WEBVTT - You wanna dance? (S4 E21 "Last Week Fights, This Week Tights” - PART ONE)

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I heart radio podcast. All right, ladies and gentlemen,

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<v Speaker 1>start your engines, because what an episode this turned out

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<v Speaker 1>to be. And are you going to do that on?

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<v Speaker 1>What are you? What is that? What are you doing

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<v Speaker 1>that makeup? I'm trying to look beautiful on the air,

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<v Speaker 1>on the air, we're lying going out to millions, in

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<v Speaker 1>tens of millions of people. I thought I had thirty

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<v Speaker 1>more seconds. Huh okay, dude, we're lie. Everybody's gone. In

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<v Speaker 1>bud Girido one Little Productions of the mill with Little

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<v Speaker 1>My Cube it looks like a hot babe and a

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<v Speaker 1>couple of scenes this Scott. Sorry, I don't want to

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<v Speaker 1>be weird, but you did. I think we'll see. No,

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<v Speaker 1>I'm not gonna say anything. You continue. I think Danielle

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<v Speaker 1>we say at the same time or not quite. At

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<v Speaker 1>the scene where Scott Luke will say Luke looked like

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<v Speaker 1>I was gonna say he won the fashion moment this episode.

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<v Speaker 1>It was literally he won the most scene where I'm like,

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<v Speaker 1>whoa babe, But we'll save it. We'll save it the long,

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<v Speaker 1>long long time again. Sorry, but it's true. I'm sorry.

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<v Speaker 1>Do you want me to say it now? Just scene yeah,

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<v Speaker 1>thank you? Uh. The scene worst Luke looked super babe

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<v Speaker 1>delicious for me is getting ready. So it's Luke, t

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<v Speaker 1>J and Jess. They're in the apartment getting ready and

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<v Speaker 1>Luke's like half dressed, and I just was like, I'm

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<v Speaker 1>just blushed. What was yours? Was your moment? Daniel? No,

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<v Speaker 1>I just thought I thought Luke won the fashion moment

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<v Speaker 1>of this episode, Like just the suit looked great, like

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<v Speaker 1>and you dancing with lorel I was just like, there's

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<v Speaker 1>steam coming off the two of them right now. I

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<v Speaker 1>can't wait to talk about it. I'm giving ten out

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<v Speaker 1>of ten to face acting face acting in this one.

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<v Speaker 1>But wait, first, did you guys all plan your outfits

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<v Speaker 1>because you're all wearing what is going on to not

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<v Speaker 1>pop in our collars? This was me being lazy trying

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<v Speaker 1>to look for a sweater five minutes before this start.

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<v Speaker 1>It's cold in California. Now, I tried to wear like

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<v Speaker 1>a lore Lae outfit today off at all? Yes, I try.

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<v Speaker 1>My hair is not quite there, but I try. You

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<v Speaker 1>guys look great in your half zips. We call those

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<v Speaker 1>half zips. This this is from the wardrobe department of

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<v Speaker 1>my new show, by the way, by Sullivan's Crossing. Um,

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<v Speaker 1>by the way, what's up Canada? Why does Canada get it?

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<v Speaker 1>But yeah, I was about to ask the same thing.

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<v Speaker 1>So I don't know how much I can say. But yes,

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<v Speaker 1>the Canadian premiere is March nineteenth. That's a Sunday, evil

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<v Speaker 1>And I'm actually going to be up in Toronto for

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<v Speaker 1>that premiere Toronto Comic Con. But then I'm staying Monday

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<v Speaker 1>to do press for the new show for Sullivan's cross Hi,

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<v Speaker 1>is it not here yet? Well, I don't know how

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<v Speaker 1>much I can say. You just said that, but all

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<v Speaker 1>I can say is US fans will be pleased soon. Oh.

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<v Speaker 1>I don't even know if I can say that. I

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<v Speaker 1>probably got I just probably gotten a lot of trouble.

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<v Speaker 1>But no say that because I was trouble. That's better

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<v Speaker 1>news than I thought. You're okay, great, But I just

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<v Speaker 1>don't know any details, and I don't know the wends

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<v Speaker 1>and the wherefo what You just will take what you said.

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<v Speaker 1>My tea's ready, I'm ready to start. Yeah, my water's

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<v Speaker 1>sitting in the cup, watered. It's watered, And why don't

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<v Speaker 1>we start synopsizing with the best synopsizer in the business.

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<v Speaker 1>Daniel Ramabhud Daniel all Right, Season four, episode twenty one,

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<v Speaker 1>Last Week Fights. This week's Tights air date May eleventh,

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<v Speaker 1>two thousand and four. It's Liz and TJ's wedding day,

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<v Speaker 1>and Lucas feeling a bit nervous bringing Lorelai along and

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<v Speaker 1>makes another move. At the end of the night, Miss

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<v Speaker 1>Kim starts to make amends with Lane and visits her apartment. Rory,

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<v Speaker 1>Jess and Dean's triangle continues as Jess makes a last

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<v Speaker 1>minute plead to be with her while Dean saves Rory

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<v Speaker 1>from a bad date. Well, I I got to tell

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<v Speaker 1>you my first thought on this episode was how much

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<v Speaker 1>t J and Liz my sister Kathleen Wilhoyt bring to

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<v Speaker 1>this show. Yeah, yeah, I mean they really they're just

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<v Speaker 1>such a great couple together. It's like they're as good

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<v Speaker 1>together as Laura Lyon Luke are good together, because that's

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<v Speaker 1>actually do you think that t J and Liz are

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<v Speaker 1>better together? No, this is what you're saying. I think

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<v Speaker 1>they're excellent, right, yeah, but that is they balance each other,

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<v Speaker 1>I think there. But I think they're a great, loving,

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<v Speaker 1>comedic couple. That's grounded in the real and that's why

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<v Speaker 1>I love to watch them. And she's great, but especially him.

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<v Speaker 1>But but they're I think they're both just like man,

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<v Speaker 1>they're both powerhouses. In this episode, he's like the vows

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<v Speaker 1>where he just goes wrote something down. But yes, but

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<v Speaker 1>the great comedic moment, the great comedic moment of this

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<v Speaker 1>entire episode was when was when TJ was looking off

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<v Speaker 1>and he done his vows and then he was looking

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<v Speaker 1>off and then it was her turn and Ted Rooney said,

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<v Speaker 1>and what do you have to say, Liz? And she

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<v Speaker 1>goes t J and he goes what he's He's just

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<v Speaker 1>But it was not Ted Rooney. It's the Troubadour. No,

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<v Speaker 1>that was Ted Rooney. It wasn't the Troubadour. Ted Rooney

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<v Speaker 1>said it. I thought the Troubadour is doing right. No,

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<v Speaker 1>no, no no, no, you're right, you're right. It's it's the

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<v Speaker 1>other troubadour. It's not Ted Rooney. It's what's his name?

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<v Speaker 1>What's his name? Um Gruber Allen? Right. I was gonna

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<v Speaker 1>say Alan, yeah, but yeah, right, right, thank you, thank

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<v Speaker 1>you for the correction. But it wasn't Grantly Buffalo wasn't

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<v Speaker 1>Grantly Phillips it was the other one. No, it was

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<v Speaker 1>the other it's the second tu but but but I mean,

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<v Speaker 1>and you know, Michael d Louise plan that because you

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<v Speaker 1>have to be looking away and then whip the head around.

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<v Speaker 1>Let me talk about funny. Oh god, I I was.

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<v Speaker 1>I was drinking tea and I spit it out of

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<v Speaker 1>my mouth when he did the one. So what's your

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<v Speaker 1>overall thoughts on the episode? This is the biggest and

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<v Speaker 1>best episode I've seen. It is all of these themes

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<v Speaker 1>are playing out and we see how these relationships are

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<v Speaker 1>are really beginning to blossom, um, especially Luke and Laurelo.

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<v Speaker 1>And I think it's a huge moment, and they took

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<v Speaker 1>four years to do it, and I think it was

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<v Speaker 1>brilliant to do it over a four year period, and

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<v Speaker 1>four it's like this rumbling of the earth and it

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<v Speaker 1>doesn't seem like it four years it went fat. I

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<v Speaker 1>don't know. Yeah, it was just such a oh man.

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<v Speaker 1>This season felt like we really fast forward through everything.

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<v Speaker 1>I think that's why Amy like this season alone, just

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<v Speaker 1>from like zero to one hundred. Yeah, yeah, it's because

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<v Speaker 1>we were so eager to get to the next episode, right. Yeah,

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<v Speaker 1>it was like time just sped up and like, let's

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<v Speaker 1>get to the next one, because it's so it's they're

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<v Speaker 1>just better and better and better, and it's like every

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<v Speaker 1>time you think they can't outdo themselves, they do. You

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<v Speaker 1>have to give credit to like because it's you know,

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<v Speaker 1>remember Moonlighting and like every show, well they won't they

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<v Speaker 1>blah blah blah. You know, you have to give credit

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<v Speaker 1>to them because I think they timed it really perfectly.

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<v Speaker 1>But I think they didn't make us wait forever. It's

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<v Speaker 1>not too soon. It's like, okay, like we're ready, they're ready.

