WEBVTT - Money Talks ("For Love or Money" S1 EP 4) 0:00:05.720 --> 0:00:09.760 Still the Place with Laura Layton, Courtney Thorn Smith and. 0:00:09.720 --> 0:00:14.440 Daphne's Aniga an iHeartRadio podcast. So we've had a fan 0:00:14.600 --> 0:00:17.840 question about shooting in front of the iconic exterior of 0:00:17.880 --> 0:00:22.079 Melrose Place. The exterior was actually I think in Los Felis. 0:00:22.560 --> 0:00:25.000 I never had a scene out there outside of that 0:00:25.440 --> 0:00:27.280 wherever it is in Los Felis. I know we had 0:00:27.320 --> 0:00:29.800 a piece of it on like the inside of the 0:00:29.840 --> 0:00:32.080 exterior we had on on the soundstage. 0:00:32.840 --> 0:00:36.040 Yeah, but we did shoot like the first in the pilot, 0:00:36.600 --> 0:00:39.240 Andrew and I had that scene where he's I'm getting 0:00:39.280 --> 0:00:40.760 out of my car and he's trying to talk to me. 0:00:40.800 --> 0:00:42.879 That was in front. It must have been most feelis 0:00:42.920 --> 0:00:46.920 we were driving how far we drove all the time, 0:00:47.080 --> 0:00:50.280 Like our locations were all over town. We had a 0:00:50.360 --> 0:00:54.000 location over an hour away in Oxnard, So I guess 0:00:54.080 --> 0:00:56.000 it was just you get the call sheet, you look 0:00:56.000 --> 0:00:58.120 it up on your Thomas Guide, remember the Thomas Guide 0:00:58.360 --> 0:01:01.120 pre gps. You have to try to figure out where 0:01:01.120 --> 0:01:02.800 you're going. And we went there, so I guess we did. 0:01:02.960 --> 0:01:04.560 And for the building, I think they just picked this 0:01:04.640 --> 0:01:07.400 great looking Spanish apartment complex and it just happened to 0:01:07.400 --> 0:01:09.800 be in Las Filas. So they shot establishing shots and 0:01:09.840 --> 0:01:11.920 then just used them over and over as stocks farded. 0:01:12.040 --> 0:01:13.200 So maybe someone walking. 0:01:13.319 --> 0:01:15.080 Yeah, when we're going to arrive at the court aired first, 0:01:15.120 --> 0:01:16.959 we're going to use this establishing shot that we shot 0:01:16.959 --> 0:01:18.800 a long time ago in front of the actual apartment, 0:01:18.800 --> 0:01:20.480 which is the Las Fela. So when you confuse people, 0:01:20.520 --> 0:01:22.960 I think, like down the line, when fans would come 0:01:23.040 --> 0:01:25.000 to Los Angeles and they'd be like, I want to 0:01:25.000 --> 0:01:27.720 see Melros place, they'd go, you know there, it's not 0:01:27.880 --> 0:01:30.960 actually it's a it's not Yeah, mel Re's place itself 0:01:31.040 --> 0:01:31.520 is not going to. 0:01:31.560 --> 0:01:34.720 Have never lived there and yeah never we've never shot 0:01:34.760 --> 0:01:35.600 there really, but. 0:01:35.560 --> 0:01:37.679 That establishing shot comes up in our episode that we're 0:01:37.680 --> 0:01:38.160 about to. 0:01:38.120 --> 0:01:41.280 Recapt Yeah, the title, Yeah, We're ready for Love Money, 0:01:41.280 --> 0:01:44.160 We're ready, season ready, Season one, episode four. 0:01:44.160 --> 0:01:47.760 We're only on episode four. We have a long ways to. 0:01:47.760 --> 0:01:49.960 Go, lad, Yes, we did thirty six years. 0:01:50.000 --> 0:01:52.240 We need to go like if okay, So this was July. 0:01:52.400 --> 0:01:55.360 This one aired July twenty ninth, nineteen ninety two, and 0:01:55.920 --> 0:01:59.120 I did look it up. There were Summer Olympics going 0:01:59.160 --> 0:02:02.040 on in nineteen ninety two, just. 0:02:01.960 --> 0:02:04.120 Like, oh no, that was summer. 