speaker 1>sucked up too, But she was like, there's too many

0:45:31.160 --> 0:45:33.200
<v Speaker 1>parallels in my real life. Was like, you think that

0:45:33.239 --> 0:45:35.440
<v Speaker 1>these men are like doing the right thing, but you

0:45:35.480 --> 0:45:37.759
<v Speaker 1>know when it comes to the women, they're not. So

0:45:38.239 --> 0:45:39.680
<v Speaker 1>when she told me, and she told me this like

0:45:39.960 --> 0:45:42.760
<v Speaker 1>a few weeks ago, so I was like, I watched

0:45:42.800 --> 0:45:45.320
<v Speaker 1>it differently a little bit with that in mind, of like, damn,

0:45:45.320 --> 0:45:49.759
<v Speaker 1>I didn't think about it as torturing for her love, right,

0:45:49.960 --> 0:45:53.439
<v Speaker 1>you know. And it's yeah, I don't know. I mean,

0:45:54.120 --> 0:45:57.440
<v Speaker 1>that's super interesting to hear, I mean, and unfortunate that

0:45:57.480 --> 0:46:00.680
<v Speaker 1>those dynamics exist even in like the most noble of professions.

0:46:00.680 --> 0:46:03.320
<v Speaker 1>And of course, of course, but they're people are still people.

0:46:03.800 --> 0:46:06.120
<v Speaker 1>People are still people. People will still be sucking up

0:46:06.200 --> 0:46:09.799
<v Speaker 1>no matter what they're living is. But yeah, I don't know,

0:46:09.840 --> 0:46:13.560
<v Speaker 1>Like I think that adding in the love story, like

0:46:13.680 --> 0:46:17.279
<v Speaker 1>it isn't out of nowhere. It makes sense that you know,

0:46:17.360 --> 0:46:19.640
<v Speaker 1>like he is at the end of even though he's

0:46:19.680 --> 0:46:23.400
<v Speaker 1>representing this idea, he is a person. And that's I

0:46:23.440 --> 0:46:25.839
<v Speaker 1>feel like what the opening and closing lines of this

0:46:25.920 --> 0:46:29.319
<v Speaker 1>movie speak to where she's like, it's basically the man

0:46:29.440 --> 0:46:33.359
<v Speaker 1>behind it, like the individual affected. You can't kiss an

0:46:33.400 --> 0:46:36.160
<v Speaker 1>idea idea, but you can kiss a man and a

0:46:36.239 --> 0:46:39.680
<v Speaker 1>man it's who I miss, right, which which I was.

0:46:39.760 --> 0:46:41.719
<v Speaker 1>I was like rolling my eyes a little bit. I

0:46:41.719 --> 0:46:45.279
<v Speaker 1>don't know. I have kissed an idea before. I've had

0:46:45.320 --> 0:46:47.839
<v Speaker 1>I've had people kiss me because I'm an idea to them.

0:46:48.120 --> 0:46:51.480
<v Speaker 1>So that's what that's what's been frustrating. Yeah, oh yeah.

0:46:51.520 --> 0:46:53.920
<v Speaker 1>And then and then when that wears off and you're like,

0:46:53.920 --> 0:46:57.160
<v Speaker 1>I'm a person, They're just like, oh, actually cannot cannot

0:46:57.200 --> 0:47:00.359
<v Speaker 1>exactly if you're a person. I have to like it's like, great,

0:47:00.400 --> 0:47:04.200
<v Speaker 1>see you exactly. Oh god, I'm gonna have a sesut. Anyways,

0:47:05.280 --> 0:47:08.400
<v Speaker 1>I did want to mention the Shawshank redemption moment in

0:47:08.400 --> 0:47:10.360
<v Speaker 1>this movie where she goes out into the rain and

0:47:10.440 --> 0:47:14.200
<v Speaker 1>she puts her hands up and she's like, also, I'm free,

0:47:15.120 --> 0:47:18.560
<v Speaker 1>super silly two thousand five c G. I rain shot

0:47:19.160 --> 0:47:24.600
<v Speaker 1>like a blue just like it was super super silly.

0:47:24.920 --> 0:47:30.000
<v Speaker 1>It was a great sound effect. It's a little fully

0:47:30.440 --> 0:47:32.719
<v Speaker 1>you see, you're like the vantage point of the rain

0:47:32.800 --> 0:47:36.520
<v Speaker 1>falling on sure, great love it. And then he's starting

0:47:36.560 --> 0:47:40.240
<v Speaker 1>there with his arms folded like fucky, it's raining, it's cool.

0:47:41.200 --> 0:47:44.040
<v Speaker 1>The love story, it just you know, like you can

0:47:44.160 --> 0:47:49.200
<v Speaker 1>you can draw the parallel to their very obvious age difference,

0:47:49.280 --> 0:47:52.440
<v Speaker 1>just based on their discussions of he's clearly significantly older

0:47:52.440 --> 0:47:55.319
<v Speaker 1>than her and also like, I don't know, those were

0:47:55.400 --> 0:47:57.359
<v Speaker 1>just like the parts of the movie that interested me

0:47:57.600 --> 0:47:59.840
<v Speaker 1>the least, where that scene where it's like, I know,

0:48:00.160 --> 0:48:02.439
<v Speaker 1>we have to and an audience have to be kept

0:48:02.520 --> 0:48:05.600
<v Speaker 1>in like, oh, but he's also an individual. So that

0:48:05.840 --> 0:48:08.000
<v Speaker 1>scene where you know, you see the mask be thrown

0:48:08.040 --> 0:48:11.920
<v Speaker 1>off and he's like, oh, he punches the mirror, right,

0:48:12.400 --> 0:48:15.080
<v Speaker 1>very fan of the opera punching a mirror peak fit

0:48:15.160 --> 0:48:18.200
<v Speaker 1>about I don't know. I think I would have enjoyed

0:48:18.360 --> 0:48:23.520
<v Speaker 1>watching her fun his burned dick. That wasn't what was going, Like,

0:48:23.600 --> 0:48:26.279
<v Speaker 1>I rod dog and that ship? Are you crazy? I

0:48:26.320 --> 0:48:28.680
<v Speaker 1>was wondering about some freak nasty ship. That's what I

0:48:28.719 --> 0:48:30.640
<v Speaker 1>was waiting for the whole time. There's a few different

0:48:30.680 --> 0:48:33.919
<v Speaker 1>scenes where have like he's rope like like a rope

0:48:33.920 --> 0:48:36.600
<v Speaker 1>where like in theory, if he had a direction, you'd

0:48:36.600 --> 0:48:39.000
<v Speaker 1>probably be able to tell can we see that shot?

