1 00:00:06,040 --> 00:00:15,040 Speaker 1: Standing there with Eric Crouch. Uh, and it is my 2 00:00:15,120 --> 00:00:17,080 Speaker 1: dead are you're standing or you're crouching? 3 00:00:17,440 --> 00:00:20,799 Speaker 2: I am standing, okay, because you just said you said 4 00:00:20,840 --> 00:00:24,720 Speaker 2: standing there, but then I said with Eric, and then 5 00:00:24,720 --> 00:00:25,520 Speaker 2: you said Crouch. 6 00:00:25,600 --> 00:00:26,600 Speaker 1: You're telling me to crouch. 7 00:00:27,520 --> 00:00:29,440 Speaker 3: You mean like Eric Crouch the player? 8 00:00:30,240 --> 00:00:34,040 Speaker 1: Yeah, the player. This was before he was playing. Obviously, 9 00:00:34,040 --> 00:00:36,960 Speaker 1: you know this is a dead ball. So where like 10 00:00:37,040 --> 00:00:40,840 Speaker 1: little kid, he is like a really little kid. But yeah, 11 00:00:40,920 --> 00:00:44,239 Speaker 1: the player who I guess he won the Heisman and 12 00:00:44,280 --> 00:00:49,199 Speaker 1: like I want to say, two thousand and two, he 13 00:00:49,240 --> 00:00:54,240 Speaker 1: hasn't won another Heisman since he is kind of holding 14 00:00:54,280 --> 00:00:58,880 Speaker 1: my elbow so I don't trip and I am being introduced. 15 00:00:59,280 --> 00:01:02,520 Speaker 2: Why are you going to say you're standing there? Because 16 00:01:02,560 --> 00:01:07,080 Speaker 2: I'm about to walk. I'm about to do like the walk. Okay, 17 00:01:07,440 --> 00:01:12,560 Speaker 2: I have my gloves on and I'm all like done up. 18 00:01:12,920 --> 00:01:14,839 Speaker 2: Is it cold to be debuted? 19 00:01:15,120 --> 00:01:16,240 Speaker 1: No? I don't think so. 20 00:01:16,720 --> 00:01:21,440 Speaker 2: Okay, sorry, I'm do you see My problem is that 21 00:01:21,480 --> 00:01:23,119 Speaker 2: your story doesn't make any sense. 22 00:01:23,360 --> 00:01:25,720 Speaker 1: No, I don't see it at all. I barely told 23 00:01:25,720 --> 00:01:29,600 Speaker 1: any of it. It's been like ten fifteen different things 24 00:01:29,600 --> 00:01:31,959 Speaker 1: that don't track. No, they are, and when you do, 25 00:01:32,000 --> 00:01:36,000 Speaker 1: it's on three things. It's me. I'm at my deb ball. 26 00:01:36,160 --> 00:01:39,480 Speaker 2: You're okay, you're standing. Now we see it jealousy, and 27 00:01:39,560 --> 00:01:43,600 Speaker 2: now we see someone who the Heisman Trophy. I'm jealous. Hey, 28 00:01:43,640 --> 00:01:45,360 Speaker 2: we have a contract. 29 00:01:44,880 --> 00:01:47,920 Speaker 1: Who didn't go to class, who didn't go to Cotilia 30 00:01:48,000 --> 00:01:50,720 Speaker 1: class and thought he should be allowed to. We are 31 00:01:50,920 --> 00:01:51,360 Speaker 1: have a. 32 00:01:51,280 --> 00:01:55,760 Speaker 2: Deb anyway, we are engaged with our audience, and there 33 00:01:55,880 --> 00:01:57,360 Speaker 2: is a level. 34 00:01:57,120 --> 00:02:01,400 Speaker 1: Of unbeliable jelous this much later, this many years later, 35 00:02:01,960 --> 00:02:05,840 Speaker 1: to still be upset. I don't care. I would I 36 00:02:05,880 --> 00:02:11,120 Speaker 1: would at the time. Did I care? Of course? Of course, 37 00:02:12,520 --> 00:02:14,799 Speaker 1: of course I want to go to a class. 38 00:02:15,080 --> 00:02:18,560 Speaker 2: At the time. Yeah, I'm so far past that now. 39 00:02:18,680 --> 00:02:21,360 Speaker 2: I do a show now. Actually, and when I do 40 00:02:21,440 --> 00:02:24,600 Speaker 2: the show, I try to make sure my audience trusts 41 00:02:24,639 --> 00:02:26,600 Speaker 2: me by being honest. So I don't say I was 42 00:02:26,600 --> 00:02:28,400 Speaker 2: standing when I was prouching, and I don't I was 43 00:02:28,440 --> 00:02:29,520 Speaker 2: watching when I was standing. 44 00:02:29,600 --> 00:02:32,240 Speaker 1: He wasn't allowed to go because he always had food 45 00:02:32,680 --> 00:02:33,560 Speaker 1: around his mouth. 46 00:02:33,880 --> 00:02:38,040 Speaker 2: Because yes, because and we don't fun of this kind 47 00:02:38,040 --> 00:02:42,520 Speaker 2: of thing anymore. I loved food, and that's actually, and 48 00:02:42,560 --> 00:02:44,640 Speaker 2: now in twenty nineteen, we don't make fun of people 49 00:02:44,680 --> 00:02:45,000 Speaker 2: for that. 50 00:02:45,080 --> 00:02:48,200 Speaker 1: It was not love. It was all classic. I just 51 00:02:48,240 --> 00:02:49,120 Speaker 1: want to clarify. 52 00:02:49,880 --> 00:02:52,520 Speaker 2: No, the foods themselves were not classic foods you would 53 00:02:52,520 --> 00:02:56,320 Speaker 2: imagine being on someone's face. I can see having hummus 54 00:02:56,320 --> 00:02:57,880 Speaker 2: on your face or something, but the stuff I had 55 00:02:57,960 --> 00:02:58,960 Speaker 2: was rather unusual. 56 00:02:59,480 --> 00:03:05,280 Speaker 1: I'm pretty ended. I do my bow, I go all 57 00:03:05,320 --> 00:03:08,040 Speaker 1: the way down. I basically drop it to the floor 58 00:03:08,200 --> 00:03:09,960 Speaker 1: and sort of move around a little bit while I'm 59 00:03:10,000 --> 00:03:12,600 Speaker 1: down there, and you get low and I come up. 60 00:03:13,639 --> 00:03:17,160 Speaker 1: Are you doing the worm at this point? I'm doing 61 00:03:17,200 --> 00:03:21,320 Speaker 1: sort of a worm on my back, like a classic Yeah. 62 00:03:21,400 --> 00:03:26,480 Speaker 2: Yes, uh. And society is kind of like, Okay, you're 63 00:03:26,520 --> 00:03:27,559 Speaker 2: a little old. 64 00:03:30,200 --> 00:03:33,880 Speaker 1: To be here to be doing this, but you can 65 00:03:33,919 --> 00:03:35,600 Speaker 1: like do the competition stuff anyway. 66 00:03:35,640 --> 00:03:38,520 Speaker 2: I guess it's a competition. Yeah, there's like a competitive 67 00:03:38,520 --> 00:03:42,520 Speaker 2: element where like to deb says you so casually, Yes, 68 00:03:42,640 --> 00:03:45,680 Speaker 2: if you're for the day, Yes, when you made your debut. Yes, 69 00:03:46,480 --> 00:03:49,800 Speaker 2: you have to eat a piece of hay really fast. 70 00:03:50,040 --> 00:03:56,280 Speaker 1: You have to knock over this goat that has very 71 00:03:56,320 --> 00:03:57,080 Speaker 1: short legs. 72 00:03:57,520 --> 00:04:00,280 Speaker 2: After you take its hay, it's centered gravity as so 73 00:04:00,600 --> 00:04:03,680 Speaker 2: low because it's got these short legs, and goats have 74 00:04:04,040 --> 00:04:08,640 Speaker 2: magnificent balance to begin, Yes, and you have to actually 75 00:04:08,800 --> 00:04:11,120 Speaker 2: knock it over and it has to stay over on 76 00:04:11,160 --> 00:04:13,880 Speaker 2: its side or on its back for like a three cow, 77 00:04:14,080 --> 00:04:16,839 Speaker 2: So you have to kind of sweep your leg around 78 00:04:17,040 --> 00:04:21,440 Speaker 2: it and use your left arm to shove the goat 79 00:04:21,480 --> 00:04:24,160 Speaker 2: over your leg and then kind of use your other 80 00:04:24,279 --> 00:04:25,200 Speaker 2: leg to like pin. 81 00:04:25,120 --> 00:04:28,960 Speaker 1: It down with your foot right in address your meat. 82 00:04:29,120 --> 00:04:31,200 Speaker 2: Yeah, in a dress and gloves and without it getting 83 00:04:31,200 --> 00:04:33,600 Speaker 2: to the food on your face, which, of course it's 84 00:04:33,720 --> 00:04:34,440 Speaker 2: very attracted to. 85 00:04:35,480 --> 00:04:38,280 Speaker 1: You never covered this, even Eric Crouches are you were 86 00:04:38,400 --> 00:04:38,920 Speaker 1: covering this. 87 00:04:40,520 --> 00:04:44,080 Speaker 3: A lot of I've heard about cow tipping. Goat tipping 88 00:04:44,520 --> 00:04:47,159 Speaker 3: is new to me. But he's like the competitive side. 89 00:04:47,240 --> 00:04:49,200 Speaker 1: You see Tommy Boy the Depth circuit. Do you see 90 00:04:49,200 --> 00:04:50,520 Speaker 1: Tommy Book? You see Tommy blink? 91 00:04:50,520 --> 00:04:51,400 Speaker 3: Well, who's Tommy Boy? 92 00:04:51,960 --> 00:04:56,880 Speaker 1: Tommy Boy is sort of an interesting character where he 93 00:04:57,360 --> 00:05:01,800 Speaker 1: is crazy, I guess insane. You never saw this guy 94 00:05:02,000 --> 00:05:02,880 Speaker 1: totally out of it. 95 00:05:03,839 --> 00:05:04,480 Speaker 3: I have seen time. 96 00:05:04,839 --> 00:05:09,599 Speaker 1: Yeah, now she remembers crazy. Yes exactly. He's welcome to 97 00:05:09,760 --> 00:05:13,280 Speaker 1: Hollywood Handbook. Hollywood Handbook. And this is the entires guy 98 00:05:13,320 --> 00:05:16,280 Speaker 1: do kicking butt and dropping names in the right of 99 00:05:16,320 --> 00:05:20,120 Speaker 1: this industry we call showbiz. Mina is here, Mina is here. 100 00:05:20,160 --> 00:05:22,240 Speaker 2: And if I hope I don't get in trouble right 101 00:05:22,240 --> 00:05:24,800 Speaker 2: off the bat for saying this to me, You see, Nissa, 102 00:05:28,279 --> 00:05:28,920 Speaker 2: that was close. 103 00:05:29,640 --> 00:05:31,680 Speaker 1: I thought there was a second before she laughed that 104 00:05:31,720 --> 00:05:33,880 Speaker 1: you might get in trouble. I thought she was going 105 00:05:33,960 --> 00:05:34,599 Speaker 1: to be pissed. 106 00:05:35,120 --> 00:05:38,800 Speaker 3: But you know, I grew up. It was a burden, 107 00:05:39,600 --> 00:05:41,520 Speaker 3: So I've always had to be extra nice to Oya, 108 00:05:42,279 --> 00:05:46,320 Speaker 3: the baggage, the preconceptions, right that being named Mina. 109 00:05:47,000 --> 00:05:53,360 Speaker 2: On camera personality around She's going around the horn, the 110 00:05:54,240 --> 00:05:54,680 Speaker 2: front of the. 111 00:05:54,640 --> 00:05:57,919 Speaker 3: Camp, around the horn, in one corner of the horn. 112 00:05:58,480 --> 00:06:00,359 Speaker 1: Who goes around Tony? 113 00:06:00,400 --> 00:06:05,719 Speaker 2: Really he's circling part of the horn, your one horn section. 114 00:06:06,440 --> 00:06:08,240 Speaker 3: I guess the horn is like a phone when you 115 00:06:08,320 --> 00:06:08,960 Speaker 3: think about it. 116 00:06:08,920 --> 00:06:11,679 Speaker 1: Right, like, okay, and where is the phone? 117 00:06:11,960 --> 00:06:12,400 Speaker 3: The horn? 118 00:06:12,920 --> 00:06:14,840 Speaker 1: But when but there's no phone in the show. 119 00:06:14,960 --> 00:06:19,080 Speaker 2: Answer the horn, Answer the horn. There's no horns ringing, 120 00:06:19,320 --> 00:06:21,000 Speaker 2: We're all on the horn in the show. 121 00:06:21,160 --> 00:06:23,680 Speaker 1: There is no phone on the show anywhere. 122 00:06:23,720 --> 00:06:24,840 Speaker 3: That's a great point. 123 00:06:25,160 --> 00:06:28,480 Speaker 2: Nowhere is there but probably a commercial break everyone's on 124 00:06:28,520 --> 00:06:29,040 Speaker 2: their phones. 125 00:06:29,200 --> 00:06:31,080 Speaker 1: Huh that's true, isn't it? 126 00:06:31,320 --> 00:06:32,000 Speaker 3: Right then? 127 00:06:32,040 --> 00:06:35,280 Speaker 2: I'm just what I always find, yeah, is that when 128 00:06:35,320 --> 00:06:39,880 Speaker 2: everything gets any downtime these days, just the horn looking 129 00:06:39,920 --> 00:06:40,200 Speaker 2: at that. 130 00:06:40,279 --> 00:06:41,680 Speaker 3: Blast into it. 131 00:06:41,839 --> 00:06:42,160 Speaker 1: I don't. 132 00:06:42,240 --> 00:06:45,480 Speaker 3: Okay, So I guess since this is like a Hollywood podcast, 133 00:06:45,680 --> 00:06:50,039 Speaker 3: it's all about the secrets. Okay, okay, okay, okay, I 134 00:06:50,040 --> 00:06:52,760 Speaker 3: didn't want to say this so early. Around the Horn 135 00:06:52,839 --> 00:06:54,800 Speaker 3: is not live, so there are no commercial breaks. 136 00:06:55,040 --> 00:06:58,000 Speaker 1: Oh no, so when are you looking at your phone. 137 00:06:57,760 --> 00:06:59,080 Speaker 3: In between blocks? 138 00:06:59,440 --> 00:07:01,279 Speaker 1: Okay, so that's like a commercial break? 139 00:07:01,400 --> 00:07:08,400 Speaker 3: Well not, I mean, I guess, so, yeah, it's longer, 140 00:07:08,720 --> 00:07:11,920 Speaker 3: longer more. Yeah. Sometimes I do look at my phone 141 00:07:12,000 --> 00:07:13,320 Speaker 3: during our live shows. 142 00:07:13,920 --> 00:07:14,800 Speaker 1: What your tweets are doing? 