WEBVTT - Where is Luke Danes? (S1 E9, “Rory's Dance”)

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<v Speaker 1>I Am all in. Oh, I am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio podcast. Hey everybody, we're back.

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<v Speaker 1>I am Scott Patterson and this is the I Am

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<v Speaker 1>All In Podcast with my heart radio ladies and gentlemen.

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<v Speaker 1>What an episode? Rory's Dance? What is going on? Where's Luke?

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<v Speaker 1>Luke was not in the episode? Did I shoot some

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<v Speaker 1>scenes and they got cut? I don't remember. I don't

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<v Speaker 1>know you have any clue, because my gut feeling is

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<v Speaker 1>that you you did a scene for this episode that

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<v Speaker 1>they had to cut, and it was known if you

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<v Speaker 1>didn't work for a week, the audience couldn't handle it

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<v Speaker 1>was too powerful. It was too powerful. Were you surprised

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<v Speaker 1>when you watched the episode and you weren't in it? No,

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<v Speaker 1>I was too engaged in the episode. I didn't I

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<v Speaker 1>didn't care. I told you I don't like watching myself,

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<v Speaker 1>so I was kind of happy. At what point did

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<v Speaker 1>you realize I'm not in this um after it was

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<v Speaker 1>done and I said, wait, I wasn't in that. I

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<v Speaker 1>really enjoyed this episode. I realized until the second time

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<v Speaker 1>I watched it. I had a call Danielle and I

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<v Speaker 1>was like, what Scott in that the seeds of my

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<v Speaker 1>podcast career planted early on. Yes, I need a backup plan. No,

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<v Speaker 1>I was in the episode. No, the diner was in

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<v Speaker 1>the background and when she ran out of miss Patties

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<v Speaker 1>and said, no, I have to get home. I have

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<v Speaker 1>to get home. No, let me explain it to your

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<v Speaker 1>as being in it. Well, it's in my contract, guess.

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<v Speaker 1>But I got paid for that episode. But do you

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<v Speaker 1>remember any scenes that just didn't make it there? There

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<v Speaker 1>might have been that scene with Sean Gunn and I

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<v Speaker 1>in a massive fist fight, but it probably No, No,

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<v Speaker 1>not at all. No, I just wasn't it. I guess

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<v Speaker 1>I wasn't in the episode. You didn't save your scripts,

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<v Speaker 1>did you sure? I did. I have every single script

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<v Speaker 1>in plastic, and I have every single rehearsal script, and

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<v Speaker 1>I have every single table read script. I have literally

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<v Speaker 1>hundreds of scripts. Hello, can you go into the garage

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<v Speaker 1>where all the gum is and find out if that

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<v Speaker 1>script is in there, because maybe there's something in the script. Dude,

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<v Speaker 1>those scripts are in storage in a vault guarded by

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<v Speaker 1>Doberman pinchers with razor wire. That's how you're gonna put

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<v Speaker 1>your kid into college with that money? My kid's gonna

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<v Speaker 1>get a scholarship, a robotics scholarship. He's not gonna need

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<v Speaker 1>me to pay for it. I just you don't think

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<v Speaker 1>there's something in the script that was a scene that

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<v Speaker 1>you shot but then they had to edit it out

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<v Speaker 1>because did that ever happen? No? No, no, no. The

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<v Speaker 1>planning of those scripts was very detailed and very specific,

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<v Speaker 1>and um, I think they must have been getting feedback

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<v Speaker 1>for the first six or seven episodes that maybe it

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<v Speaker 1>was I was taking over the show and they had

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<v Speaker 1>to pull the character. I mean, Suki was barely in it.

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<v Speaker 1>Suki was barely in it. Michelle wasn't in it. Wait

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<v Speaker 1>was he? Michelle was not in it? Was it? No? No, no, no, yeah,

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<v Speaker 1>it was early on. They were still figuring out, you know,

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<v Speaker 1>where the character was going and you know what was happening.

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<v Speaker 1>I mean, I don't know. No, I wasn't in it,

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<v Speaker 1>but Luke's diner was in it in the background, and

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<v Speaker 1>that's enough. Well, and the end of the episode, I know,

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<v Speaker 1>I'm going out of order, but the end of the

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<v Speaker 1>episode was garly dramatic, like that was hardcore, Like when

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<v Speaker 1>she's like, you're going on the pill and Rory's like,

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<v Speaker 1>you know, I wouldn't sleep with him. Like the whole

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<v Speaker 1>thing was like, Oh, this is the worst thing they've

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<v Speaker 1>had yet. Yeah, that was a that was a real

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<v Speaker 1>I mean your kids out to I mean, she she

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<v Speaker 1>fell asleep because Emily gave her some pills, right she

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<v Speaker 1>got Lauren felt I mean Laura I fell asleep because

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<v Speaker 1>she was on mild sedatives her back there was no

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<v Speaker 1>Suki gave it to her, right and and yeah, they

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<v Speaker 1>both fell asleep. And I don't know, you know what

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<v Speaker 1>really a couple of he I was thinking about this

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<v Speaker 1>last night. I said, teenage seventeen year olds. They're not drinking, Uh,

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<v Speaker 1>they're they're in there falling in love or they're in love.

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<v Speaker 1>They're excited, they're excitable, they're full of energy. How do

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<v Speaker 1>they walk into Miss Patties and then all of a

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<v Speaker 1>sudden fall asleep because we know it was only like,

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<v Speaker 1>wasn't it was maybe ten thirty they bail on the

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<v Speaker 1>dance early. It might have been ten What the heck

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<v Speaker 1>happened in Miss Patties that they just fell asleep? I

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<v Speaker 1>mean they didn't smoke a joint worn out from the

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<v Speaker 1>fight with Tristan and the stacking of the beans and

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<v Speaker 1>worn out. It's a Tacos suki bro. When I was seventeen,

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<v Speaker 1>I didn't conk once. I don't care how much stress

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<v Speaker 1>I had in my day. Seventeen year olds can stay

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<v Speaker 1>until four in the morning without for three days in

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<v Speaker 1>her own and they're still like bouncing around. I mean, wow,

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<v Speaker 1>maybe there's a gas leak in Miss Patties. I think

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<v Speaker 1>it happened, because then we get the crazy scene where

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<v Speaker 1>she's running and why it happened. Dude, they're nodding out.

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<v Speaker 1>I don't know. I just wanted to point that out

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<v Speaker 1>to the paying audience. It's like, what, well, okay, so

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<v Speaker 1>really it's a Emily lore life fight that then came

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<v Speaker 1>a lure like Rory catastrophe. That was just typical dumping

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<v Speaker 1>on your kid after you'd had a confrontation with your mother.

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<v Speaker 1>You know, the big ugly monster that Emily can be. Um.

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<v Speaker 1>I mean, she's right, but she's wrong at the same time, right,

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<v Speaker 1>and Rory called her out on it. Rory kind of said,

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<v Speaker 1>this is not about me, this is about your mom's right.

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<v Speaker 1>I wasn't all together surprised when she started opening up

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<v Speaker 1>on on Rory right away. Because you know she supported her.

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<v Speaker 1>I trust my kid in this, but you know, I

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<v Speaker 1>don't know. It kind of makes sense, uh, that mother

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<v Speaker 1>of her really triggers her. I mean really, and it

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<v Speaker 1>was they were getting along and yeah, so then we

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<v Speaker 1>were in for a big old boom. But you know,

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<v Speaker 1>Rory kind of deserve that she was out all night.

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<v Speaker 1>She conned at ten thirty. What it's not So from

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<v Speaker 1>Laurelized point of view, she's probably thinking the same thing.

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<v Speaker 1>I'm thinking. You're a teenager, you don't conk what's going on.

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<v Speaker 1>You have too much energy to Oh, I just fell

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<v Speaker 1>asleep and miss Patty's I wouldn't have believed it either.

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<v Speaker 1>I think a mother would think my kid's been in

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<v Speaker 1>a car accident. I think all that fear. Yeah, and

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<v Speaker 1>I and I know that Laurel I was thinking, um um,

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<v Speaker 1>I'm just fronting from my mother to defend my kid.

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<v Speaker 1>But I'm still pissed at my kid because I want

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<v Speaker 1>a damn explanation. But I'm not going to break in

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<v Speaker 1>front of my mother because I'm not going to give

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<v Speaker 1>her the satisfaction that she's right but wrong doing this

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<v Speaker 1>inside my own home. Amazing performance by all three, completely

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<v Speaker 1>nailed it, nail just killed it. Just beautiful stuff. Um,

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<v Speaker 1>and I mean, what can you say? What can you say? Uh,

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<v Speaker 1>perfect ending, sitting down, covering herself, breaking down, just one

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<v Speaker 1>of those days and just be a mom. You know

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<v Speaker 1>every mom goes through it. It's real life happening before

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<v Speaker 1>our eyes. It's three generations of real life happening before

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<v Speaker 1>our eyes. Um. Yeah, just wonderful stuff, wonderful, great episode.

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<v Speaker 1>It's the episode I started liking Dane and Tristan. I

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<v Speaker 1>really thought Paris was certifiable. Good God, oh my god.

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<v Speaker 1>And with the cousin and the whole thing is god sad.

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<v Speaker 1>And then first when Tristan is buying the ticket and

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<v Speaker 1>he sort of teases, like you got a date, the

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<v Speaker 1>first time he's actually vulnerable with Rory. I mean that's

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<v Speaker 1>when he we see that he needs her, wants her,

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<v Speaker 1>really likes her. It's not just a game now, it's

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<v Speaker 1>like he really needs there's a need there. Um, there

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<v Speaker 1>was a need before just to play the game, because

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<v Speaker 1>he's just testing her the way Laura I tested Max,

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<v Speaker 1>you know what I mean, and tests me and you

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<v Speaker 1>know that kind of thing distance distantance. So um yeah,

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<v Speaker 1>but I mean the takeaway from me, is is in

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<v Speaker 1>that dynamic with those characters. The only thing that dated

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<v Speaker 1>that show for me was the behavior of Paris. I mean,

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<v Speaker 1>that kind of behavior was isn't gonna fly today? Isn't

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<v Speaker 1>amazing how that particular character in that situation didn't age well.

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<v Speaker 1>I mean, like I said, like I said previously, I mean,

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<v Speaker 1>if she can't handle Um, if she can't handle Rory

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<v Speaker 1>and and and Tristan, if she's gonna trigger to that

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<v Speaker 1>degree where she's like physically and verbally violent, like bordering

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<v Speaker 1>on psychosis, how is she going to handle Harvard? I mean,

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<v Speaker 1>there's a thousand Tristan's there. There's there's a thousand Rorris there.

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<v Speaker 1>I mean, she's gonna freak out over there in Harvard.

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<v Speaker 1>Harvard's ten thousand students, it's ten thousand students undergraduates, and

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<v Speaker 1>it's twenty graduate students. So you know, it's it's it's

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<v Speaker 1>not a huge campus. It's not a huge college, but

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<v Speaker 1>it's you know, there's enough people there. Paris is going

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<v Speaker 1>to be in trouble. She's not a type of person

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<v Speaker 1>you want to go to Harper No. I mean you

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<v Speaker 1>know that that Paris is always sort of on the

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<v Speaker 1>edge of good God losing it. But I mean she

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<v Speaker 1>came on glued. I'm glued perfect. She came on glued

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<v Speaker 1>through that entire she started abusing the poor little fellow

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<v Speaker 1>sitting next to her who was getting the change. At

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<v Speaker 1>least she didn't recite Shakespeare and somebody's here here well,

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<v Speaker 1>I mean, at least that's you know, that's sort of

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<v Speaker 1>harnessing the rage and turning it into something else, which

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<v Speaker 1>is you know, there's there's some art and that, there's

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<v Speaker 1>some there's that that's poetic. But I mean she's just

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<v Speaker 1>out and out, just like Lunacy throughout the whole episode.

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<v Speaker 1>You kind of do love the comic relief teenage noss

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<v Speaker 1>of Louise and Madeline. They're always there to just be

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<v Speaker 1>teenage like and kind of honey and Madeleine always having

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<v Speaker 1>the last word and coming off like a nice person.

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<v Speaker 1>But what the hell she dealing with Louise, which makes

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<v Speaker 1>it even more funny. It's like, what are they doing together?

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<v Speaker 1>It's like Madeline kind of playing along the the goofy sidekick,

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<v Speaker 1>and she doesn't she's not really into it, but she is,

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<v Speaker 1>and she says she's sorry, and you're a nice persons

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<v Speaker 1>all of a hot mess at that dance, that's for sure. Um,

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<v Speaker 1>And where were the teachers to break up that fight?

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<v Speaker 1>They were dancing, they were all day. I saw a

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<v Speaker 1>lot of older people on the dance floor dancing. They

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<v Speaker 1>were the teachers, they had to be. Couldn't have been

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<v Speaker 1>the students, you know. But Dean, boy, he didn't waste

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<v Speaker 1>any time, doesn't He gets her on the dance floor.

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<v Speaker 1>Let's make out. Let's go. And Tristan wanted to make

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<v Speaker 1>out with that date too, even in his like longing

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<v Speaker 1>for Rory, he was like, Okay, I'll make out with

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<v Speaker 1>my date too. Did she become more desirable because she

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<v Speaker 1>had Dean there? Who become more desirable? Oh? God? Far more?

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<v Speaker 1>Are you kidding? I mean, you bring a kid like

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<v Speaker 1>Dean into the prom and everybody's gonna be talking about

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<v Speaker 1>I was not the prom, but the dance, but everybody's

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<v Speaker 1>gonna be talking about a gossip me gossiping about him?

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<v Speaker 1>And uh. I thought Dean did very well for himself

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<v Speaker 1>in this episode. He really was a stand up guy.

