WEBVTT - Phil Rosenthal

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<v Speaker 1>When my Christmas wish didn't happen. I know what you're wondering, Wells,

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<v Speaker 1>what is your Christmas wish? I was hoping that was

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<v Speaker 1>all a bad dream and then we were going to

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<v Speaker 1>get transported back to March thirteenth. This all wouldn't have

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<v Speaker 1>happened happen. I mean, Santa, come on, you had one job.

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<v Speaker 1>I didn't need the cutting board that I got from you.

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<v Speaker 1>I appreciate the cutting board. That wrong, they're excited about it.

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<v Speaker 1>I kind of just wanted some time travel, Santa, and

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<v Speaker 1>it didn't happen. Okay, so I'm a little peeved, a

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<v Speaker 1>little annoyed. Dot tell you was getting some coal and

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<v Speaker 1>you're stocking. Is you there, Satan, Nicholas, Chris Kringle, I

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<v Speaker 1>mean names you got anyways, sort of think that maybe

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<v Speaker 1>you're not real whatever? Rolling This is a Wells cast

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<v Speaker 1>with Wells atoms and I heart radio. Podcast. That is true.

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<v Speaker 1>That is what it is. It is a podcast tosted

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<v Speaker 1>by your truly atoms. I'm so excited about today's show.

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<v Speaker 1>I think you guys will be as well. Everyone that

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<v Speaker 1>I talked to on this show has a job that

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<v Speaker 1>you probably with Shad. Let's be fair. Everyone's either a

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<v Speaker 1>famous musician or famous actor, or a model, or a

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<v Speaker 1>famous chef or famous athlete. And I imagine a lot

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<v Speaker 1>of people that listen to the show I think themselves. Man,

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<v Speaker 1>I would love to be them, And I agree with you.

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<v Speaker 1>Here's the thing, of all the people that I've had

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<v Speaker 1>on this show, I think that this guy is the

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<v Speaker 1>guy whose job I want the most. No joke. His

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<v Speaker 1>story is crazy and extremely diverse. His resume is packed

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<v Speaker 1>to the brim of everything Hollywood. He's a New York

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<v Speaker 1>boy who had the hofstra. He wanted to be an actor.

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<v Speaker 1>He hustled New York and eventually he found his little

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<v Speaker 1>niche in writing. He wrote on the show Coach Craig T. Nelson.

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<v Speaker 1>He wrote on a short lived show called baby Talk.

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<v Speaker 1>He acted in projects for Um Spanglish, the Simpsons movie,

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<v Speaker 1>Curb Your Enthusiasm, Dirty Rock, and much more. But the

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<v Speaker 1>thing that kind of propelled him into big time Hollywood

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<v Speaker 1>he was the writer. He was the creator, the brain

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<v Speaker 1>child behind the show. Everybody looked Frank, it's probably way

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<v Speaker 1>I still one of the best. He's done it all well,

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<v Speaker 1>I guess, except for starring in his own show, which

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<v Speaker 1>he does now our guests today gets to travel around

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<v Speaker 1>the world and eat amazing food. It is the job

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<v Speaker 1>that everyone in the world wants. Everyone on their deathbed.

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<v Speaker 1>When you asked them most one thing you wish you did,

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<v Speaker 1>they will inevitably say, I wish I traveled more, I

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<v Speaker 1>wish I experienced more things. And literally, Netflix is paying

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<v Speaker 1>this guy to live all of our dreams. The star

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<v Speaker 1>of the Hitch Show on Netflix, Somebody Feed Phil, is

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<v Speaker 1>our guest today on The Wells Cast. I'm telling you, guys,

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<v Speaker 1>he's one of the nicest, sweetest and funniest dudes you

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<v Speaker 1>will ever meet. This is an episode I promise you

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<v Speaker 1>are not going to want to miss. All Right, back

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<v Speaker 1>on the Wells Cast, very excited to have a man

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<v Speaker 1>who literally has done everything but now gets to do

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<v Speaker 1>the greatest thing. Phil Rosenthal of Somebody Feed Phil, Yes, exactly,

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<v Speaker 1>said nobody ever. Oh no, it's gonna be happening a

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<v Speaker 1>lot more. You're gonna see after this thing takes off. Wait,

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<v Speaker 1>just you wait. You know, I come from the reality

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<v Speaker 1>TV world, and I've pitched shows left and right, and

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<v Speaker 1>I think that after Bourdain passed, everybody wanted that gig

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<v Speaker 1>and I feel like you're the one guy who got

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<v Speaker 1>the greatest reality TV gig ever with somebody feed Phil.

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<v Speaker 1>How did this come about? You're right, that is the

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<v Speaker 1>greatest gig ever. I was doing it while Bourdain was

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<v Speaker 1>with us, but I will say this, he was the

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<v Speaker 1>number one influence, right. I mean everyone who travels or eats,

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<v Speaker 1>not just on TV but in life owes a debt

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<v Speaker 1>to Mr Bourdaine. Here's how I sold the show, by

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<v Speaker 1>the way, with one line, I said, I'm exactly like

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<v Speaker 1>Anthony Bourdain if he was afraid of everything, and and

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<v Speaker 1>I've been wanting to do this show for a long time.

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<v Speaker 1>When I was doing Everybody Loves Raymond, we did an

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<v Speaker 1>episode where, uh, we went to Italy and ray did

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<v Speaker 1>not want to go. That was actually the impetus for

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<v Speaker 1>the episode was I asked him where he was going

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<v Speaker 1>to go on its vacation in between seasons the first year,

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<v Speaker 1>and he said, oh, I go to the Jersey or

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<v Speaker 1>And I said, well, that's nice. Have you ever been

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<v Speaker 1>in Europe? And he goes no, I said, why not?

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<v Speaker 1>He goes on, I'm not really interested in other cultures.

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<v Speaker 1>So that's when I thought we gotta do that show

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<v Speaker 1>where we go to Italy, his own culture that he's

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<v Speaker 1>not interested, and we send him over there with that

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<v Speaker 1>attitude of I'm not really interested, and we send him

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<v Speaker 1>back as me, someone excited about traveling and especially Italy.

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<v Speaker 1>I mean, come on. So I write the episode about

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<v Speaker 1>Ray the character getting awoke, okay, when he goes to Italy.

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<v Speaker 1>And what happened was that thing that I wrote for

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<v Speaker 1>the character where he gets it. I saw Ray Romano

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<v Speaker 1>get it when we were over there. He was like,

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<v Speaker 1>oh my god, Philip, you tried this gelato, It's unbelievable.

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<v Speaker 1>Have you tried the pizza? Oh my god, the pasta's crazy.

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<v Speaker 1>I'm like, yeah, that's why we go what I had

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<v Speaker 1>no idea. So now he's changed, and I thought, this

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<v Speaker 1>is amazing. I love doing this. I love turning. I

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<v Speaker 1>would dare say, that's why you do what you do.

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<v Speaker 1>You like turning people onto stuff you like, right, And

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<v Speaker 1>so that's that. That feeling got in really deep with me,

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<v Speaker 1>and I thought, wouldn't it be great to do this

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<v Speaker 1>for everybody? And so since then, and I'm talking about

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<v Speaker 1>twenty years ago, I had that experience with Ray, and

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<v Speaker 1>ever since then, I wanted to do this show Raymond

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<v Speaker 1>ended five years after that, and from that time it

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<v Speaker 1>took me ten years to get the show. So it

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<v Speaker 1>wasn't just like I can do whatever I want, Hey,

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<v Speaker 1>I'd like to do a food and travel show. No,

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<v Speaker 1>it took ten years of really trying to sell this

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<v Speaker 1>idea to people, because they don't just hand these out

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<v Speaker 1>shows like this, and I had to convince them. I

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<v Speaker 1>made little tapes, I made little you know, videos and stuff.

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<v Speaker 1>It took a long time. Is was it worth it? Yes?

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<v Speaker 1>Yes it was really. So did you go film essentially

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<v Speaker 1>a pilot episode to pitch two different networks? There were

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<v Speaker 1>things like I got asked by American Express once I

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<v Speaker 1>was putting it out there that I that I wanted

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<v Speaker 1>to do this. They said, well, we saw you in

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<v Speaker 1>this movie. I did a movie called Exporting Raymond where

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<v Speaker 1>I went to Russia and because they wanted me to

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<v Speaker 1>help them make Raymond over there, they wanted to make

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<v Speaker 1>Everybody Loves Kostia, and so that movie is a documentary

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<v Speaker 1>about me going over there and trying to help them

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<v Speaker 1>do a sitgun which they don't usually do. And so

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<v Speaker 1>that was that was my first time on camera. So

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<v Speaker 1>American Express when they heard I wanted to do something

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<v Speaker 1>in the food and travel space. They said, hey, do

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<v Speaker 1>do this thing for us, for our you know, platinum

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<v Speaker 1>card members or whatever. Go to London with a famous

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<v Speaker 1>chef and we'll film it for a week and we'll

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<v Speaker 1>have these snippets too, you know, we'll have this film

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<v Speaker 1>to show our card members and have a dinner around there.