143 00:07:15,320 --> 00:07:19,760 Speaker 3: Yeah, I look my phone and you know tweets. Jerry 144 00:07:19,840 --> 00:07:23,800 Speaker 3: fifty two in Nebraska is telling me my nose looks 145 00:07:24,000 --> 00:07:28,760 Speaker 3: like a bird from sesame Streets. And then I'm back 146 00:07:28,800 --> 00:07:33,320 Speaker 3: on air. Great energy, surging through the confidence boosts that 147 00:07:33,360 --> 00:07:33,840 Speaker 3: I need. 148 00:07:34,160 --> 00:07:36,280 Speaker 1: And what's what he doing? He's getting cleaned up. 149 00:07:37,120 --> 00:07:38,760 Speaker 3: He does get a lot of makeup, a lot of 150 00:07:38,760 --> 00:07:40,840 Speaker 3: touch ups. 151 00:07:39,360 --> 00:07:47,360 Speaker 2: Oh, a little shiny, so you get shiny out there. 152 00:07:47,440 --> 00:07:50,720 Speaker 2: We don't want to talk about this, Come on, get real. 153 00:07:50,880 --> 00:07:52,320 Speaker 2: Do you have a podcast. We don't want to talk 154 00:07:52,320 --> 00:07:55,240 Speaker 2: about this either. Your podcasts saying the name of it. 155 00:07:55,520 --> 00:07:56,480 Speaker 2: Just get it out of the way. 156 00:07:56,760 --> 00:07:58,800 Speaker 3: The Mina Time Show featuring Lenny. 157 00:07:59,560 --> 00:08:01,800 Speaker 1: Lenny's a dog, I need a dog? Or she got 158 00:08:01,800 --> 00:08:05,160 Speaker 1: that idea? No dog on the podcast? Who had that idea? 159 00:08:05,160 --> 00:08:07,040 Speaker 3: When did your dog make his podcast debut? 160 00:08:07,640 --> 00:08:10,600 Speaker 1: Kevin? Probably like a year and a half. You don't 161 00:08:10,600 --> 00:08:15,560 Speaker 1: even say hello anymore. Hey guys, Chef Kevin. I was Kevin? Where? 162 00:08:17,360 --> 00:08:20,400 Speaker 1: Chef Kevin in the booth? Chef Kevin here? You said 163 00:08:20,400 --> 00:08:22,240 Speaker 1: this EVERYSD here. 164 00:08:23,680 --> 00:08:23,840 Speaker 4: Men? 165 00:08:26,320 --> 00:08:28,360 Speaker 1: I did he say here? Oh? 166 00:08:28,480 --> 00:08:30,280 Speaker 3: You know, I don't want to. 167 00:08:30,320 --> 00:08:32,400 Speaker 1: I don't want to. Jordan, you say too, what happened? 168 00:08:33,800 --> 00:08:35,920 Speaker 3: I don't want to be a part of this neither. 169 00:08:36,920 --> 00:08:39,119 Speaker 1: So join the club. That's Jordan's catchphrase. 170 00:08:39,720 --> 00:08:43,559 Speaker 3: It sounds like we launched our dogs simultaneously. 171 00:08:42,760 --> 00:08:43,679 Speaker 1: About a year and a half ago. 172 00:08:43,720 --> 00:08:45,400 Speaker 3: About a year and a half ago. But does your 173 00:08:45,400 --> 00:08:47,320 Speaker 3: dog even contribute to this podcast? 174 00:08:47,360 --> 00:08:49,679 Speaker 1: You're kidding me. He released a hit single on the show. 175 00:08:50,280 --> 00:08:53,120 Speaker 1: He did, and he choose a bone loudly in the background, 176 00:08:53,160 --> 00:08:55,680 Speaker 1: and he might be able to hear he has on 177 00:08:55,720 --> 00:08:58,640 Speaker 1: the bone. He has his own merk Has. 178 00:08:57,880 --> 00:08:59,760 Speaker 3: T shirt with what was the hit single club. 179 00:09:00,360 --> 00:09:03,160 Speaker 1: It's song he wrote called the Squap Up Bop Around. 180 00:09:03,280 --> 00:09:04,880 Speaker 1: Don't offer me to the T shirt? Thank you? 181 00:09:06,360 --> 00:09:06,560 Speaker 2: Kind? 182 00:09:06,679 --> 00:09:10,959 Speaker 3: I like one, No, does he have a voice that 183 00:09:11,120 --> 00:09:11,600 Speaker 3: he talks? 184 00:09:12,440 --> 00:09:13,280 Speaker 1: And yeah? 185 00:09:13,360 --> 00:09:14,040 Speaker 3: Does he contribute? 186 00:09:14,040 --> 00:09:18,480 Speaker 1: Bring him on? Bring him on the show, Bosh, this 187 00:09:18,600 --> 00:09:22,760 Speaker 1: is Lenny? Yeah? What about it? Wow? 188 00:09:22,800 --> 00:09:25,880 Speaker 2: And already he's established kind of a position of Domadas. 189 00:09:28,920 --> 00:09:31,760 Speaker 5: I get to talk on my podcast Leigh in interact 190 00:09:31,760 --> 00:09:34,960 Speaker 5: with the guests, give my football takes, what to do? 191 00:09:35,280 --> 00:09:40,280 Speaker 1: Yeah? Basically whatever I want you. So I was a 192 00:09:40,320 --> 00:09:41,720 Speaker 1: little bit cooler than Lenny. 193 00:09:41,760 --> 00:09:44,480 Speaker 3: It sounds like Lenny was in a commercial. Was Bosh 194 00:09:44,559 --> 00:09:45,240 Speaker 3: in a commercial? 195 00:09:45,760 --> 00:09:48,480 Speaker 1: Uh? 196 00:09:48,800 --> 00:09:53,320 Speaker 5: I get emails from SAG? Do you get emails from 197 00:09:53,400 --> 00:09:54,600 Speaker 5: SAG pestering you? 198 00:09:57,320 --> 00:09:58,640 Speaker 1: I'm a five Corps. 199 00:10:00,200 --> 00:10:05,120 Speaker 2: Fido core Okay, so you are? Yeah, Boch is not 200 00:10:05,200 --> 00:10:08,880 Speaker 2: really a union guy. Charlton Heston began Phi Corps a 201 00:10:08,920 --> 00:10:11,880 Speaker 2: long time ago for people who wanted to be in 202 00:10:11,920 --> 00:10:13,560 Speaker 2: the NRA but not in SAG. 203 00:10:16,000 --> 00:10:17,440 Speaker 1: A little bit of Hollywood history. 204 00:10:18,559 --> 00:10:22,640 Speaker 3: Are dogs in SAG? Or maybe it's like wag wow? 205 00:10:24,000 --> 00:10:27,320 Speaker 1: And that was only one half second after the two 206 00:10:27,360 --> 00:10:27,560 Speaker 1: of you. 207 00:10:30,000 --> 00:10:32,520 Speaker 3: So good about anything that just happened. 208 00:10:33,080 --> 00:10:34,760 Speaker 1: Does Bosh know anything about football? 209 00:10:35,960 --> 00:10:36,160 Speaker 2: Yeah? 210 00:10:36,200 --> 00:10:40,960 Speaker 1: It's barbaric. What the freaking pig skin America's sport? 211 00:10:41,520 --> 00:10:45,680 Speaker 2: Yeah, America's freaking concussion factory. 212 00:10:46,360 --> 00:10:47,360 Speaker 3: So Bosh is woke. 213 00:10:49,400 --> 00:10:51,319 Speaker 1: He's getting there, I mean, unfortunately. 214 00:10:51,360 --> 00:10:53,960 Speaker 2: In his sing his single he released the Squap Up 215 00:10:54,000 --> 00:10:56,559 Speaker 2: Pop around, a lot of the lyrics pretend to how 216 00:10:56,559 --> 00:10:58,200 Speaker 2: sexy the teens at the party were. 217 00:10:58,920 --> 00:11:03,960 Speaker 3: He was, It's interesting, right, we're subverting expectations because Lenny 218 00:11:04,040 --> 00:11:06,400 Speaker 3: is small and has my pitch voice. But he knows 219 00:11:06,400 --> 00:11:11,720 Speaker 3: a lot about grinds tape, grinds tape non stop. Meveanwhile, 220 00:11:11,760 --> 00:11:14,640 Speaker 3: Bosh seems like a bit of a yokel but he's 221 00:11:14,640 --> 00:11:17,480 Speaker 3: got a rose emoji next to his Twitter. I'm guessing 222 00:11:18,280 --> 00:11:26,160 Speaker 3: hates football is tweeting this league best leek. I'm so 223 00:11:26,320 --> 00:11:27,400 Speaker 3: lucky to watch the NBA. 224 00:11:27,840 --> 00:11:30,120 Speaker 1: Everybody gets to freaking say what they want. 225 00:11:32,840 --> 00:11:38,480 Speaker 3: Yes, yeah, he's he's not getting a follow from Lenny. 226 00:11:39,280 --> 00:11:45,199 Speaker 1: Oh that hurts. You didn't have a Twitter, ACP. Well 227 00:11:45,240 --> 00:11:48,240 Speaker 1: somebody did make somebody. 228 00:11:47,200 --> 00:11:49,920 Speaker 3: Somebody do this for Lenny and I need it, do you? 229 00:11:50,080 --> 00:11:52,800 Speaker 3: I I am so anxious that they're going to tweet 230 00:11:52,840 --> 00:11:57,200 Speaker 3: like problematic stuff on behalf of my dog. 231 00:11:57,679 --> 00:12:00,400 Speaker 2: Won't do anything about it because they love It's just 232 00:12:00,440 --> 00:12:01,640 Speaker 2: they're getting hits from that. 233 00:12:02,000 --> 00:12:03,840 Speaker 1: They've been pretty nice so far. 234 00:12:05,240 --> 00:12:07,679 Speaker 2: It's at good boy bosh and they haven't really done 235 00:12:07,720 --> 00:12:10,319 Speaker 2: anything wrong, but I think they're softening me up for. 236 00:12:10,320 --> 00:12:11,880 Speaker 1: The big blow right there. 237 00:12:12,320 --> 00:12:12,440 Speaker 2: Will. 238 00:12:12,480 --> 00:12:14,200 Speaker 3: They're a massive they have followers. 239 00:12:16,040 --> 00:12:19,240 Speaker 2: A couple how many followers we think they have a 240 00:12:19,280 --> 00:12:21,920 Speaker 2: couple hundred maybe yeah, maybe a couple hundred, might be 241 00:12:21,920 --> 00:12:24,720 Speaker 2: triple digits at this point, and Engineer Joran's got her 242 00:12:24,720 --> 00:12:26,280 Speaker 2: phone out, probably to do something else. 243 00:12:26,400 --> 00:12:33,760 Speaker 3: Lenny's called complicit Lenny. No, No, it's a weird ESPN 244 00:12:33,880 --> 00:12:36,480 Speaker 3: joke where Lenny I was on the show I do 245 00:12:36,600 --> 00:12:39,280 Speaker 3: highly questionable where this old man who's on the show 246 00:12:39,320 --> 00:12:42,120 Speaker 3: constantly tries to trick me into shaking his hand, and 247 00:12:42,160 --> 00:12:45,640 Speaker 3: he used Lenny as a tool to trick me to 248 00:12:45,679 --> 00:12:47,160 Speaker 3: dupe me into doing it. He was like, look at 249 00:12:47,200 --> 00:12:48,720 Speaker 3: this spot of Lenny and I reached out for it, 250 00:12:49,080 --> 00:12:52,200 Speaker 3: and so he's the old man poppy scream. Lenny was complicit. 251 00:12:52,679 --> 00:12:55,120 Speaker 3: So now everybody was complicit. 252 00:12:55,240 --> 00:12:58,319 Speaker 2: And it away is complicit by supporting the NFL and 253 00:12:59,200 --> 00:13:05,040 Speaker 2: kind of the botization of our culture. It's a fun 254 00:13:05,160 --> 00:13:10,880 Speaker 2: sport bush for a lot of people. It's a way 255 00:13:10,880 --> 00:13:12,160 Speaker 2: to help their community. 256 00:13:13,880 --> 00:13:16,480 Speaker 3: I can't tell if you're doing your voice sports right now, 257 00:13:16,520 --> 00:13:17,719 Speaker 3: so I don't know how to respond to that. 258 00:13:18,240 --> 00:13:21,400 Speaker 1: Yeah, no, I don't know either. We don't want to 259 00:13:21,400 --> 00:13:23,280 Speaker 1: talk about this. We spend so much time together and 260 00:13:23,480 --> 00:13:24,120 Speaker 1: a kind of. 261 00:13:24,080 --> 00:13:28,319 Speaker 3: Podcast, football podcast if you like football. 262 00:13:28,720 --> 00:13:32,880 Speaker 2: Mm, Big Little Wise after Show Top Brady the Goat, 263 00:13:33,320 --> 00:13:35,760 Speaker 2: the Goat. No, actually that's not true. Baj is a 264 00:13:35,760 --> 00:13:37,480 Speaker 2: big fan of Blake Bortles. He likes to say that 265 00:13:37,520 --> 00:13:39,920 Speaker 2: Blake Portles is the Ghat. He likes to wind up 266 00:13:40,559 --> 00:13:42,560 Speaker 2: is a good place he really. 267 00:13:43,679 --> 00:13:51,080 Speaker 4: Goat Portals is in La the Goat Portals, Big Little 268 00:13:51,080 --> 00:13:51,960 Speaker 4: Wise After Show. 269 00:13:52,679 --> 00:13:55,800 Speaker 1: Right, Yes, it's real. We are doing this Sunday. 270 00:13:55,920 --> 00:13:58,040 Speaker 3: Well, this is probably not coming out before then. 271 00:13:58,120 --> 00:13:59,720 Speaker 1: But yes, it's called Big Little Wive. 272 00:14:00,440 --> 00:14:04,160 Speaker 3: Yes. Bill Simmons thought of that. Why he makes the 273 00:14:04,160 --> 00:14:04,720 Speaker 3: Big Books. 274 00:14:04,840 --> 00:14:08,480 Speaker 1: Okay, it's one of the reasons. And I do an 275 00:14:08,480 --> 00:14:11,120 Speaker 1: impression of him and my other show sometimes. But no, 276 00:14:11,200 --> 00:14:16,520 Speaker 1: it's for subscribers all. But when is this coming out? Kevin? 277 00:14:17,120 --> 00:14:23,280 Speaker 1: July sixteenth. We can't move anything around. No, she's gonna 278 00:14:23,440 --> 00:14:24,360 Speaker 1: have been doing this. 279 00:14:24,240 --> 00:14:26,120 Speaker 3: For It's gonna be. 280 00:14:26,080 --> 00:14:26,880 Speaker 1: Over by then. 281 00:14:29,120 --> 00:14:29,920 Speaker 3: Yeah, it will be over. 282 00:14:31,680 --> 00:14:36,960 Speaker 2: Come on, Kevin, Kevin, please Heaven, please Kevin. 283 00:14:37,480 --> 00:14:38,600 Speaker 6: I'll see what I can do. 284 00:14:39,720 --> 00:14:43,680 Speaker 1: I'll ask a few favors Kevin. Please. 285 00:14:45,480 --> 00:14:47,560 Speaker 3: Wow, you guys stack him up months in advance. 