WEBVTT - 7. The Verdict

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<v Speaker 1>Hi, I'm the Owaishaw. You may know me as the

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<v Speaker 1>former host of Visibilia. Well, I'm back with a new

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<v Speaker 1>show called Proxy. It's about the niche emotional questions that

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<v Speaker 1>no one in your life can relate to. That's where

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<v Speaker 1>Proxy comes in. I'll connect you to researchers and strangers

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<v Speaker 1>with shared experience, and you'll get to ask all your questions.

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<v Speaker 1>We're kicking things off with a three part series on

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<v Speaker 1>the emotional and mental health toll of layoffs. Subscribe to

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<v Speaker 1>Proxy wherever you get your podcasts.

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<v Speaker 2>This is episode seven of Because the Bus belongs to Us.

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<v Speaker 2>I'm Jesse, I'm Holly, and i am James.

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<v Speaker 3>That's right. For this final episode, Jesse and Holly must

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<v Speaker 3>face a panel of queers who will decide once and

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<v Speaker 3>for all if Bruce Springsteen is a queer icon. Who

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<v Speaker 3>am I? You ask, well, I am an actual, legitimate

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<v Speaker 3>queer in stem I've spent the last decade working in

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<v Speaker 3>engineering in life science, building robots basically because seeing is

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<v Speaker 3>Jesse and Holly have spent the entire series saying that

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<v Speaker 3>they are on a serious scientific mission. They've drafted me

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<v Speaker 3>in to give them the cloud that they so desperately need.

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<v Speaker 3>As you'll remember, way back in episode one, Holly and

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<v Speaker 3>Jesse anointed themselves with queer scientist researcher status. I went

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<v Speaker 3>on a mission to get Bruce Springsteen recognized as a

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<v Speaker 3>queer icon. That mission is finally coming to a close.

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<v Speaker 3>They've discussed if Bruce's camp, if he can be rooted

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<v Speaker 3>for as an underdog, and if you can dance, cry,

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<v Speaker 3>and falk to Bruce Springstein's music. Now it's time for

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<v Speaker 3>the final point on their checklist. Our hosts must present

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<v Speaker 3>their evidence to a panel of queer experts who don't

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<v Speaker 3>already think that Bruce Springsteen is a queer icon. Does

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<v Speaker 3>Bruce have it? Okay, let's go in the hot seats.

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<v Speaker 3>We have our two self proclaimed queer scientists, Holly Cassio

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<v Speaker 3>and Jesse Lawson. Please introduce yourselves and explain why you

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<v Speaker 3>feel qualified to the store yourselves with this scientific investigation.

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<v Speaker 3>Let's start with Jesse.

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<v Speaker 4>Hello, my name is Jesse. I U say then pronouns.

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<v Speaker 2>I'm a tourist, I am an audio producer, youth worker

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<v Speaker 2>and perform drag as butcher Springsteen and I have been

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<v Speaker 2>a proper Bruce fan for the last ten years. He

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<v Speaker 2>helped to drag me out of the closet of my

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<v Speaker 2>own brain, and that is why I feel qualified for

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<v Speaker 2>this panel.

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<v Speaker 3>Amazing and now, Holly.

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<v Speaker 5>Hi, I'm Holly, my pronouns are there. She I'm a Leoh.

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<v Speaker 5>I'm also a zine maker and a comic artist. I'm

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<v Speaker 5>the author of the Me and Bruce zine series, and

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<v Speaker 5>I also made the Looking for Bruce graphic memoir. I've

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<v Speaker 5>been a proper Bruce fan for about twenty five years

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<v Speaker 5>and he was my first ever queer friend, and that's

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<v Speaker 5>why I'm qualified to be part of this investigation.

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<v Speaker 3>Thanks, seeing as you've said multiple times over the series

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<v Speaker 3>that you're doing a proper scientific investigation into Bruce Springsteen's

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<v Speaker 3>queer icon status. This episode is taking the form of

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<v Speaker 3>an academic peer review. I have collected a panel of

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<v Speaker 3>leading experts in this field, queer icondom. They will be

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<v Speaker 3>presented with Holly and Jesse's research and be asked to

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<v Speaker 3>interrogate its aims, purpose, methodology, and the ethics and value

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<v Speaker 3>of this work. It is my pleasure to welcome that

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<v Speaker 3>panel today. Firstly, welcome Zakia Gibbons. Please introduce yourselves, explain

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<v Speaker 3>a little bit about why your best place to evaluate

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<v Speaker 3>this investigation, and for bonus points, I'd love to know your.

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<v Speaker 6>Current relationship status with Bruce. Hello, thank you for having me.

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<v Speaker 6>I mean, y'all did your ZOOI X science. I guess

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<v Speaker 6>I'll give you mine. I'm a kind answer. I'm also

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<v Speaker 6>a chaotic bisexual living in gay Ass Brooklyn, and I'm

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<v Speaker 6>from gay ass Atlanta, and I am a journalist covering

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<v Speaker 6>gay ass shit and my current relationship status with the Boss.

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<v Speaker 6>I honestly know nothing about Bruce Bringsteen. I don't think

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<v Speaker 6>I've ever listened to a whole song from beginning to end.

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<v Speaker 6>I am kind of coming in pretty neutral awesome.

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<v Speaker 3>Next, you have Hugh Lemmy. Please tell us about your

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<v Speaker 3>pedigree and explain your current relationship to the idea of

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<v Speaker 3>the Boss as a queer icon.

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<v Speaker 1>Hi.

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<v Speaker 7>My name is ce Lemmy. I'm a writer and co

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<v Speaker 7>host of the podcast Bad Gays, and as a fully

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<v Speaker 7>registered and accredited to practicing homosexual, I think it's my right,

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<v Speaker 7>if not my duty, in fact, to be as judgmental

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<v Speaker 7>as I please about straight guys. But I do think

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<v Speaker 7>as a fan of the Boss for two decades or

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<v Speaker 7>more in good standing, I think I'm yet to be

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<v Speaker 7>convinced to the queerness of his icon status.

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<v Speaker 3>Oh things are heating up. And finally, Joelle Taylor, you

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<v Speaker 3>know what to do.

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<v Speaker 8>Yeah, Man's Joel Taylor, a poet and author, and my

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<v Speaker 8>latest poetry collection is called Conto and Other Poems. And

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<v Speaker 8>then Alphabet, which is a novel both look in part

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<v Speaker 8>of subculture of the eighties and nineties and reveals it

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<v Speaker 8>to be part of a space of radical friendship and community.

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<v Speaker 8>If you've seen the Rebel Dykes film, that's the kind

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<v Speaker 8>of era I'm talking about. And as such, and as

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<v Speaker 8>somebody who's part of that whole scene, somebody thinks of

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<v Speaker 8>the kind of things we did to you know, as queer,

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<v Speaker 8>as how we squatted and how we come to And

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<v Speaker 8>I just can't entertain the idea. And Bruce Springsteen is

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<v Speaker 8>a queer icon. I think she's everything that queer icon

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<v Speaker 8>is not. I can't see how this straight white multi millionaire,

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<v Speaker 8>this kind of shimmering vision of masculinity entitlement a miracle

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<v Speaker 8>and is a legendary terrible hair and.

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<v Speaker 9>Queer right on.

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<v Speaker 3>Happily now, panel, this is not an interrogation. It's not

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<v Speaker 3>your job to work against Jesse and Holly, but it

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<v Speaker 3>is your job to uphold them to the standards you

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<v Speaker 3>see fit. It's also important to note, for the purposes

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<v Speaker 3>of this study, I'm not investigating if Jesse and Holly

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<v Speaker 3>can convince you all to love Bruce Bringsteen. I'm investigating

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<v Speaker 3>whether you can recognize that there is enough evidence from

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<v Speaker 3>the research that they've done that the Boss has enough weight, bun, gravitas,

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<v Speaker 3>and gumption to stand as a queer icon. At the

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<v Speaker 3>end of this conversation, I'll be asking you all if

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<v Speaker 3>you can accept this research and therefore Bruce with the

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<v Speaker 3>same queer icon credentials bestowed upon the likes of Whitney,

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<v Speaker 3>Madonna and countless others in our community. You may say

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<v Speaker 3>yes or no and share suggested revisions to their thesis

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<v Speaker 3>of any Are we all sitting comfortably, then let's begin.

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<v Speaker 3>First up, we're shining a spotlight on the reasons behind

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<v Speaker 3>the study, What were its aims and why the Jesse

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<v Speaker 3>and Holly and barrack on this mission.

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<v Speaker 4>Jesse, Yes so, because the best belongs to us.

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<v Speaker 2>Is a seven part investigation where me and Holly try

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<v Speaker 2>and prove with real science that Bruce Springsteen is a

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<v Speaker 2>queer icon and I guess like the reason that we

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<v Speaker 2>did it is because we met. We both queer people

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<v Speaker 2>who loved Bruce Bingstein, and that's how we met and bunded,

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<v Speaker 2>and then we kind of worked out there were more

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<v Speaker 2>of us. So this is our love letter to other

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<v Speaker 2>queer Bruce fans out there.

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<v Speaker 5>I think even though at one time both me and

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<v Speaker 5>Jesse thought we were the only queers in the world

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<v Speaker 5>that loved Bruce Springsteen or the found meaning in his work,

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<v Speaker 5>it turns out there are so many of us out there.

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<v Speaker 5>And through Jesse doing their Butcher Springsteen drag and through

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<v Speaker 5>me making scenes that felt like it was a way

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<v Speaker 5>to open up conversations and meet other queer people that

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<v Speaker 5>also had this obsession with Bruce. And I think QUI

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<v Speaker 5>Springsteen fans have been overlooked long enough. There is actually

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<v Speaker 5>so many queer Bruce Sprigsteen fans that we met that

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<v Speaker 5>we couldn't fit them into all six episodes. So shout

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<v Speaker 5>out to Tennessee Jones and Natalie Adler for their amazing

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<v Speaker 5>writing on Bruce. And actually I have a small dossier

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<v Speaker 5>to present the panel. I'm going to play a recording

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<v Speaker 5>and these are two fans. This is Claire and Lee.

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<v Speaker 4>So my name is Clybidels.

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<v Speaker 10>I'm a writer and a.

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<v Speaker 4>Team maker and I live in Glasgow.

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<v Speaker 11>I'm a trans guy in my thirties who has been

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<v Speaker 11>a fan of Pretty since my late teens. I identified

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<v Speaker 11>as a CIS straight ish woman throughout my twenties, and

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<v Speaker 11>throughout those years he provided a very passionate channel to

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<v Speaker 11>my inner queer and was quite literally the only artist

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<v Speaker 11>I listened to. There wasn't the same trans mass representation

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<v Speaker 11>back then as I see now, So even though he

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<v Speaker 11>was cis and straight, that's not how I considered.

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<v Speaker 10>Him, although I'd heard a lot of his more famous

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<v Speaker 10>songs just in the ethero when I was a child.

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<v Speaker 10>I think the first album that I dived into was

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<v Speaker 10>A Darkness on the Edge of Town and it was

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<v Speaker 10>kind of like a real love at first listen kind

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<v Speaker 10>of thing. Queerness to me is so much about kind

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<v Speaker 10>of existing in this in between space and in this

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<v Speaker 10>like unnamed unknoble space that could go somewhere you don't

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<v Speaker 10>know where it's going to go, and it's about the

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<v Speaker 10>getting there, and it's about the figuring out. Like I

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<v Speaker 10>find queerness itself to be a refusal of stability.

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<v Speaker 12>Of and of knowing. It's like a state of unknowing,

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<v Speaker 12>and I find.

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<v Speaker 4>That so much in Bruce's work.

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<v Speaker 11>He sparked some deep feelings of me that I know

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<v Speaker 11>is entirely linked to my queer identity. His seventies twin era,

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<v Speaker 11>his hyper masculinity in the eighties, his gentle Cowboys, Sauce Wager,

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<v Speaker 11>as he got older, darkness on the edge of town, backstreets,

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<v Speaker 11>out in the street, these songs were playing my headphines

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<v Speaker 11>as I walked along, and I fantasized about having a life,

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<v Speaker 11>a physical image, and a type of love that didn't

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<v Speaker 11>feel accessible to me at all, and Bruce was right

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<v Speaker 11>there with me.

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<v Speaker 12>A queer icon to me is someone who articulates something

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<v Speaker 12>that we can't articulate for ourselves. And like Rosalita, especially

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<v Speaker 12>the division that's on the Live nineteen seventy five to

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<v Speaker 12>nineteen eighty five album, it's this like super long, drawn

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<v Speaker 12>out like it feels like it's leading up to a

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<v Speaker 12>kind of climax so many times but doesn't quite get there.

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<v Speaker 12>But when it gets there, it's just like so cathartic,

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<v Speaker 12>and it's all about like asking a girl out.

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<v Speaker 11>I don't listen to him as much anymore that he

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<v Speaker 11>still has a special place in my heart. I'm an

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<v Speaker 11>outgay trans man, so I guess he provided a comfort

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<v Speaker 11>that I don't need in quite the same way anymore,

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<v Speaker 11>But it'll always be a queer icon to me.

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<v Speaker 3>I'll now open the floor for questions from the panel

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<v Speaker 3>on the aims of the study. Zakiah, what are your

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<v Speaker 3>questions on this?

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<v Speaker 6>Okay, I'm wondering, do y'all have a secret heterosexual agenda

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<v Speaker 6>trying to flood a queer culture with street people?

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<v Speaker 5>I mean, there's already enough straight people flooding queer culture

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<v Speaker 5>as icons. I don't feel that's that's our agenda necessarily,

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<v Speaker 5>but we are opening up what that could mean and

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<v Speaker 5>looking at different types of queer icons.

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<v Speaker 13>Why not why not have a plan as Yeah?

