1 00:00:00,920 --> 00:00:04,480 Speaker 1: All right, welcome to episode of The Bobby Cast with 2 00:00:04,559 --> 00:00:08,959 Speaker 1: Danielle Bradberry. Hey, Danielle, I've never done one of these 3 00:00:09,480 --> 00:00:12,240 Speaker 1: on a weekend or in the daytime really, so it's 4 00:00:12,240 --> 00:00:14,880 Speaker 1: completely out of my natural element because we usually do 5 00:00:14,920 --> 00:00:17,200 Speaker 1: the on the road every weekend and then we usually 6 00:00:17,280 --> 00:00:19,320 Speaker 1: do these in the evening. People just come over to 7 00:00:19,360 --> 00:00:22,279 Speaker 1: the house and but because of the great snowstorm of 8 00:00:24,320 --> 00:00:27,880 Speaker 1: we had to postpone this. Yes, it's it's summertime outside 9 00:00:27,880 --> 00:00:30,800 Speaker 1: because it's like fifty degrees. I know. These weather changes 10 00:00:30,840 --> 00:00:34,080 Speaker 1: are driving me crazy, are you. I lived in Texas 11 00:00:34,120 --> 00:00:37,280 Speaker 1: for the past fourteen years before I moved here, so 12 00:00:37,400 --> 00:00:42,760 Speaker 1: winter to me is I'm from Texas. Any winners painful? Yes? Yeah, 13 00:00:43,159 --> 00:00:45,680 Speaker 1: even if it's like fifty degrees, I'm like, okay, this 14 00:00:45,760 --> 00:00:49,720 Speaker 1: is cold. Today it was. I went to yoga today 15 00:00:49,880 --> 00:00:54,200 Speaker 1: and I was in a like a sleeveless shirt and 16 00:00:54,520 --> 00:00:57,920 Speaker 1: I braved it because I'm so happy it was five degrees. 17 00:00:58,760 --> 00:01:03,680 Speaker 1: I was like, this feels so I'm glad I'm here 18 00:01:04,360 --> 00:01:09,840 Speaker 1: A lot to talk about. Yes, um, we're just start Well, 19 00:01:10,319 --> 00:01:12,000 Speaker 1: you just came from Wisconsin. We were just talking about 20 00:01:12,040 --> 00:01:14,960 Speaker 1: that before we went on. It's your first showback where 21 00:01:14,959 --> 00:01:18,360 Speaker 1: you're singing again. Yeah, and I forgot how to sing 22 00:01:18,480 --> 00:01:22,600 Speaker 1: and everything. It was a little rusty on the lyrics. Yeah, 23 00:01:22,680 --> 00:01:25,240 Speaker 1: on the lyrics. So you did what's called a guitar pool, 24 00:01:25,280 --> 00:01:27,479 Speaker 1: which I think is interesting because radio stations do these 25 00:01:27,600 --> 00:01:35,320 Speaker 1: guitar pools. I'll have you explain what a guitar pool is, okay, Um, Well, example, 26 00:01:35,440 --> 00:01:37,680 Speaker 1: last night, I was the only girl, which I thought 27 00:01:37,800 --> 00:01:41,760 Speaker 1: was cool. Um, And you're on stage with about four 28 00:01:41,880 --> 00:01:44,320 Speaker 1: or five other artists and y'all are all up there 29 00:01:44,360 --> 00:01:47,440 Speaker 1: and I'll get to talk about stories, go back and forth, 30 00:01:47,520 --> 00:01:49,840 Speaker 1: and then y'all each sing one song and then you'll 31 00:01:49,840 --> 00:01:52,880 Speaker 1: go around and Um, you sing to like five or 32 00:01:52,920 --> 00:01:56,360 Speaker 1: six songs each, and I I those are my favorite 33 00:01:56,680 --> 00:01:59,160 Speaker 1: personally because you just get to hang out with everybody 34 00:01:59,200 --> 00:02:02,080 Speaker 1: and kind of sit back after one song instead of 35 00:02:02,080 --> 00:02:05,080 Speaker 1: going song after another and just kind of listen to them, 36 00:02:05,120 --> 00:02:07,120 Speaker 1: and you hear songs that you haven't heard before from 37 00:02:07,120 --> 00:02:09,960 Speaker 1: other artists. And I think it's really cool. Who was 38 00:02:10,000 --> 00:02:14,919 Speaker 1: on with you last night, Um Walcome McGuire, McGuire, Luke Holmbs, 39 00:02:15,639 --> 00:02:20,080 Speaker 1: Jordan Davis, and Um Morgan Wallen. They're all really great 40 00:02:20,200 --> 00:02:25,560 Speaker 1: that Luke he's like, he's like you, it's unsuspected greatness. 41 00:02:26,880 --> 00:02:29,200 Speaker 1: And I was talking with Dan from Dan and Shay 42 00:02:29,200 --> 00:02:32,200 Speaker 1: a couple of days ago, and with those guys, you know, 43 00:02:32,240 --> 00:02:34,080 Speaker 1: if someone has a deal, they're going to be at 44 00:02:34,160 --> 00:02:36,960 Speaker 1: least certain good, because you really don't get signed if 45 00:02:37,000 --> 00:02:39,880 Speaker 1: you're terrible. So there's this expectation. And but then there 46 00:02:39,880 --> 00:02:41,639 Speaker 1: are certain people that even though you know they're good, 47 00:02:41,639 --> 00:02:44,040 Speaker 1: they come in and they still blow you away. And 48 00:02:44,080 --> 00:02:46,080 Speaker 1: I put Dan and Shay into that category, and I 49 00:02:46,080 --> 00:02:48,040 Speaker 1: put you into the category because even though we know 50 00:02:48,120 --> 00:02:51,200 Speaker 1: you're good, when you guys start singing, you're like, oh, 51 00:02:51,200 --> 00:02:55,639 Speaker 1: oh yeah, it's the best. Luke Holmbs is on there too, 52 00:02:55,680 --> 00:02:58,720 Speaker 1: because when he starts singing, it's violent. Oh my god, 53 00:02:58,880 --> 00:03:04,320 Speaker 1: it's in your face. On day morning, you recoiled because 54 00:03:04,639 --> 00:03:09,920 Speaker 1: it's so hard. It's like, oh yeah, Well, what's funny 55 00:03:10,120 --> 00:03:13,200 Speaker 1: is because when you're up there, all the artists are 56 00:03:13,200 --> 00:03:15,720 Speaker 1: in front, obviously, and then you have either your guitar 57 00:03:15,800 --> 00:03:19,160 Speaker 1: player your drummer which is on a cone and I 58 00:03:19,200 --> 00:03:24,360 Speaker 1: have Yes and I have my guitar player and my 59 00:03:24,480 --> 00:03:27,960 Speaker 1: drummer um back there. And I think I did one 60 00:03:28,040 --> 00:03:32,720 Speaker 1: of those things with Luke the same area like before 61 00:03:32,840 --> 00:03:36,760 Speaker 1: the New Year, and my drummer was in front of 62 00:03:36,840 --> 00:03:40,920 Speaker 1: his uh wedge, which is like the big speaker. He said, 63 00:03:41,120 --> 00:03:43,960 Speaker 1: I he is amazing, but he blew me out of 64 00:03:44,000 --> 00:03:49,320 Speaker 1: my chair and goes from zero to sixty faster than yes, 65 00:03:49,600 --> 00:03:52,440 Speaker 1: where you are a piercinger and one of the best, 66 00:03:52,920 --> 00:03:56,880 Speaker 1: but you go like an airplane taken off and when 67 00:03:56,880 --> 00:03:59,480 Speaker 1: you hit the speed, you're nailing it. Luke, it's like 68 00:03:59,520 --> 00:04:04,120 Speaker 1: a freaking Ferrari. Just it scared us in the studio 69 00:04:04,200 --> 00:04:07,160 Speaker 1: last time. He's saying, oh, I bet in there because 70 00:04:07,160 --> 00:04:11,400 Speaker 1: he had and I've known Luke for a long time. Yeah, 71 00:04:11,440 --> 00:04:15,080 Speaker 1: he goes count me down and he goes one, two one. 72 00:04:17,160 --> 00:04:20,200 Speaker 1: Oh my god, scared the crap out of all of us. 73 00:04:20,520 --> 00:04:22,400 Speaker 1: Oh my god. When you do one of those where 74 00:04:22,400 --> 00:04:24,360 Speaker 1: you're sitting around with those people, does it matter to you? 75 00:04:24,400 --> 00:04:27,800 Speaker 1: What what are you going? Um? Not really. I just 76 00:04:27,839 --> 00:04:29,800 Speaker 1: turned around to my players and be like, what do 77 00:04:29,880 --> 00:04:32,200 Speaker 1: y'all feeling? And we kind of I kind of think 78 00:04:32,240 --> 00:04:35,880 Speaker 1: about my single and where that goes, and sometimes I 79 00:04:35,920 --> 00:04:39,039 Speaker 1: go off of who the artist before me sang, or 80 00:04:39,160 --> 00:04:41,560 Speaker 1: if it was like a slow song at beat, so 81 00:04:41,600 --> 00:04:44,320 Speaker 1: I go off of those things. But not necessarily like 82 00:04:44,560 --> 00:04:46,640 Speaker 1: each song or anything. But where do you put the 83 00:04:46,680 --> 00:04:49,000 Speaker 1: single in the mix? I do it like right in 84 00:04:49,000 --> 00:04:51,880 Speaker 1: the middle. Um, like last night, I think we did 85 00:04:51,920 --> 00:04:54,520 Speaker 1: five and I did it like the third song in 86 00:04:55,200 --> 00:04:57,800 Speaker 1: So what do you start with when you're doing a show? 87 00:04:57,800 --> 00:04:59,680 Speaker 1: Like what you start with last night? I started with 88 00:05:00,000 --> 00:05:03,039 Speaker 1: it stay Mad, So it's like more of an upbeat song. 89 00:05:03,839 --> 00:05:06,680 Speaker 1: So what'd you close with? A close with worth It? Yeah, 90 00:05:06,760 --> 00:05:18,480 Speaker 1: that was a big one. Yeah, that's a good When 91 00:05:18,520 --> 00:05:21,760 Speaker 1: I hear this one on satellite too, as we're playing Sway, 92 00:05:21,800 --> 00:05:23,200 Speaker 1: they're playing worth It, which is a cool thing now 93 00:05:23,200 --> 00:05:25,279 Speaker 1: you can get multiple songs played at different times. Yeah, 94 00:05:25,480 --> 00:05:28,640 Speaker 1: it's been really cool to see, I mean fans post 95 00:05:28,680 --> 00:05:32,640 Speaker 1: that and then obviously hear it sometimes. It's been crazy. Yeah, 96 00:05:32,640 --> 00:05:37,560 Speaker 1: that's a good one. Way to the lifted. This was 97 00:05:37,560 --> 00:05:40,159 Speaker 1: the first one when you came back, right, the first 98 00:05:40,480 --> 00:05:43,000 Speaker 1: first song when you were like, hey here I come again. Yes, 99 00:05:43,640 --> 00:05:48,080 Speaker 1: was the Hello I'm back. What was the conversation that 100 00:05:48,160 --> 00:05:52,680 Speaker 1: led to this song being the first song? Well, it's 101 00:05:52,760 --> 00:05:56,880 Speaker 1: kind of funny because Way was actually not the wasn't 102 00:05:56,880 --> 00:05:58,600 Speaker 1: going to be the first single. It was going to 103 00:05:58,680 --> 00:06:01,680 Speaker 1: be the first lead track of the new album, and 104 00:06:01,680 --> 00:06:06,280 Speaker 1: that's wh which is a difference. Um, And that's what 105 00:06:06,320 --> 00:06:09,279 Speaker 1: we did. We we released it was like a new 106 00:06:09,600 --> 00:06:12,160 Speaker 1: first track off of the new the new record, can't 107 00:06:12,160 --> 00:06:16,080 Speaker 1: wait for to show you all more and all that stuff. Well, 108 00:06:16,400 --> 00:06:17,920 Speaker 1: one day, I think it was during the c m 109 00:06:17,960 --> 00:06:21,640 Speaker 1: A fest, I got thrown in a meeting, um, right 110 00:06:21,680 --> 00:06:24,599 Speaker 1: after the celebrity softball game. Um, that I think we 111 00:06:24,680 --> 00:06:28,720 Speaker 1: played together. And I it was with I mean the 112 00:06:28,839 --> 00:06:31,640 Speaker 1: label and and everybody can think of. I was like, okay, 113 00:06:31,800 --> 00:06:35,039 Speaker 1: I'm all sweaty, sorry guys. I literally went from the 114 00:06:35,040 --> 00:06:38,440 Speaker 1: softball game over to the label, went yes, and we 115 00:06:38,480 --> 00:06:43,080 Speaker 1: talked about I mean radio tour again and Swayby and 116 00:06:43,080 --> 00:06:45,320 Speaker 1: the new single, and it was just kind of like bam, 117 00:06:45,320 --> 00:06:48,159 Speaker 1: bam bam. And I think they had already talked about it, 118 00:06:48,400 --> 00:06:51,719 Speaker 1: kind of made that decision and saw it doing really well, 119 00:06:52,080 --> 00:06:55,720 Speaker 1: better than we expected as not even a single. So 120 00:06:55,880 --> 00:06:58,800 Speaker 1: um yeah, they were like, yeah, saying, how did you 121 00:06:58,839 --> 00:07:00,560 Speaker 1: feel that? Did you have your hearts on something else 122 00:07:00,600 --> 00:07:03,240 Speaker 1: to start as the first thing? Goal? Um, I honestly did. 123 00:07:03,760 --> 00:07:06,960 Speaker 1: Worth It has been my favorite always, um, and I 124 00:07:07,000 --> 00:07:12,080 Speaker 1: think I picked that when I was putting the album together. Um, 125 00:07:12,120 --> 00:07:14,480 Speaker 1: and worth. It kind of stuck with me always, and 126 00:07:14,560 --> 00:07:17,760 Speaker 1: there's other songs on there that are my favorites too, 127 00:07:18,280 --> 00:07:20,880 Speaker 1: but Sway was and the more I thought about it, 128 00:07:20,960 --> 00:07:24,120 Speaker 1: Sway it was kind of the easy going, just kind 129 00:07:24,120 --> 00:07:27,760 Speaker 1: of I guess, nice song to to start out the 130 00:07:27,800 --> 00:07:31,280 Speaker 1: new album since nobody, I mean everybody has hasn't heard 131 00:07:31,320 --> 00:07:34,640 Speaker 1: anything for me in about four or five years, which 132 00:07:34,680 --> 00:07:36,960 Speaker 1: is interesting to me because as I was coming into 133 00:07:36,960 --> 00:07:40,400 Speaker 1: the format and moving to Nashville, that was kind of 134 00:07:40,520 --> 00:07:42,520 Speaker 1: the last that you and I saw of each other. 135 00:07:42,560 --> 00:07:45,560 Speaker 1: Then you disappeared and I don't go around to I 136 00:07:45,560 --> 00:07:48,280 Speaker 1: don't ever go out, but still you see people at 137 00:07:48,360 --> 00:07:53,080 Speaker 1: industry events. But you disappeared. You disappeared, you were gone, 138 00:07:53,720 --> 00:07:56,240 Speaker 1: which was a cool thing to do. But I I 139 00:07:56,280 --> 00:07:58,760 Speaker 1: start thinking, that's gotta be tough when you're right in 140 00:07:58,800 --> 00:08:01,400 Speaker 1: the middle of it, and then and you consciously go, 141 00:08:01,560 --> 00:08:07,120 Speaker 1: I'm getting out of it. Yeah, it is tough witness relocation. 