286 00:14:48,920 --> 00:14:49,680 Speaker 1: Not usually. 287 00:14:49,880 --> 00:14:51,880 Speaker 2: Well, this is kind of the first time we've been 288 00:14:51,920 --> 00:14:52,720 Speaker 2: in this situation. 289 00:14:53,000 --> 00:14:54,120 Speaker 3: Yeah, what happened? 290 00:14:55,120 --> 00:14:57,800 Speaker 2: Kevin just started cracking the whip in a major way. 291 00:14:57,960 --> 00:15:00,320 Speaker 2: It's like every day I just get a text. It's like, 292 00:15:00,400 --> 00:15:06,080 Speaker 2: don't forget, don't forget. You got a podcast today, and 293 00:15:05,560 --> 00:15:07,120 Speaker 2: I forget. 294 00:15:07,240 --> 00:15:10,240 Speaker 1: And I may never have been told in the first place. Yeah, 295 00:15:10,560 --> 00:15:11,240 Speaker 1: I just come in. 296 00:15:11,760 --> 00:15:14,320 Speaker 2: I guess is here in there's some freak in here. 297 00:15:15,600 --> 00:15:17,520 Speaker 2: I'm supposed to talk to them about whatever. 298 00:15:17,920 --> 00:15:19,400 Speaker 1: They don't know me. They hate me. 299 00:15:19,640 --> 00:15:22,360 Speaker 3: They hate me, Kevin. 300 00:15:22,680 --> 00:15:23,840 Speaker 1: I'm not a huge fan of them. 301 00:15:23,960 --> 00:15:24,640 Speaker 3: You're gonna take this. 302 00:15:25,240 --> 00:15:25,960 Speaker 1: I'm fine with it. 303 00:15:26,000 --> 00:15:28,080 Speaker 6: The show is actually doing the best it's done in 304 00:15:28,120 --> 00:15:31,680 Speaker 6: a couple of years. So this is I'll take this feedback. 305 00:15:31,240 --> 00:15:31,960 Speaker 1: In a couple of years. 306 00:15:32,000 --> 00:15:34,680 Speaker 2: Can't even say best it's ever done since I've started 307 00:15:34,720 --> 00:15:35,400 Speaker 2: as pathetic. 308 00:15:36,720 --> 00:15:38,840 Speaker 3: Well, I hope, I hope you can find a way 309 00:15:38,880 --> 00:15:41,280 Speaker 3: to a little bit earlier. 310 00:15:41,360 --> 00:15:45,960 Speaker 1: Okay, talk about some of the mysteries, please. 311 00:15:46,200 --> 00:15:49,760 Speaker 2: And and and let's do a countdown of some of 312 00:15:49,760 --> 00:15:51,880 Speaker 2: the biggest little lies they've been telling them. 313 00:15:51,960 --> 00:15:54,320 Speaker 1: The biggest mystery of all of how they can be 314 00:15:54,720 --> 00:15:57,760 Speaker 1: so big and so little at the same time at 315 00:15:57,800 --> 00:15:58,520 Speaker 1: the same time. 316 00:15:58,680 --> 00:16:03,080 Speaker 3: Yeah, yeah, well the first season, the mystery was, did 317 00:16:03,120 --> 00:16:03,880 Speaker 3: you guys watch the show? 318 00:16:05,520 --> 00:16:10,240 Speaker 1: Jordan is Noddy, Martha Bruce, Alene. 319 00:16:11,560 --> 00:16:21,000 Speaker 3: Jeremia, Geraldine Jeremi, Geraldine cliffs running on bridges. Yes, you 320 00:16:21,000 --> 00:16:24,720 Speaker 3: know what's weird about the show? And I mentioned this 321 00:16:24,920 --> 00:16:29,560 Speaker 3: on Twitter show why I'm making like we've established this 322 00:16:29,640 --> 00:16:35,240 Speaker 3: dog connection. I'm sorry, and you're kind of dog on 323 00:16:35,240 --> 00:16:36,280 Speaker 3: the box. 324 00:16:36,520 --> 00:16:36,600 Speaker 5: Know. 325 00:16:36,680 --> 00:16:38,960 Speaker 3: The weird thing is it's a show about rich white 326 00:16:38,960 --> 00:16:41,440 Speaker 3: people and there's no dogs. 327 00:16:44,400 --> 00:16:46,240 Speaker 1: No animals this coastal town. 328 00:16:46,800 --> 00:16:50,480 Speaker 3: A bird probably, I hadn't seen any animals on the show. 329 00:16:52,960 --> 00:16:54,320 Speaker 1: I'm sure I remember. 330 00:16:54,360 --> 00:16:59,640 Speaker 3: Actually there actually mm hmm, tell me when the bird was. 331 00:17:00,200 --> 00:17:02,320 Speaker 1: It was on the beach the bird. 332 00:17:03,240 --> 00:17:07,280 Speaker 3: What episode four? I think you made that up. 333 00:17:07,320 --> 00:17:11,080 Speaker 1: Boh is tired, she's out of breath, and you gotta wonder. 334 00:17:11,440 --> 00:17:13,800 Speaker 1: I would understand why you have like an investment in 335 00:17:13,880 --> 00:17:15,560 Speaker 1: like pretending that you have seen the show. 336 00:17:16,680 --> 00:17:22,280 Speaker 2: Now I have my big little lies, big lies countdown? 337 00:17:23,440 --> 00:17:25,440 Speaker 1: Why okay? Line number one. 338 00:17:25,760 --> 00:17:29,920 Speaker 2: Reese Witherspoon's like what like supposed to be like forty 339 00:17:30,240 --> 00:17:34,159 Speaker 2: with that skin? Are you kidding me? She's lying to me. 340 00:17:34,560 --> 00:17:39,720 Speaker 1: She looks amazing. Line number two, Nicole Kidman, what's she 341 00:17:39,800 --> 00:17:42,159 Speaker 1: supposed to be on the show in her forties or something? 342 00:17:42,359 --> 00:17:46,680 Speaker 1: You kidding me? She looks incredible. Adam Scott, he didn't 343 00:17:46,680 --> 00:17:50,359 Speaker 1: grow that beard. That's number three? And how old is 344 00:17:50,359 --> 00:17:52,760 Speaker 1: he supposed to be on that show? What he's in 345 00:17:52,800 --> 00:17:55,480 Speaker 1: his forties with that skin? 346 00:17:56,280 --> 00:17:56,960 Speaker 4: You kidding me? 347 00:17:57,119 --> 00:18:02,760 Speaker 1: He looks incredible? Who else is the show? Laura Dern? 348 00:18:03,200 --> 00:18:05,280 Speaker 1: She looks great? 349 00:18:05,800 --> 00:18:09,159 Speaker 2: So why are they lying to me telling me that 350 00:18:09,280 --> 00:18:12,359 Speaker 2: all these people are middle to late age when let's 351 00:18:12,359 --> 00:18:14,920 Speaker 2: face it, they look amazing. 352 00:18:15,840 --> 00:18:17,399 Speaker 3: I never thought of it that way, but you're right, 353 00:18:17,440 --> 00:18:20,400 Speaker 3: that's the biggest you can't say that of the show. 354 00:18:20,720 --> 00:18:21,679 Speaker 3: I can't say it, and. 355 00:18:21,920 --> 00:18:23,800 Speaker 2: None of the points we're making here, and I can 356 00:18:23,840 --> 00:18:26,760 Speaker 2: see like in your eyes like, oh I do that. 357 00:18:27,320 --> 00:18:29,720 Speaker 1: I steal this time. 358 00:18:29,520 --> 00:18:31,959 Speaker 3: To fill I can't say it because I'd be stealing 359 00:18:31,960 --> 00:18:33,240 Speaker 3: your intellectual properties. 360 00:18:33,440 --> 00:18:37,080 Speaker 1: Yes, yes, this is our stuff, all this Tiff. 361 00:18:37,160 --> 00:18:39,320 Speaker 3: Now, I'm worried. What if you just say something? 362 00:18:39,320 --> 00:18:40,840 Speaker 2: What if we stumbled on this othing you were already 363 00:18:40,840 --> 00:18:42,879 Speaker 2: planning on. Well, we're going to try to cover as 364 00:18:42,960 --> 00:18:45,000 Speaker 2: much ground as possible, so that we can make some 365 00:18:45,080 --> 00:18:45,760 Speaker 2: money off of this. 366 00:18:46,040 --> 00:18:46,880 Speaker 3: I'm going to assume me. 367 00:18:47,440 --> 00:18:51,359 Speaker 2: Interesting speaking of getting sued that you would be doing. 368 00:18:51,760 --> 00:18:55,880 Speaker 2: This is a Ringer show and Ringer and. 369 00:18:57,480 --> 00:19:00,639 Speaker 1: ESPN. Kevin, don't take a picture during a podcast. What 370 00:19:00,680 --> 00:19:01,359 Speaker 1: are you doing? 371 00:19:01,440 --> 00:19:03,800 Speaker 3: He just kind of snuck up behind a. 372 00:19:03,880 --> 00:19:04,880 Speaker 1: Podcast right now. 373 00:19:04,920 --> 00:19:07,640 Speaker 2: There's an unusual angle to be even trying to get right. 374 00:19:07,760 --> 00:19:09,919 Speaker 3: We have to admit I don't like being shot from this. 375 00:19:10,000 --> 00:19:12,960 Speaker 1: Sad no one does. Kevin. 376 00:19:13,600 --> 00:19:15,720 Speaker 3: Literally the only thing I said to you guys before 377 00:19:15,760 --> 00:19:18,360 Speaker 3: agreeing to this, don't get this. Don't shoot me from 378 00:19:18,400 --> 00:19:19,920 Speaker 3: the sort of side. 379 00:19:19,600 --> 00:19:30,119 Speaker 1: Back yes, and god photo it's not yeah from the front. Okay, 380 00:19:30,160 --> 00:19:31,639 Speaker 1: that was just a hey, is you weren't in that? 381 00:19:31,680 --> 00:19:34,000 Speaker 1: Don't worry that like side yeah, that like. 382 00:19:33,960 --> 00:19:37,359 Speaker 2: Side gets me first angle. It's funny because whatever angle 383 00:19:37,400 --> 00:19:38,400 Speaker 2: you tell Kevin. 384 00:19:38,160 --> 00:19:41,160 Speaker 1: Not to photograph, you'll do it. You're gonna look over 385 00:19:41,240 --> 00:19:44,360 Speaker 1: and there, yes, or peripheral vision. This is always kind 386 00:19:44,400 --> 00:19:48,439 Speaker 1: of lurking trying to make a suf back there and you. 387 00:19:48,640 --> 00:19:51,360 Speaker 1: So it's a Ringer show and the Ringer and ESPN 388 00:19:51,560 --> 00:19:55,480 Speaker 1: are sort of frim enemies, much like Martha and Brusolene 389 00:19:55,560 --> 00:19:56,080 Speaker 1: on the show. 390 00:19:56,320 --> 00:20:01,359 Speaker 3: Talk about this, well, Martha and Brusolyne are not real characters, 391 00:20:01,680 --> 00:20:05,320 Speaker 3: and similarly to that dynamic not. 392 00:20:05,680 --> 00:20:08,880 Speaker 1: Maybe you haven't seen the first episode of the new season, 393 00:20:09,280 --> 00:20:10,679 Speaker 1: they're friends with the Bird. 394 00:20:11,000 --> 00:20:14,399 Speaker 3: It has Meryl Streep, by the way, speaking of Mary women, 395 00:20:14,560 --> 00:20:16,880 Speaker 3: where the lie is that you're supposed to believe their 396 00:20:17,000 --> 00:20:17,560 Speaker 3: one agent? 397 00:20:18,400 --> 00:20:21,040 Speaker 1: And please note that she didn't mention her. 398 00:20:21,160 --> 00:20:24,480 Speaker 2: Yes, she looks well and you know, I'm only going 399 00:20:24,520 --> 00:20:28,840 Speaker 2: off season one, but now she's here and hello, are 400 00:20:28,840 --> 00:20:29,480 Speaker 2: you kidding me? 401 00:20:29,800 --> 00:20:33,360 Speaker 1: Ricky in the Flash and she's supposed to be this age? Please? 402 00:20:33,720 --> 00:20:36,120 Speaker 1: This is Ricky from Ky the Flash. 403 00:20:36,560 --> 00:20:39,240 Speaker 3: She looks incredible, her most iconic role. 404 00:20:39,840 --> 00:20:41,520 Speaker 1: Yeah, number one. 405 00:20:41,720 --> 00:20:44,720 Speaker 2: Well, she kind of referenced on the show. Maybe someone 406 00:20:44,760 --> 00:20:46,520 Speaker 2: has a guitar in their house and she'll be like, 407 00:20:46,560 --> 00:20:48,399 Speaker 2: oh behind me. 408 00:20:49,040 --> 00:20:53,080 Speaker 1: Yes, it's so distracting when you see her. Someone doesn't guitar. 409 00:20:54,000 --> 00:20:57,280 Speaker 3: Is the Flash a band in the show the movie? 410 00:20:57,320 --> 00:20:59,320 Speaker 3: Rather must be Ricky and the Flash? 411 00:20:59,400 --> 00:21:04,120 Speaker 1: Yeah, flash makes sense. Jordan, is this a band? 412 00:21:05,240 --> 00:21:05,879 Speaker 6: Is it a band? 413 00:21:05,960 --> 00:21:07,960 Speaker 1: Is it a band? Yeah? Can you can you look 414 00:21:08,000 --> 00:21:10,920 Speaker 1: it up? Or you maybe of the flash? 415 00:21:11,880 --> 00:21:12,520 Speaker 3: This camera? 416 00:21:14,480 --> 00:21:16,639 Speaker 1: Kevin go away, sit down or go away. 417 00:21:17,200 --> 00:21:19,520 Speaker 3: I think it's also off putting because you have a 418 00:21:19,600 --> 00:21:21,840 Speaker 3: really big camera. It's not like a phone. 419 00:21:22,080 --> 00:21:25,520 Speaker 1: You know, it's way too bad, dude, it's huge and 420 00:21:25,560 --> 00:21:27,719 Speaker 1: he enlarging. What are we doing it? Is this? Like? 421 00:21:28,000 --> 00:21:32,480 Speaker 1: Was he like a baseline NBA photographer? Like what Kevin? 422 00:21:32,520 --> 00:21:33,800 Speaker 1: Actually the meaning of this? 423 00:21:33,960 --> 00:21:37,160 Speaker 2: He went to a special store and got the camera enlarged, 424 00:21:37,800 --> 00:21:39,960 Speaker 2: Like he told us that he was doing this because 425 00:21:40,000 --> 00:21:41,600 Speaker 2: he wanted an even bigger camera. 426 00:21:42,800 --> 00:21:46,080 Speaker 1: Jordan was in a band. Yeah, not the Flash. Was 427 00:21:46,119 --> 00:21:48,600 Speaker 1: it the Flash? Or was it the Flash? 