WEBVTT - Questlove Supreme: Joan Jett

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Ladies and gentlemen puts up. This is Quest Love separate way,

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<v Speaker 2>I believe. Is this our first Quest Love Supreme back

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<v Speaker 2>together since since what like last April?

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<v Speaker 1>Since the oscars, I feel like I've not spoken to me.

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<v Speaker 2>Yeah, I think this is the first one. Maybe we

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<v Speaker 2>did like one episode or something like that. But yeah,

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<v Speaker 2>I was about to say.

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<v Speaker 1>Like this, it's been a long time. We've been doing

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<v Speaker 1>a bunch of one on ones.

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<v Speaker 2>But I'll start off our episode people by saying that

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<v Speaker 2>because of the ungodly amount of hours that I've spent

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<v Speaker 2>at the Windwood train station or taking the one of

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<v Speaker 2>five and the one of three bus to my insurance

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<v Speaker 2>job to pay for a demo, I feel just a

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<v Speaker 2>little bit more connected to our guest today than any

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<v Speaker 2>than any other guest that's.

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<v Speaker 1>Been philadelph adjacent. I'll put it that way. Now, I

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<v Speaker 1>got excited. I get excited when any Philly adjacent guest

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<v Speaker 1>comes on too. Oh yeah, Quest of Supreme. Uh. And

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<v Speaker 1>no matter how much New York tries to claim you.

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<v Speaker 2>I know for a fact that you did hard time

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<v Speaker 2>at Montgomery County. You know, once once in Philadelphia, always Philadelphia,

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<v Speaker 2>AnyWho Philly.

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<v Speaker 3>And I lived in Pittsburgh and I lived in Eerie. Oh, yes,

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<v Speaker 3>lots of different Yes that's us.

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<v Speaker 2>Yes, my mother is from Pittsburgh, so yeah, I am

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<v Speaker 2>definitely a share of fair share.

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<v Speaker 1>Family members that you know have have.

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<v Speaker 2>Educated edumacated me on just life in Pittsburgh in general.

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<v Speaker 2>I'll say that our guest today, of course, as a

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<v Speaker 2>legendary singer, legendary songwriter, producer, let's not forget a kick

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<v Speaker 2>caass guitarist, a member of two legendary units. First, of

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<v Speaker 2>course coming to us as a member of the Runaways,

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<v Speaker 2>a band who pretty much defied all logic and stuck

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<v Speaker 2>to their guns and pretty much had inspired a generation

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<v Speaker 2>of musicians and creators around the world.

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<v Speaker 1>And of course the second band needs no introduction.

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<v Speaker 2>Of course, I'm speaking of her namesake, Joe Jet and

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<v Speaker 2>the Black Hearts Class of twenty fifteen Rock and Roll

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<v Speaker 2>Hall of Fame. What can I say without her? You know,

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<v Speaker 2>I don't even want to limit it to just there's

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<v Speaker 2>no riot girl movement. There's just there's a whole portion

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<v Speaker 2>of hard rock and punk and a lot of post

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<v Speaker 2>late eighties early nineties bands that formed in LA that

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<v Speaker 2>really want to existed without our guest today. So, without

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<v Speaker 2>further ado, welcome Joone Jet to quest Love Supreme. So

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<v Speaker 2>were you talking to us right now?

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<v Speaker 3>Were you was fine? Home in New York and on

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<v Speaker 3>Long Island at the beach. Yeah, well yeah, I live

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<v Speaker 3>at the beach. Yeah, I'm looking right on the water though.

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<v Speaker 1>All right.

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<v Speaker 2>You know, I just I discovered I discovered in the pandemic.

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<v Speaker 2>And I keep telling everyone, especially New york Er, is

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<v Speaker 2>this and they don't believe me. New York doesn't realize

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<v Speaker 2>they have their own Mahuland Drive and they have their

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<v Speaker 2>own Venice Beach. Now, you know, I've not There was

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<v Speaker 2>a point where I think the main train was going

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<v Speaker 2>to shut down that leads to Williamsburg causing you know,

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<v Speaker 2>it's going to shut down for like two years whatever

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<v Speaker 2>while they did reconstruction, causing a whole burrow to literally

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<v Speaker 2>relocate elsewhere. Like restaurants started shutting down and all of

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<v Speaker 2>them basically relocated to Long Beach. So when a friend

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<v Speaker 2>of mine made me visit out there, I didn't know

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<v Speaker 2>what to expect, Like is personally expecting uh you know,

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<v Speaker 2>kind of yah Hawkins, like post Benson herses, you know whatever. No,

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<v Speaker 2>I went out there and it's like, yo, it is the.

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<v Speaker 3>Shit it was. It was pretty beat up, like when

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<v Speaker 3>I moved here in nineteen seventy nine.

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<v Speaker 1>Oh so you're like a loyalist. You've been there for everything.

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<v Speaker 3>So what do you do right after the Runaways broke

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<v Speaker 3>pretty much right after the Runaways broke up with seventy

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<v Speaker 3>nine that I'm not my partner Kenny Waguna.

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<v Speaker 1>What do you make of it now?

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<v Speaker 2>Because like literally it's like if I didn't have to

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<v Speaker 2>be in Manhattan at like the drop of a dome, like.

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<v Speaker 1>I would actually move out to Long Beach.

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<v Speaker 2>Like it's it's they totally I don't want to say

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<v Speaker 2>just regentified it, but they literally did it.

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<v Speaker 3>Yeah, okay, you know they're making it. I don't know

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<v Speaker 3>what you want to call it? Nice end quote, yeah, nicer.

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<v Speaker 1>Yeah. I wasn't. I wasn't ready for that.

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<v Speaker 3>So when I moved here, it was they just opened

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<v Speaker 3>all the mental institutions or something. So when I got here,

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<v Speaker 3>there were crazy people walking all over the place, and

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<v Speaker 3>you could I could have bought my apartment for like

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<v Speaker 3>twenty grand or something. But you know, those days are long.

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<v Speaker 1>The price is definitely going up.

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<v Speaker 3>So yeah, and now people want places like this so

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<v Speaker 3>even more so.

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<v Speaker 2>Yeah, anyone's like trying to sell their house right now

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<v Speaker 2>in Long Beach can easily take in high six figures

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<v Speaker 2>to almost a million.

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<v Speaker 1>Definitely, That's that's where it is now. People are like

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<v Speaker 1>headed out there.

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<v Speaker 2>So I start off of each episode with the question, Uh,

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<v Speaker 2>what do you remember what your first musical memory was?

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<v Speaker 3>I can't. I can't be positive, but it would.

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<v Speaker 2>Be just one that you remember, not the technical all right,

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<v Speaker 2>all right, singing Mary had a little lambite eight months

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<v Speaker 2>what I mean?

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<v Speaker 3>But I think of my father playing classical music, or

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<v Speaker 3>my parents listening to Johnny Mathis or something like that,

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<v Speaker 3>Rank Sinatra.

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<v Speaker 1>Okay, how long did you live in Uh? Well, technically

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<v Speaker 1>you're born in well Winwood, right, Yeah.

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<v Speaker 3>I was born a lack in all Hospital, so wherever

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<v Speaker 3>that is. Yeah, I moved very early. I moved at

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<v Speaker 3>like six months old and moved to Pittsburgh. So I

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<v Speaker 3>can't really say I grew up in Philly. I was

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<v Speaker 3>just born there.

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<v Speaker 1>So when you have memories of your childhood, what's the

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<v Speaker 1>city you think of?

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<v Speaker 3>Maryland?

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<v Speaker 1>Oh?

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<v Speaker 3>Okay, I moved to Maryland from Erie, Pennsylvania when I

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<v Speaker 3>was eight. When I was eight, so I moved. I

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<v Speaker 3>lived in Maryland, Rockville, Maryland from eight to thirteen, so

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<v Speaker 3>really formative years, you know, when you come into your

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<v Speaker 3>own I guess, you know, go from being a kid

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<v Speaker 3>to puberty and you know, all those big changes it happened,

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<v Speaker 3>i'd say, eight to your teen years.

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<v Speaker 2>What effect does that have on someone that you know,

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<v Speaker 2>where you don't have actual roots, like you kind of

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<v Speaker 2>move every other year, every two or three years, Like

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<v Speaker 2>what effect does that have on you?

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<v Speaker 1>As far as like.

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<v Speaker 3>That's a good question. I wonder how much of it

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<v Speaker 3>I'm doing psychology on myself. I was thinking about this

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<v Speaker 3>the other day. How much of it is my was

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<v Speaker 3>my lifestyle from a very early age, from being on

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<v Speaker 3>the road, you know, just constantly moving and also but

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<v Speaker 3>growing up that way too, never really being in one

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<v Speaker 3>place very long longest with Maryland when I lived there

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<v Speaker 3>five years. So maybe you don't really feel secure and

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<v Speaker 3>making friendships or any kind of relationships. So you know,

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<v Speaker 3>I don't know. Maybe I tend to keep people at

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<v Speaker 3>arms length. Okay, no, it's something I'm unfriendly. It's just

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<v Speaker 3>I'm a good with intimacy.

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<v Speaker 1>I suppose that's real. Do you have siblings or like,

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<v Speaker 1>what's the No, it's.

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<v Speaker 3>It's well, I'm not good at faking it.

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<v Speaker 1>Hey man, I feel you.

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<v Speaker 3>I have a brother and I have a sister. They

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<v Speaker 3>both still live in California. My brother's in San Diego,

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<v Speaker 3>my sister's in North Hollywood.

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<v Speaker 1>Are you the baby in the middle or the oldest?

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<v Speaker 3>No, I'm oldest. Okay, I'm the oldest. I'm out here,

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<v Speaker 3>oh instantly, you know, when I was sixteen pretty much,

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<v Speaker 3>you know, and and I left and formed the band

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<v Speaker 3>and not really at home much more after that. I

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<v Speaker 3>think I see the I think I see the repercussions

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<v Speaker 3>of that now later. But I don't know if that's

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<v Speaker 3>my lifestyle or if it's from not really having that connective.

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<v Speaker 2>Family thing as the result of moving. Was that because

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<v Speaker 2>you were an army brat or just my father.

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<v Speaker 3>Was you know, my father was an insurance man, so

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<v Speaker 3>traveling insurance, traveling insurance man in the olden days. That

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<v Speaker 3>is that a real thing? Or was that at a hostitle.

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<v Speaker 2>I went out to Either way, I went out to

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<v Speaker 2>it to uh when would to sell insurance?

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<v Speaker 1>So I don't know, maybe I was like working for

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<v Speaker 1>your father.

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<v Speaker 3>Yeah, yeah, but I guess you know, they have areas

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<v Speaker 3>and they'd go and I don't know if it was

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<v Speaker 3>a door to door. I really don't know. I didn't

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<v Speaker 3>I didn't discuss it with them that much. But that's

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<v Speaker 3>that's what my mother told me. Anyway, traveling traveling salesman. Okay,

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<v Speaker 3>so we moved around.

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<v Speaker 2>Yeah, do you remember the first album that you purchased

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<v Speaker 2>with your own money?

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<v Speaker 1>I should know this, right, or a single or a

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<v Speaker 1>single well.

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<v Speaker 3>Probably was an Osmond brother's record.

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<v Speaker 1>Thank you. You know.

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<v Speaker 3>Oftentimes, maybe I shouldn't be that honest.

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<v Speaker 2>I was gonna say most most people get stuck with

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<v Speaker 2>this because I think for a lot of us, the

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<v Speaker 2>answer is always going to be an uncool answer, you know.

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<v Speaker 2>I think for the shut up Steve, because no, I'm

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<v Speaker 2>thinking my owners the coolest. But yeah, well no, you know,

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<v Speaker 2>I would naturally tell people like, oh yeah, Jackson five

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<v Speaker 2>or whatever.

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<v Speaker 1>But the real answer was Neil saidaka, but how's that

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<v Speaker 1>going to look in print? You know? Not great?

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<v Speaker 3>Could have been the Chaps at five too. I mean

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<v Speaker 3>you know what, I just I just got done watching

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<v Speaker 3>the movie that you won thank you towards for I've been.

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<v Speaker 3>It is so great, and it reminds me of growing

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<v Speaker 3>up because I feel like the music I grew up

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<v Speaker 3>listening to was a lot more diversified and a lot

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<v Speaker 3>a lot blacker than people would I would even no,

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<v Speaker 3>I suppose it just seemed to be a lot a

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<v Speaker 3>lot of all those songs, all those bands that were

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<v Speaker 3>in that very familiar with it all. But it feels

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<v Speaker 3>like stuff I watched as a kid, right, you know,

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<v Speaker 3>I don't know, I loved it.

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<v Speaker 1>Thank you.

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<v Speaker 2>Yeah, you know, I think for a lot of people,

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<v Speaker 2>you know, especially with this movie, the kind of the

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<v Speaker 2>underline or the undertone of it all is basically like

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<v Speaker 2>this was you know, it was easily lost in history.

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<v Speaker 2>It's set in basement for fifty years, so you know,

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<v Speaker 2>for it to get out one was the miracle. But

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<v Speaker 2>you know, to also just let the world know about,

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<v Speaker 2>you know, contributions to culture.

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<v Speaker 1>But thank you, thank you for absolutely. I appreciate that.

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<v Speaker 3>Absolutely, But even more than just the music, I see,

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<v Speaker 3>you know what they were saying about the change, you

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<v Speaker 3>know that they wrote upon this this change that was

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<v Speaker 3>happening in society and just the way people looked at

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<v Speaker 3>themselves and stuff, and it was you know, really quite poignant,

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<v Speaker 3>I thought, and really on.