0:48:39.080 --> 0:48:41.520
<v Speaker 1>We can't. We can't. We really wanted to see that

0:48:41.560 --> 0:48:51.120
<v Speaker 1>burned meat that we should watch the Also, this is

0:48:51.360 --> 0:48:55.840
<v Speaker 1>written by the god who the Matrix and the last

0:48:55.920 --> 0:48:57.680
<v Speaker 1>the last fight scene was another one where I was

0:48:57.719 --> 0:49:01.000
<v Speaker 1>like Jesus Christ, where there's a few Matrix shots like

0:49:01.239 --> 0:49:04.440
<v Speaker 1>a fring and you're just like, okay, called down, we

0:49:04.480 --> 0:49:06.560
<v Speaker 1>get it. We saw the movie in two thou five.

0:49:06.760 --> 0:49:09.520
<v Speaker 1>That was the coolest thing I'd ever seen that. But

0:49:09.600 --> 0:49:12.800
<v Speaker 1>you saw The Matrix and ninety nine it's a little different.

0:49:13.920 --> 0:49:16.759
<v Speaker 1>But yeah, I remember I was in the theater. I

0:49:16.800 --> 0:49:19.319
<v Speaker 1>think I sawed this with JT. And we just looked

0:49:19.320 --> 0:49:20.840
<v Speaker 1>at each other and we're like, this is the best

0:49:20.880 --> 0:49:23.920
<v Speaker 1>movie I've ever seen. I did a guy once. He goes,

0:49:24.000 --> 0:49:26.160
<v Speaker 1>what's your favorite movie? I said, for Vendetta, and I sup,

0:49:26.200 --> 0:49:27.840
<v Speaker 1>what's your first movie? He said The Matrix and I

0:49:27.880 --> 0:49:29.719
<v Speaker 1>was like, oh, I've never seen it. And he goes, well,

0:49:29.840 --> 0:49:31.520
<v Speaker 1>just so you know, V for Vendetta is the woman

0:49:31.680 --> 0:49:34.880
<v Speaker 1>version of the Matrix. And that's what I mean by that.

0:49:34.960 --> 0:49:37.080
<v Speaker 1>He's a asshole, that's what he meant by that. Yeah,

0:49:37.320 --> 0:49:40.880
<v Speaker 1>that's like and then yeah, and then I just recently

0:49:40.880 --> 0:49:42.600
<v Speaker 1>watched The Matrix for the first time and I was like,

0:49:42.719 --> 0:49:45.040
<v Speaker 1>what that doesn't make this doesn't make sense. But I

0:49:45.120 --> 0:49:47.880
<v Speaker 1>just dated an asshole like I always do. But that

0:49:47.960 --> 0:49:50.279
<v Speaker 1>doesn't check out. It doesn't check out at all. It doesn't.

0:49:50.280 --> 0:49:53.200
<v Speaker 1>And I couldn't argue because I hadn't watched it. Yeah,

0:49:53.320 --> 0:49:55.000
<v Speaker 1>and I was like, oh my god, like took me

0:49:55.000 --> 0:49:56.680
<v Speaker 1>down a notch. And I was like, oh no, I'm

0:49:56.680 --> 0:49:59.160
<v Speaker 1>just another girl. And I was like, oh no, he's

0:49:59.160 --> 0:50:03.799
<v Speaker 1>just another dickad Yeah. Yeah, Well, if you're listening, funk

0:50:03.920 --> 0:50:07.640
<v Speaker 1>right off, you're dead wrong. Oh no, he's our biggest fan.

0:50:07.960 --> 0:50:12.440
<v Speaker 1>Oh um. Can we talk about some of the other

0:50:12.520 --> 0:50:15.560
<v Speaker 1>female characters, and by that I mean there are very few.

0:50:15.840 --> 0:50:20.200
<v Speaker 1>One of them is the Corner. Oh yeah, she's a

0:50:20.239 --> 0:50:23.200
<v Speaker 1>woman in Stem. She has a woman in Stem, and

0:50:23.280 --> 0:50:25.800
<v Speaker 1>she's the only one of the people that V goes

0:50:25.840 --> 0:50:29.360
<v Speaker 1>after who shows any sort of like compassion and regret

0:50:29.400 --> 0:50:31.799
<v Speaker 1>and sorrow for what she did all the other ones

0:50:31.920 --> 0:50:36.040
<v Speaker 1>and receives the same in return, which I thought was nice,

0:50:36.080 --> 0:50:38.480
<v Speaker 1>where she does not die the painful death that most

0:50:39.000 --> 0:50:41.279
<v Speaker 1>she has to die, and like, I get like, she

0:50:41.360 --> 0:50:45.399
<v Speaker 1>has to die according to the plan, but he kind

0:50:45.440 --> 0:50:48.120
<v Speaker 1>of cuts her a break where he's like, Jesse, you know,

0:50:48.800 --> 0:50:52.120
<v Speaker 1>you're basically dead and she's like, oh, that didn't hurt

0:50:52.120 --> 0:50:55.840
<v Speaker 1>at all, thank you, thank you so much. I'm sorry.

0:50:56.080 --> 0:51:02.080
<v Speaker 1>I liked that. I thought that was like responsibly. And

0:51:02.120 --> 0:51:06.719
<v Speaker 1>then the other notable female character is Valerie. She's only

0:51:06.760 --> 0:51:10.799
<v Speaker 1>ever met in flashbacks, but she's the person who is

0:51:11.239 --> 0:51:13.800
<v Speaker 1>in the cell next to v whenever he was imprisoned

0:51:13.880 --> 0:51:17.520
<v Speaker 1>at lark Hill. Yeah, we learned of her story. She

0:51:18.120 --> 0:51:19.839
<v Speaker 1>is a lesbian. She came out to her parents, they

0:51:19.880 --> 0:51:23.680
<v Speaker 1>disowned her. She started a career as an actress, she

0:51:23.719 --> 0:51:25.799
<v Speaker 1>met like the love of her life, and then it

0:51:25.840 --> 0:51:29.880
<v Speaker 1>was around that time that the government started targeting LGBT

0:51:30.040 --> 0:51:35.880
<v Speaker 1>people Muslims, basically detaining them for just Trump right, and

0:51:35.920 --> 0:51:38.880
<v Speaker 1>even prior to that, being that high stake of a situation,

0:51:38.960 --> 0:51:42.120
<v Speaker 1>she was disowned by her own family and and still

0:51:42.680 --> 0:51:45.520
<v Speaker 1>was unapologetic about who she was, which is like so

0:51:45.760 --> 0:51:49.920
<v Speaker 1>cool and also heartbreaking to see the consequences of it. Yeah, totally,

0:51:50.360 --> 0:51:53.560
<v Speaker 1>But those are like the two main female characters. Besides,

0:51:54.320 --> 0:51:56.040
<v Speaker 1>and then I was like, oh, why why are there

0:51:56.040 --> 0:51:58.000
<v Speaker 1>more women in this movie? And then I thought about