0:02:04.640 --> 0:02:05.720 Yeah, I didn't know that. 0:02:06.840 --> 0:02:09.360 Do you want to know what what songs are popular? I? 0:02:09.440 --> 0:02:11.560 Do you do? My god? 0:02:12.160 --> 0:02:14.079 Well, I just have one for you and you may 0:02:14.240 --> 0:02:16.919 you may remember this that made ring a bell Sir, 0:02:16.960 --> 0:02:18.200 Mix a lot, Baby got back? 0:02:18.960 --> 0:02:19.639 Do you know that one? 0:02:19.840 --> 0:02:21.960 I can't believe it was that long ago. Wow, that 0:02:22.000 --> 0:02:23.239 feels more recent. 0:02:23.840 --> 0:02:25.200 Or maybe it's just like on a loop in your 0:02:25.240 --> 0:02:28.640 mind when I say the title, Wow, I like. 0:02:29.000 --> 0:02:32.200 I'm like looking at my notes, going, did she look that? Well? 0:02:32.639 --> 0:02:36.240 I just thought, you know, like, let's get looked it up, 0:02:36.440 --> 0:02:39.919 Let's get us let's back to that. 0:02:40.080 --> 0:02:42.840 Let's like I was thinking about, like thinking about the 0:02:42.840 --> 0:02:45.760 exterior night shoots. I was thinking, you know, it's so 0:02:45.760 --> 0:02:48.399 funny because back then, you know, none of us had kids, 0:02:48.440 --> 0:02:50.800 were all kids. I don't remember thinking about how late 0:02:50.840 --> 0:02:52.840 it was, like, you know, call time at ten o'clock 0:02:52.880 --> 0:02:55.720 in those feelers, okay, right, Like we didn't question it. 0:02:55.720 --> 0:02:57.239 We just sort of showed. I got my store mix 0:02:57.280 --> 0:02:57.919 a lot in my car. 0:02:58.280 --> 0:03:02.560 I'm just driving off cassette player, right Like, I don't. 0:03:02.360 --> 0:03:05.760 Remember questioning the schedule. You're just there from you know, 0:03:05.800 --> 0:03:08.280 six a m. Till midnight. You don't think twice about it. 0:03:08.320 --> 0:03:10.600 M hmm. Yeah, we just did well because it was 0:03:10.760 --> 0:03:13.680 ensemble and each of our scenes were separate, right like 0:03:13.760 --> 0:03:17.240 you might have a call from six am to whatever noon, 0:03:17.360 --> 0:03:20.160 and I would have one from three at three, and 0:03:20.240 --> 0:03:22.639 you would have one at you know, six at night. 0:03:22.680 --> 0:03:24.920 I mean there were just sometimes in the most arbitrary 0:03:25.639 --> 0:03:26.760 in the middle of the day. 0:03:26.919 --> 0:03:30.480 But also just the sheer number of hours. I just 0:03:30.560 --> 0:03:32.560 I just brought me back to think about that time. 0:03:32.639 --> 0:03:35.240 And Yow didn't even question it, like I didn't like 0:03:35.280 --> 0:03:37.000 now I would look at and how late am I working? 0:03:37.000 --> 0:03:39.080 What am I doing? It? Just show up there there's 0:03:39.160 --> 0:03:42.920 nothing paying youthful and youthful. And also remember so I 0:03:42.920 --> 0:03:44.960 know we're getting right into the episode, but we open 0:03:45.240 --> 0:03:50.680 on D and D advertising, which was spelling for the exterior. 0:03:50.240 --> 0:03:55.160 Of actual spelling productions. Yes, yeah, on Willshall Wiltshire Boulevard? 0:03:55.240 --> 0:03:57.400 Is that the Is it only me? I cannot say 0:03:58.240 --> 0:04:01.760 boulevard When I first said, I just say the whole 0:04:01.760 --> 0:04:04.640 thing will Boulevard. It's two times in house. 0:04:05.920 --> 0:04:08.600 Okay, now you dab you no, But when you came here, 0:04:09.000 --> 0:04:11.400 when you came here from the Midwest, did you first 0:04:11.400 --> 0:04:14.440 pronounce it will Shire? No, I didn't, but I didn't 0:04:14.480 --> 0:04:14.680 put it. 0:04:15.280 --> 0:04:18.599 I will say there's something wrong with it because also 0:04:18.680 --> 0:04:21.240 when we started doing like the promos and we'd have 0:04:21.320 --> 0:04:23.680 to go, hi, it's Laure Lane from Melrose Place, I'd 0:04:23.680 --> 0:04:26.400 be hi, it's Laure Lane from Moo's place, like what, 0:04:28.440 --> 0:04:32.800 I couldn't get it out. So Wilshire Boulevard, maybe you 0:04:32.880 --> 0:04:34.839 just shouldn't say I just need to announciate. 