WEBVTT - Casey Krahenbuhl

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<v Speaker 1>Welcome back to another edition of the Frida Egg Podcast. Today,

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<v Speaker 1>I am joined by Casey Crombull, one of David McLay

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<v Speaker 1>kids lead associates. If you haven't yet, please rate and

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<v Speaker 1>review the podcast in iTunes and without further ado, here's Casey.

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<v Speaker 1>I miss the green for example, I'm already upset.

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<v Speaker 2>When I find my ball in the bunker, I'm really upset.

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<v Speaker 3>And when I find my ball in a brid Egg

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<v Speaker 3>Friday Egg, the dreaded Frida Egg, Frida Egg, Frida Egg,

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<v Speaker 3>Bride Egg, Lie, I'm about ready to run off the

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<v Speaker 3>golf course.

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<v Speaker 2>What do you think the biggest smith in golf architecture is?

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<v Speaker 3>I would say that, you know, our predecessors were somehow

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<v Speaker 3>much more talented than the current group of architects.

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<v Speaker 2>And by predecessors you made which any architects choose them

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<v Speaker 2>the Golden Age architects.

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<v Speaker 3>You know, there's a myth that they were so incredibly

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<v Speaker 3>amazing that we should go back and do everything that

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<v Speaker 3>they were doing. And I stin't think that's true. Most

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<v Speaker 3>industries evolve. But do you think that the best courses

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<v Speaker 3>in the world are the old courses? Like the say

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<v Speaker 3>some rankings which shall I would say, for the most part,

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<v Speaker 3>because they got the very best sites and they had

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<v Speaker 3>no constraints. They had no environmental constraints, they had no

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<v Speaker 3>no one over their shoulder, they had no housing projects.

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<v Speaker 3>So they got the very best sites of the world,

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<v Speaker 3>like Cypher's Point for example, and that's you know that

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<v Speaker 3>it shows because they're some of the greatest golf courses.

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<v Speaker 3>But if you gave you know, any I would say,

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<v Speaker 3>you know, any of my the group of architects in

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<v Speaker 3>our group, I would say, David Kidd, Tom Doak Gill

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<v Speaker 3>hands you give any of these guys that site, I

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<v Speaker 3>would argue that they would do a better dough.

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<v Speaker 2>It's interesting because a lot of times people will say, well,

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<v Speaker 2>I don't know if I'd come up with this, but

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<v Speaker 2>not necessarily they wouldn't come up with that, but they

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<v Speaker 2>would come up with me something differently.

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<v Speaker 3>And I agree they'd come up with a better eighteenth

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<v Speaker 3>toll for Cyprist point. They come up with a better

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<v Speaker 3>first toal for Cyclist Point.

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<v Speaker 2>I think the eighteenth hole at a golf course is overrated.

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<v Speaker 3>Yeah, there's certainly a lot of golf courses, especially in

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<v Speaker 3>the British Isles, where you're playing back Inland from the

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<v Speaker 3>eighteenth hole, and it's sort of the crescendo of the

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<v Speaker 3>of the tale that you you know, you just it

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<v Speaker 3>kind of lets you down and gets you back home.

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<v Speaker 3>And you know, I would say that, you know, cru

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<v Speaker 3>eighteen is certainly a letdown.

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<v Speaker 2>I think about the great I think great golf courses

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<v Speaker 2>mirror great songs, and I don't know any great song

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<v Speaker 2>that ends with the loudest part of the song. Yeah,

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<v Speaker 2>So I think where that crescendo is, like it is

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<v Speaker 2>hidden fourteen, fifteen, sixteen, maybe even seventeen, but then eighteen,

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<v Speaker 2>and I think that's it. But different styles, it's so key.

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<v Speaker 3>Variety, Yeah, I mean, I built a golf course in

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<v Speaker 3>Nicaragua in the eighteenth hole was a par three right

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<v Speaker 3>out on the beach, and it's fantastic, you know, I

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<v Speaker 3>don't I don't know that that's so it would have

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<v Speaker 3>been better if it was the seventeenth hole, you know, particularly,

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<v Speaker 3>So I think, you know, variety is probably the biggest

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<v Speaker 3>and most important game that not won shoe fits every

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<v Speaker 3>but you know, there's every golf course is different, and

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<v Speaker 3>the good ones are amazing for their own merits and

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<v Speaker 3>they're being you know, very different merits for each each

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<v Speaker 3>amazing course that you loved.

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<v Speaker 2>How'd you get into golf course architecture?

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<v Speaker 3>I was in college and just started.

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<v Speaker 2>It.

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<v Speaker 3>Started working on a local golf course construction project because

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<v Speaker 3>I wanted to stay in northern Arizona, which is where

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<v Speaker 3>I went to school for the summer. So my friend was,

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<v Speaker 3>you know, helping build a golf course down the street

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<v Speaker 3>called Forest Highlands and for Tom Wishoff, and and you know,

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<v Speaker 3>I went out, there's a laborer with a shovel in

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<v Speaker 3>my hand, and I putted that for probably five months maybe,

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<v Speaker 3>and then went away to Mexico for after I graduated

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<v Speaker 3>to do some some studying in Spanish and spend a

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<v Speaker 3>year there going to school, and came back and didn't

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<v Speaker 3>really have a plan, so I you know, went back

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<v Speaker 3>to this construction company. I was like, hey, you know,

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<v Speaker 3>that was pretty fun. Let's you know, I'll call them

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<v Speaker 3>and see if I can get a job with them.

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<v Speaker 3>So that was a company called Wadsworth, and they put

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<v Speaker 3>me to work right away. They were busy, as you know,

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<v Speaker 3>in nineteen ninety nine, things were cranking, so I spent

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<v Speaker 3>I wasn't a real you know, enthusiast about architecture at

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<v Speaker 3>that time. I just liked being out in the woods

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<v Speaker 3>and you know, being out on construction projects. And so

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<v Speaker 3>quickly with Wadsworth, within a couple of years, I was

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<v Speaker 3>a project manager, running you know, big projects for some

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<v Speaker 3>of the best architects in the world. So I was

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<v Speaker 3>working with Fazzio and Nicholas and you know, all these guys.

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<v Speaker 3>And I slowly got more and more into architecture and

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<v Speaker 3>spent more and more time with these architects as I

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<v Speaker 3>kind of got more and more and more into the

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<v Speaker 3>high profile, you know projects, and I really started falling

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<v Speaker 3>in love with the process. And I didn't know anything

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<v Speaker 3>about the golden Age of architecture. I didn't know anything

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<v Speaker 3>about you know, these old golf courses that were built

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<v Speaker 3>in the twenties. But I loved being part of the

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<v Speaker 3>the you know, the process of taking bare land and

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<v Speaker 3>creating these amazing things. I felt. What I kept finding

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<v Speaker 3>out was that these architects just weren't there. They weren't

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<v Speaker 3>present the draw seat of plans and give them to

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<v Speaker 3>the contractor we you know, do our best to build

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<v Speaker 3>what they drew, not what fit in the land, not

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<v Speaker 3>what you know, not what should have been built, not

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<v Speaker 3>something amazing, something that was on a piece of paper,

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<v Speaker 3>and I really found it kind of boring.

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<v Speaker 2>You know.

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<v Speaker 3>I tried to improvise as much as I could in

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<v Speaker 3>building what these architects had drawn, but then they'd come

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<v Speaker 3>out and they'd you know, hey, this was you know,

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<v Speaker 3>this bump was supposed to be two inches higher. You know,

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<v Speaker 3>there was always they were always kind of trying to

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<v Speaker 3>stifle the imagination of me and the team I was

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<v Speaker 3>working with. So eventually I met David on when we

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<v Speaker 3>were building Tethero. I went to Oregon to build it

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<v Speaker 3>as the contractor and he was the architect. So David

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<v Speaker 3>was the first guy I met that was an improviser.

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<v Speaker 3>You know, the plans we basically threw out the window,

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<v Speaker 3>they didn't mean anything. You know, we had a rough routing,

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<v Speaker 3>We stuck to that routing, and basically him and I,

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<v Speaker 3>he didn't have an associate or anybody involved. He moved

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<v Speaker 3>to bed and suddenly I realized that there's a guy that,

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<v Speaker 3>you know, an architect that's so willing to spend his

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<v Speaker 3>time on the site that it you know, it made

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<v Speaker 3>everybody on the whole project much more enthused, and he

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<v Speaker 3>wanted us to use our imagination and builds. I'll try it,

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<v Speaker 3>build it, you know, build whatever you want. Let's I'll

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<v Speaker 3>come back and look at it, and then we tweak it,

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<v Speaker 3>you know. So he kind of took me under his

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<v Speaker 3>wing and really started to kind of hone my craft

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<v Speaker 3>of architecture. And I worked for you know, I worked

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<v Speaker 3>for probably twenty different architects as a contractor, so I

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<v Speaker 3>saw all different manners and ways. But what I never

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<v Speaker 3>saw was someone that was on site all the time.

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<v Speaker 3>And he was there all the time. He moved to org.

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<v Speaker 2>Outside of just the imagination and being able to improvise.

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<v Speaker 2>What was the kind of the biggest aha moment that

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<v Speaker 2>you had early on with David?

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<v Speaker 3>But I think it was just, you know, when he

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<v Speaker 3>it was very simple. It was just what I said

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<v Speaker 3>when he said to me, yeah, I just moved here

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<v Speaker 3>with my family and it was day one of the

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<v Speaker 3>project and rented the house and moved there. And I

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<v Speaker 3>was like, what do you mean. He's like, well, I

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<v Speaker 3>just moved here. We're going to fill this together. I

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<v Speaker 3>was like, no, no, no, I'm the contractor. He goes, yeah,

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<v Speaker 3>and I'm the architect and I'm going to be here

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<v Speaker 3>more or less every day, and he was there a lot.

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<v Speaker 3>You know, he still was he had another project in

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<v Speaker 3>the UK, so he was going back and forth from

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<v Speaker 3>the UK quite a bit. But him and I, you know,

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<v Speaker 3>that was the first aha moment, and then from then

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<v Speaker 3>on it was just you know, it was fun, it

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<v Speaker 3>was exciting. It was you know, it was very different

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<v Speaker 3>from what I had seen in the past, the ten

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<v Speaker 3>years previous to that.

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<v Speaker 2>They say, it's so much more inclusive as opposed to

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<v Speaker 2>like you probably felt like almost detached.

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<v Speaker 3>Absolutely they were you know, when I was the contractor,

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<v Speaker 3>the architect was almost sort of the enemy, like you

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<v Speaker 3>were waiting for them to show up because they're just

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<v Speaker 3>going to change everything that you already did, or you know,

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<v Speaker 3>they're going to blow in, give a bunch of comments

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<v Speaker 3>and blow out of town and that's it. And it was,

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<v Speaker 3>you know, it was everyone got inspired by David being

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<v Speaker 3>on site. My whole team, guys I worked with, you

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<v Speaker 3>know for ten years that had never seen that kind

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<v Speaker 3>of thing, and suddenly we were, you know, having beers

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<v Speaker 3>after work and with the architect and he's sitting on

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<v Speaker 3>the tailgate with us, and you know, it was really

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<v Speaker 3>really inspiring, and it really that That moment was when

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<v Speaker 3>I said, this is awesome. I've never wanted to be

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<v Speaker 3>a golf course architect until I met David. So I'm like,

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<v Speaker 3>that's what I want to do. I want to I

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<v Speaker 3>want to build a golf course, but I also want

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<v Speaker 3>to design it. You know. That's where I am today.

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<v Speaker 2>That's it's interesting because you were a golf course builder.

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<v Speaker 2>You know, you built golf courses, but becoming you know,

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<v Speaker 2>part of the team that designed it. That's a seismic shift.

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<v Speaker 2>And I think it's will contractors, you know, the design

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<v Speaker 2>contract model. Do you think do you foresee that being

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<v Speaker 2>a relevant model ten years from now?

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<v Speaker 3>Only for some I don't think that most people in

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<v Speaker 3>our industry are willing to sacrifice their lifestyle to be

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<v Speaker 3>on a golf course all the time. I mean our team,

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<v Speaker 3>I was here at sand Valley virtually every day of construction.

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<v Speaker 3>David was here in probably half the time. Nick, our

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<v Speaker 3>other associate, he moved to la to build a golf

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<v Speaker 3>course rolling Hills. He spent two years there away from

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<v Speaker 3>his family. You know, I've moved around with my family

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<v Speaker 3>a lot. It takes a lot of you know, a

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<v Speaker 3>lot of time and energy to really do the design, build,

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<v Speaker 3>you know thing, and so you know, I don't I

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<v Speaker 3>don't force see that it's going to be a huge

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<v Speaker 3>thing for our industry because I don't. I don't. I

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<v Speaker 3>don't know that people are as committed as they should

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<v Speaker 3>as they need to be for that model. Right.

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<v Speaker 2>I was down at Trinity Forests and all these volunteers

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<v Speaker 2>were and I'd walk and they need stop and talk,

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<v Speaker 2>and then what do you think about the golf course?

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<v Speaker 2>I'd be like, Oh, it's great. I'd be really, you know,

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<v Speaker 2>like this state of shock because it's so much different

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<v Speaker 2>than everything else in Dallas. And the analogy I started

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<v Speaker 2>to use was like, well, like most of your courses

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<v Speaker 2>around here are you know, the architect grew up plans,

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<v Speaker 2>hand them over to contractor who built them out, Like

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<v Speaker 2>they're kind of like a like a subdivision house, and

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<v Speaker 2>this is like a hand crafted house. You know that

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<v Speaker 2>somebody was here, that architect was on site all a

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<v Speaker 2>lot of the time, but everything, every little detail was

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<v Speaker 2>thought out. And I felt like that kind of analogy

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<v Speaker 2>clicked with them, like the handcrafted model, like it takes

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<v Speaker 2>way more time, way more effort, but the end result

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<v Speaker 2>is all the details are right and.