0:51:58.040 --> 0:51:59.759
<v Speaker 1>it and I was like, Okay, well, most of the

0:52:00.000 --> 0:52:03.239
<v Speaker 1>bo in this movie are either government officials or law

0:52:03.320 --> 0:52:07.879
<v Speaker 1>enforcement because that's what the story calls for, and none

0:52:07.880 --> 0:52:10.279
<v Speaker 1>of those people would probably be women because this is

0:52:10.320 --> 0:52:14.960
<v Speaker 1>a society where they wouldn't hire women design. Yeah, there

0:52:14.960 --> 0:52:19.520
<v Speaker 1>are certainly opportunities for more speaking female rolled at least,

0:52:19.760 --> 0:52:22.200
<v Speaker 1>But then when we see those like long montages of

0:52:22.280 --> 0:52:25.319
<v Speaker 1>like when v is on screen on TV or even

0:52:25.320 --> 0:52:29.560
<v Speaker 1>when people are watching the Stephen Fries Goofy thing, we

0:52:29.640 --> 0:52:32.000
<v Speaker 1>see I mean there there's women in homes, there's women

0:52:32.120 --> 0:52:34.399
<v Speaker 1>and bars are there. They are there's a little girl

0:52:34.480 --> 0:52:39.280
<v Speaker 1>with the glasses. So they are present in the society.

0:52:39.320 --> 0:52:42.320
<v Speaker 1>They're just almost never in positions of power, which makes

0:52:42.640 --> 0:52:45.279
<v Speaker 1>sense with this It's normally that would bother us, I

0:52:45.280 --> 0:52:48.560
<v Speaker 1>think in a movie, but in this movie, the integral

0:52:48.640 --> 0:52:54.000
<v Speaker 1>to the story, right, Yeah, there's no Avanka. Trump's the

0:52:54.040 --> 0:52:58.040
<v Speaker 1>two female characters that we see in detail at least

0:52:58.040 --> 0:53:01.440
<v Speaker 1>who are not Evy. I feel like almost offer the

0:53:01.480 --> 0:53:04.200
<v Speaker 1>two paths that Evie could end up on, where it's

0:53:04.200 --> 0:53:07.560
<v Speaker 1>like the woman who does end up getting pretty high

0:53:07.640 --> 0:53:10.480
<v Speaker 1>up in government or in her field in medicine, but

0:53:10.560 --> 0:53:12.399
<v Speaker 1>with the past that's like she was like I thought

0:53:12.440 --> 0:53:14.440
<v Speaker 1>about killing myself, she changed her name, she tried to

0:53:14.440 --> 0:53:17.560
<v Speaker 1>flee the country, like she was guilty, guilty, but then

0:53:17.600 --> 0:53:20.080
<v Speaker 1>also scared, like he was saying, like she succumbed to

0:53:20.120 --> 0:53:22.319
<v Speaker 1>the fear and then just stopped. I mean, that was

0:53:22.320 --> 0:53:24.200
<v Speaker 1>the reason she continued to work, because she was like,

0:53:24.239 --> 0:53:26.319
<v Speaker 1>what else am I gonna do? They're gonna kill me

0:53:26.560 --> 0:53:30.960
<v Speaker 1>or I'm gonna have to live in anonymity? Um, and

0:53:31.160 --> 0:53:33.799
<v Speaker 1>why why would she do that? It's also like, of

0:53:33.840 --> 0:53:37.439
<v Speaker 1>course the women are compassionate most I would say, most

0:53:37.480 --> 0:53:43.400
<v Speaker 1>women are not not all women hashtag you know what

0:53:43.440 --> 0:53:46.720
<v Speaker 1>I mean, Like, those women definitely exist when they're attempted

0:53:46.760 --> 0:53:49.120
<v Speaker 1>with power, but I think more often than not, it's

0:53:49.160 --> 0:53:52.359
<v Speaker 1>just it's not as common as it is with men

0:53:52.400 --> 0:53:55.440
<v Speaker 1>in power. Yeah, it was. It was cool to you know,

0:53:55.520 --> 0:53:57.920
<v Speaker 1>first see that this woman who rose very high in

0:53:57.920 --> 0:54:00.399
<v Speaker 1>her field but dies with regrets because she didn't stand

0:54:00.440 --> 0:54:03.400
<v Speaker 1>up for the right thing. And then Valerie who always

0:54:03.400 --> 0:54:06.239
<v Speaker 1>stands up for the right thing and is punished and

0:54:06.560 --> 0:54:09.560
<v Speaker 1>basically killed for it. Yeah, that's a great point. Yeah,

0:54:09.600 --> 0:54:12.040
<v Speaker 1>it's a great point. I don't think about that. You're

0:54:12.080 --> 0:54:15.680
<v Speaker 1>so smart. That's my next I know, But I mean,

0:54:16.040 --> 0:54:20.919
<v Speaker 1>and the moment of silence for a brilliant but they're

0:54:21.000 --> 0:54:24.520
<v Speaker 1>that scene between v and I'm sorry. What was the

0:54:24.560 --> 0:54:29.880
<v Speaker 1>doctor's corner? The corner she was a name um Delia surage.

0:54:30.560 --> 0:54:33.359
<v Speaker 1>That moment between them seemed, I mean, and for V,

0:54:33.400 --> 0:54:36.520
<v Speaker 1>who's generally pretty violent towards people who sucked with him,

0:54:36.960 --> 0:54:39.600
<v Speaker 1>was like a good character moment for him too, because

0:54:39.600 --> 0:54:42.560
<v Speaker 1>you're just like, what was that line where she's just like,

0:54:42.800 --> 0:54:44.799
<v Speaker 1>is it too late to stay sorry? And he's like, no,

0:54:44.920 --> 0:54:47.439
<v Speaker 1>he can do. She actually sings that song too late?

0:54:49.840 --> 0:54:54.239
<v Speaker 1>Is it now to say sorry? That's what goes from

0:54:54.280 --> 0:54:57.799
<v Speaker 1>my head were to a very different people, kit she

0:54:57.920 --> 0:55:00.719
<v Speaker 1>just does a quick mash up V like cool, here's

0:55:00.719 --> 0:55:05.520
<v Speaker 1>a flower goodbye. Yeah. I do like that. I do

0:55:05.640 --> 0:55:07.919
<v Speaker 1>like that she apologizes, and I do like that he's

0:55:07.960 --> 0:55:11.600
<v Speaker 1>open to it. I mean, I think people should be, yeah,

0:55:11.680 --> 0:55:13.120
<v Speaker 1>you know, if you want to, if you're trying to

0:55:13.200 --> 0:55:16.200
<v Speaker 1>grow and contribute to the greater good of society. And

0:55:16.239 --> 0:55:18.279
<v Speaker 1>I think he's like giving her a gift there too,

