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Speaker 1: Hey everyone, So before we get into this episode, we're

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Speaker 1: going to be talking about the infamous vapor orb scene,

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Speaker 1: but just want to give you a trigger warning and

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Speaker 1: heads up that we will be talking about it and

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Speaker 1: using the verbiage that is used in the show and

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Speaker 1: within the context of the show. So we just want

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Speaker 1: to acknowledge that we are not minimizing the real meaning

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Speaker 1: of the words that are used in this episode. Thanks

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Speaker 1: for listening.

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Speaker 2: And That's what you Really missed with Jenna.

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Speaker 1: And Kevin an iHeartRadio podcast.

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Speaker 2: Welcome to you and That's what you Really miss podcast.

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Speaker 2: Another wedding episode, Kevin.

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Speaker 1: Somebody's always pregnant or somebody's always getting.

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Speaker 2: Married, We're not getting married. It's on time. For some reason,

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Speaker 2: I thought this happened a while ago. And it's because

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Speaker 2: this is this is so iconic for Jama that I

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Speaker 2: was like, I feel like I've seen this already, but

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Speaker 2: I just see it in my head all the time.

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Speaker 1: Well, it's also because we've seen people and wedding shops,

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Speaker 1: wedding dress wedding dress shopping before.

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Speaker 2: Haven't we Yeah, definitely, So I think we've been there Rachel,

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Speaker 2: when Rachel was going to get married, Okay, season four,

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Speaker 2: episode fourteen. This is called I Do and it also

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Speaker 2: aired on February fourteen, twenty thirteen. Valentine's Day my least favorite,

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Speaker 2: least favorite holiday.

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Speaker 1: You were saying just before we started recording that you

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Speaker 1: thought some of the things in this episode were from

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Speaker 1: a Valentine's Day episode, and I did as.

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Speaker 2: Well, Yeah, and then I was like, saw the venue,

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Speaker 2: and I was like, right, right, right, right right, Yes,

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Speaker 2: it is Valentine's Day, but it's in Will's wedding.

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Speaker 1: Right, completely confused. I thought there were two separate.

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Speaker 2: Episodes exactly exactly. Also, that was the setup for the

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Speaker 2: wedding reception. It's quite Valentine's Day. Whoever did that? So

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Speaker 2: just saying Jack really supposed to be about DNS day wedding,

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Speaker 2: So see, a wedding wouldn't be my choice of decor.

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Speaker 2: Oh that's it's your nightmare. That's actually Nickknacks.

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Speaker 1: I missed planning your wedding with you. Not that I

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Speaker 1: planned anything, but you would call and just like vent

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Speaker 1: and it made me feel like a part of it,

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Speaker 1: and I liked it.

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Speaker 2: Well, you were a big part of my wedding, but

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Speaker 2: also I I missed planning my wedding because I had

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Speaker 2: wedding planners, so they made it really easy and it

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Speaker 2: was like two choices, not fifty choices, and it was

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Speaker 2: just like clear, very clear what we wanted, like very

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Speaker 2: very clear. Ironically, I will say we were watching I

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Speaker 2: was watching this episode yesterday, right in advance of today's episode,

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Speaker 2: and you're all I need to get by which is

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Speaker 2: the song that Jake and Jake does with Marley was

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Speaker 2: my wedding song and it was my anniversary yesterday, And

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Speaker 2: that weird.

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Speaker 1: That is very weird.

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Speaker 2: I got goosebumps. So I sent David the clip. I

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Speaker 2: was like, this is currently what I'm watching.

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Speaker 1: That is so weird.

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Speaker 2: I forgot we did it on this show, of course

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Speaker 2: when we picked this up for our wedding. Yeah, you also, like,

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Speaker 2: can't start to discount or like remove songs from your

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Speaker 2: life because we did them on the show, because we

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Speaker 2: did so many, too many, too many, so many songs.

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Speaker 2: So yeah, unless it's like don't stop believe and we

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Speaker 2: can't do that.

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Speaker 1: No, we did so many classic, incredible songs that rt there.

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Speaker 2: They're on the show for a reason, they're good for

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Speaker 2: a reason. We picked for our wedding for a reason anyway. Also,

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Speaker 2: the Glee version is so good, so good. I good.

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Speaker 1: I hate to admit that I might have been like multitasking. Yeah,

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Speaker 1: when the song started and I had to stop, I.

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Speaker 2: Did too, because anything with Jacob Artist's voice on it,

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Speaker 2: I'm here for as well as Melissa given. But Jacob

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Speaker 2: h those two together excellent.

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Speaker 1: I Melissa is singing a lot, and I she's like

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Speaker 1: she showed up and she's carrying a lot of these numbers.

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Speaker 1: And then Jacob's singing more and more and more. As

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Speaker 1: we're getting into the season, and I know.

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Speaker 2: I know, really loving it. It took me a while

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Speaker 2: to realize we were missing a lot of friends. So

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Speaker 2: let's let's get into this episode because there's a lot

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Speaker 2: to talk about. So number one song again is thrift

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Speaker 2: Shop Maclamore and Ryan.

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Speaker 1: Number one movie was Identity Thief Melissa McCarthy and Jason Bateman.

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Speaker 1: I don't remember this.

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Speaker 2: I remember this and I saw it. I don't know

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Speaker 2: if I And it's very funny, of course, those two.

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Speaker 2: It's very funny. She's like they go on a road

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Speaker 2: trip and like the trailers of her like on the

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Speaker 2: side of a road, disheveled, like I have seen this. Yeah, yes, yes,

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Speaker 2: you have, you have. I know of all the movies

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Speaker 2: that I haven't seen the number one movies, But look,

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Speaker 2: I love a comedy, and I love Melissa McCarthy, and

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Speaker 2: I love Jason Bateman obviously, so this doesn't surprise me

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Speaker 2: that I've seen this movie.

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Speaker 1: Do you know that clip online of Melissa McCarthy a libbing,

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Speaker 1: yelling at this woman across the desk.

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Speaker 2: Do you know it's like in a skid or something.

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Speaker 1: It's like a blooper from a movie.

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Speaker 2: Got it now?

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Speaker 1: And I'm just wondering if it's anyway. I think that's Paul.

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Speaker 2: Oh, this is forty, which we are referenced in. That's true.

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Speaker 2: We're still relevant. They talked about in the Wheelchair and

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Speaker 2: the Asian Girl Okay.

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Speaker 1: As part of the culture of vernacular scripted way possible. Okay, Yeah,

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Speaker 1: Gleen is This week. On February twenty seventh, members of

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Speaker 1: the cast attended the first annual Pailey fest Icon Awards

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Speaker 1: honoring Ryan at the Pay Center in Beverly Hills. It

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Speaker 1: was you, Me, Chris, Darren, Corey, leat Chord, Naya, Jane Jaima,

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Speaker 1: and Nini.

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Speaker 2: We're all there, And then also like a million other

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Speaker 2: name as people from all of his famous shows.

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Speaker 1: Yes, it was, it was a big deal.

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Speaker 2: It was a time. I remember this event too. I

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Speaker 2: do too, so clearly. I don't know why.

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Speaker 1: I feel like this was the last minute thing, yes,

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Speaker 1: or maybe I just feels I think it was the

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Speaker 1: last minute thing. It was because I threw this outfit together.

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Speaker 1: Same and I think it's because we didn't know if

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Speaker 1: we're gonna be working or not, so maybe we could

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Speaker 1: totally guarantee that we were going to be there. This

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Speaker 1: was directed by Radfeulchruck.

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Speaker 2: And other reason I remember that is because well number

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Speaker 2: one is foul truck, but number two, I was very ill.

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Speaker 2: I didn't get sick very often.

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Speaker 1: You get like seeing a parent get sick, like my

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Speaker 1: parent get it's very yeah, yeah, it doesn't happen very often.

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Speaker 1: Like sick enough that I was like I have to

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Speaker 1: go home. But I was there, and Brad actually was

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Speaker 1: like I need you to go home. And then that

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Speaker 1: started a chain of events, chain reaction because.

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Speaker 2: I was really ill. You could hear in Diana's voice

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Speaker 2: number one when she talks, but I was, you know,

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Speaker 2: like like hot, laying down the whole time feverish. Shouldn't

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Speaker 2: have been in a group of people like that. And

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Speaker 2: Brad was like, I'll call him insurance day and I

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Speaker 2: was like, please don't do that. That's my worst night there.

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Speaker 2: And he's like, we'll shoot you out. We'll get you home,

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Speaker 2: like you need to go. I was like, I'm fine,

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Speaker 2: I'll be here. It's fine, I'll be here. He's like,

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Speaker 2: you have to go.

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Speaker 1: And then I remember Ember came up to me and

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Speaker 1: she's like push. Jenna'm like she got sent home.

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Speaker 2: She's like okay, and.

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Speaker 1: Then she went up and talked to Brad. He's like,

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Speaker 1: I have to go home. You had an actual storyline,

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Speaker 1: so like they could shoot you out. Amber. I don't

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Speaker 1: know if she had more and they just didn't do it,

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Speaker 1: but like he was as central to what was happening

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Speaker 1: on the show at that point, and so they just

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Speaker 1: let her go.

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Speaker 2: That's funny, Okay. This was written by Ian Brennan. Yes,

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Speaker 2: there's a lot of songs. A lot of songs. I

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Speaker 2: didn't realize they're on this episode. So you're all I

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Speaker 2: need to get by, like we said by markin Gay

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Speaker 2: and Tammy Churel getting married today by the Castle Company.

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Speaker 1: Just Can't Get Enough by Depeche Mode, loved the double

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Speaker 1: entendre of this number.

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Speaker 2: We've Got Tonight by Bob Seeker.

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Speaker 1: And Anything Could Happen by Ellie Goulding.

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Speaker 2: It wasn't until Anything Could Happen that I realized we

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Speaker 2: were missing half of ourgly club.

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Speaker 1: I was. I was like, this looks thin.

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Speaker 2: I was like, where's everybody dying? Because they had to

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Speaker 2: bring in all of the new people, so like, I mean, sorry, sorry,

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Speaker 2: all of our alum. They couldn't afford everybody, so they

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Speaker 2: had to release some of our currently club in order

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Speaker 2: to be able to suffice for the cast that they

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Speaker 2: needed to pay. So we missed who did we miss?

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Speaker 2: We missed Becca, we missed Vanessa, We didn't have Alex

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Speaker 2: and Sam And it was referenced as the Asian burflu,

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Speaker 2: which we will get into is the fun Facts that

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Speaker 2: is in our fun Facts. So I guess they had

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Speaker 2: the Asian burflu, which was not Tina's fault.

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Speaker 1: Yeah that that moment.

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Speaker 2: Couldn't you just been bird flu? I a flu?

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Speaker 1: Your reaction was great, though, I think your that look

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Speaker 1: is doing a lot of heavy lifting. So fun Facts.