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<v Speaker 1>Something something for rich people. But this was going to

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<v Speaker 1>be the pilot for a show that they were gonna sponsor. No,

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<v Speaker 1>they just wanted these clips for rich people. But what

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<v Speaker 1>I did was I made my own clips of that

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<v Speaker 1>and that was my kind of audition. That was my

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<v Speaker 1>kind of pilot, right, And I went all over town

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<v Speaker 1>trying to sell it. And it wasn't until PBS said,

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<v Speaker 1>we've been looking for a food and travel show with

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<v Speaker 1>humor for a long time. And I called my brother,

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<v Speaker 1>who's a producer for other TV shows and commercials. I said,

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<v Speaker 1>I got this, I got this job. He goes what

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<v Speaker 1>I said, PBS is gonna give me six episodes on

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<v Speaker 1>the air where I go around the world and try

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<v Speaker 1>to get you to travel by showing you the best

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<v Speaker 1>places to eat. And he said, really, they've given you

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<v Speaker 1>that show. I said, yeah, because what are. They're gonna

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<v Speaker 1>call the show the Lucky Bastard and I said, quit

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<v Speaker 1>your job, Richard and produced the show with me, and

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<v Speaker 1>we'll call our production company lucky Bastards. That's what it is.

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<v Speaker 1>That's what it is. And that show was called I'll

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<v Speaker 1>Have What Phills Having? I'll Have What Phils Having? You

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<v Speaker 1>can see that on iTunes now or Amazon Prime. And

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<v Speaker 1>then Netflix saw it and they said come to Netflix

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<v Speaker 1>and do uh do you have to change the title?

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<v Speaker 1>I said, all right, So I changed it to somebody Phil.

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<v Speaker 1>I got Lake Street Dive to do a new theme song,

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<v Speaker 1>which was nominated for a naming the theme song. Very

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<v Speaker 1>proud of that. I wrote down some lyrics and I

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<v Speaker 1>sent it to them. I knew the band, and they

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<v Speaker 1>expanded on the lyrics and change them a little bit

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<v Speaker 1>and made that tune, which is like the most danceable

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<v Speaker 1>theme song. It's so good. I'm so proud of it,

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<v Speaker 1>and I'm proud of them so great. It's probably the

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<v Speaker 1>show's success is the theme song. But when you look

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<v Speaker 1>at like some of the great shows of all time,

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<v Speaker 1>the theme song is definitely iconic. Seinfeld with the bass,

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<v Speaker 1>you know friends obviously, yeah, and I didn't know it's

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<v Speaker 1>Lake Street. I love those guys that that's amazing. I

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<v Speaker 1>would tell everybody if you if this is the first

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<v Speaker 1>time you're hearing that name, go on Spotify, go on iTunes,

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<v Speaker 1>and just download some of their records because that they

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<v Speaker 1>are fantastic. So you guys are in your fourth season

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<v Speaker 1>of Somebody Feed Phil. It did Hawaii, Rio de Janeiro,

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<v Speaker 1>San Francisco, Singapore, and the Mississippi Delta, which I love.

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<v Speaker 1>By the way, I'm from California, but I went to

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<v Speaker 1>school of Mississippi, so I used to go down to

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<v Speaker 1>the Delta a lot with some of my friends and

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<v Speaker 1>see where they grew up. I'm so glad. Did you

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<v Speaker 1>go to some of the places that that are in

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<v Speaker 1>the show? Not where you went, but I've been all around,

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<v Speaker 1>you know, in Greenwood and Rosedale and Cleveland, all those

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<v Speaker 1>like Mississippi Delta towns. You didn't go to Doze Eat place.

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<v Speaker 1>Funny you say that, because there's a Doze Eat place

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<v Speaker 1>where I went to college in Oxford, Mississippi. But it's

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<v Speaker 1>not I guess that's not the original one, which is

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<v Speaker 1>I didn't even know they were. There were multiple locations

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<v Speaker 1>or at least another one. I didn't even know that

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<v Speaker 1>until recently. When I was down there, I thought that

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<v Speaker 1>this wasn't one of kind. By the way it feels

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<v Speaker 1>one of a kind. I must that that is the

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<v Speaker 1>original and it is spectacular. It's one of the best

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<v Speaker 1>steakhouses in the world, don't you think. Oh yeah, for

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<v Speaker 1>this most recent season, did you have a favorite locale

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<v Speaker 1>that was one of them? Mississippi Delta. Because it was

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<v Speaker 1>such a surprise, I thought, listen, I'm a nice Jewish

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<v Speaker 1>boy from New York. I don't go to the Mississippi Delta.

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<v Speaker 1>It's like for me, it was like going into deliverance.

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<v Speaker 1>I didn't know how they would take to me, right,

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<v Speaker 1>I thought. I thought I was gonna just going to

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<v Speaker 1>be honest. What's presented on TV and the media, it's

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<v Speaker 1>like redneck centrol. Right. I didn't know where I was

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<v Speaker 1>going and how it would be treated. And you see

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<v Speaker 1>the show the sweetest, nicest, greatest people, so inviting, so warm.

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<v Speaker 1>Was that your experience when you went to school there?

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<v Speaker 1>Obviously there's some history that's kind of hard to get around.

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<v Speaker 1>For the most part, everyone was super nice, super hospitable.

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<v Speaker 1>I was from California. I was one of the first

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<v Speaker 1>people from California to go to Old miss They called

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<v Speaker 1>me a Yankee, and I was like, you guys are

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<v Speaker 1>very you have no idea what maps look like. I

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<v Speaker 1>am the I'm actually further from a Yankee than you are,

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<v Speaker 1>to be fair. But no, I loved it, and I

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<v Speaker 1>did love you know, the Delta. I have an emphasis

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<v Speaker 1>in blues anthropology, and so I would sit in the

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<v Speaker 1>mezzanine in our library and I would listen to old

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<v Speaker 1>blues records, records that don't even exist anymore. And then

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<v Speaker 1>we would go down to the Delta and and we'd

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<v Speaker 1>go to these juke joints and watch these old timers

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<v Speaker 1>play absolutely amazing blues music in these ramshackle, pre Civil

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<v Speaker 1>War era jew joints. If you had a chance to

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<v Speaker 1>go back, you should go to a place called Poe Monkeys.

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<v Speaker 1>It's in Marigold, Mississippi, and it's one of the coolest

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<v Speaker 1>pieces of Americana left in the world. You'd love it.

0:12:55.280 --> 0:12:57.320
<v Speaker 1>I'm glad that you have a good experience down there

0:12:57.559 --> 0:13:00.719
<v Speaker 1>as well. It was wonderful and I would surprised at

0:13:00.760 --> 0:13:03.800
<v Speaker 1>like the modernity of the food as well. Yes, you

0:13:03.840 --> 0:13:07.600
<v Speaker 1>have your greatest hits, your your fried chicken and ribs

0:13:07.640 --> 0:13:11.160
<v Speaker 1>and all that great soul food, and I had like

0:13:11.440 --> 0:13:15.440
<v Speaker 1>stuff like chicken fried lobster tail, which when it comes

0:13:15.480 --> 0:13:17.440
<v Speaker 1>to the table, you're like, really, people, do we have

0:13:17.480 --> 0:13:21.800
<v Speaker 1>to chicken fry everything? Yes, you know, can't. Can't we

0:13:21.880 --> 0:13:24.400
<v Speaker 1>just have a steam blobster. No. What I realized was

0:13:24.679 --> 0:13:26.960
<v Speaker 1>when you chicken fry that lobster tail as well, you

0:13:27.000 --> 0:13:29.960
<v Speaker 1>get that amazing seasoning that batter, but it steams the

0:13:30.080 --> 0:13:33.959
<v Speaker 1>lobster meat in the shell surrounded by the batter, so

0:13:34.040 --> 0:13:38.120
<v Speaker 1>you actually get the perfect steam on it. It's so

0:13:38.240 --> 0:13:41.480
<v Speaker 1>tender and so juicy and has the flavor from the batter.

0:13:42.400 --> 0:13:45.720
<v Speaker 1>That's one of the best lobsters. Like, right, how hands

0:13:45.760 --> 0:13:49.040
<v Speaker 1>on are you with the production of the show the

0:13:49.120 --> 0:13:52.040
<v Speaker 1>bits in between where you're going, are you able to

0:13:52.000 --> 0:13:53.679
<v Speaker 1>see like how listen, guys don't want to do that?

0:13:53.960 --> 0:13:56.240
<v Speaker 1>Or are you like that would be funny, let's do it. Well,

0:13:56.240 --> 0:13:59.480
<v Speaker 1>since it's my brother producing. If it was my brother

0:13:59.520 --> 0:14:01.719
<v Speaker 1>he before with me left and right. That's why I

0:14:01.760 --> 0:14:04.600
<v Speaker 1>asked the question, then you already have the answer because

0:14:04.640 --> 0:14:08.760
<v Speaker 1>that's exactly what happens. And he'll say, for instance, we're

0:14:08.760 --> 0:14:11.560
<v Speaker 1>in Vietnam, and they say, Okay, tomorrow, you're getting up

0:14:11.559 --> 0:14:14.000
<v Speaker 1>at four in the morning and we're gonna go to

0:14:15.040 --> 0:14:17.000
<v Speaker 1>this island in the middle of the river and in

0:14:17.040 --> 0:14:19.560
<v Speaker 1>the middle of the islands a swamp lake, and you're

0:14:19.560 --> 0:14:21.480
<v Speaker 1>gonna go in there and hip waiters and you're gonna

0:14:21.600 --> 0:14:24.760
<v Speaker 1>pick lotus roots with the family and and pick snails

0:14:24.760 --> 0:14:26.720
<v Speaker 1>out of the thing. I'm like, you lost me at

0:14:26.720 --> 0:14:31.600
<v Speaker 1>four a m I'm not doing that. Nobody needs to

0:14:31.640 --> 0:14:34.880
<v Speaker 1>see that. Oh, it's not fun for me, and and

0:14:34.920 --> 0:14:37.560
<v Speaker 1>it's not fun for the people watching because you're doing it.

