1 00:00:00,680 --> 00:00:18,440 Speaker 1: I am all in. I am all in with Scott 2 00:00:18,480 --> 00:00:22,040 Speaker 1: Patterson and I heart radio podcast. All right, ladies and gentlemen, 3 00:00:22,200 --> 00:00:26,520 Speaker 1: start your engines, because what an episode this turned out 4 00:00:26,520 --> 00:00:28,600 Speaker 1: to be. And are you going to do that on? 5 00:00:28,760 --> 00:00:30,360 Speaker 1: What are you? What is that? What are you doing 6 00:00:30,400 --> 00:00:32,680 Speaker 1: that makeup? I'm trying to look beautiful on the air, 7 00:00:33,159 --> 00:00:36,800 Speaker 1: on the air, we're lying going out to millions, in 8 00:00:37,280 --> 00:00:40,280 Speaker 1: tens of millions of people. I thought I had thirty 9 00:00:40,280 --> 00:00:47,920 Speaker 1: more seconds. Huh okay, dude, we're lie. Everybody's gone. In 10 00:00:48,000 --> 00:00:51,400 Speaker 1: bud Girido one Little Productions of the mill with Little 11 00:00:51,440 --> 00:00:59,160 Speaker 1: My Cube it looks like a hot babe and a 12 00:00:59,160 --> 00:01:01,400 Speaker 1: couple of scenes this Scott. Sorry, I don't want to 13 00:01:01,400 --> 00:01:06,200 Speaker 1: be weird, but you did. I think we'll see. No, 14 00:01:06,280 --> 00:01:09,480 Speaker 1: I'm not gonna say anything. You continue. I think Danielle 15 00:01:09,600 --> 00:01:12,440 Speaker 1: we say at the same time or not quite. At 16 00:01:12,920 --> 00:01:16,480 Speaker 1: the scene where Scott Luke will say Luke looked like 17 00:01:17,200 --> 00:01:21,360 Speaker 1: I was gonna say he won the fashion moment this episode. 18 00:01:21,440 --> 00:01:25,440 Speaker 1: It was literally he won the most scene where I'm like, 19 00:01:25,640 --> 00:01:31,600 Speaker 1: whoa babe, But we'll save it. We'll save it the long, 20 00:01:32,080 --> 00:01:39,240 Speaker 1: long long time again. Sorry, but it's true. I'm sorry. 21 00:01:39,280 --> 00:01:43,759 Speaker 1: Do you want me to say it now? Just scene yeah, 22 00:01:43,880 --> 00:01:49,320 Speaker 1: thank you? Uh. The scene worst Luke looked super babe 23 00:01:49,320 --> 00:01:55,080 Speaker 1: delicious for me is getting ready. So it's Luke, t 24 00:01:55,360 --> 00:01:59,840 Speaker 1: J and Jess. They're in the apartment getting ready and 25 00:02:00,080 --> 00:02:07,320 Speaker 1: Luke's like half dressed, and I just was like, I'm 26 00:02:07,360 --> 00:02:10,840 Speaker 1: just blushed. What was yours? Was your moment? Daniel? No, 27 00:02:11,000 --> 00:02:14,320 Speaker 1: I just thought I thought Luke won the fashion moment 28 00:02:14,639 --> 00:02:18,840 Speaker 1: of this episode, Like just the suit looked great, like 29 00:02:18,919 --> 00:02:22,160 Speaker 1: and you dancing with lorel I was just like, there's 30 00:02:22,800 --> 00:02:24,919 Speaker 1: steam coming off the two of them right now. I 31 00:02:25,320 --> 00:02:27,000 Speaker 1: can't wait to talk about it. I'm giving ten out 32 00:02:27,040 --> 00:02:30,119 Speaker 1: of ten to face acting face acting in this one. 33 00:02:30,520 --> 00:02:33,200 Speaker 1: But wait, first, did you guys all plan your outfits 34 00:02:33,280 --> 00:02:37,639 Speaker 1: because you're all wearing what is going on to not 35 00:02:38,120 --> 00:02:41,160 Speaker 1: pop in our collars? This was me being lazy trying 36 00:02:41,160 --> 00:02:43,720 Speaker 1: to look for a sweater five minutes before this start. 37 00:02:44,160 --> 00:02:46,600 Speaker 1: It's cold in California. Now, I tried to wear like 38 00:02:46,600 --> 00:02:52,480 Speaker 1: a lore Lae outfit today off at all? Yes, I try. 39 00:02:53,080 --> 00:02:55,880 Speaker 1: My hair is not quite there, but I try. You 40 00:02:55,880 --> 00:02:58,200 Speaker 1: guys look great in your half zips. We call those 41 00:02:58,240 --> 00:03:03,040 Speaker 1: half zips. This this is from the wardrobe department of 42 00:03:03,120 --> 00:03:07,119 Speaker 1: my new show, by the way, by Sullivan's Crossing. Um, 43 00:03:07,120 --> 00:03:10,280 Speaker 1: by the way, what's up Canada? Why does Canada get it? 44 00:03:10,320 --> 00:03:12,200 Speaker 1: But yeah, I was about to ask the same thing. 45 00:03:12,680 --> 00:03:17,440 Speaker 1: So I don't know how much I can say. But yes, 46 00:03:17,560 --> 00:03:23,400 Speaker 1: the Canadian premiere is March nineteenth. That's a Sunday, evil 47 00:03:24,240 --> 00:03:26,520 Speaker 1: And I'm actually going to be up in Toronto for 48 00:03:26,600 --> 00:03:29,880 Speaker 1: that premiere Toronto Comic Con. But then I'm staying Monday 49 00:03:29,880 --> 00:03:33,040 Speaker 1: to do press for the new show for Sullivan's cross Hi, 50 00:03:33,280 --> 00:03:36,840 Speaker 1: is it not here yet? Well, I don't know how 51 00:03:36,880 --> 00:03:47,160 Speaker 1: much I can say. You just said that, but all 52 00:03:47,200 --> 00:03:55,520 Speaker 1: I can say is US fans will be pleased soon. Oh. 53 00:03:56,040 --> 00:03:57,680 Speaker 1: I don't even know if I can say that. I 54 00:03:57,760 --> 00:03:59,720 Speaker 1: probably got I just probably gotten a lot of trouble. 55 00:03:59,760 --> 00:04:03,240 Speaker 1: But no say that because I was trouble. That's better 56 00:04:03,240 --> 00:04:05,880 Speaker 1: news than I thought. You're okay, great, But I just 57 00:04:05,920 --> 00:04:08,640 Speaker 1: don't know any details, and I don't know the wends 58 00:04:08,720 --> 00:04:14,240 Speaker 1: and the wherefo what You just will take what you said. 59 00:04:14,640 --> 00:04:17,240 Speaker 1: My tea's ready, I'm ready to start. Yeah, my water's 60 00:04:18,040 --> 00:04:23,360 Speaker 1: sitting in the cup, watered. It's watered, And why don't 61 00:04:23,400 --> 00:04:27,640 Speaker 1: we start synopsizing with the best synopsizer in the business. 62 00:04:27,760 --> 00:04:31,960 Speaker 1: Daniel Ramabhud Daniel all Right, Season four, episode twenty one, 63 00:04:32,440 --> 00:04:36,880 Speaker 1: Last Week Fights. This week's Tights air date May eleventh, 64 00:04:37,000 --> 00:04:40,120 Speaker 1: two thousand and four. It's Liz and TJ's wedding day, 65 00:04:40,160 --> 00:04:43,599 Speaker 1: and Lucas feeling a bit nervous bringing Lorelai along and 66 00:04:43,800 --> 00:04:46,360 Speaker 1: makes another move. At the end of the night, Miss 67 00:04:46,480 --> 00:04:50,880 Speaker 1: Kim starts to make amends with Lane and visits her apartment. Rory, 68 00:04:51,120 --> 00:04:55,440 Speaker 1: Jess and Dean's triangle continues as Jess makes a last 69 00:04:55,440 --> 00:04:58,320 Speaker 1: minute plead to be with her while Dean saves Rory 70 00:04:58,480 --> 00:05:00,520 Speaker 1: from a bad date. Well, I I got to tell 71 00:05:00,520 --> 00:05:06,880 Speaker 1: you my first thought on this episode was how much 72 00:05:07,000 --> 00:05:12,279 Speaker 1: t J and Liz my sister Kathleen Wilhoyt bring to 73 00:05:12,400 --> 00:05:15,920 Speaker 1: this show. Yeah, yeah, I mean they really they're just 74 00:05:16,040 --> 00:05:20,280 Speaker 1: such a great couple together. It's like they're as good 75 00:05:20,320 --> 00:05:24,479 Speaker 1: together as Laura Lyon Luke are good together, because that's 76 00:05:24,480 --> 00:05:27,720 Speaker 1: actually do you think that t J and Liz are 77 00:05:27,760 --> 00:05:32,080 Speaker 1: better together? No, this is what you're saying. I think 78 00:05:32,160 --> 00:05:36,599 Speaker 1: they're excellent, right, yeah, but that is they balance each other, 79 00:05:36,880 --> 00:05:39,960 Speaker 1: I think there. But I think they're a great, loving, 80 00:05:40,080 --> 00:05:44,560 Speaker 1: comedic couple. That's grounded in the real and that's why 81 00:05:44,600 --> 00:05:48,520 Speaker 1: I love to watch them. And she's great, but especially him. 82 00:05:48,560 --> 00:05:51,760 Speaker 1: But but they're I think they're both just like man, 83 00:05:51,800 --> 00:05:58,120 Speaker 1: they're both powerhouses. In this episode, he's like the vows 84 00:05:58,160 --> 00:06:06,400 Speaker 1: where he just goes wrote something down. But yes, but 85 00:06:06,720 --> 00:06:09,720 Speaker 1: the great comedic moment, the great comedic moment of this 86 00:06:09,880 --> 00:06:13,920 Speaker 1: entire episode was when was when TJ was looking off 87 00:06:14,720 --> 00:06:17,159 Speaker 1: and he done his vows and then he was looking 88 00:06:17,200 --> 00:06:20,760 Speaker 1: off and then it was her turn and Ted Rooney said, 89 00:06:20,800 --> 00:06:23,440 Speaker 1: and what do you have to say, Liz? And she 90 00:06:23,480 --> 00:06:25,960 Speaker 1: goes t J and he goes what he's He's just 91 00:06:31,560 --> 00:06:34,320 Speaker 1: But it was not Ted Rooney. It's the Troubadour. No, 92 00:06:34,440 --> 00:06:37,120 Speaker 1: that was Ted Rooney. It wasn't the Troubadour. Ted Rooney 93 00:06:37,160 --> 00:06:39,719 Speaker 1: said it. I thought the Troubadour is doing right. No, 94 00:06:39,720 --> 00:06:41,400 Speaker 1: no, no no, no, you're right, you're right. It's it's the 95 00:06:41,400 --> 00:06:44,320 Speaker 1: other troubadour. It's not Ted Rooney. It's what's his name? 96 00:06:44,360 --> 00:06:47,320 Speaker 1: What's his name? Um Gruber Allen? Right. I was gonna 97 00:06:47,320 --> 00:06:50,279 Speaker 1: say Alan, yeah, but yeah, right, right, thank you, thank 98 00:06:50,279 --> 00:06:53,159 Speaker 1: you for the correction. But it wasn't Grantly Buffalo wasn't 99 00:06:53,160 --> 00:06:55,440 Speaker 1: Grantly Phillips it was the other one. No, it was 100 00:06:55,480 --> 00:06:58,800 Speaker 1: the other it's the second tu but but but I mean, 101 00:06:59,640 --> 00:07:04,000 Speaker 1: and you know, Michael d Louise plan that because you 102 00:07:04,080 --> 00:07:06,240 Speaker 1: have to be looking away and then whip the head around. 