WEBVTT - 4.03 - Pronounced "A Killer"

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<v Speaker 1>M a drink poured, a knife carefully placed on a table.

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<v Speaker 1>Preparation is all. If you're prepared, you can improvise. H yeah,

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<v Speaker 1>boy coming, master, give this armor off me. Let me

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<v Speaker 1>help you after the table. Careful, careful? And how is

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<v Speaker 1>the how is the jousting? Master taught that little ship

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<v Speaker 1>the less and his family watching from the stands, smiling

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<v Speaker 1>smugly till I wiped their son's complacent ass. Maybe they'll

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<v Speaker 1>show me a little respect. Now are you hurt? Master?

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<v Speaker 1>Just a flesh wound lucky idiot managed to nick my

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<v Speaker 1>care forcus. I'm sorry, Master, you're thirsty, damn right, I am.

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<v Speaker 1>Get this talmet off me, trickness master? Wait a minute, Master,

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<v Speaker 1>who are you? Where's my boy? He had to go

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<v Speaker 1>go away? I mean he had to go I know

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<v Speaker 1>you don't im We met at the temple quil right

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<v Speaker 1>or a quel? Are you? You're looking for employment? Which

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<v Speaker 1>I found? Where is my boy? Now? You should sit?

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<v Speaker 1>It would be better better less painful than less painful

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<v Speaker 1>than sorry? Did that hurt? I'm so sorry. I just

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<v Speaker 1>need to open up your wound a touch more, and

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<v Speaker 1>don't thank you. You did very well. Relax now, honestly,

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<v Speaker 1>I think that's best dying. You are, yeah, but not

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<v Speaker 1>to worry. Let me take a moment or two. Actually

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<v Speaker 1>it works out very well things considered. Everyone will assume

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<v Speaker 1>it was the wound. It came back to your quarters,

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<v Speaker 1>took off your armor, and well, oh, it was a drink.

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<v Speaker 1>If you're wondering why your tongue has swollen to the

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<v Speaker 1>point where you cannot speak, just try to relax. There's

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<v Speaker 1>nothing you can do now, and it won't take long.

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<v Speaker 1>I'll wait with you. Did you know that in the

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<v Speaker 1>desert of Thar there's a wind samoon wind, I think

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<v Speaker 1>the sky. Let's call it simoon moveen hm. It's from

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<v Speaker 1>one of the ancient tongues. It blows up from time

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<v Speaker 1>to time, and those whom it overtakes it not only kills. Indeed,

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<v Speaker 1>I was told that when a man is killed by

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<v Speaker 1>that wind, and his friends wished to wash him for burial,

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<v Speaker 1>all his limbs fall apart. A strange world we're doing,

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<v Speaker 1>And who knows what's up there in the air, in

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<v Speaker 1>the sky above our heads. Look up there, how far

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<v Speaker 1>can you really see? We all should do that, We

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<v Speaker 1>all should take a moment away from the hurly burley

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<v Speaker 1>of the street and our preoccupations and squabbles, and just

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<v Speaker 1>observed the sky. What's not there? Where does it go?

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<v Speaker 1>How far? Forgive me? I didn't quite why. Why it's

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<v Speaker 1>my job? I'm oh. By the way, it's not Aquila

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<v Speaker 1>with my name now. People often get it wrong. It's okay,

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<v Speaker 1>hard edged like kiln a killer. H People find that funny.

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<v Speaker 1>You know it's because of what I do well, they

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<v Speaker 1>initially find it funny. Really end my acquaintance with anyone

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<v Speaker 1>on humorous terms any rate. I've been summoned to to Monday,

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<v Speaker 1>so I'll have to take my leave. Congratulations again or

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<v Speaker 1>jousting to Monday? Season four, episode three, pronounced a killer

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<v Speaker 1>by mac Rogers. What day, my friend? Can I help you?

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<v Speaker 1>What's this? One? Bull? Bull from the Upper Mountains? Cans?

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<v Speaker 1>But they sing a pretty song. It depends if you

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<v Speaker 1>take good care of them. I've heard enough of this.

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<v Speaker 1>Move on. You've been standing here too long. But you

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<v Speaker 1>think I'm a fool. You think I don't know you're

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<v Speaker 1>one of those crazy sky rats. I don't know what

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<v Speaker 1>you're up to, but I know you're not interested in

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<v Speaker 1>buying my birds. I know you moved stuff around the city,

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<v Speaker 1>stuff that shouldn't be moved. What are you talking about?

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<v Speaker 1>And the linings of bird cages? What do you want?

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<v Speaker 1>Your help getting a bird out of the cage? Shure?

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<v Speaker 1>They say it would be easy for a skyra. Are

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<v Speaker 1>you joking? They say it drops right down into the yard. Frog.

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<v Speaker 1>There is nothing you could say that would make me. Oh,

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<v Speaker 1>can I help you? Offendi? I'm looking for lodgings and

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<v Speaker 1>your establishment comes highly recommended, Ma, Ma, man almost know

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<v Speaker 1>if we have a vacancy, Yes, sir, how many nights?

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<v Speaker 1>I'm not sure yet. The first time in Tay, I'm

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<v Speaker 1>here for a funeral my uncle. Let me show you

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<v Speaker 1>what's wrongs. We have very kind. Look, it's no problem

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<v Speaker 1>breaking into the prison. It's getting out that's difficult. We're

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<v Speaker 1>both skyrats. We can climb. We know how to get

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<v Speaker 1>into places. Wronger, I don't know. I have responsibilities now

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<v Speaker 1>I'm here, Ma, I'm still with a friend. Don't you

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<v Speaker 1>want to get up on the kites again? Remember how

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<v Speaker 1>it used to be when we were free? No one

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<v Speaker 1>could stop us. Don't you want that again? Coming? Ma?

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<v Speaker 1>There's got to be more exciting than this macnificent, isn't it.

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<v Speaker 1>I feel as though I can't see half of two

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<v Speaker 1>Monday from here, but that's exactly the point, because it's

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<v Speaker 1>so very small from here, whereas I, being so much

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<v Speaker 1>closer to you, I am so very large. Indeed, Madam,

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<v Speaker 1>that is what we call perspective. So why don't you

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<v Speaker 1>make a few preliminary sketches while I speak with Madame Fatt.

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<v Speaker 1>Please don't interrupt me whilst I'm talking to the great artist.

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<v Speaker 1>Forgive me, madam mhmm. You'll paint me here, the highest

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<v Speaker 1>position on the walls. This is how history will remember me, Fatima,

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<v Speaker 1>mother of the Empire, and she will sit at my feet,

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<v Speaker 1>of course, my hand resting on her shoulder, Mother, and

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<v Speaker 1>gazing out into the distance. The fires in the school wonderful, wonderful,

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<v Speaker 1>And the grandmaster, the Balara I only wish to clarify.

