WEBVTT - 221: First Date with Steve Agee

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<v Speaker 1>Hey babe, Yeah, babe, who are you with? Today's Outside?

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<v Speaker 2>One of the most beloved characters from the New Girl universe.

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<v Speaker 1>I want everybody to go. I mean, when fans watch

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<v Speaker 1>the show, there are memorable moments, they're memorable characters, the

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<v Speaker 1>memorable lines, and I think you are responsible for about

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<v Speaker 1>fifty that.

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<v Speaker 3>It's the I get recognized for the most. Really, yeah,

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<v Speaker 3>it hands down, not even close. And I've been a

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<v Speaker 3>regular on shows, this is still the one where people

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<v Speaker 3>are come up and quote me lines, a lot of

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<v Speaker 3>which I don't remember at all because a lot of

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<v Speaker 3>this stuff was alts. You know, this is a show that,

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<v Speaker 3>like I was like, Wow, you show up and you

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<v Speaker 3>have your lines memorized, and you go into your trailer

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<v Speaker 3>in the morning and there's a page two pages of alts.

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<v Speaker 1>Yes. Yes, So we had this conversation we were discussing

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<v Speaker 1>a prior episode, that spot episode.

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<v Speaker 3>Yeah, it was my first one.

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<v Speaker 1>What is your first one?

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<v Speaker 2>That's introduction ab outside Dave because you're asleep on the

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<v Speaker 2>car on Jess's car, I'm can I get you anything?

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<v Speaker 2>And you say coffee two percent? And we were like,

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<v Speaker 2>is that was that like improved or was that in

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<v Speaker 2>the pack of all.

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<v Speaker 3>That was improved that The original line was just She's like, Dave,

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<v Speaker 3>can you move? And I screamed something at her and

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<v Speaker 3>that was the original line.

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<v Speaker 1>Yeah.

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<v Speaker 3>And then I think Zoe improvised I'm gonna go get

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<v Speaker 3>a coffee you want anything?

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<v Speaker 2>And it's like, two, that's really funny, I said to

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<v Speaker 2>the morning, even though I know the alts that we

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<v Speaker 2>all used to get handed all the time. When we

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<v Speaker 2>did the recap of Parking Spot, I was like, I

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<v Speaker 2>feel like he improved that and it made me laugh

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<v Speaker 2>so hard because it's so specific and the refined taste

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<v Speaker 2>of the unhoused of la O milk.

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<v Speaker 3>That was great. That was like it was I was

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<v Speaker 3>supposed to be one episode and done. Really Yeah, and

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<v Speaker 3>then I think Zoe after that, I mean that took

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<v Speaker 3>like ten minutes. You guys were a well oiled machine

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<v Speaker 3>by the time I got there, Like Outside Dave scenes

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<v Speaker 3>were never more than like twenty minutes worth of shooting.

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<v Speaker 3>And then I remember Zoe going, oh my god, that

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<v Speaker 3>character's so funny. We got to have him back.

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<v Speaker 2>Ooh.

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<v Speaker 3>That led to like many.

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<v Speaker 2>More interesting I don't know that's how that all happened.

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<v Speaker 1>Okay, folks, So Today we are reviewing the episode First Date,

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<v Speaker 1>First Date, directed by Lynn.

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<v Speaker 3>Shelton, Late Great Lynn Shelton, Lynn.

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<v Speaker 1>Shelton, written by jj Fhilban and Berkeley Johnsons. All the

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<v Speaker 1>big hitters, Yeah, also in this episode, and I want

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<v Speaker 1>to I want to start by saying this episode was

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<v Speaker 1>the I'm going to say, the start of a very

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<v Speaker 1>funny individual, also by the name of Ron Funches. Ron

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<v Speaker 1>Funch is also on this episode, and I shot him

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<v Speaker 1>a text. I said, is there anything you remember about

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<v Speaker 1>this episode in particular? And he wrote me this note,

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<v Speaker 1>which is very lovely. He said, my main memory of

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<v Speaker 1>that episode is Lynn Shelton. When I auditioned that role

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<v Speaker 1>was not shirtless, and when I showed up and realized

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<v Speaker 1>part of the joke was that I was fat and dirty,

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<v Speaker 1>I was very self conscious. Lynn saw that and came

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<v Speaker 1>over to me and told me that I could either

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<v Speaker 1>shrink or own the situation and made me feel so

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<v Speaker 1>powerful and funny. And the first time I made you laugh,

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<v Speaker 1>I felt powerful and knew I wanted to act and

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<v Speaker 1>wanted to get my health together so I could be

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<v Speaker 1>more than the fat, homeless guy. And I remember shooting

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<v Speaker 1>there's a flashback scene where I'm on a date and

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<v Speaker 1>he comes up and he starts singing father Figure, and

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<v Speaker 1>I didn't know what was going to happen or who

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<v Speaker 1>was preferred. I didn't know. And when he started doing it,

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<v Speaker 1>when I tell you, I kept breaking characters so much

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<v Speaker 1>that we kept having to redo it, I was in tears.

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<v Speaker 2>Funny when you see the actress in front of you,

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<v Speaker 2>you can see her break and she turns her head

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<v Speaker 2>and she covers her mouth and her face and I'm like, oh,

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<v Speaker 2>she can't hold it together. Yeah, And she probably felt

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<v Speaker 2>a lot of pressure too to be like, I can't

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<v Speaker 2>screw up this scene. This man is fully in song.

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<v Speaker 2>You know. It's different than I think when you were

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<v Speaker 2>like a regular on the show or whatever the thing is.

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<v Speaker 2>But I watch her fully break because they just I mean,

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<v Speaker 2>they gave him so much airtime. They did too some times.

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<v Speaker 2>He's the tag as well as well.

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<v Speaker 1>So that was man.

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<v Speaker 2>That's also just the power of Lynn. I have so

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<v Speaker 2>many stories too about her just being able. She could

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<v Speaker 2>just see when you felt vulnerable and you didn't have

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<v Speaker 2>to really say anything, and she would show up and

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<v Speaker 2>somehow empower you in that feeling. There's a reason why everybody.

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<v Speaker 2>I mean, I have goosebums talking about it right now.

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<v Speaker 3>That was my first time working with Lynn and we

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<v Speaker 3>became great friends. Like she was when my mom passed away.

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<v Speaker 3>Lynn was like really responsible for keeping me sane and

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<v Speaker 3>like really yeah. It was during COVID and so Lynn

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<v Speaker 3>and I would there's an app called Marco Polo where

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<v Speaker 3>you video each other and Lynn would like every day

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<v Speaker 3>check in on. Yeah, she was the best.

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<v Speaker 1>That's great, man. Yeah.

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<v Speaker 2>Such, she has such a giving heart. Man. We love her,

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<v Speaker 2>We miss her. We're so lucky that we like got

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<v Speaker 2>to be in her world for as long as we did.

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<v Speaker 1>So you down to break down this episode with us absolutely,

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<v Speaker 1>you know what goes through kind of beat my beat

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<v Speaker 1>a little bit and also just you know whatever you

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<v Speaker 1>feel like.

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<v Speaker 3>Yeah.

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<v Speaker 1>So in this episode, Nick and Jess they go on

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<v Speaker 1>their first official date. However, they flip flop more than

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<v Speaker 1>a politician around Electric Year and it's you know, they

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<v Speaker 1>don't know if it's a date or not, and it's

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<v Speaker 1>a whole stupid thing they do. Meanwhile, Schmid and Winston

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<v Speaker 1>they're afraid to They're afraid they will lose Nick, you know,

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<v Speaker 1>because Nick is the glue that holds their friendship together

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<v Speaker 1>and that will happen there for you if he starts

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<v Speaker 1>to date Chest. So they come up with an elaborate

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<v Speaker 1>plan to sabotage the date that includes free drinks, stealing

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<v Speaker 1>a bear from the zoo, and outside days everyone's favorite

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<v Speaker 1>homeless guy. So let's let's dive right into it. Let's

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<v Speaker 1>start from the top. Winston tries to sneak into his

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<v Speaker 1>room the phone charger.

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<v Speaker 3>That is so mental for a premise, like they have

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<v Speaker 3>one phone charge.

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<v Speaker 1>It was like, what, well, when you buy a phone,

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<v Speaker 1>it comes with one.

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<v Speaker 2>Yes, well she was saying, just says it's a bonding

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<v Speaker 2>thing for all of them, right, But then also like

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<v Speaker 2>a joke that they're not all really doing it except

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<v Speaker 2>for Windnsday.

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<v Speaker 1>Like the fact that he's trying to like on the

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<v Speaker 1>low like all this, Like, bro, just put one in

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<v Speaker 1>your room, no one's coming.

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<v Speaker 2>That's what she's like. I have nine phone judges in

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<v Speaker 2>my phone in my room or whatever.

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<v Speaker 3>Yeah, yeah, what Jake says, His phone doesn't even take

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<v Speaker 3>that kind of.

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<v Speaker 2>Exactly right.

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<v Speaker 1>What I found interesting about it is that the guys

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<v Speaker 1>take action. They try to fight Winston. They like wrestle

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<v Speaker 1>him down onto the floor and then Jess is like

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<v Speaker 1>I got him. He's like, you don't.

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<v Speaker 2>It's just walk away slowly, there's no problem.

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<v Speaker 1>Okay. My favorite line of that is when Schmid calls

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<v Speaker 1>you cannot run the Jewish.

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<v Speaker 2>Jewish and then he does the run like you're just

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<v Speaker 2>going why so much? You're gonna go so far with

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<v Speaker 2>this ridiculous run, We're almost going backwards. You're going so slow?

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<v Speaker 1>Yeah, classic Nick and Jess. They stand in front of

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<v Speaker 1>each other, not sure what to say. He puts his

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<v Speaker 1>hand on Jess's boob.

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<v Speaker 2>By the way, like there was I also forgot that

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<v Speaker 2>that ever happened.

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<v Speaker 3>What are upper boob? Upper boom? Under said yes, and

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<v Speaker 3>by the way, did you notice the hand physician and slipping.

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<v Speaker 1>A lot of.

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<v Speaker 2>Boob touches in this episode because they could not cut

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<v Speaker 2>together unless it was very Kubrick of them, like we're

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<v Speaker 2>just going to keep making everyone feel slightly uncomfortable through

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<v Speaker 2>the cut.

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<v Speaker 1>It was initially because he says he's an under boob guy, right.

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<v Speaker 1>Initially my question when when when it was happening, I

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<v Speaker 1>was like, is that a TV thing? Like he can't

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<v Speaker 1>I don't.

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<v Speaker 2>Think he could have grabbed her boobs I'm sure that's

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<v Speaker 2>probably what was wanted, and it's like, you can't, so

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<v Speaker 2>I'm just going to touch the upper part of your

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<v Speaker 2>chest because that's as far as we can go in

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<v Speaker 2>network television and then roll with it.

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<v Speaker 1>That's difference between network television and like I was watching

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<v Speaker 1>I was watching Anything But You the other day and

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<v Speaker 1>they went they was touching butts and boobs. I was like, whoa,

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<v Speaker 1>but PLA's going for it? Oh whole butt out.

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<v Speaker 2>No, I've not seen you.

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<v Speaker 1>Haven't seen it.

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<v Speaker 2>No, I'm just watching this show.

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<v Speaker 1>A lot of episodes, a lot of episodes. Jess shows

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<v Speaker 1>ce Cee what Nick did you know? And CEC says

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<v Speaker 1>it looks like the pledge of allegiance that can't be

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<v Speaker 1>which can be sexual?

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<v Speaker 2>Hand on hard, I got it?

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<v Speaker 1>Okay, what else we got? Jess explains to CC it's Nick.

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<v Speaker 1>He's never going to tell her how he feels that

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<v Speaker 1>I was going to be awkward and she needs to

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<v Speaker 1>stop thinking it's going to change. Now. Here's what I

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<v Speaker 1>found interesting about this, this back and forth with them.

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<v Speaker 1>There's so much Typically in a show, there's a lot

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<v Speaker 1>of build up, the will they won't they, and then

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<v Speaker 1>it happens or it doesn't happen. In this show, there's

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<v Speaker 1>a lot of like, oh, we can't. Then nothing happens,

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<v Speaker 1>then they have their own thing. I'm I'm not lying

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<v Speaker 1>to you. I got so confused. I was like, didn't

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<v Speaker 1>they already do it? Didn't aren't they already together in this?

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<v Speaker 1>And I was like, oh my god, they're not.

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<v Speaker 2>Like no, but this was I think like the gift

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<v Speaker 2>of like Liz Meriweathers and I think white people love

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<v Speaker 2>the show and responded so much. It was just so

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<v Speaker 2>much of that was like real life and real relationships.

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<v Speaker 2>It's messy, you made out and we shouldn't do it.

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<v Speaker 2>Oh gosh, then we're back in as opposed to just

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<v Speaker 2>like some rom com comedy where it is just the

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<v Speaker 2>will they want they attention forever. And then in the

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<v Speaker 2>final season, in the final episode, basically relationship time, like

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<v Speaker 2>what but that's not real life. These are like people

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<v Speaker 2>in their late twenties, they're living together. It's a bit

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<v Speaker 2>of a disaster.

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<v Speaker 3>What.

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<v Speaker 1>There's all these characters we obviously we were talking with

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<v Speaker 1>outside Dave, but there's always these characters that are that

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<v Speaker 1>are mainstays for for tr.

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<v Speaker 3>Tran, such a great happy Smiley yes, silent character.

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<v Speaker 1>The interaction between Nick and him is always some of

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<v Speaker 1>the funniest stuff because he's not saying anything. What a

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<v Speaker 1>dream roll dream roll.

