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Speaker 1: To Teas in a Pod with Teddy Mellencamp and Tamra Jedge.

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Speaker 2: Hi, guys, welcome to another episode of two Teas in

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Speaker 2: a Pod and see Hi Cynthia, Hey Peddy. How's it going?

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Speaker 2: So on the last pod, I what because I saw

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Speaker 2: the Drew scene, the Drew having sex scene in Atlanta.

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Speaker 2: I accidentally asked Tamra to please imitate her best fake

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Speaker 2: orgasm on the pod. Okay, so now it's your and

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Speaker 2: then I did. Mine was terrible. So now it's your

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Speaker 2: turn because you're the actual actress here, so go for it.

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Speaker 3: We're gonna start out done. I just kept put it

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Speaker 3: on the spot here. Let's see why I can go

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Speaker 3: quiet or allowed with my orgasm.

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Speaker 2: So work with you here, Okay, okay.

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Speaker 3: It's actually the best ones of the quiet ones.

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Speaker 2: I know those are when actually really enjoying it.

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Speaker 3: It's actually having one because the loud ones give like

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Speaker 3: fake horn star, you know what I say. But let

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Speaker 3: me try it, let me tap in. M hm m

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Speaker 3: m all right, that's my big one. I would never

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Speaker 3: do that. I would never be that loud in real life.

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Speaker 3: Like if I'm screaming that loud, you know, damn Well,

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Speaker 3: it's not a real one.

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Speaker 2: You're like, if I'm streaming that loud, I'm putting on

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Speaker 2: a show. I'm putting on a show. Oh my gosh. Okay,

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Speaker 2: So before we get into orgin to talk a little

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Speaker 2: bit about Atlanta, mainly because your face during the conversation

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Speaker 2: with Bob.

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Speaker 3: Listen so good. There was so many reveals going on

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Speaker 3: that night. I mean, we showed it the baby reveal.

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Speaker 3: We didn't show him for the uh big baby reveal

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Speaker 3: for a long time, and nobody knew about.

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Speaker 2: Her, well know, mhich baby didn't show up or didn't

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Speaker 2: want to show up, which was Charai's glam daughter didn't

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Speaker 2: show up, but she was like done, dead asleep, like

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Speaker 2: they're trying to try pass you out.

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Speaker 3: And she's like, yeah, Charai's grand baby. It's so cute,

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Speaker 3: so sweet, and it was one of the smartest ones

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Speaker 3: that just kind of slept because so much round going on.

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Speaker 3: But uh yeah, Bob definitely definitely threw us a bombshell.

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Speaker 3: I mean, I'm still actually confused how that worked. I

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Speaker 3: don't know.

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Speaker 2: I mean, but also, wouldn't you have thought that, like

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Speaker 2: any part of that introduction maybe could have happened prior

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Speaker 2: to the photo op.

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Speaker 3: Yeah, like absolutely, like about Like, I mean, the woman

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Speaker 3: had to be at least twenty five, so I'm just

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Speaker 3: thinking photo op. I don't know when the baby was

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Speaker 3: actually born, when the lady got pregnant, I don't know.

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Speaker 3: It just felt like it maybe would have come up.

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Speaker 2: But the part that I did appreciate is that, like

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Speaker 2: Bob could at least laugh at himself always.

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Speaker 3: Bob is hilarious. I love Bob. Bob can make fun

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Speaker 3: and have a good time in any situation.

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Speaker 2: Clear that's why I can get himself out of a

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Speaker 2: lot of trouble apparently exactly. Yeah, so that that was

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Speaker 2: pretty interesting. I have another question. Do you have you

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Speaker 2: ever had any conversations with Anthony?

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Speaker 3: Oh, you know, I have a funny story. I actually

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Speaker 3: almost interviewed Anthony to be my assistant.

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Speaker 2: Of course you do a freaking course.

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Speaker 3: But here's the crazy thing. The crazy thing is he

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Speaker 3: I felt like he reached out through me and he

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Speaker 3: was working with someone else that I knew, Yeah that

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Speaker 3: was in the business or whatever, and I was looking

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Speaker 3: for an assistant at the time. And actually before I

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Speaker 3: actually got a chance to interview him, I actually met

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Speaker 3: another person who I just like fell in love with

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Speaker 3: and was like, okay, you're the person. But Anthony's appointment

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Speaker 3: was still set, so he still came, and I was like,

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Speaker 3: oh my god, I you know, hired someone else. So

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Speaker 3: I ended up just paying for Zuber to go back.

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Speaker 3: But you know, we keep in touch, We're friendly, you know,

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Speaker 3: definitely he.

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Speaker 2: Sees us the only assistant in Atlanta.

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Speaker 3: Well I don't think. Well, I mean, I mean, looking

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Speaker 3: at the season, I'm like, okay, I think Anthony and

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Speaker 3: I will probably be better suited, you know, just to you know,

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Speaker 3: give a love. He doesn't because it sounds like he's

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Speaker 3: all up in the mix.

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Speaker 2: In the mix. So when you were going to interview him,

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Speaker 2: was that before or after Drew and Shrek?

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Speaker 3: Way before? I think Scharay may have known him already

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Speaker 3: or been working with him already. I'm pretty sure that

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Speaker 3: they were working and had a good relationship, but I'm

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Speaker 3: pretty sure it was before Drew for sure.

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Speaker 2: My gosh, And if you were Drew, would you.

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Speaker 3: Excited when Drew snagged him? Because you know, he seemed

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Speaker 3: like a you know, a cool guy, and he seemed

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Speaker 3: like he was on top of things. So I was like,

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Speaker 3: all right, you know, just you know, the timing just

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Speaker 3: didn't work out for me. I ended up you know,

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Speaker 3: using someone else.

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Speaker 2: But yeah, in hindsight, it may have been a blessing.

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Speaker 3: Anthony is definitely about that life. He definitely uh is

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Speaker 3: not free to uh say what he needs to say.

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Speaker 2: Get in the mix? Would you have not got if

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Speaker 2: if you were Drew, would you have wanted to stay

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Speaker 2: in the car as well, or would you have come in.

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Speaker 3: You know, depending on the situation. From the way she

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Speaker 3: described the situation, I felt like I saw her points.

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Speaker 3: But at the same time, you know, we have security,

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Speaker 3: like it's you know, usually when we film, it's a

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Speaker 3: pretty safe space. Charay does have a nice roomy house.

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Speaker 3: I don't I don't think that I would like to

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Speaker 3: think that he would not have you know, done anything

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Speaker 3: you know to her, you know, on.

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Speaker 2: Camera, maybe basically, But that being said, they weren't even

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Speaker 2: talking to him. They were talking to Chart and I

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Speaker 2: didn't even know he was standing behind Ray and then

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Speaker 2: all of a sudden, you see like head pop over

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Speaker 2: so you can get his two cents in. I'm like,

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Speaker 2: he's looking for his peach and it's confessional.

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Speaker 3: Yeah, I don't think that was the focus of the scene.

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Speaker 3: I think it was really I think between you know,

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Speaker 3: it was a baby reveal and then between Bob dropping

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Speaker 3: his bomb, I think that was like kind of you know,

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Speaker 3: low on the burn. But hey, you know, you never know.

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Speaker 2: And I have one other question in regards to Atlanta

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Speaker 2: and then moved on to Orange County. Has Martel ever

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Speaker 2: slid into your DMS? No check, let me check, yeah

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Speaker 2: in the point ninety plus ninety nine.

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Speaker 3: No.

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Speaker 1: No.

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Speaker 3: And I have a funny story about Martel. I actually

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Speaker 3: met Martel and Melanie years ago at my brother's house.

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Speaker 4: Uh.

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Speaker 3: He had a barbecue and he and Martel are friends.