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Speaker 1: I love this at three characters. I do is Glee's

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Speaker 1: shortest episode title, along with one hundred.

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Speaker 2: Oh My Gosh. This is the third Valentine's Day episode

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Speaker 2: after Silly Love, Songs, and Heart.

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Speaker 1: This episode reunited all the alumni for the first time

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Speaker 1: since Goodbye.

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Speaker 2: Wow, and this is the last time all the twenty

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Speaker 2: twelve graduates are together in an episode. Wow.

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Speaker 1: So Sad Danny Say, contestant from the second season of

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Speaker 1: The Glee Project, briefly appears dancing during We've Got Tonight.

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Speaker 2: Several members of New Directions were absent in this episode.

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Speaker 2: As I said before, they had the bird flu. Sugar,

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Speaker 2: Joe Unique and Kitty uh huh. Probably kept them from

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Speaker 2: actually getting sick in real life. Oh yeah, because literally

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Speaker 2: everybody else was sick.

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Speaker 1: Mercedes is the only alumnus not present at the wedding reception.

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Speaker 1: We explained why she was down.

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Speaker 2: See ya. Brad returns after his departure from New Directions

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Speaker 2: in swan song. He can see playing the organ during

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Speaker 2: the wedding ceremony's.

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Speaker 1: Back Stockholm syndrome. This is the third episode not to

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Speaker 1: feature any solos, only duets and group numbers, the first

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Speaker 1: two being Vitamin D and the first time.

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Speaker 2: Hosting Rachel mentioned Sex and the City is show and

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Speaker 2: movie franchise starring s jp S, a partner who appears

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Speaker 2: on gleas Isabelle. Right.

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Speaker 1: Love that Kurt and Blaine's hotel room number is two

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Speaker 1: O six. Kurt and Blaine met for the first time

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Speaker 1: in the sixth episode of the second season.

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Speaker 2: That I love that. I want that. That's interesting, those props.

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Speaker 2: Maybe they would do something like that. Yeah, so well thought.

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Speaker 2: I love that. Okay, So when this episode aired in Australia,

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Speaker 2: they cut out most of the post Quintana sex talk

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Speaker 2: as well as some of the clean makeout scene.

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Speaker 1: What okay, two thumbs way down? What that is wild?

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Speaker 1: What a different time?

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Speaker 2: Strange?

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Speaker 1: Like when Chris and Darren were in that backseat while

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Speaker 1: I was watching it, I was.

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Speaker 2: Like, Chris, no, no, no, Darren was Darren gave it

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Speaker 2: to everybody apparently because he was the Glass episode and

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Speaker 2: now this episode.

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Speaker 1: Everybody what was he doing with everyone?

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Speaker 2: Right? I love that carcone though, Okay, and uh, this

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Speaker 2: is fun. So in Santana and Quinn shut the fake

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Speaker 2: id's by the way, those photos are wild. Love those ideas.

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Speaker 1: We were all dying laughing at them.

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Speaker 2: And they grabbed the glasses of wine off the bar.

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Speaker 2: Their nails are not painted, and then when they turn

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Speaker 2: around and have the glasses in their hands and nails

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Speaker 2: are painted. Because this took twenty five years to film,

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Speaker 2: so somebody went to get a manny. We're in that

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Speaker 2: room forever. That was actually the Paramount Theater, the lobby

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Speaker 2: of the Paramount Theater, which we never shot in, which

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Speaker 2: was kind of fun, but I don't know, I feel

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Speaker 2: like there was just a lot to shoot. Everybody was

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Speaker 2: getting sick. It was allah thriller super Bowl episode where

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Speaker 2: there was rotation. Yeah, exactly.

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Speaker 1: It was a mini nightmare because my association with this

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Speaker 1: episode as I was watching it was like bad times.

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Speaker 2: Yes, you said that. In the beginning, you were like,

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Speaker 2: people were not happy.

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Speaker 1: It was it was a struggle and it would suck

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Speaker 1: because we were all back together, and so at first

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Speaker 1: we're like, Yay, we're all back together. It was also

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Speaker 1: like I need to go home.

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Speaker 2: I'm literally just.

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Speaker 1: A bit of a bummer, okay. The official Fox publicity

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Speaker 1: summary of I Do is Will and Emma tie the

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Speaker 1: Knot on Valentine's Day with current and former members of

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Speaker 1: the New Directions for Uniting in Lima to celebrate.

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Speaker 2: But do you they tie the knot?

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Speaker 1: Nor we can't maybe in the Australian version of this episode.

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Speaker 2: We can't use Australian accents anymore.

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Speaker 1: No, we can't. Every day it's okay.

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Speaker 2: Okay, let's talk about the wedding first, because that's kind

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Speaker 2: of the umbrella of this whole thing. We are here.

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Speaker 2: It is the day of Will and Emma's wedding, Will's

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Speaker 2: and well, it's the week of Will and Emma's wedding.

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Speaker 2: I guess is how we start. And of course we'll

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Speaker 2: ask the glee club to perform at the wedding like

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Speaker 2: the day before. Of course you couldn't have sent a text,

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Speaker 2: an email, a pigeon, and then Tina saying like, of

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Speaker 2: course do we have to? Though that is literally you're like,

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Speaker 2: really we're seeing at your wedding, like or Finn too.

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Speaker 2: It's like this man comes storms in, right, you just

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Speaker 2: hire a band. This man storms in this like awkward

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Speaker 2: conversation with Emma and Finn barely says hello. And then

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Speaker 2: it's like, I got to go talk to the glee

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Speaker 2: club about this thing. How can you pass legislation when

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Speaker 2: you can't even plan so and sir okay, Emma still

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Speaker 2: having panic attacks from from Finn having kissed her, and

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Speaker 2: she's like, why would you do that? You know? Am

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Speaker 2: he about to get married next week and this is

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Speaker 2: going to create a whole array of problems leading up

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Speaker 2: to the wedding and the wedding.

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Speaker 1: I mean, I feel like this is just like doubling

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Speaker 1: how she feels. She already was none of them, nervous

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Speaker 1: and anxious. And then he tries to talk to her

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Speaker 1: and shuts the doors.

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Speaker 2: Like don't shut the door, and shut the door. Then

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Speaker 2: he shut the door, He shut the door. I will say,

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Speaker 2: GiMA for the wind. She's already an MVP of this

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Speaker 2: episode for me.

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Speaker 1: Anybody who does that song is MVP.

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Speaker 2: It is actually insane. It is actually insane. I guess

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Speaker 2: we have just to talk about this song now, because

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Speaker 2: how do you ignore they Jamis sings not getting married today.

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Speaker 2: That is a soundtime song, probably the hardest soundtime song,

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Speaker 2: probably the hardest musical theater theater song in the history

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Speaker 2: of musical theater. I don't I was floored. Jama doesn't

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Speaker 2: get a lot to do, and then they give her

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Speaker 2: literally the hardest thing to do in the whole world

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Speaker 2: I thought zongoing style was hard.

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Speaker 1: I will say, though, they couldn't have chosen a better

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Speaker 1: person for it.

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Speaker 2: Totally. It fits her character. It's perfect so perfectly. They

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Speaker 2: shot it perfectly.

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Speaker 1: Oh. I loved how it was shot. Oh, running down

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Speaker 1: in that outside hallway with the snow around the columns

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Speaker 1: with their wedding dress.

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Speaker 2: I was like, well, it was February January. We shot that.

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Speaker 2: It was real snow. Probably do you think it was warm?

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Speaker 2: It was. We were by all the Oh no, it's

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Speaker 2: not snoring over there.

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Speaker 1: It was hot.

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Speaker 2: It was so great though, and then all are crazy

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Speaker 2: reactions at the end. I remember shooting those. It's so

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Speaker 2: fun just just sit and pews and give a reaction

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Speaker 2: when Jane is literally doing the most. It is one

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Speaker 2: of life's greatest choices. I bow down to her. That

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Speaker 2: is one of the hands down, the hardest things I

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Speaker 2: think that's ever been performed. Ugly, and thank god it

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Speaker 2: wasn't live. People have to perform that live. Not Doyle

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Speaker 2: had to perform that live on Broadway. Every now I

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Speaker 2: saw him do it live. I'm so jealous.

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Speaker 1: I saw him do it live on Broadway right before

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Speaker 1: he won his Tony for it. As he should have

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Speaker 1: and it was unbelievable.

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Speaker 2: The scariest thing is like if you go off a

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Speaker 2: little bit, do you go off the rails like in

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Speaker 2: real life? Because every once in a while, you're gonna

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Speaker 2: enter the white room in a show. It happens, It

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Speaker 2: always happens.

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Speaker 1: How do you enter? I have questions about that. The

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Speaker 1: thing is, I've entered the white room with you by

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Speaker 1: my side, very minimal, very minimal. It's not in the

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Speaker 1: middle of a show. And for my little instance, I

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Speaker 1: ran off stage and Jesse Tyler Ferguson was like, happens

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Speaker 1: to everybody once it happens, Like you can't come back

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Speaker 1: from it, Like you're not going to get back. So

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Speaker 1: what do people do?

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Speaker 2: Because if that, you look to other people, you look

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Speaker 2: like people to help you. So I did a podcast

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Speaker 2: a long time ago called Epic Fail Yes, and it

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Speaker 2: was all Broadway, mostly Broadway performers, but a lot of

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Speaker 2: all just performers in general who came on and told

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Speaker 2: their like biggest fail on stage, and most of them

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Speaker 2: were the ones where they entered the white room. The

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Speaker 2: white room, for people who don't know, is like a

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Speaker 2: reference of like when you literally forget where you are

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Speaker 2: you forget what's next, You forget the line, and there's

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Speaker 2: no wall. There's no I mean there's no there's walls,

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Speaker 2: and there's no windows, there's no doors, there's no coming

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Speaker 2: out of it. It just happens and you move on

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Speaker 2: and whatever you do in the heat of that moment,

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Speaker 2: whether you come out of it and you're like, Okay,

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Speaker 2: I know that I can get myself out of this,

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Speaker 2: or you look to somebody with dead fear when you

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Speaker 2: enter the white room. It's so bad that if there's

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Speaker 2: people around you, they will help you because it's so

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Speaker 2: glaringly off that they'll be like, do you need to

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Speaker 2: do this or blah blah blah, or you just leave

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Speaker 2: the stage. No, literally, sometimes people just leavege and it

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Speaker 2: is the scariest, craziest thing, but it happens to everybody.

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Speaker 1: I just don't know how you recover. Like I even

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Speaker 1: got fed the lyrics. I read the lyrics and still

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Speaker 1: couldn't do it.

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Speaker 2: No, Yeah, you're it's a it's a downward spiral, and

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Speaker 2: when it happens, you're like, you don't know where you are.

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Speaker 2: So there's it's not even like you're loocid enough to

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Speaker 2: get yourself out of it, but you just do you

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Speaker 2: just move I need you to ask or music starts playing.