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<v Speaker 2>No, I think that's like such an important question and

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<v Speaker 2>something that we've really grappled with across the series. And

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<v Speaker 2>I guess, like, if we're talking about the aims of

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<v Speaker 2>the study, I guess the reason we started it is

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<v Speaker 2>because there are more and more out queer icons who

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<v Speaker 2>are queer. But there is something about Bruce Springsteen that

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<v Speaker 2>drew me and Holly in, even though he's like a

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<v Speaker 2>cis white, straight, rich man, and so we were like,

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<v Speaker 2>we want to get to the bottom of like why

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<v Speaker 2>we're projecting so much onto a man like that, And

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<v Speaker 2>it is a promise.

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<v Speaker 4>It's not just us.

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<v Speaker 5>It's definitely not just us.

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<v Speaker 3>Thank you all. Through your thoughts, Hugh, you seem like

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<v Speaker 3>a guy who cares about purpose. One are the burning

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<v Speaker 3>questions on your lips? I appre hearing that.

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<v Speaker 7>Well, you don't need to convince me of what Bruce

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<v Speaker 7>sprint to the table as an artist here, Like his

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<v Speaker 7>music and his lyrics a specially brought me the same

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<v Speaker 7>sort of joy and solace and also like a sort

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<v Speaker 7>of richer deeper understanding of my own emotional life over

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<v Speaker 7>the years. But I'm just wondering whether, in tryers to

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<v Speaker 7>find him as a queer icon, we're kind of actually

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<v Speaker 7>centering ourselves here, Like have you have you considered that

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<v Speaker 7>maybe what's at stake isn't about how he helps us

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<v Speaker 7>understand our queerness, but also oro maybe more how he

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<v Speaker 7>helps us understand ourselves in the context of like other

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<v Speaker 7>people's heterosexuality.

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<v Speaker 4>Oh say more on that please.

0:12:47.600 --> 0:12:49.559
<v Speaker 7>When I was in my late teens and signed to

0:12:49.559 --> 0:12:52.959
<v Speaker 7>already get into Bruce it was through all these straight

0:12:53.679 --> 0:12:57.000
<v Speaker 7>CIS white boys my age who I met in the

0:12:57.000 --> 0:13:00.280
<v Speaker 7>hardcore punk scene, and I come from this like very

0:13:00.920 --> 0:13:04.960
<v Speaker 7>sort of sort of matcho sporty or you know, football

0:13:05.240 --> 0:13:09.560
<v Speaker 7>rugby type background, and then suddenly I was surround by

0:13:09.559 --> 0:13:11.440
<v Speaker 7>all these boys who are like really sensitive and the

0:13:11.440 --> 0:13:14.200
<v Speaker 7>way that they access their sensitivities and like thinking about

0:13:14.200 --> 0:13:16.880
<v Speaker 7>their emotional in their life was through Bruce and that's

0:13:16.880 --> 0:13:18.319
<v Speaker 7>how I bodied with them. And I was like, well,

0:13:18.360 --> 0:13:20.640
<v Speaker 7>you feel this way about him. I feel this way

0:13:20.640 --> 0:13:22.880
<v Speaker 7>about him. He speaks to both of us, and actually

0:13:22.920 --> 0:13:25.480
<v Speaker 7>it was really useful for me to think, oh, maybe

0:13:25.520 --> 0:13:29.800
<v Speaker 7>actually this image of sort of heterosexuality that I've grown

0:13:29.880 --> 0:13:32.880
<v Speaker 7>up with is actually more complicated, and there's other heterosexual

0:13:33.480 --> 0:13:36.240
<v Speaker 7>boys who are also as fucked up by this sort

0:13:36.280 --> 0:13:37.080
<v Speaker 7>of system as I am.

0:13:37.520 --> 0:13:39.200
<v Speaker 2>That's come up loads in the series as well, Like

0:13:39.240 --> 0:13:40.920
<v Speaker 2>that's I think that's true for me and Holly is

0:13:40.920 --> 0:13:42.320
<v Speaker 2>like a lot of the people we've bonded with have

0:13:42.520 --> 0:13:45.840
<v Speaker 2>also been people who aren't queer but.

0:13:45.960 --> 0:13:50.040
<v Speaker 5>Have like found something to either felt that they needed

0:13:50.040 --> 0:13:54.800
<v Speaker 5>to aspire to Bruce's version of heterosexuality or masculinity, and

0:13:54.840 --> 0:13:57.200
<v Speaker 5>in some ways, depending on who we spoke to. Some

0:13:57.240 --> 0:13:59.760
<v Speaker 5>ways that was helpful for people, and in some ways

0:13:59.800 --> 0:14:02.640
<v Speaker 5>that was almost like a punishment, like, oh, I can't

0:14:02.640 --> 0:14:06.160
<v Speaker 5>live up to that, so I have failed gender somehow,

0:14:06.240 --> 0:14:09.240
<v Speaker 5>I've failed being myself somehow. So it throws up all

0:14:09.280 --> 0:14:11.600
<v Speaker 5>these really big questions. And definitely the thing we found

0:14:11.679 --> 0:14:15.360
<v Speaker 5>in this scientific study is that not one single person

0:14:15.480 --> 0:14:18.679
<v Speaker 5>feels the same way about Bruce. We're all getting something

0:14:18.720 --> 0:14:21.800
<v Speaker 5>slightly different from him. It's not the same version of

0:14:21.840 --> 0:14:23.360
<v Speaker 5>Bruce that we all have in our heads.

0:14:24.560 --> 0:14:27.040
<v Speaker 2>And also, like, it's funny that you said, like, are

0:14:27.080 --> 0:14:29.480
<v Speaker 2>we at risk of like centering ourselves in this which

0:14:29.480 --> 0:14:32.400
<v Speaker 2>I would say one hundred percent, yes we are, But

0:14:32.520 --> 0:14:34.680
<v Speaker 2>like I think maybe that's like something.

0:14:34.400 --> 0:14:35.240
<v Speaker 4>That's quite beautiful.

0:14:35.360 --> 0:14:37.200
<v Speaker 2>Is like a lot of what we have been thinking

0:14:37.240 --> 0:14:42.680
<v Speaker 2>about is all of the different creative ways that people

0:14:43.040 --> 0:14:45.960
<v Speaker 2>find themselves through projecting what they need to on other

0:14:46.000 --> 0:14:48.040
<v Speaker 2>people with the resources that they have.

0:14:48.920 --> 0:14:52.560
<v Speaker 3>Thank you all. Let's move on and discuss the methodology

0:14:52.720 --> 0:14:59.040
<v Speaker 3>of this investigation. Jesse, can you please briefly summarize the

0:14:59.120 --> 0:15:01.440
<v Speaker 3>four criteria you said out at the beginning.

0:15:02.040 --> 0:15:05.080
<v Speaker 2>Yes, so we looked at a bunch of what we

0:15:05.120 --> 0:15:07.120
<v Speaker 2>were calling at the time queer icons. Maybe they're just

0:15:07.120 --> 0:15:10.560
<v Speaker 2>gay icons, which is like you know, Madonnatina Turner, Whitney Share,

0:15:10.600 --> 0:15:13.200
<v Speaker 2>Brittany people like that. We called them our control group

0:15:13.240 --> 0:15:16.760
<v Speaker 2>because we're scientists, and we looked at what links them

0:15:16.760 --> 0:15:18.280
<v Speaker 2>all together so we could try and make a kind

0:15:18.280 --> 0:15:20.040
<v Speaker 2>of checklist, and we came up with these four points

0:15:20.040 --> 0:15:22.600
<v Speaker 2>that Bruce would have to fulfill to be a queer icon.

0:15:23.120 --> 0:15:24.960
<v Speaker 2>The first one is that queer icons have to be

0:15:25.040 --> 0:15:27.240
<v Speaker 2>camp and that is an aesthetic thing, but it's also

0:15:27.280 --> 0:15:30.840
<v Speaker 2>a vibe, like a truth telling Queer icons to we

0:15:30.920 --> 0:15:32.880
<v Speaker 2>have to be able to root for them as an underdog,

0:15:33.000 --> 0:15:34.400
<v Speaker 2>and what we mean by that is we have to

0:15:34.400 --> 0:15:37.200
<v Speaker 2>be able to recognize a struggle in them that they

0:15:37.280 --> 0:15:40.600
<v Speaker 2>might have got through or succeeded past, so we can

0:15:40.640 --> 0:15:42.520
<v Speaker 2>look at them and be like, oh, they've been through

0:15:42.520 --> 0:15:45.000
<v Speaker 2>stuff like I've been through, and they're on the other

0:15:45.040 --> 0:15:45.440
<v Speaker 2>side of it.

0:15:45.480 --> 0:15:45.760
<v Speaker 5>Now.

0:15:46.160 --> 0:15:48.160
<v Speaker 2>If they're a musician, they have to have good music,

0:15:48.360 --> 0:15:51.760
<v Speaker 2>and that we define that by lots of queer people

0:15:52.120 --> 0:15:56.320
<v Speaker 2>get really good at association as closeted queer teenagers, and

0:15:56.360 --> 0:15:58.360
<v Speaker 2>so it has to be music that helps to drag

0:15:58.400 --> 0:16:01.600
<v Speaker 2>you out of years of dissociation. And then we sub

0:16:01.960 --> 0:16:04.720
<v Speaker 2>genred that by saying you have to be able to cry, dance,

0:16:04.720 --> 0:16:07.560
<v Speaker 2>and fuck to Bruce Springsteen's music. And then the last

0:16:07.560 --> 0:16:10.320
<v Speaker 2>one is, obviously, do they have it to other queer

0:16:10.320 --> 0:16:11.880
<v Speaker 2>people who don't already think they're an icon?

0:16:12.320 --> 0:16:15.640
<v Speaker 4>Could they be convinced? And that's why we're here today.

0:16:16.040 --> 0:16:20.080
<v Speaker 3>Thanks Jessie. So does the panel agree with these criterias

0:16:20.120 --> 0:16:23.880
<v Speaker 3>indicative of what a queer icon is? Let's start with Joelle.

0:16:24.320 --> 0:16:26.520
<v Speaker 3>Do you think you can reduce a queer icon to

0:16:26.560 --> 0:16:27.960
<v Speaker 3>a list of four check boxes?

0:16:28.720 --> 0:16:31.720
<v Speaker 8>I mean, to be honest and it certainly no, absolutely not,

0:16:32.000 --> 0:16:37.560
<v Speaker 8>but having it explained it actually makes a lot of sense. Really,

0:16:38.400 --> 0:16:41.760
<v Speaker 8>so I am quite I'm persuaded, Yes you can, I

0:16:41.800 --> 0:16:44.920
<v Speaker 8>think so. We camp is obviously funds of mental to it,

0:16:45.040 --> 0:16:49.160
<v Speaker 8>the idea of the underdog as well. I mean, you say,

0:16:49.200 --> 0:16:52.240
<v Speaker 8>good music. I get you. Obviously he's got to be

0:16:52.280 --> 0:16:54.720
<v Speaker 8>good or he wouldn't be an extremely parous musician. But

0:16:54.840 --> 0:16:58.160
<v Speaker 8>just makes my skin all off my body, and I believed,

0:17:00.640 --> 0:17:03.800
<v Speaker 8>but you know, if it's I guess good music is

0:17:03.880 --> 0:17:07.119
<v Speaker 8>what unites people and brings people together. And there are

0:17:07.160 --> 0:17:10.719
<v Speaker 8>millions of bands out there, so yes, And do they

0:17:10.720 --> 0:17:15.080
<v Speaker 8>have eight I'm not sure it's they got it talking.

0:17:15.440 --> 0:17:18.480
<v Speaker 8>It sounds religious, it is this sort of is that

0:17:18.600 --> 0:17:19.840
<v Speaker 8>kind of quality.

0:17:19.440 --> 0:17:22.320
<v Speaker 4>To Oh, that's such an interesting question.

0:17:22.440 --> 0:17:24.720
<v Speaker 5>I mean, yeah, icon comes from that, doesn't it That

0:17:24.800 --> 0:17:28.560
<v Speaker 5>whole idea of having icons that have deeper spiritual meaning?

0:17:29.320 --> 0:17:33.800
<v Speaker 3>Yeah, Zakiya. Can you name someone for us that you

0:17:33.840 --> 0:17:37.240
<v Speaker 3>see as a queer icon and do they fill these criteria?

0:17:37.840 --> 0:17:41.840
<v Speaker 6>Yeah, I'm I'm thinking of two names. One is kind

0:17:41.880 --> 0:17:45.040
<v Speaker 6>of like a basic cliche, but it's just the truth.

0:17:45.840 --> 0:17:50.080
<v Speaker 6>Britney Spears. I just fucking love her, and I would

0:17:50.080 --> 0:17:55.720
<v Speaker 6>say shell those criteria. She is so canapy, from her

0:17:55.880 --> 0:18:01.399
<v Speaker 6>looks to just her vibe. I love that she is

0:18:01.480 --> 0:18:08.720
<v Speaker 6>an unapologetically chaotic high femme and her songs are fucking bangers.

0:18:08.800 --> 0:18:11.200
<v Speaker 6>It literally makes me feel transcended when I'm on the

0:18:11.280 --> 0:18:14.840
<v Speaker 6>dance floor. Maybe that's the Poppers, I don't know. Also,

0:18:14.960 --> 0:18:17.600
<v Speaker 6>I've cried to her songs and I think I think

0:18:17.680 --> 0:18:20.960
<v Speaker 6>I fucked her song at least once. If you seek

0:18:21.000 --> 0:18:25.480
<v Speaker 6>amy my favorite bisexual anthem and also underdog like Hello.