142 00:08:09,520 --> 00:08:12,520 Speaker 1: So what what was the that that mindset behind that? 143 00:08:13,200 --> 00:08:16,920 Speaker 1: You know? Um, I think a big part of the 144 00:08:17,400 --> 00:08:22,920 Speaker 1: break was coming off of the voice and being so young, 145 00:08:23,200 --> 00:08:25,080 Speaker 1: and I feel like a broken record, but it is 146 00:08:25,240 --> 00:08:28,280 Speaker 1: so true. I was very young and personally I did 147 00:08:28,360 --> 00:08:30,400 Speaker 1: not know what the heck was going. I couldn't tell 148 00:08:30,440 --> 00:08:32,959 Speaker 1: you anything about the music business. I still couldn't tell 149 00:08:32,960 --> 00:08:35,280 Speaker 1: you half of it. But I mean then I had 150 00:08:35,320 --> 00:08:37,760 Speaker 1: my mom going around with me all the time because 151 00:08:37,760 --> 00:08:43,480 Speaker 1: I was so young. And after the show, I I mean, 152 00:08:43,520 --> 00:08:46,120 Speaker 1: I got this record put together and I had to 153 00:08:46,160 --> 00:08:48,959 Speaker 1: pick twelve songs and I didn't write at all. I 154 00:08:49,000 --> 00:08:51,200 Speaker 1: couldn't tell you how to do that even back then, 155 00:08:52,320 --> 00:08:54,280 Speaker 1: and I was just listening to these songs in the 156 00:08:54,320 --> 00:08:56,880 Speaker 1: hotel room of wherever I was. I was kind of 157 00:08:56,880 --> 00:08:59,920 Speaker 1: getting frustrated because I didn't know. I didn't like some songs, 158 00:09:00,040 --> 00:09:03,720 Speaker 1: and I liked more ones more than other, but I mean, 159 00:09:04,080 --> 00:09:08,080 Speaker 1: it was just a mess. And finally I picked twelve 160 00:09:08,920 --> 00:09:12,120 Speaker 1: and we came out with my debut album and so 161 00:09:12,360 --> 00:09:14,959 Speaker 1: and then after that it was like bam, bam bam. 162 00:09:15,000 --> 00:09:18,080 Speaker 1: Everything happened all at once, and so I never really 163 00:09:18,120 --> 00:09:22,080 Speaker 1: got that moment of Okay, this is Danielle Bradberry and 164 00:09:22,280 --> 00:09:24,160 Speaker 1: this is what I want to sing, and I'm a 165 00:09:24,160 --> 00:09:27,000 Speaker 1: songwriter and all that. I didn't have that yet, and 166 00:09:27,040 --> 00:09:32,160 Speaker 1: it was very much blonde girl, the voice country blonde girl, 167 00:09:32,640 --> 00:09:34,720 Speaker 1: and that's what everybody kind of looked at me as 168 00:09:35,000 --> 00:09:38,040 Speaker 1: and and a lot of them said, oh another voice winner, 169 00:09:38,440 --> 00:09:41,959 Speaker 1: And I'm like, you know, there's more to me than that, um, 170 00:09:42,000 --> 00:09:45,959 Speaker 1: I think. And so the break was very much like, Okay, 171 00:09:46,000 --> 00:09:48,240 Speaker 1: I need to really sit down for a second, off 172 00:09:48,320 --> 00:09:51,559 Speaker 1: off of this crazy ride that I've been on and 173 00:09:51,600 --> 00:09:54,880 Speaker 1: really figure out who is Danielle Bradberry and if I 174 00:09:54,920 --> 00:09:57,000 Speaker 1: am a songwriter or not. So I got into that. 175 00:09:58,559 --> 00:10:03,640 Speaker 1: I was here Nashville maybe once or twice, and they 176 00:10:03,679 --> 00:10:06,760 Speaker 1: ever see you? Yeah? Did you purposely not go to things? 177 00:10:07,559 --> 00:10:10,400 Speaker 1: You know? Some of them I wanted to go, but 178 00:10:10,559 --> 00:10:12,760 Speaker 1: there wasn't really a purpose for me too, because I 179 00:10:12,840 --> 00:10:16,199 Speaker 1: didn't have any music out or anything. Um, but I 180 00:10:16,240 --> 00:10:22,120 Speaker 1: was just at home. I wasn't doing anything, but I 181 00:10:22,400 --> 00:10:24,760 Speaker 1: mean I was. Did you want to go even just 182 00:10:24,920 --> 00:10:30,400 Speaker 1: sing and keep the instrument sharp? Yeah? And you couldn't? 183 00:10:30,800 --> 00:10:33,720 Speaker 1: Like that had to be so frustrating. It was very frustrating. 184 00:10:33,760 --> 00:10:37,640 Speaker 1: I won't lie, UM. And you know we were I 185 00:10:37,679 --> 00:10:41,280 Speaker 1: was going into my management's office almost every week, and 186 00:10:41,320 --> 00:10:44,280 Speaker 1: you know, we were talking about the goal and and 187 00:10:44,400 --> 00:10:46,440 Speaker 1: what we needed to do. I was writing a lot. 188 00:10:46,559 --> 00:10:50,400 Speaker 1: And that's a big thing that I got into, um 189 00:10:50,400 --> 00:10:52,800 Speaker 1: in that break and That's what I did most of 190 00:10:52,800 --> 00:10:56,319 Speaker 1: the time, and and I co wrote a lot. I 191 00:10:56,360 --> 00:10:58,960 Speaker 1: haven't written by myself yet, but I hopefully i'll get there. 192 00:10:59,559 --> 00:11:02,760 Speaker 1: And yeah, it was just writing and then meetings, just 193 00:11:03,080 --> 00:11:05,040 Speaker 1: all the time because we were just trying to figure out, 194 00:11:05,040 --> 00:11:08,440 Speaker 1: and then we would do photo shoots and then um, 195 00:11:08,559 --> 00:11:11,440 Speaker 1: three months later, something would change and then we would 196 00:11:11,480 --> 00:11:14,280 Speaker 1: want to do another photo shoot. And just like, I 197 00:11:14,320 --> 00:11:17,800 Speaker 1: was continuing to just grow. And then I get songs 198 00:11:17,840 --> 00:11:21,920 Speaker 1: and we'd release like songs like friend Zone, and I'd 199 00:11:22,000 --> 00:11:25,000 Speaker 1: write so much, I mean more song. I thought that 200 00:11:25,040 --> 00:11:26,920 Speaker 1: Friends and Someone was really good by the way. I 201 00:11:26,920 --> 00:11:30,440 Speaker 1: thought it was really funky. It was different. It was. 202 00:11:31,040 --> 00:11:32,839 Speaker 1: But now that you said I don't have that, I 203 00:11:32,880 --> 00:11:34,240 Speaker 1: do have it. I don't know, like, how about that? 204 00:11:35,559 --> 00:11:41,400 Speaker 1: Are you doing just fun? I know this. I don't 205 00:11:41,400 --> 00:11:43,079 Speaker 1: even know what what you guys tried to do with this, 206 00:11:43,520 --> 00:11:48,520 Speaker 1: but I liked it. And it started off, God, why 207 00:11:48,520 --> 00:11:49,960 Speaker 1: do you look? Why do you look at this guy 208 00:11:49,960 --> 00:11:54,080 Speaker 1: when this line plays? I just it was so random? 209 00:11:55,200 --> 00:11:58,680 Speaker 1: Isn't that the beauty of it? Though? Yeah? Do you 210 00:11:58,679 --> 00:12:01,400 Speaker 1: ever play this live? Um? Every now and then? I 211 00:12:01,480 --> 00:12:03,040 Speaker 1: used to play it a lot in my like full 212 00:12:03,120 --> 00:12:07,199 Speaker 1: band shows. Um, but that song, it was kind of like, 213 00:12:07,280 --> 00:12:09,880 Speaker 1: since I haven't put anything out, we were like, let's 214 00:12:09,880 --> 00:12:12,520 Speaker 1: just put something out, like we need something. I don't 215 00:12:12,520 --> 00:12:16,600 Speaker 1: want my fans to get so just crazy and annoyed 216 00:12:16,960 --> 00:12:18,720 Speaker 1: because they were, And I was like, I don't blame 217 00:12:18,760 --> 00:12:22,880 Speaker 1: you all. Did you go into hiding on hiding? Uh? 218 00:12:22,880 --> 00:12:27,960 Speaker 1: But did you go into on social media hiding? Uh? No? Yeah? Yeah, 219 00:12:28,080 --> 00:12:31,360 Speaker 1: and I did. Um, I did the we me and 220 00:12:31,440 --> 00:12:34,560 Speaker 1: my management kind of had this idea of putting out 221 00:12:34,679 --> 00:12:38,040 Speaker 1: cover videos, um, just to keep I mean again the 222 00:12:38,120 --> 00:12:41,440 Speaker 1: fans entertained, and I wanted them to know like I'm 223 00:12:41,520 --> 00:12:44,360 Speaker 1: still here, but I'm I'm working on some things and 224 00:12:44,840 --> 00:12:46,880 Speaker 1: I'll put out some stuff for you all to listen 225 00:12:46,920 --> 00:12:49,680 Speaker 1: to in the meantime. So I did these these cover 226 00:12:49,840 --> 00:12:53,160 Speaker 1: videos um for a while, and then we released friend 227 00:12:53,240 --> 00:12:56,760 Speaker 1: Zone and this really fun video UM with friend Zone, 228 00:12:57,200 --> 00:13:00,880 Speaker 1: and then I took another break. How long was that? 229 00:13:01,559 --> 00:13:05,400 Speaker 1: It was like, I don't know, probably another year but 230 00:13:05,760 --> 00:13:09,319 Speaker 1: um yeah. But I mean underneath all of that, I 231 00:13:09,360 --> 00:13:12,400 Speaker 1: was writing songs that I had got for this new 232 00:13:12,440 --> 00:13:15,920 Speaker 1: album that I released, So sway, I had written like 233 00:13:16,760 --> 00:13:20,360 Speaker 1: two years ago from when I released the album. So 234 00:13:20,400 --> 00:13:23,240 Speaker 1: I had these songs, and we knew that we were 235 00:13:23,320 --> 00:13:26,600 Speaker 1: getting ready to do either an eapier album, like we're 236 00:13:26,640 --> 00:13:30,560 Speaker 1: ready for anything. Um and again I was frustrated. So 237 00:13:30,600 --> 00:13:32,800 Speaker 1: I was like, God, I just I want to I 238 00:13:32,840 --> 00:13:35,360 Speaker 1: want to get out there again. Did they out a 239 00:13:35,360 --> 00:13:40,120 Speaker 1: bunch of times? No? No, it was more I wouldn't 240 00:13:40,160 --> 00:13:42,760 Speaker 1: get mad or anything. It was more of just I 241 00:13:42,760 --> 00:13:45,439 Speaker 1: would text my management or my day to day manager 242 00:13:45,440 --> 00:13:48,360 Speaker 1: in the middle of the night or something and be like, okay, 243 00:13:48,400 --> 00:13:51,080 Speaker 1: so like, what's next? Do you all know anything? I 244 00:13:51,120 --> 00:13:53,839 Speaker 1: don't like, is there anything new? It was just the 245 00:13:54,000 --> 00:14:00,920 Speaker 1: questions all the time. Brunch, my eating schedules different than 246 00:14:00,920 --> 00:14:02,400 Speaker 1: the normal human since I wake up at three in 247 00:14:02,400 --> 00:14:05,760 Speaker 1: the morning. My yeah, I had to do that show. 248 00:14:06,640 --> 00:14:08,240 Speaker 1: I have to wake up at three to go on 249 00:14:08,320 --> 00:14:11,160 Speaker 1: at five because that's sixth Eastern. We start sixth Eastern 250 00:14:11,360 --> 00:14:14,400 Speaker 1: bosson d C. But so I gotta I was doing 251 00:14:14,440 --> 00:14:17,800 Speaker 1: something with Thomas. We were doing this video thing for 252 00:14:18,040 --> 00:14:21,160 Speaker 1: Thomas and it wasn't I hard, it was Thomas. He said, hey, 253 00:14:21,200 --> 00:14:22,720 Speaker 1: would you mind filming this with me? That shure. So 254 00:14:22,720 --> 00:14:25,400 Speaker 1: I met with Virginia and she was like, wait till 255 00:14:25,400 --> 00:14:27,720 Speaker 1: you hear Danielle's music. I was like whatever, whatever, whatever, 256 00:14:27,720 --> 00:14:31,040 Speaker 1: you know this is before She's like no, no, no no, no, 257 00:14:31,520 --> 00:14:34,800 Speaker 1: she's been locked away, she's been riding, and you're gonna 258 00:14:34,880 --> 00:14:38,320 Speaker 1: and you're gonna like, Okay, I get it, you're you know, 259 00:14:38,400 --> 00:14:41,440 Speaker 1: positioning your artists. Don't do this, you know we were. 260 00:14:41,960 --> 00:14:46,160 Speaker 1: But I told her probably six months later, like you're right, 261 00:14:46,880 --> 00:14:50,240 Speaker 1: it's really good. Yeah, it was really good. And so 262 00:14:50,800 --> 00:14:52,600 Speaker 1: was she the one that was telling you and controlling 263 00:14:52,600 --> 00:14:58,000 Speaker 1: your emotions like relax. Um. She was one of them. Uh, 264 00:14:58,320 --> 00:15:01,120 Speaker 1: And I'm very lucky to have my management. It's like 265 00:15:01,200 --> 00:15:03,680 Speaker 1: kind of like an all girl team, and it's Virginia 266 00:15:03,960 --> 00:15:07,880 Speaker 1: my day to day, Samantha UM and my digital girl Nicole, 267 00:15:08,720 --> 00:15:11,240 Speaker 1: and I literally I went to all three of them 268 00:15:11,320 --> 00:15:14,120 Speaker 1: probably the same amount. And you know, Virginia would text 269 00:15:14,160 --> 00:15:16,280 Speaker 1: me or call me every now and then to update 270 00:15:16,320 --> 00:15:20,400 Speaker 1: me on whatever she have been dealing with, UM with everything, 271 00:15:20,480 --> 00:15:23,000 Speaker 1: and and then Samantha would call me, and then Nicole 272 00:15:23,080 --> 00:15:24,760 Speaker 1: is like, I think we should do this piece on 273 00:15:24,800 --> 00:15:28,120 Speaker 1: Instagram and you know the cover videos she was a 274 00:15:28,120 --> 00:15:31,800 Speaker 1: big part of and UM, they are always working. So 275 00:15:32,040 --> 00:15:36,320 Speaker 1: Virginia definitely called me and try to be like, you know, 276 00:15:36,520 --> 00:15:39,240 Speaker 1: we're almost there. She never even teed me up with 277 00:15:39,280 --> 00:15:42,960 Speaker 1: Thomas stuff ever in the history of really ever what 278 00:15:43,200 --> 00:15:45,120 Speaker 1: are ever? But she teed me up and he was like, 279 00:15:45,160 --> 00:15:46,600 Speaker 1: it's coming and I don't do this, but I'm just 280 00:15:46,600 --> 00:15:48,400 Speaker 1: telling you it's gonna be. I'm like, okay, I'll roll 281 00:15:48,480 --> 00:15:51,200 Speaker 1: myne okay, okay, we'll see. Like I like, Dania was 282 00:15:51,280 --> 00:15:54,040 Speaker 1: really nice, but well she's like, no, trust me. I 283 00:15:54,080 --> 00:15:57,040 Speaker 1: was like, yeah, because how you get that so much 284 00:15:57,080 --> 00:16:00,080 Speaker 1: so that she never does it? Nobody really does it 285 00:16:00,120 --> 00:16:02,360 Speaker 1: to me anymore if they have worked with me in 286 00:16:02,400 --> 00:16:04,080 Speaker 1: the past, because I just don't listen to things. Early. 287 00:16:04,960 --> 00:16:10,320 Speaker 1: Everyone has something that's awesome, even if it's not. Everyone's again, 288 00:16:10,360 --> 00:16:13,880 Speaker 1: oh you just wait. But it was the only time 289 00:16:13,960 --> 00:16:18,280 Speaker 1: she had ever said just wait, and so yeah, she 290 00:16:18,400 --> 00:16:20,760 Speaker 1: was fighting for you early. Let me talk about Blue 291 00:16:20,760 --> 00:16:23,840 Speaker 1: Apron for one second. So for eight weeks, Blue Apron 292 00:16:24,000 --> 00:16:27,080 Speaker 1: is teeming with Whole Thirty that since on February to 293 00:16:27,120 --> 00:16:30,680 Speaker 1: bring you delicious recipes. 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Just go to Blue 311 00:17:18,320 --> 00:17:21,399 Speaker 1: Apron dot com slash Bobby thirty bucks off your first order. 312 00:17:21,520 --> 00:17:24,680 Speaker 1: Blue Apron dot com slash Bobby. Blue Apron is a 313 00:17:24,720 --> 00:17:28,480 Speaker 1: better way to cook. Okay, So let's talk about your 314 00:17:28,520 --> 00:17:31,000 Speaker 1: mom My mom so she was a hair hair dresser. 315 00:17:31,040 --> 00:17:34,679 Speaker 1: Hair so she was so does that mean when you 316 00:17:34,720 --> 00:17:37,480 Speaker 1: go home, did she ever go let me do your hair. 317 00:17:37,840 --> 00:17:41,879 Speaker 1: Oh yeah, speaking of that. Literally this last Christmas and 318 00:17:41,920 --> 00:17:44,040 Speaker 1: New Years, I was home for Christmas and New Years, 319 00:17:44,080 --> 00:17:48,000 Speaker 1: which was so nice. Um. And where that is is 320 00:17:48,119 --> 00:17:52,640 Speaker 1: like a little bit outside of Houston and Cypress, and 321 00:17:52,720 --> 00:17:55,720 Speaker 1: so yeah, all my family is still there. Uh. And 322 00:17:55,760 --> 00:17:58,720 Speaker 1: my mom she still cuts I mean, my brother's hair, 323 00:17:58,960 --> 00:18:02,120 Speaker 1: my stepdad. And when me and my sister come in town, 324 00:18:02,200 --> 00:18:06,600 Speaker 1: she's like, came here, like, let me fix this. Um. 325 00:18:06,640 --> 00:18:09,840 Speaker 1: And when I went back home, I went to go 326 00:18:09,880 --> 00:18:12,160 Speaker 1: get my hair colored and she was like, Okay, I'm 327 00:18:12,160 --> 00:18:14,280 Speaker 1: gonna I'm gonna do something because this is not right. 328 00:18:14,520 --> 00:18:18,120 Speaker 1: She always And then I thought about cutting my hair 329 00:18:18,119 --> 00:18:21,520 Speaker 1: short the other night and I was like, Mom, I 330 00:18:21,560 --> 00:18:23,720 Speaker 1: had to get approval from you because I'll feel bad 331 00:18:23,720 --> 00:18:26,480 Speaker 1: if I if I just do it without your approval. 