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<v Speaker 1>He became he was crowned the boyfriend and he he

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<v Speaker 1>deserves her heart at that At that point in time,

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<v Speaker 1>I mean that's that's a very very chivalrous, romantic, Uh,

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<v Speaker 1>A manly thing to do is like get away from

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<v Speaker 1>my girlfriend. You know, it's wonderful. And you know, as

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<v Speaker 1>old fashioned as that seemed, it's you know, sometimes it's necessary,

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<v Speaker 1>and it was necessary in that situation. And she was

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<v Speaker 1>being harassed by Um Tristan. I mean it's just no

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<v Speaker 1>matter how much you know I liked him, or he's

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<v Speaker 1>becoming vulnerable. I mean, he was a problem. I mean,

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<v Speaker 1>she was going to Chiltern, trying to learn, trying to

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<v Speaker 1>further her education and get into Harvard, and you've got

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<v Speaker 1>this jackass kid just just mocking her, just disrespecting her

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<v Speaker 1>every time he showed up. Um, even though his reasons

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<v Speaker 1>for it are probably understandable, You're right, he really he's

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<v Speaker 1>a jerk to her. He's a total jerk, and he's inappropriate.

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<v Speaker 1>And I yeah, I think I think both those characters

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<v Speaker 1>probably they're not aging well you know what I mean. Yeah,

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<v Speaker 1>there were there were a few parts where it was

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<v Speaker 1>a little bit like whoa this is? That's that's very

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<v Speaker 1>two thousand. It's very two thousand. Okay, everybody, we're gonna

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<v Speaker 1>take a break when we come back. We're gonna talk

0:14:00.640 --> 0:14:05.320
<v Speaker 1>more about Tristan, the wonderful Tristan, the complex Tristan. We'll

0:14:05.320 --> 0:14:12.800
<v Speaker 1>be back. Yeah, sorrybody, We're we're gonna get into a

0:14:12.800 --> 0:14:17.679
<v Speaker 1>little bit of Chad Michael Murray Tristan uh memories here. Uh.

0:14:17.800 --> 0:14:21.600
<v Speaker 1>He was just on the Today Show and he was

0:14:21.680 --> 0:14:25.840
<v Speaker 1>discussing how people react to his character in a very

0:14:25.840 --> 0:14:28.840
<v Speaker 1>surprising way to him and I think a surprising way

0:14:28.880 --> 0:14:32.280
<v Speaker 1>to us and everybody listening. People came up to him

0:14:32.360 --> 0:14:36.520
<v Speaker 1>and and said that they actually really loved his character.

0:14:36.920 --> 0:14:39.400
<v Speaker 1>He you know, he he was expecting. You know, usually

0:14:39.440 --> 0:14:42.240
<v Speaker 1>people are you know, are very critical of his character,

0:14:42.760 --> 0:14:45.680
<v Speaker 1>you know, negative encounters with fans, but he says they've

0:14:45.760 --> 0:14:48.200
<v Speaker 1>they've been very positive, and he's very surprised by it.

0:14:48.280 --> 0:14:50.560
<v Speaker 1>So let's let's get into that a little bit, because

0:14:50.800 --> 0:14:54.080
<v Speaker 1>this is a big episode for Tristan. And uh, what

0:14:54.120 --> 0:14:56.920
<v Speaker 1>do you guys think about this? Do you love him?

0:14:57.000 --> 0:15:00.320
<v Speaker 1>Do you hate him? Do you love to hate him?

0:15:00.360 --> 0:15:04.720
<v Speaker 1>And also we sort he changed changes a little bit

0:15:04.760 --> 0:15:09.479
<v Speaker 1>too right now. He's pretty awful. I wanted to love him,

0:15:09.520 --> 0:15:12.000
<v Speaker 1>and I did love him, and I wanted to give

0:15:12.080 --> 0:15:15.880
<v Speaker 1>him a hug when he was standing there when the

0:15:15.920 --> 0:15:18.080
<v Speaker 1>camera hit him and he was watching Dean and Rory

0:15:18.200 --> 0:15:22.480
<v Speaker 1>kiss on the dance floor. I felt bad for the guy.

0:15:22.520 --> 0:15:26.120
<v Speaker 1>I've been that guy. I've been in his shoes. Every

0:15:26.160 --> 0:15:28.240
<v Speaker 1>guy has been in his shoes with a girl that

0:15:28.320 --> 0:15:32.320
<v Speaker 1>he wants. And I was no Tristan. I mean, I'm

0:15:32.320 --> 0:15:36.280
<v Speaker 1>not trying to compare myself to Tristan. Uh, but that hurts.

0:15:36.520 --> 0:15:41.040
<v Speaker 1>That's a gut shot. You're gutted, and boy I felt

0:15:41.040 --> 0:15:42.400
<v Speaker 1>bad for I wanted to give him a hug. I

0:15:42.400 --> 0:15:46.720
<v Speaker 1>started liking very similar to you in the episode before

0:15:47.320 --> 0:15:51.640
<v Speaker 1>seeing Max and Laurela. It was sort of that same

0:15:51.680 --> 0:15:55.560
<v Speaker 1>gut wrenching Yes, Scott, I totally agree with you. Up

0:15:55.640 --> 0:15:59.240
<v Speaker 1>until this episode, I was very much like, oh, he

0:15:59.320 --> 0:16:04.400
<v Speaker 1>calls her rry, can he please stop? He's so snobby

0:16:04.480 --> 0:16:09.800
<v Speaker 1>and annoying and popular. And this episode, I I it

0:16:09.920 --> 0:16:12.360
<v Speaker 1>took a second. I was like, oh, no, there's something

0:16:12.400 --> 0:16:15.760
<v Speaker 1>more there, Like I got a little soft spot for him.

0:16:15.760 --> 0:16:18.600
<v Speaker 1>It was the first time that I actually felt that way.

0:16:18.680 --> 0:16:21.320
<v Speaker 1>And and it was when Rory was standing in line

0:16:21.320 --> 0:16:23.080
<v Speaker 1>to buy the ticket for the dance and he came

0:16:23.160 --> 0:16:26.000
<v Speaker 1>up and he was his arrogant jackass self, But then

0:16:26.880 --> 0:16:30.640
<v Speaker 1>you realize that he really, he's getting a little more

0:16:30.680 --> 0:16:34.320
<v Speaker 1>vulnerable with her, He's revealing a little more, and he's

0:16:34.360 --> 0:16:37.560
<v Speaker 1>asking her, you know, still indirectly, but asking her to

0:16:37.560 --> 0:16:40.840
<v Speaker 1>go to the dance with him, and it bothers him.

0:16:40.880 --> 0:16:43.560
<v Speaker 1>So I kind of started like, oh, okay, all right,

0:16:44.360 --> 0:16:47.000
<v Speaker 1>isn't it amazing what vulnerability does. It's just it's just

0:16:47.320 --> 0:16:53.440
<v Speaker 1>it's just gosh. Preston is exactly that guy, the guy

0:16:53.640 --> 0:16:59.120
<v Speaker 1>that's popular and handsome but insecure and sort of deals

0:16:59.200 --> 0:17:02.920
<v Speaker 1>with it by being kind of a jerk. It made

0:17:02.960 --> 0:17:07.119
<v Speaker 1>me think hard, what's going on at his home? What's

0:17:07.160 --> 0:17:11.520
<v Speaker 1>happening with mommy and daddy? What's going on? I mean,

0:17:11.560 --> 0:17:15.080
<v Speaker 1>it's like, there's there's some bad stuff going on. His

0:17:15.160 --> 0:17:18.480
<v Speaker 1>dad drinking is what's his dad treating him like crap?

0:17:18.600 --> 0:17:23.680
<v Speaker 1>Is dad having an affair? It's like, what's going are

0:17:23.720 --> 0:17:27.399
<v Speaker 1>their mental issues at home? What's happening that poor kid?

0:17:28.480 --> 0:17:31.760
<v Speaker 1>Agree with you? I felt the same way, And I

0:17:31.800 --> 0:17:34.560
<v Speaker 1>also thought he was the ultimate pulls your hair because

0:17:34.560 --> 0:17:38.720
<v Speaker 1>he likes you. That That was then I started becoming

0:17:39.000 --> 0:17:43.320
<v Speaker 1>like feeling parental toward him, like wanting to reach out

0:17:43.400 --> 0:17:45.760
<v Speaker 1>and and take his hand and say, hey, bud, let's

0:17:46.000 --> 0:17:48.560
<v Speaker 1>let's let's go on a little walk, you know, and

0:17:48.560 --> 0:17:51.159
<v Speaker 1>tell me what's going on in your life. And you know,

0:17:51.160 --> 0:17:52.720
<v Speaker 1>I wanted to help him. I'm at that stage of

0:17:52.720 --> 0:17:54.320
<v Speaker 1>my life where I have a little bit of wisdom,

0:17:54.400 --> 0:17:57.440
<v Speaker 1>you know, a little bit, and and I really wanted

0:17:57.480 --> 0:17:59.960
<v Speaker 1>to help that kid. And I thought, boy, he's in trouble.

0:18:00.200 --> 0:18:02.880
<v Speaker 1>He's in big trouble because he's looking like he's going

0:18:02.920 --> 0:18:07.160
<v Speaker 1>to fail in life, like if he's if he's this way,

0:18:07.280 --> 0:18:10.359
<v Speaker 1>he's this wound up. And I know Rory is extraordinary,

0:18:10.400 --> 0:18:14.280
<v Speaker 1>for for sure, she's extraordinary, but uh, and I have

0:18:14.359 --> 0:18:17.159
<v Speaker 1>the same thought about Paris too. If she's this wound

0:18:17.240 --> 0:18:21.520
<v Speaker 1>up about Rory at at Chilton, what the hell is

0:18:21.520 --> 0:18:24.080
<v Speaker 1>she going to react like when she gets to Harvard

0:18:24.119 --> 0:18:27.160
<v Speaker 1>when there's a thousand Rory's and there's a thousand Tristan's.

0:18:27.480 --> 0:18:29.920
<v Speaker 1>I agree, it sort of makes sense why Chad Michael

0:18:30.000 --> 0:18:33.479
<v Speaker 1>Murray recently said that people come up and say I

0:18:33.520 --> 0:18:38.160
<v Speaker 1>love Tristan because they must understand what's really going on.

0:18:38.280 --> 0:18:41.360
<v Speaker 1>But first you're like, he's such an ass. But as

0:18:41.400 --> 0:18:46.800
<v Speaker 1>an actor, right, the sensitivity of Chad and what he

0:18:46.880 --> 0:18:49.360
<v Speaker 1>did in that moment and the way he looked at

0:18:49.359 --> 0:18:54.040
<v Speaker 1>her and the way he felt it completely transformed my

0:18:54.080 --> 0:18:57.280
<v Speaker 1>opinion of him. It made me see that's called layering

0:18:57.280 --> 0:19:01.360
<v Speaker 1>a character character and that's again right, writing, great acting.

0:19:01.920 --> 0:19:04.880
<v Speaker 1>These kids are really good actors. Jesus. These kids are

0:19:04.960 --> 0:19:06.560
<v Speaker 1>so young and they're so good at what they do.

0:19:06.640 --> 0:19:08.520
<v Speaker 1>I think I think he was eighteen at the time too.

0:19:08.520 --> 0:19:13.200
<v Speaker 1>They're just kids. It's not surprising that this show got

0:19:13.280 --> 0:19:16.160
<v Speaker 1>him the lead on One Tree Hill. It, Yeah, it's

0:19:16.160 --> 0:19:19.280
<v Speaker 1>not surprising at all. I mean, he's showing a real

0:19:19.400 --> 0:19:23.879
<v Speaker 1>depth of uh. I mean, just wow. His soul was

0:19:24.480 --> 0:19:29.239
<v Speaker 1>ruined watching her dance with and kissing ruined. He was

0:19:29.480 --> 0:19:32.920
<v Speaker 1>just ruined. And the way he kind of went limp

0:19:32.960 --> 0:19:35.040
<v Speaker 1>a little bit and he you know, he confronted Dean

0:19:35.160 --> 0:19:38.359
<v Speaker 1>and you know, hey, we haven't met, and then and

0:19:38.359 --> 0:19:40.880
<v Speaker 1>then he escalated. But even the way he did that,

0:19:41.800 --> 0:19:44.440
<v Speaker 1>and that's a tough scene for for Chad to play

0:19:45.359 --> 0:19:47.919
<v Speaker 1>because he's got to come off tough, but he also

0:19:48.640 --> 0:19:51.040
<v Speaker 1>has to, you know, go limp a little bit in

0:19:51.040 --> 0:19:54.440
<v Speaker 1>the face of an obviously stronger uh and a more

0:19:54.600 --> 0:19:57.800
<v Speaker 1>righteous Dean in the situation, and it's like, how does

0:19:57.840 --> 0:20:00.000
<v Speaker 1>he play it? So at a certain point in that scene,

0:20:00.160 --> 0:20:03.960
<v Speaker 1>the confrontation scene with Dean. With Dean is I think

0:20:04.000 --> 0:20:06.240
<v Speaker 1>he realized and he made his choice as an actor.

0:20:06.320 --> 0:20:08.719
<v Speaker 1>He realized that he was in the wrong, that he

0:20:08.800 --> 0:20:12.480
<v Speaker 1>was the weaker person, and that Dan Dean made him

0:20:12.520 --> 0:20:17.399
<v Speaker 1>realize that, and he actually felt shame. I felt the

0:20:17.440 --> 0:20:21.520
<v Speaker 1>same way physically, he sort of really Yeah, he kind

0:20:21.520 --> 0:20:27.800
<v Speaker 1>of gave up so beautifully. Yes, it was. It was.