0:18:26.119 --> 0:18:29.560
<v Speaker 6>She's been through so much, so I would say Brittany

0:18:30.160 --> 0:18:32.960
<v Speaker 6>is kind of my go to queer icon, and the

0:18:33.000 --> 0:18:36.600
<v Speaker 6>other one I was gonna say SpongeBob is also another

0:18:36.640 --> 0:18:40.320
<v Speaker 6>one of my dear icons, like the old show with

0:18:40.359 --> 0:18:45.919
<v Speaker 6>Spungebob is camp He is so campy, the absurdism of

0:18:46.040 --> 0:18:49.639
<v Speaker 6>him in the show. He is always fucking with gender,

0:18:50.880 --> 0:18:55.359
<v Speaker 6>he's gay for Patrick, and also he has also had

0:18:55.400 --> 0:18:58.520
<v Speaker 6>some banyers. Literally, I remember in third grade there was

0:18:58.600 --> 0:19:02.320
<v Speaker 6>an episode where they played in their version of the

0:19:02.359 --> 0:19:05.600
<v Speaker 6>super Bowl. They had a song and I literally shed

0:19:05.680 --> 0:19:08.560
<v Speaker 6>a single tear as like a nine year old because

0:19:08.600 --> 0:19:12.080
<v Speaker 6>it touched my car. So yeah, Mike queer icons ready

0:19:12.520 --> 0:19:12.760
<v Speaker 6>is one?

0:19:12.840 --> 0:19:14.360
<v Speaker 4>Rub I love that.

0:19:14.440 --> 0:19:16.520
<v Speaker 5>I want to get Bruce up there next to those

0:19:16.520 --> 0:19:17.280
<v Speaker 5>two people.

0:19:18.560 --> 0:19:20.320
<v Speaker 6>The triat.

0:19:22.560 --> 0:19:26.199
<v Speaker 3>No Jesse and Holly. Can you convince the panel that

0:19:26.280 --> 0:19:30.080
<v Speaker 3>Springsteen is still the points in your checklist? Please? Can

0:19:30.119 --> 0:19:33.520
<v Speaker 3>you take us through your findings? Let's start with chat.

0:19:34.880 --> 0:19:37.920
<v Speaker 5>Okay, So camp was the first item on our checklist,

0:19:38.000 --> 0:19:42.639
<v Speaker 5>and we decided that camp has really an ever changing meaning.

0:19:43.000 --> 0:19:46.400
<v Speaker 5>So we've gone a little bit further than Susan Suntag's

0:19:46.640 --> 0:19:48.840
<v Speaker 5>notes on Camp and we've joined that up with more

0:19:48.880 --> 0:19:52.120
<v Speaker 5>current theories of Butch Camp and Dyke Camp. So, using

0:19:52.160 --> 0:19:54.439
<v Speaker 5>that as our starting point, we said that Bruce's looks

0:19:54.520 --> 0:19:57.840
<v Speaker 5>were super camp. Whether it's his seventies twig clok or

0:19:57.880 --> 0:20:00.520
<v Speaker 5>it's all American look or even some of his more

0:20:00.520 --> 0:20:03.639
<v Speaker 5>contemporary looks, we said that they were camp. We also

0:20:03.760 --> 0:20:07.800
<v Speaker 5>said that there's an element of extravagance and generosity and

0:20:07.880 --> 0:20:12.439
<v Speaker 5>world building that's contained within Bruce's songs, his live shows,

0:20:12.480 --> 0:20:15.879
<v Speaker 5>and his performative aspect. We said they're extreme in a

0:20:15.920 --> 0:20:16.440
<v Speaker 5>camp way.

0:20:17.280 --> 0:20:21.080
<v Speaker 2>We had a lesbian fashion historian analyzed some of Bruce's

0:20:21.080 --> 0:20:22.840
<v Speaker 2>looks and one of the things that she said was

0:20:22.920 --> 0:20:27.160
<v Speaker 2>it's very gender and I feel like that's a good documentary.

0:20:28.560 --> 0:20:30.520
<v Speaker 3>Joelle, what are your thoughts on this?

0:20:31.160 --> 0:20:34.240
<v Speaker 8>When you first start, you know that camp has a

0:20:34.359 --> 0:20:38.919
<v Speaker 8>changing meaning. Where I went up was really darling. I

0:20:38.920 --> 0:20:41.560
<v Speaker 8>don't think so. When you started to speak, I was thinking,

0:20:41.800 --> 0:20:44.280
<v Speaker 8>because we never really do look at camp from a

0:20:44.400 --> 0:20:48.480
<v Speaker 8>diet or but perspective, and I fact, yes, I think

0:20:48.480 --> 0:20:51.520
<v Speaker 8>you're right. You know you're writing the rules as it were,

0:20:51.960 --> 0:20:55.280
<v Speaker 8>so you're defining what camp is. Yeah, I agree with you.

0:20:56.040 --> 0:20:58.919
<v Speaker 8>I agree, And I don't know the lyrics though, and

0:20:59.000 --> 0:21:03.199
<v Speaker 8>the look itself just really puts me off. So it

0:21:03.359 --> 0:21:08.520
<v Speaker 8>fascinates me, like what draws you to that hypromasculinity or that,

0:21:08.640 --> 0:21:10.600
<v Speaker 8>like you said, all American, what draws you to?

0:21:11.280 --> 0:21:13.760
<v Speaker 5>Originally we had one of our criteria was going to

0:21:13.760 --> 0:21:16.560
<v Speaker 5>be could you dress up as an icon at Halloween

0:21:16.600 --> 0:21:20.000
<v Speaker 5>party and somebody else would recognize what that was? But

0:21:20.080 --> 0:21:21.639
<v Speaker 5>that was kind of too shallow for what we were

0:21:21.680 --> 0:21:23.520
<v Speaker 5>going for because you could dress up as anybody. It

0:21:23.560 --> 0:21:25.240
<v Speaker 5>wasn't about something you could dress up as. It was

0:21:25.280 --> 0:21:29.080
<v Speaker 5>about is there extravagance mixed with authenticity as part of that?

0:21:29.119 --> 0:21:32.040
<v Speaker 5>And we thought Bruce really ticked that point.

0:21:33.000 --> 0:21:36.679
<v Speaker 2>Also, like there are some lesser known Bruce Springsteen looks

0:21:36.680 --> 0:21:40.560
<v Speaker 2>that we find to be very camp because there's obviously

0:21:40.600 --> 0:21:42.720
<v Speaker 2>in the eighties, you know, he was like all muscles

0:21:42.800 --> 0:21:46.000
<v Speaker 2>or bandanas or type blue jeans, which for us also

0:21:46.080 --> 0:21:47.600
<v Speaker 2>we do kind of look at and be like, oh,

0:21:47.600 --> 0:21:50.480
<v Speaker 2>that's you know, looks like a lot of butch Kings.

0:21:50.280 --> 0:21:51.160
<v Speaker 4>That we've seen in the club.

0:21:52.040 --> 0:21:54.439
<v Speaker 2>But there's also you know, there's like in the seventies

0:21:55.200 --> 0:21:58.920
<v Speaker 2>he was all leather and as in there's a look

0:21:59.000 --> 0:22:01.080
<v Speaker 2>of his from like more recently that Holly calls his

0:22:01.080 --> 0:22:03.960
<v Speaker 2>stone bush blues look just beautiful.

0:22:05.359 --> 0:22:08.520
<v Speaker 7>The comparison of Katie Lang was really striking. I looked

0:22:08.600 --> 0:22:11.080
<v Speaker 7>up the two album covers when you mentioned on the

0:22:11.119 --> 0:22:13.760
<v Speaker 7>podcast and the spitting image of each other.

0:22:14.280 --> 0:22:22.159
<v Speaker 3>Yeah, moving on to checklists, point to underdog status, Jesse Go.

0:22:23.359 --> 0:22:25.840
<v Speaker 2>One of the things that we've kind of related to

0:22:25.880 --> 0:22:28.200
<v Speaker 2>in Bruce is that he has this quite critical relationship

0:22:28.200 --> 0:22:32.879
<v Speaker 2>with the expectations and presumptions based around masculinity, which we

0:22:32.880 --> 0:22:36.360
<v Speaker 2>see ourselves reflected in because it feels not too far

0:22:36.440 --> 0:22:38.719
<v Speaker 2>away from the very queer idea of like gender as

0:22:38.720 --> 0:22:42.879
<v Speaker 2>a performance. And he speaks very beautifully about masculinity in

0:22:42.920 --> 0:22:44.479
<v Speaker 2>his book and in a lot of his songs.

0:22:44.880 --> 0:22:47.000
<v Speaker 4>So that's something that we both felt.

0:22:47.080 --> 0:22:49.080
<v Speaker 2>You know, there are struggles in there that are relatable

0:22:49.080 --> 0:22:50.879
<v Speaker 2>to struggles of some queer people.

0:22:51.720 --> 0:22:52.480
<v Speaker 4>There's also just.

0:22:52.440 --> 0:22:55.800
<v Speaker 2>Like so many of his songs are about people not

0:22:55.880 --> 0:22:59.119
<v Speaker 2>understanding you, being stuck in a context, like wishing that

0:22:59.200 --> 0:23:01.359
<v Speaker 2>you could be you know, there's a very famous line,

0:23:01.400 --> 0:23:03.560
<v Speaker 2>there's something happening somewhere, baby. I just know that there

0:23:03.640 --> 0:23:08.720
<v Speaker 2>is this like yearning, and all of those are emotions

0:23:08.920 --> 0:23:10.840
<v Speaker 2>that queer people I think can kind of get on

0:23:10.880 --> 0:23:14.720
<v Speaker 2>board with. I guess we started thinking about whether or

0:23:14.720 --> 0:23:18.159
<v Speaker 2>not the Bruce Springsteen and of lyrics and stories as

0:23:18.160 --> 0:23:22.159
<v Speaker 2>different to the Bruce Springsteen who like walks around breathing.

0:23:21.800 --> 0:23:23.360
<v Speaker 4>Air in New Jersey.

0:23:23.720 --> 0:23:30.040
<v Speaker 2>He is obviously a multi millionaire, and so it feels

0:23:30.520 --> 0:23:32.760
<v Speaker 2>it didn't sit totally right with us to call an

0:23:32.920 --> 0:23:37.480
<v Speaker 2>extremely rich man an underdog. And we aren't totally sure

0:23:38.160 --> 0:23:41.000
<v Speaker 2>where he stands on some aspects of politics that are

0:23:41.000 --> 0:23:43.280
<v Speaker 2>really important to me and Holly, and we've both had

0:23:43.280 --> 0:23:47.320
<v Speaker 2>experiences of being around other kind of straight male Bruce

0:23:47.400 --> 0:23:53.520
<v Speaker 2>fans who've made us feel unsafe for like unlike them.

0:23:53.000 --> 0:23:55.520
<v Speaker 4>So that was we got a bit unsure at that point.

0:23:55.960 --> 0:23:58.160
<v Speaker 5>Yeah, And I also want to just really really stress

0:23:58.280 --> 0:24:03.080
<v Speaker 5>that doubt and anxiety are absolutely key to this methodology.

0:24:03.600 --> 0:24:06.040
<v Speaker 5>We spent a lot of time asking ourselves if we

0:24:06.040 --> 0:24:08.400
<v Speaker 5>were the right people to be doing this, if there

0:24:08.400 --> 0:24:10.320
<v Speaker 5>was any point in what we were actually doing, if

0:24:10.359 --> 0:24:13.520
<v Speaker 5>anybody would get something from this. So just to say,

0:24:13.600 --> 0:24:17.040
<v Speaker 5>as part of this academic peer review, we believe if

0:24:17.080 --> 0:24:20.320
<v Speaker 5>you're replicating these results for yourself or replicating this investigation,

0:24:20.920 --> 0:24:24.720
<v Speaker 5>you need both a checklist and a depression bench. So

0:24:24.880 --> 0:24:26.879
<v Speaker 5>part of our investigation, I took Jesse to what I

0:24:26.920 --> 0:24:30.280
<v Speaker 5>call my depression bench, where we just poured over all

0:24:30.359 --> 0:24:33.360
<v Speaker 5>of the things we're feeling and doubts and anxiety about this,

0:24:33.760 --> 0:24:35.760
<v Speaker 5>So that would be the apparatus you would need for

0:24:35.800 --> 0:24:38.439
<v Speaker 5>this investigation if you're repeating this in future.

0:24:39.840 --> 0:24:42.440
<v Speaker 2>And then like another point that potentially we thought maybe

0:24:42.480 --> 0:24:45.000
<v Speaker 2>we'd add on if we did this study again is

0:24:45.080 --> 0:24:48.120
<v Speaker 2>like we ended up having this day where we were

0:24:48.160 --> 0:24:49.880
<v Speaker 2>like fucking hell, like do.

0:24:49.880 --> 0:24:51.320
<v Speaker 4>We even like Bruce Springsteen?

0:24:52.800 --> 0:24:56.680
<v Speaker 2>You know, and like maybe it's like a specifically career

0:24:56.720 --> 0:24:59.520
<v Speaker 2>experience that the way that we show love sometimes is

0:24:59.520 --> 0:25:03.560
<v Speaker 2>by like totally tearing apart the people in things that

0:25:03.600 --> 0:25:05.760
<v Speaker 2>we love in like really over renalizing them and like

0:25:05.800 --> 0:25:09.520
<v Speaker 2>projecting our own personalities onto people that didn't necessarily ask

0:25:09.600 --> 0:25:12.480
<v Speaker 2>for that. So that was where we ended really on

0:25:12.600 --> 0:25:14.960
<v Speaker 2>them on Underdog status is a check point.

0:25:15.440 --> 0:25:16.800
<v Speaker 3>Hugh, what are your thoughts on this?

