1 00:00:03,720 --> 00:00:10,160 Speaker 1: The I Am Rapp Reports Stereo Podcast Live. You're down 2 00:00:10,160 --> 00:00:14,320 Speaker 1: with rapp Report. Yes I am I'm a Rapperport, Yes 3 00:00:14,440 --> 00:00:17,760 Speaker 1: I am I am a Rapperport. Yes, I am am 4 00:00:17,840 --> 00:00:21,159 Speaker 1: a Rapperport. Yes I am at a tune in. I 5 00:00:21,239 --> 00:00:24,400 Speaker 1: am Wrapperport dot com is every single podcast you know? 6 00:00:24,480 --> 00:00:26,840 Speaker 1: He drops bombs. I've seen him on set a season 7 00:00:26,920 --> 00:00:28,680 Speaker 1: vet with True Town. Catch him on his way to 8 00:00:28,760 --> 00:00:31,080 Speaker 1: course fit rocking the New Balance. He asked me to 9 00:00:31,080 --> 00:00:32,800 Speaker 1: do the track because you know I round the leak. 10 00:00:32,880 --> 00:00:34,880 Speaker 1: But I'm just waiting for the Robert the Neural line 11 00:00:34,880 --> 00:00:37,320 Speaker 1: of the week, RIGHTFA the champions host the Bagel, Cream, 12 00:00:37,400 --> 00:00:39,640 Speaker 1: Cheese and lock. This is I Am rapp Report. The 13 00:00:39,680 --> 00:00:42,960 Speaker 1: show never stopped Mike catch the Mountain Public stretching his knees. 14 00:00:43,040 --> 00:00:45,120 Speaker 1: But if you don't listen to the show, yo, we're 15 00:00:45,159 --> 00:00:54,320 Speaker 1: gonna pleading wire goa please rapport. All right, We're back 16 00:00:54,840 --> 00:00:59,960 Speaker 1: to Iron Rapports Stereo Podcast. UM. My name is Michael 17 00:01:00,120 --> 00:01:03,680 Speaker 1: Report here with G. Moody. Last name rhymes with duty Yep. 18 00:01:04,560 --> 00:01:08,400 Speaker 1: How do you feel, Mr Moody? I feel great. Uh. 19 00:01:08,400 --> 00:01:11,400 Speaker 1: The weather is uh breaking here in New York and 20 00:01:11,400 --> 00:01:16,200 Speaker 1: he's getting brisk and autumn is in the air. What 21 00:01:16,319 --> 00:01:18,839 Speaker 1: kind of brisk are we talking about? Timberland boot brisk 22 00:01:19,080 --> 00:01:23,720 Speaker 1: or or get your Timberlands out, get them ready? Uh yeah, 23 00:01:23,800 --> 00:01:28,039 Speaker 1: get him out? And forty one degree thirty eight? You 24 00:01:28,080 --> 00:01:33,960 Speaker 1: know that good? That good briskness? Yeah? Yeah, okay, cool? Um, 25 00:01:34,720 --> 00:01:36,800 Speaker 1: how do you feel, Mr Moody? Everything is good over there, 26 00:01:37,400 --> 00:01:39,880 Speaker 1: Everything's good man. I call you Mr Moody because I've 27 00:01:39,880 --> 00:01:43,320 Speaker 1: been listening to all day to day, the last I say, 28 00:01:43,360 --> 00:01:48,240 Speaker 1: twenty six hours all James Brown everything, and and I 29 00:01:48,320 --> 00:01:51,960 Speaker 1: highly suggest to all the listeners of the Iron Wrap 30 00:01:51,960 --> 00:01:54,240 Speaker 1: por stereo pockets every now and then take a take 31 00:01:54,280 --> 00:01:57,640 Speaker 1: a day to just listen to James Brown. Um. You 32 00:01:57,640 --> 00:01:59,680 Speaker 1: could listen to anything by James Brown, but if you 33 00:01:59,720 --> 00:02:02,880 Speaker 1: really wanna really just go right to the just the 34 00:02:03,600 --> 00:02:07,000 Speaker 1: highest level of funk, go to everything with the j 35 00:02:07,160 --> 00:02:11,000 Speaker 1: B s uh and what are the record g g uh? 36 00:02:11,200 --> 00:02:14,639 Speaker 1: Get that James Brown in the jungle Groove. That's where 37 00:02:14,680 --> 00:02:18,919 Speaker 1: it really starts sixty nine and you can go up 38 00:02:19,400 --> 00:02:25,200 Speaker 1: through seventy nine and everything is is just original, really 39 00:02:25,280 --> 00:02:29,920 Speaker 1: funk boom bat music. This man created music out of 40 00:02:29,960 --> 00:02:33,080 Speaker 1: thin air, funk out of thin air, and then that 41 00:02:33,240 --> 00:02:36,760 Speaker 1: spawned the boom bat music, which he's responsible for. So 42 00:02:36,919 --> 00:02:40,320 Speaker 1: this is a icon and just music in the history 43 00:02:40,360 --> 00:02:44,240 Speaker 1: of the planet. Yo. Yeah, I mean listening to it, 44 00:02:44,320 --> 00:02:46,920 Speaker 1: to the music, and I got this, uh this title 45 00:02:46,960 --> 00:02:50,840 Speaker 1: app you know title, Yeah, I got that because somebody 46 00:02:50,880 --> 00:02:53,560 Speaker 1: was telling me they have hi Fi, so I gave 47 00:02:53,560 --> 00:02:56,639 Speaker 1: it a shot on title the High Fire, which is 48 00:02:56,680 --> 00:02:59,160 Speaker 1: supposed to be like really good quality like sound because 49 00:02:59,200 --> 00:03:01,080 Speaker 1: you know, the music gets compressed whatever. I'm not one 50 00:03:01,080 --> 00:03:02,480 Speaker 1: of these music nerds. When I was like, let me 51 00:03:02,520 --> 00:03:06,880 Speaker 1: just try it, um, and I got that title. And 52 00:03:06,919 --> 00:03:11,320 Speaker 1: I was listening to all j B s, all James 53 00:03:11,320 --> 00:03:14,320 Speaker 1: Brown on that High Fire and you could hear all 54 00:03:14,360 --> 00:03:17,400 Speaker 1: the instruments and all the smacks and all the little 55 00:03:17,480 --> 00:03:20,960 Speaker 1: nuances in there. And whenever I listened to James Brown music, 56 00:03:21,000 --> 00:03:25,960 Speaker 1: I'm so taken by how creative and just how layered 57 00:03:26,040 --> 00:03:28,400 Speaker 1: it is. And and you know that film that that 58 00:03:28,440 --> 00:03:30,839 Speaker 1: was about him, which I think was okay, and the 59 00:03:30,840 --> 00:03:33,560 Speaker 1: the actor did a really good job, and they definitely 60 00:03:33,560 --> 00:03:36,360 Speaker 1: portrayed him as a crazy person, and as they should 61 00:03:36,360 --> 00:03:39,720 Speaker 1: because if you like I said this before on the podcast, 62 00:03:40,040 --> 00:03:43,120 Speaker 1: but when you when you're that level of genius, and 63 00:03:43,160 --> 00:03:46,920 Speaker 1: I don't use that word, uh, often, but he truly 64 00:03:46,960 --> 00:03:50,680 Speaker 1: was a genius. Like imagine the sounds and the thoughts 65 00:03:51,120 --> 00:03:53,080 Speaker 1: and the way he saw the world like he was 66 00:03:53,760 --> 00:03:55,960 Speaker 1: these things were just inside him and he had to 67 00:03:56,000 --> 00:03:58,600 Speaker 1: get them out and and that can make you crazy. 