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Speaker 1: I Am all in. Oh, I am all in with

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Speaker 1: Scott Patterson and I Heart Radio podcast. Hey everybody, we're back.

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Speaker 1: I am Scott Patterson and this is the I Am

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Speaker 1: All In Podcast with my heart radio ladies and gentlemen.

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Speaker 1: What an episode? Rory's Dance? What is going on? Where's Luke?

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Speaker 1: Luke was not in the episode? Did I shoot some

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Speaker 1: scenes and they got cut? I don't remember. I don't

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Speaker 1: know you have any clue, because my gut feeling is

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Speaker 1: that you you did a scene for this episode that

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Speaker 1: they had to cut, and it was known if you

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Speaker 1: didn't work for a week, the audience couldn't handle it

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Speaker 1: was too powerful. It was too powerful. Were you surprised

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Speaker 1: when you watched the episode and you weren't in it? No,

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Speaker 1: I was too engaged in the episode. I didn't I

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Speaker 1: didn't care. I told you I don't like watching myself,

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Speaker 1: so I was kind of happy. At what point did

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Speaker 1: you realize I'm not in this um after it was

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Speaker 1: done and I said, wait, I wasn't in that. I

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Speaker 1: really enjoyed this episode. I realized until the second time

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Speaker 1: I watched it. I had a call Danielle and I

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Speaker 1: was like, what Scott in that the seeds of my

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Speaker 1: podcast career planted early on. Yes, I need a backup plan. No,

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Speaker 1: I was in the episode. No, the diner was in

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Speaker 1: the background and when she ran out of miss Patties

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Speaker 1: and said, no, I have to get home. I have

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Speaker 1: to get home. No, let me explain it to your

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Speaker 1: as being in it. Well, it's in my contract, guess.

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Speaker 1: But I got paid for that episode. But do you

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Speaker 1: remember any scenes that just didn't make it there? There

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Speaker 1: might have been that scene with Sean Gunn and I

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Speaker 1: in a massive fist fight, but it probably No, No,

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Speaker 1: not at all. No, I just wasn't it. I guess

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Speaker 1: I wasn't in the episode. You didn't save your scripts,

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Speaker 1: did you sure? I did. I have every single script

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Speaker 1: in plastic, and I have every single rehearsal script, and

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Speaker 1: I have every single table read script. I have literally

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Speaker 1: hundreds of scripts. Hello, can you go into the garage

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Speaker 1: where all the gum is and find out if that

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Speaker 1: script is in there, because maybe there's something in the script. Dude,

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Speaker 1: those scripts are in storage in a vault guarded by

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Speaker 1: Doberman pinchers with razor wire. That's how you're gonna put

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Speaker 1: your kid into college with that money? My kid's gonna

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Speaker 1: get a scholarship, a robotics scholarship. He's not gonna need

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Speaker 1: me to pay for it. I just you don't think

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Speaker 1: there's something in the script that was a scene that

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Speaker 1: you shot but then they had to edit it out

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Speaker 1: because did that ever happen? No? No, no, no. The

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Speaker 1: planning of those scripts was very detailed and very specific,

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Speaker 1: and um, I think they must have been getting feedback

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Speaker 1: for the first six or seven episodes that maybe it

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Speaker 1: was I was taking over the show and they had

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Speaker 1: to pull the character. I mean, Suki was barely in it.

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Speaker 1: Suki was barely in it. Michelle wasn't in it. Wait

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Speaker 1: was he? Michelle was not in it? Was it? No? No, no, no, yeah,

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Speaker 1: it was early on. They were still figuring out, you know,

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Speaker 1: where the character was going and you know what was happening.

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Speaker 1: I mean, I don't know. No, I wasn't in it,

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Speaker 1: but Luke's diner was in it in the background, and

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Speaker 1: that's enough. Well, and the end of the episode, I know,

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Speaker 1: I'm going out of order, but the end of the

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Speaker 1: episode was garly dramatic, like that was hardcore, Like when

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Speaker 1: she's like, you're going on the pill and Rory's like,

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Speaker 1: you know, I wouldn't sleep with him. Like the whole

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Speaker 1: thing was like, Oh, this is the worst thing they've

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Speaker 1: had yet. Yeah, that was a that was a real

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Speaker 1: I mean your kids out to I mean, she she

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Speaker 1: fell asleep because Emily gave her some pills, right she

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Speaker 1: got Lauren felt I mean Laura I fell asleep because

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Speaker 1: she was on mild sedatives her back there was no

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Speaker 1: Suki gave it to her, right and and yeah, they

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Speaker 1: both fell asleep. And I don't know, you know what

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Speaker 1: really a couple of he I was thinking about this

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Speaker 1: last night. I said, teenage seventeen year olds. They're not drinking, Uh,

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Speaker 1: they're they're in there falling in love or they're in love.

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Speaker 1: They're excited, they're excitable, they're full of energy. How do

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Speaker 1: they walk into Miss Patties and then all of a

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Speaker 1: sudden fall asleep because we know it was only like,

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Speaker 1: wasn't it was maybe ten thirty they bail on the

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Speaker 1: dance early. It might have been ten What the heck

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Speaker 1: happened in Miss Patties that they just fell asleep? I

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Speaker 1: mean they didn't smoke a joint worn out from the

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Speaker 1: fight with Tristan and the stacking of the beans and

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Speaker 1: worn out. It's a Tacos suki bro. When I was seventeen,

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Speaker 1: I didn't conk once. I don't care how much stress

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Speaker 1: I had in my day. Seventeen year olds can stay

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Speaker 1: until four in the morning without for three days in

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Speaker 1: her own and they're still like bouncing around. I mean, wow,

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Speaker 1: maybe there's a gas leak in Miss Patties. I think

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Speaker 1: it happened, because then we get the crazy scene where

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Speaker 1: she's running and why it happened. Dude, they're nodding out.

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Speaker 1: I don't know. I just wanted to point that out

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Speaker 1: to the paying audience. It's like, what, well, okay, so

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Speaker 1: really it's a Emily lore life fight that then came

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Speaker 1: a lure like Rory catastrophe. That was just typical dumping

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Speaker 1: on your kid after you'd had a confrontation with your mother.

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Speaker 1: You know, the big ugly monster that Emily can be. Um.

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Speaker 1: I mean, she's right, but she's wrong at the same time, right,

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Speaker 1: and Rory called her out on it. Rory kind of said,

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Speaker 1: this is not about me, this is about your mom's right.

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Speaker 1: I wasn't all together surprised when she started opening up

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Speaker 1: on on Rory right away. Because you know she supported her.

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Speaker 1: I trust my kid in this, but you know, I

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Speaker 1: don't know. It kind of makes sense, uh, that mother

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Speaker 1: of her really triggers her. I mean really, and it

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Speaker 1: was they were getting along and yeah, so then we

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Speaker 1: were in for a big old boom. But you know,

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Speaker 1: Rory kind of deserve that she was out all night.

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Speaker 1: She conned at ten thirty. What it's not So from

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Speaker 1: Laurelized point of view, she's probably thinking the same thing.

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Speaker 1: I'm thinking. You're a teenager, you don't conk what's going on.

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Speaker 1: You have too much energy to Oh, I just fell

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Speaker 1: asleep and miss Patty's I wouldn't have believed it either.

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Speaker 1: I think a mother would think my kid's been in

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Speaker 1: a car accident. I think all that fear. Yeah, and

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Speaker 1: I and I know that Laurel I was thinking, um um,

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Speaker 1: I'm just fronting from my mother to defend my kid.

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Speaker 1: But I'm still pissed at my kid because I want

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Speaker 1: a damn explanation. But I'm not going to break in

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Speaker 1: front of my mother because I'm not going to give

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Speaker 1: her the satisfaction that she's right but wrong doing this

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Speaker 1: inside my own home. Amazing performance by all three, completely

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Speaker 1: nailed it, nail just killed it. Just beautiful stuff. Um,

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Speaker 1: and I mean, what can you say? What can you say? Uh,

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Speaker 1: perfect ending, sitting down, covering herself, breaking down, just one

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Speaker 1: of those days and just be a mom. You know

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Speaker 1: every mom goes through it. It's real life happening before

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Speaker 1: our eyes. It's three generations of real life happening before

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Speaker 1: our eyes. Um. Yeah, just wonderful stuff, wonderful, great episode.

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Speaker 1: It's the episode I started liking Dane and Tristan. I

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Speaker 1: really thought Paris was certifiable. Good God, oh my god.

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Speaker 1: And with the cousin and the whole thing is god sad.

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Speaker 1: And then first when Tristan is buying the ticket and

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Speaker 1: he sort of teases, like you got a date, the

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Speaker 1: first time he's actually vulnerable with Rory. I mean that's

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Speaker 1: when he we see that he needs her, wants her,

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Speaker 1: really likes her. It's not just a game now, it's

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Speaker 1: like he really needs there's a need there. Um, there

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Speaker 1: was a need before just to play the game, because

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Speaker 1: he's just testing her the way Laura I tested Max,

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Speaker 1: you know what I mean, and tests me and you

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Speaker 1: know that kind of thing distance distantance. So um yeah,

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Speaker 1: but I mean the takeaway from me, is is in

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Speaker 1: that dynamic with those characters. The only thing that dated

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Speaker 1: that show for me was the behavior of Paris. I mean,

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Speaker 1: that kind of behavior was isn't gonna fly today? Isn't

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Speaker 1: amazing how that particular character in that situation didn't age well.

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Speaker 1: I mean, like I said, like I said previously, I mean,

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Speaker 1: if she can't handle Um, if she can't handle Rory

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Speaker 1: and and and Tristan, if she's gonna trigger to that

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Speaker 1: degree where she's like physically and verbally violent, like bordering

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Speaker 1: on psychosis, how is she going to handle Harvard? I mean,

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Speaker 1: there's a thousand Tristan's there. There's there's a thousand Rorris there.

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Speaker 1: I mean, she's gonna freak out over there in Harvard.

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Speaker 1: Harvard's ten thousand students, it's ten thousand students undergraduates, and

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Speaker 1: it's twenty graduate students. So you know, it's it's it's

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Speaker 1: not a huge campus. It's not a huge college, but

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Speaker 1: it's you know, there's enough people there. Paris is going

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Speaker 1: to be in trouble. She's not a type of person

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Speaker 1: you want to go to Harper No. I mean you

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Speaker 1: know that that Paris is always sort of on the

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Speaker 1: edge of good God losing it. But I mean she

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Speaker 1: came on glued. I'm glued perfect. She came on glued

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Speaker 1: through that entire she started abusing the poor little fellow

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Speaker 1: sitting next to her who was getting the change. At

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Speaker 1: least she didn't recite Shakespeare and somebody's here here well,

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Speaker 1: I mean, at least that's you know, that's sort of

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Speaker 1: harnessing the rage and turning it into something else, which

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Speaker 1: is you know, there's there's some art and that, there's

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Speaker 1: some there's that that's poetic. But I mean she's just

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Speaker 1: out and out, just like Lunacy throughout the whole episode.

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Speaker 1: You kind of do love the comic relief teenage noss

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Speaker 1: of Louise and Madeline. They're always there to just be

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Speaker 1: teenage like and kind of honey and Madeleine always having

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Speaker 1: the last word and coming off like a nice person.

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Speaker 1: But what the hell she dealing with Louise, which makes

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Speaker 1: it even more funny. It's like, what are they doing together?

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Speaker 1: It's like Madeline kind of playing along the the goofy sidekick,

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Speaker 1: and she doesn't she's not really into it, but she is,

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Speaker 1: and she says she's sorry, and you're a nice persons

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Speaker 1: all of a hot mess at that dance, that's for sure. Um,

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Speaker 1: And where were the teachers to break up that fight?

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Speaker 1: They were dancing, they were all day. I saw a

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Speaker 1: lot of older people on the dance floor dancing. They

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Speaker 1: were the teachers, they had to be. Couldn't have been

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Speaker 1: the students, you know. But Dean, boy, he didn't waste

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Speaker 1: any time, doesn't He gets her on the dance floor.

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Speaker 1: Let's make out. Let's go. And Tristan wanted to make

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Speaker 1: out with that date too, even in his like longing

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Speaker 1: for Rory, he was like, Okay, I'll make out with

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Speaker 1: my date too. Did she become more desirable because she

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Speaker 1: had Dean there? Who become more desirable? Oh? God? Far more?

