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Speaker 1: Look man, oh, I see you my own line and

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Speaker 1: look over there is that in the culture.

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Speaker 2: Yes, goodness, lost culture.

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Speaker 1: Ding dong, lost culture calling tactile tactile.

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Speaker 2: Hey, hey, we're in strike mode.

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Speaker 3: We're in strike mode, and we're checking in with each

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Speaker 3: other and you out there.

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Speaker 4: People are asking what you can do to support the

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Speaker 4: w G a strike that is officially happening.

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Speaker 3: We're where it's.

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Speaker 4: As of twelve oh one am C S T E T. Yeah,

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Speaker 4: we're on strike.

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Speaker 2: What can you do to support?

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Speaker 4: Well, I guess you can be like missus Betty Gilpin

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Speaker 4: and destroy AI for one.

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Speaker 3: Yeah, we need to get rid of AI once and

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Speaker 3: for all.

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Speaker 1: And this is what's really making me see that finally,

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Speaker 1: it wasn't it wasn't clear to me by Centennial Man,

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Speaker 1: because that was a parable that movie.

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Speaker 2: Can we wait, hold on, we don't talk about bi

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Speaker 2: centennial Man.

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Speaker 1: We literally don't talk about bi Centennial Man enough. And

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Speaker 1: we'll get back to the writer's strike. But but first

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Speaker 1: we have to just touch on Bisentenia Man, which speaking

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Speaker 1: of writing.

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Speaker 4: Speaking of writing, Oh, fabulous writing. This was an epic

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Speaker 4: space film.

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Speaker 1: This was fantasy, it was drama, it was comedy, it

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Speaker 1: was it was science fiction, which is another word for technology.

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Speaker 1: It's actually real. Coach are number nineteen. Sci fi is

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Speaker 1: it another word for technology? That movie never forget the iconic

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Speaker 1: Celendion song at the end, I'm forgetting. Then you look

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Speaker 1: at me and I always see I'm so close to about.

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Speaker 2: What I have been searching. Fun gag. Listen to it.

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Speaker 1: I'm telling you, and the Celene Dion belt are tities off.

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Speaker 4: Why didn't that movie sort of hit more? I guess

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Speaker 4: is what is my question? You had, Robin Williams. You

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Speaker 4: had a Celine Dion song.

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Speaker 2: Yeah, it had all the makings.

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Speaker 1: I had Mbeth David's Mbeth David's period. Children are not

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Speaker 1: called embth anymore. That's actually really culture number nine. Children

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Speaker 1: are not called anymore. And we have an announcement. One

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Speaker 1: of the nominees for oh my God, our best name

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Speaker 1: that people are not named and will not be named

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Speaker 1: going forward anymore, is mbeth.

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Speaker 4: I think we took that category out. Oh my god,

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Speaker 4: can we just say. On the flight back from Orlando,

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Speaker 4: Matt and I sat, our flight was extremely delayed. We

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Speaker 4: sat on the plane. We wrote out the entire list

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Speaker 4: of new categories and old ones remaining categories for cultural awards.

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Speaker 1: Stay tuned because you are in for some old favorite

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Speaker 1: categories and also new categories that are sort of more

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Speaker 1: newer than the older ones.

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Speaker 2: Yes, and we did do that.

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Speaker 1: But anyway back to the strike, So, yes, the Writer's

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Speaker 1: Guild is on strike. And basically what happened was the

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Speaker 1: studio's response to us was, in a word, pathetic.

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Speaker 3: It's very demoralizing to see where we're sort of at.

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Speaker 1: I guess I thought that it was going to be

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Speaker 1: way easier than it seems like it's going to be.

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Speaker 1: I had heard from my sources, which I now confirm

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Speaker 1: we're bullshit, that like there was like one hold out

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Speaker 1: or like that we were almost there on every issue

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Speaker 1: except one or two, and like it seemed like it

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Speaker 1: was feasible we'd reach a agreement. But then the response

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Speaker 1: was just pathetic.

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Speaker 4: It was very much giving the thing of like, well

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Speaker 4: I heard from someone in the know, and then in

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Speaker 4: the next breath going, well, no one really knows anything.

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Speaker 1: And then one in Hollywood is a fucking liar and

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Speaker 1: also stupid. So why would you turn to your friend

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Speaker 1: who's involved in Hollywood or or the entertainment industry, which

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Speaker 1: is another word for Hollywood. It's a real coachure number eight.

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Speaker 1: Hollywood is another word for entertainment industry. They're the dumbest

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Speaker 1: people in the world, so why would they know what's happening.

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Speaker 1: I'm just kidding me, really, but we need them pretty dumb.

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Speaker 1: I'm just saying, like, if you have like what you

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Speaker 1: think is a good source, stop saying that.

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Speaker 2: Check your sources. Not one of your sources has been

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Speaker 2: good in this or any issue.

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Speaker 1: When a sort of gay guy comes over to you,

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Speaker 1: like shaking their shoulders and doing their gay guy thing,

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Speaker 1: because gay guys, I don't know if you've noticed, they

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Speaker 1: shake their shoulders, they move it sort of gaay way,

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Speaker 1: you know what I mean.

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Speaker 3: Like sometimes I'll be at a bar and a gay

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Speaker 3: guy will sort.

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Speaker 2: Of gay up to me and I go, what are

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Speaker 2: you gay?

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Speaker 1: And like hit me with justice here it's just like this,

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Speaker 1: like explain to the readers what I'm doing.

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Speaker 2: Okay, Matt just hit me in a sort of gay

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Speaker 2: almost faggy way.

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Speaker 1: And I sort of say and I say something like

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Speaker 1: this new Ari album Wednesday, and you're like, gay guy,

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Speaker 1: get out of here, because you're a liar, first of all.

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Speaker 2: And then Wednesday rolls around and then it's like, oh,

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Speaker 2: you meant Zora Larson.

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Speaker 1: No, missus, Zora Larson has been dragged because her name

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Speaker 1: is Zara Larson.

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Speaker 2: Zara, That's what I meant. But now it doesn't matter

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Speaker 2: at all.

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Speaker 1: We actually loved Zara Larson. We love Zarah Larson. Yes, wait,

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Speaker 1: that's a good one. What's a good song We've been

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Speaker 1: listening to and you know what I'm talking about.

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Speaker 4: There's a's a tie between two Go Ahead both by

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Speaker 4: Mazy Peters period It's Lost, the breakup and Body Better

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Speaker 4: the way I became so proud to see literally Bowen

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Speaker 4: become like amazing Peter Stam like in hours.

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Speaker 2: We're seeing her at Radio City, Yes we are.

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Speaker 3: You should all come, speaking of live performance before we

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Speaker 3: bring our guests in, and we're lucky to have the guests.

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Speaker 2: We're so lucky.

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Speaker 1: The Tony nominations were announced. We want to say congratulations

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Speaker 1: to many of our friends who have been on the

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Speaker 1: podcast who earned nominations today.

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Speaker 2: Ben Platt, Bonnie Milligan, Amber.

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Speaker 1: Ruffin, Amber someone Yes, I mean just shout out to

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Speaker 1: and like other people we don't know and have never

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Speaker 1: met and may never meet, or have you met you've

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Speaker 1: met Sarah Burrellis.

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Speaker 2: I've not met Sarah Burrellis.

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Speaker 4: Oh oh we know, Oh my gosh, of course I've

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Speaker 4: met Sarah Burrellis. But it was in such I met

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Speaker 4: Sarah Burrellis at Elsewhere because that's what we shot our

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Speaker 4: episode of Girls by Eva, and it was very much

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Speaker 4: I was like, what am I?

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Speaker 2: I was like. It was also my first time back at.

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Speaker 4: Elsewhere since since Lockdown, and I was like, god, I

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Speaker 4: remember all the parties that used to happen here. Yeah,

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Speaker 4: and it was like Sarah Burrells being so chill, cool, normal,

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Speaker 4: cool girl, Sarah Burrellis. Okay, can we spoil a category.

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Speaker 4: There's a category called Alison Williams Cool Girl Award.

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Speaker 1: Oh my god, are you saying that Sarah Brellis isn't

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Speaker 1: any Williams Cool Girl Award?

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Speaker 2: Absolutely?

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Speaker 1: That is so amazing and I can't wait for the awards.

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Speaker 1: I also want to say shout out to fucking Julia

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Speaker 1: Lester who slad a little red and into the woods

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Speaker 1: and they remember her, and also Ruthie and Miles did

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Speaker 1: the Begger Woman and let me say this as a

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Speaker 1: sort of Asian guy, me, yeah, And that was like

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Speaker 1: a sort.

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Speaker 2: Of gay guy me. Ruthie is our queen. Ruthie.

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Speaker 3: Wow, that's amazing.

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Speaker 2: It's amazing. We intersected, Ruthie, you.

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Speaker 3: And I, You and I. It's great to have something

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Speaker 3: in common.

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Speaker 1: Speaking of Cool Girl Award, Speaking of Cool Girl Award

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Speaker 1: and people having things in common.

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Speaker 2: Our two guests study hosts a podcast.

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Speaker 1: They hosted the podcast on the huge, major, huge betches

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Speaker 1: platform betch'es up This up.

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Speaker 2: It's where you get politics, pop culture.

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Speaker 1: News, topical queendom. The vibe is group chat. It's giving Hey, everyone,

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Speaker 1: gather around, we're talking.

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Speaker 4: Hey everyone, I'm changing the group chat pick and I'm

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Speaker 4: adding a couple more folks to this.

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Speaker 2: And you're gonna want to add to contact.

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Speaker 1: Whenever I see someone be so bold in the group

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Speaker 1: and I'm on record on this, oh yeah, to change

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Speaker 1: the picture, I go go off or just add people,

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Speaker 1: I say, Okay, my god, I can't imagine being so

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Speaker 1: confident something to leave the house. And I think I'm

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Speaker 1: not the person who's going to add people to the.

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Speaker 2: Group chat today.

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Speaker 1: Our guests are our guests do it all the time.

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Speaker 1: This is the Betch's Sup Podcast. And you know and

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Speaker 1: love our guests from their other work as well. And listen.

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Speaker 1: One of them is even a return guest on the

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Speaker 1: podcast and the other had the Janellis j Show on

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Speaker 1: the Clown Parade, And I'm telling you that shit made

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Speaker 1: me laugh so funny.

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Speaker 2: Really really really really well, well I laughed.

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Speaker 1: Well, you know, we were in Disney and we kept saying, wow,

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Speaker 1: we ate Well I laughed, Well, I laughed. Oh yeah,

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Speaker 1: Janella's together. They are a force, absolutely, and actually they're

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Speaker 1: a threat to us.

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Speaker 2: Threat. Well, we're very excited they're here, though, very.

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Speaker 3: Excited they're here.

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Speaker 1: And there is a category at this year's Cultural Awards

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Speaker 1: it can spoil, which is biggest current threat to us. Yes,

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Speaker 1: I don't know if they're nominated, but I think there's

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Speaker 1: gonna be a lot of sort of let's call it,

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Speaker 1: you know, comedy comedians podcast are definitely threats to us, definitely.

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Speaker 1: Can we have our eye on them and we'll see,

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Speaker 1: we'll see, and we're watch the space, watch the space.

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Speaker 2: We're so happy they're here. Everyone welcome atlic morale.

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Speaker 5: Goodnesseration.

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Speaker 2: I you've threatened us in the past already.

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Speaker 4: Yeah, it was just off handedly, like I can't remember

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Speaker 4: exactly when, but I'm sure like individually and as a duo.

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Speaker 4: You threatened us like I'm gonna come to your house Bowen.

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Speaker 6: Do you not remember our first artistic collaboration with me?

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Speaker 4: And yes, yes, yes it was Rally Williams were to

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Speaker 4: play about the Chilean Miners that we did at the

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Speaker 4: Annoyance Theater.

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Speaker 6: Latino cast who was the director.

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Speaker 4: When directed a show with an all LATINX cast. But

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Speaker 4: it was so so funny and.

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Speaker 6: It was an interactive like sleep, no more like play

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Speaker 6: at the Annoyance.

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Speaker 2: It was an immersive play.

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Speaker 4: We took over every room and then in the end

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Speaker 4: we all got out through like the hatch door.

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Speaker 6: Yeah. So we would re enact the Chilean my collapse

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Speaker 6: every night for every second.

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Speaker 1: So let's sort of shift the conversation to why you

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Speaker 1: thought you why you thought that it was a good

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Speaker 1: idea for you to take on that responsibility of leading

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Speaker 1: that show.

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Speaker 2: That's an amazing valid question. Yeah, I know my answer.

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Speaker 2: You know.

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Speaker 4: Rollie Williams came up to me said, I have this

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Speaker 4: show in mind.

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Speaker 3: I love when a conversation starts like that.

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Speaker 4: It's about this, It's about the Chilean miners, And I go,

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Speaker 4: my dad works in mining, I'm the perfect director.

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Speaker 3: For it, and he said, you're the gay guy to

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Speaker 3: director And that.

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Speaker 4: Is my only that is the only time I've like

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Speaker 4: really had nepotism work in my favorite you know.

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Speaker 6: And that's what I'm saying, you know, and that's part

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Speaker 6: of my I don't think so, honey.

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Speaker 3: She launched into it now.

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Speaker 6: No, it's like I'm the nepo baby of Dominican hair

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Speaker 6: salons and.

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Speaker 2: Exactly, yeah, comedy entertainment.

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Speaker 6: No, but if you want to open a Dominican hair

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Speaker 6: salon cal Florida, I'm your fucking there's royalty in that head.

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Speaker 6: And that's what we're not talking about. No, Stiller, and

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Speaker 6: that's your example. Well, because okay, because the neo babies

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Speaker 6: I'm coming in, come on, we're not ready. They're like, oh,

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Speaker 6: it's the same thing, like oh, if your parents a doctor,

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Speaker 6: then you're a doctor. And it's like, well, first of all, no,

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Speaker 6: second of all, yes, yeah, you know, definitely, my dad's

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Speaker 6: a miner. I should direct this thing, like go off.

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Speaker 5: And I remember you bringing that. It's the hatch.

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Speaker 7: I was the one who opened that, and no one

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Speaker 7: else could have done that.

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Speaker 4: If only someone with a father who works in mining

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Speaker 4: could have done.

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Speaker 1: That, would even know how to hold the call it

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Speaker 1: the lever on the hat.

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Speaker 6: But we did that show every fucking Saturday for like

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Speaker 6: a year and half, like.

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Speaker 2: A year and a half.

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Speaker 4: Crazy, how there are more stories of people falling in

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Speaker 4: those hatches on the street.

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Speaker 2: Those are everywhere, but one of my topears falling.

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Speaker 3: Through like one of the greats. Yeah, it's really crazy

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Speaker 3: to think about that. It could happen at any time,

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Speaker 3: and it's something.

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Speaker 1: The city is full of holes. The city is full

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Speaker 1: of holes. Actually, Ruler coachure number fifty one, this.

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Speaker 2: City is full of hole.

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Speaker 1: By right here, you'll notice that I didn't say New

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Speaker 1: York City is full of holes. Every city is full

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Speaker 1: of holes. You have to watch out for where you

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Speaker 1: are stepping or standing and hearing on this podcast right now,

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Speaker 1: because you don't think about this in other cities necessarily

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Speaker 1: as much as New York.

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Speaker 3: But there are holes everywhere.

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Speaker 6: And you know what, and that's why we're all desensitized

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Speaker 6: because constantly showing hole on timeline that doesn't mean anything.

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Speaker 4: I know, I could see this walking outside my apartment.

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Speaker 6: Excuse me, and guess what. That hole ain't gonna kill me?

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Speaker 2: Well, you don't know. Wow, well you don't know.

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Speaker 6: You're right, You're right, coachre blind spots.

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Speaker 3: Some of these holes are out to kill.

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Speaker 2: I know firsthand. Well have you ever had hole?

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Speaker 7: Ever?

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Speaker 3: Have you ever seen that hole?

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Speaker 7: No?

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Speaker 6: You know what. I just read too many revenge ports.

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Speaker 6: I don't play those games. I have pictures and literally anything.

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Speaker 4: I think like maybe the four of us all before,

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Speaker 4: like I think we all had the sense early on

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Speaker 4: that we were like, let's not let's not pass these.

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Speaker 3: Oh I didn't have that sense. I was sending a lot.

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Speaker 6: Of can I say I was not into pictures to

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Speaker 6: the pandemic, And then you know, it was very much

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Speaker 6: a game of like what can I say to this

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Speaker 6: guy to get him to send me a picture of

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Speaker 6: his day?

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Speaker 7: Right?

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Speaker 2: And then he's like sort of that.

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Speaker 3: The whole is like what you have in your cards

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Speaker 3: of death.

