WEBVTT - Part Two: Thomas Kinkade: the Evil-est Painter

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<v Speaker 1>Also Media.

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<v Speaker 2>Oh Man, welcome back to Behind the Bastards. You know,

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<v Speaker 2>this is part two of our episodes on Thomas Kincaid

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<v Speaker 2>with Randy Millholland of Something Positive and in between recording episodes.

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<v Speaker 2>We usually do both parts on the same day, and

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<v Speaker 2>we'll always have a break in between so we can

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<v Speaker 2>grab a little bit of lunch, you know, just have

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<v Speaker 2>some minutes without the headset on, you know, recharge. This time,

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<v Speaker 2>I sat down and I wrote an eighty six hundred

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<v Speaker 2>words short story where Hitler and John Wayne Gacy saw

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<v Speaker 2>a series of murders in nineteen eighties New Orleans. And

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<v Speaker 2>you know, I'm gonna be honest, I'm having some mixed

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<v Speaker 2>feelings about it turned out more erotic than I had

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<v Speaker 2>initially intended, and I think largely honestly, Randy, I think

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<v Speaker 2>I mostly used it as a vehicle to express a

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<v Speaker 2>lot of my anger at the Federal Reserve.

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<v Speaker 3>I think that was all expected from Ember one. Like,

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<v Speaker 3>I'm surprised it's not more erotic. Yeah. Yeah. There would

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<v Speaker 3>have been like a heaving scene where they talked about manhood, and.

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<v Speaker 2>I had to cut that because the Hitler gives a

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<v Speaker 2>speech about the gold standard at the sight of the

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<v Speaker 2>second murder that I really felt gone across something important.

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<v Speaker 2>I'm gonna put it up on my substack, Sophie. Well,

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<v Speaker 2>we'll get it out there for all the listeners.

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<v Speaker 1>He's the audience that you've written a thing and then

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<v Speaker 1>not read it.

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<v Speaker 2>Sophie, you're not allowed to podcast the opinions I have

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<v Speaker 2>about the Federal Reserve. They'll come for me, They'll come

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<v Speaker 2>for all of us.

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<v Speaker 3>Oh can I design the cover for this book at least?

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<v Speaker 2>Please? Please?

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<v Speaker 1>I'm enjoying our role over here. You're trying, you're trying

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<v Speaker 1>to save our jobs, and I'm trying to provoke you.

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<v Speaker 2>Sophie. I know you feel the same. That's the why

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<v Speaker 2>we're business partners. You're just as angry at the Fed

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<v Speaker 2>as I have. You know, you've been voting for Ron

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<v Speaker 2>Paul for years before he was even in office, you know, uh,

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<v Speaker 2>and we still write him in every year, for every

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<v Speaker 2>for every position. You know, every county commissioner, Ron Ball,

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<v Speaker 2>but for me, Rochel, Doccatcher, Ron Paul.

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<v Speaker 1>But for me, Ron Paul isn't a man. He's really

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<v Speaker 1>just a friendly cat.

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<v Speaker 2>Well, Ron Paul kind of I think exists above and

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<v Speaker 2>beyond the concept of sexuality, which is why he's so erotic. Anyway, Randy,

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<v Speaker 2>are you ready to learn more about Thomas Kinkaid?

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<v Speaker 3>Okay, I'm terrified to learn more about Thomas Kinkaid. I'll

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<v Speaker 3>be honest with you. You should be. He's gonna go downhill

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<v Speaker 3>real fucking best.

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<v Speaker 2>It definitely will. We're back. Thomas started becoming a household

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<v Speaker 2>name in the early to mid nineteen nineties, a time

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<v Speaker 2>when collectibles were taking off in a big way. As

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<v Speaker 2>we talked about last episode, this is the decade again,

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<v Speaker 2>Pokemon match with Gathering. There's this whole new subculture, and

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<v Speaker 2>Thomas is aware of all this, and he's aware that

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<v Speaker 2>I think I think part of what he's aware of

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<v Speaker 2>is if you're a zoomer, you won't remember this, but

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<v Speaker 2>millennials in the audience will recall every time you had

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<v Speaker 2>Magic or Pokemon or you know, and Masters the Universe toys,

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<v Speaker 2>some new collectible craze take off. There'd be a chunk

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<v Speaker 2>of the Christian right telling everyone that this was the devil,

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<v Speaker 2>that like, this was Satan trying to get his hands

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<v Speaker 2>on our children. And I kind of think the fear

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<v Speaker 2>at Ferby's too right, and I d and d you know,

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<v Speaker 2>which is less of a collectibles thing, but it still

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<v Speaker 2>kind of speaks to the mood at the time. And

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<v Speaker 2>this is not something I've heard anyone else. Right, Maybe

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<v Speaker 2>I'm wrong about this, but I kind of suspect part

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<v Speaker 2>of what Thomas is consciously doing here is recognizing, well,

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<v Speaker 2>for a wide variety of reasons, evangelical Christians cannot or

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<v Speaker 2>don't feel comfortable buying into these other sort of collectible things.

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<v Speaker 2>But they're they're people like anyone else. Whatever thing in

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<v Speaker 2>the human brain gets ticked by collecting a bunch of shit.

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<v Speaker 2>They have that too. I just have to provide them

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<v Speaker 2>with something that's safe, right, And I do kind of

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<v Speaker 2>suspect that that's what he's doing, especially when yeah, yeah,

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<v Speaker 2>because it's such the same thing, the artificially restricting the selection, right,

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<v Speaker 2>the trying to get people to hoard stuff, convincing them

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<v Speaker 2>these are investment vehicles. And he would also this is

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<v Speaker 2>kind of where things get fun. He started spreading insane

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<v Speaker 2>rumors about the links that he would go to to

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<v Speaker 2>make sure that his highlighted art pieces were like worth collecting,

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<v Speaker 2>that nobody was getting a fake, right, then you were

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<v Speaker 2>getting an original. Thomas Kincaid print, if you bought a

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<v Speaker 2>Thomas Kincaid print that a real person had like slapped

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<v Speaker 2>a little bit of paint on a tree. For most

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<v Speaker 2>additions were supposedly signed with ink that contained Thomas's DNA

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<v Speaker 2>from either his hair or his blood to quote to

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<v Speaker 2>prevent fakes, which I love because the insinuation here is

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<v Speaker 2>that some of the thirty thousand dollars millionaires buying his

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<v Speaker 2>art could afford to have the signature DNA tested somehow

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<v Speaker 2>if they needed to prove that their Thomas Kincaid was

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<v Speaker 2>an original, Like, where are people going to get that

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<v Speaker 2>test done? Thomas? How are they you doing this?

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<v Speaker 3>Oh my god, does Thomas Kinkaid have something in common kiss?

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<v Speaker 3>Because it was a whole story about them mixing their

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<v Speaker 3>blood the ink for their Marvel comic.

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<v Speaker 2>Yes, And I honestly I think that more artists should

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<v Speaker 2>do this, right, Like, when you get it, you should

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<v Speaker 2>be able to listen to not just the normal edition

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<v Speaker 2>of this podcast, right, that's for poor people. If you're

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<v Speaker 2>if you're a man of means, you should be able

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<v Speaker 2>to buy the exclusive edition of this podcast, which comes

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<v Speaker 2>with a vial of either my blood or my hair.

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<v Speaker 2>You know, you never know what you're gonna get, but

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<v Speaker 2>something that was once a part of me, you know,

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<v Speaker 2>and all you have to pay. It's Sophie, it's just

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<v Speaker 2>twenty two thousand dollars an episode. That's a bargain anyway.

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<v Speaker 2>It's a collectionatile everybody guaranteed to appreciate.

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<v Speaker 3>You're going to get them off anyway.

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<v Speaker 2>Yeah, that's right, that's right.

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<v Speaker 3>Toenails ever wax.

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<v Speaker 2>You know a special benefit for our online listeners who

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<v Speaker 2>are crazy rich people with money. Every time you buying

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<v Speaker 2>an exclusive Behind the Bastard's premier Collector's edition episode, you

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<v Speaker 2>get three minutes of Hitler and John Wayne Gacy solving

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<v Speaker 2>crimes in nineteen eighties New Orleans. Collect them all to

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<v Speaker 2>get the whole story.

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<v Speaker 1>You sickos that heard Robert say things about hair and

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<v Speaker 1>toenails and thought, ooh, I would want that to yourself.

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<v Speaker 2>I'm going to stay off the subreddit this week.

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<v Speaker 1>Don't post anything we did, stay.

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<v Speaker 2>Off the internet.

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<v Speaker 1>My mom always just keep that on the inside like

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<v Speaker 1>a winner.

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<v Speaker 2>Yeah, so critics.

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<v Speaker 3>Honest, any rich person who's listening to your podcast is

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<v Speaker 3>probably just getting ideas on what they're going to do

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<v Speaker 3>with their wealth.

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<v Speaker 2>Yeah, yeah, I don't know how many of these twenty

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<v Speaker 2>two thousand dollars collectors Edition episodes we're going to sell.

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<v Speaker 2>Critics continue to dog his work, continue to dog his

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<v Speaker 2>work somehow the whole I put my own blood and

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<v Speaker 2>my signature on these prints didn't win them back. But

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<v Speaker 2>as he grew older and richer, he got better at

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<v Speaker 2>striking back at them, as this segment from an article

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<v Speaker 2>in Salon makes clear. And in nearly every encounter with

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<v Speaker 2>the press, Kincaid delivered a diatribe against the art world

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<v Speaker 2>establishment that had shut him out. They were elites touting

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<v Speaker 2>unfathomable down or junk to hard working people who needed uplift. Instead,

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<v Speaker 2>art snobs were the esthetic counterparts of the so called

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<v Speaker 2>liberal elites. So he's doing culture war stuff with his

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<v Speaker 2>two like your which is again he's he's not unique

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<v Speaker 2>in this. That's really starting on the right in the nineties.

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<v Speaker 2>To a significant degree, people are finding out how to

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<v Speaker 2>monetize the culture war. But he's kind of the first

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<v Speaker 2>guy to mix that with like the collectibles industry, which

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<v Speaker 2>I find interesting. Right, you are participating in a culture

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<v Speaker 2>war against leftist intellectuals by buying my prints.

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<v Speaker 3>Its back to the whole vandals, they how many evangelis Like,

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<v Speaker 3>you know the world is against you, but like here

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<v Speaker 3>I'm with you. Now buy this prayer Vile of.

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<v Speaker 2>Water, right, yeah, exactly. Now. I should note here that

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<v Speaker 2>one time Thomas said of Pablo Picasso he had talent

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<v Speaker 2>but didn't use it in a significant way.

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<v Speaker 4>I'm sorry, what what a wild man to say that about? Yeah, Manna,

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<v Speaker 4>not really much not not a lot of talent being

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<v Speaker 4>used there, right, he kind of half passed his way

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<v Speaker 4>through that that piece of.

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<v Speaker 2>Art, that's century defining.

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<v Speaker 3>Piece of art.

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<v Speaker 4>That's stunning, That is amazing, amazing, am that's like.

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<v Speaker 3>Bob Denver knocking down sl oh my god, like some

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<v Speaker 3>major actor.

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<v Speaker 2>Oh god, It's like it's like he's talking about like

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<v Speaker 2>some jazz musician who put out like one really great

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<v Speaker 2>album and then like overdose or something where it's like, oh,

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<v Speaker 2>it's a tragedy that he didn't, like, you know, master

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<v Speaker 2>his demons and make more art. But like Pablo Picasso

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<v Speaker 2>made a lot of very influential art. What are you talking.

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<v Speaker 3>About across mediums?

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<v Speaker 2>Yes, Jesus, what a what a wild thing to say.

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<v Speaker 2>I had a great experience like ten fifteen years back

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<v Speaker 2>at a Mobile World Congress in Barcelona, Intel and Nokia

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<v Speaker 2>bought out the Picasso Museum for like a party, and

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<v Speaker 2>so it was just like you're just kind of like

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<v Speaker 2>walking through and on the walls are just like these

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<v Speaker 2>these like draw like sketches that he had done too,

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<v Speaker 2>including a bunch of him like having sex with his girlfriend,

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<v Speaker 2>which I felt like, oh, I don't know, should they

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<v Speaker 2>should this be up on the should this be up

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<v Speaker 2>on the wall of a well? Like, I don't know,

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<v Speaker 2>that's not it's that creepy for you to draw depict

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<v Speaker 2>your own relationship with somebody. It's kind of weird as

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<v Speaker 2>the people running the museum to be like, well, yeah,

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<v Speaker 2>we should stick this up on the wall. Like, I

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<v Speaker 2>don't know, man, that's a little private to me.

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<v Speaker 3>Yeah, I don't think I need to see that.

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<v Speaker 2>Yeah, he does a good job of depicting what the

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<v Speaker 2>beard looks like in that situation. If you're really curious that,

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<v Speaker 2>you can learn a lot about good pretty good. These

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<v Speaker 2>were These were all not thrusting pictures, I'll say that

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<v Speaker 2>much about them. Anyway, It was a it was a

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<v Speaker 2>fun time, Yeah, you could say that. So in nineteen

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<v Speaker 2>ninety four, kay kN Kay took light. How I wonder

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<v Speaker 2>what can kate? No, I don't. In nineteen No, he's

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<v Speaker 2>about to He's going to sexually harass people later in

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<v Speaker 2>this episode.

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<v Speaker 3>Oh god, damn.

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<v Speaker 2>I was gonna say Picasso would never, but Picasso probably did.

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<v Speaker 3>I'm actually rather sure that he There's some some things

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<v Speaker 3>about him.

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<v Speaker 2>Yeah, almost certainly. In nineteen ninety four, Kincaid took Lighthouse

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<v Speaker 2>Publishing public. It was initially very successful, raking in millions

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<v Speaker 2>of dollars and shooting up the value of the stock

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<v Speaker 2>to something like twenty or twenty five dollars a share.

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<v Speaker 2>At its height, Kinkaid became the only working artist to,

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<v Speaker 2>in Sue Orleans words, be a small cap equid issue. Right,

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<v Speaker 2>he is this is unique, Like it's not unique for

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<v Speaker 2>artists to like commercialize, but the way that he does it,

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<v Speaker 2>he's the only guy doing it this way. Ye. Late

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<v Speaker 2>later in nineteen ninety four, he is named Artist of

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<v Speaker 2>the Year by the National Association of Limited Edition Dealers,

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<v Speaker 2>evidence that he had been spotted and appreciated by the

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<v Speaker 2>sort of people who are making a fortune on the

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<v Speaker 2>burgeoning collectible culture. Business Week named Lighthouse a hot growth

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<v Speaker 2>company in nineteen ninety five, and from nineteen ninety seven

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<v Speaker 2>to mid two thousand and five, Kincaid earned an eyewatering

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<v Speaker 2>total of fifty three million dollars for his work. This

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<v Speaker 2>included almost twelve million dollars for these studio proofs that

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<v Speaker 2>he retouched with highlights. Nice work if you can make.

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<v Speaker 3>It, if you if you find the suckers with the money.

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<v Speaker 3>I mean, I don't know what to say. Like, I

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<v Speaker 3>see nothing wrong with becoming rich off your work. I

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<v Speaker 3>see everyone's cap selling your stuff out there, But I

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<v Speaker 3>do hate the whole like grift part of it.

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<v Speaker 2>Yeah, there's definitely a degree of evil here. At the

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<v Speaker 2>same time, if you have a chance to make fifty

0:12:06.880 --> 0:12:10.120
<v Speaker 2>three million dollars painting trees on a canvas, who's not

0:12:10.160 --> 0:12:10.760
<v Speaker 2>going to do that?