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<v Speaker 1>He will be there, of course, standing somewhere below. Make

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<v Speaker 1>sure his head is no higher than my feet while

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<v Speaker 1>I'm here. Of course, of course I think all the time.

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<v Speaker 1>You need, and you're anything you need, You need only

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<v Speaker 1>to ask, Madam. It's important that we discuss well. Usually,

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<v Speaker 1>under normal circumstances, a great artist like Signor Piero wouldn't

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<v Speaker 1>start work before the down the head steward, yes, well

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<v Speaker 1>I have, and he said I should speak to the bookkeeper,

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<v Speaker 1>and the bookkeeper said I should speak to the head eunuch,

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<v Speaker 1>and I finally managed to find him, and he said

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<v Speaker 1>he had no record of any payments due and that

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<v Speaker 1>I needed to speak to the head steward. I went

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<v Speaker 1>back to the head steward and he said nothing could

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<v Speaker 1>be authorized without you signing an order, which, well, it

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<v Speaker 1>will be done, madam. It is the custom, and it

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<v Speaker 1>always has been, that there should be a payment before

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<v Speaker 1>work begins. Signor Piero is the greatest artist in the world.

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<v Speaker 1>There is constant demand for his work, and he has

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<v Speaker 1>turned down many lucrative commissions to be here into Mambay. Madam,

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<v Speaker 1>it's possible there's something wrong with my hearing, Signor is

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<v Speaker 1>that it? Is there something wrong with my hearing? I'm

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<v Speaker 1>not sure what you mean, because it sounds very much

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<v Speaker 1>like you are questioning my word, Madam. As Signor Piero's assistant,

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<v Speaker 1>it's my obligation. Do you take me for some sort

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<v Speaker 1>of provincial am I caked in cheap face paint, draped

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<v Speaker 1>in a gaudy shift that's coming apart of the scene

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<v Speaker 1>not at all, Madam. Then I can't imagine where you

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<v Speaker 1>get the idea that I don't know how to comport

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<v Speaker 1>myself with men of culture. I can't imagine. I never

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<v Speaker 1>said I certainly didn't mean to offend. It's a lovely

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<v Speaker 1>view from these walls, don't you agree, Mistress Suspective? The

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<v Speaker 1>great artist said yes, because we're so very high up.

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<v Speaker 1>I suppose so, meaning that it's also quite a long

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<v Speaker 1>way down. It's not just her, something's not right about

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<v Speaker 1>this whole place. Smahan blue or green? Mahadi? What her eyes?

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<v Speaker 1>I'm testing colors? Are you really going to paint exactly

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<v Speaker 1>what she tells you to? I can paint exactly what

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<v Speaker 1>she wants and still make her look like a vulgar

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<v Speaker 1>fool at the center of it, and she won't even notice.

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<v Speaker 1>This could be my masterpiece. Yes, but we need to

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<v Speaker 1>be paid. Then see to it. I will, I am.

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<v Speaker 1>But the more I see, the more I worry. What

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<v Speaker 1>about the Sultana? What about her? Well? You do seem

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<v Speaker 1>to get on. Ask her what's happening here? Perhaps she

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<v Speaker 1>likes you? What do you mean who sees into the

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<v Speaker 1>souls of others more clearly than I just be careful

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<v Speaker 1>this mother daughter relationship. I don't think the Sultana says

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<v Speaker 1>it's in quite the same way as Madame Fatima. Maybe

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<v Speaker 1>you can find out whatever there is between Fatima and

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<v Speaker 1>mannell business. I beg to disagree. It is a business

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<v Speaker 1>of a great artist to know everything about his subjects.

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<v Speaker 1>I'll contrive a meeting. Do it's too small? Paton on

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<v Speaker 1>his shoulders, Mistress. Bring the meal closer. Boys, it's just

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<v Speaker 1>fit me. Don't get any on slash. There's a good time,

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<v Speaker 1>not now, I'm hosting lunch for the merchants of the city.

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<v Speaker 1>Supers filth. Throw it out and tell the cook to

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<v Speaker 1>start again. The full council and all the guilt heads

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<v Speaker 1>will be eating this. Yess apologies, mistress, but it's not unrelated.

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<v Speaker 1>If Indy Pillar, the banker we met, if you recall,

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<v Speaker 1>is he coming to No, I'm afraid it, Stress. He

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<v Speaker 1>sent word that he feels unable to assist us to

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<v Speaker 1>the full extent of our request. Yes, this sash, but

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<v Speaker 1>not the gown. Bring me something else. What are you

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<v Speaker 1>telling me? He sends his best regards and deep regrets,

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<v Speaker 1>but he's not able. I'm not interested in his best

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<v Speaker 1>regards or his deep regrets. Why do you think I

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<v Speaker 1>pardoned you? Godali? Why did I spare your life? You

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<v Speaker 1>are supposed to have the contacts, and I have, mistress,

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<v Speaker 1>and we have seen them, but I can't force. We

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<v Speaker 1>need gold, Cadi tuman Bay needs gold. Surely there are others.

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<v Speaker 1>There are, mistress, Yes, of course there are, and I'm

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<v Speaker 1>trying to arrange. But there are concerns, concerns, concerns about

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<v Speaker 1>what speak you're spending, mistress, my spending. Yes, we are

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<v Speaker 1>talking about the rebuilding of the city, restoring confidence in

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<v Speaker 1>in the dignity of the throne. You're right, of course ourselves.

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<v Speaker 1>We to wear sack cloth and live like rats, scurrying

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<v Speaker 1>around and that. Yes, this one, mistress, But let me

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<v Speaker 1>see give it to me. You're changing. Perhaps I should

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<v Speaker 1>return after you. You think I care what you see?

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<v Speaker 1>Good Ali, when did you last have a thought of

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<v Speaker 1>the flesh one's interests to moderate over the years? Suddenly,

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<v Speaker 1>but her mistress is not. I'm sorry. How dare he

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<v Speaker 1>turned me down? Impudent banker? Arrest him, put him in chains,

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<v Speaker 1>let him faster in a dark cell. See how he

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<v Speaker 1>likes that? I'm sure if d p La would not

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<v Speaker 1>like that one. I am the mother of the empire.

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<v Speaker 1>No one treats me like some peasant with their feet

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<v Speaker 1>in the mud. No one tells me what to do.

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<v Speaker 1>I tell them, of course, Mistress, without question, only if

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<v Speaker 1>I may advise it may be unwise to arrest or

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<v Speaker 1>threaten the bankers. All the money in Tuman Bay would

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<v Speaker 1>dry up. Everything would dry up, All our trade would cease.