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<v Speaker 3>That and coma.

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<v Speaker 2>God be able to sit there smile and you can

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<v Speaker 2>also tell again and when you know someone really well,

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<v Speaker 2>how happy Jake Johnson is in that scene that he

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<v Speaker 2>gets to sit there ramble be weird scene. He own

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<v Speaker 2>the scene. But he loves being He talked to us

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<v Speaker 2>about this before. He was like, loves being in a

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<v Speaker 2>two shot with somebody. He likes to bounce off, you

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<v Speaker 2>know what I mean. And you could just see why

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<v Speaker 2>that I think probably, I bet you it's a similar

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<v Speaker 2>story with the with the with the Trand character. Probably

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<v Speaker 2>was supposed to be a one off and then Jake

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<v Speaker 2>was like, no, no, keep this.

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<v Speaker 1>Gem.

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<v Speaker 3>Yeah.

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<v Speaker 2>Then you get to see into his mind a little bit.

0:11:49.520 --> 0:11:52.959
<v Speaker 2>And then he practices asking Jess out on a date

0:11:53.400 --> 0:11:56.480
<v Speaker 2>yes with Trand, which by the way, comes effortlessly unlike

0:11:56.480 --> 0:12:01.680
<v Speaker 2>when he actually is in front. Yeah, it was just

0:12:01.679 --> 0:12:03.400
<v Speaker 2>really funny. He feels more comfortable Tran.

0:12:03.760 --> 0:12:04.520
<v Speaker 3>Yeah, I get it.

0:12:04.559 --> 0:12:06.079
<v Speaker 1>We're going to go to break and when we come back,

0:12:06.200 --> 0:12:08.280
<v Speaker 1>we're going to continue to dive into this episode, there's

0:12:08.280 --> 0:12:10.600
<v Speaker 1>a loss to talk about. We'll be back.

0:12:15.880 --> 0:12:19.240
<v Speaker 2>First before we get into the storyline, right, which is

0:12:19.280 --> 0:12:21.920
<v Speaker 2>you guys just trying to break this tension of Nick

0:12:22.040 --> 0:12:24.160
<v Speaker 2>leaving the glue together. You know, he's the glue that

0:12:24.240 --> 0:12:27.720
<v Speaker 2>keeps you and Wincident Schmidt together. I talk about this

0:12:27.760 --> 0:12:30.680
<v Speaker 2>incredible episode with outside Dave, Steve tell us how did

0:12:30.720 --> 0:12:32.560
<v Speaker 2>you get on the show? Do you remember how you

0:12:32.559 --> 0:12:34.640
<v Speaker 2>were asked? Do you remember what it was like? Was

0:12:34.679 --> 0:12:36.360
<v Speaker 2>their casting? How did they go down?

0:12:37.000 --> 0:12:40.800
<v Speaker 3>So that first episode, the Parking Spot, a guy I

0:12:40.880 --> 0:12:43.920
<v Speaker 3>used to do sketch comedy with around La Fred Goss

0:12:44.080 --> 0:12:48.319
<v Speaker 3>was directing that episode and they were about to start

0:12:48.320 --> 0:12:52.920
<v Speaker 3>casting it and he approached Aaron O'Malley, who was the

0:12:52.960 --> 0:12:54.679
<v Speaker 3>EP of a show I used to be on called

0:12:54.679 --> 0:12:58.520
<v Speaker 3>The Sarah Silverman Program. So I already knew Aaron and

0:12:58.559 --> 0:13:00.679
<v Speaker 3>Fred said, hey, I know this guy's Steve ag who

0:13:00.760 --> 0:13:04.120
<v Speaker 3>might be goad. Aaron was like, he's perfect. They just

0:13:04.200 --> 0:13:08.240
<v Speaker 3>offered me the part. It was again one episode, and

0:13:08.280 --> 0:13:11.080
<v Speaker 3>it was like one line, so it was not like

0:13:11.200 --> 0:13:16.640
<v Speaker 3>a crucial part, and it just stuck. Zoe loved it. Yeah,

0:13:16.800 --> 0:13:21.040
<v Speaker 3>the crew loved it, and my experience was I think

0:13:21.080 --> 0:13:24.840
<v Speaker 3>The writers especially loved writing for Outside Dave. Oh yeah,

0:13:24.880 --> 0:13:28.200
<v Speaker 3>because you can just be so weird, just out of

0:13:28.280 --> 0:13:29.200
<v Speaker 3>left field with him.

0:13:29.440 --> 0:13:31.640
<v Speaker 1>So let's talk about this episode in particular. Do you

0:13:31.640 --> 0:13:35.560
<v Speaker 1>remember anything specifically about this episode? There was a lot happening.

0:13:35.640 --> 0:13:38.080
<v Speaker 2>Yeah, it's a big outside Dave episode because he becomes

0:13:38.120 --> 0:13:38.800
<v Speaker 2>inside Dave.

0:13:38.960 --> 0:13:39.120
<v Speaker 1>Yeah.

0:13:39.160 --> 0:13:42.720
<v Speaker 3>Yeah, usually Outside Dave episodes there is a pattern. It's

0:13:43.360 --> 0:13:47.600
<v Speaker 3>close up of someone like Schmidt pouring out his heart.

0:13:47.960 --> 0:13:52.040
<v Speaker 3>He's got he's got a conundrum. He's like, I don't

0:13:52.080 --> 0:13:54.880
<v Speaker 3>know what to do with it. They're treating me like

0:13:54.920 --> 0:13:58.840
<v Speaker 3>I'm a child, and it's a very deep, intense conversation.

0:13:59.559 --> 0:14:02.400
<v Speaker 3>And then and they cut to he's sitting across the

0:14:02.400 --> 0:14:05.320
<v Speaker 3>table from me at an outdoor cafe and I say

0:14:05.400 --> 0:14:10.840
<v Speaker 3>something insane and then it goes to a commercial. That

0:14:11.000 --> 0:14:14.840
<v Speaker 3>was My scenes were usually like fifteen to twenty minutes

0:14:14.840 --> 0:14:18.240
<v Speaker 3>of shooting. Wow, very little. I showed up one day.

0:14:18.320 --> 0:14:20.680
<v Speaker 3>Outside Dave was a mess, and I showed up one

0:14:20.760 --> 0:14:25.960
<v Speaker 3>day and hair and makeup goes, you look great. There

0:14:26.040 --> 0:14:27.880
<v Speaker 3>was one and I think it was a scene with

0:14:27.960 --> 0:14:32.080
<v Speaker 3>you where I'm like giving CPR to a bug or something,

0:14:32.920 --> 0:14:35.880
<v Speaker 3>and I showed up and they were like, all right,

0:14:35.920 --> 0:14:39.600
<v Speaker 3>you look good, like they didn't do anything to me.

0:14:40.080 --> 0:14:42.400
<v Speaker 3>I had a big beer because I was shooting something

0:14:42.440 --> 0:14:46.080
<v Speaker 3>at the time. And yeah, but most of my scenes

0:14:46.120 --> 0:14:50.040
<v Speaker 3>were just a there were very few multiple days with

0:14:50.200 --> 0:14:50.840
<v Speaker 3>me on set.

0:14:51.240 --> 0:14:52.840
<v Speaker 2>And did they just let you go and improv a

0:14:52.880 --> 0:14:54.680
<v Speaker 2>bunch of stuff after you'd done the big alt pack.

0:14:55.320 --> 0:14:58.200
<v Speaker 3>Yeah. We would always do the first the line as

0:14:58.240 --> 0:15:02.000
<v Speaker 3>it was written in the and I would sometimes throw

0:15:02.080 --> 0:15:04.560
<v Speaker 3>something out. A lot of times it was the writer

0:15:04.760 --> 0:15:08.360
<v Speaker 3>in fact that scene with Schmidt and an outdoor cafe,

0:15:09.240 --> 0:15:11.760
<v Speaker 3>it cuts to me and I've got a little action

0:15:11.920 --> 0:15:14.960
<v Speaker 3>figure in my pocket and I take it out and

0:15:15.160 --> 0:15:19.680
<v Speaker 3>there were a thousand lines of me what this guy is?

0:15:19.720 --> 0:15:23.360
<v Speaker 3>And I think it was Matt Fussfeld and Alex who

0:15:23.880 --> 0:15:26.800
<v Speaker 3>gave me the line. His name is Connor and he

0:15:26.840 --> 0:15:31.320
<v Speaker 3>went to sunny Binghamton. I didn't know what soony Binghamton was,

0:15:32.240 --> 0:15:38.840
<v Speaker 3>but yeah, that it was very very quick, quick stuff

0:15:38.880 --> 0:15:41.160
<v Speaker 3>with outside Dave. This was great because it was like

0:15:41.360 --> 0:15:42.560
<v Speaker 3>I was there for a couple of days.

0:15:42.720 --> 0:15:44.600
<v Speaker 1>A couple of days I would say, I would say

0:15:45.120 --> 0:15:47.240
<v Speaker 1>talk to us about let's let's let's dive into this

0:15:47.280 --> 0:15:48.880
<v Speaker 1>actual moment. We're going to go back and we're going

0:15:48.960 --> 0:15:51.600
<v Speaker 1>to talk about what's happening with the with some of

0:15:51.600 --> 0:15:54.520
<v Speaker 1>the a story, but I definitely want to dive into,

0:15:54.840 --> 0:15:59.640
<v Speaker 1>you know, some of the actions of outside Dave in

0:15:59.640 --> 0:16:02.280
<v Speaker 1>the the hijinks. How do we get here? Help me

0:16:02.320 --> 0:16:03.080
<v Speaker 1>set this one up?

0:16:03.520 --> 0:16:06.200
<v Speaker 2>Well, how outside Dave becomes inside Dave? Do you remember that?

0:16:06.240 --> 0:16:07.160
<v Speaker 2>Do you remember how the story?

0:16:07.240 --> 0:16:09.480
<v Speaker 3>Yes? So you guys mean you guys come to me.

0:16:09.600 --> 0:16:13.080
<v Speaker 3>I'm gonna raise this. You guys come to me outside

0:16:13.160 --> 0:16:15.760
<v Speaker 3>and you're like, Dave, how what would it cost to

0:16:15.760 --> 0:16:18.200
<v Speaker 3>get you to break up a date? And I'm like

0:16:18.360 --> 0:16:22.720
<v Speaker 3>four million dollars and something else? My part is YouTube

0:16:22.760 --> 0:16:25.840
<v Speaker 3>turning away, he goes and Max going, I don't have

0:16:28.960 --> 0:16:32.640
<v Speaker 3>you have roommates four million? And then you're like, how

0:16:32.640 --> 0:16:35.480
<v Speaker 3>about two sandwiches and something.

0:16:35.600 --> 0:16:37.120
<v Speaker 2>Home cooked sandwiches?

0:16:37.320 --> 0:16:38.760
<v Speaker 1>Cooked sandwiches also the.

0:16:38.640 --> 0:16:41.080
<v Speaker 2>Greatest thing home cooked sand.

0:16:40.760 --> 0:16:45.360
<v Speaker 3>And my counter is one sandwich. And then we later

0:16:45.440 --> 0:16:48.040
<v Speaker 3>cut to you guys letting me into the loft and

0:16:48.080 --> 0:16:50.280
<v Speaker 3>I immediately knock something over and run.

0:16:50.560 --> 0:16:53.720
<v Speaker 1>Yes, you pull down that. So what's what's funny about

0:16:53.760 --> 0:16:56.640
<v Speaker 1>that particular? Uh? What do you call it? The little

0:16:56.640 --> 0:16:58.600
<v Speaker 1>stand with all the stuff on, It's like a football

0:16:58.640 --> 0:17:01.800
<v Speaker 1>and a bunch of stuff. They were really particular about

0:17:02.160 --> 0:17:04.879
<v Speaker 1>continuity of that thing because there are times where like

0:17:04.920 --> 0:17:06.680
<v Speaker 1>I did improvise a bit where I take something off

0:17:06.680 --> 0:17:08.600
<v Speaker 1>and they go, oh, we got to make sure they

0:17:08.600 --> 0:17:10.639
<v Speaker 1>take pictures of it that stays the same way. And

0:17:10.680 --> 0:17:12.680
<v Speaker 1>I found it so funny that you immately come in

0:17:12.720 --> 0:17:13.679
<v Speaker 1>and throw it on the ground.

0:17:14.359 --> 0:17:16.600
<v Speaker 3>But I didn't even know if that was in the script.

0:17:17.040 --> 0:17:19.560
<v Speaker 3>I think Lynn told me. I think Lynn told me, like,

0:17:20.040 --> 0:17:21.280
<v Speaker 3>knock something over when.

0:17:21.680 --> 0:17:23.720
<v Speaker 1>You knock down pretty big.

0:17:24.960 --> 0:17:26.639
<v Speaker 3>That's a lot of continuity right there.

0:17:26.760 --> 0:17:28.960
<v Speaker 1>One of my favorites. And I don't even know how

0:17:29.000 --> 0:17:32.080
<v Speaker 1>they they I don't know how they shot it because

0:17:32.320 --> 0:17:35.119
<v Speaker 1>Jake talked a lot about in this In the episode

0:17:36.160 --> 0:17:39.600
<v Speaker 1>Pepperwood when he's trying to break into the thing, the

0:17:39.680 --> 0:17:41.600
<v Speaker 1>stunt he didn't actually do the stunt.

0:17:41.600 --> 0:17:43.520
<v Speaker 2>Oh yeah, when he's breaking into Edgar's shed.

