1
00:00:00,720 --> 00:00:17,520
Speaker 1: I am all in. Let's kiss you. I am all

2
00:00:17,600 --> 00:00:21,560
Speaker 1: in with Scott Patterson and I Heart Radio podcast. Are

3
00:00:21,680 --> 00:00:26,639
Speaker 1: everybody Hey? Scott Patterson Pop Culture, Season three, episode nineteen

4
00:00:26,720 --> 00:00:31,640
Speaker 1: keg Max, Uh and Uh Laurel. I. Let's start out

5
00:00:31,640 --> 00:00:34,560
Speaker 1: with the first scene, the opening scene where Laurel and

6
00:00:34,640 --> 00:00:36,400
Speaker 1: Royer sitting on the couch trying to figure out what

7
00:00:36,479 --> 00:00:38,440
Speaker 1: to do on a Friday night because they ain't going

8
00:00:38,479 --> 00:00:44,600
Speaker 1: to Richard and Emily's no mo because there is bad blood.

9
00:00:44,640 --> 00:00:50,839
Speaker 1: Now imagine that between mother and daughter. Um. And so

10
00:00:50,880 --> 00:00:56,120
Speaker 1: they make a phone call, right and uh and and

11
00:00:56,200 --> 00:00:58,560
Speaker 1: Rory makes a phone call and Richard answers, and she

12
00:00:58,680 --> 00:01:01,880
Speaker 1: finds out that they are alreadying their brains out at

13
00:01:01,880 --> 00:01:04,679
Speaker 1: the Gilmore Rules. It's like Friday at dinner. What are

14
00:01:04,720 --> 00:01:07,080
Speaker 1: they doing. They're probably just sitting there with a you know,

15
00:01:07,760 --> 00:01:12,760
Speaker 1: a an overly bright light bulbs no heat, just to

16
00:01:13,120 --> 00:01:16,039
Speaker 1: rub it in. And you know, we're miserable because we

17
00:01:16,040 --> 00:01:19,000
Speaker 1: don't have these two here. No, they are putting on

18
00:01:19,040 --> 00:01:21,600
Speaker 1: the rids man, they have tuxedos, they have gowns on,

19
00:01:22,400 --> 00:01:25,679
Speaker 1: they're they're serving mushroom caps. And by the way, that

20
00:01:25,760 --> 00:01:29,160
Speaker 1: was one of my favorite lines of the entire episode

21
00:01:29,160 --> 00:01:30,760
Speaker 1: was when Rory just looked at her mom and said,

22
00:01:30,760 --> 00:01:36,440
Speaker 1: but mushroom caps just she was on a mushroom app

23
00:01:36,920 --> 00:01:39,440
Speaker 1: does exactly and I know they said cap, but I

24
00:01:39,840 --> 00:01:42,840
Speaker 1: turned it to app. I love anything mushroom app absolutely

25
00:01:42,920 --> 00:01:46,840
Speaker 1: absolutely so. Anyway, so Rory says, now it just drives

26
00:01:46,840 --> 00:01:50,640
Speaker 1: me crazy. It's if you'd like to do shaven a

27
00:01:50,640 --> 00:01:53,200
Speaker 1: haircut without the last part. You know, first of all,

28
00:01:53,280 --> 00:01:55,360
Speaker 1: can I ask you guys something, How does Rory know

29
00:01:55,480 --> 00:01:58,800
Speaker 1: what that is? How does Rory know what shaven a

30
00:01:58,840 --> 00:02:06,680
Speaker 1: haircut is? Musical terms? Well, well, we'll go to that.

31
00:02:06,680 --> 00:02:09,600
Speaker 1: That's a hundred year old reference, by the way, um,

32
00:02:09,680 --> 00:02:11,480
Speaker 1: because I looked it up and I listened to the

33
00:02:11,520 --> 00:02:14,400
Speaker 1: song and so any shave shaven a haircut that she

34
00:02:14,560 --> 00:02:19,760
Speaker 1: refers to to her mother, uh is associated with two bits.

35
00:02:19,919 --> 00:02:23,720
Speaker 1: It's a seven note musical riff call and response rhythm

36
00:02:23,840 --> 00:02:26,720
Speaker 1: popularly used at the end of a musical performance. And

37
00:02:26,760 --> 00:02:28,320
Speaker 1: I listened to it. It goes something like this, and

38
00:02:28,360 --> 00:02:33,959
Speaker 1: you've heard it all before. It's like, dn''t dn't that's it, okay?

39
00:02:34,000 --> 00:02:36,760
Speaker 1: And there are different forms of that. So that's usually

40
00:02:37,200 --> 00:02:41,440
Speaker 1: for comedic effects, um, and it's used melodically and rhythmically,

41
00:02:41,520 --> 00:02:44,760
Speaker 1: for example, as a knock on the door, Um, and

42
00:02:44,800 --> 00:02:46,680
Speaker 1: here are the musical notes. And I don't know if

43
00:02:46,720 --> 00:02:50,799
Speaker 1: anybody can read music or but it's called shaven a

44
00:02:50,880 --> 00:02:54,120
Speaker 1: haircut two bits. It could be used as a duet

45
00:02:54,160 --> 00:02:58,440
Speaker 1: where one person uh calls and the two bits would

46
00:02:58,480 --> 00:03:01,600
Speaker 1: be the answer din't in and I that dent, Amy,

47
00:03:01,639 --> 00:03:07,040
Speaker 1: give me the answer. So I'm gonna call dent and

48
00:03:07,240 --> 00:03:13,120
Speaker 1: lent dent, dent and lent dent dent. I can kind

49
00:03:13,120 --> 00:03:16,040
Speaker 1: of read music, I know face, and I know every

50
00:03:16,080 --> 00:03:20,160
Speaker 1: boy does every boy? What was that one? Every Every

51
00:03:20,639 --> 00:03:26,040
Speaker 1: fine boy does good, every boy does shoot, every every

52
00:03:26,160 --> 00:03:31,960
Speaker 1: every good boy does fine. Thank you. Let's try this again,

53
00:03:32,160 --> 00:03:35,280
Speaker 1: shall we? Why? I bet you your guitars aren't tuned

54
00:03:35,400 --> 00:03:42,240
Speaker 1: very well? Every fine, good boy does well? Alright, one

55
00:03:42,280 --> 00:03:52,160
Speaker 1: more time, just for emphasis, d good excellent, not too shift.

56
00:03:52,160 --> 00:03:57,240
Speaker 1: Even after all that, why did they say this? You

57
00:03:57,400 --> 00:04:02,080
Speaker 1: just miss Scott? I know when I was here, I

58
00:04:02,200 --> 00:04:09,559
Speaker 1: was here, But I'm like, how how okay, let's move on,

59
00:04:10,800 --> 00:04:14,160
Speaker 1: I mean alright, So al right, so there's still there

60
00:04:14,240 --> 00:04:18,320
Speaker 1: were still on the scene, right, and they're still trying

61
00:04:18,320 --> 00:04:20,120
Speaker 1: to figure out to do with their Friday night, and

62
00:04:20,760 --> 00:04:23,400
Speaker 1: they find out that Richard and Emily are partying their

63
00:04:23,440 --> 00:04:26,760
Speaker 1: brains out over there, and that somebody is even dancing

64
00:04:27,520 --> 00:04:33,880
Speaker 1: with Emily, and Richard spies this guy feeling groping Emily

65
00:04:34,080 --> 00:04:36,320
Speaker 1: on the dance floor, and he gets off the phone

66
00:04:36,320 --> 00:04:40,400
Speaker 1: and says, hey, hey one, watch where your hands are gone?

67
00:04:40,520 --> 00:04:45,000
Speaker 1: You know this kind of thing. So, I mean, first

68
00:04:45,040 --> 00:04:47,560
Speaker 1: of all, how great an actor is ed Herman, for

69
00:04:48,080 --> 00:04:50,960
Speaker 1: I mean Jesus that he puts all the joy and

70
00:04:51,000 --> 00:04:55,320
Speaker 1: all the fun and everything. Lloyd, watch where your Lloyd?

