1
00:00:00,840 --> 00:00:07,760
Speaker 1: A real key for real Celebrity Real joined the breakfasting

2
00:00:09,119 --> 00:00:12,040
Speaker 1: DJ Envy, Angela Yi, Charlomagne the Guy. We are the

3
00:00:12,080 --> 00:00:15,400
Speaker 1: Breakfast Club Special guests to the room, mister nell A, Hey,

4
00:00:15,520 --> 00:00:18,360
Speaker 1: what's adding it up? So good? How y'all still getting

5
00:00:18,360 --> 00:00:20,079
Speaker 1: a lot of money out here? We see oh Man

6
00:00:20,600 --> 00:00:27,800
Speaker 1: surviving survivor I arrest looking for him. I'm gonna saying

7
00:00:27,800 --> 00:00:29,680
Speaker 1: he can have his I don't flavor around him. You

8
00:00:29,680 --> 00:00:31,360
Speaker 1: ain't got no choice. Und Sam coming to you with

9
00:00:31,440 --> 00:00:33,280
Speaker 1: the guns out. Get down on the floor. I'm taking

10
00:00:33,280 --> 00:00:34,959
Speaker 1: it with you, That's what I'm saying. Like you might,

11
00:00:34,960 --> 00:00:36,559
Speaker 1: We'll give it to him then and I'll sense an

12
00:00:36,640 --> 00:00:38,760
Speaker 1: arguing with him. Now, you got a new album coming

13
00:00:38,800 --> 00:00:41,479
Speaker 1: out this week? Yeah, Well, a new new song, new

14
00:00:41,520 --> 00:00:44,560
Speaker 1: single single, new single, The Fix. Explain the Fix Well

15
00:00:44,560 --> 00:00:48,120
Speaker 1: The Fix are produced by my Man Mustard Um featuring

16
00:00:48,360 --> 00:00:52,720
Speaker 1: Jeremiah Um. You know Marvin Gay sample, but it's cleared

17
00:00:53,920 --> 00:00:57,920
Speaker 1: to make sure this time around you think all that's

18
00:00:58,000 --> 00:01:04,720
Speaker 1: some shit. Um, I don't think it is. Uh, I don't.

19
00:01:04,800 --> 00:01:06,319
Speaker 1: I mean, I don't know. You know, I share the

20
00:01:06,360 --> 00:01:09,920
Speaker 1: same publisher um as as Mustard and things like that.

21
00:01:10,000 --> 00:01:13,560
Speaker 1: So when I got the track, from him, um Roan

22
00:01:13,840 --> 00:01:15,720
Speaker 1: Royan Perry, who's our published? He told me it was

23
00:01:15,720 --> 00:01:18,240
Speaker 1: already clear. So I said, before I do anything to

24
00:01:18,280 --> 00:01:21,040
Speaker 1: this record, you know, let me know that it's all

25
00:01:21,080 --> 00:01:23,000
Speaker 1: cool and it's all straight. You need to talk to them.

26
00:01:27,120 --> 00:01:30,480
Speaker 1: A year later, we're suing yeah, because they for Empire.

27
00:01:30,560 --> 00:01:33,920
Speaker 1: Now yeah, they called for everybody. Man. They're suing homosexual too.

28
00:01:33,959 --> 00:01:35,120
Speaker 1: They don't want them to use the word game no

29
00:01:35,240 --> 00:01:43,480
Speaker 1: more noo my goodness. So what do you like? What

30
00:01:43,520 --> 00:01:45,080
Speaker 1: do you like more doing now? You like being in

31
00:01:45,120 --> 00:01:46,920
Speaker 1: front of the camera? You still like making music more?

32
00:01:46,920 --> 00:01:48,720
Speaker 1: Because I mean you was in the industry when the

33
00:01:48,680 --> 00:01:52,600
Speaker 1: industry was good, like like really good? Like is it's

34
00:01:52,640 --> 00:01:55,440
Speaker 1: still fun? Um? I think making music is still fun.

35
00:01:55,480 --> 00:01:58,520
Speaker 1: I mean, obviously the business is bullsh half the time,

36
00:01:58,560 --> 00:02:01,200
Speaker 1: but I mean, you know, doing music, it ain't. I

37
00:02:01,240 --> 00:02:03,200
Speaker 1: think I will always do it, regardless whether I was

38
00:02:03,240 --> 00:02:06,760
Speaker 1: making money on it or not. But will it be

39
00:02:06,800 --> 00:02:10,000
Speaker 1: put out? That's something different. But I think the release

40
00:02:10,120 --> 00:02:11,760
Speaker 1: is good, you know what I'm saying. To get in

41
00:02:11,800 --> 00:02:15,600
Speaker 1: and create, I think that's always good. You're no, no,

42
00:02:15,600 --> 00:02:17,519
Speaker 1: no no, no, I fulfilled all that, you know what

43
00:02:17,520 --> 00:02:24,399
Speaker 1: I mean? Universal for ever because it was else. Yeah,

44
00:02:24,520 --> 00:02:27,240
Speaker 1: that's what I'm saying forever. So you know it's all great,

45
00:02:27,400 --> 00:02:31,520
Speaker 1: you know, family, No hard feelers, no nothing fulfilled the obligation. UM.

46
00:02:31,560 --> 00:02:33,959
Speaker 1: We talked about doing that, but I wanted to take

47
00:02:34,040 --> 00:02:36,080
Speaker 1: time back because the way the game is, it didn't

48
00:02:36,200 --> 00:02:39,280
Speaker 1: you know. I want to do what makes sense for me. Yeah,

49
00:02:39,320 --> 00:02:41,000
Speaker 1: I feel like this makes more sense for me. I

50
00:02:41,000 --> 00:02:43,440
Speaker 1: mean that the situation that you're in with social media,

51
00:02:43,440 --> 00:02:45,360
Speaker 1: you got your own marketing, you got your own you know,

52
00:02:45,400 --> 00:02:48,440
Speaker 1: situation as far as being able to, um, you know,

53
00:02:48,600 --> 00:02:50,440
Speaker 1: let people know what you got going on. And I

54
00:02:50,480 --> 00:02:53,120
Speaker 1: got great outlets as far as television and things like that.

55
00:02:53,200 --> 00:02:55,520
Speaker 1: So you know, I'm gonna cut down on some overhead,

56
00:02:55,600 --> 00:02:57,320
Speaker 1: and it don't make sense. I was gonna say, you're

57
00:02:57,320 --> 00:02:59,280
Speaker 1: gonna miss some of that that label, spending a lot

58
00:02:59,280 --> 00:03:00,519
Speaker 1: of that money that you had to come out to

59
00:03:00,560 --> 00:03:04,400
Speaker 1: pocket for. Yeah, but for what getting charged for. I

60
00:03:04,520 --> 00:03:06,880
Speaker 1: was getting overcharged. I didn't do it to the Cold Crush,

61
00:03:06,960 --> 00:03:09,040
Speaker 1: but they was hitting me right. You know what I'm saying.

62
00:03:09,200 --> 00:03:11,560
Speaker 1: Now doing your show, Nellieville, I'm sure you had to

63
00:03:11,560 --> 00:03:13,280
Speaker 1: be very cautious about what you put out there. We

64
00:03:13,320 --> 00:03:15,440
Speaker 1: had manner up here the other day, and he was saying,

65
00:03:15,480 --> 00:03:17,359
Speaker 1: sometimes it's hard to see those artists that you look

66
00:03:17,440 --> 00:03:20,440
Speaker 1: up to and really admired on television because you're like, wow,

67
00:03:20,480 --> 00:03:22,320
Speaker 1: that's what they're like, you know, in real life, and

68
00:03:22,360 --> 00:03:25,080
Speaker 1: they want to create this type of mystique, you know.

69
00:03:25,240 --> 00:03:28,160
Speaker 1: For you, m said, they look corny on TV. Sometimes,

70
00:03:28,160 --> 00:03:31,160
Speaker 1: that's what he said, He said, you look. You were

71
00:03:31,160 --> 00:03:33,720
Speaker 1: just saying sometimes in general, you know, you do a show,

72
00:03:33,720 --> 00:03:35,600
Speaker 1: because he was going to do a show right um,

73
00:03:35,640 --> 00:03:37,800
Speaker 1: and he was saying, it's just difficult because sometimes you

74
00:03:37,800 --> 00:03:39,560
Speaker 1: see your favorite artists and you liked, that's what they

75
00:03:39,600 --> 00:03:42,200
Speaker 1: act like. So for you, how cautious were you about

76
00:03:42,200 --> 00:03:43,800
Speaker 1: what you wanted to put out there? Well? I think

77
00:03:43,800 --> 00:03:46,680
Speaker 1: for me, the whole basis of our show was to

78
00:03:46,840 --> 00:03:49,440
Speaker 1: show this side. But it didn't It didn't matter if

79
00:03:49,480 --> 00:03:52,000
Speaker 1: you knew this side of me. It's not a change,

80
00:03:52,040 --> 00:03:53,800
Speaker 1: you know what I'm saying, Like I'm raising my kids

81
00:03:53,800 --> 00:03:56,360
Speaker 1: and you know, and and letting you into letting you

82
00:03:56,400 --> 00:03:59,040
Speaker 1: know that Nellie, just don't party every damn night, and

83
00:03:59,200 --> 00:04:01,520
Speaker 1: this is what goals on. And I'm trying to, you know,

84
00:04:01,680 --> 00:04:05,000
Speaker 1: bring decent human beings into society, you know what I mean.