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<v Speaker 1>That's why it's so effortless, right, But they gave it

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<v Speaker 1>a lot of cover too, with multiple storylines and multiple

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<v Speaker 1>great characters, so it didn't feel like, you know, I

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<v Speaker 1>knew fans were waiting for it and they wanted it,

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<v Speaker 1>but it wasn't to the point where it was this

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<v Speaker 1>irritation where they were bother. It's almost like, yeah, it's

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<v Speaker 1>almost the Bee the b storyline, because you could argue

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<v Speaker 1>that Rory was like, really, her storyline is so dramatic, right,

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<v Speaker 1>whereas that needs to be its own separate episode, Like

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<v Speaker 1>the whole Rory element of this. Oh yeah, there's a lot, yes,

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<v Speaker 1>there's so much so okay, so here's our question. Do

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<v Speaker 1>we go in chronological order or do we break down

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<v Speaker 1>each storyline? Should we stick well, go with chronological chronological? Yeah? Yeah,

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<v Speaker 1>because we want rush no, no, we have to take

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<v Speaker 1>our time with this because there's a lot, a lot

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<v Speaker 1>to go through, and and who's not popping their caller anymore.

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<v Speaker 1>I'd like to know what happened. Okay, good, Now there's

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<v Speaker 1>something even I didn't even know something was wrong in

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<v Speaker 1>the force field. Oh god, So at first I did

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<v Speaker 1>anybody else? Have the moment you see miss Patty and

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<v Speaker 1>then you're like, who's that lady? Yeah? We open up

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<v Speaker 1>to like a lady. We don't know who we find

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<v Speaker 1>and out was Chrissie I think. And then Kirk's so mad.

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<v Speaker 1>That's my wife by the way, stop that. Oh god.

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<v Speaker 1>First of all, I knew she was coming your real wife,

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<v Speaker 1>that's my real life wife episode. She only in this one,

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<v Speaker 1>she did she did another one too. I think I

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<v Speaker 1>knew this. Oh she was, she was. She was in

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<v Speaker 1>the Netflix thing too. I knew she was in it,

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<v Speaker 1>but I didn't know. When can we interview her? Oh?

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<v Speaker 1>You want to? You want to interview her? Yeah, sure,

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<v Speaker 1>a thousand percent. Can she can you ask her? She

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<v Speaker 1>can be our guest next? Yes? Love, Yeah, you here, doctor,

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<v Speaker 1>It's fine. Let her do the work. That's amazing. I

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<v Speaker 1>knew she was coming that I didn't really anyways, so crazy,

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<v Speaker 1>that's hilarious. You guys. I'm sorry, I'm not a idea. Yeah, now,

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<v Speaker 1>you were not married at the time. She was your girlfriend. Yes,

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<v Speaker 1>she was. Gosh, she was probably twenty four at that point.

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<v Speaker 1>Did you get her the job or did she get

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<v Speaker 1>the job totally on her own? No, she went in

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<v Speaker 1>and earned it, you know. But Amy knew her and

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<v Speaker 1>liked her and liked her look and like, yeah she

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<v Speaker 1>really is and um so yeah, they just they offered

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<v Speaker 1>it to her and she was throw. Did she play

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<v Speaker 1>Chrissy again or does she play a different character? I don't.

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<v Speaker 1>I don't know that she did another episode. I don't know. Oh,

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<v Speaker 1>not till the next I think I think the Netflix

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<v Speaker 1>was the second time. Yeah, which which one? I don't know.

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<v Speaker 1>I haven't seen them. I saw her work, you know,

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<v Speaker 1>I saw her. I saw the cliff beside. Should we

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<v Speaker 1>analyze her performance right now or do we wait till

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<v Speaker 1>we have her on? Wait? Yeah, you give her ten

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<v Speaker 1>out of ten. I think we do out of lukes.

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<v Speaker 1>I think we should do. Half the interview is Scott

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<v Speaker 1>interviewing her. The other half is us interviewing her. I

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<v Speaker 1>love it, Like it's not good. She's adorable. But anyway,

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<v Speaker 1>I was like, who's this lady? Crazy lady, because she

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<v Speaker 1>got like a very prominent I mean, we like opened

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<v Speaker 1>on her, opened opened on her and miss power. Yeah,

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<v Speaker 1>did you know she was coming in this episode? Like no, no.

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<v Speaker 1>I was in the media room and I shouted out

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<v Speaker 1>because because Nicky was doing homework and she was she

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<v Speaker 1>was in there. Oh my god, did you recognize her immediately?

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<v Speaker 1>Oh yeah. Not only can she make Hello fresh tacos,

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<v Speaker 1>but she is a star. She hasn't changed that much

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<v Speaker 1>in twenty years. Oh that's so. Yeah. It was like her,

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<v Speaker 1>but Kirk Kirk doesn't like No, Kirk can take a

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<v Speaker 1>long walk off for a short period, you know what

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<v Speaker 1>I mean. I like her. I like her, Loria. I acknowledge, Like,

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<v Speaker 1>what's Kirk mad about it? It's like forty five jobs finally, Yeah,

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<v Speaker 1>somebody acknowledges it. So sort of a wink and a knock.

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<v Speaker 1>That was a good, good opening. Yeah, Laura is all fancy,

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<v Speaker 1>but no shoes. Did you see she was not wearing shoes? Oh? Really?

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<v Speaker 1>I don't know if it was because she didn't want

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<v Speaker 1>to be wearing shoes. I don't know if I saw

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<v Speaker 1>it right. Wait, Jackie, is there any chance you can

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<v Speaker 1>bring it up? It's right at the beginning, so we

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<v Speaker 1>can see if I'm right, they didn't really show her feet,

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<v Speaker 1>but I thought I saw no shoes. Huh. Okay, back

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<v Speaker 1>her up. Okay, let it go for a minute, so

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<v Speaker 1>we see. Kirk got it so different when you watch

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<v Speaker 1>it on the computer. Oh, oh my god, there's your wife.

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<v Speaker 1>She has amazing hair. Oh my god. Wow. First of all, maple,

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<v Speaker 1>we need to talk about a maple. Okay, here she comes,

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<v Speaker 1>all right. So we're watching Lorela in her fancy dress

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<v Speaker 1>with her purse and her great hair, yelling to Kirk.

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<v Speaker 1>And then in a minute she sort of walks and

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<v Speaker 1>I could have sworn she's wearing no shoes. Now they

0:14:22.080 --> 0:14:27.520
<v Speaker 1>could have been like skin colored shoes. But okay, hold on,

0:14:28.160 --> 0:14:37.400
<v Speaker 1>everybody listening, bear with us. Okay, there we go. I

0:14:37.400 --> 0:14:41.240
<v Speaker 1>bet you that's for one of two reasons they didn't

0:14:41.320 --> 0:14:45.840
<v Speaker 1>because she's so tall, or she can't wear heels on

0:14:45.840 --> 0:14:49.280
<v Speaker 1>that grass. Yeah, I think they were giving her feet

0:14:49.320 --> 0:14:52.600
<v Speaker 1>or rest. Yeah, she's just like some days. Let's see

0:14:52.640 --> 0:14:55.320
<v Speaker 1>what she's wearing here, if she switched her shoes, hold on,

0:14:56.440 --> 0:14:58.720
<v Speaker 1>do we see? Oh? Okay, I don't think this goes

0:14:58.760 --> 0:15:01.440
<v Speaker 1>to we never get to know? All right, Well, that

0:15:01.520 --> 0:15:04.000
<v Speaker 1>was the opening scene, and then we see Jess with

0:15:04.080 --> 0:15:06.480
<v Speaker 1>the book. I will say when I thought Jess on

0:15:06.480 --> 0:15:09.120
<v Speaker 1>the screen, I just gave this emoji in my notes.

0:15:11.480 --> 0:15:13.800
<v Speaker 1>Just love him so much and him reading the book,

0:15:13.840 --> 0:15:15.960
<v Speaker 1>I was like, Oh, is you're not alone a real book?

0:15:17.160 --> 0:15:22.600
<v Speaker 1>I don't know. I don't know should be if it's not,

0:15:23.080 --> 0:15:27.720
<v Speaker 1>because it's really helped out too very prominent fictional characters.

0:15:28.040 --> 0:15:33.640
<v Speaker 1>You are not alone by Greer Hendrix. I don't know

0:15:33.640 --> 0:15:35.400
<v Speaker 1>if it's this. I don't think. I don't think that's it.

0:15:35.520 --> 0:15:37.400
<v Speaker 1>That's a novel. It's not the same. Yeah, I think

0:15:37.400 --> 0:15:45.240
<v Speaker 1>there are a lot of books with that title. So

0:15:45.400 --> 0:15:47.880
<v Speaker 1>then we get to the Radishes. Who likes a radish?

0:15:47.880 --> 0:15:51.920
<v Speaker 1>I like radish? I do I like a nice oh yeah?

0:15:52.120 --> 0:15:58.480
<v Speaker 1>Or in like a soup? Soup rashes are the sandwich

0:15:58.600 --> 0:16:01.680
<v Speaker 1>lately or a chicken charm in sandwich? Probably not a

0:16:01.760 --> 0:16:09.600
<v Speaker 1>bad choice. Oh Jackie gave a Radish shout out on tacos. Yeah,

0:16:09.600 --> 0:16:12.080
<v Speaker 1>but anyway, they're they're fighting. What did you all think?

0:16:13.880 --> 0:16:19.400
<v Speaker 1>I mean none the day. Yeah, when they were arguing, Um,

0:16:19.440 --> 0:16:22.440
<v Speaker 1>if a Radish was small enough to put up their

0:16:22.480 --> 0:16:25.760
<v Speaker 1>baby's nose and then they're like, we're gonna get him

0:16:25.760 --> 0:16:30.960
<v Speaker 1>and find out it's like no more. Did enjoy jack

0:16:31.080 --> 0:16:35.960
<v Speaker 1>Lelane alive or not? Because I do do that. Um,

0:16:36.120 --> 0:16:37.920
<v Speaker 1>he was he alive at the time. I don't think

0:16:37.920 --> 0:16:42.240
<v Speaker 1>he is now. I think he was. Yeah, he was.