332 00:18:26,960 --> 00:18:29,200 Speaker 1: She's like, You're gonna regret it. And I'm like, God, 333 00:18:29,240 --> 00:18:32,640 Speaker 1: you made me feel bad. So she she definitely takes control. 334 00:18:33,840 --> 00:18:37,600 Speaker 1: Is good. She's very good. You trust her with your hair, 335 00:18:37,720 --> 00:18:40,720 Speaker 1: I really do. She does really good. And I don't 336 00:18:40,720 --> 00:18:44,760 Speaker 1: even have to pay or anything. You have a stylus 337 00:18:44,800 --> 00:18:46,880 Speaker 1: here in town. I do, and I have to tell 338 00:18:46,880 --> 00:18:50,720 Speaker 1: your mom, this is who it is. Yeah, it makes 339 00:18:50,720 --> 00:18:54,359 Speaker 1: her feel better. Oh yeah yeah. And then she'll see 340 00:18:54,359 --> 00:18:56,919 Speaker 1: pictures and she's like, Okay, it's time to get your 341 00:18:56,920 --> 00:19:00,880 Speaker 1: hair done. I'm like, oh, thanks, take your hair through Instagram. 342 00:19:00,960 --> 00:19:03,479 Speaker 1: Oh yeah, oh yeah. She's like, hey, saw this picture. 343 00:19:03,520 --> 00:19:06,560 Speaker 1: It's kind of looking weird, like the color or the 344 00:19:06,600 --> 00:19:10,159 Speaker 1: cut and so. But she she's awesome and I'm not biased. 345 00:19:10,240 --> 00:19:12,600 Speaker 1: She's really great. You are biased, but she can still 346 00:19:12,640 --> 00:19:16,240 Speaker 1: be great. Yes, what if she call you, like, did 347 00:19:16,240 --> 00:19:19,639 Speaker 1: you call you Danielle? Yeah, a lot of syllables for 348 00:19:19,680 --> 00:19:22,240 Speaker 1: a mom and a daughter there. Yeah, she let me 349 00:19:22,240 --> 00:19:27,040 Speaker 1: think call you let me see She's like, she's oh, god, 350 00:19:27,119 --> 00:19:29,680 Speaker 1: doing a pressure. If she calls you the phone rings, 351 00:19:31,119 --> 00:19:35,359 Speaker 1: she's like Hi, she's I don't know, God, I do 352 00:19:35,440 --> 00:19:39,600 Speaker 1: it so good with the pressure. No, but she calls 353 00:19:39,640 --> 00:19:43,879 Speaker 1: me boo. And she tries to be funny because I 354 00:19:43,960 --> 00:19:45,879 Speaker 1: have a fourteen year old brother and he's in the 355 00:19:45,960 --> 00:19:49,159 Speaker 1: stage of the bay and so she's like, you're my 356 00:19:49,200 --> 00:19:53,439 Speaker 1: little bay. I'm like, Mom, don't do that. Does your 357 00:19:53,480 --> 00:19:56,879 Speaker 1: brother think you're cool? I hope so I think he's cool. 358 00:19:57,000 --> 00:19:59,280 Speaker 1: Does he tell you that is it cool that you're 359 00:19:59,320 --> 00:20:02,160 Speaker 1: his older sister to his fourteen year old friends. Um, 360 00:20:02,400 --> 00:20:05,840 Speaker 1: you know what, he actually doesn't go around saying anything. 361 00:20:06,040 --> 00:20:10,160 Speaker 1: He prefers not to say anything because they know they do. 362 00:20:10,440 --> 00:20:13,880 Speaker 1: They do, but he doesn't really like to have full 363 00:20:13,880 --> 00:20:17,440 Speaker 1: conversations about it to his friends. He's he's in football 364 00:20:17,520 --> 00:20:20,880 Speaker 1: and and all that stuff, and he just and I've 365 00:20:20,880 --> 00:20:23,800 Speaker 1: asked him for us. So does it get annoying that? 366 00:20:24,119 --> 00:20:26,879 Speaker 1: I mean, how do you feel about it? He's like no, 367 00:20:27,720 --> 00:20:30,479 Speaker 1: but I just I don't like when girls know you 368 00:20:30,560 --> 00:20:32,639 Speaker 1: because I want to get I want to get the 369 00:20:32,680 --> 00:20:36,560 Speaker 1: girls myself. Like I get that. I get that. Man, 370 00:20:36,600 --> 00:20:39,720 Speaker 1: I wish I would have had an older sister because 371 00:20:39,720 --> 00:20:43,080 Speaker 1: they're not gonna got girls and fourteen, he must be 372 00:20:43,320 --> 00:20:46,680 Speaker 1: pretty popular then if that's a setback to him. Yeah, 373 00:20:46,720 --> 00:20:49,760 Speaker 1: he's he's pretty well known. He's a cool he's a 374 00:20:49,760 --> 00:20:54,359 Speaker 1: cool dude. He's he's fourteen and he's six three bigger 375 00:20:54,400 --> 00:20:57,320 Speaker 1: than I am. That's thirteen, shoe. He's a big dude. 376 00:20:58,160 --> 00:21:01,679 Speaker 1: Wow is your but you're the you're tiny. I know 377 00:21:01,920 --> 00:21:05,439 Speaker 1: my stepdad, he's my half brother, and so my stepdad 378 00:21:05,560 --> 00:21:08,159 Speaker 1: is six three himself, and he's a big he was 379 00:21:08,200 --> 00:21:11,600 Speaker 1: in football, baseball, all the all the things, and so 380 00:21:11,880 --> 00:21:15,840 Speaker 1: My brother is in football and he's he's a big guy. 381 00:21:16,080 --> 00:21:17,480 Speaker 1: So when I go home and hang out with him, 382 00:21:17,480 --> 00:21:18,960 Speaker 1: and I feel like I'm hanging out with somebody my 383 00:21:19,000 --> 00:21:21,840 Speaker 1: age and we listen to he we love rap music, 384 00:21:21,960 --> 00:21:24,399 Speaker 1: and so he listens to Y mean, he shows me 385 00:21:24,480 --> 00:21:27,280 Speaker 1: all these new rap music that's he's found. He's like 386 00:21:27,680 --> 00:21:29,880 Speaker 1: Danielle when you when's the next time you're coming home? 387 00:21:29,920 --> 00:21:32,359 Speaker 1: Because he loves to drive around in the car and 388 00:21:32,520 --> 00:21:36,600 Speaker 1: listen to music. So I love that. I think for 389 00:21:36,920 --> 00:21:39,080 Speaker 1: in boxing, they have something that that they say, you know, 390 00:21:39,080 --> 00:21:41,840 Speaker 1: pound for pound fighters. He familiar with the term regardless 391 00:21:41,840 --> 00:21:45,440 Speaker 1: of how small or big you are. Obviously the four 392 00:21:45,480 --> 00:21:48,439 Speaker 1: ft nine guys not gonna beat up the seven ft guy, 393 00:21:49,000 --> 00:21:50,919 Speaker 1: but they go who's the best pound? And I was 394 00:21:50,920 --> 00:21:53,800 Speaker 1: thinking about this before he came over. I mean, I 395 00:21:53,800 --> 00:21:58,160 Speaker 1: think you're up there with the Stapleton's you. It's it's 396 00:21:58,200 --> 00:22:01,000 Speaker 1: this little group of the one percent of the one 397 00:22:01,000 --> 00:22:05,920 Speaker 1: percent vocalists. It's you. It's Chris Stapleton, it's Lauren Elena, 398 00:22:06,800 --> 00:22:08,800 Speaker 1: it's and all the all of those guys with the 399 00:22:08,800 --> 00:22:11,680 Speaker 1: pound for pound like the best singers. And what's surprising 400 00:22:11,720 --> 00:22:14,760 Speaker 1: is about you. We're like you're so small. Did you 401 00:22:14,800 --> 00:22:18,719 Speaker 1: have any crazy vocal training? That big voice always live 402 00:22:18,760 --> 00:22:24,000 Speaker 1: in you? An age eleven, I feel like I've always 403 00:22:24,000 --> 00:22:27,480 Speaker 1: had a big voice, but that's not staying like, oh, 404 00:22:27,560 --> 00:22:29,840 Speaker 1: I can hit all these notes. But when I was little, 405 00:22:30,000 --> 00:22:33,879 Speaker 1: my mom always says and my dad they're like, when 406 00:22:33,960 --> 00:22:37,000 Speaker 1: every time we'd take you in a restaurant, you'd scream, 407 00:22:37,160 --> 00:22:40,080 Speaker 1: and that's how we do. You could just wail, and 408 00:22:40,119 --> 00:22:44,520 Speaker 1: I'm like, oh god, um, but I don't know. When 409 00:22:44,520 --> 00:22:47,920 Speaker 1: did you start singing and it was, well, I'm actually 410 00:22:47,960 --> 00:22:50,600 Speaker 1: pretty good at this because I'm sure you sang forever. 411 00:22:50,840 --> 00:22:52,679 Speaker 1: Everybody's sang it four or five years old, but we 412 00:22:52,680 --> 00:22:56,600 Speaker 1: weren't all good. I'm still not good. But when did 413 00:22:56,600 --> 00:22:58,680 Speaker 1: you start singing and you thought, Okay, I'm actually better 414 00:22:58,720 --> 00:23:02,960 Speaker 1: than people around me? Um. I you know, I've never 415 00:23:03,040 --> 00:23:05,960 Speaker 1: been the type to be like, Okay, yeah, I'm good. 416 00:23:06,000 --> 00:23:09,520 Speaker 1: But you can tell by people's reaction even but even 417 00:23:09,560 --> 00:23:11,560 Speaker 1: it's not in yours. But you're looking at people and 418 00:23:11,840 --> 00:23:14,359 Speaker 1: Jimmy Smith sings and they're like, but you're singing, and 419 00:23:14,359 --> 00:23:18,520 Speaker 1: they're like, oh my god, when did that start happening? Um? 420 00:23:18,520 --> 00:23:21,240 Speaker 1: Oh man? Because I did the whole singing in my 421 00:23:21,320 --> 00:23:24,760 Speaker 1: room thing for a long time before the show, and 422 00:23:24,800 --> 00:23:27,880 Speaker 1: that's what I preferred because I was very shy, and 423 00:23:27,920 --> 00:23:29,960 Speaker 1: I could go on forever about that because I was 424 00:23:30,080 --> 00:23:32,560 Speaker 1: probably the shyest person you ever meet. It was a 425 00:23:32,640 --> 00:23:39,600 Speaker 1: struggle to sing. And yeah, um, I remember like family events, 426 00:23:39,680 --> 00:23:41,440 Speaker 1: I would I couldn't even sing in front of my 427 00:23:41,520 --> 00:23:44,240 Speaker 1: family to save my life. Isn't it harder though? To sing? 428 00:23:44,640 --> 00:23:46,720 Speaker 1: Because I'll relate this to doing comedy. I would never 429 00:23:46,760 --> 00:23:48,159 Speaker 1: want to tell jokes in front of five people, but 430 00:23:48,200 --> 00:23:50,720 Speaker 1: I can do it in front of two thousand, no problem. Yeah, 431 00:23:50,880 --> 00:23:53,760 Speaker 1: you're right. Yeah, I feel that way too. You don't 432 00:23:53,760 --> 00:23:55,879 Speaker 1: want to it's weird to sing in front of four people, 433 00:23:55,960 --> 00:23:59,720 Speaker 1: but put there. Yeah, and I'm fine because it's it's 434 00:23:59,760 --> 00:24:01,840 Speaker 1: not that one on one pressure. You're just singing to 435 00:24:01,840 --> 00:24:04,639 Speaker 1: a bunch of heads. Yes. So didn get easier as 436 00:24:04,640 --> 00:24:07,880 Speaker 1: the crowds got bigger than a little bit, honestly, And 437 00:24:08,320 --> 00:24:13,040 Speaker 1: that's weird that how that is. But it got so 438 00:24:13,080 --> 00:24:15,639 Speaker 1: bad that I'd have to either go under a table, 439 00:24:16,520 --> 00:24:20,840 Speaker 1: turn my back in a corner, like to family or friends. Um, 440 00:24:20,880 --> 00:24:23,200 Speaker 1: my friends would ask me to sing a lot, and 441 00:24:23,280 --> 00:24:26,639 Speaker 1: I'm like, no, I y'all are too close. You'll need 442 00:24:26,680 --> 00:24:29,320 Speaker 1: to be out there and lights on y'all, lights on me, 443 00:24:29,400 --> 00:24:33,000 Speaker 1: so I can't see y'all. Um, But that's what police 444 00:24:33,000 --> 00:24:35,160 Speaker 1: do the criminals. They put the light right in their 445 00:24:35,200 --> 00:24:40,080 Speaker 1: face so they can't see anything around them. Yeah, but 446 00:24:40,640 --> 00:24:43,440 Speaker 1: oh gosh, I don't know. Then, why in the world 447 00:24:43,440 --> 00:24:46,359 Speaker 1: would you go sing on a TV show. It's my mother. 448 00:24:46,760 --> 00:24:49,879 Speaker 1: She signed me up without me knowing. But again, you 449 00:24:49,920 --> 00:24:52,199 Speaker 1: have to go do it, I know. And it was 450 00:24:52,240 --> 00:24:56,719 Speaker 1: a struggle, which not many people know, um because I 451 00:24:57,560 --> 00:25:00,680 Speaker 1: so she said, I want you to, like, I print 452 00:25:00,720 --> 00:25:03,520 Speaker 1: out their certificate and that's easy. Anybody could go online 453 00:25:03,520 --> 00:25:05,360 Speaker 1: and it's a Voice dot com and you can print 454 00:25:05,359 --> 00:25:08,479 Speaker 1: out your little certificate and that's what you take to 455 00:25:08,520 --> 00:25:13,280 Speaker 1: the audition. And she did that and I was like wait, 456 00:25:13,400 --> 00:25:15,399 Speaker 1: and I got mad at her because it was that 457 00:25:15,560 --> 00:25:20,080 Speaker 1: fear that those butterflies and everything, um and nerves. So 458 00:25:20,119 --> 00:25:21,920 Speaker 1: I was like, no, like, I don't want to do that. 459 00:25:21,920 --> 00:25:23,720 Speaker 1: I don't want to do it. And I've always watched 460 00:25:23,760 --> 00:25:26,080 Speaker 1: the Voice like I've I've always been a big fan 461 00:25:26,119 --> 00:25:29,879 Speaker 1: of Blake Shelton and and everybody on there. And she 462 00:25:30,040 --> 00:25:32,200 Speaker 1: was like, we're going to drive to Dallas and it's 463 00:25:32,200 --> 00:25:35,720 Speaker 1: like about four hours from where we were, and I 464 00:25:35,840 --> 00:25:39,560 Speaker 1: was like, I think I cried. It was the longest drive, 465 00:25:39,960 --> 00:25:42,840 Speaker 1: the longest four hours. It was the longest four hours 466 00:25:42,840 --> 00:25:45,800 Speaker 1: of my life. And you go to the cycle twenty times. Okay, 467 00:25:45,840 --> 00:25:47,960 Speaker 1: I'll do it. No, I don't want to do it. Yes, yeah, 468 00:25:48,119 --> 00:25:51,359 Speaker 1: And I went through that in the middle of auditions 469 00:25:51,400 --> 00:25:54,680 Speaker 1: because there's three auditions before the tv l A part, 470 00:25:55,560 --> 00:25:58,160 Speaker 1: and which I didn't know. I was just learning everything 471 00:25:58,240 --> 00:26:01,359 Speaker 1: step by step. And so we get to Dallas and 472 00:26:01,400 --> 00:26:04,520 Speaker 1: it's so early in the morning and there we go 473 00:26:04,600 --> 00:26:07,040 Speaker 1: to this big convention center and the line is like 474 00:26:07,119 --> 00:26:10,280 Speaker 1: wrapped around the building and um, I think there was 475 00:26:10,400 --> 00:26:13,640 Speaker 1: six thousand people there. And you get in these rooms 476 00:26:14,080 --> 00:26:18,199 Speaker 1: and it's like ten people per room and there's like 477 00:26:18,400 --> 00:26:21,880 Speaker 1: five chairs, a little piece of tape. So intimidating. Are 478 00:26:21,880 --> 00:26:24,040 Speaker 1: people singing all the time around you, like warming up 479 00:26:24,040 --> 00:26:26,040 Speaker 1: all the time, all the time, all the time? Yeah, yeah, 480 00:26:26,040 --> 00:26:30,959 Speaker 1: there's like a big intimidating Um not really because for 481 00:26:31,000 --> 00:26:34,200 Speaker 1: me that whole process, I was like sing thing because 482 00:26:34,200 --> 00:26:36,320 Speaker 1: I wanted to hear people. But then they would ask me, 483 00:26:36,359 --> 00:26:39,359 Speaker 1: I'm like no, I'm fine. It was so weird and 484 00:26:39,400 --> 00:26:42,080 Speaker 1: so it was really cool hearing everybody and it didn't 485 00:26:42,080 --> 00:26:46,240 Speaker 1: really like affect me in any way at that point. Yes, 486 00:26:46,440 --> 00:26:49,679 Speaker 1: And I never thought to compete. I always It was 487 00:26:49,760 --> 00:26:52,439 Speaker 1: so crazy because when I did make it to l 488 00:26:52,480 --> 00:26:54,480 Speaker 1: a UM and we're all sitting in a room and 489 