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<v Speaker 1>You know, I appreciate that.

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<v Speaker 2>Did you come from a musical family like a cousin

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<v Speaker 2>or any of those things?

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<v Speaker 3>I really think everybody, I think if you gave them

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<v Speaker 3>no to answer your question, no, nobody, not that they actualized.

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<v Speaker 3>But I believe because my family all tended to be

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<v Speaker 3>creative but never actualized it. You know, they were too

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<v Speaker 3>fearful or didn't think it was their place or right.

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<v Speaker 1>You know.

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<v Speaker 3>Look, I know my dad loved art and he loved

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<v Speaker 3>the jaw or paint and you should have done that,

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<v Speaker 3>you know. And you know my mom all those things.

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<v Speaker 3>My brother I know that he would have liked to

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<v Speaker 3>play an instrument but didn't pursue it. And I'm sure

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<v Speaker 3>my sister, you know, she's an artist too, she makes

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<v Speaker 3>things with her hands. So yeah, they all have that thing,

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<v Speaker 3>but didn't really get the chance that I kind of

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<v Speaker 3>just grabbed and took.

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<v Speaker 2>All right, So what was the entry of or at

0:13:04.760 --> 0:13:08.040
<v Speaker 2>least the moment that you felt like, Okay, this is

0:13:08.080 --> 0:13:10.240
<v Speaker 2>what I want to do, like the curiosity factor?

0:13:10.320 --> 0:13:12.320
<v Speaker 1>What was that moment for you?

0:13:13.280 --> 0:13:19.480
<v Speaker 3>Hearing songs like the Bangagong by t Rex, just hearing

0:13:20.080 --> 0:13:22.560
<v Speaker 3>certain songs on the radio all right now by the

0:13:22.679 --> 0:13:24.959
<v Speaker 3>free because there was something that was a little out

0:13:24.960 --> 0:13:28.000
<v Speaker 3>of tune with one of the guitars on the rhythm guitar,

0:13:28.640 --> 0:13:31.160
<v Speaker 3>and something about that made me want to go, I

0:13:31.200 --> 0:13:34.239
<v Speaker 3>want to make those sounds. It was something that connected

0:13:35.080 --> 0:13:38.280
<v Speaker 3>with my bones, you know, with my crotch, and even

0:13:38.360 --> 0:13:40.920
<v Speaker 3>as a little kid, I knew it. I didn't know

0:13:40.960 --> 0:13:44.840
<v Speaker 3>what the word was, but I knew that it resonated

0:13:44.880 --> 0:13:47.679
<v Speaker 3>deep inside me, you know, and I wanted to make

0:13:47.720 --> 0:13:51.720
<v Speaker 3>those sounds. So I think, though, I'm I'm just lucky

0:13:51.800 --> 0:13:55.560
<v Speaker 3>that the way my life moved, because it could have

0:13:55.559 --> 0:13:58.360
<v Speaker 3>been anything. I could have moved on to another thing

0:13:58.400 --> 0:14:00.680
<v Speaker 3>that I loved. I mean, I loved horses. I rode

0:14:00.679 --> 0:14:04.840
<v Speaker 3>horses for a while. I mean the guitar. My family.

0:14:04.920 --> 0:14:07.040
<v Speaker 3>I got this guitar. I tried to learn how to

0:14:07.040 --> 0:14:10.160
<v Speaker 3>play it, but I didn't really have anyone to play with,

0:14:10.240 --> 0:14:12.600
<v Speaker 3>so I kind of just learned the basic chords and

0:14:12.760 --> 0:14:17.040
<v Speaker 3>put it down. Then my family moved to guitar. Yes

0:14:17.080 --> 0:14:18.040
<v Speaker 3>it is, Yes it is.

0:14:18.240 --> 0:14:19.280
<v Speaker 1>Everyone starts off with.

0:14:21.800 --> 0:14:25.440
<v Speaker 3>And then my family moved to Los Angeles. So now

0:14:25.760 --> 0:14:30.240
<v Speaker 3>I'm like, okay, now I'm going with a place where

0:14:30.280 --> 0:14:32.400
<v Speaker 3>there's gotta be other girls that want to do what

0:14:32.440 --> 0:14:35.480
<v Speaker 3>I'm doing. It's gotta be in Los Angeles. He's got

0:14:35.480 --> 0:14:38.160
<v Speaker 3>to be other girls that want to play mock and roll.

0:14:39.040 --> 0:14:41.400
<v Speaker 3>And you know, I was right, And I'm sure if

0:14:41.440 --> 0:14:43.840
<v Speaker 3>i'd really looked around Maryland or you know, any of

0:14:43.880 --> 0:14:45.920
<v Speaker 3>the big cities are going to DC, I would have

0:14:45.920 --> 0:14:48.600
<v Speaker 3>found it too. But I just wasn't thinking that way

0:14:49.160 --> 0:14:51.560
<v Speaker 3>because all my magazines that I was reading geared me

0:14:51.600 --> 0:14:52.560
<v Speaker 3>towards Hollywood.

0:14:53.120 --> 0:14:58.880
<v Speaker 2>Okay for you though, you know how usual or unusual

0:14:59.400 --> 0:15:05.800
<v Speaker 2>especially you formative years, Like was guitar encouraged or you

0:15:05.800 --> 0:15:10.040
<v Speaker 2>know oftentimes or was there someone like you might want

0:15:10.080 --> 0:15:13.960
<v Speaker 2>to do piano or the clarinet or like something that.

0:15:13.640 --> 0:15:18.760
<v Speaker 3>I did okay in school, you know, but I wasn't

0:15:18.880 --> 0:15:21.240
<v Speaker 3>very good at it, and I wasn't I wasn't that interested.

0:15:21.360 --> 0:15:23.840
<v Speaker 3>And now I wish i'd now, I wish I had

0:15:23.880 --> 0:15:26.400
<v Speaker 3>paid attention, you know. And then I had learned to

0:15:26.440 --> 0:15:29.600
<v Speaker 3>play just so I could read music, but you know,

0:15:29.720 --> 0:15:32.560
<v Speaker 3>just to be able to play other instruments. I was

0:15:32.600 --> 0:15:36.000
<v Speaker 3>made to feel quite inadequate. I just worked with the

0:15:36.240 --> 0:15:41.640
<v Speaker 3>trombone shorty and made me feel really you see that

0:15:41.720 --> 0:15:44.400
<v Speaker 3>guy on he's with a little little kid with a

0:15:44.400 --> 0:15:47.840
<v Speaker 3>big trombone, you know, but you know, now he's an

0:15:47.840 --> 0:15:50.520
<v Speaker 3>older guy, but he's just you know, he's one of

0:15:50.520 --> 0:15:51.600
<v Speaker 3>those prodigy people.

0:15:52.440 --> 0:15:54.600
<v Speaker 4>So did you just learn to play just mainly about

0:15:54.640 --> 0:15:56.280
<v Speaker 4>ear or you still don't read music?

0:15:56.320 --> 0:16:01.000
<v Speaker 3>Now that's just you know, was my records and stuff?

0:16:01.440 --> 0:16:04.960
<v Speaker 2>Were you encouraged because I think that yes, no, especially

0:16:06.320 --> 0:16:11.120
<v Speaker 2>especially with anyone with a woman grabbing an instrument in

0:16:11.160 --> 0:16:15.800
<v Speaker 2>the sixties and the seventies, hell even eighties, almost like

0:16:15.880 --> 0:16:17.640
<v Speaker 2>I'm certain that there has to be some sort of

0:16:17.680 --> 0:16:21.560
<v Speaker 2>figure there that says women can't do that, and women, you.

0:16:21.520 --> 0:16:27.040
<v Speaker 3>Know, everybody said that. Nobody encouraged me. Nobody only my

0:16:27.160 --> 0:16:29.320
<v Speaker 3>parents who told me when I was a little kid

0:16:29.320 --> 0:16:31.920
<v Speaker 3>that I could be anything I wanted to be. So

0:16:32.080 --> 0:16:34.200
<v Speaker 3>now they couldn't turn around and say, well, you could

0:16:34.200 --> 0:16:37.240
<v Speaker 3>be anything except a guitar player. So you know, they

0:16:37.280 --> 0:16:39.280
<v Speaker 3>just thought I'd grow out of it, that I'd phase

0:16:39.360 --> 0:16:42.000
<v Speaker 3>out of it and go into something else, which I

0:16:42.080 --> 0:16:44.000
<v Speaker 3>think I might have happened had I not moved to

0:16:44.080 --> 0:16:48.200
<v Speaker 3>California and been able to find other other girls, and

0:16:48.320 --> 0:16:50.280
<v Speaker 3>maybe I would have gone on to something else. But

0:16:50.760 --> 0:16:54.200
<v Speaker 3>that didn't happen, and I went to LA and nobody

0:16:54.240 --> 0:16:56.720
<v Speaker 3>thought it was a good idea. My guitar teacher said

0:16:56.760 --> 0:16:59.640
<v Speaker 3>girls don't play rock and roll, which I knew right away.

0:16:59.640 --> 0:17:02.520
<v Speaker 1>What he if, they want you to play acoustic instead? Yeah,

0:17:02.720 --> 0:17:04.359
<v Speaker 1>like follow Mitchell.

0:17:04.160 --> 0:17:07.680
<v Speaker 3>Or yeah, yeah, pretty much, pretty much. But I knew

0:17:07.680 --> 0:17:10.400
<v Speaker 3>exactly what that meant. Girls don't play rock and roll.

0:17:10.440 --> 0:17:12.480
<v Speaker 3>So what are you saying to me? You're saying girl,

0:17:12.520 --> 0:17:16.320
<v Speaker 3>You're not saying girls can't master the guitar, because I'm

0:17:16.320 --> 0:17:19.159
<v Speaker 3>in school, I'm playing clarinet. There's girls next to me

0:17:19.200 --> 0:17:23.080
<v Speaker 3>playing violin and cello, playing Beethoven and box So you're

0:17:23.119 --> 0:17:25.480
<v Speaker 3>not saying that you can't master the instrument. What you're

0:17:25.480 --> 0:17:28.760
<v Speaker 3>saying is rock and roll is sexual by its nature.

0:17:29.560 --> 0:17:33.920
<v Speaker 3>So if women are playing rock and roll and singing

0:17:34.040 --> 0:17:40.240
<v Speaker 3>rock and roll, they're singing about sexuality and they're owning it.

0:17:40.560 --> 0:17:43.280
<v Speaker 3>And we're not comfortable with that. And I knew that

0:17:43.680 --> 0:17:46.680
<v Speaker 3>as a as a kid, even then, I knew that

0:17:46.680 --> 0:17:48.439
<v Speaker 3>that just you weren't allowed to it. But I had

0:17:48.480 --> 0:17:52.200
<v Speaker 3>something to do with sex, and I was just like, no,

0:17:52.440 --> 0:17:54.359
<v Speaker 3>you know, because this is so not about sex.

0:17:54.400 --> 0:17:54.639
<v Speaker 1>For me.

0:17:55.160 --> 0:17:56.480
<v Speaker 3>I want to be able to do this because I

0:17:56.520 --> 0:17:59.320
<v Speaker 3>want to do it. You know, Mick Jagger rides out

0:17:59.320 --> 0:18:02.159
<v Speaker 3>on a big inflatable penis. I want to do what

0:18:02.200 --> 0:18:04.639
<v Speaker 3>the Rolling Stones do? You know what I had nothing

0:18:04.680 --> 0:18:08.479
<v Speaker 3>to do with with that. It was about fairness. I

0:18:08.520 --> 0:18:12.960
<v Speaker 3>know it doesn't make sense, but it was about and

0:18:14.040 --> 0:18:17.119
<v Speaker 3>the right thing. What's right. I mean, I'm not hurting people,

0:18:17.200 --> 0:18:19.440
<v Speaker 3>you know, I'm playing rock them home for Price's sake,

0:18:19.480 --> 0:18:21.919
<v Speaker 3>give me a break. So that that's the kind of

0:18:22.040 --> 0:18:26.320
<v Speaker 3>fire that would fuel me on through through all this stuff.

0:18:31.000 --> 0:18:33.840
<v Speaker 2>See, I never I never had the pleasure of having

0:18:33.840 --> 0:18:37.800
<v Speaker 2>a conversation with anyone who you know, it's pretty much

0:18:37.840 --> 0:18:41.000
<v Speaker 2>either first out the gate or at least in the

0:18:41.040 --> 0:18:47.040
<v Speaker 2>pine pioneering stages of starting a movement, to to even

0:18:47.119 --> 0:18:49.160
<v Speaker 2>ask them what their mind state is, you know, because

0:18:49.240 --> 0:18:53.840
<v Speaker 2>oftentimes you know, our our greats leave and you know

0:18:53.960 --> 0:18:56.919
<v Speaker 2>before we get to ask them about their process. And

0:18:57.000 --> 0:19:01.800
<v Speaker 2>so you know, I always wanted to know if because

0:19:01.800 --> 0:19:04.560
<v Speaker 2>even when I was in high school, like someone I

0:19:04.600 --> 0:19:07.040
<v Speaker 2>think I was honest with one teacher like what I

0:19:07.080 --> 0:19:08.520
<v Speaker 2>was going to do, Like I'm start a band with

0:19:08.520 --> 0:19:11.040
<v Speaker 2>that da And you know, I went to high school

0:19:11.040 --> 0:19:14.800
<v Speaker 2>with boys to men, and they were yeah, they were

0:19:14.840 --> 0:19:18.159
<v Speaker 2>like on fire, and you know, I sort of like, well,

0:19:19.359 --> 0:19:20.840
<v Speaker 2>you know, are you guys going to be boys to

0:19:20.920 --> 0:19:21.800
<v Speaker 2>men popular?