0:20:27.880 --> 0:20:30.680
<v Speaker 1>It's so difficult to do, and he did it beautifully.

0:20:30.680 --> 0:20:33.840
<v Speaker 1>He did it beautifully. He kind of manned up. But

0:20:33.880 --> 0:20:36.000
<v Speaker 1>then he, you know, he knew he was in the wrong,

0:20:36.400 --> 0:20:38.600
<v Speaker 1>and I think he pulled back because he realized that,

0:20:39.600 --> 0:20:41.639
<v Speaker 1>especially when he went in for the last time and

0:20:41.920 --> 0:20:47.040
<v Speaker 1>and and Dean just said before they started pushing each other, Um,

0:20:47.080 --> 0:20:49.280
<v Speaker 1>he just kind of you could see in his eyes

0:20:49.880 --> 0:20:52.080
<v Speaker 1>a light go out a little bit like this, he

0:20:52.280 --> 0:20:54.840
<v Speaker 1>wasn't going to get his way. And I think it

0:20:54.920 --> 0:20:57.240
<v Speaker 1>was almost he was almost doing it because he didn't

0:20:57.240 --> 0:20:58.760
<v Speaker 1>want to get his way. I think he did it

0:20:58.800 --> 0:21:01.320
<v Speaker 1>because he wanted Dean to beat him up. I think

0:21:01.320 --> 0:21:04.040
<v Speaker 1>he did it because he thought he deserved to get

0:21:04.119 --> 0:21:07.200
<v Speaker 1>beaten up. Yeah. I don't think any of what you're

0:21:07.200 --> 0:21:09.399
<v Speaker 1>saying is wrong. I think you're kind of right. I

0:21:09.440 --> 0:21:13.080
<v Speaker 1>can't decide if he's spoiled or what the deal is,

0:21:13.080 --> 0:21:15.480
<v Speaker 1>but yeah, I think he's just super sad on the inside.

0:21:16.720 --> 0:21:21.200
<v Speaker 1>I think he's he's very wealthy, he's very privileged. He's

0:21:21.240 --> 0:21:24.840
<v Speaker 1>so handsome. Yeah, great looking kid, and it's got everything

0:21:24.840 --> 0:21:27.640
<v Speaker 1>going for him. But boy, what a facade because there's

0:21:27.680 --> 0:21:31.320
<v Speaker 1>a hurt, wounded soul behind that thing, and it's so

0:21:31.440 --> 0:21:35.879
<v Speaker 1>interesting to see it. It's really interesting for him to

0:21:35.960 --> 0:21:40.040
<v Speaker 1>peel that layer back and to show us that he's not. Yeah,

0:21:40.080 --> 0:21:42.840
<v Speaker 1>I'm a I'm a jackass and I know I'm a jackass,

0:21:43.080 --> 0:21:45.640
<v Speaker 1>and I don't like it, so please beat me up,

0:21:46.600 --> 0:21:49.080
<v Speaker 1>because why else would you? Why else would you challenge

0:21:49.080 --> 0:21:51.399
<v Speaker 1>somebody who's, like, you know, three inches taller than you are.

0:21:52.240 --> 0:21:56.800
<v Speaker 1>It's interesting when we read that Chad gets that reaction.

0:21:57.080 --> 0:22:00.959
<v Speaker 1>We did like an informal poll, Danielle where they're like,

0:22:01.160 --> 0:22:06.240
<v Speaker 1>what happened? It was pretty split forty eight in favor

0:22:06.600 --> 0:22:14.280
<v Speaker 1>of Tristan and don't like him. So I think we

0:22:14.480 --> 0:22:16.920
<v Speaker 1>get the opinions from people who like him and hate him.

0:22:16.960 --> 0:22:19.760
<v Speaker 1>It's like, I I sort of loved it, hate him. Yes,

0:22:19.840 --> 0:22:23.800
<v Speaker 1>the character allows you to really, you know, vent on

0:22:23.880 --> 0:22:26.439
<v Speaker 1>somebody like that, because we've all had people like that

0:22:26.480 --> 0:22:31.679
<v Speaker 1>in our lives, right, um um. But I don't know,

0:22:31.800 --> 0:22:35.600
<v Speaker 1>I'm I like him, I want to get to know

0:22:35.760 --> 0:22:39.440
<v Speaker 1>him now. I'm interested in like finding out what's going

0:22:39.480 --> 0:22:43.000
<v Speaker 1>on with him. Yeah, you really kind of love Tristan

0:22:43.080 --> 0:22:45.320
<v Speaker 1>and Dean in this episode. I mean, I still think

0:22:45.440 --> 0:22:50.679
<v Speaker 1>Tristan's he's a eighteen he's a kid, he's seventeen, you know.

0:22:51.160 --> 0:22:56.360
<v Speaker 1>I mean, come on, those kids are They're so filled

0:22:56.400 --> 0:23:00.560
<v Speaker 1>with confidence, you know, and you know, nothing really bad

0:23:00.600 --> 0:23:03.159
<v Speaker 1>has happened to them yet. Nobody's ever said no to

0:23:03.200 --> 0:23:05.400
<v Speaker 1>them yet. They just haven't been out in the world.

0:23:05.440 --> 0:23:10.199
<v Speaker 1>But I think in Tristan's background, something's going wrong and

0:23:10.200 --> 0:23:13.480
<v Speaker 1>it's and it's and it's going it's going wrong, like

0:23:13.680 --> 0:23:17.360
<v Speaker 1>right now as it's happening, and he's he's freaked out

0:23:17.400 --> 0:23:19.280
<v Speaker 1>by it. You know, maybe the parents split up, Maybe

0:23:19.280 --> 0:23:21.240
<v Speaker 1>the parents are fighting a lot or splitting up, or

0:23:21.680 --> 0:23:27.680
<v Speaker 1>who the heck knows. Yeah, And I think I think

0:23:27.680 --> 0:23:32.400
<v Speaker 1>he's probably just a very sensitive, very intelligent boy who

0:23:32.560 --> 0:23:35.919
<v Speaker 1>was probably a very sweet boy, and he's getting abused.

0:23:35.960 --> 0:23:39.080
<v Speaker 1>Somebody's abusing him. Maybe his father is verbally abusing him

0:23:39.160 --> 0:23:41.639
<v Speaker 1>or being too rough. With him or cutting him down?

0:23:42.520 --> 0:23:45.560
<v Speaker 1>You know, who knows? Who the hell knows? But it's

0:23:45.600 --> 0:23:47.479
<v Speaker 1>like I want to know. I want to know what

0:23:47.520 --> 0:23:54.919
<v Speaker 1>it is. What's his damage? Boy, let's get him on.

0:23:55.600 --> 0:23:58.440
<v Speaker 1>I want to I wanna because he has more insight

0:23:58.600 --> 0:24:00.520
<v Speaker 1>and he, you know, made these choice, maybe had some

0:24:00.560 --> 0:24:05.280
<v Speaker 1>conversations with Amy about background that's not in the show.

0:24:05.400 --> 0:24:08.200
<v Speaker 1>So it would be interesting to find pretty sweet guy.

0:24:08.240 --> 0:24:10.280
<v Speaker 1>He's a sweet guy in their life, as you know. Yeah,

0:24:10.320 --> 0:24:12.800
<v Speaker 1>he's a good dude. Okay, Danielle, tell us how we're

0:24:12.800 --> 0:24:16.160
<v Speaker 1>going to solve this conundrum. So we have one listener

0:24:16.440 --> 0:24:18.480
<v Speaker 1>that is calling it right now, Easton, if you want

0:24:18.480 --> 0:24:20.280
<v Speaker 1>to let her in from the waiting room. Her name

0:24:20.320 --> 0:24:28.600
<v Speaker 1>is Amelia. Hates him, she likes him. Hello, Amelia, Hi,

0:24:28.960 --> 0:24:33.159
<v Speaker 1>how you doing? Goodness? My goodness? Right pack at you?

0:24:33.920 --> 0:24:36.560
<v Speaker 1>How are you doing? Let me? Where are you calling

0:24:36.600 --> 0:24:40.520
<v Speaker 1>in from? Look at the sweatshirt? Got the Luke sweatshirt on?

0:24:40.560 --> 0:24:44.960
<v Speaker 1>There you go representing alright? Where you Where are you from? Amelia?

0:24:45.840 --> 0:24:48.879
<v Speaker 1>Joshua Tree, California? Oh my god, you're out in the

0:24:48.960 --> 0:24:52.760
<v Speaker 1>desertn't really working for my my temperature outside? No? No, no,

0:24:52.960 --> 0:24:59.160
<v Speaker 1>what's it out there? Something crazy? Yeah? The Desert. Thank

0:24:59.200 --> 0:25:04.120
<v Speaker 1>God for free on. So you have either a question

0:25:04.320 --> 0:25:07.400
<v Speaker 1>or a comment for us? Oh well, I mean, yeah,

0:25:07.440 --> 0:25:09.680
<v Speaker 1>you guys um in your stories. So he talked about

0:25:09.680 --> 0:25:13.080
<v Speaker 1>Tristan um if people liked him or didn't like him,

0:25:13.119 --> 0:25:15.080
<v Speaker 1>And I know a lot of people probably don't like him,

0:25:16.440 --> 0:25:18.760
<v Speaker 1>but I mean I don't like him, like I want

0:25:18.760 --> 0:25:20.760
<v Speaker 1>to hang out with Tristan. But I think as a

0:25:20.840 --> 0:25:25.159
<v Speaker 1>character he's really dynamic. There's a lot there and I

0:25:25.200 --> 0:25:29.080
<v Speaker 1>love to unpack that stuff. As a viewer, I like

0:25:29.240 --> 0:25:31.359
<v Speaker 1>that he's kind of puts up a facade. I mean

0:25:31.400 --> 0:25:33.520
<v Speaker 1>he's a teenager, so you remember that. I mean I

0:25:33.520 --> 0:25:34.960
<v Speaker 1>started watching the show when I was ten, so I

0:25:35.000 --> 0:25:38.080
<v Speaker 1>didn't pick up any of this then. But um, you

0:25:38.080 --> 0:25:40.199
<v Speaker 1>know he's a teenager. He's figuring it out. And I

0:25:40.240 --> 0:25:45.080
<v Speaker 1>think that he just wants validation from girls at school,

0:25:45.119 --> 0:25:49.480
<v Speaker 1>boys school, his parents, and he gets it obviously in

0:25:49.520 --> 0:25:51.080
<v Speaker 1>the wrong ways. So he puts up this like not

0:25:51.160 --> 0:25:53.800
<v Speaker 1>a very nice guy saw it. So he's kind of misunderstood.

0:25:53.800 --> 0:25:55.240
<v Speaker 1>But there's moments where you could see he has like

0:25:55.240 --> 0:25:58.720
<v Speaker 1>a heart and a soul. They're fleeting, but they happen, Um,

0:25:58.760 --> 0:26:00.440
<v Speaker 1>And I just think he's really misunders that he does

0:26:00.440 --> 0:26:04.000
<v Speaker 1>it to himself. But he's a teenager, so you know,

0:26:04.440 --> 0:26:07.960
<v Speaker 1>she engages with him. You know, she doesn't just walk

0:26:08.000 --> 0:26:11.440
<v Speaker 1>away or ignore him. There's some sort of push pool

0:26:11.520 --> 0:26:16.240
<v Speaker 1>there because she always sort of ping pongs with him,

0:26:16.440 --> 0:26:19.720
<v Speaker 1>meaning Rory. Yeah, I mean, and he's a cutie pie.

0:26:19.760 --> 0:26:23.080
<v Speaker 1>I mean it's Chad Michael Murray. So I'm not complaining.

0:26:23.640 --> 0:26:25.320
<v Speaker 1>If I was in high school with Chad Michael Murray,

0:26:25.359 --> 0:26:28.920
<v Speaker 1>I'd probably be like, all right, So I mean, well,

0:26:29.000 --> 0:26:33.040
<v Speaker 1>you know, um, we were discussing this and this episode

0:26:33.480 --> 0:26:37.960
<v Speaker 1>is specifically, um Rory's dance when she goes to children

0:26:38.040 --> 0:26:41.120
<v Speaker 1>dance and they getting Dean and and Tristan get into there,

0:26:42.320 --> 0:26:46.359
<v Speaker 1>you know, almost fisticuffs. Um. You know, I started liking

0:26:47.240 --> 0:26:51.399
<v Speaker 1>I started liking Tristan because just for the reasons that

0:26:51.480 --> 0:26:54.399
<v Speaker 1>you just stated, because there's something there. There's maybe something

0:26:54.440 --> 0:26:57.080
<v Speaker 1>going wrong in his home life and he doesn't know

0:26:57.119 --> 0:27:00.159
<v Speaker 1>how to handle it, and he's internalizing it. It's being

0:27:00.160 --> 0:27:02.800
<v Speaker 1>out in all these ways and he's probably he's you know,

0:27:02.880 --> 0:27:05.840
<v Speaker 1>he's mimicking both his parents, right, So he's being imprinted

0:27:05.880 --> 0:27:08.920
<v Speaker 1>in a very negative way somehow over a period of time,

0:27:09.760 --> 0:27:12.520
<v Speaker 1>and he's you know he's coming off like this, this

0:27:12.680 --> 0:27:17.359
<v Speaker 1>giant jerk, and I'm sure I see that from his

0:27:17.440 --> 0:27:20.720
<v Speaker 1>behavior in this episode that he is not a giant jerk.