00:26:54,520 --> 00:26:56,600 Speaker 1: the voice producers will come in and talk to us, 490 00:26:57,160 --> 00:26:59,879 Speaker 1: it was And I remember one of the producers saying, 491 00:27:01,000 --> 00:27:03,080 Speaker 1: I want everybody to look in this room because the 492 00:27:03,520 --> 00:27:05,800 Speaker 1: winner is sitting in this room right now. And I 493 00:27:05,840 --> 00:27:08,080 Speaker 1: was like looking around and I've already heard half of 494 00:27:08,080 --> 00:27:10,479 Speaker 1: those people singing, and I was in my head. I 495 00:27:10,520 --> 00:27:12,639 Speaker 1: was picking who I thought was gonna win. I was like, 496 00:27:13,359 --> 00:27:16,440 Speaker 1: I'm on this show, come on now, be a little 497 00:27:16,440 --> 00:27:20,399 Speaker 1: bit more competitive. But I wasn't. I never was. It 498 00:27:20,520 --> 00:27:24,840 Speaker 1: was crazy. Even throughout the show. I just went on 499 00:27:25,000 --> 00:27:28,000 Speaker 1: stage sang and I supported my friends. I was like, 500 00:27:28,040 --> 00:27:29,919 Speaker 1: oh my gosh, she's going home. I don't want her to. 501 00:27:30,720 --> 00:27:33,800 Speaker 1: It was that And I don't know why. How about 502 00:27:33,800 --> 00:27:36,520 Speaker 1: the butterflies did they go? Did they subside as the 503 00:27:36,520 --> 00:27:39,560 Speaker 1: show was going? Um a little bit? Is it because 504 00:27:39,560 --> 00:27:41,520 Speaker 1: it was so busier because you were getting more acclimated 505 00:27:41,560 --> 00:27:43,720 Speaker 1: to it? Um? I think it was because it's so busy. 506 00:27:43,880 --> 00:27:46,960 Speaker 1: I think we were such on a schedule and I 507 00:27:46,960 --> 00:27:49,000 Speaker 1: I for me, it was I learned the song, or 508 00:27:49,040 --> 00:27:52,040 Speaker 1: however many songs I did. I went out there and 509 00:27:52,080 --> 00:27:54,719 Speaker 1: I would forget that song so I could know the 510 00:27:54,760 --> 00:27:58,159 Speaker 1: next one. It was like a weird um process. I 511 00:27:58,160 --> 00:28:01,160 Speaker 1: had to like teach my mind. It was weird. So 512 00:28:01,680 --> 00:28:04,240 Speaker 1: I don't know. I it was just busy. I think 513 00:28:04,680 --> 00:28:07,439 Speaker 1: you have your hand up. You have three dots on 514 00:28:07,480 --> 00:28:10,840 Speaker 1: your finger. Is that tattoo or pin tattoo? What? What 515 00:28:10,960 --> 00:28:16,720 Speaker 1: are the three dots? Funny story, Actually it's a little 516 00:28:16,720 --> 00:28:19,760 Speaker 1: bit old. Um. I didn't know what it meant when 517 00:28:19,800 --> 00:28:23,440 Speaker 1: I got it, which is I'm not recommended. I also 518 00:28:23,480 --> 00:28:28,639 Speaker 1: wouldn't recommend that. But conte but I was in l 519 00:28:28,720 --> 00:28:33,760 Speaker 1: A and I was with my boyfriend and we were like, 520 00:28:34,040 --> 00:28:37,080 Speaker 1: it's eleven o'clock at night and we feel like getting tattoos. 521 00:28:37,640 --> 00:28:39,760 Speaker 1: So we did and we went. I think we were 522 00:28:39,760 --> 00:28:43,600 Speaker 1: on Venice Beach and it was the only tattoo parlor 523 00:28:43,680 --> 00:28:47,200 Speaker 1: open on the whole thing. Fun fact about this tattoo parlor, 524 00:28:47,320 --> 00:28:51,479 Speaker 1: they did the Tiger of Connor McGregor, which is so 525 00:28:51,560 --> 00:28:55,880 Speaker 1: cool to me. I love contact stomach on the stomach. Yeah. Yeah, 526 00:28:56,320 --> 00:28:59,320 Speaker 1: and so we're like amazed by this time. I want 527 00:28:59,360 --> 00:29:00,960 Speaker 1: to come back to calm reckon when you finish that. 528 00:29:00,840 --> 00:29:03,800 Speaker 1: That's a really random thing. But continue on the tattoo story. 529 00:29:03,840 --> 00:29:09,360 Speaker 1: Go ahead, Okay, okay, But I actually saw Adam Levine's 530 00:29:09,440 --> 00:29:11,680 Speaker 1: wife have this on her fingers. She's like holding up 531 00:29:11,680 --> 00:29:14,360 Speaker 1: a glass of wine and Instagram or something. I thought 532 00:29:14,400 --> 00:29:17,080 Speaker 1: it was so cute. It's like almost like jewelry to me. 533 00:29:17,840 --> 00:29:20,120 Speaker 1: And I was like, if it's on her, it's nothing bad. 534 00:29:21,120 --> 00:29:23,320 Speaker 1: I'm just that's done. Do you know her to think 535 00:29:23,320 --> 00:29:26,360 Speaker 1: that through Instagram? I've met her a couple of times 536 00:29:26,360 --> 00:29:31,840 Speaker 1: through Yes, and um, I got it, and I when 537 00:29:31,880 --> 00:29:34,840 Speaker 1: I went in there, they were they were laughing at me. 538 00:29:34,960 --> 00:29:37,360 Speaker 1: I was like, come on, just do it, and so 539 00:29:37,520 --> 00:29:39,800 Speaker 1: they did. And I looked it up and it's nothing bad. 540 00:29:39,800 --> 00:29:42,040 Speaker 1: It means one with the Earth, which is pretty cool. 541 00:29:42,440 --> 00:29:44,040 Speaker 1: But it's honest, it sounds like kind of like a 542 00:29:44,120 --> 00:29:50,320 Speaker 1: stoner thing. So I'm like, whatever, Yeah, okay, I've gotten 543 00:29:50,320 --> 00:29:53,360 Speaker 1: a stoner thing. But but it can really mean whatever 544 00:29:53,400 --> 00:29:56,200 Speaker 1: you want it. It's what nobody says. Yes, it could 545 00:29:56,200 --> 00:29:59,560 Speaker 1: be your brother, mom and stepdad. Yeah, it could be 546 00:29:59,600 --> 00:30:02,560 Speaker 1: your guitar, our, drum, vocal. It really you can make 547 00:30:02,600 --> 00:30:05,480 Speaker 1: up any story you want about Oh yeah, I haven't 548 00:30:05,600 --> 00:30:09,120 Speaker 1: had like a a solid thing yet because I don't 549 00:30:09,160 --> 00:30:11,040 Speaker 1: want to say one with the earth all the time. 550 00:30:11,400 --> 00:30:14,320 Speaker 1: Because you can create your own narrative. I will just 551 00:30:14,360 --> 00:30:16,840 Speaker 1: stick to it because people are gonna ask more and more. 552 00:30:16,960 --> 00:30:18,920 Speaker 1: Oh yeah, people ask all the time. I have two 553 00:30:18,960 --> 00:30:21,720 Speaker 1: other tattoos, but this is the one that asked when 554 00:30:21,760 --> 00:30:29,920 Speaker 1: you can see Yes, So Connor McGregor, do you like 555 00:30:30,400 --> 00:30:35,600 Speaker 1: M M A I so okay. I love like a 556 00:30:35,640 --> 00:30:38,120 Speaker 1: lot of things that other people are like, wait, really 557 00:30:38,280 --> 00:30:41,000 Speaker 1: like the rap music. They just look at me and 558 00:30:41,080 --> 00:30:43,880 Speaker 1: be like, I don't see I'm like, yeah, that's like 559 00:30:43,920 --> 00:30:48,360 Speaker 1: all that's on my phone. Um, but I love sports 560 00:30:48,560 --> 00:30:52,920 Speaker 1: and then watching those I love like boxing and everything. 561 00:30:53,640 --> 00:30:56,680 Speaker 1: Every now and then I'll get into boxing or whatever 562 00:30:56,720 --> 00:31:01,400 Speaker 1: and that's not boxing but fighting. Um It's it's interesting 563 00:31:01,440 --> 00:31:07,680 Speaker 1: to me because he's so confident and I lack on confidence. 564 00:31:07,800 --> 00:31:11,240 Speaker 1: So I just like looked up to that. Yes yeah, 565 00:31:11,360 --> 00:31:16,360 Speaker 1: and he's he's just so cool. I have Yeah, I 566 00:31:16,400 --> 00:31:20,080 Speaker 1: see your Instagram and everything. It's it's pretty wild. Uh It. 567 00:31:20,600 --> 00:31:22,400 Speaker 1: I love it, but I need it. I want to 568 00:31:22,440 --> 00:31:25,480 Speaker 1: get into it for sure. What have you done? You know, 569 00:31:25,520 --> 00:31:29,880 Speaker 1: classes and punched the bag classes? Um, I actually, uh 570 00:31:29,920 --> 00:31:33,560 Speaker 1: it was nice because Thomas Schretz trainer. His name is Larry. 571 00:31:34,400 --> 00:31:38,240 Speaker 1: He does title boxing here but on the road he 572 00:31:38,520 --> 00:31:41,560 Speaker 1: um has I got to like jump in on their 573 00:31:41,560 --> 00:31:44,200 Speaker 1: sessions and everything. That's cool. I know works out of 574 00:31:44,200 --> 00:31:46,880 Speaker 1: the gym that I work out. Yeah. Yeah, he's awesome. 575 00:31:47,240 --> 00:31:50,960 Speaker 1: You know Wilson f L guy. I've met him a 576 00:31:50,960 --> 00:31:55,640 Speaker 1: couple of times. He works huge, huge, huge, huge and 577 00:31:56,240 --> 00:31:59,320 Speaker 1: the nicest guy. Yeah, but you would never want to 578 00:31:59,360 --> 00:32:02,480 Speaker 1: cross him. He runs and it looks like one of 579 00:32:02,560 --> 00:32:05,920 Speaker 1: those old Baywatch shows whether where the pamliners is running 580 00:32:05,920 --> 00:32:08,920 Speaker 1: in slow motion. Pecks are so big and he gets 581 00:32:09,000 --> 00:32:12,040 Speaker 1: the trailer boom book. I'm like, man, I would never 582 00:32:12,320 --> 00:32:15,600 Speaker 1: he's barrel. Oh my god, yeah he's He's a big dude. 583 00:32:15,680 --> 00:32:18,080 Speaker 1: I would see him walking around him like who is that? 584 00:32:18,400 --> 00:32:20,600 Speaker 1: Before I met him. Do you have security when you 585 00:32:20,680 --> 00:32:23,480 Speaker 1: go to Do you have about your own one person 586 00:32:23,520 --> 00:32:25,560 Speaker 1: that travels with you instead of having different people at 587 00:32:25,600 --> 00:32:28,560 Speaker 1: different places. Um? Not yet, but I want one. I 588 00:32:28,840 --> 00:32:31,440 Speaker 1: kind of want something like how Thomas has. Because Larry 589 00:32:31,600 --> 00:32:35,920 Speaker 1: is like half bodyguard, half trainer and I hopefully I'll 590 00:32:35,960 --> 00:32:39,600 Speaker 1: want somebody like that. Yeah, so I have one, and 591 00:32:39,640 --> 00:32:43,320 Speaker 1: there really is a trust to have. They always have 592 00:32:43,480 --> 00:32:47,880 Speaker 1: and my guys x D Agent. He's probably fifty four 593 00:32:47,960 --> 00:32:51,120 Speaker 1: years old and he did he like took over drug 594 00:32:51,200 --> 00:32:54,600 Speaker 1: boats and that's interesting. So not only do I trust 595 00:32:54,720 --> 00:32:58,760 Speaker 1: him and he's always watching, but he can kill somebody, 596 00:32:58,800 --> 00:33:00,640 Speaker 1: hide of body if he needs to. We need to 597 00:33:02,400 --> 00:33:05,960 Speaker 1: just throwing that id out cool and he can do 598 00:33:06,080 --> 00:33:10,160 Speaker 1: it like people. He'll background check somebody, he'll find. I 599 00:33:10,240 --> 00:33:12,320 Speaker 1: got a problem with this, you know, because I have 600 00:33:12,480 --> 00:33:15,040 Speaker 1: I've had stalker issues and I thought attacked and I'm 601 00:33:15,080 --> 00:33:19,680 Speaker 1: sure you you're you're scared. Yeah, there's just too many 602 00:33:19,720 --> 00:33:22,280 Speaker 1: weirdos out there. It's a numbers game, and you have 603 00:33:22,440 --> 00:33:25,520 Speaker 1: so many fans, and I guess I realized that the 604 00:33:25,560 --> 00:33:28,080 Speaker 1: first time you came into our show, because you came in. 605 00:33:28,160 --> 00:33:29,760 Speaker 1: I remember you coming in and you crushed the way 606 00:33:29,960 --> 00:33:35,320 Speaker 1: and we saw it. It was way way early number two. Ono. 607 00:33:35,360 --> 00:33:38,280 Speaker 1: It was this really big moment. But it was just 608 00:33:38,480 --> 00:33:42,520 Speaker 1: like the floodgates of Daniel Bradberry fans had descended up 609 00:33:42,560 --> 00:33:45,800 Speaker 1: on my Twitter and I was like, what is happening here? Oh, Yeah, 610 00:33:46,240 --> 00:33:48,400 Speaker 1: Like I tell my management all the time, I'm like, 611 00:33:48,560 --> 00:33:52,800 Speaker 1: I guarantee you. They have their own little underground secret 612 00:33:52,960 --> 00:33:56,240 Speaker 1: office which they're like white board. They're like, so this 613 00:33:56,360 --> 00:33:59,320 Speaker 1: week we're gonna do hashtag this and this and hassionate. Man, 614 00:33:59,400 --> 00:34:03,200 Speaker 1: they're good. They are good. They're not And some fan 615 00:34:03,280 --> 00:34:06,760 Speaker 1: groups are really rude. Yeah, because you just see the 616 00:34:06,880 --> 00:34:12,000 Speaker 1: loudest most fan groups as a whole, even as even 617 00:34:12,040 --> 00:34:15,359 Speaker 1: in country music, the vocal minority is what gets heard. 618 00:34:16,000 --> 00:34:19,200 Speaker 1: So that's the angriest, most minority part of music. With 619 00:34:19,360 --> 00:34:24,640 Speaker 1: fan groups, the angry minorities give everybody else a bad rap. Yeah, 620 00:34:25,120 --> 00:34:28,000 Speaker 1: you didn't have any mean ones. Maybe because we weren't fighting, 621 00:34:28,040 --> 00:34:31,680 Speaker 1: I don't know, but it was actually really kind. No, 622 00:34:31,960 --> 00:34:35,160 Speaker 1: they like work together, they're all friends and they just 623 00:34:35,600 --> 00:34:37,960 Speaker 1: they're really nice. Where do they come from? Do they 624 00:34:38,000 --> 00:34:40,839 Speaker 1: come from the voice? The record? Where do they start 625 00:34:40,880 --> 00:34:43,799 Speaker 1: to see you? And it was the Voice, and which 626 00:34:43,960 --> 00:34:47,040 Speaker 1: is crazy, even with my long break that I took, 627 00:34:47,280 --> 00:34:51,120 Speaker 1: it was crazy to see that one voice fan group 628 00:34:51,520 --> 00:34:55,040 Speaker 1: just continue to support me till this day. And it's 629 00:34:55,080 --> 00:34:57,160 Speaker 1: cool because I've seen them kind of grow up too 630 00:34:57,680 --> 00:35:00,000 Speaker 1: and they feel that way about me, which is awesome. 631 00:35:00,040 --> 00:35:04,080 Speaker 1: Them um, but they never left and I remember a 632 00:35:04,200 --> 00:35:07,279 Speaker 1: lot of them and I and I didn't see one leave. 