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Speaker 3: So I knew them before they ever, you know, got

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Speaker 3: on TV or whatever. As a matter of fact, Melody

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Speaker 3: we may have discussed, like you know, like I think

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Speaker 3: we had the reality TV talk. You know a lot

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Speaker 3: of people when they get ready to start reality TV life,

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Speaker 3: you know, they'll call and say, hey, you know, do

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Speaker 3: you have any advice, whatever, whatever? Whatever. So yeah, I

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Speaker 3: knew Martel and Now way back in the day through

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Speaker 3: my brother Thomas. All Right, well, so I love I'm

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Speaker 3: so connected to all these people here.

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Speaker 2: I know. I'm like, you are making this easy for me.

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Speaker 3: I'm like oh what, honeyeah, woa what you know? Everybody worldwide?

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Speaker 2: Well, no, speaking of worldwide, I really thought, because you

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Speaker 2: dropped a little hint to Candy that you were like, well,

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Speaker 2: if you need anybody else in the movie, call me up.

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Speaker 3: But then she didn't call you, she called Manyara. Well,

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Speaker 3: actually that's not true, that's not true. She they did

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Speaker 3: offer me apart the game. I kind of got in

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Speaker 3: the mix late, and I think all the the bigger

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Speaker 3: parts were gone, and it was something it was like,

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Speaker 3: literally like a cameo and man like, I mean, I

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Speaker 3: just said hi or something I can't even remember. But

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Speaker 3: I just felt like at this point I had evolved

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Speaker 3: enough as an actress to get more than a cameo.

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Speaker 3: I was doing cameos before I even focused on access.

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Speaker 3: So I'm still kind and support the movie on this one.

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Speaker 2: Well, how would you have felt about having sex and

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Speaker 2: Candy's back, well, faking having sex and candies bad?

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Speaker 3: How would I have felt, well, you know, as a

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Speaker 3: you know, up and coming actress, had I gotten that role,

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Speaker 3: I wouldn't. I would have felt like, you know, I

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Speaker 3: would have delivered. I would have you know, did my

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Speaker 3: thing all right, showed up and showed it.

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Speaker 2: All right, Well, I'm looking forward to seeing the next

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Speaker 2: movie that you are in because you're so talented. But

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Speaker 2: now we're on Orange County.

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Speaker 4: Here we go, let's get the first scene to me

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Speaker 4: was so eerie between Shannon and John.

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Speaker 2: Did it not feel like I don't know, I just

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Speaker 2: felt this like heaviness, Like I felt like there's so

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Speaker 2: much not being said here. Shannon said. She tells John

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Speaker 2: that she felt ambushed by the ladies the other night

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Speaker 2: and feels portrayed, and then John in this like very

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Speaker 2: like you could tell he's trying not to lose his

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Speaker 2: ship tone. It's like be careful, and I'm like, at

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Speaker 2: this point they both know Shannon has shared things off camera,

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Speaker 2: they are like shit.

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Speaker 3: Yes, I felt like what he really wanted to say was, well,

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Speaker 3: what all have you actually said to these people? Like

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Speaker 3: what do I need to be prepared for? But I

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Speaker 3: wouldn't say. I don't think Shannon was ambushed. I don't

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Speaker 3: like when when the ladies are like, oh I was ambushed,

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Speaker 3: I was attagged. Whatever. I think Shannon was pissed and

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Speaker 3: honestly very concerned with what is being said, because I

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Speaker 3: think there's some real concern for her relationship with John.

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Speaker 3: I just feel like they just don't seem I don't know,

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Speaker 3: I just get nervous watching them. I feel like, you know,

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Speaker 3: it's like walking on eggshells when you know they come up,

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Speaker 3: because it's like, oh lord, you know, we get ready

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Speaker 3: to talk about Shannon and John because it just feels

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Speaker 3: so uplimits and so like, you know, uncomfortable for her.

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Speaker 2: Yeah, and I feel like this whole John is a

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Speaker 2: private person thing. But yet he's there to film as

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Speaker 2: much as possible. I'm like, I don't buy that. If

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Speaker 2: you're a private person, you're not on camera.

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Speaker 3: But see, here's my thing. I don't think. I mean

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Speaker 3: the times that I've seen him film, Please roll the

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Speaker 3: footage of him just filming all the time and hamming

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Speaker 3: it up. I mean, the man literally doesn't say much

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Speaker 3: when he does film that I've seen, Like, I feel

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Speaker 3: like he doesn't really you know, you have to remember,

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Speaker 3: you know, I was married to Peter, and Peter like

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Speaker 3: I know what a ham looks like. I know when

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Speaker 3: somebody's excited for a scene and to be on camera,

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Speaker 3: and you know, the Camberll loove Peter and Peter love

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Speaker 3: the camera. He always showed up, so I know what

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Speaker 3: that is. I don't get them done. I get like, hey, babe,

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Speaker 3: I get you in the scene, you know, and him

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Speaker 3: being pretty much like, uh, okay, I don't know. I mean,

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Speaker 3: he doesn't really say a lot from the scenes that

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Speaker 3: I've seen the season.

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Speaker 2: So when he does, he tends to drop the F bomb,

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Speaker 2: and it's about the other women, like they better watch out,

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Speaker 2: they better do that. I'm like, you know what this is.

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Speaker 2: You know what this is. And then Emily meets with Kimberly,

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Speaker 2: who has been freed by the California Innocence Project. Kimberly

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Speaker 2: shares her story how she was a nurse and lost everything.

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Speaker 2: She came home one day and found her boyfriend murdered.

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Speaker 2: Emily says there are flaws in the criminal justice work

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Speaker 2: and she wants to continue to help. Ex Hoonnaiaes does

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Speaker 2: Emily's work here give you a new perspective on her

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Speaker 2: as a person.

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Speaker 3: Emily had me at hello. Yeah, at this point, I

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Speaker 3: think I'm friends with Emily. Okay, I just love this woman.

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Speaker 3: And what I also love and appreciate is when we

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Speaker 3: as housewives use the platform for, you know, to shine

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Speaker 3: a light on serious issues like this that can actually

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Speaker 3: help other people. So I already loved Emily and this

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Speaker 3: just makes me love her even more.

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Speaker 2: And you know, this is no disrespect to my girl Tam,

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Speaker 2: but Emily is slowly becoming one of my favorite OC housewives.

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Speaker 2: Like she she knows the assignment, she gets heated, she

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Speaker 2: apologizes and takes accountability when she needs to. She does

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Speaker 2: good work. She's open about her family and her marriage

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Speaker 2: and the ups and she and she's funny.

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Speaker 3: She's funny. She's funny. I just feel like she gives

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Speaker 3: us that good balance of knowing when to like throw

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Speaker 3: a log on the fire and know, I'm want to

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Speaker 3: take accountability, no one to apologize. She just knows how

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Speaker 3: to move around. And she's always whenever she shows up

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Speaker 3: to a scene, she shows up, she's like pulled in

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Speaker 3: in some way, whether it's dramatically emotionally like some way,

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Speaker 3: like she she's very present. And yeah, you know that's

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Speaker 3: that's like a gift. It's not easy to spread yourself

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Speaker 3: around in those scenes like that. Like some scenes like

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Speaker 3: I would go to be like Okay, that was a

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Speaker 3: good scene for me, Like I was engaged, I like

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Speaker 3: got some few lefts in and whatever, and then some

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Speaker 3: scenes happen and you're like, well.

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Speaker 2: That's gonna be left in the cutting room floor.

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Speaker 3: You know, always win in your scenes. So it just

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Speaker 3: feels good. I feel like when I see her, I'm like,

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Speaker 3: this my girl.

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Speaker 2: Well, because then Heather and Shannon made up talking person.

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Speaker 2: Heather says she has never initiated a conversation about Shannon's

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Speaker 2: relationship and says she has normal relationship. Is she's like

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Speaker 2: spending time together and having been blended families. Okay, then

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Speaker 2: we get to kind of Heather's little confessional, which thank

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Speaker 2: you to the editors. I love that they like she's like,

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Speaker 2: never said it, and then there's like fifteen things she said.

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Speaker 2: It's like maybe, but it's all only in the confessional.

