WEBVTT - Nelly Interview

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<v Speaker 1>A real key for real Celebrity Real joined the breakfasting

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<v Speaker 1>DJ Envy, Angela Yi, Charlomagne the Guy. We are the

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<v Speaker 1>Breakfast Club Special guests to the room, mister nell A, Hey,

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<v Speaker 1>what's adding it up? So good? How y'all still getting

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<v Speaker 1>a lot of money out here? We see oh Man

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<v Speaker 1>surviving survivor I arrest looking for him. I'm gonna saying

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<v Speaker 1>he can have his I don't flavor around him. You

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<v Speaker 1>ain't got no choice. Und Sam coming to you with

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<v Speaker 1>the guns out. Get down on the floor. I'm taking

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<v Speaker 1>it with you, That's what I'm saying. Like you might,

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<v Speaker 1>We'll give it to him then and I'll sense an

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<v Speaker 1>arguing with him. Now, you got a new album coming

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<v Speaker 1>out this week? Yeah, Well, a new new song, new

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<v Speaker 1>single single, new single, The Fix. Explain the Fix Well

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<v Speaker 1>The Fix are produced by my Man Mustard Um featuring

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<v Speaker 1>Jeremiah Um. You know Marvin Gay sample, but it's cleared

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<v Speaker 1>to make sure this time around you think all that's

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<v Speaker 1>some shit. Um, I don't think it is. Uh, I don't.

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<v Speaker 1>I mean, I don't know. You know, I share the

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<v Speaker 1>same publisher um as as Mustard and things like that.

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<v Speaker 1>So when I got the track, from him, um Roan

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<v Speaker 1>Royan Perry, who's our published? He told me it was

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<v Speaker 1>already clear. So I said, before I do anything to

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<v Speaker 1>this record, you know, let me know that it's all

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<v Speaker 1>cool and it's all straight. You need to talk to them.

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<v Speaker 1>A year later, we're suing yeah, because they for Empire.

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<v Speaker 1>Now yeah, they called for everybody. Man. They're suing homosexual too.

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<v Speaker 1>They don't want them to use the word game no

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<v Speaker 1>more noo my goodness. So what do you like? What

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<v Speaker 1>do you like more doing now? You like being in

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<v Speaker 1>front of the camera? You still like making music more?

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<v Speaker 1>Because I mean you was in the industry when the

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<v Speaker 1>industry was good, like like really good? Like is it's

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<v Speaker 1>still fun? Um? I think making music is still fun.

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<v Speaker 1>I mean, obviously the business is bullsh half the time,

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<v Speaker 1>but I mean, you know, doing music, it ain't. I

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<v Speaker 1>think I will always do it, regardless whether I was

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<v Speaker 1>making money on it or not. But will it be

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<v Speaker 1>put out? That's something different. But I think the release

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<v Speaker 1>is good, you know what I'm saying. To get in

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<v Speaker 1>and create, I think that's always good. You're no, no,

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<v Speaker 1>no no, no, I fulfilled all that, you know what

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<v Speaker 1>I mean? Universal for ever because it was else. Yeah,

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<v Speaker 1>that's what I'm saying forever. So you know it's all great,

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<v Speaker 1>you know, family, No hard feelers, no nothing fulfilled the obligation. UM.

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<v Speaker 1>We talked about doing that, but I wanted to take

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<v Speaker 1>time back because the way the game is, it didn't

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<v Speaker 1>you know. I want to do what makes sense for me. Yeah,

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<v Speaker 1>I feel like this makes more sense for me. I

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<v Speaker 1>mean that the situation that you're in with social media,

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<v Speaker 1>you got your own marketing, you got your own you know,

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<v Speaker 1>situation as far as being able to, um, you know,

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<v Speaker 1>let people know what you got going on. And I

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<v Speaker 1>got great outlets as far as television and things like that.

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<v Speaker 1>So you know, I'm gonna cut down on some overhead,

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<v Speaker 1>and it don't make sense. I was gonna say, you're

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<v Speaker 1>gonna miss some of that that label, spending a lot

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<v Speaker 1>of that money that you had to come out to

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<v Speaker 1>pocket for. Yeah, but for what getting charged for. I

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<v Speaker 1>was getting overcharged. I didn't do it to the Cold Crush,

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<v Speaker 1>but they was hitting me right. You know what I'm saying.

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<v Speaker 1>Now doing your show, Nellieville, I'm sure you had to

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<v Speaker 1>be very cautious about what you put out there. We

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<v Speaker 1>had manner up here the other day, and he was saying,

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<v Speaker 1>sometimes it's hard to see those artists that you look

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<v Speaker 1>up to and really admired on television because you're like, wow,

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<v Speaker 1>that's what they're like, you know, in real life, and

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<v Speaker 1>they want to create this type of mystique, you know.

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<v Speaker 1>For you, m said, they look corny on TV. Sometimes,

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<v Speaker 1>that's what he said, He said, you look. You were

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<v Speaker 1>just saying sometimes in general, you know, you do a show,

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<v Speaker 1>because he was going to do a show right um,

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<v Speaker 1>and he was saying, it's just difficult because sometimes you

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<v Speaker 1>see your favorite artists and you liked, that's what they

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<v Speaker 1>act like. So for you, how cautious were you about

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<v Speaker 1>what you wanted to put out there? Well? I think

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<v Speaker 1>for me, the whole basis of our show was to

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<v Speaker 1>show this side. But it didn't It didn't matter if

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<v Speaker 1>you knew this side of me. It's not a change,

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<v Speaker 1>you know what I'm saying, Like I'm raising my kids

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<v Speaker 1>and you know, and and letting you into letting you

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<v Speaker 1>know that Nellie, just don't party every damn night, and

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<v Speaker 1>this is what goals on. And I'm trying to, you know,

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<v Speaker 1>bring decent human beings into society, you know what I mean.

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<v Speaker 1>So that didn't matter. Now if it was you know,

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<v Speaker 1>a different type of scenario. Let's say, you know, all

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<v Speaker 1>of love and hip hop or something to that nature,

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<v Speaker 1>then that's that's something different. Not that I'm knocking it,

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<v Speaker 1>because it's been great outlets for certain people, you know

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<v Speaker 1>what I mean. But for me, I just wanted to

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<v Speaker 1>show something that wasn't out there. Single father and hip hop,

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<v Speaker 1>you know, doing what he's supposed to be doing. You know,

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<v Speaker 1>we get so much negativity and like we're not there.

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<v Speaker 1>You know what I'm saying. That half of the brothers

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<v Speaker 1>I know there's in the hip hop or you know,

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<v Speaker 1>they love being a father, you know what I'm saying,

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<v Speaker 1>to take pride in it. So I thought that should

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<v Speaker 1>be shown. That's what I like about it, because you're

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<v Speaker 1>not you're showing that it's cool to be grown raiding

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<v Speaker 1>my kids and rating my nephew. And because we got

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<v Speaker 1>that type of scenario. No again, like we always talking about,

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<v Speaker 1>we'd only generation where we share so much with our kids,

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<v Speaker 1>you know what I'm saying, Like I never did this

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<v Speaker 1>much with my father, not that well because partially he

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<v Speaker 1>wasn't there. But what I'm saying, but the other reason,

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<v Speaker 1>we just didn't do that, you know what I'm saying.