0:12:10.840 --> 0:12:11.440
<v Speaker 3>Yeah?

0:12:11.760 --> 0:12:12.000
<v Speaker 2>Right?

0:12:12.120 --> 0:12:13.720
<v Speaker 3>Like who would?

0:12:14.520 --> 0:12:16.319
<v Speaker 2>Yeah?

0:12:16.400 --> 0:12:18.440
<v Speaker 3>Yeah? I could make a bunch of prints of Popeye

0:12:18.559 --> 0:12:20.959
<v Speaker 3>and make extra money by just painting the pipe on

0:12:21.040 --> 0:12:21.680
<v Speaker 3>him afterwards.

0:12:21.760 --> 0:12:26.080
<v Speaker 2>Yeah, yeah, exactly, doing a little dash of brown first media.

0:12:26.160 --> 0:12:28.600
<v Speaker 3>I promise I will not be doing that, Please don't.

0:12:29.280 --> 0:12:29.640
<v Speaker 3>I might.

0:12:29.720 --> 0:12:31.400
<v Speaker 2>I might, though, if you want to see me paint

0:12:31.480 --> 0:12:35.240
<v Speaker 2>some pipes, you know, or paint once we get that

0:12:35.360 --> 0:12:37.520
<v Speaker 2>Hitler Gayy art, you know, I could do a little

0:12:37.640 --> 0:12:39.800
<v Speaker 2>I could do a little dollop a dollar a color

0:12:39.840 --> 0:12:41.160
<v Speaker 2>on there, twelve million dollars.

0:12:41.200 --> 0:12:42.760
<v Speaker 1>Stop printing it.

0:12:42.760 --> 0:12:45.560
<v Speaker 2>It'll appreciate, Sophie. It's going to make the money. This

0:12:45.600 --> 0:12:49.200
<v Speaker 2>is a great investment vehicle. You know, cash out your

0:12:49.240 --> 0:12:51.760
<v Speaker 2>four one. We always go, you know, we always go

0:12:51.880 --> 0:12:55.679
<v Speaker 2>fifty to fifty. Listen and I'm very pro cash out

0:12:55.720 --> 0:12:58.080
<v Speaker 2>your four oh one ks and pick up some of

0:12:58.120 --> 0:13:01.880
<v Speaker 2>our erotic hitler gayy art. You know, it's the it's

0:13:01.880 --> 0:13:03.640
<v Speaker 2>the Bitcoin of the twenty twenties.

0:13:04.520 --> 0:13:07.199
<v Speaker 3>God, I feel like he bought these prints with paint

0:13:07.200 --> 0:13:09.360
<v Speaker 3>on them. Are the same people who probably as ex

0:13:09.360 --> 0:13:13.000
<v Speaker 3>silently by the Trump dollars yes yeah, or the Trump

0:13:13.000 --> 0:13:13.600
<v Speaker 3>teddy bears.

0:13:13.880 --> 0:13:17.000
<v Speaker 2>These one hundred percent of his customers have since gotten

0:13:17.000 --> 0:13:19.160
<v Speaker 2>caught up in a scam where they bought five hundred

0:13:19.160 --> 0:13:22.840
<v Speaker 2>dollars Trump bills, and or or they are collecting Iraqi

0:13:22.920 --> 0:13:25.559
<v Speaker 2>dinars waiting for Trump to get back in and revalue

0:13:25.600 --> 0:13:29.480
<v Speaker 2>them like they are all born marks. That is that

0:13:29.600 --> 0:13:32.520
<v Speaker 2>is who he profits off of. That's why there's one

0:13:32.559 --> 0:13:33.680
<v Speaker 2>of these in every ten houses.

0:13:33.720 --> 0:13:35.319
<v Speaker 3>Just really love the Gold advertiser.

0:13:36.800 --> 0:13:39.959
<v Speaker 2>Oh God, we all love Gold. I mean it's again

0:13:40.000 --> 0:13:42.800
<v Speaker 2>a great investment. Vehicle only goes up. Don't look at

0:13:43.000 --> 0:13:47.920
<v Speaker 2>don't don't look into that. So as the business went on,

0:13:48.080 --> 0:13:50.959
<v Speaker 2>Kincaid proved himself a savvy innovator. The people he brought

0:13:51.000 --> 0:13:53.520
<v Speaker 2>on to advise his company once it started making millions

0:13:53.559 --> 0:13:56.200
<v Speaker 2>of dollars seemed to have felt he was walking a tightrope,

0:13:56.240 --> 0:13:59.760
<v Speaker 2>providing art that looked original and unique, but wasn't original

0:13:59.800 --> 0:14:02.720
<v Speaker 2>and unique in any sense. That mattered when Thomas told

0:14:02.720 --> 0:14:05.199
<v Speaker 2>them he wanted to start offering different sizes of print

0:14:05.240 --> 0:14:08.080
<v Speaker 2>and versions of his prints in limited products like mugs

0:14:08.080 --> 0:14:13.520
<v Speaker 2>and lazy boy lounge chairs. Seriously, they hit lazy boy chairs. Yeah,

0:14:13.720 --> 0:14:18.040
<v Speaker 2>yeah them. Yeah, I think like a or like a

0:14:18.040 --> 0:14:21.360
<v Speaker 2>a what you'm gonna call it a landscape? Yeah, that

0:14:21.480 --> 0:14:23.800
<v Speaker 2>sounds like a nightmare. I don't want to wake up

0:14:23.960 --> 0:14:26.200
<v Speaker 2>surrounded by Thomas Kincaid art.

0:14:27.840 --> 0:14:31.080
<v Speaker 3>This is reminded me of kiss again, Like, don't forget

0:14:31.080 --> 0:14:32.760
<v Speaker 3>to get your Thomas Kinkaid coffin.

0:14:33.560 --> 0:14:37.000
<v Speaker 2>These are not They're not very different people in a

0:14:37.040 --> 0:14:40.360
<v Speaker 2>lot of ways. I think Jeene Simmons is a lot

0:14:40.400 --> 0:14:43.720
<v Speaker 2>more honest because I'll say this, Thomas always pretends to

0:14:43.920 --> 0:14:46.640
<v Speaker 2>not be the kind of guy he is Gene Simmons

0:14:46.800 --> 0:14:49.560
<v Speaker 2>is pretty much the kind of guy he is. Right,

0:14:49.920 --> 0:14:52.240
<v Speaker 2>One thing you can't say when you hear ugly stuff

0:14:52.240 --> 0:14:55.280
<v Speaker 2>about Gene Simmons, you can't pretend he misled me. Right,

0:14:55.800 --> 0:14:59.400
<v Speaker 2>It's like I kind always knew you were a piece

0:14:59.400 --> 0:14:59.680
<v Speaker 2>of shit.

0:14:59.760 --> 0:15:04.720
<v Speaker 3>Ge. You feel like it's likely to be around you.

0:15:05.120 --> 0:15:07.680
<v Speaker 2>Yeah, yeah, I would have to take a shower shaking

0:15:07.720 --> 0:15:11.960
<v Speaker 2>your hand. I just know that about you. So anyway,

0:15:12.360 --> 0:15:14.960
<v Speaker 2>his investors, Kincaid's investors, when he starts putting out lazy

0:15:14.960 --> 0:15:17.360
<v Speaker 2>boy chairs, are like, well, this, what if this devalues

0:15:17.400 --> 0:15:19.040
<v Speaker 2>all the prints you're putting out. He's supposed to be

0:15:19.120 --> 0:15:22.360
<v Speaker 2>investment vehicles. People are supposed to supposed to be serious art.

0:15:22.600 --> 0:15:25.440
<v Speaker 2>This might make it look cheap. Uh and Kencaid replied,

0:15:25.520 --> 0:15:28.440
<v Speaker 2>fuck you, motherfuckers and whipped out his dick. I mean,

0:15:28.480 --> 0:15:32.240
<v Speaker 2>not like literally with respect that, but also he kind

0:15:32.280 --> 0:15:35.360
<v Speaker 2>of did literally because Thomas Kinkaid was the kind of

0:15:35.400 --> 0:15:39.080
<v Speaker 2>guy who liked to assert his dominance in social situations,

0:15:39.320 --> 0:15:43.560
<v Speaker 2>particularly business settings, by pissing on stuff. This is a

0:15:43.800 --> 0:15:46.560
<v Speaker 2>regular thing in his career, so he didn't kind of

0:15:46.600 --> 0:15:49.440
<v Speaker 2>whip his dick out on them, right, Yeah, I used

0:15:49.440 --> 0:15:49.880
<v Speaker 2>to know.

0:15:50.320 --> 0:15:53.880
<v Speaker 3>He reenacted the bathroom scene from Wolf.

0:15:54.400 --> 0:15:58.960
<v Speaker 2>Yeah, yeah, yeah, I mean I used to know kind

0:15:59.000 --> 0:16:02.800
<v Speaker 2>of like mid level drug lord, lower mid level drug

0:16:02.840 --> 0:16:04.920
<v Speaker 2>lord who would do that whenever he showed up at

0:16:04.920 --> 0:16:06.560
<v Speaker 2>a site. Is just like whip his dick out and

0:16:06.560 --> 0:16:08.600
<v Speaker 2>start pissing all over the ground in front of the

0:16:08.600 --> 0:16:12.080
<v Speaker 2>farm or something. You know. It's just that there's some

0:16:12.120 --> 0:16:14.320
<v Speaker 2>guys who just have that in them that need to

0:16:14.440 --> 0:16:17.400
<v Speaker 2>like this will this will somehow gain me a benefit

0:16:17.440 --> 0:16:20.240
<v Speaker 2>in the situation. I prefer the uh I got this

0:16:20.280 --> 0:16:24.800
<v Speaker 2>from the old upright Citizens Brigade, but the ass Pennies idea,

0:16:24.840 --> 0:16:27.640
<v Speaker 2>that one works a lot better. You know, look that

0:16:27.680 --> 0:16:29.640
<v Speaker 2>one up kids, Look up the ass Penny sketch. If

0:16:29.640 --> 0:16:30.320
<v Speaker 2>you ain't seen it.

0:16:30.720 --> 0:16:33.120
<v Speaker 3>When my Chather was tuned, if I wasn't giving her

0:16:33.240 --> 0:16:37.120
<v Speaker 3>enough attention, she would just you know, pull her trainers

0:16:37.160 --> 0:16:39.360
<v Speaker 3>off and peel on the floor. Made sure I saw it.

0:16:39.800 --> 0:16:41.880
<v Speaker 3>And that's what makes me think of like, did no

0:16:41.880 --> 0:16:45.520
<v Speaker 3>one put kinkaid in a corner or time out?

0:16:44.880 --> 0:16:48.800
<v Speaker 2>And don't maybe it because you're right, having spent time

0:16:48.840 --> 0:16:51.000
<v Speaker 2>around a little kid, now it is one of the

0:16:51.240 --> 0:16:53.480
<v Speaker 2>like one of the first levers that you learn as

0:16:53.520 --> 0:16:55.440
<v Speaker 2>a little person. You can play. Is like, well, if

0:16:55.440 --> 0:16:57.640
<v Speaker 2>I am not getting the attention I need, they have

0:16:57.720 --> 0:17:02.680
<v Speaker 2>to pay attention if I start pissing on some Yeah,

0:17:02.720 --> 0:17:04.840
<v Speaker 2>Thomas Kinkaid is just kind of stuck in that two

0:17:04.920 --> 0:17:07.600
<v Speaker 2>year old stage. So for an example of how this

0:17:07.680 --> 0:17:09.720
<v Speaker 2>kind of went, in the late nineteen nineties, he held

0:17:09.760 --> 0:17:13.000
<v Speaker 2>a company gathering at the Disneyland Hotel in Anaheim. According

0:17:13.000 --> 0:17:16.359
<v Speaker 2>to the Huffington Post quote, this one's for you, Walt

0:17:16.440 --> 0:17:18.800
<v Speaker 2>the artist quipped late one night as he urinated on

0:17:18.800 --> 0:17:21.680
<v Speaker 2>a Winnie the Pooh figure, said Terry Shephard, a former

0:17:21.760 --> 0:17:24.880
<v Speaker 2>vice president for Kincaid's company, in an interview.

0:17:24.720 --> 0:17:27.560
<v Speaker 1>Cross, sir, gross, all the.

0:17:27.560 --> 0:17:32.920
<v Speaker 2>Things to piss on Winnie the Pooh.

0:17:31.080 --> 0:17:36.399
<v Speaker 3>And again, I would like to reiterate Kincaid's company currently

0:17:36.440 --> 0:17:41.000
<v Speaker 3>has a license with Disney and does Disney Prince, Marvel Prince,

0:17:41.040 --> 0:17:42.159
<v Speaker 3>and Star Wars Prince.

0:17:42.920 --> 0:17:43.120
<v Speaker 2>Yeah.

0:17:43.160 --> 0:17:47.840
<v Speaker 3>Also he's called the Pooh and the pet it, right, Thomas, you.

0:17:47.800 --> 0:17:49.960
<v Speaker 2>Do have to pay an extra fifty percent for one

0:17:49.960 --> 0:17:51.920
<v Speaker 2>of the Winnie the Pooh prints that he pissed on.

0:17:52.280 --> 0:17:58.120
<v Speaker 2>Those are a dwindling commodity. Now tragedy since signature now

0:17:58.440 --> 0:18:02.359
<v Speaker 2>this incident him pissing on the pooh came up in

0:18:02.440 --> 0:18:05.399
<v Speaker 2>a court case. That's why we know it. So this

0:18:05.560 --> 0:18:08.879
<v Speaker 2>vice president had to tell this story under oath, and

0:18:08.920 --> 0:18:12.040
<v Speaker 2>when Thomas was questioned about it, he told the truth

0:18:12.359 --> 0:18:15.080
<v Speaker 2>and described that he was. He said that basically, this

0:18:15.119 --> 0:18:17.040
<v Speaker 2>isn't a thing I did just once I am drawn

0:18:17.119 --> 0:18:23.480
<v Speaker 2>to quote ritual territory marking. Wow, very funny.

0:18:23.640 --> 0:18:25.520
<v Speaker 3>So does he own the one hundred day for when now?

0:18:25.560 --> 0:18:28.160
<v Speaker 3>Because he wayne the poo to serve as dominance, I don't.

0:18:28.240 --> 0:18:29.000
<v Speaker 3>That's how it works.

0:18:29.119 --> 0:18:31.720
<v Speaker 2>That how works, that's how that's how he got ownership

0:18:31.720 --> 0:18:34.119
<v Speaker 2>of it from AA NILM. That old fucker just couldn't

0:18:34.119 --> 0:18:37.280
<v Speaker 2>fight back, didn't have a strong his prostates been swollen

0:18:37.359 --> 0:18:39.520
<v Speaker 2>up since World War One, so he can't even he

0:18:39.560 --> 0:18:41.440
<v Speaker 2>can't even get a good stream. It's hard to fight

0:18:41.760 --> 0:18:44.200
<v Speaker 2>when you were well, yeah that too.

0:18:44.920 --> 0:18:46.320
<v Speaker 1>So that's girls.

0:18:46.960 --> 0:18:47.879
<v Speaker 3>Yeah we are.