68 00:03:58,600 --> 00:04:02,520 Speaker 1: And you look at historicle. You know so many genius 69 00:04:02,600 --> 00:04:08,080 Speaker 1: level people, uh, particularly artists, whether it's Marlon Brando, uh, 70 00:04:08,320 --> 00:04:12,160 Speaker 1: whether it's uh Mozart, whether it's Vincent van go like 71 00:04:12,440 --> 00:04:15,080 Speaker 1: they go nuts. They go, they go, not all of them, 72 00:04:15,240 --> 00:04:17,360 Speaker 1: but but but it is something that happens like they 73 00:04:17,400 --> 00:04:19,880 Speaker 1: just go nuts. They get overwhelmed. Because if you have 74 00:04:20,400 --> 00:04:25,000 Speaker 1: like I was listening to that JBS record um Doing 75 00:04:25,040 --> 00:04:27,599 Speaker 1: It to Death Parts one and two, it's like a 76 00:04:27,680 --> 00:04:33,080 Speaker 1: ten minute soul festival. That's just like where the loop 77 00:04:33,200 --> 00:04:36,000 Speaker 1: comes in. It's just keep it there, keep it going, 78 00:04:36,160 --> 00:04:40,600 Speaker 1: keep that funk going. That's how looping beats came into, 79 00:04:40,720 --> 00:04:43,200 Speaker 1: you know, the four Man It's that it's that ship. 80 00:04:43,279 --> 00:04:47,960 Speaker 1: Keep keep to keep it going. Yo, yo. I highly 81 00:04:48,000 --> 00:04:52,400 Speaker 1: suggest get listen on YouTube whatever however you you process 82 00:04:52,480 --> 00:04:55,440 Speaker 1: get your music. Doing It to Death parts one and 83 00:04:55,480 --> 00:04:59,560 Speaker 1: two it's like ten minutes and fifty four seconds. Yo. 84 00:04:59,839 --> 00:05:02,600 Speaker 1: You here so many songs that were sampled just off 85 00:05:02,680 --> 00:05:06,800 Speaker 1: that one song. Yeah. Um, but I was like, yo, man, 86 00:05:07,160 --> 00:05:10,800 Speaker 1: this guy had to be had to be nuts, man, 87 00:05:10,839 --> 00:05:12,680 Speaker 1: he had to be nuts like that. That kind of 88 00:05:12,720 --> 00:05:17,160 Speaker 1: like high level intelligence and genius and not being able 89 00:05:17,200 --> 00:05:20,000 Speaker 1: to articulate it. You just have to play it can 90 00:05:20,080 --> 00:05:24,640 Speaker 1: make you nuts. Yeah. He didn't know music, he didn't 91 00:05:24,920 --> 00:05:28,720 Speaker 1: read music, so the musicians had to kind of interpret 92 00:05:29,240 --> 00:05:32,839 Speaker 1: what he was saying. So the musicians are, man, that's 93 00:05:32,920 --> 00:05:38,000 Speaker 1: that's fantastic that they were able to interpret what was 94 00:05:38,040 --> 00:05:41,960 Speaker 1: in James Brown's mind. And and and you know the 95 00:05:42,000 --> 00:05:44,400 Speaker 1: consensus if you you read about him, and you watch 96 00:05:44,480 --> 00:05:46,520 Speaker 1: the docs on him, and you know that he was 97 00:05:46,560 --> 00:05:49,560 Speaker 1: a motherfucker. He was paying the ass um and and 98 00:05:49,560 --> 00:05:52,159 Speaker 1: and you know that's usually the case. Anyway. I don't 99 00:05:52,160 --> 00:05:55,120 Speaker 1: know how I got started on on soul Brother number one, James, 100 00:05:55,360 --> 00:06:00,880 Speaker 1: but gee, I just got this new iPhone ten and 101 00:06:01,360 --> 00:06:05,840 Speaker 1: I'm one of those fucking assholes keep going, you're gonna 102 00:06:05,839 --> 00:06:09,359 Speaker 1: be I got this on phone. Yeah, and you know 103 00:06:09,360 --> 00:06:12,960 Speaker 1: what I actually spoke to about this, Uh, Dean Moody. 104 00:06:13,760 --> 00:06:17,560 Speaker 1: His last name also rhymes with duty. Call him Mr Apple. 105 00:06:18,720 --> 00:06:24,680 Speaker 1: He's like, who your brother? You call him? Mr? Apple? Yeah? Well, 106 00:06:25,160 --> 00:06:27,960 Speaker 1: I got this phone too, and and and I had 107 00:06:27,960 --> 00:06:31,680 Speaker 1: a really fucked up experience. And it's never just one experience. 108 00:06:31,920 --> 00:06:35,400 Speaker 1: I don't know if it's just me, but but historically, UM, 109 00:06:35,480 --> 00:06:38,719 Speaker 1: when I'm dealing with the with the Apple phone and 110 00:06:38,720 --> 00:06:40,919 Speaker 1: and and he kind of changes computer, it's never just 111 00:06:41,040 --> 00:06:44,560 Speaker 1: one trip to the Apple Store. It's it's you go there, 112 00:06:45,480 --> 00:06:48,920 Speaker 1: you probably talk about it, uh, or you go there 113 00:06:48,920 --> 00:06:51,240 Speaker 1: and then you buy it, and then you come back 114 00:06:51,279 --> 00:06:54,400 Speaker 1: because something doesn't work and you need a plug or 115 00:06:54,720 --> 00:06:58,000 Speaker 1: you need casey, And it's like a two week sort 116 00:06:58,000 --> 00:07:01,640 Speaker 1: of commitment. So like you once you get phone, you 117 00:07:01,720 --> 00:07:03,880 Speaker 1: know that it's never gonna just be smooth selling. So 118 00:07:06,360 --> 00:07:08,560 Speaker 1: last week I actually got the phone the day that 119 00:07:08,600 --> 00:07:09,880 Speaker 1: it came out, So I think that was like a 120 00:07:09,920 --> 00:07:13,240 Speaker 1: going on two weeks ago. I got hooked up. I uh, 121 00:07:13,280 --> 00:07:15,280 Speaker 1: I got hooked up because I signed my name up. 122 00:07:15,320 --> 00:07:17,720 Speaker 1: I happened to be in there like a month and 123 00:07:17,720 --> 00:07:19,520 Speaker 1: a half ago and they said you want to sign 124 00:07:19,560 --> 00:07:20,880 Speaker 1: up back, I can come and get the phone. I 125 00:07:20,880 --> 00:07:24,720 Speaker 1: won't get the phone. I want up. Getting the phone Okay, 126 00:07:25,120 --> 00:07:28,240 Speaker 1: Getting the actual phone was no problem. I got it 127 00:07:28,280 --> 00:07:31,000 Speaker 1: at the Apple Store actually in New York, and soho 128 00:07:31,520 --> 00:07:34,600 Speaker 1: shout out to the people at the Apple Store New York, 129 00:07:34,600 --> 00:07:39,000 Speaker 1: and soho. Okay, that particular one and the particular people 130 00:07:39,040 --> 00:07:41,800 Speaker 1: that helped me at that one. Good at least I 131 00:07:41,840 --> 00:07:45,240 Speaker 1: get at least I get that in my own city. Okay, 132 00:07:45,280 --> 00:07:48,520 Speaker 1: at least I'm good for that. Okay. I go the 133 00:07:48,560 --> 00:07:50,920 Speaker 1: other day because I have to get a fucking battery 134 00:07:50,920 --> 00:07:54,400 Speaker 1: in Cord and you know, I don't know how this 135 00:07:54,480 --> 00:07:58,760 Speaker 1: phone works, and I'm downloading it. I'm not downloading it. 136 00:07:58,760 --> 00:08:02,360 Speaker 1: It's giving me a backup all kind of ship man. 137 00:08:02,440 --> 00:08:04,840 Speaker 1: This is like a week after I got the phone. 