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Speaker 1: Transmitting Welcome to Friday Show, more Studio Morning, Keith Urban's

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Speaker 1: in later also later nine Central, depending on where you

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Speaker 1: are now ten Eastern, ninth Central, eight Mountain, seven Pacific.

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Speaker 1: Our Patriotic Pimp and Joy Line goes on sale today

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Speaker 1: at Bobbybones dot com. So our goal is to rebuild

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Speaker 1: a heroes home. His name is Anthony Thompson, Navy Petty

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Speaker 1: Officer second Class. Anthony Thompson was injured when his bridge

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Speaker 1: was standing on. I was struck by an ied in

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Speaker 1: Iraq and so now here he is with an injury

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Speaker 1: in a spine. He's got a severe traumatic brain injury.

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Speaker 1: He's in a wheelchair. He's noncommunicative. We talked to his

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Speaker 1: wife and we said, hey, we want to help out.

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Speaker 1: He was given a purple heart. But if he's in

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Speaker 1: a wheelchair and he doesn't have a house that is

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Speaker 1: actually built for him to be able to move around

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Speaker 1: his wheelchair, it's very, very tough on him. So nine

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Speaker 1: Central we are selling this. We don't keep any of

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Speaker 1: the money, and we're gonna build him a house. It'll

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Speaker 1: be our fifth hero. We've been able to do this

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Speaker 1: for as far as finding you know, wonderful men and

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Speaker 1: women in the military who have served been injured and

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Speaker 1: if we can help them, dang it, we're going to.

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Speaker 1: So we feel good about that today, right, Yeah. Good. Anyway,

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Speaker 1: that's such a positive thing. We love doing it. I

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Speaker 1: do want to transition though for a second, and I'll

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Speaker 1: ask you, Lunchbox before I get to this. But you

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Speaker 1: haven't been to Roots Chris yet. No, I'm not taking

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Speaker 1: the wife and the family and you guys, you gotta

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Speaker 1: take your kids. But yeah, I don't plan on taking

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Speaker 1: the kids. For those that don't know the segment, Lunchbox

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Speaker 1: tried to get into an industry event months ago for

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Speaker 1: Chris Jansen, and he tried to take his three kids.

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Speaker 1: And it's a listening party for like twenty record executives

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Speaker 1: and a couple radio people. It's like, can I bring

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Speaker 1: all my kids? And they're like, no, you can't bring

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Speaker 1: your three kids. This is an adult thing. And so

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Speaker 1: Lunchbox got on social media was like this not all in,

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Speaker 1: like the album's called instead of get all in with

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Speaker 1: Chris Jansen, and we weren't all allowed in, and so

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Speaker 1: that was a lie and I felt like it was

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Speaker 1: just rude. So I started to be and we were

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Speaker 1: you know we were boycotting Chris Jams. We weren't. We weren't.

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Speaker 1: We never boycotted anything. Chris came in and he performed.

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Speaker 1: He gave Lunchbox a gift card to Roots Chris for

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Speaker 1: two hundred fifty dollars. So yeah, which leads me, did

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Speaker 1: what we're gonna do here? So what happened? So? I

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Speaker 1: wanted to call Ruth Chris because you guys say I

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Speaker 1: had to take my kids. I was like, Ruth, Chris

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Speaker 1: doesn't allow kids. So first of all, you guys tell

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Speaker 1: me I have to take my kids is wrong. So

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Speaker 1: I called them to prove that I don't have to

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Speaker 1: take my kids because they're not allowed there. Okay, here's

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Speaker 1: the call of Lunchbox to Roots Chris speaking. I have

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Speaker 1: a question for you. I have like three little kids.

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Speaker 1: I have a three year old or two year old

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Speaker 1: and a seven month old. They're not allowed to come

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Speaker 1: eat there, right, Like you have a kid's menu, but

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Speaker 1: you don't have like high chairs or anything? Right we do?

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Speaker 1: Oh you do? Okay? Is there any way you could

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Speaker 1: just say, oh, no, we don't. We're not allowed to

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Speaker 1: have kids, but we are, but you don't have booster

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Speaker 1: seats right, we have those high chairs and booster okay,

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Speaker 1: but you don't have krans or anything for them at

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Speaker 1: the table, right. Oh, yes, that's good. That's one thing.

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Speaker 1: So you have nothing to entertain the kids like when

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Speaker 1: they're sitting at the table. Yeah, but do you see

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Speaker 1: a lot of kids eating there? Like usually it's just adults, right,

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Speaker 1: there's not a lot of kids that come. No, that's

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Speaker 1: not what I wanted to hear. I was looking for, like, yeah,

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Speaker 1: a lot of kids come. Okay, well, uh I gotta

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Speaker 1: go you Yeah. I thought you were gonna help my case,

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Speaker 1: but you were absolutely not helping my case any And

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Speaker 1: I've been told that if someone weren't recording that for him,

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Speaker 1: we hadn't never heard that. What well, he did the call,

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Speaker 1: but somebody has to be in there recording the audio.

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Speaker 1: He would have never brought that to the net. So

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Speaker 1: now you have to take the kids obviously. Yeah, they

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Speaker 1: have booster seats and they have high chairs, and kids

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Speaker 1: are allowed and a lot of kids go eat there.

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Speaker 1: I didn't think they were gonna tell me that is

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Speaker 1: your wife excited to go? Have you told her? Oh?

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Speaker 1: I told my wife and she's like, yeah, that's so exciting.

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Speaker 1: I was like, and we don't have to take the kids,

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Speaker 1: and she's like, that's even better. A little sirloin for

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Speaker 1: the baby, sling for the baby. It's time to open

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Speaker 1: up the mail bag. Get something we call ye Hello,

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Speaker 1: Bobby Bones. I found a small hoop ring in my

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Speaker 1: apartment with my fiance. I confronted him about the ar ring.

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Speaker 1: He said, I've never seen him before, nor did he

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Speaker 1: know who the small hoop belonged to. I've never had

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Speaker 1: any doubts about his loyalty or really thought that anyone

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Speaker 1: would be in our apartment as well. But recently I

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Speaker 1: asked where the ring was and he said he threw

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Speaker 1: it out. Should I be concerned that he threw out

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Speaker 1: the ar ring? Should I be questioning him more? Signed

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Speaker 1: concern to Connecticut? No, you shouldn't. If there's nothing prior

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Speaker 1: to this, No you shouldn't. I want to give you

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Speaker 1: an example. There was a shirt of some sort of

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Speaker 1: some dude shirt that was in the dry cleaning and

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Speaker 1: I was like, what how did this shirt get here?

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Speaker 1: I thought it was mine. I don't know, and I

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Speaker 1: was like, hey, I've ever won the shirt because I've

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Speaker 1: never seen it before. So the dry cleaner had accidentally

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Speaker 1: put somebody's shirt in ours, and if it had been

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Speaker 1: the other way, or I could see somebody been like,

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Speaker 1: oh how did this girl's underwear? I mix ups happen

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Speaker 1: all the time, right, so I had someone shirt, you're

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Speaker 1: your ring. Things a little different though, as far as

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Speaker 1: like how did it get there? But I just don't

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Speaker 1: think if there's any anything in the past that would

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Speaker 1: lead you to believe anything fishy is going on, that

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Speaker 1: you should think something fishy is happening. If there have

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Speaker 1: been a couple instances, even one instance, maybe, but once

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Speaker 1: I don't think so. Who knows. Even living somewhere in

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Speaker 1: an apartment, right there are people lived there before. There

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Speaker 1: are things that small things that could have been left behind.

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Speaker 1: We talked to somebody with a house. They left alcohol

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Speaker 1: in a house. I'm going to say that this is

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Speaker 1: the only offense. Nothing should happen here. You can store

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Speaker 1: it away, though, Do you say anything? No, I don't

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Speaker 1: think so, not if nothing's ever happened, because it's already

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Speaker 1: been said. Oh yeah, I know, But is it fishy?

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Speaker 1: Did he threw it away? I don't think it is. Actually,

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Speaker 1: why would he keep it if it's sitting there? Why

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Speaker 1: would he keep it? What good would it do with

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Speaker 1: him if it's laying on the counter, to let it

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Speaker 1: lay on the counter, other than no good, no good,

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Speaker 1: no good in any way, for you to the emailer,

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Speaker 1: for you to let your mind spiral when you see it,

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Speaker 1: when obviously he did nothing. You're never gonna wear it.

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Speaker 1: If there's a diamond, maybe you save it, turn it.

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Speaker 1: There's nothing happening here. Accidents happen, Things get mixed up,

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Speaker 1: People leave things behind. The laundry that's cleaner puts different

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Speaker 1: things in the Accidents happen. When you said stored away,

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Speaker 1: where do you store it in your brain? Yeah, you

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Speaker 1: just like tuck it away. Yeah, because if something else

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Speaker 1: fishy happens. Right, Let's say, all of a sudden there's

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Speaker 1: a woman shoe you never recognize under the bed. Oh,

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Speaker 1: and you're like, well, all right, I stored away that

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Speaker 1: ear ring and now I got a shoe, So now

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Speaker 1: me think some fishies happening. But I would say, if

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Speaker 1: this is the only one, you're fine, Amy, Yeah, that

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Speaker 1: makes sense. I mean, there's no My therapist always likes

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Speaker 1: to say, like, what are the facts? What do you know?

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Speaker 1: And then these are the facts that you know, and

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Speaker 1: there's nothing else you can do about it now. So yeah,

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Speaker 1: Bobby's process of storing it away for later. Only problem

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Speaker 1: with that is and my brain I'd forget, but you

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Speaker 1: would be reminded of it once once I goun the shoe.

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Speaker 1: You don't need to like think about it every day.

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Speaker 1: Keep it fresh. Yeah, definitely don't do that, because that's

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Speaker 1: the worst thing you could do. Like Game of Thrones

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Speaker 1: already just doesn't want to forget the person, so she's

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Speaker 1: always thinking of the person she's gonna get revenge on.

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Speaker 1: I can hear you guys think I'm a nerd already. Yeah.

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Speaker 1: I didn't watch that. Anyone think there's something fishy happening here?

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Speaker 1: Oh wow? No? I mean I found man's underwear my

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Speaker 1: house and I was like, oh, must be your dad's

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Speaker 1: when he game to visit. So I melted my dad

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Speaker 1: my dad's and not mine. I must have just got

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Speaker 1: in there somehow mine. Oh, I mean, I agree. I

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Speaker 1: mean things happen, they just get there. Lunchbox, Well, let's

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Speaker 1: have a talk after this segment. Once there was a

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Speaker 1: once there was like a leopard skin like top left

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Speaker 1: at the house, and Kylen is anything about it? And

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Speaker 1: I was like, hey, do you know this is She's like, nah,

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Speaker 1: it's all of a sudden, I'm defensing. I'm like, oh,

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Speaker 1: I don't know who this is. Who would leave it?

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Speaker 1: She was like, I don't know why why are you

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Speaker 1: being like that because I don't know who this is. Yeah,

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Speaker 1: it's weird. I didn't do anything. I promise and she's like, okay, cool,

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Speaker 1: Like let's just keep no, I promise, man, And so

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Speaker 1: I'm freaking out and so I have to like backtrack

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Speaker 1: in my head. It was Carla Marie from Carlo Marie

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Speaker 1: and Anthony who had been over to the house. I

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Speaker 1: did a podcast and they were moved. They were traveling

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Speaker 1: across the country and she had left some clothes there

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Speaker 1: while they were there. And I went through every single

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Speaker 1: person that had been in the house woman, and I

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Speaker 1: was like, hey, and you hate to ask that, Hey

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Speaker 1: did you like to let them? But finally she's like, oh, yeah,

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Speaker 1: I've been looking for that, and I went to it.

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Speaker 1: I was like, look, I found it because I haven't

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Speaker 1: thought a single thing about that since you brought that

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Speaker 1: up too, Like I told you all good, you're good,

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Speaker 1: thank you for emailing though, Like Amy said, what what

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Speaker 1: what are the facts moved from there the end? All right,

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Speaker 1: close it up. We got your and I was found

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Speaker 1: close Bobby's Here's Mark from Santa Clara, California, who listens

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Speaker 1: on Bay Country ninety four five. I just want to

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Speaker 1: tell you my station out here in California picked up

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Speaker 1: your station. You're guys in the morning. I listen every morning.

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Speaker 1: You guys, you guys are cool. You put the cool

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Speaker 1: in country. And here's a fun fact for you. Did

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Speaker 1: you guys know that every ninety seconds there's a sunrise.

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Speaker 1: There's a sunrise somewhere around the world. Peace out. So

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Speaker 1: every ninety seconds and sunrise. We fact check that. Hey, Mike,

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Speaker 1: when you fact check this fact, what you find no

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Speaker 1: credible source that's true. We don't know that it's false. Yeah,

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Speaker 1: but we don't know that it's true. But we like

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Speaker 1: it that you called. Because anyway says we put the

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Speaker 1: cool in country, we'll take all right, let's go coacuse

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Speaker 1: when they say, well we put in country, they say

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Speaker 1: we put the no, I shouldn't. All right, Amy, let's

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Speaker 1: do it five to one The most fun facts of

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Speaker 1: the week. Number five. The Lion King was originally supposed

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Speaker 1: to be called King of the Jungle, until the film

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Speaker 1: makers realize that lions live in the savannah, not the jungle.

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Speaker 1: I mean too, I've had no idea. Yeah, like that

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Speaker 1: song in the jungle, the might the lions tonight man,

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Speaker 1: that is m hmmm, a wing We hold it, hold

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Speaker 1: it o wimbo o, wimbo o, wimbo o, wimbo web

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Speaker 1: he he let me take that wimbombo up up up.

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Speaker 1: Now you're going the wrong We went down the keep.

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Speaker 1: Never mind anyone's the second second verse already number four.

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Speaker 1: This might explain why I did that. Being sleep deprived

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Speaker 1: for more than twenty four hours can cause you to

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Speaker 1: experience visual, auditory, and sensory hallucinations. The longer you stay awake,

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Speaker 1: the more you progress towards psychosis. What so long as

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Speaker 1: you've ever been awake? M I don't know, I don't

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Speaker 1: know the longest I've ever been awake. You never did

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Speaker 1: light hands on a hard body? I thought you did that.

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Speaker 1: You've done that? Wait? Nos a documentary, Amy's Amy thinks

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Speaker 1: I'm somebody snakes? Weren't a Netflix show apparently right now?

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Speaker 1: Not a radio show? Never heard that? I mean, I'm

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Speaker 1: sure a couple of days where you just miss sleep

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Speaker 1: because of work and then you get But I don't

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Speaker 1: really have some record that I've been able to hold.

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Speaker 1: But and I've not done hands on a hard body.

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Speaker 1: I thought in radio you did something where yeah somebody else, Yeah,

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Speaker 1: there's a show all right. Number three. The TSA makes

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Speaker 1: almost a million dollars a year from the loose change

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Speaker 1: that people leave behind a security Wow. What do they

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Speaker 1: make from the watches my friends has been through and

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Speaker 1: all of a sudden it's gone when they get to

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Speaker 1: the other side. But they make a little more off that. Huh.

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Speaker 1: That's kind of crazy though, or like leaving stuff in

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Speaker 1: luggage when they go through your luggage. You read those

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Speaker 1: news stories, things are just gone. Yeah you know, now

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Speaker 1: I want to watch through. They don't make me take

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Speaker 1: it off because those stories they're like, you want to

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Speaker 1: watch through even if a stuff, yeah, even if it

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Speaker 1: beats wow, because they don't want people feel like they

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Speaker 1: gonna put their watches in that bucket and then it

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Speaker 1: go out of their sight. Interesting. I saw that on

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Speaker 1: you could hide, you could hide the other things and

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Speaker 1: blame it on your watch. Yeah. Still, you could put

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Speaker 1: math in your watch and go through the airport yes, okay.

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Speaker 1: Number two, Brad Pitt and Angelina Jolie once had locks

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Speaker 1: on all of their kids computers that would prevent them

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Speaker 1: from googling their mothers and fathers names, so like they

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Speaker 1: could search up other things. But if they try to

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Speaker 1: search up Brad Pitt Angelina Jolie, their kids computers wouldn't

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Speaker 1: do it. I got just gonna you buddys computer. Huh, yeah,

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Speaker 1: that's true. We sleepover. Yeah, I just hey, can I

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Speaker 1: use a computer for a second? What the number one?

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Speaker 1: This is just you know, if you're experiencing any pain today,

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Speaker 1: simply looking at a picture of a loved one can

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Speaker 1: help relieve it. Um, okay, how are you? How are

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Speaker 1: you doing today? I'm okay, I'm not in pain or anything,

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Speaker 1: but just in case, like, just make sure you've got

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Speaker 1: a picture Caitlin on your phone. If you're ever experiencing pain,

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Speaker 1: pull it up, look at her, find some relief, because

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Speaker 1: it depends if she's mad at me or not. I

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Speaker 1: can't cause more pain. Yeah, I just now, we're not

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Speaker 1: mad at you right now, I don't think but yeah,

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Speaker 1: I guess that's but okay, thank you for that fact, um,

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Speaker 1: and I hope you get some slate sometime soon. Thank you.

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Speaker 1: All Right, there you go. Fact Bob was the latest

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Speaker 1: from Nashville. In Tullywood Morgan number two thirty second, Skinny

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Speaker 1: Cassie Ashton released a new song called I Don't Go

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Speaker 1: Back Yeah. Kenny Rogers Record Label released a reggae remix

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Speaker 1: of his song The Gambler. You got no window, food,

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Speaker 1: no window, and no window. Run Never you when you're

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Speaker 1: sitting at the table. There will be time. Enough counts done.

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Speaker 1: Christian Bush released two new songs called Everybody Needs a

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Speaker 1: Somebody and when this shirt was new, here's one of them.

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Speaker 1: Everybody needs a song, not just anymore strong heart to

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Speaker 1: live well? Who everybody gotta fall, he says, get back,

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Speaker 1: I'm Morgan. That's your skinny heart. It's time for the

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Speaker 1: good news. Unbox something good Back. In nineteen sixty two,

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Speaker 1: Ted Sam's was a week away from graduating high school.

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Speaker 1: The only problem is old Ted got in some hot water,

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Speaker 1: missed a final exam. No graduation for him. Because he

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Speaker 1: missed a final exam, he got suspended, couldn't take the

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Speaker 1: final exam, couldn't pass the class, so he had no diploma,

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Speaker 1: no graduation. He finally goes back and takes that you know,

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Speaker 1: test gets the grade, goes in, says I need to

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Speaker 1: get my diploma, and they said, well, you owe four

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Speaker 1: dollars and eighty cents for something on campus. He's like,

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Speaker 1: I can't afford four dollars and eighty cents. They said,

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Speaker 1: no diploma all the Yeah, this school's got some issues.

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Speaker 1: First of all, I should have got his diploma the

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Speaker 1: first time, like they share work with them in some way.

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Speaker 1: But okay, go ahead. So all these years later he

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Speaker 1: finally got to have graduation. He walked during graduation with

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Speaker 1: the class of twenty twenty two cap gowns sat in

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Speaker 1: the little chairs. They called his name, He walked across

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Speaker 1: the stage, got his diploma. After all these years, he's

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Speaker 1: seventy eight years old. You know, I wouldn't have been

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Speaker 1: upset if he mooned everybody. That's the one example where

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Speaker 1: it's like, hey, you owe it. You give it to

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Speaker 1: him his diploma back. You know what life goes on.

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Speaker 1: That's awesome story. Good for him for hanging in there

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Speaker 1: and getting that. That is what it's all about. That

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Speaker 1: was tell me something good. Another one of these story

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Speaker 1: Race from Finger quotes Amy's friend What is from my

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Speaker 1: friend because I she's a boyfriend of like two months,

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Speaker 1: and she's introducing him to her parents and they're out

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Speaker 1: to dinner, so you know this isn't me okay, and

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Speaker 1: her dad during dinner brings up how they have a

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Speaker 1: family ring that can be used for a proposal if

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Speaker 1: you would like, let me get this straight. Yeah, because

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Speaker 1: she's thirty two, she's been dating him for only two months. Yep.

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Speaker 1: So the dinner, it's family's great, thumbs up. Cool. Yeah,

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Speaker 1: but at this dinner her dad cast her dad says

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Speaker 1: we've got her to the guy. Yeah, like to the table,

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Speaker 1: but to the guy, and she's like dad, And so

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Speaker 1: I just thought, yeah, that whole dad talking about engagement,

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Speaker 1: like pushing it on the dude that's not his son.

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Speaker 1: If it was his son, I think I would be like,

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Speaker 1: that's funny. He knows his son, but he's doing it

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Speaker 1: to a dude that ain't the son. Maybe he's just

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Speaker 1: trying to get the message out there early, like, hey,

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Speaker 1: in case you're thinking about proposing, we have a family.

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Speaker 1: That's not the message you want out if it's not

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Speaker 1: your How did she feel? She just like that, like, dad, stop,

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Speaker 1: you're embarrassing me. Stop. But that is pretty cool to

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Speaker 1: have a ring he can use, because that may be

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Speaker 1: the factor if it's like he's on the fence, he's like,

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Speaker 1: I don't know if I should free ring maybe because

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Speaker 1: that's a big part of it. I think he's looking

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Speaker 1: out for the dude here. I mean, yeah, but you

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Speaker 1: can have that conversation to the side even then, I

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Speaker 1: don't know. You don't do it at two months. You

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Speaker 1: do it early. You do it at two years. It's

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Speaker 1: a long time, but you do it probably six nine

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Speaker 1: months when they start to get serious. Amy, when did

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Speaker 1: you get engaged? How long were you were? You moating? Well,

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Speaker 1: we got engaged at the smart there you go three months. Yeah,

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Speaker 1: that's true. But he was in the military. Yes, that

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Speaker 1: sped it up probably a little bit, right, And that

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Speaker 1: sped up the wedding because then we were going to

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Speaker 1: wait a year and then deployments and then all kinds

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Speaker 1: of things. It was like, well, he's going Afghanistan, soill

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Speaker 1: 's just get married real quick before he goes that

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Speaker 1: kind of thing. Military people can relate. Did anyone have

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Speaker 1: a ring given to them by like an old man?

