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Speaker 1: The volume.

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Speaker 2: I got a sweet tooth, I got a taste for

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Speaker 2: you what you want?

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Speaker 3: That was the start of my right I thought, I was.

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Speaker 3: It's way better than me saying and we're back?

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Speaker 4: Are you saying?

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Speaker 3: I got a sweet too, I got a sweet tooth.

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Speaker 4: I'd pay.

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Speaker 3: I'm not gonna say the name, but I pay. That

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Speaker 3: might be the first time i'd pay.

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Speaker 4: I can't.

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Speaker 5: I tried to before, man, I just couldn't. It's like

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Speaker 5: my nervous system. My body is just like to aligned

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Speaker 5: with like my chakras. My chakras are not aligned to.

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Speaker 3: Like, no, my my pa, my venus and mercury would

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Speaker 3: definitely align for my chakras.

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Speaker 4: Was just like this, ain't you my?

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Speaker 5: I felt like my ancest ain't you. I felt like

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Speaker 5: my ancestors was like, Yo.

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Speaker 4: This ain't even your steeves right here.

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Speaker 3: Imagine attempting it by pushing and looking in the mirror,

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Speaker 3: going mall, this isn't you.

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Speaker 4: It just wasn't me. I tried.

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Speaker 5: It was an experiment I wanted to have, Like I said,

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Speaker 5: let me just see if I'm actually capable of doing this,

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Speaker 5: and physically, like my nervous system, everything was just like yo,

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Speaker 5: you bugging like this ain't even this, ain't you.

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Speaker 4: I don't know, man, I'm dead serious. I'm not even

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Speaker 4: trying to be funny like I'm I tried. I paid

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Speaker 4: for sex.

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Speaker 2: Before I break my room.

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Speaker 4: I think I pay five k for this week too. Nah,

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Speaker 4: you tripping, bro, don't know? Don't know?

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Speaker 5: Vagina costs five thousand dollars for the weekend. Yo, they

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Speaker 5: got to listen, they got the they got.

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Speaker 4: To shot it. Backboard.

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Speaker 5: Mike's sitting for retail right now. Those are classics. They

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Speaker 5: sit and you can get them right now, Josh for

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Speaker 5: one twenty to shout it. Backboards, they just sit in beach.

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Speaker 5: You're telling me sex vagina cost five thousand Mike soon

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Speaker 5: don't even cost Mike shoe is a sitting retail.

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Speaker 4: I can't fuck Mike shoes. But those are.

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Speaker 5: Classics, Like it's a classic.

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Speaker 3: Shit, a dude, look at it.

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Speaker 4: She's not a classic. Get out of here. She might.

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Speaker 4: She might feel like one though, five K for sex,

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Speaker 4: it's crazy.

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Speaker 3: I'm not paying for another man's shoes like that.

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Speaker 4: It's crazy.

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Speaker 5: Nah, five K for sex as well. Just think about

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Speaker 5: that for one second.

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Speaker 6: I'd immediately regret it, no matter who it was, and

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Speaker 6: then the regret comes from you knowing that your ancestors

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Speaker 6: looking at you like really like, this is what you're

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Speaker 6: doing with your life, This is where your life is

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Speaker 6: taking you.

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Speaker 3: And like maybe a little TMI, but her I probably

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Speaker 3: wouldn't last very long, so like that'd be kind of

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Speaker 3: a waste. But five K I need to know, like

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Speaker 3: I got you know, I got a knight, So five

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Speaker 3: K for the night. Yeah, when you gotta give me

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Speaker 3: another round.

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Speaker 5: So it's like from the time y'all meet up twenty

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Speaker 5: four hours after.

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Speaker 2: That, Yeah, I regret that five K pretty quick.

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Speaker 4: Of course you would, you know you would. That's crazy.

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Speaker 3: And I feel like you can't even say, yo, I

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Speaker 3: beat if you paid for it. I don't think you

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Speaker 3: could be like yo, you know I can't.

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Speaker 5: Yeah, that's it's so many, it's so many pais, there's

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Speaker 5: so many stipulations with that. It's just like, uh, it's

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Speaker 5: just disgusting, Like I don't know, Yeah, I'm just not

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Speaker 5: with that marriage good.

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Speaker 4: It's laying. It's laying.

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Speaker 5: You got that, you got that motherfucker? What you put

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Speaker 5: in it at sofa eight?

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Speaker 2: Yo?

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Speaker 4: What you put in there? What's that? That wedding wavy.

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Speaker 2: No, it's just a fresh, little fresh haircut, side side,

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Speaker 2: a little bang over the eye.

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Speaker 5: Oh you're looking like little Kim and nad seven right there.

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Speaker 4: Let me see.

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Speaker 3: Oh yeah, you know remember the bang over the eye.

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Speaker 3: Look that had that had a run, that had a run.

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Speaker 5: Oh man, can't be watching the girl that was coming

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Speaker 5: to see you. When you was young, you like looked

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Speaker 5: out the windows walking up the block. Yeah, oh man,

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Speaker 5: that was the best. Butterflies. You immediately become plussan.

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Speaker 4: You smell like what was the body spread they used

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Speaker 4: to wear?

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Speaker 2: Cucumber melon?

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Speaker 4: Remember that? Remember the cucumber melon. I mashed it with

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Speaker 4: my col water. You can smell her four days after

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Speaker 4: she left your crib. Your whole house smelled like.

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Speaker 2: All around Rory's time. It was more love Spell. Yeah,

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Speaker 2: it was definitely love Spell. Absolutely love Spell was running

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Speaker 2: rampant in the streets. The streets smelled like it.

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Speaker 4: We all back.

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Speaker 5: Sponsored by boostmore unlimited talk, text and data.

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Speaker 2: Of course, merchants on sale that list.

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Speaker 3: Five dollars add free on Patreon every episode episode.

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Speaker 2: And it's not just the I want you to remember

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Speaker 2: that if you don't have our Patreon, we have been

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Speaker 2: doing Patreon for like three years. Now you have three

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Speaker 2: years of a back catalog to go back. Why are

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Speaker 2: you tripping like it's it's worth.

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Speaker 3: That's what we gets about to say, and it's you know,

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Speaker 3: sometimes it's better content over there. I say my real thoughts.

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Speaker 5: Oh well yeah, no, I really feel behind the paywall.

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Speaker 2: And would be live streaming. Now we're trying all this

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Speaker 2: live streaming thing, so sometimes we do pre production post production.

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Speaker 5: I she's doodle, she's showing feet. Listen, man, go to

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Speaker 5: the Patreon is.

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Speaker 3: Lit well over the weekend, I dropped my phone and

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Speaker 3: dropped your album quickly, just dropped it real quick. Didn't

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Speaker 3: say anything. So now I have to say, hey, Siri,

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Speaker 3: go to my home screen anytime I want to go

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Speaker 3: to an Apple like my home Buddyes, just the on

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Speaker 3: the grounds. But I be literally feel like I've been

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Speaker 3: living like a second class citizen. I've been losing my

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Speaker 3: mind not being able to go to the home button.

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Speaker 4: You got to call boostmob, but they'll come and bring

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Speaker 4: you a new iPhone.

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Speaker 3: Just won just walking around my house. Siri, go to Twitter, Yeah,

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Speaker 3: sirih go to is there, Siriri, go to my email

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Speaker 3: like it's been hell but I have to go to

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Speaker 3: the Apple store. Maybe I could use Boostmobile twenty five

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Speaker 3: dollars and they can come and bring the my phone seventeen.

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Speaker 5: While we're recording. They will hook up your phone right

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Speaker 5: here while we are recording.

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Speaker 3: Over the weekend, I saw that Tyler the Creator got

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Speaker 3: a little bit of backlash. A little bit he said

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Speaker 3: reci in peace Dangelo, and it all went downhill from there.

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Speaker 5: Now I saw some of his old tweets that they

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Speaker 5: pulled up. I was like, okay, you know, they got Tyler.

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Speaker 5: They went back and started digging into his you know,

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Speaker 5: his old work. I didn't see the D'Angelo tweet though.

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Speaker 3: I mean, there was nothing really wrong with his with

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Speaker 3: his d Angelo tribute, But just from there, people discovered

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Speaker 3: that maybe Tyler Creator is a little anti black.

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Speaker 4: That's what they got from his tweets.

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Speaker 5: Now, I did see him, and they found a picture

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Speaker 5: of him in a KKK costume.

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Speaker 4: Yep.

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Speaker 5: I didn't know if it was Halloween. But I don't

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Speaker 5: know if that would have made much of a difference.

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Speaker 3: I mean, I was mainly offended by the white face.

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Speaker 3: I was hoping there'd be more outrage for that specific one.

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Speaker 3: When he was in white face.

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Speaker 4: So let's read some of his tweets. Scroll up jobs

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Speaker 4: to the first one.

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Speaker 5: Tyler says, on this date in twenty fourteen, February seventh,

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Speaker 5: this is what he had on his mind. He set,

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Speaker 5: I hate Black History Month? Why the fuck do you

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Speaker 5: have to fucking separate niggas?

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Speaker 4: Still? Ohway's paying homage to our heroes? Fuck that? Okay,

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Speaker 4: I don't I feel him.

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Speaker 5: Why we have just one month where we have to

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Speaker 5: you know, and it's the shortest month.

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Speaker 4: We've heard that before.

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Speaker 3: You could find a loophole in that one. Yeah, yeah, yeah,

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Speaker 3: that one.

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Speaker 5: Hey, he's just mad at us having black hist They

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Speaker 5: trying to separate us, like America is black history.

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Speaker 4: The entire country is black history.

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Speaker 2: Oh that's what you got from that.

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Speaker 5: Well, I'm just saying I think that's what he was

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Speaker 5: trying to say. I mean, you know, it is what

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Speaker 5: it is. And then he goes on to say, I

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Speaker 5: want to say, well, this was January twenty fourteen. He says,

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Speaker 5: don't trust those random black dudes with the fade and

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Speaker 5: nappy natural bummy almost dreads it at the top. They

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Speaker 5: like everything. Okay, I don't, I didn't. I don't connect

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Speaker 5: that one. I don't know what the head start he's

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Speaker 5: talking about. Some black chicks were here affirmative nigga.

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Speaker 4: I don't know what that is either.

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Speaker 5: Black people are currently mad right now, but in two

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Speaker 5: weeks will be over it because they really don't care.

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Speaker 5: Cool hashtag though, right, I always say all the time,

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Speaker 5: people don't care.

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Speaker 4: Yeah, okay, these sound like a lot of mallst tweets.

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Speaker 5: Yeah, he and my bad Tyler was he was taking

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Speaker 5: from my book.

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Speaker 2: That's why you got said so much in common?

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Speaker 4: Yeah, Tyler was, that was my book. Tyler.

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Speaker 3: It's all good, But now there was there was some

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Speaker 3: some wild ones there. So now mar Kelly one was

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Speaker 3: fucking insane. He said, r Kelly pissed on the kid

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Speaker 3: uh and got away with it.

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Speaker 4: That's the swaggiest shit I've ever seen.

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Speaker 5: Oh yeah, that's Cract's crazy that you can't tweet Tyler com.

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Speaker 2: Oh so none of them were crazy?

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Speaker 3: Just no, no, I think all of them were crazy.

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Speaker 5: Mauls speaking what was crazy about it? Tell about somebody

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Speaker 5: with haircuts that like everything. That's crazy to say, Yeah,

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Speaker 5: certain haircuts they like everything. Not my place is to say,

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Speaker 5: but I mean it's not crazy. I mean not saying

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Speaker 5: you agree with it, but I don't think that that's crazy.

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Speaker 5: I wouldn't look at.

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Speaker 4: That in twenty fourteen, like YOI Wiler.

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Speaker 3: I mean, here's like even with early odd future shit

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Speaker 3: like that would be like going through old Eminem albums

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Speaker 3: and like pulling out lines like I'm not agreeing with

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Speaker 3: anything that Tyler has said here, but when he was

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Speaker 3: doing the shock value thing, he like that was a

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Speaker 3: brand at that.

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Speaker 4: Time for him. Eminem did the same thing. Mm hmm. Shit.

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Speaker 3: Eminem said some of these things on record, and we

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Speaker 3: all just were like cool, m m hm.

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Speaker 4: Solem's has some crazy shit on his albums.

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Speaker 3: Yeah, And I mean even had the leaked song where

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Speaker 3: he was going black women, the N word and.

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Speaker 4: All that, like and I'm not here to make it

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Speaker 4: a thing.

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Speaker 3: I'm just like there's a lot of artists that have

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Speaker 3: said insane fucking things and we're we just move on

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Speaker 3: like that's part of their brand. I mean, Tyler matured

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Speaker 3: in his brand, but when he was young Kid, Yeah,

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Speaker 3: it was a shock value shit is what he was doing.

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Speaker 3: I'm not I don't know about young Kid.

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Speaker 2: They was pulling up tweets from when he was like

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Speaker 2: twenty five I don't know.

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Speaker 5: It wasn't never mind like I don't So as a

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Speaker 5: result of all it is, what are we doing?

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Speaker 4: It was Tyler like, was he canceled? Oh? I mean

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Speaker 4: I doubt it.

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Speaker 2: Yeah, he's not canceled. But and because mainly because of

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Speaker 2: his his main fan base don't give a fuck his

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Speaker 2: long dark diet and which is really what he's saying.

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Speaker 2: But his diehard fan base, they don't give a fuck

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Speaker 2: about that shit. They became a fan of him because

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Speaker 2: he was doing all that wild shit. So no, there's

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Speaker 2: no cancelation of him. But I'm not mad at people saying, oh,

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Speaker 2: hold on, now, this is why you have a major

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Speaker 2: fan base doesn't respect d Angelo's death. This is your

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Speaker 2: fan base, and this is how you got them people

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Speaker 2: pointing that out. I don't think that that's crazy.

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Speaker 3: So Tyler liked this of somebody else, Tyler's fan base

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Speaker 3: hates black music, despite Tyler himself having a very deep,

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Speaker 3: in loved appreciation for it. Well, Nigga has Charlie Wilson,

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Speaker 3: erk Abaudu, DJ Drama, etcetera. As collaborators, and they still

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Speaker 3: refuse to engage with black art on any meaningful level.

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Speaker 3: Very cannibalistic.

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Speaker 4: I don't.

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Speaker 3: I don't know if that's the case with it. Maybe

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Speaker 3: I'm just wrong and out of touch. I don't think

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Speaker 3: Tyler's whole fan base is like that, now.

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Speaker 4: I don't.

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Speaker 5: I don't think so either, Like I don't. I don't

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Speaker 5: understand where people are drawing that from. Its his his

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Speaker 5: fan base is like that, Like I mean, I'm not

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Speaker 5: saying certain people in his fan base aren't that, But

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Speaker 5: to say that Tyler's entire fan base is that is

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Speaker 5: a stretch. Just No, it's not like I've seen Tyler shows.

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Speaker 5: It's a lot of like people that are into black culture,

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Speaker 5: black art at his shows. There's a lot of young

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Speaker 5: white kids, a lot of young Asian kids, a lot

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Speaker 5: of different demographics that it shows as well. But to

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Speaker 5: say that his entire fan base is not, you know,

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Speaker 5: doesn't support or is not into black culture, black music.

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Speaker 4: That's a stretch. Yeah.

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Speaker 3: I just don't think the person that went to the

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Speaker 3: Igor show like isn't also listening to other black music.

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Speaker 4: I just can't see that. But I don't know. Maybe

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Speaker 4: I could be completely out of touch in that regard.

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Speaker 3: And of course I'm not co signing any of his

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Speaker 3: tweets that those were fucking nuts.

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Speaker 4: But the fan base, shit, I don't get that. Maybe

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Speaker 4: did they call him deleting tweets?

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Speaker 2: Oh yeah, he was up deleting tweets for sure. But

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Speaker 2: what I don't understand is why delete him now? You

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Speaker 2: ain't even though you had some crazy tweets, And like

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Speaker 2: he's addressed before though, like he'sn't trying to cancel him before.

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Speaker 3: He's encouraged people, like even at shows he said, like, yo,

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Speaker 3: go bring up my old tweets.

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Speaker 4: I don't give a fuck.

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Speaker 3: You can't cancel, But like he's encouraged that before and

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Speaker 3: acknowledge that he said insane things. That's why I was

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Speaker 3: even shocked that he deleted the shit, or maybe he

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Speaker 3: deleted shit because he reflected completely as a different perspective

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Speaker 3: now and thinks that damn, I shouldn't have fucking said that.

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Speaker 4: I don't believe that a.

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Speaker 5: Lot of this shit with social media, or that I

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Speaker 5: think people tend to forget, is that ten years ago,

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Speaker 5: twelve years ago, fifteen years ago, certain things you said.

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Speaker 4: Online were not deemed what they are today.

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Speaker 5: Like you could say things ten years ago or tweet

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Speaker 5: things ten to fifteen years ago. That in that time,

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Speaker 5: in that moment, it wasn't offensive. It was like, you know,

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Speaker 5: kind of everybody was kind of felt like that or

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Speaker 5: you know whatever. But then, you know, things changed, politically,

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Speaker 5: things changed, the world changes, people's feeling changes, outlook changes.

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Speaker 4: So to go.

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Speaker 5: Back and dig those up is a little unfair because

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Speaker 5: you got to understand where we were as people and

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Speaker 5: as a world ten fifteen years ago. Certain things that

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Speaker 5: people said was not deemed to be crazy. It was like, Okay,

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Speaker 5: a lot of people felt like that. Now you go

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Speaker 5: back and look at it, cause if that's the case,

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Speaker 5: things I said fifteen years ago just in around friends

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Speaker 5: and family in a moment wasn't undefensive. If people was

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Speaker 5: to hear things I said fifteen years ago today, like

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Speaker 5: you just played back some audio, Its liken, that was

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Speaker 5: wild to say. But yeah, the world back then was

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Speaker 5: a lot different than it is today. So it's going

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Speaker 5: to sound a little crazier today, like oh shit, but yes,

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Speaker 5: the world has changed. So a lot of things now

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Speaker 5: can be taken as offensive. They can be taken as damn,

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Speaker 5: that's fucked up. But it's not fair because ten years

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Speaker 5: ago or fifteen years ago, that wasn't.

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Speaker 2: The case ten years ago. Every single one of them

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Speaker 2: tweets you read sounded crazy ten years ago.

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Speaker 5: Nothing about that hairstyle tweet sounded crazy. Team okay, nothing

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Speaker 5: about that.

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Speaker 2: Saying there's a black girl that works here. Affirmative Nigga

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Speaker 2: was crazy back then, like all of these things were.

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Speaker 2: They were anti black even back then. Like that's like

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Speaker 2: that's why it was. It was shock value even back then,

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Speaker 2: like he was known for shock value because there was

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Speaker 2: shock because this shit was crazy in twenty fourteen.

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Speaker 5: Yeah, Like, well, I don't hear. I don't think all

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Speaker 5: of those tweets was crazy though, more like crazy. I mean,

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Speaker 5: he maybe you don't agree with it, but I don't

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Speaker 5: think it was something like ten years ago, nobody was like, yo,

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Speaker 5: he tripping because I didn't even know. We didn't know

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Speaker 5: about these tweets. That's my first time ever seeing these

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Speaker 5: tweets or he heard about these.

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Speaker 2: Because you weren't his target audience ten years ago.

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Speaker 5: I'm not his target audience now, and I'm hearing about

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Speaker 5: the tweet.

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Speaker 2: Okay. But Tyler is way larger now than he was before,

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Speaker 2: Like it's different. He used to be large to a

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Speaker 2: niche audience. Now he's just large period, Yo.

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Speaker 5: But what I'm saying is the tweet, what he's saying today,

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Speaker 5: they're fit, they're digging it up today, and they're offended

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Speaker 5: by it today. Ten years ago, I don't think anybody

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Speaker 5: was offended by any of that shit, he said. I

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Speaker 5: just don't. We didn't hear nothing about this shit like

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Speaker 5: it's like, that's why digging it up is like, oh shit,

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Speaker 5: he said that ten years ago, because in that time,

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Speaker 5: in twenty fourteen, nobody thought that that was anything crazy.

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Speaker 5: Don't trust random black dudes with the fade, and that's

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Speaker 5: whom almost dreads shit at the top.

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Speaker 4: They like everything. What is crazy about that?

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Speaker 2: There's a pattern when you read out all of these tweets,

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Speaker 2: there's a pattern of this hat.

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Speaker 5: Why the fuck do you have to fucking separate niggas? Still, Oh,

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Speaker 5: it's paying homastar hears fuck that, that's that's a crazy

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Speaker 5: tweet to you, him.

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Speaker 4: Saying like, fuck, like, why are we own?

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Speaker 5: Why y'all keepet like y'all basically pacifying us, giving us

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Speaker 5: this one month we all we all feel like that

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Speaker 5: y'all giving us to show us month of the year

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Speaker 5: to try to sell.

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Speaker 2: But it's your own spin on his words. He didn't

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Speaker 2: say that. You can't say what somebody said. He said

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Speaker 2: what he said. He didn't say nothing about, oh, we

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Speaker 2: deserve more months, or oh it was Black History Month

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Speaker 2: every month. He didn't say that. If that's what he meant,

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Speaker 2: that's what he would have said.

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Speaker 5: He says, But I mean, he didn't say that in

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Speaker 5: exactly verbatim what I'm saying.

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Speaker 4: But that's what that is. It's like, oh, you're paying homage.

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Speaker 5: It's kind of like, oh, let me guess this is

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Speaker 5: supposed to be paying homage to black history. Like, okay,

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Speaker 5: so if I don't think anything was crazy about that tweet,

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Speaker 5: as all I'm.

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Speaker 2: Saying, okay, so, and I'm assuming you don't think anything

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Speaker 2: is crazy about this one either.

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Speaker 5: Some black chicks work here affirmative I don't even I

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Speaker 5: think I need more content?

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Speaker 4: What does he It sounded like that was a rent.

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Speaker 4: I don't even know what that sounds like.

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Speaker 2: He went into somewhere and it was a black chick there,

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Speaker 2: and he's saying that the black chick got the job

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Speaker 2: because of affirmative action.

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Speaker 4: Nah, baby, I think you're digging too deep.

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Speaker 2: Oh my god, I'm digging too deep into that very

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Speaker 2: obvious tweet.

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Speaker 3: But I'm pretty sure that work here?

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Speaker 4: What is it?

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Speaker 5: I don't need we need more Context's all I'm saying.

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Speaker 5: You can't just read that.

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Speaker 2: And you don't need more context for the Black History.

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Speaker 5: Month one, but a Black History Month is him talking

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Speaker 5: about black Some black chicks work here?

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Speaker 4: Where is here? What is he talking about?

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Speaker 2: Well back in the day when we used to be

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Speaker 2: on Twitter, Because you used to be on Twitter. When

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Speaker 2: you walked into a place here meant wherever the fuck

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Speaker 2: you were, wherever the fuck you were.

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Speaker 5: Yeah, but I mean again, that's just don't I need

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Speaker 5: more context to that? That's not enough talking about Black

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Speaker 5: History Month and being like, oh, this is supposed to

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Speaker 5: be paying homage. We know what that means. Like that's

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Speaker 5: like that's a slap in the face. That's like, you're

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Speaker 5: just trying to give us this month to celebrate black history.

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Speaker 5: Like we've all said that at one point or another.

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Speaker 5: Why why do we have the shortest month of the

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Speaker 5: year to celebrate all of our black history? Every black

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00:16:46,080 --> 00:16:47,880
Speaker 5: person has felt like that. I don't think that that

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Speaker 5: tweet was crazy, That's all I'm saying. Now, does he

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Speaker 5: have some things he shouldn't be saying, yeah, I think

404
00:16:52,440 --> 00:16:54,800
Speaker 5: we all have, though that's not fair to just point

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Speaker 5: it out when he does it. We've all tweeted shit

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Speaker 5: and said things that could be taken as crazy as disrespectful.

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Speaker 4: None of us are above that.

