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Speaker 1: What's up y'all?

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Speaker 2: Is your girl Lexp And it's your girl Dre in

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Speaker 2: the call and you are tuned in to another episode

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Speaker 2: of Poor.

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Speaker 3: Mind where a drunk mind speaks sober thought.

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Speaker 1: We gotta guess, Sauday.

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Speaker 4: We gotta guess Saday.

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Speaker 2: Y'all know, we have a legend literally in the building.

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Speaker 2: Like I love when we have like full circle moments.

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Speaker 3: When we have somebody on the house.

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Speaker 2: I'm just like, oh my god, this is a moment.

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Speaker 2: Because I'm an R and B girl, I'm gonna r

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Speaker 2: be deep in my R and B bag.

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Speaker 1: Sod is Drea. So we are so excited to have

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Speaker 1: you on. We got our drunk march and a bed

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Speaker 1: with us.

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Speaker 3: You're ye, thank you for joining us.

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Speaker 1: Excited. I love this for us.

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Speaker 3: I love so many of ya.

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Speaker 1: Let me tell you something. I try to like not fangirl.

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Speaker 2: Yeah, people come on the show, but I'm like, I

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Speaker 2: got to the points where I don't care anymore.

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Speaker 1: But because I'm just like.

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Speaker 2: This is a moment like you have really like you

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Speaker 2: are so important to R and B music for real.

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Speaker 2: So if anybody has never told you that, I am

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Speaker 2: going to tell you that. And it's amazing that you

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Speaker 2: were still you know, making music and you're still you know,

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Speaker 2: doing your thing.

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Speaker 1: Yeah, it's been some years.

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Speaker 2: Legendary, legendary catalog, a legendary career.

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Speaker 3: Can I say this is like twenty four years amazing?

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Speaker 3: That's insane that they out loud and to still be

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Speaker 3: sitting here. But yeah, I'm hype about yeah right love nothing.

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Speaker 2: It's beautiful, you know what I'm saying, Like, I'm thirty four,

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Speaker 2: so and I and I like, really you have just started.

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Speaker 1: You know, my career and things that I'm you were.

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Speaker 5: A baby grown baby taste to me, I have ten

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Speaker 5: years on you. I feel like, you know, I'm still

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Speaker 5: like up there.

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Speaker 2: But it's good to see, like, you know, you started

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Speaker 2: your career in your twenties.

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Speaker 3: But we're so level headed because you.

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Speaker 2: See so many people start their careers in their twenties

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Speaker 2: and they party hard, they fall off.

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Speaker 1: Crazy things happen. So it just has a testament to

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Speaker 1: who you are and your work ethic.

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Speaker 3: True. But I absolutely had a time and it wasn't

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Speaker 3: you know, there was no internet, you know, popping it.

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Speaker 3: I had let the internet telling I mean this is

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Speaker 3: when sprinting, like phones didn't have the good camera so

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Speaker 3: you could kind of stay like that ain't even mixed

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Speaker 3: unless it was like identifiable by ways of tattoo. Yeah,

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Speaker 3: you know, but monks, you know you get all your

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Speaker 3: done done and you keep it clean. Yes, I know that. Right.

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Speaker 2: Well, we are so happy to have you, we are

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Speaker 2: We're super exciting. So we're gonna kick it off, you know,

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Speaker 2: with a little icebreaker, and I want to talk to

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Speaker 2: you about growing up in London because we just took

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Speaker 2: a London trip, just got maybe like.

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Speaker 3: Almost three weeks ago.

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Speaker 1: Yeah, fresh London trip and it was it was amazing.

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Speaker 1: We had a time. Okay, so that was her first

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Speaker 1: time in London. It was my time first time.

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Speaker 3: I didn't want to leave.

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Speaker 1: It was in December.

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Speaker 3: Yikes.

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Speaker 1: Everybody says that when I.

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Speaker 3: Say it's known for its doom and gloom, like it's

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Speaker 3: gonna be fuggy, it's gonna be misty a little bit.

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Speaker 3: It's gonna be great. It's gonna be wet, it's gonna

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Speaker 3: be cold, especially in December, and that might be in

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Speaker 3: July too. But if you catch it on a bad year,

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Speaker 3: oh you're not gonna get a summer, are you serious?

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Speaker 3: England will be like yeah, no, not you it misses you. Yeah. Yeah,

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Speaker 3: that's why a lot of people travel abroad for like

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Speaker 3: holidays and vacations. Yeah, because we want to get out,

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Speaker 3: like we don't want to see a great sight.

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Speaker 2: Tell you like I will wake up because I'm not

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Speaker 2: an early person, me neither so but by the time

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Speaker 2: I will wake up, like you know, new one o'clock.

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Speaker 3: The sign going on. Yeah, oh yeah, I was sign

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Speaker 3: going down. But in the summertime it's weird. And in

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Speaker 3: the UK the sun never really goes down. It's kind

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Speaker 3: of like light outside all the time, like even when

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Speaker 3: the moon's at its peak, like why is the sky

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Speaker 3: so bright? Or if you haven't been there. But I

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Speaker 3: grew up that way. So I was born in Liverpool

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Speaker 3: but raised in London. South London were where you know,

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Speaker 3: my roots would lay. But yeah, I had fun in

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Speaker 3: London growing.

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Speaker 1: I loved it.

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Speaker 3: Yeah. But like a lot of my family, we're USA

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Speaker 3: based as well. I had aunties and cousins that were here,

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Speaker 3: so I used to get the world back then. HS

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Speaker 3: tapes are like different world cousins.

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Speaker 1: Yeah on yes, so I felt like I.

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Speaker 3: Was here without being here, you know. So I was

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Speaker 3: still like, oh, I want to go to the prom.

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Speaker 3: No not Yeah, when I was growing up, it was

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Speaker 3: nothing like that. Yes, so the like the whole American

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Speaker 3: lifestyle and going to college HBCU. I was like, oh

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Speaker 3: my god, I want that for my life. Yeah, you know,

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Speaker 3: but my path led me here anyway.

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Speaker 2: Yes, there was so many people we were talking to

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Speaker 2: when we were out there and they were telling us

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Speaker 2: that they were like, yes, as people who live in

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Speaker 2: the UK, we love American culture. Like they was like,

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Speaker 2: we love it because we grew up watching all of

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Speaker 2: you'll shows and everything.

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Speaker 3: And I'm like that, like you get home want to

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Speaker 3: watch fresh Princes? Yeah, I would saying you were excited

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Speaker 3: right us.

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Speaker 1: Not that we didn't have black British shows then.

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Speaker 3: Also, but I don't know, it's something about connecting. When

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Speaker 3: I was growing up, it was like the nineties, so

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Speaker 3: it was high top fades and if you saw anyone

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Speaker 3: that was cute like the Ricky Lake show in the audio, fine,

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Speaker 3: but yeah, that's what we used to.

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Speaker 1: Look forward to see America.

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Speaker 3: Yeah.

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Speaker 2: So you said you had family that lived here, So

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Speaker 2: where area do they live in now?

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Speaker 3: So I have predominantly Texas really, so my grandfam, my

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Speaker 3: mother's father's San Antonio. Okay, we're based there, but military

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Speaker 3: based two so now we're like Dallas and the some

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Speaker 3: in Maryland now. But my mother's sister moved with her

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Speaker 3: husband to Omaha. Oh wow, her family in Omaha, Nebraska.

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Speaker 1: We were in the country.

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Speaker 3: That is the country for sure. But yeah, they've been

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Speaker 3: there for a while. And my cousin eventually went to

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Speaker 3: Temple University in Philly. And when I moved, I forgot

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Speaker 3: that she went there. So I'm performing on stage and

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Speaker 3: I look out in the audience and I'm like, dang,

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Speaker 3: she looks like my aunt.

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Speaker 1: She was like marsh And I'm like, yo, fife.

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Speaker 3: The whole you know, me and you were never people

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Speaker 3: in the middle of.

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Speaker 1: The set, which is crazy.

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Speaker 3: Yeah, yeah, you know. Family is family, and I feel

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Speaker 3: like being here. I've just connected with so many people

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Speaker 3: that have made me feel at home. But no one

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Speaker 3: cares that I'm not really from here. I'm like an honorary.

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Speaker 1: That's why I'm like, you give me, you know, like.

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Speaker 2: It split because so where did you move when you

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Speaker 2: first moved here?

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Speaker 1: Atlanta, Atlanta?

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Speaker 3: Yeah, and you say you lived here for two years.

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Speaker 3: I did, but that was later on after I got here.

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Speaker 3: I got a free flight from the UK to Atlanta

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Speaker 3: by ways of a friend that was staying here, and

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Speaker 3: they're like, look, we have some open mic.

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Speaker 1: Gigs that you could possibly do.

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Speaker 3: Did them in Atlanta, got a free flight to Philly,

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Speaker 3: did some singing. I was trying to, you know, be seen.

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Speaker 3: At that point, I'm gonna get to Philadelphia. It just

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Speaker 3: made sense to stay there because we ended up meeting

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Speaker 3: what was then our management and our record company. For

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Speaker 3: the record company, the people we made the songs with

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Speaker 3: Touch of Jazz, they were recording music Soul Child's first album,

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Speaker 3: Jill Scott's first album.

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Speaker 1: So that's like just.

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Speaker 3: Friends that long walk. All of this magic is happening

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Speaker 3: in one space. I was like, oh, I'm staying. I

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Speaker 3: was like, who's doing this?

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Speaker 1: I was like, no, I'm staying.

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Speaker 3: So what's crazy about that is during the same time,

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Speaker 3: those same producers went on to do like Sierra, like oh,

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Speaker 3: Chris Brown Yo, the same time, but all of this

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Speaker 3: musical magic has happened, and I was like, I'm staying

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Speaker 3: in Philly. And then I came back to Atlanta like

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Speaker 3: seven eight. It was a lot of magic city and

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Speaker 3: it still is. Really for the Chicken Wings you know

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Speaker 3: what a.

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Speaker 2: Time outsaw you were more of a Cropperts and Tea

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Speaker 2: British like.

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Speaker 3: I feel like people are banged with me in such

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Speaker 3: a level I could sit my chair in the strip

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Speaker 3: club I was.

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Speaker 6: No one would flinched.

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Speaker 3: That's all. Shake it, shake it for me. I'll throw

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Speaker 3: some you know British money, exchange it banks, do what

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Speaker 3: you will them counts is way more than your dollars. Okay, wait,

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Speaker 3: I don't throw that one.

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Speaker 6: No, that's too much.

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Speaker 3: Like so now, I really had a time in atl

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Speaker 3: like I really. I think when I got to America,

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Speaker 3: I came into womanhood. Then I was twenty one twenty

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Speaker 3: two when I moved like green to everything and then

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Speaker 3: got to American was turned out. That's definitely like America.

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Speaker 3: That type of place though.

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Speaker 6: It is, because that's all so shocked.

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Speaker 2: I said, you know, I said, you must have been

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Speaker 2: singing really good to get a free flight, because my

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Speaker 2: free flights I wasn't singing.

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Speaker 3: I see.

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Speaker 2: Looks one to a little a little who you know, Okay, okay,

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Speaker 2: can you talk about whenever you know, like the beginning

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Speaker 2: of like the music, whenever you were like, okay, I'm

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Speaker 2: making money from this like you knew you was like

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Speaker 2: that girl, and it was like really things were really

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Speaker 2: really happening.

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Speaker 3: It was that Philly moment. And I guess Flower Try

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Speaker 3: had gotten the first deal. We got here April of

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Speaker 3: two thousand, we had a deal by December of two thousand.

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Speaker 3: Michael Jackson had already heard the demo of that album

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Speaker 3: round about September of two thousand Cold and said he

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Speaker 3: wants to work with us, like YadA, YadA, YadA, and

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Speaker 3: I'm like, this is insane, Michael Jackson calling a couple

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Speaker 3: of months in this the sad sense. And so by

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Speaker 3: the following year, two thousand and one, of March two

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Speaker 3: thousand and one, I'm in the studio with Mike.

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Speaker 1: Like in the studio with Mike, like was really deep.

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Speaker 3: It was deep. It was he was like that man

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Speaker 3: he had. It was kind of I told him he

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Speaker 3: was like thriller, Mike could get.

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Speaker 6: It, Mike.

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Speaker 3: Popcorn eating Mike tell him to I told him to

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Speaker 3: do the space. But what did you say, Mike, you

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Speaker 3: could get it? Thriller, you get it. I'm I think

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Speaker 3: you know what this is when no one's actually done butterflies, right,

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Speaker 3: this song Butterfly beautiful song, gorgeous. But this is the

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Speaker 3: line that's going over everyone's head. It's one of the

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Speaker 3: sexiest lines I think I've ever written in the song ever,

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Speaker 3: And I got Michael Jackson to sing that right verse two.

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Speaker 3: You know all you're gonna do is just, you know,

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Speaker 3: walk away and pass me by this verse one.

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Speaker 1: So verse two, all.

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Speaker 3: I've got to say is that I must be dreaming.

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Speaker 3: Can be real. You're not here with me, but I

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Speaker 3: can feel you near to me. This is the one. Now,

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Speaker 3: I caress you, let you taste? Does just so blissful? Listen,

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Speaker 3: I will give you anything, let me dreams come true.

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Speaker 1: So you hear what I'm saying with him, I caress you?

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Speaker 3: Where do you think I'm caressing at? Let you taste?

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Speaker 3: Does you a little fat?

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Speaker 6: Michael singing?

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Speaker 1: That was just like bliss?

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Speaker 3: I know, that was like fantasy, Like did you feel

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Speaker 3: like comfortable?

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Speaker 1: Because like, were you kind of like?

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Speaker 3: Oh no? Initially I cried my eyes out, What do

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Speaker 3: you mean? I was crying as soon as I walked

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Speaker 3: in that studio and I saw him, and it was

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Speaker 3: a reality that Yo, I'm about to tell Michael Jackson

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Speaker 3: what to do, like right, So he's like he was

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Speaker 3: behind a glass screen, and I think the first thing

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Speaker 3: he did was like snap his fingers and he was

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Speaker 3: like butterflies when he whispered it. Listen, the tear drive

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Speaker 3: of the fellas like like just tears is blubbery.

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Speaker 1: And I'm like I because it's like I had.

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Speaker 3: To pull it together.

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Speaker 2: Yeah, there's nobody like when you talk about the greatest,

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Speaker 2: it's my great to do like it ain't no, oh,

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Speaker 2: the greatest of R and B the great it's the

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Speaker 2: greatest of.

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Speaker 3: Everybody, the king, you know. So I'm I couldn't even imagine.

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Speaker 3: I cried and then I pulled it together. And then

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Speaker 3: Mike was like, what's next. I'm like, listen, hit that.

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Speaker 3: No one more time. It's a little bit pitchy that

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Speaker 3: I want my time. It was a little bit you know,

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Speaker 3: hey and one my time, woman time. Hey, Mike breathing

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Speaker 3: telling him, coaching him, and he made me do that

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Speaker 3: and he's like, listen, I want to sound how you

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Speaker 3: sound on this record.

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Speaker 1: Wow, teach me.

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Speaker 3: So for Mike to be that, be who he was

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Speaker 3: and still be gracious enough and humbled enough to be like, no,

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Speaker 3: I want it like this. You need to guide me

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Speaker 3: into doing that and I was twenty two twenty three.

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Speaker 3: Wow when you say, like, twenty two twenty three year

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Speaker 3: old me.

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Speaker 1: Crazy things, that's but that's amazing.

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Speaker 2: It is because I mean, that's still such a legendary song.

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Speaker 2: Like I feel like to this day, if that's not

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Speaker 2: on your six playlist, you really doing.

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Speaker 3: I'm just saying what I make the music you like?

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Speaker 2: Really, dude, we have some really great songs though late

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Speaker 2: nights and early mornings used to be my songs.

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Speaker 3: I love this song deep I be Deep in my Bag,

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Speaker 3: Deep in my Arms, Let's go that. Before we started

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Speaker 3: taping it, were playing songs like I don't know if

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Speaker 3: you had like the best of Marshalists pupping when I

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Speaker 3: walked in, but I was like, dang freaking me with

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Speaker 3: jah my god, oh anything until it is the main

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Speaker 3: dawns of the night at the best strip club at

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Speaker 3: that time where Houston wherever he says, And it was unreal.

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Speaker 1: Yeah, I was like poetry.

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Speaker 3: Yes, I was like that this song.

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Speaker 2: Right here, because that whole album was amazing because I

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Speaker 2: think it was so like, I mean, we all Jamie

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Speaker 2: could sing, but.

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Speaker 3: Be an actual like artist and you're.

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Speaker 2: Making amazing arts, So talk about like working with him

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Speaker 2: and how that was.

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Speaker 3: Well, initially you're like, you're Jamie Fuck's can I.

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Speaker 1: Take you for serious?

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Speaker 3: But you can when you hear what his vocal couldn't do,

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Speaker 3: and you've been teasing us like even if he's just playing,

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Speaker 3: I'm like, nah, you're not listening to what he can

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Speaker 3: actually yeah, yeah. But by the time I'm writing these

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Speaker 3: songs and I'm like, Jamie pulls this one off. So

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Speaker 3: just like with Michael, it was the same thing, like, no,

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Speaker 3: coach me into doing this, like let me know how

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Speaker 3: to sing this, and I'm coaching him through it vocally,

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Speaker 3: producing the whole thing, and he pulled that thing off.

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Speaker 3: That's how he absolutely did. That song is like, if

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Speaker 3: you don't know that song, banger, get it together.

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Speaker 1: Get you togeah freaking.

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Speaker 2: But I feel like the younger generation, if they don't know,

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Speaker 2: they're gonna go look it up today.

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Speaker 3: They have to. They have.

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Speaker 1: It's a classic record.

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Speaker 3: What's up y'all? Is your girl xp andy? She girls

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Speaker 3: are in the call.

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Speaker 2: One thing about me, I have always been very clear

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Speaker 2: about my three dollars and my financial goals.

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Speaker 3: Right, let me tell you how I boost that up.

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00:16:07,720 --> 00:16:10,080
Speaker 2: With Chime dot com, so we have partner with them

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00:16:10,320 --> 00:16:12,840
Speaker 2: to help all of y'all reach your financial goals.