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<v Speaker 3>You know, that's why the best golf courses, modern day

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<v Speaker 3>golf courses are being built by the guys that spend

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<v Speaker 3>the most time on site. You know Tom Doak, you

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<v Speaker 3>know Brian Swanik, his guy moves to tar moves to

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<v Speaker 3>New Zealand to Bill Tari and Brian's been all over

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<v Speaker 3>the place. You know. Bill Cohorr was up here at

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<v Speaker 3>sand Valley. You know, he basically came up here with

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<v Speaker 3>his wife and camped out in one of the houses

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<v Speaker 3>and you know, sat on the sand throw every day.

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<v Speaker 3>It's it's you know, Gil Hants is on the bulldozer,

0:13:43.440 --> 0:13:47.560
<v Speaker 3>you know, moves to Brazil. I mean, the the guys

0:13:48.640 --> 0:13:52.920
<v Speaker 3>that are in our group are on site.

0:13:53.920 --> 0:13:58.800
<v Speaker 2>It's that funny because Donald Ross, like some of his

0:13:58.960 --> 0:14:02.079
<v Speaker 2>best screens are the ones that are closest to his

0:14:02.160 --> 0:14:05.800
<v Speaker 2>house at Pinehurst and closest to his house at Essex.

0:14:07.240 --> 0:14:10.840
<v Speaker 3>Yeah, and you know that shows a lot, you know,

0:14:11.080 --> 0:14:13.600
<v Speaker 3>because there's plenty of other ones that were mailed in. Right,

0:14:13.640 --> 0:14:17.880
<v Speaker 3>There's plenty of golf courses that where the architect is

0:14:17.920 --> 0:14:23.160
<v Speaker 3>detached from the construction process. And when that happens, then

0:14:23.320 --> 0:14:25.640
<v Speaker 3>the motives are totally different for the people building it.

0:14:25.680 --> 0:14:29.040
<v Speaker 3>When I was a contractor, I had very different motives

0:14:29.400 --> 0:14:32.600
<v Speaker 3>than I do as an architect. And my motives weren't

0:14:32.640 --> 0:14:37.080
<v Speaker 3>always you know, to spend to reshape a green twelve

0:14:37.080 --> 0:14:39.280
<v Speaker 3>times because you can't get it right. And that happens

0:14:39.280 --> 0:14:42.520
<v Speaker 3>all the time now, you know, Yeah, we're reshaping and

0:14:42.520 --> 0:14:45.720
<v Speaker 3>tweaking all the time until the very last minute, until

0:14:45.760 --> 0:14:49.840
<v Speaker 3>the seed goes down. And it just wasn't the same

0:14:49.880 --> 0:14:53.520
<v Speaker 3>as a contractor. So there's plenty of great contractors out there,

0:14:53.520 --> 0:14:56.520
<v Speaker 3>and they build good golf courses, and there's plenty of

0:14:56.520 --> 0:15:00.960
<v Speaker 3>great architects. You know, that model isn't producing a lot

0:15:01.000 --> 0:15:03.280
<v Speaker 3>of top one hundred in the world golf courses.

0:15:04.200 --> 0:15:08.800
<v Speaker 2>So of the architects you worked with with a contractor, like,

0:15:09.680 --> 0:15:13.520
<v Speaker 2>I'm hard on a lot of architects and from that

0:15:13.720 --> 0:15:16.600
<v Speaker 2>general era, like, what are some things that I might

0:15:16.680 --> 0:15:20.120
<v Speaker 2>be overlooking as to what they did well?

0:15:22.520 --> 0:15:27.280
<v Speaker 4>I think the probably the group that gets the least

0:15:27.400 --> 0:15:36.440
<v Speaker 4>love in them, you know, in the.

0:15:33.200 --> 0:15:37.840
<v Speaker 3>Golf architecture world is Tom Bosio. And what you know

0:15:38.000 --> 0:15:43.720
<v Speaker 3>what Tom produced and reproduced over and over on a

0:15:43.760 --> 0:15:46.880
<v Speaker 3>lot a lot of golf courses, and the biggest thing

0:15:46.920 --> 0:15:53.440
<v Speaker 3>is playability. He produced or designed really playable golf courses

0:15:54.040 --> 0:15:57.680
<v Speaker 3>all over the country. You didn't do a lot around

0:15:57.760 --> 0:16:00.000
<v Speaker 3>the world because we didn't really want to work, didn't

0:16:00.120 --> 0:16:06.240
<v Speaker 3>need to work outside the US. But you know, the

0:16:07.800 --> 0:16:14.320
<v Speaker 3>Fasio guys in that era were probably as committed as

0:16:14.360 --> 0:16:17.840
<v Speaker 3>anyone today. I worked on project in Mexico and they

0:16:17.840 --> 0:16:21.400
<v Speaker 3>had two full time you know, design associates there all

0:16:21.440 --> 0:16:24.280
<v Speaker 3>the time, and they were they were committed. The problem

0:16:24.480 --> 0:16:26.480
<v Speaker 3>that they always had was that there was too many

0:16:26.480 --> 0:16:28.600
<v Speaker 3>tears that you know, they had of Austin and they

0:16:28.600 --> 0:16:31.360
<v Speaker 3>had of Boston, and Tom was there, you know, he

0:16:31.440 --> 0:16:33.120
<v Speaker 3>wasn't there enough and he would come in and make

0:16:33.120 --> 0:16:36.120
<v Speaker 3>pretty large decisions. But they were very committed, and I

0:16:36.120 --> 0:16:39.600
<v Speaker 3>think they they built a lot of really playable golf courses.

0:16:39.880 --> 0:16:42.320
<v Speaker 3>And you know that's obviously something that David and I

0:16:42.360 --> 0:16:47.920
<v Speaker 3>are are trying to push and you know his core

0:16:48.000 --> 0:16:50.320
<v Speaker 3>in our design ethos is is playability.

0:16:51.000 --> 0:16:54.920
<v Speaker 2>That's the thing with Fasio courses. There's always like big

0:16:55.000 --> 0:16:58.760
<v Speaker 2>corridor space I think where he'd messed so, like just

0:16:58.880 --> 0:17:02.240
<v Speaker 2>make a fair way, like it just was so much

0:17:02.320 --> 0:17:05.160
<v Speaker 2>long rough. Yeah, and like if you just you look

0:17:05.200 --> 0:17:08.480
<v Speaker 2>at these places, like you never go there. Most Fasio

0:17:08.520 --> 0:17:10.720
<v Speaker 2>courses are never like offensive.

0:17:11.720 --> 0:17:15.200
<v Speaker 3>Ever, they're never. I mean there's some really good ones

0:17:15.240 --> 0:17:18.560
<v Speaker 3>that you know, they're they're good, they're really really solid.

0:17:18.400 --> 0:17:23.080
<v Speaker 2>Yeah, but they never they never inspire you. Like I

0:17:23.119 --> 0:17:25.560
<v Speaker 2>think something I look at it with golf, like at

0:17:25.560 --> 0:17:29.080
<v Speaker 2>a very core level, like the really great golf courses,

0:17:29.119 --> 0:17:30.639
<v Speaker 2>like you start to get sad at the end of

0:17:30.640 --> 0:17:32.280
<v Speaker 2>the round because you know it's coming to the end

0:17:32.960 --> 0:17:37.840
<v Speaker 2>for sure, And I think that that's where you're having

0:17:37.880 --> 0:17:39.920
<v Speaker 2>so much fun, you know, and golf is supposed to

0:17:39.920 --> 0:17:43.280
<v Speaker 2>be fun. It's tell me about David. You guys have

0:17:43.760 --> 0:17:48.520
<v Speaker 2>undergone kind of almost like a retransformation back to you know,

0:17:48.600 --> 0:17:52.320
<v Speaker 2>the fun principles. Tell me about the journey and kind

0:17:52.320 --> 0:17:57.080
<v Speaker 2>of the change in the ethos over the last five

0:17:57.280 --> 0:17:59.000
<v Speaker 2>six years, you know.

0:17:59.600 --> 0:18:03.680
<v Speaker 3>My So, you know, that's a great question because I

0:18:04.320 --> 0:18:08.280
<v Speaker 3>don't think it was. It was like a blink of

0:18:08.320 --> 0:18:12.960
<v Speaker 3>time when there was particularly two courses, Tetheroe and the

0:18:13.040 --> 0:18:16.679
<v Speaker 3>Castle Course that were being built kind of simultaneously. And

0:18:16.720 --> 0:18:18.720
<v Speaker 3>when I met David, he said, hey, I got to

0:18:18.760 --> 0:18:20.879
<v Speaker 3>take you over to Scotland right at the beginning of

0:18:21.600 --> 0:18:24.880
<v Speaker 3>construction at Tetherow and he's like, let's go. We're going

0:18:24.880 --> 0:18:26.880
<v Speaker 3>to Scotland. So we flew over to Scotland. He showed

0:18:26.960 --> 0:18:29.879
<v Speaker 3>the castle course. It was there was a few holes

0:18:29.880 --> 0:18:32.720
<v Speaker 3>that had been grassed, I think, and and he he

0:18:33.200 --> 0:18:36.000
<v Speaker 3>you know, he showed it, showed me how awesome. Well

0:18:36.119 --> 0:18:37.879
<v Speaker 3>I loved it. I walked it, you know, went to

0:18:37.920 --> 0:18:40.240
<v Speaker 3>the old course. We spent some time in St Andrews

0:18:40.720 --> 0:18:43.720
<v Speaker 3>and I really got to kind of see what he

0:18:43.840 --> 0:18:48.840
<v Speaker 3>was doing at the castle. And so when I went

0:18:48.880 --> 0:18:51.760
<v Speaker 3>back to Tetheroe, we kind of tried to emulate that.

0:18:51.920 --> 0:18:54.240
<v Speaker 3>And one of the shapers actually from the castle Cose

0:18:54.320 --> 0:18:57.679
<v Speaker 3>Mick mcchaine, he came to Tetheroe as well, and yeah,

0:18:57.800 --> 0:19:05.720
<v Speaker 3>Mick McShane amazing at, amazing at And so Tetherowe and

0:19:05.760 --> 0:19:10.160
<v Speaker 3>the Castle course are like twin brothers almost. There. There's

0:19:10.320 --> 0:19:14.159
<v Speaker 3>you know, there's the there's you know, fringy areas in

0:19:14.200 --> 0:19:17.760
<v Speaker 3>the middle of fairways and there's you know, wild greens,

0:19:17.960 --> 0:19:21.119
<v Speaker 3>and you know, neither of the golf courses were on sand,

0:19:21.600 --> 0:19:26.960
<v Speaker 3>so they were very similar. You know, they're twin brothers,

0:19:27.160 --> 0:19:30.359
<v Speaker 3>and that's I was almost trying to build what I

0:19:30.480 --> 0:19:36.640
<v Speaker 3>thought David wanted. And really it's those two courses that

0:19:37.000 --> 0:19:42.960
<v Speaker 3>sort of you know, got us David maybe a reputation

0:19:43.000 --> 0:19:45.280
<v Speaker 3>of building these things that are maybe a little too difficult.

0:19:45.359 --> 0:19:47.639
<v Speaker 3>I think they're both fantastic courses, and if they were

0:19:48.200 --> 0:19:50.680
<v Speaker 3>one hundred years old, I think both of the courses

0:19:50.720 --> 0:19:58.240
<v Speaker 3>would be highly revered. You know, new courses that are bold,

0:19:59.080 --> 0:20:01.159
<v Speaker 3>you know, don't don't usually.

0:20:01.440 --> 0:20:04.119
<v Speaker 2>So I haven't played either. But one of the things

0:20:04.200 --> 0:20:08.359
<v Speaker 2>I think is that different isn't always bad. Like I think,

0:20:10.119 --> 0:20:12.919
<v Speaker 2>especially with today's like era of social media, there's like

0:20:12.960 --> 0:20:17.720
<v Speaker 2>a there's a potential for everything to become the same

0:20:18.520 --> 0:20:20.760
<v Speaker 2>because of you know, like, hey, this works here, so

0:20:20.840 --> 0:20:23.720
<v Speaker 2>let's keep doing it here and here and here, and

0:20:24.280 --> 0:20:26.320
<v Speaker 2>you know, you went over to the castle course inside

0:20:26.359 --> 0:20:29.320
<v Speaker 2>and that's your first job with your new boss, and

0:20:29.400 --> 0:20:31.680
<v Speaker 2>you come back it's like this must have How hard

0:20:31.760 --> 0:20:36.600
<v Speaker 2>is it to build new stuff like and new ideas

0:20:36.640 --> 0:20:38.680
<v Speaker 2>and constantly come up with new ideas.

0:20:39.359 --> 0:20:42.399
<v Speaker 3>It's hard, I mean, and it's it's you know, I

0:20:42.440 --> 0:20:44.960
<v Speaker 3>think with Taylor on the castle, you know he was

0:20:45.000 --> 0:20:46.679
<v Speaker 3>trying to build David was trying to build both of

0:20:46.720 --> 0:20:48.920
<v Speaker 3>them at the same time. He had me building Taylor,

0:20:48.960 --> 0:20:53.160
<v Speaker 3>and he had another guy named Paul Kimber building the castle,

0:20:53.359 --> 0:20:56.800
<v Speaker 3>and what neither of us did was show restraint, you know,

0:20:57.040 --> 0:20:59.359
<v Speaker 3>neither of us. I was pushing the gas pedal as

0:20:59.359 --> 0:21:02.200
<v Speaker 3>hard as I could, and you know Paul was doing

0:21:02.240 --> 0:21:07.360
<v Speaker 3>the same in Scotland, and I think, you know, we

0:21:07.359 --> 0:21:10.000
<v Speaker 3>were trying to do something super different. I had no

0:21:10.040 --> 0:21:12.960
<v Speaker 3>one telling me no, everyone was you know, it was yes, yes, yes.