85
00:04:05,120 --> 00:04:09,640
Speaker 1: So that didn't matter. Now if it was you know,

86
00:04:09,760 --> 00:04:12,320
Speaker 1: a different type of scenario. Let's say, you know, all

87
00:04:12,320 --> 00:04:14,080
Speaker 1: of love and hip hop or something to that nature,

88
00:04:14,160 --> 00:04:16,560
Speaker 1: then that's that's something different. Not that I'm knocking it,

89
00:04:16,640 --> 00:04:19,400
Speaker 1: because it's been great outlets for certain people, you know

90
00:04:19,440 --> 00:04:21,720
Speaker 1: what I mean. But for me, I just wanted to

91
00:04:21,720 --> 00:04:24,080
Speaker 1: show something that wasn't out there. Single father and hip hop,

92
00:04:24,360 --> 00:04:26,320
Speaker 1: you know, doing what he's supposed to be doing. You know,

93
00:04:26,360 --> 00:04:29,680
Speaker 1: we get so much negativity and like we're not there.

94
00:04:29,800 --> 00:04:31,400
Speaker 1: You know what I'm saying. That half of the brothers

95
00:04:31,400 --> 00:04:33,800
Speaker 1: I know there's in the hip hop or you know,

96
00:04:34,520 --> 00:04:36,640
Speaker 1: they love being a father, you know what I'm saying,

97
00:04:36,680 --> 00:04:38,559
Speaker 1: to take pride in it. So I thought that should

98
00:04:38,560 --> 00:04:40,160
Speaker 1: be shown. That's what I like about it, because you're

99
00:04:40,200 --> 00:04:42,880
Speaker 1: not you're showing that it's cool to be grown raiding

100
00:04:42,920 --> 00:04:45,279
Speaker 1: my kids and rating my nephew. And because we got

101
00:04:45,320 --> 00:04:47,920
Speaker 1: that type of scenario. No again, like we always talking about,

102
00:04:47,920 --> 00:04:50,479
Speaker 1: we'd only generation where we share so much with our kids,

103
00:04:50,560 --> 00:04:52,240
Speaker 1: you know what I'm saying, Like I never did this

104
00:04:52,360 --> 00:04:55,880
Speaker 1: much with my father, not that well because partially he

105
00:04:56,000 --> 00:05:01,640
Speaker 1: wasn't there. But what I'm saying, but the other reason,

106
00:05:01,720 --> 00:05:03,280
Speaker 1: we just didn't do that, you know what I'm saying.

107
00:05:03,320 --> 00:05:04,880
Speaker 1: Like me and my son, you know, we rocked the

108
00:05:04,920 --> 00:05:08,560
Speaker 1: same clothes, same shoes, listen to the same music, watch

109
00:05:08,600 --> 00:05:11,240
Speaker 1: the same shows. Like you know, we have the same

110
00:05:11,279 --> 00:05:13,440
Speaker 1: interest and that I don't think that happened in any

111
00:05:13,480 --> 00:05:19,920
Speaker 1: other generations, Like it's happening with our Yeah, well yeah,

112
00:05:20,240 --> 00:05:23,760
Speaker 1: I like you know those consequences if you up, you know,

113
00:05:23,960 --> 00:05:25,440
Speaker 1: he can get a shot at it. I was having

114
00:05:25,440 --> 00:05:27,720
Speaker 1: this conversation with somebody only that's a good thing or

115
00:05:27,720 --> 00:05:30,600
Speaker 1: a bad thing that we so I got similar, Like

116
00:05:30,600 --> 00:05:33,000
Speaker 1: the generations aren't too far apart, you know. I think

117
00:05:33,040 --> 00:05:34,760
Speaker 1: I think it's a good thing because you cut through

118
00:05:34,800 --> 00:05:36,800
Speaker 1: all the bullsh you know what I'm saying. You get

119
00:05:36,880 --> 00:05:39,920
Speaker 1: to the reality of what life is and you move

120
00:05:40,000 --> 00:05:42,359
Speaker 1: on and it's not a it's not a it's not

121
00:05:42,400 --> 00:05:45,320
Speaker 1: so much hypocritical, you know what I mean. Like we

122
00:05:45,360 --> 00:05:47,360
Speaker 1: went through a lot of our parents. You know, once

123
00:05:47,360 --> 00:05:49,400
Speaker 1: you got older, he was like, man, y'all used to

124
00:05:50,240 --> 00:05:52,159
Speaker 1: you know what I'm saying, And now it's just like, hey, hey,

125
00:05:52,279 --> 00:05:55,360
Speaker 1: don't you know, Jill Big you're gonna get up. I'm

126
00:05:55,400 --> 00:05:57,480
Speaker 1: telling you, you know what I'm saying, Like that's not

127
00:05:57,520 --> 00:06:00,200
Speaker 1: the move, you know, other than just get wow. But

128
00:06:00,279 --> 00:06:06,360
Speaker 1: pile still works, you know, so good Now, I sell,

129
00:06:06,400 --> 00:06:08,919
Speaker 1: you've been supporting a lot of artists from Saint Louis

130
00:06:08,960 --> 00:06:10,920
Speaker 1: as well. I sell. You were out there filming videos,

131
00:06:10,960 --> 00:06:13,120
Speaker 1: you were working with Tiffany Foxes from Saint Louis. Yeah,

132
00:06:13,160 --> 00:06:17,920
Speaker 1: Tiffany's from Saint Louis, from New York somewhere. Oh no,

133
00:06:18,120 --> 00:06:20,680
Speaker 1: well you know her, she got a great relationship with

134
00:06:21,000 --> 00:06:23,080
Speaker 1: Loui Kim, right, That's why I thought that because of

135
00:06:23,120 --> 00:06:25,400
Speaker 1: her relationship. A little kid had a great relationship with Kim.

136
00:06:25,400 --> 00:06:28,440
Speaker 1: But yeah, she's definitely, Uh, I tell your funny stuff.

137
00:06:28,680 --> 00:06:32,960
Speaker 1: You go look at the Country Grammar video. Tiffany's in it. Yeah.

138
00:06:32,960 --> 00:06:37,520
Speaker 1: From from the very very beginning, y'all known each other

139
00:06:37,560 --> 00:06:39,719
Speaker 1: for a minute. Yeah, yeah, Yeah, she's been trying to

140
00:06:39,760 --> 00:06:41,440
Speaker 1: you know, working out thing for a minute. And it's

141
00:06:41,480 --> 00:06:43,240
Speaker 1: good for her to finally get us stuff going. And

142
00:06:43,279 --> 00:06:44,680
Speaker 1: you know what I'm saying, getting that chance to rock.

143
00:06:44,760 --> 00:06:47,359
Speaker 1: So she's dope. And then I tell you commenting on

144
00:06:47,400 --> 00:06:49,560
Speaker 1: BT and Cut because they psyched us all out and

145
00:06:49,720 --> 00:06:52,920
Speaker 1: told us BT and Cut was coming back, and you're like, man,

146
00:06:53,000 --> 00:06:54,640
Speaker 1: what is this? But I'm sure you knew all alone.

147
00:06:54,680 --> 00:06:57,280
Speaker 1: They wasn't bringing it back being your relationship with BT

148
00:06:57,440 --> 00:07:00,760
Speaker 1: that they were punking us. Yeah, did you watch no?

149
00:07:00,920 --> 00:07:04,000
Speaker 1: Because I figured that World store every day, I'm like,

150
00:07:04,040 --> 00:07:07,520
Speaker 1: what could bet Uncut show? I won't working this day

151
00:07:07,560 --> 00:07:09,120
Speaker 1: and age? I don't think. I thought it was a

152
00:07:09,120 --> 00:07:11,360
Speaker 1: good prank though, to bring punk back. I thought it

153
00:07:11,400 --> 00:07:12,840
Speaker 1: was a good story for plump. Do you know what?

154
00:07:12,880 --> 00:07:16,320
Speaker 1: And if you look at Uncut now, it's it's harmless.