71
00:04:55,400 --> 00:04:59,000
Speaker 1: Watch those hands, you know. But he just and especially

72
00:04:59,040 --> 00:05:00,560
Speaker 1: when he got off the phone with where he turns

73
00:05:00,600 --> 00:05:02,559
Speaker 1: around and he gets into the song and he starts

74
00:05:02,560 --> 00:05:05,480
Speaker 1: singing the song a little bit wonderful stuff. Love watching

75
00:05:05,520 --> 00:05:09,280
Speaker 1: that guy act um So Roy says, the Gilmore House

76
00:05:09,360 --> 00:05:12,680
Speaker 1: is partying like its N nine, obviously a reference to

77
00:05:12,720 --> 00:05:16,479
Speaker 1: the Prince songs written in two is fifth studio album

78
00:05:16,600 --> 00:05:20,599
Speaker 1: the same name. Uh. The song was to symbolize the

79
00:05:20,600 --> 00:05:24,400
Speaker 1: mockery of an arm a geddon and to party recklessly

80
00:05:24,520 --> 00:05:26,560
Speaker 1: before the year two thousand, which I guess is y

81
00:05:26,600 --> 00:05:28,600
Speaker 1: two k right. That never sort of, it's just kind

82
00:05:28,600 --> 00:05:32,800
Speaker 1: of fizzled out and puffed down he did he did?

83
00:05:32,839 --> 00:05:36,760
Speaker 1: I know that? Uh? Well? And also speaking of of

84
00:05:36,839 --> 00:05:40,040
Speaker 1: the Purple one as he's referred to, right, they call

85
00:05:40,120 --> 00:05:42,799
Speaker 1: him the Purple one. Uh. In two thousand and seventeen,

86
00:05:42,839 --> 00:05:47,880
Speaker 1: after his death, Pantone named a shade of purple after him.

87
00:05:47,880 --> 00:05:50,880
Speaker 1: It's called Love Symbol number two. You know what Pantone is, right,

88
00:05:50,920 --> 00:05:54,360
Speaker 1: and the different not know. Pantone is a company that

89
00:05:54,400 --> 00:05:57,360
Speaker 1: does all the shades of different colors. There's thousands of

90
00:05:57,400 --> 00:06:00,600
Speaker 1: thousands and thousands of different shades of green, blue, yellow, thing.

91
00:06:00,960 --> 00:06:03,560
Speaker 1: So when I was doing my coffee company colors, we

92
00:06:03,600 --> 00:06:05,800
Speaker 1: had to get it down to a certain Pantone. So

93
00:06:05,800 --> 00:06:09,880
Speaker 1: everybody goes how to print it? Um? So she also

94
00:06:10,320 --> 00:06:13,000
Speaker 1: and Laurel I reference and here at home with us,

95
00:06:13,080 --> 00:06:17,400
Speaker 1: it's like the seven hundred Clubs, right, that's been around.

96
00:06:17,440 --> 00:06:20,120
Speaker 1: I mean you know, uh seven hundred Clubs TV program

97
00:06:20,200 --> 00:06:25,760
Speaker 1: Christian Broadcasting Network. It aired each weekday in Situcation, United States,

98
00:06:25,920 --> 00:06:30,320
Speaker 1: was available worldwide on CBN dot Com. Laurel I is

99
00:06:30,400 --> 00:06:34,720
Speaker 1: referring to the seven club being boring. M Imagine that.

100
00:06:34,880 --> 00:06:39,080
Speaker 1: Imagine Laurel I saying something like that shocking. And here's

101
00:06:39,120 --> 00:06:43,960
Speaker 1: another fun fact, Pat was it Pat Robertson. He started

102
00:06:44,000 --> 00:06:48,520
Speaker 1: doing that when he was twenty eight years old, and

103
00:06:48,600 --> 00:06:53,880
Speaker 1: he did it until he was nine one. Yeah, no,

104
00:06:53,920 --> 00:06:55,599
Speaker 1: but it's I think it's still on and his son

105
00:06:55,680 --> 00:06:59,240
Speaker 1: took over. Oh really, I never see it anymore because

106
00:06:59,240 --> 00:07:01,400
Speaker 1: I used to like flip in channels and you would

107
00:07:01,440 --> 00:07:04,320
Speaker 1: stumble upon to the seven hundred Club. Yeah, they still

108
00:07:04,320 --> 00:07:07,000
Speaker 1: play it on the seven hundred Club on on Freedom

109
00:07:07,040 --> 00:07:11,480
Speaker 1: Network or something like free form free form. Right, yes,

110
00:07:11,560 --> 00:07:13,120
Speaker 1: wait a minute, now let's coming back to me like

111
00:07:13,200 --> 00:07:16,040
Speaker 1: late at night. Yeah, it's like feel like nine pm.

112
00:07:16,200 --> 00:07:18,520
Speaker 1: It's so annoying because I like, sometimes I wanted, like

113
00:07:18,560 --> 00:07:20,280
Speaker 1: a good movie on free form and it's just seven

114
00:07:25,160 --> 00:07:27,800
Speaker 1: I would say, I know. All right. So now Laurel

115
00:07:27,920 --> 00:07:30,160
Speaker 1: Eyes in the diner, she's in Luke's diner. She's with

116
00:07:30,200 --> 00:07:32,240
Speaker 1: her camera. She's doing all her little doop de doo

117
00:07:32,360 --> 00:07:36,080
Speaker 1: stuff with the with the with the analog device and

118
00:07:36,440 --> 00:07:39,800
Speaker 1: or the digital whatever. Uh and she says, oh, man,

119
00:07:39,880 --> 00:07:43,800
Speaker 1: you do not photograph. Well, first of all, I'm not

120
00:07:43,880 --> 00:07:46,080
Speaker 1: this isn't you know. I'm not trying to be arrogant

121
00:07:46,160 --> 00:07:50,560
Speaker 1: or anything. But if can you imagine Luke not photographing, Well,

122
00:07:50,560 --> 00:07:52,880
Speaker 1: I don't I don't get that forty miles of bad road,

123
00:07:53,040 --> 00:07:56,040
Speaker 1: stop it. You know. If you're gonna do that to

124
00:07:56,120 --> 00:07:59,880
Speaker 1: the butt, Okay, do it through the face too. Okay,

125
00:08:00,240 --> 00:08:03,160
Speaker 1: that's the face needs it. Thank you very much. You've

126
00:08:03,160 --> 00:08:05,720
Speaker 1: been getting Yeah, I've been getting any sleep, brother, because

127
00:08:05,720 --> 00:08:08,160
Speaker 1: that's forty miles of bad roads. And Lorel takes a

128
00:08:08,200 --> 00:08:10,360
Speaker 1: picture of Luke. She looks at it, and he looked

129
00:08:10,360 --> 00:08:12,720
Speaker 1: at it and was repelled by what everybody thought. It

130
00:08:12,760 --> 00:08:15,640
Speaker 1: was a horrible photo. We all acted the crap out

131
00:08:15,640 --> 00:08:18,800
Speaker 1: about what a terrible picture. It was. The whole thing anyway,

132
00:08:19,000 --> 00:08:22,120
Speaker 1: Forty miles of Bad Road came from a rock and

133
00:08:22,240 --> 00:08:28,440
Speaker 1: roll instrumental recorded by Dwyane Eddie. And I watched the video, uh,

134
00:08:28,480 --> 00:08:31,400
Speaker 1: and it was the weirdest video I've ever seen. It

135
00:08:31,440 --> 00:08:33,760
Speaker 1: was back in the fifties. Dick Clark was in his

136
00:08:33,880 --> 00:08:37,680
Speaker 1: early twenties. He presented Dwyane Eddie and this hit song.