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<v Speaker 1>Like me and my son, you know, we rocked the

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<v Speaker 1>same clothes, same shoes, listen to the same music, watch

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<v Speaker 1>the same shows. Like you know, we have the same

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<v Speaker 1>interest and that I don't think that happened in any

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<v Speaker 1>other generations, Like it's happening with our Yeah, well yeah,

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<v Speaker 1>I like you know those consequences if you up, you know,

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<v Speaker 1>he can get a shot at it. I was having

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<v Speaker 1>this conversation with somebody only that's a good thing or

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<v Speaker 1>a bad thing that we so I got similar, Like

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<v Speaker 1>the generations aren't too far apart, you know. I think

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<v Speaker 1>I think it's a good thing because you cut through

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<v Speaker 1>all the bullsh you know what I'm saying. You get

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<v Speaker 1>to the reality of what life is and you move

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<v Speaker 1>on and it's not a it's not a it's not

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<v Speaker 1>so much hypocritical, you know what I mean. Like we

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<v Speaker 1>went through a lot of our parents. You know, once

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<v Speaker 1>you got older, he was like, man, y'all used to

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<v Speaker 1>you know what I'm saying, And now it's just like, hey, hey,

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<v Speaker 1>don't you know, Jill Big you're gonna get up. I'm

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<v Speaker 1>telling you, you know what I'm saying, Like that's not

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<v Speaker 1>the move, you know, other than just get wow. But

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<v Speaker 1>pile still works, you know, so good Now, I sell,

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<v Speaker 1>you've been supporting a lot of artists from Saint Louis

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<v Speaker 1>as well. I sell. You were out there filming videos,

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<v Speaker 1>you were working with Tiffany Foxes from Saint Louis. Yeah,

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<v Speaker 1>Tiffany's from Saint Louis, from New York somewhere. Oh no,

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<v Speaker 1>well you know her, she got a great relationship with

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<v Speaker 1>Loui Kim, right, That's why I thought that because of

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<v Speaker 1>her relationship. A little kid had a great relationship with Kim.

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<v Speaker 1>But yeah, she's definitely, Uh, I tell your funny stuff.

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<v Speaker 1>You go look at the Country Grammar video. Tiffany's in it. Yeah.

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<v Speaker 1>From from the very very beginning, y'all known each other

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<v Speaker 1>for a minute. Yeah, yeah, Yeah, she's been trying to

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<v Speaker 1>you know, working out thing for a minute. And it's

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<v Speaker 1>good for her to finally get us stuff going. And

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<v Speaker 1>you know what I'm saying, getting that chance to rock.

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<v Speaker 1>So she's dope. And then I tell you commenting on

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<v Speaker 1>BT and Cut because they psyched us all out and

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<v Speaker 1>told us BT and Cut was coming back, and you're like, man,

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<v Speaker 1>what is this? But I'm sure you knew all alone.

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<v Speaker 1>They wasn't bringing it back being your relationship with BT

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<v Speaker 1>that they were punking us. Yeah, did you watch no?

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<v Speaker 1>Because I figured that World store every day, I'm like,

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<v Speaker 1>what could bet Uncut show? I won't working this day

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<v Speaker 1>and age? I don't think. I thought it was a

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<v Speaker 1>good prank though, to bring punk back. I thought it

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<v Speaker 1>was a good story for plump. Do you know what?

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<v Speaker 1>And if you look at Uncut now, it's it's harmless.

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<v Speaker 1>Now when you look at you know what I'm saying,

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<v Speaker 1>if you go back on World Start now you look

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<v Speaker 1>at that on that that's straight porn girl getting paid

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<v Speaker 1>on you know what, I'm heart attack. It's like one

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<v Speaker 1>credit card and heart attack. But it's interesting because when

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<v Speaker 1>we had Uncle Luke up here, he was talking about

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<v Speaker 1>you know himself back then and how they wouldn't even

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<v Speaker 1>let his record be in stores. People were getting arrested

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<v Speaker 1>just for selling him because they had a throng on

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<v Speaker 1>on the cover or just the content. They said. The

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<v Speaker 1>content changes, times change. Sometimes you got to be the

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<v Speaker 1>person that it's out there on the cross. Yes, I

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<v Speaker 1>still have my percentages, you know what I'm saying. You know,

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<v Speaker 1>you move on and get other things going on. So

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<v Speaker 1>I'm definitely working on new apparel and everything like that.

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<v Speaker 1>So you know, again, man, you know, life has been

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<v Speaker 1>good for me. I can't complain. You're talking about sixteen

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<v Speaker 1>years later. You know, if you could be sixteen years

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<v Speaker 1>and anything, you know, that's that's what you want to do. Man,

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<v Speaker 1>A piece of the hornets. Yeah, man, we still have that.

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<v Speaker 1>I thought you're gonna come to the game whatever. I'm

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<v Speaker 1>gonna come as soon as I get some time. And

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<v Speaker 1>sad they say you're doing a country album. No no, no, no, no.

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<v Speaker 1>I think that got you know, so I don't know

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<v Speaker 1>where that get. Screw that, but you know, don't get

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<v Speaker 1>it twisted. You know, I'm a very, very very much

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<v Speaker 1>a fan of all music, country music, no doubt. And

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<v Speaker 1>you know, I'm like the only hip hop artist to

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<v Speaker 1>be able to get number one hits on pop, country,

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<v Speaker 1>hip hop, on be rhythmic and all of them. You know,

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<v Speaker 1>damn they're everything across the board. So people have appreciated

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<v Speaker 1>things that I do. I would never say I'm doing

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<v Speaker 1>a country I'm gonna have a fine respect for country music.

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<v Speaker 1>But what I do want to do is do maybe

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<v Speaker 1>EP or album that transcends all formats that say to

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<v Speaker 1>be played on, all formats that go across the board,

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<v Speaker 1>and including country, including you know, including hip hop, including everything.

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<v Speaker 1>So um, you know, it may feature some country artists

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<v Speaker 1>some things that nature, but it's not a country album

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<v Speaker 1>no way. Shape Before somebody asked you if you should

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<v Speaker 1>do one, and I said, why not? That said hip

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<v Speaker 1>hop fans are so fickle. Well, you know what I mean,

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<v Speaker 1>why why not do it? Because I think I think

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<v Speaker 1>I think then the country fans get kind of twisted.

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<v Speaker 1>You see what I'm saying. I think when you try

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<v Speaker 1>to force feed, force feed audience that that is true

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<v Speaker 1>to the heart. I mean sometimes I don't always go

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<v Speaker 1>the way that you want to do it. That's like

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<v Speaker 1>Golf Brooks jumping off, I'm about to do a rap

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<v Speaker 1>album because he because he has successful. I had success,

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<v Speaker 1>we had success. Now he think he's going to do

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<v Speaker 1>and being some you know what I'm saying, And you like, okay,

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<v Speaker 1>So they wouldn't brace you. It'd be calling you a perpetrator,

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<v Speaker 1>like are you friend? You don't? Yeah? Yeah. I think

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<v Speaker 1>when you're trying to come for him like that. But

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<v Speaker 1>I think if you let them gravitate to the music

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<v Speaker 1>and you let the music speak for themselves and everybody

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<v Speaker 1>voice counts absolutely. Now we were up here, we saw

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<v Speaker 1>the stories of you getting arrested and then the charges

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<v Speaker 1>getting Yeah, you know, for you having meth on the

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<v Speaker 1>bus or something like that. How do you go home

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<v Speaker 1>and explain that to the kids, though, like you know,

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<v Speaker 1>it wasn't on the bus. Let me tell you something, man,

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<v Speaker 1>let me tell you something, everybody, there's no way shaping hell.

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<v Speaker 1>I have meth on my bus first, first and foremost.