633 00:35:07,800 --> 00:35:10,239 Speaker 1: It was really cool because they stuck. It was from 634 00:35:10,280 --> 00:35:12,520 Speaker 1: the Voice for sure. For me, I don't know you 635 00:35:12,640 --> 00:35:16,680 Speaker 1: from the Voice, So I don't know you from the Voice, 636 00:35:17,280 --> 00:35:18,640 Speaker 1: which I think is a cool thing for me to 637 00:35:18,719 --> 00:35:21,160 Speaker 1: know you as an artist and I think, and not 638 00:35:21,320 --> 00:35:23,719 Speaker 1: as the person who won the TV show. I didn't 639 00:35:23,760 --> 00:35:27,120 Speaker 1: know Cassidy from the Voice. Like, I got here into 640 00:35:27,200 --> 00:35:29,000 Speaker 1: Nashville in this format because I came from pop and 641 00:35:29,080 --> 00:35:31,279 Speaker 1: hip hop, and you know that's I was like, I 642 00:35:31,400 --> 00:35:33,799 Speaker 1: want to go do country. It's the easiest format I've 643 00:35:33,840 --> 00:35:37,080 Speaker 1: never fit in anywhere because I've always been too country 644 00:35:37,120 --> 00:35:40,400 Speaker 1: on the hip hop station, to rock on the sports station, 645 00:35:40,800 --> 00:35:43,400 Speaker 1: to pop in the country. But I've never fit And 646 00:35:43,520 --> 00:35:46,040 Speaker 1: so when I got here, I just didn't know you 647 00:35:46,200 --> 00:35:48,680 Speaker 1: guys from the Voice. And I think it's been cooler 648 00:35:48,719 --> 00:35:51,600 Speaker 1: for me to not I think because a lot of 649 00:35:51,640 --> 00:35:55,880 Speaker 1: people do and and it's rare when they're like, so, 650 00:35:56,040 --> 00:35:59,400 Speaker 1: I honestly didn't know like you were on the Voice 651 00:35:59,440 --> 00:36:02,480 Speaker 1: and I I just heard you sing for the first time. 652 00:36:02,560 --> 00:36:05,920 Speaker 1: I'm like, that's cool, Like that's genuine. I'm super cool. 653 00:36:05,960 --> 00:36:11,080 Speaker 1: I'm the coolest thing. I'm way because I guess I know, 654 00:36:11,200 --> 00:36:14,640 Speaker 1: I just know. I never watched the voice. Yeah, it's hard. 655 00:36:14,800 --> 00:36:17,160 Speaker 1: I can't even keep up with it now, I bet 656 00:36:17,200 --> 00:36:19,640 Speaker 1: you get. I really wasn't even gonna go to the voice, 657 00:36:20,160 --> 00:36:22,040 Speaker 1: but I bet because because I'm sure you gotta get 658 00:36:22,040 --> 00:36:23,920 Speaker 1: tired talking about the stupid voice. And I'm not not 659 00:36:24,239 --> 00:36:26,200 Speaker 1: that the voice is stupid, but I would feel like, 660 00:36:26,920 --> 00:36:28,840 Speaker 1: oh my god, let me move on in my life. 661 00:36:29,239 --> 00:36:32,080 Speaker 1: Although it is an important part of your story, it's 662 00:36:32,080 --> 00:36:34,560 Speaker 1: not the most important part of the story. Yeah, because 663 00:36:34,560 --> 00:36:37,799 Speaker 1: I want to get somewhere where like you. It's you're 664 00:36:37,880 --> 00:36:41,520 Speaker 1: known as as Danielle Bradberry. I think Kelly has a 665 00:36:41,760 --> 00:36:44,600 Speaker 1: Clarkson has done a great job and it's taken a while, 666 00:36:45,600 --> 00:36:48,000 Speaker 1: but that's what hits will do for you. Yeah, Kelly 667 00:36:48,040 --> 00:36:50,560 Speaker 1: has done a great job, and she's not she Oh yeah, 668 00:36:50,600 --> 00:36:53,560 Speaker 1: she's an American Idol that's right, But she's not Kelly 669 00:36:53,640 --> 00:36:57,440 Speaker 1: Clarkson from American Idol. Yeah, well who else has who'd 670 00:36:57,480 --> 00:37:02,040 Speaker 1: done that? Where Carrie Underwood? Oh Carrie for sure. Yeah. 671 00:37:02,960 --> 00:37:05,120 Speaker 1: I don't even think And I watched Idol with carry 672 00:37:05,160 --> 00:37:07,360 Speaker 1: on it and I don't even think carrying Bow Bis, 673 00:37:07,400 --> 00:37:10,239 Speaker 1: I think for the same year. Both finished second and 674 00:37:10,320 --> 00:37:12,279 Speaker 1: I remember that vividly. I don't even think you carry 675 00:37:12,280 --> 00:37:15,120 Speaker 1: it being an idol. Yeah, I don't either. I think 676 00:37:15,160 --> 00:37:17,200 Speaker 1: you have an advantage over a lot of people that 677 00:37:17,239 --> 00:37:19,239 Speaker 1: come off shows because you did it so young. You 678 00:37:19,360 --> 00:37:23,360 Speaker 1: have that time, Yeah, to separate from it. It's still 679 00:37:23,520 --> 00:37:27,080 Speaker 1: be young and cool. Yeah, hopefully. I mean you could 680 00:37:27,080 --> 00:37:31,399 Speaker 1: be Chris Dodgers, like you know, I loved him, Yeah, 681 00:37:31,480 --> 00:37:33,839 Speaker 1: me too, Yeah, awesome he went on. I loved him 682 00:37:33,840 --> 00:37:34,920 Speaker 1: and then I met him and it wasn't very It 683 00:37:34,960 --> 00:37:36,719 Speaker 1: wasn't a good experience, but I love I loved him 684 00:37:36,719 --> 00:37:41,840 Speaker 1: on the show. Yeah. Do you ever remember Bobis the 685 00:37:42,000 --> 00:37:44,880 Speaker 1: longhe Yeah, I remember the finals. He got up and 686 00:37:44,920 --> 00:37:48,560 Speaker 1: saying acapella against carry in the finals. Yeah. It's pretty 687 00:37:48,600 --> 00:37:52,560 Speaker 1: moving because I remember vividly it was good. Yeah. Yeah, 688 00:37:52,800 --> 00:37:58,000 Speaker 1: your first concert was a billy going concert. Yeah, I 689 00:37:58,200 --> 00:38:08,520 Speaker 1: love not even you guys kind of had the same tone. No, 690 00:38:08,760 --> 00:38:11,120 Speaker 1: I'm not kidding. When I was younger, I would sing 691 00:38:11,239 --> 00:38:15,360 Speaker 1: to this record and we I was so impressed with myself. 692 00:38:15,360 --> 00:38:20,719 Speaker 1: I was like, mom, we have the same He was 693 00:38:20,760 --> 00:38:22,759 Speaker 1: on the school bus and the music video. Oh, yeah, 694 00:38:23,000 --> 00:38:27,160 Speaker 1: oh yeah, yeah, I love I called Billy. I don't 695 00:38:27,200 --> 00:38:28,759 Speaker 1: know him, but I think it was in Boston or something. 696 00:38:28,840 --> 00:38:31,680 Speaker 1: Now I don't know, but I called him in the 697 00:38:31,760 --> 00:38:35,280 Speaker 1: last year or so and uh, I haven't haven't anything 698 00:38:35,280 --> 00:38:37,640 Speaker 1: else he's done since. But I love that song so much, 699 00:38:37,680 --> 00:38:38,879 Speaker 1: so when I had his phone numbers, like I gotta 700 00:38:38,880 --> 00:38:41,680 Speaker 1: call him. I just gotta call Billy Gelman. Yeah, look 701 00:38:41,719 --> 00:38:43,359 Speaker 1: at that. Where was the show? Where'd you guy see 702 00:38:43,360 --> 00:38:48,000 Speaker 1: Billy Gelman? Rodeo? But he's yeah, because they have so 703 00:38:48,080 --> 00:38:51,000 Speaker 1: many ats, like it'd be masterp and then it'd be 704 00:38:51,040 --> 00:38:56,160 Speaker 1: Billy Gilman, ludicrous Carrie. Oh yeah, and I saw. I 705 00:38:56,239 --> 00:39:00,319 Speaker 1: remember going and seeing Luke, Brian Brad, Paisley Jason being 706 00:39:00,480 --> 00:39:06,640 Speaker 1: before anything and Billy Billy Gillman was the first one. 707 00:39:07,960 --> 00:39:10,800 Speaker 1: So next time you come into the radio show, you 708 00:39:10,880 --> 00:39:13,040 Speaker 1: need to sing one voice from Billy Gilman. That's a 709 00:39:13,120 --> 00:39:15,520 Speaker 1: good idea. I didn't really think about that. Don't sing 710 00:39:15,560 --> 00:39:18,480 Speaker 1: it anywhere else because this is I like this idea, okay, 711 00:39:18,800 --> 00:39:20,200 Speaker 1: and you have to work in it right now, what 712 00:39:20,239 --> 00:39:21,480 Speaker 1: have you? Whenever you want, you can come back. But 713 00:39:22,880 --> 00:39:26,879 Speaker 1: that's it. The song You're gonna Okay. I love that song. 714 00:39:27,600 --> 00:39:30,560 Speaker 1: I'm not even ashamed of no shame. And some people 715 00:39:30,719 --> 00:39:32,920 Speaker 1: look at me weird when they're like, that's your first concert. 716 00:39:32,960 --> 00:39:35,759 Speaker 1: I'm like, hell yeah it was. I was. I was 717 00:39:37,080 --> 00:39:40,040 Speaker 1: a kid, and he was like the heartthrob and ill 718 00:39:40,120 --> 00:39:45,840 Speaker 1: two kids, two kids. Ye, he wasn't. I haven't been older. 719 00:39:46,280 --> 00:39:47,600 Speaker 1: He wasn't the heart though. He was the kid that 720 00:39:47,680 --> 00:39:51,600 Speaker 1: was singing. He was a kid heartthrob for a younger kids. Um, 721 00:39:51,680 --> 00:39:54,480 Speaker 1: and I was that younger kid. And so I remember 722 00:39:54,560 --> 00:39:57,960 Speaker 1: being out in the aisle of the concert and the 723 00:39:58,120 --> 00:40:01,880 Speaker 1: big like TV screens. He like looked and he didn't 724 00:40:01,920 --> 00:40:04,600 Speaker 1: look over at us. I was like, mommy looked at me. 725 00:40:04,719 --> 00:40:07,040 Speaker 1: And I was like, no, he didn't, But I was 726 00:40:07,200 --> 00:40:10,520 Speaker 1: freaking out. It was so fun. Well you listen to 727 00:40:10,600 --> 00:40:15,760 Speaker 1: now you know this one? Do you are you into? 728 00:40:18,360 --> 00:40:19,560 Speaker 1: I mean, you can call this whatever you want to 729 00:40:19,600 --> 00:40:22,080 Speaker 1: call it, but are you into the new hip hop? 730 00:40:23,160 --> 00:40:26,800 Speaker 1: M it's some of them. For me, it has to 731 00:40:26,880 --> 00:40:29,520 Speaker 1: have like a really good beat. Well that's not what 732 00:40:29,719 --> 00:40:32,839 Speaker 1: this is because they what they do is I mean, 733 00:40:32,920 --> 00:40:36,200 Speaker 1: they used the eight, but then they slow it and 734 00:40:36,800 --> 00:40:41,240 Speaker 1: chop it. Yeah, it's the mumble they mumble. The mumbling 735 00:40:41,320 --> 00:40:43,200 Speaker 1: gets on my skin. So who do you like then? 736 00:40:43,440 --> 00:40:46,879 Speaker 1: I I do love post Malone a lot. He's so gross. Look, 737 00:40:47,360 --> 00:40:50,960 Speaker 1: I can't picture anything but how like dirty half his 738 00:40:51,080 --> 00:40:53,279 Speaker 1: teeth or gold half or like turf and he's like 739 00:40:53,960 --> 00:40:57,799 Speaker 1: his whatever tattoo on his forehead. I don't know. It's 740 00:40:57,840 --> 00:41:01,480 Speaker 1: all just so gross that I think, how could someone 741 00:41:01,560 --> 00:41:05,759 Speaker 1: make out with him? I don't know, he probably, but 742 00:41:05,880 --> 00:41:09,040 Speaker 1: I've seen I've watched interviews on him, and he's like 743 00:41:09,200 --> 00:41:13,000 Speaker 1: the sweetest, funniest guy. And it's also like hip hop sucks. 744 00:41:13,200 --> 00:41:18,040 Speaker 1: All this sucks that I'm own foremast country. Yes, what 745 00:41:18,200 --> 00:41:20,520 Speaker 1: he does I admire because I also think genres are garbage. 746 00:41:20,520 --> 00:41:23,359 Speaker 1: I said that a lot because everybody's influenced by everything 747 00:41:23,360 --> 00:41:26,640 Speaker 1: at this point. If you were born, if you started 748 00:41:26,680 --> 00:41:29,240 Speaker 1: to consume music in a late mid to late nineties 749 00:41:29,280 --> 00:41:31,959 Speaker 1: up until now, you were you took in everything, yeah, 750 00:41:32,480 --> 00:41:35,160 Speaker 1: and every formats influenced by every format. So I'm just 751 00:41:35,280 --> 00:41:37,680 Speaker 1: like genres for the sake of genres are just garbage. 752 00:41:37,960 --> 00:41:40,880 Speaker 1: I understand why the split up a bit, but I 753 00:41:40,960 --> 00:41:42,920 Speaker 1: have the biggest country radio show in the history of 754 00:41:42,960 --> 00:41:46,200 Speaker 1: the world, probably thirty six percent AM on music, not 755 00:41:46,280 --> 00:41:48,400 Speaker 1: even that much as country, yeah, and even then like 756 00:41:48,440 --> 00:41:50,960 Speaker 1: the Lanco album Fantasy it just counted the day. I 757 00:41:51,040 --> 00:41:56,080 Speaker 1: love it. It sounds like a imagine dragons Coldplay music. Right, 758 00:41:56,280 --> 00:42:00,840 Speaker 1: But that's now what quote unquote country is. Instead of 759 00:42:00,920 --> 00:42:03,320 Speaker 1: being fiddles, it's more of how do you tell a story? 760 00:42:03,840 --> 00:42:07,320 Speaker 1: Yea more it's not so much the texture of the sound, 761 00:42:07,880 --> 00:42:11,200 Speaker 1: but the delivery of the message. That to me is 762 00:42:11,200 --> 00:42:13,880 Speaker 1: the difference. But my difference doesn't matter. There's no right 763 00:42:13,920 --> 00:42:17,440 Speaker 1: answer to me. There's people fight about what is this 764 00:42:17,560 --> 00:42:20,120 Speaker 1: kind of music? Mean? That's not country? And anyone who 765 00:42:20,160 --> 00:42:23,000 Speaker 1: says that I automatically since they're dumb, like I think 766 00:42:23,040 --> 00:42:27,880 Speaker 1: they can't see over a level of I agree, I agree, 767 00:42:27,920 --> 00:42:30,799 Speaker 1: and and it makes some of the genre traditionalists hate 768 00:42:30,840 --> 00:42:32,640 Speaker 1: my guts. And I'm okay with that, which is why 769 00:42:32,640 --> 00:42:33,640 Speaker 1: I don't go out a lot. I want to give 770 00:42:33,640 --> 00:42:38,759 Speaker 1: it up, which is it's yes, it's fine, and the 771 00:42:38,960 --> 00:42:46,040 Speaker 1: silent majority agree. No one just has a format on 772 00:42:46,120 --> 00:42:49,840 Speaker 1: their phone. No, heck no, I mean walk in the 773 00:42:50,000 --> 00:42:52,320 Speaker 1: c m a red carpet and they're like, so what 774 00:42:52,400 --> 00:42:54,839 Speaker 1: are you listening to? They expect me to be like, oh, 775 00:42:55,000 --> 00:42:57,640 Speaker 1: Jason Dean's new song. I'm like, no, I got some 776 00:42:58,160 --> 00:43:02,000 Speaker 1: thug music on my phone and they're like, okay, Like 777 00:43:02,280 --> 00:43:05,080 Speaker 1: I mean, I'm telling you the truth. And then every 778 00:43:05,120 --> 00:43:08,520 Speaker 1: now and then, like literally, I'll sometimes I drive to 779 00:43:08,680 --> 00:43:11,920 Speaker 1: Texas for like holidays. I love driving. I don't know why. 780 00:43:12,600 --> 00:43:15,960 Speaker 1: Um Man, that's a long drive, but I'll put it 781 00:43:16,080 --> 00:43:21,000 Speaker 1: on shuffle and it'll be I mean, the Little Wayne song, 782 00:43:21,400 --> 00:43:24,200 Speaker 1: and then the next song will be jus take the wheel. Okay, 783 00:43:24,920 --> 00:43:30,399 Speaker 1: that's normal, but it's normal, absolutely normal. Oh, I totally agree. Yeah, 784 00:43:30,560 --> 00:43:34,160 Speaker 1: that's the fight I'm in all the time. I mean, 785 00:43:35,880 --> 00:43:38,000 Speaker 1: and I bet you hear that from people to like, oh, 786 00:43:38,200 --> 00:43:41,680 Speaker 1: you're not Gondre oh all the time all the time. 787 00:43:41,840 --> 00:43:43,600 Speaker 1: How are you going to tell me what my art is? 788 00:43:43,800 --> 00:43:46,600 Speaker 1: Art is not even supposed to be defined. No, and 789 00:43:46,640 --> 00:43:49,719 Speaker 1: you're gonna tell me I'm doing I'm gonna question right now. 790 00:43:53,160 --> 00:43:59,919 Speaker 1: I want you to. I want you to. Super Smart 791 00:44:00,040 --> 00:44:04,080 Speaker 1: here he have you seen the interview of him? His 792 00:44:04,239 --> 00:44:07,680 Speaker 1: hands are going everywhere he looks, the super Smart park 793 00:44:08,520 --> 00:44:13,040 Speaker 1: he talked. I thought it was brilliant when this song 794 00:44:13,400 --> 00:44:16,520 Speaker 1: because the phone number for the suicide hotline is the 795 00:44:16,600 --> 00:44:18,319 Speaker 1: title of the song. They never say it, but at 796 00:44:18,320 --> 00:44:19,799 Speaker 1: the title of the song, So it's what you see. 797 00:44:19,920 --> 00:44:22,200 Speaker 1: It's like second level thinking that I know. When that 798 00:44:22,480 --> 00:44:25,560 Speaker 1: came out, I was like, I bet you this phone 799 00:44:25,640 --> 00:44:30,239 Speaker 1: number actually works and it is a line. And sure 800 00:44:30,360 --> 00:44:32,239 Speaker 1: enough it came out and I was like, that is 801 00:44:32,560 --> 00:44:36,680 Speaker 1: genenus And just seeing all the numbers and everything that 802 00:44:37,160 --> 00:44:42,320 Speaker 1: that helped is amazing. You know the one the entire 803 00:44:42,400 --> 00:44:51,440 Speaker 1: menu at not water Burger? Uh at um? What's the 804 00:44:51,480 --> 00:44:54,880 Speaker 1: burger place in California? Don't tell me because everybody I 805 00:44:54,920 --> 00:44:56,759 Speaker 1: have been like eighty times and everyone's like, it's the 806 00:44:56,840 --> 00:45:00,239 Speaker 1: best and it's good. Hold on, don't give a to me. 807 00:45:00,520 --> 00:45:02,680 Speaker 1: I'm gonna sit here and struggle with her a bit. Well, 808 00:45:02,760 --> 00:45:04,839 Speaker 1: it is Waterger because you're from it's gotta be water Burger. 