155
00:07:16,400 --> 00:07:17,640
Speaker 1: Now when you look at you know what I'm saying,

156
00:07:17,680 --> 00:07:19,520
Speaker 1: if you go back on World Start now you look

157
00:07:19,520 --> 00:07:22,080
Speaker 1: at that on that that's straight porn girl getting paid

158
00:07:22,080 --> 00:07:27,000
Speaker 1: on you know what, I'm heart attack. It's like one

159
00:07:27,080 --> 00:07:29,560
Speaker 1: credit card and heart attack. But it's interesting because when

160
00:07:29,600 --> 00:07:31,520
Speaker 1: we had Uncle Luke up here, he was talking about

161
00:07:31,600 --> 00:07:34,200
Speaker 1: you know himself back then and how they wouldn't even

162
00:07:34,280 --> 00:07:36,840
Speaker 1: let his record be in stores. People were getting arrested

163
00:07:36,880 --> 00:07:38,800
Speaker 1: just for selling him because they had a throng on

164
00:07:38,800 --> 00:07:41,600
Speaker 1: on the cover or just the content. They said. The

165
00:07:41,680 --> 00:07:45,640
Speaker 1: content changes, times change. Sometimes you got to be the

166
00:07:45,680 --> 00:07:52,320
Speaker 1: person that it's out there on the cross. Yes, I

167
00:07:52,320 --> 00:07:54,960
Speaker 1: still have my percentages, you know what I'm saying. You know,

168
00:07:55,040 --> 00:07:57,840
Speaker 1: you move on and get other things going on. So

169
00:07:57,920 --> 00:08:00,840
Speaker 1: I'm definitely working on new apparel and everything like that.

170
00:08:00,880 --> 00:08:03,800
Speaker 1: So you know, again, man, you know, life has been

171
00:08:03,800 --> 00:08:05,800
Speaker 1: good for me. I can't complain. You're talking about sixteen

172
00:08:05,880 --> 00:08:07,840
Speaker 1: years later. You know, if you could be sixteen years

173
00:08:07,840 --> 00:08:10,800
Speaker 1: and anything, you know, that's that's what you want to do. Man,

174
00:08:11,120 --> 00:08:13,240
Speaker 1: A piece of the hornets. Yeah, man, we still have that.

175
00:08:13,200 --> 00:08:15,080
Speaker 1: I thought you're gonna come to the game whatever. I'm

176
00:08:15,080 --> 00:08:20,000
Speaker 1: gonna come as soon as I get some time. And

177
00:08:17,640 --> 00:08:27,720
Speaker 1: sad they say you're doing a country album. No no, no, no, no.

178
00:08:27,760 --> 00:08:30,120
Speaker 1: I think that got you know, so I don't know

179
00:08:30,200 --> 00:08:33,120
Speaker 1: where that get. Screw that, but you know, don't get

180
00:08:33,120 --> 00:08:35,360
Speaker 1: it twisted. You know, I'm a very, very very much

181
00:08:35,400 --> 00:08:38,000
Speaker 1: a fan of all music, country music, no doubt. And

182
00:08:38,040 --> 00:08:39,680
Speaker 1: you know, I'm like the only hip hop artist to

183
00:08:40,320 --> 00:08:42,960
Speaker 1: be able to get number one hits on pop, country,

184
00:08:43,120 --> 00:08:45,960
Speaker 1: hip hop, on be rhythmic and all of them. You know,

185
00:08:46,360 --> 00:08:49,480
Speaker 1: damn they're everything across the board. So people have appreciated

186
00:08:49,559 --> 00:08:51,520
Speaker 1: things that I do. I would never say I'm doing

187
00:08:51,559 --> 00:08:53,640
Speaker 1: a country I'm gonna have a fine respect for country music.

188
00:08:53,840 --> 00:08:56,640
Speaker 1: But what I do want to do is do maybe

189
00:08:56,720 --> 00:09:00,240
Speaker 1: EP or album that transcends all formats that say to

190
00:09:00,240 --> 00:09:02,360
Speaker 1: be played on, all formats that go across the board,

191
00:09:02,679 --> 00:09:06,560
Speaker 1: and including country, including you know, including hip hop, including everything.

192
00:09:06,600 --> 00:09:10,000
Speaker 1: So um, you know, it may feature some country artists

193
00:09:10,000 --> 00:09:11,720
Speaker 1: some things that nature, but it's not a country album

194
00:09:11,760 --> 00:09:13,520
Speaker 1: no way. Shape Before somebody asked you if you should

195
00:09:13,520 --> 00:09:15,040
Speaker 1: do one, and I said, why not? That said hip

196
00:09:15,040 --> 00:09:17,400
Speaker 1: hop fans are so fickle. Well, you know what I mean,

197
00:09:17,400 --> 00:09:19,160
Speaker 1: why why not do it? Because I think I think

198
00:09:19,200 --> 00:09:21,520
Speaker 1: I think then the country fans get kind of twisted.

199
00:09:21,559 --> 00:09:23,360
Speaker 1: You see what I'm saying. I think when you try

200
00:09:23,400 --> 00:09:27,760
Speaker 1: to force feed, force feed audience that that is true

201
00:09:27,760 --> 00:09:29,680
Speaker 1: to the heart. I mean sometimes I don't always go

202
00:09:29,720 --> 00:09:31,000
Speaker 1: the way that you want to do it. That's like

203
00:09:31,040 --> 00:09:32,760
Speaker 1: Golf Brooks jumping off, I'm about to do a rap

204
00:09:32,800 --> 00:09:37,840
Speaker 1: album because he because he has successful. I had success,

205
00:09:37,840 --> 00:09:39,679
Speaker 1: we had success. Now he think he's going to do

206
00:09:40,200 --> 00:09:43,360
Speaker 1: and being some you know what I'm saying, And you like, okay,

207
00:09:43,400 --> 00:09:45,320
Speaker 1: So they wouldn't brace you. It'd be calling you a perpetrator,

208
00:09:45,360 --> 00:09:47,520
Speaker 1: like are you friend? You don't? Yeah? Yeah. I think

209
00:09:47,520 --> 00:09:49,160
Speaker 1: when you're trying to come for him like that. But

210
00:09:49,200 --> 00:09:51,160
Speaker 1: I think if you let them gravitate to the music

211
00:09:51,200 --> 00:09:53,160
Speaker 1: and you let the music speak for themselves and everybody

212
00:09:53,240 --> 00:09:57,000
Speaker 1: voice counts absolutely. Now we were up here, we saw

213
00:09:57,160 --> 00:09:59,439
Speaker 1: the stories of you getting arrested and then the charges

214
00:09:59,480 --> 00:10:02,960
Speaker 1: getting Yeah, you know, for you having meth on the

215
00:10:02,960 --> 00:10:05,000
Speaker 1: bus or something like that. How do you go home

216
00:10:05,000 --> 00:10:07,400
Speaker 1: and explain that to the kids, though, like you know,

217
00:10:07,840 --> 00:10:11,040
Speaker 1: it wasn't on the bus. Let me tell you something, man,

218
00:10:11,880 --> 00:10:14,439
Speaker 1: let me tell you something, everybody, there's no way shaping hell.

219
00:10:14,520 --> 00:10:18,880
Speaker 1: I have meth on my bus first, first and foremost.

220
00:10:18,920 --> 00:10:28,680
Speaker 1: Then today I'm like na, man, Um, we had a party,

221
00:10:30,400 --> 00:10:34,240
Speaker 1: it was after a show, and you know, the responsibility

222
00:10:34,280 --> 00:10:36,720
Speaker 1: on my factor that I step up is like I

223
00:10:36,760 --> 00:10:39,560
Speaker 1: tried to tell my kids, I left up because I'm

224
00:10:39,559 --> 00:10:42,400
Speaker 1: responsible for that bus. That's my bus. That bus is

225
00:10:42,400 --> 00:10:46,880
Speaker 1: in my name. Therefore, if anything happens, guess who they

226
00:10:47,000 --> 00:10:49,400
Speaker 1: the name falls, you know what I mean. So in

227
00:10:49,400 --> 00:10:52,960
Speaker 1: that situation, um, it's my bus. You know what I'm saying.

228
00:10:53,000 --> 00:10:56,240
Speaker 1: But once we went and everybody everything was out, then

229
00:10:56,280 --> 00:10:57,880
Speaker 1: there was no way that they could do that. I

230
00:10:57,920 --> 00:11:00,560
Speaker 1: get my guns back everything. You know, I don't have

231
00:11:00,600 --> 00:11:02,959
Speaker 1: illegal guns. You always riding around the legal gun. No,

232
00:11:03,080 --> 00:11:05,079
Speaker 1: I have a gun permit. I have a license that

233
00:11:05,160 --> 00:11:07,240
Speaker 1: say I can carry and conceal in thirty three states.