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<v Speaker 1>Then today I'm like na, man, Um, we had a party,

0:10:30.400 --> 0:10:34.240
<v Speaker 1>it was after a show, and you know, the responsibility

0:10:34.280 --> 0:10:36.720
<v Speaker 1>on my factor that I step up is like I

0:10:36.760 --> 0:10:39.560
<v Speaker 1>tried to tell my kids, I left up because I'm

0:10:39.559 --> 0:10:42.400
<v Speaker 1>responsible for that bus. That's my bus. That bus is

0:10:42.400 --> 0:10:46.880
<v Speaker 1>in my name. Therefore, if anything happens, guess who they

0:10:47.000 --> 0:10:49.400
<v Speaker 1>the name falls, you know what I mean. So in

0:10:49.400 --> 0:10:52.960
<v Speaker 1>that situation, um, it's my bus. You know what I'm saying.

0:10:53.000 --> 0:10:56.240
<v Speaker 1>But once we went and everybody everything was out, then

0:10:56.280 --> 0:10:57.880
<v Speaker 1>there was no way that they could do that. I

0:10:57.920 --> 0:11:00.560
<v Speaker 1>get my guns back everything. You know, I don't have

0:11:00.600 --> 0:11:02.959
<v Speaker 1>illegal guns. You always riding around the legal gun. No,

0:11:03.080 --> 0:11:05.079
<v Speaker 1>I have a gun permit. I have a license that

0:11:05.160 --> 0:11:07.240
<v Speaker 1>say I can carry and conceal in thirty three states.

0:11:07.880 --> 0:11:09.839
<v Speaker 1>You see what I'm saying. I'm not running around here

0:11:09.880 --> 0:11:12.080
<v Speaker 1>like a felony with drugs and guns. You know what

0:11:12.080 --> 0:11:15.280
<v Speaker 1>I'm saying. My guns are strictly for defense, you know,

0:11:15.320 --> 0:11:20.920
<v Speaker 1>going down down, you know. So, I mean, you know,

0:11:20.960 --> 0:11:23.000
<v Speaker 1>it was a situation that, um, you know, I wish

0:11:23.080 --> 0:11:25.480
<v Speaker 1>I had to putting myself in, but I did. And again,

0:11:25.520 --> 0:11:28.120
<v Speaker 1>it's not about the mistakes that you make. It's about

0:11:28.120 --> 0:11:29.880
<v Speaker 1>how you own up to him. And that's what I

0:11:29.920 --> 0:11:32.120
<v Speaker 1>try to show my kids, Like, Yo, we were not perfect,

0:11:32.200 --> 0:11:35.000
<v Speaker 1>but we can be perfect in our approach and taking responsibility.

0:11:35.040 --> 0:11:37.200
<v Speaker 1>So did you scream on your team like mother because

0:11:37.240 --> 0:11:39.720
<v Speaker 1>y'all cannot have meth on the damn bus? I screamed

0:11:39.720 --> 0:11:41.640
<v Speaker 1>on them. They're like, Yo, ain't none of you gonna

0:11:41.679 --> 0:11:53.440
<v Speaker 1>raise your hand? No, nobody's planing that. No. Yeah, you

0:11:53.480 --> 0:11:58.520
<v Speaker 1>know what I'm saying. That's let's see, that's that's that's

0:11:58.520 --> 0:12:03.040
<v Speaker 1>really why I'm pissed. That's really why I got here.

0:12:03.040 --> 0:12:05.920
<v Speaker 1>It's just because see this, you know. But you know,

0:12:05.960 --> 0:12:11.160
<v Speaker 1>t man, we were having them fun man blast. The

0:12:11.200 --> 0:12:13.360
<v Speaker 1>show was crazy, you know, what I'm saying. You know,

0:12:13.400 --> 0:12:16.920
<v Speaker 1>at this one time, everybody like twenty thousand people out

0:12:16.920 --> 0:12:20.600
<v Speaker 1>of here. You know, police is right outside. I didn't

0:12:20.600 --> 0:12:25.240
<v Speaker 1>know them, They wouldn't know their job. Do you ever

0:12:25.280 --> 0:12:27.679
<v Speaker 1>feel the need to prove the people that you still

0:12:27.720 --> 0:12:30.000
<v Speaker 1>are doing your thing out there? Are you still selling

0:12:30.040 --> 0:12:33.640
<v Speaker 1>our shows? You're still making money? No? No, not well,

0:12:33.880 --> 0:12:36.600
<v Speaker 1>not to those that that don't want me to be

0:12:36.679 --> 0:12:38.760
<v Speaker 1>doing that. You know, you can't prove anything to people

0:12:38.760 --> 0:12:40.760
<v Speaker 1>that don't want to see the obvious. You know what

0:12:40.760 --> 0:12:43.520
<v Speaker 1>I'm saying, Like it's obvious. It's in your face. With

0:12:43.640 --> 0:12:46.400
<v Speaker 1>social media or whatever artists is doing, it's in your face.

0:12:46.559 --> 0:12:49.560
<v Speaker 1>You don't there's no way you can't not know. If

0:12:49.559 --> 0:12:50.959
<v Speaker 1>you don't want to know, if you don't want to

0:12:51.000 --> 0:12:53.960
<v Speaker 1>see something, you don't have to see it. But there's

0:12:54.000 --> 0:12:56.200
<v Speaker 1>no way you can't see it. I just think, you know,

0:12:56.240 --> 0:12:58.600
<v Speaker 1>it just is what it is. My fans, they see it,

0:12:58.640 --> 0:13:01.160
<v Speaker 1>they support it, and the other mutherthers, I mean, you

0:13:01.200 --> 0:13:04.160
<v Speaker 1>know they're gonna be there anyway, and nothing I canna

0:13:04.160 --> 0:13:05.640
<v Speaker 1>do about it because I don't feel like it's people

0:13:05.720 --> 0:13:08.880
<v Speaker 1>showing people how to have longevity. Now, I don't. I

0:13:08.920 --> 0:13:12.080
<v Speaker 1>don't think this generation is built for longevity. Nope, they're

0:13:12.080 --> 0:13:13.880
<v Speaker 1>not built for it as a fan. They're not built

0:13:13.920 --> 0:13:15.520
<v Speaker 1>for it as an artist. You know what I'm saying,

0:13:15.520 --> 0:13:17.280
<v Speaker 1>Everything is the now, it's to burn out. You know

0:13:17.320 --> 0:13:19.640
<v Speaker 1>what I'm saying. It's to go hard now, go hard now.

0:13:19.679 --> 0:13:22.200
<v Speaker 1>And then it's the same way. Um. On the other end,

0:13:22.240 --> 0:13:24.079
<v Speaker 1>as a fan, go hard, go hard. You know what

0:13:24.120 --> 0:13:27.520
<v Speaker 1>I'm saying, turn out. Eventually you had to turn down,

0:13:27.679 --> 0:13:31.440
<v Speaker 1>you know, so that turned down them all. How is

0:13:31.440 --> 0:13:34.000
<v Speaker 1>it for your kids now being celebrities, being on TV,

0:13:34.120 --> 0:13:38.240
<v Speaker 1>everybody knowing who they are, and yeah, that's different for them.