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Speaker 2: We can and we have. But when, but when people

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Speaker 2: can pull up multiple tweets when you are talking shit

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Speaker 2: about your own race and then pandering and making music

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Speaker 2: for white skaters, there can be a connection like this

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Speaker 2: isn't Niggas are not pulling shit out of thin air,

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Speaker 2: Like there can be a connection that you were pandering

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Speaker 2: to your fucking white audience because of the type of

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Speaker 2: music yeah we're doing, people could make that yes, yeah,

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Speaker 2: that's not crazy. So when people point out you was

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Speaker 2: tweeting all this crazy shit about black people that was

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Speaker 2: anti black to your white fucking audience, you can get

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Speaker 2: a slap on the risk of that shit. It's not

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Speaker 2: like I don't think that that's crazy for people to

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Speaker 2: say to hell him, call him accountable for it. He's

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Speaker 2: not gonna suffer, he's not gonna lose any fucking plays.

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Speaker 2: He's still gonna be tiled the creator. But niggas could

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Speaker 2: point on not I was some whack shit she was

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Speaker 2: doing that was corny and you was twenty four to

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Speaker 2: twenty five years old.

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Speaker 4: Is this something negative about this tweet?

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Speaker 2: And black people are currently mad right now, but in

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Speaker 2: two weeks it'll be over because they really don't care.

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Speaker 2: Cool hashtag though, right. My only thing is this, if

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Speaker 2: you black and you got a white audience, why you

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Speaker 2: always commenting and critiquing black people? We're in your twee

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Speaker 2: it's about the white age people. Why is everything black

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Speaker 2: people that's black people? That affirming the nigga.

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Speaker 5: I'm sure we could find crazy tweets about white people

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00:18:07,520 --> 00:18:11,520
Speaker 5: in this in his catalog, his tweetography, we could definitely

437
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Speaker 5: find some.

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Speaker 4: I'm one hundred. They just highlighting this this right now.

439
00:18:15,600 --> 00:18:18,640
Speaker 5: But if we dig, oh, yes, and absolutely one child

440
00:18:18,680 --> 00:18:20,120
Speaker 5: has always been a person he don't give a fuck

441
00:18:20,160 --> 00:18:22,359
Speaker 5: what he say like, he's always been that. Again, he's

442
00:18:22,400 --> 00:18:25,199
Speaker 5: always been shock value. He says what he's thinking, he

443
00:18:25,200 --> 00:18:27,000
Speaker 5: says what he feels, he doesn't give a fuck like.

444
00:18:27,040 --> 00:18:29,560
Speaker 5: He's always been as far as I'm gonna been that

445
00:18:29,560 --> 00:18:30,520
Speaker 5: type of type of person.

446
00:18:30,520 --> 00:18:31,520
Speaker 4: So I'm not surprised at.

447
00:18:31,440 --> 00:18:35,080
Speaker 3: That they were saying there was one, uh what about

448
00:18:35,200 --> 00:18:36,960
Speaker 3: him hating Leon Thomas ten years ago.

449
00:18:37,200 --> 00:18:40,240
Speaker 2: That's funny, that's so random.

450
00:18:40,280 --> 00:18:43,159
Speaker 4: Ten years ago. Damn. Leon Thomas was how old ten

451
00:18:43,200 --> 00:18:43,600
Speaker 4: years ago?

452
00:18:43,880 --> 00:18:45,280
Speaker 3: I mean, you know he was on TV, but he's

453
00:18:45,280 --> 00:18:46,080
Speaker 3: been around for a while.

454
00:18:46,760 --> 00:18:48,639
Speaker 5: Oh so he hated him like his acting or I

455
00:18:48,680 --> 00:18:50,920
Speaker 5: guess he didn't hear any his music ten years ago?

456
00:18:50,960 --> 00:18:51,520
Speaker 4: Did Oh?

457
00:18:51,560 --> 00:18:54,720
Speaker 3: He said I hate the black dude from Victorious, So yes,

458
00:18:56,640 --> 00:19:00,960
Speaker 3: that's Leon. Okay, but why he has Wow Wiley tweet?

459
00:19:01,000 --> 00:19:03,240
Speaker 3: I did not know his disdain for Wala either. There

460
00:19:03,280 --> 00:19:04,639
Speaker 3: was like ten wallet tweets.

461
00:19:04,760 --> 00:19:06,840
Speaker 4: What was he saying? That's just how much he hates him?

462
00:19:06,840 --> 00:19:08,800
Speaker 3: Like there was really nothing to it except like I

463
00:19:08,840 --> 00:19:13,680
Speaker 3: really fucking can't stand Waler, like I hate him.

464
00:19:13,880 --> 00:19:15,320
Speaker 4: I mean, listen, man, I get it.

465
00:19:15,320 --> 00:19:15,520
Speaker 2: Man.

466
00:19:16,200 --> 00:19:17,679
Speaker 5: But if we dig back into a lot of these

467
00:19:17,720 --> 00:19:19,520
Speaker 5: people's tweets, we gonna find crazy shit.

468
00:19:19,359 --> 00:19:19,639
Speaker 4: That's all.

469
00:19:19,800 --> 00:19:23,320
Speaker 3: And I hear you that times were different at ten

470
00:19:23,400 --> 00:19:26,000
Speaker 3: years ago, twenty years ago, whatever, but some shit is

471
00:19:26,040 --> 00:19:28,680
Speaker 3: just like an excusable that's a no.

472
00:19:28,800 --> 00:19:31,600
Speaker 4: The KKK awesome to me? That was crazy.

473
00:19:31,840 --> 00:19:34,320
Speaker 5: I'm like, god, it's fucking insane. Like all right, first

474
00:19:34,359 --> 00:19:36,040
Speaker 5: of all, like where did you get that? Like where

475
00:19:35,840 --> 00:19:38,760
Speaker 5: we were selling that at? Like That's what my first thought.

476
00:19:38,640 --> 00:19:40,760
Speaker 4: Was, Yeah, where does one purchase that?

477
00:19:41,280 --> 00:19:43,840
Speaker 5: I think that's a custom piece. I think you got

478
00:19:43,960 --> 00:19:46,639
Speaker 5: to know a tailor or something. Imagine going to the tailor,

479
00:19:46,720 --> 00:19:51,360
Speaker 5: tailor to creative, tailor to creative.

480
00:19:56,200 --> 00:19:59,280
Speaker 3: But then like, because Amazon wasn't around back then, can

481
00:19:59,320 --> 00:20:01,680
Speaker 3: you get a kk Can't costume from from Amazon?

482
00:20:01,760 --> 00:20:02,040
Speaker 4: Right?

483
00:20:02,119 --> 00:20:03,639
Speaker 2: Next day?

484
00:20:04,600 --> 00:20:06,120
Speaker 4: Party City? Party City?

485
00:20:06,200 --> 00:20:10,399
Speaker 3: Might they're going They're going to fucking space and making

486
00:20:10,840 --> 00:20:16,320
Speaker 3: KKK costumes over at Amazon. Absolutely, that's nuts. Maybe we

487
00:20:16,320 --> 00:20:17,879
Speaker 3: should make Josh google that on Amazon.

488
00:20:17,880 --> 00:20:21,080
Speaker 4: I don't want that. My Josh don't want that either,

489
00:20:22,480 --> 00:20:23,400
Speaker 4: Josh Puerto Rican.

490
00:20:23,200 --> 00:20:25,200
Speaker 2: Though, if I do it, it's insane.

491
00:20:25,320 --> 00:20:29,440
Speaker 5: Josh, what they used to call you speedy? What super speedy?

492
00:20:30,000 --> 00:20:30,560
Speaker 2: About that?

493
00:20:31,600 --> 00:20:32,600
Speaker 4: About Josh? Who called you.

494
00:20:32,880 --> 00:20:38,480
Speaker 3: Tyler super speedy? There was there was another crazy uh

495
00:20:38,520 --> 00:20:40,280
Speaker 3: Tyler ship where he was telling people, I think go

496
00:20:40,359 --> 00:20:42,359
Speaker 3: vote for like an MTV award and just it was

497
00:20:42,400 --> 00:20:45,360
Speaker 3: like every racial slur you could think of. I think

498
00:20:45,359 --> 00:20:48,200
Speaker 3: he said Wetbax, go vote or something like that. Tyler

499
00:20:48,280 --> 00:20:50,480
Speaker 3: was wild. He was definitely wild. But then again, there's

500
00:20:50,520 --> 00:20:52,399
Speaker 3: like school Shooter songs on the Odd Future album, so

501
00:20:52,440 --> 00:20:55,399
Speaker 3: maybe I just wasn't like as shocked as everyone else was.

502
00:20:55,440 --> 00:20:57,000
Speaker 4: When I saw these tweets.

503
00:20:57,440 --> 00:20:59,720
Speaker 3: I think they're awful, and yes he should be condemned

504
00:20:59,760 --> 00:21:03,600
Speaker 3: for them, but they didn't shock me. He's been tweeted

505
00:21:03,600 --> 00:21:04,200
Speaker 3: like this forever.

506
00:21:05,080 --> 00:21:06,960
Speaker 2: I don't think anyone was shocked, though I didn't see

507
00:21:06,960 --> 00:21:07,600
Speaker 2: they might be shocked.

508
00:21:07,640 --> 00:21:11,680
Speaker 3: But I do understand some of the backlash on Twitter

509
00:21:11,920 --> 00:21:14,040
Speaker 3: being less about what the tweets are, because we know

510
00:21:14,160 --> 00:21:16,960
Speaker 3: Tyler's done the shock value thing, but more so how

511
00:21:16,960 --> 00:21:20,040
Speaker 3: he has been complaining about his own fan base at shows,

512
00:21:20,320 --> 00:21:23,600
Speaker 3: and they're like, Doug, you cultivated this. Look at all

513
00:21:23,640 --> 00:21:25,480
Speaker 3: the tweets that you add, even though I don't think

514
00:21:25,520 --> 00:21:27,680
Speaker 3: those tweets got him fans, Like, I don't think people

515
00:21:27,680 --> 00:21:29,159
Speaker 3: saw that and was like, oh, yeah, I see the

516
00:21:29,200 --> 00:21:31,080
Speaker 3: group that Tyler wants to start.

517
00:21:31,400 --> 00:21:32,199
Speaker 2: But he did.

518
00:21:32,320 --> 00:21:34,159
Speaker 3: He does have a bunch of fucking white fans, Like

519
00:21:34,200 --> 00:21:36,639
Speaker 3: he built a white fan base, especially in the beginning,

520
00:21:37,080 --> 00:21:41,520
Speaker 3: and I mean, you gotta deal with it, like, yeah,

521
00:21:42,400 --> 00:21:43,919
Speaker 3: some of them are just not going to understand all

522
00:21:43,920 --> 00:21:46,480
Speaker 3: the nerdy shit music side that you're into.

523
00:21:46,640 --> 00:21:50,640
Speaker 5: When you say, when y'all say a lot of white fans,

524
00:21:51,160 --> 00:21:55,359
Speaker 5: is it possible in hip hop to be a star?

525
00:21:56,760 --> 00:21:58,840
Speaker 5: In hip hop and not have a bunch of white fans.

526
00:21:58,880 --> 00:22:06,480
Speaker 3: No cool, But there also is like you know what

527
00:22:06,480 --> 00:22:09,960
Speaker 3: they mean by that type of like white fan.

528
00:22:10,520 --> 00:22:12,000
Speaker 4: The kids they hang out at seven eleve them.

529
00:22:13,080 --> 00:22:16,560
Speaker 3: Yeah, sure, but yes, of course, just based off sheer

530
00:22:16,600 --> 00:22:19,200
Speaker 3: population in America, Yes, you need white fans if you

531
00:22:19,280 --> 00:22:23,119
Speaker 3: want to be a superstar, but there is also a

532
00:22:23,160 --> 00:22:26,240
Speaker 3: specific type of white fan base like shit, we even

533
00:22:26,320 --> 00:22:28,920
Speaker 3: go down to the Steve Lacy shit. TikTok brought him

534
00:22:28,960 --> 00:22:32,680
Speaker 3: a specific type of white fan base that he unfortunately

535
00:22:32,680 --> 00:22:34,919
Speaker 3: had to deal with in that way. It's not like

536
00:22:35,200 --> 00:22:38,639
Speaker 3: necessarily the music lover fan like that, whereas Tyler has

537
00:22:38,680 --> 00:22:42,160
Speaker 3: a lot of cultivated that shock value white kid fan base,

538
00:22:42,560 --> 00:22:43,439
Speaker 3: and you got to deal with that.

539
00:22:43,480 --> 00:22:43,640
Speaker 2: Now.

540
00:22:43,680 --> 00:22:46,080
Speaker 3: Even though you pivoted your music completely away from that

541
00:22:46,080 --> 00:22:47,760
Speaker 3: shock value shit, you still got to deal with the

542
00:22:47,760 --> 00:22:51,199
Speaker 3: fans that you started over here. Just because Igor is

543
00:22:51,320 --> 00:22:54,879
Speaker 3: light gears above anything you were doing with Odd Future

544
00:22:54,880 --> 00:22:58,280
Speaker 3: when you were twenty years old doesn't mean that all

545
00:22:58,480 --> 00:23:00,560
Speaker 3: the fans that love that shit are now going to

546
00:23:00,640 --> 00:23:03,639
Speaker 3: understand who you're sampling when you're on like his last

547
00:23:05,119 --> 00:23:07,280
Speaker 3: last tour, like he had a bunch of records and

548
00:23:07,320 --> 00:23:10,320
Speaker 3: he was literally playing vinyl records of the samples of

549
00:23:10,359 --> 00:23:12,480
Speaker 3: the songs. A lot of them kids that just wanted

550
00:23:12,520 --> 00:23:14,960
Speaker 3: to hear you scream fuck are not into that and

551
00:23:15,000 --> 00:23:18,080
Speaker 3: you just have to do with it right. So again,

552
00:23:18,119 --> 00:23:21,159
Speaker 3: I don't think anti black, but they're just anti music.

553
00:23:21,680 --> 00:23:22,800
Speaker 4: Like there's shock value.

554
00:23:22,560 --> 00:23:26,280
Speaker 3: Fans, so I get the outrage of black.

555
00:23:26,359 --> 00:23:28,919
Speaker 2: Yeah, Tyler, I don't even know if it's anti music.

556
00:23:28,960 --> 00:23:32,320
Speaker 2: It's just not. It's just they're just not They weren't

557
00:23:32,400 --> 00:23:35,800
Speaker 2: raised on soul. They don't recognize soul. They weren't raised

558
00:23:35,840 --> 00:23:36,879
Speaker 2: on soul.

559
00:23:36,920 --> 00:23:37,040
Speaker 4: Like.

560
00:23:37,080 --> 00:23:40,920
Speaker 2: There's a difference between a white Drake fan, a white

561
00:23:41,080 --> 00:23:44,360
Speaker 2: Tyler fan, a white Cole fan, of white jay Z fan.

562
00:23:44,440 --> 00:23:46,800
Speaker 2: There's differences between all of those type of fans. So

563
00:23:47,200 --> 00:23:49,200
Speaker 2: is it Yes, it's kind of impossible for you to

564
00:23:49,240 --> 00:23:53,120
Speaker 2: become a megastar without white fans. But then there's also

565
00:23:53,160 --> 00:23:56,000
Speaker 2: a difference between having white fans and having a majority

566
00:23:56,200 --> 00:23:59,320
Speaker 2: white fan base, and those white fan base be a

567
00:23:59,359 --> 00:24:02,560
Speaker 2: specific type of white, like, it's just different. It's a

568
00:24:02,560 --> 00:24:05,199
Speaker 2: lot of white yeah, which is fine. I have a

569
00:24:05,200 --> 00:24:07,920
Speaker 2: white fan base, but just don't complain when they don't

570
00:24:07,960 --> 00:24:10,359
Speaker 2: recognize the erka BA do fucking they don't appreciate the

571
00:24:10,440 --> 00:24:13,600
Speaker 2: Erica by Do collaboration, like they like that's the fan

572
00:24:13,680 --> 00:24:14,440
Speaker 2: base you bill.

573
00:24:14,400 --> 00:24:18,159
Speaker 3: Yeah, because I think too with like all right, like

574
00:24:18,200 --> 00:24:20,959
Speaker 3: the white fan that was a fan of the Roots,

575
00:24:21,280 --> 00:24:24,840
Speaker 3: Erica DiAngelo, just the whole soul quarium, that whole tribe

576
00:24:25,359 --> 00:24:29,040
Speaker 3: common like those white fans because they had so many

577
00:24:29,119 --> 00:24:31,560
Speaker 3: artists like them, Like they had that community of all

578
00:24:31,600 --> 00:24:34,040
Speaker 3: those artists, you would get the same white fan that

579
00:24:34,040 --> 00:24:36,320
Speaker 3: would love the Roots and be like, oh, who's Erica

580
00:24:36,320 --> 00:24:37,919
Speaker 3: bay Do and then go research it and then go

581
00:24:37,960 --> 00:24:40,159
Speaker 3: to it Erica bay Do show. I think the Tyler

582
00:24:40,240 --> 00:24:44,040
Speaker 3: fan doesn't have that type of community or options, so

583
00:24:44,080 --> 00:24:46,240
Speaker 3: they're just a Tyler fan, Like they don't need to

584
00:24:46,280 --> 00:24:48,960
Speaker 3: do any research. There's no one to research, they don't

585
00:24:48,960 --> 00:24:51,280
Speaker 3: have to do a deep dive. There's no one else

586
00:24:51,320 --> 00:24:53,320
Speaker 3: around Tyler. He's by himself.

587
00:24:53,840 --> 00:24:54,080
Speaker 2: Mh.

588
00:24:54,520 --> 00:24:56,439
Speaker 3: So yeah, you're just gonna get a white fan that

589
00:24:56,520 --> 00:24:58,560
Speaker 3: likes your fucking your music and your music.

590
00:24:58,880 --> 00:24:59,600
Speaker 4: They're not like you.

591
00:25:00,080 --> 00:25:02,639
Speaker 3: And also, whereas a white hip hop fan is that

592
00:25:02,800 --> 00:25:06,359
Speaker 3: like the Roots is probably has similar interests that Questlove

593
00:25:06,359 --> 00:25:09,520
Speaker 3: and Black thought have, whereas Tyler's fan base, I don't

594
00:25:09,560 --> 00:25:10,239
Speaker 3: think they're like him.

595
00:25:10,280 --> 00:25:10,560
Speaker 4: At all.

596
00:25:12,080 --> 00:25:14,600
Speaker 2: Well, they're like who he was when he first came out.

597
00:25:14,800 --> 00:25:18,320
Speaker 2: He's he's evolved that, but you're expecting just because you evolved,

598
00:25:18,320 --> 00:25:21,480
Speaker 2: your fans to evolve. No, they're still on skateboards and

599
00:25:21,520 --> 00:25:23,520
Speaker 2: hanging out in front of seven on eleven and living

600
00:25:23,520 --> 00:25:24,520
Speaker 2: off orange slushies.

601
00:25:25,560 --> 00:25:28,919
Speaker 3: I mean yeah, in the I don't know, Like like

602
00:25:28,960 --> 00:25:30,879
Speaker 3: when I found out about slum Village, then I got

603
00:25:30,880 --> 00:25:32,440
Speaker 3: to figure out about Little Brother, like I just went

604
00:25:32,480 --> 00:25:35,320
Speaker 3: down the rabbit hole of everything that was happening at

605
00:25:35,320 --> 00:25:38,199
Speaker 3: that time, Whereas I don't think Tyler has that, Like

606
00:25:38,320 --> 00:25:39,560
Speaker 3: who are they going to discoverage a hole?

607
00:25:41,400 --> 00:25:43,000
Speaker 2: Like there's no one like him.

608
00:25:43,320 --> 00:25:44,840
Speaker 4: So I think.

609
00:25:44,640 --> 00:25:46,639
Speaker 3: That's why he's upset that his fan base is not

610
00:25:46,920 --> 00:25:54,760
Speaker 3: like him, because those people don't care. Yeah, well, you see,

611
00:25:54,800 --> 00:25:57,960
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612
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613
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615
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616
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617
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618
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619
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620
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657
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Speaker 2: Yeah, that's that's true.

658
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659
00:27:56,920 --> 00:27:59,320
Speaker 3: the Odd Future fan was a fan of Frank Ocean,

660
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Speaker 3: not of r and B A fan of Frank because.

661
00:28:01,240 --> 00:28:02,119
Speaker 4: It was part of my future.

662
00:28:02,200 --> 00:28:04,760
Speaker 3: That's where I think the disconnect is with Tyler's perspective

663
00:28:04,760 --> 00:28:07,240
Speaker 3: of his stand base. But either way, we need to

664
00:28:07,240 --> 00:28:11,720
Speaker 3: get Brandy some water. That's the main concern I think

665
00:28:11,760 --> 00:28:12,280
Speaker 3: for this week.

666
00:28:12,680 --> 00:28:13,920
Speaker 4: So so I did see a video.

667
00:28:14,280 --> 00:28:17,920
Speaker 5: Well, Brandy and Monica are on tour with Kelly Rowlands.

668
00:28:17,960 --> 00:28:19,199
Speaker 4: Coco Jones a part of that as well.

669
00:28:19,280 --> 00:28:24,400
Speaker 5: Right, we talked about it last week so that they

670
00:28:24,400 --> 00:28:28,280
Speaker 5: were in Chicago for the tour and Brandy walked off

671
00:28:28,320 --> 00:28:34,080
Speaker 5: stage mid set and she walked to the to the soundboard.

672
00:28:34,960 --> 00:28:37,320
Speaker 5: So I was thinking that it was something to do

673
00:28:37,359 --> 00:28:40,360
Speaker 5: with her sound. Maybe she couldn't hear herself in the monitors

674
00:28:40,440 --> 00:28:40,800
Speaker 5: or whatever.

675
00:28:40,880 --> 00:28:41,200
Speaker 4: Whatever.

676
00:28:41,360 --> 00:28:43,640
Speaker 5: You know, when you're a vocalist like Brandy, you need

677
00:28:43,680 --> 00:28:44,920
Speaker 5: to be able to hear the music. You need to

678
00:28:44,920 --> 00:28:47,000
Speaker 5: be able to hear yourself. So I took it as that.

679
00:28:47,040 --> 00:28:50,440
Speaker 5: But apparently this is a release from Brandy in statement. Yeah,

680
00:28:51,320 --> 00:28:54,320
Speaker 5: she released the statement saying to my dear fans of Chicago,

681
00:28:54,400 --> 00:28:56,160
Speaker 5: thank you all for the old well and love, support

682
00:28:56,400 --> 00:28:59,200
Speaker 5: and most partly your prayers. Sincerely apologize for the abrupt,

683
00:28:59,560 --> 00:29:02,800
Speaker 5: abrupt into last night's performance in Chicago. After weeks of

684
00:29:02,800 --> 00:29:06,000
Speaker 5: nonstar rehearsals, last night, I experienced dehydration and feelings of

685
00:29:06,040 --> 00:29:06,880
Speaker 5: wanting to faint.

686
00:29:06,960 --> 00:29:07,719
Speaker 4: Everyone involved.

687
00:29:07,720 --> 00:29:10,160
Speaker 5: The greed that prioritized my well being was of the

688
00:29:10,280 --> 00:29:11,960
Speaker 5: utmost importance.

689
00:29:12,440 --> 00:29:13,920
Speaker 3: Well, I mean, I'm glad she's okay, and yeah, that

690
00:29:14,120 --> 00:29:16,440
Speaker 3: would have been worse if she just tried to power

691
00:29:16,480 --> 00:29:19,520
Speaker 3: through and then ended up thinking yeah but but yeah,

692
00:29:19,560 --> 00:29:21,640
Speaker 3: I mean, I know the tour is just starting, but

693
00:29:21,640 --> 00:29:24,360
Speaker 3: people tend to forget how much they rehearsed before and

694
00:29:24,520 --> 00:29:26,240
Speaker 3: I exhausted out the gate.