0:18:47.960 --> 0:18:51.439
<v Speaker 2>Don't don't be judgmental. Don't be judgmental. You know, the

0:18:51.480 --> 0:18:55.119
<v Speaker 2>world needs all kinds. Without people peeing on plants, how

0:18:55.160 --> 0:18:58.840
<v Speaker 2>will they get enough nitrogen? I think it's nitrogen anyway.

0:18:58.880 --> 0:19:00.520
<v Speaker 3>I don't think that that's good for plants.

0:19:01.040 --> 0:19:04.840
<v Speaker 2>It's good for some stuff, you know. Anyway, here's ads

0:19:10.080 --> 0:19:14.680
<v Speaker 2>ah we're back. We're thinking about peeing on things.

0:19:14.960 --> 0:19:18.400
<v Speaker 1>No, always time you are, that's you, that's your.

0:19:18.240 --> 0:19:19.800
<v Speaker 2>I'm going to go I'm going to go out of

0:19:19.800 --> 0:19:22.359
<v Speaker 2>the woods today and pee on some stuff, Sophie. So

0:19:22.600 --> 0:19:25.040
<v Speaker 2>for a while the times were good, at least for

0:19:25.119 --> 0:19:28.200
<v Speaker 2>Kincaid and his close and his closest allies. But their

0:19:28.200 --> 0:19:31.119
<v Speaker 2>fortune was entirely reliant upon having a healthy garden of

0:19:31.200 --> 0:19:34.159
<v Speaker 2>marks to keep funneling the money up. Because again, this

0:19:34.359 --> 0:19:37.360
<v Speaker 2>is basically an MLM or a pyramid scheme. Now, I'm

0:19:37.359 --> 0:19:39.840
<v Speaker 2>not talking about most of his customers here. Most of

0:19:39.880 --> 0:19:42.720
<v Speaker 2>them are misled by the sales pitch, as is the

0:19:42.760 --> 0:19:45.399
<v Speaker 2>case with multi level marketing. Though the big money for

0:19:45.520 --> 0:19:50.000
<v Speaker 2>Kincaid isn't in individual sales. It's in convincing people who

0:19:50.080 --> 0:19:54.160
<v Speaker 2>have startup capital to go in and invest in starting

0:19:54.200 --> 0:19:55.760
<v Speaker 2>a gallery to sell your shit.

0:19:56.040 --> 0:19:56.200
<v Speaker 3>Right.

0:19:56.560 --> 0:19:58.600
<v Speaker 2>That's the part of this that really does look most

0:19:58.640 --> 0:20:01.679
<v Speaker 2>like a pyramid scheme, right, because while Lighthouse is a

0:20:01.680 --> 0:20:05.120
<v Speaker 2>public company, each Kincaid's signature gallery is a business owned

0:20:05.119 --> 0:20:08.320
<v Speaker 2>by private operators, much like a McDonald's. Much of Thomas's

0:20:08.359 --> 0:20:10.800
<v Speaker 2>work outside of painting was selling himself to the people

0:20:10.800 --> 0:20:13.560
<v Speaker 2>who wanted to own Galleries. One of these people, last

0:20:13.640 --> 0:20:16.960
<v Speaker 2>name Spinello, later claimed in court that Kincaid's personal life

0:20:17.080 --> 0:20:19.360
<v Speaker 2>story was a big part of the sales pitch. Quote.

0:20:19.440 --> 0:20:21.919
<v Speaker 2>We were told success story after success story, and of

0:20:21.920 --> 0:20:24.320
<v Speaker 2>course the Tom story and his Christian views and the

0:20:24.359 --> 0:20:27.119
<v Speaker 2>way he runs his life. So these are like old

0:20:27.200 --> 0:20:30.000
<v Speaker 2>retirees who have banked a few million and are being

0:20:30.000 --> 0:20:32.280
<v Speaker 2>told like, oh, this nice Christian man is giving us

0:20:32.280 --> 0:20:35.080
<v Speaker 2>a chance to really increase our wealth. He wouldn't lie

0:20:35.119 --> 0:20:38.159
<v Speaker 2>to us. Look at what a good Christian he is now.

0:20:38.320 --> 0:20:41.000
<v Speaker 2>Of course, like any man with this much money, Thomas

0:20:41.080 --> 0:20:43.119
<v Speaker 2>was not living the chast and sober life of a

0:20:43.160 --> 0:20:45.959
<v Speaker 2>monk from an article in the La Times quote. In

0:20:46.000 --> 0:20:48.680
<v Speaker 2>testimony and interviews with The Times, Shepherd and other former

0:20:48.720 --> 0:20:51.359
<v Speaker 2>employees said they often went with Kincaid to strip clubs

0:20:51.359 --> 0:20:55.320
<v Speaker 2>and bars, where he frequently became intoxicated and out of control.

0:20:55.800 --> 0:20:59.640
<v Speaker 2>John Dandoy Media Arts Groups, senior director of retail operations

0:20:59.640 --> 0:21:02.399
<v Speaker 2>from nighteen ninety five to nineteen ninety nine, testified in

0:21:02.440 --> 0:21:04.160
<v Speaker 2>a hearing that the artist was a sort of Jekyl

0:21:04.200 --> 0:21:06.959
<v Speaker 2>and Hyde character whose behavior worsened as the alcohol flowed.

0:21:07.359 --> 0:21:09.159
<v Speaker 2>Tom would be fine, He would be drinking, and then

0:21:09.160 --> 0:21:11.320
<v Speaker 2>all of a sudden you couldn't tell where the boundary was.

0:21:11.520 --> 0:21:13.760
<v Speaker 2>And then he became very incoherent, and he would start

0:21:13.760 --> 0:21:16.840
<v Speaker 2>cussing and doing a lot of weird stuff. Dan doy,

0:21:16.920 --> 0:21:19.359
<v Speaker 2>who left the company to become chief executive of a

0:21:19.359 --> 0:21:23.359
<v Speaker 2>group of galleries owned by Kincaid's brother, recounted that about

0:21:23.400 --> 0:21:26.159
<v Speaker 2>six years ago, the artist was so intoxicated during a

0:21:26.200 --> 0:21:29.320
<v Speaker 2>performance by Siegfried and Roy and Las Vegas that people

0:21:29.400 --> 0:21:31.920
<v Speaker 2>seated nearby moved away from him. I think it was

0:21:32.040 --> 0:21:34.040
<v Speaker 2>roy Er, Siegfried or whatever had a cod piece on

0:21:34.080 --> 0:21:37.399
<v Speaker 2>his leotards. Dan Deys testified, and so when the show started,

0:21:37.440 --> 0:21:41.000
<v Speaker 2>Tom just started yelling cod peace, God, Peace, and had

0:21:41.000 --> 0:21:42.920
<v Speaker 2>to be quieted by his mother and wife.

0:21:43.880 --> 0:21:44.240
<v Speaker 1>Wow.

0:21:45.119 --> 0:21:49.000
<v Speaker 3>Yeah, he was like that uncle everyone has.

0:21:49.880 --> 0:21:52.960
<v Speaker 2>Yeah, he's your drunkll he's heckling Sigfried and Roy.

0:21:53.200 --> 0:21:53.520
<v Speaker 3>You know.

0:21:54.960 --> 0:21:58.120
<v Speaker 2>That one's more or less. Look, I have I heckled

0:21:58.359 --> 0:22:02.160
<v Speaker 2>floor shows in Las Vegas while too drunk to be controlled. Yes,

0:22:02.760 --> 0:22:08.360
<v Speaker 2>do I do it every time? Absolutely? You know? Would

0:22:08.400 --> 0:22:11.280
<v Speaker 2>I have done that to Sigfried and Roy? Possibly? You know,

0:22:11.440 --> 0:22:13.440
<v Speaker 2>That's not why we're angry. I just thought it was

0:22:13.440 --> 0:22:14.280
<v Speaker 2>a funny story.

0:22:15.760 --> 0:22:18.239
<v Speaker 3>So I'm amazed. Also, there are women out there who

0:22:18.280 --> 0:22:21.320
<v Speaker 3>can say they gave lap dances.

0:22:21.560 --> 0:22:26.320
<v Speaker 2>To Thomas kinkad to the painter of light, which is

0:22:26.320 --> 0:22:28.800
<v Speaker 2>a trademark. By the way, you can't call yourself the

0:22:28.800 --> 0:22:30.240
<v Speaker 2>painter of light, only him.

0:22:31.640 --> 0:22:35.119
<v Speaker 3>I want to see a Thomas Kinka painting which a

0:22:35.160 --> 0:22:38.520
<v Speaker 3>beautiful country lan that nice missed in the morning and

0:22:39.000 --> 0:22:42.800
<v Speaker 3>the sun breaking through like the orange and red clouds

0:22:43.080 --> 0:22:48.080
<v Speaker 3>on a strip club, just a side of.

0:22:48.040 --> 0:22:51.840
<v Speaker 2>The road, yeahing from the inside nowhere strip club with

0:22:51.920 --> 0:22:54.560
<v Speaker 2>like a little Thomas Kinkaid out front, smoking a cigarette

0:22:54.600 --> 0:22:57.720
<v Speaker 2>and thinking about how his life went so wrong. Yeah,

0:22:57.960 --> 0:23:00.639
<v Speaker 2>why his wife won't return his phone calls. That's the

0:23:00.760 --> 0:23:05.040
<v Speaker 2>art we need. So for a while his wife Nannette,

0:23:05.080 --> 0:23:07.520
<v Speaker 2>was able to exercise partial control over Tom when they

0:23:07.520 --> 0:23:10.320
<v Speaker 2>were together, but as the years went on, Thomas traveled

0:23:10.320 --> 0:23:14.200
<v Speaker 2>constantly for business. His gaalerries sold unevenly most of the year,

0:23:14.240 --> 0:23:17.359
<v Speaker 2>but they always received huge bursts of sales, sometimes hundreds

0:23:17.400 --> 0:23:19.480
<v Speaker 2>in a day, with lines out the block when he

0:23:19.520 --> 0:23:22.200
<v Speaker 2>showed up to give a talk and personally highlight pieces.

0:23:22.400 --> 0:23:24.800
<v Speaker 2>So he would have to travel around to galleries in

0:23:24.960 --> 0:23:28.520
<v Speaker 2>order to keep sales going, and this leads to him

0:23:28.560 --> 0:23:30.600
<v Speaker 2>being away from his wife and being away from any

0:23:30.640 --> 0:23:34.359
<v Speaker 2>kind of like moderating aspects on his behavior, which leads

0:23:34.400 --> 0:23:37.320
<v Speaker 2>to him partying constantly. And this company culture where the

0:23:37.359 --> 0:23:41.400
<v Speaker 2>employees who work for Thomas directly, like the Master Highlighters

0:23:41.400 --> 0:23:44.440
<v Speaker 2>and his business managers and marketing people, come to view

0:23:44.520 --> 0:23:47.560
<v Speaker 2>Thomas as something of a god, and his backstory is

0:23:47.640 --> 0:23:51.280
<v Speaker 2>like this sacred text because he's he's worshiped. Whenever he

0:23:51.359 --> 0:23:53.720
<v Speaker 2>shows up at one of these places, he has fans

0:23:53.800 --> 0:23:56.720
<v Speaker 2>lining up out the door, so you can't really think

0:23:56.720 --> 0:23:59.000
<v Speaker 2>of him as this normal person. There's almost this like

0:23:59.080 --> 0:24:02.919
<v Speaker 2>derangement that goes on for the people working beneath him.

0:24:03.320 --> 0:24:05.879
<v Speaker 2>And there's this this kind of cultic belief system that

0:24:06.119 --> 0:24:09.920
<v Speaker 2>springs up within the Kincaid company itself, which is embodied

0:24:09.920 --> 0:24:12.440
<v Speaker 2>by one of his business managers talking to the Guardian

0:24:12.520 --> 0:24:15.159
<v Speaker 2>here and saying, quote, there's over forty walls in the

0:24:15.200 --> 0:24:17.720
<v Speaker 2>average American home, and Tom says, our job is to

0:24:17.720 --> 0:24:20.240
<v Speaker 2>figure out how to populate every single wall in every

0:24:20.240 --> 0:24:23.200
<v Speaker 2>single home and every business throughout the world with his paintings,

0:24:24.560 --> 0:24:27.119
<v Speaker 2>which is a deranged thing to say and want, but

0:24:27.200 --> 0:24:31.679
<v Speaker 2>it does. It does. Thomas Kincaid walked so that AI

0:24:32.040 --> 0:24:33.880
<v Speaker 2>fucking image generators could run.

0:24:34.200 --> 0:24:37.240
<v Speaker 3>Right. Also, this is something el Ron Hubbard shit.

0:24:37.520 --> 0:24:41.040
<v Speaker 2>It is right that like there's something This is a

0:24:41.040 --> 0:24:43.399
<v Speaker 2>big part of the narrative too, that like there's something

0:24:43.520 --> 0:24:47.480
<v Speaker 2>healing about our paintings. People need them. And so you

0:24:47.520 --> 0:24:51.280
<v Speaker 2>know the fact that Thomas himself is this messy drunk

0:24:51.440 --> 0:24:54.480
<v Speaker 2>who does not live the actual life he pretends to live.

0:24:54.480 --> 0:24:56.080
<v Speaker 2>The fact that we're charging an arm and a leg

0:24:56.119 --> 0:24:59.399
<v Speaker 2>for these is justified because these are making the world better.

0:25:00.040 --> 0:25:03.000
<v Speaker 1>Companies that you dribbled one dot of paint.

0:25:02.760 --> 0:25:06.600
<v Speaker 2>On, Yes, yes, yes, these are part of healing the

0:25:06.640 --> 0:25:10.040
<v Speaker 2>planet and bringing it back to God, as one line

0:25:10.080 --> 0:25:13.600
<v Speaker 2>from a company Brocher noted. And the often hurried, unsympathetic

0:25:13.680 --> 0:25:16.439
<v Speaker 2>and complex world we live in, the images Thomas Kinkaid

0:25:16.520 --> 0:25:19.040
<v Speaker 2>paints offer a place of refuge, a place where the

0:25:19.080 --> 0:25:21.280
<v Speaker 2>transient things of life give away to the things that

0:25:21.320 --> 0:25:24.280
<v Speaker 2>matter most, faith and family, a loving home, and the

0:25:24.320 --> 0:25:28.600
<v Speaker 2>people who know and love us. Now this all sounds

0:25:28.720 --> 0:25:33.080
<v Speaker 2>patently silly, just an obvious, soulless grift, but Kincaid's work

0:25:33.240 --> 0:25:36.800
<v Speaker 2>really touched a huge number of people. The fact that

0:25:36.840 --> 0:25:39.280
<v Speaker 2>I think they were wrong to be touched by what

0:25:39.440 --> 0:25:42.640
<v Speaker 2>was a patent soulless grift by a man who did

0:25:42.640 --> 0:25:45.160
<v Speaker 2>not believe the things he pretended to say to them

0:25:46.000 --> 0:25:50.280
<v Speaker 2>didn't matter, right. And I gotta say one of the

0:25:50.320 --> 0:25:52.399
<v Speaker 2>few people who try to grapple with this and do

0:25:52.440 --> 0:25:54.560
<v Speaker 2>a really good job of it was was Joan Didion

0:25:54.600 --> 0:25:59.600
<v Speaker 2>who wrote this about Thomas Kinkaid. The passion with which

0:25:59.640 --> 0:26:03.159
<v Speaker 2>buyer approached these Kincaid images was hard to define. The

0:26:03.160 --> 0:26:05.879
<v Speaker 2>manager of one California gallery that handled them told me

0:26:05.920 --> 0:26:07.800
<v Speaker 2>that it was not unusual to sell six or seven

0:26:07.800 --> 0:26:10.560
<v Speaker 2>at a clip to buyers who already owned ten or twenty,

0:26:10.800 --> 0:26:12.639
<v Speaker 2>and that the buyers with whom he dealt brought the

0:26:12.720 --> 0:26:17.320
<v Speaker 2>viewing of the images a sizeable emotional weight. Right. These

0:26:17.320 --> 0:26:21.200
<v Speaker 2>are these are early super fans, and there's a there's

0:26:21.240 --> 0:26:22.600
<v Speaker 2>a degree of what you're going to see in trump

0:26:22.720 --> 0:26:25.160
<v Speaker 2>Ism where once it comes out the kind of lifestyle

0:26:25.200 --> 0:26:29.840
<v Speaker 2>he really lives, it doesn't affect his fan base at all.