0:13:38.280 --> 0:13:41.040
<v Speaker 1>That's different for them. That's the that's the scary part

0:13:41.120 --> 0:13:43.439
<v Speaker 1>of any parent, you know what I'm saying, because that's

0:13:43.440 --> 0:13:47.480
<v Speaker 1>the I can't control how people approach them. Um, how

0:13:47.480 --> 0:13:51.000
<v Speaker 1>they approached the situation and things like that. But they

0:13:51.080 --> 0:13:52.920
<v Speaker 1>good kids. Man, they make me look good. Don't get

0:13:52.960 --> 0:13:55.000
<v Speaker 1>it twisted. I'm not without a support group, you know

0:13:55.040 --> 0:13:57.400
<v Speaker 1>what I'm saying. My kids and mother, they've She's very

0:13:57.440 --> 0:14:00.120
<v Speaker 1>much in their lives. It's it's a team f But

0:14:00.520 --> 0:14:03.000
<v Speaker 1>you know what I'm saying, she's married, so you know,

0:14:03.120 --> 0:14:09.480
<v Speaker 1>me and her husband are great friends. My god, you

0:14:09.640 --> 0:14:12.000
<v Speaker 1>know something happens, I'm called hey, hey, hey, what she do?

0:14:13.960 --> 0:14:20.920
<v Speaker 1>Don't leave us? You Floyd may Weather never worked at

0:14:20.920 --> 0:14:23.200
<v Speaker 1>your differences or you just never have a problem with Floyd.

0:14:23.520 --> 0:14:25.680
<v Speaker 1>I never have had a problem. You started the whole

0:14:25.800 --> 0:14:30.160
<v Speaker 1>No can't read anything? No, no, no, I'm gonna tell

0:14:30.160 --> 0:14:34.040
<v Speaker 1>you why Nellie was on first tape. Nellie alluded to

0:14:34.040 --> 0:14:35.960
<v Speaker 1>the fact you only had a thick, great education, and

0:14:35.960 --> 0:14:38.080
<v Speaker 1>I was like, what are you talking about? And then

0:14:38.200 --> 0:14:40.400
<v Speaker 1>fifty was like he can't read. I'm like, whoa, what's

0:14:40.400 --> 0:14:42.600
<v Speaker 1>going on there? And then you play the tapes? Yes

0:14:42.680 --> 0:14:46.600
<v Speaker 1>I did, and he apologized for that. I didn't apologize

0:14:46.600 --> 0:14:51.400
<v Speaker 1>to him, alogize didn't feel bad, you know what I'm saying.

0:14:51.400 --> 0:14:53.200
<v Speaker 1>Not not that I felt bad because it's may Weather.

0:14:53.240 --> 0:14:56.160
<v Speaker 1>He's a villain. Can I feel bad for the bad guy? Bad?

0:14:56.720 --> 0:14:59.520
<v Speaker 1>Like that? Was feel low? But I never have a problem.

0:15:01.000 --> 0:15:03.000
<v Speaker 1>I never have a problem with him, you know what

0:15:03.000 --> 0:15:08.280
<v Speaker 1>I mean? Like he he has problems. Problems, Yeah, in

0:15:08.360 --> 0:15:11.880
<v Speaker 1>genera you know what I mean. But um man, you know,

0:15:12.000 --> 0:15:14.120
<v Speaker 1>I think he's a I think he's a great boxer.

0:15:14.680 --> 0:15:17.440
<v Speaker 1>You should watch his fights. Um yeah, I mean, how

0:15:17.440 --> 0:15:19.760
<v Speaker 1>can you he's only got boxing? What else who else

0:15:19.760 --> 0:15:22.360
<v Speaker 1>you gonna watch? You know what I mean? Good boxes

0:15:22.400 --> 0:15:28.440
<v Speaker 1>out there? Yeah, I won't see triple do so all

0:15:28.520 --> 0:15:30.400
<v Speaker 1>right now you also have shan't tell up here with

0:15:30.440 --> 0:15:32.520
<v Speaker 1>you now if you guys, I'm not saying you are,

0:15:32.960 --> 0:15:38.000
<v Speaker 1>But if y'all got married, would you do that on TV? Uh? No,

0:15:39.080 --> 0:15:42.720
<v Speaker 1>I don't think that's Look as I look old, pission

0:15:46.600 --> 0:15:49.920
<v Speaker 1>change her last name, BT, came with an Emma better

0:15:50.920 --> 0:16:01.360
<v Speaker 1>and and they paid for the wedding. Come on, I

0:16:01.480 --> 0:16:04.080
<v Speaker 1>got to think about it. I'm trying to say, no,

0:16:05.320 --> 0:16:07.520
<v Speaker 1>need this money back, you know what I mean? Now,

0:16:07.600 --> 0:16:10.760
<v Speaker 1>I don't think so well? You know what again again? No, no,

0:16:10.840 --> 0:16:13.400
<v Speaker 1>no, no no, no, no god. This is just that I

0:16:13.440 --> 0:16:16.000
<v Speaker 1>think as a man, you know, because being married is

0:16:16.080 --> 0:16:18.920
<v Speaker 1>something more. It's it's it's a female thing, you know

0:16:18.960 --> 0:16:21.080
<v Speaker 1>what I'm saying. As a kid, we don't. We never

0:16:21.080 --> 0:16:24.200
<v Speaker 1>think about if you want to be a superhero or

0:16:24.280 --> 0:16:29.640
<v Speaker 1>trash man or a police officer when you like, you know, man,

0:16:29.760 --> 0:16:32.920
<v Speaker 1>what I'm saying. You know, when you're trash man hanging

0:16:32.960 --> 0:16:35.280
<v Speaker 1>off the truck, that looked like a great job. You

0:16:35.280 --> 0:16:40.440
<v Speaker 1>know what I'm saying. You know, I thought it was

0:16:40.480 --> 0:16:42.960
<v Speaker 1>a good job. Like look at him. Man, you get

0:16:43.000 --> 0:16:47.560
<v Speaker 1>the hang on the back of a truck and he

0:16:47.640 --> 0:16:50.400
<v Speaker 1>gets paid. You know what I'm saying. Like, but you know,

0:16:50.680 --> 0:16:53.560
<v Speaker 1>little girls, you know they dream about their wedding since

0:16:53.600 --> 0:16:56.440
<v Speaker 1>they you know, since they little. But you know, we

0:16:56.480 --> 0:16:59.520
<v Speaker 1>don't give it. I think we do it because of him. No, No,

0:16:59.560 --> 0:17:01.360
<v Speaker 1>but I think that's her. I think we do it

0:17:01.400 --> 0:17:05.440
<v Speaker 1>for her. It's saying, Yo, this is your day. Come on, guy.

0:17:05.560 --> 0:17:08.560
<v Speaker 1>We don't get no song. No, nobody stands up when

0:17:08.560 --> 0:17:10.520
<v Speaker 1>we come out. No, we get point where to go.

0:17:10.760 --> 0:17:13.359
<v Speaker 1>We don't even pick the colors. Our homeboys were damn right.

0:17:13.520 --> 0:17:16.680
<v Speaker 1>They picked the outfits for our cats. Finally, Yo, Yo,

0:17:16.720 --> 0:17:19.720
<v Speaker 1>you weren't green future. I'm sure you can be as

0:17:19.760 --> 0:17:23.560
<v Speaker 1>involved as you want to be. Yeah, to show up,

0:17:23.720 --> 0:17:27.800
<v Speaker 1>Yeah that's it, and wait an hour after you already

0:17:27.800 --> 0:17:29.919
<v Speaker 1>get dressed for her to get ready. I'm not gonna lie.

0:17:30.000 --> 0:17:32.320
<v Speaker 1>Charlemagne didn't take his wedding as seriously as I thought.

0:17:32.359 --> 0:17:34.680
<v Speaker 1>He invited me and Envy the week before and it

0:17:34.840 --> 0:17:38.040
<v Speaker 1>was like a party. Yeah, I couldn't even go. It

0:17:38.080 --> 0:17:42.080
<v Speaker 1>wasn't even here. Can't give us. He handed me a

0:17:42.080 --> 0:17:54.959
<v Speaker 1>little flying flying for your walking God. And then I happened.