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Speaker 3: Yes, and it's so many amazing features with Chime, like

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00:16:16,400 --> 00:16:18,880
Speaker 3: you literally can get your money up to two days

323
00:16:18,880 --> 00:16:21,800
Speaker 3: early with your DIRECTAPOZI who does not want that? That's

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00:16:21,840 --> 00:16:22,920
Speaker 3: an amazing feature.

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Speaker 2: I also love that they have fee free over drugs,

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Speaker 2: because who's trying to keep charge the fee? I mean,

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Speaker 2: if I ain't got the money, what make you think

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Speaker 2: I got the winny to pay the overdrift?

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Speaker 3: You know what I'm saying, Hello.

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Speaker 1: Chim usday brain on that.

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Speaker 2: So what you're gonna do is go to Chime dot

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Speaker 2: com backslash poor minds. That's c h I m E

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00:16:41,160 --> 00:16:43,680
Speaker 2: dot com backslash poor minds and sign up today.

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00:16:43,720 --> 00:16:44,920
Speaker 3: It only takes a few minutes.

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Speaker 2: Live it up this summer and make progress towards your

336
00:16:48,240 --> 00:16:51,640
Speaker 2: financial goals with Chime. Open your account in minutes at

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00:16:51,720 --> 00:16:56,000
Speaker 2: Chime dot com backslash poor minds. That's Chime dot com

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00:16:56,000 --> 00:17:00,880
Speaker 2: backslash poor minds. Chime feels like progress making Sary saying

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00:17:00,880 --> 00:17:02,160
Speaker 2: devik car provided bout the bank or bank in a

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00:17:02,280 --> 00:17:04,520
Speaker 2: or stride bank in a members fdic spot me ultibility

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00:17:04,520 --> 00:17:06,640
Speaker 2: requires an overdraft. Limits apply boot are available, so elgible

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00:17:06,680 --> 00:17:08,400
Speaker 2: time members and role spopt and re subjects of my limits.

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Speaker 2: Times and conditions apply, but to chime dot complash disclosures.

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Speaker 2: Pretty feels okay. So you were in your songwriting back,

345
00:17:14,720 --> 00:17:17,040
Speaker 2: So what do you enjoy doing more like creating music

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Speaker 2: for yourself or songwriting and creating for other people.

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Speaker 1: I just like creating.

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Speaker 3: I know that sounds very vague, but it's like I

349
00:17:24,840 --> 00:17:27,240
Speaker 3: never really know where it's gonna go, but it comes

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00:17:27,320 --> 00:17:29,800
Speaker 3: from a place of honesty. I know, as a writer

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Speaker 3: and a creator how I'm gonna allow it to manifest.

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Speaker 3: So if I'm singing it, I want to sing it

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Speaker 3: how I feel I hear it, So maybe then it

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00:17:38,160 --> 00:17:40,280
Speaker 3: turns into my song. But sometimes I'm like, no, I

355
00:17:40,359 --> 00:17:42,159
Speaker 3: want to sing this like Bank, or I want to

356
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Speaker 3: sing it like Stevie like I want to So maybe

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Speaker 3: I don't know.

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Speaker 1: It's the process.

359
00:17:46,840 --> 00:17:50,520
Speaker 3: I love when the idea comes together and then when

360
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Speaker 3: it's released out into the world. And imagine you guys

361
00:17:54,640 --> 00:17:58,320
Speaker 3: already knowing some of my songs. These ideas just started out,

362
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Speaker 3: you know, small in the room, like oh say yes,

363
00:18:01,760 --> 00:18:03,520
Speaker 3: all you're gonna do is say yes the guy, which

364
00:18:03,520 --> 00:18:06,159
Speaker 3: you feel that took two minutes to write and now

365
00:18:06,280 --> 00:18:08,040
Speaker 3: everyone knows it, you know, it's like.

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Speaker 1: Oh no, solid.

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00:18:12,880 --> 00:18:14,720
Speaker 2: So I still remember that's the first time I heard

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Speaker 2: and you you are blessed with again when it's.

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Speaker 1: Right, it's right, and I appreciate that.

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Speaker 2: I didn't you know though, like it was like this

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Speaker 2: is gonna be good? Did you know it was gonna

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Speaker 2: be Yeah, you knew it.

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Speaker 1: Yeah, yeah, Well I'm a leo. So also, what is

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Speaker 1: your birthday?

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Speaker 2: Eight August eighth, Okay, I'm the seventeenth. Yeah, I feel

376
00:18:44,640 --> 00:18:48,240
Speaker 2: that it's that so when you know, you know, it's

377
00:18:48,320 --> 00:18:50,639
Speaker 2: not that ooh, I think this is the ship. Like

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00:18:52,440 --> 00:18:54,000
Speaker 2: I know what it is that I do, and I

379
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Speaker 2: know that this is something I'll say that without you know.

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Speaker 1: You like the work speak for itself. Yeah, you know

381
00:19:03,240 --> 00:19:05,440
Speaker 1: something like it is good, ain't it?

382
00:19:05,600 --> 00:19:05,800
Speaker 3: Yeah?

383
00:19:06,560 --> 00:19:07,080
Speaker 6: I love it.

384
00:19:07,600 --> 00:19:08,400
Speaker 3: Glad you do too.

385
00:19:08,880 --> 00:19:09,840
Speaker 1: That's how I feel about it.

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00:19:10,000 --> 00:19:11,320
Speaker 3: And I do want to talk to you a little

387
00:19:11,320 --> 00:19:14,040
Speaker 3: bit about you know, like working with like Patti LaBelle too,

388
00:19:14,880 --> 00:19:17,119
Speaker 3: because I think, like I said, the people that you

389
00:19:17,240 --> 00:19:19,920
Speaker 3: have worked with in your resume is like it's it's

390
00:19:20,000 --> 00:19:20,399
Speaker 3: kind of like.

391
00:19:20,600 --> 00:19:21,560
Speaker 1: Is this a real resume?

392
00:19:21,760 --> 00:19:24,080
Speaker 3: Is this a real past? Is this right?

393
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Speaker 1: Can I say all of these things to the same person?

394
00:19:26,440 --> 00:19:27,520
Speaker 1: What was it like working with Patty?

395
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Speaker 3: What was it like working with Michael?

396
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Speaker 1: It's everybody.

397
00:19:33,320 --> 00:19:35,680
Speaker 3: I have to take a step back and really be like,

398
00:19:35,960 --> 00:19:38,520
Speaker 3: oh man, I really did all of these things right

399
00:19:39,320 --> 00:19:41,760
Speaker 3: early on, like early.

400
00:19:41,640 --> 00:19:47,480
Speaker 1: From the rip, Like Patty LaBelle. I met her in Philadelphia.

401
00:19:47,960 --> 00:19:49,680
Speaker 3: I want to say it was the year that I

402
00:19:49,760 --> 00:19:52,200
Speaker 3: got there, the summer of two thousand and there's a

403
00:19:53,640 --> 00:19:59,119
Speaker 3: festival in Philly and it was by the Parkway, and

404
00:19:59,240 --> 00:20:02,240
Speaker 3: my management at the time was like, I want you

405
00:20:02,359 --> 00:20:04,679
Speaker 3: to meet someone. It takes me back to this trailer.

406
00:20:04,920 --> 00:20:08,880
Speaker 3: So I see her name on like the trailer. I'm like, nah,

407
00:20:09,920 --> 00:20:12,240
Speaker 3: yes though it's her. I was like, all right, marsh

408
00:20:12,359 --> 00:20:14,840
Speaker 3: get it together, just just pull yourself together. Just go

409
00:20:15,119 --> 00:20:18,359
Speaker 3: in there, say what's up, and then go home and cry. Okay.

410
00:20:19,040 --> 00:20:22,680
Speaker 3: So I walk in and not only is it Paty, Lavelle,

411
00:20:23,520 --> 00:20:28,919
Speaker 3: Tina Marie is in with that. Wow? So crazy.

412
00:20:29,040 --> 00:20:30,359
Speaker 1: Now, kids, if.

413
00:20:30,240 --> 00:20:36,600
Speaker 3: You don't know, you know, just think like just it's

414
00:20:36,680 --> 00:20:43,080
Speaker 3: the equivalent of what like beyond saying Celine Dion, I

415
00:20:43,119 --> 00:20:44,800
Speaker 3: don't know, like it's the same I don't know, like

416
00:20:44,840 --> 00:20:47,040
Speaker 3: you don't even I mean that would come time. They

417
00:20:47,080 --> 00:20:50,080
Speaker 3: don't have like twenty twenty four, they don't really have, don't.

418
00:20:50,560 --> 00:20:54,320
Speaker 3: And I'm pulling names like there's no comparison to what

419
00:20:54,840 --> 00:20:56,879
Speaker 3: that could pussibly be, right, that would be a close

420
00:20:56,920 --> 00:21:03,719
Speaker 3: comparison almost, Like what do I do with this? How

421
00:21:03,760 --> 00:21:05,720
Speaker 3: do I tell my parents? Like what I'm not telling

422
00:21:05,760 --> 00:21:08,200
Speaker 3: you is when I moved over here, I told my

423
00:21:08,320 --> 00:21:12,080
Speaker 3: mother I was going on a two week vacation. I

424
00:21:12,200 --> 00:21:17,920
Speaker 3: was like, no, I'll be back. We sit here, I'll

425
00:21:17,920 --> 00:21:18,280
Speaker 3: be back.

426
00:21:18,359 --> 00:21:21,720
Speaker 1: She still waiting, like you I'm talking to you.

427
00:21:21,920 --> 00:21:26,720
Speaker 3: Like I have not been home. That is about everything

428
00:21:26,840 --> 00:21:29,159
Speaker 3: worked out. I'm like, Mom, I'm at this festival in

429
00:21:29,200 --> 00:21:33,240
Speaker 3: Patty La Valenteina Maria here. Mom, I'm I'm recording a demo.

430
00:21:33,359 --> 00:21:35,240
Speaker 3: Now I'm gonna have a deal. Now I have an

431
00:21:35,280 --> 00:21:39,320
Speaker 3: album coming out. Like it just spiraled into so many

432
00:21:39,480 --> 00:21:46,280
Speaker 3: things and Miss Patty Classic just kiting me of oh

433
00:21:46,840 --> 00:21:53,400
Speaker 3: just weld class vocals. She can cook man the back

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00:21:53,480 --> 00:21:56,120
Speaker 3: and chee oh she cooked for you? What girl?

435
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Speaker 6: Like the best life I have ever?

436
00:21:59,520 --> 00:22:03,000
Speaker 3: Like what is going cheese? What is it? The rainbow

437
00:22:03,200 --> 00:22:05,960
Speaker 3: mac and cheese? Something like that it's like seventeen thousand

438
00:22:06,560 --> 00:22:11,200
Speaker 3: like versions of cheese. She cheese is important, just just

439
00:22:11,359 --> 00:22:19,199
Speaker 3: to make it. Listen, this is before the sweet potato pies.

440
00:22:19,520 --> 00:22:21,720
Speaker 1: Like this is like down home.

441
00:22:22,440 --> 00:22:26,760
Speaker 3: Just come through to the crib and full spread with

442
00:22:26,920 --> 00:22:31,520
Speaker 3: the family, like ridiculousness. I love that you got some

443
00:22:31,640 --> 00:22:32,760
Speaker 3: good you got some stories.

444
00:22:33,880 --> 00:22:36,720
Speaker 2: I feel like your music just translates over so many

445
00:22:36,760 --> 00:22:40,119
Speaker 2: different generations from like Paddy Labille to Michael Jackson.

446
00:22:40,480 --> 00:22:42,360
Speaker 3: How was it working with Nip?

447
00:22:44,320 --> 00:22:46,719
Speaker 1: Come on now, look at the difference?

448
00:22:46,760 --> 00:22:55,600
Speaker 3: Look at that man. You know, you see like a

449
00:22:55,720 --> 00:22:58,520
Speaker 3: picture of someone or like you see their energy in

450
00:22:58,560 --> 00:23:01,600
Speaker 3: the interview and you're like, that was just like some.

451
00:23:03,119 --> 00:23:06,600
Speaker 1: Godly energy by who he was.

452
00:23:06,880 --> 00:23:10,800
Speaker 3: Yeah, Like it wasn't an actor. No, you can't fake that,

453
00:23:11,080 --> 00:23:15,040
Speaker 3: Like there's certain things you can fake, but being a

454
00:23:15,119 --> 00:23:19,800
Speaker 3: real one, nah, and that was as real as they come.

455
00:23:20,160 --> 00:23:23,800
Speaker 3: And to work with him on that song, real Big.

456
00:23:23,920 --> 00:23:26,119
Speaker 3: And I remember doing my vocals the first time. He

457
00:23:26,280 --> 00:23:28,680
Speaker 3: was like, nah, I need a hook, and I'm like

458
00:23:29,200 --> 00:23:32,400
Speaker 3: you already singing it real? I said, no, just add

459
00:23:32,440 --> 00:23:34,640
Speaker 3: a melody to it, like just give it real big,

460
00:23:35,320 --> 00:23:37,920
Speaker 3: real big. I know one day I would do I said,

461
00:23:37,920 --> 00:23:40,320
Speaker 3: I'm not singing that part over, so he did. I

462
00:23:40,400 --> 00:23:42,520
Speaker 3: remember getting the song back and it was like, yeah,

463
00:23:42,560 --> 00:23:44,719
Speaker 3: I switched it up. That's me singing on the chorus.

464
00:23:44,960 --> 00:23:47,879
Speaker 3: I was like, exactly, because I don't have to do

465
00:23:48,040 --> 00:23:48,440
Speaker 3: that part.

466
00:23:48,640 --> 00:23:50,760
Speaker 1: So I was just like, look, if I could give

467
00:23:50,800 --> 00:23:52,200
Speaker 1: you the stars, I would.

468
00:23:52,640 --> 00:23:55,840
Speaker 3: And it's crazy that that song ends up being the

469
00:23:55,960 --> 00:24:00,000
Speaker 3: final record on Victory Lap and unfortunately and it's untied

470
00:24:00,040 --> 00:24:04,280
Speaker 3: and pausing listening to that album, it truly feels like

471
00:24:04,359 --> 00:24:06,720
Speaker 3: if he had to leave a buddy of work on

472
00:24:06,880 --> 00:24:09,560
Speaker 3: Earth to showcase who he was while he was here,

473
00:24:10,400 --> 00:24:14,280
Speaker 3: then that was it. It truly was it, Like, Yeah,

474
00:24:14,480 --> 00:24:16,280
Speaker 3: I knew one day I would do it real big

475
00:24:16,800 --> 00:24:19,400
Speaker 3: and like it was like speaking for all of us artists. Yeah,

476
00:24:19,760 --> 00:24:23,040
Speaker 3: it's the I maated moment. So I'm just glad that

477
00:24:23,080 --> 00:24:25,960
Speaker 3: I could share that one. That is amazing.

478
00:24:26,040 --> 00:24:27,600
Speaker 2: That's all saying that was a good testament for you

479
00:24:27,680 --> 00:24:31,920
Speaker 2: to say, like, because I do feel like R and

480
00:24:32,080 --> 00:24:34,320
Speaker 2: B is so different and music is so different now,

481
00:24:35,080 --> 00:24:38,040
Speaker 2: So you being saying that, you know you had what

482
00:24:38,280 --> 00:24:41,440
Speaker 2: you said twenty four years once four years, yeah, So

483
00:24:41,600 --> 00:24:45,680
Speaker 2: do you find yourself like trying to keep up with

484
00:24:45,920 --> 00:24:47,560
Speaker 2: what everybody is doing are you just like, you know what,

485
00:24:47,600 --> 00:24:49,000
Speaker 2: I'm gonna stay in my bag and the people that

486
00:24:49,040 --> 00:24:50,719
Speaker 2: are supposed to gravitate to what are gonna grow?

487
00:24:50,720 --> 00:24:52,399
Speaker 3: Oh you mean keep up like kind of put it

488
00:24:52,760 --> 00:24:56,480
Speaker 3: so much. Yeah, No, I've never done that. I keep

489
00:24:56,560 --> 00:24:59,800
Speaker 3: up with what's happening. Like I'm into you know, the

490
00:25:00,040 --> 00:25:02,200
Speaker 3: new wave of R and B and the evolution of

491
00:25:02,280 --> 00:25:02,560
Speaker 3: it all.

492
00:25:02,680 --> 00:25:03,920
Speaker 1: And I get it.

493
00:25:04,000 --> 00:25:05,879
Speaker 3: I was speaking on this the other day that I

494
00:25:06,000 --> 00:25:09,960
Speaker 3: feel like this current generation they don't write from a

495
00:25:10,080 --> 00:25:13,720
Speaker 3: place of hoping for tomorrow, and I'm writing for right now,

496
00:25:13,800 --> 00:25:16,080
Speaker 3: and I get it. There was a pandemic that feels

497
00:25:16,119 --> 00:25:19,000
Speaker 3: like the world is ending. Music speaks to that like

498
00:25:19,359 --> 00:25:23,440
Speaker 3: it's end of day. So I feel like my generation

499
00:25:23,600 --> 00:25:29,080
Speaker 3: and generations before that we were hoping for resolution, revolution,

500
00:25:29,480 --> 00:25:33,280
Speaker 3: a better tomorrow. Like there was just a different outlook

501
00:25:33,480 --> 00:25:36,119
Speaker 3: on how we write music, Like can we wake up

502
00:25:36,160 --> 00:25:38,680
Speaker 3: with each other in the morning and be happy. This

503
00:25:38,880 --> 00:25:41,399
Speaker 3: generation don't know that tomorrow is gonna come, So the

504
00:25:41,560 --> 00:25:43,720
Speaker 3: energy different. It is like let's get it now, let's

505
00:25:43,760 --> 00:25:46,359
Speaker 3: get right now, let's yeah right now, Like.

506
00:25:51,760 --> 00:25:53,200
Speaker 6: Look why.

507
00:25:55,080 --> 00:25:55,800
Speaker 3: Name like.