0:55:18.320 --> 0:55:21.760
<v Speaker 1>where it's like, you know, she's dying with regret, but

0:55:21.840 --> 0:55:25.640
<v Speaker 1>it's probably when you're dying with all that regret, useful

0:55:25.680 --> 0:55:28.400
<v Speaker 1>to be able to at least express that to someone

0:55:28.440 --> 0:55:30.879
<v Speaker 1>who you've wrong. And it's also sweet that he's using

0:55:30.920 --> 0:55:33.920
<v Speaker 1>her flowers. He's like, I've been growing your flowers. I

0:55:33.920 --> 0:55:36.279
<v Speaker 1>love your flowers. I think your flowers are great. I

0:55:36.320 --> 0:55:39.239
<v Speaker 1>think that you were capable of being something better as

0:55:39.280 --> 0:55:43.120
<v Speaker 1>a botanist. Also her diary that she deliberately gets out

0:55:43.200 --> 0:55:46.120
<v Speaker 1>and leaves behind so that someone will find it, and

0:55:46.239 --> 0:55:48.680
<v Speaker 1>luckily it falls in the hands of she wanted me

0:55:48.800 --> 0:55:51.799
<v Speaker 1>to habit. But he leaves it because he doesn't care.

0:55:51.840 --> 0:55:54.560
<v Speaker 1>He doesn't care about the story. Um. But then Finch

0:55:54.640 --> 0:55:57.520
<v Speaker 1>gets ahold of it, and then he he's a party member.

0:55:57.680 --> 0:56:00.920
<v Speaker 1>He's right under Sutler. But you can tell throughout the

0:56:00.920 --> 0:56:04.520
<v Speaker 1>movie he's having he's questioning all these things about the government.

0:56:04.600 --> 0:56:08.160
<v Speaker 1>He's having my favorite movie Doubt. He brings some doubt

0:56:09.320 --> 0:56:12.200
<v Speaker 1>shout out to Doubt, and then it's honestly the worst

0:56:12.200 --> 0:56:20.520
<v Speaker 1>podcast I've ever done. No, no, I'm sorry ahead. So um,

0:56:20.560 --> 0:56:23.400
<v Speaker 1>he gets ahold of it, he learns all this information

0:56:23.440 --> 0:56:26.680
<v Speaker 1>that I think informs his doubt, and then by the

0:56:26.800 --> 0:56:29.880
<v Speaker 1>end he's totally on. I mean, he like holds a

0:56:29.920 --> 0:56:31.920
<v Speaker 1>gun on TV. But then he's like, yeah, you're right,

0:56:31.960 --> 0:56:34.759
<v Speaker 1>we should go up this building. So like, if I

0:56:34.760 --> 0:56:38.040
<v Speaker 1>think it weren't for that, he wouldn't be so on

0:56:38.120 --> 0:56:41.200
<v Speaker 1>the right side of the revolution. Yeah, I mean, I

0:56:41.560 --> 0:56:44.680
<v Speaker 1>definitely like that. He read it and was like, oh, ship,

0:56:44.880 --> 0:56:48.120
<v Speaker 1>this is what happened. These fucking fool This government is

0:56:48.160 --> 0:56:50.359
<v Speaker 1>sucked up, like he's starting to see like he works

0:56:50.400 --> 0:56:53.160
<v Speaker 1>for the police. But and I do like that because

0:56:53.200 --> 0:56:56.280
<v Speaker 1>it is possible for people to have the right perspective

0:56:56.320 --> 0:56:59.680
<v Speaker 1>in these situations if you're informed and if you have

0:57:00.000 --> 0:57:02.759
<v Speaker 1>even believe But yeah, it was I like that. I

0:57:02.840 --> 0:57:06.520
<v Speaker 1>like that to change his mind because he was always teetering, right,

0:57:06.560 --> 0:57:09.000
<v Speaker 1>you know, that's where the curiosity was coming from. It

0:57:09.040 --> 0:57:11.000
<v Speaker 1>doesn't make sense. Why the funk would this, A, B

0:57:11.160 --> 0:57:14.800
<v Speaker 1>and C be leading to this? And and then he

0:57:14.840 --> 0:57:17.440
<v Speaker 1>starts getting these answers and he's like, oh man, and

0:57:17.480 --> 0:57:20.480
<v Speaker 1>that's why him and Eve end up together because she

0:57:20.640 --> 0:57:22.360
<v Speaker 1>fucking fills him in. And he was like, oh, yeah,

0:57:22.760 --> 0:57:28.600
<v Speaker 1>she sucks his dick, but dick, so like, what's the point, right,

0:57:29.040 --> 0:57:32.280
<v Speaker 1>That's why I always ain't burnt, But he he ain't

0:57:32.280 --> 0:57:43.040
<v Speaker 1>turned a little T shirt into it for Vendetti's shirt.

0:57:43.480 --> 0:57:48.520
<v Speaker 1>Just a guy fox, it's a tongue hanging out like

0:57:49.720 --> 0:57:55.240
<v Speaker 1>all right, he and he have the same outlook. On coincidence, though,

0:57:55.360 --> 0:57:57.920
<v Speaker 1>where there is no such thing as coincidence, only the

0:57:58.000 --> 0:58:02.520
<v Speaker 1>illusion of coincidence, which I love that actually going back

0:58:02.520 --> 0:58:04.720
<v Speaker 1>to there are no coincidences, my dad's funeral being on

0:58:04.760 --> 0:58:08.000
<v Speaker 1>November five, after the fact, it opened my eyes because

0:58:08.480 --> 0:58:11.160
<v Speaker 1>it wasn't until my dad passed away that I actually

0:58:11.160 --> 0:58:14.320
<v Speaker 1>believed that. It wasn't until he passed away that everything

0:58:14.400 --> 0:58:17.720
<v Speaker 1>kind of led up to him passing away and my life,

0:58:17.720 --> 0:58:20.360
<v Speaker 1>my life made more sense, not just the future, but

0:58:20.400 --> 0:58:23.080
<v Speaker 1>also the past. So then when I rewatched the movie,

0:58:23.080 --> 0:58:26.320
<v Speaker 1>I was like, oh, fuck, it's true for me. And

0:58:26.560 --> 0:58:28.840
<v Speaker 1>even though I didn't really believe that when I first

0:58:28.840 --> 0:58:32.040
<v Speaker 1>watched the movie, it definitely changed. And then I was like, yeah,

0:58:32.040 --> 0:58:34.320
<v Speaker 1>of course his funeral is on November five because there

0:58:34.320 --> 0:58:38.760
<v Speaker 1>are no coincidences, And for me, it definitely rang true,

0:58:38.960 --> 0:58:41.120
<v Speaker 1>like even more so now than it did in the past,

0:58:41.640 --> 0:58:43.600
<v Speaker 1>I think, and I and that almost feels like a

0:58:43.760 --> 0:58:46.120
<v Speaker 1>more like I don't know, like that seems like a

0:58:46.160 --> 0:58:49.520
<v Speaker 1>more optimistic because to me, like saying that there is

0:58:49.560 --> 0:58:54.600
<v Speaker 1>no coincidence just opens everything to there's no order, where

0:58:55.160 --> 0:58:57.800
<v Speaker 1>I feel like, yeah, we was like vas this anarchist figure,

0:58:57.840 --> 0:59:00.440
<v Speaker 1>but he also doesn't think that there's no so there

0:59:00.520 --> 0:59:04.480
<v Speaker 1>is some sort of greater something at work which is

0:59:05.200 --> 0:59:08.640
<v Speaker 1>nice and and feels optimistic romantic. Yeah, yeah it is.