0:26:30.440 --> 0:26:32.320
<v Speaker 2>They don't care because what they need is not the

0:26:32.359 --> 0:26:36.080
<v Speaker 2>reality of Thomas Kincaid. They need this like fantasy of

0:26:36.119 --> 0:26:38.600
<v Speaker 2>who and what he is and what his art represents,

0:26:38.640 --> 0:26:41.159
<v Speaker 2>and he's not a necessary part of that past. A

0:26:41.160 --> 0:26:41.800
<v Speaker 2>certain point.

0:26:42.400 --> 0:26:46.400
<v Speaker 3>Well, it's like that with most like conservative Christian troops,

0:26:46.400 --> 0:26:49.679
<v Speaker 3>Like look Jerry fallwell you know what happened, and he

0:26:49.840 --> 0:26:54.080
<v Speaker 3>still had people. Fuck yeah, Jim Baker still has a career.

0:26:54.359 --> 0:26:55.440
<v Speaker 3>He would write prison.

0:26:55.920 --> 0:27:01.679
<v Speaker 2>He literally went to prison. And it's I like Didion's

0:27:01.760 --> 0:27:06.679
<v Speaker 2>criticism because she actually she actually looks into what's going on,

0:27:07.359 --> 0:27:10.920
<v Speaker 2>like what is the actual meaning being transmitted beyond kind

0:27:10.960 --> 0:27:14.080
<v Speaker 2>of the surface with his paintings in a way that

0:27:14.200 --> 0:27:17.160
<v Speaker 2>is not like the snooty high art criticisms of his work.

0:27:17.200 --> 0:27:19.880
<v Speaker 2>Didion drills down into some of the reasons his art

0:27:19.960 --> 0:27:22.639
<v Speaker 2>is upsetting better than anyone else I can really think of.

0:27:23.840 --> 0:27:26.359
<v Speaker 2>And when she's doing this, she kind of One of

0:27:26.400 --> 0:27:28.760
<v Speaker 2>the things she brings up is this year two thousand

0:27:28.840 --> 0:27:31.840
<v Speaker 2>post on Concaid's website where he writes about a trip

0:27:31.840 --> 0:27:35.240
<v Speaker 2>to the Yosemite Valley quote, when my family wandered through

0:27:35.280 --> 0:27:37.920
<v Speaker 2>the National Park Center, I discovered a key to my fantasy,

0:27:37.960 --> 0:27:41.119
<v Speaker 2>a recreation of a Millwok Indian village. When I returned

0:27:41.160 --> 0:27:43.800
<v Speaker 2>to my studio began to work on the mountains. Declare

0:27:43.840 --> 0:27:46.199
<v Speaker 2>his glory a poetic expression of what I felt at

0:27:46.200 --> 0:27:50.320
<v Speaker 2>that transforming moment of inspiration. As a final touch, I

0:27:50.400 --> 0:27:53.159
<v Speaker 2>even added a Millwok Indian camp across the river as

0:27:53.200 --> 0:27:56.440
<v Speaker 2>an affirmation that man has its place, has his place

0:27:56.520 --> 0:28:00.240
<v Speaker 2>even in a setting touched by God's glory. Now, before

0:28:00.320 --> 0:28:05.920
<v Speaker 2>we get into yeah in this Thamaskin Gade painting, before

0:28:05.920 --> 0:28:08.920
<v Speaker 2>we get into Jones breakdown of why this is fucked up. First,

0:28:08.960 --> 0:28:12.960
<v Speaker 2>here's the painting itself, right, you see, you get the mountains, sunset,

0:28:13.000 --> 0:28:14.840
<v Speaker 2>lot of light playing through them. It looks like maybe

0:28:14.880 --> 0:28:17.360
<v Speaker 2>an early fall image. You've got a couple of very

0:28:17.400 --> 0:28:22.280
<v Speaker 2>stereotypical looking teepees there. Oh god, yeah, Now it's a

0:28:22.480 --> 0:28:25.600
<v Speaker 2>I gotta say, I did look into this. It's a

0:28:25.680 --> 0:28:29.400
<v Speaker 2>you know, it's an idyllic image right inoffensive on its face.

0:28:29.440 --> 0:28:33.199
<v Speaker 2>But I will say the structures that he puts, you know,

0:28:33.480 --> 0:28:35.760
<v Speaker 2>in the hands of the Milwak is not entirely wrong.

0:28:35.800 --> 0:28:38.080
<v Speaker 2>He seems to have based this on an actual display

0:28:38.160 --> 0:28:41.640
<v Speaker 2>at Yosemite, so he doesn't get this totally you know, incorrect.

0:28:42.040 --> 0:28:44.080
<v Speaker 2>It is true, it is. It is worth pointing out

0:28:44.080 --> 0:28:46.840
<v Speaker 2>the more common shelters used by the Midwak. We're what

0:28:46.880 --> 0:28:50.720
<v Speaker 2>they called umotka, which is a conical barkhouse lined with

0:28:50.800 --> 0:28:54.200
<v Speaker 2>pine needles. And layered outside with earth. Uh, and the

0:28:54.480 --> 0:28:57.200
<v Speaker 2>Kocha which is a semi subterranean dwelling, and a lot

0:28:57.200 --> 0:28:59.840
<v Speaker 2>of their the sun shelters that were kind of more temporary,

0:29:00.160 --> 0:29:02.920
<v Speaker 2>rectangular and flat topped. But they did have shelters that

0:29:02.960 --> 0:29:05.400
<v Speaker 2>looked kind of like this. So I will say his

0:29:05.480 --> 0:29:08.720
<v Speaker 2>depiction is not like like, it's not super He didn't

0:29:08.760 --> 0:29:12.360
<v Speaker 2>just like draw a random TP, you know, and this

0:29:12.480 --> 0:29:14.320
<v Speaker 2>is not a tribe that used anything like that. I

0:29:14.320 --> 0:29:17.200
<v Speaker 2>think he based it off of a dediction of a

0:29:17.240 --> 0:29:20.320
<v Speaker 2>million research at least. So yeah, I think he was

0:29:20.360 --> 0:29:23.000
<v Speaker 2>just inspired by a thing that had done some base

0:29:23.120 --> 0:29:25.240
<v Speaker 2>research and that probably explains it. But I did look

0:29:25.240 --> 0:29:26.600
<v Speaker 2>into it because I wanted to know, like, did he

0:29:26.680 --> 0:29:29.360
<v Speaker 2>just throw a TP on there because you know? Uh?

0:29:29.400 --> 0:29:32.320
<v Speaker 2>And no that that that apparently is not wrong. So good, good,

0:29:32.440 --> 0:29:35.040
<v Speaker 2>That's one mark. There's one mark there, right. But Joan

0:29:35.280 --> 0:29:37.360
<v Speaker 2>does a really good job of explaining what is messed

0:29:37.440 --> 0:29:39.960
<v Speaker 2>up here, affirming that man has his place in the

0:29:39.960 --> 0:29:43.600
<v Speaker 2>Sierra Nevada by reproducing the Yosemite National Park visitor centers

0:29:43.640 --> 0:29:47.040
<v Speaker 2>recreation of a Milwok Indian village is identifiable as a

0:29:47.040 --> 0:29:49.760
<v Speaker 2>doubtful enterprise on many levels. Not the least of which

0:29:49.800 --> 0:29:52.320
<v Speaker 2>being that the Yosemite Millwalk were forcibly run onto a

0:29:52.320 --> 0:29:55.520
<v Speaker 2>reservation near Fresno during the Gold Rush and allowed to

0:29:55.520 --> 0:29:59.160
<v Speaker 2>return to Yosemite only in eighteen fifty five. In other words,

0:29:59.240 --> 0:30:02.400
<v Speaker 2>Kinkaid is commercviialized a moment from the past in the

0:30:02.440 --> 0:30:05.480
<v Speaker 2>same way that this land was commercialized at a different,

0:30:05.600 --> 0:30:07.280
<v Speaker 2>you know point with you know, in a much more

0:30:07.360 --> 0:30:12.320
<v Speaker 2>violent way, and is kind of only capable of commercializing

0:30:13.000 --> 0:30:17.360
<v Speaker 2>this moment that ignores the complexity and the pain in

0:30:17.360 --> 0:30:19.720
<v Speaker 2>that history, right, because there's no room for complexity or

0:30:19.760 --> 0:30:22.200
<v Speaker 2>pain in his art, Right. We just have this kind

0:30:22.200 --> 0:30:25.280
<v Speaker 2>of idyllic portrayal of a village that he's stuck on

0:30:25.320 --> 0:30:27.440
<v Speaker 2>something that's supposed to go on some boomer's wall in

0:30:27.560 --> 0:30:30.440
<v Speaker 2>their like retirement home in Scottsdale.

0:30:30.600 --> 0:30:30.760
<v Speaker 3>Right.

0:30:31.440 --> 0:30:34.360
<v Speaker 2>It's a further kind of commodification of that.

0:30:34.120 --> 0:30:37.120
<v Speaker 3>That's like seeing a painting of a gorgeous field in

0:30:37.160 --> 0:30:39.200
<v Speaker 3>a path, like, oh, that's the trial tears.

0:30:40.880 --> 0:30:43.000
<v Speaker 2>Yeah, and you're kind of you're it's just kind of

0:30:43.040 --> 0:30:46.400
<v Speaker 2>like ignoring what is more. I don't know, it's it's

0:30:46.440 --> 0:30:49.000
<v Speaker 2>a very Kincaid thing to do. Uh. It is fair

0:30:49.040 --> 0:30:51.520
<v Speaker 2>to say Now, the best criticism I found of his

0:30:51.600 --> 0:30:54.320
<v Speaker 2>work came from a blog. Here's what's left from two

0:30:54.360 --> 0:30:57.880
<v Speaker 2>thousand and five. The writer, identified as Michael is someone

0:30:57.920 --> 0:30:59.880
<v Speaker 2>with a passing interest in art history who I think

0:31:00.080 --> 0:31:02.920
<v Speaker 2>might have come from the evangelical background. And he he

0:31:03.040 --> 0:31:06.240
<v Speaker 2>compares this piece by concaid that we started the episode with. Right,

0:31:06.240 --> 0:31:08.520
<v Speaker 2>you've got the cross up on the hill. You've got

0:31:08.520 --> 0:31:13.320
<v Speaker 2>that big bright sunlight, you know, illuminating it with the

0:31:13.320 --> 0:31:17.280
<v Speaker 2>painting that lightly inspired it by nineteenth century German painter

0:31:17.400 --> 0:31:20.640
<v Speaker 2>Caspar David Friedrich. It's called the Cross on the Mountain.

0:31:21.480 --> 0:31:24.120
<v Speaker 2>Now you can just see right there. Yes, these are

0:31:24.240 --> 0:31:28.680
<v Speaker 2>very different artworks and they're quality. There's even as someone there.

0:31:28.880 --> 0:31:31.800
<v Speaker 3>Like some anguish to it, like the crowds. You can

0:31:31.840 --> 0:31:34.480
<v Speaker 3>make gard that that's the blood of Christ, right, going

0:31:34.520 --> 0:31:38.040
<v Speaker 3>back to my evangelical childhood. Yeah, you actually have Jesus

0:31:38.080 --> 0:31:41.040
<v Speaker 3>on the cross, right, like the silhouette of the suffering

0:31:41.760 --> 0:31:43.040
<v Speaker 3>and cross.

0:31:43.320 --> 0:31:46.640
<v Speaker 2>And yeah, yeah, yeah, I think those are all really

0:31:46.640 --> 0:31:49.320
<v Speaker 2>good notes and it's worth anything that, like actually putting

0:31:49.480 --> 0:31:52.000
<v Speaker 2>Christ on the cross is a thing that Caspar does

0:31:52.120 --> 0:31:54.760
<v Speaker 2>in another similar work of art, the Cross and the

0:31:54.800 --> 0:31:57.320
<v Speaker 2>Cathedral in the Mountains, and I think Cancaid's work is

0:31:57.400 --> 0:31:59.600
<v Speaker 2>kind of a hybrid of these two. Right. But you

0:31:59.640 --> 0:32:01.600
<v Speaker 2>can see down there the cross in the cathedral in

0:32:01.640 --> 0:32:05.400
<v Speaker 2>the mountains where you've got kind of these, You've got

0:32:05.400 --> 0:32:08.240
<v Speaker 2>like basically this forest and there's a you can see

0:32:08.240 --> 0:32:10.440
<v Speaker 2>a cathedral kind of coming up out of the forest

0:32:10.480 --> 0:32:12.040
<v Speaker 2>in a way that almost makes it look like it's

0:32:12.120 --> 0:32:15.880
<v Speaker 2>grown out of the forest. And again, you could look

0:32:15.880 --> 0:32:18.440
<v Speaker 2>at this as another artist who, like Kincaid, painted the

0:32:18.480 --> 0:32:20.080
<v Speaker 2>same shit over and over again, while he does a

0:32:20.120 --> 0:32:22.800
<v Speaker 2>lot of crosses in the woods, right, But I don't

0:32:22.800 --> 0:32:26.400
<v Speaker 2>really think that's what's happening here. Caspar has something to say.

0:32:26.520 --> 0:32:29.120
<v Speaker 2>He is showing Christianity, and this is something that was

0:32:29.160 --> 0:32:32.200
<v Speaker 2>relevant to the kind of politics within Christianity at the

0:32:32.240 --> 0:32:34.920
<v Speaker 2>time as an outgrowth of the natural world.

0:32:35.160 --> 0:32:35.360
<v Speaker 3>Right.