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Speaker 2: So my thought process is this confessional has all happened

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Speaker 2: after the fact. Once Heather is pissed that something that

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Speaker 2: she gossiped about off camera with the other women they

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Speaker 2: brought up on camera, right, so she you know, pretty

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Speaker 2: much says Heather's uh says Shannon drinks at night and

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Speaker 2: calls people to spill the truth, but the next memory

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Speaker 2: morning has no memory. Heather also says Shannon has told

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Speaker 2: her John loves being in the limelight and is a

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Speaker 2: lot of the reason why he's actually with her. Do

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Speaker 2: you feel like Heather is justified and spilling the tea

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Speaker 2: in her confessional because she's looking at Shannon in real

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Speaker 2: time while they're meeting and saying, I'm not doing this right.

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Speaker 3: Well, I think the way it's planned out is Heather

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Speaker 3: feels like she's gonna be left holding the bag here. Yeah, listen,

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Speaker 3: I'm not the only person that thinks this or has

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Speaker 3: heard this. I've got that call in the middle of

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Speaker 3: the night or whatever, and she's going into defense mode,

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Speaker 3: which is very common to do when you realize that

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Speaker 3: somehow you're the person that's being like stuck, like you know,

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Speaker 3: being the carrier of this news or whatever. But to

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Speaker 3: your point, I feel like if there was a flashback

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Speaker 3: of her actually staying it in the group, we would

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Speaker 3: have seen it. We've only seen confessionals, so it's clearly

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Speaker 3: set off camera. But you have to be very careful

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Speaker 3: what you say off camera because none comes out of ten.

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Speaker 3: It's going to, you know, become part of the on

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Speaker 3: camera party.

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Speaker 2: Really well, I mean, at this point, I've seen more

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Speaker 2: of Shannon with production than she has been with the

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Speaker 2: other women in the scenes, Like they just keep breaking

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Speaker 2: the fourth wall because she keeps taking her mic off,

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Speaker 2: keeps saying we can't show this, you can't do that.

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Speaker 2: I'm like, you're not producing. And I like Shannon, but

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Speaker 2: I'm like, this is not this is not where it's

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Speaker 2: at a right.

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Speaker 3: I love Shannon as well, but if Shannon walks off

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Speaker 3: set one more time this season, Like I'm so sick

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Speaker 3: of seeing in the back of Shannon walking to her

297
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Speaker 3: car and leaving a scene, I'm like, what, like, sit

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Speaker 3: in this, let's let's end this, like just make it

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Speaker 3: go away. But instead of that, she just goes away.

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Speaker 2: And I'm like, but but also, if you're gonna go away,

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Speaker 2: then go away. But she always comes right back. I'm

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Speaker 2: like that setup for you know, Taco Tuesday went on

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Speaker 2: for like I feel like twenty hours. I'm like, you

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Speaker 2: have a lot of helpers here, and I know it

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Speaker 2: was her event, but like I know she couldn't really

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Speaker 2: go anywhere. But then at this point, say, you know what,

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Speaker 2: I'm not having the event. Would you really want if

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Speaker 2: you're that upset at all these women, right, would they couldn't.

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Speaker 3: Come cancel Taco Night? Whatever? It was like I just

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Speaker 3: would be like, you know what, I'm done. I can't

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Speaker 3: do it right now with you guys. The last thing

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Speaker 3: I want to do is see you guys for Taco

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Speaker 3: tuesdayal or whatever it was the Taco Night. Wait, I

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Speaker 3: think we're going to get to that. Why do I think?

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Speaker 3: It was so funny that at the actual Taco Night

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Speaker 3: event that Shannon was the only one that had on

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Speaker 3: a cute little hat, like a little hat. She was

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Speaker 3: like the only one, and every time she was talking,

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Speaker 3: I just could not.

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Speaker 2: Stop because Shannon loves a costume, so like I like

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Speaker 2: love any chance that Shannon has, like an opportunity.

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Speaker 3: It was really a costume, Teddy, it was only it

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Speaker 3: was like a regular outfit and the teeny little hat

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Speaker 3: that wasn't even sitting right. It was just so funny

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Speaker 3: and distracting to me because I just kept thinking, everyone's

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Speaker 3: gonna get a hat or she's gonna take it off,

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Speaker 3: and just just I'm a themed girl, like are we

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Speaker 3: all wearing a hat? Like they had the hats at

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Speaker 3: the front and everybody forgot to get them, Like what

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Speaker 3: is happening? I actually want one of those little hats.

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Speaker 3: It was so cute.

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Speaker 2: It was cute, But then we get to still at

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Speaker 2: this whole situation Shannon and Emily's FaceTime. Emily tells Shannon

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Speaker 2: that she shares her bullshit off camera, so I appreciate

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Speaker 2: when they actually break the fourth wall and they do this,

336
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Speaker 2: but she says Emily tells Shannon that she shares bullshit

337
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Speaker 2: off camera and doesn't take accountability. She says Shannon is

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Speaker 2: two different people like Jackyl and Hyde. She doesn't just

339
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Speaker 2: say it, she says it in like a very intense way.

340
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Speaker 2: Then Emily decides she's no longer going to Shannon's party,

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Speaker 2: and this shows she has pissed since tacos are her favorite.

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Speaker 2: Shannon is devastated that three couples are now not showing

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Speaker 2: up to her taco party. Heather, Emily, and Gina do

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Speaker 2: you think that, Like, do you empathize with someone on

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Speaker 2: your cast being like Jacqueline hide off camera?

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Speaker 3: I actually empathize with Emily missing tackle night, since that

347
00:19:04,440 --> 00:19:08,800
Speaker 3: would favorite because I felt her pain, Like I love sushi,

348
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Speaker 3: and if I got into it with a cast made

349
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Speaker 3: and nobody was catering the event or whatever, I'd be

350
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Speaker 3: like damn it, like I can't come and like, all

351
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Speaker 3: I want to do is have a spicy tune or roll.

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Speaker 3: So my empathy went more to Italy that she had

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Speaker 3: to miss out on those delicious looking tacos. The food

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Speaker 3: looks so bombed.

355
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Speaker 2: Is there anybody that's Jacqueline Hide on Atlanta off camera?

356
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Speaker 3: I think we all have the capacity tweet, you know.

357
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Speaker 3: You know, at the end of the day, I think

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Speaker 3: that it's just better if you're going to be on

359
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Speaker 3: a reality show to just pretty much stay pretty consistent

360
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Speaker 3: with who you are on and off camera, because it's

361
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Speaker 3: for sure we're going to come back to bite you

362
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Speaker 3: an ass usually, so you know, people can kind of

363
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Speaker 3: see through that stuff. But I don't know, I don't

364
00:19:51,640 --> 00:19:56,760
Speaker 3: know she's Jeklin Hyde. I just think that I just

365
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Speaker 3: love that whatever's really going on is actually happening on

366
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Speaker 3: the show as well, because I think reality TV personally

367
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Speaker 3: should be about, like, you know, it's hard to you know,

368
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Speaker 3: with social media and like the stuff that happens off

369
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Speaker 3: Camera's hard to explain stuff on camera when you get

370
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Speaker 3: in a hot seat, if you don't go back and

371
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Speaker 3: pool that's be like, well you call me and mill

372
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Speaker 3: and d d so because it just confuses everyone. So

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Speaker 3: I don't think Shannon is two people. I just think again,

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Speaker 3: Shannon is just very freaked out and concerned when it

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Speaker 3: comes to a relationship.

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Speaker 2: I think we've all been in situations where we've had

377
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Speaker 2: some beverages and we may have over shared something we

378
00:20:32,560 --> 00:20:35,320
Speaker 2: didn't want to share with other people and then not

379
00:20:35,520 --> 00:20:38,520
Speaker 2: fully remembered exactly what we've shared, and it's coming to

380
00:20:38,560 --> 00:20:44,240
Speaker 2: bite her in the Ass's exactly. But then John tells

381
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Speaker 2: the group at dinner that his relationship with Shannon is

382
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Speaker 2: not perfect. And then Eddie jokes to John, I mean,

383
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Speaker 2: you mean you aren't in some other girl, and really

384
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Speaker 2: the relationships not perfect? Okay, Ryan says Eddie, that's my job.