103 00:07:06,279 --> 00:07:11,240 Speaker 1: Let me talk about funny. Oh god, I I was. 104 00:07:11,400 --> 00:07:13,040 Speaker 1: I was drinking tea and I spit it out of 105 00:07:13,040 --> 00:07:16,960 Speaker 1: my mouth when he did the one. So what's your 106 00:07:17,000 --> 00:07:22,920 Speaker 1: overall thoughts on the episode? This is the biggest and 107 00:07:23,120 --> 00:07:28,400 Speaker 1: best episode I've seen. It is all of these themes 108 00:07:28,440 --> 00:07:32,840 Speaker 1: are playing out and we see how these relationships are 109 00:07:33,240 --> 00:07:40,000 Speaker 1: are really beginning to blossom, um, especially Luke and Laurelo. 110 00:07:40,160 --> 00:07:42,800 Speaker 1: And I think it's a huge moment, and they took 111 00:07:42,880 --> 00:07:45,240 Speaker 1: four years to do it, and I think it was 112 00:07:45,320 --> 00:07:48,240 Speaker 1: brilliant to do it over a four year period, and 113 00:07:48,880 --> 00:07:53,160 Speaker 1: four it's like this rumbling of the earth and it 114 00:07:53,200 --> 00:07:55,760 Speaker 1: doesn't seem like it four years it went fat. I 115 00:07:55,800 --> 00:07:59,120 Speaker 1: don't know. Yeah, it was just such a oh man. 116 00:07:59,400 --> 00:08:02,200 Speaker 1: This season felt like we really fast forward through everything. 117 00:08:02,240 --> 00:08:04,880 Speaker 1: I think that's why Amy like this season alone, just 118 00:08:05,200 --> 00:08:08,040 Speaker 1: from like zero to one hundred. Yeah, yeah, it's because 119 00:08:08,080 --> 00:08:12,360 Speaker 1: we were so eager to get to the next episode, right. Yeah, 120 00:08:12,400 --> 00:08:14,640 Speaker 1: it was like time just sped up and like, let's 121 00:08:14,680 --> 00:08:17,200 Speaker 1: get to the next one, because it's so it's they're 122 00:08:17,200 --> 00:08:19,920 Speaker 1: just better and better and better, and it's like every 123 00:08:19,920 --> 00:08:22,720 Speaker 1: time you think they can't outdo themselves, they do. You 124 00:08:22,760 --> 00:08:26,040 Speaker 1: have to give credit to like because it's you know, 125 00:08:26,760 --> 00:08:29,960 Speaker 1: remember Moonlighting and like every show, well they won't they 126 00:08:30,320 --> 00:08:34,360 Speaker 1: blah blah blah. You know, you have to give credit 127 00:08:34,400 --> 00:08:37,720 Speaker 1: to them because I think they timed it really perfectly. 128 00:08:38,400 --> 00:08:41,240 Speaker 1: But I think they didn't make us wait forever. It's 129 00:08:41,280 --> 00:08:47,480 Speaker 1: not too soon. It's like, okay, like we're ready, they're ready. 130 00:08:47,559 --> 00:08:49,920 Speaker 1: That's why it's so effortless, right, But they gave it 131 00:08:49,960 --> 00:08:53,120 Speaker 1: a lot of cover too, with multiple storylines and multiple 132 00:08:53,160 --> 00:08:56,280 Speaker 1: great characters, so it didn't feel like, you know, I 133 00:08:56,360 --> 00:08:59,120 Speaker 1: knew fans were waiting for it and they wanted it, 134 00:08:59,440 --> 00:09:01,280 Speaker 1: but it wasn't to the point where it was this 135 00:09:01,360 --> 00:09:04,200 Speaker 1: irritation where they were bother. It's almost like, yeah, it's 136 00:09:04,200 --> 00:09:06,760 Speaker 1: almost the Bee the b storyline, because you could argue 137 00:09:06,800 --> 00:09:13,840 Speaker 1: that Rory was like, really, her storyline is so dramatic, right, 138 00:09:13,960 --> 00:09:17,920 Speaker 1: whereas that needs to be its own separate episode, Like 139 00:09:18,000 --> 00:09:22,840 Speaker 1: the whole Rory element of this. Oh yeah, there's a lot, yes, 140 00:09:22,960 --> 00:09:26,280 Speaker 1: there's so much so okay, so here's our question. Do 141 00:09:26,320 --> 00:09:29,120 Speaker 1: we go in chronological order or do we break down 142 00:09:29,200 --> 00:09:33,720 Speaker 1: each storyline? Should we stick well, go with chronological chronological? Yeah? Yeah, 143 00:09:34,000 --> 00:09:35,959 Speaker 1: because we want rush no, no, we have to take 144 00:09:36,000 --> 00:09:38,200 Speaker 1: our time with this because there's a lot, a lot 145 00:09:38,240 --> 00:09:41,440 Speaker 1: to go through, and and who's not popping their caller anymore. 146 00:09:41,520 --> 00:09:45,120 Speaker 1: I'd like to know what happened. Okay, good, Now there's 147 00:09:45,160 --> 00:09:48,200 Speaker 1: something even I didn't even know something was wrong in 148 00:09:48,240 --> 00:09:52,199 Speaker 1: the force field. Oh god, So at first I did 149 00:09:52,240 --> 00:09:54,439 Speaker 1: anybody else? Have the moment you see miss Patty and 150 00:09:54,440 --> 00:09:58,040 Speaker 1: then you're like, who's that lady? Yeah? We open up 151 00:09:58,080 --> 00:09:59,920 Speaker 1: to like a lady. We don't know who we find 152 00:10:00,040 --> 00:10:03,120 Speaker 1: and out was Chrissie I think. And then Kirk's so mad. 153 00:10:03,360 --> 00:10:13,440 Speaker 1: That's my wife by the way, stop that. Oh god. 154 00:10:13,800 --> 00:10:18,520 Speaker 1: First of all, I knew she was coming your real wife, 155 00:10:18,559 --> 00:10:24,000 Speaker 1: that's my real life wife episode. She only in this one, 156 00:10:24,240 --> 00:10:26,520 Speaker 1: she did she did another one too. I think I 157 00:10:27,040 --> 00:10:29,920 Speaker 1: knew this. Oh she was, she was. She was in 158 00:10:29,360 --> 00:10:33,240 Speaker 1: the Netflix thing too. I knew she was in it, 159 00:10:33,280 --> 00:10:36,480 Speaker 1: but I didn't know. When can we interview her? Oh? 160 00:10:36,520 --> 00:10:40,280 Speaker 1: You want to? You want to interview her? Yeah, sure, 161 00:10:40,480 --> 00:10:42,680 Speaker 1: a thousand percent. Can she can you ask her? She 162 00:10:42,720 --> 00:10:51,640 Speaker 1: can be our guest next? Yes? Love, Yeah, you here, doctor, 163 00:10:53,240 --> 00:10:56,760 Speaker 1: It's fine. Let her do the work. That's amazing. I 164 00:10:56,840 --> 00:10:59,920 Speaker 1: knew she was coming that I didn't really anyways, so crazy, 165 00:11:00,080 --> 00:11:04,360 Speaker 1: that's hilarious. You guys. I'm sorry, I'm not a idea. Yeah, now, 166 00:11:04,600 --> 00:11:07,800 Speaker 1: you were not married at the time. She was your girlfriend. Yes, 167 00:11:09,320 --> 00:11:13,480 Speaker 1: she was. Gosh, she was probably twenty four at that point. 168 00:11:14,360 --> 00:11:15,959 Speaker 1: Did you get her the job or did she get 169 00:11:15,960 --> 00:11:18,280 Speaker 1: the job totally on her own? No, she went in 170 00:11:18,360 --> 00:11:23,080 Speaker 1: and earned it, you know. But Amy knew her and 171 00:11:23,160 --> 00:11:27,040 Speaker 1: liked her and liked her look and like, yeah she 172 00:11:27,160 --> 00:11:31,960 Speaker 1: really is and um so yeah, they just they offered 173 00:11:31,960 --> 00:11:34,000 Speaker 1: it to her and she was throw. Did she play 174 00:11:34,080 --> 00:11:37,640 Speaker 1: Chrissy again or does she play a different character? I don't. 175 00:11:37,760 --> 00:11:41,480 Speaker 1: I don't know that she did another episode. I don't know. Oh, 176 00:11:41,559 --> 00:11:44,080 Speaker 1: not till the next I think I think the Netflix 177 00:11:44,200 --> 00:11:49,800 Speaker 1: was the second time. Yeah, which which one? I don't know. 178 00:11:50,360 --> 00:11:52,760 Speaker 1: I haven't seen them. I saw her work, you know, 179 00:11:52,800 --> 00:11:56,360 Speaker 1: I saw her. I saw the cliff beside. Should we 180 00:11:56,520 --> 00:12:00,439 Speaker 1: analyze her performance right now or do we wait till 181 00:12:00,440 --> 00:12:04,280 Speaker 1: we have her on? Wait? Yeah, you give her ten 182 00:12:04,280 --> 00:12:12,000 Speaker 1: out of ten. I think we do out of lukes. 183 00:12:12,160 --> 00:12:15,520 Speaker 1: I think we should do. Half the interview is Scott 184 00:12:15,559 --> 00:12:19,839 Speaker 1: interviewing her. The other half is us interviewing her. I 185 00:12:19,880 --> 00:12:23,200 Speaker 1: love it, Like it's not good. She's adorable. But anyway, 186 00:12:23,200 --> 00:12:28,280 Speaker 1: I was like, who's this lady? Crazy lady, because she 187 00:12:28,400 --> 00:12:30,720 Speaker 1: got like a very prominent I mean, we like opened 188 00:12:30,800 --> 00:12:33,960 Speaker 1: on her, opened opened on her and miss power. Yeah, 189 00:12:33,960 --> 00:12:37,760 Speaker 1: did you know she was coming in this episode? Like no, no. 190 00:12:38,280 --> 00:12:40,400 Speaker 1: I was in the media room and I shouted out 191 00:12:41,320 --> 00:12:44,560 Speaker 1: because because Nicky was doing homework and she was she 192 00:12:44,679 --> 00:12:49,800 Speaker 1: was in there. Oh my god, did you recognize her immediately? 