WEBVTT - QLS Classic: Maya Rudolph

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<v Speaker 1>Of Course Love Supreme is a production of iHeartRadio. This

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<v Speaker 1>classic episode was produced by the team at Pandora.

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<v Speaker 2>Ladies and gentlemen, You're in for a treat.

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<v Speaker 1>This is QLs classic, the very first ever Questlove Supreme

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<v Speaker 1>episode with Maya Rudolph.

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<v Speaker 2>So awkward.

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<v Speaker 1>Actually, small tidbit, this is technically our second episode.

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<v Speaker 2>We had a pilot.

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<v Speaker 1>Episode that never made it to a hair back when

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<v Speaker 1>paid Bill was a guest on the show because he

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<v Speaker 1>was a producer of an unknown play called Hamilton in

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<v Speaker 1>Sesame Street. He was our first guest, but I don't know.

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<v Speaker 1>The vibe was so good we actually kept unpaid Bill

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<v Speaker 1>got rid of his episode. So yes, Maya Rudolph is

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<v Speaker 1>our first episode and it's really crazy and awkward. We

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<v Speaker 1>learned a lot, a hell of a lot. Hope you

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<v Speaker 1>enjoyed my Rudolf QLs classic. Here we go two on dus.

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<v Speaker 3>Suprema Son Supremo, roll call, Suprema sun So Suprema role

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<v Speaker 3>called Suprema so so Supremo. Role called Suprema so so

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<v Speaker 3>Supremo roll call.

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<v Speaker 1>Her name is Questlove. Yeah, my name's not Rob Yeah.

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<v Speaker 1>And with this radio show, Yeah, it's nineteen.

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<v Speaker 3>Suprema son son Suprema. Role called Suprema son Son Supremo.

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<v Speaker 2>Role called my name is Fante.

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<v Speaker 4>Yeah, I drink breast monkey. Yeah, it wasn't never I play. Yeah,

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<v Speaker 4>got's the beef.

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<v Speaker 3>Roll call Suprema son son Supremo. Role called Suprema so so.

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<v Speaker 3>Suprema roll called her name is Sugar, Yeah, Sugar Steve.

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<v Speaker 2>Yeah, I can't eat candy. Yeah, so I eat weed.

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<v Speaker 3>O call Supreme Sun, Suprema ro was good, Suprema something something.

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<v Speaker 2>Suprema role called My name is Bill, Yeah.

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<v Speaker 5>I got first dibbs. Yeah, I'm fucking tired, damn cause

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<v Speaker 5>I got kids.

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<v Speaker 3>Call Suprema Son Suprema roll call Suprema sock son Suprema

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<v Speaker 3>rod called.

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<v Speaker 6>High Handboss Bill. Yeah, I listened to Prince. Yeah, I

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<v Speaker 6>got so many hoes. Yeah, don't make no sense.

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<v Speaker 3>Suprema roll call, Suprema Suthing Suprema role call.

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<v Speaker 7>My name is Maya. Yeah I am not mean, Yeah,

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<v Speaker 7>I am not a nightmare. Yeah, I am a queen.

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<v Speaker 3>Roll call Suprema son son Supremo. Role called Suprema Southing

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<v Speaker 3>son Suprema roll call Suprema Sucking Sun, Suprema roll call

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<v Speaker 3>Suprema up s Suprema, roll call, Suprema su su Suprema

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<v Speaker 3>roll call, Suprema suck, Suprema roll call, Suprema s supremo,

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<v Speaker 3>roll call, Suprema suck, Suck Suprema roll call.

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<v Speaker 1>Ladies and gentlemen, boys and girls, people of all ages, creeds, colors,

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<v Speaker 1>whatever you claim in life. This is questlove supreme. As

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<v Speaker 1>if I needed another thing to do in life. So

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<v Speaker 1>on today's show, we're joined by the incomparable Maya Rudolph.

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<v Speaker 1>You probably know her from her time on Saturday Night Live.

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<v Speaker 1>She was in the movies Bridesmaids. She has her own

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<v Speaker 1>NBC variety show called The Maya and Marty Show. A

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<v Speaker 1>lot of the other projects she's been involved with, and

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<v Speaker 1>of course, you know, she's the offspring of a mighty

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<v Speaker 1>musical pairing of Minnie Riperton and Dick Rudolph. And she's

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<v Speaker 1>connected to a lot more people in the music community.

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<v Speaker 1>So we'll be getting into that. So I don't know,

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<v Speaker 1>like what we talk about. Did we talk about music?

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<v Speaker 1>Did we talk about life?

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<v Speaker 4>Let's talk about life music for a little bit, because

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<v Speaker 4>they expected to talk about music, you know what I'm.

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<v Speaker 2>Saying, Like, let's talk about I was life. I was

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<v Speaker 2>life going.

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<v Speaker 4>Life is going right in North Carolina where I reside.

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<v Speaker 4>It's going cool.

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<v Speaker 2>Uh.

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<v Speaker 4>You know, I'm about to take a new step forward

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<v Speaker 4>in my life. I'm about to start.

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<v Speaker 2>Get merrick na. Oh no, I ain't getting married. Oh

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<v Speaker 2>all right, but look at your faces, like no, no, no, no, no,

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<v Speaker 2>I ain't doing that.

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<v Speaker 4>I mean I got I got a lady and like

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<v Speaker 4>we talking about get married. But I you know, I

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<v Speaker 4>ain't doing the ship tomorrow, you know, But I'll let

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<v Speaker 4>y'all know when I do it. We might do a

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<v Speaker 4>quest a lot of supreme on site.

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<v Speaker 2>Those with you won't be.

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<v Speaker 4>Broadcast from there, Yeah, broadcast from the wedding. That's I

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<v Speaker 4>tell you. So, I ain't getting married. Just thinking about

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<v Speaker 4>my health, man, Like I'm seeing a lot of my

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<v Speaker 4>homies man, like they are dying from like you know,

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<v Speaker 4>old man diseases, like the young cats that's dying from

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<v Speaker 4>ship like gout And it's like, nigga, how the fuck

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<v Speaker 4>you get the gout at thirty five?

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<v Speaker 2>You know what I mean? Like the gout? Do you

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<v Speaker 2>know the gall you're feel with the gout?

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<v Speaker 1>The gout, the gout, Yeah, the gout is Yeah, I'm

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<v Speaker 1>good wait, why are you looking up the gout notary?

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<v Speaker 2>Right now? I don't have to look that up. Yeah,

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<v Speaker 2>it's like it's something in you.

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<v Speaker 8>You have gout.

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<v Speaker 2>I don't know. Probably you ain't got the gout. You

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<v Speaker 2>ain't got you you can fit in shoes. You ain't

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<v Speaker 2>got gout. The guy hits in your feet or you

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<v Speaker 2>are like size what fifteen? Size thirteen? Yeah, thirteen? Wow,

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<v Speaker 2>he got the gut.

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<v Speaker 5>Let's just say what it is.

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<v Speaker 2>Go ahead.

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<v Speaker 4>So now I've been taking something about to start a

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<v Speaker 4>new health regimen, man, and uh, when are.

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<v Speaker 2>You gonna start?

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<v Speaker 5>Well?

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<v Speaker 4>I was gonna start earlier, but I got called due

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<v Speaker 4>to this fucking radio show.

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<v Speaker 2>Chicken and Ship who turned that down? N Man, I'm good.

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<v Speaker 4>So now I'm gonna start doing like more juicing, uh,

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<v Speaker 4>doing like smoothies, Uh more raw vegetables. You know what

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<v Speaker 4>I'm saying. I got like one of my ig holes

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<v Speaker 4>on scamming. The scammer holes is selling waist trainers. I'm

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<v Speaker 4>gonna get them probably, and she's selling detox T and ship.

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<v Speaker 2>You know what I mean. I might give me some

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<v Speaker 2>of that, you know, just verifying? Yes, right, yeah, yeah,

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<v Speaker 2>I g Yeah.

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<v Speaker 1>The scau abbreviation, and then I realized that one of

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<v Speaker 1>your joints.

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<v Speaker 2>Instagram.

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<v Speaker 4>Yeah you yeah, I see now. No, man, I'm just

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<v Speaker 4>making some changes. Man, I want to stick around. I've

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<v Speaker 4>always like been that. I've never had no health issues,

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<v Speaker 4>andything like that, so I want to keep it that way.

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<v Speaker 1>What's important because you know, back when we were twenty,

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<v Speaker 1>our main concern was was bullets in the club, right

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<v Speaker 1>and in the parking lot. And now like that, we're

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<v Speaker 1>in our forties. The new concern is bullets and the

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<v Speaker 1>driver's seat.

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<v Speaker 5>Right, man, listen, come on, not real that too.

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<v Speaker 2>And strokes.

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<v Speaker 4>So you know that's not stroke jail. I lost the buddy,

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<v Speaker 4>uh that to a stroke. He was I'm thirty seven.

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<v Speaker 4>He was thirty eight years ahead of me. He had

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<v Speaker 4>multiple myeloma, beat multiple myeloma and died of an aneurism.

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<v Speaker 1>Okay, yeah, I'm going to say next week we're only

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<v Speaker 1>doing salads.

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<v Speaker 2>Like wheat, grass and ship. How's it going, Steve? I

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<v Speaker 2>mean it's like he's talking. I mean, we're talking about strokes, ship, right,

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<v Speaker 2>We're really starting thisself on a very unhappy note.

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<v Speaker 4>No, I'm laughing, laughing, I laugh I'm like, look, I'm

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<v Speaker 4>happy just to be you know, alive right now, what

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<v Speaker 4>very moment, What a time to be alive, in the

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<v Speaker 4>words of our great negro poet future.

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<v Speaker 2>Wait what about the other one?

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<v Speaker 4>Oh and Drake, your inspiration got yeah yeah Drake, yeah,

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<v Speaker 4>Drake as well.

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<v Speaker 1>Not many people know, all right, For our listeners out there,

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<v Speaker 1>if no, I mean if, if, if, if investigated, you

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<v Speaker 1>will see that fron Tigelow is kind of Drake's spirit animal.

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<v Speaker 1>I mean, he's going on record to say that, uh,

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<v Speaker 1>Fonte is one of his favorite cats ever and that

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<v Speaker 1>he kind of secretly wishes that he was in Little Brother.

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<v Speaker 2>So I mean, you guys can do your research.

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<v Speaker 4>I know you don't if he say that to you,

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<v Speaker 4>look at his publics and check and be like, nah,

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<v Speaker 4>I don't want to be a little brother.

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<v Speaker 2>You know you guys are you guys are an inspiration?

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<v Speaker 2>Believe it or not?

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<v Speaker 4>Oh no, no, yeah, I'm aware. And the guess they

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<v Speaker 4>tell us, they tell you know, it's all good, It's

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<v Speaker 4>all good.

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<v Speaker 2>I know.

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<v Speaker 1>I know you feel like our influence wasn't there, But

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<v Speaker 1>I swear to you I've only listened. I mean, I

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<v Speaker 1>get a lot of yo pep pep peepe my doing

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<v Speaker 1>real quick. Let me know, you know what you think

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<v Speaker 1>of it, whatever, whatever, But you know, I mean, just

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<v Speaker 1>on general, I don't do that because I don't want

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<v Speaker 1>to be there for the law.

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<v Speaker 2>I don't want to be susceptible to like a lawsuit.

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<v Speaker 2>I mean that's big.

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<v Speaker 1>But you know, I'll say maybe four or five times

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<v Speaker 1>I've had a situation where it was like, okay, there's

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<v Speaker 1>something special about this. Let me peep this blow was

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<v Speaker 1>one of them. Slum Village was one of them. Jill

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<v Speaker 1>Scott was one of them. Little Brother was one of them.

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<v Speaker 1>Cody Chestnut, those five are. It was like, okay, I'm

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<v Speaker 1>not going to use this as a drink coaster. I'm

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<v Speaker 1>gonna actually some told me to listen to this and

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<v Speaker 1>it was on.

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<v Speaker 2>Right right?

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<v Speaker 4>Wait was it you? Yeah, he gave it to it.

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<v Speaker 4>But then I actually in the rain, in the rain

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<v Speaker 4>at Duke. But but yeah, well you it was a coaster.

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<v Speaker 1>I remember a little brother because no, no, no, I felt bad.

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<v Speaker 2>All right, it started raining. This is a duke. This

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<v Speaker 2>is a duke. This is like two thousand.

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<v Speaker 1>My phrenology came out two thousand and two. We did

0:10:17.120 --> 0:10:19.680
<v Speaker 1>our annual like we were doing Duke on the regular.

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<v Speaker 1>There was like the fifth year in a row we

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<v Speaker 1>did Duke and uh it started raining, and one of

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<v Speaker 1>our members of the group, who will remain nameless, kind

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<v Speaker 1>of you know, through a fit about getting electrocuted. And

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<v Speaker 1>I'm walking on stage, and so I felt like we

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<v Speaker 1>should stop because you know, maybe we won't get electrocuted.

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<v Speaker 1>But I'm the type of person that I actually want

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<v Speaker 1>to play on but I felt bad, so.

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<v Speaker 2>I figured, let me just go in the audience and

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<v Speaker 2>shake some hands, something I never do. Like I'm not

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<v Speaker 2>saying like I'm the avoid my crowd, as you know.

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<v Speaker 2>I was like, y'a ab my job, Y'll get hel long.

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<v Speaker 1>I wanted to shake ass and then you said, yo,

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<v Speaker 1>and yes you told me about little Brother.

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<v Speaker 2>Yes I didn't. Yeah.

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<v Speaker 1>Man.

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<v Speaker 2>His versus, he cused, I custom the hell out wow,

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<v Speaker 2>so wrong. Well, it was.

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<v Speaker 4>It's just one of those things where you just don't

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<v Speaker 4>know the future, so you kind of you know, so

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<v Speaker 4>at the time, y'all were gonna give up.

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<v Speaker 2>No, no, no, no, I want to give up.

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<v Speaker 4>We were just doing records and you know, putting stuff

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<v Speaker 4>on the Internet was still kind of new at that time.

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<v Speaker 4>So he quote unquote boot legged our ship and by

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<v Speaker 4>putting us stuff on the net, by leaking it early.

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<v Speaker 4>And so I sent him a a a highly emotional

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<v Speaker 4>inbox Okay player. It was the emotions was high.

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<v Speaker 2>What the fuck you? I'm gonna see you, nigga.

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<v Speaker 4>I'm gonna take a plane in Atlanta. It was, it

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<v Speaker 4>was real, It was it was contest. It was just

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<v Speaker 4>the heat was coming off the keyboard.

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<v Speaker 2>Side note. I once had a message on my machine, Yo,

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<v Speaker 2>who bring child.

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<v Speaker 6>Next? Yeah, one of these things we got to talk

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<v Speaker 6>about the time he called me at work.

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<v Speaker 2>What did you say to make it? Want to ring you?

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<v Speaker 2>We'll talk about this on another episode. Bring it here.

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<v Speaker 6>Peace, because actually we made peace at Brooklyn Ball like

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<v Speaker 6>one night we were both he remembered, Yeah, he remembered,

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<v Speaker 6>who is Wow?

0:12:30.040 --> 0:12:30.800
<v Speaker 2>Like you are?

0:12:30.880 --> 0:12:37.719
<v Speaker 4>His shrug almost, I don't know, Yeah, Yo is Gladd

0:12:37.720 --> 0:12:40.360
<v Speaker 4>school man. Like all the cats you see popping down,

0:12:40.480 --> 0:12:43.480
<v Speaker 4>tell you it all started with okay player, like all

0:12:43.559 --> 0:12:47.600
<v Speaker 4>the hot podcasters, the like the movie, it all started

0:12:47.640 --> 0:12:51.319
<v Speaker 4>okay player. If you could survive the lessons or general discussion,

0:12:51.679 --> 0:12:53.200
<v Speaker 4>you can make it anywhere like.

0:12:53.240 --> 0:12:55.240
<v Speaker 2>Well, yeah, this is this is a result. This is

0:12:55.280 --> 0:12:56.920
<v Speaker 2>the result. This is a result.

0:12:56.920 --> 0:12:59.200
<v Speaker 4>So yeah, So our first account was me cussing them

0:12:59.200 --> 0:13:00.280
<v Speaker 4>the funk out because.

0:13:00.200 --> 0:13:01.120
<v Speaker 9>It gave out.

0:13:01.520 --> 0:13:04.280
<v Speaker 4>So yeah, but I didn't know at the time that

0:13:04.280 --> 0:13:06.000
<v Speaker 4>that was how music was gonna be.

0:13:06.120 --> 0:13:08.920
<v Speaker 2>Like you just give the shit out, and you know, I.

0:13:08.840 --> 0:13:11.880
<v Speaker 1>Mean you're pioneer because I mean with fruity loops and

0:13:12.840 --> 0:13:14.560
<v Speaker 1>you starting foreign exchange.

0:13:14.800 --> 0:13:19.720
<v Speaker 2>You know another you didn't even meet nikolay Nick like

0:13:19.800 --> 0:13:21.040
<v Speaker 2>when you started.

0:13:21.080 --> 0:13:22.520
<v Speaker 4>Now, we met in a lesson, you know, Me and

0:13:22.679 --> 0:13:24.880
<v Speaker 4>Nick met in the lesson. He posted a beat and

0:13:25.000 --> 0:13:26.920
<v Speaker 4>was like, Yo, this is a new beat by me.

0:13:27.000 --> 0:13:29.160
<v Speaker 4>What y'all think. I was like, Yo, this is dope.

0:13:30.000 --> 0:13:31.360
<v Speaker 4>You mind if I do something to it? He was

0:13:31.400 --> 0:13:33.720
<v Speaker 4>like cool. So we just started trading files back and

0:13:33.760 --> 0:13:36.319
<v Speaker 4>forth and so we were and this was before this

0:13:36.400 --> 0:13:38.800
<v Speaker 4>was even before like Gmail, so you couldn't send big files,

0:13:38.960 --> 0:13:40.920
<v Speaker 4>so we would be sending ship through instant Messenger.

0:13:41.440 --> 0:13:43.120
<v Speaker 2>And he was in the Netherlands.

0:13:43.120 --> 0:13:45.400
<v Speaker 4>I was in Durham at the time, and we did

0:13:45.440 --> 0:13:47.600
<v Speaker 4>the whole record just through email and send it.

0:13:47.880 --> 0:13:51.240
<v Speaker 2>Y'all are just the group without even having met each other. Yeah,

0:13:51.280 --> 0:13:51.760
<v Speaker 2>we hadn't met.

0:13:51.800 --> 0:13:53.720
<v Speaker 4>We didn't meet until the record was done and BB

0:13:53.880 --> 0:13:56.000
<v Speaker 4>had put it out and they brought us together like

0:13:56.000 --> 0:13:58.040
<v Speaker 4>to do some promo shit, and that was when we

0:13:58.080 --> 0:13:59.080
<v Speaker 4>first met face to face.

0:13:59.400 --> 0:14:01.120
<v Speaker 2>Pioneer, y'all, pioneer.

0:14:01.440 --> 0:14:04.520
<v Speaker 1>Let's here for getting cussed out for Bill and and

0:14:04.640 --> 0:14:10.880
<v Speaker 1>for for making commitments on the internet going down to

0:14:10.960 --> 0:14:13.920
<v Speaker 1>the story. So you original going down in the dem

0:14:14.080 --> 0:14:15.240
<v Speaker 1>it was, man, it went.

0:14:15.120 --> 0:14:17.120
<v Speaker 4>All the way to fuck down in DMS. It DMS

0:14:17.160 --> 0:14:19.760
<v Speaker 4>got me a record deal, DM got me a radio show. Wow,

0:14:19.840 --> 0:14:20.480
<v Speaker 4>I'm on my way.

0:14:20.560 --> 0:14:21.160
<v Speaker 2>That's amazing.

0:14:21.360 --> 0:14:23.400
<v Speaker 4>So to all the people listening, your dream could be

0:14:23.400 --> 0:14:25.720
<v Speaker 4>in your DMS. That girl that you scared the holler at,

0:14:26.040 --> 0:14:28.160
<v Speaker 4>send her a picture, but not a dick pic because

0:14:28.160 --> 0:14:30.880
<v Speaker 4>that's disturb me. But just you know, say hey, to

0:14:31.160 --> 0:14:33.920
<v Speaker 4>send us something nice. You know what I'm saying. Yeah,

0:14:34.240 --> 0:14:36.880
<v Speaker 4>you know what I mean. And just hey, shoot your shot,

0:14:37.200 --> 0:14:38.160
<v Speaker 4>shoot a shoot.

0:14:38.000 --> 0:14:42.720
<v Speaker 2>Not literally, Bill Sherman, how are them up? It's doing.

0:14:44.080 --> 0:14:47.440
<v Speaker 5>Fucking fantastic. So I was life on Sesame Street, Bill,

0:14:47.520 --> 0:14:50.800
<v Speaker 5>Life on Sesty Street's great man, really, big Bird, Elmo,

0:14:50.960 --> 0:14:51.600
<v Speaker 5>Everybody's live.

0:14:51.680 --> 0:14:52.880
<v Speaker 2>Get read the first season two?

0:14:53.040 --> 0:14:55.000
<v Speaker 5>Yeah, season two, Season forty eight.

0:14:55.280 --> 0:14:58.320
<v Speaker 1>Yeah, Well I mean now that you have a new home, like,

0:14:58.440 --> 0:15:01.440
<v Speaker 1>do you consider No, No, it's.

0:15:01.240 --> 0:15:04.760
<v Speaker 2>Still season forty three, seven, forty seven.

0:15:04.880 --> 0:15:06.520
<v Speaker 5>Yeah, it's amazing.

0:15:06.560 --> 0:15:06.680
<v Speaker 2>Man.

0:15:06.760 --> 0:15:12.280
<v Speaker 5>I've been there since season forty so yeah, wow, wow, wow.

0:15:12.160 --> 0:15:12.960
<v Speaker 2>That's incredible.

0:15:13.640 --> 0:15:17.880
<v Speaker 1>Congrats on all your Hamilton success you do man. Yeah,

0:15:17.880 --> 0:15:21.080
<v Speaker 1>but I just feel like I just told you guys

0:15:21.080 --> 0:15:23.560
<v Speaker 1>to turn up and eq certain things and pans stuff.

0:15:23.600 --> 0:15:26.080
<v Speaker 5>But I believe you said that. Then we high fives

0:15:26.080 --> 0:15:27.840
<v Speaker 5>and that was all my job. So it's all good.

0:15:27.880 --> 0:15:29.880
<v Speaker 1>Well yeah, I mean, but you were really like barking

0:15:30.000 --> 0:15:32.360
<v Speaker 1>orders and you know, I was like, I didn't like

0:15:32.440 --> 0:15:34.280
<v Speaker 1>that vocal take, sir, And that's.

0:15:34.160 --> 0:15:37.200
<v Speaker 2>Sort of like you were. I was. I was studying,

0:15:36.960 --> 0:15:40.720
<v Speaker 2>you know, I was observing closely. Here we are, Yeah,

0:15:40.760 --> 0:15:43.360
<v Speaker 2>here we are. So what are your future plans after?

0:15:43.600 --> 0:15:46.160
<v Speaker 1>You know, I mean, I don't think Hamilton Mania will

0:15:46.200 --> 0:15:49.560
<v Speaker 1>ever die down, you don't. Well, you know, a movie's

0:15:49.600 --> 0:15:51.800
<v Speaker 1>gonna have to come eventually. Yeah, we're going to say

0:15:51.840 --> 0:15:54.320
<v Speaker 1>that's how you're going to get your oscar. Yeah, if

0:15:54.360 --> 0:15:56.360
<v Speaker 1>it's good, you'll get your oscar that way.

0:15:56.480 --> 0:15:58.600
<v Speaker 5>If yeah, if I worked on it, I don't know. Yeah,

0:15:59.720 --> 0:16:02.400
<v Speaker 5>every one the thing about the oscars, everyone's convinced that

0:16:02.480 --> 0:16:04.400
<v Speaker 5>it's just like this inevitability in my life, Like they

0:16:04.480 --> 0:16:05.840
<v Speaker 5>just throw that shit out the window and I'm just

0:16:05.920 --> 0:16:09.080
<v Speaker 5>catching it. I mean, you're motivating me, Like, what are

0:16:09.120 --> 0:16:11.040
<v Speaker 5>you doing a movie? We're gonna do the Hamilton documentary.

0:16:11.120 --> 0:16:13.640
<v Speaker 2>There you go. Let's start your motivating me.

0:16:13.720 --> 0:16:13.880
<v Speaker 3>Man.

0:16:13.920 --> 0:16:17.840
<v Speaker 4>I gotta get, I gotta get. Where are you your Oscar? No,

0:16:18.000 --> 0:16:18.920
<v Speaker 4>you're not Oscar, You're.

0:16:19.040 --> 0:16:24.200
<v Speaker 2>Grammy and me. I'm close called an Emmy Emmy right yeah, No,

0:16:24.840 --> 0:16:27.680
<v Speaker 2>it's it's like I hear.

0:16:28.520 --> 0:16:33.400
<v Speaker 1>That I have a daytime Emmy for this project I

0:16:33.640 --> 0:16:37.080
<v Speaker 1>did six years ago, but I haven't collected it. Matter

0:16:37.120 --> 0:16:40.080
<v Speaker 1>of fact, I'm the only Hamilton I that hasn't got

0:16:40.160 --> 0:16:41.000
<v Speaker 1>my Grammy yet.

0:16:41.240 --> 0:16:41.680
<v Speaker 2>Oh real.

0:16:42.400 --> 0:16:46.320
<v Speaker 1>Yeah, if anyone knows where my Black Messiah Grammy is

0:16:47.040 --> 0:16:51.160
<v Speaker 1>and my Hamilton Grammy, I'd be very appreciative. Like right now,

0:16:51.240 --> 0:16:53.800
<v Speaker 1>there are two Grammys out there with my name on.

0:16:53.880 --> 0:16:57.000
<v Speaker 5>It that just just for those listening. If you go

0:16:57.160 --> 0:16:59.400
<v Speaker 5>to to Quest Love's house and you have to go

0:16:59.480 --> 0:17:01.720
<v Speaker 5>to the bathroom, you will find all the other Grammys.

0:17:02.120 --> 0:17:04.320
<v Speaker 1>Yeah, my Grammys are. I keep them in the bathroom.

0:17:04.640 --> 0:17:06.560
<v Speaker 1>I keep them on display in the hallway out there,

0:17:06.680 --> 0:17:09.200
<v Speaker 1>and and it's a paper weight.

0:17:09.200 --> 0:17:11.200
<v Speaker 2>In here in this room.

0:17:11.200 --> 0:17:12.800
<v Speaker 4>I want to be like quest Love when I grow up,

0:17:12.800 --> 0:17:15.040
<v Speaker 4>I can use Grammys. It's goddamn paperweight.

0:17:14.680 --> 0:17:15.520
<v Speaker 2>Dude, everyone does that.

0:17:15.640 --> 0:17:19.720
<v Speaker 1>John Legend like broke four of his Grammys, Kanye the

0:17:19.880 --> 0:17:23.000
<v Speaker 1>nineteen Jay, like no one displays the Grammys, Like even

0:17:23.080 --> 0:17:26.280
<v Speaker 1>Michael Jackson's American Music Awards and Grammys are still in

0:17:26.359 --> 0:17:28.320
<v Speaker 1>that Michael Jackson suite at Disney World.

0:17:28.560 --> 0:17:34.040
<v Speaker 2>Wow, ladies and gentlemen, please give it up for miss

0:17:34.400 --> 0:17:43.119
<v Speaker 2>Maya Rudolph. Yeah, Maya, thank you, thank you for joining us.

0:17:43.359 --> 0:17:44.680
<v Speaker 7>It's a pleasure, thank you.

0:17:45.240 --> 0:17:45.920
<v Speaker 8>I see.

0:17:47.320 --> 0:17:51.520
<v Speaker 2>You know everyone here. You've worked with Fante Actually yeah, yeah,

0:17:51.640 --> 0:17:57.280
<v Speaker 2>we both got fired from the same show. You guys

0:17:57.320 --> 0:17:59.960
<v Speaker 2>got fired? Or why was it we need to get fired?

0:18:00.359 --> 0:18:01.679
<v Speaker 7>They were never aired.

0:18:01.920 --> 0:18:04.439
<v Speaker 4>It was Brothers in Atlanta. We shot in Atlanta, written

0:18:04.520 --> 0:18:09.680
<v Speaker 4>by Diallo Riddle, Yeah, formerly of The Tonight Show and

0:18:10.000 --> 0:18:13.520
<v Speaker 4>uh yeah man. She played a character and she absolutely

0:18:13.600 --> 0:18:16.159
<v Speaker 4>killed it. She played a character named Charley, who was

0:18:16.520 --> 0:18:19.320
<v Speaker 4>a nineties R and B singer, but she was like

0:18:19.960 --> 0:18:22.480
<v Speaker 4>the washed up nineties army. She was like Mary j

0:18:23.440 --> 0:18:25.240
<v Speaker 4>never had a hit after my life. Like she was

0:18:25.359 --> 0:18:26.119
<v Speaker 4>like a Diana Howard.

0:18:26.400 --> 0:18:29.480
<v Speaker 2>Actually, wait, I take that back, because Dina.