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Speaker 3: Okay, I'm sorry. I know we've given Ryan a hard time,

386
00:21:07,480 --> 00:21:09,760
Speaker 3: but when I tell you, I loved him for saying that. Like,

387
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Speaker 3: I love that he has a sense of humor about

388
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Speaker 3: this whole thing because we have warned him out about it,

389
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Speaker 3: and I love that he can laugh about it.

390
00:21:17,640 --> 00:21:21,040
Speaker 2: Yeah. I did too. At this point, I was like,

391
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Speaker 2: this is things are looking not so great for John

392
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Speaker 2: Janssen because at this point Ryan is more appealing to

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Speaker 2: me than John Janssen.

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Speaker 3: I mean, like it was like a total ship. How

395
00:21:33,600 --> 00:21:36,480
Speaker 3: our focus has suddenly gone to Shannon and hurt Man

396
00:21:36,600 --> 00:21:40,199
Speaker 3: and we've left Jen and Ryan alone. Matter Okay, I

397
00:21:40,480 --> 00:21:43,640
Speaker 3: could actually foresee this wedding thing happening, and I think

398
00:21:43,680 --> 00:21:45,920
Speaker 3: they're gonna be okay. I think the worst is over,

399
00:21:46,040 --> 00:21:48,760
Speaker 3: Like they definitely weathered the storm, and I think they're

400
00:21:48,960 --> 00:21:52,200
Speaker 3: you know, they may out live. I mean like their

401
00:21:52,240 --> 00:21:54,360
Speaker 3: their love may outlive. Most of the people don't get

402
00:21:54,480 --> 00:21:56,439
Speaker 3: at this point. You know what I'm saying. You just

403
00:21:56,480 --> 00:21:58,840
Speaker 3: never know. And that's how funny. That's how funny life is,

404
00:21:58,840 --> 00:22:01,159
Speaker 3: like you just never know. I'm wearing them out, and

405
00:22:01,200 --> 00:22:04,160
Speaker 3: then now they're like sitting near the solid and happiest

406
00:22:04,200 --> 00:22:06,000
Speaker 3: clams and now we're looking at Shannon and.

407
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Speaker 2: Well, Ryan, let's just keep your your your business and

408
00:22:09,800 --> 00:22:12,399
Speaker 2: your pants and then you'll probably be good all together

409
00:22:12,480 --> 00:22:16,680
Speaker 2: on Snapchat with other women. Just in general, keep it

410
00:22:16,800 --> 00:22:22,040
Speaker 2: zipped up, just keep up to go work. I mean Eddie,

411
00:22:22,560 --> 00:22:25,000
Speaker 2: Eddie's picked it up this season, like Eddie's coming out

412
00:22:25,000 --> 00:22:29,440
Speaker 2: with some real singers. I'm like, you know what, I'm

413
00:22:29,480 --> 00:22:32,119
Speaker 2: happy he's bringing it because Eddie is really funny and

414
00:22:32,160 --> 00:22:34,000
Speaker 2: he has kind of like that dry sense of humor

415
00:22:34,040 --> 00:22:35,920
Speaker 2: where you can't really tell if he's about to tell

416
00:22:35,960 --> 00:22:38,720
Speaker 2: a joke or he's really serious about something, and then

417
00:22:38,760 --> 00:22:39,880
Speaker 2: he just kind of zings you.

418
00:22:39,840 --> 00:22:43,960
Speaker 3: And you're like, yeah, I love him, I love him, Tim.

419
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Speaker 2: This is where it gets. This is where it crosses

420
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Speaker 2: the line for me.

421
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Speaker 3: Okay.

422
00:22:58,960 --> 00:23:01,600
Speaker 2: Shannon tells the that she has tried to be kind

423
00:23:01,600 --> 00:23:03,920
Speaker 2: to Gina and helped her with her DUI. She says

424
00:23:03,960 --> 00:23:06,960
Speaker 2: Gina would have gotten arrested at eight am and her

425
00:23:07,040 --> 00:23:10,159
Speaker 2: kids would have gone to Child Protective Services if it

426
00:23:10,200 --> 00:23:14,879
Speaker 2: wasn't for her. Jen tells Gina later on, and Gina's pissed.

427
00:23:14,920 --> 00:23:17,800
Speaker 2: Gina says there was zero scenario where her kids would

428
00:23:17,800 --> 00:23:20,359
Speaker 2: have been taken, and she even says if every single

429
00:23:20,359 --> 00:23:22,600
Speaker 2: person in Orange County that got it. She called it

430
00:23:22,640 --> 00:23:25,399
Speaker 2: a dewey, which that reminds me of high school when

431
00:23:25,400 --> 00:23:27,440
Speaker 2: people used to say dewey. I was like, no, no,

432
00:23:29,320 --> 00:23:34,480
Speaker 2: but I do think to throw in that your kids

433
00:23:34,520 --> 00:23:36,879
Speaker 2: would have been taken by CPS when you just passed

434
00:23:36,880 --> 00:23:38,280
Speaker 2: along a phone number.

435
00:23:39,000 --> 00:23:43,480
Speaker 3: That's a lot. I thought that was a reach because

436
00:23:43,560 --> 00:23:46,440
Speaker 3: a I think that that. I mean, if you get

437
00:23:46,520 --> 00:23:48,560
Speaker 3: arrested for a DUI, just think, guess so many people

438
00:23:48,640 --> 00:23:51,399
Speaker 3: that would get that phone call before Child Protective Service

439
00:23:51,480 --> 00:23:56,879
Speaker 3: is like, you know, a relative, mom, dad, and well anybody, Like,

440
00:23:56,920 --> 00:24:00,640
Speaker 3: I just don't think that's the immediate like solution.

441
00:24:01,280 --> 00:24:03,960
Speaker 2: Yeah. And I also think anytime that you do something

442
00:24:04,080 --> 00:24:08,000
Speaker 2: for someone but then you talk about it endlessly that

443
00:24:08,080 --> 00:24:10,919
Speaker 2: you did it for them, then it's negated that you

444
00:24:11,000 --> 00:24:13,320
Speaker 2: actually did it, Like who cares anymore? You've now made

445
00:24:13,359 --> 00:24:16,639
Speaker 2: this so about you the nice deed or what our

446
00:24:16,720 --> 00:24:20,640
Speaker 2: favor or passing along the contact or given the information

447
00:24:20,720 --> 00:24:22,960
Speaker 2: You're like, well, now this doesn't even feel right. It

448
00:24:23,000 --> 00:24:24,960
Speaker 2: feels like you're just doing it for your own validation,

449
00:24:25,119 --> 00:24:25,840
Speaker 2: which I didn't like.

450
00:24:26,359 --> 00:24:29,480
Speaker 3: Yeah, it definitely gave those vibes, and I felt like

451
00:24:30,280 --> 00:24:32,160
Speaker 3: Shannon could have held on to that one. I don't

452
00:24:32,240 --> 00:24:34,920
Speaker 3: think that. I don't know. I don't think she should

453
00:24:34,920 --> 00:24:35,880
Speaker 3: have thrown it out there.

454
00:24:36,680 --> 00:24:40,200
Speaker 2: Plus, like if you if you've come from a situation

455
00:24:40,280 --> 00:24:42,639
Speaker 2: where you've had a very tumultuous divorce and all of

456
00:24:42,680 --> 00:24:45,360
Speaker 2: these things yourself, I just don't know that I would

457
00:24:45,400 --> 00:24:47,960
Speaker 2: be throwing the kids into the mix of it all

458
00:24:48,000 --> 00:24:50,639
Speaker 2: at this point. She could have if she really wanted

459
00:24:50,680 --> 00:24:56,080
Speaker 2: to shade Gina again about the DUI. Okay, but why

460
00:24:56,080 --> 00:24:57,480
Speaker 2: did you need to bring up the kids.

