1 00:00:00,240 --> 00:00:04,000 Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I 2 00:00:04,040 --> 00:00:06,280 Speaker 1: am your host Movie Mike. Today, I want to give 3 00:00:06,320 --> 00:00:10,840 Speaker 1: you my top ten actor power rakings. This was such 4 00:00:10,840 --> 00:00:13,400 Speaker 1: a hard list to put together, but I think I 5 00:00:13,560 --> 00:00:16,840 Speaker 1: got it. In the movie review, I'll be talking about 6 00:00:16,840 --> 00:00:22,080 Speaker 1: a horror comedy called They Will Kill You, very Tarantino inspired, 7 00:00:22,160 --> 00:00:24,279 Speaker 1: one of the most original horror movies I've seen in 8 00:00:24,360 --> 00:00:27,080 Speaker 1: theaters in a long time. And in the trailer park, 9 00:00:27,600 --> 00:00:31,360 Speaker 1: we're breaking down the live action Molwanna trailer starring the 10 00:00:31,440 --> 00:00:35,080 Speaker 1: rock and interns of breaking down that trailer, I'm gonna 11 00:00:35,080 --> 00:00:37,840 Speaker 1: try to not break down myself. I'm gonna hold it together. 12 00:00:37,920 --> 00:00:40,600 Speaker 1: I'm gonna get through it. But thank you for being here, 13 00:00:40,720 --> 00:00:43,479 Speaker 1: thank you for being subscribed. Shout out to the Monday 14 00:00:43,520 --> 00:00:46,560 Speaker 1: Morning Movie crew. And now we're fired up. Let's go, 15 00:00:47,360 --> 00:00:48,680 Speaker 1: let's talk movies. 16 00:00:50,040 --> 00:00:54,360 Speaker 2: Podcast Network Movie Mikes Movie Podcasts. 17 00:00:54,560 --> 00:00:57,160 Speaker 1: All right, we're coming off the oscar some big box 18 00:00:57,200 --> 00:01:00,960 Speaker 1: office performances. I wanted to give you my top ten 19 00:01:01,600 --> 00:01:05,200 Speaker 1: actor power rankings right now. This was a really hard 20 00:01:05,240 --> 00:01:07,039 Speaker 1: list for me to come up with because there are 21 00:01:07,040 --> 00:01:10,160 Speaker 1: a lot of my favorite actors that I think deserve 22 00:01:10,240 --> 00:01:12,479 Speaker 1: to be in the top ten these are not of 23 00:01:12,560 --> 00:01:15,200 Speaker 1: all time, this is right now. Who I think are 24 00:01:15,280 --> 00:01:19,760 Speaker 1: the hottest, most in demand, best actors all around? How 25 00:01:19,800 --> 00:01:23,080 Speaker 1: I came up with this top ten list? Hollywood impact? 26 00:01:23,360 --> 00:01:26,000 Speaker 1: Have they led a movie in the last year? How 27 00:01:26,040 --> 00:01:28,039 Speaker 1: well did that movie do that they led at the 28 00:01:28,040 --> 00:01:30,560 Speaker 1: box office in the last year? What do they have 29 00:01:30,680 --> 00:01:35,720 Speaker 1: coming up next? Cultural presence? How much are these people googled? 30 00:01:35,959 --> 00:01:42,080 Speaker 1: Their social media following just general interest in them as humans? 31 00:01:42,200 --> 00:01:45,840 Speaker 1: Where does that rank? Style influence? I think that's a 32 00:01:45,840 --> 00:01:48,240 Speaker 1: big part of it, at least for me. I think 33 00:01:48,280 --> 00:01:51,480 Speaker 1: it is on the red carpet. Are people talking about 34 00:01:51,480 --> 00:01:55,240 Speaker 1: their looks? Do they have deals with companies? Do they 35 00:01:55,280 --> 00:01:58,560 Speaker 1: have campaigns where they're promoting some clothing or maybe some 36 00:01:58,640 --> 00:02:02,600 Speaker 1: shoes overall? If they put something on, are people going 37 00:02:02,680 --> 00:02:04,560 Speaker 1: to see that and think I want to look like 38 00:02:04,640 --> 00:02:06,920 Speaker 1: that person. I think about that stuff a lot, maybe 39 00:02:07,000 --> 00:02:08,600 Speaker 1: just me, but I had to include that in my 40 00:02:08,720 --> 00:02:12,480 Speaker 1: power rankings list. Audience appeal. How do they do with 41 00:02:12,560 --> 00:02:16,400 Speaker 1: the box office? Do their movies stream well? Do they 42 00:02:16,880 --> 00:02:20,040 Speaker 1: not only appeal to me the hyper movie nerd, but 43 00:02:20,120 --> 00:02:23,240 Speaker 1: also Jim Pop? How much do they just appeal to 44 00:02:23,280 --> 00:02:26,600 Speaker 1: the average person? If you said their name, would people 45 00:02:26,639 --> 00:02:30,400 Speaker 1: walking down the street know who that is. Brand momentum 46 00:02:30,480 --> 00:02:33,280 Speaker 1: was another big deal because it's not just about the 47 00:02:33,280 --> 00:02:36,600 Speaker 1: greatest actors of all time, it is about who has 48 00:02:36,639 --> 00:02:39,120 Speaker 1: that momentum right now. Are they coming off a big 49 00:02:39,160 --> 00:02:41,200 Speaker 1: performance that made a lot of money at the box office, 50 00:02:41,400 --> 00:02:43,960 Speaker 1: Were they just nominated or do they just win an oscar? 51 00:02:44,320 --> 00:02:46,520 Speaker 1: And what do they have coming up next that is 52 00:02:46,560 --> 00:02:49,360 Speaker 1: going to charge them into the next phase of their career. 53 00:02:49,760 --> 00:02:52,400 Speaker 1: Think of it as a roller coaster that momentum. And 54 00:02:52,400 --> 00:02:55,400 Speaker 1: then the final thing I accounted for was just how 55 00:02:55,440 --> 00:02:57,480 Speaker 1: good of an actor are they? I think that is 56 00:02:57,520 --> 00:03:02,520 Speaker 1: important and that is to me, just raw acting ability. 57 00:03:02,639 --> 00:03:05,480 Speaker 1: How good are they at conveying emotion. But let's get 58 00:03:05,480 --> 00:03:08,000 Speaker 1: into the list now. At number ten, I'm going with 59 00:03:08,040 --> 00:03:11,360 Speaker 1: Timothy shallow May. If I did this list last year, 60 00:03:11,720 --> 00:03:16,400 Speaker 1: he probably would have ranked higher. His highest rated movie 61 00:03:16,440 --> 00:03:19,960 Speaker 1: is Ladybird. His lowest rated movie is A Rainy Day 62 00:03:20,040 --> 00:03:23,680 Speaker 1: in New York. His last box office performance was about 63 00:03:23,680 --> 00:03:27,040 Speaker 1: one hundred and eighty million dollars worldwide. With Marty Supreme 64 00:03:27,639 --> 00:03:30,800 Speaker 1: on deck. He has Dune three coming out later this year. 65 00:03:31,680 --> 00:03:35,120 Speaker 1: He is what I still believe to be the face 66 00:03:35,400 --> 00:03:38,680 Speaker 1: of young Hollywood. He has the indie cred, but also 67 00:03:38,800 --> 00:03:42,840 Speaker 1: the blockbuster leads with Wonka and the Dune franchise. A 68 00:03:42,880 --> 00:03:45,320 Speaker 1: couple of reasons why he has dipped in my list. 69 00:03:45,840 --> 00:03:49,080 Speaker 1: It is just what he said recently that I think 70 00:03:49,120 --> 00:03:52,280 Speaker 1: has changed the way that some people feel about him. 71 00:03:52,560 --> 00:03:54,960 Speaker 1: Maybe it's his true self coming out a little bit. 72 00:03:55,120 --> 00:03:58,120 Speaker 1: I'm not sure right now, but I really think that 73 00:03:58,320 --> 00:04:03,000 Speaker 1: dinged his momentum. I think overall in maybe a month, 74 00:04:03,160 --> 00:04:05,360 Speaker 1: maybe even a few or a couple of weeks, at 75 00:04:05,360 --> 00:04:09,560 Speaker 1: this point, people will forget about that and move on. 76 00:04:09,560 --> 00:04:11,720 Speaker 1: Once the Dune trailer came out, I think a lot 77 00:04:11,760 --> 00:04:13,640 Speaker 1: of people were like, well, who cares what he said? 78 00:04:13,800 --> 00:04:17,400 Speaker 1: I want to see Dune. But to me, it just left, 79 00:04:17,600 --> 00:04:19,760 Speaker 1: at least right now, kind of a bad taste in 80 00:04:19,839 --> 00:04:22,799 Speaker 1: my mouth. So that was a contributing factor of why 81 00:04:22,839 --> 00:04:28,320 Speaker 1: he dipped in my ranking. But also because I don't 82 00:04:28,400 --> 00:04:32,880 Speaker 1: think Marty Supreme was as massive as he thought it 83 00:04:32,960 --> 00:04:36,440 Speaker 1: was going to be, and he campaigned hard for that movie. 84 00:04:36,600 --> 00:04:39,640 Speaker 1: He did not walk away with the Oscar win he 85 00:04:39,720 --> 00:04:42,279 Speaker 1: thought he was going to get. Because of that that 86 00:04:42,360 --> 00:04:44,719 Speaker 1: even I thought he was the front runner going into that, 87 00:04:45,520 --> 00:04:47,839 Speaker 1: and I think the movie did well with one hundred 88 00:04:47,839 --> 00:04:52,440 Speaker 1: and eighty million. But for somebody who I believe is 89 00:04:52,480 --> 00:04:55,080 Speaker 1: in that top tier the top ten actors right now, 90 00:04:55,760 --> 00:04:58,920 Speaker 1: I don't think that is enough to qualify him as 91 00:04:58,920 --> 00:05:02,599 Speaker 1: somebody in the top five. While it did pretty well 92 00:05:02,640 --> 00:05:06,200 Speaker 1: for an a twenty four movie, just his name alone 93 00:05:06,960 --> 00:05:09,120 Speaker 1: given the subject matter that I think some people had 94 00:05:09,160 --> 00:05:11,080 Speaker 1: a hard time wanting to pay money to go see 95 00:05:11,120 --> 00:05:13,440 Speaker 1: a movie about Ping Pong, even though I believe it 96 00:05:13,520 --> 00:05:16,960 Speaker 1: is so much more than that. I think his name 97 00:05:17,040 --> 00:05:20,440 Speaker 1: alone wasn't enough to bring in a mass audience to 98 00:05:20,520 --> 00:05:23,360 Speaker 1: that movie. So for that reason, he is just hanging 99 00:05:23,440 --> 00:05:25,400 Speaker 1: in there at number ten, and there are some people 100 00:05:25,880 --> 00:05:28,640 Speaker 1: right there on the bubble that I easily could have 101 00:05:28,720 --> 00:05:31,960 Speaker 1: put over him. But I do think that Oscar nomination 102 00:05:32,400 --> 00:05:35,400 Speaker 1: did keep him in this top ten, and he'll probably 103 00:05:35,440 --> 00:05:40,040 Speaker 1: move up. So at number ten, I have Timothy Chalameh 104 00:05:40,400 --> 00:05:44,640 Speaker 1: at number nine. Robert Downey Junior at this point in 105 00:05:44,680 --> 00:05:48,320 Speaker 1: his career, he's almost in this bubble of his own. 106 00:05:48,400 --> 00:05:54,360 Speaker 1: But you forget how massively worldwide famous Robert Downey Junior is. 107 00:05:54,839 --> 00:05:59,800 Speaker 1: His highest rated movie is Endgame. His lowest rated movie 108 00:05:59,839 --> 00:06:02,680 Speaker 1: is Do Little, which he did right after Endgame. Oh 109 00:06:02,760 --> 00:06:06,760 Speaker 1: that is hovering there in the teens. His latest box 110 00:06:06,880 --> 00:06:11,839 Speaker 1: office performance with Oppenheimer making almost one billion dollars worldwide, 111 00:06:11,880 --> 00:06:15,520 Speaker 1: and that wasn't all because of him, but I think 112 00:06:15,600 --> 00:06:20,880 Speaker 1: because of that Oscar win from Oppenheimer, it really balanced 113 00:06:20,920 --> 00:06:23,840 Speaker 1: him out where he has been around for so long 114 00:06:23,920 --> 00:06:26,919 Speaker 1: now and for the longest time in his comeback, we 115 00:06:27,080 --> 00:06:29,960 Speaker 1: just saw him as Tony Stark and it was that 116 00:06:30,120 --> 00:06:32,599 Speaker 1: role that kind of solidified him as No. I am 117 00:06:32,680 --> 00:06:35,920 Speaker 1: also a really great actor on Deck. He's going to 118 00:06:35,960 --> 00:06:40,960 Speaker 1: be in Doomsday, which is having a massive amount of speculation, 119 00:06:41,120 --> 00:06:45,240 Speaker 1: and people continuously talk about that movie. He comes out 120 00:06:45,279 --> 00:06:48,240 Speaker 1: at an award show and people want to see him 121 00:06:48,279 --> 00:06:51,919 Speaker 1: talk about that movie. He is really leaning into the 122 00:06:51,960 --> 00:06:56,120 Speaker 1: doctor Doom role, addressing in Green and really teasing people 123 00:06:56,240 --> 00:07:01,720 Speaker 1: on social media, creating that buzz, creating that excitement, creating 124 00:07:01,760 --> 00:07:06,000 Speaker 1: what people hire Robert Downey Junior for at this point 125 00:07:06,240 --> 00:07:08,919 Speaker 1: to bring in the eyeballs. And I think it's his 126 00:07:09,920 --> 00:07:13,640 Speaker 1: presence in that movie's promotion and him starring in that 127 00:07:13,720 --> 00:07:16,600 Speaker 1: movie is what's going to make it a success. At 128 00:07:16,600 --> 00:07:19,160 Speaker 1: the end of the day, Marvel knows they need to 129 00:07:19,200 --> 00:07:23,840 Speaker 1: go back to their og box office candy in Robert 130 00:07:23,880 --> 00:07:27,200 Speaker 1: Downey Junior. So you think about his comeback in two 131 00:07:27,240 --> 00:07:30,360 Speaker 1: thousand and eight, At the time he was seen as 132 00:07:30,360 --> 00:07:33,680 Speaker 1: a risk to be cast as Iron Man, and then 133 00:07:33,880 --> 00:07:37,840 Speaker 1: since then he has reinvented himself with that Oscar winning 134 00:07:37,840 --> 00:07:42,040 Speaker 1: performance in Oppenheimer, And now I think he's only going 135 00:07:42,080 --> 00:07:45,520 Speaker 1: to boost his career. And now I believe has all 136 00:07:45,600 --> 00:07:49,200 Speaker 1: this momentum in twenty twenty six leading us to doomsday, 137 00:07:49,520 --> 00:07:52,600 Speaker 1: and it's good to feed directly into twenty twenty seven 138 00:07:52,920 --> 00:07:56,360 Speaker 1: with Secret War. So at number nine, he's just a 139 00:07:56,360 --> 00:07:59,720 Speaker 1: really great actor. At number nine, I have Robert Downey. 