0:21:13.000 --> 0:21:16.639
<v Speaker 3>And David, you know, for whatever, I think for a

0:21:16.680 --> 0:21:19.040
<v Speaker 3>blink of time he maybe just lost a little bit

0:21:19.080 --> 0:21:21.720
<v Speaker 3>of focus on on both of those projects and let

0:21:21.760 --> 0:21:25.199
<v Speaker 3>me and Paul sort of, you know, really really be

0:21:25.320 --> 0:21:27.879
<v Speaker 3>and the shapers too, they were pushing the limits, you know.

0:21:28.080 --> 0:21:31.680
<v Speaker 3>Mick McShane was, he was He wanted to create the wildest,

0:21:31.680 --> 0:21:35.560
<v Speaker 3>crazy screens of all time. And I think it's easy

0:21:35.600 --> 0:21:39.320
<v Speaker 3>to do something different, but it's really hard to then

0:21:39.400 --> 0:21:42.840
<v Speaker 3>make it playable. We have to show some restraint. If

0:21:42.840 --> 0:21:45.800
<v Speaker 3>I could do tether over again, a little bit of

0:21:45.840 --> 0:21:49.240
<v Speaker 3>restraint around the greens, a few things to change, and

0:21:49.320 --> 0:21:51.520
<v Speaker 3>it's a top you know, fifty in the world golf

0:21:51.520 --> 0:21:53.520
<v Speaker 3>course because I think it's amazing and it's on a

0:21:53.560 --> 0:21:55.600
<v Speaker 3>great site. Same with the Castle course.

0:21:56.040 --> 0:21:56.280
<v Speaker 2>You know.

0:21:57.080 --> 0:22:00.199
<v Speaker 3>So I think it's easy to do something different, but

0:22:01.400 --> 0:22:03.840
<v Speaker 3>how will it be viewed long term? Is it a

0:22:03.840 --> 0:22:07.160
<v Speaker 3>good golf course. You know, that's really the balance as

0:22:07.200 --> 0:22:10.640
<v Speaker 3>you try to do something that hasn't been done before.

0:22:12.200 --> 0:22:15.720
<v Speaker 3>But you know, if you don't show any restraint and

0:22:15.760 --> 0:22:20.080
<v Speaker 3>then then probably gonna playability will suffer.

0:22:21.680 --> 0:22:28.639
<v Speaker 2>You think about Sagrass. When Sagrass first opened, everybody hated it.

0:22:29.200 --> 0:22:31.720
<v Speaker 2>I mean, like the players called it like you know,

0:22:31.880 --> 0:22:34.840
<v Speaker 2>goofy golf, and you read the quotes from that first players.

0:22:34.880 --> 0:22:38.800
<v Speaker 2>But once people get used to it different, it's not

0:22:38.840 --> 0:22:40.720
<v Speaker 2>necessarily always that bad.

0:22:41.800 --> 0:22:44.640
<v Speaker 3>Yeah, I agree, And like I said, I think long

0:22:44.720 --> 0:22:47.520
<v Speaker 3>term the cast course in tether will be seen as

0:22:48.000 --> 0:22:50.920
<v Speaker 3>you know, amazing golf courses because I think they're they're

0:22:51.000 --> 0:22:54.480
<v Speaker 3>both they're both really amazing sites.

0:22:56.520 --> 0:23:00.320
<v Speaker 2>Since you're think that the greatest sites were the Golden

0:23:00.359 --> 0:23:04.240
<v Speaker 2>Age architects and today's architect would have, you know, built

0:23:04.240 --> 0:23:07.800
<v Speaker 2>a better course in your opinion, what's the greatest course

0:23:07.840 --> 0:23:08.320
<v Speaker 2>in the world.

0:23:11.000 --> 0:23:16.919
<v Speaker 3>Probably Pine Valley. Yeah, I mean I think Pine Valley

0:23:17.080 --> 0:23:21.480
<v Speaker 3>is sort of you know, it's it's everything that I

0:23:21.520 --> 0:23:24.360
<v Speaker 3>think great golf is. I think it's the greens are

0:23:24.680 --> 0:23:27.120
<v Speaker 3>you know, amazing. I think it's it's nice. I feel

0:23:27.200 --> 0:23:31.879
<v Speaker 3>like it's fairly wide and and you know, pretty generous

0:23:31.920 --> 0:23:34.560
<v Speaker 3>off the tee, which is great. I didn't lose the ball,

0:23:34.800 --> 0:23:39.720
<v Speaker 3>you know, either time I played it, and very challenging

0:23:39.920 --> 0:23:43.360
<v Speaker 3>into the green. So you know the challenge is there.

0:23:43.400 --> 0:23:44.800
<v Speaker 3>You've got to be on it. You have to be

0:23:45.280 --> 0:23:48.480
<v Speaker 3>you know, you have to be playing good golf and

0:23:48.560 --> 0:23:49.760
<v Speaker 3>the setting is fantastic.

0:23:50.600 --> 0:23:52.360
<v Speaker 2>It's that's a that's a good sight.

0:23:52.600 --> 0:23:56.520
<v Speaker 3>Yeah, it is an amazing thing. You can you know,

0:23:56.640 --> 0:23:59.919
<v Speaker 3>you can see what great architects today like Tom Doe

0:24:00.080 --> 0:24:05.000
<v Speaker 3>Guitar ev what guys like us can do with amazing sights. Right,

0:24:05.600 --> 0:24:09.359
<v Speaker 3>it's it's you know, it is uh. I think both

0:24:09.400 --> 0:24:12.080
<v Speaker 3>these courses sand Ally and Mammothoons are the same. We

0:24:12.160 --> 0:24:15.040
<v Speaker 3>get great sites with no constraints, and we can and

0:24:15.080 --> 0:24:18.560
<v Speaker 3>the Kaisers have let us, you know, let us come

0:24:18.600 --> 0:24:21.639
<v Speaker 3>out here and lay off wherever we want, make everything

0:24:21.640 --> 0:24:24.240
<v Speaker 3>else secondary. And you know that's what those Golden Age

0:24:24.320 --> 0:24:26.560
<v Speaker 3>architects did. They didn't have someone telling them where the

0:24:26.640 --> 0:24:29.720
<v Speaker 3>clubhouse needed to be and you know, telling them about

0:24:29.720 --> 0:24:32.879
<v Speaker 3>a green tree frog that you know had to we

0:24:33.040 --> 0:24:35.960
<v Speaker 3>had to keep all these trees for environmental reasons. I mean,

0:24:35.960 --> 0:24:37.560
<v Speaker 3>none of that stuff has happening back then.

0:24:38.440 --> 0:24:41.440
<v Speaker 2>So what's the biggest challenge when you get a world

0:24:41.480 --> 0:24:43.719
<v Speaker 2>class site like mammothin's.

0:24:43.920 --> 0:24:48.880
<v Speaker 3>Not disappointing people. That's the biggest challenge. I mean, if

0:24:48.920 --> 0:24:52.240
<v Speaker 3>you don't nail it, you know, there's no excuse, right.

0:24:52.520 --> 0:24:55.800
<v Speaker 3>We have a lot of excuses on other projects where

0:24:55.960 --> 0:24:59.280
<v Speaker 3>it's other people are or other you know, circumstances are

0:24:59.320 --> 0:25:04.359
<v Speaker 3>constraining our our creativity. But someone like man students, there

0:25:04.440 --> 0:25:08.040
<v Speaker 3>is no constraints. There's no one to blame. If it's

0:25:08.080 --> 0:25:10.240
<v Speaker 3>not great, it's David Nieball.

0:25:11.560 --> 0:25:14.439
<v Speaker 2>So I think one of the most unique things here

0:25:14.960 --> 0:25:18.800
<v Speaker 2>is the routing and how it's you know, you've worked

0:25:18.800 --> 0:25:22.080
<v Speaker 2>over tough ground that other architects passed on, you know,

0:25:22.200 --> 0:25:26.760
<v Speaker 2>like from your standpoint, how the process of coming up

0:25:26.800 --> 0:25:31.600
<v Speaker 2>with this routing with David and Nick. How difficult was that.

0:25:32.600 --> 0:25:35.439
<v Speaker 3>No, I wasn't very involved in the routing because I

0:25:35.520 --> 0:25:37.199
<v Speaker 3>was working on other stuff. I think I was in

0:25:37.280 --> 0:25:40.479
<v Speaker 3>England at the time, so Nick and David were over

0:25:40.600 --> 0:25:46.400
<v Speaker 3>here together. But you know Nick, who's our other partner.

0:25:46.760 --> 0:25:50.480
<v Speaker 3>He has a really strong background in landscape architecture and

0:25:51.520 --> 0:25:53.919
<v Speaker 3>I know it's a dirty word these days, but in

0:25:54.040 --> 0:25:58.359
<v Speaker 3>AutoCAD and you know, using using the tools that modern

0:25:58.480 --> 0:26:02.199
<v Speaker 3>architects have on their finger tips to model the ground,

0:26:02.400 --> 0:26:05.159
<v Speaker 3>and you know a lot of other architects looked at

0:26:05.160 --> 0:26:08.439
<v Speaker 3>our site and no one, no one could really figure

0:26:08.480 --> 0:26:11.560
<v Speaker 3>it out. Then, you know, Nick did some amazing stuff

0:26:11.600 --> 0:26:15.800
<v Speaker 3>with AutoCAD and modeled the the landscape and we figured

0:26:15.800 --> 0:26:18.560
<v Speaker 3>out that there was this big giant V ridge running

0:26:18.640 --> 0:26:21.000
<v Speaker 3>through this site. And it was if we modeled the

0:26:21.200 --> 0:26:24.480
<v Speaker 3>entire holding landholding, which was like a couple of thousand acres,

0:26:24.960 --> 0:26:29.160
<v Speaker 3>and that ridge completely stood out. You can you can

0:26:29.240 --> 0:26:33.240
<v Speaker 3>use AutoCAD to create you know, different colors for different elevations.

0:26:33.280 --> 0:26:36.560
<v Speaker 3>So instantly we had this big giant map with two

0:26:36.560 --> 0:26:39.320
<v Speaker 3>thousand acres on it and there's just a giant V ridge.

0:26:39.359 --> 0:26:43.160
<v Speaker 3>You know, that was the most prominent feature by far

0:26:43.280 --> 0:26:46.600
<v Speaker 3>on the whole landscape, and instantly David and Nick gravitated

0:26:46.640 --> 0:26:50.760
<v Speaker 3>towards it. So, you know, we were looking for a

0:26:50.840 --> 0:26:54.320
<v Speaker 3>dramatic site and we had to find a way through it.

0:26:54.359 --> 0:26:57.360
<v Speaker 3>And those guys with the you know, with the AutoCAD

0:26:57.440 --> 0:26:59.240
<v Speaker 3>work that they did, they found a way to get

0:26:59.280 --> 0:27:02.640
<v Speaker 3>over the ridge and different places and sort of set

0:27:02.680 --> 0:27:04.640
<v Speaker 3>up the whole routing. You know, there was only one

0:27:04.640 --> 0:27:08.159
<v Speaker 3>way to really cross on the north end on the

0:27:08.200 --> 0:27:11.600
<v Speaker 3>south end and sort of laid itself out from there.

0:27:12.960 --> 0:27:15.800
<v Speaker 2>What's the one thing that you think you wish that

0:27:16.560 --> 0:27:20.560
<v Speaker 2>you know, the regular golfer wouldn't know before playing mammothon.

0:27:22.560 --> 0:27:24.240
<v Speaker 3>I don't think I want him to know anything. I

0:27:24.280 --> 0:27:27.040
<v Speaker 3>want them to just come out and, you know, experience

0:27:27.080 --> 0:27:30.040
<v Speaker 3>that walk through the breezeway of the clubhouse out onto

0:27:30.080 --> 0:27:33.879
<v Speaker 3>that awesome hutting green and see, you know, the landscape

0:27:33.880 --> 0:27:37.399
<v Speaker 3>before them. And my hope is they think, like you know,

0:27:37.480 --> 0:27:41.119
<v Speaker 3>they feel that it was always a sand baron, that

0:27:41.160 --> 0:27:43.240
<v Speaker 3>it never was a pine forest, and that you know,

0:27:43.320 --> 0:27:45.000
<v Speaker 3>it always sort of looked like that and we just

0:27:45.040 --> 0:27:49.159
<v Speaker 3>laid golf over it. But you know, I don't I

0:27:49.160 --> 0:27:51.720
<v Speaker 3>don't feel that you need to explain it to anybody.

0:27:52.119 --> 0:27:53.960
<v Speaker 3>You don't need to tell them anything. You just let

0:27:54.040 --> 0:27:55.880
<v Speaker 3>them show up and experience it.

0:27:56.600 --> 0:27:57.480
<v Speaker 2>What about your job?

0:27:59.080 --> 0:27:59.960
<v Speaker 3>What about my job?

0:28:00.640 --> 0:28:04.080
<v Speaker 2>What would you want somebody to understand more about your job?

0:28:04.800 --> 0:28:09.159
<v Speaker 3>I guess you know probably what every other you know,

0:28:09.280 --> 0:28:12.879
<v Speaker 3>associate designer would want. And a little recognition you know

0:28:12.920 --> 0:28:16.479
<v Speaker 3>that that David didn't design it all by himself. You

0:28:16.480 --> 0:28:18.480
<v Speaker 3>know there was a team of guys in granted he's

0:28:18.520 --> 0:28:20.879
<v Speaker 3>the inspiration and he's the whole reason we're here. And

0:28:21.800 --> 0:28:24.639
<v Speaker 3>you know he he taught me everything I know about

0:28:25.280 --> 0:28:28.640
<v Speaker 3>golf course design. But you know, we also have I'm

0:28:28.680 --> 0:28:30.040
<v Speaker 3>a big part of this, you know, I was here

0:28:30.080 --> 0:28:32.359
<v Speaker 3>every day and my shape, you know, the shapers that

0:28:32.440 --> 0:28:36.239
<v Speaker 3>work for us, Bernie Poul Verrari and Luis Barrella. We're

0:28:36.320 --> 0:28:39.920
<v Speaker 3>out here every day and you know this place is

0:28:40.120 --> 0:28:42.600
<v Speaker 3>you know, I wish the average person knew that it

0:28:42.640 --> 0:28:47.640
<v Speaker 3>was more of a team effort, you know, But that's you.