0:14:37.760 --> 0:14:39.720
<v Speaker 1>I'm like, I'm not doing it. I don't want to

0:14:39.760 --> 0:14:42.080
<v Speaker 1>do it. I'm old, and I'm not going in some

0:14:42.200 --> 0:14:44.400
<v Speaker 1>lake that I don't know what's in there. Sure enough,

0:14:44.600 --> 0:14:46.120
<v Speaker 1>I did it, and it was one of the great

0:14:46.120 --> 0:14:49.400
<v Speaker 1>experiences of my life because it was first of all funny.

0:14:49.600 --> 0:14:53.120
<v Speaker 1>Second of all, the family, the family, the family. It's

0:14:53.120 --> 0:14:55.480
<v Speaker 1>always about the people you meet right in the experience.

0:14:55.640 --> 0:14:58.600
<v Speaker 1>And it was gorgeous because I was there, why before

0:14:58.720 --> 0:15:01.920
<v Speaker 1>before before sunru and I've got to see the sunrise

0:15:01.960 --> 0:15:05.200
<v Speaker 1>over this thing. And if you see that sequence, it's

0:15:05.440 --> 0:15:09.920
<v Speaker 1>kind of spectacular. And he was right. Don't tell him

0:15:10.200 --> 0:15:14.440
<v Speaker 1>that he was right, But the time he's right because

0:15:14.440 --> 0:15:16.720
<v Speaker 1>he knows me, and he knows it will be first

0:15:16.720 --> 0:15:20.080
<v Speaker 1>of all funny and second of all worth doing because

0:15:20.120 --> 0:15:22.840
<v Speaker 1>I'm stepping out of my comfort zone, which is all

0:15:22.880 --> 0:15:24.960
<v Speaker 1>I want people to do. You know, this show is

0:15:25.000 --> 0:15:27.960
<v Speaker 1>for people who don't travel. Not two thirds of us

0:15:28.000 --> 0:15:30.440
<v Speaker 1>don't have a passport in America. So if I'm trying

0:15:30.440 --> 0:15:33.080
<v Speaker 1>to get you to travel, I'm starting with what I

0:15:33.080 --> 0:15:36.360
<v Speaker 1>think our Earth's greatest hits, the stuff that's going to

0:15:36.440 --> 0:15:39.480
<v Speaker 1>be accessible where a lot of people speak English there.

0:15:39.680 --> 0:15:41.480
<v Speaker 1>And there's gonna be a hotel. You don't have to

0:15:41.480 --> 0:15:44.560
<v Speaker 1>sleep in a tree, right, There's gonna be restaurants with

0:15:44.640 --> 0:15:48.880
<v Speaker 1>food that you recognize, right, and and yet once you're there,

0:15:49.160 --> 0:15:52.720
<v Speaker 1>you might be tempted to try something new. So that's why.

0:15:52.800 --> 0:15:55.920
<v Speaker 1>So if you see me going out of my comfort zone,

0:15:55.960 --> 0:15:58.160
<v Speaker 1>if you just see I think if people say, if

0:15:58.240 --> 0:16:01.240
<v Speaker 1>that Puts can go outside, make I can't too write

0:16:01.480 --> 0:16:03.720
<v Speaker 1>I love that man, and I do. I love to

0:16:03.760 --> 0:16:06.680
<v Speaker 1>travel as well, and I like to do weird and

0:16:06.760 --> 0:16:09.760
<v Speaker 1>eat weird stuff. I'm definitely like a when in Rome

0:16:09.920 --> 0:16:12.560
<v Speaker 1>type of guy. But I guess I have my limits.

0:16:12.720 --> 0:16:16.920
<v Speaker 1>I heard that you don't eat before you film. You

0:16:16.960 --> 0:16:18.840
<v Speaker 1>know how they make a dog fruit commercial. They don't

0:16:18.880 --> 0:16:20.840
<v Speaker 1>think the dog un told the commercial, so the dog

0:16:20.920 --> 0:16:24.280
<v Speaker 1>looks excited to eat. That makes practical sense, doesn't it.

0:16:24.480 --> 0:16:27.520
<v Speaker 1>If I went to Vietnam and they said, here's this

0:16:27.560 --> 0:16:30.400
<v Speaker 1>guy makes this dish. He's been doing it for sixty years,

0:16:30.560 --> 0:16:32.880
<v Speaker 1>and here it is, and I went, it's all right,

0:16:33.840 --> 0:16:36.400
<v Speaker 1>that's not a good show, is it. Now? I'm not acting.

0:16:36.680 --> 0:16:41.080
<v Speaker 1>I really do feel excited, but I'm extra excited maybe

0:16:41.120 --> 0:16:44.000
<v Speaker 1>because what you see me eating in each scene is

0:16:44.000 --> 0:16:47.000
<v Speaker 1>probably the first thing I ate that day. Yeah right,

0:16:47.080 --> 0:16:49.520
<v Speaker 1>So it looks like I'm a pig and I eat NonStop.

0:16:49.520 --> 0:16:53.200
<v Speaker 1>But you're seeing a week's worth of filming condensed into

0:16:53.200 --> 0:16:56.880
<v Speaker 1>an hour, and that those scenes there's maybe one or

0:16:56.920 --> 0:17:00.080
<v Speaker 1>two of them a day. So that's it. And and

0:17:00.120 --> 0:17:02.520
<v Speaker 1>I learned, by the way, from doing that American Express

0:17:02.560 --> 0:17:05.520
<v Speaker 1>thing in London. They booked us on that gig. They

0:17:05.520 --> 0:17:09.879
<v Speaker 1>booked us into twenty seven restaurants in seven days, and

0:17:09.920 --> 0:17:12.800
<v Speaker 1>because I was with a famous chef, they were all

0:17:12.880 --> 0:17:17.760
<v Speaker 1>like white tablecloth, fancy meals. So when the food was coming,

0:17:18.280 --> 0:17:21.760
<v Speaker 1>I was like, oh no, like I have to eat again.

0:17:23.560 --> 0:17:25.800
<v Speaker 1>You don't want that. You want to go oh yeah,

0:17:25.960 --> 0:17:29.679
<v Speaker 1>not oh no, So that I learned that you you

0:17:29.960 --> 0:17:33.720
<v Speaker 1>pace yourself, you don't finish anything. First of all, I

0:17:33.760 --> 0:17:37.000
<v Speaker 1>have a crew there who's looking at me like this, uh,

0:17:37.080 --> 0:17:38.960
<v Speaker 1>you know, while I'm eating, so it would be cruel

0:17:39.000 --> 0:17:40.679
<v Speaker 1>not to share it with them. I love sharing it

0:17:40.720 --> 0:17:43.400
<v Speaker 1>with them because it's fun to see their faces light up.

0:17:44.440 --> 0:17:47.960
<v Speaker 1>And what that also does is it saves my belly

0:17:48.080 --> 0:17:50.760
<v Speaker 1>for the next thing I'm gonna taste, right, So I

0:17:50.760 --> 0:17:53.000
<v Speaker 1>want to taste as many things as possible because you

0:17:53.000 --> 0:17:54.880
<v Speaker 1>never know where that home run is gonna be. Right.

0:17:55.080 --> 0:17:58.360
<v Speaker 1>Somebody said it looks like Phil likes everything. It does

0:17:58.480 --> 0:18:01.199
<v Speaker 1>mean not like in it. Yeah, you don't see that,

0:18:01.240 --> 0:18:03.520
<v Speaker 1>then it shows if I don't like it, it's not

0:18:03.560 --> 0:18:05.840
<v Speaker 1>in the show. I'm trying to get you to travel.