0:17:43.840 --> 0:17:46.600
<v Speaker 1>Do you remember filming when when Schmid had to come

0:17:46.640 --> 0:17:49.280
<v Speaker 1>down from the thing and film that. Talk to me

0:17:49.280 --> 0:17:50.199
<v Speaker 1>about that day there.

0:17:50.760 --> 0:17:57.040
<v Speaker 3>So your bathroom, which was amazing on the show, had urinuals. Yeah,

0:17:57.119 --> 0:18:00.199
<v Speaker 3>like that is so crazy. Yeah, I go in, lock

0:18:00.280 --> 0:18:04.880
<v Speaker 3>myself in and Max hears me like using his razor

0:18:04.920 --> 0:18:08.560
<v Speaker 3>and stuff, and he is freaking out, like so you know,

0:18:08.680 --> 0:18:11.920
<v Speaker 3>OCD and neurotic, and so he's like, I gotta get

0:18:11.920 --> 0:18:14.720
<v Speaker 3>in there. And so he goes up to your roof

0:18:14.920 --> 0:18:18.919
<v Speaker 3>where there's a skylight and he lowers himself in and

0:18:18.960 --> 0:18:22.119
<v Speaker 3>you just hear from the outside him screaming as he

0:18:22.200 --> 0:18:26.160
<v Speaker 3>lowers himself in. And they did a reverse. Okay, there's

0:18:26.160 --> 0:18:31.760
<v Speaker 3>a reverse of Max like hanging. I don't remember them

0:18:31.800 --> 0:18:36.160
<v Speaker 3>shooting that, but it's a practical shot that they did.

0:18:36.400 --> 0:18:38.720
<v Speaker 2>Yeah, because I was so confused when I was again

0:18:38.720 --> 0:18:41.520
<v Speaker 2>because I didn't remember the episode, so I was like,

0:18:41.680 --> 0:18:43.720
<v Speaker 2>where's the thud? Because you think he's just going to

0:18:43.800 --> 0:18:46.439
<v Speaker 2>fall through and it's not. It's only when Winston then

0:18:46.520 --> 0:18:49.760
<v Speaker 2>kicks the door in and then we see that you're

0:18:50.000 --> 0:18:50.840
<v Speaker 2>holding him.

0:18:51.200 --> 0:18:54.480
<v Speaker 3>We have got his leg and one leg to shave

0:18:54.640 --> 0:18:56.760
<v Speaker 3>him his wife.

0:18:57.359 --> 0:19:00.199
<v Speaker 1>My favorite part about that episode there's always a in

0:19:00.240 --> 0:19:04.199
<v Speaker 1>a future episode I do this. I've always there's a

0:19:04.240 --> 0:19:06.040
<v Speaker 1>bit that I've always wanted to just do because I

0:19:06.119 --> 0:19:07.720
<v Speaker 1>used to write a lot of sketch and I've always

0:19:07.760 --> 0:19:09.920
<v Speaker 1>wanted to do this bit. I never did it where

0:19:10.080 --> 0:19:13.760
<v Speaker 1>you would show a urinal a line of urinals and

0:19:14.000 --> 0:19:16.800
<v Speaker 1>you show just the backs of men pissing, and then

0:19:16.800 --> 0:19:18.399
<v Speaker 1>there's one that's blank, and then you go back and

0:19:18.440 --> 0:19:20.200
<v Speaker 1>you lower it and you realize some guys taking a

0:19:20.240 --> 0:19:23.800
<v Speaker 1>ship in there. I always want to do that and

0:19:23.800 --> 0:19:27.000
<v Speaker 1>and I just I just love the fact that you're sitting.

0:19:26.680 --> 0:19:32.080
<v Speaker 2>There, how many you just kind of.

0:19:33.600 --> 0:19:35.600
<v Speaker 1>Put together in the.

0:19:35.560 --> 0:19:39.560
<v Speaker 3>Bathroom, And I love that you run in to save

0:19:40.440 --> 0:19:42.800
<v Speaker 3>Schmidt and he's like, catch me and you do not

0:19:42.880 --> 0:19:45.400
<v Speaker 3>catch him now, and he's still like, oh, you saved

0:19:45.440 --> 0:19:45.800
<v Speaker 3>my life.

0:19:45.880 --> 0:19:48.200
<v Speaker 2>Yeah, the bonded Now.

0:19:50.000 --> 0:19:53.160
<v Speaker 1>There's a there's a lot of like flash forwards and flashbacks.

0:19:53.160 --> 0:19:56.280
<v Speaker 1>So we talked about this another episode where Winston another

0:19:56.400 --> 0:19:59.320
<v Speaker 1>another moment where I find it to be well. The

0:19:59.320 --> 0:20:02.320
<v Speaker 1>New go writers I think connected dots pretty well where

0:20:02.400 --> 0:20:04.960
<v Speaker 1>he's And even in this point, I'm not one hundred

0:20:04.960 --> 0:20:07.439
<v Speaker 1>percent sure we've established him as a shitty, shitty prankster.

0:20:08.080 --> 0:20:13.040
<v Speaker 1>When he's talking about shooting catching a catching a come on,

0:20:13.560 --> 0:20:16.720
<v Speaker 1>I can't. I don't know if I'm you know, be

0:20:17.080 --> 0:20:17.600
<v Speaker 1>still bear.

0:20:19.200 --> 0:20:21.480
<v Speaker 2>So we have this thing. There's this big fan theory, Steve,

0:20:21.560 --> 0:20:24.399
<v Speaker 2>just so you know that, and every single episode of

0:20:24.560 --> 0:20:27.960
<v Speaker 2>New Girl, there is a mention a photo someone says

0:20:28.000 --> 0:20:32.000
<v Speaker 2>it of the bear, a bear, any bear. There's just

0:20:32.040 --> 0:20:33.520
<v Speaker 2>this thing because it's.

0:20:33.359 --> 0:20:35.520
<v Speaker 3>So a bear mentioned in this one. H.

0:20:36.400 --> 0:20:38.040
<v Speaker 2>I know, well, I would just like to say in

0:20:38.080 --> 0:20:40.200
<v Speaker 2>season two, I have struggled a little bit a little bear.

0:20:40.240 --> 0:20:42.359
<v Speaker 2>I believe this fan theory deeply. I have struggled a

0:20:42.400 --> 0:20:44.680
<v Speaker 2>lot of it. And so when I watched this episode,

0:20:44.760 --> 0:20:48.080
<v Speaker 2>I genuinely screamed out loud because because he gives me

0:20:48.119 --> 0:20:50.359
<v Speaker 2>so much shit for it that this there is no

0:20:50.359 --> 0:20:54.520
<v Speaker 2>truth in this theory and it is all instead it

0:20:54.560 --> 0:20:59.800
<v Speaker 2>is yeah that says the word bear still out.

0:20:59.680 --> 0:21:05.760
<v Speaker 1>There, shoot that bear full of Hepsi's.

0:21:03.480 --> 0:21:06.280
<v Speaker 2>A breakup that Nick Jenson and Max.

0:21:06.119 --> 0:21:10.480
<v Speaker 3>Is like, we wouldn't even need to give it. Restaurant

0:21:10.600 --> 0:21:11.840
<v Speaker 3>would be fun, but.

0:21:11.760 --> 0:21:16.280
<v Speaker 2>It's a too big, too small prank world. It's slowly

0:21:16.359 --> 0:21:20.159
<v Speaker 2>being established, and I don't even think intentionally. They're just like,

0:21:20.200 --> 0:21:22.240
<v Speaker 2>this is a weird, fun thing, and then they fully

0:21:22.320 --> 0:21:25.080
<v Speaker 2>lean into it because it's just so funny.

0:21:25.320 --> 0:21:27.480
<v Speaker 1>So let's go back, let's talk about let's talk about

0:21:27.480 --> 0:21:30.240
<v Speaker 1>this date or not date, or them just going out

0:21:30.280 --> 0:21:30.560
<v Speaker 1>to eat.

0:21:30.640 --> 0:21:33.120
<v Speaker 2>Well, he wasn't very clear when he asked her at

0:21:33.119 --> 0:21:35.840
<v Speaker 2>the door and just had some words fall out of.

0:21:35.800 --> 0:21:36.440
<v Speaker 1>His mouth food.

0:21:36.680 --> 0:21:39.280
<v Speaker 3>Yeah, very bizarre.

0:21:40.560 --> 0:21:42.920
<v Speaker 2>And then gets dressed. The boys dress them, and I

0:21:42.920 --> 0:21:44.840
<v Speaker 2>guess Winston is like a low key barber.

0:21:46.040 --> 0:21:49.600
<v Speaker 1>Which is which is true to life, because we talked

0:21:49.600 --> 0:21:51.919
<v Speaker 1>about this when we had Jake on the podcast. His

0:21:52.040 --> 0:21:54.479
<v Speaker 1>hair he looked like he was wearing like a helmet,

0:21:54.560 --> 0:21:56.240
<v Speaker 1>like a like a circular helmet.

0:21:56.480 --> 0:21:58.920
<v Speaker 2>Yeah, And I was like, man, what and you did

0:21:59.000 --> 0:22:00.520
<v Speaker 2>in real life help m with his hair?

0:22:00.640 --> 0:22:02.639
<v Speaker 1>I told that true. Yeah, I told him. I was like,

0:22:02.680 --> 0:22:05.040
<v Speaker 1>you gotta talk to the you gotta talk to the hairstylist.

0:22:05.080 --> 0:22:07.200
<v Speaker 1>I was like, I think she's laying your hair down

0:22:07.240 --> 0:22:09.240
<v Speaker 1>too much here. You gotta have it lower here in

0:22:09.280 --> 0:22:11.800
<v Speaker 1>a little bit of And then once that happened, he

0:22:11.800 --> 0:22:13.000
<v Speaker 1>became a sex symbol.

0:22:14.160 --> 0:22:15.959
<v Speaker 2>And they wrote it into the show. They're just like,

0:22:16.119 --> 0:22:20.600
<v Speaker 2>let Winston help them with the hair. Let Schmid dress him.

0:22:20.600 --> 0:22:22.639
<v Speaker 2>Which I also feel like I have a feeling that

0:22:22.680 --> 0:22:24.800
<v Speaker 2>Max would help Jake. We would have to go and

0:22:24.880 --> 0:22:26.760
<v Speaker 2>your press things and be like, can you just what

0:22:26.800 --> 0:22:27.960
<v Speaker 2>are you going to wear it? What are you going

0:22:28.040 --> 0:22:33.080
<v Speaker 2>to do? Put the clogs off, man crocks, get the

0:22:33.119 --> 0:22:34.080
<v Speaker 2>cross off your feet.

0:22:34.200 --> 0:22:36.800
<v Speaker 1>So they're outside of this place. And here's the part

0:22:36.840 --> 0:22:39.320
<v Speaker 1>that I don't know why it's a stupid comedy, and

0:22:39.400 --> 0:22:42.080
<v Speaker 1>that it pissed me off that he kept getting Jaywalking

0:22:42.119 --> 0:22:44.440
<v Speaker 1>tickets and all he did was step in the street

0:22:45.000 --> 0:22:47.240
<v Speaker 1>fully go across. He didn't fully go across. By the way,

0:22:47.400 --> 0:22:47.919
<v Speaker 1>you have to go.

0:22:48.119 --> 0:22:52.480
<v Speaker 3>That is the great Brian Stack as the cop a

0:22:52.560 --> 0:22:56.240
<v Speaker 3>writer on Conan O'Brien. You would recognize him on that

0:22:56.320 --> 0:22:58.760
<v Speaker 3>he because the writers on Conan used to always write

0:22:58.800 --> 0:23:02.080
<v Speaker 3>themselves into the sketcher, so you know Brian from and

0:23:02.119 --> 0:23:05.480
<v Speaker 3>now he writes for Colbert. And I have a very

0:23:05.520 --> 0:23:09.560
<v Speaker 3>specific memory of showing up one night to shoot and

0:23:09.840 --> 0:23:13.879
<v Speaker 3>I knew Brian really well, and he looked mortified, and

0:23:13.920 --> 0:23:16.360
<v Speaker 3>I go, hey, how is shooting? And he's like, oh

0:23:16.400 --> 0:23:20.520
<v Speaker 3>my god. He goes, I don't know how to ride

0:23:20.520 --> 0:23:23.240
<v Speaker 3>a motorcycle. He's like, and they have me on this motorcycle.

0:23:23.280 --> 0:23:25.760
<v Speaker 3>He goes, we did a take where I get off

0:23:25.800 --> 0:23:28.720
<v Speaker 3>the motorcycle and it fell over. He goes, I knocked

0:23:28.760 --> 0:23:31.719
<v Speaker 3>it over and he goes, I am so horrified by that.

0:23:32.280 --> 0:23:33.120
<v Speaker 3>And that's the take.

0:23:34.560 --> 0:23:36.160
<v Speaker 2>By the way, it was one of my biggest laugh

0:23:36.160 --> 0:23:39.879
<v Speaker 2>out loud moments because you can see, like just the

0:23:39.880 --> 0:23:42.600
<v Speaker 2>way he's playing this character. He's the energy of him

0:23:43.040 --> 0:23:44.960
<v Speaker 2>trying to be like a good cop and he knows

0:23:45.000 --> 0:23:46.960
<v Speaker 2>he's going overboard, but he's just trying to do a

0:23:47.040 --> 0:23:49.400
<v Speaker 2>really good job and he's so nervous, but maybe that's

0:23:49.400 --> 0:23:50.040
<v Speaker 2>how he really.