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Speaker 6: But I never do it.

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Speaker 2: See.

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Speaker 7: That's the thing though, I don't want a return image.

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Speaker 7: Like whenever I sent photos, I just was like, gaze

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Speaker 7: upon me. I don't need anything in return. And I

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Speaker 7: remember one time a guy sent me something in return,

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Speaker 7: and I was like, yeah, I guess.

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Speaker 1: The ideal thing is to send a picture of yourself

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Speaker 1: and have the response be somewhere along the lines of

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Speaker 1: like fuck or like fuck babe, like wow, or like

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Speaker 1: holy shit. And then if you get send something back

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Speaker 1: from a guy, what you're getting is a dick.

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Speaker 2: Pic right right.

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Speaker 3: And I'm not blown away by dick. I've never really

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Speaker 3: been like.

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Speaker 6: A There's some good ones, but I'll say this. One

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Speaker 6: time I set a picture of me in a bra

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Speaker 6: and the guy friend zoned me.

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Speaker 2: So because.

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Speaker 6: No, He's like, you know what, you're a really great friend.

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Speaker 6: And I'm like, okay, I'm never doing this again.

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Speaker 2: Picture of you and a bra. Like it was just

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Speaker 2: the bra and nothing else.

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Speaker 6: It was my face and me and a nice bra,

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Speaker 6: and he was like, hey, we're good friends. The thing

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Speaker 6: about being friend zoned by a straight man is that

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Speaker 6: when you're friend zoned by a straight man, they'll still

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Speaker 6: fuck you. But that is what friendship is straight men.

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Speaker 6: It is like, we're still go in a bug. You're

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Speaker 6: just my friend. And also it's so hard dating straight man.

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Speaker 6: We can go into that, but it's just the whole thing.

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Speaker 4: I would like to go into it because I feel

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Speaker 4: like I've lost touch. I genuinely want to get back in.

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Speaker 3: Well, you've been with for many.

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Speaker 7: I know I'm married to one here, I committed myself

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Speaker 7: to one, and I was just thinking that I have

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Speaker 7: like one ancient nude on my phone and the person

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Speaker 7: who receives that nude is now my husband.

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Speaker 3: So there you go with that.

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Speaker 1: You will, So you're saying if I'm just sort of

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Speaker 1: like excavate what you're saying here, you've sent nudes to

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Speaker 1: only one man.

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Speaker 5: No, I've sent I've sent nudes before, but I only

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Speaker 5: have one nude on.

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Speaker 7: My phone that I keep because I really thought it

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Speaker 7: was a good one and I angles are great and

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Speaker 7: check it out.

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Speaker 1: The flashing of it really is good.

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Speaker 3: Emerald band reader, it's beautiful. This one's for you.

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Speaker 7: Actually, we got it off Jared dot Com previously used

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Speaker 7: collections WHOA.

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Speaker 1: And you know.

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Speaker 7: Someone either died or divorced and now it's mine.

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Speaker 6: And I'll just say this, you know me in a lease.

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Speaker 6: Two Latina women, really funny, know a lot about the news,

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Speaker 6: really well informed. Our only toxic trait is that we're straight.

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Speaker 8: Unfortunately, but even toxic when you know how to handle it.

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Speaker 1: You know what I mean, We know how to handle

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Speaker 1: being straight. I don't find it to be toxic.

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Speaker 2: At all.

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Speaker 6: So how does someone not know how to handle being.

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Speaker 4: Straight the same way that someone can bear? A gay

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Speaker 4: guy can barely handle being a gay.

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Speaker 1: Guy because like I imagine, imagine you saw me out

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Speaker 1: of the bar, you didn't know who I was, and

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Speaker 1: I'm sort of moving over to you.

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Speaker 2: Like a gay guy.

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Speaker 6: Because then is that the Babba duke?

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Speaker 1: That is, when gay men are acting like the Baba duke,

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Speaker 1: they're like okay, they can't handle it, and when stray

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Speaker 1: people are it's like the opposite, right, So the gay guy,

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Speaker 1: he's sort of coming over to you like this, just

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Speaker 1: get to the point and get over here and say

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Speaker 1: what you need to say.

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Speaker 6: So much like, first of all, well, first of all,

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Speaker 6: I'm in a gay club. They're like okay, Jennifer Hudson,

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Speaker 6: and I'm like, okay, God, okay, Jennifer Hunt. Listen, that

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Speaker 6: is happened. It's happened.

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Speaker 2: This is what we're saying. Gay guys don't know. So

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Speaker 2: then tell me about the streets. Straight this is what

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Speaker 2: they do.

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Speaker 1: They come in and amble over and they take up

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Speaker 1: a lot of immediately, at least gays know to like

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Speaker 1: only take up some rooms.

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Speaker 2: Gay guys are baba dukes. Straight guys are like the.

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Speaker 7: Minions, so many of them.

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Speaker 1: Yeah, it's very Can we talk about the Minions phenomenon

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Speaker 1: because I don't think we ever have.

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Speaker 6: Okay, the minions are only men. The guys that created

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Speaker 6: the Minions are like, there are no female minions because

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Speaker 6: minions are stupid and women would never This is literally quotable, like,

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Speaker 6: fucking look it up.

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Speaker 7: There are no Minion reproduction, I guess, Or does that

384
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Speaker 7: guy just.

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Speaker 1: Create that guy created No, it's okay.

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Speaker 4: I think we all have this blind spot in different ways,

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Speaker 4: but like, how do they get created? Well, the Minions

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Speaker 4: movie is a prequel to Despicable Meat before Groo finds.

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Speaker 2: Them, he finds before they go to groove?

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00:18:04,040 --> 00:18:04,159
Speaker 7: Is it?

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00:18:06,040 --> 00:18:08,960
Speaker 2: Yeah, it basically is. But they're all men.

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Speaker 3: Oh my god, Wait you know what I just realized?

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00:18:11,320 --> 00:18:16,159
Speaker 1: Minions is ripped off from the Yep, guys, Wait a second.

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Speaker 6: Yep, let's talk about it.

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00:18:18,160 --> 00:18:22,480
Speaker 1: Let's fucking got the guy who created Despicable Me is.

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Speaker 4: His name is Sinko Paul. He's wonderful, created schmigger dude.

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Speaker 3: So what you're saying is we have to walk this back.

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Speaker 2: No, no, don't walk it back. We walk what back

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Speaker 2: mallans is.

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00:18:34,400 --> 00:18:36,040
Speaker 4: It is an interesting thing because I guess it's one

401
00:18:36,080 --> 00:18:38,679
Speaker 4: of those things where it's like Republican, No, it's Facebioper,

402
00:18:39,040 --> 00:18:41,480
Speaker 4: it's Facebook, where it's like I created it, No, I

403
00:18:41,600 --> 00:18:42,160
Speaker 4: created it.

404
00:18:45,160 --> 00:18:48,119
Speaker 1: What we need is we need to get to typing

405
00:18:48,160 --> 00:18:51,320
Speaker 1: again so we can have the Minions social network.

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Speaker 2: What's dominions?

407
00:18:52,240 --> 00:18:54,719
Speaker 6: What's the monologue for the Minion social network?

408
00:18:54,800 --> 00:18:56,280
Speaker 5: Moawyer up, asshole?

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00:18:56,560 --> 00:18:59,160
Speaker 1: Yes, well you know it's like it's not Rooney Mara

410
00:18:59,240 --> 00:19:01,760
Speaker 1: but Kate Marra and a scene like dumping him by

411
00:19:01,760 --> 00:19:03,359
Speaker 1: being like and all you're ever going to be is

412
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Speaker 1: been not a loving freak.

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00:19:05,080 --> 00:19:06,800
Speaker 3: And so he's like, how do I take.

414
00:19:06,640 --> 00:19:09,560
Speaker 1: This banana in salt and make it into sorry but

415
00:19:10,000 --> 00:19:11,320
Speaker 1: a franchise frand.

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00:19:11,280 --> 00:19:14,880
Speaker 6: Yeah, and then like hearing somebody speak Spanish, not understanding

417
00:19:14,880 --> 00:19:17,760
Speaker 6: what they're saying, it's like what if there were mine?

418
00:19:18,240 --> 00:19:21,359
Speaker 6: Because half of the half of the little when the

419
00:19:21,400 --> 00:19:23,960
Speaker 6: minions are mumbling, half of those words are Spanish. And

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Speaker 6: I'm like, really, is this racist? We can't unpack, we

421
00:19:27,200 --> 00:19:28,360
Speaker 6: can't unpack, we can't go there.

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Speaker 4: God, I have you and I have let's just say

423
00:19:32,560 --> 00:19:35,600
Speaker 4: been racist? No, no, no, I'm sure, thank you but

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00:19:35,920 --> 00:19:38,159
Speaker 4: but Matt and I have done. I don't think so

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00:19:38,240 --> 00:19:40,520
Speaker 4: Honey's in different city. I don't think someone shows in

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Speaker 4: different cities. There was someone who, unfortunately did I don't

427
00:19:44,240 --> 00:19:47,080
Speaker 4: think so many minions. So it is a well meaning,

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00:19:47,119 --> 00:19:49,399
Speaker 4: I guess, white woman who said, we all know that

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Speaker 4: they're supposed to be Asian people. And I was like,

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00:19:52,000 --> 00:19:56,120
Speaker 4: wait a minute, they're seeing an Asian language, aren't they.

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Speaker 4: And I'm like, oh, okay, I don't think we all know.

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Speaker 6: But you know what, I don't want a victim blame here,

433
00:20:02,880 --> 00:20:06,840
Speaker 6: but trying to find fifty unproblematic comedians in each major

434
00:20:06,960 --> 00:20:08,960
Speaker 6: city a challenge.

435
00:20:09,200 --> 00:20:12,360
Speaker 4: It wasn't that she was, it's her interpretation of minions

436
00:20:12,400 --> 00:20:15,000
Speaker 4: was like, wait, no, they're not supposed.

437
00:20:14,560 --> 00:20:15,200
Speaker 2: To be.

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00:20:16,880 --> 00:20:19,400
Speaker 7: I do love a well we all know, and I'm

439
00:20:19,400 --> 00:20:23,000
Speaker 7: saying something completely fucking nuts like that is.

440
00:20:23,040 --> 00:20:24,280
Speaker 2: That's happy TikTok.

441
00:20:24,480 --> 00:20:26,960
Speaker 6: That is half a TikTok. Really the dumbest person you

442
00:20:27,119 --> 00:20:29,879
Speaker 6: ever met, putting on makeup, saying the dumbest shit you

443
00:20:30,040 --> 00:20:30,960
Speaker 6: ever heard in your fuck.

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00:20:31,080 --> 00:20:32,840
Speaker 1: And then they're also proud of that because they're like

445
00:20:33,119 --> 00:20:35,400
Speaker 1: the thing about TikTok is people just really respond when

446
00:20:35,400 --> 00:20:37,919
Speaker 1: you just don't care and it's like, here's the thing

447
00:20:37,920 --> 00:20:40,639
Speaker 1: about creating content when you hashtag just don't care, is

448
00:20:40,640 --> 00:20:43,120
Speaker 1: that you're gonna say some shit that like you're barely

449
00:20:43,160 --> 00:20:46,000
Speaker 1: thinking about and but you are still responsible for, and

450
00:20:46,040 --> 00:20:48,720
Speaker 1: then it gets tiktoked out into the world and there

451
00:20:48,760 --> 00:20:49,040
Speaker 1: you go.

452
00:20:49,480 --> 00:20:52,399
Speaker 6: Well, that's the thing about like, that's the thing that

453
00:20:52,440 --> 00:20:58,000
Speaker 6: sucks about Twitter being dead is that like it's just

454
00:20:58,080 --> 00:21:00,560
Speaker 6: like it's so much easier to type of you fucking

455
00:21:00,640 --> 00:21:03,399
Speaker 6: words and someone might screenshot it, but it's just less.

456
00:21:03,480 --> 00:21:05,439
Speaker 6: It's just like, Okay, now, if I want to make

457
00:21:05,480 --> 00:21:07,960
Speaker 6: a joke or something, I'm gonna have to fucking make

458
00:21:08,000 --> 00:21:11,479
Speaker 6: a video editing on fifty filters, have some guy call

459
00:21:11,560 --> 00:21:13,520
Speaker 6: me a fat hoo eight times, and.

460
00:21:13,400 --> 00:21:15,600
Speaker 3: Then like have a gig guy be like, okay, Jennifer

461
00:21:15,680 --> 00:21:16,520
Speaker 3: HUD's okay.

462
00:21:16,320 --> 00:21:20,840
Speaker 6: Jennifer Hudson. And then it's just like this is so

463
00:21:20,960 --> 00:21:23,399
Speaker 6: much effort. So it's like for you to keep up,

464
00:21:24,119 --> 00:21:26,600
Speaker 6: the way that you keep up with the algorithm is

465
00:21:26,640 --> 00:21:28,440
Speaker 6: you have to make a lot of shit. And then

466
00:21:28,480 --> 00:21:30,840
Speaker 6: after I make a lot of shit, it's like the

467
00:21:30,880 --> 00:21:33,600
Speaker 6: hashtag just don't care. But then you just don't care.

468
00:21:33,640 --> 00:21:36,639
Speaker 6: You're gonna say some dumb shit shit, and then while

469
00:21:36,840 --> 00:21:38,440
Speaker 6: you know, you know, you're like, let me tell you

470
00:21:38,480 --> 00:21:40,639
Speaker 6: about this girl's like, let me talk about the worst

471
00:21:40,640 --> 00:21:43,560
Speaker 6: fucking date I went on. He let the door close

472
00:21:43,680 --> 00:21:46,720
Speaker 6: in my face, and I'm like cool. And then it's

473
00:21:46,720 --> 00:21:49,400
Speaker 6: like there needs to be trigger warnings of like if

474
00:21:49,400 --> 00:21:52,640
Speaker 6: you're under twenty four, I need to know before yeah.

475
00:21:53,080 --> 00:21:55,160
Speaker 2: Fucking TikTok or just pop up on.

476
00:21:56,280 --> 00:22:00,600
Speaker 6: Because I'm listening, like you're making sense, and then then

477
00:22:00,640 --> 00:22:01,480
Speaker 6: I find out at the.

478
00:22:01,480 --> 00:22:03,720
Speaker 2: End of the video that you're twenty two. Yeah right.

479
00:22:05,240 --> 00:22:07,959
Speaker 7: I was very disturbed the other day because I, you know,

480
00:22:08,119 --> 00:22:11,440
Speaker 7: I'm scrolling through TikTok and I got a girl. I mean,

481
00:22:11,600 --> 00:22:13,920
Speaker 7: she was clearly twelve years old because it was get

482
00:22:13,960 --> 00:22:16,119
Speaker 7: ready with me to go to a bat mitzvack, and

483
00:22:16,160 --> 00:22:17,400
Speaker 7: I was just like, I can't.

484
00:22:18,720 --> 00:22:20,280
Speaker 5: I can't because.

485
00:22:20,480 --> 00:22:23,720
Speaker 1: Ohso the fact that like a person of bot mits

486
00:22:23,760 --> 00:22:26,720
Speaker 1: for age is like a makeup experts, I know. I

487
00:22:26,720 --> 00:22:28,679
Speaker 1: guess that's the That's another thing for me is like

488
00:22:28,720 --> 00:22:30,679
Speaker 1: when you peek into TikTok and you peek into like

489
00:22:30,840 --> 00:22:34,359
Speaker 1: gen Z or like super young culture, it's like they

490
00:22:34,920 --> 00:22:39,040
Speaker 1: look so much older than they are. I think because

491
00:22:39,080 --> 00:22:40,879
Speaker 1: like and That's why the twenty two year old of

492
00:22:40,920 --> 00:22:43,000
Speaker 1: it all sneaks up on you is because oh, these

493
00:22:43,000 --> 00:22:45,479
Speaker 1: are kids, like young kids, but they look thirty two.

494
00:22:45,680 --> 00:22:48,520
Speaker 2: What age is everyone trying to look like? Twenty nine?

495
00:22:49,080 --> 00:22:50,119
Speaker 3: That's actually a really cool.

496
00:22:49,960 --> 00:22:51,000
Speaker 6: I would say twenty seven.

497
00:22:51,320 --> 00:23:01,280
Speaker 5: Yeah, I think that twenty seven, that's yeah. True.