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Speaker 1: That would be have been the greatest family pass free

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Speaker 1: just Yeah, completely stress free and money saver. Guys, that's

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Speaker 1: what's part of the stress. I mean, who cares all

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Speaker 1: about the bank account? Yeah, that's part of I mean,

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Speaker 1: that's what I would say. It's part of the stress

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Speaker 1: and having to buy the ring and then if she

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Speaker 1: doesn't like it, you can go together and get me

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Speaker 1: malls all ring fixed. Yeah, I reset it. Oh, I

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Speaker 1: should have just made one up. What you're gonna do?

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Speaker 1: Prove it wasn't hey, prove that wasn't me. It's time

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Speaker 1: for the easiest trivia game of all the trivia games.

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Speaker 1: It's the easy trivia amy. The categories colors? What color

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Speaker 1: are zebras stripes? White and black? Correct? I guess I

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Speaker 1: would have just said black and it's all white underneath? Yea.

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Speaker 1: Do we know the answer to that? Though? I know

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Speaker 1: the answer is black and white here, But if you'd

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Speaker 1: ask me, I would have said, their stripes are black,

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Speaker 1: but they're just a white horse. Or are they a

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Speaker 1: black horse with white stripes? They're whites are too big? Yeah?

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Speaker 1: What's up? My wow? I would yeah to miss the

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Speaker 1: crap out of that one. What colors are the stripes

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Speaker 1: on the American flag? Lunchbox? Red? And white, correct, Eddie?

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00:19:07,160 --> 00:19:10,840
Speaker 1: What colors Rudolf the Red Nose Reindeers? No, oh, that's red. Correct,

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Speaker 1: Rudolf the Red Nose, Yeah, thank you. Nobody goes home

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Speaker 1: in the first round. Morgan. What color is SpongeBob square pants?

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Speaker 1: He's yellow? That's correct. Everybody. Welcome to easy all right.

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Speaker 1: You don't want to miss it because if you miss it,

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Speaker 1: you get boned. And you hear this, You've been boned.

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Speaker 1: Amy's one on the tiara, but maybe not for much longer,

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Speaker 1: are you? Kay? I have it on now? They played

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Speaker 1: a five Eddies in the league with three wins. I'm

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Speaker 1: coming for you. I mean, do I have two? Okay?

381
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Speaker 1: Morgan with one? And have you showed up to a

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Speaker 1: game yet? I've been here the scores table and check in.

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Speaker 1: I know I've been trying, but they won't. They won't

384
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Speaker 1: call it time out. The category is numbers, Amy, how

385
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Speaker 1: many people are on a trio? That would be three? Correct? Lunchbox?

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Speaker 1: What's two times two? Four? Correct? Eddie? How many the

387
00:20:00,200 --> 00:20:05,440
Speaker 1: zeros are there in a million? H one? Comma zero

388
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Speaker 1: zero six correct? V represents what number and Roman numerals? Morgan? Ten? No, five?

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Speaker 1: You've been that? I did that too fast? What what?

390
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Speaker 1: What was the fire? What was the question again? You

391
00:20:22,359 --> 00:20:27,399
Speaker 1: said v yeah, I said that five. Yeah, guys, if

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Speaker 1: you present an answer, I gotta take it. It's ten x.

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Speaker 1: Well Morgan has been eliminated. Three remain. The category is landmarks.

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Speaker 1: What city is the Eiffel Tower located in Amy? That

395
00:20:43,560 --> 00:20:49,200
Speaker 1: is in Paris? Correct? The statue of liberty, lunchbox is

396
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Speaker 1: a gift from what country? Too easy? Oh you don't

397
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Speaker 1: know it. What do you think talking about? Are you

398
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Speaker 1: talking about here? Well, my first thought was England, but

399
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Speaker 1: then we were fighting England, So why would they give

400
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Speaker 1: us that right when it don't even don't even the

401
00:21:13,520 --> 00:21:18,600
Speaker 1: statue liberty was a gift from what country? Lunchbox? Why

402
00:21:18,720 --> 00:21:28,560
Speaker 1: is this jumping out at me? What's jumping France? We'll

403
00:21:28,600 --> 00:21:35,880
Speaker 1: go France. Correct. Still sounds like it's going to the bathroom, Eddie,

404
00:21:36,359 --> 00:21:39,720
Speaker 1: all emotion him on the toilet. It doesn't matter what

405
00:21:39,800 --> 00:21:44,360
Speaker 1: it is. It just sounds like at some stage in him. Yeah, Eddie,

406
00:21:44,400 --> 00:21:46,440
Speaker 1: what city is the Golden gate Bridge in? That is

407
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Speaker 1: in San Francisco. Correct. Let's go to round three. The

408
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Speaker 1: category is country music. Okay, let's go to make you

409
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Speaker 1: feel my love by Garth Brooks to make you feel

410
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Speaker 1: my Love was featured in what movie? In nineteen ninety eight? Amy,

411
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Speaker 1: Who's rolling Hope flips? Correct? Wow, Wow, good job job. Lunchbox,

412
00:22:15,080 --> 00:22:21,080
Speaker 1: who's the lead singer of the band he has trouble

413
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Speaker 1: with is? How many lad singers do you know? Like?

414
00:22:23,040 --> 00:22:26,360
Speaker 1: Which ones do you know? I know one? Which one?

415
00:22:27,040 --> 00:22:33,400
Speaker 1: Zach Brown band? Who's the lead singer of the band

416
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Speaker 1: Old Dominion? No? I mean I've been here twenty times.

417
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Speaker 1: I know what looks like? No, I know what he

418
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Speaker 1: looks like. Um uh? What is his name? Though? No

419
00:22:47,960 --> 00:22:52,440
Speaker 1: idea his name? Why is it embarrassing you name? There's five?

420
00:22:52,520 --> 00:22:56,960
Speaker 1: I know the Trip guys, the drummer Flip no wit

421
00:22:57,320 --> 00:23:01,280
Speaker 1: and Trip is Lanko trips in lank And who's flipped? Yeah?

422
00:23:03,000 --> 00:23:07,960
Speaker 1: Ah man, Johnny Neutron is somebody? Yeah it's cartoon all right.

423
00:23:08,000 --> 00:23:12,119
Speaker 1: Who's the lead singer of Old Dominion? Lunch Box? Oh No,

424
00:23:12,440 --> 00:23:15,320
Speaker 1: that's not his name? What is it? What are you thinking?

425
00:23:15,640 --> 00:23:18,480
Speaker 1: Matt Ramsey, that's the name that just popped in my head.

426
00:23:18,520 --> 00:23:20,720
Speaker 1: I have no idea where that name is. Are you

427
00:23:20,800 --> 00:23:23,480
Speaker 1: going with it? That's my name? The answer is Matt Ramsey.

428
00:23:23,960 --> 00:23:26,159
Speaker 1: What are you gid me? What are you kidding me?

429
00:23:26,840 --> 00:23:31,560
Speaker 1: He's not this computers. It's Matt Ramsey. Yeah, see a Matt.

430
00:23:31,640 --> 00:23:33,720
Speaker 1: No disrepect your band's great. I know you, I knew you.

431
00:23:34,320 --> 00:23:37,320
Speaker 1: Eddie Wow, Wow Eddie Randy O and is the lead

432
00:23:37,400 --> 00:23:41,800
Speaker 1: singer of what legendary country group? That's Alabama? Correct? The

433
00:23:41,920 --> 00:23:43,840
Speaker 1: next round? Good think you didn't get that one. Oh, not,

434
00:23:44,240 --> 00:23:49,440
Speaker 1: no idea, I just in hall of notates. Amy. What

435
00:23:49,560 --> 00:23:55,600
Speaker 1: streets the White House on uh Pennsylvania Avenue? Correct? Lunchbox?

436
00:23:55,640 --> 00:23:57,520
Speaker 1: On which wing of the White House is the Oval

437
00:23:57,600 --> 00:24:02,199
Speaker 1: Office located? It's easy as TV show West Wing. That's correct,

438
00:24:02,640 --> 00:24:04,600
Speaker 1: it's called that. I have no idea. I just Eddie.

439
00:24:04,600 --> 00:24:11,879
Speaker 1: Who was the first president to live in the White House? Oh? No, gosh,

440
00:24:12,000 --> 00:24:14,280
Speaker 1: I want to say John Adams because it wasn't ready

441
00:24:14,359 --> 00:24:21,359
Speaker 1: for George? Easy trivia, I'm not so easy. Not so easy.

442
00:24:21,440 --> 00:24:24,320
Speaker 1: Give me John Adam? Correct? Who because it wasn't ready

443
00:24:24,359 --> 00:24:31,800
Speaker 1: for George? Yes, the next category is Disney Amy. Yes,

444
00:24:32,200 --> 00:24:35,960
Speaker 1: what group of animals raised Tarzan in the Tarzan movie?

445
00:24:38,600 --> 00:24:47,760
Speaker 1: What animals raised Tarzan? Well? I don't know if I've

446
00:24:47,800 --> 00:24:51,280
Speaker 1: ever seen Tarzan, but he swing is like a monkey?

447
00:24:53,240 --> 00:24:55,840
Speaker 1: Is it? Like jin Is it like just the type

448
00:24:55,880 --> 00:25:00,600
Speaker 1: of animal, like a primate like that? What your answer?

449
00:25:01,160 --> 00:25:03,800
Speaker 1: A group of primates? Mike, we give a group of primate?

450
00:25:04,960 --> 00:25:07,800
Speaker 1: Why more specific? Why would I need to be more specific?

451
00:25:10,280 --> 00:25:13,000
Speaker 1: That sucks because I mean it could be a gorilla,

452
00:25:13,160 --> 00:25:17,280
Speaker 1: a chimpanzee, a monkey. Those are all monkeys? Go ahead

453
00:25:17,480 --> 00:25:20,520
Speaker 1: kind of? I think, go ahead, they're all primates. I'm

454
00:25:20,560 --> 00:25:23,840
Speaker 1: giving your primates. Thank you. Lunch Box had fifteen years

455
00:25:23,840 --> 00:25:27,880
Speaker 1: to figure out. Matt Ramsey, I'm giving your primates. That's grillas.

456
00:25:27,920 --> 00:25:30,640
Speaker 1: I think garillas a primates. That's the same. Yeah, that's

457
00:25:30,680 --> 00:25:33,600
Speaker 1: close enough, Thank you. Me. I didn't do Lunchbox. I

458
00:25:33,880 --> 00:25:36,040
Speaker 1: got this. How many dwarfs it's now white lived with?

459
00:25:36,200 --> 00:25:40,720
Speaker 1: That's such an easy one. Go ahead, seven dwarfs? Correct?

460
00:25:41,080 --> 00:25:47,359
Speaker 1: Surprised taken seven is popping at me? England Dopey, I

461
00:25:47,480 --> 00:25:54,800
Speaker 1: keep seeing dope, Eddie. The Circle of Line a song

462
00:25:54,920 --> 00:25:58,360
Speaker 1: from what Disney movie The Lion King? Correct? The category

463
00:25:58,600 --> 00:26:04,000
Speaker 1: is animals? Easy? Amy, What does it call them? Birds

464
00:26:04,000 --> 00:26:07,840
Speaker 1: fly to warmer climates for the winter migration? Correct? What's

465
00:26:07,840 --> 00:26:14,240
Speaker 1: the fastest land animal? Lunchbox, cheetah? So your answer cheetah? Correct? Eddie,

466
00:26:14,280 --> 00:26:19,600
Speaker 1: what do you call a baby lion. I believe that's

467
00:26:19,640 --> 00:26:22,280
Speaker 1: called a cub. Is that your answer? Yeah, that's correct.

468
00:26:23,480 --> 00:26:27,280
Speaker 1: Back to another category of Disney. Apparently, here we go Disney,

469
00:26:27,760 --> 00:26:32,920
Speaker 1: but a little harder Disney, but harder. How many stepsisters

470
00:26:32,960 --> 00:26:39,200
Speaker 1: does Cinderella have? Amy, there's the evil step mom, so

471
00:26:39,440 --> 00:26:41,960
Speaker 1: can't make her the stepsisters. So then I think that

472
00:26:42,080 --> 00:26:44,520
Speaker 1: the stepsisters is either two or three? Two or three?

473
00:26:44,640 --> 00:26:48,320
Speaker 1: How many step sisters does Cinderella have? Which one's jumping

474
00:26:48,359 --> 00:26:55,600
Speaker 1: out at me? Matt Ramsey, step mom might be like

475
00:26:56,720 --> 00:27:00,800
Speaker 1: pictures three Cinderella. I think it's two sisters. Answer, yes,

476
00:27:01,160 --> 00:27:04,719
Speaker 1: that's correct. Oh my gosh, lunch box. What's the name

477
00:27:04,720 --> 00:27:10,160
Speaker 1: of the bear and jungle buck? M hmm, I've never

478
00:27:10,240 --> 00:27:18,320
Speaker 1: seen that. Let's go with why is this pooh bear

479
00:27:19,320 --> 00:27:21,359
Speaker 1: poo bear coming at you? Poo bears coming at me?

480
00:27:21,440 --> 00:27:24,680
Speaker 1: That's a name that's jumping out? Pooh Bear? Where have

481
00:27:24,760 --> 00:27:28,680
Speaker 1: I heard pooh bear? It does sound familiar, poo bear,

482
00:27:29,480 --> 00:27:31,639
Speaker 1: jungle buck? Name me? The bear gotta be poo bear.

483
00:27:31,960 --> 00:27:36,439
Speaker 1: Your answer, you've been boo, never seen it? It is bloo.

484
00:27:36,600 --> 00:27:40,440
Speaker 1: You never heard of Winnie the pooh Oh. It's it's bloo. Yeah,

485
00:27:42,040 --> 00:27:46,200
Speaker 1: so it sounds like think necessity. That's it. Hey, Eddie,

486
00:27:46,440 --> 00:27:48,399
Speaker 1: come on, what did lady in the tramp eat at

487
00:27:48,400 --> 00:27:54,040
Speaker 1: the Italian restaurant spaghetti? Correct? You got how many dwarfs

488
00:27:54,119 --> 00:27:57,240
Speaker 1: last time? Yeah? You said it was Disney, but harder. Stop.

489
00:27:59,000 --> 00:28:04,480
Speaker 1: That's a couple of the Italian exactly, guys, Relax. Colors

490
00:28:05,520 --> 00:28:09,879
Speaker 1: is that the next category? Is it? We already do colors? Okay,

491
00:28:09,920 --> 00:28:14,280
Speaker 1: colors the same amy. What color is the planet Neptune? Oh,

492
00:28:14,400 --> 00:28:28,920
Speaker 1: my gosh, I don't know Neptune. Ah yellow? Incorrect, that's

493
00:28:28,920 --> 00:28:33,520
Speaker 1: a temporary bone. Yeah, Eddie, on for the wind colors?

494
00:28:34,240 --> 00:28:42,040
Speaker 1: What color bandana does the ninja turtle Michael Angelo wear? Oh? See,

495
00:28:42,080 --> 00:28:43,960
Speaker 1: lunch is mad? Hold on, hold let me think about this,

496
00:28:45,080 --> 00:28:50,080
Speaker 1: Michael Angelo. So there are four colors, purple, blue, red,

497
00:28:50,120 --> 00:28:54,400
Speaker 1: and orange. I'm between red and blue. No, no, red

498
00:28:54,440 --> 00:29:02,800
Speaker 1: and orange, michel Angelo. Red, give me orange from Michael Angelo.

499
00:29:02,960 --> 00:29:05,400
Speaker 1: I think red is Rafael. So if you look back

500
00:29:05,440 --> 00:29:10,200
Speaker 1: at it, blue is Donna Tello purple? Late Leonardo's blue,

501
00:29:10,400 --> 00:29:14,200
Speaker 1: Gonna Tello's purple. Okay, Rafael is red. I'm like, yeah,

502
00:29:20,520 --> 00:29:22,840
Speaker 1: I told you, guys, I'm gonna win this beast that

503
00:29:22,960 --> 00:29:25,400
Speaker 1: tr is mine? What was the answer to Amy. Yeah,

504
00:29:25,440 --> 00:29:30,920
Speaker 1: what colors naptin blue? Sorry didn't say that blue like

505
00:29:31,040 --> 00:29:36,560
Speaker 1: the bear from Jungle Book. I mean the solar system

506
00:29:36,640 --> 00:29:41,080
Speaker 1: gets me every time. Why it's easy study it? You know,

507
00:29:41,360 --> 00:29:43,800
Speaker 1: like I should just go home and study the solar system. No,

508
00:29:43,920 --> 00:29:45,560
Speaker 1: you want to want to be bored for. That's what

509
00:29:45,680 --> 00:29:55,760
Speaker 1: I get boned the most. That's big wins stupid. It's

510
00:29:55,760 --> 00:29:59,480
Speaker 1: a voicemail from Christine and Iowa. Good morning studio. Good

511
00:29:59,520 --> 00:30:02,200
Speaker 1: morning bo I am heading Internashville with a group of

512
00:30:02,320 --> 00:30:04,960
Speaker 1: seven friends at the end of June for my five

513
00:30:05,040 --> 00:30:08,800
Speaker 1: year cancer free trip. What is one thing that we

514
00:30:09,080 --> 00:30:12,600
Speaker 1: shouldn't do that makes us look like tourists? Thanks for

515
00:30:12,680 --> 00:30:16,440
Speaker 1: your first of all, congratulations, good for you. Love it.

516
00:30:16,760 --> 00:30:19,320
Speaker 1: Second of all, don't get on a pedal tavern one

517
00:30:19,320 --> 00:30:22,600
Speaker 1: of those things you can drink or any of those things,

518
00:30:22,680 --> 00:30:25,560
Speaker 1: any of those things. You know you're getting a boat

519
00:30:25,680 --> 00:30:29,400
Speaker 1: that drives around town, tractor like. Just stay out of

520
00:30:29,440 --> 00:30:32,840
Speaker 1: that crowd that is that screams tourists. All right. Here

521
00:30:33,000 --> 00:30:37,280
Speaker 1: is Stephen from Russellville, Arkansas. Good morning. I actually had

522
00:30:37,480 --> 00:30:42,160
Speaker 1: a funny dad joke for Amy um that I'm proud

523
00:30:42,240 --> 00:30:44,640
Speaker 1: to say I came up with Uh, what do you

524
00:30:44,920 --> 00:30:47,160
Speaker 1: what do you call a muffler that got that gets

525
00:30:47,240 --> 00:30:52,160
Speaker 1: put on a car exhausted? Y'all have a good day.

526
00:30:52,720 --> 00:30:58,680
Speaker 1: I love it. That's good. Call a muffler that's been

527
00:30:59,400 --> 00:31:01,480
Speaker 1: on a car. Are on a road trip? Yes for

528
00:31:01,600 --> 00:31:05,960
Speaker 1: too long? Yeah, he's missing an element. Yeah, we putched

529
00:31:06,040 --> 00:31:09,200
Speaker 1: up a little bit. Here is Whitney from Southern Utah.

530
00:31:09,600 --> 00:31:12,840
Speaker 1: I am just calling. I was listening to Amy talk

531
00:31:12,920 --> 00:31:17,400
Speaker 1: about Scottie McCurry and the protocol that he has not

532
00:31:17,560 --> 00:31:21,640
Speaker 1: touching dance. And we had a band to come to town.

533
00:31:22,280 --> 00:31:24,520
Speaker 1: Came to town and me and my sister got a

534
00:31:24,600 --> 00:31:28,160
Speaker 1: picture with one of the guys. He totally like grabbed

535
00:31:28,200 --> 00:31:32,680
Speaker 1: our butt as we were as we were taking the

536
00:31:32,800 --> 00:31:35,000
Speaker 1: picture and the like. As we walked off, she was like,

537
00:31:35,080 --> 00:31:40,520
Speaker 1: he grabbed my thought like what hey, whoa wow? Me too?

538
00:31:40,760 --> 00:31:46,840
Speaker 1: Who be? I can't do that? No. Yeah, And we

539
00:31:46,960 --> 00:31:49,920
Speaker 1: blaked out the name of the artist okay because yeah

540
00:31:50,000 --> 00:31:51,680
Speaker 1: we obviously because I don't know if it's true or

541
00:31:51,720 --> 00:31:56,000
Speaker 1: not right, but it makes sense. Really, I want to

542
00:31:56,040 --> 00:32:00,040
Speaker 1: go back and listen to the uncensored, uncensored, Yeah, and

543
00:32:00,200 --> 00:32:06,360
Speaker 1: cut voicemails. Voicemails after dark, we can sell those. Yeah,

544
00:32:06,520 --> 00:32:08,960
Speaker 1: not cool. You can't grab people's buttons. Oh, I know

545
00:32:09,080 --> 00:32:11,520
Speaker 1: she's laughing, but it's not cool. And no, but yeah,

546
00:32:11,560 --> 00:32:13,720
Speaker 1: Skydy Mercury didn't touch people. And I get it because

547
00:32:13,720 --> 00:32:16,360
Speaker 1: you only by saying they that you got tied, like accidentally,

548
00:32:17,160 --> 00:32:19,520
Speaker 1: because it could be accident. Like, oh, but he's just

549
00:32:19,600 --> 00:32:25,120
Speaker 1: better safety. Yeah, that is not good. You're Samy's pile

550
00:32:25,200 --> 00:32:28,640
Speaker 1: of stories. It looks like scientists are making progress and

551
00:32:28,760 --> 00:32:32,640
Speaker 1: being able to communicate with animals. Which one's like dolphins

552
00:32:32,720 --> 00:32:35,360
Speaker 1: or like Stanley the bulldog? Big difference there. They say

553
00:32:35,600 --> 00:32:38,600
Speaker 1: they're starting with bats and dolphins, but they say this

554
00:32:38,840 --> 00:32:41,720
Speaker 1: is a stepping stone leading us to being able to

555
00:32:41,800 --> 00:32:44,720
Speaker 1: communicate with our pets like dogs and cats. Oh, monkeys

556
00:32:45,440 --> 00:32:48,480
Speaker 1: have done sign language. They've taught monkey sign language before.