0:16:42.400 --> 0:16:45.520
<v Speaker 1>He was alive at the time. Jack Lelane, he was

0:16:45.600 --> 0:16:48.160
<v Speaker 1>famous for that onesie zip up. He had a zip

0:16:48.240 --> 0:16:52.000
<v Speaker 1>up one. Remember that he had some good workout garb

0:16:52.240 --> 0:16:55.040
<v Speaker 1>and didn't didn't he pull a boat behind him with

0:16:55.120 --> 0:16:58.200
<v Speaker 1>his teeth or something like that? Yeah, I did something crazy. Yeah,

0:16:58.200 --> 0:17:00.520
<v Speaker 1>he did something like that. He did some crazy fitness.

0:17:00.640 --> 0:17:03.200
<v Speaker 1>So then we get on the phone, which I still

0:17:03.240 --> 0:17:07.360
<v Speaker 1>I really don't mind these phone calls. They they don't

0:17:07.400 --> 0:17:09.919
<v Speaker 1>bother me. But she talks about the J word and

0:17:09.920 --> 0:17:13.480
<v Speaker 1>the jessometer, Like should she tell that whole back and forth?

0:17:13.560 --> 0:17:15.600
<v Speaker 1>And then did you guys notice the horse right away?

0:17:16.240 --> 0:17:25.959
<v Speaker 1>Right right away? Why is there a horse, and so

0:17:26.000 --> 0:17:28.600
<v Speaker 1>that was sort of an over the top but funny bit, right,

0:17:28.640 --> 0:17:32.960
<v Speaker 1>But it's violating so many building codes. I mean, that

0:17:33.040 --> 0:17:36.159
<v Speaker 1>thing's going to poop, right. The fact that Michelle and

0:17:36.480 --> 0:17:39.720
<v Speaker 1>Suki are just like, yeah, the horse when they're all, oh,

0:17:39.800 --> 0:17:44.960
<v Speaker 1>now that we have this rule, okay, thank you. Yeah.

0:17:45.080 --> 0:17:48.080
<v Speaker 1>I mean if you walked into an end a bed

0:17:48.119 --> 0:17:50.520
<v Speaker 1>and breakfast then you saw a horse in the dining room,

0:17:50.560 --> 0:17:52.679
<v Speaker 1>what would you do? Would you walk turn around and

0:17:52.680 --> 0:17:55.920
<v Speaker 1>walk away? Yeah? I'm not I actually open Why is

0:17:55.960 --> 0:17:58.920
<v Speaker 1>the horse in there? Did we get that? I thought

0:17:58.920 --> 0:18:02.080
<v Speaker 1>it was maybe for the Renaissance wedding, but then she

0:18:02.119 --> 0:18:04.320
<v Speaker 1>didn't you know, she didn't pull up on a horse.

0:18:04.359 --> 0:18:06.640
<v Speaker 1>I was expecting that to be a Lizza's horse or something,

0:18:06.920 --> 0:18:11.920
<v Speaker 1>but I don't know. No, the horse lives outside. Yeah,

0:18:13.640 --> 0:18:16.240
<v Speaker 1>they don't occupy and breakfast. I do like that she

0:18:16.320 --> 0:18:18.679
<v Speaker 1>was doing decor touches. I mean, we're getting ready to

0:18:18.680 --> 0:18:22.399
<v Speaker 1>open up. She's doing this in decor. I'm big into decor.

0:18:23.000 --> 0:18:25.760
<v Speaker 1>Uh Okay. So then we kind of go from the

0:18:25.760 --> 0:18:28.320
<v Speaker 1>phone call to Rory and it's sort of goodbye to

0:18:28.359 --> 0:18:32.160
<v Speaker 1>all the roommates, and she too, well, she also told

0:18:32.240 --> 0:18:34.840
<v Speaker 1>us in the other scene that she has a final

0:18:34.840 --> 0:18:39.680
<v Speaker 1>on a Saturday, and I'm like trying to understand. Yeah,

0:18:39.720 --> 0:18:42.439
<v Speaker 1>so I think it was my my senior year. I

0:18:42.480 --> 0:18:45.679
<v Speaker 1>took a Saturday class because I had no option. Um,

0:18:45.880 --> 0:18:47.560
<v Speaker 1>I had to get it from my credit and because

0:18:47.560 --> 0:18:50.080
<v Speaker 1>it was a Saturday class, I had to take final

0:18:50.080 --> 0:18:53.399
<v Speaker 1>on a Saturday. Oh yeah. So actually it was funny

0:18:53.400 --> 0:18:54.760
<v Speaker 1>because when she said that, I'm like, I thought I

0:18:54.800 --> 0:18:56.280
<v Speaker 1>was the only one who had to do that. But

0:18:56.320 --> 0:18:58.920
<v Speaker 1>I lived at home, so you know, but yeah, I've

0:18:58.960 --> 0:19:02.679
<v Speaker 1>had a Saturday for And then Laura La tells Rory

0:19:02.800 --> 0:19:05.240
<v Speaker 1>that Jess is in town. Yeah, right, and that's what

0:19:05.400 --> 0:19:07.800
<v Speaker 1>they're talking about, the J word and does she want

0:19:08.600 --> 0:19:10.199
<v Speaker 1>every time she sees him? And then they do that

0:19:10.280 --> 0:19:13.760
<v Speaker 1>sort of banter if you see him this then I

0:19:13.760 --> 0:19:17.000
<v Speaker 1>don't need to know. But he's hem, which is fine.

0:19:17.200 --> 0:19:21.120
<v Speaker 1>So then Glenn's got a hot date. Glenn delivers again,

0:19:23.640 --> 0:19:26.760
<v Speaker 1>Glenn with the with the high with the Comedy Highlight, again,

0:19:26.840 --> 0:19:30.640
<v Speaker 1>the guys, the magic. He says, it's just twelve years

0:19:30.640 --> 0:19:32.280
<v Speaker 1>she's twelve. It's a picture every when she was twelve

0:19:32.320 --> 0:19:33.840
<v Speaker 1>years old, don't judge me, and then he goes like

0:19:33.880 --> 0:19:36.560
<v Speaker 1>he tries to get the straw in his mouth. Come on,

0:19:37.160 --> 0:19:40.760
<v Speaker 1>the guy was doing he was busy comedic actor, jamming

0:19:40.800 --> 0:19:43.159
<v Speaker 1>in a lot of comedic stuff in a very short

0:19:43.160 --> 0:19:45.560
<v Speaker 1>period of time, and he pulled it all off. He's great,

0:19:45.600 --> 0:19:48.919
<v Speaker 1>He's great. I'm a lot. I love ta Tona on

0:19:48.960 --> 0:19:53.960
<v Speaker 1>her own chest, shuster fleet doing only he could only

0:19:54.000 --> 0:19:59.879
<v Speaker 1>talk in like cliches. I can't even think of a cliche.

0:20:00.000 --> 0:20:03.640
<v Speaker 1>It would be really hard. What is a cliche? Like?

0:20:03.720 --> 0:20:06.680
<v Speaker 1>I mean not what is a cliche? But what is um?

0:20:06.720 --> 0:20:08.399
<v Speaker 1>Can anybody like if you were to think of one

0:20:08.480 --> 0:20:12.560
<v Speaker 1>right now on the spot? Yeah, that's hard. Word in

0:20:12.600 --> 0:20:17.480
<v Speaker 1>the feather like is that a burden? Then? Whatever? That

0:20:19.040 --> 0:20:21.480
<v Speaker 1>burden of feather is worth two in the crook? What?

0:20:21.680 --> 0:20:24.720
<v Speaker 1>I can never get them right? Oh, I've been corrected.

0:20:25.280 --> 0:20:29.520
<v Speaker 1>One said that's an idiot, that's an idiom. Okay, a cliche,

0:20:29.640 --> 0:20:33.959
<v Speaker 1>all right, you're right. A cliche would be something like, uh,

0:20:35.359 --> 0:20:40.120
<v Speaker 1>I don't know, somebody being captain obvious? Oh all the time?

0:20:42.720 --> 0:20:46.560
<v Speaker 1>Oh all that glitters is not gold? Is an example

0:20:46.600 --> 0:20:50.960
<v Speaker 1>of a cliche. Fenty of fish in the sea, I

0:20:51.000 --> 0:20:53.720
<v Speaker 1>guess plenty of fish in the sea is one. Don't

0:20:53.760 --> 0:20:57.000
<v Speaker 1>cry over spilled milk. The calm before the storm. Every

0:20:57.000 --> 0:20:59.280
<v Speaker 1>class has a silver line. What's it come up? There's

0:20:59.320 --> 0:21:03.000
<v Speaker 1>the best metal To come up with that in conversation

0:21:03.040 --> 0:21:07.360
<v Speaker 1>on the spot is so hard to never there's no

0:21:07.400 --> 0:21:13.400
<v Speaker 1>iron team, but there's me. Men are like buses. There's

0:21:13.400 --> 0:21:16.000
<v Speaker 1>another one coming in five minutes. Don't worry about it.

0:21:16.119 --> 0:21:18.719
<v Speaker 1>I think I'm going to miss Janet and Tana if

0:21:18.760 --> 0:21:20.600
<v Speaker 1>we're not going to be living with them next year.