0:04:35.160 --> 0:04:36.480 Just stay around it gay the street. 0:04:37.400 --> 0:04:39.920 You know that sounds like right down right down the 0:04:40.000 --> 0:04:41.479 center of Beverly Hills. 0:04:41.520 --> 0:04:41.799 Okay. 0:04:42.240 --> 0:04:45.000 So this episode for Lover Money Season one, episode four 0:04:45.160 --> 0:04:48.039 aired July twenty nine, nineteen ninety two, and we open 0:04:48.240 --> 0:04:50.800 on Jake working on his motorcycle in the courtyard and 0:04:51.040 --> 0:04:53.960 Jane and Michael are returning from their run. How about 0:04:54.000 --> 0:04:55.599 that they're just like running along the streets of. 0:04:56.800 --> 0:04:59.440 Melrose and U. 0:05:00.040 --> 0:05:03.400 Michael immediately notices that Jake's motorcycle is dripping oil in 0:05:03.480 --> 0:05:05.280 the courtyard and he warns him that he's going to 0:05:05.320 --> 0:05:07.000 need to move that and oh, by the way, drop 0:05:07.040 --> 0:05:09.640 off your rent check, which is where when we find 0:05:09.640 --> 0:05:11.279 out that Jake is having trouble. 0:05:11.040 --> 0:05:14.720 Finding jobs, and Jake is do how immediately he was 0:05:14.800 --> 0:05:17.080 defensive and angry, like I'm like, wow, you're just out 0:05:17.120 --> 0:05:17.520 of the gate. 0:05:17.839 --> 0:05:23.599 Bad ye madam yep, already already angry, And Michael said 0:05:23.600 --> 0:05:26.880 exactly what I was thinking. He's like, dude's oil all 0:05:26.920 --> 0:05:27.760 over the pool. 0:05:27.920 --> 0:05:30.040 Yeah, and just like okay, okay, just maybe you know 0:05:30.279 --> 0:05:31.520 what this is where people make out. 0:05:31.560 --> 0:05:33.080 What are you doing fixing your motorcycles? 0:05:33.800 --> 0:05:37.720 This is the makeup you're going yard, dummy. Well, he 0:05:37.839 --> 0:05:40.440 just broke up with the sixteen year old, so he's like, 0:05:40.560 --> 0:05:42.279 I don't he's doing it on purpose. 0:05:42.520 --> 0:05:44.280 But that's where we learned that's Jake's going to need 0:05:44.320 --> 0:05:45.920 to go find a job. He's got to pay his rent. 0:05:46.040 --> 0:05:48.560 So that's establishing what we're going to do in this episode. 0:05:48.760 --> 0:05:53.240 So then going to D and D Advertising, Allison our 0:05:53.360 --> 0:05:57.880 little advertising I want to be exect. She's making all 0:05:57.880 --> 0:06:00.240 the right moves answering the phone, and she's congratually an 0:06:00.279 --> 0:06:02.520 executive on the phone on this on a stock split. 0:06:02.720 --> 0:06:05.159 She's like, I know what to say and I'm going 0:06:05.240 --> 0:06:05.919 to say it and. 0:06:05.960 --> 0:06:07.920 I'm going to get some ends with the higher ups. 0:06:08.040 --> 0:06:12.280 And Rick from the mail room notices her phone etiquette, 0:06:12.279 --> 0:06:14.480 compliments her on it, and also hands her a donut. 0:06:14.720 --> 0:06:15.680 Yes, very flirting. 0:06:15.800 --> 0:06:19.120 Zach Gallaghan who we remember like and yeah, I'm now 0:06:19.160 --> 0:06:20.960 a very recognizable. 0:06:20.320 --> 0:06:25.479 Fakemlin Yes fromtally like years before, like nineteen eighty four 0:06:25.720 --> 0:06:26.280 or something like. 0:06:26.520 --> 0:06:28.680 And he's had a long career and it was really 0:06:28.720 --> 0:06:29.600 fun to see him as. 0:06:29.520 --> 0:06:32.400 Your flirty, flirty co worker baby. 0:06:32.880 --> 0:06:34.960 It was a super cute and flirty scene. 0:06:35.160 --> 0:06:35.800 Adorable. 