234
00:11:07,880 --> 00:11:09,839
Speaker 1: You see what I'm saying. I'm not running around here

235
00:11:09,880 --> 00:11:12,080
Speaker 1: like a felony with drugs and guns. You know what

236
00:11:12,080 --> 00:11:15,280
Speaker 1: I'm saying. My guns are strictly for defense, you know,

237
00:11:15,320 --> 00:11:20,920
Speaker 1: going down down, you know. So, I mean, you know,

238
00:11:20,960 --> 00:11:23,000
Speaker 1: it was a situation that, um, you know, I wish

239
00:11:23,080 --> 00:11:25,480
Speaker 1: I had to putting myself in, but I did. And again,

240
00:11:25,520 --> 00:11:28,120
Speaker 1: it's not about the mistakes that you make. It's about

241
00:11:28,120 --> 00:11:29,880
Speaker 1: how you own up to him. And that's what I

242
00:11:29,920 --> 00:11:32,120
Speaker 1: try to show my kids, Like, Yo, we were not perfect,

243
00:11:32,200 --> 00:11:35,000
Speaker 1: but we can be perfect in our approach and taking responsibility.

244
00:11:35,040 --> 00:11:37,200
Speaker 1: So did you scream on your team like mother because

245
00:11:37,240 --> 00:11:39,720
Speaker 1: y'all cannot have meth on the damn bus? I screamed

246
00:11:39,720 --> 00:11:41,640
Speaker 1: on them. They're like, Yo, ain't none of you gonna

247
00:11:41,679 --> 00:11:53,440
Speaker 1: raise your hand? No, nobody's planing that. No. Yeah, you

248
00:11:53,480 --> 00:11:58,520
Speaker 1: know what I'm saying. That's let's see, that's that's that's

249
00:11:58,520 --> 00:12:03,040
Speaker 1: really why I'm pissed. That's really why I got here.

250
00:12:03,040 --> 00:12:05,920
Speaker 1: It's just because see this, you know. But you know,

251
00:12:05,960 --> 00:12:11,160
Speaker 1: t man, we were having them fun man blast. The

252
00:12:11,200 --> 00:12:13,360
Speaker 1: show was crazy, you know, what I'm saying. You know,

253
00:12:13,400 --> 00:12:16,920
Speaker 1: at this one time, everybody like twenty thousand people out

254
00:12:16,920 --> 00:12:20,600
Speaker 1: of here. You know, police is right outside. I didn't

255
00:12:20,600 --> 00:12:25,240
Speaker 1: know them, They wouldn't know their job. Do you ever

256
00:12:25,280 --> 00:12:27,679
Speaker 1: feel the need to prove the people that you still

257
00:12:27,720 --> 00:12:30,000
Speaker 1: are doing your thing out there? Are you still selling

258
00:12:30,040 --> 00:12:33,640
Speaker 1: our shows? You're still making money? No? No, not well,

259
00:12:33,880 --> 00:12:36,600
Speaker 1: not to those that that don't want me to be

260
00:12:36,679 --> 00:12:38,760
Speaker 1: doing that. You know, you can't prove anything to people

261
00:12:38,760 --> 00:12:40,760
Speaker 1: that don't want to see the obvious. You know what

262
00:12:40,760 --> 00:12:43,520
Speaker 1: I'm saying, Like it's obvious. It's in your face. With

263
00:12:43,640 --> 00:12:46,400
Speaker 1: social media or whatever artists is doing, it's in your face.

264
00:12:46,559 --> 00:12:49,560
Speaker 1: You don't there's no way you can't not know. If

265
00:12:49,559 --> 00:12:50,959
Speaker 1: you don't want to know, if you don't want to

266
00:12:51,000 --> 00:12:53,960
Speaker 1: see something, you don't have to see it. But there's

267
00:12:54,000 --> 00:12:56,200
Speaker 1: no way you can't see it. I just think, you know,

268
00:12:56,240 --> 00:12:58,600
Speaker 1: it just is what it is. My fans, they see it,

269
00:12:58,640 --> 00:13:01,160
Speaker 1: they support it, and the other mutherthers, I mean, you

270
00:13:01,200 --> 00:13:04,160
Speaker 1: know they're gonna be there anyway, and nothing I canna

271
00:13:04,160 --> 00:13:05,640
Speaker 1: do about it because I don't feel like it's people

272
00:13:05,720 --> 00:13:08,880
Speaker 1: showing people how to have longevity. Now, I don't. I

273
00:13:08,920 --> 00:13:12,080
Speaker 1: don't think this generation is built for longevity. Nope, they're

274
00:13:12,080 --> 00:13:13,880
Speaker 1: not built for it as a fan. They're not built

275
00:13:13,920 --> 00:13:15,520
Speaker 1: for it as an artist. You know what I'm saying,

276
00:13:15,520 --> 00:13:17,280
Speaker 1: Everything is the now, it's to burn out. You know

277
00:13:17,320 --> 00:13:19,640
Speaker 1: what I'm saying. It's to go hard now, go hard now.

278
00:13:19,679 --> 00:13:22,200
Speaker 1: And then it's the same way. Um. On the other end,

279
00:13:22,240 --> 00:13:24,079
Speaker 1: as a fan, go hard, go hard. You know what

280
00:13:24,120 --> 00:13:27,520
Speaker 1: I'm saying, turn out. Eventually you had to turn down,

281
00:13:27,679 --> 00:13:31,440
Speaker 1: you know, so that turned down them all. How is

282
00:13:31,440 --> 00:13:34,000
Speaker 1: it for your kids now being celebrities, being on TV,

283
00:13:34,120 --> 00:13:38,240
Speaker 1: everybody knowing who they are, and yeah, that's different for them.

284
00:13:38,280 --> 00:13:41,040
Speaker 1: That's different for them. That's the that's the scary part

285
00:13:41,120 --> 00:13:43,439
Speaker 1: of any parent, you know what I'm saying, because that's

286
00:13:43,440 --> 00:13:47,480
Speaker 1: the I can't control how people approach them. Um, how

287
00:13:47,480 --> 00:13:51,000
Speaker 1: they approached the situation and things like that. But they

288
00:13:51,080 --> 00:13:52,920
Speaker 1: good kids. Man, they make me look good. Don't get

289
00:13:52,960 --> 00:13:55,000
Speaker 1: it twisted. I'm not without a support group, you know

290
00:13:55,040 --> 00:13:57,400
Speaker 1: what I'm saying. My kids and mother, they've She's very

291
00:13:57,440 --> 00:14:00,120
Speaker 1: much in their lives. It's it's a team f But

292
00:14:00,520 --> 00:14:03,000
Speaker 1: you know what I'm saying, she's married, so you know,

293
00:14:03,120 --> 00:14:09,480
Speaker 1: me and her husband are great friends. My god, you

294
00:14:09,640 --> 00:14:12,000
Speaker 1: know something happens, I'm called hey, hey, hey, what she do?

295
00:14:13,960 --> 00:14:20,920
Speaker 1: Don't leave us? You Floyd may Weather never worked at

296
00:14:20,920 --> 00:14:23,200
Speaker 1: your differences or you just never have a problem with Floyd.

297
00:14:23,520 --> 00:14:25,680
Speaker 1: I never have had a problem. You started the whole

298
00:14:25,800 --> 00:14:30,160
Speaker 1: No can't read anything? No, no, no, I'm gonna tell

299
00:14:30,160 --> 00:14:34,040
Speaker 1: you why Nellie was on first tape. Nellie alluded to

300
00:14:34,040 --> 00:14:35,960
Speaker 1: the fact you only had a thick, great education, and

301
00:14:35,960 --> 00:14:38,080
Speaker 1: I was like, what are you talking about? And then

302
00:14:38,200 --> 00:14:40,400
Speaker 1: fifty was like he can't read. I'm like, whoa, what's

303
00:14:40,400 --> 00:14:42,600
Speaker 1: going on there? And then you play the tapes? Yes

304
00:14:42,680 --> 00:14:46,600
Speaker 1: I did, and he apologized for that. I didn't apologize

305
00:14:46,600 --> 00:14:51,400
Speaker 1: to him, alogize didn't feel bad, you know what I'm saying.

306
00:14:51,400 --> 00:14:53,200
Speaker 1: Not not that I felt bad because it's may Weather.

307
00:14:53,240 --> 00:14:56,160
Speaker 1: He's a villain. Can I feel bad for the bad guy? Bad?

308
00:14:56,720 --> 00:14:59,520
Speaker 1: Like that? Was feel low? But I never have a problem.

309
00:15:01,000 --> 00:15:03,000
Speaker 1: I never have a problem with him, you know what

310
00:15:03,000 --> 00:15:08,280
Speaker 1: I mean? Like he he has problems. Problems, Yeah, in

311
00:15:08,360 --> 00:15:11,880
Speaker 1: genera you know what I mean. But um man, you know,

312
00:15:12,000 --> 00:15:14,120
Speaker 1: I think he's a I think he's a great boxer.