0:18:06.000 --> 0:18:08.639
<v Speaker 1>I'm trying to show you the best stuff. There's no

0:18:08.720 --> 0:18:11.800
<v Speaker 1>reason to show you the stuff that's just okay, we're bad,

0:18:12.400 --> 0:18:16.520
<v Speaker 1>right If it's really bad, like the thousand year old

0:18:16.560 --> 0:18:19.119
<v Speaker 1>egg I ate in Hong Kong, which almost killed me,

0:18:19.560 --> 0:18:21.760
<v Speaker 1>then you hear my brother laughing on the other side

0:18:21.760 --> 0:18:23.639
<v Speaker 1>of the camera. We leave that in. It's funny that

0:18:23.680 --> 0:18:27.960
<v Speaker 1>I almost died. Do you have any limits if it's

0:18:28.040 --> 0:18:32.320
<v Speaker 1>so disgusting, And by disgusting, everybody has their line for disgusting, right,

0:18:32.400 --> 0:18:37.360
<v Speaker 1>So I think I'm like most Americans who don't want

0:18:37.359 --> 0:18:41.440
<v Speaker 1>to eat bugs and snakes. I think that's fair to say, right,

0:18:42.200 --> 0:18:45.640
<v Speaker 1>And that's an American thing. In other cultures and other countries,

0:18:45.720 --> 0:18:47.879
<v Speaker 1>you know, they do that. My friend told me he

0:18:47.960 --> 0:18:50.719
<v Speaker 1>was the guest of honor at a in a rural

0:18:50.800 --> 0:18:53.480
<v Speaker 1>dinner in China, and because he was the guest of

0:18:53.520 --> 0:18:56.919
<v Speaker 1>honor the American, they brought over a poisonous snake to

0:18:57.000 --> 0:19:02.080
<v Speaker 1>the table live and held it off next to him

0:19:02.119 --> 0:19:04.760
<v Speaker 1>and took out a knife and cut open the snake

0:19:04.920 --> 0:19:07.800
<v Speaker 1>while it's alone, pulled out the gall bladder of the

0:19:07.840 --> 0:19:11.960
<v Speaker 1>poisonous snake and squeeze the gall bladder into a glass,

0:19:12.080 --> 0:19:15.399
<v Speaker 1>and gave it to him to drink as the guest

0:19:15.480 --> 0:19:20.200
<v Speaker 1>of honor, to which I say, please don't honor me,

0:19:21.760 --> 0:19:24.720
<v Speaker 1>because I would faint in that situation. I would faint.

0:19:24.800 --> 0:19:26.480
<v Speaker 1>First of all, I would run screaming out of the

0:19:26.560 --> 0:19:30.720
<v Speaker 1>restaurant at the side of the live snake. Second, cutting

0:19:30.720 --> 0:19:34.560
<v Speaker 1>it open, faint. Third, squeeze the gal about a fat

0:19:34.680 --> 0:19:37.800
<v Speaker 1>give me the glass faint. I would never recover from this,

0:19:38.040 --> 0:19:40.920
<v Speaker 1>I asked my friend, So, so why didn't you just say,

0:19:40.960 --> 0:19:44.160
<v Speaker 1>you know, I physically can't. I'm gonna be he goes.

0:19:44.200 --> 0:19:48.560
<v Speaker 1>That would have been the greatest insult to them, because

0:19:48.560 --> 0:19:51.600
<v Speaker 1>they were doing this special for me I had to do,

0:19:52.520 --> 0:19:55.600
<v Speaker 1>I said, and he goes, I drank it, and I

0:19:55.640 --> 0:20:02.920
<v Speaker 1>go and he goes. It was much grosser than you think. Well,

0:20:02.960 --> 0:20:05.760
<v Speaker 1>then that is off the charts gross because I'm thinking

0:20:05.840 --> 0:20:08.639
<v Speaker 1>it's going to be really gross because you know what

0:20:08.680 --> 0:20:12.760
<v Speaker 1>the worst part was. It was warm. Of course, of

0:20:12.800 --> 0:20:16.600
<v Speaker 1>course it's warm. It's really so I see your face.

0:20:16.920 --> 0:20:19.720
<v Speaker 1>I know. So these are things that most people from

0:20:19.720 --> 0:20:23.600
<v Speaker 1>America wouldn't do, but in another land and another culture.

0:20:23.720 --> 0:20:27.600
<v Speaker 1>I'm not disparaging them at all. That is their thing.

0:20:27.840 --> 0:20:31.480
<v Speaker 1>That is like the height of I don't know, virility, honor.

0:20:31.640 --> 0:20:34.200
<v Speaker 1>For you to have that very special thing. I don't

0:20:34.200 --> 0:20:36.280
<v Speaker 1>know what I would do in that situation, other than

0:20:36.640 --> 0:20:39.840
<v Speaker 1>not get myself into that situation right so that I

0:20:39.880 --> 0:20:42.480
<v Speaker 1>don't have to insult anybody, because that's the last thing

0:20:42.560 --> 0:20:46.000
<v Speaker 1>I want to do. I have tried a bug or

0:20:46.080 --> 0:20:50.000
<v Speaker 1>two in the show. When pushed right, I've gone a

0:20:50.040 --> 0:20:52.240
<v Speaker 1>little out of my comfort zone. And I can tell

0:20:52.280 --> 0:20:55.280
<v Speaker 1>you that I'm eaten an ant or two write because

0:20:55.320 --> 0:20:58.280
<v Speaker 1>it's been served to me this way. This one Japanese

0:20:58.320 --> 0:21:01.760
<v Speaker 1>chef said, try this and it tastes like lemon, to

0:21:01.880 --> 0:21:05.119
<v Speaker 1>which I said, in that case, could I please have lemon?

0:21:08.119 --> 0:21:10.359
<v Speaker 1>And he said, I want you to try this ant.

0:21:10.600 --> 0:21:12.960
<v Speaker 1>And because the person I was with, this nice lady,

0:21:13.119 --> 0:21:16.240
<v Speaker 1>did it, I mustered up all my courage to take

0:21:16.280 --> 0:21:19.080
<v Speaker 1>that ant and put it in my mouth. With all

0:21:19.160 --> 0:21:21.960
<v Speaker 1>the courage I could muster bite down on that and

0:21:22.000 --> 0:21:25.840
<v Speaker 1>then damn if it didn't taste like lemon. And so

0:21:26.000 --> 0:21:29.560
<v Speaker 1>now the questions, okay, chef, what did you do based

0:21:29.600 --> 0:21:31.399
<v Speaker 1>this in lemon so that it tastes like me? Just

0:21:31.520 --> 0:21:37.560
<v Speaker 1>know these ants, not every ant, these particular ants from

0:21:37.600 --> 0:21:43.159
<v Speaker 1>this particular part of this forest in Japan tastes like lemon.

0:21:43.280 --> 0:21:45.159
<v Speaker 1>I don't know who was the first guy to discover that,

0:21:45.240 --> 0:21:47.840
<v Speaker 1>but but that was interesting and it didn't kill me,

0:21:47.920 --> 0:21:49.280
<v Speaker 1>and it was something cool. And I have a story

0:21:49.320 --> 0:21:53.080
<v Speaker 1>to tell you, right, the gallbladder story. There's a part

0:21:53.119 --> 0:21:55.920
<v Speaker 1>of me that thinks that they're like, hey, here comes

0:21:55.920 --> 0:21:59.880
<v Speaker 1>a stupid American. Let's let's just see if he'll do it. Nope,

0:22:00.040 --> 0:22:02.679
<v Speaker 1>I know that's what it must feel like, like a prank,

0:22:03.600 --> 0:22:08.359
<v Speaker 1>but a really that you know. Again, we can't disparage.

0:22:08.400 --> 0:22:14.720
<v Speaker 1>We can't. We can't say or judge because the cultures

0:22:14.720 --> 0:22:16.960
<v Speaker 1>are different and we we the whole point of the

0:22:17.000 --> 0:22:20.359
<v Speaker 1>show is to be more accepting and understand. There's just

0:22:20.480 --> 0:22:22.720
<v Speaker 1>things that I know that I'm a woss and I'm

0:22:22.760 --> 0:22:27.520
<v Speaker 1>not doing. Um. I mean, you've been all over Where

0:22:27.520 --> 0:22:29.760
<v Speaker 1>are places that you've kind of pinned on the map

0:22:29.800 --> 0:22:32.639
<v Speaker 1>that you want to go for future seasons? Oh? I haven't,

0:22:32.880 --> 0:22:35.600
<v Speaker 1>you know, I haven't scratched the surface of the earth. Right,

0:22:35.720 --> 0:22:38.760
<v Speaker 1>So we've done twenty two somebody feed fills. In six

0:22:39.000 --> 0:22:41.800
<v Speaker 1>I'll have what fills having. That's twenty eight places. There

0:22:41.800 --> 0:22:46.439
<v Speaker 1>are a hundred and ninety countries and thousands of cities

0:22:46.480 --> 0:22:49.399
<v Speaker 1>in those countries to see. So I haven't been to

0:22:49.480 --> 0:22:52.560
<v Speaker 1>India yet, have you? So I got to see that.

0:22:52.840 --> 0:22:56.119
<v Speaker 1>I've been to Australia. I've been to Sydney once in

0:22:56.160 --> 0:22:58.520
<v Speaker 1>my life, but not on the show, So I got

0:22:58.520 --> 0:23:01.400
<v Speaker 1>to do that. And the rest of us Australia is spectacular.