0:32:36.000 --> 0:32:38.320
<v Speaker 2>Michael in his write up quotes an art expert named

0:32:38.360 --> 0:32:41.920
<v Speaker 2>Christina van Puyen, who says, of the first painting by Caspar,

0:32:42.520 --> 0:32:44.920
<v Speaker 2>the cross stands at the brink of the evening horizon,

0:32:44.960 --> 0:32:47.440
<v Speaker 2>which signifies the disappearance of God from the lives of

0:32:47.480 --> 0:32:50.120
<v Speaker 2>the modern world during the Enlightenment. Yet the burgeoning of

0:32:50.120 --> 0:32:53.000
<v Speaker 2>evergreens near the cross also indicates that a new religion

0:32:53.080 --> 0:32:55.960
<v Speaker 2>is emerging. Colin Eisler has more to say about the

0:32:56.000 --> 0:32:59.720
<v Speaker 2>second painting. Protestantism, conveyed by the vehicle of the visual arts,

0:33:00.040 --> 0:33:02.840
<v Speaker 2>tended to see Nature more as pagan mother than God's work,

0:33:02.920 --> 0:33:06.600
<v Speaker 2>too close to pantheism for comfort. Friedrich presents an exception

0:33:06.760 --> 0:33:10.440
<v Speaker 2>his anti classical emphasis upon experience, its reception and communication

0:33:10.880 --> 0:33:16.400
<v Speaker 2>stress the personal. And I'm not quoting that because I

0:33:16.440 --> 0:33:19.200
<v Speaker 2>am as I like, I'm not religious, I don't believe

0:33:19.200 --> 0:33:21.520
<v Speaker 2>in any of this stuff. But I'm quoting it because

0:33:22.000 --> 0:33:25.040
<v Speaker 2>it's worth noting that with these pictures that clearly inspired

0:33:25.280 --> 0:33:29.480
<v Speaker 2>Thomas's by Caspar, there's a lot to say, There's a

0:33:29.520 --> 0:33:33.680
<v Speaker 2>lot to analyze. There's history wrapped up in that. You

0:33:33.720 --> 0:33:36.480
<v Speaker 2>can you can see pieces of the history of movements

0:33:36.480 --> 0:33:40.200
<v Speaker 2>of huge numbers of people and what they believe represented

0:33:40.240 --> 0:33:42.640
<v Speaker 2>in his art, and there is none of that.

0:33:42.800 --> 0:33:42.920
<v Speaker 3>Right.

0:33:42.960 --> 0:33:45.080
<v Speaker 2>The point Michael makes in his criticism is no one

0:33:45.080 --> 0:33:47.440
<v Speaker 2>will ever have this much to say about the meaning

0:33:47.480 --> 0:33:50.240
<v Speaker 2>held within a Kincaid work, right, Yeah.

0:33:50.080 --> 0:33:52.840
<v Speaker 3>No, you're right. It's weird because like you look, thinking

0:33:52.880 --> 0:33:56.280
<v Speaker 3>cad painting next to those, like you know, the paintings,

0:33:56.400 --> 0:33:59.640
<v Speaker 3>there's just again a lot of emotion, use of color

0:33:59.720 --> 0:34:03.440
<v Speaker 3>to to conbay how you're supposed to feel how he

0:34:03.480 --> 0:34:08.040
<v Speaker 3>feels about what's going on, and it's not necessarily bright

0:34:08.120 --> 0:34:11.759
<v Speaker 3>and cheery. But he also let's talk about what's you know,

0:34:11.960 --> 0:34:15.280
<v Speaker 3>this feeling of Christianity, the suffering of Christ et cetera,

0:34:15.440 --> 0:34:18.920
<v Speaker 3>or even like you said, the church growing out of nature.

0:34:19.480 --> 0:34:22.520
<v Speaker 3>And Thenkincaid's like, wow, he painted a lens flare.

0:34:22.840 --> 0:34:26.040
<v Speaker 2>Yeah, he put a lens flare on a cabin. And

0:34:26.080 --> 0:34:28.080
<v Speaker 2>there's also you can s in these two different works

0:34:28.080 --> 0:34:31.520
<v Speaker 2>made at different times, they're clearly the same man, but

0:34:32.120 --> 0:34:36.279
<v Speaker 2>like who has grown and changed over time? Right Like,

0:34:36.320 --> 0:34:39.640
<v Speaker 2>they look different as opposed to every Kincaid painting could

0:34:39.640 --> 0:34:42.000
<v Speaker 2>have been made at the same time, Right Like, it's

0:34:42.080 --> 0:34:46.520
<v Speaker 2>kind of impossible to even even mark out is it

0:34:46.560 --> 0:34:49.239
<v Speaker 2>an early period or a late period. I'm sure there's

0:34:49.239 --> 0:34:51.680
<v Speaker 2>some weird Kincaid historians, but the rest of us aren't

0:34:51.680 --> 0:34:56.480
<v Speaker 2>going to do that, right Yeah, And I guess the

0:34:56.480 --> 0:34:58.560
<v Speaker 2>point I'm making here, and I think the point that

0:34:58.600 --> 0:35:01.839
<v Speaker 2>these critics are making that Jill makes is that kin

0:35:01.920 --> 0:35:04.239
<v Speaker 2>kid all, it's not that what he was doing in

0:35:04.280 --> 0:35:08.440
<v Speaker 2>his art is he's not like purposefully being like racist

0:35:08.440 --> 0:35:12.440
<v Speaker 2>against Native Americans. But the inability of his work to

0:35:12.640 --> 0:35:16.920
<v Speaker 2>ever deal in anything that touches on sadness kind of

0:35:16.960 --> 0:35:20.960
<v Speaker 2>means that he's always going there. There's a shallowness, a

0:35:21.040 --> 0:35:23.560
<v Speaker 2>one sidedness to it that is kind of gross and

0:35:23.880 --> 0:35:26.640
<v Speaker 2>gross and commercial when you are you're touching on something

0:35:26.640 --> 0:35:30.560
<v Speaker 2>where there's a darker history there. Right, But Kinkaid's whole life,

0:35:30.840 --> 0:35:33.200
<v Speaker 2>all he's doing is he's selling emotional morphine.

0:35:33.280 --> 0:35:33.400
<v Speaker 3>Right.

0:35:34.320 --> 0:35:36.439
<v Speaker 2>There must have been some creative drive in this man

0:35:36.520 --> 0:35:38.239
<v Speaker 2>at some point. There's certainly pain in his.

0:35:38.239 --> 0:35:42.000
<v Speaker 3>True he's a more than confident artist and right do

0:35:42.040 --> 0:35:42.760
<v Speaker 3>what he was doing.

0:35:43.120 --> 0:35:43.880
<v Speaker 2>Yeah, and like, I.

0:35:43.840 --> 0:35:45.880
<v Speaker 3>Don't think again, there's nothing wrong with like, I just

0:35:45.880 --> 0:35:48.120
<v Speaker 3>want to make art that makes people happy in it, Yeah,

0:35:48.160 --> 0:35:51.160
<v Speaker 3>But there's just some things that are kind of hard

0:35:51.200 --> 0:35:51.480
<v Speaker 3>to like.

0:35:52.440 --> 0:35:55.279
<v Speaker 2>Yeah, And there's an it's not just that he wants

0:35:55.320 --> 0:35:58.440
<v Speaker 2>to make them happy, there's an ideology behind what he

0:35:58.520 --> 0:36:03.720
<v Speaker 2>believes will make people right, and that ideology is social conservatism.

0:36:03.920 --> 0:36:06.040
<v Speaker 2>Laura Miller makes this very clear in an article she

0:36:06.080 --> 0:36:09.560
<v Speaker 2>wrote for Salon. Thomas Kinkaid the George W. Bush of Art,

0:36:09.600 --> 0:36:12.040
<v Speaker 2>and that title isn't just her being kind of like

0:36:12.400 --> 0:36:16.279
<v Speaker 2>shitty quote. Hermann Brock maintained that someone who chooses to

0:36:16.320 --> 0:36:19.960
<v Speaker 2>make kitsch is ethically depraved, a criminal, willing, radical evil.

0:36:20.320 --> 0:36:23.120
<v Speaker 2>The novelist Milan Coundera believes kitsch to be the natural

0:36:23.160 --> 0:36:26.160
<v Speaker 2>expression of totalitarianism. That's a lot of moral weight to

0:36:26.200 --> 0:36:29.040
<v Speaker 2>place on a bunch of garish cottage paintings. But Kincaid

0:36:29.080 --> 0:36:30.719
<v Speaker 2>was always the first to present his work as a

0:36:30.719 --> 0:36:35.360
<v Speaker 2>form of ideology. Candera defined kitsch as the absolute denial

0:36:35.440 --> 0:36:39.479
<v Speaker 2>of shit, meaning it offers an airbrushed, sterilized, sentimentalized view

0:36:39.480 --> 0:36:42.360
<v Speaker 2>of the world. From that, it doesn't necessarily follow that

0:36:42.520 --> 0:36:45.000
<v Speaker 2>art wallows and shit, but art doesn't exist for the

0:36:45.040 --> 0:36:48.319
<v Speaker 2>primary purpose of denying it either. Kitsch is first and

0:36:48.320 --> 0:36:51.840
<v Speaker 2>foremost a lie. Its very existence is founded on bad faith.

0:36:52.360 --> 0:36:54.360
<v Speaker 2>And the best example of that is the fact that

0:36:54.440 --> 0:36:57.120
<v Speaker 2>Kincaid is an official member of the George W. Bush

0:36:57.160 --> 0:37:01.040
<v Speaker 2>Presidential Prayer Team, from whom he received an award right.

0:37:01.320 --> 0:37:03.400
<v Speaker 2>He is a friend of George W. Bush, He met

0:37:03.480 --> 0:37:07.399
<v Speaker 2>him a number of times, and he's this it's this

0:37:08.840 --> 0:37:12.960
<v Speaker 2>flattening of American culture during this period where we are

0:37:12.960 --> 0:37:15.919
<v Speaker 2>taking a very dark turn, where we are invading two

0:37:15.960 --> 0:37:19.839
<v Speaker 2>countries where there are huge numbers of deaths overseas as

0:37:19.880 --> 0:37:23.400
<v Speaker 2>a result of American action, and ken Kaid sees his

0:37:23.560 --> 0:37:25.880
<v Speaker 2>goal not just to pray for the guy behind a

0:37:25.920 --> 0:37:28.879
<v Speaker 2>lot of it, but to sell people during this time

0:37:28.920 --> 0:37:31.880
<v Speaker 2>when they're scared and upset about the violence that they

0:37:31.920 --> 0:37:35.680
<v Speaker 2>are a part of, to calm them down with these

0:37:36.840 --> 0:37:40.200
<v Speaker 2>anesthetizing pieces of art. Right, he really does see his

0:37:40.400 --> 0:37:43.759
<v Speaker 2>goal as that, right, like, keep pulling the lever and

0:37:43.880 --> 0:37:47.080
<v Speaker 2>voting for Republicans. Here's a nice picture of a cabin.

0:37:47.200 --> 0:37:49.719
<v Speaker 2>Now you can feel comfortable as you like slide off

0:37:49.719 --> 0:37:53.200
<v Speaker 2>into sanylity. Right, that is what Thomas Kinkaid is doing.

0:37:53.640 --> 0:37:56.640
<v Speaker 2>And while he's doing this and portraying himself as this

0:37:56.800 --> 0:38:01.600
<v Speaker 2>upright Christian pinnacle of like you know what the evangelical

0:38:01.920 --> 0:38:04.919
<v Speaker 2>spirit can achieve, he is spending all of his free

0:38:04.920 --> 0:38:08.320
<v Speaker 2>time at strip clubs, drinking and abusing prescription drug drugs.

0:38:08.320 --> 0:38:09.759
<v Speaker 2>He's pissing on shit to show down.

0:38:10.400 --> 0:38:11.759
<v Speaker 3>Oh god, oh yeah. Yeah.

0:38:11.800 --> 0:38:15.160
<v Speaker 2>He's also doing he's fucking, he's mixing like hard liquor

0:38:15.160 --> 0:38:19.600
<v Speaker 2>and valium a lot. And he's also sexually harassing and

0:38:19.600 --> 0:38:22.640
<v Speaker 2>assaulting his employees. In the court cases that we've been

0:38:22.640 --> 0:38:25.640
<v Speaker 2>building to and have quoted from earlier. In this witnesses

0:38:25.680 --> 0:38:28.160
<v Speaker 2>testified as seeing Thomas at one of the many signing

0:38:28.200 --> 0:38:31.080
<v Speaker 2>parties for his paintings. He got so drunk he fell

0:38:31.080 --> 0:38:34.160
<v Speaker 2>off a barstool and per the Huffington Post, palmed a

0:38:34.239 --> 0:38:37.200
<v Speaker 2>startled woman's breast. Then when the wife of a former

0:38:37.200 --> 0:38:40.080
<v Speaker 2>employee tried to help him out up, he cursed her out.

0:38:40.719 --> 0:38:43.239
<v Speaker 2>Now that's an ugly story, but much worse is the

0:38:43.280 --> 0:38:46.280
<v Speaker 2>tale of a company party at a motel in South Bend,

0:38:46.600 --> 0:38:49.320
<v Speaker 2>where Thomas met with a group of signature gallery owners

0:38:49.320 --> 0:38:51.719
<v Speaker 2>to sign a bunch of their prints. This meeting came

0:38:51.760 --> 0:38:53.919
<v Speaker 2>about because Thomas had convinced all these men and women

0:38:53.920 --> 0:38:56.960
<v Speaker 2>to invest their savings into starting galleries for his art.

0:38:57.360 --> 0:39:00.880
<v Speaker 2>He promised themselves and ever escalating profits, and by August

0:39:00.960 --> 0:39:03.800
<v Speaker 2>of two thousand and two, those profits had started to stall.

0:39:04.200 --> 0:39:06.600
<v Speaker 2>So the event was a good will gesture. But later

0:39:06.680 --> 0:39:09.160
<v Speaker 2>in the night there was an open bar and Thomas

0:39:09.200 --> 0:39:13.000
<v Speaker 2>got very drunk, next per the Huffington Post. At one point,

0:39:13.040 --> 0:39:16.000
<v Speaker 2>according to testimony and interviews with three others who were there,

0:39:16.280 --> 0:39:18.640
<v Speaker 2>Kincaid pulled the men in the room about their preferences

0:39:18.640 --> 0:39:21.600
<v Speaker 2>in women's anatomies. He was having a conversation with the

0:39:21.640 --> 0:39:23.880
<v Speaker 2>men in the room about whether they liked breast or butts,

0:39:24.000 --> 0:39:27.520
<v Speaker 2>said Lori Kopek, Coat's director of gallery operations, who also

0:39:27.640 --> 0:39:30.000
<v Speaker 2>testified about the party. There were only two women in

0:39:30.040 --> 0:39:32.240
<v Speaker 2>the room, and I was very uncomfortable at that point.

0:39:32.719 --> 0:39:35.640
<v Speaker 2>It was during that bowdy discussion, according to arbitration records,

0:39:35.680 --> 0:39:37.960
<v Speaker 2>that Kincaid turned his attention to the other woman. He

0:39:38.000 --> 0:39:40.480
<v Speaker 2>approached her and palmed her breasts, and he said, these

0:39:40.480 --> 0:39:44.000
<v Speaker 2>are great tits. Ernie Dodson, another Coat employee, told The Times,

0:39:44.160 --> 0:39:46.440
<v Speaker 2>adding that he drank no alcohol that night. I was

0:39:46.520 --> 0:39:48.400
<v Speaker 2>just standing there in the corner in amazement. It was

0:39:48.480 --> 0:39:51.440
<v Speaker 2>like holy cow, and man, Dodson, I'm not really impressed

0:39:51.480 --> 0:39:53.200
<v Speaker 2>that you didn't drink. You didn't like stop him, You

0:39:53.200 --> 0:39:55.759
<v Speaker 2>didn't do anything. You didn't say like wow, boss, that's

0:39:55.800 --> 0:39:56.800
<v Speaker 2>like fucked like you.

0:39:58.840 --> 0:39:59.880
<v Speaker 3>There's a fucking limit.

0:40:00.040 --> 0:40:03.680
<v Speaker 2>Yeah, this is really a step in moment. Brother. I'm

0:40:03.680 --> 0:40:05.840
<v Speaker 2>not impressed that you didn't drink. I'd be more impressed

0:40:05.920 --> 0:40:08.520
<v Speaker 2>if you were drunk too, and you had the moral

0:40:08.600 --> 0:40:13.759
<v Speaker 2>presence to just hit the guy, right, don't do that.