695
00:29:26,880 --> 00:29:29,720
Speaker 5: Hopefully she is okay, and she she's you know, she's hydrating,

696
00:29:29,800 --> 00:29:32,400
Speaker 5: and she's taking care of herself, because you know, you

697
00:29:32,440 --> 00:29:33,680
Speaker 5: can't be on stage if you're not.

698
00:29:33,600 --> 00:29:34,240
Speaker 4: Taking care yourself.

699
00:29:34,280 --> 00:29:36,960
Speaker 5: But the video that we saw of for leaving the stage,

700
00:29:36,960 --> 00:29:39,960
Speaker 5: she walked to the sound booth. Yeah, and she even

701
00:29:40,040 --> 00:29:43,320
Speaker 5: said I believe she said, you know, she was trying

702
00:29:43,320 --> 00:29:46,320
Speaker 5: to get her sound right. How do we go from

703
00:29:46,400 --> 00:29:51,440
Speaker 5: that to this letter of I was like hydrated, Like,

704
00:29:51,480 --> 00:29:52,120
Speaker 5: which one is it?

705
00:29:52,160 --> 00:29:55,280
Speaker 4: Was it the sound? Is she going stage after that song?

706
00:29:55,400 --> 00:29:55,880
Speaker 2: She did not.

707
00:29:56,160 --> 00:29:58,000
Speaker 5: When she tried to get the sound right, she did

708
00:29:58,040 --> 00:30:01,000
Speaker 5: not come back. So it literally was that was the

709
00:30:01,040 --> 00:30:03,360
Speaker 5: last time she was on stage for the night. Okay,

710
00:30:03,360 --> 00:30:06,280
Speaker 5: So I'm confused now, Love Brandy, Hope she's okay, But

711
00:30:06,800 --> 00:30:08,600
Speaker 5: we can't get a video of you leaving stage and

712
00:30:08,600 --> 00:30:10,560
Speaker 5: going to the sound both saying hold on, y'all working

713
00:30:10,560 --> 00:30:12,840
Speaker 5: on my sound or whatever. She alluded to something like

714
00:30:12,880 --> 00:30:16,840
Speaker 5: that to then getting a letter to her fans saying

715
00:30:16,880 --> 00:30:17,800
Speaker 5: she was dehydrated.

716
00:30:17,840 --> 00:30:19,560
Speaker 3: Well, you know, maybe she went over to the sound

717
00:30:19,600 --> 00:30:23,320
Speaker 3: booth to catch herself and thought, maybe I could get

718
00:30:23,320 --> 00:30:25,280
Speaker 3: some water and go back out and just use that like.

719
00:30:25,240 --> 00:30:27,360
Speaker 2: Hey, technical difficulties will be right back.

720
00:30:27,680 --> 00:30:29,800
Speaker 3: Maybe that was her strategy, and then realizing I'm really

721
00:30:29,800 --> 00:30:30,800
Speaker 3: going to fucking pass.

722
00:30:30,560 --> 00:30:33,400
Speaker 5: Out, and so she used the sound as a yeah,

723
00:30:33,400 --> 00:30:35,720
Speaker 5: maybe as a way her fans and yeah.

724
00:30:35,600 --> 00:30:37,920
Speaker 3: Technical difficulties to give me a second, just so she

725
00:30:37,920 --> 00:30:39,000
Speaker 3: could get a fucking breather.

726
00:30:39,520 --> 00:30:43,160
Speaker 5: But I've seen this movie before. Rory happened in the

727
00:30:43,160 --> 00:30:46,120
Speaker 5: same city in Chicago. It was the best of both

728
00:30:46,120 --> 00:30:53,600
Speaker 5: worlds tour all, Kelly said. Tyler said, I'm just saying.

729
00:30:54,120 --> 00:30:58,040
Speaker 5: I'm just saying Kelly said something, you know, And then

730
00:30:58,080 --> 00:30:59,920
Speaker 5: that was the end of it. It was the tour

731
00:31:00,120 --> 00:31:02,000
Speaker 5: was no more. It turned into jay Z and Friends.

732
00:31:02,600 --> 00:31:03,120
Speaker 4: So I'm just.

733
00:31:03,080 --> 00:31:07,840
Speaker 5: Saying, now, if we see Mowing the Girls, like, just

734
00:31:08,000 --> 00:31:11,160
Speaker 5: go from Brandy and Monica to Boy's Mind Tour to

735
00:31:11,280 --> 00:31:15,120
Speaker 5: Mowing the Girls. Listen got the boy listen, Man we're

736
00:31:15,160 --> 00:31:16,440
Speaker 5: gonna have to have another discussion.

737
00:31:16,440 --> 00:31:17,440
Speaker 4: But no, all Jo deside.

738
00:31:17,440 --> 00:31:19,239
Speaker 5: I do hope Brandy is okay and she takes care

739
00:31:19,240 --> 00:31:22,000
Speaker 5: of herself because obviously we all love and support Brandy

740
00:31:22,000 --> 00:31:23,360
Speaker 5: and we want to see them have a great tour.

741
00:31:23,440 --> 00:31:25,000
Speaker 3: So do you do you think that there may be

742
00:31:25,000 --> 00:31:29,680
Speaker 3: some internal back and forth because like with the r

743
00:31:29,760 --> 00:31:32,920
Speaker 3: Kelly shit, at least we like kind of knew what

744
00:31:33,000 --> 00:31:37,320
Speaker 3: really happened in like the tension, but this side, yeah,

745
00:31:37,520 --> 00:31:37,800
Speaker 3: is there.

746
00:31:39,920 --> 00:31:43,520
Speaker 2: I'm sure they're fine. It was probably something with If

747
00:31:43,520 --> 00:31:45,440
Speaker 2: it wasn't dehydration, I would say that it was something

748
00:31:45,440 --> 00:31:48,760
Speaker 2: with Brandy's in ears or MIC's. I don't think it

749
00:31:48,800 --> 00:31:52,160
Speaker 2: was a Monica thing. But they didn't perform Boy's Mine

750
00:31:52,200 --> 00:31:55,080
Speaker 2: on the Boys Boy's Mind tour. I would want my

751
00:31:55,120 --> 00:31:55,640
Speaker 2: money back.

752
00:31:57,560 --> 00:31:59,240
Speaker 4: Yeah, it's kind of crazy. This was this the first

753
00:31:59,280 --> 00:32:00,320
Speaker 4: show show.

754
00:32:01,120 --> 00:32:03,800
Speaker 5: I've seen this movie before. Man, y'all think I'm crazy.

755
00:32:03,840 --> 00:32:05,480
Speaker 5: I've seen this fucking movie before.

756
00:32:05,600 --> 00:32:08,360
Speaker 4: I'm not saying you're wrong. I've seen this movie before,

757
00:32:08,480 --> 00:32:10,160
Speaker 4: is all I'm saying. Man, it might just be the

758
00:32:10,160 --> 00:32:11,080
Speaker 4: Coco Jones tour.

759
00:32:11,080 --> 00:32:14,400
Speaker 5: At some point it's gonna be Kelly and Coca the

760
00:32:14,480 --> 00:32:17,040
Speaker 5: Brown Beauties tour man like, Kelly looked incredible.

761
00:32:17,360 --> 00:32:18,880
Speaker 4: Kelly always looks incredible.

762
00:32:20,000 --> 00:32:22,120
Speaker 3: Well, I mean shit, I know Demaris wanted to go,

763
00:32:22,160 --> 00:32:23,280
Speaker 3: but is it worth it was?

764
00:32:23,520 --> 00:32:24,760
Speaker 2: It was not the first tour. It was not the

765
00:32:24,760 --> 00:32:26,720
Speaker 2: first day. I'm sorry, it was the third. The first

766
00:32:26,800 --> 00:32:29,760
Speaker 2: date was. And this is another thing. Their schedule, Josh,

767
00:32:29,800 --> 00:32:31,760
Speaker 2: if you want to pull up their schedule, their schedule

768
00:32:31,880 --> 00:32:36,600
Speaker 2: is insane. Like performing the sixteenth, seventeenth, eighteenth, nineteenth of

769
00:32:37,720 --> 00:32:40,600
Speaker 2: like just straight, it's crazy for singers. Then the twenty fourth,

770
00:32:40,680 --> 00:32:43,400
Speaker 2: twenty fifth, twenty sixth, like it's like there's like fifty

771
00:32:43,400 --> 00:32:45,840
Speaker 2: fucking dates on this tour and they're back to back

772
00:32:45,880 --> 00:32:47,760
Speaker 2: to back. So this was the third show Chicago.

773
00:32:48,880 --> 00:32:50,000
Speaker 4: Oh, you're gonna need a lot of water.

774
00:32:50,040 --> 00:32:57,120
Speaker 2: Then yeah, Yeah, that's fucking crazy. That's insane. It's insane.

775
00:32:57,160 --> 00:32:58,840
Speaker 2: And it goes until December fourteenth.

776
00:32:59,000 --> 00:33:02,400
Speaker 4: Well, y'all is the same in group, won't y'all? Sag?

777
00:33:08,040 --> 00:33:09,800
Speaker 3: I was going to say, let's buy tickets, but I

778
00:33:09,840 --> 00:33:11,719
Speaker 3: don't know. Well, I'm a little nervous.

779
00:33:11,840 --> 00:33:13,920
Speaker 2: New York is sold the funk out, so.

780
00:33:13,960 --> 00:33:15,959
Speaker 4: Is no it is that's Brandy and Monica.

781
00:33:16,120 --> 00:33:18,160
Speaker 2: Yeah, I'm probably gonna buy a ticket to the Atlanta

782
00:33:18,200 --> 00:33:22,800
Speaker 2: show in December, the second Atlanta show, because then we

783
00:33:22,840 --> 00:33:24,200
Speaker 2: go down to a c No, we.

784
00:33:24,200 --> 00:33:27,320
Speaker 4: Go to Detroit Little Caesars Arena. You know that shit

785
00:33:27,360 --> 00:33:28,360
Speaker 4: ain't sold out yet.

786
00:33:28,480 --> 00:33:31,360
Speaker 2: First of all, Detroit shows up for music. Yeah, there's

787
00:33:31,360 --> 00:33:35,120
Speaker 2: some of the fucked up period. Now Greensboro, North Carolina.

788
00:33:35,240 --> 00:33:36,560
Speaker 2: I don't know that's up.

789
00:33:37,040 --> 00:33:38,280
Speaker 4: There's a lot of college is over there.

790
00:33:38,320 --> 00:33:38,840
Speaker 2: Oh okay.

791
00:33:39,200 --> 00:33:42,040
Speaker 4: College kids ain't got no money man, not from no concerts.

792
00:33:42,360 --> 00:33:46,040
Speaker 4: College kids are into Brandy and Monica. No, no, they

793
00:33:46,120 --> 00:33:47,680
Speaker 4: might get they might go off for Coco Jones.

794
00:33:48,200 --> 00:33:50,320
Speaker 2: Well, Coco is only on I want to say four

795
00:33:51,440 --> 00:33:54,240
Speaker 2: of the Yeah, I think she's only on three or

796
00:33:54,280 --> 00:33:57,920
Speaker 2: four of the shows, only three shows, three or three

797
00:33:58,000 --> 00:34:00,280
Speaker 2: or four. Yeah, she's doing the ones that Kelly is

798
00:34:00,320 --> 00:34:04,120
Speaker 2: not Okay, Yeah, the ones that Kelly does not appear.

799
00:34:04,520 --> 00:34:06,800
Speaker 2: Coco Jones is doing. But it's main So it's mainly

800
00:34:06,880 --> 00:34:09,680
Speaker 2: Kelly Rowling and Money Long and Jamal Roberts.

801
00:34:09,880 --> 00:34:11,160
Speaker 4: Did we get a Kelly set list?

802
00:34:11,440 --> 00:34:13,040
Speaker 3: Like how many they did it?

803
00:34:13,280 --> 00:34:15,520
Speaker 2: They did it. They did a Kelly set list, like

804
00:34:15,560 --> 00:34:17,759
Speaker 2: a real Kelly set list, like maybe like four, I

805
00:34:17,760 --> 00:34:23,200
Speaker 2: think Destiny four or five, Destney's Child quick little medleys. Yeah, yep,

806
00:34:23,200 --> 00:34:25,279
Speaker 2: there we are, quick little medley's. And then I think

807
00:34:25,600 --> 00:34:28,080
Speaker 2: some like, you know, songs of hers, probably like a

808
00:34:28,200 --> 00:34:29,120
Speaker 2: ten songs.

809
00:34:29,160 --> 00:34:30,799
Speaker 3: I was gonna say, I would want, I would want

810
00:34:30,800 --> 00:34:32,800
Speaker 3: the Kelly's like, there's.

811
00:34:34,400 --> 00:34:36,439
Speaker 4: Got it. Who got the biggest dress room on tour?

812
00:34:38,480 --> 00:34:42,880
Speaker 4: Let's be Patty. Let's not let's be Patty, uh, Patty Monday's.

813
00:34:43,280 --> 00:34:47,560
Speaker 3: Brandy just because she's been like a child star and

814
00:34:47,560 --> 00:34:51,480
Speaker 3: she was like fucking Cinderella. I think she's more of

815
00:34:51,480 --> 00:34:54,279
Speaker 3: a demanding I don't want to use the word diva,

816
00:34:54,400 --> 00:34:55,960
Speaker 3: but she's just been in this business a long time,

817
00:34:56,080 --> 00:34:57,120
Speaker 3: so I think she gets.

818
00:34:56,880 --> 00:34:59,520
Speaker 2: The bigger been in it just as long as Brandy.

819
00:35:00,280 --> 00:35:03,320
Speaker 3: A sense a child child. Now, of course their time,

820
00:35:03,360 --> 00:35:05,319
Speaker 3: they've been in the industry that long. But she her

821
00:35:05,320 --> 00:35:08,080
Speaker 3: whole life, all she knows is good green rooms.

822
00:35:08,440 --> 00:35:10,600
Speaker 2: Monica, Well, how old was Monica singing with them big

823
00:35:10,640 --> 00:35:15,560
Speaker 2: ass white Sando's on fourteen? I want to say, really, yeah,

824
00:35:15,680 --> 00:35:16,640
Speaker 2: Minau was fourteen?

825
00:35:16,680 --> 00:35:18,600
Speaker 4: Then oh wow? Then damn I stand corrected.

826
00:35:18,600 --> 00:35:21,600
Speaker 3: But either way, I just think because Brandy Cinderella.

827
00:35:21,239 --> 00:35:24,840
Speaker 4: She gets a bigger one. So was those sandals Sandals?

828
00:35:24,840 --> 00:35:25,960
Speaker 3: Was she was fourteen?

829
00:35:26,000 --> 00:35:27,239
Speaker 4: And don't take a personal care.

830
00:35:27,320 --> 00:35:30,400
Speaker 3: Yes, holy shit, she sounds like a grown woman on

831
00:35:30,400 --> 00:35:30,640
Speaker 3: that right.

832
00:35:30,719 --> 00:35:32,840
Speaker 4: Question them sandals was besides fourteen.

833
00:35:33,200 --> 00:35:35,880
Speaker 3: Don't do that listen.

834
00:35:35,600 --> 00:35:37,920
Speaker 4: Don't I voted for it on the countdown. I used

835
00:35:37,920 --> 00:35:38,359
Speaker 4: to call them.

836
00:35:38,719 --> 00:35:40,319
Speaker 5: I used to call them so they could play that video.

837
00:35:40,320 --> 00:35:42,640
Speaker 5: I love Monica growing up. Hell, I had a crazy

838
00:35:42,719 --> 00:35:43,400
Speaker 5: question Monica.

839
00:35:45,120 --> 00:35:47,240
Speaker 2: But yeah, I'm going Brandy confidently.

840
00:35:47,280 --> 00:35:50,080
Speaker 3: I'm going with Brandy with a bigger green room.

841
00:35:50,440 --> 00:35:51,960
Speaker 4: Or sometimes it's about who gets there first.

842
00:35:52,960 --> 00:35:56,279
Speaker 5: I mean, you're Whitney Houston's god daughter. I think you

843
00:35:56,280 --> 00:35:59,239
Speaker 5: get the bigger, bigger dressing room.

844
00:35:59,680 --> 00:36:02,040
Speaker 2: I think Monica gives it to her just to avoid

845
00:36:02,160 --> 00:36:05,360
Speaker 2: any type of give it to her or Brandy takee

846
00:36:05,600 --> 00:36:07,839
Speaker 2: or Brandy gives it to Monica to prove that she's

847
00:36:07,840 --> 00:36:10,120
Speaker 2: not a dfense like no, I'm cool, guys swear ticket.

848
00:36:10,840 --> 00:36:13,880
Speaker 3: I will say, though, at any arena I've been to backstage,

849
00:36:13,920 --> 00:36:16,000
Speaker 3: they have multiple green rooms that are all the same.

850
00:36:16,040 --> 00:36:16,360
Speaker 4: Times.

851
00:36:16,719 --> 00:36:21,120
Speaker 5: I want to say, yeah, that's not the fucking locker

852
00:36:21,200 --> 00:36:22,399
Speaker 5: rooms for the teams.

853
00:36:22,440 --> 00:36:24,760
Speaker 2: You know, those people have people who have been pitting

854
00:36:24,760 --> 00:36:26,000
Speaker 2: them against each other for years.

855
00:36:26,000 --> 00:36:27,880
Speaker 5: No, I do like the fact that because of that

856
00:36:27,960 --> 00:36:30,880
Speaker 5: people been you know, kind of had them like you know,

857
00:36:30,920 --> 00:36:32,719
Speaker 5: created this whole energy, like they don't really like each

858
00:36:32,760 --> 00:36:36,880
Speaker 5: other over the years because the similar age, similar style

859
00:36:37,000 --> 00:36:40,000
Speaker 5: of music. You know, two of the young girls coming

860
00:36:40,080 --> 00:36:42,359
Speaker 5: up that had great voices, so they kind of will

861
00:36:42,400 --> 00:36:44,400
Speaker 5: always like pit it against each other. But I do

862
00:36:44,440 --> 00:36:46,880
Speaker 5: love the fact that they did put this tour on

863
00:36:47,040 --> 00:36:49,479
Speaker 5: and to show people kind of like yo, that's my girl.

864
00:36:49,480 --> 00:36:51,239
Speaker 5: I funk with her, like it ain't none of that

865
00:36:51,400 --> 00:36:53,920
Speaker 5: negative energy any love each other, no more of that.

866
00:36:54,040 --> 00:36:56,320
Speaker 2: But ever since, their versus like you know, it's like okay,

867
00:36:56,360 --> 00:37:00,320
Speaker 2: y'all are over, like the slap, yeah, the back stage

868
00:37:00,320 --> 00:37:01,920
Speaker 2: slapped that they had when they were younger.

869
00:37:02,040 --> 00:37:03,839
Speaker 5: But I do hope that the tour last and they

870
00:37:03,920 --> 00:37:05,480
Speaker 5: are both able to finish it off because I do

871
00:37:05,520 --> 00:37:06,520
Speaker 5: want to catch them at some point.

872
00:37:06,640 --> 00:37:08,239
Speaker 2: Yeah, I want to see that. I'm flying out to

873
00:37:08,239 --> 00:37:09,440
Speaker 2: wherever I gotta go to see that.

874
00:37:09,800 --> 00:37:15,440
Speaker 3: Yeah, for sure, who is going to critique Claria Shield's freestyle.

875
00:37:15,120 --> 00:37:15,920
Speaker 4: Because I'm not going to.

876
00:37:16,520 --> 00:37:19,399
Speaker 3: Let's see, I'm not just saying it's because she could

877
00:37:19,400 --> 00:37:21,040
Speaker 3: beat my ass. I actually thought she kind of ate

878
00:37:21,080 --> 00:37:22,959
Speaker 3: on that freestyle. I was a little shock.

879
00:37:24,239 --> 00:37:26,960
Speaker 2: What was the long sta she can put two legs

880
00:37:26,960 --> 00:37:27,919
Speaker 2: in someone's ass.

881
00:37:29,000 --> 00:37:33,440
Speaker 4: I believe I've seen her do it. I would have

882
00:37:33,440 --> 00:37:35,239
Speaker 4: been in the back, ayelet but I've seen her do it.

883
00:37:35,480 --> 00:37:37,080
Speaker 2: She living in her rhymes for sure.

884
00:37:37,200 --> 00:37:39,239
Speaker 4: He definitely kicking ass. So, I mean it is what

885
00:37:39,280 --> 00:37:39,560
Speaker 4: it is.

886
00:37:39,640 --> 00:37:40,240
Speaker 2: I don't.

887
00:37:41,640 --> 00:37:44,200
Speaker 5: She don't sound much baby did. Let's just keep it real,

888
00:37:44,320 --> 00:37:46,319
Speaker 5: keep it real Monday. She don't sound too far from

889
00:37:46,360 --> 00:37:49,560
Speaker 5: the rest of these girls. Yeah, she don't. All right,

890
00:37:49,960 --> 00:37:53,280
Speaker 5: who saund she said? That could have been No, we depend.

891
00:37:53,080 --> 00:37:55,080
Speaker 2: On her podcast today. I ain't know ya. I should

892
00:37:55,080 --> 00:37:56,920
Speaker 2: have told me no. I should have told me. I

893
00:37:56,960 --> 00:37:58,799
Speaker 2: ain't know what I was. We'll get your ship off.

894
00:37:59,520 --> 00:38:03,880
Speaker 2: I should anything like listen, everybody has released a little freestyle,

895
00:38:03,960 --> 00:38:06,319
Speaker 2: y'all see Minus online. We've all wanted to rap.

896
00:38:06,360 --> 00:38:09,600
Speaker 4: That's the point. Okay, she can say her work, yo.

897
00:38:09,760 --> 00:38:11,120
Speaker 3: She even just jealousy.

898
00:38:11,120 --> 00:38:17,840
Speaker 4: She even got the style. Yeah, it's throw back Monday.

899
00:38:18,280 --> 00:38:20,880
Speaker 3: You're going back your whole style. It's like the Da

900
00:38:21,480 --> 00:38:22,840
Speaker 3: na whatever that was.

901
00:38:23,200 --> 00:38:25,279
Speaker 4: Well, now we're getting into like the trauma of it.

902
00:38:25,480 --> 00:38:31,800
Speaker 3: Okay, babe, so you can it's definitely called trauma trying.

903
00:38:31,640 --> 00:38:33,440
Speaker 4: To rap and you know she ain't really a rapper.

904
00:38:33,680 --> 00:38:35,520
Speaker 4: This is what you do, baby? Do you wrap?

905
00:38:35,680 --> 00:38:37,840
Speaker 5: You're seeing a boxer trying to jump into your world

906
00:38:37,880 --> 00:38:40,480
Speaker 5: and your demographic and you're like, yo, she ain't really

907
00:38:40,520 --> 00:38:42,400
Speaker 5: like stop trying to pay it to the rap crowd

908
00:38:42,680 --> 00:38:44,400
Speaker 5: to stay in the box and ring. Don't try to

909
00:38:44,400 --> 00:38:46,200
Speaker 5: pick up the mic. I see what it is, baby.

910
00:38:46,239 --> 00:38:48,759
Speaker 4: Do I respect that. I understand Cloresa just.

911
00:38:48,719 --> 00:38:50,799
Speaker 2: Made a cute little freestyle and would not like it

912
00:38:50,840 --> 00:38:53,520
Speaker 2: to be critiqued like she's a real rapper. So I'm

913
00:38:53,560 --> 00:38:57,600
Speaker 2: not going to that mat freestyle. What I will say is, Clarissa,

914
00:38:57,800 --> 00:39:01,160
Speaker 2: you fight c little and like what if she thinks

915
00:39:01,160 --> 00:39:04,319
Speaker 2: she's a real rapper, she doesn't think that she just rapped.