0:23:49.960 --> 0:23:52.960
<v Speaker 3>There's no coverage, it's the back of him going trying

0:23:52.960 --> 0:23:57.880
<v Speaker 3>to pick the motorcycle. Oh dear. He's very like Wisconsin, midwestern.

0:23:57.960 --> 0:24:01.080
<v Speaker 3>So that was a mistake that they kept it. But

0:24:01.160 --> 0:24:04.320
<v Speaker 3>he felt so horrible. He's like, I don't know why

0:24:04.359 --> 0:24:07.200
<v Speaker 3>they hired me. He's like, I think I might get fired.

0:24:07.760 --> 0:24:08.480
<v Speaker 3>Felt terrible.

0:24:10.920 --> 0:24:13.560
<v Speaker 2>Yeah, that's why you never This is for any actors

0:24:13.600 --> 0:24:15.639
<v Speaker 2>that are like listening is like, you never break in

0:24:15.680 --> 0:24:17.439
<v Speaker 2>a scene, even if you make a mistake, even if

0:24:17.440 --> 0:24:19.080
<v Speaker 2>it all goes wrong, even if you're in your own

0:24:19.119 --> 0:24:22.480
<v Speaker 2>head of it. Sometimes it's the best stuff because it's

0:24:22.640 --> 0:24:25.240
<v Speaker 2>so real. Yeah, and you made you fear, even though

0:24:25.240 --> 0:24:28.160
<v Speaker 2>this cop had just been like so terrible to them. Yeah,

0:24:28.760 --> 0:24:30.359
<v Speaker 2>they say you your heart went out to him in

0:24:30.359 --> 0:24:33.040
<v Speaker 2>that moment because it was authentic. I didn't know that.

0:24:33.040 --> 0:24:33.680
<v Speaker 2>That's amazing.

0:24:33.720 --> 0:24:37.640
<v Speaker 1>There's a new law I think in Los Angeles County

0:24:38.160 --> 0:24:41.239
<v Speaker 1>that you can jaywalk as long as it's safe to do.

0:24:41.320 --> 0:24:43.280
<v Speaker 2>So I love they change it.

0:24:43.320 --> 0:24:43.960
<v Speaker 1>They changed it.

0:24:44.040 --> 0:24:48.440
<v Speaker 3>Let's go. They change as soon as we're done recording.

0:24:48.920 --> 0:24:50.480
<v Speaker 2>But here's the thing you just said. He didn't he

0:24:50.520 --> 0:24:53.159
<v Speaker 2>just stepped into the road. Do you for it to

0:24:53.200 --> 0:24:57.000
<v Speaker 2>be called jaywalking? Do you have to like like a

0:24:57.040 --> 0:24:59.120
<v Speaker 2>little chicken, you got to make it to the other side.

0:25:00.520 --> 0:25:04.399
<v Speaker 3>In my head, it's at least halfway. I don't know,

0:25:04.480 --> 0:25:06.600
<v Speaker 3>I've got made up rules, but I'm like, if I

0:25:06.640 --> 0:25:08.320
<v Speaker 3>get halfway, clearly I'm trying to.

0:25:08.520 --> 0:25:09.960
<v Speaker 2>But if you just get out of your car on

0:25:10.040 --> 0:25:12.280
<v Speaker 2>the driver side and then drop a pack of gum

0:25:12.320 --> 0:25:15.040
<v Speaker 2>and you're just like going to get like, what qualifies

0:25:15.080 --> 0:25:16.480
<v Speaker 2>as jay walking?

0:25:16.680 --> 0:25:19.520
<v Speaker 3>I mean we should I guess text Berkeley right now.

0:25:20.040 --> 0:25:22.560
<v Speaker 1>Because I did the math on that. That's like, I

0:25:22.600 --> 0:25:24.760
<v Speaker 1>think over one thousand dollars in tickets he got.

0:25:25.080 --> 0:25:28.159
<v Speaker 2>Well, that was the part that made it something. Yeah,

0:25:28.200 --> 0:25:30.919
<v Speaker 2>it was a grand He pays with you for a

0:25:31.000 --> 0:25:33.719
<v Speaker 2>nick is like, might as well be four million dollars.

0:25:33.840 --> 0:25:34.040
<v Speaker 1>Yeah.

0:25:34.240 --> 0:25:36.040
<v Speaker 2>It felt so crazy, and that's why it made me

0:25:36.119 --> 0:25:37.840
<v Speaker 2>laugh so much. At the end of the episode, when

0:25:37.840 --> 0:25:41.560
<v Speaker 2>he realizes there's Valet, yes, but he would never pay

0:25:41.600 --> 0:25:44.160
<v Speaker 2>for Vala because he's so broke because he didn't pay

0:25:44.160 --> 0:25:47.120
<v Speaker 2>for Vala. He made a grand in tickets, which also

0:25:47.119 --> 0:25:50.240
<v Speaker 2>feels very la. They find a way to just make

0:25:50.280 --> 0:25:51.920
<v Speaker 2>you feel like you screw up with your parking and

0:25:51.960 --> 0:25:52.600
<v Speaker 2>get that money.

0:25:52.800 --> 0:25:57.000
<v Speaker 1>This restaurant baso, Yeah, where is that that used to?

0:25:57.080 --> 0:25:59.040
<v Speaker 1>That's in Hollywood. That's in Hollywood. I've been there a

0:25:59.080 --> 0:26:02.280
<v Speaker 1>couple of times. Really, No, it was the.

0:26:01.720 --> 0:26:03.960
<v Speaker 3>Sign of the restaurant was actually based.

0:26:03.640 --> 0:26:07.040
<v Speaker 1>So yeah, that that was Eva Longoria's restaurant.

0:26:07.240 --> 0:26:10.159
<v Speaker 2>That's right, that's right. We shot there again actually in

0:26:10.160 --> 0:26:11.520
<v Speaker 2>the final season. That's funny.

0:26:11.600 --> 0:26:16.600
<v Speaker 1>Yeah, And Dermot mulroney, Fancy Man was in this one.

0:26:16.960 --> 0:26:18.840
<v Speaker 2>Fancy Man the only man we both ever loved.

0:26:19.040 --> 0:26:22.360
<v Speaker 1>Yeah, and I love when he's on the show. This

0:26:22.400 --> 0:26:26.000
<v Speaker 1>one was interesting because what I didn't realize because his hair,

0:26:26.520 --> 0:26:28.240
<v Speaker 1>sorry to keep going back to hair, he had the

0:26:28.280 --> 0:26:32.160
<v Speaker 1>long old school like eighties Wall Street.

0:26:32.400 --> 0:26:34.399
<v Speaker 3>Yeah, yeah, Hall Street, that's it.

0:26:34.640 --> 0:26:37.080
<v Speaker 1>Yeah, And I didn't know. I that was shocking. That

0:26:37.240 --> 0:26:39.600
<v Speaker 1>made me feel And I don't know why this thought

0:26:39.600 --> 0:26:42.520
<v Speaker 1>went through my head, was that we shot this show

0:26:42.880 --> 0:26:45.760
<v Speaker 1>like a long time ago in the eighties. I mean

0:26:46.720 --> 0:26:47.640
<v Speaker 1>it was a long time ago.

0:26:47.800 --> 0:26:48.840
<v Speaker 3>Corporate Wall Street.

0:26:49.640 --> 0:26:51.199
<v Speaker 2>The thing that made me laugh too, is when he

0:26:51.240 --> 0:26:55.240
<v Speaker 2>approaches the table and they're all talking and then he's

0:26:55.320 --> 0:26:57.600
<v Speaker 2>on a date, and right, I just related to it

0:26:57.640 --> 0:26:59.400
<v Speaker 2>so deeply as a human being or at the energy

0:26:59.440 --> 0:27:07.240
<v Speaker 2>goes my brandy. It was awesome, Like and also I'm here, Yes.

0:27:07.080 --> 0:27:07.800
<v Speaker 3>That was awesome.

0:27:08.080 --> 0:27:11.199
<v Speaker 1>Has any off? When I watched this episode and on

0:27:11.240 --> 0:27:13.760
<v Speaker 1>this podcast, we talk a lot about personal experiences with

0:27:13.840 --> 0:27:19.280
<v Speaker 1>the subject matter of this show. Any weird dating things

0:27:19.320 --> 0:27:22.480
<v Speaker 1>in your life, any awkward will they won't, theys in

0:27:22.560 --> 0:27:28.360
<v Speaker 1>your personal life, anything you can relate to and with this, Yeah,

0:27:29.440 --> 0:27:31.800
<v Speaker 1>not not.

0:27:31.680 --> 0:27:34.919
<v Speaker 3>On a level of this show, because obviously everything's heightened,

0:27:34.960 --> 0:27:39.000
<v Speaker 3>but yeah, I've gone on like setups like blind dates,

0:27:39.040 --> 0:27:44.760
<v Speaker 3>which are the worst, and you're like, what was my

0:27:45.000 --> 0:27:48.760
<v Speaker 3>best friend thinking that I would get along with this

0:27:48.840 --> 0:27:52.400
<v Speaker 3>person I have nothing in common with, And now I'm

0:27:52.440 --> 0:27:55.560
<v Speaker 3>sitting across from this person for an entire meal and

0:27:55.680 --> 0:27:59.440
<v Speaker 3>like trying to find some common ground to talk about.

0:28:00.240 --> 0:28:02.159
<v Speaker 3>That's about as bad as Scott for me.

0:28:02.359 --> 0:28:05.640
<v Speaker 1>I have. So there's a friend of mine and love

0:28:05.680 --> 0:28:08.480
<v Speaker 1>her to death. Name is Margo Bingham. Margo, if you're listening,

0:28:08.640 --> 0:28:11.880
<v Speaker 1>I love you. However, recently in Atlanta.

0:28:11.680 --> 0:28:14.239
<v Speaker 2>Never good to say however, well, I love you.

0:28:14.600 --> 0:28:17.399
<v Speaker 1>However she goes. She goes, the more I'm going to

0:28:17.440 --> 0:28:19.520
<v Speaker 1>set you up with someone, I'm going to set you

0:28:19.600 --> 0:28:22.000
<v Speaker 1>up on a date, and she goes, I'm not going

0:28:22.040 --> 0:28:24.520
<v Speaker 1>to tell you anything about this woman. I'm not going

0:28:24.560 --> 0:28:27.440
<v Speaker 1>to tell you her name, what I tell you her race,

0:28:27.520 --> 0:28:29.639
<v Speaker 1>I'm not going to tell you what you know, just

0:28:30.359 --> 0:28:32.479
<v Speaker 1>pol job nothing.

0:28:32.520 --> 0:28:34.520
<v Speaker 2>And I was like, tom Petty free falling.

0:28:35.400 --> 0:28:40.520
<v Speaker 1>I am I still did it? Not yet? Because she

0:28:40.640 --> 0:28:43.200
<v Speaker 1>keeps she's like, once you get back to La. She

0:28:43.200 --> 0:28:44.880
<v Speaker 1>lives in La. She's like, once you get back to La,

0:28:44.960 --> 0:28:46.320
<v Speaker 1>I'm going to set it up. So let me know.

0:28:46.360 --> 0:28:49.120
<v Speaker 1>And I have been hesitant to let Margo know that

0:28:49.160 --> 0:28:51.200
<v Speaker 1>I'm that I'm back in La, because.

0:28:51.280 --> 0:28:55.600
<v Speaker 3>That's a hard note, don't hard, No, But also in

0:28:55.640 --> 0:28:58.440
<v Speaker 3>my head, I'm like, maybe it's a famous person and

0:28:59.560 --> 0:29:00.120
<v Speaker 3>you maybe.

0:29:00.000 --> 0:29:01.640
<v Speaker 2>It's finally going to happen for you, Lamore, and you've

0:29:01.640 --> 0:29:05.400
<v Speaker 2>been putting it out there. Zoe Kravitz was, maybe it's

0:29:05.440 --> 0:29:06.640
<v Speaker 2>finally gonna happen, you know.

0:29:07.480 --> 0:29:11.040
<v Speaker 3>No. I was at a friend's Halloween party this past

0:29:11.120 --> 0:29:18.000
<v Speaker 3>Halloween and she walked past me as Rosemary from Rosemary's Baby.

0:29:18.080 --> 0:29:19.920
<v Speaker 1>I thought I was going to say Rosa Parks.

0:29:19.760 --> 0:29:22.560
<v Speaker 3>And she was with Channing Tatum, who was a giant baby.

0:29:23.480 --> 0:29:26.240
<v Speaker 2>Oh my god, that's so funny, and it wasn't you

0:29:26.360 --> 0:29:27.360
<v Speaker 2>have no chance they're funny.

0:29:27.400 --> 0:29:28.080
<v Speaker 1>It was two.

0:29:28.200 --> 0:29:30.440
<v Speaker 3>It was two people walking past me at a very

0:29:30.480 --> 0:29:35.160
<v Speaker 3>crowded party, and I thought, oh, there's two old friends

0:29:35.160 --> 0:29:37.360
<v Speaker 3>that I haven't seen in a long time because I

0:29:37.440 --> 0:29:41.200
<v Speaker 3>recognized them, but not enough to put it put them

0:29:41.560 --> 0:29:44.480
<v Speaker 3>in context. And so I didn't say anything because I

0:29:44.480 --> 0:29:47.160
<v Speaker 3>was like, I'm going to fuck up somebody's name. And

0:29:47.600 --> 0:29:50.840
<v Speaker 3>later someone was like, I think the best costume was

0:29:51.640 --> 0:29:55.120
<v Speaker 3>Zoe Kravitz and Channing Tatum, and I.