508
00:25:57,280 --> 00:26:00,200
Speaker 2: The last say that I was talking to and I

509
00:26:00,359 --> 00:26:02,080
Speaker 2: was just like, it's crazy because I feel like the

510
00:26:02,200 --> 00:26:05,119
Speaker 2: music just it's a little different. I say, I always

511
00:26:05,160 --> 00:26:06,560
Speaker 2: say this, R and B is still good, but you

512
00:26:06,600 --> 00:26:08,920
Speaker 2: gotta dig deep for it. You gotta search for the

513
00:26:09,000 --> 00:26:11,200
Speaker 2: good R and D. Because I feel like with R

514
00:26:11,200 --> 00:26:13,480
Speaker 2: and B now it's like, like you said, it's like

515
00:26:13,520 --> 00:26:16,840
Speaker 2: it's no like, let's hope for love, let's be in love,

516
00:26:17,080 --> 00:26:19,720
Speaker 2: let's feel you know, it's like it's no feeling.

517
00:26:19,920 --> 00:26:22,959
Speaker 3: But you know what it's like, it's nothing, there's no feeling.

518
00:26:23,280 --> 00:26:29,600
Speaker 3: I feel like the differences microwave food and good slow

519
00:26:29,840 --> 00:26:36,119
Speaker 3: cook marinated leaving overnight. Yeah, yeah, like really think about

520
00:26:36,920 --> 00:26:40,960
Speaker 3: how you're spread, gonna look what family members can or

521
00:26:41,040 --> 00:26:43,800
Speaker 3: cannot be there. You know what I'm saying. The thought

522
00:26:43,920 --> 00:26:47,920
Speaker 3: process into that music right now, anyone could make something

523
00:26:48,240 --> 00:26:50,879
Speaker 3: like put in the microwave pins ready where I hear it?

524
00:26:51,000 --> 00:26:51,840
Speaker 3: You hungry again?

525
00:26:52,160 --> 00:26:54,479
Speaker 2: Absolutely? And I feel like that's what it is right

526
00:26:54,560 --> 00:26:57,159
Speaker 2: now too. With this generation of music, it's like very

527
00:26:57,240 --> 00:27:00,480
Speaker 2: much popcorn. And not that there's anything wrong, right I.

528
00:27:01,160 --> 00:27:05,760
Speaker 3: Like popcorns, like a little popcorn, but I.

529
00:27:06,000 --> 00:27:09,280
Speaker 2: Just missed originality too to a certain extent. I feel

530
00:27:09,320 --> 00:27:12,600
Speaker 2: like these days everything is always a sample.

531
00:27:13,520 --> 00:27:17,160
Speaker 3: Listen, and that's perfectly fine because listen to this new

532
00:27:17,320 --> 00:27:21,000
Speaker 3: album that I have, and I took liberties and not

533
00:27:21,160 --> 00:27:24,960
Speaker 3: only sampling, but taking the pieces of music that you

534
00:27:25,119 --> 00:27:27,920
Speaker 3: should you know what I mean. Like you think people

535
00:27:29,160 --> 00:27:33,600
Speaker 3: sampling is an art form, That's true. Why so many

536
00:27:33,800 --> 00:27:37,879
Speaker 3: of your favorite producers or favorite writers are are who

537
00:27:37,960 --> 00:27:40,920
Speaker 3: they are, It's because they borrowed from other people, Like

538
00:27:41,040 --> 00:27:43,600
Speaker 3: you listen to certain arts like why why do I

539
00:27:43,680 --> 00:27:46,440
Speaker 3: know this song but already a song? You know what

540
00:27:46,480 --> 00:27:46,719
Speaker 3: I mean?

541
00:27:46,760 --> 00:27:48,960
Speaker 2: I think it's a difference from how you sample and

542
00:27:49,040 --> 00:27:51,040
Speaker 2: how a lot of people are sampling now because they'll

543
00:27:51,119 --> 00:27:52,600
Speaker 2: just take the whole song.

544
00:27:54,040 --> 00:27:59,479
Speaker 3: Yeah, and that ain't it right? Talking about doctor Dre

545
00:27:59,680 --> 00:28:02,680
Speaker 3: takes it right? Is something else or a Kanye or

546
00:28:02,680 --> 00:28:05,080
Speaker 3: a just Blaze like that way of something was just

547
00:28:05,800 --> 00:28:08,560
Speaker 3: it was different. It's how Public Enemy did it. It's

548
00:28:08,600 --> 00:28:10,879
Speaker 3: just different. So I'm from a generation that just did

549
00:28:10,960 --> 00:28:15,159
Speaker 3: it way different. So attempting to not only bring that

550
00:28:15,359 --> 00:28:20,000
Speaker 3: good feeling back, but that's how we used to make music. Yeah,

551
00:28:20,440 --> 00:28:22,880
Speaker 3: you know, and if I'm gonna borrow from, I'm gonna

552
00:28:22,920 --> 00:28:25,560
Speaker 3: borrow from the greats, like Michael taught me that.

553
00:28:25,800 --> 00:28:27,879
Speaker 1: Like hear me first name basis.

554
00:28:27,680 --> 00:28:37,840
Speaker 3: Mike Okay, Mike, I know for him to say he

555
00:28:37,960 --> 00:28:41,080
Speaker 3: wanted to be the greatest, he had to study there,

556
00:28:42,040 --> 00:28:44,560
Speaker 3: like he's gonna nod to Fred to stay, He's gonna

557
00:28:44,600 --> 00:28:47,120
Speaker 3: nud to James Brown, he's gonna bow down to who

558
00:28:47,280 --> 00:28:51,640
Speaker 3: he respects, but not go on and the list goes

559
00:28:51,720 --> 00:28:54,520
Speaker 3: on and on. But then you want to be great,

560
00:28:54,920 --> 00:28:56,440
Speaker 3: right you know? So why not?

561
00:28:56,680 --> 00:28:59,200
Speaker 2: Just so who is a great like that you look

562
00:28:59,280 --> 00:29:01,280
Speaker 2: up to that you're a still like you still look

563
00:29:01,360 --> 00:29:03,440
Speaker 2: at them and like, okay, let me.

564
00:29:04,360 --> 00:29:10,480
Speaker 3: There's too many My Prince, Stevie, Marvin, Freddie mrcury, Boutang

565
00:29:10,920 --> 00:29:17,080
Speaker 3: Jobasy Wins, Jones, Trace, Russian, I, too many.

566
00:29:17,800 --> 00:29:21,240
Speaker 1: Go on, Like it's just so many.

567
00:29:22,120 --> 00:29:22,960
Speaker 3: So that's what I'm saying.

568
00:29:23,000 --> 00:29:24,760
Speaker 2: So like being this far in your career though, like

569
00:29:24,840 --> 00:29:26,840
Speaker 2: if you ever like have a moment where you're kind

570
00:29:26,880 --> 00:29:29,120
Speaker 2: of stuck, do you have somebody that you like call

571
00:29:29,840 --> 00:29:31,560
Speaker 2: or somebody that you kind of like lean on and

572
00:29:31,640 --> 00:29:33,720
Speaker 2: be like, Okay, I'm stuck on this or I need a.

573
00:29:33,720 --> 00:29:34,400
Speaker 3: Little help with this.

574
00:29:35,880 --> 00:29:37,040
Speaker 1: This is the Leo in me.

575
00:29:37,480 --> 00:29:41,080
Speaker 3: Oh oh, I already know what's coming. I've never stood

576
00:29:41,520 --> 00:29:45,400
Speaker 3: period period stuck.

577
00:29:46,440 --> 00:29:47,560
Speaker 1: It just won't be time.

578
00:29:49,000 --> 00:29:53,480
Speaker 3: And I feel like when I'm quote unquote stuck, I'll

579
00:29:53,560 --> 00:29:56,360
Speaker 3: hit up a friend just for like a good conversation, right,

580
00:29:57,000 --> 00:29:59,720
Speaker 3: and then maybe what I needed is the outcome of that.

581
00:30:00,000 --> 00:30:01,160
Speaker 1: Conversation, you know.

582
00:30:01,520 --> 00:30:05,560
Speaker 3: So it's I need to get outside to experience a

583
00:30:05,640 --> 00:30:08,560
Speaker 3: bit of life, and then maybe something will inspire.

584
00:30:08,680 --> 00:30:10,520
Speaker 1: You need to inspira or say something, you know what

585
00:30:10,560 --> 00:30:10,800
Speaker 1: I mean.

586
00:30:12,120 --> 00:30:16,360
Speaker 3: To be honest in music, it has to come from

587
00:30:16,400 --> 00:30:19,760
Speaker 3: a place of vulnerability and honesty and your own truth.

588
00:30:20,040 --> 00:30:22,280
Speaker 1: You have to experience it or have.

589
00:30:22,480 --> 00:30:25,320
Speaker 3: Lived it, or at least sat down with someone that's

590
00:30:25,360 --> 00:30:29,560
Speaker 3: going through something taking their story and made something.

591
00:30:29,360 --> 00:30:31,920
Speaker 1: To heal that or to nuts at that or to

592
00:30:32,080 --> 00:30:32,440
Speaker 1: love that.

593
00:30:32,960 --> 00:30:37,280
Speaker 3: You know. So, Leo Lee, I love it. I love it.

594
00:30:37,400 --> 00:30:39,080
Speaker 2: So you know, I got a little Leo and me,

595
00:30:41,440 --> 00:30:45,040
Speaker 2: But I definitely wanted to get into the first topic,

596
00:30:45,520 --> 00:30:48,600
Speaker 2: and I wanted to talk to you about never talking

597
00:30:48,680 --> 00:30:51,720
Speaker 2: about your love life to your friends. Is that something

598
00:30:51,760 --> 00:30:53,720
Speaker 2: that you subscribe to or do you think that that's

599
00:30:53,800 --> 00:30:56,240
Speaker 2: like a meat because I see that a lot online

600
00:30:56,560 --> 00:30:58,840
Speaker 2: and I see different perspectives on it a lot of

601
00:30:58,880 --> 00:31:02,800
Speaker 2: the time. It depends on your actual approach, Like what

602
00:31:02,960 --> 00:31:03,800
Speaker 2: do you want out of this?

603
00:31:04,200 --> 00:31:06,720
Speaker 3: Because if it's on some messy like, YO, what should

604
00:31:06,760 --> 00:31:08,920
Speaker 3: I do if I feel like you're going into it

605
00:31:09,000 --> 00:31:13,959
Speaker 3: with the energy that you want confrontation or a problem? No, Yo,

606
00:31:14,120 --> 00:31:14,720
Speaker 3: what's going on?

607
00:31:15,080 --> 00:31:15,280
Speaker 4: Yeah?

608
00:31:15,280 --> 00:31:17,720
Speaker 3: I feel like this is happening, like it's the energy

609
00:31:17,760 --> 00:31:20,720
Speaker 3: that you want to give. But why you're telling, it's

610
00:31:20,800 --> 00:31:23,160
Speaker 3: why you're telling. I'm not saying you shouldn't tell, but

611
00:31:23,240 --> 00:31:26,560
Speaker 3: it's why you're telling. You tell it sometimes to be

612
00:31:26,760 --> 00:31:29,000
Speaker 3: messy because you want the response that you want to

613
00:31:29,080 --> 00:31:31,040
Speaker 3: hear and you're feelings. So I feel like if you

614
00:31:31,160 --> 00:31:36,080
Speaker 3: just calm down, come from a place of I really

615
00:31:36,280 --> 00:31:40,640
Speaker 3: want to hear an outside opinion about what this feeling

616
00:31:40,840 --> 00:31:43,880
Speaker 3: is because I can't articulate it yet other than Yo,

617
00:31:44,120 --> 00:31:46,920
Speaker 3: this happening like you don't have to go into detail.

618
00:31:48,360 --> 00:31:50,240
Speaker 2: I agree because I know I used to do that

619
00:31:50,440 --> 00:31:52,360
Speaker 2: all the time. I'd be like, girl, let me tell

620
00:31:52,360 --> 00:31:54,680
Speaker 2: you what he did and boba, And I want them

621
00:31:54,680 --> 00:31:54,840
Speaker 2: to be.

622
00:31:54,880 --> 00:31:56,600
Speaker 3: On my side because if you do that, you're doing

623
00:31:56,640 --> 00:31:58,240
Speaker 3: it from a place of bias.

624
00:31:58,080 --> 00:32:01,400
Speaker 2: Right, I want a biased point. And then when they

625
00:32:01,480 --> 00:32:03,480
Speaker 2: give it to me and then they don't like him

626
00:32:03,560 --> 00:32:06,239
Speaker 2: no more. But I'm not leaving him now. Every time

627
00:32:06,320 --> 00:32:08,160
Speaker 2: he come around, they like and I'm like, stop being

628
00:32:08,200 --> 00:32:08,800
Speaker 2: mean to my man.

629
00:32:09,040 --> 00:32:11,640
Speaker 3: But it's like you did this, I create, what do

630
00:32:11,680 --> 00:32:15,400
Speaker 3: you think it's gonna happen? We want to take your sorry, yes, sorry,

631
00:32:15,560 --> 00:32:19,880
Speaker 3: so calm down sometimes down, just calm down, and if

632
00:32:19,880 --> 00:32:21,680
Speaker 3: it's a conversation that you need to have, you have

633
00:32:21,800 --> 00:32:22,840
Speaker 3: it with them. Yeah.

634
00:32:23,520 --> 00:32:26,520
Speaker 2: I also sorry from the perspective of people were saying,

635
00:32:26,840 --> 00:32:29,800
Speaker 2: you know, don't talk to your friends about your relationship

636
00:32:29,840 --> 00:32:31,880
Speaker 2: if they have never been in a healthy relationship or

637
00:32:31,880 --> 00:32:33,080
Speaker 2: I don't know what a healthy relationship.

638
00:32:33,080 --> 00:32:36,600
Speaker 3: I believe that for sure. It's like I wouldn't trust

639
00:32:36,720 --> 00:32:41,240
Speaker 3: a therapist who hadn't been a relationship or doesn't have kids, right, right,

640
00:32:41,720 --> 00:32:45,920
Speaker 3: know what your heart does when these things happen. You

641
00:32:46,080 --> 00:32:50,200
Speaker 3: coach me through what this is. There's no handbook for that, right, Like,

642
00:32:50,480 --> 00:32:51,640
Speaker 3: so yeah, no, don't do that.

643
00:32:52,120 --> 00:32:52,880
Speaker 1: I agree it.

644
00:32:53,040 --> 00:32:55,479
Speaker 2: Yeah, that changed my opinion because I used to very

645
00:32:55,560 --> 00:32:57,880
Speaker 2: much be like, oh these niggas.

646
00:32:59,160 --> 00:33:01,320
Speaker 3: If he ain't running on you, you don't need to

647
00:33:01,360 --> 00:33:01,920
Speaker 3: deal with him.

648
00:33:01,960 --> 00:33:04,280
Speaker 2: But I think it was like then as I got older,

649
00:33:04,840 --> 00:33:08,000
Speaker 2: it's like I yearned for like that real love and

650
00:33:08,120 --> 00:33:11,040
Speaker 2: really feeling something. So it was like I started having

651
00:33:11,040 --> 00:33:12,840
Speaker 2: conversations with you know, with my sister who's been in

652
00:33:12,880 --> 00:33:16,120
Speaker 2: a long term relationship and started talking to married people

653
00:33:16,200 --> 00:33:18,960
Speaker 2: and realized, Okay, relationships are about compromising.

654
00:33:19,000 --> 00:33:22,120
Speaker 1: You're not always right, oh no, yeah, And I think

655
00:33:22,160 --> 00:33:23,400
Speaker 1: that that's what it was for me.

656
00:33:23,680 --> 00:33:23,880
Speaker 6: Yeah.

657
00:33:23,920 --> 00:33:26,360
Speaker 2: It's like I'm having these conversations and I'm telling my

658
00:33:26,440 --> 00:33:29,280
Speaker 2: friends one side of the story, but I'm not telling

659
00:33:29,360 --> 00:33:30,479
Speaker 2: the whole story.

660
00:33:30,680 --> 00:33:31,440
Speaker 3: Course, you know what I mean.

661
00:33:31,560 --> 00:33:33,960
Speaker 2: So I think that's what I had to learn, because honestly, now,

662
00:33:34,520 --> 00:33:36,560
Speaker 2: it's like, if me and my man go through something,

663
00:33:36,720 --> 00:33:39,080
Speaker 2: I think my first go to is to work it

664
00:33:39,080 --> 00:33:42,120
Speaker 2: out with him first, you know. Only when it gets bad,

665
00:33:42,240 --> 00:33:44,200
Speaker 2: that's when I'm like, Okay, if it gets bad. I

666
00:33:44,240 --> 00:33:46,719
Speaker 2: haven't had to do that yet, but it's like, if

667
00:33:46,760 --> 00:33:48,400
Speaker 2: it gets bad, that's when I was like, okay, let

668
00:33:48,480 --> 00:33:50,200
Speaker 2: me kind of see an opinion on this.

669
00:33:51,040 --> 00:33:53,640
Speaker 3: But know what also to add to that, you have

670
00:33:53,800 --> 00:33:56,560
Speaker 3: to work it out with yourself. You have to understand

671
00:33:56,560 --> 00:33:59,160
Speaker 3: why you were mad, and sometimes going to him he

672
00:33:59,280 --> 00:34:02,880
Speaker 3: wants his side too, right, And then I don't know

673
00:34:02,960 --> 00:34:05,800
Speaker 3: how good thed is, but you can't be cohersed into

674
00:34:05,920 --> 00:34:09,719
Speaker 3: just believing you say in the moment is getting your

675
00:34:09,800 --> 00:34:12,560
Speaker 3: point across that's why I'm always coming back.

676
00:34:12,760 --> 00:34:14,200
Speaker 1: No, it's yourself.

677
00:34:15,320 --> 00:34:18,840
Speaker 3: Really be honest about what it is that you're feeling,

678
00:34:19,239 --> 00:34:21,160
Speaker 3: get that out, and then whatever you have to work

679
00:34:21,200 --> 00:34:24,920
Speaker 3: out with him cool and like that's well, definitely how

680
00:34:24,960 --> 00:34:27,840
Speaker 3: it's worked out for me. I'm a strong believer.