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Speaker 1: Are you kidding? I mean, you bring a kid like

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Speaker 1: Dean into the prom and everybody's gonna be talking about

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Speaker 1: I was not the prom, but the dance, but everybody's

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Speaker 1: gonna be talking about a gossip me gossiping about him?

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Speaker 1: And uh. I thought Dean did very well for himself

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Speaker 1: in this episode. He really was a stand up guy.

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Speaker 1: He became he was crowned the boyfriend and he he

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Speaker 1: deserves her heart at that At that point in time,

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Speaker 1: I mean that's that's a very very chivalrous, romantic, Uh,

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Speaker 1: A manly thing to do is like get away from

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Speaker 1: my girlfriend. You know, it's wonderful. And you know, as

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Speaker 1: old fashioned as that seemed, it's you know, sometimes it's necessary,

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Speaker 1: and it was necessary in that situation. And she was

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Speaker 1: being harassed by Um Tristan. I mean it's just no

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Speaker 1: matter how much you know I liked him, or he's

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Speaker 1: becoming vulnerable. I mean, he was a problem. I mean,

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Speaker 1: she was going to Chiltern, trying to learn, trying to

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Speaker 1: further her education and get into Harvard, and you've got

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Speaker 1: this jackass kid just just mocking her, just disrespecting her

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Speaker 1: every time he showed up. Um, even though his reasons

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Speaker 1: for it are probably understandable, You're right, he really he's

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Speaker 1: a jerk to her. He's a total jerk, and he's inappropriate.

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Speaker 1: And I yeah, I think I think both those characters

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Speaker 1: probably they're not aging well you know what I mean. Yeah,

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Speaker 1: there were there were a few parts where it was

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Speaker 1: a little bit like whoa this is? That's that's very

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Speaker 1: two thousand. It's very two thousand. Okay, everybody, we're gonna

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Speaker 1: take a break when we come back. We're gonna talk

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Speaker 1: more about Tristan, the wonderful Tristan, the complex Tristan. We'll

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Speaker 1: be back. Yeah, sorrybody, We're we're gonna get into a

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Speaker 1: little bit of Chad Michael Murray Tristan uh memories here. Uh.

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Speaker 1: He was just on the Today Show and he was

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Speaker 1: discussing how people react to his character in a very

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Speaker 1: surprising way to him and I think a surprising way

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Speaker 1: to us and everybody listening. People came up to him

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Speaker 1: and and said that they actually really loved his character.

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Speaker 1: He you know, he he was expecting. You know, usually

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Speaker 1: people are you know, are very critical of his character,

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Speaker 1: you know, negative encounters with fans, but he says they've

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Speaker 1: they've been very positive, and he's very surprised by it.

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Speaker 1: So let's let's get into that a little bit, because

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Speaker 1: this is a big episode for Tristan. And uh, what

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Speaker 1: do you guys think about this? Do you love him?

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Speaker 1: Do you hate him? Do you love to hate him?

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Speaker 1: And also we sort he changed changes a little bit

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Speaker 1: too right now. He's pretty awful. I wanted to love him,

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Speaker 1: and I did love him, and I wanted to give

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Speaker 1: him a hug when he was standing there when the

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Speaker 1: camera hit him and he was watching Dean and Rory

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Speaker 1: kiss on the dance floor. I felt bad for the guy.

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Speaker 1: I've been that guy. I've been in his shoes. Every

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Speaker 1: guy has been in his shoes with a girl that

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Speaker 1: he wants. And I was no Tristan. I mean, I'm

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Speaker 1: not trying to compare myself to Tristan. Uh, but that hurts.

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Speaker 1: That's a gut shot. You're gutted, and boy I felt

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Speaker 1: bad for I wanted to give him a hug. I

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Speaker 1: started liking very similar to you in the episode before

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Speaker 1: seeing Max and Laurela. It was sort of that same

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Speaker 1: gut wrenching Yes, Scott, I totally agree with you. Up

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Speaker 1: until this episode, I was very much like, oh, he

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Speaker 1: calls her rry, can he please stop? He's so snobby

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Speaker 1: and annoying and popular. And this episode, I I it

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Speaker 1: took a second. I was like, oh, no, there's something

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Speaker 1: more there, Like I got a little soft spot for him.

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Speaker 1: It was the first time that I actually felt that way.

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Speaker 1: And and it was when Rory was standing in line

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Speaker 1: to buy the ticket for the dance and he came

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Speaker 1: up and he was his arrogant jackass self, But then

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Speaker 1: you realize that he really, he's getting a little more

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Speaker 1: vulnerable with her, He's revealing a little more, and he's

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Speaker 1: asking her, you know, still indirectly, but asking her to

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Speaker 1: go to the dance with him, and it bothers him.

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Speaker 1: So I kind of started like, oh, okay, all right,

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Speaker 1: isn't it amazing what vulnerability does. It's just it's just

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Speaker 1: it's just gosh. Preston is exactly that guy, the guy

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Speaker 1: that's popular and handsome but insecure and sort of deals

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Speaker 1: with it by being kind of a jerk. It made

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Speaker 1: me think hard, what's going on at his home? What's

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Speaker 1: happening with mommy and daddy? What's going on? I mean,

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Speaker 1: it's like, there's there's some bad stuff going on. His

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Speaker 1: dad drinking is what's his dad treating him like crap?

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Speaker 1: Is dad having an affair? It's like, what's going are

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Speaker 1: their mental issues at home? What's happening that poor kid?

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Speaker 1: Agree with you? I felt the same way, And I

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Speaker 1: also thought he was the ultimate pulls your hair because

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Speaker 1: he likes you. That That was then I started becoming

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Speaker 1: like feeling parental toward him, like wanting to reach out

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Speaker 1: and and take his hand and say, hey, bud, let's

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Speaker 1: let's let's go on a little walk, you know, and

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Speaker 1: tell me what's going on in your life. And you know,

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Speaker 1: I wanted to help him. I'm at that stage of

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Speaker 1: my life where I have a little bit of wisdom,

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Speaker 1: you know, a little bit, and and I really wanted

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Speaker 1: to help that kid. And I thought, boy, he's in trouble.

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Speaker 1: He's in big trouble because he's looking like he's going

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Speaker 1: to fail in life, like if he's if he's this way,

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Speaker 1: he's this wound up. And I know Rory is extraordinary,

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Speaker 1: for for sure, she's extraordinary, but uh, and I have

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Speaker 1: the same thought about Paris too. If she's this wound

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Speaker 1: up about Rory at at Chilton, what the hell is

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Speaker 1: she going to react like when she gets to Harvard

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Speaker 1: when there's a thousand Rory's and there's a thousand Tristan's.

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Speaker 1: I agree, it sort of makes sense why Chad Michael

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Speaker 1: Murray recently said that people come up and say I

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Speaker 1: love Tristan because they must understand what's really going on.

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Speaker 1: But first you're like, he's such an ass. But as

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Speaker 1: an actor, right, the sensitivity of Chad and what he

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Speaker 1: did in that moment and the way he looked at

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Speaker 1: her and the way he felt it completely transformed my

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Speaker 1: opinion of him. It made me see that's called layering

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Speaker 1: a character character and that's again right, writing, great acting.

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Speaker 1: These kids are really good actors. Jesus. These kids are

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Speaker 1: so young and they're so good at what they do.

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Speaker 1: I think I think he was eighteen at the time too.

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Speaker 1: They're just kids. It's not surprising that this show got

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Speaker 1: him the lead on One Tree Hill. It, Yeah, it's

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Speaker 1: not surprising at all. I mean, he's showing a real

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Speaker 1: depth of uh. I mean, just wow. His soul was

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Speaker 1: ruined watching her dance with and kissing ruined. He was

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Speaker 1: just ruined. And the way he kind of went limp

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Speaker 1: a little bit and he you know, he confronted Dean

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Speaker 1: and you know, hey, we haven't met, and then and

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Speaker 1: then he escalated. But even the way he did that,

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Speaker 1: and that's a tough scene for for Chad to play

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Speaker 1: because he's got to come off tough, but he also

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Speaker 1: has to, you know, go limp a little bit in

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Speaker 1: the face of an obviously stronger uh and a more

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Speaker 1: righteous Dean in the situation, and it's like, how does

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Speaker 1: he play it? So at a certain point in that scene,

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Speaker 1: the confrontation scene with Dean. With Dean is I think

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Speaker 1: he realized and he made his choice as an actor.

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Speaker 1: He realized that he was in the wrong, that he

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Speaker 1: was the weaker person, and that Dan Dean made him

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Speaker 1: realize that, and he actually felt shame. I felt the

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Speaker 1: same way physically, he sort of really Yeah, he kind

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Speaker 1: of gave up so beautifully. Yes, it was. It was.

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Speaker 1: It's so difficult to do, and he did it beautifully.

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Speaker 1: He did it beautifully. He kind of manned up. But

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Speaker 1: then he, you know, he knew he was in the wrong,

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Speaker 1: and I think he pulled back because he realized that,

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Speaker 1: especially when he went in for the last time and

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Speaker 1: and and Dean just said before they started pushing each other, Um,

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Speaker 1: he just kind of you could see in his eyes

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Speaker 1: a light go out a little bit like this, he

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Speaker 1: wasn't going to get his way. And I think it

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Speaker 1: was almost he was almost doing it because he didn't

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Speaker 1: want to get his way. I think he did it

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Speaker 1: because he wanted Dean to beat him up. I think

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Speaker 1: he did it because he thought he deserved to get

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Speaker 1: beaten up. Yeah. I don't think any of what you're

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Speaker 1: saying is wrong. I think you're kind of right. I

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Speaker 1: can't decide if he's spoiled or what the deal is,

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Speaker 1: but yeah, I think he's just super sad on the inside.

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Speaker 1: I think he's he's very wealthy, he's very privileged. He's

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Speaker 1: so handsome. Yeah, great looking kid, and it's got everything

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Speaker 1: going for him. But boy, what a facade because there's

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Speaker 1: a hurt, wounded soul behind that thing, and it's so

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Speaker 1: interesting to see it. It's really interesting for him to

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Speaker 1: peel that layer back and to show us that he's not. Yeah,

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Speaker 1: I'm a I'm a jackass and I know I'm a jackass,

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Speaker 1: and I don't like it, so please beat me up,

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Speaker 1: because why else would you? Why else would you challenge

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Speaker 1: somebody who's, like, you know, three inches taller than you are.

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Speaker 1: It's interesting when we read that Chad gets that reaction.

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Speaker 1: We did like an informal poll, Danielle where they're like,

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Speaker 1: what happened? It was pretty split forty eight in favor

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Speaker 1: of Tristan and don't like him. So I think we

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Speaker 1: get the opinions from people who like him and hate him.

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Speaker 1: It's like, I I sort of loved it, hate him. Yes,

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Speaker 1: the character allows you to really, you know, vent on

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Speaker 1: somebody like that, because we've all had people like that

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Speaker 1: in our lives, right, um um. But I don't know,

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Speaker 1: I'm I like him, I want to get to know

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Speaker 1: him now. I'm interested in like finding out what's going

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Speaker 1: on with him. Yeah, you really kind of love Tristan

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Speaker 1: and Dean in this episode. I mean, I still think

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Speaker 1: Tristan's he's a eighteen he's a kid, he's seventeen, you know.

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Speaker 1: I mean, come on, those kids are They're so filled

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Speaker 1: with confidence, you know, and you know, nothing really bad

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Speaker 1: has happened to them yet. Nobody's ever said no to

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Speaker 1: them yet. They just haven't been out in the world.

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Speaker 1: But I think in Tristan's background, something's going wrong and

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Speaker 1: it's and it's and it's going it's going wrong, like

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Speaker 1: right now as it's happening, and he's he's freaked out

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Speaker 1: by it. You know, maybe the parents split up, Maybe

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Speaker 1: the parents are fighting a lot or splitting up, or

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Speaker 1: who the heck knows. Yeah, And I think I think

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Speaker 1: he's probably just a very sensitive, very intelligent boy who

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Speaker 1: was probably a very sweet boy, and he's getting abused.

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Speaker 1: Somebody's abusing him. Maybe his father is verbally abusing him

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Speaker 1: or being too rough. With him or cutting him down?

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Speaker 1: You know, who knows? Who the hell knows? But it's

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Speaker 1: like I want to know. I want to know what

385
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Speaker 1: it is. What's his damage? Boy, let's get him on.

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Speaker 1: I want to I wanna because he has more insight

387
00:23:58,600 --> 00:24:00,520
Speaker 1: and he, you know, made these choice, maybe had some

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Speaker 1: conversations with Amy about background that's not in the show.