0:27:21.600 --> 0:27:25.200
<v Speaker 1>I don't think he. I think there's something very sweet

0:27:25.280 --> 0:27:29.200
<v Speaker 1>and soulful there and he's lost it. He's lost himself

0:27:29.800 --> 0:27:32.680
<v Speaker 1>and he needs to get himself back, which is why

0:27:32.800 --> 0:27:38.320
<v Speaker 1>I think and obviously he thinks Rory can help him. Yeah,

0:27:38.359 --> 0:27:40.560
<v Speaker 1>I completely agree. I feel like and even if he's

0:27:40.560 --> 0:27:42.920
<v Speaker 1>like getting that negative imprint from his parents, maybe even

0:27:42.920 --> 0:27:44.840
<v Speaker 1>they're not giving him enough attention, so he's like, how

0:27:44.880 --> 0:27:48.800
<v Speaker 1>can I get attention, I'll act out, um, And yeah,

0:27:48.840 --> 0:27:50.480
<v Speaker 1>I just think there's not a lot of self love there.

0:27:51.160 --> 0:27:52.960
<v Speaker 1>There's not, like feel like, there's a lot of self

0:27:53.040 --> 0:27:56.040
<v Speaker 1>doubt within himself, and he acts out negatively and he

0:27:56.119 --> 0:27:58.639
<v Speaker 1>sees something good in Rory, which I mean he doesn't.

0:27:59.040 --> 0:28:01.320
<v Speaker 1>I mean, she's just she's just a breath of fresh

0:28:01.359 --> 0:28:07.000
<v Speaker 1>air and completely unaffected and beautiful and breezy and smart,

0:28:07.160 --> 0:28:10.160
<v Speaker 1>and it's probably everything he's been looking for and hasn't

0:28:10.160 --> 0:28:12.160
<v Speaker 1>been able to find. I mean, it's like it's either

0:28:12.920 --> 0:28:15.960
<v Speaker 1>it's either Louise or or it's hurts Rory, which line

0:28:15.960 --> 0:28:20.160
<v Speaker 1>you're gonna stand in right, I mean Louise right right. Yeah,

0:28:20.200 --> 0:28:22.240
<v Speaker 1>she's still nice to him. She like finds the good

0:28:22.280 --> 0:28:23.880
<v Speaker 1>in him, and you think he sees that and picks

0:28:23.960 --> 0:28:25.520
<v Speaker 1>up on that. So it's like, Okay, even though I

0:28:25.560 --> 0:28:28.840
<v Speaker 1>called you marry and I was that typical like I

0:28:28.840 --> 0:28:32.000
<v Speaker 1>don't know, school grade school, like I'm going to be

0:28:32.040 --> 0:28:35.359
<v Speaker 1>mean to you because I like you attitude. She's looked

0:28:35.400 --> 0:28:39.360
<v Speaker 1>past that and it's just shown him kindness. And I

0:28:39.360 --> 0:28:42.120
<v Speaker 1>mean anyone that's I feel like like him is going

0:28:42.160 --> 0:28:43.760
<v Speaker 1>to look at that and be like, hey, wait a minute,

0:28:44.560 --> 0:28:47.640
<v Speaker 1>I like you. She's she's look, she's a little she's

0:28:47.640 --> 0:28:50.480
<v Speaker 1>a little rough with him. I mean she she gives

0:28:50.560 --> 0:28:56.360
<v Speaker 1>him his do uh when they're standing in line, when

0:28:56.440 --> 0:28:58.400
<v Speaker 1>she's buying the tickets. I mean she's really kind of

0:28:58.400 --> 0:29:00.480
<v Speaker 1>going after him a little bit. I mean she's she's

0:29:00.680 --> 0:29:04.800
<v Speaker 1>returning service beautifully. Yeah, I love it, especially when she

0:29:04.880 --> 0:29:07.080
<v Speaker 1>yells at him after she hits the deer. I mean

0:29:07.120 --> 0:29:10.960
<v Speaker 1>I appreciate that. So yeah, I just think there's a

0:29:11.040 --> 0:29:16.000
<v Speaker 1>quality about Tristan that I'm intrigued by. Now. I'm fascinated.

0:29:16.000 --> 0:29:17.400
<v Speaker 1>I want to I want to get to know him

0:29:18.040 --> 0:29:20.320
<v Speaker 1>a little better. And I hope. And I haven't seen

0:29:20.520 --> 0:29:23.880
<v Speaker 1>the episodes obviously, I've just I've stopped at Rory's dance,

0:29:23.920 --> 0:29:26.640
<v Speaker 1>but I'm I'm intrigued to see how he develops. And

0:29:26.640 --> 0:29:29.880
<v Speaker 1>I'm starting to like Dean too. But I know I've

0:29:29.880 --> 0:29:34.560
<v Speaker 1>been listening and I'm like, no, no, but I didn't

0:29:34.640 --> 0:29:38.360
<v Speaker 1>like the Boogie night thing and hey, now it's my

0:29:38.440 --> 0:29:41.840
<v Speaker 1>turn and you know this kissing and the thing and

0:29:41.840 --> 0:29:43.680
<v Speaker 1>and the Dozies marketing. I know I didn't like all

0:29:43.760 --> 0:29:46.280
<v Speaker 1>that stuff, but you know it's like now this fresh

0:29:46.320 --> 0:29:50.000
<v Speaker 1>episode and he's, uh, he's he's being a good boyfriend

0:29:50.000 --> 0:29:52.160
<v Speaker 1>and it's kind of cool because she's, you know, hey,

0:29:52.360 --> 0:29:54.440
<v Speaker 1>so what do we you my boyfriend? And it's like,

0:29:55.400 --> 0:29:59.200
<v Speaker 1>I don't know, you want me to be? It is,

0:29:59.280 --> 0:30:02.960
<v Speaker 1>it's very it is very sweet and he's a sweet kid.

0:30:03.040 --> 0:30:09.479
<v Speaker 1>He's showing that side of himself. Um, so, Amelia, so

0:30:09.600 --> 0:30:13.120
<v Speaker 1>thank you for coming on. It was a very interesting discussion.

0:30:13.960 --> 0:30:17.920
<v Speaker 1>Oh well, thank you. We really appreciate the input. Um,

0:30:17.960 --> 0:30:20.520
<v Speaker 1>and good luck with your photography out there in Joshua

0:30:20.560 --> 0:30:24.160
<v Speaker 1>Tree and thank you and thank you. This is crazy.

0:30:24.240 --> 0:30:26.440
<v Speaker 1>You're Luke, I mean your Scott, but you're Luke. And

0:30:26.480 --> 0:30:28.640
<v Speaker 1>I've been watching you since I was ten and your

0:30:28.680 --> 0:30:32.480
<v Speaker 1>show shaped me and I just this is amazing, So

0:30:32.560 --> 0:30:34.880
<v Speaker 1>thank you so much, wonderful. We've had a lot of

0:30:34.880 --> 0:30:39.760
<v Speaker 1>fun and uh and nice talking to you. Yeah you too,

0:30:39.880 --> 0:30:47.560
<v Speaker 1>thank you. All right, sweetheart, I think we've got somebody

0:30:47.560 --> 0:30:50.120
<v Speaker 1>in the waiting room, uh for a fan question, and

0:30:50.200 --> 0:30:54.920
<v Speaker 1>let's let's get question. We need a high so let's

0:30:55.480 --> 0:30:58.320
<v Speaker 1>let's jump into your question. You emailed a question and

0:30:58.360 --> 0:31:02.320
<v Speaker 1>we're curious. Go ahead and give us your question. Okay.

0:31:02.400 --> 0:31:06.440
<v Speaker 1>So um, in season one, episode nine, where Rory goes

0:31:06.480 --> 0:31:09.400
<v Speaker 1>to the dance, UM, Emily sitting on the couch with

0:31:10.000 --> 0:31:15.320
<v Speaker 1>Flora Lae and she's trying, um, some smashed bananas on toast,

0:31:15.880 --> 0:31:18.760
<v Speaker 1>and when Emily gets up from the couch, there's a

0:31:18.760 --> 0:31:22.360
<v Speaker 1>piece of neon green tape those under the chair where

0:31:22.400 --> 0:31:27.800
<v Speaker 1>she's been sitting. And then in season six, episode thirteen,

0:31:28.040 --> 0:31:31.920
<v Speaker 1>Friday Night is all Right for Fights, Suki and Loria

0:31:32.000 --> 0:31:35.920
<v Speaker 1>la are in an outdoor flower market and they have

0:31:36.040 --> 0:31:39.680
<v Speaker 1>the same piece of neon green tape that's on their jackets,

0:31:39.840 --> 0:31:43.800
<v Speaker 1>and UM, I'm assuming that it's like a place marker

0:31:43.840 --> 0:31:46.000
<v Speaker 1>for where they stand or the jackets that they were

0:31:46.040 --> 0:31:48.080
<v Speaker 1>supposed to use for the scene and then it maybe

0:31:48.120 --> 0:31:51.920
<v Speaker 1>just didn't get removed. But UM, I'm wondering if you

0:31:51.920 --> 0:31:55.480
<v Speaker 1>could maybe speak to that a little bit more on um,

0:31:55.560 --> 0:31:57.640
<v Speaker 1>what is like to be an actor and have such

0:31:57.760 --> 0:32:03.080
<v Speaker 1>intense dialogue and um and be having to move at

0:32:03.080 --> 0:32:07.200
<v Speaker 1>a certain place, being a certain position, um, especially being

0:32:07.240 --> 0:32:11.400
<v Speaker 1>like um for your character being in the diner being um,

0:32:11.400 --> 0:32:14.800
<v Speaker 1>cooking or cleaning or busting a table at the same

0:32:14.800 --> 0:32:18.440
<v Speaker 1>time while you're while you're acting. So, yes, you're you're

0:32:18.560 --> 0:32:23.960
<v Speaker 1>right about the tape. It every actor gets a color designation.

0:32:25.320 --> 0:32:29.360
<v Speaker 1>I guess the green tape. I guess that was assigned

0:32:29.400 --> 0:32:34.280
<v Speaker 1>to Uh, Kelly, is that what you're saying? You saw

0:32:34.320 --> 0:32:38.720
<v Speaker 1>it first with with Emily Gilmour, Yes, since season one? Yes,

0:32:39.320 --> 0:32:42.160
<v Speaker 1>so yeah, so so Emily. I guess was was green

0:32:43.080 --> 0:32:46.200
<v Speaker 1>because when the crew comes in, when we come in

0:32:46.280 --> 0:32:50.160
<v Speaker 1>for a full crew rehearsal uh, and we've figured out

0:32:50.600 --> 0:32:53.240
<v Speaker 1>sort of our movements and are it's called blocking, and

0:32:53.240 --> 0:32:55.320
<v Speaker 1>where we're gonna go on certain lines and all the

0:32:55.360 --> 0:32:59.400
<v Speaker 1>you know, the the balletic, the core the choreography of

0:32:59.440 --> 0:33:05.680
<v Speaker 1>the scene where everybody's moving. Um. Uh. The crew he's

0:33:05.800 --> 0:33:12.000
<v Speaker 1>the crew guy has a many different colored tapes uh

0:33:12.040 --> 0:33:14.640
<v Speaker 1>in a holster and he pulls out that tape because okay,

0:33:14.680 --> 0:33:17.160
<v Speaker 1>so Luke moves over here, so I mean I forget

0:33:17.160 --> 0:33:19.240
<v Speaker 1>I I forget which color I was. It was probably

0:33:19.280 --> 0:33:21.560
<v Speaker 1>red or something like that, and he said, or blue

0:33:21.640 --> 0:33:23.640
<v Speaker 1>or something. He put a blue tape down there so

0:33:23.720 --> 0:33:26.360
<v Speaker 1>that you I would know where my first mark was.

0:33:27.360 --> 0:33:29.560
<v Speaker 1>And then they do the same thing for all the actors.

0:33:29.560 --> 0:33:32.320
<v Speaker 1>So there's lots of pieces of different colored tape all

0:33:32.320 --> 0:33:36.160
<v Speaker 1>over the floor and that's that's the roadmap for all

0:33:36.200 --> 0:33:38.520
<v Speaker 1>of the actors to see. And you can't look at it,

0:33:39.000 --> 0:33:43.160
<v Speaker 1>but you know it's there, So so that's your that's

0:33:43.200 --> 0:33:46.880
<v Speaker 1>kind of like your UM, your navigation system that we

0:33:47.040 --> 0:33:50.360
<v Speaker 1>used to make sure we knew we were standing on

0:33:50.360 --> 0:33:52.640
<v Speaker 1>the right mark because that's where they set the lighting.

0:33:53.440 --> 0:33:56.040
<v Speaker 1>So if if if you're standing on your mark, then

0:33:56.080 --> 0:33:57.880
<v Speaker 1>the lighting is gonna hit you right and you know

0:33:58.560 --> 0:34:00.400
<v Speaker 1>the director is gonna be happy, and if you miss

0:34:00.400 --> 0:34:02.640
<v Speaker 1>your mark, the lighting is going to be off, and

0:34:02.680 --> 0:34:04.720
<v Speaker 1>then everybody else's lighting is going to be off because

0:34:04.720 --> 0:34:07.640
<v Speaker 1>you're gonna pull their looks over in the wrong direction.