681
00:34:27,880 --> 00:34:29,759
Speaker 2: And it's like, you don't have to, you know, necessarily

682
00:34:29,960 --> 00:34:33,439
Speaker 2: tell your friends everything that goes on inside your house,

683
00:34:33,520 --> 00:34:35,280
Speaker 2: like I said, because that can cause more problem.

684
00:34:35,360 --> 00:34:36,320
Speaker 3: I don't think you should.

685
00:34:36,440 --> 00:34:38,720
Speaker 2: I definitely don't think you should tell your friends everything.

686
00:34:38,800 --> 00:34:42,120
Speaker 2: But I also think with a lot of people, you know,

687
00:34:42,560 --> 00:34:45,400
Speaker 2: people don't really have the basic discern me because I

688
00:34:45,480 --> 00:34:47,480
Speaker 2: feel like you can talk to people about things, you

689
00:34:47,520 --> 00:34:47,920
Speaker 2: don't have to.

690
00:34:47,960 --> 00:34:48,480
Speaker 3: Listen to them.

691
00:34:48,520 --> 00:34:50,320
Speaker 2: No, you don't have to take their advice. Sometimes you

692
00:34:50,480 --> 00:34:51,680
Speaker 2: just even want a vain.

693
00:34:52,480 --> 00:34:55,640
Speaker 3: Let me And I don't even want you to say

694
00:34:55,760 --> 00:34:58,200
Speaker 3: nothing to me. I'm just letting you know, girl, Look,

695
00:34:58,320 --> 00:35:00,520
Speaker 3: this is the ship I've been going through. This nigga

696
00:35:00,560 --> 00:35:03,879
Speaker 3: got me fucked up. I'm mad about this some chick

697
00:35:04,040 --> 00:35:05,800
Speaker 3: on TikTok and she was like, yeah, I'll just be

698
00:35:05,880 --> 00:35:08,480
Speaker 3: listening to my friends and their problems and being like, oh,

699
00:35:08,600 --> 00:35:11,840
Speaker 3: for real, that's what I've been feeling like gotzy because

700
00:35:11,920 --> 00:35:15,840
Speaker 3: let you respond and give some advice that turns it something.

701
00:35:15,920 --> 00:35:21,040
Speaker 3: Now it's your fault now, y'all arguing arguing it's not fair.

702
00:35:21,160 --> 00:35:24,200
Speaker 3: I agree. It's not fair to allow people into that

703
00:35:24,360 --> 00:35:27,359
Speaker 3: space because you force them to make a choice. Yeah,

704
00:35:27,400 --> 00:35:30,440
Speaker 3: it's like you want and be like, I'm staying with

705
00:35:30,560 --> 00:35:33,840
Speaker 3: them anyway. Yeah, And I think that's what it is.

706
00:35:34,000 --> 00:35:36,600
Speaker 2: Sometimes with friends too, They'll ask you for your advice

707
00:35:36,600 --> 00:35:38,440
Speaker 2: because they want you to make a decision for them.

708
00:35:38,760 --> 00:35:40,440
Speaker 3: I can't make a decision for you. You got to

709
00:35:40,480 --> 00:35:41,759
Speaker 3: make this decision on your own.

710
00:35:43,320 --> 00:35:46,520
Speaker 1: It's a song for that, It's a song for everything.

711
00:35:47,120 --> 00:35:50,439
Speaker 2: Okay, So before we move on, we got our girl

712
00:35:50,560 --> 00:35:51,640
Speaker 2: Aja in the building.

713
00:35:52,320 --> 00:35:55,239
Speaker 1: Look, I know y'all tis coming back.

714
00:35:55,320 --> 00:35:55,600
Speaker 3: Okay.

715
00:35:56,440 --> 00:35:58,080
Speaker 6: I know y'all going to be in the comments.

716
00:35:57,840 --> 00:36:01,680
Speaker 3: Going crazy, but has been an amazing replacing for in

717
00:36:01,800 --> 00:36:05,120
Speaker 3: the meantime. So, my girl, what are we drinking today?

718
00:36:05,560 --> 00:36:07,960
Speaker 7: So the drink of the week this week is the

719
00:36:08,080 --> 00:36:12,320
Speaker 7: Constablanca in honor of Miss Ms Marsha. Over here, we

720
00:36:12,520 --> 00:36:17,239
Speaker 7: have hibiscuits and grapefruit juice, and then we have lemon

721
00:36:17,360 --> 00:36:18,840
Speaker 7: juice and we shake it and then we top it

722
00:36:18,920 --> 00:36:19,640
Speaker 7: with some prosecco.

723
00:36:21,560 --> 00:36:28,319
Speaker 3: Yes, that's what I said. You know she process Yeah,

724
00:36:28,320 --> 00:36:30,200
Speaker 3: And I'm telling you she's in the house even when

725
00:36:30,239 --> 00:36:31,200
Speaker 3: she's not in the house.

726
00:36:32,080 --> 00:36:36,480
Speaker 2: Here promis what's up y'all? That's your girl, Lex Pree,

727
00:36:36,760 --> 00:36:39,000
Speaker 2: Andy Sugarl, Jery and the Cold Now be in the

728
00:36:39,080 --> 00:36:40,560
Speaker 2: podcast world. I'm not gonna lie.

729
00:36:40,560 --> 00:36:42,520
Speaker 3: I don't watch a lot of podcasts, but what I

730
00:36:42,640 --> 00:36:44,000
Speaker 3: do watch is baby this.

731
00:36:44,080 --> 00:36:45,040
Speaker 1: Is key Key Palmer.

732
00:36:45,280 --> 00:36:45,839
Speaker 3: Yes, me too.

733
00:36:45,880 --> 00:36:48,000
Speaker 2: When she has so many amazing gifts that are gonna

734
00:36:48,000 --> 00:36:50,640
Speaker 2: be on there this season, from Snoop Dog to Jordan

735
00:36:50,719 --> 00:36:54,800
Speaker 2: Peele to Kings Barnes. Yes nothing. Guess what, everybody, she

736
00:36:55,040 --> 00:36:57,600
Speaker 2: comes chea to see some of them overhill too. So

737
00:36:57,760 --> 00:37:00,359
Speaker 2: what you're gonna do is go on the Wondering app

738
00:37:00,560 --> 00:37:02,680
Speaker 2: or where you listen to any of your podcasts and

739
00:37:02,760 --> 00:37:05,520
Speaker 2: type in baby this is Kekey Palmer. It's also on

740
00:37:05,640 --> 00:37:07,600
Speaker 2: her own YouTube channel where you can find it.

741
00:37:07,960 --> 00:37:08,799
Speaker 3: So check her out.

742
00:37:08,880 --> 00:37:10,120
Speaker 1: Baby this is Kekey Palmer.

743
00:37:10,200 --> 00:37:13,440
Speaker 2: We ready follow, watch and listen to Baby this is

744
00:37:13,520 --> 00:37:17,120
Speaker 2: Keykey Palmer on Wandery app or wherever you get your podcasts,

745
00:37:17,440 --> 00:37:20,640
Speaker 2: and now watch full episodes on Keky's own YouTube channel.

746
00:37:21,000 --> 00:37:23,680
Speaker 2: Listen to Baby This is Kekey Palmer Early and ad

747
00:37:23,760 --> 00:37:29,000
Speaker 2: free right now by joining Wandery plus okay, lovely Okay.

748
00:37:29,239 --> 00:37:31,200
Speaker 2: So one thing that we like to do on this

749
00:37:31,360 --> 00:37:33,800
Speaker 2: show is test people's.

750
00:37:33,520 --> 00:37:36,080
Speaker 3: Knowledge to play a little game. Were gonna play a

751
00:37:36,120 --> 00:37:39,440
Speaker 3: little game, but we know this is gonna go. It's

752
00:37:39,480 --> 00:37:41,200
Speaker 3: a fun game, and I do I feel like you're

753
00:37:41,200 --> 00:37:41,880
Speaker 3: gonna do amazing.

754
00:37:41,920 --> 00:37:45,279
Speaker 1: I know you're gonna do amazing. So this is our

755
00:37:45,680 --> 00:37:46,399
Speaker 1: lyrics game.

756
00:37:46,480 --> 00:37:51,600
Speaker 3: Yeah no, even if my own lyrics, I might not

757
00:37:51,760 --> 00:37:52,160
Speaker 3: know these.

758
00:37:52,080 --> 00:37:54,680
Speaker 2: Things because I was like, do I want But I

759
00:37:54,680 --> 00:37:55,560
Speaker 2: didn't want it because I'm like.

760
00:37:55,560 --> 00:37:58,960
Speaker 1: That's cheating, that's cheating. But I gave it was the

761
00:37:59,080 --> 00:37:59,959
Speaker 1: songs that we picked.

762
00:38:00,520 --> 00:38:03,760
Speaker 2: It's like, if you don't know this, I am gonna

763
00:38:04,480 --> 00:38:05,920
Speaker 2: look take one of them plaques.

764
00:38:06,880 --> 00:38:09,080
Speaker 3: Okay, we're gonna hang it up in here. We're gonna

765
00:38:09,120 --> 00:38:10,239
Speaker 3: hang it up here. That's mine.

766
00:38:10,320 --> 00:38:12,000
Speaker 1: Now, it's gonna be mine.

767
00:38:12,120 --> 00:38:14,000
Speaker 3: But I feel like, should we read it? Because see,

768
00:38:14,000 --> 00:38:15,640
Speaker 3: I feel like I'm gonna have a hard time reading

769
00:38:15,680 --> 00:38:17,799
Speaker 3: it without singing. I know it's gonna be hard, but.

770
00:38:17,840 --> 00:38:19,080
Speaker 6: I do want me to look at it.

771
00:38:19,360 --> 00:38:25,680
Speaker 3: I can look at it and I put my over.

772
00:38:27,920 --> 00:38:30,000
Speaker 1: I think the first one is so easy it is

773
00:38:30,120 --> 00:38:31,320
Speaker 1: the first one is so easy.

774
00:38:31,440 --> 00:38:33,200
Speaker 2: So I'm not gonna I'm gonna try not to sing it,

775
00:38:33,600 --> 00:38:36,040
Speaker 2: but if I feel like I don't mind helping a

776
00:38:36,080 --> 00:38:39,479
Speaker 2: little bit, if you need me to do a little Okay,

777
00:38:39,600 --> 00:38:42,799
Speaker 2: So the lyrics are and you have to finish it. Girl,

778
00:38:42,880 --> 00:38:49,600
Speaker 2: if I told you I love you, that doesn't mean okay,

779
00:38:55,239 --> 00:38:55,960
Speaker 2: that's what I told you.

780
00:38:56,920 --> 00:39:03,680
Speaker 3: Okay, Okay, it's not gonna be Okay, I know that one.

781
00:39:03,960 --> 00:39:10,520
Speaker 1: That's just one. Okay, everyone knows the lyrics this bad?

782
00:39:11,239 --> 00:39:15,480
Speaker 2: Yes, yes, you ready, I'm ready. Okay, I'm just a

783
00:39:15,560 --> 00:39:19,600
Speaker 2: bachelor looking for a partner. Someone who knows that a

784
00:39:19,719 --> 00:39:30,600
Speaker 2: rat even Okay, it wasn't doing Okay, it's not bad. Okay,

785
00:39:31,280 --> 00:39:33,640
Speaker 2: Now this one, I'm not gonna say that many words,

786
00:39:33,719 --> 00:39:35,080
Speaker 2: but I know you can finish it.

787
00:39:35,840 --> 00:39:38,000
Speaker 1: And I know, look, I know you can. Look, Beau,

788
00:39:38,040 --> 00:39:39,800
Speaker 1: I'm gonna start calling you freaky Mark.

789
00:39:40,680 --> 00:39:45,759
Speaker 2: Think broke down that second verse of butterflies.

790
00:39:46,480 --> 00:39:47,600
Speaker 3: The way she broke it down.

791
00:39:47,640 --> 00:39:53,840
Speaker 1: I was like, oh, I carresh you let you taste it. Okay,

792
00:39:54,560 --> 00:39:59,440
Speaker 1: every time I close my eyes only cold, feeling so high.

793
00:40:01,480 --> 00:40:14,759
Speaker 3: Doubt. Yeah, I just say, yes you three for three?

794
00:40:14,800 --> 00:40:16,160
Speaker 3: You eating this up? I should have.

795
00:40:16,600 --> 00:40:18,080
Speaker 1: Now, I wish I would have made them harder.

796
00:40:18,360 --> 00:40:19,880
Speaker 3: No, I feel like we didn't make them part of

797
00:40:19,920 --> 00:40:23,520
Speaker 3: the week. The first Yeah, like I'm tasting like.

798
00:40:25,440 --> 00:40:27,920
Speaker 1: Line of something.

799
00:40:28,160 --> 00:40:30,000
Speaker 2: Okay, this one might be a little, this one might

800
00:40:30,120 --> 00:40:32,560
Speaker 2: be she might oh know, this one might be a

801
00:40:32,600 --> 00:40:37,080
Speaker 2: little you know, want want two. In the middle of

802
00:40:37,200 --> 00:40:47,560
Speaker 2: the night, when my body's feeding for you baby, I

803
00:40:47,640 --> 00:40:50,239
Speaker 2: don't say it again. In the middle of the night,

804
00:40:50,280 --> 00:40:55,759
Speaker 2: when my body's feeding for you baby, she's on the right,

805
00:40:55,960 --> 00:40:56,839
Speaker 2: you on the right.

806
00:40:59,239 --> 00:41:02,000
Speaker 3: Wait, in the middle of the night, when my body's

807
00:41:02,040 --> 00:41:04,600
Speaker 3: feeding for you baby, I try to lock it.

808
00:41:05,960 --> 00:41:06,960
Speaker 1: I try to lost.

809
00:41:07,400 --> 00:41:09,320
Speaker 3: No, see she's saying something different.

810
00:41:09,480 --> 00:41:10,960
Speaker 6: And then did she's something else?

811
00:41:11,000 --> 00:41:13,719
Speaker 3: And that put it on feet Now yeah, mid night

812
00:41:13,880 --> 00:41:16,080
Speaker 3: with my body's feeding in for your baby.

813
00:41:16,719 --> 00:41:22,200
Speaker 1: Oh wait, wait, wait, why is it losing me? No,

814
00:41:23,920 --> 00:41:25,719
Speaker 1: look jagged as it's like.

815
00:41:27,640 --> 00:41:29,480
Speaker 3: You're in the right area. It's a great.

816
00:41:31,719 --> 00:41:33,960
Speaker 1: I can hear right because you said it.

817
00:41:34,000 --> 00:41:37,839
Speaker 2: I'm looking at thinking again night when my body's being

818
00:41:37,960 --> 00:41:38,920
Speaker 2: in for you baby.

819
00:41:39,320 --> 00:41:39,680
Speaker 3: And then.

820
00:41:41,480 --> 00:41:43,520
Speaker 2: I don't know, I don't know the rest of those

821
00:41:43,600 --> 00:41:46,880
Speaker 2: wies rocking my head with my body's feeding for you,

822
00:41:46,960 --> 00:41:49,800
Speaker 2: the baby gonna call you, Oh my no, just what

823
00:41:50,000 --> 00:41:50,839
Speaker 2: I'm feeling.

824
00:41:50,680 --> 00:41:54,080
Speaker 6: Baby nine one, one zero zero twenty four.

825
00:41:56,200 --> 00:42:01,520
Speaker 3: My body lsg my body all over. Oh yeah, I

826
00:42:01,719 --> 00:42:04,960
Speaker 3: was like, why you know, I see the video and

827
00:42:05,160 --> 00:42:07,920
Speaker 3: every say yeah was right there.

828
00:42:08,920 --> 00:42:12,799
Speaker 2: Stop you were terrible lyrics. Still you're still three out

829
00:42:12,840 --> 00:42:16,960
Speaker 2: of four, so we got one more. This one is easy.

830
00:42:17,040 --> 00:42:18,200
Speaker 3: I do know. This one is easy.

831
00:42:18,320 --> 00:42:20,640
Speaker 1: This one is easy, but I didn't give a lot.

832
00:42:20,600 --> 00:42:24,080
Speaker 2: Of the words on it. Okay, my love, do you

833
00:42:24,280 --> 00:42:30,000
Speaker 2: ever dream of kady? Okay'll get.

834
00:42:33,120 --> 00:42:33,400
Speaker 3: Five.

835
00:42:34,040 --> 00:42:36,600
Speaker 1: Now that's the energy.

836
00:42:36,719 --> 00:42:41,560
Speaker 3: No, I need no more. Oh that's no, that's it.

837
00:42:41,680 --> 00:42:44,880
Speaker 3: I'm done. I'm done, but done. But that was it

838
00:42:45,800 --> 00:42:46,080
Speaker 3: I did.

839
00:42:46,239 --> 00:42:48,319
Speaker 1: That's so bad because after you said that she was going,

840
00:42:48,640 --> 00:42:48,920
Speaker 1: I was like.

841
00:42:51,840 --> 00:42:54,040
Speaker 3: That one. Yeah, but we was so close.

842
00:42:54,239 --> 00:42:56,520
Speaker 1: You were so close. We ain't four out of five?

843
00:42:56,640 --> 00:42:58,560
Speaker 3: Is take it? Four? Five?

844
00:42:58,640 --> 00:42:58,920
Speaker 1: Okay?

845
00:43:29,719 --> 00:43:32,440
Speaker 2: So it's sponsored by Betterhelp. What's up, y'all is your

846
00:43:32,480 --> 00:43:35,040
Speaker 2: girl XP and it's your girl jury and the cold

847
00:43:35,239 --> 00:43:37,239
Speaker 2: And I know we're in the summer months, so we're

848
00:43:37,280 --> 00:43:39,919
Speaker 2: not really dealing with the seasonal depression, but it's still

849
00:43:40,120 --> 00:43:42,799
Speaker 2: very important to stay on your routine and in your

850
00:43:42,880 --> 00:43:43,760
Speaker 2: therapy sessions.