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Speaker 1: So it would be interesting to find pretty sweet guy.

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Speaker 1: He's a sweet guy in their life, as you know. Yeah,

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Speaker 1: he's a good dude. Okay, Danielle, tell us how we're

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Speaker 1: going to solve this conundrum. So we have one listener

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Speaker 1: that is calling it right now, Easton, if you want

394
00:24:18,480 --> 00:24:20,280
Speaker 1: to let her in from the waiting room. Her name

395
00:24:20,320 --> 00:24:28,600
Speaker 1: is Amelia. Hates him, she likes him. Hello, Amelia, Hi,

396
00:24:28,960 --> 00:24:33,159
Speaker 1: how you doing? Goodness? My goodness? Right pack at you?

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Speaker 1: How are you doing? Let me? Where are you calling

398
00:24:36,600 --> 00:24:40,520
Speaker 1: in from? Look at the sweatshirt? Got the Luke sweatshirt on?

399
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Speaker 1: There you go representing alright? Where you Where are you from? Amelia?

400
00:24:45,840 --> 00:24:48,879
Speaker 1: Joshua Tree, California? Oh my god, you're out in the

401
00:24:48,960 --> 00:24:52,760
Speaker 1: desertn't really working for my my temperature outside? No? No, no,

402
00:24:52,960 --> 00:24:59,160
Speaker 1: what's it out there? Something crazy? Yeah? The Desert. Thank

403
00:24:59,200 --> 00:25:04,120
Speaker 1: God for free on. So you have either a question

404
00:25:04,320 --> 00:25:07,400
Speaker 1: or a comment for us? Oh well, I mean, yeah,

405
00:25:07,440 --> 00:25:09,680
Speaker 1: you guys um in your stories. So he talked about

406
00:25:09,680 --> 00:25:13,080
Speaker 1: Tristan um if people liked him or didn't like him,

407
00:25:13,119 --> 00:25:15,080
Speaker 1: And I know a lot of people probably don't like him,

408
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Speaker 1: but I mean I don't like him, like I want

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Speaker 1: to hang out with Tristan. But I think as a

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00:25:20,840 --> 00:25:25,159
Speaker 1: character he's really dynamic. There's a lot there and I

411
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Speaker 1: love to unpack that stuff. As a viewer, I like

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Speaker 1: that he's kind of puts up a facade. I mean

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Speaker 1: he's a teenager, so you remember that. I mean I

414
00:25:33,520 --> 00:25:34,960
Speaker 1: started watching the show when I was ten, so I

415
00:25:35,000 --> 00:25:38,080
Speaker 1: didn't pick up any of this then. But um, you

416
00:25:38,080 --> 00:25:40,199
Speaker 1: know he's a teenager. He's figuring it out. And I

417
00:25:40,240 --> 00:25:45,080
Speaker 1: think that he just wants validation from girls at school,

418
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Speaker 1: boys school, his parents, and he gets it obviously in

419
00:25:49,520 --> 00:25:51,080
Speaker 1: the wrong ways. So he puts up this like not

420
00:25:51,160 --> 00:25:53,800
Speaker 1: a very nice guy saw it. So he's kind of misunderstood.

421
00:25:53,800 --> 00:25:55,240
Speaker 1: But there's moments where you could see he has like

422
00:25:55,240 --> 00:25:58,720
Speaker 1: a heart and a soul. They're fleeting, but they happen, Um,

423
00:25:58,760 --> 00:26:00,440
Speaker 1: And I just think he's really misunders that he does

424
00:26:00,440 --> 00:26:04,000
Speaker 1: it to himself. But he's a teenager, so you know,

425
00:26:04,440 --> 00:26:07,960
Speaker 1: she engages with him. You know, she doesn't just walk

426
00:26:08,000 --> 00:26:11,440
Speaker 1: away or ignore him. There's some sort of push pool

427
00:26:11,520 --> 00:26:16,240
Speaker 1: there because she always sort of ping pongs with him,

428
00:26:16,440 --> 00:26:19,720
Speaker 1: meaning Rory. Yeah, I mean, and he's a cutie pie.

429
00:26:19,760 --> 00:26:23,080
Speaker 1: I mean it's Chad Michael Murray. So I'm not complaining.

430
00:26:23,640 --> 00:26:25,320
Speaker 1: If I was in high school with Chad Michael Murray,

431
00:26:25,359 --> 00:26:28,920
Speaker 1: I'd probably be like, all right, So I mean, well,

432
00:26:29,000 --> 00:26:33,040
Speaker 1: you know, um, we were discussing this and this episode

433
00:26:33,480 --> 00:26:37,960
Speaker 1: is specifically, um Rory's dance when she goes to children

434
00:26:38,040 --> 00:26:41,120
Speaker 1: dance and they getting Dean and and Tristan get into there,

435
00:26:42,320 --> 00:26:46,359
Speaker 1: you know, almost fisticuffs. Um. You know, I started liking

436
00:26:47,240 --> 00:26:51,399
Speaker 1: I started liking Tristan because just for the reasons that

437
00:26:51,480 --> 00:26:54,399
Speaker 1: you just stated, because there's something there. There's maybe something

438
00:26:54,440 --> 00:26:57,080
Speaker 1: going wrong in his home life and he doesn't know

439
00:26:57,119 --> 00:27:00,159
Speaker 1: how to handle it, and he's internalizing it. It's being

440
00:27:00,160 --> 00:27:02,800
Speaker 1: out in all these ways and he's probably he's you know,

441
00:27:02,880 --> 00:27:05,840
Speaker 1: he's mimicking both his parents, right, So he's being imprinted

442
00:27:05,880 --> 00:27:08,920
Speaker 1: in a very negative way somehow over a period of time,

443
00:27:09,760 --> 00:27:12,520
Speaker 1: and he's you know he's coming off like this, this

444
00:27:12,680 --> 00:27:17,359
Speaker 1: giant jerk, and I'm sure I see that from his

445
00:27:17,440 --> 00:27:20,720
Speaker 1: behavior in this episode that he is not a giant jerk.

446
00:27:21,600 --> 00:27:25,200
Speaker 1: I don't think he. I think there's something very sweet

447
00:27:25,280 --> 00:27:29,200
Speaker 1: and soulful there and he's lost it. He's lost himself

448
00:27:29,800 --> 00:27:32,680
Speaker 1: and he needs to get himself back, which is why

449
00:27:32,800 --> 00:27:38,320
Speaker 1: I think and obviously he thinks Rory can help him. Yeah,

450
00:27:38,359 --> 00:27:40,560
Speaker 1: I completely agree. I feel like and even if he's

451
00:27:40,560 --> 00:27:42,920
Speaker 1: like getting that negative imprint from his parents, maybe even

452
00:27:42,920 --> 00:27:44,840
Speaker 1: they're not giving him enough attention, so he's like, how

453
00:27:44,880 --> 00:27:48,800
Speaker 1: can I get attention, I'll act out, um, And yeah,

454
00:27:48,840 --> 00:27:50,480
Speaker 1: I just think there's not a lot of self love there.

455
00:27:51,160 --> 00:27:52,960
Speaker 1: There's not, like feel like, there's a lot of self

456
00:27:53,040 --> 00:27:56,040
Speaker 1: doubt within himself, and he acts out negatively and he

457
00:27:56,119 --> 00:27:58,639
Speaker 1: sees something good in Rory, which I mean he doesn't.

458
00:27:59,040 --> 00:28:01,320
Speaker 1: I mean, she's just she's just a breath of fresh

459
00:28:01,359 --> 00:28:07,000
Speaker 1: air and completely unaffected and beautiful and breezy and smart,

460
00:28:07,160 --> 00:28:10,160
Speaker 1: and it's probably everything he's been looking for and hasn't

461
00:28:10,160 --> 00:28:12,160
Speaker 1: been able to find. I mean, it's like it's either

462
00:28:12,920 --> 00:28:15,960
Speaker 1: it's either Louise or or it's hurts Rory, which line

463
00:28:15,960 --> 00:28:20,160
Speaker 1: you're gonna stand in right, I mean Louise right right. Yeah,

464
00:28:20,200 --> 00:28:22,240
Speaker 1: she's still nice to him. She like finds the good

465
00:28:22,280 --> 00:28:23,880
Speaker 1: in him, and you think he sees that and picks

466
00:28:23,960 --> 00:28:25,520
Speaker 1: up on that. So it's like, Okay, even though I

467
00:28:25,560 --> 00:28:28,840
Speaker 1: called you marry and I was that typical like I

468
00:28:28,840 --> 00:28:32,000
Speaker 1: don't know, school grade school, like I'm going to be

469
00:28:32,040 --> 00:28:35,359
Speaker 1: mean to you because I like you attitude. She's looked

470
00:28:35,400 --> 00:28:39,360
Speaker 1: past that and it's just shown him kindness. And I

471
00:28:39,360 --> 00:28:42,120
Speaker 1: mean anyone that's I feel like like him is going

472
00:28:42,160 --> 00:28:43,760
Speaker 1: to look at that and be like, hey, wait a minute,

473
00:28:44,560 --> 00:28:47,640
Speaker 1: I like you. She's she's look, she's a little she's

474
00:28:47,640 --> 00:28:50,480
Speaker 1: a little rough with him. I mean she she gives

475
00:28:50,560 --> 00:28:56,360
Speaker 1: him his do uh when they're standing in line, when

476
00:28:56,440 --> 00:28:58,400
Speaker 1: she's buying the tickets. I mean she's really kind of

477
00:28:58,400 --> 00:29:00,480
Speaker 1: going after him a little bit. I mean she's she's

478
00:29:00,680 --> 00:29:04,800
Speaker 1: returning service beautifully. Yeah, I love it, especially when she

479
00:29:04,880 --> 00:29:07,080
Speaker 1: yells at him after she hits the deer. I mean

480
00:29:07,120 --> 00:29:10,960
Speaker 1: I appreciate that. So yeah, I just think there's a

481
00:29:11,040 --> 00:29:16,000
Speaker 1: quality about Tristan that I'm intrigued by. Now. I'm fascinated.

482
00:29:16,000 --> 00:29:17,400
Speaker 1: I want to I want to get to know him

483
00:29:18,040 --> 00:29:20,320
Speaker 1: a little better. And I hope. And I haven't seen

484
00:29:20,520 --> 00:29:23,880
Speaker 1: the episodes obviously, I've just I've stopped at Rory's dance,

485
00:29:23,920 --> 00:29:26,640
Speaker 1: but I'm I'm intrigued to see how he develops. And

486
00:29:26,640 --> 00:29:29,880
Speaker 1: I'm starting to like Dean too. But I know I've

487
00:29:29,880 --> 00:29:34,560
Speaker 1: been listening and I'm like, no, no, but I didn't

488
00:29:34,640 --> 00:29:38,360
Speaker 1: like the Boogie night thing and hey, now it's my

489
00:29:38,440 --> 00:29:41,840
Speaker 1: turn and you know this kissing and the thing and

490
00:29:41,840 --> 00:29:43,680
Speaker 1: and the Dozies marketing. I know I didn't like all

491
00:29:43,760 --> 00:29:46,280
Speaker 1: that stuff, but you know it's like now this fresh

492
00:29:46,320 --> 00:29:50,000
Speaker 1: episode and he's, uh, he's he's being a good boyfriend

493
00:29:50,000 --> 00:29:52,160
Speaker 1: and it's kind of cool because she's, you know, hey,

494
00:29:52,360 --> 00:29:54,440
Speaker 1: so what do we you my boyfriend? And it's like,

495
00:29:55,400 --> 00:29:59,200
Speaker 1: I don't know, you want me to be? It is,

496
00:29:59,280 --> 00:30:02,960
Speaker 1: it's very it is very sweet and he's a sweet kid.

497
00:30:03,040 --> 00:30:09,479
Speaker 1: He's showing that side of himself. Um, so, Amelia, so

498
00:30:09,600 --> 00:30:13,120
Speaker 1: thank you for coming on. It was a very interesting discussion.

499
00:30:13,960 --> 00:30:17,920
Speaker 1: Oh well, thank you. We really appreciate the input. Um,

500
00:30:17,960 --> 00:30:20,520
Speaker 1: and good luck with your photography out there in Joshua

501
00:30:20,560 --> 00:30:24,160
Speaker 1: Tree and thank you and thank you. This is crazy.