0:17:54.960 --> 0:17:57.080
<v Speaker 1>I happened to see his wife in the airport before

0:17:57.160 --> 0:17:58.560
<v Speaker 1>while she was going to the wedding. I was going

0:17:58.560 --> 0:18:00.959
<v Speaker 1>to the behindmas. I already had a triplane and she

0:18:01.040 --> 0:18:02.400
<v Speaker 1>was like, you're not coming to the wedding. I said,

0:18:02.480 --> 0:18:05.040
<v Speaker 1>Charlemagne just invited me last week. I already had this.

0:18:05.400 --> 0:18:08.960
<v Speaker 1>She said, I knew it. Man, he wasn't. Hey, man,

0:18:09.000 --> 0:18:10.960
<v Speaker 1>don't try to get me involved. A week before he

0:18:11.040 --> 0:18:17.840
<v Speaker 1>was hoping it would get castled. He's like, I don't

0:18:17.880 --> 0:18:22.440
<v Speaker 1>know if Rainy Sea. Do you like being a part

0:18:22.440 --> 0:18:24.000
<v Speaker 1>of on other horness? Man? You do? Do you kick

0:18:24.040 --> 0:18:26.280
<v Speaker 1>it with MJ? Yeah? Man? But you know what what

0:18:26.280 --> 0:18:28.879
<v Speaker 1>I'm gonna tell them about basketball? I mean serious? You know,

0:18:28.920 --> 0:18:32.200
<v Speaker 1>even if I got a good idea, keep it to myself.

0:18:32.880 --> 0:18:37.320
<v Speaker 1>At least we're designing uniforms or something. Yeah, well, yeah,

0:18:37.359 --> 0:18:38.720
<v Speaker 1>we do do that, you know what I'm saying. I

0:18:38.760 --> 0:18:41.720
<v Speaker 1>helped UM do some things for like um, what we

0:18:41.760 --> 0:18:43.920
<v Speaker 1>call the honey the honey bees and things like that

0:18:43.960 --> 0:18:46.359
<v Speaker 1>for the cheerleaders in the dance squads and stuff like that,

0:18:46.480 --> 0:18:49.679
<v Speaker 1>especially when we're doing through apple bottoms and stuff. But

0:18:49.720 --> 0:18:53.000
<v Speaker 1>as far as the uniforms, not yet. Um. You know,

0:18:53.119 --> 0:18:57.160
<v Speaker 1>Mike is an interesting guy. He's a very very interesting guy.

0:18:57.359 --> 0:19:00.600
<v Speaker 1>You know. It's like it's like a certain people, how

0:19:00.600 --> 0:19:02.760
<v Speaker 1>do you talk to them? And like and a lot

0:19:02.760 --> 0:19:04.679
<v Speaker 1>of mikes Michael Jackson, how would you talk to him?

0:19:05.040 --> 0:19:08.680
<v Speaker 1>How would you Michael Jordan? How do you talk to him?

0:19:08.720 --> 0:19:10.600
<v Speaker 1>You know what I'm saying, Like, I mean, other than cool,

0:19:10.680 --> 0:19:13.400
<v Speaker 1>like that's my uncle. But as far as telling him

0:19:13.400 --> 0:19:16.639
<v Speaker 1>about something that he was the epitome of, it's kind

0:19:16.680 --> 0:19:18.320
<v Speaker 1>of like, how do you do it? I could never

0:19:18.400 --> 0:19:22.520
<v Speaker 1>talk to Elle Elle about hip hop? Like you know

0:19:22.520 --> 0:19:25.040
<v Speaker 1>what I'm saying about, yo, you know, I could tell

0:19:25.080 --> 0:19:27.320
<v Speaker 1>him what works for me, but I don't know. But

0:19:27.440 --> 0:19:28.800
<v Speaker 1>I mean, it's a new era. Or you could talk

0:19:28.840 --> 0:19:35.320
<v Speaker 1>to you. I can't. I can't tell exactly because it's like, yo,

0:19:35.560 --> 0:19:39.840
<v Speaker 1>you know, without him, I wouldn't be Yeah, it was.

0:19:40.040 --> 0:19:44.120
<v Speaker 1>It was a small comparison quick too, it's like no, no,

0:19:44.200 --> 0:19:46.199
<v Speaker 1>don't do that, don't do that. I did have that

0:19:46.240 --> 0:19:49.400
<v Speaker 1>pleasure of doing that tribute bh one the hip hop

0:19:49.520 --> 0:19:51.320
<v Speaker 1>like that was one of the highlights so much. And

0:19:51.359 --> 0:19:53.159
<v Speaker 1>I'm gonna tell you something though he was he was

0:19:53.240 --> 0:19:56.560
<v Speaker 1>filed on that too, which was fouled. Uncle was fouled.

0:19:56.680 --> 0:19:58.720
<v Speaker 1>Ell was filed like you know we was doing and

0:19:58.800 --> 0:20:00.800
<v Speaker 1>I'm backstage right and I'm about ready to go on.

0:20:00.920 --> 0:20:04.000
<v Speaker 1>I never get nervous, never nervous. I got my troop

0:20:04.040 --> 0:20:06.600
<v Speaker 1>outfit on. I just I just bought the duke, he

0:20:06.680 --> 0:20:09.399
<v Speaker 1>wrote from kwamein. He coming back my duke, he wrote,

0:20:09.400 --> 0:20:12.040
<v Speaker 1>wasn't big enough. Quamin comes walking through. I said, Yo,

0:20:13.240 --> 0:20:16.160
<v Speaker 1>real quick, I've got fifteen minutes. I bring it right back.

0:20:16.480 --> 0:20:18.240
<v Speaker 1>He gives it to me. I'm about ready to go out.

0:20:18.440 --> 0:20:25.960
<v Speaker 1>L comes in, YO, make me look good. Baby. What

0:20:25.920 --> 0:20:29.760
<v Speaker 1>I'm saying, I'm like, oh, you know what I'm saying, like, oh,

0:20:29.880 --> 0:20:33.640
<v Speaker 1>that was wrong, that was wrong. Head trying to zone out.

0:20:33.680 --> 0:20:35.080
<v Speaker 1>You know what I'm saying. Yeah, I'm trying to zone.

0:20:35.080 --> 0:20:38.159
<v Speaker 1>I'm trying to get right. I'm trying to hit my points.

0:20:38.200 --> 0:20:39.720
<v Speaker 1>And here he comes with that. I was like, that

0:20:39.800 --> 0:20:43.240
<v Speaker 1>was real file man. But he's a Yo. He's unbelievable.

0:20:43.240 --> 0:20:45.840
<v Speaker 1>He's always been very very supportive and what I've done

0:20:45.880 --> 0:20:47.639
<v Speaker 1>and what I've been able to do with my career.

0:20:47.720 --> 0:20:52.119
<v Speaker 1>And yeah, he's he's been dope. Did you buy the truth? No? No, no, no,

0:20:52.160 --> 0:20:55.399
<v Speaker 1>I licensed it. I licensed it um but then the

0:20:55.440 --> 0:20:57.520
<v Speaker 1>person who I licensed it from he was nuts, you

0:20:57.560 --> 0:20:59.240
<v Speaker 1>know what I mean. So you know, I'm trying to

0:20:59.480 --> 0:21:01.399
<v Speaker 1>work that back out because I definitely think it's a

0:21:01.440 --> 0:21:03.280
<v Speaker 1>market for right now. What do you think of the

0:21:03.520 --> 0:21:05.800
<v Speaker 1>recent rap beef we had between drink and meat because

0:21:05.800 --> 0:21:08.280
<v Speaker 1>you was involved at your own rap skirmish with kres

0:21:08.400 --> 0:21:10.159
<v Speaker 1>At once that that was just a hey, how you

0:21:10.200 --> 0:21:12.920
<v Speaker 1>doing cool bow with me? You know what I'm saying?