498
00:23:02,440 --> 00:23:05,320
Speaker 6: There's a girl who this is I mean, and this

499
00:23:05,440 --> 00:23:10,639
Speaker 6: is like symbolism to everything, symbolism. Ready this girl. I

500
00:23:10,760 --> 00:23:15,000
Speaker 6: was watching her get ready for her little fucking tryouts

501
00:23:15,000 --> 00:23:18,680
Speaker 6: for this Alabama like dance team for a college. And

502
00:23:18,920 --> 00:23:21,040
Speaker 6: I'm seeing her get ready. She's like doing her hair,

503
00:23:21,119 --> 00:23:24,439
Speaker 6: doing her makeup, beat beat beat, like multiple things, and

504
00:23:24,480 --> 00:23:26,840
Speaker 6: then you're seeing her with the outfit change and she's like,

505
00:23:27,040 --> 00:23:30,040
Speaker 6: this is Margiella, like super super expensive because first or

506
00:23:30,400 --> 00:23:34,080
Speaker 6: first they do like the actual like interview because it's

507
00:23:34,200 --> 00:23:36,720
Speaker 6: kind of like they want everyone to be like the

508
00:23:36,800 --> 00:23:39,480
Speaker 6: Southern Belt, so they interview people that you have to

509
00:23:39,520 --> 00:23:42,360
Speaker 6: answer questions, and then you do the actual dance part.

510
00:23:42,560 --> 00:23:42,760
Speaker 2: Yeah.

511
00:23:43,000 --> 00:23:45,919
Speaker 6: So I'm watching this bitch get like beat her face,

512
00:23:46,240 --> 00:23:49,359
Speaker 6: talk about this weary outfits whatever, and then someone's like

513
00:23:49,400 --> 00:23:51,680
Speaker 6: show us the tryout like you know whatever, and each

514
00:23:51,720 --> 00:23:54,520
Speaker 6: thing is getting like three hundred thousand likes. When you

515
00:23:54,600 --> 00:24:00,280
Speaker 6: finally see this bitch dance, You're like, girl, spend an

516
00:24:00,320 --> 00:24:02,720
Speaker 6: hour less the pat you.

517
00:24:02,680 --> 00:24:04,719
Speaker 3: Know, and you gotta go to nursing school.

518
00:24:04,920 --> 00:24:08,760
Speaker 6: Yeah, not even nursing school. Just rehearse the dance more

519
00:24:08,880 --> 00:24:11,800
Speaker 6: and do less makeup. And I feel like that's that's

520
00:24:11,840 --> 00:24:14,600
Speaker 6: half of the thing with TikTok and me and Alsa

521
00:24:14,600 --> 00:24:16,639
Speaker 6: have been in the game for a while and we

522
00:24:16,720 --> 00:24:19,600
Speaker 6: talk about it. No shade, you know, this is now.

523
00:24:19,600 --> 00:24:20,480
Speaker 6: We're gonna keep it real.

524
00:24:20,520 --> 00:24:22,560
Speaker 2: But keep it, keep it fucking real.

525
00:24:23,119 --> 00:24:27,200
Speaker 6: You know, there are people that you know, the pandemic happened,

526
00:24:27,280 --> 00:24:29,080
Speaker 6: and then you get out of the pandemic and I'm

527
00:24:29,080 --> 00:24:31,880
Speaker 6: doing shows and I've been fucking doing comedy, doing comedy

528
00:24:31,920 --> 00:24:35,760
Speaker 6: over ten years, yep. I get somewhere pack fucking theater

529
00:24:35,960 --> 00:24:39,320
Speaker 6: and this person just bombs. And I'm saying this person

530
00:24:39,320 --> 00:24:43,520
Speaker 6: because it's like like this is a multiple people bombs,

531
00:24:44,040 --> 00:24:46,679
Speaker 6: and I'm just like, yo, what the fuck looks great?

532
00:24:47,160 --> 00:24:52,639
Speaker 6: Looks great, feet, feet, banging face, beat, whatever looks great?

533
00:24:53,000 --> 00:24:56,280
Speaker 6: Bombs And then I'm like, what the fuck, Like, why

534
00:24:56,320 --> 00:24:59,560
Speaker 6: the fuck like this? But then I go home and

535
00:24:59,600 --> 00:25:02,760
Speaker 6: I look at their Instagram TikTok five hundred thousand followers, this,

536
00:25:02,760 --> 00:25:05,080
Speaker 6: this and that, and I'm just like WHOA, like that

537
00:25:05,280 --> 00:25:05,920
Speaker 6: is what's up.

538
00:25:05,960 --> 00:25:07,320
Speaker 5: Young comedian who's listening to this?

539
00:25:07,359 --> 00:25:10,480
Speaker 7: It's done a show with Melee sweating bullets.

540
00:25:11,480 --> 00:25:14,600
Speaker 1: I And the thing is, though, like I've reserved my

541
00:25:14,880 --> 00:25:17,480
Speaker 1: eye or less for them and more for like the

542
00:25:17,560 --> 00:25:20,199
Speaker 1: fact that like it has become like sort of acceptable

543
00:25:20,359 --> 00:25:23,680
Speaker 1: enough to be like, well, they cut their teeth on TikTok.

544
00:25:23,720 --> 00:25:26,239
Speaker 1: We know that they're a certain level of influencer. But

545
00:25:26,280 --> 00:25:28,720
Speaker 1: then it's like, yeah, I guess that's good for the

546
00:25:28,760 --> 00:25:30,439
Speaker 1: show because it puts butts in seats, are good for

547
00:25:30,520 --> 00:25:33,639
Speaker 1: whatever because it gets attention. But also then that person

548
00:25:33,760 --> 00:25:35,520
Speaker 1: is not ready, And then I feel like it's easy

549
00:25:35,560 --> 00:25:39,119
Speaker 1: to get demoralized and get really inscurre because and I

550
00:25:39,119 --> 00:25:41,120
Speaker 1: don't take it for granted because we've also been doing

551
00:25:41,119 --> 00:25:43,359
Speaker 1: this a very long time and like those years, those

552
00:25:43,400 --> 00:25:46,119
Speaker 1: like hard yards of like going out and doing you know,

553
00:25:46,480 --> 00:25:49,439
Speaker 1: three shows in a night, you know, five plus shows in.

554
00:25:49,440 --> 00:25:53,440
Speaker 3: A week, like it's it makes you good at it.

555
00:25:53,520 --> 00:25:55,760
Speaker 1: And so these people that had to come during the pandemic,

556
00:25:55,840 --> 00:25:58,240
Speaker 1: like I'm actually even more blown away when they actually

557
00:25:58,320 --> 00:26:00,200
Speaker 1: are good because yes, they don't have stage time.

558
00:26:00,240 --> 00:26:02,159
Speaker 3: They don't they don't have the hours.

559
00:26:02,440 --> 00:26:04,600
Speaker 6: And I don't have ire for them. I'm just like

560
00:26:05,760 --> 00:26:07,920
Speaker 6: and like people do like a copy pasting of like,

561
00:26:08,119 --> 00:26:11,960
Speaker 6: oh this thing with this person, Like they're good at Instagram,

562
00:26:12,000 --> 00:26:14,480
Speaker 6: They're going to TikTok. I'm gonna copy them and do

563
00:26:14,600 --> 00:26:18,160
Speaker 6: this myself. And it's like you still have to do

564
00:26:18,200 --> 00:26:21,480
Speaker 6: the thing, honey, Like you still have to show up

565
00:26:22,080 --> 00:26:24,679
Speaker 6: and do these like three shows or at least like

566
00:26:24,760 --> 00:26:26,280
Speaker 6: put a little bit into the art.

567
00:26:26,400 --> 00:26:32,200
Speaker 5: Pay four grand for improv lessons we did go up

568
00:26:32,240 --> 00:26:33,919
Speaker 5: every week. Don't get paid?

569
00:26:34,040 --> 00:26:34,480
Speaker 2: Do sol?

570
00:26:35,640 --> 00:26:38,280
Speaker 1: You know? That an interesting question though, that aren't we

571
00:26:38,320 --> 00:26:40,040
Speaker 1: also let me did that because like I don't I.

572
00:26:40,080 --> 00:26:42,720
Speaker 2: Don't don't regret it. I kind of threw that away,

573
00:26:42,880 --> 00:26:44,119
Speaker 2: but I don't regret it.

574
00:26:44,160 --> 00:26:46,480
Speaker 4: But I do think like there wasn't I don't know

575
00:26:46,520 --> 00:26:48,840
Speaker 4: that it was set up the best way and that's okay.

576
00:26:49,200 --> 00:26:51,720
Speaker 7: Well, I don't regret it, but I do look back

577
00:26:51,760 --> 00:26:56,280
Speaker 7: on it and go like it's fucking nuts that we.

578
00:26:56,280 --> 00:26:58,040
Speaker 5: Were doing so much for free.

579
00:26:58,440 --> 00:27:02,359
Speaker 7: And and once it actually shifted to people starting to

580
00:27:02,400 --> 00:27:04,439
Speaker 7: put up their own shows where it's like, oh, you

581
00:27:04,520 --> 00:27:07,680
Speaker 7: can get a cut at the door, like just once

582
00:27:07,720 --> 00:27:11,160
Speaker 7: that like mental shift happened. It's so wild to think

583
00:27:11,200 --> 00:27:13,600
Speaker 7: back on the time where it's like, no, but it's

584
00:27:13,800 --> 00:27:17,239
Speaker 7: right that we're doing all of this for free and

585
00:27:17,320 --> 00:27:18,680
Speaker 7: the shows are sold out.

586
00:27:18,840 --> 00:27:20,920
Speaker 5: But no, it's good, it's good.

587
00:27:21,280 --> 00:27:23,960
Speaker 6: I guess I have a different experience with it because

588
00:27:24,960 --> 00:27:27,320
Speaker 6: I think that it wasn't set.

589
00:27:27,200 --> 00:27:29,760
Speaker 1: Up in a way we're talking about the way and

590
00:27:30,560 --> 00:27:32,679
Speaker 1: then pay it like theater schools and.

591
00:27:33,840 --> 00:27:37,920
Speaker 6: The theater system, but it's just like it was set

592
00:27:38,000 --> 00:27:40,760
Speaker 6: up in a way that made you think that if

593
00:27:40,840 --> 00:27:43,760
Speaker 6: this place doesn't fuck with you, and if and if

594
00:27:43,840 --> 00:27:46,920
Speaker 6: you didn't make it here, you'in't you ain't shit. And

595
00:27:47,400 --> 00:27:49,879
Speaker 6: the thing that I personally had a problem with as

596
00:27:49,920 --> 00:27:53,639
Speaker 6: a performer is like a lot of those people did

597
00:27:53,720 --> 00:27:55,800
Speaker 6: not get me. They didn't get what I was putting down.

598
00:27:55,880 --> 00:27:58,600
Speaker 6: They didn't get my energy. It was like a thing

599
00:27:58,680 --> 00:27:59,960
Speaker 6: that they never see.

600
00:28:00,080 --> 00:28:00,200
Speaker 1: You know.

601
00:28:00,280 --> 00:28:03,200
Speaker 6: A lot of the people making decisions were white men,

602
00:28:04,000 --> 00:28:07,440
Speaker 6: white women, and it was like I was coming with

603
00:28:07,560 --> 00:28:10,040
Speaker 6: a different energy and all that stuff, and I didn't

604
00:28:10,080 --> 00:28:13,320
Speaker 6: fit into what they thought, you know, so I just

605
00:28:13,840 --> 00:28:18,240
Speaker 6: was never like fostered into the you know, it wasn't

606
00:28:18,359 --> 00:28:21,359
Speaker 6: like let I see who you are, and I'm gonna

607
00:28:21,400 --> 00:28:24,240
Speaker 6: make you into the best version or like the funniest version,

608
00:28:24,320 --> 00:28:26,520
Speaker 6: or here's the fundamentals, or this is a place where

609
00:28:26,560 --> 00:28:29,520
Speaker 6: you can learn these fundamentals of comedy that you can

610
00:28:29,560 --> 00:28:32,080
Speaker 6: go and apply to your own self. It was like, no,

611
00:28:32,280 --> 00:28:34,520
Speaker 6: this is this place like if we say you're not

612
00:28:34,680 --> 00:28:37,440
Speaker 6: fucking it, you ain't it and then maybe after a

613
00:28:37,520 --> 00:28:39,240
Speaker 6: while we'll tell you to go do something else. So

614
00:28:39,440 --> 00:28:42,440
Speaker 6: for me, that's like a thing where I'm like, thank god,

615
00:28:42,560 --> 00:28:45,440
Speaker 6: I didn't listen to like you know what I mean.

616
00:28:45,520 --> 00:28:47,600
Speaker 6: But yeah, like for people who like they never really

617
00:28:47,640 --> 00:28:50,000
Speaker 6: fucked with or are really true you know, it was

618
00:28:50,120 --> 00:28:52,720
Speaker 6: just like and then I see the people that they celebrated,

619
00:28:53,360 --> 00:28:57,040
Speaker 6: you know, knowing that like actively like hating on me

620
00:28:57,280 --> 00:29:00,800
Speaker 6: or like saying that listen, you care too much about

621
00:29:00,840 --> 00:29:03,840
Speaker 6: you know, stuff like that. Like literally, yeah, that's the

622
00:29:03,920 --> 00:29:05,960
Speaker 6: part of the system that can be so difficult is

623
00:29:06,000 --> 00:29:08,160
Speaker 6: because like if it was framed as a way of

624
00:29:08,240 --> 00:29:11,000
Speaker 6: like listen, this is a place because the education is good,

625
00:29:11,080 --> 00:29:14,840
Speaker 6: Like learning the fundamentals and the rules of comedy is important.

626
00:29:14,880 --> 00:29:16,600
Speaker 6: And I mean I think that's like that thing of

627
00:29:16,720 --> 00:29:18,200
Speaker 6: like I don't regret it and I learned, and I

628
00:29:18,320 --> 00:29:21,720
Speaker 6: met and I networked. But it's kind of like college

629
00:29:21,760 --> 00:29:24,040
Speaker 6: where it's like you do have to like go explore

630
00:29:24,120 --> 00:29:25,400
Speaker 6: and do something else or whatever.

631
00:29:25,880 --> 00:29:28,440
Speaker 4: It's not like this thing anyway, the developmental track is

632
00:29:28,640 --> 00:29:32,240
Speaker 4: not guaranteed or it's like if you can't clear a

633
00:29:32,320 --> 00:29:35,960
Speaker 4: certain stage gate, then like you kind of are left

634
00:29:36,120 --> 00:29:37,800
Speaker 4: to like your own devices. And I think, like, at

635
00:29:37,880 --> 00:29:40,520
Speaker 4: least with someone who like went off on her own

636
00:29:40,560 --> 00:29:41,760
Speaker 4: and like started her own shows.

637
00:29:41,520 --> 00:29:44,000
Speaker 3: And you were always doing, We're always doing, you were.

638
00:29:44,080 --> 00:29:46,200
Speaker 7: Well a lot of it was because of some of

639
00:29:46,240 --> 00:29:48,480
Speaker 7: the stuff Milly was saying, because I like I got

640
00:29:48,520 --> 00:29:52,000
Speaker 7: to a certain place within the UCB system. Lloyd Knight,

641
00:29:52,160 --> 00:29:58,760
Speaker 7: thank you so much. That's junior varsity improp. And but

642
00:29:58,880 --> 00:30:02,400
Speaker 7: then like I started pitching to the theater and they

643
00:30:02,440 --> 00:30:05,560
Speaker 7: would never put my like original ideas up really, so

644
00:30:05,640 --> 00:30:08,240
Speaker 7: then I was like, Okay, well I'm gonna start putting

645
00:30:08,240 --> 00:30:09,920
Speaker 7: my shows up elsewhere. And then I was like, oh,

646
00:30:09,960 --> 00:30:11,360
Speaker 7: I'm actually getting money.

647
00:30:12,960 --> 00:30:14,280
Speaker 1: Even if it was a little bit of money, it

648
00:30:14,400 --> 00:30:17,760
Speaker 1: was something and like literally saying at least your dinner

649
00:30:17,920 --> 00:30:21,240
Speaker 1: and cab could have been paid for that, which was

650
00:30:21,360 --> 00:30:23,720
Speaker 1: so you know, it felt really bad.

651
00:30:24,160 --> 00:30:24,959
Speaker 2: It did, it did.

652
00:30:25,120 --> 00:30:26,840
Speaker 7: And one nice thing that I will say is that

653
00:30:26,920 --> 00:30:32,000
Speaker 7: I've done a couple improv shows in the post pandemic environment,

654
00:30:32,200 --> 00:30:34,680
Speaker 7: and I think the vibe is really good.

655
00:30:35,080 --> 00:30:38,320
Speaker 5: Good and it's because the hierarchies have been burned down.

656
00:30:41,480 --> 00:30:43,880
Speaker 7: Well, yeah, they are trying to come back, but in

657
00:30:44,040 --> 00:30:46,520
Speaker 7: right now, right now, there's like I think, a good

658
00:30:46,680 --> 00:30:48,920
Speaker 7: energy where it's like no one's trying to get on,

659
00:30:49,120 --> 00:30:51,600
Speaker 7: like yeah, there's no you're not really trying to get

660
00:30:51,640 --> 00:30:52,160
Speaker 7: anything out of it.