557
00:32:48,560 --> 00:32:52,280
Speaker 1: So you know some animals are you know, far superior

558
00:32:52,400 --> 00:32:54,320
Speaker 1: than others. I mean, if I could talk to Stanley,

559
00:32:54,320 --> 00:32:56,880
Speaker 1: I would go listen, Are you bored or are you sad?

560
00:32:57,040 --> 00:32:59,800
Speaker 1: Or you fat? I need to know which one? That's

561
00:32:59,840 --> 00:33:01,880
Speaker 1: why I would ask. Maybe he could tell you because

562
00:33:01,920 --> 00:33:07,520
Speaker 1: he's always he looks the same. Are you bored? Are

563
00:33:07,600 --> 00:33:10,600
Speaker 1: you sad? Are you fat? Or are you sleepy? I'd

564
00:33:10,600 --> 00:33:12,000
Speaker 1: had a fourth one in there. I thought I would

565
00:33:12,000 --> 00:33:14,280
Speaker 1: ask him, Okay, well when does that come out? When

566
00:33:14,320 --> 00:33:15,960
Speaker 1: can I get that from Amazon? Well? I don't have

567
00:33:16,080 --> 00:33:18,240
Speaker 1: an exact date, but they say this is progress. And

568
00:33:18,360 --> 00:33:21,080
Speaker 1: one of the scientists said that witnessing it happened with

569
00:33:21,160 --> 00:33:22,840
Speaker 1: what they're able to get from the bats and the

570
00:33:22,920 --> 00:33:25,280
Speaker 1: other animals that they're testing, they said, it's like a miracle.

571
00:33:25,400 --> 00:33:29,200
Speaker 1: It's magic. Okay, can't wait, as if we need another

572
00:33:29,320 --> 00:33:31,800
Speaker 1: reason to drink coffee, but I just thought i'd throw

573
00:33:31,840 --> 00:33:34,440
Speaker 1: it out there for everyone. Studies are saying that people

574
00:33:34,480 --> 00:33:38,240
Speaker 1: who drink coffee daily are living longer than those that don't,

575
00:33:38,520 --> 00:33:42,520
Speaker 1: done by the Marying Coffee Institute by Folders, Yes, of course.

576
00:33:43,200 --> 00:33:45,880
Speaker 1: Oh and why do they say this. There's just different

577
00:33:45,960 --> 00:33:49,240
Speaker 1: health benefits linked to coffee, and when you're consuming it,

578
00:33:49,320 --> 00:33:51,240
Speaker 1: especially on a daily basis, you don't want to overdo it,

579
00:33:51,360 --> 00:33:53,760
Speaker 1: that's for sure. But the max's four cups, I mean,

580
00:33:53,800 --> 00:33:55,680
Speaker 1: it can even be something like coffee drinkers wake up

581
00:33:55,680 --> 00:33:57,200
Speaker 1: earlier in the morning and that's why they have coffee,

582
00:33:57,200 --> 00:33:58,600
Speaker 1: and people who wake up earlier in the morning live

583
00:33:58,600 --> 00:34:00,840
Speaker 1: a more productive life because they you know, it could

584
00:34:00,880 --> 00:34:04,040
Speaker 1: be anything like that, okay, what else? Garth Brooks was

585
00:34:04,400 --> 00:34:07,240
Speaker 1: doing a concert at Gillette Stadium and a woman there

586
00:34:07,360 --> 00:34:09,680
Speaker 1: was holding up a sign saying that she still had

587
00:34:09,800 --> 00:34:12,279
Speaker 1: a guitar pick from a concert she went to of

588
00:34:12,400 --> 00:34:15,560
Speaker 1: his in nineteen ninety two. So that got his attention.

589
00:34:15,840 --> 00:34:18,480
Speaker 1: He went over started talking to her, and then he realized,

590
00:34:18,520 --> 00:34:20,600
Speaker 1: you know what, if you've kept that guitar pick for

591
00:34:20,719 --> 00:34:22,160
Speaker 1: that long, I'm gonna go ahead and give you the

592
00:34:22,239 --> 00:34:25,440
Speaker 1: guitar off my back right now. And here's the crowd reacting,

593
00:34:25,719 --> 00:34:37,200
Speaker 1: oh no, maybe more and more. A lot of signs

594
00:34:37,200 --> 00:34:40,719
Speaker 1: at Garth shows people requesting songs and be funny, if

595
00:34:40,719 --> 00:34:42,759
Speaker 1: somebody had one that goes Garth and think you're my dad,

596
00:34:47,120 --> 00:34:55,359
Speaker 1: He's like, Mama, Mama, love me like I'm not dead.

597
00:34:55,680 --> 00:34:58,120
Speaker 1: That guy is all right, go ahead, hi, Amy, that's

598
00:34:58,239 --> 00:35:03,040
Speaker 1: my file was Amy's pile of stories. It's time for

599
00:35:03,120 --> 00:35:10,960
Speaker 1: the good news. So this woman, Carrie Kirby, was driving

600
00:35:11,000 --> 00:35:13,959
Speaker 1: along the highway and Broken Narrow, Oklahoma, when she looked

601
00:35:14,000 --> 00:35:16,239
Speaker 1: down and she saw a Teddy Bear dressed in a

602
00:35:16,320 --> 00:35:19,160
Speaker 1: military outfit and she was like, huh, that must belong

603
00:35:19,200 --> 00:35:21,400
Speaker 1: to somebody. So she pulls over. She gets it and

604
00:35:21,440 --> 00:35:24,120
Speaker 1: she was determined to find the owner. She reached out

605
00:35:24,200 --> 00:35:26,680
Speaker 1: to Fox twenty three told the news like, hey, this

606
00:35:26,800 --> 00:35:28,200
Speaker 1: is really important to me. I want to find the owner.

607
00:35:28,280 --> 00:35:31,520
Speaker 1: Blasted on social media. Well, Fox twenty three aired the

608
00:35:31,560 --> 00:35:34,280
Speaker 1: story and then they got an email from Ray Kendis

609
00:35:34,440 --> 00:35:37,360
Speaker 1: and he said, that's my bear. He is a veteran

610
00:35:37,640 --> 00:35:42,040
Speaker 1: that rides in processions like funeral processions on his motorcycle

611
00:35:42,120 --> 00:35:44,640
Speaker 1: with a group of people and his bear always rides

612
00:35:44,680 --> 00:35:46,520
Speaker 1: with him. And the bear had fallen off his bike

613
00:35:46,840 --> 00:35:49,520
Speaker 1: and he thought it was lost forever, but luckily Carrie

614
00:35:49,600 --> 00:35:52,279
Speaker 1: found it. Is that the listener? That the listener? They're

615
00:35:52,320 --> 00:35:54,479
Speaker 1: gonna play? Yeah, Because she posted on the B team page,

616
00:35:54,520 --> 00:35:56,120
Speaker 1: she was like, I saw I was just on the news. Yeah,

617
00:35:56,160 --> 00:35:58,080
Speaker 1: this is a clip of her here. Oh I'm so

618
00:35:58,239 --> 00:36:00,440
Speaker 1: glad to get it back to you. Well, thank you

619
00:36:00,480 --> 00:36:03,880
Speaker 1: so much propriving here. Ray served in the army for

620
00:36:04,120 --> 00:36:07,360
Speaker 1: twenty three years now in his late sixties. He rides

621
00:36:07,400 --> 00:36:10,800
Speaker 1: his motorcycle to a score fellow veterans to their funeral

622
00:36:11,000 --> 00:36:13,839
Speaker 1: and his bearer always comes with. That's when he says

623
00:36:14,040 --> 00:36:17,880
Speaker 1: he lost Iron Mike, named after a famous military statue.

624
00:36:18,120 --> 00:36:19,800
Speaker 1: Once you found it, I'm like, oh, man, I couldn't

625
00:36:19,800 --> 00:36:22,400
Speaker 1: believe it, you know, because you never you never hear

626
00:36:22,440 --> 00:36:25,280
Speaker 1: of somebody finding something that fall up a motorcycle ary rarely.

627
00:36:26,360 --> 00:36:28,440
Speaker 1: And she's in a Pimp and Joy sweatshirt, and so

628
00:36:28,600 --> 00:36:30,759
Speaker 1: it was sent around in our little text group and

629
00:36:30,880 --> 00:36:32,320
Speaker 1: then I went over to the beteam page and she

630
00:36:32,400 --> 00:36:33,440
Speaker 1: was like, oh, I can I believe I'm on the

631
00:36:33,480 --> 00:36:35,440
Speaker 1: news and a Pimp and Joy sweatshirt. So that's a listener. Yeah,

632
00:36:35,440 --> 00:36:37,279
Speaker 1: I know it's crazy, and it's very fitting. You tell

633
00:36:37,360 --> 00:36:40,000
Speaker 1: she put it on purposely because it's a patriotic one

634
00:36:40,040 --> 00:36:43,080
Speaker 1: of our patriotic Pimp and Joy sweatshirts, and it's just

635
00:36:43,160 --> 00:36:45,960
Speaker 1: a really special moment. So shout out to Carry Kirby

636
00:36:46,080 --> 00:36:49,240
Speaker 1: And speaking of Pimp and Joy. Nine am Central Time today,

637
00:36:49,280 --> 00:36:51,799
Speaker 1: our patriotic Pimp and Joy line goes up, and all

638
00:36:51,840 --> 00:36:53,839
Speaker 1: the money that we get from it, that we make,

639
00:36:53,880 --> 00:36:55,600
Speaker 1: we don't keep any of it. It's going to build

640
00:36:55,640 --> 00:36:59,799
Speaker 1: a home for Anthony Thompson, who was hit with an ID,

641
00:37:00,040 --> 00:37:02,680
Speaker 1: who is in a wheelchair, noncommunicative, but he lives with

642
00:37:02,760 --> 00:37:05,440
Speaker 1: his wife and his kid, and it's difficult to move

643
00:37:05,480 --> 00:37:07,239
Speaker 1: around his house in a wheelchair. So we want to

644
00:37:07,280 --> 00:37:09,080
Speaker 1: fix that. So you guys can help us out today

645
00:37:09,400 --> 00:37:12,520
Speaker 1: as we build another home for a hero. Nine Central.

646
00:37:12,880 --> 00:37:17,440
Speaker 1: You can get you a patriotic Pip and Joy sweatshirt, hoodie,

647
00:37:17,480 --> 00:37:20,680
Speaker 1: T shirts, T shirt, tank top. So nine Central set

648
00:37:20,719 --> 00:37:23,320
Speaker 1: your phone alarm. All right, that is what it's all about.

649
00:37:24,040 --> 00:37:28,640
Speaker 1: That was tell me something good. I'm not kidding when

650
00:37:28,640 --> 00:37:30,720
Speaker 1: I said I think I'm growing. I got some shoes.

651
00:37:30,840 --> 00:37:32,240
Speaker 1: I had to go up a half a shoe size.

652
00:37:32,600 --> 00:37:34,920
Speaker 1: You guys think I'm crazy. I'm getting taller. I'm growing,

653
00:37:35,120 --> 00:37:37,000
Speaker 1: but maybe it's just the brand of shoes. Not I'm

654
00:37:37,040 --> 00:37:39,759
Speaker 1: getting bigger. My ear things are falling out all the

655
00:37:39,800 --> 00:37:41,440
Speaker 1: time now that I wear to the show. They just

656
00:37:41,480 --> 00:37:43,160
Speaker 1: fall out because the mears is a getting bigger. Here's

657
00:37:43,200 --> 00:37:45,799
Speaker 1: getting bigger too, telling you you guys think it's crazy

658
00:37:45,920 --> 00:37:49,000
Speaker 1: than an adult. It's still growing. But I'm taller. I've

659
00:37:49,000 --> 00:37:51,240
Speaker 1: grown a half inch a feed or a half size

660
00:37:51,280 --> 00:37:54,359
Speaker 1: bigger things falling out of my ears. Do you think

661
00:37:54,360 --> 00:37:55,960
Speaker 1: it's because I'm working out in training so hard, like

662
00:37:56,000 --> 00:38:00,439
Speaker 1: I'm growing Like maybe I don't know. It's bizarre. Yeah,

663
00:38:00,560 --> 00:38:02,759
Speaker 1: I mean I've heard of ears and noses getting that's

664
00:38:02,840 --> 00:38:07,160
Speaker 1: really old people. Yeah, but not shoe size not not height.

665
00:38:07,480 --> 00:38:09,160
Speaker 1: Usually when the ears and nose get back, are you shrink?

666
00:38:09,200 --> 00:38:11,160
Speaker 1: Well you need to get we need to have you tested.

667
00:38:11,320 --> 00:38:14,600
Speaker 1: I know, like superpowers phenomenon. Yeah, it's I could be

668
00:38:14,600 --> 00:38:16,520
Speaker 1: an avenger probably. I don't even know what my power

669
00:38:16,680 --> 00:38:19,320
Speaker 1: is yet. I'm telling you guys, it's weird. I'm growing.

670
00:38:19,880 --> 00:38:21,439
Speaker 1: I'm like six three. One day, you guys are gonna

671
00:38:21,440 --> 00:38:23,880
Speaker 1: be like, this is the craziest thing I've ever heard. Okay,

672
00:38:23,960 --> 00:38:26,799
Speaker 1: so here we are today. Glad you're here. Keith Urban

673
00:38:26,840 --> 00:38:28,600
Speaker 1: coming up just a little bit. Let's go over to

674
00:38:28,640 --> 00:38:35,160
Speaker 1: Amy and get in the morning. Corny, Morning, Corny. Which

675
00:38:35,239 --> 00:38:39,640
Speaker 1: country's capital has the fastest growing population? Which country's capital

676
00:38:39,680 --> 00:38:44,440
Speaker 1: has the fastest growing population? Ireland? Every day it's Dublin

677
00:38:45,960 --> 00:38:53,160
Speaker 1: all the population stuff. That was the morning Corny. You

678
00:38:53,239 --> 00:38:57,200
Speaker 1: have that. Anthony Thompson's our guy, Navy Petty Officer second class,

679
00:38:57,200 --> 00:39:00,360
Speaker 1: Anthony Thompson. He was hurt, very badly serving in Iraq.

680
00:39:00,440 --> 00:39:04,959
Speaker 1: He's in a wheelchair, spinal cord injury, brain injury. He's noncommunicative,

681
00:39:05,000 --> 00:39:07,160
Speaker 1: but we talked to his wife. They have such a

682
00:39:07,200 --> 00:39:10,759
Speaker 1: positive attitude. And he's in a wheelchair and he's in

683
00:39:10,920 --> 00:39:13,520
Speaker 1: a normal house. It's hard for him to maneuver in

684
00:39:13,600 --> 00:39:15,360
Speaker 1: the house and live a life with a good quality

685
00:39:15,400 --> 00:39:17,560
Speaker 1: of life. So what we're doing is raising money. Nine

686
00:39:17,560 --> 00:39:20,560
Speaker 1: am Central time, you're gonna have a shot West Coast.

687
00:39:20,560 --> 00:39:22,400
Speaker 1: It may already be time to rock and roll, but

688
00:39:22,440 --> 00:39:24,160
Speaker 1: you're gonna have a shot to get on and get

689
00:39:24,200 --> 00:39:28,040
Speaker 1: our limited edition Patriotic Pimp and joy Line. We don't

690
00:39:28,080 --> 00:39:29,960
Speaker 1: keep any of the money. It's gonna go to building

691
00:39:30,440 --> 00:39:34,280
Speaker 1: this hero a home. So let's do it. Nine o'clock.

692
00:39:34,400 --> 00:39:37,160
Speaker 1: Such phones at the alarm make it go boom. Mine

693
00:39:37,160 --> 00:39:38,640
Speaker 1: scares the crap out of me every time. Did I

694
00:39:38,680 --> 00:39:41,200
Speaker 1: wake up before my alarm every morning? Every morning? And

695
00:39:41,480 --> 00:39:43,279
Speaker 1: my alarm has not woken me up and probably four

696
00:39:43,360 --> 00:39:45,960
Speaker 1: months and I wake up every morning before my alarm,

697
00:39:46,520 --> 00:39:48,239
Speaker 1: and every morning I don't turn it off when I

698
00:39:48,320 --> 00:39:50,960
Speaker 1: wake up, and every morning it goes on, and I'm like,

699
00:39:51,000 --> 00:39:53,640
Speaker 1: oh my god, even though I know what time is

700
00:39:53,640 --> 00:39:55,760
Speaker 1: gonna go off, this sits on my knee and scares

701
00:39:55,760 --> 00:39:58,640
Speaker 1: the crap out of me. The Friday morning conversation with

702
00:39:59,120 --> 00:40:02,600
Speaker 1: teth Urban, how you doing, buddy, I'm good. I hit

703
00:40:02,800 --> 00:40:05,680
Speaker 1: hit when you're playing a chord on something there when

704
00:40:05,760 --> 00:40:09,120
Speaker 1: you're at home and you have instruments all over, and

705
00:40:09,200 --> 00:40:12,200
Speaker 1: I feel like your mind is always, at least when

706
00:40:12,200 --> 00:40:14,640
Speaker 1: I've been around, you've just creating all the time. Will

707
00:40:14,680 --> 00:40:16,000
Speaker 1: you just grab an instrument and be like, oh, I

708
00:40:16,040 --> 00:40:18,000
Speaker 1: gotta get this out of my system or or no,

709
00:40:18,239 --> 00:40:20,279
Speaker 1: or at home not so much. But if you go

710
00:40:20,400 --> 00:40:23,000
Speaker 1: down into like the studio, that's where you do that.

711
00:40:23,760 --> 00:40:27,640
Speaker 1: Anywhere do you have instruments strategically placed, like near your toilet,

712
00:40:27,680 --> 00:40:29,040
Speaker 1: where you just grab it and be like, I got

713
00:40:29,080 --> 00:40:31,239
Speaker 1: a little song idea here, I've done it one in

714
00:40:31,280 --> 00:40:34,960
Speaker 1: the toilet, because if I could play like you, I

715
00:40:35,080 --> 00:40:36,879
Speaker 1: think i'd have one everywhere. You would just never leave

716
00:40:36,920 --> 00:40:40,359
Speaker 1: the toilet, that's what you're saying, right, yeah, now hanging there.

717
00:40:40,520 --> 00:40:43,160
Speaker 1: I do a lot of good works in the shower, right, Yes,

718
00:40:43,440 --> 00:40:45,759
Speaker 1: Ideas come in the shower. Why do you think that

719
00:40:46,000 --> 00:40:48,040
Speaker 1: is because you're doing something you don't have to think about,

720
00:40:48,120 --> 00:40:51,080
Speaker 1: and it liberates you and it's a good feeling because

721
00:40:51,120 --> 00:40:53,560
Speaker 1: I feel like I get my best idea at least

722
00:40:53,600 --> 00:40:56,320
Speaker 1: ideas I feel are strong are in the shower, or

723
00:40:56,360 --> 00:40:59,600
Speaker 1: like ideas for like comedy bits or songs for like

724
00:40:59,680 --> 00:41:01,879
Speaker 1: comedy songs. I'm like dang. But then what if I'm

725
00:41:01,920 --> 00:41:04,160
Speaker 1: just like sitting on the couch. I cannot I don't

726
00:41:04,200 --> 00:41:07,480
Speaker 1: have that same like freedom for some reason. No, no,

727
00:41:07,640 --> 00:41:10,279
Speaker 1: I hear you. Where will you put yourself? If you're like,

728
00:41:10,400 --> 00:41:14,000
Speaker 1: all right, I've got like three days to create or think, like,

729
00:41:14,120 --> 00:41:15,880
Speaker 1: where will you put yourself to really make sure you

730
00:41:15,920 --> 00:41:18,239
Speaker 1: can get the best out of you? Oh, that's a

731
00:41:18,320 --> 00:41:22,680
Speaker 1: good question. I'm more creative in the morning. I don't

732
00:41:22,960 --> 00:41:26,240
Speaker 1: really get creative crazy late at night unless we're touring,

733
00:41:26,360 --> 00:41:27,839
Speaker 1: and then I find I come off stage and I've

734
00:41:27,880 --> 00:41:30,640
Speaker 1: got a lot of ideas I'd love to get into studio.

735
00:41:30,760 --> 00:41:33,319
Speaker 1: Sometimes after a gig, do you ever line that up?

736
00:41:33,440 --> 00:41:36,640
Speaker 1: Or is it something you just feel randomly? So you

737
00:41:36,680 --> 00:41:38,960
Speaker 1: can't really line a studio up after a show. Oh

738
00:41:39,080 --> 00:41:42,319
Speaker 1: you can, but I haven't done it. I have done

739
00:41:42,320 --> 00:41:44,000
Speaker 1: it before, but I haven't done it in a long time.