193 00:12:49,920 --> 00:12:55,800 Speaker 1: Oh yeah. Not only can she make Hello fresh tacos, 194 00:12:56,120 --> 00:12:59,200 Speaker 1: but she is a star. She hasn't changed that much 195 00:12:59,240 --> 00:13:06,280 Speaker 1: in twenty years. Oh that's so. Yeah. It was like her, 196 00:13:06,320 --> 00:13:10,400 Speaker 1: but Kirk Kirk doesn't like No, Kirk can take a 197 00:13:10,480 --> 00:13:12,520 Speaker 1: long walk off for a short period, you know what 198 00:13:12,520 --> 00:13:15,840 Speaker 1: I mean. I like her. I like her, Loria. I acknowledge, Like, 199 00:13:16,080 --> 00:13:20,440 Speaker 1: what's Kirk mad about it? It's like forty five jobs finally, Yeah, 200 00:13:20,559 --> 00:13:23,160 Speaker 1: somebody acknowledges it. So sort of a wink and a knock. 201 00:13:23,320 --> 00:13:27,959 Speaker 1: That was a good, good opening. Yeah, Laura is all fancy, 202 00:13:28,640 --> 00:13:31,240 Speaker 1: but no shoes. Did you see she was not wearing shoes? Oh? Really? 203 00:13:32,000 --> 00:13:34,240 Speaker 1: I don't know if it was because she didn't want 204 00:13:34,240 --> 00:13:35,840 Speaker 1: to be wearing shoes. I don't know if I saw 205 00:13:35,840 --> 00:13:38,360 Speaker 1: it right. Wait, Jackie, is there any chance you can 206 00:13:38,400 --> 00:13:40,840 Speaker 1: bring it up? It's right at the beginning, so we 207 00:13:40,880 --> 00:13:43,839 Speaker 1: can see if I'm right, they didn't really show her feet, 208 00:13:43,840 --> 00:13:48,600 Speaker 1: but I thought I saw no shoes. Huh. Okay, back 209 00:13:48,640 --> 00:13:52,360 Speaker 1: her up. Okay, let it go for a minute, so 210 00:13:52,360 --> 00:13:54,600 Speaker 1: we see. Kirk got it so different when you watch 211 00:13:54,640 --> 00:14:00,160 Speaker 1: it on the computer. Oh, oh my god, there's your wife. 212 00:14:01,800 --> 00:14:07,920 Speaker 1: She has amazing hair. Oh my god. Wow. First of all, maple, 213 00:14:07,960 --> 00:14:10,520 Speaker 1: we need to talk about a maple. Okay, here she comes, 214 00:14:10,559 --> 00:14:13,600 Speaker 1: all right. So we're watching Lorela in her fancy dress 215 00:14:13,640 --> 00:14:17,920 Speaker 1: with her purse and her great hair, yelling to Kirk. 216 00:14:18,160 --> 00:14:19,960 Speaker 1: And then in a minute she sort of walks and 217 00:14:20,120 --> 00:14:22,040 Speaker 1: I could have sworn she's wearing no shoes. Now they 218 00:14:22,080 --> 00:14:27,520 Speaker 1: could have been like skin colored shoes. But okay, hold on, 219 00:14:28,160 --> 00:14:37,400 Speaker 1: everybody listening, bear with us. Okay, there we go. I 220 00:14:37,400 --> 00:14:41,240 Speaker 1: bet you that's for one of two reasons they didn't 221 00:14:41,320 --> 00:14:45,840 Speaker 1: because she's so tall, or she can't wear heels on 222 00:14:45,840 --> 00:14:49,280 Speaker 1: that grass. Yeah, I think they were giving her feet 223 00:14:49,320 --> 00:14:52,600 Speaker 1: or rest. Yeah, she's just like some days. Let's see 224 00:14:52,640 --> 00:14:55,320 Speaker 1: what she's wearing here, if she switched her shoes, hold on, 225 00:14:56,440 --> 00:14:58,720 Speaker 1: do we see? Oh? Okay, I don't think this goes 226 00:14:58,760 --> 00:15:01,440 Speaker 1: to we never get to know? All right, Well, that 227 00:15:01,520 --> 00:15:04,000 Speaker 1: was the opening scene, and then we see Jess with 228 00:15:04,080 --> 00:15:06,480 Speaker 1: the book. I will say when I thought Jess on 229 00:15:06,480 --> 00:15:09,120 Speaker 1: the screen, I just gave this emoji in my notes. 230 00:15:11,480 --> 00:15:13,800 Speaker 1: Just love him so much and him reading the book, 231 00:15:13,840 --> 00:15:15,960 Speaker 1: I was like, Oh, is you're not alone a real book? 232 00:15:17,160 --> 00:15:22,600 Speaker 1: I don't know. I don't know should be if it's not, 233 00:15:23,080 --> 00:15:27,720 Speaker 1: because it's really helped out too very prominent fictional characters. 234 00:15:28,040 --> 00:15:33,640 Speaker 1: You are not alone by Greer Hendrix. I don't know 235 00:15:33,640 --> 00:15:35,400 Speaker 1: if it's this. I don't think. I don't think that's it. 236 00:15:35,520 --> 00:15:37,400 Speaker 1: That's a novel. It's not the same. Yeah, I think 237 00:15:37,400 --> 00:15:45,240 Speaker 1: there are a lot of books with that title. So 238 00:15:45,400 --> 00:15:47,880 Speaker 1: then we get to the Radishes. Who likes a radish? 239 00:15:47,880 --> 00:15:51,920 Speaker 1: I like radish? I do I like a nice oh yeah? 240 00:15:52,120 --> 00:15:58,480 Speaker 1: Or in like a soup? Soup rashes are the sandwich 241 00:15:58,600 --> 00:16:01,680 Speaker 1: lately or a chicken charm in sandwich? Probably not a 242 00:16:01,760 --> 00:16:09,600 Speaker 1: bad choice. Oh Jackie gave a Radish shout out on tacos. Yeah, 243 00:16:09,600 --> 00:16:12,080 Speaker 1: but anyway, they're they're fighting. What did you all think? 244 00:16:13,880 --> 00:16:19,400 Speaker 1: I mean none the day. Yeah, when they were arguing, Um, 245 00:16:19,440 --> 00:16:22,440 Speaker 1: if a Radish was small enough to put up their 246 00:16:22,480 --> 00:16:25,760 Speaker 1: baby's nose and then they're like, we're gonna get him 247 00:16:25,760 --> 00:16:30,960 Speaker 1: and find out it's like no more. Did enjoy jack 248 00:16:31,080 --> 00:16:35,960 Speaker 1: Lelane alive or not? Because I do do that. Um, 249 00:16:36,120 --> 00:16:37,920 Speaker 1: he was he alive at the time. I don't think 250 00:16:37,920 --> 00:16:42,240 Speaker 1: he is now. I think he was. Yeah, he was. 251 00:16:42,400 --> 00:16:45,520 Speaker 1: He was alive at the time. Jack Lelane, he was 252 00:16:45,600 --> 00:16:48,160 Speaker 1: famous for that onesie zip up. He had a zip 253 00:16:48,240 --> 00:16:52,000 Speaker 1: up one. Remember that he had some good workout garb 254 00:16:52,240 --> 00:16:55,040 Speaker 1: and didn't didn't he pull a boat behind him with 255 00:16:55,120 --> 00:16:58,200 Speaker 1: his teeth or something like that? Yeah, I did something crazy. Yeah, 256 00:16:58,200 --> 00:17:00,520 Speaker 1: he did something like that. He did some crazy fitness. 257 00:17:00,640 --> 00:17:03,200 Speaker 1: So then we get on the phone, which I still 258 00:17:03,240 --> 00:17:07,360 Speaker 1: I really don't mind these phone calls. They they don't 259 00:17:07,400 --> 00:17:09,919 Speaker 1: bother me. But she talks about the J word and 260 00:17:09,920 --> 00:17:13,480 Speaker 1: the jessometer, Like should she tell that whole back and forth? 261 00:17:13,560 --> 00:17:15,600 Speaker 1: And then did you guys notice the horse right away? 262 00:17:16,240 --> 00:17:25,959 Speaker 1: Right right away? Why is there a horse, and so 263 00:17:26,000 --> 00:17:28,600 Speaker 1: that was sort of an over the top but funny bit, right, 264 00:17:28,640 --> 00:17:32,960 Speaker 1: But it's violating so many building codes. I mean, that 265 00:17:33,040 --> 00:17:36,159 Speaker 1: thing's going to poop, right. The fact that Michelle and 266 00:17:36,480 --> 00:17:39,720 Speaker 1: Suki are just like, yeah, the horse when they're all, oh, 267 00:17:39,800 --> 00:17:44,960 Speaker 1: now that we have this rule, okay, thank you. Yeah. 268 00:17:45,080 --> 00:17:48,080 Speaker 1: I mean if you walked into an end a bed 269 00:17:48,119 --> 00:17:50,520 Speaker 1: and breakfast then you saw a horse in the dining room, 270 00:17:50,560 --> 00:17:52,679 Speaker 1: what would you do? Would you walk turn around and 271 00:17:52,680 --> 00:17:55,920 Speaker 1: walk away? Yeah? I'm not I actually open Why is 272 00:17:55,960 --> 00:17:58,920 Speaker 1: the horse in there? Did we get that? I thought 273 00:17:58,920 --> 00:18:02,080 Speaker 1: it was maybe for the Renaissance wedding, but then she 274 00:18:02,119 --> 00:18:04,320 Speaker 1: didn't you know, she didn't pull up on a horse. 275 00:18:04,359 --> 00:18:06,640 Speaker 1: I was expecting that to be a Lizza's horse or something, 276 00:18:06,920 --> 00:18:11,920 Speaker 1: but I don't know. No, the horse lives outside. Yeah, 277 00:18:13,640 --> 00:18:16,240 Speaker 1: they don't occupy and breakfast. I do like that she 278 00:18:16,320 --> 00:18:18,679 Speaker 1: was doing decor touches. I mean, we're getting ready to 279 00:18:18,680 --> 00:18:22,399 Speaker 1: open up. She's doing this in decor. I'm big into decor. 