140 00:08:00,920 --> 00:08:04,760 Speaker 1: At number eight, I have Brad Pitt. He is a 141 00:08:04,840 --> 00:08:09,200 Speaker 1: nog but proved to us in F one that he 142 00:08:09,280 --> 00:08:12,320 Speaker 1: still has it in a lot of ways and being 143 00:08:12,360 --> 00:08:15,840 Speaker 1: the leading man and still having that charming Brad Pitt 144 00:08:16,000 --> 00:08:20,720 Speaker 1: sex appeal and also still getting the critical acclaim with 145 00:08:21,000 --> 00:08:25,160 Speaker 1: F one being nominated for Best Picture. I highly believe 146 00:08:25,960 --> 00:08:29,000 Speaker 1: the reason that movie was nominated was because Brad Pitt 147 00:08:29,040 --> 00:08:33,160 Speaker 1: started in this movie. His highest rated movie is Moneyball, 148 00:08:33,200 --> 00:08:37,160 Speaker 1: which is fantastic, probably a top three baseball movie for me, 149 00:08:37,559 --> 00:08:39,319 Speaker 1: because I don't think anything is ever going to be 150 00:08:39,360 --> 00:08:43,560 Speaker 1: angels in the outfield. His lowest rated movie is Cool World, 151 00:08:43,840 --> 00:08:46,400 Speaker 1: which I'm not sure I've even seeing that movie, and 152 00:08:46,480 --> 00:08:49,120 Speaker 1: in speaking about f one, that movie made six hundred 153 00:08:49,120 --> 00:08:53,199 Speaker 1: and thirty three million dollars worldwide at the box office. 154 00:08:53,320 --> 00:08:57,040 Speaker 1: On deck, he has The Adventures of Cliff Booth, which 155 00:08:57,080 --> 00:08:59,160 Speaker 1: if you saw Once upon a Time in Hollywood back 156 00:08:59,200 --> 00:09:02,400 Speaker 1: in twenty nineteen, that movie was written and directed by 157 00:09:02,520 --> 00:09:07,360 Speaker 1: Quentin Tarantino. This movie serves as a sequel to that movie. 158 00:09:07,520 --> 00:09:10,439 Speaker 1: Quentin Tarantino is not directing it, but he did write it, 159 00:09:10,640 --> 00:09:14,200 Speaker 1: and David Fincher, who did Fight Club, is the one 160 00:09:14,240 --> 00:09:17,280 Speaker 1: directing this movie. It is going to be about Brad 161 00:09:17,320 --> 00:09:20,560 Speaker 1: Pitt's character, Cliff Booth. I know they did kind of 162 00:09:20,600 --> 00:09:23,920 Speaker 1: a teaser trailer at the Super Bowl, didn't really give 163 00:09:23,960 --> 00:09:26,560 Speaker 1: us a whole lot, So whenever that full trailer comes out, 164 00:09:26,760 --> 00:09:28,760 Speaker 1: I will throw it into the trailer park because I 165 00:09:28,760 --> 00:09:31,800 Speaker 1: do think it is interesting for a Quentin Tarantino movie, 166 00:09:31,840 --> 00:09:34,640 Speaker 1: even though he isn't directing it to get a sequel, 167 00:09:34,880 --> 00:09:37,160 Speaker 1: because he doesn't really do too many sequels to his 168 00:09:37,240 --> 00:09:40,319 Speaker 1: movies aside from the Kill Bill franchise. So Brad Pitt 169 00:09:40,360 --> 00:09:44,000 Speaker 1: has proven he is still a bankable veteran He's also 170 00:09:44,120 --> 00:09:46,320 Speaker 1: done a lot of producing now later in his career. 171 00:09:46,360 --> 00:09:50,400 Speaker 1: I think, even more so than Moneyball is the movie 172 00:09:50,480 --> 00:09:53,200 Speaker 1: he was a producer on, Twelve Years a Slave. I 173 00:09:53,200 --> 00:09:57,000 Speaker 1: think that has the highest rating out of any Brad 174 00:09:57,040 --> 00:10:01,480 Speaker 1: Pitt project. So at number eight, I have Brad Pitt. 175 00:10:01,760 --> 00:10:05,120 Speaker 1: At number seven, I have Emma Stone, who kinda is 176 00:10:05,160 --> 00:10:08,800 Speaker 1: the best of both worlds. The best of both worlds 177 00:10:09,160 --> 00:10:12,120 Speaker 1: where she can do a movie that brings in a 178 00:10:12,120 --> 00:10:14,959 Speaker 1: lot of money, which she did probably more early on 179 00:10:15,040 --> 00:10:18,479 Speaker 1: in her career where she was more in the romantic 180 00:10:18,600 --> 00:10:22,440 Speaker 1: comedy space, and she can also do a really good 181 00:10:22,600 --> 00:10:26,360 Speaker 1: art house movie where she can be really vulnerable with 182 00:10:26,400 --> 00:10:29,320 Speaker 1: her characters, or she really bears it all and what 183 00:10:29,400 --> 00:10:33,520 Speaker 1: does that do? It gets her Oscar nomination after Oscar nomination. 184 00:10:33,640 --> 00:10:36,920 Speaker 1: She also just seems like a genuinely nice person who 185 00:10:36,960 --> 00:10:40,400 Speaker 1: cares about the craft, somebody who, to me, I feel, 186 00:10:40,559 --> 00:10:44,319 Speaker 1: is the hardest person to hate in Hollywood. Her highest 187 00:10:44,400 --> 00:10:48,120 Speaker 1: rated movie Isla Loland. Her lowest rated movie, which I 188 00:10:48,200 --> 00:10:51,680 Speaker 1: will defend by the way, movie forty three, which is 189 00:10:51,720 --> 00:10:54,920 Speaker 1: a movie that came out and it features a crazy 190 00:10:54,960 --> 00:10:57,840 Speaker 1: amount of actors, doesn't have one plot, is just a 191 00:10:57,840 --> 00:11:02,359 Speaker 1: bunch of random sketches that mesh together to create a movie. 192 00:11:02,520 --> 00:11:06,240 Speaker 1: It is probably my biggest guilty pleasure comedy. I don't 193 00:11:06,280 --> 00:11:09,560 Speaker 1: recommend it whatsoever, but when I watched that movie, I 194 00:11:09,600 --> 00:11:12,240 Speaker 1: thought it was hilarious. I don't even think it's one 195 00:11:12,240 --> 00:11:14,800 Speaker 1: of those turn your brain off and just enjoy movies. 196 00:11:14,880 --> 00:11:17,000 Speaker 1: It is one you really have to focus in on 197 00:11:17,480 --> 00:11:20,520 Speaker 1: and know how ridiculous it is going to be, but 198 00:11:21,040 --> 00:11:23,280 Speaker 1: find something that you enjoy. But I don't even think 199 00:11:23,480 --> 00:11:25,319 Speaker 1: it's really hard to enjoy that movie. So it's a 200 00:11:25,360 --> 00:11:29,080 Speaker 1: really hard sell. But it is my guilty pleasure comedy 201 00:11:29,120 --> 00:11:33,040 Speaker 1: and it features Emma Stone. Her latest box office performance 202 00:11:33,200 --> 00:11:37,360 Speaker 1: was a Little mid Begonia, which I loved, but it's 203 00:11:37,400 --> 00:11:39,440 Speaker 1: such a hard sell. And she has been working with 204 00:11:39,480 --> 00:11:42,480 Speaker 1: director Jorgos Lantimos for a while now with Kinds of 205 00:11:42,559 --> 00:11:45,720 Speaker 1: Kindness and Poor Things. I think she is about to 206 00:11:45,800 --> 00:11:49,160 Speaker 1: move on from that. Currently, she is in talks to 207 00:11:49,240 --> 00:11:53,319 Speaker 1: star in a romantic comedy directed by her husband called 208 00:11:53,360 --> 00:11:57,920 Speaker 1: The Catch. Chris Pine is also reportedly in talks to 209 00:11:57,960 --> 00:12:01,320 Speaker 1: co star in this movie, and that is expected to 210 00:12:01,360 --> 00:12:04,680 Speaker 1: be her next movie, but currently doesn't have anything set 211 00:12:04,760 --> 00:12:08,800 Speaker 1: for release right now. But she is fresh off another 212 00:12:08,880 --> 00:12:12,280 Speaker 1: Oscar nomination. Even though I thought her performance was really 213 00:12:12,320 --> 00:12:17,199 Speaker 1: strong in Bogonia, wasn't as good as Jesse Buckley or 214 00:12:17,679 --> 00:12:20,240 Speaker 1: maybe a lot of the other people in that category 215 00:12:20,320 --> 00:12:23,480 Speaker 1: this year. But I still think her star is really 216 00:12:23,520 --> 00:12:28,680 Speaker 1: bright right now. So at number seven I have Emma Stone. 217 00:12:28,800 --> 00:12:33,680 Speaker 1: At number six Pedro Pascal. He continues to be dominant 218 00:12:33,760 --> 00:12:37,320 Speaker 1: at the box office, and even though he is around 219 00:12:37,440 --> 00:12:41,520 Speaker 1: in everything, I am still not sick of him. His 220 00:12:41,679 --> 00:12:45,400 Speaker 1: highest rated movie is The Unbearable Weight of Massive Talent, 221 00:12:45,480 --> 00:12:49,320 Speaker 1: which he started with Nicholas Cage, which I really enjoyed 222 00:12:49,320 --> 00:12:51,200 Speaker 1: that movie, and it kind of came out before his 223 00:12:51,280 --> 00:12:54,679 Speaker 1: star really rose, so I think maybe if that movie 224 00:12:54,720 --> 00:12:56,560 Speaker 1: came out now, it would have a little bit more 225 00:12:56,600 --> 00:13:00,679 Speaker 1: of an impact. But Nicholas Cage plays himself well. There 226 00:13:00,679 --> 00:13:03,440 Speaker 1: are a lot of fun references to Nicholas Cage movies, 227 00:13:03,480 --> 00:13:06,000 Speaker 1: and you see prompts that he has inside of his house, 228 00:13:06,200 --> 00:13:09,640 Speaker 1: but are really over the top fun time. I really 229 00:13:09,760 --> 00:13:12,600 Speaker 1: enjoy The Unbearable Weight of Massive Talent if you haven't 230 00:13:12,600 --> 00:13:15,080 Speaker 1: seen that one, or maybe you missed it. However, his 231 00:13:15,160 --> 00:13:19,600 Speaker 1: lowest rated movie is Wonder Woman nineteen eighty four, which 232 00:13:19,640 --> 00:13:22,640 Speaker 1: when that first came out. I defended it, but looking 233 00:13:22,720 --> 00:13:25,320 Speaker 1: back on it, I think it was because it came 234 00:13:25,360 --> 00:13:28,240 Speaker 1: out in the year in twenty twenty where we had 235 00:13:28,280 --> 00:13:30,760 Speaker 1: no movies and I was so excited just to have 236 00:13:30,880 --> 00:13:35,240 Speaker 1: anything new, and that was one that I remember. We 237 00:13:35,280 --> 00:13:39,440 Speaker 1: watched it at home. I was so thirsty for a 238 00:13:39,600 --> 00:13:42,880 Speaker 1: new movie that I printed out a couple of tickets 239 00:13:42,880 --> 00:13:44,920 Speaker 1: for Kelsey and I just to get that feeling like 240 00:13:44,960 --> 00:13:47,959 Speaker 1: we were going to the theater again. So we did that. 241 00:13:48,040 --> 00:13:50,240 Speaker 1: We had our snacks, We tried to make it feel 242 00:13:50,640 --> 00:13:53,120 Speaker 1: like the movies as much as possible, So I think 243 00:13:53,520 --> 00:13:56,680 Speaker 1: that experience was memorable. About that, I would even say 244 00:13:56,679 --> 00:13:59,960 Speaker 1: the first thirty forty minutes of that movie are DC 245 00:14:00,240 --> 00:14:02,880 Speaker 1: and then later it kind of falls apart. Villain's not 246 00:14:02,960 --> 00:14:05,559 Speaker 1: that great, Kristen Wigie in that movie not so great, 247 00:14:06,120 --> 00:14:09,360 Speaker 1: and it was just such a harsh drop off from 248 00:14:09,400 --> 00:14:11,720 Speaker 1: the first Wonder Woman movie, which I think really wowed 249 00:14:11,720 --> 00:14:15,920 Speaker 1: a lot of people. So still not as if that's 250 00:14:15,960 --> 00:14:18,640 Speaker 1: your worst movie. I don't think that is terrible. His 251 00:14:18,760 --> 00:14:23,520 Speaker 1: most recent box office outing was The Fantastic four First Steps, 252 00:14:23,560 --> 00:14:27,360 Speaker 1: which made about five hundred million dollars, and on deck, 253 00:14:27,800 --> 00:14:31,040 Speaker 1: he has the Mandalorian and Grogu, which I really hope 254 00:14:31,080 --> 00:14:33,720 Speaker 1: is good. And I know that falls into the Disney model, 255 00:14:33,760 --> 00:14:35,760 Speaker 1: which I won't get into right now because I will 256 00:14:35,760 --> 00:14:38,960 Speaker 1: talk about more when I break down the Mauana trailer. 