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<v Speaker 1>You're saying that I may not in my own city,

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<v Speaker 1>compel not from this city. His gold is not within

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<v Speaker 1>our walls. If we threaten him the other bankers, they

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<v Speaker 1>will simply disappear. We'll have nothing. Send him to me,

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<v Speaker 1>Are you hard of hearing kad Ali? Send him to me, Yes, Mistress,

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<v Speaker 1>Bring another gown and tell those fools in the kitchens.

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<v Speaker 1>I need to taste the lamb of majesty. Oh senor Angel,

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<v Speaker 1>isn't it I saw you walking out here? I hope

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<v Speaker 1>you don't mind me, Please comm So these are the

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<v Speaker 1>storied gardens of the Tumambai Palace you've greatly diminished. I'm

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<v Speaker 1>afraid it's still beautiful, are they well? I can remember

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<v Speaker 1>is what they were? So much color, so full of life.

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<v Speaker 1>There used to be a thousand gardeners tending to every plant.

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<v Speaker 1>There were fountains and streams. It's like a living painting

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<v Speaker 1>the aqueduct right, I'm sorry. The lifeblood of the cis he.

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<v Speaker 1>I heard the aqueduct was damaged during the occupation. It

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<v Speaker 1>must have been a difficult time for you. Yes, it was,

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<v Speaker 1>and I understand you helped repel the invaders. Yes, how

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<v Speaker 1>can I help you? Signor angel? Oh, we have a

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<v Speaker 1>small problem. Certain promises were made by Mistress Fatima Gold

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<v Speaker 1>for the services of my master, but so far nothing

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<v Speaker 1>has been forthcoming. He doesn't want to consider leaving. But

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<v Speaker 1>under the circumstances you don't understand. Do you understand what?

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<v Speaker 1>You are? Prisoners here? Even if you don't know it yet. Hm,

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<v Speaker 1>I'm sorry even I am a prisoner here. Ah, this

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<v Speaker 1>is it? What is this? He wanted to see the

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<v Speaker 1>laboratory where the old Sultan made his perfumes. He said

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<v Speaker 1>when we last met, that you'd like to see it.

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<v Speaker 1>You remember that, of course? In here? Oh, I doubt

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<v Speaker 1>anyone who has been in here for some time extraordinary.

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<v Speaker 1>I'm confused, though you seem close close, you and hu mhm.

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<v Speaker 1>Closeness comes in many different sense doesn't it now? For example,

0:17:48.240 --> 0:17:51.200
<v Speaker 1>I had one sort of closeness with my husband, Herod,

0:17:51.920 --> 0:17:58.920
<v Speaker 1>your husband sort of negotiated closeness. If you could bottle

0:17:59.000 --> 0:18:02.440
<v Speaker 1>strategic alliar, it's as a scent, That's what it would

0:18:02.440 --> 0:18:09.600
<v Speaker 1>smell like. Mm hmm. Where is he now? Killed in

0:18:09.720 --> 0:18:12.399
<v Speaker 1>one of those palace coups we seem to have as

0:18:12.440 --> 0:18:17.040
<v Speaker 1>regularly as summers, along with my vizier. What was his name?

0:18:17.480 --> 0:18:26.680
<v Speaker 1>Her name was Alkin? If I may, majesty, there's quite

0:18:26.880 --> 0:18:33.720
<v Speaker 1>a different sense coming off that name. Have I offended, Majesty? No,

0:18:33.960 --> 0:18:36.439
<v Speaker 1>not at all. I'm just looking for a particular bottle

0:18:38.200 --> 0:18:52.960
<v Speaker 1>here it is. Try this one. Mm hm hm. You're

0:18:53.000 --> 0:18:56.240
<v Speaker 1>at the last for words? Do you load it? No?

0:18:57.840 --> 0:18:59.600
<v Speaker 1>I think I might love it more than any scent

0:18:59.760 --> 0:19:04.800
<v Speaker 1>I've ever experienced. Only but it doesn't smell like anything

0:19:04.880 --> 0:19:09.560
<v Speaker 1>else I've ever liked. Mhm. That was her favorite scent.

0:19:13.440 --> 0:19:17.040
<v Speaker 1>I'm so very sorry you lost her. I didn't lose her.

0:19:17.800 --> 0:19:21.359
<v Speaker 1>She was taken from me, hanged like a common pickpocket

0:19:21.400 --> 0:19:26.800
<v Speaker 1>by that man CADALIDI doesn't he serve Fatima? Now? Does he?

0:19:27.359 --> 0:19:32.880
<v Speaker 1>Is that the same Cadali? I'm a stranger to Tom Bay,

0:19:33.440 --> 0:19:36.440
<v Speaker 1>so of course, I wouldn't understand all of your customs.

0:19:38.680 --> 0:19:43.880
<v Speaker 1>I'm not sure I do. What is Fatima's role here exactly?

0:19:45.200 --> 0:19:49.440
<v Speaker 1>You're the Sultana. I understand what the Sultana is. I

0:19:49.520 --> 0:19:53.680
<v Speaker 1>don't understand what she is. Why she's the mother of

0:19:53.760 --> 0:19:58.639
<v Speaker 1>the empires in your angel and I adore her as

0:19:58.720 --> 0:20:03.920
<v Speaker 1>if she were my own. Yes, I can see that.

0:20:14.480 --> 0:20:17.440
<v Speaker 1>Once again, I approached the gates of my beloved, awful

0:20:17.560 --> 0:20:21.480
<v Speaker 1>Tuman Bay, the only place I really belonged, the only

0:20:21.560 --> 0:20:24.639
<v Speaker 1>home I've ever really had. Only this time it's with

0:20:24.680 --> 0:20:27.760
<v Speaker 1>a phalanx of Ballarak at my back, and I have

0:20:27.920 --> 0:20:33.640
<v Speaker 1>no idea what's waiting for me inside the welcome back?

0:20:34.200 --> 0:20:37.280
<v Speaker 1>Is it a welcome or is it something else? Bittle

0:20:37.400 --> 0:20:40.680
<v Speaker 1>and escort you've got there, you know me, always making friends.

0:20:41.080 --> 0:20:44.280
<v Speaker 1>We keep the city gates closed. Now, new orders the

0:20:44.359 --> 0:20:47.480
<v Speaker 1>balak are tightening everything up and up. Talking. The Grandmaster

0:20:47.600 --> 0:20:49.560
<v Speaker 1>said you ought to go to him straight away. Let

0:20:49.680 --> 0:21:00.280
<v Speaker 1>them draw right on to the palace. The Grandmaster doesn't

0:21:00.280 --> 0:21:02.600
<v Speaker 1>stay there. He prefers not to be tainted by the

0:21:02.640 --> 0:21:09.840
<v Speaker 1>Sultana's court. We're going to the army quarter. Something has

0:21:09.920 --> 0:21:13.560
<v Speaker 1>changed into Monday. What people there are stop? What they're

0:21:13.560 --> 0:21:19.280
<v Speaker 1>doing and stare at us as we passed by. Open brother, brother,

0:21:22.600 --> 0:21:38.040
<v Speaker 1>you can just spank Commander com with me in Comanda,

0:21:38.160 --> 0:21:42.960
<v Speaker 1>Gregor a marble tent. Well, you should know your late

0:21:43.119 --> 0:21:47.320
<v Speaker 1>brother general cool and had it made his headquarters. I

0:21:47.480 --> 0:21:51.720
<v Speaker 1>believe I never ventured into the army quarter. My brother

0:21:51.800 --> 0:21:53.879
<v Speaker 1>and I were close, but we were careful not to

0:21:53.960 --> 0:21:57.880
<v Speaker 1>get in each other's way. You sent for me, I did.