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Speaker 2: Can you ask him if you ever entered the white room?

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Speaker 2: I will. I will actually ask him that, because I'm

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Speaker 2: sure there's been a performance where he's gone off. Maybe

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Speaker 2: maybe he's.

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Speaker 1: Perfect, I don't know. It looked like he could do

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Speaker 1: it in his sleep. I was watching it, and I

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Speaker 1: was like, this man has practiced this or it is

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Speaker 1: so in his body.

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Speaker 2: It has to be, it has to be. It's so hard.

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Speaker 1: There's no other way.

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Speaker 2: If you click out for one second, like you're gone,

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Speaker 2: that is it's impossible, insane. It was absolutely insane, very

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Speaker 2: impressive anyway, kutus. I would to see J.

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Speaker 1: Mcdou theater.

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Speaker 2: Definitely. I mean she would tear the stage to play

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Speaker 2: I'd love I would forget it.

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Speaker 1: We had a text her too, We have notes, we

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Speaker 1: have questions.

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Speaker 2: So Emma Hillsbury does not get married, in fact, she.

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Speaker 1: We can't skip over her interaction with Suit because what

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Speaker 1: happens is right, Emma's in a downward spiral Finn, but

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Speaker 1: she's at the venue now the church right before she

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Speaker 1: does not getting married today, and Sue walks in in

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Speaker 1: the same draws and S's like, that's right, I am

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Speaker 1: wearing the exact same dress as you Taylor made for me,

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Speaker 1: and it's perfectly it's hilarious. It's absolutely insane and fully,

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Speaker 1: I think is the straw final straw, right that breaks

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Speaker 1: the camel's back and sends Emma into the musical number.

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Speaker 1: It is the perfect mix of glee hilarity. These two

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Speaker 1: like absolutely like comedic monsters.

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Speaker 2: Yeah yeah, in a.

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Speaker 1: Scene together and then doing one of the hardest numbers

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Speaker 1: ever is just remarkable, like peak camp, peak Glee.

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Speaker 2: And then in the song, in the middle of the song,

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Speaker 2: who is literally chomping.

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Speaker 1: And then Sue is the one that comes down the

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Speaker 1: aisle in her dress and nobody really reacts, which I

398
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Speaker 1: think is so funny, like everybody is so used to her.

399
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Speaker 2: Shit, she'sall gallivanting down that way, twirling her dress.

400
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Speaker 1: Heather's reaction to her is amazing.

401
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Speaker 2: She look great. It's really good. It works. It just works.

402
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Speaker 2: It's so ridiculous, but it works. So yeah, it doesn't

403
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Speaker 2: get married nothing. Sue comes down the aisle instead, and

404
00:22:37,760 --> 00:22:43,440
Speaker 2: that leads to the wedding reception where Santana comes in.

405
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Speaker 2: I guess because she's like she's she was voted the

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Speaker 2: one with like the coldest heart, I guess, or like

407
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Speaker 2: the blackest heart, or has no feelings or regard for

408
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Speaker 2: other people's feelings and asks mister shere what they do

409
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Speaker 2: about the wedding and they have the party anyway, that's

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Speaker 2: us going to a Valentine's theme wedding reception.

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Speaker 1: I did love that. It's very It was very like

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Speaker 1: I don't know, high school college us in real life,

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Speaker 1: like selecting one of us to go up and be like,

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Speaker 1: you're the representative. You could do it.

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Speaker 2: Yeah, you do it. That would be it. Yeah, exactly,

416
00:23:14,760 --> 00:23:17,160
Speaker 2: You're like, you do it this time. Yeah. We'd always

417
00:23:17,240 --> 00:23:20,120
Speaker 2: vote somebody. Yes, sometimes it would be me and I'd

418
00:23:20,119 --> 00:23:23,280
Speaker 2: be in the land of fire. Ye should we've learned

419
00:23:23,280 --> 00:23:27,080
Speaker 2: our lesson. At this wedding, we've got Emma who sets

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Speaker 2: already up with her niece Beatty out the one and

421
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Speaker 2: only Tony Ward winning Ali Stroker. This storyline is fantastic.

422
00:23:36,920 --> 00:23:42,919
Speaker 2: Hole will come back. Santana and Quinn are both single

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00:23:42,920 --> 00:23:46,800
Speaker 2: at this wedding. They've got their ridiculous fake id's and

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Speaker 2: they have a little rendez vue. And we have Kurt

425
00:23:52,040 --> 00:23:55,360
Speaker 2: and Blaine, who are also hooking up at this wedding

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00:23:56,359 --> 00:24:01,719
Speaker 2: and Tina getting jealous of them and then apologize after

427
00:24:02,080 --> 00:24:05,080
Speaker 2: getting into it with Kurt. All those things happened at

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00:24:05,080 --> 00:24:08,159
Speaker 2: this wedding. No wonder, we're here forever.

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Speaker 1: Yeah, I mean, let's save the best for last, which

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Speaker 1: I think, is you the biggest juiciest one?

431
00:24:14,560 --> 00:24:20,760
Speaker 2: No, but you? Okay? Ali Stroker is genius? Why is

432
00:24:20,800 --> 00:24:24,439
Speaker 2: she so good? It is so funny, It is so funny.

433
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Speaker 2: She is so mean to you.

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00:24:26,480 --> 00:24:28,520
Speaker 1: She's excellent, and it's just like, why isn't she in

435
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Speaker 1: the show the rest of the time?

436
00:24:30,160 --> 00:24:33,120
Speaker 2: I love her? Was it fun working with Ali? Did

437
00:24:33,119 --> 00:24:33,320
Speaker 2: you know?

438
00:24:33,680 --> 00:24:37,800
Speaker 1: Before I had met her from you know, the show,

439
00:24:37,880 --> 00:24:40,800
Speaker 1: but like I did not know her well. Obviously knew

440
00:24:40,840 --> 00:24:46,399
Speaker 1: she was super super talented and was just like very

441
00:24:47,320 --> 00:24:51,160
Speaker 1: excited that she was on the show. She's obviously she's

442
00:24:51,200 --> 00:24:54,280
Speaker 1: one of Tony since then, but she's just like stupidly

443
00:24:54,320 --> 00:24:59,560
Speaker 1: talented and so kind and like weirdly. After this, she

444
00:24:59,600 --> 00:25:03,119
Speaker 1: went on to be in the Deaf West production of

445
00:25:03,160 --> 00:25:06,800
Speaker 1: Spring Awakening with my boyfriend Austin, so they knew each

446
00:25:06,800 --> 00:25:12,240
Speaker 1: other separately because they were on Broadway together. Yeah, she's

447
00:25:12,320 --> 00:25:15,879
Speaker 1: just I love her. She's not. I don't have a

448
00:25:15,960 --> 00:25:20,000
Speaker 1: single bad thing to say about her. And how funny

449
00:25:20,080 --> 00:25:20,480
Speaker 1: was she.

450
00:25:21,119 --> 00:25:23,359
Speaker 2: It was so funny.

451
00:25:23,520 --> 00:25:25,400
Speaker 1: It was It's not like we had a lot to do.

452
00:25:25,960 --> 00:25:27,280
Speaker 1: She was making a meal out.

453
00:25:27,200 --> 00:25:30,200
Speaker 2: Of that and and that's what you do. She's so good.

454
00:25:30,359 --> 00:25:32,600
Speaker 2: You guys were great. I loved you guys together. It's

455
00:25:32,720 --> 00:25:37,080
Speaker 2: very cute the way you guys get together. She's really

456
00:25:37,119 --> 00:25:39,800
Speaker 2: good at playing a bitch. She's not a bit. She's

457
00:25:39,800 --> 00:25:45,199
Speaker 2: the nice person in the world, sweetest, But man, I

458
00:25:45,240 --> 00:25:48,320
Speaker 2: love watching nice people play mean people. Oh it's so satisfying.

459
00:25:48,400 --> 00:25:51,040
Speaker 2: There's something really satisfying about it. That thing.

460
00:25:51,119 --> 00:25:54,160
Speaker 1: It was also good for Artie because totally he needs

461
00:25:55,320 --> 00:25:57,920
Speaker 1: that is not good. Yes, he kept put in his place.

462
00:25:59,720 --> 00:26:03,760
Speaker 1: It was also so I did feel like really awkward,

463
00:26:03,840 --> 00:26:05,840
Speaker 1: even though we didn't even have like a sex scene.

464
00:26:06,760 --> 00:26:09,320
Speaker 1: We were justayad in bed next to each other with

465
00:26:09,400 --> 00:26:13,280
Speaker 1: someone that you don't know very well. Is so awkward,

466
00:26:13,960 --> 00:26:17,040
Speaker 1: so weird. It's so weird, and it's so quiet. You're

467
00:26:17,080 --> 00:26:20,040
Speaker 1: in a bed, everyone's watching you, right, And I.

468
00:26:20,760 --> 00:26:22,240
Speaker 2: Like, you may as well have had like a sex

469
00:26:22,280 --> 00:26:24,320
Speaker 2: scene before you get a little bit like close and

470
00:26:24,359 --> 00:26:26,800
Speaker 2: like have that moment together. But this is like just

471
00:26:26,840 --> 00:26:28,680
Speaker 2: put you under the covers together.

472
00:26:28,720 --> 00:26:31,200
Speaker 1: Props of people who are in movies and TV who

473
00:26:31,400 --> 00:26:36,160
Speaker 1: have to have a lot of intimate scenes. Because I

474
00:26:36,320 --> 00:26:40,440
Speaker 1: was so I was just uncomfortable. I was like that

475
00:26:40,560 --> 00:26:42,359
Speaker 1: there was nothing to be done about it either. It

476
00:26:42,400 --> 00:26:46,000
Speaker 1: wasn't like this is pretty intimacy coordinators, but like it

477
00:26:46,080 --> 00:26:47,560
Speaker 1: was just one of those things like it's not a

478
00:26:47,640 --> 00:26:50,600
Speaker 1: natural position to be in front of a big crew

479
00:26:50,600 --> 00:26:53,880
Speaker 1: of people, like nice to meet you. Yeah, everyone was nice,

480
00:26:53,920 --> 00:26:55,560
Speaker 1: everyone was great, Like there was nothing bad. It was

481
00:26:55,600 --> 00:26:58,360
Speaker 1: just like I had never done that before. Its interesting.

482
00:27:00,000 --> 00:27:02,840
Speaker 1: It couldn't have happened with a better like scene partner.

483
00:27:03,240 --> 00:27:04,760
Speaker 1: So that was I was very lucky.

484
00:27:04,960 --> 00:27:08,040
Speaker 2: I love that storyline. We have Santana and Quinn who

485
00:27:08,080 --> 00:27:11,080
Speaker 2: are also in an adjacent hotel room.

486
00:27:11,600 --> 00:27:13,080
Speaker 1: I forgot about the storyline.

487
00:27:13,600 --> 00:27:16,240
Speaker 2: I totally forgot about this story and I was like.