740
00:41:44,280 --> 00:41:46,400
Speaker 1: But sometimes that's the when you're in the flow. You

741
00:41:46,480 --> 00:41:49,040
Speaker 1: know you've just come off stage, You're just everything's flowing

742
00:41:49,640 --> 00:41:51,959
Speaker 1: when you're on stage. Do you ever get a couple

743
00:41:52,040 --> 00:41:54,120
Speaker 1: of ideas for a song? Like I have to remember this,

744
00:41:54,320 --> 00:41:56,360
Speaker 1: I'm playing a song that everybody knows, but I just

745
00:41:56,480 --> 00:41:59,719
Speaker 1: had a great idea is would you ever jot something

746
00:41:59,760 --> 00:42:01,600
Speaker 1: down talking to be like, hey, remember the idea here?

747
00:42:01,600 --> 00:42:03,160
Speaker 1: I got a song called a Love on a butterfly?

748
00:42:03,920 --> 00:42:06,040
Speaker 1: That ever happened? What's the title? Love on a butterfly?

749
00:42:06,200 --> 00:42:08,840
Speaker 1: Love on a butterfly? Play along, I'll sing it for you.

750
00:42:09,719 --> 00:42:16,160
Speaker 1: I was floating early one morning, I was reaching for

751
00:42:16,760 --> 00:42:22,920
Speaker 1: the sky. I didn't know that what I had was

752
00:42:23,040 --> 00:42:27,960
Speaker 1: love on a butterfly. Thank you? Yeah? And it just

753
00:42:28,040 --> 00:42:30,120
Speaker 1: flew away and then it died. No, it got squatted

754
00:42:30,200 --> 00:42:33,480
Speaker 1: and died. Yea quick song? Quick song? Does that ever

755
00:42:33,520 --> 00:42:36,960
Speaker 1: happen while you're up there? And I got a great idea,

756
00:42:37,160 --> 00:42:40,880
Speaker 1: but I gotta save it at sound check. It happens

757
00:42:40,880 --> 00:42:42,920
Speaker 1: a lot, not in a gig. I've never had it

758
00:42:42,960 --> 00:42:44,799
Speaker 1: happened in a gig, so it's too many things going

759
00:42:44,880 --> 00:42:46,960
Speaker 1: on in a gig. Will you ever play at a

760
00:42:47,040 --> 00:42:49,239
Speaker 1: sound check and kind of work through a song that

761
00:42:49,320 --> 00:42:52,880
Speaker 1: you're writing and have somebody record it? Yeah? Yeah, yeah, absolutely.

762
00:42:52,920 --> 00:42:55,879
Speaker 1: Any of the good ones come from that. I think

763
00:42:55,920 --> 00:42:57,960
Speaker 1: some riffs have come A lot of riffs have come

764
00:42:58,080 --> 00:43:01,200
Speaker 1: from that. Yeah, define a riff like a guitar riff,

765
00:43:01,280 --> 00:43:03,279
Speaker 1: or like a vocal no, no, no, no, no, no,

766
00:43:03,920 --> 00:43:06,879
Speaker 1: only above vocal riff, yeah, melody of some sort, either

767
00:43:06,960 --> 00:43:09,920
Speaker 1: in guitar, singing, something like that. After all of these

768
00:43:10,000 --> 00:43:12,520
Speaker 1: awards and years of performing, it still feels to me

769
00:43:13,320 --> 00:43:17,600
Speaker 1: that when you do it like you still find like

770
00:43:17,800 --> 00:43:22,719
Speaker 1: such purpose in performing. Right? Has that gone up or down?

771
00:43:22,920 --> 00:43:26,200
Speaker 1: Or does it as you move along in your career?

772
00:43:26,760 --> 00:43:31,120
Speaker 1: Does sometimes are you like super excited to go performing?

773
00:43:31,160 --> 00:43:33,120
Speaker 1: Others not so much? Like I don't, You've just done

774
00:43:33,160 --> 00:43:35,319
Speaker 1: some nice I feel the same as I always did,

775
00:43:35,600 --> 00:43:39,120
Speaker 1: like literally zero difference as far as getting on stage

776
00:43:39,120 --> 00:43:43,960
Speaker 1: and playing. I don't how is that possible? It just is,

777
00:43:44,200 --> 00:43:47,200
Speaker 1: I mean literally feel because where I grew up in Australia,

778
00:43:47,280 --> 00:43:49,920
Speaker 1: playing all the pubs and clubs where you walk out

779
00:43:49,920 --> 00:43:52,520
Speaker 1: to a bunch of crossed arms and people going all right,

780
00:43:52,680 --> 00:43:54,600
Speaker 1: what do you do? Why should I care about this?

781
00:43:54,880 --> 00:43:57,319
Speaker 1: You know? And you've got to come out and get

782
00:43:57,600 --> 00:44:01,239
Speaker 1: get people engaged. That's just in my DNA. So it's

783
00:44:01,320 --> 00:44:05,200
Speaker 1: never changed. But crazy Just indulge me for a second.

784
00:44:05,840 --> 00:44:10,239
Speaker 1: I understand that. But you've been an entertainer of the

785
00:44:10,360 --> 00:44:13,160
Speaker 1: year multiples, you've done it at all, and there never

786
00:44:13,239 --> 00:44:16,160
Speaker 1: becomes a point where some of that shakes off. And

787
00:44:16,200 --> 00:44:19,160
Speaker 1: you become a little jaded. You have to recheck yourself. No, really,

788
00:44:19,200 --> 00:44:22,759
Speaker 1: I forget every I forget everything in a really good,

789
00:44:22,920 --> 00:44:25,200
Speaker 1: organic way. I don't push it off. I just don't.

790
00:44:25,239 --> 00:44:27,480
Speaker 1: I never think about it. I'm always thinking about the

791
00:44:27,560 --> 00:44:31,880
Speaker 1: next thing always. That is true. I can on a

792
00:44:32,040 --> 00:44:33,920
Speaker 1: very small level of valuch for that, because I remember

793
00:44:33,960 --> 00:44:35,640
Speaker 1: once being with you and you're like, this is my

794
00:44:35,760 --> 00:44:37,759
Speaker 1: album three albums from now, but I'm like, you're just

795
00:44:37,800 --> 00:44:39,200
Speaker 1: putting this one out right now. You're like, yeah, but

796
00:44:39,239 --> 00:44:41,880
Speaker 1: I got this working over here. So when you're putting

797
00:44:41,880 --> 00:44:47,239
Speaker 1: out a project and we're hearing it, you're already three

798
00:44:47,280 --> 00:44:49,759
Speaker 1: steps ahead working on the next thing. Sometimes, but then

799
00:44:49,840 --> 00:44:51,560
Speaker 1: those songs don't and then you know, you go to

800
00:44:51,640 --> 00:44:54,360
Speaker 1: make the next album and those songs don't resonate the

801
00:44:54,440 --> 00:44:57,120
Speaker 1: way they did Thank you before. Do you wish you

802
00:44:57,160 --> 00:44:59,239
Speaker 1: could go back? I'm gonna actually put you on this

803
00:45:00,360 --> 00:45:03,000
Speaker 1: if you could go back and rerecord one of your

804
00:45:03,480 --> 00:45:05,960
Speaker 1: big that's a good question, like, because you hear it

805
00:45:06,080 --> 00:45:08,440
Speaker 1: now and you're like, uh, like, what song would you

806
00:45:08,560 --> 00:45:14,960
Speaker 1: go back and creatively transform? Ah? Wow, that's a great question, Bobby.

807
00:45:15,480 --> 00:45:18,520
Speaker 1: I don't think I don't think about rerecording anything. I

808
00:45:18,640 --> 00:45:21,120
Speaker 1: just think about certain songs that didn't get to be singles,

809
00:45:21,800 --> 00:45:25,359
Speaker 1: which was a bumma. What would be that song off

810
00:45:25,400 --> 00:45:28,040
Speaker 1: the last album, a song called Live with that I

811
00:45:28,080 --> 00:45:29,400
Speaker 1: really hoped it was going to be a single, but

812
00:45:30,440 --> 00:45:33,399
Speaker 1: we really hope. You're a Keith Urban if you wanted

813
00:45:33,400 --> 00:45:35,640
Speaker 1: to be a single, you walk in that office, you

814
00:45:35,719 --> 00:45:37,960
Speaker 1: put your foot down right, and you say, if you

815
00:45:38,040 --> 00:45:40,400
Speaker 1: don't make this a single, yeah, I'm not gonna have

816
00:45:40,400 --> 00:45:42,680
Speaker 1: an accent anymore. And you give what you threaten them.

817
00:45:43,280 --> 00:45:45,560
Speaker 1: It's something that they didn't see coming at all. Right,

818
00:45:46,280 --> 00:45:48,440
Speaker 1: So if I threatened you with how how long it

819
00:45:48,560 --> 00:45:53,040
Speaker 1: takes songs to get played, what would happen? What would

820
00:45:53,040 --> 00:45:55,680
Speaker 1: your reaction be? Not my problem, That's what I would say.

821
00:45:57,080 --> 00:45:58,719
Speaker 1: But I would think at this point, when you have

822
00:45:58,760 --> 00:46:00,600
Speaker 1: a favorite song, you could tell I say I want

823
00:46:00,640 --> 00:46:03,120
Speaker 1: this to be a single, and they'd have to listen. Yeah,

824
00:46:03,160 --> 00:46:06,040
Speaker 1: except sometimes you're onto the next the next thing, you know.

825
00:46:06,600 --> 00:46:10,400
Speaker 1: It's I know when we had a song called you

826
00:46:10,480 --> 00:46:11,920
Speaker 1: Look Good in My Shirt it was going to be

827
00:46:12,000 --> 00:46:15,360
Speaker 1: the next single off that album, and we had the

828
00:46:15,440 --> 00:46:17,960
Speaker 1: first single off the next record ready to go, So

829
00:46:18,080 --> 00:46:19,560
Speaker 1: you go, well, do we come with the fifth single,

830
00:46:19,719 --> 00:46:21,000
Speaker 1: or do we come with the first single off the

831
00:46:21,040 --> 00:46:24,360
Speaker 1: next record, And so that song just misses. It's it's shot,

832
00:46:24,760 --> 00:46:27,400
Speaker 1: and you're probably so excited about the next project that

833
00:46:27,520 --> 00:46:29,600
Speaker 1: you more times than not just go, let's just go

834
00:46:29,680 --> 00:46:33,319
Speaker 1: to the next one. Right. Yeah, it's unusual right now,

835
00:46:33,440 --> 00:46:35,759
Speaker 1: isn't it? I mean, as far as where songs go,

836
00:46:35,920 --> 00:46:38,920
Speaker 1: how they live, how they get discovered, what's classified a

837
00:46:39,040 --> 00:46:42,480
Speaker 1: hit song these days, there's so many metrics for all

838
00:46:42,520 --> 00:46:44,160
Speaker 1: of that. It's not a straight line like it used

839
00:46:44,160 --> 00:46:46,400
Speaker 1: to be. When you talk about singles and you know

840
00:46:46,520 --> 00:46:48,000
Speaker 1: you would like this song. Did you ever have a

841
00:46:48,040 --> 00:46:49,560
Speaker 1: song on the label said hey, this is the song

842
00:46:49,719 --> 00:46:51,360
Speaker 1: and you're like, oh, man, I like it, but I

843
00:46:51,400 --> 00:46:53,800
Speaker 1: don't think it's a single, And then they went with

844
00:46:53,960 --> 00:46:55,959
Speaker 1: it and it crushed, and you're like, wow, I missed

845
00:46:56,000 --> 00:46:58,520
Speaker 1: on that one because it's awesome. Blue Aunt of Color,

846
00:46:58,880 --> 00:47:01,320
Speaker 1: isn't It's a song that I didn't think it was

847
00:47:01,320 --> 00:47:03,680
Speaker 1: going to be a single, but I had no idea

848
00:47:03,719 --> 00:47:06,400
Speaker 1: it would resonate the way it did, no idea, and

849
00:47:06,520 --> 00:47:09,320
Speaker 1: the label loved it. And so do you just go, Okay,

850
00:47:09,680 --> 00:47:11,160
Speaker 1: Gus is what I do with my bosses? You know

851
00:47:11,200 --> 00:47:12,840
Speaker 1: what I'm gonna do this one because you would like

852
00:47:12,960 --> 00:47:14,719
Speaker 1: me to do it. But the next time I ask

853
00:47:14,840 --> 00:47:17,799
Speaker 1: for one, like you owe me one? Do you ever

854
00:47:17,880 --> 00:47:20,280
Speaker 1: do that with them? They will? I mean they always

855
00:47:20,360 --> 00:47:23,680
Speaker 1: default to the letting me sequence things the way that

856
00:47:23,719 --> 00:47:27,640
Speaker 1: I've always done it really right from the beginning. But

857
00:47:28,040 --> 00:47:31,520
Speaker 1: I'm not always right. I get it wrong a lot.

858
00:47:31,760 --> 00:47:34,200
Speaker 1: I don't know. You know interesting, you know with your show,

859
00:47:34,440 --> 00:47:36,359
Speaker 1: do you do bits that you go, this is gonna

860
00:47:36,400 --> 00:47:38,640
Speaker 1: crush today and you do it and it's like, okay.

861
00:47:39,000 --> 00:47:41,040
Speaker 1: I think I approach them all like okay, and then

862
00:47:41,040 --> 00:47:43,799
Speaker 1: we just see what happens, right, you know? Um, Yes,

863
00:47:43,960 --> 00:47:46,200
Speaker 1: there are sometimes where I'm like, you must be surprised

864
00:47:46,239 --> 00:47:48,200
Speaker 1: things that don't work. I would think what I can't.

865
00:47:48,400 --> 00:47:50,680
Speaker 1: So here's the difference. In the studio, I can't really

866
00:47:50,760 --> 00:47:52,319
Speaker 1: tell because I can't see the people. But when I'm

867
00:47:52,320 --> 00:47:54,840
Speaker 1: doing standout right right and I'm like, this bit is

868
00:47:54,920 --> 00:47:58,160
Speaker 1: so funny, right, I will write it and be like

869
00:47:58,200 --> 00:48:00,399
Speaker 1: this's gonna crush, It's gonna crush here, it's gonna rush here,

870
00:48:00,400 --> 00:48:01,879
Speaker 1: and then I do it and there's not a peep

871
00:48:02,680 --> 00:48:06,359
Speaker 1: that to me stunts because I'm like, but I've been

872
00:48:06,440 --> 00:48:08,960
Speaker 1: I've done four hundred shows, and at this point I

873
00:48:09,000 --> 00:48:11,120
Speaker 1: feel like I can understand what's funny or what's not.

874
00:48:11,719 --> 00:48:13,160
Speaker 1: And then there will be times where I don't think

875
00:48:13,160 --> 00:48:15,359
Speaker 1: a joke is that funny, or it's just a throwaway line,

876
00:48:15,400 --> 00:48:18,440
Speaker 1: and they'll they will die laughing, and I'll make a note.

877
00:48:18,480 --> 00:48:21,160
Speaker 1: They're like, oh, do that again. Yeah, so yes, when

878
00:48:21,200 --> 00:48:23,000
Speaker 1: you make a note, do that again. When you do

879
00:48:23,080 --> 00:48:25,840
Speaker 1: it again, is it as funny? No? No, never, I

880
00:48:25,960 --> 00:48:29,439
Speaker 1: know because whatever it was that I had then, yeah,

881
00:48:29,560 --> 00:48:34,359
Speaker 1: yeah that maybe the tone, Yeah, maybe how flippantly I taught,

882
00:48:34,920 --> 00:48:37,399
Speaker 1: it's never quite as funny. You know. There's a great

883
00:48:37,440 --> 00:48:40,400
Speaker 1: expression that says, the only real music is when a

884
00:48:40,480 --> 00:48:43,080
Speaker 1: baby first cries. After that, the baby knows, the mom

885
00:48:43,160 --> 00:48:46,759
Speaker 1: will come running. It's all show business, it's all you

886
00:48:46,840 --> 00:48:49,200
Speaker 1: know what I mean. Yeah, it's the truth in spontaneity

887
00:48:49,239 --> 00:48:51,160
Speaker 1: of something. That's why I think every show has to

888
00:48:51,239 --> 00:48:58,040
Speaker 1: have constant spontaneity, flowing, not not not my opic repetition

889
00:48:58,160 --> 00:49:00,600
Speaker 1: of the night before, because it doesn't work, It just

890
00:49:00,760 --> 00:49:03,040
Speaker 1: doesn't work. We will be in two shows where we

891
00:49:03,120 --> 00:49:08,319
Speaker 1: were like, that doesn't that feels a little as as

892
00:49:08,400 --> 00:49:12,279
Speaker 1: someone watching like a fan, Yeah, yeah, absolutely, I would

893
00:49:12,400 --> 00:49:17,120
Speaker 1: before I got into this art, I don't think I

894
00:49:17,160 --> 00:49:18,880
Speaker 1: ever felt I thought every show was awesome and I

895
00:49:18,960 --> 00:49:20,919
Speaker 1: just but now I can see it. I think because

896
00:49:20,920 --> 00:49:22,480
Speaker 1: I'm so inside of it, I would be like, oh,

897
00:49:22,520 --> 00:49:26,120
Speaker 1: they're not feeling it right now, or but then I

898
00:49:26,160 --> 00:49:27,640
Speaker 1: would talk to like other people that are like, I know,

899
00:49:27,719 --> 00:49:29,479
Speaker 1: this is the greatest show ever. It's it's a weird

900
00:49:29,600 --> 00:49:33,000
Speaker 1: dynamic now watching a show for me because I can't really,

901
00:49:33,480 --> 00:49:35,319
Speaker 1: which is why I don't go to many the last

902
00:49:35,400 --> 00:49:36,840
Speaker 1: five shows I've been to, We're all yours and not

903
00:49:36,960 --> 00:49:38,880
Speaker 1: just watching your window, just watching you play at home.

904
00:49:39,120 --> 00:49:45,080
Speaker 1: That's all I do. Yeah, Rustling, And let's talk about

905
00:49:45,120 --> 00:49:47,120
Speaker 1: wild hearts for a second, because here we go. We

906
00:49:47,200 --> 00:49:49,920
Speaker 1: got another one here. I was talking to Brad Tersey,

907
00:49:50,239 --> 00:49:52,360
Speaker 1: who one of the writers in the song, and he

908
00:49:52,440 --> 00:49:55,759
Speaker 1: was complimenting you so much as a songwriter because he said,

909
00:49:56,160 --> 00:49:59,600
Speaker 1: you know, we had this song him and to my

910
00:49:59,719 --> 00:50:02,120
Speaker 1: friends Derek Paslay and Gen Wayne, like we'd written this

911
00:50:02,200 --> 00:50:05,000
Speaker 1: song and sent it to Keith, and Keith was like,

912
00:50:06,200 --> 00:50:09,680
Speaker 1: love the hook and the melody, and you can tell

913
00:50:09,680 --> 00:50:13,320
Speaker 1: me if this is all true or not. But the verses,

914
00:50:13,360 --> 00:50:15,840
Speaker 1: some of the don't don't fit me right now, And

915
00:50:16,520 --> 00:50:18,680
Speaker 1: you were like, can I rewrite it? And he said yeah,

916
00:50:18,680 --> 00:50:20,200
Speaker 1: And then I asked him. I put him on the spot.

917
00:50:20,239 --> 00:50:22,520
Speaker 1: I said, did he rewrite it? Or did he add

918
00:50:22,560 --> 00:50:24,920
Speaker 1: a couple of words? And I knew what his answered

919
00:50:24,920 --> 00:50:26,359
Speaker 1: was gonna be, and he goes, no, he rewrote all

920
00:50:26,400 --> 00:50:30,839
Speaker 1: the verses. And so when that happens, and someone sends

921
00:50:30,880 --> 00:50:33,080
Speaker 1: you a song and you go him dang, like, I

922
00:50:33,640 --> 00:50:36,600
Speaker 1: what about this song drew you in? And then what

923
00:50:36,800 --> 00:50:38,840
Speaker 1: did you feel that made you want to change up

924
00:50:38,880 --> 00:50:42,200
Speaker 1: some of the lyrics. I got sent the song by

925
00:50:42,320 --> 00:50:47,040
Speaker 1: Roxy King at Universal and I listened to it and

926
00:50:47,760 --> 00:50:50,440
Speaker 1: I went, I like it, but it's not staying with me.

927
00:50:50,600 --> 00:50:54,040
Speaker 1: So I passed on the song. And about two weeks later,

928
00:50:54,120 --> 00:50:57,560
Speaker 1: I work up one morning singing this chorus of a

929
00:50:57,640 --> 00:51:00,080
Speaker 1: song and I go, what what is that melody? It

930
00:51:00,200 --> 00:51:02,920
Speaker 1: was Wild Hearts? So I got the song back out,

931
00:51:03,000 --> 00:51:05,480
Speaker 1: listen to it again, and I went, man, I love

932
00:51:05,560 --> 00:51:10,239
Speaker 1: this chorus, but the verses don't speak to me. But

933
00:51:10,360 --> 00:51:13,400
Speaker 1: it's a really it's a song about chasing your dreams, right,

934
00:51:13,560 --> 00:51:16,000
Speaker 1: you know, going after it no matter what, against all odds.

935
00:51:17,200 --> 00:51:20,160
Speaker 1: The verses probably need to be a bit more autobiographical

936
00:51:20,239 --> 00:51:24,760
Speaker 1: for me to make it make the chorus land properly

937
00:51:24,840 --> 00:51:26,840
Speaker 1: for me. So I called Rocks and I said, do

938
00:51:26,880 --> 00:51:29,520
Speaker 1: you think the writers would be okay if I rewrote

939
00:51:29,520 --> 00:51:31,440
Speaker 1: the verses? I've never done it in my life ever,

940
00:51:31,760 --> 00:51:36,440
Speaker 1: never ever done this, and they were a game for it.