0:28:47.600 --> 0:28:50.760
<v Speaker 2>Know, I think that goes with everything. It's I think

0:28:50.760 --> 0:28:54.840
<v Speaker 2>it's almost it's almost a media's fault because it's way

0:28:54.880 --> 0:28:58.480
<v Speaker 2>easier to like gravitate towards one person than tell a

0:28:58.520 --> 0:28:59.400
<v Speaker 2>story of a team.

0:28:59.560 --> 0:29:02.960
<v Speaker 3>You know, absolutely there's there's a leader in every team,

0:29:03.040 --> 0:29:07.080
<v Speaker 3>and you know, and and David deserves it, you know,

0:29:07.200 --> 0:29:10.200
<v Speaker 3>but and I don't. It doesn't really bother me that much.

0:29:10.240 --> 0:29:13.520
<v Speaker 3>But it's uh, and David's really well, really good at

0:29:13.800 --> 0:29:16.800
<v Speaker 3>trying to, you know, say it as in the media

0:29:16.840 --> 0:29:18.640
<v Speaker 3>that it's always a team effort. You know that it's

0:29:18.720 --> 0:29:20.719
<v Speaker 3>him and I and Nick and are shapers and the

0:29:20.720 --> 0:29:21.960
<v Speaker 3>rest of the guys on the group.

0:29:22.280 --> 0:29:27.960
<v Speaker 2>But so if you could build, you know, one kind

0:29:28.000 --> 0:29:32.200
<v Speaker 2>of different style of golf, you know, whether it be

0:29:32.240 --> 0:29:35.080
<v Speaker 2>a different concept with the number of holes or par

0:29:35.480 --> 0:29:36.400
<v Speaker 2>or what.

0:29:36.280 --> 0:29:40.760
<v Speaker 3>Would it be. You know, obviously, I think the biggest

0:29:40.840 --> 0:29:44.440
<v Speaker 3>thing is just time, right that that none of us

0:29:44.640 --> 0:29:49.920
<v Speaker 3>is as fathers and generally have as much time as

0:29:50.200 --> 0:29:52.680
<v Speaker 3>as you know, as our parents did. My dad can

0:29:52.760 --> 0:29:55.960
<v Speaker 3>go out and golf all day on Saturday and you know,

0:29:56.160 --> 0:29:59.440
<v Speaker 3>no big deal. But you know, as we as we

0:30:00.200 --> 0:30:03.320
<v Speaker 3>involved as parents, I can't go on a Saturday morning

0:30:03.320 --> 0:30:05.440
<v Speaker 3>and play golf every week, you know, and I don't

0:30:05.480 --> 0:30:07.320
<v Speaker 3>want to. I'd rather spend the time with my kids.

0:30:07.360 --> 0:30:11.480
<v Speaker 3>So it would really be about trying to do things quicker.

0:30:13.000 --> 0:30:14.960
<v Speaker 3>I don't know. I think it's more of a style

0:30:15.040 --> 0:30:19.960
<v Speaker 3>of design, you know, that that promotes a faster pace

0:30:20.000 --> 0:30:24.440
<v Speaker 3>of play. The pace of play is a is at

0:30:24.560 --> 0:30:28.320
<v Speaker 3>playing slow golf. I hate it, and if I'm behind

0:30:28.360 --> 0:30:30.800
<v Speaker 3>a group and it's slow, I almost just want to

0:30:30.840 --> 0:30:32.840
<v Speaker 3>walk off no matter where I'm playing.

0:30:33.920 --> 0:30:36.560
<v Speaker 2>That's what I was playing Whistling Straight a couple of

0:30:36.600 --> 0:30:40.800
<v Speaker 2>weeks ago. Took us five and a half hours to play,

0:30:41.320 --> 0:30:45.520
<v Speaker 2>and we waited on every tea box. It was maddening.

0:30:46.800 --> 0:30:48.560
<v Speaker 2>Made me want to walk off the golf course.

0:30:49.000 --> 0:30:51.960
<v Speaker 3>You know, I think I think the and obviously you know,

0:30:52.000 --> 0:30:56.200
<v Speaker 3>the private club you know, ideas probably the only place

0:30:56.240 --> 0:30:58.880
<v Speaker 3>where this really works. But the ahoopie match play thing,

0:30:58.960 --> 0:31:00.600
<v Speaker 3>I've heard you talking about that, and I think I

0:31:00.640 --> 0:31:04.280
<v Speaker 3>heard Gil talking about it on your podcast. But the

0:31:04.360 --> 0:31:06.680
<v Speaker 3>idea of match play, you know, in the US is

0:31:06.680 --> 0:31:10.840
<v Speaker 3>something that isn't fully embraced, and in the UK it is.

0:31:10.880 --> 0:31:12.880
<v Speaker 3>And I spent a couple of years living in London

0:31:12.960 --> 0:31:16.360
<v Speaker 3>and playing golf all around in the UK and golf

0:31:16.400 --> 0:31:18.600
<v Speaker 3>over there is much more about a match, you know,

0:31:18.680 --> 0:31:23.600
<v Speaker 3>a competition between friends. Rarely do you see a guy

0:31:23.800 --> 0:31:25.960
<v Speaker 3>just go out and golf by himself, you know, it

0:31:26.040 --> 0:31:28.400
<v Speaker 3>just doesn't happen. It's, hey, let's get a game together,

0:31:28.520 --> 0:31:30.520
<v Speaker 3>you know, let's get a couple of guys and we'll

0:31:30.560 --> 0:31:33.360
<v Speaker 3>go play and we'll play match and it's it promotes

0:31:33.400 --> 0:31:37.520
<v Speaker 3>fast play, right because you just pick up and people

0:31:37.520 --> 0:31:40.800
<v Speaker 3>in the US, you know, the US golfer and I

0:31:40.840 --> 0:31:42.080
<v Speaker 3>think a lot of it has to do with a

0:31:42.120 --> 0:31:47.200
<v Speaker 3>handicap system doesn't fully understand that. So if we could,

0:31:47.480 --> 0:31:49.200
<v Speaker 3>you know, if we could, and maybe it's just a model,

0:31:49.240 --> 0:31:51.600
<v Speaker 3>maybe it's not as much about architecture, but trying to

0:31:51.680 --> 0:31:55.880
<v Speaker 3>do things that promote more match play. Yeah, you know,

0:31:56.840 --> 0:32:00.840
<v Speaker 3>play quicker, enjoy the compent a little bit.

0:32:01.040 --> 0:32:02.960
<v Speaker 2>She played a lot of alternative shot over there.

0:32:03.880 --> 0:32:05.520
<v Speaker 3>I didn't. I mean, I knew a lot of guys

0:32:05.560 --> 0:32:08.960
<v Speaker 3>that did, and I played on several occasions. But and

0:32:09.000 --> 0:32:11.320
<v Speaker 3>I played a couple you know events at my club

0:32:11.360 --> 0:32:13.920
<v Speaker 3>that are alternate shot and I love it, and I

0:32:13.920 --> 0:32:15.120
<v Speaker 3>think it's amazing.

0:32:15.880 --> 0:32:18.400
<v Speaker 2>That's like one way to really speed up the game

0:32:18.480 --> 0:32:18.760
<v Speaker 2>at all.

0:32:19.160 --> 0:32:22.160
<v Speaker 3>Somehow, in the US we are fixated on playing our

0:32:22.160 --> 0:32:24.360
<v Speaker 3>own ball the whole time, all the way to the

0:32:24.360 --> 0:32:28.040
<v Speaker 3>hole and putting it in and posting a score on

0:32:28.080 --> 0:32:32.400
<v Speaker 3>our you know, gin handicap and it causes five and

0:32:32.440 --> 0:32:33.400
<v Speaker 3>a half hour rounds.

0:32:33.760 --> 0:32:36.400
<v Speaker 2>Do you think that's because of the PGA Tour.

0:32:37.280 --> 0:32:40.440
<v Speaker 3>I don't know if it's the tour. But in the

0:32:40.520 --> 0:32:43.200
<v Speaker 3>UK the handicap system is much different. Right, You play

0:32:43.280 --> 0:32:47.520
<v Speaker 3>three competitive matches, I think, and you get a handicap

0:32:47.560 --> 0:32:49.800
<v Speaker 3>from your club and that's it. That's your index, that's

0:32:49.840 --> 0:32:52.440
<v Speaker 3>your that's your you know, and then so for the

0:32:52.440 --> 0:32:56.480
<v Speaker 3>rest of the year doesn't You don't post scores, So

0:32:56.840 --> 0:32:58.760
<v Speaker 3>if you're playing a match, you just pick up the ball.

0:32:58.840 --> 0:33:01.120
<v Speaker 3>You know, if the guy gets three and you're sitting

0:33:01.160 --> 0:33:06.960
<v Speaker 3>there in four, pick your ball. And you know, I

0:33:06.960 --> 0:33:09.800
<v Speaker 3>don't know if it's the PGA Tour or I guess

0:33:09.800 --> 0:33:12.600
<v Speaker 3>more of the USGA, but the way that we the

0:33:12.640 --> 0:33:16.920
<v Speaker 3>American system of posting the scores for handicap and constantly

0:33:16.960 --> 0:33:20.160
<v Speaker 3>posting every single one, it's counterproductive.

0:33:22.240 --> 0:33:27.880
<v Speaker 2>The handicap system drives me nuts because like it's posting

0:33:27.920 --> 0:33:29.920
<v Speaker 2>a score from one day to the next, Like I

0:33:29.920 --> 0:33:33.160
<v Speaker 2>think it's just stupid because the golf course could be

0:33:33.200 --> 0:33:36.719
<v Speaker 2>completely different in the conditions, Like if you play in

0:33:36.800 --> 0:33:41.520
<v Speaker 2>really tough conditions, like you shoot seventy sixty, play really

0:33:41.560 --> 0:33:44.000
<v Speaker 2>well and you could shoot seventy two the next day,

0:33:44.040 --> 0:33:47.800
<v Speaker 2>and really easy conditions that's not necessarily Like it's so

0:33:48.000 --> 0:33:51.200
<v Speaker 2>skew flawed in so many ways, the handicap system. It's

0:33:51.240 --> 0:33:53.920
<v Speaker 2>one of my I think that is a big problem

0:33:54.120 --> 0:33:56.040
<v Speaker 2>in the game of golf, like one of one of

0:33:56.160 --> 0:33:59.160
<v Speaker 2>like it like you alluded to pace a play, but

0:33:59.240 --> 0:34:03.000
<v Speaker 2>also like the concept of like why you're out there

0:34:03.000 --> 0:34:03.880
<v Speaker 2>playing is.

0:34:03.800 --> 0:34:06.840
<v Speaker 3>Too yeah, And I think that's why we have eighteen

0:34:06.920 --> 0:34:09.839
<v Speaker 3>hundred eighteen hole seventy two hundred dark golf courses. You know,

0:34:09.840 --> 0:34:12.880
<v Speaker 3>on all of our projects, we know that's what our

0:34:12.880 --> 0:34:15.719
<v Speaker 3>client expects, that's what the golfer expects because that's what

0:34:15.840 --> 0:34:19.480
<v Speaker 3>you know, they measured their self against. So you know,

0:34:21.080 --> 0:34:26.880
<v Speaker 3>there's a real I think it's a real lack of

0:34:27.960 --> 0:34:31.560
<v Speaker 3>you know, understanding about the game and the competition side

0:34:31.560 --> 0:34:34.920
<v Speaker 3>of it, about playing a game between you know, two

0:34:35.080 --> 0:34:38.320
<v Speaker 3>four guys or two guys. And you know, if we

0:34:38.400 --> 0:34:41.600
<v Speaker 3>played a competition on a thirteen hole you know, forty

0:34:41.600 --> 0:34:44.120
<v Speaker 3>two hundred dard golf course, we have a great time.

0:34:45.160 --> 0:34:47.200
<v Speaker 3>But if you're out there by yourself and you're trying

0:34:47.200 --> 0:34:50.040
<v Speaker 3>to test your game against you know, what you perceive

0:34:50.080 --> 0:34:55.560
<v Speaker 3>as a modern you know, modern sized golf course and

0:34:55.640 --> 0:34:57.799
<v Speaker 3>you got to post your score, all those things are

0:34:57.840 --> 0:35:01.319
<v Speaker 3>sort of tiling up against know, pay some play and

0:35:01.719 --> 0:35:04.840
<v Speaker 3>match play and competition and all the things that I

0:35:05.160 --> 0:35:09.759
<v Speaker 3>that in the UK you know, really encourages golf. You know,

0:35:09.800 --> 0:35:12.920
<v Speaker 3>it's a it really opened my eyes living in the

0:35:13.000 --> 0:35:16.759
<v Speaker 3>UK to see how the culture of golf is so

0:35:17.040 --> 0:35:22.319
<v Speaker 3>different over there, and uh, you know it, I wish

0:35:22.360 --> 0:35:25.440
<v Speaker 3>we could do more ohopie match plays, you know, match

0:35:25.480 --> 0:35:29.680
<v Speaker 3>clubs and really focus on that style of play.

0:35:30.520 --> 0:35:33.640
<v Speaker 2>Yeah, I agree, Like, I just like talking about this

0:35:33.880 --> 0:35:36.279
<v Speaker 2>like makes me want to play alternate shot the next

0:35:36.280 --> 0:35:38.959
<v Speaker 2>time I play, like in a match, you know, play.