0:18:29.320 --> 0:18:34.200
<v Speaker 1>Howard was recently as of this recording still trending on Twitter,

0:18:34.320 --> 0:18:36.160
<v Speaker 1>and she came back with T shirt and my panty's own,

0:18:36.440 --> 0:18:37.840
<v Speaker 1>So maybe she was more like a she was like

0:18:37.920 --> 0:18:42.640
<v Speaker 1>Geena Thompson, Like okay, Geena Thompson, you know what I mean.

0:18:42.760 --> 0:18:44.879
<v Speaker 2>But uh, and so I had to write songs.

0:18:45.040 --> 0:18:48.000
<v Speaker 7>Uh, you wrote fantastic songs, Thank you so much.

0:18:48.040 --> 0:18:50.359
<v Speaker 2>And she said you were her songwriter. Yeah, I was

0:18:50.440 --> 0:18:53.200
<v Speaker 2>the you were puffy. I was the puff. I was

0:18:53.240 --> 0:18:56.160
<v Speaker 2>the puffer. Were you clean or like, where's your character?

0:18:56.760 --> 0:18:59.680
<v Speaker 4>The character was, well, I was well outside the show,

0:18:59.720 --> 0:19:01.440
<v Speaker 4>like in the real world. I wrote the songs for

0:19:01.760 --> 0:19:05.520
<v Speaker 4>and like me and Sunday Cruise. Sunday Cruise, you had

0:19:05.560 --> 0:19:07.960
<v Speaker 4>two big hits. Her big hits was Sunday Cruise, which

0:19:08.119 --> 0:19:12.320
<v Speaker 4>was like the knockoff Saturday Love, and then Psych which

0:19:12.400 --> 0:19:15.160
<v Speaker 4>was like her big nineties bank head bounce in Atlanta.

0:19:15.720 --> 0:19:17.920
<v Speaker 2>And so then like that was pretty much what it was.

0:19:18.160 --> 0:19:20.440
<v Speaker 2>And so that was in like the real world.

0:19:20.480 --> 0:19:22.720
<v Speaker 4>But then in the show, I played Andre and I

0:19:22.840 --> 0:19:25.239
<v Speaker 4>was one of her background dancers that toured with her,

0:19:25.520 --> 0:19:28.000
<v Speaker 4>and I had we had to learn choreo. We had

0:19:28.040 --> 0:19:30.760
<v Speaker 4>to learn like choreo to dance. Yeah, I mean I

0:19:30.840 --> 0:19:32.520
<v Speaker 4>can dance, but it was you know, we still had

0:19:32.560 --> 0:19:33.160
<v Speaker 4>to learn some ship.

0:19:33.240 --> 0:19:33.440
<v Speaker 2>Yeah.

0:19:33.440 --> 0:19:34.879
<v Speaker 4>So that was my first time working with her and

0:19:36.280 --> 0:19:38.399
<v Speaker 4>I knew her work, but I had never met her before.

0:19:38.880 --> 0:19:44.720
<v Speaker 4>And what we met, she exceeded my expectations total sweetheart,

0:19:44.840 --> 0:19:47.880
<v Speaker 4>had a lot of fun on set. We met Keep Sweat.

0:19:47.960 --> 0:19:50.040
<v Speaker 4>I don't know if that was your first time we

0:19:50.160 --> 0:19:52.480
<v Speaker 4>met Keep Sweat. I got financial yesterday.

0:19:53.320 --> 0:19:53.760
<v Speaker 2>I was kidding.

0:19:53.800 --> 0:19:56.040
<v Speaker 1>I was was fixing my prescription in my glasses and

0:19:56.119 --> 0:20:00.159
<v Speaker 1>he came in like and he he has ad like

0:20:00.240 --> 0:20:01.679
<v Speaker 1>the way that he dances like an arch.

0:20:01.760 --> 0:20:04.800
<v Speaker 2>I know we're in radio, so I can't exactly described,

0:20:05.760 --> 0:20:06.040
<v Speaker 2>but he.

0:20:06.080 --> 0:20:08.520
<v Speaker 1>Even walks like he's doing the wop like a half

0:20:08.600 --> 0:20:11.960
<v Speaker 1>while shame man like.

0:20:12.520 --> 0:20:14.399
<v Speaker 2>He talked just like he's saying yeah. He talked just

0:20:14.440 --> 0:20:17.240
<v Speaker 2>like he said, yeah, man, Keith, what yesterday? Yeah, so

0:20:17.320 --> 0:20:18.800
<v Speaker 2>that was it. That was Atlanta. That was the last

0:20:18.800 --> 0:20:19.399
<v Speaker 2>time we did that.

0:20:19.560 --> 0:20:22.520
<v Speaker 1>And yeah, man, she just to So the company didn't

0:20:22.560 --> 0:20:25.639
<v Speaker 1>love a show that's associated with it was a pilot.

0:20:25.680 --> 0:20:26.399
<v Speaker 2>We shot a pilot.

0:20:26.720 --> 0:20:29.960
<v Speaker 1>See, but doesn't every pilot kind of sort of suck,

0:20:30.520 --> 0:20:33.600
<v Speaker 1>with the exception of the Sopranos, Like what what pilot?

0:20:33.960 --> 0:20:34.600
<v Speaker 7>It didn't suck.

0:20:35.240 --> 0:20:37.920
<v Speaker 4>No, the pilot was hilarious. That was even more surprising

0:20:38.000 --> 0:20:40.280
<v Speaker 4>to me, Like, you know, wow, but I don't know why.

0:20:40.320 --> 0:20:43.200
<v Speaker 7>I think it doesn't always have to do with whether

0:20:43.280 --> 0:20:45.320
<v Speaker 7>it's good or not. Honestly, I think it's whatever's on

0:20:45.400 --> 0:20:49.919
<v Speaker 7>their slate or who knows to pay attention. If I did,

0:20:49.960 --> 0:20:51.879
<v Speaker 7>I'd be too depressed to ever work again.

0:20:53.800 --> 0:20:56.600
<v Speaker 2>So you're saying you get your heart broken often.

0:20:57.720 --> 0:21:02.560
<v Speaker 1>Really, I'd figure like, right now, you're just well, I

0:21:02.600 --> 0:21:05.800
<v Speaker 1>guess perception depending on who's watching it.

0:21:06.000 --> 0:21:06.359
<v Speaker 2>Well I do.

0:21:06.720 --> 0:21:10.040
<v Speaker 7>I have changed my attitude about it so that I

0:21:10.119 --> 0:21:11.240
<v Speaker 7>don't get my heart broken.

0:21:11.560 --> 0:21:14.920
<v Speaker 2>But you've got an occasional no, and we're going to

0:21:14.960 --> 0:21:15.960
<v Speaker 2>give this role to someone else.

0:21:16.080 --> 0:21:18.040
<v Speaker 7>Oh yeah, I think that happens all the time. It's

0:21:18.200 --> 0:21:22.560
<v Speaker 7>part of the you know, it's part of the dystopian

0:21:22.640 --> 0:21:26.240
<v Speaker 7>world of being a performer. I think.

0:21:26.560 --> 0:21:31.960
<v Speaker 2>So even now as a well established well, I mean.

0:21:32.240 --> 0:21:35.199
<v Speaker 7>There's always something I don't think about it. I remember,

0:21:36.240 --> 0:21:38.240
<v Speaker 7>I remember the very first time I got cut I

0:21:38.280 --> 0:21:39.920
<v Speaker 7>got cut out of the first anchor man, and I

0:21:40.080 --> 0:21:44.760
<v Speaker 7>was devastated. It was so fun and I basically played

0:21:44.880 --> 0:21:47.320
<v Speaker 7>like an Angela Davis Bank robber.

0:21:47.640 --> 0:21:49.399
<v Speaker 2>Hilarious. Yeah, you and Chuck D.

0:21:49.680 --> 0:21:52.000
<v Speaker 7>And Chuck D we were bank robbery.

0:21:52.000 --> 0:21:53.679
<v Speaker 2>Wait, how did you see it? It got really well.

0:21:55.000 --> 0:21:56.480
<v Speaker 7>Yeah, I to put it out as like its own

0:21:56.560 --> 0:21:58.920
<v Speaker 7>movie because it was like fifty minutes of footage.

0:21:58.920 --> 0:22:02.160
<v Speaker 2>Oh that was like, yeah, it's hilarious.

0:22:03.440 --> 0:22:05.600
<v Speaker 7>And that was the first time, like I was ever

0:22:05.680 --> 0:22:07.639
<v Speaker 7>in something that I could not wait to be, like

0:22:08.560 --> 0:22:11.080
<v Speaker 7>to show off about and be proud of being a

0:22:11.119 --> 0:22:13.680
<v Speaker 7>part of. And all these guys that were my heroes

0:22:13.720 --> 0:22:16.600
<v Speaker 7>and my I was new on us and now new ish, but.

0:22:16.720 --> 0:22:19.600
<v Speaker 1>It was a big deal and so you just had

0:22:19.640 --> 0:22:24.000
<v Speaker 1>to take Will and uh Adam Adam's worried that or

0:22:24.040 --> 0:22:25.520
<v Speaker 1>you trusted not trusted.

0:22:25.960 --> 0:22:28.800
<v Speaker 2>Sometimes that happens with the directors, like the time, you know.

0:22:29.160 --> 0:22:31.160
<v Speaker 7>And then I and then I remember at the time

0:22:31.840 --> 0:22:33.920
<v Speaker 7>I was heartbroken and I talked to Paul about it,

0:22:34.000 --> 0:22:38.600
<v Speaker 7>who's all you know already was already like hardened and

0:22:38.800 --> 0:22:39.639
<v Speaker 7>gristled by the.

0:22:42.080 --> 0:22:45.840
<v Speaker 2>Wait. We're trying to we're trying to maintain what.

0:22:49.560 --> 0:22:51.639
<v Speaker 10>Listen, I don't even want to add this because I

0:22:51.760 --> 0:22:58.240
<v Speaker 10>wanted you to know that, you know, we're trying to

0:22:58.280 --> 0:22:59.960
<v Speaker 10>maintain like a profession with the core me.

0:23:00.240 --> 0:23:06.600
<v Speaker 2>But like as Maya speaks, like all this constructions to

0:23:06.640 --> 0:23:11.520
<v Speaker 2>make chicken because I've had complaints.

0:23:11.640 --> 0:23:15.399
<v Speaker 1>I've had complaints that I've not fed my family here

0:23:15.480 --> 0:23:18.720
<v Speaker 1>at Courts Love Supremes. So now I go way out

0:23:18.880 --> 0:23:22.440
<v Speaker 1>and I've ordered the mother load of Korean fried chicken.

0:23:22.240 --> 0:23:22.920
<v Speaker 2>That we cannot eat.

0:23:23.440 --> 0:23:27.399
<v Speaker 1>Yeah, yes, well you know what it's it's kind of

0:23:27.440 --> 0:23:30.600
<v Speaker 1>weird because first it was mad for Chicken, then it

0:23:30.720 --> 0:23:34.800
<v Speaker 1>was Mama Fuku, and now it's turntable chicken. Like it's

0:23:34.840 --> 0:23:37.040
<v Speaker 1>the same. It's a speakeasy. Have you heard of the

0:23:37.040 --> 0:23:39.600
<v Speaker 1>spot I've heard of. Yeah, yeah, it's a speakeasy spot

0:23:39.720 --> 0:23:44.280
<v Speaker 1>where it's a Korean restaurant, but you go in, it's

0:23:44.400 --> 0:23:47.320
<v Speaker 1>it's like it's hidden on top of a pizza spot.

0:23:48.000 --> 0:23:50.320
<v Speaker 1>And then what's really weird about it is that the

0:23:50.440 --> 0:23:54.280
<v Speaker 1>music they play him there is a very specific type

0:23:54.320 --> 0:23:55.080
<v Speaker 1>of soul music.

0:23:55.960 --> 0:24:00.159
<v Speaker 2>It's like right up your alley. It's like Marvin Ces. Oh,

0:24:00.200 --> 0:24:08.359
<v Speaker 2>they playing liquor house shit, yes, c Richard Dimple Fields.

0:24:08.880 --> 0:24:12.440
<v Speaker 1>Yeah, it's a very specific like Frankie Beverly Maze is

0:24:12.520 --> 0:24:15.200
<v Speaker 1>too No, that's too popular, it's just too Yeah, that's

0:24:15.240 --> 0:24:17.399
<v Speaker 1>too like down home.

0:24:17.320 --> 0:24:21.120
<v Speaker 2>Blues, yeah yeah, Bible Blue playing. Yeah, it's easy here

0:24:22.640 --> 0:24:28.920
<v Speaker 2>Liquor music store house.

0:24:29.240 --> 0:24:32.320
<v Speaker 1>Yeah, at first when I went there. When I went there,

0:24:32.520 --> 0:24:34.200
<v Speaker 1>I didn't know how to feel, because first of all,

0:24:34.200 --> 0:24:36.520
<v Speaker 1>it was like you go there and you know, like

0:24:36.600 --> 0:24:38.359
<v Speaker 1>in the movie when you go in the alleyway and

0:24:38.440 --> 0:24:40.280
<v Speaker 1>the little slide door things, you only see.

0:24:40.160 --> 0:24:43.080
<v Speaker 2>The eyes, Like what's the password? Like back then, you

0:24:43.160 --> 0:24:44.200
<v Speaker 2>have to have a password.

0:24:44.680 --> 0:24:46.359
<v Speaker 1>And this place is open till seven in the morning,

0:24:46.480 --> 0:24:48.159
<v Speaker 1>and this is the spot you go to after you

0:24:48.280 --> 0:24:51.040
<v Speaker 1>party all night in New York from four a m.

0:24:51.280 --> 0:24:54.360
<v Speaker 1>Till about eight a m. It's on like it's overcrowded.

0:24:54.760 --> 0:24:57.200
<v Speaker 1>So even my quest lovedness couldn't just get me in.

0:24:57.400 --> 0:24:58.600
<v Speaker 1>I had to know the password.

0:24:59.080 --> 0:24:59.840
<v Speaker 7>What was the password?

0:25:00.359 --> 0:25:00.800
<v Speaker 2>I forget?

0:25:00.840 --> 0:25:02.560
<v Speaker 1>I mean, this is like back when it was math

0:25:02.600 --> 0:25:06.040
<v Speaker 1>for chicken, it was like five years agoword, Yeah.

0:25:05.920 --> 0:25:08.960
<v Speaker 2>What's the password? Purple number one.

0:25:09.880 --> 0:25:13.119
<v Speaker 1>So the point was that when I walked in, I

0:25:13.840 --> 0:25:16.159
<v Speaker 1>first of all to be told that their brand of

0:25:16.200 --> 0:25:19.440
<v Speaker 1>fried chicken was better. The way the person described it

0:25:19.520 --> 0:25:22.240
<v Speaker 1>was like better than your mama's or your grandma's. So

0:25:22.280 --> 0:25:24.960
<v Speaker 1>I already felt some sort of way. And then to

0:25:25.080 --> 0:25:31.200
<v Speaker 1>see the the the cosmetic view of what I was watching,

0:25:31.240 --> 0:25:33.760
<v Speaker 1>I was the only black person in there, but they

0:25:33.800 --> 0:25:38.480
<v Speaker 1>were playing Richard Dimple's fields and explain.

0:25:38.280 --> 0:25:40.359
<v Speaker 2>Like that to the people. To the listener, we have

0:25:40.440 --> 0:25:41.120
<v Speaker 2>to be specific.

0:25:41.440 --> 0:25:45.200
<v Speaker 1>There's a specific type of soul music that like you

0:25:45.520 --> 0:25:48.000
<v Speaker 1>only hear south of the Mission Dixon line.

0:25:48.040 --> 0:25:51.119
<v Speaker 4>It is like Melico Records has it. It's like the

0:25:51.240 --> 0:25:53.600
<v Speaker 4>Melico Record's Greatest Hits, like the box set.

0:25:53.680 --> 0:25:56.800
<v Speaker 1>Like, so you growing up in North Carolina, like you've

0:25:56.840 --> 0:25:58.160
<v Speaker 1>heard Marvin Cees all the time.

0:25:58.200 --> 0:26:00.399
<v Speaker 2>Oh my god, man, Marvin Cees was legend.

0:26:00.480 --> 0:26:04.520
<v Speaker 4>Marvin Ces's son follows me on Instagram, like Marvin C

0:26:05.840 --> 0:26:11.119
<v Speaker 4>Life Goals Nigga. So me and Marven Zeze's son we

0:26:11.240 --> 0:26:14.399
<v Speaker 4>kick it. So Marvin C's for the listeners, let's to

0:26:14.520 --> 0:26:17.600
<v Speaker 4>kind of just giving. Okay, there's a song called Candy

0:26:17.680 --> 0:26:21.320
<v Speaker 4>Liquor Okay, and this was a song that Okay, the

0:26:21.440 --> 0:26:24.399
<v Speaker 4>genre of liquor house music, it generally falls under what

0:26:24.560 --> 0:26:25.920
<v Speaker 4>we formally called it gues.

0:26:25.880 --> 0:26:27.040
<v Speaker 2>Southern soul and blues.

0:26:27.520 --> 0:26:30.359
<v Speaker 4>So you have these guys that are like, you know,

0:26:31.520 --> 0:26:37.120
<v Speaker 4>Marvin C's you know, Riggie Dimmisfield's Roy cu Zz Hill,

0:26:37.280 --> 0:26:39.560
<v Speaker 4>like Brain said, you know, these are just guys that

0:26:39.720 --> 0:26:43.399
<v Speaker 4>were kind of like the underground rappers. They were like

0:26:44.040 --> 0:26:47.480
<v Speaker 4>the two Shorts and then oh man, the precursors of that.

0:26:47.680 --> 0:26:49.680
<v Speaker 4>So they were like kind of like the underground rappers

0:26:49.720 --> 0:26:51.159
<v Speaker 4>of the soul scene. You didn't real learn stuff on

0:26:51.160 --> 0:26:52.920
<v Speaker 4>the radio like that, but when you went to the

0:26:53.000 --> 0:26:55.520
<v Speaker 4>little clubs, the little like speakeasys, the you know, the

0:26:55.560 --> 0:26:57.479
<v Speaker 4>little hole in the wall joints, that's where you hear

0:26:57.480 --> 0:26:59.840
<v Speaker 4>their records. And so Marvin Season particularly had a record

0:26:59.880 --> 0:27:02.600
<v Speaker 4>that is being called Candy Liquor and Candy Liquor got

0:27:02.640 --> 0:27:03.639
<v Speaker 4>It was about.

0:27:03.680 --> 0:27:05.160
<v Speaker 7>It's not liquor like you drink.

0:27:05.400 --> 0:27:07.440
<v Speaker 2>Oh oh, you ain't up on this one. It's not

0:27:07.680 --> 0:27:09.560
<v Speaker 2>We gotta play it right now, man, I think we

0:27:09.560 --> 0:27:15.600
<v Speaker 2>should can we? Okay? I'm not a shame no more.

0:27:17.680 --> 0:27:20.680
<v Speaker 2>Have you ever heard this? I want to do? This

0:27:20.920 --> 0:27:23.720
<v Speaker 2>was actually me and my mom danced to this my brother.

0:27:31.880 --> 0:27:37.040
<v Speaker 7>Candy just makes sense.

0:27:37.240 --> 0:27:41.280
<v Speaker 2>Yeah, I'm not ashamed. I want to be your candy.

0:27:45.640 --> 0:27:50.639
<v Speaker 7>Let me wait wait wait that blowfly, very blow fly,

0:27:51.080 --> 0:27:52.639
<v Speaker 7>very heavy breathing.

0:27:53.920 --> 0:27:56.200
<v Speaker 2>Why not? I think he might be doing that for

0:27:56.280 --> 0:27:56.960
<v Speaker 2>real in the studio.

0:28:03.000 --> 0:28:03.800
<v Speaker 3>I won you.

0:28:06.200 --> 0:28:09.000
<v Speaker 7>I don't feel like that wheezing is It's okay.

0:28:09.440 --> 0:28:14.400
<v Speaker 2>Yeah, he had his inhaling. Next little that's matter, I'm

0:28:14.440 --> 0:28:14.840
<v Speaker 2>not lying.

0:28:15.440 --> 0:28:16.080
<v Speaker 7>Well, that's clear.

0:28:21.119 --> 0:28:22.719
<v Speaker 2>And this song is like ten minutes long.

0:28:23.320 --> 0:28:25.760
<v Speaker 7>It goes heavy breathing and zerus Chris.

0:28:26.800 --> 0:28:33.600
<v Speaker 2>Yeah, it's nine minutes and fifty nine seconds. Yes, because

0:28:33.640 --> 0:28:35.160
<v Speaker 2>he wanted to remind you that his pull out game

0:28:35.240 --> 0:28:45.920
<v Speaker 2>is strong. I can take it outside. This is the

0:28:46.040 --> 0:28:48.160
<v Speaker 2>type of soul music they would play.

0:28:48.280 --> 0:28:51.040
<v Speaker 1>And I didn't know how to feel being the only

0:28:51.840 --> 0:28:56.440
<v Speaker 1>black man in uh a Korean establishment.

0:28:57.320 --> 0:29:01.080
<v Speaker 2>Uh And they were serving fried chicken only and playing

0:29:01.200 --> 0:29:01.760
<v Speaker 2>this music.

0:29:02.760 --> 0:29:04.760
<v Speaker 5>Sounds like a lot, but I ordered a lot and.

0:29:05.200 --> 0:29:08.280
<v Speaker 2>Was there every other night, okay every night. I'm sorry.

0:29:08.640 --> 0:29:10.240
<v Speaker 8>So this is the this is the place.

0:29:11.040 --> 0:29:15.280
<v Speaker 1>This is the speakeasy, yes, now known as Turntable Chicken,

0:29:15.320 --> 0:29:16.960
<v Speaker 1>but formally Man for Chickens.

0:29:17.040 --> 0:29:18.840
<v Speaker 2>I like these plugs.

0:29:18.880 --> 0:29:19.000
<v Speaker 3>Man.

0:29:19.200 --> 0:29:21.280
<v Speaker 1>Well no, I'm just saying, we're tying in all my lines,

0:29:21.360 --> 0:29:23.000
<v Speaker 1>like you know, the foodie now, I'm bringing in the

0:29:23.040 --> 0:29:24.360
<v Speaker 1>foody world in the music world.

0:29:24.480 --> 0:29:24.640
<v Speaker 2>See.

0:29:24.720 --> 0:29:28.040
<v Speaker 1>See that's how we do it anyway, maya, Yes, sir, Uh,

0:29:29.080 --> 0:29:31.640
<v Speaker 1>I kind of want to start in chronological order.

0:29:33.000 --> 0:29:33.360
<v Speaker 2>Of course.

0:29:33.440 --> 0:29:38.080
<v Speaker 1>We know the powerful lineage that you come from, uh,

0:29:38.640 --> 0:29:43.200
<v Speaker 1>being as though your father is H. Richard Rudolph or

0:29:43.280 --> 0:29:46.000
<v Speaker 1>Dick Rudolf, Like professionally, was he Richard Rudolph.

0:29:45.720 --> 0:29:48.360
<v Speaker 7>Or my whole childhood he was Dick Rudolph. But I

0:29:48.400 --> 0:29:50.800
<v Speaker 7>think every record said Richard. But everyone's like your days

0:29:50.840 --> 0:29:51.360
<v Speaker 7>Dick Rudolf.

0:29:51.760 --> 0:29:54.560
<v Speaker 2>Okay, I didn't know like he became Richard like once

0:29:54.600 --> 0:29:55.440
<v Speaker 2>he became like no.

0:29:55.560 --> 0:29:57.680
<v Speaker 7>When he was like fifty, he started telling everybody his

0:29:57.760 --> 0:30:03.280
<v Speaker 7>names Ricardo. We don't know why. So he was raised

0:30:03.320 --> 0:30:05.680
<v Speaker 7>in Miami, so he thinks he's part Cuban, but he's

0:30:05.760 --> 0:30:06.400
<v Speaker 7>he's Jewish.

0:30:06.680 --> 0:30:09.120
<v Speaker 2>Okay, So where where were you born?

0:30:09.680 --> 0:30:13.840
<v Speaker 7>Gainesville, Florida? Because my parents were my parents were in Chicago.

0:30:13.960 --> 0:30:16.240
<v Speaker 7>My mom was sick of Chicago, and my parents met

0:30:16.440 --> 0:30:20.240
<v Speaker 7>in Chicago because my dad was managing what was it

0:30:20.320 --> 0:30:24.920
<v Speaker 7>called the Electric Electric Playground I think was it was?

0:30:25.080 --> 0:30:25.600
<v Speaker 8>It was a club.

0:30:26.480 --> 0:30:28.400
<v Speaker 7>It was one of those clubs that was like I

0:30:28.480 --> 0:30:30.800
<v Speaker 7>forgot what my dad called it. But they were on

0:30:30.880 --> 0:30:33.480
<v Speaker 7>those circuits like if you go to little like different

0:30:33.520 --> 0:30:37.560
<v Speaker 7>boutiques they have, you know, they sell the tickets for

0:30:37.640 --> 0:30:40.280
<v Speaker 7>these like bands that would go in like packs of

0:30:40.360 --> 0:30:43.560
<v Speaker 7>two and three, like led Zeppelin would go play at

0:30:43.560 --> 0:30:45.560
<v Speaker 7>this place in Chicago and this place in San Francisco

0:30:45.640 --> 0:30:47.080
<v Speaker 7>and this other place, and my dad was managing the

0:30:47.120 --> 0:30:48.640
<v Speaker 7>one in Chicago kind of.

0:30:48.640 --> 0:30:50.120
<v Speaker 2>Like the house of Blues of the sixties.

0:30:50.760 --> 0:30:54.400
<v Speaker 7>Yeah, like the sixties, Yeah, like smash you know, the

0:30:54.960 --> 0:30:57.720
<v Speaker 7>it was very sixties, like what are those things called,

0:30:57.760 --> 0:31:03.360
<v Speaker 7>the like the trippy like smash color thing where people like, yeah,

0:31:03.480 --> 0:31:07.640
<v Speaker 7>you know, they like the visual stuff of like groovy

0:31:07.720 --> 0:31:13.760
<v Speaker 7>liquids and shit in different colors. Yeah, And and I

0:31:13.880 --> 0:31:16.040
<v Speaker 7>think the I think it was very corrupt, like the

0:31:16.120 --> 0:31:20.080
<v Speaker 7>bodyguards were like black belts at like some karate places.

0:31:20.120 --> 0:31:21.720
<v Speaker 7>It was it was something about it was very corrupt

0:31:21.760 --> 0:31:22.000
<v Speaker 7>and bad.

0:31:22.720 --> 0:31:23.400
<v Speaker 2>And I know that.

0:31:24.120 --> 0:31:27.920
<v Speaker 7>He said he like went to deposit the money one

0:31:28.040 --> 0:31:30.400
<v Speaker 7>night and like when he drove back, it was it

0:31:30.480 --> 0:31:32.240
<v Speaker 7>was burning down. He thought it was like an inside

0:31:32.320 --> 0:31:36.720
<v Speaker 7>job or something. But he met my mom there when

0:31:36.720 --> 0:31:39.720
<v Speaker 7>she was in the roadary connection, and he said, and

0:31:39.800 --> 0:31:42.240
<v Speaker 7>I quote him, they met on the steps and she

0:31:42.400 --> 0:31:43.520
<v Speaker 7>was at the top of the steps and he was

0:31:43.520 --> 0:31:45.040
<v Speaker 7>at the bottom. And then he got it was he like,

0:31:45.120 --> 0:31:46.240
<v Speaker 7>he got way too into it. And I was like,

0:31:46.240 --> 0:31:48.040
<v Speaker 7>I don't care about the story. You're still my parents,

0:31:48.320 --> 0:31:52.719
<v Speaker 7>Like yeah, but they like saw each other. So they

0:31:52.760 --> 0:31:55.720
<v Speaker 7>were living in Chicago. They had my brother there, who's

0:31:55.720 --> 0:32:00.840
<v Speaker 7>four years older than me, and it was still Chicago then,

0:32:01.000 --> 0:32:03.960
<v Speaker 7>like this is late sixties. My dad had like a

0:32:04.040 --> 0:32:07.440
<v Speaker 7>long ponytail and like had to tucket in his jacket

0:32:07.600 --> 0:32:09.520
<v Speaker 7>to hide from the landlady. And they had to like

0:32:09.640 --> 0:32:12.640
<v Speaker 7>hide my mom and my brother because they were black,

0:32:12.800 --> 0:32:15.280
<v Speaker 7>and so they just got tired of it, I think,

0:32:15.520 --> 0:32:17.400
<v Speaker 7>and then they were like looking for places to go

0:32:17.480 --> 0:32:19.320
<v Speaker 7>because my mom had just had it with Chicago. And

0:32:19.560 --> 0:32:21.520
<v Speaker 7>but you were born in the seventies though, right seventy two,

0:32:21.760 --> 0:32:22.920
<v Speaker 7>so that's even then the.

0:32:22.960 --> 0:32:23.560
<v Speaker 2>Block was hot.

0:32:24.280 --> 0:32:29.200
<v Speaker 1>Yes, so it's always been Chicago. Has always been in Chicago. Yeah,

0:32:29.480 --> 0:32:31.840
<v Speaker 1>like it's never not been Chicago.