0:34:07.680 --> 0:34:09.799
<v Speaker 1>And then they yell cut and said you gotta hit

0:34:09.840 --> 0:34:13.200
<v Speaker 1>your mark. We gotta do it again. So and as

0:34:13.239 --> 0:34:18.920
<v Speaker 1>far as how to um to do all the the

0:34:18.920 --> 0:34:20.960
<v Speaker 1>you know, the physical stuff and the and the serving

0:34:21.000 --> 0:34:24.680
<v Speaker 1>of the food and you know that's um. You know,

0:34:24.719 --> 0:34:27.600
<v Speaker 1>that's something you learn in acting school. Uh. And you

0:34:27.680 --> 0:34:30.520
<v Speaker 1>just sort of keep gradually adding on more tasks to

0:34:30.600 --> 0:34:33.839
<v Speaker 1>do and in scenes and scene work that you're doing

0:34:33.880 --> 0:34:36.719
<v Speaker 1>in class. Uh. And then when you do plays you

0:34:36.760 --> 0:34:38.560
<v Speaker 1>have to do that as well. There's a lot of

0:34:39.080 --> 0:34:41.440
<v Speaker 1>props to deal with, and there's a whole course of

0:34:41.480 --> 0:34:43.360
<v Speaker 1>study on how to deal with props and how to

0:34:43.400 --> 0:34:45.719
<v Speaker 1>handle props and do you have to do it the

0:34:45.800 --> 0:34:49.960
<v Speaker 1>same for every take? Yes, you do. Yeah, that's called matching.

0:34:50.000 --> 0:34:53.240
<v Speaker 1>You have to match. So if George comes up to you, say, Scott,

0:34:53.280 --> 0:34:55.840
<v Speaker 1>that didn't match, I said, oh, what did I do?

0:34:55.880 --> 0:34:58.560
<v Speaker 1>I said, you put the plate down on the word

0:34:58.840 --> 0:35:01.360
<v Speaker 1>after you know the and you put it. Yeah. So

0:35:01.400 --> 0:35:05.080
<v Speaker 1>if you miss it even by that much, so it's exacting.

0:35:05.440 --> 0:35:09.920
<v Speaker 1>So your rehearsal process nails down all of the movement

0:35:10.200 --> 0:35:13.920
<v Speaker 1>and the and the props and uh um and the

0:35:14.000 --> 0:35:18.520
<v Speaker 1>lighting scheme and the choreography. And if you miss any

0:35:18.719 --> 0:35:22.799
<v Speaker 1>anything but even buying a very in your brain, you

0:35:22.840 --> 0:35:26.200
<v Speaker 1>have to go like cut plate toast, cut plate toast,

0:35:26.520 --> 0:35:28.799
<v Speaker 1>and then you're also doing all those crazy lines. You're

0:35:28.840 --> 0:35:32.840
<v Speaker 1>like blah blah blah, cut plate toast. Whoa, that sounds

0:35:32.920 --> 0:35:36.799
<v Speaker 1>kind of loud. You are truly exhausted at the end

0:35:36.840 --> 0:35:40.080
<v Speaker 1>of the day because you're just your brain is is

0:35:40.600 --> 0:35:45.120
<v Speaker 1>is just you know, trying to absorb all this stuff

0:35:45.160 --> 0:35:48.040
<v Speaker 1>all day and you know, sending all those signals out

0:35:49.480 --> 0:35:52.280
<v Speaker 1>to every part of your body. And uh and plus

0:35:52.280 --> 0:35:54.440
<v Speaker 1>you know there's a there's an emotional life there too

0:35:54.480 --> 0:35:58.480
<v Speaker 1>that has to be um, um, oh my god, right come,

0:35:58.520 --> 0:36:03.200
<v Speaker 1>plate toast line, line, line right right right. So it's

0:36:04.200 --> 0:36:06.560
<v Speaker 1>but it's not anything. The more you do it, the

0:36:06.640 --> 0:36:08.480
<v Speaker 1>better you get at it, and the more comfortable you

0:36:08.520 --> 0:36:10.080
<v Speaker 1>feel with it. And I got to the point on

0:36:10.239 --> 0:36:14.240
<v Speaker 1>Gilmore where I I preferred using a lot of props

0:36:14.239 --> 0:36:16.800
<v Speaker 1>and being very proppery and very active with the props

0:36:16.880 --> 0:36:19.200
<v Speaker 1>because it's just, you know, it was easier for me

0:36:19.239 --> 0:36:22.279
<v Speaker 1>to attach what line was I'm going to pick the

0:36:22.320 --> 0:36:24.319
<v Speaker 1>couple on or drop the plate or pick up the

0:36:24.360 --> 0:36:26.239
<v Speaker 1>plate and the whole thing and it's sort of I

0:36:26.239 --> 0:36:29.640
<v Speaker 1>don't know, it just made it easier to do a scene. Um.

0:36:29.800 --> 0:36:31.640
<v Speaker 1>Whereas when you're out there in the desert and it's

0:36:31.640 --> 0:36:33.840
<v Speaker 1>just the two of you're talking. That's tough because I

0:36:33.880 --> 0:36:36.200
<v Speaker 1>remember that kitchen scene in the in the reboot, where

0:36:36.600 --> 0:36:39.399
<v Speaker 1>I was passionately pleading with Laurel La not to leave

0:36:39.480 --> 0:36:42.279
<v Speaker 1>me when um, and it was just the two of us,

0:36:42.280 --> 0:36:44.000
<v Speaker 1>there were no props to deal with. There was nothing,

0:36:44.040 --> 0:36:47.920
<v Speaker 1>And that's when you're truly naked emotionally, and those are

0:36:48.560 --> 0:36:53.560
<v Speaker 1>more difficult to pull off, um because you can't really

0:36:53.880 --> 0:37:00.440
<v Speaker 1>you know, you can't hide behind the props anymore. Um. So, anyway,

0:37:00.480 --> 0:37:03.920
<v Speaker 1>I hope that answers your question. Yeah, that's very interesting.

0:37:04.000 --> 0:37:06.600
<v Speaker 1>Thank you so much, Thank you, Thank you Winita for

0:37:06.680 --> 0:37:12.840
<v Speaker 1>coming on and uh and uh and keep watching, thanks listening.

0:37:13.040 --> 0:37:16.480
<v Speaker 1>Stay safe, all right, take care. You know, let's have

0:37:16.480 --> 0:37:18.600
<v Speaker 1>a little fun. Let's let's go ahead and re enact this.

0:37:18.680 --> 0:37:20.520
<v Speaker 1>We had so much fun doing it last week. Let's

0:37:20.560 --> 0:37:24.279
<v Speaker 1>let's reenact the scene where uh, you know, Rory goes

0:37:24.320 --> 0:37:27.160
<v Speaker 1>into Dosie's Market to ask Dean to the dance and

0:37:27.160 --> 0:37:30.920
<v Speaker 1>and Keiko is breathlessly, you know, staring through the glass

0:37:31.480 --> 0:37:33.759
<v Speaker 1>to see what happens. So she she even says to Royce, says,

0:37:33.880 --> 0:37:40.040
<v Speaker 1>you know, annuncate your words, I read lips. So so

0:37:40.080 --> 0:37:43.160
<v Speaker 1>we're gonna we're gonna re enact this with uh with

0:37:43.400 --> 0:37:47.359
<v Speaker 1>another lovely fan. Who who do we have? Is that Heather?

0:37:48.800 --> 0:37:50.759
<v Speaker 1>How are you doing? You're wearing the hat or is

0:37:50.760 --> 0:37:56.920
<v Speaker 1>that just your natural look? Like it is rocking the look?

0:37:57.480 --> 0:38:02.360
<v Speaker 1>It's out of respect of it. At this, Look at this, Heather,

0:38:02.640 --> 0:38:05.680
<v Speaker 1>That's awesome. I gotta put my glasses on to check

0:38:05.760 --> 0:38:09.680
<v Speaker 1>this out. This is look at you. That's a that's

0:38:09.680 --> 0:38:15.920
<v Speaker 1>a Luke suit. It is number one top drawer. Welcome

0:38:15.960 --> 0:38:19.720
<v Speaker 1>to the show. Thank you so much. I'm so excited

0:38:19.760 --> 0:38:21.759
<v Speaker 1>to be here. How did it hat? What are you

0:38:21.840 --> 0:38:26.759
<v Speaker 1>calling in from? I live in Seattle, Seattle, all the

0:38:26.800 --> 0:38:30.560
<v Speaker 1>way from Seattle. Yeah, not too far from you. Guys though,

0:38:31.520 --> 0:38:36.080
<v Speaker 1>did you work on the scene? Because I didn't? I did? Um,

0:38:36.680 --> 0:38:39.879
<v Speaker 1>I hope I do it justice. Well, I know I'm

0:38:39.880 --> 0:38:41.879
<v Speaker 1>gonna suck. I'm not going to be a good Dean.

0:38:42.080 --> 0:38:45.080
<v Speaker 1>I'm playing Dean because I'm not in this episode. I know.

0:38:45.160 --> 0:38:47.279
<v Speaker 1>I well, that's what when I heard it was this one,

0:38:47.320 --> 0:38:50.960
<v Speaker 1>I thought, not even in this one. Luke's not even

0:38:50.880 --> 0:38:54.480
<v Speaker 1>make sense. We'll create our own scene. I know it's

0:38:54.480 --> 0:38:57.359
<v Speaker 1>going to be great. The scene that that that hit

0:38:57.400 --> 0:39:01.000
<v Speaker 1>the cutting room floor never made it on the episode aired.

0:39:01.440 --> 0:39:03.960
<v Speaker 1>All right, so now I'm by Now I have to

0:39:04.320 --> 0:39:06.440
<v Speaker 1>I have to be Dean. Okay, so this will be

0:39:06.480 --> 0:39:08.839
<v Speaker 1>the biggest acting challenge of my life. I know how

0:39:08.840 --> 0:39:12.759
<v Speaker 1>you feel about Dean too, so he love Jared. But

0:39:12.760 --> 0:39:14.960
<v Speaker 1>but you know what, Dean he I like him in

0:39:14.960 --> 0:39:18.080
<v Speaker 1>this episode. I liked what happened. He's very good in

0:39:18.080 --> 0:39:20.520
<v Speaker 1>this episode. Yeah, you know, it's like I might be

0:39:20.600 --> 0:39:24.319
<v Speaker 1>kicking just to the curb pretty soon. I might be

0:39:24.400 --> 0:39:27.080
<v Speaker 1>doing that. I might do that because I like Dean

0:39:27.120 --> 0:39:29.680
<v Speaker 1>in this I like Dean in this episode. She wants

0:39:29.680 --> 0:39:31.560
<v Speaker 1>to make it right too. You know, at the end

0:39:31.560 --> 0:39:33.799
<v Speaker 1>of the episode, he really tries. He wants to go

0:39:33.840 --> 0:39:35.880
<v Speaker 1>with Rory back to talk to her mom. I mean,

0:39:35.920 --> 0:39:38.200
<v Speaker 1>he does the right thing. He does the right thing.

0:39:38.719 --> 0:39:40.600
<v Speaker 1>He figured out how to get out of his car

0:39:40.640 --> 0:39:43.759
<v Speaker 1>and stop honking. I like. I like that. He's an

0:39:43.760 --> 0:39:47.520
<v Speaker 1>intelligent young man. You don't run out when a boy

0:39:47.560 --> 0:39:54.040
<v Speaker 1>honks for you. Tell you what man Jess might be.

0:39:54.200 --> 0:39:56.280
<v Speaker 1>You know, I know he's blood, I know he's family.

0:39:56.360 --> 0:40:00.360
<v Speaker 1>But I like the Dean going after the tris didn't

0:40:01.040 --> 0:40:04.239
<v Speaker 1>it was It was good. Yeah, and knock out the

0:40:04.360 --> 0:40:08.480
<v Speaker 1>Mary Boy. You know, I'm a recent Team Jess convert.

0:40:08.600 --> 0:40:13.400
<v Speaker 1>Actually I was a team Okay, don't don't be too upset.

0:40:13.440 --> 0:40:16.399
<v Speaker 1>I know somebody else is also a Team Logan hardcore, Yes,

0:40:16.640 --> 0:40:19.520
<v Speaker 1>Amy is. I mean, I was Team Logan for so long.

0:40:19.560 --> 0:40:21.839
<v Speaker 1>I loved how they challenged each other, and I love

0:40:21.880 --> 0:40:24.160
<v Speaker 1>how they changed one another. I love how he came

0:40:24.280 --> 0:40:27.160
<v Speaker 1>full circle at the end. But you know what, after

0:40:27.200 --> 0:40:30.240
<v Speaker 1>the revival, I changed my mind because I was so

0:40:30.400 --> 0:40:35.560
<v Speaker 1>disappointed in the relationship. There a sort of relationship then,

0:40:35.840 --> 0:40:38.920
<v Speaker 1>and I saw how Jess really helped Rory, and she

0:40:39.200 --> 0:40:41.799
<v Speaker 1>had that great idea for the book, and even at

0:40:41.800 --> 0:40:43.720
<v Speaker 1>the end when he looked at her through the window,

0:40:43.800 --> 0:40:47.480
<v Speaker 1>I was like, that's that's the one. So I'm now

0:40:47.520 --> 0:40:50.239
<v Speaker 1>a Team Jess. I never thought i'd say it, but

0:40:50.400 --> 0:40:53.840
<v Speaker 1>years later, I'm a convert. I'm still I'm still Team Jett,

0:40:53.960 --> 0:40:58.759
<v Speaker 1>Team Jess. But I gotta tell you, the opportunity to

0:40:58.960 --> 0:41:01.840
<v Speaker 1>get into the skin of Dean in an acting scene

0:41:02.440 --> 0:41:05.799
<v Speaker 1>might help me get that that five percent I need

0:41:05.840 --> 0:41:08.759
<v Speaker 1>to get to get the Team Dean. Because I'm I'm

0:41:08.920 --> 0:41:11.200
<v Speaker 1>right there, I'm right on the fence. I liked what

0:41:11.280 --> 0:41:14.320
<v Speaker 1>I saw in this episode from that young boy. I

0:41:14.480 --> 0:41:18.520
<v Speaker 1>like this scene. He's really I mean, what a great guy.