0:35:39.280 --> 0:35:42.240
<v Speaker 2>I think the idea of four people playing two balls,

0:35:42.680 --> 0:35:44.879
<v Speaker 2>you know, is so much faster. It's like you could

0:35:44.880 --> 0:35:47.160
<v Speaker 2>get around and you know, and I know there's some

0:35:47.200 --> 0:35:50.680
<v Speaker 2>clubs over there that are are strictly for uh four

0:35:50.760 --> 0:35:51.520
<v Speaker 2>ball clubs.

0:35:51.960 --> 0:35:53.480
<v Speaker 3>Yeah, and a lot and a lot of them. Or

0:35:53.800 --> 0:35:55.719
<v Speaker 3>they'll do it on you know, Saturdays, or you know,

0:35:55.800 --> 0:36:00.160
<v Speaker 3>always before noon or you know, so they'll they'll I'll

0:36:00.200 --> 0:36:03.160
<v Speaker 3>put they'll have very you know, a lot of clubs

0:36:03.160 --> 0:36:06.279
<v Speaker 3>have pretty strict rules about who plays win. So if

0:36:06.320 --> 0:36:10.920
<v Speaker 3>you're going to play, you know, four Americans playing their

0:36:10.960 --> 0:36:13.160
<v Speaker 3>own ball, then you can only play after two on

0:36:13.239 --> 0:36:17.560
<v Speaker 3>a Tuesday, you know. But if you're you know, two

0:36:17.560 --> 0:36:19.960
<v Speaker 3>old boys from down the street, you know, you can

0:36:20.000 --> 0:36:21.880
<v Speaker 3>play in two hours on a Saturday morning.

0:36:22.400 --> 0:36:25.120
<v Speaker 2>It's amazing because it's like they're just like, these guys

0:36:25.160 --> 0:36:25.520
<v Speaker 2>get it.

0:36:25.560 --> 0:36:31.759
<v Speaker 5>They can play, I want to.

0:36:30.239 --> 0:36:31.840
<v Speaker 3>And they're going to look for their ball for twenty

0:36:31.840 --> 0:36:33.400
<v Speaker 3>minutes if they hit it into the gorse.

0:36:33.760 --> 0:36:36.080
<v Speaker 2>What were your favorite courses over there?

0:36:37.160 --> 0:36:39.160
<v Speaker 3>You know, I spent most of my time I lived

0:36:39.160 --> 0:36:42.320
<v Speaker 3>in Surrey, so I played, you know, I really played

0:36:42.600 --> 0:36:46.040
<v Speaker 3>the sunny Sunningdale and you know Walton Heath and Saint

0:36:46.080 --> 0:36:48.360
<v Speaker 3>George's Hills. Saint Georgie's Hill is one of my favorites.

0:36:49.400 --> 0:36:52.000
<v Speaker 3>I really I love playing. I played there a lot.

0:36:52.160 --> 0:36:55.600
<v Speaker 3>The client I worked for lived at Saint George's Hills,

0:36:55.600 --> 0:36:57.520
<v Speaker 3>so he had me up there quite a bit to

0:36:57.600 --> 0:37:01.960
<v Speaker 3>play swim Ley Forth, all of those courses. Swinley Force

0:37:02.080 --> 0:37:07.160
<v Speaker 3>is absolutely amazing. New Zealand has one that you know,

0:37:07.480 --> 0:37:09.479
<v Speaker 3>not a lot of people know about that's really good.

0:37:09.520 --> 0:37:11.879
<v Speaker 3>And then I played a lot of the English links too,

0:37:11.920 --> 0:37:15.200
<v Speaker 3>which are you know, Royal Saint George's is fantastic.

0:37:16.360 --> 0:37:16.520
<v Speaker 2>Saw.

0:37:17.360 --> 0:37:19.239
<v Speaker 3>I don't know how much time you spent down there,

0:37:19.280 --> 0:37:22.160
<v Speaker 3>but you know, there's a lot of really good courses

0:37:22.400 --> 0:37:25.040
<v Speaker 3>around London an hour drive from London, whether it's you know,

0:37:25.080 --> 0:37:27.280
<v Speaker 3>the Surrey courses are out to the coast.

0:37:27.760 --> 0:37:31.200
<v Speaker 2>Yeah, that's Michael Clayton said that he evolved golf around

0:37:31.200 --> 0:37:33.520
<v Speaker 2>the world. He thinks he'd pick if he had to

0:37:33.680 --> 0:37:34.960
<v Speaker 2>pick one, it would be like.

0:37:34.960 --> 0:37:39.960
<v Speaker 5>The London area and there's just so much good golf

0:37:40.040 --> 0:37:42.319
<v Speaker 5>right around there and the heathlands, and I.

0:37:42.239 --> 0:37:46.400
<v Speaker 2>Mean, you talk about important golf, Like I think the

0:37:46.480 --> 0:37:49.880
<v Speaker 2>Heathland courses are probably the most important of all the

0:37:49.920 --> 0:37:51.840
<v Speaker 2>golf courses ever built, because they were the first that

0:37:52.239 --> 0:37:55.400
<v Speaker 2>weren't said that said, golf is okay if it's not

0:37:55.480 --> 0:37:56.080
<v Speaker 2>on the ocean.

0:37:57.040 --> 0:38:00.680
<v Speaker 3>Sure, and you know, and it brought golf to the masses,

0:38:00.760 --> 0:38:03.719
<v Speaker 3>right to a large population center. So suddenly there's like

0:38:03.760 --> 0:38:05.920
<v Speaker 3>one hundred and thirty two golf courses in the county

0:38:06.080 --> 0:38:10.440
<v Speaker 3>sty alone, you know, So it's sort of it brought

0:38:10.640 --> 0:38:14.279
<v Speaker 3>golf closer to the golfer, so you weren't driving out

0:38:14.320 --> 0:38:17.279
<v Speaker 3>to the you know, to the links, and you know,

0:38:17.360 --> 0:38:21.000
<v Speaker 3>so it was and some of those golf courses are

0:38:21.080 --> 0:38:21.719
<v Speaker 3>just amazing.

0:38:22.680 --> 0:38:26.680
<v Speaker 2>If you were designing a municipal course, would anything change

0:38:26.719 --> 0:38:29.880
<v Speaker 2>in what you did do there versus say, a golf

0:38:29.920 --> 0:38:32.280
<v Speaker 2>course like Mammoth Doomed.

0:38:34.160 --> 0:38:37.359
<v Speaker 3>Yeah, I mean I think that there's you know, there's

0:38:37.400 --> 0:38:41.640
<v Speaker 3>a time and a place that you can build mammoth dunes,

0:38:41.760 --> 0:38:45.239
<v Speaker 3>and it's on a site like this where we have

0:38:45.400 --> 0:38:48.680
<v Speaker 3>plenty of water, and we have plenty of labor to

0:38:48.840 --> 0:38:53.520
<v Speaker 3>mow the big fairways, and you know, we've we've got

0:38:53.520 --> 0:38:56.600
<v Speaker 3>the perfect scenario to build a really big golf course,

0:38:56.920 --> 0:38:59.840
<v Speaker 3>and you know most municipal courses. Obviously, I don't like that.

0:39:00.080 --> 0:39:04.080
<v Speaker 3>I think given that circumstance, I wouldn't be looking to

0:39:04.120 --> 0:39:07.640
<v Speaker 3>build one hundred dark fairways. You know, I think tight

0:39:07.680 --> 0:39:10.840
<v Speaker 3>and small is okay build a par sixty seven, you know,

0:39:10.840 --> 0:39:13.560
<v Speaker 3>a five thousand yard golf course on a cool piece

0:39:13.600 --> 0:39:16.760
<v Speaker 3>of land and you know wherever in la or something,

0:39:16.800 --> 0:39:23.240
<v Speaker 3>you know, And I think, I think short and fast quick,

0:39:23.320 --> 0:39:25.080
<v Speaker 3>you know, things that move fast, And I would and

0:39:25.160 --> 0:39:27.879
<v Speaker 3>I would do walking only, you know, because I think

0:39:27.920 --> 0:39:31.120
<v Speaker 3>golf carts cause a lot of a lot of issues

0:39:31.520 --> 0:39:32.920
<v Speaker 3>with pace and play as well.

0:39:33.360 --> 0:39:37.440
<v Speaker 2>He makes your job a lot tougher, too much more difficult.

0:39:38.719 --> 0:39:41.600
<v Speaker 3>Yeah, when you're trying to build a course that's walking only,

0:39:41.680 --> 0:39:43.719
<v Speaker 3>like here, for example, you could put it, you know,

0:39:43.760 --> 0:39:45.920
<v Speaker 3>in the back to right next to the green, right

0:39:46.239 --> 0:39:49.359
<v Speaker 3>or or behind it, or you know somewhere where you're

0:39:49.400 --> 0:39:51.800
<v Speaker 3>walking off the green and you are walking right onto

0:39:52.040 --> 0:39:54.479
<v Speaker 3>the next t box and off you go. So pace

0:39:54.520 --> 0:39:58.200
<v Speaker 3>and play is really quick. The second you have cart paths,

0:39:58.200 --> 0:40:00.719
<v Speaker 3>suddenly the cart path needs to be you know, you

0:40:00.719 --> 0:40:02.920
<v Speaker 3>don't want it too close to the green right because

0:40:03.320 --> 0:40:06.279
<v Speaker 3>then your ball might hit it, and so you're moving

0:40:06.320 --> 0:40:08.640
<v Speaker 3>the cart path far away from the green, and then

0:40:08.640 --> 0:40:11.080
<v Speaker 3>you got to know you cross the cart path. So

0:40:11.120 --> 0:40:14.920
<v Speaker 3>if you're walking, suddenly the next tee you know pretty

0:40:14.960 --> 0:40:19.280
<v Speaker 3>much fifty sixty seventy yards away the car. That's caused

0:40:19.280 --> 0:40:22.399
<v Speaker 3>a ton of problems with pace of play. People always say, wow,

0:40:22.760 --> 0:40:24.080
<v Speaker 3>I'm going to go play in a car. I'll play

0:40:24.080 --> 0:40:26.799
<v Speaker 3>super fast. It's like I've played just as fast as you.

0:40:26.960 --> 0:40:29.000
<v Speaker 3>I just won't sit and wait as long as you.

0:40:29.080 --> 0:40:32.239
<v Speaker 3>I'll hit my ball and walk to it. I think

0:40:32.280 --> 0:40:39.880
<v Speaker 3>walking municipal golf courses should try harder to have walking,

0:40:40.000 --> 0:40:40.960
<v Speaker 3>you know, walking only.

0:40:41.880 --> 0:40:45.680
<v Speaker 2>What's crazy is a lot of them don't even have.

0:40:45.680 --> 0:40:48.960
<v Speaker 3>A walking right, Yeah, here you go. You get a

0:40:48.960 --> 0:40:50.839
<v Speaker 3>cart with your pizzaimal, I don't want a car.

0:40:52.560 --> 0:40:56.040
<v Speaker 2>I rolled up to Southern Pines in the Pinehurst area.

0:40:56.719 --> 0:40:59.040
<v Speaker 2>It's a cool little core. I talk about a good

0:40:59.120 --> 0:41:01.760
<v Speaker 2>piece of crap. That's a really good piece of ground.

0:41:02.280 --> 0:41:05.760
<v Speaker 2>And there's nobody there because it's bad weather, and except

0:41:05.840 --> 0:41:09.680
<v Speaker 2>that one old lady working in the shop. And I

0:41:09.719 --> 0:41:13.600
<v Speaker 2>walked in and she's like, oh, that'll be fifty six

0:41:13.719 --> 0:41:16.480
<v Speaker 2>dollars or something like that. And she's like, and I

0:41:16.520 --> 0:41:20.360
<v Speaker 2>don't know if I have a cart tea And I

0:41:20.400 --> 0:41:22.279
<v Speaker 2>was like, well, I don't want a cart, I want

0:41:22.280 --> 0:41:26.959
<v Speaker 2>to walk, and she goes well, and she like looked

0:41:27.000 --> 0:41:29.279
<v Speaker 2>at me perplexed because like all of a sudden, like

0:41:29.360 --> 0:41:32.120
<v Speaker 2>it was like she didn't even have like she didn't

0:41:32.200 --> 0:41:34.560
<v Speaker 2>know what the walking right was. And that to me

0:41:34.840 --> 0:41:38.000
<v Speaker 2>was like it almost offended me because it was a

0:41:38.120 --> 0:41:41.280
<v Speaker 2>it's an old school golf course where it's a beautiful

0:41:41.280 --> 0:41:43.960
<v Speaker 2>walk because the tea is right, like just like you

0:41:44.040 --> 0:41:48.279
<v Speaker 2>talked about green tea, green tea, green tea, like, and

0:41:48.960 --> 0:41:50.000
<v Speaker 2>it's a hilly course.

0:41:50.080 --> 0:41:50.839
<v Speaker 3>But so it was.

0:41:50.960 --> 0:41:54.480
<v Speaker 2>It was a tough walk, but you know, very very walkable.

0:41:55.800 --> 0:41:58.840
<v Speaker 3>I think so many courses. A tough walk to me

0:41:59.280 --> 0:42:02.680
<v Speaker 3>is whence between the green and the tea are far apart,

0:42:03.040 --> 0:42:06.840
<v Speaker 3>because I get disengaged. Yeah, I'm instantly thinking about something else.

0:42:06.960 --> 0:42:10.000
<v Speaker 3>Or if I'm walking a hilly golf course, but the

0:42:10.800 --> 0:42:13.680
<v Speaker 3>hilly part is between the tea and the green. It's funny.