0:32:32.320 --> 0:32:34.240
<v Speaker 7>I see, I don't know where they lived exactly. I

0:32:34.320 --> 0:32:35.520
<v Speaker 7>know my mom grew up in the South Side, but

0:32:35.520 --> 0:32:37.240
<v Speaker 7>I don't know where my parents lived at the time

0:32:37.840 --> 0:32:40.640
<v Speaker 7>with my brother, and then they had friends that lived

0:32:40.680 --> 0:32:43.560
<v Speaker 7>in this little Gainsville. Gainswell was a college town, so

0:32:43.640 --> 0:32:45.640
<v Speaker 7>it was like quiet and a bunch of beause we

0:32:45.720 --> 0:32:46.680
<v Speaker 7>only lived there for about a year.

0:32:47.000 --> 0:32:49.480
<v Speaker 2>Also, hear that it's the music capital of Florida.

0:32:49.600 --> 0:32:56.120
<v Speaker 7>Well, yeah, Tom Petty is from there, and who else.

0:32:56.240 --> 0:32:59.920
<v Speaker 1>My first show there was half the Roots only half

0:33:00.080 --> 0:33:02.160
<v Speaker 1>of us made it, and because we needed the money,

0:33:02.200 --> 0:33:05.640
<v Speaker 1>we still did it. Like I drummed, Rozelle did all

0:33:05.680 --> 0:33:08.640
<v Speaker 1>the music with his mouth, and Tarik rhymed for an

0:33:08.720 --> 0:33:12.000
<v Speaker 1>hour and a half and they're like, dude, this is

0:33:12.040 --> 0:33:15.200
<v Speaker 1>the music Capital Florida and we never seen anything, you know.

0:33:15.360 --> 0:33:19.280
<v Speaker 1>So that's where I learned the history of Kainesville was that.

0:33:19.440 --> 0:33:23.520
<v Speaker 2>The lesbian sex Act show. No, no, no, that was yeah, sorry,

0:33:24.480 --> 0:33:25.280
<v Speaker 2>everyone gets no.

0:33:25.600 --> 0:33:30.280
<v Speaker 1>There's a four famous lesbian sex Act show that we

0:33:30.400 --> 0:33:34.000
<v Speaker 1>did under an allise at New Eurekan Cafe in New York.

0:33:34.080 --> 0:33:36.479
<v Speaker 2>It was common to Reik myself.

0:33:38.480 --> 0:33:40.160
<v Speaker 1>We just needed a name to make up because we

0:33:40.240 --> 0:33:43.080
<v Speaker 1>couldn't be the roots playing a free gig at.

0:33:43.040 --> 0:33:46.000
<v Speaker 2>The New Eyreakan Cafe. So we made up Lesbian sex Act.

0:33:47.360 --> 0:33:48.640
<v Speaker 7>And that got butts in seats.

0:33:49.280 --> 0:33:52.240
<v Speaker 1>Yes, we debuted some things fall apart songs then, but

0:33:52.400 --> 0:33:55.400
<v Speaker 1>this is before then. But uh yeah, so you only

0:33:55.440 --> 0:33:56.760
<v Speaker 1>did a year in Kainesville, just.

0:33:56.800 --> 0:34:01.720
<v Speaker 7>A year, and then they drove out to la because well,

0:34:01.720 --> 0:34:04.160
<v Speaker 7>there's an actual story that I should know, like all

0:34:04.240 --> 0:34:06.800
<v Speaker 7>the names of but a guy came from Capital and

0:34:07.000 --> 0:34:09.960
<v Speaker 7>fat like my mom thanked him. I remember, I can't

0:34:09.960 --> 0:34:11.640
<v Speaker 7>remember guys name. She was like, thank you to so

0:34:11.800 --> 0:34:14.000
<v Speaker 7>and so for coming, like coming and rescue me from

0:34:14.040 --> 0:34:16.879
<v Speaker 7>the gators. So he she had she had been on chess,

0:34:16.960 --> 0:34:19.480
<v Speaker 7>you know, since she was a teenager. She worked at

0:34:19.560 --> 0:34:22.480
<v Speaker 7>Chess Records when she was in high school, and she

0:34:22.719 --> 0:34:24.719
<v Speaker 7>sang in the Gems, which was the girl group. She

0:34:24.760 --> 0:34:29.400
<v Speaker 7>did another name though, well, Andrea Davis was My cousin's

0:34:29.440 --> 0:34:31.800
<v Speaker 7>name is Andrew. That's why she was Andrew Davis. But

0:34:31.880 --> 0:34:34.320
<v Speaker 7>I don't know. But Andrew Davis had her own like

0:34:34.680 --> 0:34:38.520
<v Speaker 7>solo single right, Lonely Girl is the one I know.

0:34:38.800 --> 0:34:42.560
<v Speaker 7>And then but she also did backup for stuff and

0:34:42.640 --> 0:34:44.800
<v Speaker 7>the only thing I know about that she's not credited for.

0:34:45.040 --> 0:34:46.839
<v Speaker 7>But weirdly, like when I was in college, my dad

0:34:46.960 --> 0:34:50.520
<v Speaker 7>was like, we just got a royalty check for Rescue

0:34:50.600 --> 0:34:54.200
<v Speaker 7>Me the Fontella bass song, So my mom's singing on that.

0:34:54.360 --> 0:34:58.000
<v Speaker 7>Like she would basically, you know, be the receptionist and

0:34:58.040 --> 0:35:00.160
<v Speaker 7>then if they needed backup, she'd run upstairs and do

0:35:00.320 --> 0:35:04.239
<v Speaker 7>back up and then still like man the Desk.

0:35:05.719 --> 0:35:09.640
<v Speaker 1>Couest Love Supreme Trivia Moment. Bill, when we first met,

0:35:10.040 --> 0:35:12.640
<v Speaker 1>I'm sorry, Boss Bill, not unpaid Bill.

0:35:13.120 --> 0:35:17.960
<v Speaker 2>Boss Bill. When we first met, I think you caught

0:35:18.040 --> 0:35:21.920
<v Speaker 2>the copy of Thrust by Herbie Hancock. Yeah, how do

0:35:22.040 --> 0:35:28.399
<v Speaker 2>you remember that? Who's the lady on taxi on taxi stupid? Yeah?

0:35:28.840 --> 0:35:31.880
<v Speaker 1>I kind of have a Mary Lou Henter musical memory.

0:35:32.480 --> 0:35:35.279
<v Speaker 1>I mean I could tell you, like, you know, the

0:35:35.320 --> 0:35:37.480
<v Speaker 1>amount of times that people misspelled the word on Soul

0:35:37.520 --> 0:35:38.439
<v Speaker 1>Train scramble board.

0:35:38.920 --> 0:35:41.040
<v Speaker 2>But I can't remember to show up on time to

0:35:41.200 --> 0:35:43.279
<v Speaker 2>like my own radio show. So it's like, you know,

0:35:43.360 --> 0:35:47.080
<v Speaker 2>it's a thing. No, I'm very imperfect.

0:35:47.480 --> 0:35:48.560
<v Speaker 7>Did you hear when I got here?

0:35:49.200 --> 0:35:55.120
<v Speaker 2>Well, you know, because they they they deangelouded me. However.

0:35:57.440 --> 0:36:01.600
<v Speaker 1>Yeah, but my point was that that I copped H

0:36:02.200 --> 0:36:03.960
<v Speaker 1>three Andrea day forty five.

0:36:04.640 --> 0:36:07.120
<v Speaker 2>Yeah, in Chicago the first day I met Bill.

0:36:07.680 --> 0:36:09.360
<v Speaker 7>Wow, so we're connected.

0:36:09.360 --> 0:36:14.120
<v Speaker 1>We're connected already, we're connected. So you guys, uh went

0:36:14.160 --> 0:36:17.080
<v Speaker 1>to lay. This is weird because now if I want

0:36:17.120 --> 0:36:19.600
<v Speaker 1>to find somebody, I could stalk them on the Internet

0:36:19.719 --> 0:36:20.520
<v Speaker 1>or social media.

0:36:20.920 --> 0:36:22.880
<v Speaker 7>Yeah, I don't know how he found how he found her?

0:36:22.960 --> 0:36:25.000
<v Speaker 7>Then and then that then the other part of the

0:36:25.719 --> 0:36:28.080
<v Speaker 7>so we went, we moved to Laurel Canyon, and then

0:36:28.520 --> 0:36:33.640
<v Speaker 7>my mom's like she was set on Stevie Wonder. She

0:36:33.719 --> 0:36:34.839
<v Speaker 7>wanted to find Stevie. Wonder.

0:36:35.239 --> 0:36:38.200
<v Speaker 2>Wait, we there's one crucial thing. We never said your

0:36:38.239 --> 0:36:41.239
<v Speaker 2>mom's name yet, maybe we might want to do that.

0:36:42.239 --> 0:36:47.759
<v Speaker 2>Who is your mother? So her mother of course? Uh?

0:36:48.239 --> 0:36:57.160
<v Speaker 1>For those listening to Questlove Supreme only on Pandora, is

0:36:57.440 --> 0:36:58.360
<v Speaker 1>is Minnie Riperton?

0:36:58.719 --> 0:36:58.839
<v Speaker 4>Uh?

0:36:59.200 --> 0:37:04.759
<v Speaker 2>Considered to be one of the finest vocalists of all time?

0:37:04.960 --> 0:37:05.400
<v Speaker 9>What was there?

0:37:05.640 --> 0:37:07.080
<v Speaker 2>What was her octave range?

0:37:07.600 --> 0:37:11.279
<v Speaker 7>I've heard five? You know this is she died in

0:37:11.360 --> 0:37:13.399
<v Speaker 7>the seventies, so we have no way of proving any

0:37:13.440 --> 0:37:18.680
<v Speaker 7>of it. There's no There's a lot of folklore behind it,

0:37:18.800 --> 0:37:20.719
<v Speaker 7>for sure. But I've heard five, which is a lot

0:37:20.800 --> 0:37:23.840
<v Speaker 7>more than I've I'll just say seven, say.

0:37:23.760 --> 0:37:26.719
<v Speaker 1>Eight perceptions reality, I mean, people will say it and

0:37:26.800 --> 0:37:28.680
<v Speaker 1>then people will believe it true.

0:37:28.840 --> 0:37:30.560
<v Speaker 7>We can set it. We can set the record.

0:37:30.680 --> 0:37:30.879
<v Speaker 9>Now.

0:37:31.280 --> 0:37:34.919
<v Speaker 4>Seven octave range great, I've actually read seven octaves before

0:37:35.480 --> 0:37:36.759
<v Speaker 4>I've read I've read that she has.

0:37:37.040 --> 0:37:39.040
<v Speaker 7>I'll be honest, I don't you know, I don't. I

0:37:39.440 --> 0:37:42.520
<v Speaker 7>hear so many things I can't. You probably know more

0:37:42.560 --> 0:37:42.920
<v Speaker 7>than I do.

0:37:43.719 --> 0:37:45.840
<v Speaker 1>I know she can go high. But how what was

0:37:45.880 --> 0:37:48.279
<v Speaker 1>her low register like? Because in order to really be

0:37:48.400 --> 0:37:51.000
<v Speaker 1>five octave range that I don't know. You know your

0:37:51.080 --> 0:37:52.399
<v Speaker 1>base game has to be on point.

0:37:52.520 --> 0:37:57.279
<v Speaker 7>Well I'm low. I'm nothing but low, And nobody really

0:37:57.400 --> 0:37:59.839
<v Speaker 7>has her voice in our family except her speaking voice.

0:37:59.880 --> 0:38:02.919
<v Speaker 7>My Auntie Sandres got her speaking boys her her older sister.

0:38:03.040 --> 0:38:08.840
<v Speaker 7>She was really close to who who's still one of

0:38:08.960 --> 0:38:12.320
<v Speaker 7>her only siblings that's still around. And she sounds a

0:38:12.400 --> 0:38:13.560
<v Speaker 7>lot like my mom when I talked to her on

0:38:13.600 --> 0:38:16.120
<v Speaker 7>the phone. But she doesn't sing. I mean, I think

0:38:16.239 --> 0:38:18.359
<v Speaker 7>when she does, she probably has some of that in there,

0:38:18.440 --> 0:38:20.960
<v Speaker 7>but I don't know anybody else in the family who

0:38:21.040 --> 0:38:27.400
<v Speaker 7>has it. My mom's brother was a horn player, but siblings.

0:38:28.160 --> 0:38:33.160
<v Speaker 7>She was the youngest of eight whoa south side of Chicago,

0:38:33.440 --> 0:38:36.680
<v Speaker 7>youngest of eight, so she needed to leave.

0:38:37.960 --> 0:38:40.680
<v Speaker 2>Oh he's waiting for an inappropriate comment from vart No

0:38:43.080 --> 0:38:46.600
<v Speaker 2>it was not, Well it wasn't, but no, that's the time.

0:38:46.719 --> 0:38:48.759
<v Speaker 2>I mean, that makes sense because that was back in

0:38:48.800 --> 0:38:49.120
<v Speaker 2>the day.

0:38:49.200 --> 0:38:51.800
<v Speaker 7>Like, well, no, this is true. My grandfather was a

0:38:51.840 --> 0:38:54.040
<v Speaker 7>pullman porter, and you know they always said that pullman

0:38:54.080 --> 0:38:56.680
<v Speaker 7>porter's always had like you know, he worked for the railroad,

0:38:56.719 --> 0:38:59.359
<v Speaker 7>so oways say he had he might have had more kids.

0:39:00.120 --> 0:39:01.720
<v Speaker 7>Importers go from one place to another.

0:39:01.840 --> 0:39:03.839
<v Speaker 1>Yeah, well I know that back then I mean at

0:39:03.920 --> 0:39:08.160
<v Speaker 1>least with farm house mentality. The thing is that you

0:39:08.400 --> 0:39:11.080
<v Speaker 1>have a lot of kids so that you can have hands, yeah,

0:39:11.280 --> 0:39:14.640
<v Speaker 1>to work on your farm or Jackson's or you know,

0:39:14.800 --> 0:39:15.360
<v Speaker 1>however you.

0:39:17.760 --> 0:39:21.480
<v Speaker 2>However you want to put it. So, what was your

0:39:21.719 --> 0:39:24.319
<v Speaker 2>first cognizant memory of.

0:39:27.640 --> 0:39:27.960
<v Speaker 8>Music?

0:39:28.520 --> 0:39:30.680
<v Speaker 2>Yeah, just of the environment you grew up in.

0:39:31.360 --> 0:39:33.520
<v Speaker 1>Like you don't remember that Soul Training episode in which

0:39:33.520 --> 0:39:35.480
<v Speaker 1>you were crying through your mom's interview segment.

0:39:35.960 --> 0:39:40.839
<v Speaker 7>M I don't remember it, but I remember that all

0:39:40.920 --> 0:39:43.000
<v Speaker 7>that that era for me was. I mean we were

0:39:43.040 --> 0:39:44.719
<v Speaker 7>on the road with my parents most of the time

0:39:44.840 --> 0:39:47.879
<v Speaker 7>until I started school. So I mean when we were little,

0:39:47.920 --> 0:39:49.680
<v Speaker 7>little sometimes they'd go out on the road and they

0:39:49.760 --> 0:39:52.759
<v Speaker 7>take us with them, but pretty much, especially when I

0:39:52.840 --> 0:39:54.040
<v Speaker 7>was a baby, I think my mom went out on

0:39:54.080 --> 0:39:55.560
<v Speaker 7>the road for a minute and then she called my dad.

0:39:55.640 --> 0:39:56.800
<v Speaker 7>She was like, you have to come with me.

0:39:56.880 --> 0:39:57.239
<v Speaker 8>I can't.

0:39:57.840 --> 0:40:00.439
<v Speaker 7>I can't be without the baby and without you guys.

0:40:00.560 --> 0:40:02.719
<v Speaker 7>And so we were on the road a lot. And

0:40:02.760 --> 0:40:05.719
<v Speaker 7>I remember being on the road with my parents, like

0:40:05.800 --> 0:40:11.439
<v Speaker 7>I remember somebody lost a tooth in like some town

0:40:11.520 --> 0:40:13.759
<v Speaker 7>with a casino and we got like a chip or something,

0:40:13.760 --> 0:40:16.640
<v Speaker 7>you know, Like I remember like sound check to me

0:40:16.960 --> 0:40:20.080
<v Speaker 7>is like I think it was it was me or

0:40:20.120 --> 0:40:20.319
<v Speaker 7>my I.

0:40:20.280 --> 0:40:22.480
<v Speaker 2>Think it was me, me or my brother, like a

0:40:22.560 --> 0:40:23.399
<v Speaker 2>bar fight or something.

0:40:23.760 --> 0:40:26.560
<v Speaker 7>No, like like the normal things that happened to a kid.

0:40:26.640 --> 0:40:28.960
<v Speaker 7>But the tooth Fairy brought me like a casino chip

0:40:29.320 --> 0:40:31.239
<v Speaker 7>because we were in like Lake Tahoe or something. But

0:40:31.560 --> 0:40:34.239
<v Speaker 7>like like being on the road was very normal. And

0:40:34.320 --> 0:40:40.239
<v Speaker 7>then like see my mom. Yeah, like being being in studios,

0:40:40.320 --> 0:40:44.000
<v Speaker 7>being backstage, and like see my mom before the show,

0:40:44.080 --> 0:40:46.800
<v Speaker 7>like before the audience was there. All that is like

0:40:46.920 --> 0:40:50.680
<v Speaker 7>tied together as one kind of large memory.

0:40:51.480 --> 0:41:08.120
<v Speaker 8>Really, Yeah, what would the world.

0:41:08.000 --> 0:41:10.840
<v Speaker 7>Be like if everyone saw with their hearts instead of

0:41:10.920 --> 0:41:11.440
<v Speaker 7>their eyes?

0:41:12.560 --> 0:41:16.880
<v Speaker 2>I guess it would be like your smile, Mile innocent.

0:41:17.120 --> 0:41:17.680
<v Speaker 8>Pure.

0:41:19.520 --> 0:41:19.719
<v Speaker 4>Love.

0:41:23.320 --> 0:41:25.920
<v Speaker 7>I wish every year with the year and the child

0:41:26.760 --> 0:41:27.520
<v Speaker 7>so much.

0:41:28.840 --> 0:41:39.520
<v Speaker 2>So the things you learn on Quest Love Supreme, only

0:41:39.640 --> 0:41:47.399
<v Speaker 2>your own father. This just got real. This is why

0:41:47.520 --> 0:41:50.000
<v Speaker 2>we don't need to pay unpaid.

0:41:55.840 --> 0:41:55.880
<v Speaker 9>You.

0:41:56.760 --> 0:41:59.680
<v Speaker 2>Well let's explain. Uh wait for those just tuning in,

0:42:00.760 --> 0:42:01.680
<v Speaker 2>it's my Rudolph.

0:42:02.440 --> 0:42:07.640
<v Speaker 1>Uh So we just played too many colors on Tina

0:42:07.680 --> 0:42:11.400
<v Speaker 1>Marie's second album, Lady t and.

0:42:13.040 --> 0:42:15.000
<v Speaker 2>Always knew of that song, never knew.

0:42:14.880 --> 0:42:16.680
<v Speaker 7>That that was you do you have to listen to

0:42:16.800 --> 0:42:18.799
<v Speaker 7>the event the very end.

0:42:19.080 --> 0:42:21.279
<v Speaker 2>No, I know that song, but I never knew that

0:42:21.560 --> 0:42:21.719
<v Speaker 2>was you.

0:42:21.960 --> 0:42:25.440
<v Speaker 1>And what's like there was this a string of seventy

0:42:25.560 --> 0:42:29.040
<v Speaker 1>soul songs where like somebody went in part like this

0:42:29.239 --> 0:42:33.080
<v Speaker 1>wisdom on a kid like you and on cooler gangs,

0:42:33.840 --> 0:42:40.480
<v Speaker 1>wold I'm peaceful together at once, you know cool well,

0:42:40.600 --> 0:42:41.520
<v Speaker 1>young timmy.

0:42:44.760 --> 0:42:46.080
<v Speaker 8>Like you.

0:42:46.760 --> 0:42:51.360
<v Speaker 2>The thing was, now that I know that's you, I

0:42:51.480 --> 0:42:53.560
<v Speaker 2>feel like you draw from.

0:42:55.600 --> 0:43:01.759
<v Speaker 1>Her, like I I now see you channeling that seventies

0:43:01.880 --> 0:43:06.720
<v Speaker 1>soul energy in your acting when you do any singer

0:43:06.760 --> 0:43:09.200
<v Speaker 1>that you do, the way that you talk, like, I

0:43:09.360 --> 0:43:10.320
<v Speaker 1>see you channeling that.

0:43:10.480 --> 0:43:12.400
<v Speaker 2>Really, do you channel that moment or.

0:43:12.480 --> 0:43:16.600
<v Speaker 7>I'm not not consciously? I mean my dad, I wasn't

0:43:16.600 --> 0:43:18.719
<v Speaker 7>around the studio lot. My dad did that record because

0:43:20.040 --> 0:43:22.680
<v Speaker 7>you know, we didn't have like babysitters and stuff then,

0:43:22.760 --> 0:43:24.279
<v Speaker 7>so I would just like spend a lot of time.

0:43:24.800 --> 0:43:27.280
<v Speaker 7>I remember when he was writing behind the He helped

0:43:27.280 --> 0:43:29.160
<v Speaker 7>write behind the Groove, and he tell the story like

0:43:29.600 --> 0:43:31.880
<v Speaker 7>I would sit in the passenger seat and like he

0:43:31.920 --> 0:43:34.239
<v Speaker 7>would with a legal pat and you would say, like

0:43:34.320 --> 0:43:36.040
<v Speaker 7>write this down, and I would like write down the

0:43:36.120 --> 0:43:36.759
<v Speaker 7>lyrics for him.

0:43:37.000 --> 0:43:41.799
<v Speaker 2>Another Xanna dude, did you know that spell xana do with.

0:43:41.840 --> 0:43:44.240
<v Speaker 7>The X of course because of the movie.

0:43:47.239 --> 0:43:47.600
<v Speaker 2>I don't know.

0:43:47.680 --> 0:43:49.960
<v Speaker 1>I don't think i've ever in the years I've known you,

0:43:50.000 --> 0:43:54.560
<v Speaker 1>I've really never like thoroughly discussed your mom's exit from

0:43:55.560 --> 0:43:57.640
<v Speaker 1>this this particular plant.

0:43:57.880 --> 0:44:04.279
<v Speaker 2>But I definitely know that, Uh, that was the that

0:44:04.400 --> 0:44:07.560
<v Speaker 2>was the first time that I had to deal with, Uh,

0:44:09.600 --> 0:44:10.360
<v Speaker 2>I guess loss.

0:44:10.760 --> 0:44:14.640
<v Speaker 1>Like my parents used your mom's passing as a way

0:44:14.680 --> 0:44:17.560
<v Speaker 1>to explain to me what death was really yeah, because

0:44:17.560 --> 0:44:22.160
<v Speaker 1>I mean at that time, I was eight years old.

0:44:23.200 --> 0:44:26.399
<v Speaker 1>So even though my grandmom passed when I was five,

0:44:27.680 --> 0:44:33.160
<v Speaker 1>like I you know, I they never told me or

0:44:33.280 --> 0:44:35.160
<v Speaker 1>sat me down explaining to being like, Okay, this is

0:44:35.200 --> 0:44:36.640
<v Speaker 1>what death is, and da da da da dah.

0:44:36.760 --> 0:44:39.320
<v Speaker 7>So gonna make sense too, because it's also like easier

0:44:39.360 --> 0:44:41.840
<v Speaker 7>to like explain it about someone that's like, you know, like,

0:44:41.920 --> 0:44:43.839
<v Speaker 7>oh shit, what are we going to tell him grandma died?

0:44:43.880 --> 0:44:45.640
<v Speaker 7>Then we're like, you're like, oh, make good stuff up.

0:44:46.280 --> 0:44:49.120
<v Speaker 7>But then if it's like, Okay, we're sad because this

0:44:49.280 --> 0:44:50.920
<v Speaker 7>thing happened and we have to explain, like I do,

0:44:51.360 --> 0:44:54.440
<v Speaker 7>explain why the Freedom Tower was there yesterday, my five

0:44:54.520 --> 0:44:58.000
<v Speaker 7>year old son and explain why the buildings were gone,

0:44:58.040 --> 0:45:00.440
<v Speaker 7>and I just said it very like, you know, as

0:45:00.520 --> 0:45:02.080
<v Speaker 7>simply and as matter of fact.

0:45:02.360 --> 0:45:03.160
<v Speaker 2>And he could handle it.

0:45:03.400 --> 0:45:05.000
<v Speaker 7>Yeah, he was like, why did they do that?

0:45:05.160 --> 0:45:05.359
<v Speaker 8>Well?

0:45:06.239 --> 0:45:09.160
<v Speaker 7>But yeah, maybe because it wasn't someone personal, but it

0:45:10.600 --> 0:45:12.880
<v Speaker 7>but personal in a different way. You know, your relationships

0:45:12.920 --> 0:45:13.800
<v Speaker 7>with the music is personal.

0:45:14.239 --> 0:45:17.040
<v Speaker 1>So that's that period in the summer of the seventy nine.

0:45:17.160 --> 0:45:20.160
<v Speaker 1>I mean, was your father working on this album as

0:45:20.239 --> 0:45:22.160
<v Speaker 1>that was happening, or my dad wasn't.

0:45:21.960 --> 0:45:25.279
<v Speaker 7>Working on the record. Then he met Tina later. She

0:45:25.400 --> 0:45:26.600
<v Speaker 7>was a big fan of my mom's. I don't know

0:45:26.640 --> 0:45:27.160
<v Speaker 7>how they can.

0:45:27.200 --> 0:45:29.680
<v Speaker 2>Your mom passing what July seventy nine, Yeah.

0:45:29.640 --> 0:45:32.960
<v Speaker 7>July twelfth, seventy nine, but she had recorded her last

0:45:33.080 --> 0:45:36.879
<v Speaker 7>record and didn't finish it when she died, so posthumously.

0:45:37.000 --> 0:45:39.640
<v Speaker 7>Then my dad then he went in the studio and

0:45:39.680 --> 0:45:41.960
<v Speaker 7>had That's when I got to meet the Jackson's because

0:45:41.960 --> 0:45:44.080
<v Speaker 7>like people would come and like play stuff on each song.

0:45:44.360 --> 0:45:46.359
<v Speaker 2>Yeah, Michael was on a I'm in Love Again.

0:45:46.600 --> 0:45:48.840
<v Speaker 7>I remember my dad, I remember one of the I

0:45:48.880 --> 0:45:50.840
<v Speaker 7>don't remember who's one of the Jackson's selfinge with my

0:45:50.920 --> 0:45:53.040
<v Speaker 7>math homework and I was like, Jackson helped me with

0:45:53.160 --> 0:45:55.320
<v Speaker 7>my fourth grade math homework.

0:45:56.320 --> 0:45:57.200
<v Speaker 2>And it wasn't Michael.

0:45:58.000 --> 0:46:02.120
<v Speaker 7>No, Michael was too shy. Michael Michael. They were in

0:46:02.200 --> 0:46:04.080
<v Speaker 7>the studio and they were friendly. Michael was really shy,

0:46:04.080 --> 0:46:05.440
<v Speaker 7>and my dad gave him, like I remember, he gave

0:46:05.520 --> 0:46:09.400
<v Speaker 7>him like a Pittsburgh Pirates hat, because my dad's from Pittsburgh.

0:46:09.920 --> 0:46:10.080
<v Speaker 8>Ah.

0:46:10.400 --> 0:46:13.240
<v Speaker 2>Originally I didn't know that, but I but that's.

0:46:13.080 --> 0:46:14.719
<v Speaker 7>Why I can remember, like people were coming in, you know,

0:46:14.800 --> 0:46:18.000
<v Speaker 7>he was putting stuff on songs with different people. It's

0:46:18.080 --> 0:46:21.160
<v Speaker 7>such a blurry time to me. It's you know, now

0:46:21.239 --> 0:46:23.520
<v Speaker 7>that I have a daughter who's about she was, she's

0:46:23.600 --> 0:46:25.759
<v Speaker 7>the age my daughter, Lucy's the age that I was

0:46:25.800 --> 0:46:27.560
<v Speaker 7>when my mom died. Right now, she's six and a half,

0:46:27.600 --> 0:46:32.080
<v Speaker 7>she's almost seven. It's so fascinating as an adult to

0:46:32.200 --> 0:46:37.200
<v Speaker 7>see that person's she's so into me, she's so into

0:46:37.239 --> 0:46:40.640
<v Speaker 7>her mommy. But she's a kind of a baby still,

0:46:40.840 --> 0:46:43.320
<v Speaker 7>like in a lot of ways. And so my memory

0:46:43.360 --> 0:46:45.160
<v Speaker 7>it's like, you know, because my mom was my mom,

0:46:45.239 --> 0:46:47.400
<v Speaker 7>people ask me about her a lot, but my memories

0:46:47.520 --> 0:46:52.320
<v Speaker 7>are are from a child's brain, so it's really warped.

0:46:52.440 --> 0:46:55.759
<v Speaker 7>And I always talk about magical thinking. There's like a

0:46:55.840 --> 0:46:59.040
<v Speaker 7>lot of my memory. That's like a little bit make

0:46:59.160 --> 0:47:02.040
<v Speaker 7>believe because that's how kids cope.