428 00:21:48,680 --> 00:21:48,760 Speaker 5: No? 429 00:21:48,880 --> 00:21:51,639 Speaker 1: I was in a punk band. The Flash is a 430 00:21:51,640 --> 00:21:52,200 Speaker 1: punk band. 431 00:21:52,440 --> 00:21:54,840 Speaker 2: The Flash is punk as hell. The Flash is pure 432 00:21:54,840 --> 00:21:58,400 Speaker 2: punk rock. They basically don't want the establishment anything. 433 00:21:58,880 --> 00:22:01,040 Speaker 3: You were in the Flash, I could tell you we're 434 00:22:01,040 --> 00:22:03,000 Speaker 3: in a punk band because you have a lot of tattoos. 435 00:22:06,640 --> 00:22:10,280 Speaker 1: That was one of the louder laughs. Yeah, usually never gotten. 436 00:22:10,359 --> 00:22:12,199 Speaker 1: I've never gotten that from someone. 437 00:22:12,560 --> 00:22:14,880 Speaker 3: For right, everyone who has tattoos isn't a punk band. 438 00:22:16,000 --> 00:22:19,560 Speaker 2: Have you seeing the one of the commercials that's on 439 00:22:20,080 --> 00:22:23,920 Speaker 2: about progressive how having a home makes everyone act like 440 00:22:23,960 --> 00:22:25,000 Speaker 2: their parents? Oh? 441 00:22:25,080 --> 00:22:27,280 Speaker 1: Yes, and then and then she goes, oh you have 442 00:22:27,320 --> 00:22:31,040 Speaker 1: a tattoo? How fun do you not work. Yeah, Yeah, 443 00:22:31,080 --> 00:22:37,480 Speaker 1: that one's good. Yeah, which ones the one not yours. 444 00:22:37,240 --> 00:22:41,440 Speaker 3: Where my own commercial I was singing the progressive commercials, 445 00:22:41,440 --> 00:22:45,240 Speaker 3: the one where the husband starts dressing like his dad 446 00:22:45,920 --> 00:22:49,680 Speaker 3: and acting like a little man, wearing like sweaters, and. 447 00:22:49,040 --> 00:22:50,960 Speaker 1: Vacation sort of the premise of all of them a 448 00:22:51,000 --> 00:22:51,440 Speaker 1: little bit. 449 00:22:51,520 --> 00:22:54,040 Speaker 2: Yeah, But well the one where they're vacation he's reading 450 00:22:54,080 --> 00:22:55,919 Speaker 2: the plaque is actually that's a group of friends on 451 00:22:56,000 --> 00:22:56,679 Speaker 2: a road trip. 452 00:22:57,119 --> 00:23:00,400 Speaker 1: That's these are all progressive. Huh. Yeah, the oh I'm 453 00:23:00,440 --> 00:23:04,040 Speaker 1: sweating or like Ice Flow putting her out on one. 454 00:23:05,359 --> 00:23:07,359 Speaker 2: But the one where he's dressing leg his dad, I 455 00:23:07,359 --> 00:23:09,280 Speaker 2: think is more your thinking of, like the Alan McCloud 456 00:23:09,320 --> 00:23:10,560 Speaker 2: one where he falls asleep for. 457 00:23:10,520 --> 00:23:11,640 Speaker 1: A second at the end of it. Ten. 458 00:23:12,640 --> 00:23:15,760 Speaker 3: Who's Alan McLeod actors? 459 00:23:15,920 --> 00:23:16,960 Speaker 1: Yeah, he's the actor. Yeah. 460 00:23:16,960 --> 00:23:19,120 Speaker 2: You don't meet the people in the end last Yeah, 461 00:23:19,160 --> 00:23:20,760 Speaker 2: you don't go make friends with the commercials. 462 00:23:20,880 --> 00:23:22,840 Speaker 1: Just reach over from your commercial shake their hand. 463 00:23:22,840 --> 00:23:25,520 Speaker 3: That's why I'm on this podcast to learn who's in commercials. 464 00:23:26,040 --> 00:23:29,280 Speaker 1: Okay, Well, the one asked Tim Martin and Josh Simpson. 465 00:23:30,000 --> 00:23:31,560 Speaker 3: I didn't really meet. 466 00:23:34,400 --> 00:23:37,880 Speaker 2: And Natalie Palamedes is one of Flow's little cronies. Now 467 00:23:38,640 --> 00:23:39,640 Speaker 2: you know how she's got this. 468 00:23:39,680 --> 00:23:42,320 Speaker 3: Little crew of the latest thing Flow is that people 469 00:23:42,320 --> 00:23:43,080 Speaker 3: think she's a maid. 470 00:23:43,200 --> 00:23:46,320 Speaker 1: People seem to be thinking the Flow is a maid, which. 471 00:23:46,240 --> 00:23:48,040 Speaker 3: Those commercials feel a little problematic. 472 00:23:48,200 --> 00:23:49,960 Speaker 1: I agree. They're trying to get her. 473 00:23:49,840 --> 00:23:53,399 Speaker 2: To quit, they're squeezing her out, they're trying to humiliate 474 00:23:53,440 --> 00:23:56,000 Speaker 2: her to the point that she actually just throws her 475 00:23:56,080 --> 00:23:58,159 Speaker 2: apron in the trash and says it's not worth it. 476 00:23:58,240 --> 00:24:01,800 Speaker 1: Kevin, don't just look at your cameras sulking. It's a 477 00:24:01,840 --> 00:24:02,640 Speaker 1: bad camera. 478 00:24:02,840 --> 00:24:05,080 Speaker 2: Could you define what makes them problematic though? 479 00:24:05,520 --> 00:24:08,240 Speaker 3: Well, okay, so the premise is that she's upset because 480 00:24:08,240 --> 00:24:11,960 Speaker 3: people think she's a maid. Yeah, there you go. R yeah, 481 00:24:12,119 --> 00:24:13,000 Speaker 3: Anti maide. 482 00:24:13,680 --> 00:24:16,920 Speaker 1: Yes, thank you, Yes, exactly. She should be She should 483 00:24:16,960 --> 00:24:21,200 Speaker 1: be saying thank you yeah, or should like that. 484 00:24:21,640 --> 00:24:24,040 Speaker 3: Well, she should say something like, you know, hey, wild 485 00:24:24,119 --> 00:24:27,119 Speaker 3: maids are people too, and we got it. 486 00:24:27,200 --> 00:24:30,359 Speaker 1: Value are already in the next commercial. Yeah, it's a 487 00:24:30,400 --> 00:24:31,240 Speaker 1: time issue. 488 00:24:31,440 --> 00:24:33,879 Speaker 3: I've never written a commercial like you guys probably have. 489 00:24:34,000 --> 00:24:36,480 Speaker 1: So yeah, oh yeah, the hell yeah. 490 00:24:36,720 --> 00:24:40,520 Speaker 2: I'm always consulting with brands, big old eyes after show. 491 00:24:40,720 --> 00:24:43,320 Speaker 1: Yes, we're going to do one of these big little 492 00:24:43,359 --> 00:24:45,800 Speaker 1: life you have to watch it in the studio. 493 00:24:46,280 --> 00:24:48,359 Speaker 3: No, well, I've gotten screeners. 494 00:24:48,680 --> 00:24:50,919 Speaker 1: What the nice? Yes, okay, oh, I. 495 00:24:50,880 --> 00:24:54,000 Speaker 3: Should explain what they're catching these people right for Hollywood, 496 00:24:54,040 --> 00:24:56,720 Speaker 3: because again the premises people want to learn about Hollywood 497 00:24:56,920 --> 00:24:57,320 Speaker 3: used to. 498 00:24:57,200 --> 00:25:00,719 Speaker 1: Be Scoob Troop. Scoob Troop, Get I reassemble? 499 00:25:00,800 --> 00:25:04,800 Speaker 2: The scoop Troop is so old. Now one last ride 500 00:25:04,840 --> 00:25:09,800 Speaker 2: for the scoop Troop? What's your They gotta go organize it. 501 00:25:09,960 --> 00:25:11,760 Speaker 2: They're all showing up in different towns. 502 00:25:12,440 --> 00:25:16,440 Speaker 1: I told you I was out. That was five years ago. 503 00:25:16,680 --> 00:25:19,000 Speaker 3: What's your Twitter show? You said you're thinking about doing one. 504 00:25:19,520 --> 00:25:22,320 Speaker 2: It's Big Little Wise after show, Big Little, Big Little 505 00:25:22,320 --> 00:25:28,320 Speaker 2: Wise Live. Yeah, and so screeners, you watch it on DVD, 506 00:25:28,600 --> 00:25:33,399 Speaker 2: Bigger Little Life, and you pretend so now you're going 507 00:25:33,480 --> 00:25:34,960 Speaker 2: to be watching. Have you already seen it? 508 00:25:35,560 --> 00:25:36,920 Speaker 3: I've seen the first episode? 509 00:25:37,000 --> 00:25:39,480 Speaker 1: Yeah, okay, so I'm going to be watching now. 510 00:25:39,880 --> 00:25:42,480 Speaker 2: And when I see the after show, are you going 511 00:25:42,560 --> 00:25:47,199 Speaker 2: to be going like wow, like pretending that you just 512 00:25:47,280 --> 00:25:48,520 Speaker 2: watched it with everyone else? 513 00:25:48,640 --> 00:25:51,080 Speaker 1: Yes? This is good. Are you trying to trick me 514 00:25:51,160 --> 00:25:52,720 Speaker 1: when I already know what happened? 515 00:25:53,480 --> 00:25:55,880 Speaker 3: The show is called Big Little Lies, so. 516 00:25:55,880 --> 00:26:00,080 Speaker 1: You are not them as well? Yeah, your show actually admits. 517 00:25:59,720 --> 00:26:02,120 Speaker 2: You got rid of the live part of it, which 518 00:26:02,760 --> 00:26:06,119 Speaker 2: which seems like you're promising the audience something that I 519 00:26:06,160 --> 00:26:06,919 Speaker 2: hope you deliver. 520 00:26:07,080 --> 00:26:11,520 Speaker 3: Up, it's not live always sometimes it'll be live. 521 00:26:12,240 --> 00:26:14,520 Speaker 1: The show isn't live. Some of them are are you 522 00:26:14,520 --> 00:26:15,960 Speaker 1: going to take Twitter questions live? 523 00:26:16,000 --> 00:26:16,199 Speaker 4: To me? 524 00:26:16,400 --> 00:26:18,840 Speaker 3: I think some of them will take Twitter questions? Will 525 00:26:18,840 --> 00:26:19,760 Speaker 3: you submit some? 526 00:26:20,440 --> 00:26:21,359 Speaker 1: Yeah, I'll tweet at you. 527 00:26:22,080 --> 00:26:23,960 Speaker 2: Are we going to see this Avenue Q production that 528 00:26:23,960 --> 00:26:25,359 Speaker 2: we were working on in season one. 529 00:26:25,440 --> 00:26:27,000 Speaker 3: That you saw it in the final episode? 530 00:26:27,200 --> 00:26:29,000 Speaker 1: Yeah, but I want to see all you want to 531 00:26:29,000 --> 00:26:31,960 Speaker 1: see it. I want to see top to bottom every 532 00:26:32,040 --> 00:26:32,520 Speaker 1: single month. 533 00:26:32,640 --> 00:26:35,560 Speaker 3: If the entire second season was just happing you que. 534 00:26:35,960 --> 00:26:39,560 Speaker 1: Then okay. Now they're delivering on the promise. Now the 535 00:26:39,600 --> 00:26:40,840 Speaker 1: first season two is year in. 536 00:26:40,920 --> 00:26:50,040 Speaker 2: Town, the Hamilton. Hamilton is not like pushing it enough, 537 00:26:50,200 --> 00:26:56,679 Speaker 2: Spam Ali is right on the edge. Cats, You're in 538 00:26:56,720 --> 00:26:58,480 Speaker 2: town is way too gross? 539 00:26:58,840 --> 00:27:00,920 Speaker 3: Is You're in town a real thing? Oh? 540 00:27:01,000 --> 00:27:04,000 Speaker 2: Yeah, you're in town and Avenue Q were at each 541 00:27:04,000 --> 00:27:05,200 Speaker 2: other's throat to. 542 00:27:08,119 --> 00:27:08,439 Speaker 3: These. 543 00:27:09,680 --> 00:27:16,080 Speaker 2: I was saying, Breck Kavanaugh, the Supreme Court justice, I'm 544 00:27:16,119 --> 00:27:17,560 Speaker 2: sure he's been in your in town as well. 545 00:27:18,960 --> 00:27:20,320 Speaker 3: What is the plot of your in town. 546 00:27:20,840 --> 00:27:23,840 Speaker 2: Uh, everybody's got a freaking pissed right. 547 00:27:24,000 --> 00:27:26,880 Speaker 1: It's a town that's like about going p or something. 548 00:27:27,080 --> 00:27:29,679 Speaker 3: Oh, I thought you meant like you're in town. 549 00:27:31,200 --> 00:27:34,040 Speaker 1: They make or that, and. 550 00:27:34,000 --> 00:27:36,240 Speaker 3: They constantly playing with those two ideas. 551 00:27:36,280 --> 00:27:37,520 Speaker 1: Jordan, what's your in town? 552 00:27:37,840 --> 00:27:40,280 Speaker 2: Jordan's activate your in town. 553 00:27:40,880 --> 00:27:47,479 Speaker 1: Then the refusal she gets one refusal to google every episode. 554 00:27:48,040 --> 00:27:50,440 Speaker 3: One refusal every episode. 555 00:27:50,359 --> 00:27:56,520 Speaker 2: So that the show ends and people are like, I 556 00:27:56,560 --> 00:28:01,879 Speaker 2: guess it's over. Yeah, yeah, And then you're showing like 557 00:28:03,080 --> 00:28:05,080 Speaker 2: while they're watching, you're not doing anything. 558 00:28:06,359 --> 00:28:07,960 Speaker 3: Sometimes I'll be watching the show live. 559 00:28:08,280 --> 00:28:11,120 Speaker 2: Are you in the corner of the show maybe kind 560 00:28:11,200 --> 00:28:14,679 Speaker 2: of what the heck? Who's that eating your popcorn? Be 561 00:28:14,720 --> 00:28:15,639 Speaker 2: spitting out your soda? 562 00:28:15,800 --> 00:28:18,840 Speaker 3: There will be scenes where you'll see someone chasing a 563 00:28:18,840 --> 00:28:19,880 Speaker 3: bird and it's me. 564 00:28:20,760 --> 00:28:26,520 Speaker 2: Oh, interesting the little easter egg. Yes, and that's why 565 00:28:26,560 --> 00:28:27,800 Speaker 2: you didn't want to sit it out of the bird? 566 00:28:27,920 --> 00:28:28,919 Speaker 1: Was it there? Yeah? 567 00:28:29,119 --> 00:28:30,800 Speaker 3: One of the lies revealed Kevin. 