0:21:20.880 --> 0:21:23.600
<v Speaker 1>Did you did you really like Janet's line where she

0:21:23.680 --> 0:21:28.840
<v Speaker 1>said when Paris hugged her, that sad hug that was

0:21:28.960 --> 0:21:34.320
<v Speaker 1>that was unrequited hug. Janet says, But I only say

0:21:34.359 --> 0:21:39.439
<v Speaker 1>that to people I like, I thought my favorite Paris

0:21:39.480 --> 0:21:43.560
<v Speaker 1>line is Tana's got her, Like you know Collaja photos,

0:21:44.240 --> 0:21:46.200
<v Speaker 1>I would be honored if you would sign it. I'll

0:21:46.240 --> 0:21:50.240
<v Speaker 1>honor you. I'll honor you. Nobody thought that, but she's

0:21:50.280 --> 0:21:53.000
<v Speaker 1>not in it. I just thought the fake signing was

0:21:53.160 --> 0:21:58.840
<v Speaker 1>so fake. Well you're talking about Paris signing fake signing. Yeah,

0:21:58.840 --> 0:22:01.480
<v Speaker 1>she's she. I didn't think so you think they didn't

0:22:01.480 --> 0:22:05.119
<v Speaker 1>actually put penn to watch it again? Like literally just

0:22:05.160 --> 0:22:11.840
<v Speaker 1>like no, like Rory like just touches it. I'm like,

0:22:11.880 --> 0:22:14.920
<v Speaker 1>that's not a sing first she did this. It's worse

0:22:15.000 --> 0:22:18.080
<v Speaker 1>than fake eating. It was pretty bad. I'm not gonnaly.

0:22:22.640 --> 0:22:26.159
<v Speaker 1>What shall we do? And then we get the whole point.

0:22:26.520 --> 0:22:31.600
<v Speaker 1>Rory doesn't have a boy friend. We get it. She's

0:22:31.640 --> 0:22:34.840
<v Speaker 1>business studying. Who's got time for all that? And also

0:22:34.920 --> 0:22:39.240
<v Speaker 1>she's like coming off of like some major yeah break up. Yeah,

0:22:39.400 --> 0:22:42.479
<v Speaker 1>give the girl a break, let her in college, be single,

0:22:43.840 --> 0:22:47.399
<v Speaker 1>her live. Uh. Then I did think it was funny

0:22:47.400 --> 0:22:52.600
<v Speaker 1>that Paris gives her Leonard Is it's son or it's

0:22:52.640 --> 0:22:59.119
<v Speaker 1>ashr sonn Yeah, divorce sons info like and that the

0:22:59.200 --> 0:23:01.239
<v Speaker 1>kids don't even know he's getting divorced. The whole thing

0:23:01.320 --> 0:23:04.159
<v Speaker 1>was just like, but she's on her way to England, right,

0:23:04.240 --> 0:23:07.240
<v Speaker 1>she's on her way to Oxford, Oxford. Yeah, with with

0:23:07.280 --> 0:23:15.920
<v Speaker 1>Ash off she goes off. Uh so there's that. So

0:23:15.960 --> 0:23:20.159
<v Speaker 1>then we go to missus Kim. Although I notice they

0:23:20.200 --> 0:23:24.840
<v Speaker 1>call her miss Kim. Who missus Kim? But I thought

0:23:24.880 --> 0:23:26.840
<v Speaker 1>Laura I called her miss Kim, And I know it's

0:23:26.880 --> 0:23:29.320
<v Speaker 1>missus Kim. It's always been missus Kim. I agree, But

0:23:29.400 --> 0:23:33.000
<v Speaker 1>can we can we fact check that? Sure? Play that scene, Jackie,

0:23:33.000 --> 0:23:35.440
<v Speaker 1>because I swear I wrote down nobody's under oath here

0:23:35.480 --> 0:23:41.680
<v Speaker 1>we're not gonna get jailed. Jackie. Yeah, Jackie, we're really

0:23:41.720 --> 0:23:44.720
<v Speaker 1>deep diving this these episodes. Yeah, we need to we

0:23:44.800 --> 0:23:51.119
<v Speaker 1>need to really be sure that called her miss We

0:23:51.200 --> 0:23:55.639
<v Speaker 1>probably can't hear the audio up, can Jackie? Yeah, Jackie

0:23:55.680 --> 0:23:58.320
<v Speaker 1>camb but I don't think we can. So way back, Jackie,

0:23:58.440 --> 0:24:03.119
<v Speaker 1>way back back it up, like three yeah, seven minutes in,

0:24:05.400 --> 0:24:10.239
<v Speaker 1>keep it going, keep it right after this, back up?

0:24:10.480 --> 0:24:14.400
<v Speaker 1>Tell us if she says miss Kim while we look

0:24:15.280 --> 0:24:19.720
<v Speaker 1>back it up, back up titles though, I subtitles, back

0:24:19.760 --> 0:24:23.520
<v Speaker 1>her up, Okay, let her fly. I think Rory's here

0:24:23.600 --> 0:24:26.720
<v Speaker 1>this episode. I thought the same thing. I was like,

0:24:26.880 --> 0:24:28.480
<v Speaker 1>is it did she cut it again? Like that's what

0:24:28.480 --> 0:24:30.800
<v Speaker 1>I was thinking about. It looks a little longer. It's

0:24:30.880 --> 0:24:34.879
<v Speaker 1>nice there boom, it's miss Kim said, Miss Kim. M

0:24:34.880 --> 0:24:39.600
<v Speaker 1>I s s. I think that was a mistake. Flag

0:24:39.640 --> 0:24:42.320
<v Speaker 1>on the play, flag on the play. I don't like

0:24:42.359 --> 0:24:44.960
<v Speaker 1>to be eagle yours, but I mean that's why, that's

0:24:44.960 --> 0:24:48.360
<v Speaker 1>why we have this video review, so that we can

0:24:48.400 --> 0:24:50.320
<v Speaker 1>redo the play. What's it called when they do it

0:24:50.320 --> 0:24:57.960
<v Speaker 1>in football automatic replay? We have replay a joke. Just

0:24:58.040 --> 0:25:03.240
<v Speaker 1>let him play human? Hey, guess what human beings get

0:25:03.320 --> 0:25:06.400
<v Speaker 1>things wrong sometime and they get upset, so let's just

0:25:06.480 --> 0:25:12.040
<v Speaker 1>let the game hold like that. So, who liked the

0:25:12.119 --> 0:25:15.399
<v Speaker 1>knocker the Big Knockers? She's all, I get it, I know,

0:25:15.480 --> 0:25:20.240
<v Speaker 1>double on. Yeah, that was like a yeah, it's funny. Yeah,

0:25:20.320 --> 0:25:24.560
<v Speaker 1>I mean so far Ben Franklin, Thomas Jefferson like Big Knockers.

0:25:25.200 --> 0:25:27.280
<v Speaker 1>When she's like, I've been in this country long enough

0:25:27.320 --> 0:25:34.119
<v Speaker 1>for like, I get a double on. Tom. Then, who

0:25:34.240 --> 0:25:37.280
<v Speaker 1>was befuddled by the what I thought was a chicken oven.

0:25:38.000 --> 0:25:39.720
<v Speaker 1>We go into the diner and I'm like, is this

0:25:39.800 --> 0:25:44.919
<v Speaker 1>a new oh that I really hang on? Let's go

0:25:44.960 --> 0:25:49.159
<v Speaker 1>back to missus miss miss or missus kim huh. I

0:25:49.200 --> 0:25:51.640
<v Speaker 1>like the fact that Laurel I stood her ground and said,

0:25:51.800 --> 0:25:55.760
<v Speaker 1>totally connect with your daughter. I'm not your mailman. Yeah, yeah,

0:25:56.400 --> 0:26:01.200
<v Speaker 1>I think that was great bit of humanizing human being.

0:26:01.680 --> 0:26:05.600
<v Speaker 1>You know. I think it was fine like in the

0:26:05.720 --> 0:26:08.120
<v Speaker 1>very beginning when Laurela helped her out, like yeah, I'll

0:26:08.119 --> 0:26:10.280
<v Speaker 1>take whatever you want. But I think now it's getting like,

0:26:10.359 --> 0:26:12.280
<v Speaker 1>all right, you should talk to your daughter. I think

0:26:12.359 --> 0:26:15.040
<v Speaker 1>Laurela is like pushing that on her, yeah, because she

0:26:15.160 --> 0:26:18.639
<v Speaker 1>sees how miserable well Laura is a baller. She's like,

0:26:18.680 --> 0:26:23.520
<v Speaker 1>I'm not doing this. Yeah, right, She's like, go connect

0:26:23.560 --> 0:26:26.160
<v Speaker 1>with good notes. I forgot that. Yeah, no, no, no,

0:26:26.200 --> 0:26:28.800
<v Speaker 1>it's okay. Um, but I just thought it was a nice,

0:26:28.960 --> 0:26:32.360
<v Speaker 1>nice moment for Yeah, Laureli is rad and she's right

0:26:32.840 --> 0:26:35.440
<v Speaker 1>kind of. That's That's one of the takeaways for me

0:26:35.600 --> 0:26:39.439
<v Speaker 1>from this episode is how helpful Laurel I is and

0:26:39.480 --> 0:26:43.040
<v Speaker 1>how she's she's not a busybody in the fact that

0:26:43.080 --> 0:26:46.399
<v Speaker 1>she's in everybody's business. She's just there to help. She

0:26:46.480 --> 0:26:51.160
<v Speaker 1>does she helps a lot of people. So does Luke.

0:26:51.880 --> 0:26:55.359
<v Speaker 1>She does the eggs for Kirk. He's O. They're both

0:26:55.520 --> 0:26:58.880
<v Speaker 1>doing it all the time. But she's but she's more

0:26:58.960 --> 0:27:01.439
<v Speaker 1>out there, you know, she's mobile, she's out there with

0:27:01.480 --> 0:27:04.440
<v Speaker 1>the whole town. He's kind of locked down. I think

0:27:04.480 --> 0:27:07.000
<v Speaker 1>he does it. I think he does it quite a lot.