0:47:01.880 --> 0:47:02.040
<v Speaker 2>You know.

0:47:03.160 --> 0:47:05.399
<v Speaker 1>You know what I remember about that record, that last

0:47:05.480 --> 0:47:09.640
<v Speaker 1>album Stevie wanted his autograph was his thumb prints. Yeah,

0:47:10.200 --> 0:47:12.200
<v Speaker 1>I would the first time I ever got in trouble

0:47:12.360 --> 0:47:15.600
<v Speaker 1>playing with matches, like I get it. I get a

0:47:15.640 --> 0:47:20.880
<v Speaker 1>big pin, then light the ink so it could spill

0:47:21.000 --> 0:47:22.800
<v Speaker 1>on the table so I could put my thumbprint and

0:47:22.880 --> 0:47:24.279
<v Speaker 1>just thumbprint everything.

0:47:24.640 --> 0:47:28.239
<v Speaker 2>Because yeah, Stevie did it. Yeah, I was impressible that way.

0:47:29.320 --> 0:47:33.280
<v Speaker 2>And also that Michael had an immaculate penmanship on his autograph.

0:47:32.920 --> 0:47:36.080
<v Speaker 7>On that album because his dad probably yay.

0:47:37.520 --> 0:47:37.880
<v Speaker 4>Go in.

0:47:42.640 --> 0:47:42.680
<v Speaker 7>No.

0:47:44.640 --> 0:47:47.279
<v Speaker 2>Yeah. So just that that transition period to.

0:47:48.120 --> 0:47:52.240
<v Speaker 7>It was also transitioning from seventy nine leaving the eighties,

0:47:52.800 --> 0:47:57.000
<v Speaker 7>leaving the eighties. I mean, sorry, it's such a trippy.

0:47:57.320 --> 0:47:59.480
<v Speaker 7>It's such a trippy era to have such an imprint

0:47:59.560 --> 0:48:03.360
<v Speaker 7>on my life. The seventies is is everything.

0:48:03.920 --> 0:48:05.560
<v Speaker 1>I mean, how did you cope? Like did you have

0:48:06.120 --> 0:48:10.680
<v Speaker 1>big sister figures? And like, well, who was there to

0:48:10.960 --> 0:48:13.960
<v Speaker 1>sort of feel that void or just to who's there

0:48:14.040 --> 0:48:14.719
<v Speaker 1>for you to leave?

0:48:14.920 --> 0:48:17.920
<v Speaker 7>Really just my dad and my brother honestly, and I

0:48:18.000 --> 0:48:20.080
<v Speaker 7>mean we were the only ones that lived in La

0:48:20.080 --> 0:48:22.200
<v Speaker 7>because everybody we came to La. My dad's family was

0:48:22.239 --> 0:48:25.719
<v Speaker 7>in Miami, my mom's was in Chicago. We were the

0:48:25.760 --> 0:48:27.600
<v Speaker 7>only ones like out there. We were kind of on

0:48:27.640 --> 0:48:31.360
<v Speaker 7>our own. So you know, when I come from like,

0:48:32.239 --> 0:48:35.759
<v Speaker 7>you know, pretty big sized families, but everybody was somewhere else.

0:48:36.480 --> 0:48:38.200
<v Speaker 7>I'm kind of a disconnection in a lot of ways,

0:48:38.239 --> 0:48:39.920
<v Speaker 7>especially because she she was the only one that was

0:48:39.960 --> 0:48:43.640
<v Speaker 7>like in the entertainment business in her family, which always

0:48:44.280 --> 0:48:48.560
<v Speaker 7>as you know, wow, with death and fame and all that,

0:48:48.840 --> 0:48:53.359
<v Speaker 7>that all just becomes so strange when people people die,

0:48:53.480 --> 0:48:57.480
<v Speaker 7>it's it makes it makes family even you know, you

0:48:57.600 --> 0:48:58.560
<v Speaker 7>know how it is.

0:48:58.800 --> 0:49:02.920
<v Speaker 2>I know, so I mean your dad obviously.

0:49:03.440 --> 0:49:05.520
<v Speaker 8>No my dad, my dad raised us.

0:49:05.640 --> 0:49:09.120
<v Speaker 7>It was so my dad, I cannot believe, like he

0:49:09.320 --> 0:49:13.560
<v Speaker 7>was in the studio all night, will like our housekeeper

0:49:13.680 --> 0:49:15.480
<v Speaker 7>was like sleeping at the house so that there was

0:49:15.480 --> 0:49:17.759
<v Speaker 7>someone in the house with us. And then he'd get

0:49:17.840 --> 0:49:20.439
<v Speaker 7>up in the morning, make my lunch, pack my bag,

0:49:20.680 --> 0:49:22.359
<v Speaker 7>send me off to school if he wasn't the one

0:49:22.360 --> 0:49:23.839
<v Speaker 7>that was driving me as I got older, because that's

0:49:23.840 --> 0:49:25.919
<v Speaker 7>what I remember, and then like go back to bed.

0:49:26.160 --> 0:49:27.080
<v Speaker 2>Where'd you go to school?

0:49:27.400 --> 0:49:30.799
<v Speaker 7>I went to high school in Santa Monica's school called Crossroads.

0:49:31.239 --> 0:49:34.560
<v Speaker 7>That was like an already already school.

0:49:34.640 --> 0:49:35.880
<v Speaker 1>I was going to say, was it a perfect So

0:49:35.920 --> 0:49:38.160
<v Speaker 1>when did you realize that you did you always have

0:49:38.200 --> 0:49:38.520
<v Speaker 1>a talent?

0:49:38.600 --> 0:49:39.759
<v Speaker 2>Were you always singing around the house?

0:49:39.880 --> 0:49:40.080
<v Speaker 3>Yeah?

0:49:40.880 --> 0:49:41.520
<v Speaker 2>I didn't.

0:49:41.800 --> 0:49:43.719
<v Speaker 7>I was I was singing. I was just like a

0:49:43.840 --> 0:49:48.920
<v Speaker 7>ham bone, like always doing shows like my kids do now,

0:49:49.040 --> 0:49:52.120
<v Speaker 7>like always doing a show. My brother was always playing sports.

0:49:52.120 --> 0:49:53.359
<v Speaker 7>I was always doing a show.

0:49:54.160 --> 0:49:55.560
<v Speaker 2>So for you, was it like I'm going to be

0:49:55.640 --> 0:49:58.120
<v Speaker 2>a singer or yeah, I think I was an actress.

0:49:58.160 --> 0:49:59.880
<v Speaker 7>I think it was a combo in my head of

0:50:00.400 --> 0:50:02.399
<v Speaker 7>But I don't know where the comedy came from, because

0:50:02.440 --> 0:50:04.839
<v Speaker 7>my dad says that if my mom wasn't a singer,

0:50:04.880 --> 0:50:07.520
<v Speaker 7>she would have been a comedian. But I don't know

0:50:08.600 --> 0:50:10.400
<v Speaker 7>anything funny, that's what he says.

0:50:10.640 --> 0:50:11.120
<v Speaker 2>I don't know.

0:50:11.360 --> 0:50:13.200
<v Speaker 8>I don't remember any of that. Wow.

0:50:13.719 --> 0:50:19.279
<v Speaker 7>But but the music seemed normal, So they're all it's

0:50:19.360 --> 0:50:21.640
<v Speaker 7>kind of a hybrid in my mind, you know. But

0:50:21.719 --> 0:50:23.799
<v Speaker 7>I would go to shows, like I would watch people

0:50:23.840 --> 0:50:25.360
<v Speaker 7>on stage and think that's what I'm gonna do. And

0:50:25.400 --> 0:50:26.880
<v Speaker 7>then I'd watch a movie and say, like that's what

0:50:26.920 --> 0:50:29.600
<v Speaker 7>I'm gonna do. But it was mostly like in my house,

0:50:29.680 --> 0:50:31.000
<v Speaker 7>we watched a lot of comedies that it was like

0:50:31.040 --> 0:50:32.640
<v Speaker 7>a lot of Melbrooks movies and stuff.

0:50:32.960 --> 0:50:37.120
<v Speaker 2>Wow, do you remember your first concert not your mom's.

0:50:39.400 --> 0:50:42.720
<v Speaker 7>I remember going to see Funkadelic and the mother Ship Landing.

0:50:42.880 --> 0:50:44.719
<v Speaker 7>I was sitting on somebody's shoulders. I think we were

0:50:44.760 --> 0:50:47.680
<v Speaker 7>in Chicago. I don't know what the first I mean

0:50:48.239 --> 0:50:50.239
<v Speaker 7>if it wasn't my mom's. I mean, my mom played

0:50:50.239 --> 0:50:53.000
<v Speaker 7>with George Benson, and I remember being at like it

0:50:53.200 --> 0:50:55.880
<v Speaker 7>like the Greek Theater or something, just that perfect magical

0:50:56.640 --> 0:50:59.560
<v Speaker 7>outdoor summer night, like don't dunk.

0:51:01.239 --> 0:51:02.280
<v Speaker 2>Right, I went Broadway?

0:51:02.520 --> 0:51:06.920
<v Speaker 1>Yeah, okay, So all your conscious were related to your

0:51:06.960 --> 0:51:08.040
<v Speaker 1>mom in some sort of way.

0:51:07.960 --> 0:51:08.319
<v Speaker 8>I guess.

0:51:08.360 --> 0:51:13.319
<v Speaker 7>So. I mean the Parliament when when my brother was huge.

0:51:13.400 --> 0:51:16.320
<v Speaker 7>My brother was crazy huge into Parliament Funkadelic when I

0:51:16.400 --> 0:51:18.279
<v Speaker 7>was a kid, and so I think we I think

0:51:18.320 --> 0:51:20.080
<v Speaker 7>we went to go see them because he wanted to.

0:51:21.200 --> 0:51:25.319
<v Speaker 7>He was like infatuated with George Clinton when we were

0:51:25.600 --> 0:51:28.680
<v Speaker 7>just the two of you together and some family members

0:51:28.680 --> 0:51:30.960
<v Speaker 7>I don't even remember who, and then we were into

0:51:31.000 --> 0:51:33.120
<v Speaker 7>the Silvers. We were really Me and my brother were

0:51:33.160 --> 0:51:37.200
<v Speaker 7>really into the silvers try to remember, Like it's actually

0:51:37.239 --> 0:51:39.600
<v Speaker 7>because I've been asked that question. It's so hard to remember,

0:51:39.640 --> 0:51:42.480
<v Speaker 7>like the first first I mean, when I was like

0:51:42.560 --> 0:51:44.560
<v Speaker 7>a kid kid, it was like Duran Duran, But that

0:51:44.640 --> 0:51:47.880
<v Speaker 7>doesn't that doesn't count well because that was like my

0:51:48.120 --> 0:51:50.200
<v Speaker 7>choice when I was like fifth grade, But when I

0:51:50.280 --> 0:51:52.840
<v Speaker 7>was little, I don't remember.

0:51:53.600 --> 0:51:57.600
<v Speaker 2>So Duran Duran was your first love? Like Roads on

0:51:57.640 --> 0:51:59.120
<v Speaker 2>the Walls and all that stuff.

0:52:00.560 --> 0:52:04.160
<v Speaker 7>I wouldn't say, was it first I really liked? I

0:52:04.400 --> 0:52:07.520
<v Speaker 7>I was really in love with Stuart Copeland from the Police,

0:52:13.440 --> 0:52:16.080
<v Speaker 7>thank you, and of course Sting but you know, and

0:52:16.200 --> 0:52:20.160
<v Speaker 7>then uh and then and then I remember being like

0:52:20.320 --> 0:52:26.120
<v Speaker 7>band wise, but my prince love was early. It just

0:52:26.360 --> 0:52:30.040
<v Speaker 7>wasn't as much of a connection. Like like Dirty Mind

0:52:30.200 --> 0:52:32.920
<v Speaker 7>was the first record that I really truly listened to

0:52:32.960 --> 0:52:38.120
<v Speaker 7>and understood and you were I was little. Yeah, Because

0:52:38.160 --> 0:52:41.359
<v Speaker 7>my cousin Ingrid came out from Chicago, she was much

0:52:41.400 --> 0:52:44.280
<v Speaker 7>older than us. She bought that record. She was staying

0:52:44.320 --> 0:52:45.840
<v Speaker 7>with us, and she shouldn't have played it for me

0:52:45.880 --> 0:52:48.600
<v Speaker 7>and my brother, but she did, and we all like

0:52:48.880 --> 0:52:50.600
<v Speaker 7>and the record players in my dad's bedroom and we

0:52:50.640 --> 0:52:54.000
<v Speaker 7>all just like danced to it in our socks. But

0:52:54.280 --> 0:52:56.040
<v Speaker 7>but then like I didn't have a poster of prints

0:52:56.120 --> 0:52:58.040
<v Speaker 7>or anything like that, and I didn't, but it was

0:52:58.160 --> 0:52:59.120
<v Speaker 7>like it was in there.

0:52:59.320 --> 0:53:03.920
<v Speaker 2>Did you really what you were listening to? No, that's crazy.

0:53:04.000 --> 0:53:06.239
<v Speaker 7>But I remember staring at the record and staring at

0:53:06.360 --> 0:53:08.439
<v Speaker 7>him laying on the bed with his trench coat open,

0:53:08.440 --> 0:53:10.640
<v Speaker 7>and I was like, wow, he's got a lot of

0:53:11.480 --> 0:53:22.360
<v Speaker 7>hair under his thighs, Like that's man thigh. But it

0:53:22.520 --> 0:53:27.600
<v Speaker 7>wasn't until when Purple Rain happened. Then I made like

0:53:27.680 --> 0:53:30.680
<v Speaker 7>a conscious shift in a conscious stress. And I was eleven,

0:53:30.760 --> 0:53:32.960
<v Speaker 7>I think, right, were you twelve?

0:53:33.960 --> 0:53:34.080
<v Speaker 2>Uh?

0:53:35.120 --> 0:53:37.760
<v Speaker 1>I was thirteen? Yes, I was twelve, Yeah, you were twelve.

0:53:37.920 --> 0:53:39.319
<v Speaker 1>You were allowed to see purple range?

0:53:39.600 --> 0:53:41.479
<v Speaker 7>Well, my dad took me to see purple ring because

0:53:41.480 --> 0:53:42.640
<v Speaker 7>he didn't he didn't know what it was.

0:53:42.800 --> 0:53:47.480
<v Speaker 2>My mom took me to ring. I was my Rabbi

0:53:47.600 --> 0:53:48.239
<v Speaker 2>took me to see.

0:53:51.760 --> 0:53:53.080
<v Speaker 7>None of us knew that we were going to see

0:53:53.080 --> 0:53:54.120
<v Speaker 7>Apollonia's boobies.

0:53:54.160 --> 0:54:00.839
<v Speaker 5>So I didn't see purple until way later, Regular Bill.

0:54:01.000 --> 0:54:03.600
<v Speaker 2>I didn't see until it was on HBO. Oh wow.

0:54:04.560 --> 0:54:08.120
<v Speaker 2>So I'm the only one to which purple was like

0:54:08.239 --> 0:54:10.800
<v Speaker 2>contraband in the household. Oh no, it was contraband.

0:54:10.880 --> 0:54:12.120
<v Speaker 7>Oh you weren't allowed to go see it.

0:54:12.400 --> 0:54:15.600
<v Speaker 2>Hell no, Prince was the Prince was the I got on.

0:54:16.160 --> 0:54:18.280
<v Speaker 2>Like all my punishments was prince related.

0:54:18.960 --> 0:54:22.360
<v Speaker 1>Really, I would have otherwise been the perfect child, except

0:54:23.280 --> 0:54:26.479
<v Speaker 1>the day that, you know, I discovered Prince's music and then.

0:54:28.040 --> 0:54:32.160
<v Speaker 2>You know, But it's weird because during those punishments, my punishments,

0:54:32.200 --> 0:54:32.919
<v Speaker 2>I mean some of them.

0:54:32.840 --> 0:54:39.960
<v Speaker 1>Were corporal and car and carporal, carporal, corporal, some of

0:54:40.000 --> 0:54:43.600
<v Speaker 1>them were corporal because I mean, a black household, black father,

0:54:43.840 --> 0:54:45.399
<v Speaker 1>you know, the belt is always used.

0:54:47.080 --> 0:54:49.680
<v Speaker 7>My dad wasn't black, and he always talked about the belt.

0:54:50.320 --> 0:54:52.680
<v Speaker 2>Oh, I'm gonna go get the belt. In Austrata, it's.

0:54:52.560 --> 0:54:54.479
<v Speaker 7>Just more of a threat. The belt was. The belt

0:54:54.600 --> 0:54:57.479
<v Speaker 7>was the impending terror and doom.

0:54:57.840 --> 0:54:59.359
<v Speaker 2>I'm gonna get that belt and get the belt.

0:54:59.640 --> 0:55:03.080
<v Speaker 7>Oh, I don't remember. I don't remember having the belt.

0:55:04.200 --> 0:55:06.920
<v Speaker 2>I got the belt several times. I got the belt.

0:55:06.960 --> 0:55:08.799
<v Speaker 4>I got the switch, I got the hot wheels race

0:55:08.880 --> 0:55:12.000
<v Speaker 4>car track, I got I got a couple of things.

0:55:12.080 --> 0:55:14.480
<v Speaker 4>It was pretty sure that comes to this child abuse

0:55:16.800 --> 0:55:21.279
<v Speaker 4>flip flops, not like the like the like the cute

0:55:21.320 --> 0:55:22.680
<v Speaker 4>see like the just the throng.

0:55:24.040 --> 0:55:25.799
<v Speaker 2>You know what I mean. Oh yeah, brother, it got

0:55:25.840 --> 0:55:28.480
<v Speaker 2>it went down in the d M. Look at him.

0:55:28.480 --> 0:55:30.200
<v Speaker 2>Paid Bill all traumatized right now.

0:55:31.120 --> 0:55:32.000
<v Speaker 7>I don't know anybody.

0:55:33.880 --> 0:55:33.920
<v Speaker 1>No.

0:55:34.080 --> 0:55:36.320
<v Speaker 5>I got hit once for drawing the family on the

0:55:36.400 --> 0:55:37.960
<v Speaker 5>freshly painted walls and crowns.

0:55:38.200 --> 0:55:42.360
<v Speaker 2>My mom was that's a paddling.

0:55:42.480 --> 0:55:45.719
<v Speaker 5>I mean yeah, was it like was it a.

0:55:45.760 --> 0:55:46.799
<v Speaker 2>Tito Jackson moment?

0:55:47.680 --> 0:55:52.960
<v Speaker 1>Like Joe Jackson beat Tito for breaking a guitar string,

0:55:53.800 --> 0:55:55.600
<v Speaker 1>and it was like, oh wait, my son has talent.

0:55:55.880 --> 0:55:58.400
<v Speaker 1>And then that's how the Jackson's became to be. Oh wow,

0:55:59.080 --> 0:56:01.360
<v Speaker 1>he didn't realize that his son's had talent until he

0:56:01.440 --> 0:56:02.520
<v Speaker 1>had to beat Tito.

0:56:06.480 --> 0:56:11.600
<v Speaker 7>Jesus, you can talk about it. What oh what the

0:56:11.719 --> 0:56:13.800
<v Speaker 7>switch did Jackson switch?

0:56:14.600 --> 0:56:14.759
<v Speaker 2>Oh?

0:56:15.760 --> 0:56:20.200
<v Speaker 1>Nah, man, my dad has a doctorate degree in jacksonology.

0:56:20.520 --> 0:56:23.600
<v Speaker 1>I mean that's why I had to be so you know.

0:56:25.320 --> 0:56:27.160
<v Speaker 1>I mean, you know, I was always like the not

0:56:27.280 --> 0:56:29.759
<v Speaker 1>the goodie kid, but I always did what my parents said.

0:56:30.360 --> 0:56:33.080
<v Speaker 1>I was home before the light went out, and you know,

0:56:33.160 --> 0:56:36.120
<v Speaker 1>I always joke to people that if I ever came

0:56:36.160 --> 0:56:41.000
<v Speaker 1>home one minute after that Oprah theme, oh.

0:56:41.040 --> 0:56:42.800
<v Speaker 2>Wow, that was my ass.

0:56:43.360 --> 0:56:46.480
<v Speaker 1>And I mean even into high school, like I mean,

0:56:46.560 --> 0:56:48.520
<v Speaker 1>it was just their fear of me being out on

0:56:48.640 --> 0:56:52.200
<v Speaker 1>the streets in the eighties was it was too risky.

0:56:52.400 --> 0:56:54.759
<v Speaker 1>So it's just like you come straight home, don't go

0:56:54.880 --> 0:56:58.600
<v Speaker 1>record shopping, don't go to uh you know, you don't

0:56:58.640 --> 0:57:02.919
<v Speaker 1>go to the arcade, hanging with your friends at the mall.

0:57:03.120 --> 0:57:03.879
<v Speaker 2>You run home.

0:57:04.040 --> 0:57:06.719
<v Speaker 1>So it was like, that's why I know Flight of

0:57:06.719 --> 0:57:09.440
<v Speaker 1>the bumble Bee so well, because soon as school let out,

0:57:09.920 --> 0:57:21.720
<v Speaker 1>it was like, like, that's that's that's pretty much what

0:57:21.840 --> 0:57:22.240
<v Speaker 1>life was.

0:57:22.520 --> 0:57:24.920
<v Speaker 7>What was the what was the Prince record that you

0:57:25.320 --> 0:57:27.520
<v Speaker 7>got into. I'm just curious what the relationship was for

0:57:27.640 --> 0:57:30.680
<v Speaker 7>your parents that said, like, all.

0:57:30.640 --> 0:57:33.400
<v Speaker 2>Right, so Prince got introduced, all right.

0:57:33.960 --> 0:57:37.960
<v Speaker 1>It's it's weird that my Michael Jackson obsession led to

0:57:38.280 --> 0:57:42.360
<v Speaker 1>all of my musical knowledge because even those groups you mentioned, Duran,

0:57:42.480 --> 0:57:44.240
<v Speaker 1>Duran and the police.

0:57:43.960 --> 0:57:44.640
<v Speaker 2>And all that stuff.

0:57:45.360 --> 0:57:48.760
<v Speaker 1>The only reason why I know all of those MTV

0:57:48.920 --> 0:57:52.160
<v Speaker 1>ready acts is because you'd sit in front of m

0:57:52.240 --> 0:57:56.320
<v Speaker 1>t V for hours waiting for beat It to come out, right,

0:57:56.400 --> 0:57:59.280
<v Speaker 1>that one to watch all night long to do that

0:58:00.840 --> 0:58:05.240
<v Speaker 1>forward moonwalking all night long or beat It or or

0:58:05.480 --> 0:58:08.000
<v Speaker 1>nineteen ninety nine, So wait for that one black video

0:58:08.080 --> 0:58:10.640
<v Speaker 1>to come on. You'd have to sit through Thomas Dolby

0:58:11.240 --> 0:58:14.919
<v Speaker 1>and all these others. So after you know, five weeks

0:58:14.960 --> 0:58:18.800
<v Speaker 1>of doing this, suddenly you know I'm singing like Hyperactive

0:58:18.840 --> 0:58:21.120
<v Speaker 1>by Thomas Dolby and I remember.

0:58:20.960 --> 0:58:23.720
<v Speaker 2>Yes, had like twelve it was Robert Palmer.

0:58:24.120 --> 0:58:30.800
<v Speaker 1>No, no, Hyperactive, I'm definitely wrong.

0:58:31.880 --> 0:58:36.800
<v Speaker 4>Wrong, thank you mind because Steve would have you see

0:58:36.840 --> 0:58:38.560
<v Speaker 4>the smug look on base right now?

0:58:39.320 --> 0:58:41.240
<v Speaker 2>No, how about I can't when I'm wrong. No, there's

0:58:41.280 --> 0:58:42.400
<v Speaker 2>are right, there's.

0:58:42.160 --> 0:58:44.800
<v Speaker 7>A Thomas Dolby. I love you.

0:58:45.960 --> 0:58:50.480
<v Speaker 2>Yeah, well that's what I'm saying.

0:58:50.480 --> 0:58:53.800
<v Speaker 1>Like waiting for Michael Jackson videos led me to just

0:58:53.880 --> 0:58:57.120
<v Speaker 1>studying everything else because you didn't want to take your

0:58:57.200 --> 0:59:00.880
<v Speaker 1>eyes off the television. And so back when I wanted

0:59:00.920 --> 0:59:03.200
<v Speaker 1>to see the Rock with You video, knowing that it

0:59:03.320 --> 0:59:08.479
<v Speaker 1>was coming on Midnight Special, Prince was the second song

0:59:09.680 --> 0:59:11.320
<v Speaker 1>as a guest, I Want to be Your Lover, and.

0:59:13.040 --> 0:59:16.400
<v Speaker 2>My dad just felt the need to add on.

0:59:16.800 --> 0:59:20.320
<v Speaker 1>It was like twenty four hours later, and his whole

0:59:20.360 --> 0:59:22.360
<v Speaker 1>thing was like, why is this boy wearing a diaper?

0:59:24.160 --> 0:59:27.240
<v Speaker 1>Why is he wearing a diaper? So just the next

0:59:27.320 --> 0:59:30.240
<v Speaker 1>day he says, don't you listen to that boy that

0:59:30.360 --> 0:59:34.120
<v Speaker 1>was wearing the diaper, which wasn't like, you know, like

0:59:34.160 --> 0:59:36.720
<v Speaker 1>when your parents tell you no, then it's like, oh, automatic, yes,

0:59:37.280 --> 0:59:39.920
<v Speaker 1>I really didn't care, like I now know that with parenthood.

0:59:40.760 --> 0:59:42.320
<v Speaker 2>And of course I'm not a parent saying this.

0:59:42.840 --> 0:59:46.280
<v Speaker 1>I'm just saying that, if you are adamant about a no,

0:59:47.080 --> 0:59:49.040
<v Speaker 1>you might as well tell your kid just do that.

0:59:49.240 --> 0:59:52.240
<v Speaker 1>Do it, because I'm certain that Prince would have been

0:59:52.400 --> 0:59:56.360
<v Speaker 1>just a footnote in memory had they not made a

0:59:56.400 --> 0:59:57.960
<v Speaker 1>big deal of that boy.

0:59:57.840 --> 0:59:58.400
<v Speaker 2>And his diaper.

0:59:58.560 --> 1:00:01.600
<v Speaker 7>I remember Soft and Wet being I remember being exactly

1:00:01.640 --> 1:00:04.120
<v Speaker 7>where I was standing. Our garage door was open, and

1:00:04.200 --> 1:00:06.520
<v Speaker 7>we were in the driveway doing messing around, doing something.

1:00:06.560 --> 1:00:08.840
<v Speaker 7>I had one of those you know, those green like

1:00:09.080 --> 1:00:11.120
<v Speaker 7>inchworm things and you would like bounce on it.

1:00:11.240 --> 1:00:13.040
<v Speaker 2>Yeah, I remember that, yeah, yeah, And I was like.

1:00:13.120 --> 1:00:15.200
<v Speaker 7>Playing with that or something. And then Soft and Wet

1:00:15.320 --> 1:00:17.480
<v Speaker 7>came on, and I remember we were all listening.

1:00:17.200 --> 1:00:21.600
<v Speaker 2>To it on the radio, like it's a very inappropriate visual.

1:00:22.880 --> 1:00:25.520
<v Speaker 7>But I didn't feel that wrist slap of like, oh boy,

1:00:25.600 --> 1:00:27.480
<v Speaker 7>we'd better turn this off, you know. It was sort

1:00:27.520 --> 1:00:29.320
<v Speaker 7>of like, oh, this is a Prince song, and the

1:00:29.360 --> 1:00:32.640
<v Speaker 7>song is kind of good, so I didn't. I don't,

1:00:32.800 --> 1:00:35.120
<v Speaker 7>But then again, my dad. There was no concept of

1:00:35.200 --> 1:00:38.320
<v Speaker 7>PC and my dad was so young, Like I mean,

1:00:38.360 --> 1:00:40.560
<v Speaker 7>my mom and dad were like twenty five when I

1:00:40.720 --> 1:00:43.480
<v Speaker 7>was born, you know, and so my mom was thirty

1:00:43.560 --> 1:00:47.040
<v Speaker 7>one when she died, like they were kids, and I

1:00:47.080 --> 1:00:50.880
<v Speaker 7>don't and that politically correct thing was not an ordinance yet,

1:00:50.960 --> 1:00:53.440
<v Speaker 7>so you know, I was. We were watching movies with

1:00:53.480 --> 1:00:54.960
<v Speaker 7>our parents because they were young and they wanted to

1:00:54.960 --> 1:00:56.440
<v Speaker 7>watch them too, and we saw boobies.

1:00:56.480 --> 1:01:01.040
<v Speaker 1>And but it's weird because I don't know, necessarily consider

1:01:02.160 --> 1:01:04.560
<v Speaker 1>soft and wet that memorable to be that.

1:01:05.440 --> 1:01:06.960
<v Speaker 2>Where was I when I first heard Prince?