0:25:17.320 --> 0:25:19.600
<v Speaker 7>Well, it's funny because the episode Yeah, where you focus

0:25:19.640 --> 0:25:22.680
<v Speaker 7>on Bruce as an underdog was for me it seemed

0:25:22.720 --> 0:25:24.200
<v Speaker 7>like you it was one that you were most sort

0:25:24.200 --> 0:25:26.960
<v Speaker 7>of anxious and critical of both him and also like

0:25:27.000 --> 0:25:29.680
<v Speaker 7>your own status in his investigations. But to me, it

0:25:29.720 --> 0:25:31.119
<v Speaker 7>seemed like it was the place where it was the

0:25:31.160 --> 0:25:36.959
<v Speaker 7>most potential request because searching for this like perfect Bruce

0:25:37.040 --> 0:25:39.840
<v Speaker 7>and his perfect fans is like, as a perfect sort

0:25:39.840 --> 0:25:42.080
<v Speaker 7>of political subject is obviously going to fail. But what

0:25:42.520 --> 0:25:45.960
<v Speaker 7>is clearly there is that in his writings and his

0:25:46.040 --> 0:25:49.480
<v Speaker 7>music about being an underdog, which is what everyone there

0:25:49.520 --> 0:25:52.600
<v Speaker 7>has in common, Like, that's the commonality between like all

0:25:52.640 --> 0:25:56.160
<v Speaker 7>his fans. So although he's not the perfect person, when

0:25:56.160 --> 0:25:58.760
<v Speaker 7>he writes about those things, that's what we all sort

0:25:58.800 --> 0:26:02.080
<v Speaker 7>of identify with. You that the way he approaches his

0:26:02.520 --> 0:26:05.080
<v Speaker 7>hometown and the sort of feeling of both like sadness

0:26:05.160 --> 0:26:08.440
<v Speaker 7>and longing in his hometown or of wanting to escape

0:26:08.600 --> 0:26:11.399
<v Speaker 7>or Yeah, his approach to masculinity is something that can

0:26:11.440 --> 0:26:14.880
<v Speaker 7>be perhaps like a caring thing to do that. All

0:26:14.880 --> 0:26:18.480
<v Speaker 7>the other fans have some similar relationship to his music

0:26:18.520 --> 0:26:21.120
<v Speaker 7>and around those things, even if they don't fuably share

0:26:21.119 --> 0:26:23.920
<v Speaker 7>our political outwork. And it seems to me that that's

0:26:23.960 --> 0:26:27.640
<v Speaker 7>where all music, and especially his music is so powerful

0:26:27.680 --> 0:26:30.760
<v Speaker 7>that despite the differences, the fact that we react in

0:26:30.800 --> 0:26:33.119
<v Speaker 7>the same way to those lyrics means there's a starting

0:26:33.160 --> 0:26:36.920
<v Speaker 7>point for building alliances beyond our sort of sexuality and

0:26:37.000 --> 0:26:38.440
<v Speaker 7>gender differences.

0:26:39.040 --> 0:26:42.120
<v Speaker 2>Yeah, totally. Yeah, Yeah, it was hard, wasn't it? Because

0:26:42.160 --> 0:26:44.080
<v Speaker 2>I think that is really beautiful. And then also we

0:26:44.080 --> 0:26:47.280
<v Speaker 2>were like, is that also a bit diluting in that

0:26:47.320 --> 0:26:49.600
<v Speaker 2>if anyone can relate to Prouce Springsteen's lyrics, does that

0:26:49.640 --> 0:26:52.360
<v Speaker 2>make him a queer iconogs that make him a good songwriter?

0:26:53.400 --> 0:26:55.000
<v Speaker 7>That's why I think he's a queer Eyeicut.

0:26:57.119 --> 0:27:00.199
<v Speaker 2>But I guess like one of our conclusions from that

0:27:00.359 --> 0:27:04.800
<v Speaker 2>was like, there is enough in his writing.

0:27:05.920 --> 0:27:07.480
<v Speaker 4>That allows us to create the.

0:27:07.600 --> 0:27:10.400
<v Speaker 2>Icon of our dreams in our little brains, and that

0:27:10.400 --> 0:27:12.760
<v Speaker 2>that is maybe the same thing that people do with

0:27:12.960 --> 0:27:14.200
<v Speaker 2>other celebrities too.

0:27:14.440 --> 0:27:18.400
<v Speaker 5>Yeah, that this we view this as just one checklist

0:27:18.440 --> 0:27:20.760
<v Speaker 5>point as well, So viewing this in the context of

0:27:20.840 --> 0:27:23.760
<v Speaker 5>other things helped us kind of start through those very

0:27:23.760 --> 0:27:27.160
<v Speaker 5>complicated emotions on that very sad depression bench.

0:27:28.640 --> 0:27:33.960
<v Speaker 3>Thanks for the additional adults, Everyone talk to you about

0:27:33.960 --> 0:27:36.359
<v Speaker 3>your third checklist point good music.

0:27:37.040 --> 0:27:39.439
<v Speaker 5>Okay, so we've got a lot to say about music.

0:27:39.520 --> 0:27:43.040
<v Speaker 5>We wanted to see as an icon. Can his music

0:27:43.119 --> 0:27:46.120
<v Speaker 5>drag queers back from years of association? And we looked

0:27:46.160 --> 0:27:49.800
<v Speaker 5>at whether you could cry, dance, or fuck to his music.

0:27:50.320 --> 0:27:52.880
<v Speaker 5>So in terms of crying, I can cry right now

0:27:53.000 --> 0:27:57.720
<v Speaker 5>is if the panel would like me to cry enough,

0:27:58.320 --> 0:27:59.880
<v Speaker 5>But I can. I just want to say I can.

0:28:00.520 --> 0:28:02.720
<v Speaker 5>And also the most important thing. Straight men also cry

0:28:02.800 --> 0:28:04.720
<v Speaker 5>to to his music as well. We have a token

0:28:04.760 --> 0:28:07.879
<v Speaker 5>straight man on the show who talked about feelings of

0:28:07.920 --> 0:28:10.560
<v Speaker 5>crying at his shows. We've seen other men crying at

0:28:10.560 --> 0:28:12.959
<v Speaker 5>his shows. I think Bruce gives us a gift of

0:28:13.000 --> 0:28:15.119
<v Speaker 5>being able to release your emotions through his music and

0:28:15.160 --> 0:28:17.639
<v Speaker 5>through his performance. So then we moved on to dance,

0:28:17.920 --> 0:28:21.840
<v Speaker 5>and we spoke to two legendary queer icons themselves, a

0:28:22.000 --> 0:28:25.000
<v Speaker 5>DJ Legends Unskinny Pop, who talked about they have a

0:28:25.040 --> 0:28:28.399
<v Speaker 5>set of Bruce Springsteen songs which absolutely unite a queer

0:28:28.480 --> 0:28:31.880
<v Speaker 5>dance floor and this feeling of euphoria that queers have

0:28:32.000 --> 0:28:34.879
<v Speaker 5>when hearing Bruce Springsteen in queer clubs and queer spaces.

0:28:35.359 --> 0:28:38.479
<v Speaker 5>And then we looked at the checkpoint of fucking, and

0:28:38.520 --> 0:28:41.960
<v Speaker 5>we asked a very cool professional musician who said they'd

0:28:42.000 --> 0:28:44.800
<v Speaker 5>fucked to at least two Bruce Springsteen songs. And we

0:28:44.880 --> 0:28:47.680
<v Speaker 5>also had a listener right in Crystal who named another

0:28:47.720 --> 0:28:50.520
<v Speaker 5>good Bruce Springsteen fucking song, which is Candy's Room, which

0:28:50.520 --> 0:28:52.720
<v Speaker 5>we didn't get to talk about in that particular episode.

0:28:52.920 --> 0:28:56.280
<v Speaker 5>So I think those were our three areas, and I

0:28:56.320 --> 0:28:58.840
<v Speaker 5>think that wasn't of our funnest checkpoints.

0:28:59.760 --> 0:29:03.360
<v Speaker 3>Agree, Zakia, what do you think about Bruce's music?

0:29:04.000 --> 0:29:08.440
<v Speaker 6>I'm sure I've heard Bruce Springsteen's song, but I don't know,

0:29:09.000 --> 0:29:11.640
<v Speaker 6>but like I don't know well enough to be like, oh,

0:29:11.680 --> 0:29:13.800
<v Speaker 6>that's Bruce Springsteen, or maybe I like heard it in

0:29:13.840 --> 0:29:17.680
<v Speaker 6>the background at like CBS. I don't even mean to

0:29:17.680 --> 0:29:20.440
<v Speaker 6>be shady, that's for it's like, you know, convenience store

0:29:20.440 --> 0:29:25.520
<v Speaker 6>of music. So my question is as a Bruce Nube

0:29:25.920 --> 0:29:28.560
<v Speaker 6>who doesn't know his discography, like, if you were to

0:29:28.560 --> 0:29:32.600
<v Speaker 6>play a song right now, what song would give me

0:29:32.800 --> 0:29:37.680
<v Speaker 6>that feeling that would make me go, oh, now I

0:29:37.760 --> 0:29:38.200
<v Speaker 6>get it.

0:29:38.760 --> 0:29:40.640
<v Speaker 5>It's a really tough question because he's got such a

0:29:40.640 --> 0:29:42.200
<v Speaker 5>big body of music. And the one thing I'll say

0:29:42.240 --> 0:29:44.240
<v Speaker 5>before we answer it is that most of the people

0:29:44.280 --> 0:29:46.960
<v Speaker 5>we speak to have kind of said that they don't

0:29:47.040 --> 0:29:50.040
<v Speaker 5>usually listen to the genre of Bruce Springsteen's music. It's

0:29:50.080 --> 0:29:53.000
<v Speaker 5>like Americana or whatever you want of Carey's not really

0:29:53.000 --> 0:29:55.000
<v Speaker 5>a genre that a lot of us subjects in the

0:29:55.040 --> 0:30:00.360
<v Speaker 5>investigation would listen to voluntarily usually, but there's some about

0:30:00.360 --> 0:30:03.600
<v Speaker 5>the lyrics that pulls them in. Yeah for me, And

0:30:03.640 --> 0:30:05.200
<v Speaker 5>this is a song I always recommend to people who

0:30:05.240 --> 0:30:07.800
<v Speaker 5>don't know Bruce at all is just and it's an

0:30:07.840 --> 0:30:10.560
<v Speaker 5>obvious banger, but it's dancing in the dark because it

0:30:10.600 --> 0:30:14.160
<v Speaker 5>was my queer awakening when I was thirteen. It sounds

0:30:14.200 --> 0:30:16.200
<v Speaker 5>really upbeat, but when you listen to the lyrics, it's

0:30:16.240 --> 0:30:19.320
<v Speaker 5>a song about deep, deep depression. And there's a lyric

0:30:19.400 --> 0:30:22.120
<v Speaker 5>in there which is I want to change my clothes,

0:30:22.160 --> 0:30:24.600
<v Speaker 5>my hair, my face. And the way in which he

0:30:24.720 --> 0:30:29.000
<v Speaker 5>like screens sings that in the song, it's like this frustration.

0:30:29.160 --> 0:30:31.840
<v Speaker 5>It feels really tangible, like he's looking at his reflection

0:30:32.480 --> 0:30:37.240
<v Speaker 5>and what he's looking at doesn't reflect what he's feeling inside.

0:30:37.720 --> 0:30:39.320
<v Speaker 5>And I think a lot of people we've spoken to

0:30:39.440 --> 0:30:42.120
<v Speaker 5>have cited that lyric has been something that has been

0:30:42.160 --> 0:30:44.720
<v Speaker 5>a mantra for them at some point.

0:30:44.480 --> 0:30:47.920
<v Speaker 2>And I mean, I agree with everything Holly said. I

0:30:47.920 --> 0:30:49.960
<v Speaker 2>will add one other song that we didn't get to

0:30:49.960 --> 0:30:52.080
<v Speaker 2>talk about in the poocast, which is it's a.

0:30:52.040 --> 0:30:53.440
<v Speaker 4>Song called I'm Going Down.

0:30:53.960 --> 0:30:56.840
<v Speaker 2>Yes, he does things I'm going down a million times,

0:30:57.040 --> 0:31:01.239
<v Speaker 2>which obviously, if you want to, you can interpret that.

0:31:01.320 --> 0:31:06.000
<v Speaker 6>Yeah, point taken, and I will Actually I just realized

0:31:06.720 --> 0:31:10.000
<v Speaker 6>one of my favorite songs I love the Chromatics cover of.

0:31:10.400 --> 0:31:12.320
<v Speaker 4>What's the one I'm on fire.

0:31:12.600 --> 0:31:16.440
<v Speaker 6>I'm on fire. I didn't realize that that was a

0:31:16.520 --> 0:31:20.160
<v Speaker 6>Bruce song. So now I'm already like feeling my attachment

0:31:20.240 --> 0:31:24.480
<v Speaker 6>to Bruce like grow Emily. Okay, very nice.

0:31:27.360 --> 0:31:30.239
<v Speaker 3>And of course, your last checkpoint is being tested as

0:31:30.280 --> 0:31:32.280
<v Speaker 3>we speak, isn't that right? Jesse?

0:31:32.920 --> 0:31:33.320
<v Speaker 4>Correct?

0:31:33.360 --> 0:31:36.680
<v Speaker 2>Our last checkpoint is can we convince a panel of

0:31:36.760 --> 0:31:38.720
<v Speaker 2>queer people of his queer reckons say this?

0:31:39.200 --> 0:31:41.040
<v Speaker 4>Thank you for being here? Only time will.

0:31:40.880 --> 0:31:46.880
<v Speaker 3>Tell, Yes, only time will tell. I am so impressed

0:31:46.920 --> 0:31:49.320
<v Speaker 3>by the vigor I see in the Panels analysis so far,

0:31:49.680 --> 0:31:53.240
<v Speaker 3>you simply must put your brains on ice. After the break,

0:31:53.280 --> 0:31:57.640
<v Speaker 3>we're interrogating Jesse and Holly's moral compasses. We're talking ethics. Baby,

0:31:58.440 --> 0:31:59.080
<v Speaker 3>that's next.