461
00:24:57,680 --> 00:24:59,960
Speaker 3: Yeah, that was a lot for her to work with,

462
00:25:00,280 --> 00:25:02,600
Speaker 3: you know, being able to keep the kids out of it.

463
00:25:02,640 --> 00:25:04,440
Speaker 3: I agree.

464
00:25:05,119 --> 00:25:11,040
Speaker 2: But then but in the scene where Jen is telling

465
00:25:13,080 --> 00:25:17,000
Speaker 2: telling Gina about what happened, and she's got the tuna

466
00:25:17,040 --> 00:25:20,440
Speaker 2: on her hands and she says, sorry if I smell weird,

467
00:25:20,520 --> 00:25:23,479
Speaker 2: and then Gene's like, actually smells good. Are you cooking?

468
00:25:23,560 --> 00:25:26,160
Speaker 2: And then she comes in to see like sixty two

469
00:25:26,240 --> 00:25:29,400
Speaker 2: cats on her kitchen counter and tuna fish.

470
00:25:30,400 --> 00:25:35,639
Speaker 3: Yes. I love that she fosters cats. That's so sweet.

471
00:25:35,960 --> 00:25:38,639
Speaker 2: I think I did too, But they made me nervous

472
00:25:38,640 --> 00:25:39,520
Speaker 2: on the kitchen counter.

473
00:25:39,840 --> 00:25:41,760
Speaker 3: Yeah, it's a lot of cats going on.

474
00:25:42,040 --> 00:25:46,800
Speaker 2: It's a lot of cats. Then Shannon and Emily meet

475
00:25:46,920 --> 00:25:49,840
Speaker 2: up to talk. Shannon vince to Emily about Heather and

476
00:25:49,880 --> 00:25:52,600
Speaker 2: says Heather has a history of making things seem worse

477
00:25:52,640 --> 00:25:56,200
Speaker 2: than they are. A flashback is shown from a past

478
00:25:56,240 --> 00:25:59,320
Speaker 2: season of Heather asking Terry if they should call an

479
00:25:59,359 --> 00:26:03,639
Speaker 2: ambulance on Shannon since you may be having a psychotic break.

480
00:26:05,119 --> 00:26:07,560
Speaker 2: Do you think production is setting Heather up with that

481
00:26:07,600 --> 00:26:11,119
Speaker 2: flashback or do you think they're kind of giving her

482
00:26:11,160 --> 00:26:16,880
Speaker 2: like a justification on things seem to be tumultuous with Sham.

483
00:26:17,480 --> 00:26:19,760
Speaker 3: I don't know if it's a setup. I just think that,

484
00:26:20,320 --> 00:26:23,160
Speaker 3: you know, when you're on a show like this, the flashbacks,

485
00:26:23,280 --> 00:26:26,439
Speaker 3: if whatever you say, you always have to wonder if

486
00:26:26,480 --> 00:26:30,520
Speaker 3: there's a flashback, you basically cancel out whatever you're saying. Yeah,

487
00:26:30,520 --> 00:26:36,040
Speaker 3: I mean what it is, So I I don't know.

488
00:26:36,240 --> 00:26:37,880
Speaker 3: I don't think it's a setup. I just think it's

489
00:26:37,880 --> 00:26:40,680
Speaker 3: just part of being on the show. Like anytime I've

490
00:26:40,720 --> 00:26:42,639
Speaker 3: ever watched any of my scenes and I say something,

491
00:26:42,680 --> 00:26:44,879
Speaker 3: I'm like, I wouldn't there's gonna be a flashback of

492
00:26:44,960 --> 00:26:47,359
Speaker 3: me saying completely the opposite of what I just said,

493
00:26:49,200 --> 00:26:50,600
Speaker 3: or just showing me on a light that I just

494
00:26:50,760 --> 00:26:52,720
Speaker 3: I just need this one picture and now something this

495
00:26:52,840 --> 00:26:54,840
Speaker 3: is going to be shown, Like that's just part of

496
00:26:54,840 --> 00:26:55,520
Speaker 3: being on the show.

497
00:26:56,000 --> 00:26:58,560
Speaker 2: And do you think, like when you're watching these Housewife show,

498
00:26:58,680 --> 00:27:01,000
Speaker 2: I'm not saying this is still Leah Heather thing. I

499
00:27:01,080 --> 00:27:03,760
Speaker 2: know that this happens all the time on all the

500
00:27:03,760 --> 00:27:06,399
Speaker 2: different shows. When when a new house or apartment or

501
00:27:06,440 --> 00:27:09,040
Speaker 2: anything's being shown, you kind of like need to talk

502
00:27:09,119 --> 00:27:11,639
Speaker 2: about the good things about it. Do you think it

503
00:27:11,680 --> 00:27:14,840
Speaker 2: was a little a little much when she was showing

504
00:27:14,880 --> 00:27:16,000
Speaker 2: off her new apartment.

505
00:27:16,119 --> 00:27:18,359
Speaker 3: We don't have any Romerta Cavali in our house.

506
00:27:19,000 --> 00:27:20,960
Speaker 2: I'm like, hold on, let me pull this up here

507
00:27:21,080 --> 00:27:27,040
Speaker 2: from Tarja and from Marshalls and exactly.

508
00:27:27,440 --> 00:27:33,400
Speaker 3: We would never mess up home goods like good, all right,

509
00:27:33,800 --> 00:27:40,040
Speaker 3: you know what. I love this apartment. It is beautiful.

510
00:27:40,280 --> 00:27:44,040
Speaker 3: I'm so happy for them. It was a little show, buddy,

511
00:27:44,080 --> 00:27:47,320
Speaker 3: because it's almost like, does anyone even look in this place?

512
00:27:47,440 --> 00:27:49,639
Speaker 3: It was so nice, Like I don't even know if

513
00:27:49,640 --> 00:27:54,760
Speaker 3: I would go this place. It was so beautiful. I

514
00:27:54,760 --> 00:27:56,639
Speaker 3: don't know. I mean itcoun of was like, I mean,

515
00:27:56,680 --> 00:27:58,440
Speaker 3: he did the whole place. I don't know about the

516
00:27:58,480 --> 00:28:00,520
Speaker 3: little RC's everywhere was.

517
00:28:00,000 --> 00:28:01,080
Speaker 4: That was kind of a lot.

518
00:28:01,359 --> 00:28:01,919
Speaker 3: It was a lot.

519
00:28:02,040 --> 00:28:04,639
Speaker 2: Well, the part I was confused about is why Terry

520
00:28:04,720 --> 00:28:06,560
Speaker 2: was acting like it was the first time he saw

521
00:28:06,600 --> 00:28:08,680
Speaker 2: the place. Did they buy it?

522
00:28:09,560 --> 00:28:10,640
Speaker 3: Aren't they an astrol?

523
00:28:12,200 --> 00:28:12,280
Speaker 4: Like?

524
00:28:12,440 --> 00:28:14,240
Speaker 2: Did they just go to the zillow and look through

525
00:28:14,280 --> 00:28:17,000
Speaker 2: the pics and this is the first time you know

526
00:28:17,040 --> 00:28:17,280
Speaker 2: what it is?

527
00:28:17,320 --> 00:28:18,919
Speaker 3: Because I don't want to sound like a hater, this

528
00:28:19,000 --> 00:28:20,520
Speaker 3: is what it was, but this is what I felt

529
00:28:20,520 --> 00:28:23,280
Speaker 3: when I watched it. It's almost like when you watch

530
00:28:23,400 --> 00:28:26,760
Speaker 3: someone wear a designer from head to toe. It was

531
00:28:26,800 --> 00:28:29,760
Speaker 3: like overkill, like the whole house, Like if you didn't

532
00:28:29,760 --> 00:28:31,320
Speaker 3: Gucci from hand to tell, you got the head, you

533
00:28:31,359 --> 00:28:34,040
Speaker 3: got the dress, you got the shoes, you got the bag, whatever.