0:23:01.640 --> 0:23:03.959
<v Speaker 1>New Zealand I haven't been. I haven't been to Greece

0:23:04.080 --> 0:23:06.400
<v Speaker 1>or Turkey in my life. I got to do that

0:23:06.640 --> 0:23:08.919
<v Speaker 1>so I could keep going. I mean, there's there's million

0:23:09.000 --> 0:23:12.800
<v Speaker 1>places to to go. I just need Netflix to let

0:23:12.840 --> 0:23:15.120
<v Speaker 1>me keep doing it and for COVID to be over

0:23:15.160 --> 0:23:17.239
<v Speaker 1>so I can go. I guess this logistically. Did you

0:23:17.320 --> 0:23:20.080
<v Speaker 1>film this last season right before COVID, right before we

0:23:20.160 --> 0:23:24.399
<v Speaker 1>finished in mid January? Just under the wire? Really? I

0:23:24.400 --> 0:23:26.040
<v Speaker 1>mean if you look at that Rio show that was

0:23:26.119 --> 0:23:29.720
<v Speaker 1>mid January, we filmed that and there's five hundred thousand

0:23:29.720 --> 0:23:33.160
<v Speaker 1>people out on the beach dancing for Carnival. Yeah. Man,

0:23:33.280 --> 0:23:36.400
<v Speaker 1>I'm so jealous of you. I also wanted to talk

0:23:36.440 --> 0:23:41.040
<v Speaker 1>about your charity, Somebody Feed the People. Oh thanks, that's great.

0:23:41.320 --> 0:23:44.640
<v Speaker 1>So Somebody Feed the People dot org. I started because

0:23:44.760 --> 0:23:47.560
<v Speaker 1>I saw it started from I guess you would say

0:23:47.600 --> 0:23:50.960
<v Speaker 1>it's political, but it's not. It's just human people being

0:23:50.960 --> 0:23:54.000
<v Speaker 1>forced to wait online because they were shutting the polling places,

0:23:54.160 --> 0:23:56.760
<v Speaker 1>which is not right. We have a right to vote,

0:23:56.960 --> 0:23:59.400
<v Speaker 1>that's what makes us America. And I thought, what could

0:23:59.400 --> 0:24:02.320
<v Speaker 1>we do to make this these long lines more tolerable?

0:24:02.480 --> 0:24:04.760
<v Speaker 1>What if we fed the people? So always started Somebody

0:24:04.760 --> 0:24:07.600
<v Speaker 1>Feed the People dot org and we were getting with

0:24:07.720 --> 0:24:11.679
<v Speaker 1>the world Central Kitchen and other organizations, food trucks and restaurants,

0:24:11.720 --> 0:24:14.679
<v Speaker 1>local restaurants out to feed the people online, just a

0:24:14.760 --> 0:24:17.119
<v Speaker 1>small act of kindness. But then I thought, while this

0:24:17.359 --> 0:24:20.000
<v Speaker 1>was going on, you know, after the election, there's a

0:24:20.000 --> 0:24:22.439
<v Speaker 1>lot of hungry people, not just because of COVID, but

0:24:22.480 --> 0:24:24.719
<v Speaker 1>because of all the other reasons that people are hungry.

0:24:25.040 --> 0:24:27.600
<v Speaker 1>So I'm gonna keep this going. And I want your

0:24:27.640 --> 0:24:30.560
<v Speaker 1>your listeners to know that if they go to somebody

0:24:30.560 --> 0:24:33.679
<v Speaker 1>feed the People dot org and contribute to World Central

0:24:33.720 --> 0:24:37.440
<v Speaker 1>Kitchen through that portal, I'm gonna match their donation. That's

0:24:37.480 --> 0:24:40.240
<v Speaker 1>what i want to do. So that's that's somebody feed

0:24:40.280 --> 0:24:44.639
<v Speaker 1>the People dot org go give I'm gonna match it.

0:24:44.640 --> 0:24:47.480
<v Speaker 1>It's a nice way to help people in this terrible time.

0:24:47.800 --> 0:24:50.800
<v Speaker 1>That's amazing, man. And also is it true you write

0:24:50.800 --> 0:24:52.760
<v Speaker 1>in a book? I mean it makes sense. I suppose

0:24:52.760 --> 0:24:54.480
<v Speaker 1>people need a blueprint of where the hell to go,

0:24:54.720 --> 0:24:57.320
<v Speaker 1>so tell everyone about the book. Sure. Well, they have

0:24:57.359 --> 0:25:00.240
<v Speaker 1>a website called Phil Rosenthal World dot com and you

0:25:00.240 --> 0:25:02.680
<v Speaker 1>can get merged there that and that goes to charity

0:25:02.720 --> 0:25:06.280
<v Speaker 1>as well. It's also practical because it's a website that

0:25:06.320 --> 0:25:09.960
<v Speaker 1>has everywhere we go on the show, not just every place,

0:25:10.000 --> 0:25:13.159
<v Speaker 1>but everywhere we ate and what we ate, and the

0:25:13.240 --> 0:25:17.679
<v Speaker 1>websites within those of where you can just now have

0:25:17.840 --> 0:25:20.560
<v Speaker 1>this instead of watching the show and writing stuff down

0:25:20.800 --> 0:25:23.840
<v Speaker 1>right and then now. Simon and Schuster asked me to

0:25:23.920 --> 0:25:26.960
<v Speaker 1>do a companion book to the series. Somebody feed filled

0:25:27.000 --> 0:25:31.200
<v Speaker 1>the book. That's gonna have stories and behind the scenes

0:25:31.240 --> 0:25:35.480
<v Speaker 1>photos and most impartently favorite recipes from everywhere we went.

0:25:35.600 --> 0:25:38.199
<v Speaker 1>Have you tried to recreate some of these weird recipes?

0:25:38.440 --> 0:25:42.240
<v Speaker 1>I cannot. I'm not a show, I'm not a chef.

0:25:42.480 --> 0:25:45.600
<v Speaker 1>What I do is sometimes that there's like a condiment

0:25:45.680 --> 0:25:48.200
<v Speaker 1>or some item that I didn't know, I can bring

0:25:48.280 --> 0:25:50.720
<v Speaker 1>that home and remind me of the place. I love

0:25:50.800 --> 0:25:53.080
<v Speaker 1>doing that. And the other thing about traveling is you

0:25:53.160 --> 0:25:55.679
<v Speaker 1>must do this too. Let's say you go to Thailand,

0:25:55.960 --> 0:25:58.480
<v Speaker 1>for instance, and you have, like I had this dish

0:25:58.520 --> 0:26:01.919
<v Speaker 1>that I didn't know about, caw soy, this incredible fresh

0:26:01.960 --> 0:26:05.600
<v Speaker 1>handfulled noodle bowl of coconut curry with whatever meat you

0:26:05.640 --> 0:26:07.800
<v Speaker 1>want in there and then crispy noodles on topics. So

0:26:07.960 --> 0:26:09.720
<v Speaker 1>one of the best things I ever eat, And across

0:26:09.720 --> 0:26:12.040
<v Speaker 1>a dollar when you're there. So I wrote down the

0:26:12.119 --> 0:26:15.359
<v Speaker 1>name of that dish cowsoy k h A O s O.

0:26:15.920 --> 0:26:18.000
<v Speaker 1>And when I got to Los Angeles. We're lucky to

0:26:18.000 --> 0:26:20.200
<v Speaker 1>live in Los Angeles because why we have the most

0:26:20.200 --> 0:26:23.800
<v Speaker 1>diversity of every any other place on Earth. More people

0:26:23.880 --> 0:26:28.080
<v Speaker 1>live here outside their native lands than anywhere else on Earth.

0:26:28.440 --> 0:26:31.199
<v Speaker 1>For example, we have the biggest Korean population in the

0:26:31.240 --> 0:26:35.320
<v Speaker 1>world outside of Korea, the biggest Chinese population outside of China,

0:26:35.480 --> 0:26:39.399
<v Speaker 1>the biggest Mexican population outside of Mexico. It's here. So

0:26:40.320 --> 0:26:46.520
<v Speaker 1>I go on Google cowsoy Los Angeles fifteen places at

0:26:46.600 --> 0:26:50.720
<v Speaker 1>least that have it. So that's how if you ask me,

0:26:50.800 --> 0:26:53.439
<v Speaker 1>do I cook from the thing? No? I find the

0:26:53.480 --> 0:26:57.600
<v Speaker 1>place that takes it. Well, these are Thai people who

0:26:57.640 --> 0:27:03.399
<v Speaker 1>came here and make sy for me. This portion of

0:27:03.440 --> 0:27:07.960
<v Speaker 1>the podcast brought to you by Postmates. I love that, man,

0:27:08.280 --> 0:27:12.359
<v Speaker 1>and I just love that. The whole concept of this show,

0:27:12.560 --> 0:27:14.560
<v Speaker 1>I think is so cool. The concept that you and

0:27:14.600 --> 0:27:17.400
<v Speaker 1>your brother are getting to do it together is just

0:27:17.720 --> 0:27:20.440
<v Speaker 1>it's just so fun. Thank you. And by the way,

0:27:20.760 --> 0:27:22.760
<v Speaker 1>since we're in this terrible time of COVID and we

0:27:22.840 --> 0:27:26.360
<v Speaker 1>can't travel, you you mentioned Postmates, but that that's that's

0:27:26.400 --> 0:27:28.800
<v Speaker 1>a real way to travel. You see why I can't

0:27:29.240 --> 0:27:33.240
<v Speaker 1>pick a restaurant tonight that maybe of of a cuisine

0:27:33.359 --> 0:27:37.159
<v Speaker 1>you haven't tried. And all I'm asking is, look at

0:27:37.400 --> 0:27:40.280
<v Speaker 1>look at the men on your phone, just look at

0:27:40.320 --> 0:27:43.760
<v Speaker 1>the menu. You're gonna find something that sounds interesting to

0:27:43.800 --> 0:27:46.480
<v Speaker 1>you that you want to try and try it. That's

0:27:46.480 --> 0:27:49.359
<v Speaker 1>how you spice up this time at home by ordering

0:27:49.440 --> 0:27:53.240
<v Speaker 1>something other than the usual. Now you have like an event.