851
00:43:44,120 --> 00:43:46,640
Speaker 3: Yes, absolutely, so that is why y'all need to join

852
00:43:46,760 --> 00:43:48,920
Speaker 3: Better Help. It's super affordable.

853
00:43:49,000 --> 00:43:51,400
Speaker 2: They have so many options with so many different therapies,

854
00:43:51,480 --> 00:43:54,360
Speaker 2: so you can find one that suits you and you

855
00:43:54,440 --> 00:43:57,120
Speaker 2: can literally do it from anywhere. No matter where you are,

856
00:43:57,320 --> 00:43:59,400
Speaker 2: you can always have access to your therapy.

857
00:44:00,040 --> 00:44:02,120
Speaker 1: All you gonna do is go to better Help dot Com.

858
00:44:02,320 --> 00:44:05,840
Speaker 2: That's Better Help h G E LP dot com backslash

859
00:44:06,160 --> 00:44:08,200
Speaker 2: four months and you're gonna get ten percent off of

860
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861
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Speaker 2: poor months today to get ten percent off of your

863
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864
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Speaker 2: Com slash poor months.

865
00:44:22,880 --> 00:44:27,560
Speaker 3: So now it's time into the bed bow love b

866
00:44:27,880 --> 00:44:31,600
Speaker 3: Hey the b bow bow bow bow bow.

867
00:44:31,840 --> 00:44:36,560
Speaker 2: Okay, okay, So for a six topic this week, I

868
00:44:36,680 --> 00:44:39,759
Speaker 2: really wanted to talk about keeping your six drive going

869
00:44:39,960 --> 00:44:43,000
Speaker 2: as you get older because I know in my thirties,

870
00:44:43,040 --> 00:44:44,800
Speaker 2: like I remember, people are always like, oh, when you

871
00:44:44,880 --> 00:44:47,120
Speaker 2: turn thirty, your libido goes.

872
00:44:47,000 --> 00:44:48,320
Speaker 3: Up and you get even more horny.

873
00:44:48,520 --> 00:44:52,240
Speaker 2: So I'm just assuming as you get older you get worse,

874
00:44:53,560 --> 00:44:55,400
Speaker 2: Like I feel like once you hit your forties you

875
00:44:56,080 --> 00:44:57,120
Speaker 2: be even more horny.

876
00:44:59,600 --> 00:45:03,439
Speaker 3: Uphelp, That's what I'm saying. It's worse, like it gets

877
00:45:03,840 --> 00:45:08,360
Speaker 3: higher and higher, even pregnant with my daughter, like.

878
00:45:10,719 --> 00:45:14,440
Speaker 1: Oh you was outside cutting out with that bellyless.

879
00:45:13,960 --> 00:45:19,280
Speaker 3: And like when when can we go? Yeah? Many weeks? Sure?

880
00:45:19,680 --> 00:45:21,240
Speaker 1: And how old is your daughter? Seven?

881
00:45:21,440 --> 00:45:25,160
Speaker 3: Seven? Okay? Okay, so it's the smash fest. Yeah, Like

882
00:45:25,400 --> 00:45:31,720
Speaker 3: I don't know, like life is sexiest. No, I can't

883
00:45:31,760 --> 00:45:36,160
Speaker 3: imagine not wanting it. It's terrifying at the thought of

884
00:45:36,520 --> 00:45:40,160
Speaker 3: thinking about it, Like, oh no, I don't want it, like,

885
00:45:40,600 --> 00:45:44,120
Speaker 3: oh I got a headaches for the I'm sleep Like, no,

886
00:45:44,320 --> 00:45:46,120
Speaker 3: we're still sneaking and we still.

887
00:45:47,719 --> 00:45:49,920
Speaker 2: I love that though, because I think that's what a

888
00:45:49,960 --> 00:45:51,839
Speaker 2: lot of people, a lot of women like they fear

889
00:45:51,920 --> 00:45:54,080
Speaker 2: as they get older, like they're gonna lose I think they're.

890
00:45:53,960 --> 00:45:57,320
Speaker 3: Gonna lose it, yep or not. If you feel sexy,

891
00:45:57,640 --> 00:46:02,320
Speaker 3: you're always gonna feel yeah, And I feel like, once again,

892
00:46:02,719 --> 00:46:04,920
Speaker 3: with everything, it comes down to that, how do you

893
00:46:05,000 --> 00:46:05,560
Speaker 3: feel about you?

894
00:46:06,760 --> 00:46:09,880
Speaker 1: You Like, I'm like, I don't feel.

895
00:46:09,719 --> 00:46:13,759
Speaker 3: My best, Like do I care? Like do it? You

896
00:46:13,840 --> 00:46:14,279
Speaker 3: know what I mean?

897
00:46:14,560 --> 00:46:16,279
Speaker 1: What are some things you do to make you get

898
00:46:16,440 --> 00:46:17,359
Speaker 1: your sexy time?

899
00:46:17,560 --> 00:46:21,880
Speaker 2: Like, to make you feel your sexy bag, sexy bad, Like,

900
00:46:21,920 --> 00:46:23,319
Speaker 2: how do you get in your sexy bag?

901
00:46:26,040 --> 00:46:29,479
Speaker 3: Have a if you have a great playlist, A great

902
00:46:29,560 --> 00:46:35,080
Speaker 3: playlist will do it. M h. Sometimes it's food, oh okay,

903
00:46:35,760 --> 00:46:38,600
Speaker 3: Like it's just taste and touch and you know, a

904
00:46:38,760 --> 00:46:42,680
Speaker 3: nice bubble boss and the right lotion and you know

905
00:46:42,840 --> 00:46:45,879
Speaker 3: that off the glow and you feel like take me now.

906
00:46:46,239 --> 00:46:49,440
Speaker 1: Yeah, really, it's not like it.

907
00:46:49,520 --> 00:46:50,279
Speaker 3: Doesn't take much.

908
00:46:50,360 --> 00:46:51,239
Speaker 1: It doesn't take much.

909
00:46:52,040 --> 00:46:54,320
Speaker 2: That's a good point that you made, because I just like,

910
00:46:54,520 --> 00:46:57,360
Speaker 2: I imagine myself when you just said that, because like

911
00:46:57,680 --> 00:46:58,400
Speaker 2: when I get off the.

912
00:46:58,440 --> 00:47:03,440
Speaker 1: Shower and I owe myself, but I'm all, I'm like,

913
00:47:07,200 --> 00:47:10,480
Speaker 1: and you after that point, yeah, give.

914
00:47:10,360 --> 00:47:13,319
Speaker 3: It to me now, and you gotta look at yourself up.

915
00:47:13,360 --> 00:47:24,120
Speaker 3: Don't be sure. Ettle earl earl ain't hurt nobody, girl.

916
00:47:27,719 --> 00:47:30,080
Speaker 2: Okay, So let me ask you all this though, because

917
00:47:30,280 --> 00:47:32,640
Speaker 2: everybody always thinks I'm crazy when I say, like, I

918
00:47:32,840 --> 00:47:35,680
Speaker 2: have a sex playlist. Next y, the young kids, they

919
00:47:35,719 --> 00:47:40,600
Speaker 2: don't do that. So what is like one staple like

920
00:47:40,880 --> 00:47:46,560
Speaker 2: song on your sex Like I promise I'm not even

921
00:47:46,600 --> 00:47:49,360
Speaker 2: being biased because you're here right now, but freaking me,

922
00:47:49,719 --> 00:47:53,000
Speaker 2: it's for sure on my sex playlist all the time.

923
00:47:53,800 --> 00:47:56,600
Speaker 3: Okay, that's a stable. I'm gonna go old school for

924
00:47:56,760 --> 00:47:58,520
Speaker 3: you and you're just gonna have to google it if

925
00:47:58,560 --> 00:48:01,279
Speaker 3: you don't have it. This is so by Marvin gay

926
00:48:01,760 --> 00:48:04,920
Speaker 3: Gold Come live with me angel and if you not

927
00:48:05,080 --> 00:48:06,319
Speaker 3: in the mood to do it.

928
00:48:06,440 --> 00:48:09,480
Speaker 1: After that point, I can't help you for you.

929
00:48:10,000 --> 00:48:14,200
Speaker 3: Like my brother's song called Sensuality Part one and Part

930
00:48:14,320 --> 00:48:19,200
Speaker 3: two is a sex song that I've been chasing, like

931
00:48:19,400 --> 00:48:21,359
Speaker 3: I feel like when I wrote, I wrote say Yes

932
00:48:21,440 --> 00:48:24,800
Speaker 3: for one Eyes, So when I thought about it, I

933
00:48:25,000 --> 00:48:26,960
Speaker 3: was like, I need to talk that song, was like,

934
00:48:27,000 --> 00:48:30,200
Speaker 3: what's this sexiest record? And it's I still think I

935
00:48:30,320 --> 00:48:33,719
Speaker 3: haven't competed with that song yet. I need to go lead.

936
00:48:34,320 --> 00:48:36,880
Speaker 3: I don't like how you just glazed over there. I

937
00:48:37,000 --> 00:48:40,879
Speaker 3: wrote it. I wrote I did like that's crazy. Came

938
00:48:40,960 --> 00:48:42,960
Speaker 3: to a touch in haz where I was doing the

939
00:48:43,040 --> 00:48:45,840
Speaker 3: Flow Try album at that time and was looking for

940
00:48:46,200 --> 00:48:50,400
Speaker 3: songs for his album. But myself and Andre Harris stayed

941
00:48:51,200 --> 00:48:54,840
Speaker 3: late night studio session. Apparently it's five six in the

942
00:48:54,960 --> 00:48:57,600
Speaker 3: morning when this happens, and I'm like, I got it.

943
00:48:58,360 --> 00:49:01,080
Speaker 3: Those chords right there, let's do it and say yes happens.

944
00:49:01,560 --> 00:49:06,160
Speaker 3: But brun Eisley didn't take it. It's like nah with

945
00:49:06,280 --> 00:49:08,840
Speaker 3: another red nah. But it was like nothing for my record,

946
00:49:08,920 --> 00:49:11,680
Speaker 3: but it was something else, and I was like, dang,

947
00:49:11,880 --> 00:49:13,279
Speaker 3: so we're trying to give say Yes away.

948
00:49:13,400 --> 00:49:16,120
Speaker 1: Say Yes was not a Flowry song, really.

949
00:49:15,880 --> 00:49:17,920
Speaker 3: Nothing to do with flow She was literally me in

950
00:49:18,000 --> 00:49:21,239
Speaker 3: the studio with Jerry Harris and it just ended up

951
00:49:21,280 --> 00:49:24,040
Speaker 3: on the demo. No one took it, so it ends

952
00:49:24,120 --> 00:49:26,800
Speaker 3: up on the Floatry album and then that legend.

953
00:49:26,880 --> 00:49:30,600
Speaker 2: Yeah, I mean I will have the crowd. God, I

954
00:49:30,640 --> 00:49:34,640
Speaker 2: feel like, no, it's yours. I couldn't hear anybody else

955
00:49:34,680 --> 00:49:35,760
Speaker 2: singing that song though.

956
00:49:35,760 --> 00:49:37,880
Speaker 3: And to be honest, that need to be on your

957
00:49:37,960 --> 00:49:40,319
Speaker 3: six play least soon. But did you think like there

958
00:49:40,640 --> 00:49:47,080
Speaker 3: was only ones? Yeah, if you put his old Ronley,

959
00:49:47,200 --> 00:49:55,000
Speaker 3: I live in it, absolutely we love. I might have

960
00:49:55,080 --> 00:49:57,840
Speaker 3: to get him to do like a wait. Yeah, that

961
00:49:58,000 --> 00:49:58,279
Speaker 3: was like.

962
00:49:59,480 --> 00:50:05,400
Speaker 1: Twenty twenty five. You need to got to do say Yes.

963
00:50:06,560 --> 00:50:09,120
Speaker 3: I'm feel it's gonna be the say yes that I

964
00:50:09,200 --> 00:50:09,520
Speaker 3: wanted to.

965
00:50:09,719 --> 00:50:11,160
Speaker 1: And when y'all do it, let y'all make sure you

966
00:50:11,239 --> 00:50:11,800
Speaker 1: shout out.

967
00:50:13,760 --> 00:50:15,320
Speaker 6: Like we said it.

968
00:50:15,480 --> 00:50:18,839
Speaker 2: Come on now because they gotta be on your sex

969
00:50:19,000 --> 00:50:22,680
Speaker 2: day at Lanta. Is such a such a great song

970
00:50:23,040 --> 00:50:27,160
Speaker 2: I'm on now in between the sheet, come.

971
00:50:27,040 --> 00:50:30,480
Speaker 3: On, you know I know I'd be in my army big.

972
00:50:30,560 --> 00:50:31,399
Speaker 1: So I'm not gonna lie.

973
00:50:31,520 --> 00:50:33,759
Speaker 2: This is always I feel like I mix up my

974
00:50:33,840 --> 00:50:35,719
Speaker 2: sex playlist a lot, like I have some that are

975
00:50:35,760 --> 00:50:38,880
Speaker 2: like eighty songs, ninety songs, but one song that always

976
00:50:39,040 --> 00:50:39,680
Speaker 2: makes the cut.

977
00:50:40,000 --> 00:50:42,440
Speaker 1: It's a newer song. We're not newer, but it's like

978
00:50:42,480 --> 00:50:44,360
Speaker 1: a two thousand song. Is you already know?

979
00:50:44,640 --> 00:50:45,200
Speaker 3: One twelve?

980
00:50:45,719 --> 00:50:47,279
Speaker 6: Which one you already know?

981
00:50:47,560 --> 00:50:53,200
Speaker 3: You already? I got you said what you already?

982
00:50:53,840 --> 00:50:56,120
Speaker 1: You already know you already?

983
00:50:57,600 --> 00:51:10,919
Speaker 3: You know money dry Up? One twelve? That's anywhere? Yeah, yeah, yeah,

984
00:51:11,640 --> 00:51:15,200
Speaker 3: yeah one twelve that first album too, So yeah, you

985
00:51:15,320 --> 00:51:15,759
Speaker 3: already know.

986
00:51:15,840 --> 00:51:16,640
Speaker 1: It's one of those songs.

987
00:51:16,760 --> 00:51:19,879
Speaker 2: Like when I was talking about greasing myself up get ready,

988
00:51:21,000 --> 00:51:22,640
Speaker 2: I mean if you to get that work.

989
00:51:24,320 --> 00:51:26,920
Speaker 1: You know what I'm saying, like, yeah, you have to

990
00:51:27,040 --> 00:51:28,800
Speaker 1: have a good a good sex playlist.

991
00:51:28,840 --> 00:51:30,520
Speaker 2: You know what We'll say this, have a good sex

992
00:51:30,600 --> 00:51:33,239
Speaker 2: playlist to get ready, to to get in your sexy bag.

993
00:51:35,520 --> 00:51:39,040
Speaker 3: Just feeling from there, but no, getting it doesn't change

994
00:51:39,120 --> 00:51:42,360
Speaker 3: that better with time. That's what I assume.

995
00:51:42,719 --> 00:51:45,160
Speaker 2: I always feel that way, like I feel like as

996
00:51:45,200 --> 00:51:48,040
Speaker 2: you get older, your sex drive increases.

997
00:51:47,680 --> 00:51:48,520
Speaker 1: And it's more fun.

998
00:51:48,640 --> 00:51:52,080
Speaker 3: And it gets more fun because you have less inhibition. Rue.

999
00:51:52,280 --> 00:51:55,759
Speaker 1: Yeah, if you are comfortable with who you're with, you

1000
00:51:55,880 --> 00:51:56,359
Speaker 1: don't care.

1001
00:51:56,440 --> 00:52:03,239
Speaker 3: No. Yeah it's messy, yeah, marsh Like I'm just saying

1002
00:52:05,360 --> 00:52:10,720
Speaker 3: no more. Yeah, freeing it just allows the whatever's happening,

1003
00:52:10,840 --> 00:52:14,399
Speaker 3: just so just and I've always hired.

1004
00:52:14,480 --> 00:52:16,799
Speaker 2: Sex during pregnancy is like a man I have heard,

1005
00:52:19,280 --> 00:52:23,600
Speaker 2: always heard that everybody that looks for me.

1006
00:52:23,680 --> 00:52:26,440
Speaker 3: Look for me too, because people say that constantly all

1007
00:52:26,480 --> 00:52:26,719
Speaker 3: the time.

1008
00:52:29,040 --> 00:52:31,319
Speaker 2: Because, like I said, I'm you know, like I'm thirty four,

1009
00:52:31,400 --> 00:52:33,959
Speaker 2: so I feel like the chapter I'm in my life

1010
00:52:34,040 --> 00:52:36,239
Speaker 2: right now, it's just so different. So I look at

1011
00:52:36,280 --> 00:52:39,040
Speaker 2: sex differently. I look at everything differently. It's like an experience,

1012
00:52:39,520 --> 00:52:41,960
Speaker 2: you know, rather than just doing something, you know what

1013
00:52:42,000 --> 00:52:42,279
Speaker 2: I mean.

1014
00:52:42,640 --> 00:52:45,600
Speaker 3: And it's like to be a moment, ye moment, please

1015
00:52:45,640 --> 00:52:49,880
Speaker 3: take your time with right, Like, Yeah, I'm thirty two

1016
00:52:49,960 --> 00:52:53,000
Speaker 3: and I kind of be feeling the pressure a little bit. Yeah,

1017
00:52:53,760 --> 00:52:57,920
Speaker 3: Like I didn't switch that switch until it wasn't even

1018
00:52:57,920 --> 00:53:00,640
Speaker 3: an age thing. I was on tour. I was working

1019
00:53:00,760 --> 00:53:02,920
Speaker 3: so much and then I got on a tour when

1020
00:53:02,960 --> 00:53:06,759
Speaker 3: I was about thirty seven eight and I was like, guys,

1021
00:53:06,800 --> 00:53:08,440
Speaker 3: I might a tour next year because I'm looking to

1022
00:53:08,480 --> 00:53:10,680
Speaker 3: get married, have some kids I ain't even met. Knowing

1023
00:53:10,760 --> 00:53:14,400
Speaker 3: that I was time. That's what I want, pieces the questions.