0:32:07.760 --> 0:32:10.120
<v Speaker 2>Hey, this is Jesse and Holly letting you know about

0:32:10.120 --> 0:32:11.840
<v Speaker 2>another show you might want to listen to.

0:32:12.640 --> 0:32:15.960
<v Speaker 5>Did you know that Radiotopia has a reality dating podcast.

0:32:16.440 --> 0:32:18.600
<v Speaker 2>It's called hang Up, and it's kind of like a

0:32:18.680 --> 0:32:21.720
<v Speaker 2>queer cross between the Bachelor and Lovers Blind.

0:32:21.800 --> 0:32:23.520
<v Speaker 5>And seriously, it's a blast.

0:32:24.040 --> 0:32:26.440
<v Speaker 4>I'm a long term listener. I've been there from day one.

0:32:27.040 --> 0:32:29.440
<v Speaker 2>It has all of the drama and chaos of a

0:32:29.520 --> 0:32:32.400
<v Speaker 2>queer reality show without any of the bullshit of unethical

0:32:32.400 --> 0:32:33.280
<v Speaker 2>reality tropes.

0:32:33.800 --> 0:32:37.320
<v Speaker 5>Hang Ups tagline is no Rings Attached. It's a refreshing

0:32:37.320 --> 0:32:40.960
<v Speaker 5>focus on dating and connection rather than marriage. Here's a

0:32:40.960 --> 0:32:42.640
<v Speaker 5>little clip about their current season.

0:32:43.360 --> 0:32:46.720
<v Speaker 6>Our star TEAMO is forty one years old and recently divorced.

0:32:46.920 --> 0:32:49.520
<v Speaker 4>I haven't been on a single date in eighteen months, but.

0:32:49.720 --> 0:32:53.840
<v Speaker 6>Now they're looking for someone special and like really hot.

0:32:53.720 --> 0:32:55.800
<v Speaker 4>Sex, really hard public sex.

0:32:56.200 --> 0:32:59.440
<v Speaker 6>So we set them up with six callers to date

0:33:00.000 --> 0:33:01.640
<v Speaker 6>exclusively over the phone.

0:33:02.080 --> 0:33:06.920
<v Speaker 3>I feel like I could talk to you for hours.

0:33:05.920 --> 0:33:06.479
<v Speaker 4>On hang Up.

0:33:06.560 --> 0:33:08.640
<v Speaker 5>You don't just get to eavesdrop on dates. There's also

0:33:08.680 --> 0:33:12.320
<v Speaker 5>a series of eliminations, and in the end there's a twist. Well,

0:33:12.320 --> 0:33:14.720
<v Speaker 5>the last caller standing choose the star and go on

0:33:14.760 --> 0:33:17.800
<v Speaker 5>an all expenses paid vacation together, or choose a cash

0:33:17.840 --> 0:33:18.560
<v Speaker 5>prize instead.

0:33:19.080 --> 0:33:20.800
<v Speaker 4>Guys, it's high drama.

0:33:20.920 --> 0:33:24.040
<v Speaker 5>Also, it's hosted by friend of the pod, Zakia Gibbons.

0:33:24.280 --> 0:33:26.440
<v Speaker 5>You might even hear a little something from her in

0:33:26.480 --> 0:33:27.600
<v Speaker 5>an upcoming episode.

0:33:28.040 --> 0:33:30.720
<v Speaker 2>The Nie season has just finished, so it's perfect time

0:33:30.720 --> 0:33:33.160
<v Speaker 2>for binging. Ten out of ten would recommend to a

0:33:33.200 --> 0:33:36.560
<v Speaker 2>friend or love or give in queer community, Probably Boyce.

0:33:36.920 --> 0:33:39.800
<v Speaker 5>Subscribe to Hang Up Today on your favorite podcast.

0:33:39.400 --> 0:33:53.160
<v Speaker 3>Platform, and we're back. This is because the boss belongs

0:33:53.200 --> 0:33:59.400
<v Speaker 3>to us. I'm Jane's the only actual queer in stem

0:33:59.480 --> 0:34:02.800
<v Speaker 3>to be feature. You're in a seven episode scientific investigation.

0:34:04.560 --> 0:34:07.760
<v Speaker 3>So far, the panel has tested the studies, aims, purpose,

0:34:07.800 --> 0:34:17.600
<v Speaker 3>and criteria. Now we're talking epics, baby, Hugh, you can

0:34:17.640 --> 0:34:20.640
<v Speaker 3>take the lead on this one. What burning ethical questions

0:34:20.719 --> 0:34:22.319
<v Speaker 3>do you have for our researchers.

0:34:22.760 --> 0:34:25.240
<v Speaker 7>I'm going to say what everyone's thinking. Are you really

0:34:25.320 --> 0:34:28.400
<v Speaker 7>independent minds when it comes to talking about Bruce Springsteen?

0:34:28.440 --> 0:34:30.960
<v Speaker 7>Are you really approaching this willing to find out at

0:34:30.960 --> 0:34:32.960
<v Speaker 7>the end that actually it's not a quare eye?

0:34:33.320 --> 0:34:36.840
<v Speaker 4>No?

0:34:36.840 --> 0:34:39.320
<v Speaker 5>No, I didn't go into this with open hearts and minds.

0:34:40.600 --> 0:34:43.439
<v Speaker 5>I went into this fully self centered, trying to prove

0:34:43.440 --> 0:34:46.600
<v Speaker 5>a point, but learning about science along the way.

0:34:48.440 --> 0:34:48.600
<v Speaker 8>Well.

0:34:48.640 --> 0:34:51.440
<v Speaker 7>Also, Holly, in episode four, you says like really clearly

0:34:51.440 --> 0:34:53.640
<v Speaker 7>that you that you didn't want to believe that the

0:34:53.719 --> 0:34:56.120
<v Speaker 7>album Working on a Dream actually exists. You just pretend

0:34:56.160 --> 0:34:59.120
<v Speaker 7>it doesn't exist, which is obviously a good example of that.

0:34:59.160 --> 0:35:00.880
<v Speaker 7>But why why put through that album?

0:35:01.600 --> 0:35:05.200
<v Speaker 5>Oh wow, this is some gotcha journalism, isn't it Working

0:35:05.200 --> 0:35:08.000
<v Speaker 5>on a Dream? In my opinion, Working Our Dream is

0:35:08.000 --> 0:35:10.120
<v Speaker 5>one of Bruce Bringsty's worst albums. It came out, I

0:35:10.120 --> 0:35:12.040
<v Speaker 5>think it's two thousand and eight or two thousand and nine,

0:35:12.400 --> 0:35:17.000
<v Speaker 5>just as Obama was being elected. It's very liberal, wishy, washy,

0:35:17.320 --> 0:35:21.840
<v Speaker 5>vague songs about absolutely nothing. At a time when a

0:35:21.880 --> 0:35:25.600
<v Speaker 5>political album was needed, he released a very apolitical album

0:35:25.719 --> 0:35:29.240
<v Speaker 5>and the songs do not bang. They're just really boring.

0:35:31.200 --> 0:35:33.880
<v Speaker 2>I don't think I went into this really willing to

0:35:33.880 --> 0:35:35.719
<v Speaker 2>say that Bruce is not a queer icon, but I

0:35:35.719 --> 0:35:37.120
<v Speaker 2>will say that maybe one of the things that we've

0:35:37.160 --> 0:35:39.080
<v Speaker 2>learned along the way is like I think that our

0:35:39.160 --> 0:35:41.600
<v Speaker 2>definition of queer icon is kind of like molded and

0:35:41.680 --> 0:35:45.240
<v Speaker 2>changed across the show potentially so it still fits with Bruce.

0:35:48.239 --> 0:35:51.000
<v Speaker 2>But yeah, I think like ultimately we were like it

0:35:51.120 --> 0:35:53.720
<v Speaker 2>is maybe good to cherry pick or ignore things because

0:35:53.760 --> 0:35:55.440
<v Speaker 2>we're creating our own version of Bruce.

0:35:55.600 --> 0:35:58.040
<v Speaker 5>And I think also that comes from you know, amazine makers.

0:35:58.040 --> 0:35:59.359
<v Speaker 5>So a lot of the scenes that I make our

0:35:59.400 --> 0:36:01.719
<v Speaker 5>cut and pass collage of taken the best bits of

0:36:01.719 --> 0:36:04.440
<v Speaker 5>things that I like and then making something out of that.

0:36:04.520 --> 0:36:08.359
<v Speaker 5>And I've definitely taken that approach to this scientific investigation.

0:36:08.920 --> 0:36:13.560
<v Speaker 3>Thank you. We're almost ready to sort of panelists to

0:36:13.600 --> 0:36:16.799
<v Speaker 3>deliver their verdicts. Before that, we have some listener questions.

0:36:16.960 --> 0:36:22.000
<v Speaker 3>First off, we have Kyle Hi's Kyle here. I'm loving

0:36:22.040 --> 0:36:22.560
<v Speaker 3>the show.

0:36:23.280 --> 0:36:26.359
<v Speaker 14>Wouldn't really class myself as a Bruce fan, but I've

0:36:26.360 --> 0:36:29.040
<v Speaker 14>been really enjoying all of the interviews and research that

0:36:29.080 --> 0:36:31.719
<v Speaker 14>you've done. I have a question, do you think that

0:36:31.840 --> 0:36:35.759
<v Speaker 14>younger generations do this as much? Because you mentioned that

0:36:35.920 --> 0:36:38.520
<v Speaker 14>part of the reason why Quiz find heroes and straight

0:36:38.560 --> 0:36:41.720
<v Speaker 14>celebrities is left over from a time and we didn't

0:36:41.800 --> 0:36:45.680
<v Speaker 14>have many out celebrities. So I wonder now that younger

0:36:45.719 --> 0:36:50.520
<v Speaker 14>generations have more kind of queer and trans heroes and

0:36:51.280 --> 0:36:54.520
<v Speaker 14>representations and a cup to do you think they'll be

0:36:54.560 --> 0:36:58.320
<v Speaker 14>putting as much effort into queering straight celebrities.

0:37:01.000 --> 0:37:02.600
<v Speaker 2>Yeah, so this is something that we were kind of

0:37:02.600 --> 0:37:04.920
<v Speaker 2>wondering about in the show. It is like because of

0:37:05.520 --> 0:37:08.399
<v Speaker 2>parts of queer history. So in the UK Section twenty eight,

0:37:09.280 --> 0:37:12.239
<v Speaker 2>which was a law that prevented the quote promotion of

0:37:12.280 --> 0:37:15.759
<v Speaker 2>homosexuality but local authority. So it meant that people didn't

0:37:15.760 --> 0:37:19.120
<v Speaker 2>receive sex education like queer sex education in schools, along

0:37:19.160 --> 0:37:19.960
<v Speaker 2>with a lot of other things.

0:37:19.960 --> 0:37:20.520
<v Speaker 4>You know, it was real.

0:37:20.960 --> 0:37:23.000
<v Speaker 2>It was a shameful thing to be to be out

0:37:23.040 --> 0:37:26.600
<v Speaker 2>as a queer person. And then other big things in

0:37:26.680 --> 0:37:30.680
<v Speaker 2>queer history, like the AIDS crisis, meant that for reasons

0:37:30.680 --> 0:37:33.680
<v Speaker 2>of people literally not being around because they died or

0:37:33.920 --> 0:37:37.440
<v Speaker 2>not being able to come out, there was a real

0:37:37.520 --> 0:37:41.440
<v Speaker 2>kind of lack of queer elders or community leaders in

0:37:41.480 --> 0:37:43.879
<v Speaker 2>the public eye. And so we were wondering whether there

0:37:43.920 --> 0:37:46.800
<v Speaker 2>is a kind of like legacy of queer people having

0:37:46.840 --> 0:37:50.080
<v Speaker 2>to do this work of like projecting onto straight people

0:37:50.560 --> 0:37:51.520
<v Speaker 2>or like finding do you know.

0:37:51.480 --> 0:37:51.759
<v Speaker 4>What I mean?

0:37:51.800 --> 0:37:53.600
<v Speaker 7>I think as part of like queer culture is to

0:37:53.920 --> 0:37:57.640
<v Speaker 7>look for these people and make them into icons. But

0:37:57.840 --> 0:38:00.480
<v Speaker 7>I think the difference generationally might be less to do

0:38:00.560 --> 0:38:03.600
<v Speaker 7>with our history and more specifically might be to do

0:38:03.719 --> 0:38:06.439
<v Speaker 7>with the way we consume media today in social media,

0:38:06.480 --> 0:38:09.040
<v Speaker 7>that it's much harder to have that sort of old

0:38:09.080 --> 0:38:12.279
<v Speaker 7>fashioned type of relationship with an icon. Why you can

0:38:12.320 --> 0:38:14.200
<v Speaker 7>project other stuff on them in a way that I

0:38:14.239 --> 0:38:16.480
<v Speaker 7>don't know in the say, in the fifties and sixties

0:38:16.480 --> 0:38:19.359
<v Speaker 7>you could have done with Judy Garland, that you could

0:38:19.480 --> 0:38:22.160
<v Speaker 7>there's still sort of little information that you could make

0:38:22.280 --> 0:38:25.080
<v Speaker 7>up the back story, so you identified strongly with her,

0:38:25.280 --> 0:38:28.120
<v Speaker 7>And it's much harder for artists and musicians today to

0:38:28.160 --> 0:38:30.640
<v Speaker 7>be able to maintain that distance from their fans enough

0:38:31.360 --> 0:38:33.279
<v Speaker 7>that they can become a blank slate for people to

0:38:33.280 --> 0:38:36.640
<v Speaker 7>project their emotions onto. And so you either have one way,

0:38:36.680 --> 0:38:39.759
<v Speaker 7>which is the sworn like Lona del Rey, where you

0:38:39.800 --> 0:38:42.920
<v Speaker 7>can still do that because she keeps so much hidden

0:38:43.320 --> 0:38:46.239
<v Speaker 7>and it's just a performance she's doing as particular personality,

0:38:46.840 --> 0:38:48.320
<v Speaker 7>or you go like the other way, which is like

0:38:48.600 --> 0:38:52.200
<v Speaker 7>like Azilah Banks, who's just like constantly saying stuff, and

0:38:52.239 --> 0:38:55.400
<v Speaker 7>then gay people, quiet people can sort of really hyper

0:38:55.400 --> 0:38:58.600
<v Speaker 7>ironically take this person who says like the most outrageously

0:38:58.680 --> 0:39:02.279
<v Speaker 7>like homophobic and transfer a bit things and be like yes, yeah,

0:39:02.320 --> 0:39:05.640
<v Speaker 7>you're you're our hero and like jump on the opposite

0:39:05.640 --> 0:39:07.880
<v Speaker 7>side of that. But it's hard for someone it's just

0:39:07.880 --> 0:39:09.480
<v Speaker 7>like quite middle of the road as an artist to

0:39:09.560 --> 0:39:13.480
<v Speaker 7>let them to become an icon these days because the

0:39:13.760 --> 0:39:16.320
<v Speaker 7>sort of way we form is parasocial relations is totally

0:39:16.400 --> 0:39:19.000
<v Speaker 7>changed by social media, and it's just the share quantity

0:39:19.000 --> 0:39:21.880
<v Speaker 7>of access that we get to famous people's lives.