916
00:39:04,360 --> 00:39:09,759
Speaker 2: That's real. That's real, not an AI video. That's where

917
00:39:09,800 --> 00:39:11,720
Speaker 2: she made a q A freestyle and it was cute,

918
00:39:11,719 --> 00:39:13,760
Speaker 2: and that's people should be able to do that without

919
00:39:13,760 --> 00:39:16,120
Speaker 2: being just because their famous, being critique like their real rappers.

920
00:39:16,280 --> 00:39:17,520
Speaker 2: Next time, Clarissa just deliver.

921
00:39:17,760 --> 00:39:19,440
Speaker 4: I was critiquing her like she was a real rapper.

922
00:39:19,520 --> 00:39:21,600
Speaker 3: No, I'm just talking about I'm not a real boxer.

923
00:39:21,600 --> 00:39:23,200
Speaker 3: But if I walk out signing in my asship, you're

924
00:39:23,200 --> 00:39:23,759
Speaker 3: going critique it.

925
00:39:24,000 --> 00:39:25,560
Speaker 4: Yeah, if I come up here with a black guy.

926
00:39:25,560 --> 00:39:28,360
Speaker 4: You should have zig instead of that.

927
00:39:27,920 --> 00:39:30,479
Speaker 3: You're gonna be a money morning court like Yo, yeah,

928
00:39:30,600 --> 00:39:32,680
Speaker 3: I know you're not a real Clarissa.

929
00:39:32,719 --> 00:39:35,319
Speaker 4: It's all good. We support Clarissa. She know that.

930
00:39:35,520 --> 00:39:39,400
Speaker 2: But yeah, she don't sound far off from okay, did she?

931
00:39:40,360 --> 00:39:40,640
Speaker 4: No?

932
00:39:40,719 --> 00:39:44,560
Speaker 3: I don't think so at all. I think a female

933
00:39:44,640 --> 00:39:46,800
Speaker 3: rapper that we knew of said those exact same bars,

934
00:39:46,800 --> 00:39:48,120
Speaker 3: we would be like, yeah, hell, that was cool.

935
00:39:48,800 --> 00:39:51,080
Speaker 2: I think delivery is everything, So just put a little

936
00:39:51,080 --> 00:39:54,160
Speaker 2: bit more unfatigue, like be more confident in your delivery,

937
00:39:54,280 --> 00:39:56,560
Speaker 2: like like they walking out to like your hype man

938
00:39:56,600 --> 00:39:58,600
Speaker 2: was louder than you, like you gotta you, I believe

939
00:39:58,600 --> 00:40:00,000
Speaker 2: you gotta wrap that ship like you believe.

940
00:40:00,080 --> 00:40:03,279
Speaker 4: Hmm. The delivery was a little timid.

941
00:40:03,160 --> 00:40:04,919
Speaker 2: Yeah little and now you too, you too?

942
00:40:04,920 --> 00:40:06,879
Speaker 4: Really that she ain't really you know what I'm saying.

943
00:40:06,920 --> 00:40:08,799
Speaker 4: She had to live with it a little longer, live

944
00:40:08,840 --> 00:40:10,320
Speaker 4: with her balls a little. She had the text that

945
00:40:10,360 --> 00:40:11,439
Speaker 4: when the papist you know.

946
00:40:11,560 --> 00:40:14,120
Speaker 2: Yea proof think Pat broughte it, or you think no

947
00:40:14,200 --> 00:40:15,160
Speaker 2: that those ain't pat balls.

948
00:40:15,239 --> 00:40:17,520
Speaker 5: Yeah, we know pat balls when we hit pat balls.

949
00:40:17,760 --> 00:40:20,080
Speaker 5: It would have been way more complex than that. It

950
00:40:20,120 --> 00:40:22,239
Speaker 5: would have been so laid so many ontongres. If that

951
00:40:22,320 --> 00:40:24,600
Speaker 5: was Pat you tripping, y'all don't know Pat balls on

952
00:40:24,719 --> 00:40:27,120
Speaker 5: your hand. You don't realize what Pap said in the

953
00:40:27,120 --> 00:40:30,040
Speaker 5: first ball until you get to the end of the verse, like, oh, that's.

954
00:40:29,880 --> 00:40:33,200
Speaker 3: What you think she would have done? The bees boxing batties,

955
00:40:34,000 --> 00:40:46,160
Speaker 3: baddies boxing boxing baddies and box braids, yo yoing the

956
00:40:46,200 --> 00:40:52,920
Speaker 3: bees is hilarricous. Yoh shpout out and Pat pooks. I mean,

957
00:40:53,360 --> 00:40:55,600
Speaker 3: I think the maris a little She was a little

958
00:40:55,600 --> 00:40:58,360
Speaker 3: scared once she showed us the red bottom because in

959
00:40:58,560 --> 00:41:01,000
Speaker 3: Jamaric's freestyle she showed to Harry Potter did.

960
00:41:00,880 --> 00:41:03,280
Speaker 2: Show the rab bottom. She kurts, that was the craziest

961
00:41:03,280 --> 00:41:04,960
Speaker 2: should I say that? Look, yeah, she's.

962
00:41:04,840 --> 00:41:06,920
Speaker 5: Letting y'all know what it is. She really living them balls.

963
00:41:06,960 --> 00:41:10,799
Speaker 5: I really got red bottoms on right now. Who's tying

964
00:41:10,800 --> 00:41:12,919
Speaker 5: it together better than Clarissam You ain't. These chicks ain't

965
00:41:12,960 --> 00:41:15,200
Speaker 5: fucking Clarisa. And I did one of y'all rap chicks

966
00:41:15,200 --> 00:41:17,440
Speaker 5: to say something to her. That's what I'm on today,

967
00:41:17,760 --> 00:41:19,360
Speaker 5: and I want to see that enough of the niggas

968
00:41:19,360 --> 00:41:22,200
Speaker 5: fight you real like you know, I'm just saying enough

969
00:41:22,960 --> 00:41:24,920
Speaker 5: and enough of that. Let me see some of you,

970
00:41:25,120 --> 00:41:26,879
Speaker 5: your ladies. Let me see y'all square, Let me see

971
00:41:26,920 --> 00:41:31,120
Speaker 5: y'all bump into each other at the awards. I mean,

972
00:41:31,320 --> 00:41:33,279
Speaker 5: y'all want to rap, right, that's part of rapping. When

973
00:41:33,280 --> 00:41:35,320
Speaker 5: I see you at the wars, just lit, I'm popping

974
00:41:35,320 --> 00:41:38,120
Speaker 5: on you. I did want of y'all run up.

975
00:41:38,360 --> 00:41:40,239
Speaker 2: The bitches be popping. When the last time when these

976
00:41:40,280 --> 00:41:41,560
Speaker 2: rap niggas popped out of the wards.

977
00:41:42,160 --> 00:41:43,719
Speaker 4: We just had four funerals last year.

978
00:41:44,080 --> 00:41:45,040
Speaker 3: Fresh the timeline.

979
00:41:45,200 --> 00:41:46,640
Speaker 4: Yeah, that pop with niggas is different.

980
00:41:46,920 --> 00:41:50,360
Speaker 3: It's usually like killers that happened to rap. That happens

981
00:41:50,360 --> 00:41:53,360
Speaker 3: all the time, but like just a rapper. No, that's

982
00:41:53,520 --> 00:41:55,200
Speaker 3: really only the women that pop up close. I gotta

983
00:41:55,200 --> 00:41:57,520
Speaker 3: fight coming up, don't she? I would have to te

984
00:41:57,640 --> 00:41:58,520
Speaker 3: she got a fight coming up.

985
00:41:59,160 --> 00:42:00,680
Speaker 4: You know what I've never seen. Oh no, it's Alicia,

986
00:42:00,719 --> 00:42:01,440
Speaker 4: Alicia Bongun.

987
00:42:01,520 --> 00:42:03,439
Speaker 5: She got a fight coming up with a hunt tank

988
00:42:03,480 --> 00:42:05,399
Speaker 5: fight the same the same night.

989
00:42:05,840 --> 00:42:10,279
Speaker 3: We've seen rappers walk out with boxers performing. Maybe she

990
00:42:10,320 --> 00:42:13,080
Speaker 3: could freestyle, like from the dressing room to the to

991
00:42:13,160 --> 00:42:16,600
Speaker 3: the ring for her entrance. That's hard in red bottoms,

992
00:42:16,680 --> 00:42:17,560
Speaker 3: that's hard.

993
00:42:18,200 --> 00:42:20,840
Speaker 5: And then fighting them, Yeah, fighting I'm not going to

994
00:42:21,200 --> 00:42:22,120
Speaker 5: anything you say about Claris.

995
00:42:22,120 --> 00:42:27,680
Speaker 4: I don't know if I'm all the way don't do that.

996
00:42:27,680 --> 00:42:30,239
Speaker 3: Because Cardi and Nikki popped off at Anna Winter's uh

997
00:42:30,719 --> 00:42:31,720
Speaker 3: fucking block party.

998
00:42:32,520 --> 00:42:36,319
Speaker 2: Anna Winter's block party is the wards I've never heard

999
00:42:36,320 --> 00:42:41,000
Speaker 2: strung together before. What's that called the Vulgue after party? Probably?

1000
00:42:41,719 --> 00:42:44,880
Speaker 3: But what's the event or probably the Yeah, the met Ella.

1001
00:42:44,800 --> 00:42:46,920
Speaker 2: It wasn't the met it was it was like a

1002
00:42:47,000 --> 00:42:47,840
Speaker 2: Vogue after party.

1003
00:42:47,920 --> 00:42:49,320
Speaker 4: It was a party actual.

1004
00:42:49,600 --> 00:42:51,680
Speaker 3: I thought they popped off at the met No, no, no,

1005
00:42:51,719 --> 00:42:52,200
Speaker 3: oh damn.

1006
00:42:52,200 --> 00:42:53,280
Speaker 2: I gave them way more respect.

1007
00:42:54,160 --> 00:42:54,360
Speaker 4: You know.

1008
00:42:54,400 --> 00:42:57,919
Speaker 3: Catching a heel at the met is fucking nuts. I'm

1009
00:42:58,000 --> 00:43:02,080
Speaker 3: so jealous of the people that robbed the Louver. Did

1010
00:43:02,080 --> 00:43:02,960
Speaker 3: you see the Louver heist?

1011
00:43:03,160 --> 00:43:03,399
Speaker 5: No?

1012
00:43:03,640 --> 00:43:05,359
Speaker 2: Yeah, them that was fired ain't.

1013
00:43:05,760 --> 00:43:08,520
Speaker 3: Like I love heist movies, like it's one of my

1014
00:43:08,560 --> 00:43:11,000
Speaker 3: favorite genres. Like it's so cool to know that, like

1015
00:43:11,160 --> 00:43:13,840
Speaker 3: it it's real, Like there's real heisters out like the

1016
00:43:13,880 --> 00:43:16,080
Speaker 3: way you said that, Like there's actual ninjas outside, like

1017
00:43:16,160 --> 00:43:19,720
Speaker 3: they exist, people that like do heists exists.

1018
00:43:20,239 --> 00:43:21,240
Speaker 4: It's not just in the movies.

1019
00:43:21,280 --> 00:43:24,520
Speaker 3: Pull up the jewels they stole it was I was

1020
00:43:24,560 --> 00:43:27,040
Speaker 3: with Napoleon or some shit. Somebody from a very very

1021
00:43:27,040 --> 00:43:29,440
Speaker 3: long time ago, always Jewels was taking all the sapphires.

1022
00:43:30,719 --> 00:43:32,040
Speaker 3: How do you even like sell that shit?

1023
00:43:32,120 --> 00:43:34,840
Speaker 4: Though? You think somebody is selling that you got.

1024
00:43:35,120 --> 00:43:39,360
Speaker 3: So what's the point around it? Collectors like like the

1025
00:43:39,400 --> 00:43:40,080
Speaker 3: Jordan's sneakers.

1026
00:43:40,160 --> 00:43:42,880
Speaker 5: Just look at them, collectors, collectors by it, they're not

1027
00:43:42,920 --> 00:43:45,600
Speaker 5: selling it too like a random person. There's a person

1028
00:43:45,600 --> 00:43:47,440
Speaker 5: that once that can collect that, that can own, that

1029
00:43:47,600 --> 00:43:48,560
Speaker 5: has enough money.

1030
00:43:48,360 --> 00:43:51,400
Speaker 2: For that, or did I sell them to another museum

1031
00:43:51,480 --> 00:43:54,319
Speaker 2: like someone who they said stole is It was just

1032
00:43:54,360 --> 00:43:56,800
Speaker 2: three guys in construction outfits.

1033
00:43:56,800 --> 00:43:58,600
Speaker 3: It was like some real oceans leavels.

1034
00:43:58,600 --> 00:44:01,440
Speaker 4: Oh this is looping? Yeah, no, Looping on Netflix? He

1035
00:44:01,600 --> 00:44:04,360
Speaker 4: behind this shit. Y'll never watched Looping?

1036
00:44:04,560 --> 00:44:05,560
Speaker 2: No, I never watched it.

1037
00:44:05,800 --> 00:44:06,600
Speaker 4: Nah, that's the ship you.

1038
00:44:06,520 --> 00:44:10,360
Speaker 5: Got, and he all he wears Jordan once he's stealing

1039
00:44:10,440 --> 00:44:11,719
Speaker 5: everything and all he wears.

1040
00:44:11,800 --> 00:44:13,279
Speaker 4: Jordan is the coldest nigga ever.

1041
00:44:14,400 --> 00:44:16,200
Speaker 2: Get you to watch something, you so easy.

1042
00:44:16,560 --> 00:44:19,239
Speaker 4: The jordan Ones stealing from the Loover and hell yeah

1043
00:44:19,239 --> 00:44:19,840
Speaker 4: I'm watching that.

1044
00:44:20,200 --> 00:44:20,640
Speaker 2: Nah.

1045
00:44:21,239 --> 00:44:24,000
Speaker 4: Danny Ocean did everything that text you though, Nah, Looping

1046
00:44:24,120 --> 00:44:26,680
Speaker 4: is better than Danny Ocean, bro what Looping? I have

1047
00:44:26,719 --> 00:44:27,120
Speaker 4: to watch it?

1048
00:44:27,160 --> 00:44:30,200
Speaker 3: But there's no way out of the three oceans that

1049
00:44:30,280 --> 00:44:31,440
Speaker 3: anybody's fucking with Danny.

1050
00:44:31,520 --> 00:44:36,600
Speaker 5: Nah, I'm going looping, looping in the j Ones looping

1051
00:44:36,600 --> 00:44:37,440
Speaker 5: and the Jordan Ones.

1052
00:44:37,600 --> 00:44:38,759
Speaker 4: He taking all of that shit.

1053
00:44:39,120 --> 00:44:39,720
Speaker 2: Who's jewelry?

1054
00:44:39,719 --> 00:44:40,480
Speaker 4: Who's crown? Is that?

1055
00:44:40,600 --> 00:44:42,920
Speaker 5: I have it tonight? That's how Loop and get out.

1056
00:44:42,960 --> 00:44:44,759
Speaker 5: He go to the museums check it out.

1057
00:44:45,400 --> 00:44:46,040
Speaker 4: He come back.

1058
00:44:46,400 --> 00:44:48,839
Speaker 5: But the looping is ill because his disguises don't even

1059
00:44:48,880 --> 00:44:50,960
Speaker 5: be drastic. You know, that's looping. He just got a

1060
00:44:51,000 --> 00:44:54,160
Speaker 5: fucking hat on his disguise, be a different hat. It's

1061
00:44:54,160 --> 00:44:55,719
Speaker 5: like nigga, that's the same nigga that was in two

1062
00:44:55,719 --> 00:44:56,120
Speaker 5: hours ago.

1063
00:44:56,160 --> 00:44:58,480
Speaker 3: And it's always like crisp Ones like he you don't

1064
00:44:58,560 --> 00:45:01,000
Speaker 3: recycle some some pairs because you're not only stopping your

1065
00:45:01,000 --> 00:45:03,080
Speaker 3: ones when you're when you're heisting Loop.

1066
00:45:02,880 --> 00:45:05,719
Speaker 4: And don't do that. He don't repeat his pigs. Every

1067
00:45:05,719 --> 00:45:08,600
Speaker 4: every heist deserves deserves its own bit. Wait.

1068
00:45:08,680 --> 00:45:10,600
Speaker 3: So so to catch Loop and they would just have

1069
00:45:10,680 --> 00:45:13,160
Speaker 3: to go to foot locker and look at sales history exactly.

1070
00:45:13,200 --> 00:45:15,560
Speaker 5: They got to who owns who in the city owns?

1071
00:45:16,800 --> 00:45:18,520
Speaker 5: Everybody got those Jordan wants.

1072
00:45:18,880 --> 00:45:21,040
Speaker 4: That's funny. Yeah, I'm going with looping over Danny Ocean,

1073
00:45:21,360 --> 00:45:22,080
Speaker 4: but I mean with this.

1074
00:45:22,160 --> 00:45:25,839
Speaker 3: So they took like one of those electric ladder things

1075
00:45:25,840 --> 00:45:29,520
Speaker 3: that construction workers do broken and they had those little

1076
00:45:29,560 --> 00:45:33,359
Speaker 3: saws and sawed into like the display cases. It took

1077
00:45:33,400 --> 00:45:36,479
Speaker 3: like seven minutes broad daylight while the loover was open,

1078
00:45:37,000 --> 00:45:38,080
Speaker 3: like all the tourists in there.

1079
00:45:37,960 --> 00:45:40,080
Speaker 4: And ship people were screaming running yeah.

1080
00:45:40,040 --> 00:45:42,040
Speaker 3: Like, and they got out of there that I think.

1081
00:45:42,120 --> 00:45:44,440
Speaker 3: I think they dropped a crown somewhere in the city.

1082
00:45:45,000 --> 00:45:49,480
Speaker 3: But dude, this is crazy, Like I like it.

1083
00:45:49,560 --> 00:45:50,759
Speaker 2: I like it too. I ain't gonna lie.

1084
00:45:50,800 --> 00:45:53,000
Speaker 4: I like this type of ship, I know.

1085
00:45:53,280 --> 00:45:55,440
Speaker 3: I like, how do you get in that business?

1086
00:45:56,320 --> 00:45:56,719
Speaker 4: Like I don't.

1087
00:45:56,719 --> 00:45:58,600
Speaker 3: I don't want them to get caught, but if they do,

1088
00:45:58,760 --> 00:46:00,000
Speaker 3: like I need a lad interview.

1089
00:46:00,760 --> 00:46:02,960
Speaker 2: I need to know how how do you become a heister?

1090
00:46:03,320 --> 00:46:06,200
Speaker 3: Yeah, like to get to this level of robbing the loof,

1091
00:46:06,320 --> 00:46:08,000
Speaker 3: Like I really think that's only in like movies and

1092
00:46:08,000 --> 00:46:08,319
Speaker 3: sh well.

1093
00:46:08,360 --> 00:46:10,120
Speaker 2: I think you work your way up, like you know,

1094
00:46:10,320 --> 00:46:12,000
Speaker 2: you start off as like a petty thief, and then

1095
00:46:12,000 --> 00:46:14,400
Speaker 2: you move up, you start robbing celebrities and then like

1096
00:46:14,440 --> 00:46:16,279
Speaker 2: you just move up and up and you get you know,

1097
00:46:16,400 --> 00:46:17,680
Speaker 2: you practiced like.

1098
00:46:18,160 --> 00:46:20,960
Speaker 5: Practicing the heightst is crazy and give a nigga back

1099
00:46:20,960 --> 00:46:22,879
Speaker 5: like y'all was just practicing, Fam, I wasn't gonna really

1100
00:46:22,880 --> 00:46:26,080
Speaker 5: take your ship like Rob anybody didn't give it back,

1101
00:46:26,080 --> 00:46:27,560
Speaker 5: but I was just making sure I still had it.

1102
00:46:28,280 --> 00:46:30,640
Speaker 3: Yeah, I mean, could just be a little insurance scale

1103
00:46:31,680 --> 00:46:32,239
Speaker 3: the loof could be.

1104
00:46:32,320 --> 00:46:33,600
Speaker 4: But if they don't catch it, if they don't do

1105
00:46:33,640 --> 00:46:34,600
Speaker 4: it broad daylight, it's crazy.

1106
00:46:34,719 --> 00:46:36,840
Speaker 5: If they don't catch these people, then it's like, all right, maam,

1107
00:46:36,960 --> 00:46:37,840
Speaker 5: like what's really going on?

1108
00:46:38,160 --> 00:46:41,120
Speaker 4: Because just no way you not ca this was in Paris, right, Yeah,

1109
00:46:41,320 --> 00:46:42,160
Speaker 4: there's a camera on it.

1110
00:46:42,600 --> 00:46:45,880
Speaker 5: How many cameras that are in Paris like on the streets,

1111
00:46:45,920 --> 00:46:47,719
Speaker 5: Like they definitely gonna catch whoever this is.

1112
00:46:47,840 --> 00:46:50,799
Speaker 3: They tried to light the ladder on fire after but

1113
00:46:50,840 --> 00:46:53,200
Speaker 3: they failed, Like they're trying to like burn the evidence

1114
00:46:53,200 --> 00:46:55,560
Speaker 3: and shit and it didn't work. But can you pull

1115
00:46:55,640 --> 00:46:57,719
Speaker 3: up a picture of the lot like this isn't like

1116
00:46:57,760 --> 00:46:59,600
Speaker 3: a ladder from home depot, Like I don't know how

1117
00:46:59,600 --> 00:47:01,359
Speaker 3: they thought they were going to fucking burn this thing

1118
00:47:02,080 --> 00:47:03,160
Speaker 3: without it blowing up.

1119
00:47:04,080 --> 00:47:05,799
Speaker 2: I think that might have been their point, like as

1120
00:47:05,800 --> 00:47:08,160
Speaker 2: a distraction, cause a distraction, commose.

1121
00:47:07,880 --> 00:47:09,440
Speaker 3: They would have taken out the whole side of the

1122
00:47:09,520 --> 00:47:12,959
Speaker 3: loves loof Like this is some some real uh.

1123
00:47:12,920 --> 00:47:16,479
Speaker 5: Yeah, this is definitely inside job. Yeah, like just doing

1124
00:47:16,520 --> 00:47:20,000
Speaker 5: that is yes, inside job, broad daylight, this inside job.

1125
00:47:20,440 --> 00:47:23,439
Speaker 5: Like there's no way speaking like inside man. Like it's

1126
00:47:23,440 --> 00:47:25,759
Speaker 5: so cool to know those people exist. Yeah, like they're

1127
00:47:25,800 --> 00:47:27,640
Speaker 5: really out there. Like I maybe sat next to a

1128
00:47:27,680 --> 00:47:28,720
Speaker 5: heister and I had no idea.

1129
00:47:29,040 --> 00:47:32,000
Speaker 3: Yeah that's cool New York City for sure. I mean

1130
00:47:32,280 --> 00:47:33,920
Speaker 3: do people still rob banks? Can you do that?

1131
00:47:34,280 --> 00:47:34,520
Speaker 5: Yeah?

1132
00:47:34,680 --> 00:47:36,239
Speaker 2: When the last time a bank was robbed in New

1133
00:47:36,320 --> 00:47:36,840
Speaker 2: York City?

1134
00:47:37,239 --> 00:47:39,399
Speaker 5: In New York City, Well, these niggas just busting checks

1135
00:47:39,400 --> 00:47:41,840
Speaker 5: every day. You call it, if you like the positive

1136
00:47:41,920 --> 00:47:44,200
Speaker 5: a fake check. Do you can consider that? No, So

1137
00:47:44,239 --> 00:47:46,080
Speaker 5: you're talking about get the fuck down, give me the

1138
00:47:46,080 --> 00:47:47,880
Speaker 5: money in the safe, you talk about that type of robbery?

1139
00:47:47,960 --> 00:47:50,120
Speaker 2: Yeah, just period shit that don't happen in New York.

1140
00:47:51,239 --> 00:47:55,080
Speaker 2: The most recent fasterday bank robbery was August fifth, twenty

1141
00:47:55,080 --> 00:47:55,640
Speaker 2: twenty five.