661
00:30:52,280 --> 00:30:53,880
Speaker 5: It's all it's all love of the game.

662
00:30:54,280 --> 00:30:55,880
Speaker 1: And also the thing is when you say they're trying

663
00:30:55,920 --> 00:30:57,880
Speaker 1: to come back, I feel like, you know what good

664
00:30:58,000 --> 00:31:00,360
Speaker 1: try and come back. But also with knowing what you

665
00:31:00,560 --> 00:31:04,479
Speaker 1: know as an organization, like whatever organization you're at, if

666
00:31:04,520 --> 00:31:06,560
Speaker 1: you're some if you're rebuilding now in the Year of

667
00:31:06,640 --> 00:31:10,239
Speaker 1: Our Lord twenty twenty three, like understand that you need

668
00:31:10,320 --> 00:31:13,680
Speaker 1: to build from a diverse and like welcoming and like

669
00:31:14,160 --> 00:31:17,400
Speaker 1: well rounded place and not just like restore what was

670
00:31:17,560 --> 00:31:20,880
Speaker 1: because look like, of course the pandemic was a huge

671
00:31:20,960 --> 00:31:24,440
Speaker 1: reason why these things went down. And it's always sad

672
00:31:24,480 --> 00:31:26,920
Speaker 1: whenever like a business like that takes a hit, and

673
00:31:27,040 --> 00:31:29,080
Speaker 1: like ultimately like needs to completely rebuild.

674
00:31:29,120 --> 00:31:31,680
Speaker 3: But also I don't think that was the only reason.

675
00:31:33,080 --> 00:31:34,360
Speaker 3: I honestly think like.

676
00:31:34,560 --> 00:31:35,520
Speaker 6: There's a lot of reasons.

677
00:31:35,640 --> 00:31:36,480
Speaker 2: Yeah, tons of reasons.

678
00:31:36,520 --> 00:31:40,080
Speaker 1: And like we all started feeling like power in numbers

679
00:31:40,120 --> 00:31:43,560
Speaker 1: for people who felt like they were talented but not

680
00:31:43,920 --> 00:31:46,720
Speaker 1: feeling like they had a place in a certain area,

681
00:31:46,720 --> 00:31:48,040
Speaker 1: and they were amazing people.

682
00:31:47,880 --> 00:31:50,680
Speaker 4: That are like I can say, like I think the

683
00:31:50,800 --> 00:31:53,960
Speaker 4: people that are like Coterie Millia whatever.

684
00:31:54,280 --> 00:31:57,960
Speaker 2: Yeah, everyone was so good. So may people are doing

685
00:31:58,120 --> 00:31:58,520
Speaker 2: so well.

686
00:31:58,600 --> 00:32:00,760
Speaker 1: Like whenever I realized like the first place that I

687
00:32:00,880 --> 00:32:03,160
Speaker 1: met like Darcy Carden, you know what I mean, like

688
00:32:03,440 --> 00:32:07,800
Speaker 1: was when she was hosting like Backyard Brawl at Midnight,

689
00:32:07,840 --> 00:32:10,880
Speaker 1: which was the sketch competition u s B. That was

690
00:32:10,920 --> 00:32:14,200
Speaker 1: I believe on like a Monday at midnight or something

691
00:32:14,400 --> 00:32:15,920
Speaker 1: or like yeah whatever our Friday maybe it was a

692
00:32:15,920 --> 00:32:18,240
Speaker 1: Friday or Saturday night, but like a late night show.

693
00:32:18,360 --> 00:32:21,600
Speaker 1: Like and what what is really cool is like you

694
00:32:21,840 --> 00:32:24,880
Speaker 1: see people both that were involved in that system and

695
00:32:24,960 --> 00:32:27,280
Speaker 1: where good people go on to success and also people

696
00:32:27,600 --> 00:32:30,320
Speaker 1: that were flat out rejected by that system and gone

697
00:32:30,320 --> 00:32:33,000
Speaker 1: on to huge success. I'm sitting next to Bow and Yang,

698
00:32:33,280 --> 00:32:35,040
Speaker 1: I mean, like never made it on a house team

699
00:32:35,120 --> 00:32:38,040
Speaker 1: like et cetera. That was of my general it was,

700
00:32:39,080 --> 00:32:41,440
Speaker 1: but it was that was a joke that people were saying, like,

701
00:32:41,560 --> 00:32:42,960
Speaker 1: you know, Abby and Alana never made it on a

702
00:32:43,000 --> 00:32:44,080
Speaker 1: house team, and it became.

703
00:32:43,920 --> 00:32:44,960
Speaker 2: Like lol, like a bit.

704
00:32:45,360 --> 00:32:47,320
Speaker 1: But then like also they did it, they did, you

705
00:32:47,400 --> 00:32:48,800
Speaker 1: know what I mean, And then they also went on

706
00:32:48,880 --> 00:32:49,840
Speaker 1: to become iconic.

707
00:32:49,960 --> 00:32:52,560
Speaker 7: And I do think that that that Abby and Alana

708
00:32:52,640 --> 00:32:55,560
Speaker 7: never made it on a house team, yeah, is why

709
00:32:56,120 --> 00:33:02,920
Speaker 7: our improv grade ultimately generation was so like personally motivated

710
00:33:03,000 --> 00:33:05,080
Speaker 7: to do other stuff and start other shit and do

711
00:33:05,240 --> 00:33:06,800
Speaker 7: this and that and the other thing because we had

712
00:33:06,920 --> 00:33:10,680
Speaker 7: this like big example, well yeah.

713
00:33:10,680 --> 00:33:13,880
Speaker 5: And not needing to make it in the hierarchy exactly.

714
00:33:13,880 --> 00:33:15,240
Speaker 5: And I mean I think that like they get on

715
00:33:15,400 --> 00:33:17,600
Speaker 5: university and practic I.

716
00:33:19,440 --> 00:33:22,600
Speaker 6: Well, I think it's just like with the energy of

717
00:33:22,840 --> 00:33:25,680
Speaker 6: like these people do not fuck with me, These people

718
00:33:25,760 --> 00:33:28,880
Speaker 6: don't see me. What can I do? Can I kill

719
00:33:28,960 --> 00:33:31,920
Speaker 6: myself to try to like make fit in their mold,

720
00:33:32,560 --> 00:33:34,640
Speaker 6: or can I just go do my own thing or

721
00:33:34,920 --> 00:33:36,680
Speaker 6: start my own shit. And it's a lot of people

722
00:33:36,720 --> 00:33:38,080
Speaker 6: are like, you know what, I'm just gonna do my

723
00:33:38,120 --> 00:33:41,000
Speaker 6: own shit. I'll get money, I'll get twenty dollars at

724
00:33:41,000 --> 00:33:43,360
Speaker 6: the end or like I'll create it, you know. I

725
00:33:43,440 --> 00:33:45,560
Speaker 6: mean that's like half of my shit is like how

726
00:33:45,600 --> 00:33:48,080
Speaker 6: can I make it easier for other people? And like

727
00:33:48,240 --> 00:33:50,920
Speaker 6: when I became a teacher, because I taught a BCC

728
00:33:51,080 --> 00:33:53,600
Speaker 6: for a while, and it's just like the energy that

729
00:33:53,760 --> 00:33:56,240
Speaker 6: was given to me the people who bottleneck me and

730
00:33:56,280 --> 00:33:57,720
Speaker 6: a last were talking on the way over here of

731
00:33:57,840 --> 00:34:00,880
Speaker 6: like some people just live and their goal is.

732
00:34:00,920 --> 00:34:03,400
Speaker 2: To gatekeep right, and there's people talking about us.

733
00:34:03,840 --> 00:34:05,120
Speaker 6: Yeah, yeah, we're talking about you guys.

734
00:34:05,720 --> 00:34:06,800
Speaker 5: How are we going to handle this?

735
00:34:06,880 --> 00:34:08,839
Speaker 6: How are we going to handle that? They just want

736
00:34:08,880 --> 00:34:10,840
Speaker 6: to gate keep so much, I know, but it's like,

737
00:34:11,360 --> 00:34:13,480
Speaker 6: you know, my whole ethos is like how can I

738
00:34:13,520 --> 00:34:16,440
Speaker 6: make it easier for the people after me? And also

739
00:34:16,560 --> 00:34:18,640
Speaker 6: like as a teacher, it's like I'm not going to

740
00:34:18,719 --> 00:34:21,920
Speaker 6: try to change anybody's shit. I just want to make

741
00:34:22,480 --> 00:34:25,600
Speaker 6: see what people are giving me and and make that better,

742
00:34:25,880 --> 00:34:29,040
Speaker 6: like you know, like bring out what you're trying to say,

743
00:34:29,680 --> 00:34:32,080
Speaker 6: you know, in this stand up set and see if

744
00:34:32,120 --> 00:34:34,040
Speaker 6: you can say it more efficiently or something like that.

745
00:34:34,160 --> 00:34:36,880
Speaker 6: And I feel like I can't do anything about the

746
00:34:36,960 --> 00:34:40,399
Speaker 6: past or anything. But it's just like having that pain

747
00:34:40,520 --> 00:34:42,800
Speaker 6: and the thing it's like, well, first of all, like

748
00:34:43,040 --> 00:34:45,640
Speaker 6: keep you going, and also like I'm sure both of

749
00:34:45,719 --> 00:34:49,920
Speaker 6: you know, being naturally talented and being naturally funny isn't enough.

750
00:34:50,640 --> 00:34:54,480
Speaker 6: It's so much. It's just you gotta be like producing

751
00:34:54,560 --> 00:34:54,919
Speaker 6: your shit.

752
00:34:55,120 --> 00:34:56,919
Speaker 1: I mean, I'm pretty to the question it's a full

753
00:34:57,080 --> 00:34:59,640
Speaker 1: time job exactly. And then especially when that comes to

754
00:34:59,680 --> 00:35:03,080
Speaker 1: the time and this is okay. I always felt a

755
00:35:03,200 --> 00:35:05,840
Speaker 1: certain type of way about people that did not have

756
00:35:06,000 --> 00:35:07,440
Speaker 1: to work as a rival job or I did not

757
00:35:07,600 --> 00:35:08,520
Speaker 1: have to be.

758
00:35:08,560 --> 00:35:11,360
Speaker 3: Grinding, because I was just like oof, like it's and

759
00:35:11,640 --> 00:35:12,799
Speaker 3: it's it's no one can.

760
00:35:12,920 --> 00:35:14,560
Speaker 2: Whatever, Like I don't know what this even means.

761
00:35:14,600 --> 00:35:17,359
Speaker 4: No one would, no one would like avoid that kind

762
00:35:17,440 --> 00:35:20,080
Speaker 4: of thing of like, oh gosh, I'm in a cushy situation.

763
00:35:20,200 --> 00:35:21,320
Speaker 2: Let me actually like reject you.

764
00:35:21,520 --> 00:35:24,480
Speaker 1: Let me foss away this privilege and this like blessing

765
00:35:24,560 --> 00:35:26,520
Speaker 1: I've been given, which is all this time, but it

766
00:35:26,800 --> 00:35:30,920
Speaker 1: is different. And I also I just remember the idea

767
00:35:31,080 --> 00:35:34,000
Speaker 1: that we had to constantly pay and obviously like this

768
00:35:34,160 --> 00:35:35,719
Speaker 1: is part of the cutting teeth of it all, which

769
00:35:35,760 --> 00:35:37,799
Speaker 1: is just like I would work all my shifts at

770
00:35:37,800 --> 00:35:39,560
Speaker 1: the restaurant so I could make sure I could pay

771
00:35:39,640 --> 00:35:42,759
Speaker 1: rent and pay for a UCP class and then my

772
00:35:42,880 --> 00:35:45,719
Speaker 1: bank account would go down to like twenty dollars and

773
00:35:45,800 --> 00:35:48,080
Speaker 1: I would start again that literally.

774
00:35:48,400 --> 00:35:51,680
Speaker 7: In checking so much and like well, first of all,

775
00:35:51,719 --> 00:35:54,320
Speaker 7: I was also hopping the turnstile at First Avenue.

776
00:35:55,080 --> 00:35:59,840
Speaker 5: Great turnstyles, the MTA, the great one. You still do that,

777
00:36:00,800 --> 00:36:02,120
Speaker 5: and I do it just for the thrill.

778
00:36:03,600 --> 00:36:05,600
Speaker 7: I worked, so, I mean most of my jobs were

779
00:36:05,680 --> 00:36:09,279
Speaker 7: like after school programs or like nannying, because they gave me,

780
00:36:09,440 --> 00:36:12,080
Speaker 7: like the mourn. It was like a good time period

781
00:36:12,160 --> 00:36:15,040
Speaker 7: to be working because you're just it's in the afternoon,

782
00:36:15,080 --> 00:36:16,640
Speaker 7: but you get out in time for shows.

783
00:36:17,239 --> 00:36:20,080
Speaker 5: But I also worked crazy weird side hustles.

784
00:36:20,120 --> 00:36:24,160
Speaker 7: I worked for this like company that sold Broadway tickets

785
00:36:24,200 --> 00:36:26,520
Speaker 7: and it was just now they're like a legit company,

786
00:36:26,600 --> 00:36:28,120
Speaker 7: but I was there when they were like in their

787
00:36:28,160 --> 00:36:32,720
Speaker 7: startup era, and they would hand me two thousand dollars

788
00:36:32,800 --> 00:36:37,040
Speaker 7: in cash. I would go to Time Square. Oh, I

789
00:36:37,080 --> 00:36:39,959
Speaker 7: would go to Times Square. Someone would use the app

790
00:36:40,040 --> 00:36:42,000
Speaker 7: and like I think the person who was using the

791
00:36:42,040 --> 00:36:44,879
Speaker 7: app would think like a purchase was automatically being made,

792
00:36:44,920 --> 00:36:48,360
Speaker 7: but what would actually happen? So one would go to

793
00:36:48,480 --> 00:36:51,480
Speaker 7: me and I would go to the theater and buy

794
00:36:51,640 --> 00:36:54,880
Speaker 7: the tickets in cash and it.

795
00:36:55,040 --> 00:36:56,920
Speaker 5: Was really really crazy.

796
00:36:57,200 --> 00:36:59,360
Speaker 7: And I remember one time, like the CEO was in

797
00:36:59,400 --> 00:37:02,200
Speaker 7: the office and he started grilling me, being like, what

798
00:37:02,320 --> 00:37:03,719
Speaker 7: are you going to say if they ask if you're

799
00:37:03,760 --> 00:37:05,799
Speaker 7: with our company? And I'm like, I don't know. Am

800
00:37:05,840 --> 00:37:07,640
Speaker 7: I supposed to say I'm not with the company? Like

801
00:37:07,719 --> 00:37:10,320
Speaker 7: I guess it was a secret for some reason. And

802
00:37:10,480 --> 00:37:12,880
Speaker 7: then I ultimately did have to quit that job because

803
00:37:13,040 --> 00:37:15,920
Speaker 7: they made me work on Thanksgiving, which you know happens.

804
00:37:16,400 --> 00:37:18,040
Speaker 7: But then they were like, we need you to go

805
00:37:18,680 --> 00:37:23,640
Speaker 7: to Rockefeller Center and get tickets and I was like, Okay,

806
00:37:23,719 --> 00:37:27,160
Speaker 7: I can't because the Macy's Day parade is occurring and

807
00:37:27,280 --> 00:37:30,799
Speaker 7: it's actually in between me and where the tickets are,

808
00:37:30,840 --> 00:37:32,359
Speaker 7: and they were like you need to figure it out.

809
00:37:32,360 --> 00:37:35,120
Speaker 7: I'm like I'm literally looking at Santa right like I

810
00:37:35,320 --> 00:37:39,040
Speaker 7: cannot get. I cannot go. And then they were angry

811
00:37:39,120 --> 00:37:41,480
Speaker 7: with me and I said, I'm done with this job.

812
00:37:41,719 --> 00:37:43,600
Speaker 7: And I told you they wanted me to like run

813
00:37:43,680 --> 00:37:45,400
Speaker 7: across the Macy's Day bride.

814
00:37:45,719 --> 00:37:46,040
Speaker 2: Wow.

815
00:37:47,280 --> 00:37:51,960
Speaker 6: My crazy Times Square job is that I worked at

816
00:37:52,080 --> 00:37:57,120
Speaker 6: Dave and Busters Square as a photographer.

817
00:37:58,560 --> 00:37:59,840
Speaker 5: So he was a creative.