0:06:36.800 --> 0:06:38.800 So then we find that Jake's looking for a job 0:06:38.960 --> 0:06:41.040 at a coffee shop. Goes up to one of the 0:06:41.080 --> 0:06:44.440 staff and saying, hey, I can do this. I know machines, 0:06:44.520 --> 0:06:47.200 I can I can operate that espresso machine. But the 0:06:47.839 --> 0:06:50.520 guy assumes Jake is an actor writer or model, which 0:06:50.600 --> 0:06:54.000 is like a quintessential La reference. You know, a good 0:06:54.040 --> 0:06:57.200 looking guy, you must be you must be an actor model. 0:06:57.560 --> 0:07:00.000 Yes, And also it's annoying and you don't want to 0:07:00.160 --> 0:07:01.640 hire them because they're going to leave. If they have 0:07:01.640 --> 0:07:04.520 an audition, they'll just leave. The cappuccino overflowing. I mean 0:07:04.600 --> 0:07:07.600 they have like they come and go. So he's like no, 0:07:08.400 --> 0:07:10.640 He's like, oh no, gross, I make you know. 0:07:10.840 --> 0:07:12.760 He's like, no, I work on instruction. I'll be perfectly 0:07:12.840 --> 0:07:18.640 suited for this to operate. His fresh machine, but the 0:07:18.760 --> 0:07:22.280 coffee guy, he's also had a long career Simon Tuppleman. 0:07:22.520 --> 0:07:24.720 He was the kind of recognized them. Yeah, I thought 0:07:24.760 --> 0:07:25.200 he was great. 0:07:25.400 --> 0:07:27.880 Actually he was great. Yeah, he's done a lot of voiceover, 0:07:28.760 --> 0:07:30.880 big voiceover guy in gaming. 0:07:30.960 --> 0:07:32.239 I think he's funny. 0:07:32.520 --> 0:07:34.040 Yeah, I thought it was funny. 0:07:34.080 --> 0:07:36.120 He was very skeptical of Jake's ability to make a 0:07:36.160 --> 0:07:38.920 coffee and it gives him a shot. Anyway, we'll see 0:07:38.960 --> 0:07:41.680 how that turns out. And then back at the exterior 0:07:41.720 --> 0:07:45.560 of D and D again on what Bulvard on Wilshire Boulevard, 0:07:45.680 --> 0:07:51.000 Laura nicely said, very enunciated. That's where Alison is sitting 0:07:51.040 --> 0:07:53.679 outside at Lune with this new little UH co worker. 0:07:54.280 --> 0:07:57.880 Ris seems very promising, you know, at first. 0:07:58.000 --> 0:08:00.800 Yes, that's very cute, very flirty. 0:08:01.360 --> 0:08:03.080 Turns out he's the boss's son. 0:08:03.320 --> 0:08:06.400 Yep, he's the son of the client that they're trying 0:08:06.440 --> 0:08:08.960 to get this advertising campaign right for sun Ray sunscreen. 0:08:09.440 --> 0:08:11.960 And that's where we're also introduced to Lucy Cabot, who 0:08:12.160 --> 0:08:15.680 is Deborah Dare and she's one of the D and D. 0:08:15.840 --> 0:08:16.960 Is she your boss at D and D? 0:08:17.240 --> 0:08:20.560 Alison, she's a vice president at D and D who 0:08:20.640 --> 0:08:22.680 also had a long career in soap operas before she 0:08:22.720 --> 0:08:23.160 came to us. 0:08:23.360 --> 0:08:26.600 Didn't she actually have a soap opera at the same 0:08:26.640 --> 0:08:28.760 time as she was doing Melrose Like in later seasons? 0:08:28.840 --> 0:08:31.080 Didn't she overlap and both. 0:08:30.840 --> 0:08:32.959 Of these jobs simultaneously sounds so familiar. 0:08:33.160 --> 0:08:35.640 Crazy, she was a proan imagine she was great. 0:08:35.720 --> 0:08:36.680 I cannot imagine. 0:08:37.000 --> 0:08:39.960 Well, so she's she's the she's the boss that Allison 0:08:40.040 --> 0:08:42.720 is trying to she's trying to sort of grow into 0:08:42.760 --> 0:08:44.880 her shoes, and she looks up to her as a mentor, 0:08:44.960 --> 0:08:49.319 and and she's becoming friends with this coworker Rick. And 0:08:49.480 --> 0:08:54.599 then Rick asks Alison out to dinner and she's a 0:08:54.640 --> 0:08:57.320 little wary, like, I don't know, officer romances. Doesn't sound 0:08:57.360 --> 0:09:01.120 like risky business. Also a reference to a nineties movie. 