0:29:55.080 --> 0:29:58.880
<v Speaker 1>Go, that's who. That wasn't at all at all.

0:29:59.800 --> 0:30:02.240
<v Speaker 2>I We'll say, Okay, so my date. The way I

0:30:02.280 --> 0:30:08.280
<v Speaker 2>could relate to this episode is that, so my whole

0:30:08.280 --> 0:30:10.120
<v Speaker 2>thing is like I've never been on a date, Like

0:30:10.160 --> 0:30:11.920
<v Speaker 2>no one's ever asked me out on a date, and

0:30:11.920 --> 0:30:14.760
<v Speaker 2>we've gone out on a date and like dated date

0:30:15.000 --> 0:30:18.200
<v Speaker 2>until we've been together. Well, here's the thing, Steve, okay,

0:30:18.600 --> 0:30:22.360
<v Speaker 2>is that when I started New Girl, I remember the

0:30:22.400 --> 0:30:24.240
<v Speaker 2>guys on the show. So we would come up to

0:30:24.240 --> 0:30:26.240
<v Speaker 2>me like I met so and so they said they

0:30:26.360 --> 0:30:29.320
<v Speaker 2>used to date them. I was like, I've never I've

0:30:29.360 --> 0:30:30.880
<v Speaker 2>never been on a date. Like I've never been on

0:30:30.920 --> 0:30:34.400
<v Speaker 2>a date. And then it started to happen more and more,

0:30:34.880 --> 0:30:36.600
<v Speaker 2>and it would be people that I'd be just like, oh,

0:30:36.680 --> 0:30:38.239
<v Speaker 2>like you and I are like we're friends, and they

0:30:38.240 --> 0:30:39.240
<v Speaker 2>would go for coffee.

0:30:39.360 --> 0:30:40.480
<v Speaker 1>They're well, get a coffee.

0:30:40.480 --> 0:30:41.760
<v Speaker 2>I'd be like, sure, we go get a coffee and

0:30:41.840 --> 0:30:44.800
<v Speaker 2>I go home. But on their mind, just like the show,

0:30:45.080 --> 0:30:47.320
<v Speaker 2>Just like the show, they were like, well, and so

0:30:47.400 --> 0:30:49.800
<v Speaker 2>there's all these people walking around in these streets being

0:30:49.880 --> 0:30:56.080
<v Speaker 2>like I dated Hannah and I was never on a date,

0:30:56.200 --> 0:30:58.760
<v Speaker 2>never knew about a date, never understood this whole thing

0:30:58.840 --> 0:31:01.160
<v Speaker 2>was a date. So I've now had many friends and

0:31:01.160 --> 0:31:02.920
<v Speaker 2>be like, Hannah, you've dated it a lot of people,

0:31:03.200 --> 0:31:05.720
<v Speaker 2>like a lot of people haven't dated you, but they didn't,

0:31:06.000 --> 0:31:07.600
<v Speaker 2>you know, like the word date was never used. It

0:31:07.680 --> 0:31:10.239
<v Speaker 2>was just like, hey, hey, they're feeling a vibe, right

0:31:10.320 --> 0:31:12.440
<v Speaker 2>and they're saying like, hey, let's go get coffee. You

0:31:12.520 --> 0:31:15.720
<v Speaker 2>free on Friday, And I'm like sure, and we would

0:31:15.760 --> 0:31:18.120
<v Speaker 2>go get a coffee and then I'd be like whatever,

0:31:18.200 --> 0:31:19.720
<v Speaker 2>like you know, they're just kind of like fade out

0:31:19.760 --> 0:31:21.760
<v Speaker 2>and then or I guess I would fade out because

0:31:21.760 --> 0:31:23.600
<v Speaker 2>I was just like, well, you know, they're not like

0:31:23.640 --> 0:31:25.200
<v Speaker 2>my best friend now, like whatever.

0:31:25.360 --> 0:31:25.800
<v Speaker 1>Yeah.

0:31:25.840 --> 0:31:27.800
<v Speaker 2>But then when I got on this show and the

0:31:27.800 --> 0:31:31.040
<v Speaker 2>show hit big so many people, that was like their

0:31:31.120 --> 0:31:33.440
<v Speaker 2>claimer link into the show, like oh I love new girl.

0:31:33.480 --> 0:31:34.280
<v Speaker 2>You know I used to date here.

0:31:34.400 --> 0:31:37.040
<v Speaker 3>Yeah, that's like when Moby said he went out with

0:31:37.560 --> 0:31:40.400
<v Speaker 3>Natalie Portman. Do you remember that? No, Like a year,

0:31:40.720 --> 0:31:42.680
<v Speaker 3>like about two years ago, two or three years ago,

0:31:42.760 --> 0:31:45.680
<v Speaker 3>there was a thing on the news where Moby had just,

0:31:47.160 --> 0:31:49.600
<v Speaker 3>you know, as an aside, was like, oh, yeah, I

0:31:49.640 --> 0:31:53.440
<v Speaker 3>went out with Natalie Portman a date or something like that,

0:31:54.120 --> 0:31:58.360
<v Speaker 3>and they asked her and she's like what, yeah, no.

0:31:58.560 --> 0:31:59.560
<v Speaker 2>Never, it never happened.

0:31:59.680 --> 0:32:01.719
<v Speaker 1>Never, It never happened that happened to me once. I'm

0:32:01.720 --> 0:32:04.360
<v Speaker 1>not going to name any names, but there was there

0:32:04.440 --> 0:32:11.040
<v Speaker 1>was someone that I had been friendly with, sure, romantic friendly. Never.

0:32:11.080 --> 0:32:14.240
<v Speaker 1>My girlfriend never dated. But when I tell this story

0:32:14.240 --> 0:32:16.800
<v Speaker 1>about her, I just say it like, oh this girl,

0:32:16.840 --> 0:32:19.000
<v Speaker 1>I dated this, this, this, and this. We never actually

0:32:19.080 --> 0:32:22.120
<v Speaker 1>dated and it and it didn't dawn on me until

0:32:22.120 --> 0:32:24.720
<v Speaker 1>the story came back to me. Oh sure, but she

0:32:24.920 --> 0:32:27.360
<v Speaker 1>was like, we never dated, and I was like, no,

0:32:28.280 --> 0:32:29.440
<v Speaker 1>you told people we dated.

0:32:29.480 --> 0:32:31.480
<v Speaker 4>I was like, you're like, I was just saying, so

0:32:31.560 --> 0:32:33.000
<v Speaker 4>we went out and did some I didn't want to

0:32:33.000 --> 0:32:34.280
<v Speaker 4>I didn't want to be I don't want to be

0:32:34.320 --> 0:32:37.640
<v Speaker 4>specific like oh we did this, this, this that I

0:32:37.680 --> 0:32:39.560
<v Speaker 4>just said dated to throw it out and I was like,

0:32:39.560 --> 0:32:41.800
<v Speaker 4>but no, I know we didn't date, so that that

0:32:41.960 --> 0:32:44.440
<v Speaker 4>happens and it's and I've done that on accident.

0:32:44.560 --> 0:32:47.520
<v Speaker 2>To say the words, I just was super clueless, like

0:32:47.520 --> 0:32:51.200
<v Speaker 2>because in my human experience of my life, no one

0:32:51.240 --> 0:32:53.920
<v Speaker 2>has ever come up and benleg I think you're cool,

0:32:54.320 --> 0:32:56.040
<v Speaker 2>I would love to take you out on a date,

0:32:56.360 --> 0:32:59.320
<v Speaker 2>and me being like, yes, I also feel the same way.

0:32:59.360 --> 0:33:01.120
<v Speaker 2>I would love to see you at that restaurant to

0:33:01.120 --> 0:33:04.000
<v Speaker 2>eat food in this date situation. So when I watched

0:33:04.040 --> 0:33:07.440
<v Speaker 2>this episode, I could so deeply feel what the Jazz

0:33:07.560 --> 0:33:10.480
<v Speaker 2>character was going through where you're kind of like clocking

0:33:10.560 --> 0:33:13.480
<v Speaker 2>like is this wait a minute, hold up? Why are

0:33:13.520 --> 0:33:16.080
<v Speaker 2>you in a suit? Why would we drinking to pain?

0:33:16.280 --> 0:33:19.760
<v Speaker 3>I feel like it's not a date unless there's awkwardness

0:33:19.840 --> 0:33:22.080
<v Speaker 3>at the very end when you're getting dropped off, like

0:33:23.360 --> 0:33:25.560
<v Speaker 3>Jesus Christ, maybe this is a date. What am I

0:33:25.600 --> 0:33:27.320
<v Speaker 3>supposed to do? Yeah?

0:33:27.360 --> 0:33:30.000
<v Speaker 2>That's I had that moment happen once for someone to

0:33:30.080 --> 0:33:31.800
<v Speaker 2>drop me off after I thought we just went to

0:33:31.800 --> 0:33:34.440
<v Speaker 2>get dinner as friends, and then they kind of leaned

0:33:34.440 --> 0:33:36.280
<v Speaker 2>over that middle part of the car and I was

0:33:36.320 --> 0:33:41.080
<v Speaker 2>just like, I was like emon them. The supermodel was

0:33:41.120 --> 0:33:45.080
<v Speaker 2>like my neck along. Excuse me?

0:33:45.320 --> 0:33:50.920
<v Speaker 1>Was this that Kanye and a dated? Kanye?

0:33:51.160 --> 0:33:53.240
<v Speaker 2>The rumors that Lamurn likes to start to make my

0:33:53.240 --> 0:33:55.480
<v Speaker 2>life seem more interesting because I have a very uninteresting

0:33:55.560 --> 0:33:56.760
<v Speaker 2>life is kind of fun.

0:33:56.880 --> 0:34:01.160
<v Speaker 1>You did it, Kanye? This is this is pre Rose Royce. Yeah.

0:34:01.360 --> 0:34:03.680
<v Speaker 3>The only thing about your private life I know is

0:34:03.760 --> 0:34:05.760
<v Speaker 3>you walk around with cats on leashes.

0:34:05.880 --> 0:34:07.400
<v Speaker 2>That's sure wit you do.

0:34:07.800 --> 0:34:10.520
<v Speaker 1>Yeah, that is some of the most.

0:34:11.920 --> 0:34:14.360
<v Speaker 3>Like camping stuff with a cat on a leash.

0:34:14.440 --> 0:34:16.719
<v Speaker 2>Yeah, well, I don't want to like let them loose

0:34:16.719 --> 0:34:17.280
<v Speaker 2>in the woods.

0:34:17.640 --> 0:34:19.640
<v Speaker 3>No, no, I mean, if you're taking a cat, you

0:34:19.680 --> 0:34:22.160
<v Speaker 3>have to have it on a leash. That's not something

0:34:22.200 --> 0:34:22.920
<v Speaker 3>you see every day.

0:34:22.960 --> 0:34:23.920
<v Speaker 1>You definitely don't.

0:34:25.640 --> 0:34:28.320
<v Speaker 2>I took them on a big camping trip to see

0:34:28.360 --> 0:34:31.880
<v Speaker 2>the world because they were both very very very old

0:34:32.080 --> 0:34:34.319
<v Speaker 2>and getting a little sick, and I realized, like, man,

0:34:34.360 --> 0:34:36.600
<v Speaker 2>they need to like they've never heard the ocean or

0:34:36.680 --> 0:34:38.400
<v Speaker 2>like been to a mountain, and so I rented an

0:34:38.520 --> 0:34:41.760
<v Speaker 2>RV and like took them on like this this big

0:34:42.040 --> 0:34:42.920
<v Speaker 2>like bucket list.

0:34:43.080 --> 0:34:43.920
<v Speaker 3>That's amazing.

0:34:44.120 --> 0:34:46.400
<v Speaker 2>One of them is blind and like deaf, and so

0:34:46.440 --> 0:34:48.319
<v Speaker 2>I took him the ocean and just hold them and

0:34:48.320 --> 0:34:50.520
<v Speaker 2>he felt the sand and the ocean.

0:34:53.400 --> 0:34:54.600
<v Speaker 3>You need a movie about that.

0:34:54.719 --> 0:34:57.640
<v Speaker 1>What I'm doing, I don't know.

0:34:57.760 --> 0:35:00.920
<v Speaker 2>Go on dates like, go on romance, take life ending

0:35:01.520 --> 0:35:02.560
<v Speaker 2>trips with cats.

0:35:02.760 --> 0:35:05.239
<v Speaker 1>This has been years, years of this bullshit.

0:35:04.880 --> 0:35:07.480
<v Speaker 2>Bastel type to make the world go round.

0:35:08.520 --> 0:35:11.680
<v Speaker 1>Nobody Hannah would come with my feelings, you know, Hannah

0:35:11.719 --> 0:35:16.360
<v Speaker 1>would Hannah would come to work and be like crazy.

0:35:16.440 --> 0:35:17.960
<v Speaker 1>First of all, she'd ask you how your night was,

0:35:18.040 --> 0:35:19.960
<v Speaker 1>just so she could get to her story. Sure, but

0:35:20.040 --> 0:35:21.359
<v Speaker 1>what did you do last night? How it works?

0:35:21.400 --> 0:35:21.600
<v Speaker 3>Yeah?

0:35:21.600 --> 0:35:23.520
<v Speaker 2>First of all? Then I would have to selectively listen.

0:35:23.920 --> 0:35:25.120
<v Speaker 1>Yeah, because I would do a lot.

0:35:25.200 --> 0:35:30.120
<v Speaker 2>We give all the details, very very detailed. I didn't

0:35:30.120 --> 0:35:31.120
<v Speaker 2>need I didn't need it.