0:27:53.400 --> 0:27:55.680
<v Speaker 1>That's how you make things exciting, keep it fresh. Right.

0:27:55.720 --> 0:27:58.560
<v Speaker 1>I love that people knew you as the guy who

0:27:58.680 --> 0:28:03.320
<v Speaker 1>created Everybody Loves Raymond, and now everyone knows you as

0:28:03.520 --> 0:28:07.199
<v Speaker 1>the guy for somebody feed Phil Bick story. I'm in

0:28:07.240 --> 0:28:10.159
<v Speaker 1>the airport right before lockdown, right, and I'm waiting for

0:28:10.280 --> 0:28:13.240
<v Speaker 1>my bag, and somebody comes up to me goes, hey,

0:28:13.320 --> 0:28:17.320
<v Speaker 1>you're the food guy, And I said, oh, thanks. I

0:28:17.359 --> 0:28:19.439
<v Speaker 1>guess I always wanted to be known as that. I

0:28:19.440 --> 0:28:23.359
<v Speaker 1>guess right, And he goes, hey, listen, I'm just the guy.

0:28:25.520 --> 0:28:28.520
<v Speaker 1>So I learned something, Right, If you're recognized for anything,

0:28:28.560 --> 0:28:31.200
<v Speaker 1>it's a nice thing, right. It doesn't matter what you're

0:28:31.200 --> 0:28:33.760
<v Speaker 1>recognized for. If he wants to call me the food guy,

0:28:33.840 --> 0:28:39.280
<v Speaker 1>that's very nice. Yeah, I'm just the guy. What brings

0:28:39.320 --> 0:28:41.760
<v Speaker 1>you or brought you more joy being the guy who

0:28:41.840 --> 0:28:45.600
<v Speaker 1>created an iconic sitcom or being the food guy. I'm

0:28:45.600 --> 0:28:48.080
<v Speaker 1>gonna say both, and I know that's a cop out,

0:28:48.200 --> 0:28:50.680
<v Speaker 1>but here's the thing. At that point in my life,

0:28:51.080 --> 0:28:55.360
<v Speaker 1>my thirties and forties, making Raymond was the absolute pinnacle

0:28:55.440 --> 0:28:58.320
<v Speaker 1>of my life. To that point, it was phenomenal to

0:28:58.440 --> 0:29:02.560
<v Speaker 1>be part of something like now I've taken ten years later,

0:29:03.000 --> 0:29:06.800
<v Speaker 1>fifteen years later, everything I've learned about how to make

0:29:06.840 --> 0:29:09.880
<v Speaker 1>a show right, how to tell a story, and it's

0:29:10.040 --> 0:29:14.440
<v Speaker 1>now in the service of everything else I love in life.

0:29:14.760 --> 0:29:21.239
<v Speaker 1>What's that family, friends, food, travel, and laughs? Right, and

0:29:21.320 --> 0:29:24.120
<v Speaker 1>add to that everything else I love about show business,

0:29:24.640 --> 0:29:30.160
<v Speaker 1>which is the writing, the directing, the producing, the performing.

0:29:30.200 --> 0:29:34.240
<v Speaker 1>Now even right in it, being in it is really fun.

0:29:34.560 --> 0:29:37.560
<v Speaker 1>They're editing every I love everything about show business except

0:29:37.640 --> 0:29:41.240
<v Speaker 1>the business. The business part of show business is the

0:29:41.280 --> 0:29:43.560
<v Speaker 1>part that prevents you from doing the show part of

0:29:43.560 --> 0:29:47.440
<v Speaker 1>show business. Right, So once you get past the business,

0:29:47.480 --> 0:29:51.280
<v Speaker 1>show business is great and I love that. This is

0:29:51.360 --> 0:29:53.840
<v Speaker 1>this time in my life. Now I just have to

0:29:53.920 --> 0:29:56.440
<v Speaker 1>keep doing it. I want to keep doing it. Netflix

0:29:56.480 --> 0:29:59.080
<v Speaker 1>hasn't said I get to yet. They don't let they

0:29:59.080 --> 0:30:02.880
<v Speaker 1>don't have shows a run a long time now right

0:30:02.960 --> 0:30:05.880
<v Speaker 1>that they only renew five percent of their existing series.

0:30:06.440 --> 0:30:08.160
<v Speaker 1>So if you're listening to this and you like the

0:30:08.240 --> 0:30:11.360
<v Speaker 1>Joe called Netflix and say yes more please, I would

0:30:11.400 --> 0:30:13.920
<v Speaker 1>like to do more. I would like to order seconds please.

0:30:14.320 --> 0:30:17.200
<v Speaker 1>I know that's greedy. Listen. I thought after we filmed

0:30:17.200 --> 0:30:19.080
<v Speaker 1>the first scene of the first one of these that

0:30:19.120 --> 0:30:21.440
<v Speaker 1>we ever did, I thought if it ended now, I'd

0:30:21.440 --> 0:30:24.600
<v Speaker 1>be happy because I felt so lucky to get to

0:30:24.640 --> 0:30:26.800
<v Speaker 1>do this. Look, I got a flight to Spain and

0:30:26.840 --> 0:30:29.240
<v Speaker 1>I got to eat this boot. Wow. For it to

0:30:29.280 --> 0:30:32.440
<v Speaker 1>happen seven more times, that was pretty good. That was

0:30:32.440 --> 0:30:34.920
<v Speaker 1>pretty good. So if it ended now, I can't complain.

0:30:35.320 --> 0:30:37.200
<v Speaker 1>But I promise you this, I'm gonna find a way

0:30:37.240 --> 0:30:39.680
<v Speaker 1>to keep doing this, whether it's to their or somewhere else.

0:30:39.800 --> 0:30:41.800
<v Speaker 1>I'm gonna find the wet of it so much, and

0:30:41.800 --> 0:30:44.640
<v Speaker 1>I feel like it's important. We've got a message to give,

0:30:44.840 --> 0:30:47.320
<v Speaker 1>which is a message of love and tolerance and and

0:30:47.400 --> 0:30:51.640
<v Speaker 1>happiness and exploration, and that's what life's about. We see

0:30:51.640 --> 0:30:55.160
<v Speaker 1>how quickly it can be taken away. I'm not too

0:30:55.160 --> 0:30:58.400
<v Speaker 1>worried for you, Phil, because every time I open up Netflix,

0:30:58.680 --> 0:31:01.280
<v Speaker 1>you're one of like this adjusted for me and like

0:31:01.480 --> 0:31:04.640
<v Speaker 1>top trending on Netflix and everything. So I think the

0:31:04.680 --> 0:31:07.720
<v Speaker 1>show is doing very well. So congratulations. And if Netflix

0:31:07.760 --> 0:31:09.440
<v Speaker 1>doesn't pick it up, one they're stupid, and two I

0:31:09.440 --> 0:31:12.400
<v Speaker 1>think someone else will. Well thanks, Could you run Netflix

0:31:12.440 --> 0:31:15.080
<v Speaker 1>for me? Yes, I'll call him up and I let

0:31:15.160 --> 0:31:19.080
<v Speaker 1>him know. The great thing about them, they're very supportive

0:31:19.960 --> 0:31:22.640
<v Speaker 1>and they let you do the show you want to do.

0:31:23.240 --> 0:31:25.800
<v Speaker 1>And when you deliver five or six episodes to them,

0:31:25.920 --> 0:31:29.200
<v Speaker 1>right they push a button. It's on d ninety countries

0:31:29.240 --> 0:31:32.320
<v Speaker 1>around the world, so that, I mean, there's nothing that

0:31:32.360 --> 0:31:34.800
<v Speaker 1>compares to that, So I want to stay there. Is

0:31:34.840 --> 0:31:37.080
<v Speaker 1>there anything that I didn't ask you or talk to

0:31:37.120 --> 0:31:38.840
<v Speaker 1>you about or that you wanted to promote before we

0:31:38.920 --> 0:31:41.960
<v Speaker 1>kind of switch gears. No, just if people want to

0:31:42.040 --> 0:31:43.920
<v Speaker 1>keep up with me, they can go to my Instagram,

0:31:44.000 --> 0:31:47.640
<v Speaker 1>build Down Rosenthal and Twitter Phil Rosent. That's it. Okay,

0:31:47.760 --> 0:31:49.480
<v Speaker 1>quick break. When we come back, we're gonna do the

0:31:49.480 --> 0:31:51.400
<v Speaker 1>Wells Cast. Phil, We're gonna find out where the hell

0:31:51.440 --> 0:31:52.880
<v Speaker 1>you came from and how the hell you got here?