818
00:38:00,960 --> 00:38:04,000
Speaker 6: So I would go up to tables. I would work

819
00:38:04,080 --> 00:38:08,000
Speaker 6: David Muster's Time Square, Dallas BBQ, Times Square and the

820
00:38:08,120 --> 00:38:11,680
Speaker 6: Dallas BBQ and Chelsea Ratchet as hell, go up to

821
00:38:11,840 --> 00:38:12,759
Speaker 6: tables and.

822
00:38:12,920 --> 00:38:14,400
Speaker 2: Be like, oh, I'm doing a promotion.

823
00:38:14,680 --> 00:38:17,960
Speaker 6: Can I take your picture? Take the picture, print it

824
00:38:18,040 --> 00:38:20,440
Speaker 6: onto a keychain? And then I try to hustle them back,

825
00:38:20,560 --> 00:38:23,239
Speaker 6: like get money, and like there were so many rules

826
00:38:23,280 --> 00:38:25,359
Speaker 6: and like I couldn't say this cost to start, there

827
00:38:25,440 --> 00:38:27,680
Speaker 6: was like a way because basically, if you say this

828
00:38:27,840 --> 00:38:29,880
Speaker 6: for tip, people will just give you a dollar. And

829
00:38:30,120 --> 00:38:32,320
Speaker 6: I have to from whatever I make that day, I

830
00:38:32,400 --> 00:38:34,359
Speaker 6: have to give somebody a cut. This woman I've never

831
00:38:34,520 --> 00:38:37,880
Speaker 6: met gave me the camera, who gave me the printing, surprise, whatever.

832
00:38:38,360 --> 00:38:41,839
Speaker 6: So you try to hustle, not hustle people, but it's like, YO,

833
00:38:41,960 --> 00:38:44,080
Speaker 6: give me five dollars for a fucking keychain, or like

834
00:38:44,320 --> 00:38:46,600
Speaker 6: I'll put you ten for thirty or something like that.

835
00:38:46,840 --> 00:38:51,440
Speaker 6: Like you know, whatever, I did get good. I did

836
00:38:51,520 --> 00:38:54,400
Speaker 6: get good, but it took a fucking minute because before

837
00:38:54,480 --> 00:38:57,120
Speaker 6: that job, I was working at a grocery store and

838
00:38:57,320 --> 00:39:00,640
Speaker 6: that shit. I remember I worked overtime during Herricane Sandy,

839
00:39:00,880 --> 00:39:05,560
Speaker 6: overtime overtime during Hurricane Sandy at a grocery store and

840
00:39:05,680 --> 00:39:08,120
Speaker 6: my check was one hundred and eighty three dollars, which

841
00:39:08,160 --> 00:39:10,279
Speaker 6: is time and a half. So then I got this

842
00:39:10,480 --> 00:39:13,719
Speaker 6: like random ass job and Time Square during the holidays

843
00:39:14,200 --> 00:39:16,960
Speaker 6: in like twenty twelve, and I was coming. I was

844
00:39:17,120 --> 00:39:19,120
Speaker 6: riding the train every night at like three in the

845
00:39:19,160 --> 00:39:22,200
Speaker 6: morning to the Bronx with five hundred dollars in my pocket,

846
00:39:22,640 --> 00:39:25,320
Speaker 6: Like yo, what the fuck. But by the end, like

847
00:39:25,680 --> 00:39:27,360
Speaker 6: even when I had my first day job where I

848
00:39:27,440 --> 00:39:30,520
Speaker 6: was making thirteen dollars an hour working for this corporate receptionist, shit,

849
00:39:31,120 --> 00:39:32,960
Speaker 6: I would make like I would go in on a

850
00:39:33,040 --> 00:39:35,239
Speaker 6: Saturday afternoon and I could make like a like one

851
00:39:35,320 --> 00:39:37,600
Speaker 6: hundred and fifty dollars, like in a at the.

852
00:39:37,640 --> 00:39:40,399
Speaker 1: Time, Yeah, isn't funny. It's like it's like that gets

853
00:39:40,440 --> 00:39:43,080
Speaker 1: you like a margin into what your rent is. But

854
00:39:43,200 --> 00:39:45,520
Speaker 1: like I'm thinking back to it, that would have felt

855
00:39:45,520 --> 00:39:50,600
Speaker 1: like one hundred dollars would have been like actually, yeah.

856
00:39:50,520 --> 00:39:53,200
Speaker 6: No, that was like all my extra ship. So that's

857
00:39:53,239 --> 00:39:55,520
Speaker 6: what I'm doing right, I'm working nine to five in

858
00:39:55,600 --> 00:39:58,759
Speaker 6: a fucking office, people treating me like shit. Then I

859
00:39:58,840 --> 00:40:01,479
Speaker 6: go to a fucking Time Square on Saturday and worked

860
00:40:01,520 --> 00:40:04,439
Speaker 6: the stupid ass job. And then after work once a week,

861
00:40:04,560 --> 00:40:08,239
Speaker 6: I would do these improv practices and I'm paying, paying

862
00:40:08,320 --> 00:40:10,800
Speaker 6: the coach, paying the place, and the people I'm with like,

863
00:40:11,120 --> 00:40:13,399
Speaker 6: I'm like, oh, what'd you do this week? And they're like, oh, yeah,

864
00:40:13,480 --> 00:40:14,279
Speaker 6: you know, just hung out.

865
00:40:15,360 --> 00:40:15,560
Speaker 2: Yeah.

866
00:40:15,640 --> 00:40:18,040
Speaker 6: And then and then like I'm like, yoh wait, how

867
00:40:18,040 --> 00:40:19,200
Speaker 6: does this girl pay rent?

868
00:40:19,400 --> 00:40:19,600
Speaker 2: Yeah?

869
00:40:19,680 --> 00:40:22,919
Speaker 6: And then it's like they don't. Oh, her dad copyrighted. Yeah,

870
00:40:22,960 --> 00:40:27,400
Speaker 6: a term that's used to her dad copyrighted and march madness, and.

871
00:40:29,880 --> 00:40:30,880
Speaker 2: I'll just never forget.

872
00:40:30,960 --> 00:40:33,920
Speaker 1: Like going to n Yu, yeah, literally going especially going

873
00:40:33,960 --> 00:40:36,200
Speaker 1: to NYU were like I guess I didn't understand because

874
00:40:36,320 --> 00:40:38,680
Speaker 1: growing up like very working class on Long Island, like

875
00:40:39,160 --> 00:40:42,920
Speaker 1: I wasn't around just like wealthy people. Yeah, and like

876
00:40:43,120 --> 00:40:44,840
Speaker 1: like I would have friends that lived on like the

877
00:40:44,880 --> 00:40:46,719
Speaker 1: South Shore of Long Island that like had money, and

878
00:40:46,760 --> 00:40:48,600
Speaker 1: you knew it because you could see their homes. Then

879
00:40:48,640 --> 00:40:51,000
Speaker 1: you go to school and you can't see people's homes

880
00:40:51,000 --> 00:40:52,520
Speaker 1: where they come from. Like, yeah, I kind of like

881
00:40:52,560 --> 00:40:54,319
Speaker 1: figure it out with how they dressed. But I wasn't

882
00:40:54,360 --> 00:40:56,160
Speaker 1: looking at that. I was far too concerned with what

883
00:40:57,040 --> 00:40:59,160
Speaker 1: was going on with me, very in my head and

884
00:40:59,200 --> 00:41:02,440
Speaker 1: then I remember meeting people like freshman sophomore year of

885
00:41:02,560 --> 00:41:05,040
Speaker 1: NYU for the first time and having a conversation and

886
00:41:05,080 --> 00:41:07,919
Speaker 1: then going over to their apartment and it's like, whoa

887
00:41:09,200 --> 00:41:12,280
Speaker 1: millions and millions of dollars of value and like literally

888
00:41:12,480 --> 00:41:14,560
Speaker 1: like the best parts of the city. I'm like, oh

889
00:41:14,640 --> 00:41:17,600
Speaker 1: my god. And it was so many people. It felt

890
00:41:17,640 --> 00:41:20,720
Speaker 1: like I'm like, wow, there's a lot of like wealthy people.

891
00:41:20,880 --> 00:41:24,040
Speaker 6: Yeah, and like how many rich people are in Ohio?

892
00:41:24,239 --> 00:41:28,120
Speaker 6: Like right, I like it, just like how does everyone fuch?

893
00:41:28,400 --> 00:41:29,560
Speaker 1: And You're like, I mean, I guess if this is

894
00:41:29,600 --> 00:41:31,200
Speaker 1: all you know, then it's all you know. But like

895
00:41:31,320 --> 00:41:33,240
Speaker 1: I'm seeing it and I'm calling it out. And whenever

896
00:41:33,360 --> 00:41:35,560
Speaker 1: I found someone at that school that was also like

897
00:41:35,640 --> 00:41:38,480
Speaker 1: from a background like me, we always connected about it totally.

898
00:41:38,560 --> 00:41:40,440
Speaker 4: But like, I guess that's part of coming up in

899
00:41:40,520 --> 00:41:42,400
Speaker 4: comedy and a place like New York where it's like

900
00:41:43,000 --> 00:41:45,640
Speaker 4: it is kind of this big like hodgepodge of like

901
00:41:45,760 --> 00:41:48,480
Speaker 4: people from different classes and mocks and like all this stuff,

902
00:41:48,480 --> 00:41:51,120
Speaker 4: and you're like, oh, it is sort of an eye

903
00:41:51,160 --> 00:41:53,239
Speaker 4: opening thing. I feel like there was an awaking for

904
00:41:53,360 --> 00:41:55,960
Speaker 4: me after college once I started taking UCB classes where

905
00:41:55,960 --> 00:41:59,799
Speaker 4: I was like, oh, like yeah, there's a whole other yeah,

906
00:42:00,239 --> 00:42:03,400
Speaker 4: of people who like live completely different lines, right.

907
00:42:03,480 --> 00:42:07,319
Speaker 2: I would overdraft constantly, yeah yeah, all the time. Yeah yeah.

908
00:42:07,320 --> 00:42:10,480
Speaker 1: And it was such so shameful, like to have to

909
00:42:10,600 --> 00:42:12,800
Speaker 1: like go to someone and ask for money or like

910
00:42:12,920 --> 00:42:14,720
Speaker 1: you know, ask for like it's just like I remember

911
00:42:14,840 --> 00:42:17,520
Speaker 1: my parents, Like I think it was two times I

912
00:42:17,680 --> 00:42:19,960
Speaker 1: allowed myself to like go back and ask them for

913
00:42:20,040 --> 00:42:22,000
Speaker 1: money because I was always my I always wanted to

914
00:42:22,080 --> 00:42:24,880
Speaker 1: do it myself because duh, like you know what I mean,

915
00:42:25,120 --> 00:42:27,560
Speaker 1: Like you want to feel like, especially in your mid

916
00:42:27,600 --> 00:42:29,680
Speaker 1: to late twenties, like even though you know you picked

917
00:42:29,719 --> 00:42:32,719
Speaker 1: something that's atypical and there are no guarantees, like you

918
00:42:32,800 --> 00:42:34,640
Speaker 1: want at least feel like you can support yourself. And

919
00:42:34,680 --> 00:42:37,560
Speaker 1: those times when you couldn't was so frustrating, which also

920
00:42:37,719 --> 00:42:40,480
Speaker 1: broke my heart about the pandemic because I thought about

921
00:42:40,520 --> 00:42:44,160
Speaker 1: people like us yea, you know who literally needed those

922
00:42:44,400 --> 00:42:47,080
Speaker 1: opportunities and jobs. And what makes me really sad is

923
00:42:47,239 --> 00:42:50,400
Speaker 1: knowing that like kind of an entire generation of comedy

924
00:42:50,520 --> 00:42:52,879
Speaker 1: or people that could have like cut their teeth doing

925
00:42:52,960 --> 00:42:55,520
Speaker 1: live stuff and like maybe couldn't figure out the TikTok

926
00:42:55,600 --> 00:42:58,040
Speaker 1: or Instagram of it all, like that they like either

927
00:42:58,120 --> 00:43:00,920
Speaker 1: had a lot more hardship or that they probably just

928
00:43:01,040 --> 00:43:02,719
Speaker 1: didn't even totally pursue it.

929
00:43:03,000 --> 00:43:03,239
Speaker 6: Yeah.

930
00:43:03,640 --> 00:43:07,879
Speaker 7: Yeah, I genuinely do feel bad for truly anyone even

931
00:43:08,040 --> 00:43:10,440
Speaker 7: slightly younger than us going through the pandemic. Like I

932
00:43:10,480 --> 00:43:12,440
Speaker 7: feel so bad for college kids who had to go

933
00:43:12,880 --> 00:43:15,239
Speaker 7: If I had had to go fucking home and live with.

934
00:43:15,360 --> 00:43:18,960
Speaker 3: My mom and during that time college, forget.

935
00:43:18,800 --> 00:43:20,960
Speaker 5: I would have gone insane.

936
00:43:21,000 --> 00:43:22,759
Speaker 7: And then in those first years, yeah, where it's like

937
00:43:22,960 --> 00:43:27,359
Speaker 7: I needed a like service job, I was nannying or whatever,

938
00:43:27,520 --> 00:43:30,480
Speaker 7: like I couldn't just lose my job. Talking about all

939
00:43:30,560 --> 00:43:33,160
Speaker 7: this reminds me that I when I first moved to

940
00:43:33,280 --> 00:43:36,080
Speaker 7: New York, I got a stupid credit card that it

941
00:43:36,120 --> 00:43:37,759
Speaker 7: should never have been given to me, and I cash

942
00:43:37,840 --> 00:43:42,719
Speaker 7: advanced my rent for like a while, and I just

943
00:43:43,080 --> 00:43:44,120
Speaker 7: paid that bit job.

944
00:43:45,640 --> 00:43:47,000
Speaker 5: Ten years in the making.

945
00:43:47,280 --> 00:43:49,279
Speaker 6: So god, well, and.

946
00:43:49,360 --> 00:43:52,719
Speaker 2: That's normal or abnormal, you know.

947
00:43:52,960 --> 00:43:55,960
Speaker 6: Well, I'll just say that, like during the pandemic, I

948
00:43:56,160 --> 00:43:59,920
Speaker 6: was teaching virtually like comedy classes, and a good thing

949
00:44:00,200 --> 00:44:03,279
Speaker 6: was Like what you're saying is there were people I

950
00:44:03,320 --> 00:44:06,960
Speaker 6: don't know. I'm just like, yeah, I think that they're missing.

951
00:44:07,080 --> 00:44:09,000
Speaker 6: There was something they missed out on, which is like

952
00:44:09,400 --> 00:44:12,640
Speaker 6: the community, which I think that is what the theater

953
00:44:12,760 --> 00:44:16,239
Speaker 6: system brings up, is the community of things. But I

954
00:44:16,320 --> 00:44:18,720
Speaker 6: will say that, like there are people in my classes

955
00:44:18,800 --> 00:44:23,560
Speaker 6: from Seattle, Baltimore for this stuff, and instead of them

956
00:44:23,719 --> 00:44:26,440
Speaker 6: all having to move to LA or New York, they

957
00:44:26,480 --> 00:44:30,239
Speaker 6: were able to access these things virtually from wherever they

958
00:44:30,360 --> 00:44:33,000
Speaker 6: were and we had like recitals and all this stuff.

959
00:44:33,040 --> 00:44:35,760
Speaker 6: And I mean that's like the cool thing about social

960
00:44:35,840 --> 00:44:38,160
Speaker 6: media and all that stuff is like it is this

961
00:44:38,320 --> 00:44:40,800
Speaker 6: lower barrier of entry, but it is just a different

962
00:44:40,880 --> 00:44:44,200
Speaker 6: skill than like live performance, and it's coming back, like

963
00:44:44,320 --> 00:44:46,280
Speaker 6: that whole thing with the theaters and everything.

964
00:44:46,600 --> 00:44:49,200
Speaker 7: I mean back and like these young girls out here,

965
00:44:50,120 --> 00:44:53,840
Speaker 7: any young girls, I think that like what I observe

966
00:44:54,000 --> 00:44:58,600
Speaker 7: of them is that they have like a very tight community. Yeah.

967
00:44:58,680 --> 00:45:00,880
Speaker 7: I feel like I watched over them. I'm on Instagram

968
00:45:01,000 --> 00:45:01,760
Speaker 7: store and I'm.