0:39:22.160 --> 0:39:25.560
<v Speaker 6>You know, something I've been thinking about in this highly

0:39:25.600 --> 0:39:30.360
<v Speaker 6>academic panel is it's kind of reminding me of the

0:39:30.440 --> 0:39:34.160
<v Speaker 6>discourse around baby girl, you know, which I feel like

0:39:34.280 --> 0:39:37.399
<v Speaker 6>is a gen Z term that you know, was birthed

0:39:37.440 --> 0:39:40.960
<v Speaker 6>out of TikTok and then gen Z's on there, you know,

0:39:41.120 --> 0:39:47.520
<v Speaker 6>calling street cysts celebrities baby girl. So just thinking about that,

0:39:48.400 --> 0:39:51.960
<v Speaker 6>I just feel like, yes, I do think that there

0:39:52.120 --> 0:39:55.840
<v Speaker 6>is a generational element where just like out of the

0:39:55.880 --> 0:39:58.239
<v Speaker 6>picking for slims, so you know, you choose, you choose

0:39:58.280 --> 0:39:59.680
<v Speaker 6>on You're like, Okay, I'm gonna make you gay, I'm

0:39:59.680 --> 0:40:01.680
<v Speaker 6>gonna make you queer, and then you kind of come

0:40:01.760 --> 0:40:04.680
<v Speaker 6>up with this whole backstory and you know, you kind

0:40:04.680 --> 0:40:08.000
<v Speaker 6>of project your own desires and needs to be and

0:40:08.200 --> 0:40:11.640
<v Speaker 6>wants to be seen. And now you know there's a

0:40:11.640 --> 0:40:18.120
<v Speaker 6>lot more out and queer celebrities and representation, and yet

0:40:18.160 --> 0:40:24.080
<v Speaker 6>you know, we're still seeing people queer people that aren't queer,

0:40:24.560 --> 0:40:26.640
<v Speaker 6>you know, as seen in this rise of like you know,

0:40:26.680 --> 0:40:30.160
<v Speaker 6>this baby girl discourse. I feel like that's just something

0:40:30.320 --> 0:40:32.399
<v Speaker 6>us queers love to do, you know what I mean,

0:40:33.120 --> 0:40:40.600
<v Speaker 6>Because it's both emotionally and mentally and spiritually important to

0:40:40.640 --> 0:40:46.040
<v Speaker 6>see ourselves and other people. But it's also fun to

0:40:46.360 --> 0:40:50.000
<v Speaker 6>feel like you're kind of just inviting someone to your party.

0:40:50.280 --> 0:40:53.080
<v Speaker 4>You know, Yeah, totally I always say.

0:40:53.120 --> 0:40:55.200
<v Speaker 2>There's something that we talk about in episode six, which

0:40:55.239 --> 0:40:58.400
<v Speaker 2>is like, if you like zoom out from picking specific

0:40:58.560 --> 0:41:01.360
<v Speaker 2>you know, specific straight people to make into queer icons.

0:41:01.640 --> 0:41:05.959
<v Speaker 2>There's something about like claiming mainstream culture as our own,

0:41:06.080 --> 0:41:10.880
<v Speaker 2>like putting a steak into mainstream culture that isn't necessarily

0:41:10.920 --> 0:41:14.759
<v Speaker 2>made for marginalized people, including queer people, and being like yeah,

0:41:14.760 --> 0:41:17.480
<v Speaker 2>like I guess you want to entertain straits, but we're

0:41:17.520 --> 0:41:19.440
<v Speaker 2>here too, and like we like this too, or like

0:41:19.520 --> 0:41:21.640
<v Speaker 2>we find our own meanings from this too, and I

0:41:21.640 --> 0:41:23.560
<v Speaker 2>think there's something maybe like powerful about that.

0:41:24.360 --> 0:41:31.240
<v Speaker 15>Thanks everyone. Next up, we have a question from Kathleen

0:41:33.280 --> 0:41:35.759
<v Speaker 15>h Halle and Jesse. It's Kathleen here in Yorkshire.

0:41:36.040 --> 0:41:38.479
<v Speaker 16>I am living the show so far and I've heard

0:41:38.480 --> 0:41:40.640
<v Speaker 16>what you have to say. I just don't know if

0:41:40.719 --> 0:41:43.759
<v Speaker 16>I see Booth as a queer icon. I feel like

0:41:43.840 --> 0:41:46.560
<v Speaker 16>we see the checkshire. We've all got daddy issues and

0:41:46.600 --> 0:41:48.320
<v Speaker 16>that's all we need discuss.

0:41:51.800 --> 0:41:53.000
<v Speaker 3>Joelle, what do you think?

0:41:54.440 --> 0:41:59.759
<v Speaker 9>Yeah, I mean I think possibly for me, I was

0:41:59.760 --> 0:42:02.600
<v Speaker 9>trying to figure out why am I not persuaded by

0:42:02.640 --> 0:42:05.680
<v Speaker 9>this because I think there is a there's a difference

0:42:05.680 --> 0:42:07.960
<v Speaker 9>in my head between the iconic queer icon and a

0:42:08.040 --> 0:42:12.400
<v Speaker 9>queer a hero you know, So an icon is it's product.

0:42:12.440 --> 0:42:16.120
<v Speaker 8>So what's a religious product to our projections? You know,

0:42:16.239 --> 0:42:18.960
<v Speaker 8>this kind of prophecy you are, you have a distance

0:42:19.080 --> 0:42:21.759
<v Speaker 8>from them, so you're able to project, you know, with

0:42:21.960 --> 0:42:25.640
<v Speaker 8>absolute clarity and meaning everything you're looking for. Whereas a

0:42:25.680 --> 0:42:29.319
<v Speaker 8>queer as somebody's actually doing something positive for us, there's

0:42:29.360 --> 0:42:34.160
<v Speaker 8>actually a politically engaged has taken on great struggles at

0:42:34.239 --> 0:42:39.200
<v Speaker 8>some time. So I don't know, daddy issues we certainly

0:42:39.239 --> 0:42:39.920
<v Speaker 8>will do.

0:42:41.719 --> 0:42:43.759
<v Speaker 5>Yeah, I think it's a good point. I think we

0:42:43.800 --> 0:42:46.080
<v Speaker 5>all do have daddy issues, and I think that should

0:42:46.080 --> 0:42:47.880
<v Speaker 5>be acknowledged as part of this investigation.

0:42:48.880 --> 0:42:51.200
<v Speaker 2>But I think, like I would say that that's like

0:42:51.280 --> 0:42:55.080
<v Speaker 2>what what Cathleen said is potentially an argument for Bruce

0:42:55.120 --> 0:42:57.480
<v Speaker 2>being a queer icon in that I'm like, yeah, like

0:42:57.880 --> 0:43:01.040
<v Speaker 2>we have reasons why we need to make new daddies,

0:43:03.520 --> 0:43:06.480
<v Speaker 2>and like maybe that's okay, Like maybe maybe he's someone

0:43:06.480 --> 0:43:07.879
<v Speaker 2>who we can fill in those gaps for.

0:43:10.560 --> 0:43:13.319
<v Speaker 8>Which is really really interesting this fiction between a gay

0:43:13.520 --> 0:43:17.240
<v Speaker 8>icon and a queer ypo. I thought like queer would

0:43:17.239 --> 0:43:20.480
<v Speaker 8>be more, it would queer things more, you know, So

0:43:20.600 --> 0:43:24.160
<v Speaker 8>it challenges these kind of heats of normative ideologies and

0:43:24.239 --> 0:43:27.640
<v Speaker 8>ideas and so me even the names or boss and

0:43:27.640 --> 0:43:31.200
<v Speaker 8>exemplifies all of those things. So what what do you

0:43:31.200 --> 0:43:32.879
<v Speaker 8>think the difference is between the two?

0:43:33.040 --> 0:43:35.919
<v Speaker 2>What is the sort of Yeah, something we talked about

0:43:35.920 --> 0:43:40.040
<v Speaker 2>a bit in the show is like who is choosing

0:43:40.200 --> 0:43:45.239
<v Speaker 2>the queer icons, because like gay icons are traditionally worshiped

0:43:45.320 --> 0:43:49.480
<v Speaker 2>by like cisc men potentially.

0:43:50.440 --> 0:43:51.680
<v Speaker 4>And tend to be straight women.

0:43:53.080 --> 0:43:56.520
<v Speaker 2>We think that there is a longer history of queering

0:43:56.800 --> 0:44:01.200
<v Speaker 2>straight women than it is of queering straight men, and

0:44:01.239 --> 0:44:04.200
<v Speaker 2>that might be because of women or trans masculine people

0:44:04.960 --> 0:44:09.440
<v Speaker 2>or like people within that part of queer culture. They

0:44:09.560 --> 0:44:12.840
<v Speaker 2>might relate, for example, to Bruce's masculinity in a different

0:44:12.840 --> 0:44:14.560
<v Speaker 2>way that maybe a gay man might really relate to

0:44:14.600 --> 0:44:17.719
<v Speaker 2>Bruce's masculinity. So we're wondering whether this is like a

0:44:17.920 --> 0:44:22.400
<v Speaker 2>new thing that we are pioneering.

0:44:24.760 --> 0:44:30.200
<v Speaker 4>The dyke for a nice Yeah.

0:44:30.680 --> 0:44:30.879
<v Speaker 8>Yeah.

0:44:30.920 --> 0:44:33.279
<v Speaker 5>The fans that we spoke to and the experts that

0:44:33.320 --> 0:44:35.480
<v Speaker 5>we spoke to in the show kind of pointed towards

0:44:35.520 --> 0:44:41.280
<v Speaker 5>there being mostly dykes trans masque fans that were finding

0:44:41.320 --> 0:44:43.799
<v Speaker 5>something in Bruce. It wasn't the same thing, but it

0:44:43.880 --> 0:44:46.160
<v Speaker 5>was finding something in Bruce, and we thought that is

0:44:46.200 --> 0:44:47.160
<v Speaker 5>worth investigating.

0:44:47.600 --> 0:44:48.680
<v Speaker 8>Yeah, it really is.

0:44:48.760 --> 0:44:50.600
<v Speaker 2>So it might feel affronting to be like, WHOA A

0:44:50.719 --> 0:44:55.440
<v Speaker 2>cis straight white man. He doesn't deserve another pedestal. But

0:44:55.480 --> 0:44:57.880
<v Speaker 2>maybe this is like a new thing that we've discovered

0:44:58.239 --> 0:45:00.640
<v Speaker 2>and it's not about like glorifying him. It's about like

0:45:00.719 --> 0:45:05.120
<v Speaker 2>celebrating Dyke and like adjacent culture question mark.

0:45:07.680 --> 0:45:10.040
<v Speaker 3>Lastly, we have a question from Alison.

0:45:11.640 --> 0:45:14.040
<v Speaker 4>Hello, this is Alison here.

0:45:14.920 --> 0:45:19.640
<v Speaker 17>So I'm wondering if trying to ask Bruce himself was

0:45:19.760 --> 0:45:23.360
<v Speaker 17>ever part of your plan or do you feel like

0:45:23.719 --> 0:45:25.640
<v Speaker 17>he doesn't get to weigh in on this even if

0:45:25.640 --> 0:45:26.360
<v Speaker 17>you could.

0:45:26.120 --> 0:45:26.880
<v Speaker 5>Talk to him.

0:45:27.200 --> 0:45:31.400
<v Speaker 17>And I'm also wondering, if you did have the chance

0:45:31.440 --> 0:45:32.680
<v Speaker 17>to talk to Bruce, you're.

0:45:32.560 --> 0:45:35.680
<v Speaker 4>Hanging out in the same room, what would you ask him.

0:45:37.320 --> 0:45:39.880
<v Speaker 5>I've said this quite a few times during the podcast

0:45:39.960 --> 0:45:42.439
<v Speaker 5>that I'm actually just really not interested in the real

0:45:42.480 --> 0:45:45.319
<v Speaker 5>Bruce Springsteen. I love you, Bruce, I really do, but

0:45:45.440 --> 0:45:48.120
<v Speaker 5>I do think that I don't need to know his

0:45:48.200 --> 0:45:50.640
<v Speaker 5>opinions or anything. I don't need to actually meet him

0:45:50.760 --> 0:45:52.719
<v Speaker 5>or speak to him, because the version I've got of

0:45:52.760 --> 0:45:55.880
<v Speaker 5>Bruce in my head is so much more interesting and

0:45:55.920 --> 0:45:58.960
<v Speaker 5>so much more important to me than the real Bruce

0:45:58.960 --> 0:45:59.800
<v Speaker 5>Springsteen ever.