137
00:08:39,600 --> 00:08:41,520
Speaker 1: I think it was like one of the first episodes

138
00:08:41,520 --> 00:08:44,319
Speaker 1: of American Bandstand. It could have been. But they were

139
00:08:44,400 --> 00:08:50,199
Speaker 1: on location in in Middle America and Dwyane Eddie and

140
00:08:50,280 --> 00:08:54,040
Speaker 1: his band came out out. They were outdoors on a

141
00:08:54,120 --> 00:08:57,839
Speaker 1: farm with all of these women in dresses with dark

142
00:08:57,880 --> 00:09:01,280
Speaker 1: hair on either side, and grants dance and they the

143
00:09:01,320 --> 00:09:06,199
Speaker 1: band was brought out in tractors and and Dwayne Eddie

144
00:09:06,240 --> 00:09:08,880
Speaker 1: was standing on top of a of the type of

145
00:09:08,880 --> 00:09:12,160
Speaker 1: attractor that cuts wheat, So he was standing on top

146
00:09:12,200 --> 00:09:15,200
Speaker 1: of the road at rotor blades and they were really big,

147
00:09:15,240 --> 00:09:17,960
Speaker 1: so if that thing accidentally turned on, he would have

148
00:09:17,960 --> 00:09:23,000
Speaker 1: been killed very quickly. The saxophone player came out in

149
00:09:23,520 --> 00:09:27,600
Speaker 1: the scooper of an earth mover and he was kind

150
00:09:27,600 --> 00:09:30,440
Speaker 1: of laying down and playing a sax solo. It was

151
00:09:30,480 --> 00:09:34,680
Speaker 1: really strange, um very funny, but anyway, so that the

152
00:09:34,800 --> 00:09:38,000
Speaker 1: story behind the name of the song in which the

153
00:09:38,040 --> 00:09:42,040
Speaker 1: title came from forty Miles Bad Road. Dwayne Eddie and

154
00:09:42,080 --> 00:09:45,360
Speaker 1: his producer Lee Hazelwood were waiting in line to buy

155
00:09:45,400 --> 00:09:47,640
Speaker 1: tickets at a movie theater. Now imagine standing there in

156
00:09:47,679 --> 00:09:49,920
Speaker 1: a movie theater. You over here two guys in front

157
00:09:49,960 --> 00:09:52,640
Speaker 1: of discussing a blind date that one of them had,

158
00:09:52,679 --> 00:09:54,360
Speaker 1: and the other one said, well, how the date go on?

159
00:09:54,400 --> 00:09:56,839
Speaker 1: His friend replied, while it was okay, but the girl

160
00:09:56,920 --> 00:09:59,880
Speaker 1: had a face that looked like forty miles of Bad Road,

161
00:10:01,080 --> 00:10:03,880
Speaker 1: And Dwyane and Lee looked at each other and they said, well,

162
00:10:03,920 --> 00:10:06,120
Speaker 1: that's the title of our next record. So that's where

163
00:10:06,120 --> 00:10:11,240
Speaker 1: it came. My reaction was a little early because I

164
00:10:12,160 --> 00:10:16,800
Speaker 1: snuck ahead and I saw it coming right harsh. Yeah,

165
00:10:16,960 --> 00:10:19,640
Speaker 1: and it's an instrumental there's no there are no lyrics

166
00:10:19,640 --> 00:10:26,920
Speaker 1: in the songs. So harsh that she said that to Luke. Yeah, right, bad,

167
00:10:27,320 --> 00:10:29,800
Speaker 1: But I think that's just part of her olds, you know,

168
00:10:29,960 --> 00:10:34,400
Speaker 1: rich just ribbing them right, just ribbing them. Um all right,

169
00:10:34,400 --> 00:10:39,200
Speaker 1: Now we move on to uh Lane practicing with her

170
00:10:39,240 --> 00:10:41,240
Speaker 1: band and trying to think of a band name. Remember

171
00:10:41,240 --> 00:10:45,520
Speaker 1: that scene, Um and Dave says, we have enough for

172
00:10:45,960 --> 00:10:49,520
Speaker 1: two half hour sets in terms of songs, right, because

173
00:10:49,559 --> 00:10:51,160
Speaker 1: I think they asked him if they had enough songs.

174
00:10:51,400 --> 00:10:53,280
Speaker 1: I think Jess asked him, do you guys have enough

175
00:10:53,320 --> 00:10:57,280
Speaker 1: songs or whatever? Um and and Dave says, but we

176
00:10:57,360 --> 00:11:00,560
Speaker 1: need a name, and Brian says, I made my suggested

177
00:11:00,640 --> 00:11:07,199
Speaker 1: and Zach says, yeah, we vetoed the Harry Potters next. Okay,

178
00:11:07,400 --> 00:11:10,080
Speaker 1: it's not a bad name, actually, the Harry Potters. I

179
00:11:10,080 --> 00:11:12,600
Speaker 1: don't hate it, it's not I think it's pretty clever,

180
00:11:13,480 --> 00:11:19,800
Speaker 1: but it does sort of limit what the perception could

181
00:11:19,840 --> 00:11:23,640
Speaker 1: be for the band. You just imagine them in cloaks, right, exactly,

182
00:11:23,679 --> 00:11:28,200
Speaker 1: you imagine them. They're all magicians. It's like the Harry

183
00:11:28,200 --> 00:11:31,680
Speaker 1: where the Harry Potters, It's like, well it's a little weird. Um, so,

184
00:11:31,720 --> 00:11:34,000
Speaker 1: of course this Harry Potter is a fictional series written

185
00:11:34,000 --> 00:11:38,560
Speaker 1: by J. K. Rowling. Seven books. Um, let's do some

186
00:11:38,640 --> 00:11:42,200
Speaker 1: fun facts. And all the scenes where Ron, Harry and

187
00:11:42,240 --> 00:11:46,600
Speaker 1: Hermione were doing homework, they were actually doing their homework.

188
00:11:47,400 --> 00:11:49,360
Speaker 1: I mean they were the leads, so they really were

189
00:11:49,360 --> 00:11:53,560
Speaker 1: in basically every scene, every scene. Does everybody here love

190
00:11:53,640 --> 00:12:02,559
Speaker 1: Harry Potter? Obsessed? Fantastic fantastic in how are you kidding Me?

191
00:12:02,840 --> 00:12:08,640
Speaker 1: Fell Free, how snoring? Like I read books, read all

192
00:12:08,640 --> 00:12:11,079
Speaker 1: the books. I waited in line, like remember when you

193
00:12:11,080 --> 00:12:13,640
Speaker 1: couldn't reserve seats and theaters back then, and we would

194
00:12:13,640 --> 00:12:17,000
Speaker 1: wait in line all day. Make sure me and my friends.

195
00:12:17,440 --> 00:12:20,120
Speaker 1: I guess I was just thinking of the opening that done.

196
00:12:21,040 --> 00:12:24,160
Speaker 1: I can't do it. But you know that tune when

197
00:12:24,160 --> 00:12:27,599
Speaker 1: a Harry Potter movie starts that it's just like your comfort.

198
00:12:27,840 --> 00:12:30,920
Speaker 1: It was just like, oh my god, I love I

199
00:12:31,040 --> 00:12:35,040
Speaker 1: love every movie, every movie. Yeah, they're they're classic films.

200
00:12:35,120 --> 00:12:39,920
Speaker 1: But she thought of the name Hogwarts while on a

201
00:12:40,000 --> 00:12:44,720
Speaker 1: flight and she wrote it down on an airsick back. Um,

202
00:12:44,920 --> 00:12:47,840
Speaker 1: and uh, let me see what else do we have here,

203
00:12:48,480 --> 00:12:53,760
Speaker 1: Professor Severus Severus Snape. Severus snap Snape was modeled on

204
00:12:53,800 --> 00:12:58,599
Speaker 1: a teacher called John Nettleship who taught j K chemistry

205
00:12:58,920 --> 00:13:02,600
Speaker 1: in school. The characters name was inspired by Severus Road

206
00:13:02,640 --> 00:13:05,160
Speaker 1: in South London, while his surname was taken from a

207
00:13:05,320 --> 00:13:14,320
Speaker 1: small Suffolk village. Now we're getting to some James Bond stuff.

208
00:13:14,320 --> 00:13:17,960
Speaker 1: So Rory, Uh, they leave Rory and just leave the

209
00:13:18,000 --> 00:13:22,160
Speaker 1: band practice in the garage. After they try to come

210
00:13:22,240 --> 00:13:25,800
Speaker 1: up with a name for the band. Um, Jess starts

211
00:13:25,840 --> 00:13:29,240
Speaker 1: going on about the prom and because he wants to

212
00:13:30,440 --> 00:13:32,640
Speaker 1: Rory wants to go with Lane and Dave, so it's

213
00:13:32,640 --> 00:13:35,880
Speaker 1: a double date for the prom. Rory says it means

214
00:13:35,880 --> 00:13:38,320
Speaker 1: a tux you know, I know it's geeky, and Jess

215
00:13:38,320 --> 00:13:42,880
Speaker 1: says tuxes are also James Bond, so that's not geekys.