969
00:45:01,680 --> 00:45:04,640
Speaker 6: Like God, and they're all like starting and again they're

970
00:45:04,680 --> 00:45:07,680
Speaker 6: starting from a place. I mean, in some ways I'm like, oh,

971
00:45:07,719 --> 00:45:10,600
Speaker 6: they missed, But in another way, it's like, oh, they're

972
00:45:10,640 --> 00:45:14,439
Speaker 6: already starting with like this consciousness of like I don't

973
00:45:14,480 --> 00:45:17,120
Speaker 6: need this old white guy to tell me that I'm

974
00:45:17,160 --> 00:45:19,879
Speaker 6: not funny. I'm gonna make my own shows and I'm

975
00:45:19,920 --> 00:45:22,680
Speaker 6: gonna do my own ship, and I'm gonna dress pretty

976
00:45:23,040 --> 00:45:25,200
Speaker 6: and I'm gonna look nice, and I'm gonna do my

977
00:45:25,320 --> 00:45:28,360
Speaker 6: comedy about how guys suck and all this ship. And

978
00:45:28,480 --> 00:45:31,439
Speaker 6: they're starting already from like this place of benefit where

979
00:45:31,480 --> 00:45:34,160
Speaker 6: I was like I was told in comedies like you

980
00:45:34,280 --> 00:45:37,040
Speaker 6: haven't watched Star Wars, like why would you even do

981
00:45:37,239 --> 00:45:37,680
Speaker 6: stand up?

982
00:45:37,840 --> 00:45:40,279
Speaker 3: Or you don't know this episode of The Simpsons I'm

983
00:45:41,160 --> 00:45:41,640
Speaker 3: and it's.

984
00:45:41,560 --> 00:45:43,239
Speaker 2: Like, oh, this is you know what I mean.

985
00:45:44,440 --> 00:45:45,959
Speaker 5: Name the sex and the City girls, name.

986
00:45:47,560 --> 00:45:52,120
Speaker 6: Fu living single girl, name any Latino like you don't

987
00:45:52,200 --> 00:45:55,400
Speaker 6: give a ship about when talking about culture, that's like

988
00:45:55,719 --> 00:45:58,719
Speaker 6: my barrier of entry to be able to do this

989
00:45:59,520 --> 00:46:02,239
Speaker 6: comedy formed this art form that has nothing to do

990
00:46:02,360 --> 00:46:03,040
Speaker 6: with specifics.

991
00:46:03,239 --> 00:46:05,120
Speaker 2: There's literally just like a plus peak.

992
00:46:05,160 --> 00:46:07,919
Speaker 6: We'll see. That's the comedy formula. And all I needed

993
00:46:07,960 --> 00:46:09,680
Speaker 6: to know was that. And you're telling me I have

994
00:46:09,760 --> 00:46:12,240
Speaker 6: to know white male culture to be able to engage

995
00:46:12,239 --> 00:46:15,279
Speaker 6: with it, but you don't have exactly I have to

996
00:46:15,400 --> 00:46:17,080
Speaker 6: read the Hobbit and Jack out to the Lord of

997
00:46:17,120 --> 00:46:18,960
Speaker 6: the Rings, but you don't have to know any of

998
00:46:19,120 --> 00:46:21,600
Speaker 6: my ship. You don't have to know anything about South Florida.

999
00:46:21,600 --> 00:46:23,560
Speaker 6: You have to go anything about the Caribbean or Latin

1000
00:46:23,560 --> 00:46:26,480
Speaker 6: America or anything like that. That was the thing that

1001
00:46:26,680 --> 00:46:28,719
Speaker 6: and then instead, you know, and that's what I'm saying.

1002
00:46:28,719 --> 00:46:32,920
Speaker 6: I'm like, what's really cool about this younger generation is like, Oh,

1003
00:46:33,200 --> 00:46:34,759
Speaker 6: I'm just gonna do my own thing over here.

1004
00:46:34,840 --> 00:46:35,000
Speaker 2: Yeah.

1005
00:46:35,280 --> 00:46:37,600
Speaker 4: This is the perfect segue into asking Millie because we've

1006
00:46:37,640 --> 00:46:39,080
Speaker 4: not asked me, and then we do hear at least

1007
00:46:39,120 --> 00:46:39,760
Speaker 4: once in adendum.

1008
00:46:41,600 --> 00:46:54,239
Speaker 2: I mean, yeah, million, what is the culture that made

1009
00:46:54,239 --> 00:46:54,880
Speaker 2: you say cultures?

1010
00:46:55,000 --> 00:46:55,200
Speaker 7: For me?

1011
00:46:55,440 --> 00:46:57,640
Speaker 6: I'm sure someone said this, but the Muppets.

1012
00:46:57,960 --> 00:47:00,960
Speaker 2: Yeah, well, we were just talking about the Mappets when

1013
00:47:00,960 --> 00:47:01,680
Speaker 2: we were in Orlando.

1014
00:47:02,000 --> 00:47:04,080
Speaker 4: Yeah, we were in Hollywood studios and we were walking

1015
00:47:04,120 --> 00:47:06,279
Speaker 4: by a sculpture of a fountain of Miss Piggy dress

1016
00:47:06,320 --> 00:47:07,200
Speaker 4: as the statue, which.

1017
00:47:07,080 --> 00:47:09,200
Speaker 3: Is exactly how she deserves to be immortal.

1018
00:47:09,960 --> 00:47:10,200
Speaker 2: Yeah.

1019
00:47:10,360 --> 00:47:14,520
Speaker 6: Well, so my parents, my dad, I mean, I don't

1020
00:47:14,719 --> 00:47:17,000
Speaker 6: have to get super into this, but I'm one of

1021
00:47:17,120 --> 00:47:20,880
Speaker 6: six kids. I'm number five. So when my four brothers

1022
00:47:20,920 --> 00:47:23,480
Speaker 6: and sisters were all living in Harlem, in East Harlem,

1023
00:47:23,520 --> 00:47:25,399
Speaker 6: it was like the eighties and it was not great

1024
00:47:25,560 --> 00:47:28,799
Speaker 6: in New York City, so my mom and my dad

1025
00:47:28,880 --> 00:47:31,040
Speaker 6: did long distance. My mom went back to Dominican Republic

1026
00:47:31,120 --> 00:47:33,160
Speaker 6: with my four siblings, and my dad lived in New

1027
00:47:33,239 --> 00:47:35,000
Speaker 6: York because he made really good money as a graphic

1028
00:47:35,080 --> 00:47:38,320
Speaker 6: designer and he would record VHS's. This is like he

1029
00:47:38,360 --> 00:47:42,640
Speaker 6: would record VHS's of HBO and like the Simpsons episodes

1030
00:47:42,719 --> 00:47:45,600
Speaker 6: and like American TV and would send it to my

1031
00:47:45,760 --> 00:47:48,920
Speaker 6: mom and to my siblings to so like one of

1032
00:47:49,360 --> 00:47:52,759
Speaker 6: my like formative things that I would engage with. This

1033
00:47:53,120 --> 00:47:56,200
Speaker 6: VHS from like nineteen eighty nine or something of like

1034
00:47:56,400 --> 00:48:00,080
Speaker 6: recorded TV and one of its uppets, Take Manhattan.

1035
00:48:00,120 --> 00:48:01,880
Speaker 2: Is my favorite, one of the great and.

1036
00:48:02,440 --> 00:48:06,160
Speaker 6: Honestly though we're talking about like that was a thing

1037
00:48:06,239 --> 00:48:08,400
Speaker 6: where it was like wow. You know, as a kid,

1038
00:48:08,480 --> 00:48:10,920
Speaker 6: you're like, I like puppets and all this stuff, and

1039
00:48:11,040 --> 00:48:13,400
Speaker 6: as an adult you watched that movie and it's literally

1040
00:48:13,480 --> 00:48:16,320
Speaker 6: about making it in New York City. They think that

1041
00:48:16,360 --> 00:48:18,680
Speaker 6: they're gonna they're like, oh, they're the best in their

1042
00:48:18,760 --> 00:48:21,399
Speaker 6: college and they come to Manhattan and they're like we're

1043
00:48:21,400 --> 00:48:24,000
Speaker 6: gonna be on Broadway in two weeks and they're like

1044
00:48:24,200 --> 00:48:27,600
Speaker 6: eat shit, they and it's just like wow. And you know,

1045
00:48:27,719 --> 00:48:31,160
Speaker 6: of course, like miss Piggy. I mean, why wouldn't really

1046
00:48:31,320 --> 00:48:33,839
Speaker 6: be without mistake? Where would any of us spe where

1047
00:48:33,840 --> 00:48:34,880
Speaker 6: would any of us speed?

1048
00:48:35,480 --> 00:48:37,799
Speaker 1: And the thing too is just like it was such

1049
00:48:38,480 --> 00:48:42,160
Speaker 1: smart sketch comedy in that it was so simple and

1050
00:48:42,280 --> 00:48:46,239
Speaker 1: that also like the characters never exhausted, like they were

1051
00:48:46,320 --> 00:48:49,560
Speaker 1: always funny, like because they all had very clear specific

1052
00:48:49,719 --> 00:48:52,279
Speaker 1: games that they were playing, like loll game. But it

1053
00:48:52,480 --> 00:48:57,839
Speaker 1: was just very fun every single time. And so even

1054
00:48:57,880 --> 00:48:59,799
Speaker 1: to this day when I hear like friends of mine

1055
00:48:59,840 --> 00:49:01,560
Speaker 1: that are going up for jobs to work on like

1056
00:49:01,600 --> 00:49:04,680
Speaker 1: a Muppets project, I'm like, that really would be like

1057
00:49:04,840 --> 00:49:07,719
Speaker 1: a really fun environment, or you would hope at least.

1058
00:49:07,760 --> 00:49:09,359
Speaker 1: And also everyone I talked to it seems to get

1059
00:49:09,360 --> 00:49:12,040
Speaker 1: those jobs seems to be like really smart, and like

1060
00:49:12,600 --> 00:49:15,640
Speaker 1: there's just something like that brings us all together about

1061
00:49:15,800 --> 00:49:16,400
Speaker 1: the Muppets.

1062
00:49:16,719 --> 00:49:19,480
Speaker 6: Well, yeah, the guy who you know, Jim Henson. Yeah,

1063
00:49:19,640 --> 00:49:21,800
Speaker 6: like the Muppets for a while had like one season

1064
00:49:21,840 --> 00:49:25,240
Speaker 6: where they did SNL so like yeah in the seventies,

1065
00:49:25,280 --> 00:49:27,120
Speaker 6: and then he like absorbed all the SNL and then

1066
00:49:27,160 --> 00:49:30,000
Speaker 6: they went to London and made that Muppets Tonight show, yes,

1067
00:49:30,760 --> 00:49:33,560
Speaker 6: which is like, yeah, it is like literally sketch comedy.

1068
00:49:33,640 --> 00:49:35,960
Speaker 6: You know, it is very smart and it's like whatever,

1069
00:49:36,080 --> 00:49:37,960
Speaker 6: so I thought, and you know, just the origins of

1070
00:49:38,080 --> 00:49:41,600
Speaker 6: it being like Sesame Street and but like again bringing

1071
00:49:41,640 --> 00:49:44,480
Speaker 6: in these pop culture people and like, you know, a

1072
00:49:44,560 --> 00:49:47,720
Speaker 6: lot of like black people, yeah, a lot of queer people,

1073
00:49:47,760 --> 00:49:50,160
Speaker 6: a lot of things that you just wouldn't see in

1074
00:49:50,280 --> 00:49:52,279
Speaker 6: any other thing. I don't know, I just and of

1075
00:49:52,360 --> 00:49:56,160
Speaker 6: course a fat, fabulous blonde woman who beats the shit

1076
00:49:56,200 --> 00:49:59,719
Speaker 6: out of her husband and how did you not fad.

1077
00:50:00,520 --> 00:50:04,080
Speaker 7: I did one episode of Helpsters, which is a Jim

1078
00:50:04,200 --> 00:50:09,800
Speaker 7: Henson production, and it was so cool to see like

1079
00:50:10,200 --> 00:50:13,120
Speaker 7: the actors who do the buppets like they're in character

1080
00:50:13,520 --> 00:50:16,680
Speaker 7: the entire time in a way that's really really awesome.

1081
00:50:17,000 --> 00:50:19,919
Speaker 7: And it was like the most amazing environment. I worked

1082
00:50:19,920 --> 00:50:25,640
Speaker 7: with a live parrot named Sarah. Live parrot was real

1083
00:50:25,680 --> 00:50:27,520
Speaker 7: and her name was Sarah, and.

1084
00:50:29,360 --> 00:50:30,120
Speaker 5: She was wonderful.

1085
00:50:30,160 --> 00:50:31,840
Speaker 7: They like brought her to my trailer so that we

1086
00:50:31,880 --> 00:50:33,680
Speaker 7: could get to know each other, and like I put

1087
00:50:33,719 --> 00:50:35,400
Speaker 7: her on my shoulder and we walked around and I

1088
00:50:35,520 --> 00:50:36,960
Speaker 7: was like, all right, Sarah.

1089
00:50:38,280 --> 00:50:41,320
Speaker 5: Is no joke, Pavy actually on your shoulder.

1090
00:50:41,360 --> 00:50:43,440
Speaker 7: And I did actually need the practice walking around with

1091
00:50:43,520 --> 00:50:46,000
Speaker 7: the parrot, and I did feel very like I felt

1092
00:50:46,040 --> 00:50:48,600
Speaker 7: like I was walking very slowly and deliberately.

1093
00:50:49,280 --> 00:50:51,560
Speaker 1: Well yeah, because if you're on TV not holding the

1094
00:50:51,640 --> 00:50:55,000
Speaker 1: animal correctly or like that, that really makes a lot

1095
00:50:55,040 --> 00:50:57,360
Speaker 1: of people just widely nervous. I remember like when I

1096
00:50:57,440 --> 00:51:00,680
Speaker 1: hosted Hot Dog and Beyond that same built into the

1097
00:51:00,760 --> 00:51:03,840
Speaker 1: schedule before we would shoot time for me to like

1098
00:51:04,000 --> 00:51:04,840
Speaker 1: hold the dogs.

1099
00:51:04,920 --> 00:51:05,799
Speaker 3: Yeah, be with the dogs.

1100
00:51:05,920 --> 00:51:08,360
Speaker 1: It was literally like Matt plays with the dogs for

1101
00:51:08,440 --> 00:51:10,560
Speaker 1: twenty minutes so they would understand who I was and

1102
00:51:10,600 --> 00:51:12,520
Speaker 1: I would learn how to hold them because if you're

1103
00:51:12,560 --> 00:51:15,359
Speaker 1: on TV holding an animal, crazy the audi.

1104
00:51:16,239 --> 00:51:16,439
Speaker 7: Yeah.

1105
00:51:16,600 --> 00:51:20,920
Speaker 6: Well, also I did this show, this pilot that never aired,

1106
00:51:20,960 --> 00:51:24,440
Speaker 6: but it was like so crazy and they needed like

1107
00:51:24,560 --> 00:51:26,680
Speaker 6: three people on staff. I'm sure like you're saying, working

1108
00:51:26,719 --> 00:51:29,480
Speaker 6: with animals is no joke, Like the three people like

1109
00:51:29,560 --> 00:51:32,439
Speaker 6: the animal experts, right, that have to be there because

1110
00:51:32,440 --> 00:51:34,480
Speaker 6: it was like kind of a Disney shoot and there

1111
00:51:34,560 --> 00:51:37,680
Speaker 6: was like horses. There was like live horses racing and

1112
00:51:37,760 --> 00:51:39,520
Speaker 6: then one of the horses fell and we had to

1113
00:51:39,560 --> 00:51:42,360
Speaker 6: stop production and it was like such a crazy and

1114
00:51:42,440 --> 00:51:45,480
Speaker 6: it was just like, yeah, like people don't get like

1115
00:51:45,880 --> 00:51:49,600
Speaker 6: working on TV with the animals is so fucking crazy.

1116
00:51:49,719 --> 00:51:52,600
Speaker 4: Yeah, I don't think so hony like war scenes and

1117
00:51:52,719 --> 00:51:55,160
Speaker 4: like fantasy shows or whatever, or any show where it's

1118
00:51:55,200 --> 00:51:59,080
Speaker 4: like the horses have to fall, Oh my god, like

1119
00:51:59,520 --> 00:51:59,840
Speaker 4: how do you.

1120
00:52:00,640 --> 00:52:03,920
Speaker 1: I also feel that way with like babies hysterically crying. Oh,

1121
00:52:04,400 --> 00:52:06,800
Speaker 1: whenever a baby is hysterically crying in a movie, I'm like,

1122
00:52:07,200 --> 00:52:09,080
Speaker 1: all right, what you'll have to do? At what point

1123
00:52:09,120 --> 00:52:12,720
Speaker 1: are we like that's a little human or any living

1124
00:52:12,840 --> 00:52:13,920
Speaker 1: being that's in distress.

1125
00:52:14,480 --> 00:52:16,879
Speaker 3: You know, some actors won't do movies at all where

1126
00:52:16,960 --> 00:52:18,240
Speaker 3: there's where there's animals.