0:42:14.080 --> 0:42:18.480
<v Speaker 3>I rarely, rarely, you know, do you feel disengaged. I

0:42:18.480 --> 0:42:21.799
<v Speaker 3>feel a little tired, but you're anxious to get to

0:42:21.840 --> 0:42:24.160
<v Speaker 3>your ball because you're in the game, right and the

0:42:24.239 --> 0:42:26.719
<v Speaker 3>second you put out you want to get back in

0:42:26.719 --> 0:42:27.759
<v Speaker 3>the game as quick as you can.

0:42:28.520 --> 0:42:30.560
<v Speaker 2>I think that's what you hit on. It is like

0:42:31.040 --> 0:42:34.560
<v Speaker 2>they anticipate walking up the hill. When you're walking up

0:42:34.600 --> 0:42:37.880
<v Speaker 2>to see what your next shot is, what your lie is,

0:42:38.200 --> 0:42:40.799
<v Speaker 2>you know, what how close you are to flag, like,

0:42:40.840 --> 0:42:43.120
<v Speaker 2>what your pot looks like. That all of a sudden

0:42:43.239 --> 0:42:46.320
<v Speaker 2>takes the hill out of the equation because you're working

0:42:46.360 --> 0:42:49.200
<v Speaker 2>off of excitement and adrenaline. And I think that's one

0:42:49.200 --> 0:42:51.680
<v Speaker 2>of the beauties of golf, is that anticipation. I think

0:42:51.760 --> 0:42:53.400
<v Speaker 2>carts take away from that too.

0:42:53.360 --> 0:42:56.520
<v Speaker 3>Completely, because suddenly you're driving over to the you know,

0:42:56.520 --> 0:42:58.239
<v Speaker 3>you miss half the golf courses. You're on the car

0:42:58.360 --> 0:43:01.080
<v Speaker 3>back the whole time, and then you're you know, circling

0:43:01.120 --> 0:43:03.200
<v Speaker 3>around the back of the green, and then you know

0:43:03.280 --> 0:43:07.839
<v Speaker 3>it's it's yeah that you know. It certainly makes our

0:43:08.520 --> 0:43:10.239
<v Speaker 3>job much more difficult.

0:43:10.560 --> 0:43:13.760
<v Speaker 2>M So, if you could get get rid of any

0:43:14.400 --> 0:43:21.720
<v Speaker 2>American uh golf habit outside we'll say, outside of carts,

0:43:21.800 --> 0:43:22.520
<v Speaker 2>what would it be.

0:43:23.920 --> 0:43:26.279
<v Speaker 3>It would be not playing match plate. You know, we'd

0:43:26.280 --> 0:43:29.839
<v Speaker 3>be playing stroke play, everyone putting out their own ball.

0:43:30.080 --> 0:43:32.719
<v Speaker 3>That's the biggest that's the worst habit I think we have,

0:43:32.800 --> 0:43:36.560
<v Speaker 3>and it causes all kinds of problems. It's a domino effect,

0:43:38.120 --> 0:43:42.080
<v Speaker 3>so you know, definitely pace and plays obviously, the pace

0:43:42.120 --> 0:43:43.200
<v Speaker 3>of play is the biggest thing.

0:43:43.480 --> 0:43:46.239
<v Speaker 2>Yeah, I mean it's it's it's pretty sound like a

0:43:46.239 --> 0:43:49.880
<v Speaker 2>broken record, as I sounded, to start to feel like

0:43:49.960 --> 0:43:53.400
<v Speaker 2>I'm a broken record when I do these over and

0:43:53.440 --> 0:43:57.680
<v Speaker 2>over again. So let's let's get into overrated underrated. Okay,

0:43:58.800 --> 0:44:05.840
<v Speaker 2>all right, template hole highly overrated? What about template holes

0:44:05.880 --> 0:44:08.040
<v Speaker 2>within your own architecture group?

0:44:08.960 --> 0:44:10.919
<v Speaker 3>Oh, we don't, I don't have them. We don't, We don't.

0:44:11.560 --> 0:44:15.880
<v Speaker 3>You know, we've I know of you know, a Burritz

0:44:15.960 --> 0:44:19.399
<v Speaker 3>and we built some, but I don't even know if

0:44:19.400 --> 0:44:21.319
<v Speaker 3>we call them that when we're building you maybe we

0:44:21.400 --> 0:44:23.919
<v Speaker 3>call them that after, but we don't have holes. Hey

0:44:23.920 --> 0:44:26.799
<v Speaker 3>remember the third hole you know on that course, let's

0:44:26.800 --> 0:44:29.719
<v Speaker 3>build that again. That never happens because the land is

0:44:29.719 --> 0:44:32.439
<v Speaker 3>so different than you know, you really we really tried

0:44:32.520 --> 0:44:36.239
<v Speaker 3>to respond to the land. And if you're always if

0:44:36.239 --> 0:44:38.560
<v Speaker 3>you have a good site and you don't let the

0:44:38.640 --> 0:44:41.600
<v Speaker 3>land do the talking, then you know you don't need

0:44:41.680 --> 0:44:46.000
<v Speaker 3>a template hole. Right, you're letting the greens there, well,

0:44:46.080 --> 0:44:50.600
<v Speaker 3>there's never been a green built there before like that,

0:44:51.480 --> 0:44:54.359
<v Speaker 3>where it's the site so we maybe and maybe that's

0:44:54.440 --> 0:44:58.960
<v Speaker 3>a you know, maybe that's a scenario where template holes

0:44:59.080 --> 0:45:01.680
<v Speaker 3>are have some merit is on a weak.

0:45:01.560 --> 0:45:06.800
<v Speaker 2>Safe yeah, like a flat site. They're tried and true.

0:45:07.280 --> 0:45:13.000
<v Speaker 2>I think yeah, I mean, I think the core principles

0:45:13.040 --> 0:45:18.680
<v Speaker 2>of golf architecture are exceptionally simple, you know, like what

0:45:18.760 --> 0:45:21.240
<v Speaker 2>builds a good golf course? And I think the temple

0:45:21.320 --> 0:45:26.879
<v Speaker 2>holes were great. I think people have the wrong theory

0:45:26.960 --> 0:45:30.319
<v Speaker 2>on the temple holes, is like they were just principles

0:45:30.360 --> 0:45:34.520
<v Speaker 2>like not this just because one burritz could be completely

0:45:34.560 --> 0:45:38.520
<v Speaker 2>different than another, and one road hole can be completely

0:45:38.520 --> 0:45:41.360
<v Speaker 2>different than another road hole. But the theory is a

0:45:41.560 --> 0:45:46.640
<v Speaker 2>very simple and very strong you know, hey, play close

0:45:46.680 --> 0:45:51.000
<v Speaker 2>to this hazard, gain the advantage, play safe, and you know,

0:45:51.120 --> 0:45:54.880
<v Speaker 2>in essence, a lot of holes are just a copy

0:45:54.920 --> 0:45:55.799
<v Speaker 2>of that strategy.

0:45:57.640 --> 0:46:00.680
<v Speaker 3>Sure, and I get it, but I've also been around

0:46:00.800 --> 0:46:04.920
<v Speaker 3>other architects who cannot think about anything. But you know,

0:46:05.520 --> 0:46:07.640
<v Speaker 3>this is going to be my aupsehole, and then this

0:46:07.680 --> 0:46:10.280
<v Speaker 3>is going to be, you know, the fourth at Pine Valley,

0:46:10.320 --> 0:46:12.040
<v Speaker 3>and then this one is going to be like the

0:46:12.080 --> 0:46:14.640
<v Speaker 3>fifth hole at you know, and and that's all. They

0:46:14.719 --> 0:46:16.880
<v Speaker 3>only refer to a golf hole that they're going to

0:46:16.960 --> 0:46:20.279
<v Speaker 3>build referring to some other course, you know, and and

0:46:20.920 --> 0:46:26.280
<v Speaker 3>it's almost like they're, you know, they're a cover band,

0:46:26.880 --> 0:46:31.880
<v Speaker 3>like you know, no original work, like you know. And

0:46:32.040 --> 0:46:34.680
<v Speaker 3>that's how I feel about temple holes is there's someone

0:46:34.760 --> 0:46:37.759
<v Speaker 3>else's idea on a certain site. And yeah, they were

0:46:37.800 --> 0:46:41.600
<v Speaker 3>repeated maybe by you know, C V McDonald and then

0:46:41.640 --> 0:46:44.880
<v Speaker 3>other people, but it's it's someone else's ideas. It's like

0:46:44.920 --> 0:46:46.160
<v Speaker 3>a cover band, you.

0:46:46.120 --> 0:46:52.160
<v Speaker 2>Know, or a wedding band or a wedding band, wedding bands.

0:46:52.280 --> 0:46:53.800
<v Speaker 3>I went and uh.

0:46:53.640 --> 0:46:56.040
<v Speaker 2>So when we got when my wife and I got married,

0:46:56.080 --> 0:46:59.560
<v Speaker 2>we went and you know, saw the wedding bands at

0:46:59.600 --> 0:47:02.560
<v Speaker 2>wedding and so I got the pleasure of going to

0:47:02.760 --> 0:47:06.919
<v Speaker 2>a wedding and I was like sober. I never had

0:47:06.960 --> 0:47:10.840
<v Speaker 2>realized how bad wedding bands are until.

0:47:10.960 --> 0:47:13.680
<v Speaker 5>That moment, but then I realized. I thought about It's like, well,

0:47:13.680 --> 0:47:15.480
<v Speaker 5>if they're really good, they wouldn't be a wedding man,

0:47:15.520 --> 0:47:16.359
<v Speaker 5>they'd be a real band.

0:47:17.360 --> 0:47:20.080
<v Speaker 2>So I mean, I think there's merit. I think there's

0:47:21.360 --> 0:47:27.799
<v Speaker 2>there's merit to certain people doing the template. Like Bill

0:47:27.880 --> 0:47:30.160
<v Speaker 2>Core came on the podcast and talked about how Pete

0:47:30.239 --> 0:47:36.200
<v Speaker 2>Dye changed golf architecture twice, and after Harbortown everybody copied

0:47:36.239 --> 0:47:40.759
<v Speaker 2>that and it was never the same. And after Sawgrass,

0:47:40.760 --> 0:47:43.920
<v Speaker 2>everybody copied that, but they were missing the die sauce

0:47:44.719 --> 0:47:45.319
<v Speaker 2>behind it.

0:47:45.600 --> 0:47:50.200
<v Speaker 3>And I think that he was on site. Yeah, he

0:47:50.320 --> 0:47:52.560
<v Speaker 3>has the same he had. He was the original guy

0:47:52.600 --> 0:47:54.880
<v Speaker 3>with the sauce being on site.

0:47:55.480 --> 0:47:58.120
<v Speaker 2>I think there could be an argument made that Pete

0:47:58.160 --> 0:48:03.800
<v Speaker 2>Dye is like the most important architect and golf history

0:48:04.360 --> 0:48:07.520
<v Speaker 2>outside of maybe like old Tom Morris.

0:48:07.880 --> 0:48:14.839
<v Speaker 3>It's you know, his his focus. And you know, I

0:48:14.880 --> 0:48:17.040
<v Speaker 3>haven't been around him, so I'm only speaking from the

0:48:17.080 --> 0:48:19.120
<v Speaker 3>stories I've heard from other guys. But he was on

0:48:19.200 --> 0:48:21.480
<v Speaker 3>site all the time. He wasn't afraid to spend hundreds

0:48:21.480 --> 0:48:24.319
<v Speaker 3>of days during construction on a project and get his

0:48:24.400 --> 0:48:28.520
<v Speaker 3>hands dirty in that, you know, that is I think,

0:48:28.960 --> 0:48:32.719
<v Speaker 3>you know, there's so many architects who are as talented

0:48:32.760 --> 0:48:37.439
<v Speaker 3>as you know, the group I've spoken about over and over,

0:48:38.120 --> 0:48:40.640
<v Speaker 3>but they just don't They just they for whatever reason,

0:48:40.680 --> 0:48:42.920
<v Speaker 3>they just aren't prepared to be there as much as

0:48:42.920 --> 0:48:46.360
<v Speaker 3>they should be, and their products kind of suffers from that.

0:48:47.080 --> 0:48:49.600
<v Speaker 2>And then I mean the idea of not being on

0:48:49.760 --> 0:48:53.600
<v Speaker 2>site a lot is like yeah, I mean like it's

0:48:53.680 --> 0:48:57.000
<v Speaker 2>kind of crazy that it even was like a.

0:48:57.000 --> 0:48:59.640
<v Speaker 3>Real thing like that, and it still isn't it probably

0:48:59.680 --> 0:49:01.520
<v Speaker 3>will be for a long time where you know, there's

0:49:01.520 --> 0:49:04.240
<v Speaker 3>still gonna be a lot of guys drawing grading plans

0:49:04.280 --> 0:49:06.480
<v Speaker 3>on in their you know, in their office and handing

0:49:06.520 --> 0:49:08.480
<v Speaker 3>them off to contractors.

0:49:08.840 --> 0:49:12.960
<v Speaker 2>Well, it goes against like running a business because like

0:49:13.080 --> 0:49:15.760
<v Speaker 2>when you're trying to run a business, you're always trying

0:49:15.760 --> 0:49:18.400
<v Speaker 2>to scale, like how can we do things more efficiently,

0:49:18.480 --> 0:49:22.680
<v Speaker 2>faster and take on more clients. But I think with architecture,

0:49:22.760 --> 0:49:27.200
<v Speaker 2>you're in an industry where it's more art base like

0:49:27.200 --> 0:49:30.359
<v Speaker 2>where you have to like you have to do the

0:49:30.400 --> 0:49:34.560
<v Speaker 2>world like you can't look at it as like we're

0:49:34.560 --> 0:49:36.560
<v Speaker 2>going to get as efficient so we can take on

0:49:36.640 --> 0:49:39.040
<v Speaker 2>as many jobs as possible. Like there's I think a

0:49:39.120 --> 0:49:42.480
<v Speaker 2>clear I just don't think it's a You can't have

0:49:42.600 --> 0:49:46.200
<v Speaker 2>a McDonald's version of golf course architects.