0:19:21.920 --> 0:19:24.639
<v Speaker 1>You're just gonna be one of these local accidents. You know.

0:19:24.760 --> 0:19:28.480
<v Speaker 2>I wasn't thinking that deep about my process or anything.

0:19:29.520 --> 0:19:31.240
<v Speaker 1>I think he tried to talk me out of like

0:19:33.160 --> 0:19:34.320
<v Speaker 1>pursuing my career.

0:19:34.480 --> 0:19:37.760
<v Speaker 3>So yeah, see, I don't understand that about people. This

0:19:37.840 --> 0:19:40.240
<v Speaker 3>is what I want to know about people in dreams.

0:19:40.800 --> 0:19:43.040
<v Speaker 3>You know, you're sitting here shooting the shit with your

0:19:43.040 --> 0:19:45.240
<v Speaker 3>friends and you say what you said, do you want

0:19:45.280 --> 0:19:47.520
<v Speaker 3>to play? And someone tries to talk you out of it?

0:19:47.840 --> 0:19:48.040
<v Speaker 1>Right?

0:19:48.800 --> 0:19:51.280
<v Speaker 3>Why is everyone dear to try to talk you out

0:19:51.280 --> 0:19:54.480
<v Speaker 3>of it as opposed to saying, yeah, man, that sounds interesting,

0:19:54.680 --> 0:19:56.680
<v Speaker 3>go for it. At least if you don't make it,

0:19:57.119 --> 0:19:59.560
<v Speaker 3>you gave it a shot. You give you dream a shot.

0:20:00.080 --> 0:20:01.399
<v Speaker 3>What is that about people?

0:20:02.000 --> 0:20:05.000
<v Speaker 4>I think some people get infent or they get intimidated

0:20:05.160 --> 0:20:08.399
<v Speaker 4>when they see that your dreams don't include them.

0:20:08.119 --> 0:20:09.960
<v Speaker 1>And so they just have to shoot the shit down,

0:20:10.000 --> 0:20:10.480
<v Speaker 1>you know what I mean.

0:20:11.240 --> 0:20:13.120
<v Speaker 4>That's like if I run a Hamburger stand, the last

0:20:13.160 --> 0:20:14.760
<v Speaker 4>thing I want you to do is become a vegan.

0:20:14.800 --> 0:20:18.399
<v Speaker 1>You know what I mean? Don't don't do that, you

0:20:18.440 --> 0:20:18.880
<v Speaker 1>know what I mean.

0:20:19.200 --> 0:20:24.240
<v Speaker 2>But I also think that oftentimes we're just I think

0:20:24.240 --> 0:20:28.840
<v Speaker 2>in America we often training ourselves to do this safe thing.

0:20:29.359 --> 0:20:31.920
<v Speaker 2>Like I think hopefully my generation is the last generation.

0:20:32.000 --> 0:20:35.879
<v Speaker 2>What you're here like fall back on something safe, Like

0:20:35.960 --> 0:20:39.159
<v Speaker 2>I definitely learned that from every Uncle COVID.

0:20:38.920 --> 0:20:40.720
<v Speaker 1>That showed us ain't shit safe because do what you

0:20:40.720 --> 0:20:43.840
<v Speaker 1>want to know rightly exactly.

0:20:44.160 --> 0:20:47.560
<v Speaker 2>So what Okay, so you're a musician in Los Angeles

0:20:47.600 --> 0:20:51.280
<v Speaker 2>and you're young at the time. Had this been you know,

0:20:51.840 --> 0:20:54.480
<v Speaker 2>twenty two thousand and seven or whatever, you would have

0:20:54.600 --> 0:20:57.240
<v Speaker 2>the aide of the Internet to help you. But what

0:20:57.400 --> 0:21:02.440
<v Speaker 2>is the process of finding what you're specifically looking for,

0:21:03.359 --> 0:21:08.560
<v Speaker 2>which I assume are women that play instruments and are

0:21:08.640 --> 0:21:11.160
<v Speaker 2>passionate about it just as you are, Like, so, what's

0:21:11.200 --> 0:21:14.640
<v Speaker 2>the process of searching for them? And at any point

0:21:14.680 --> 0:21:17.440
<v Speaker 2>where you just like, at least at least in the

0:21:17.840 --> 0:21:21.679
<v Speaker 2>runaway stages where you like, okay, anyone male female can

0:21:21.760 --> 0:21:24.199
<v Speaker 2>join or for you, is it like I have to

0:21:24.240 --> 0:21:25.000
<v Speaker 2>find all women?

0:21:25.440 --> 0:21:27.840
<v Speaker 3>No, And for the runaways, it was definitely an all

0:21:28.400 --> 0:21:32.160
<v Speaker 3>women thing because you know, we hadn't hadn't really been

0:21:32.200 --> 0:21:34.960
<v Speaker 3>done or you know, if it hadn't been done and

0:21:35.080 --> 0:21:38.760
<v Speaker 3>been done years earlier with full grown women, but not

0:21:39.280 --> 0:21:42.760
<v Speaker 3>teenage girls. And so I just had this thing and

0:21:42.840 --> 0:21:44.639
<v Speaker 3>I wanted to do it, and I didn't see a

0:21:44.640 --> 0:21:49.000
<v Speaker 3>good reason to change that that plan, you know, and

0:21:49.080 --> 0:21:51.960
<v Speaker 3>give up so easy, you know, saying, oh, this might

0:21:52.000 --> 0:21:55.000
<v Speaker 3>be hard, but you know, it's hard to think back

0:21:55.040 --> 0:21:58.760
<v Speaker 3>and realize how different it was then than it is

0:21:58.840 --> 0:22:02.439
<v Speaker 3>now and how you can reach out to people on

0:22:02.480 --> 0:22:05.359
<v Speaker 3>the phone on the internet, right, I mean, you're talking

0:22:05.400 --> 0:22:08.320
<v Speaker 3>we had rotary phones, you know, we're talking about phone booths.

0:22:08.359 --> 0:22:11.159
<v Speaker 3>We're talking about you didn't get hold of people. You know,

0:22:11.200 --> 0:22:13.560
<v Speaker 3>if you got hold of somebody, you met them at

0:22:13.560 --> 0:22:17.359
<v Speaker 3>a certain time, on a certain corner, at a certain place.

0:22:17.440 --> 0:22:18.399
<v Speaker 3>You know, there was none of this.

0:22:19.320 --> 0:22:20.800
<v Speaker 1>So Fante right here.

0:22:21.440 --> 0:22:27.440
<v Speaker 2>Fante is is probably to his family base, probably most

0:22:27.520 --> 0:22:31.000
<v Speaker 2>known for being one of the first musicians to really

0:22:32.320 --> 0:22:36.760
<v Speaker 2>take a take advantage of the i'll say the positive aspect.

0:22:36.680 --> 0:22:39.440
<v Speaker 1>Of internet colonization.

0:22:40.040 --> 0:22:41.960
<v Speaker 2>One of the one of the bands that he started

0:22:42.040 --> 0:22:46.480
<v Speaker 2>was a group called Foreign Exchange, in which where where's Nick?

0:22:46.640 --> 0:22:46.800
<v Speaker 1>Now?

0:22:46.840 --> 0:22:49.560
<v Speaker 4>He's in Wilma's Nick right, but we're like to ask me.

0:22:49.600 --> 0:22:51.800
<v Speaker 4>At the time, he was in the Netherlands, and uh,

0:22:52.520 --> 0:22:54.919
<v Speaker 4>we just recorded that. We met on okay player on

0:22:55.280 --> 0:22:59.240
<v Speaker 4>a meror site, and we just started trading files online

0:22:59.480 --> 0:23:01.480
<v Speaker 4>back and forth and we'd complete an album.

0:23:01.480 --> 0:23:04.280
<v Speaker 1>We didn't meet each other until it was and that

0:23:04.359 --> 0:23:05.360
<v Speaker 1>was until they didn't.

0:23:05.119 --> 0:23:08.040
<v Speaker 2>Even meet yet before they made a classic album, you

0:23:08.080 --> 0:23:08.520
<v Speaker 2>know what I mean.

0:23:08.720 --> 0:23:12.920
<v Speaker 1>And so yeah, so you know what, what is the process.

0:23:12.480 --> 0:23:16.600
<v Speaker 2>Of how do you find these these first of a

0:23:16.640 --> 0:23:17.320
<v Speaker 2>feather if you will?

0:23:17.400 --> 0:23:20.199
<v Speaker 3>Yes, in that time, I believe what we did is

0:23:20.280 --> 0:23:24.680
<v Speaker 3>we put an ad in what was it the La Weekly,

0:23:25.280 --> 0:23:30.080
<v Speaker 3>Okay maybe, and we went out to a lot of

0:23:30.119 --> 0:23:33.679
<v Speaker 3>the clubs that I would hang out at and I

0:23:33.720 --> 0:23:37.280
<v Speaker 3>would just survey the crowd and look for girls.

0:23:38.359 --> 0:23:40.200
<v Speaker 1>This is around seventy four or seventy five.

0:23:40.359 --> 0:23:45.960
<v Speaker 3>This would have been seventy five, okay, so like from

0:23:46.000 --> 0:23:48.800
<v Speaker 3>a like after August, after August fifth.

0:23:49.720 --> 0:23:51.439
<v Speaker 2>So all right, this is what I have to know.

0:23:51.640 --> 0:23:55.040
<v Speaker 2>You're in You're in California. Were you a driver? Did

0:23:55.080 --> 0:23:55.640
<v Speaker 2>you have a car?

0:23:55.800 --> 0:23:56.000
<v Speaker 1>Oh?

0:23:56.080 --> 0:24:00.520
<v Speaker 3>I didn't drive, no buses. I took a lot of buses.

0:24:01.040 --> 0:24:06.400
<v Speaker 3>And also my mother was, you know, sort of complicit

0:24:06.480 --> 0:24:09.960
<v Speaker 3>in all this, so she uh would drive me to rehearsal.

0:24:10.359 --> 0:24:13.720
<v Speaker 3>She would take me to the club sometimes and pick

0:24:13.800 --> 0:24:15.240
<v Speaker 3>me up late at night.

0:24:16.000 --> 0:24:20.480
<v Speaker 2>Yeah, she So clubs weren't sweating like I mean, of course,

0:24:20.560 --> 0:24:22.080
<v Speaker 2>now we live in a place where you got to

0:24:22.119 --> 0:24:24.800
<v Speaker 2>show you know, damn near twelve forms of ID to

0:24:24.800 --> 0:24:27.800
<v Speaker 2>get in anywhere, or it is your license.

0:24:27.560 --> 0:24:30.680
<v Speaker 3>K cull I went to it was it was for teenagers.

0:24:30.800 --> 0:24:34.199
<v Speaker 3>There was no booze, so to worry about that. So

0:24:34.240 --> 0:24:36.840
<v Speaker 3>there was no booze there. And I don't think she

0:24:37.640 --> 0:24:39.920
<v Speaker 3>was really thinking about drugs or anything like that.

0:24:40.200 --> 0:24:43.720
<v Speaker 2>Who were your were you're any any of your contemporaries

0:24:43.760 --> 0:24:48.560
<v Speaker 2>also sort of in that movement that later became names.

0:24:48.320 --> 0:24:51.960
<v Speaker 1>Themselves like no not really once.

0:24:52.359 --> 0:24:56.119
<v Speaker 2>Like Cherry and Lida, your band members sort of like

0:24:56.359 --> 0:24:56.960
<v Speaker 2>come in to play.

0:24:56.960 --> 0:24:59.880
<v Speaker 1>How did you know that? Okay, this is this is it?

0:25:00.480 --> 0:25:01.600
<v Speaker 1>They're the ones?

0:25:02.560 --> 0:25:06.280
<v Speaker 3>Well, we didn't have that many choices number one, you

0:25:06.320 --> 0:25:09.639
<v Speaker 3>know what I mean. It was more like do we

0:25:09.680 --> 0:25:11.560
<v Speaker 3>want to try? Well, first it was it was the

0:25:11.640 --> 0:25:15.639
<v Speaker 3>drummer myself, Sandy West and I. We missed, yeah, and

0:25:15.720 --> 0:25:18.639
<v Speaker 3>so we were solid as hell. Sandy and I. I

0:25:18.680 --> 0:25:23.400
<v Speaker 3>took four buses to her house in Huntington Beach. Four yeah,

0:25:23.520 --> 0:25:26.840
<v Speaker 3>four bosses, and I set up in her wreck room

0:25:27.200 --> 0:25:30.600
<v Speaker 3>and we played you know, some just basic Chuck Berry

0:25:30.720 --> 0:25:35.439
<v Speaker 3>rock and roll progression and said, you know, it was

0:25:35.480 --> 0:25:38.320
<v Speaker 3>really good. Sandy played with a lot of guy you know,

0:25:38.440 --> 0:25:40.919
<v Speaker 3>high school band kind of things, and so she was

0:25:41.000 --> 0:25:44.760
<v Speaker 3>used to playing with bands, but usually guys. So we

0:25:44.800 --> 0:25:47.639
<v Speaker 3>really locked in and we called Kim Falley who was

0:25:47.680 --> 0:25:51.600
<v Speaker 3>our producer, who became our producer, and said, hey, check

0:25:51.640 --> 0:25:54.720
<v Speaker 3>it out, put the phone down, played for him, said

0:25:54.720 --> 0:25:57.840
<v Speaker 3>it sounds great. Let's go find other girls. So it

0:25:57.920 --> 0:26:01.280
<v Speaker 3>was really you know, from there we started looking when

0:26:01.280 --> 0:26:03.399
<v Speaker 3>start looking at clubs and I put an ad in

0:26:03.440 --> 0:26:05.200
<v Speaker 3>a paper and stuff like that.