257 00:14:39,280 --> 00:14:42,480 Speaker 1: But I just hope that it's not just the next 258 00:14:42,480 --> 00:14:46,320 Speaker 1: season of The Mandalorian in movie form, because I think 259 00:14:46,600 --> 00:14:48,920 Speaker 1: Disney would do that. They would say why put it 260 00:14:48,960 --> 00:14:50,520 Speaker 1: out on Disney Plus when we could put it out 261 00:14:50,520 --> 00:14:52,760 Speaker 1: in theaters. I hope that is not the case because 262 00:14:52,800 --> 00:14:54,560 Speaker 1: I really want that movie to be good. Even though 263 00:14:54,560 --> 00:14:58,800 Speaker 1: the last season of The Mandalorian was pretty mid but 264 00:14:59,040 --> 00:15:02,840 Speaker 1: not only is dominant on the big screen, the Last 265 00:15:02,880 --> 00:15:05,920 Speaker 1: of Us was also really great. I still enjoyed that 266 00:15:06,000 --> 00:15:10,520 Speaker 1: last season. So at number six, I have Pedro Pascal. 267 00:15:10,640 --> 00:15:14,640 Speaker 1: At number five, fresh off of his Oscar win, I 268 00:15:14,760 --> 00:15:19,640 Speaker 1: have Michael B. Jordan after he won, which I was 269 00:15:19,680 --> 00:15:22,640 Speaker 1: still rooting for Timothy Chalome, but seeing him go to 270 00:15:22,680 --> 00:15:26,400 Speaker 1: in and out take pictures with his Oscar, with his burger, 271 00:15:27,440 --> 00:15:30,200 Speaker 1: all the things he said post win, I thought, man, 272 00:15:30,280 --> 00:15:33,440 Speaker 1: we really picked the right person to win. The right 273 00:15:33,480 --> 00:15:37,640 Speaker 1: actor won. His highest rated movie is Black Panther. His 274 00:15:37,680 --> 00:15:41,920 Speaker 1: lowest rated movie is Fantastic Four. His last box office 275 00:15:41,960 --> 00:15:46,160 Speaker 1: outing was Sinners, making three hundred and seventy million dollars worldwide. 276 00:15:46,640 --> 00:15:49,600 Speaker 1: On Deck, he is going to star and direct a 277 00:15:49,720 --> 00:15:53,400 Speaker 1: remake of The Thomas Crown Affair that's coming out on 278 00:15:53,480 --> 00:15:57,720 Speaker 1: March fifth, twenty twenty seven. He is also in talks 279 00:15:57,760 --> 00:16:01,080 Speaker 1: to star in a Miami Wece movie, which after his 280 00:16:01,200 --> 00:16:04,320 Speaker 1: Oscar win, the story came out that he was renegotiating 281 00:16:04,400 --> 00:16:07,720 Speaker 1: for more money. I think he wanted like eighteen million 282 00:16:07,760 --> 00:16:10,520 Speaker 1: dollars and some people were saying, you're not worth that. 283 00:16:11,240 --> 00:16:15,040 Speaker 1: I think winning Best Actor is time to renegotiate for 284 00:16:15,200 --> 00:16:18,880 Speaker 1: a movie, because I think actors need to make their money, 285 00:16:18,960 --> 00:16:22,480 Speaker 1: especially while they're hot. And I would probably do the 286 00:16:22,480 --> 00:16:24,240 Speaker 1: same thing if I just want an Oscar and I 287 00:16:24,280 --> 00:16:27,640 Speaker 1: was in talks. I don't hate him for that. Secure 288 00:16:27,960 --> 00:16:31,680 Speaker 1: the bag, because you don't get any money for winning 289 00:16:31,680 --> 00:16:35,560 Speaker 1: an Oscar. It's nice, it's prestigious, you can brag about 290 00:16:35,560 --> 00:16:39,960 Speaker 1: it higher actor friends, but you don't win a monetary 291 00:16:40,000 --> 00:16:44,120 Speaker 1: amount for that award. What you win is that credibility 292 00:16:44,160 --> 00:16:48,640 Speaker 1: and that ability to raise your rate, because if you 293 00:16:48,720 --> 00:16:52,360 Speaker 1: want an Oscar winning actor in your movie, you're gonna 294 00:16:52,400 --> 00:16:55,480 Speaker 1: have to pay more money because forever. You can put 295 00:16:55,520 --> 00:16:59,280 Speaker 1: that on any role that you do Oscar winning actor 296 00:17:00,200 --> 00:17:03,720 Speaker 1: actor Michael B. Jordan, and that goes a long way 297 00:17:03,760 --> 00:17:06,399 Speaker 1: in the marketing. So I don't hate on him for that. 298 00:17:07,000 --> 00:17:09,000 Speaker 1: I think he also has a lot of cultural relevance. 299 00:17:09,040 --> 00:17:13,479 Speaker 1: He is a really fashionable dude. He is now in 300 00:17:13,520 --> 00:17:16,560 Speaker 1: that director of movie star hybrid where he can get 301 00:17:16,600 --> 00:17:19,199 Speaker 1: behind the camera, he can get in front of the camera, 302 00:17:19,280 --> 00:17:23,399 Speaker 1: he can do it all. He is also so insanely 303 00:17:23,560 --> 00:17:27,280 Speaker 1: talented that I realize why he won. I saw him 304 00:17:27,320 --> 00:17:29,960 Speaker 1: talk about in an interview how much prep he does. 305 00:17:30,960 --> 00:17:36,840 Speaker 1: He writes journals from the perspective of his characters, leading 306 00:17:37,040 --> 00:17:39,480 Speaker 1: all the way up to when the movie starts. So 307 00:17:39,520 --> 00:17:43,359 Speaker 1: he takes the script and then he develops the backstory 308 00:17:43,359 --> 00:17:47,160 Speaker 1: for his characters. Why are they the way they are, 309 00:17:47,720 --> 00:17:51,159 Speaker 1: keeps these journals and these logs about their life, lives 310 00:17:51,200 --> 00:17:56,240 Speaker 1: basically as them, and has all these details of kind 311 00:17:56,240 --> 00:17:58,359 Speaker 1: of like a road map that he can refer to 312 00:17:58,440 --> 00:18:01,000 Speaker 1: of like, Okay, if they did this, they probably had 313 00:18:01,000 --> 00:18:03,040 Speaker 1: this going on in their life, and he knows where 314 00:18:03,040 --> 00:18:06,480 Speaker 1: to pull from why they are motivated by certain things. 315 00:18:06,480 --> 00:18:09,040 Speaker 1: That is just next level. That is doing the homework 316 00:18:09,160 --> 00:18:11,840 Speaker 1: and you think about some actors who are like, man, 317 00:18:11,880 --> 00:18:14,400 Speaker 1: why have I never wanted? Maybe you're not trying hard enough. 318 00:18:14,440 --> 00:18:18,440 Speaker 1: Maybe you need to spend some time in the prep department. 319 00:18:18,560 --> 00:18:21,960 Speaker 1: For some people, it is more than just learning their lines. 320 00:18:22,520 --> 00:18:26,360 Speaker 1: It is learning their character and living inside that character. 321 00:18:26,720 --> 00:18:28,960 Speaker 1: Maybe not going as far as like a Daniel day 322 00:18:29,000 --> 00:18:31,800 Speaker 1: Lewis and making everybody on set call you Abraham Lincoln, 323 00:18:32,280 --> 00:18:36,400 Speaker 1: but it is knowing your character, knowing the inner workings 324 00:18:36,440 --> 00:18:38,840 Speaker 1: of their mind, why they are the way they are. 325 00:18:39,160 --> 00:18:44,200 Speaker 1: At number five, I have Michael B. Jordan. At number four, 326 00:18:44,320 --> 00:18:48,240 Speaker 1: I have Margo Robbie, who has one of the highest 327 00:18:48,280 --> 00:18:51,159 Speaker 1: grossing movies of the year with Wuthering Heights. And I 328 00:18:51,200 --> 00:18:54,480 Speaker 1: think it is because her star power that that movie 329 00:18:54,560 --> 00:18:58,520 Speaker 1: was so successful. She is a great actor and also 330 00:18:58,560 --> 00:19:00,679 Speaker 1: somebody that people just can't take her eyes off of. 331 00:19:01,040 --> 00:19:04,560 Speaker 1: She is so incredibly beautiful that you see her on 332 00:19:04,680 --> 00:19:07,399 Speaker 1: screen and think, man, she was supposed to be a 333 00:19:07,440 --> 00:19:10,639 Speaker 1: movie star. But she's also an incredibly smart business woman, 334 00:19:10,960 --> 00:19:14,640 Speaker 1: has an amazing production company. I can't wait to see 335 00:19:14,680 --> 00:19:16,800 Speaker 1: more of her work behind the camera. I know she's 336 00:19:16,840 --> 00:19:18,880 Speaker 1: produced a lot of things, has a lot of things 337 00:19:18,880 --> 00:19:22,000 Speaker 1: coming up as a big champion of female directors, so 338 00:19:22,040 --> 00:19:24,560 Speaker 1: I can't wait for her to make her directorial debut 339 00:19:24,640 --> 00:19:27,920 Speaker 1: because I feel like that is imminent. Her highest rated 340 00:19:28,000 --> 00:19:31,640 Speaker 1: movie is I Tanya and her lowest rated movie is Terminal. 341 00:19:32,359 --> 00:19:35,880 Speaker 1: Her last box office performance with Withering Heights, made over 342 00:19:35,960 --> 00:19:39,920 Speaker 1: two hundred and thirty four million dollars globally. On deck, 343 00:19:40,040 --> 00:19:43,600 Speaker 1: she is going to start in an Ocean's prequel, which 344 00:19:43,640 --> 00:19:46,199 Speaker 1: there aren't a whole lot of details out about that 345 00:19:46,359 --> 00:19:50,800 Speaker 1: right now, but I love the Oceans franchise. Ocean's eleven 346 00:19:51,359 --> 00:19:55,359 Speaker 1: great movie, so curious to see how they set up 347 00:19:55,400 --> 00:19:59,040 Speaker 1: the beginning of that. Can't really go further into it. 348 00:19:59,160 --> 00:20:01,600 Speaker 1: I think they kind of found a good stopping point. 349 00:20:01,880 --> 00:20:03,840 Speaker 1: And what do you do once you reach a stopping point? 350 00:20:03,880 --> 00:20:06,880 Speaker 1: You start doing prequels. And I think she is still 351 00:20:07,280 --> 00:20:11,520 Speaker 1: writing off of that success of Barbie, which I credit 352 00:20:11,600 --> 00:20:15,720 Speaker 1: to not only Margot Robbie but also director Greta Gerwig 353 00:20:16,040 --> 00:20:19,040 Speaker 1: for bringing back female led blockbusters. That is what a 354 00:20:19,080 --> 00:20:22,360 Speaker 1: production company Lucky chap is all about, and I am 355 00:20:22,400 --> 00:20:25,160 Speaker 1: all here for the rise of that. So at number four, 356 00:20:25,680 --> 00:20:30,879 Speaker 1: I have Margo Robbie. At number three, I have Leonardo DiCaprio, 357 00:20:31,520 --> 00:20:34,880 Speaker 1: fresh off of his nomination, even though he didn't win 358 00:20:34,960 --> 00:20:38,080 Speaker 1: for Best Actor for One Battle after Another. That is 359 00:20:38,119 --> 00:20:43,160 Speaker 1: also currently his highest rated movie ever. His lowest rated 360 00:20:43,200 --> 00:20:46,320 Speaker 1: movie is Critters three. I know I saw Critters one, 361 00:20:46,520 --> 00:20:48,919 Speaker 1: maybe saw Critters two. I don't think I saw Critters 362 00:20:48,920 --> 00:20:53,120 Speaker 1: three with Leonardo DiCaprio in that One Battle after Another, 363 00:20:53,119 --> 00:20:55,720 Speaker 1: by the way, made two hundred and ten million dollars 364 00:20:55,760 --> 00:20:58,240 Speaker 1: at the box office. What he has coming out next 365 00:20:58,320 --> 00:21:01,480 Speaker 1: is a movie called What Happens at Night, which also 366 00:21:01,560 --> 00:21:05,280 Speaker 1: stars Jennifer Lawrence and is directed by Martin Scorsese. And 367 00:21:05,320 --> 00:21:07,760 Speaker 1: I think that is why he is consistently in my 368 00:21:07,920 --> 00:21:11,679 Speaker 1: top three at times my number one, because he constantly 369 00:21:11,720 --> 00:21:16,880 Speaker 1: puts out culturally relevant movies, and he has been a 370 00:21:16,920 --> 00:21:20,800 Speaker 1: noteworthy celebrity now since the nineties, but now every single 371 00:21:20,840 --> 00:21:24,439 Speaker 1: movie he does is important, and it's always with a 372 00:21:24,480 --> 00:21:28,680 Speaker 1: really prestigious director like Scorsese, like Paul Thomas Anderson, like 373 00:21:28,760 --> 00:21:32,639 Speaker 1: Quentin Tarantino, that it becomes even more of an event 374 00:21:32,760 --> 00:21:36,600 Speaker 1: because those directors' names alone are enough to make people 375 00:21:36,640 --> 00:21:38,800 Speaker 1: want to go to the theater. But then you throw 376 00:21:38,880 --> 00:21:42,320 Speaker 1: Leonardo DiCaprio with that, and it becomes one of the 377 00:21:42,359 --> 00:21:45,239 Speaker 1: biggest Movies of the Year in any given year that 378 00:21:45,280 --> 00:21:48,880 Speaker 1: one of them come out, oftentimes going to warrant an 379 00:21:48,880 --> 00:21:52,399 Speaker 1: Oscar nomination, because I don't think he is in the 380 00:21:52,440 --> 00:21:57,320 Speaker 1: business of just making normal movies anymore. Where if it's 381 00:21:57,320 --> 00:21:59,600 Speaker 1: not going to get him a nomination for Best Actor, 382 00:21:59,640 --> 00:22:01,960 Speaker 1: I don't he's going to do it. Maybe the last 383 00:22:02,000 --> 00:22:04,480 Speaker 1: one that was kind of on the fence but still 384 00:22:04,680 --> 00:22:08,040 Speaker 1: had some critical acclaim was don't look up. But now 385 00:22:08,119 --> 00:22:11,000 Speaker 1: I think he is just pounding away and trying to 386 00:22:11,040 --> 00:22:13,720 Speaker 1: get more than one Best Actor award, which he should 387 00:22:13,800 --> 00:22:17,840 Speaker 1: have more than one. So coming off of a big movie, 388 00:22:18,240 --> 00:22:21,399 Speaker 1: going into a big movie, he continues to be a 389 00:22:21,520 --> 00:22:24,520 Speaker 1: name that is just right there at the top, brings 390 00:22:24,560 --> 00:22:26,960 Speaker 1: in the money at the box office, brings in movies 391 00:22:27,000 --> 00:22:29,840 Speaker 1: that stream really well, works with the Krem de la 392 00:22:29,920 --> 00:22:33,200 Speaker 1: crem when it comes to directors, and gives us great 393 00:22:33,280 --> 00:22:35,320 Speaker 1: movies that are not only great in the sense like 394 00:22:35,320 --> 00:22:37,160 Speaker 1: oh yeah, that was a really good movie that came out. 395 00:22:37,600 --> 00:22:44,160 Speaker 1: They become cinematic not always masterpieces, but pillars of modern 396 00:22:44,240 --> 00:22:48,440 Speaker 1: filmmaking that even in twenty years down the line, when 397 00:22:48,480 --> 00:22:51,119 Speaker 1: maybe he decides to retire, these are still going to 398 00:22:51,119 --> 00:22:56,159 Speaker 1: be the building blocks of American film, and anytime he 399 00:22:56,200 --> 00:22:57,800 Speaker 1: goes to an award show, you know it's going to 400 00:22:57,840 --> 00:22:59,679 Speaker 1: be centered on him. You know they're going to talk 401 00:22:59,720 --> 00:23:03,600 Speaker 1: about it, dating history. He continues to be a person 402 00:23:04,000 --> 00:23:07,399 Speaker 1: that people are just infatuated with, has been famous his 403 00:23:07,600 --> 00:23:12,160 Speaker 1: entire life. At number three, I have Leonardo DiCaprio. At 404 00:23:12,240 --> 00:23:16,880 Speaker 1: number two, I have Zendia, who has really risen into 405 00:23:16,920 --> 00:23:20,440 Speaker 1: this top five in the last year, and I think 406 00:23:20,480 --> 00:23:24,240 Speaker 1: it's because she has such a massive twenty twenty six 407 00:23:24,440 --> 00:23:27,960 Speaker 1: on deck. Her highest rated movie is Spider Man No 408 00:23:28,000 --> 00:23:30,840 Speaker 1: Way Home, which I think is wild. Her lowest rated 409 00:23:30,880 --> 00:23:33,960 Speaker 1: movie is Space Jam A New Legacy. Yeah, yeah, I 410 00:23:34,000 --> 00:23:36,800 Speaker 1: don't really think that was her fault. Her last box 411 00:23:36,920 --> 00:23:40,360 Speaker 1: office performance was Challengers, which made ninety six point one 412 00:23:40,480 --> 00:23:44,000 Speaker 1: million dollars. And what really led me to put her 413 00:23:44,200 --> 00:23:46,159 Speaker 1: high up in this list is I think she is 414 00:23:46,200 --> 00:23:50,440 Speaker 1: about to have a banner year coming up. This weekend. 415 00:23:50,600 --> 00:23:52,440 Speaker 1: She's going to be in a movie with Robert Pattinson, 416 00:23:52,480 --> 00:23:55,120 Speaker 1: The Drama, which is already creating a lot of drama 417 00:23:55,560 --> 00:23:57,880 Speaker 1: people spoiling that movie for me. I did not want 418 00:23:57,920 --> 00:24:01,080 Speaker 1: to know. I didn't want to know. Oh. I tried 419 00:24:01,119 --> 00:24:04,199 Speaker 1: not to click it, but it was just everywhere. Then 420 00:24:04,200 --> 00:24:06,040 Speaker 1: she's gonna be in Spider Man Brand New Day, which 421 00:24:06,080 --> 00:24:08,840 Speaker 1: is gonna be massive, gonna be in Doune three, which 422 00:24:08,960 --> 00:24:12,200 Speaker 1: is gonna be massive, and then she is also going 423 00:24:12,240 --> 00:24:15,040 Speaker 1: to be in the next season of Euphoria this year. 424 00:24:15,440 --> 00:24:18,680 Speaker 1: I still think the only reason she's not number one 425 00:24:19,320 --> 00:24:24,360 Speaker 1: is because I still think, too maybe the older generation, 426 00:24:24,600 --> 00:24:27,400 Speaker 1: you may still have to explain who she is, even 427 00:24:27,440 --> 00:24:30,639 Speaker 1: though I think at this point should be undeniable. She 428 00:24:30,840 --> 00:24:33,680 Speaker 1: is one of those celebrities that any day I go online, 429 00:24:33,800 --> 00:24:37,280 Speaker 1: there is a data story. People still speculating whether her 430 00:24:37,320 --> 00:24:40,320 Speaker 1: and Tom Holland are married or not. People are talking 431 00:24:40,359 --> 00:24:45,439 Speaker 1: about her red carpet looks. She is constantly being spoken about, 432 00:24:45,960 --> 00:24:51,040 Speaker 1: and she also has this elusive movie star quality to 433 00:24:51,119 --> 00:24:54,480 Speaker 1: her still where not really on social media aside from 434 00:24:54,840 --> 00:24:58,680 Speaker 1: doing interviews and not even like long form podcast interviews, 435 00:24:58,720 --> 00:25:01,879 Speaker 1: just red carpet interviews. But that is really the only 436 00:25:02,000 --> 00:25:03,840 Speaker 1: time I see her out is when she has a 437 00:25:03,840 --> 00:25:06,000 Speaker 1: movie coming out that she's promoting, which she has a 438 00:25:06,000 --> 00:25:09,439 Speaker 1: lot of them coming out at any given time. But 439 00:25:09,560 --> 00:25:13,760 Speaker 1: she is not somebody who puts her personal life out there, 440 00:25:13,800 --> 00:25:16,200 Speaker 1: and why she keeps things so secret and not kind 441 00:25:16,240 --> 00:25:18,639 Speaker 1: of like that, I don't want to know every single 442 00:25:18,680 --> 00:25:22,240 Speaker 1: detail about all my movie stars. It gives them some aura, 443 00:25:22,320 --> 00:25:26,479 Speaker 1: it gives them some mystery. It gives me a reason 444 00:25:26,560 --> 00:25:28,680 Speaker 1: to go see them in theaters because I can't really 445 00:25:28,680 --> 00:25:31,800 Speaker 1: see them anywhere else. When somebody is all over Instagram 446 00:25:31,840 --> 00:25:33,919 Speaker 1: and all over TikTok, you kind of feel I can 447 00:25:33,960 --> 00:25:36,080 Speaker 1: see them all the time. And I think that could 448 00:25:36,119 --> 00:25:39,520 Speaker 1: be a contributing factor to why some people say, why 449 00:25:39,520 --> 00:25:41,200 Speaker 1: am I gonna go pay to see them in theater 450 00:25:41,200 --> 00:25:42,879 Speaker 1: if I could just see them online? And even though 451 00:25:42,920 --> 00:25:46,040 Speaker 1: they're promoting their things to their millions and millions of followers, 452 00:25:46,600 --> 00:25:49,359 Speaker 1: does it really transfer into ticket sales. We've seen it 453 00:25:49,400 --> 00:25:51,800 Speaker 1: fail with even the biggest of celebrities, but she is 454 00:25:51,840 --> 00:25:54,439 Speaker 1: one of the biggest gen Z stars. Oh Man, I 455 00:25:54,440 --> 00:25:56,919 Speaker 1: totally forgot the Odyssey. She's gonna be in four movies 456 00:25:56,960 --> 00:25:59,840 Speaker 1: this year, the drama Dune Part three, Spider Man, Brand 457 00:25:59,840 --> 00:26:03,440 Speaker 1: New Day, and the Odyssey Wild. So at number two 458 00:26:03,720 --> 00:26:06,840 Speaker 1: I have Zendeia, but at number one in my power 459 00:26:06,920 --> 00:26:12,919 Speaker 1: rankings of actors right now, I have Ryan Gosling, coming 460 00:26:12,960 --> 00:26:16,840 Speaker 1: off of his highest rated movie of all time, Project 461 00:26:16,880 --> 00:26:19,920 Speaker 1: Hail Mary, his lowest rated movie is a movie called 462 00:26:20,000 --> 00:26:24,560 Speaker 1: Stay Before Project Hail Mary. His last full box office 463 00:26:24,600 --> 00:26:26,920 Speaker 1: run was The Fall Guy, which made about one hundred 464 00:26:26,920 --> 00:26:29,920 Speaker 1: and eighty one million dollars worldwide. Even when he puts 465 00:26:29,960 --> 00:26:32,359 Speaker 1: out movies that don't perform well at the box office, 466 00:26:32,640 --> 00:26:34,639 Speaker 1: right now, I still believe that they are good movies. 467 00:26:34,680 --> 00:26:37,520 Speaker 1: So I still stand by the fact that I really 468 00:26:37,600 --> 00:26:40,880 Speaker 1: enjoy The Fall Guy and think it's still a great 469 00:26:40,960 --> 00:26:43,800 Speaker 1: Ryan Gosling movie. On deck, he is going to be 470 00:26:43,880 --> 00:26:47,119 Speaker 1: in a movie called Star Wars Starfighter, where he plays 471 00:26:47,160 --> 00:26:50,920 Speaker 1: a pilot who becomes entangled in a crucial mission as 472 00:26:50,920 --> 00:26:53,679 Speaker 1: a new threat emerges and they find out their journey 473 00:26:53,720 --> 00:26:57,080 Speaker 1: may alter the future of the Force itself as they 474 00:26:57,119 --> 00:26:59,560 Speaker 1: rebuild a galaxy. So that sounds good if you're a 475 00:26:59,560 --> 00:27:01,440 Speaker 1: Star Wars. He's also going to be in a new 476 00:27:01,440 --> 00:27:04,600 Speaker 1: movie directed by the Daniels, who is the directing duo 477 00:27:04,680 --> 00:27:08,120 Speaker 1: behind Everything Everywhere, All at Once. This just came out. 478 00:27:08,200 --> 00:27:11,600 Speaker 1: Everything's still under wraps, but it is expected to start 479 00:27:11,600 --> 00:27:13,800 Speaker 1: filming this summer. All we know about it. It's going 480 00:27:13,880 --> 00:27:16,600 Speaker 1: to be a fun sci fi action comedy with a 481 00:27:16,600 --> 00:27:18,800 Speaker 1: big heart, and it should come out in theaters on 482 00:27:18,840 --> 00:27:22,280 Speaker 1: November nineteenth, twenty twenty seven, Ryan Gosling, I believe has 483 00:27:22,320 --> 00:27:25,080 Speaker 1: the most momentum right now, coming off of Project Hill Mary, 484 00:27:25,480 --> 00:27:28,480 Speaker 1: still coming off The Fall Guy, coming off of Barbie, 485 00:27:28,800 --> 00:27:31,720 Speaker 1: and I think he is the most prime example of 486 00:27:31,800 --> 00:27:35,560 Speaker 1: balancing prestige and blockbuster era, which I think it is 487 00:27:35,560 --> 00:27:38,600 Speaker 1: something we need right now. He is not only somebody 488 00:27:38,680 --> 00:27:42,679 Speaker 1: who is just a really great actor pound for pound, 489 00:27:42,800 --> 00:27:46,639 Speaker 1: who can have chemistry with anybody, whether it's a person, 490 00:27:46,720 --> 00:27:49,159 Speaker 1: whether it's a puppet, whether it's a piece of paper, 491 00:27:49,440 --> 00:27:53,760 Speaker 1: whether it's a CGHI character. He can have chemistry with anybody. 492 00:27:53,800 --> 00:27:57,240 Speaker 1: He is so charming, so endearing, and I really love 493 00:27:57,280 --> 00:27:59,080 Speaker 1: what he said recently. He said it's not on the 494 00:27:59,080 --> 00:28:02,800 Speaker 1: moviegoers to save the movie theaters. That responsibility falls on 495 00:28:02,840 --> 00:28:06,880 Speaker 1: the Hollywood studios, say Ladder. Ryan Gosling quote. Six years 496 00:28:06,920 --> 00:28:09,359 Speaker 1: ago I got the manuscript for Project Hill Mary, the 497 00:28:09,359 --> 00:28:13,560 Speaker 1: most ambitious thing I'll ever make. It seemed impossible, it 498 00:28:13,640 --> 00:28:15,720 Speaker 1: was too good not to give it a shot. Six 499 00:28:15,800 --> 00:28:19,080 Speaker 1: years later we did it. Here we are, we're all 500 00:28:19,359 --> 00:28:22,520 Speaker 1: back in theaters. It is not your job to keep 501 00:28:22,560 --> 00:28:26,439 Speaker 1: them open. It is our job to make things that 502 00:28:26,520 --> 00:28:29,240 Speaker 1: are worth you coming out for. That is what I'm 503 00:28:29,280 --> 00:28:33,760 Speaker 1: talking about because I think sometimes some people, whenever they 504 00:28:33,760 --> 00:28:36,720 Speaker 1: have a project fail, they blame the audience, which is 505 00:28:36,720 --> 00:28:39,000 Speaker 1: the thing you can't do. And if you look at 506 00:28:39,000 --> 00:28:42,760 Speaker 1: some of the most prime examples of box office hits, 507 00:28:43,160 --> 00:28:45,400 Speaker 1: talk about weapons, you talk about Sinners, you talk about 508 00:28:45,440 --> 00:28:48,720 Speaker 1: Project hill Mary, you talk about Superman. Things that have 509 00:28:49,160 --> 00:28:51,960 Speaker 1: given people a reason to go to a theater. We 510 00:28:52,080 --> 00:28:54,120 Speaker 1: have done it. You can't keep us away from a 511 00:28:54,160 --> 00:28:57,080 Speaker 1: really great movie when it generates a buzz, when it 512 00:28:57,120 --> 00:29:00,760 Speaker 1: generates people wanting to go experience it in theaters with 513 00:29:00,840 --> 00:29:03,440 Speaker 1: the crowd. And then you try to push out something 514 00:29:03,480 --> 00:29:05,440 Speaker 1: and say you gotta come watch it, you gotta come 515 00:29:05,480 --> 00:29:08,720 Speaker 1: support it, you gotta support original movies. I do think 516 00:29:08,760 --> 00:29:10,960 Speaker 1: it does fall on the filmmakers. It falls on the 517 00:29:11,000 --> 00:29:15,200 Speaker 1: studios to create those moments, find those movies, find those stories. 