1024
00:53:14,440 --> 00:53:16,920
Speaker 3: But like then I was ready for that to beat

1025
00:53:16,960 --> 00:53:19,600
Speaker 3: my life, so I put it in the universe. A

1026
00:53:19,719 --> 00:53:23,600
Speaker 3: year later, I mean him, I have that, So just

1027
00:53:24,000 --> 00:53:26,399
Speaker 3: ready for that. But you have to make the switch

1028
00:53:26,480 --> 00:53:28,840
Speaker 3: for you, not the pressure of it. And there's no

1029
00:53:29,200 --> 00:53:32,440
Speaker 3: age limitations. Don't let no doctors tell you nothing. You

1030
00:53:32,600 --> 00:53:35,520
Speaker 3: just go for your regular checkups. Good, I'm good, all right,

1031
00:53:35,600 --> 00:53:39,239
Speaker 3: but get second opinions, do all the things, but don't

1032
00:53:39,280 --> 00:53:42,160
Speaker 3: be pressured into oh your time. Yea. Then it was

1033
00:53:42,239 --> 00:53:48,080
Speaker 3: what what like, I'm not saying wait until right, don't know.

1034
00:53:48,840 --> 00:53:52,839
Speaker 2: Yeah, just be careful, yeah and yeah, just be ready

1035
00:53:52,880 --> 00:53:54,319
Speaker 2: to give yourself the grade yea.

1036
00:53:54,480 --> 00:53:55,520
Speaker 1: Live live some life.

1037
00:53:55,600 --> 00:53:56,960
Speaker 2: And that's why I said, I love the fact that

1038
00:53:57,040 --> 00:53:59,680
Speaker 2: my twenties were for me me too, you know, mad,

1039
00:54:00,320 --> 00:54:01,440
Speaker 2: I love that for myself.

1040
00:54:01,520 --> 00:54:02,840
Speaker 1: I love that for twenty year old me.

1041
00:54:03,280 --> 00:54:04,960
Speaker 2: Like when I look back and you know, sometimes you

1042
00:54:05,000 --> 00:54:06,200
Speaker 2: go through things you be like I wish I could

1043
00:54:06,239 --> 00:54:07,360
Speaker 2: hug my younger self and.

1044
00:54:07,800 --> 00:54:09,440
Speaker 1: Tell her this and tell her that it needs, and

1045
00:54:09,520 --> 00:54:10,000
Speaker 1: there is a.

1046
00:54:10,040 --> 00:54:10,520
Speaker 3: Lot of all.

1047
00:54:11,440 --> 00:54:13,880
Speaker 1: I'm glad that I gave my twenties to myself, you

1048
00:54:13,960 --> 00:54:15,000
Speaker 1: know same.

1049
00:54:15,120 --> 00:54:16,919
Speaker 2: And I will say I knew that that was something

1050
00:54:16,960 --> 00:54:19,320
Speaker 2: that I didn't want in my twenties, Like I always

1051
00:54:19,400 --> 00:54:21,040
Speaker 2: kind of felt like I wasn't going to be a

1052
00:54:21,120 --> 00:54:23,040
Speaker 2: mom in my twenties. Like I feel like when I

1053
00:54:23,160 --> 00:54:24,680
Speaker 2: thought I wanted to be one, I was kind of

1054
00:54:24,760 --> 00:54:27,240
Speaker 2: forcing it, but I wasn't ready.

1055
00:54:27,360 --> 00:54:29,719
Speaker 3: Like I'm so glad that I'm in my thirties now

1056
00:54:30,160 --> 00:54:35,280
Speaker 3: and I've matured so much that because even when it happens,

1057
00:54:35,600 --> 00:54:38,840
Speaker 3: and even I had my door, well I consider to

1058
00:54:38,920 --> 00:54:42,120
Speaker 3: be late. I wasn't ready. Really, I don't think you're

1059
00:54:42,280 --> 00:54:44,400
Speaker 3: ready ever ready. It happens, but when you're like, oh,

1060
00:54:44,480 --> 00:54:50,719
Speaker 3: my mature enough to be a parent, I'll just be like,

1061
00:54:50,840 --> 00:54:54,120
Speaker 3: I'm responsible for another human being under like this your

1062
00:54:54,200 --> 00:54:57,360
Speaker 3: life together, and I like to work too.

1063
00:54:57,480 --> 00:54:59,279
Speaker 2: So when we start recording, so my baby gonna be

1064
00:54:59,400 --> 00:55:02,640
Speaker 2: right here, my baby going to be on tour with

1065
00:55:02,920 --> 00:55:03,319
Speaker 2: I know that.

1066
00:55:05,280 --> 00:55:09,440
Speaker 3: I was pregnant on tour. You are eight months pregnant.

1067
00:55:09,760 --> 00:55:13,120
Speaker 3: I was that I was thrown up everywhere, but it

1068
00:55:13,320 --> 00:55:16,400
Speaker 3: was it was a time and I got through it,

1069
00:55:16,520 --> 00:55:18,719
Speaker 3: and I worked all the way until my eighth month

1070
00:55:18,800 --> 00:55:21,880
Speaker 3: of pregnancy. I did the whole musicals and like Love Jones,

1071
00:55:21,960 --> 00:55:25,520
Speaker 3: the musical Toward the Country. Then got back to Cali.

1072
00:55:26,960 --> 00:55:29,920
Speaker 3: I had a month off, had her in December, and

1073
00:55:30,000 --> 00:55:33,080
Speaker 3: then I was back on tour by March. Came everywhere

1074
00:55:33,120 --> 00:55:36,279
Speaker 3: with me, just bresbying, brestby and all right, hold the baby,

1075
00:55:36,320 --> 00:55:40,560
Speaker 3: baby on stage. Wait a second, I'm leaving to peek.

1076
00:55:41,040 --> 00:55:43,480
Speaker 3: Just wait verse one or something. But you know, I

1077
00:55:43,560 --> 00:55:46,520
Speaker 3: feel like my audience gave me grace to be honest

1078
00:55:46,719 --> 00:55:49,640
Speaker 3: in that moment because I still wanted to perform. But

1079
00:55:49,719 --> 00:55:52,120
Speaker 3: I'm like, I should have sat down, but I'm my man. Now,

1080
00:55:52,400 --> 00:55:55,880
Speaker 3: when you have a break, you don't want to sit down, right,

1081
00:55:56,040 --> 00:55:57,799
Speaker 3: you do. It's like I want to rest some tired

1082
00:55:57,880 --> 00:56:01,279
Speaker 3: but I need something to do, right, Okay, I gotta

1083
00:56:01,320 --> 00:56:03,959
Speaker 3: do something, That's what we were saying. But that gives

1084
00:56:04,040 --> 00:56:06,759
Speaker 3: us like the work, people like women like us who

1085
00:56:06,960 --> 00:56:09,719
Speaker 3: enjoy work, and yeah, love what we do for a living.

1086
00:56:09,800 --> 00:56:11,920
Speaker 2: But I still want to be that mother, that wife.

1087
00:56:12,239 --> 00:56:16,200
Speaker 2: It gives us like things to look forward to, you know, ready.

1088
00:56:16,040 --> 00:56:20,560
Speaker 3: You take your time, really want it for yourself, like oh,

1089
00:56:20,680 --> 00:56:22,480
Speaker 3: so when do you calm down, get out my.

1090
00:56:22,480 --> 00:56:25,400
Speaker 1: Business, because you know they be asked.

1091
00:56:27,800 --> 00:56:31,759
Speaker 3: It is. It's invasive. So just when you make your decision,

1092
00:56:32,000 --> 00:56:32,800
Speaker 3: then go for it.

1093
00:56:33,200 --> 00:56:36,480
Speaker 2: Okay, yeah, because society does make you feel that way

1094
00:56:36,840 --> 00:56:38,320
Speaker 2: and like you feel like, oh wait, you don't have

1095
00:56:38,360 --> 00:56:40,520
Speaker 2: a kid yet, you're not married yet, what you're doing?

1096
00:56:42,120 --> 00:56:43,439
Speaker 6: What are you doing?

1097
00:56:43,680 --> 00:56:44,320
Speaker 3: Are you happy?

1098
00:56:44,760 --> 00:56:45,760
Speaker 1: What's your ovary?

1099
00:56:46,520 --> 00:56:47,640
Speaker 3: Okay? Period?

1100
00:56:48,280 --> 00:56:49,959
Speaker 1: Okay, so we got to ite them of the week.

1101
00:56:50,040 --> 00:56:55,360
Speaker 3: We do. We have that of the week okay, yes, so.

1102
00:56:56,880 --> 00:56:59,200
Speaker 1: It's called it's from a company called.

1103
00:56:59,200 --> 00:57:12,400
Speaker 2: These well these cashews, right, a black owned company and

1104
00:57:12,520 --> 00:57:14,160
Speaker 2: they make like different flavored nuts.

1105
00:57:14,200 --> 00:57:15,440
Speaker 3: They have like red velvet.

1106
00:57:17,760 --> 00:57:22,880
Speaker 1: Yeah, it's like, we'll give you a pack these nuts.

1107
00:57:23,160 --> 00:57:27,160
Speaker 3: Yes, which want she wants?

1108
00:57:27,240 --> 00:57:31,160
Speaker 2: Yes, also try these, so go to the website. It's

1109
00:57:31,320 --> 00:57:35,320
Speaker 2: try t r y d e a s dot com.

1110
00:57:36,000 --> 00:57:39,960
Speaker 2: They have all different kinds of flavors. Yeah, they got

1111
00:57:40,080 --> 00:57:43,240
Speaker 2: big bags, little bags with them and sugar cashwes.

1112
00:57:43,480 --> 00:57:47,720
Speaker 3: That sounds like the way fellow big cake pecans. It's

1113
00:57:49,000 --> 00:57:49,640
Speaker 3: nice cakes.

1114
00:57:49,840 --> 00:57:50,000
Speaker 2: You know.

1115
00:57:50,760 --> 00:57:55,000
Speaker 3: Hey, honey roasted almonds, Yeah, crying bag of honey roasted almonds.

1116
00:57:55,280 --> 00:57:59,919
Speaker 1: We love a honey roasted almonds and here yeah packed.

1117
00:58:00,320 --> 00:58:04,640
Speaker 2: Oh this is the red velvet cakes. But following so, yes,

1118
00:58:04,760 --> 00:58:07,280
Speaker 2: we love to support black businesses. So if you're a

1119
00:58:07,560 --> 00:58:11,960
Speaker 2: nut eater, if you like nuts, if you like nuts

1120
00:58:12,040 --> 00:58:16,000
Speaker 2: like I do, go to trots dot com. Yeah, so

1121
00:58:16,120 --> 00:58:22,919
Speaker 2: much for sending us a box and uh roddy trates period. Okay, okay,

1122
00:58:22,920 --> 00:58:24,960
Speaker 2: And they are good, y'all, by the way, like I've

1123
00:58:25,000 --> 00:58:29,600
Speaker 2: actually had them. I had the red velvet pecans, and

1124
00:58:29,800 --> 00:58:34,600
Speaker 2: I had the cinnamon sugar cashews and their Delicia that's

1125
00:58:34,600 --> 00:58:35,360
Speaker 2: the ones you're gonna get.

1126
00:58:35,920 --> 00:58:38,600
Speaker 3: You know, they're really really good, really really good. I

1127
00:58:38,760 --> 00:58:39,080
Speaker 3: love that.

1128
00:58:39,280 --> 00:58:41,760
Speaker 1: You know what what was those in the middle of

1129
00:58:41,800 --> 00:58:44,320
Speaker 1: the mall? I know, you know, remember the pecans that

1130
00:58:44,440 --> 00:58:44,720
Speaker 1: came in.

1131
00:58:44,760 --> 00:58:45,960
Speaker 3: The cone in the middle of the mall.

1132
00:58:46,240 --> 00:58:50,760
Speaker 2: Oh yeah, a little ki I candied pecans and they

1133
00:58:50,840 --> 00:58:52,480
Speaker 2: had like cinnamon sugar on it's.

1134
00:58:52,280 --> 00:58:55,360
Speaker 3: So big the bag. Yes see, you know you know

1135
00:58:55,560 --> 00:59:00,560
Speaker 3: little something. I love you now, I love it's off

1136
00:59:00,680 --> 00:59:01,920
Speaker 3: the cab backing the day.

1137
00:59:06,240 --> 00:59:06,600
Speaker 1: Told you.

1138
00:59:09,280 --> 00:59:10,800
Speaker 5: If you were there, if you were there, you were

1139
00:59:10,840 --> 00:59:14,760
Speaker 5: onside you know, you know, you know, oh God, I

1140
00:59:14,960 --> 00:59:15,360
Speaker 5: love that.

1141
00:59:15,920 --> 00:59:17,960
Speaker 3: Okay. So do you give good advice?

1142
00:59:18,120 --> 00:59:21,360
Speaker 1: Obviously you do because you've given us so much advice and.

1143
00:59:21,440 --> 00:59:21,920
Speaker 3: I love it.

1144
00:59:22,800 --> 00:59:25,160
Speaker 2: Hey, I love when the legends come on the show

1145
00:59:25,240 --> 00:59:28,000
Speaker 2: and they're like, you know, because some people I get it,

1146
00:59:28,080 --> 00:59:30,480
Speaker 2: you deserve to kind of be But it's so nice

1147
00:59:30,480 --> 00:59:32,080
Speaker 2: to see people who have done so much and just

1148
00:59:32,160 --> 00:59:34,440
Speaker 2: be sweet and a beautiful soul. So let me just

1149
00:59:34,480 --> 00:59:38,120
Speaker 2: say like, you've been an amazing and we have had

1150
00:59:38,160 --> 00:59:39,680
Speaker 2: a time. I'm having a ball.

1151
00:59:39,920 --> 00:59:40,200
Speaker 3: Damn.

1152
00:59:40,720 --> 00:59:43,560
Speaker 2: If you'all a Sugarl XP and is Sugarl Drey and

1153
00:59:43,600 --> 00:59:46,200
Speaker 2: the call. Y'all know we have a segment on Poor

1154
00:59:46,320 --> 00:59:48,360
Speaker 2: Minds called Item of the Week. But do you have

1155
00:59:48,480 --> 00:59:50,160
Speaker 2: a product or something that you want to promote and

1156
00:59:50,200 --> 00:59:51,760
Speaker 2: you want it featured on Poor Minds.

1157
00:59:52,080 --> 00:59:55,760
Speaker 3: Your opportunity is here period. If you have an item

1158
00:59:55,920 --> 00:59:57,360
Speaker 3: or you have a business and you want to get

1159
00:59:57,400 --> 01:00:00,680
Speaker 3: it promoted, we are now having slots available one the

1160
01:00:00,720 --> 01:00:03,040
Speaker 3: Poor Minds episode. So if you would like to get

1161
01:00:03,080 --> 01:00:05,600
Speaker 3: your product featured for Item of the Week, all you

1162
01:00:05,720 --> 01:00:08,120
Speaker 3: need to do is send an email to Item of

1163
01:00:08,200 --> 01:00:10,640
Speaker 3: the Week p M at gmail dot com.

1164
01:00:11,040 --> 01:00:14,520
Speaker 2: That's I T E M O F T H E

1165
01:00:15,000 --> 01:00:19,040
Speaker 2: W e E K p M at gmail dot com.

1166
01:00:19,520 --> 01:00:21,360
Speaker 2: Send us an email and we'll.

1167
01:00:21,200 --> 01:00:21,640
Speaker 3: Work it out.

1168
01:00:21,680 --> 01:00:24,080
Speaker 2: We're gonna figure it out, get your product, get your

1169
01:00:24,160 --> 01:00:26,800
Speaker 2: business sponsored, and yeah, make.

1170
01:00:26,680 --> 01:00:30,240
Speaker 3: You some money. We love more the small business now

1171
01:00:30,320 --> 01:00:36,919
Speaker 3: and a black business said that, but I mean any

1172
01:00:37,000 --> 01:00:51,440
Speaker 3: businesses welcome into the boy. All right here, we got it.

1173
01:00:51,520 --> 01:00:52,160
Speaker 3: We gotta got it.

1174
01:00:52,680 --> 01:00:56,959
Speaker 2: So it's like the song we've been jamming this week,

1175
01:00:57,120 --> 01:01:01,760
Speaker 2: you know things that we've been listening. Yes, so what

1176
01:01:02,000 --> 01:01:04,080
Speaker 2: have you been listening to this week? Like, what is

1177
01:01:04,160 --> 01:01:07,120
Speaker 2: something that that You're just like, Okay, this is my song?

1178
01:01:07,880 --> 01:01:09,880
Speaker 1: Dang, what have I been listening to?

1179
01:01:09,960 --> 01:01:13,200
Speaker 3: What have I been listening to? Hey, give me something?

1180
01:01:14,640 --> 01:01:18,959
Speaker 3: What did I pull back up? Leon Thomas? Oh my god,

1181
01:01:19,160 --> 01:01:22,480
Speaker 3: Love Jones? Okay, yeah, like that gets me and my feeling.

1182
01:01:23,040 --> 01:01:27,840
Speaker 3: Like sometimes anything by baby King, I like Baby King.

1183
01:01:28,560 --> 01:01:29,040
Speaker 4: I like this.

1184
01:01:29,400 --> 01:01:35,480
Speaker 3: There's something in there musically. It's just doing something a

1185
01:01:35,600 --> 01:01:37,160
Speaker 3: little bit enough different.

1186
01:01:37,680 --> 01:01:39,520
Speaker 1: You're like, you got a little one.

1187
01:01:39,600 --> 01:01:42,480
Speaker 3: You got that's my little bub Other than that one

1188
01:01:42,600 --> 01:01:46,640
Speaker 3: night stand from by me myself.

1189
01:01:46,360 --> 01:01:52,080
Speaker 2: I do, I mean talking about as you should, but

1190
01:01:52,240 --> 01:01:55,120
Speaker 2: talk about one night standing, talk about your your project.

1191
01:01:55,600 --> 01:01:59,920
Speaker 1: So one night Stand being my bup of the week.