0:59:09.440 --> 0:59:12.880
<v Speaker 1>That's a real romance. It's a little hot. I remember

0:59:13.000 --> 0:59:15.520
<v Speaker 1>seeing the movie for the first time and seeing the kiss,

0:59:15.960 --> 0:59:18.560
<v Speaker 1>which when she hit the first and I was like,

0:59:18.840 --> 0:59:21.480
<v Speaker 1>what a weird choice for that to happen. And now

0:59:21.520 --> 0:59:24.320
<v Speaker 1>I'm like, I get it. I get it. Yeah, now

0:59:24.360 --> 0:59:27.560
<v Speaker 1>I understand lot of you guys, I don't. I don't.

0:59:27.760 --> 0:59:29.840
<v Speaker 1>I don't need it, but I get it. But I

0:59:29.920 --> 0:59:31.680
<v Speaker 1>get it. I mean, listen, I've kissed a lot of

0:59:31.720 --> 0:59:36.840
<v Speaker 1>dudes are dead inside, so I get like emotionally burned Victyeah,

0:59:38.040 --> 0:59:43.280
<v Speaker 1>that's what it was like, I've done that. Yeah, I'm

0:59:43.320 --> 0:59:50.560
<v Speaker 1>into emotional burn victims. Pretty chill. I think that it's

0:59:50.600 --> 0:59:52.960
<v Speaker 1>it's weird because there is like a lot of gendered

0:59:52.960 --> 0:59:55.840
<v Speaker 1>stuff in this movie and a lot to talk about,

0:59:56.280 --> 1:00:02.840
<v Speaker 1>but it's almost overshadowed by the medical nature of this story.

1:00:03.000 --> 1:00:04.520
<v Speaker 1>And so it was like, I don't know, it was

1:00:04.920 --> 1:00:07.520
<v Speaker 1>this was like a really interesting, challenging thing to watch,

1:00:07.600 --> 1:00:09.959
<v Speaker 1>similar to how like when we talked about get Out,

1:00:10.560 --> 1:00:12.800
<v Speaker 1>it was like not a movie that necessarily treats women well,

1:00:12.800 --> 1:00:15.760
<v Speaker 1>but that's okay, because what is the real focus of

1:00:15.800 --> 1:00:18.880
<v Speaker 1>the movie, right, Yeah, So yeah, I have a lot

1:00:18.920 --> 1:00:22.000
<v Speaker 1>of complicated feelings about be for Vendetta because you know,

1:00:22.040 --> 1:00:23.880
<v Speaker 1>you can sort of boil things down to like he

1:00:23.920 --> 1:00:28.560
<v Speaker 1>imprisons her, he tortures her, he gaslights her, dada. But

1:00:28.560 --> 1:00:31.400
<v Speaker 1>that's a little too simple or simple it is, right,

1:00:31.520 --> 1:00:36.200
<v Speaker 1>So it is a very interesting movie to discuss so ourselves.

1:00:36.240 --> 1:00:38.680
<v Speaker 1>Thank you for bringing it to us. It's my it's

1:00:38.680 --> 1:00:41.480
<v Speaker 1>my pleasure. Let's discuss whether or not it passes the

1:00:41.480 --> 1:00:47.280
<v Speaker 1>Bechtel test with the it does, does it? It was like,

1:00:47.360 --> 1:00:50.480
<v Speaker 1>it's sort of there's one exchange where you're like, so,

1:00:50.600 --> 1:00:54.800
<v Speaker 1>there's right. There is a scene where a woman whose

1:00:54.880 --> 1:00:57.520
<v Speaker 1>name we don't ever find out, so that right away

1:00:57.600 --> 1:00:59.080
<v Speaker 1>does not pass the back to test, but she does

1:00:59.120 --> 1:01:02.560
<v Speaker 1>talk to Evie. Uh. They're watching sort of the news coverage,

1:01:02.600 --> 1:01:05.240
<v Speaker 1>the fabricated news coverage of the blowing up of the

1:01:05.280 --> 1:01:08.520
<v Speaker 1>bailey on TV, and she's like, do you believe that

1:01:08.600 --> 1:01:11.920
<v Speaker 1>load of bullocks? There was no bloody demolition. I saw it.

1:01:12.000 --> 1:01:15.160
<v Speaker 1>Did you see it? And Evie is like no, last

1:01:15.240 --> 1:01:17.280
<v Speaker 1>night I was like, She's like, oh, that's right. You

1:01:17.320 --> 1:01:19.880
<v Speaker 1>went to see Daddy Dietrich, do you like my British taxing?

1:01:19.960 --> 1:01:23.000
<v Speaker 1>You guys? So they talked about a man like after

1:01:23.280 --> 1:01:25.120
<v Speaker 1>three lines, and we don't know her name, so that

1:01:25.160 --> 1:01:28.120
<v Speaker 1>does not pass. But then a woman comes in and

1:01:28.160 --> 1:01:30.360
<v Speaker 1>she's like, Evie, there you are. You are still working

1:01:30.400 --> 1:01:33.840
<v Speaker 1>for me, aren't you? Sorry? Patricia, so we know her name,

1:01:34.640 --> 1:01:37.240
<v Speaker 1>and then Patricia says, I need two espressos and three

1:01:37.240 --> 1:01:41.240
<v Speaker 1>coffees from downstairs, and Dietrich is ready for his tea.

1:01:41.480 --> 1:01:44.760
<v Speaker 1>I would say that even though Dietrich comes in at

1:01:44.760 --> 1:01:49.080
<v Speaker 1>the end those first two lines where I thought I

1:01:49.080 --> 1:01:50.760
<v Speaker 1>was going to pass and I was looking forward to

1:01:50.760 --> 1:01:53.120
<v Speaker 1>being like, this is a fun one. But because I

1:01:53.120 --> 1:01:56.600
<v Speaker 1>didn't remember, I thought that Evie may have written back

1:01:56.840 --> 1:01:59.520
<v Speaker 1>to Valerie and that would have been like where it

1:01:59.640 --> 1:02:02.280
<v Speaker 1>wasn't a vocal exchange, that that was like that we've

1:02:02.320 --> 1:02:04.240
<v Speaker 1>been cool, but she doesn't know. She doesn't where she

1:02:04.320 --> 1:02:06.960
<v Speaker 1>going to get parchment to wipe her ass with, you

1:02:07.000 --> 1:02:11.480
<v Speaker 1>know there. So there's another scene right after that where

1:02:11.520 --> 1:02:15.080
<v Speaker 1>two women talk again. Evie talks to the costume woman

1:02:15.520 --> 1:02:18.040
<v Speaker 1>and she like brings in all those boxes that have

1:02:18.160 --> 1:02:21.520
<v Speaker 1>the masks and costume and he's like, what's all that?