534
00:28:34,400 --> 00:28:39,440
Speaker 3: It was almost like it's too fabulous. It's like, is

535
00:28:39,480 --> 00:28:41,680
Speaker 3: this overdime? Like I would just like I would have

536
00:28:41,760 --> 00:28:43,440
Speaker 3: loved to seen a little home goods or a little

537
00:28:43,480 --> 00:28:44,760
Speaker 3: target thrown in the mix.

538
00:28:44,600 --> 00:28:44,840
Speaker 4: You know what.

539
00:28:46,520 --> 00:28:50,480
Speaker 3: It out like all Roberto Kabali. It was definitely like

540
00:28:50,640 --> 00:28:52,280
Speaker 3: it was overwhelmed.

541
00:28:52,040 --> 00:28:54,520
Speaker 2: And then she just sunk the little like just the

542
00:28:54,680 --> 00:28:58,600
Speaker 2: extra added my life is better than yours, and my

543
00:28:58,680 --> 00:29:00,640
Speaker 2: life is better than yours. When she's walking out and

544
00:29:00,640 --> 00:29:03,080
Speaker 2: she goes to whomever she's talking, you can you get

545
00:29:03,080 --> 00:29:03,600
Speaker 2: the shades?

546
00:29:04,160 --> 00:29:08,760
Speaker 3: And then it's like, I definitely I am at Lake

547
00:29:08,800 --> 00:29:12,000
Speaker 3: Bailey right now. And I definitely, immediately after I saw

548
00:29:12,000 --> 00:29:14,840
Speaker 3: that scene, knew that I had a have. I definitely

549
00:29:14,840 --> 00:29:16,720
Speaker 3: realized that step my game up, Like.

550
00:29:16,680 --> 00:29:18,560
Speaker 2: Hold god, let me get my shades real quick.

551
00:29:21,720 --> 00:29:25,200
Speaker 3: Oh my goodness, Yeah yeah, I got I got a

552
00:29:25,200 --> 00:29:28,520
Speaker 3: lot of work to do it Lake Bailey. It's not

553
00:29:29,120 --> 00:29:32,200
Speaker 3: like her place makes this look like look if her

554
00:29:32,240 --> 00:29:33,800
Speaker 3: place makes this look like.

555
00:29:33,800 --> 00:29:35,520
Speaker 2: What what do you mean, I got a sheet hanging

556
00:29:35,560 --> 00:29:44,160
Speaker 2: from the back it that's my background, this light ball,

557
00:29:44,560 --> 00:29:46,440
Speaker 2: how's it worked in decades? Dan?

558
00:29:46,560 --> 00:29:49,640
Speaker 3: And for making us hate all of our homes, thank you,

559
00:29:50,920 --> 00:29:55,200
Speaker 3: and not draperies. If we hateven have them. Okay for

560
00:29:55,280 --> 00:29:56,200
Speaker 3: the people that even have.

561
00:29:56,720 --> 00:29:59,160
Speaker 2: I'm just gonna have that, like stick them that you

562
00:29:59,280 --> 00:30:01,960
Speaker 2: get the blackout change.

563
00:30:01,960 --> 00:30:04,880
Speaker 3: You're like very like, don't even play with me, Teddy,

564
00:30:04,960 --> 00:30:07,680
Speaker 3: like seriously. Yeah.

565
00:30:07,880 --> 00:30:10,560
Speaker 2: But then we get into the scenes for next week.

566
00:30:11,520 --> 00:30:15,800
Speaker 3: We did we talk about did we talk about Shannon

567
00:30:15,960 --> 00:30:18,920
Speaker 3: and Emily going to to lunch?

568
00:30:19,400 --> 00:30:22,280
Speaker 2: Oh? Yeah, well, I mean they go to Oh yeah, Sorry,

569
00:30:22,680 --> 00:30:27,440
Speaker 2: Shannon and Emily meet up to talk. I'm rushed right

570
00:30:27,480 --> 00:30:30,480
Speaker 2: through it. Sorry, Shannon Emily meet up to talk. Shannon

571
00:30:30,600 --> 00:30:33,400
Speaker 2: vince to Emily about Heather and says Heather has a

572
00:30:33,520 --> 00:30:34,160
Speaker 2: history of No.

573
00:30:34,320 --> 00:30:36,719
Speaker 3: Yeah, we did. Didn't talk about that, okay, so what

574
00:30:36,760 --> 00:30:38,680
Speaker 3: I The one thing that I did find funny and

575
00:30:38,720 --> 00:30:43,280
Speaker 3: Netsy was that the waitress comes up to uh Shannon,

576
00:30:43,760 --> 00:30:46,600
Speaker 3: and Shannon says to the waitress, do you have anything?

577
00:30:46,640 --> 00:30:51,600
Speaker 3: Locale offers her a summer salad and Shannon goes, I'll

578
00:30:51,600 --> 00:30:54,520
Speaker 3: have a cheeseburger with no bun, but she did say

579
00:30:54,560 --> 00:30:56,280
Speaker 3: no bun. But literally she was like what do you

580
00:30:56,280 --> 00:30:58,480
Speaker 3: have this localer and she was like summer salad is

581
00:30:58,520 --> 00:31:03,040
Speaker 3: like really great. She's like, okay, cheeseburger please, and Emily

582
00:31:03,160 --> 00:31:06,040
Speaker 3: ordered cheeseburger with the buns or whatever. But I don't

583
00:31:06,040 --> 00:31:08,000
Speaker 3: know why, like the funny things like that, just like

584
00:31:08,200 --> 00:31:10,920
Speaker 3: ut like that was so I don't know.

585
00:31:11,240 --> 00:31:12,960
Speaker 2: I did have the bottom of the bun.

586
00:31:13,720 --> 00:31:15,880
Speaker 3: She didn't, but she did have the buttom and it

587
00:31:15,920 --> 00:31:18,760
Speaker 3: gets better, teddy, So she asked for no bread. The

588
00:31:18,800 --> 00:31:21,080
Speaker 3: bottom of the bun came with the burger, but then

589
00:31:21,120 --> 00:31:23,240
Speaker 3: she took the bread out of the bread's rate and

590
00:31:23,280 --> 00:31:25,920
Speaker 3: put like a gallon of butter on it and ate it.

591
00:31:26,040 --> 00:31:28,800
Speaker 3: I'm like, Shannon, you missed well just had the bun.

592
00:31:28,880 --> 00:31:31,160
Speaker 3: You should have just had a regular cheeseburger, because you've

593
00:31:31,200 --> 00:31:34,000
Speaker 3: made up for whatever bread you didn't have from the

594
00:31:34,000 --> 00:31:36,160
Speaker 3: bread basket and the fact that she had the nerd

595
00:31:36,160 --> 00:31:38,680
Speaker 3: to put a lot of butter on his. I was like,

596
00:31:38,720 --> 00:31:40,720
Speaker 3: how do we just start this with like can what

597
00:31:40,840 --> 00:31:42,560
Speaker 3: do you have the slow calorie and then you eat

598
00:31:42,600 --> 00:31:44,520
Speaker 3: like a basket of bread like it's.

599
00:31:44,360 --> 00:31:48,160
Speaker 2: Like just don't even ask, like but my husband has

600
00:31:48,200 --> 00:31:50,960
Speaker 2: this thing. I don't know why, but every time we

601
00:31:51,000 --> 00:31:54,880
Speaker 2: go to a restaurant, he asks the person that's, you know,

602
00:31:54,920 --> 00:31:58,840
Speaker 2: the waiter, Yes, what do you recommend? And I look

603
00:31:58,880 --> 00:32:01,960
Speaker 2: at the waiter and I'm like, he's not gonna take

604
00:32:02,000 --> 00:32:07,040
Speaker 2: your recommendation. He's not. He solely wants you to justify

605
00:32:07,200 --> 00:32:10,120
Speaker 2: in his mind what he's already picked out. He wants

606
00:32:10,240 --> 00:32:12,800
Speaker 2: you to say it, so he feels like he's got

607
00:32:12,800 --> 00:32:16,040
Speaker 2: to win. And I'm like, and when they don't say

608
00:32:16,080 --> 00:32:18,760
Speaker 2: the salmon or whatever, like the same five things that

609
00:32:18,760 --> 00:32:23,040
Speaker 2: he always orders it, He's like, but what about the salmon.