941
00:51:36,520 --> 00:51:39,080
Speaker 1: So they sent me the track with no words, and

942
00:51:39,200 --> 00:51:41,200
Speaker 1: then I just wrote the verses. When you write the

943
00:51:41,320 --> 00:51:43,680
Speaker 1: verses and it's coming from your story, your mind, your heart,

944
00:51:44,200 --> 00:51:46,400
Speaker 1: do they just fall out of you at that point

945
00:51:46,680 --> 00:51:48,439
Speaker 1: or do you just spend a lot, You spend extra

946
00:51:48,520 --> 00:51:52,600
Speaker 1: time because you're also working with someone else's canvas. They

947
00:51:52,719 --> 00:51:57,520
Speaker 1: just had a good structure, so it was just about

948
00:51:57,560 --> 00:52:00,880
Speaker 1: being truthful. So you know, one morning, I literally just

949
00:52:01,040 --> 00:52:03,960
Speaker 1: hit play, got my little pad out, and I'm just writing.

950
00:52:04,320 --> 00:52:07,120
Speaker 1: And I thought, well, if it's about my particular journey,

951
00:52:07,160 --> 00:52:09,640
Speaker 1: where did that start? And I went, well, probably when

952
00:52:09,680 --> 00:52:11,319
Speaker 1: my mom and dad took me to see Johnny Cash

953
00:52:11,400 --> 00:52:14,440
Speaker 1: when I was five. Start there and was like, oh,

954
00:52:14,719 --> 00:52:16,920
Speaker 1: I saw the man in black, spotlight in the air,

955
00:52:17,000 --> 00:52:19,120
Speaker 1: but the boom and then it just it just flowed.

956
00:52:19,840 --> 00:52:21,680
Speaker 1: You saw Johnny Cash at five years old? Now, how

957
00:52:21,760 --> 00:52:25,040
Speaker 1: much of that do you actually remember? I remember well,

958
00:52:25,080 --> 00:52:27,759
Speaker 1: the images I remember are kind of in the song.

959
00:52:29,320 --> 00:52:33,680
Speaker 1: I remember this really the loudest. I mean, I'm only five,

960
00:52:33,719 --> 00:52:35,759
Speaker 1: and the men around a lot of people in these

961
00:52:35,840 --> 00:52:41,800
Speaker 1: big settings before it's like five thousand seat hall, drunk, roudy, loud,

962
00:52:42,239 --> 00:52:47,320
Speaker 1: fun people, really working class where I grew up. That

963
00:52:47,560 --> 00:52:51,239
Speaker 1: was exciting going into the hall. I remember it being

964
00:52:51,360 --> 00:52:54,160
Speaker 1: deafening in the hall. I don't know where our seats were,

965
00:52:54,280 --> 00:52:58,440
Speaker 1: probably up the nosebleeds. And then I remember it going

966
00:52:58,520 --> 00:53:01,240
Speaker 1: pitch black in this big spotlight coming across our heads

967
00:53:01,400 --> 00:53:05,360
Speaker 1: and when you know, when you're five, that beam is surreal.

968
00:53:05,560 --> 00:53:08,520
Speaker 1: I've never seen anything like it. And then it's hitting

969
00:53:08,560 --> 00:53:11,080
Speaker 1: this guy up on the stage. Everyone's screaming, going crazy,

970
00:53:11,160 --> 00:53:13,400
Speaker 1: and then I remember looking up at my dad and

971
00:53:13,640 --> 00:53:16,319
Speaker 1: seeing the way that he was looking at this guy

972
00:53:16,360 --> 00:53:20,080
Speaker 1: on stage, and probably I might take a child psychologist

973
00:53:20,120 --> 00:53:23,320
Speaker 1: to confirm it, probably wondering what have I got to

974
00:53:23,400 --> 00:53:25,719
Speaker 1: do to get my dad to look at me that way?

975
00:53:26,360 --> 00:53:28,560
Speaker 1: So that's why that line in there, you know heard

976
00:53:28,600 --> 00:53:31,759
Speaker 1: a thousand screams, saw my daddy stare is in the

977
00:53:31,880 --> 00:53:34,440
Speaker 1: song do you know a lot of Johnny Cash stuff?

978
00:53:34,640 --> 00:53:38,080
Speaker 1: Since that was such an imprint, like did it as

979
00:53:38,160 --> 00:53:39,799
Speaker 1: a young kid, did you I want to also learn

980
00:53:39,880 --> 00:53:43,239
Speaker 1: some stuff from Johnny Cash. I learned a few of

981
00:53:43,320 --> 00:53:45,320
Speaker 1: his songs, for sure, But I mean that voice is

982
00:53:45,400 --> 00:53:49,560
Speaker 1: so unique and I didn't have that, not, not when

983
00:53:49,600 --> 00:53:51,680
Speaker 1: I started singing a plane at six seven, eight years old,

984
00:53:51,760 --> 00:53:54,799
Speaker 1: I sounded like Dolly Parton, I did. I could sing

985
00:53:54,880 --> 00:53:56,840
Speaker 1: in her key, you know, so I sang all of

986
00:53:56,920 --> 00:53:59,840
Speaker 1: her songs. What was your front yard like? As a

987
00:54:00,160 --> 00:54:01,960
Speaker 1: I wonder what you're like? You're you think back and

988
00:54:02,280 --> 00:54:04,720
Speaker 1: it's hard for me to think and remember anything earlier

989
00:54:04,760 --> 00:54:06,680
Speaker 1: than five years old, Like that's probably where it starts

990
00:54:06,719 --> 00:54:08,520
Speaker 1: for me, But like, what was what was the front

991
00:54:08,600 --> 00:54:12,160
Speaker 1: yard like at your house? I always think we confuse

992
00:54:12,320 --> 00:54:17,080
Speaker 1: memories with photographs and vice versa. We moved around all

993
00:54:17,120 --> 00:54:20,240
Speaker 1: the time, never owned a house, just rented and moved

994
00:54:20,280 --> 00:54:22,239
Speaker 1: from house to house to house all the time, so

995
00:54:22,480 --> 00:54:25,400
Speaker 1: it is a constant change of front Yeah, do you

996
00:54:25,480 --> 00:54:28,160
Speaker 1: have a home that you feel like? Is like if

997
00:54:28,200 --> 00:54:30,160
Speaker 1: I were like, what's the house you consider yourself that

998
00:54:30,200 --> 00:54:32,080
Speaker 1: you grew up in? Do you can you picture that house?

999
00:54:32,440 --> 00:54:35,080
Speaker 1: Or again? Were you moving so much? We moved all

1000
00:54:35,120 --> 00:54:37,760
Speaker 1: the time. I went to six different schools and about

1001
00:54:37,800 --> 00:54:42,040
Speaker 1: five years thanks six schools. So did you learn how

1002
00:54:42,080 --> 00:54:46,959
Speaker 1: to moving so much? Meeting a lot of new people?

1003
00:54:47,080 --> 00:54:50,040
Speaker 1: You constantly had to make new friends. Did that make

1004
00:54:50,080 --> 00:54:53,880
Speaker 1: you withdraw more into music or did it create some

1005
00:54:54,080 --> 00:54:56,080
Speaker 1: sort of you can now blend in with anyone and

1006
00:54:56,200 --> 00:54:58,880
Speaker 1: you can now kind of assimilate no problem. I think

1007
00:54:58,920 --> 00:55:01,120
Speaker 1: it was a bit of both. And the guitar is

1008
00:55:01,160 --> 00:55:03,920
Speaker 1: really helpful. You know, it's a physical thing. It's like

1009
00:55:04,040 --> 00:55:06,120
Speaker 1: the security blanket right there in front of you, this

1010
00:55:06,280 --> 00:55:11,360
Speaker 1: little protective shield. So it was helpful for that, and

1011
00:55:11,520 --> 00:55:15,640
Speaker 1: it had mixed benefits. When you're a boy in a

1012
00:55:15,800 --> 00:55:17,920
Speaker 1: school and you play the guitar and sing and have

1013
00:55:18,080 --> 00:55:22,120
Speaker 1: long hair like I did, it's a mixed blessing. Were

1014
00:55:22,160 --> 00:55:27,279
Speaker 1: you a small kid, yeah? When did you grow? Tuesday? Yes,

1015
00:55:27,640 --> 00:55:28,960
Speaker 1: I felt that one. I kind of set you up

1016
00:55:28,960 --> 00:55:31,200
Speaker 1: for that one right there. Yes, I'm gonna here. So

1017
00:55:31,320 --> 00:55:33,640
Speaker 1: here's the three things I want to know. What makes

1018
00:55:33,680 --> 00:55:38,120
Speaker 1: you happy? Personal? Professional? And then you get kind of

1019
00:55:38,120 --> 00:55:39,560
Speaker 1: a grab bag. You can pick whatever you want. But

1020
00:55:39,640 --> 00:55:42,200
Speaker 1: so what makes you genuinely happy? Right now? Keith Urban,

1021
00:55:42,640 --> 00:55:45,360
Speaker 1: who we see has it all right, but but seeing

1022
00:55:45,440 --> 00:55:48,600
Speaker 1: it isn't always real life, right, It definitely isn't at all.

1023
00:55:49,000 --> 00:55:51,240
Speaker 1: But what makes you happy right now at this stage

1024
00:55:51,280 --> 00:55:58,239
Speaker 1: of your career, in your life all of it. The

1025
00:55:58,440 --> 00:56:04,640
Speaker 1: balance that I've that I've found and can maintain better

1026
00:56:04,680 --> 00:56:09,520
Speaker 1: than ever between work and home life because it's you know,

1027
00:56:09,840 --> 00:56:14,640
Speaker 1: it's complicated for anybody. Family work different, even I got

1028
00:56:14,680 --> 00:56:17,520
Speaker 1: so much of your time, where does it go? How

1029
00:56:17,600 --> 00:56:19,560
Speaker 1: much do you give to writing songs, being with your family,

1030
00:56:19,640 --> 00:56:24,480
Speaker 1: touring and this? You know? So I think being able

1031
00:56:24,560 --> 00:56:27,000
Speaker 1: to balance that better than I used to. So what's

1032
00:56:27,040 --> 00:56:29,160
Speaker 1: the key thing? Because that's honestly the biggest struggle that

1033
00:56:29,239 --> 00:56:31,600
Speaker 1: I have right now. Right, been married a year basically,

1034
00:56:32,040 --> 00:56:35,439
Speaker 1: and my struggle is figuring out how to balance because

1035
00:56:35,440 --> 00:56:38,600
Speaker 1: I've never had to balance right, right, I've been extremely

1036
00:56:38,640 --> 00:56:40,680
Speaker 1: selfish and that it's just always been about me. It's

1037
00:56:40,760 --> 00:56:42,239
Speaker 1: not that I want to keep everything, but it's like

1038
00:56:42,320 --> 00:56:44,600
Speaker 1: I only have to worry about me my whole life. Yeah,

1039
00:56:44,680 --> 00:56:47,560
Speaker 1: and now I don't just have to worry about me.

1040
00:56:47,680 --> 00:56:50,879
Speaker 1: It's worry. I have to actually care and like want

1041
00:56:51,080 --> 00:56:53,640
Speaker 1: to lift the other person up, right, my wife? So

1042
00:56:53,880 --> 00:56:56,200
Speaker 1: what's what's that advice you would give me then? Because

1043
00:56:56,200 --> 00:57:01,440
Speaker 1: balance is tough for me? Yeah, Well, it's never achieved,

1044
00:57:01,480 --> 00:57:04,759
Speaker 1: it's just maintained. And that to me was a shock, Like,

1045
00:57:05,000 --> 00:57:06,399
Speaker 1: you mean I got to do it all the time,

1046
00:57:07,320 --> 00:57:11,279
Speaker 1: Like I wasn't used to maintaining anything. It's terrible at it. Yeah,

1047
00:57:11,360 --> 00:57:15,799
Speaker 1: given stuff up or passing opportunities has been a very

1048
00:57:15,840 --> 00:57:17,720
Speaker 1: difficult one because I feel like I've just worked so

1049
00:57:17,800 --> 00:57:19,760
Speaker 1: hard to get any opportunity at all, right, just scratch

1050
00:57:19,840 --> 00:57:21,800
Speaker 1: and clawing, and then you start to get them and

1051
00:57:21,880 --> 00:57:24,560
Speaker 1: then now I'm going, you know what, maybe I shouldn't

1052
00:57:24,600 --> 00:57:26,200
Speaker 1: do this, because what I can do is I can

1053
00:57:26,280 --> 00:57:29,760
Speaker 1: spend create some balance. But that's been very difficult. Was

1054
00:57:29,840 --> 00:57:31,920
Speaker 1: that something with you where you're like, hey, I go

1055
00:57:32,000 --> 00:57:35,000
Speaker 1: do this show or this, but but this is also

1056
00:57:35,120 --> 00:57:38,280
Speaker 1: as important because I'm investing into the relationship. Was that

1057
00:57:38,800 --> 00:57:41,240
Speaker 1: just a place that you got to one day and

1058
00:57:41,280 --> 00:57:43,640
Speaker 1: it made sense or is that still something you constantly

1059
00:57:43,920 --> 00:57:48,600
Speaker 1: have to focus on sort of a bit of everything.

1060
00:57:48,880 --> 00:57:52,640
Speaker 1: I mean constantly, I'm not definitely. Stuff goes out of whack,

1061
00:57:53,040 --> 00:57:55,160
Speaker 1: you know, all the time, and I think the only

1062
00:57:55,200 --> 00:57:58,440
Speaker 1: difference is the speed of which I correct things, or

1063
00:57:58,520 --> 00:58:00,560
Speaker 1: the fact that I actually do correct it. You know,

1064
00:58:00,760 --> 00:58:02,560
Speaker 1: That's the thing that's changed in my life. I never

1065
00:58:02,720 --> 00:58:07,160
Speaker 1: used to recognize things falling out of balance. It's terrible.

1066
00:58:07,240 --> 00:58:09,720
Speaker 1: How do you recognize it now? Because I'm told that's

1067
00:58:09,720 --> 00:58:14,040
Speaker 1: how I recognize it. I'm sorry, I'm learning, yes, And

1068
00:58:14,160 --> 00:58:16,400
Speaker 1: then you just have this feeling that happens where you

1069
00:58:16,480 --> 00:58:18,680
Speaker 1: start to be with somebody that you got. I can

1070
00:58:18,760 --> 00:58:21,720
Speaker 1: feel like I've completely I'm dropping the ball here. I

1071
00:58:21,840 --> 00:58:23,800
Speaker 1: just feel like all the time. But it's when I don't,

1072
00:58:24,000 --> 00:58:26,080
Speaker 1: when I'm like, oh, I'm actually doing pretty good here, right,

1073
00:58:26,520 --> 00:58:28,440
Speaker 1: Keith Thurbs here? What have you learned in your year

1074
00:58:28,480 --> 00:58:31,959
Speaker 1: of marriage? Bobby Um, that's a great question. A lot.

1075
00:58:32,360 --> 00:58:35,640
Speaker 1: I have learned that I am not the Sun and

1076
00:58:35,800 --> 00:58:38,400
Speaker 1: all the planets revolve around the Sun, because I have

1077
00:58:38,600 --> 00:58:41,240
Speaker 1: just been able to be the sun and good times

1078
00:58:41,280 --> 00:58:43,560
Speaker 1: and bad meaning as a kid, all the way up

1079
00:58:43,560 --> 00:58:47,200
Speaker 1: into my early twenties, I was the surviving son, meaning

1080
00:58:47,600 --> 00:58:50,080
Speaker 1: I had to survive. Everything was about me just trying

1081
00:58:50,080 --> 00:58:53,520
Speaker 1: to have money to pay rent or eat or school

1082
00:58:53,560 --> 00:58:55,919
Speaker 1: clothes or and it was all about what I could.

1083
00:58:56,280 --> 00:58:59,480
Speaker 1: But now I don't have to be the Sun anymore.

1084
00:58:59,520 --> 00:59:00,840
Speaker 1: I think a lot to me being the Sun and

1085
00:59:00,880 --> 00:59:04,480
Speaker 1: the solar system was it was forced I had. I

1086
00:59:04,640 --> 00:59:07,200
Speaker 1: was everything had to rotate around me because it was

1087
00:59:07,240 --> 00:59:09,640
Speaker 1: a necessity that I just look out for me or

1088
00:59:09,640 --> 00:59:13,320
Speaker 1: I wouldn't survive. Yeah. Now, yeah, I don't have to

1089
00:59:13,400 --> 00:59:15,280
Speaker 1: be the sun anymore. And it is a relief as

1090
00:59:15,400 --> 00:59:19,000
Speaker 1: much as it is difficult at times. So kind just

1091
00:59:19,120 --> 00:59:23,800
Speaker 1: turn it off, right, it correct And that is uncomfortable sometimes,

1092
00:59:24,000 --> 00:59:27,120
Speaker 1: but it's a good You don't grow without having some

1093
00:59:27,240 --> 00:59:30,840
Speaker 1: uncomfortability and anything. You just don't you know human, you

1094
00:59:30,880 --> 00:59:33,479
Speaker 1: get taller, it hurts, you learn a skill, it sucks

1095
00:59:33,520 --> 00:59:35,960
Speaker 1: because you're not good at it at first, right, So

1096
00:59:36,280 --> 00:59:39,520
Speaker 1: to grow, you've got to have a little bit of uncomfortability,

1097
00:59:39,920 --> 00:59:42,920
Speaker 1: and that to me has been what I've learned is

1098
00:59:42,920 --> 00:59:45,120
Speaker 1: that I don't have to do everything by myself. I

1099
00:59:45,160 --> 00:59:47,120
Speaker 1: don't have to be the sun, right I can. I

1100
00:59:47,200 --> 00:59:51,320
Speaker 1: can roll and be a batman Robin and sometimes I'm

1101
00:59:51,400 --> 00:59:54,760
Speaker 1: Robin and sometimes I'm Batman and that's okay. So that's

1102
00:59:54,920 --> 00:59:58,880
Speaker 1: that's what I'm still learning. So yeah, that's the situation there.

1103
00:59:59,240 --> 01:00:02,560
Speaker 1: From you and Tight. Now it's just a very awkward vision.

1104
01:00:02,680 --> 01:00:04,400
Speaker 1: You don't have a picture also a picture of it.

1105
01:00:04,440 --> 01:00:05,880
Speaker 1: You don't have to picture. Oh yeah, I've got a

1106
01:00:05,880 --> 01:00:09,640
Speaker 1: couple of pictures of me and Tight stuff. Done. All right, listen,

1107
01:00:09,760 --> 01:00:11,240
Speaker 1: we've we've talked a long time. I know you have

1108
01:00:11,320 --> 01:00:14,080
Speaker 1: your guitar over here, and I don't have anything crazy planned,

1109
01:00:14,160 --> 01:00:16,520
Speaker 1: but would you mind grabbing it for a second? Yeah?

1110
01:00:16,720 --> 01:00:19,360
Speaker 1: Do you? We were talking about I'm gonna put you

1111
01:00:19,360 --> 01:00:20,720
Speaker 1: a little bit on the spot here because I feel

1112
01:00:20,720 --> 01:00:23,480
Speaker 1: comfortable enough to do that. We were talking on the

1113
01:00:23,560 --> 01:00:26,400
Speaker 1: show maybe a week or so ago about the most

1114
01:00:26,880 --> 01:00:30,600
Speaker 1: romantic songs of all time, not just country but just period.

1115
01:00:30,640 --> 01:00:33,960
Speaker 1: And I picked the Pretenders I'll stand by You, which

1116
01:00:34,080 --> 01:00:38,760
Speaker 1: is just a great song often overlooked. I picked the

1117
01:00:38,840 --> 01:00:42,360
Speaker 1: Beach Boys. God only knows. God only knows, uh. If

1118
01:00:42,400 --> 01:00:44,000
Speaker 1: I were to ask you and you have your guitar,

1119
01:00:44,000 --> 01:00:46,120
Speaker 1: and if you can think what a great opening line

1120
01:00:46,160 --> 01:00:47,960
Speaker 1: of that song, by the way, go ahead, and might

1121
01:00:48,000 --> 01:00:50,560
Speaker 1: not always love you? I may not always love you,

1122
01:00:51,240 --> 01:00:54,040
Speaker 1: as long as they're asked us above you, you don't

1123
01:00:54,040 --> 01:00:55,960
Speaker 1: have no need to doubt it. I'll make you sure

1124
01:00:55,960 --> 01:00:59,360
Speaker 1: about it. Oh my gosh, isn't that such a great lyric?

1125
01:01:00,040 --> 01:01:03,720
Speaker 1: So what's the most romantic song? Two parts that you have?

1126
01:01:04,360 --> 01:01:06,400
Speaker 1: And just give me a little fifteen twenty thirty seconds

1127
01:01:06,440 --> 01:01:10,760
Speaker 1: of it, and then period in your mind. I've been

1128
01:01:10,760 --> 01:01:14,400
Speaker 1: asked that question before, and um, did I lose my mic? No,

1129
01:01:14,520 --> 01:01:17,840
Speaker 1: you're there. You may have pulled your headphones out. Um,

1130
01:01:19,560 --> 01:01:22,360
Speaker 1: god only knows. Was always my number one song for

1131
01:01:23,080 --> 01:01:25,080
Speaker 1: I think one of the greatest love songs ever. Basically

1132
01:01:25,080 --> 01:01:27,400
Speaker 1: we're the same person musically, Keith myself. I just heard

1133
01:01:27,440 --> 01:01:30,560
Speaker 1: it here. It's true because it's just such a That

1134
01:01:30,720 --> 01:01:33,120
Speaker 1: opening line always grabbed me. I may not always love you.