0:21:58.160 --> 0:22:03.000
<v Speaker 1>Will you have refreshments? Heaven? Are you know each other?

0:22:03.320 --> 0:22:06.840
<v Speaker 1>I believe she the Grandmaster's prisoner. She has a different

0:22:07.000 --> 0:22:11.560
<v Speaker 1>life now, or his confidant. She has found the righteous path.

0:22:11.800 --> 0:22:14.040
<v Speaker 1>She could be useful again. And I thought the Balarak

0:22:14.119 --> 0:22:16.760
<v Speaker 1>were an all male order, and so we are. But

0:22:16.920 --> 0:22:20.760
<v Speaker 1>Heaven is special. She can read the ancient texts. She

0:22:20.960 --> 0:22:24.480
<v Speaker 1>has earned her place among us. She is my eyes.

0:22:25.359 --> 0:22:31.040
<v Speaker 1>Is there anything else you require? Grandmaster? No? Leave us eat, Commander,

0:22:31.400 --> 0:22:37.879
<v Speaker 1>you'll need your strength. I have a task for you.

0:22:39.440 --> 0:22:44.480
<v Speaker 1>I see well I'm at your command, Grandmaster. I have

0:22:44.600 --> 0:22:47.200
<v Speaker 1>no doubt I just saved you from a house of

0:22:47.320 --> 0:22:50.480
<v Speaker 1>the mad, more than your niece the Sultana did. Yes,

0:22:50.920 --> 0:22:54.280
<v Speaker 1>as you say, Grandma or her adoptive, How does that

0:22:54.560 --> 0:22:58.200
<v Speaker 1>make you feel? Greg Or? This woman fat him and

0:22:58.280 --> 0:23:00.800
<v Speaker 1>murdering your brother and calling her of mother to your

0:23:00.880 --> 0:23:03.800
<v Speaker 1>niece the sultan. How does that make you feel? I

0:23:03.920 --> 0:23:06.280
<v Speaker 1>try never to feel anything until I know the facts.

0:23:07.040 --> 0:23:12.919
<v Speaker 1>Emotion is really a reliable guide. They's sent you away

0:23:13.160 --> 0:23:18.560
<v Speaker 1>because you're behaving like a madman, burbling tales of a

0:23:18.680 --> 0:23:23.720
<v Speaker 1>dead woman walking. Remember have you heard your men digging

0:23:23.800 --> 0:23:28.520
<v Speaker 1>in the cellars, destroying walls, looking for doors where they

0:23:28.600 --> 0:23:33.840
<v Speaker 1>were none, sending your guard out into the streets questioning people.

0:23:34.119 --> 0:23:39.520
<v Speaker 1>Have you seen this woman neglecting your job? No? Used

0:23:39.560 --> 0:23:44.880
<v Speaker 1>to anyone, not even yourself. Perhaps your niece was right

0:23:45.160 --> 0:23:49.240
<v Speaker 1>to send you to that place. I'm sure she was,

0:23:50.920 --> 0:23:52.680
<v Speaker 1>But I'm a different man now. That is all in

0:23:52.760 --> 0:23:59.159
<v Speaker 1>the past. I've changed. Ah, Then I suppose you won't

0:23:59.160 --> 0:24:04.640
<v Speaker 1>be interested in the sightings? What sightings this woman alkin?

0:24:05.840 --> 0:24:15.240
<v Speaker 1>That wouldn't concern you anymore? I yes, that little catch

0:24:15.440 --> 0:24:19.680
<v Speaker 1>in your throat? What could your face possibly reveal in

0:24:19.760 --> 0:24:24.239
<v Speaker 1>this moment that your voice hasn't already given away? How

0:24:24.359 --> 0:24:28.440
<v Speaker 1>can I serve you? Grandmaster? Who is Alcin greg Or?

0:24:28.880 --> 0:24:34.320
<v Speaker 1>Is she Maya Maya's forces were destroying? Or perhaps perhaps not?

0:24:35.119 --> 0:24:38.960
<v Speaker 1>Does Maya have a hidden army into men by, she

0:24:39.160 --> 0:24:44.199
<v Speaker 1>said she would return. Is there a soldier within every

0:24:44.359 --> 0:24:49.440
<v Speaker 1>washerwoman and brick carrier waiting for a signal, a whisper

0:24:49.600 --> 0:24:52.960
<v Speaker 1>from mouth to ear to take up ums to reconquer?

0:24:54.280 --> 0:24:57.840
<v Speaker 1>Is my an invasive wasp who has injected a progeny

0:24:57.920 --> 0:25:01.679
<v Speaker 1>into the very body of two men a seditious eggs,

0:25:01.720 --> 0:25:05.200
<v Speaker 1>acts that will hatch and burst out of their hosts

0:25:05.600 --> 0:25:10.719
<v Speaker 1>and bring about Maya's final triumph, the queen of this world?

0:25:12.200 --> 0:25:15.560
<v Speaker 1>What do you want from me? Then you're going to

0:25:15.800 --> 0:25:20.560
<v Speaker 1>investigate these sightings of this alcin. I need to know

0:25:20.720 --> 0:25:24.600
<v Speaker 1>if this is some impostor pretending to be a dead woman,

0:25:25.520 --> 0:25:27.840
<v Speaker 1>or if there is more to it than that. Is

0:25:27.960 --> 0:25:33.720
<v Speaker 1>she involved in the disappearance of the halfees? What he

0:25:33.840 --> 0:25:37.720
<v Speaker 1>has vanished? No one knows where. Wasn't it guarded up

0:25:37.800 --> 0:25:41.840
<v Speaker 1>to a point? But remember Gregor we Ballereca principally here

0:25:41.880 --> 0:25:46.280
<v Speaker 1>to help and advise, not to God, where's the half

0:25:46.280 --> 0:25:49.639
<v Speaker 1>He's important to you? He's an old drunk. That's not

0:25:49.880 --> 0:25:54.400
<v Speaker 1>the man. It's what he represents in his person, his position,

0:25:54.480 --> 0:25:58.240
<v Speaker 1>the line of succession from the teacher until now. He

0:25:59.119 --> 0:26:03.600
<v Speaker 1>is the one who opens the door that we shall

0:26:03.960 --> 0:26:09.800
<v Speaker 1>pass through his presence. It's crucial now. He can't have

0:26:09.880 --> 0:26:13.200
<v Speaker 1>gone far, so draw on whatever context you still have

0:26:14.240 --> 0:26:18.040
<v Speaker 1>and bring him back when me. We'll not use your

0:26:18.080 --> 0:26:21.240
<v Speaker 1>own people. You know this city like no other, every alley,

0:26:21.400 --> 0:26:25.720
<v Speaker 1>every cellar, every secret. So I am free to go.