488
00:27:16,280 --> 00:27:19,040
Speaker 1: Wow, how far Quinn has come.

489
00:27:19,640 --> 00:27:23,960
Speaker 2: They're very funny together, very funny together, obviously.

490
00:27:23,920 --> 00:27:27,399
Speaker 1: So good together obviously, like yeah, like also like really

491
00:27:27,400 --> 00:27:28,600
Speaker 1: close friends in real life.

492
00:27:28,880 --> 00:27:33,920
Speaker 2: Yeah, but like not a storyline I would have expected.

493
00:27:37,200 --> 00:27:41,199
Speaker 2: And the fake id's were a plus. Plus the photo

494
00:27:41,280 --> 00:27:44,080
Speaker 2: of them Nia with her thumb in the air in

495
00:27:44,160 --> 00:27:48,119
Speaker 2: the photo I d I was cackling. It is very funny.

496
00:27:49,600 --> 00:27:54,480
Speaker 1: I also think they just make each other goofyar. Yeah,

497
00:27:54,520 --> 00:27:58,280
Speaker 1: there's something about their chemistry. Ever since that scene where

498
00:27:59,160 --> 00:28:01,320
Speaker 1: this lap happened couple episodes ago.

499
00:28:02,280 --> 00:28:03,600
Speaker 2: Right, that just happened too.

500
00:28:04,080 --> 00:28:09,720
Speaker 1: Yeah, they're like like liberated about their characters and they're

501
00:28:09,760 --> 00:28:13,520
Speaker 1: acting within those characters. Yes, because you know they've graduated,

502
00:28:13,560 --> 00:28:17,000
Speaker 1: they're not they're doing the Yes, that's right. And you

503
00:28:17,119 --> 00:28:19,720
Speaker 1: notice that when people come back onto set and they're

504
00:28:19,720 --> 00:28:21,120
Speaker 1: in a different position in life.

505
00:28:21,640 --> 00:28:25,480
Speaker 2: Yeah. Yeah, they're so good together, really good.

506
00:28:25,720 --> 00:28:29,080
Speaker 1: Like watching that scene you know that Australia cut out

507
00:28:29,119 --> 00:28:35,600
Speaker 1: of the episode post coitus. Yeah, we're looking at Quinn

508
00:28:35,760 --> 00:28:38,680
Speaker 1: like sitting there with her water bottle, like talking about

509
00:28:38,720 --> 00:28:39,480
Speaker 1: what just happened.

510
00:28:40,040 --> 00:28:46,520
Speaker 2: I was like, this is a different person. Yes, definitely, definitely.

511
00:28:46,160 --> 00:28:48,120
Speaker 1: And I say a little prayer that's the same character.

512
00:28:48,200 --> 00:28:54,640
Speaker 2: It's amazing. I'm also wondering where the Quintana fans are

513
00:28:53,840 --> 00:28:59,000
Speaker 2: or Britanna fans just so intense that they're like absolutely not. Yeah.

514
00:28:59,080 --> 00:29:01,040
Speaker 1: I wonder if I fans hated this.

515
00:29:00,960 --> 00:29:03,760
Speaker 2: Because I feel like I'm a fan of Quintana. I

516
00:29:03,840 --> 00:29:04,320
Speaker 2: like them.

517
00:29:04,440 --> 00:29:06,720
Speaker 1: Yeah, it also feels safe. It's like this is the

518
00:29:06,800 --> 00:29:09,400
Speaker 1: same space for the two of them. It doesn't need

519
00:29:09,440 --> 00:29:11,880
Speaker 1: to be anything other than what it is in this episode.

520
00:29:12,200 --> 00:29:15,680
Speaker 2: Yes, that's right, that's right. Whatever, Let them do their

521
00:29:15,720 --> 00:29:21,280
Speaker 2: thing exactly. Okay. So then we've also got Curtain Blaine,

522
00:29:21,880 --> 00:29:25,320
Speaker 2: who are hooking up. I love the car reveal where

523
00:29:25,320 --> 00:29:28,400
Speaker 2: we don't know's tuking up with it is Blaine. He

524
00:29:28,520 --> 00:29:33,680
Speaker 2: shows up, they hook up, They sing a duet at

525
00:29:33,680 --> 00:29:34,160
Speaker 2: the wedding.

526
00:29:34,480 --> 00:29:37,560
Speaker 1: I love that car scene. How it was shot was fantastic, Brad,

527
00:29:37,680 --> 00:29:38,280
Speaker 1: they did.

528
00:29:38,160 --> 00:29:43,640
Speaker 2: It so good. I would just love Curtain Blaine. So

529
00:29:43,720 --> 00:29:44,680
Speaker 2: happy that they're here.

530
00:29:45,280 --> 00:29:46,800
Speaker 1: I see we do. I just can't get enough. And

531
00:29:46,800 --> 00:29:48,720
Speaker 1: it's so cute because they can't get enough of each other.

532
00:29:50,040 --> 00:29:50,880
Speaker 2: It's crazy.

533
00:29:51,160 --> 00:29:52,800
Speaker 1: I don't think they've ever been cuter, to be.

534
00:29:52,680 --> 00:29:56,120
Speaker 2: Honest, I agree. Maybe it's just our pining for their

535
00:29:56,560 --> 00:29:58,800
Speaker 2: them to be like fully back together. But Blaine is

536
00:29:58,880 --> 00:30:01,960
Speaker 2: so sure of himself, like we are we're going to

537
00:30:02,000 --> 00:30:02,400
Speaker 2: be together.

538
00:30:03,560 --> 00:30:07,920
Speaker 1: Well, like he's been out of his funk. He and

539
00:30:08,000 --> 00:30:11,920
Speaker 1: like Kurt is now like established himself in New York

540
00:30:11,960 --> 00:30:14,080
Speaker 1: where he was, you know, like sort of drowning a

541
00:30:14,080 --> 00:30:20,320
Speaker 1: little bit. And they feel it feels like the best

542
00:30:20,320 --> 00:30:24,840
Speaker 1: parts of a new relationship, but with the maturity of

543
00:30:25,360 --> 00:30:29,200
Speaker 1: not having a new relationship agreed. And that's what feels

544
00:30:29,240 --> 00:30:31,320
Speaker 1: so nice about It feels it's all the good parts

545
00:30:31,320 --> 00:30:32,880
Speaker 1: of a relationship in one.

546
00:30:33,360 --> 00:30:37,200
Speaker 2: But Kurt's can only say that they're religious friends right now, which.

547
00:30:37,080 --> 00:30:39,600
Speaker 1: Is I did love Amber showing up pulling them out

548
00:30:39,640 --> 00:30:44,560
Speaker 1: of the car and like, I better not be Tina. Yeah,

549
00:30:44,560 --> 00:30:51,719
Speaker 1: but Tina, let's talk about that. Tina confronts Kurt okay

550
00:30:53,480 --> 00:30:57,920
Speaker 1: line very out of line. She has no right, she

551
00:30:57,960 --> 00:31:01,520
Speaker 1: has no claim over Blaine. She's crazy. She's actually in the.

552
00:31:01,520 --> 00:31:07,720
Speaker 2: De Lulu world now at this point, and and then

553
00:31:07,800 --> 00:31:11,239
Speaker 2: Kurts blames her, and we get the tag it's he,

554
00:31:12,160 --> 00:31:15,480
Speaker 2: she admits, and then he's like, did you vapor it

555
00:31:15,600 --> 00:31:16,360
Speaker 2: my boyfriend?

556
00:31:17,680 --> 00:31:20,120
Speaker 1: I didn't realize it was written into the show. I

557
00:31:20,160 --> 00:31:22,400
Speaker 1: was wondering all the time of like, where did vapo

558
00:31:22,520 --> 00:31:28,120
Speaker 1: rape come from? It's Kurt, She's crazy. She was also

559
00:31:28,200 --> 00:31:35,360
Speaker 1: crazy about that interaction. Was Kurt's eye line. Chris's eye

560
00:31:35,400 --> 00:31:36,560
Speaker 1: line was off?

561
00:31:37,040 --> 00:31:43,480
Speaker 2: It was off. Yeah, I'm not sure that they this

562
00:31:43,640 --> 00:31:46,360
Speaker 2: was know what happens. I never caught it before. No,

563
00:31:46,520 --> 00:31:49,520
Speaker 2: it happens a lot. Sometimes it can cut around it,

564
00:31:49,560 --> 00:31:57,240
Speaker 2: but it happens often. But in this show, yes, sometimes

565
00:31:57,280 --> 00:32:00,880
Speaker 2: it's just subtle, but it happens. This one seemed pretty

566
00:32:00,880 --> 00:32:05,240
Speaker 2: because you when you started talking to him, I thought

567
00:32:05,640 --> 00:32:08,719
Speaker 2: he was distracted and looking over you into the crowd

568
00:32:09,320 --> 00:32:11,040
Speaker 2: as something happening, So I thought it was going to

569
00:32:11,200 --> 00:32:14,800
Speaker 2: cut away. Now I'm wondering if maybe they shot his

570
00:32:14,920 --> 00:32:17,800
Speaker 2: coverage on a different in a different moment where I

571
00:32:17,840 --> 00:32:21,640
Speaker 2: wasn't there. I don't think I did. I don't think

572
00:32:21,680 --> 00:32:24,640
Speaker 2: I did, But maybe he would have been okay with

573
00:32:24,720 --> 00:32:28,120
Speaker 2: you leaving right. And sometimes that would happen right like

574
00:32:28,160 --> 00:32:30,160
Speaker 2: we get called off and somebody you would have to

575
00:32:30,200 --> 00:32:33,640
Speaker 2: stand in if it wasn't like a huge scene, but

576
00:32:33,920 --> 00:32:36,280
Speaker 2: you know you're right, it's always left like Chris would

577
00:32:36,280 --> 00:32:41,479
Speaker 2: be right right, Yes, but maybe that's what it was.

578
00:32:41,520 --> 00:32:44,480
Speaker 2: This is also very rush like I remember doing this

579
00:32:44,640 --> 00:32:50,440
Speaker 2: and feel like literally sweating, like sweating, and and like

580
00:32:50,680 --> 00:32:53,920
Speaker 2: Melissa Byuell, my makeup artist had like a fan in

581
00:32:53,960 --> 00:32:57,560
Speaker 2: between takes because I and I didn't. I wasn't doing

582
00:32:57,600 --> 00:32:59,360
Speaker 2: a lot and I wasn't saying a lot, and I

583
00:32:59,400 --> 00:33:02,240
Speaker 2: was just walking out. I wasn't running I wasn't dancing, singing,

584
00:33:02,600 --> 00:33:05,800
Speaker 2: but I was. I was dripping. So I think this

585
00:33:06,000 --> 00:33:08,760
Speaker 2: was very rushed in that sense that like you just

586
00:33:08,760 --> 00:33:10,680
Speaker 2: have to get it in, you know, that's just good,

587
00:33:11,600 --> 00:33:14,840
Speaker 2: That's absolutely what it is. There are times in this that.