0:35:31.400 --> 0:35:34.480
<v Speaker 1>And then she would go and she would go mourn

0:35:36.440 --> 0:35:39.000
<v Speaker 1>who when I tell you? When I tell you? And

0:35:39.000 --> 0:35:40.839
<v Speaker 1>I'd be like, okay, tell me tell me. She would like,

0:35:41.120 --> 0:35:43.960
<v Speaker 1>I hope you're sitting down. We're in hair makeup. I'm

0:35:43.960 --> 0:35:46.640
<v Speaker 1>clearly sitting down, and then she would go Last night,

0:35:48.480 --> 0:35:54.520
<v Speaker 1>me and my man we did a buzzer and we

0:35:54.640 --> 0:35:57.720
<v Speaker 1>finished about a bottle and a half of red wine.

0:35:57.960 --> 0:36:00.759
<v Speaker 1>And I'd be like, yeah, then what it's like and

0:36:00.920 --> 0:36:03.680
<v Speaker 1>we fellow sleep. Wait.

0:36:03.719 --> 0:36:06.320
<v Speaker 3>I listened to an episode of This Isn't it white Wine?

0:36:09.840 --> 0:36:15.520
<v Speaker 3>Because like, who drinks white wine? That's like a daytime summer.

0:36:15.480 --> 0:36:18.880
<v Speaker 1>Yeah, And she would brag about this and I'd go, Hannah,

0:36:19.000 --> 0:36:20.759
<v Speaker 1>I just told you how I was. I'm not eve

0:36:20.800 --> 0:36:23.920
<v Speaker 1>gonna get into it, but I'm like, your story not interesting.

0:36:24.040 --> 0:36:26.799
<v Speaker 2>That's true. But I always say, like, the dynamic of

0:36:26.840 --> 0:36:31.120
<v Speaker 2>our friendship is like Samuel L. Jackson and Bruce willis

0:36:31.160 --> 0:36:36.000
<v Speaker 2>an unbreakable Oh that's good, Like we we both thank you,

0:36:36.200 --> 0:36:38.880
<v Speaker 2>Like I understand it, the ying and the yang. We

0:36:39.040 --> 0:36:41.640
<v Speaker 2>both have to exist for the world to be right.

0:36:41.920 --> 0:36:45.919
<v Speaker 2>We have nothing in common except for our existential need

0:36:45.960 --> 0:36:48.359
<v Speaker 2>for the other one to exist. We were forever bond.

0:36:48.440 --> 0:36:48.960
<v Speaker 3>I get it.

0:36:49.320 --> 0:36:51.000
<v Speaker 2>Yeah, it makes sense to me.

0:36:51.080 --> 0:36:53.359
<v Speaker 1>So we're at the end of this episode. We're at

0:36:53.360 --> 0:36:55.520
<v Speaker 1>the end of this episode. Nick and Jess. They have

0:36:55.560 --> 0:37:00.239
<v Speaker 1>a lovely I think, multiple attempts at having dinner. One

0:37:00.239 --> 0:37:03.160
<v Speaker 1>thing that was interesting was that Russell's already sitting down

0:37:03.200 --> 0:37:05.279
<v Speaker 1>at the table. They decided they want to come back.

0:37:05.600 --> 0:37:09.640
<v Speaker 1>Then they literally made them move, which doesn't make it.

0:37:08.840 --> 0:37:11.719
<v Speaker 1>It's so funny. But then they end up back at

0:37:11.760 --> 0:37:14.880
<v Speaker 1>the loft and they have a moment where she's trying

0:37:14.920 --> 0:37:19.280
<v Speaker 1>to open It's a very very you know, tense scene.

0:37:19.680 --> 0:37:21.719
<v Speaker 1>That one made me go.

0:37:23.200 --> 0:37:26.640
<v Speaker 2>And the beer gargle mm hmm, yeah.

0:37:26.480 --> 0:37:26.919
<v Speaker 3>That's right.

0:37:27.080 --> 0:37:30.120
<v Speaker 1>I was like, Oh, this is they don't do it.

0:37:30.120 --> 0:37:32.160
<v Speaker 2>It is a thing I remember talking to a girlfriend once,

0:37:32.239 --> 0:37:36.279
<v Speaker 2>but like weird things that that someone does that you

0:37:36.360 --> 0:37:40.240
<v Speaker 2>don't know why, but just like makes you feel weird

0:37:40.840 --> 0:37:42.800
<v Speaker 2>and you can't help O did you feel really weird

0:37:42.840 --> 0:37:46.200
<v Speaker 2>about it? And so again when I watched like this episode,

0:37:46.320 --> 0:37:48.799
<v Speaker 2>I was like, I can understand that people have You're

0:37:48.840 --> 0:37:50.480
<v Speaker 2>not in control of that. You don't get to choose

0:37:50.520 --> 0:37:54.480
<v Speaker 2>those things that if someone does like that made you

0:37:54.520 --> 0:37:55.040
<v Speaker 2>feel weird.

0:37:55.400 --> 0:37:58.239
<v Speaker 1>I'm like very specific about mine. I'm like, I like

0:37:58.320 --> 0:38:00.080
<v Speaker 1>the way she's naked.

0:37:59.760 --> 0:38:07.720
<v Speaker 2>And I'm talking about non se non sexual little things

0:38:07.719 --> 0:38:11.920
<v Speaker 2>that just are you like surprising and you're just like, Oh.

0:38:11.719 --> 0:38:13.680
<v Speaker 3>The cool thing about this show is there's not like

0:38:15.160 --> 0:38:17.839
<v Speaker 3>at this point, there's not a will they won't they

0:38:17.880 --> 0:38:21.760
<v Speaker 3>there's a when will they come? It's not like The Office,

0:38:21.800 --> 0:38:24.520
<v Speaker 3>where it's like that show could have made a run

0:38:24.520 --> 0:38:27.520
<v Speaker 3>and they never got together. Yeah, this, you know it's

0:38:27.560 --> 0:38:29.680
<v Speaker 3>going to happen, and so you're just like, all right,

0:38:30.040 --> 0:38:31.920
<v Speaker 3>I'm going to enjoy it when it happens.

0:38:32.000 --> 0:38:32.400
<v Speaker 1>It happens.

0:38:32.440 --> 0:38:33.879
<v Speaker 2>That's what I love about I mean, I really loved

0:38:33.880 --> 0:38:36.000
<v Speaker 2>it in season one. I remember talking to Liz about

0:38:36.040 --> 0:38:38.319
<v Speaker 2>it when they did it with Cec and Schmidt, which

0:38:38.440 --> 0:38:42.200
<v Speaker 2>was like they slept together like almost instantly, and it

0:38:42.239 --> 0:38:44.560
<v Speaker 2>was just what it was. But it was the emotional

0:38:44.600 --> 0:38:48.400
<v Speaker 2>and intimacy that was so hard for them and scary

0:38:48.480 --> 0:38:51.359
<v Speaker 2>for them, and they fought it so deeply, and Liz

0:38:51.440 --> 0:38:54.759
<v Speaker 2>was like, well, that's because that's most people's experience, like

0:38:54.880 --> 0:38:58.000
<v Speaker 2>as people are hooking up, and that's fine and doesn't

0:38:58.000 --> 0:39:02.080
<v Speaker 2>feel complicated to them, but the emotional vulnerability and intimacy

0:39:02.160 --> 0:39:04.520
<v Speaker 2>is hard. And the fact, again, I think it's the

0:39:04.560 --> 0:39:08.520
<v Speaker 2>fact that she wrote how real dating life was happening,

0:39:08.600 --> 0:39:12.279
<v Speaker 2>especially in that time period, and people just got it.

0:39:12.320 --> 0:39:14.480
<v Speaker 2>And the fact that you just let Jess and Nick

0:39:14.560 --> 0:39:16.959
<v Speaker 2>get messy and weird and dip in and dip out

0:39:17.080 --> 0:39:19.200
<v Speaker 2>and get mad at each other about it and mad

0:39:19.200 --> 0:39:22.280
<v Speaker 2>at themselves about it, and their roommates are now getting

0:39:22.280 --> 0:39:25.680
<v Speaker 2>involved and frustrated with it. That it was the truth

0:39:25.719 --> 0:39:28.239
<v Speaker 2>in that I think that is like the heartbeat of

0:39:28.280 --> 0:39:30.160
<v Speaker 2>the show, and she kept telling the truth of how

0:39:30.400 --> 0:39:32.800
<v Speaker 2>these real relationships worked.

0:39:33.520 --> 0:39:34.080
<v Speaker 1>Yeah.

0:39:34.200 --> 0:39:35.960
<v Speaker 2>I wanted to also just say, because I know we're

0:39:36.000 --> 0:39:37.759
<v Speaker 2>wrapping this up. But one of the things that I

0:39:37.800 --> 0:39:40.480
<v Speaker 2>didn't and I was like, is this improvised too? That

0:39:40.560 --> 0:39:44.839
<v Speaker 2>you said as outside Dave is when you hear him

0:39:44.880 --> 0:39:46.839
<v Speaker 2>shaving and then you just hear him go, oh, there's

0:39:46.840 --> 0:39:47.480
<v Speaker 2>bucks in there.

0:39:47.840 --> 0:39:51.319
<v Speaker 3>I don't think that was I don't think that was improvised.

0:39:52.520 --> 0:39:56.080
<v Speaker 1>Probably it made me laugh.

0:39:55.920 --> 0:40:00.400
<v Speaker 2>So hard, like the delighted realization that there's bugs in

0:40:00.400 --> 0:40:00.840
<v Speaker 2>the pubes.

0:40:01.239 --> 0:40:04.760
<v Speaker 3>Maybe by the way, I remember ideas being floated around

0:40:04.880 --> 0:40:08.560
<v Speaker 3>as the show was coming towards the last season. Someone

0:40:08.600 --> 0:40:11.200
<v Speaker 3>floated around an idea that it turns out at the

0:40:11.280 --> 0:40:16.120
<v Speaker 3>very end that Outside Dave actually owned the building, which

0:40:16.360 --> 0:40:18.120
<v Speaker 3>I was like, that would be amazing.

0:40:18.160 --> 0:40:20.560
<v Speaker 1>Which is so funny that when I was nineteen, I

0:40:20.640 --> 0:40:22.799
<v Speaker 1>went to meet and some friends. We took a trip

0:40:22.840 --> 0:40:25.520
<v Speaker 1>to California for the first time, and I remember being

0:40:25.960 --> 0:40:28.600
<v Speaker 1>we were in San Diego, and I remember after a

0:40:28.680 --> 0:40:30.640
<v Speaker 1>night out, one of the people we were with, we're

0:40:30.680 --> 0:40:32.000
<v Speaker 1>going to get a tattoo, and there was this kind

0:40:32.000 --> 0:40:34.319
<v Speaker 1>of like strip mall right by the beach. There's a

0:40:34.320 --> 0:40:37.600
<v Speaker 1>tattoo par there. There's like some bars, some restaurants or whatever,

0:40:38.000 --> 0:40:40.880
<v Speaker 1>and there's this homeless guy that's just hanging out outside,

0:40:40.960 --> 0:40:44.120
<v Speaker 1>right hanging outside. Now we've been drinking and so we

0:40:44.200 --> 0:40:46.960
<v Speaker 1>all sit down. We're like like right by the beach,

0:40:47.320 --> 0:40:50.280
<v Speaker 1>on boardwalk, beach whatever, and we're sitting down, we're talking

0:40:50.320 --> 0:40:54.279
<v Speaker 1>to this guy and now we've assumed he's homeless. Well,

0:40:54.280 --> 0:40:56.759
<v Speaker 1>we didn't realize. We realized later on after he told

0:40:56.840 --> 0:41:01.520
<v Speaker 1>us that he owned that whole strip mall that holes. Well,

0:41:01.640 --> 0:41:06.200
<v Speaker 1>we were just like casual beach bums are a real thing. Yes,

0:41:07.239 --> 0:41:08.400
<v Speaker 1>you know what, that's the truth.

0:41:08.440 --> 0:41:11.400
<v Speaker 2>I feel like that's what's so wonderful about LA is

0:41:11.400 --> 0:41:13.759
<v Speaker 2>that you never know. In La, people with money don't

0:41:13.800 --> 0:41:15.920
<v Speaker 2>dress like they have any money. Oh no, it's like

0:41:15.960 --> 0:41:17.640
<v Speaker 2>so you kads is like pick it out. You can't

0:41:17.680 --> 0:41:19.480
<v Speaker 2>profile it, you can't figure it out.

0:41:19.520 --> 0:41:21.320
<v Speaker 1>That's about who owns a ferrari and he and he

0:41:21.680 --> 0:41:25.359
<v Speaker 1>intentionally keeps it one dirty and two always wears like

0:41:25.440 --> 0:41:28.000
<v Speaker 1>holes in his sweatpants, like holes in his shirt. They're

0:41:28.040 --> 0:41:30.600
<v Speaker 1>not like stylish holes like how Justin Bieber might do it.

0:41:30.760 --> 0:41:34.319
<v Speaker 1>He has like he's genuinely like doesn't care with what

0:41:34.400 --> 0:41:37.160
<v Speaker 1>he's about what he's wearing. And he has a lot

0:41:37.200 --> 0:41:39.800
<v Speaker 1>of money and he loves his car, but he intentionally

0:41:39.920 --> 0:41:43.480
<v Speaker 1>keeps it filthy. It's like the outside looks like shit,

0:41:43.760 --> 0:41:49.120
<v Speaker 1>and he's like, who cares for him? So the tag

0:41:49.160 --> 0:41:52.000
<v Speaker 1>of this is really funny. Back to Ron funchs.