138 00:08:04,960 --> 00:08:08,720 Speaker 1: I'm I'm I'm in limbo, I mean iPhone limbo. I 139 00:08:08,840 --> 00:08:10,720 Speaker 1: go back in the store. I'm at the at the 140 00:08:10,720 --> 00:08:12,960 Speaker 1: one at the grove with the grove is like an 141 00:08:12,960 --> 00:08:16,840 Speaker 1: outdoor mole sort of place in l A, y Okay. 142 00:08:16,840 --> 00:08:23,960 Speaker 1: Every fucking body goes in there. Everybody, women, children, men's famous, 143 00:08:24,000 --> 00:08:27,040 Speaker 1: not famous, all sorts of people going there. It's it's 144 00:08:27,280 --> 00:08:31,800 Speaker 1: it's probably the Apple store in Los Angeles. These little 145 00:08:31,840 --> 00:08:33,760 Speaker 1: pricks in there, and I say little and I mean 146 00:08:33,800 --> 00:08:36,200 Speaker 1: it literally. For some reason, every single body in the 147 00:08:36,200 --> 00:08:41,640 Speaker 1: blue shirts is like under five nine little pricks in 148 00:08:41,679 --> 00:08:45,000 Speaker 1: blue shirts that should be the name of the Apple 149 00:08:45,080 --> 00:08:49,320 Speaker 1: Store experience at the Grove in Los Angeles, little pricks 150 00:08:49,320 --> 00:08:52,040 Speaker 1: and blue shirts. First of all, these little pricks, they're 151 00:08:52,080 --> 00:08:54,960 Speaker 1: all congregating around each other, talking to each other, not 152 00:08:55,080 --> 00:08:59,120 Speaker 1: about hoping the customers who who are like hovering around 153 00:08:59,160 --> 00:09:04,000 Speaker 1: them like hot chicks at a at a high school prom, 154 00:09:04,120 --> 00:09:05,440 Speaker 1: you know what I mean. Like, we're like all like 155 00:09:05,480 --> 00:09:09,960 Speaker 1: it's and it's not just guys, it's men, women, women 156 00:09:10,000 --> 00:09:13,000 Speaker 1: with kids, men with kids, teenage. We all want the 157 00:09:13,040 --> 00:09:18,160 Speaker 1: attention of the little pricks in the blue shirts. I'm 158 00:09:18,200 --> 00:09:22,120 Speaker 1: I'm with I'm with an arms distance. You see me 159 00:09:22,280 --> 00:09:24,640 Speaker 1: standing here, You see all of us in here. We're 160 00:09:24,640 --> 00:09:27,920 Speaker 1: all huffing it, and they're like chatting with each other. 161 00:09:29,000 --> 00:09:32,040 Speaker 1: So I gonna say, hey, my man, oh can I 162 00:09:32,080 --> 00:09:35,280 Speaker 1: get some help? A little little guy comes over, and 163 00:09:35,360 --> 00:09:39,319 Speaker 1: I mean from from an arm and a half distance, 164 00:09:40,480 --> 00:09:45,640 Speaker 1: I could smell his breath. Oh literally, he didn't even 165 00:09:45,640 --> 00:09:48,000 Speaker 1: get he didn't even get close to me. I I 166 00:09:48,120 --> 00:09:51,079 Speaker 1: smell his fucking breath. So I'm already frustrated, and he's like, well, 167 00:09:51,080 --> 00:09:53,040 Speaker 1: what can I help you with that? And I wanted 168 00:09:53,120 --> 00:09:55,720 Speaker 1: to say, you can go wrinch your fucking mouth out 169 00:09:55,760 --> 00:09:59,079 Speaker 1: with soap. I wanted to say that. I literally wanted 170 00:09:59,120 --> 00:10:01,200 Speaker 1: to say, you can go inch your fucking mouth out 171 00:10:01,200 --> 00:10:04,760 Speaker 1: with hand soap in the bathroom. It's that bad. Your 172 00:10:04,840 --> 00:10:10,680 Speaker 1: breath smells like shit there. Just go get the hand 173 00:10:10,720 --> 00:10:13,480 Speaker 1: soap in the bathroom and come back out. Because you're you're, you're, you're, 174 00:10:13,520 --> 00:10:15,840 Speaker 1: you're in the service business. I don't care if they 175 00:10:15,920 --> 00:10:18,080 Speaker 1: told you you're a genius because you work at the 176 00:10:18,120 --> 00:10:22,080 Speaker 1: fucking genius bar. I know you're not a genius, okay, 177 00:10:22,080 --> 00:10:25,600 Speaker 1: because any genius wouldn't be walking around with breath that 178 00:10:25,760 --> 00:10:31,920 Speaker 1: literally smells like like card tires after a long day 179 00:10:31,920 --> 00:10:38,079 Speaker 1: in the swamps. So this little prick finally you know, I, well, 180 00:10:38,080 --> 00:10:39,480 Speaker 1: what do you want? I go, well, I want this. 181 00:10:39,640 --> 00:10:41,200 Speaker 1: I need a cord, I need a plug, I need 182 00:10:41,240 --> 00:10:44,319 Speaker 1: a fucking show, I need all sorts of ship. Also, 183 00:10:44,360 --> 00:10:46,480 Speaker 1: I gotta get my wife this, that and the other 184 00:10:46,600 --> 00:10:49,319 Speaker 1: or whatever. So it gives me like a handful of things. 185 00:10:49,840 --> 00:10:56,120 Speaker 1: It's literally two three dollars, okay, So I'm dealing with 186 00:10:56,200 --> 00:10:59,680 Speaker 1: him in his hot breath. I spent two hundred thirty 187 00:10:59,720 --> 00:11:05,320 Speaker 1: three dollars. Okay. Uh they're rude, Uh they seriously acting 188 00:11:05,360 --> 00:11:07,000 Speaker 1: like the last thing they want to do is talk 189 00:11:07,040 --> 00:11:09,600 Speaker 1: to not just me, put all of us in there. 190 00:11:10,040 --> 00:11:12,960 Speaker 1: It wasn't just me. I know, I could be a 191 00:11:13,000 --> 00:11:17,320 Speaker 1: little uh, I don't know, uh, you know, not that 192 00:11:17,440 --> 00:11:19,440 Speaker 1: friendly to deal with at times. But I came in 193 00:11:19,440 --> 00:11:22,680 Speaker 1: there with an open heart, open spirit, and I finally 194 00:11:22,679 --> 00:11:25,000 Speaker 1: get my ship two thirty three dollars. Give my credit card, 195 00:11:25,000 --> 00:11:26,559 Speaker 1: you know they have that. They whipped the funk when 196 00:11:26,559 --> 00:11:30,000 Speaker 1: it's time to pay, man, they're fucking they pop right 197 00:11:30,000 --> 00:11:33,679 Speaker 1: to it. So so the little prick in the blue shirt, 198 00:11:33,760 --> 00:11:36,800 Speaker 1: who who? Who was anointed a genius by some other 199 00:11:36,840 --> 00:11:40,360 Speaker 1: fucking guy in there who's probably dumber than him. I 200 00:11:40,720 --> 00:11:43,480 Speaker 1: want to know what the criteria is to be anointed 201 00:11:43,480 --> 00:11:46,400 Speaker 1: a genius by somebody at the Apple store, Like to 202 00:11:46,440 --> 00:11:48,360 Speaker 1: work at the Apple store and be like one of 203 00:11:48,400 --> 00:11:52,000 Speaker 1: these these fucking geniuses. What's the test that you gotta take? 204 00:11:52,040 --> 00:11:54,679 Speaker 1: Because I don't think there's any geniuses in there, none 205 00:11:54,720 --> 00:11:59,720 Speaker 1: of them. Oh they didn't help you. You You didn't succeed, man, 206 00:12:00,000 --> 00:12:02,400 Speaker 1: you ship man. The only thing he did was hurt 207 00:12:02,480 --> 00:12:06,320 Speaker 1: my nose from that horse breath. So you just got 208 00:12:06,320 --> 00:12:10,440 Speaker 1: to tend more. Helped me. They that crew was good, 209 00:12:10,840 --> 00:12:16,960 Speaker 1: these little ships at the grove. We're just rude and smelly. Nonetheless, 210 00:12:17,080 --> 00:12:19,920 Speaker 1: I give him the to give my credit card. You know, 211 00:12:19,960 --> 00:12:22,439 Speaker 1: the stuff is on the on on the little the desk. 212 00:12:22,520 --> 00:12:24,319 Speaker 1: I'm not even at a desk being served like he's. 213 00:12:24,320 --> 00:12:26,160 Speaker 1: He's putting where all the other phones are. Blah blah 214 00:12:26,160 --> 00:12:29,280 Speaker 1: blah blah ba hands me this stuff. Do you want 215 