568 00:28:30,840 --> 00:28:31,600 Speaker 1: You watch the show? 569 00:28:32,160 --> 00:28:34,280 Speaker 6: No, is it similar to like pretty Little Liar? 570 00:28:34,920 --> 00:28:38,520 Speaker 1: No, that's not what the show is. Come on, although 571 00:28:38,520 --> 00:28:38,960 Speaker 1: it is. 572 00:28:39,440 --> 00:28:41,520 Speaker 3: I think that's a teen show, right, Yeah? 573 00:28:41,680 --> 00:28:42,640 Speaker 1: Yeah, so's this? 574 00:28:43,440 --> 00:28:46,920 Speaker 3: Yeah, it's got your dog Yeah. 575 00:28:46,840 --> 00:28:50,160 Speaker 2: He's he's actually needs Kevin to take him somewhere or something. 576 00:28:50,440 --> 00:28:53,520 Speaker 3: Say, he's like panting, Kevin, you got to do something 577 00:28:53,560 --> 00:28:54,160 Speaker 3: with this dog. 578 00:28:55,200 --> 00:28:58,120 Speaker 1: He really needs some attention. Bosh has this like sort 579 00:28:58,120 --> 00:29:00,200 Speaker 1: of sixth sense of seeing when Kevin is just being 580 00:29:00,280 --> 00:29:02,920 Speaker 1: dead weight on the show and he's like, I'll get 581 00:29:02,960 --> 00:29:05,000 Speaker 1: him out of here. Yeah, he's touching you. 582 00:29:05,120 --> 00:29:09,080 Speaker 2: Hey man, we got to get this freaking anchor off 583 00:29:09,080 --> 00:29:11,240 Speaker 2: from a rod your deck, Dude, your. 584 00:29:11,160 --> 00:29:14,160 Speaker 3: Doll voice is too close to your normal voice, so 585 00:29:14,200 --> 00:29:16,240 Speaker 3: when you transition, it's kind of confusing. 586 00:29:18,520 --> 00:29:26,160 Speaker 1: No one talks to me like that. No one. What's 587 00:29:26,200 --> 00:29:29,040 Speaker 1: your in town about? Did you check? 588 00:29:29,240 --> 00:29:38,160 Speaker 6: Yeah? It satirizes the legal system, capitalism, like corporate mismanagement, 589 00:29:38,360 --> 00:29:39,600 Speaker 6: municipal politics. 590 00:29:39,880 --> 00:29:40,640 Speaker 3: Where's the pe? 591 00:29:42,320 --> 00:29:47,920 Speaker 1: Yeah, where's the where's the p Kevin doesn't and you're 592 00:29:47,960 --> 00:29:53,760 Speaker 1: in town? Where's the pe? Okay, Kevin? So let's do 593 00:29:53,840 --> 00:29:57,360 Speaker 1: let's do like a dry run yep, because we're doing 594 00:29:57,360 --> 00:29:59,040 Speaker 1: one of these things, and we'll do before you. We'll 595 00:29:59,040 --> 00:30:01,360 Speaker 1: do it right before you, okay, because. 596 00:30:01,120 --> 00:30:04,720 Speaker 2: We'll do it during the show and the show is ending, 597 00:30:04,800 --> 00:30:06,640 Speaker 2: and what's the end theme song? 598 00:30:07,520 --> 00:30:09,400 Speaker 3: Well, I think they just play the same Well they 599 00:30:09,440 --> 00:30:10,840 Speaker 3: do it. No, No, they do a different song. 600 00:30:11,000 --> 00:30:12,520 Speaker 1: Yeah, it's gotta do something like that. 601 00:30:12,600 --> 00:30:14,200 Speaker 3: The beginning song is dude. 602 00:30:20,240 --> 00:30:22,920 Speaker 4: Gonna catch up with you girl? 603 00:30:25,600 --> 00:30:29,120 Speaker 1: Yeah, you told them too many last this time? 604 00:30:32,880 --> 00:30:36,000 Speaker 6: Okay, I found it. A massive water shortage means that 605 00:30:36,120 --> 00:30:38,480 Speaker 6: private toilets have been outlawed in the public now have 606 00:30:38,560 --> 00:30:40,120 Speaker 6: to pay for the privilege to pee. 607 00:30:40,600 --> 00:30:42,080 Speaker 3: I really thought you made this up. 608 00:30:42,800 --> 00:30:46,680 Speaker 1: Well, I wish and it costs, I wouldn't be here now. 609 00:30:47,760 --> 00:30:49,520 Speaker 2: It really makes you think about a lot of stuff 610 00:30:49,520 --> 00:30:51,240 Speaker 2: because it's like, if I had to pay money every 611 00:30:51,240 --> 00:30:52,720 Speaker 2: time I had to pee. 612 00:30:53,800 --> 00:30:57,320 Speaker 1: I'd be rich. Think about it. 613 00:30:57,840 --> 00:31:00,400 Speaker 2: I'd be holding it in and just making so much 614 00:31:00,480 --> 00:31:07,640 Speaker 2: do so sing the final theme song, I bet you. 615 00:31:07,720 --> 00:31:13,520 Speaker 1: Thought you'd get away with it. Yeah, didn't you, girl? 616 00:31:14,520 --> 00:31:21,320 Speaker 4: You probably thought that we wouldn't get you in a life. 617 00:31:21,000 --> 00:31:23,000 Speaker 1: And okay and. 618 00:31:22,920 --> 00:31:24,000 Speaker 3: Three like a woman. 619 00:31:24,320 --> 00:31:24,480 Speaker 2: Two. 620 00:31:26,680 --> 00:31:28,400 Speaker 3: I thought if you were gonna do like a male 621 00:31:28,520 --> 00:31:31,400 Speaker 3: folksy song, there's usually like a woman's voice that's. 622 00:31:31,240 --> 00:31:32,600 Speaker 4: Like big. 623 00:31:37,600 --> 00:31:42,000 Speaker 1: Nice, Yeah, add some depth to the song. 624 00:31:43,400 --> 00:31:45,280 Speaker 3: Okay, to do your part and I'll do mine, okay. 625 00:31:47,680 --> 00:31:54,680 Speaker 4: Hm, that one last lie was one too many medium 626 00:31:55,760 --> 00:32:04,640 Speaker 4: and now the truth is coming from so that. 627 00:32:04,960 --> 00:32:06,840 Speaker 1: So now we have the song, So now it's time 628 00:32:06,880 --> 00:32:07,320 Speaker 1: for the show. 629 00:32:07,520 --> 00:32:09,040 Speaker 2: And Kevin, would you take my dog out of the 630 00:32:09,120 --> 00:32:13,120 Speaker 2: room please? And sometimes you have to be so explicit. 631 00:32:16,440 --> 00:32:18,720 Speaker 2: His leash is over there if he needs to actually 632 00:32:18,720 --> 00:32:20,440 Speaker 2: go outside, But maybe he just needs to be in 633 00:32:20,480 --> 00:32:23,040 Speaker 2: the other studio because it's too overwhelming for him to 634 00:32:23,080 --> 00:32:24,000 Speaker 2: see all this fun. 635 00:32:25,920 --> 00:32:29,800 Speaker 1: Wow. Okay, welcome to Big Little Wise Live. What an episode. 636 00:32:29,960 --> 00:32:33,800 Speaker 1: I'm still going crazy. It's nuts, I'm screaming. 637 00:32:34,000 --> 00:32:37,880 Speaker 2: Ah, And so how did this talk about? 638 00:32:38,080 --> 00:32:41,120 Speaker 1: Heyes? Can you believe what we saw on the show? 639 00:32:41,640 --> 00:32:47,120 Speaker 2: Everyone was being so weird. I didn't like how a 640 00:32:47,160 --> 00:32:51,760 Speaker 2: lot of their behavior was nuts. The strange freaky stuff 641 00:32:51,800 --> 00:32:54,920 Speaker 2: they said and did made me think, Okay, this. 642 00:32:54,800 --> 00:32:56,480 Speaker 1: Show is wild. 643 00:32:57,440 --> 00:33:01,000 Speaker 2: And I actually turned to you you and heyes, you 644 00:33:01,040 --> 00:33:01,840 Speaker 2: can attest to this. 645 00:33:02,360 --> 00:33:03,680 Speaker 1: At one point in the middle of it. 646 00:33:03,680 --> 00:33:07,880 Speaker 2: I just said, what everyone was being mental? And there 647 00:33:08,000 --> 00:33:09,560 Speaker 2: was no sound. 648 00:33:11,320 --> 00:33:11,680 Speaker 1: To me? 649 00:33:11,760 --> 00:33:15,760 Speaker 2: Why is there no sound to me? The show this 650 00:33:15,840 --> 00:33:22,640 Speaker 2: is at its strongest when it's painting a visual story 651 00:33:23,640 --> 00:33:26,200 Speaker 2: that my mind can fill in. And I think they've 652 00:33:26,200 --> 00:33:28,640 Speaker 2: embraced that this season by having no sound the whole 653 00:33:28,680 --> 00:33:31,920 Speaker 2: time and a little just one caption in the corner 654 00:33:31,960 --> 00:33:32,760 Speaker 2: that says, mute. 655 00:33:33,080 --> 00:33:36,240 Speaker 1: Our guest is Mina Kimes. What is this new thing 656 00:33:36,360 --> 00:33:40,760 Speaker 1: in prestige television? I guess where there's not allowed to 657 00:33:40,760 --> 00:33:41,719 Speaker 1: be any sound. 658 00:33:41,880 --> 00:33:45,320 Speaker 3: Wait, I'm a guest on this your fictional show that's 659 00:33:45,400 --> 00:33:52,240 Speaker 3: ripping off my show the material yet I just want 660 00:33:52,240 --> 00:33:55,440 Speaker 3: to say first, and I'm being brought in as. 661 00:33:54,880 --> 00:33:57,080 Speaker 1: I'm gonna sue you go straight to Breck having I 662 00:33:57,120 --> 00:33:59,200 Speaker 1: don't want to you already talked about it. I don't 663 00:33:59,200 --> 00:34:01,360 Speaker 1: want to say anything while he's going to side with us. 664 00:34:01,680 --> 00:34:04,840 Speaker 3: I won't be able to use it later for you're 665 00:34:04,880 --> 00:34:07,120 Speaker 3: you know right, well you can't be on the show 666 00:34:07,200 --> 00:34:10,239 Speaker 3: anyway because you're on our I just had a realization. 667 00:34:10,400 --> 00:34:12,879 Speaker 3: Did you say the challenge for your dead ball would 668 00:34:12,920 --> 00:34:15,440 Speaker 3: be eating a piece of hay because your name is Hayes. 669 00:34:16,080 --> 00:34:18,480 Speaker 1: No, that was actually a big issue. 670 00:34:19,480 --> 00:34:23,000 Speaker 2: Uh, that was a disadvantage, just a big little issue. Yes, 671 00:34:24,160 --> 00:34:27,359 Speaker 2: like hey jokes. The part of it was they're like, oh, 672 00:34:27,360 --> 00:34:28,640 Speaker 2: he's going to be really good at this. 673 00:34:28,840 --> 00:34:31,319 Speaker 1: Jordan got it even if you didn't. Because his name 674 00:34:31,400 --> 00:34:34,799 Speaker 1: is Hayes, He's gonna like really take down this piece 675 00:34:34,840 --> 00:34:38,120 Speaker 1: of hay. Right. But it's a thing where I did 676 00:34:38,360 --> 00:34:41,200 Speaker 1: put it down really really fast. I've sort of folded up, 677 00:34:41,239 --> 00:34:46,600 Speaker 1: but it's sort of un uh like sprung back out 678 00:34:46,680 --> 00:34:48,800 Speaker 1: in my mouth and sort of up my nasal cavity 679 00:34:48,800 --> 00:34:52,560 Speaker 1: and out my nose. And so the goat of course 680 00:34:53,000 --> 00:34:58,680 Speaker 1: sees this, and there's like like a lunch Yeah, he's 681 00:34:58,719 --> 00:34:59,840 Speaker 1: hearing the triangle. 682 00:35:00,920 --> 00:35:05,680 Speaker 2: You know, it was the talk supper Suppers on. 683 00:35:05,840 --> 00:35:09,399 Speaker 1: So he kind of went lunchtime and then you dove in. 684 00:35:10,200 --> 00:35:11,720 Speaker 3: There's no sound on the show. 685 00:35:13,200 --> 00:35:17,720 Speaker 2: Yes, it's this post the film the Artist winning Best Picture. 686 00:35:18,040 --> 00:35:20,960 Speaker 2: We've seen so many copycats come to the small screen. 687 00:35:22,480 --> 00:35:26,839 Speaker 2: Do you think it's positive that Big Little Lies has 688 00:35:26,960 --> 00:35:29,959 Speaker 2: no sound and that really you can't see them most 689 00:35:29,960 --> 00:35:32,000 Speaker 2: of the time because the screen is so dark. 690 00:35:32,120 --> 00:35:35,640 Speaker 3: Have you considered that your TV might just be broken? 691 00:35:36,120 --> 00:35:40,239 Speaker 1: I don't own a TV. Toche he comes to my 692 00:35:40,320 --> 00:35:41,880 Speaker 1: house or we go to the restaurant. 693 00:35:42,000 --> 00:35:44,640 Speaker 3: Have you considered that your TV might be broken? 694 00:35:44,800 --> 00:35:45,000 Speaker 1: Like you? 695 00:35:45,040 --> 00:35:48,759 Speaker 2: Maybe since I don't know, it was just it was 696 00:35:50,120 --> 00:35:52,520 Speaker 2: I think so it actually has more electricity than any 697 00:35:52,560 --> 00:35:53,000 Speaker 2: other TV. 698 00:35:53,200 --> 00:35:56,600 Speaker 3: Eves are really complicated these days, so like. 699 00:35:56,600 --> 00:36:00,400 Speaker 1: Sometimes I have not seen to be the case. 700 00:36:01,160 --> 00:36:02,759 Speaker 3: There's a lot of buttons. 701 00:36:02,880 --> 00:36:03,560 Speaker 1: On your TV. 702 00:36:03,680 --> 00:36:09,840 Speaker 2: Your TV has a lot of TV doesn't have any. 703 00:36:09,080 --> 00:36:11,400 Speaker 3: Well, I just got it. It's new, I got it 704 00:36:11,360 --> 00:36:11,879 Speaker 3: a best buy. 705 00:36:12,120 --> 00:36:13,239 Speaker 1: Where are the buttons? 706 00:36:13,280 --> 00:36:16,880 Speaker 3: It's all over the front, the back, the side, the girth. 707 00:36:17,520 --> 00:36:18,560 Speaker 1: The buttons are the. 708 00:36:20,040 --> 00:36:22,040 Speaker 3: Undercarriage. There's buttons. 