1:01:07.880 --> 1:01:10.200
<v Speaker 1>Everyone has a soft and wet story, like the first

1:01:10.280 --> 1:01:15.160
<v Speaker 1>time they heard prints, which only because the circumstance that

1:01:15.280 --> 1:01:17.880
<v Speaker 1>I was in I remember more. And he just happened

1:01:17.920 --> 1:01:21.840
<v Speaker 1>to be playing at the time. My grandfather had just died,

1:01:22.880 --> 1:01:28.120
<v Speaker 1>and my dad came to my mom said babe, come here.

1:01:28.160 --> 1:01:28.600
<v Speaker 2>One second.

1:01:28.680 --> 1:01:30.520
<v Speaker 1>They went out the room, and I never heard my

1:01:30.640 --> 1:01:34.720
<v Speaker 1>mom freak out crying, so she screamed and everything, and

1:01:34.760 --> 1:01:36.880
<v Speaker 1>I was like, well, Immie, you know seventy eight, I

1:01:36.960 --> 1:01:40.520
<v Speaker 1>was seven, so I guess in order to just she

1:01:40.640 --> 1:01:42.480
<v Speaker 1>old me and protect me from it, my sister just

1:01:42.520 --> 1:01:45.480
<v Speaker 1>took me from the kitchen, took me up to the bedroom,

1:01:46.200 --> 1:01:48.400
<v Speaker 1>got these big ass headphones and just put the radio

1:01:48.480 --> 1:01:52.720
<v Speaker 1>on and Street Wave by Brothers Johnson was playing on

1:01:53.040 --> 1:01:57.120
<v Speaker 1>wdas it faded out, Soft and Wet came on. And

1:01:57.240 --> 1:02:00.760
<v Speaker 1>the only thing that I remember my seven year old

1:02:00.840 --> 1:02:04.840
<v Speaker 1>self saying was that this is the same instrumentation that

1:02:05.000 --> 1:02:06.200
<v Speaker 1>Graham Central Station.

1:02:06.080 --> 1:02:06.720
<v Speaker 2>Would have used.

1:02:07.240 --> 1:02:09.520
<v Speaker 1>Later I found out that yes, he also recorded at

1:02:10.160 --> 1:02:16.320
<v Speaker 1>salis What's in Salcilda, the same recording studio, the same art,

1:02:16.520 --> 1:02:20.800
<v Speaker 1>the same mood, the same patches, which probably explains is

1:02:20.960 --> 1:02:26.840
<v Speaker 1>Larry Graham upsession and even that that's straight Graham Central Station.

1:02:27.440 --> 1:02:30.800
<v Speaker 1>So that's the only thing I remember. I remember this song,

1:02:30.880 --> 1:02:34.720
<v Speaker 1>I don't know remember here in this really worthy synth

1:02:34.880 --> 1:02:35.840
<v Speaker 1>part that reminded me.

1:02:35.840 --> 1:02:38.840
<v Speaker 2>Of yeah, like it was Graham Central Station.

1:02:38.960 --> 1:02:44.200
<v Speaker 1>And that's all I remember about Prince uh And again

1:02:44.480 --> 1:02:47.040
<v Speaker 1>leading back to they never told me my grandfather died.

1:02:47.080 --> 1:02:50.080
<v Speaker 1>I just knew that mom was freaking out, and then

1:02:50.160 --> 1:02:51.800
<v Speaker 1>she went away for a week and I stayed at

1:02:51.840 --> 1:02:52.640
<v Speaker 1>my grandmom's house.

1:02:52.880 --> 1:02:54.520
<v Speaker 2>But that's what I remember.

1:02:54.600 --> 1:02:58.840
<v Speaker 1>But yeah, like really, it wasn't until I got into

1:02:58.920 --> 1:03:02.960
<v Speaker 1>the time and then someone told me the connection between

1:03:03.000 --> 1:03:07.680
<v Speaker 1>the two and then and then that's how I got

1:03:07.840 --> 1:03:10.360
<v Speaker 1>to I finally caught up to Prince. But it really

1:03:10.480 --> 1:03:12.160
<v Speaker 1>wasn't until the Time's first record.

1:03:12.280 --> 1:03:14.920
<v Speaker 7>My brother got us into the Time, and then it

1:03:14.920 --> 1:03:17.240
<v Speaker 7>started becoming I was like, what is this seven seven,

1:03:17.400 --> 1:03:21.000
<v Speaker 7>seven ninety three eleven, like songs with phone numbers were

1:03:21.040 --> 1:03:21.720
<v Speaker 7>so exciting.

1:03:26.760 --> 1:03:27.000
<v Speaker 2>Yeah.

1:03:27.280 --> 1:03:30.280
<v Speaker 1>So, but then by that point I just it was

1:03:30.480 --> 1:03:36.440
<v Speaker 1>punishment every you know, like the church I went to

1:03:36.800 --> 1:03:40.240
<v Speaker 1>had a sermon on why thriller was demonic?

1:03:41.640 --> 1:03:42.000
<v Speaker 2>Party?

1:03:42.120 --> 1:03:45.479
<v Speaker 1>Children and if any of your parents own this record,

1:03:45.520 --> 1:03:47.200
<v Speaker 1>and they had a nineteen ninety nine record, and he

1:03:47.280 --> 1:03:49.000
<v Speaker 1>turned it upside down, said, this.

1:03:49.080 --> 1:03:51.240
<v Speaker 2>Is a penis, and this is a six sixty six.

1:03:52.080 --> 1:03:55.000
<v Speaker 2>Your kids are being led and you know the six

1:03:55.040 --> 1:04:01.160
<v Speaker 2>six six on there. Look nineteen ninety nine, right.

1:04:01.480 --> 1:04:02.480
<v Speaker 7>I just saw the penis.

1:04:04.640 --> 1:04:07.040
<v Speaker 2>I thought I was one with a football in it,

1:04:07.520 --> 1:04:07.720
<v Speaker 2>you know.

1:04:10.680 --> 1:04:15.040
<v Speaker 1>Again, unless you pointed out like, I don't know these things.

1:04:15.160 --> 1:04:18.840
<v Speaker 1>And so it was just like then we went home.

1:04:18.920 --> 1:04:20.040
<v Speaker 1>Don't you have this record of mirror?

1:04:20.040 --> 1:04:21.840
<v Speaker 2>And they went to my room and took everything through

1:04:21.880 --> 1:04:22.200
<v Speaker 2>it away.

1:04:22.480 --> 1:04:22.720
<v Speaker 8>Wow.

1:04:23.120 --> 1:04:25.080
<v Speaker 1>Then it snowed, and then I did some shoveling and

1:04:26.240 --> 1:04:28.160
<v Speaker 1>got it back from the money that I earned shoveling,

1:04:28.240 --> 1:04:32.080
<v Speaker 1>and then it was missing again, and then after that

1:04:32.240 --> 1:04:34.320
<v Speaker 1>it was just like contraband, it was just punishment.

1:04:34.480 --> 1:04:39.480
<v Speaker 2>So h and I'll stay between eighty two and eighty.

1:04:39.360 --> 1:04:45.400
<v Speaker 1>Seven, life was hell in West Philadelphia based on all

1:04:45.840 --> 1:04:51.400
<v Speaker 1>it was just hell, like you know, yeah, it was

1:04:51.440 --> 1:04:53.400
<v Speaker 1>the best and worst times of life.

1:04:54.400 --> 1:04:59.000
<v Speaker 7>Hi, that's a classic. Like you clearly like driven towards

1:04:59.080 --> 1:05:02.440
<v Speaker 7>something in your parents. You know, you needed to find out.

1:05:02.520 --> 1:05:04.880
<v Speaker 7>You needed to turn everything over and find it out

1:05:04.920 --> 1:05:05.400
<v Speaker 7>for yourself.

1:05:05.560 --> 1:05:07.720
<v Speaker 1>Like and I don't even know if I mean, I

1:05:07.720 --> 1:05:09.600
<v Speaker 1>don't know if it affected me in a way that

1:05:09.720 --> 1:05:11.040
<v Speaker 1>they thought it was going to affect me or not.

1:05:11.760 --> 1:05:13.320
<v Speaker 1>I mean, he made me aware of shit that I

1:05:13.440 --> 1:05:15.720
<v Speaker 1>didn't know about, Like you know, it's like what's a

1:05:15.800 --> 1:05:17.560
<v Speaker 1>cherry and all this stuff? Like I would ask my

1:05:17.600 --> 1:05:19.120
<v Speaker 1>friends in school like what does this stuff mean?

1:05:19.160 --> 1:05:20.200
<v Speaker 2>Or whatever they explained to me.

1:05:20.360 --> 1:05:23.439
<v Speaker 1>But really I was just about I'd never heard music

1:05:23.560 --> 1:05:27.360
<v Speaker 1>sound like that, Like it sounded futuristic, and you know,

1:05:27.760 --> 1:05:30.520
<v Speaker 1>I was obsessed with the patches and all those things.

1:05:30.600 --> 1:05:32.800
<v Speaker 7>But I think it made me realize later because I

1:05:32.920 --> 1:05:34.480
<v Speaker 7>put all the pieces together when I got older, that

1:05:34.640 --> 1:05:38.560
<v Speaker 7>I wasn't really truly like identifying and obsessed with Prince

1:05:38.720 --> 1:05:42.120
<v Speaker 7>until the revolution actually had Wendy and least in it

1:05:42.160 --> 1:05:44.360
<v Speaker 7>because I could identify with girls in the band, and

1:05:44.440 --> 1:05:47.000
<v Speaker 7>then I wanted to be in the band. I wanted

1:05:47.040 --> 1:05:49.160
<v Speaker 7>to I wanted to be Wendy.

1:05:49.800 --> 1:05:53.000
<v Speaker 1>So were you besides knowing Jill, Well, you knew Jill

1:05:53.080 --> 1:05:54.520
<v Speaker 1>Jones during the Tina Marie period.

1:05:54.600 --> 1:05:57.640
<v Speaker 7>I remember meeting her. I think, I think, if my

1:05:57.760 --> 1:06:01.120
<v Speaker 7>memory surge incorrectly, her mom was Tina's manager.

1:06:02.320 --> 1:06:02.960
<v Speaker 2>Who's her mom?

1:06:03.680 --> 1:06:07.040
<v Speaker 7>I don't remember her name, okay, but I think Joe's mom.

1:06:07.160 --> 1:06:08.120
<v Speaker 2>I think she.

1:06:08.880 --> 1:06:11.200
<v Speaker 7>I think she worked with Tina. I remember going to

1:06:11.240 --> 1:06:13.160
<v Speaker 7>their house or something, or maybe better at Tina's house

1:06:13.240 --> 1:06:13.800
<v Speaker 7>or something like that.

1:06:14.240 --> 1:06:16.040
<v Speaker 2>So you didn't put two to do together when you

1:06:16.120 --> 1:06:17.600
<v Speaker 2>see the nineteen ninety nine video and.

1:06:17.680 --> 1:06:20.880
<v Speaker 7>Be like, oh my god, that's late James way.

1:06:20.880 --> 1:06:23.680
<v Speaker 2>Later grinding on Lisa for some strange reason.

1:06:25.520 --> 1:06:30.200
<v Speaker 7>Best friends. Yeah, there's a lot of that's funny and

1:06:30.280 --> 1:06:31.400
<v Speaker 7>Lisa best friends.

1:06:35.440 --> 1:06:42.160
<v Speaker 1>Yeah, it's yeah, yeah, anyway, Yeah, I didn't really know.

1:06:42.280 --> 1:06:44.840
<v Speaker 7>I didn't know people's names yet then, Like I didn't.

1:06:44.920 --> 1:06:47.000
<v Speaker 7>I just it was all about Prince to me. And

1:06:47.080 --> 1:06:49.400
<v Speaker 7>even though there was a revolution like it was just Prince.

1:06:49.960 --> 1:06:52.280
<v Speaker 7>But then because of the movie, I think it gave

1:06:52.360 --> 1:06:54.120
<v Speaker 7>me like a little bit of a story. Whether I

1:06:54.200 --> 1:06:55.800
<v Speaker 7>knew it was real or not, I didn't know.

1:06:56.200 --> 1:06:58.520
<v Speaker 2>Do you know that was Jill when you saw pe

1:06:58.680 --> 1:06:59.160
<v Speaker 2>Arin or.

1:07:00.320 --> 1:07:03.880
<v Speaker 7>I think so? Actually maybe not?

1:07:04.080 --> 1:07:04.400
<v Speaker 8>Maybe not.

1:07:04.680 --> 1:07:05.800
<v Speaker 7>I think I put it together later.

1:07:06.160 --> 1:07:11.400
<v Speaker 1>Okay, so uh yeah, Princess, I'm skipping over, of course,

1:07:11.520 --> 1:07:14.400
<v Speaker 1>the the part of your life of which a lot

1:07:14.480 --> 1:07:16.440
<v Speaker 1>of our listeners know, which is your acting career.

1:07:16.560 --> 1:07:18.640
<v Speaker 7>But I have to you don't need to tell them

1:07:18.720 --> 1:07:19.000
<v Speaker 7>that shit.

1:07:19.160 --> 1:07:19.640
<v Speaker 2>I have to.

1:07:21.480 --> 1:07:24.840
<v Speaker 7>An actor, yes, Steve, I'm an actor.

1:07:26.280 --> 1:07:26.480
<v Speaker 2>Yeah.

1:07:26.600 --> 1:07:28.280
<v Speaker 7>So, like, what kind of stuff do you do?

1:07:29.640 --> 1:07:36.120
<v Speaker 2>What? No? What what made you want to do Princess? Well?

1:07:36.200 --> 1:07:37.480
<v Speaker 2>I feel like what is Princess?

1:07:37.720 --> 1:07:41.400
<v Speaker 7>Princess is me and my friend Gretchen's cover band, Prince

1:07:41.480 --> 1:07:41.920
<v Speaker 7>cover band.

1:07:42.320 --> 1:07:45.120
<v Speaker 2>Cool. That sounds like something that people always say they're

1:07:45.160 --> 1:07:46.360
<v Speaker 2>going to do but they never do.

1:07:47.280 --> 1:07:50.840
<v Speaker 7>Also, we've been doing it for like five years and

1:07:50.920 --> 1:07:54.520
<v Speaker 7>I'm forty three years old. Like, yeah, in a cover band,

1:07:54.680 --> 1:07:58.160
<v Speaker 7>it's always funny in a cover band, but it's so

1:07:58.360 --> 1:08:02.400
<v Speaker 7>fucking legit, Like it's just from such a hardcore, deep

1:08:02.600 --> 1:08:06.840
<v Speaker 7>place of love and like like a burning desire to

1:08:06.960 --> 1:08:10.000
<v Speaker 7>play these songs. She and I were in a band

1:08:10.040 --> 1:08:14.080
<v Speaker 7>together in college and when we met what it was

1:08:14.160 --> 1:08:18.120
<v Speaker 7>called Super Sauce. It was a nine piece funk band

1:08:18.960 --> 1:08:21.840
<v Speaker 7>headed by me and Gretchen. You can find I think

1:08:21.880 --> 1:08:24.160
<v Speaker 7>you can find our one video on YouTube.

1:08:24.600 --> 1:08:25.040
<v Speaker 2>Get paid.

1:08:25.640 --> 1:08:26.080
<v Speaker 9>We did well.

1:08:26.120 --> 1:08:28.280
<v Speaker 7>We only played like locals. We went to school in

1:08:28.360 --> 1:08:31.559
<v Speaker 7>Santa Cruz and we only played you.

1:08:31.600 --> 1:08:32.679
<v Speaker 2>Went to school in Santa Cruz.

1:08:32.720 --> 1:08:34.759
<v Speaker 7>Yeah, you see Santa Cruz. Isn't that one like northern

1:08:34.920 --> 1:08:39.639
<v Speaker 7>California hippies. Gretchen's from the Bay Area, She's from Berkeley.

1:08:40.800 --> 1:08:40.960
<v Speaker 2>Bay.

1:08:41.000 --> 1:08:45.360
<v Speaker 7>Ari's got its own, its own thing, and up there

1:08:45.400 --> 1:08:47.600
<v Speaker 7>there were you know, it's a small town and a

1:08:47.680 --> 1:08:51.160
<v Speaker 7>lot like there's a there's a theater called the Catalyst,

1:08:51.200 --> 1:08:52.880
<v Speaker 7>which is kind of the only like it was the

1:08:52.960 --> 1:08:54.600
<v Speaker 7>only theater in town for a long time, and we

1:08:54.640 --> 1:08:56.720
<v Speaker 7>would play there. But it was like when Nirvana came

1:08:56.760 --> 1:08:59.240
<v Speaker 7>to town, they'd play there, or when Gwen when Gwen

1:08:59.560 --> 1:09:02.599
<v Speaker 7>Gwen out, when No Doubt played, we opened for them

1:09:02.600 --> 1:09:05.240
<v Speaker 7>because we were like the local band opener. It was

1:09:05.280 --> 1:09:08.120
<v Speaker 7>a tiny, tiny town and then they had another place

1:09:08.400 --> 1:09:09.600
<v Speaker 7>forgot what was called.

1:09:10.920 --> 1:09:11.080
<v Speaker 2>Yeah.

1:09:11.080 --> 1:09:12.960
<v Speaker 7>I don't think you'll find much Super sauce. But there

1:09:13.240 --> 1:09:15.760
<v Speaker 7>we had one song that we wrote called Milkshake, and

1:09:15.880 --> 1:09:18.400
<v Speaker 7>I think I think it was on YouTube. Well, I

1:09:18.439 --> 1:09:19.160
<v Speaker 7>don't know if it still is.

1:09:19.680 --> 1:09:22.080
<v Speaker 2>Okay, I'll say it. Did it bring all the.

1:09:25.280 --> 1:09:26.639
<v Speaker 9>It was pre pre.

1:09:28.080 --> 1:09:35.200
<v Speaker 2>Fur oh? Uh def joke, it's all it's all so

1:09:35.320 --> 1:09:35.840
<v Speaker 2>you stole it?

1:09:37.240 --> 1:09:40.639
<v Speaker 7>Oh he owed us money? No we didn't. I don't

1:09:40.640 --> 1:09:42.000
<v Speaker 7>even it wasn't enough.

1:09:42.600 --> 1:09:45.400
<v Speaker 1>Well what I what I'll say is, uh, we did

1:09:45.439 --> 1:09:50.840
<v Speaker 1>a cover that was just very recently allowed to sort

1:09:50.880 --> 1:09:56.240
<v Speaker 1>of uh return to the internet, our cover Darling Nikky

1:09:56.360 --> 1:09:57.360
<v Speaker 1>that happened on.

1:10:00.080 --> 1:10:02.040
<v Speaker 2>Back then. It was Late Night with Jimmy Fallon.

1:10:03.439 --> 1:10:07.120
<v Speaker 1>And I have to say that he watched it and

1:10:07.360 --> 1:10:09.840
<v Speaker 1>enjoyed it and loved the fact that you guys got

1:10:09.880 --> 1:10:10.720
<v Speaker 1>the backwards part.

1:10:11.520 --> 1:10:14.000
<v Speaker 7>That was when we went to go see him play.

1:10:14.720 --> 1:10:16.679
<v Speaker 7>The last time I saw him play like a proper

1:10:16.800 --> 1:10:20.679
<v Speaker 7>show was like that toy he was doing with Third

1:10:20.720 --> 1:10:23.120
<v Speaker 7>Eyed Girl and we had to go down. He wouldn't

1:10:23.120 --> 1:10:26.280
<v Speaker 7>play in l A and you got us in because

1:10:26.280 --> 1:10:29.280
<v Speaker 7>of Ramadan, and we went down to Anaheim. He was

1:10:29.320 --> 1:10:32.679
<v Speaker 7>playing in Anaheim. Okay, yeah, And I was so pregnant,

1:10:34.000 --> 1:10:38.200
<v Speaker 7>but we were back that we were Uh. We went

1:10:38.240 --> 1:10:42.000
<v Speaker 7>backstage afterwards, and uh he and he came out and

1:10:42.080 --> 1:10:43.800
<v Speaker 7>he saw us, and the first thing he said to

1:10:43.880 --> 1:10:46.000
<v Speaker 7>me was, Hi, y'all going to do the backwards part.

1:10:47.840 --> 1:10:51.360
<v Speaker 7>I was fucking cool.

1:10:52.000 --> 1:10:52.920
<v Speaker 2>That was a cool moment.

1:10:53.880 --> 1:10:56.080
<v Speaker 7>Well, you had prepped me because you told me he

1:10:56.600 --> 1:10:59.240
<v Speaker 7>he it was when it was it was guitar gate

1:10:59.400 --> 1:11:03.040
<v Speaker 7>when when he came and through Kirk's guitar and he

1:11:03.160 --> 1:11:05.600
<v Speaker 7>had been here and he played and you told me

1:11:05.680 --> 1:11:08.400
<v Speaker 7>that he had mentioned that he he had it like

1:11:08.560 --> 1:11:09.759
<v Speaker 7>recorded on his DVR.

1:11:10.160 --> 1:11:10.599
<v Speaker 2>Yeah. Yeah.

1:11:11.720 --> 1:11:13.200
<v Speaker 7>Every time to the story, I was like, I was

1:11:13.240 --> 1:11:17.280
<v Speaker 7>trying to picture, like where's his dvr? Like where is he?

1:11:18.080 --> 1:11:18.840
<v Speaker 2>Is he on a bus?

1:11:19.200 --> 1:11:20.240
<v Speaker 8>Is he in his house?

1:11:20.320 --> 1:11:20.360
<v Speaker 2>Like?

1:11:20.439 --> 1:11:22.560
<v Speaker 7>Where is he watching this over and showing it to

1:11:22.640 --> 1:11:25.320
<v Speaker 7>his friends? You said he was showing it to his friend.

1:11:25.400 --> 1:11:28.200
<v Speaker 7>He told us that friends he watched it.

1:11:28.400 --> 1:11:30.760
<v Speaker 2>I mean he does that often. I know that.

1:11:32.400 --> 1:11:35.559
<v Speaker 1>When I worked on the Chappelle Show, Marris and him

1:11:37.600 --> 1:11:39.360
<v Speaker 1>had spoken on the phone for like the first time

1:11:39.840 --> 1:11:44.280
<v Speaker 1>in a second about that yes, Mars.

1:11:44.080 --> 1:11:51.679
<v Speaker 2>Day, the Morris Day that yes, yes, right, I mean.

1:11:53.120 --> 1:11:58.759
<v Speaker 1>My visit at Paisley Park. I was very shocked. You've

1:11:58.760 --> 1:12:00.760
<v Speaker 1>actually been You've been to places, but I've been there

1:12:00.760 --> 1:12:04.400
<v Speaker 1>a few times. I went for the first time. Well,

1:12:04.479 --> 1:12:05.519
<v Speaker 1>I mean it's after he passed.

1:12:05.960 --> 1:12:08.320
<v Speaker 2>You went as a pilgrimage. Yeah, as a pilgrimage.

1:12:08.360 --> 1:12:10.440
<v Speaker 4>We had a show, we had a gig in Minneapolis,

1:12:11.000 --> 1:12:13.320
<v Speaker 4>and Jellybean actually came out to the gig.

1:12:14.040 --> 1:12:16.640
<v Speaker 2>And the next day we were we had a day off.

1:12:16.680 --> 1:12:18.800
<v Speaker 4>We were traveling somewhere next I can't remember this, and

1:12:19.120 --> 1:12:22.160
<v Speaker 4>we went there and I went out and the first

1:12:22.200 --> 1:12:22.640
<v Speaker 4>thing came up.

1:12:22.640 --> 1:12:24.200
<v Speaker 2>I was like, damn, this shit like a call cimer

1:12:24.560 --> 1:12:28.320
<v Speaker 2>and like it just you know, I mean, it just

1:12:28.439 --> 1:12:31.560
<v Speaker 2>looked real. You know, where the guy's watching you. I

1:12:31.600 --> 1:12:34.280
<v Speaker 2>don't think no eyes watching me. It was, oh god,

1:12:35.320 --> 1:12:37.640
<v Speaker 2>the controversy eyes. Like yeah. When I was there, there

1:12:37.720 --> 1:12:38.240
<v Speaker 2>was a painting.

1:12:38.400 --> 1:12:41.840
<v Speaker 1>He'd have these, uh I meant life sized paintings of

1:12:41.920 --> 1:12:45.960
<v Speaker 1>his face from like various album covers, adorning the walls.

1:12:46.040 --> 1:12:48.280
<v Speaker 1>And when you get to the controversy pic, you know,

1:12:48.600 --> 1:12:49.479
<v Speaker 1>you know, like those.

1:12:50.520 --> 1:12:53.639
<v Speaker 2>Three Stooges, things were like moving, Yeah, the moving eyeballs

1:12:53.680 --> 1:12:58.320
<v Speaker 2>are watching you through the picture. We swore that he

1:12:58.600 --> 1:13:02.080
<v Speaker 2>was watching somewhere on like hidden camera. Erica.

1:13:02.640 --> 1:13:07.240
<v Speaker 1>Erica told me when she first visited Paisley Park. I said,

1:13:07.320 --> 1:13:11.400
<v Speaker 1>did you see the eyeballs moving? It's like yeah, I said,

1:13:11.439 --> 1:13:14.760
<v Speaker 1>oh where you freaked out? She's nah, I took my

1:13:14.840 --> 1:13:15.400
<v Speaker 1>titties off.

1:13:16.200 --> 1:13:21.400
<v Speaker 2>Oh hey, Erica, that's one way. Then that's one approach,

1:13:22.120 --> 1:13:22.599
<v Speaker 2>she said.

1:13:23.280 --> 1:13:26.880
<v Speaker 1>She trying to figure out where all the hidden cameras were.

1:13:27.080 --> 1:13:27.880
<v Speaker 1>Paisley Park.

1:13:28.600 --> 1:13:31.320
<v Speaker 2>She just took her t shirt off and she's like,

1:13:31.360 --> 1:13:41.439
<v Speaker 2>I just show them these titties. Apollo legends. Yeah I didn't.

1:13:41.439 --> 1:13:43.759
<v Speaker 2>I didn't make it. And we went this after you passed.

1:13:43.800 --> 1:13:47.040
<v Speaker 4>This is recently, so we were just there and actually

1:13:47.120 --> 1:13:49.720
<v Speaker 4>we were there and you know, it was people out,

1:13:49.760 --> 1:13:50.840
<v Speaker 4>you know, like a.

1:13:50.880 --> 1:13:53.760
<v Speaker 2>Police line or like a police tape. No, no, no,

1:13:53.880 --> 1:13:56.200
<v Speaker 2>we went I mean this is like not like a

1:13:56.240 --> 1:13:59.160
<v Speaker 2>little elevator. Nah. I didn't see the elevator. I didn't

1:13:59.160 --> 1:13:59.320
<v Speaker 2>go in.

1:13:59.479 --> 1:14:03.040
<v Speaker 4>We were just outside walking around. And so then the

1:14:03.160 --> 1:14:04.840
<v Speaker 4>news truck pulled up. We'll be like, what the hell's

1:14:04.840 --> 1:14:07.040
<v Speaker 4>the news doing here? And it was the day that

1:14:07.160 --> 1:14:11.240
<v Speaker 4>they announced the autopsies. Oh so that was why I

1:14:11.320 --> 1:14:12.519
<v Speaker 4>was like, oh, that's why they were here.

1:14:13.600 --> 1:14:18.280
<v Speaker 2>Yeah. Yeah, well it's it's it's super normal inside.

1:14:18.520 --> 1:14:23.680
<v Speaker 1>And the one thing I noticed was there were a

1:14:23.840 --> 1:14:26.040
<v Speaker 1>lot of you remember there was a point where they

1:14:26.080 --> 1:14:30.040
<v Speaker 1>had combo television and VHS for quarters.

1:14:30.760 --> 1:14:35.680
<v Speaker 2>Wow, Like I feel like he really spruced that place up.

1:14:36.400 --> 1:14:38.200
<v Speaker 1>I mean it came up, and it came up in

1:14:39.120 --> 1:14:41.880
<v Speaker 1>eighty seven, but I felt like he had a redo

1:14:42.040 --> 1:14:43.200
<v Speaker 1>in like ninety three.

1:14:43.880 --> 1:14:45.960
<v Speaker 2>He redid the place in ninety six for the when

1:14:45.960 --> 1:14:48.800
<v Speaker 2>the baby was supposed to come. Oh the entire place. Yeah,

1:14:48.880 --> 1:14:50.720
<v Speaker 2>they like it was all white inside and then they

1:14:50.800 --> 1:14:51.960
<v Speaker 2>did all the paintings and stuff.

1:14:51.960 --> 1:14:56.280
<v Speaker 1>And then that explains it because well there were a

1:14:56.360 --> 1:15:01.160
<v Speaker 1>lot of VHS TV combos everywhere. There was like a

1:15:01.240 --> 1:15:07.360
<v Speaker 1>Sega Genesis. Uh, he obviously was or whoever was inside

1:15:07.439 --> 1:15:10.680
<v Speaker 1>Paisley Park. They were really a fan of what's what's

1:15:10.760 --> 1:15:14.519
<v Speaker 1>the Sega game with the cat that Sonic There's a

1:15:14.560 --> 1:15:19.400
<v Speaker 1>lot of Sonic the Hedgehog games, and apparently a Tripod

1:15:19.479 --> 1:15:24.920
<v Speaker 1>Quest fan because I found three copies of Midnight Marauders.

1:15:26.800 --> 1:15:30.320
<v Speaker 1>I would say from the inside, his life was seemed

1:15:30.360 --> 1:15:34.720
<v Speaker 1>pretty much normal. I mean, there was nothing that unusual.