588
00:33:14,760 --> 00:33:15,040
Speaker 1: I was.

589
00:33:16,600 --> 00:33:18,640
Speaker 2: Really phoning this in though, like I'm not sure I

590
00:33:18,680 --> 00:33:22,440
Speaker 2: understand exactly what she's saying. Like there were moments where

591
00:33:22,440 --> 00:33:26,960
Speaker 2: I was like, I wouldn't say it that way.

592
00:33:27,680 --> 00:33:30,600
Speaker 1: This whole episode. I was like, I don't know, I

593
00:33:30,600 --> 00:33:33,920
Speaker 1: don't understand any of this. I don't Yeah, I don't

594
00:33:34,160 --> 00:33:36,160
Speaker 1: really get what I'm saying, right.

595
00:33:36,040 --> 00:33:38,720
Speaker 2: I'm like, do you understand what you're saying Jenna in

596
00:33:38,800 --> 00:33:44,240
Speaker 2: this moment? What an interesting choice that was. But I'm

597
00:33:44,240 --> 00:33:46,200
Speaker 2: glad we saw the eye line thing because it was

598
00:33:46,200 --> 00:33:52,040
Speaker 2: really yeah, yeah, but anyway, so so so Kurt first

599
00:33:52,120 --> 00:33:54,080
Speaker 2: he's like yeah me bye bye bye friend. And then

600
00:33:54,440 --> 00:33:58,280
Speaker 2: and then in school, Tina apologizes in the hallway and

601
00:33:58,320 --> 00:34:06,680
Speaker 2: they take her in and she's Hagatha Christie and they're

602
00:34:06,680 --> 00:34:11,319
Speaker 2: gonna help her find uh somebody and Kurt. That's when

603
00:34:11,320 --> 00:34:14,799
Speaker 2: we like find Kurt saying they're still friends this whole thing,

604
00:34:14,960 --> 00:34:18,040
Speaker 2: But it's it's kind of funny I don't mind it.

605
00:34:18,480 --> 00:34:20,360
Speaker 2: I don't mind the way that this all settles, And

606
00:34:20,400 --> 00:34:22,400
Speaker 2: I was like, wow, that was a fast settling of

607
00:34:22,440 --> 00:34:23,759
Speaker 2: this storyline. Thank god.

608
00:34:24,280 --> 00:34:27,160
Speaker 1: Tina's just horny.

609
00:34:26,800 --> 00:34:31,399
Speaker 2: She's crazy. She's actually just crazy. She's like she just

610
00:34:31,400 --> 00:34:32,120
Speaker 2: needs to lean.

611
00:34:33,239 --> 00:34:36,799
Speaker 1: She really does mean to be fair. She's the only

612
00:34:36,840 --> 00:34:42,600
Speaker 1: one not so I get it what she's not getting

613
00:34:42,640 --> 00:34:44,319
Speaker 1: laid this episode like.

614
00:34:45,840 --> 00:34:53,560
Speaker 2: She needs well well, also Jake and Marley, which brings

615
00:34:53,640 --> 00:35:00,399
Speaker 2: us too. The whole episode is Jake. Marley gives Jake

616
00:35:00,440 --> 00:35:04,799
Speaker 2: a really nice gift of cufflings, and Jake's like, I

617
00:35:04,800 --> 00:35:08,480
Speaker 2: don't what to do, and he enlests Rider to help

618
00:35:08,560 --> 00:35:13,880
Speaker 2: him bad idea. Rider helps Jake think of this whole

619
00:35:14,080 --> 00:35:18,120
Speaker 2: week of Valentine's Day and helps him think of all

620
00:35:18,120 --> 00:35:20,960
Speaker 2: of these gifts Jake to show up for Marley, like

621
00:35:21,560 --> 00:35:25,480
Speaker 2: the song that we love which we'll get to and

622
00:35:25,880 --> 00:35:29,799
Speaker 2: the flowers on the pew at the not the pew, yeah,

623
00:35:29,840 --> 00:35:33,600
Speaker 2: in the pews at the wedding, and all of these

624
00:35:33,600 --> 00:35:36,680
Speaker 2: wonderful things. And then Jake and Ryder have this conversation

625
00:35:36,760 --> 00:35:38,160
Speaker 2: at the wedding where they're like, oh, they're going to

626
00:35:38,200 --> 00:35:40,640
Speaker 2: get laid. And I was a little sad. I was

627
00:35:40,719 --> 00:35:47,120
Speaker 2: a little disappointed because while while Jake is still a

628
00:35:47,160 --> 00:35:49,799
Speaker 2: bad boy, I know that part of him and like

629
00:35:49,840 --> 00:35:55,480
Speaker 2: it's actually scenes well and like there's good intentions behind it,

630
00:35:55,480 --> 00:36:01,880
Speaker 2: it still feels like pressure, like he like that's the

631
00:36:01,880 --> 00:36:02,880
Speaker 2: only thing he cares about.

632
00:36:03,360 --> 00:36:06,239
Speaker 1: Yeah, there's an expectation and return for me giving you

633
00:36:06,280 --> 00:36:06,800
Speaker 1: these gifts.

634
00:36:06,840 --> 00:36:10,160
Speaker 2: You're going to do something for me. Yeah. And I

635
00:36:10,200 --> 00:36:12,800
Speaker 2: didn't love that for Jake because we love Jake obviously,

636
00:36:12,880 --> 00:36:15,600
Speaker 2: and we love Jacob, but I was like, makes me

637
00:36:15,640 --> 00:36:20,799
Speaker 2: feel a little meek about his character. Yeah. But more importantly,

638
00:36:21,440 --> 00:36:25,440
Speaker 2: they sing this number in the classroom and they do

639
00:36:25,680 --> 00:36:29,080
Speaker 2: You're all I need to get by? Why is good? Honest?

640
00:36:29,719 --> 00:36:32,960
Speaker 2: Blake is the whole like free.

641
00:36:34,280 --> 00:36:38,160
Speaker 1: This whole episode. He's very very funny. Like basically this

642
00:36:38,239 --> 00:36:41,080
Speaker 1: whole episode he's just leaning in the frame doing a

643
00:36:41,080 --> 00:36:45,840
Speaker 1: little elbow em talking under his breath and oh, don't

644
00:36:45,880 --> 00:36:49,000
Speaker 1: you mean this? And oh I had no idea, Oh

645
00:36:49,080 --> 00:36:49,960
Speaker 1: yes I did.

646
00:36:51,560 --> 00:36:55,000
Speaker 2: When Marlin' said why are you acting crazy? And he's

647
00:36:55,000 --> 00:37:02,080
Speaker 2: like another so good, so good. I love writer like

648
00:37:02,200 --> 00:37:04,560
Speaker 2: being funny, Like he doesn't have a ton of like

649
00:37:04,600 --> 00:37:06,520
Speaker 2: he hasn't had a ton of funny storylines so far,

650
00:37:07,000 --> 00:37:09,200
Speaker 2: it's just been a lot of that like other quarterback,

651
00:37:09,239 --> 00:37:11,760
Speaker 2: like the new quarterback kind of thing. But this song,

652
00:37:12,719 --> 00:37:16,200
Speaker 2: can we talk about Jacob artists on this song? This

653
00:37:16,280 --> 00:37:19,239
Speaker 2: is a sleeper hit. It is a sleeper hit. Every

654
00:37:19,239 --> 00:37:23,080
Speaker 2: episode that we were like discovering a new like we're

655
00:37:23,160 --> 00:37:25,359
Speaker 2: dusting off this. I think it's so lucky to have

656
00:37:25,560 --> 00:37:27,680
Speaker 2: listened to this version of this song.

657
00:37:28,719 --> 00:37:31,359
Speaker 1: They're like trying to like out add of each other.

658
00:37:31,440 --> 00:37:34,200
Speaker 1: At the end, it is like, what is happening?

659
00:37:34,880 --> 00:37:38,640
Speaker 2: It is so good, and Jacob's toned in this. I

660
00:37:38,680 --> 00:37:40,520
Speaker 2: was like who is that at first? And then I

661
00:37:40,560 --> 00:37:42,920
Speaker 2: look up at the screen and I'm like, oh my god,

662
00:37:43,640 --> 00:37:49,280
Speaker 2: of course it's great. It's really great. I just feel

663
00:37:49,400 --> 00:37:52,319
Speaker 2: I'm very glad they did this number really really too.

664
00:37:53,480 --> 00:37:56,040
Speaker 2: It's just excellent. Anyway, Marley finds out that it's writer.

665
00:37:57,440 --> 00:38:01,000
Speaker 2: If she realizes that it's him and he kisses her,

666
00:38:01,880 --> 00:38:02,880
Speaker 2: what's gonna help.

667
00:38:03,800 --> 00:38:09,120
Speaker 1: Row These men can't keep their lips to themselves. Well,

668
00:38:09,160 --> 00:38:14,720
Speaker 1: they're boys, right, the boys. What's going to happen?

669
00:38:16,800 --> 00:38:20,440
Speaker 2: I don't know. Actually, anyway, they don't end up sleeping together.

670
00:38:20,719 --> 00:38:23,239
Speaker 2: And Jake and Marley, by the way, they're the only

671
00:38:23,440 --> 00:38:26,960
Speaker 2: ones in the hotels that don't seem to have slept together,

672
00:38:27,360 --> 00:38:30,880
Speaker 2: which chases to the couple that did sleep together. Pinchel.

673
00:38:33,239 --> 00:38:36,840
Speaker 1: Oh my gosh, first of all, shout out to speaking

674
00:38:36,840 --> 00:38:42,080
Speaker 1: of sleeping together. Those new hallways that were built, just

675
00:38:42,120 --> 00:38:46,799
Speaker 1: like the new hallways in the last episode of it

676
00:38:46,960 --> 00:38:50,520
Speaker 1: is so impressive, like it never gets old when you open.

677
00:38:50,600 --> 00:38:54,440
Speaker 1: So we had three main stages on Paramount. We had

678
00:38:54,840 --> 00:38:57,920
Speaker 1: the schools set up, We had the auditorium, and then

679
00:38:58,080 --> 00:39:02,399
Speaker 1: attached to the school setup was a was actually tuned

680
00:39:02,400 --> 00:39:05,239
Speaker 1: into Niata. It used to be Will's apartment, but it's

681
00:39:05,320 --> 00:39:08,279
Speaker 1: usually things that are there all the time. Yeah, And

682
00:39:08,320 --> 00:39:11,800
Speaker 1: then we had two smaller stages attached that were used

683
00:39:11,800 --> 00:39:19,400
Speaker 1: for things that changed every episode. And the creativity, the craftsmanship,

684
00:39:20,160 --> 00:39:25,280
Speaker 1: the speed and efficiency at which the like these people

685
00:39:25,280 --> 00:39:28,280
Speaker 1: would show up and create these sets, these full worlds

686
00:39:28,280 --> 00:39:30,600
Speaker 1: that we got to like play in and exist.