0:09:04.040 --> 0:09:06.280 But then we here's the first time we see Alison 0:09:06.559 --> 0:09:08.600 in a vest. Did you guys notice her vest? 0:09:08.720 --> 0:09:10.880 I did? I wrote that down vest over a tea. 0:09:11.559 --> 0:09:13.520 It was kind of a bad vest. It wasn't a 0:09:13.600 --> 0:09:13.960 cute vest. 0:09:13.960 --> 0:09:15.719 It's a lot going on. There's a lot going on, 0:09:16.120 --> 0:09:18.000 but it was. It was definitely a sign of the time. 0:09:18.120 --> 0:09:21.439 But vests were big then, vests were very cho wore 0:09:21.559 --> 0:09:24.120 some best I wore vests, and well this is later, 0:09:24.240 --> 0:09:27.319 let's I know a few months later. But they're back now, 0:09:27.400 --> 0:09:29.960 aren't they? Yeahs coming back. 0:09:30.000 --> 0:09:32.160 But I didn't find that there were enough vests in 0:09:32.240 --> 0:09:35.120 this episode alone that I made kind of a vest count. 0:09:36.520 --> 0:09:36.760 Count. 0:09:37.080 --> 0:09:39.040 Yeah, we have a kiss counter shirtless count. This is 0:09:39.080 --> 0:09:40.240 actually a vest count. 0:09:40.600 --> 0:09:43.520 Episode, and this is the first vest I really liked 0:09:43.559 --> 0:09:47.160 the wardrobe in this in this episode for many reasons. Yeah, 0:09:47.600 --> 0:09:49.160 I don't know the vest we all noticed it. 0:09:50.040 --> 0:09:52.240 So then back at the coffee shop Jack Jake is 0:09:52.840 --> 0:09:55.520 foaming the milk he's learned how to operate that little 0:09:55.559 --> 0:09:58.080 steamer thing, and his boss Kurt is hovering giving him 0:09:58.080 --> 0:10:01.679 a hard time, and Jake is rolling his eyes, like 0:10:01.720 --> 0:10:03.920 why can't we just have like regular just coffee? Do 0:10:04.000 --> 0:10:07.439 we need the half cap cappuccino all the thing? But 0:10:07.640 --> 0:10:11.679 in walks uh a girl who looks an awful lot 0:10:11.840 --> 0:10:13.600 like Winona Writer in this moment. 0:10:13.720 --> 0:10:16.360 It's not Michelle Johnson. And she came back because I 0:10:16.520 --> 0:10:18.400 was surprised to see her because I had stuff with 0:10:18.480 --> 0:10:19.040 her later. 0:10:19.320 --> 0:10:23.400 As joke the character, Yeah, because she came back. 0:10:23.960 --> 0:10:28.360 She was like Jake's bad boy, his hou, his past. 0:10:28.720 --> 0:10:29.760 She was bad news. 0:10:30.400 --> 0:10:33.200 She's going to come back, but this is the first time. Yep, 0:10:33.840 --> 0:10:35.520 she's going to come back. And then they have that 0:10:35.679 --> 0:10:38.480 line another sort of noir reference. So the in last 0:10:38.520 --> 0:10:41.520 week's episode, we had like the whole noir opening for 0:10:41.600 --> 0:10:43.599 episode three, and then there's there's this line when she 0:10:43.760 --> 0:10:46.720 walks in and she's like all the cappuccino joins in l. 0:10:46.760 --> 0:10:47.480 A you had to walk in. 0:10:47.679 --> 0:10:50.000 I noticed a line. I noticed the line she said, 0:10:50.200 --> 0:10:52.199 did you get this one? I love the way you 0:10:52.280 --> 0:10:53.160 bury that nozzle? 0:10:54.800 --> 0:11:01.240 Super awkward, but it started, it started with a casablancaes 0:11:01.280 --> 0:11:03.160 for reference, and then we then we seek right. 0:11:03.120 --> 0:11:06.640 Down, let's her mind is where we really are? And 0:11:06.760 --> 0:11:10.120 then I do remember though she Michelle had a she 0:11:10.880 --> 0:11:14.520 was discovered and put in Do you remember that movie eighties? 