216
00:13:42,960 --> 00:13:47,080
Speaker 1: Now we're gonna talk a little bit about a Bond. No, no, yeah,

217
00:13:47,080 --> 00:13:51,280
Speaker 1: bond makes them cool. They're not, They're they're freaking Some

218
00:13:51,440 --> 00:13:55,439
Speaker 1: taxes can be geeky, yes, they can be. Um. So

219
00:13:55,640 --> 00:13:58,880
Speaker 1: when that's the Bond series starting sixty two, the suit

220
00:13:59,679 --> 00:14:02,160
Speaker 1: was this standard uniform in the Western world for middle

221
00:14:02,200 --> 00:14:07,280
Speaker 1: class and upper class met the suit, suit and tie. Uh.

222
00:14:07,360 --> 00:14:10,600
Speaker 1: James Bond's cover has always been that of a businessman

223
00:14:11,080 --> 00:14:17,040
Speaker 1: who works for a London company called Universal Exports. UM

224
00:14:17,080 --> 00:14:20,240
Speaker 1: and just as referring to how cool James Bond makes

225
00:14:20,240 --> 00:14:23,680
Speaker 1: wearing a Tuck's look, there's been seven James Bond. Who

226
00:14:23,720 --> 00:14:26,520
Speaker 1: was your favorite? Guys, let's go, Tara, who's your favorite

227
00:14:27,080 --> 00:14:30,120
Speaker 1: James Bond? Have you seen all the films? Yeah? Pierce

228
00:14:30,200 --> 00:14:33,760
Speaker 1: Brosnan just he was pretty was the one I grew

229
00:14:33,840 --> 00:14:37,400
Speaker 1: up with. I didn't really even know about Sean Connery

230
00:14:37,480 --> 00:14:40,520
Speaker 1: till later, and I never really watched the Daniel Craigs.

231
00:14:40,520 --> 00:14:46,040
Speaker 1: I'm going Brosnan, I'm going I'm going Connery and Craig.

232
00:14:47,000 --> 00:14:51,320
Speaker 1: And I like me some Brosnan. Yeah, I do Liketon

233
00:14:51,520 --> 00:14:53,480
Speaker 1: was he one and done? He was one and done

234
00:14:53,480 --> 00:14:56,960
Speaker 1: like George Lason by so so yeah, so so I

235
00:14:57,040 --> 00:14:59,800
Speaker 1: like me some Daniel Craig. I'm not mad about the

236
00:14:59,800 --> 00:15:02,320
Speaker 1: idea of ad dress for Bond, by the way, just

237
00:15:02,360 --> 00:15:10,040
Speaker 1: saying I think he's about He's great. Yeah, he's absolutely great. Um. Anyway,

238
00:15:10,080 --> 00:15:12,600
Speaker 1: so they've been seven. I'm Sean Connery, David Niven. I

239
00:15:12,600 --> 00:15:16,360
Speaker 1: didn't know David Niven was a Bond. David Niven was

240
00:15:16,360 --> 00:15:19,080
Speaker 1: a boy. He must have done one and done George Lason, By,

241
00:15:20,160 --> 00:15:23,240
Speaker 1: Roger Moore, Timothy Dalton, Pierce Braws and Daniel Craig. Daniel

242
00:15:23,280 --> 00:15:25,600
Speaker 1: Craig's been doing it for a while. Yeah, he's done.

243
00:15:26,080 --> 00:15:28,120
Speaker 1: He said that was his last one. And you know

244
00:15:28,320 --> 00:15:30,640
Speaker 1: I'm flying flying all the time, right, So I'm getting

245
00:15:30,680 --> 00:15:35,400
Speaker 1: on airplanes all the time, and I've watched um uh

246
00:15:35,480 --> 00:15:38,400
Speaker 1: what is it, no time to die? Yeah? Yeah, every

247
00:15:38,400 --> 00:15:41,760
Speaker 1: time I get on on air Canada, they I watched

248
00:15:41,760 --> 00:15:44,360
Speaker 1: the film and they always land before forty minutes before

249
00:15:44,400 --> 00:15:48,000
Speaker 1: the end, and I'm like, it's happening to me three times.

250
00:15:48,560 --> 00:15:51,960
Speaker 1: I don't even know the end anyway. In Fleming got

251
00:15:52,400 --> 00:15:56,800
Speaker 1: the James Bond name from an author named James Bond

252
00:15:57,040 --> 00:16:00,760
Speaker 1: who wrote a book on bird watching called Birds of

253
00:16:00,800 --> 00:16:05,440
Speaker 1: the West Indies. So I totally got distracted when you

254
00:16:05,480 --> 00:16:07,720
Speaker 1: were talking about David Niven being born, because all I

255
00:16:07,720 --> 00:16:10,080
Speaker 1: could think about was the Streaker and I knew it.

256
00:16:10,120 --> 00:16:13,200
Speaker 1: I looked it up. It was David Niven was hosting

257
00:16:13,200 --> 00:16:16,440
Speaker 1: the oscars when that streak, Oh yeah, that must have

258
00:16:16,440 --> 00:16:20,880
Speaker 1: been in the seventies, when streaking is a thing. We did,

259
00:16:20,960 --> 00:16:24,120
Speaker 1: we all streak. I streaked. No, we've heard about yours.

260
00:16:24,160 --> 00:16:26,240
Speaker 1: But now we don't want to wait, let's not go

261
00:16:26,280 --> 00:16:28,280
Speaker 1: into that again, all right, So here we go and

262
00:16:28,320 --> 00:16:32,240
Speaker 1: we come to the infamous. But seen Luke is tinkering

263
00:16:32,600 --> 00:16:38,160
Speaker 1: all he's lying on the reference they made during this right, So,

264
00:16:38,160 --> 00:16:43,320
Speaker 1: so Suki was talking about accidentally touching Luke's hind quarters.

265
00:16:44,080 --> 00:16:50,520
Speaker 1: Uh shall we refer to them? Uh derriere um um.

266
00:16:51,120 --> 00:16:53,280
Speaker 1: He said it was an accident. Laurel I says, it's

267
00:16:53,320 --> 00:16:57,160
Speaker 1: getting very cinemax at night. And here Cinemax is a

268
00:16:57,240 --> 00:17:04,199
Speaker 1: cable network that launched in uh only laughing because it

269
00:17:04,280 --> 00:17:07,320
Speaker 1: can be really awkward if you have all the cable channels.

270
00:17:08,000 --> 00:17:16,439
Speaker 1: You're just scrolling and suddenly it's a it's wow, and

271
00:17:16,480 --> 00:17:21,119
Speaker 1: you're just like right right right. When I when I

272
00:17:21,160 --> 00:17:24,080
Speaker 1: went to look at my house that I eventually bought

273
00:17:24,160 --> 00:17:26,480
Speaker 1: in in two thousand and three, the guy was showing

274
00:17:26,480 --> 00:17:29,080
Speaker 1: me around the house and he and and he turned

275
00:17:29,119 --> 00:17:30,800
Speaker 1: on the TV and the in the Medea room and

276
00:17:30,840 --> 00:17:36,920
Speaker 1: there it was it was it was it was ten

277
00:17:36,960 --> 00:17:39,439
Speaker 1: o'clock in the morning, and he goes, I'm sorry about that. No,

278
00:17:39,560 --> 00:17:41,760
Speaker 1: I guess the owner likes to watch you know why,

279
00:17:41,800 --> 00:17:45,159
Speaker 1: don't know the TV showing you the house. I don't know.

280
00:17:45,280 --> 00:17:49,760
Speaker 1: He just he just did. He just did. Um. So,

281
00:17:49,840 --> 00:17:52,240
Speaker 1: to compete with other cable networks, Days decided to play

282
00:17:52,480 --> 00:17:56,720
Speaker 1: R rated movies during the daytime. So that's when the

283
00:17:56,800 --> 00:18:01,160
Speaker 1: decline of the Western civilization began, whereas HBO was only

284
00:18:01,160 --> 00:18:04,679
Speaker 1: playing R rated movies after eight PM. So they have

285
00:18:04,800 --> 00:18:08,320
Speaker 1: the moral high ground. HBO has the moral high ground.

286
00:18:09,040 --> 00:18:13,120
Speaker 1: Uh So, laurelized referring to cinemas content was inappropriate, which

287
00:18:13,320 --> 00:18:16,840
Speaker 1: was a funny line. That's my I'm still days and

288
00:18:16,880 --> 00:18:20,840
Speaker 1: I'm still not recovered because makes me laugh, and yet

289
00:18:20,880 --> 00:18:25,240
Speaker 1: I feel awful about it, and I'm so I'm so conflicted.