1135
01:01:33,200 --> 01:01:35,400
Speaker 1: It's like, what, that's a love song? But then when

1136
01:01:35,400 --> 01:01:37,720
Speaker 1: you hear the rest of it's, oh my gosh, Yeah,

1137
01:01:38,160 --> 01:01:40,600
Speaker 1: that's it. That's the best one ever. But what about

1138
01:01:40,760 --> 01:01:44,240
Speaker 1: yours now and your arsenal? You have to look at

1139
01:01:44,280 --> 01:01:51,280
Speaker 1: it objectively. What is your most romantic song? My most

1140
01:01:51,400 --> 01:01:56,440
Speaker 1: romantic song? Oh, I don't know. I don't that's I'm

1141
01:01:56,480 --> 01:02:00,800
Speaker 1: maybe not the the one to ask that of, but

1142
01:02:00,960 --> 01:02:09,840
Speaker 1: you are because I'm asking you. You are hanging because

1143
01:02:09,880 --> 01:02:14,680
Speaker 1: we're here. I can't pick one, Okay, okay, I can't

1144
01:02:14,720 --> 01:02:18,280
Speaker 1: pick one. I think I think, um making Memories, which

1145
01:02:18,280 --> 01:02:20,200
Speaker 1: I didn't write. That's a Rodney Crowe's film, But I

1146
01:02:20,240 --> 01:02:22,440
Speaker 1: think that's one of the most beautiful songs. Give me

1147
01:02:22,440 --> 01:02:24,680
Speaker 1: a little bit of making memories. Just Keeth urban's here.

1148
01:02:25,200 --> 01:02:26,720
Speaker 1: Hang second, jes he just learned how to play the

1149
01:02:26,760 --> 01:02:28,720
Speaker 1: guitar today. This it's exciting. What are you looking for?

1150
01:02:28,760 --> 01:02:32,840
Speaker 1: A pick? That's next? Hang on, my keys? I thought

1151
01:02:32,880 --> 01:02:34,800
Speaker 1: it was really this is like a comedy bit where

1152
01:02:34,800 --> 01:02:38,120
Speaker 1: he's pulling out all these saying the rabbits. Here, here's

1153
01:02:38,160 --> 01:02:40,840
Speaker 1: the art of war. Well, crap, all right, here's I

1154
01:02:40,960 --> 01:02:43,680
Speaker 1: swear I brought it in. Do you want a capo? Yeah,

1155
01:02:44,400 --> 01:02:46,520
Speaker 1: you don't have one. Okay, we won't even do it.

1156
01:02:47,600 --> 01:02:49,440
Speaker 1: Oh look it's here in my pocket. There it is.

1157
01:02:52,040 --> 01:02:54,040
Speaker 1: How big are those pockets that you can't find it

1158
01:02:54,120 --> 01:03:02,720
Speaker 1: on first grass? Because it's not small? That's great, Then

1159
01:03:04,400 --> 01:03:20,959
Speaker 1: that's funny. I'm gonna be here for your baby. I'll

1160
01:03:21,000 --> 01:03:26,720
Speaker 1: be a man in my word, speak a language in

1161
01:03:26,800 --> 01:03:34,720
Speaker 1: a voice that you have never heard. I want to

1162
01:03:34,760 --> 01:03:40,320
Speaker 1: sleep with you forever. I want to die in your

1163
01:03:40,400 --> 01:03:47,160
Speaker 1: own in a cabin by medal where the wild be.

1164
01:03:47,560 --> 01:03:59,680
Speaker 1: Swoo oh. Yeah, I'm gonna love you like nobody loves you.

1165
01:04:02,240 --> 01:04:08,720
Speaker 1: I learn you trust making memories of that's so good.

1166
01:04:09,200 --> 01:04:12,080
Speaker 1: Dang when I think of those songs too, that it

1167
01:04:12,160 --> 01:04:15,240
Speaker 1: made me feel like that. And again, it doesn't sound

1168
01:04:15,360 --> 01:04:18,360
Speaker 1: like a love song. At first, But ain't no Sunshine

1169
01:04:19,000 --> 01:04:23,440
Speaker 1: is maybe that's the greatest love that the greatest love

1170
01:04:23,480 --> 01:04:25,640
Speaker 1: song of all time, but people don't think about it.

1171
01:04:25,800 --> 01:04:27,560
Speaker 1: Is that you gotta you're aboud to hit it. I've

1172
01:04:27,560 --> 01:04:38,480
Speaker 1: never played it. It's not when she's away, that's too

1173
01:04:38,600 --> 01:04:42,360
Speaker 1: highs in it. That's a beautiful song. A minute no

1174
01:04:42,560 --> 01:04:51,800
Speaker 1: sunshine and she's gone. It's not wom when she's away.

1175
01:04:55,320 --> 01:04:59,840
Speaker 1: Ain't no sunshine when you're gone and she's always gonna

1176
01:05:00,040 --> 01:05:07,520
Speaker 1: you long and it's she goes away. It's crazy how

1177
01:05:07,560 --> 01:05:10,000
Speaker 1: you can just go and not to you crazy to

1178
01:05:10,080 --> 01:05:11,440
Speaker 1: me that you can just go. Let me just figure

1179
01:05:11,440 --> 01:05:14,280
Speaker 1: this thing out. Don't don't know it was that something

1180
01:05:14,360 --> 01:05:18,360
Speaker 1: that it didn't come naturally. And I don't mean it

1181
01:05:18,480 --> 01:05:19,720
Speaker 1: is that because you put a lot of work into

1182
01:05:19,760 --> 01:05:22,280
Speaker 1: your craft. But do you find that it's easier to

1183
01:05:22,440 --> 01:05:25,920
Speaker 1: identify sounds than some of your peers and even worse

1184
01:05:25,960 --> 01:05:30,440
Speaker 1: than some of your others, based on just like natural instinct?

1185
01:05:31,280 --> 01:05:33,880
Speaker 1: Because some people can run faster than others. Right, you

1186
01:05:33,960 --> 01:05:36,040
Speaker 1: can train all day, you can't run as fast as

1187
01:05:36,080 --> 01:05:38,880
Speaker 1: some folks. Right, where do you fall in that spectrum

1188
01:05:38,960 --> 01:05:42,560
Speaker 1: of your mind just understanding music? The more you learn

1189
01:05:42,800 --> 01:05:49,320
Speaker 1: the more you actually can do. Um, I think it's balanced. Actually,

1190
01:05:49,320 --> 01:05:50,640
Speaker 1: I think you can know too much and get in

1191
01:05:50,680 --> 01:05:52,800
Speaker 1: the way of creativity. Are there people that you know,

1192
01:05:52,920 --> 01:05:54,560
Speaker 1: let me ask this a different way that can hear

1193
01:05:54,760 --> 01:05:57,440
Speaker 1: and figure it out quicker and better than you can,

1194
01:05:58,400 --> 01:06:00,520
Speaker 1: like just hearing it going oh in and you're like, wow,

1195
01:06:00,560 --> 01:06:03,600
Speaker 1: I can't believe they just figure that out. Oh for sure, Yeah,

1196
01:06:03,640 --> 01:06:06,080
Speaker 1: of course, yeah, because I did that to you. Yeah,

1197
01:06:06,400 --> 01:06:08,160
Speaker 1: and you do that to other people and you go, wow,

1198
01:06:08,200 --> 01:06:10,320
Speaker 1: I cannot believe they just figure that out by hearing

1199
01:06:10,440 --> 01:06:12,680
Speaker 1: that one time and they now they know the whole song. Yeah.

1200
01:06:13,440 --> 01:06:15,240
Speaker 1: Now that some people have that skill that just I

1201
01:06:15,320 --> 01:06:17,600
Speaker 1: mean in the sessions, you see the you know a

1202
01:06:17,680 --> 01:06:20,720
Speaker 1: lot of the session leaders just chatting at the song

1203
01:06:20,760 --> 01:06:22,960
Speaker 1: as it's going. But you have that skill, like you

1204
01:06:23,040 --> 01:06:24,680
Speaker 1: just said, let me figure this out. You went all

1205
01:06:24,680 --> 01:06:26,720
Speaker 1: the way up and found it. Sure do you understand

1206
01:06:26,760 --> 01:06:28,040
Speaker 1: that you have that? Are you so good you don't

1207
01:06:28,040 --> 01:06:30,000
Speaker 1: even know? It's like being good looking? Like maybe you

1208
01:06:30,000 --> 01:06:33,080
Speaker 1: don't even know how good looking you are. I mean

1209
01:06:33,120 --> 01:06:35,080
Speaker 1: I hit I mean, if you played it back, you know,

1210
01:06:35,160 --> 01:06:37,760
Speaker 1: I hit a wrong quote here and within a second

1211
01:06:37,800 --> 01:06:40,520
Speaker 1: found the right one. Okay, Keith Urban check out the

1212
01:06:40,600 --> 01:06:42,400
Speaker 1: live shows, dude, it's the best you will see. I've

1213
01:06:42,400 --> 01:06:44,720
Speaker 1: said it many times. Wild Hearts going for number one?

1214
01:06:45,000 --> 01:06:47,760
Speaker 1: What's the what's next after this? Yeah? Is it another

1215
01:06:47,880 --> 01:06:51,000
Speaker 1: single from the project? Are we're moving on? Brand new brand? Okay,

1216
01:06:51,080 --> 01:06:54,439
Speaker 1: Brandy music? You heard it here? Yeah? Okay, Keith, great

1217
01:06:54,480 --> 01:06:58,800
Speaker 1: to see you, Fay. Everybody say bye to Keith. And

1218
01:06:58,960 --> 01:07:05,120
Speaker 1: that's that show. Baby, Let's go over and catch up

1219
01:07:05,280 --> 01:07:11,240
Speaker 1: and do the big stories Bobby's Bees Stories eight and ten.

1220
01:07:11,320 --> 01:07:14,360
Speaker 1: Bosses agree your work attire determines if you're considered for

1221
01:07:14,480 --> 01:07:19,120
Speaker 1: other positions. Oh interesting, This job's a little weird because

1222
01:07:19,200 --> 01:07:21,760
Speaker 1: I if it's the day we have to record something,

1223
01:07:21,800 --> 01:07:23,920
Speaker 1: I'll dress up. If not, I'm just in sweats. But

1224
01:07:24,720 --> 01:07:26,360
Speaker 1: that's happened to be here on the show. I would

1225
01:07:26,360 --> 01:07:31,720
Speaker 1: stay with Lunchbox, meaning he's wanted to do things out

1226
01:07:31,840 --> 01:07:34,800
Speaker 1: like bigger things. But they're like, dude, you only like

1227
01:07:34,880 --> 01:07:38,200
Speaker 1: where you're underwear to work, oh you know, And they're

1228
01:07:38,240 --> 01:07:39,760
Speaker 1: like come. He's like, I want to be on the

1229
01:07:39,920 --> 01:07:43,240
Speaker 1: national stage and sets in. They're like, you don't cut

1230
01:07:43,320 --> 01:07:46,200
Speaker 1: your hair, you know, But we've worked with you, lunch

1231
01:07:46,240 --> 01:07:47,640
Speaker 1: and I think You're doing a lot better, don't you.

1232
01:07:48,120 --> 01:07:49,800
Speaker 1: I mean I thought I did good all the time,

1233
01:07:49,840 --> 01:07:51,960
Speaker 1: but yeah, I've been trying to improve myself because they

1234
01:07:52,040 --> 01:07:55,200
Speaker 1: never give me a shot to do anything. And I mean, man,

1235
01:07:55,320 --> 01:07:58,479
Speaker 1: they say it's my appearance. So it's not that you're ugly,

1236
01:07:58,560 --> 01:08:01,880
Speaker 1: you're he's a looking guy. We we got no models

1237
01:08:01,920 --> 01:08:03,760
Speaker 1: on this show, guy wise. All the girls are models

1238
01:08:03,760 --> 01:08:06,120
Speaker 1: for sure. Guys, you know, all the guys are pretty

1239
01:08:06,120 --> 01:08:09,040
Speaker 1: average dude, right, But I think the problem that they

1240
01:08:09,080 --> 01:08:11,640
Speaker 1: were having with Lunchbox a bit was he never shaved

1241
01:08:11,720 --> 01:08:13,360
Speaker 1: or cut his hair, and he was like, I want

1242
01:08:13,360 --> 01:08:16,080
Speaker 1: to represent us to brand or showers or yeah. Yeah.

1243
01:08:16,240 --> 01:08:18,439
Speaker 1: And so we've been working with them and he's starting

1244
01:08:18,439 --> 01:08:20,160
Speaker 1: to slowly clean up a little bit. I have to say.

1245
01:08:20,280 --> 01:08:23,320
Speaker 1: At this year's iHeart Country Festival, he was looking sharp. Yeah,

1246
01:08:23,479 --> 01:08:29,720
Speaker 1: it was pressed. Do you remember she goes she's all

1247
01:08:29,800 --> 01:08:31,559
Speaker 1: that where she finally comes down the stairs and she's

1248
01:08:31,600 --> 01:08:34,040
Speaker 1: all pretty and yeah, and Freddy Prince Junior is waiting.

1249
01:08:34,040 --> 01:08:36,560
Speaker 1: Now that's Lunchbox. Now we're like, oh, can't wait to

1250
01:08:36,560 --> 01:08:39,880
Speaker 1: see him only at these events though. There he goes,

1251
01:08:40,880 --> 01:08:43,920
Speaker 1: all right, we'll get there. Let's see one and three

1252
01:08:44,040 --> 01:08:48,120
Speaker 1: said they had no life plan after graduating. So let's

1253
01:08:48,120 --> 01:08:51,639
Speaker 1: talk about that. You're about to graduate high school or college,

1254
01:08:51,800 --> 01:08:54,479
Speaker 1: whichever one. Amy, Did you have a life plan when

1255
01:08:54,479 --> 01:08:58,320
Speaker 1: I graduated college? Yeah, I was gonna marry my boyfriend,

1256
01:08:58,400 --> 01:09:00,400
Speaker 1: I think, and like moved to South Texas. Any of

1257
01:09:00,439 --> 01:09:03,120
Speaker 1: that happened, Nope. Yeah, they rarely do the plans in

1258
01:09:03,200 --> 01:09:06,000
Speaker 1: high school. They barely do. I graduated college, ended up

1259
01:09:06,080 --> 01:09:09,120
Speaker 1: moving back to Austin. He broke up with me, and

1260
01:09:09,200 --> 01:09:11,240
Speaker 1: then I moved into a shed in my sister's backyard.

1261
01:09:11,560 --> 01:09:13,320
Speaker 1: That was plan B right, and you listened it out

1262
01:09:13,800 --> 01:09:18,599
Speaker 1: boyfriend's out Texas shed. Yeah, Eddie, I was gonna move

1263
01:09:18,600 --> 01:09:20,560
Speaker 1: to Austin as soon as I graduated and become a

1264
01:09:20,680 --> 01:09:23,000
Speaker 1: rock star. My band was gonna be huge, dude. And

1265
01:09:23,080 --> 01:09:25,240
Speaker 1: then I moved to Austin. I worked news and I

1266
01:09:25,360 --> 01:09:28,400
Speaker 1: was a cameraman. Then I found you and quite different path.

1267
01:09:28,840 --> 01:09:30,720
Speaker 1: We're still kind of rock stars, though we place on

1268
01:09:30,880 --> 01:09:34,040
Speaker 1: stages and stuff and stuff. Yeah, but not really rock stars.

1269
01:09:34,880 --> 01:09:37,240
Speaker 1: It's a that's a weird path to get to play

1270
01:09:37,320 --> 01:09:40,120
Speaker 1: big stages. You tried for real, and then you had

1271
01:09:40,120 --> 01:09:41,679
Speaker 1: to be with someone and you were the lead singer

1272
01:09:41,720 --> 01:09:42,880
Speaker 1: of your band, and then you had to be with

1273
01:09:42,920 --> 01:09:45,200
Speaker 1: someone who can't sing yeah, and doesn't want to be

1274
01:09:45,240 --> 01:09:47,519
Speaker 1: the lead singer. It's definitely not how I pictured and

1275
01:09:47,800 --> 01:09:49,639
Speaker 1: I'd be like Edie should sing more songs in our groups,

1276
01:09:49,640 --> 01:09:52,600
Speaker 1: like no, I mean you do it, but you can sing, No,

1277
01:09:52,720 --> 01:09:54,920
Speaker 1: I mean you can do it. So yeah, it's a

1278
01:09:54,960 --> 01:09:56,880
Speaker 1: weird path. Hey, no, no straight line to success. That's

1279
01:09:56,960 --> 01:09:59,479
Speaker 1: that's right, Yeah, lunchbox, any plan when you were graduating

1280
01:09:59,560 --> 01:10:01,519
Speaker 1: high school? Oh yeah, my plan was to be on

1281
01:10:01,560 --> 01:10:03,839
Speaker 1: the Real World on MTV. So there was no applying

1282
01:10:03,880 --> 01:10:06,160
Speaker 1: for jobs, none of that. It was just straight MTV.

1283
01:10:06,320 --> 01:10:08,720
Speaker 1: They're gonna cast me on the Real World. Then my

1284
01:10:08,800 --> 01:10:12,479
Speaker 1: career would take off and never happened. But don't be

1285
01:10:12,560 --> 01:10:14,400
Speaker 1: sad because your career is awesome. It's better than what

1286
01:10:14,520 --> 01:10:17,599
Speaker 1: it would have been. I don't know about that there challenge.

1287
01:10:17,600 --> 01:10:19,719
Speaker 1: They go for a million dollars in the challenge. There's

1288
01:10:19,760 --> 01:10:21,680
Speaker 1: like two real world people that are doing anything. You

1289
01:10:21,760 --> 01:10:25,000
Speaker 1: have a consistent every day going in make a good living.

1290
01:10:25,360 --> 01:10:28,240
Speaker 1: You're not working at the mill. You know. It's great, Bobby,

1291
01:10:28,280 --> 01:10:29,920
Speaker 1: are you the only one on the show that actually

1292
01:10:30,000 --> 01:10:32,439
Speaker 1: probably had a plan? Right, had a plan, followed the

1293
01:10:32,479 --> 01:10:36,200
Speaker 1: plan executed the still fall on the plan, head down,

1294
01:10:36,680 --> 01:10:40,640
Speaker 1: keep pushing. That's it, I know, I know, Let's move on.

1295
01:10:41,360 --> 01:10:44,360
Speaker 1: Pharrell says he's also annoyed by his own song Happy,

1296
01:10:44,960 --> 01:10:47,040
Speaker 1: which is a good one. I'm not annoyed by it,

1297
01:10:49,360 --> 01:10:51,080
Speaker 1: but a lot of people like it's the most annoying

1298
01:10:51,120 --> 01:10:54,280
Speaker 1: song ever. And so he says, hey, I'm there. I'm

1299
01:10:54,320 --> 01:10:56,800
Speaker 1: annoyed by it too. That's from up Rocks. So is

1300
01:10:56,840 --> 01:10:58,400
Speaker 1: there a song that I was thinking about? What song

1301
01:10:58,439 --> 01:11:01,560
Speaker 1: annoys me? Now? I don't really have a song that

1302
01:11:01,720 --> 01:11:04,439
Speaker 1: annoys me because I just change it. It's like when

1303
01:11:04,479 --> 01:11:07,120
Speaker 1: people get mad at our show, you're so annoying, change it,

1304
01:11:07,840 --> 01:11:09,240
Speaker 1: don't listen. I was thinking about it. I was like,

1305
01:11:09,320 --> 01:11:11,040
Speaker 1: is there a song that annoys me? And they go,

1306
01:11:11,160 --> 01:11:13,160
Speaker 1: you know what? No, Because I don't allow things that

1307
01:11:13,280 --> 01:11:15,200
Speaker 1: annoy me to stay in my space for very long.

1308
01:11:15,400 --> 01:11:17,560
Speaker 1: I will remove me or it because that's not a

1309
01:11:17,600 --> 01:11:19,840
Speaker 1: way to go through life. So I just kind of

1310
01:11:20,360 --> 01:11:21,960
Speaker 1: But say you're at the store and it comes on,

1311
01:11:22,040 --> 01:11:23,800
Speaker 1: You're like, oh, this is so annoy leaves the store,

1312
01:11:24,520 --> 01:11:28,800
Speaker 1: He gets out, sprint out, bell can't that bell on

1313
01:11:28,840 --> 01:11:32,200
Speaker 1: the door can't ring fast enough? I'm out of there. Um, okay,

1314
01:11:32,280 --> 01:11:33,639
Speaker 1: that's a good question. If I'm in the store, I'm

1315
01:11:33,640 --> 01:11:34,960
Speaker 1: in to get right. I walk in seven to eleven

1316
01:11:35,520 --> 01:11:39,920
Speaker 1: hanging out looking around. I'm wishing it was the BUCkies. Nice. Yeah,

1317
01:11:40,720 --> 01:11:44,360
Speaker 1: what comes on? And I'm like, oh no, m M,

1318
01:11:45,520 --> 01:11:47,519
Speaker 1: I just don't have Now are you thinking for current?