0:26:06.080 --> 0:26:08.120
<v Speaker 1>Who came up with the name of Runaways?

0:26:08.880 --> 0:26:09.240
<v Speaker 3>I did?

0:26:10.119 --> 0:26:13.560
<v Speaker 1>Okay, so already at your marketing plan?

0:26:13.640 --> 0:26:17.800
<v Speaker 3>Oh yeah, yeah, yeah, I've been thinking about this for

0:26:17.800 --> 0:26:20.359
<v Speaker 3>a little while now, you know, a couple of months

0:26:20.359 --> 0:26:20.800
<v Speaker 3>at least.

0:26:21.960 --> 0:26:23.919
<v Speaker 2>Did you guys have a daily regiment or was just

0:26:23.960 --> 0:26:27.760
<v Speaker 2>like when every time was free, then we'll rehearse or whatever.

0:26:27.880 --> 0:26:30.639
<v Speaker 3>But yeah, I really tell the truth, I can't remember.

0:26:30.800 --> 0:26:31.280
<v Speaker 1>Amazing.

0:26:31.280 --> 0:26:34.399
<v Speaker 2>How can you be a kid and also start this

0:26:34.560 --> 0:26:35.520
<v Speaker 2>very adult thing?

0:26:36.720 --> 0:26:36.920
<v Speaker 3>Yeah?

0:26:37.119 --> 0:26:39.640
<v Speaker 1>All parents involved, like encouraging of this.

0:26:39.760 --> 0:26:44.720
<v Speaker 3>Or no, our parents were involved, but a couple of

0:26:44.760 --> 0:26:46.800
<v Speaker 3>the girls were a year younger than me, so they

0:26:46.800 --> 0:26:51.159
<v Speaker 3>were like in eleventh grade, so they still had school

0:26:51.880 --> 0:26:55.760
<v Speaker 3>to deal with. And yeah, not all the parents were

0:26:55.840 --> 0:27:00.199
<v Speaker 3>throlled about it. But in the end, I don't no.

0:27:00.440 --> 0:27:03.840
<v Speaker 3>I guess they didn't want to fight their daughters or something.

0:27:03.920 --> 0:27:07.680
<v Speaker 3>But for school, I got good, pretty good grades, and

0:27:08.280 --> 0:27:11.159
<v Speaker 3>I took my ged I was already in twelfth grade,

0:27:11.200 --> 0:27:13.760
<v Speaker 3>but I wanted to get out a little bit early

0:27:13.880 --> 0:27:15.200
<v Speaker 3>so we could go on the road.

0:27:15.320 --> 0:27:18.119
<v Speaker 1>So, okay, I always wanted to know.

0:27:19.200 --> 0:27:24.520
<v Speaker 2>I guess in me the the initial incarnation of the Runaways,

0:27:24.560 --> 0:27:28.520
<v Speaker 2>like why weren't you the lead singer or why didn't

0:27:28.560 --> 0:27:30.119
<v Speaker 2>you want to be the before?

0:27:30.280 --> 0:27:34.119
<v Speaker 3>Yeah, I was way too shy at the time. And

0:27:34.240 --> 0:27:36.920
<v Speaker 3>you know, I was way too shy. I had no confidence,

0:27:38.359 --> 0:27:41.440
<v Speaker 3>you know, I just I had no confidence, and it

0:27:41.520 --> 0:27:43.800
<v Speaker 3>was just really shy. It was amazing that I could

0:27:44.040 --> 0:27:46.679
<v Speaker 3>do what I wanted, what I was doing, you know,

0:27:47.400 --> 0:27:49.800
<v Speaker 3>just getting on on stage with the guitar.

0:27:50.200 --> 0:27:52.680
<v Speaker 1>But did you have your voice then? You just kept

0:27:52.720 --> 0:27:53.680
<v Speaker 1>it as a secret or.

0:27:54.640 --> 0:27:57.800
<v Speaker 3>I sang back, I sang background vocals. Yeah I could sing.

0:27:57.920 --> 0:28:00.520
<v Speaker 3>Yeah I could sing. I did wind up singing half

0:28:00.560 --> 0:28:04.480
<v Speaker 3>of the leads on the first Runaways album because Shari

0:28:05.440 --> 0:28:08.199
<v Speaker 3>didn't want to sing the rock and roll or the

0:28:08.320 --> 0:28:12.040
<v Speaker 3>rock and roll harder songs. She felt that she didn't

0:28:12.040 --> 0:28:14.920
<v Speaker 3>have the voice for it or didn't feel comfortable singing

0:28:15.000 --> 0:28:17.760
<v Speaker 3>some of them. So the one she didn't feel comfortable singing,

0:28:18.240 --> 0:28:21.320
<v Speaker 3>I sang the leads and I sang backup on everything else.

0:28:22.040 --> 0:28:24.160
<v Speaker 3>So I did have a voice, but I just wasn't

0:28:24.680 --> 0:28:26.200
<v Speaker 3>comfortable being the focal point.

0:28:26.720 --> 0:28:27.560
<v Speaker 1>Man, gotcha.

0:28:27.640 --> 0:28:30.679
<v Speaker 2>So at this point, at this point in developing the band,

0:28:32.080 --> 0:28:35.760
<v Speaker 2>who are you looking up to? Because again, you guys

0:28:35.800 --> 0:28:39.800
<v Speaker 2>have ushered in. You guys ushered in an era and

0:28:41.000 --> 0:28:46.000
<v Speaker 2>you know, pretty much your band's existence just basically starts

0:28:46.000 --> 0:28:50.280
<v Speaker 2>a domino effect on again people that come ten to

0:28:50.720 --> 0:28:54.920
<v Speaker 2>fifteen years later. But you know, in seventy five, seventy six,

0:28:55.000 --> 0:28:57.680
<v Speaker 2>when you guys are doing this band, like who's cool

0:28:57.720 --> 0:29:00.840
<v Speaker 2>to you? Like are the Stones and Zeppelin? Sort of

0:29:00.920 --> 0:29:06.160
<v Speaker 2>like ah, that's old whatever music? Like who who's grabbing

0:29:06.200 --> 0:29:06.720
<v Speaker 2>your attention?

0:29:06.920 --> 0:29:07.040
<v Speaker 1>Like?

0:29:10.200 --> 0:29:12.480
<v Speaker 3>Yeah, I mean, I know I was disappointed with the

0:29:12.560 --> 0:29:14.200
<v Speaker 3>Stones and they started doing.

0:29:15.640 --> 0:29:17.480
<v Speaker 1>Like you weren't an exil Lamain steep Stream.

0:29:18.080 --> 0:29:20.600
<v Speaker 3>Yeah, I know I wanted them to.

0:29:21.120 --> 0:29:22.520
<v Speaker 1>You didn't like something rock and roll.

0:29:22.680 --> 0:29:25.440
<v Speaker 3>You know, I didn't like them doing some girls.

0:29:25.760 --> 0:29:27.720
<v Speaker 1>Yeah, well it.

0:29:27.600 --> 0:29:30.160
<v Speaker 3>Was it was fine, but you know, I don't know.

0:29:30.200 --> 0:29:32.320
<v Speaker 3>I guess I wanted them to be playing something that

0:29:32.360 --> 0:29:33.800
<v Speaker 3>I could really rock out to.

0:29:34.040 --> 0:29:36.320
<v Speaker 1>You know, whatever, No one stays rebellious forever.

0:29:36.640 --> 0:29:38.200
<v Speaker 3>I know. I know that it's a.

0:29:38.200 --> 0:29:40.120
<v Speaker 1>Good seven year I.

0:29:40.120 --> 0:29:42.800
<v Speaker 2>Get it now, before you start doing your classical record

0:29:42.880 --> 0:29:43.240
<v Speaker 2>or whatever.

0:29:43.520 --> 0:29:47.240
<v Speaker 3>No, I get it now, I believe me. But I

0:29:47.280 --> 0:29:49.840
<v Speaker 3>think a lot. I think I really started looking to

0:29:49.880 --> 0:29:54.040
<v Speaker 3>the punk rock stuff right away because the Ramones came out,

0:29:54.080 --> 0:29:58.160
<v Speaker 3>I believe in nineteen seventy five, late seventy five, very

0:29:58.160 --> 0:30:02.959
<v Speaker 3>first Ramones album and all the punk's rock stuff I

0:30:03.000 --> 0:30:06.200
<v Speaker 3>was reading a lot about and I really gravitated very

0:30:06.280 --> 0:30:09.440
<v Speaker 3>quickly to a lot of those bands because I felt,

0:30:09.840 --> 0:30:11.920
<v Speaker 3>you know, kinship with a lot of them.

0:30:12.560 --> 0:30:16.360
<v Speaker 2>I mean, there's always like groups or artists or albums

0:30:16.360 --> 0:30:19.320
<v Speaker 2>that are always on someone's cannon, like.

0:30:19.240 --> 0:30:21.120
<v Speaker 1>Their top five records of all the time.

0:30:21.200 --> 0:30:24.520
<v Speaker 2>You always see the names whatever, and I never sometimes

0:30:24.560 --> 0:30:27.080
<v Speaker 2>you don't do the investigation of it, and you know,

0:30:27.160 --> 0:30:31.479
<v Speaker 2>of course I've always seen them Ramon's name everywhere. Finally,

0:30:31.520 --> 0:30:34.640
<v Speaker 2>I listened down from from top to bottom, like two

0:30:34.720 --> 0:30:39.239
<v Speaker 2>years ago and realized, like how genius and hard it

0:30:39.280 --> 0:30:45.400
<v Speaker 2>is to really convey emotion and lyricism in less than

0:30:45.440 --> 0:30:46.000
<v Speaker 2>two minutes.

0:30:46.160 --> 0:30:55.120
<v Speaker 4>Hey, let's go yo a jam though, that's a jam exactly.

0:30:55.280 --> 0:30:58.400
<v Speaker 2>So for you, were you seeing that there was a

0:30:58.480 --> 0:31:02.280
<v Speaker 2>science here, like, you know, the type of rock that

0:31:02.320 --> 0:31:04.280
<v Speaker 2>you were you were fed as a child is way

0:31:04.320 --> 0:31:06.600
<v Speaker 2>different than the ideas that you're about to spew into

0:31:06.640 --> 0:31:09.640
<v Speaker 2>the world. Like for you, it was like, look, we

0:31:09.720 --> 0:31:12.800
<v Speaker 2>gotta don't boris get to the chorus two minutes.

0:31:13.040 --> 0:31:16.880
<v Speaker 3>Right, Well, no, you gotta see. The thing was, it

0:31:16.960 --> 0:31:20.640
<v Speaker 3>didn't really transfer that much into our music. Might might

0:31:20.640 --> 0:31:24.120
<v Speaker 3>have translated a little bit to my songwriting, but you know,

0:31:24.240 --> 0:31:28.320
<v Speaker 3>as a group, as a band, most of the girls

0:31:28.640 --> 0:31:31.680
<v Speaker 3>weren't really into the punk rock the way I was.

0:31:31.720 --> 0:31:35.040
<v Speaker 3>You know, they were much more they liked heavier bands,

0:31:35.120 --> 0:31:41.200
<v Speaker 3>you know, more like you know or yeah, yeah, you

0:31:41.240 --> 0:31:46.760
<v Speaker 3>know that heavier stuff, Rainbow you know, whichy blackmore that

0:31:46.880 --> 0:31:51.640
<v Speaker 3>kind of stuff. So, you know, we didn't really see

0:31:52.000 --> 0:31:55.200
<v Speaker 3>eye to eye on our hang out music. So we

0:31:55.240 --> 0:31:57.120
<v Speaker 3>didn't you know, we had to come from a place

0:31:57.840 --> 0:31:59.440
<v Speaker 3>when we met in the middle, So you know, I

0:31:59.520 --> 0:32:02.600
<v Speaker 3>just stole considered what we did to be basic rock

0:32:02.640 --> 0:32:03.000
<v Speaker 3>and roll.

0:32:03.440 --> 0:32:05.320
<v Speaker 2>What was the division of labor as far as the

0:32:05.360 --> 0:32:09.480
<v Speaker 2>songwriting is concerned and what you're going to cover or

0:32:09.920 --> 0:32:13.720
<v Speaker 2>who's gonna write what? Like, who's who's the primary songwriter

0:32:13.840 --> 0:32:14.240
<v Speaker 2>of the group?

0:32:14.360 --> 0:32:15.280
<v Speaker 1>Was that your giant?

0:32:15.320 --> 0:32:17.600
<v Speaker 3>I think I think it was May For the most part,

0:32:17.640 --> 0:32:20.840
<v Speaker 3>it was May. I wrote either songs with Kim Valley

0:32:20.880 --> 0:32:24.760
<v Speaker 3>as a lyricist, or I wrote songs by myself. I

0:32:24.760 --> 0:32:27.000
<v Speaker 3>think I wrote a couple with some of the other girls,

0:32:27.080 --> 0:32:31.240
<v Speaker 3>but not too many. And yeah, so I guess I

0:32:31.320 --> 0:32:32.760
<v Speaker 3>was the primary one.