0:41:18.600 --> 0:41:22.680
<v Speaker 1>He restrained himself, he didn't swing and punch. He just said,

0:41:22.719 --> 0:41:26.880
<v Speaker 1>I'm not going to fight you, because what does I

0:41:27.040 --> 0:41:29.839
<v Speaker 1>kill you? And he didn't mean kill in the sense

0:41:29.880 --> 0:41:32.239
<v Speaker 1>that he'd kill him. He meant kill when that he

0:41:32.280 --> 0:41:36.759
<v Speaker 1>would defeat him badly. So yes, yes, there would be

0:41:36.880 --> 0:41:42.160
<v Speaker 1>damage to the Tristan Uppers and Lowers that Dennis would

0:41:42.200 --> 0:41:47.680
<v Speaker 1>be very the Orthodonis between. I like this episode anyway,

0:41:47.680 --> 0:41:49.560
<v Speaker 1>So you ready to act? Have you been working on it?

0:41:50.000 --> 0:41:51.600
<v Speaker 1>I don't know. I made my husband run through it

0:41:51.640 --> 0:41:54.040
<v Speaker 1>with me a bunch of times. I don't know how

0:41:54.080 --> 0:41:56.520
<v Speaker 1>to play Dean, and now I have to be eighteen,

0:41:56.719 --> 0:42:00.520
<v Speaker 1>and that's you know, I'm I'm a little four years

0:42:00.600 --> 0:42:03.160
<v Speaker 1>past eighteen. But let's see what I can do. I

0:42:03.239 --> 0:42:05.040
<v Speaker 1>was trying to put myself back in. What is it

0:42:05.120 --> 0:42:08.440
<v Speaker 1>like when you're a teenager and you're this is so

0:42:08.560 --> 0:42:11.120
<v Speaker 1>vulnerable to ask somebody to a dance, you know. I

0:42:11.160 --> 0:42:13.399
<v Speaker 1>was trying to put myself back there, because that's that's hard.

0:42:13.680 --> 0:42:16.560
<v Speaker 1>It was hard what I think we both need to

0:42:16.600 --> 0:42:19.280
<v Speaker 1>do since we're since we're are both of our voices

0:42:19.400 --> 0:42:23.040
<v Speaker 1>is probably bottomed out since we were teenagers. We need

0:42:23.080 --> 0:42:25.960
<v Speaker 1>to be at a higher pitch. We need to be high. Yeah,

0:42:26.000 --> 0:42:28.400
<v Speaker 1>we can't be so low in our throat. We can't be.

0:42:28.840 --> 0:42:31.719
<v Speaker 1>So let's try that. So maybe we can be. We

0:42:31.719 --> 0:42:35.240
<v Speaker 1>will try it. Not not necessarily squeaky, but sometimes Rory

0:42:35.400 --> 0:42:41.399
<v Speaker 1>does come off squeaky. She can be sometimes. And for you, Heather,

0:42:41.560 --> 0:42:45.320
<v Speaker 1>to achieve that level of cuteness and vulnerability in your voice,

0:42:46.120 --> 0:42:49.920
<v Speaker 1>my god, let's see what happens. I don't know. Now

0:42:49.920 --> 0:42:55.760
<v Speaker 1>you're setting me up. I'll try it, alright, alright, uh, alright,

0:42:55.840 --> 0:43:04.040
<v Speaker 1>everybody settle Heather, you're good ready? Good? Yes? Yes, yes, yes?

0:43:04.760 --> 0:43:11.799
<v Speaker 1>And action? Hey oh hey you're busy. Yeah no, I

0:43:11.880 --> 0:43:13.600
<v Speaker 1>just had to put these green beans chip ands on

0:43:13.640 --> 0:43:17.960
<v Speaker 1>the shelves. You want to help? Yeah, sure, I love

0:43:18.000 --> 0:43:22.120
<v Speaker 1>stucking beans. Okay, follow me. So do you work on Saturdays?

0:43:22.120 --> 0:43:25.400
<v Speaker 1>I forget, Well, it depends. Sometimes I come in if

0:43:25.400 --> 0:43:29.200
<v Speaker 1>I don't have any plans. So why no reason? This

0:43:29.239 --> 0:43:36.680
<v Speaker 1>is so bad? I can't do Dean to save my life,

0:43:36.840 --> 0:43:40.239
<v Speaker 1>killing going, keep going, I'll try to find another Dean voice.

0:43:40.239 --> 0:43:43.759
<v Speaker 1>Go ahead, See there's this thing at my school on Saturday.

0:43:43.840 --> 0:43:46.359
<v Speaker 1>Well it's not really at my school, but it's it's

0:43:46.400 --> 0:43:50.240
<v Speaker 1>kind of given by my school. What is it? Well,

0:43:50.360 --> 0:43:52.319
<v Speaker 1>it's this kind of thing where you go and they

0:43:52.440 --> 0:43:54.279
<v Speaker 1>play music and you're supposed to get all dressed up

0:43:54.280 --> 0:43:56.400
<v Speaker 1>and do some kind of dance and there's chicken chicken.

0:43:57.280 --> 0:43:59.959
<v Speaker 1>I don't know if there's chicken, but these kinds of things,

0:44:00.000 --> 0:44:02.560
<v Speaker 1>they often serve chicken because it's probably cheaper and people

0:44:02.600 --> 0:44:04.400
<v Speaker 1>eat it. So the logical the chicken twists really is

0:44:04.520 --> 0:44:10.920
<v Speaker 1>not bad. I'm lost, and it's not like I'm dying

0:44:10.960 --> 0:44:13.520
<v Speaker 1>to go or anything, but it is a new school

0:44:13.560 --> 0:44:16.240
<v Speaker 1>and being part of social activity that's really important in Chilton.

0:44:16.760 --> 0:44:21.000
<v Speaker 1>So are you asking me to go to a dance

0:44:21.040 --> 0:44:26.879
<v Speaker 1>with you? No? Yes, I mean if you wanted to go,

0:44:27.040 --> 0:44:29.919
<v Speaker 1>I would go to. Well that'd probably good since it's

0:44:30.080 --> 0:44:35.640
<v Speaker 1>your school, right, So do you want to go? Honestly? Yeah,

0:44:35.680 --> 0:44:39.359
<v Speaker 1>I've actually never gone to a dance before because they're lame.

0:44:40.040 --> 0:44:41.640
<v Speaker 1>It's just not the way I ever wanted to spend

0:44:41.640 --> 0:44:46.239
<v Speaker 1>my timing. I mean, I'm I'm not a big joiner. Okay,

0:44:46.280 --> 0:44:52.640
<v Speaker 1>fair enough? More beans? Please? You want to go, don't you? No?

0:44:53.320 --> 0:44:55.839
<v Speaker 1>I don't. I don't have any desire to go at all.

0:44:55.840 --> 0:44:59.279
<v Speaker 1>I was just thinking out loud, that's all. Huh. So

0:45:01.160 --> 0:45:05.920
<v Speaker 1>what would I have to wear? What to this dance? What?

0:45:05.920 --> 0:45:10.200
<v Speaker 1>What would I have to wear? Anything you want? No? Really?

0:45:10.480 --> 0:45:14.120
<v Speaker 1>Whatever you're comfortable. Some sort of pants would be good.

0:45:15.680 --> 0:45:20.040
<v Speaker 1>It's coding, TI, man, But you probably get away with

0:45:20.080 --> 0:45:24.360
<v Speaker 1>the coating. No time I have to take. You have

0:45:24.400 --> 0:45:27.760
<v Speaker 1>to take a longer pause. Yeah, give me that line again.

0:45:28.600 --> 0:45:30.040
<v Speaker 1>But you could probably get away with the coat and

0:45:30.080 --> 0:45:44.800
<v Speaker 1>no tie. H okay, really, thank you? That was excellent.

0:45:45.160 --> 0:45:48.600
<v Speaker 1>I had one more line, the most important line of

0:45:48.640 --> 0:45:51.640
<v Speaker 1>the whole thing. Alright, cut, we're gonna have to do

0:45:51.719 --> 0:45:59.000
<v Speaker 1>it again. Maybe you just give that last line. I

0:45:59.000 --> 0:46:01.480
<v Speaker 1>can give the one before welcome. There you go, done,

0:46:01.520 --> 0:46:03.480
<v Speaker 1>We're good. There you good? So we can we can

0:46:03.520 --> 0:46:08.520
<v Speaker 1>splice that in. Actually, I felt the scene gained real

0:46:08.600 --> 0:46:10.600
<v Speaker 1>life when Amy jumped in at the end. I like that.

0:46:10.840 --> 0:46:13.640
<v Speaker 1>I thought Heather was so much better than Danielle and Riley.

0:46:13.640 --> 0:46:20.680
<v Speaker 1>It was amazing. I thought Heather was fantastic. Good thank

0:46:20.719 --> 0:46:24.000
<v Speaker 1>you costuming too, since she got in character even though

0:46:24.040 --> 0:46:27.800
<v Speaker 1>she wasn't portraying that character. Rory as Luke and I

0:46:27.920 --> 0:46:32.280
<v Speaker 1>had to meet Luke as Dean that's a game of twister,

0:46:32.400 --> 0:46:36.000
<v Speaker 1>mental twister right there. For the thing that's that's really like,

0:46:36.080 --> 0:46:39.799
<v Speaker 1>what's they're not? How are they going to colate that?

0:46:40.960 --> 0:46:43.440
<v Speaker 1>It's it's But you did a great job. You were

0:46:43.520 --> 0:46:47.080
<v Speaker 1>really good, Scott. I'm really happy you changed your voice

0:46:47.120 --> 0:46:51.279
<v Speaker 1>because that Dean voice and something else. I was struggling.

0:46:51.680 --> 0:46:57.120
<v Speaker 1>I just didn't know what I thought. It was actually

0:46:57.360 --> 0:46:59.480
<v Speaker 1>my eyes for a minute, I closed my eyes for

0:46:59.520 --> 0:47:01.400
<v Speaker 1>a minute, and I really felt it was deep. I

0:47:01.440 --> 0:47:04.120
<v Speaker 1>was inhabited. Dean was inhabiting me. It was. It was

0:47:04.280 --> 0:47:07.960
<v Speaker 1>weird spiritual experience, you know, before you go. Do you

0:47:07.960 --> 0:47:10.040
<v Speaker 1>have any questions or tips for us as we try

0:47:10.040 --> 0:47:13.880
<v Speaker 1>to improve this? Uh? I am all in podcast. I'm

0:47:13.960 --> 0:47:15.960
<v Speaker 1>just so excited doing this. This show is meant so

0:47:16.040 --> 0:47:18.360
<v Speaker 1>much to me. So you guys being here each week,

0:47:18.600 --> 0:47:21.319
<v Speaker 1>I mean it's taking me through everything, everything in your life.

0:47:21.360 --> 0:47:24.520
<v Speaker 1>There's something about in Gilmore's with it, you know, heartbreak,

0:47:24.760 --> 0:47:28.040
<v Speaker 1>going to college, graduating, even when my dad had a

0:47:28.040 --> 0:47:31.280
<v Speaker 1>heart attack. I thought Gilmore's has that, you know. Um

0:47:31.440 --> 0:47:34.399
<v Speaker 1>So I I love it. Um. I love that you're

0:47:34.400 --> 0:47:37.680
<v Speaker 1>breaking down this, you know, the episodes and any behind

0:47:37.680 --> 0:47:41.320
<v Speaker 1>the scenes stuff is always great. I do have a question.

0:47:41.360 --> 0:47:43.480
<v Speaker 1>I always said I would ask if I ever got

0:47:43.480 --> 0:47:46.760
<v Speaker 1>the opportunity. It's skipping way ahead, but if anybody's listening,

0:47:46.760 --> 0:47:50.360
<v Speaker 1>I kind of figured that they've already kind of watched it. Anyway.

0:47:50.680 --> 0:47:53.880
<v Speaker 1>So Orla comes to Luke at the diner and says,

0:47:54.920 --> 0:47:57.800
<v Speaker 1>we gotta get moving with the marriage thing. Let's elope

0:47:57.960 --> 0:47:59.640
<v Speaker 1>April needs to figure out how she's going to fit

0:47:59.680 --> 0:48:02.480
<v Speaker 1>into lives, not the other way around. Let's go. Luke says,

0:48:02.560 --> 0:48:06.640
<v Speaker 1>I can't jump, you know, it's too fast. Laura Lai says, okay,

0:48:06.680 --> 0:48:09.240
<v Speaker 1>I'm out. She leaves, and she goes and she sleeps

0:48:09.239 --> 0:48:13.520
<v Speaker 1>with Christopher, and then Luke cons and he's all packed up,

0:48:13.520 --> 0:48:15.560
<v Speaker 1>he's got all his stuff, he's got the camping gear,

0:48:15.640 --> 0:48:17.520
<v Speaker 1>he's ready to go, and he says, let's do it.

0:48:17.560 --> 0:48:19.880
<v Speaker 1>And she says, I slept with Christopher and he leaves.

0:48:20.560 --> 0:48:24.239
<v Speaker 1>And I always wondered if she hadn't slept with Christopher,

0:48:24.480 --> 0:48:27.759
<v Speaker 1>do you think that they would have stayed together, like

0:48:27.800 --> 0:48:32.880
<v Speaker 1>what would have happened after that? Well? Yeah, I don't

0:48:32.960 --> 0:48:36.840
<v Speaker 1>remember any of that, but I do. I think, of course,

0:48:37.480 --> 0:48:40.160
<v Speaker 1>logic would dictate that the chances would be much better

0:48:40.640 --> 0:48:45.560
<v Speaker 1>than there's this thing that funny, quirky thing about people

0:48:45.560 --> 0:48:48.600
<v Speaker 1>in relationships. When you sleep with someone else, it somehow

0:48:48.640 --> 0:48:52.880
<v Speaker 1>affects adversely the relationship that you're in. Isn't that wild?