1142
00:47:55,960 --> 00:47:57,640
Speaker 3: He escaped with three hundred and fifty.

1143
00:47:57,440 --> 00:48:00,839
Speaker 2: Dollars all I shit, I need a height.

1144
00:48:01,000 --> 00:48:03,040
Speaker 5: Man entered the bank around eleven fifteen and passed a

1145
00:48:03,120 --> 00:48:04,719
Speaker 5: note to the teller, who gave him a proxially three

1146
00:48:04,800 --> 00:48:05,720
Speaker 5: hundred and fifty dollars.

1147
00:48:05,960 --> 00:48:07,640
Speaker 4: That ain't no fucking robbery.

1148
00:48:07,719 --> 00:48:07,879
Speaker 1: Man.

1149
00:48:08,120 --> 00:48:11,680
Speaker 5: That the Taeler pulled that out his pocket. That was

1150
00:48:11,680 --> 00:48:14,879
Speaker 5: his own problems in know I'm talking nah man, I'm

1151
00:48:14,880 --> 00:48:16,360
Speaker 5: talking about really bank heist.

1152
00:48:16,440 --> 00:48:19,560
Speaker 2: Oh they stole They robbed a brinkstruck in Queen's June second,

1153
00:48:19,600 --> 00:48:23,960
Speaker 2: twenty twenty five. Stole more than five thousand dollars.

1154
00:48:24,200 --> 00:48:25,760
Speaker 3: All right, but if you get into a brain struggle,

1155
00:48:25,760 --> 00:48:27,120
Speaker 3: there's gotta be win five brander.

1156
00:48:27,320 --> 00:48:29,560
Speaker 4: Yeah, these niggas ain't that. That's not I'm talking about

1157
00:48:29,600 --> 00:48:30,160
Speaker 4: this right here.

1158
00:48:30,400 --> 00:48:34,120
Speaker 5: This the biggest robbery NYC history is likely the nineteen

1159
00:48:34,239 --> 00:48:37,399
Speaker 5: seventy two per Hotel heightst with thieves stole about three

1160
00:48:37,400 --> 00:48:39,479
Speaker 5: million in jewels and cash from safety pot.

1161
00:48:39,640 --> 00:48:40,600
Speaker 4: That's a robbery.

1162
00:48:41,200 --> 00:48:45,160
Speaker 5: Three million in jewels and cash from Safetypot's box valued

1163
00:48:45,200 --> 00:48:49,279
Speaker 5: at approximately twenty seven million today. She saw you gotta

1164
00:48:49,320 --> 00:48:51,759
Speaker 5: do is rob these places, rory and hold of shit. Yeah,

1165
00:48:52,000 --> 00:48:53,400
Speaker 5: hold her for a couple of years, hold her for

1166
00:48:53,440 --> 00:48:55,040
Speaker 5: fifty years, and then cash out.

1167
00:48:55,320 --> 00:48:58,160
Speaker 3: They still didn't get anyone for the Latanza heist. That

1168
00:48:58,280 --> 00:49:03,840
Speaker 3: was Was that the biggest New York Well? Yeah, okay,

1169
00:49:04,360 --> 00:49:05,920
Speaker 3: well that had to been the second biggest one then

1170
00:49:06,120 --> 00:49:08,759
Speaker 3: because that that ship was crazy. No one was working

1171
00:49:08,760 --> 00:49:11,279
Speaker 3: at the airport when that happened. Yeah, all heights now

1172
00:49:11,400 --> 00:49:12,280
Speaker 3: is like digital.

1173
00:49:13,160 --> 00:49:16,800
Speaker 5: Yeah, niggas ain't runningup in crypto scams.

1174
00:49:16,920 --> 00:49:19,640
Speaker 4: Yeah, just like selling pussy on the block, they ain't

1175
00:49:19,680 --> 00:49:20,239
Speaker 4: doing that no more.

1176
00:49:20,520 --> 00:49:23,240
Speaker 2: They still doing it. If a woman is still walking

1177
00:49:23,239 --> 00:49:26,520
Speaker 2: the streets, that's hilarious. Especially down South. Yeah they still

1178
00:49:26,600 --> 00:49:30,239
Speaker 2: they down South, someone down so they still do it,

1179
00:49:30,360 --> 00:49:33,560
Speaker 2: especially over by, like in them back areas where they

1180
00:49:33,560 --> 00:49:35,560
Speaker 2: have like motels and ship, like if it's a red

1181
00:49:35,640 --> 00:49:39,239
Speaker 2: roof in across from a Super eight them in little areas. Yeah,

1182
00:49:39,320 --> 00:49:41,319
Speaker 2: you can still see a street walker for show.

1183
00:49:41,880 --> 00:49:43,279
Speaker 4: I just don't that got to be for the love

1184
00:49:43,280 --> 00:49:44,439
Speaker 4: of the sport then for sure.

1185
00:49:44,520 --> 00:49:46,680
Speaker 5: No, because you don't have to, Like it's so many

1186
00:49:46,680 --> 00:49:50,080
Speaker 5: ways to get money, like just like sitting in the crib,

1187
00:49:50,160 --> 00:49:51,360
Speaker 5: like not having to walk the.

1188
00:49:51,320 --> 00:49:53,880
Speaker 2: Street the same way that you like your mom and

1189
00:49:53,920 --> 00:49:56,680
Speaker 2: your grandma might haven't have issues like using the phone.

1190
00:49:56,719 --> 00:49:58,680
Speaker 2: Sometimes they call it you saying it won't turn on,

1191
00:49:58,920 --> 00:50:00,840
Speaker 2: like and you just like grandma, I do not disturb

1192
00:50:00,920 --> 00:50:03,279
Speaker 2: like ship like that. There are people who are older

1193
00:50:03,360 --> 00:50:05,480
Speaker 2: still selling pussy, and there are older men who don't

1194
00:50:05,520 --> 00:50:06,360
Speaker 2: know how to buypussy.

1195
00:50:06,440 --> 00:50:09,760
Speaker 4: Hold on line, what older lady is selling pussy?

1196
00:50:09,800 --> 00:50:12,720
Speaker 2: If you forty forty year old women still selling pussy,

1197
00:50:12,719 --> 00:50:13,320
Speaker 2: you're crazy.

1198
00:50:13,400 --> 00:50:16,759
Speaker 4: Yeah, for forty, ain't that old to be? Like forty

1199
00:50:17,800 --> 00:50:18,120
Speaker 4: to a.

1200
00:50:18,040 --> 00:50:20,040
Speaker 2: Fifty five year old man, he's not doing ship on

1201
00:50:20,120 --> 00:50:23,680
Speaker 2: his phone. He wants hand the cash, hand the cash exchange,

1202
00:50:25,280 --> 00:50:27,480
Speaker 2: especially down south, down it. I'm all right.

1203
00:50:27,719 --> 00:50:29,600
Speaker 3: The trap it's still bricking.

1204
00:50:29,719 --> 00:50:32,799
Speaker 5: I know they still because they on an in Figaroa

1205
00:50:32,840 --> 00:50:36,319
Speaker 5: in Cali. They still walking the blade. Yeah, they're still

1206
00:50:36,320 --> 00:50:37,040
Speaker 5: walking the blade.

1207
00:50:37,880 --> 00:50:38,360
Speaker 4: I love like.

1208
00:50:38,400 --> 00:50:40,319
Speaker 5: My favorite thing to watch is the YouTube channel with it.

1209
00:50:40,360 --> 00:50:42,359
Speaker 5: They got the manic with the drone following them working

1210
00:50:42,400 --> 00:50:42,680
Speaker 5: with them.

1211
00:50:43,239 --> 00:50:45,480
Speaker 4: Hey, that's time. There's a YouTube page that follows the

1212
00:50:45,480 --> 00:50:46,120
Speaker 4: street walkers.

1213
00:50:46,239 --> 00:50:47,920
Speaker 3: Yeah, the drone has a drone.

1214
00:50:47,960 --> 00:50:49,960
Speaker 4: He just fly like, he just follows them. They be

1215
00:50:50,000 --> 00:50:51,279
Speaker 4: throwing like juice at the ship.

1216
00:50:52,160 --> 00:50:54,759
Speaker 5: I never seen this, yeah, man, I mean in the deep,

1217
00:50:54,920 --> 00:50:56,279
Speaker 5: the deep dark corners of you.

1218
00:50:56,400 --> 00:50:58,799
Speaker 3: No, I need to get I need any algorithms.

1219
00:50:58,640 --> 00:50:59,880
Speaker 2: Give me your algorithms. This.

1220
00:51:01,160 --> 00:51:03,440
Speaker 5: They were trying to hide their face and ship man,

1221
00:51:03,520 --> 00:51:04,160
Speaker 5: you butt naked.

1222
00:51:04,239 --> 00:51:04,799
Speaker 4: Now you're trying to.

1223
00:51:04,800 --> 00:51:08,120
Speaker 2: Hide your face facing you.

1224
00:51:06,520 --> 00:51:09,239
Speaker 5: As titty is out, like you're going to block with

1225
00:51:09,320 --> 00:51:10,000
Speaker 5: your titties out.

1226
00:51:10,239 --> 00:51:12,120
Speaker 3: Where he's standing with like the controller.

1227
00:51:13,080 --> 00:51:15,080
Speaker 5: He probably like in a in a in a car somewhere.

1228
00:51:15,640 --> 00:51:19,480
Speaker 5: But yeah, he just had the drone following them ship

1229
00:51:21,120 --> 00:51:22,799
Speaker 5: crackads drawn what that's all part of it?

1230
00:51:23,160 --> 00:51:26,120
Speaker 4: You selling got drone? Now, no crackhead drone.

1231
00:51:26,320 --> 00:51:29,360
Speaker 5: They following the crackheads And if you're selling pussy on

1232
00:51:29,360 --> 00:51:31,080
Speaker 5: the street, you considered a crackhead at this point.

1233
00:51:32,000 --> 00:51:33,200
Speaker 2: Don't give the police any idea.

1234
00:51:33,239 --> 00:51:35,120
Speaker 3: Remember, like remember when the cops started getting like mountain

1235
00:51:35,120 --> 00:51:37,880
Speaker 3: bikes and ship they'll get there'll be drones in the

1236
00:51:37,880 --> 00:51:42,359
Speaker 3: project soon. Yeah, for sure, absolutely before we get off

1237
00:51:42,360 --> 00:51:44,360
Speaker 3: the heist thing. You don't think it's weird that we

1238
00:51:44,440 --> 00:51:49,120
Speaker 3: never found out who kidnapped Kim Kardashian in Paris.

1239
00:51:47,960 --> 00:51:51,160
Speaker 2: Like that was kind of nuts technically kidnapp her, But yeah,

1240
00:51:51,200 --> 00:51:53,400
Speaker 2: I know what you mean. What was the exact backstory?

1241
00:51:53,480 --> 00:51:56,480
Speaker 2: They they followed her in and they tied her up

1242
00:51:56,480 --> 00:51:59,239
Speaker 2: and stole their jewels. But they were like professionals that

1243
00:51:59,280 --> 00:52:03,200
Speaker 2: there was they were. They were professionals. Yeah, they robbed

1244
00:52:03,200 --> 00:52:03,520
Speaker 2: her at some.

1245
00:52:03,560 --> 00:52:08,480
Speaker 3: Point getting away with that is four million dollar diamond ring. Yeah,

1246
00:52:08,520 --> 00:52:11,040
Speaker 3: that's and then we kind of just never heard about.

1247
00:52:11,560 --> 00:52:13,080
Speaker 2: Well, I mean, they were looking for them, but I

1248
00:52:13,080 --> 00:52:14,440
Speaker 2: don't think they ever found him.

1249
00:52:14,880 --> 00:52:16,160
Speaker 4: You imagine it han't No, they did.

1250
00:52:16,280 --> 00:52:18,799
Speaker 5: It was a high profile trial with eight people were

1251
00:52:18,800 --> 00:52:20,439
Speaker 5: found guilty and made twenty twenty five.

1252
00:52:20,600 --> 00:52:22,719
Speaker 2: Oh oh, so they just found them guilty, made twenty

1253
00:52:22,760 --> 00:52:23,160
Speaker 2: twenty five.

1254
00:52:23,200 --> 00:52:25,399
Speaker 3: She's but that happened a while ago, long time ago.

1255
00:52:25,440 --> 00:52:27,520
Speaker 3: I didn't know that they found the guys who were

1256
00:52:27,520 --> 00:52:29,760
Speaker 3: all right, I need to know. These guys are the tomorrow.

1257
00:52:30,960 --> 00:52:33,479
Speaker 4: The thieves were dubbed the Grandpa robbers in the media

1258
00:52:33,560 --> 00:52:35,000
Speaker 4: due to their advanced age.

1259
00:52:35,520 --> 00:52:37,680
Speaker 3: No, he's old as fuck. He has to be helped

1260
00:52:37,719 --> 00:52:40,400
Speaker 3: down the court st steps. And he robbed Kim Kardashian.

1261
00:52:41,280 --> 00:52:46,359
Speaker 3: That's that's fucking Whitey Bolger right there. That shit is crazy, yo,

1262
00:52:46,960 --> 00:52:49,320
Speaker 3: that's for the love of the game. Like, if you

1263
00:52:49,440 --> 00:52:51,160
Speaker 3: that old, you're doing like thrill bucketless shit.

1264
00:52:51,239 --> 00:52:52,960
Speaker 4: Yeah, those are old school robbers.

1265
00:52:52,760 --> 00:52:55,080
Speaker 3: Right there, because I damn I got to know like

1266
00:52:55,080 --> 00:52:58,480
Speaker 3: his back history though, who else Like, if you that

1267
00:52:58,560 --> 00:53:01,319
Speaker 3: old robin Kim Kardashian, you have to be behind some

1268
00:53:01,360 --> 00:53:02,960
Speaker 3: of the biggest robbery you think you.

1269
00:53:02,880 --> 00:53:05,840
Speaker 5: Think he knew what Kim was because it was Paris

1270
00:53:05,840 --> 00:53:08,160
Speaker 5: Fashion Week. Everybody's there.

1271
00:53:08,440 --> 00:53:12,040
Speaker 3: From what I remember, this was a very well planned robbery,

1272
00:53:12,239 --> 00:53:14,160
Speaker 3: so I think they had been following Kim for probably

1273
00:53:14,200 --> 00:53:16,480
Speaker 3: quite some time or had somebody on the inside that

1274
00:53:16,520 --> 00:53:17,239
Speaker 3: k new Kim was going to be.

1275
00:53:18,120 --> 00:53:20,400
Speaker 5: And then the hotel room, Yeah, this ain't happened like

1276
00:53:20,400 --> 00:53:22,600
Speaker 5: on the street. This was like how did they get

1277
00:53:22,640 --> 00:53:23,560
Speaker 5: past the front desk?

1278
00:53:23,640 --> 00:53:24,120
Speaker 4: How did they?

1279
00:53:24,160 --> 00:53:25,600
Speaker 2: You know what I'm saying, Like there had to be

1280
00:53:25,640 --> 00:53:28,520
Speaker 2: somebody on It was an inside job for sure. Somebody. Yeah,

1281
00:53:28,520 --> 00:53:30,160
Speaker 2: somebody at the hotel knew exactly what.

1282
00:53:30,160 --> 00:53:30,839
Speaker 4: Was going with room.

1283
00:53:30,880 --> 00:53:34,440
Speaker 5: She was in waiting the whole way, waiting the staircase.

1284
00:53:34,880 --> 00:53:38,000
Speaker 5: She's on her way up, jump out the staircase, Like

1285
00:53:38,280 --> 00:53:39,759
Speaker 5: it had to be a lot of moving parts to

1286
00:53:40,400 --> 00:53:42,720
Speaker 5: pull out on in a whole Paris hotel, in any

1287
00:53:42,840 --> 00:53:46,200
Speaker 5: any Paris hotel that Kim would be staying in, is

1288
00:53:46,360 --> 00:53:50,920
Speaker 5: the best hotel in the city. Security cameras like this

1289
00:53:51,040 --> 00:53:53,040
Speaker 5: ain't no RinkyDink just like yo, what they ain't have

1290
00:53:53,040 --> 00:53:54,440
Speaker 5: no rooms available Paris last week.

1291
00:53:54,560 --> 00:53:55,560
Speaker 4: I had to just find something.

1292
00:53:55,640 --> 00:54:00,359
Speaker 2: Though. I remember they were saying, it's so funny people

1293
00:54:00,400 --> 00:54:04,000
Speaker 2: think like celebrities are like fucking political figures. They're like, oh,

1294
00:54:04,200 --> 00:54:07,440
Speaker 2: this this was a ploy, Like she set this up,

1295
00:54:07,520 --> 00:54:09,840
Speaker 2: she set her Like, this isn't real, this isn't this

1296
00:54:09,880 --> 00:54:14,160
Speaker 2: is an insurance scam. I'm like, y'all, celebrities people, celebrities

1297
00:54:14,160 --> 00:54:19,480
Speaker 2: are not untouchable. There are people people can rob them,

1298
00:54:19,520 --> 00:54:22,600
Speaker 2: like she got robbed. Bad things happen to rich people.

1299
00:54:22,600 --> 00:54:24,120
Speaker 2: I know y'all don't like to believe that, but bad

1300
00:54:24,120 --> 00:54:25,240
Speaker 2: things happen to rich people.

1301
00:54:25,800 --> 00:54:28,319
Speaker 4: I mean, what you should I'm going to read more

1302
00:54:28,360 --> 00:54:28,680
Speaker 4: into this.

1303
00:54:28,680 --> 00:54:30,319
Speaker 3: I gotta know what they did with the ring, Like

1304
00:54:30,760 --> 00:54:32,839
Speaker 3: who do we think is going to buy the Louver

1305
00:54:32,960 --> 00:54:35,000
Speaker 3: jewelry that Israel blue?

1306
00:54:35,320 --> 00:54:37,640
Speaker 4: That y'all? Who gotta have that? So far? That is?

1307
00:54:37,719 --> 00:54:39,279
Speaker 4: That is? Do you think a salty prince mic?

1308
00:54:39,400 --> 00:54:42,960
Speaker 5: That is definitely like some wealthy collector that is going

1309
00:54:43,040 --> 00:54:45,879
Speaker 5: to be purchasing that for sure, But.

1310
00:54:45,840 --> 00:54:48,799
Speaker 4: You can't, like are you going to keep it in

1311
00:54:48,880 --> 00:54:52,839
Speaker 4: like a you can't let anyone know you have, let

1312
00:54:52,880 --> 00:54:53,960
Speaker 4: nobody know you you own it.

1313
00:54:54,000 --> 00:54:56,000
Speaker 3: But you know, I was reading that they were they

1314
00:54:56,000 --> 00:54:58,680
Speaker 3: could maybe melt everything down and sell it, but that

1315
00:54:58,920 --> 00:54:59,200
Speaker 3: was like.

1316
00:54:59,200 --> 00:55:00,680
Speaker 4: What if that was stolen and then they just stole

1317
00:55:00,680 --> 00:55:00,960
Speaker 4: it back.

1318
00:55:01,320 --> 00:55:01,560
Speaker 1: Mmm.

1319
00:55:02,440 --> 00:55:06,120
Speaker 3: Probably that's from the Napoleon's of state went in there.

1320
00:55:06,200 --> 00:55:08,240
Speaker 4: Yeah, like somebody, listen, man, we need that bag man.

1321
00:55:08,840 --> 00:55:11,279
Speaker 3: I mean listen man, oj what size of them? So

1322
00:55:11,280 --> 00:55:12,800
Speaker 3: why he went to jail? He went he went to

1323
00:55:12,800 --> 00:55:17,120
Speaker 3: go steal his own jerseys back, like, nah, give me

1324
00:55:17,160 --> 00:55:20,399
Speaker 3: my ship, need that. But that is kind of crazy though,

1325
00:55:20,480 --> 00:55:24,160
Speaker 3: like Napoleon, that's like some of the old jewelry. Ever,

1326
00:55:25,120 --> 00:55:27,080
Speaker 3: and how they don't they didn't, they don't catch them.

1327
00:55:27,280 --> 00:55:28,839
Speaker 3: The fact they don't got air tags on this ship

1328
00:55:28,880 --> 00:55:30,560
Speaker 3: these days is hilarious to me. It's like, how the

1329
00:55:30,600 --> 00:55:32,959
Speaker 3: fuck they don't got to put it bluetooths on that crowd?

1330
00:55:33,200 --> 00:55:36,919
Speaker 5: Oh no, they never thought nobody was stealing. That takes

1331
00:55:36,960 --> 00:55:38,719
Speaker 5: a lot of balls going to love and just broad

1332
00:55:38,760 --> 00:55:39,719
Speaker 5: daylight and steal some ship.

1333
00:55:39,800 --> 00:55:39,960
Speaker 3: Though.

1334
00:55:41,200 --> 00:55:43,439
Speaker 5: Yeah, that's that's like all right, we don't give a fuck,

1335
00:55:43,520 --> 00:55:44,960
Speaker 5: like we're going to get this and we out of here.

1336
00:55:48,800 --> 00:55:49,040
Speaker 2: Maul.

1337
00:55:49,080 --> 00:55:51,640
Speaker 3: Do you know there's people still out there that do

1338
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Speaker 3: not have cash app?

1339
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Speaker 2: I know, very weird, very weird.

1340
00:55:55,080 --> 00:55:57,239
Speaker 3: It's very very strange, especially in these day and ages,

1341
00:55:57,280 --> 00:56:00,280
Speaker 3: when everyone tries to walk out on the check. Nah,

1342
00:56:00,520 --> 00:56:02,600
Speaker 3: open your phone, you send that right now, right now,

1343
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Speaker 3: send it to me. Even if we can put dinner,

1344
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Speaker 3: we can do everything, we can make sure the irs

1345
00:56:06,360 --> 00:56:09,400
Speaker 3: is cool with this, right right now, send me that money.

1346
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Speaker 3: Cash app is more than just a safe way to

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Speaker 3: send and receive money. With a cash app card, you

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Speaker 3: plus discounts on everyday purchases at brands you're probably already

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Speaker 3: spending money on. All It also keeps your money safe

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Speaker 3: that's helpful. I ride MTA, so got it. They could

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Speaker 3: get my cash app card full limited time.

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Speaker 5: full disclosures.

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Speaker 3: This episode is sponsored by Roe. You cannot spell Rory

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Speaker 2: Yeah.

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Speaker 3: This is an ad by Betterhelp. October tenth is World

1393
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Speaker 3: Mental Health Day, and this year I think we should

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Speaker 3: take the time and focus our attention on thanking our therapists,

1395
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Speaker 3: the people that we dump all of our problems on

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Speaker 3: to the therapists. Check up on your strong friend. I'm

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1418
00:59:19,360 --> 00:59:20,880
Speaker 4: Rory, you've been listening to music this week.

1419
00:59:21,120 --> 00:59:23,480
Speaker 3: This weekend, I didn't get a chance to listen to

1420
00:59:23,560 --> 00:59:26,400
Speaker 3: the Toid Dollar album, which I want to this week,

1421
00:59:27,200 --> 00:59:30,360
Speaker 3: So when we're back on the next episode, I'll definitely

1422
00:59:30,400 --> 00:59:31,240
Speaker 3: give a proper review.

1423
00:59:31,400 --> 00:59:34,600
Speaker 5: I've been kind of like just glancing over albums. I'm sorry,

1424
00:59:34,640 --> 00:59:38,120
Speaker 5: but that Tam and Pola album came out. I'm stuck.

1425
00:59:38,240 --> 00:59:39,880
Speaker 5: I can't I can't start, I can't turn it off.

1426
00:59:39,960 --> 00:59:41,520
Speaker 3: I fuck with Tame and Poula. I didn't even know

1427
00:59:41,520 --> 00:59:42,400
Speaker 3: they forgot a new album.

1428
00:59:43,600 --> 00:59:44,160
Speaker 2: Touch right now.