1:02:21.840 --> 1:02:23.960
<v Speaker 1>And he was like, not sure. They've just arrived mock

1:02:24.040 --> 1:02:27.200
<v Speaker 1>for stage three and costume and he's like, must be pro.

1:02:27.720 --> 1:02:30.400
<v Speaker 1>So again she brings up a man and then she's like,

1:02:30.440 --> 1:02:32.160
<v Speaker 1>I wish someone had the balls to tell him the

1:02:32.280 --> 1:02:34.919
<v Speaker 1>station and just playground. And then she opens a box.

1:02:34.920 --> 1:02:41.000
<v Speaker 1>She's like, well so this then very British. Real quick question,

1:02:42.200 --> 1:02:46.320
<v Speaker 1>is Natalie Portman's accent bad or good? I think not

1:02:46.480 --> 1:02:49.440
<v Speaker 1>very good? Not good? Right? I don't know. There's I

1:02:49.920 --> 1:02:51.960
<v Speaker 1>sort of kept forgetting because there were points in the

1:02:51.960 --> 1:02:54.400
<v Speaker 1>movie I'm like, oh, yeah, everyone in this movie is British,

1:02:54.440 --> 1:02:58.920
<v Speaker 1>including Natalie Portman. I sort of forgot well VA's voice

1:02:58.920 --> 1:03:01.200
<v Speaker 1>to kind of there are certain points where I'm like,

1:03:01.200 --> 1:03:03.520
<v Speaker 1>don't just have a thicker accent, which is weird because

1:03:03.520 --> 1:03:06.520
<v Speaker 1>he is British and it still sounds weird because it's

1:03:06.520 --> 1:03:08.680
<v Speaker 1>all over the place. Who's who? What's the name of

1:03:08.720 --> 1:03:11.920
<v Speaker 1>the actor who plays be in this movie? He's like, yeah,

1:03:12.000 --> 1:03:16.160
<v Speaker 1>he's also in the Matrix Agent Smith. He's a Walkoski fave.

1:03:17.080 --> 1:03:20.120
<v Speaker 1>Uh So, whether or not the movie passes the Bechdel test,

1:03:20.520 --> 1:03:24.360
<v Speaker 1>I guess for like a second, whenever Patricia comes in

1:03:24.440 --> 1:03:27.200
<v Speaker 1>and she's like, you are still working for me, aren't you?

1:03:27.560 --> 1:03:29.840
<v Speaker 1>And she says, sorry, I want to give it to

1:03:30.440 --> 1:03:33.120
<v Speaker 1>the I like, technically, I think it's a no, but

1:03:33.240 --> 1:03:36.040
<v Speaker 1>I want but just for the sake of I don't

1:03:36.040 --> 1:03:41.360
<v Speaker 1>think that this movie is like bad for womankind. I

1:03:41.440 --> 1:03:43.400
<v Speaker 1>want to give it a pass. I don't know. This

1:03:43.480 --> 1:03:47.360
<v Speaker 1>isn't this isn't precise. Yeah, let's just say it does

1:03:47.760 --> 1:03:50.440
<v Speaker 1>for a split second, which I think is accurate. Does

1:03:50.440 --> 1:03:53.400
<v Speaker 1>the Bechtel tests have a time some I think some

1:03:53.480 --> 1:03:56.000
<v Speaker 1>variations of it say like it has to happen for

1:03:56.040 --> 1:03:58.200
<v Speaker 1>this amount of time. I don't, but don't We just

1:03:58.320 --> 1:04:02.480
<v Speaker 1>say technically it's too lines of dialogue between two female

1:04:02.560 --> 1:04:06.320
<v Speaker 1>characters with names, which again is a very low bar, right,

1:04:06.520 --> 1:04:09.160
<v Speaker 1>And I think under that rule it passes. And it's

1:04:09.240 --> 1:04:11.720
<v Speaker 1>the third line of dialogue where they start talking about

1:04:11.720 --> 1:04:14.400
<v Speaker 1>a guy. Right, It's still not great, but I'm going

1:04:14.440 --> 1:04:16.280
<v Speaker 1>to give the pass. I want to give it a pass. Yeah,

1:04:16.320 --> 1:04:18.040
<v Speaker 1>I think I think it's okay. I think it it

1:04:18.240 --> 1:04:22.400
<v Speaker 1>Legit passes under our rules. So you just get five

1:04:23.760 --> 1:04:26.760
<v Speaker 1>good going. So let's write the movie on our nipple scale,

1:04:26.800 --> 1:04:29.520
<v Speaker 1>where we write the movie on its portrayal of women

1:04:30.400 --> 1:04:33.680
<v Speaker 1>on a scale of zero to five nipples. We've got

1:04:33.680 --> 1:04:37.720
<v Speaker 1>some burnt nipples in the name this time five crispy

1:04:37.880 --> 1:04:43.880
<v Speaker 1>nipples are very scorched. Um. I'm going to give it.

1:04:44.680 --> 1:04:49.000
<v Speaker 1>This is real tough for me because I still don't

1:04:49.040 --> 1:04:54.040
<v Speaker 1>really know how I feel about how he treats her

1:04:54.400 --> 1:04:57.960
<v Speaker 1>by imprisoning her and gaslighting her and torturing her as

1:04:58.040 --> 1:05:00.800
<v Speaker 1>a means to end. I mean, free room and board

1:05:00.800 --> 1:05:04.320
<v Speaker 1>would be nice. True, No, rent a year. I didn't

1:05:04.360 --> 1:05:08.080
<v Speaker 1>think I was cooking for her to her did her

1:05:08.160 --> 1:05:10.200
<v Speaker 1>roommate first of all, if she has a roommate, did

1:05:10.240 --> 1:05:13.080
<v Speaker 1>they just get a sub letter? Like? I don't think

1:05:13.160 --> 1:05:16.000
<v Speaker 1>she's seemed like she lived in a studio. I feel

1:05:16.000 --> 1:05:19.040
<v Speaker 1>like shed Okay, that's what it felt like. Oh God,

1:05:19.120 --> 1:05:24.640
<v Speaker 1>I is it like? Is it a three? I don't know.