0:40:14.320 --> 0:40:17.560
<v Speaker 3>Yeah, that's a bare minimum. Hey stop.

0:40:18.040 --> 0:40:22.160
<v Speaker 2>Yeah, that's gross. Man. This is a fucking company gathering

0:40:22.200 --> 0:40:25.400
<v Speaker 2>and you are grabbing someone's tits. What the fuck? Anyway,

0:40:26.440 --> 0:40:29.560
<v Speaker 2>when this came out, Kinkaid denied the allegation. He said

0:40:29.560 --> 0:40:32.160
<v Speaker 2>this in a deposition. You've got to remember, I'm the

0:40:32.320 --> 0:40:34.920
<v Speaker 2>idol to these women who were there. They sell my

0:40:35.000 --> 0:40:38.240
<v Speaker 2>work every day. You know, they're enamored with any attention

0:40:38.360 --> 0:40:39.880
<v Speaker 2>I would give them. I don't know what kind of

0:40:39.920 --> 0:40:42.200
<v Speaker 2>flirting they were trying to do with me. I don't

0:40:42.239 --> 0:40:45.600
<v Speaker 2>recall what was going on that night. Hey, buddy, quick

0:40:45.640 --> 0:40:48.680
<v Speaker 2>tip here. I was too blacked out to know what

0:40:48.800 --> 0:40:51.840
<v Speaker 2>kind of quote unquote flirting led to me groping someone.

0:40:52.040 --> 0:40:53.840
<v Speaker 2>Not a defense anyway.

0:40:53.880 --> 0:40:56.600
<v Speaker 1>You're disgusting. You're disgusting.

0:40:58.560 --> 0:41:01.840
<v Speaker 2>You know what's not discuss though, Sophie. You know what

0:41:01.960 --> 0:41:07.799
<v Speaker 2>makes me feel good? What makes everyone feel good? Yeah, well,

0:41:07.880 --> 0:41:11.120
<v Speaker 2>we maybe don't say groping, but we do in it

0:41:11.239 --> 0:41:21.000
<v Speaker 2>emotionally in the same way that John Wayne get. We're back,

0:41:21.239 --> 0:41:25.480
<v Speaker 2>and I've just had a word with our own HR department.

0:41:26.040 --> 0:41:29.520
<v Speaker 2>I apologize. I have deleted roughly a third of my

0:41:29.640 --> 0:41:34.560
<v Speaker 2>short story it Yeah, yeah, I mean again, Sophie. It

0:41:34.680 --> 0:41:40.080
<v Speaker 2>is mostly about the Federal Reserve ute. It later, Yeah, okay,

0:41:40.080 --> 0:41:47.080
<v Speaker 2>thank you, thank you. Smut it up some sona b

0:41:48.280 --> 0:41:50.040
<v Speaker 2>oh oh God, it's got to be like a big

0:41:50.040 --> 0:41:52.959
<v Speaker 2>Garfield style cat. I feel like see.

0:41:53.000 --> 0:41:54.560
<v Speaker 3>I was thinking of one of those monkeys that's kind

0:41:54.560 --> 0:41:56.120
<v Speaker 3>of colorful based with clown makeup.

0:41:56.480 --> 0:41:58.960
<v Speaker 2>Mm. Yeah, that's a good one because that'd be really

0:41:59.000 --> 0:42:02.120
<v Speaker 2>scary to get murdered by too. This is good, this

0:42:02.160 --> 0:42:07.920
<v Speaker 2>is useful stuff. So the company, messaging to prospective gallery owners,

0:42:08.120 --> 0:42:11.480
<v Speaker 2>painted a very different picture of Thomas. Lighthouse used terms

0:42:11.520 --> 0:42:15.000
<v Speaker 2>like partner, trust, Christian, and God, arguing that not only

0:42:15.080 --> 0:42:17.480
<v Speaker 2>was a Kincaid gallery a good investment and help you

0:42:17.560 --> 0:42:20.120
<v Speaker 2>serve a higher calling, i e. God wants you to

0:42:20.120 --> 0:42:26.319
<v Speaker 2>get rich selling Thomas's paintings now, Yes, yes, very much so.

0:42:26.560 --> 0:42:28.359
<v Speaker 2>And Thomas would always deny to the press that he

0:42:28.400 --> 0:42:31.799
<v Speaker 2>marketed specifically to Christians, but as limited edition prints each

0:42:31.840 --> 0:42:35.040
<v Speaker 2>had Christian fish symbols printed on them along with Bible verses,

0:42:35.400 --> 0:42:38.880
<v Speaker 2>his favorite being Matthew five sixteen let your Light Shine

0:42:38.920 --> 0:42:42.319
<v Speaker 2>before Men. One of the people who fell for this

0:42:42.680 --> 0:42:45.920
<v Speaker 2>was Jim Coate. Coate opened his first signature gallery in

0:42:46.000 --> 0:42:48.840
<v Speaker 2>nineteen ninety six and claims that at the start, sales

0:42:48.880 --> 0:42:51.160
<v Speaker 2>were great because Tom at that point was very popular

0:42:51.239 --> 0:42:53.440
<v Speaker 2>and there were limited outlets to buy his art, but

0:42:53.520 --> 0:42:55.799
<v Speaker 2>as the years went on, the situation deteriorate.

0:42:55.840 --> 0:42:55.920
<v Speaker 3>It.

0:42:55.960 --> 0:42:59.560
<v Speaker 2>As the La Times reports, Coate alleges Media Arts Group,

0:42:59.560 --> 0:43:01.759
<v Speaker 2>which is what the company becomes known as, pushed him

0:43:01.760 --> 0:43:04.040
<v Speaker 2>to open more galleries, threatening to set up its own

0:43:04.080 --> 0:43:07.719
<v Speaker 2>outlets in his territory. Coate eventually had three stores, all

0:43:07.760 --> 0:43:10.359
<v Speaker 2>of which failed. This is not bread and milk, he said.

0:43:10.400 --> 0:43:13.120
<v Speaker 2>You can't have galleries on every corner. Cot said his

0:43:13.160 --> 0:43:15.399
<v Speaker 2>net worth was of more than three million dollars had

0:43:15.400 --> 0:43:17.759
<v Speaker 2>been erased gone or his marriage, his house, in most

0:43:17.800 --> 0:43:20.520
<v Speaker 2>of his possessions. He doesn't blame his divorce entirely on

0:43:20.560 --> 0:43:23.600
<v Speaker 2>his galley's failure, but it certainly didn't help. He shut

0:43:23.640 --> 0:43:26.560
<v Speaker 2>his last door in December and has filed for bankruptcy protection.

0:43:26.840 --> 0:43:28.680
<v Speaker 2>At this point, I've got a dog in an apartment

0:43:28.719 --> 0:43:30.440
<v Speaker 2>and that's it. This is not where I thought i'd

0:43:30.480 --> 0:43:31.480
<v Speaker 2>be at fifty six.

0:43:31.400 --> 0:43:32.440
<v Speaker 1>Doesn't deserve a dog.

0:43:33.400 --> 0:43:35.680
<v Speaker 2>No, I mean, I'm sure he sucks too, but it is.

0:43:35.880 --> 0:43:38.040
<v Speaker 2>It is interesting the way this con goes right where

0:43:38.040 --> 0:43:39.600
<v Speaker 2>he's like, okay, you've bought one with If you don't,

0:43:39.760 --> 0:43:42.480
<v Speaker 2>you got to set up another like a block away.

0:43:42.520 --> 0:43:44.279
<v Speaker 2>Otherwise we're going to set up one and run you

0:43:44.320 --> 0:43:46.040
<v Speaker 2>out of business by undercuttry isn't.

0:43:45.880 --> 0:43:48.480
<v Speaker 3>That use Subway does their franchises.

0:43:47.760 --> 0:43:50.799
<v Speaker 2>Though, Yeah, they just had a meeting about how they're

0:43:51.239 --> 0:43:55.080
<v Speaker 2>circling the drain too. But yes, I think you are correct.

0:43:54.920 --> 0:43:57.759
<v Speaker 3>And you have to like, there's no way that they

0:43:57.880 --> 0:44:01.840
<v Speaker 3>didn't understand that this was going to destroy because they know.

0:44:02.160 --> 0:44:04.319
<v Speaker 2>They're just trying to suck money out of these people. Yeah.

0:44:04.400 --> 0:44:07.400
<v Speaker 3>Yeah, this is like a no long term investment. This

0:44:07.520 --> 0:44:10.720
<v Speaker 3>is just get this guy's money. Our peat was sold

0:44:11.239 --> 0:44:11.800
<v Speaker 3>yea whatever.

0:44:12.040 --> 0:44:14.400
<v Speaker 2>Well, it's even worse than that, because he's not just

0:44:14.600 --> 0:44:17.040
<v Speaker 2>screwing these people to suck money out of them, he's

0:44:17.040 --> 0:44:19.960
<v Speaker 2>screwing these people to crash the stock value of the

0:44:20.000 --> 0:44:23.400
<v Speaker 2>company because Kincaid makes a bunch of calls in the

0:44:23.440 --> 0:44:26.280
<v Speaker 2>early two thousands that a lot of people will argue

0:44:26.280 --> 0:44:29.560
<v Speaker 2>and has been argued successfully in court, were deliberately made

0:44:29.719 --> 0:44:31.880
<v Speaker 2>to tank the stock from a high of almost twenty

0:44:31.880 --> 0:44:34.920
<v Speaker 2>five dollars to a less than three dollars a share,

0:44:35.320 --> 0:44:37.560
<v Speaker 2>and then once the value of the stock had collapsed,

0:44:37.600 --> 0:44:40.600
<v Speaker 2>he bought his company back and took it private. This

0:44:40.840 --> 0:44:43.680
<v Speaker 2>is what causes that court case, which concludes in two

0:44:43.760 --> 0:44:47.120
<v Speaker 2>thousand and six, and found that Kincaid's company had deliberately

0:44:47.160 --> 0:44:51.480
<v Speaker 2>misrepresented itself to perspective gallery owners for the La Times.

0:44:51.880 --> 0:44:54.600
<v Speaker 2>The arbitration panel found that the company and Barnett, who

0:44:54.640 --> 0:44:57.400
<v Speaker 2>ran a training program for prospective gallery owners known as

0:44:57.400 --> 0:45:01.360
<v Speaker 2>Thomas Kincaid University, painted an unreal, realistic, and misleading picture

0:45:01.360 --> 0:45:04.759
<v Speaker 2>of the prospects for success and never warned potential investors

0:45:04.760 --> 0:45:07.640
<v Speaker 2>of the inherent risks. We were told success story after

0:45:07.640 --> 0:45:10.000
<v Speaker 2>success story, and of course the Tom story and his

0:45:10.080 --> 0:45:12.759
<v Speaker 2>Christian views and the way he ran his life, one

0:45:12.840 --> 0:45:16.440
<v Speaker 2>of the gallery owners told the arbitration panel. Now, this

0:45:16.560 --> 0:45:19.640
<v Speaker 2>panel ultimately rules in favor of two gallery owners from

0:45:19.680 --> 0:45:22.640
<v Speaker 2>Virginia who had sued him, awarding them almost nine hundred

0:45:22.640 --> 0:45:26.120
<v Speaker 2>thousand dollars in damages. These people, all of whom had

0:45:26.160 --> 0:45:29.000
<v Speaker 2>had money to burn when they started talking with Kincaid's people,

0:45:29.239 --> 0:45:31.759
<v Speaker 2>are the least sympathetic of his victims because a lot

0:45:31.800 --> 0:45:35.360
<v Speaker 2>of regular, not rich people got scammed into buying crappy

0:45:35.360 --> 0:45:39.200
<v Speaker 2>princess An investment too. In the early two thousands, Kincaid's

0:45:39.200 --> 0:45:42.160
<v Speaker 2>company started publishing books. A write up I found in

0:45:42.200 --> 0:45:44.840
<v Speaker 2>Salon describes them all as being made by a semi

0:45:44.920 --> 0:45:49.080
<v Speaker 2>industrial process, just like his highlighted paintings. In short, he

0:45:49.120 --> 0:45:52.480
<v Speaker 2>would write an introduction and presumably approven outline, and then

0:45:52.520 --> 0:45:55.240
<v Speaker 2>someone else would write the novel. Now you can compare

0:45:55.239 --> 0:45:58.320
<v Speaker 2>this to his old friend whose Dinotopia books were labors

0:45:58.320 --> 0:46:01.879
<v Speaker 2>of love. Whatever else you might say about them, it's

0:46:03.120 --> 0:46:05.359
<v Speaker 2>it's clearly the Yeah, it's clearly the work of someone

0:46:05.360 --> 0:46:12.000
<v Speaker 2>who cares deeply about telling a dinosaur story. Time with it. Yeah, yeah,

0:46:12.040 --> 0:46:14.600
<v Speaker 2>I remember them very fondly. I haven't picked them back

0:46:14.680 --> 0:46:17.000
<v Speaker 2>up since I was like twelve, but I remember them fondly.

0:46:18.640 --> 0:46:20.399
<v Speaker 3>Child that had puppets.

0:46:20.920 --> 0:46:23.400
<v Speaker 2>See now that I didn't play ship, that sounds awesome.

0:46:24.760 --> 0:46:26.680
<v Speaker 2>So all these books, as best as I can tell

0:46:26.680 --> 0:46:29.359
<v Speaker 2>her about quaint small towns. Generally, there will be a

0:46:29.400 --> 0:46:32.160
<v Speaker 2>woman who comes from the big city with a big

0:46:32.280 --> 0:46:35.040
<v Speaker 2>job that's stressing her out, and she comes to a

0:46:35.080 --> 0:46:37.200
<v Speaker 2>small town and she gets swept off her feet by

0:46:37.200 --> 0:46:40.040
<v Speaker 2>some like farmer who convinces her the real joy in

0:46:40.080 --> 0:46:42.520
<v Speaker 2>life is having a bunch of kids and no longer voting.

0:46:43.080 --> 0:46:43.200
<v Speaker 3>Uh.

0:46:44.760 --> 0:46:47.360
<v Speaker 2>They're all harrormarked movies. A lot of them focus on

0:46:47.400 --> 0:46:50.480
<v Speaker 2>how sinful Boston is compared to the countryside, which I

0:46:50.520 --> 0:46:51.120
<v Speaker 2>do approve of.

0:46:52.080 --> 0:46:57.480
<v Speaker 3>I mean, I don't disagree now, but I find everyone

0:46:57.800 --> 0:46:58.520
<v Speaker 3>and everything there.

0:46:58.880 --> 0:47:01.400
<v Speaker 2>Yeah, I mean it is the city of smells, like,

0:47:02.040 --> 0:47:07.839
<v Speaker 2>that's what we all about Boston. Yeah, the city of piss. Look,

0:47:08.480 --> 0:47:11.080
<v Speaker 2>Los Angeles a lot of good piss. New York great

0:47:11.120 --> 0:47:14.239
<v Speaker 2>piss town, you know. But but Boston, of all the

0:47:14.280 --> 0:47:17.800
<v Speaker 2>towns that smell like urine, definitely, well maybe Philadelphia anyway,

0:47:18.040 --> 0:47:20.040
<v Speaker 2>There's actually a lot of towns that smell like piss,

0:47:20.120 --> 0:47:22.040
<v Speaker 2>but Boston's top of the pack. I'll give it that.