313
00:15:14,680 --> 00:15:17,440
Speaker 1: You should watch his fights. Um yeah, I mean, how

314
00:15:17,440 --> 00:15:19,760
Speaker 1: can you he's only got boxing? What else who else

315
00:15:19,760 --> 00:15:22,360
Speaker 1: you gonna watch? You know what I mean? Good boxes

316
00:15:22,400 --> 00:15:28,440
Speaker 1: out there? Yeah, I won't see triple do so all

317
00:15:28,520 --> 00:15:30,400
Speaker 1: right now you also have shan't tell up here with

318
00:15:30,440 --> 00:15:32,520
Speaker 1: you now if you guys, I'm not saying you are,

319
00:15:32,960 --> 00:15:38,000
Speaker 1: But if y'all got married, would you do that on TV? Uh? No,

320
00:15:39,080 --> 00:15:42,720
Speaker 1: I don't think that's Look as I look old, pission

321
00:15:46,600 --> 00:15:49,920
Speaker 1: change her last name, BT, came with an Emma better

322
00:15:50,920 --> 00:16:01,360
Speaker 1: and and they paid for the wedding. Come on, I

323
00:16:01,480 --> 00:16:04,080
Speaker 1: got to think about it. I'm trying to say, no,

324
00:16:05,320 --> 00:16:07,520
Speaker 1: need this money back, you know what I mean? Now,

325
00:16:07,600 --> 00:16:10,760
Speaker 1: I don't think so well? You know what again again? No, no,

326
00:16:10,840 --> 00:16:13,400
Speaker 1: no, no no, no, no god. This is just that I

327
00:16:13,440 --> 00:16:16,000
Speaker 1: think as a man, you know, because being married is

328
00:16:16,080 --> 00:16:18,920
Speaker 1: something more. It's it's it's a female thing, you know

329
00:16:18,960 --> 00:16:21,080
Speaker 1: what I'm saying. As a kid, we don't. We never

330
00:16:21,080 --> 00:16:24,200
Speaker 1: think about if you want to be a superhero or

331
00:16:24,280 --> 00:16:29,640
Speaker 1: trash man or a police officer when you like, you know, man,

332
00:16:29,760 --> 00:16:32,920
Speaker 1: what I'm saying. You know, when you're trash man hanging

333
00:16:32,960 --> 00:16:35,280
Speaker 1: off the truck, that looked like a great job. You

334
00:16:35,280 --> 00:16:40,440
Speaker 1: know what I'm saying. You know, I thought it was

335
00:16:40,480 --> 00:16:42,960
Speaker 1: a good job. Like look at him. Man, you get

336
00:16:43,000 --> 00:16:47,560
Speaker 1: the hang on the back of a truck and he

337
00:16:47,640 --> 00:16:50,400
Speaker 1: gets paid. You know what I'm saying. Like, but you know,

338
00:16:50,680 --> 00:16:53,560
Speaker 1: little girls, you know they dream about their wedding since

339
00:16:53,600 --> 00:16:56,440
Speaker 1: they you know, since they little. But you know, we

340
00:16:56,480 --> 00:16:59,520
Speaker 1: don't give it. I think we do it because of him. No, No,

341
00:16:59,560 --> 00:17:01,360
Speaker 1: but I think that's her. I think we do it

342
00:17:01,400 --> 00:17:05,440
Speaker 1: for her. It's saying, Yo, this is your day. Come on, guy.

343
00:17:05,560 --> 00:17:08,560
Speaker 1: We don't get no song. No, nobody stands up when

344
00:17:08,560 --> 00:17:10,520
Speaker 1: we come out. No, we get point where to go.

345
00:17:10,760 --> 00:17:13,359
Speaker 1: We don't even pick the colors. Our homeboys were damn right.

346
00:17:13,520 --> 00:17:16,680
Speaker 1: They picked the outfits for our cats. Finally, Yo, Yo,

347
00:17:16,720 --> 00:17:19,720
Speaker 1: you weren't green future. I'm sure you can be as

348
00:17:19,760 --> 00:17:23,560
Speaker 1: involved as you want to be. Yeah, to show up,

349
00:17:23,720 --> 00:17:27,800
Speaker 1: Yeah that's it, and wait an hour after you already

350
00:17:27,800 --> 00:17:29,919
Speaker 1: get dressed for her to get ready. I'm not gonna lie.

351
00:17:30,000 --> 00:17:32,320
Speaker 1: Charlemagne didn't take his wedding as seriously as I thought.

352
00:17:32,359 --> 00:17:34,680
Speaker 1: He invited me and Envy the week before and it

353
00:17:34,840 --> 00:17:38,040
Speaker 1: was like a party. Yeah, I couldn't even go. It

354
00:17:38,080 --> 00:17:42,080
Speaker 1: wasn't even here. Can't give us. He handed me a

355
00:17:42,080 --> 00:17:54,959
Speaker 1: little flying flying for your walking God. And then I happened.

356
00:17:54,960 --> 00:17:57,080
Speaker 1: I happened to see his wife in the airport before

357
00:17:57,160 --> 00:17:58,560
Speaker 1: while she was going to the wedding. I was going

358
00:17:58,560 --> 00:18:00,959
Speaker 1: to the behindmas. I already had a triplane and she

359
00:18:01,040 --> 00:18:02,400
Speaker 1: was like, you're not coming to the wedding. I said,

360
00:18:02,480 --> 00:18:05,040
Speaker 1: Charlemagne just invited me last week. I already had this.

361
00:18:05,400 --> 00:18:08,960
Speaker 1: She said, I knew it. Man, he wasn't. Hey, man,

362
00:18:09,000 --> 00:18:10,960
Speaker 1: don't try to get me involved. A week before he

363
00:18:11,040 --> 00:18:17,840
Speaker 1: was hoping it would get castled. He's like, I don't

364
00:18:17,880 --> 00:18:22,440
Speaker 1: know if Rainy Sea. Do you like being a part

365
00:18:22,440 --> 00:18:24,000
Speaker 1: of on other horness? Man? You do? Do you kick

366
00:18:24,040 --> 00:18:26,280
Speaker 1: it with MJ? Yeah? Man? But you know what what

367
00:18:26,280 --> 00:18:28,879
Speaker 1: I'm gonna tell them about basketball? I mean serious? You know,

368
00:18:28,920 --> 00:18:32,200
Speaker 1: even if I got a good idea, keep it to myself.

369
00:18:32,880 --> 00:18:37,320
Speaker 1: At least we're designing uniforms or something. Yeah, well, yeah,

370
00:18:37,359 --> 00:18:38,720
Speaker 1: we do do that, you know what I'm saying. I

371
00:18:38,760 --> 00:18:41,720
Speaker 1: helped UM do some things for like um, what we

372
00:18:41,760 --> 00:18:43,920
Speaker 1: call the honey the honey bees and things like that

373
00:18:43,960 --> 00:18:46,359
Speaker 1: for the cheerleaders in the dance squads and stuff like that,

374
00:18:46,480 --> 00:18:49,679
Speaker 1: especially when we're doing through apple bottoms and stuff. But

375
00:18:49,720 --> 00:18:53,000
Speaker 1: as far as the uniforms, not yet. Um. You know,

376
00:18:53,119 --> 00:18:57,160
Speaker 1: Mike is an interesting guy. He's a very very interesting guy.

377
00:18:57,359 --> 00:19:00,600
Speaker 1: You know. It's like it's like a certain people, how

378
00:19:00,600 --> 00:19:02,760
Speaker 1: do you talk to them? And like and a lot

379
00:19:02,760 --> 00:19:04,679
Speaker 1: of mikes Michael Jackson, how would you talk to him?

380
00:19:05,040 --> 00:19:08,680
Speaker 1: How would you Michael Jordan? How do you talk to him?

381
00:19:08,720 --> 00:19:10,600
Speaker 1: You know what I'm saying, Like, I mean, other than cool,

382
00:19:10,680 --> 00:19:13,400
Speaker 1: like that's my uncle. But as far as telling him

383
00:19:13,400 --> 00:19:16,639
Speaker 1: about something that he was the epitome of, it's kind

384
00:19:16,680 --> 00:19:18,320
Speaker 1: of like, how do you do it? I could never

385
00:19:18,400 --> 00:19:22,520
Speaker 1: talk to Elle Elle about hip hop? Like you know

386
00:19:22,520 --> 00:19:25,040
Speaker 1: what I'm saying about, yo, you know, I could tell

387
00:19:25,080 --> 00:19:27,320
Speaker 1: him what works for me, but I don't know. But

388
00:19:27,440 --> 00:19:28,800
Speaker 1: I mean, it's a new era. Or you could talk

389
00:19:28,840 --> 00:19:35,320
Speaker 1: to you. I can't. I can't tell exactly because it's like, yo,

390
00:19:35,560 --> 00:19:39,840
Speaker 1: you know, without him, I wouldn't be Yeah, it was.