1127
00:52:18,360 --> 00:52:21,040
Speaker 1: Yeah, animals or yeah, I don't know about children, but

1128
00:52:21,080 --> 00:52:22,080
Speaker 1: animals like people like.

1129
00:52:22,080 --> 00:52:24,520
Speaker 2: They're like, yeah, I kind of get that, that kind

1130
00:52:24,560 --> 00:52:25,719
Speaker 2: of like ruefully.

1131
00:52:25,880 --> 00:52:29,360
Speaker 6: No, Well, my whole thing, my whole philosophy is that

1132
00:52:29,480 --> 00:52:32,680
Speaker 6: there are no child prodigies. They're just mentally ill adults

1133
00:52:33,120 --> 00:52:37,840
Speaker 6: pushing their kids to fucking act because that shit is like,

1134
00:52:38,000 --> 00:52:40,160
Speaker 6: I mean, there are kids who are naturally talented blah

1135
00:52:40,200 --> 00:52:43,680
Speaker 6: blah blah, but you really do need like a every

1136
00:52:43,800 --> 00:52:48,600
Speaker 6: fucking autobiography from a child actor is like my mom.

1137
00:52:48,520 --> 00:52:50,800
Speaker 1: Myself fucked up, like she is just there is just

1138
00:52:50,920 --> 00:52:53,000
Speaker 1: like that's that's another thing I think about in terms

1139
00:52:53,040 --> 00:52:54,759
Speaker 1: of like the privilege of it all. It's like you

1140
00:52:54,920 --> 00:52:56,800
Speaker 1: also had to be if you're someone who came to

1141
00:52:56,880 --> 00:52:59,479
Speaker 1: college ready with an agent or something and god bless whatever.

1142
00:52:59,800 --> 00:53:02,320
Speaker 1: But I'm just saying, like my my I was a

1143
00:53:02,360 --> 00:53:04,360
Speaker 1: little kid who was like interested in acting, Like I

1144
00:53:04,520 --> 00:53:06,360
Speaker 1: always wanted to do this, but my.

1145
00:53:06,480 --> 00:53:08,080
Speaker 3: Parents didn't have time to take me.

1146
00:53:08,920 --> 00:53:11,759
Speaker 1: I didn't have time to like, you know, be involved

1147
00:53:11,960 --> 00:53:14,440
Speaker 1: in things because everyone was just doing their best to.

1148
00:53:14,560 --> 00:53:19,439
Speaker 6: Like, dude, day we barely like we're talking about doing

1149
00:53:19,600 --> 00:53:22,719
Speaker 6: self tapes and all this shit balancing like it's so hard.

1150
00:53:23,000 --> 00:53:26,000
Speaker 6: I had a nephew who, like there was some online

1151
00:53:26,120 --> 00:53:28,960
Speaker 6: thing and he, you know, he was seven at the time.

1152
00:53:29,000 --> 00:53:31,600
Speaker 6: He lived in the Bronx, and he got cast for

1153
00:53:31,719 --> 00:53:35,000
Speaker 6: like a gogurt commercial thing or something for like new media.

1154
00:53:35,440 --> 00:53:38,080
Speaker 6: And what did that involve? That involved me leaving Bushwick,

1155
00:53:38,239 --> 00:53:40,760
Speaker 6: going to the Bronx, getting him from after school, taking

1156
00:53:40,840 --> 00:53:43,520
Speaker 6: him to Harlem to get a ride, to go to

1157
00:53:43,640 --> 00:53:45,799
Speaker 6: the studio, to get him in makeup, to get him

1158
00:53:45,840 --> 00:53:49,080
Speaker 6: in hair, this and this and that. He did great,

1159
00:53:49,239 --> 00:53:52,160
Speaker 6: he was great, he was naturally like whatever. But I

1160
00:53:52,280 --> 00:53:53,960
Speaker 6: had to watch and he was like trying to play

1161
00:53:53,960 --> 00:53:56,120
Speaker 6: around too much, and I was like, hey, let's go,

1162
00:53:56,440 --> 00:53:58,400
Speaker 6: you know, and he would whatever straighten up, but he

1163
00:53:58,520 --> 00:54:01,120
Speaker 6: did really great. All the people after were like, he's

1164
00:54:01,200 --> 00:54:03,959
Speaker 6: so good, he should keep acting, and he really wanted

1165
00:54:04,000 --> 00:54:06,600
Speaker 6: to keep acting, but like my and my sister was like,

1166
00:54:06,640 --> 00:54:07,759
Speaker 6: are you gonna keep putting him?

1167
00:54:07,760 --> 00:54:11,520
Speaker 2: Like no, I have my own dreams, and then later.

1168
00:54:13,680 --> 00:54:17,680
Speaker 6: And then I dreams and then like now he's twelve

1169
00:54:17,840 --> 00:54:22,560
Speaker 6: or thirteen, and he brought up casually, like over this holiday.

1170
00:54:22,880 --> 00:54:25,360
Speaker 6: He was like, yeah, I really liked acting, but I

1171
00:54:25,400 --> 00:54:30,080
Speaker 6: guess I wasn't good enough to do it. And I was, well,

1172
00:54:30,160 --> 00:54:32,840
Speaker 6: I was a little high, so I was like I

1173
00:54:32,960 --> 00:54:34,480
Speaker 6: was laying down in the bed because I got too

1174
00:54:34,560 --> 00:54:36,840
Speaker 6: high for my cousin's vabe And he's like yeah, and

1175
00:54:37,120 --> 00:54:39,320
Speaker 6: we had like this heart to heart and I'm like, no, honey,

1176
00:54:39,440 --> 00:54:41,880
Speaker 6: like it's not because you're not good enough. It's because

1177
00:54:42,000 --> 00:54:44,880
Speaker 6: like you need a parent with disposal or somebody with

1178
00:54:44,960 --> 00:54:48,400
Speaker 6: disposed to income and puts everything into you to like

1179
00:54:48,719 --> 00:54:50,840
Speaker 6: be able for you to show up on time, and

1180
00:54:50,960 --> 00:54:53,319
Speaker 6: you're not gonna have a normal childhood, right, That's why

1181
00:54:53,360 --> 00:54:56,640
Speaker 6: I mean, like mentally ill adults, like because you do

1182
00:54:56,800 --> 00:54:59,960
Speaker 6: need somebody who was like really putting everything.

1183
00:54:59,600 --> 00:55:03,919
Speaker 4: Into until yeah, you can make your own sacrifices. Yeah,

1184
00:55:04,640 --> 00:55:07,960
Speaker 4: like that's when, Yeah, it's a weird, weird line.

1185
00:55:08,520 --> 00:55:10,480
Speaker 6: Yeah, in some way.

1186
00:55:11,000 --> 00:55:13,239
Speaker 7: A little known part of my origin story is that

1187
00:55:13,360 --> 00:55:16,480
Speaker 7: I lived in la until I was twelve, so and

1188
00:55:16,840 --> 00:55:18,759
Speaker 7: while I was out there, I was a little kid

1189
00:55:18,800 --> 00:55:21,680
Speaker 7: who was really interested in acting. So I went to

1190
00:55:21,840 --> 00:55:26,040
Speaker 7: like Lee Straussberg, Yeah, and we did the Hobbit as

1191
00:55:26,040 --> 00:55:30,880
Speaker 7: a play so I am familiar. And then I did

1192
00:55:30,960 --> 00:55:35,640
Speaker 7: this like kids Comedy Connection thing that was like an

1193
00:55:35,719 --> 00:55:38,520
Speaker 7: improv thing for kids and all that people would come to.

1194
00:55:38,560 --> 00:55:38,960
Speaker 5: It all the time.

1195
00:55:39,080 --> 00:55:42,279
Speaker 7: I was just thinking about it, and the big thing

1196
00:55:42,400 --> 00:55:45,719
Speaker 7: that like I personally was like Mom, you should like

1197
00:55:45,960 --> 00:55:48,239
Speaker 7: make me do it. Like there were like other kids

1198
00:55:48,280 --> 00:55:50,120
Speaker 7: who was like parents had agents and we're doing all

1199
00:55:50,160 --> 00:55:51,960
Speaker 7: this stuff, and my parents were just like, no, we

1200
00:55:52,120 --> 00:55:54,759
Speaker 7: have lives, right, We're not Like my mom was like

1201
00:55:54,920 --> 00:55:56,160
Speaker 7: I work, your dad works.

1202
00:55:56,200 --> 00:55:56,759
Speaker 5: We're not spent.

1203
00:55:56,920 --> 00:55:59,160
Speaker 7: Like we'll send you to these after school things because

1204
00:55:59,200 --> 00:56:02,800
Speaker 7: you like them, but we are not gonna be hustling

1205
00:56:02,880 --> 00:56:05,680
Speaker 7: you all over downtown and doing all this shit, like

1206
00:56:05,719 --> 00:56:06,799
Speaker 7: we don't have that kind of time.

1207
00:56:06,960 --> 00:56:09,840
Speaker 6: Well, even like after school things I used to do baton.

1208
00:56:10,920 --> 00:56:14,520
Speaker 3: Oh I love it, Come on, you know, were you good?

1209
00:56:15,239 --> 00:56:15,279
Speaker 1: No?

1210
00:56:16,760 --> 00:56:18,719
Speaker 6: I think I was good at the dancing thing, but

1211
00:56:18,920 --> 00:56:22,040
Speaker 6: not like the actual baton, But like even to do

1212
00:56:22,280 --> 00:56:25,000
Speaker 6: like after school things. Your parent has to pick you

1213
00:56:25,080 --> 00:56:28,080
Speaker 6: up from school, drop you off. The competition that this,

1214
00:56:28,200 --> 00:56:30,720
Speaker 6: and not the disposable income to get you the new universe.

1215
00:56:30,800 --> 00:56:33,160
Speaker 6: It's just like there's a lot of things, a lot

1216
00:56:33,400 --> 00:56:35,280
Speaker 6: just to even be the basic like whatever.

1217
00:56:35,480 --> 00:56:37,719
Speaker 1: Yeah, I remember watching all that and like Disney Channel

1218
00:56:37,760 --> 00:56:39,759
Speaker 1: and everything, And we were just in Disney World last

1219
00:56:39,800 --> 00:56:42,040
Speaker 1: week and I was thinking to myself, like they would

1220
00:56:42,040 --> 00:56:44,880
Speaker 1: shoot there, they would out which I think got lost

1221
00:56:45,040 --> 00:56:47,239
Speaker 1: and like I feel like when I was little, I

1222
00:56:47,280 --> 00:56:49,880
Speaker 1: always thought like, oh, these kids they live at like

1223
00:56:50,400 --> 00:56:52,600
Speaker 1: Universal Studios or ny World.

1224
00:56:52,480 --> 00:56:53,520
Speaker 3: That must be so fun.

1225
00:56:53,600 --> 00:56:55,800
Speaker 1: And then you see like the backstage of those places,

1226
00:56:55,840 --> 00:56:57,839
Speaker 1: and it's just like this is not really a place

1227
00:56:57,960 --> 00:57:00,080
Speaker 1: for a kid, which is really the whole thing with

1228
00:57:00,120 --> 00:57:02,880
Speaker 1: those theme parks, right, they project all this stuff for tourism,

1229
00:57:03,200 --> 00:57:04,640
Speaker 1: and then when you get there, it's like either a

1230
00:57:04,760 --> 00:57:09,560
Speaker 1: working studio or a very workplacey environment. So I'm not

1231
00:57:09,840 --> 00:57:15,160
Speaker 1: surprised that they get involved in things that like they

1232
00:57:15,200 --> 00:57:18,240
Speaker 1: probably shouldn't be getting involved in like I'm talking about

1233
00:57:18,280 --> 00:57:21,560
Speaker 1: like you know, drugs or whatever, or just like you know,

1234
00:57:21,640 --> 00:57:23,960
Speaker 1: getting bored and like fucking with each other in ways

1235
00:57:24,200 --> 00:57:26,840
Speaker 1: because and it's just so crazy to read some of

1236
00:57:26,960 --> 00:57:30,000
Speaker 1: these autobiographies that come out or whatever and like hear

1237
00:57:30,120 --> 00:57:32,600
Speaker 1: their takes because it's like, you know, their life was

1238
00:57:32,720 --> 00:57:35,280
Speaker 1: not as advertised to us, and so part of me

1239
00:57:35,440 --> 00:57:37,880
Speaker 1: is just like, while I was that kid that wanted

1240
00:57:37,920 --> 00:57:40,320
Speaker 1: that so bad, you can't help but be grateful that

1241
00:57:40,440 --> 00:57:42,680
Speaker 1: things turned out the way that they did because you

1242
00:57:42,800 --> 00:57:45,360
Speaker 1: were not making conscious decisions for your own life.

1243
00:57:45,400 --> 00:57:46,400
Speaker 3: It's complicated to child.

1244
00:57:46,680 --> 00:57:46,800
Speaker 1: Well.

1245
00:57:46,880 --> 00:57:50,040
Speaker 6: Yeah, also I like to think that like we're all

1246
00:57:50,120 --> 00:57:53,560
Speaker 6: gonna make it. I mean, we all have great careers.

1247
00:57:53,600 --> 00:57:57,080
Speaker 6: But it's like then now you have this experience of

1248
00:57:57,280 --> 00:57:59,960
Speaker 6: like hustling and working hard that you can relate to,

1249
00:58:00,680 --> 00:58:03,520
Speaker 6: you know, and then also like grit, which is like

1250
00:58:03,760 --> 00:58:06,480
Speaker 6: you do need grit even if like that's the thing too,

1251
00:58:06,640 --> 00:58:09,520
Speaker 6: is like I used to get really jealous of like people,

1252
00:58:09,720 --> 00:58:11,640
Speaker 6: you know, like we're talking about people who didn't have

1253
00:58:11,680 --> 00:58:14,120
Speaker 6: to work for their rival jobs people whatever. But I

1254
00:58:14,320 --> 00:58:16,560
Speaker 6: you know, being in this industry, you know, even on

1255
00:58:16,600 --> 00:58:19,760
Speaker 6: the sidelines for so many years. Like I see my

1256
00:58:19,880 --> 00:58:21,840
Speaker 6: friends whose parents pay their rent or this and that,

1257
00:58:21,960 --> 00:58:25,080
Speaker 6: and like the first obstacle or the first disappointment they

1258
00:58:25,160 --> 00:58:27,440
Speaker 6: give up or they're like whatever, I didn't really like it,

1259
00:58:27,720 --> 00:58:29,240
Speaker 6: and it's like, oh honey.

1260
00:58:29,600 --> 00:58:33,680
Speaker 2: Like constantly eating shit you have always, which.

1261
00:58:33,560 --> 00:58:35,760
Speaker 6: Is just something. And then also like yeah, like I

1262
00:58:35,920 --> 00:58:37,560
Speaker 6: know what it is to work in an office or

1263
00:58:37,640 --> 00:58:40,240
Speaker 6: this and that or whatever, like I have these steaks

1264
00:58:40,280 --> 00:58:44,320
Speaker 6: so I'm able to write, perform whatever from this place

1265
00:58:44,400 --> 00:58:48,600
Speaker 6: of wanting yeah, wanted it bad, but also like having

1266
00:58:48,640 --> 00:58:51,360
Speaker 6: this universal experience which not a lot of people were,

1267
00:58:51,440 --> 00:58:54,760
Speaker 6: like grew up in this industry, is like don't know that,

1268
00:58:55,080 --> 00:58:56,520
Speaker 6: like what it's like to have a real job or

1269
00:58:56,600 --> 00:58:57,000
Speaker 6: not care.

1270
00:58:57,400 --> 00:59:00,840
Speaker 1: Yeah, that's what makes Alison Williams and her name's like

1271
00:59:00,920 --> 00:59:02,400
Speaker 1: for the cool girl the world because she did the

1272
00:59:02,440 --> 00:59:04,720
Speaker 1: one thing that I wish more people would do, which

1273
00:59:04,800 --> 00:59:06,520
Speaker 1: is just to be like when she's confronted with the

1274
00:59:06,600 --> 00:59:08,280
Speaker 1: NEPO baby of it all, she's like.

1275
00:59:08,560 --> 00:59:10,000
Speaker 3: Yes, and I love what she said.

1276
00:59:10,320 --> 00:59:12,680
Speaker 4: The one Happens Live. She was like, look like totally

1277
00:59:12,680 --> 00:59:14,680
Speaker 4: I had advantages. And the way I think about it

1278
00:59:14,760 --> 00:59:17,120
Speaker 4: is she was like I started on third base. Yeah,

1279
00:59:17,160 --> 00:59:19,080
Speaker 4: other people started her home base like that's the thing.