0:49:47.080 --> 0:49:52.120
<v Speaker 3>Yeah, absolutely not, not not successfully, you know, not maybe

0:49:52.160 --> 0:49:54.520
<v Speaker 3>in two thousand and five when they were building five

0:49:54.600 --> 0:49:56.719
<v Speaker 3>hundred golf courses the year in the US, you know

0:49:56.920 --> 0:49:59.920
<v Speaker 3>that that model might have worked at least from a

0:50:00.040 --> 0:50:02.640
<v Speaker 3>business model, but it wasn't producing top one hundred golf

0:50:02.680 --> 0:50:03.560
<v Speaker 3>courses in the world.

0:50:03.600 --> 0:50:08.480
<v Speaker 2>You know, so you've mentioned the rankings a number of times,

0:50:08.560 --> 0:50:12.640
<v Speaker 2>like do you feel as an as you know, an architect,

0:50:13.320 --> 0:50:16.840
<v Speaker 2>that that is how your work, like how you judge

0:50:16.840 --> 0:50:18.360
<v Speaker 2>your work to looking back, No.

0:50:18.520 --> 0:50:20.640
<v Speaker 3>I guess you know, when I say top one hundred,

0:50:20.719 --> 0:50:23.120
<v Speaker 3>I mean probably my own top one hundred. I don't

0:50:23.120 --> 0:50:26.680
<v Speaker 3>necessarily mean Joe pass Off's top one hundred, you know,

0:50:26.800 --> 0:50:32.240
<v Speaker 3>Golf magazine or you know, Golf Digests or anyone else's.

0:50:32.000 --> 0:50:34.879
<v Speaker 3>It does make you feel good when you look at

0:50:35.080 --> 0:50:37.279
<v Speaker 3>you know, when you build something like amil Sands and

0:50:37.320 --> 0:50:40.160
<v Speaker 3>it you know it's super high in the rankings, right

0:50:40.200 --> 0:50:42.239
<v Speaker 3>when that makes you feel good, of course, And when

0:50:42.239 --> 0:50:45.279
<v Speaker 3>they're not. Yeah, And that's the funny thing. I think

0:50:45.320 --> 0:50:49.600
<v Speaker 3>we all love them when we're in them. But the

0:50:49.640 --> 0:50:52.080
<v Speaker 3>second you build a golf course like Taylor is a

0:50:52.080 --> 0:50:54.440
<v Speaker 3>good example, I think it's amazing, but it's not in there,

0:50:54.480 --> 0:50:56.960
<v Speaker 3>so then it pass me off. So you know, you're

0:50:57.400 --> 0:51:05.040
<v Speaker 3>you're the rankings are by nature, you know, they're it's

0:51:05.040 --> 0:51:09.719
<v Speaker 3>completely subjective, right, like sure, there's you could probably name

0:51:09.840 --> 0:51:12.920
<v Speaker 3>you know, you could probably pick fifty golf courses that

0:51:13.680 --> 0:51:17.920
<v Speaker 3>are amazing and not even rank them one or two,

0:51:18.000 --> 0:51:20.840
<v Speaker 3>you know, top my top fifty and just here's my

0:51:20.920 --> 0:51:23.719
<v Speaker 3>fifty top golf courses. And I think that would probably

0:51:23.760 --> 0:51:26.200
<v Speaker 3>be a much better way to do it, you know,

0:51:26.280 --> 0:51:29.960
<v Speaker 3>in groupings rather than one two, you know, because it's

0:51:30.000 --> 0:51:32.440
<v Speaker 3>so easy to look at seventy three and say seventy

0:51:32.440 --> 0:51:34.319
<v Speaker 3>three is way better than fifty two. You know, the

0:51:34.360 --> 0:51:35.560
<v Speaker 3>fifty two ranked one.

0:51:35.640 --> 0:51:39.640
<v Speaker 2>Well that's it. I'm in the same about like the

0:51:39.680 --> 0:51:43.600
<v Speaker 2>idea of putting a number next, Like there's like a

0:51:43.680 --> 0:51:49.120
<v Speaker 2>clear tiers, you know, and it's like would you rather play? Like?

0:51:49.239 --> 0:51:50.759
<v Speaker 2>And then I start to think about it. It's like,

0:51:51.160 --> 0:51:54.520
<v Speaker 2>you know what's better this golf course or this golf course.

0:51:54.560 --> 0:51:56.920
<v Speaker 2>It's like, well, they're both great, and it's like I,

0:51:57.440 --> 0:51:59.400
<v Speaker 2>you know, like which one would I rather play on

0:51:59.440 --> 0:52:01.839
<v Speaker 2>a date? Well, I don't know, it depends on what

0:52:01.880 --> 0:52:02.560
<v Speaker 2>I'm looking for.

0:52:02.719 --> 0:52:05.319
<v Speaker 3>Imagine if someone did that, someone else did that with

0:52:05.440 --> 0:52:07.560
<v Speaker 3>a different form of art, like what are your top

0:52:07.719 --> 0:52:10.799
<v Speaker 3>what's the number one sculpture in the world. I mean,

0:52:10.960 --> 0:52:13.680
<v Speaker 3>that makes no sense, right, It's it's our it's it's

0:52:13.680 --> 0:52:15.879
<v Speaker 3>from your point of view. It's how you played that day,

0:52:15.920 --> 0:52:18.399
<v Speaker 3>it's how the weather was, it's how nice the kid

0:52:18.440 --> 0:52:20.880
<v Speaker 3>at the golf shop. Was it's how good your caddy was?

0:52:21.400 --> 0:52:23.759
<v Speaker 3>You know, So ranking a golf course, I would say,

0:52:23.840 --> 0:52:26.520
<v Speaker 3>is like ranking sculptures. It's it's you know, it doesn't

0:52:26.560 --> 0:52:29.600
<v Speaker 3>it doesn't really mean that much, unless, of course, you know,

0:52:29.640 --> 0:52:31.480
<v Speaker 3>one of our courses is ranked highly, and then it's

0:52:31.600 --> 0:52:32.360
<v Speaker 3>super important.

0:52:32.400 --> 0:52:35.840
<v Speaker 5>If you're the number one sculptor, then of course I

0:52:36.000 --> 0:52:39.080
<v Speaker 5>want to rank. It's uh, what would you what do

0:52:39.120 --> 0:52:40.400
<v Speaker 5>you think should.

0:52:40.200 --> 0:52:43.200
<v Speaker 2>Go into evaluating a golf course?

0:52:46.680 --> 0:52:50.160
<v Speaker 3>You know, what should go or what does go? What

0:52:50.239 --> 0:52:51.960
<v Speaker 3>should go? You know, as you should be able to

0:52:52.000 --> 0:52:55.520
<v Speaker 3>show up and as if you're gonna if you're if

0:52:55.560 --> 0:52:58.040
<v Speaker 3>you are going to do you know, be a rank

0:52:58.120 --> 0:52:59.960
<v Speaker 3>or if you're saying, hey, I'm gonna I'm gonna rank

0:53:00.040 --> 0:53:04.719
<v Speaker 3>the golf course architecturally, and then you need to do

0:53:04.760 --> 0:53:06.600
<v Speaker 3>it in a bubble. You know, you need to not

0:53:06.920 --> 0:53:08.680
<v Speaker 3>think about the guy at the pro shop or the

0:53:08.719 --> 0:53:11.560
<v Speaker 3>traffic on the way there, or you know, the fact

0:53:11.600 --> 0:53:13.640
<v Speaker 3>that it was cold that day, or that your caddy

0:53:13.760 --> 0:53:16.279
<v Speaker 3>was the you know, not the best.

0:53:16.320 --> 0:53:21.280
<v Speaker 2>Because the look drives them up. Notts is how you played, how.

0:53:21.120 --> 0:53:23.600
<v Speaker 3>You play it. If I played good, it's great, of course,

0:53:23.719 --> 0:53:26.880
<v Speaker 3>is awesome. If I can't make a pass. You know,

0:53:27.200 --> 0:53:30.040
<v Speaker 3>it's no where the greens are horrible, and it's you know,

0:53:30.239 --> 0:53:34.200
<v Speaker 3>it's subjective, you know, and I don't think that you

0:53:34.280 --> 0:53:37.719
<v Speaker 3>can a lot of people and aren't in in the

0:53:38.000 --> 0:53:41.600
<v Speaker 3>you know, modern day architects. You know, I'd walked it.

0:53:41.640 --> 0:53:43.600
<v Speaker 3>I love to walk the golf course, and you know,

0:53:43.640 --> 0:53:45.400
<v Speaker 3>I really got a feel for it. I never played it,

0:53:45.440 --> 0:53:50.000
<v Speaker 3>but I walked it. That always sort of I always

0:53:50.040 --> 0:53:52.799
<v Speaker 3>think that's a cop out. You know, you didn't play it,

0:53:52.960 --> 0:53:55.839
<v Speaker 3>but you're going to evaluate it. Even though you never

0:53:55.920 --> 0:53:58.440
<v Speaker 3>swung a golf club on it. You walked around it.

0:53:59.640 --> 0:54:02.839
<v Speaker 3>You didn't fully understand the golf course, but you're going

0:54:02.920 --> 0:54:04.480
<v Speaker 3>to tell me that you have an opinion on it

0:54:04.520 --> 0:54:07.640
<v Speaker 3>because you walked around. I find that really difficult, and

0:54:07.640 --> 0:54:10.840
<v Speaker 3>that's a that's a big thing in today's you know,

0:54:10.960 --> 0:54:13.520
<v Speaker 3>young kids. Well I went out and walked it. Okay,

0:54:13.600 --> 0:54:16.359
<v Speaker 3>maybe that's great if you couldn't play it, but played

0:54:16.360 --> 0:54:17.759
<v Speaker 3>the golf course and evaluate it.

0:54:18.480 --> 0:54:21.000
<v Speaker 2>I think I understand the golf course more when I

0:54:21.080 --> 0:54:22.520
<v Speaker 2>walk it than when I play it.

0:54:22.880 --> 0:54:27.440
<v Speaker 3>Might can you give an opinion on, you know, architecturally,

0:54:27.480 --> 0:54:28.040
<v Speaker 3>how it played.

0:54:28.880 --> 0:54:31.880
<v Speaker 2>I like to so I walk with like a wedge,

0:54:32.000 --> 0:54:33.799
<v Speaker 2>a seven iron, a putter.

0:54:33.760 --> 0:54:37.000
<v Speaker 3>So you're playing the all. I don't think you have

0:54:37.080 --> 0:54:39.759
<v Speaker 3>to play it for a score. I think you have

0:54:39.840 --> 0:54:41.680
<v Speaker 3>to hit shots on it, and you have to you know,

0:54:41.760 --> 0:54:43.919
<v Speaker 3>feel the grass and you have to you know, see

0:54:43.920 --> 0:54:46.160
<v Speaker 3>what happens when it balls back towards the green.

0:54:46.480 --> 0:54:50.440
<v Speaker 2>I think, like around the greens is where hitting shots

0:54:50.480 --> 0:54:53.120
<v Speaker 2>and and but like from tee to green, I pretty

0:54:53.200 --> 0:54:54.520
<v Speaker 2>much know where I'm going to hit it. And I

0:54:54.520 --> 0:54:56.600
<v Speaker 2>can stand on a team look at this and look

0:54:56.640 --> 0:54:59.200
<v Speaker 2>at a shot and be like, oh this is this

0:54:59.280 --> 0:55:02.560
<v Speaker 2>is a good shot, you know. But I think, like

0:55:03.239 --> 0:55:06.440
<v Speaker 2>to your point, like to fully grasp it, you need

0:55:06.480 --> 0:55:08.959
<v Speaker 2>to play. I also don't really think you can judge

0:55:08.960 --> 0:55:10.640
<v Speaker 2>a golf course one time around.

0:55:11.040 --> 0:55:15.080
<v Speaker 3>I agree, like, I know if it's bad, I know

0:55:15.120 --> 0:55:16.759
<v Speaker 3>if I play it once and I end up saying,

0:55:16.800 --> 0:55:19.360
<v Speaker 3>you know, like I can usually say, yeah, I'm not

0:55:19.400 --> 0:55:22.560
<v Speaker 3>ever coming back here. If it's you know, a good

0:55:22.600 --> 0:55:26.399
<v Speaker 3>golf course, like something like Fine Valley, you know, you're

0:55:26.440 --> 0:55:28.879
<v Speaker 3>in awe of it the first time you play it,

0:55:28.960 --> 0:55:30.880
<v Speaker 3>you know, and you need to play it again. Cypru's

0:55:30.920 --> 0:55:32.560
<v Speaker 3>kind of the same thing. The old course sort of

0:55:32.600 --> 0:55:37.040
<v Speaker 3>the same thing. You know, sometimes when when the personality

0:55:37.040 --> 0:55:38.960
<v Speaker 3>of the golf course is so big, I really think

0:55:39.000 --> 0:55:41.840
<v Speaker 3>you kind of jaded, you know, and you have to

0:55:41.880 --> 0:55:44.480
<v Speaker 3>almost play it again to really understand it.

0:55:44.480 --> 0:55:48.080
<v Speaker 2>It's funny because like Mammoth is a good example of

0:55:48.120 --> 0:55:50.960
<v Speaker 2>like I've played it now three times, but I've walked

0:55:51.000 --> 0:55:54.480
<v Speaker 2>it probably five or six other times, and I've understood

0:55:54.480 --> 0:55:57.960
<v Speaker 2>it more and more and I've appreciated aspects of it

0:55:58.000 --> 0:56:00.600
<v Speaker 2>more and more every time I played it. And like,

0:56:01.080 --> 0:56:04.680
<v Speaker 2>so it's funny because like my opinion after one round

0:56:04.719 --> 0:56:07.920
<v Speaker 2>would have been completely different it is now after playing

0:56:08.000 --> 0:56:10.480
<v Speaker 2>a bunch of times, Like I just understand the golf

0:56:10.520 --> 0:56:14.520
<v Speaker 2>course more, like you know, like it's a weird golf

0:56:14.560 --> 0:56:17.480
<v Speaker 2>course in the sense like every hole I feel like

0:56:17.520 --> 0:56:21.080
<v Speaker 2>out there, every hole I should be like pushing the

0:56:21.239 --> 0:56:24.640
<v Speaker 2>envelope trying to make a verdict versus so many holes.