290
00:18:27,720 --> 00:18:32,320
Speaker 1: It's just a TV show, uh, just a goofy TV show.

291
00:18:33,359 --> 00:18:37,720
Speaker 1: Um all right. So now layalized telling Suki what it

292
00:18:37,800 --> 00:18:41,480
Speaker 1: was like running into Max at the Boosters meeting. Laurealizes, no,

293
00:18:41,720 --> 00:18:45,080
Speaker 1: I was trying to play it cool, and Suki says, well,

294
00:18:45,119 --> 00:18:47,040
Speaker 1: there you go. He was doing the same thing. You

295
00:18:47,080 --> 00:18:50,520
Speaker 1: were both James deaning it, trying to keep it professional.

296
00:18:50,560 --> 00:18:54,360
Speaker 1: Here's some fun facts about James Dean. Is everybody familiar

297
00:18:54,400 --> 00:18:58,280
Speaker 1: with James Dean on this panel? Everybody should know James.

298
00:18:58,320 --> 00:19:02,320
Speaker 1: He's the ultimate cool guy, Hollywood. I think that's probably debatable.

299
00:19:02,840 --> 00:19:10,919
Speaker 1: I think he's the ultimate rebel. Okay, right here for you,

300
00:19:11,200 --> 00:19:17,159
Speaker 1: But you gotta be east of Eden to do it.

301
00:19:17,200 --> 00:19:20,320
Speaker 1: But but he was, he was. He was too cool

302
00:19:20,359 --> 00:19:25,080
Speaker 1: to shower like Pitt. They said that about bread Pitt,

303
00:19:25,800 --> 00:19:29,600
Speaker 1: do they really? Yeah? They even acknowledge it when he

304
00:19:29,640 --> 00:19:32,960
Speaker 1: did Between two Ferns with Zach Alfin. I guess I

305
00:19:33,119 --> 00:19:35,680
Speaker 1: just I like him even now. No, I think that's great.

306
00:19:36,200 --> 00:19:40,199
Speaker 1: Everything about Pitte, everything, everything he can, he can do

307
00:19:40,240 --> 00:19:44,719
Speaker 1: no wrong Dean. James Dean supposedly didn't care much about

308
00:19:44,760 --> 00:19:47,679
Speaker 1: his public appearance. And I guess you can do that

309
00:19:47,720 --> 00:19:52,280
Speaker 1: when you look that way. Yeah, perfect, uh and went

310
00:19:52,400 --> 00:19:56,560
Speaker 1: in for the disheveled look um. At one formal lunch,

311
00:19:56,560 --> 00:20:01,200
Speaker 1: he showed up barefoot and in filthy genes a scandal,

312
00:20:01,800 --> 00:20:04,600
Speaker 1: and was known to appear at rehearsals in pants held

313
00:20:04,640 --> 00:20:08,399
Speaker 1: together with safety pins. So he was a punk, my lord.

314
00:20:08,920 --> 00:20:11,560
Speaker 1: He liked to practice magic tricks. He was a smoker

315
00:20:12,600 --> 00:20:15,920
Speaker 1: um who was often photograph of a cigarette dangling from

316
00:20:16,040 --> 00:20:19,480
Speaker 1: his mouth, which I mean, you know, thank god it

317
00:20:19,520 --> 00:20:21,360
Speaker 1: was from his mouth, because that could have been awkward

318
00:20:21,359 --> 00:20:24,240
Speaker 1: if it was from somewhere else. Dean put a magical

319
00:20:24,280 --> 00:20:27,040
Speaker 1: spin on his tobacco habit. Oh, here we go. He

320
00:20:27,040 --> 00:20:30,120
Speaker 1: would put an unlit cigarette and a flaming match into

321
00:20:30,160 --> 00:20:32,280
Speaker 1: his mouth and then pull out a burning cigarette. I've

322
00:20:32,320 --> 00:20:39,880
Speaker 1: actually seen that performed at parties. I've seen people do that. Um,

323
00:20:39,880 --> 00:20:43,199
Speaker 1: not from Valda Victorian's, but other types of people do.

324
00:20:44,800 --> 00:20:47,200
Speaker 1: All right. So now there's another scene, Laurelized telling Suki

325
00:20:47,280 --> 00:20:51,640
Speaker 1: about the meeting. It's the same scene Laurie's laurealized. Suki

326
00:20:51,720 --> 00:20:56,320
Speaker 1: suggests if Laurel I imagined kissing Max at her graduation

327
00:20:56,920 --> 00:20:59,720
Speaker 1: and this was funny, actually, Suki says, maybe it was

328
00:20:59,760 --> 00:21:01,720
Speaker 1: an a lusion. Laura says, no, it's not an illusion.

329
00:21:02,320 --> 00:21:06,640
Speaker 1: Doug Henning, we kissed, so he says, don't be so sure.

330
00:21:06,800 --> 00:21:10,000
Speaker 1: Something like this happened to me when I was like ten,

331
00:21:10,640 --> 00:21:12,960
Speaker 1: I was willing to leaf Garrett and I fantasized about

332
00:21:13,040 --> 00:21:14,720
Speaker 1: kissing him. No, I don't want to correct you, but

333
00:21:14,760 --> 00:21:17,400
Speaker 1: I think it's Leif Garrett. But people say it either way.

334
00:21:17,440 --> 00:21:21,200
Speaker 1: But I too had a crush on Leife Garrett. I'm sorry,

335
00:21:21,240 --> 00:21:23,119
Speaker 1: did you did you just stop me to correct me

336
00:21:23,200 --> 00:21:27,359
Speaker 1: about Leaf Garrett Life Garrett. I had a crush on

337
00:21:27,440 --> 00:21:29,960
Speaker 1: him when he was on Wonder Woman. He played twins

338
00:21:30,240 --> 00:21:33,200
Speaker 1: and they sang I'm gonna I'm gonna stick with Leaf

339
00:21:33,720 --> 00:21:38,320
Speaker 1: like all right uh, And I was tilling the leaf

340
00:21:38,320 --> 00:21:41,480
Speaker 1: Garrett that I fantasized about kissing him so much. At

341
00:21:41,520 --> 00:21:44,639
Speaker 1: some point I really thought it happened. Um, all right,

342
00:21:44,680 --> 00:21:46,760
Speaker 1: who's Doug Henning? Why did she refer to Doug Henning?

343
00:21:47,240 --> 00:21:49,080
Speaker 1: Because I thought it was a question. I thought it

344
00:21:49,119 --> 00:21:53,600
Speaker 1: was a game. He's a famous magician illusion He was

345
00:21:53,600 --> 00:21:57,200
Speaker 1: an illusionist in the seventies and early eighties, and he

346
00:21:57,240 --> 00:22:01,760
Speaker 1: was credited with reviving for Field before Copper right right,

347
00:22:01,800 --> 00:22:05,240
Speaker 1: And he paved the way for Dad, for David Blaine,

348
00:22:05,800 --> 00:22:09,280
Speaker 1: David Blaine, thank you Doug Henning for paving the way.

349
00:22:10,000 --> 00:22:13,920
Speaker 1: Um uh. And Leaf for Lafe Garrett, however you want

350
00:22:13,920 --> 00:22:16,879
Speaker 1: to say. Louf Garrett was a teen idol in the

351
00:22:16,960 --> 00:22:20,720
Speaker 1: nineteen seventies that starred in The Outsiders. Yeah, he did

352
00:22:20,760 --> 00:22:23,800
Speaker 1: not star in the Outsiders. He was in the Outsiders.

353
00:22:24,240 --> 00:22:28,000
Speaker 1: But he was really famous for that hair and he

354
00:22:28,200 --> 00:22:33,000
Speaker 1: sang um ah was made both dancing. So he so

355
00:22:33,080 --> 00:22:35,760
Speaker 1: he did a record the whole thing. Yeah, he was

356
00:22:35,960 --> 00:22:39,720
Speaker 1: very sort of like, uh the ultimate teen idol because

357
00:22:39,720 --> 00:22:42,680
Speaker 1: he had that hair. I remember him and the cover

358
00:22:42,800 --> 00:22:48,480
Speaker 1: of teen bat tight tight like leathery pants and did

359
00:22:48,520 --> 00:22:57,680
Speaker 1: that made thing to it black leather pants. Wow. So

360
00:22:57,760 --> 00:23:00,840
Speaker 1: during the filming of Outsiders, the boys caused quite a

361
00:23:00,920 --> 00:23:04,320
Speaker 1: bit of trouble in the hotel in which they were staying.