502
00:30:24,240 --> 00:30:26,440
Speaker 1: You're Luke, I mean your Scott, but you're Luke. And

503
00:30:26,480 --> 00:30:28,640
Speaker 1: I've been watching you since I was ten and your

504
00:30:28,680 --> 00:30:32,480
Speaker 1: show shaped me and I just this is amazing, So

505
00:30:32,560 --> 00:30:34,880
Speaker 1: thank you so much, wonderful. We've had a lot of

506
00:30:34,880 --> 00:30:39,760
Speaker 1: fun and uh and nice talking to you. Yeah you too,

507
00:30:39,880 --> 00:30:47,560
Speaker 1: thank you. All right, sweetheart, I think we've got somebody

508
00:30:47,560 --> 00:30:50,120
Speaker 1: in the waiting room, uh for a fan question, and

509
00:30:50,200 --> 00:30:54,920
Speaker 1: let's let's get question. We need a high so let's

510
00:30:55,480 --> 00:30:58,320
Speaker 1: let's jump into your question. You emailed a question and

511
00:30:58,360 --> 00:31:02,320
Speaker 1: we're curious. Go ahead and give us your question. Okay.

512
00:31:02,400 --> 00:31:06,440
Speaker 1: So um, in season one, episode nine, where Rory goes

513
00:31:06,480 --> 00:31:09,400
Speaker 1: to the dance, UM, Emily sitting on the couch with

514
00:31:10,000 --> 00:31:15,320
Speaker 1: Flora Lae and she's trying, um, some smashed bananas on toast,

515
00:31:15,880 --> 00:31:18,760
Speaker 1: and when Emily gets up from the couch, there's a

516
00:31:18,760 --> 00:31:22,360
Speaker 1: piece of neon green tape those under the chair where

517
00:31:22,400 --> 00:31:27,800
Speaker 1: she's been sitting. And then in season six, episode thirteen,

518
00:31:28,040 --> 00:31:31,920
Speaker 1: Friday Night is all Right for Fights, Suki and Loria

519
00:31:32,000 --> 00:31:35,920
Speaker 1: la are in an outdoor flower market and they have

520
00:31:36,040 --> 00:31:39,680
Speaker 1: the same piece of neon green tape that's on their jackets,

521
00:31:39,840 --> 00:31:43,800
Speaker 1: and UM, I'm assuming that it's like a place marker

522
00:31:43,840 --> 00:31:46,000
Speaker 1: for where they stand or the jackets that they were

523
00:31:46,040 --> 00:31:48,080
Speaker 1: supposed to use for the scene and then it maybe

524
00:31:48,120 --> 00:31:51,920
Speaker 1: just didn't get removed. But UM, I'm wondering if you

525
00:31:51,920 --> 00:31:55,480
Speaker 1: could maybe speak to that a little bit more on um,

526
00:31:55,560 --> 00:31:57,640
Speaker 1: what is like to be an actor and have such

527
00:31:57,760 --> 00:32:03,080
Speaker 1: intense dialogue and um and be having to move at

528
00:32:03,080 --> 00:32:07,200
Speaker 1: a certain place, being a certain position, um, especially being

529
00:32:07,240 --> 00:32:11,400
Speaker 1: like um for your character being in the diner being um,

530
00:32:11,400 --> 00:32:14,800
Speaker 1: cooking or cleaning or busting a table at the same

531
00:32:14,800 --> 00:32:18,440
Speaker 1: time while you're while you're acting. So, yes, you're you're

532
00:32:18,560 --> 00:32:23,960
Speaker 1: right about the tape. It every actor gets a color designation.

533
00:32:25,320 --> 00:32:29,360
Speaker 1: I guess the green tape. I guess that was assigned

534
00:32:29,400 --> 00:32:34,280
Speaker 1: to Uh, Kelly, is that what you're saying? You saw

535
00:32:34,320 --> 00:32:38,720
Speaker 1: it first with with Emily Gilmour, Yes, since season one? Yes,

536
00:32:39,320 --> 00:32:42,160
Speaker 1: so yeah, so so Emily. I guess was was green

537
00:32:43,080 --> 00:32:46,200
Speaker 1: because when the crew comes in, when we come in

538
00:32:46,280 --> 00:32:50,160
Speaker 1: for a full crew rehearsal uh, and we've figured out

539
00:32:50,600 --> 00:32:53,240
Speaker 1: sort of our movements and are it's called blocking, and

540
00:32:53,240 --> 00:32:55,320
Speaker 1: where we're gonna go on certain lines and all the

541
00:32:55,360 --> 00:32:59,400
Speaker 1: you know, the the balletic, the core the choreography of

542
00:32:59,440 --> 00:33:05,680
Speaker 1: the scene where everybody's moving. Um. Uh. The crew he's

543
00:33:05,800 --> 00:33:12,000
Speaker 1: the crew guy has a many different colored tapes uh

544
00:33:12,040 --> 00:33:14,640
Speaker 1: in a holster and he pulls out that tape because okay,

545
00:33:14,680 --> 00:33:17,160
Speaker 1: so Luke moves over here, so I mean I forget

546
00:33:17,160 --> 00:33:19,240
Speaker 1: I I forget which color I was. It was probably

547
00:33:19,280 --> 00:33:21,560
Speaker 1: red or something like that, and he said, or blue

548
00:33:21,640 --> 00:33:23,640
Speaker 1: or something. He put a blue tape down there so

549
00:33:23,720 --> 00:33:26,360
Speaker 1: that you I would know where my first mark was.

550
00:33:27,360 --> 00:33:29,560
Speaker 1: And then they do the same thing for all the actors.

551
00:33:29,560 --> 00:33:32,320
Speaker 1: So there's lots of pieces of different colored tape all

552
00:33:32,320 --> 00:33:36,160
Speaker 1: over the floor and that's that's the roadmap for all

553
00:33:36,200 --> 00:33:38,520
Speaker 1: of the actors to see. And you can't look at it,

554
00:33:39,000 --> 00:33:43,160
Speaker 1: but you know it's there, So so that's your that's

555
00:33:43,200 --> 00:33:46,880
Speaker 1: kind of like your UM, your navigation system that we

556
00:33:47,040 --> 00:33:50,360
Speaker 1: used to make sure we knew we were standing on

557
00:33:50,360 --> 00:33:52,640
Speaker 1: the right mark because that's where they set the lighting.

558
00:33:53,440 --> 00:33:56,040
Speaker 1: So if if if you're standing on your mark, then

559
00:33:56,080 --> 00:33:57,880
Speaker 1: the lighting is gonna hit you right and you know

560
00:33:58,560 --> 00:34:00,400
Speaker 1: the director is gonna be happy, and if you miss

561
00:34:00,400 --> 00:34:02,640
Speaker 1: your mark, the lighting is going to be off, and

562
00:34:02,680 --> 00:34:04,720
Speaker 1: then everybody else's lighting is going to be off because

563
00:34:04,720 --> 00:34:07,640
Speaker 1: you're gonna pull their looks over in the wrong direction.

564
00:34:07,680 --> 00:34:09,799
Speaker 1: And then they yell cut and said you gotta hit

565
00:34:09,840 --> 00:34:13,200
Speaker 1: your mark. We gotta do it again. So and as

566
00:34:13,239 --> 00:34:18,920
Speaker 1: far as how to um to do all the the

567
00:34:18,920 --> 00:34:20,960
Speaker 1: you know, the physical stuff and the and the serving

568
00:34:21,000 --> 00:34:24,680
Speaker 1: of the food and you know that's um. You know,

569
00:34:24,719 --> 00:34:27,600
Speaker 1: that's something you learn in acting school. Uh. And you

570
00:34:27,680 --> 00:34:30,520
Speaker 1: just sort of keep gradually adding on more tasks to

571
00:34:30,600 --> 00:34:33,839
Speaker 1: do and in scenes and scene work that you're doing

572
00:34:33,880 --> 00:34:36,719
Speaker 1: in class. Uh. And then when you do plays you

573
00:34:36,760 --> 00:34:38,560
Speaker 1: have to do that as well. There's a lot of

574
00:34:39,080 --> 00:34:41,440
Speaker 1: props to deal with, and there's a whole course of

575
00:34:41,480 --> 00:34:43,360
Speaker 1: study on how to deal with props and how to

576
00:34:43,400 --> 00:34:45,719
Speaker 1: handle props and do you have to do it the

577
00:34:45,800 --> 00:34:49,960
Speaker 1: same for every take? Yes, you do. Yeah, that's called matching.

578
00:34:50,000 --> 00:34:53,240
Speaker 1: You have to match. So if George comes up to you, say, Scott,

579
00:34:53,280 --> 00:34:55,840
Speaker 1: that didn't match, I said, oh, what did I do?

580
00:34:55,880 --> 00:34:58,560
Speaker 1: I said, you put the plate down on the word

581
00:34:58,840 --> 00:35:01,360
Speaker 1: after you know the and you put it. Yeah. So

582
00:35:01,400 --> 00:35:05,080
Speaker 1: if you miss it even by that much, so it's exacting.

583
00:35:05,440 --> 00:35:09,920
Speaker 1: So your rehearsal process nails down all of the movement

584
00:35:10,200 --> 00:35:13,920
Speaker 1: and the and the props and uh um and the

585
00:35:14,000 --> 00:35:18,520
Speaker 1: lighting scheme and the choreography. And if you miss any

586
00:35:18,719 --> 00:35:22,799
Speaker 1: anything but even buying a very in your brain, you

587
00:35:22,840 --> 00:35:26,200
Speaker 1: have to go like cut plate toast, cut plate toast,

588
00:35:26,520 --> 00:35:28,799
Speaker 1: and then you're also doing all those crazy lines. You're

589
00:35:28,840 --> 00:35:32,840
Speaker 1: like blah blah blah, cut plate toast. Whoa, that sounds

590
00:35:32,920 --> 00:35:36,799
Speaker 1: kind of loud. You are truly exhausted at the end

591
00:35:36,840 --> 00:35:40,080
Speaker 1: of the day because you're just your brain is is

592
00:35:40,600 --> 00:35:45,120
Speaker 1: is just you know, trying to absorb all this stuff

593
00:35:45,160 --> 00:35:48,040
Speaker 1: all day and you know, sending all those signals out

594
00:35:49,480 --> 00:35:52,280
Speaker 1: to every part of your body. And uh and plus

595
00:35:52,280 --> 00:35:54,440
Speaker 1: you know there's a there's an emotional life there too

596
00:35:54,480 --> 00:35:58,480
Speaker 1: that has to be um, um, oh my god, right come,

597
00:35:58,520 --> 00:36:03,200
Speaker 1: plate toast line, line, line right right right. So it's

598
00:36:04,200 --> 00:36:06,560
Speaker 1: but it's not anything. The more you do it, the

599
00:36:06,640 --> 00:36:08,480
Speaker 1: better you get at it, and the more comfortable you

600
00:36:08,520 --> 00:36:10,080
Speaker 1: feel with it. And I got to the point on

601
00:36:10,239 --> 00:36:14,240
Speaker 1: Gilmore where I I preferred using a lot of props

602
00:36:14,239 --> 00:36:16,800
Speaker 1: and being very proppery and very active with the props

603
00:36:16,880 --> 00:36:19,200
Speaker 1: because it's just, you know, it was easier for me

604
00:36:19,239 --> 00:36:22,279
Speaker 1: to attach what line was I'm going to pick the

605
00:36:22,320 --> 00:36:24,319
Speaker 1: couple on or drop the plate or pick up the

606
00:36:24,360 --> 00:36:26,239
Speaker 1: plate and the whole thing and it's sort of I

607
00:36:26,239 --> 00:36:29,640
Speaker 1: don't know, it just made it easier to do a scene. Um.

608
00:36:29,800 --> 00:36:31,640
Speaker 1: Whereas when you're out there in the desert and it's

609
00:36:31,640 --> 00:36:33,840
Speaker 1: just the two of you're talking. That's tough because I

610
00:36:33,880 --> 00:36:36,200
Speaker 1: remember that kitchen scene in the in the reboot, where

611
00:36:36,600 --> 00:36:39,399
Speaker 1: I was passionately pleading with Laurel La not to leave

612
00:36:39,480 --> 00:36:42,279
Speaker 1: me when um, and it was just the two of us,

613
00:36:42,280 --> 00:36:44,000
Speaker 1: there were no props to deal with. There was nothing,

614
00:36:44,040 --> 00:36:47,920
Speaker 1: And that's when you're truly naked emotionally, and those are

615
00:36:48,560 --> 00:36:53,560
Speaker 1: more difficult to pull off, um because you can't really

616
00:36:53,880 --> 00:37:00,440
Speaker 1: you know, you can't hide behind the props anymore. Um. So, anyway,

617
00:37:00,480 --> 00:37:03,920
Speaker 1: I hope that answers your question. Yeah, that's very interesting.