0:21:15.640 --> 0:21:18.360
<v Speaker 1>You threw shot? That was like gutting hurt of No, no no,

0:21:18.480 --> 0:21:22.000
<v Speaker 1>he threw I returned surf And everybody's like, no, you

0:21:22.040 --> 0:21:24.400
<v Speaker 1>ain't supposed to reply back because you're not real hip

0:21:24.400 --> 0:21:26.480
<v Speaker 1>hop whatever exactly. And I'm like, are you kidding me?

0:21:26.520 --> 0:21:28.520
<v Speaker 1>I got kids? How do I wake up and tell

0:21:28.600 --> 0:21:30.560
<v Speaker 1>my boys? Let a man smack you in the face

0:21:30.560 --> 0:21:32.560
<v Speaker 1>and you ain't gonna say nothing? You know what I'm saying?

0:21:32.560 --> 0:21:36.280
<v Speaker 1>Whether I was was was was in the right or

0:21:36.280 --> 0:21:37.640
<v Speaker 1>the wrong? You know what I'm saying. I just felt

0:21:37.640 --> 0:21:39.520
<v Speaker 1>like it was a defensive. But the thing about him

0:21:39.640 --> 0:21:41.240
<v Speaker 1>is I was hurt when he did that. I mean,

0:21:41.480 --> 0:21:43.280
<v Speaker 1>how do you not love Kriss one? You know this

0:21:43.520 --> 0:21:46.480
<v Speaker 1>love is gonna get you? Yeah? What did I do?

0:21:46.600 --> 0:21:48.560
<v Speaker 1>You know? This is why dot Dot ain't you know

0:21:48.600 --> 0:21:51.120
<v Speaker 1>what I'm saying like this is especially in the loop.

0:21:51.200 --> 0:21:54.080
<v Speaker 1>You know, those songs were so influential with what we do.

0:21:54.200 --> 0:21:56.600
<v Speaker 1>But um, we had a chance to talk, we did

0:21:56.640 --> 0:22:00.840
<v Speaker 1>the um what was what was the self destruction tool?

0:22:01.280 --> 0:22:03.119
<v Speaker 1>Like we did. We had a chance to work with that,

0:22:03.359 --> 0:22:05.359
<v Speaker 1>had a chance to rock out together in Atlanta, and

0:22:05.960 --> 0:22:08.800
<v Speaker 1>you know that whole thing was you know, I guess

0:22:08.800 --> 0:22:10.919
<v Speaker 1>he was doing him but we didn't have that in

0:22:10.960 --> 0:22:15.680
<v Speaker 1>the social media era. That's why that's now, that's it's

0:22:15.720 --> 0:22:18.160
<v Speaker 1>just out of hand. So, um, I don't know, man,

0:22:18.200 --> 0:22:20.040
<v Speaker 1>I mean, you know, I think it was very very

0:22:20.119 --> 0:22:22.760
<v Speaker 1>interesting for about two weeks. It was you know what

0:22:22.800 --> 0:22:24.920
<v Speaker 1>I'm saying, like it was on fire for two weeks.

0:22:24.920 --> 0:22:27.280
<v Speaker 1>And that's what I was saying too, Like look how

0:22:27.320 --> 0:22:30.119
<v Speaker 1>fast that came and went to the peak of it.

0:22:30.200 --> 0:22:32.439
<v Speaker 1>That had that been like in the nineties of the eighties,

0:22:32.520 --> 0:22:37.239
<v Speaker 1>you know that two packing Biggie went on for you know,

0:22:37.359 --> 0:22:39.680
<v Speaker 1>on a on a whole other level. But two weeks

0:22:39.720 --> 0:22:43.480
<v Speaker 1>is a long time now. But that's because it gets

0:22:43.480 --> 0:22:50.360
<v Speaker 1>so oversaturated everywhere yet a lot of Instagram. They got

0:22:50.359 --> 0:22:52.520
<v Speaker 1>a lot done, But I don't think like for me,

0:22:52.640 --> 0:22:54.720
<v Speaker 1>there was like yo, you know, me. I I don't

0:22:54.720 --> 0:22:57.320
<v Speaker 1>think it's a question of who's over or nothing like that,

0:22:57.359 --> 0:22:59.560
<v Speaker 1>because I don't think it's any fans of meat that's

0:22:59.600 --> 0:23:02.240
<v Speaker 1>not going to continue to support me, you know what

0:23:02.240 --> 0:23:04.400
<v Speaker 1>I'm saying. And I don't think it's any device versa.

0:23:04.560 --> 0:23:07.400
<v Speaker 1>The other way, what I do think is that maybe

0:23:07.920 --> 0:23:10.919
<v Speaker 1>you know what I'm saying, like to get to another

0:23:11.040 --> 0:23:15.119
<v Speaker 1>level of the game. Sometimes you know in businesses say yo,

0:23:15.200 --> 0:23:16.639
<v Speaker 1>you would have been a partner by now if you

0:23:16.640 --> 0:23:18.800
<v Speaker 1>would have learned how to play by the rules. You

0:23:18.840 --> 0:23:20.359
<v Speaker 1>know what I'm saying, Like, when you get to a

0:23:20.400 --> 0:23:25.160
<v Speaker 1>certain level, it's just certain things that you accept, and

0:23:25.200 --> 0:23:27.800
<v Speaker 1>that may be how you make hit records, not how

0:23:27.840 --> 0:23:30.080
<v Speaker 1>you make hit rap records, you know what I'm saying.

0:23:30.080 --> 0:23:31.960
<v Speaker 1>So a lot of times when you're making hit records,

0:23:32.000 --> 0:23:34.200
<v Speaker 1>I don't know anybody that's been in this game four

0:23:34.280 --> 0:23:37.760
<v Speaker 1>or five records deep that it had six, seven, eight

0:23:37.880 --> 0:23:42.400
<v Speaker 1>number ones that haven't took references or some type of

0:23:43.440 --> 0:23:46.720
<v Speaker 1>influence from from from somewhere else. I mean, now, when

0:23:46.720 --> 0:23:49.760
<v Speaker 1>you're talking about rap records, that's something different, because yeah,

0:23:49.800 --> 0:23:51.600
<v Speaker 1>of course you know you're doing rap records, you're gonna

0:23:51.640 --> 0:23:54.080
<v Speaker 1>do that. But if you're doing hit records, yo. You

0:23:54.119 --> 0:23:58.280
<v Speaker 1>know have you done that taking references? Yeah? I mean,

0:23:58.280 --> 0:24:00.320
<v Speaker 1>how could you not. I've worked with producers like Ll.

0:24:00.480 --> 0:24:02.719
<v Speaker 1>You work with JD. You're working with producers like that.

0:24:02.800 --> 0:24:04.360
<v Speaker 1>You know a lot of times they come in with

0:24:04.600 --> 0:24:08.399
<v Speaker 1>those are producers. They just ain't giving you beats. You

0:24:08.400 --> 0:24:10.399
<v Speaker 1>know what I'm saying. You go in and work with Pharrell.