0:27:07.359 --> 0:27:11.080
<v Speaker 1>I think it's that town's you know that that's the

0:27:11.160 --> 0:27:14.920
<v Speaker 1>DNA of that small town anyway. Right, So we get

0:27:14.920 --> 0:27:18.280
<v Speaker 1>to one of my favorite scenes of this episode, which

0:27:18.359 --> 0:27:22.119
<v Speaker 1>is the bachelorette party in the diner. In the diner

0:27:23.160 --> 0:27:25.840
<v Speaker 1>and the first of all, then I realized this chicken

0:27:25.960 --> 0:27:30.199
<v Speaker 1>rotisserie is for the turkey legs. That now. Yeah, and

0:27:30.320 --> 0:27:39.560
<v Speaker 1>Lizze's friend was so inappropriate. I know on appropriate. That's Carrie.

0:27:39.760 --> 0:27:42.560
<v Speaker 1>That's Carrie, the one that he didn't he have a

0:27:42.600 --> 0:27:46.920
<v Speaker 1>thing with her underneath the bleachers in high school. And

0:27:47.160 --> 0:27:50.840
<v Speaker 1>she's never is hot to trot him for sure because

0:27:50.880 --> 0:27:53.040
<v Speaker 1>she comes up to him at the wedding. Yep, yep.

0:27:53.400 --> 0:27:58.200
<v Speaker 1>I whoa. Yeah, May I ask who's had a turkey leg?

0:27:58.240 --> 0:28:00.840
<v Speaker 1>Because I would do anything for a turkey leg? Right now?

0:28:00.840 --> 0:28:04.800
<v Speaker 1>I have They have me at Disneyland all the time. No,

0:28:04.920 --> 0:28:07.000
<v Speaker 1>I know they sell it like I've I've shared it

0:28:07.040 --> 0:28:08.679
<v Speaker 1>with a friend where we've like sat down and like

0:28:08.800 --> 0:28:11.440
<v Speaker 1>ripped it apart. But like I can't have more than

0:28:11.480 --> 0:28:14.560
<v Speaker 1>like a couple bites. Like it's too much. It's like

0:28:14.560 --> 0:28:18.840
<v Speaker 1>a turkey. It intimidates me. I just it's like this big.

0:28:18.880 --> 0:28:22.919
<v Speaker 1>It's huge, and you don't just like you you peeled it.

0:28:22.960 --> 0:28:24.720
<v Speaker 1>I've taken it like like a fork and just because

0:28:24.720 --> 0:28:27.159
<v Speaker 1>it like breaks off pretty easily, so I just like

0:28:27.200 --> 0:28:29.240
<v Speaker 1>take a fork and just like break it apart. So

0:28:29.240 --> 0:28:32.439
<v Speaker 1>where do they get that giant turkey? I like to

0:28:32.480 --> 0:28:35.400
<v Speaker 1>hold my my Viking sword with it while I eat it.

0:28:38.000 --> 0:28:40.360
<v Speaker 1>Eaton said it. It's like pretty like oily too. So

0:28:40.360 --> 0:28:44.080
<v Speaker 1>it's like like drips like so it's not like they

0:28:44.160 --> 0:28:46.440
<v Speaker 1>put it in this like foil that you have like

0:28:46.560 --> 0:28:49.440
<v Speaker 1>get it in. But I mean I've seen people walking

0:28:49.480 --> 0:28:54.040
<v Speaker 1>around like full on Disneyland, like like eating it like that.

0:28:54.160 --> 0:28:59.840
<v Speaker 1>But is just any type of manners or ability to

0:28:59.880 --> 0:29:04.800
<v Speaker 1>be clean or beautiful goes out the window the minute

0:29:04.800 --> 0:29:07.240
<v Speaker 1>you walk in those gates. You're just like you come

0:29:07.240 --> 0:29:10.040
<v Speaker 1>in kind of giving it a good effort, and then

0:29:10.080 --> 0:29:14.640
<v Speaker 1>you're just like effort, I'm bross, I don't care walking

0:29:14.640 --> 0:29:19.520
<v Speaker 1>around eating I might get it, I might do it.

0:29:19.560 --> 0:29:22.320
<v Speaker 1>I'll talk about a ringing endorsement for that franchise. Do

0:29:22.400 --> 0:29:24.920
<v Speaker 1>you want me to get a turkey? Come on? There

0:29:25.160 --> 0:29:27.600
<v Speaker 1>as a picture in video Amy. I am going to

0:29:27.640 --> 0:29:30.120
<v Speaker 1>Disneyland in like two months, I think I'll I'm gonna

0:29:30.200 --> 0:29:33.240
<v Speaker 1>do it. Do they have him at California Adventure? Yes? Yeah,

0:29:33.280 --> 0:29:35.680
<v Speaker 1>I can tell you were. Oh well we can go

0:29:35.720 --> 0:29:43.000
<v Speaker 1>together there you go. Just let me know, Scott, what

0:29:43.040 --> 0:29:47.560
<v Speaker 1>do you think of the bachelorette party? I think I

0:29:47.680 --> 0:29:51.400
<v Speaker 1>was as uncomfortable as he was. I thought it was

0:29:51.440 --> 0:29:55.960
<v Speaker 1>funny for sure. What about the ups guy was a stripper?

0:29:56.160 --> 0:29:58.680
<v Speaker 1>It took me two seconds to realize it's a stripper

0:29:58.760 --> 0:30:00.720
<v Speaker 1>and then I was like ding ding ding, and then

0:30:00.760 --> 0:30:04.440
<v Speaker 1>it just went for it like jealous. So funny. It

0:30:04.600 --> 0:30:09.200
<v Speaker 1>was like, oh, just picked up on it before Luke did,

0:30:09.440 --> 0:30:13.840
<v Speaker 1>so funny, funny moment. Nick is starting to understand what

0:30:13.920 --> 0:30:16.120
<v Speaker 1>I do for a living. Oh yeah, you know. Yeah.

0:30:16.160 --> 0:30:19.480
<v Speaker 1>So he's seen little snippets of the show because my

0:30:19.520 --> 0:30:22.360
<v Speaker 1>wife has shown it to him, like she Nicoll asked

0:30:22.360 --> 0:30:25.320
<v Speaker 1>her a question like is Daddy famous and this kind

0:30:25.320 --> 0:30:28.400
<v Speaker 1>of thing like why and all that, and oh my god,

0:30:28.600 --> 0:30:31.880
<v Speaker 1>because people because people at the school talk about it

0:30:31.960 --> 0:30:35.640
<v Speaker 1>and you know, what a weird thing for. So so

0:30:35.760 --> 0:30:38.440
<v Speaker 1>we've been spoon feeding it to him a little bit,

0:30:38.560 --> 0:30:41.400
<v Speaker 1>you know, over time. And so she he's seen a

0:30:41.440 --> 0:30:45.160
<v Speaker 1>couple of scenes on her phone. And then at the

0:30:45.320 --> 0:30:49.880
<v Speaker 1>moment that that stripper guy starts going, he walks into

0:30:49.920 --> 0:30:52.360
<v Speaker 1>the Metea room and looking at he's looking at this,

0:30:52.720 --> 0:30:57.560
<v Speaker 1>go daddy, what's going on here? He's got this expression like, daddy,

0:30:57.840 --> 0:31:03.200
<v Speaker 1>what's really going on here? With two hundred episodes, you

0:31:03.480 --> 0:31:06.920
<v Speaker 1>have walked it off. Get to that moment. Oh my god,

0:31:06.920 --> 0:31:10.120
<v Speaker 1>that's so what a trip for a kid to realize, like,

0:31:11.600 --> 0:31:14.320
<v Speaker 1>is my my dad's not like every other dad. Well

0:31:14.360 --> 0:31:16.960
<v Speaker 1>I am might just do a job that well obviously,

0:31:17.000 --> 0:31:19.760
<v Speaker 1>but like you're famous more. It's not about the acting part.

0:31:19.800 --> 0:31:22.040
<v Speaker 1>It's the famous. It's the other people know you're dead.

0:31:22.520 --> 0:31:27.000
<v Speaker 1>That's so weird. Yeah, yeah, it's yeah, we're being very

0:31:27.040 --> 0:31:29.600
<v Speaker 1>careful with it, you know, Yeah, because it could be

0:31:29.720 --> 0:31:32.360
<v Speaker 1>kind of weird. Yeah, because because you know, nobody's putting

0:31:32.360 --> 0:31:34.560
<v Speaker 1>on airs over here. You know what I'm saying. It's

0:31:34.600 --> 0:31:37.280
<v Speaker 1>it's almost lucky. And I mean this in the best

0:31:37.280 --> 0:31:40.920
<v Speaker 1>way that it has been twenty years. Because imagine it's

0:31:40.920 --> 0:31:44.560
<v Speaker 1>totally him in whatever year we're in two thousand and

0:31:44.560 --> 0:31:48.840
<v Speaker 1>four at the height of this show, and you've got

0:31:48.840 --> 0:31:54.720
<v Speaker 1>this little guy and everywhere you go, every restaurant, every everything.