1429
00:59:44,440 --> 00:59:46,760
Speaker 5: If y'all not listening to this Tame and Pola album,

1430
00:59:46,800 --> 00:59:50,000
Speaker 5: this is one of the best albums you're gonna listen

1431
00:59:50,040 --> 00:59:51,560
Speaker 5: to in the past how of many years?

1432
00:59:51,880 --> 00:59:52,560
Speaker 4: Without a doubt?

1433
00:59:53,080 --> 00:59:57,280
Speaker 3: Okay, is it better than the Slow Rush?

1434
00:59:57,720 --> 00:59:59,160
Speaker 4: Oh? I don't know where seventeenth.

1435
01:00:00,240 --> 01:00:06,919
Speaker 5: This is the music on this on this album, incredible, incredible,

1436
01:00:07,240 --> 01:00:08,960
Speaker 5: dead beat. The new Tam and Poler album, I don't

1437
01:00:09,000 --> 01:00:12,040
Speaker 5: know again, I try to. I've listened to the Summer Davies,

1438
01:00:12,120 --> 01:00:14,680
Speaker 5: Calma Ford dropped like a couple of joints on there.

1439
01:00:15,760 --> 01:00:17,440
Speaker 5: Listen to some of the Tie but I just can't

1440
01:00:17,480 --> 01:00:19,680
Speaker 5: really get into those. I'm stuck on this Tam and

1441
01:00:19,720 --> 01:00:22,760
Speaker 5: Poler album. Like I'm really stuck, like I can't turn

1442
01:00:22,800 --> 01:00:25,560
Speaker 5: this ship off. I text like five people yesterday. They

1443
01:00:25,640 --> 01:00:27,400
Speaker 5: was just laughing, like, Yo, it's like that, I said, bro,

1444
01:00:27,520 --> 01:00:29,280
Speaker 5: I can't turn this ship off.

1445
01:00:29,440 --> 01:00:32,320
Speaker 2: I was hearing the same thing about Olivia Dean's album.

1446
01:00:32,480 --> 01:00:34,440
Speaker 2: I think that's what her name is. That that was

1447
01:00:34,480 --> 01:00:34,959
Speaker 2: really good.

1448
01:00:35,280 --> 01:00:36,840
Speaker 3: What do you think like Mal does when he listens

1449
01:00:36,880 --> 01:00:39,080
Speaker 3: to Tam and Power. That's what I'm anything. It's music

1450
01:00:39,120 --> 01:00:39,880
Speaker 3: for anything on there.

1451
01:00:39,920 --> 01:00:41,880
Speaker 5: You could work out to this ship, you can clean

1452
01:00:41,960 --> 01:00:43,920
Speaker 5: to this ship, you can go for a walk with

1453
01:00:44,000 --> 01:00:46,040
Speaker 5: this plan, you can go for a driver.

1454
01:00:46,400 --> 01:00:48,600
Speaker 4: It's just that type of music. It's a little bit

1455
01:00:48,640 --> 01:00:49,360
Speaker 4: of idiom.

1456
01:00:49,120 --> 01:00:51,200
Speaker 5: On there, like towards the end of the album, you

1457
01:00:51,200 --> 01:00:53,880
Speaker 5: know that get to get that energy, but but it's

1458
01:00:53,920 --> 01:00:57,280
Speaker 5: not it's not it's not like non palatable.

1459
01:00:57,280 --> 01:01:01,360
Speaker 3: You can I don't know if I want, but I'm

1460
01:01:01,360 --> 01:01:03,120
Speaker 3: going to listen to it because I listen.

1461
01:01:03,120 --> 01:01:03,920
Speaker 4: They're incredible.

1462
01:01:03,960 --> 01:01:06,760
Speaker 5: You are gonna love this album like you no no

1463
01:01:06,880 --> 01:01:09,200
Speaker 5: shoes and socks as the Tyler Creator fans that we've

1464
01:01:09,200 --> 01:01:10,880
Speaker 5: been talking, Yes, of course I would love this.

1465
01:01:11,200 --> 01:01:14,200
Speaker 4: Yes, this album, This Tam and Polo album. Incredible.

1466
01:01:14,240 --> 01:01:18,040
Speaker 2: They're performing at Barclays two nights in a row next

1467
01:01:18,080 --> 01:01:19,120
Speaker 2: next Monday and Tuesday.

1468
01:01:19,480 --> 01:01:21,480
Speaker 4: I'm in there. Are you going I'm in there?

1469
01:01:21,960 --> 01:01:24,680
Speaker 2: Well, I think Monday is sold out. But Tuesday October,

1470
01:01:24,720 --> 01:01:26,240
Speaker 2: I mean Tuesday, October twenty eighth.

1471
01:01:26,760 --> 01:01:27,600
Speaker 4: I can only do Monday.

1472
01:01:27,640 --> 01:01:27,760
Speaker 1: Now.

1473
01:01:27,880 --> 01:01:30,800
Speaker 4: We gotta know somebody from Team I.

1474
01:01:30,720 --> 01:01:32,840
Speaker 2: Actually, y'allknew someone from Brady and Monica. Y'all laughed me

1475
01:01:32,840 --> 01:01:34,560
Speaker 2: out the room, but Tame, y'all gotta connect.

1476
01:01:34,560 --> 01:01:36,720
Speaker 3: Nobody laughed. We were just quiet because it kind of

1477
01:01:36,760 --> 01:01:39,760
Speaker 3: sucks that we don't know anyone that knows friendy who

1478
01:01:39,880 --> 01:01:41,640
Speaker 3: and we just been we've been asking to be connected

1479
01:01:41,680 --> 01:01:43,120
Speaker 3: with ray J for the past fucking I don't know.

1480
01:01:43,280 --> 01:01:45,960
Speaker 5: Listen, I gotta I gotta see this Tam and Paula

1481
01:01:46,360 --> 01:01:49,280
Speaker 5: show live. I have to this album is incredible.

1482
01:01:49,760 --> 01:01:52,680
Speaker 3: I'm sure we can find somebody at Barclay's. So we

1483
01:01:52,800 --> 01:01:55,080
Speaker 3: just go with some agent that we can figure out.

1484
01:01:54,920 --> 01:01:56,880
Speaker 4: What We'll just show up, man, We'll just show up.

1485
01:01:57,000 --> 01:01:58,920
Speaker 3: I don't think that's how it works at the Bark

1486
01:01:59,000 --> 01:01:59,439
Speaker 3: Lady Center.

1487
01:02:00,240 --> 01:02:00,840
Speaker 4: Just show up.

1488
01:02:01,560 --> 01:02:02,280
Speaker 5: We just show up.

1489
01:02:02,640 --> 01:02:04,560
Speaker 4: Peach, get the limbits going, you know how we do.

1490
01:02:04,880 --> 01:02:05,760
Speaker 4: Get us right in there.

1491
01:02:06,360 --> 01:02:09,240
Speaker 3: Let's start googling with the tamer AA passes.

1492
01:02:09,280 --> 01:02:11,200
Speaker 5: Look like, yeah, bro, this is this this album. Not

1493
01:02:11,280 --> 01:02:13,560
Speaker 5: y'all gonna fuck with it. They're definitely gonna fuck with

1494
01:02:13,560 --> 01:02:16,640
Speaker 5: it like I could. I'm trying to like turn it

1495
01:02:16,680 --> 01:02:19,440
Speaker 5: off and get into other albums that came out. It's

1496
01:02:19,600 --> 01:02:22,280
Speaker 5: the music on this Taming Pole album is just so incredible.

1497
01:02:22,320 --> 01:02:24,000
Speaker 5: It's like you don't want to listen to nothing else.

1498
01:02:24,560 --> 01:02:25,120
Speaker 4: That's what it is.

1499
01:02:25,120 --> 01:02:27,600
Speaker 5: When music is as good as this, it's hard to

1500
01:02:27,600 --> 01:02:30,880
Speaker 5: listen to other projects because just the level of the

1501
01:02:30,960 --> 01:02:32,200
Speaker 5: music is totally different.

1502
01:02:33,320 --> 01:02:34,919
Speaker 4: But you know, shout out to everybody else that drop.

1503
01:02:35,080 --> 01:02:36,439
Speaker 5: I did hear a couple of joints, like I said

1504
01:02:36,440 --> 01:02:38,240
Speaker 5: on Karma four and that I liked though, Yeahdave, So

1505
01:02:38,240 --> 01:02:39,720
Speaker 5: shout out to Davy's dropping Calma for.

1506
01:02:40,120 --> 01:02:41,200
Speaker 4: DJ premiere on Ransom.

1507
01:02:41,240 --> 01:02:43,960
Speaker 3: Amazing Graces put out their their first single because they're

1508
01:02:43,960 --> 01:02:45,080
Speaker 3: putting a full tape.

1509
01:02:44,840 --> 01:02:46,480
Speaker 2: Together, which I can't wait for it. But yeah, the

1510
01:02:46,520 --> 01:02:47,280
Speaker 2: first record is fire.

1511
01:02:47,840 --> 01:02:50,200
Speaker 4: Still waiting on our guys Alchemists and uh.

1512
01:02:50,440 --> 01:02:52,320
Speaker 3: Hi boy, I mean they put out the trailer for

1513
01:02:52,360 --> 01:02:55,600
Speaker 3: the movie, so yeah, I can't wait for that to

1514
01:02:55,640 --> 01:02:59,240
Speaker 3: actually shout out to al Also, I don't like how

1515
01:02:59,280 --> 01:03:01,760
Speaker 3: y'all skipped over a last episode when I said, if

1516
01:03:01,800 --> 01:03:04,440
Speaker 3: y'all heard Ice Spice batty beatty, Like y'all just skipped

1517
01:03:04,440 --> 01:03:06,640
Speaker 3: over and we just kind of like ended the conversation

1518
01:03:06,800 --> 01:03:07,840
Speaker 3: like I didn't hear it yet.

1519
01:03:09,080 --> 01:03:11,400
Speaker 4: It's everywhere you can't miss it.

1520
01:03:11,440 --> 01:03:12,800
Speaker 5: Is this the one where they said she has six

1521
01:03:12,800 --> 01:03:14,880
Speaker 5: million views in like ten minutes.

1522
01:03:14,960 --> 01:03:17,040
Speaker 3: Yeah, it's also the one where she says batty batty

1523
01:03:18,440 --> 01:03:21,000
Speaker 3: and she's showing her panty.

1524
01:03:21,840 --> 01:03:23,480
Speaker 4: She didn't mean to go pop Ice Spice.

1525
01:03:23,520 --> 01:03:27,240
Speaker 2: This is good man, very pretty baby.

1526
01:03:27,240 --> 01:03:30,280
Speaker 3: Do you do I need some flowers here or we're

1527
01:03:30,280 --> 01:03:31,080
Speaker 3: just gonna continue to.

1528
01:03:31,080 --> 01:03:31,440
Speaker 5: Not just.

1529
01:03:33,240 --> 01:03:34,920
Speaker 2: You said she was on the clock, and I actually

1530
01:03:34,960 --> 01:03:36,720
Speaker 2: think she's having a resurgence. I don't think she's on

1531
01:03:36,760 --> 01:03:37,360
Speaker 2: the clock at all.

1532
01:03:37,880 --> 01:03:40,080
Speaker 3: I did say when she posted that photo of her

1533
01:03:40,120 --> 01:03:45,000
Speaker 3: ass in front of the Eiffel Tower. I said, maybe

1534
01:03:45,040 --> 01:03:46,200
Speaker 3: I had this wrong with now that I know the

1535
01:03:46,280 --> 01:03:48,920
Speaker 3: music's coming out'm putting the clock. Yeah, I'm hitting the

1536
01:03:48,960 --> 01:03:50,040
Speaker 3: clock on the chessboard.

1537
01:03:50,440 --> 01:03:53,959
Speaker 2: I think that Ice is going to go the young

1538
01:03:54,000 --> 01:03:56,840
Speaker 2: Miami route. She's gonna have to show a little bit

1539
01:03:56,840 --> 01:03:59,080
Speaker 2: more personality. But I think she's going to become more

1540
01:03:59,080 --> 01:03:59,880
Speaker 2: of an influencer.

1541
01:04:00,080 --> 01:04:02,560
Speaker 3: And I thought you're about to say an artist stay

1542
01:04:02,600 --> 01:04:03,680
Speaker 3: puffed wh when he got up.

1543
01:04:04,400 --> 01:04:06,680
Speaker 2: No, just more of a more of an influencer than

1544
01:04:07,000 --> 01:04:08,880
Speaker 2: I think. The music will be background, kind of like

1545
01:04:08,960 --> 01:04:12,240
Speaker 2: Ruby Rose, but Ruby Rose is more like O F Girl.

1546
01:04:12,400 --> 01:04:15,200
Speaker 2: But I think it's gonna lean heavier into like fashion

1547
01:04:15,480 --> 01:04:18,800
Speaker 2: brand deals. Like I don't the music female rap is

1548
01:04:18,800 --> 01:04:20,800
Speaker 2: not selling like that anymore. However, shout out to Cardi

1549
01:04:20,840 --> 01:04:22,680
Speaker 2: because she is holding steady at number four under the

1550
01:04:22,680 --> 01:04:23,080
Speaker 2: Old Word.

1551
01:04:23,040 --> 01:04:26,520
Speaker 5: Charts, holding steady to me, Hey, we got voicemails. Though

1552
01:04:26,520 --> 01:04:28,400
Speaker 5: I'm not doing it with the marriage today. I'm not

1553
01:04:28,480 --> 01:04:30,400
Speaker 5: holding steady. Don't tell me the hold steady.

1554
01:04:30,520 --> 01:04:32,800
Speaker 2: She's holding steady, holding steady.

1555
01:04:33,240 --> 01:04:35,280
Speaker 4: What is this the Titanic? No?

1556
01:04:36,400 --> 01:04:42,440
Speaker 2: If you guys, if you guys pay attention to music,

1557
01:04:42,560 --> 01:04:44,560
Speaker 2: especially black music and black hip hop.

1558
01:04:47,920 --> 01:04:49,040
Speaker 4: Black hip hop.

1559
01:04:51,440 --> 01:04:53,080
Speaker 2: And the jokes on my old steady thing.

1560
01:04:53,560 --> 01:04:56,040
Speaker 3: I'm happy that Carti is still doing a second.

1561
01:04:57,040 --> 01:04:59,000
Speaker 2: It's not a Cardi thing. I know this is not

1562
01:04:59,080 --> 01:05:00,960
Speaker 2: just me being a Cardi thing. Hip Hop has not

1563
01:05:01,000 --> 01:05:03,120
Speaker 2: been performing that well when it comes to albums on

1564
01:05:03,200 --> 01:05:05,800
Speaker 2: the Billboard charts. So a hip hop album staying within

1565
01:05:05,840 --> 01:05:09,640
Speaker 2: the is that's a big thing.

1566
01:05:09,840 --> 01:05:11,920
Speaker 3: I No, I agree with you. We're just making some

1567
01:05:11,960 --> 01:05:17,560
Speaker 3: jokes to No, it's fine. In Ice Spice's influencer career,

1568
01:05:18,640 --> 01:05:20,680
Speaker 3: comparing her to Young Miami and how what I brought

1569
01:05:20,720 --> 01:05:24,959
Speaker 3: up with Sexy Red. Both of those people have personality. Yeah,

1570
01:05:25,040 --> 01:05:26,600
Speaker 3: that's like.

1571
01:05:26,640 --> 01:05:27,880
Speaker 4: I could see Ice Spices.

1572
01:05:27,600 --> 01:05:30,120
Speaker 3: Being in like campaigns and being like a model.

1573
01:05:29,880 --> 01:05:32,600
Speaker 2: So sweet the sweety route instead of the Young Miami road.

1574
01:05:32,680 --> 01:05:35,200
Speaker 2: Don't make the joke. I know it's there. Just keep

1575
01:05:35,200 --> 01:05:35,800
Speaker 2: it in your throat, but.

1576
01:05:37,120 --> 01:05:41,160
Speaker 5: Personality, keep it in your throat. You just told us

1577
01:05:41,160 --> 01:05:44,720
Speaker 5: grown man to do what keeping in his throat.

1578
01:05:44,840 --> 01:05:46,440
Speaker 2: Keep the joke in his throat because I know he's

1579
01:05:46,440 --> 01:05:49,600
Speaker 2: about to come out. Keep it in your throat, yo.

1580
01:05:50,680 --> 01:05:52,439
Speaker 3: I was just going to inquire, what do you mean

1581
01:05:52,960 --> 01:05:53,480
Speaker 3: by that.

1582
01:05:53,400 --> 01:05:55,880
Speaker 2: You know exactly what I mean? Why what would a

1583
01:05:55,880 --> 01:05:59,479
Speaker 2: Sweety route be for saying was heavy brand deals? Every

1584
01:05:59,520 --> 01:06:01,560
Speaker 2: creative cool wanted to clear brand dell.

1585
01:06:02,080 --> 01:06:04,720
Speaker 4: Well, did she have a dunkin Donut brandal already?

1586
01:06:04,880 --> 01:06:08,080
Speaker 2: Yeah, But there was a point, there was a point

1587
01:06:08,080 --> 01:06:11,480
Speaker 2: where Sweety had a big deal like McDonald's once a month,

1588
01:06:11,720 --> 01:06:13,080
Speaker 2: like it was like it was insane.

1589
01:06:13,080 --> 01:06:16,800
Speaker 3: But also Sweetie's music was really relevant at that time,

1590
01:06:16,880 --> 01:06:18,400
Speaker 3: and Ice Spice music.

1591
01:06:18,160 --> 01:06:20,040
Speaker 4: Was really relevant when she got the dunkin donut shit.

1592
01:06:20,600 --> 01:06:23,880
Speaker 3: So it's gonna take a few more Kansas City Chief games.

1593
01:06:25,040 --> 01:06:26,920
Speaker 4: But you know, but why do y'all play? Ice Space

1594
01:06:26,960 --> 01:06:28,520
Speaker 4: doesn't have personality.

1595
01:06:29,640 --> 01:06:33,120
Speaker 3: To the degree that Young Miami and Sexy Redde I

1596
01:06:33,160 --> 01:06:36,080
Speaker 3: don't think so. Ice Spice is a cool wrong stick

1597
01:06:36,520 --> 01:06:40,800
Speaker 3: sometimes that's not like she's more reserved and like quiet.

1598
01:06:41,200 --> 01:06:43,280
Speaker 2: She like we don't know how she is with her friends.

1599
01:06:43,400 --> 01:06:46,720
Speaker 2: Right when it comes to her outward personality of what

1600
01:06:46,840 --> 01:06:49,919
Speaker 2: she shows us. Young Miami from the very beginning has

1601
01:06:49,960 --> 01:06:52,720
Speaker 2: been like a personality. She was so big of a

1602
01:06:52,760 --> 01:06:55,600
Speaker 2: personality that she put her best friend on Santana, who

1603
01:06:55,680 --> 01:06:58,320
Speaker 2: is also now a big personality. It's just a natural

1604
01:06:58,320 --> 01:07:01,120
Speaker 2: thing sexy Red is a big personality. It's a natural thing.

1605
01:07:01,240 --> 01:07:04,440
Speaker 2: Not everybody shows that to the public. Ice Spice might

1606
01:07:04,480 --> 01:07:07,959
Speaker 2: have it, but that's not her her public persona. Yeah,

1607
01:07:08,120 --> 01:07:10,160
Speaker 2: I mean, like nobody can run into an Ice Spike.

1608
01:07:10,360 --> 01:07:12,320
Speaker 2: I al won'st say nobody, but not as many people

1609
01:07:12,320 --> 01:07:15,600
Speaker 2: will run to an Ice Spice podcast. Like with Kresha,

1610
01:07:15,720 --> 01:07:18,000
Speaker 2: it was obvious that Karisha needs a podcast because of

1611
01:07:18,040 --> 01:07:19,800
Speaker 2: her personality. Do you see what I'm saying?

1612
01:07:21,400 --> 01:07:24,640
Speaker 4: Yeah, because I mean only only like only young young

1613
01:07:24,680 --> 01:07:25,360
Speaker 4: Miami can win.

1614
01:07:25,480 --> 01:07:29,560
Speaker 3: Back to back beat he Let It Go podcast sponsored

1615
01:07:29,560 --> 01:07:30,000
Speaker 3: by Revolt.

1616
01:07:30,040 --> 01:07:31,280
Speaker 5: Can we listen to the Can we watch a new

1617
01:07:31,360 --> 01:07:32,640
Speaker 5: video so I get a song and then we can

1618
01:07:32,640 --> 01:07:33,320
Speaker 5: come back in on this.

1619
01:07:33,440 --> 01:07:33,680
Speaker 4: Yeah.

1620
01:07:33,720 --> 01:07:38,160
Speaker 5: Sure she looks great, man, Ice Spie looks great. Yeah,

1621
01:07:38,280 --> 01:07:41,440
Speaker 5: she looks great like the record. So it's a nice

1622
01:07:41,480 --> 01:07:42,919
Speaker 5: little bob. She ain't even mean to go pop.

1623
01:07:43,480 --> 01:07:44,120
Speaker 4: That's what I thought.

1624
01:07:44,200 --> 01:07:46,520
Speaker 5: She was just popping her ship. Yeah what I'm saying, like, yeah,

1625
01:07:46,840 --> 01:07:48,960
Speaker 5: seen the door Dash deal brand at the end. You've

1626
01:07:48,960 --> 01:07:51,160
Speaker 5: seen that baby d with the tea in the bag.

1627
01:07:51,200 --> 01:07:54,439
Speaker 4: What's tea? Yeah, so it went over my head, y'all.

1628
01:07:54,480 --> 01:07:57,040
Speaker 4: Don't even get the tnges with Ice that's the problem.

1629
01:07:57,400 --> 01:07:59,560
Speaker 3: What if ice spice was your door dash delivery girl,

1630
01:08:00,240 --> 01:08:02,080
Speaker 3: while you just open the door and it's spice just

1631
01:08:02,120 --> 01:08:02,840
Speaker 3: chilling right there.

1632
01:08:04,480 --> 01:08:05,600
Speaker 4: It's ice is right there.

1633
01:08:07,000 --> 01:08:08,720
Speaker 5: I would actually like, Yo, how long you've been doing this?

1634
01:08:10,080 --> 01:08:13,320
Speaker 5: You should be doing this beautiful. You don't do this

1635
01:08:13,440 --> 01:08:15,360
Speaker 5: like yourself. You don't need to be doing like a stripper.

1636
01:08:16,080 --> 01:08:17,200
Speaker 5: You shouldn't be doing this ice.

1637
01:08:17,520 --> 01:08:19,320
Speaker 3: That would be a good marketing thing, that have ice spices.

1638
01:08:19,360 --> 01:08:21,760
Speaker 3: Get on, get on those little scooters.

1639
01:08:21,960 --> 01:08:25,400
Speaker 4: A couple of door dash'd be cool. Our little bike,

1640
01:08:25,520 --> 01:08:28,759
Speaker 4: that's a cool little rollout O. Yeah, your door playing

1641
01:08:28,760 --> 01:08:29,560
Speaker 4: the record.

1642
01:08:30,120 --> 01:08:32,519
Speaker 3: And just getting everyone's reaction, Like when when you open

1643
01:08:32,560 --> 01:08:32,800
Speaker 3: the door.

1644
01:08:34,000 --> 01:08:38,920
Speaker 4: Do we have voicemails? You've got mail sponsor by boost Mobile?

1645
01:08:39,640 --> 01:08:39,840
Speaker 1: Right?

1646
01:08:40,520 --> 01:08:42,360
Speaker 3: Got you ask him? Right?

1647
01:08:42,760 --> 01:08:43,320
Speaker 4: What's pod?

1648
01:08:44,439 --> 01:08:47,160
Speaker 7: I hope you all are doing well. I'm actually calling

1649
01:08:47,240 --> 01:08:49,439
Speaker 7: with more of a music industry question for y'all.

1650
01:08:49,640 --> 01:08:51,320
Speaker 4: Okay, So, as all of.