391
00:19:40,040 --> 00:19:44,120
Speaker 1: It was a small comparison quick too, it's like no, no,

392
00:19:44,200 --> 00:19:46,199
Speaker 1: don't do that, don't do that. I did have that

393
00:19:46,240 --> 00:19:49,400
Speaker 1: pleasure of doing that tribute bh one the hip hop

394
00:19:49,520 --> 00:19:51,320
Speaker 1: like that was one of the highlights so much. And

395
00:19:51,359 --> 00:19:53,159
Speaker 1: I'm gonna tell you something though he was he was

396
00:19:53,240 --> 00:19:56,560
Speaker 1: filed on that too, which was fouled. Uncle was fouled.

397
00:19:56,680 --> 00:19:58,720
Speaker 1: Ell was filed like you know we was doing and

398
00:19:58,800 --> 00:20:00,800
Speaker 1: I'm backstage right and I'm about ready to go on.

399
00:20:00,920 --> 00:20:04,000
Speaker 1: I never get nervous, never nervous. I got my troop

400
00:20:04,040 --> 00:20:06,600
Speaker 1: outfit on. I just I just bought the duke, he

401
00:20:06,680 --> 00:20:09,399
Speaker 1: wrote from kwamein. He coming back my duke, he wrote,

402
00:20:09,400 --> 00:20:12,040
Speaker 1: wasn't big enough. Quamin comes walking through. I said, Yo,

403
00:20:13,240 --> 00:20:16,160
Speaker 1: real quick, I've got fifteen minutes. I bring it right back.

404
00:20:16,480 --> 00:20:18,240
Speaker 1: He gives it to me. I'm about ready to go out.

405
00:20:18,440 --> 00:20:25,960
Speaker 1: L comes in, YO, make me look good. Baby. What

406
00:20:25,920 --> 00:20:29,760
Speaker 1: I'm saying, I'm like, oh, you know what I'm saying, like, oh,

407
00:20:29,880 --> 00:20:33,640
Speaker 1: that was wrong, that was wrong. Head trying to zone out.

408
00:20:33,680 --> 00:20:35,080
Speaker 1: You know what I'm saying. Yeah, I'm trying to zone.

409
00:20:35,080 --> 00:20:38,159
Speaker 1: I'm trying to get right. I'm trying to hit my points.

410
00:20:38,200 --> 00:20:39,720
Speaker 1: And here he comes with that. I was like, that

411
00:20:39,800 --> 00:20:43,240
Speaker 1: was real file man. But he's a Yo. He's unbelievable.

412
00:20:43,240 --> 00:20:45,840
Speaker 1: He's always been very very supportive and what I've done

413
00:20:45,880 --> 00:20:47,639
Speaker 1: and what I've been able to do with my career.

414
00:20:47,720 --> 00:20:52,119
Speaker 1: And yeah, he's he's been dope. Did you buy the truth? No? No, no, no,

415
00:20:52,160 --> 00:20:55,399
Speaker 1: I licensed it. I licensed it um but then the

416
00:20:55,440 --> 00:20:57,520
Speaker 1: person who I licensed it from he was nuts, you

417
00:20:57,560 --> 00:20:59,240
Speaker 1: know what I mean. So you know, I'm trying to

418
00:20:59,480 --> 00:21:01,399
Speaker 1: work that back out because I definitely think it's a

419
00:21:01,440 --> 00:21:03,280
Speaker 1: market for right now. What do you think of the

420
00:21:03,520 --> 00:21:05,800
Speaker 1: recent rap beef we had between drink and meat because

421
00:21:05,800 --> 00:21:08,280
Speaker 1: you was involved at your own rap skirmish with kres

422
00:21:08,400 --> 00:21:10,159
Speaker 1: At once that that was just a hey, how you

423
00:21:10,200 --> 00:21:12,920
Speaker 1: doing cool bow with me? You know what I'm saying?

424
00:21:15,640 --> 00:21:18,360
Speaker 1: You threw shot? That was like gutting hurt of No, no no,

425
00:21:18,480 --> 00:21:22,000
Speaker 1: he threw I returned surf And everybody's like, no, you

426
00:21:22,040 --> 00:21:24,400
Speaker 1: ain't supposed to reply back because you're not real hip

427
00:21:24,400 --> 00:21:26,480
Speaker 1: hop whatever exactly. And I'm like, are you kidding me?

428
00:21:26,520 --> 00:21:28,520
Speaker 1: I got kids? How do I wake up and tell

429
00:21:28,600 --> 00:21:30,560
Speaker 1: my boys? Let a man smack you in the face

430
00:21:30,560 --> 00:21:32,560
Speaker 1: and you ain't gonna say nothing? You know what I'm saying?

431
00:21:32,560 --> 00:21:36,280
Speaker 1: Whether I was was was was in the right or

432
00:21:36,280 --> 00:21:37,640
Speaker 1: the wrong? You know what I'm saying. I just felt

433
00:21:37,640 --> 00:21:39,520
Speaker 1: like it was a defensive. But the thing about him

434
00:21:39,640 --> 00:21:41,240
Speaker 1: is I was hurt when he did that. I mean,

435
00:21:41,480 --> 00:21:43,280
Speaker 1: how do you not love Kriss one? You know this

436
00:21:43,520 --> 00:21:46,480
Speaker 1: love is gonna get you? Yeah? What did I do?

437
00:21:46,600 --> 00:21:48,560
Speaker 1: You know? This is why dot Dot ain't you know

438
00:21:48,600 --> 00:21:51,120
Speaker 1: what I'm saying like this is especially in the loop.

439
00:21:51,200 --> 00:21:54,080
Speaker 1: You know, those songs were so influential with what we do.

440
00:21:54,200 --> 00:21:56,600
Speaker 1: But um, we had a chance to talk, we did

441
00:21:56,640 --> 00:22:00,840
Speaker 1: the um what was what was the self destruction tool?

442
00:22:01,280 --> 00:22:03,119
Speaker 1: Like we did. We had a chance to work with that,

443
00:22:03,359 --> 00:22:05,359
Speaker 1: had a chance to rock out together in Atlanta, and

444
00:22:05,960 --> 00:22:08,800
Speaker 1: you know that whole thing was you know, I guess

445
00:22:08,800 --> 00:22:10,919
Speaker 1: he was doing him but we didn't have that in

446
00:22:10,960 --> 00:22:15,680
Speaker 1: the social media era. That's why that's now, that's it's

447
00:22:15,720 --> 00:22:18,160
Speaker 1: just out of hand. So, um, I don't know, man,

448
00:22:18,200 --> 00:22:20,040
Speaker 1: I mean, you know, I think it was very very

449
00:22:20,119 --> 00:22:22,760
Speaker 1: interesting for about two weeks. It was you know what

450
00:22:22,800 --> 00:22:24,920
Speaker 1: I'm saying, like it was on fire for two weeks.

451
00:22:24,920 --> 00:22:27,280
Speaker 1: And that's what I was saying too, Like look how

452
00:22:27,320 --> 00:22:30,119
Speaker 1: fast that came and went to the peak of it.

453
00:22:30,200 --> 00:22:32,439
Speaker 1: That had that been like in the nineties of the eighties,

454
00:22:32,520 --> 00:22:37,239
Speaker 1: you know that two packing Biggie went on for you know,

455
00:22:37,359 --> 00:22:39,680
Speaker 1: on a on a whole other level. But two weeks

456
00:22:39,720 --> 00:22:43,480
Speaker 1: is a long time now. But that's because it gets

457
00:22:43,480 --> 00:22:50,360
Speaker 1: so oversaturated everywhere yet a lot of Instagram. They got

458
00:22:50,359 --> 00:22:52,520
Speaker 1: a lot done, But I don't think like for me,

459
00:22:52,640 --> 00:22:54,720
Speaker 1: there was like yo, you know, me. I I don't

460
00:22:54,720 --> 00:22:57,320
Speaker 1: think it's a question of who's over or nothing like that,

461
00:22:57,359 --> 00:22:59,560
Speaker 1: because I don't think it's any fans of meat that's

462
00:22:59,600 --> 00:23:02,240
Speaker 1: not going to continue to support me, you know what

463
00:23:02,240 --> 00:23:04,400
Speaker 1: I'm saying. And I don't think it's any device versa.