0:24:10.560 --> 0:24:18.359
<v Speaker 1>Farrell's right, No, no, no, no, no no, no, no, you

0:24:18.359 --> 0:24:20.360
<v Speaker 1>gotta do it. You're gonna break the vibe. Mo, You're

0:24:20.359 --> 0:24:23.800
<v Speaker 1>gonna kill the vibe. You gotta You're just like, Okay,

0:24:23.840 --> 0:24:25.600
<v Speaker 1>that's how you dan to the studio where you were from. No,

0:24:25.680 --> 0:24:29.880
<v Speaker 1>that's how he get down. But there were some there

0:24:29.880 --> 0:24:32.720
<v Speaker 1>were some that that you could have taken that ended

0:24:32.760 --> 0:24:34.399
<v Speaker 1>up going to other people too, And that happens and

0:24:34.440 --> 0:24:36.840
<v Speaker 1>all the time. Okay, that was never my record. I

0:24:36.920 --> 0:24:39.360
<v Speaker 1>never heard that record. Okay. The rumor was that they

0:24:39.359 --> 0:24:41.280
<v Speaker 1>had gave that record to you. You turn it down,

0:24:41.640 --> 0:24:43.520
<v Speaker 1>and then Floor Reddy took it and didn't even change

0:24:43.560 --> 0:24:46.280
<v Speaker 1>the apple bottom part and just kept it. Nah. We

0:24:46.440 --> 0:24:49.399
<v Speaker 1>never heard that record, never ever. Um. But when we

0:24:49.440 --> 0:24:53.000
<v Speaker 1>did heard it, I thought it was me. Damn, I'm jamming.

0:24:54.040 --> 0:24:59.160
<v Speaker 1>When did I make sum you know, things work out

0:24:59.200 --> 0:25:01.400
<v Speaker 1>for this crazy and I told to us about Saint

0:25:01.480 --> 0:25:03.280
<v Speaker 1>Louis a little bit, because yeah, it's going down. When

0:25:03.280 --> 0:25:05.879
<v Speaker 1>that incident first happened, I mean you were and you

0:25:05.920 --> 0:25:08.560
<v Speaker 1>were up. I think everybody called. I mean everybody was

0:25:08.640 --> 0:25:11.000
<v Speaker 1>DM me. I think I called you one time to

0:25:11.040 --> 0:25:13.560
<v Speaker 1>speak to us. What's going what? It looks like a

0:25:13.640 --> 0:25:16.080
<v Speaker 1>lot of frustration, you know what I'm saying all over again,

0:25:16.119 --> 0:25:18.359
<v Speaker 1>and you're dealing with First of all, you know, Saint Louis,

0:25:18.560 --> 0:25:21.320
<v Speaker 1>we're not multicultural like a New York City and things

0:25:21.320 --> 0:25:23.560
<v Speaker 1>of that nature. Like even when you guys have your problems,

0:25:23.600 --> 0:25:26.000
<v Speaker 1>it's a it's a it's a different type of plan

0:25:26.080 --> 0:25:29.119
<v Speaker 1>of action, so to speak, because you know, you're a

0:25:29.119 --> 0:25:32.760
<v Speaker 1>little bit more organized up here as supposed to the

0:25:32.760 --> 0:25:35.680
<v Speaker 1>way things go. You still have frustrations, people still lash out,

0:25:36.000 --> 0:25:38.520
<v Speaker 1>But in Saint Louis, you know, we're very very still

0:25:38.560 --> 0:25:40.919
<v Speaker 1>black and white, you know, and we have been for

0:25:40.960 --> 0:25:43.280
<v Speaker 1>a very long time. Like I don't even know a

0:25:43.359 --> 0:25:46.720
<v Speaker 1>school up here. That's just one way, you know, you

0:25:46.760 --> 0:25:49.159
<v Speaker 1>go down to Saint Louis, it's it's schools down to

0:25:49.240 --> 0:25:53.480
<v Speaker 1>the just black schools down there, just white you know

0:25:53.520 --> 0:25:56.399
<v Speaker 1>what I mean. And you know they still haven't that

0:25:56.400 --> 0:25:59.320
<v Speaker 1>that type of struggle. So when something like this happens,

0:25:59.760 --> 0:26:01.840
<v Speaker 1>you know, it's hard to be heard when you're living

0:26:01.880 --> 0:26:04.400
<v Speaker 1>in situations like Ferguson or you're living in the city

0:26:04.480 --> 0:26:06.639
<v Speaker 1>or North Saint Louis and things of that nature. So

0:26:06.680 --> 0:26:08.320
<v Speaker 1>when things come to a head, you know, you get

0:26:08.320 --> 0:26:11.840
<v Speaker 1>these type of explosions. Um, what we want to do

0:26:12.040 --> 0:26:14.160
<v Speaker 1>is try to walk that thin line and say, Yo,

0:26:14.200 --> 0:26:17.800
<v Speaker 1>I understand the frustrations, but you also got to understand,

0:26:17.840 --> 0:26:21.119
<v Speaker 1>like yo, to accomplish this. This is what this is

0:26:21.160 --> 0:26:24.240
<v Speaker 1>gonna take. It's gonna take us understanding what the problem is.

0:26:24.240 --> 0:26:27.480
<v Speaker 1>A plan of action. We don't plan. We have no plan,

0:26:27.880 --> 0:26:29.679
<v Speaker 1>you see what I'm saying. And with happen with not

0:26:29.760 --> 0:26:31.760
<v Speaker 1>having no plan, then you just do whatever. You know

0:26:31.760 --> 0:26:33.359
<v Speaker 1>what I'm saying. It's like going into a huddle and

0:26:33.400 --> 0:26:35.560
<v Speaker 1>a football and nobody knows the play and you go

0:26:35.720 --> 0:26:38.040
<v Speaker 1>break and everybody just go to the line and then

0:26:38.119 --> 0:26:40.400
<v Speaker 1>it's like, yo, what we're running or we're passing? And

0:26:40.520 --> 0:26:42.520
<v Speaker 1>that's where we're at right now, you know what I mean, Like,

0:26:43.240 --> 0:26:45.840
<v Speaker 1>we have no no, no, no plan of action. And

0:26:45.920 --> 0:26:48.000
<v Speaker 1>when you don't have that people just do whatever. And

0:26:48.040 --> 0:26:49.760
<v Speaker 1>that's what's going on right now, and it's a lot

0:26:49.800 --> 0:26:52.080
<v Speaker 1>of frustration, but I'm trying to We're trying to get

0:26:52.119 --> 0:26:54.040
<v Speaker 1>people to understand. It's like, Yo, you know, the only

0:26:54.080 --> 0:26:55.920
<v Speaker 1>way we're gonna be able to do this is through education.

0:26:56.119 --> 0:26:57.560
<v Speaker 1>Only way we're gonna be able to do this is

0:26:57.600 --> 0:26:59.840
<v Speaker 1>recognizing what the problem is and getting the people from

0:27:00.000 --> 0:27:03.200
<v Speaker 1>those communities to go on to higher education then come

0:27:03.240 --> 0:27:06.200
<v Speaker 1>back and run these communities because they know the people.

0:27:06.440 --> 0:27:08.679
<v Speaker 1>And that's just our plan of you know how we

0:27:08.840 --> 0:27:10.960
<v Speaker 1>plan on fixing it. But it's not an overnight thing. Man,

0:27:11.240 --> 0:27:13.480
<v Speaker 1>It's not an overnight thing. My biggest fear, excuse my

0:27:13.960 --> 0:27:16.640
<v Speaker 1>biggest fear is ten years from now, we still ain't

0:27:16.640 --> 0:27:19.000
<v Speaker 1>have no plan. That's my biggest fear. And that's what

0:27:19.440 --> 0:27:21.199
<v Speaker 1>that's what makes it nervous right now. It's like, Yo,

0:27:21.320 --> 0:27:23.320
<v Speaker 1>I get it. We're yelling, you know what I'm saying.