280 00:18:23,000 --> 00:18:25,760 Speaker 1: Uh Okay. So then we kind of go from the 281 00:18:25,760 --> 00:18:28,320 Speaker 1: phone call to Rory and it's sort of goodbye to 282 00:18:28,359 --> 00:18:32,160 Speaker 1: all the roommates, and she too, well, she also told 283 00:18:32,240 --> 00:18:34,840 Speaker 1: us in the other scene that she has a final 284 00:18:34,840 --> 00:18:39,680 Speaker 1: on a Saturday, and I'm like trying to understand. Yeah, 285 00:18:39,720 --> 00:18:42,439 Speaker 1: so I think it was my my senior year. I 286 00:18:42,480 --> 00:18:45,679 Speaker 1: took a Saturday class because I had no option. Um, 287 00:18:45,880 --> 00:18:47,560 Speaker 1: I had to get it from my credit and because 288 00:18:47,560 --> 00:18:50,080 Speaker 1: it was a Saturday class, I had to take final 289 00:18:50,080 --> 00:18:53,399 Speaker 1: on a Saturday. Oh yeah. So actually it was funny 290 00:18:53,400 --> 00:18:54,760 Speaker 1: because when she said that, I'm like, I thought I 291 00:18:54,800 --> 00:18:56,280 Speaker 1: was the only one who had to do that. But 292 00:18:56,320 --> 00:18:58,920 Speaker 1: I lived at home, so you know, but yeah, I've 293 00:18:58,960 --> 00:19:02,679 Speaker 1: had a Saturday for And then Laura La tells Rory 294 00:19:02,800 --> 00:19:05,240 Speaker 1: that Jess is in town. Yeah, right, and that's what 295 00:19:05,400 --> 00:19:07,800 Speaker 1: they're talking about, the J word and does she want 296 00:19:08,600 --> 00:19:10,199 Speaker 1: every time she sees him? And then they do that 297 00:19:10,280 --> 00:19:13,760 Speaker 1: sort of banter if you see him this then I 298 00:19:13,760 --> 00:19:17,000 Speaker 1: don't need to know. But he's hem, which is fine. 299 00:19:17,200 --> 00:19:21,120 Speaker 1: So then Glenn's got a hot date. Glenn delivers again, 300 00:19:23,640 --> 00:19:26,760 Speaker 1: Glenn with the with the high with the Comedy Highlight, again, 301 00:19:26,840 --> 00:19:30,640 Speaker 1: the guys, the magic. He says, it's just twelve years 302 00:19:30,640 --> 00:19:32,280 Speaker 1: she's twelve. It's a picture every when she was twelve 303 00:19:32,320 --> 00:19:33,840 Speaker 1: years old, don't judge me, and then he goes like 304 00:19:33,880 --> 00:19:36,560 Speaker 1: he tries to get the straw in his mouth. Come on, 305 00:19:37,160 --> 00:19:40,760 Speaker 1: the guy was doing he was busy comedic actor, jamming 306 00:19:40,800 --> 00:19:43,159 Speaker 1: in a lot of comedic stuff in a very short 307 00:19:43,160 --> 00:19:45,560 Speaker 1: period of time, and he pulled it all off. He's great, 308 00:19:45,600 --> 00:19:48,919 Speaker 1: He's great. I'm a lot. I love ta Tona on 309 00:19:48,960 --> 00:19:53,960 Speaker 1: her own chest, shuster fleet doing only he could only 310 00:19:54,000 --> 00:19:59,879 Speaker 1: talk in like cliches. I can't even think of a cliche. 311 00:20:00,000 --> 00:20:03,640 Speaker 1: It would be really hard. What is a cliche? Like? 312 00:20:03,720 --> 00:20:06,680 Speaker 1: I mean not what is a cliche? But what is um? 313 00:20:06,720 --> 00:20:08,399 Speaker 1: Can anybody like if you were to think of one 314 00:20:08,480 --> 00:20:12,560 Speaker 1: right now on the spot? Yeah, that's hard. Word in 315 00:20:12,600 --> 00:20:17,480 Speaker 1: the feather like is that a burden? Then? Whatever? That 316 00:20:19,040 --> 00:20:21,480 Speaker 1: burden of feather is worth two in the crook? What? 317 00:20:21,680 --> 00:20:24,720 Speaker 1: I can never get them right? Oh, I've been corrected. 318 00:20:25,280 --> 00:20:29,520 Speaker 1: One said that's an idiot, that's an idiom. Okay, a cliche, 319 00:20:29,640 --> 00:20:33,959 Speaker 1: all right, you're right. A cliche would be something like, uh, 320 00:20:35,359 --> 00:20:40,120 Speaker 1: I don't know, somebody being captain obvious? Oh all the time? 321 00:20:42,720 --> 00:20:46,560 Speaker 1: Oh all that glitters is not gold? Is an example 322 00:20:46,600 --> 00:20:50,960 Speaker 1: of a cliche. Fenty of fish in the sea, I 323 00:20:51,000 --> 00:20:53,720 Speaker 1: guess plenty of fish in the sea is one. Don't 324 00:20:53,760 --> 00:20:57,000 Speaker 1: cry over spilled milk. The calm before the storm. Every 325 00:20:57,000 --> 00:20:59,280 Speaker 1: class has a silver line. What's it come up? There's 326 00:20:59,320 --> 00:21:03,000 Speaker 1: the best metal To come up with that in conversation 327 00:21:03,040 --> 00:21:07,360 Speaker 1: on the spot is so hard to never there's no 328 00:21:07,400 --> 00:21:13,400 Speaker 1: iron team, but there's me. Men are like buses. There's 329 00:21:13,400 --> 00:21:16,000 Speaker 1: another one coming in five minutes. Don't worry about it. 330 00:21:16,119 --> 00:21:18,719 Speaker 1: I think I'm going to miss Janet and Tana if 331 00:21:18,760 --> 00:21:20,600 Speaker 1: we're not going to be living with them next year. 332 00:21:20,880 --> 00:21:23,600 Speaker 1: Did you did you really like Janet's line where she 333 00:21:23,680 --> 00:21:28,840 Speaker 1: said when Paris hugged her, that sad hug that was 334 00:21:28,960 --> 00:21:34,320 Speaker 1: that was unrequited hug. Janet says, But I only say 335 00:21:34,359 --> 00:21:39,439 Speaker 1: that to people I like, I thought my favorite Paris 336 00:21:39,480 --> 00:21:43,560 Speaker 1: line is Tana's got her, Like you know Collaja photos, 337 00:21:44,240 --> 00:21:46,200 Speaker 1: I would be honored if you would sign it. I'll 338 00:21:46,240 --> 00:21:50,240 Speaker 1: honor you. I'll honor you. Nobody thought that, but she's 339 00:21:50,280 --> 00:21:53,000 Speaker 1: not in it. I just thought the fake signing was 340 00:21:53,160 --> 00:21:58,840 Speaker 1: so fake. Well you're talking about Paris signing fake signing. Yeah, 341 00:21:58,840 --> 00:22:01,480 Speaker 1: she's she. I didn't think so you think they didn't 342 00:22:01,480 --> 00:22:05,119 Speaker 1: actually put penn to watch it again? Like literally just 343 00:22:05,160 --> 00:22:11,840 Speaker 1: like no, like Rory like just touches it. I'm like, 344 00:22:11,880 --> 00:22:14,920 Speaker 1: that's not a sing first she did this. It's worse 345 00:22:15,000 --> 00:22:18,080 Speaker 1: than fake eating. It was pretty bad. I'm not gonnaly. 346 00:22:22,640 --> 00:22:26,159 Speaker 1: What shall we do? And then we get the whole point. 347 00:22:26,520 --> 00:22:31,600 Speaker 1: Rory doesn't have a boy friend. We get it. She's 348 00:22:31,640 --> 00:22:34,840 Speaker 1: business studying. Who's got time for all that? And also 349 00:22:34,920 --> 00:22:39,240 Speaker 1: she's like coming off of like some major yeah break up. Yeah, 350 00:22:39,400 --> 00:22:42,479 Speaker 1: give the girl a break, let her in college, be single, 351 00:22:43,840 --> 00:22:47,399 Speaker 1: her live. Uh. Then I did think it was funny 352 00:22:47,400 --> 00:22:52,600 Speaker 1: that Paris gives her Leonard Is it's son or it's 353 00:22:52,640 --> 00:22:59,119 Speaker 1: ashr sonn Yeah, divorce sons info like and that the 354 00:22:59,200 --> 00:23:01,239 Speaker 1: kids don't even know he's getting divorced. The whole thing 355 00:23:01,320 --> 00:23:04,159 Speaker 1: was just like, but she's on her way to England, right, 356 00:23:04,240 --> 00:23:07,240 Speaker 1: she's on her way to Oxford, Oxford. Yeah, with with 357 00:23:07,280 --> 00:23:15,920 Speaker 1: Ash off she goes off. Uh so there's that. So 358 00:23:15,960 --> 00:23:20,159 Speaker 1: then we go to missus Kim. Although I notice they 359 00:23:20,200 --> 00:23:24,840 Speaker 1: call her miss Kim. Who missus Kim? But I thought 360 00:23:24,880 --> 00:23:26,840 Speaker 1: Laura I called her miss Kim, And I know it's 361 00:23:26,880 --> 00:23:29,320 Speaker 1: missus Kim. It's always been missus Kim. I agree, But 362 00:23:29,400 --> 00:23:33,000 Speaker 1: can we can we fact check that? Sure? Play that scene, Jackie, 363 00:23:33,000 --> 00:23:35,440 Speaker 1: because I swear I wrote down nobody's under oath here 364 00:23:35,480 --> 00:23:41,680 Speaker 1: we're not gonna get jailed. Jackie. Yeah, Jackie, we're really 365 00:23:41,720 --> 00:23:44,720 Speaker 1: deep diving this these episodes. Yeah, we need to we 366 00:23:44,800 --> 00:23:51,119 Speaker 1: need to really be sure that called her miss We 367 00:23:51,200 --> 00:23:55,639 Speaker 1: probably can't hear the audio up, can Jackie? Yeah, Jackie 368 00:23:55,680 --> 00:23:58,320 Speaker 1: camb but I don't think we can. So way back, Jackie, 369 00:23:58,440 --> 00:24:03,119 Speaker 1: way back back it up, like three yeah, seven minutes in, 370 00:24:05,400 --> 00:24:10,239 Speaker 1: keep it going, keep it right after this, back up? 371 00:24:10,480 --> 00:24:14,400 Speaker 1: Tell us if she says miss Kim while we look 372 00:24:15,280 --> 00:24:19,720 Speaker 1: back it up, back up titles though, I subtitles, back 373 00:24:19,760 --> 00:24:23,520 Speaker 1: her up, Okay, let her fly. I think Rory's here 374 00:24:23,600 --> 00:24:26,720 Speaker 1: this episode. I thought the same thing. I was like, 375 00:24:26,880 --> 00:24:28,480 Speaker 1: is it did she cut it again? Like that's what 376 00:24:28,480 --> 00:24:30,800 Speaker 1: I was thinking about. It looks a little longer. It's 377 00:24:30,880 --> 00:24:34,879 Speaker 1: nice there boom, it's miss Kim said, Miss Kim. M 378 00:24:34,880 --> 00:24:39,600 Speaker 1: I s s. I think that was a mistake. Flag 379 00:24:39,640 --> 00:24:42,320 Speaker 1: on the play, flag on the play. I don't like 380 00:24:42,359 --> 00:24:44,960 Speaker 1: to be eagle yours, but I mean that's why, that's 381 00:24:44,960 --> 00:24:48,360 Speaker 1: why we have this video review, so that we can 382 00:24:48,400 --> 00:24:50,320 Speaker 1: redo the play. What's it called when they do it 383 00:24:50,320 --> 00:24:57,960 Speaker 1: in football automatic replay? We have replay a joke. Just 384 00:24:58,040 --> 00:25:03,240 Speaker 1: let him play human? Hey, guess what human beings get 385 00:25:03,320 --> 00:25:06,400 Speaker 1: things wrong sometime and they get upset, so let's just 386 00:25:06,480 --> 00:25:12,040 Speaker 1: let the game hold like that. So, who liked the 387 00:25:12,119 --> 00:25:15,399 Speaker 1: knocker the Big Knockers? She's all, I get it, I know, 388 00:25:15,480 --> 00:25:20,240 Speaker 1: double on. Yeah, that was like a yeah, it's funny. Yeah, 389 00:25:20,320 --> 00:25:24,560 Speaker 1: I mean so far Ben Franklin, Thomas Jefferson like Big Knockers. 