0:26:27.280 --> 0:26:32.440
<v Speaker 1>The city is yours Heaven, Grandmaster, Heaven will give you

0:26:32.520 --> 0:26:41.000
<v Speaker 1>what you need this way, Commander the Seal and the

0:26:41.080 --> 0:26:44.200
<v Speaker 1>Grandmaster the sigil of the Ballarach stamped in wax on

0:26:44.280 --> 0:26:47.280
<v Speaker 1>fine parchment. It will allow you free movement throughout him

0:26:47.359 --> 0:26:52.160
<v Speaker 1>and me, and hopefully this will loosen enough tongus very adequate.

0:26:52.280 --> 0:26:55.080
<v Speaker 1>Thank you, And I need you to do something else

0:26:55.160 --> 0:26:58.160
<v Speaker 1>for me. What would that be? The Grandmaster has brought

0:26:58.200 --> 0:27:01.080
<v Speaker 1>me back to find half fees? Is that really what

0:27:01.200 --> 0:27:03.480
<v Speaker 1>he wants? Was there some other purpose? I need you

0:27:03.520 --> 0:27:07.280
<v Speaker 1>to find out what the grand Master really I'm sorry

0:27:07.320 --> 0:27:10.359
<v Speaker 1>for what I'm not doing anything for you that is

0:27:10.400 --> 0:27:14.000
<v Speaker 1>in the expressed order of the Grandmaster. But heaven't we

0:27:14.280 --> 0:27:19.240
<v Speaker 1>what we have an understanding? Do we? Not? No more

0:27:19.320 --> 0:27:23.800
<v Speaker 1>murmured requests, Gregor. I'm not your tool anymore. I protected

0:27:23.880 --> 0:27:26.800
<v Speaker 1>your husband and child. I have no husband or child

0:27:27.560 --> 0:27:30.679
<v Speaker 1>the Ballarack or my family you have nothing to hold

0:27:30.720 --> 0:27:35.200
<v Speaker 1>over me anymore. Be grateful you've been given any sort

0:27:35.240 --> 0:27:37.840
<v Speaker 1>of second chance at all. Come back when you have

0:27:37.920 --> 0:27:49.320
<v Speaker 1>Alkin or the Huffy's or both open Robert open, you

0:27:49.400 --> 0:27:56.439
<v Speaker 1>may bask com thank you Alkin the Haffees. I need

0:27:56.480 --> 0:27:59.760
<v Speaker 1>to go somewhere safe. Where do I know that's safe?

0:28:04.600 --> 0:28:08.760
<v Speaker 1>Rooms available today? Is that so? Where is the lady

0:28:08.800 --> 0:28:13.480
<v Speaker 1>at the house? Why? Because I'd like to see her. Ma,

0:28:14.800 --> 0:28:19.600
<v Speaker 1>there's a man here? Well, wow, there's money. I need

0:28:19.640 --> 0:28:23.280
<v Speaker 1>a room, of course, Commander just if Endy Gregor will do.

0:28:23.520 --> 0:28:26.359
<v Speaker 1>I'm not a commander anymore. I'm sorry to hear that.

0:28:26.880 --> 0:28:28.679
<v Speaker 1>If I had known you were coming out the reserved

0:28:28.720 --> 0:28:32.240
<v Speaker 1>our finest room, but that has been taken by Acquila. Hello,

0:28:32.600 --> 0:28:35.119
<v Speaker 1>this is my new guest, Acquila. Are you saying a

0:28:35.240 --> 0:28:39.600
<v Speaker 1>killer is pronounced? A killer? Please to me? And this

0:28:39.760 --> 0:28:42.640
<v Speaker 1>is Commander Gregor. Just greg Can I go, please go

0:28:42.800 --> 0:28:46.800
<v Speaker 1>where you're supposed to be cleaning your skyret friend promised

0:28:46.880 --> 0:28:51.600
<v Speaker 1>him what young today? My room and he will do. Well.

0:28:51.640 --> 0:28:54.960
<v Speaker 1>I need is a couch. Let me see wonderful city.

0:28:56.200 --> 0:28:57.800
<v Speaker 1>I want to see as many of the sights of

0:28:57.880 --> 0:28:59.719
<v Speaker 1>this great city as I can while i'm here. I'm

0:29:00.040 --> 0:29:02.760
<v Speaker 1>it they're not what they once were. Well, I once

0:29:02.840 --> 0:29:04.840
<v Speaker 1>went deep in the desert in search of the ancient

0:29:04.880 --> 0:29:07.760
<v Speaker 1>city of Cause you heard of it. Let's say, if

0:29:07.800 --> 0:29:10.840
<v Speaker 1>you have the opportunity to travel only once in your life,

0:29:11.000 --> 0:29:12.920
<v Speaker 1>Cause is the place you should visit. That's what the

0:29:12.960 --> 0:29:17.200
<v Speaker 1>books say. And so, after many days of arduous travel,

0:29:17.280 --> 0:29:19.080
<v Speaker 1>what did I see about? A collection of mud hearts?

0:29:19.120 --> 0:29:23.120
<v Speaker 1>Moster them without these? Forgive me? I found the room good?

0:29:23.240 --> 0:29:25.080
<v Speaker 1>Can you put my bags? And they were impressed? For time?

0:29:25.240 --> 0:29:29.640
<v Speaker 1>Of course, perhaps we can continue this fascinating conversation later. Yes,

0:29:29.680 --> 0:29:31.960
<v Speaker 1>of course. Now I do tend to go on. What

0:29:32.040 --> 0:29:34.920
<v Speaker 1>are you doing here, commander? I'm not I really do

0:29:35.120 --> 0:29:37.840
<v Speaker 1>have to of course. Of course you're a busy man.

0:29:37.880 --> 0:29:39.960
<v Speaker 1>I can see that. What did they say, the old

0:29:40.040 --> 0:29:45.120
<v Speaker 1>saying a busy man? Is? I have to go until

0:29:45.240 --> 0:29:54.960
<v Speaker 1>next time, Commander the Bank of moldi Pla and his son.

0:29:56.800 --> 0:29:59.280
<v Speaker 1>I'm sorry. I thought we were here to see the Sultana.