0:11:14.640 --> 0:11:16.560 I think it was a eighties movie. Blame it on Rio, 0:11:16.720 --> 0:11:19.360 Blame on Rio. She was like the girl to me. 0:11:19.480 --> 0:11:21.160 Moore was in that too, Michael Caine. 0:11:21.200 --> 0:11:23.319 It was a huge movie and she was the teenager 0:11:23.520 --> 0:11:27.640 with Michael Caine, fresh new thing who and then she 0:11:27.760 --> 0:11:33.280 again also a super well yep, not making that movie today, No, no, 0:11:33.400 --> 0:11:36.079 thank you. But yeah. So so Jake is feeling a 0:11:36.120 --> 0:11:39.160 little defensive of his job and no, I'm you know, 0:11:39.280 --> 0:11:41.439 and she says, wait, I might have an opportunity that 0:11:41.640 --> 0:11:43.840 you would be interested in to make a lot more money. 0:11:43.840 --> 0:11:46.000 He's like, no, I'm I'm good here, I'm just I'm 0:11:46.040 --> 0:11:50.520 just gonna he made this coffee for whatever. But he 0:11:50.559 --> 0:11:54.079 does learn that Perry is an art dealer in this scene, 0:11:54.200 --> 0:11:57.160 so we'll see where that goes. Back at the apartment building, 0:11:57.240 --> 0:12:00.360 Rnda and Matt are at the mailboxes, So makes his 0:12:00.440 --> 0:12:04.440 first appearance and Ronda is complaining about her bills. Matt 0:12:04.520 --> 0:12:06.960 is upset because they're cutting funding from the Halfway House 0:12:07.040 --> 0:12:12.400 where he is volunteering, and Ronda offers to help out. 0:12:12.559 --> 0:12:16.679 He's going to be making meals for kids teens, and 0:12:17.400 --> 0:12:20.360 she offers to help out. And Sandy walks by with 0:12:20.400 --> 0:12:23.839 address for Alison's date. So a lot is happening in 0:12:23.880 --> 0:12:26.000 the courtyard all at the same time, and Ronda media 0:12:26.080 --> 0:12:27.079 is like squirrel. 0:12:29.200 --> 0:12:30.640 Shy object for a second. 0:12:30.679 --> 0:12:32.640 I'm talking to Matt dress. 0:12:33.200 --> 0:12:35.000 I'm all going to help you. I'm totally dedicated. You 0:12:35.000 --> 0:12:38.600 can trust me. Oh what's up? Yeah that was Rhonda? 0:12:38.720 --> 0:12:39.160 Do you know what? 0:12:39.360 --> 0:12:41.360 Matt volunteers at the halfway House where he works at 0:12:41.360 --> 0:12:43.000 the Halfway House. I am not even sure worked at 0:12:43.040 --> 0:12:43.720 the halfway House. 0:12:44.320 --> 0:12:49.760 He must, you must have some He's definitely a do gooder. 0:12:50.000 --> 0:12:52.320 That must be his actual job, not just volunteering. 0:12:52.360 --> 0:12:53.480 But I think that is his job. 0:12:53.600 --> 0:12:56.480 Yeah, but that's how that's where we sort of learned 0:12:56.480 --> 0:12:59.320 the first thing about Matt besides him just being everybody's 0:12:59.400 --> 0:12:59.880 nice neighbor. 0:13:00.520 --> 0:13:01.240 Here's what he does. 0:13:01.360 --> 0:13:05.160 He's the do gooder and he is a good guy, 0:13:05.640 --> 0:13:08.880 and he did I think when Rhonda had that squirrel moment, 0:13:09.080 --> 0:13:11.640 he sort of like was like kind of his out 0:13:11.720 --> 0:13:12.280 on that scene. 0:13:12.400 --> 0:13:15.280 Was Matt going like what the heck was that? You know? 0:13:15.920 --> 0:13:18.000 And Doug's watching the episode with me and he's like, 0:13:18.200 --> 0:13:20.480 I remember there were a lot of scenes where I 0:13:20.600 --> 0:13:24.960 sort of like finished on a like what just happened? 0:13:25.960 --> 0:13:28.160 Yeah, Well, because the dress was called the come and 0:13:28.200 --> 0:13:30.960 Get Me Dressed? Yeah yeah, and so Sandy's like, I'm 0:13:31.000 --> 0:13:33.559 loaning my come get me dressed to Jane, and Ron 0:13:33.720 --> 0:13:35.480 is like, that's my come get me dressed. 