809 00:45:04,840 --> 00:45:07,120 Speaker 1: You have the water Burger Man you remembers. Yeah, okay, 810 00:45:07,200 --> 00:45:09,360 Speaker 1: that's what it is. I do or is it in 811 00:45:09,440 --> 00:45:11,440 Speaker 1: and out? I'm gonna go water Burger. I want to 812 00:45:11,440 --> 00:45:14,680 Speaker 1: go back to my instinct. I go when I'm questioning 813 00:45:14,760 --> 00:45:16,399 Speaker 1: my heart, I go back to my instinct. I'm gonna 814 00:45:16,400 --> 00:45:18,120 Speaker 1: go water Burger. Do you have the whole water Burger Man? 815 00:45:18,160 --> 00:45:21,440 Speaker 1: You memorized pretty much because you go so much. I 816 00:45:21,520 --> 00:45:23,879 Speaker 1: go so much. Literally, the last time I was home, 817 00:45:23,960 --> 00:45:26,400 Speaker 1: I went almost every night, which is not healthy, but 818 00:45:26,960 --> 00:45:28,560 Speaker 1: it's so good. It's so good. And they put the 819 00:45:28,600 --> 00:45:33,080 Speaker 1: ketchup and the ketchup packets that are hard so you 820 00:45:33,120 --> 00:45:34,600 Speaker 1: can just open it and sit it down and dip 821 00:45:34,640 --> 00:45:37,480 Speaker 1: it into it. And the gravy they make white gravy. 822 00:45:38,120 --> 00:45:40,040 Speaker 1: I loved it about two blocks from water Burger my 823 00:45:40,280 --> 00:45:45,520 Speaker 1: entire fourteen years in Texas. Yeah, same, I love it 824 00:45:45,600 --> 00:45:48,480 Speaker 1: was always open. Yeah, it's always open, and that's I 825 00:45:48,560 --> 00:45:50,279 Speaker 1: mean what I did. I would hang out late at 826 00:45:50,360 --> 00:45:51,959 Speaker 1: night and it'd be like two o'clock in the morning. 827 00:45:51,960 --> 00:45:54,239 Speaker 1: I'm like, you know what, I'm going to get water 828 00:45:54,320 --> 00:45:57,440 Speaker 1: Burger and it's just there there for you. What's your 829 00:45:57,440 --> 00:45:59,440 Speaker 1: schedule now you talking about late night generally, what time 830 00:45:59,480 --> 00:46:02,960 Speaker 1: do you wake up in the morning? Oh? God, on 831 00:46:03,080 --> 00:46:06,360 Speaker 1: an off day, I'll I'll sleep in. I'm not a 832 00:46:06,440 --> 00:46:08,640 Speaker 1: morning person. What's sleeping? I'm not a morning person either. 833 00:46:08,760 --> 00:46:11,560 Speaker 1: I hate mornings. Yeah, I'm good to go about time 834 00:46:11,640 --> 00:46:16,040 Speaker 1: show ins when i'd be so funny, I'm just like 835 00:46:16,160 --> 00:46:20,879 Speaker 1: coming out of my slumber and then you're dead because 836 00:46:20,920 --> 00:46:23,000 Speaker 1: I'm not a morning person either. So you wake up 837 00:46:23,080 --> 00:46:25,239 Speaker 1: what's sleeping? At nine eleven? Because I slep gonna be 838 00:46:25,280 --> 00:46:30,120 Speaker 1: one pm, say like noon one pm. And every now 839 00:46:30,160 --> 00:46:33,200 Speaker 1: and then I'll like sometimes I have a hard time sleeping, 840 00:46:33,400 --> 00:46:35,640 Speaker 1: and I don't go to bed until like one or 841 00:46:35,680 --> 00:46:37,759 Speaker 1: two o'clock the more because I'm just laying there. My 842 00:46:37,920 --> 00:46:40,960 Speaker 1: mind is going. My body's tired, but my mind is 843 00:46:41,040 --> 00:46:45,240 Speaker 1: just keeping me up. It's that's like every night, I'm like, God, 844 00:46:45,760 --> 00:46:48,120 Speaker 1: but I sleep in all the time. But but that's 845 00:46:48,120 --> 00:46:50,040 Speaker 1: not sleeping in if it's all the time, not all 846 00:46:50,080 --> 00:46:54,840 Speaker 1: the time you wake up for work. Yes, did you 847 00:46:54,880 --> 00:46:57,040 Speaker 1: have to go to radio tour again? I did, because 848 00:46:57,080 --> 00:46:58,800 Speaker 1: you were kind of out for a bit. You have 849 00:46:58,880 --> 00:47:03,000 Speaker 1: to go around and like, how is your radio tour experienced? 850 00:47:03,080 --> 00:47:06,080 Speaker 1: The last time was different than it was four years ago? Um, 851 00:47:06,239 --> 00:47:12,040 Speaker 1: it was, yeah, because I you know, the first time 852 00:47:12,480 --> 00:47:18,360 Speaker 1: was my first time. I was about seventeen eighteen, and 853 00:47:18,560 --> 00:47:20,920 Speaker 1: I just had my mom with me, and I just 854 00:47:21,040 --> 00:47:23,920 Speaker 1: didn't really know how to talk to people and especially 855 00:47:24,239 --> 00:47:28,400 Speaker 1: just how the whole radio thing goes. I did not 856 00:47:28,640 --> 00:47:31,480 Speaker 1: know how to act, how to be. I was just 857 00:47:31,600 --> 00:47:35,200 Speaker 1: like a little I was a teenager. So now this 858 00:47:35,480 --> 00:47:38,320 Speaker 1: the second time I did it, I was like, well aware, 859 00:47:38,960 --> 00:47:41,359 Speaker 1: it's like, you know, okay, I gotta like wake up, 860 00:47:42,239 --> 00:47:44,880 Speaker 1: like walk in there with like like kind of a 861 00:47:45,120 --> 00:47:48,920 Speaker 1: positive energy because I at first I didn't running for office, 862 00:47:49,680 --> 00:47:51,319 Speaker 1: and I've never been a part of a radio tour, 863 00:47:51,719 --> 00:47:54,919 Speaker 1: nor did people come to me for radio tour because 864 00:47:54,920 --> 00:48:00,239 Speaker 1: I'm not a radio station. But my flagship, which is 865 00:48:00,400 --> 00:48:02,680 Speaker 1: w S a X, is in the next room and 866 00:48:02,760 --> 00:48:04,759 Speaker 1: people come through and they'll play for the station. So 867 00:48:04,840 --> 00:48:06,400 Speaker 1: I'm never a part. I've never been a part of 868 00:48:06,520 --> 00:48:09,640 Speaker 1: radio to On the pop side, I was. I remember 869 00:48:09,719 --> 00:48:11,480 Speaker 1: once it pop. I got a call they're like, hey, 870 00:48:11,560 --> 00:48:14,040 Speaker 1: there's this kid up front. You should go watch him singing. 871 00:48:14,160 --> 00:48:18,279 Speaker 1: Like I didn't. I was doing what I was. I 872 00:48:18,360 --> 00:48:21,680 Speaker 1: started doing mornings. That was twenty two, right, so and 873 00:48:21,960 --> 00:48:23,680 Speaker 1: in that next few years and I know there's a 874 00:48:23,719 --> 00:48:25,520 Speaker 1: kid he's nice from YouTube or something. You should go 875 00:48:25,520 --> 00:48:30,600 Speaker 1: watch Manhattante what So it was justin Bieber right that 876 00:48:30,800 --> 00:48:33,000 Speaker 1: that happens. And then I got someone calls goes hey, 877 00:48:33,080 --> 00:48:34,760 Speaker 1: I got like, I have so many of these stories. 878 00:48:35,160 --> 00:48:37,319 Speaker 1: So when he goes, hey, this is girl, you got 879 00:48:37,400 --> 00:48:40,080 Speaker 1: this song, I don't know it's about kising another girl. 880 00:48:40,400 --> 00:48:44,200 Speaker 1: You should go up there, and I'm I'm g After 881 00:48:44,560 --> 00:48:47,239 Speaker 1: it was Katie Perry this other girl comes there, like, hey, 882 00:48:47,360 --> 00:48:49,000 Speaker 1: she's just girl. I don't know if she's wanting to 883 00:48:49,040 --> 00:48:51,680 Speaker 1: tie with a wife beaters in Canada. Her name is 884 00:48:51,800 --> 00:48:54,520 Speaker 1: levi Agni or something. I was like, you know, I'm good. 885 00:48:54,640 --> 00:48:58,879 Speaker 1: She never got Adril Levine. I've got twenty of these 886 00:48:59,200 --> 00:49:01,160 Speaker 1: where I was just ep. I was like, they're never 887 00:49:01,239 --> 00:49:06,160 Speaker 1: gonna make it. I'm good, we're not going to do it. 888 00:49:06,560 --> 00:49:10,480 Speaker 1: But so I've never been in a radio tour or 889 00:49:10,520 --> 00:49:13,440 Speaker 1: I've never been a program director. I don't know that 890 00:49:13,680 --> 00:49:18,160 Speaker 1: part of it. So I just talked to artists and 891 00:49:18,400 --> 00:49:20,560 Speaker 1: find out, you know, as a female, when you do 892 00:49:20,680 --> 00:49:23,520 Speaker 1: that and you're going to talk to forty five year 893 00:49:23,560 --> 00:49:28,080 Speaker 1: old men all the time, what's the creepy ratio? Because 894 00:49:28,120 --> 00:49:33,919 Speaker 1: I would always just be aware and there it's there, 895 00:49:34,200 --> 00:49:36,920 Speaker 1: for sure, for sure, it's there. I have some with 896 00:49:36,960 --> 00:49:39,560 Speaker 1: me all the time. Oh yeah, oh I do all 897 00:49:39,600 --> 00:49:44,120 Speaker 1: the time. Oh, especially like events and like being at 898 00:49:44,120 --> 00:49:47,840 Speaker 1: a hotel. I'm I'm always I'm terrified of hotels. I 899 00:49:47,920 --> 00:49:50,520 Speaker 1: think that's a new fact, the actual building or the 900 00:49:50,560 --> 00:49:54,560 Speaker 1: people in them, like just sleeping in hotels, Like I 901 00:49:54,719 --> 00:49:57,880 Speaker 1: just I never sleep ever, I'd never have a good 902 00:49:57,960 --> 00:49:59,759 Speaker 1: night sleep when I'm in a hotel and I'm a 903 00:50:00,000 --> 00:50:03,400 Speaker 1: he is afraid that somebody will follow me to my 904 00:50:03,560 --> 00:50:07,680 Speaker 1: room or get my name like on the front desk 905 00:50:07,760 --> 00:50:11,680 Speaker 1: and act like they work for me. They usually I 906 00:50:11,760 --> 00:50:14,800 Speaker 1: have it under my radio reps name so it's not 907 00:50:14,920 --> 00:50:19,160 Speaker 1: under mine, but like events, usually they'll put mine under there. 908 00:50:19,440 --> 00:50:21,480 Speaker 1: So I need to do a fake name. I have 909 00:50:21,600 --> 00:50:24,000 Speaker 1: a standard one that I'll do each quarter, and it 910 00:50:24,160 --> 00:50:28,560 Speaker 1: changes just because again, people will look and try to 911 00:50:28,600 --> 00:50:30,840 Speaker 1: find where you are, or they'll call your room. And 912 00:50:31,280 --> 00:50:34,399 Speaker 1: most of the time people aren't wanting to do bad things. 913 00:50:34,840 --> 00:50:36,920 Speaker 1: They really just want to meet you. I know, I'm 914 00:50:36,920 --> 00:50:42,279 Speaker 1: trying to go sleep. But yeah, and again there's a 915 00:50:42,360 --> 00:50:45,759 Speaker 1: personal space thing too where you're you know, I'm in 916 00:50:45,920 --> 00:50:50,759 Speaker 1: my room now. Yeah, it's almost like your house. Yeah, 917 00:50:50,960 --> 00:50:54,600 Speaker 1: you're like a little safe safe. Yeah, And so you 918 00:50:54,680 --> 00:50:57,279 Speaker 1: have to get some sort of cycle of fake names 919 00:50:57,960 --> 00:51:01,320 Speaker 1: just for safety. Oh, for safety. Yeah, for me, because 920 00:51:01,360 --> 00:51:04,719 Speaker 1: it freaks me out. I just saw you, you know, 921 00:51:05,920 --> 00:51:09,759 Speaker 1: just being a female artist in dudes, I would just 922 00:51:09,960 --> 00:51:13,759 Speaker 1: always have somebody around. I just would. Yeah, And I'm 923 00:51:13,800 --> 00:51:16,000 Speaker 1: not giving you advice that you don't already know. Yeah, 924 00:51:16,320 --> 00:51:18,560 Speaker 1: I just would. And I've never been to radio tour, 925 00:51:18,600 --> 00:51:21,560 Speaker 1: so I don't know firsthand. But also you're you're tiny 926 00:51:21,840 --> 00:51:24,040 Speaker 1: when you at festivals. I would never want to take 927 00:51:24,040 --> 00:51:26,080 Speaker 1: pictures with anybody, especially men, because the have armpits right 928 00:51:26,120 --> 00:51:28,440 Speaker 1: at your head. It's like your nose's gonna write your armpits. 929 00:51:28,480 --> 00:51:31,239 Speaker 1: Oh my god, that is my life. It's like that. 930 00:51:31,320 --> 00:51:32,960 Speaker 1: Everybody wants to put their arms around you know. For me, 931 00:51:33,000 --> 00:51:37,680 Speaker 1: I'm a taller guy. Hot festivals, everybody smells like beer 932 00:51:38,160 --> 00:51:43,560 Speaker 1: sweat in in sunscreen, and I'm right at armpit level. 933 00:51:44,239 --> 00:51:47,880 Speaker 1: It's it's horrible. I stink by the time I'm on stage. 934 00:51:48,040 --> 00:51:51,279 Speaker 1: Your face smells like armpit. Yes, you're talking to your 935 00:51:51,360 --> 00:51:56,279 Speaker 1: face smells yes. I'm like, what the heck? I there's 936 00:51:56,320 --> 00:52:00,640 Speaker 1: no out of this. I'm just short and been in heels. 937 00:52:00,680 --> 00:52:04,759 Speaker 1: I'm short. I'm like five to Can you break the 938 00:52:04,840 --> 00:52:09,600 Speaker 1: five ft barrier? Then maybe I don't know you purposely don't. 939 00:52:10,680 --> 00:52:14,040 Speaker 1: Like last night at the show, I'm around all guys 940 00:52:14,120 --> 00:52:17,080 Speaker 1: and in the meet and greet we did sometimes the 941 00:52:17,719 --> 00:52:19,719 Speaker 1: if there's a lot of artists, we do a full 942 00:52:19,960 --> 00:52:21,920 Speaker 1: like one meet and greet. Everybody comes up and we 943 00:52:22,000 --> 00:52:25,400 Speaker 1: take a picture altogether. And that's what we did in 944 00:52:25,520 --> 00:52:28,479 Speaker 1: these fans, I swear to you. They just looked over 945 00:52:28,640 --> 00:52:30,520 Speaker 1: my head and I was like getting pushed in the 946 00:52:30,600 --> 00:52:35,080 Speaker 1: bat and I'm like wait here. I was like pushing 947 00:52:35,160 --> 00:52:37,640 Speaker 1: out of the way. I was like, I've never felt 948 00:52:37,719 --> 00:52:42,080 Speaker 1: so short in my life. Then last night, because Jordan's 949 00:52:42,080 --> 00:52:46,279 Speaker 1: a big dude, I've taken him out. Luke is a 950 00:52:46,360 --> 00:52:48,759 Speaker 1: big guy. Luke Hombs, Yeah, he's a big He's just 951 00:52:48,840 --> 00:52:51,920 Speaker 1: a big barrel of a dude. Yeah. Who else was 952 00:52:52,000 --> 00:52:54,600 Speaker 1: on there? The guys from would you said, the two 953 00:52:54,680 --> 00:52:58,120 Speaker 1: dudes from I'll Welcome McGuire. Yeah, And there's also all 954 00:52:58,280 --> 00:53:03,200 Speaker 1: dudes yes, and and like fans like other guys too, 955 00:53:03,680 --> 00:53:07,000 Speaker 1: and and women that were just drunk and they were 956 00:53:07,080 --> 00:53:09,600 Speaker 1: just I was like, I'm back here and no one 957 00:53:09,719 --> 00:53:13,439 Speaker 1: sees me. I just got pushed back here. Oh god, 958 00:53:13,440 --> 00:53:17,319 Speaker 1: it's a struggle all the time. What about prom? I've 959 00:53:17,360 --> 00:53:20,400 Speaker 1: never went to prom. So you didn't go to your 960 00:53:20,440 --> 00:53:23,279 Speaker 1: own because you were doing the TV show and doing 961 00:53:23,320 --> 00:53:25,720 Speaker 1: a career. But what about did you have a boyfriend 962 00:53:25,719 --> 00:53:26,879 Speaker 1: at the time they had a problem that you went 963 00:53:27,040 --> 00:53:32,759 Speaker 1: to nothing? You know? Oh? Man, um, well no, my 964 00:53:33,000 --> 00:53:37,400 Speaker 1: boyfriend was older than me, same same boyfriend. Okay, so 965 00:53:37,760 --> 00:53:41,600 Speaker 1: he already did his and and by the time mine 966 00:53:41,680 --> 00:53:43,960 Speaker 1: came around, like he was already out of high school. 