0:31:55.120 --> 0:31:59.320
<v Speaker 1>I don't Yeah, that's gotta be tough to handle, you know,

0:32:00.200 --> 0:32:04.360
<v Speaker 1>Yet I think so. I think you're right. I'm glad

0:32:04.400 --> 0:32:07.200
<v Speaker 1>he didn't grow up in the business while I was

0:32:07.240 --> 0:32:09.440
<v Speaker 1>away and on set all the time. You know, I'm

0:32:09.520 --> 0:32:12.080
<v Speaker 1>very because I think for from what I hear, I'm

0:32:12.080 --> 0:32:13.800
<v Speaker 1>not I don't know, but from what I hear, like

0:32:13.920 --> 0:32:19.280
<v Speaker 1>for young kids, it can be challenging because they're like

0:32:19.560 --> 0:32:22.640
<v Speaker 1>everywhere they go they have to stop, and the parent

0:32:22.800 --> 0:32:26.400
<v Speaker 1>obviously wants to acknowledge the fans and be politely nice,

0:32:26.680 --> 0:32:31.400
<v Speaker 1>but the kids like, uh, right, right, and and that

0:32:31.440 --> 0:32:34.320
<v Speaker 1>happens when we travel, and he's really good about it

0:32:34.320 --> 0:32:38.480
<v Speaker 1>to a point and then uh, but I mean it's

0:32:38.520 --> 0:32:42.080
<v Speaker 1>just basically the fact that I'm you know, I would

0:32:42.120 --> 0:32:44.720
<v Speaker 1>not have been able to spend the time that I

0:32:44.760 --> 0:32:49.440
<v Speaker 1>spend with him. Now had he been born, you would

0:32:49.480 --> 0:32:51.680
<v Speaker 1>have seen him like one day away. Yeah, I seen

0:32:51.760 --> 0:32:54.520
<v Speaker 1>him on Sunday or something. Yeah, because Saturday I would

0:32:54.560 --> 0:32:58.640
<v Speaker 1>have just slept in and you know, so, yeah, I worked.

0:32:58.800 --> 0:33:00.440
<v Speaker 1>I spend a lot of time with him, and I'm

0:33:00.480 --> 0:33:03.239
<v Speaker 1>really grateful for that. I love that, you know. So

0:33:03.320 --> 0:33:05.280
<v Speaker 1>you're one of my favorite part of this whole stripper.

0:33:06.440 --> 0:33:09.120
<v Speaker 1>Did you guys notice that the girls and the hailer's

0:33:09.200 --> 0:33:12.920
<v Speaker 1>ice cream shoppy are watching the stripper? No, but I

0:33:12.960 --> 0:33:16.720
<v Speaker 1>noticed the people outside walking him like looking deep inside.

0:33:16.880 --> 0:33:21.880
<v Speaker 1>Like That's what's so genius to me, is like I

0:33:21.920 --> 0:33:25.560
<v Speaker 1>want to watch it again, like the whole series, but

0:33:25.720 --> 0:33:29.760
<v Speaker 1>not watch the main actors. Only watch the background because

0:33:29.760 --> 0:33:33.960
<v Speaker 1>like they're really directing the background actors, yeah, to participate,

0:33:34.000 --> 0:33:36.800
<v Speaker 1>because I just happened to notice them through that window

0:33:37.520 --> 0:33:42.560
<v Speaker 1>and it was like, oh, that's hilarious. Anyway, so we

0:33:42.640 --> 0:33:46.000
<v Speaker 1>go into Doosi as an oh boy, Dean and Jess

0:33:46.720 --> 0:33:49.760
<v Speaker 1>and of course Dean had to buy all that stuff

0:33:49.800 --> 0:33:52.280
<v Speaker 1>for Lindsay and it just and of course he said,

0:33:52.360 --> 0:33:55.400
<v Speaker 1>it's for my wife. Yeah, you know what's so funny.

0:33:55.400 --> 0:33:57.920
<v Speaker 1>Do you ever go to like Target and you're like,

0:33:57.960 --> 0:34:00.760
<v Speaker 1>I wonder if the guys like judging me by what

0:34:00.880 --> 0:34:03.400
<v Speaker 1>I buy? And like they never do, but this is

0:34:03.440 --> 0:34:06.400
<v Speaker 1>like the worst case scenario where he's like listing off

0:34:06.480 --> 0:34:11.480
<v Speaker 1>every single item you purchase. I am over that now,

0:34:11.520 --> 0:34:15.120
<v Speaker 1>but I remember being like teenager twenty Yeah, I don't

0:34:15.160 --> 0:34:17.680
<v Speaker 1>care now, but I feel like when I like, it'd

0:34:17.680 --> 0:34:19.719
<v Speaker 1>be like does this person or like sometimes I will say,

0:34:19.760 --> 0:34:21.600
<v Speaker 1>like I'll go for one thing and I'm like I

0:34:21.640 --> 0:34:23.120
<v Speaker 1>throw on like a bag of candy, Like you know

0:34:23.120 --> 0:34:26.400
<v Speaker 1>what I mean, Like this person's like, what's this? Like random?

0:34:27.320 --> 0:34:30.279
<v Speaker 1>The candy is probably fine, it's the preparation age that

0:34:30.320 --> 0:34:33.879
<v Speaker 1>you're like, oh no, but you know what I mean,

0:34:33.960 --> 0:34:36.600
<v Speaker 1>Like if they see so many different things that you like,

0:34:36.640 --> 0:34:39.320
<v Speaker 1>people purchase and they're not even phased by it though,

0:34:39.520 --> 0:34:42.040
<v Speaker 1>but like I don't care. Kirks He's like, not that

0:34:42.080 --> 0:34:45.520
<v Speaker 1>many customers a day. I don't. He's living for this moment.

0:34:45.560 --> 0:34:49.480
<v Speaker 1>He's and suddenly, Kirk, did he work at dosies before? Yeah?

0:34:50.400 --> 0:34:53.799
<v Speaker 1>He did. I had the same thought as you, Amy.

0:34:53.840 --> 0:34:57.239
<v Speaker 1>I was like, sin or maybe if he didn't, Like,

0:34:57.280 --> 0:34:59.279
<v Speaker 1>I know, he does more than one. So maybe this

0:34:59.360 --> 0:35:05.440
<v Speaker 1>was the first time we see it. Oh maybe yeah, maybe? Huh.

0:35:05.680 --> 0:35:08.200
<v Speaker 1>Kirk is this Swiss army knife of that town. He

0:35:08.320 --> 0:35:14.719
<v Speaker 1>works everywhere everywhere, you like he's working at Dozie that

0:35:14.760 --> 0:35:16.960
<v Speaker 1>he still wanted that job in the first scene. Right,

0:35:17.680 --> 0:35:21.520
<v Speaker 1>So then it's Friday night dinner, which actually cracked me up.

0:35:21.560 --> 0:35:24.640
<v Speaker 1>I'm surprised we had one because we didn't last time. Well,

0:35:24.719 --> 0:35:28.960
<v Speaker 1>Loreli was so hilarious and I honestly would have been

0:35:29.000 --> 0:35:31.960
<v Speaker 1>the same way. But can you just tell me mom, like,

0:35:32.040 --> 0:35:36.360
<v Speaker 1>what is going on? That's an interesting question. Do you

0:35:36.400 --> 0:35:39.799
<v Speaker 1>think that Lorelai should just say, mom, we saw you,

0:35:39.880 --> 0:35:42.560
<v Speaker 1>we know something's up. What is going on? Yeah? Why

0:35:42.600 --> 0:35:48.200
<v Speaker 1>are they so not direct and like fishy weird? I

0:35:48.239 --> 0:35:52.080
<v Speaker 1>think it's also just Lorelize style. Yeah, but she has

0:35:52.080 --> 0:35:54.080
<v Speaker 1>such a mouth on her, so she'll stand. She'll say

0:35:54.120 --> 0:35:57.000
<v Speaker 1>to missus Kim, I'm not your male woman, but yet

0:35:57.080 --> 0:36:00.680
<v Speaker 1>she can't say to her mom, hey, I know something's that,

0:36:00.920 --> 0:36:03.160
<v Speaker 1>what's going on? I think she knows that Emily would

0:36:03.200 --> 0:36:05.239
<v Speaker 1>kind of like snap at her. That's why, yeah, I

0:36:05.239 --> 0:36:10.319
<v Speaker 1>think or just also not tell her, you know. But

0:36:10.440 --> 0:36:13.920
<v Speaker 1>the lines when Emily says, do you have any boyfriends?

0:36:13.960 --> 0:36:18.800
<v Speaker 1>Why do you? And one thing Emily did say that

0:36:18.960 --> 0:36:21.759
<v Speaker 1>was kind of telling was she she said that a

0:36:21.800 --> 0:36:24.800
<v Speaker 1>lot of Richard's schedule this week has to do with Floyd.

0:36:25.600 --> 0:36:27.279
<v Speaker 1>I think that was kind of like a little like

0:36:27.520 --> 0:36:33.399
<v Speaker 1>good jab yeah a dig On Digger, Well, yeah, dig

0:36:33.440 --> 0:36:37.640
<v Speaker 1>On Digger's dad. I guess, I mean I like that

0:36:37.680 --> 0:36:39.279
<v Speaker 1>whole scene, Scott, what do you think? I mean, I

0:36:39.280 --> 0:36:42.880
<v Speaker 1>thought we got really great stuff with the three of them.

0:36:43.040 --> 0:36:45.160
<v Speaker 1>And then I'm going to immediately, I'm going to be

0:36:45.160 --> 0:36:48.760
<v Speaker 1>honest with you here. Um. I was at that point

0:36:48.800 --> 0:36:54.720
<v Speaker 1>still trying to explain to Nick what he had seen.

0:36:56.960 --> 0:37:02.160
<v Speaker 1>So I kind of missed the the gross Doss grocery scene.