362
00:23:04,920 --> 00:23:07,600
Speaker 1: One particular instrument was the night they filmed the fountain

363
00:23:07,600 --> 00:23:11,480
Speaker 1: scene where Bob Lafe Garrett is attempting to drown pony

364
00:23:11,520 --> 00:23:15,040
Speaker 1: boys sing Thomas Howell. Later on, the six other boys

365
00:23:15,119 --> 00:23:20,520
Speaker 1: jokingly mocked this scene in the hotel's lobby fountain, playing

366
00:23:20,840 --> 00:23:24,400
Speaker 1: playfully trying to drown each other, hinting states the hotel

367
00:23:24,600 --> 00:23:29,440
Speaker 1: had the fountain removed within weeks. Okay, that's very extreme.

368
00:23:30,080 --> 00:23:33,880
Speaker 1: Um oh my god, that's and that's real power too.

369
00:23:34,400 --> 00:23:37,680
Speaker 1: I went to fountain remove or else all my cast

370
00:23:37,720 --> 00:23:41,439
Speaker 1: will die? Uh Lane in her band at the party,

371
00:23:41,480 --> 00:23:45,240
Speaker 1: deciding on space where to perform for the first time,

372
00:23:46,119 --> 00:23:49,760
Speaker 1: Zach says, because when I do my double jump, kick

373
00:23:49,880 --> 00:23:53,160
Speaker 1: off the amp and slashing wind Mills, I'm gonna need

374
00:23:53,240 --> 00:23:58,160
Speaker 1: more room Lane. Well, don't do that then, Dave, Yeah,

375
00:23:58,160 --> 00:24:02,360
Speaker 1: it sounds a little too Millie Vanilly zach Um did

376
00:24:02,400 --> 00:24:05,080
Speaker 1: Milli Vanilli jump off of amps? And when did Milli

377
00:24:05,200 --> 00:24:09,040
Speaker 1: Vanilli get busted? And that was that was like like

378
00:24:09,080 --> 00:24:14,520
Speaker 1: the late eighties, I think maybe early nineties, early nineties.

379
00:24:15,320 --> 00:24:18,480
Speaker 1: So Milli Vanilli was a German French r and b

380
00:24:18,880 --> 00:24:22,560
Speaker 1: Duro from Munich. The group was founded by Frank Ferian

381
00:24:22,800 --> 00:24:28,359
Speaker 1: and consisted of Fab More Van and Rob Pilatus. Got

382
00:24:28,480 --> 00:24:32,600
Speaker 1: right once again. They got busted in yeah, late eighties,

383
00:24:32,640 --> 00:24:37,240
Speaker 1: early nighties. Yeah, yeah, yeah, um and they were they

384
00:24:37,840 --> 00:24:41,080
Speaker 1: were famous for their lip sinking scandal and they were

385
00:24:41,119 --> 00:24:44,200
Speaker 1: performing in front of eight thousand people their debut hit

386
00:24:44,240 --> 00:24:47,520
Speaker 1: girl you know It's true. They started with it right,

387
00:24:47,760 --> 00:24:52,240
Speaker 1: m h m hm m hmmm, started with a lot

388
00:24:52,240 --> 00:24:58,040
Speaker 1: of it on the rain right right? Was there a lawsuit?

389
00:24:58,640 --> 00:25:02,080
Speaker 1: Was there a lawsuit? So they started off with a

390
00:25:02,080 --> 00:25:04,159
Speaker 1: lot of energy and dancing. When they got to the chorus,

391
00:25:04,200 --> 00:25:08,639
Speaker 1: the lyrics repeated endlessly throughout the venue. Girl you know

392
00:25:08,760 --> 00:25:12,840
Speaker 1: it's girl, you know it's girl, you know it's so

393
00:25:13,280 --> 00:25:15,720
Speaker 1: there you go. Does no one remember when that happened

394
00:25:15,720 --> 00:25:21,800
Speaker 1: to Ashley Simpson? Yeah, and I God, yes you're speaking

395
00:25:21,880 --> 00:25:29,240
Speaker 1: my language. I did that? End that? Did that? You

396
00:25:29,280 --> 00:25:40,240
Speaker 1: need to watch? And also Mariah Carey really no, it

397
00:25:40,359 --> 00:25:42,240
Speaker 1: was a couple of years back. Did it end? Did

398
00:25:42,240 --> 00:25:48,040
Speaker 1: it end Ashley Simpson's career? Did she ever recover? She would?

399
00:25:48,080 --> 00:25:50,080
Speaker 1: I would beg to argue she hasn't come out with

400
00:25:50,119 --> 00:25:54,480
Speaker 1: another album or I don't think she got canceled though,

401
00:25:55,400 --> 00:26:04,320
Speaker 1: just like embarrassing. And Mariah Carey was just yea, oh god.

402
00:26:04,400 --> 00:26:11,520
Speaker 1: Can you imagine what Mariah Carey did after that? After

403
00:26:12,840 --> 00:26:16,640
Speaker 1: Oh my goodness, it will give you a little It's

404
00:26:16,640 --> 00:26:18,680
Speaker 1: not funny, but it will give you a little laugh.

405
00:26:20,200 --> 00:26:25,280
Speaker 1: All right. So the duo's German producer and mastermind Frank Ferrrion,

406
00:26:25,520 --> 00:26:30,000
Speaker 1: outed both singers Polanis and Morvan that they hadn't sung

407
00:26:30,040 --> 00:26:34,200
Speaker 1: a note on the worldwide four million selling chart topping

408
00:26:34,280 --> 00:26:38,240
Speaker 1: girl You Know It's True album, which generated five top

409
00:26:38,280 --> 00:26:41,000
Speaker 1: five singles and three number one pop hits. After this

410
00:26:41,080 --> 00:26:43,840
Speaker 1: was found out, they had to give their best new

411
00:26:44,000 --> 00:26:50,439
Speaker 1: Artist Grammy back. Wow I believe Dave is referring to

412
00:26:50,520 --> 00:26:55,040
Speaker 1: Milli Vanilly then being seen as impostors and Zack too

413
00:26:55,080 --> 00:26:59,240
Speaker 1: could make a fool of himself. So again Dave saves

414
00:26:59,280 --> 00:27:02,160
Speaker 1: the day. The Mariah Carey one is worth a rewatch,

415
00:27:02,960 --> 00:27:15,320
Speaker 1: really really really good. So now it's the scene early

416
00:27:15,440 --> 00:27:17,840
Speaker 1: party Jess and Roy at the party. Jess is in

417
00:27:17,920 --> 00:27:19,640
Speaker 1: a bad mood because he got kicked out us high

418
00:27:19,680 --> 00:27:23,040
Speaker 1: school Rory, and he hasn't told Roy yet, and she's

419
00:27:23,280 --> 00:27:25,840
Speaker 1: trying to cheer him up. You know, she's being a

420
00:27:25,920 --> 00:27:32,240
Speaker 1: good girlfriend. Jess said, we're dork early. Um okay, that's

421
00:27:32,240 --> 00:27:35,000
Speaker 1: an expression. Royce is, come on, I need to steal that.

422
00:27:35,520 --> 00:27:41,000
Speaker 1: We're dork early, dorkerly, dork eerly. Uh. Roy says, come on,

423
00:27:41,040 --> 00:27:45,520
Speaker 1: getting the spirit of things. Hello Cleveland, Um okay. So

424
00:27:45,840 --> 00:27:48,800
Speaker 1: Hello Cleveland is a saying from the nine four rock

425
00:27:48,880 --> 00:27:52,040
Speaker 1: comedy film This Is Spinal Tap, where the band is

426
00:27:52,280 --> 00:27:56,240
Speaker 1: walking onto the stage and screaming and fist pumping Hello

427
00:27:56,680 --> 00:28:01,040
Speaker 1: Cleveland to get themselves excited. Rory is saying this in

428
00:28:01,080 --> 00:28:04,080
Speaker 1: a funny way to get just pumped up and excited.