0:41:52.520 --> 0:41:55.640
<v Speaker 2>Ron, they I mean, you can tell how much they

0:41:55.719 --> 0:41:58.359
<v Speaker 2>must have loved it, because when that did a lot

0:41:58.440 --> 0:42:00.400
<v Speaker 2>done in this episode, you can tell there was a

0:42:00.440 --> 0:42:03.560
<v Speaker 2>lot of story that to tell a lot of exposition flashbacks.

0:42:03.600 --> 0:42:07.040
<v Speaker 2>I'm like, why it's weird between yeah, all this stuff

0:42:07.120 --> 0:42:10.640
<v Speaker 2>and they let him go like in the episode, yes

0:42:10.880 --> 0:42:13.880
<v Speaker 2>for such a and usually those pops are fast, you know,

0:42:14.200 --> 0:42:17.160
<v Speaker 2>as you know, and then and then the whole tag

0:42:17.800 --> 0:42:21.680
<v Speaker 2>of him singing Yota Go se Michli's song Father Figure

0:42:21.960 --> 0:42:24.040
<v Speaker 2>h and then the Missus Doubtfire song.

0:42:24.160 --> 0:42:26.080
<v Speaker 1>Oh yeah, one of the funniest things.

0:42:26.000 --> 0:42:28.280
<v Speaker 2>Caught me off guard. I remember the first time I

0:42:28.320 --> 0:42:31.000
<v Speaker 2>watched that episode. I do remember the first time only

0:42:31.040 --> 0:42:34.200
<v Speaker 2>time besides last night was I never knew that was shot.

0:42:34.239 --> 0:42:36.799
<v Speaker 2>I wasn't there, Yeah, and I don't think it was

0:42:36.920 --> 0:42:40.919
<v Speaker 2>written like that or that funny like at the table read,

0:42:40.960 --> 0:42:45.320
<v Speaker 2>so it didn't stick in my head. And I remember crying,

0:42:46.239 --> 0:42:47.800
<v Speaker 2>just crying because he was so funny.

0:42:47.800 --> 0:42:50.160
<v Speaker 1>And we're gonna go to break and when we come back, Hannah,

0:42:50.360 --> 0:42:52.360
<v Speaker 1>myself and Steve, we're all going to mess around a

0:42:52.400 --> 0:42:55.480
<v Speaker 1>little bit. It is sexual thing, Steve.

0:42:55.680 --> 0:42:57.600
<v Speaker 2>Now it's definitely not.

0:43:04.200 --> 0:43:09.560
<v Speaker 1>And we are back, babe. So I asked this question earlier.

0:43:09.840 --> 0:43:12.680
<v Speaker 1>Do you have any first dates that competes with the

0:43:12.719 --> 0:43:14.080
<v Speaker 1>one Nick and Jess went on.

0:43:14.320 --> 0:43:15.799
<v Speaker 2>You got to ask all these people that said they

0:43:15.880 --> 0:43:18.360
<v Speaker 2>dated me because I was not there on those days.

0:43:18.800 --> 0:43:21.239
<v Speaker 2>I was out there in a date capacity. You went

0:43:21.280 --> 0:43:22.360
<v Speaker 2>on a date with me and said you went on

0:43:22.400 --> 0:43:24.600
<v Speaker 2>a date with me. Share your story.

0:43:24.600 --> 0:43:25.360
<v Speaker 1>I'd love to hear it.

0:43:25.840 --> 0:43:27.400
<v Speaker 2>I was fully unaware.

0:43:27.920 --> 0:43:32.040
<v Speaker 1>I've gone on a bunch of first dates. YEA, like

0:43:32.120 --> 0:43:35.960
<v Speaker 1>a bunch, most obviously most of which didn't go anywhere

0:43:36.000 --> 0:43:39.439
<v Speaker 1>because I'm single right now. But the ones that ended

0:43:39.520 --> 0:43:44.239
<v Speaker 1>up in in like longer relationships, weren't a traditional first date.

0:43:46.200 --> 0:43:48.839
<v Speaker 1>I dated someone for three years our first date was

0:43:50.760 --> 0:43:52.880
<v Speaker 1>she she was like, hey, I'm at the driving range

0:43:52.920 --> 0:43:54.920
<v Speaker 1>if you want to meet me there. It wasn't a

0:43:55.280 --> 0:43:56.840
<v Speaker 1>I didn't ask her out, she was. I was like,

0:43:56.880 --> 0:43:58.560
<v Speaker 1>we should hang out one day. She's like, hey, I'm

0:43:58.560 --> 0:44:01.160
<v Speaker 1>at the driving range right now if you want to join,

0:44:01.280 --> 0:44:03.040
<v Speaker 1>And I was like okay, and I met up at

0:44:03.040 --> 0:44:03.680
<v Speaker 1>the driving range.

0:44:03.960 --> 0:44:05.680
<v Speaker 2>But here, this is the thing, though, is this now

0:44:05.960 --> 0:44:09.440
<v Speaker 2>just like an old fashioned idea of like asking someone

0:44:09.480 --> 0:44:11.000
<v Speaker 2>out on a date. And maybe that's why I didn't

0:44:11.000 --> 0:44:13.000
<v Speaker 2>realize I was on dates because I was expecting like

0:44:13.040 --> 0:44:16.160
<v Speaker 2>a formal invite with the title to what our arrangement

0:44:16.239 --> 0:44:18.839
<v Speaker 2>was going to be. And then maybe just people don't

0:44:18.880 --> 0:44:19.120
<v Speaker 2>do that.

0:44:19.400 --> 0:44:21.800
<v Speaker 3>I think there's a lot of we should hang out sometime.

0:44:23.080 --> 0:44:25.400
<v Speaker 3>That's like a really gray area.

0:44:26.520 --> 0:44:29.160
<v Speaker 1>Yeah, because also people are afraid of rejection, so you

0:44:29.160 --> 0:44:30.560
<v Speaker 1>don't want to you don't want to be too formal

0:44:30.640 --> 0:44:31.799
<v Speaker 1>and put pressure on that person.

0:44:32.000 --> 0:44:33.239
<v Speaker 2>But I can get them hang out with me. Then

0:44:33.239 --> 0:44:36.319
<v Speaker 2>they realize that, which is basically this whole episode. But

0:44:36.360 --> 0:44:39.760
<v Speaker 2>then it becomes so confusing. We should talk. We didn't

0:44:39.800 --> 0:44:42.200
<v Speaker 2>talk about this in the recap, and I and now

0:44:42.239 --> 0:44:45.400
<v Speaker 2>I'm mad about it, because what do you think was

0:44:45.560 --> 0:44:48.640
<v Speaker 2>on the valet cards, like what did they write?

0:44:49.239 --> 0:44:52.239
<v Speaker 3>Oh, that's right, we never find out, we never?

0:44:52.400 --> 0:44:57.200
<v Speaker 1>We find out later? Yeah later, yeah, out much later?

0:44:57.239 --> 0:44:58.560
<v Speaker 3>Are we allowed to say? Now? Are you going to

0:44:58.719 --> 0:45:01.080
<v Speaker 3>hold it till that? No? What you guys can tell

0:45:01.080 --> 0:45:01.479
<v Speaker 3>me after?

0:45:02.600 --> 0:45:07.360
<v Speaker 2>I just thought it was such a awesome moment because

0:45:07.400 --> 0:45:11.399
<v Speaker 2>then you see Russell basically do them a solid. He's

0:45:11.440 --> 0:45:14.840
<v Speaker 2>just like, oh, wow, you guys. Yeah, no, I'm running

0:45:14.880 --> 0:45:17.319
<v Speaker 2>off with this thing like I'm not. I can't. It's

0:45:17.360 --> 0:45:18.840
<v Speaker 2>too it's too hard.

0:45:19.239 --> 0:45:21.239
<v Speaker 3>But in my head, it's like each one of them

0:45:21.280 --> 0:45:27.759
<v Speaker 3>wrote something completely nonsense sensical, like Jake wrote apples, she

0:45:27.920 --> 0:45:29.760
<v Speaker 3>wrote uppies.

0:45:29.960 --> 0:45:32.800
<v Speaker 2>Yeah, something, she's writing forever, right, she keeps writing and

0:45:32.920 --> 0:45:36.239
<v Speaker 2>keeps writing. And I think he wrote like I love

0:45:36.280 --> 0:45:38.640
<v Speaker 2>her and that's what my brain said. And then she's

0:45:38.680 --> 0:45:40.600
<v Speaker 2>just going like, well, I don't know, and I don't

0:45:40.600 --> 0:45:42.360
<v Speaker 2>want to fall apart. Like it's like that whole like

0:45:42.440 --> 0:45:45.799
<v Speaker 2>inner monologue was going because it was so no spoilers. Yeah,

0:45:45.800 --> 0:45:47.440
<v Speaker 2>but I don't know. There's no spoil I don't know

0:45:47.440 --> 0:45:49.360
<v Speaker 2>if that's what it is. I don't remember what happened.

0:45:50.160 --> 0:45:53.680
<v Speaker 2>Do you do remember? I don't. Yeah, that's why I'm

0:45:53.680 --> 0:45:55.759
<v Speaker 2>good for this rewatch podcast. I'm watching it as we go,

0:45:59.480 --> 0:45:59.919
<v Speaker 2>all right.

0:46:00.040 --> 0:46:03.279
<v Speaker 1>So one of the questions was how many how many

0:46:03.320 --> 0:46:05.239
<v Speaker 1>takes of Ron Funches singing do they have? I think

0:46:05.239 --> 0:46:07.600
<v Speaker 1>they have a million? Was it different songs? I mean

0:46:07.640 --> 0:46:09.279
<v Speaker 1>you were there, No, there was. I think there's like

0:46:09.320 --> 0:46:11.680
<v Speaker 1>two or three songs. I think maybe I think maybe

0:46:11.719 --> 0:46:18.000
<v Speaker 1>three songs. That's clear that yeah, and he I mean

0:46:18.000 --> 0:46:21.000
<v Speaker 1>I read the note earlier. You know how he was

0:46:21.040 --> 0:46:23.680
<v Speaker 1>discovering because I think some of the first takes weren't

0:46:23.680 --> 0:46:27.319
<v Speaker 1>as aggressive, and then as time went on he got

0:46:27.400 --> 0:46:30.640
<v Speaker 1>really into it. And part of this question is did

0:46:30.680 --> 0:46:32.840
<v Speaker 1>I break? Did I break? I think I only had

0:46:32.920 --> 0:46:36.040
<v Speaker 1>one straight take, and you know it was you're literally

0:46:36.080 --> 0:46:36.560
<v Speaker 1>in tears.

0:46:36.600 --> 0:46:38.200
<v Speaker 2>There's no way I'd be able to hold it together

0:46:38.239 --> 0:46:39.959
<v Speaker 2>and be a mess because it's solid too. They don't

0:46:40.000 --> 0:46:42.879
<v Speaker 2>like they're not editing like it's one take. They play

0:46:42.920 --> 0:46:43.719
<v Speaker 2>it all the way through.

0:46:43.960 --> 0:46:46.480
<v Speaker 1>Fun fact, when I when I when I was there,

0:46:46.520 --> 0:46:48.600
<v Speaker 1>there was a lot of background in in like a

0:46:48.600 --> 0:46:53.480
<v Speaker 1>holding area, and he had a cast chair, but he

0:46:53.560 --> 0:46:57.319
<v Speaker 1>was hanging out in the background area. Holy Aaron, it

0:46:57.360 --> 0:46:59.160
<v Speaker 1>was outside in like a tent or something like that.

0:46:59.719 --> 0:47:04.200
<v Speaker 1>I'm not joking. I genuinely thought, oh, I don't know.

0:47:05.080 --> 0:47:07.719
<v Speaker 1>I think that man. I think that that almless man

0:47:07.800 --> 0:47:11.839
<v Speaker 1>is lost. I was like, and I didn't say anything

0:47:11.880 --> 0:47:13.879
<v Speaker 1>that any body, but I was like that that man,

0:47:14.200 --> 0:47:14.799
<v Speaker 1>I don't think.

0:47:15.560 --> 0:47:17.960
<v Speaker 3>I was like, get the a d And I was.

0:47:17.960 --> 0:47:20.880
<v Speaker 1>Like, why is he just kind of lurking around? And

0:47:20.960 --> 0:47:23.000
<v Speaker 1>then because a lot of times you check out of

0:47:23.000 --> 0:47:24.560
<v Speaker 1>the scene, like I knew what I was about to shoot,

0:47:24.600 --> 0:47:26.960
<v Speaker 1>but then I was like, oh, that's the dude. It

0:47:27.000 --> 0:47:29.680
<v Speaker 1>was just too real because he wasn't hanging out by

0:47:29.719 --> 0:47:31.399
<v Speaker 1>his share you know what I mean.

0:47:31.640 --> 0:47:36.719
<v Speaker 3>Yeah, like one of the first acting gigs for Run.

0:47:37.040 --> 0:47:39.719
<v Speaker 3>He's a very funny stand up. Yeah, this has to

0:47:39.760 --> 0:47:40.680
<v Speaker 3>have been one of its first.

0:47:40.760 --> 0:47:42.640
<v Speaker 1>Like, I think it. I think the way he described it,

0:47:42.680 --> 0:47:43.319
<v Speaker 1>I think it is.

0:47:43.520 --> 0:47:45.440
<v Speaker 2>Yeah, I think the nerves around it.

0:47:45.640 --> 0:47:46.200
<v Speaker 1>Yeah.