0:47:22.640 --> 0:47:25.080
<v Speaker 3>The day I moved to Boston, I was walking through

0:47:25.080 --> 0:47:28.000
<v Speaker 3>Cambri like Harvard Square, and I turned a corner and

0:47:28.040 --> 0:47:30.279
<v Speaker 3>a woman was holding her like five year old kid

0:47:30.800 --> 0:47:33.920
<v Speaker 3>over like a potted plant on the street. It like

0:47:34.840 --> 0:47:41.240
<v Speaker 3>it was from Texas, where it's like Boston over there.

0:47:41.520 --> 0:47:47.319
<v Speaker 2>Yeah, public, it's the Boston city motto, Boston just go

0:47:47.520 --> 0:47:48.399
<v Speaker 2>ship over there.

0:47:51.960 --> 0:47:54.600
<v Speaker 3>All the comments you're gonna get from your Bostonian fans.

0:47:54.400 --> 0:47:57.920
<v Speaker 2>Yeah it's okay, it's okay. You know, I live in Portland,

0:47:58.120 --> 0:48:00.000
<v Speaker 2>the city of also shipping all over the place.

0:48:00.280 --> 0:48:00.640
<v Speaker 3>It's a.

0:48:02.200 --> 0:48:05.120
<v Speaker 2>Look you want to talk about shit, go back to

0:48:05.120 --> 0:48:08.399
<v Speaker 2>the idealized like nineteen twenties. These people imagined back when

0:48:08.400 --> 0:48:11.120
<v Speaker 2>there were horses all over everything. O. God, that's a

0:48:11.160 --> 0:48:13.719
<v Speaker 2>lot of shit. You know, we barely shit in our

0:48:13.760 --> 0:48:15.319
<v Speaker 2>cities compared to how much shit do.

0:48:15.320 --> 0:48:19.719
<v Speaker 3>You still Georgia in springtime? It just seems are everywhere.

0:48:21.480 --> 0:48:24.440
<v Speaker 2>So what I find most interesting about this Salon article

0:48:24.480 --> 0:48:29.120
<v Speaker 2>about Thomas's shitty Kincaid novels is how the writer describes

0:48:29.160 --> 0:48:32.600
<v Speaker 2>the reaction of Kincaid's fans to a negative review of

0:48:32.640 --> 0:48:36.320
<v Speaker 2>the first book in the series, WHOA. Well, No, Actually

0:48:36.320 --> 0:48:38.400
<v Speaker 2>this is a little different because this comes out after

0:48:38.480 --> 0:48:41.200
<v Speaker 2>he's kind of been started to be disgraced. I began

0:48:41.239 --> 0:48:43.759
<v Speaker 2>to receive emails from people who had sunk their life

0:48:43.840 --> 0:48:48.000
<v Speaker 2>savings and Thomas Kincaid's signature galleries essentially mall and shopping

0:48:48.000 --> 0:48:50.919
<v Speaker 2>district outlets for his prints, and been fleeced. I didn't

0:48:50.920 --> 0:48:54.439
<v Speaker 2>really understand how the financial architecture of Kincaid's gallery empire worked,

0:48:54.480 --> 0:48:56.840
<v Speaker 2>and I shouldn't share their taste in wal art. But

0:48:56.920 --> 0:48:59.960
<v Speaker 2>these people struck me as decent and sincere They believed

0:49:00.160 --> 0:49:02.600
<v Speaker 2>Thomas Kincaid not just in the man or the company,

0:49:02.719 --> 0:49:06.160
<v Speaker 2>but in the ethos supposedly represented by his art, one

0:49:06.160 --> 0:49:09.520
<v Speaker 2>in which, to quote Kincaid's introduction to Cape Light, people

0:49:09.600 --> 0:49:12.279
<v Speaker 2>have the time to save her life simple pleasures and

0:49:12.400 --> 0:49:16.719
<v Speaker 2>lead deep, satisfying lives. It's not hard to find accounts

0:49:16.800 --> 0:49:19.839
<v Speaker 2>like these of people who purchased Kincaid Prince's investments and

0:49:19.880 --> 0:49:22.600
<v Speaker 2>feel ripped off. I found one letter in a medium

0:49:22.640 --> 0:49:26.400
<v Speaker 2>post by Charles Bodelaire, who apparently takes art questions from fans.

0:49:26.960 --> 0:49:30.480
<v Speaker 2>Dear Charles, I have four original oil paintings by Thomas Kinkaid.

0:49:30.680 --> 0:49:32.759
<v Speaker 2>I bought them about twenty five years ago and paid

0:49:32.800 --> 0:49:35.200
<v Speaker 2>six thousand dollars for each of them. I love them

0:49:35.239 --> 0:49:37.000
<v Speaker 2>and it gives me great pleasure to look at them.

0:49:37.239 --> 0:49:39.840
<v Speaker 2>But because I am moving to an assisted living facility

0:49:39.880 --> 0:49:41.879
<v Speaker 2>and will have no room for these paintings, I need

0:49:41.880 --> 0:49:43.880
<v Speaker 2>to sell them. I thought i'd at least get my

0:49:43.920 --> 0:49:45.960
<v Speaker 2>money back, and was shocked when the best offers I

0:49:46.000 --> 0:49:48.840
<v Speaker 2>received were between three and four hundred dollars each. I

0:49:48.960 --> 0:49:51.920
<v Speaker 2>cried for days. How could these beautiful works of art

0:49:51.960 --> 0:49:54.800
<v Speaker 2>sell for such a pittance. It's because they just printed

0:49:54.800 --> 0:49:55.160
<v Speaker 2>them out.

0:49:55.239 --> 0:49:55.439
<v Speaker 4>Man.

0:49:56.120 --> 0:49:59.040
<v Speaker 2>Sorry, I don't want to make an old man feel

0:49:59.080 --> 0:50:02.200
<v Speaker 2>bad about painting that bring him happiness in his twilight years.

0:50:02.239 --> 0:50:04.640
<v Speaker 2>But like that is what happened. You got ripped off.

0:50:04.760 --> 0:50:06.680
<v Speaker 2>I'm sorry, Like, I mean one thing.

0:50:06.719 --> 0:50:09.080
<v Speaker 3>They said, Hey, by these paintings, aren't they pretty? You'll

0:50:09.080 --> 0:50:11.800
<v Speaker 3>just enjoy looking every day? Cool? Great? Yeah, but he

0:50:12.040 --> 0:50:15.040
<v Speaker 3>was told it was investment, was going to appreciate.

0:50:15.760 --> 0:50:18.880
<v Speaker 2>Yeah, exactly. If someone wants to pay thousands of dollars

0:50:18.880 --> 0:50:21.839
<v Speaker 2>for a painting that looks pretty like I do, that's

0:50:21.880 --> 0:50:24.920
<v Speaker 2>not a scam unless you're making them think that this

0:50:25.080 --> 0:50:30.760
<v Speaker 2>is something that will make their money appreciate, you know that. Yeah,

0:50:30.840 --> 0:50:31.520
<v Speaker 2>that's a bummer.

0:50:31.760 --> 0:50:33.960
<v Speaker 3>He really is the Trump of the art world, isn't.

0:50:33.760 --> 0:50:36.359
<v Speaker 2>He's the Trump of the artworld? That's exactly. Yeah. When

0:50:36.440 --> 0:50:38.160
<v Speaker 2>I may steal that from you for the title, and

0:50:38.200 --> 0:50:39.960
<v Speaker 2>then you can take me to court. You know, we're

0:50:40.000 --> 0:50:41.600
<v Speaker 2>gonna we're going to spend the rest of the twenty

0:50:41.640 --> 0:50:43.840
<v Speaker 2>twenties litigating and seeing I'm hearing about.

0:50:43.719 --> 0:50:46.520
<v Speaker 3>It's people who believed him there was a.

0:50:46.480 --> 0:50:51.799
<v Speaker 2>Fucking university, Yes, yes, for teaching his gallery owners how

0:50:51.800 --> 0:50:57.279
<v Speaker 2>to get fleeced. As the early two thousands faded into

0:50:57.320 --> 0:50:59.640
<v Speaker 2>the aughts, Kincaid was still a big business, although the

0:50:59.719 --> 0:51:02.120
<v Speaker 2>number of galleries devoted to his work and plunged from

0:51:02.120 --> 0:51:04.560
<v Speaker 2>a high of three hundred and fifty to something like

0:51:04.600 --> 0:51:10.080
<v Speaker 2>half that. So he's still a big business. Yes, that's

0:51:10.120 --> 0:51:12.319
<v Speaker 2>not a that's that's bigger. I mean there's no other

0:51:12.400 --> 0:51:16.000
<v Speaker 2>single artist you can say that about really anyway, there's

0:51:16.080 --> 0:51:21.239
<v Speaker 2>any artists on earth like that. Yeah, Now that just

0:51:21.280 --> 0:51:24.600
<v Speaker 2>maybe Disney being actually caring about having a sustainable business

0:51:24.680 --> 0:51:27.640
<v Speaker 2>right now. Somewhere around two thousand and eight or two

0:51:27.680 --> 0:51:29.920
<v Speaker 2>thousand and nine, his marriage fell apart and he and

0:51:30.000 --> 0:51:33.880
<v Speaker 2>Nannette separated. Kincaid does seem to have loved her despite

0:51:33.880 --> 0:51:36.879
<v Speaker 2>his achieveding, and included constant references to her and their

0:51:36.880 --> 0:51:38.880
<v Speaker 2>marriage in his work. He would like put their the

0:51:38.960 --> 0:51:42.440
<v Speaker 2>date of their anniversary and paintings after they had split up,

0:51:43.320 --> 0:51:46.320
<v Speaker 2>and he seems to have spiraled increasingly once she left.

0:51:46.400 --> 0:51:49.520
<v Speaker 2>His drug use in drinking grew more severe. The Daily

0:51:49.640 --> 0:51:52.480
<v Speaker 2>Beast describes one December twenty ten event that shows his

0:51:52.600 --> 0:51:55.480
<v Speaker 2>mood well quote. Fans in Denver had been promised a

0:51:55.520 --> 0:51:59.360
<v Speaker 2>thirty minute inspirational presentation. What they got was an ungroomed,

0:51:59.400 --> 0:52:01.840
<v Speaker 2>under addressed speaker who was none too pleased with the

0:52:01.880 --> 0:52:05.440
<v Speaker 2>media's coverage. Of his recent arrest for drunk driving, stays

0:52:05.440 --> 0:52:08.279
<v Speaker 2>in public and I make a headline. He sneered. Then

0:52:08.320 --> 0:52:10.640
<v Speaker 2>he complained about the media's lack of attention to his

0:52:10.760 --> 0:52:14.239
<v Speaker 2>charitable works. America's most known, most beloved artist shows up

0:52:14.280 --> 0:52:16.400
<v Speaker 2>in an Orange County hospital. We threw in all day,

0:52:16.480 --> 0:52:18.600
<v Speaker 2>kids of it. We hosted art contest. We gave art

0:52:18.600 --> 0:52:20.919
<v Speaker 2>packages to all the kids. I talked to them about

0:52:21.000 --> 0:52:23.640
<v Speaker 2>journaling their life, about creating something every day that makes

0:52:23.640 --> 0:52:26.239
<v Speaker 2>a statement. And we sent word out to every newspaper.

0:52:26.239 --> 0:52:28.880
<v Speaker 2>Come down, see this day of joy, this day of celebration.

0:52:29.320 --> 0:52:31.960
<v Speaker 2>No one showed, but make one wrong step in public

0:52:31.960 --> 0:52:34.600
<v Speaker 2>and they put it on the front page. Yeah, man,

0:52:35.239 --> 0:52:39.719
<v Speaker 2>Thomas Kincaid gives kitchy fucking journals to sick kids. Is

0:52:39.760 --> 0:52:42.040
<v Speaker 2>not an art story in the way that rich artists

0:52:42.040 --> 0:52:45.920
<v Speaker 2>caught drunk driving is. Maybe that's wrong, but it's just obvious.

0:52:46.400 --> 0:52:49.160
<v Speaker 3>You remember that since this episode Camp Krusty, where like

0:52:49.239 --> 0:52:55.919
<v Speaker 3>Crusty shows up like.

0:52:56.000 --> 0:52:59.239
<v Speaker 2>So when he finishes, Kincaid asks the organizers to make

0:52:59.280 --> 0:53:02.040
<v Speaker 2>sure that his room is alcohol free, and then he

0:53:02.160 --> 0:53:05.360
<v Speaker 2>keeps the owner of the Colorado Concaide Gallery up until

0:53:05.400 --> 0:53:07.920
<v Speaker 2>like the early hours of the morning talking about his

0:53:08.000 --> 0:53:13.040
<v Speaker 2>ex wife. Just a perfect picture of a man's spiraling

0:53:13.880 --> 0:53:19.280
<v Speaker 2>and Thomas, this is definitely the terminal part of the spiral.

0:53:19.440 --> 0:53:22.160
<v Speaker 2>A month after that event, he spends ten days in

0:53:22.239 --> 0:53:25.600
<v Speaker 2>jail on his DUI charge. He tries to get sober

0:53:25.640 --> 0:53:28.560
<v Speaker 2>after that, but he just keeps relapsing, falling back into

0:53:28.600 --> 0:53:31.400
<v Speaker 2>drugs and alcohol. A little over a year later, he

0:53:31.440 --> 0:53:34.960
<v Speaker 2>has found unconscious. He spends several days in a coma,

0:53:35.280 --> 0:53:37.640
<v Speaker 2>and when he wakes up, the doctor say basically, hey man,

0:53:37.960 --> 0:53:41.000
<v Speaker 2>you have to sober up now or die. You don't

0:53:41.040 --> 0:53:43.680
<v Speaker 2>get more chances, right. This isn't the kind of thing

0:53:43.719 --> 0:53:46.239
<v Speaker 2>where like you can dry out for a while and

0:53:46.239 --> 0:53:48.839
<v Speaker 2>then get back to the drinking and drugs. This is it.

0:53:49.239 --> 0:53:53.160
<v Speaker 2>If you fuck around anymore, you're dead. And, as is

0:53:53.160 --> 0:53:55.839
<v Speaker 2>often the case, he does not take this warning. Two

0:53:55.880 --> 0:53:59.919
<v Speaker 2>months later, on April sixth, twenty twelve, he overdoses and died.

0:54:00.600 --> 0:54:04.960
<v Speaker 2>Thomas Kincaid was fifty four. Reporting after his death revealed

0:54:04.960 --> 0:54:08.720
<v Speaker 2>that he was actively under federal investigation for securities fraud.

0:54:09.040 --> 0:54:11.719
<v Speaker 2>So there is some suspicion that maybe this was suicide.

0:54:12.200 --> 0:54:18.200
<v Speaker 2>You know, it's possible, right. He apparently was again a

0:54:18.200 --> 0:54:21.279
<v Speaker 2>lot of crimes associated with this, the Painter of Light,

0:54:22.160 --> 0:54:25.120
<v Speaker 2>Trump of art World, the Trump of the art world.

0:54:25.440 --> 0:54:29.320
<v Speaker 2>The immediate wake of his death saw a huge surgeon sales.