00:12:29,280 --> 00:12:31,640 Speaker 1: to bag? I go, yeah, I want to fucking bag. 216 00:12:31,960 --> 00:12:35,680 Speaker 1: I got chargers, I got plugs. I want to bag. Okay, 217 00:12:36,160 --> 00:12:40,160 Speaker 1: it is okay, hold please. He's the first. The fact 218 00:12:40,160 --> 00:12:42,120 Speaker 1: that he asked me that I had a bag, do 219 00:12:42,240 --> 00:12:43,319 Speaker 1: what do I want to bag? I didn't have a 220 00:12:43,320 --> 00:12:45,680 Speaker 1: little knapsack. I didn't have a fucking fanny pack. The 221 00:12:45,720 --> 00:12:48,240 Speaker 1: fact that he asked me, uh, do I want to bag? 222 00:12:48,360 --> 00:12:50,280 Speaker 1: Was rude right there. I don't have a purse, my man, 223 00:12:52,559 --> 00:12:54,640 Speaker 1: okay I had. I'm not with my wife, I'm not 224 00:12:54,679 --> 00:12:56,839 Speaker 1: with my whiz, I'm not with my mom's and I 225 00:12:56,880 --> 00:12:59,720 Speaker 1: don't have my knapsack, and I don't have my fannie pack. 226 00:12:59,760 --> 00:13:01,640 Speaker 1: I need the bag. There's a bunch of ships in 227 00:13:01,640 --> 00:13:04,680 Speaker 1: my hands here, like enough that I had to hold 228 00:13:04,679 --> 00:13:08,480 Speaker 1: it with two hands. So this cock suckers are cool, 229 00:13:08,520 --> 00:13:10,120 Speaker 1: Come downstairs. Will get you, but like he's doing me 230 00:13:10,160 --> 00:13:13,360 Speaker 1: a favor. So then he goes in one one behind 231 00:13:13,400 --> 00:13:17,560 Speaker 1: the thing he's scarring around, no bag, goes ducks under, 232 00:13:17,600 --> 00:13:21,800 Speaker 1: looks under the shelf to draw no bag. He goes 233 00:13:21,840 --> 00:13:25,160 Speaker 1: into it. I'm sorry, we don't have any bags. I go, 234 00:13:25,360 --> 00:13:28,079 Speaker 1: is this a fucking Apple stores? This a fucking bodega? 235 00:13:28,360 --> 00:13:29,960 Speaker 1: He said, excuse me, I say, I feel like I'm 236 00:13:30,000 --> 00:13:34,480 Speaker 1: in a supermarket, right, I'm in a fucking kmart. I'm not. 237 00:13:34,640 --> 00:13:37,560 Speaker 1: You know, Steve Jobs would be kicking and screaming in 238 00:13:37,640 --> 00:13:39,839 Speaker 1: his grave if he sort the customer service in this 239 00:13:39,960 --> 00:13:43,520 Speaker 1: ship hole. I literally felt like I was like in 240 00:13:43,600 --> 00:13:46,360 Speaker 1: a kmart. No disrespect to Camark, but you get what 241 00:13:46,400 --> 00:13:48,400 Speaker 1: you get where you're in there, not at the Apple 242 00:13:48,559 --> 00:13:54,600 Speaker 1: store with some supposed geniuses with ship breath. Very unpleasant. 243 00:13:56,040 --> 00:13:58,400 Speaker 1: I I went down the way. They got a nice 244 00:13:58,400 --> 00:14:01,600 Speaker 1: farmer's market. At the grove, they got the shish kebab. Stand. 245 00:14:02,200 --> 00:14:04,120 Speaker 1: I had to carry this ship with me the whole night, 246 00:14:06,480 --> 00:14:09,800 Speaker 1: and so I finally get this phone working. This thing 247 00:14:09,880 --> 00:14:12,360 Speaker 1: costs me like a thousand dollars. Is this iPhone ten? 248 00:14:13,080 --> 00:14:18,160 Speaker 1: Which did they skip the iPhone nine? Yeah? They said 249 00:14:18,200 --> 00:14:21,400 Speaker 1: fuck it they said, fuck it, nine is a cool 250 00:14:21,480 --> 00:14:23,560 Speaker 1: number for an iPhone, Like it's kind of spacey, like 251 00:14:23,640 --> 00:14:27,400 Speaker 1: iPhone nine. They just skipped to nine. They went to ten, 252 00:14:28,320 --> 00:14:31,600 Speaker 1: and uh, how how is the ten? Honestly, I just 253 00:14:31,640 --> 00:14:34,360 Speaker 1: got this puppy up and going to be totally honest 254 00:14:34,400 --> 00:14:36,840 Speaker 1: with you. I literally just got this puppy up and 255 00:14:36,880 --> 00:14:39,960 Speaker 1: going I I was gonna return it. Uh. Then I 256 00:14:40,000 --> 00:14:42,320 Speaker 1: didn't return it. Then I started using my old phone. 257 00:14:42,480 --> 00:14:46,160 Speaker 1: I can tell you one thing. It's smaller. I don't 258 00:14:46,160 --> 00:14:49,240 Speaker 1: even know what my last phone was, seven, eight, Who 259 00:14:49,240 --> 00:14:51,600 Speaker 1: the funk knows, I don't know, but for some reason, 260 00:14:51,640 --> 00:14:56,520 Speaker 1: it's smaller. It's a smaller device. And usually, uh, you know, 261 00:14:56,760 --> 00:15:01,480 Speaker 1: when you move forward, you get bigger. This when when smaller, Yeah, yeah, 262 00:15:01,600 --> 00:15:06,080 Speaker 1: it's a it's a con. It's like ship man, keep going, 263 00:15:06,120 --> 00:15:11,520 Speaker 1: You're gonna be h iPhone fifty. Yeah. I don't know. 264 00:15:11,560 --> 00:15:13,880 Speaker 1: I'm at the sixth plus and I'm gonna stay here 265 00:15:14,160 --> 00:15:17,720 Speaker 1: and everything looks good. I don't care. I I get it. 266 00:15:18,200 --> 00:15:22,000 Speaker 1: I get it. Steph Curry came out with a new 267 00:15:22,040 --> 00:15:25,840 Speaker 1: hair do ye and Steph I probably say you're my 268 00:15:25,880 --> 00:15:28,160 Speaker 1: favorite player in the league, like collectively, like that's the 269 00:15:28,200 --> 00:15:31,400 Speaker 1: guy go to watch the most me too. He's good, 270 00:15:31,680 --> 00:15:35,840 Speaker 1: good guy. Loved watching his father. Listen. The guy needs 271 00:15:35,840 --> 00:15:40,120 Speaker 1: no introduction, but he needs to cut his ship. You 272 00:15:40,480 --> 00:15:44,240 Speaker 1: look like ship, Duke. He got twisting his ship. Now 273 00:15:44,280 --> 00:15:47,080 Speaker 1: he got twists in his ship. And yo, my man, 274 00:15:47,600 --> 00:15:51,360 Speaker 1: this ain't a different world, Duke. Okay, you're not on Martin. 275 00:15:51,720 --> 00:15:54,640 Speaker 1: This ain't this ain't the nineties. More man, you look crazy. 276 00:15:55,040 --> 00:15:57,720 Speaker 1: I used to come get your man, Duke, Come get 277 00:15:57,760 --> 00:16:04,400 Speaker 1: your man's. He's ryan new ship. Give him props because 278 00:16:04,440 --> 00:16:08,960 Speaker 1: before he was looking like a mess. Nah. Nah, you 279 00:16:09,000 --> 00:16:13,880 Speaker 1: saw him out there tonight with the twists. N no disrespect. 