709 00:36:22,080 --> 00:36:24,840 Speaker 1: Wow, can you press? Is there stuff on the screen 710 00:36:24,880 --> 00:36:25,640 Speaker 1: you can press? 711 00:36:25,920 --> 00:36:28,799 Speaker 3: Yeah, that's how TV's working out. Wow, this is so weird. 712 00:36:28,800 --> 00:36:30,960 Speaker 3: I'm on a TV podcast and you guys don't know this. 713 00:36:31,040 --> 00:36:36,000 Speaker 1: Can you like press like, say, like Cony Tornheiser's on there? 714 00:36:36,360 --> 00:36:42,400 Speaker 1: Can you press his like tie or something? And he'll 715 00:36:42,760 --> 00:36:44,000 Speaker 1: just get a little. 716 00:36:44,040 --> 00:36:46,600 Speaker 3: To bring it back to our big little, bigger little 717 00:36:47,520 --> 00:36:51,760 Speaker 3: lies show that every time Meryl Streep is on the screen, 718 00:36:52,480 --> 00:36:55,200 Speaker 3: you can press a button that goes yes queen. 719 00:36:55,760 --> 00:37:00,440 Speaker 1: Wow, the button goes that. The button goes that. The 720 00:37:00,480 --> 00:37:04,080 Speaker 1: button goes yes queen. Then she could hear you. 721 00:37:05,719 --> 00:37:08,120 Speaker 3: Not only can she hear you? All of the characters 722 00:37:08,120 --> 00:37:11,120 Speaker 3: can hear you. They can you can summon them all? 723 00:37:11,920 --> 00:37:14,120 Speaker 1: And the what do they do? They just like they 724 00:37:14,480 --> 00:37:18,080 Speaker 1: like look out into the your house. 725 00:37:18,880 --> 00:37:21,360 Speaker 2: Can you put a ricky filter on it where you 726 00:37:21,440 --> 00:37:24,160 Speaker 2: press a button and it shows what each cast member 727 00:37:24,160 --> 00:37:26,400 Speaker 2: would look like if they were a member of the flash. 728 00:37:26,480 --> 00:37:28,080 Speaker 3: It takes a flash photo of you. 729 00:37:28,560 --> 00:37:32,160 Speaker 1: Oh, I wouldn't mind. How about this? You can't use this? 730 00:37:32,760 --> 00:37:43,759 Speaker 1: Ricky and Morty have a flash. Yeah, Hi, Rick, we 731 00:37:43,840 --> 00:37:48,479 Speaker 1: gotta get this punk band rap? Shut up forty rap? 732 00:37:50,640 --> 00:37:50,839 Speaker 3: Is that? 733 00:37:50,920 --> 00:37:51,080 Speaker 2: Wait? 734 00:37:51,120 --> 00:37:51,400 Speaker 1: Okay? 735 00:37:51,520 --> 00:37:54,200 Speaker 3: Is that really Merrill's most iconic role or is it 736 00:37:54,280 --> 00:37:54,799 Speaker 3: Mamma Mia? 737 00:37:55,880 --> 00:37:57,520 Speaker 1: She is not Mama Mia. 738 00:37:58,840 --> 00:38:01,320 Speaker 3: Yes, it really depends on how you watch great to keep. 739 00:38:01,239 --> 00:38:04,719 Speaker 2: Him it's not She's not not Mama Made, She's not 740 00:38:04,840 --> 00:38:05,920 Speaker 2: Mama Okay. 741 00:38:06,480 --> 00:38:10,120 Speaker 3: What about her extremely iconic role as the black widow 742 00:38:10,320 --> 00:38:11,440 Speaker 3: in Avengers Endgame? 743 00:38:12,680 --> 00:38:16,839 Speaker 2: Ah, now we're actually getting He was really good at that. 744 00:38:16,960 --> 00:38:20,400 Speaker 2: And can I say, isn't black widow married to Colin Jokes? 745 00:38:20,600 --> 00:38:22,520 Speaker 1: Happy for Colin Jokes? Yeah? 746 00:38:22,920 --> 00:38:24,040 Speaker 3: Do you think you're going to the wedding? 747 00:38:26,320 --> 00:38:29,560 Speaker 2: I can't imagine them keeping me out. 748 00:38:30,080 --> 00:38:36,760 Speaker 1: I am on a mission. Yeah, Sean, Yeah, Sean, Oh cool. 749 00:38:36,880 --> 00:38:38,360 Speaker 3: Maybe we'll see each other there. 750 00:38:38,239 --> 00:38:40,799 Speaker 1: At the wedding. Colin Jokes is really one of his cronies. 751 00:38:41,239 --> 00:38:43,600 Speaker 2: Yeah, he's one of his cronies who's built my entire 752 00:38:43,640 --> 00:38:45,520 Speaker 2: career by just handing me whenever. 753 00:38:45,239 --> 00:38:48,920 Speaker 1: I want same. Yeah, it feels fucking awesome. 754 00:38:48,960 --> 00:38:51,960 Speaker 3: He gave me a painting of Michael Jackson for my wedding. 755 00:38:52,680 --> 00:38:55,239 Speaker 2: Oh wow, and that's held up really well, that only 756 00:38:55,280 --> 00:38:57,600 Speaker 2: goes up in value. 757 00:38:58,960 --> 00:38:59,960 Speaker 1: What was he doing in the. 758 00:39:02,080 --> 00:39:07,239 Speaker 3: So the wedding was that our wedding was at a 759 00:39:07,239 --> 00:39:10,160 Speaker 3: anti like a global antique store. This is not a bit, 760 00:39:10,239 --> 00:39:12,279 Speaker 3: I'm just this is truly true. Happened. And there were 761 00:39:12,280 --> 00:39:15,560 Speaker 3: all these global antique store There are all these paintings 762 00:39:15,600 --> 00:39:19,600 Speaker 3: by African artists of like American pop artists, and so 763 00:39:19,719 --> 00:39:21,960 Speaker 3: this was a painting by a guy in like Ghana. 764 00:39:22,040 --> 00:39:24,319 Speaker 3: So it's a painting of Michael dancing. And then there's 765 00:39:24,360 --> 00:39:29,279 Speaker 3: like lyrics all over the canvas, I suppose. And we 766 00:39:29,360 --> 00:39:31,879 Speaker 3: unwrapped it and my dog. I've never seen my dog 767 00:39:31,880 --> 00:39:35,200 Speaker 3: get angrier at an inanimate object than when wed. Wow, 768 00:39:35,680 --> 00:39:37,200 Speaker 3: it's not in the house anymore. 769 00:39:36,840 --> 00:39:39,080 Speaker 1: Sorry, Colin, do you outside? 770 00:39:40,320 --> 00:39:42,880 Speaker 3: I think Nick has it his studio hidden from me 771 00:39:42,920 --> 00:39:44,680 Speaker 3: because I told him do not. I don't want this 772 00:39:44,719 --> 00:39:46,719 Speaker 3: at my house. Sorry, con I still want to go 773 00:39:46,719 --> 00:39:47,480 Speaker 3: to the wedding me. 774 00:39:47,600 --> 00:39:48,560 Speaker 1: Now you're tattoo. 775 00:39:49,400 --> 00:39:51,440 Speaker 2: It's not see you can remember which super Bowl you're on, 776 00:39:51,480 --> 00:39:52,200 Speaker 2: and you change. 777 00:39:52,000 --> 00:39:52,560 Speaker 1: It every year. 778 00:39:53,280 --> 00:39:55,480 Speaker 3: It's about a punk band I was in. I don't 779 00:39:55,480 --> 00:39:57,200 Speaker 3: know if you heard earlier. If you have a tattoo, 780 00:39:57,200 --> 00:39:58,160 Speaker 3: it means you were in a puny. 781 00:39:58,400 --> 00:40:02,680 Speaker 1: Yes, well, what's the name of the band? 782 00:40:02,840 --> 00:40:07,640 Speaker 3: The super Bowl Mina in the Flesh, That's. 783 00:40:09,719 --> 00:40:14,840 Speaker 2: That's really surprising, but it's called Ricky and the Bosh. 784 00:40:15,200 --> 00:40:18,959 Speaker 1: Who's your favorite one of these guys? These crazy uh, 785 00:40:19,560 --> 00:40:20,520 Speaker 1: these freaks on. 786 00:40:20,480 --> 00:40:26,240 Speaker 2: The show so Mania running around, they're so random talking 787 00:40:26,280 --> 00:40:34,000 Speaker 2: to each other like wow, yeah, absolutely mental, Yes, they're chavs. 788 00:40:34,040 --> 00:40:35,680 Speaker 1: Absolutely. 789 00:40:35,760 --> 00:40:41,279 Speaker 3: It's a tie for me. Okay, between Respoon's character and 790 00:40:41,320 --> 00:40:41,640 Speaker 3: the Bird. 791 00:40:42,640 --> 00:40:44,920 Speaker 1: Okay, who's Reese Witherspoon's character. 792 00:40:45,360 --> 00:40:48,719 Speaker 3: Her name is Madeline French. 793 00:40:49,880 --> 00:40:52,920 Speaker 1: I was guess who plays French? Who's Fronch in this season? 794 00:40:53,920 --> 00:40:54,920 Speaker 3: I can't give that away. 795 00:40:56,960 --> 00:41:00,239 Speaker 2: That's one of the big mysteries where you like, who 796 00:41:00,280 --> 00:41:04,279 Speaker 2: will turn out to be Franch, Brucelyne, Martha Franch and 797 00:41:04,360 --> 00:41:08,000 Speaker 2: Cooper Tino are sort of the main two couples that 798 00:41:08,080 --> 00:41:13,240 Speaker 2: we're dealing with here, and they're tricking one another. 799 00:41:14,640 --> 00:41:16,880 Speaker 1: What was the story of the season before? 800 00:41:17,840 --> 00:41:21,520 Speaker 3: Uh, there's a murder, murder and then at the end 801 00:41:21,520 --> 00:41:25,320 Speaker 3: it's revealed that it's Nicole Kidsman's husband. He's been abusing 802 00:41:25,400 --> 00:41:32,080 Speaker 3: her Nicole Kidsman. Yeah, okay, you know her. 803 00:41:32,640 --> 00:41:34,359 Speaker 1: She's been abusing. 804 00:41:35,040 --> 00:41:38,959 Speaker 3: Yes, no, he she's been abused by her husband, who 805 00:41:39,040 --> 00:41:42,480 Speaker 3: is the person who dies and also raped Shilin Woodley's 806 00:41:42,560 --> 00:41:44,879 Speaker 3: character and is the father of her kid. 807 00:41:45,640 --> 00:41:46,840 Speaker 1: And he's yes. 808 00:41:46,800 --> 00:41:48,719 Speaker 3: It's all revealed at the very end, and he's dead 809 00:41:48,960 --> 00:41:51,520 Speaker 3: and he dies of the young that's Alexander Scar's. 810 00:41:51,200 --> 00:41:54,080 Speaker 1: Guard and got killed by everyone. 811 00:41:54,239 --> 00:41:55,000 Speaker 3: Zoe Kravitz. 812 00:41:55,320 --> 00:41:57,200 Speaker 1: Everyone killed her everyone. 813 00:41:57,080 --> 00:41:58,120 Speaker 3: That's what they told the cops. 814 00:41:58,200 --> 00:42:00,719 Speaker 1: Yeah, everybody did it. 815 00:42:00,280 --> 00:42:05,200 Speaker 2: In a way, and in a way he did it 816 00:42:05,239 --> 00:42:05,880 Speaker 2: to himself. 817 00:42:08,760 --> 00:42:09,839 Speaker 3: I want to use that on my show. 818 00:42:11,200 --> 00:42:13,719 Speaker 6: We can release the episode June eighteenth. How's thats? 819 00:42:13,840 --> 00:42:14,320 Speaker 1: How, Mina? 820 00:42:15,239 --> 00:42:18,000 Speaker 2: What did you just You just watched Bosh take a 821 00:42:18,080 --> 00:42:23,760 Speaker 2: ship and that was what came out of this. 822 00:42:23,880 --> 00:42:26,520 Speaker 1: Of that experience. Is that who you had to consult 823 00:42:26,600 --> 00:42:28,320 Speaker 1: with Bosh? 824 00:42:28,480 --> 00:42:32,680 Speaker 2: Yeah, that's who was keeping you from releasing it. 825 00:42:33,239 --> 00:42:35,200 Speaker 3: I kind of don't want this to come out now, 826 00:42:36,520 --> 00:42:36,719 Speaker 3: you know. 827 00:42:36,760 --> 00:42:39,120 Speaker 1: Why do you know why to ever come out? Because 828 00:42:39,120 --> 00:42:40,040 Speaker 1: we're mowing the lawn. 829 00:42:40,880 --> 00:42:43,239 Speaker 3: My hope is that if it comes out later, I 830 00:42:43,239 --> 00:42:44,960 Speaker 3: can use the material on my own show and I 831 00:42:44,960 --> 00:42:45,680 Speaker 3: won't get sued. 832 00:42:46,239 --> 00:42:48,640 Speaker 2: Okay, what's some of let's negotiate. What's some of the 833 00:42:48,640 --> 00:42:49,799 Speaker 2: stuff that that that? 834 00:42:50,000 --> 00:42:51,359 Speaker 1: What do you want to I. 835 00:42:51,280 --> 00:42:53,520 Speaker 3: Really want to use Rick and Morty in the Flash. 836 00:42:53,960 --> 00:42:56,640 Speaker 1: It's Ricky and Morty and the Flash. 837 00:42:56,680 --> 00:42:57,120 Speaker 3: Whatever. 838 00:42:57,960 --> 00:43:01,920 Speaker 1: Rick, don't shoot me with the lace rap, I gotta 839 00:43:02,000 --> 00:43:08,960 Speaker 1: shoot you. Morty, you're messing up my name. The Flash, so. 840 00:43:08,920 --> 00:43:11,640 Speaker 3: I like to use that. Obviously, you gotta okay. 841 00:43:11,719 --> 00:43:15,480 Speaker 2: The Flash is playing an Elvis cover in Adam Scott's 842 00:43:15,520 --> 00:43:18,759 Speaker 2: lip syncing to it at the Big Talent Show, right 843 00:43:18,800 --> 00:43:23,719 Speaker 2: before Andrew Star's guard falls off the cliff. Alexander, Yeah, 844 00:43:23,800 --> 00:43:24,600 Speaker 2: they're all the same. 845 00:43:24,840 --> 00:43:27,600 Speaker 1: They're all Scars guards. That's what happened. He fell off 846 00:43:27,640 --> 00:43:29,520 Speaker 1: the cliff, stelling Scars. 847 00:43:29,080 --> 00:43:32,720 Speaker 3: Guard left let his Scars guard down. Actually, Nicole kidsman, 848 00:43:34,080 --> 00:43:37,280 Speaker 3: it's gonna play a huge role in season two. It's different. 849 00:43:38,920 --> 00:43:40,920 Speaker 3: What I'm trying to give a teaser. 850 00:43:41,320 --> 00:43:44,760 Speaker 1: Cool, she's gonna play somebody else. Cole Woodsman. 851 00:43:49,239 --> 00:43:52,319 Speaker 3: Uh, you'll see snow White. Was she in the snow 852 00:43:52,320 --> 00:43:52,840 Speaker 3: White movie? 