618
00:37:04,000 --> 00:37:06,600
Speaker 1: Thank you so much, Thank you, Thank you Winita for

619
00:37:06,680 --> 00:37:12,840
Speaker 1: coming on and uh and uh and keep watching, thanks listening.

620
00:37:13,040 --> 00:37:16,480
Speaker 1: Stay safe, all right, take care. You know, let's have

621
00:37:16,480 --> 00:37:18,600
Speaker 1: a little fun. Let's let's go ahead and re enact this.

622
00:37:18,680 --> 00:37:20,520
Speaker 1: We had so much fun doing it last week. Let's

623
00:37:20,560 --> 00:37:24,279
Speaker 1: let's reenact the scene where uh, you know, Rory goes

624
00:37:24,320 --> 00:37:27,160
Speaker 1: into Dosie's Market to ask Dean to the dance and

625
00:37:27,160 --> 00:37:30,920
Speaker 1: and Keiko is breathlessly, you know, staring through the glass

626
00:37:31,480 --> 00:37:33,759
Speaker 1: to see what happens. So she she even says to Royce, says,

627
00:37:33,880 --> 00:37:40,040
Speaker 1: you know, annuncate your words, I read lips. So so

628
00:37:40,080 --> 00:37:43,160
Speaker 1: we're gonna we're gonna re enact this with uh with

629
00:37:43,400 --> 00:37:47,359
Speaker 1: another lovely fan. Who who do we have? Is that Heather?

630
00:37:48,800 --> 00:37:50,759
Speaker 1: How are you doing? You're wearing the hat or is

631
00:37:50,760 --> 00:37:56,920
Speaker 1: that just your natural look? Like it is rocking the look?

632
00:37:57,480 --> 00:38:02,360
Speaker 1: It's out of respect of it. At this, Look at this, Heather,

633
00:38:02,640 --> 00:38:05,680
Speaker 1: That's awesome. I gotta put my glasses on to check

634
00:38:05,760 --> 00:38:09,680
Speaker 1: this out. This is look at you. That's a that's

635
00:38:09,680 --> 00:38:15,920
Speaker 1: a Luke suit. It is number one top drawer. Welcome

636
00:38:15,960 --> 00:38:19,720
Speaker 1: to the show. Thank you so much. I'm so excited

637
00:38:19,760 --> 00:38:21,759
Speaker 1: to be here. How did it hat? What are you

638
00:38:21,840 --> 00:38:26,759
Speaker 1: calling in from? I live in Seattle, Seattle, all the

639
00:38:26,800 --> 00:38:30,560
Speaker 1: way from Seattle. Yeah, not too far from you. Guys though,

640
00:38:31,520 --> 00:38:36,080
Speaker 1: did you work on the scene? Because I didn't? I did? Um,

641
00:38:36,680 --> 00:38:39,879
Speaker 1: I hope I do it justice. Well, I know I'm

642
00:38:39,880 --> 00:38:41,879
Speaker 1: gonna suck. I'm not going to be a good Dean.

643
00:38:42,080 --> 00:38:45,080
Speaker 1: I'm playing Dean because I'm not in this episode. I know.

644
00:38:45,160 --> 00:38:47,279
Speaker 1: I well, that's what when I heard it was this one,

645
00:38:47,320 --> 00:38:50,960
Speaker 1: I thought, not even in this one. Luke's not even

646
00:38:50,880 --> 00:38:54,480
Speaker 1: make sense. We'll create our own scene. I know it's

647
00:38:54,480 --> 00:38:57,359
Speaker 1: going to be great. The scene that that that hit

648
00:38:57,400 --> 00:39:01,000
Speaker 1: the cutting room floor never made it on the episode aired.

649
00:39:01,440 --> 00:39:03,960
Speaker 1: All right, so now I'm by Now I have to

650
00:39:04,320 --> 00:39:06,440
Speaker 1: I have to be Dean. Okay, so this will be

651
00:39:06,480 --> 00:39:08,839
Speaker 1: the biggest acting challenge of my life. I know how

652
00:39:08,840 --> 00:39:12,759
Speaker 1: you feel about Dean too, so he love Jared. But

653
00:39:12,760 --> 00:39:14,960
Speaker 1: but you know what, Dean he I like him in

654
00:39:14,960 --> 00:39:18,080
Speaker 1: this episode. I liked what happened. He's very good in

655
00:39:18,080 --> 00:39:20,520
Speaker 1: this episode. Yeah, you know, it's like I might be

656
00:39:20,600 --> 00:39:24,319
Speaker 1: kicking just to the curb pretty soon. I might be

657
00:39:24,400 --> 00:39:27,080
Speaker 1: doing that. I might do that because I like Dean

658
00:39:27,120 --> 00:39:29,680
Speaker 1: in this I like Dean in this episode. She wants

659
00:39:29,680 --> 00:39:31,560
Speaker 1: to make it right too. You know, at the end

660
00:39:31,560 --> 00:39:33,799
Speaker 1: of the episode, he really tries. He wants to go

661
00:39:33,840 --> 00:39:35,880
Speaker 1: with Rory back to talk to her mom. I mean,

662
00:39:35,920 --> 00:39:38,200
Speaker 1: he does the right thing. He does the right thing.

663
00:39:38,719 --> 00:39:40,600
Speaker 1: He figured out how to get out of his car

664
00:39:40,640 --> 00:39:43,759
Speaker 1: and stop honking. I like. I like that. He's an

665
00:39:43,760 --> 00:39:47,520
Speaker 1: intelligent young man. You don't run out when a boy

666
00:39:47,560 --> 00:39:54,040
Speaker 1: honks for you. Tell you what man Jess might be.

667
00:39:54,200 --> 00:39:56,280
Speaker 1: You know, I know he's blood, I know he's family.

668
00:39:56,360 --> 00:40:00,360
Speaker 1: But I like the Dean going after the tris didn't

669
00:40:01,040 --> 00:40:04,239
Speaker 1: it was It was good. Yeah, and knock out the

670
00:40:04,360 --> 00:40:08,480
Speaker 1: Mary Boy. You know, I'm a recent Team Jess convert.

671
00:40:08,600 --> 00:40:13,400
Speaker 1: Actually I was a team Okay, don't don't be too upset.

672
00:40:13,440 --> 00:40:16,399
Speaker 1: I know somebody else is also a Team Logan hardcore, Yes,

673
00:40:16,640 --> 00:40:19,520
Speaker 1: Amy is. I mean, I was Team Logan for so long.

674
00:40:19,560 --> 00:40:21,839
Speaker 1: I loved how they challenged each other, and I love

675
00:40:21,880 --> 00:40:24,160
Speaker 1: how they changed one another. I love how he came

676
00:40:24,280 --> 00:40:27,160
Speaker 1: full circle at the end. But you know what, after

677
00:40:27,200 --> 00:40:30,240
Speaker 1: the revival, I changed my mind because I was so

678
00:40:30,400 --> 00:40:35,560
Speaker 1: disappointed in the relationship. There a sort of relationship then,

679
00:40:35,840 --> 00:40:38,920
Speaker 1: and I saw how Jess really helped Rory, and she

680
00:40:39,200 --> 00:40:41,799
Speaker 1: had that great idea for the book, and even at

681
00:40:41,800 --> 00:40:43,720
Speaker 1: the end when he looked at her through the window,

682
00:40:43,800 --> 00:40:47,480
Speaker 1: I was like, that's that's the one. So I'm now

683
00:40:47,520 --> 00:40:50,239
Speaker 1: a Team Jess. I never thought i'd say it, but

684
00:40:50,400 --> 00:40:53,840
Speaker 1: years later, I'm a convert. I'm still I'm still Team Jett,

685
00:40:53,960 --> 00:40:58,759
Speaker 1: Team Jess. But I gotta tell you, the opportunity to

686
00:40:58,960 --> 00:41:01,840
Speaker 1: get into the skin of Dean in an acting scene

687
00:41:02,440 --> 00:41:05,799
Speaker 1: might help me get that that five percent I need

688
00:41:05,840 --> 00:41:08,759
Speaker 1: to get to get the Team Dean. Because I'm I'm

689
00:41:08,920 --> 00:41:11,200
Speaker 1: right there, I'm right on the fence. I liked what

690
00:41:11,280 --> 00:41:14,320
Speaker 1: I saw in this episode from that young boy. I

691
00:41:14,480 --> 00:41:18,520
Speaker 1: like this scene. He's really I mean, what a great guy.

692
00:41:18,600 --> 00:41:22,680
Speaker 1: He restrained himself, he didn't swing and punch. He just said,

693
00:41:22,719 --> 00:41:26,880
Speaker 1: I'm not going to fight you, because what does I

694
00:41:27,040 --> 00:41:29,839
Speaker 1: kill you? And he didn't mean kill in the sense

695
00:41:29,880 --> 00:41:32,239
Speaker 1: that he'd kill him. He meant kill when that he

696
00:41:32,280 --> 00:41:36,759
Speaker 1: would defeat him badly. So yes, yes, there would be

697
00:41:36,880 --> 00:41:42,160
Speaker 1: damage to the Tristan Uppers and Lowers that Dennis would

698
00:41:42,200 --> 00:41:47,680
Speaker 1: be very the Orthodonis between. I like this episode anyway,

699
00:41:47,680 --> 00:41:49,560
Speaker 1: So you ready to act? Have you been working on it?

700
00:41:50,000 --> 00:41:51,600
Speaker 1: I don't know. I made my husband run through it

701
00:41:51,640 --> 00:41:54,040
Speaker 1: with me a bunch of times. I don't know how

702
00:41:54,080 --> 00:41:56,520
Speaker 1: to play Dean, and now I have to be eighteen,

703
00:41:56,719 --> 00:42:00,520
Speaker 1: and that's you know, I'm I'm a little four years

704
00:42:00,600 --> 00:42:03,160
Speaker 1: past eighteen. But let's see what I can do. I

705
00:42:03,239 --> 00:42:05,040
Speaker 1: was trying to put myself back in. What is it

706
00:42:05,120 --> 00:42:08,440
Speaker 1: like when you're a teenager and you're this is so

707
00:42:08,560 --> 00:42:11,120
Speaker 1: vulnerable to ask somebody to a dance, you know. I

708
00:42:11,160 --> 00:42:13,399
Speaker 1: was trying to put myself back there, because that's that's hard.

709
00:42:13,680 --> 00:42:16,560
Speaker 1: It was hard what I think we both need to

710
00:42:16,600 --> 00:42:19,280
Speaker 1: do since we're since we're are both of our voices

711
00:42:19,400 --> 00:42:23,040
Speaker 1: is probably bottomed out since we were teenagers. We need

712
00:42:23,080 --> 00:42:25,960
Speaker 1: to be at a higher pitch. We need to be high. Yeah,

713
00:42:26,000 --> 00:42:28,400
Speaker 1: we can't be so low in our throat. We can't be.

714
00:42:28,840 --> 00:42:31,719
Speaker 1: So let's try that. So maybe we can be. We

715
00:42:31,719 --> 00:42:35,240
Speaker 1: will try it. Not not necessarily squeaky, but sometimes Rory

716
00:42:35,400 --> 00:42:41,399
Speaker 1: does come off squeaky. She can be sometimes. And for you, Heather,

717
00:42:41,560 --> 00:42:45,320
Speaker 1: to achieve that level of cuteness and vulnerability in your voice,

718
00:42:46,120 --> 00:42:49,920
Speaker 1: my god, let's see what happens. I don't know. Now

719
00:42:49,920 --> 00:42:55,760
Speaker 1: you're setting me up. I'll try it, alright, alright, uh, alright,

720
00:42:55,840 --> 00:43:04,040
Speaker 1: everybody settle Heather, you're good ready? Good? Yes? Yes, yes, yes?

721
00:43:04,760 --> 00:43:11,799
Speaker 1: And action? Hey oh hey you're busy. Yeah no, I

722
00:43:11,880 --> 00:43:13,600
Speaker 1: just had to put these green beans chip ands on

723
00:43:13,640 --> 00:43:17,960
Speaker 1: the shelves. You want to help? Yeah, sure, I love

724
00:43:18,000 --> 00:43:22,120
Speaker 1: stucking beans. Okay, follow me. So do you work on Saturdays?