518 00:29:15,480 --> 00:29:17,640 Speaker 1: Not give us the same crap anymore and think, why 519 00:29:17,680 --> 00:29:20,120 Speaker 1: isn't this working? Why is nobody wanting to go to 520 00:29:20,200 --> 00:29:23,920 Speaker 1: the movies. It is your job to make those things 521 00:29:24,240 --> 00:29:27,560 Speaker 1: that are a spectacle, because there are directors out there 522 00:29:27,760 --> 00:29:29,800 Speaker 1: and studios out there that are going to do it. 523 00:29:29,880 --> 00:29:32,520 Speaker 1: A Christopher Nolan is going to do it. A Ryan 524 00:29:32,600 --> 00:29:35,480 Speaker 1: Gosling is going to find a project that is going 525 00:29:35,520 --> 00:29:38,560 Speaker 1: to do it. So I think he has it all. 526 00:29:38,720 --> 00:29:42,400 Speaker 1: He has the qualities I want in a movie star. 527 00:29:43,400 --> 00:29:46,280 Speaker 1: Seems like a great dad. Him and Eimendez seem like 528 00:29:46,320 --> 00:29:50,480 Speaker 1: fantastic parents. I love how they found a way to 529 00:29:50,600 --> 00:29:53,960 Speaker 1: make their kids a part of Project Hill Mary. He 530 00:29:54,120 --> 00:29:58,040 Speaker 1: has I believe, the best filmography. If I could only 531 00:29:58,120 --> 00:30:01,760 Speaker 1: take one actor's film allography with me to a desert island, 532 00:30:01,840 --> 00:30:04,320 Speaker 1: I would take Ryan Gosling and I put him at 533 00:30:04,400 --> 00:30:07,280 Speaker 1: number one because I wanted to declare now that Ryan 534 00:30:07,320 --> 00:30:10,000 Speaker 1: Gosling is my favorite actor, because that is a question 535 00:30:10,040 --> 00:30:11,680 Speaker 1: I get a lot, what's your favorite movie, What's your 536 00:30:11,720 --> 00:30:13,960 Speaker 1: favorite actor? And it's always been really hard for me 537 00:30:14,640 --> 00:30:16,720 Speaker 1: to have a favorite actor. But when I look back 538 00:30:16,760 --> 00:30:19,800 Speaker 1: on all his movies, The Place Beyond the Pines, going 539 00:30:19,880 --> 00:30:23,600 Speaker 1: back to The Notebook, Blade Runner, twenty forty nine, The 540 00:30:23,640 --> 00:30:26,920 Speaker 1: Big Short, First Man, all these movies that have been 541 00:30:26,960 --> 00:30:29,360 Speaker 1: a part of my life for so long. Now Drive 542 00:30:29,440 --> 00:30:32,960 Speaker 1: I didn't even mention my favorite Ryan Gosling movie. He 543 00:30:33,160 --> 00:30:36,560 Speaker 1: is my favorite actor, and I believe the number one 544 00:30:36,600 --> 00:30:39,880 Speaker 1: actor in the Power rankings right now, that is my 545 00:30:40,000 --> 00:30:42,720 Speaker 1: top ten in the Power Rankings. Who would you put 546 00:30:42,720 --> 00:30:45,520 Speaker 1: in years. Let me know Moviemike d at gmail dot 547 00:30:45,520 --> 00:30:48,680 Speaker 1: com or at Mike dstro on all socials. I'll come 548 00:30:48,720 --> 00:30:51,840 Speaker 1: back and give my spoiler free movie review of They 549 00:30:51,880 --> 00:31:00,600 Speaker 1: Will Kill You. Let's get it to it now. A 550 00:31:00,640 --> 00:31:04,000 Speaker 1: spoiler free movie review of They Will Kill You. One 551 00:31:04,000 --> 00:31:06,560 Speaker 1: of the most original movies I've seen this year. What 552 00:31:06,680 --> 00:31:10,360 Speaker 1: a wild theater experience. I first saw the trailer for 553 00:31:10,400 --> 00:31:13,240 Speaker 1: this a couple of months ago going to see another movie, 554 00:31:13,240 --> 00:31:15,800 Speaker 1: and I thought, I don't know what that is not 555 00:31:15,920 --> 00:31:19,720 Speaker 1: familiar with the director, but it had such high intense 556 00:31:20,320 --> 00:31:23,600 Speaker 1: violence and blood splatter kind of reminded me of Kill 557 00:31:23,680 --> 00:31:26,560 Speaker 1: Bill meets Ready or Not meets a little bit of 558 00:31:26,680 --> 00:31:29,760 Speaker 1: John Wick, and I thought, I have to be a 559 00:31:29,800 --> 00:31:32,360 Speaker 1: part of that movie and go and see that when 560 00:31:32,400 --> 00:31:35,400 Speaker 1: it comes out in theaters, and it did deliver what 561 00:31:35,480 --> 00:31:39,080 Speaker 1: the movie is about. You have Zase Beats character who 562 00:31:39,160 --> 00:31:41,840 Speaker 1: you may remember her from Atlanta, which I loved her in. 563 00:31:42,240 --> 00:31:45,040 Speaker 1: She was also in Deadpool two. She did an episode 564 00:31:45,080 --> 00:31:47,680 Speaker 1: of Black Mirror. She was also in the First Joker, 565 00:31:47,760 --> 00:31:51,400 Speaker 1: had a small appearance in Joker Too, but her character 566 00:31:51,840 --> 00:31:55,320 Speaker 1: went to prison, gets out and then gets a job 567 00:31:55,560 --> 00:31:57,680 Speaker 1: as a maid to go work at this place called 568 00:31:57,720 --> 00:32:01,920 Speaker 1: the Virgil, which is this really high and kind of 569 00:32:01,960 --> 00:32:05,280 Speaker 1: apartment style building where a lot of wealthy people live. 570 00:32:05,840 --> 00:32:08,920 Speaker 1: She is on a mission to rescue her sister, but 571 00:32:09,040 --> 00:32:12,680 Speaker 1: what starts out as a rescue mission turns into full 572 00:32:12,760 --> 00:32:17,760 Speaker 1: out mayhem when she stumbles upon this satanic cult that 573 00:32:17,880 --> 00:32:20,560 Speaker 1: lives within the walls of the Virgil. So it gets 574 00:32:20,680 --> 00:32:23,960 Speaker 1: crazy in the trailer. I won't spoil anything, but in 575 00:32:23,960 --> 00:32:26,920 Speaker 1: the trailer you see her fighting a lot of people 576 00:32:27,120 --> 00:32:30,440 Speaker 1: in her room and it is really crazy stylistic violence. 577 00:32:30,480 --> 00:32:33,680 Speaker 1: So who this movie is for, it is for me. 578 00:32:34,520 --> 00:32:37,040 Speaker 1: I love horror movies. I feel like it's had a 579 00:32:37,080 --> 00:32:40,760 Speaker 1: big resurgence in the last just two years of being 580 00:32:40,760 --> 00:32:44,960 Speaker 1: one of the most creative genres, and the resurgence has 581 00:32:45,000 --> 00:32:49,640 Speaker 1: been in the horror comedy space, where you go see 582 00:32:49,680 --> 00:32:53,680 Speaker 1: a movie and its intention really isn't to frighten you anymore, 583 00:32:53,720 --> 00:32:55,800 Speaker 1: which I think some people think horror movie is supposed 584 00:32:55,800 --> 00:32:59,280 Speaker 1: to be scary. Not always the case, especially now, where 585 00:32:59,280 --> 00:33:02,600 Speaker 1: I think horror is so flexible in what it can 586 00:33:02,640 --> 00:33:05,760 Speaker 1: give you, whether it comes to the emotions or the actions, 587 00:33:06,000 --> 00:33:08,320 Speaker 1: And there is this style of movie that is existing 588 00:33:08,400 --> 00:33:10,560 Speaker 1: right now in the horror space that has a little 589 00:33:10,600 --> 00:33:12,800 Speaker 1: bit of comedy, which I think is important, has a 590 00:33:12,880 --> 00:33:15,680 Speaker 1: little bit of action, and then mixes in some pretty 591 00:33:15,760 --> 00:33:19,280 Speaker 1: dark elements to make it a horror movie. I would 592 00:33:19,320 --> 00:33:21,760 Speaker 1: probably credit this a little bit to Sam Raimi, So 593 00:33:21,840 --> 00:33:24,920 Speaker 1: maybe if you saw Send Help earlier this year kind 594 00:33:24,920 --> 00:33:27,560 Speaker 1: of in that same style, except they Will Kill You 595 00:33:27,800 --> 00:33:31,600 Speaker 1: is so much more disturbing and bizarre. But I think 596 00:33:31,640 --> 00:33:35,640 Speaker 1: this movie style is really thriving right now where people 597 00:33:35,720 --> 00:33:37,440 Speaker 1: want to go to the theater and have a good 598 00:33:37,480 --> 00:33:40,920 Speaker 1: time and watch a movie that doesn't take itself too 599 00:33:40,960 --> 00:33:44,320 Speaker 1: seriously but also doesn't paint you out to be a 600 00:33:44,400 --> 00:33:46,640 Speaker 1: domy as the viewer, which is a really fine line 601 00:33:46,680 --> 00:33:48,880 Speaker 1: to walk because it is so off the wall if 602 00:33:48,880 --> 00:33:52,280 Speaker 1: you go into it with a closed mind and think 603 00:33:52,320 --> 00:33:55,080 Speaker 1: this is dumb, this is ridiculous, This is too cartoonish. 604 00:33:55,520 --> 00:33:57,760 Speaker 1: This feels like a live action anime, which was one 605 00:33:57,800 --> 00:33:59,240 Speaker 1: of the things that really stick out to me and 606 00:33:59,280 --> 00:34:01,760 Speaker 1: what I loved about it. I just got back into 607 00:34:01,800 --> 00:34:05,000 Speaker 1: one Piece on Netflix, fully loving that it kind of 608 00:34:05,040 --> 00:34:09,080 Speaker 1: reminded me a little bit of Attack on Titan. If 609 00:34:09,200 --> 00:34:12,359 Speaker 1: Dragon Ball had bloodshed, it would remind me a little 610 00:34:12,360 --> 00:34:15,120 Speaker 1: bit more of that. But anything that has a lot 611 00:34:15,160 --> 00:34:19,200 Speaker 1: of swords and gun violence. That is what I feel 612 00:34:19,280 --> 00:34:22,239 Speaker 1: is the source material for this movie. So it's just 613 00:34:22,360 --> 00:34:24,440 Speaker 1: a lot of fun. So if you like horror movies, 614 00:34:24,480 --> 00:34:27,719 Speaker 1: if you like comedy movies, if you like anime, or 615 00:34:27,760 --> 00:34:29,799 Speaker 1: if you like video games. Because the other thing that 616 00:34:29,880 --> 00:34:33,759 Speaker 1: really stick out to me was how all of the 617 00:34:33,920 --> 00:34:37,880 Speaker 1: levels and different rooms inside of the Virgil kind of 618 00:34:37,880 --> 00:34:40,000 Speaker 1: felt like a video game level. And I know they 619 00:34:40,000 --> 00:34:43,400 Speaker 1: did draw some inspiration from Dante's Inferno and the adaptation 620 00:34:43,480 --> 00:34:46,520 Speaker 1: of that video game. Of the different levels of hell 621 00:34:46,560 --> 00:34:49,160 Speaker 1: that you kind of experience. It kind of had that 622 00:34:49,200 --> 00:34:52,319 Speaker 1: feeling of putting you inside of that action. Maybe if 623 00:34:52,360 --> 00:34:55,680 Speaker 1: you were playing an old school Mortal Kombat game or 624 00:34:55,760 --> 00:34:58,640 Speaker 1: like a tech and fighting game, one of those old 625 00:34:58,719 --> 00:35:02,960 Speaker 1: school two thousand maybe even arcade video games, where it 626 00:35:03,040 --> 00:35:06,879 Speaker 1: is that style of over the top violence and over 627 00:35:06,920 --> 00:35:09,440 Speaker 1: the top bloodshed that I was craving for as a 628 00:35:09,560 --> 00:35:13,000 Speaker 1: kid in the nineties and early two thousands. That is 629 00:35:13,040 --> 00:35:15,279 Speaker 1: what I felt while I was watching this movie. It 630 00:35:15,320 --> 00:35:18,440 Speaker 1: felt very organic and felt very alive. They used a 631 00:35:18,480 --> 00:35:22,560 Speaker 1: lot of practical effects. I'm talking crazy amounts of blood 632 00:35:22,560 --> 00:35:25,839 Speaker 1: splatter and blood clouds, where I think that's what kind 633 00:35:25,840 --> 00:35:27,359 Speaker 1: of gave me the vibes with like a kill Bill 634 00:35:27,520 --> 00:35:30,880 Speaker 1: martial arts style movies like back in the Day. I 635 00:35:30,880 --> 00:35:33,920 Speaker 1: feel like that was a big reference point and inspiration 636 00:35:34,040 --> 00:35:36,680 Speaker 1: behind a lot of these scenes. So I very much 637 00:35:36,719 --> 00:35:40,920 Speaker 1: got Uma Thurman inside of Jase Beat's character. But then 638 00:35:40,960 --> 00:35:43,279 Speaker 1: it kind of takes on this entire mind of its 639 00:35:43,280 --> 00:35:45,120 Speaker 1: own because it comes to us from a director from 640 00:35:45,160 --> 00:35:48,040 Speaker 1: Russia who I'm not that familiar with but I find 641 00:35:48,160 --> 00:35:51,480 Speaker 1: really interesting. His name is Ki Real Sukolov. His story 642 00:35:51,560 --> 00:35:53,880 Speaker 1: is crazy because he started out as a scientist in 643 00:35:53,920 --> 00:35:57,680 Speaker 1: college and then started making DIY movies with his friends 644 00:35:58,080 --> 00:36:00,440 Speaker 1: and decided this is what I want to do. He 645 00:36:00,480 --> 00:36:02,120 Speaker 1: put out a movie that came out back in twenty 646 00:36:02,200 --> 00:36:05,560 Speaker 1: nineteen called why Don't You Just Die? That was really successful, 647 00:36:05,920 --> 00:36:08,759 Speaker 1: really put him on the map, and now he is 648 00:36:08,800 --> 00:36:11,880 Speaker 1: getting to show everybody this is my style, take it 649 00:36:11,960 --> 00:36:15,440 Speaker 1: or leave it. This movie is so unapologetic that I 650 00:36:15,480 --> 00:36:18,080 Speaker 1: loved how much it was committed to the style, which 651 00:36:18,160 --> 00:36:20,880 Speaker 1: I know it might not be for everybody because it 652 00:36:20,920 --> 00:36:24,640 Speaker 1: does get pretty twisted, especially in the third act. If 653 00:36:24,640 --> 00:36:28,400 Speaker 1: you don't like anything that has any kind of demonic 654 00:36:28,560 --> 00:36:33,799 Speaker 1: presence or satanic cult like Even though It is not 655 00:36:34,040 --> 00:36:36,560 Speaker 1: indulging in it. It is more I would say, poking 656 00:36:36,640 --> 00:36:39,640 Speaker 1: fun at it. But some people just don't like watching 657 00:36:39,719 --> 00:36:42,359 Speaker 1: that type of imagery. I get that because the way 658 00:36:42,440 --> 00:36:45,520 Speaker 1: it is used in this movie, it's shown as the 659 00:36:45,600 --> 00:36:48,200 Speaker 1: evil force, and the character of Asia played by Zasse 660 00:36:48,360 --> 00:36:52,640 Speaker 1: Bates is trying to take that evil force down. But 661 00:36:52,920 --> 00:36:55,719 Speaker 1: in order to have such a crazy evil force, you 662 00:36:55,800 --> 00:36:58,080 Speaker 1: have to depict them in this way. So I don't 663 00:36:58,080 --> 00:37:01,719 Speaker 1: really feel like it's here is this really dark, twisted imagery. 