1:05:24.800 --> 1:05:27.360
<v Speaker 1>I have no idea how to write this movie. I

1:05:27.400 --> 1:05:31.320
<v Speaker 1>was going to say, like four. If I don't know,

1:05:31.360 --> 1:05:36.280
<v Speaker 1>I mean ultimately an arbitrary system, right, No, this is important.

1:05:37.160 --> 1:05:41.040
<v Speaker 1>I'll jump thing. I'll say three and a half. Tricky

1:05:41.200 --> 1:05:43.720
<v Speaker 1>movie where we see a lot of women, we don't

1:05:43.800 --> 1:05:45.840
<v Speaker 1>hear a lot of women. But that's also the exact

1:05:45.920 --> 1:05:49.960
<v Speaker 1>nature of the government being portrayed in regards to women.

1:05:50.120 --> 1:05:53.560
<v Speaker 1>It's tricky. I think that in Evy we have like

1:05:53.600 --> 1:05:58.040
<v Speaker 1>a really awesome challenging the aughtful. I mean, the few

1:05:58.120 --> 1:06:00.840
<v Speaker 1>women that are in are all have depth right, right,

1:06:01.000 --> 1:06:03.600
<v Speaker 1>and they're all given I think, like a fair amount

1:06:03.760 --> 1:06:07.520
<v Speaker 1>of thought by this story, and they're past and thoughts

1:06:07.520 --> 1:06:11.640
<v Speaker 1>have action and implications on the story. And I mean

1:06:11.680 --> 1:06:14.400
<v Speaker 1>I think we have three very strong female characters in

1:06:14.440 --> 1:06:18.920
<v Speaker 1>this movie, um and too strong gate characters. True. Yeah,

1:06:19.600 --> 1:06:23.680
<v Speaker 1>very white movie, extremely white, Like they're that last thing

1:06:23.720 --> 1:06:26.360
<v Speaker 1>where everyone's taking off their masks and it's white people.

1:06:26.400 --> 1:06:31.640
<v Speaker 1>It's just like especially happen until two thousand and five.

1:06:32.800 --> 1:06:35.480
<v Speaker 1>I mean, but can the same apply when we were like, oh,

1:06:35.520 --> 1:06:38.400
<v Speaker 1>women wouldn't be in positions of I feel like a

1:06:38.520 --> 1:06:40.800
<v Speaker 1>country like this under this sort of regime would have

1:06:40.840 --> 1:06:45.920
<v Speaker 1>tried to push out people of color are getting pushed out.

1:06:46.440 --> 1:06:49.120
<v Speaker 1>So I mean, that's what I mean, and I think

1:06:49.120 --> 1:06:51.240
<v Speaker 1>that's part of why. Like that was the thing when

1:06:51.240 --> 1:06:53.520
<v Speaker 1>I watched movies and television as I was growing up

1:06:53.520 --> 1:06:55.400
<v Speaker 1>and as a team, it was like I actively stopped

1:06:55.440 --> 1:06:57.760
<v Speaker 1>watching things that were too white unless they made sense.

1:06:58.560 --> 1:07:00.000
<v Speaker 1>And this is one of those movies where I was like,

1:07:00.080 --> 1:07:03.160
<v Speaker 1>it makes sense and also the women were all very interesting.

1:07:03.800 --> 1:07:07.160
<v Speaker 1>They were Yeah, I think I think that it's good

1:07:07.200 --> 1:07:09.320
<v Speaker 1>and I agree with what you're saying of like some

1:07:09.400 --> 1:07:11.920
<v Speaker 1>of the stuff, some of the dynamics between V and

1:07:11.960 --> 1:07:15.400
<v Speaker 1>E V are not easy to watch and are subjective

1:07:15.400 --> 1:07:17.560
<v Speaker 1>in challenging, and I think we'll affect different people in

1:07:17.600 --> 1:07:20.560
<v Speaker 1>different ways. Yeah, because I mean, I can imagine, you know,

1:07:20.600 --> 1:07:23.560
<v Speaker 1>if you've been in a really gasl idea abusive relationship

1:07:23.600 --> 1:07:27.840
<v Speaker 1>and you're watching that, that would be like very triggering.

1:07:27.840 --> 1:07:31.920
<v Speaker 1>I would imagine. Sure, But in the story, I feel

1:07:31.920 --> 1:07:34.480
<v Speaker 1>like it does justify itself. I don't know. I'll say

1:07:34.760 --> 1:07:37.920
<v Speaker 1>three and a half and I'll give my nippies. I'll

1:07:37.920 --> 1:07:42.080
<v Speaker 1>give two scorched nippies back to v rest in Paradise, Baby,

1:07:42.920 --> 1:07:47.080
<v Speaker 1>I'll give nipple to Natalie, and then I'll give my

1:07:47.240 --> 1:07:52.000
<v Speaker 1>lass half nippy to Valerie. She was cool, all right,

1:07:52.040 --> 1:07:54.800
<v Speaker 1>I'm gonna go with three. And I'm surprised by this

1:07:54.880 --> 1:07:57.400
<v Speaker 1>because I still love this movie and I and I

1:07:57.640 --> 1:08:00.240
<v Speaker 1>you know, like I said, I loved it so time

1:08:00.280 --> 1:08:01.720
<v Speaker 1>ago to the point where I was like I should

1:08:01.720 --> 1:08:04.640
<v Speaker 1>get a tattoo about it, but not too late. It's

1:08:04.640 --> 1:08:09.920
<v Speaker 1>a tattoo Parliament. But rewatching it through this sort of

1:08:09.960 --> 1:08:12.200
<v Speaker 1>new lens, I was like, oh wow, there's a lot

1:08:12.240 --> 1:08:14.760
<v Speaker 1>of weird stuff that happens to this female character, and

1:08:14.800 --> 1:08:18.280
<v Speaker 1>it does feel like she doesn't have all that much agency,

1:08:18.400 --> 1:08:20.960
<v Speaker 1>especially toward the beginning of the movie, and later on

1:08:21.160 --> 1:08:22.880
<v Speaker 1>she does to the extent where she's the one who

1:08:22.880 --> 1:08:25.880
<v Speaker 1>literally pulls the trigger on the train that ends up

1:08:25.880 --> 1:08:29.160
<v Speaker 1>blowing up the house of the Parliament. Super satisfying to watch. Yeah,

1:08:29.200 --> 1:08:32.400
<v Speaker 1>Oh my god, that was the music and the explosion.

1:08:32.439 --> 1:08:36.360
<v Speaker 1>I was like, yeah, but um, at the same time,

1:08:36.360 --> 1:08:39.840
<v Speaker 1>we do have a very complex female character who goes

1:08:39.920 --> 1:08:44.360
<v Speaker 1>on sort of this incredible arc that women are often

1:08:44.400 --> 1:08:49.240
<v Speaker 1>aren't afforded in movies. So that was really cool to watch.