0:13:36.040 --> 0:13:38.120 Yeah. It was a lot, so he he got to 0:13:38.200 --> 0:13:41.040 have a justified eye roll or a head shaking out. 0:13:43.360 --> 0:13:46.640 And then back in Allison's bedroom, she is trying on 0:13:46.720 --> 0:13:48.720 the dress, thanking Sandy for the dress, wondering if it's 0:13:48.760 --> 0:13:51.480 really right for her for her date with Rick. When 0:13:51.559 --> 0:13:56.319 Billy walks in shirtless, right, was that the first shirtless 0:13:56.559 --> 0:13:56.760 I did. 0:13:56.840 --> 0:13:58.480 I did write down a shirtless for that, and I 0:13:58.559 --> 0:14:02.160 was like, well, why just because we need to there's 0:14:02.200 --> 0:14:04.160 several people in the house, I'm going to walk out 0:14:04.240 --> 0:14:06.480 without my shirt, Like, yeah, for a long it's a 0:14:06.559 --> 0:14:09.559 long scene to be shirtless. That's before they started putting 0:14:09.559 --> 0:14:11.679 the kibosh on the shirtless and like, all right. 0:14:11.679 --> 0:14:12.120 Sure, yeah. 0:14:12.120 --> 0:14:13.719 Andrew's like, all right, that's what they tell me. We're 0:14:13.760 --> 0:14:17.120 all just two hours and shirtless for no apparent reason 0:14:17.240 --> 0:14:19.080 except I know I'm gonna be answering to the door 0:14:19.240 --> 0:14:20.240 and it's gonna be another guy. 0:14:20.360 --> 0:14:22.840 It made sense later then I was like, oh, that's why. 0:14:23.040 --> 0:14:25.360 But for most of the scene, I'm like, I mean, 0:14:25.400 --> 0:14:28.160 it's nice, but why he just hanging around shirtless? 0:14:28.280 --> 0:14:30.240 I just thought it was funny to see like all 0:14:30.600 --> 0:14:35.120 four of you in this tiny little room, and like, 0:14:35.440 --> 0:14:39.080 it just felt so funny to me. Awkward. You usually 0:14:39.160 --> 0:14:40.840 see like two people in a scene and you know 0:14:40.920 --> 0:14:43.680 it's in the courtyard and you're someone's leaving and someone's 0:14:43.680 --> 0:14:45.720 going and then they all come in here, and can 0:14:45.760 --> 0:14:47.200 I just tell you what I thought was really weird? 0:14:47.240 --> 0:14:51.040 And I want you to answer it. The doll, the 0:14:51.560 --> 0:14:56.520 shelf of dolls in your bedroom? Did you notice the 0:14:56.680 --> 0:15:02.040 shelf crammed with dolls? Floor to see dolls? Forget the 0:15:02.120 --> 0:15:04.120 teddy Bear on the bed. I'm just saying, like, what 0:15:04.240 --> 0:15:05.960 were they saying? Do you remember this at all? 0:15:06.040 --> 0:15:13.800 Those were my dolls? Thinking about this like no, no, no, 0:15:14.240 --> 0:15:17.080 because I think Billy makes a joke about it at 0:15:17.160 --> 0:15:20.840 some point. It was like one of those strong character 0:15:21.040 --> 0:15:23.680 choices that just was never really dressed. 0:15:24.320 --> 0:15:26.320 But because it's a big like you didn't make the 0:15:26.440 --> 0:15:28.400 character choice, so we're assuming, like set. 0:15:28.680 --> 0:15:33.720 I did make a choice. Was it was written in 0:15:33.920 --> 0:15:36.160 It was like that I had. It was kind of Allison's, 0:15:36.720 --> 0:15:39.280 you know, her control her organization, like I have the 0:15:39.360 --> 0:15:41.520 shelf of dolls, Everything has my label on it. It 0:15:41.640 --> 0:15:44.040 was part of that initial character. 0:15:44.480 --> 0:15:47.760 I was really wondering choices because there's so many ways 0:15:47.840 --> 0:15:50.120 to show that, and I just thought, what are these dolls? 