0:30:00.640 --> 0:30:05.400
<v Speaker 1>You're here to see me sit Affendi, Pila and son.

0:30:09.080 --> 0:30:13.120
<v Speaker 1>I'm not from here, you know. I'm from the Eastern province,

0:30:13.200 --> 0:30:20.320
<v Speaker 1>well Amber province originally. You're from Vinca. I believe that's right,

0:30:21.000 --> 0:30:25.680
<v Speaker 1>m yes, where are you from? Cadali? I came as

0:30:25.760 --> 0:30:28.840
<v Speaker 1>a slave, like so many others. I have no idea

0:30:28.960 --> 0:30:31.960
<v Speaker 1>where from, for I was a mere child when I arrived.

0:30:32.440 --> 0:30:35.440
<v Speaker 1>Everyone in tuman Bay is from somewhere else. It seems

0:30:35.920 --> 0:30:39.560
<v Speaker 1>this great city is at the center, always drawing in

0:30:39.760 --> 0:30:43.800
<v Speaker 1>from every corner. Do you know what I've always loved

0:30:43.840 --> 0:30:46.200
<v Speaker 1>best about human bayar offendi Pila? Why I am so

0:30:46.520 --> 0:30:51.600
<v Speaker 1>honored to be Mother of the Empire? No, no, I don't.

0:30:52.320 --> 0:30:54.920
<v Speaker 1>It is that tuman Bay is a city of laws.

0:30:56.720 --> 0:30:59.760
<v Speaker 1>For example, laws that give justice to you and your

0:30:59.760 --> 0:31:04.080
<v Speaker 1>family for the tragic murder of your father. Tuman Base

0:31:04.200 --> 0:31:08.040
<v Speaker 1>thrives because of the laws that make trade fair to

0:31:08.280 --> 0:31:12.640
<v Speaker 1>one and all. A man seeking to trade or run

0:31:12.720 --> 0:31:16.160
<v Speaker 1>a business here knows that he is protected by those laws.

0:31:16.760 --> 0:31:19.520
<v Speaker 1>Not even a saultan or the Mother of the Empire

0:31:20.360 --> 0:31:23.400
<v Speaker 1>can cheat him. It is why we all love Tumana.

0:31:23.560 --> 0:31:28.840
<v Speaker 1>Do you love tuman Bay? Of course? Then why don't

0:31:28.840 --> 0:31:34.000
<v Speaker 1>you do your duty to it? My duty? The loan,

0:31:35.200 --> 0:31:38.000
<v Speaker 1>Madam Fatima, We have to assess the worst. Now you

0:31:38.080 --> 0:31:41.680
<v Speaker 1>are saying tuman Bay has no worth, not at all, Madam.

0:31:42.160 --> 0:31:45.080
<v Speaker 1>Merely that we see that so much of Tuman based

0:31:45.080 --> 0:31:49.280
<v Speaker 1>resources are being spent in ways that are unlikely to

0:31:49.480 --> 0:31:53.719
<v Speaker 1>bring a return. If you're referring to the paintings, the art,

0:31:53.760 --> 0:31:57.200
<v Speaker 1>the very modest amount of clothing and jewels, the sutana,

0:31:57.320 --> 0:32:00.560
<v Speaker 1>and I need to uphold the dignity of Human Bay

0:32:00.680 --> 0:32:03.800
<v Speaker 1>with respect, Madam. I'm thinking more specifically of the siphoning

0:32:03.880 --> 0:32:07.280
<v Speaker 1>of funds to refurbish your palace in the Eastern Province,

0:32:08.160 --> 0:32:11.240
<v Speaker 1>a marble summer palace in the garden, requiring a thousand

0:32:11.320 --> 0:32:21.120
<v Speaker 1>skilled stone basons, for example. I see. Do you know

0:32:21.200 --> 0:32:24.960
<v Speaker 1>what I think? If nd PLA. For years now, the

0:32:25.080 --> 0:32:28.680
<v Speaker 1>great and glorious Human Bay has been greedily sucking money

0:32:28.760 --> 0:32:32.160
<v Speaker 1>out of all the provinces, not just mine. If we

0:32:32.320 --> 0:32:35.400
<v Speaker 1>push just a little back to build up the provinces again,

0:32:35.520 --> 0:32:38.280
<v Speaker 1>the whole structure of trade will start running once more.

0:32:38.720 --> 0:32:43.600
<v Speaker 1>It's all a matter of confidence. If I may interject, Mistress,

0:32:43.640 --> 0:32:47.440
<v Speaker 1>I very much agree, Lizia. We don't require you any further.

0:32:47.720 --> 0:32:50.320
<v Speaker 1>You may go, But Mistress, should I not be part

0:32:50.400 --> 0:32:56.880
<v Speaker 1>of this? You may go, of course, take is it,

0:32:57.600 --> 0:33:11.280
<v Speaker 1>ah father and close the door. I was so sorry

0:33:11.320 --> 0:33:13.120
<v Speaker 1>to hear of your father's death of d p LA.

0:33:13.560 --> 0:33:16.720
<v Speaker 1>Thank you, madam. It was a respected banker. He loved

0:33:16.760 --> 0:33:20.880
<v Speaker 1>the city. Indeed, I understand you chose death for the

0:33:20.920 --> 0:33:23.760
<v Speaker 1>young woman in the court as is your right, as

0:33:23.800 --> 0:33:26.040
<v Speaker 1>our laws allow. It was more of a duty than

0:33:26.120 --> 0:33:28.760
<v Speaker 1>a choice. I quite agree with you. You are a

0:33:28.840 --> 0:33:32.960
<v Speaker 1>wise man. You can't have wives going around killing their husbands.

0:33:35.320 --> 0:33:43.000
<v Speaker 1>But rivals in business, well, rivals offending mc groub. Didn't

0:33:43.040 --> 0:33:47.479
<v Speaker 1>he recently cheat you on some business in Serene? They

0:33:47.520 --> 0:33:50.000
<v Speaker 1>are rebuilding the port there and you were hoping to

0:33:50.120 --> 0:33:55.160
<v Speaker 1>secure the contract. You are well informed, mistress. Of course

0:33:55.960 --> 0:34:00.520
<v Speaker 1>that must have hurt. You're busy fighting for your Emily's honor,

0:34:00.640 --> 0:34:04.560
<v Speaker 1>ensuring your poor murdered father gets the justice he deserved,

0:34:04.640 --> 0:34:08.080
<v Speaker 1>whilst that little weaselm group goes behind your back, and

0:34:09.800 --> 0:34:13.320
<v Speaker 1>I hear he did very well out of it. Indeed,

0:34:16.480 --> 0:34:20.600
<v Speaker 1>I can deal with him. What do you mean I

0:34:20.719 --> 0:34:25.560
<v Speaker 1>think offend Pela with respect? You know what I mean?