0:32:32.880 --> 0:32:34.440
<v Speaker 2>Back then, Like it was sort of hard for you

0:32:34.480 --> 0:32:37.320
<v Speaker 2>guys to break out in the States, but yet you

0:32:37.360 --> 0:32:42.560
<v Speaker 2>know you're the magic's working instantaneously when you go overseas.

0:32:42.600 --> 0:32:45.840
<v Speaker 1>Like how much of a mind fuck? Was that too?

0:32:47.400 --> 0:32:49.680
<v Speaker 1>Kind of because that's very similar to hip hop?

0:32:49.800 --> 0:32:52.040
<v Speaker 2>Like, you know, my band had to move to Europe

0:32:52.080 --> 0:32:55.560
<v Speaker 2>for five years, right, just so that you know, in

0:32:55.880 --> 0:32:59.480
<v Speaker 2>quote unquote pool of Hendrix and then come back to

0:32:59.520 --> 0:33:01.960
<v Speaker 2>the Units States like that sort of thing. Like, but

0:33:02.480 --> 0:33:05.240
<v Speaker 2>in your mind, was it a dream deferred or like, wait,

0:33:05.280 --> 0:33:06.360
<v Speaker 2>what's going on here?

0:33:06.600 --> 0:33:09.640
<v Speaker 1>Or what were your feelings.

0:33:09.160 --> 0:33:12.800
<v Speaker 3>On I thought, well, you know, a lot of different

0:33:13.040 --> 0:33:15.880
<v Speaker 3>a lot of different feelings. Yeah, one part of me

0:33:15.960 --> 0:33:18.400
<v Speaker 3>had wished that we had the same sort of response

0:33:18.600 --> 0:33:21.840
<v Speaker 3>in the States, but it was so different around the world.

0:33:21.840 --> 0:33:28.160
<v Speaker 3>And Japan was like all girls and like the Beatles,

0:33:28.200 --> 0:33:32.280
<v Speaker 3>like Mania, people fainting, girls fainting, and I think it,

0:33:32.520 --> 0:33:34.320
<v Speaker 3>I think it kind of scared a couple of the

0:33:34.360 --> 0:33:36.720
<v Speaker 3>other girls. I was exhilarated, but you know, there were

0:33:36.760 --> 0:33:38.920
<v Speaker 3>people who were rocking the car, and we'd never really

0:33:39.000 --> 0:33:42.640
<v Speaker 3>had that kind of experience at all. I mean, anybody

0:33:42.680 --> 0:33:45.400
<v Speaker 3>in their right mind would probably should probably be scared,

0:33:45.440 --> 0:33:49.760
<v Speaker 3>but I didn't get too scared. And then in Scandinavia,

0:33:50.160 --> 0:33:55.360
<v Speaker 3>another place, all girls, all wearing real pacifiers and sucking

0:33:55.440 --> 0:33:59.240
<v Speaker 3>on these pacifiers. Yeah, tell me about it. Yeah, I

0:33:59.240 --> 0:34:01.840
<v Speaker 3>didn't get it, and I never found out what it was.

0:34:01.920 --> 0:34:03.600
<v Speaker 3>I guess it was just some kind of fat or

0:34:03.640 --> 0:34:05.000
<v Speaker 3>fashion that they were doing, but.

0:34:07.640 --> 0:34:09.160
<v Speaker 1>On particular photo shooters.

0:34:09.600 --> 0:34:12.320
<v Speaker 3>No, no, no, no, they were giving us the ideas,

0:34:12.400 --> 0:34:17.640
<v Speaker 3>you know. But then then in England, you know, England

0:34:17.760 --> 0:34:23.000
<v Speaker 3>gets you know, they I think they got the runaways

0:34:23.000 --> 0:34:26.040
<v Speaker 3>of a lot more than Americans did, but they still,

0:34:26.160 --> 0:34:28.080
<v Speaker 3>you know, the English love to take the piss out

0:34:28.080 --> 0:34:31.200
<v Speaker 3>of you. So we took a lot of ship, but

0:34:31.239 --> 0:34:33.200
<v Speaker 3>there were a lot of people I think there that

0:34:33.480 --> 0:34:36.560
<v Speaker 3>liked us too. We did well in Germany and I

0:34:36.560 --> 0:34:39.239
<v Speaker 3>think Europe did pretty well, but we didn't tour there

0:34:39.239 --> 0:34:43.040
<v Speaker 3>a lot, so I don't know face to face and

0:34:43.200 --> 0:34:46.640
<v Speaker 3>record stales I can never go by really, because you know.

0:34:47.160 --> 0:34:51.600
<v Speaker 2>So retrospect, where would you categorize the genre? You know,

0:34:52.040 --> 0:34:55.960
<v Speaker 2>are you guys at the forefront of the La punk movement?

0:34:56.239 --> 0:35:01.000
<v Speaker 1>Were you just hard rock? Were you you kind of the.

0:35:01.440 --> 0:35:04.080
<v Speaker 2>Towards barer for what will eventually become like the glam

0:35:04.200 --> 0:35:07.960
<v Speaker 2>metal scene that would happen fifteen years later with those

0:35:08.000 --> 0:35:08.919
<v Speaker 2>groups in LA.

0:35:09.840 --> 0:35:11.879
<v Speaker 3>I mean I always just called it rock and roll,

0:35:11.920 --> 0:35:13.680
<v Speaker 3>and I think what we did. I think what we

0:35:13.760 --> 0:35:17.400
<v Speaker 3>did was punk rock to its core, you know, just

0:35:17.480 --> 0:35:20.920
<v Speaker 3>doing dictating what you're gonna do and doing it and

0:35:20.960 --> 0:35:24.400
<v Speaker 3>not listening to what anybody says, and I mean I thought,

0:35:25.280 --> 0:35:29.400
<v Speaker 3>and doing that in the context of how society treated

0:35:29.440 --> 0:35:31.720
<v Speaker 3>you at the time, I think it was the ultimate

0:35:32.280 --> 0:35:35.640
<v Speaker 3>punk rock stuff. You know, even for the girls it

0:35:35.719 --> 0:35:37.759
<v Speaker 3>didn't want to play in punk rock. They were being

0:35:37.760 --> 0:35:40.120
<v Speaker 3>punk rock just by what they were doing. They didn't

0:35:40.160 --> 0:35:40.839
<v Speaker 3>have to play it.

0:35:41.320 --> 0:35:46.000
<v Speaker 1>So you guys pretty dissolved almost as quick as yeah,

0:35:46.560 --> 0:35:47.480
<v Speaker 1>you came aboard.

0:35:49.480 --> 0:35:53.879
<v Speaker 2>Do you remember how eventful or uneventful the last night

0:35:54.000 --> 0:35:57.200
<v Speaker 2>of the group was before you realize that it's not

0:35:57.239 --> 0:35:58.080
<v Speaker 2>happening anymore.

0:35:59.440 --> 0:36:02.000
<v Speaker 3>I don't remember remember if it was. I know it

0:36:02.040 --> 0:36:04.160
<v Speaker 3>wasn't a happy time, and we knew it was a

0:36:04.320 --> 0:36:06.640
<v Speaker 3>New Year's seventy eight into seventy nine. It was our

0:36:06.719 --> 0:36:09.120
<v Speaker 3>last gig, and we knew it was our last gig

0:36:09.160 --> 0:36:14.279
<v Speaker 3>because we decided to disband after that because I didn't

0:36:14.280 --> 0:36:16.720
<v Speaker 3>want you know, I felt like I said, that musical

0:36:16.760 --> 0:36:20.600
<v Speaker 3>separation was there between girls want to play heavier music

0:36:20.680 --> 0:36:24.000
<v Speaker 3>than me, and so I thought, man, I don't want

0:36:24.000 --> 0:36:26.600
<v Speaker 3>to get fired from the band I started or something weird,

0:36:27.200 --> 0:36:29.600
<v Speaker 3>So let me just quit and we'll just you guys

0:36:29.680 --> 0:36:30.719
<v Speaker 3>can do your thing.

0:36:30.840 --> 0:36:34.040
<v Speaker 2>And well, I can assume that leader was one that

0:36:34.160 --> 0:36:35.480
<v Speaker 2>wanted to do heavier stuff, right.

0:36:35.600 --> 0:36:38.080
<v Speaker 3>It was not animosity, It was not you know, it

0:36:38.120 --> 0:36:40.759
<v Speaker 3>was not an anger or anything. We weren't going fuck you,

0:36:40.840 --> 0:36:44.440
<v Speaker 3>fuck you, right, you know, it was just like because

0:36:44.440 --> 0:36:46.080
<v Speaker 3>we had been friendly, we didn't want it to be

0:36:46.160 --> 0:36:48.480
<v Speaker 3>weird and it's just like, just let me, I'll just go.

0:36:48.719 --> 0:36:49.600
<v Speaker 3>You guys do your thing.

0:36:49.800 --> 0:36:54.200
<v Speaker 2>You know, it's weird before I got admit that in

0:36:54.239 --> 0:36:58.360
<v Speaker 2>watching the documentary, I didn't realize that quote that Leader

0:36:58.400 --> 0:37:02.560
<v Speaker 2>Ford was the Leader Ford and the Runaways, because I

0:37:02.600 --> 0:37:05.759
<v Speaker 2>guess my my dealings with leaders any anytime, there was

0:37:05.840 --> 0:37:09.680
<v Speaker 2>always a person that wanted to give I'm not even

0:37:09.840 --> 0:37:13.680
<v Speaker 2>making any nugent comparisons, but if there was anyone that

0:37:13.800 --> 0:37:17.200
<v Speaker 2>ever wanted to give like hip hop the middle finger

0:37:17.239 --> 0:37:18.120
<v Speaker 2>with a quote.

0:37:18.920 --> 0:37:23.239
<v Speaker 1>It was always Leader. For I knew her more for

0:37:23.320 --> 0:37:25.640
<v Speaker 1>her disdain of hip hop than I lived for like

0:37:26.120 --> 0:37:27.000
<v Speaker 1>what she actually did.

0:37:27.080 --> 0:37:30.000
<v Speaker 3>Yeah, no, for real, Like I guess I should say

0:37:30.040 --> 0:37:33.520
<v Speaker 3>I'm not surprised, but yeah, like I know her.

0:37:33.440 --> 0:37:35.799
<v Speaker 2>For her quotes of like why she ateed hip hop?

0:37:35.800 --> 0:37:37.759
<v Speaker 2>So I always knew that. Whenever I hear the name

0:37:37.880 --> 0:37:41.319
<v Speaker 2>Leader for it, I'm like, what happened now? But then

0:37:41.960 --> 0:37:43.759
<v Speaker 2>you know, But then when I started the thing, I

0:37:43.800 --> 0:37:45.400
<v Speaker 2>was like, oh, she was a runaway.

0:37:45.400 --> 0:37:45.960
<v Speaker 1>I get it now.

0:37:46.040 --> 0:37:49.360
<v Speaker 3>So I don't want no guilt by association though, because.

0:37:49.719 --> 0:37:52.879
<v Speaker 1>Hey man, we all know you made Light a Day.

0:37:52.880 --> 0:37:54.680
<v Speaker 4>I used to watch that movie every day after school

0:37:54.680 --> 0:37:56.200
<v Speaker 4>when I was in like third grade, So we.

0:38:02.640 --> 0:38:05.319
<v Speaker 1>As a twenty one year old, are you feeling like Okay? Well,

0:38:05.360 --> 0:38:07.160
<v Speaker 1>I did that? What do I do now? For you?

0:38:07.239 --> 0:38:09.440
<v Speaker 1>It's just like on to the next, Like.

0:38:09.400 --> 0:38:12.160
<v Speaker 3>Did you know I was feeling like it was time

0:38:12.200 --> 0:38:14.640
<v Speaker 3>to die? It is what I was feeling like. I

0:38:14.680 --> 0:38:17.920
<v Speaker 3>was feeling like the whole city of LA was laughing,

0:38:18.120 --> 0:38:21.000
<v Speaker 3>going we told you it wouldn't work. We told you

0:38:21.040 --> 0:38:24.640
<v Speaker 3>girls can't play rock and roll, you know, and I

0:38:24.760 --> 0:38:27.279
<v Speaker 3>just was I was not taking care of myself. I

0:38:27.360 --> 0:38:30.719
<v Speaker 3>was drinking too much. My dreams were crushed, you know,

0:38:30.960 --> 0:38:33.520
<v Speaker 3>and I had no friends. You know. It was like

0:38:33.600 --> 0:38:37.120
<v Speaker 3>everybody was gone, you know what I mean. They disappear

0:38:37.160 --> 0:38:40.280
<v Speaker 3>on that level and you're just alone with your thoughts

0:38:40.280 --> 0:38:43.240
<v Speaker 3>and your beer or whatever it was I was drinking.

0:38:43.520 --> 0:38:47.319
<v Speaker 2>So how long did the sort of the feeling of

0:38:47.360 --> 0:38:52.000
<v Speaker 2>funk last before you started your I assume that, you know,

0:38:52.080 --> 0:38:55.160
<v Speaker 2>starting the Black Hearts was your eventual Yeah.