1192
01:02:00,600 --> 01:02:04,080
Speaker 3: Every time I hear it, I picture that ballroom and

1193
01:02:04,200 --> 01:02:07,920
Speaker 3: that Chandlier swinging from side to side. Me being so drunk,

1194
01:02:08,040 --> 01:02:10,080
Speaker 3: I just knew that I could reach out and grab

1195
01:02:10,200 --> 01:02:13,280
Speaker 3: it and swing from side to side, all while staling

1196
01:02:13,360 --> 01:02:16,800
Speaker 3: a very elaborate sexual position, which didn't really work out

1197
01:02:16,840 --> 01:02:18,720
Speaker 3: because I kind of messed up my wrist in the

1198
01:02:18,760 --> 01:02:22,240
Speaker 3: process of that. But I had fun with that person.

1199
01:02:24,520 --> 01:02:26,760
Speaker 3: The time was had and you wake up the next

1200
01:02:26,880 --> 01:02:29,800
Speaker 3: day and you're like, who is this? Yeah name, I

1201
01:02:29,840 --> 01:02:30,360
Speaker 3: don't really know.

1202
01:02:30,960 --> 01:02:31,560
Speaker 6: I U to meet you.

1203
01:02:31,800 --> 01:02:33,240
Speaker 1: That was some amazing dude.

1204
01:02:33,560 --> 01:02:39,720
Speaker 3: Yeah, So that entire song encapsulates those crazy moments from

1205
01:02:39,800 --> 01:02:45,160
Speaker 3: my early atl days, early Philly days, early Chicago days.

1206
01:02:45,400 --> 01:02:49,880
Speaker 3: Let me chill. Yeah, it's I was pretty small things.

1207
01:02:49,960 --> 01:02:55,720
Speaker 3: Oh times I had in those cities Orleans like you

1208
01:02:55,920 --> 01:03:01,280
Speaker 3: was cutting up Internet for just not right during a

1209
01:03:01,440 --> 01:03:07,520
Speaker 3: time when if Instagram were up, I wish we had

1210
01:03:07,600 --> 01:03:10,320
Speaker 3: the luxury. Yeah, we don't have a luxury.

1211
01:03:10,360 --> 01:03:14,760
Speaker 1: We do not handy bad Okay, Yeah that's my bumps.

1212
01:03:15,080 --> 01:03:17,600
Speaker 2: Okay, but but I do want to talk about your project. Yeah,

1213
01:03:17,920 --> 01:03:19,480
Speaker 2: well so that people can you know.

1214
01:03:19,560 --> 01:03:23,320
Speaker 3: Oh yeah, so uh June twenty eighth, it drums and

1215
01:03:24,000 --> 01:03:28,200
Speaker 3: myself and Doctor dre produced the whole way. Okay, Doctor

1216
01:03:28,280 --> 01:03:31,200
Speaker 3: dre produced and mixed it, and it's the only record

1217
01:03:31,320 --> 01:03:34,160
Speaker 3: like that in existance. Like there's not one artist on

1218
01:03:34,280 --> 01:03:37,400
Speaker 3: planet Earth that can say they had a full album

1219
01:03:37,720 --> 01:03:41,920
Speaker 3: produced by Doctor Dre. So we came together early twenty

1220
01:03:42,000 --> 01:03:45,840
Speaker 3: twenty one, recorded the album in the space of two

1221
01:03:45,920 --> 01:03:48,520
Speaker 3: and a half three weeks. By the end of that year,

1222
01:03:48,640 --> 01:03:51,560
Speaker 3: we had a twenty seven piece orchestra play on it,

1223
01:03:51,760 --> 01:03:55,560
Speaker 3: and wow, it got crazy. Then it took all of

1224
01:03:55,720 --> 01:03:58,760
Speaker 3: twenty twenty two to clear every single sample.

1225
01:03:58,880 --> 01:04:01,040
Speaker 1: Like I said, sampling and.

1226
01:04:01,240 --> 01:04:03,919
Speaker 3: Using it the way we did, I didn't even think

1227
01:04:03,960 --> 01:04:06,360
Speaker 3: we would even be able to clear it based like,

1228
01:04:07,040 --> 01:04:10,320
Speaker 3: ain't the way Michael Jackson, Duke Ellington, George Benson.

1229
01:04:09,960 --> 01:04:13,400
Speaker 1: Patrees Russian, like whoever else we use anyone.

1230
01:04:13,760 --> 01:04:20,360
Speaker 3: It's a lot. That's just one song. So we did

1231
01:04:20,440 --> 01:04:24,640
Speaker 3: some things. So it's a mood. You see this drink

1232
01:04:24,640 --> 01:04:26,320
Speaker 3: you're sipping on and how it made you feel in

1233
01:04:26,400 --> 01:04:30,600
Speaker 3: his straws where you're at you're slow sipping, but it's

1234
01:04:30,800 --> 01:04:33,840
Speaker 3: that display and it's a mood.

1235
01:04:36,680 --> 01:04:36,919
Speaker 4: Yeah.

1236
01:04:37,240 --> 01:04:42,160
Speaker 3: So it's it's sexy, it's gangster, it's hip hop, it's jazz,

1237
01:04:42,360 --> 01:04:45,760
Speaker 3: it's just all of the things. Look see refill had

1238
01:04:45,840 --> 01:04:49,160
Speaker 3: to get a refill it's palm trees, it's bomb weed,

1239
01:04:49,360 --> 01:04:50,800
Speaker 3: it's it's.

1240
01:04:50,760 --> 01:04:53,960
Speaker 1: All of the thing, even like make vacation music.

1241
01:04:54,680 --> 01:04:57,360
Speaker 3: It's a bit more than that. I feel like when

1242
01:04:57,400 --> 01:04:59,640
Speaker 3: I recorded it, I was underdressed. I showed up to

1243
01:04:59,680 --> 01:05:02,360
Speaker 3: the stud video just you know, sweat to tea I

1244
01:05:02,480 --> 01:05:03,200
Speaker 3: left there and some.

1245
01:05:03,320 --> 01:05:04,520
Speaker 1: Diamonds in the ball gown.

1246
01:05:05,920 --> 01:05:07,000
Speaker 3: I know that's right.

1247
01:05:07,160 --> 01:05:11,800
Speaker 1: I love it, and that's exactly what the album crazy.

1248
01:05:12,200 --> 01:05:16,840
Speaker 1: So I called him to hear it. I'm excited June

1249
01:05:16,920 --> 01:05:19,360
Speaker 1: twenty eight. So I had some sexy music before. I know,

1250
01:05:19,480 --> 01:05:20,640
Speaker 1: I have some sexy music.

1251
01:05:21,080 --> 01:05:25,280
Speaker 3: I love a sexy playlist. Okay, what you've been listening to?

1252
01:05:26,440 --> 01:05:28,200
Speaker 2: So it's not funny because I was just talking about

1253
01:05:28,280 --> 01:05:31,920
Speaker 2: sampling and the song that I have this week has

1254
01:05:31,960 --> 01:05:34,840
Speaker 2: a sample on it. So it's love Bad Bitches by

1255
01:05:35,320 --> 01:05:38,600
Speaker 2: Future Metro Booming and then Brownstone.

1256
01:05:38,960 --> 01:05:44,120
Speaker 3: He used the Brownstone sample. Yeah, and it's good. I like,

1257
01:05:44,840 --> 01:05:46,680
Speaker 3: he's mine? Right? Was that them?

1258
01:05:46,760 --> 01:05:47,480
Speaker 1: He's the mine?

1259
01:05:48,600 --> 01:05:49,880
Speaker 3: Was that them? Now?

1260
01:05:50,600 --> 01:05:53,680
Speaker 2: If you love me, say yeah? So that's the sample

1261
01:05:53,760 --> 01:05:56,760
Speaker 2: that he used for the song. But the way he

1262
01:05:56,960 --> 01:05:59,320
Speaker 2: sampled it, I like it because it's not like he

1263
01:05:59,520 --> 01:06:05,720
Speaker 2: just used the song and like, like you said, right,

1264
01:06:07,080 --> 01:06:08,120
Speaker 2: but it's so good.

1265
01:06:08,280 --> 01:06:09,840
Speaker 3: I love this song. It's amazing.

1266
01:06:09,960 --> 01:06:13,280
Speaker 2: I mean, obviously metro Boomy makes great music and SODA's future,

1267
01:06:13,440 --> 01:06:15,800
Speaker 2: so I feel like you can't Brownstone makes great music.

1268
01:06:15,880 --> 01:06:16,439
Speaker 3: You can't miss.

1269
01:06:16,640 --> 01:06:20,720
Speaker 2: Yeah about so my bop of the week since we

1270
01:06:20,840 --> 01:06:24,360
Speaker 2: were talking about, you know, keeping music fresh, but keeping

1271
01:06:24,440 --> 01:06:26,640
Speaker 2: that core of it. Don Tolliver has a new song

1272
01:06:26,680 --> 01:06:31,200
Speaker 2: with Charlie Wilson. I did, oh, it's such a vi oh.

1273
01:06:31,280 --> 01:06:35,480
Speaker 3: I love him, Yes he is. It's a song.

1274
01:06:35,560 --> 01:06:39,520
Speaker 2: It's called Attitude, And Charlie Wilson just has that voice,

1275
01:06:39,760 --> 01:06:43,080
Speaker 2: my very recognizable boys. You will not mistake him for

1276
01:06:43,120 --> 01:06:46,400
Speaker 2: anybody else. Nobody sounds like him. And I just love

1277
01:06:46,440 --> 01:06:48,160
Speaker 2: to see people who have been in the industry this

1278
01:06:48,360 --> 01:06:51,360
Speaker 2: long and embracing the younger crowd, who the younger crowd

1279
01:06:51,400 --> 01:06:54,520
Speaker 2: who was actually you know, real creatives too, you know

1280
01:06:54,560 --> 01:06:55,040
Speaker 2: what I'm saying.

1281
01:06:55,440 --> 01:06:57,640
Speaker 3: So, yeah, that's my bop of the week. Don Tolliver

1282
01:06:57,840 --> 01:06:59,920
Speaker 3: Charlie Wilson is a combination. I didn't know I need

1283
01:07:00,960 --> 01:07:04,520
Speaker 3: fire like Charlie Wilson. I literally listened to the b

1284
01:07:04,680 --> 01:07:06,280
Speaker 3: mf introjy so I can hear.

1285
01:07:09,360 --> 01:07:13,280
Speaker 1: He with his whole universe.

1286
01:07:13,320 --> 01:07:17,560
Speaker 3: He gonna we're gonna be like this even started off

1287
01:07:18,080 --> 01:07:22,160
Speaker 3: because remember when he painted the tray and everybody was like, no,

1288
01:07:22,440 --> 01:07:25,400
Speaker 3: you paying back to Joe shut down the internet that day.

1289
01:07:25,600 --> 01:07:28,280
Speaker 3: Two weeks later it was back to Joe. I know

1290
01:07:28,400 --> 01:07:30,919
Speaker 3: Joe was at home like, say, this is a big

1291
01:07:31,200 --> 01:07:35,480
Speaker 3: rich it ain't world.

1292
01:07:35,600 --> 01:07:37,320
Speaker 2: I know, because I know, I wonder if that really

1293
01:07:37,400 --> 01:07:39,560
Speaker 2: hurt trade feelings because I know he was like, yeah,

1294
01:07:41,400 --> 01:07:42,360
Speaker 2: you know he had down.

1295
01:07:43,000 --> 01:07:46,120
Speaker 3: That's how when you're used to how something is supposed

1296
01:07:46,160 --> 01:07:51,560
Speaker 3: to be, but that's how a beatos you do. What's up,

1297
01:07:51,640 --> 01:07:54,400
Speaker 3: y'all is your girl xp Andy Srgarls raining a call,

1298
01:07:54,600 --> 01:07:57,600
Speaker 3: and y'all do not forget to call our shot line.

1299
01:07:57,600 --> 01:07:59,080
Speaker 3: I know you heard of a hot line, but this

1300
01:07:59,200 --> 01:08:02,040
Speaker 3: is the poor mind shot line. Yeah, we love to

1301
01:08:02,120 --> 01:08:04,600
Speaker 3: hear from y'all. Y'all need to call in y'all, and

1302
01:08:04,680 --> 01:08:06,920
Speaker 3: this is not necessarily for questions. You know, we just

1303
01:08:06,960 --> 01:08:09,280
Speaker 3: want to hear from y'all if we want to know y'all, feedback, y'all,

1304
01:08:09,320 --> 01:08:11,400
Speaker 3: thoughts on the show, or just what's going on in

1305
01:08:11,480 --> 01:08:13,880
Speaker 3: your life. So you can always call six seven eight

1306
01:08:14,360 --> 01:08:16,960
Speaker 3: eight two seven one eight two seed.

1307
01:08:17,080 --> 01:08:18,880
Speaker 1: Yes, and y'all know, keep it short.

1308
01:08:18,880 --> 01:08:19,320
Speaker 3: And cute.

1309
01:08:19,400 --> 01:08:22,000
Speaker 2: Don't be calling and letting us know about your baby daddy,

1310
01:08:22,000 --> 01:08:23,320
Speaker 2: says a brother, cousin boyfriend.

1311
01:08:23,400 --> 01:08:25,840
Speaker 3: Okay, well I want to hear about that. Actually, well

1312
01:08:25,880 --> 01:08:27,320
Speaker 3: you know they can let a little some but you know,

1313
01:08:27,439 --> 01:08:29,160
Speaker 3: we want to keep it cute and short.

1314
01:08:29,320 --> 01:08:31,640
Speaker 2: Like she said, this is not questions, this is not

1315
01:08:31,760 --> 01:08:33,880
Speaker 2: pour your heart out. So just call give us a

1316
01:08:33,920 --> 01:08:36,000
Speaker 2: little feedback. What you want to see on the show,

1317
01:08:36,320 --> 01:08:38,400
Speaker 2: any suggestions, what you think about the show, if you

1318
01:08:38,479 --> 01:08:40,640
Speaker 2: just want to simply give us our flowers, you know,

1319
01:08:40,840 --> 01:08:43,120
Speaker 2: or any it could be anything. What's bothering you this week,

1320
01:08:43,200 --> 01:08:44,920
Speaker 2: what got on your nerves this week? If you just

1321
01:08:44,960 --> 01:08:46,880
Speaker 2: want to vent and get some things off your chest.

1322
01:08:47,560 --> 01:08:50,280
Speaker 2: Pull the shot line again. The number is six seven

1323
01:08:50,360 --> 01:08:55,599
Speaker 2: eight eight two seven one eight two six shout out

1324
01:08:55,640 --> 01:08:56,120
Speaker 2: to the people.

1325
01:08:56,160 --> 01:08:58,559
Speaker 1: But okay, so now we're gonna do our advice.

1326
01:08:58,680 --> 01:09:03,000
Speaker 3: Yes, I have to say all that you say to say.

1327
01:09:06,760 --> 01:09:08,280
Speaker 2: If you want your question to answered on the show,

1328
01:09:08,360 --> 01:09:10,560
Speaker 2: makes you email us at ask poor Minds. Thank you

1329
01:09:10,720 --> 01:09:13,880
Speaker 2: at email dot com. If you're a Patreon member, make

1330
01:09:13,960 --> 01:09:15,360
Speaker 2: sure you put that in the headline. You get to

1331
01:09:15,360 --> 01:09:19,040
Speaker 2: skip the line and subscribe to our Patreon is Patreon

1332
01:09:19,120 --> 01:09:24,439
Speaker 2: dot com Backslash Poor Minds and also subscribe to the YouTube. Okay,

1333
01:09:24,560 --> 01:09:29,880
Speaker 2: I have question number one. Let's see what we got. Okay,

1334
01:09:30,040 --> 01:09:32,920
Speaker 2: it says, Hey, lex Andrea, I love y'all down. I

1335
01:09:32,960 --> 01:09:34,640
Speaker 2: will try to keep this short and cute because I

1336
01:09:34,760 --> 01:09:38,240
Speaker 2: know y'all hate long messages period. I'm a mid twenties

1337
01:09:38,320 --> 01:09:40,680
Speaker 2: girl who just who was just getting back into the

1338
01:09:40,800 --> 01:09:43,920
Speaker 2: dating scene after a year of being by herself. I

1339
01:09:44,120 --> 01:09:46,800
Speaker 2: joined a dating app and have about three dates this

1340
01:09:46,960 --> 01:09:50,599
Speaker 2: week that didn't go well. I went outside my typical

1341
01:09:50,680 --> 01:09:53,360
Speaker 2: type of men to try new things, but it's been terrible.

1342
01:09:53,760 --> 01:09:56,040
Speaker 2: Do you have any advice on how to stay positive

1343
01:09:56,120 --> 01:09:59,840
Speaker 2: after dates? Have y'all ever experienced back to back bad dates?

1344
01:10:00,280 --> 01:10:03,040
Speaker 2: Is there a specific place where good men are I

1345
01:10:03,200 --> 01:10:06,640
Speaker 2: need to visit ps. I have also been celibate for

1346
01:10:06,760 --> 01:10:09,559
Speaker 2: also for almost two years. I don't know if that's

1347
01:10:09,600 --> 01:10:11,800
Speaker 2: something I should be saying on these dates as well.

1348
01:10:13,240 --> 01:10:13,840
Speaker 1: What you think?

1349
01:10:14,520 --> 01:10:18,120
Speaker 3: Okay, there's a lot of layers right there. One the

1350
01:10:18,240 --> 01:10:22,280
Speaker 3: whole meeting someone on a date and app. I never

1351
01:10:22,400 --> 01:10:26,240
Speaker 3: did that, but so I don't even have anything for that.

1352
01:10:26,400 --> 01:10:28,560
Speaker 3: But the three back to back by ways of a

1353
01:10:28,680 --> 01:10:32,880
Speaker 3: day and app. Maybe that's the issue. So you're still

1354
01:10:33,320 --> 01:10:38,280
Speaker 3: early twenties, mid twenties. I don't know what work situation

1355
01:10:38,479 --> 01:10:40,200
Speaker 3: is if it's a nine to five, but you have

1356
01:10:40,320 --> 01:10:44,560
Speaker 3: to get outside. If that's the supermarket like something. So

1357
01:10:44,920 --> 01:10:49,000
Speaker 3: it's meeting people in different spaces and initiating yourself for

1358
01:10:49,160 --> 01:10:50,280
Speaker 3: conversation that might.