1319
01:11:47,600 --> 01:11:49,880
Speaker 1: Are you thinking because like, okay, I mean about the

1320
01:11:49,920 --> 01:11:53,479
Speaker 1: only shark or something? Shark rocks. It does that for

1321
01:11:53,560 --> 01:11:56,120
Speaker 1: the first like thirty seconds. Baby Shark rocks. He doesn't

1322
01:11:56,160 --> 01:12:00,360
Speaker 1: have yet. There's a reason that won't wait. Good Baby

1323
01:12:00,360 --> 01:12:03,559
Speaker 1: Shark's amazing. No, I think I'm pretty good. And all

1324
01:12:03,600 --> 01:12:07,040
Speaker 1: those songs I mean, I guess maybe like who Let

1325
01:12:07,080 --> 01:12:10,559
Speaker 1: the Dogs Out? That's a good song though, see I fine,

1326
01:12:11,320 --> 01:12:13,280
Speaker 1: but that's maybe one that's so old. All right, there

1327
01:12:13,360 --> 01:12:15,960
Speaker 1: you go. No, you have annoying song. No, I don't

1328
01:12:15,960 --> 01:12:18,479
Speaker 1: get annoyed by music. I guess similar to you either,

1329
01:12:18,520 --> 01:12:20,320
Speaker 1: Well except for I mean if I hear something over

1330
01:12:20,400 --> 01:12:22,439
Speaker 1: and over, like something like baby Shark, which doesn't get

1331
01:12:22,439 --> 01:12:25,360
Speaker 1: out of my head, or my son was playing the

1332
01:12:25,479 --> 01:12:28,360
Speaker 1: Chicken dance the other day on Alexa for some reason. No, no, no, no, no,

1333
01:12:28,439 --> 01:12:32,599
Speaker 1: no no, And why do we do that at weddings?

1334
01:12:33,000 --> 01:12:35,160
Speaker 1: Because it's easy and everybody can do the dance releasing. Okay,

1335
01:12:35,160 --> 01:12:37,600
Speaker 1: it's easily taught. Okay, that's something everybody can be a

1336
01:12:37,680 --> 01:12:39,439
Speaker 1: part of. That's when a song gets played to play

1337
01:12:39,479 --> 01:12:42,120
Speaker 1: a whole whole lot. Yeah, maybe like fancy like now

1338
01:12:43,040 --> 01:12:46,479
Speaker 1: is annoying. It's so much I still turn it out.

1339
01:12:46,800 --> 01:12:48,479
Speaker 1: But that's the goal as an artist, to have your

1340
01:12:48,520 --> 01:12:50,559
Speaker 1: song be so big that it's annoying, true that people

1341
01:12:50,560 --> 01:12:52,120
Speaker 1: are like you, guys, stop playing it because I mean,

1342
01:12:52,160 --> 01:12:55,639
Speaker 1: it's played so much. Like that's it. Your Your job

1343
01:12:55,720 --> 01:12:58,160
Speaker 1: as an artist is to get backlash boom because that

1344
01:12:58,240 --> 01:13:00,760
Speaker 1: means you are played everywhere. Oh I can't wait to

1345
01:13:00,800 --> 01:13:03,400
Speaker 1: have backlash again. They said backlash for a while, I

1346
01:13:03,680 --> 01:13:08,120
Speaker 1: backlash anymore. Nobody cares all right. Texas woman becomes pregnant

1347
01:13:08,200 --> 01:13:12,680
Speaker 1: while being pregnant gives birth to twins whoa In a

1348
01:13:12,800 --> 01:13:15,240
Speaker 1: rare case, a thirty year old Texas woman becomes pregnant

1349
01:13:15,280 --> 01:13:18,559
Speaker 1: while already being pregnant, and she gave birth to twins

1350
01:13:18,600 --> 01:13:21,799
Speaker 1: within a span of six minutes. Kara Windom became pregnant

1351
01:13:21,840 --> 01:13:24,639
Speaker 1: in February last year. A month later, she's pregnant again.

1352
01:13:24,680 --> 01:13:33,280
Speaker 1: The condition is known as super feditation. That sounds like cheese. Betah.

1353
01:13:33,280 --> 01:13:35,000
Speaker 1: It sounds like you're in the cheese aisle and you're like, oh,

1354
01:13:35,040 --> 01:13:39,559
Speaker 1: let's try that. Super feditation it's a condition in which

1355
01:13:39,640 --> 01:13:42,360
Speaker 1: new pregnancy occurs during an initial pregnancy, within days or

1356
01:13:42,360 --> 01:13:44,320
Speaker 1: weeks of the first one. She said to the doctor,

1357
01:13:44,360 --> 01:13:46,840
Speaker 1: what happened, wasn't it at the first time? What's going on?

1358
01:13:46,960 --> 01:13:50,360
Speaker 1: The doctor said she most likely ovulated twice, releasing two eggs.

1359
01:13:50,600 --> 01:13:54,040
Speaker 1: They got fertilized at different times. One hundred believe it's

1360
01:13:54,040 --> 01:13:58,200
Speaker 1: a miracle. That's from something called breezy scroll. But baby

1361
01:13:58,320 --> 01:14:01,639
Speaker 1: Coulson Winhold and brother k Aiden Or conceived a week apart.

1362
01:14:02,120 --> 01:14:05,880
Speaker 1: Super feditation effects those around zero point three percent of

1363
01:14:05,920 --> 01:14:09,719
Speaker 1: pregnant woman in the world. Wow. Superfetitation also goes wonderful

1364
01:14:09,840 --> 01:14:17,280
Speaker 1: on lasagna. Thank you. Let's see. A boy is found

1365
01:14:17,360 --> 01:14:20,680
Speaker 1: safe after he was last seen driving a Kia Soul. Now.

1366
01:14:20,720 --> 01:14:25,400
Speaker 1: The boy is twelve oh no a Washington County, Oregon

1367
01:14:25,479 --> 01:14:28,559
Speaker 1: boy got some unwanted attention. His name's Joseph, twelve years old.

1368
01:14:28,720 --> 01:14:31,160
Speaker 1: He was reported missing Wednesday, so police got out the word.

1369
01:14:31,360 --> 01:14:34,080
Speaker 1: His description was given as he was last seen driving

1370
01:14:34,560 --> 01:14:37,320
Speaker 1: a black keya Soul and that's a problematic that he's

1371
01:14:37,360 --> 01:14:39,040
Speaker 1: missing in the great where's the last last thing he saw?

1372
01:14:39,120 --> 01:14:41,720
Speaker 1: What was he wearing? Well, it was lasting driving. Wait

1373
01:14:41,880 --> 01:14:45,519
Speaker 1: he's twelve, Yeah, so that's it. The good news is yeah,

1374
01:14:45,600 --> 01:14:47,360
Speaker 1: well twelve, you start to grow. I think there's all

1375
01:14:47,400 --> 01:14:50,080
Speaker 1: the all the links at twelve. The good news is

1376
01:14:50,160 --> 01:14:51,760
Speaker 1: the boy was found and the car was recovered. No

1377
01:14:51,920 --> 01:14:54,080
Speaker 1: detail on what type of adventure he went on or

1378
01:14:54,160 --> 01:14:58,920
Speaker 1: his parents' reactions. From kp TV dispatcher who hung up

1379
01:14:58,920 --> 01:15:02,360
Speaker 1: on the Buffalo shooting survive is fired from WKBW, A

1380
01:15:02,479 --> 01:15:04,559
Speaker 1: nine one one dispatcher is being fired for the handling

1381
01:15:04,600 --> 01:15:06,479
Speaker 1: of a call. We talked about that where the person

1382
01:15:06,560 --> 01:15:08,880
Speaker 1: went into the market and somebody calls said, hey, they

1383
01:15:08,960 --> 01:15:11,920
Speaker 1: hung off on him, So they have been fired. A

1384
01:15:12,080 --> 01:15:15,599
Speaker 1: Michigan man wins two lottery jackpots in one month. That's

1385
01:15:15,640 --> 01:15:18,799
Speaker 1: pretty awesome. The thirty three year old told the Michigan

1386
01:15:18,880 --> 01:15:22,200
Speaker 1: Lottery officials his luck began with a ninety five thousand

1387
01:15:22,600 --> 01:15:25,400
Speaker 1: club keyno the jack prize he bought from a little

1388
01:15:25,439 --> 01:15:28,479
Speaker 1: pub in Kalamazoo. Well, then he kept playing and then

1389
01:15:28,520 --> 01:15:31,559
Speaker 1: he won one point two seven million on a jumbo

1390
01:15:31,720 --> 01:15:36,120
Speaker 1: jackpot fast cash ticket where he matched his symbols. That's wild.

1391
01:15:36,200 --> 01:15:39,000
Speaker 1: It's so cool. He won ninety thousand. I'd have been like,

1392
01:15:39,240 --> 01:15:42,800
Speaker 1: that's it, that's the dream. At ninety thousand in the

1393
01:15:42,880 --> 01:15:46,120
Speaker 1: lottery and he kept playing. He at one point two million.

1394
01:15:46,240 --> 01:15:50,479
Speaker 1: That's crazy. And then finally, and I think the most important,

1395
01:15:50,479 --> 01:15:52,000
Speaker 1: the biggest story. I think it's gonna affect most of

1396
01:15:52,000 --> 01:15:54,479
Speaker 1: our listeners out there. I saved it to last. August ninth.

1397
01:15:54,680 --> 01:15:56,920
Speaker 1: August nineteenth, put it in your calendar on your phone

1398
01:15:57,200 --> 01:15:59,639
Speaker 1: is the target date for the release of Madden twenty three.

1399
01:16:01,400 --> 01:16:06,800
Speaker 1: Everyone's like, okay, hey, here's not buying it in my

1400
01:16:06,880 --> 01:16:09,600
Speaker 1: phone by everyone, I mean me, by the way. On

1401
01:16:09,720 --> 01:16:11,840
Speaker 1: Madden twenty three, which is the football game I play

1402
01:16:11,880 --> 01:16:14,599
Speaker 1: on PS five, it will feature John Madden on the cover.

1403
01:16:15,040 --> 01:16:17,160
Speaker 1: Usually it features the player that they picked. Somebody had

1404
01:16:17,160 --> 01:16:20,040
Speaker 1: a great season, but because he died, it's gonna be up,

1405
01:16:20,080 --> 01:16:21,640
Speaker 1: and they say this one's gonna be great. But they

1406
01:16:21,680 --> 01:16:24,000
Speaker 1: say that every year. But there you go, that is

1407
01:16:24,680 --> 01:16:30,400
Speaker 1: the big stories, Thank you stories. I'm always hung there

1408
01:16:30,400 --> 01:16:32,200
Speaker 1: because I go, that is your big story. But then

1409
01:16:32,200 --> 01:16:34,120
Speaker 1: I always go, that is which is singular, your big

1410
01:16:34,160 --> 01:16:37,360
Speaker 1: stories plural? And then it's a whole jumble. It sounds weird,

1411
01:16:37,479 --> 01:16:41,040
Speaker 1: Yeah it is. So those are those were your big stories.

1412
01:16:43,040 --> 01:16:44,920
Speaker 1: You guys can leave us a voicemail all weekend if

1413
01:16:44,920 --> 01:16:46,960
Speaker 1: you want to. Just hit us up. Eight seven seven

1414
01:16:47,520 --> 01:16:50,880
Speaker 1: seventy seven Bobby, same as our number. Now here's a

1415
01:16:50,960 --> 01:16:53,240
Speaker 1: voicemail we got. He's ten years old. This is Preston

1416
01:16:53,360 --> 01:16:57,040
Speaker 1: from Fresno, California. Hello, Bobby VS. Good morning studio. So

1417
01:16:57,120 --> 01:16:59,240
Speaker 1: I just wanted to say thanks so much for me.

1418
01:16:59,400 --> 01:17:02,439
Speaker 1: I'm good. And then you give us Bobby, And what

1419
01:17:02,640 --> 01:17:05,479
Speaker 1: advice do you have for not having their dad? Thanks Bobby?

1420
01:17:05,920 --> 01:17:08,880
Speaker 1: Oh wow, here's my advice is that I can just

1421
01:17:08,920 --> 01:17:12,559
Speaker 1: tell you my story anyway. I found people that kind

1422
01:17:12,640 --> 01:17:16,280
Speaker 1: of filled in as father figures for brief amounts of time,

1423
01:17:16,680 --> 01:17:18,240
Speaker 1: and there are people that would love to do it

1424
01:17:18,320 --> 01:17:19,920
Speaker 1: and be part of your life. For me, it was

1425
01:17:20,800 --> 01:17:24,400
Speaker 1: youth director at church. It was my head football coach

1426
01:17:25,120 --> 01:17:27,080
Speaker 1: junior high high school went to a small school, so

1427
01:17:27,080 --> 01:17:28,479
Speaker 1: we had the same football coach. He was a big

1428
01:17:28,520 --> 01:17:32,920
Speaker 1: part of it. It was my stepdad later on when

1429
01:17:32,960 --> 01:17:35,720
Speaker 1: he came into my life. So there are people that

1430
01:17:35,760 --> 01:17:38,200
Speaker 1: would love to be a part and help you out,

1431
01:17:38,240 --> 01:17:41,800
Speaker 1: Preston and be that father figure. You just got to

1432
01:17:41,840 --> 01:17:44,000
Speaker 1: ask you don't don't please, don't go hey, you won't

1433
01:17:44,000 --> 01:17:45,599
Speaker 1: be my dad because I don't freak him out. Yeah,

1434
01:17:46,120 --> 01:17:47,960
Speaker 1: but you'd be like, hey, I need to learn how

1435
01:17:47,960 --> 01:17:49,680
Speaker 1: to tie a tie. We helped me do that. I

1436
01:17:49,760 --> 01:17:52,000
Speaker 1: need to learn how to They'll help you, and they'll

1437
01:17:52,000 --> 01:17:55,120
Speaker 1: also kind of get the hint. You got to spell

1438
01:17:55,160 --> 01:17:57,439
Speaker 1: it out exactly because people people love to help. People

1439
01:17:57,520 --> 01:17:59,800
Speaker 1: just need to know that you need help. And so

1440
01:18:00,000 --> 01:18:01,599
Speaker 1: I would say, for whatever the struggle is, you gonna

1441
01:18:01,600 --> 01:18:03,160
Speaker 1: play catch with somebody. I never had a dad to

1442
01:18:03,200 --> 01:18:05,960
Speaker 1: play catch with me, but you know, my best friend

1443
01:18:06,040 --> 01:18:08,960
Speaker 1: Evan's dad, he'd played catching me all day. I'd be like, hey,

1444
01:18:08,960 --> 01:18:10,479
Speaker 1: you mind throwing the ball with me a little bit?

1445
01:18:11,360 --> 01:18:15,559
Speaker 1: Absolutely played all times. So there are people that want

1446
01:18:15,600 --> 01:18:17,880
Speaker 1: to help you. Preston. I'm sorry that happened to you.

1447
01:18:18,479 --> 01:18:21,120
Speaker 1: That sucks, buddy, and I've been there, and you will

1448
01:18:21,160 --> 01:18:24,800
Speaker 1: be okay, I promise you. For the most part. You

1449
01:18:24,880 --> 01:18:26,439
Speaker 1: would be stronger because of it, and you'll probably be

1450
01:18:26,439 --> 01:18:27,920
Speaker 1: a heck of a dad, although I'll worry about that

1451
01:18:27,960 --> 01:18:30,479
Speaker 1: with me sometimes. All right, Preston, appreciate that call man.

1452
01:18:31,560 --> 01:18:33,559
Speaker 1: All right? Next up, I have something that's a little

1453
01:18:33,560 --> 01:18:35,360
Speaker 1: creepy with the show here. I don't I just don't

1454
01:18:35,360 --> 01:18:37,640
Speaker 1: know how I feel about it. Apparently Eddie's trying to

1455
01:18:37,720 --> 01:18:40,160
Speaker 1: convince Abby, our phone screenner, to do an only fans account,

1456
01:18:41,280 --> 01:18:44,120
Speaker 1: and why all right, look for our listeners, let me

1457
01:18:44,200 --> 01:18:46,519
Speaker 1: describe something to you. Only fans is an account for

1458
01:18:46,560 --> 01:18:49,800
Speaker 1: the most part, says decide you go on and Mike

1459
01:18:49,880 --> 01:18:52,639
Speaker 1: help me out here. They send pictures like naked pictures.

1460
01:18:52,640 --> 01:18:55,160
Speaker 1: You subscribe and they send to naked pictures. Yes, yes, okay,

1461
01:18:55,720 --> 01:18:57,920
Speaker 1: I shouldn't want to latch Box more than Mike. Im

1462
01:18:58,080 --> 01:19:00,599
Speaker 1: just sit next to me here, Lunchbox acts and knows. Yes,

1463
01:19:00,720 --> 01:19:03,640
Speaker 1: Lunchbox only fans describe it for us. So it's like

1464
01:19:03,720 --> 01:19:06,400
Speaker 1: a subscription based thing. You find someone you like on

1465
01:19:06,520 --> 01:19:09,320
Speaker 1: there and you subscribe to their channel. You pay a

1466
01:19:09,400 --> 01:19:12,759
Speaker 1: certain amount per month and you get videos, pictures, whatever

1467
01:19:12,920 --> 01:19:15,920
Speaker 1: content they put up. You get it. I've never heard

1468
01:19:15,960 --> 01:19:19,720
Speaker 1: of speak more eloquently or ever ever so detailed where

1469
01:19:19,720 --> 01:19:22,680
Speaker 1: he's like, actually, I'm glad you've got what is hat

1470
01:19:22,800 --> 01:19:26,000
Speaker 1: This is where he has expertise. Okay, So with that

1471
01:19:26,120 --> 01:19:28,479
Speaker 1: being said, Eddie has tried to convince Abby to get

1472
01:19:28,520 --> 01:19:31,080
Speaker 1: an only fans account now why So here's what happened.

1473
01:19:31,520 --> 01:19:33,880
Speaker 1: She was coming to me about my Instagram reels and

1474
01:19:34,000 --> 01:19:35,880
Speaker 1: she's like, it's so cool that you have Instagram reels.

1475
01:19:35,920 --> 01:19:37,840
Speaker 1: I don't have anything, Like I want to start doing

1476
01:19:37,920 --> 01:19:40,680
Speaker 1: something like that. And she joked about only fans and

1477
01:19:40,760 --> 01:19:44,120
Speaker 1: she goes, actually, only fans isn't really always dirty. Now

1478
01:19:44,560 --> 01:19:47,080
Speaker 1: now you can just do regular videos and they catch on.

1479
01:19:47,240 --> 01:19:48,840
Speaker 1: So I said, well, why don't you do that? That's

1480
01:19:48,840 --> 01:19:51,880
Speaker 1: also YouTube. Well she says that, Look, here's the twist.

1481
01:19:52,160 --> 01:19:54,120
Speaker 1: I was like, that's a great idea. Abby. You can

1482
01:19:54,200 --> 01:19:58,880
Speaker 1: get on only fans in a bikini and sing your songs. Eddie,

1483
01:19:59,040 --> 01:20:01,200
Speaker 1: do you know how creepy it sounds, especially you're like

1484
01:20:01,280 --> 01:20:03,400
Speaker 1: the married Data four and you're trying to get our

1485
01:20:03,439 --> 01:20:07,559
Speaker 1: phone Screensation you be in business, Eddie? Are you being

1486
01:20:07,800 --> 01:20:10,840
Speaker 1: good guy? Eddie? Because this is business, Eddie. It's like, look,

1487
01:20:10,880 --> 01:20:13,519
Speaker 1: if you want a following, maybe reels is your thing.

1488
01:20:13,560 --> 01:20:16,280
Speaker 1: You can try reels. But I don't know, like there's

1489
01:20:16,280 --> 01:20:18,439
Speaker 1: a chance. Yeah, what do you think? What's up? So?

1490
01:20:18,800 --> 01:20:21,320
Speaker 1: I mean, yeah, my reels. He is making a lot

1491
01:20:21,360 --> 01:20:24,519
Speaker 1: of money on real I'm like, well, there's no way

1492
01:20:24,920 --> 01:20:28,920
Speaker 1: comparison it's not there's no way go ahead. Well, first off,

1493
01:20:29,040 --> 01:20:31,040
Speaker 1: Eddie's acting like I know a lot about only fans,

1494
01:20:31,080 --> 01:20:34,479
Speaker 1: which I don't. But I people are making thousands on it.

1495
01:20:35,280 --> 01:20:37,120
Speaker 1: We talk about stories, and you know what they do

1496
01:20:37,280 --> 01:20:39,280
Speaker 1: to make thousands. There's a lot you can do to

1497
01:20:39,360 --> 01:20:41,120
Speaker 1: make thousands that you just don't want to do well

1498
01:20:41,280 --> 01:20:44,240
Speaker 1: somehow taking pictures of their feet and making thousands, So

1499
01:20:45,120 --> 01:20:49,280
Speaker 1: you would I don't know about that. But no, I

1500
01:20:49,360 --> 01:20:52,559
Speaker 1: thought he was onto something like I can be singing,

1501
01:20:52,560 --> 01:20:55,200
Speaker 1: I don't have to I can still be wearing clothes.

1502
01:20:55,360 --> 01:20:58,360
Speaker 1: Who Okay, hold on, you're considering getting in a bikini

1503
01:20:58,520 --> 01:21:02,200
Speaker 1: and singing un only fans? Why not? There's nothing wrong

1504
01:21:02,240 --> 01:21:04,280
Speaker 1: with being in a bikini, and there's nothing wrong with singing.

1505
01:21:04,360 --> 01:21:05,760
Speaker 1: So I guess I don't. I guess that's just the

1506
01:21:05,840 --> 01:21:08,479
Speaker 1: only fans. I mean, I understand how you guys thought

1507
01:21:08,520 --> 01:21:10,920
Speaker 1: it sounded creepy, but it's just a conversation we were having.