464
00:23:04,560 --> 00:23:07,400
Speaker 1: The other way, what I do think is that maybe

465
00:23:07,920 --> 00:23:10,919
Speaker 1: you know what I'm saying, like to get to another

466
00:23:11,040 --> 00:23:15,119
Speaker 1: level of the game. Sometimes you know in businesses say yo,

467
00:23:15,200 --> 00:23:16,639
Speaker 1: you would have been a partner by now if you

468
00:23:16,640 --> 00:23:18,800
Speaker 1: would have learned how to play by the rules. You

469
00:23:18,840 --> 00:23:20,359
Speaker 1: know what I'm saying, Like, when you get to a

470
00:23:20,400 --> 00:23:25,160
Speaker 1: certain level, it's just certain things that you accept, and

471
00:23:25,200 --> 00:23:27,800
Speaker 1: that may be how you make hit records, not how

472
00:23:27,840 --> 00:23:30,080
Speaker 1: you make hit rap records, you know what I'm saying.

473
00:23:30,080 --> 00:23:31,960
Speaker 1: So a lot of times when you're making hit records,

474
00:23:32,000 --> 00:23:34,200
Speaker 1: I don't know anybody that's been in this game four

475
00:23:34,280 --> 00:23:37,760
Speaker 1: or five records deep that it had six, seven, eight

476
00:23:37,880 --> 00:23:42,400
Speaker 1: number ones that haven't took references or some type of

477
00:23:43,440 --> 00:23:46,720
Speaker 1: influence from from from somewhere else. I mean, now, when

478
00:23:46,720 --> 00:23:49,760
Speaker 1: you're talking about rap records, that's something different, because yeah,

479
00:23:49,800 --> 00:23:51,600
Speaker 1: of course you know you're doing rap records, you're gonna

480
00:23:51,640 --> 00:23:54,080
Speaker 1: do that. But if you're doing hit records, yo. You

481
00:23:54,119 --> 00:23:58,280
Speaker 1: know have you done that taking references? Yeah? I mean,

482
00:23:58,280 --> 00:24:00,320
Speaker 1: how could you not. I've worked with producers like Ll.

483
00:24:00,480 --> 00:24:02,719
Speaker 1: You work with JD. You're working with producers like that.

484
00:24:02,800 --> 00:24:04,360
Speaker 1: You know a lot of times they come in with

485
00:24:04,600 --> 00:24:08,399
Speaker 1: those are producers. They just ain't giving you beats. You

486
00:24:08,400 --> 00:24:10,399
Speaker 1: know what I'm saying. You go in and work with Pharrell.

487
00:24:10,560 --> 00:24:18,359
Speaker 1: Farrell's right, No, no, no, no, no no, no, no, you

488
00:24:18,359 --> 00:24:20,360
Speaker 1: gotta do it. You're gonna break the vibe. Mo, You're

489
00:24:20,359 --> 00:24:23,800
Speaker 1: gonna kill the vibe. You gotta You're just like, Okay,

490
00:24:23,840 --> 00:24:25,600
Speaker 1: that's how you dan to the studio where you were from. No,

491
00:24:25,680 --> 00:24:29,880
Speaker 1: that's how he get down. But there were some there

492
00:24:29,880 --> 00:24:32,720
Speaker 1: were some that that you could have taken that ended

493
00:24:32,760 --> 00:24:34,399
Speaker 1: up going to other people too, And that happens and

494
00:24:34,440 --> 00:24:36,840
Speaker 1: all the time. Okay, that was never my record. I

495
00:24:36,920 --> 00:24:39,360
Speaker 1: never heard that record. Okay. The rumor was that they

496
00:24:39,359 --> 00:24:41,280
Speaker 1: had gave that record to you. You turn it down,

497
00:24:41,640 --> 00:24:43,520
Speaker 1: and then Floor Reddy took it and didn't even change

498
00:24:43,560 --> 00:24:46,280
Speaker 1: the apple bottom part and just kept it. Nah. We

499
00:24:46,440 --> 00:24:49,399
Speaker 1: never heard that record, never ever. Um. But when we

500
00:24:49,440 --> 00:24:53,000
Speaker 1: did heard it, I thought it was me. Damn, I'm jamming.

501
00:24:54,040 --> 00:24:59,160
Speaker 1: When did I make sum you know, things work out

502
00:24:59,200 --> 00:25:01,400
Speaker 1: for this crazy and I told to us about Saint

503
00:25:01,480 --> 00:25:03,280
Speaker 1: Louis a little bit, because yeah, it's going down. When

504
00:25:03,280 --> 00:25:05,879
Speaker 1: that incident first happened, I mean you were and you

505
00:25:05,920 --> 00:25:08,560
Speaker 1: were up. I think everybody called. I mean everybody was

506
00:25:08,640 --> 00:25:11,000
Speaker 1: DM me. I think I called you one time to

507
00:25:11,040 --> 00:25:13,560
Speaker 1: speak to us. What's going what? It looks like a

508
00:25:13,640 --> 00:25:16,080
Speaker 1: lot of frustration, you know what I'm saying all over again,

509
00:25:16,119 --> 00:25:18,359
Speaker 1: and you're dealing with First of all, you know, Saint Louis,

510
00:25:18,560 --> 00:25:21,320
Speaker 1: we're not multicultural like a New York City and things

511
00:25:21,320 --> 00:25:23,560
Speaker 1: of that nature. Like even when you guys have your problems,

512
00:25:23,600 --> 00:25:26,000
Speaker 1: it's a it's a it's a different type of plan

513
00:25:26,080 --> 00:25:29,119
Speaker 1: of action, so to speak, because you know, you're a

514
00:25:29,119 --> 00:25:32,760
Speaker 1: little bit more organized up here as supposed to the

515
00:25:32,760 --> 00:25:35,680
Speaker 1: way things go. You still have frustrations, people still lash out,

516
00:25:36,000 --> 00:25:38,520
Speaker 1: But in Saint Louis, you know, we're very very still

517
00:25:38,560 --> 00:25:40,919
Speaker 1: black and white, you know, and we have been for

518
00:25:40,960 --> 00:25:43,280
Speaker 1: a very long time. Like I don't even know a

519
00:25:43,359 --> 00:25:46,720
Speaker 1: school up here. That's just one way, you know, you

520
00:25:46,760 --> 00:25:49,159
Speaker 1: go down to Saint Louis, it's it's schools down to

521
00:25:49,240 --> 00:25:53,480
Speaker 1: the just black schools down there, just white you know

522
00:25:53,520 --> 00:25:56,399
Speaker 1: what I mean. And you know they still haven't that

523
00:25:56,400 --> 00:25:59,320
Speaker 1: that type of struggle. So when something like this happens,

524
00:25:59,760 --> 00:26:01,840
Speaker 1: you know, it's hard to be heard when you're living

525
00:26:01,880 --> 00:26:04,400
Speaker 1: in situations like Ferguson or you're living in the city

526
00:26:04,480 --> 00:26:06,639
Speaker 1: or North Saint Louis and things of that nature. So

527
00:26:06,680 --> 00:26:08,320
Speaker 1: when things come to a head, you know, you get

528
00:26:08,320 --> 00:26:11,840
Speaker 1: these type of explosions. Um, what we want to do

529
00:26:12,040 --> 00:26:14,160
Speaker 1: is try to walk that thin line and say, Yo,

530
00:26:14,200 --> 00:26:17,800
Speaker 1: I understand the frustrations, but you also got to understand,

531
00:26:17,840 --> 00:26:21,119
Speaker 1: like yo, to accomplish this. This is what this is

532
00:26:21,160 --> 00:26:24,240
Speaker 1: gonna take. It's gonna take us understanding what the problem is.

533
00:26:24,240 --> 00:26:27,480
Speaker 1: A plan of action. We don't plan. We have no plan,

534
00:26:27,880 --> 00:26:29,679
Speaker 1: you see what I'm saying. And with happen with not

535
00:26:29,760 --> 00:26:31,760
Speaker 1: having no plan, then you just do whatever. You know

536
00:26:31,760 --> 00:26:33,359
Speaker 1: what I'm saying. It's like going into a huddle and

537
00:26:33,400 --> 00:26:35,560
Speaker 1: a football and nobody knows the play and you go

538
00:26:35,720 --> 00:26:38,040
Speaker 1: break and everybody just go to the line and then

539
00:26:38,119 --> 00:26:40,400
Speaker 1: it's like, yo, what we're running or we're passing? And

540
00:26:40,520 --> 00:26:42,520
Speaker 1: that's where we're at right now, you know what I mean, Like,

541
00:26:43,240 --> 00:26:45,840
Speaker 1: we have no no, no, no plan of action. And

542
00:26:45,920 --> 00:26:48,000
Speaker 1: when you don't have that people just do whatever. And

543
00:26:48,040 --> 00:26:49,760
Speaker 1: that's what's going on right now, and it's a lot

544
00:26:49,800 --> 00:26:52,080
Speaker 1: of frustration, but I'm trying to We're trying to get

545
00:26:52,119 --> 00:26:54,040
Speaker 1: people to understand. It's like, Yo, you know, the only

546
00:26:54,080 --> 00:26:55,920
Speaker 1: way we're gonna be able to do this is through education.