1:15:35.240 --> 1:15:36.879
<v Speaker 5>Except for the giant eyes and cameras.

1:15:37.000 --> 1:15:38.519
<v Speaker 2>Yeah, except for the eyes and camera.

1:15:39.400 --> 1:15:41.479
<v Speaker 1>Well, I know that I know that it's wired for

1:15:41.640 --> 1:15:44.120
<v Speaker 1>there to be microphones anywhere, So if he has a

1:15:44.200 --> 1:15:48.240
<v Speaker 1>song idea including in the Oh God, including in the

1:15:48.360 --> 1:15:51.840
<v Speaker 1>bathroom for real wow, which kind of freaked me out

1:15:52.479 --> 1:15:55.200
<v Speaker 1>because the invasion of had to be right, that's like

1:15:55.800 --> 1:15:59.800
<v Speaker 1>a ship. On my second day there, I remember really

1:16:00.040 --> 1:16:04.760
<v Speaker 1>having to go and so my solution was to just

1:16:04.880 --> 1:16:06.680
<v Speaker 1>constantly flush the toilet.

1:16:06.880 --> 1:16:07.720
<v Speaker 8>So you didn't hear nothing.

1:16:09.479 --> 1:16:11.920
<v Speaker 2>End up on emancipation too. I think I drained like.

1:16:16.200 --> 1:16:18.680
<v Speaker 1>I think, Yeah, I think I just drained out late Minnetonka.

1:16:18.760 --> 1:16:54.120
<v Speaker 1>That's how many times that was Miss Maya Rudolph singing

1:16:54.240 --> 1:16:57.599
<v Speaker 1>with the rentals. How old were you when you did

1:16:57.680 --> 1:16:59.120
<v Speaker 1>that stuff with the rentals?

1:16:59.200 --> 1:17:02.040
<v Speaker 7>Yeah, I think I was just out of college. I

1:17:02.160 --> 1:17:03.960
<v Speaker 7>did the five year Plan, so I was probably like

1:17:04.040 --> 1:17:07.479
<v Speaker 7>twenty two. I got involved with the rentals because my friends,

1:17:09.760 --> 1:17:13.439
<v Speaker 7>my childhood friends Rachel Hayden and Patrick Hayden warn a

1:17:13.479 --> 1:17:20.040
<v Speaker 7>band called That Dog with my friend Anna Waronker and Warrenker.

1:17:20.240 --> 1:17:22.960
<v Speaker 2>Yeah, we were just talking about well, daughter of Lenny

1:17:23.360 --> 1:17:24.679
<v Speaker 2>Lenny Warner and Joey.

1:17:24.920 --> 1:17:27.320
<v Speaker 7>Joey's her brother, so saying with his daughter, you I

1:17:27.360 --> 1:17:28.600
<v Speaker 7>grew up with those girls and.

1:17:29.640 --> 1:17:31.800
<v Speaker 2>Uh, she grew up with the girls of the Man

1:17:31.880 --> 1:17:32.559
<v Speaker 2>at Sign Prince.

1:17:33.040 --> 1:17:39.960
<v Speaker 7>Well, yes, Anna, I knew growing up and yeah, yeah,

1:17:40.160 --> 1:17:40.639
<v Speaker 7>that's true.

1:17:40.800 --> 1:17:42.599
<v Speaker 2>Yes, and then Joey is the brother.

1:17:42.880 --> 1:17:45.439
<v Speaker 7>Joey is her brother. Yeah, he's an amazing drummer.

1:17:45.920 --> 1:17:48.280
<v Speaker 4>How do you know about the war on? Joey plays

1:17:48.320 --> 1:17:50.800
<v Speaker 4>on like all the Beck stuff. He plays with Beca.

1:17:50.960 --> 1:17:52.280
<v Speaker 4>He plays a couple of the cats too, but he's

1:17:52.320 --> 1:17:53.240
<v Speaker 4>all over Beck stuff.

1:17:53.320 --> 1:17:59.160
<v Speaker 7>Yeah what is this man? I mean, very impressed.

1:17:59.240 --> 1:17:59.400
<v Speaker 9>Fun.

1:18:05.000 --> 1:18:08.160
<v Speaker 5>We are now re christened in the show as Liquor

1:18:08.200 --> 1:18:11.160
<v Speaker 5>House or like Fonte Supreme.

1:18:11.320 --> 1:18:14.400
<v Speaker 2>Right, it's now your show.

1:18:14.240 --> 1:18:19.519
<v Speaker 7>Bro, My my, uh, my friend Rachel Hayden, who's a triplet. Rachel,

1:18:19.640 --> 1:18:23.400
<v Speaker 7>Tanya and Petra are are triplets, the Hayden triplets. There

1:18:23.520 --> 1:18:26.519
<v Speaker 7>there musicians as well. Their father was Charlie Hayden, amazing

1:18:27.560 --> 1:18:31.040
<v Speaker 7>jazz bassist, and we all grew up singing together. We

1:18:31.080 --> 1:18:35.559
<v Speaker 7>all grew up harmonizing together. And I was like an

1:18:35.560 --> 1:18:37.439
<v Speaker 7>honorary member of their band for two seconds, but then

1:18:37.479 --> 1:18:39.320
<v Speaker 7>I went away to college. So when I came back

1:18:39.360 --> 1:18:42.280
<v Speaker 7>from college, they had recorded that first record with Matt

1:18:42.560 --> 1:18:46.960
<v Speaker 7>Sharp from originally from Weezer. They were all l A

1:18:47.080 --> 1:18:49.720
<v Speaker 7>local bands together, and so he put them on their card.

1:18:49.760 --> 1:18:52.760
<v Speaker 7>Then he wanted them to tour and they were going

1:18:52.800 --> 1:18:54.400
<v Speaker 7>on their own tour. So Rachel said, you should call

1:18:54.439 --> 1:18:56.920
<v Speaker 7>my friend Mike because she she can harmonize and she

1:18:57.080 --> 1:19:00.439
<v Speaker 7>can play keyboards, and that whole record it is just

1:19:00.600 --> 1:19:03.960
<v Speaker 7>all the harmonies that those girls always did. Ah, okay,

1:19:04.280 --> 1:19:05.840
<v Speaker 7>So that was why I ended up touring with them.

1:19:05.840 --> 1:19:07.479
<v Speaker 7>So I wasn't on that first record. It was actually

1:19:07.520 --> 1:19:08.679
<v Speaker 7>Rachel and Petra's voices.

1:19:09.320 --> 1:19:11.639
<v Speaker 2>You played piano, yes, I played.

1:19:11.840 --> 1:19:12.799
<v Speaker 7>I played the mogue.

1:19:13.920 --> 1:19:14.720
<v Speaker 2>I did not know that.

1:19:15.080 --> 1:19:17.240
<v Speaker 7>Okay, well, just on that tour I did. I just

1:19:17.280 --> 1:19:18.200
<v Speaker 7>played piano right now.

1:19:18.640 --> 1:19:18.920
<v Speaker 2>Okay.

1:19:19.040 --> 1:19:22.479
<v Speaker 1>So we are at the point of our show. If

1:19:22.520 --> 1:19:26.000
<v Speaker 1>you're still here, we're at the point of okay.

1:19:26.080 --> 1:19:28.080
<v Speaker 2>So we're at the point of our show where we

1:19:29.120 --> 1:19:33.240
<v Speaker 2>kind of do this thing blind test, which you know,

1:19:33.600 --> 1:19:34.840
<v Speaker 2>we'll play you some music.

1:19:34.960 --> 1:19:36.120
<v Speaker 7>Am I gonna have to drink something?

1:19:36.360 --> 1:19:39.840
<v Speaker 1>No, you just will play it for you and you

1:19:40.200 --> 1:19:42.840
<v Speaker 1>give some sort of commentary live on what you think

1:19:42.880 --> 1:19:43.200
<v Speaker 1>about it.

1:19:43.760 --> 1:19:52.040
<v Speaker 7>Okay, all right, am I supposed to know this song?

1:19:53.000 --> 1:19:55.479
<v Speaker 2>Now? You got to know it. You're not supposed to

1:19:55.560 --> 1:19:55.760
<v Speaker 2>know it.

1:20:16.560 --> 1:20:21.160
<v Speaker 9>Wall It sounds like I need to test drive and

1:20:21.240 --> 1:20:21.840
<v Speaker 9>last night.

1:20:30.080 --> 1:20:38.560
<v Speaker 7>Thinks I hear a little bit of Love as a

1:20:38.600 --> 1:20:51.240
<v Speaker 7>Battlefield's not like little drum breakdown, he said, sounds like

1:20:51.280 --> 1:20:53.080
<v Speaker 7>a lot of the demos. People would said my dad

1:20:53.080 --> 1:20:54.519
<v Speaker 7>when I was a kid, and we listened to him

1:20:54.560 --> 1:20:56.559
<v Speaker 7>in the car on the way to school and laugh.

1:21:00.520 --> 1:21:03.920
<v Speaker 7>But is this somebody like Tom or or somebody who

1:21:04.160 --> 1:21:05.040
<v Speaker 7>went on to do stuff.

1:21:05.320 --> 1:21:11.479
<v Speaker 2>This person's sort of connected, was it, jo Joe? No,

1:21:13.479 --> 1:21:18.679
<v Speaker 2>I like you close your eyes listen to this voice.

1:21:25.280 --> 1:21:30.000
<v Speaker 9>Just wait? You nice and.

1:21:41.960 --> 1:21:42.240
<v Speaker 8>Wow?

1:21:43.880 --> 1:21:47.479
<v Speaker 2>Yes you never paid attention to work. So I'm not

1:21:47.560 --> 1:21:50.000
<v Speaker 2>a lyrics guy. I'm a music guy. I mean just

1:21:50.080 --> 1:21:51.240
<v Speaker 2>from the what did you think?

1:21:53.880 --> 1:21:54.160
<v Speaker 8>Wow?

1:21:56.120 --> 1:21:58.800
<v Speaker 2>See the proper now threw me off. I need to

1:21:58.880 --> 1:22:02.559
<v Speaker 2>see the two or before. Okay, so you're listening.

1:22:03.520 --> 1:22:04.920
<v Speaker 7>It's related, isn't it.

1:22:05.240 --> 1:22:12.760
<v Speaker 1>Yeah, it's it's Vanity's strap on Robbie Baby, which I

1:22:12.840 --> 1:22:15.080
<v Speaker 1>guess now that a thing of its very apropos being

1:22:15.160 --> 1:22:18.240
<v Speaker 1>as though the very last song she did with Vanity

1:22:18.320 --> 1:22:19.639
<v Speaker 1>six was Vibrator.

1:22:20.840 --> 1:22:23.960
<v Speaker 7>But I actually am shocked that I didn't recognize her

1:22:24.080 --> 1:22:24.799
<v Speaker 7>vocal quality.

1:22:25.600 --> 1:22:29.080
<v Speaker 2>It's very distinct. All right. This leads to our second song.

1:22:30.760 --> 1:22:31.120
<v Speaker 2>That's it.

1:22:37.160 --> 1:22:39.720
<v Speaker 7>Ready for the Whirl sounds like.

1:22:42.560 --> 1:22:42.800
<v Speaker 2>Right now?

1:22:43.320 --> 1:22:43.479
<v Speaker 4>Is it?

1:22:43.920 --> 1:22:45.800
<v Speaker 2>Is it? R F T W?

1:23:05.960 --> 1:23:06.200
<v Speaker 9>Yeah?

1:23:06.360 --> 1:23:06.720
<v Speaker 2>There it is.

1:23:06.880 --> 1:23:17.640
<v Speaker 7>There's that voice months but making time. I mean I

1:23:17.720 --> 1:23:20.600
<v Speaker 7>didn't listen to this song. I listened to O'sheila and

1:23:20.840 --> 1:23:26.560
<v Speaker 7>not like an auxiliary Prince, you know, like satisfaction.

1:23:27.439 --> 1:23:30.120
<v Speaker 2>It was like close enough, which one is it this

1:23:30.280 --> 1:23:38.360
<v Speaker 2>digital slate? Which one dig this second? But this is

1:23:38.479 --> 1:23:41.360
<v Speaker 2>this is actually one of my favorite filler ready for

1:23:41.560 --> 1:23:46.439
<v Speaker 2>the world, like they did a lot of fast friends.

1:23:46.560 --> 1:23:50.920
<v Speaker 7>So why did it sound like there was no ancient Sheila?

1:23:51.000 --> 1:23:51.600
<v Speaker 7>And he said it.

1:23:55.960 --> 1:23:58.360
<v Speaker 2>Big a little song about pop rad So did he just.

1:24:02.280 --> 1:24:05.040
<v Speaker 7>Did he just use all the same machines? Is that

1:24:05.600 --> 1:24:06.880
<v Speaker 7>how you got the sound?

1:24:09.120 --> 1:24:09.640
<v Speaker 8>It's kind of.

1:24:09.640 --> 1:24:13.000
<v Speaker 1>Weird because this this is actually I believe this is

1:24:13.000 --> 1:24:15.560
<v Speaker 1>a d m X drum machine. So this is not

1:24:15.640 --> 1:24:16.360
<v Speaker 1>even a line drum.

1:24:16.880 --> 1:24:25.120
<v Speaker 2>But they often use the overheim and then drum.

1:24:26.240 --> 1:24:28.479
<v Speaker 1>This is one of the rare times in which they're

1:24:28.560 --> 1:24:31.240
<v Speaker 1>not using that. Here is your next song?

1:24:38.760 --> 1:24:39.839
<v Speaker 7>Sounds very familiar.

1:25:00.400 --> 1:25:01.679
<v Speaker 2>This is probably in the second place.

1:25:02.960 --> 1:25:06.920
<v Speaker 7>Yeah, yeah, by far of my Brenda.

1:25:06.960 --> 1:25:10.160
<v Speaker 10>Breast song best songs that Prince never wrote. I'm sorry

1:25:10.160 --> 1:25:11.240
<v Speaker 10>it is the chickens.

1:25:12.920 --> 1:25:14.000
<v Speaker 5>Go bad to breath songs.

1:25:14.240 --> 1:25:19.439
<v Speaker 7>Yeah, well I know this artist.

1:25:20.200 --> 1:25:22.519
<v Speaker 2>You probably won't. I mean, you should know.

1:25:22.600 --> 1:25:26.840
<v Speaker 7>It's not Brenda Wait's a low voice.

1:25:43.960 --> 1:25:44.960
<v Speaker 8>Isn't that Annie?

1:25:45.520 --> 1:25:46.439
<v Speaker 7>Isn't that Annie?

1:25:46.520 --> 1:25:46.800
<v Speaker 9>Lady?

1:25:46.880 --> 1:25:53.200
<v Speaker 2>That was like, is this cam in the scene? All right,

1:25:53.280 --> 1:25:59.320
<v Speaker 2>this is tomorrow and the scene. I I don't know

1:25:59.360 --> 1:26:01.320
<v Speaker 2>how I remember she's got she zams on his phone.

1:26:03.400 --> 1:26:08.400
<v Speaker 11>She did a minor stant with Prince in the nineties. Well,

1:26:08.439 --> 1:26:11.280
<v Speaker 11>she's on that one eight hundred New Punk manopilation. Well,

1:26:11.360 --> 1:26:14.519
<v Speaker 11>she was actually going to be a group, the Mambo Combo. No, well,

1:26:14.720 --> 1:26:17.400
<v Speaker 11>Prince had a she had a project.

1:26:17.040 --> 1:26:19.840
<v Speaker 2>Called Ucfly that Prince wouldn't old up a song. Wait

1:26:20.439 --> 1:26:23.679
<v Speaker 2>what yeah, in like eighty nine or something. But really

1:26:24.600 --> 1:26:25.439
<v Speaker 2>I didn't know that was her.

1:26:25.640 --> 1:26:26.200
<v Speaker 8>Yeah, that was her.

1:26:26.560 --> 1:26:31.320
<v Speaker 2>Margie Cooks. I consider this like a lead Prince associated.

1:26:30.760 --> 1:26:33.519
<v Speaker 6>Prince to be the way I heard the song once

1:26:33.840 --> 1:26:39.080
<v Speaker 6>with the strangest applications. It was a stickball a competition

1:26:39.200 --> 1:26:41.880
<v Speaker 6>that Nike was doing like the somewhere like right off.

1:26:41.800 --> 1:26:44.760
<v Speaker 2>The Kanowski, you know, and key Tip was USA. For

1:26:44.840 --> 1:26:46.680
<v Speaker 2>some reason, we started playing this song like in the

1:26:46.720 --> 1:26:47.559
<v Speaker 2>middle of the message.

1:26:48.200 --> 1:26:51.120
<v Speaker 10>Wow, when you're starting to if you're playing this and

1:26:51.200 --> 1:26:55.280
<v Speaker 10>you're you're trying to send a message to somebody like

1:26:55.360 --> 1:26:57.479
<v Speaker 10>this is one of those cuts that you see where

1:26:58.280 --> 1:26:59.800
<v Speaker 10>you want to let somebody know weaken.

1:27:01.640 --> 1:27:05.559
<v Speaker 2>So this is the cut that you play. We're here

1:27:06.040 --> 1:27:16.240
<v Speaker 2>all right, here's the next song, public Joy, Public Joy.

1:27:19.520 --> 1:27:22.400
<v Speaker 7>I've heard this before. I'm telling you I've heard this before.

1:27:26.479 --> 1:27:27.040
<v Speaker 2>Don't have to.

1:27:31.960 --> 1:27:34.960
<v Speaker 1>Like Fante is looking off in the corner light, he

1:27:35.080 --> 1:27:38.040
<v Speaker 1>can he can't put his he can't put his hand

1:27:38.080 --> 1:27:41.559
<v Speaker 1>on it, but he knows that whoever say this often

1:27:41.960 --> 1:27:47.760
<v Speaker 1>has to wipe back the activated curve or or do

1:27:47.920 --> 1:27:52.360
<v Speaker 1>it backwards from or stroke his ear with the opposite end.

1:27:52.520 --> 1:27:53.840
<v Speaker 2>It's kind of your rocket.

1:27:53.640 --> 1:28:18.400
<v Speaker 9>To Killy's I Kelly's.

1:28:18.760 --> 1:28:20.840
<v Speaker 7>Oh yeah, you told me about this song.

1:28:21.680 --> 1:28:25.559
<v Speaker 2>This is Andre Simone, Yeah, oh wow yeah. And Andre

1:28:25.640 --> 1:28:26.400
<v Speaker 2>Simone left the.

1:28:28.000 --> 1:28:32.760
<v Speaker 1>Controversy tour in eighty one, so Lark and Arnold left

1:28:33.720 --> 1:28:40.240
<v Speaker 1>Capitol Records. I took a gig at CBS and signed

1:28:40.600 --> 1:28:45.479
<v Speaker 1>Andre Simon. All right, so Maya, here is your final song.

1:28:45.600 --> 1:28:51.400
<v Speaker 2>Yes, wow, Dan, so much.

1:28:53.080 --> 1:29:03.759
<v Speaker 9>For real Shake dun.

1:29:05.200 --> 1:29:14.960
<v Speaker 7>Shake, then Shakedown, Shakedown, Shakedown, Shaken.

1:29:15.400 --> 1:29:16.680
<v Speaker 9>Kill Me Shakedown.

1:29:23.800 --> 1:29:30.920
<v Speaker 2>It's like the oh like Wild Girls, that's live like this,

1:29:31.120 --> 1:29:50.559
<v Speaker 2>it's that same who can show me now? Okay? That was.

1:29:53.080 --> 1:29:59.960
<v Speaker 10>Evelyn Champagne Shakedown, one of the main reasons why Jimmy

1:30:00.040 --> 1:30:00.759
<v Speaker 10>Jam and Terry.

1:30:00.600 --> 1:30:05.040
<v Speaker 2>Lewis were released from the Time for Moonlighting.

1:30:05.960 --> 1:30:09.920
<v Speaker 1>Writing their first number one single for the SOS band

1:30:10.040 --> 1:30:13.320
<v Speaker 1>Just Be Good to Me, was that he thought that

1:30:14.000 --> 1:30:20.519
<v Speaker 1>they were also giving secrets away to other acts, Leon

1:30:20.680 --> 1:30:24.960
<v Speaker 1>Silvers and producing just Keep On Loving Me by the Whispers.

1:30:25.680 --> 1:30:29.000
<v Speaker 1>Prince never believed that Leon Silvers wrote or produced that song.

1:30:29.160 --> 1:30:33.160
<v Speaker 1>He thought that it was Jam and Lewis using him

1:30:33.320 --> 1:30:37.559
<v Speaker 1>as a mask. And Okay, so we got to rewind back.

1:30:38.479 --> 1:30:43.120
<v Speaker 1>So how did you come across the attention of our

1:30:43.360 --> 1:30:47.320
<v Speaker 1>beloved Steve Higgins, announcer of The Tonight Show and head

1:30:48.680 --> 1:30:52.000
<v Speaker 1>producer of Saturday Night Live.

1:30:53.040 --> 1:30:57.879
<v Speaker 7>I was I was performing at the Growlings in Growlings

1:30:57.960 --> 1:30:59.920
<v Speaker 7>Theater in Los Angeles, California.

1:31:00.200 --> 1:31:00.880
<v Speaker 2>How did you get in?

1:31:02.040 --> 1:31:04.120
<v Speaker 7>I started from the I started from the bottom and

1:31:04.200 --> 1:31:04.680
<v Speaker 7>now I'm here.

1:31:05.760 --> 1:31:07.920
<v Speaker 2>You were getting You were getting coffee first, and then

1:31:07.960 --> 1:31:09.040
<v Speaker 2>you worked your way up for no.

1:31:09.160 --> 1:31:11.559
<v Speaker 7>I used used to take classes there. You start, It's

1:31:11.640 --> 1:31:14.439
<v Speaker 7>like a straight up theater program. You like, start there,

1:31:14.560 --> 1:31:17.320
<v Speaker 7>you take classes and you have to pass on to

1:31:17.320 --> 1:31:19.240
<v Speaker 7>the next class. Then you start writing, and then you

1:31:19.320 --> 1:31:21.679
<v Speaker 7>start performing. Then I started performing in the Sunday Company,

1:31:21.680 --> 1:31:24.400
<v Speaker 7>which is kind of like it's kind of like JUV

1:31:24.720 --> 1:31:29.360
<v Speaker 7>like Juvy, it's kind of like JV SNL like on

1:31:29.439 --> 1:31:32.639
<v Speaker 7>a little stage. It's like UCB style, but UCB didn't

1:31:32.640 --> 1:31:36.160
<v Speaker 7>exist then it's ucb's more more like indie and hip

1:31:36.240 --> 1:31:39.759
<v Speaker 7>and this is just like been around since the seventies.

1:31:39.960 --> 1:31:41.720
<v Speaker 2>Well, who puts you up to it? Like you said,

1:31:41.760 --> 1:31:43.440
<v Speaker 2>you know what, you should go to the grounds.

1:31:43.800 --> 1:31:47.240
<v Speaker 7>I did because I'd always I'd always wanted to be

1:31:47.520 --> 1:31:49.680
<v Speaker 7>on Saturday Night Live. I fell in love with the

1:31:49.760 --> 1:31:52.560
<v Speaker 7>original cast because my parents were watching it and so

1:31:52.920 --> 1:31:55.439
<v Speaker 7>I saw it like I got I got an idea

1:31:55.479 --> 1:31:57.720
<v Speaker 7>of it. And then when the reruns were on, then

1:31:57.760 --> 1:31:59.439
<v Speaker 7>I fell in love with Gilda and.

1:32:01.720 --> 1:32:02.120
<v Speaker 9>And the whole.

1:32:02.360 --> 1:32:04.880
<v Speaker 7>The cast as a whole is like this New York idea,

1:32:04.960 --> 1:32:06.720
<v Speaker 7>like I've got to get to New York. I want

1:32:06.760 --> 1:32:10.680
<v Speaker 7>to go where those people are. And that was like

1:32:10.760 --> 1:32:12.240
<v Speaker 7>later when they were sting reruns and then I could

1:32:12.240 --> 1:32:15.040
<v Speaker 7>start taping them and stuff like I would, you know,

1:32:15.240 --> 1:32:17.320
<v Speaker 7>I would tape everything off of TV that I liked.

1:32:18.840 --> 1:32:22.600
<v Speaker 2>And then uh, he came in two thousand and one, right,

1:32:23.680 --> 1:32:24.400
<v Speaker 2>I think so well.

1:32:24.439 --> 1:32:26.519
<v Speaker 7>I came to the end of the of the twenty

1:32:26.600 --> 1:32:29.360
<v Speaker 7>fifth season for three shows, so I.

1:32:29.360 --> 1:32:30.960
<v Speaker 2>Don't amember a member of Fairmore.

1:32:31.040 --> 1:32:33.400
<v Speaker 1>Nine to eleven episode was your first real episode, or

1:32:33.479 --> 1:32:36.240
<v Speaker 1>Reese Witherspoon, Reese Witherspoon, that was your first episode.

1:32:36.320 --> 1:32:38.920
<v Speaker 7>That was my first episode of the of the first

1:32:38.960 --> 1:32:42.799
<v Speaker 7>official year. But I came for basically instead of instead

1:32:42.800 --> 1:32:45.600
<v Speaker 7>of auditioning, they brought me in for the last I

1:32:45.680 --> 1:32:48.840
<v Speaker 7>did an audition, which is so so stupid and weird,

1:32:49.240 --> 1:32:51.000
<v Speaker 7>and it's a miracle that I ended up on the show.

1:32:51.080 --> 1:32:53.680
<v Speaker 7>But instead I came and I had a meeting with

1:32:53.800 --> 1:32:56.240
<v Speaker 7>Laurene because I met Higgins and t Shuan Shan, who

1:32:56.240 --> 1:32:57.200
<v Speaker 7>was a writer, and they came to the show and

1:32:57.200 --> 1:32:59.080
<v Speaker 7>they're like, you should come audition, and I had a

1:32:59.200 --> 1:33:02.559
<v Speaker 7>janky ass man was like, don't do it. The contract's

1:33:02.560 --> 1:33:03.880
<v Speaker 7>really bad. And I listened to her because I was

1:33:03.880 --> 1:33:06.639
<v Speaker 7>an idiot. I was like twenty five maybe twenty six

1:33:07.680 --> 1:33:11.280
<v Speaker 7>and old enough to know better. But I listened because

1:33:11.320 --> 1:33:13.960
<v Speaker 7>she knew about it. And so I didn't come, and

1:33:14.080 --> 1:33:15.600
<v Speaker 7>I don't know how, but I saw Steve again and

1:33:15.600 --> 1:33:18.040
<v Speaker 7>he's like, you really should come back, and and then

1:33:18.120 --> 1:33:19.760
<v Speaker 7>I got the call like come meet with Louren. I

1:33:19.840 --> 1:33:21.640
<v Speaker 7>met with Louren. They had my tape, like I sent

1:33:21.720 --> 1:33:24.599
<v Speaker 7>a tape of like my sketches, and then and then

1:33:24.640 --> 1:33:26.280
<v Speaker 7>I came and I just did three weeks here and

1:33:26.360 --> 1:33:29.320
<v Speaker 7>I didn't really know what the hell I was doing.

1:33:29.520 --> 1:33:32.360
<v Speaker 7>Like they brought me in, they took my picture. That's

1:33:32.520 --> 1:33:34.439
<v Speaker 7>that like on my first day. That ends up on

1:33:34.560 --> 1:33:37.720
<v Speaker 7>seventeen and you're just like, what's this for? And then

1:33:37.880 --> 1:33:40.519
<v Speaker 7>we didn't have a pitch meeting that day because John

1:33:40.560 --> 1:33:42.800
<v Speaker 7>Gubman was the host and he didn't want to come in.

1:33:42.880 --> 1:33:44.400
<v Speaker 7>I don't know something. We didn't have a pitch meeting

1:33:44.439 --> 1:33:47.040
<v Speaker 7>on Monday, so we just started. I just started on

1:33:47.120 --> 1:33:49.400
<v Speaker 7>a Tuesday. And I remember I knew Chris Parnell because

1:33:49.400 --> 1:33:51.640
<v Speaker 7>he was from the Groundings. And I said what do

1:33:51.760 --> 1:33:53.400
<v Speaker 7>we do? And he was like, we write? And I

1:33:53.479 --> 1:33:56.479
<v Speaker 7>said till when? And he said all night? And then

1:33:56.479 --> 1:33:58.599
<v Speaker 7>everyone's doors just started closing, and I was like, why

1:33:58.640 --> 1:33:59.519
<v Speaker 7>the fuck am I suposed to do it?

1:33:59.520 --> 1:34:01.040
<v Speaker 2>And you have a play mate? Who were you paired with?