0:38:55.200 --> 0:38:59.080
<v Speaker 3>Well, actually I met my partner, Kenny Luduna, my songwriting

0:38:59.120 --> 0:39:01.760
<v Speaker 3>partner and my producer. He became my producer and manager

0:39:01.760 --> 0:39:04.759
<v Speaker 3>because nobody else wanted to deal with me. We met

0:39:04.800 --> 0:39:08.600
<v Speaker 3>to write songs for a movie that I had contracted

0:39:08.600 --> 0:39:11.120
<v Speaker 3>to do before The Runaways broke up. I had to

0:39:11.120 --> 0:39:15.560
<v Speaker 3>write six songs for a film, and so my manager

0:39:15.600 --> 0:39:19.080
<v Speaker 3>at the time, a guy named Toby Mamis, knew Kenny

0:39:19.280 --> 0:39:21.120
<v Speaker 3>and knew that he had worked with a lot of

0:39:21.120 --> 0:39:25.120
<v Speaker 3>bubblegums bands in the sixties and knew that he could

0:39:25.160 --> 0:39:29.120
<v Speaker 3>write songs quickly and should be easy to work with.

0:39:29.200 --> 0:39:31.440
<v Speaker 3>So he called him and said, would you come out

0:39:31.440 --> 0:39:34.640
<v Speaker 3>and meet Joan to do this project with her? And

0:39:34.719 --> 0:39:41.080
<v Speaker 3>so Kenny did and we met and hit it off

0:39:41.160 --> 0:39:46.319
<v Speaker 3>and really became good friends the first day. I don't

0:39:46.320 --> 0:39:48.080
<v Speaker 3>know what it was that he saw in me, but

0:39:49.640 --> 0:39:53.839
<v Speaker 3>he thought I was the real deal, I guess, And

0:39:54.560 --> 0:39:57.520
<v Speaker 3>we wrote some songs and then I said would you

0:39:58.120 --> 0:40:01.920
<v Speaker 3>produce these songs that we wrote together? And he did,

0:40:01.960 --> 0:40:06.600
<v Speaker 3>and then you know, as we continue, I didn't have

0:40:06.600 --> 0:40:08.880
<v Speaker 3>anybody to manage me, and so he had took that

0:40:09.000 --> 0:40:11.120
<v Speaker 3>on too, thinking it would be easy that he could

0:40:11.120 --> 0:40:14.160
<v Speaker 3>get me deals and all this and that. But no,

0:40:14.680 --> 0:40:16.520
<v Speaker 3>he started getting those. You know, he knows a lot

0:40:16.520 --> 0:40:20.160
<v Speaker 3>of people in the business, and people just told him no.

0:40:20.360 --> 0:40:22.640
<v Speaker 3>And then I think it got to him where, oh

0:40:22.680 --> 0:40:26.400
<v Speaker 3>my god, this is real, and then he got pissed

0:40:26.520 --> 0:40:30.960
<v Speaker 3>because then he saw this sort of you know, just

0:40:32.239 --> 0:40:36.879
<v Speaker 3>prejudice and misogyny, you know, straight out bullshit so I think,

0:40:36.960 --> 0:40:39.000
<v Speaker 3>you know, that fight lit that fire in him to

0:40:39.040 --> 0:40:40.600
<v Speaker 3>help fight for me.

0:40:41.120 --> 0:40:43.280
<v Speaker 1>So it took about two years. First of all, whose

0:40:43.320 --> 0:40:46.840
<v Speaker 1>idea was it to recover or to redo?

0:40:47.400 --> 0:40:49.239
<v Speaker 2>I Love rock and Roll? I don't think many people

0:40:49.280 --> 0:40:50.399
<v Speaker 2>know that that's a cover song.

0:40:51.400 --> 0:40:55.319
<v Speaker 3>Yes, yes, I saw that song when I was in

0:40:55.360 --> 0:40:58.200
<v Speaker 3>England with the Runaways and I saw this band on

0:40:58.280 --> 0:41:01.960
<v Speaker 3>top of the Pops, the Arrows, and they were playing

0:41:02.600 --> 0:41:05.600
<v Speaker 3>the B side to their hit, and the B side

0:41:05.640 --> 0:41:07.600
<v Speaker 3>to their hit was I Love rock and Roll. I

0:41:07.600 --> 0:41:10.480
<v Speaker 3>don't know what their hit was. The B side was

0:41:10.480 --> 0:41:12.759
<v Speaker 3>I Love rock and Roll. And I'm like, wow, that

0:41:12.840 --> 0:41:15.399
<v Speaker 3>sounds like a hit to me. And I went out

0:41:15.400 --> 0:41:17.880
<v Speaker 3>to the record shop and bought the forty five, thinking,

0:41:18.520 --> 0:41:20.480
<v Speaker 3>you know, the Runaways, maybe we could do this and

0:41:20.560 --> 0:41:24.359
<v Speaker 3>it'll be a hit. But then I was reminded that

0:41:24.520 --> 0:41:28.240
<v Speaker 3>by the other girls that we had done We covered

0:41:28.280 --> 0:41:30.920
<v Speaker 3>Lou Reed's rock and Roll on the first album, on

0:41:31.000 --> 0:41:34.320
<v Speaker 3>our first Runaways album, and you know, I guess I

0:41:34.440 --> 0:41:37.640
<v Speaker 3>didn't want rock and roll and every title on every

0:41:37.680 --> 0:41:41.120
<v Speaker 3>album kind of so sort of blew it off for

0:41:41.160 --> 0:41:42.839
<v Speaker 3>a while and I just held on to the song,

0:41:42.920 --> 0:41:45.839
<v Speaker 3>and then after the Runaways thought here we.

0:41:45.800 --> 0:41:48.600
<v Speaker 2>Go see life lesson you gotta go with your gut.

0:41:49.120 --> 0:41:51.960
<v Speaker 1>Yep, that's the second time you learned that lesson.

0:41:53.080 --> 0:41:58.759
<v Speaker 2>So how different does life turn for you once that

0:41:58.880 --> 0:42:01.399
<v Speaker 2>song makes you pretty much a household name?

0:42:02.800 --> 0:42:07.120
<v Speaker 3>Well, just I think the the fame level rose, and

0:42:07.360 --> 0:42:09.600
<v Speaker 3>we had more people at our gigs and stuff and

0:42:10.400 --> 0:42:12.960
<v Speaker 3>made a little bit more money. Finally it could make

0:42:12.960 --> 0:42:17.239
<v Speaker 3>a little bit more money. So those things change a

0:42:17.280 --> 0:42:20.000
<v Speaker 3>little bit. But you know, for the most part.

0:42:20.280 --> 0:42:21.800
<v Speaker 1>But is that also a scarier feeling?

0:42:21.880 --> 0:42:25.239
<v Speaker 2>Because I think oftentimes when someone gets a success, the

0:42:25.280 --> 0:42:27.640
<v Speaker 2>first thing in their head is, Oh God, how am

0:42:27.640 --> 0:42:28.520
<v Speaker 2>I going to sustain this?

0:42:28.560 --> 0:42:29.960
<v Speaker 1>How am I going to make it last? What's the

0:42:30.000 --> 0:42:30.600
<v Speaker 1>next single?

0:42:32.560 --> 0:42:34.560
<v Speaker 3>Yeah, there was part of that, but I wasn't like

0:42:35.280 --> 0:42:38.359
<v Speaker 3>so far up there that it was. You know, when

0:42:38.400 --> 0:42:41.880
<v Speaker 3>you're number one and you're I don't know, I guess

0:42:42.040 --> 0:42:45.480
<v Speaker 3>you know on one level you can't stay there forever,

0:42:45.560 --> 0:42:47.480
<v Speaker 3>and I guess you know, you know you have to

0:42:47.480 --> 0:42:50.319
<v Speaker 3>have your next one. I guess initially we knew what

0:42:50.360 --> 0:42:52.200
<v Speaker 3>that next one was going to be, which was Crimson

0:42:52.200 --> 0:42:55.520
<v Speaker 3>and Clothes, right, And what was.

0:42:55.520 --> 0:42:57.680
<v Speaker 1>It about that song that made you want to choose that?

0:42:58.680 --> 0:43:03.320
<v Speaker 1>Damn it? My my only question of the day. Okay,

0:43:03.520 --> 0:43:08.279
<v Speaker 1>it's a great you want to say it? What made

0:43:08.280 --> 0:43:14.279
<v Speaker 1>you want to cover? How change in the Shandals? Answer

0:43:14.280 --> 0:43:15.520
<v Speaker 1>the question, I turned a light on.

0:43:15.520 --> 0:43:18.080
<v Speaker 3>Good and when I when I you know, when I

0:43:18.080 --> 0:43:20.720
<v Speaker 3>met Kenny and I knew that he played those songs,

0:43:20.760 --> 0:43:24.120
<v Speaker 3>and I'm like, so you played the money Mooney. He's

0:43:24.160 --> 0:43:27.560
<v Speaker 3>like yeah, and I'm like, okay, so I want to

0:43:27.560 --> 0:43:31.400
<v Speaker 3>cover Crimson Clover. I just thought, you know, it'd be

0:43:31.520 --> 0:43:35.160
<v Speaker 3>weird because I didn't want to change the lyrics, and

0:43:35.280 --> 0:43:38.719
<v Speaker 3>that was just the way I was. I wanted to,

0:43:39.440 --> 0:43:43.360
<v Speaker 3>you know, push the envelope a little bit because I

0:43:43.480 --> 0:43:44.279
<v Speaker 3>just wanted to.

0:43:44.880 --> 0:43:49.799
<v Speaker 1>The original recording. So so I guess psychedelic and so

0:43:50.960 --> 0:43:52.600
<v Speaker 1>what was you guys?

0:43:52.760 --> 0:43:56.440
<v Speaker 3>Just my reason for different, I mean because Tommy's Tommy's

0:43:57.280 --> 0:43:59.759
<v Speaker 3>like when they's I guess. Kenny told me when he

0:43:59.880 --> 0:44:02.279
<v Speaker 3>was asked what is it about? You know, it was

0:44:02.280 --> 0:44:07.000
<v Speaker 3>about LSD, you know, Glover, So it wasn't about really

0:44:07.239 --> 0:44:12.920
<v Speaker 3>her so specifically, So when people ask people what I'm

0:44:12.960 --> 0:44:17.359
<v Speaker 3>singing about, it's like, well, I mean, I guess I'm

0:44:17.560 --> 0:44:21.640
<v Speaker 3>singing it more literally, but not specifically at anybody. You know,

0:44:21.719 --> 0:44:25.000
<v Speaker 3>it's just being put out into the world is that

0:44:25.920 --> 0:44:30.000
<v Speaker 3>it's those sentiments, but it's not directed specifically at a person.

0:44:31.120 --> 0:44:34.160
<v Speaker 2>So at that particular point, coming into the early part

0:44:34.160 --> 0:44:36.719
<v Speaker 2>of the eighties and whatnot, are do you have a

0:44:36.760 --> 0:44:40.759
<v Speaker 2>peer group? Are there is there a trusted circle that

0:44:40.800 --> 0:44:45.000
<v Speaker 2>you can howl around with, like normally you know, birds

0:44:45.000 --> 0:44:48.040
<v Speaker 2>of a feather flock together as far as like people

0:44:48.080 --> 0:44:49.520
<v Speaker 2>liking each other's music whatnot?

0:44:49.880 --> 0:44:51.800
<v Speaker 1>Like was there a tight.

0:44:51.680 --> 0:44:55.160
<v Speaker 2>Knit community in the sort of the la rock community

0:44:55.239 --> 0:44:56.680
<v Speaker 2>by this point for you at least?

0:44:57.239 --> 0:44:58.080
<v Speaker 1>Or were you still like.

0:44:58.120 --> 0:45:01.879
<v Speaker 3>Oh, I was gone isolated out there. I was out

0:45:01.880 --> 0:45:03.320
<v Speaker 3>of there. But in seventy nine.

0:45:03.200 --> 0:45:06.520
<v Speaker 1>I came back to New York, Okay, into New York.

0:45:07.000 --> 0:45:09.719
<v Speaker 1>So even in New York, like for that is there

0:45:09.760 --> 0:45:10.120
<v Speaker 1>it was?

0:45:10.320 --> 0:45:12.760
<v Speaker 3>I mean, no, I didn't hang out. I didn't really

0:45:13.560 --> 0:45:13.799
<v Speaker 3>you know.

0:45:15.400 --> 0:45:17.879
<v Speaker 2>I was also going to say, like everyone was sort

0:45:17.880 --> 0:45:20.399
<v Speaker 2>of going new wave in New York and you're going

0:45:20.440 --> 0:45:24.000
<v Speaker 2>straight rock and roll, Like were you a fish out

0:45:24.000 --> 0:45:24.400
<v Speaker 2>of water?

0:45:24.600 --> 0:45:27.080
<v Speaker 1>And like were you sort of upholding.

0:45:27.400 --> 0:45:33.279
<v Speaker 2>A tradition that you felt would soon sort of take

0:45:33.280 --> 0:45:33.919
<v Speaker 2>a back seat?

0:45:34.360 --> 0:45:36.600
<v Speaker 3>You know, I don't know that I thought I had

0:45:36.640 --> 0:45:39.440
<v Speaker 3>that much. Could I planned it out or thought about

0:45:39.960 --> 0:45:41.920
<v Speaker 3>you know, what's the future of rock and roll? Or

0:45:43.239 --> 0:45:45.520
<v Speaker 3>a lot scentthier. You know that there was a lot

0:45:45.560 --> 0:45:46.799
<v Speaker 3>of sense music going on.