687
00:39:30,400 --> 00:39:32,520
Speaker 2: And then we just like walk into them. We're like, wow,

688
00:39:32,640 --> 00:39:34,080
Speaker 2: this looks nice.

689
00:39:34,400 --> 00:39:38,400
Speaker 1: Yeah, oh, like we're the library and the cafeteria. It's

690
00:39:39,360 --> 00:39:43,279
Speaker 1: it never got old and walking into there like this,

691
00:39:43,560 --> 00:39:46,399
Speaker 1: oh my god, this is a full hotel that you've built. Yeah,

692
00:39:46,600 --> 00:39:50,600
Speaker 1: crazy bedrooms and I was amazing. It was like one

693
00:39:50,600 --> 00:39:53,600
Speaker 1: of those movie magic things that like when did this

694
00:39:53,640 --> 00:39:54,040
Speaker 1: get here?

695
00:39:55,120 --> 00:39:55,400
Speaker 2: Yeah?

696
00:39:55,440 --> 00:39:57,680
Speaker 1: And I always like a little kid playing dress up,

697
00:39:57,800 --> 00:40:00,560
Speaker 1: like this is crazy, Like I I wish I could

698
00:40:00,600 --> 00:40:05,879
Speaker 1: like show people. There's a new sort of unrelated there's

699
00:40:05,880 --> 00:40:08,440
Speaker 1: a new like little featurette that came out about the

700
00:40:08,480 --> 00:40:12,200
Speaker 1: new Wicked movie Behind the Scenes. Have you seen it yet?

701
00:40:12,520 --> 00:40:12,600
Speaker 2: No?

702
00:40:13,280 --> 00:40:15,279
Speaker 1: And it's John Chu, the director who, by the way,

703
00:40:15,280 --> 00:40:18,240
Speaker 1: has a new book out. John Chu is like an

704
00:40:18,320 --> 00:40:20,680
Speaker 1: old friend of mine. He's incredible. He's the director of

705
00:40:20,719 --> 00:40:23,520
Speaker 1: the new Wicked movies. Go get it. It's called You

706
00:40:23,600 --> 00:40:29,719
Speaker 1: Finder anyway, And he's talking about they wanted to like

707
00:40:30,000 --> 00:40:34,360
Speaker 1: immerse themselves in that world, so they built all these

708
00:40:34,600 --> 00:40:39,440
Speaker 1: huge sets. And when you're able to get into these sets,

709
00:40:39,440 --> 00:40:41,920
Speaker 1: and like when we're able to like just get in

710
00:40:41,960 --> 00:40:43,880
Speaker 1: these hotel rooms or get in the bed of the

711
00:40:43,880 --> 00:40:48,120
Speaker 1: hotel room, it's done eighty percent of the job for

712
00:40:48,160 --> 00:40:52,080
Speaker 1: you because you're you're there. And also just I mean

713
00:40:53,160 --> 00:40:56,520
Speaker 1: how like talented people are. But I mean, like shout

714
00:40:56,520 --> 00:40:58,640
Speaker 1: out to like the crews that work on these things,

715
00:40:58,680 --> 00:41:05,200
Speaker 1: because it's you take it forty. Yeah, Like when we

716
00:41:05,200 --> 00:41:10,600
Speaker 1: were doing drag Race and every other day we were

717
00:41:10,600 --> 00:41:12,520
Speaker 1: doing a performance and they have new props and you

718
00:41:12,560 --> 00:41:20,040
Speaker 1: see these guys out there like carving wood, Yes, and

719
00:41:20,080 --> 00:41:22,319
Speaker 1: you come out there the next day and everything looks

720
00:41:22,400 --> 00:41:27,720
Speaker 1: it's incredible and it's yeah, it's a full team effort,

721
00:41:27,760 --> 00:41:30,160
Speaker 1: and I think you forget that when you see these things,

722
00:41:30,200 --> 00:41:33,520
Speaker 1: and like when you're watching TV, it's not just the

723
00:41:33,600 --> 00:41:37,319
Speaker 1: actor on that set in that frame. It is so

724
00:41:37,440 --> 00:41:40,640
Speaker 1: many hours of like labor from so many departments and

725
00:41:40,719 --> 00:41:45,480
Speaker 1: people in years of learning to make make these things.

726
00:41:45,640 --> 00:41:49,800
Speaker 1: And like we're all so lucky to get to work

727
00:41:49,880 --> 00:41:52,800
Speaker 1: together to like make a thing happen. It's a miracle

728
00:41:53,239 --> 00:41:56,080
Speaker 1: that anything ever happens, and if it's good and if

729
00:41:56,080 --> 00:42:00,560
Speaker 1: it's successful, and like walking onto that auditor raiam stage

730
00:42:00,560 --> 00:42:02,520
Speaker 1: for the first time, so I'll stop in a second,

731
00:42:02,560 --> 00:42:06,319
Speaker 1: but like it is unbelievable, Like how did you guys

732
00:42:06,360 --> 00:42:09,040
Speaker 1: do this? Recreate?

733
00:42:09,400 --> 00:42:09,640
Speaker 2: Yes?

734
00:42:09,920 --> 00:42:15,360
Speaker 1: And French anyway, shout out to Cruise all around the

735
00:42:15,360 --> 00:42:17,480
Speaker 1: world who are working on these things, because it's just

736
00:42:17,719 --> 00:42:21,640
Speaker 1: so speaking of Somedheim saying company on Broadway, that production

737
00:42:22,040 --> 00:42:26,600
Speaker 1: the stage was unbelievable, the coolest thing I've ever seen anyway,

738
00:42:27,120 --> 00:42:33,360
Speaker 1: So finchel So Finn has a one on one with Rachel.

739
00:42:33,440 --> 00:42:38,600
Speaker 1: When she gets back to town, she's skipping her first

740
00:42:38,640 --> 00:42:42,640
Speaker 1: Valentine's Day with her boyfriend and Finn, which is like weird,

741
00:42:42,680 --> 00:42:44,520
Speaker 1: but she's like, we're in an open relationship.

742
00:42:45,719 --> 00:42:46,680
Speaker 2: Yeah, I don't know about that.

743
00:42:48,400 --> 00:42:50,160
Speaker 1: Out of all the couples have been an ol relationship

744
00:42:50,239 --> 00:42:51,719
Speaker 1: on the show, I.

745
00:42:51,680 --> 00:42:56,080
Speaker 2: Know for them for the writers to be like, oh,

746
00:42:56,160 --> 00:42:59,040
Speaker 2: let's get Finn and Rachel together, but let's not get

747
00:42:59,120 --> 00:43:02,080
Speaker 2: Rachel in too much trouble. Not everybody can be cheating

748
00:43:02,120 --> 00:43:03,480
Speaker 2: on the show. Yeah, exactly.

749
00:43:05,200 --> 00:43:09,640
Speaker 1: So he tells her like what he did, and there's

750
00:43:09,640 --> 00:43:12,840
Speaker 1: this whole like moral debate of is he going to

751
00:43:12,880 --> 00:43:15,680
Speaker 1: say something to Shoe as his best man is he not?

752
00:43:15,760 --> 00:43:20,880
Speaker 1: Which also just compound compounded by seeing Emma spiral and

753
00:43:20,920 --> 00:43:22,480
Speaker 1: not being able to do anything about it, and then

754
00:43:22,520 --> 00:43:24,000
Speaker 1: also being the best man and not being able to

755
00:43:24,040 --> 00:43:27,080
Speaker 1: do anything about it. And then when Emma runs off,

756
00:43:27,640 --> 00:43:29,640
Speaker 1: Finn is like all up on Shoe, like you gotta

757
00:43:29,680 --> 00:43:33,600
Speaker 1: do something because he's riddled with guilt mm hmm, and

758
00:43:33,680 --> 00:43:36,239
Speaker 1: so who's there to catch him? Per usual, through all

759
00:43:36,280 --> 00:43:37,440
Speaker 1: this Rachel.

760
00:43:37,360 --> 00:43:39,680
Speaker 2: Rachel, she's like, well, we'll sing a do it together

761
00:43:39,760 --> 00:43:43,880
Speaker 2: instead of usinging a solo, which Finn is having an

762
00:43:43,920 --> 00:43:47,200
Speaker 2: issue with obviously as well, singing as his best man

763
00:43:47,239 --> 00:43:49,200
Speaker 2: at his wedding and Rachel's like, well, you'll just wait

764
00:43:49,200 --> 00:43:52,000
Speaker 2: in the background. I'll So they're going to sing at

765
00:43:52,080 --> 00:43:54,560
Speaker 2: it together at the wedding.

766
00:43:55,280 --> 00:43:58,520
Speaker 1: That scene between the two of them where Finn has

767
00:43:58,560 --> 00:44:02,920
Speaker 1: the flower and is the pedals off and she pulls

768
00:44:02,920 --> 00:44:05,400
Speaker 1: off the last one and says she loves me.

769
00:44:05,719 --> 00:44:08,439
Speaker 2: You know, get out of here, get out of here.

770
00:44:09,320 --> 00:44:12,879
Speaker 2: It's just nice to see them back on the screen together. Yeah,

771
00:44:12,920 --> 00:44:17,799
Speaker 2: and getting together. Very satisfying, very satisfying.

772
00:44:18,560 --> 00:44:21,239
Speaker 1: Which when she shares back then to Brodie.

773
00:44:20,960 --> 00:44:24,000
Speaker 2: You're like, I know, eek And he's like, got this

774
00:44:24,080 --> 00:44:30,200
Speaker 2: whole like Valentine's Day thing, and I'm like, well, too bad. Endgame.

775
00:44:31,200 --> 00:44:32,600
Speaker 1: Yeah you're late, buddy.

776
00:44:33,160 --> 00:44:38,960
Speaker 2: Yeah, it's never gonna happen. They sleep together. Exciting. Oh

777
00:44:39,040 --> 00:44:42,680
Speaker 2: and then at the end of the episode, forgot about this,

778
00:44:43,040 --> 00:44:47,839
Speaker 2: Rachel is taking a pregnancy test. Where did that come from?

779
00:44:48,080 --> 00:44:52,719
Speaker 1: I'm how sorry he has passed? Like the episode is done, but.

780
00:44:54,239 --> 00:44:57,319
Speaker 2: I don't know well, and there's also a hiatus coming

781
00:44:57,400 --> 00:45:00,480
Speaker 2: up on this show, so there's like three weeks off

782
00:45:00,719 --> 00:45:03,040
Speaker 2: and I'm like, well, they needed a cliffhanger to bring people. Yeah,

783
00:45:03,040 --> 00:45:05,920
Speaker 2: but it feels so unearned because well exactly, it's like

784
00:45:05,960 --> 00:45:08,080
Speaker 2: they're like, they were like, we need a clip cliffhanger.