664 00:37:02,080 --> 00:37:05,720 Speaker 1: I am supporting this. I am supporting the person taking 665 00:37:05,760 --> 00:37:08,680 Speaker 1: that demonic presence down and taking down all these sick, 666 00:37:08,719 --> 00:37:12,200 Speaker 1: twisted individuals that live inside this building. The thing I 667 00:37:12,280 --> 00:37:14,759 Speaker 1: wasn't expecting to work so well and they will kill 668 00:37:14,800 --> 00:37:17,840 Speaker 1: you was the cast. You have Patricia Arquette, you have 669 00:37:18,040 --> 00:37:22,200 Speaker 1: Heather Graham, and you have Tom Felton. Oh, Draco Malfoy 670 00:37:22,640 --> 00:37:26,040 Speaker 1: from Harry Potter, I have never seen him in a 671 00:37:26,160 --> 00:37:29,720 Speaker 1: movie like this. And you combine all these different personalities 672 00:37:30,480 --> 00:37:33,480 Speaker 1: and actors that you know from vastly different things, from 673 00:37:33,480 --> 00:37:38,520 Speaker 1: Harry Potter to Boogie Knights and The Hangover to Severance, 674 00:37:39,160 --> 00:37:43,040 Speaker 1: and you think, how would there be any world where 675 00:37:43,080 --> 00:37:46,000 Speaker 1: all these people could exist in one movie and it work, 676 00:37:46,480 --> 00:37:49,120 Speaker 1: and somehow it does. I think even the style of 677 00:37:49,200 --> 00:37:52,240 Speaker 1: acting caught me a little off guard in the beginning 678 00:37:52,239 --> 00:37:54,719 Speaker 1: of this movie, where I did feel it was a 679 00:37:54,760 --> 00:37:57,319 Speaker 1: little jarring at the start, where it just kind of 680 00:37:57,360 --> 00:38:00,760 Speaker 1: threw you into this world, didn't really explain a whole lot, 681 00:38:01,600 --> 00:38:04,200 Speaker 1: and kind of went back and forth between timelines. In 682 00:38:04,239 --> 00:38:07,239 Speaker 1: the beginning, there was like a timeslate of kind of 683 00:38:07,239 --> 00:38:09,680 Speaker 1: telling you where it was. But the intro of the 684 00:38:09,719 --> 00:38:13,239 Speaker 1: movie kind of felt mashed together. Even once the action 685 00:38:13,360 --> 00:38:15,600 Speaker 1: starts picking up, it kind of comes out of nowhere. 686 00:38:16,200 --> 00:38:18,960 Speaker 1: But I think because the movie is under ninety minutes 687 00:38:19,080 --> 00:38:21,040 Speaker 1: and it had a lot of action to fit in there, 688 00:38:21,400 --> 00:38:23,600 Speaker 1: that was the only way to get the story going 689 00:38:23,640 --> 00:38:27,280 Speaker 1: without boring you. But I ended up enjoying the way 690 00:38:28,200 --> 00:38:30,840 Speaker 1: that it played out from the beginning because it didn't 691 00:38:30,880 --> 00:38:33,839 Speaker 1: waste a whole lot of time giving you the backstory 692 00:38:33,880 --> 00:38:36,279 Speaker 1: on this building and why it is the way it is, 693 00:38:36,640 --> 00:38:39,200 Speaker 1: because if they did that, that would have been boring. 694 00:38:39,600 --> 00:38:43,160 Speaker 1: This building, the Virsil just exists. There's some crazy things 695 00:38:43,200 --> 00:38:46,400 Speaker 1: going on within the walls. You learn about the details 696 00:38:46,440 --> 00:38:49,120 Speaker 1: you need to learn about, and everything else you don't 697 00:38:49,160 --> 00:38:52,840 Speaker 1: need a history lesson on which I find so boring 698 00:38:52,960 --> 00:38:56,920 Speaker 1: in horror movies when they dig into all the history 699 00:38:56,960 --> 00:39:00,959 Speaker 1: of whoever lived there back one hundred or two years ago, 700 00:39:01,440 --> 00:39:05,320 Speaker 1: and there's this big exposition on details you don't really need. 701 00:39:05,600 --> 00:39:08,279 Speaker 1: The tone shift all the way throughout this movie, where 702 00:39:08,280 --> 00:39:11,759 Speaker 1: it feels a little bit comedic at times, sometimes within 703 00:39:11,800 --> 00:39:15,319 Speaker 1: the same sentence, which I found really interesting, where a 704 00:39:15,440 --> 00:39:18,799 Speaker 1: character will start delivering a line that feels funny and 705 00:39:18,840 --> 00:39:21,600 Speaker 1: then they kind of snap back into this dramatic tone. 706 00:39:21,920 --> 00:39:24,560 Speaker 1: Then it feels a little bit more horror movie. It 707 00:39:24,640 --> 00:39:27,600 Speaker 1: goes all over the place so much so that I 708 00:39:27,719 --> 00:39:30,800 Speaker 1: kind of feel like this movie was designed for people 709 00:39:30,840 --> 00:39:34,680 Speaker 1: with the short attention span, the TikTok generation, people who 710 00:39:34,719 --> 00:39:36,879 Speaker 1: will instantly swipe out of a video, of people who 711 00:39:36,880 --> 00:39:40,400 Speaker 1: have not made it this far in this review, because 712 00:39:40,760 --> 00:39:43,759 Speaker 1: at any moment, there is something happening, and if you 713 00:39:43,800 --> 00:39:47,600 Speaker 1: don't like what is happening within that moment, in about 714 00:39:47,880 --> 00:39:50,840 Speaker 1: four or five minutes, that scene is going to change, 715 00:39:50,920 --> 00:39:53,320 Speaker 1: the action is going to develop, there's gonna be another 716 00:39:53,400 --> 00:39:56,040 Speaker 1: character thrown into the mix. So your brain is just 717 00:39:56,120 --> 00:39:59,239 Speaker 1: kind of the entire time because there is so much 718 00:39:59,320 --> 00:40:03,280 Speaker 1: happening and you never really feel like the movie drags 719 00:40:03,320 --> 00:40:05,560 Speaker 1: at any point because there is no time to and 720 00:40:05,600 --> 00:40:08,480 Speaker 1: there's so much story to fit in. It just really 721 00:40:08,480 --> 00:40:11,399 Speaker 1: feels like wham bam, think you maam, and you're out 722 00:40:11,400 --> 00:40:13,680 Speaker 1: of there, and then by the end of it you're wondering, 723 00:40:14,000 --> 00:40:16,799 Speaker 1: what in the world did I just watch? Am I 724 00:40:16,840 --> 00:40:20,319 Speaker 1: gonna have nightmares tonight? Or am I gonna laugh at 725 00:40:20,320 --> 00:40:22,920 Speaker 1: myself when thinking about some of the most ridiculous moments, 726 00:40:23,520 --> 00:40:27,640 Speaker 1: like body parts becoming a character within the movie. So 727 00:40:27,680 --> 00:40:29,040 Speaker 1: I think if you go into this movie with the 728 00:40:29,120 --> 00:40:32,680 Speaker 1: open mind, don't ask a lot of questions. And I'm 729 00:40:32,719 --> 00:40:35,719 Speaker 1: not saying that as a way to maybe mask some 730 00:40:35,840 --> 00:40:38,800 Speaker 1: of the style of filmmaking of Oh, don't pay attention 731 00:40:38,840 --> 00:40:42,040 Speaker 1: to any plot holes. I'm just saying, don't question every 732 00:40:42,080 --> 00:40:46,200 Speaker 1: little detail, which I find myself doing. That makes me 733 00:40:46,400 --> 00:40:48,000 Speaker 1: like a movie less because if I went into this 734 00:40:48,000 --> 00:40:50,279 Speaker 1: movie with a little bit more cynicism and thought, why 735 00:40:50,360 --> 00:40:53,080 Speaker 1: is this building here? Why hasn't it been condemned? Who 736 00:40:53,120 --> 00:40:55,040 Speaker 1: pays the rent at this building? If there are some 737 00:40:55,080 --> 00:40:58,280 Speaker 1: really crazy things going on, why haven't the police showed 738 00:40:58,360 --> 00:41:00,959 Speaker 1: up it? To me, it was more like a dark 739 00:41:01,000 --> 00:41:03,400 Speaker 1: fairy tale that kind of exists in its own world. 740 00:41:03,600 --> 00:41:06,440 Speaker 1: I don't see this story taking place in our universe. 741 00:41:06,480 --> 00:41:08,640 Speaker 1: It's kind of like a bizarro universe. It kind of 742 00:41:08,680 --> 00:41:11,680 Speaker 1: reminded me of one of my favorite Goosebumps episodes from 743 00:41:11,719 --> 00:41:15,279 Speaker 1: back in the nineties, Attack of the Mutant, where there 744 00:41:15,320 --> 00:41:17,560 Speaker 1: was this building that would pop up out of nowhere. 745 00:41:17,600 --> 00:41:19,319 Speaker 1: The kid would go discover it and there was this 746 00:41:19,360 --> 00:41:22,040 Speaker 1: crazy mutant living inside of it, and then when he 747 00:41:22,080 --> 00:41:24,360 Speaker 1: would leave the building, it would disappear. I remember the 748 00:41:24,400 --> 00:41:26,560 Speaker 1: first time I saw that episode, it blew my mind 749 00:41:26,920 --> 00:41:29,560 Speaker 1: because I was convinced that there was this building out 750 00:41:29,600 --> 00:41:33,240 Speaker 1: by this lot where we lived that would appear and reappear. 751 00:41:33,320 --> 00:41:35,839 Speaker 1: It was all inside my head. But that kind of 752 00:41:36,040 --> 00:41:39,399 Speaker 1: reminds me of the Virgil in this movie of it's 753 00:41:39,440 --> 00:41:41,920 Speaker 1: this building. Maybe it's there when all this action is 754 00:41:41,960 --> 00:41:44,320 Speaker 1: going down, but when you go back, it's completely gone again. 755 00:41:44,400 --> 00:41:47,120 Speaker 1: Also kind of reminded me of the Continental in John Wick, 756 00:41:47,200 --> 00:41:49,879 Speaker 1: So another parallel there. So if you are a fan 757 00:41:49,960 --> 00:41:53,200 Speaker 1: of horror, if you like really over the top violence 758 00:41:53,320 --> 00:41:56,200 Speaker 1: in the style of Kill Bill, it kind of feels like, 759 00:41:57,040 --> 00:41:59,040 Speaker 1: I don't want to say he was doing a Quentin 760 00:41:59,080 --> 00:42:03,040 Speaker 1: Tarantino in Press where you can really see the influence 761 00:42:03,040 --> 00:42:06,640 Speaker 1: of Quentin Tarantino inside of They Will Kill You. For 762 00:42:06,840 --> 00:42:11,760 Speaker 1: this movie, I give it four out of five eyeballs. 763 00:42:12,880 --> 00:42:16,640 Speaker 1: It's side to head down to movie Mike Trailer Park. 764 00:42:18,239 --> 00:42:21,399 Speaker 1: I am trying not to be angry about this because 765 00:42:21,400 --> 00:42:23,360 Speaker 1: at the end of the day, I know it doesn't matter. 