547
00:26:56,119 --> 00:26:57,560
Speaker 1: Only way we're gonna be able to do this is

548
00:26:57,600 --> 00:26:59,840
Speaker 1: recognizing what the problem is and getting the people from

549
00:27:00,000 --> 00:27:03,200
Speaker 1: those communities to go on to higher education then come

550
00:27:03,240 --> 00:27:06,200
Speaker 1: back and run these communities because they know the people.

551
00:27:06,440 --> 00:27:08,679
Speaker 1: And that's just our plan of you know how we

552
00:27:08,840 --> 00:27:10,960
Speaker 1: plan on fixing it. But it's not an overnight thing. Man,

553
00:27:11,240 --> 00:27:13,480
Speaker 1: It's not an overnight thing. My biggest fear, excuse my

554
00:27:13,960 --> 00:27:16,640
Speaker 1: biggest fear is ten years from now, we still ain't

555
00:27:16,640 --> 00:27:19,000
Speaker 1: have no plan. That's my biggest fear. And that's what

556
00:27:19,440 --> 00:27:21,199
Speaker 1: that's what makes it nervous right now. It's like, Yo,

557
00:27:21,320 --> 00:27:23,320
Speaker 1: I get it. We're yelling, you know what I'm saying.

558
00:27:23,320 --> 00:27:25,720
Speaker 1: We're doing what it is, but I just don't want

559
00:27:25,760 --> 00:27:27,480
Speaker 1: ten years from now we're still in the same place.

560
00:27:27,640 --> 00:27:29,960
Speaker 1: And it's funny because you said this exact same thing

561
00:27:30,320 --> 00:27:32,920
Speaker 1: when when it first happened with Michael Brown, and everybody

562
00:27:32,960 --> 00:27:35,199
Speaker 1: jumped on your throat and gave you fleck. What you

563
00:27:35,240 --> 00:27:37,040
Speaker 1: were saying was we need to play, we need to plan,

564
00:27:37,200 --> 00:27:39,320
Speaker 1: because I even feel like even a year later, it

565
00:27:39,359 --> 00:27:41,680
Speaker 1: seems like, first of all, the way the media portrays it,

566
00:27:41,680 --> 00:27:47,639
Speaker 1: you would think it's chaotic, inness right right right. You know,

567
00:27:47,720 --> 00:27:50,120
Speaker 1: you look on the news, look like Iraq, you can't

568
00:27:50,119 --> 00:27:52,320
Speaker 1: go nowhere. People scare you know, you get on a

569
00:27:52,800 --> 00:27:54,000
Speaker 1: you go anywhere, it's like, what are you going to

570
00:27:54,000 --> 00:27:58,040
Speaker 1: Saint Louis? Oh my god? Is it okay? Like yeah,

571
00:27:58,119 --> 00:28:01,199
Speaker 1: I mean that's wait, you know what I'm saying, Like

572
00:28:01,240 --> 00:28:04,280
Speaker 1: it's it's it's not as if they make it look

573
00:28:04,320 --> 00:28:07,120
Speaker 1: on TV at all. You know, had there been any

574
00:28:07,160 --> 00:28:11,240
Speaker 1: changes in the police department in that area? Um for

575
00:28:11,400 --> 00:28:14,959
Speaker 1: my understanding, I mean yeah, small, But again, it's not

576
00:28:15,000 --> 00:28:17,239
Speaker 1: just the police department. It's it's it's all of it.

577
00:28:17,240 --> 00:28:21,800
Speaker 1: It's the prosecutor, it's the mayor's the city council, it's

578
00:28:21,840 --> 00:28:26,119
Speaker 1: everybody in that situation. Because that organization is what's running

579
00:28:26,160 --> 00:28:28,280
Speaker 1: that part of town. Now you have to get in

580
00:28:28,320 --> 00:28:32,760
Speaker 1: there and change that organization and get different systems in place, though,

581
00:28:32,800 --> 00:28:38,120
Speaker 1: so where people aren't feeling so harassed and they feel like, yo,

582
00:28:38,200 --> 00:28:41,040
Speaker 1: this is home as opposed that they being trapped. It

583
00:28:41,040 --> 00:28:43,520
Speaker 1: needs to be a reflection of the residents too. I

584
00:28:43,520 --> 00:28:45,800
Speaker 1: would think, yeah, yeah, definitely has to be. Well that's

585
00:28:45,800 --> 00:28:48,000
Speaker 1: anywhere though. When you don't have that, what are you

586
00:28:48,000 --> 00:28:50,360
Speaker 1: gonna get? You know what I'm saying? You same thing

587
00:28:50,440 --> 00:28:52,960
Speaker 1: like say South Africa. You know what I'm saying. You

588
00:28:53,960 --> 00:28:55,920
Speaker 1: look at these white folks running all these brothers and

589
00:28:56,080 --> 00:28:59,080
Speaker 1: use what else are you gonna get? You know, it

590
00:28:59,160 --> 00:29:06,520
Speaker 1: gets crazy. Real Husband's Hollywood changed your situation roll. Kevin's

591
00:29:06,520 --> 00:29:10,120
Speaker 1: a funny guy. Kevin's a real funny guy. You know,

592
00:29:10,360 --> 00:29:12,880
Speaker 1: Real Husband's Hollywood. We started back up when I think, um,

593
00:29:13,240 --> 00:29:15,959
Speaker 1: let's come out yeah this week, but we already filmed it. Man,

594
00:29:16,000 --> 00:29:18,120
Speaker 1: That's what I don't understand. We should I say that

595
00:29:18,760 --> 00:29:27,120
Speaker 1: he just did uh four four miss Robin. He actually

596
00:29:27,160 --> 00:29:33,360
Speaker 1: saw Charlotte Mane the other day. He did. You know what,

597
00:29:33,440 --> 00:29:36,240
Speaker 1: that was a situation. You know, we put ourselves in

598
00:29:36,240 --> 00:29:38,400
Speaker 1: our own situations. Man. You know what I'm saying. That

599
00:29:38,440 --> 00:29:40,720
Speaker 1: was a I think that I love Robin as an artist.

600
00:29:40,760 --> 00:29:42,959
Speaker 1: He's a cool dude. But truth be told, you know,

601
00:29:43,440 --> 00:29:46,840
Speaker 1: Robin is the reason he's not on Real Husband's in Hollywood.

602
00:29:46,880 --> 00:29:48,320
Speaker 1: You know what I'm saying, that that's something he wanted

603
00:29:48,320 --> 00:29:49,840
Speaker 1: to do, he would he would still be there, or

604
00:29:49,880 --> 00:29:52,440
Speaker 1: if he took it as seriously as we did. You

605
00:29:52,480 --> 00:29:54,160
Speaker 1: know what I'm saying, as we are, he would still

606
00:29:54,200 --> 00:29:55,800
Speaker 1: be there, you know what I mean. But he needed

607
00:29:55,880 --> 00:29:58,560
Speaker 1: now I'm not I'm not saying that he won't be

608
00:29:58,600 --> 00:30:00,640
Speaker 1: there because Yo, dudes, he's a great guy. You know

609
00:30:00,680 --> 00:30:02,600
Speaker 1: what I'm saying. But I mean, that's just the truth,

610
00:30:03,360 --> 00:30:08,240
Speaker 1: all right, going away. We appreciate you doing it, no man, anytime,

611
00:30:08,400 --> 00:30:10,240
Speaker 1: any time, man, I thought Charlott Mane was going as

612
00:30:10,360 --> 00:30:14,120
Speaker 1: some bottom. No, I gave all those away. Actually I did.

613
00:30:14,120 --> 00:30:16,320
Speaker 1: I gave I love. I got another one. I gave

614
00:30:16,520 --> 00:30:20,360
Speaker 1: every gifted him. I'm gonna read gifted. I appreciate you, Drake,

615
00:30:20,560 --> 00:30:23,040
Speaker 1: thank you. And he still has the card after every gram. Yep,

616
00:30:23,240 --> 00:30:27,160
Speaker 1: he just drew a line through it. Actually wrote like

617
00:30:27,160 --> 00:30:29,080
Speaker 1: four different cards all say the same thing. Let's be

618
00:30:29,480 --> 00:30:32,440
Speaker 1: that he really wrote that, or that some person that different.

619
00:30:33,440 --> 00:30:35,400
Speaker 1: Either way, we appreciate it, no doubt. Well it's the

620
00:30:35,400 --> 00:30:36,640
Speaker 1: breakfast claims. Yeah, man,