1:08:49.439 --> 1:08:53.439
<v Speaker 1>So yeah, I'm gonna stick with three and my nipples

1:08:53.960 --> 1:09:01.240
<v Speaker 1>belong to Dietrich Stephen fry To specifically in that scene

1:09:01.240 --> 1:09:04.559
<v Speaker 1>in the movie. So many like takes with him going

1:09:05.240 --> 1:09:07.840
<v Speaker 1>what like, he does not have a huge part in that.

1:09:08.560 --> 1:09:11.599
<v Speaker 1>It's just really funny, It's right, Um, And then they

1:09:11.600 --> 1:09:15.000
<v Speaker 1>I'll give the other one to Finch because I like

1:09:15.080 --> 1:09:19.000
<v Speaker 1>his character arc as well. Yeah, Um, I don't know, Actually,

1:09:19.400 --> 1:09:22.160
<v Speaker 1>I guess I'd have to give a nipple to each woman.

1:09:22.800 --> 1:09:27.840
<v Speaker 1>Okay three yeah, so three yeah Natalie, Yeah in the

1:09:27.880 --> 1:09:32.439
<v Speaker 1>corner corner. Yeah, I love that character named the corner. Cool.

1:09:32.439 --> 1:09:34.400
<v Speaker 1>Well more so, thank you so much for having me

1:09:35.040 --> 1:09:36.760
<v Speaker 1>said this was like, this was a tough one, in

1:09:36.800 --> 1:09:40.000
<v Speaker 1>a in a good way. What what discourse we've had

1:09:40.000 --> 1:09:43.840
<v Speaker 1>here today? I think I think it's an imbordt movie,

1:09:43.920 --> 1:09:47.320
<v Speaker 1>especially now I encourage people to watch it. I think

1:09:47.360 --> 1:09:50.120
<v Speaker 1>that not enough people have believed that their governments are

1:09:50.120 --> 1:09:52.760
<v Speaker 1>corrupt as deeply as they are, and that they can

1:09:52.760 --> 1:09:55.880
<v Speaker 1>get worse. I mean, it's it's happening to us right now. Um,

1:09:55.920 --> 1:09:58.439
<v Speaker 1>they've always been corrupt, but this movie is kind of

1:09:58.720 --> 1:10:01.960
<v Speaker 1>more relevant now than every totally. It's it's I mean

1:10:02.000 --> 1:10:04.519
<v Speaker 1>for the United States. Yes, it's it's interesting to watch

1:10:04.560 --> 1:10:06.679
<v Speaker 1>and and I also like that the United States gets

1:10:06.680 --> 1:10:08.679
<v Speaker 1>a shout out in the beginning of the movie. Yeah,

1:10:09.240 --> 1:10:13.200
<v Speaker 1>well yeah, we're like the US is having a civil

1:10:14.280 --> 1:10:17.439
<v Speaker 1>the second Civil War. They call it the former United States,

1:10:17.479 --> 1:10:20.280
<v Speaker 1>Like yeah, this, which was to me, I was like,

1:10:20.360 --> 1:10:24.519
<v Speaker 1>oh my god, this is right now. That was like

1:10:24.720 --> 1:10:27.760
<v Speaker 1>that like newscast segment, because like when it came out,

1:10:27.800 --> 1:10:29.439
<v Speaker 1>I would have I would have been like, oh, that's silly.

1:10:29.880 --> 1:10:32.200
<v Speaker 1>That's not possible. And now I'm like, no, that's it's

1:10:32.320 --> 1:10:34.080
<v Speaker 1>it's on its way. And it was still like w

1:10:34.200 --> 1:10:38.360
<v Speaker 1>Bush era when this movie came, we were divided like

1:10:38.360 --> 1:10:40.360
<v Speaker 1>like we are now. I mean that's why United we

1:10:40.400 --> 1:10:42.640
<v Speaker 1>Stand was so popular because everybody was like, yeah, that

1:10:42.800 --> 1:10:44.920
<v Speaker 1>is true, we should stand united. Now it's like no

1:10:45.080 --> 1:10:49.920
<v Speaker 1>division is in right and the like slogan of the

1:10:50.040 --> 1:10:54.160
<v Speaker 1>UK and the for Vendetta is strength through unity, unity

1:10:54.240 --> 1:10:59.719
<v Speaker 1>through faith either a lot of buzzwords, no thought being encouraged.

1:11:01.200 --> 1:11:04.519
<v Speaker 1>Alan Moore is somewhere right now, just like like rubbing

1:11:04.520 --> 1:11:09.040
<v Speaker 1>his hands together like I told you and you got us,

1:11:09.040 --> 1:11:13.200
<v Speaker 1>You got us good, You're right me and is not royalties. Yeah,

1:11:15.000 --> 1:11:17.439
<v Speaker 1>thank you so much again for where people follow you

1:11:17.479 --> 1:11:20.800
<v Speaker 1>online at Marcella Comedy dot com. That's all of my

1:11:20.920 --> 1:11:23.880
<v Speaker 1>social media, Marcella two ls. So hit me up, holler

1:11:23.920 --> 1:11:27.240
<v Speaker 1>at a bitch who You can follow us at bectol

1:11:27.240 --> 1:11:30.640
<v Speaker 1>cast on Instagram, Twitter, Facebook, back to cast dot com.

1:11:30.680 --> 1:11:33.400
<v Speaker 1>Hey we've got a Patreon. Yeah, donate to that. You

1:11:33.400 --> 1:11:35.960
<v Speaker 1>can donate to that, you can. It's five dollars a

1:11:35.960 --> 1:11:39.720
<v Speaker 1>month gets you to bonus episodes a month. And if

1:11:39.720 --> 1:11:41.800
<v Speaker 1>you're like, actually, I can't commit to that right now,

1:11:41.960 --> 1:11:43.240
<v Speaker 1>but I still want to help you out. You can

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<v Speaker 1>throw a tip in our tip jar if you go

1:11:45.120 --> 1:11:47.800
<v Speaker 1>to beacto cast dot com slash support, you can just

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<v Speaker 1>like throw us a couple bucks whatever you want. So

1:11:49.840 --> 1:11:52.559
<v Speaker 1>many options, so many websites. Great, What a time to

1:11:52.600 --> 1:11:56.000
<v Speaker 1>be alive? What just kidding? We're living in the worst time.

1:11:56.320 --> 1:11:59.160
<v Speaker 1>What a time to be dead? What a time to

1:11:59.200 --> 1:12:02.640
<v Speaker 1>look forward to? Shout out to flatliners, Today is a

1:12:02.640 --> 1:12:09.040
<v Speaker 1>good day to die. Always got to send a shout out, Um,

1:12:09.040 --> 1:12:10.719
<v Speaker 1>thanks for listening. Bye,