0:31:53.000 --> 0:32:06.480
<v Speaker 1>You ready for that? Stick around all right? Back in

0:32:06.520 --> 0:32:09.280
<v Speaker 1>the Wells Cast. Very very happy to have the star

0:32:09.400 --> 0:32:12.400
<v Speaker 1>of Somebody Feed Phil, which is on Netflix right now

0:32:12.440 --> 0:32:15.320
<v Speaker 1>there in the middle of season four to show you

0:32:15.400 --> 0:32:20.680
<v Speaker 1>absolutely have to watch Phil just going over your bio.

0:32:21.280 --> 0:32:26.440
<v Speaker 1>It's bonkers. You've literally done everything in show business. I

0:32:26.480 --> 0:32:29.840
<v Speaker 1>need to know how the hell this all happened. So

0:32:29.920 --> 0:32:33.520
<v Speaker 1>let's go back to the beginning. Phil, Where are you from?

0:32:33.560 --> 0:32:35.880
<v Speaker 1>I was born in Queens, New York, Jamaica. Hospital. You

0:32:35.880 --> 0:32:39.920
<v Speaker 1>know who else is from Jamaica? Donald J. Trump? Yeah, yep,

0:32:40.160 --> 0:32:43.880
<v Speaker 1>that's why I'm exactly like then. I lived in the

0:32:43.920 --> 0:32:47.040
<v Speaker 1>Bronx for a while, and then uh, Rockland County, which

0:32:47.080 --> 0:32:49.000
<v Speaker 1>is a half hour north of the city, and then

0:32:49.040 --> 0:32:51.320
<v Speaker 1>I went to Hops University on Long Island, and then

0:32:51.400 --> 0:32:54.480
<v Speaker 1>moved into Manhattan and tried to make it in New York.

0:32:54.920 --> 0:32:58.600
<v Speaker 1>And uh, it was horrible for me because it was

0:32:58.680 --> 0:33:03.880
<v Speaker 1>I had nothing but jobs and terrible experiences. I loved

0:33:03.960 --> 0:33:06.240
<v Speaker 1>every second of it, by the way, because I loved

0:33:06.280 --> 0:33:09.400
<v Speaker 1>I've talked about this. The pursuit of happiness is its

0:33:09.400 --> 0:33:11.840
<v Speaker 1>own thing, right. We're lucky to live in the land

0:33:11.960 --> 0:33:14.120
<v Speaker 1>where we get to pursue what we want. Imagine living

0:33:14.120 --> 0:33:16.280
<v Speaker 1>in a country where you'll do what your father did

0:33:16.560 --> 0:33:18.480
<v Speaker 1>or you do what your mother did, and that's it.

0:33:18.600 --> 0:33:21.920
<v Speaker 1>You don't have a choice. Right. Look, I was happy

0:33:22.040 --> 0:33:25.240
<v Speaker 1>having really crappy jobs in New York and my twenties

0:33:25.280 --> 0:33:28.880
<v Speaker 1>out of college. Why because I could at least pursue

0:33:29.200 --> 0:33:34.600
<v Speaker 1>what I wanted. Job. First job being a theater major. Right.

0:33:36.520 --> 0:33:42.080
<v Speaker 1>I sold farm and implement cleaner on the phone in

0:33:42.160 --> 0:33:46.200
<v Speaker 1>a boiler room um Park Avenue South. Boiler room is

0:33:46.640 --> 0:33:51.280
<v Speaker 1>a giant room of poor schmucks on phones trying to sell.

0:33:52.960 --> 0:33:55.480
<v Speaker 1>That's what I did. I did that lasted about four months.

0:33:55.560 --> 0:33:58.440
<v Speaker 1>Then I was a guard at the Metropolitan Museum of Art,

0:33:58.560 --> 0:34:01.160
<v Speaker 1>a guard, and at one point I was working the

0:34:01.200 --> 0:34:03.959
<v Speaker 1>midnight shift, the midnight the graveyard shift they call it,

0:34:04.040 --> 0:34:06.960
<v Speaker 1>from midnight to eight in the morning. And I was fired.

0:34:07.040 --> 0:34:11.800
<v Speaker 1>You know why? They found me at five am asleep

0:34:12.800 --> 0:34:19.640
<v Speaker 1>in a gallery on a three hundred year old bed. Yes. Uh,

0:34:20.360 --> 0:34:23.960
<v Speaker 1>that was terrible moment in my life. And then I

0:34:24.000 --> 0:34:27.480
<v Speaker 1>was I managed a deli per year. That was better.

0:34:27.960 --> 0:34:30.600
<v Speaker 1>I gained fifteen pounds doing that. I was at temp.

0:34:30.680 --> 0:34:34.719
<v Speaker 1>I was a bartender. I was I worked in offices

0:34:34.800 --> 0:34:39.279
<v Speaker 1>and law offices, putting legal inserts into the books. I

0:34:39.360 --> 0:34:42.480
<v Speaker 1>did all kinds of crappy jobs. But in the meantime

0:34:42.520 --> 0:34:45.319
<v Speaker 1>I was also trying to get an agent and be

0:34:45.440 --> 0:34:48.040
<v Speaker 1>in plays and do you know, do the New York

0:34:48.080 --> 0:34:50.600
<v Speaker 1>theater thing. And it wasn't until some friends of mine

0:34:50.600 --> 0:34:53.120
<v Speaker 1>and I wrote a show for ourselves to be in

0:34:54.520 --> 0:34:57.759
<v Speaker 1>that it occurred to us that you do write your

0:34:57.760 --> 0:35:00.440
<v Speaker 1>own ticket. And that became successful, and that was my

0:35:00.520 --> 0:35:03.960
<v Speaker 1>transition to writing. And and then I moved to Hollywood

0:35:04.320 --> 0:35:08.520
<v Speaker 1>and uh, and then I started writing sitcoms, working on

0:35:08.520 --> 0:35:11.520
<v Speaker 1>other people's shows. And then finally I got this tape

0:35:11.520 --> 0:35:14.680
<v Speaker 1>of this Ray Romano fellow who had been on Letterman,

0:35:15.200 --> 0:35:18.719
<v Speaker 1>and they Letterman and said, after six minutes, there should

0:35:18.719 --> 0:35:21.120
<v Speaker 1>be a show for this guy. So they looked for

0:35:21.160 --> 0:35:24.520
<v Speaker 1>a writer to create a show for Ray Romano, and

0:35:24.520 --> 0:35:27.239
<v Speaker 1>I met with him and we hit it off, and

0:35:27.560 --> 0:35:29.640
<v Speaker 1>that was that. What were some of the sitcoms you

0:35:29.920 --> 0:35:32.839
<v Speaker 1>wrote on before Everybody Loves Raymond? Have you ever heard

0:35:32.840 --> 0:35:35.640
<v Speaker 1>of Robert Mitchum forties and fifties. He was a film

0:35:35.640 --> 0:35:38.600
<v Speaker 1>noir actor who played like Philip Marlowe in movies. He was,

0:35:38.920 --> 0:35:42.000
<v Speaker 1>you know, a tough guy. He was the first actors

0:35:42.040 --> 0:35:45.640
<v Speaker 1>to be arrested for smoking marijuana in the fifties. He

0:35:45.719 --> 0:35:50.719
<v Speaker 1>was really cool and really tough. However, in nine when

0:35:50.760 --> 0:35:53.520
<v Speaker 1>I first got to Los Angeles, they were doing a

0:35:53.600 --> 0:35:56.680
<v Speaker 1>sitcom for him, and I got hired. That was my

0:35:56.760 --> 0:36:01.440
<v Speaker 1>first job was being a staff writer on the Robert

0:36:01.480 --> 0:36:06.160
<v Speaker 1>Mitchum sitcom. It lasted seven episodes, and I learned a lot,

0:36:06.719 --> 0:36:08.640
<v Speaker 1>because what you can learn from your first show, you

0:36:08.680 --> 0:36:10.920
<v Speaker 1>can learn from any show. And so I learned at

0:36:10.960 --> 0:36:13.719
<v Speaker 1>least the workings of a sitcom. I went from that

0:36:13.960 --> 0:36:17.319
<v Speaker 1>to the TV version of Luke Who's Talking? Remember that

0:36:17.400 --> 0:36:20.880
<v Speaker 1>movie The Baby Talks? It was called Baby Talk. I

0:36:21.000 --> 0:36:25.120
<v Speaker 1>met an actor there who was it was his first

0:36:25.239 --> 0:36:28.600
<v Speaker 1>lead in a sitcom, and his name was George Clooney.