280 00:16:13,960 --> 00:16:19,360 Speaker 1: I love the curries, Come get your man's in them. 281 00:16:19,400 --> 00:16:22,000 Speaker 1: But but it's been a good week in basketball. And 282 00:16:22,000 --> 00:16:24,560 Speaker 1: this is what I'll say. Obviously, we talked about Lebron 283 00:16:24,680 --> 00:16:27,120 Speaker 1: James earlier in the week and and the little the 284 00:16:27,160 --> 00:16:31,320 Speaker 1: little dust up between uh and it's Cantor Frank Nicolina 285 00:16:31,720 --> 00:16:36,560 Speaker 1: and Lebron. And I want to say this about that. 286 00:16:36,560 --> 00:16:39,840 Speaker 1: That's good for the NBA, Like it brings the teams 287 00:16:39,840 --> 00:16:42,960 Speaker 1: together as long as there's no like fights. But dudes 288 00:16:43,000 --> 00:16:47,320 Speaker 1: getting each other's face talking ship. The referee should let 289 00:16:47,360 --> 00:16:49,960 Speaker 1: that go and let it continue. It happened a few 290 00:16:50,000 --> 00:16:54,240 Speaker 1: times this week, more than I've seen um concurrently early 291 00:16:54,400 --> 00:16:57,520 Speaker 1: in the season. Concurrently, he is a very very high risk, 292 00:16:57,720 --> 00:17:00,360 Speaker 1: low reward word for me to throw out there this 293 00:17:00,440 --> 00:17:04,679 Speaker 1: early in the podcast. But like with the Lebron and 294 00:17:04,760 --> 00:17:08,280 Speaker 1: his cantor Frank Nicoline the thing and then this fucking 295 00:17:08,320 --> 00:17:12,879 Speaker 1: clown Lebron James. Next day he's on Twitter talking about 296 00:17:13,000 --> 00:17:14,680 Speaker 1: he's the King of New York. My man, you ain't 297 00:17:14,680 --> 00:17:17,720 Speaker 1: no fucking king of New York. Now, you ain't the 298 00:17:17,760 --> 00:17:19,800 Speaker 1: King of New York, dude. It's some motherfucker trying to 299 00:17:19,880 --> 00:17:23,080 Speaker 1: like trying to be on some jay Z ship. Scott 300 00:17:23,200 --> 00:17:25,160 Speaker 1: rolled the train for the first time in his life 301 00:17:25,160 --> 00:17:26,840 Speaker 1: this week, told him he's the King of New York, 302 00:17:27,200 --> 00:17:30,200 Speaker 1: talking about, Oh, this is my favorite playground. Scott never 303 00:17:30,240 --> 00:17:32,840 Speaker 1: played in the parks. Scott never played his Soul in 304 00:17:32,920 --> 00:17:36,600 Speaker 1: the Hole. He never played it Rutger, he never played 305 00:17:36,600 --> 00:17:38,920 Speaker 1: at West Forest, he never played at Howard Park. What's 306 00:17:38,920 --> 00:17:41,679 Speaker 1: what's another good park? You played ball in Brooklyn? Na, 307 00:17:42,440 --> 00:17:45,520 Speaker 1: I don't. Lebron he said he's the King of New York. 308 00:17:45,560 --> 00:17:47,080 Speaker 1: He just came and took your city. You don't have 309 00:17:47,080 --> 00:17:51,840 Speaker 1: a problem the city is whack. Your man Patrick Ewing 310 00:17:52,119 --> 00:17:56,320 Speaker 1: when he dipped that air ball, that's his legacy. You're 311 00:17:56,480 --> 00:18:01,000 Speaker 1: the city is whack. That's what the ball sad to say. 312 00:18:04,520 --> 00:18:08,000 Speaker 1: We got we gotta in reality, man, is wet. You 313 00:18:08,040 --> 00:18:11,960 Speaker 1: gotta live in reality. That Nick have been bumbass motherfucker's 314 00:18:11,960 --> 00:18:19,040 Speaker 1: for for our entire lives. Listen. They should have won 315 00:18:19,119 --> 00:18:22,920 Speaker 1: it in ninety four. That's it. Other than that, don't 316 00:18:22,960 --> 00:18:25,880 Speaker 1: don't talk about the Knicks. This guy came into the garden. 317 00:18:26,080 --> 00:18:29,280 Speaker 1: Everybody comes into into the garden and get the illness 318 00:18:29,920 --> 00:18:33,800 Speaker 1: m J fifty five, Kobe. This is where it's been. 319 00:18:34,240 --> 00:18:37,360 Speaker 1: This is reality, yo. You you must be wet, Duke. 320 00:18:37,760 --> 00:18:41,000 Speaker 1: You're smoking some of that you're drinking some of that 321 00:18:41,119 --> 00:18:46,600 Speaker 1: brown talking about in reality. This has been the stage 322 00:18:46,800 --> 00:18:50,160 Speaker 1: for people to come and get you. No, I'm gonna 323 00:18:50,200 --> 00:18:52,000 Speaker 1: hang up on this motherfucker right. You don't know what 324 00:18:52,040 --> 00:18:54,639 Speaker 1: the fun he's saying. He sounds we talk about and 325 00:18:54,800 --> 00:18:58,280 Speaker 1: it's cantor you'll make a layup, Duke before you talk 326 00:18:58,320 --> 00:19:01,399 Speaker 1: to the king like that. You know you're not in 327 00:19:01,440 --> 00:19:07,200 Speaker 1: this guy's stratosphere, Like this is arguably the top player 328 00:19:07,320 --> 00:19:11,040 Speaker 1: ever and you're talking about oh, you know, you can't 329 00:19:11,200 --> 00:19:14,000 Speaker 1: punk us. You're not gonna do the water game. We 330 00:19:14,119 --> 00:19:18,360 Speaker 1: already did the water game, dude, We we already. We 331 00:19:18,359 --> 00:19:22,080 Speaker 1: was playing cello on the side. We was mocking New York. 332 00:19:22,720 --> 00:19:28,119 Speaker 1: We're playing cello on the court. And it's and this 333 00:19:28,240 --> 00:19:30,720 Speaker 1: cancer would he would have already had a statue erected 334 00:19:31,040 --> 00:19:33,280 Speaker 1: if he had mushed him. And I know in this 335 00:19:33,400 --> 00:19:35,240 Speaker 1: came I think and this cancer was in the Turkish 336 00:19:35,280 --> 00:19:38,200 Speaker 1: military or something like that. Here, fuck Lebron James up 337 00:19:38,760 --> 00:19:41,359 Speaker 1: on some mue tie ship. I know in his cancer 338 00:19:41,480 --> 00:19:44,639 Speaker 1: fun Lebron James up. He got that big gass knows too. 339 00:19:44,680 --> 00:19:46,240 Speaker 1: If you got a big gass nose like that and 340 00:19:46,240 --> 00:19:49,879 Speaker 1: you ain't afraid to fight you bout it. You know 341 00:19:49,920 --> 00:19:52,320 Speaker 1: what else I like about in this Canther and I want, 342 00:19:52,400 --> 00:19:55,040 Speaker 1: I want you to tell me who you think's got 343 00:19:55,040 --> 00:20:00,480 Speaker 1: an iller hairline, And it's Canther or or Paul George yo. 344 00:20:00,760 --> 00:20:05,199 Speaker 1: And it can looks like a Chebacca yo. Yo, his 345 00:20:05,320 --> 00:20:09,800 Speaker 1: hairline comes down. Yeah, I listen, I have no problem 346 00:20:09,800 --> 00:20:15,280 Speaker 1: with it, Okay, I red that's one of them Ganges 347 00:20:15,400 --> 00:20:19,800 Speaker 1: Khan looking motherfucker's yo. I think he might. He obviously 348 00:20:19,880 --> 00:20:22,879 Speaker 1: is not as good as Paul George. But that hairline 349 00:20:23,040 --> 00:20:28,280 Speaker 1: is strong. I mean it is strong and thick, and 350 00:20:28,320 --> 00:20:31,760 Speaker 1: it's got an attitude like that is a strong, thick 351 00:20:32,160 --> 00:20:39,840 Speaker 1: hairline and his cantor has yes um yo yo, your man, Hollywood, 352 00:20:39,920 --> 00:20:44,840 Speaker 1: that whole industry is being out it and a lot 353 00:20:44,840 --> 00:20:47,639 Speaker 1: of people in the industry have known it already. But 354 00:20:47,760 --> 00:20:50,919 Speaker 1: it's it's wild for me to see so many people 355 00:20:50,960 --> 00:20:56,080 Speaker 1: being paraded out as just sucking, deviant motherfucker's man who 356 00:20:56,280 --> 00:20:58,040 Speaker 1: before you get into that, because the last one who 357 00:20:58,040 --> 00:21:03,280 Speaker 1: came up is my man, Sylvester Stalloon. They try to 358 00:21:03,320 --> 00:21:07,800 Speaker 1: get slide from nineteen seventy eight. I'm talking is that 359 00:21:07,840 --> 00:21:12,840 Speaker 1: I've been talking four years ago, out of the Blue, 360 00:21:13,080 --> 00:21:17,239 Speaker 1: Out of the Blue. Now listen, yo, you ain't gonna yo. 361 00:21:17,320 --> 00:21:22,440 Speaker 1: This man went fifteen rounds with Creed twice. You think 362 00:21:22,440 --> 00:21:26,960 Speaker 1: you're gonna just knock him down. Forty years later, by 363 00:21:27,000 --> 00:21:29,920 Speaker 1: the time we did this podcast, Stallone came out and 364 00:21:30,000 --> 00:21:34,359 Speaker 1: vehemently denied anything having to do with this. You you 365 00:21:34,480 --> 00:21:37,680 Speaker 1: can't just be saying a ship with no proof, no 366 00:21:37,880 --> 00:21:41,879 Speaker 1: anything all these years later, like it's just some pile 367 00:21:42,000 --> 00:21:46,560 Speaker 1: on yo, yo, Because the thing that's funked up about 368 00:21:46,640 --> 00:21:49,520 Speaker 1: this ship is like because there has been so many 369 00:21:49,520 --> 00:21:52,000 Speaker 1: people that have actually done it, these things are like 370 00:21:52,080 --> 00:21:56,840 Speaker 1: now shadow of a doubts. Oh, he was in there 371 00:21:56,880 --> 00:22:02,159 Speaker 1: with Club or Lane, thunder Lips, Rocko. He busted Tommy 372 00:22:02,240 --> 00:22:05,080 Speaker 1: Gunn's ass on the street in front of the bar. 373 00:22:05,320 --> 00:22:09,240 Speaker 1: You're not gonna just fucking dragged my man Rock thirty 374 00:22:09,320 --> 00:22:12,240 Speaker 1: nine years later, that ain't gonna happen. He came out 375 00:22:12,280 --> 00:22:15,359 Speaker 1: and denied it vehemently. And until I hear anything else, 376 00:22:16,320 --> 00:22:21,600 Speaker 1: let's go Rock, Let's go remember my prime, Mick, Legs 377 00:22:21,600 --> 00:22:25,000 Speaker 1: ain't working. Nothing's working, No one's doing nothing. God comes 378 00:22:25,080 --> 00:22:27,640 Speaker 1: up offers me the big fight, big Do you take 379 00:22:27,680 --> 00:22:31,239 Speaker 1: the fight? Yeahall take the fight. I'm gonna get that. 380 00:22:32,080 --> 00:22:35,439 Speaker 1: I'm gonna get that. You want to beat therey? Excite 381 00:22:35,480 --> 00:22:41,000 Speaker 1: to see it? Do you? It's stinks, this whole place stinks. 382 00:22:42,760 --> 00:22:47,320 Speaker 1: But my prime, Mick, least you had a prime. You 383 00:22:47,520 --> 00:22:50,360 Speaker 1: take fucking Rock thirty nine years later, Come on, man, 384 00:22:50,640 --> 00:22:53,080 Speaker 1: Scott was in the He went fifteen hard ones with 385 00:22:53,280 --> 00:22:57,280 Speaker 1: Creed in his prime. I'm with Rock, of course, I'm 386 00:22:57,280 --> 00:23:00,720 Speaker 1: with Rock, and I'm I'm against the press. What kind 387 00:23:00,760 --> 00:23:04,439 Speaker 1: of press do we have? Yo? You're just you're just 388 00:23:04,640 --> 00:23:10,480 Speaker 1: calling motherfucker's out without evidence. I know it's it's you 389 00:23:11,720 --> 00:23:15,360 Speaker 1: or anybody, and it'll it'll make it to the mainstream press. Yo. 390 00:23:15,760 --> 00:23:19,800 Speaker 1: You can't go into a quarter law and just say ship. 391 00:23:20,200 --> 00:23:22,920 Speaker 1: You have to prove it. It has to be evidence. 392 00:23:23,200 --> 00:23:26,280 Speaker 1: This is the exhibit. You can't come in fifty years 393 00:23:26,280 --> 00:23:31,280 Speaker 1: and just say yeah he did it, Okay, well show 394 00:23:31,400 --> 00:23:35,480 Speaker 1: us right, yo, just to ruin, try to ruin the guy. 395 00:23:35,760 --> 00:23:39,119 Speaker 1: It's just really bad. And the press the worst, you know, 396 00:23:39,400 --> 00:23:42,280 Speaker 1: the worst. But what what were you gonna say? Who? 397 00:23:42,359 --> 00:23:46,120 Speaker 1: Who are you gonna hold? Yeah about my man? I'm 398 00:23:46,160 --> 00:23:49,920 Speaker 1: here Terry Crews. He went to hold talk to Michael 399 00:23:49,960 --> 00:23:54,840 Speaker 1: Straighthand on Good Morning America whatever the show or Straighthand does, Yeah, 400 00:23:54,880 --> 00:23:58,320 Speaker 1: and he he said, um, he outed the guy. He said, 401 00:23:58,359 --> 00:24:00,560 Speaker 1: you know, he was at a party and the guy 402 00:24:00,680 --> 00:24:04,600 Speaker 1: was staring at him and sticking his tongue out and 403 00:24:04,640 --> 00:24:08,200 Speaker 1: all that and sexual and then he he went over 404 00:24:08,240 --> 00:24:12,480 Speaker 1: to him and then he grabbed his hand and he 405 00:24:12,520 --> 00:24:17,280 Speaker 1: put it on his package. No, he grabbed Terry Cruisers package. Yeah, 406 00:24:17,359 --> 00:24:22,080 Speaker 1: that's what I'm saying it he grabbed yeah, and I'm like, damn, 407 00:24:22,280 --> 00:24:25,080 Speaker 1: So I began to think, And I said, okay, what 408 00:24:26,080 --> 00:24:32,920 Speaker 1: he is the personification of the BBC of their dreams. 409 00:24:33,160 --> 00:24:39,640 Speaker 1: His physique, his complexion, he's like they're farr forcet. He's 410 00:24:39,680 --> 00:24:43,520 Speaker 1: the pin up. He's the pin up BBC. He's always 411 00:24:43,680 --> 00:24:50,080 Speaker 1: chest neked, always wiggling, wiggling his tits. He says he 412 00:24:50,160 --> 00:24:54,679 Speaker 1: felt objectified. But isn't appearing chest naked and wiggling your 413 00:24:54,840 --> 00:25:01,440 Speaker 1: tits objectifying yourself? What mess did are you sending? So 414 00:25:01,560 --> 00:25:06,119 Speaker 1: those Hollywood exactly see that how you carry itself, so 415 00:25:06,760 --> 00:25:11,600 Speaker 1: they step into you. It's it's it's bad. But yo, 416 00:25:12,480 --> 00:25:17,000 Speaker 1: them dudes see you Like I said, you're the personification 417 00:25:17,359 --> 00:25:21,480 Speaker 1: of the BBC of their dreams, so they're gonna step 418 00:25:21,560 --> 00:25:26,600 Speaker 1: to you. Shit. And what about your man Sammy Sosa? 419 00:25:26,960 --> 00:25:32,399 Speaker 1: Did you see him? Every few months? I have to 420 00:25:32,400 --> 00:25:34,840 Speaker 1: correct you. I have to correct you on on his name. 421 00:25:35,560 --> 00:25:45,119 Speaker 1: He has transferred from Sammy to Sambo Sosa, Sambo Sosa. 422 00:25:45,840 --> 00:25:50,560 Speaker 1: Every few months he pops up looking crazier and crazier. 