0:34:27.280 --> 0:34:31.960
<v Speaker 1>My group is closely guarded. Any attempt it would come

0:34:32.000 --> 0:34:35.520
<v Speaker 1>back on me, not the way I would have it done.

0:34:37.840 --> 0:34:40.920
<v Speaker 1>Why would you do this for me? Because you're going

0:34:41.000 --> 0:34:43.919
<v Speaker 1>to guarantee the full amount of the loan I want

0:34:43.960 --> 0:34:49.279
<v Speaker 1>for Tuman Bay. Then within six moods, you will have

0:34:49.560 --> 0:35:01.200
<v Speaker 1>made more gold back then you could possibly imagine. Several

0:35:01.280 --> 0:35:05.399
<v Speaker 1>Ballarak officers stand guard outside the Hafez's palace, just one

0:35:05.480 --> 0:35:07.719
<v Speaker 1>more signed that this is no longer the Tuman day.

0:35:07.760 --> 0:35:10.359
<v Speaker 1>I once knew, what is your business here? This seal

0:35:10.480 --> 0:35:13.359
<v Speaker 1>means I don't have to tell you my business. Were

0:35:13.400 --> 0:35:16.520
<v Speaker 1>you on the door when her feast disappeared? Only today? Brother?

0:35:16.760 --> 0:35:19.280
<v Speaker 1>Before that, there was an hourly patrol of the Ballast,

0:35:19.520 --> 0:35:22.440
<v Speaker 1>just the perimeter. They didn't go inside. Well, they didn't

0:35:22.440 --> 0:35:24.759
<v Speaker 1>want to disturb the Huffees, and how would they know

0:35:24.840 --> 0:35:27.719
<v Speaker 1>if all was well? They checked the doors were shut

0:35:27.800 --> 0:35:32.000
<v Speaker 1>and locked, that's all. And his man Bellow, They spoke

0:35:32.040 --> 0:35:35.480
<v Speaker 1>to him two or three times a day. This was

0:35:35.560 --> 0:35:37.279
<v Speaker 1>not of our doing. And yet all the same, it

0:35:37.360 --> 0:35:39.799
<v Speaker 1>seems the bird has flown the Ballaraca here only as

0:35:39.840 --> 0:35:42.719
<v Speaker 1>as advisors. Yes, I think I've heard that before. Is

0:35:42.760 --> 0:35:46.200
<v Speaker 1>this man Bellow inside now? Yes? Well done? Open the

0:35:46.280 --> 0:35:55.960
<v Speaker 1>gates open, the gates come under control, bellow. The Harfees

0:35:56.080 --> 0:35:59.839
<v Speaker 1>is acolyte. Once upon a time in my pay come

0:36:00.480 --> 0:36:03.359
<v Speaker 1>and just about the only lead I have. I thought

0:36:03.440 --> 0:36:10.560
<v Speaker 1>you were yes, you were away, you were not here less?

0:36:11.640 --> 0:36:14.360
<v Speaker 1>When did he disappear. I've already told them everything, and

0:36:14.400 --> 0:36:16.719
<v Speaker 1>now you're going to tell me. When did he disappear?

0:36:17.400 --> 0:36:21.480
<v Speaker 1>Between noon and the third hour three days ago? He

0:36:21.840 --> 0:36:25.799
<v Speaker 1>normally rests in the afternoon. I brought him his lunch,

0:36:26.080 --> 0:36:28.320
<v Speaker 1>and when I came to wake him after he was

0:36:28.440 --> 0:36:32.600
<v Speaker 1>no longer there. I don't see how he needed me

0:36:32.719 --> 0:36:35.400
<v Speaker 1>for everything. So you think he was taken? Were there

0:36:35.400 --> 0:36:37.839
<v Speaker 1>any signs of a struggle? Not a trace, which I'm

0:36:37.880 --> 0:36:40.680
<v Speaker 1>sure is what you told the ballarak. That's all there

0:36:40.800 --> 0:36:42.760
<v Speaker 1>is to tell, and I can see why the Ballara

0:36:42.920 --> 0:36:48.160
<v Speaker 1>believed him. He's convincing. I swear Gregor, only I remember

0:36:48.239 --> 0:36:52.080
<v Speaker 1>things they don't. His years of unctuous service to his

0:36:52.200 --> 0:36:55.560
<v Speaker 1>master's addictions. I don't think they have faces so much

0:36:55.640 --> 0:36:59.160
<v Speaker 1>turned over in his sleep. Without this man knowing, I'll

0:36:59.200 --> 0:37:03.080
<v Speaker 1>have to gamble. Then, how do you explain the woman?

0:37:04.600 --> 0:37:09.120
<v Speaker 1>The woman, the mysterious woman seeing near our feast before

0:37:09.160 --> 0:37:15.000
<v Speaker 1>he disappeared? How did you know about that? I didn't,

0:37:16.000 --> 0:37:18.560
<v Speaker 1>But now I do A question you would do well

0:37:18.600 --> 0:37:21.480
<v Speaker 1>to consider before you liked me again. Now tell me

0:37:21.640 --> 0:37:24.040
<v Speaker 1>everything about the woman. Next time, it won't be me

0:37:24.280 --> 0:37:42.919
<v Speaker 1>asking shut the door, pull the curtain. Now talk three

0:37:43.080 --> 0:37:46.880
<v Speaker 1>days before he went, there was a visitor, a woman.

0:37:46.960 --> 0:37:49.920
<v Speaker 1>What did you look like? I don't know. How do

0:37:50.000 --> 0:37:54.840
<v Speaker 1>you know that's they? I didn't see anyone coming. I

0:37:54.920 --> 0:37:57.160
<v Speaker 1>went to the Highfist's room in the morning to bring

0:37:57.320 --> 0:38:00.839
<v Speaker 1>him his refreshments, and as I put the tray down,

0:38:01.040 --> 0:38:06.800
<v Speaker 1>I noticed a shadow. I saw her eyes. She was there,

0:38:07.960 --> 0:38:12.560
<v Speaker 1>and half he said, go leave us. I was embarrassed.

0:38:12.840 --> 0:38:16.520
<v Speaker 1>I didn't know what was happening. So I waited outside

0:38:16.760 --> 0:38:21.359
<v Speaker 1>for her to leave, but she never came out. Then,

0:38:22.280 --> 0:38:25.120
<v Speaker 1>after quite some time I passed the huffie rang the

0:38:25.160 --> 0:38:27.400
<v Speaker 1>bell to call me inside, and when I went in,

0:38:28.880 --> 0:38:31.840
<v Speaker 1>she was gone. Did you ask him who she was?