766 00:42:24,600 --> 00:42:30,320 Speaker 1: This movie is not for me. I've been just since 767 00:42:30,320 --> 00:42:34,359 Speaker 1: this thing was announced that they're remaking Mowana less than 768 00:42:34,360 --> 00:42:39,640 Speaker 1: ten years after the original came out. It just doesn't 769 00:42:39,640 --> 00:42:42,520 Speaker 1: feel right. And now looking at the live action trailer, 770 00:42:42,600 --> 00:42:47,240 Speaker 1: it doesn't look right. I'm trying not to go crazy here, 771 00:42:47,960 --> 00:42:50,640 Speaker 1: but this is gonna come out. It's gonna happen, It's 772 00:42:50,640 --> 00:42:52,839 Speaker 1: gonna be a thing. It is probably still going to 773 00:42:52,880 --> 00:42:55,759 Speaker 1: make a lot of money. I just find it fascinating 774 00:42:55,800 --> 00:43:00,239 Speaker 1: how much Disney is dipping into this well. I have 775 00:43:00,360 --> 00:43:02,080 Speaker 1: so many thoughts on this that I'm just going to 776 00:43:02,160 --> 00:43:04,080 Speaker 1: get right to playing the trailer and then talk about 777 00:43:04,120 --> 00:43:07,960 Speaker 1: it more after. But the live action Mowana is coming 778 00:43:08,000 --> 00:43:12,719 Speaker 1: out in theaters, not Disney Plus. On July tenth, The 779 00:43:12,880 --> 00:43:18,080 Speaker 1: Rock is playing Maui in a very questionable wig, wearing 780 00:43:18,160 --> 00:43:22,879 Speaker 1: a full body muscle suit. Oh boy. Before we get 781 00:43:22,880 --> 00:43:26,040 Speaker 1: into more about this trailer. Here's just a little bit 782 00:43:26,080 --> 00:43:32,840 Speaker 1: of the live action Mowanna. Fine Maui, We stole the 783 00:43:33,080 --> 00:43:42,919 Speaker 1: heart of Defichi and save us all. Maui Demi, God 784 00:43:42,960 --> 00:43:46,399 Speaker 1: of the Wind and Sea, Hero of men. Huh. 785 00:43:46,560 --> 00:43:49,759 Speaker 2: So it goes like this, Maui shape shifter, Demigod of 786 00:43:49,800 --> 00:43:55,719 Speaker 2: the Wind and Sea, hero of men. Ah, women women too, 787 00:43:55,840 --> 00:43:58,160 Speaker 2: men and women, thank you. 788 00:43:59,480 --> 00:44:04,040 Speaker 1: Here's got a little bit too excited there. Here's the 789 00:44:04,080 --> 00:44:07,719 Speaker 1: reason this movie exists. It's because Disney is making so 790 00:44:07,960 --> 00:44:11,440 Speaker 1: much money off of Mowana. The original movie came out 791 00:44:11,480 --> 00:44:13,680 Speaker 1: back in twenty sixteen, and it was a hit, but 792 00:44:13,760 --> 00:44:16,080 Speaker 1: it wasn't massive. It wasn't the best thing that they 793 00:44:16,080 --> 00:44:19,520 Speaker 1: had ever done. It wasn't something that they instantly thought, 794 00:44:19,600 --> 00:44:21,960 Speaker 1: this is going to be what we are going to 795 00:44:22,040 --> 00:44:24,160 Speaker 1: dig all our resources did to make this the best 796 00:44:24,160 --> 00:44:27,320 Speaker 1: thing ever. Because whenever they were making the sequel, instead 797 00:44:27,320 --> 00:44:30,240 Speaker 1: of getting a full theatrical release, what they really made 798 00:44:30,880 --> 00:44:35,240 Speaker 1: was a Disney Plus series that was gonna come out 799 00:44:35,280 --> 00:44:38,600 Speaker 1: just on Disney Plus, broken into parts. But then they 800 00:44:38,640 --> 00:44:43,680 Speaker 1: realized that the original Mowana from twenty sixteen was their 801 00:44:43,840 --> 00:44:48,000 Speaker 1: highest stream movie. Everybody was watching this movie on Disney 802 00:44:48,040 --> 00:44:50,759 Speaker 1: Plus that they thought, you know what, let's not put 803 00:44:50,800 --> 00:44:54,440 Speaker 1: out this show on Disney Plus. Instead, let's recut it, 804 00:44:54,560 --> 00:44:57,480 Speaker 1: put it into theaters across the country and make some 805 00:44:57,600 --> 00:45:00,040 Speaker 1: money off of it. And what did they do? I 806 00:45:00,160 --> 00:45:02,600 Speaker 1: ate a lot of money off of it. So in 807 00:45:02,680 --> 00:45:04,880 Speaker 1: under two years now they are dipping back into the 808 00:45:04,920 --> 00:45:07,080 Speaker 1: well because that movie came out in twenty twenty four 809 00:45:07,440 --> 00:45:10,920 Speaker 1: and they are putting out a live action version of 810 00:45:10,960 --> 00:45:14,680 Speaker 1: the original twenty sixteen movie right around the tenure mark 811 00:45:14,760 --> 00:45:17,400 Speaker 1: of when that movie came out. And I think, to me, 812 00:45:17,960 --> 00:45:21,120 Speaker 1: that was the most upsetting part whenever this was first announced. 813 00:45:21,120 --> 00:45:23,280 Speaker 1: Why are you going to make a live action movie 814 00:45:23,520 --> 00:45:26,359 Speaker 1: of a movie that just came out ten years ago, 815 00:45:26,480 --> 00:45:29,600 Speaker 1: less than a decade. There's no nostalgia associated with this 816 00:45:29,760 --> 00:45:34,399 Speaker 1: movie yet it is simply because it is a cash cow. 817 00:45:34,920 --> 00:45:36,880 Speaker 1: And I was annoyed by that. But I thought, you 818 00:45:36,880 --> 00:45:39,360 Speaker 1: know what, if they do it justice, if it looks good, 819 00:45:40,000 --> 00:45:42,239 Speaker 1: if the rock is Maui because he voices him in 820 00:45:42,280 --> 00:45:46,279 Speaker 1: the original, he looks good and live action, I'll be 821 00:45:46,360 --> 00:45:48,520 Speaker 1: okay with it. But by the looks of this trailer, 822 00:45:48,640 --> 00:45:51,600 Speaker 1: it does not look good. And the issues I have 823 00:45:51,719 --> 00:45:55,200 Speaker 1: with these live action movies is they blend so much 824 00:45:55,560 --> 00:46:00,760 Speaker 1: CGI and animated characters. And I understand that you can't 825 00:46:00,800 --> 00:46:04,600 Speaker 1: make this completely live action or completely practical, because there 826 00:46:04,600 --> 00:46:06,880 Speaker 1: are things that exist in the world in Mauana that 827 00:46:06,920 --> 00:46:10,480 Speaker 1: you just could not make. You can't turn a human 828 00:46:10,560 --> 00:46:14,480 Speaker 1: into a shark with practical effects. You can't create a 829 00:46:14,480 --> 00:46:17,920 Speaker 1: big lava monster, you can't create this giant crab. I 830 00:46:18,120 --> 00:46:21,160 Speaker 1: understand that part of it. But I think, if you 831 00:46:21,200 --> 00:46:24,439 Speaker 1: think about it, why give a movie a live action 832 00:46:24,600 --> 00:46:28,680 Speaker 1: adaptation that has so many elements that can't be translated 833 00:46:28,719 --> 00:46:32,359 Speaker 1: from animation. It just doesn't work. And that has been 834 00:46:32,360 --> 00:46:35,440 Speaker 1: the issue with a lot of these live action Disney remakes, 835 00:46:35,880 --> 00:46:39,719 Speaker 1: Lin King, Aladdin, a little bit, The Jungle Book, a 836 00:46:39,760 --> 00:46:43,200 Speaker 1: lot of these movies where you can't recreate these characters. 837 00:46:43,480 --> 00:46:46,840 Speaker 1: So it's one thing to create CGI characters where it's needed. Okay, 838 00:46:47,120 --> 00:46:49,239 Speaker 1: And I get I'm not the target demographic for this. 839 00:46:49,719 --> 00:46:51,879 Speaker 1: There's not going to be some four or five year 840 00:46:51,880 --> 00:46:53,640 Speaker 1: old who loves Muwan who's going to be like, I'm 841 00:46:53,680 --> 00:46:55,400 Speaker 1: not going to see that because the animated movie just 842 00:46:55,400 --> 00:46:59,000 Speaker 1: came out. It's this isn't probably going to affect that audience. 843 00:46:59,000 --> 00:47:01,680 Speaker 1: So therefore, it's not going to affect their money. I 844 00:47:01,800 --> 00:47:05,240 Speaker 1: just think overall, when you think about what they are doing, 845 00:47:05,760 --> 00:47:08,360 Speaker 1: they are just setting us up to be able to 846 00:47:08,560 --> 00:47:11,160 Speaker 1: get the same thing over and over again and us 847 00:47:11,200 --> 00:47:14,080 Speaker 1: be okay with it. But if you look at why 848 00:47:14,160 --> 00:47:16,839 Speaker 1: they continue to do this, it's our own fault because 849 00:47:16,880 --> 00:47:19,360 Speaker 1: we still go watch them. We still continue to support 850 00:47:19,400 --> 00:47:22,919 Speaker 1: these movies by giving them our money, whether it comes 851 00:47:22,960 --> 00:47:25,400 Speaker 1: to paying for the ticket or paying for the merchandise. 852 00:47:25,960 --> 00:47:29,120 Speaker 1: And then we are not supporting the more original movies. 853 00:47:29,320 --> 00:47:32,640 Speaker 1: Thank goodness that Hoppers was a success this year, but 854 00:47:32,680 --> 00:47:37,520 Speaker 1: we are not supporting the movies that are originals, therefore 855 00:47:37,560 --> 00:47:40,320 Speaker 1: telling them we don't need to invest anymore in original stories. 856 00:47:40,680 --> 00:47:44,200 Speaker 1: Let's just keep making mowanas, toy stories, Let's keep making 857 00:47:44,280 --> 00:47:47,319 Speaker 1: z utopias, all the things that work. So from a 858 00:47:47,440 --> 00:47:51,160 Speaker 1: business standpoint, it makes sense. You're gonna continue to put 859 00:47:51,160 --> 00:47:53,000 Speaker 1: out the products that people want and that people are 860 00:47:53,000 --> 00:47:55,360 Speaker 1: paying for. Much like if you're a restaurant, if you 861 00:47:55,360 --> 00:47:57,760 Speaker 1: have an item that is selling a bunch, it's flying 862 00:47:57,840 --> 00:48:00,760 Speaker 1: off the menu, You're gonna keep making that menu slight 863 00:48:00,960 --> 00:48:04,080 Speaker 1: different variations of it, but you're gonna keep selling what 864 00:48:04,239 --> 00:48:06,919 Speaker 1: is working, what is keeping your business afloat. I don't 865 00:48:06,960 --> 00:48:09,920 Speaker 1: think Disney has to focus so much on the little things. 866 00:48:09,920 --> 00:48:12,560 Speaker 1: They can take big risks. They are a giant, huge 867 00:48:12,640 --> 00:48:16,319 Speaker 1: corporation company when it comes to film and entertainment and 868 00:48:16,400 --> 00:48:19,799 Speaker 1: all the things. But when it comes down to me 869 00:48:20,560 --> 00:48:24,000 Speaker 1: having a big problem with this movie, it doesn't look good. 870 00:48:24,239 --> 00:48:27,720 Speaker 1: It looks so flat. And I'm not even talking about 871 00:48:28,280 --> 00:48:31,360 Speaker 1: the wig that the Rock is wearing. I think because 872 00:48:32,040 --> 00:48:35,160 Speaker 1: I just see him as a bald person now, it 873 00:48:35,280 --> 00:48:37,520 Speaker 1: is really hard to see him in the Maui wig. 874 00:48:37,960 --> 00:48:40,560 Speaker 1: That there's also this weird effect on all the humans 875 00:48:40,600 --> 00:48:42,400 Speaker 1: in this movie where it almost looks like they have 876 00:48:42,520 --> 00:48:45,160 Speaker 1: like this glossy effect over their face, where there's a 877 00:48:45,160 --> 00:48:49,319 Speaker 1: big disconnect between their skin tone and their hair, and 878 00:48:49,400 --> 00:48:52,919 Speaker 1: it almost looks like even the wardrobe looks a little 879 00:48:52,960 --> 00:48:54,799 Speaker 1: bit cgied all these people. And I know the Rock 880 00:48:54,920 --> 00:48:58,480 Speaker 1: is wearing this full torso bodysuit to make them look 881 00:48:58,520 --> 00:49:00,840 Speaker 1: bigger like Maui, but even then he doesn't look like 882 00:49:01,080 --> 00:49:04,960 Speaker 1: how massive Maui is in the animated story. But the 883 00:49:05,000 --> 00:49:08,439 Speaker 1: wig does not look good. Therefore, it just doesn't feel 884 00:49:08,480 --> 00:49:10,960 Speaker 1: to me that it has that attention to detail. It 885 00:49:11,000 --> 00:49:13,760 Speaker 1: looks like they just grabbed one wig and said, Okay, 886 00:49:13,800 --> 00:49:16,279 Speaker 1: that's it. The Rock only has an hour to shoot today, 887 00:49:16,400 --> 00:49:18,759 Speaker 1: let's get it in. That's the wig, because we don't 888 00:49:18,760 --> 00:49:21,040 Speaker 1: have time to find one that looks a little bit better. 889 00:49:21,280 --> 00:49:25,040 Speaker 1: There's just a big disconnect between the hair and the 890 00:49:25,080 --> 00:49:29,440 Speaker 1: rest of the MAUI look that it is so distracting 891 00:49:29,920 --> 00:49:32,080 Speaker 1: that it just looks like the Rock and a wig. 892 00:49:32,239 --> 00:49:35,440 Speaker 1: It doesn't look like he has really become the character. 893 00:49:36,160 --> 00:49:39,240 Speaker 1: Even his hair and makeup and the smashing machine, which 894 00:49:39,400 --> 00:49:42,480 Speaker 1: was a fraction of the budget of what this movie is, 895 00:49:42,880 --> 00:49:47,400 Speaker 1: looked so much better. That was a true transformation for 896 00:49:47,480 --> 00:49:49,560 Speaker 1: the Rock, even though he did shed his hair towards 897 00:49:49,560 --> 00:49:52,880 Speaker 1: the end of that movie. But aside from the wardrobe, 898 00:49:52,920 --> 00:49:56,600 Speaker 1: aside from the wigs, the problem I have with it 899 00:49:56,640 --> 00:49:59,520 Speaker 1: is it just doesn't look like it has any depth 900 00:49:59,600 --> 00:50:03,080 Speaker 1: to it, especially all the scenes out on the water. 