725
00:43:22,120 --> 00:43:25,400
Speaker 1: I forget, Well, it depends. Sometimes I come in if

726
00:43:25,400 --> 00:43:29,200
Speaker 1: I don't have any plans. So why no reason? This

727
00:43:29,239 --> 00:43:36,680
Speaker 1: is so bad? I can't do Dean to save my life,

728
00:43:36,840 --> 00:43:40,239
Speaker 1: killing going, keep going, I'll try to find another Dean voice.

729
00:43:40,239 --> 00:43:43,759
Speaker 1: Go ahead, See there's this thing at my school on Saturday.

730
00:43:43,840 --> 00:43:46,359
Speaker 1: Well it's not really at my school, but it's it's

731
00:43:46,400 --> 00:43:50,240
Speaker 1: kind of given by my school. What is it? Well,

732
00:43:50,360 --> 00:43:52,319
Speaker 1: it's this kind of thing where you go and they

733
00:43:52,440 --> 00:43:54,279
Speaker 1: play music and you're supposed to get all dressed up

734
00:43:54,280 --> 00:43:56,400
Speaker 1: and do some kind of dance and there's chicken chicken.

735
00:43:57,280 --> 00:43:59,959
Speaker 1: I don't know if there's chicken, but these kinds of things,

736
00:44:00,000 --> 00:44:02,560
Speaker 1: they often serve chicken because it's probably cheaper and people

737
00:44:02,600 --> 00:44:04,400
Speaker 1: eat it. So the logical the chicken twists really is

738
00:44:04,520 --> 00:44:10,920
Speaker 1: not bad. I'm lost, and it's not like I'm dying

739
00:44:10,960 --> 00:44:13,520
Speaker 1: to go or anything, but it is a new school

740
00:44:13,560 --> 00:44:16,240
Speaker 1: and being part of social activity that's really important in Chilton.

741
00:44:16,760 --> 00:44:21,000
Speaker 1: So are you asking me to go to a dance

742
00:44:21,040 --> 00:44:26,879
Speaker 1: with you? No? Yes, I mean if you wanted to go,

743
00:44:27,040 --> 00:44:29,919
Speaker 1: I would go to. Well that'd probably good since it's

744
00:44:30,080 --> 00:44:35,640
Speaker 1: your school, right, So do you want to go? Honestly? Yeah,

745
00:44:35,680 --> 00:44:39,359
Speaker 1: I've actually never gone to a dance before because they're lame.

746
00:44:40,040 --> 00:44:41,640
Speaker 1: It's just not the way I ever wanted to spend

747
00:44:41,640 --> 00:44:46,239
Speaker 1: my timing. I mean, I'm I'm not a big joiner. Okay,

748
00:44:46,280 --> 00:44:52,640
Speaker 1: fair enough? More beans? Please? You want to go, don't you? No?

749
00:44:53,320 --> 00:44:55,839
Speaker 1: I don't. I don't have any desire to go at all.

750
00:44:55,840 --> 00:44:59,279
Speaker 1: I was just thinking out loud, that's all. Huh. So

751
00:45:01,160 --> 00:45:05,920
Speaker 1: what would I have to wear? What to this dance? What?

752
00:45:05,920 --> 00:45:10,200
Speaker 1: What would I have to wear? Anything you want? No? Really?

753
00:45:10,480 --> 00:45:14,120
Speaker 1: Whatever you're comfortable. Some sort of pants would be good.

754
00:45:15,680 --> 00:45:20,040
Speaker 1: It's coding, TI, man, But you probably get away with

755
00:45:20,080 --> 00:45:24,360
Speaker 1: the coating. No time I have to take. You have

756
00:45:24,400 --> 00:45:27,760
Speaker 1: to take a longer pause. Yeah, give me that line again.

757
00:45:28,600 --> 00:45:30,040
Speaker 1: But you could probably get away with the coat and

758
00:45:30,080 --> 00:45:44,800
Speaker 1: no tie. H okay, really, thank you? That was excellent.

759
00:45:45,160 --> 00:45:48,600
Speaker 1: I had one more line, the most important line of

760
00:45:48,640 --> 00:45:51,640
Speaker 1: the whole thing. Alright, cut, we're gonna have to do

761
00:45:51,719 --> 00:45:59,000
Speaker 1: it again. Maybe you just give that last line. I

762
00:45:59,000 --> 00:46:01,480
Speaker 1: can give the one before welcome. There you go, done,

763
00:46:01,520 --> 00:46:03,480
Speaker 1: We're good. There you good? So we can we can

764
00:46:03,520 --> 00:46:08,520
Speaker 1: splice that in. Actually, I felt the scene gained real

765
00:46:08,600 --> 00:46:10,600
Speaker 1: life when Amy jumped in at the end. I like that.

766
00:46:10,840 --> 00:46:13,640
Speaker 1: I thought Heather was so much better than Danielle and Riley.

767
00:46:13,640 --> 00:46:20,680
Speaker 1: It was amazing. I thought Heather was fantastic. Good thank

768
00:46:20,719 --> 00:46:24,000
Speaker 1: you costuming too, since she got in character even though

769
00:46:24,040 --> 00:46:27,800
Speaker 1: she wasn't portraying that character. Rory as Luke and I

770
00:46:27,920 --> 00:46:32,280
Speaker 1: had to meet Luke as Dean that's a game of twister,

771
00:46:32,400 --> 00:46:36,000
Speaker 1: mental twister right there. For the thing that's that's really like,

772
00:46:36,080 --> 00:46:39,799
Speaker 1: what's they're not? How are they going to colate that?

773
00:46:40,960 --> 00:46:43,440
Speaker 1: It's it's But you did a great job. You were

774
00:46:43,520 --> 00:46:47,080
Speaker 1: really good, Scott. I'm really happy you changed your voice

775
00:46:47,120 --> 00:46:51,279
Speaker 1: because that Dean voice and something else. I was struggling.

776
00:46:51,680 --> 00:46:57,120
Speaker 1: I just didn't know what I thought. It was actually

777
00:46:57,360 --> 00:46:59,480
Speaker 1: my eyes for a minute, I closed my eyes for

778
00:46:59,520 --> 00:47:01,400
Speaker 1: a minute, and I really felt it was deep. I

779
00:47:01,440 --> 00:47:04,120
Speaker 1: was inhabited. Dean was inhabiting me. It was. It was

780
00:47:04,280 --> 00:47:07,960
Speaker 1: weird spiritual experience, you know, before you go. Do you

781
00:47:07,960 --> 00:47:10,040
Speaker 1: have any questions or tips for us as we try

782
00:47:10,040 --> 00:47:13,880
Speaker 1: to improve this? Uh? I am all in podcast. I'm

783
00:47:13,960 --> 00:47:15,960
Speaker 1: just so excited doing this. This show is meant so

784
00:47:16,040 --> 00:47:18,360
Speaker 1: much to me. So you guys being here each week,

785
00:47:18,600 --> 00:47:21,319
Speaker 1: I mean it's taking me through everything, everything in your life.

786
00:47:21,360 --> 00:47:24,520
Speaker 1: There's something about in Gilmore's with it, you know, heartbreak,

787
00:47:24,760 --> 00:47:28,040
Speaker 1: going to college, graduating, even when my dad had a

788
00:47:28,040 --> 00:47:31,280
Speaker 1: heart attack. I thought Gilmore's has that, you know. Um

789
00:47:31,440 --> 00:47:34,399
Speaker 1: So I I love it. Um. I love that you're

790
00:47:34,400 --> 00:47:37,680
Speaker 1: breaking down this, you know, the episodes and any behind

791
00:47:37,680 --> 00:47:41,320
Speaker 1: the scenes stuff is always great. I do have a question.

792
00:47:41,360 --> 00:47:43,480
Speaker 1: I always said I would ask if I ever got

793
00:47:43,480 --> 00:47:46,760
Speaker 1: the opportunity. It's skipping way ahead, but if anybody's listening,

794
00:47:46,760 --> 00:47:50,360
Speaker 1: I kind of figured that they've already kind of watched it. Anyway.

795
00:47:50,680 --> 00:47:53,880
Speaker 1: So Orla comes to Luke at the diner and says,

796
00:47:54,920 --> 00:47:57,800
Speaker 1: we gotta get moving with the marriage thing. Let's elope

797
00:47:57,960 --> 00:47:59,640
Speaker 1: April needs to figure out how she's going to fit

798
00:47:59,680 --> 00:48:02,480
Speaker 1: into lives, not the other way around. Let's go. Luke says,

799
00:48:02,560 --> 00:48:06,640
Speaker 1: I can't jump, you know, it's too fast. Laura Lai says, okay,

800
00:48:06,680 --> 00:48:09,240
Speaker 1: I'm out. She leaves, and she goes and she sleeps

801
00:48:09,239 --> 00:48:13,520
Speaker 1: with Christopher, and then Luke cons and he's all packed up,

802
00:48:13,520 --> 00:48:15,560
Speaker 1: he's got all his stuff, he's got the camping gear,

803
00:48:15,640 --> 00:48:17,520
Speaker 1: he's ready to go, and he says, let's do it.

804
00:48:17,560 --> 00:48:19,880
Speaker 1: And she says, I slept with Christopher and he leaves.

805
00:48:20,560 --> 00:48:24,239
Speaker 1: And I always wondered if she hadn't slept with Christopher,

806
00:48:24,480 --> 00:48:27,759
Speaker 1: do you think that they would have stayed together, like

807
00:48:27,800 --> 00:48:32,880
Speaker 1: what would have happened after that? Well? Yeah, I don't

808
00:48:32,960 --> 00:48:36,840
Speaker 1: remember any of that, but I do. I think, of course,

809
00:48:37,480 --> 00:48:40,160
Speaker 1: logic would dictate that the chances would be much better

810
00:48:40,640 --> 00:48:45,560
Speaker 1: than there's this thing that funny, quirky thing about people

811
00:48:45,560 --> 00:48:48,600
Speaker 1: in relationships. When you sleep with someone else, it somehow

812
00:48:48,640 --> 00:48:52,880
Speaker 1: affects adversely the relationship that you're in. Isn't that wild?

813
00:48:54,040 --> 00:48:56,520
Speaker 1: I don't blame Luke for leaving and he even goes

814
00:48:56,560 --> 00:49:00,640
Speaker 1: and he goes straight to Christopher's apartment and punch boom

815
00:49:02,160 --> 00:49:06,680
Speaker 1: right in the kisser right there. It's because it's a fan.

816
00:49:06,840 --> 00:49:09,720
Speaker 1: You don't want Lorela to sleep with Christopher at that point,

817
00:49:09,880 --> 00:49:13,640
Speaker 1: and so it's really satisfying. But that's the that's the

818
00:49:13,719 --> 00:49:19,480
Speaker 1: craft of you know, the craft of writing will do

819
00:49:19,600 --> 00:49:23,759
Speaker 1: the thing to the fans that they least want in

820
00:49:23,880 --> 00:49:29,040
Speaker 1: order to get them to lean forward. Because now you

821
00:49:29,080 --> 00:49:31,359
Speaker 1: feel like you're you're involved in it. I mean, they're

822
00:49:31,400 --> 00:49:35,359
Speaker 1: really messing with you now, right, So it's uh, you know,

823
00:49:35,520 --> 00:49:39,319
Speaker 1: that's that's what good writers do. They give you what

824
00:49:39,400 --> 00:49:41,759
Speaker 1: you want sometimes, but they give you a lot of

825
00:49:41,760 --> 00:49:44,520
Speaker 1: what you don't want, so or what you think you

826
00:49:44,520 --> 00:49:51,040
Speaker 1: don't want anyway. Um, yeah, that's very What season are

827
00:49:51,080 --> 00:49:53,200
Speaker 1: you even talking about here? What season is? So it's

828
00:49:53,239 --> 00:50:01,600
Speaker 1: season seven? Is to come back in about three years?

829
00:50:02,200 --> 00:50:04,439
Speaker 1: You would have me back in that time. I would

830
00:50:04,480 --> 00:50:06,200
Speaker 1: be happy to come back and ask again, we can

831
00:50:06,239 --> 00:50:08,799
Speaker 1: all chat, but I just always had it on my

832
00:50:08,840 --> 00:50:12,360
Speaker 1: mind because I mean, I'm so glad they ended up together.

833
00:50:12,400 --> 00:50:15,680
Speaker 1: Obviously we know Luke and Laurelar end game, we know that,

834
00:50:15,800 --> 00:50:19,920
Speaker 1: but I always just had that thought, why why at

835
00:50:19,920 --> 00:50:22,880
Speaker 1: the end there did they you know? Was there that?