1651
01:08:51,280 --> 01:08:53,759
Speaker 7: Us have probably known by now, Taylor Swift has released

1652
01:08:53,760 --> 01:08:57,040
Speaker 7: her new album recently, Yes, and whenever Taylor releases a

1653
01:08:57,080 --> 01:09:00,280
Speaker 7: new album, all of a sudden, the discourse of album

1654
01:09:00,400 --> 01:09:05,479
Speaker 7: variants comes into play. Even though most major artists release

1655
01:09:05,680 --> 01:09:08,960
Speaker 7: multiple different variants of their albums and it's crickets on

1656
01:09:09,000 --> 01:09:12,280
Speaker 7: the timeline. But then once Taylor does it, now there's

1657
01:09:12,320 --> 01:09:15,880
Speaker 7: this whole discourse about how she's greedy and she hates

1658
01:09:15,920 --> 01:09:18,880
Speaker 7: her fans, blah blah blah. And I did see on

1659
01:09:18,920 --> 01:09:22,200
Speaker 7: Twitter that Russ was kind of defending her, and he

1660
01:09:22,280 --> 01:09:24,599
Speaker 7: made a really good point to me where he said,

1661
01:09:24,640 --> 01:09:26,639
Speaker 7: you know, if he decides to release merch or say

1662
01:09:26,840 --> 01:09:30,519
Speaker 7: new Rory Mall releases merch and they have a hoodie,

1663
01:09:30,800 --> 01:09:33,320
Speaker 7: but they have that hoodie and seven different colors, is

1664
01:09:33,360 --> 01:09:35,960
Speaker 7: that now all of a sudden greedy or is it

1665
01:09:36,080 --> 01:09:39,280
Speaker 7: just giving fans, you know, variety and giving fans what

1666
01:09:39,320 --> 01:09:41,719
Speaker 7: they want. No one's forcing them to buy seven hoodies.

1667
01:09:42,720 --> 01:09:45,800
Speaker 7: No one's forcing anybody to buy ten different variants from

1668
01:09:45,800 --> 01:09:49,959
Speaker 7: Taylor Swift. So what are your guys' opinions on album variants?

1669
01:09:50,000 --> 01:09:52,960
Speaker 7: Are they a big deal? Is Twitter just blowing this

1670
01:09:53,120 --> 01:09:56,360
Speaker 7: up because Taylor's reached a level of fame where everybody's

1671
01:09:56,360 --> 01:09:58,160
Speaker 7: just trying to find a reason to tear her down.

1672
01:09:59,120 --> 01:10:01,000
Speaker 7: But yeah, what's your guy his opinions on this?

1673
01:10:01,360 --> 01:10:01,719
Speaker 4: Thanks?

1674
01:10:03,439 --> 01:10:07,320
Speaker 3: I mean, he brought off the Russ tweet and that's

1675
01:10:07,320 --> 01:10:08,439
Speaker 3: what I was going to bring up as well.

1676
01:10:08,439 --> 01:10:09,920
Speaker 4: I agreed with what Russ said.

1677
01:10:10,000 --> 01:10:13,000
Speaker 3: If you have the ability to create a fan base

1678
01:10:13,040 --> 01:10:16,040
Speaker 3: that will buy multiple products from you, I don't think

1679
01:10:16,080 --> 01:10:19,120
Speaker 3: there's anything to condemn there, Like if you have that

1680
01:10:19,160 --> 01:10:21,479
Speaker 3: ability where they will be that diehard to spend their

1681
01:10:21,479 --> 01:10:24,519
Speaker 3: money to feed your fan base that way, like it's

1682
01:10:24,520 --> 01:10:25,760
Speaker 3: not feeding.

1683
01:10:25,479 --> 01:10:25,920
Speaker 2: Your fan base.

1684
01:10:25,920 --> 01:10:27,479
Speaker 3: But I'm never going to get mad at Taylor Swift

1685
01:10:27,560 --> 01:10:31,240
Speaker 3: being so good at creating a cult that they will

1686
01:10:31,240 --> 01:10:33,519
Speaker 3: buy multiple versions of the same album if that's what

1687
01:10:33,640 --> 01:10:36,200
Speaker 3: they want to do. I mean, this is still America, right,

1688
01:10:37,400 --> 01:10:39,439
Speaker 3: they can do what they want with their money.

1689
01:10:40,280 --> 01:10:41,400
Speaker 4: I don't think there's anything like that.

1690
01:10:42,040 --> 01:10:45,880
Speaker 2: I agree. Now, if you want consumer if you want

1691
01:10:45,920 --> 01:10:48,439
Speaker 2: to fight it on the basis of you feel like

1692
01:10:48,560 --> 01:10:52,920
Speaker 2: it's skewing numbers when you release a deluxe, a deluxe Deluxe,

1693
01:10:52,920 --> 01:10:55,240
Speaker 2: and a Deluxe deluxe. If you feel like it's skewing numbers,

1694
01:10:55,240 --> 01:10:57,400
Speaker 2: you want to argue that that's an argument that people

1695
01:10:57,439 --> 01:10:59,439
Speaker 2: have been having. I get that.

1696
01:11:00,040 --> 01:11:02,559
Speaker 3: Numbers that that's only become well, let me not say

1697
01:11:02,600 --> 01:11:06,519
Speaker 3: only become something recently, but it's heightened in social media

1698
01:11:06,600 --> 01:11:09,120
Speaker 3: stand culture as of late, of course, like once fifty

1699
01:11:09,160 --> 01:11:12,599
Speaker 3: and Kanye battled it out. That started the whole numbers

1700
01:11:12,640 --> 01:11:15,400
Speaker 3: talk for everything, but now it's to a whole different level.

1701
01:11:15,760 --> 01:11:19,719
Speaker 3: Numbers don't matter to the world, Like it doesn't matter

1702
01:11:20,479 --> 01:11:23,120
Speaker 3: who cares if she manipulates the numbers there like that

1703
01:11:23,160 --> 01:11:25,720
Speaker 3: doesn't affect anyone's life except for this label in her

1704
01:11:25,920 --> 01:11:27,360
Speaker 3: that's not but that's not true.

1705
01:11:27,360 --> 01:11:29,080
Speaker 2: I don't I don't think that that's what she's doing,

1706
01:11:29,120 --> 01:11:30,479
Speaker 2: or I don't care if that's what she's doing. But

1707
01:11:30,560 --> 01:11:34,520
Speaker 2: that's not true. You yourself, and this wasn't numbers manipulation.

1708
01:11:34,920 --> 01:11:38,920
Speaker 2: Your life changed because Tina Turner died before your album

1709
01:11:39,000 --> 01:11:41,439
Speaker 2: came out, and you were not able to get the

1710
01:11:41,520 --> 01:11:43,439
Speaker 2: number one R and B album, which you would have

1711
01:11:43,479 --> 01:11:46,400
Speaker 2: had had Tina Turner not died, and people streamed her

1712
01:11:46,479 --> 01:11:50,920
Speaker 2: music and she beat you. So granted, Taylor's going number

1713
01:11:50,920 --> 01:11:53,120
Speaker 2: one anyway, But as far as this period on the

1714
01:11:53,200 --> 01:11:57,719
Speaker 2: overall scale of large artists manipulating things and releasing Deluxe's,

1715
01:11:57,720 --> 01:12:01,040
Speaker 2: Deluxe's Deluxe is where their album now keeps going back

1716
01:12:01,160 --> 01:12:04,000
Speaker 2: up to number one, which may keep somebody else from

1717
01:12:04,040 --> 01:12:06,120
Speaker 2: getting a number one on a country chart or R

1718
01:12:06,160 --> 01:12:09,559
Speaker 2: and B chart or a billboard. So that does affect

1719
01:12:09,680 --> 01:12:10,760
Speaker 2: other people like.

1720
01:12:10,760 --> 01:12:14,679
Speaker 3: I'm saying from the fan side, like that's just become

1721
01:12:15,400 --> 01:12:18,719
Speaker 3: a stand Like, yeah, if it doesn't affect anyone's life,

1722
01:12:18,800 --> 01:12:21,720
Speaker 3: if Taylor Swift is manipulating now, yeah, if I'm an

1723
01:12:21,800 --> 01:12:25,000
Speaker 3: artist and in my contract with a major, I get

1724
01:12:25,040 --> 01:12:27,080
Speaker 3: a bump on an advance because if I hit a

1725
01:12:27,160 --> 01:12:29,680
Speaker 3: number one or stipulations like that, yeah, I'm gonna be

1726
01:12:29,720 --> 01:12:31,920
Speaker 3: fucking pissed. I mean, I wasn't mad at Tina Turner,

1727
01:12:32,120 --> 01:12:35,800
Speaker 3: but but it would have been nice to say, hey,

1728
01:12:36,000 --> 01:12:38,559
Speaker 3: I had number one. But again, it also didn't affect

1729
01:12:38,600 --> 01:12:41,439
Speaker 3: anything about that album, Like the album got the same

1730
01:12:41,479 --> 01:12:43,559
Speaker 3: amount of strings that it would have had it been Yeah,

1731
01:12:43,600 --> 01:12:45,320
Speaker 3: of course I think I ended up number three. It

1732
01:12:45,360 --> 01:12:49,160
Speaker 3: was too teena turnout. Yeah, how I get a number

1733
01:12:49,160 --> 01:12:54,599
Speaker 3: three when I should have number one? But I mean, yeah,

1734
01:12:54,640 --> 01:12:58,080
Speaker 3: I wasn't really mad at that, but I also am independent,

1735
01:12:58,240 --> 01:13:02,520
Speaker 3: like there's certain my stones that if I hit doesn't

1736
01:13:02,520 --> 01:13:03,680
Speaker 3: affect what my deal will be.

1737
01:13:03,840 --> 01:13:05,360
Speaker 2: Yeah, But to the.

1738
01:13:05,360 --> 01:13:07,679
Speaker 3: Fans that talk about all this shit, like these numbers

1739
01:13:07,680 --> 01:13:10,040
Speaker 3: don't affect any of you, like Todd, I know it's cool,

1740
01:13:10,160 --> 01:13:11,960
Speaker 3: Like if you're a barb to be like, I'm happy

1741
01:13:12,000 --> 01:13:13,680
Speaker 3: I can say Nicky has a number one, but if

1742
01:13:13,760 --> 01:13:17,960
Speaker 3: Nicki has a number two pause, the album is still

1743
01:13:17,960 --> 01:13:20,160
Speaker 3: going to be the exact same to the consumer, like

1744
01:13:20,280 --> 01:13:22,040
Speaker 3: nothing is going to change because of the numbers. But

1745
01:13:22,120 --> 01:13:23,840
Speaker 3: Russ's point is, why the fuck would you be mad

1746
01:13:23,840 --> 01:13:27,439
Speaker 3: at an artist that is utilizing their fan base. If

1747
01:13:27,560 --> 01:13:29,400
Speaker 3: y'all want to buy a bunch of shit, do it to.

1748
01:13:29,400 --> 01:13:31,760
Speaker 2: Play Devil's Advocate because I agree with Russ, but to

1749
01:13:31,760 --> 01:13:36,080
Speaker 2: play Devil's Advocate just to have a conversation. If the

1750
01:13:36,400 --> 01:13:40,240
Speaker 2: fan base is young kids, which Taylor does have a

1751
01:13:40,240 --> 01:13:43,960
Speaker 2: lot of her fan base, then you could say that

1752
01:13:44,000 --> 01:13:47,639
Speaker 2: you're manipulating a younger fan base to continue to spend

1753
01:13:47,720 --> 01:13:48,639
Speaker 2: money on your stuff.

1754
01:13:48,720 --> 01:13:51,439
Speaker 3: Then I'm gonna get on my camera on Bill O'Reilly thing.

1755
01:13:51,720 --> 01:13:54,720
Speaker 3: That's the parent's fault. If Amara Thompson says I want

1756
01:13:54,840 --> 01:13:57,360
Speaker 3: three versions of the same Taylor Swift album, omor you're

1757
01:13:57,360 --> 01:13:58,760
Speaker 3: getting one.

1758
01:13:58,880 --> 01:14:01,240
Speaker 2: Yeah, yeah, you're getting one of them.

1759
01:14:01,240 --> 01:14:02,800
Speaker 3: Now, I think there's a lot of Swifties that are

1760
01:14:02,840 --> 01:14:05,240
Speaker 3: adults that have great jobs, and however they want to

1761
01:14:05,240 --> 01:14:07,160
Speaker 3: fucking spend their money as long as not harming anyone.

1762
01:14:07,360 --> 01:14:10,080
Speaker 3: Who are we to judge anyone for that? We all

1763
01:14:10,080 --> 01:14:11,920
Speaker 3: buy weird shit I was just talking about buying pussy.

1764
01:14:12,120 --> 01:14:14,400
Speaker 2: I'm like, yeah, I mean, but me and you have

1765
01:14:14,479 --> 01:14:19,840
Speaker 2: had We had an ME and you had a disagreement

1766
01:14:20,800 --> 01:14:23,080
Speaker 2: that we ended up cutting out of an episode. As

1767
01:14:23,120 --> 01:14:25,639
Speaker 2: far as when I said you should start a Patreon,

1768
01:14:25,920 --> 01:14:28,599
Speaker 2: a personal Patreon, and then we talked about our own

1769
01:14:28,680 --> 01:14:30,760
Speaker 2: Patreon that we have, as far as like you were like, well,

1770
01:14:30,800 --> 01:14:33,360
Speaker 2: I feel bad having fans pay for things, and I said,

1771
01:14:33,400 --> 01:14:35,000
Speaker 2: and I said the exact same thing to you, where

1772
01:14:35,040 --> 01:14:37,240
Speaker 2: I said, that's their fucking choice to spend their money.

1773
01:14:37,439 --> 01:14:39,280
Speaker 2: You're not holding a gun to their head. You're like,

1774
01:14:39,280 --> 01:14:41,080
Speaker 2: I feel like I'm asking them for money, and it's

1775
01:14:41,080 --> 01:14:43,400
Speaker 2: like no, you're providing something and either they find it

1776
01:14:43,520 --> 01:14:45,479
Speaker 2: valuable or not valuable, and it's up to them to

1777
01:14:45,520 --> 01:14:46,320
Speaker 2: spend their money on it.

1778
01:14:46,640 --> 01:14:49,439
Speaker 3: Yeah, I mean, I guess I just view the consumer

1779
01:14:49,520 --> 01:14:53,320
Speaker 3: thing as what they're like monthly overhead is, and like

1780
01:14:53,320 --> 01:14:55,160
Speaker 3: what we're asking, Like all right, this month, we're asking

1781
01:14:55,160 --> 01:14:58,759
Speaker 3: someone to pay for twenty dollars. Here we're releasing merch

1782
01:14:58,880 --> 01:15:03,160
Speaker 3: at this price. Oh, also have live tickets on sale.

1783
01:15:03,240 --> 01:15:05,439
Speaker 3: Like I think about those types of things because I

1784
01:15:05,479 --> 01:15:08,200
Speaker 3: do care about our listeners. Like to just add more

1785
01:15:08,240 --> 01:15:11,479
Speaker 3: shit Yeah, but that's you weren't wrong in anything you

1786
01:15:11,520 --> 01:15:14,040
Speaker 3: were saying. It was like just more of a morality

1787
01:15:14,080 --> 01:15:16,600
Speaker 3: thing of like damn, I like I don't do I

1788
01:15:16,680 --> 01:15:18,400
Speaker 3: want to ask them to spend another ten dollars like

1789
01:15:18,560 --> 01:15:19,519
Speaker 3: I know I should be.

1790
01:15:19,520 --> 01:15:22,920
Speaker 2: And that's what you have morals. That's what the people

1791
01:15:23,000 --> 01:15:25,320
Speaker 2: are saying about Taylor Swift.

1792
01:15:25,840 --> 01:15:27,639
Speaker 4: Okay, but here she has no morals.

1793
01:15:27,800 --> 01:15:31,000
Speaker 2: No, they're saying that she's not considering the.

1794
01:15:30,960 --> 01:15:36,200
Speaker 5: Concert or you're just doing what most celebrities or stars do,

1795
01:15:36,400 --> 01:15:39,000
Speaker 5: like people who are trying to find a way to Yeah,

1796
01:15:39,000 --> 01:15:41,959
Speaker 5: you're trying to find a way to You can't please everybody,

1797
01:15:42,000 --> 01:15:43,559
Speaker 5: but you want to try to please as many as

1798
01:15:43,560 --> 01:15:47,120
Speaker 5: you can. So maybe you can't get this album, maybe

1799
01:15:47,160 --> 01:15:49,160
Speaker 5: you can't get this merch, maybe you can't go to

1800
01:15:49,200 --> 01:15:51,160
Speaker 5: this live show, but somebody can.

1801
01:15:51,280 --> 01:15:54,400
Speaker 4: Somebody can go to this live show. Yeah, somebody keep.

1802
01:15:54,600 --> 01:15:56,600
Speaker 3: Different options of shit that they different options.

1803
01:15:56,360 --> 01:15:58,240
Speaker 5: Of things that you can buy and support your artists

1804
01:15:58,320 --> 01:15:59,920
Speaker 5: or you know, whoever it is. I think you're both

1805
01:16:00,080 --> 01:16:02,519
Speaker 5: right that you're supporting, but I don't think it's something

1806
01:16:02,560 --> 01:16:03,479
Speaker 5: that should be frowned upon.

1807
01:16:03,520 --> 01:16:03,680
Speaker 1: Now.

1808
01:16:03,680 --> 01:16:06,160
Speaker 5: I do get where that can kind of trip the

1809
01:16:06,240 --> 01:16:08,880
Speaker 5: numbers and things like that. But somebody like Taylor Swift

1810
01:16:08,920 --> 01:16:11,960
Speaker 5: that doesn't. She's Taylor Swift, bro, the numbers are going

1811
01:16:12,000 --> 01:16:14,080
Speaker 5: to be the numbers, no matter if she has one

1812
01:16:14,200 --> 01:16:16,680
Speaker 5: version of her album or seventeen versions of albums, the

1813
01:16:16,760 --> 01:16:18,080
Speaker 5: numbers are going to be incredible.

1814
01:16:18,240 --> 01:16:19,400
Speaker 4: Like that's just what it is.

1815
01:16:19,680 --> 01:16:22,080
Speaker 3: Yeah, and back to another conversation we had when we

1816
01:16:22,080 --> 01:16:24,960
Speaker 3: were talking about like the billboard change, like the bundling

1817
01:16:25,040 --> 01:16:27,240
Speaker 3: rules after what like Travis was.

1818
01:16:27,160 --> 01:16:28,360
Speaker 4: Doing and that entire thing.

1819
01:16:28,880 --> 01:16:31,400
Speaker 3: I never saw anything wrong with that either. I understand

1820
01:16:31,439 --> 01:16:33,240
Speaker 3: why Nikki was complaining about it because she felt like

1821
01:16:33,280 --> 01:16:35,120
Speaker 3: she should have had the number one. I get that,

1822
01:16:35,800 --> 01:16:40,880
Speaker 3: But I know artists up to Taylor Swift are getting fucked.

1823
01:16:41,200 --> 01:16:43,880
Speaker 3: They're getting manipulated by a label. You have to find

1824
01:16:43,920 --> 01:16:49,400
Speaker 3: other strategies to manipulate a system that's manipulating you. So yeah,

1825
01:16:49,760 --> 01:16:51,360
Speaker 3: of course I'm going to try to bundle something. Of

1826
01:16:51,360 --> 01:16:53,519
Speaker 3: course I'm going to try to sell different versions of this.

1827
01:16:53,560 --> 01:16:56,559
Speaker 3: I'm getting fucked over here anyways. The system is not

1828
01:16:56,720 --> 01:16:59,479
Speaker 3: even designed to be an artist friendly system. I have

1829
01:16:59,520 --> 01:17:02,360
Speaker 3: to find new ways to do the shit right to

1830
01:17:02,400 --> 01:17:04,439
Speaker 3: make Not to say telllors Tip needs more money, but

1831
01:17:04,880 --> 01:17:08,559
Speaker 3: you know, just in general for any artists, it's not

1832
01:17:09,080 --> 01:17:11,880
Speaker 3: it's tricking a system that's tricking the artists. That's why

1833
01:17:11,880 --> 01:17:13,920
Speaker 3: I was never mad when people did bundles. Travis, Helly,

1834
01:17:14,200 --> 01:17:17,320
Speaker 3: you're a fucking great designer with your merch you're a

1835
01:17:17,400 --> 01:17:20,599
Speaker 3: great artist. Like, yeah, work the system that's trying to work,

1836
01:17:20,680 --> 01:17:22,280
Speaker 3: y'all already, right, I've never mad.

1837
01:17:22,120 --> 01:17:23,960
Speaker 4: At that type of shit. No, you can't be mad at.

1838
01:17:24,080 --> 01:17:26,400
Speaker 3: So that's why I even love that, Like people care

1839
01:17:26,400 --> 01:17:29,120
Speaker 3: about vinyls again, just because I know that's going to

1840
01:17:29,200 --> 01:17:32,080
Speaker 3: help so many artists because people will stream their music

1841
01:17:32,120 --> 01:17:34,160
Speaker 3: but also want to buy collectible of the same shit.

1842
01:17:34,280 --> 01:17:35,880
Speaker 4: Like, to me, that's that's cool for an artist.

1843
01:17:36,120 --> 01:17:37,920
Speaker 5: It's part of being a consumer, part of being a

1844
01:17:37,960 --> 01:17:41,960
Speaker 5: fan of they created the artists. Again, I get how

1845
01:17:42,360 --> 01:17:44,080
Speaker 5: some people like to have that argument about what it

1846
01:17:44,120 --> 01:17:45,760
Speaker 5: does for the numbers and things like that, and they

1847
01:17:45,800 --> 01:17:48,320
Speaker 5: feel like the artist is trying to play the numbers game.

1848
01:17:48,400 --> 01:17:50,439
Speaker 5: And again, even if that is what the artist is

1849
01:17:50,439 --> 01:17:51,519
Speaker 5: trying to do, what is the problem.

1850
01:17:52,120 --> 01:17:53,920
Speaker 4: You're in the music business. You're in the business of

1851
01:17:53,960 --> 01:17:56,720
Speaker 4: selling music, selling products. So I mean, it is what

1852
01:17:56,760 --> 01:17:57,160
Speaker 4: it is.

1853
01:17:57,080 --> 01:17:59,760
Speaker 3: And let's not act like fans and consumers aren't like

1854
01:18:00,600 --> 01:18:03,559
Speaker 3: I mean, at least the nerdier ones like myself aren't

1855
01:18:03,600 --> 01:18:06,880
Speaker 3: like collectors. Like if I'm a hard core tailor Swift fan,

1856
01:18:07,439 --> 01:18:08,040
Speaker 3: you mean you're not.

1857
01:18:08,600 --> 01:18:10,120
Speaker 2: Of course, of course I'm swiftly.

1858
01:18:10,920 --> 01:18:12,400
Speaker 4: I'm just checking. I'm part of this.

1859
01:18:12,840 --> 01:18:14,320
Speaker 3: I'm part of the six million tales.

1860
01:18:14,360 --> 01:18:16,439
Speaker 4: Yeah, you about to get your Swifty car revoke real quick.

1861
01:18:17,240 --> 01:18:19,880
Speaker 3: If I'm a hard core tailor Swift fan and I

1862
01:18:20,040 --> 01:18:23,320
Speaker 3: collect shit, I'm like, yeah, I'll buy three different color

1863
01:18:23,479 --> 01:18:25,080
Speaker 3: versions because like I like to collect things.

1864
01:18:25,439 --> 01:18:26,680
Speaker 4: I don't think there's anything wrong with it.

1865
01:18:26,920 --> 01:18:27,800
Speaker 2: No.

1866
01:18:27,800 --> 01:18:32,439
Speaker 3: Now, if you're manipulating ship with whether it be botser

1867
01:18:32,479 --> 01:18:34,360
Speaker 3: behind the scenes like with other that that's a whole

1868
01:18:34,360 --> 01:18:38,680
Speaker 3: separate conversation. But direct to consumer with a product, I'm

1869
01:18:38,680 --> 01:18:40,680
Speaker 3: wrong with that ship not at all. Sell it all.