610
00:32:23,040 --> 00:32:24,640
Speaker 3: I'll have whatever you didn't suggest.

611
00:32:25,680 --> 00:32:28,080
Speaker 2: And then they're like, well, I mean they're not going

612
00:32:28,160 --> 00:32:30,640
Speaker 2: to like trash talk the restaurant they work out. They're like, well,

613
00:32:30,680 --> 00:32:32,960
Speaker 2: I mean that's fine too, but I mean our most

614
00:32:33,000 --> 00:32:37,480
Speaker 2: popular delicious dishes are these three things. And he's like, now, okay,

615
00:32:37,520 --> 00:32:42,240
Speaker 2: I'll just go with the salmon. I'm stop, why ask?

616
00:32:42,560 --> 00:32:43,920
Speaker 2: Please stop yourself?

617
00:32:44,680 --> 00:32:46,880
Speaker 3: Yeah, I love that. I think I do that too.

618
00:32:47,520 --> 00:32:49,280
Speaker 2: Now I don't even ask. I just know what I

619
00:32:49,320 --> 00:32:51,000
Speaker 2: want and I go with it. But I do make

620
00:32:51,040 --> 00:32:54,200
Speaker 2: a lot of substitutions, which I think is that.

621
00:32:55,840 --> 00:32:58,360
Speaker 3: You give me the seeds of salad, but no seeds

622
00:32:58,360 --> 00:33:01,600
Speaker 3: are on it. He's on the side. Can I see

623
00:33:01,640 --> 00:33:02,800
Speaker 3: you with no bailot.

624
00:33:04,000 --> 00:33:07,400
Speaker 2: At avocado? But can the avocado be chopped? And then yeah,

625
00:33:07,520 --> 00:33:08,400
Speaker 2: m hmm, that's me.

626
00:33:11,160 --> 00:33:11,480
Speaker 3: Okay.

627
00:33:11,640 --> 00:33:14,560
Speaker 2: Then we get into the scenes, but okay. In the scene,

628
00:33:14,600 --> 00:33:17,560
Speaker 2: Emily does apologize. She says that she has fun with Shannon,

629
00:33:17,840 --> 00:33:20,920
Speaker 2: but what she does which Heather doesn't actually do when

630
00:33:20,960 --> 00:33:22,960
Speaker 2: she was in her scene with Shannon, and she says,

631
00:33:23,360 --> 00:33:26,280
Speaker 2: we're just worried about you. Yeah, and that was a

632
00:33:26,320 --> 00:33:29,200
Speaker 2: real moment, Like, listen, we may all have been talking

633
00:33:29,240 --> 00:33:32,080
Speaker 2: about you, but like it truly did come out of

634
00:33:32,120 --> 00:33:35,480
Speaker 2: concern at the beginning. And I'm being straightforward with you

635
00:33:35,560 --> 00:33:37,920
Speaker 2: now about it. And she's saying from now on and

636
00:33:37,960 --> 00:33:41,040
Speaker 2: now we'll have to wait and see. She's saying, I

637
00:33:41,160 --> 00:33:44,120
Speaker 2: will come to you first as these concerns happen.

638
00:33:44,400 --> 00:33:47,840
Speaker 3: Like Emily was being genuine in that moment. I feel

639
00:33:47,840 --> 00:33:50,000
Speaker 3: like the girls are, you know, to some degree, you know,

640
00:33:50,040 --> 00:33:52,560
Speaker 3: worried about her. I mean I don't even never met

641
00:33:52,560 --> 00:33:56,280
Speaker 3: the moment, and I'm worried about her. Like I definitely

642
00:33:57,280 --> 00:34:00,320
Speaker 3: am interested to see how this relationship plays out because

643
00:34:00,360 --> 00:34:03,080
Speaker 3: I just think again. You know, when it comes up,

644
00:34:03,240 --> 00:34:06,680
Speaker 3: Shannon seems genuinely very freaked out and uncomfortable to really

645
00:34:06,720 --> 00:34:10,879
Speaker 3: talk about it on camera. So I like that they

646
00:34:10,880 --> 00:34:12,680
Speaker 3: were able to get on the same page. And I

647
00:34:12,719 --> 00:34:15,000
Speaker 3: love that Shannon actually didn't walk out the scene.

648
00:34:15,440 --> 00:34:20,360
Speaker 2: Yeah, I love that too. But I just I can't

649
00:34:20,480 --> 00:34:22,520
Speaker 2: help but keep wanting to get to this part because

650
00:34:22,600 --> 00:34:25,640
Speaker 2: I can't. And I've made mistakes where I will say

651
00:34:25,719 --> 00:34:28,239
Speaker 2: in an absolute thing that I haven't done something that

652
00:34:28,320 --> 00:34:31,359
Speaker 2: clearly I've done, and I've watched it back and I'm like, oh, no,

653
00:34:31,600 --> 00:34:36,040
Speaker 2: I did do that, But I have never said, may

654
00:34:36,120 --> 00:34:41,640
Speaker 2: God strike me dead if I said that, Oh my god.

655
00:34:41,960 --> 00:34:46,000
Speaker 3: When she said that, I was like, don't where are

656
00:34:46,000 --> 00:34:48,880
Speaker 3: your children? Do not say God's write me down because

657
00:34:50,200 --> 00:34:52,799
Speaker 3: you have something to worry about, because that, I mean,

658
00:34:52,840 --> 00:34:54,839
Speaker 3: that was like and then she but she said it.

659
00:34:54,960 --> 00:34:56,879
Speaker 3: She totally said it.

660
00:34:57,719 --> 00:35:00,719
Speaker 2: But that's why I think the girls have a She

661
00:35:00,800 --> 00:35:04,200
Speaker 2: calls and tells them things and then doesn't remember saying it.

662
00:35:04,680 --> 00:35:08,520
Speaker 2: And because I mean, she said it, we all saw

663
00:35:08,520 --> 00:35:10,839
Speaker 2: it all. It's not even like they played it out

664
00:35:10,840 --> 00:35:12,839
Speaker 2: and we're gonna see if she said it next week.

665
00:35:13,120 --> 00:35:14,439
Speaker 2: We saw her say it.

666
00:35:15,400 --> 00:35:17,640
Speaker 3: Yeah, and she like stood on it. She was like,

667
00:35:17,719 --> 00:35:19,160
Speaker 3: make guts, write me down.

668
00:35:20,400 --> 00:35:23,440
Speaker 2: I was like waiting for like the editing of like

669
00:35:23,840 --> 00:35:26,719
Speaker 2: a lightning bolt to be like cutt you shut her down.

670
00:35:26,600 --> 00:35:31,399
Speaker 3: Right, you said on that ten tones down and you

671
00:35:31,480 --> 00:35:34,040
Speaker 3: are about to get strupped down. Maybe not by lightning,

672
00:35:34,520 --> 00:35:36,759
Speaker 3: you're about to get struck down by production. And at

673
00:35:36,800 --> 00:35:40,160
Speaker 3: the reunion for sure, because because I sat and said that,

674
00:35:40,400 --> 00:35:42,080
Speaker 3: oh my god, because.

675
00:35:41,800 --> 00:35:44,160
Speaker 2: Even if Heather was going to be the one that

676
00:35:44,239 --> 00:35:46,080
Speaker 2: was in the wrong, and that's how this was all

677
00:35:46,239 --> 00:35:50,840
Speaker 2: starting to line up. Yeah, that line right there just

678
00:35:51,000 --> 00:35:56,120
Speaker 2: sealed Shannon's fate. I was like, shit, you it's almost

679
00:35:56,160 --> 00:35:58,319
Speaker 2: as bad as like I swear on my kid's life.