423 00:25:51,160 --> 00:25:54,840 Speaker 1: If you haven't seen the recent picture of Sammy Sosa, 424 00:25:55,240 --> 00:25:59,960 Speaker 1: I think he was in London. He's now milk toast white, 425 00:26:00,320 --> 00:26:04,080 Speaker 1: not like a normal white person, not like me, or 426 00:26:04,119 --> 00:26:08,399 Speaker 1: the white mamba. No, literally like milk toast, or like 427 00:26:08,560 --> 00:26:12,280 Speaker 1: stale milk, or like sort of like linen, like like 428 00:26:12,280 --> 00:26:14,960 Speaker 1: like soy milk. He's got, he's the color. He's soy 429 00:26:15,000 --> 00:26:22,040 Speaker 1: milk white. Yeah, I called him a linen And he's 430 00:26:22,119 --> 00:26:25,960 Speaker 1: dabbing in the picture. He looks fucking nuts, but I 431 00:26:25,960 --> 00:26:30,760 Speaker 1: could tell you he is very happy. You see he's 432 00:26:30,880 --> 00:26:35,439 Speaker 1: he's he's elated. Well, he must be crazy because you 433 00:26:35,480 --> 00:26:39,240 Speaker 1: could clearly tell that's not the color he was born, 434 00:26:39,320 --> 00:26:41,600 Speaker 1: even if you knew it was Sammy Sosa or not. 435 00:26:42,160 --> 00:26:44,000 Speaker 1: Like if you just saw him on the street, you go, 436 00:26:44,320 --> 00:26:47,639 Speaker 1: what's wrong with this fucking guy? Right, that's what you 437 00:26:47,680 --> 00:26:51,920 Speaker 1: would say. You would say, what's wrong with this fucking guy? Right? 438 00:26:52,800 --> 00:26:57,480 Speaker 1: So do you think, um, he's finished, finished with what 439 00:26:58,480 --> 00:27:01,760 Speaker 1: with the bleaching? Because in the Trump era, I feel 440 00:27:01,800 --> 00:27:04,520 Speaker 1: I felt he ramped it up. Do you think he's finished? 441 00:27:04,600 --> 00:27:06,720 Speaker 1: Oh no, no, no, no, no no no, you would 442 00:27:06,800 --> 00:27:09,199 Speaker 1: think that, you would think you would think that, you 443 00:27:09,240 --> 00:27:11,399 Speaker 1: could think he's finished. But I think there's no stopping. 444 00:27:11,560 --> 00:27:18,919 Speaker 1: This guy's obviously nuts. So he's not white enough, not 445 00:27:18,920 --> 00:27:23,480 Speaker 1: not white enough, not white enough? Okay, he he he 446 00:27:23,560 --> 00:27:29,280 Speaker 1: wants to be like paper white. Being soy milk white 447 00:27:29,320 --> 00:27:31,440 Speaker 1: doesn't doesn't cut it. He wants to be He wants 448 00:27:31,480 --> 00:27:39,960 Speaker 1: that Xerox paper white. He wants that Staples Center good 449 00:27:40,080 --> 00:27:44,880 Speaker 1: paper white. Yeah, he's crazy, man. I hope he gets 450 00:27:45,000 --> 00:27:48,679 Speaker 1: gains that acceptance that he's looking for. Oh my god. 451 00:27:50,480 --> 00:27:56,600 Speaker 1: Um all right, Miles Jordan, please cue the sick Funk 452 00:27:56,640 --> 00:28:01,000 Speaker 1: of the Week music. This award is not given. It's 453 00:28:01,040 --> 00:28:04,840 Speaker 1: called the sick fucking a Week. This guy is really sick. 454 00:28:05,320 --> 00:28:08,320 Speaker 1: Lock him up? How could you do it? Don't let 455 00:28:08,400 --> 00:28:11,520 Speaker 1: him out? Damn when you fuck the door? You want 456 00:28:11,760 --> 00:28:14,120 Speaker 1: you fuck the door? Why would you fuck the dog? 457 00:28:14,680 --> 00:28:18,600 Speaker 1: Why would you fuck your girlfriend's dog? What? Sick? Fuck? 458 00:28:18,760 --> 00:28:23,080 Speaker 1: The sick Funck of the week it's earned, earned, not giving. 459 00:28:23,160 --> 00:28:33,440 Speaker 1: You didn't what? No, no, no, Yes. The sick Funk 460 00:28:33,440 --> 00:28:35,240 Speaker 1: of the Week is an award that has earned, not given. 461 00:28:35,240 --> 00:28:40,360 Speaker 1: It as an award that has earned, not given. Uh 462 00:28:40,680 --> 00:28:45,160 Speaker 1: Roy Moore, this is a guy that was and the 463 00:28:45,160 --> 00:28:51,080 Speaker 1: the Republican candidate uh senator uh down in uh down 464 00:28:51,080 --> 00:28:54,520 Speaker 1: in Alabama. And this is the guy who's running against 465 00:28:54,560 --> 00:29:00,440 Speaker 1: the guy Luther Strong, who infamously was touted by Donald 466 00:29:00,480 --> 00:29:03,920 Speaker 1: Trump for his U iconic get up you son of 467 00:29:03,920 --> 00:29:11,520 Speaker 1: a bitch speech Roy Moore beat Um Luther. Roy Moore 468 00:29:11,680 --> 00:29:16,800 Speaker 1: was backed by the ugliest man in in politics history, 469 00:29:17,120 --> 00:29:22,600 Speaker 1: Steve Bannon looks like a human growth. Um. And and 470 00:29:22,680 --> 00:29:25,240 Speaker 1: now there's an actual person who came out to actually 471 00:29:25,240 --> 00:29:31,400 Speaker 1: testify UM saying that uh, Roy Moore molestnor Uh. He 472 00:29:31,480 --> 00:29:35,320 Speaker 1: was already banned from a mall UH for for badgering 473 00:29:35,720 --> 00:29:40,280 Speaker 1: and harassing teenage girls. Uh. Five members of the local 474 00:29:40,360 --> 00:29:43,040 Speaker 1: legal community, two cops that work in town, and several 475 00:29:43,080 --> 00:29:45,040 Speaker 1: people who hung out in the mall in the eighties, 476 00:29:45,760 --> 00:29:50,360 Speaker 1: and members of the mall UH former mall employees all 477 00:29:50,400 --> 00:29:54,480 Speaker 1: said that Roy Moore, this week's six funk of the week, 478 00:29:55,000 --> 00:29:58,600 Speaker 1: was harassing teenage girls. This guy's running for senator. He 479 00:29:58,600 --> 00:30:02,080 Speaker 1: he got elected for a senator and Alabama you're my friend. 480 00:30:02,280 --> 00:30:06,360 Speaker 1: You're no senator, No, but you are the sick fuck 481 00:30:06,640 --> 00:30:10,640 Speaker 1: of the week. Papa John from Papa John's Pizza Now now, 482 00:30:10,800 --> 00:30:15,240 Speaker 1: probably because your business is really down, asshole. Now he's 483 00:30:15,280 --> 00:30:19,239 Speaker 1: coming out to clarify his statements regarding NFL protests and 484 00:30:19,240 --> 00:30:22,040 Speaker 1: all that we gave him. Didn't give him the Willie 485 00:30:22,080 --> 00:30:25,600 Speaker 1: Hutch treatment. Yeah, yeah, yeah, we talked about his pizza, 486 00:30:25,720 --> 00:30:30,280 Speaker 1: his cardboard pizza, trash pizza. Now he's He's sent out 487 00:30:30,320 --> 00:30:35,160 Speaker 1: a bunch of tweets saying, you know the inequalities. Shut 488 00:30:35,200 --> 00:30:39,320 Speaker 1: the funk up, Papa John, Come on, kill that noise. 