1870
01:18:40,680 --> 01:18:43,960
Speaker 3: If they'll buy it, they buy it, I'm selling it.

1871
01:18:44,960 --> 01:18:50,799
Speaker 4: Everything must go. Maybe even you was that from next Friday?

1872
01:18:52,360 --> 01:18:56,000
Speaker 4: I remember that the thing must go? Maybe even you.

1873
01:18:56,600 --> 01:18:58,040
Speaker 3: I know you won't buy a pussy, would would you?

1874
01:18:58,080 --> 01:19:00,160
Speaker 3: Would you sell your body? Because you said if if

1875
01:19:00,200 --> 01:19:01,040
Speaker 3: someone's buying.

1876
01:19:01,880 --> 01:19:05,040
Speaker 4: Would I sell my body? Yeah? Nah?

1877
01:19:05,320 --> 01:19:06,800
Speaker 5: Is it'll be a humbling thing like when you see

1878
01:19:06,800 --> 01:19:08,760
Speaker 5: how much you go for in the market space, like

1879
01:19:08,760 --> 01:19:10,800
Speaker 5: how much you thought you would go for and how

1880
01:19:10,880 --> 01:19:11,880
Speaker 5: much people are willing to pay.

1881
01:19:11,920 --> 01:19:14,479
Speaker 4: That's like a very humbling thing. So yeah, no, yeah,

1882
01:19:14,520 --> 01:19:17,639
Speaker 4: I would do it, but I know that the price

1883
01:19:17,680 --> 01:19:19,519
Speaker 4: would like it. They try to get you a clearance

1884
01:19:21,000 --> 01:19:21,799
Speaker 4: Rory bed.

1885
01:19:21,640 --> 01:19:26,519
Speaker 3: Clearance, right, you know your dig being on sale. They

1886
01:19:26,560 --> 01:19:27,760
Speaker 3: found my dig in a thrift store.

1887
01:19:29,520 --> 01:19:31,560
Speaker 4: I guess put that in the cart man.

1888
01:19:33,320 --> 01:19:38,320
Speaker 3: Damn wait, I'm the Welfare of Cereal. Yeah, that's crazy.

1889
01:19:38,320 --> 01:19:39,439
Speaker 3: I don't I don't even want to guess.

1890
01:19:39,439 --> 01:19:41,000
Speaker 5: Would you would you get like a mold made of

1891
01:19:41,040 --> 01:19:43,720
Speaker 5: yourself instead that to like what's the what's like the

1892
01:19:43,760 --> 01:19:46,880
Speaker 5: big sex toy uh distributors?

1893
01:19:48,400 --> 01:19:50,120
Speaker 2: I don't know. Shut off the back of my head,

1894
01:19:50,160 --> 01:19:51,800
Speaker 2: but I can look at it. It's the Hasbro of

1895
01:19:51,840 --> 01:19:55,680
Speaker 2: that Like, oh definitely, Adam Adam, if Adam and Eve

1896
01:19:55,760 --> 01:19:57,160
Speaker 2: came to us and say, yo, we want to make

1897
01:19:57,160 --> 01:19:58,320
Speaker 2: the Rory Mal bundle.

1898
01:19:59,200 --> 01:20:01,479
Speaker 3: It's like, wait, but no, means were in the same

1899
01:20:01,520 --> 01:20:02,880
Speaker 3: page against It's.

1900
01:20:02,760 --> 01:20:04,160
Speaker 5: Like the Jordan's you know, the George that come to

1901
01:20:04,240 --> 01:20:07,320
Speaker 5: in the case like the kid give me in the

1902
01:20:07,360 --> 01:20:12,240
Speaker 5: package's separate packaging. It's separate it was a separate packages. Yeah,

1903
01:20:12,880 --> 01:20:14,639
Speaker 5: I mean even process and was like, yo, we want

1904
01:20:14,640 --> 01:20:16,879
Speaker 5: to do the roory Mall bundle and we got.

1905
01:20:16,680 --> 01:20:17,360
Speaker 4: To take a mold.

1906
01:20:17,439 --> 01:20:18,880
Speaker 2: I wouldn't be supposed to have to take a mold

1907
01:20:18,920 --> 01:20:19,920
Speaker 2: of our penis and sell it.

1908
01:20:20,040 --> 01:20:21,360
Speaker 4: I don't think people would buy mine.

1909
01:20:22,200 --> 01:20:23,680
Speaker 3: I would do it. It would be funny to me.

1910
01:20:23,840 --> 01:20:25,200
Speaker 2: People would buy moss.

1911
01:20:26,040 --> 01:20:28,800
Speaker 4: I don't know, why are you trying to make things seen.

1912
01:20:29,160 --> 01:20:30,840
Speaker 2: I don't think people would buy mine, And I'm like,

1913
01:20:30,960 --> 01:20:33,960
Speaker 2: you think they would buy, like, like, have some respect

1914
01:20:34,040 --> 01:20:34,599
Speaker 2: for yourself.

1915
01:20:35,200 --> 01:20:39,200
Speaker 3: I've never seen mals dick and I've seen mine, and

1916
01:20:39,240 --> 01:20:41,559
Speaker 3: I don't want to. I've seen mine. I know, Like

1917
01:20:41,680 --> 01:20:43,799
Speaker 3: I've been in the sex store, like there's better options

1918
01:20:43,840 --> 01:20:49,840
Speaker 3: out there, ye, Like I've walked past that aisle like,

1919
01:20:49,840 --> 01:20:51,400
Speaker 3: oh yeah, this isn't me.

1920
01:20:51,760 --> 01:20:53,880
Speaker 4: Y'all walk past that, Like who is that going in?

1921
01:20:54,080 --> 01:20:56,960
Speaker 2: Like, well, there's a sigh for everyone.

1922
01:20:58,040 --> 01:20:59,240
Speaker 5: Who is that going?

1923
01:20:59,840 --> 01:21:01,519
Speaker 4: I thought that was for the door.

1924
01:21:03,240 --> 01:21:10,920
Speaker 3: A doorstopper you were saying, America, I'm sorry baby what

1925
01:21:11,160 --> 01:21:11,679
Speaker 3: you said.

1926
01:21:11,479 --> 01:21:13,360
Speaker 4: There was there was other options.

1927
01:21:13,560 --> 01:21:15,400
Speaker 2: There's not just the big dick in the corner. Yeah,

1928
01:21:15,400 --> 01:21:17,360
Speaker 2: they have like that. You could advertise like you could

1929
01:21:17,400 --> 01:21:20,920
Speaker 2: be fainal, baby D love.

1930
01:21:21,080 --> 01:21:22,719
Speaker 3: The second time.

1931
01:21:24,360 --> 01:21:25,360
Speaker 4: You could be final?

1932
01:21:26,560 --> 01:21:28,719
Speaker 2: All right. I tried to gas him up. He didn't

1933
01:21:28,720 --> 01:21:31,040
Speaker 2: want to be gassed up. So now sit there idle.

1934
01:21:31,240 --> 01:21:34,000
Speaker 5: I don't know, Yeah, Adam and even protested, I don't know.

1935
01:21:34,880 --> 01:21:36,120
Speaker 5: All money ain't good money.

1936
01:21:36,600 --> 01:21:39,439
Speaker 2: That might be good money, though, Yeah, that's great money.

1937
01:21:39,600 --> 01:21:41,240
Speaker 4: Take a mold of my ship and like put it

1938
01:21:41,280 --> 01:21:46,479
Speaker 4: on the shelf, like that's peach. Would I ever fucking fleshlight?

1939
01:21:46,560 --> 01:21:48,080
Speaker 2: He said, have you ever? He's not said. He didn't

1940
01:21:48,080 --> 01:21:48,720
Speaker 2: say what he said.

1941
01:21:48,720 --> 01:21:50,720
Speaker 4: Have you have? I have never fun?

1942
01:21:51,600 --> 01:21:52,519
Speaker 2: That would feel so weak?

1943
01:21:52,600 --> 01:21:53,080
Speaker 4: I think good.

1944
01:21:53,160 --> 01:21:55,439
Speaker 5: I think dudes that's into that would like fucking corpse.

1945
01:21:58,560 --> 01:22:02,320
Speaker 5: Now you're about to him. I don't think you're wrong, Yeah,

1946
01:22:02,520 --> 01:22:04,479
Speaker 5: I think like if I see if you have like

1947
01:22:04,520 --> 01:22:07,720
Speaker 5: a flesh light, you just like climbing the.

1948
01:22:07,760 --> 01:22:09,240
Speaker 4: Ladder of like corpse.

1949
01:22:09,320 --> 01:22:09,960
Speaker 3: You're on your way.

1950
01:22:10,160 --> 01:22:13,720
Speaker 4: Yeah, Like that's a flesh light? What is that?

1951
01:22:13,800 --> 01:22:13,880
Speaker 1: Like?

1952
01:22:13,920 --> 01:22:15,000
Speaker 4: Why would you even.

1953
01:22:15,680 --> 01:22:17,880
Speaker 3: The but like the actual like with the ass and

1954
01:22:18,320 --> 01:22:20,759
Speaker 3: you definitely fuck if you fuck.

1955
01:22:20,600 --> 01:22:21,960
Speaker 4: Bro, That is weird to me. I'm sorry.

1956
01:22:21,960 --> 01:22:23,519
Speaker 5: And I know you say, don't kink Shane, baby D,

1957
01:22:23,640 --> 01:22:26,559
Speaker 5: but that's you walk in the dude's house and your

1958
01:22:26,560 --> 01:22:28,080
Speaker 5: first time going to your boy even house and he

1959
01:22:28,120 --> 01:22:29,160
Speaker 5: go to the store and leave you alone.

1960
01:22:29,200 --> 01:22:30,720
Speaker 4: You know you're going through his ship. All y'all do it?

1961
01:22:31,360 --> 01:22:33,759
Speaker 5: Everyone, every woman can't wait to have that thirty minutes

1962
01:22:33,760 --> 01:22:34,920
Speaker 5: alone in a nigga house for.

1963
01:22:34,880 --> 01:22:37,200
Speaker 4: The first time. You go through his ship.

1964
01:22:37,280 --> 01:22:40,679
Speaker 5: You open his closet, cause y'all go to the back

1965
01:22:40,680 --> 01:22:42,479
Speaker 5: of the closet. You go to the back of the

1966
01:22:42,520 --> 01:22:45,040
Speaker 5: closet and you see an Adam and Eve box and

1967
01:22:45,040 --> 01:22:48,320
Speaker 5: it's just like a fucking torsom.

1968
01:22:49,080 --> 01:22:50,360
Speaker 4: It's just ass and pussy.

1969
01:22:50,840 --> 01:22:52,840
Speaker 2: But what if it was gifted to us based on

1970
01:22:52,880 --> 01:22:53,320
Speaker 2: our deal.

1971
01:22:53,280 --> 01:22:54,479
Speaker 5: And then you look at it and then you could

1972
01:22:54,479 --> 01:22:56,120
Speaker 5: tell it's been used because it's still a little oily,

1973
01:22:56,400 --> 01:22:57,880
Speaker 5: like the cheeks still got a little oil on. He

1974
01:22:57,920 --> 01:23:00,080
Speaker 5: ain't watching He didn't watch it thoroughly, so it's.

1975
01:23:00,200 --> 01:23:03,280
Speaker 4: Like like he's been going to work. You ain't there, like he.

1976
01:23:03,320 --> 01:23:06,920
Speaker 5: Going to he going crazy on corpse right? Do you

1977
01:23:07,000 --> 01:23:08,360
Speaker 5: mention it to him? Do you bring it up to

1978
01:23:08,439 --> 01:23:10,320
Speaker 5: him or do you act like you never saw it?

1979
01:23:11,200 --> 01:23:14,360
Speaker 2: I leave and again, well, hold on, I have a

1980
01:23:14,360 --> 01:23:19,639
Speaker 2: convers the person that I kink shaming I just because

1981
01:23:19,680 --> 01:23:21,000
Speaker 2: not every kink is for me. But I would have

1982
01:23:21,040 --> 01:23:22,800
Speaker 2: a conversation with him and say, hey, how did you

1983
01:23:22,840 --> 01:23:24,320
Speaker 2: get this? Because it's some weird shick.

1984
01:23:24,479 --> 01:23:25,120
Speaker 4: How did you get this?

1985
01:23:26,680 --> 01:23:28,240
Speaker 2: It's some weird ship in my house.

1986
01:23:29,200 --> 01:23:31,480
Speaker 5: We bought a fake pussy with real money.

1987
01:23:32,120 --> 01:23:33,640
Speaker 4: These thinkings are idiots.

1988
01:23:35,640 --> 01:23:38,719
Speaker 3: You bought a fake pussy with real money.

1989
01:23:39,200 --> 01:23:41,599
Speaker 2: There are some weird things in my house that I

1990
01:23:41,640 --> 01:23:43,680
Speaker 2: have been gifted because of this job. Y'all know, we

1991
01:23:43,720 --> 01:23:45,680
Speaker 2: get sent some weird ship and some ship. I've just

1992
01:23:45,720 --> 01:23:48,280
Speaker 2: we ain't never been gifted a flesh well not that,

1993
01:23:48,320 --> 01:23:51,720
Speaker 2: but some ship we have. Yeah, we have a fake

1994
01:23:51,760 --> 01:23:54,559
Speaker 2: pussy somewhere off, Yeah, exactly were gifted that. No, I

1995
01:23:54,560 --> 01:23:56,799
Speaker 2: bought it from Amazon for one of our sketches. Okay,

1996
01:23:57,360 --> 01:24:00,639
Speaker 2: but sometimes people have weird ship on accident like whatever.

1997
01:24:00,960 --> 01:24:02,559
Speaker 2: So I don't know. He could have say my homeboy

1998
01:24:02,640 --> 01:24:04,160
Speaker 2: left this shit here in my house as a joke,

1999
01:24:04,240 --> 01:24:05,960
Speaker 2: like there could have been anything. So I would have

2000
01:24:06,000 --> 01:24:07,160
Speaker 2: a conversation with No.

2001
01:24:07,240 --> 01:24:09,639
Speaker 4: But it's like it's it got oil on it.

2002
01:24:09,600 --> 01:24:11,360
Speaker 2: But I don't there could be an explanation.

2003
01:24:13,479 --> 01:24:15,719
Speaker 5: Spank marks on it, like he's been spank even tearing

2004
01:24:15,720 --> 01:24:16,360
Speaker 5: that ass up.

2005
01:24:18,120 --> 01:24:19,840
Speaker 3: There's a whole chunk of the ass is like he

2006
01:24:19,960 --> 01:24:20,960
Speaker 3: bit the cheek, and.

2007
01:24:21,560 --> 01:24:25,880
Speaker 5: The corpse toy is like he got red spots on it,

2008
01:24:25,960 --> 01:24:26,760
Speaker 5: even spanking it.

2009
01:24:27,080 --> 01:24:28,679
Speaker 4: You're not gonna be like, yo, he's a widow.

2010
01:24:29,120 --> 01:24:31,600
Speaker 2: I'm going the person that the person that I am with,

2011
01:24:31,640 --> 01:24:34,080
Speaker 2: I would have a conversation with random. It's my first

2012
01:24:34,120 --> 01:24:35,639
Speaker 2: time at a main house and though there's no really

2013
01:24:35,680 --> 01:24:37,519
Speaker 2: no conversation, I'm leaving before I'm next.

2014
01:24:38,080 --> 01:24:39,760
Speaker 4: I just never been that horny man.

2015
01:24:39,960 --> 01:24:42,800
Speaker 2: I'm sorry some of your listeners might, so you don't

2016
01:24:42,840 --> 01:24:43,639
Speaker 2: want to offend them.

2017
01:24:43,680 --> 01:24:45,599
Speaker 5: Nobody should be that horny, and if you are, they

2018
01:24:45,640 --> 01:24:47,439
Speaker 5: should put you in the back of the prison.

2019
01:24:48,439 --> 01:24:51,599
Speaker 3: Okay, Ma, what if she has that contraption that has

2020
01:24:51,600 --> 01:24:54,080
Speaker 3: the dildo but like that she looks like it run

2021
01:24:54,160 --> 01:24:56,360
Speaker 3: on gas, like it has a stick and it moves.

2022
01:24:56,520 --> 01:24:58,880
Speaker 3: Oh like the but she doesn't do only fans. She

2023
01:24:58,920 --> 01:25:00,920
Speaker 3: does like it's not for work, but she just she

2024
01:25:01,000 --> 01:25:02,960
Speaker 3: just has that that ship.

2025
01:25:02,680 --> 01:25:04,800
Speaker 4: In her career. Yeah that's too much.

2026
01:25:05,240 --> 01:25:09,040
Speaker 3: Yeah, get a little vibe this morning.

2027
01:25:09,280 --> 01:25:13,679
Speaker 5: Yeah, why you the whole machinery? The machinery is.

2028
01:25:13,560 --> 01:25:15,800
Speaker 3: You felt you filling something up with oil to get

2029
01:25:15,800 --> 01:25:16,519
Speaker 3: fucked kind.

2030
01:25:16,360 --> 01:25:17,519
Speaker 2: Of is it? Plugs in.

2031
01:25:20,240 --> 01:25:21,240
Speaker 3: What type of batteries it there?

2032
01:25:21,360 --> 01:25:22,759
Speaker 4: Right? Baby?

2033
01:25:22,800 --> 01:25:25,240
Speaker 5: How you got so much info on these contraptions and.

2034
01:25:25,280 --> 01:25:28,320
Speaker 2: These because well that's obvious, it's not. It doesn't around

2035
01:25:28,320 --> 01:25:30,280
Speaker 2: oil like, y'all.

2036
01:25:30,080 --> 01:25:31,920
Speaker 5: Still have sex toy parties like where you'll have like

2037
01:25:31,960 --> 01:25:34,200
Speaker 5: parties where y'all just like somebody like one of your

2038
01:25:34,200 --> 01:25:36,479
Speaker 5: homegirls like has a bunch of sex toys for sale

2039
01:25:36,479 --> 01:25:37,000
Speaker 5: and stuff like that.

2040
01:25:37,080 --> 01:25:40,240
Speaker 2: You just, oh my god, I forgot about those. I'm

2041
01:25:40,320 --> 01:25:42,960
Speaker 2: sure that was to go to a rose party that didn't.

2042
01:25:43,320 --> 01:25:46,160
Speaker 5: It was the Rose Bowl you want to baby d

2043
01:25:46,280 --> 01:25:48,840
Speaker 5: went to the rolls.

2044
01:25:48,000 --> 01:25:59,000
Speaker 1: The listeners who are new and she won the title.

2045
01:25:59,600 --> 01:26:02,840
Speaker 5: She held trophy up at the end.

2046
01:26:02,920 --> 01:26:05,360
Speaker 2: But listeners who are new, there was a thing going

2047
01:26:05,400 --> 01:26:07,840
Speaker 2: around on TikTok that they wanted to whole have a

2048
01:26:07,960 --> 01:26:10,680
Speaker 2: rose party where it was basically women. It was a

2049
01:26:10,680 --> 01:26:12,960
Speaker 2: circle jerk. Women sat in a circle and held the

2050
01:26:13,000 --> 01:26:15,920
Speaker 2: rose to the vaginantcy who could last the longest without

2051
01:26:16,320 --> 01:26:18,479
Speaker 2: coming from the rose. Right, So we had a clip

2052
01:26:18,520 --> 01:26:20,360
Speaker 2: that that did pretty well where I said I was

2053
01:26:20,400 --> 01:26:24,559
Speaker 2: going to the Rose party. It was a joke. But anyway, yes,

2054
01:26:24,600 --> 01:26:27,679
Speaker 2: people still have sex to parties where they sell sex toys.

2055
01:26:27,720 --> 01:26:29,479
Speaker 2: I have not been to one since I was like eighteen,

2056
01:26:29,640 --> 01:26:32,320
Speaker 2: but they still have them. It's like Mary kay, but

2057
01:26:32,400 --> 01:26:36,160
Speaker 2: for dildos. Yeah, I mean like but for dildos.

2058
01:26:36,040 --> 01:26:39,800
Speaker 3: Thing dong Avon Wait, so it's like their brands like

2059
01:26:39,840 --> 01:26:40,600
Speaker 3: they're selling.

2060
01:26:40,400 --> 01:26:44,639
Speaker 2: No, they're like it's kind of like, uh what like Avon.

2061
01:26:44,880 --> 01:26:46,880
Speaker 5: Like it's like, you know, somebody just has a bunch

2062
01:26:46,920 --> 01:26:48,320
Speaker 5: of products and they sell them.

2063
01:26:48,360 --> 01:26:49,960
Speaker 2: He's like the Swap and White Friends over there.

2064
01:26:49,960 --> 01:26:51,200
Speaker 4: It's like, oh, what's this? What does this do?

2065
01:26:51,280 --> 01:26:52,640
Speaker 5: And you kind of just like learn what all the

2066
01:26:52,680 --> 01:26:54,479
Speaker 5: toys do and then if you want to, you know,

2067
01:26:54,600 --> 01:26:56,639
Speaker 5: try it on your trail and trying.

2068
01:26:56,880 --> 01:26:58,519
Speaker 4: So there's like a dressing room.

2069
01:26:58,880 --> 01:27:01,599
Speaker 2: No, no, no, no, they don't. They do not do that.

2070
01:27:01,720 --> 01:27:03,639
Speaker 2: Well I'm sure there's something that didn't anyone I've ever

2071
01:27:03,680 --> 01:27:04,920
Speaker 2: been to. They did not do that. It was just

2072
01:27:04,960 --> 01:27:06,600
Speaker 2: like okay and you take it home and that's that.

2073
01:27:08,280 --> 01:27:14,120
Speaker 4: Nothing like a good circle jerk pause, no clip that yeah,

2074
01:27:14,120 --> 01:27:18,280
Speaker 4: no with that. Oh man.

2075
01:27:18,640 --> 01:27:21,200
Speaker 5: But yes, Taylor Swift, I'm not mad at her doing

2076
01:27:21,200 --> 01:27:24,080
Speaker 5: this with an album. You know, she has the ability

2077
01:27:24,120 --> 01:27:26,200
Speaker 5: to you know, feed her fan base, and her fan

2078
01:27:26,240 --> 01:27:28,840
Speaker 5: base wants to consume anything that she puts out.

2079
01:27:29,240 --> 01:27:33,160
Speaker 4: Nothing wrong with that. Yeah, well, do you any more voicemails?

2080
01:27:33,240 --> 01:27:34,679
Speaker 4: Or is that it? It's been fun.

2081
01:27:34,680 --> 01:27:35,160
Speaker 2: We will see you.

2082
01:27:35,120 --> 01:27:37,439
Speaker 3: Guys, very very You're getting better at googling.

2083
01:27:37,840 --> 01:27:39,879
Speaker 4: I wouldn't give you that. I wouldn't just practice.

2084
01:27:39,920 --> 01:27:43,400
Speaker 5: Just going to just go home tonight, Johns and just

2085
01:27:43,400 --> 01:27:45,000
Speaker 5: google anything and try to get it right there.

2086
01:27:46,439 --> 01:27:49,719
Speaker 2: Gosh, doing practice, practice, practice your googles.

2087
01:27:50,640 --> 01:27:52,280
Speaker 3: You know what, Josh sna I'm gonna start texting you

2088
01:27:52,360 --> 01:27:53,360
Speaker 3: random topics I just wanted.

2089
01:27:53,400 --> 01:27:56,240
Speaker 4: I just gotta see how fast it back? How fast?

2090
01:27:56,479 --> 01:27:57,320
Speaker 3: Take care of the watch.

2091
01:27:59,400 --> 01:28:02,479
Speaker 4: All right to y'all soon, be safe, be blessed. I'm

2092
01:28:02,520 --> 01:28:06,519
Speaker 4: that nigga. He's just ginger peace no en