390 00:25:25,200 --> 00:25:27,280 Speaker 1: When she's like, I've been in this country long enough 391 00:25:27,320 --> 00:25:34,119 Speaker 1: for like, I get a double on. Tom. Then, who 392 00:25:34,240 --> 00:25:37,280 Speaker 1: was befuddled by the what I thought was a chicken oven. 393 00:25:38,000 --> 00:25:39,720 Speaker 1: We go into the diner and I'm like, is this 394 00:25:39,800 --> 00:25:44,919 Speaker 1: a new oh that I really hang on? Let's go 395 00:25:44,960 --> 00:25:49,159 Speaker 1: back to missus miss miss or missus kim huh. I 396 00:25:49,200 --> 00:25:51,640 Speaker 1: like the fact that Laurel I stood her ground and said, 397 00:25:51,800 --> 00:25:55,760 Speaker 1: totally connect with your daughter. I'm not your mailman. Yeah, yeah, 398 00:25:56,400 --> 00:26:01,200 Speaker 1: I think that was great bit of humanizing human being. 399 00:26:01,680 --> 00:26:05,600 Speaker 1: You know. I think it was fine like in the 400 00:26:05,720 --> 00:26:08,120 Speaker 1: very beginning when Laurela helped her out, like yeah, I'll 401 00:26:08,119 --> 00:26:10,280 Speaker 1: take whatever you want. But I think now it's getting like, 402 00:26:10,359 --> 00:26:12,280 Speaker 1: all right, you should talk to your daughter. I think 403 00:26:12,359 --> 00:26:15,040 Speaker 1: Laurela is like pushing that on her, yeah, because she 404 00:26:15,160 --> 00:26:18,639 Speaker 1: sees how miserable well Laura is a baller. She's like, 405 00:26:18,680 --> 00:26:23,520 Speaker 1: I'm not doing this. Yeah, right, She's like, go connect 406 00:26:23,560 --> 00:26:26,160 Speaker 1: with good notes. I forgot that. Yeah, no, no, no, 407 00:26:26,200 --> 00:26:28,800 Speaker 1: it's okay. Um, but I just thought it was a nice, 408 00:26:28,960 --> 00:26:32,360 Speaker 1: nice moment for Yeah, Laureli is rad and she's right 409 00:26:32,840 --> 00:26:35,440 Speaker 1: kind of. That's That's one of the takeaways for me 410 00:26:35,600 --> 00:26:39,439 Speaker 1: from this episode is how helpful Laurel I is and 411 00:26:39,480 --> 00:26:43,040 Speaker 1: how she's she's not a busybody in the fact that 412 00:26:43,080 --> 00:26:46,399 Speaker 1: she's in everybody's business. She's just there to help. She 413 00:26:46,480 --> 00:26:51,160 Speaker 1: does she helps a lot of people. So does Luke. 414 00:26:51,880 --> 00:26:55,359 Speaker 1: She does the eggs for Kirk. He's O. They're both 415 00:26:55,520 --> 00:26:58,880 Speaker 1: doing it all the time. But she's but she's more 416 00:26:58,960 --> 00:27:01,439 Speaker 1: out there, you know, she's mobile, she's out there with 417 00:27:01,480 --> 00:27:04,440 Speaker 1: the whole town. He's kind of locked down. I think 418 00:27:04,480 --> 00:27:07,000 Speaker 1: he does it. I think he does it quite a lot. 419 00:27:07,359 --> 00:27:11,080 Speaker 1: I think it's that town's you know that that's the 420 00:27:11,160 --> 00:27:14,920 Speaker 1: DNA of that small town anyway. Right, So we get 421 00:27:14,920 --> 00:27:18,280 Speaker 1: to one of my favorite scenes of this episode, which 422 00:27:18,359 --> 00:27:22,119 Speaker 1: is the bachelorette party in the diner. In the diner 423 00:27:23,160 --> 00:27:25,840 Speaker 1: and the first of all, then I realized this chicken 424 00:27:25,960 --> 00:27:30,199 Speaker 1: rotisserie is for the turkey legs. That now. Yeah, and 425 00:27:30,320 --> 00:27:39,560 Speaker 1: Lizze's friend was so inappropriate. I know on appropriate. That's Carrie. 426 00:27:39,760 --> 00:27:42,560 Speaker 1: That's Carrie, the one that he didn't he have a 427 00:27:42,600 --> 00:27:46,920 Speaker 1: thing with her underneath the bleachers in high school. And 428 00:27:47,160 --> 00:27:50,840 Speaker 1: she's never is hot to trot him for sure because 429 00:27:50,880 --> 00:27:53,040 Speaker 1: she comes up to him at the wedding. Yep, yep. 430 00:27:53,400 --> 00:27:58,200 Speaker 1: I whoa. Yeah, May I ask who's had a turkey leg? 431 00:27:58,240 --> 00:28:00,840 Speaker 1: Because I would do anything for a turkey leg? Right now? 432 00:28:00,840 --> 00:28:04,800 Speaker 1: I have They have me at Disneyland all the time. No, 433 00:28:04,920 --> 00:28:07,000 Speaker 1: I know they sell it like I've I've shared it 434 00:28:07,040 --> 00:28:08,679 Speaker 1: with a friend where we've like sat down and like 435 00:28:08,800 --> 00:28:11,440 Speaker 1: ripped it apart. But like I can't have more than 436 00:28:11,480 --> 00:28:14,560 Speaker 1: like a couple bites. Like it's too much. It's like 437 00:28:14,560 --> 00:28:18,840 Speaker 1: a turkey. It intimidates me. I just it's like this big. 438 00:28:18,880 --> 00:28:22,919 Speaker 1: It's huge, and you don't just like you you peeled it. 439 00:28:22,960 --> 00:28:24,720 Speaker 1: I've taken it like like a fork and just because 440 00:28:24,720 --> 00:28:27,159 Speaker 1: it like breaks off pretty easily, so I just like 441 00:28:27,200 --> 00:28:29,240 Speaker 1: take a fork and just like break it apart. So 442 00:28:29,240 --> 00:28:32,439 Speaker 1: where do they get that giant turkey? I like to 443 00:28:32,480 --> 00:28:35,400 Speaker 1: hold my my Viking sword with it while I eat it. 444 00:28:38,000 --> 00:28:40,360 Speaker 1: Eaton said it. It's like pretty like oily too. So 445 00:28:40,360 --> 00:28:44,080 Speaker 1: it's like like drips like so it's not like they 446 00:28:44,160 --> 00:28:46,440 Speaker 1: put it in this like foil that you have like 447 00:28:46,560 --> 00:28:49,440 Speaker 1: get it in. But I mean I've seen people walking 448 00:28:49,480 --> 00:28:54,040 Speaker 1: around like full on Disneyland, like like eating it like that. 449 00:28:54,160 --> 00:28:59,840 Speaker 1: But is just any type of manners or ability to 450 00:28:59,880 --> 00:29:04,800 Speaker 1: be clean or beautiful goes out the window the minute 451 00:29:04,800 --> 00:29:07,240 Speaker 1: you walk in those gates. You're just like you come 452 00:29:07,240 --> 00:29:10,040 Speaker 1: in kind of giving it a good effort, and then 453 00:29:10,080 --> 00:29:14,640 Speaker 1: you're just like effort, I'm bross, I don't care walking 454 00:29:14,640 --> 00:29:19,520 Speaker 1: around eating I might get it, I might do it. 455 00:29:19,560 --> 00:29:22,320 Speaker 1: I'll talk about a ringing endorsement for that franchise. Do 456 00:29:22,400 --> 00:29:24,920 Speaker 1: you want me to get a turkey? Come on? There 457 00:29:25,160 --> 00:29:27,600 Speaker 1: as a picture in video Amy. I am going to 458 00:29:27,640 --> 00:29:30,120 Speaker 1: Disneyland in like two months, I think I'll I'm gonna 459 00:29:30,200 --> 00:29:33,240 Speaker 1: do it. Do they have him at California Adventure? Yes? Yeah, 460 00:29:33,280 --> 00:29:35,680 Speaker 1: I can tell you were. Oh well we can go 461 00:29:35,720 --> 00:29:43,000 Speaker 1: together there you go. Just let me know, Scott, what 462 00:29:43,040 --> 00:29:47,560 Speaker 1: do you think of the bachelorette party? I think I 463 00:29:47,680 --> 00:29:51,400 Speaker 1: was as uncomfortable as he was. I thought it was 464 00:29:51,440 --> 00:29:55,960 Speaker 1: funny for sure. What about the ups guy was a stripper? 