429
00:28:04,520 --> 00:28:07,200
Speaker 1: By the way, you think it's you say Hello Cleveland.

430
00:28:07,240 --> 00:28:12,879
Speaker 1: But they were like in like Boston, all right, I

431
00:28:12,920 --> 00:28:16,760
Speaker 1: think that's I think that's the joke right By the way,

432
00:28:16,760 --> 00:28:20,119
Speaker 1: if people listening. If you have not seen, If you

433
00:28:20,200 --> 00:28:24,679
Speaker 1: haven't seen, this is spinal tap, please watch. It is hysterical.

434
00:28:24,800 --> 00:28:28,119
Speaker 1: Several rock stars have commented on one and uncannily accurate

435
00:28:28,320 --> 00:28:31,760
Speaker 1: spoof of the rock and heavy METI Metal world. This

436
00:28:31,840 --> 00:28:34,840
Speaker 1: film is spinal tap. I'm referring to YouTube. Guitarist The

437
00:28:34,920 --> 00:28:38,640
Speaker 1: Edge said, I didn't laugh, I wept. It was so

438
00:28:38,760 --> 00:28:42,360
Speaker 1: close to the truth. Um anyway, all right, So now

439
00:28:42,440 --> 00:28:46,120
Speaker 1: Jess fixes the keg at the party as he coolly does.

440
00:28:46,160 --> 00:28:50,240
Speaker 1: He tapped it Rory again, trying to cheer him up. Rory,

441
00:28:50,440 --> 00:28:54,560
Speaker 1: You and Springsteen the workingman's hero. And then you know,

442
00:28:55,200 --> 00:28:58,040
Speaker 1: this is when Jess is like ultimately cool and James

443
00:28:58,040 --> 00:29:00,240
Speaker 1: Deane when he just rolls his eyes. He rolled his

444
00:29:00,280 --> 00:29:03,440
Speaker 1: eyes at the guys and walks away, just to go Jess.

445
00:29:04,160 --> 00:29:05,800
Speaker 1: He just rolls his eye and I walked away. So

446
00:29:05,800 --> 00:29:08,320
Speaker 1: he was super cool in that moment. So Springsteen has

447
00:29:08,360 --> 00:29:11,040
Speaker 1: often been referred to as a working class hero, a

448
00:29:11,080 --> 00:29:14,800
Speaker 1: powerful figure giving voice to the powerless, as an icon

449
00:29:14,840 --> 00:29:17,680
Speaker 1: to blue collar America. Bruce uses his music in support

450
00:29:18,080 --> 00:29:21,360
Speaker 1: of poor and working class people to challenge the oppressive

451
00:29:21,400 --> 00:29:27,040
Speaker 1: systems that create such social injustices. Try telling that to

452
00:29:27,160 --> 00:29:29,120
Speaker 1: people trying to buy his tickets now for his Las

453
00:29:29,240 --> 00:29:32,600
Speaker 1: Vegas residency, which your thousands of dollars. I think you

454
00:29:32,600 --> 00:29:34,800
Speaker 1: can buy a seat there for forty thousan dollars. So

455
00:29:34,880 --> 00:29:36,760
Speaker 1: there's a little bit of an uproar there about that.

456
00:29:37,200 --> 00:29:42,240
Speaker 1: Um um um. Okay, So Brian feels like he's having

457
00:29:42,280 --> 00:29:45,080
Speaker 1: a panic attack before the first gig. I want to

458
00:29:45,120 --> 00:29:47,240
Speaker 1: say something I wanted to. Here's the sidebar, right, you

459
00:29:47,240 --> 00:29:50,480
Speaker 1: want a sidebar. How about the cat tower, the carpet

460
00:29:50,560 --> 00:29:54,360
Speaker 1: cat tower, and there's a cat on top of it,

461
00:29:54,400 --> 00:30:00,600
Speaker 1: but it's not alive. No, that's not that's that's that's

462
00:30:00,680 --> 00:30:05,040
Speaker 1: just a prop cat, right, go back and watch it.

463
00:30:05,040 --> 00:30:09,440
Speaker 1: It's just there's like this we instagram that looks like

464
00:30:09,480 --> 00:30:12,400
Speaker 1: a cat up there, but that's not a real cat. Yeah,

465
00:30:12,440 --> 00:30:14,080
Speaker 1: and that's in two different scenes. I think it was

466
00:30:14,120 --> 00:30:16,520
Speaker 1: in a Dave Dave Dave Lane scene and it was

467
00:30:16,560 --> 00:30:22,200
Speaker 1: also in a uh, what's his name, Dean Dean was

468
00:30:22,240 --> 00:30:25,760
Speaker 1: in that scene. Um so anyway, so Brian says, yeah,

469
00:30:25,760 --> 00:30:28,880
Speaker 1: you're just so Brian's having a panic attack. Dave says,

470
00:30:29,360 --> 00:30:31,280
Speaker 1: Brian is just nervous. Take a deep breath and use

471
00:30:31,280 --> 00:30:37,000
Speaker 1: your nailer. See Adam Brody, make makes that funny. It

472
00:30:37,120 --> 00:30:40,040
Speaker 1: was a great moment. Zach says, yeah, and don't forget

473
00:30:40,520 --> 00:30:44,720
Speaker 1: that the hair and figurenails on John Entwhistle's body, We're

474
00:30:44,760 --> 00:30:47,920
Speaker 1: still growing. When they brought in his replacement, which was

475
00:30:48,080 --> 00:30:50,320
Speaker 1: kind of morbid because you know, I was a huge

476
00:30:50,320 --> 00:30:53,120
Speaker 1: fan of John Entwhistle was the bass player for The Who,

477
00:30:54,200 --> 00:30:57,520
Speaker 1: and he died at the hard Rock Hotel I think

478
00:30:57,520 --> 00:31:01,880
Speaker 1: in Vegas before a performance, and they brought in another

479
00:31:01,920 --> 00:31:03,880
Speaker 1: anyway English musician who was a basis for the rock

480
00:31:03,920 --> 00:31:07,080
Speaker 1: band Who. His music career spanned four decades. He was

481
00:31:07,160 --> 00:31:10,520
Speaker 1: nicknamed the Ox and thunder Fingers nicknamed the Ox because

482
00:31:10,560 --> 00:31:14,000
Speaker 1: he was so strong. He was strong and silent, uh

483
00:31:14,040 --> 00:31:16,360
Speaker 1: and grounded member of The Who's act is referring to

484
00:31:16,400 --> 00:31:20,960
Speaker 1: when John died June to the band before the Who

485
00:31:21,080 --> 00:31:23,800
Speaker 1: We're supposed to go on tour. Then the band announced July,

486
00:31:24,960 --> 00:31:29,800
Speaker 1: uh vote two, they replaced him with Pino Palladino. I

487
00:31:29,880 --> 00:31:34,120
Speaker 1: wonder if that's any relationship to Dan Palladino, who had

488
00:31:34,160 --> 00:31:38,920
Speaker 1: played with Peter Townsend's solo albums the guitarist for The Who.

489
00:31:39,000 --> 00:31:41,800
Speaker 1: The replacement was three days after John's death. I mean

490
00:31:41,840 --> 00:31:43,560
Speaker 1: what are you gonna do? Right? You're going on tour

491
00:31:43,720 --> 00:31:47,200
Speaker 1: the guy. It's a tough tough call. Paris going on

492
00:31:47,240 --> 00:31:51,280
Speaker 1: about why she doesn't want the grad party on a yacht.