1:34:01.280 --> 1:34:03.720
<v Speaker 7>Well, me and Zach Galifanakis were weirdly put in an

1:34:03.760 --> 1:34:06.600
<v Speaker 7>office together. But he didn't know he had auditioned, but

1:34:06.640 --> 1:34:08.600
<v Speaker 7>he didn't know if he was there to be in

1:34:08.680 --> 1:34:10.479
<v Speaker 7>the cast. Or as a writer, and he found out

1:34:10.479 --> 1:34:11.960
<v Speaker 7>the hard way that he was brought in as like

1:34:12.040 --> 1:34:14.439
<v Speaker 7>a guest writer. And we were just walking back to

1:34:14.520 --> 1:34:17.120
<v Speaker 7>our hotel at the time like so bombed, like just

1:34:17.200 --> 1:34:19.280
<v Speaker 7>disillusion and like we just did not know what was

1:34:19.320 --> 1:34:21.080
<v Speaker 7>going on. It was so bizarre, and it was like

1:34:21.479 --> 1:34:23.080
<v Speaker 7>it was like starting school at the end of the

1:34:23.160 --> 1:34:25.599
<v Speaker 7>school year, when like everybody has a place to sit

1:34:25.680 --> 1:34:26.960
<v Speaker 7>in the cafeteria, you know.

1:34:27.439 --> 1:34:31.880
<v Speaker 2>So who warmed up to you first Molly and Will, and.

1:34:31.960 --> 1:34:34.960
<v Speaker 7>I knew Parnell because they had Molly and Will had

1:34:35.040 --> 1:34:37.080
<v Speaker 7>nothing to lose. They were like the prom king and Queen.

1:34:37.160 --> 1:34:39.080
<v Speaker 7>So they were like, hey, how you doing. And then

1:34:39.160 --> 1:34:42.680
<v Speaker 7>I had a mutual friend because Anna. At the time

1:34:42.720 --> 1:34:44.960
<v Speaker 7>there were a lot That's the thing about the ground

1:34:45.000 --> 1:34:48.960
<v Speaker 7>Links is that I knew that people from there went

1:34:49.040 --> 1:34:50.600
<v Speaker 7>onto the show, and I was like, okay, so I

1:34:50.680 --> 1:34:52.800
<v Speaker 7>got to go there first because at the time, when

1:34:52.800 --> 1:34:54.080
<v Speaker 7>I got out of college, I was like, all right,

1:34:54.120 --> 1:34:56.280
<v Speaker 7>I'm going to go to the Groundlings. That's gonna be

1:34:56.320 --> 1:34:59.439
<v Speaker 7>my graduate school. And at that time it was the

1:34:59.720 --> 1:35:03.400
<v Speaker 7>people that were there from the Growlings were Will Ferrell

1:35:03.479 --> 1:35:08.280
<v Speaker 7>on a Gas Star, Chris Catan, Chris Parnell and who

1:35:08.320 --> 1:35:10.280
<v Speaker 7>am I forgetting somebody else?

1:35:10.320 --> 1:35:10.439
<v Speaker 2>Oh?

1:35:10.479 --> 1:35:15.120
<v Speaker 7>In Cherio Terry, they were like five current cast members

1:35:15.160 --> 1:35:17.000
<v Speaker 7>that were all out of the ground Links. I was like,

1:35:17.000 --> 1:35:18.439
<v Speaker 7>all right, so what I'm gonna do. I'm gonna go

1:35:18.439 --> 1:35:21.439
<v Speaker 7>here because I had gone to the Growndings. I weirdly,

1:35:21.920 --> 1:35:23.920
<v Speaker 7>I was weirdly introduced to the Growndings theater when I

1:35:24.000 --> 1:35:26.240
<v Speaker 7>was fourteen because I went to school with Jack Black,

1:35:26.320 --> 1:35:29.120
<v Speaker 7>who was like a couple of years older than me,

1:35:29.280 --> 1:35:32.360
<v Speaker 7>and this like theater kid that I just connected with

1:35:32.600 --> 1:35:34.519
<v Speaker 7>right away, and he became kind of like my mentors.

1:35:34.560 --> 1:35:38.000
<v Speaker 7>He was just like a little bit older and got

1:35:38.040 --> 1:35:40.040
<v Speaker 7>me into improv and everything, and he took me to

1:35:40.120 --> 1:35:43.439
<v Speaker 7>see the Groundlings when I was like fourteen, so I

1:35:43.520 --> 1:35:45.360
<v Speaker 7>knew about the theater and then I knew it was

1:35:45.400 --> 1:35:47.680
<v Speaker 7>in La Like it was a way to get into

1:35:47.720 --> 1:35:49.880
<v Speaker 7>it because people out here go to Chicago, they go

1:35:49.960 --> 1:35:53.760
<v Speaker 7>to Second City, and so I just went, you know,

1:35:54.200 --> 1:35:55.040
<v Speaker 7>in my own backyard.

1:35:55.160 --> 1:35:58.200
<v Speaker 2>Was it hard to adjust there at the Groundings? Yeah?

1:35:58.320 --> 1:36:00.639
<v Speaker 7>No, it was exactly where I should have been, because

1:36:00.640 --> 1:36:02.320
<v Speaker 7>it was like it's like when you find your people,

1:36:03.120 --> 1:36:04.519
<v Speaker 7>it's like, oh, this is where I should have been.

1:36:04.520 --> 1:36:06.280
<v Speaker 7>I shouldn't. Why did I go to college in the

1:36:06.360 --> 1:36:09.960
<v Speaker 7>woods in like northern California and study women's studies with

1:36:10.080 --> 1:36:13.439
<v Speaker 7>like Angela Davis, Like I should be here with all

1:36:13.479 --> 1:36:17.360
<v Speaker 7>these you know, horny nerds. This is this is where

1:36:17.360 --> 1:36:17.800
<v Speaker 7>I belong.

1:36:18.240 --> 1:36:19.840
<v Speaker 2>Oh, God, see, I don't know if I want to

1:36:19.880 --> 1:36:20.719
<v Speaker 2>share this story.

1:36:20.520 --> 1:36:21.880
<v Speaker 7>And you're about to, you do I?

1:36:22.560 --> 1:36:22.840
<v Speaker 2>Okay?

1:36:23.040 --> 1:36:33.240
<v Speaker 1>So I once dated a comedian and a damn okay

1:36:33.439 --> 1:36:37.640
<v Speaker 1>so go in son yeah and Jewish no no, no

1:36:37.840 --> 1:36:41.920
<v Speaker 1>no no. The thing the thing was was that we

1:36:42.360 --> 1:36:45.200
<v Speaker 1>saw like like we were Me and my friends would

1:36:45.240 --> 1:36:50.280
<v Speaker 1>watch her act, uh, and she wasn't fully developed yet

1:36:50.439 --> 1:36:54.840
<v Speaker 1>as a comedian. And the thing was is that my

1:36:55.000 --> 1:36:58.639
<v Speaker 1>friends started laughing at me because they were like face

1:36:58.680 --> 1:36:59.040
<v Speaker 1>and mirrors.

1:36:59.080 --> 1:36:59.719
<v Speaker 2>She's not funny.

1:37:00.400 --> 1:37:05.639
<v Speaker 1>So every time we come to the club, they were

1:37:05.960 --> 1:37:08.800
<v Speaker 1>laughing at me and at her.

1:37:10.040 --> 1:37:14.120
<v Speaker 2>But in her head, she's like your son, I'm killing it.

1:37:15.920 --> 1:37:19.240
<v Speaker 7>Like a stand up. She's a stand just stand up.

1:37:19.640 --> 1:37:22.160
<v Speaker 7>I've never ever done stand that's a whole other animal.

1:37:22.800 --> 1:37:25.240
<v Speaker 7>And that's even worse. Like that's why I won't do it,

1:37:25.280 --> 1:37:28.280
<v Speaker 7>because like you fail at that, you're that's it.

1:37:30.000 --> 1:37:32.200
<v Speaker 1>Yeah, I think you have to drown first before you

1:37:33.000 --> 1:37:35.799
<v Speaker 1>suscitate yourself and it's just like you gotta be horrible

1:37:35.880 --> 1:37:38.240
<v Speaker 1>and then you learn the tricks of the trade.

1:37:38.560 --> 1:37:40.160
<v Speaker 7>I thought that if you were if you want to

1:37:40.200 --> 1:37:41.439
<v Speaker 7>be a community, you had to do stand up. So

1:37:41.520 --> 1:37:43.040
<v Speaker 7>when I was in college, I wrote some stand up

1:37:43.040 --> 1:37:46.599
<v Speaker 7>and I was like, I'm never doing this terrifying because

1:37:46.600 --> 1:37:49.599
<v Speaker 7>I don't like to be exposed. I don't I really,

1:37:50.000 --> 1:37:52.320
<v Speaker 7>I don't like to be vulnerable, and stand up is vulnerable.

1:37:52.600 --> 1:37:55.000
<v Speaker 7>Sand up sam is so much more difficult, in my opinion,

1:37:55.479 --> 1:37:58.240
<v Speaker 7>and I just like to be other people. I mean,

1:37:58.320 --> 1:38:01.920
<v Speaker 7>it's that's what that's what I'm programmed to do.

1:38:03.439 --> 1:38:04.280
<v Speaker 2>So well.

1:38:04.280 --> 1:38:06.439
<v Speaker 7>I mean, I know, it's just it's just so much

1:38:06.560 --> 1:38:10.920
<v Speaker 7>easier to be to not be vulnerable. And I'm sure

1:38:11.000 --> 1:38:13.200
<v Speaker 7>when I was a kid, that's like how I hit it.

1:38:13.400 --> 1:38:15.479
<v Speaker 7>And then I was like, oh, my friends liked this,

1:38:15.680 --> 1:38:18.760
<v Speaker 7>should I should keep doing it. But I also think

1:38:20.040 --> 1:38:23.360
<v Speaker 7>that being around music, I just developed. I think having

1:38:23.439 --> 1:38:26.519
<v Speaker 7>a musical ear made me like a little like a

1:38:26.840 --> 1:38:28.320
<v Speaker 7>like a parrot, like a little bit of a mimic.

1:38:28.760 --> 1:38:31.479
<v Speaker 7>So I didn't realize I was doing voices and stuff

1:38:31.560 --> 1:38:33.200
<v Speaker 7>when I was doing them, But I think I was

1:38:33.280 --> 1:38:34.679
<v Speaker 7>just always doing them. Like if you tell a story

1:38:34.680 --> 1:38:36.800
<v Speaker 7>about somebody and you're like, and then she was like

1:38:37.000 --> 1:38:37.479
<v Speaker 7>why did you.

1:38:39.120 --> 1:38:39.280
<v Speaker 2>Why?

1:38:39.439 --> 1:38:41.439
<v Speaker 7>Why did you get the spicy check in? And then

1:38:41.479 --> 1:38:43.240
<v Speaker 7>you talk like the person and then you realize like, oh,

1:38:43.280 --> 1:38:45.320
<v Speaker 7>I'm I'm just copying sounds.

1:38:45.800 --> 1:38:48.439
<v Speaker 12>I have a question, Yes, sir, do you think like

1:38:48.560 --> 1:38:51.800
<v Speaker 12>growing up around music helped you with your comedy, like

1:38:51.920 --> 1:38:53.600
<v Speaker 12>with timing and all that with rhythm and.

1:38:53.760 --> 1:38:57.599
<v Speaker 7>I kind of think they're intertwined. I do I feel

1:38:57.640 --> 1:38:58.120
<v Speaker 7>like they're.

1:38:59.560 --> 1:39:04.519
<v Speaker 4>I do I feel like they're saying they want be

1:39:04.640 --> 1:39:05.840
<v Speaker 4>saying and vice versas.

1:39:06.000 --> 1:39:06.400
<v Speaker 8>Yes, they do.

1:39:06.520 --> 1:39:08.960
<v Speaker 7>And I've never I've never I've talked to many musicians

1:39:09.000 --> 1:39:11.000
<v Speaker 7>about this, and I've never gotten an answer why. But

1:39:11.600 --> 1:39:15.920
<v Speaker 7>musicians and comedians are are each other's their counterpart, that

1:39:15.960 --> 1:39:19.920
<v Speaker 7>we're totally connected, Absolutely, But I think I think that's

1:39:19.920 --> 1:39:22.599
<v Speaker 7>because there are also skills that other people you can't

1:39:22.720 --> 1:39:25.320
<v Speaker 7>just you can't just acquire them, You have to naturally

1:39:25.439 --> 1:39:26.479
<v Speaker 7>possess them both.

1:39:27.400 --> 1:39:31.000
<v Speaker 2>Do you think that the way you, in a sort

1:39:31.040 --> 1:39:33.600
<v Speaker 2>of therapeutic way, dealt with Absolutely.

1:39:33.880 --> 1:39:35.280
<v Speaker 7>I know exactly what you're asking.

1:39:35.080 --> 1:39:38.960
<v Speaker 2>Because I know no comedian or funny person.

1:39:40.120 --> 1:39:43.280
<v Speaker 1>Uh, especially with all the time that I spent at

1:39:43.320 --> 1:39:46.679
<v Speaker 1>the comedy seller and really getting to know all those people,

1:39:47.320 --> 1:39:51.080
<v Speaker 1>Like behind every person that's ever made me laugh, there's

1:39:51.200 --> 1:39:55.760
<v Speaker 1>like a big giant bowl of pain somewhere in their backyard,

1:39:55.840 --> 1:39:56.519
<v Speaker 1>buried somewhere.

1:39:56.600 --> 1:39:56.720
<v Speaker 2>Well.

1:39:56.720 --> 1:39:58.560
<v Speaker 7>I would also I would also go out on a

1:39:58.640 --> 1:40:02.200
<v Speaker 7>limb and say, I mean, I'm no therapist, but I

1:40:02.280 --> 1:40:05.599
<v Speaker 7>would guess that it was also an active rebellion from

1:40:05.680 --> 1:40:09.040
<v Speaker 7>my from my family. You know, my parents are musicians.

1:40:09.640 --> 1:40:12.040
<v Speaker 7>So I was like, I'm not gonna sing because that's like,

1:40:12.360 --> 1:40:15.080
<v Speaker 7>that's like my that's too painful, that's too hard, Like

1:40:15.760 --> 1:40:17.760
<v Speaker 7>I don't want to expose that pardon me, because that

1:40:18.200 --> 1:40:20.640
<v Speaker 7>like I don't even think I truly sang in my

1:40:20.800 --> 1:40:24.040
<v Speaker 7>own voice, truly truly sang songs in my own voice,

1:40:24.120 --> 1:40:28.920
<v Speaker 7>and publicly until fairly recently, I've only ever.

1:40:28.920 --> 1:40:31.240
<v Speaker 2>Sung at like channeling other people.

1:40:31.400 --> 1:40:34.240
<v Speaker 7>Yeah, because it was too painful because it was just

1:40:34.439 --> 1:40:38.760
<v Speaker 7>like so connected to my mother. So I can sing

1:40:38.840 --> 1:40:41.080
<v Speaker 7>a funny ass song like for the rest of my life,

1:40:41.120 --> 1:40:44.840
<v Speaker 7>Like I can sing anything funny, and that's probably why

1:40:45.000 --> 1:40:47.720
<v Speaker 7>covers are easy. But when it comes to like my

1:40:47.840 --> 1:40:54.840
<v Speaker 7>actual my real voice, singing is very very intense for me,

1:40:55.040 --> 1:40:58.760
<v Speaker 7>and I think the probably the natural, Like just the

1:40:58.960 --> 1:41:02.800
<v Speaker 7>light from comic you just was so much more. You

1:41:02.880 --> 1:41:05.599
<v Speaker 7>can hide, you can hide in comedy, and I can.

1:41:06.040 --> 1:41:08.200
<v Speaker 7>You can hide and be a million things. And then

1:41:08.240 --> 1:41:10.640
<v Speaker 7>I'd also just think it's so fascinating to like be

1:41:10.880 --> 1:41:15.080
<v Speaker 7>mixed and then just like pretend to be other people,

1:41:15.520 --> 1:41:18.320
<v Speaker 7>you know, because you're like it has so much to

1:41:18.360 --> 1:41:20.280
<v Speaker 7>do with the time I was growing up, Like being

1:41:20.360 --> 1:41:23.080
<v Speaker 7>mixed wasn't as cool as it is now, you know,

1:41:23.479 --> 1:41:25.120
<v Speaker 7>like the cause we show everyone on the show was

1:41:25.240 --> 1:41:28.400
<v Speaker 7>considered black, but like Lisa Bonet was mixed, right, you know,

1:41:28.640 --> 1:41:32.880
<v Speaker 7>like people didn't even say what mixed was. And so

1:41:32.960 --> 1:41:34.639
<v Speaker 7>I think it was just easier to like just pretend

1:41:34.680 --> 1:41:37.519
<v Speaker 7>to like be other people. And it's just all undertwined.

1:41:37.560 --> 1:41:40.559
<v Speaker 7>But yes, I think it's absolutely that. And it's also

1:41:40.640 --> 1:41:42.960
<v Speaker 7>like that rebellion from what your parents do, you have

1:41:43.080 --> 1:41:45.639
<v Speaker 7>to do something else, But it was also cool. Comedy

1:41:45.720 --> 1:41:48.720
<v Speaker 7>was cool to them, Like my mom was, like I

1:41:48.800 --> 1:41:50.840
<v Speaker 7>think I remember my parents going to see like Richard

1:41:50.920 --> 1:41:55.880
<v Speaker 7>Pryor concerts and there's some famous I got mister Mister

1:41:56.120 --> 1:41:57.040
<v Speaker 7>Rudolph and the Monkey.

1:41:57.760 --> 1:41:59.000
<v Speaker 2>Yes, is that what it's called?

1:42:01.720 --> 1:42:04.280
<v Speaker 8>I knew it fucking with my dad. Yeah, I knew it.

1:42:04.520 --> 1:42:04.880
<v Speaker 2>I knew it.

1:42:04.960 --> 1:42:09.599
<v Speaker 1>He had a character called Miss Rudolph that his mud

1:42:09.680 --> 1:42:13.200
<v Speaker 1>boone character would have to give like a chicken's leg

1:42:13.320 --> 1:42:16.839
<v Speaker 1>to like like an old toothsayer lady like Miss Rudolph

1:42:16.960 --> 1:42:20.240
<v Speaker 1>was always a name that I always heard, and it.

1:42:20.360 --> 1:42:22.160
<v Speaker 7>Was about my mom and she and he would fuck

1:42:22.200 --> 1:42:24.400
<v Speaker 7>with my dad, like when they would be sitting there,

1:42:24.439 --> 1:42:25.040
<v Speaker 7>but it was I think.

1:42:25.200 --> 1:42:27.840
<v Speaker 1>I even have some outtakes of Richard Pryor concerts where

1:42:27.960 --> 1:42:30.160
<v Speaker 1>like your mom was always in the audience.

1:42:30.320 --> 1:42:33.560
<v Speaker 7>I don't three concerts in which I know that's what

1:42:33.640 --> 1:42:35.479
<v Speaker 7>I heard too, And I actually don't know them as

1:42:35.520 --> 1:42:37.920
<v Speaker 7>well as you do, because as a kid, I don't

1:42:37.920 --> 1:42:39.960
<v Speaker 7>think they were exposing me to the recordings. But I

1:42:40.040 --> 1:42:44.880
<v Speaker 7>knew about it, like enough, I need to revisit Miss

1:42:44.960 --> 1:42:45.759
<v Speaker 7>Rudolph and the Monkey.

1:42:46.000 --> 1:42:48.479
<v Speaker 1>Well, see the tables have turned now, because now I

1:42:48.560 --> 1:42:54.679
<v Speaker 1>think it's like you're Maya Rudolph and that's Maya Rudolph's mother,

1:42:55.120 --> 1:42:56.200
<v Speaker 1>Like it's not even.

1:42:57.720 --> 1:42:59.320
<v Speaker 7>Well, that's again back to you.

1:42:59.520 --> 1:43:01.600
<v Speaker 1>Was like, you know, the the escaping the shadow of

1:43:01.680 --> 1:43:04.720
<v Speaker 1>being many Riperton's daughter as opposed to well, you know what.

1:43:04.880 --> 1:43:08.679
<v Speaker 7>Though, that doesn't exist for me because I will say

1:43:10.240 --> 1:43:12.200
<v Speaker 7>growing up, I didn't feel like my mother was a

1:43:12.240 --> 1:43:14.240
<v Speaker 7>household name. I feel like people who knew my mother

1:43:14.360 --> 1:43:18.120
<v Speaker 7>knew my mother, or they'd go or they'd know that song.

1:43:18.400 --> 1:43:20.840
<v Speaker 7>But I didn't feel I wasn't Diana Ross's daughter, Like

1:43:20.920 --> 1:43:23.160
<v Speaker 7>it was a different thing, and so people didn't know.

1:43:24.320 --> 1:43:26.920
<v Speaker 2>How was that like for you? Like did you know

1:43:27.560 --> 1:43:28.640
<v Speaker 2>that your mother was.

1:43:30.439 --> 1:43:30.639
<v Speaker 9>Yeah?

1:43:30.720 --> 1:43:33.120
<v Speaker 4>Yeah, Like was that ever or did you or even

1:43:33.160 --> 1:43:35.640
<v Speaker 4>like I think, did you know even like what your

1:43:35.720 --> 1:43:37.920
<v Speaker 4>dad was doing, Like did you know that you were

1:43:37.920 --> 1:43:41.320
<v Speaker 4>maybe a little more privileged or had you know then

1:43:41.479 --> 1:43:43.160
<v Speaker 4>maybe other kids or whatever.

1:43:43.800 --> 1:43:47.759
<v Speaker 1>Not even with like even our era like Tribe samples,

1:43:47.800 --> 1:43:51.599
<v Speaker 1>where like many ripton was like such a yeah, I didn't.

1:43:51.800 --> 1:43:54.120
<v Speaker 7>I mean that was really fascinating to me. Like starting

1:43:54.200 --> 1:43:57.080
<v Speaker 7>college was when that Tribe album came out that was

1:43:57.160 --> 1:44:00.200
<v Speaker 7>literally like half of it was like my mother, you know,

1:44:00.400 --> 1:44:03.200
<v Speaker 7>or songs that songs that I'd grown up listening to

1:44:03.600 --> 1:44:05.760
<v Speaker 7>and had stopped listening to because it was too hard

1:44:05.800 --> 1:44:08.240
<v Speaker 7>to put those records on. But it was just becoming

1:44:08.320 --> 1:44:10.320
<v Speaker 7>cool that like my friend who was like the DJ

1:44:10.439 --> 1:44:12.599
<v Speaker 7>in college would play like, you know those songs where

1:44:12.600 --> 1:44:14.320
<v Speaker 7>I was like, are you playing my mom?

1:44:14.840 --> 1:44:15.040
<v Speaker 2>Wow?

1:44:15.080 --> 1:44:16.760
<v Speaker 7>You're playing my mother's music. And then I was like,

1:44:16.800 --> 1:44:19.519
<v Speaker 7>wait a minute, that's why that's familiar to me. It's

1:44:19.720 --> 1:44:22.120
<v Speaker 7>that's my that's my mother, you know where that's like

1:44:22.160 --> 1:44:26.640
<v Speaker 7>the beginning, Yes, exactly, And that was the stuff my

1:44:26.720 --> 1:44:29.200
<v Speaker 7>dad and I would talk about, like because sampling was

1:44:29.240 --> 1:44:31.760
<v Speaker 7>so fascinating to him at the time, and talking about

1:44:31.800 --> 1:44:35.040
<v Speaker 7>that and what that had become in the industry because

1:44:35.040 --> 1:44:38.160
<v Speaker 7>my dad's such an artist, and was like, but you

1:44:38.280 --> 1:44:40.760
<v Speaker 7>know what that that to me was that was such

1:44:40.800 --> 1:44:45.720
<v Speaker 7>a prideful moment of like those cool people know, like

1:44:45.960 --> 1:44:48.280
<v Speaker 7>my people that it took.

1:44:48.200 --> 1:44:51.479
<v Speaker 2>Me a long time to revisit music well.

1:44:51.439 --> 1:44:54.559
<v Speaker 7>Yes, and also to realize that people were out there. Plus,

1:44:54.640 --> 1:44:57.759
<v Speaker 7>my last name is Rudolph, so until I really started acting,

1:44:57.800 --> 1:45:00.880
<v Speaker 7>people didn't know that was my mom. And then and

1:45:01.000 --> 1:45:03.639
<v Speaker 7>then and then the other part about my mom that's

1:45:03.720 --> 1:45:07.599
<v Speaker 7>just so fascinating is like people are so I don't

1:45:07.640 --> 1:45:09.400
<v Speaker 7>know what it is. I don't know if it's because

1:45:09.439 --> 1:45:11.120
<v Speaker 7>she was so young when she died, and it was like,

1:45:11.800 --> 1:45:13.680
<v Speaker 7>you know, pre YouTube, we didn't have like you were

1:45:13.760 --> 1:45:15.240
<v Speaker 7>the first person I ever met. It was like, I

1:45:15.320 --> 1:45:17.840
<v Speaker 7>have footage of like your mom on talk shows and

1:45:17.840 --> 1:45:19.280
<v Speaker 7>I was like what I didn't know that stuff. I

1:45:19.320 --> 1:45:23.280
<v Speaker 7>thought all that stuff was gone. And people have always

1:45:23.439 --> 1:45:29.519
<v Speaker 7>like used me to vent like their their feelings about her.

1:45:29.560 --> 1:45:33.200
<v Speaker 7>I'm like this weird funnel for like mini, like your

1:45:33.320 --> 1:45:35.679
<v Speaker 7>mother was so like and it's so I get stopped

1:45:35.720 --> 1:45:38.559
<v Speaker 7>on this. Yes, it's so deep.

1:45:38.760 --> 1:45:40.400
<v Speaker 2>Yeah, and it told me like seven years to even

1:45:40.479 --> 1:45:41.320
<v Speaker 2>start to bring it up.

1:45:41.360 --> 1:45:43.640
<v Speaker 7>Like I was just like, I'm a big fan, but

1:45:43.800 --> 1:45:46.640
<v Speaker 7>that's different and that's not I mean I truly like

1:45:47.000 --> 1:45:52.040
<v Speaker 7>I'll get the occasional just random adult you know who

1:45:52.080 --> 1:45:56.680
<v Speaker 7>will just be like it's like they're like, you know,

1:45:56.760 --> 1:45:59.120
<v Speaker 7>and they just find me. And this was way before

1:45:59.160 --> 1:46:01.000
<v Speaker 7>I was ever on the show or anything like that.

1:46:01.479 --> 1:46:01.759
<v Speaker 8>Wow.

1:46:03.320 --> 1:46:11.480
<v Speaker 7>But there's always been some layer of her that is otherworldly.

1:46:11.800 --> 1:46:15.200
<v Speaker 7>I think because of that, that element of her voice

1:46:15.320 --> 1:46:19.360
<v Speaker 7>being something else, something that feels sort of like non

1:46:19.960 --> 1:46:24.880
<v Speaker 7>human to a lot of people, people just associate her

1:46:24.960 --> 1:46:28.160
<v Speaker 7>with like something else. There's like I've just always gotten

1:46:28.439 --> 1:46:30.519
<v Speaker 7>people stopping me about her in that way.

1:46:31.280 --> 1:46:34.240
<v Speaker 2>I think it's because she's she's spiritual. She's in that

1:46:34.280 --> 1:46:35.280
<v Speaker 2>Stevie Wonder category.

1:46:35.360 --> 1:46:37.760
<v Speaker 1>Yeah, Like because your mom didn't really come from the

1:46:37.920 --> 1:46:42.320
<v Speaker 1>gospel background of black music, so I would say, she's

1:46:42.400 --> 1:46:47.639
<v Speaker 1>almost the shade of her of that period, because shade,

1:46:48.840 --> 1:46:52.320
<v Speaker 1>you know, meant a lot to black people and white

1:46:52.360 --> 1:46:55.759
<v Speaker 1>people like but you know, she didn't come from a gospel,

1:46:56.520 --> 1:46:59.400
<v Speaker 1>you know, down home background, at least the way that

1:46:59.479 --> 1:47:01.880
<v Speaker 1>she project to herself there was like a class thing.

1:47:02.120 --> 1:47:04.080
<v Speaker 4>I say, it was very classic my mother, I mean,

1:47:04.120 --> 1:47:06.599
<v Speaker 4>my grant, I'm sorry. My aunt was a big Many

1:47:06.680 --> 1:47:08.720
<v Speaker 4>Ribson fan and that was the first time I got

1:47:10.439 --> 1:47:12.880
<v Speaker 4>I was introduced to her music. And this is like,

1:47:13.120 --> 1:47:16.200
<v Speaker 4>you know, you talk about how your parents, that was

1:47:16.240 --> 1:47:18.400
<v Speaker 4>the first time they usually talk about death, like her

1:47:18.479 --> 1:47:21.080
<v Speaker 4>death talk about it. I remember my mom because my

1:47:21.160 --> 1:47:23.320
<v Speaker 4>mom would play Loving You like just she would just

1:47:23.320 --> 1:47:25.160
<v Speaker 4>play Loving You. And I remember here, I was like, Mama,

1:47:25.160 --> 1:47:26.519
<v Speaker 4>who is that? And she was like, there's many Ribs.

1:47:26.560 --> 1:47:28.559
<v Speaker 4>I'm like, oh, who is that? And she would tell me, oh,

1:47:28.680 --> 1:47:30.600
<v Speaker 4>this lady, you know, she died and you know, and

1:47:30.760 --> 1:47:32.640
<v Speaker 4>so then you know, I looked at the album cover

1:47:32.760 --> 1:47:34.719
<v Speaker 4>and it was like, I think it Avengeans in Paradise.

1:47:34.720 --> 1:47:36.280
<v Speaker 4>So she's with the Lion. I think that's the lion.