465 00:29:56,160 --> 00:29:58,680 Speaker 1: It took me two seconds to realize it's a stripper 466 00:29:58,760 --> 00:30:00,720 Speaker 1: and then I was like ding ding ding, and then 467 00:30:00,760 --> 00:30:04,440 Speaker 1: it just went for it like jealous. So funny. It 468 00:30:04,600 --> 00:30:09,200 Speaker 1: was like, oh, just picked up on it before Luke did, 469 00:30:09,440 --> 00:30:13,840 Speaker 1: so funny, funny moment. Nick is starting to understand what 470 00:30:13,920 --> 00:30:16,120 Speaker 1: I do for a living. Oh yeah, you know. Yeah. 471 00:30:16,160 --> 00:30:19,480 Speaker 1: So he's seen little snippets of the show because my 472 00:30:19,520 --> 00:30:22,360 Speaker 1: wife has shown it to him, like she Nicoll asked 473 00:30:22,360 --> 00:30:25,320 Speaker 1: her a question like is Daddy famous and this kind 474 00:30:25,320 --> 00:30:28,400 Speaker 1: of thing like why and all that, and oh my god, 475 00:30:28,600 --> 00:30:31,880 Speaker 1: because people because people at the school talk about it 476 00:30:31,960 --> 00:30:35,640 Speaker 1: and you know, what a weird thing for. So so 477 00:30:35,760 --> 00:30:38,440 Speaker 1: we've been spoon feeding it to him a little bit, 478 00:30:38,560 --> 00:30:41,400 Speaker 1: you know, over time. And so she he's seen a 479 00:30:41,440 --> 00:30:45,160 Speaker 1: couple of scenes on her phone. And then at the 480 00:30:45,320 --> 00:30:49,880 Speaker 1: moment that that stripper guy starts going, he walks into 481 00:30:49,920 --> 00:30:52,360 Speaker 1: the Metea room and looking at he's looking at this, 482 00:30:52,720 --> 00:30:57,560 Speaker 1: go daddy, what's going on here? He's got this expression like, daddy, 483 00:30:57,840 --> 00:31:03,200 Speaker 1: what's really going on here? With two hundred episodes, you 484 00:31:03,480 --> 00:31:06,920 Speaker 1: have walked it off. Get to that moment. Oh my god, 485 00:31:06,920 --> 00:31:10,120 Speaker 1: that's so what a trip for a kid to realize, like, 486 00:31:11,600 --> 00:31:14,320 Speaker 1: is my my dad's not like every other dad. Well 487 00:31:14,360 --> 00:31:16,960 Speaker 1: I am might just do a job that well obviously, 488 00:31:17,000 --> 00:31:19,760 Speaker 1: but like you're famous more. It's not about the acting part. 489 00:31:19,800 --> 00:31:22,040 Speaker 1: It's the famous. It's the other people know you're dead. 490 00:31:22,520 --> 00:31:27,000 Speaker 1: That's so weird. Yeah, yeah, it's yeah, we're being very 491 00:31:27,040 --> 00:31:29,600 Speaker 1: careful with it, you know, Yeah, because it could be 492 00:31:29,720 --> 00:31:32,360 Speaker 1: kind of weird. Yeah, because because you know, nobody's putting 493 00:31:32,360 --> 00:31:34,560 Speaker 1: on airs over here. You know what I'm saying. It's 494 00:31:34,600 --> 00:31:37,280 Speaker 1: it's almost lucky. And I mean this in the best 495 00:31:37,280 --> 00:31:40,920 Speaker 1: way that it has been twenty years. Because imagine it's 496 00:31:40,920 --> 00:31:44,560 Speaker 1: totally him in whatever year we're in two thousand and 497 00:31:44,560 --> 00:31:48,840 Speaker 1: four at the height of this show, and you've got 498 00:31:48,840 --> 00:31:54,720 Speaker 1: this little guy and everywhere you go, every restaurant, every everything. 499 00:31:55,120 --> 00:31:59,320 Speaker 1: I don't Yeah, that's gotta be tough to handle, you know, 500 00:32:00,200 --> 00:32:04,360 Speaker 1: Yet I think so. I think you're right. I'm glad 501 00:32:04,400 --> 00:32:07,200 Speaker 1: he didn't grow up in the business while I was 502 00:32:07,240 --> 00:32:09,440 Speaker 1: away and on set all the time. You know, I'm 503 00:32:09,520 --> 00:32:12,080 Speaker 1: very because I think for from what I hear, I'm 504 00:32:12,080 --> 00:32:13,800 Speaker 1: not I don't know, but from what I hear, like 505 00:32:13,920 --> 00:32:19,280 Speaker 1: for young kids, it can be challenging because they're like 506 00:32:19,560 --> 00:32:22,640 Speaker 1: everywhere they go they have to stop, and the parent 507 00:32:22,800 --> 00:32:26,400 Speaker 1: obviously wants to acknowledge the fans and be politely nice, 508 00:32:26,680 --> 00:32:31,400 Speaker 1: but the kids like, uh, right, right, and and that 509 00:32:31,440 --> 00:32:34,320 Speaker 1: happens when we travel, and he's really good about it 510 00:32:34,320 --> 00:32:38,480 Speaker 1: to a point and then uh, but I mean it's 511 00:32:38,520 --> 00:32:42,080 Speaker 1: just basically the fact that I'm you know, I would 512 00:32:42,120 --> 00:32:44,720 Speaker 1: not have been able to spend the time that I 513 00:32:44,760 --> 00:32:49,440 Speaker 1: spend with him. Now had he been born, you would 514 00:32:49,480 --> 00:32:51,680 Speaker 1: have seen him like one day away. Yeah, I seen 515 00:32:51,760 --> 00:32:54,520 Speaker 1: him on Sunday or something. Yeah, because Saturday I would 516 00:32:54,560 --> 00:32:58,640 Speaker 1: have just slept in and you know, so, yeah, I worked. 517 00:32:58,800 --> 00:33:00,440 Speaker 1: I spend a lot of time with him, and I'm 518 00:33:00,480 --> 00:33:03,239 Speaker 1: really grateful for that. I love that, you know. So 519 00:33:03,320 --> 00:33:05,280 Speaker 1: you're one of my favorite part of this whole stripper. 520 00:33:06,440 --> 00:33:09,120 Speaker 1: Did you guys notice that the girls and the hailer's 521 00:33:09,200 --> 00:33:12,920 Speaker 1: ice cream shoppy are watching the stripper? No, but I 522 00:33:12,960 --> 00:33:16,720 Speaker 1: noticed the people outside walking him like looking deep inside. 523 00:33:16,880 --> 00:33:21,880 Speaker 1: Like That's what's so genius to me, is like I 524 00:33:21,920 --> 00:33:25,560 Speaker 1: want to watch it again, like the whole series, but 525 00:33:25,720 --> 00:33:29,760 Speaker 1: not watch the main actors. Only watch the background because 526 00:33:29,760 --> 00:33:33,960 Speaker 1: like they're really directing the background actors, yeah, to participate, 527 00:33:34,000 --> 00:33:36,800 Speaker 1: because I just happened to notice them through that window 528 00:33:37,520 --> 00:33:42,560 Speaker 1: and it was like, oh, that's hilarious. Anyway, so we 529 00:33:42,640 --> 00:33:46,000 Speaker 1: go into Doosi as an oh boy, Dean and Jess 530 00:33:46,720 --> 00:33:49,760 Speaker 1: and of course Dean had to buy all that stuff 531 00:33:49,800 --> 00:33:52,280 Speaker 1: for Lindsay and it just and of course he said, 532 00:33:52,360 --> 00:33:55,400 Speaker 1: it's for my wife. Yeah, you know what's so funny. 533 00:33:55,400 --> 00:33:57,920 Speaker 1: Do you ever go to like Target and you're like, 534 00:33:57,960 --> 00:34:00,760 Speaker 1: I wonder if the guys like judging me by what 535 00:34:00,880 --> 00:34:03,400 Speaker 1: I buy? And like they never do, but this is 536 00:34:03,440 --> 00:34:06,400 Speaker 1: like the worst case scenario where he's like listing off 537 00:34:06,480 --> 00:34:11,480 Speaker 1: every single item you purchase. I am over that now, 538 00:34:11,520 --> 00:34:15,120 Speaker 1: but I remember being like teenager twenty Yeah, I don't 539 00:34:15,160 --> 00:34:17,680 Speaker 1: care now, but I feel like when I like, it'd 540 00:34:17,680 --> 00:34:19,719 Speaker 1: be like does this person or like sometimes I will say, 541 00:34:19,760 --> 00:34:21,600 Speaker 1: like I'll go for one thing and I'm like I 542 00:34:21,640 --> 00:34:23,120 Speaker 1: throw on like a bag of candy, Like you know 543 00:34:23,120 --> 00:34:26,400 Speaker 1: what I mean, Like this person's like, what's this? Like random? 544 00:34:27,320 --> 00:34:30,279 Speaker 1: The candy is probably fine, it's the preparation age that 545 00:34:30,320 --> 00:34:33,879 Speaker 1: you're like, oh no, but you know what I mean, 546 00:34:33,960 --> 00:34:36,600 Speaker 1: Like if they see so many different things that you like, 547 00:34:36,640 --> 00:34:39,320 Speaker 1: people purchase and they're not even phased by it though, 548 00:34:39,520 --> 00:34:42,040 Speaker 1: but like I don't care. Kirks He's like, not that 549 00:34:42,080 --> 00:34:45,520 Speaker 1: many customers a day. I don't. He's living for this moment. 550 00:34:45,560 --> 00:34:49,480 Speaker 1: He's and suddenly, Kirk, did he work at dosies before? Yeah? 551 00:34:50,400 --> 00:34:53,799 Speaker 1: He did. I had the same thought as you, Amy. 552 00:34:53,840 --> 00:34:57,239 Speaker 1: I was like, sin or maybe if he didn't, Like, 553 00:34:57,280 --> 00:34:59,279 Speaker 1: I know, he does more than one. So maybe this 554 00:34:59,360 --> 00:35:05,440 Speaker 1: was the first time we see it. Oh maybe yeah, maybe? Huh. 555 00:35:05,680 --> 00:35:08,200 Speaker 1: Kirk is this Swiss army knife of that town. He 556 00:35:08,320 --> 00:35:14,719 Speaker 1: works everywhere everywhere, you like he's working at Dozie that 557 00:35:14,760 --> 00:35:16,960 Speaker 1: he still wanted that job in the first scene. Right, 558 00:35:17,680 --> 00:35:21,520 Speaker 1: So then it's Friday night dinner, which actually cracked me up. 559 00:35:21,560 --> 00:35:24,640 Speaker 1: I'm surprised we had one because we didn't last time. Well, 560 00:35:24,719 --> 00:35:28,960 Speaker 1: Loreli was so hilarious and I honestly would have been 561 00:35:29,000 --> 00:35:31,960 Speaker 1: the same way. But can you just tell me mom, like, 562 00:35:32,040 --> 00:35:36,360 Speaker 1: what is going on? That's an interesting question. Do you 563 00:35:36,400 --> 00:35:39,799 Speaker 1: think that Lorelai should just say, mom, we saw you, 564 00:35:39,880 --> 00:35:42,560 Speaker 1: we know something's up. What is going on? Yeah? Why 565 00:35:42,600 --> 00:35:48,200 Speaker 1: are they so not direct and like fishy weird? I 566 00:35:48,239 --> 00:35:52,080 Speaker 1: think it's also just Lorelize style. Yeah, but she has 567 00:35:52,080 --> 00:35:54,080 Speaker 1: such a mouth on her, so she'll stand. She'll say 568 00:35:54,120 --> 00:35:57,000 Speaker 1: to missus Kim, I'm not your male woman, but yet 569 00:35:57,080 --> 00:36:00,680 Speaker 1: she can't say to her mom, hey, I know something's that, 570 00:36:00,920 --> 00:36:03,160 Speaker 1: what's going on? I think she knows that Emily would 571 00:36:03,200 --> 00:36:05,239 Speaker 1: kind of like snap at her. That's why, yeah, I 572 00:36:05,239 --> 00:36:10,319 Speaker 1: think or just also not tell her, you know. But 573 00:36:10,440 --> 00:36:13,920 Speaker 1: the lines when Emily says, do you have any boyfriends? 