0:37:02.600 --> 0:37:07.080
<v Speaker 1>I remember seeing it, right, But You're still my attention

0:37:07.200 --> 0:37:13.000
<v Speaker 1>was over here saying it's okay. So I'm actually I'm

0:37:13.040 --> 0:37:15.480
<v Speaker 1>actually glad you mentioned that, because that's another thing with

0:37:15.560 --> 0:37:19.080
<v Speaker 1>this show. But for some reason, you take a phone call,

0:37:19.280 --> 0:37:21.439
<v Speaker 1>or now you miss a lot into the bathroom, you

0:37:21.520 --> 0:37:26.839
<v Speaker 1>miss major. It's not a passive show. No, yeah, like

0:37:26.880 --> 0:37:29.440
<v Speaker 1>I can do my ironing while I'm watching it, or

0:37:29.520 --> 0:37:33.680
<v Speaker 1>like but I can't do an email or and I didn't.

0:37:33.719 --> 0:37:36.759
<v Speaker 1>I didn't know how to pause it to deal with

0:37:36.800 --> 0:37:39.440
<v Speaker 1>this because I didn't know where the clicker was. And

0:37:39.480 --> 0:37:42.200
<v Speaker 1>I'm just like, so I'm like, go, you know, I

0:37:42.640 --> 0:37:45.560
<v Speaker 1>we'll talk about it later. Just go ahead and go

0:37:45.600 --> 0:37:47.799
<v Speaker 1>back do your homework, you know, finish. I'm not mad

0:37:47.800 --> 0:37:51.520
<v Speaker 1>about it, because I think it's another reason it is

0:37:51.560 --> 0:37:54.759
<v Speaker 1>so good to watch over and over again, because like, yeah,

0:37:54.880 --> 0:37:58.279
<v Speaker 1>when you watched it in the OG days, maybe we

0:37:58.320 --> 0:38:01.160
<v Speaker 1>had t VO, but you weren't like pause stuff. You know.

0:38:01.280 --> 0:38:04.279
<v Speaker 1>I was going to watch it this morning to catch up,

0:38:04.680 --> 0:38:07.279
<v Speaker 1>but you're never gonna believe it. Guess who shows up

0:38:07.320 --> 0:38:09.279
<v Speaker 1>at the front door right as I'm doing that. A

0:38:09.400 --> 0:38:15.719
<v Speaker 1>stripper for my wife and life imitating art. I was

0:38:15.719 --> 0:38:19.560
<v Speaker 1>going to say the ups guy, wait, because anybody had

0:38:19.560 --> 0:38:22.000
<v Speaker 1>a Raspberry super I want to make one. I've never

0:38:25.360 --> 0:38:28.279
<v Speaker 1>I did catch that. Stef Writers send it to us, Yes,

0:38:28.480 --> 0:38:30.920
<v Speaker 1>Jeff Writers working on. As soon as they mentioned that,

0:38:30.960 --> 0:38:34.120
<v Speaker 1>I started paying attention again. Yeah, I guess I was

0:38:34.160 --> 0:38:42.759
<v Speaker 1>still hungry. I mean yeah, that scene was significant because

0:38:42.760 --> 0:38:46.640
<v Speaker 1>there was a lot of banter between loralyon Rory, and

0:38:46.680 --> 0:38:49.480
<v Speaker 1>then we go to the apartment, which I was happy

0:38:49.520 --> 0:38:53.640
<v Speaker 1>to be back at the apartment. Yes, this one, Yes,

0:38:53.800 --> 0:38:56.160
<v Speaker 1>I agree because I normally don't like those scenes, but

0:38:56.239 --> 0:39:00.840
<v Speaker 1>I particularly enjoyed the apartment scenes this episode. I felt

0:39:00.840 --> 0:39:04.239
<v Speaker 1>like they were pivotal in their relationship to be more

0:39:04.239 --> 0:39:06.879
<v Speaker 1>of a home, like they've got it, like it's got

0:39:06.960 --> 0:39:10.480
<v Speaker 1>some stuff in it. I think you're more comfortable with it,

0:39:10.520 --> 0:39:15.799
<v Speaker 1>like it seems familiar. Yeah, maybe, yeah, it's a it's

0:39:15.800 --> 0:39:19.040
<v Speaker 1>a good moment to ask. Maybe I'll only ask Danielle,

0:39:19.560 --> 0:39:23.800
<v Speaker 1>what do you see of those three? Those three living together?

0:39:24.080 --> 0:39:26.520
<v Speaker 1>If you had to predict right now, like what what

0:39:26.560 --> 0:39:34.320
<v Speaker 1>do you see? Just three teenagers that are slabs? That's

0:39:34.360 --> 0:39:39.520
<v Speaker 1>literally what I see? Sure thing? What do you think

0:39:39.520 --> 0:39:42.359
<v Speaker 1>about them? You want? My issue with it is I'm

0:39:42.400 --> 0:39:47.800
<v Speaker 1>not buying them as teenagers. Oh they seem older? They do? Well?

0:39:48.200 --> 0:39:51.799
<v Speaker 1>Are are they the same age as Lane? They might

0:39:51.840 --> 0:39:54.560
<v Speaker 1>be a little older than her because she because Lane

0:39:54.560 --> 0:39:58.280
<v Speaker 1>and Rory have to be like eighteen at least. Yeah,

0:39:58.400 --> 0:40:00.560
<v Speaker 1>so they can be freshman year, so I'm going to

0:40:00.600 --> 0:40:05.080
<v Speaker 1>go nineteen nineteen, so they could be twenty. Yeah, that's

0:40:05.200 --> 0:40:06.759
<v Speaker 1>That's the only thing for me about that is it

0:40:06.880 --> 0:40:10.640
<v Speaker 1>just seems like a different show. Yeah, it's kind of

0:40:10.680 --> 0:40:14.320
<v Speaker 1>a little bit off off the rest, but but bringing

0:40:14.560 --> 0:40:20.319
<v Speaker 1>missus Kim into it into that helped world that definitely. Yeah, yes, yes,

0:40:20.480 --> 0:40:22.680
<v Speaker 1>I totally agree with you, because that felt like a

0:40:22.719 --> 0:40:25.959
<v Speaker 1>foreign world and now it feels a little bit more

0:40:26.200 --> 0:40:29.600
<v Speaker 1>part of Gilmark, right because because because you know, Lane,

0:40:29.719 --> 0:40:33.200
<v Speaker 1>we've established, but those other two it's like, oh, this

0:40:33.360 --> 0:40:35.640
<v Speaker 1>is new energy and we don't spend a lot of

0:40:35.640 --> 0:40:39.520
<v Speaker 1>time with these guys and yeah, you know, and yeah,

0:40:39.520 --> 0:40:43.359
<v Speaker 1>you're right, bringing missus Kim into that situation is kind

0:40:43.360 --> 0:40:46.640
<v Speaker 1>of splitting up the phone bill. Though. I don't know

0:40:46.680 --> 0:40:48.880
<v Speaker 1>if you guys are the right age, because you were like,

0:40:49.000 --> 0:40:52.280
<v Speaker 1>at home, we used to have to do that highlight

0:40:52.360 --> 0:40:58.440
<v Speaker 1>Mine Mine, Mine, Like that was totally real, You're like,

0:40:58.680 --> 0:41:00.560
<v Speaker 1>because you would have long distance and they could be

0:41:00.600 --> 0:41:05.560
<v Speaker 1>like eleven bucks or something. I don't totally anyway, So

0:41:06.239 --> 0:41:08.360
<v Speaker 1>I laughed. We go back to the dorm and Rory's

0:41:08.400 --> 0:41:14.000
<v Speaker 1>got the lemonade. I'm so gross. All the alcohol just

0:41:14.239 --> 0:41:17.160
<v Speaker 1>dumped into one. I know, but that's what you do

0:41:17.239 --> 0:41:19.960
<v Speaker 1>in college. I don't remember like going to a college

0:41:20.000 --> 0:41:21.920
<v Speaker 1>party and they're just being like an ice chest and

0:41:21.960 --> 0:41:25.839
<v Speaker 1>they're like, that's the drink of the day. You get

0:41:25.840 --> 0:41:29.840
<v Speaker 1>a red soil CuPy. But you're in there and you're like, Okay,

0:41:30.239 --> 0:41:33.799
<v Speaker 1>no idea, what's in it? No idea. But the fact

0:41:33.800 --> 0:41:39.200
<v Speaker 1>that drinking alone, I thought it was a funky monkey.

0:41:39.239 --> 0:41:44.960
<v Speaker 1>Didn't she call it a funky monkey? She did? She did. Yeah, anyway,

0:41:44.960 --> 0:41:46.680
<v Speaker 1>I thought it was hilarious. She's like drinking it because

0:41:46.680 --> 0:41:50.200
<v Speaker 1>she doesn't really drink other than like on spring break. Yeah,

0:41:50.239 --> 0:41:53.960
<v Speaker 1>she's just like even at like fridaynight dinner, she doesn't.

0:41:54.120 --> 0:41:56.600
<v Speaker 1>They don't well, they don't offer her anything, do they

0:41:56.680 --> 0:42:01.000
<v Speaker 1>like still diet coke? Or that's great. So anyway, we

0:42:01.040 --> 0:42:04.000
<v Speaker 1>meet Graham Sullivan and I had higher hopes for Graham

0:42:04.080 --> 0:42:07.280
<v Speaker 1>me too. When we first met. Grandma was like, cutie,

0:42:07.320 --> 0:42:10.640
<v Speaker 1>I'm excited for this. Yeah, I just let them. It

0:42:10.719 --> 0:42:12.840
<v Speaker 1>was very short lived. And I liked how he was

0:42:12.920 --> 0:42:18.279
<v Speaker 1>confident me too, and that Emily you know, like knew him,

0:42:18.440 --> 0:42:21.320
<v Speaker 1>knew of him, you know, since he was in diapers

0:42:21.440 --> 0:42:25.759
<v Speaker 1>or whatever like Adah. But Rory's dance card is filled.

0:42:26.360 --> 0:42:30.120
<v Speaker 1>You know, there's no room for anybody else to start.