853 00:43:54,239 --> 00:43:59,720 Speaker 1: Damn? She should have been. That's ken her his brother 854 00:43:59,800 --> 00:44:02,920 Speaker 1: the Scars guard one of them? Is it? 855 00:44:03,360 --> 00:44:03,560 Speaker 4: Oh? 856 00:44:03,640 --> 00:44:05,760 Speaker 3: His brother plays it? Yes, the clown. 857 00:44:05,800 --> 00:44:09,520 Speaker 1: It could be interesting to get him to come to 858 00:44:09,560 --> 00:44:10,600 Speaker 1: be part of season. 859 00:44:10,280 --> 00:44:15,879 Speaker 2: Two, He's it mom. In season two, Meryl Streep is 860 00:44:16,080 --> 00:44:20,720 Speaker 2: its mom. This is what I meant to believe. 861 00:44:21,480 --> 00:44:26,719 Speaker 3: That is her name, and her name is that she 862 00:44:26,719 --> 00:44:29,319 Speaker 3: wears fake teeth in the show too, which is crazy. 863 00:44:29,960 --> 00:44:32,440 Speaker 1: Are you allowed to say that she's. 864 00:44:32,239 --> 00:44:33,800 Speaker 3: In the trailer so you can see the fake teeth. 865 00:44:34,160 --> 00:44:38,160 Speaker 2: Anytime that I see any movie with my mother in 866 00:44:38,239 --> 00:44:41,440 Speaker 2: law where one of the characters has like a fake 867 00:44:41,520 --> 00:44:43,799 Speaker 2: teeth or a wig or something and we walk out 868 00:44:43,840 --> 00:44:46,319 Speaker 2: if it's like a buzzy movie, she goes, well, someone 869 00:44:46,360 --> 00:44:55,400 Speaker 2: should give an award nomination to those teeth. My god, 870 00:44:55,160 --> 00:44:57,560 Speaker 2: you go, well, I'll tell you they ought have given 871 00:44:57,600 --> 00:45:02,880 Speaker 2: Oscar Award to those teeth. And I love her dearly, 872 00:45:03,000 --> 00:45:05,239 Speaker 2: but it is sounds very predictable. 873 00:45:05,280 --> 00:45:07,880 Speaker 1: What used to happen? What do I say about it? 874 00:45:08,239 --> 00:45:16,239 Speaker 1: I go like, oh, yeah, what are you which? Grab 875 00:45:16,280 --> 00:45:16,640 Speaker 1: a bite? 876 00:45:16,680 --> 00:45:18,399 Speaker 3: Huh? 877 00:45:18,440 --> 00:45:20,560 Speaker 1: What are they doing now? Where they? Then they have 878 00:45:20,640 --> 00:45:23,000 Speaker 1: to they're killing someone else. 879 00:45:23,080 --> 00:45:23,319 Speaker 2: Now. 880 00:45:24,640 --> 00:45:26,719 Speaker 3: Meryl Streep, who's the mother of the. 881 00:45:27,360 --> 00:45:28,920 Speaker 1: Guys she's coming. 882 00:45:28,719 --> 00:45:31,279 Speaker 3: Is in town and she knows. 883 00:45:31,200 --> 00:45:32,239 Speaker 1: She knows everything. 884 00:45:32,480 --> 00:45:35,520 Speaker 3: There's a lot of lies, both big and little, circulating 885 00:45:35,520 --> 00:45:36,920 Speaker 3: in the town of Montezuma. 886 00:45:36,960 --> 00:45:40,640 Speaker 1: Okay, and now she's coming to uncover the lies. 887 00:45:40,719 --> 00:45:45,120 Speaker 2: Okay, and she's essentially Bosh. And the truth coming out 888 00:45:45,160 --> 00:45:46,520 Speaker 2: is Montezuma's revenge. 889 00:45:46,600 --> 00:45:47,960 Speaker 1: Is that correct? 890 00:45:48,400 --> 00:45:49,920 Speaker 3: Don't give away the whole Well, I. 891 00:45:50,000 --> 00:45:54,240 Speaker 2: Just say if the truth comes out, Manta Zuma would effectively. 892 00:45:53,840 --> 00:45:55,080 Speaker 1: Be able to take its revenge. 893 00:45:55,480 --> 00:45:56,680 Speaker 3: Meryl Streep is Bosh. 894 00:45:56,760 --> 00:46:00,759 Speaker 2: She's Detective Bosh. Okay, Well, they they've killed the rock 895 00:46:00,880 --> 00:46:04,399 Speaker 2: guy is his mom is bos? 896 00:46:05,080 --> 00:46:10,839 Speaker 3: Dog was named after Detective Bosh. Okay, why I like it? 897 00:46:11,880 --> 00:46:12,919 Speaker 3: Like it does your dog? 898 00:46:13,000 --> 00:46:13,080 Speaker 2: Hap? 899 00:46:13,920 --> 00:46:15,879 Speaker 3: He likes the dog qualities. 900 00:46:16,280 --> 00:46:23,000 Speaker 2: He has some similar qualities like, well, he was sort 901 00:46:23,040 --> 00:46:25,200 Speaker 2: of born in a shelter because. 902 00:46:26,840 --> 00:46:30,200 Speaker 1: His mother was a prostitute. 903 00:46:30,400 --> 00:46:34,200 Speaker 2: Like Bosh, not unlike Bosh anything else, and she was 904 00:46:34,239 --> 00:46:38,239 Speaker 2: abandoned by society. He spends all his days, well, he's 905 00:46:38,280 --> 00:46:40,759 Speaker 2: in Los Angeles. He's detecting things. 906 00:46:40,480 --> 00:46:45,840 Speaker 1: All the time. He's killed a bunch of people, always justified. 907 00:46:46,560 --> 00:46:47,919 Speaker 3: Bosh kills people in the show. 908 00:46:48,760 --> 00:46:53,240 Speaker 1: Oh yeah, opening of season one, blamo. 909 00:46:53,680 --> 00:46:55,560 Speaker 3: Wow, it's like chem Thrones. 910 00:46:56,200 --> 00:47:02,560 Speaker 1: Yeah, this season he's killing people on freaking plain. Hmmm. 911 00:47:03,440 --> 00:47:07,760 Speaker 1: Nuts throws one of them off the plane. Shee uh 912 00:47:08,080 --> 00:47:10,360 Speaker 1: the guy the way down, Damn. 913 00:47:10,200 --> 00:47:17,560 Speaker 3: Bo what A percentage of people think it's he's named 914 00:47:17,600 --> 00:47:22,479 Speaker 3: after Chris Bosh, small percentage. 915 00:47:22,600 --> 00:47:25,640 Speaker 2: It's pretty rare that people say like Chris Bosh, my 916 00:47:25,760 --> 00:47:33,799 Speaker 2: one insane Miami heat fan friend. Usually people will not 917 00:47:33,920 --> 00:47:37,480 Speaker 2: have any association with it, or they'll say, like the 918 00:47:37,680 --> 00:47:41,520 Speaker 2: washing machine or something because it's an appliance company also 919 00:47:41,680 --> 00:47:46,440 Speaker 2: named Bosh dishwashers. And sometimes people say like the TV show, 920 00:47:46,760 --> 00:47:49,480 Speaker 2: and then a smaller percentage of them will know that 921 00:47:49,520 --> 00:47:50,320 Speaker 2: the TV show. 922 00:47:50,160 --> 00:47:51,320 Speaker 1: Is based on a series of books. 923 00:47:52,520 --> 00:47:55,879 Speaker 2: I said, like the Painter, Like the Painter comes up, Yes, 924 00:47:57,200 --> 00:48:02,240 Speaker 2: someone will be will be classy. And then we'll say, well, 925 00:48:02,680 --> 00:48:04,919 Speaker 2: he's named after the detective, but the detective is named 926 00:48:04,920 --> 00:48:05,200 Speaker 2: after that. 927 00:48:05,280 --> 00:48:08,399 Speaker 1: Also his name, the detective name is Hieronymous Box Yeah. 928 00:48:08,400 --> 00:48:09,359 Speaker 3: And in the show. 929 00:48:09,480 --> 00:48:13,760 Speaker 1: In the shows, the detective's name is Hyeronymous. Yeah. Everybody 930 00:48:13,760 --> 00:48:17,120 Speaker 1: calls him Harry quotation marks, Harry quotation, Marx Bosch. 931 00:48:17,560 --> 00:48:21,799 Speaker 3: The implication being that he's like complicated and smart and well. 932 00:48:21,560 --> 00:48:24,480 Speaker 1: His that's what his name is is kind of the 933 00:48:24,520 --> 00:48:25,399 Speaker 1: implication of that. 934 00:48:25,840 --> 00:48:28,640 Speaker 3: I like the idea of having a dog whose name 935 00:48:28,680 --> 00:48:30,920 Speaker 3: can be interpreted a number of different ways, and it 936 00:48:30,960 --> 00:48:33,680 Speaker 3: allows you to immediately gauge who you're dealing with. 937 00:48:34,520 --> 00:48:40,600 Speaker 2: Well, Bosh, hieronymous Bosh, the detective has looked into the 938 00:48:40,640 --> 00:48:44,880 Speaker 2: mouth of hell so that others among us don't have to, 939 00:48:46,760 --> 00:48:51,080 Speaker 2: and he's come back to show us what really matters 940 00:48:51,200 --> 00:48:55,040 Speaker 2: with Your dog is named after Lenny Bruce, of course, 941 00:48:55,440 --> 00:48:56,800 Speaker 2: our biggest inspiration. 942 00:48:57,640 --> 00:48:57,920 Speaker 3: Bruce. 943 00:48:58,160 --> 00:49:03,160 Speaker 1: Yeah, the funniest person who ever lived. 944 00:49:02,760 --> 00:49:06,879 Speaker 2: And one of the last great white comedians to use 945 00:49:07,080 --> 00:49:12,360 Speaker 2: racial slurs. I just without getting, you know, in trouble. 946 00:49:12,440 --> 00:49:15,520 Speaker 1: And well he did get in trouble, but not for that. Well, yes, 947 00:49:16,160 --> 00:49:18,640 Speaker 1: is he canceled? Is Lenny Bruce cancers? 948 00:49:18,960 --> 00:49:19,120 Speaker 4: Yeah? 949 00:49:19,160 --> 00:49:21,880 Speaker 1: By the police, Yeah, by the freaking state courts. 950 00:49:22,000 --> 00:49:22,640 Speaker 3: What did he do? 951 00:49:23,520 --> 00:49:25,200 Speaker 1: He said, nipple? 952 00:49:26,440 --> 00:49:29,319 Speaker 3: Did you do anything? Because I just we had his 953 00:49:29,400 --> 00:49:32,040 Speaker 3: book laying around, he said, and I don't know stuff 954 00:49:32,160 --> 00:49:36,200 Speaker 3: read like twenty pages and they're beautifully written. Wow, But 955 00:49:36,239 --> 00:49:38,160 Speaker 3: then I don't know anything. 956 00:49:37,960 --> 00:49:40,120 Speaker 1: About his life. Now he went insane. 957 00:49:40,160 --> 00:49:41,680 Speaker 3: Should I unread those pages? 958 00:49:41,880 --> 00:49:42,120 Speaker 1: Yeah? 959 00:49:42,239 --> 00:49:45,080 Speaker 2: You have to mm hmm. You have to get zapped 960 00:49:45,080 --> 00:49:47,279 Speaker 2: by the men in Black International. I don't make roles. 961 00:49:47,360 --> 00:49:49,759 Speaker 2: You got to neuralize yourself like Chris Hemsworth and mine 962 00:49:49,760 --> 00:49:51,279 Speaker 2: and Black International. 963 00:49:51,480 --> 00:49:52,960 Speaker 3: Not named after Lenny Bruce. 964 00:49:53,600 --> 00:49:56,879 Speaker 2: Was named after course, he's named after Lenny Clark, the 965 00:49:57,080 --> 00:49:59,720 Speaker 2: Boston stand up and buddy did Dennis Leary? 966 00:50:00,560 --> 00:50:03,319 Speaker 1: You remember him from the job Rescue Me? 967 00:50:03,840 --> 00:50:06,520 Speaker 2: He used to drive a freaking bus for crying out loud, 968 00:50:06,960 --> 00:50:08,560 Speaker 2: and now he's your dog. 969 00:50:09,360 --> 00:50:10,560 Speaker 3: Keep guessing, Lenny. 970 00:50:11,880 --> 00:50:15,200 Speaker 1: He's freaking and then he's freaking crushing buddies. 971 00:50:16,440 --> 00:50:17,719 Speaker 3: Nope, m M. 972 00:50:19,040 --> 00:50:20,279 Speaker 1: The band Len. 973 00:50:20,160 --> 00:50:22,680 Speaker 2: Oh Lean and Dunham's newsletter. 974 00:50:27,640 --> 00:50:29,680 Speaker 1: Your Dog is the original Lenny letter. 975 00:50:29,800 --> 00:50:31,560 Speaker 3: I'm still so angry about that. 976 00:50:35,600 --> 00:50:37,440 Speaker 1: The band that they did it better. 977 00:50:37,920 --> 00:50:40,520 Speaker 2: They're named after the band Len, Yeah, steal my Sunshine. 978 00:50:41,640 --> 00:50:43,680 Speaker 3: We call him Lehn and he has a lot of 979 00:50:43,760 --> 00:50:44,920 Speaker 3: nicknames like not all Len. 980 00:50:45,360 --> 00:50:52,839 Speaker 2: Do you remember Len's album name? No, Can't Fight the 981 00:50:52,920 --> 00:50:53,600 Speaker 2: bum Rush? 982 00:50:54,200 --> 00:50:57,759 Speaker 1: Right? Or can't Stop the bum Rush? Yeah, I think 983 00:50:57,760 --> 00:51:04,160 Speaker 1: it's stopped. Can't stop the rush, can't stop Leonard six. 984 00:51:05,120 --> 00:51:08,880 Speaker 3: Does Lenn have a song other than Can't Steal My Sunshine? 985 00:51:08,960 --> 00:51:12,120 Speaker 1: They had a whole album that song was, Yes, you 986 00:51:12,239 --> 00:51:15,960 Speaker 1: can Steal Myself. The album is Can't Stop the bum. 987 00:51:16,280 --> 00:51:19,839 Speaker 2: Steal My Sunshine Cryptic Soul's crew Man of the Year. 988 00:51:19,920 --> 00:51:21,719 Speaker 2: It just can't stop the pum rush. I wish I 989 00:51:21,760 --> 00:51:25,800 Speaker 2: hadn't said can't fight first, hot rod monster jam, cold chilling. 990 00:51:26,200 --> 00:51:29,719 Speaker 2: I mean, these are people were doing everything. Oh WHOA 991 00:51:29,880 --> 00:51:33,759 Speaker 2: song number ten is named big Meanie. Song number nine 992 00:51:33,840 --> 00:51:36,799 Speaker 2: is called Cheeky Bugger, Got Stop? 993 00:51:37,800 --> 00:51:39,120 Speaker 1: Is he going to be on the show. 994 00:51:39,760 --> 00:51:46,480 Speaker 3: Len, Yes, no at some point, but he's not, although 995 00:51:46,480 --> 00:51:49,719 Speaker 3: he has been a star in burn commercial. 