0:15:51.040 --> 0:15:52.880 It'll be interesting we should pay attention to when they 0:15:53.000 --> 0:15:56.880 just disappear. I'd I don't never really day it just 0:15:56.920 --> 0:15:58.760 sort of somebody came in and the night and just 0:15:58.920 --> 0:16:00.160 removed men. 0:16:00.280 --> 0:16:01.800 Address these. Let's get rid of this. 0:16:01.960 --> 0:16:03.520 I mean, there's so many dolls. You need to have 0:16:03.560 --> 0:16:05.840 a story about them or something we're not going to. 0:16:05.880 --> 0:16:07.880 Tell you about. This is where they should go. 0:16:08.120 --> 0:16:09.080 Nobody mentioned the dolls. 0:16:09.160 --> 0:16:11.160 I want to be honest, I didn't notice them, So 0:16:11.440 --> 0:16:12.600 now I'm going to start looking for it. 0:16:12.760 --> 0:16:14.000 You didn't, I didn't. 0:16:14.080 --> 0:16:15.320 I didn't notice them either. 0:16:15.480 --> 0:16:18.760 I didn't know well, but imber so if they're still there, 0:16:18.880 --> 0:16:19.400 I'm going. 0:16:19.320 --> 0:16:21.640 To be looking. I mean, because there's a small room 0:16:21.680 --> 0:16:23.400 and the reason I think I noticed and that there 0:16:23.400 --> 0:16:25.440 are four of you in there and you can't really move, 0:16:25.800 --> 0:16:28.400 so they're just there behind you. And I'm like, what 0:16:28.680 --> 0:16:31.000 is with these fifty dollars she has? 0:16:33.920 --> 0:16:34.840 It gives us something to look for. 0:16:35.120 --> 0:16:35.920 That so funny. 0:16:36.080 --> 0:16:39.920 Definitely will they or will they not be? The will disappear? 0:16:40.120 --> 0:16:41.200 So and uh. 0:16:41.360 --> 0:16:43.240 Anyway, so she's getting ready for this date, trying to 0:16:43.320 --> 0:16:45.240 decide if the dress is too much, and Billy is 0:16:45.280 --> 0:16:48.600 giving her advice, saying, just keep it to business, just 0:16:48.640 --> 0:16:51.200 stick to business, just talk about business, and then he 0:16:51.400 --> 0:16:53.000 of course has to go answer the door when Rick 0:16:53.760 --> 0:16:57.480 is knocking, and he answers shirtless in a towel, not 0:16:57.600 --> 0:16:59.680 only as you shure, he's just wearing the towel, which 0:17:00.080 --> 0:17:03.320 you know has a full conversation doing that, which exactly is. 0:17:03.320 --> 0:17:05.600 In a full on suit like he's going to a mixture. 0:17:06.560 --> 0:17:06.959 But he did. 0:17:07.240 --> 0:17:10.040 He did have like the eyeball, like the shot where 0:17:10.080 --> 0:17:14.520 he had to like thing didn't tell that about yes, yeah, 0:17:15.760 --> 0:17:18.840 what do I know? We watched his eyes go yees, yeah, 0:17:18.960 --> 0:17:20.520 got it, he noticed. 0:17:21.720 --> 0:17:27.200 But Billy just listened to his tie right then or something, 0:17:28.760 --> 0:17:30.320 just to confuse us. Where is this going? 0:17:30.840 --> 0:17:33.920 But yeah, so Billy uh says No, I'm just the 0:17:34.000 --> 0:17:39.159 roommate and just have Alison back by one thirty at 0:17:39.200 --> 0:17:43.080 the latest, which is yeah, that's a very late bedtime 0:17:43.119 --> 0:17:43.800 for a working girl. 0:17:44.720 --> 0:17:47.960 It's so late girl. I said, how about nine fifteen. Yeah, 0:17:49.960 --> 0:17:51.960 I'm going on my pajamas by nine thirty. 0:17:52.680 --> 0:17:55.200 By ten, yeah, please give me back a way earlier 0:17:55.240 --> 0:17:55.440 than that. 0:17:55.560 --> 0:17:55.760 Rick. 0:17:56.200 --> 0:17:57.760 But there they go. They go out on their date. 0:17:57.800 --> 0:17:59.840 It's a very romantic restaurant with white tip cloth and 0:18:00.400 --> 0:18:01.560 and they're getting to know each other. 0:18:01.760 --> 0:18:04.160 It felt weird to see us out on a date 0:18:04.280 --> 0:18:06.160 like in a restaurant I think grown up. That feels 0:18:06.240 --> 0:18:07.840 very grown up. It did. I thought, oh, that looks 0:18:08.000 --> 0:18:10.680 very grown up to me. Yeah, which, of course we 0:18:10.720 --> 0:18:12.480