967 00:53:44,600 --> 00:53:48,040 Speaker 1: So I just was like, okay, missing that, I'm prom 968 00:53:49,000 --> 00:53:50,319 Speaker 1: How do you feel about that? Now? Do you feel 969 00:53:50,320 --> 00:53:55,040 Speaker 1: like you miss something? Not really know? That's what people 970 00:53:55,080 --> 00:53:57,320 Speaker 1: tell me too, and like you didn't miss anything. So 971 00:53:58,000 --> 00:54:01,120 Speaker 1: New Year's Eve, I'm gonna give you New years. Describe 972 00:54:01,160 --> 00:54:04,879 Speaker 1: what New Year's Eve is to you? Oh god? Um, 973 00:54:05,960 --> 00:54:09,520 Speaker 1: I think of like resolutions, like talking about the night, 974 00:54:09,680 --> 00:54:11,440 Speaker 1: the night, the night, because I'm gonna bring it back 975 00:54:11,480 --> 00:54:14,759 Speaker 1: to something. But talking about New Year's Eve night, what's 976 00:54:14,760 --> 00:54:17,160 Speaker 1: the feeling as you're going in New Year's Eve night? Um, 977 00:54:18,280 --> 00:54:21,040 Speaker 1: it's exciting. It is exciting, right, Yeah, like New Year's 978 00:54:21,560 --> 00:54:25,960 Speaker 1: dressed up, It's gonna be a party. It was the 979 00:54:26,000 --> 00:54:28,440 Speaker 1: greatest night ever. And that kind of end up when 980 00:54:28,560 --> 00:54:35,600 Speaker 1: all said and done. Um, that's six. Yeah, that's that's 981 00:54:36,200 --> 00:54:39,560 Speaker 1: exactly what problem is. It's gonna be the greatest. I've 982 00:54:39,600 --> 00:54:43,359 Speaker 1: seen all the movies about it. Holy, that was okay, Yeah, 983 00:54:44,040 --> 00:54:47,239 Speaker 1: everybody just passed up. Yeah, it's just I've seen like 984 00:54:47,520 --> 00:54:49,880 Speaker 1: videos and stuff the same thing about New Year's Just 985 00:54:50,719 --> 00:54:52,520 Speaker 1: we next time you have New Year's just imagine it's 986 00:54:52,520 --> 00:54:56,719 Speaker 1: prom's a whole bunch of hype, a bunch of money spent. Yeah, 987 00:54:57,239 --> 00:55:02,839 Speaker 1: it's like, right, I have that memory. Yeah, they're kind 988 00:55:02,880 --> 00:55:07,560 Speaker 1: of cool. I guess that's a good example. Man. I 989 00:55:07,760 --> 00:55:10,480 Speaker 1: wonder I have a bunch of songs here. Let's see, 990 00:55:10,520 --> 00:55:14,560 Speaker 1: how about this one? Not I've hand picked some of 991 00:55:14,600 --> 00:55:21,960 Speaker 1: my favorites. Okay, this potential. Tell me about this one. Um. 992 00:55:22,560 --> 00:55:26,920 Speaker 1: It was the first song I we kind of figured 993 00:55:26,960 --> 00:55:30,520 Speaker 1: out too, like shape the whole album around, because it 994 00:55:30,680 --> 00:55:35,040 Speaker 1: was like the first big song, um we wrote. And 995 00:55:36,080 --> 00:55:39,200 Speaker 1: I wrote it with Emily wise Man and Johann Lennon Brand. 996 00:55:39,320 --> 00:55:41,880 Speaker 1: He's based in l A. And Emily's like my go 997 00:55:42,040 --> 00:55:45,279 Speaker 1: to girl here in Nashville. Um, and we we wrote 998 00:55:45,360 --> 00:55:48,960 Speaker 1: it were like this is it, Like this is the 999 00:55:49,080 --> 00:55:52,879 Speaker 1: blast off for this new album, and uh, it's been 1000 00:55:53,440 --> 00:55:56,280 Speaker 1: I mean I I played it out at a writer's 1001 00:55:56,400 --> 00:55:59,600 Speaker 1: round to debut it and it I mean album nothing 1002 00:55:59,719 --> 00:56:03,520 Speaker 1: was out yet, and um, we got such a huge 1003 00:56:03,600 --> 00:56:06,200 Speaker 1: reaction out of it, and we were like, oh my god. 1004 00:56:06,280 --> 00:56:11,960 Speaker 1: And I think, uh, somebody like I couldn't say rolling Stones, 1005 00:56:12,000 --> 00:56:15,880 Speaker 1: that's that's too big. But somebody posted about it on 1006 00:56:16,000 --> 00:56:19,000 Speaker 1: Twitter and and it was just like, ha, this is 1007 00:56:19,120 --> 00:56:21,040 Speaker 1: this is a good sign. This is a good sign. 1008 00:56:21,160 --> 00:56:23,880 Speaker 1: So that's one of my favorites on the album too. 1009 00:56:24,520 --> 00:56:28,880 Speaker 1: About this Human Diary, I saw a lot of people 1010 00:56:29,239 --> 00:56:31,799 Speaker 1: posting about this one when it came out, a lot 1011 00:56:31,880 --> 00:56:34,080 Speaker 1: of shares on this song. I think for me, the 1012 00:56:34,160 --> 00:56:36,560 Speaker 1: most I saw of any song was this one. Yeah. 1013 00:56:37,000 --> 00:56:38,359 Speaker 1: I don't know if you felt that, but a lot 1014 00:56:38,440 --> 00:56:40,560 Speaker 1: of people, Yeah, a lot of people say that they 1015 00:56:40,760 --> 00:56:42,560 Speaker 1: love this one. It's actually one of the songs I 1016 00:56:42,600 --> 00:56:45,239 Speaker 1: didn't write, um, because I co wrote seven of the 1017 00:56:45,320 --> 00:56:49,520 Speaker 1: ten um on the new record, and this one it was. 1018 00:56:49,840 --> 00:56:53,120 Speaker 1: It was a pretty interesting day too, because I I 1019 00:56:53,239 --> 00:56:56,120 Speaker 1: got with Emily wise Man and Josh Kerr and they 1020 00:56:56,680 --> 00:57:00,160 Speaker 1: had written this song just at their house one night, Um, 1021 00:57:00,239 --> 00:57:02,520 Speaker 1: wanting to write a song. It's like, well, y'all are 1022 00:57:02,560 --> 00:57:08,359 Speaker 1: so talented, jeez, and Um, I was gonna record worth 1023 00:57:08,440 --> 00:57:10,960 Speaker 1: It that day, and and it was the last thing 1024 00:57:11,040 --> 00:57:14,000 Speaker 1: we needed to do to finish the whole album. And 1025 00:57:14,600 --> 00:57:18,200 Speaker 1: I was like pushing it because like, we're not recording 1026 00:57:18,280 --> 00:57:21,200 Speaker 1: Worth It today, we're recording Human Diary. Because I was like, 1027 00:57:21,280 --> 00:57:24,480 Speaker 1: in the emotional state of hearing that song, I was like, 1028 00:57:24,560 --> 00:57:26,520 Speaker 1: I'm not going to record it like this any other day. 1029 00:57:27,120 --> 00:57:29,800 Speaker 1: And so that's what we did. And I forced this 1030 00:57:30,000 --> 00:57:32,640 Speaker 1: song to be on the album because the album was finished. 1031 00:57:33,280 --> 00:57:36,000 Speaker 1: I was like, is there room for for this song? 1032 00:57:36,680 --> 00:57:39,280 Speaker 1: And and they they let me. I was so excited. 1033 00:57:39,840 --> 00:57:41,960 Speaker 1: You fought for a song too that you didn't write 1034 00:57:42,000 --> 00:57:45,200 Speaker 1: that you just felt it was a big feeling for 1035 00:57:45,360 --> 00:57:47,880 Speaker 1: that song, for sure. I've never felt that way listening 1036 00:57:47,920 --> 00:57:53,120 Speaker 1: to a song, Um, I didn't write about and it 1037 00:57:53,480 --> 00:57:59,360 Speaker 1: was this is the other one I didn't write. There's 1038 00:57:59,360 --> 00:58:02,320 Speaker 1: a good one that I like you. I like the 1039 00:58:02,760 --> 00:58:07,680 Speaker 1: floor on the floor here. Yeah. Um. It was actually 1040 00:58:08,040 --> 00:58:15,720 Speaker 1: four men Thomas Schrett, his dad Rett, Jaren Johnson and 1041 00:58:15,840 --> 00:58:17,840 Speaker 1: I Sorry the Cadet. He yells at me if I 1042 00:58:17,840 --> 00:58:20,840 Speaker 1: don't say yeah, oh yeah, he pisces them off the 1043 00:58:21,080 --> 00:58:26,200 Speaker 1: catc cadillect three um uh. And then Julian Vanetta. He's 1044 00:58:26,200 --> 00:58:29,960 Speaker 1: a big producer, Julian produston one Republic, one Direction stuff 1045 00:58:30,000 --> 00:58:34,160 Speaker 1: ye direction Yeah. And so they it wasn't going to 1046 00:58:34,280 --> 00:58:37,240 Speaker 1: make his album and in Virginia he's like, I think 1047 00:58:37,640 --> 00:58:39,400 Speaker 1: you like this song. Just listened to it and it 1048 00:58:39,520 --> 00:58:41,840 Speaker 1: was Tom Shrett put his vocal on it. I was like, 1049 00:58:41,960 --> 00:58:44,320 Speaker 1: this is cool, and then we ended up cutting it. 1050 00:58:45,240 --> 00:58:49,960 Speaker 1: I was really happy that he dad to me. Obviously 1051 00:58:50,040 --> 00:58:57,920 Speaker 1: we played jam. Yeah, this is the jam crazy. I 1052 00:58:57,960 --> 00:58:59,840 Speaker 1: mean you came in one morning and crushed this and 1053 00:59:00,000 --> 00:59:08,080 Speaker 1: a morning it was tough, look, flawless, effortless, just like 1054 00:59:08,440 --> 00:59:09,880 Speaker 1: I was like, man, that must be nice to have 1055 00:59:09,960 --> 00:59:18,680 Speaker 1: that kind of talent built in and thank you know 1056 00:59:18,720 --> 00:59:20,200 Speaker 1: you're gonna come out do a couple of shows with me, 1057 00:59:20,240 --> 00:59:23,000 Speaker 1: did you know that? Yeah? Yeah, I saw that Austin 1058 00:59:23,040 --> 00:59:26,280 Speaker 1: and which saw falls. So I love Austin. Yeah, I 1059 00:59:26,360 --> 00:59:30,520 Speaker 1: love about three blocks from the theater in Austin, So 1060 00:59:30,920 --> 00:59:34,480 Speaker 1: that's that's home. Austin's home. Yeah, for sure. I was 1061 00:59:34,520 --> 00:59:36,160 Speaker 1: born in Arkansas, but like I grew up as a 1062 00:59:36,240 --> 00:59:40,200 Speaker 1: human in Austin, and I love Nashville. I've been lucky 1063 00:59:40,240 --> 00:59:43,160 Speaker 1: to live in three fantastic places. Yeah my home which 1064 00:59:43,240 --> 00:59:47,480 Speaker 1: is Mountain Pine, Arkansas. But Austin and Nashville are both fantastic. 1065 00:59:47,800 --> 00:59:51,360 Speaker 1: But you're gonna that Austin crowd. It's gonna be awesome, 1066 00:59:51,560 --> 00:59:55,000 Speaker 1: And I honestly I haven't I really don't think I've 1067 00:59:55,040 --> 00:59:58,360 Speaker 1: played a show in Austin yet, Like this is gonna 1068 00:59:58,400 --> 01:00:00,560 Speaker 1: be the first time and it's I'm exed because I've 1069 01:00:00,560 --> 01:00:02,840 Speaker 1: always wanted to do stuff like in Texas and stuff. 1070 01:00:03,360 --> 01:00:06,600 Speaker 1: I grew up going to Austin all the time. Um, 1071 01:00:06,760 --> 01:00:10,200 Speaker 1: and you're right, like Texas for me, like as a human, 1072 01:00:10,600 --> 01:00:14,760 Speaker 1: that's that's my home. Nashville is great, But Nashville doesn't. 1073 01:00:15,000 --> 01:00:18,560 Speaker 1: There's so many outer influences. It doesn't really feel like 1074 01:00:19,560 --> 01:00:23,800 Speaker 1: in the creative space that it's Nashville. When you get 1075 01:00:23,840 --> 01:00:25,160 Speaker 1: out of the creative zone, you start to go, oh, 1076 01:00:25,240 --> 01:00:27,120 Speaker 1: Nashville is really cool. But when you're in the stupid 1077 01:00:27,120 --> 01:00:29,360 Speaker 1: bubble that we live in, it doesn't feel like anything. 1078 01:00:29,520 --> 01:00:31,240 Speaker 1: It feels like a bunch of fake people running around. 1079 01:00:31,480 --> 01:00:33,880 Speaker 1: That's why don't That's that's why I don't hang out 1080 01:00:33,920 --> 01:00:39,880 Speaker 1: with anybody here. I don't hang out with anybody. She knows. 1081 01:00:41,920 --> 01:00:44,640 Speaker 1: I'm always hitting at my managers and I'm like, hey, 1082 01:00:45,200 --> 01:00:48,360 Speaker 1: I don't want to hang out with me. It's tough. 1083 01:00:49,680 --> 01:00:51,400 Speaker 1: Wonder who wants to hang Why do they want to 1084 01:00:51,400 --> 01:00:54,120 Speaker 1: hang out with you? Way do they want from me? Exactly? 1085 01:00:54,960 --> 01:00:56,680 Speaker 1: Why is this person? All of a sudden, I just 1086 01:00:56,840 --> 01:01:02,760 Speaker 1: I'm so in you know, I fakeness to me. It's 1087 01:01:02,840 --> 01:01:06,120 Speaker 1: like a phobia. I can't be around it because I'm 1088 01:01:06,200 --> 01:01:09,640 Speaker 1: not having fun and it's not genuine. If it's not genuine, 1089 01:01:09,680 --> 01:01:13,040 Speaker 1: then I'm like, come on, I'm not having a good time. 1090 01:01:13,600 --> 01:01:15,600 Speaker 1: So that's why I don't. I don't hang out with 1091 01:01:16,160 --> 01:01:19,080 Speaker 1: really much of anybody. And I think you're will to 1092 01:01:19,120 --> 01:01:21,840 Speaker 1: trust somebody takes me a while. Yeah, that's my problem too, 1093 01:01:21,960 --> 01:01:25,400 Speaker 1: and to my detriment sometimes because I think there are 1094 01:01:25,480 --> 01:01:28,000 Speaker 1: some really good people here, yeah, for sure, But we 1095 01:01:28,120 --> 01:01:30,480 Speaker 1: also live in a place where I'll give you an example, 1096 01:01:32,120 --> 01:01:37,240 Speaker 1: I really and have a friendship with Dirk's good dude, 1097 01:01:37,560 --> 01:01:41,400 Speaker 1: not fake. But again, he's gone so much when I'm 1098 01:01:41,440 --> 01:01:44,680 Speaker 1: gone that we don't we can't really forge that next 1099 01:01:44,880 --> 01:01:48,640 Speaker 1: level stuff because we're never in the same place. So 1100 01:01:48,760 --> 01:01:53,120 Speaker 1: it's very difficult. And anybody that I dated has always 1101 01:01:53,160 --> 01:01:55,040 Speaker 1: been in the industry. I say, anyway, I did it 1102 01:01:55,080 --> 01:02:02,720 Speaker 1: three people and yeah, so it's been tough. So but 1103 01:02:02,840 --> 01:02:04,640 Speaker 1: I completely I don't. I don't have a whole lot 1104 01:02:04,680 --> 01:02:07,240 Speaker 1: of friends, you know, I don't. I don't really Like 1105 01:02:08,040 --> 01:02:10,960 Speaker 1: that's not a bad thing to me. Like I almost 1106 01:02:11,040 --> 01:02:14,920 Speaker 1: like just have my own little routine. I love Target, 1107 01:02:15,360 --> 01:02:22,360 Speaker 1: going to Target and going and bugging the crap out 1108 01:02:22,360 --> 01:02:26,280 Speaker 1: on my managers and one of them is in the 1109 01:02:26,360 --> 01:02:29,000 Speaker 1: room right now, but she has like a hot tub 1110 01:02:29,440 --> 01:02:31,480 Speaker 1: and when it was like really freezing one of the 1111 01:02:31,520 --> 01:02:34,040 Speaker 1: other nights, we like had a hot tub night. And 1112 01:02:34,120 --> 01:02:36,640 Speaker 1: I'm like, that's that's fun to me. Like I love 1113 01:02:36,760 --> 01:02:40,480 Speaker 1: just hanging out and if a football games on, if whatever, 1114 01:02:40,920 --> 01:02:45,440 Speaker 1: I love that like wine nights and not my thing. 