0:47:46.440 --> 0:47:48.759
<v Speaker 2>Okay, last question in this mess around, Steve, what was

0:47:48.800 --> 0:47:52.240
<v Speaker 2>your favorite outside Dave moment that you remember.

0:47:52.200 --> 0:47:55.120
<v Speaker 3>The whole show or this episode the whole show.

0:47:55.960 --> 0:47:57.000
<v Speaker 1>Unless you want to come back?

0:47:57.320 --> 0:47:58.160
<v Speaker 2>Yeah, please come back.

0:47:58.840 --> 0:48:02.160
<v Speaker 3>I mean they were all fun. The most fun was

0:48:02.200 --> 0:48:05.480
<v Speaker 3>when I would have multiple days with you guys. There's

0:48:05.640 --> 0:48:11.600
<v Speaker 3>another episode with where Zoe's dating I don't remember the

0:48:11.640 --> 0:48:18.960
<v Speaker 3>character's name Julian Julian Morris, and Max is dating Zoe

0:48:19.120 --> 0:48:24.120
<v Speaker 3>Lister Jones, and there's it's something to do with a

0:48:24.160 --> 0:48:29.040
<v Speaker 3>noise like construction outside of the loft. And there had

0:48:29.040 --> 0:48:33.840
<v Speaker 3>to be like a town hall meeting. And you say

0:48:33.880 --> 0:48:37.120
<v Speaker 3>something to Schmidt just before he's about to go up

0:48:37.160 --> 0:48:41.319
<v Speaker 3>and speak about his suit not fitting right, and he

0:48:41.480 --> 0:48:45.280
<v Speaker 3>can't get through his speech because he's like now tugging

0:48:45.360 --> 0:48:48.800
<v Speaker 3>because he thinks he looks terrible. And for some reason

0:48:49.680 --> 0:48:54.279
<v Speaker 3>outside Dave is in the town hall meeting. I'm sitting there.

0:48:55.600 --> 0:49:02.040
<v Speaker 3>And we shot it at the Masonic Temple on Islandland

0:49:02.080 --> 0:49:04.200
<v Speaker 3>Highland and like right near the Hollywood Bowl.

0:49:04.320 --> 0:49:06.040
<v Speaker 2>Yeah, Franklin and.

0:49:06.040 --> 0:49:11.600
<v Speaker 3>Hyland and Franklin and and Schmid has a breakdown. He's like,

0:49:11.640 --> 0:49:12.320
<v Speaker 3>I can't.

0:49:12.080 --> 0:49:14.120
<v Speaker 1>Talk, my suit doesn't sit anyway.

0:49:14.320 --> 0:49:17.279
<v Speaker 3>And I say something and I think I improvised this.

0:49:17.360 --> 0:49:20.480
<v Speaker 3>I said, if you want, I'll give you my tailor's number.

0:49:22.080 --> 0:49:30.239
<v Speaker 3>It's seven. That was the same episode where you guys

0:49:30.239 --> 0:49:33.920
<v Speaker 3>are doing like a phone bank in the wow. I

0:49:33.960 --> 0:49:35.799
<v Speaker 3>don't know. Anytime I have to hang out for like

0:49:35.880 --> 0:49:36.640
<v Speaker 3>long periods of.

0:49:36.640 --> 0:49:39.719
<v Speaker 1>Time, dude, anytime you're on set. We loved it.

0:49:39.800 --> 0:49:41.600
<v Speaker 2>Oh, it was always so great. That was always such

0:49:41.600 --> 0:49:43.399
<v Speaker 2>a fun thing because it was a pretty intense show

0:49:43.400 --> 0:49:45.279
<v Speaker 2>to shoot in terms of like the hours, and it

0:49:45.280 --> 0:49:47.680
<v Speaker 2>was kind of constant, lots of rewrites, that's of alt.

0:49:47.840 --> 0:49:49.680
<v Speaker 2>But it was always fun to sit there and look

0:49:49.680 --> 0:49:51.759
<v Speaker 2>at like the call sheet in the morning and get

0:49:51.760 --> 0:49:53.799
<v Speaker 2>to see who was coming. And we knew you, we

0:49:53.840 --> 0:49:55.000
<v Speaker 2>knew it was going to be a great damn we

0:49:55.000 --> 0:49:55.960
<v Speaker 2>were all going to get to laugh.

0:49:56.160 --> 0:49:59.840
<v Speaker 3>Did you guys have a long drive like Fox Lot is? Like, no,

0:50:00.080 --> 0:50:02.120
<v Speaker 3>not really central to a lot of stuff. What part

0:50:02.160 --> 0:50:05.480
<v Speaker 3>of town where you coming from at that time, like

0:50:05.560 --> 0:50:07.560
<v Speaker 3>Beechwood Canyon. It wasn't too bad.

0:50:07.719 --> 0:50:09.759
<v Speaker 2>It was Fox was like a bit of a drive.

0:50:09.760 --> 0:50:13.480
<v Speaker 2>But I remember two things. One, I lived in West Hollywood,

0:50:13.520 --> 0:50:18.080
<v Speaker 2>like near the Grove. But our call times were so early,

0:50:18.560 --> 0:50:20.400
<v Speaker 2>and most of us, if you were working that day,

0:50:20.440 --> 0:50:23.120
<v Speaker 2>you were there all day. Oh yeah, because they would

0:50:23.120 --> 0:50:25.520
<v Speaker 2>go faster on certain things and slower, so you wouldn't

0:50:25.560 --> 0:50:28.120
<v Speaker 2>kind of get like, you know, your call times eleven

0:50:28.160 --> 0:50:30.040
<v Speaker 2>thirty in the morning because you just have one scene

0:50:30.080 --> 0:50:32.680
<v Speaker 2>for us, it'd be like everybody's here at four thirty am.

0:50:33.000 --> 0:50:35.040
<v Speaker 2>We're going all day. We'll figure out when we're going

0:50:35.120 --> 0:50:37.000
<v Speaker 2>to do your thing, we might want to put you

0:50:37.080 --> 0:50:39.600
<v Speaker 2>in something it had. So that's why it was like

0:50:40.239 --> 0:50:42.160
<v Speaker 2>a little more of an intense show to shoot, I

0:50:42.200 --> 0:50:45.840
<v Speaker 2>feel it. So it took me like nine minutes because.

0:50:45.600 --> 0:50:47.560
<v Speaker 3>I was going going forward to you guys got established.

0:50:47.560 --> 0:50:50.000
<v Speaker 3>It was great because you used to have to go

0:50:50.160 --> 0:50:52.360
<v Speaker 3>downtown LA to do the exteriors.

0:50:52.560 --> 0:50:54.920
<v Speaker 1>Yeah. Oh yeah, and then we just rebuilt those on

0:50:54.960 --> 0:50:55.320
<v Speaker 1>the stage.

0:50:55.400 --> 0:50:58.439
<v Speaker 2>Yeah yeah, yeah, they rebuilt those. Yeah.

0:50:58.520 --> 0:51:00.719
<v Speaker 1>I had to go to set a lot earlier than people, well,

0:51:00.760 --> 0:51:03.439
<v Speaker 1>not really set for about a season and a half.

0:51:03.440 --> 0:51:06.120
<v Speaker 1>I want to say, I forget at least one full season.

0:51:06.200 --> 0:51:08.600
<v Speaker 1>I was driving to a barber shop in the morning

0:51:08.680 --> 0:51:11.960
<v Speaker 1>to get my hair cut then go to set. Wow,

0:51:12.040 --> 0:51:12.880
<v Speaker 1>because they didn't.

0:51:12.640 --> 0:51:15.080
<v Speaker 2>Have a barber Yeah. That changed, that did change.

0:51:15.120 --> 0:51:17.680
<v Speaker 1>That changed quickly. I was like, man, I'm waking up

0:51:17.680 --> 0:51:19.880
<v Speaker 1>at three am, three thirty to get to the barber

0:51:19.880 --> 0:51:23.600
<v Speaker 1>shop at you know, four thirty, you know, five in

0:51:23.640 --> 0:51:26.359
<v Speaker 1>the morning to be on set by six thirty. And

0:51:26.400 --> 0:51:29.240
<v Speaker 1>I was like, this is crazy because they weren't counting

0:51:29.280 --> 0:51:32.799
<v Speaker 1>that as mich As turnaround time. That's not you know,

0:51:32.960 --> 0:51:34.600
<v Speaker 1>so I was like, this is ridiculous.

0:51:34.719 --> 0:51:36.520
<v Speaker 2>Yeah, there's a lot of growth in the industry around

0:51:36.560 --> 0:51:38.920
<v Speaker 2>certain things that we I think also is are all

0:51:38.960 --> 0:51:41.239
<v Speaker 2>of our first times like on a big show, yeah,

0:51:41.400 --> 0:51:42.719
<v Speaker 2>or a lot of us for a lot of us,

0:51:42.760 --> 0:51:44.920
<v Speaker 2>and I think that we didn't know certain things you

0:51:44.960 --> 0:51:48.720
<v Speaker 2>could just like ask for, but they weren't industry standing.

0:51:48.760 --> 0:51:49.280
<v Speaker 1>Yeah.

0:51:49.360 --> 0:51:50.040
<v Speaker 2>Yeah, that's right.

0:51:50.080 --> 0:51:52.799
<v Speaker 1>I'm supposed to it's not supposed to be happening right now. Yeah, wrong,

0:51:53.600 --> 0:51:58.040
<v Speaker 1>like fuck me, yeah yeah, all right, folks, We're going

0:51:58.120 --> 0:52:04.120
<v Speaker 1>to go to break, We're going to sell some ship.

0:52:10.960 --> 0:52:13.600
<v Speaker 1>All right, folks, we are back. We're at the end

0:52:13.600 --> 0:52:14.520
<v Speaker 1>of our episode.

0:52:16.640 --> 0:52:18.000
<v Speaker 2>MRD is the King of Segus.

0:52:18.520 --> 0:52:19.320
<v Speaker 1>That's so great.

0:52:19.600 --> 0:52:22.080
<v Speaker 3>Yeah, by the way you got you went to a

0:52:22.120 --> 0:52:24.160
<v Speaker 3>break and you started talking to me, and I didn't

0:52:24.200 --> 0:52:26.560
<v Speaker 3>know we were back earlier. I just kind of figured

0:52:26.560 --> 0:52:28.440
<v Speaker 3>it out. Yeah, I didn't need I was like, oh, we're.

0:52:28.239 --> 0:52:35.520
<v Speaker 1>Back in the room, folks. We're at the end of

0:52:35.840 --> 0:52:38.440
<v Speaker 1>our road. Here with the lovely, lovely Steve ag And

0:52:39.239 --> 0:52:41.800
<v Speaker 1>played Outside Dave, one of the most lovable TV characters

0:52:41.840 --> 0:52:44.320
<v Speaker 1>of all time, one of the most hilarious TV characters

0:52:44.320 --> 0:52:44.960
<v Speaker 1>of all time, and of.

0:52:44.960 --> 0:52:47.040
<v Speaker 2>The best lines in all of the New Girl universe.

0:52:47.200 --> 0:52:51.400
<v Speaker 3>For sure, we hope that he comes back anytime. So

0:52:51.520 --> 0:52:53.640
<v Speaker 3>tomorrow I'm going to be in Atlanta for six months.

0:52:53.719 --> 0:52:59.239
<v Speaker 3>I might have to be Yeah, yeah, Atlanta. Can you

0:52:59.239 --> 0:53:01.439
<v Speaker 3>tell us what you're doing? It's to Peacemaker. We're start

0:53:01.440 --> 0:53:02.520
<v Speaker 3>in just a couple of weeks.

0:53:02.719 --> 0:53:04.880
<v Speaker 1>Come on, is it so fun to do?

0:53:05.000 --> 0:53:07.120
<v Speaker 2>I can't imagine job that's really fun.

0:53:07.200 --> 0:53:12.000
<v Speaker 1>I love superhero stuff. Oh shit, Well, you can look

0:53:12.040 --> 0:53:14.160
<v Speaker 1>for him there. You can look for him here, or

0:53:14.200 --> 0:53:17.040
<v Speaker 1>on Hulu or on peacock where everywhere you can you know,

0:53:17.320 --> 0:53:20.400
<v Speaker 1>stream shit from uh. But in the meantime, please go

0:53:20.400 --> 0:53:23.320
<v Speaker 1>ahead and follow us on Instagram at the mess Around

0:53:23.360 --> 0:53:25.719
<v Speaker 1>bod and go buy some of our merch. I don't

0:53:25.719 --> 0:53:29.040
<v Speaker 1>know much. Stick your face on a mug. Oo'd be great.

0:53:29.160 --> 0:53:35.680
<v Speaker 1>We'll give you. We'll be back next week with Bachelorette Party.

0:53:35.760 --> 0:53:37.720
<v Speaker 1>Not to be confused with bachelor party.

0:53:37.960 --> 0:53:38.640
<v Speaker 2>That's your probably.

0:53:39.200 --> 0:53:43.000
<v Speaker 1>That was the Mess Around. This has been an iHeartMedia production.

0:53:43.320 --> 0:53:46.760
<v Speaker 1>Our executive producer is Joel Monique. Our engineer and editor

0:53:46.800 --> 0:53:50.480
<v Speaker 1>is Mia Taylor. Additional production from Daniel Goodman, Wendy Heisler,

0:53:50.520 --> 0:53:53.400
<v Speaker 1>and Kyle Shevron. Our theme song was written and composed

0:53:53.440 --> 0:53:57.439
<v Speaker 1>by Ronald jukebox Jackson, so we're gonna catch you next time.