574 00:36:13,960 --> 00:36:18,800 Speaker 1: Why do you? And one thing Emily did say that 575 00:36:18,960 --> 00:36:21,759 Speaker 1: was kind of telling was she she said that a 576 00:36:21,800 --> 00:36:24,800 Speaker 1: lot of Richard's schedule this week has to do with Floyd. 577 00:36:25,600 --> 00:36:27,279 Speaker 1: I think that was kind of like a little like 578 00:36:27,520 --> 00:36:33,399 Speaker 1: good jab yeah a dig On Digger, Well, yeah, dig 579 00:36:33,440 --> 00:36:37,640 Speaker 1: On Digger's dad. I guess, I mean I like that 580 00:36:37,680 --> 00:36:39,279 Speaker 1: whole scene, Scott, what do you think? I mean, I 581 00:36:39,280 --> 00:36:42,880 Speaker 1: thought we got really great stuff with the three of them. 582 00:36:43,040 --> 00:36:45,160 Speaker 1: And then I'm going to immediately, I'm going to be 583 00:36:45,160 --> 00:36:48,760 Speaker 1: honest with you here. Um. I was at that point 584 00:36:48,800 --> 00:36:54,720 Speaker 1: still trying to explain to Nick what he had seen. 585 00:36:56,960 --> 00:37:02,160 Speaker 1: So I kind of missed the the gross Doss grocery scene. 586 00:37:02,600 --> 00:37:07,080 Speaker 1: I remember seeing it, right, But You're still my attention 587 00:37:07,200 --> 00:37:13,000 Speaker 1: was over here saying it's okay. So I'm actually I'm 588 00:37:13,040 --> 00:37:15,480 Speaker 1: actually glad you mentioned that, because that's another thing with 589 00:37:15,560 --> 00:37:19,080 Speaker 1: this show. But for some reason, you take a phone call, 590 00:37:19,280 --> 00:37:21,439 Speaker 1: or now you miss a lot into the bathroom, you 591 00:37:21,520 --> 00:37:26,839 Speaker 1: miss major. It's not a passive show. No, yeah, like 592 00:37:26,880 --> 00:37:29,440 Speaker 1: I can do my ironing while I'm watching it, or 593 00:37:29,520 --> 00:37:33,680 Speaker 1: like but I can't do an email or and I didn't. 594 00:37:33,719 --> 00:37:36,759 Speaker 1: I didn't know how to pause it to deal with 595 00:37:36,800 --> 00:37:39,440 Speaker 1: this because I didn't know where the clicker was. And 596 00:37:39,480 --> 00:37:42,200 Speaker 1: I'm just like, so I'm like, go, you know, I 597 00:37:42,640 --> 00:37:45,560 Speaker 1: we'll talk about it later. Just go ahead and go 598 00:37:45,600 --> 00:37:47,799 Speaker 1: back do your homework, you know, finish. I'm not mad 599 00:37:47,800 --> 00:37:51,520 Speaker 1: about it, because I think it's another reason it is 600 00:37:51,560 --> 00:37:54,759 Speaker 1: so good to watch over and over again, because like, yeah, 601 00:37:54,880 --> 00:37:58,279 Speaker 1: when you watched it in the OG days, maybe we 602 00:37:58,320 --> 00:38:01,160 Speaker 1: had t VO, but you weren't like pause stuff. You know. 603 00:38:01,280 --> 00:38:04,279 Speaker 1: I was going to watch it this morning to catch up, 604 00:38:04,680 --> 00:38:07,279 Speaker 1: but you're never gonna believe it. Guess who shows up 605 00:38:07,320 --> 00:38:09,279 Speaker 1: at the front door right as I'm doing that. A 606 00:38:09,400 --> 00:38:15,719 Speaker 1: stripper for my wife and life imitating art. I was 607 00:38:15,719 --> 00:38:19,560 Speaker 1: going to say the ups guy, wait, because anybody had 608 00:38:19,560 --> 00:38:22,000 Speaker 1: a Raspberry super I want to make one. I've never 609 00:38:25,360 --> 00:38:28,279 Speaker 1: I did catch that. Stef Writers send it to us, Yes, 610 00:38:28,480 --> 00:38:30,920 Speaker 1: Jeff Writers working on. As soon as they mentioned that, 611 00:38:30,960 --> 00:38:34,120 Speaker 1: I started paying attention again. Yeah, I guess I was 612 00:38:34,160 --> 00:38:42,759 Speaker 1: still hungry. I mean yeah, that scene was significant because 613 00:38:42,760 --> 00:38:46,640 Speaker 1: there was a lot of banter between loralyon Rory, and 614 00:38:46,680 --> 00:38:49,480 Speaker 1: then we go to the apartment, which I was happy 615 00:38:49,520 --> 00:38:53,640 Speaker 1: to be back at the apartment. Yes, this one, Yes, 616 00:38:53,800 --> 00:38:56,160 Speaker 1: I agree because I normally don't like those scenes, but 617 00:38:56,239 --> 00:39:00,840 Speaker 1: I particularly enjoyed the apartment scenes this episode. I felt 618 00:39:00,840 --> 00:39:04,239 Speaker 1: like they were pivotal in their relationship to be more 619 00:39:04,239 --> 00:39:06,879 Speaker 1: of a home, like they've got it, like it's got 620 00:39:06,960 --> 00:39:10,480 Speaker 1: some stuff in it. I think you're more comfortable with it, 621 00:39:10,520 --> 00:39:15,799 Speaker 1: like it seems familiar. Yeah, maybe, yeah, it's a it's 622 00:39:15,800 --> 00:39:19,040 Speaker 1: a good moment to ask. Maybe I'll only ask Danielle, 623 00:39:19,560 --> 00:39:23,800 Speaker 1: what do you see of those three? Those three living together? 624 00:39:24,080 --> 00:39:26,520 Speaker 1: If you had to predict right now, like what what 625 00:39:26,560 --> 00:39:34,320 Speaker 1: do you see? Just three teenagers that are slabs? That's 626 00:39:34,360 --> 00:39:39,520 Speaker 1: literally what I see? Sure thing? What do you think 627 00:39:39,520 --> 00:39:42,359 Speaker 1: about them? You want? My issue with it is I'm 628 00:39:42,400 --> 00:39:47,800 Speaker 1: not buying them as teenagers. Oh they seem older? They do? Well? 629 00:39:48,200 --> 00:39:51,799 Speaker 1: Are are they the same age as Lane? They might 630 00:39:51,840 --> 00:39:54,560 Speaker 1: be a little older than her because she because Lane 631 00:39:54,560 --> 00:39:58,280 Speaker 1: and Rory have to be like eighteen at least. Yeah, 632 00:39:58,400 --> 00:40:00,560 Speaker 1: so they can be freshman year, so I'm going to 633 00:40:00,600 --> 00:40:05,080 Speaker 1: go nineteen nineteen, so they could be twenty. Yeah, that's 634 00:40:05,200 --> 00:40:06,759 Speaker 1: That's the only thing for me about that is it 635 00:40:06,880 --> 00:40:10,640 Speaker 1: just seems like a different show. Yeah, it's kind of 636 00:40:10,680 --> 00:40:14,320 Speaker 1: a little bit off off the rest, but but bringing 637 00:40:14,560 --> 00:40:20,319 Speaker 1: missus Kim into it into that helped world that definitely. Yeah, yes, yes, 638 00:40:20,480 --> 00:40:22,680 Speaker 1: I totally agree with you, because that felt like a 639 00:40:22,719 --> 00:40:25,959 Speaker 1: foreign world and now it feels a little bit more 640 00:40:26,200 --> 00:40:29,600 Speaker 1: part of Gilmark, right because because because you know, Lane, 641 00:40:29,719 --> 00:40:33,200 Speaker 1: we've established, but those other two it's like, oh, this 642 00:40:33,360 --> 00:40:35,640 Speaker 1: is new energy and we don't spend a lot of 643 00:40:35,640 --> 00:40:39,520 Speaker 1: time with these guys and yeah, you know, and yeah, 644 00:40:39,520 --> 00:40:43,359 Speaker 1: you're right, bringing missus Kim into that situation is kind 645 00:40:43,360 --> 00:40:46,640 Speaker 1: of splitting up the phone bill. Though. I don't know 646 00:40:46,680 --> 00:40:48,880 Speaker 1: if you guys are the right age, because you were like, 647 00:40:49,000 --> 00:40:52,280 Speaker 1: at home, we used to have to do that highlight 648 00:40:52,360 --> 00:40:58,440 Speaker 1: Mine Mine, Mine, Like that was totally real, You're like, 649 00:40:58,680 --> 00:41:00,560 Speaker 1: because you would have long distance and they could be 650 00:41:00,600 --> 00:41:05,560 Speaker 1: like eleven bucks or something. I don't totally anyway, So 651 00:41:06,239 --> 00:41:08,360 Speaker 1: I laughed. We go back to the dorm and Rory's 652 00:41:08,400 --> 00:41:14,000 Speaker 1: got the lemonade. I'm so gross. All the alcohol just 653 00:41:14,239 --> 00:41:17,160 Speaker 1: dumped into one. I know, but that's what you do 654 00:41:17,239 --> 00:41:19,960 Speaker 1: in college. I don't remember like going to a college 655 00:41:20,000 --> 00:41:21,920 Speaker 1: party and they're just being like an ice chest and 656 00:41:21,960 --> 00:41:25,839 Speaker 1: they're like, that's the drink of the day. You get 657 00:41:25,840 --> 00:41:29,840 Speaker 1: a red soil CuPy. But you're in there and you're like, Okay, 658 00:41:30,239 --> 00:41:33,799 Speaker 1: no idea, what's in it? No idea. But the fact 659 00:41:33,800 --> 00:41:39,200 Speaker 1: that drinking alone, I thought it was a funky monkey. 