0:45:47.360 --> 0:45:50.440
<v Speaker 2>Well, I mean, were you going to the Lower East

0:45:50.440 --> 0:45:54.400
<v Speaker 2>Side and in the early eighties to see groups like

0:45:54.560 --> 0:45:58.200
<v Speaker 2>Bad Brains or any like. Were you at all interested

0:45:58.200 --> 0:46:00.279
<v Speaker 2>in the movement that was happening in the Lower East

0:46:00.320 --> 0:46:00.840
<v Speaker 2>Side right?

0:46:01.560 --> 0:46:04.280
<v Speaker 3>I was, Yes, I was interested, but I was working

0:46:04.280 --> 0:46:06.920
<v Speaker 3>too much to be I was on the road the

0:46:06.960 --> 0:46:09.239
<v Speaker 3>whole time. I don't even know if I was around

0:46:09.239 --> 0:46:13.000
<v Speaker 3>most of the time. I mean literally on the road

0:46:13.360 --> 0:46:19.959
<v Speaker 3>all the time, pretty much in nineteen eighty five, pretty much,

0:46:20.040 --> 0:46:24.640
<v Speaker 3>I mean at least through November and then you know,

0:46:24.719 --> 0:46:27.600
<v Speaker 3>depending on what the tour was, we were always working

0:46:27.719 --> 0:46:30.680
<v Speaker 3>and then be off through January and then start working

0:46:30.680 --> 0:46:33.279
<v Speaker 3>again in February. It was pretty pretty brutal. And I

0:46:33.320 --> 0:46:37.160
<v Speaker 3>didn't realize that until the pandemic hit, okay, and then

0:46:37.200 --> 0:46:41.000
<v Speaker 3>nothing was happening, And then I realized how much of

0:46:41.000 --> 0:46:44.480
<v Speaker 3>my life I had been on the road constantly, and

0:46:44.520 --> 0:46:46.839
<v Speaker 3>all these other things we talked about about, you know,

0:46:48.000 --> 0:46:53.680
<v Speaker 3>feeling separate, you know, and being isolated. But I did,

0:46:53.760 --> 0:46:58.720
<v Speaker 3>you know, I definitely have friends that I knew once,

0:46:58.960 --> 0:47:01.480
<v Speaker 3>you know, once I was settled in New York and

0:47:02.040 --> 0:47:08.200
<v Speaker 3>I had a routine and I still have that that

0:47:08.360 --> 0:47:11.680
<v Speaker 3>sort of core. Few I can count on my one

0:47:11.719 --> 0:47:13.680
<v Speaker 3>hand level of friends.

0:47:13.960 --> 0:47:19.040
<v Speaker 1>Yeah, that's that's real life. Like, yeah, real people have

0:47:19.560 --> 0:47:22.120
<v Speaker 1>two to three people. Wait. I always wanted to know this.

0:47:23.719 --> 0:47:27.359
<v Speaker 2>Okay, so from my from my point of view as

0:47:27.400 --> 0:47:32.759
<v Speaker 2>a record collector, all right, I'll explain to you Fonte,

0:47:32.840 --> 0:47:35.400
<v Speaker 2>Well you probably know already, but like for me, Boardwalk

0:47:35.440 --> 0:47:38.040
<v Speaker 2>Records is almost akin to like Malaco Records.

0:47:38.120 --> 0:47:39.560
<v Speaker 3>Oh wow, so.

0:47:41.360 --> 0:47:43.279
<v Speaker 1>Exactly what you mean that said?

0:47:43.760 --> 0:47:46.520
<v Speaker 2>I always wanted to know what was it about Boardwalk

0:47:46.600 --> 0:47:49.360
<v Speaker 2>Records that made you choose that as your label, because

0:47:50.400 --> 0:47:55.399
<v Speaker 2>I knew that sort of as kind of as as

0:47:55.440 --> 0:48:00.200
<v Speaker 2>a second tier label for acts that were pop.

0:48:00.040 --> 0:48:01.640
<v Speaker 1>It in the seventies for soul music.

0:48:02.000 --> 0:48:05.320
<v Speaker 2>I know that Ohio players wound up on Boardwalk Records

0:48:05.320 --> 0:48:06.600
<v Speaker 2>for like their eighties catalog.

0:48:08.280 --> 0:48:10.120
<v Speaker 1>I remember the Five Stare.

0:48:09.920 --> 0:48:16.160
<v Speaker 2>Steps morphed into Wow, the Invisible Man's Band, uh for

0:48:16.360 --> 0:48:17.640
<v Speaker 2>the eighties or whatnot.

0:48:17.960 --> 0:48:20.640
<v Speaker 3>Kenny would know so much about this because he, you know,

0:48:20.719 --> 0:48:25.480
<v Speaker 3>I think he knew Neil Bogart before we got oh wow, wow,

0:48:25.719 --> 0:48:29.400
<v Speaker 3>you know, so Kenny knew him pre pre Boardwalk.

0:48:29.880 --> 0:48:33.000
<v Speaker 1>I didn't know that Neil boat Guard started Boardwalk Records.

0:48:33.080 --> 0:48:40.600
<v Speaker 3>Yes, that Costa Blanco, Yeah right, and yeah, and he

0:48:40.719 --> 0:48:42.920
<v Speaker 3>just liked me and wanted he really liked me a

0:48:42.960 --> 0:48:46.279
<v Speaker 3>lot and wanted me to be able to put out

0:48:46.560 --> 0:48:48.880
<v Speaker 3>my record. So he said, you know, we'll put it

0:48:48.920 --> 0:48:52.840
<v Speaker 3>out and he and he did, and he died like

0:48:52.880 --> 0:48:55.239
<v Speaker 3>the week before when number one and never got to

0:48:55.239 --> 0:48:57.359
<v Speaker 3>see if the number one, which really bums me out

0:48:57.400 --> 0:48:59.000
<v Speaker 3>because he was such he.

0:48:59.040 --> 0:48:59.719
<v Speaker 1>Died in eighty one.

0:48:59.760 --> 0:49:03.319
<v Speaker 3>But yeah, I.

0:49:03.200 --> 0:49:04.000
<v Speaker 1>Did not know that.

0:49:04.719 --> 0:49:08.080
<v Speaker 3>But yeah, he was a real believer and you know,

0:49:08.200 --> 0:49:11.440
<v Speaker 3>one of those guys that it always looked great. It

0:49:11.480 --> 0:49:15.600
<v Speaker 3>was all sharply dressed and just you know, believed in

0:49:15.640 --> 0:49:18.320
<v Speaker 3>me and believed in Kenny, I think more than anything.

0:49:19.239 --> 0:49:22.719
<v Speaker 2>Yeah, everyone that describes Neil Burgard describes it as like

0:49:22.760 --> 0:49:27.279
<v Speaker 2>the last true like one of the last creatives.

0:49:27.400 --> 0:49:28.440
<v Speaker 1>And that was a.

0:49:28.400 --> 0:49:32.160
<v Speaker 2>Suit at least, I mean, I know the suit's a suit,

0:49:32.200 --> 0:49:32.800
<v Speaker 2>but whatever.

0:49:33.640 --> 0:49:35.319
<v Speaker 1>Yeah, But I don't know.

0:49:35.480 --> 0:49:39.399
<v Speaker 2>For me though, I would say that, like you were

0:49:39.440 --> 0:49:44.359
<v Speaker 2>so ahead of your time, was it weird to sort

0:49:44.400 --> 0:49:48.640
<v Speaker 2>of have not a comebackup source but just to see

0:49:48.760 --> 0:49:50.239
<v Speaker 2>well no, no, no, I'm just saying that a lot of

0:49:50.280 --> 0:49:56.040
<v Speaker 2>these bands that started popping in the mid nineties late

0:49:56.160 --> 0:49:59.600
<v Speaker 2>nineties started name checking like Jones, Jen Black Cars like

0:50:00.239 --> 0:50:03.800
<v Speaker 2>or even with your work with the Runaways, like for you,

0:50:03.880 --> 0:50:06.040
<v Speaker 2>did you not ever think that the day would come

0:50:06.080 --> 0:50:07.480
<v Speaker 2>on which you would see.

0:50:08.680 --> 0:50:11.920
<v Speaker 1>Kind of flowers the affects of.

0:50:11.680 --> 0:50:14.239
<v Speaker 2>Your people that like grew up on your music or

0:50:15.440 --> 0:50:20.160
<v Speaker 2>well especially like when the Riot girl uh with with

0:50:20.480 --> 0:50:22.320
<v Speaker 2>Kathleen and yeah.

0:50:24.200 --> 0:50:26.719
<v Speaker 3>Yeah, because they totally did tip their hat to me

0:50:26.800 --> 0:50:29.080
<v Speaker 3>and I and I knew it so because you know,

0:50:29.120 --> 0:50:32.840
<v Speaker 3>they told me so, and it was it was great.

0:50:32.920 --> 0:50:35.160
<v Speaker 3>It was great to see that. I mean, I always

0:50:35.239 --> 0:50:37.640
<v Speaker 3>knew that there, whether or not people admitted it, that

0:50:37.960 --> 0:50:42.640
<v Speaker 3>we'd have some influence you know, in life and too

0:50:42.960 --> 0:50:45.879
<v Speaker 3>music and and that, and it's really nice to see

0:50:45.920 --> 0:50:49.520
<v Speaker 3>it confirmed and see people say it, you know, and

0:50:49.600 --> 0:50:53.000
<v Speaker 3>not just girl bands but some guys too, and that's

0:50:53.040 --> 0:50:53.680
<v Speaker 3>really nice.

0:50:53.719 --> 0:50:56.160
<v Speaker 2>So yeah, I was going to say plenty of times

0:50:56.200 --> 0:51:00.279
<v Speaker 2>where like Kirk has has name dropped you or you

0:51:00.320 --> 0:51:03.880
<v Speaker 2>know or I know that role that was definitely a

0:51:03.880 --> 0:51:04.319
<v Speaker 2>big fan.

0:51:04.440 --> 0:51:07.279
<v Speaker 1>I was there at night and at the Rock and

0:51:07.320 --> 0:51:08.760
<v Speaker 1>Roll Hall of Fame when he want.

0:51:10.520 --> 0:51:11.040
<v Speaker 3>What a night?

0:51:11.719 --> 0:51:15.000
<v Speaker 1>Yeah, So how did how did you know?

0:51:15.320 --> 0:51:18.439
<v Speaker 2>Was that was that surprising to you when you got

0:51:18.440 --> 0:51:22.520
<v Speaker 2>the news or you know, I know oftentimes every every

0:51:22.560 --> 0:51:24.040
<v Speaker 2>person I know that gets inducted.

0:51:23.719 --> 0:51:25.160
<v Speaker 1>In the Rock and Roll Hall of Fame has the

0:51:25.160 --> 0:51:26.160
<v Speaker 1>same sort of like.

0:51:27.080 --> 0:51:30.400
<v Speaker 2>Neilistic if it happens, it happens whatever, you know, that

0:51:30.520 --> 0:51:34.000
<v Speaker 2>sort of thing. But for you, was it when you

0:51:34.080 --> 0:51:36.799
<v Speaker 2>got the news of you getting in, like what was

0:51:36.840 --> 0:51:37.759
<v Speaker 2>the feeling behind it? No?

0:51:37.880 --> 0:51:40.280
<v Speaker 3>I thought I was very happy, you know, of course

0:51:40.360 --> 0:51:43.040
<v Speaker 3>I thought, but I see, I'm used. I'm kind of

0:51:43.120 --> 0:51:45.919
<v Speaker 3>used to not being up for awards my whole life.

0:51:45.960 --> 0:51:49.640
<v Speaker 3>It's not really been what my career has been about,

0:51:49.680 --> 0:51:52.200
<v Speaker 3>like nominated for a lot of different things, you know,

0:51:52.719 --> 0:51:55.719
<v Speaker 3>it's not what's happened. So just the fact that got

0:51:55.760 --> 0:51:58.840
<v Speaker 3>nominated I thought, was it was really nice? But I thought,

0:51:58.920 --> 0:52:02.279
<v Speaker 3>you know, I don't know, I don't know if I'm

0:52:02.320 --> 0:52:06.920
<v Speaker 3>going to win this. But and I still believe this

0:52:07.040 --> 0:52:10.760
<v Speaker 3>to my core that because christ said it on stage

0:52:11.280 --> 0:52:14.239
<v Speaker 3>that night that they had they felt they had no

0:52:14.360 --> 0:52:18.240
<v Speaker 3>choice but to put me in. Then they forced their hand.

0:52:18.719 --> 0:52:21.320
<v Speaker 3>So whether whether I would have really gotten in or

0:52:21.360 --> 0:52:23.399
<v Speaker 3>whether it was that, I don't know.

0:52:23.600 --> 0:52:26.879
<v Speaker 1>I'll say this much because you know, I'm I'm part

0:52:26.880 --> 0:52:29.520
<v Speaker 1>of that. I've been part of that.