0:48:54.040 --> 0:48:56.520
<v Speaker 1>I don't blame Luke for leaving and he even goes

0:48:56.560 --> 0:49:00.640
<v Speaker 1>and he goes straight to Christopher's apartment and punch boom

0:49:02.160 --> 0:49:06.680
<v Speaker 1>right in the kisser right there. It's because it's a fan.

0:49:06.840 --> 0:49:09.720
<v Speaker 1>You don't want Lorela to sleep with Christopher at that point,

0:49:09.880 --> 0:49:13.640
<v Speaker 1>and so it's really satisfying. But that's the that's the

0:49:13.719 --> 0:49:19.480
<v Speaker 1>craft of you know, the craft of writing will do

0:49:19.600 --> 0:49:23.759
<v Speaker 1>the thing to the fans that they least want in

0:49:23.880 --> 0:49:29.040
<v Speaker 1>order to get them to lean forward. Because now you

0:49:29.080 --> 0:49:31.359
<v Speaker 1>feel like you're you're involved in it. I mean, they're

0:49:31.400 --> 0:49:35.359
<v Speaker 1>really messing with you now, right, So it's uh, you know,

0:49:35.520 --> 0:49:39.319
<v Speaker 1>that's that's what good writers do. They give you what

0:49:39.400 --> 0:49:41.759
<v Speaker 1>you want sometimes, but they give you a lot of

0:49:41.760 --> 0:49:44.520
<v Speaker 1>what you don't want, so or what you think you

0:49:44.520 --> 0:49:51.040
<v Speaker 1>don't want anyway. Um, yeah, that's very What season are

0:49:51.080 --> 0:49:53.200
<v Speaker 1>you even talking about here? What season is? So it's

0:49:53.239 --> 0:50:01.600
<v Speaker 1>season seven? Is to come back in about three years?

0:50:02.200 --> 0:50:04.439
<v Speaker 1>You would have me back in that time. I would

0:50:04.480 --> 0:50:06.200
<v Speaker 1>be happy to come back and ask again, we can

0:50:06.239 --> 0:50:08.799
<v Speaker 1>all chat, but I just always had it on my

0:50:08.840 --> 0:50:12.360
<v Speaker 1>mind because I mean, I'm so glad they ended up together.

0:50:12.400 --> 0:50:15.680
<v Speaker 1>Obviously we know Luke and Laurelar end game, we know that,

0:50:15.800 --> 0:50:19.920
<v Speaker 1>but I always just had that thought, why why at

0:50:19.920 --> 0:50:22.880
<v Speaker 1>the end there did they you know? Was there that?

0:50:23.680 --> 0:50:27.120
<v Speaker 1>So it's just heartbreaking. It's a heartbreaking breakup right there.

0:50:29.520 --> 0:50:34.319
<v Speaker 1>The life of a fan, right it is. Even as

0:50:34.360 --> 0:50:37.000
<v Speaker 1>many times as I watched it, it's still I still

0:50:37.120 --> 0:50:41.080
<v Speaker 1>can't get over it. It's tough, right Yeah, Yeah, but

0:50:42.400 --> 0:50:48.160
<v Speaker 1>you were fantastic. That was an amazing reading. Thank you,

0:50:48.280 --> 0:50:51.560
<v Speaker 1>Thank you so much. Thank you for having just a

0:50:51.680 --> 0:50:55.000
<v Speaker 1>delight and an honor. Um. And yeah, when we get

0:50:55.040 --> 0:50:58.040
<v Speaker 1>to that episode, when we get to that episode season seven,

0:50:58.040 --> 0:51:01.440
<v Speaker 1>which will be in a couple of years, knock on wood,

0:51:01.440 --> 0:51:05.640
<v Speaker 1>then we should have you back. Yeah, please do, because

0:51:05.680 --> 0:51:07.600
<v Speaker 1>I would just I would love nothing more than to

0:51:07.680 --> 0:51:12.920
<v Speaker 1>discuss that bazing job. Heather, Thank you so much, No,

0:51:13.080 --> 0:51:15.759
<v Speaker 1>thank you guys, thanks so much, Um, and thanks for

0:51:15.800 --> 0:51:18.000
<v Speaker 1>doing the podcast. So, I mean, it means so much

0:51:18.040 --> 0:51:20.719
<v Speaker 1>to so many people, it really does, so I appreciate it,

0:51:21.000 --> 0:51:23.400
<v Speaker 1>as they'll speak for all the fans that we appreciate

0:51:23.440 --> 0:51:28.000
<v Speaker 1>it and it's for you guys, and much appreciate it. Okay,

0:51:28.360 --> 0:51:32.880
<v Speaker 1>all right, have a good day, take care talk. So

0:51:33.040 --> 0:51:35.759
<v Speaker 1>wasn't she great? I love it when the fans call

0:51:35.880 --> 0:51:40.239
<v Speaker 1>in and it's so much fun. They're so great. Then

0:51:40.280 --> 0:51:43.560
<v Speaker 1>they're they're dressing up, they're wearing their paraffin, they're wearing

0:51:43.600 --> 0:51:47.480
<v Speaker 1>their gear. You know they're gearing up. Anyway, gear time

0:51:47.600 --> 0:51:50.600
<v Speaker 1>for a comedy bit where we're all going to try

0:51:51.120 --> 0:51:56.240
<v Speaker 1>bananazon toast. I didn't. I couldn't mash mine. I couldn't

0:51:56.280 --> 0:51:58.520
<v Speaker 1>deal with it. I feel like it's going to be

0:51:58.560 --> 0:52:02.000
<v Speaker 1>grosser if I mash it. It's definitely gonna be grosser

0:52:02.040 --> 0:52:05.400
<v Speaker 1>if you match more gross It's but I have banana circles,

0:52:05.440 --> 0:52:08.319
<v Speaker 1>I have pieces of banana. I couldn't mash it. It

0:52:08.440 --> 0:52:14.879
<v Speaker 1>looks so heinous. It was just like, it doesn't look

0:52:14.920 --> 0:52:17.279
<v Speaker 1>like mashed bananas. That look like something else. Are you

0:52:17.320 --> 0:52:21.840
<v Speaker 1>trying it? Well? In theory, a piece of toast and

0:52:21.840 --> 0:52:25.640
<v Speaker 1>a banana would be like a fine breakfast. It's that

0:52:25.800 --> 0:52:29.239
<v Speaker 1>it was mashed like baby food. Yeah, it was. It

0:52:29.320 --> 0:52:31.880
<v Speaker 1>was just awful to say, mine is more like the

0:52:31.920 --> 0:52:34.839
<v Speaker 1>way you would want your avocado toast, right right, right?

0:52:34.920 --> 0:52:38.280
<v Speaker 1>I can see. I have my banana slice. Okay, ready

0:52:38.320 --> 0:52:44.880
<v Speaker 1>on three on three, Ready on three one two? Not

0:52:45.040 --> 0:52:56.040
<v Speaker 1>that bad? Welcomes terrible. Oh it's not good. Actually, now

0:53:00.120 --> 0:53:04.399
<v Speaker 1>it's a very odd taste. Oh god, that's awful. It

0:53:04.440 --> 0:53:08.040
<v Speaker 1>was an after like at first it was okay. Yeah,

0:53:08.040 --> 0:53:10.080
<v Speaker 1>at first it's okay, and then you start chewing and

0:53:10.120 --> 0:53:12.759
<v Speaker 1>it's like, don't eat more of it? What are you doing?

0:53:13.120 --> 0:53:16.000
<v Speaker 1>I got banana is awesome. I'm just eating the toast.

0:53:17.200 --> 0:53:19.520
<v Speaker 1>I'm not going to waste a perfectly good piece of toast.

0:53:20.080 --> 0:53:22.520
<v Speaker 1>I knew that would be bad just looking at it.

0:53:22.560 --> 0:53:28.560
<v Speaker 1>Looks bad, right, everybody that the bananas and toast is,

0:53:30.120 --> 0:53:34.160
<v Speaker 1>in a word, heinous. It is. It is truly, truly

0:53:34.200 --> 0:53:39.280
<v Speaker 1>an awful combination. And just the fact that Emily force

0:53:39.360 --> 0:53:44.680
<v Speaker 1>fed that to a young Laurel I uh says, I

0:53:44.680 --> 0:53:48.239
<v Speaker 1>think a lot about Emily so because we just we

0:53:48.360 --> 0:53:50.360
<v Speaker 1>just tried, we we tried to force feed ourselves. We

0:53:50.360 --> 0:53:52.480
<v Speaker 1>couldn't even do it. I spit it out. It's over

0:53:52.520 --> 0:53:55.120
<v Speaker 1>there right now, get it. I'm gonna get it out

0:53:55.120 --> 0:53:57.879
<v Speaker 1>of the room. On break. I'm like removing this from

0:53:57.880 --> 0:53:59.839
<v Speaker 1>the room. I don't even want to look at it,

0:54:00.080 --> 0:54:07.720
<v Speaker 1>all right, we'll be back after these words. Yeah, okay, everybody,

0:54:07.719 --> 0:54:11.000
<v Speaker 1>We're back. I'm Scott Patterson and this is the I

0:54:11.280 --> 0:54:14.200
<v Speaker 1>M all In podcast you're listening to on iHeart Radio.

0:54:14.360 --> 0:54:18.160
<v Speaker 1>It is time for one of our favorite segments, pop

0:54:18.239 --> 0:54:23.920
<v Speaker 1>Culture Ladies and gentlemen. Riley take it away. I'm Riley

0:54:23.920 --> 0:54:27.000
<v Speaker 1>and this is your pop culture first. We have Laura

0:54:27.080 --> 0:54:30.880
<v Speaker 1>l You know, mom, you have a Barbara stand wicked voice. So,

0:54:30.960 --> 0:54:34.280
<v Speaker 1>Barbara Stanwick was an American actress, model, and dancer active

0:54:34.320 --> 0:54:40.400
<v Speaker 1>from to Barbara became a zeke Field Follies dancer at fifteen.

0:54:40.680 --> 0:54:44.440
<v Speaker 1>The Follies were classy, spectacular show featuring the great talents

0:54:44.440 --> 0:54:47.279
<v Speaker 1>of the day. She was actually the highest paid woman

0:54:47.280 --> 0:54:51.359
<v Speaker 1>in America in ur raking four thousand dollars that year.

0:54:52.120 --> 0:54:55.319
<v Speaker 1>A fun fact. One more fun fact. Last night I

0:54:55.440 --> 0:54:58.680
<v Speaker 1>was watching Back to the Future at number one, and

0:54:58.760 --> 0:55:03.120
<v Speaker 1>when Marty McFly goes back to the fifties, Barbara Stanwick

0:55:03.440 --> 0:55:07.120
<v Speaker 1>is starring in the movie with Ronald Reagan at the

0:55:07.120 --> 0:55:12.279
<v Speaker 1>movie theater in Hill Valley, Boom. I think she was

0:55:12.360 --> 0:55:15.359
<v Speaker 1>on a show called A Big Valley. She was on

0:55:15.400 --> 0:55:19.320
<v Speaker 1>TV two. She she was a staple in our household.

0:55:19.400 --> 0:55:21.759
<v Speaker 1>And when I was growing up. Barbara stand was a

0:55:21.800 --> 0:55:25.160
<v Speaker 1>big story. You love some old timey references on Gilmore Girls.

0:55:25.239 --> 0:55:28.120
<v Speaker 1>Keep them coming, Laura I says, become a crazy Oscar

0:55:28.200 --> 0:55:32.200
<v Speaker 1>Levant kind of celebrity, go on talk shows. Heckel Regis so.

0:55:32.280 --> 0:55:35.840
<v Speaker 1>Oscar Levant was an American concert pianist, composer, and music conductor.

0:55:35.840 --> 0:55:39.960
<v Speaker 1>From nineteen sixty. Oscar dropped out of high school to

0:55:39.960 --> 0:55:43.600
<v Speaker 1>pursue music. While he was considered a multi faceted genius,

0:55:43.640 --> 0:55:47.160
<v Speaker 1>he also had been known as a notorious hypochondriac and

0:55:47.239 --> 0:55:51.200
<v Speaker 1>a nice little regius pop culture mentioned in that same sentence,

0:55:51.960 --> 0:55:56.480
<v Speaker 1>who was the Regius and Kathy Lee? Then Regis and Kelly,

0:55:56.600 --> 0:56:01.800
<v Speaker 1>which is now Kelly and Ryan Seacrest, Rory says to Tristan, really,

0:56:02.239 --> 0:56:05.880
<v Speaker 1>does Susan Faluti know about this? So? Susan Fluti was

0:56:05.920 --> 0:56:08.920
<v Speaker 1>an American feminist, journalist and author from the nineteen eighties

0:56:08.920 --> 0:56:12.600
<v Speaker 1>to now. Susan's a strange father survived the Holoclast. She

0:56:12.920 --> 0:56:17.160
<v Speaker 1>also has dual citizenship between the US and Hungary. Her

0:56:17.239 --> 0:56:21.439
<v Speaker 1>most recent book is about fluid and binaries. Rory says,

0:56:21.840 --> 0:56:24.960
<v Speaker 1>I hear Squeaky from is Up for Pearl Soon. Squeaky

0:56:25.040 --> 0:56:26.960
<v Speaker 1>was an American criminal who was a member of the

0:56:26.960 --> 0:56:30.880
<v Speaker 1>Manson family cult led by Charles Manson. Actually, on September

0:56:31.000 --> 0:56:35.960
<v Speaker 1>five and Sacramento, Squeaky attempted to assassinate President Gerald Ford

0:56:36.080 --> 0:56:38.600
<v Speaker 1>by aiming a firearm at the president, which was later

0:56:38.640 --> 0:56:42.879
<v Speaker 1>determined not to be loaded. And Squeaky's up for Pearl soon,

0:56:43.680 --> 0:56:46.799
<v Speaker 1>Laura Lee, While Mom, look at you, you think Ann

0:56:46.840 --> 0:56:50.399
<v Speaker 1>Taylor was having a sailor or something. So everyone knows

0:56:50.400 --> 0:56:52.520
<v Speaker 1>Ann Taylor as a woman's clothing store, But did you

0:56:52.560 --> 0:56:54.680
<v Speaker 1>know that Ann Taylor is not actually a real person.