489 00:30:39,520 --> 00:30:43,240 Speaker 1: As the great M. C. Sham once said, nobody wants 490 00:30:43,240 --> 00:30:50,000 Speaker 1: your pizza, Duke. Nobody's fucking with your pizza, duke. You're 491 00:30:50,000 --> 00:30:53,720 Speaker 1: the sick funking a week again, yes, second time in 492 00:30:53,720 --> 00:30:58,680 Speaker 1: a month. Um. A woman, pretty girl, pretty girl, eighteen 493 00:30:58,760 --> 00:31:02,600 Speaker 1: year old girl caught on videos stealing five dollars from 494 00:31:02,600 --> 00:31:09,160 Speaker 1: her uber driver's car. Quote on video, damn your little 495 00:31:09,240 --> 00:31:13,760 Speaker 1: chicken head, your little chicken head. You sky's there working, 496 00:31:13,760 --> 00:31:15,680 Speaker 1: he has his little tip jar and you steal five 497 00:31:15,720 --> 00:31:18,200 Speaker 1: dollars where you got caught, your little chicken head, you 498 00:31:18,880 --> 00:31:23,320 Speaker 1: chicken head. Another sick funk of the weekend. We are 499 00:31:23,360 --> 00:31:25,840 Speaker 1: are more just boom boom boom. This comes from our 500 00:31:25,880 --> 00:31:29,960 Speaker 1: favorite newspaper, The Daily Mail. A woman who's thirty faces 501 00:31:30,080 --> 00:31:34,480 Speaker 1: child sex charges after giving birth to a fourteen year 502 00:31:34,480 --> 00:31:41,920 Speaker 1: old boys baby. Oh oh, she had sex molested a 503 00:31:42,000 --> 00:31:46,600 Speaker 1: fourteen year old boy. He got her pregnant and she 504 00:31:46,680 --> 00:31:49,760 Speaker 1: had the baby. A thirty year old woman sick funk 505 00:31:49,800 --> 00:31:52,080 Speaker 1: of a week. Not a bad looking woman, but when 506 00:31:52,080 --> 00:31:53,440 Speaker 1: you look her in the eyes, she looks like a 507 00:31:53,480 --> 00:32:02,440 Speaker 1: true blue sick funk of the Week Tracy Castler of Milton, Florida. Congratulations, okay, uh, 508 00:32:02,920 --> 00:32:06,400 Speaker 1: I have one? Oh please please this This is a 509 00:32:07,080 --> 00:32:11,640 Speaker 1: corporation that's a sick funk of the week. Machino is 510 00:32:11,800 --> 00:32:15,640 Speaker 1: uh selling clear dry cleaning bags for seven hundred and 511 00:32:15,680 --> 00:32:18,880 Speaker 1: thirty five bucks, the clear bags that you bring your 512 00:32:18,920 --> 00:32:23,400 Speaker 1: clothes home from the cleaners, dry cleaners. People are wearing it, 513 00:32:26,000 --> 00:32:30,880 Speaker 1: so they're the six funks of the week. Wait wait, wait, wait, 514 00:32:30,920 --> 00:32:35,880 Speaker 1: wait what see it's unbelievable, right, But that company, Mochino, 515 00:32:36,560 --> 00:32:39,080 Speaker 1: they're selling a dry cleaning bags for seven dred and 516 00:32:39,120 --> 00:32:42,640 Speaker 1: thirty five bucks. So people who the people who are 517 00:32:42,680 --> 00:32:45,440 Speaker 1: wearing it are the six funks of the week. Wearing 518 00:32:45,480 --> 00:32:48,959 Speaker 1: the Machino clothes, the clear bags that they you know, 519 00:32:49,040 --> 00:32:50,680 Speaker 1: like when you bring your ship home from the cleaners, 520 00:32:50,920 --> 00:32:55,560 Speaker 1: it has that clear ship over. People are wearing that now. Yeah, 521 00:32:55,680 --> 00:32:58,720 Speaker 1: so they're the six funks of the week. Okay, that's fine. 522 00:32:58,840 --> 00:33:01,120 Speaker 1: Another sick funk of the week. I Staten Island women 523 00:33:02,160 --> 00:33:08,880 Speaker 1: overdosed on pills and heroin she snorted it. Did whatever 524 00:33:08,920 --> 00:33:12,640 Speaker 1: she needed to do because her husband had overdosed and 525 00:33:12,720 --> 00:33:14,520 Speaker 1: she wanted to get rid of the evidence. It was 526 00:33:14,560 --> 00:33:18,240 Speaker 1: a double whammy, a two for one. She didn't want 527 00:33:18,240 --> 00:33:23,640 Speaker 1: to get busted with her husband's heron that Maurice, those 528 00:33:23,680 --> 00:33:29,760 Speaker 1: great skies. She wasn't even a user. So they both overdosed. 529 00:33:30,080 --> 00:33:35,560 Speaker 1: Fortunately they neither one of them died. But you're a dumbass. Finally, 530 00:33:37,840 --> 00:33:44,640 Speaker 1: a woman is accused of cooking her roommates ferret. A 531 00:33:44,680 --> 00:33:52,280 Speaker 1: woman in New Hampshire, Manchester, New Hampshire, Avonna Clifford White lunatic, 532 00:33:52,520 --> 00:33:55,920 Speaker 1: looks totally crazy. She had a problem with her roommate. 533 00:33:56,760 --> 00:33:59,800 Speaker 1: Instead of moving out solving the problem like a normal person. Now, 534 00:33:59,880 --> 00:34:04,360 Speaker 1: you couldn't do that. I couldn't do that, she took 535 00:34:04,360 --> 00:34:11,080 Speaker 1: her ferret on some fatal attraction. Glenn close shit tried 536 00:34:11,120 --> 00:34:17,479 Speaker 1: to cook the fucking ferret to death. I mean, that's 537 00:34:17,480 --> 00:34:22,480 Speaker 1: a real, real, real sick funk right there. I mean, 538 00:34:22,480 --> 00:34:24,319 Speaker 1: that's like the essence of the sick Funk of the 539 00:34:24,320 --> 00:34:30,080 Speaker 1: Week award. Wouldn't you say so yourself? Absolutely? All right, 540 00:34:30,120 --> 00:34:36,200 Speaker 1: that's it? Okay, how much more podcast can you ask for? We? Uh, 541 00:34:36,360 --> 00:34:40,680 Speaker 1: we were it's a worldwide phenomenon and it's smash mouth podcasting. 542 00:34:40,840 --> 00:34:44,160 Speaker 1: It's like I'm over here sweating. Okay, we're going hard 543 00:34:44,160 --> 00:34:50,200 Speaker 1: body karate, full tilt. Okay. A week eleven Fantasy Football. 544 00:34:50,200 --> 00:34:52,200 Speaker 1: I said this on the Fantasy Football Folllis with my 545 00:34:52,200 --> 00:34:55,320 Speaker 1: main man, Tommy g. Fantasy Football Follies. Oh, we're winning 546 00:34:55,360 --> 00:34:57,920 Speaker 1: over here. The first t people that challenge me to 547 00:34:57,960 --> 00:35:00,280 Speaker 1: five dollar games come up and get that work. Okay, 548 00:35:01,280 --> 00:35:04,600 Speaker 1: you know we go raw dog without a bag. Okay, 549 00:35:04,600 --> 00:35:07,799 Speaker 1: but the first people that won five dollar games. Uh, 550 00:35:07,840 --> 00:35:10,399 Speaker 1: and you want that work on DraftKings, you know where 551 00:35:10,440 --> 00:35:13,480 Speaker 1: to find me, no doubt. All right, you got any 552 00:35:13,480 --> 00:35:17,560 Speaker 1: partying word, Gimonettie, just bring me some of that good funk. 553 00:35:17,680 --> 00:35:21,920 Speaker 1: Give me poor the house, Okay, Okay, those are those 554 00:35:21,960 --> 00:35:24,839 Speaker 1: are all moody beats, no doubt. Made from the two 555 00:35:24,880 --> 00:35:27,640 Speaker 1: thousand fifty two thousand sixteen, Too Soon to Be two 556 00:35:27,640 --> 00:35:31,279 Speaker 1: thousand seventeen podcast co host of the Year. All this funk, 557 00:35:31,840 --> 00:35:33,480 Speaker 1: all the music that you listened to in the Iron 558 00:35:33,480 --> 00:35:36,480 Speaker 1: Wrap Hors Stereo podcast, unless we say otherwise, is a 559 00:35:36,520 --> 00:35:40,480 Speaker 1: moody beat. Uh, Iron Wrap Hors Stereo Podcast. You know 560 00:35:40,480 --> 00:35:42,799 Speaker 1: where to find this we're gonna continue doing our thing. 561 00:35:43,000 --> 00:35:45,000 Speaker 1: We're taking it to the top like Dougie fresh As 562 00:35:45,120 --> 00:36:06,680 Speaker 1: and we're out peace to do amazing movie