0:52:30.280 --> 0:52:32.440
<v Speaker 2>Well you know, I call the recreation of the twelve

0:52:32.480 --> 0:52:35.799
<v Speaker 2>angry Men scene, but there's like thirty five of us

0:52:35.960 --> 0:52:41.040
<v Speaker 2>arguing back and forth. You know, your name has definitely

0:52:41.360 --> 0:52:45.200
<v Speaker 2>been at least for my first year there, which I

0:52:45.200 --> 0:52:50.400
<v Speaker 2>think was like twenty eleven, has constantly been like champion

0:52:50.480 --> 0:52:54.560
<v Speaker 2>and argued and and well that's well, you know, we

0:52:54.560 --> 0:52:57.640
<v Speaker 2>were joking about it's only a matter of time before

0:52:57.680 --> 0:53:01.160
<v Speaker 2>you do your classical record for your your soft album.

0:53:01.239 --> 0:53:07.040
<v Speaker 2>But you know, the latest album released is your acoustic work,

0:53:07.480 --> 0:53:10.680
<v Speaker 2>and you know, how did.

0:53:10.520 --> 0:53:13.440
<v Speaker 1>That feel for you? Like for you is it a

0:53:13.480 --> 0:53:15.520
<v Speaker 1>thing where you need a new challenge?

0:53:16.200 --> 0:53:19.960
<v Speaker 3>And no, it was really it was a way to

0:53:20.120 --> 0:53:23.919
<v Speaker 3>just we wanted to give the fans something different. I'd

0:53:23.960 --> 0:53:27.440
<v Speaker 3>never looked because I had had such a weird relationship

0:53:27.719 --> 0:53:31.719
<v Speaker 3>with guys telling me my guitar teacher saying girls can't

0:53:31.760 --> 0:53:35.080
<v Speaker 3>play rock and roll. I always kept acoustic guitarists really

0:53:35.080 --> 0:53:38.840
<v Speaker 3>at range length. I never owned one. I never wanted

0:53:38.840 --> 0:53:42.239
<v Speaker 3>to own one until about you know, maybe ten years ago,

0:53:42.320 --> 0:53:43.000
<v Speaker 3>maybe a little.

0:53:42.840 --> 0:53:47.360
<v Speaker 2>Bit, but you mean ten years ago. You like finally

0:53:47.520 --> 0:53:48.839
<v Speaker 2>like gave in was like all right, let me try

0:53:48.840 --> 0:53:49.479
<v Speaker 2>acoustic guitar.

0:53:49.680 --> 0:53:52.279
<v Speaker 3>Let me just have it, because I can't always hear

0:53:52.320 --> 0:53:54.200
<v Speaker 3>my electric guitar, you know, if you're trying to write

0:53:54.200 --> 0:53:56.400
<v Speaker 3>a riff and you really need to hear something right,

0:53:56.840 --> 0:53:58.840
<v Speaker 3>you know. So I just had it, but not a

0:53:58.880 --> 0:54:02.879
<v Speaker 3>good one. Little shitty wanted to be. Then a couple

0:54:02.880 --> 0:54:06.040
<v Speaker 3>of years ago, we did a documentary called Bad Reputation.

0:54:06.400 --> 0:54:07.359
<v Speaker 1>Yes, it came out.

0:54:07.520 --> 0:54:10.520
<v Speaker 3>It was all about my career and my life and stuff.

0:54:10.640 --> 0:54:15.279
<v Speaker 3>And when we did the premiere, they wanted us in LA.

0:54:15.400 --> 0:54:17.320
<v Speaker 3>They wanted to see if we could perform a couple

0:54:17.320 --> 0:54:20.000
<v Speaker 3>of the songs in the theater, and I knew we

0:54:20.040 --> 0:54:24.480
<v Speaker 3>couldn't set up electric, and it suggested that maybe we

0:54:24.600 --> 0:54:28.120
<v Speaker 3>tried some acousticsuff. So we did it, but with the

0:54:28.160 --> 0:54:31.960
<v Speaker 3>whole band. So it was myself, my guitar player, acoustic bass,

0:54:32.080 --> 0:54:35.760
<v Speaker 3>and our drummer, and we you know, played Bad Reputation

0:54:35.880 --> 0:54:38.480
<v Speaker 3>and a couple of the songs and it felt really good. Actually,

0:54:38.520 --> 0:54:40.440
<v Speaker 3>it felt a lot better than I thought it was

0:54:40.480 --> 0:54:47.399
<v Speaker 3>gonna feel, and like you could transfer the energy. It's

0:54:47.520 --> 0:54:50.840
<v Speaker 3>going to be different than electric, but it was still worked.

0:54:51.200 --> 0:54:55.120
<v Speaker 3>So then last year twenty twenty one and twenty twenty

0:54:55.120 --> 0:54:59.280
<v Speaker 3>two is the fortieth anniversary of both Bad Reputation Album

0:54:59.360 --> 0:55:02.120
<v Speaker 3>and I Love a Role Album because one came out.

0:55:02.760 --> 0:55:06.359
<v Speaker 3>They both came out in eighty one something like that.

0:55:07.280 --> 0:55:09.640
<v Speaker 3>So we wanted to do some extra things for the

0:55:09.719 --> 0:55:13.920
<v Speaker 3>fans and maybe record some acoustic stuff. So we thought, oh,

0:55:13.960 --> 0:55:16.759
<v Speaker 3>we did that stuff for the premiere, let's go in

0:55:16.760 --> 0:55:19.799
<v Speaker 3>the studio record a few songs. Once we got in

0:55:19.840 --> 0:55:23.240
<v Speaker 3>there and started playing songs, we really just did everything

0:55:23.280 --> 0:55:26.520
<v Speaker 3>we could do live. We just once we started recording,

0:55:26.520 --> 0:55:31.160
<v Speaker 3>we just kept going. And we didn't really plan on

0:55:31.239 --> 0:55:35.120
<v Speaker 3>having an album's worth or two of material, but I

0:55:35.160 --> 0:55:39.200
<v Speaker 3>just wound up there and thought, what the hell put

0:55:39.200 --> 0:55:39.520
<v Speaker 3>it out?

0:55:40.160 --> 0:55:42.479
<v Speaker 1>Listen to that? How do you? How do you feel

0:55:42.520 --> 0:55:42.880
<v Speaker 1>about it?

0:55:42.920 --> 0:55:46.640
<v Speaker 3>Like your I feel good about it. I feel it's fun.

0:55:46.880 --> 0:55:49.960
<v Speaker 3>It's different. We play some on stage, like we'll do

0:55:50.560 --> 0:55:55.440
<v Speaker 3>our electric show and then come and then do instead

0:55:55.440 --> 0:55:59.080
<v Speaker 3>of an encore, do like three or four acoustic songs

0:55:59.080 --> 0:56:01.000
<v Speaker 3>that has been going over. Just started like a month

0:56:01.040 --> 0:56:04.080
<v Speaker 3>ago and a half ago doing doing it, and see

0:56:04.239 --> 0:56:06.680
<v Speaker 3>how we go over live, because you know, I don't know,

0:56:06.880 --> 0:56:12.359
<v Speaker 3>listen in front of people, so they seem to like it.

0:56:12.400 --> 0:56:14.920
<v Speaker 3>So we'll see what happens, and we'll see what happens

0:56:14.920 --> 0:56:17.440
<v Speaker 3>with the stadium tour. You know, we're gonna see if

0:56:17.440 --> 0:56:18.719
<v Speaker 3>we can work some into that.

0:56:18.800 --> 0:56:22.480
<v Speaker 4>And if it doesn't, what are those guys like now,

0:56:22.520 --> 0:56:26.239
<v Speaker 4>like Mottley Crue And I don't know.

0:56:27.040 --> 0:56:30.960
<v Speaker 3>We we played with def lepper before and okay, uh,

0:56:31.280 --> 0:56:33.440
<v Speaker 3>but I've never played with Motley Cruz, so I don't know.

0:56:33.680 --> 0:56:35.800
<v Speaker 3>I have no idea what to expect, but it should

0:56:35.800 --> 0:56:36.320
<v Speaker 3>be interesting.

0:56:38.320 --> 0:56:42.080
<v Speaker 2>I learned this with Blue Oyster Call Deaf Lepperd's album

0:56:42.120 --> 0:56:44.239
<v Speaker 2>covers were more scarier than def Lepperd was.

0:56:45.880 --> 0:56:49.960
<v Speaker 1>The thing is like if Mutt Lane you know, Likett.

0:56:49.640 --> 0:56:54.840
<v Speaker 2>Is too he's too Yeah, he's too polished in to

0:56:54.960 --> 0:57:01.600
<v Speaker 2>really like I'm telling you people exactly if you listen

0:57:01.600 --> 0:57:04.560
<v Speaker 2>to the love Bites whatever, like fucking harmonies like it's

0:57:04.600 --> 0:57:08.000
<v Speaker 2>it's it's just more enhanced California harmonies to me, you

0:57:08.040 --> 0:57:10.680
<v Speaker 2>know what I mean? And so I don't know. It's

0:57:10.719 --> 0:57:15.040
<v Speaker 2>where I never truly saw. I mean, of course, you

0:57:15.080 --> 0:57:19.080
<v Speaker 2>know they they create one anthem that will probably play

0:57:19.240 --> 0:57:21.440
<v Speaker 2>in every gentleman's club.

0:57:22.680 --> 0:57:23.880
<v Speaker 1>Now to the end of time.

0:57:28.120 --> 0:57:30.320
<v Speaker 2>I just meant, you know, Sugar has has a kick

0:57:30.360 --> 0:57:34.160
<v Speaker 2>ass rift to it, but I've never considered definitely.

0:57:34.200 --> 0:57:34.720
<v Speaker 1>I mean I don't.

0:57:34.760 --> 0:57:37.160
<v Speaker 2>I don't consider def lever metal the same way I

0:57:37.160 --> 0:57:39.680
<v Speaker 2>don't consider the Police hard rock, you know what I mean?

0:57:40.480 --> 0:57:43.200
<v Speaker 3>Well, people are loose with their terminology now, you know,

0:57:43.440 --> 0:57:44.960
<v Speaker 3>don't you find? Well?

0:57:45.040 --> 0:57:50.520
<v Speaker 2>Yeah, sometimes you were just find yeah exactly right now?

0:57:50.640 --> 0:57:55.840
<v Speaker 2>Like where with his storied career and is there is

0:57:55.880 --> 0:57:59.800
<v Speaker 2>there anything that you have yet to achieve or yet

0:57:59.800 --> 0:58:05.400
<v Speaker 2>to you accomplished that you.

0:58:04.520 --> 0:58:09.480
<v Speaker 3>Oh, I'm you know, I wouldn't know who who to

0:58:09.960 --> 0:58:13.959
<v Speaker 3>say specifically, but I'm always interested in doing newing different things.

0:58:14.000 --> 0:58:16.680
<v Speaker 3>I just actually did something. Did I mention that with

0:58:16.800 --> 0:58:17.600
<v Speaker 3>Trombone Shorty?

0:58:18.200 --> 0:58:18.400
<v Speaker 1>Yeah?

0:58:19.960 --> 0:58:25.160
<v Speaker 3>So you know it's it's it's new for me. I'm

0:58:25.160 --> 0:58:27.200
<v Speaker 3>not always great with that because I'm good with knowing,

0:58:27.400 --> 0:58:29.880
<v Speaker 3>you know, and being comfortable and doing what I know

0:58:30.040 --> 0:58:33.160
<v Speaker 3>and that kind of stuff. So I have to try

0:58:34.040 --> 0:58:36.320
<v Speaker 3>to get better with, you know, just jumping into the

0:58:36.360 --> 0:58:37.600
<v Speaker 3>unknown and not being so.

0:58:39.200 --> 0:58:43.200
<v Speaker 1>Getting out of comfort zone.

0:58:43.440 --> 0:58:46.320
<v Speaker 3>Yeah yeah, but being okay with that and and being

0:58:46.480 --> 0:58:48.840
<v Speaker 3>you know, you're gonna live, You're gonna be okay, don't worry.

0:58:49.880 --> 0:58:51.320
<v Speaker 3>I don't know. I think I'm ready for my R

0:58:51.360 --> 0:58:54.960
<v Speaker 3>and B album now, let's go there.

0:58:54.960 --> 0:58:57.560
<v Speaker 1>It is there, it is, let's go.

0:58:58.440 --> 0:59:01.680
<v Speaker 2>But Joe, thank you very much, uh yeah, for for

0:59:01.680 --> 0:59:04.040
<v Speaker 2>for joining us and and and doing this with us.

0:59:04.200 --> 0:59:07.320
<v Speaker 1>And you know, we appreciate your work. I've been a

0:59:07.360 --> 0:59:08.440
<v Speaker 1>longtime fan of yours.

0:59:08.520 --> 0:59:11.680
<v Speaker 3>Oh, thank you all. It's been a real pleasure, definitely

0:59:11.880 --> 0:59:12.200
<v Speaker 3>for sure.

0:59:12.240 --> 0:59:12.640
<v Speaker 1>Thank you.

0:59:14.400 --> 0:59:16.920
<v Speaker 3>Yeah, Jon, you guys take care of.

0:59:18.320 --> 0:59:21.160
<v Speaker 2>Turn on Court Love Supreme. We will see you guys

0:59:21.200 --> 0:59:22.960
<v Speaker 2>on the next cover round, all right, Thank you.

0:59:23.880 --> 0:59:30.320
<v Speaker 3>M H.

0:59:35.720 --> 0:59:38.600
<v Speaker 1>West Lop. Supreme is a production of Iheartened Radio.

0:59:42.400 --> 0:59:45.720
<v Speaker 2>For more podcasts from iHeart Radio, visit the iHeart Radio app,

0:59:45.920 --> 0:59:48.960
<v Speaker 2>Apple Podcasts, or wherever you listen to your favorite shows.