1115 01:02:47,200 --> 01:02:50,840 Speaker 1: So I don't know. Yeah, I think that's probably why 1116 01:02:50,840 --> 01:02:56,880 Speaker 1: I think you're cool. I never get that, Hey, we'd 1117 01:02:56,920 --> 01:03:00,280 Speaker 1: be strong, and that could be interpreted a thousand ways, 1118 01:03:00,360 --> 01:03:05,480 Speaker 1: and it's fair to interpret that a thousand ways. Everybody, Hey, 1119 01:03:05,560 --> 01:03:08,040 Speaker 1: let's get together, let me let me get your and 1120 01:03:08,120 --> 01:03:10,880 Speaker 1: I think they're probably at a point a good person. 1121 01:03:11,480 --> 01:03:13,920 Speaker 1: But I don't want to have to dig through eight 1122 01:03:14,000 --> 01:03:16,320 Speaker 1: people to find some lazy too. I don't wake up 1123 01:03:16,360 --> 01:03:21,640 Speaker 1: three in the morning. I'm in bed. I try to 1124 01:03:21,640 --> 01:03:24,160 Speaker 1: go about eight second wake up with three. Who has 1125 01:03:24,200 --> 01:03:26,880 Speaker 1: the time for a personal life when you do that? Yeah, true, 1126 01:03:27,280 --> 01:03:30,960 Speaker 1: that's hard. So well, I'm glad you came by. I'm 1127 01:03:31,040 --> 01:03:33,160 Speaker 1: glad I did too. Awesome house, I got to meet 1128 01:03:33,200 --> 01:03:37,560 Speaker 1: your dog fan Listen, I should apologize because I saw 1129 01:03:37,600 --> 01:03:40,760 Speaker 1: you pulling dog here off of you. I'm sorry, no, no, no, no, 1130 01:03:41,480 --> 01:03:43,480 Speaker 1: my dog? Is that what it was? Yes? Because I 1131 01:03:43,560 --> 01:03:45,720 Speaker 1: started to go, oh no, I have a all white 1132 01:03:46,000 --> 01:03:49,680 Speaker 1: dog and he sheds like, that's my dog too, So 1133 01:03:50,040 --> 01:03:52,640 Speaker 1: it's nothing okay. Because I felt a little bit because 1134 01:03:52,640 --> 01:03:54,600 Speaker 1: you were like you were like taking off your dog. 1135 01:03:54,720 --> 01:03:58,840 Speaker 1: I was like, this is my dog right here. I 1136 01:03:59,000 --> 01:04:00,960 Speaker 1: have no problem with dog care because I live in it. 1137 01:04:01,040 --> 01:04:04,400 Speaker 1: My dog sleeps in my bed. Yeah. Sometimes yeah, sometimes 1138 01:04:04,480 --> 01:04:07,440 Speaker 1: and sometimes because they're too big, like you're it's just 1139 01:04:07,600 --> 01:04:10,480 Speaker 1: the right size. Did you most people see my dog 1140 01:04:10,560 --> 01:04:12,960 Speaker 1: and they think, oh, he looks different, meaning size wise. 1141 01:04:13,080 --> 01:04:14,520 Speaker 1: Did you think you what do you think he was? 1142 01:04:16,400 --> 01:04:20,919 Speaker 1: Most people think what breed? So he's a Staffordshire bull, 1143 01:04:21,840 --> 01:04:25,440 Speaker 1: which is and he's pure. What happened was there was 1144 01:04:26,000 --> 01:04:28,560 Speaker 1: a raid in Austin and they busted up a puppy 1145 01:04:28,640 --> 01:04:32,040 Speaker 1: mill because they were puppy milling. You know, the dogs 1146 01:04:32,120 --> 01:04:33,520 Speaker 1: hump each other, and they were having all the dogs 1147 01:04:33,560 --> 01:04:35,040 Speaker 1: and they were selling them and they were like, can't 1148 01:04:35,080 --> 01:04:39,120 Speaker 1: do this anymore. So they were the shelter was, hey, 1149 01:04:39,160 --> 01:04:41,000 Speaker 1: we have these dogs, and I went and I got 1150 01:04:41,040 --> 01:04:43,640 Speaker 1: the runt of all of them, and he was way 1151 01:04:43,720 --> 01:04:46,520 Speaker 1: too young, but he didn't have a mom, and so 1152 01:04:46,600 --> 01:04:48,080 Speaker 1: I took him and have a picture of him somewhere 1153 01:04:48,080 --> 01:04:50,320 Speaker 1: in this house and I'm holding him in one hand. 1154 01:04:51,160 --> 01:04:53,360 Speaker 1: That's how small he was. So that dog is usually 1155 01:04:53,400 --> 01:04:56,560 Speaker 1: he's thirty four pounds. That those dogs like sixty pounds. 1156 01:04:56,640 --> 01:05:00,400 Speaker 1: Normally he's half that size. That's so cool though, I 1157 01:05:00,560 --> 01:05:03,440 Speaker 1: love that. What about your dog? My, So one of 1158 01:05:03,520 --> 01:05:09,520 Speaker 1: them is a pointer mix and smart too smart. Yeah, 1159 01:05:09,520 --> 01:05:12,040 Speaker 1: I mean, those are very intelligent dogs. But there he's 1160 01:05:12,160 --> 01:05:15,200 Speaker 1: so hyper. He's just he has that pointer tail and 1161 01:05:15,280 --> 01:05:18,800 Speaker 1: he's always sniffing and once the front door opens a 1162 01:05:18,880 --> 01:05:21,640 Speaker 1: little bit, he's gone, like he just wants to roam. 1163 01:05:22,560 --> 01:05:25,120 Speaker 1: But my other dog is a German Shepherd mix and 1164 01:05:25,200 --> 01:05:28,560 Speaker 1: he's like this big, cuddly teddy bear and he's so sweet. 1165 01:05:29,200 --> 01:05:31,680 Speaker 1: But I got him at the Humane Society, and so 1166 01:05:31,840 --> 01:05:33,760 Speaker 1: they're a mix, and I don't I want to know 1167 01:05:33,920 --> 01:05:37,120 Speaker 1: one day, like what you know that like me? For dogs? 1168 01:05:37,200 --> 01:05:43,760 Speaker 1: They actually have a DNA kit. Nown yes, they have it, 1169 01:05:43,840 --> 01:05:46,520 Speaker 1: and you take take your dog saliva and this is 1170 01:05:46,520 --> 01:05:47,760 Speaker 1: not an average I don't know what the name of 1171 01:05:47,840 --> 01:05:49,960 Speaker 1: it is. My friend, my friend just did it. And 1172 01:05:50,040 --> 01:05:52,120 Speaker 1: I'll make sure you get what I want to do 1173 01:05:52,240 --> 01:05:54,640 Speaker 1: that because I don't know exactly what, and now I 1174 01:05:54,720 --> 01:05:56,240 Speaker 1: did it for me as a human with twenty three 1175 01:05:56,280 --> 01:05:58,480 Speaker 1: and me because I don't really know what I am. Like. 1176 01:05:58,880 --> 01:06:00,920 Speaker 1: You know, I never knew my dad, my mom really, 1177 01:06:01,000 --> 01:06:04,640 Speaker 1: so I didn't know. I'm testing myself and to my surprise, 1178 01:06:04,680 --> 01:06:12,600 Speaker 1: I'm very white. Yeah, I'm very that's just in prepared 1179 01:06:12,640 --> 01:06:19,080 Speaker 1: to be shocked. I'm super Caucasian. Hilarious. So yeah, I'll 1180 01:06:19,160 --> 01:06:21,200 Speaker 1: get you the name of what that is because it's 1181 01:06:21,240 --> 01:06:23,160 Speaker 1: a real thing. With the dogs, you can now go 1182 01:06:23,280 --> 01:06:25,800 Speaker 1: find exactly what breed they are. Yeah, because my one 1183 01:06:25,880 --> 01:06:29,320 Speaker 1: of the German show, I say German shepherd because he 1184 01:06:29,400 --> 01:06:32,680 Speaker 1: has those like low back legs and he's a big dog, 1185 01:06:33,200 --> 01:06:36,800 Speaker 1: but he has that brindle look and they at the 1186 01:06:36,960 --> 01:06:39,960 Speaker 1: shelter said he was a mountain curve. I was like, 1187 01:06:40,080 --> 01:06:42,120 Speaker 1: what the heck is that? And I looked it up 1188 01:06:42,160 --> 01:06:44,520 Speaker 1: and they like hunt big animals and I'm like, but 1189 01:06:44,640 --> 01:06:48,880 Speaker 1: he's too nice, he's something else. So but your point 1190 01:06:48,920 --> 01:06:54,280 Speaker 1: are they're genetically hunting spotting? Yeah, for sure. And it's 1191 01:06:54,280 --> 01:06:56,400 Speaker 1: funny because it's probably never actually had to go out 1192 01:06:56,440 --> 01:06:59,520 Speaker 1: and point, yet it still does. It's still because of 1193 01:06:59,600 --> 01:07:02,439 Speaker 1: its gene. Yeah, yeah, we had a bunch of dogs 1194 01:07:02,480 --> 01:07:06,560 Speaker 1: we had growing up to hunt with, and my hunting days, 1195 01:07:07,480 --> 01:07:09,800 Speaker 1: those days, on those days don't exist anymore. But when 1196 01:07:09,800 --> 01:07:11,680 Speaker 1: you go up in Arkansas, that's how you bonded with everyone. 1197 01:07:11,920 --> 01:07:13,960 Speaker 1: I had a gun, it I mean, I have one 1198 01:07:14,000 --> 01:07:15,480 Speaker 1: gun now and just when someone tries to break in 1199 01:07:15,520 --> 01:07:17,120 Speaker 1: my house, I have a big gun. I have a 1200 01:07:17,200 --> 01:07:19,200 Speaker 1: big boy gun. Yeah, I have a big I have 1201 01:07:19,240 --> 01:07:20,840 Speaker 1: a big boy gun too, but I don't use it 1202 01:07:20,920 --> 01:07:22,800 Speaker 1: to go shoot animals anymore. I used it to shoot 1203 01:07:22,880 --> 01:07:26,800 Speaker 1: humans and give me crap. But yeah, we had beagles 1204 01:07:27,000 --> 01:07:29,400 Speaker 1: and we had pointers. But it was amazing when they 1205 01:07:29,440 --> 01:07:32,480 Speaker 1: were puppies, they automatically had the instinct to do what 1206 01:07:32,600 --> 01:07:34,920 Speaker 1: they were supposed to do. Yeah, so it was amazing. 1207 01:07:34,960 --> 01:07:37,400 Speaker 1: It is amazing. And they're like posture, They're all like 1208 01:07:38,080 --> 01:07:40,200 Speaker 1: in in the zone. I'm like, that is so cool. 1209 01:07:40,640 --> 01:07:43,520 Speaker 1: We would take a dog out and to Quil hunt 1210 01:07:43,640 --> 01:07:45,960 Speaker 1: and he'd point because you see a bird or didn't 1211 01:07:45,960 --> 01:07:49,120 Speaker 1: see that covey of Quil right on tail knows it 1212 01:07:49,200 --> 01:07:51,440 Speaker 1: wouldn't move, and that's when you would know. That's where 1213 01:07:51,440 --> 01:07:53,280 Speaker 1: you would know they were. And so everybody was like, okay, 1214 01:07:53,280 --> 01:07:56,240 Speaker 1: here we go. We go and then when they flew up, 1215 01:07:56,680 --> 01:07:58,880 Speaker 1: I don't again. I don't do that anymore. He seemed 1216 01:07:58,880 --> 01:08:00,800 Speaker 1: like a pro at it, though. But that's what I 1217 01:08:00,880 --> 01:08:06,200 Speaker 1: did for a lot of my life because fun. Yeah, sure, listen, 1218 01:08:06,280 --> 01:08:09,400 Speaker 1: I'm not a big outside guy. Give me some WiFi 1219 01:08:10,320 --> 01:08:16,360 Speaker 1: and you know miclave. I'm good, Microwave. I mean give 1220 01:08:16,400 --> 01:08:22,240 Speaker 1: me Netflix and WiFi micwave. Yeah, I'm set for eight months. Perfect. 1221 01:08:23,320 --> 01:08:25,519 Speaker 1: But yeah, when you're in Arkansas and your ten to 1222 01:08:26,400 --> 01:08:29,040 Speaker 1: sevent that's when I finally moved away. That's how you 1223 01:08:29,160 --> 01:08:31,560 Speaker 1: bonded with everybody, or you just didn't. Yeah, so you 1224 01:08:31,600 --> 01:08:36,040 Speaker 1: went o shot things. I surprisingly I have dad's side 1225 01:08:36,080 --> 01:08:38,519 Speaker 1: of the family, Little Rock, Arkansas. No, that's I grew 1226 01:08:38,600 --> 01:08:41,880 Speaker 1: up in Rock and it's it is. It's country. That's 1227 01:08:41,880 --> 01:08:43,920 Speaker 1: what we do. Yeah, I can see that that did 1228 01:08:44,160 --> 01:08:46,519 Speaker 1: for me. Did But my step my stepdad who my 1229 01:08:46,600 --> 01:08:48,400 Speaker 1: mom married. Later on, he calls into my show a 1230 01:08:48,439 --> 01:08:50,439 Speaker 1: bit and he every morning he's hunting. We call him. 1231 01:08:50,760 --> 01:08:53,840 Speaker 1: That's that's fun. Yeah. So well, I'm glad you came. 1232 01:08:54,160 --> 01:08:57,360 Speaker 1: Thank you. Let me encourage everyone listening because I know 1233 01:08:57,360 --> 01:08:59,799 Speaker 1: a lot of people be listening to this, that Daniel's 1234 01:08:59,800 --> 01:09:03,280 Speaker 1: album What's called I don't believe we met. Yes, yeah, 1235 01:09:04,320 --> 01:09:07,240 Speaker 1: I'm gonna say I believe we haven't met, but we 1236 01:09:07,400 --> 01:09:10,800 Speaker 1: haven't met, because don't believe we've met. And depending when 1237 01:09:10,840 --> 01:09:14,080 Speaker 1: you hear this, but it makes you want sway is 1238 01:09:14,120 --> 01:09:19,360 Speaker 1: gonna be a big old hit. And then oh, I 1239 01:09:19,400 --> 01:09:21,439 Speaker 1: would like to play this just from the beginning because 1240 01:09:21,439 --> 01:09:23,760 Speaker 1: I do enjoy this, this song here that will not 1241 01:09:23,840 --> 01:09:26,200 Speaker 1: be a big old hit. But hold on, wait, wait wait, 1242 01:09:26,560 --> 01:09:27,920 Speaker 1: I don't need you, how Mike, I can play hold on, 1243 01:09:28,000 --> 01:09:29,600 Speaker 1: Mike's gonna run over here and to Matt, let me 1244 01:09:29,680 --> 01:09:32,760 Speaker 1: work my way through this. Hold on, hold on, you 1245 01:09:32,800 --> 01:09:38,920 Speaker 1: got this, this computer got it. Thank you. There we go, 1246 01:09:41,000 --> 01:09:44,200 Speaker 1: Oh my god, Yeah, yeah, yeah, for sure, this is 1247 01:09:45,240 --> 01:09:53,760 Speaker 1: come on. Let's recourse was like Luda, l I need 1248 01:09:53,800 --> 01:09:56,960 Speaker 1: a wrapper us now if she is, don't fail that. 1249 01:09:57,080 --> 01:09:59,360 Speaker 1: Her name was Damn, But I mean that's what you 1250 01:09:59,439 --> 01:10:05,200 Speaker 1: want those guys. I signed a hip hop deal. One 1251 01:10:05,280 --> 01:10:08,920 Speaker 1: song yeah my all three go was Captain Caucasian and 1252 01:10:09,960 --> 01:10:13,000 Speaker 1: I did the that part of feature. Do you remember 1253 01:10:13,240 --> 01:10:17,040 Speaker 1: the gymnast Carly Patterson? She she was metal gymnasts trying 1254 01:10:17,080 --> 01:10:19,160 Speaker 1: to pop career and she came in and I was 1255 01:10:19,240 --> 01:10:20,760 Speaker 1: doing some deal. I was playing guitar, and I was 1256 01:10:20,800 --> 01:10:22,880 Speaker 1: just like, you know, and the guy was like, hey, 1257 01:10:22,880 --> 01:10:25,240 Speaker 1: can you write up? I just wrote this little deal. 1258 01:10:25,800 --> 01:10:27,280 Speaker 1: You can get somebody rap it and say hey can 1259 01:10:27,320 --> 01:10:29,360 Speaker 1: you do it? And it's still on YouTube somewhere where 1260 01:10:29,360 --> 01:10:31,519 Speaker 1: I'm in the studio going, you know, and they put 1261 01:10:31,560 --> 01:10:33,559 Speaker 1: it on and it was you know, like seven stations 1262 01:10:33,760 --> 01:10:35,519 Speaker 1: played it in a rotation, but yeah, it was Carly 1263 01:10:35,600 --> 01:10:46,120 Speaker 1: Patterson featuring Captain Caucasian. So bringing back up the zone whatever, 1264 01:10:46,200 --> 01:10:48,040 Speaker 1: don't let it, don't let him hate on you. Let 1265 01:10:48,080 --> 01:10:50,479 Speaker 1: me know if there gives you any problems. Hey, I 1266 01:10:50,560 --> 01:10:55,160 Speaker 1: will all right, Daniel Bradbery episode, thanks bringing up. I 1267 01:10:55,200 --> 01:10:57,599 Speaker 1: believe our next episode of the one after this will 1268 01:10:57,640 --> 01:11:00,840 Speaker 1: be Christian Bush on sugar Land, right, so um, come 1269 01:11:00,880 --> 01:11:05,880 Speaker 1: back then you can tweet danielle at d Bradbury. Yeah, yeah, 1270 01:11:05,920 --> 01:11:08,800 Speaker 1: you got it right, and you can you know, do 1271 01:11:08,880 --> 01:11:11,280 Speaker 1: all this stuff. Okay, that's it. We'll see you next time. Ever. 1272 01:11:11,280 --> 01:11:11,599 Speaker 1: B My By