901 00:50:03,920 --> 00:50:07,320 Speaker 1: Some of the villains and the other characters, they look okay. 902 00:50:07,920 --> 00:50:10,720 Speaker 1: It looks like some of the action sequences will feel 903 00:50:10,800 --> 00:50:12,919 Speaker 1: just like the animated movie, because all those are going 904 00:50:12,920 --> 00:50:16,680 Speaker 1: to still be animated and CGI. But there are scenes 905 00:50:16,719 --> 00:50:19,400 Speaker 1: where the Rock is talking that Someone on YouTube commented 906 00:50:19,719 --> 00:50:22,240 Speaker 1: that this looks like an SNL sketch, and I can't 907 00:50:22,280 --> 00:50:25,080 Speaker 1: get that comment out of my mind because that is 908 00:50:25,120 --> 00:50:28,640 Speaker 1: what it looks like. It looks like it lacks any 909 00:50:28,760 --> 00:50:32,959 Speaker 1: kind of depth. Everything in the background just looks second rate, 910 00:50:33,480 --> 00:50:36,920 Speaker 1: where I don't feel like I'm going to this island. 911 00:50:36,960 --> 00:50:39,239 Speaker 1: I don't feel like I'm looking at anything that is 912 00:50:39,239 --> 00:50:43,040 Speaker 1: alive and real. It just looks like I'm looking at 913 00:50:43,080 --> 00:50:47,319 Speaker 1: a big empty studio lot where they just kind of 914 00:50:47,320 --> 00:50:50,720 Speaker 1: splashed everything in the background, and it feels put together 915 00:50:51,320 --> 00:50:56,080 Speaker 1: so quickly and so cheaply, when that should not be 916 00:50:56,200 --> 00:50:58,960 Speaker 1: the case. And I think about one of the greatest 917 00:50:59,000 --> 00:51:02,839 Speaker 1: Disney franchises out at Water, Pirates at the Caribbean. Those 918 00:51:02,920 --> 00:51:07,640 Speaker 1: movies hold up so well even the CGI and those 919 00:51:07,680 --> 00:51:10,360 Speaker 1: movies came out back in the two thousands, where it 920 00:51:10,440 --> 00:51:13,160 Speaker 1: is so next level compared to what we are getting 921 00:51:13,200 --> 00:51:15,759 Speaker 1: now in twenty twenty six, that if you went back 922 00:51:15,800 --> 00:51:19,480 Speaker 1: and watch those movies, these special effects still hold up. 923 00:51:19,960 --> 00:51:23,120 Speaker 1: All the scenes out at Water look I would say 924 00:51:23,320 --> 00:51:27,239 Speaker 1: the best of any Disney franchise that takes place out 925 00:51:27,280 --> 00:51:29,560 Speaker 1: at the sea, where you should feel like you were 926 00:51:29,600 --> 00:51:33,080 Speaker 1: in this magical place. Those movies hold up. They have 927 00:51:33,160 --> 00:51:36,319 Speaker 1: great wardrobe, they have great acting. Not the case here. 928 00:51:36,440 --> 00:51:39,560 Speaker 1: It does look like they are doing the rock hosting 929 00:51:39,719 --> 00:51:43,959 Speaker 1: SNL and they decided to do a Mawana sketch. And again, 930 00:51:44,000 --> 00:51:46,480 Speaker 1: this is probably only going to matter to me. I'm 931 00:51:46,520 --> 00:51:48,439 Speaker 1: not the demographic, so I think this movie is still 932 00:51:48,480 --> 00:51:51,920 Speaker 1: gonna come out and make a lot of money. It 933 00:51:52,040 --> 00:51:56,239 Speaker 1: is probably, I would say, at least a billion dollar movie. 934 00:51:56,360 --> 00:51:59,240 Speaker 1: I don't think the outrage from some people, even though 935 00:51:59,480 --> 00:52:02,719 Speaker 1: I still I think It's Justified, is really going to 936 00:52:02,880 --> 00:52:07,040 Speaker 1: hurt the bottom line. It didn't hurt Dutopia two whatsoever, 937 00:52:07,120 --> 00:52:09,960 Speaker 1: although that was a good movie. It just feels really 938 00:52:10,080 --> 00:52:13,160 Speaker 1: weird to me to put out a movie that is 939 00:52:13,200 --> 00:52:17,120 Speaker 1: less than ten years old that is live action, but 940 00:52:17,200 --> 00:52:21,400 Speaker 1: the only live action element is the humans, and you 941 00:52:21,520 --> 00:52:24,960 Speaker 1: didn't really do any work to make anything else feel 942 00:52:25,400 --> 00:52:28,840 Speaker 1: like it deserved a live action treatment. It truly feels 943 00:52:28,880 --> 00:52:31,880 Speaker 1: to me like it is a cash grab, and that's it, 944 00:52:31,920 --> 00:52:35,000 Speaker 1: plain and simple. They are just trying to make another 945 00:52:35,040 --> 00:52:38,960 Speaker 1: billion dollar movie, which they will probably still achieve if 946 00:52:39,120 --> 00:52:43,640 Speaker 1: the first movie has over one point four billion hours stream. 947 00:52:44,280 --> 00:52:46,120 Speaker 1: Of course they're going to do a sequel to it. 948 00:52:46,560 --> 00:52:50,440 Speaker 1: And I think a big driving factor is because the 949 00:52:50,560 --> 00:52:52,520 Speaker 1: rock wants to be a part of it now when 950 00:52:52,520 --> 00:52:55,239 Speaker 1: he is in I would say, his second prime of 951 00:52:55,280 --> 00:52:57,640 Speaker 1: his career, and if he doesn't do this movie now, 952 00:52:58,160 --> 00:53:01,680 Speaker 1: he doesn't have another five to ten years to wait 953 00:53:01,920 --> 00:53:03,719 Speaker 1: and do the role of Maui. He kind of needs 954 00:53:03,760 --> 00:53:06,120 Speaker 1: to do it right now. So I bet that is 955 00:53:06,160 --> 00:53:09,080 Speaker 1: a big factor and then cranking this out right now. 956 00:53:09,640 --> 00:53:12,520 Speaker 1: But if that's the case, just pass the torch, give 957 00:53:12,560 --> 00:53:14,960 Speaker 1: it to somebody else. Because they're also not bringing the 958 00:53:15,000 --> 00:53:17,480 Speaker 1: original voice of Majana to be a part of this 959 00:53:17,600 --> 00:53:21,120 Speaker 1: live action cast. Recasted her and a big part of 960 00:53:21,280 --> 00:53:24,000 Speaker 1: why that movie was so good was because of the 961 00:53:24,080 --> 00:53:26,120 Speaker 1: voice acting. And I do feel a little bit of 962 00:53:26,160 --> 00:53:29,680 Speaker 1: a disconnect seeing the Rock do the exact same scenes, 963 00:53:29,719 --> 00:53:33,360 Speaker 1: but now live action doesn't feel as lively, feels a 964 00:53:33,400 --> 00:53:36,080 Speaker 1: little bit more flat. But this is just the nature 965 00:53:36,160 --> 00:53:38,920 Speaker 1: of the Disney model now, so I'm not hitting on 966 00:53:38,960 --> 00:53:41,799 Speaker 1: the idea. Overall, I think sometimes it can be done right. 967 00:53:42,200 --> 00:53:45,240 Speaker 1: They did do to me Leelo and Stitch Justice, because 968 00:53:45,239 --> 00:53:48,400 Speaker 1: I think the character of Stitch in that movie actually 969 00:53:48,800 --> 00:53:51,200 Speaker 1: look good. But when it comes to the treatment for 970 00:53:51,239 --> 00:53:53,919 Speaker 1: this movie, I'm just not buying it. But I think 971 00:53:54,000 --> 00:53:56,960 Speaker 1: they want to strike when the iron is hot. I 972 00:53:56,960 --> 00:53:59,200 Speaker 1: don't even think they're going for a one billion dollar movie. 973 00:53:59,320 --> 00:54:01,880 Speaker 1: I think they want to get a two billion dollar 974 00:54:02,040 --> 00:54:05,680 Speaker 1: movie and to become the most stream movie on Disney Plus. 975 00:54:05,920 --> 00:54:09,640 Speaker 1: Because I also think what is happening now with K 976 00:54:09,760 --> 00:54:12,400 Speaker 1: Pop Demon Hunters too. I think Disney is laughing at 977 00:54:12,480 --> 00:54:15,960 Speaker 1: because Netflix isn't going to get a sequel to that 978 00:54:16,120 --> 00:54:20,600 Speaker 1: movie until twenty twenty nine. Because unlike Disney, the Sony 979 00:54:20,680 --> 00:54:24,400 Speaker 1: Animation Studio takes a lot of pride in their process. 980 00:54:24,480 --> 00:54:26,680 Speaker 1: They don't want to rush it. They want to make 981 00:54:26,719 --> 00:54:29,759 Speaker 1: it perfect. They want to make it up to their standards, 982 00:54:29,800 --> 00:54:33,480 Speaker 1: and those movies take time. I don't feel like this 983 00:54:33,560 --> 00:54:37,320 Speaker 1: movie took that same amount of time. But again, Mawana 984 00:54:37,360 --> 00:54:42,080 Speaker 1: two is coming out in theaters from Disney on July tenth. 985 00:54:42,120 --> 00:54:46,480 Speaker 1: And that was this week's edition of Movie Mike Trailer Bars, 986 00:54:49,000 --> 00:54:51,400 Speaker 1: and that is going to do it for another episode 987 00:54:51,480 --> 00:54:54,000 Speaker 1: here of the podcast. But before I go, I gotta 988 00:54:54,040 --> 00:54:57,040 Speaker 1: give my listeners shout out of the week. This week, 989 00:54:57,080 --> 00:54:59,640 Speaker 1: I'm going over to my Instagram DMS and I am 990 00:54:59,640 --> 00:55:02,640 Speaker 1: shoutout out Jill who sent me this really nice DM. 991 00:55:02,840 --> 00:55:05,560 Speaker 1: And Jill says, just a quiet message to say that 992 00:55:05,600 --> 00:55:08,439 Speaker 1: movies aren't really my thing and I don't even watch many, 993 00:55:08,680 --> 00:55:11,600 Speaker 1: and yet I never missed an episode of your podcast. 994 00:55:12,080 --> 00:55:14,320 Speaker 1: Really fun to listen to, and I love when Kelsey 995 00:55:14,400 --> 00:55:17,520 Speaker 1: joins to have a great day. Thank you Jill for listening. 996 00:55:17,560 --> 00:55:20,319 Speaker 1: I have to say that is the highest compliment I 997 00:55:20,320 --> 00:55:23,279 Speaker 1: have ever received, Jill. If you don't love movies and 998 00:55:23,320 --> 00:55:26,520 Speaker 1: you never miss an episode of this podcast, that is 999 00:55:27,239 --> 00:55:30,200 Speaker 1: an extra shout out to you for this week's listener 1000 00:55:30,280 --> 00:55:33,200 Speaker 1: shout out of the week. And I do tell some 1001 00:55:33,280 --> 00:55:37,359 Speaker 1: people because even though you don't love movies, I still 1002 00:55:37,400 --> 00:55:40,400 Speaker 1: think some of the themes of this podcast and discussion 1003 00:55:41,239 --> 00:55:44,160 Speaker 1: goes beyond movies because when I review them, I do 1004 00:55:44,320 --> 00:55:46,520 Speaker 1: like to try to find a piece of myself to 1005 00:55:46,560 --> 00:55:49,080 Speaker 1: share with you, because I think that is every movie. 1006 00:55:49,760 --> 00:55:52,040 Speaker 1: And just because you don't love going to the movies 1007 00:55:52,080 --> 00:55:54,080 Speaker 1: as much as I do, see movies in theaters, maybe 1008 00:55:54,160 --> 00:55:57,160 Speaker 1: just like watching them at home. I think it's that 1009 00:55:57,320 --> 00:56:01,680 Speaker 1: experience and those lessons you learn and getting a peek 1010 00:56:01,719 --> 00:56:05,239 Speaker 1: into lives that you never thought you would see by 1011 00:56:05,239 --> 00:56:07,279 Speaker 1: watching movies. That is what I love and I like 1012 00:56:07,360 --> 00:56:09,520 Speaker 1: to bring those out and share those here on the podcast. 1013 00:56:09,560 --> 00:56:14,680 Speaker 1: So I try to share things from my life, things 1014 00:56:14,719 --> 00:56:20,160 Speaker 1: from my perspective of my experiences from living on this planet, 1015 00:56:20,880 --> 00:56:23,480 Speaker 1: and adapt them to the movies that I see and 1016 00:56:23,520 --> 00:56:26,040 Speaker 1: share that with you guys, and also connect with you 1017 00:56:26,040 --> 00:56:28,560 Speaker 1: guys about what you like and what you enjoyed, what 1018 00:56:28,719 --> 00:56:31,120 Speaker 1: you thought was good that maybe I thought was bad, 1019 00:56:31,200 --> 00:56:33,000 Speaker 1: or what I thought was bad that maybe you thought 1020 00:56:33,040 --> 00:56:35,040 Speaker 1: was good. That is why I love doing this podcast. 1021 00:56:35,440 --> 00:56:39,319 Speaker 1: So appreciate that, Jill, Thank you for listening every single week, 1022 00:56:39,360 --> 00:56:42,600 Speaker 1: And thanks to you wherever you're listening right now, whether 1023 00:56:42,680 --> 00:56:45,200 Speaker 1: you're a new listener, whether you have been here since 1024 00:56:45,239 --> 00:56:48,279 Speaker 1: twenty nineteen, the start of this podcast, or maybe it 1025 00:56:48,400 --> 00:56:51,360 Speaker 1: just randomly stumbled upon it. I couldn't do this without 1026 00:56:51,440 --> 00:56:54,520 Speaker 1: all of you, so appreciate that. And until next time, 1027 00:56:55,200 --> 00:56:57,520 Speaker 1: go out and watch good movies and I will talk 1028 00:56:57,560 --> 00:57:00,000 Speaker 1: to you