1359
01:10:50,280 --> 01:10:51,120
Speaker 1: Lead to something else.

1360
01:10:51,600 --> 01:10:54,240
Speaker 3: Sometimes it's finding a restaurant and sitting at a bar

1361
01:10:54,439 --> 01:10:57,240
Speaker 3: and possibly running into someone else that does that type

1362
01:10:57,240 --> 01:11:00,519
Speaker 3: of work. That it's just something else like dat and app.

1363
01:11:00,600 --> 01:11:04,160
Speaker 3: Maybe that's where you're falling flat. And then she said,

1364
01:11:04,760 --> 01:11:07,519
Speaker 3: maybe that's something I shouldn't tell them on dates like oh,

1365
01:11:07,560 --> 01:11:08,600
Speaker 3: I've been celibate for you.

1366
01:11:09,000 --> 01:11:10,400
Speaker 1: No, don't disclose none.

1367
01:11:10,320 --> 01:11:14,479
Speaker 3: Of your person it's not your business yet and it

1368
01:11:14,560 --> 01:11:19,240
Speaker 3: doesn't anywhere. Why are we leading with that? So holl

1369
01:11:19,320 --> 01:11:23,720
Speaker 3: b access, go and get you some more spaces, go

1370
01:11:23,920 --> 01:11:29,400
Speaker 3: to a gym, something else on a day and app,

1371
01:11:29,680 --> 01:11:32,439
Speaker 3: but don't do three back to back on the swipe. Nah,

1372
01:11:32,520 --> 01:11:36,400
Speaker 3: maybe him okay Tuesday Wednesday and no, yeah, spread it

1373
01:11:36,520 --> 01:11:40,519
Speaker 3: out once a week. Don't get your heart broke with.

1374
01:11:40,600 --> 01:11:42,599
Speaker 2: Me, because I feel like it could be anybody behind

1375
01:11:42,640 --> 01:11:45,400
Speaker 2: this page. Because people can't put on every type of

1376
01:11:45,479 --> 01:11:49,479
Speaker 2: front that they want on an app, Fine, and it's

1377
01:11:49,560 --> 01:11:49,960
Speaker 2: not him.

1378
01:11:51,920 --> 01:11:52,559
Speaker 3: You know what I'm saying.

1379
01:11:52,760 --> 01:11:54,680
Speaker 2: In person, you can't fake nothing. You can't fake that,

1380
01:11:54,920 --> 01:11:57,880
Speaker 2: or you can't fake that. Yeah, you can't fake that conversation.

1381
01:11:58,040 --> 01:11:59,240
Speaker 2: I need to see you in person.

1382
01:12:00,000 --> 01:12:01,080
Speaker 3: So I definitely agree with that.

1383
01:12:01,600 --> 01:12:03,760
Speaker 2: That's where I say the Internet has fucked a lot

1384
01:12:03,840 --> 01:12:05,800
Speaker 2: of ship up because back in the day, you have

1385
01:12:05,920 --> 01:12:08,599
Speaker 2: to go touch grass, Like you have to really get

1386
01:12:08,680 --> 01:12:10,400
Speaker 2: outside to meet somebody.

1387
01:12:11,920 --> 01:12:15,240
Speaker 3: Yeah, like if you had street credits because you was

1388
01:12:15,280 --> 01:12:20,800
Speaker 3: in the streets. Keep pumping on the internet because no

1389
01:12:20,880 --> 01:12:27,200
Speaker 3: one knows you, right, Like what I'm just saying, it's

1390
01:12:27,479 --> 01:12:28,599
Speaker 3: very different.

1391
01:12:28,720 --> 01:12:32,000
Speaker 2: But I do feel like you have to get outside,

1392
01:12:32,200 --> 01:12:34,559
Speaker 2: Like like you said, if you have a nine to five,

1393
01:12:35,200 --> 01:12:37,479
Speaker 2: maybe you can go to happy hour after work, Like

1394
01:12:38,000 --> 01:12:40,360
Speaker 2: maybe you can go I don't know, if you go

1395
01:12:40,439 --> 01:12:43,360
Speaker 2: to church. Maybe go to like the church group, Bible study,

1396
01:12:44,160 --> 01:12:48,799
Speaker 2: meet somebody in the gym, gym, meet somebody in person

1397
01:12:49,040 --> 01:12:52,080
Speaker 2: in real life. Like maybe that's what's not clicking for

1398
01:12:52,160 --> 01:12:54,720
Speaker 2: you is the dating apps because maybe you're meeting these

1399
01:12:54,800 --> 01:12:57,160
Speaker 2: people online and then you're meeting them in person and

1400
01:12:57,200 --> 01:12:59,040
Speaker 2: they're not really who they say they are.

1401
01:13:00,080 --> 01:13:03,680
Speaker 3: So I don't know I think that such grassies and

1402
01:13:03,840 --> 01:13:07,960
Speaker 3: you're young the twenties, like how pressure?

1403
01:13:08,680 --> 01:13:10,160
Speaker 1: Yeah, all right, question number two?

1404
01:13:10,200 --> 01:13:11,080
Speaker 3: What we got dre up?

1405
01:13:11,320 --> 01:13:14,160
Speaker 2: Question number two? And this is a Patreon member. They said,

1406
01:13:14,200 --> 01:13:17,040
Speaker 2: good evening. I just had a question about getting married.

1407
01:13:17,400 --> 01:13:20,120
Speaker 2: In your opinion, if you and a man get married

1408
01:13:20,320 --> 01:13:22,160
Speaker 2: and you have never met the mother of his child

1409
01:13:22,240 --> 01:13:24,600
Speaker 2: and the child is under six years old, should you

1410
01:13:24,720 --> 01:13:27,400
Speaker 2: meet the baby mother slash mother of the child before

1411
01:13:27,439 --> 01:13:29,600
Speaker 2: you get married or shouldn't this play or should this

1412
01:13:29,800 --> 01:13:31,839
Speaker 2: not play a factor in y'all's marriage?

1413
01:13:35,120 --> 01:13:38,240
Speaker 1: You know what I'm gonna say? Hell yeah, you have

1414
01:13:38,560 --> 01:13:40,840
Speaker 1: to Are you insane?

1415
01:13:41,320 --> 01:13:43,720
Speaker 3: Are you crazy? And it's not even that the kid

1416
01:13:43,880 --> 01:13:47,080
Speaker 3: is under six. This is a mind's life that was

1417
01:13:47,240 --> 01:13:50,479
Speaker 3: prior to you being in it. So it's history. Whether

1418
01:13:50,600 --> 01:13:54,200
Speaker 3: that kid is six, sixteen, twenty six, it's their child.

1419
01:13:54,600 --> 01:13:56,120
Speaker 3: I agree. So if you want to be in that

1420
01:13:56,280 --> 01:14:01,320
Speaker 3: man's life there on out, why am I doing that?

1421
01:14:01,479 --> 01:14:05,000
Speaker 3: Not knowing just at this wedding, I'm telling you I.

1422
01:14:05,160 --> 01:14:08,519
Speaker 2: Do because I also feel like once you're married, essentially

1423
01:14:08,680 --> 01:14:10,799
Speaker 2: like sometimes the child might be in your care.

1424
01:14:10,680 --> 01:14:12,360
Speaker 1: When he's not around, maybe he's at work.

1425
01:14:12,600 --> 01:14:14,760
Speaker 2: You have to have a relationship with his baby mother,

1426
01:14:14,800 --> 01:14:17,920
Speaker 2: because what do you mean, what if something's going on,

1427
01:14:18,720 --> 01:14:21,080
Speaker 2: why that needs to That should have been his first

1428
01:14:21,160 --> 01:14:22,960
Speaker 2: priority when he wanted to propose to you.

1429
01:14:23,120 --> 01:14:25,240
Speaker 3: And that's what I'm thinking. Was it her decision to

1430
01:14:25,400 --> 01:14:28,000
Speaker 3: not meet the mother or they? Is he kind of

1431
01:14:28,080 --> 01:14:33,240
Speaker 3: blocking it? Like if he's blocking it, that's where I

1432
01:14:33,439 --> 01:14:34,120
Speaker 3: was going with it.

1433
01:14:34,400 --> 01:14:37,160
Speaker 1: Some already ain't right, some ain't right in the water.

1434
01:14:37,280 --> 01:14:39,960
Speaker 3: Okay, we're here, We're here, We're.

1435
01:14:39,720 --> 01:14:42,160
Speaker 2: Here, because yeah, that's where I was going. Because if

1436
01:14:42,320 --> 01:14:44,080
Speaker 2: a man don't want to introduce you to his baby ama,

1437
01:14:44,120 --> 01:14:49,280
Speaker 2: is kind of like why they're still together. Yeah, somebody

1438
01:14:49,400 --> 01:14:52,920
Speaker 2: hiding something and it don't sound right to me. Okay,

1439
01:14:53,439 --> 01:14:59,160
Speaker 2: So this has been an amazing so you know, like

1440
01:14:59,200 --> 01:15:00,840
Speaker 2: I said, a lot of the young girls and young

1441
01:15:00,880 --> 01:15:02,519
Speaker 2: guys will watch it. So let them know where they

1442
01:15:02,520 --> 01:15:03,599
Speaker 2: can find you at.

1443
01:15:05,160 --> 01:15:09,240
Speaker 3: All social media platforms. My full name marsh Rembers M

1444
01:15:09,280 --> 01:15:11,960
Speaker 3: A R S H A A M B R O

1445
01:15:12,280 --> 01:15:15,760
Speaker 3: S I R U S and yeah, hit me up. Yes,

1446
01:15:16,080 --> 01:15:20,600
Speaker 3: And a project is coming out, The Blind.

1447
01:15:21,880 --> 01:15:22,680
Speaker 6: The Dream here.

1448
01:15:24,320 --> 01:15:27,240
Speaker 2: Look, we made it through those we did we last

1449
01:15:27,320 --> 01:15:29,120
Speaker 2: have but thank you so much again. I know they're

1450
01:15:29,120 --> 01:15:30,920
Speaker 2: gonna be in the comments like lex let her breathe.

1451
01:15:30,920 --> 01:15:31,679
Speaker 3: I'm sorry, y'all.

1452
01:15:32,280 --> 01:15:34,240
Speaker 2: Y'all know I love it to have people only giving

1453
01:15:34,280 --> 01:15:36,920
Speaker 2: their flowers. So thank you so much for having me.

1454
01:15:37,040 --> 01:15:41,519
Speaker 3: I see y'all so fun. Bye y'all, y'all, make sure.

1455
01:15:41,439 --> 01:15:46,280
Speaker 2: Y'all share the content like subscribe, follow all that good stuff.

1456
01:15:46,280 --> 01:15:48,479
Speaker 2: And let me say this before we close off. Y'all,

1457
01:15:48,960 --> 01:15:52,519
Speaker 2: there is one Twitter account that is connected to pour minds.

1458
01:15:52,560 --> 01:15:53,120
Speaker 3: It's p O.

1459
01:15:53,360 --> 01:15:57,280
Speaker 2: You are underscore m my n d s. Y'all are

1460
01:15:57,400 --> 01:16:00,519
Speaker 2: tagging the wrong four minds page. If you see at

1461
01:16:00,600 --> 01:16:03,080
Speaker 2: poor minds with no underscore, that is at fake page,

1462
01:16:03,120 --> 01:16:06,560
Speaker 2: do not follow that page. Okay, they blocked me Andrea

1463
01:16:07,080 --> 01:16:09,599
Speaker 2: and the poor Minds page on both so we only

1464
01:16:09,680 --> 01:16:14,520
Speaker 2: have one Instagram, one Twitter, one TikTok.

1465
01:16:14,880 --> 01:16:17,719
Speaker 3: It is p O, you are underscore in my nds

1466
01:16:17,840 --> 01:16:20,960
Speaker 3: all right, and we got hell a fake Facebook page

1467
01:16:21,080 --> 01:16:24,280
Speaker 3: on the Facebook page it's our face. The crazy thing

1468
01:16:24,400 --> 01:16:27,360
Speaker 3: is our Facebook page actually have the least amount of file.

1469
01:16:27,760 --> 01:16:30,280
Speaker 2: So if you're on face, the one that's ours got

1470
01:16:30,320 --> 01:16:32,720
Speaker 2: the least amount of file, but one that's not us

1471
01:16:32,920 --> 01:16:35,920
Speaker 2: got like two hundred and fifty. Make if you actually

1472
01:16:35,960 --> 01:16:38,240
Speaker 2: look at the content, because the caption is like whoever

1473
01:16:38,320 --> 01:16:40,920
Speaker 2: it is, don't speak English because their captures are like

1474
01:16:41,400 --> 01:16:42,160
Speaker 2: bumba claude?

1475
01:16:42,160 --> 01:16:46,400
Speaker 3: Should men? Should men pay bill? Should men pay bill? Yes?

1476
01:16:46,520 --> 01:16:46,560
Speaker 4: No?

1477
01:16:47,840 --> 01:16:51,160
Speaker 2: Check answer below block block pull.

1478
01:16:52,800 --> 01:16:54,360
Speaker 3: Like that's literally with the captions.

1479
01:16:54,520 --> 01:16:56,080
Speaker 6: I'm like you what that DG is?

1480
01:16:56,160 --> 01:16:57,880
Speaker 3: Bumba claudemba claud.

1481
01:17:00,600 --> 01:17:04,439
Speaker 6: Here we go, get it. I don't know money these dad,

1482
01:17:04,640 --> 01:17:08,720
Speaker 6: you done to me? Don't even try to be quiet.

1483
01:17:08,479 --> 01:17:13,200
Speaker 3: Going girl, I'll be the acting such a crazy way.

1484
01:17:14,360 --> 01:17:15,840
Speaker 6: No get it.

1485
01:17:16,360 --> 01:17:20,200
Speaker 3: Yeah, whatever it is that you do, when you do what.

1486
01:17:20,360 --> 01:17:26,439
Speaker 1: You do, we come on now it's some feeling and I.

1487
01:17:29,680 --> 01:17:32,719
Speaker 8: Okay, come on at my heart because my heart stops

1488
01:17:32,920 --> 01:17:38,439
Speaker 8: beating triple times with us loving you on my mind.

1489
01:17:39,479 --> 01:17:43,200
Speaker 6: I can't figure around just what to do when the

1490
01:17:43,400 --> 01:17:48,280
Speaker 6: problem here is you come on out, y'all what you get?

1491
01:17:48,360 --> 01:17:52,439
Speaker 6: So I guess a week and in these I can

1492
01:17:52,680 --> 01:17:53,759
Speaker 6: hardly speak.

1493
01:17:54,080 --> 01:17:58,200
Speaker 3: I lose our control and something takes of of me

1494
01:17:58,720 --> 01:18:01,560
Speaker 3: in the day city so amazing.

1495
01:18:01,960 --> 01:18:06,760
Speaker 6: Let it's not a face. Stay with me.

1496
01:18:08,160 --> 01:18:12,799
Speaker 1: My stocks me right off.

1497
01:18:12,720 --> 01:18:20,200
Speaker 3: Of my feet, can say while you're love, it makes

1498
01:18:20,320 --> 01:18:25,320
Speaker 3: me ooh we did we did mL D time after

1499
01:18:25,479 --> 01:18:26,759
Speaker 3: time after time.

1500
01:18:26,920 --> 01:18:30,479
Speaker 6: I try to fight, Come on out fight it now,

1501
01:18:30,560 --> 01:18:39,120
Speaker 6: come on out fight it, but come on out get it.

1502
01:18:39,800 --> 01:18:43,920
Speaker 3: This is is thou win your all around cross feed.

1503
01:18:45,280 --> 01:18:49,360
Speaker 6: Come on now get it. Don't wait, and I don't

1504
01:18:49,479 --> 01:18:53,200
Speaker 6: want to be alone. Oh my god, yes mL D.

1505
01:18:53,320 --> 01:18:57,919
Speaker 8: In the building, my host starts speeding trimple time.

1506
01:18:59,240 --> 01:19:03,720
Speaker 3: Loving you on my mind. I can't figure out just

1507
01:19:04,040 --> 01:19:07,920
Speaker 3: what to do when the problem here is you.

1508
01:19:10,800 --> 01:19:12,200
Speaker 6: Kid it now, I.

1509
01:19:12,479 --> 01:19:13,080
Speaker 3: Guess so.

1510
01:19:14,880 --> 01:19:26,240
Speaker 6: I can hardly speak contralt of me. May see.

1511
01:19:28,200 --> 01:19:33,680
Speaker 4: With to stay at my side, follow my problem. It

1512
01:19:34,120 --> 01:19:40,400
Speaker 4: ns me right off from my feet, can.

1513
01:19:40,479 --> 01:19:44,160
Speaker 8: Explain while you love it makes me we you know

1514
01:19:44,200 --> 01:19:45,160
Speaker 8: you gotta go to the bridge.

1515
01:19:45,400 --> 01:19:48,840
Speaker 6: See we wasn't doing the whole song. Gam ode boom boom.

1516
01:19:51,080 --> 01:19:55,639
Speaker 8: Coming down, No way awake cannother No you know why

1517
01:19:56,160 --> 01:19:58,120
Speaker 8: don't love so sweet?

1518
01:19:59,640 --> 01:20:03,000
Speaker 6: Not me off my I'm gonna take it up a nut.

1519
01:20:03,600 --> 01:20:21,559
Speaker 6: I guess so snake a sitting day with me, stay

1520
01:20:21,800 --> 01:20:24,240
Speaker 6: with me, my bride.

1521
01:20:24,560 --> 01:20:31,960
Speaker 9: Hell so it nice me right off my feet. Yeah

1522
01:20:32,400 --> 01:20:35,439
Speaker 9: to the kid gets me by your love. It makes

1523
01:20:35,600 --> 01:20:38,680
Speaker 9: me we ain't cut up. You'll give it off for em.

1524
01:20:39,680 --> 01:20:40,800
Speaker 6: In the building and.

1525
01:20:43,080 --> 01:21:11,720
Speaker 3: Mary Stocking playing with us boot