680
00:35:58,880 --> 00:36:02,319
Speaker 3: No, you can't, like don't you don't even go down

681
00:36:02,360 --> 00:36:03,919
Speaker 3: You don't want to even go down that road.

682
00:36:04,360 --> 00:36:10,160
Speaker 2: Yeah, well I do think, uh, I think we're going

683
00:36:10,239 --> 00:36:12,719
Speaker 2: to see a lot more play out because now that

684
00:36:13,239 --> 00:36:17,359
Speaker 2: production has decided to just pull on break the fourth wall.

685
00:36:17,440 --> 00:36:20,600
Speaker 2: You see them la venting production to production. You see

686
00:36:20,600 --> 00:36:23,239
Speaker 2: Shannon trying to stop them filming, and where they even

687
00:36:23,280 --> 00:36:25,680
Speaker 2: just started to film the tree so they could still

688
00:36:25,680 --> 00:36:33,759
Speaker 2: get the audio. Shit, I mean we got a lot,

689
00:36:33,800 --> 00:36:36,000
Speaker 2: we got a lot going. I feel like and I

690
00:36:36,040 --> 00:36:38,719
Speaker 2: think they're about to film the reunion. I think that's

691
00:36:38,719 --> 00:36:39,200
Speaker 2: coming up.

692
00:36:39,600 --> 00:36:42,680
Speaker 3: I don't know if it was because we interviewed Gina.

693
00:36:43,440 --> 00:36:45,880
Speaker 3: I've warmed up to Gina as well, I don't mean too.

694
00:36:46,000 --> 00:36:47,880
Speaker 2: Do you think it's because we liked her on the pod?

695
00:36:48,239 --> 00:36:52,279
Speaker 2: This is the problem, I know.

696
00:36:52,680 --> 00:36:55,680
Speaker 3: And Gina was my little go to to like pick apart,

697
00:36:55,760 --> 00:36:57,600
Speaker 3: but she kind of won me over.

698
00:36:58,320 --> 00:37:02,839
Speaker 2: I know she's she's she's coming out, she's saying, she's

699
00:37:02,880 --> 00:37:07,080
Speaker 2: saying good one, and she's showing emotion. Yeah, I know

700
00:37:07,680 --> 00:37:10,080
Speaker 2: that's why we say you're only as good as last

701
00:37:10,080 --> 00:37:15,120
Speaker 2: week's episode, because we just never know. Yeah, if you listen,

702
00:37:15,200 --> 00:37:17,440
Speaker 2: if you come on the pod, there's a higher chance

703
00:37:17,480 --> 00:37:22,880
Speaker 2: that you're probably gonna stuck to like you.

704
00:37:22,960 --> 00:37:26,040
Speaker 3: Please come and sit with us, let us inter be

705
00:37:26,160 --> 00:37:28,719
Speaker 3: you and nine time the ten it's gonna be in

706
00:37:28,840 --> 00:37:31,040
Speaker 3: your favorite that we will like you in the end

707
00:37:31,400 --> 00:37:35,880
Speaker 3: because very easy to win over. Actually like and you,

708
00:37:36,040 --> 00:37:37,719
Speaker 3: I mean Teddy, you talk a good talk. But at

709
00:37:37,719 --> 00:37:39,920
Speaker 3: the end of the day, if someone if someone is funny,

710
00:37:40,000 --> 00:37:42,239
Speaker 3: I feel like they're halfway there with you. If they

711
00:37:42,280 --> 00:37:45,959
Speaker 3: got that they could take a joke, They're already halfway there. Yeah.

712
00:37:46,520 --> 00:37:50,960
Speaker 2: I may have strong opinions about stuff, but if you

713
00:37:51,000 --> 00:37:53,000
Speaker 2: can come on and you could take a joke and

714
00:37:53,040 --> 00:37:56,319
Speaker 2: you can like laugh at yourself a little bit, I'm like,

715
00:37:56,520 --> 00:37:58,640
Speaker 2: all right, we're cool exactly.

716
00:37:58,680 --> 00:37:59,879
Speaker 3: I like you. We're good.

717
00:38:01,080 --> 00:38:03,279
Speaker 2: Okay, Now, disregard what I've said to the last four

718
00:38:03,280 --> 00:38:04,359
Speaker 2: and a half years.

719
00:38:06,800 --> 00:38:09,760
Speaker 3: No, it's true, it's true. That was a good episode.

720
00:38:09,760 --> 00:38:12,200
Speaker 3: I'm excited to see what's gonna happen. Oh, what's gonna

721
00:38:12,200 --> 00:38:14,360
Speaker 3: happen next week? They showed a bit in the trailer.

722
00:38:14,640 --> 00:38:16,799
Speaker 2: I think it's No, it's gonna be a lot. It's

723
00:38:16,800 --> 00:38:18,759
Speaker 2: gonna be a lot. So we're gonna have a lot

724
00:38:18,760 --> 00:38:24,760
Speaker 2: to recap. And uh, well, guys, thanks for listening, and

725
00:38:24,840 --> 00:38:27,040
Speaker 2: we will be back next week to talk all things

726
00:38:27,120 --> 00:38:29,719
Speaker 2: Orange County and I'll have some updates. Are you going

727
00:38:29,719 --> 00:38:32,240
Speaker 2: to Erica's show by any chance? The opening was Sutton?

728
00:38:33,800 --> 00:38:36,200
Speaker 3: You know what. We haven't talked about that yet. We

729
00:38:36,560 --> 00:38:39,359
Speaker 3: have New York Fashion Week coming up together that we're

730
00:38:39,360 --> 00:38:42,239
Speaker 3: gonna be at. So when is Erica's debut? When when

731
00:38:42,320 --> 00:38:42,480
Speaker 3: is it?

732
00:38:42,520 --> 00:38:42,680
Speaker 4: All?

733
00:38:43,280 --> 00:38:47,600
Speaker 2: Tamer and I are going on Saturday, So I don't

734
00:38:47,640 --> 00:38:52,440
Speaker 2: know who from Beverly Hills is going, but tamer and

735
00:38:52,480 --> 00:38:55,880
Speaker 2: I are going because we're interviewing her. Okay, so I

736
00:38:55,680 --> 00:38:57,399
Speaker 2: was I was hoping maybe you're gonna be there.

737
00:38:57,680 --> 00:39:00,799
Speaker 3: No, I don't get back to Bailey now. I don't

738
00:39:00,800 --> 00:39:05,000
Speaker 3: get back to La until Sunday. But feel free, Teddy

739
00:39:05,080 --> 00:39:07,040
Speaker 3: to invite me to cool things that you and Tom

740
00:39:07,200 --> 00:39:10,040
Speaker 3: go to. Like I really feel like I'm like part

741
00:39:10,080 --> 00:39:13,719
Speaker 3: of the sisterhood here. So well, you know, and leave

742
00:39:13,760 --> 00:39:16,480
Speaker 3: my ass out like sudden. Great job. I need you

743
00:39:16,520 --> 00:39:20,720
Speaker 3: to step your game, all right, all right, I'm getting notes.

744
00:39:21,120 --> 00:39:25,160
Speaker 2: Remember to invite Cynthia, and also I remember that the

745
00:39:25,200 --> 00:39:29,960
Speaker 2: next time you go to a fabulous wedding, right or

746
00:39:30,760 --> 00:39:35,800
Speaker 2: are they York Fashion Week or the Ballet? I'm sorry

747
00:39:36,120 --> 00:39:38,280
Speaker 2: my twenty four hours in Vegas.

748
00:39:38,960 --> 00:39:42,400
Speaker 3: I'm not saying my dance card isn't pretty much bold.

749
00:39:42,680 --> 00:39:44,759
Speaker 3: I'm just saying that I would like to dance with

750
00:39:44,800 --> 00:39:45,600
Speaker 3: you in taim as well.

751
00:39:46,080 --> 00:39:47,719
Speaker 2: You would love it too. All right, we'll talk to

752
00:39:47,719 --> 00:39:51,040
Speaker 2: you since Cynthia. Thank you guys so much. Bye,