836
00:50:23,680 --> 00:50:27,120
Speaker 1: So it's just heartbreaking. It's a heartbreaking breakup right there.

837
00:50:29,520 --> 00:50:34,319
Speaker 1: The life of a fan, right it is. Even as

838
00:50:34,360 --> 00:50:37,000
Speaker 1: many times as I watched it, it's still I still

839
00:50:37,120 --> 00:50:41,080
Speaker 1: can't get over it. It's tough, right Yeah, Yeah, but

840
00:50:42,400 --> 00:50:48,160
Speaker 1: you were fantastic. That was an amazing reading. Thank you,

841
00:50:48,280 --> 00:50:51,560
Speaker 1: Thank you so much. Thank you for having just a

842
00:50:51,680 --> 00:50:55,000
Speaker 1: delight and an honor. Um. And yeah, when we get

843
00:50:55,040 --> 00:50:58,040
Speaker 1: to that episode, when we get to that episode season seven,

844
00:50:58,040 --> 00:51:01,440
Speaker 1: which will be in a couple of years, knock on wood,

845
00:51:01,440 --> 00:51:05,640
Speaker 1: then we should have you back. Yeah, please do, because

846
00:51:05,680 --> 00:51:07,600
Speaker 1: I would just I would love nothing more than to

847
00:51:07,680 --> 00:51:12,920
Speaker 1: discuss that bazing job. Heather, Thank you so much, No,

848
00:51:13,080 --> 00:51:15,759
Speaker 1: thank you guys, thanks so much, Um, and thanks for

849
00:51:15,800 --> 00:51:18,000
Speaker 1: doing the podcast. So, I mean, it means so much

850
00:51:18,040 --> 00:51:20,719
Speaker 1: to so many people, it really does, so I appreciate it,

851
00:51:21,000 --> 00:51:23,400
Speaker 1: as they'll speak for all the fans that we appreciate

852
00:51:23,440 --> 00:51:28,000
Speaker 1: it and it's for you guys, and much appreciate it. Okay,

853
00:51:28,360 --> 00:51:32,880
Speaker 1: all right, have a good day, take care talk. So

854
00:51:33,040 --> 00:51:35,759
Speaker 1: wasn't she great? I love it when the fans call

855
00:51:35,880 --> 00:51:40,239
Speaker 1: in and it's so much fun. They're so great. Then

856
00:51:40,280 --> 00:51:43,560
Speaker 1: they're they're dressing up, they're wearing their paraffin, they're wearing

857
00:51:43,600 --> 00:51:47,480
Speaker 1: their gear. You know they're gearing up. Anyway, gear time

858
00:51:47,600 --> 00:51:50,600
Speaker 1: for a comedy bit where we're all going to try

859
00:51:51,120 --> 00:51:56,240
Speaker 1: bananazon toast. I didn't. I couldn't mash mine. I couldn't

860
00:51:56,280 --> 00:51:58,520
Speaker 1: deal with it. I feel like it's going to be

861
00:51:58,560 --> 00:52:02,000
Speaker 1: grosser if I mash it. It's definitely gonna be grosser

862
00:52:02,040 --> 00:52:05,400
Speaker 1: if you match more gross It's but I have banana circles,

863
00:52:05,440 --> 00:52:08,319
Speaker 1: I have pieces of banana. I couldn't mash it. It

864
00:52:08,440 --> 00:52:14,879
Speaker 1: looks so heinous. It was just like, it doesn't look

865
00:52:14,920 --> 00:52:17,279
Speaker 1: like mashed bananas. That look like something else. Are you

866
00:52:17,320 --> 00:52:21,840
Speaker 1: trying it? Well? In theory, a piece of toast and

867
00:52:21,840 --> 00:52:25,640
Speaker 1: a banana would be like a fine breakfast. It's that

868
00:52:25,800 --> 00:52:29,239
Speaker 1: it was mashed like baby food. Yeah, it was. It

869
00:52:29,320 --> 00:52:31,880
Speaker 1: was just awful to say, mine is more like the

870
00:52:31,920 --> 00:52:34,839
Speaker 1: way you would want your avocado toast, right right, right?

871
00:52:34,920 --> 00:52:38,280
Speaker 1: I can see. I have my banana slice. Okay, ready

872
00:52:38,320 --> 00:52:44,880
Speaker 1: on three on three, Ready on three one two? Not

873
00:52:45,040 --> 00:52:56,040
Speaker 1: that bad? Welcomes terrible. Oh it's not good. Actually, now

874
00:53:00,120 --> 00:53:04,399
Speaker 1: it's a very odd taste. Oh god, that's awful. It

875
00:53:04,440 --> 00:53:08,040
Speaker 1: was an after like at first it was okay. Yeah,

876
00:53:08,040 --> 00:53:10,080
Speaker 1: at first it's okay, and then you start chewing and

877
00:53:10,120 --> 00:53:12,759
Speaker 1: it's like, don't eat more of it? What are you doing?

878
00:53:13,120 --> 00:53:16,000
Speaker 1: I got banana is awesome. I'm just eating the toast.

879
00:53:17,200 --> 00:53:19,520
Speaker 1: I'm not going to waste a perfectly good piece of toast.

880
00:53:20,080 --> 00:53:22,520
Speaker 1: I knew that would be bad just looking at it.

881
00:53:22,560 --> 00:53:28,560
Speaker 1: Looks bad, right, everybody that the bananas and toast is,

882
00:53:30,120 --> 00:53:34,160
Speaker 1: in a word, heinous. It is. It is truly, truly

883
00:53:34,200 --> 00:53:39,280
Speaker 1: an awful combination. And just the fact that Emily force

884
00:53:39,360 --> 00:53:44,680
Speaker 1: fed that to a young Laurel I uh says, I

885
00:53:44,680 --> 00:53:48,239
Speaker 1: think a lot about Emily so because we just we

886
00:53:48,360 --> 00:53:50,360
Speaker 1: just tried, we we tried to force feed ourselves. We

887
00:53:50,360 --> 00:53:52,480
Speaker 1: couldn't even do it. I spit it out. It's over

888
00:53:52,520 --> 00:53:55,120
Speaker 1: there right now, get it. I'm gonna get it out

889
00:53:55,120 --> 00:53:57,879
Speaker 1: of the room. On break. I'm like removing this from

890
00:53:57,880 --> 00:53:59,839
Speaker 1: the room. I don't even want to look at it,

891
00:54:00,080 --> 00:54:07,720
Speaker 1: all right, we'll be back after these words. Yeah, okay, everybody,

892
00:54:07,719 --> 00:54:11,000
Speaker 1: We're back. I'm Scott Patterson and this is the I

893
00:54:11,280 --> 00:54:14,200
Speaker 1: M all In podcast you're listening to on iHeart Radio.

894
00:54:14,360 --> 00:54:18,160
Speaker 1: It is time for one of our favorite segments, pop

895
00:54:18,239 --> 00:54:23,920
Speaker 1: Culture Ladies and gentlemen. Riley take it away. I'm Riley

896
00:54:23,920 --> 00:54:27,000
Speaker 1: and this is your pop culture first. We have Laura

897
00:54:27,080 --> 00:54:30,880
Speaker 1: l You know, mom, you have a Barbara stand wicked voice. So,

898
00:54:30,960 --> 00:54:34,280
Speaker 1: Barbara Stanwick was an American actress, model, and dancer active

899
00:54:34,320 --> 00:54:40,400
Speaker 1: from to Barbara became a zeke Field Follies dancer at fifteen.

900
00:54:40,680 --> 00:54:44,440
Speaker 1: The Follies were classy, spectacular show featuring the great talents

901
00:54:44,440 --> 00:54:47,279
Speaker 1: of the day. She was actually the highest paid woman

902
00:54:47,280 --> 00:54:51,359
Speaker 1: in America in ur raking four thousand dollars that year.

903
00:54:52,120 --> 00:54:55,319
Speaker 1: A fun fact. One more fun fact. Last night I

904
00:54:55,440 --> 00:54:58,680
Speaker 1: was watching Back to the Future at number one, and

905
00:54:58,760 --> 00:55:03,120
Speaker 1: when Marty McFly goes back to the fifties, Barbara Stanwick

906
00:55:03,440 --> 00:55:07,120
Speaker 1: is starring in the movie with Ronald Reagan at the

907
00:55:07,120 --> 00:55:12,279
Speaker 1: movie theater in Hill Valley, Boom. I think she was

908
00:55:12,360 --> 00:55:15,359
Speaker 1: on a show called A Big Valley. She was on

909
00:55:15,400 --> 00:55:19,320
Speaker 1: TV two. She she was a staple in our household.

910
00:55:19,400 --> 00:55:21,759
Speaker 1: And when I was growing up. Barbara stand was a

911
00:55:21,800 --> 00:55:25,160
Speaker 1: big story. You love some old timey references on Gilmore Girls.

912
00:55:25,239 --> 00:55:28,120
Speaker 1: Keep them coming, Laura I says, become a crazy Oscar

913
00:55:28,200 --> 00:55:32,200
Speaker 1: Levant kind of celebrity, go on talk shows. Heckel Regis so.

914
00:55:32,280 --> 00:55:35,840
Speaker 1: Oscar Levant was an American concert pianist, composer, and music conductor.

915
00:55:35,840 --> 00:55:39,960
Speaker 1: From nineteen sixty. Oscar dropped out of high school to

916
00:55:39,960 --> 00:55:43,600
Speaker 1: pursue music. While he was considered a multi faceted genius,

917
00:55:43,640 --> 00:55:47,160
Speaker 1: he also had been known as a notorious hypochondriac and

918
00:55:47,239 --> 00:55:51,200
Speaker 1: a nice little regius pop culture mentioned in that same sentence,

919
00:55:51,960 --> 00:55:56,480
Speaker 1: who was the Regius and Kathy Lee? Then Regis and Kelly,

920
00:55:56,600 --> 00:56:01,800
Speaker 1: which is now Kelly and Ryan Seacrest, Rory says to Tristan, really,

921
00:56:02,239 --> 00:56:05,880
Speaker 1: does Susan Faluti know about this? So? Susan Fluti was

922
00:56:05,920 --> 00:56:08,920
Speaker 1: an American feminist, journalist and author from the nineteen eighties

923
00:56:08,920 --> 00:56:12,600
Speaker 1: to now. Susan's a strange father survived the Holoclast. She

924
00:56:12,920 --> 00:56:17,160
Speaker 1: also has dual citizenship between the US and Hungary. Her

925
00:56:17,239 --> 00:56:21,439
Speaker 1: most recent book is about fluid and binaries. Rory says,

926
00:56:21,840 --> 00:56:24,960
Speaker 1: I hear Squeaky from is Up for Pearl Soon. Squeaky

927
00:56:25,040 --> 00:56:26,960
Speaker 1: was an American criminal who was a member of the

928
00:56:26,960 --> 00:56:30,880
Speaker 1: Manson family cult led by Charles Manson. Actually, on September

929
00:56:31,000 --> 00:56:35,960
Speaker 1: five and Sacramento, Squeaky attempted to assassinate President Gerald Ford

930
00:56:36,080 --> 00:56:38,600
Speaker 1: by aiming a firearm at the president, which was later

931
00:56:38,640 --> 00:56:42,879
Speaker 1: determined not to be loaded. And Squeaky's up for Pearl soon,

932
00:56:43,680 --> 00:56:46,799
Speaker 1: Laura Lee, While Mom, look at you, you think Ann

933
00:56:46,840 --> 00:56:50,399
Speaker 1: Taylor was having a sailor or something. So everyone knows

934
00:56:50,400 --> 00:56:52,520
Speaker 1: Ann Taylor as a woman's clothing store, But did you

935
00:56:52,560 --> 00:56:54,680
Speaker 1: know that Ann Taylor is not actually a real person.