0:56:55.280 --> 0:56:58.040
<v Speaker 1>The retail chain is named after a best selling shirt

0:56:58.160 --> 0:57:01.880
<v Speaker 1>dress style in the night ten seventies, and taylor shopping

0:57:01.960 --> 0:57:06.680
<v Speaker 1>bag was inducted in the Smithsonian's Permanent collection. And Taylor

0:57:06.840 --> 0:57:11.960
<v Speaker 1>is not a real person. That expands a lot, clears

0:57:11.960 --> 0:57:15.600
<v Speaker 1>a lot of stuff up for me, Laura Lie, Hey Dean,

0:57:15.920 --> 0:57:19.800
<v Speaker 1>Meet my mother. Emily Post. Emily Post is an American author, novelist,

0:57:19.800 --> 0:57:22.960
<v Speaker 1>and socialite. Emily is famous for writing about etiquette, and

0:57:23.000 --> 0:57:26.720
<v Speaker 1>her book is called Emily Post Etiquette. The book was ironically,

0:57:26.840 --> 0:57:29.680
<v Speaker 1>at one point the second most stolen book from libraries,

0:57:29.960 --> 0:57:33.640
<v Speaker 1>the first being The Bible Etiquette Two Bits of Etiquette,

0:57:33.640 --> 0:57:35.680
<v Speaker 1>advice from Emily. So once they read the book, they

0:57:35.680 --> 0:57:39.160
<v Speaker 1>returned the book because that's etiquette, and they steal the Bible.

0:57:39.360 --> 0:57:41.200
<v Speaker 1>One of the piece of etiquette is thank your host

0:57:41.240 --> 0:57:43.840
<v Speaker 1>twice and when in doubt, where the planar dress. It

0:57:43.960 --> 0:57:47.480
<v Speaker 1>is always far better to be underdressed than overdressed. Thank

0:57:47.520 --> 0:57:54.240
<v Speaker 1>you Scott, because you're our host. Thank you Scott. Thanks

0:57:54.240 --> 0:57:56.800
<v Speaker 1>for dressing and you're definitely underdressed. Thank you very much,

0:57:59.360 --> 0:58:01.600
<v Speaker 1>Laura Lie, I mean it. You could have gotten Fred

0:58:01.680 --> 0:58:06.080
<v Speaker 1>McMurray too, off, Dad, you'd really wanted to. Fred has

0:58:06.120 --> 0:58:09.000
<v Speaker 1>appeared in more than a hundred films, many of them Western.

0:58:09.440 --> 0:58:12.160
<v Speaker 1>Some of his other films include My Shaggy Dog and

0:58:12.240 --> 0:58:15.360
<v Speaker 1>My Three Sons, My Three Sons, Huge hit when I

0:58:15.400 --> 0:58:23.000
<v Speaker 1>was growing up, Huge hit that theme song. Wow. He

0:58:23.160 --> 0:58:27.720
<v Speaker 1>was the first person ever named a Disney Legend, and

0:58:27.920 --> 0:58:30.560
<v Speaker 1>at one point he was the fourth highest paid actor

0:58:30.560 --> 0:58:35.240
<v Speaker 1>in America. Next ones for Amy Rory. I'll be standing

0:58:35.240 --> 0:58:38.640
<v Speaker 1>in the back listening tore Oh. I know so many

0:58:38.680 --> 0:58:41.160
<v Speaker 1>fun facts about degrees bring him or would you need

0:58:41.200 --> 0:58:43.080
<v Speaker 1>me to do them? How do you know so many?

0:58:43.400 --> 0:58:46.680
<v Speaker 1>Because I was there with nine degrees from the very beginning.

0:58:47.200 --> 0:58:49.960
<v Speaker 1>So here's a little fun fact that Nick Lasha just

0:58:50.160 --> 0:58:56.080
<v Speaker 1>revealed in that their song The Hardest Thing. Nick hated

0:58:56.120 --> 0:58:59.560
<v Speaker 1>the line about Dr Shivago and then that song became

0:58:59.600 --> 0:59:02.640
<v Speaker 1>one of their biggest hits. Riley, what else you got?

0:59:03.000 --> 0:59:06.760
<v Speaker 1>Rory says, have you seen The Outsiders? Just call me

0:59:06.800 --> 0:59:11.120
<v Speaker 1>pony boy. So The Outsiders was actually originally a book,

0:59:11.920 --> 0:59:15.360
<v Speaker 1>but the book was created into a film packed with

0:59:15.400 --> 0:59:17.960
<v Speaker 1>a cast full of Hollywood's upcomers such as Matt Dylan,

0:59:18.080 --> 0:59:20.840
<v Speaker 1>Rob Low, Patrick Swayze, and Tom Cruise just to name

0:59:20.880 --> 0:59:24.520
<v Speaker 1>a few. I think Ralph Macchio was in there, Diane Lane.

0:59:24.880 --> 0:59:28.640
<v Speaker 1>That was like packed with stars, packed with stars. So

0:59:28.680 --> 0:59:31.280
<v Speaker 1>the book was written by S. E. Hinton was Susan

0:59:31.280 --> 0:59:34.800
<v Speaker 1>Elise Hinton, a fifteen year old school student in Tulsa

0:59:34.840 --> 0:59:38.240
<v Speaker 1>who wrote The Outsiders. Editors suggested she go by s

0:59:38.240 --> 0:59:45.600
<v Speaker 1>E so readers could and for a male author was responsible. Unbelievable. Okay,

0:59:45.880 --> 0:59:48.680
<v Speaker 1>I think it's time to uh go to our produce

0:59:48.760 --> 0:59:52.000
<v Speaker 1>one of our producers, Danielle, to get an update on

0:59:52.040 --> 0:59:56.160
<v Speaker 1>the clown pillow. Danielle take it away. So the clown

0:59:56.200 --> 0:59:59.800
<v Speaker 1>pillow was really sneaky this episode. You really had to

1:00:00.000 --> 1:00:04.400
<v Speaker 1>it watch, like really watched to find it, um I

1:00:04.600 --> 1:00:10.000
<v Speaker 1>had Did anybody notice it? Nope? No, no, okay, So

1:00:10.240 --> 1:00:12.960
<v Speaker 1>the clown pillow when um Suki comes over with the

1:00:13.000 --> 1:00:17.080
<v Speaker 1>burritos and lor La is talking to um her mom

1:00:17.280 --> 1:00:20.800
<v Speaker 1>like on the phone, talking to Emily on the phone. Um,

1:00:20.840 --> 1:00:23.280
<v Speaker 1>it is propped up next to her. But it's just

1:00:23.320 --> 1:00:26.040
<v Speaker 1>a side view of it, but you can it's very

1:00:26.120 --> 1:00:28.920
<v Speaker 1>clown pillow. Ask. You can see like the side profile

1:00:28.960 --> 1:00:31.520
<v Speaker 1>of the clown and it's right there waiting for everyone

1:00:31.560 --> 1:00:34.920
<v Speaker 1>to look at it. You have clown pillow eyes, Daniel,

1:00:35.560 --> 1:00:40.440
<v Speaker 1>I really do. I have one other little interesting tidbit

1:00:40.600 --> 1:00:42.920
<v Speaker 1>that you may or may not have spotted, but I

1:00:42.960 --> 1:00:49.640
<v Speaker 1>found this with my internet research. During Tristan and Dean's confrontation,

1:00:50.480 --> 1:00:54.960
<v Speaker 1>the actor who played Caesar is in the background. Yes,

1:00:55.360 --> 1:00:58.040
<v Speaker 1>maybe we can do a zoom in so people can

1:00:58.040 --> 1:01:00.880
<v Speaker 1>see it on our social media. But they think maybe

1:01:00.880 --> 1:01:03.360
<v Speaker 1>he was just a background actor playing a different character.

1:01:04.880 --> 1:01:10.280
<v Speaker 1>Unless Caesar moonlights at high school dances. Uh. You know,

1:01:10.320 --> 1:01:12.880
<v Speaker 1>the more days that he works, the more money he makes.

1:01:12.920 --> 1:01:16.920
<v Speaker 1>So probably he was in the club and they just

1:01:17.080 --> 1:01:20.560
<v Speaker 1>they threw him another episode. Now it's time for favorite lines.

1:01:21.160 --> 1:01:24.200
<v Speaker 1>Who's going to start us off? Riley go ahead. So

1:01:24.480 --> 1:01:28.640
<v Speaker 1>I love when Emily says this is not a drive through,

1:01:28.840 --> 1:01:31.920
<v Speaker 1>she is not fried chicken. When Dean hanks to come

1:01:31.960 --> 1:01:36.200
<v Speaker 1>get her, that was my Daniel. You're gonna have to

1:01:36.280 --> 1:01:38.640
<v Speaker 1>come up with another one. It's okay, I have to

1:01:39.120 --> 1:01:41.800
<v Speaker 1>just in case this happens. So my second one is

1:01:42.120 --> 1:01:46.360
<v Speaker 1>when Laura Lee goes shield the talk. I love that.

1:01:46.880 --> 1:01:50.840
<v Speaker 1>Oh my god, they're holding coconuts and leering. It's funny

1:01:51.120 --> 1:01:54.040
<v Speaker 1>you treated my lovely gift for a semi pornographic leering

1:01:54.120 --> 1:02:02.560
<v Speaker 1>monkey lamp. How could you bacca rock crystals for a

1:02:02.600 --> 1:02:09.439
<v Speaker 1>monkey lamp? Um? I think my favorite line was when

1:02:09.480 --> 1:02:13.040
<v Speaker 1>Emily's going back and forth on the phone with Laura

1:02:13.120 --> 1:02:19.160
<v Speaker 1>Lae about Lauraa making Rory's dress, and Emily said something like,

1:02:19.880 --> 1:02:24.000
<v Speaker 1>please don't use the curtains. That's actually a poster reference.

1:02:24.000 --> 1:02:26.120
<v Speaker 1>We sort of missed because it was the sound of

1:02:26.200 --> 1:02:31.760
<v Speaker 1>real reference. We should have had that so insulting. It's like,

1:02:33.000 --> 1:02:34.960
<v Speaker 1>you have no you're you're my daughter, but you have

1:02:35.000 --> 1:02:37.480
<v Speaker 1>no taste, and I fear you will use the curtains

1:02:37.520 --> 1:02:40.240
<v Speaker 1>to make a dress. I have to add in one

1:02:40.280 --> 1:02:42.920
<v Speaker 1>more line. I'm sorry, I this one was just so good.

1:02:43.560 --> 1:02:46.800
<v Speaker 1>Um when Tristan and Dean were fighting and Dan goes,

1:02:47.120 --> 1:02:52.840
<v Speaker 1>you will not go near her ever again. So good. Yeah,

1:02:53.240 --> 1:02:59.720
<v Speaker 1>Dean up in his game. That's Rory's dance. Everybody, what's

1:02:59.760 --> 1:03:01.840
<v Speaker 1>the episode next week that we all need to watch?

1:03:02.360 --> 1:03:06.880
<v Speaker 1>Forgiveness and stuff? Forgiveness and stuff. Really that sounds like

1:03:06.920 --> 1:03:12.280
<v Speaker 1>a big episode. You're in it. I'll cover my eyes.

1:03:14.040 --> 1:03:16.000
<v Speaker 1>I'm actually liking some of this stuff. I'm liking some

1:03:16.040 --> 1:03:19.880
<v Speaker 1>of this stuff. I do. Who cares thought about me? Listen? Uh,

1:03:20.240 --> 1:03:23.480
<v Speaker 1>it's a very special birthday for a dear friend of mine,

1:03:24.520 --> 1:03:27.120
<v Speaker 1>my little vent Amelia, and I'm going to sing him

1:03:27.120 --> 1:03:37.880
<v Speaker 1>a little birthday song. Happy birthday to you, Happy birthday

1:03:39.640 --> 1:03:53.320
<v Speaker 1>to you, Happy birthday to my low, Happy birthday to you,

1:03:56.120 --> 1:04:11.720
<v Speaker 1>to you to you have your birthday, buddy. That was

1:04:11.760 --> 1:04:43.960
<v Speaker 1>a great one. Talk to you soon, hey, everybody, and

1:04:43.960 --> 1:04:47.480
<v Speaker 1>don't forget follow us on Instagram at I Am All

1:04:47.640 --> 1:04:52.240
<v Speaker 1>In podcast and Emailie at Gilmore at I Heart radio

1:04:52.600 --> 1:04:55.000
<v Speaker 1>dot com. Oh you gil More fans. If you're looking

1:04:55.040 --> 1:04:56.800
<v Speaker 1>for the best cup of coffee in the world, go

1:04:56.880 --> 1:05:00.680
<v Speaker 1>to my website for my company, scotty E dot com,

1:05:00.800 --> 1:05:03.000
<v Speaker 1>s c O T t y P dot com. Scotty

1:05:03.080 --> 1:05:13.840
<v Speaker 1>P dot com Grade one Specialty coffee. Yeah.