1:47:36.439 --> 1:47:39.000
<v Speaker 4>YEP cover is that one? And so my aunt would

1:47:39.040 --> 1:47:41.080
<v Speaker 4>have all our records and this is in the eighties,

1:47:41.120 --> 1:47:45.280
<v Speaker 4>and so my aunt was like she was very this

1:47:45.400 --> 1:47:47.200
<v Speaker 4>is kind of like she was like a black yuppie

1:47:47.320 --> 1:47:48.800
<v Speaker 4>kind of you know what I mean. She was teaching

1:47:48.840 --> 1:47:52.040
<v Speaker 4>school chat on apartment. She had the first like answer machine,

1:47:52.120 --> 1:47:53.960
<v Speaker 4>like that was the first time I ever saw an

1:47:53.960 --> 1:47:57.679
<v Speaker 4>answer machine ever. And so she would play your mom's

1:47:57.760 --> 1:48:00.479
<v Speaker 4>music all the time, and it was just like what

1:48:00.560 --> 1:48:02.600
<v Speaker 4>a Mi said, it was really like classy. I just

1:48:02.680 --> 1:48:06.320
<v Speaker 4>remember seeing her and it wasn't like the disco stuff,

1:48:06.360 --> 1:48:10.040
<v Speaker 4>like she didn't like you. I mean, y'all shot for records,

1:48:10.080 --> 1:48:12.080
<v Speaker 4>so you know if you see an album cover and

1:48:12.200 --> 1:48:14.519
<v Speaker 4>you know, and it's like nine niggas in.

1:48:14.600 --> 1:48:15.599
<v Speaker 2>Silver suits and shit.

1:48:17.280 --> 1:48:20.720
<v Speaker 4>I mean, your mother was always just really she just

1:48:20.800 --> 1:48:22.680
<v Speaker 4>had her own things, just really classy. And I just

1:48:22.760 --> 1:48:25.200
<v Speaker 4>always remember that do you ever see the lion attacking

1:48:25.280 --> 1:48:25.679
<v Speaker 4>her video?

1:48:25.920 --> 1:48:28.120
<v Speaker 7>Yes, you can see my dad coming in to make

1:48:28.120 --> 1:48:30.680
<v Speaker 7>sure she's okay. It was like a promo commercial. Show

1:48:30.720 --> 1:48:32.840
<v Speaker 7>was actually a recreation of the because I think we

1:48:33.000 --> 1:48:34.840
<v Speaker 7>me and my brother were there for the photosoo, because

1:48:34.840 --> 1:48:37.160
<v Speaker 7>I remember having ice cream and seeing them, like my

1:48:37.280 --> 1:48:40.120
<v Speaker 7>mother is sitting next to a lion and we were

1:48:40.160 --> 1:48:41.880
<v Speaker 7>like looking but we were like far away and everything.

1:48:42.040 --> 1:48:44.479
<v Speaker 7>Like in the lion see my ice cream, it was

1:48:44.520 --> 1:48:47.240
<v Speaker 7>a different lion the second time they shot it. Oh,

1:48:47.680 --> 1:48:50.920
<v Speaker 7>and this lion wasn't this he's just kind of like panic.

1:48:51.040 --> 1:48:53.519
<v Speaker 7>I guess he had been declawed, so she wasn't hurt

1:48:53.640 --> 1:48:54.080
<v Speaker 7>or anything.

1:48:54.800 --> 1:48:57.839
<v Speaker 2>But yeah, you see, and there's no sound so you can't.

1:48:57.680 --> 1:49:00.439
<v Speaker 7>Tell if anyone's screaming or not. It was like somebody's

1:49:00.439 --> 1:49:03.360
<v Speaker 7>super ereat care Chills.

1:49:03.680 --> 1:49:05.920
<v Speaker 1>So I hear that you are going to be spending

1:49:05.920 --> 1:49:08.000
<v Speaker 1>a lot of time in New York City, hopefully doing

1:49:08.840 --> 1:49:09.679
<v Speaker 1>the Mayam Marty.

1:49:10.000 --> 1:49:13.120
<v Speaker 2>Yes, yes, what made you want to bring back the

1:49:13.720 --> 1:49:14.880
<v Speaker 2>variety show format?

1:49:15.120 --> 1:49:17.679
<v Speaker 7>This is what I do, and this is what Marty does.

1:49:18.120 --> 1:49:18.320
<v Speaker 2>You know.

1:49:20.240 --> 1:49:22.479
<v Speaker 7>I like, what's that Martin Martin short?

1:49:22.560 --> 1:49:26.920
<v Speaker 2>Yes, it's Martin Short.

1:49:27.240 --> 1:49:29.479
<v Speaker 7>That would be a very different show, although I.

1:49:29.479 --> 1:49:30.960
<v Speaker 2>Would love to do that, Martin.

1:49:34.920 --> 1:49:38.240
<v Speaker 7>So yeah, the show is it's all the stuff that

1:49:38.360 --> 1:49:42.559
<v Speaker 7>we love. It's it's music and comedy and performance based

1:49:42.640 --> 1:49:44.479
<v Speaker 7>and really just all the elements of started love that

1:49:44.560 --> 1:49:47.600
<v Speaker 7>I love that are, you know, getting people together and

1:49:48.200 --> 1:49:50.920
<v Speaker 7>being goofy and all that stuff. But but I think

1:49:51.040 --> 1:49:55.439
<v Speaker 7>like just just the stuff that I think probably is

1:49:55.439 --> 1:49:58.360
<v Speaker 7>the imprint for all of us, which is people coming

1:49:58.400 --> 1:50:00.439
<v Speaker 7>on and doing things that you didn't normally get to see.

1:50:02.040 --> 1:50:02.200
<v Speaker 3>Them.

1:50:02.280 --> 1:50:02.880
<v Speaker 2>Do you know?

1:50:03.200 --> 1:50:07.960
<v Speaker 7>I just did a thing with Emma Stone and it

1:50:08.080 --> 1:50:09.800
<v Speaker 7>was like a perfect example of like, that's why I

1:50:09.840 --> 1:50:12.240
<v Speaker 7>wanted to show she and I sang a song together,

1:50:12.720 --> 1:50:14.600
<v Speaker 7>and it's not something you would normally see her do,

1:50:15.360 --> 1:50:17.599
<v Speaker 7>but those were like, those are the things that when

1:50:17.640 --> 1:50:19.800
<v Speaker 7>you saw a variety show that you're like, wow, I

1:50:19.840 --> 1:50:21.360
<v Speaker 7>didn't know that guy sang, or I didn't know that

1:50:21.400 --> 1:50:24.200
<v Speaker 7>person was that funny or just like these just like

1:50:24.360 --> 1:50:26.800
<v Speaker 7>extra delicious tidbits.

1:50:26.880 --> 1:50:30.479
<v Speaker 1>Well, based on the super viralness of that particular clip

1:50:30.680 --> 1:50:32.800
<v Speaker 1>that you did with Emma, First of all, how many times,

1:50:32.960 --> 1:50:35.040
<v Speaker 1>like how many takes did you guys complete that?

1:50:35.439 --> 1:50:37.320
<v Speaker 7>We only did it and we only did it twice?

1:50:37.680 --> 1:50:37.920
<v Speaker 8>Wow?

1:50:38.520 --> 1:50:42.240
<v Speaker 2>But wow, I can't imagine something over and over and over.

1:50:42.640 --> 1:50:44.479
<v Speaker 2>Can you explain to our listeners who may not have

1:50:44.560 --> 1:50:46.240
<v Speaker 2>seen that like what you guys did in that video?

1:50:47.400 --> 1:50:51.599
<v Speaker 7>I saw these Swedish girls, this band called Errato, these

1:50:51.640 --> 1:50:54.679
<v Speaker 7>girls from Sweden sitting in their kitchen playing butter tubs

1:50:55.320 --> 1:50:57.720
<v Speaker 7>to do you know the cup song, which which I

1:50:57.760 --> 1:51:03.160
<v Speaker 7>guess became famous. Kendrick did, Oh yeah, yeah, yes, So

1:51:03.240 --> 1:51:05.040
<v Speaker 7>it's the same rhythm, but they did it to the

1:51:05.160 --> 1:51:09.000
<v Speaker 7>Robinson Call Your Girlfriend, and they did these really beautiful harmonies.

1:51:10.160 --> 1:51:11.920
<v Speaker 7>And I don't know why, but I was like, I

1:51:12.040 --> 1:51:16.080
<v Speaker 7>feel like I heard Emma can sing. I wonder if

1:51:16.120 --> 1:51:17.920
<v Speaker 7>she'd be into doing this, and so I sent it

1:51:18.040 --> 1:51:20.960
<v Speaker 7>to her and she immediately she was like, wow, that

1:51:21.040 --> 1:51:23.759
<v Speaker 7>sounds great. And then she immediately sent back a video

1:51:24.520 --> 1:51:26.280
<v Speaker 7>of her practicing it and she had like picked it

1:51:26.360 --> 1:51:30.120
<v Speaker 7>up right away. And my daughter, my ten year old daughter, Pearl,

1:51:30.240 --> 1:51:32.280
<v Speaker 7>was actually helping me out with it, like the day before.

1:51:32.400 --> 1:51:34.599
<v Speaker 7>My ten year daughter and my twenty three year old

1:51:34.640 --> 1:51:36.920
<v Speaker 7>cousin were like showing me how to do the cups

1:51:37.439 --> 1:51:40.040
<v Speaker 7>because I loved the song and I in my head

1:51:40.040 --> 1:51:41.320
<v Speaker 7>I was like, yeah, let's do it. And then when

1:51:41.320 --> 1:51:42.640
<v Speaker 7>it came time to do it, I realized, like, I

1:51:42.680 --> 1:51:46.200
<v Speaker 7>don't know how to do it. Wow, But I didn't.

1:51:46.280 --> 1:51:48.439
<v Speaker 7>We rehearse a little bit and it was one of

1:51:48.439 --> 1:51:50.439
<v Speaker 7>those things like you can just tell when someone can harmonize,

1:51:50.439 --> 1:51:52.320
<v Speaker 7>and she just she was amazing.

1:51:52.400 --> 1:51:52.880
<v Speaker 8>She just did it.

1:51:53.240 --> 1:51:54.679
<v Speaker 2>You guys nailed that. That was great.

1:51:54.800 --> 1:51:55.800
<v Speaker 7>Thank you. Well.

1:51:55.920 --> 1:52:01.760
<v Speaker 1>I hope, even for selfish main reasons, I hope you

1:52:01.880 --> 1:52:06.720
<v Speaker 1>guys get picked up and you become a fixture at

1:52:06.760 --> 1:52:09.840
<v Speaker 1>the thirty Rock Build until we can do projects together.

1:52:09.960 --> 1:52:12.840
<v Speaker 7>Yes, please, that'd be awesome. Yeah, awesome, that would make

1:52:12.880 --> 1:52:13.680
<v Speaker 7>me happy to well.

1:52:13.840 --> 1:52:16.920
<v Speaker 2>We thank you very much for joining us.

1:52:17.280 --> 1:52:22.200
<v Speaker 7>It's a pleasure, gentlemen, ladies that are listening.

1:52:23.600 --> 1:52:27.280
<v Speaker 2>Lady two women.

1:52:28.520 --> 1:52:28.960
<v Speaker 8>Dogs.

1:52:30.280 --> 1:52:32.360
<v Speaker 2>Yeah, so we thank you very much.

1:52:32.479 --> 1:52:33.200
<v Speaker 7>It's my pleasure.

1:52:34.040 --> 1:52:34.439
<v Speaker 8>You made me.

1:52:34.720 --> 1:52:37.439
<v Speaker 7>You made me feel knowledgeable about many things.

1:52:37.960 --> 1:52:38.639
<v Speaker 2>We learned a lot.

1:52:38.840 --> 1:52:39.920
<v Speaker 7>Actually did we learned a lot?

1:52:39.960 --> 1:52:41.160
<v Speaker 2>Tonight, ladies and gentlemen.

1:52:41.560 --> 1:52:48.280
<v Speaker 1>Uh wow, this concludes the Quest Love Supreme Experience. Uh

1:52:49.160 --> 1:52:50.880
<v Speaker 1>any last words, boss Bill?

1:52:51.760 --> 1:52:52.280
<v Speaker 2>Uh none?

1:52:52.479 --> 1:52:54.720
<v Speaker 6>Just to come back and check us out next week.

1:52:55.560 --> 1:52:59.080
<v Speaker 6>Uh we start at Wednesday, Wednesday, Wednesday, one pm Eastern

1:52:59.080 --> 1:53:02.439
<v Speaker 6>Standard time today Pacific standard time. I'll be listening and

1:53:02.640 --> 1:53:05.280
<v Speaker 6>uh we replay until Friday, and then after that you

1:53:05.360 --> 1:53:07.680
<v Speaker 6>can check out our mixtape feature and more songs. And

1:53:07.760 --> 1:53:09.000
<v Speaker 6>this is the only time you hear. It's not like

1:53:09.080 --> 1:53:10.479
<v Speaker 6>you can go back here. Oh no, no, you can't

1:53:10.520 --> 1:53:13.160
<v Speaker 6>come back to hear. So you gotta you gotta listen,

1:53:13.240 --> 1:53:16.639
<v Speaker 6>you know, between now and Friday afternoon or you are wow,

1:53:16.880 --> 1:53:20.160
<v Speaker 6>you know you might well actually you know what they

1:53:20.200 --> 1:53:22.000
<v Speaker 6>can listen to the you know, highlights from the show

1:53:22.160 --> 1:53:25.080
<v Speaker 6>on the mixtape, but it's nothing beats hearing the.

1:53:25.760 --> 1:53:28.880
<v Speaker 2>Full in the flesh, the full show. Hey, I pay

1:53:28.960 --> 1:53:31.160
<v Speaker 2>bill man. What do we learn today?

1:53:31.479 --> 1:53:32.639
<v Speaker 5>I don't even know where to begin.

1:53:33.320 --> 1:53:35.959
<v Speaker 2>Are you just waking up? Yeah? Okay, okay, okay.

1:53:37.400 --> 1:53:40.640
<v Speaker 5>I'm waking up to the dawning of Prince Knowledge, of

1:53:40.720 --> 1:53:41.880
<v Speaker 5>which there was a lot today.

1:53:42.400 --> 1:53:44.719
<v Speaker 2>Yeah. I kind of overdid it on the Prince Knowledge.

1:53:44.760 --> 1:53:48.040
<v Speaker 2>I apologize, but you know it's only going to get worse.

1:53:48.560 --> 1:53:51.360
<v Speaker 1>Well, no, I think is probably the biggest Prince nerd

1:53:52.080 --> 1:53:57.000
<v Speaker 1>until we get uh probably Fred in here. Uh as

1:53:57.040 --> 1:54:01.120
<v Speaker 1>far as celebrities are concerned, who Fred Savage?

1:54:04.080 --> 1:54:12.160
<v Speaker 2>No, Fred Armison? Okay, I mean yeah, Fred Savage, Kevin

1:54:12.920 --> 1:54:14.120
<v Speaker 2>that wow? Yes?

1:54:14.240 --> 1:54:17.400
<v Speaker 1>But all right, so you learn about liquor, uh liquor

1:54:17.439 --> 1:54:19.320
<v Speaker 1>houses today on pay pill.

1:54:19.520 --> 1:54:22.480
<v Speaker 2>Yeah. Yeah, So maybe we show I'll make a pilgrimage

1:54:22.520 --> 1:54:23.320
<v Speaker 2>to Memphis.

1:54:25.240 --> 1:54:28.480
<v Speaker 5>Street and go to going forward, we should make pilgrimages

1:54:28.520 --> 1:54:30.680
<v Speaker 5>to a lot of different places we speak of, like

1:54:30.880 --> 1:54:33.640
<v Speaker 5>south of the Mason Dixon line. As we say, all right.

1:54:33.680 --> 1:54:36.000
<v Speaker 2>We'll do that, We'll do the corn the corn liquor experience.

1:54:36.440 --> 1:54:40.480
<v Speaker 2>So Sugar Steve, uh, what'd you learn to day, man?

1:54:41.160 --> 1:54:47.720
<v Speaker 12>I learned that Gainesville is the music capital of Florida. Somehow,

1:54:48.040 --> 1:54:51.880
<v Speaker 12>that's all you learn. I love Maya, I really love Maya.

1:54:52.200 --> 1:54:53.760
<v Speaker 2>I love her. She's great. Yeah.

1:54:54.200 --> 1:54:56.640
<v Speaker 12>I think we're just funny and interesting and talented.

1:54:56.960 --> 1:54:58.320
<v Speaker 2>Yeah she is. She's amazing.

1:54:59.000 --> 1:55:01.440
<v Speaker 12>I wish we could ask her her performance with di'angelo

1:55:01.600 --> 1:55:03.640
<v Speaker 12>on the tonight show of Ah.

1:55:03.920 --> 1:55:08.280
<v Speaker 2>Damn. I thought that was great. That was that was awesome. Yeah,

1:55:08.360 --> 1:55:11.000
<v Speaker 2>well ask him about it.

1:55:11.880 --> 1:55:14.280
<v Speaker 5>We'll just ask the Angelo about it when he gets here, yes.

1:55:14.280 --> 1:55:16.480
<v Speaker 2>When he yes. But that just means we have to,

1:55:16.600 --> 1:55:19.080
<v Speaker 2>you know, be on the air for another ten years.

1:55:20.440 --> 1:55:22.760
<v Speaker 5>Right because if you schedule d Angelo now, he'll show up.

1:55:22.840 --> 1:55:25.600
<v Speaker 2>I guarantee we're want to have DiAngelo on before the

1:55:25.720 --> 1:55:26.200
<v Speaker 2>year's out.

1:55:26.680 --> 1:55:26.920
<v Speaker 5>Damn.

1:55:27.400 --> 1:55:30.280
<v Speaker 2>Okay, can we put money on that. I'm down to

1:55:30.320 --> 1:55:30.920
<v Speaker 2>put money on that.

1:55:31.880 --> 1:55:32.760
<v Speaker 5>I don't have any money.

1:55:33.720 --> 1:55:38.160
<v Speaker 2>Yeah, you're listening to and you wittiness.

1:55:38.400 --> 1:55:42.400
<v Speaker 1>If I cannot get Di'angelo on this show by December

1:55:42.480 --> 1:55:49.080
<v Speaker 1>thirty first, twenty sixteen, okay, I will give my four

1:55:49.200 --> 1:55:52.400
<v Speaker 1>constituents here two thousand dollars.

1:55:52.520 --> 1:55:55.760
<v Speaker 2>That's five hundred each each person. Okay. I thought it

1:55:55.760 --> 1:56:00.400
<v Speaker 2>was gonna two thousand. Yeah, really ten thousand dollars. Well

1:56:00.600 --> 1:56:03.920
<v Speaker 2>it ain't nothing to a boss face. But okay, I

1:56:04.200 --> 1:56:11.160
<v Speaker 2>found that's the motivation I need to make myself. Yeah,

1:56:12.160 --> 1:56:16.240
<v Speaker 2>come down with all right? So are you singing Miss You?

1:56:16.400 --> 1:56:18.840
<v Speaker 2>Right now? Now? He's doing the trading places this guy?

1:56:19.040 --> 1:56:20.520
<v Speaker 12>Now I can go to the movies by myself.

1:56:20.680 --> 1:56:23.440
<v Speaker 1>Okay, I'm sorry, I thought you were singing Miss You

1:56:23.600 --> 1:56:30.560
<v Speaker 1>by Written by the Glimmerton Twins. Very expensive to clear Foo.

1:56:30.600 --> 1:56:32.400
<v Speaker 2>Yes a dog man man.

1:56:32.520 --> 1:56:37.320
<v Speaker 4>I learned U today about Mighty Rudolph that singing her

1:56:37.640 --> 1:56:39.280
<v Speaker 4>is hard for her, to singing her own voice, which

1:56:39.320 --> 1:56:42.000
<v Speaker 4>I found very interesting because I really love her voice.

1:56:42.520 --> 1:56:45.080
<v Speaker 4>So she you know, she says it was hard for her,

1:56:45.560 --> 1:56:47.320
<v Speaker 4>like she can do funny stuff and kind of hide,

1:56:47.800 --> 1:56:50.520
<v Speaker 4>but you know, singing in her own voices is, uh,

1:56:51.040 --> 1:56:53.040
<v Speaker 4>it's kind of intense and painful.

1:56:53.160 --> 1:56:54.920
<v Speaker 2>That's and that was interesting to me, you know what

1:56:54.960 --> 1:56:55.320
<v Speaker 2>I'm saying.

1:56:55.400 --> 1:56:58.000
<v Speaker 4>But I've never ever heard of I never heard anyone

1:56:58.720 --> 1:56:59.960
<v Speaker 4>talk about the process in that way.

1:57:00.080 --> 1:57:04.080
<v Speaker 2>Well, when you sing, I mean, don't you sometimes channel man?

1:57:04.240 --> 1:57:07.600
<v Speaker 4>Honestly, with my singing, it kind of just happened, So

1:57:08.800 --> 1:57:11.160
<v Speaker 4>I would say, I mean, for the years that I've

1:57:11.200 --> 1:57:14.280
<v Speaker 4>been singing, Like seriously, I probably really just found my

1:57:14.520 --> 1:57:17.640
<v Speaker 4>voice my voice probably like two three years ago, if

1:57:17.720 --> 1:57:21.600
<v Speaker 4>that just because for me it was just you know

1:57:21.840 --> 1:57:23.600
<v Speaker 4>a lot and I And that's why I could relate

1:57:23.640 --> 1:57:25.680
<v Speaker 4>to a lot of what she was saying, because on

1:57:25.760 --> 1:57:28.800
<v Speaker 4>the Little Brother records, I was just singing hooks really

1:57:28.960 --> 1:57:32.680
<v Speaker 4>just as placeholders, just to kind of okays along somebody

1:57:32.680 --> 1:57:34.720
<v Speaker 4>else come along, but nobody else came along, so it

1:57:35.520 --> 1:57:38.840
<v Speaker 4>just keep it. But you're the Lauren Hill with that crew,

1:57:39.000 --> 1:57:41.280
<v Speaker 4>like man, it was. I was just doing it just

1:57:41.320 --> 1:57:43.000
<v Speaker 4>to get it down. So then once it happened, you

1:57:43.040 --> 1:57:45.200
<v Speaker 4>put that evil on him. Ricky Bobs, Oh no, I show.

1:57:45.080 --> 1:57:45.800
<v Speaker 2>Up the ship on time.

1:57:46.040 --> 1:57:49.040
<v Speaker 4>It ain't gonna work on me. I ain't el bug

1:57:49.360 --> 1:57:54.600
<v Speaker 4>al stand for late. I come on time to ship.

1:57:54.680 --> 1:57:56.400
<v Speaker 4>I got cheering the feed and I got shit to do.

1:57:56.800 --> 1:57:59.400
<v Speaker 4>So nah, man, I'm no, but yeah, it never I

1:57:59.520 --> 1:58:02.120
<v Speaker 4>never saw it that way, so uh A lot of

1:58:02.200 --> 1:58:05.400
<v Speaker 4>times I was just doing it just to kind of

1:58:05.640 --> 1:58:08.440
<v Speaker 4>just hold that place. And then after the album came out,

1:58:08.920 --> 1:58:10.280
<v Speaker 4>I was getting called. He was like, Yo, give me

1:58:10.320 --> 1:58:11.680
<v Speaker 4>a verse, but we want to hook too. I was like,

1:58:11.760 --> 1:58:14.280
<v Speaker 4>y'all really like, seriously, you really want to hook? He

1:58:14.400 --> 1:58:17.720
<v Speaker 4>was like, yeah, we want, man, I didn't know that

1:58:17.840 --> 1:58:20.000
<v Speaker 4>you were already home. I did not know I was

1:58:20.040 --> 1:58:22.680
<v Speaker 4>already home. Is what happened with the Player Circle joint.

1:58:23.000 --> 1:58:25.880
<v Speaker 4>That's exactly what happened. They denon at the time he

1:58:26.080 --> 1:58:29.200
<v Speaker 4>wanted to produced that track. Donn porter who was Porter

1:58:29.400 --> 1:58:29.960
<v Speaker 4>Isaac Sun?

1:58:30.440 --> 1:58:33.000
<v Speaker 2>No, no, no, no, he's uh he did p IM

1:58:33.200 --> 1:58:33.760
<v Speaker 2>for fifty cent.

1:58:33.840 --> 1:58:35.560
<v Speaker 4>He's done like a couple of M records, like he's

1:58:35.960 --> 1:58:39.440
<v Speaker 4>like Aftermath Crew, uh and D twelve all that, and

1:58:39.600 --> 1:58:40.600
<v Speaker 4>so he hit me.

1:58:40.680 --> 1:58:42.320
<v Speaker 2>He was just like, look, man, I'm burned out, just

1:58:42.400 --> 1:58:43.320
<v Speaker 2>give me some hook ideas.

1:58:43.360 --> 1:58:45.320
<v Speaker 4>I said, all right, cool, And so I did it

1:58:45.680 --> 1:58:47.680
<v Speaker 4>and it was a song for Player Circle back in

1:58:47.840 --> 1:58:51.560
<v Speaker 4>oh eight, I want to say eight or nine and before.

1:58:51.320 --> 1:58:54.320
<v Speaker 2>He became two Chains he was titty boy and uh.

1:58:56.440 --> 1:58:59.080
<v Speaker 4>Right right yeah, but yeah, but we did the record

1:58:59.120 --> 1:59:01.160
<v Speaker 4>and so I just did a like as a reference

1:59:01.560 --> 1:59:03.240
<v Speaker 4>and el Or you heard it and was like, yo,

1:59:03.640 --> 1:59:05.000
<v Speaker 4>I like this kid, keep him on it.

1:59:05.560 --> 1:59:08.280
<v Speaker 2>And that was at work. So yeah for singing for me.

1:59:08.360 --> 1:59:11.000
<v Speaker 2>It never I never only until a few years ago,

1:59:11.040 --> 1:59:11.920
<v Speaker 2>maybe like two years ago.

1:59:12.000 --> 1:59:13.920
<v Speaker 4>Honestly, I was like, you know, what I really can

1:59:14.040 --> 1:59:15.960
<v Speaker 4>do this and let me sing in my own voice,

1:59:16.040 --> 1:59:18.920
<v Speaker 4>rather than trying to be D'Angelo or trying to be

1:59:19.680 --> 1:59:22.640
<v Speaker 4>this person or this person or Mimicky, Oh, being Steve,

1:59:22.960 --> 1:59:24.920
<v Speaker 4>Steve Arrington, the Great Steve Arrington with.

1:59:24.960 --> 1:59:32.520
<v Speaker 2>The most epic ad libs all time. It's like it's

1:59:32.560 --> 1:59:35.760
<v Speaker 2>like Mel Blink. I believe Mel blinks in the spirit

1:59:37.600 --> 1:59:41.720
<v Speaker 2>Steve Arrington. I learned a lot today. I learned that

1:59:41.920 --> 1:59:46.720
<v Speaker 2>I'll be really surprised if we're here next week. I'm playing.

1:59:47.040 --> 1:59:50.120
<v Speaker 1>I hope you all join us, and uh, you know,

1:59:50.360 --> 1:59:52.840
<v Speaker 1>we're only going to get better with time. We're going

1:59:52.880 --> 1:59:57.879
<v Speaker 1>to be professionals by our hundred thousandth episode.

1:59:57.960 --> 1:59:59.920
<v Speaker 2>Yeah, we got put in We're gonna die together. Guy,

2:00:00.120 --> 2:00:01.560
<v Speaker 2>how's that feel? I feel it? Man?

2:00:02.400 --> 2:00:04.240
<v Speaker 4>This is pretty now, It's cool. I always wanted to

2:00:04.320 --> 2:00:12.440
<v Speaker 4>die in a closet with fried Chicken and five other men.

2:00:12.640 --> 2:00:16.040
<v Speaker 4>That would be just a great story tell at my funeral.

2:00:16.240 --> 2:00:17.640
<v Speaker 2>On that note, ladies and.

2:00:17.680 --> 2:00:23.200
<v Speaker 1>Gentlemen, until the next Quest, Love Supreme. This is Quest

2:00:23.280 --> 2:00:30.440
<v Speaker 1>Love farn Ticcolo Jones, Steve Jenkins, Bill Thompson.

2:00:30.680 --> 2:00:33.200
<v Speaker 2>Wait, why did I give you my last name? Because

2:00:33.240 --> 2:00:33.879
<v Speaker 2>we're related?

2:00:34.440 --> 2:00:39.560
<v Speaker 1>Because it was my last name Bill Jackson exactly. Uh,

2:00:39.960 --> 2:00:44.160
<v Speaker 1>and we'll call her uh Maya Clayton.

2:00:44.880 --> 2:00:44.960
<v Speaker 3>Uh.

2:00:45.360 --> 2:00:47.680
<v Speaker 2>This is quest Love. I hope to see you next week.

2:00:48.480 --> 2:00:49.400
<v Speaker 2>All right, goodbye.

2:00:59.200 --> 2:01:02.920
<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

2:01:03.000 --> 2:01:08.720
<v Speaker 1>episode was produced by the team at Pandora. For more

2:01:08.760 --> 2:01:13.240
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

2:01:13.280 --> 2:01:14.880
<v Speaker 1>wherever you listen to your favorite shows.