0:56:25.280 --> 0:56:28.640
<v Speaker 2>I've been conditioned in my life to like, you know,

0:56:28.760 --> 0:56:33.680
<v Speaker 2>like play conservative, like play and like don't just go

0:56:33.760 --> 0:56:37.200
<v Speaker 2>after it all round long, like which is I But

0:56:37.280 --> 0:56:41.719
<v Speaker 2>there are shots out there where like today I was like, wow,

0:56:41.760 --> 0:56:45.640
<v Speaker 2>I really got to be careful here. But at the

0:56:45.680 --> 0:56:48.480
<v Speaker 2>same time, it's a different challenge in the sense of

0:56:48.560 --> 0:56:53.040
<v Speaker 2>like prs are always very attainable for a good player.

0:56:54.000 --> 0:56:56.160
<v Speaker 2>It's like, you know, like you can if you try

0:56:56.200 --> 0:56:59.200
<v Speaker 2>and make a par, you're never going to get yourself

0:56:59.400 --> 0:57:03.520
<v Speaker 2>really like you can make eighteen pars. It's where you

0:57:03.560 --> 0:57:05.240
<v Speaker 2>get in troubles when you push for the birdie.

0:57:05.719 --> 0:57:09.400
<v Speaker 3>And that's what David and I's real philosophy was here.

0:57:10.680 --> 0:57:14.000
<v Speaker 3>Let's forget about defend par. Let's forget about let's let's

0:57:14.080 --> 0:57:18.080
<v Speaker 3>give par away. Let's defend birdie. You know, let's really

0:57:18.160 --> 0:57:21.040
<v Speaker 3>try to defend a good player from getting a birdie,

0:57:21.120 --> 0:57:24.200
<v Speaker 3>because that's really what we want. If you try to

0:57:24.240 --> 0:57:27.640
<v Speaker 3>defend par, then the average guy he's getting bowe. You're

0:57:27.640 --> 0:57:29.400
<v Speaker 3>a double boge, right.

0:57:29.560 --> 0:57:31.360
<v Speaker 2>And that's like why I think the brilliant, like I

0:57:31.720 --> 0:57:35.800
<v Speaker 2>honestly think that like and at like a fifteen handicaps

0:57:35.840 --> 0:57:39.600
<v Speaker 2>are universally going to just like absolutely love this place

0:57:39.600 --> 0:57:42.000
<v Speaker 2>because it's going to be the first golf course that

0:57:42.160 --> 0:57:45.360
<v Speaker 2>just doesn't beat them over their head all around long, you.

0:57:45.320 --> 0:57:47.680
<v Speaker 3>Know, and a lot like gamble sands, I think the

0:57:47.920 --> 0:57:51.000
<v Speaker 3>good players, like you said, a good player is going

0:57:51.080 --> 0:57:55.320
<v Speaker 3>to think that they can, you know, score their very

0:57:55.320 --> 0:57:58.560
<v Speaker 3>best score they've ever scored at mammothudes because they they

0:57:59.120 --> 0:58:02.480
<v Speaker 3>see that I attainable. Yeah, But once you start pressing

0:58:02.520 --> 0:58:05.160
<v Speaker 3>on the gas and you start thinking, okay, I'm going

0:58:05.200 --> 0:58:06.760
<v Speaker 3>to get you know, I got a birdie there, and

0:58:06.760 --> 0:58:08.440
<v Speaker 3>then I can get another brand, and then you know,

0:58:08.520 --> 0:58:11.040
<v Speaker 3>you if it's not, you know, no one's going to

0:58:11.120 --> 0:58:12.760
<v Speaker 3>go out there and get ten birdies. Right.

0:58:12.840 --> 0:58:15.800
<v Speaker 2>Making birdies is hard any golf course anywhere.

0:58:15.880 --> 0:58:18.800
<v Speaker 3>Right, if it was a flat field three hundred yards long,

0:58:18.880 --> 0:58:20.600
<v Speaker 3>birdies are still hard. They still up.

0:58:20.920 --> 0:58:24.320
<v Speaker 2>It's like you still have to hit exceptional shots. Yeah.

0:58:24.400 --> 0:58:27.800
<v Speaker 2>Like I tried to drive the tenth green a short

0:58:27.840 --> 0:58:30.680
<v Speaker 2>part four today and I like lost ball. Yeah, and

0:58:30.680 --> 0:58:33.000
<v Speaker 2>that was like the killer on my route. It's like

0:58:33.040 --> 0:58:34.800
<v Speaker 2>I would have shot a really good score if I

0:58:34.880 --> 0:58:36.160
<v Speaker 2>had lost ball.

0:58:36.520 --> 0:58:36.720
<v Speaker 3>Yeah.

0:58:36.800 --> 0:58:38.440
<v Speaker 2>That's like that's where I pushed the gas.

0:58:38.480 --> 0:58:41.160
<v Speaker 3>There's some punishment, there's some edges. And I think that

0:58:41.360 --> 0:58:44.880
<v Speaker 3>is if I if I could bottle up architecture, and

0:58:45.040 --> 0:58:48.520
<v Speaker 3>you know what I think really good architecture is. I

0:58:48.560 --> 0:58:52.640
<v Speaker 3>think it's bringing the good player, the high handicap or

0:58:52.680 --> 0:58:55.480
<v Speaker 3>the low handicap player and the high handicap player together

0:58:55.720 --> 0:58:58.200
<v Speaker 3>as close as you can get them. So, you know,

0:58:58.320 --> 0:59:01.960
<v Speaker 3>trying to make it as easy again. The handicap system

0:59:02.040 --> 0:59:05.360
<v Speaker 3>is set up for the good player in the US

0:59:05.480 --> 0:59:11.840
<v Speaker 3>right because it's all about your potential, and my potential

0:59:11.880 --> 0:59:15.880
<v Speaker 3>as an eight handicap is probably you know, an eighty.

0:59:16.160 --> 0:59:19.960
<v Speaker 3>My potential is that and I you know, whereas normally

0:59:20.000 --> 0:59:23.000
<v Speaker 3>I'll probably get a ninety and a good player. If

0:59:23.040 --> 0:59:26.680
<v Speaker 3>you're a single digit handicap, a one handicap, you're gonna

0:59:26.680 --> 0:59:28.040
<v Speaker 3>shoot around par most of the time.

0:59:28.360 --> 0:59:31.360
<v Speaker 2>Well, so this is the interesting thing. It's like for

0:59:31.680 --> 0:59:36.320
<v Speaker 2>the American system of stroke play, it's very advantageous if

0:59:36.320 --> 0:59:39.200
<v Speaker 2>you're playing net stroke play. I think it's very advantageous

0:59:39.200 --> 0:59:42.560
<v Speaker 2>to be a low handicap. But if you take the

0:59:42.640 --> 0:59:46.560
<v Speaker 2>system and we play match play, the real low handicaps

0:59:46.560 --> 0:59:51.240
<v Speaker 2>had a huge disadvantage because like their propeessie to not

0:59:51.360 --> 0:59:55.560
<v Speaker 2>make big numbers is that's like your advantage is like

0:59:55.920 --> 0:59:57.840
<v Speaker 2>you know, like fifteen is going to make a seven

0:59:57.960 --> 0:59:59.440
<v Speaker 2>or an eight, But in nash play.

0:59:59.360 --> 1:00:00.360
<v Speaker 3>You only lose one.

1:00:00.600 --> 1:00:02.800
<v Speaker 2>Yeah, that's why match play is a better system. It is.

1:00:02.840 --> 1:00:05.320
<v Speaker 3>I agree hundred percent. I'm I'm a you know, I'm

1:00:05.320 --> 1:00:08.360
<v Speaker 3>a I think I'm an eight handicap right now, but

1:00:08.840 --> 1:00:11.920
<v Speaker 3>I could get you know, a snowman or a verdie

1:00:11.960 --> 1:00:15.000
<v Speaker 3>on any single hole, right, and you're probably you're you're

1:00:15.040 --> 1:00:17.120
<v Speaker 3>never gonna get a snowman. But it's just as hard

1:00:17.160 --> 1:00:19.600
<v Speaker 3>for you to verty it as for me. So match

1:00:19.640 --> 1:00:22.439
<v Speaker 3>play is way better and stroke play you'll probably beat

1:00:22.480 --> 1:00:24.680
<v Speaker 3>me every time, even net, because there's gonna be two

1:00:24.760 --> 1:00:26.680
<v Speaker 3>or three snowman. You know, if I played to my

1:00:26.880 --> 1:00:29.600
<v Speaker 3>very best potential, then we're even mm hm, because you're

1:00:29.600 --> 1:00:33.200
<v Speaker 3>gonna pay your potential almost every day. This is it's

1:00:33.240 --> 1:00:36.240
<v Speaker 3>a you know, it's flawed for the stroke play. So

1:00:37.080 --> 1:00:40.800
<v Speaker 3>any type of architecture that can bring those two players

1:00:40.840 --> 1:00:43.800
<v Speaker 3>together more so that it's more evenly matched. I think

1:00:43.840 --> 1:00:45.440
<v Speaker 3>it's you know, I think that's a winner.

1:00:45.520 --> 1:00:50.040
<v Speaker 2>That's that's a great architecture. And match play. Yeah, that's

1:00:50.040 --> 1:00:54.840
<v Speaker 2>that's the recipe, because match play brings people closer. It's

1:00:53.640 --> 1:01:00.920
<v Speaker 2>a it's funny, it's it's the archite actually bringing the

1:01:01.240 --> 1:01:03.880
<v Speaker 2>thing of bringing everybody closer, I think is like the

1:01:04.000 --> 1:01:08.480
<v Speaker 2>nail on the head. Yeah, because like it you don't

1:01:08.680 --> 1:01:11.440
<v Speaker 2>like That's the way I feel when I play some

1:01:11.520 --> 1:01:14.040
<v Speaker 2>of these golf courses that I like to rip on

1:01:14.240 --> 1:01:19.240
<v Speaker 2>is like it's so boring for me and like you

1:01:19.280 --> 1:01:22.800
<v Speaker 2>watch a tour like it's just thoughtless, and then you like,

1:01:22.960 --> 1:01:27.120
<v Speaker 2>my dad's a seventeen handicap and he played. It's just

1:01:27.320 --> 1:01:30.800
<v Speaker 2>it's miserable for me to play with him because of

1:01:30.920 --> 1:01:33.600
<v Speaker 2>how hard it is for him. And I'm spending my

1:01:33.680 --> 1:01:36.919
<v Speaker 2>whole day looking for golf balls or watching him drop

1:01:37.000 --> 1:01:40.840
<v Speaker 2>golf balls, like and that is I mean, so is

1:01:40.840 --> 1:01:44.600
<v Speaker 2>it possible to build a really good golf course without width?

1:01:46.320 --> 1:01:51.840
<v Speaker 3>I think the strategy becomes much more subtle. Right, the

1:01:51.840 --> 1:01:56.360
<v Speaker 3>greens are smaller, so that the strategy is much subtler.

1:01:56.880 --> 1:02:00.080
<v Speaker 3>And I think, you know, the narrower it gets, the

1:02:00.080 --> 1:02:03.960
<v Speaker 3>the more the strategy is apparent to a really good golfer,

1:02:04.160 --> 1:02:07.800
<v Speaker 3>but maybe less apparent to you know, a higher handicap golfer,

1:02:07.800 --> 1:02:10.040
<v Speaker 3>because they're just trying to hit the fair way. They're

1:02:10.080 --> 1:02:12.520
<v Speaker 3>not picking you know, which side, or I need to

1:02:12.520 --> 1:02:14.720
<v Speaker 3>come in from here. Well, the fairy is only you know,

1:02:14.800 --> 1:02:18.160
<v Speaker 3>eighteen hours wide. I'm just trying to not just trying

1:02:18.160 --> 1:02:21.960
<v Speaker 3>to make the grass, you know. So I think they can,

1:02:22.160 --> 1:02:25.680
<v Speaker 3>it can be a really great golf course, but the strategy,

1:02:25.720 --> 1:02:28.000
<v Speaker 3>you know, the strategy is much more so so, so

1:02:28.080 --> 1:02:31.960
<v Speaker 3>I don't think everyone gets to enjoy a high handicapper

1:02:32.040 --> 1:02:36.400
<v Speaker 3>rarely gets to enjoy the the you know, the strategy

1:02:36.840 --> 1:02:40.200
<v Speaker 3>of a narrow golf course.

1:02:42.200 --> 1:02:44.120
<v Speaker 2>All right, Casey, thanks for coming on.

1:02:44.200 --> 1:02:46.080
<v Speaker 3>It's been a pleasure, Yeah, my pleasure.

1:02:46.080 --> 1:02:48.920
<v Speaker 2>Andy. Yeah, it would be excited to see you guys

1:02:49.000 --> 1:02:52.000
<v Speaker 2>next work. I know you got a couple overseas projects,

1:02:52.000 --> 1:02:54.919
<v Speaker 2>but hopefully sooner. In the America is another one.

1:02:55.120 --> 1:02:58.280
<v Speaker 3>Yeah, and hopefully they're all in sand Yeah.

1:02:58.640 --> 1:02:59.360
<v Speaker 2>Thanks.

1:03:00.000 --> 1:03:02.320
<v Speaker 1>We've been listening to the fried Egg podcast.

1:03:02.760 --> 1:03:04.320
<v Speaker 3>We do the digging for you.