493
00:31:52,240 --> 00:31:54,720
Speaker 1: You know what I thought about that scene when Paris

494
00:31:54,800 --> 00:31:59,440
Speaker 1: was going something to do. No, I'd like to see No,

495
00:31:59,640 --> 00:32:02,520
Speaker 1: that's your Paris for you, that's Paris at Paris at

496
00:32:02,560 --> 00:32:06,080
Speaker 1: her best, right. But I thought maybe they could have

497
00:32:06,160 --> 00:32:10,760
Speaker 1: gotten a British actress to play the role first. Yeah,

498
00:32:10,880 --> 00:32:14,120
Speaker 1: for some reason, I hear a British accent. That's interesting. Yeah,

499
00:32:15,400 --> 00:32:20,880
Speaker 1: there's but I get it. But I mean, what if anyway,

500
00:32:20,920 --> 00:32:23,640
Speaker 1: anyway Paris forget the inconvenience of being at sea with

501
00:32:23,680 --> 00:32:27,240
Speaker 1: guests unable to leave. If the party is full is dull,

502
00:32:27,360 --> 00:32:31,120
Speaker 1: or if the band, which is is inevitably be composed

503
00:32:31,120 --> 00:32:33,800
Speaker 1: of accountants with semi mullets, decides to do a half

504
00:32:33,840 --> 00:32:38,280
Speaker 1: hour Kenny G tribute Funny Funny fun Facts, a burn

505
00:32:38,840 --> 00:32:41,800
Speaker 1: to Kenny G by Paris, who is making a point

506
00:32:41,920 --> 00:32:45,440
Speaker 1: that her classmates will ultimately hate the band and songs

507
00:32:45,520 --> 00:32:48,520
Speaker 1: played with no escape if they are on it. Kenny

508
00:32:48,560 --> 00:32:52,720
Speaker 1: G is a saxophonist who was sold over seventy five

509
00:32:53,440 --> 00:32:58,000
Speaker 1: million albums. Let me say that again. Seventy five million albums. Yeah,

510
00:32:58,400 --> 00:33:01,160
Speaker 1: very popular, sell seven five million. But he does have

511
00:33:01,240 --> 00:33:09,240
Speaker 1: that connotation of like run on Jess's words, he's supposed

512
00:33:09,240 --> 00:33:14,880
Speaker 1: to be a really good golfer. Kenny G. I wouldn't.

513
00:33:14,920 --> 00:33:17,240
Speaker 1: I would totally be down with a Kenny G Michael

514
00:33:17,240 --> 00:33:21,800
Speaker 1: Bolton concert. Uh. He started playing sax for ten years old.

515
00:33:21,840 --> 00:33:25,240
Speaker 1: He was signed by Arista Records in two after Clive

516
00:33:25,360 --> 00:33:31,080
Speaker 1: Davis heard his rendition of Dancing Queen by Abba that

517
00:33:31,280 --> 00:33:35,400
Speaker 1: Clive Davis and that's that's it. Kids. I just want

518
00:33:35,440 --> 00:33:38,800
Speaker 1: you to know Amy that Hannah, and you'll know our

519
00:33:38,840 --> 00:33:43,280
Speaker 1: audience doesn't know who. Hannah has our producer. She's fantastic.

520
00:33:44,120 --> 00:33:48,400
Speaker 1: She agrees with you about falling asleep to Harry Potter

521
00:33:48,480 --> 00:33:56,040
Speaker 1: movers Mark like Harry Potter is iconic and literally legendary.

522
00:33:56,200 --> 00:33:58,400
Speaker 1: It is. I'll try it again, but I don't. I

523
00:33:58,400 --> 00:34:00,000
Speaker 1: don't think it's going to be different, But I'll try

524
00:34:00,000 --> 00:34:03,560
Speaker 1: it again. I'll go to that Harry Potter world. Oh

525
00:34:03,600 --> 00:34:06,360
Speaker 1: it's so funny thing at Niver Yeah, but the one

526
00:34:06,400 --> 00:34:10,520
Speaker 1: here sucks. Thorne Orlando is better. Oh, Jacqueline now Jack

527
00:34:10,800 --> 00:34:15,719
Speaker 1: chiming in Jacqueline chiming in, I've never watched. Yeah, you

528
00:34:15,719 --> 00:34:20,480
Speaker 1: know what, you don't want to hang out? Whoa, whoa, whoa?

529
00:34:22,600 --> 00:34:24,879
Speaker 1: I don't know if if there's something going on here,

530
00:34:24,880 --> 00:34:30,279
Speaker 1: there's something brewing here. So it's three against three the

531
00:34:30,320 --> 00:34:32,800
Speaker 1: Harry Potter standal Yeah, I was gonna say, it's it

532
00:34:32,920 --> 00:34:39,880
Speaker 1: comes down to easton East. Where's does he do like Eastern?

533
00:34:39,880 --> 00:34:44,239
Speaker 1: Do you like Harry Potter? East Is? We're waiting, We're

534
00:34:44,239 --> 00:34:48,959
Speaker 1: waiting for a response. Two hours later we're like, he goes.

535
00:34:48,960 --> 00:34:51,279
Speaker 1: Those guys are blathering on. You can already tell you

536
00:34:51,320 --> 00:34:53,880
Speaker 1: that Eastern likes Harry. He does like Harry is, like

537
00:34:54,120 --> 00:34:58,560
Speaker 1: he loved as much as he loves Avengers, Marvel guy.

538
00:34:58,880 --> 00:35:02,840
Speaker 1: That's a that's a four were three tilt four Harry Potter. Okay,

539
00:35:02,920 --> 00:35:06,200
Speaker 1: j K, if you're out there, let's let's send some

540
00:35:06,239 --> 00:35:10,920
Speaker 1: tickets to these three. Whoa Eastern not a Harry Potter

541
00:35:11,040 --> 00:35:20,920
Speaker 1: guy like Lafe Garrett. Oh oh my goodness. So Tara

542
00:35:21,440 --> 00:35:24,440
Speaker 1: Danielle me, we're like that, we got to hold up

543
00:35:24,480 --> 00:35:29,839
Speaker 1: the My heart is broken. I'm not I'm really disappointed.

544
00:35:32,080 --> 00:35:35,920
Speaker 1: We could be sabotage, you know, we could be sabotage

545
00:35:35,920 --> 00:35:39,200
Speaker 1: because behind the scenes we've got anti Harry Potter people

546
00:35:39,239 --> 00:35:44,840
Speaker 1: yea and one. On the air, we've been infiltrated. My god.

547
00:35:45,760 --> 00:35:49,680
Speaker 1: Alright anywhere this weekend everyone rewatched the Wonder Woman episode

548
00:35:49,760 --> 00:35:57,359
Speaker 1: with Laife Garrett portraying twins. You'll be happy. What's I'm

549
00:35:57,360 --> 00:35:58,920
Speaker 1: going to be in a meeting at that at that

550
00:35:58,960 --> 00:36:04,640
Speaker 1: time a weekend. I got a big meeting my hair

551
00:36:04,719 --> 00:36:08,360
Speaker 1: that night. You know what I forgot? I have to

552
00:36:08,400 --> 00:36:15,479
Speaker 1: take out the trash that week alright. So next next

553
00:36:15,480 --> 00:36:18,880
Speaker 1: episode is gonna be episode twenty, season three, Say good night, Gracie.

554
00:36:19,600 --> 00:36:22,520
Speaker 1: That's gonna wrap it up for Pump Cultures. Thank you,

555
00:36:23,120 --> 00:36:27,520
Speaker 1: Tara s as always, Danielle Romo, thank you so much,

556
00:36:27,600 --> 00:36:32,200
Speaker 1: Amy Sugarman. UM happens to be in any Potter Harry

557
00:36:32,200 --> 00:36:35,120
Speaker 1: Potter person. I will go have a marathon of Yeah,

558
00:36:35,120 --> 00:36:38,120
Speaker 1: we're gonna have um anyway, Thanks everybody, Love you guys,

559
00:36:38,200 --> 00:36:42,360
Speaker 1: Thanks for downloading. We will see you next time. Bye

560
00:36:43,040 --> 00:36:53,759
Speaker 1: bye bye. You don't try that again. That's like, that's

561
00:36:53,800 --> 00:36:59,719
Speaker 1: like somebody taking a huge chug of beer and like, heck,

562
00:36:59,840 --> 00:37:33,400
Speaker 1: was got dot one? Hey everybody, and don't forget Follow

563
00:37:33,520 --> 00:37:37,360
Speaker 1: us on Instagram at I Am all In podcast and

564
00:37:37,480 --> 00:37:42,359
Speaker 1: emailis at Gilmore at I heart radio dot com. Oh

565
00:37:42,440 --> 00:37:44,239
Speaker 1: you Gilmore fans. If you're looking for the best cup

566
00:37:44,280 --> 00:37:46,960
Speaker 1: of coffee in the world, go to my website for

567
00:37:47,080 --> 00:37:50,040
Speaker 1: my company scott ep dot com, s CEO, T t

568
00:37:50,320 --> 00:37:53,359
Speaker 1: y P dot com, scotty p dot com Grade one

569
00:37:53,719 --> 00:38:03,279
Speaker 1: Specialty Coffee O