996 00:51:51,880 --> 00:51:52,000 Speaker 2: No. 997 00:51:52,239 --> 00:51:54,320 Speaker 3: Well that's happening on the actual show. 998 00:51:54,520 --> 00:51:54,600 Speaker 4: Not. 999 00:51:55,280 --> 00:51:57,320 Speaker 3: There's no birds on the Twitter show. 1000 00:51:57,480 --> 00:52:03,360 Speaker 1: Yet, okay, except that Twitter bird that it's true, the bird. 1001 00:52:03,239 --> 00:52:05,200 Speaker 3: Is going to be there. 1002 00:52:05,239 --> 00:52:07,960 Speaker 1: What if someone does a tweet with an arrow pointing 1003 00:52:08,040 --> 00:52:09,320 Speaker 1: up that's like, this sucks. 1004 00:52:09,719 --> 00:52:13,680 Speaker 2: It's up right under yours in my feed. Yeah, why 1005 00:52:13,719 --> 00:52:14,520 Speaker 2: if that happens. 1006 00:52:14,600 --> 00:52:16,319 Speaker 3: It happens to me a lot already. 1007 00:52:16,560 --> 00:52:21,080 Speaker 1: So wow, anyone can do that. Yeah, she sounds no, 1008 00:52:21,120 --> 00:52:23,040 Speaker 1: but it's not. It doesn't even have to be a reply. 1009 00:52:23,080 --> 00:52:24,960 Speaker 1: I mean it. This is what's so dangerous. There's like 1010 00:52:25,000 --> 00:52:28,640 Speaker 1: a joker type person who can just post a normal 1011 00:52:28,719 --> 00:52:32,400 Speaker 1: tweet that says this sucks and has an arrow pointing 1012 00:52:32,480 --> 00:52:35,840 Speaker 1: up and whatever whatever above it is sucks, full on 1013 00:52:36,040 --> 00:52:37,040 Speaker 1: victim of sucking. 1014 00:52:37,960 --> 00:52:41,240 Speaker 3: But what if hear me out, you do another tweet 1015 00:52:41,360 --> 00:52:46,640 Speaker 3: right below that tweet that says this sucks, thus nullifying. 1016 00:52:46,080 --> 00:52:47,719 Speaker 2: You know, I don't think you'll have Wait, is it 1017 00:52:47,760 --> 00:52:51,319 Speaker 2: pointing up or down? Okay, so you're passing it up. 1018 00:52:51,719 --> 00:52:54,320 Speaker 2: Why don't you just block it and be like this 1019 00:52:54,320 --> 00:52:57,600 Speaker 2: this tweet blocks any But then you have the space 1020 00:52:57,640 --> 00:52:59,560 Speaker 2: in between where it says like this was tweeted by 1021 00:52:59,560 --> 00:53:00,440 Speaker 2: someone you blocked. 1022 00:53:00,440 --> 00:53:03,080 Speaker 3: It doesn't just you're the only person who doesn't say. 1023 00:53:03,120 --> 00:53:06,680 Speaker 2: And also if it's complicitly tweet I mean, this sucks. 1024 00:53:06,840 --> 00:53:10,560 Speaker 2: And then in that case, your own fucking dog's saying 1025 00:53:10,560 --> 00:53:11,359 Speaker 2: that your ship. 1026 00:53:11,920 --> 00:53:12,720 Speaker 3: That's my fear. 1027 00:53:13,360 --> 00:53:13,840 Speaker 2: Block it. 1028 00:53:13,960 --> 00:53:16,480 Speaker 1: You should do in below right below yours that says 1029 00:53:16,520 --> 00:53:17,520 Speaker 1: this is a mirror. 1030 00:53:19,239 --> 00:53:22,560 Speaker 3: Oh shh, sh right right, like whatever you say that 1031 00:53:22,680 --> 00:53:26,880 Speaker 3: old trick. Yeah, I'm rubber, you're glue or or not. 1032 00:53:27,160 --> 00:53:29,560 Speaker 1: It's not that this one is saying this is a mirror, 1033 00:53:29,760 --> 00:53:32,680 Speaker 1: And so you're saying what you're looking at is you, 1034 00:53:32,760 --> 00:53:35,239 Speaker 1: and you are the one who sucks. Now, I'm here 1035 00:53:35,280 --> 00:53:38,640 Speaker 1: blue Mitfelow, although he is on my feed and unfortunate, 1036 00:53:38,800 --> 00:53:39,120 Speaker 1: I'm out. 1037 00:53:39,960 --> 00:53:42,560 Speaker 3: I never thought about that as a fight back strategy. 1038 00:53:42,719 --> 00:53:44,920 Speaker 3: M hm. When I did a Twitter show for the 1039 00:53:45,040 --> 00:53:49,800 Speaker 3: NFL Draft, there were commenters in there spoiling the Avengers, 1040 00:53:50,040 --> 00:53:50,960 Speaker 3: which I did not like. 1041 00:53:51,200 --> 00:53:55,440 Speaker 1: Wow, what they say? 1042 00:53:55,520 --> 00:53:58,080 Speaker 3: You know, the black Widow kills everyone? 1043 00:53:59,080 --> 00:54:00,240 Speaker 1: Okay, Cheryl Street. 1044 00:54:00,120 --> 00:54:04,400 Speaker 2: Mary Street, Yeah, as the Black Widow, that's the true 1045 00:54:04,520 --> 00:54:05,000 Speaker 2: end game. 1046 00:54:05,520 --> 00:54:07,200 Speaker 1: She's kicking everyone to death. 1047 00:54:08,200 --> 00:54:11,400 Speaker 3: I hope I invited to her wedding, Maryles, it's not 1048 00:54:11,440 --> 00:54:11,839 Speaker 3: too late. 1049 00:54:12,719 --> 00:54:14,840 Speaker 1: You probably get invited to her daughter's wedding. 1050 00:54:15,880 --> 00:54:16,560 Speaker 3: Mamie Gummer. 1051 00:54:16,880 --> 00:54:19,560 Speaker 2: You could probably go to mami's, do you know, Mamie, 1052 00:54:20,640 --> 00:54:24,320 Speaker 2: I don't. But she's dating hashtag would be summer of Gummer. 1053 00:54:27,560 --> 00:54:28,720 Speaker 3: That it has to be in the summer. 1054 00:54:29,840 --> 00:54:30,799 Speaker 1: When do you want it. 1055 00:54:30,760 --> 00:54:36,280 Speaker 2: To bed to be like the dead of winter? 1056 00:54:36,960 --> 00:54:38,520 Speaker 3: What about hashtag gum and Gummer? 1057 00:54:39,800 --> 00:54:43,399 Speaker 2: Okay, marrying, she has at least a gum heir. 1058 00:54:43,719 --> 00:54:47,280 Speaker 1: She has married James the Killer. 1059 00:54:47,840 --> 00:54:51,360 Speaker 3: But what if she did marry and then had hashtag 1060 00:54:51,400 --> 00:54:53,560 Speaker 3: gum and Gummer. That would be. 1061 00:54:55,120 --> 00:55:00,400 Speaker 2: Like Mary Joe if she marries Bazooka Joe and the 1062 00:55:00,480 --> 00:55:03,279 Speaker 2: hashtag or even more Gummer even more. 1063 00:55:03,360 --> 00:55:05,799 Speaker 1: Yeah, they just have to be connected in some way. 1064 00:55:08,600 --> 00:55:12,640 Speaker 1: She instead of pulling up the bride's veil, she pulls 1065 00:55:12,719 --> 00:55:17,320 Speaker 1: down Mortz, turtle net, cal Ert and a big kiss. 1066 00:55:18,120 --> 00:55:20,919 Speaker 2: What if she married what if the hashtag is Joe 1067 00:55:20,960 --> 00:55:21,480 Speaker 2: the Gummer. 1068 00:55:22,920 --> 00:55:24,800 Speaker 1: She's marrying Joe the Plumber. 1069 00:55:27,239 --> 00:55:31,360 Speaker 2: From is a throwbag that could be pretty sick. 1070 00:55:31,800 --> 00:55:32,520 Speaker 1: Not on this show. 1071 00:55:32,560 --> 00:55:37,759 Speaker 2: It's not really bring it up all the time. We 1072 00:55:37,840 --> 00:55:39,280 Speaker 2: don't want to forget our history. 1073 00:55:40,400 --> 00:55:44,719 Speaker 3: Did he ever get to repeat it? And Ken Bone 1074 00:55:44,760 --> 00:55:48,040 Speaker 3: is the one mate? But Ken Bone got milkshake ducked 1075 00:55:48,840 --> 00:55:51,080 Speaker 3: right because people found all of his like Reddit porn 1076 00:55:51,120 --> 00:55:52,040 Speaker 3: comments or something. 1077 00:55:52,160 --> 00:55:57,080 Speaker 1: Yeah, he likes pregnant women. Oh, very offensive. Oh yeah, 1078 00:55:57,120 --> 00:56:00,960 Speaker 1: it's really that hurts give life to everybody. 1079 00:56:01,440 --> 00:56:04,680 Speaker 3: I was upset because for Halloween I dressed Lenny as 1080 00:56:04,760 --> 00:56:09,400 Speaker 3: Lenn Bone. I owned a red sweater already, and then 1081 00:56:09,480 --> 00:56:10,440 Speaker 3: Lenny got canceled. 1082 00:56:11,320 --> 00:56:16,680 Speaker 1: That sucks. Lenny dude, Dude, who's Lenny named after? 1083 00:56:16,960 --> 00:56:17,520 Speaker 2: Is the name? Ever? 1084 00:56:18,200 --> 00:56:19,280 Speaker 3: You can keep guessing. 1085 00:56:23,320 --> 00:56:26,000 Speaker 1: We've done so many, man, a lot of them. 1086 00:56:26,160 --> 00:56:30,760 Speaker 3: It's a mix of Lenny Cravis. 1087 00:56:29,640 --> 00:56:36,440 Speaker 1: Lenny Cravis, Jesus, this is what your show's like. Huh. 1088 00:56:36,560 --> 00:56:39,000 Speaker 2: It's a lot of you going like this is it's 1089 00:56:39,080 --> 00:56:41,360 Speaker 2: actually similar to our show where you like, say a 1090 00:56:41,480 --> 00:56:43,600 Speaker 2: name wrong and then you kind of chuckle about it. 1091 00:56:46,440 --> 00:56:48,240 Speaker 3: His daughter's on Big Little Eyes. 1092 00:56:48,640 --> 00:56:50,760 Speaker 1: Yeah, so that's gonna be a problem. 1093 00:56:50,360 --> 00:56:57,239 Speaker 3: For you, right, Zoe Cravis, Zoey Cravish, she's good on it. 1094 00:56:57,400 --> 00:56:58,839 Speaker 3: I used to see her good on it. 1095 00:56:58,880 --> 00:57:02,799 Speaker 1: Okay, she killed up buddy. It really sounds good. 1096 00:57:02,840 --> 00:57:04,719 Speaker 3: Good at acting, good at acting. 1097 00:57:06,120 --> 00:57:15,040 Speaker 1: Well, she's with Reese's x HM. What Zoe meant in 1098 00:57:15,080 --> 00:57:20,240 Speaker 1: real life? Has hasn't seen it? That's the idea of 1099 00:57:20,320 --> 00:57:20,720 Speaker 1: the show. 1100 00:57:20,840 --> 00:57:26,720 Speaker 2: An undisguised moment, and it's the confusion nightmare situations where 1101 00:57:26,760 --> 00:57:29,720 Speaker 2: your ex is dating Zoe Kravitz and she's sort of 1102 00:57:29,760 --> 00:57:32,880 Speaker 2: earth mothery like yoga instructor and going like, hey, let's 1103 00:57:32,920 --> 00:57:34,760 Speaker 2: all just have good vibes, and you're going like, I 1104 00:57:34,800 --> 00:57:37,040 Speaker 2: don't exactly want to have good vibes with my exes 1105 00:57:37,040 --> 00:57:41,800 Speaker 2: and your girlfriend. Classic it's now that is classic, and 1106 00:57:41,880 --> 00:57:43,960 Speaker 2: that's classic. Not the food I had on my face. 1107 00:57:43,960 --> 00:57:45,760 Speaker 2: The food I had on my face was quite unusual. 1108 00:57:46,120 --> 00:57:48,640 Speaker 1: It's a mix of Lenny Cravis and who did you 1109 00:57:48,680 --> 00:57:53,040 Speaker 1: see when his whole dick came out jeens? His fucking 1110 00:57:53,080 --> 00:57:54,440 Speaker 1: wing came out his jeans. 1111 00:57:55,400 --> 00:57:57,360 Speaker 3: My Lenny's wang is always out as well. 1112 00:57:57,560 --> 00:57:59,480 Speaker 1: Okay, so that's something they have in common. 1113 00:57:59,560 --> 00:58:01,680 Speaker 3: Lenny Bosh could maybe. 1114 00:58:03,240 --> 00:58:05,320 Speaker 1: Nails baby financial advisor. 1115 00:58:06,520 --> 00:58:08,959 Speaker 3: This is a nick thing. I'm not going to so. 1116 00:58:08,960 --> 00:58:11,920 Speaker 1: You submitted letty gravit, that's yours. 1117 00:58:12,480 --> 00:58:13,720 Speaker 3: That was also a nick thing. 1118 00:58:14,040 --> 00:58:14,680 Speaker 1: Okay. 1119 00:58:14,960 --> 00:58:17,360 Speaker 3: Basically I just wanted Nick to nicks and my husband 1120 00:58:17,680 --> 00:58:20,560 Speaker 3: to stop suggesting weird names. So I tried to chose 1121 00:58:20,600 --> 00:58:24,480 Speaker 3: a normal choose a normal dog name that resonated with 1122 00:58:24,600 --> 00:58:26,240 Speaker 3: figures who are important in his life. 1123 00:58:26,680 --> 00:58:27,800 Speaker 1: What was he suggesting? 1124 00:58:30,120 --> 00:58:33,840 Speaker 2: Oh yeah, just what kind of stuff names like crazy 1125 00:58:34,080 --> 00:58:37,000 Speaker 2: buildings and stuff, dumb ship, dumb ship. 1126 00:58:37,160 --> 00:58:38,640 Speaker 1: He could to name the dog dumb. 1127 00:58:38,480 --> 00:58:45,600 Speaker 3: Shit, that's what I want, Lenny, Oh no, Nick, you know, 1128 00:58:45,680 --> 00:58:48,320 Speaker 3: Bosh is a tough dog name because usually you wanted 1129 00:58:48,360 --> 00:58:55,880 Speaker 3: to be two syllables. Why fuck, because if it's one syllable, 1130 00:58:56,440 --> 00:59:00,000 Speaker 3: it sounds like so a lot of dog commands unfortunate. 1131 00:59:00,040 --> 00:59:01,440 Speaker 1: Only nobody talks to him like. 1132 00:59:01,400 --> 00:59:03,560 Speaker 3: That until today. 1133 00:59:05,680 --> 00:59:12,800 Speaker 1: What the fuck is he? After all? This ship? Unbelievable. 1134 00:59:13,640 --> 00:59:17,200 Speaker 1: I have you on my show, Hollywood Hamburg 1135 00:59:26,920 --> 00:59:27,040 Speaker 3: Hm,