1508
01:21:10,960 --> 01:21:12,840
Speaker 1: I'm like, Hey, all of a sudden, this isn't creepy.

1509
01:21:12,880 --> 01:21:15,439
Speaker 1: It's kind of a good money deal. Why don't you

1510
01:21:15,439 --> 01:21:19,720
Speaker 1: do a reels? Then? Yeah, Like, I just won't make

1511
01:21:19,760 --> 01:21:21,760
Speaker 1: it that very much. I don't have a big Faulby.

1512
01:21:22,120 --> 01:21:25,639
Speaker 1: Hold On, you've spoken before about you're very responsible with money.

1513
01:21:25,720 --> 01:21:28,120
Speaker 1: You have full time job here, you help out with

1514
01:21:28,560 --> 01:21:32,880
Speaker 1: like the Bobby Nashville podcast network help out. Yeah, no,

1515
01:21:33,000 --> 01:21:34,800
Speaker 1: I mean you have a significant role there, so you're

1516
01:21:34,840 --> 01:21:37,920
Speaker 1: getting paid from that. And then you've spoken about your

1517
01:21:37,960 --> 01:21:41,320
Speaker 1: savings before and how diligent you have been putting money away.

1518
01:21:41,400 --> 01:21:43,240
Speaker 1: Like I guess I'm just confused as to why we're

1519
01:21:43,920 --> 01:21:46,240
Speaker 1: like why you need to do this. I just want

1520
01:21:46,280 --> 01:21:48,880
Speaker 1: to make like big money, Like that's where it's at.

1521
01:21:49,800 --> 01:21:56,040
Speaker 1: You know what's happening where it's at, you sell it

1522
01:21:58,640 --> 01:22:00,760
Speaker 1: Like my fifteen year old it's like, can I just

1523
01:22:00,880 --> 01:22:03,160
Speaker 1: get online and start making money? And it's like not

1524
01:22:03,320 --> 01:22:06,720
Speaker 1: that simple. I can't believe she's just something. You're going

1525
01:22:06,840 --> 01:22:10,080
Speaker 1: to make big money. That's where it's at. Can I

1526
01:22:10,160 --> 01:22:11,960
Speaker 1: give you a tip I'm making big money? Yeah, he

1527
01:22:11,960 --> 01:22:13,599
Speaker 1: doesn't want to tip. Make a big money. Don't try

1528
01:22:13,600 --> 01:22:16,160
Speaker 1: to chase and make big money, right because I'm gonna

1529
01:22:16,160 --> 01:22:18,960
Speaker 1: tell you how to make money. Well, if you're like

1530
01:22:19,120 --> 01:22:21,200
Speaker 1: me and you're not super smart in the business world,

1531
01:22:21,560 --> 01:22:24,719
Speaker 1: you just find something you love to do. Okay, follow

1532
01:22:24,800 --> 01:22:28,439
Speaker 1: me here, find your passion, go and pursue that passion.

1533
01:22:28,560 --> 01:22:31,120
Speaker 1: You love it so because you love it, you work

1534
01:22:31,200 --> 01:22:33,599
Speaker 1: so hard at it. You love it so it doesn't

1535
01:22:33,680 --> 01:22:36,200
Speaker 1: hurt to work hard. Why because you love it. Now,

1536
01:22:36,240 --> 01:22:37,920
Speaker 1: the harder you work at it, the better you're gonna

1537
01:22:37,920 --> 01:22:40,240
Speaker 1: get at it. The better you get, the more in

1538
01:22:40,280 --> 01:22:42,240
Speaker 1: demand you are. Wow, this person is really good at that.

1539
01:22:42,560 --> 01:22:43,880
Speaker 1: Let's get him to do this. Let's pay him this,

1540
01:22:43,960 --> 01:22:47,240
Speaker 1: pay him a little more. You will become very good

1541
01:22:47,960 --> 01:22:51,479
Speaker 1: at whatever this is. Now the question is you're gonna

1542
01:22:51,479 --> 01:22:53,680
Speaker 1: make a lot of money? Honestly, probably not. But the

1543
01:22:53,760 --> 01:22:56,880
Speaker 1: worst case scenarios, you're doing something you love. That's the

1544
01:22:57,120 --> 01:23:02,880
Speaker 1: worst case scenario. You know what, she loves singing big money,

1545
01:23:02,880 --> 01:23:05,840
Speaker 1: that's where it's at. But she doesn't mean to sing

1546
01:23:06,040 --> 01:23:09,400
Speaker 1: in her bikini, like and just you have to think

1547
01:23:09,439 --> 01:23:11,720
Speaker 1: that that's something that's going to live online. And so

1548
01:23:11,920 --> 01:23:14,680
Speaker 1: then what if there are opportunities down the you know,

1549
01:23:14,840 --> 01:23:16,639
Speaker 1: in a few years that come up and they google

1550
01:23:16,720 --> 01:23:20,360
Speaker 1: you and it's like, oh, there's nothing wrong about sing

1551
01:23:20,439 --> 01:23:22,080
Speaker 1: in a bikini. I mean no, there's just a year

1552
01:23:22,160 --> 01:23:24,519
Speaker 1: of feeling about she's only singing in a bikini. Get

1553
01:23:24,520 --> 01:23:26,280
Speaker 1: people to see her body so then they can see

1554
01:23:26,320 --> 01:23:28,639
Speaker 1: her sing and then yeah, but there's still nothing wrong

1555
01:23:28,720 --> 01:23:30,639
Speaker 1: with it. Honestly, she said, you know what, I want

1556
01:23:30,640 --> 01:23:32,880
Speaker 1: to do this, but I'm worried Bobby's not gonna let me.

1557
01:23:33,400 --> 01:23:35,280
Speaker 1: But if those were her words, she's like, Bobby may

1558
01:23:35,320 --> 01:23:37,439
Speaker 1: not approve of it. Yeah, similar to like down the line,

1559
01:23:37,439 --> 01:23:39,920
Speaker 1: a future employer might be like, oh, this is interesting.

1560
01:23:40,880 --> 01:23:42,960
Speaker 1: I don't think only fans is the way to go, Abby.

1561
01:23:43,840 --> 01:23:46,160
Speaker 1: I think you could do that experiment and put it

1562
01:23:46,240 --> 01:23:48,559
Speaker 1: on like your Instagram, and I think even if people

1563
01:23:48,560 --> 01:23:51,479
Speaker 1: don't follow you, people are going to come and find it.

1564
01:23:51,680 --> 01:23:55,400
Speaker 1: This I feel old asking this question, but is would

1565
01:23:55,600 --> 01:23:57,760
Speaker 1: starting off on only fans doing this is like a

1566
01:23:57,840 --> 01:24:00,439
Speaker 1: gateway into other things. I don't know that it's a gateway.

1567
01:24:00,520 --> 01:24:03,320
Speaker 1: But but how she's talking, I need money, That's where

1568
01:24:03,320 --> 01:24:05,960
Speaker 1: it's at. Yeah yeah, maybe, like that's what I worry

1569
01:24:05,960 --> 01:24:10,960
Speaker 1: about too. It's like you like one strap down, yeah, yeah, yeah,

1570
01:24:11,080 --> 01:24:13,479
Speaker 1: one afternoon and then she gets a few messages They're like, hey,

1571
01:24:13,520 --> 01:24:15,679
Speaker 1: I'll offer you this much if you do this. Yeah,

1572
01:24:15,960 --> 01:24:19,000
Speaker 1: I mean, stay off only fans. If you want to

1573
01:24:19,040 --> 01:24:21,879
Speaker 1: do your experiment saying in a bikini on your Instagram,

1574
01:24:21,920 --> 01:24:24,040
Speaker 1: I promise you'll get more views. Than your other stuff. Well,

1575
01:24:24,120 --> 01:24:26,200
Speaker 1: just because people will find it and you can go

1576
01:24:26,320 --> 01:24:27,920
Speaker 1: from there. Don't listen to these guys. And I know

1577
01:24:28,000 --> 01:24:30,720
Speaker 1: big money sounds awesome, but big money quickly is not

1578
01:24:30,800 --> 01:24:33,160
Speaker 1: big money that lasts. Also, I've never heard Abby talk

1579
01:24:33,240 --> 01:24:35,960
Speaker 1: this way, so something's up. I agree. Yeah, I don't.

1580
01:24:36,040 --> 01:24:40,600
Speaker 1: I don't know. I think she's hearing. She's going to influenced.

1581
01:24:40,680 --> 01:24:43,240
Speaker 1: Who wait a minute, I'm not the one that suggestions

1582
01:24:43,320 --> 01:24:48,800
Speaker 1: is don't put this on the creepie creep it guys.

1583
01:24:49,040 --> 01:24:51,720
Speaker 1: I'm moving, I'm moving off of it. But Abby, don't

1584
01:24:51,760 --> 01:24:54,600
Speaker 1: do it on only fans. Okay, Abby, like sometimes I

1585
01:24:54,680 --> 01:24:56,760
Speaker 1: need help with the kids, Like you can come to

1586
01:24:56,840 --> 01:25:00,840
Speaker 1: that house, Abbey. Wasn't it big money when you the dogs? Yeah?

1587
01:25:01,280 --> 01:25:07,080
Speaker 1: I like that too. See opportunities. We have other options

1588
01:25:07,160 --> 01:25:10,120
Speaker 1: for you also, Gene Broke, I know what makes right.

1589
01:25:10,800 --> 01:25:15,800
Speaker 1: That's why I'm like something up? All right? Abby? You okay? Yeah, yeah,

1590
01:25:15,840 --> 01:25:18,120
Speaker 1: I'm good. I'm just I have ideas in my head,

1591
01:25:18,240 --> 01:25:25,080
Speaker 1: so good pursue them. Okay, clothed, Okay, I will. You're welcome.

1592
01:25:25,600 --> 01:25:28,519
Speaker 1: You're welcome. I'm gonna play this song that I like,

1593
01:25:28,680 --> 01:25:30,400
Speaker 1: not all of it, but some of it. This is

1594
01:25:30,479 --> 01:25:36,280
Speaker 1: Christian Bush's new song, and it's about like back in

1595
01:25:36,320 --> 01:25:39,040
Speaker 1: the day. What thinks? Mike gets called what the T

1596
01:25:39,160 --> 01:25:42,040
Speaker 1: shirt songs? But I know it as Everybody need On

1597
01:25:43,240 --> 01:25:44,760
Speaker 1: just came out today. We're gonna listen to it here

1598
01:25:44,760 --> 01:25:49,200
Speaker 1: in the break. Everybody needs Somebody. Nope, that's not it.

1599
01:25:49,280 --> 01:25:51,479
Speaker 1: You're the other one. The T shirt on When this

1600
01:25:51,560 --> 01:25:53,840
Speaker 1: T shirt was new, that's it? Thank you. Okay, we'll

1601
01:25:53,840 --> 01:25:59,200
Speaker 1: get there. Everybody's thinking about Abbey on a Yes, it's

1602
01:25:59,280 --> 01:26:02,400
Speaker 1: every what is it? Okay, so he has when this

1603
01:26:02,600 --> 01:26:04,800
Speaker 1: T shirt? Yes, when this shirt was new, that's it.

1604
01:26:04,880 --> 01:26:06,200
Speaker 1: That's the one I like right there. It just came

1605
01:26:06,240 --> 01:26:07,479
Speaker 1: out and we're just finding it. During the break, I'm

1606
01:26:07,479 --> 01:26:09,080
Speaker 1: gonna play something for you, all right, hit it, Mikey.

1607
01:26:09,800 --> 01:26:15,240
Speaker 1: Here we go. Here's everybody in some T shirts back shirt.

1608
01:26:27,680 --> 01:26:32,160
Speaker 1: There you go. That's awesome jam when it's so good?

1609
01:26:32,320 --> 01:26:34,360
Speaker 1: Yeah yeah, I mean it just came out today, so

1610
01:26:34,600 --> 01:26:36,040
Speaker 1: we're listening to the break. I was like, play that

1611
01:26:36,280 --> 01:26:42,880
Speaker 1: and I forgot the name of it. Sorry. Up today,

1612
01:26:43,439 --> 01:26:47,360
Speaker 1: this story comes up from Cameron County, Pennsylvania. Police got

1613
01:26:47,479 --> 01:26:50,000
Speaker 1: a call. Yeah, there's a report of a man trying

1614
01:26:50,040 --> 01:26:52,360
Speaker 1: to break into a truck at the airfield, so police

1615
01:26:52,400 --> 01:26:55,720
Speaker 1: respond can't find them. At that time, a helicopter is

1616
01:26:55,840 --> 01:26:58,519
Speaker 1: landing and all of a sudden, from the darkness comes

1617
01:26:58,520 --> 01:27:01,000
Speaker 1: a thirty nine year old man running and he tries

1618
01:27:01,040 --> 01:27:04,639
Speaker 1: to jack the helicopter. He tries to pull the pilot

1619
01:27:04,760 --> 01:27:07,840
Speaker 1: out of the helicopter, and the pilot no, pulls the

1620
01:27:07,920 --> 01:27:10,560
Speaker 1: door shut. What was happening with this guy? He was

1621
01:27:10,640 --> 01:27:13,320
Speaker 1: under the influence. I thought the helicopter was coming to

1622
01:27:13,400 --> 01:27:16,040
Speaker 1: like pick him up, like he had robbed something that

1623
01:27:16,760 --> 01:27:18,880
Speaker 1: would have been cool. But no, he was gonna steal it.

1624
01:27:18,920 --> 01:27:20,479
Speaker 1: He tried to steal the truck, couldn't get it, and

1625
01:27:20,520 --> 01:27:22,599
Speaker 1: then a helicopter happens to be landing at the same time.

1626
01:27:22,960 --> 01:27:24,800
Speaker 1: Is this guy gonna fly it out? I mean, what

1627
01:27:25,000 --> 01:27:26,759
Speaker 1: was his next step. He's gonna get in the helicopter

1628
01:27:26,840 --> 01:27:30,479
Speaker 1: and go, oh crap, I don't even get it up. Yeah,

1629
01:27:30,520 --> 01:27:32,599
Speaker 1: it's like somebody that steals a car and it's like, oh,

1630
01:27:32,600 --> 01:27:35,439
Speaker 1: it's a standard Oh no, And you know, he gets

1631
01:27:35,520 --> 01:27:39,559
Speaker 1: charged with He gets charged with felony's risking catastrophe because

1632
01:27:39,640 --> 01:27:45,240
Speaker 1: taking the helicopter would have been catastrophe. Catastrophic Oh oh,

1633
01:27:45,320 --> 01:27:48,519
Speaker 1: you can change the whatever thing it? Okay, well, yeah,

1634
01:27:48,520 --> 01:27:50,400
Speaker 1: that's it. Remember the charge you were charged with do

1635
01:27:50,439 --> 01:27:52,439
Speaker 1: you remember what it was? And it was a terroristic

1636
01:27:52,520 --> 01:27:56,840
Speaker 1: threatening So sometimes those charges hit your heart, especially when

1637
01:27:56,840 --> 01:27:59,439
Speaker 1: you hear that terroristic. It's like whoa whoa, whoa whoa

1638
01:27:59,640 --> 01:28:02,120
Speaker 1: under terrorism where a lunchbox wasn't gonna be able to

1639
01:28:02,160 --> 01:28:05,560
Speaker 1: fly after his little incident on the air. So what

1640
01:28:05,640 --> 01:28:07,160
Speaker 1: do you say, give the guy a break? Yeah, I mean,

1641
01:28:07,240 --> 01:28:09,439
Speaker 1: come on, man, he didn't even get in help for

1642
01:28:10,280 --> 01:28:12,439
Speaker 1: all right, I'm lunchbox at your bone head store of

1643
01:28:12,479 --> 01:28:16,040
Speaker 1: the day. Eddie was telling us a little fun fact here,

1644
01:28:16,479 --> 01:28:18,160
Speaker 1: maybe like a little life act is what they call it.

1645
01:28:18,280 --> 01:28:20,599
Speaker 1: So if you're dealing with customer service, which you had

1646
01:28:20,640 --> 01:28:23,160
Speaker 1: to do, oh yeah, you say to what go right

1647
01:28:23,200 --> 01:28:26,080
Speaker 1: when the store opens because they're starting their day. They

1648
01:28:26,160 --> 01:28:28,880
Speaker 1: haven't been like trampled on by all these customers all day.

1649
01:28:29,160 --> 01:28:30,960
Speaker 1: So when you because I did two things, I went

1650
01:28:31,160 --> 01:28:32,840
Speaker 1: right before it was closing, and the guy at the

1651
01:28:32,960 --> 01:28:34,200
Speaker 1: end was like, sorry, I can't help you. But it

1652
01:28:34,320 --> 01:28:36,000
Speaker 1: was it was a thing. It was a TV. When

1653
01:28:36,000 --> 01:28:37,599
Speaker 1: I took it out of the package, it was shattered.

1654
01:28:37,640 --> 01:28:39,280
Speaker 1: But I bought it back in March because I didn't

1655
01:28:39,320 --> 01:28:41,439
Speaker 1: have time to really hang it up. So when I

1656
01:28:41,520 --> 01:28:43,160
Speaker 1: opened it up and showed it to me and says, oh, man,

1657
01:28:43,200 --> 01:28:44,800
Speaker 1: you bought this back in March. I mean that was like,

1658
01:28:44,920 --> 01:28:48,479
Speaker 1: that's way past our return policy, so can help you? Sorry,

1659
01:28:48,640 --> 01:28:50,320
Speaker 1: by And he just put his hands up, and I'm like,

1660
01:28:50,360 --> 01:28:51,920
Speaker 1: how am I not going to be able to return

1661
01:28:51,960 --> 01:28:55,120
Speaker 1: a broken TV? So I was mad, went back home,

1662
01:28:55,280 --> 01:28:57,200
Speaker 1: woke up next morning. Dude, I was a first one

1663
01:28:57,240 --> 01:28:58,960
Speaker 1: as soon as the doors opened, and I go to

1664
01:28:59,040 --> 01:29:01,320
Speaker 1: customer service, and ladies like, yeah, go pick out a

1665
01:29:01,400 --> 01:29:06,760
Speaker 1: new one, Like what are you thinking? So that's what

1666
01:29:06,920 --> 01:29:09,240
Speaker 1: you do? Okay, that makes sense. I mean I would

1667
01:29:09,240 --> 01:29:10,960
Speaker 1: imagine any of those jobs that they deal with people,

1668
01:29:11,280 --> 01:29:13,840
Speaker 1: they probably like dealing with people less the more they

1669
01:29:13,920 --> 01:29:15,479
Speaker 1: deal with people all the way through the day. Yeah,

1670
01:29:15,520 --> 01:29:17,360
Speaker 1: don't go thirty minutes before the guys about to get

1671
01:29:17,400 --> 01:29:19,280
Speaker 1: off of work. Yeah, because they also don't want to

1672
01:29:19,280 --> 01:29:21,360
Speaker 1: do any work, Like sorry, right, I gotta go. Hey,

1673
01:29:21,439 --> 01:29:24,800
Speaker 1: by the way, let's mention this up now Bobbybones dot com.

1674
01:29:25,479 --> 01:29:28,240
Speaker 1: The limited edition Patriotic Pimp and joy Line is on sale.

1675
01:29:28,240 --> 01:29:31,519
Speaker 1: It's right now. Navy Petty Officer second Class Anthony Thompson

1676
01:29:31,560 --> 01:29:34,479
Speaker 1: that's our guy. You know, he was injured. He was

1677
01:29:34,560 --> 01:29:37,519
Speaker 1: deployed in Iraq an ied went off. He is in

1678
01:29:37,560 --> 01:29:39,840
Speaker 1: a wheelchair. He's got a brain injury, a spinal cord injury.

1679
01:29:40,000 --> 01:29:42,439
Speaker 1: Is such a positive attitude though, and so we want

1680
01:29:42,479 --> 01:29:44,280
Speaker 1: to help him rebuild his house so he can get

1681
01:29:44,320 --> 01:29:46,960
Speaker 1: around the house in a wheelchair. So please, if you

1682
01:29:47,040 --> 01:29:50,480
Speaker 1: have it and you are compelled, go over to Bobbybones

1683
01:29:50,520 --> 01:29:52,599
Speaker 1: dot com and get you one of these, any of these.

1684
01:29:52,640 --> 01:29:55,920
Speaker 1: There's so many cool, patriotic, pimp and joy things you

1685
01:29:56,080 --> 01:29:57,720
Speaker 1: can help out by doing this. We don't keep any

1686
01:29:57,720 --> 01:29:59,160
Speaker 1: of the money, and you will get it in time

1687
01:29:59,200 --> 01:30:02,760
Speaker 1: for Fourth of July. So they say, yeah, they will,

1688
01:30:03,840 --> 01:30:07,080
Speaker 1: they will, So they say, because it is like each year,

1689
01:30:07,160 --> 01:30:09,720
Speaker 1: it's really cool seeing listeners wear the stuff. Only time

1690
01:30:09,720 --> 01:30:14,679
Speaker 1: will tell. And there's new options available that are so cute.

1691
01:30:15,840 --> 01:30:18,200
Speaker 1: She's telling the truth. Yeah, they say, is us? We say,

1692
01:30:18,439 --> 01:30:21,920
Speaker 1: we say thank you. Have a great weekend. Go to

1693
01:30:22,000 --> 01:30:23,519
Speaker 1: Bobby Bones dot com if you want to help out

1694
01:30:23,560 --> 01:30:26,439
Speaker 1: otherwise we will see you Monday. By everybody, this is

1695
01:30:26,800 --> 01:30:26,840
Speaker 1: the