0:42:31.360 --> 0:42:35.680
<v Speaker 1>We'll get as we do, see, But that was for everybody.

0:42:35.719 --> 0:42:40.320
<v Speaker 1>That was Teddy Dunn who went on to Veronica Mars.

0:42:40.440 --> 0:42:45.359
<v Speaker 1>I think he was like a major in Veronica Mars anyway.

0:42:45.960 --> 0:42:53.600
<v Speaker 1>So then my scene, Hello Luke polishing your shoes, TJ

0:42:53.800 --> 0:42:58.440
<v Speaker 1>calling you out saying you're nervous. Oh yeah, do you

0:42:58.440 --> 0:43:03.160
<v Speaker 1>think Luke was nervous? For sure? Of course nervous excited,

0:43:03.239 --> 0:43:06.680
<v Speaker 1>not nervous and like dreading like oh like nervous as

0:43:06.719 --> 0:43:11.000
<v Speaker 1>in like he's like very very excited. For the eight

0:43:12.880 --> 0:43:14.840
<v Speaker 1>I thought it was hilarious about the full length mirror.

0:43:14.920 --> 0:43:19.160
<v Speaker 1>I need to look at my bottom hot. That guy

0:43:19.239 --> 0:43:24.040
<v Speaker 1>is hilarious, hilarious, he's so comfortable in his body. Oh.

0:43:24.080 --> 0:43:26.560
<v Speaker 1>First of all, oh my god, that scene was so

0:43:26.640 --> 0:43:29.120
<v Speaker 1>good because he shouts out the queer eye guys and

0:43:29.160 --> 0:43:32.920
<v Speaker 1>the old polish. But then I think we've talked about

0:43:32.960 --> 0:43:39.600
<v Speaker 1>this before. Sharing deodorant is disgusting. Yeah, and Jess immediately

0:43:39.680 --> 0:43:45.680
<v Speaker 1>throws it away like it's sober. That's bad, that's bad.

0:43:47.040 --> 0:43:51.839
<v Speaker 1>Oh god, So then that dog that is yeah, it's

0:43:52.320 --> 0:43:55.600
<v Speaker 1>then we see Lord light She looked so cool, so

0:43:55.640 --> 0:44:02.040
<v Speaker 1>cool with her little flower crown. The flower was amazing. Yeah,

0:44:02.160 --> 0:44:04.759
<v Speaker 1>So Scott, what are you thinking now? Like are you

0:44:04.800 --> 0:44:08.759
<v Speaker 1>what are you feeling as you're seeing them? Like they're

0:44:08.800 --> 0:44:12.439
<v Speaker 1>now they're on this date? Yeah it is, it's an

0:44:12.480 --> 0:44:16.319
<v Speaker 1>actual date. You can't you can't hide that, and they're

0:44:16.360 --> 0:44:19.560
<v Speaker 1>both I don't know. I you know, what I kept

0:44:19.560 --> 0:44:22.799
<v Speaker 1>thinking during this scene and throughout the episode is how

0:44:25.080 --> 0:44:30.319
<v Speaker 1>gol darned good Laura and I are to go? That

0:44:30.520 --> 0:44:33.239
<v Speaker 1>is a match made in heaven. I mean, I I

0:44:33.280 --> 0:44:37.319
<v Speaker 1>got really lucky that she played Laura La because that

0:44:37.560 --> 0:44:42.120
<v Speaker 1>is just it was so easy and and she's so good,

0:44:42.160 --> 0:44:45.960
<v Speaker 1>and she looked so beautiful and and did you see

0:44:46.000 --> 0:44:50.600
<v Speaker 1>how she was face acting? That's what I'm hearing her

0:44:50.640 --> 0:44:55.719
<v Speaker 1>face acting was. But both of you, the face acting

0:44:56.000 --> 0:44:59.240
<v Speaker 1>is phenomenal. Just when you watch it again, watch her eyes,

0:44:59.760 --> 0:45:03.560
<v Speaker 1>wh watch the feelings and the emotions and the thoughts

0:45:03.600 --> 0:45:07.359
<v Speaker 1>that she's experiencing, and it's all coming out on her face,

0:45:07.400 --> 0:45:11.560
<v Speaker 1>and it's just unbelievable. It is, it's unbelievable. She looked

0:45:11.600 --> 0:45:15.080
<v Speaker 1>more radiant in those scenes than she's ever looked in

0:45:15.120 --> 0:45:19.040
<v Speaker 1>this in this whole series. But also you like you

0:45:19.080 --> 0:45:23.640
<v Speaker 1>do realize that, right, you were like illuminating this episode,

0:45:23.680 --> 0:45:26.359
<v Speaker 1>Like there was like a like a beam coming off.

0:45:27.680 --> 0:45:31.040
<v Speaker 1>But the thing is is, here's the thing that I

0:45:31.080 --> 0:45:36.239
<v Speaker 1>think we both realized as actors approaching the scene is

0:45:36.280 --> 0:45:40.960
<v Speaker 1>that we could now relax a little bit. It's like,

0:45:41.080 --> 0:45:43.480
<v Speaker 1>let you know, there was always all this tension and

0:45:43.880 --> 0:45:48.239
<v Speaker 1>anticipation and frustration. She was a build up to this moment, right,

0:45:48.360 --> 0:45:50.840
<v Speaker 1>and now we can just let it breathe and relax

0:45:50.920 --> 0:45:55.919
<v Speaker 1>and enjoy this momentum and really make it. And that

0:45:56.000 --> 0:46:01.160
<v Speaker 1>I think is the soul of romance. Um. So it

0:46:01.239 --> 0:46:04.680
<v Speaker 1>was wonderful to watch these two people weren't talking anymore.

0:46:05.120 --> 0:46:08.120
<v Speaker 1>They were dancing and they were looking at each other

0:46:08.160 --> 0:46:12.200
<v Speaker 1>and smiling, and it was It's just there's nothing more powerful.

0:46:12.560 --> 0:46:15.600
<v Speaker 1>You know, there's face acting right from here, right from

0:46:15.600 --> 0:46:19.040
<v Speaker 1>the time the date sort of begins. Because then so

0:46:19.040 --> 0:46:22.080
<v Speaker 1>so basically you guys kind of get to your seats

0:46:22.080 --> 0:46:24.520
<v Speaker 1>and then you get accosted by Carrie is a little

0:46:24.600 --> 0:46:27.920
<v Speaker 1>power suit, you know, that whole to do and then

0:46:28.200 --> 0:46:31.560
<v Speaker 1>Lorala goes to save the day because Lizz's dress is ripped.

0:46:31.920 --> 0:46:34.359
<v Speaker 1>I thought there was sort of like Danielle said, sort

0:46:34.360 --> 0:46:39.160
<v Speaker 1>of like, ah, like the whole time from that moment,

0:46:40.280 --> 0:46:43.320
<v Speaker 1>even when you have your little tiff about the book

0:46:43.400 --> 0:46:46.280
<v Speaker 1>or whatever, it's like, I don't know, there's just something

0:46:46.360 --> 0:46:51.319
<v Speaker 1>about two of you. And also separately too though, like

0:46:51.920 --> 0:46:54.680
<v Speaker 1>the scene we were just talking about where you're getting ready,

0:46:54.880 --> 0:46:57.160
<v Speaker 1>like that Luke was shining in his own thing, and

0:46:57.200 --> 0:46:59.759
<v Speaker 1>then when Loralai was helping Liz with a dress and

0:47:00.239 --> 0:47:02.399
<v Speaker 1>is like, you're gonna make a great wife one day.

0:47:02.640 --> 0:47:06.160
<v Speaker 1>Like just like those two scenes kind of back to back,

0:47:06.800 --> 0:47:10.839
<v Speaker 1>like let up to what we ultimately got right, well,

0:47:10.880 --> 0:47:14.880
<v Speaker 1>even the laughing, we're getting ahead of ourselves. So let

0:47:14.880 --> 0:47:16.799
<v Speaker 1>me let me just say this one thing. Can I

0:47:16.840 --> 0:47:19.760
<v Speaker 1>just say this one thing? Of course, Hey everybody, Scott

0:47:19.800 --> 0:47:21.960
<v Speaker 1>Patterson on them All on podcast. We're going to do

0:47:22.080 --> 0:47:24.920
<v Speaker 1>part two of episode twenty one, season four, and we're

0:47:24.960 --> 0:47:27.319
<v Speaker 1>gonna just sort of continue on with this because there's

0:47:27.360 --> 0:47:30.319
<v Speaker 1>a lot a lot to go over here, so we're

0:47:30.360 --> 0:47:33.160
<v Speaker 1>not even close, guys close, so we might do a

0:47:33.160 --> 0:47:35.640
<v Speaker 1>three part or who the heck knows. We keep rambling anyway,

0:47:35.719 --> 0:48:09.439
<v Speaker 1>So continue, ladies and gentlemen. Continue, hey everybody, and don't

0:48:09.480 --> 0:48:12.920
<v Speaker 1>forget follow us on Instagram at I am All in

0:48:13.200 --> 0:48:18.879
<v Speaker 1>podcast and email us at Gilmore at iHeartRadio dot com.

0:48:18.880 --> 0:48:20.680
<v Speaker 1>Oh you Gilmore fans. If you're looking for the best

0:48:20.760 --> 0:48:23.560
<v Speaker 1>cup of coffee in the world, go to my website

0:48:23.600 --> 0:48:26.520
<v Speaker 1>from my company scott ep dot com, s c O. T.

0:48:26.680 --> 0:48:30.960
<v Speaker 1>T yp dot com, scottip dot com Grade one Specialty

0:48:31.280 --> 0:48:39.080
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