0:54:29.400 --> 0:54:32.319
<v Speaker 2>Fans gathered at fifty some galleries around the country in

0:54:32.360 --> 0:54:35.120
<v Speaker 2>a public wake, and then the autopsy report came out,

0:54:35.160 --> 0:54:37.319
<v Speaker 2>which showed that he had died of acute alcohol and

0:54:37.440 --> 0:54:42.200
<v Speaker 2>valium intoxication. I think most of his followers, some of

0:54:42.280 --> 0:54:45.600
<v Speaker 2>them are surprised, but it doesn't really reduce the amount

0:54:45.600 --> 0:54:48.000
<v Speaker 2>of love for his work. I actually find some of

0:54:48.040 --> 0:54:50.640
<v Speaker 2>the writing on this gross where they're like, haha, this man,

0:54:51.360 --> 0:54:54.440
<v Speaker 2>like like, look now everyone's going to stop liking him

0:54:54.480 --> 0:54:56.799
<v Speaker 2>because he owed Dean, And it's like, I don't know, man,

0:54:56.840 --> 0:54:59.800
<v Speaker 2>A lot of artists people love that kill themselves with

0:55:00.640 --> 0:55:03.319
<v Speaker 2>That's kind of the norm for artists that people love.

0:55:03.719 --> 0:55:07.120
<v Speaker 3>Yeah, that also pains additions of personal failing and addiction

0:55:07.239 --> 0:55:10.080
<v Speaker 3>is a disease, Like I'm not coold with that, Like

0:55:10.719 --> 0:55:13.279
<v Speaker 3>you can hate someone but also be sad that they

0:55:13.360 --> 0:55:15.440
<v Speaker 3>fell down addition.

0:55:15.680 --> 0:55:18.280
<v Speaker 2>And I would say the fact that he, after splitting

0:55:18.320 --> 0:55:21.480
<v Speaker 2>up with his wife, fell to addiction is not contradictory

0:55:21.520 --> 0:55:23.600
<v Speaker 2>to the Christian values and the same way that the

0:55:23.600 --> 0:55:28.080
<v Speaker 2>fact that he is sexually assaulting people and committing securities fraud.

0:55:28.239 --> 0:55:31.080
<v Speaker 3>Is that right? Is all way more setting to him? Yeah,

0:55:31.239 --> 0:55:34.760
<v Speaker 3>the death is a little sad. Oh yeah, no, everything

0:55:34.800 --> 0:55:35.880
<v Speaker 3>else is disgusting.

0:55:36.360 --> 0:55:39.759
<v Speaker 2>Yeah right. Uh so what did more damage to his

0:55:39.840 --> 0:55:42.839
<v Speaker 2>memory was the fact that there's this horrible legal fight

0:55:42.880 --> 0:55:46.000
<v Speaker 2>afterwards between his ex wife and his new girlfriend, who

0:55:46.000 --> 0:55:48.400
<v Speaker 2>claimed to have letters that he wrote her while drunk

0:55:48.440 --> 0:55:51.279
<v Speaker 2>promising her a bunch of his assets. The matter is

0:55:51.320 --> 0:55:53.920
<v Speaker 2>offitually said, eventually settled out of court, but it made

0:55:54.000 --> 0:55:56.759
<v Speaker 2>it kind of impossible to hide the unsavory elements of

0:55:56.840 --> 0:56:00.400
<v Speaker 2>Kincaid's legacy. Now, if you have paid a tension at

0:56:00.440 --> 0:56:03.640
<v Speaker 2>all to how evangelical Christians responded to Trump's many foibles

0:56:03.640 --> 0:56:06.440
<v Speaker 2>and amoral acts, you're not surprised that a lot of

0:56:06.440 --> 0:56:09.839
<v Speaker 2>people continued to love Kincaid after all this came out.

0:56:10.160 --> 0:56:12.319
<v Speaker 2>His company is still around. It's opened up to new

0:56:12.400 --> 0:56:16.279
<v Speaker 2>artists and even branded content, so obviously they've seen need

0:56:16.320 --> 0:56:18.640
<v Speaker 2>to expand since his death, But by all accounts, he

0:56:18.719 --> 0:56:22.560
<v Speaker 2>is still an exceedingly profitable artist. Thomas, though, now has

0:56:22.600 --> 0:56:25.880
<v Speaker 2>to rest in the eternal hell that awaits all artists,

0:56:26.280 --> 0:56:29.120
<v Speaker 2>because if your work is notable enough to be discussed

0:56:29.160 --> 0:56:33.799
<v Speaker 2>in any fashion, any fashion, some critic is always going

0:56:33.840 --> 0:56:36.360
<v Speaker 2>to get the last word, right, if your work is

0:56:36.400 --> 0:56:38.440
<v Speaker 2>worth talking about, it's always going to be a critic

0:56:38.440 --> 0:56:40.640
<v Speaker 2>who gets the last word, because you're going to die someday.

0:56:41.000 --> 0:56:44.120
<v Speaker 2>And in Thomas's case, some of those critics were scholars

0:56:44.120 --> 0:56:47.960
<v Speaker 2>from the British Journal of Aesthetics who conducted a study

0:56:48.200 --> 0:56:51.040
<v Speaker 2>to see if they could quantify how bad his art was.

0:56:52.520 --> 0:56:56.239
<v Speaker 2>This study, mere exposure to bad art, tested whether or

0:56:56.280 --> 0:56:59.080
<v Speaker 2>not repeated exposure to Kincaid's work would cause someone to

0:56:59.200 --> 0:57:01.840
<v Speaker 2>like it more or less, and they paired Kincaid the

0:57:01.880 --> 0:57:05.080
<v Speaker 2>control group was a better artist, right, somebody who had

0:57:05.080 --> 0:57:08.840
<v Speaker 2>had like a general level of critical you know, acclaim

0:57:08.960 --> 0:57:12.359
<v Speaker 2>And after repeated viewings, participants reported no change in their

0:57:12.400 --> 0:57:16.720
<v Speaker 2>appreciation of the good art quote, but repeated viewings of

0:57:16.760 --> 0:57:20.760
<v Speaker 2>the Painter of Light prompted strong negative emotions, with participants

0:57:20.800 --> 0:57:23.200
<v Speaker 2>saying they liked his stuff less each time it popped

0:57:23.280 --> 0:57:25.600
<v Speaker 2>up in front of their eyes. Now Here are those

0:57:25.960 --> 0:57:29.200
<v Speaker 2>result reactions in graph form taken from an earlier unpublished

0:57:29.200 --> 0:57:32.560
<v Speaker 2>form of the research. And yeah, it's a you know,

0:57:32.760 --> 0:57:35.840
<v Speaker 2>there's a theory that this may be because exposure to

0:57:35.880 --> 0:57:39.600
<v Speaker 2>Kincaid over time makes the flaws and his work glaringly obvious,

0:57:39.680 --> 0:57:41.520
<v Speaker 2>and so people come to hate it the more they

0:57:41.560 --> 0:57:44.440
<v Speaker 2>look at it. This is clearly not true to as

0:57:44.440 --> 0:57:47.160
<v Speaker 2>many fans, but it does lead lend some comfort to

0:57:47.200 --> 0:57:49.240
<v Speaker 2>the rest of us. Right if you are like I

0:57:49.320 --> 0:57:52.720
<v Speaker 2>find this this guy like more upsetting every piece of

0:57:52.840 --> 0:57:56.320
<v Speaker 2>art that you've shown of his their scientific backing for that,

0:57:56.480 --> 0:57:59.400
<v Speaker 2>you are in the norm, So good news there, and.

0:58:00.040 --> 0:58:01.880
<v Speaker 3>At bit ship it is.

0:58:02.080 --> 0:58:05.120
<v Speaker 4>Really it's incredibly petty for a dead man who like

0:58:05.720 --> 0:58:08.840
<v Speaker 4>died in a very sad fashion alone of an overdose,

0:58:08.880 --> 0:58:11.280
<v Speaker 4>to be like, let's see if we can scientifically prove

0:58:11.360 --> 0:58:11.920
<v Speaker 4>he sucked.

0:58:13.840 --> 0:58:18.440
<v Speaker 3>It's some of my disdain for for critics in general,

0:58:18.520 --> 0:58:21.560
<v Speaker 3>because there is such a I need to prove why.

0:58:21.800 --> 0:58:26.200
<v Speaker 3>It's not opinion, it's fat proving. No, Oh my.

0:58:26.120 --> 0:58:31.080
<v Speaker 2>God, it's the pettiest thing I've ever heard of, And

0:58:31.160 --> 0:58:33.600
<v Speaker 2>I respect. There's a degree to which you have to

0:58:33.640 --> 0:58:34.760
<v Speaker 2>respect that level of petty.

0:58:34.800 --> 0:58:37.160
<v Speaker 3>Oh no, that's impressive. Spent some time on that.

0:58:37.200 --> 0:58:41.840
<v Speaker 2>You really put in the effort to hate this guy's paintings,

0:58:42.840 --> 0:58:44.959
<v Speaker 2>And I guess I just wrote eighty five hundred words

0:58:44.960 --> 0:58:47.320
<v Speaker 2>about why I don't like his art. So I'm not

0:58:47.480 --> 0:58:50.880
<v Speaker 2>that petty, but I'm certainly in the upper level of why.

0:58:50.720 --> 0:58:53.439
<v Speaker 3>You don't like him. I think that's a different.

0:58:53.160 --> 0:58:57.640
<v Speaker 2>I do not that is that is fair. I believe

0:58:57.680 --> 0:59:00.120
<v Speaker 2>I felt this for a long time. The only the

0:59:00.240 --> 0:59:04.760
<v Speaker 2>real valid artistic expression in our society is reprinted T

0:59:04.920 --> 0:59:08.520
<v Speaker 2>shirts of Bart Simpson during the Gulf War. You know,

0:59:08.640 --> 0:59:12.440
<v Speaker 2>that's that's all. Great art is just some kind of

0:59:12.480 --> 0:59:16.680
<v Speaker 2>reprinted Bart Simpson T shirt made in order that the

0:59:17.000 --> 0:59:20.640
<v Speaker 2>generated so they did. Yes, of course, of course, yes,

0:59:21.440 --> 0:59:26.320
<v Speaker 2>any any early nineties illegal Bart Simpson merchandise is art

0:59:26.400 --> 0:59:32.960
<v Speaker 2>and nothing else is anyway, plug your art.

0:59:36.440 --> 0:59:42.680
<v Speaker 3>Wow. So uh you can see my my mean spirited

0:59:42.760 --> 0:59:47.400
<v Speaker 3>comic at somebody positive dot net or at mousetrapped dot blog.

0:59:47.480 --> 0:59:50.520
<v Speaker 3>Is another thing I do. I also draw the Sunday

0:59:50.560 --> 0:59:54.800
<v Speaker 3>Popeyes at comics Kingdom dot com slash Popeye, and if

0:59:54.800 --> 0:59:57.720
<v Speaker 3>you go to Comics Kingdom at com slash, I believe

0:59:57.720 --> 1:00:01.560
<v Speaker 3>it's hold on. I not prepared, That's why would I be.

1:00:01.920 --> 1:00:05.560
<v Speaker 3>I'm still winded by I did not expect this to

1:00:05.600 --> 1:00:10.920
<v Speaker 3>have sexual assault. Yeah dot com slash all of hyphen

1:00:11.000 --> 1:00:14.480
<v Speaker 3>Popeye Tuesdays and Thursdays is new strips. There, I knew

1:00:14.480 --> 1:00:18.840
<v Speaker 3>the Thursday strips. Yeah wow, I that did not go

1:00:18.960 --> 1:00:20.160
<v Speaker 3>where I thought it was gonna go.

1:00:20.840 --> 1:00:25.720
<v Speaker 2>No, no, well, you know, I'm always happy to hear that, Randy.

1:00:26.280 --> 1:00:26.680
<v Speaker 3>Uh.

1:00:26.720 --> 1:00:27.680
<v Speaker 2>And all I can say is, I.

1:00:27.680 --> 1:00:30.520
<v Speaker 3>Don't feel like I have gone off compared to most

1:00:30.520 --> 1:00:31.160
<v Speaker 3>of your guests.

1:00:31.480 --> 1:00:34.360
<v Speaker 2>Oh yeah, fairly low that. This is one of our

1:00:34.480 --> 1:00:36.720
<v Speaker 2>more low stakes bastards. For sure.

1:00:36.760 --> 1:00:39.560
<v Speaker 3>There's no dead children in this episode that I'm aware of.

1:00:39.920 --> 1:00:42.880
<v Speaker 2>Yeah, no dead kids. You know, some old people lose

1:00:42.920 --> 1:00:48.440
<v Speaker 2>their savings. Definitely a sexual assault or too. Yeah, but

1:00:49.640 --> 1:00:51.880
<v Speaker 2>not not our worst, not our worst. But you know,

1:00:52.400 --> 1:00:56.360
<v Speaker 2>next time we have Randy on and I finally reveal

1:00:56.480 --> 1:01:01.040
<v Speaker 2>the dark truth behind the person who does high and Lois, I'm.

1:01:00.880 --> 1:01:04.560
<v Speaker 3>Just gonna say, uh huh.

1:01:05.200 --> 1:01:06.680
<v Speaker 2>Look, there's literally.

1:01:06.320 --> 1:01:08.960
<v Speaker 3>A national Cartoon to Society meeting next week. I'm supposed

1:01:09.000 --> 1:01:09.200
<v Speaker 3>to go.

1:01:09.280 --> 1:01:12.760
<v Speaker 2>The word war crimes gets thrown a lot around a

1:01:12.760 --> 1:01:17.400
<v Speaker 2>lot these days, but it should be around here. Yeah.

1:01:17.840 --> 1:01:20.400
<v Speaker 3>That's gonna make a real awkward meeting next week.

1:01:20.520 --> 1:01:23.880
<v Speaker 2>When I will wait until I publish my investigation and

1:01:23.920 --> 1:01:25.880
<v Speaker 2>we get the high end Lois person up in front

1:01:25.920 --> 1:01:29.640
<v Speaker 2>of the Hague. Uh, which one is there is there

1:01:29.680 --> 1:01:31.320
<v Speaker 2>a couple I don't know much about. Hyan Lowis I'm

1:01:31.320 --> 1:01:31.600
<v Speaker 2>gonna be.

1:01:32.240 --> 1:01:35.720
<v Speaker 3>Hi and Lois is technically a spin off of Beatle Bailey.

1:01:35.800 --> 1:01:40.480
<v Speaker 3>I believe more Walker and I believe it's the it's

1:01:40.520 --> 1:01:44.320
<v Speaker 3>his kids, and I believe that the kids behind the

1:01:44.360 --> 1:01:46.040
<v Speaker 3>creator of Hanger the Horrible.

1:01:47.400 --> 1:01:51.880
<v Speaker 2>Well, uh, you know, Hagi the Horrible. We'll see how

1:01:51.880 --> 1:01:55.640
<v Speaker 2>horrible he was next time. Randy, thank you.

1:01:56.360 --> 1:01:58.480
<v Speaker 3>Thank you so much for having me. It's always a pleasure.

1:01:59.200 --> 1:02:02.640
<v Speaker 2>Yes, thanks for being around. All right, everybody. That's the

1:02:02.720 --> 1:02:06.200
<v Speaker 2>episode go to Hell. I Love you.

1:02:06.240 --> 1:02:13.600
<v Speaker 1>Pleae. Behind the Bastards is a production of cool Zone Media.

1:02:13.960 --> 1:02:17.240
<v Speaker 1>For more from cool Zone Media, visit our website coolzonemedia

1:02:17.400 --> 1:02:20.600
<v Speaker 1>dot com, or check us out on the iHeartRadio app,

1:02:20.680 --> 1:02:23.560
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