0:27:23.320 --> 0:27:25.720
<v Speaker 1>We're doing what it is, but I just don't want

0:27:25.760 --> 0:27:27.480
<v Speaker 1>ten years from now we're still in the same place.

0:27:27.640 --> 0:27:29.960
<v Speaker 1>And it's funny because you said this exact same thing

0:27:30.320 --> 0:27:32.920
<v Speaker 1>when when it first happened with Michael Brown, and everybody

0:27:32.960 --> 0:27:35.199
<v Speaker 1>jumped on your throat and gave you fleck. What you

0:27:35.240 --> 0:27:37.040
<v Speaker 1>were saying was we need to play, we need to plan,

0:27:37.200 --> 0:27:39.320
<v Speaker 1>because I even feel like even a year later, it

0:27:39.359 --> 0:27:41.680
<v Speaker 1>seems like, first of all, the way the media portrays it,

0:27:41.680 --> 0:27:47.639
<v Speaker 1>you would think it's chaotic, inness right right right. You know,

0:27:47.720 --> 0:27:50.120
<v Speaker 1>you look on the news, look like Iraq, you can't

0:27:50.119 --> 0:27:52.320
<v Speaker 1>go nowhere. People scare you know, you get on a

0:27:52.800 --> 0:27:54.000
<v Speaker 1>you go anywhere, it's like, what are you going to

0:27:54.000 --> 0:27:58.040
<v Speaker 1>Saint Louis? Oh my god? Is it okay? Like yeah,

0:27:58.119 --> 0:28:01.199
<v Speaker 1>I mean that's wait, you know what I'm saying, Like

0:28:01.240 --> 0:28:04.280
<v Speaker 1>it's it's it's not as if they make it look

0:28:04.320 --> 0:28:07.120
<v Speaker 1>on TV at all. You know, had there been any

0:28:07.160 --> 0:28:11.240
<v Speaker 1>changes in the police department in that area? Um for

0:28:11.400 --> 0:28:14.959
<v Speaker 1>my understanding, I mean yeah, small, But again, it's not

0:28:15.000 --> 0:28:17.239
<v Speaker 1>just the police department. It's it's it's all of it.

0:28:17.240 --> 0:28:21.800
<v Speaker 1>It's the prosecutor, it's the mayor's the city council, it's

0:28:21.840 --> 0:28:26.119
<v Speaker 1>everybody in that situation. Because that organization is what's running

0:28:26.160 --> 0:28:28.280
<v Speaker 1>that part of town. Now you have to get in

0:28:28.320 --> 0:28:32.760
<v Speaker 1>there and change that organization and get different systems in place, though,

0:28:32.800 --> 0:28:38.120
<v Speaker 1>so where people aren't feeling so harassed and they feel like, yo,

0:28:38.200 --> 0:28:41.040
<v Speaker 1>this is home as opposed that they being trapped. It

0:28:41.040 --> 0:28:43.520
<v Speaker 1>needs to be a reflection of the residents too. I

0:28:43.520 --> 0:28:45.800
<v Speaker 1>would think, yeah, yeah, definitely has to be. Well that's

0:28:45.800 --> 0:28:48.000
<v Speaker 1>anywhere though. When you don't have that, what are you

0:28:48.000 --> 0:28:50.360
<v Speaker 1>gonna get? You know what I'm saying? You same thing

0:28:50.440 --> 0:28:52.960
<v Speaker 1>like say South Africa. You know what I'm saying. You

0:28:53.960 --> 0:28:55.920
<v Speaker 1>look at these white folks running all these brothers and

0:28:56.080 --> 0:28:59.080
<v Speaker 1>use what else are you gonna get? You know, it

0:28:59.160 --> 0:29:06.520
<v Speaker 1>gets crazy. Real Husband's Hollywood changed your situation roll. Kevin's

0:29:06.520 --> 0:29:10.120
<v Speaker 1>a funny guy. Kevin's a real funny guy. You know,

0:29:10.360 --> 0:29:12.880
<v Speaker 1>Real Husband's Hollywood. We started back up when I think, um,

0:29:13.240 --> 0:29:15.959
<v Speaker 1>let's come out yeah this week, but we already filmed it. Man,

0:29:16.000 --> 0:29:18.120
<v Speaker 1>That's what I don't understand. We should I say that

0:29:18.760 --> 0:29:27.120
<v Speaker 1>he just did uh four four miss Robin. He actually

0:29:27.160 --> 0:29:33.360
<v Speaker 1>saw Charlotte Mane the other day. He did. You know what,

0:29:33.440 --> 0:29:36.240
<v Speaker 1>that was a situation. You know, we put ourselves in

0:29:36.240 --> 0:29:38.400
<v Speaker 1>our own situations. Man. You know what I'm saying. That

0:29:38.440 --> 0:29:40.720
<v Speaker 1>was a I think that I love Robin as an artist.

0:29:40.760 --> 0:29:42.959
<v Speaker 1>He's a cool dude. But truth be told, you know,

0:29:43.440 --> 0:29:46.840
<v Speaker 1>Robin is the reason he's not on Real Husband's in Hollywood.

0:29:46.880 --> 0:29:48.320
<v Speaker 1>You know what I'm saying, that that's something he wanted

0:29:48.320 --> 0:29:49.840
<v Speaker 1>to do, he would he would still be there, or

0:29:49.880 --> 0:29:52.440
<v Speaker 1>if he took it as seriously as we did. You

0:29:52.480 --> 0:29:54.160
<v Speaker 1>know what I'm saying, as we are, he would still

0:29:54.200 --> 0:29:55.800
<v Speaker 1>be there, you know what I mean. But he needed

0:29:55.880 --> 0:29:58.560
<v Speaker 1>now I'm not I'm not saying that he won't be

0:29:58.600 --> 0:30:00.640
<v Speaker 1>there because Yo, dudes, he's a great guy. You know

0:30:00.680 --> 0:30:02.600
<v Speaker 1>what I'm saying. But I mean, that's just the truth,

0:30:03.360 --> 0:30:08.240
<v Speaker 1>all right, going away. We appreciate you doing it, no man, anytime,

0:30:08.400 --> 0:30:10.240
<v Speaker 1>any time, man, I thought Charlott Mane was going as

0:30:10.360 --> 0:30:14.120
<v Speaker 1>some bottom. No, I gave all those away. Actually I did.

0:30:14.120 --> 0:30:16.320
<v Speaker 1>I gave I love. I got another one. I gave

0:30:16.520 --> 0:30:20.360
<v Speaker 1>every gifted him. I'm gonna read gifted. I appreciate you, Drake,

0:30:20.560 --> 0:30:23.040
<v Speaker 1>thank you. And he still has the card after every gram. Yep,

0:30:23.240 --> 0:30:27.160
<v Speaker 1>he just drew a line through it. Actually wrote like

0:30:27.160 --> 0:30:29.080
<v Speaker 1>four different cards all say the same thing. Let's be

0:30:29.480 --> 0:30:32.440
<v Speaker 1>that he really wrote that, or that some person that different.

0:30:33.440 --> 0:30:35.400
<v Speaker 1>Either way, we appreciate it, no doubt. Well it's the

0:30:35.400 --> 0:30:36.640
<v Speaker 1>breakfast claims. Yeah, man,