660 00:41:39,239 --> 00:41:44,960 Speaker 1: Didn't she call it a funky monkey? She did? She did. Yeah, anyway, 661 00:41:44,960 --> 00:41:46,680 Speaker 1: I thought it was hilarious. She's like drinking it because 662 00:41:46,680 --> 00:41:50,200 Speaker 1: she doesn't really drink other than like on spring break. Yeah, 663 00:41:50,239 --> 00:41:53,960 Speaker 1: she's just like even at like fridaynight dinner, she doesn't. 664 00:41:54,120 --> 00:41:56,600 Speaker 1: They don't well, they don't offer her anything, do they 665 00:41:56,680 --> 00:42:01,000 Speaker 1: like still diet coke? Or that's great. So anyway, we 666 00:42:01,040 --> 00:42:04,000 Speaker 1: meet Graham Sullivan and I had higher hopes for Graham 667 00:42:04,080 --> 00:42:07,280 Speaker 1: me too. When we first met. Grandma was like, cutie, 668 00:42:07,320 --> 00:42:10,640 Speaker 1: I'm excited for this. Yeah, I just let them. It 669 00:42:10,719 --> 00:42:12,840 Speaker 1: was very short lived. And I liked how he was 670 00:42:12,920 --> 00:42:18,279 Speaker 1: confident me too, and that Emily you know, like knew him, 671 00:42:18,440 --> 00:42:21,320 Speaker 1: knew of him, you know, since he was in diapers 672 00:42:21,440 --> 00:42:25,759 Speaker 1: or whatever like Adah. But Rory's dance card is filled. 673 00:42:26,360 --> 00:42:30,120 Speaker 1: You know, there's no room for anybody else to start. 674 00:42:31,360 --> 00:42:35,680 Speaker 1: We'll get as we do, see, But that was for everybody. 675 00:42:35,719 --> 00:42:40,320 Speaker 1: That was Teddy Dunn who went on to Veronica Mars. 676 00:42:40,440 --> 00:42:45,359 Speaker 1: I think he was like a major in Veronica Mars anyway. 677 00:42:45,960 --> 00:42:53,600 Speaker 1: So then my scene, Hello Luke polishing your shoes, TJ 678 00:42:53,800 --> 00:42:58,440 Speaker 1: calling you out saying you're nervous. Oh yeah, do you 679 00:42:58,440 --> 00:43:03,160 Speaker 1: think Luke was nervous? For sure? Of course nervous excited, 680 00:43:03,239 --> 00:43:06,680 Speaker 1: not nervous and like dreading like oh like nervous as 681 00:43:06,719 --> 00:43:11,000 Speaker 1: in like he's like very very excited. For the eight 682 00:43:12,880 --> 00:43:14,840 Speaker 1: I thought it was hilarious about the full length mirror. 683 00:43:14,920 --> 00:43:19,160 Speaker 1: I need to look at my bottom hot. That guy 684 00:43:19,239 --> 00:43:24,040 Speaker 1: is hilarious, hilarious, he's so comfortable in his body. Oh. 685 00:43:24,080 --> 00:43:26,560 Speaker 1: First of all, oh my god, that scene was so 686 00:43:26,640 --> 00:43:29,120 Speaker 1: good because he shouts out the queer eye guys and 687 00:43:29,160 --> 00:43:32,920 Speaker 1: the old polish. But then I think we've talked about 688 00:43:32,960 --> 00:43:39,600 Speaker 1: this before. Sharing deodorant is disgusting. Yeah, and Jess immediately 689 00:43:39,680 --> 00:43:45,680 Speaker 1: throws it away like it's sober. That's bad, that's bad. 690 00:43:47,040 --> 00:43:51,839 Speaker 1: Oh god, So then that dog that is yeah, it's 691 00:43:52,320 --> 00:43:55,600 Speaker 1: then we see Lord light She looked so cool, so 692 00:43:55,640 --> 00:44:02,040 Speaker 1: cool with her little flower crown. The flower was amazing. Yeah, 693 00:44:02,160 --> 00:44:04,759 Speaker 1: So Scott, what are you thinking now? Like are you 694 00:44:04,800 --> 00:44:08,759 Speaker 1: what are you feeling as you're seeing them? Like they're 695 00:44:08,800 --> 00:44:12,439 Speaker 1: now they're on this date? Yeah it is, it's an 696 00:44:12,480 --> 00:44:16,319 Speaker 1: actual date. You can't you can't hide that, and they're 697 00:44:16,360 --> 00:44:19,560 Speaker 1: both I don't know. I you know, what I kept 698 00:44:19,560 --> 00:44:22,799 Speaker 1: thinking during this scene and throughout the episode is how 699 00:44:25,080 --> 00:44:30,319 Speaker 1: gol darned good Laura and I are to go? That 700 00:44:30,520 --> 00:44:33,239 Speaker 1: is a match made in heaven. I mean, I I 701 00:44:33,280 --> 00:44:37,319 Speaker 1: got really lucky that she played Laura La because that 702 00:44:37,560 --> 00:44:42,120 Speaker 1: is just it was so easy and and she's so good, 703 00:44:42,160 --> 00:44:45,960 Speaker 1: and she looked so beautiful and and did you see 704 00:44:46,000 --> 00:44:50,600 Speaker 1: how she was face acting? That's what I'm hearing her 705 00:44:50,640 --> 00:44:55,719 Speaker 1: face acting was. But both of you, the face acting 706 00:44:56,000 --> 00:44:59,240 Speaker 1: is phenomenal. Just when you watch it again, watch her eyes, 707 00:44:59,760 --> 00:45:03,560 Speaker 1: wh watch the feelings and the emotions and the thoughts 708 00:45:03,600 --> 00:45:07,359 Speaker 1: that she's experiencing, and it's all coming out on her face, 709 00:45:07,400 --> 00:45:11,560 Speaker 1: and it's just unbelievable. It is, it's unbelievable. She looked 710 00:45:11,600 --> 00:45:15,080 Speaker 1: more radiant in those scenes than she's ever looked in 711 00:45:15,120 --> 00:45:19,040 Speaker 1: this in this whole series. But also you like you 712 00:45:19,080 --> 00:45:23,640 Speaker 1: do realize that, right, you were like illuminating this episode, 713 00:45:23,680 --> 00:45:26,359 Speaker 1: Like there was like a like a beam coming off. 714 00:45:27,680 --> 00:45:31,040 Speaker 1: But the thing is is, here's the thing that I 715 00:45:31,080 --> 00:45:36,239 Speaker 1: think we both realized as actors approaching the scene is 716 00:45:36,280 --> 00:45:40,960 Speaker 1: that we could now relax a little bit. It's like, 717 00:45:41,080 --> 00:45:43,480 Speaker 1: let you know, there was always all this tension and 718 00:45:43,880 --> 00:45:48,239 Speaker 1: anticipation and frustration. She was a build up to this moment, right, 719 00:45:48,360 --> 00:45:50,840 Speaker 1: and now we can just let it breathe and relax 720 00:45:50,920 --> 00:45:55,919 Speaker 1: and enjoy this momentum and really make it. And that 721 00:45:56,000 --> 00:46:01,160 Speaker 1: I think is the soul of romance. Um. So it 722 00:46:01,239 --> 00:46:04,680 Speaker 1: was wonderful to watch these two people weren't talking anymore. 723 00:46:05,120 --> 00:46:08,120 Speaker 1: They were dancing and they were looking at each other 724 00:46:08,160 --> 00:46:12,200 Speaker 1: and smiling, and it was It's just there's nothing more powerful. 725 00:46:12,560 --> 00:46:15,600 Speaker 1: You know, there's face acting right from here, right from 726 00:46:15,600 --> 00:46:19,040 Speaker 1: the time the date sort of begins. Because then so 727 00:46:19,040 --> 00:46:22,080 Speaker 1: so basically you guys kind of get to your seats 728 00:46:22,080 --> 00:46:24,520 Speaker 1: and then you get accosted by Carrie is a little 729 00:46:24,600 --> 00:46:27,920 Speaker 1: power suit, you know, that whole to do and then 730 00:46:28,200 --> 00:46:31,560 Speaker 1: Lorala goes to save the day because Lizz's dress is ripped. 731 00:46:31,920 --> 00:46:34,359 Speaker 1: I thought there was sort of like Danielle said, sort 732 00:46:34,360 --> 00:46:39,160 Speaker 1: of like, ah, like the whole time from that moment, 733 00:46:40,280 --> 00:46:43,320 Speaker 1: even when you have your little tiff about the book 734 00:46:43,400 --> 00:46:46,280 Speaker 1: or whatever, it's like, I don't know, there's just something 735 00:46:46,360 --> 00:46:51,319 Speaker 1: about two of you. And also separately too though, like 736 00:46:51,920 --> 00:46:54,680 Speaker 1: the scene we were just talking about where you're getting ready, 737 00:46:54,880 --> 00:46:57,160 Speaker 1: like that Luke was shining in his own thing, and 738 00:46:57,200 --> 00:46:59,759 Speaker 1: then when Loralai was helping Liz with a dress and 739 00:47:00,239 --> 00:47:02,399 Speaker 1: is like, you're gonna make a great wife one day. 740 00:47:02,640 --> 00:47:06,160 Speaker 1: Like just like those two scenes kind of back to back, 741 00:47:06,800 --> 00:47:10,839 Speaker 1: like let up to what we ultimately got right, well, 742 00:47:10,880 --> 00:47:14,880 Speaker 1: even the laughing, we're getting ahead of ourselves. So let 743 00:47:14,880 --> 00:47:16,799 Speaker 1: me let me just say this one thing. Can I 744 00:47:16,840 --> 00:47:19,760 Speaker 1: just say this one thing? Of course, Hey everybody, Scott 745 00:47:19,800 --> 00:47:21,960 Speaker 1: Patterson on them All on podcast. We're going to do 746 00:47:22,080 --> 00:47:24,920 Speaker 1: part two of episode twenty one, season four, and we're 747 00:47:24,960 --> 00:47:27,319 Speaker 1: gonna just sort of continue on with this because there's 748 00:47:27,360 --> 00:47:30,319 Speaker 1: a lot a lot to go over here, so we're 749 00:47:30,360 --> 00:47:33,160 Speaker 1: not even close, guys close, so we might do a 750 00:47:33,160 --> 00:47:35,640 Speaker 1: three part or who the heck knows. We keep rambling anyway, 751 00:47:35,719 --> 00:48:09,439 Speaker 1: So continue, ladies and gentlemen. Continue, hey everybody, and don't 752 00:48:09,480 --> 00:48:12,920 Speaker 1: forget follow us on Instagram at I am All in 753 00:48:13,200 --> 00:48:18,879 Speaker 1: podcast and email us at Gilmore at iHeartRadio dot com. 754 00:48:18,880 --> 00:48:20,680 Speaker 1: Oh you Gilmore fans. If you're looking for the best 755 00:48:20,760 --> 00:48:23,560 Speaker 1: cup of coffee in the world, go to my website 756 00:48:23,600 --> 00:48:26,520 Speaker 1: from my company scott ep dot com, s c O. T. 757 00:48:26,680 --> 00:48:30,960 Speaker 1: T yp dot com, scottip dot com Grade one Specialty 758 00:48:31,280 --> 00:48:39,080 Speaker 1: Coffee