0:36:29.719 --> 0:36:33.160
<v Speaker 1>And we started there and to this day when we

0:36:33.200 --> 0:36:35.640
<v Speaker 1>see each other, we hug and we say we survived

0:36:35.680 --> 0:36:41.160
<v Speaker 1>Baby Talk. I also read that a lot of the

0:36:41.280 --> 0:36:46.120
<v Speaker 1>dynamic between Ray and his wife was real life situations

0:36:46.160 --> 0:36:49.000
<v Speaker 1>that you dealt with, Yes, because the writer has to

0:36:49.080 --> 0:36:50.960
<v Speaker 1>write you know what they know, and this was a

0:36:51.000 --> 0:36:54.160
<v Speaker 1>perfect show to do that for. You know, Carl Reiner,

0:36:54.200 --> 0:36:56.319
<v Speaker 1>who did the Big Fan Dye show, he would ask

0:36:56.360 --> 0:36:59.400
<v Speaker 1>his writers, what happened at your house this week because

0:36:59.400 --> 0:37:01.560
<v Speaker 1>he was doing a show about a family. And I thought,

0:37:01.640 --> 0:37:03.440
<v Speaker 1>this is how we're gonna do my show. This is

0:37:03.440 --> 0:37:05.520
<v Speaker 1>how we're gonna do it. We're gonna go home every

0:37:05.600 --> 0:37:07.640
<v Speaker 1>night for dinner. We're gonna make sure we're home because

0:37:07.680 --> 0:37:09.880
<v Speaker 1>that's where the stories have You worked for me, your

0:37:09.960 --> 0:37:11.400
<v Speaker 1>job was to go home, get in a fight with

0:37:11.400 --> 0:37:13.240
<v Speaker 1>your wife, come back in and tell me about it,

0:37:13.320 --> 0:37:15.799
<v Speaker 1>because that's where the show was coming from. And so

0:37:15.880 --> 0:37:18.520
<v Speaker 1>I used everything I had, and and every rider used

0:37:18.520 --> 0:37:21.960
<v Speaker 1>everything they had, and Ray too, And so that's why

0:37:22.040 --> 0:37:25.399
<v Speaker 1>the show seemed real because it was well, I mean,

0:37:25.440 --> 0:37:29.040
<v Speaker 1>you've done everything projects like Spanglish by the way, my

0:37:29.320 --> 0:37:34.160
<v Speaker 1>fiance's brother was in Spanglish, Curb thirty Rock. Obviously, you

0:37:34.160 --> 0:37:38.480
<v Speaker 1>are now an author, you are doing this travel reality show.

0:37:39.160 --> 0:37:42.160
<v Speaker 1>What's been like the career highlight for you? This right now?

0:37:42.239 --> 0:37:46.399
<v Speaker 1>This your show? Yeah, yeah, this is It doesn't get

0:37:46.400 --> 0:37:50.080
<v Speaker 1>better than this because and and I'm only half joking

0:37:50.120 --> 0:37:55.319
<v Speaker 1>because you are reminding me and we're talking about where

0:37:55.360 --> 0:37:57.719
<v Speaker 1>I am at this moment in life, and right now

0:37:57.920 --> 0:38:01.840
<v Speaker 1>is the best time as awful as this is. Yeah, COVID,

0:38:01.960 --> 0:38:03.520
<v Speaker 1>I have a lot of hope and I have a

0:38:03.560 --> 0:38:06.919
<v Speaker 1>lot of positivity about the future. The vaccine is here,

0:38:07.080 --> 0:38:08.839
<v Speaker 1>We're all going to get it, and the world will

0:38:08.880 --> 0:38:11.480
<v Speaker 1>be returned to us. Here's what I say. We're going

0:38:11.560 --> 0:38:14.640
<v Speaker 1>to appreciate the world so much. We're gonna be so

0:38:14.719 --> 0:38:18.240
<v Speaker 1>grateful and so happy, and that feeling is gonna last

0:38:18.280 --> 0:38:23.200
<v Speaker 1>two weeks. Yeah, and then we're all going to go

0:38:23.239 --> 0:38:27.479
<v Speaker 1>back to complaining. Hey, this coffee is cool, right? Phil?

0:38:27.560 --> 0:38:30.160
<v Speaker 1>I know, I gotta let you go. I could literally

0:38:30.200 --> 0:38:32.920
<v Speaker 1>talk to you for hours, year and absolute delight before

0:38:33.040 --> 0:38:35.360
<v Speaker 1>you go. Do you have time for some rapid fire questions?

0:38:35.680 --> 0:38:38.880
<v Speaker 1>Anything you want? My friends? Okay, rapid fire questions with

0:38:38.920 --> 0:38:42.799
<v Speaker 1>Phil Rosenthal? Number one? What's your favorite pizza topping? Do

0:38:42.800 --> 0:38:45.560
<v Speaker 1>you have a favorite book? I just read Woody Allen's autobiography.

0:38:45.560 --> 0:38:48.680
<v Speaker 1>It's hilarious. Who was your first quest, Laurens? Was the

0:38:48.719 --> 0:38:51.439
<v Speaker 1>first concert you ever went to? The Fifth Dimension at

0:38:51.440 --> 0:38:54.640
<v Speaker 1>Carnegie Hall? First job you ever had? First job, camp

0:38:54.640 --> 0:38:57.000
<v Speaker 1>counselor what was the camp? The Y M Y W

0:38:57.360 --> 0:39:00.840
<v Speaker 1>ch and rock count? First car, make model, Plymouth's biggest

0:39:00.840 --> 0:39:03.760
<v Speaker 1>pet peeve, noise in the restaurants when it's too loud.

0:39:04.239 --> 0:39:07.680
<v Speaker 1>Most famous person in your cell phone contact. Let's say

0:39:07.760 --> 0:39:12.200
<v Speaker 1>Ray Romano, first record set vinyl CD that you bought. Oh,

0:39:12.280 --> 0:39:17.640
<v Speaker 1>that's a great question. I'm gonna say the monkeys. Yeah,

0:39:17.880 --> 0:39:21.040
<v Speaker 1>that was a record, right, I think? So the monkeys

0:39:21.120 --> 0:39:25.200
<v Speaker 1>meet the monkeys, favorite superhero Superman. We're the superstition that

0:39:25.239 --> 0:39:29.040
<v Speaker 1>you have. I should work out every day. What's one

0:39:29.040 --> 0:39:31.600
<v Speaker 1>thing that's always in your fridge? Oh? Why is that?

0:39:31.640 --> 0:39:35.319
<v Speaker 1>Taking along leftovers? There's always leftovers in my fridge. How

0:39:35.360 --> 0:39:40.080
<v Speaker 1>would you describe your high school self? Nerdy shrimp e shy?

0:39:40.160 --> 0:39:44.319
<v Speaker 1>Who's your celebrity crush? Sound mahiak. That's a good one.

0:39:44.480 --> 0:39:46.960
<v Speaker 1>And lastly, one piece of advice you'd give to someone

0:39:47.160 --> 0:39:49.680
<v Speaker 1>that wants to be successful like you do the show

0:39:49.760 --> 0:39:51.880
<v Speaker 1>you want to do, because in the end they're going

0:39:51.920 --> 0:39:56.160
<v Speaker 1>to cancel you anyway. Bill Rosenthal, thank you so much

0:39:56.160 --> 0:39:58.560
<v Speaker 1>for being on the Welles cast. You are awesome. You're

0:39:58.600 --> 0:40:00.839
<v Speaker 1>even more rad than I thought you would be, and

0:40:00.880 --> 0:40:02.919
<v Speaker 1>I thought you were going to be pretty awesome, so

0:40:03.280 --> 0:40:06.759
<v Speaker 1>thanks for living up to it. Everyone go watch Somebody

0:40:06.800 --> 0:40:10.279
<v Speaker 1>Feed Philip's out now on Netflix. Call Netflix and tell

0:40:10.320 --> 0:40:14.200
<v Speaker 1>them that phil needs a fifth, sixth, seventh, eighth, ninth season.

0:40:14.239 --> 0:40:18.399
<v Speaker 1>And when when Phil finally dies years from now, that

0:40:18.600 --> 0:40:23.120
<v Speaker 1>I get to take over the show. It's a deal, alright, buddy.

0:40:23.200 --> 0:40:26.120
<v Speaker 1>Happy holidays to you, and yours and hopefully when this

0:40:26.200 --> 0:40:28.200
<v Speaker 1>is all over, you know we can go get a bite.

0:40:28.200 --> 0:40:31.160
<v Speaker 1>Where are you, Studio City, not far from some of

0:40:31.200 --> 0:40:34.040
<v Speaker 1>the best sushi in the world. Very true, very true.

0:40:34.160 --> 0:40:36.759
<v Speaker 1>All right, I hope to see you. Thanks for having me,

0:40:36.840 --> 0:40:39.399
<v Speaker 1>Thanks for being so nice. Thank you, Phil, you rock Man,

0:40:39.560 --> 0:40:42.359
<v Speaker 1>take care. All right. Well, he's the coolest dude I've

0:40:42.360 --> 0:40:45.000
<v Speaker 1>ever met in my entire life. And that was awesome

0:40:45.120 --> 0:40:48.560
<v Speaker 1>and I really really really really really really really enjoyed that.

0:40:48.719 --> 0:40:53.000
<v Speaker 1>I also really would like that job. So there's that.

0:40:53.400 --> 0:40:55.480
<v Speaker 1>I'm gonna go order that dish that he was talking

0:40:55.480 --> 0:40:58.000
<v Speaker 1>about with the noodles and stuff because I want that now,

0:40:58.120 --> 0:41:02.400
<v Speaker 1>all right, see you guys. Subscribe to wellscast on iHeart Radio,

0:41:02.600 --> 0:41:05.960
<v Speaker 1>Apple podcasts, or anywhere you get your podcasts. It's the

0:41:06.000 --> 0:41:08.200
<v Speaker 1>internet line. H