0:45:59.680 --> 0:46:02.200
<v Speaker 2>Could Yeah, I think I feel quite similarly. I think

0:46:02.360 --> 0:46:04.640
<v Speaker 2>we went into this project and we were just like

0:46:05.200 --> 0:46:09.720
<v Speaker 2>Brice doesn't care about us, Like we're just two queer

0:46:09.760 --> 0:46:12.279
<v Speaker 2>people making a little podcast. There are so many pot

0:46:12.360 --> 0:46:15.000
<v Speaker 2>us about him because he's such a famous musician. If

0:46:15.040 --> 0:46:18.520
<v Speaker 2>he did hear the show, I guess I would feel

0:46:18.520 --> 0:46:22.759
<v Speaker 2>disappointed if he used it to gain the Pink Pound, Like,

0:46:22.960 --> 0:46:25.440
<v Speaker 2>I don't want him to be like, oh sick, I've

0:46:25.480 --> 0:46:28.800
<v Speaker 2>got queer fans now, I'm gonna like release a line.

0:46:28.600 --> 0:46:31.040
<v Speaker 4>Of T shirts that say love is Love, Love is

0:46:31.040 --> 0:46:31.800
<v Speaker 4>Love yet exactly.

0:46:32.680 --> 0:46:34.560
<v Speaker 2>So, I think there's something nice about the fact that

0:46:34.560 --> 0:46:38.879
<v Speaker 2>he's like a slightly unobtainable figure in our lives in it. Yeah,

0:46:38.880 --> 0:46:41.879
<v Speaker 2>it's less about pleasing him or getting him on side

0:46:41.920 --> 0:46:43.800
<v Speaker 2>and more about us being like, yeah.

0:46:43.640 --> 0:46:46.719
<v Speaker 5>Yeah, it's not about him, us the most important people.

0:46:46.800 --> 0:46:48.400
<v Speaker 2>It's really about us, guys. That's what we're trying to

0:46:48.440 --> 0:46:49.319
<v Speaker 2>communicate to you.

0:46:52.560 --> 0:46:55.919
<v Speaker 3>Jesse and Holly. This is your last chance to share

0:46:56.000 --> 0:46:59.959
<v Speaker 3>closing faults, feelings, or final bits of evidence with the pattern.

0:47:00.960 --> 0:47:03.440
<v Speaker 5>So I have one last bit of evidence from our

0:47:03.480 --> 0:47:05.280
<v Speaker 5>dossier to play now for the panel.

0:47:05.520 --> 0:47:09.840
<v Speaker 2>Our executive producer Jasmine J. T. Green interviewing Alex or

0:47:09.840 --> 0:47:11.759
<v Speaker 2>talk Bazar, who wrote the music for the series. So

0:47:11.760 --> 0:47:13.880
<v Speaker 2>it's a conversation between the two of them, and the

0:47:13.920 --> 0:47:15.720
<v Speaker 2>first voice you hear is Alex's voice.

0:47:16.840 --> 0:47:17.000
<v Speaker 9>Right.

0:47:17.040 --> 0:47:19.720
<v Speaker 18>I've been thinking a lot about this whole quest for

0:47:20.400 --> 0:47:25.960
<v Speaker 18>Bruce as queer icon. Bruce isn't my queer icon. That

0:47:26.000 --> 0:47:29.839
<v Speaker 18>doesn't mean that Bruce can't be a queer icon. There's

0:47:29.880 --> 0:47:32.719
<v Speaker 18>a lot of like white women in the halls of

0:47:32.800 --> 0:47:36.960
<v Speaker 18>queer iconography, and who's picking those icons?

0:47:37.120 --> 0:47:37.319
<v Speaker 8>Right?

0:47:37.440 --> 0:47:39.400
<v Speaker 18>It's been a lot of like the male.

0:47:39.280 --> 0:47:41.200
<v Speaker 19>Gaze, See what you did there?

0:47:43.040 --> 0:47:45.279
<v Speaker 18>So have Bruce right? Like, Bruce isn't for me, But

0:47:45.719 --> 0:47:49.760
<v Speaker 18>because Bruce brusted for this concept that I was running

0:47:49.800 --> 0:47:55.200
<v Speaker 18>from already that other people were running two. I was

0:47:55.239 --> 0:47:58.839
<v Speaker 18>living in this idea of macho that was kind of

0:47:58.880 --> 0:48:02.040
<v Speaker 18>like held on a pedestal, and Bruce was occupying a

0:48:02.040 --> 0:48:06.879
<v Speaker 18>space that was manly but not overly mocho, and it's

0:48:06.960 --> 0:48:09.960
<v Speaker 18>felt like kind of attainable. But I think also for

0:48:10.120 --> 0:48:14.440
<v Speaker 18>me growing up a boy in New Jersey, it was

0:48:14.480 --> 0:48:17.880
<v Speaker 18>sort of like dangerously alluring that you could just you

0:48:17.920 --> 0:48:20.360
<v Speaker 18>could just be like Bruce and you could just keep

0:48:20.600 --> 0:48:27.200
<v Speaker 18>guying out. As far as I understand, before this project,

0:48:27.840 --> 0:48:31.640
<v Speaker 18>Bruce Springsteen the Boss was not a part of your life.

0:48:33.320 --> 0:48:34.160
<v Speaker 19>Absolutely not.

0:48:34.719 --> 0:48:40.040
<v Speaker 18>Okay, So now fast forward to you're suddenly helping make

0:48:40.080 --> 0:48:43.759
<v Speaker 18>a podcast about Bruce, and you're presumably listening to a

0:48:43.800 --> 0:48:44.400
<v Speaker 18>lot of Bruce.

0:48:44.440 --> 0:48:48.480
<v Speaker 19>Now, so it's funny, like now my streaming algorithm is

0:48:52.000 --> 0:48:57.759
<v Speaker 19>starting to recommend Bruce songs and I'm like, this a

0:48:57.760 --> 0:49:00.000
<v Speaker 19>little man, This a little man got some.

0:49:04.520 --> 0:49:05.080
<v Speaker 4>I get it.

0:49:05.160 --> 0:49:08.440
<v Speaker 19>I absolutely get it. I absolutely get it. I'm like,

0:49:08.520 --> 0:49:10.960
<v Speaker 19>I'm like crying thinking about it, like it's they're bops.

0:49:11.000 --> 0:49:14.400
<v Speaker 19>They're absolutely bops, I must say, and like they contain

0:49:14.480 --> 0:49:16.719
<v Speaker 19>like a different context to me.

0:49:16.800 --> 0:49:21.080
<v Speaker 18>Now, so you just said, I guess that you you

0:49:21.160 --> 0:49:24.640
<v Speaker 18>kind of implicitly recognized Bruce as queer icon. Do you

0:49:25.040 --> 0:49:26.960
<v Speaker 18>do you think that Bruce is a queer icon?

0:49:27.880 --> 0:49:32.480
<v Speaker 19>I am thoroughly convinced that he is, in fact a

0:49:32.560 --> 0:49:35.200
<v Speaker 19>queer icon. I think I feel in the same way

0:49:35.200 --> 0:49:37.919
<v Speaker 19>for you as in, like, he's not my queer icon,

0:49:38.320 --> 0:49:40.080
<v Speaker 19>but there are things that I can recognize.

0:49:43.120 --> 0:49:45.800
<v Speaker 3>Does the panel accept these additional pieces of evidence?

0:49:46.360 --> 0:49:47.839
<v Speaker 6>Yeah, I mean I do.

0:49:48.040 --> 0:49:50.520
<v Speaker 8>I'm happy to accept this evidence. You know, it's the

0:49:50.560 --> 0:49:54.280
<v Speaker 8>last minute the court will enter the evidence.

0:49:57.000 --> 0:50:02.719
<v Speaker 3>Perfect. The serious and legitimate peer review panel have heard

0:50:02.840 --> 0:50:05.000
<v Speaker 3>all of Jesse and Holly's evidence, and it is now

0:50:05.160 --> 0:50:08.200
<v Speaker 3>their time to share if they agree that Bruce Springsteen

0:50:08.320 --> 0:50:20.800
<v Speaker 3>is a queer icon. That's after the break, we are back.

0:50:23.120 --> 0:50:26.200
<v Speaker 3>I'm James Cunningham, and this is because the boss belongs

0:50:26.200 --> 0:50:29.520
<v Speaker 3>to us. Seeing if this isn't actually a scientific study,

0:50:29.640 --> 0:50:31.960
<v Speaker 3>I don't have to be a neutral adjudicator, so I'm

0:50:31.960 --> 0:50:36.880
<v Speaker 3>going to have my say too. I think that queerness

0:50:36.960 --> 0:50:41.560
<v Speaker 3>is a personal expression of oneself and as a bucket,

0:50:41.760 --> 0:50:45.239
<v Speaker 3>it's of your own filling and is intensely individual. And

0:50:45.280 --> 0:50:49.239
<v Speaker 3>so I think if you know, this kind of Americana

0:50:49.440 --> 0:50:54.200
<v Speaker 3>persona stands as an icon for people who are oppressed

0:50:54.440 --> 0:50:59.040
<v Speaker 3>and marginalized and you know, trying to piece their way

0:50:59.080 --> 0:51:02.160
<v Speaker 3>out of themselves to something greater than like where are

0:51:02.160 --> 0:51:05.640
<v Speaker 3>we to stop it? And I also think that anybody

0:51:05.680 --> 0:51:07.879
<v Speaker 3>who can look that good in an ecker chief, some

0:51:08.000 --> 0:51:10.360
<v Speaker 3>cut off down them jacket and some tight tight jeans,

0:51:10.800 --> 0:51:13.040
<v Speaker 3>you know, deserves definitely a point on the board too.

0:51:14.880 --> 0:51:17.560
<v Speaker 2>I think it's interesting that you describe queenness is like

0:51:17.840 --> 0:51:19.840
<v Speaker 2>there is like a very kind of individual version to

0:51:19.880 --> 0:51:24.200
<v Speaker 2>everyone's definition of queerness. And there's a very individual listic

0:51:24.320 --> 0:51:28.239
<v Speaker 2>thing around like queer icons and putting people on these pedestals.

0:51:28.480 --> 0:51:30.239
<v Speaker 2>But something that Holly and I have learned, I guess

0:51:30.239 --> 0:51:33.520
<v Speaker 2>across the series is also like, ultimately, the best thing

0:51:33.560 --> 0:51:35.880
<v Speaker 2>that happened that from all of Bruce Springsteen is that

0:51:35.920 --> 0:51:39.239
<v Speaker 2>we found community through that, Like we've found people and

0:51:39.280 --> 0:51:41.919
<v Speaker 2>the things that we care about ultimately, like the things

0:51:41.920 --> 0:51:42.800
<v Speaker 2>that bring us together.

0:51:46.320 --> 0:51:49.640
<v Speaker 3>And so it's time for our queer icon experts final

0:51:49.680 --> 0:51:53.840
<v Speaker 3>decision on whether Bruce Springsteen is a queer icon. So

0:51:53.920 --> 0:51:58.040
<v Speaker 3>the panel you may answer yes or no. You may

0:51:58.080 --> 0:52:00.920
<v Speaker 3>also answer yes, but with some suggest revisions to the

0:52:01.000 --> 0:52:03.000
<v Speaker 3>study Zekia Gibbons.

0:52:03.600 --> 0:52:07.319
<v Speaker 6>So you know, like I said, I still have yet

0:52:07.400 --> 0:52:12.720
<v Speaker 6>to really listen to a Bruce song, so I feel

0:52:12.719 --> 0:52:18.560
<v Speaker 6>like I cannot claim him as my queer icon. But

0:52:18.680 --> 0:52:20.839
<v Speaker 6>you know, after you know, having listened to the show,

0:52:20.840 --> 0:52:24.960
<v Speaker 6>after listening to y'all's arguments, hearing you know, other people's

0:52:25.000 --> 0:52:30.200
<v Speaker 6>experiences and views on Bruce, I can't deny other people's feelings.

0:52:30.680 --> 0:52:33.440
<v Speaker 6>If he is a queer icon to them, then he is.

0:52:33.840 --> 0:52:36.160
<v Speaker 6>But I also just listen to it, I'm like, oh,

0:52:36.560 --> 0:52:40.319
<v Speaker 6>these arguments are landing for me like I see it.

0:52:40.680 --> 0:52:43.040
<v Speaker 6>But does he feel like a queer icon to me?

0:52:43.680 --> 0:52:46.680
<v Speaker 6>Not yet, because I need to listen to his music.

0:52:46.920 --> 0:52:49.399
<v Speaker 6>But like I said before, he is giving baby Girl,

0:52:49.520 --> 0:52:54.080
<v Speaker 6>so he he upgraded. He upgraded from me having zero

0:52:54.239 --> 0:52:56.960
<v Speaker 6>opinions on him to being like, oh my god, Bruce

0:52:57.120 --> 0:53:01.200
<v Speaker 6>is baby Girl, like I buck with them, and so

0:53:01.360 --> 0:53:03.000
<v Speaker 6>check in with me in a few months after I've

0:53:03.000 --> 0:53:06.319
<v Speaker 6>listened to some songs, and I'll probably be standing him

0:53:06.360 --> 0:53:07.480
<v Speaker 6>as a queer icon as well.

0:53:11.239 --> 0:53:11.800
<v Speaker 3>You let me.