0:38:32.520 --> 0:38:37.319
<v Speaker 1>How she came in and out? He just said the watchers,

0:38:38.520 --> 0:38:44.440
<v Speaker 1>the watchers, the watchers have come. And then he he

0:38:44.600 --> 0:38:49.799
<v Speaker 1>laughed strangely for for a long time. Then three days

0:38:49.880 --> 0:38:53.600
<v Speaker 1>later he was gone. And why didn't you tell the Barratis?

0:38:54.440 --> 0:38:58.920
<v Speaker 1>It would have been man wise. The trouble is with

0:38:59.040 --> 0:39:02.120
<v Speaker 1>these people. One you'll give them a convoluted story. Then

0:39:02.160 --> 0:39:05.120
<v Speaker 1>they question you more, and your answers aren't quite right,

0:39:05.200 --> 0:39:10.400
<v Speaker 1>and then they put the thumb screws on and watches. Bellow,

0:39:11.280 --> 0:39:15.080
<v Speaker 1>what does it mean? I don't know you. Forget that,

0:39:15.160 --> 0:39:18.239
<v Speaker 1>I know you, Bellow. You're insatiably curious and you have

0:39:18.280 --> 0:39:20.680
<v Speaker 1>one of the biggest libraries in Tuman Bay. Are you

0:39:20.800 --> 0:39:23.800
<v Speaker 1>telling me you didn't open a single book or unroller scroll?

0:39:25.719 --> 0:39:30.960
<v Speaker 1>It's all speculation. Then speculate and there are stories in

0:39:31.080 --> 0:39:34.840
<v Speaker 1>one of the old scrolls of visitors from somewhere else.

0:39:36.160 --> 0:39:39.440
<v Speaker 1>They just come to watch. But that's not all they do.

0:39:40.080 --> 0:39:46.200
<v Speaker 1>They've taken the Harfees. Yes, yes, something has changed with

0:39:46.360 --> 0:39:50.200
<v Speaker 1>the Harfeest too. He stopped drinking in the three days

0:39:50.320 --> 0:39:57.680
<v Speaker 1>between the woman and whatever happened? Bellow, did the Huffees

0:39:57.719 --> 0:40:02.040
<v Speaker 1>ever get a visit from Mistress Fatima? Um m hmmm,

0:40:03.960 --> 0:40:11.960
<v Speaker 1>h Just one more roof then we'll be right above

0:40:12.000 --> 0:40:20.000
<v Speaker 1>the prison God, I miss this. Careful, don't be not there, No,

0:40:20.719 --> 0:40:27.839
<v Speaker 1>I can make it. There's a pipe. Watch this, don't

0:40:27.880 --> 0:40:32.600
<v Speaker 1>be help me. The pipe is coming away. Wait there?

0:40:32.920 --> 0:40:37.600
<v Speaker 1>What else could I do? Wait? Look up, I'm just

0:40:37.719 --> 0:40:48.640
<v Speaker 1>above you. Take my hand. H m hmm, thank you rock.

0:40:49.120 --> 0:40:51.880
<v Speaker 1>He really should be maintaining their pipes. What to make

0:40:51.960 --> 0:40:57.560
<v Speaker 1>life easier for thieves like us? Come? Look a prison yard.

0:40:58.040 --> 0:41:00.200
<v Speaker 1>They let the prisoners out there once a day, just

0:41:00.320 --> 0:41:03.600
<v Speaker 1>before sunset. They don't change them. Why would they? Who's

0:41:03.640 --> 0:41:08.440
<v Speaker 1>expecting sky rats? Here they come? Now? The women prisoners

0:41:08.440 --> 0:41:11.799
<v Speaker 1>are in that line. There's so many of them. Can

0:41:11.840 --> 0:41:16.440
<v Speaker 1>you see her? She needs to look up? Look up, matella.

0:41:17.360 --> 0:41:19.440
<v Speaker 1>What if I do the sky at can? She knows

0:41:19.480 --> 0:41:29.239
<v Speaker 1>what it means? Good a deer do it? She's seen us.

0:41:29.719 --> 0:41:33.120
<v Speaker 1>Let's go. How will she know? She knows where to wait?

0:41:33.239 --> 0:41:37.279
<v Speaker 1>I've told her to be ready? Frock. Wait, I think

0:41:37.360 --> 0:41:41.000
<v Speaker 1>someone looked up. Did they see us? I don't think so.

0:41:41.760 --> 0:41:48.320
<v Speaker 1>All right, come on the shafts just over there. Okay,

0:41:51.920 --> 0:41:54.120
<v Speaker 1>this is definitely the one that gang has told you

0:41:54.160 --> 0:42:02.279
<v Speaker 1>about it. It's right where they said it would be. No, No,

0:42:03.160 --> 0:42:07.000
<v Speaker 1>what what is it? It's been blocked up. There's no

0:42:07.160 --> 0:42:17.839
<v Speaker 1>way through. I'm sorry frog, alright, No, I'm not all right.

0:42:18.920 --> 0:42:20.600
<v Speaker 1>On the night of the fires, they're going to hang

0:42:20.719 --> 0:42:25.400
<v Speaker 1>a thousand people. They're going to need a lot of gloves.

0:42:25.640 --> 0:42:28.880
<v Speaker 1>Shut shut up. Do you think this is a joke. No,

0:42:32.239 --> 0:42:35.480
<v Speaker 1>someone's going to have to build them. They're recruiting carpenters.

0:42:35.760 --> 0:42:40.239
<v Speaker 1>My uncle is in the business. We can get a job. Job,

0:42:40.719 --> 0:42:44.279
<v Speaker 1>That's how we save Mattila. We can do this. Say it,

0:42:45.160 --> 0:42:48.560
<v Speaker 1>say we can do this. We can do this. See

0:42:48.560 --> 0:42:51.680
<v Speaker 1>if they could believe it. We can do this. We

0:42:51.800 --> 0:42:54.680
<v Speaker 1>can do this. We can do this. We can do this.

0:42:55.840 --> 0:43:08.680
<v Speaker 1>We can do this. M Season four, episode three of

0:43:08.800 --> 0:43:14.040
<v Speaker 1>tuman Bay Pronounced a Killer featuring Anton Lesser, Rob Jarvis,

0:43:14.280 --> 0:43:18.880
<v Speaker 1>Aisha hart, Enzo Chilenti, and Kirsty Bushell, was written by

0:43:18.960 --> 0:43:22.320
<v Speaker 1>Matt Rogers, with music by Sasha Putner and editing and

0:43:22.360 --> 0:43:38.360
<v Speaker 1>sound designed by Eloise whitmer h toman Bay is created

0:43:38.520 --> 0:43:41.439
<v Speaker 1>by me and Mike Walker and produced by Emma Hern

0:43:41.600 --> 0:43:45.000
<v Speaker 1>and Nadir Khan. For more details, including scripts and a

0:43:45.080 --> 0:43:48.120
<v Speaker 1>full cast list, visit to mun Bay dot com