785
00:45:08,160 --> 00:45:11,120
Speaker 2: Let's just have her take a pregnancy test, but how

786
00:45:11,160 --> 00:45:14,480
Speaker 2: long has passed since the wedding because she can't be

787
00:45:14,520 --> 00:45:15,680
Speaker 2: pregnant the next day.

788
00:45:16,400 --> 00:45:18,120
Speaker 1: Well that's what they make it look like though, because

789
00:45:18,160 --> 00:45:22,520
Speaker 1: she's waking up in bed next to Brodie she denies him.

790
00:45:22,760 --> 00:45:27,080
Speaker 1: I don't know if it's before well, I mean, we

791
00:45:27,120 --> 00:45:29,959
Speaker 1: don't really do time jumps like that, so why would

792
00:45:29,960 --> 00:45:33,080
Speaker 1: they all of a sudden in this one setup have

793
00:45:33,120 --> 00:45:35,239
Speaker 1: a time jump of two weeks.

794
00:45:35,200 --> 00:45:37,840
Speaker 2: Or she decides she wants to be with Finn, but

795
00:45:38,080 --> 00:45:40,200
Speaker 2: now she's pregnant with Brodie's baby.

796
00:45:40,920 --> 00:45:44,960
Speaker 1: Right, that's what it. I mean, that's castadate, right, Yeah,

797
00:45:45,000 --> 00:45:47,640
Speaker 1: but what would have made more sense? I get you

798
00:45:47,680 --> 00:45:50,319
Speaker 1: need a cliffhanger, but if you didn't, if we were

799
00:45:50,360 --> 00:45:52,000
Speaker 1: going off the air for three weeks and they knew

800
00:45:52,000 --> 00:45:54,759
Speaker 1: that that's a perfect amount of time, and you come

801
00:45:54,800 --> 00:45:58,200
Speaker 1: back and then she takes pregnancy tests, it was so

802
00:45:58,320 --> 00:46:00,840
Speaker 1: weird because they had nothing to do with the episode.

803
00:46:01,040 --> 00:46:05,000
Speaker 1: No nothing, But I do love this ending number. Anything

804
00:46:05,040 --> 00:46:08,080
Speaker 1: could happen. It's one of my favorites.

805
00:46:08,600 --> 00:46:09,840
Speaker 2: I forgot about the balloons.

806
00:46:11,360 --> 00:46:14,480
Speaker 1: You're dancing and it is tremendous.

807
00:46:16,360 --> 00:46:18,480
Speaker 2: I don't know what Joe she was doing. I really

808
00:46:18,520 --> 00:46:19,439
Speaker 2: don't know what she was doing.

809
00:46:19,560 --> 00:46:21,600
Speaker 1: You were probably so hopped up on drugs.

810
00:46:22,160 --> 00:46:25,319
Speaker 2: Yes, that's right. It was one of those nights. It

811
00:46:25,360 --> 00:46:28,359
Speaker 2: was really late, and I remember Stamos coming on set.

812
00:46:28,480 --> 00:46:30,279
Speaker 2: Was he shooting in the next episode or was he

813
00:46:30,400 --> 00:46:33,600
Speaker 2: just there? He came backstage and he was hanging with

814
00:46:33,719 --> 00:46:41,040
Speaker 2: us backstage. Really, yes, I have a photo of us together. Literally,

815
00:46:41,200 --> 00:46:43,239
Speaker 2: I'm in the purple sweater with my hair looking like

816
00:46:43,280 --> 00:46:45,719
Speaker 2: I'm in a wedding and see in the next episode.

817
00:46:45,800 --> 00:46:51,640
Speaker 2: I don't think so. Maybe you're just coming hang with

818
00:46:51,719 --> 00:46:58,040
Speaker 2: us because he loved us so much. But anyway, I

819
00:46:58,080 --> 00:47:00,959
Speaker 2: do love this number. I'm sad Rebecca because Becca loves

820
00:47:00,960 --> 00:47:03,600
Speaker 2: Ellie Goulding and I remember texting her Maanic for you,

821
00:47:05,280 --> 00:47:08,560
Speaker 2: and she's like, are you joking? And she wasn't there.

822
00:47:11,160 --> 00:47:13,640
Speaker 2: I know, but it was a really fun. My dancing

823
00:47:13,760 --> 00:47:17,200
Speaker 2: was tremendous, it really was. I actually don't know. I

824
00:47:17,200 --> 00:47:18,239
Speaker 2: think I was possessed.

825
00:47:18,560 --> 00:47:21,920
Speaker 1: It was all vibes. It was Swaphans Galore.

826
00:47:22,239 --> 00:47:27,120
Speaker 2: You know, I think Melissa doing her thing is very inspiring.

827
00:47:27,920 --> 00:47:31,080
Speaker 2: You know, she used to do the puppet like Wiggily

828
00:47:31,120 --> 00:47:33,560
Speaker 2: thinks she's so goofy too, and I think we were

829
00:47:33,600 --> 00:47:35,800
Speaker 2: all in goofy mode at that point.

830
00:47:36,640 --> 00:47:41,600
Speaker 1: I I love that. Like what I keep seeing, you know,

831
00:47:41,640 --> 00:47:45,080
Speaker 1: what I was talking about with Nya and Diana, with

832
00:47:46,680 --> 00:47:50,840
Speaker 1: Chris and Lea, last episode with Melissa and you in

833
00:47:50,880 --> 00:47:54,440
Speaker 1: this number is all of that, or like everyone is

834
00:47:54,520 --> 00:47:57,759
Speaker 1: letting themselves go in like a really positive fun way

835
00:47:58,520 --> 00:48:02,200
Speaker 1: and it just is can take and so it like

836
00:48:02,239 --> 00:48:04,800
Speaker 1: gives permission to everybody else to like match the level

837
00:48:04,920 --> 00:48:07,719
Speaker 1: of all right, I'm gonna do this crazy thing too,

838
00:48:08,719 --> 00:48:11,560
Speaker 1: And it's just so much fun to watch. It is

839
00:48:11,640 --> 00:48:15,799
Speaker 1: kind of fun to watch. It's it's ridiculous. It's actually ridiculous.

840
00:48:17,040 --> 00:48:19,720
Speaker 2: I love it though. Yeah, it's freeing.

841
00:48:20,239 --> 00:48:23,960
Speaker 1: It also feels more real, Like the beginning of the

842
00:48:24,040 --> 00:48:26,280
Speaker 1: Lee started with Don't Stop Believing, and we could barely

843
00:48:26,440 --> 00:48:28,560
Speaker 1: do a five, six, seven eight walk in a straight line,

844
00:48:29,760 --> 00:48:38,640
Speaker 1: and we've obviously proven ourselves with Dashboard Paradise whatever, and

845
00:48:38,760 --> 00:48:41,920
Speaker 1: so it's nice to sort of have this oh no,

846
00:48:41,960 --> 00:48:43,759
Speaker 1: we're just taking it on stage and sing this thing

847
00:48:43,840 --> 00:48:44,480
Speaker 1: because we can.

848
00:48:45,120 --> 00:48:48,360
Speaker 2: Yeah, yeah, yeah, I feel that. Yeah, I hear that.

849
00:48:50,040 --> 00:48:53,400
Speaker 2: I appreciate that, which feels more real. Yeah, I agreed.

850
00:48:54,320 --> 00:48:58,040
Speaker 1: And then also like Shoe pulling out his phone randomly

851
00:48:58,040 --> 00:49:01,280
Speaker 1: as soon as the song starts.

852
00:49:01,640 --> 00:49:04,560
Speaker 2: I can't. It's very glee, but I can't.

853
00:49:05,080 --> 00:49:08,560
Speaker 1: Technology is weird and shows it's weird. It's hard to

854
00:49:08,800 --> 00:49:10,040
Speaker 1: like put technology.

855
00:49:10,239 --> 00:49:13,800
Speaker 2: Yeah, I don't like that. Yeah. Do you remember Brad Feulchrek.

856
00:49:14,160 --> 00:49:16,000
Speaker 2: He was the only director who could do it, and

857
00:49:16,040 --> 00:49:20,160
Speaker 2: we'd listen or like would have the guts to do it.

858
00:49:20,280 --> 00:49:24,439
Speaker 2: Was the phone box. We'd all be on our cell

859
00:49:24,440 --> 00:49:28,000
Speaker 2: phones in the choir room especially, and they'd call action

860
00:49:28,120 --> 00:49:30,160
Speaker 2: and then you'd see us like stuff them under our

861
00:49:30,239 --> 00:49:32,560
Speaker 2: legs or like in our pockets, and he'd be like,

862
00:49:32,560 --> 00:49:34,799
Speaker 2: I see that in the in the takes, like in

863
00:49:34,840 --> 00:49:37,439
Speaker 2: the dailies. So he would come around with that little

864
00:49:37,440 --> 00:49:39,640
Speaker 2: wooden box and make us put all of our phones

865
00:49:39,800 --> 00:49:43,160
Speaker 2: in the box before God. And it started around this time,

866
00:49:43,560 --> 00:49:46,560
Speaker 2: I remember, yeah, because it was getting bad. We were

867
00:49:46,560 --> 00:49:48,680
Speaker 2: all just like sitting on our phones until they called action.

868
00:49:49,000 --> 00:49:51,439
Speaker 2: After action, we'd put them away and at one point

869
00:49:51,800 --> 00:49:54,959
Speaker 2: was like, no, I'm not kidding, yeah, but like, yeah,

870
00:49:55,120 --> 00:49:58,000
Speaker 2: he walked around doing that and you're like, take my phone.

871
00:49:58,480 --> 00:50:02,040
Speaker 2: But to be fair, it was like school, like, yeah,

872
00:50:02,160 --> 00:50:04,600
Speaker 2: we shouldn't have our phones on set. Yeah, we're doing

873
00:50:04,600 --> 00:50:07,120
Speaker 2: our job and we're getting paid to do it. Show up.

874
00:50:07,600 --> 00:50:09,479
Speaker 2: But I'll never forget that about that dropped.

875
00:50:09,920 --> 00:50:11,759
Speaker 1: I remember I would try to get out of it

876
00:50:11,800 --> 00:50:13,440
Speaker 1: all the time because the front of my wheelchair had

877
00:50:13,440 --> 00:50:16,319
Speaker 1: this little pouch and a phone.

878
00:50:16,800 --> 00:50:19,480
Speaker 2: Perfect, yes, And so I would just I would put

879
00:50:19,480 --> 00:50:21,760
Speaker 2: my phone in your backpack so i'd sit behind you. Yeah.

880
00:50:22,200 --> 00:50:24,200
Speaker 1: I was also like, I'm not ever having to get up,

881
00:50:24,239 --> 00:50:26,880
Speaker 1: so you're never going to see my phone, right like

882
00:50:26,920 --> 00:50:29,120
Speaker 1: I had, I'd put it under my leg sometimes, I know.