0:53:12.440 --> 0:53:14.560
<v Speaker 7>It's funny because I came into this thinking, no, he's

0:53:14.600 --> 0:53:16.480
<v Speaker 7>not a queer icon, and I say that as a

0:53:16.719 --> 0:53:19.360
<v Speaker 7>queer fan. But then as I've listened to the evidence,

0:53:19.719 --> 0:53:23.880
<v Speaker 7>there's clearly everything's there. He is camp, but then people

0:53:23.960 --> 0:53:26.440
<v Speaker 7>who love his camp love it with an intensity and

0:53:26.480 --> 0:53:28.920
<v Speaker 7>a sincerity that goes far beyond, which I think is

0:53:28.960 --> 0:53:32.279
<v Speaker 7>like the main point that makes a queer icon. And

0:53:32.360 --> 0:53:35.400
<v Speaker 7>he does ruefully underdog even if he himself is a millionaire,

0:53:35.880 --> 0:53:37.840
<v Speaker 7>and he can dance to his music and talk to

0:53:37.880 --> 0:53:40.560
<v Speaker 7>his music. So I've checked on my minds. I think that

0:53:40.560 --> 0:53:42.640
<v Speaker 7>he is a queer icon, although he's still not my

0:53:42.760 --> 0:53:46.160
<v Speaker 7>queer icon. I'm just a queer fan. But I also

0:53:46.200 --> 0:53:49.040
<v Speaker 7>think that Joel was right Earlies. This isn't really a

0:53:49.200 --> 0:53:53.200
<v Speaker 7>subject to scientific study. This is a matter of theology.

0:53:53.520 --> 0:53:56.120
<v Speaker 7>You either believe in the Boss or you don't. No

0:53:56.200 --> 0:53:59.080
<v Speaker 7>amount of sort of persuasive argument can change you one

0:53:59.120 --> 0:54:01.080
<v Speaker 7>word the other. Feed it in your heart or you

0:54:01.080 --> 0:54:03.000
<v Speaker 7>don't fit it in your heart. We don't really need

0:54:03.000 --> 0:54:06.200
<v Speaker 7>a scientists or physicists for this. You lead up a priest.

0:54:06.560 --> 0:54:09.040
<v Speaker 2>What I'm hearing from you, h is that we've successfully

0:54:09.080 --> 0:54:10.920
<v Speaker 2>managed to get us a gear into the cult.

0:54:12.480 --> 0:54:15.880
<v Speaker 6>I would say I in terms of cult, I have

0:54:16.040 --> 0:54:20.200
<v Speaker 6>like one arm in the sleeve of the cult cloak.

0:54:22.000 --> 0:54:24.440
<v Speaker 6>I pad with some music. I will probably slip my

0:54:24.520 --> 0:54:28.880
<v Speaker 6>other arm in and I'll be fully darning the Bruce

0:54:28.920 --> 0:54:31.000
<v Speaker 6>Bringsen cult cloak.

0:54:31.200 --> 0:54:32.840
<v Speaker 5>Next time we see you, you're going to be in

0:54:32.840 --> 0:54:33.720
<v Speaker 5>that denim cloak.

0:54:34.680 --> 0:54:37.759
<v Speaker 6>Yes, then club, Now that I know it's Denham, maybe

0:54:37.800 --> 0:54:42.680
<v Speaker 6>I'll yeah, I'll wear it even sooner it would be Denham.

0:54:43.400 --> 0:54:44.640
<v Speaker 7>Everyone wants to start somewhere.

0:54:46.640 --> 0:54:47.480
<v Speaker 3>You can't start a fire.

0:54:47.480 --> 0:54:51.719
<v Speaker 5>Oh amen to that.

0:54:54.840 --> 0:54:58.600
<v Speaker 3>And finally, Joel Taylor, it really.

0:54:58.360 --> 0:55:02.160
<v Speaker 13>Really really just agreeing with everything you were you were suggesting.

0:55:02.239 --> 0:55:10.320
<v Speaker 13>But h, Yes, the revision. I accept that.

0:55:11.360 --> 0:55:15.680
<v Speaker 8>Is your queer. Yes, he's your queer, not mine.

0:55:19.680 --> 0:55:21.440
<v Speaker 4>Thank you so so much, Bun.

0:55:22.160 --> 0:55:25.840
<v Speaker 5>That was so amazing and not as scary as I

0:55:25.840 --> 0:55:26.520
<v Speaker 5>thought it was going to be.

0:55:36.560 --> 0:55:37.600
<v Speaker 4>That was so good.

0:55:40.120 --> 0:55:44.640
<v Speaker 5>Oh man, I think I'm still shaking. I was really scared.

0:55:44.719 --> 0:55:48.640
<v Speaker 5>I was really nervous. That felt that felt terrifying.

0:55:48.800 --> 0:55:50.000
<v Speaker 3>Yeah, we I truly.

0:55:50.080 --> 0:55:52.160
<v Speaker 2>I kept being like we did this to ourselves, like

0:55:52.280 --> 0:55:54.640
<v Speaker 2>we we chose to be tested in this world.

0:55:54.880 --> 0:55:57.080
<v Speaker 5>But now I'm thinking maybe I should do a pH d.

0:55:58.760 --> 0:56:04.640
<v Speaker 4>Maybe that's next. It will make a bean, I really thought.

0:56:04.960 --> 0:56:08.760
<v Speaker 5>I mean Joelle, who knew at the last moment. Actually,

0:56:08.840 --> 0:56:11.200
<v Speaker 5>to be fair, I think all of them. Up until

0:56:11.239 --> 0:56:12.600
<v Speaker 5>about halfway through, I thought.

0:56:12.440 --> 0:56:13.120
<v Speaker 4>There's no chance.

0:56:13.280 --> 0:56:15.560
<v Speaker 5>Yeah, there are so many people that run from that

0:56:15.640 --> 0:56:19.760
<v Speaker 5>element of masculinity, like everything that Bruce represents. Why would

0:56:19.800 --> 0:56:21.360
<v Speaker 5>we want to them celebrate that?

0:56:22.040 --> 0:56:23.680
<v Speaker 2>But I thought it was so beautiful what Alex said

0:56:23.680 --> 0:56:26.239
<v Speaker 2>about like that is a thing in that final bit

0:56:26.239 --> 0:56:29.480
<v Speaker 2>of evidence of being like this, like new and playful relationships.

0:56:29.520 --> 0:56:31.719
<v Speaker 2>Mascultee is something that some queer people run towards and

0:56:31.760 --> 0:56:34.759
<v Speaker 2>some people are running from, and that just shows like

0:56:35.360 --> 0:56:37.960
<v Speaker 2>simply whoops, you can't imaginize queer people.

0:56:39.040 --> 0:56:41.880
<v Speaker 5>But Joelle, like very very early on, just like Hammered

0:56:41.880 --> 0:56:44.279
<v Speaker 5>does with you know, should we be doing this, like

0:56:44.400 --> 0:56:47.160
<v Speaker 5>why not members of our own queer community? What's difference

0:56:47.160 --> 0:56:49.920
<v Speaker 5>between queer icons and gacons? And we went through that

0:56:49.960 --> 0:56:53.799
<v Speaker 5>on the depression bench in episode four. We really interrogated

0:56:53.800 --> 0:56:56.200
<v Speaker 5>our feelings on that. But of course that was something

0:56:56.239 --> 0:56:58.239
<v Speaker 5>that Joel's going to question as all totally because it

0:56:58.239 --> 0:56:59.799
<v Speaker 5>needs to be asked. I think if anybody else did

0:56:59.840 --> 0:57:03.080
<v Speaker 5>this again, you have to ask those questions. And also

0:57:03.360 --> 0:57:05.120
<v Speaker 5>you have to feel pretty shit about it.

0:57:06.040 --> 0:57:06.480
<v Speaker 3>You just have to.

0:57:06.440 --> 0:57:08.239
<v Speaker 5>Feel really anxious and depressed about it.

0:57:15.680 --> 0:57:20.120
<v Speaker 2>Okay, thank you everyone so much for listening to because

0:57:20.160 --> 0:57:21.360
<v Speaker 2>the bus belongs to us.

0:57:21.680 --> 0:57:22.760
<v Speaker 4>You heard it here first.

0:57:22.880 --> 0:57:28.640
<v Speaker 5>Bruce Brinstein is a queer icon because he's our queer icon. Yeah,

0:57:29.360 --> 0:57:31.680
<v Speaker 5>so anyway, to be honest, we just did this because

0:57:31.760 --> 0:57:34.760
<v Speaker 5>we love Bruce and we love to love things too much.

0:57:35.680 --> 0:57:37.680
<v Speaker 2>This has allowed us to connect to so many queer

0:57:37.720 --> 0:57:40.400
<v Speaker 2>Bruce fans. There's so many of us out there slowly

0:57:40.480 --> 0:57:43.160
<v Speaker 2>infiltrating the queer community with our Bruce loving ways.

0:57:43.640 --> 0:57:46.920
<v Speaker 5>And regardless of what evidence we have, Bruce just is

0:57:46.960 --> 0:57:50.240
<v Speaker 5>our queer icon, at least for now, because he's important

0:57:50.280 --> 0:57:51.640
<v Speaker 5>to us and.

0:57:51.600 --> 0:57:57.320
<v Speaker 4>Now it's time to say goodbye. Holly.

0:57:57.800 --> 0:58:01.520
<v Speaker 2>Climbing is a town full pleasers, and we're pulling out

0:58:01.520 --> 0:58:02.040
<v Speaker 2>of here.

0:58:01.920 --> 0:58:02.560
<v Speaker 4>To win.

0:58:28.880 --> 0:58:30.960
<v Speaker 5>Because the boss belongs to us. Is a production of

0:58:31.000 --> 0:58:34.320
<v Speaker 5>Malton Hart and iHeart Podcasts. We're hosted by Jesse Lawson

0:58:34.400 --> 0:58:35.200
<v Speaker 5>and Holly Cassio.

0:58:36.360 --> 0:58:39.000
<v Speaker 2>The series is executive produced by Jesse and Holly and

0:58:39.040 --> 0:58:40.320
<v Speaker 2>created by Jesse Lawson.

0:58:41.120 --> 0:58:43.920
<v Speaker 5>This episode was produced and sound designed by Jesse Lawson,

0:58:44.160 --> 0:58:47.600
<v Speaker 5>with production assistants by Tess Hazel. Michelle maclum is our

0:58:47.640 --> 0:58:48.360
<v Speaker 5>mix engineer.

0:58:49.600 --> 0:58:52.120
<v Speaker 2>Our original music and theme is by Talk Bazaar at

0:58:52.200 --> 0:58:55.480
<v Speaker 2>Talk v A z A R Underscore. Our show art

0:58:55.480 --> 0:58:58.400
<v Speaker 2>was designed and illustrated by Holly Cassio at Holly c

0:58:58.480 --> 0:58:59.840
<v Speaker 2>A s i O.

0:59:00.080 --> 0:59:02.480
<v Speaker 5>Executive producer from Malton Hart is Jasmine J. T.

0:59:02.640 --> 0:59:02.880
<v Speaker 15>Green.

0:59:03.200 --> 0:59:06.720
<v Speaker 5>Our executive producer from iHeart Podcast is Lindy Hoffman.

0:59:07.760 --> 0:59:11.280
<v Speaker 2>A reminder that our friends have released six absolutely stunning

0:59:11.320 --> 0:59:14.800
<v Speaker 2>Bruce covers to celebrate the series, Fight Milk, The Sheridans,

0:59:14.920 --> 0:59:18.400
<v Speaker 2>coy O, Day, mus Ghost, Daskinsey four and Command Jasmine.

0:59:18.760 --> 0:59:20.640
<v Speaker 2>There's a link in our show notes for the Queer

0:59:20.720 --> 0:59:23.040
<v Speaker 2>Springsteen playlist listen there.

0:59:24.120 --> 0:59:26.400
<v Speaker 5>Thank you so much for the special people who've supported

0:59:26.480 --> 0:59:30.920
<v Speaker 5>us while making the series. Lauren Passel, Arlie Ablinton, James Cunningham,

0:59:30.960 --> 0:59:35.440
<v Speaker 5>Fen Williams, Kyle Gibbons, Beth Elden, Kerr, Oriel Wiles, Alana

0:59:35.480 --> 0:59:37.760
<v Speaker 5>Cumbier for inspiring our name and bringing us.

0:59:37.680 --> 0:59:41.600
<v Speaker 2>Together, Phil Roberts for buying me my first gay brucene.

0:59:40.920 --> 0:59:42.840
<v Speaker 5>And all of our friends and family who have put

0:59:42.920 --> 0:59:46.240
<v Speaker 5>up with us obsessively talking about Bruce forever and listen

0:59:46.320 --> 0:59:48.800
<v Speaker 5>to so much springs in against their will. It's not

0:59:48.840 --> 0:59:51.160
<v Speaker 5>going to stop, guys, just because the podcast's.

0:59:50.720 --> 0:59:52.440
<v Speaker 3>Over and when more.

0:59:52.480 --> 0:59:54.720
<v Speaker 2>Little shout out to the val Halla Suite, which is

0:59:54.760 --> 0:59:57.200
<v Speaker 2>a free plugin for audio nerdes and has been used

0:59:57.440 --> 1:00:00.360
<v Speaker 2>so much throughout the series. On my website, I have

1:00:00.400 --> 1:00:02.880
<v Speaker 2>a list of resources for people interested in getting into audio.

1:00:03.120 --> 1:00:04.280
<v Speaker 4>I'll link it in the show notes.

1:00:05.040 --> 1:00:07.200
<v Speaker 5>For more Queer Bruce content from us, check out my

1:00:07.280 --> 1:00:10.280
<v Speaker 5>scenes at Colschmall dot com and follow Drag King Butch

1:00:10.320 --> 1:00:13.040
<v Speaker 5>Sprinksteen at Butch Sprinksteen Underscore Drag.

1:00:14.120 --> 1:00:16.680
<v Speaker 2>I'm at Jesse lu Dawson and Holly is at Holly

1:00:16.720 --> 1:00:18.720
<v Speaker 2>Cassio on socials stay in touch.

1:00:18.840 --> 1:00:35.480
<v Speaker 4>You've not heard the last from us. Bye bye bye