936
00:56:55,280 --> 00:56:58,040
Speaker 1: The retail chain is named after a best selling shirt

937
00:56:58,160 --> 00:57:01,880
Speaker 1: dress style in the night ten seventies, and taylor shopping

938
00:57:01,960 --> 00:57:06,680
Speaker 1: bag was inducted in the Smithsonian's Permanent collection. And Taylor

939
00:57:06,840 --> 00:57:11,960
Speaker 1: is not a real person. That expands a lot, clears

940
00:57:11,960 --> 00:57:15,600
Speaker 1: a lot of stuff up for me, Laura Lie, Hey Dean,

941
00:57:15,920 --> 00:57:19,800
Speaker 1: Meet my mother. Emily Post. Emily Post is an American author, novelist,

942
00:57:19,800 --> 00:57:22,960
Speaker 1: and socialite. Emily is famous for writing about etiquette, and

943
00:57:23,000 --> 00:57:26,720
Speaker 1: her book is called Emily Post Etiquette. The book was ironically,

944
00:57:26,840 --> 00:57:29,680
Speaker 1: at one point the second most stolen book from libraries,

945
00:57:29,960 --> 00:57:33,640
Speaker 1: the first being The Bible Etiquette Two Bits of Etiquette,

946
00:57:33,640 --> 00:57:35,680
Speaker 1: advice from Emily. So once they read the book, they

947
00:57:35,680 --> 00:57:39,160
Speaker 1: returned the book because that's etiquette, and they steal the Bible.

948
00:57:39,360 --> 00:57:41,200
Speaker 1: One of the piece of etiquette is thank your host

949
00:57:41,240 --> 00:57:43,840
Speaker 1: twice and when in doubt, where the planar dress. It

950
00:57:43,960 --> 00:57:47,480
Speaker 1: is always far better to be underdressed than overdressed. Thank

951
00:57:47,520 --> 00:57:54,240
Speaker 1: you Scott, because you're our host. Thank you Scott. Thanks

952
00:57:54,240 --> 00:57:56,800
Speaker 1: for dressing and you're definitely underdressed. Thank you very much,

953
00:57:59,360 --> 00:58:01,600
Speaker 1: Laura Lie, I mean it. You could have gotten Fred

954
00:58:01,680 --> 00:58:06,080
Speaker 1: McMurray too, off, Dad, you'd really wanted to. Fred has

955
00:58:06,120 --> 00:58:09,000
Speaker 1: appeared in more than a hundred films, many of them Western.

956
00:58:09,440 --> 00:58:12,160
Speaker 1: Some of his other films include My Shaggy Dog and

957
00:58:12,240 --> 00:58:15,360
Speaker 1: My Three Sons, My Three Sons, Huge hit when I

958
00:58:15,400 --> 00:58:23,000
Speaker 1: was growing up, Huge hit that theme song. Wow. He

959
00:58:23,160 --> 00:58:27,720
Speaker 1: was the first person ever named a Disney Legend, and

960
00:58:27,920 --> 00:58:30,560
Speaker 1: at one point he was the fourth highest paid actor

961
00:58:30,560 --> 00:58:35,240
Speaker 1: in America. Next ones for Amy Rory. I'll be standing

962
00:58:35,240 --> 00:58:38,640
Speaker 1: in the back listening tore Oh. I know so many

963
00:58:38,680 --> 00:58:41,160
Speaker 1: fun facts about degrees bring him or would you need

964
00:58:41,200 --> 00:58:43,080
Speaker 1: me to do them? How do you know so many?

965
00:58:43,400 --> 00:58:46,680
Speaker 1: Because I was there with nine degrees from the very beginning.

966
00:58:47,200 --> 00:58:49,960
Speaker 1: So here's a little fun fact that Nick Lasha just

967
00:58:50,160 --> 00:58:56,080
Speaker 1: revealed in that their song The Hardest Thing. Nick hated

968
00:58:56,120 --> 00:58:59,560
Speaker 1: the line about Dr Shivago and then that song became

969
00:58:59,600 --> 00:59:02,640
Speaker 1: one of their biggest hits. Riley, what else you got?

970
00:59:03,000 --> 00:59:06,760
Speaker 1: Rory says, have you seen The Outsiders? Just call me

971
00:59:06,800 --> 00:59:11,120
Speaker 1: pony boy. So The Outsiders was actually originally a book,

972
00:59:11,920 --> 00:59:15,360
Speaker 1: but the book was created into a film packed with

973
00:59:15,400 --> 00:59:17,960
Speaker 1: a cast full of Hollywood's upcomers such as Matt Dylan,

974
00:59:18,080 --> 00:59:20,840
Speaker 1: Rob Low, Patrick Swayze, and Tom Cruise just to name

975
00:59:20,880 --> 00:59:24,520
Speaker 1: a few. I think Ralph Macchio was in there, Diane Lane.

976
00:59:24,880 --> 00:59:28,640
Speaker 1: That was like packed with stars, packed with stars. So

977
00:59:28,680 --> 00:59:31,280
Speaker 1: the book was written by S. E. Hinton was Susan

978
00:59:31,280 --> 00:59:34,800
Speaker 1: Elise Hinton, a fifteen year old school student in Tulsa

979
00:59:34,840 --> 00:59:38,240
Speaker 1: who wrote The Outsiders. Editors suggested she go by s

980
00:59:38,240 --> 00:59:45,600
Speaker 1: E so readers could and for a male author was responsible. Unbelievable. Okay,

981
00:59:45,880 --> 00:59:48,680
Speaker 1: I think it's time to uh go to our produce

982
00:59:48,760 --> 00:59:52,000
Speaker 1: one of our producers, Danielle, to get an update on

983
00:59:52,040 --> 00:59:56,160
Speaker 1: the clown pillow. Danielle take it away. So the clown

984
00:59:56,200 --> 00:59:59,800
Speaker 1: pillow was really sneaky this episode. You really had to

985
01:00:00,000 --> 01:00:04,400
Speaker 1: it watch, like really watched to find it, um I

986
01:00:04,600 --> 01:00:10,000
Speaker 1: had Did anybody notice it? Nope? No, no, okay, So

987
01:00:10,240 --> 01:00:12,960
Speaker 1: the clown pillow when um Suki comes over with the

988
01:00:13,000 --> 01:00:17,080
Speaker 1: burritos and lor La is talking to um her mom

989
01:00:17,280 --> 01:00:20,800
Speaker 1: like on the phone, talking to Emily on the phone. Um,

990
01:00:20,840 --> 01:00:23,280
Speaker 1: it is propped up next to her. But it's just

991
01:00:23,320 --> 01:00:26,040
Speaker 1: a side view of it, but you can it's very

992
01:00:26,120 --> 01:00:28,920
Speaker 1: clown pillow. Ask. You can see like the side profile

993
01:00:28,960 --> 01:00:31,520
Speaker 1: of the clown and it's right there waiting for everyone

994
01:00:31,560 --> 01:00:34,920
Speaker 1: to look at it. You have clown pillow eyes, Daniel,

995
01:00:35,560 --> 01:00:40,440
Speaker 1: I really do. I have one other little interesting tidbit

996
01:00:40,600 --> 01:00:42,920
Speaker 1: that you may or may not have spotted, but I

997
01:00:42,960 --> 01:00:49,640
Speaker 1: found this with my internet research. During Tristan and Dean's confrontation,

998
01:00:50,480 --> 01:00:54,960
Speaker 1: the actor who played Caesar is in the background. Yes,

999
01:00:55,360 --> 01:00:58,040
Speaker 1: maybe we can do a zoom in so people can

1000
01:00:58,040 --> 01:01:00,880
Speaker 1: see it on our social media. But they think maybe

1001
01:01:00,880 --> 01:01:03,360
Speaker 1: he was just a background actor playing a different character.

1002
01:01:04,880 --> 01:01:10,280
Speaker 1: Unless Caesar moonlights at high school dances. Uh. You know,

1003
01:01:10,320 --> 01:01:12,880
Speaker 1: the more days that he works, the more money he makes.

1004
01:01:12,920 --> 01:01:16,920
Speaker 1: So probably he was in the club and they just

1005
01:01:17,080 --> 01:01:20,560
Speaker 1: they threw him another episode. Now it's time for favorite lines.

1006
01:01:21,160 --> 01:01:24,200
Speaker 1: Who's going to start us off? Riley go ahead. So

1007
01:01:24,480 --> 01:01:28,640
Speaker 1: I love when Emily says this is not a drive through,

1008
01:01:28,840 --> 01:01:31,920
Speaker 1: she is not fried chicken. When Dean hanks to come

1009
01:01:31,960 --> 01:01:36,200
Speaker 1: get her, that was my Daniel. You're gonna have to

1010
01:01:36,280 --> 01:01:38,640
Speaker 1: come up with another one. It's okay, I have to

1011
01:01:39,120 --> 01:01:41,800
Speaker 1: just in case this happens. So my second one is

1012
01:01:42,120 --> 01:01:46,360
Speaker 1: when Laura Lee goes shield the talk. I love that.

1013
01:01:46,880 --> 01:01:50,840
Speaker 1: Oh my god, they're holding coconuts and leering. It's funny

1014
01:01:51,120 --> 01:01:54,040
Speaker 1: you treated my lovely gift for a semi pornographic leering

1015
01:01:54,120 --> 01:02:02,560
Speaker 1: monkey lamp. How could you bacca rock crystals for a

1016
01:02:02,600 --> 01:02:09,439
Speaker 1: monkey lamp? Um? I think my favorite line was when

1017
01:02:09,480 --> 01:02:13,040
Speaker 1: Emily's going back and forth on the phone with Laura

1018
01:02:13,120 --> 01:02:19,160
Speaker 1: Lae about Lauraa making Rory's dress, and Emily said something like,

1019
01:02:19,880 --> 01:02:24,000
Speaker 1: please don't use the curtains. That's actually a poster reference.

1020
01:02:24,000 --> 01:02:26,120
Speaker 1: We sort of missed because it was the sound of

1021
01:02:26,200 --> 01:02:31,760
Speaker 1: real reference. We should have had that so insulting. It's like,

1022
01:02:33,000 --> 01:02:34,960
Speaker 1: you have no you're you're my daughter, but you have

1023
01:02:35,000 --> 01:02:37,480
Speaker 1: no taste, and I fear you will use the curtains

1024
01:02:37,520 --> 01:02:40,240
Speaker 1: to make a dress. I have to add in one

1025
01:02:40,280 --> 01:02:42,920
Speaker 1: more line. I'm sorry, I this one was just so good.

1026
01:02:43,560 --> 01:02:46,800
Speaker 1: Um when Tristan and Dean were fighting and Dan goes,

1027
01:02:47,120 --> 01:02:52,840
Speaker 1: you will not go near her ever again. So good. Yeah,

1028
01:02:53,240 --> 01:02:59,720
Speaker 1: Dean up in his game. That's Rory's dance. Everybody, what's

1029
01:02:59,760 --> 01:03:01,840
Speaker 1: the episode next week that we all need to watch?

1030
01:03:02,360 --> 01:03:06,880
Speaker 1: Forgiveness and stuff? Forgiveness and stuff. Really that sounds like

1031
01:03:06,920 --> 01:03:12,280
Speaker 1: a big episode. You're in it. I'll cover my eyes.

1032
01:03:14,040 --> 01:03:16,000
Speaker 1: I'm actually liking some of this stuff. I'm liking some

1033
01:03:16,040 --> 01:03:19,880
Speaker 1: of this stuff. I do. Who cares thought about me? Listen? Uh,

1034
01:03:20,240 --> 01:03:23,480
Speaker 1: it's a very special birthday for a dear friend of mine,

1035
01:03:24,520 --> 01:03:27,120
Speaker 1: my little vent Amelia, and I'm going to sing him

1036
01:03:27,120 --> 01:03:37,880
Speaker 1: a little birthday song. Happy birthday to you, Happy birthday

1037
01:03:39,640 --> 01:03:53,320
Speaker 1: to you, Happy birthday to my low, Happy birthday to you,

1038
01:03:56,120 --> 01:04:11,720
Speaker 1: to you to you have your birthday, buddy. That was

1039
01:04:11,760 --> 01:04:43,960
Speaker 1: a great one. Talk to you soon, hey, everybody, and

1040
01:04:43,960 --> 01:04:47,480
Speaker 1: don't forget follow us on Instagram at I Am All

1041
01:04:47,640 --> 01:04:52,240
Speaker 1: In podcast and Emailie at Gilmore at I Heart radio

1042
01:04:52,600 --> 01:04:55,000
Speaker 1: dot com. Oh you gil More fans. If you're looking

1043
01:04:55,040 --> 01:04:56,800
Speaker 1: for the best cup of coffee in the world, go

1044
01:04:56,880 --> 01:05:00,680
Speaker 1: to my website for my company, scotty E dot com,

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01:05:00,800 --> 01:05:03,000
Speaker 1: s c O T t y P dot com. Scotty

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01:05:03,080 --> 01:05:13,840
Speaker 1: P dot com Grade one Specialty coffee. Yeah.