883
00:50:29,000 --> 00:50:31,040
Speaker 2: But you'd see like chord, who would we do it?

884
00:50:31,080 --> 00:50:33,600
Speaker 2: Like they call action and then they'd be like put

885
00:50:33,640 --> 00:50:36,000
Speaker 2: it under my phone and you're like if you saw that,

886
00:50:36,480 --> 00:50:49,000
Speaker 2: you know, Okay, let's rate some songs. Okay, great, you

887
00:50:49,120 --> 00:50:52,520
Speaker 2: only need to get by A plus A plus plus.

888
00:50:52,600 --> 00:50:55,760
Speaker 2: I also for chords dancing, Oh, a plus A plus

889
00:50:56,040 --> 00:50:59,480
Speaker 2: chords dancing, and that also gets an A plus. Tremendous

890
00:51:01,640 --> 00:51:04,600
Speaker 2: Getting married today a plus plus A plus. All the pluses,

891
00:51:04,719 --> 00:51:10,840
Speaker 2: all infinity just can't get enough A minus, A yeah,

892
00:51:10,880 --> 00:51:14,720
Speaker 2: I give it a solid day. Yeah, we've got tonight,

893
00:51:16,560 --> 00:51:25,799
Speaker 2: A B plus. Okay, anything can happen, A great, it's

894
00:51:25,840 --> 00:51:27,920
Speaker 2: a solid that's it's like fine.

895
00:51:28,440 --> 00:51:31,160
Speaker 1: I think that the song, but the average I think

896
00:51:31,160 --> 00:51:33,919
Speaker 1: the music has been really good. Agreed, but I think

897
00:51:34,000 --> 00:51:37,200
Speaker 1: and it's been really good with the stories more importantly,

898
00:51:37,360 --> 00:51:39,440
Speaker 1: because how many episodes ago. Let's recall where there are

899
00:51:39,440 --> 00:51:42,560
Speaker 1: a couple of numbers, We're like, this doesn't really like

900
00:51:42,800 --> 00:51:45,520
Speaker 1: which came first, the number or the yeah, and this

901
00:51:45,920 --> 00:51:48,800
Speaker 1: is all working, even if the song came first whatever,

902
00:51:48,960 --> 00:51:52,680
Speaker 1: Like plot is just for getting married today. I'm all in,

903
00:51:53,000 --> 00:51:54,319
Speaker 1: totally worked. I don't care.

904
00:51:55,880 --> 00:52:06,120
Speaker 2: Okay, let's do some tardy day cringe moments. The Asian

905
00:52:07,160 --> 00:52:08,880
Speaker 2: yes and.

906
00:52:08,920 --> 00:52:11,640
Speaker 1: Then telling a student that her niece has big boops

907
00:52:11,640 --> 00:52:14,640
Speaker 1: felt a little out of character for her totally. I

908
00:52:14,640 --> 00:52:16,439
Speaker 1: don't know, it's not a character. I just think it's

909
00:52:17,200 --> 00:52:21,600
Speaker 1: not quite quosher. She's been spending too much time around

910
00:52:21,600 --> 00:52:23,000
Speaker 1: shoe a little too.

911
00:52:24,200 --> 00:52:33,640
Speaker 2: Yeah, exactly, best dance move paraty legendary dance.

912
00:52:34,200 --> 00:52:38,200
Speaker 1: Oh god, that was so I felt so uncomfortable watching

913
00:52:38,239 --> 00:52:40,840
Speaker 1: that because I remember doing it. This is awkward.

914
00:52:44,360 --> 00:52:45,520
Speaker 2: I mean You're all I need to get by you.

915
00:52:45,600 --> 00:52:46,600
Speaker 2: Guys were really giving it.

916
00:52:47,040 --> 00:52:49,719
Speaker 1: I think, yes, somewhere, you're all I need to get

917
00:52:49,719 --> 00:52:50,720
Speaker 1: by it. There's some magic.

918
00:52:50,960 --> 00:52:56,800
Speaker 2: Okay, best song getting married getting married today, for sure,

919
00:52:58,120 --> 00:53:02,640
Speaker 2: the best performance by a prop. There were a lot,

920
00:53:03,000 --> 00:53:03,560
Speaker 2: the fake.

921
00:53:03,360 --> 00:53:08,160
Speaker 1: IDs one thousand person.

922
00:53:11,400 --> 00:53:16,520
Speaker 2: Best mine. There's a few. There's there's a few. Yeah.

923
00:53:18,360 --> 00:53:21,120
Speaker 2: First of all, I feel like I have to give

924
00:53:21,160 --> 00:53:27,120
Speaker 2: Tina an honoring call out for hag at the Christie.

925
00:53:27,200 --> 00:53:29,239
Speaker 2: Mystery solved, hag at the Christie. I'm going to be

926
00:53:29,280 --> 00:53:31,040
Speaker 2: a third wheel for the rest of my life. I

927
00:53:31,080 --> 00:53:40,760
Speaker 2: forgot that. She said that. Additionally, Sue talking about Emma

928
00:53:40,760 --> 00:53:44,000
Speaker 2: about being a weird bird lady with a hollow pelvis

929
00:53:44,040 --> 00:53:47,919
Speaker 2: an OCD and will she'ster being a weepy man child

930
00:53:48,000 --> 00:53:50,520
Speaker 2: whose greatest joy in life is singing with children, and

931
00:53:50,560 --> 00:53:53,839
Speaker 2: who's best friend is nineteen. It's like, call it out,

932
00:53:54,160 --> 00:53:54,600
Speaker 2: yell it.

933
00:53:54,840 --> 00:53:57,480
Speaker 1: I was like this whole, that whole like little monologue.

934
00:53:57,480 --> 00:53:59,440
Speaker 1: I was like, you better talk about this.

935
00:53:59,440 --> 00:54:04,319
Speaker 2: Show very funny.

936
00:54:04,360 --> 00:54:07,000
Speaker 1: I mean, Sue's line was just I think you're right,

937
00:54:07,040 --> 00:54:12,399
Speaker 1: Hagia Christie is an A plus plus gay joke, and

938
00:54:12,480 --> 00:54:16,640
Speaker 1: Sue's hole like Ian commentary on the show. You know

939
00:54:16,680 --> 00:54:23,799
Speaker 1: we're suckers for that MMM performance, MVP Jama Jama, like

940
00:54:24,000 --> 00:54:25,480
Speaker 1: you're just j going to beat it.

941
00:54:26,320 --> 00:54:26,880
Speaker 2: No, you're not.

942
00:54:29,000 --> 00:54:34,000
Speaker 1: Ship we found on TikTok we actually have two start

943
00:54:34,040 --> 00:54:37,800
Speaker 1: you off with a little warm up. Since Kamala Harris

944
00:54:38,120 --> 00:54:44,440
Speaker 1: is now the presumed nominee nominee for the Democratic Party

945
00:54:44,520 --> 00:54:47,880
Speaker 1: for president, this has been going around and it's the

946
00:54:47,920 --> 00:54:51,520
Speaker 1: picture of Mercedes and Kurt in front of Sue where

947
00:54:52,360 --> 00:54:55,160
Speaker 1: Kurt says Mercedes is black and I'm gay. We make culture.

948
00:54:55,239 --> 00:55:00,760
Speaker 1: And then the next picture is Pete Poodag and Kamala Harris.

949
00:55:01,080 --> 00:55:03,840
Speaker 2: A couple of people actually have set me photos of

950
00:55:03,920 --> 00:55:08,640
Speaker 2: Mercedes and Kurt and Kamala and Pete next to each

951
00:55:08,640 --> 00:55:11,719
Speaker 2: other recently. It's very good. It's very good.

952
00:55:11,960 --> 00:55:14,640
Speaker 1: It's very good in which I think Hobby dot MV

953
00:55:16,040 --> 00:55:22,440
Speaker 1: on TikTok posted it and it is so good. What

954
00:55:22,480 --> 00:55:24,759
Speaker 1: they should do is get them to show up for

955
00:55:24,840 --> 00:55:31,680
Speaker 1: the convention. Yes, okay, So this one is posted by

956
00:55:33,600 --> 00:55:35,920
Speaker 1: sorry not sorry but spelled s O U r I

957
00:55:37,480 --> 00:55:41,360
Speaker 1: and it is a long video and it's an incredible video.

958
00:55:42,200 --> 00:55:44,279
Speaker 1: It says this is the sign, this is a sign

959
00:55:44,360 --> 00:55:47,239
Speaker 1: to host a Glee karaoke night with your friends and

960
00:55:47,600 --> 00:55:52,080
Speaker 1: they are dressed like the characters they reenact some of

961
00:55:52,120 --> 00:55:56,840
Speaker 1: the most iconic scenes, like every character has a number.

962
00:55:57,280 --> 00:55:59,000
Speaker 1: It is unbelievable.

963
00:56:00,320 --> 00:56:02,920
Speaker 2: Are a plus plus?

964
00:56:03,520 --> 00:56:04,360
Speaker 1: Isn't it crazy?

965
00:56:04,520 --> 00:56:06,360
Speaker 2: This is a party.

966
00:56:07,040 --> 00:56:10,040
Speaker 1: Oh it's a full party. Because at first I was like,

967
00:56:10,080 --> 00:56:13,840
Speaker 1: I don't know, I've seen some Glee parties like, but

968
00:56:14,080 --> 00:56:18,879
Speaker 1: like it is everybody involved anyway, Shout out to this

969
00:56:18,920 --> 00:56:24,040
Speaker 1: whole group of friends, Lily, I hope sorry because it

970
00:56:24,120 --> 00:56:28,680
Speaker 1: is like I said about Jenna's dancing, it is tremendous.

971
00:56:30,400 --> 00:56:33,840
Speaker 2: I love that. I'm gonna use that from now on as.

972
00:56:34,760 --> 00:56:37,040
Speaker 1: Thank you to them for making that. Thank you Jess,

973
00:56:38,280 --> 00:56:43,359
Speaker 1: our producer Sam for like scouring TikTok for finding some

974
00:56:43,400 --> 00:56:47,279
Speaker 1: of these incredible, incredible videos. Thanks for being with us

975
00:56:47,280 --> 00:56:47,720
Speaker 1: this week.

976
00:56:48,000 --> 00:56:51,680
Speaker 2: Hope you watch I Do and come back for Girls

977
00:56:51,680 --> 00:56:54,080
Speaker 2: and Boys on Film and that's what you really.

978
00:56:53,920 --> 00:56:57,759
Speaker 1: Miss Thanks for listening and follow us on Instagram at

979
00:56:57,800 --> 00:57:00,080
Speaker 1: and that's what you really miss pod. Make sure to

980
00:57:00,080 --> 00:57:02,480
Speaker 1: write us a review and leave us five stars. See

981
00:57:02,480 --> 00:57:02,960
Speaker 1: you next time.