1280
00:59:19,120 --> 00:59:21,440
Speaker 1: It's like yeah, she literally and she also said this

1281
00:59:21,680 --> 00:59:23,560
Speaker 1: line which I thought was good, which was I get it.

1282
00:59:23,640 --> 00:59:25,959
Speaker 1: It's less fun to root for me than other people.

1283
00:59:26,040 --> 00:59:28,640
Speaker 1: I completely understand that, but I do work hard and

1284
00:59:28,880 --> 00:59:31,760
Speaker 1: so whatever. And so I was like, yeah, good, don't

1285
00:59:31,920 --> 00:59:34,200
Speaker 1: be annoyed that people are pointing out the fact that

1286
00:59:34,320 --> 00:59:37,280
Speaker 1: you started out. It's how it's how the world works.

1287
00:59:37,440 --> 00:59:40,360
Speaker 1: Just acknowledge it. That's really all people are asking.

1288
00:59:40,560 --> 00:59:41,040
Speaker 2: And that's for me.

1289
00:59:41,120 --> 00:59:44,680
Speaker 7: Acknowledge me is just like just to say like, yeah,

1290
00:59:45,280 --> 00:59:48,160
Speaker 7: I did, I did have all this stuff, but like

1291
00:59:48,360 --> 00:59:50,280
Speaker 7: I do work hard, and a lot of those people

1292
00:59:50,360 --> 00:59:54,360
Speaker 7: do work hard or like are talented. Like it's not

1293
00:59:55,120 --> 00:59:59,400
Speaker 7: necessarily about talent or whatever, it's just about like the acknowledgement.

1294
00:59:59,800 --> 01:00:04,880
Speaker 6: Well, I think that when a system makes it seem

1295
01:00:04,960 --> 01:00:06,840
Speaker 6: like it's a meritocracy or the people who work the

1296
01:00:06,880 --> 01:00:09,440
Speaker 6: hardest or the whatever are the ones that get it,

1297
01:00:09,520 --> 01:00:11,240
Speaker 6: And it's like really not, you know, I think that's

1298
01:00:11,280 --> 01:00:13,480
Speaker 6: what people are coming to terms with. Yes, when they

1299
01:00:13,640 --> 01:00:17,560
Speaker 6: like pointed out, but again it is honestly, there are

1300
01:00:17,680 --> 01:00:21,920
Speaker 6: so many people with so much privilege that fucking squander

1301
01:00:22,000 --> 01:00:25,480
Speaker 6: the bag fumble the bag, like you know that, like

1302
01:00:25,800 --> 01:00:28,120
Speaker 6: props to the people who fucking have a bit, because

1303
01:00:28,120 --> 01:00:30,360
Speaker 6: I'm just like, damn yo, if my parents had all

1304
01:00:30,400 --> 01:00:32,959
Speaker 6: this fucking money and they they would fucking fund whatever

1305
01:00:33,200 --> 01:00:35,919
Speaker 6: I want, and I still which a lot of fucking

1306
01:00:35,960 --> 01:00:40,680
Speaker 6: people do ye Like, yeah, it's just acknowledgment that people want.

1307
01:00:40,800 --> 01:00:43,240
Speaker 6: But it's also like I'm kind of sick of the

1308
01:00:43,320 --> 01:00:46,760
Speaker 6: nipple baby conversation because it's like, Okay, let's ask Alison

1309
01:00:46,760 --> 01:00:48,640
Speaker 6: Williams and like try to get you know, because a

1310
01:00:48,640 --> 01:00:50,840
Speaker 6: lot of people are asking like, hey, nipple baby, what

1311
01:00:50,920 --> 01:00:52,840
Speaker 6: do you think about being a nipple baby? They're gonna

1312
01:00:52,840 --> 01:00:54,960
Speaker 6: be like, man, when it's like, why don't you name

1313
01:00:55,080 --> 01:00:57,280
Speaker 6: five people who aren't nipple babies and fuck with them?

1314
01:00:57,840 --> 01:00:59,919
Speaker 6: Why is no one buy tickets to my ship?

1315
01:01:03,000 --> 01:01:03,560
Speaker 2: You know what it is?

1316
01:01:04,520 --> 01:01:06,760
Speaker 1: It's like it's like, you know what it is, Like

1317
01:01:06,840 --> 01:01:12,000
Speaker 1: the entertainment industry is so publicly merit based or pretends

1318
01:01:12,760 --> 01:01:14,840
Speaker 1: like we have the Oscars or all these award shows,

1319
01:01:14,840 --> 01:01:17,000
Speaker 1: and we talk so much about what does well or

1320
01:01:17,040 --> 01:01:21,360
Speaker 1: doesn't do well, and so we have this idea out

1321
01:01:21,400 --> 01:01:24,800
Speaker 1: there that like this is a business that rewards the

1322
01:01:24,880 --> 01:01:25,720
Speaker 1: best in its field.

1323
01:01:26,040 --> 01:01:27,440
Speaker 3: Extremely publicly.

1324
01:01:28,040 --> 01:01:30,800
Speaker 1: And when that is true, that would be fine if

1325
01:01:30,840 --> 01:01:34,000
Speaker 1: every industry was like that, but obviously not all industries

1326
01:01:34,040 --> 01:01:37,560
Speaker 1: are as public as this one. And so because this

1327
01:01:37,800 --> 01:01:40,680
Speaker 1: industry is just like other industries, which is like, oh,

1328
01:01:40,680 --> 01:01:43,800
Speaker 1: it was a family business, et cetera. Like the reason

1329
01:01:43,840 --> 01:01:46,959
Speaker 1: why it's annoying for the entertainment industry for these people

1330
01:01:47,000 --> 01:01:48,800
Speaker 1: who are nepple babies to be like, well, it's a

1331
01:01:48,840 --> 01:01:51,200
Speaker 1: family business. And no one says anything about doctors who

1332
01:01:51,280 --> 01:01:53,920
Speaker 1: go into you know, that profession. That's because they're not

1333
01:01:54,160 --> 01:01:57,720
Speaker 1: publicly rewarded and given merit again and again and again.

1334
01:01:57,920 --> 01:02:00,600
Speaker 6: And it's also like the people who are voting like

1335
01:02:00,760 --> 01:02:04,760
Speaker 6: publicly awarning you are your dad's best friends. And also

1336
01:02:05,120 --> 01:02:07,960
Speaker 6: like it's on a board of white people that are

1337
01:02:08,120 --> 01:02:10,880
Speaker 6: like only care well, like you know, again the whole

1338
01:02:11,000 --> 01:02:13,200
Speaker 6: Andrea Risebarrow of it all, you know what I mean

1339
01:02:13,320 --> 01:02:15,480
Speaker 6: of like five white people have to say that you're

1340
01:02:15,520 --> 01:02:17,160
Speaker 6: great for you to even be concerned, you know what

1341
01:02:17,200 --> 01:02:19,560
Speaker 6: I mean? And it is not it's not a meritocracy,

1342
01:02:19,640 --> 01:02:22,640
Speaker 6: and that's fine, that's what it is. But it's like,

1343
01:02:23,240 --> 01:02:24,360
Speaker 6: don't play it off like.

1344
01:02:24,440 --> 01:02:24,840
Speaker 7: It it is.

1345
01:02:25,440 --> 01:02:27,919
Speaker 5: And I think that's don't play in our faces, don't

1346
01:02:27,960 --> 01:02:29,200
Speaker 5: play in our faces.

1347
01:02:38,800 --> 01:02:40,280
Speaker 2: Before we move on and think so money, I think

1348
01:02:40,440 --> 01:02:43,320
Speaker 2: we need to give the word too. We need your okay, okay.

1349
01:02:43,800 --> 01:02:47,600
Speaker 7: So I have an addendum to my original answer because

1350
01:02:47,880 --> 01:02:50,800
Speaker 7: when we did this part the podcast like seven years ago,

1351
01:02:51,120 --> 01:02:54,120
Speaker 7: my answer was, Harry Potter, you guys actually didn't even

1352
01:02:54,160 --> 01:02:54,840
Speaker 7: ask the question.

1353
01:02:55,080 --> 01:02:55,880
Speaker 2: We just don't know.

1354
01:02:57,320 --> 01:02:59,439
Speaker 4: That was in the day when we were like like okay,

1355
01:02:59,480 --> 01:03:00,800
Speaker 4: So I guess we went into the episodes being like

1356
01:03:00,800 --> 01:03:01,760
Speaker 4: we're going to talk about.

1357
01:03:01,560 --> 01:03:05,360
Speaker 7: This, yes, And while that is still true, I cannot

1358
01:03:05,480 --> 01:03:09,000
Speaker 7: be officially associated with the franchise any longer.

1359
01:03:09,920 --> 01:03:16,800
Speaker 5: So it's tough. It's tough. It's a long conversation show

1360
01:03:16,840 --> 01:03:18,600
Speaker 5: about I.

1361
01:03:18,640 --> 01:03:21,400
Speaker 1: Wonder like how because we've talked about this as this

1362
01:03:21,520 --> 01:03:25,880
Speaker 1: has become a progressing story, the jk rowling of it all,

1363
01:03:25,920 --> 01:03:30,320
Speaker 1: and Joanna Kathleen is of course sort of growing more nefarious.

1364
01:03:29,920 --> 01:03:30,560
Speaker 2: By the day.

1365
01:03:30,720 --> 01:03:33,080
Speaker 7: Yeah, she aligns herself with the forces of darkness more

1366
01:03:33,120 --> 01:03:37,640
Speaker 7: and more every single statement. It's very, very, very upsetting,

1367
01:03:37,760 --> 01:03:40,600
Speaker 7: and it is genuinely like it is something that has

1368
01:03:40,680 --> 01:03:44,160
Speaker 7: coused me genuine emotional pain, right of course, because you

1369
01:03:44,240 --> 01:03:46,760
Speaker 7: know they're like whatever the kids on like TikTok and

1370
01:03:46,840 --> 01:03:49,160
Speaker 7: Twitter or whatever will be like read another book, and

1371
01:03:49,240 --> 01:03:51,240
Speaker 7: it's like, totally, I can read another book.

1372
01:03:51,360 --> 01:03:53,480
Speaker 5: I can't read another book as a nine year old, right,

1373
01:03:53,960 --> 01:03:54,360
Speaker 5: you can't.

1374
01:03:54,600 --> 01:03:56,520
Speaker 2: You can't. I can't.

1375
01:03:56,800 --> 01:03:59,400
Speaker 5: Like, that's just that lives where it lives.

1376
01:03:59,520 --> 01:04:02,120
Speaker 7: And at the end of the day, like I do

1377
01:04:02,360 --> 01:04:06,760
Speaker 7: still think the books themselves are a beautiful piece of work.

1378
01:04:06,920 --> 01:04:10,920
Speaker 7: I think that there is really explicit messaging in there

1379
01:04:11,080 --> 01:04:14,360
Speaker 7: about acceptance and loving people. It doesn't have a very

1380
01:04:14,520 --> 01:04:20,919
Speaker 7: like nineties ethos behind it, yes, but like, yeah, that's

1381
01:04:20,960 --> 01:04:24,040
Speaker 7: what that's where, Yeah, exactly, like it lives in the nineties.

1382
01:04:24,120 --> 01:04:24,919
Speaker 5: That's when it was made.

1383
01:04:25,240 --> 01:04:27,720
Speaker 7: It's not gonna progress or change from there, because it's

1384
01:04:27,720 --> 01:04:29,720
Speaker 7: a written down book. But the fact that the creator

1385
01:04:30,720 --> 01:04:33,320
Speaker 7: has refused to progress or change, and actually I think

1386
01:04:33,400 --> 01:04:40,120
Speaker 7: has regressed as a person, Yeah, that is extremely unfortunate.

1387
01:04:40,240 --> 01:04:43,160
Speaker 7: And it is as much as like, I will never

1388
01:04:43,400 --> 01:04:45,800
Speaker 7: not love the books. No one can take that from me.

1389
01:04:46,000 --> 01:04:48,760
Speaker 7: Daniel Radcliffe had that great like what about it? He

1390
01:04:48,840 --> 01:04:55,360
Speaker 7: put it perfectly, But her constant behavior has made it

1391
01:04:55,880 --> 01:05:00,040
Speaker 7: harder to just like enjoy this thing that honestly I

1392
01:05:00,080 --> 01:05:04,480
Speaker 7: would have loved to just have an uncomplicated relationship with

1393
01:05:04,600 --> 01:05:07,080
Speaker 7: this wizard book from my childhood, Like that would be

1394
01:05:07,160 --> 01:05:10,440
Speaker 7: fucking great, but she's made it complicated for everybody, and

1395
01:05:10,520 --> 01:05:13,760
Speaker 7: she's committed herself to making it complicated.

1396
01:05:13,920 --> 01:05:14,080
Speaker 2: Yes.

1397
01:05:14,320 --> 01:05:19,920
Speaker 7: So with that said, my addendum, my new answer, I decided,

1398
01:05:20,000 --> 01:05:22,440
Speaker 7: I said, Okay, what is something that affected me before

1399
01:05:22,600 --> 01:05:26,440
Speaker 7: Harry Potter even got into my little brain? What is

1400
01:05:26,480 --> 01:05:29,040
Speaker 7: a piece of media that really got me before I

1401
01:05:29,240 --> 01:05:31,640
Speaker 7: even had gone dog or yeah.

1402
01:05:31,640 --> 01:05:35,480
Speaker 1: Before before that envelope, even a ride by owl to

1403
01:05:35,520 --> 01:05:36,120
Speaker 1: private Drive?

1404
01:05:36,240 --> 01:05:38,080
Speaker 5: And the answer is be.

1405
01:05:40,600 --> 01:05:41,080
Speaker 6: I get that.

1406
01:05:41,360 --> 01:05:43,320
Speaker 3: Yeah, was owner Writer an iConference?

1407
01:05:43,440 --> 01:05:43,960
Speaker 5: Absolutely?

1408
01:05:44,080 --> 01:05:47,800
Speaker 7: Yeah, when that moment where she's just like I myself

1409
01:05:48,360 --> 01:05:52,400
Speaker 7: strange and unusual, just like something has changed within me.

1410
01:05:52,520 --> 01:05:57,960
Speaker 1: Yeah, she really was, Like between that movie between Heathers,

1411
01:05:58,040 --> 01:06:00,760
Speaker 1: like someone recently mentioned, like her back in the day

1412
01:06:00,800 --> 01:06:03,480
Speaker 1: when Wena was exploding, as like the thing about it

1413
01:06:03,600 --> 01:06:05,200
Speaker 1: is it's like it's one of those things that's like

1414
01:06:05,360 --> 01:06:08,640
Speaker 1: film entities like or types of performer that just arrives

1415
01:06:08,680 --> 01:06:11,120
Speaker 1: and you sort of assume like that they were always

1416
01:06:11,160 --> 01:06:12,840
Speaker 1: there or like there was always a blueprint for that,

1417
01:06:13,080 --> 01:06:16,200
Speaker 1: Like no writer was an original girl interrupted.

1418
01:06:16,600 --> 01:06:21,400
Speaker 7: Yeah, I also was a big little women that one

1419
01:06:21,680 --> 01:06:24,640
Speaker 7: really me and my mom would watch it every Christmas.

1420
01:06:24,800 --> 01:06:27,200
Speaker 6: I love Little Women in Atlanta or.

1421
01:06:35,320 --> 01:06:37,360
Speaker 5: So, yes, that is my answer.

1422
01:06:38,560 --> 01:06:43,520
Speaker 6: Beetlejuice. Okay, I think Beetlejuice is a Valentine's Day movie.

1423
01:06:44,160 --> 01:06:44,440
Speaker 7: You do?

1424
01:06:45,160 --> 01:06:48,840
Speaker 6: It is the ultimate love story, the red recip the end. Well, no,

1425
01:06:49,080 --> 01:06:52,080
Speaker 6: it's like the couples like they love each other so much.

1426
01:06:52,680 --> 01:06:55,520
Speaker 6: They're like fucking going through Helen back and all this stuff,

1427
01:06:55,560 --> 01:06:58,520
Speaker 6: and they lived and they whatever, and they stay in

1428
01:06:58,600 --> 01:07:00,760
Speaker 6: the house and they're together, and I'm like, this is

1429
01:07:00,800 --> 01:07:02,600
Speaker 6: a Valentine. This is a love story.

1430
01:07:02,880 --> 01:07:06,680
Speaker 3: Alec and Gina and of course Icona Catherine O'Hara.

1431
01:07:06,960 --> 01:07:09,640
Speaker 6: Yes, and her outfits. That's how I want to dress.

1432
01:07:09,880 --> 01:07:12,160
Speaker 7: I was like kind of a Macobs little child, and

1433
01:07:12,360 --> 01:07:15,640
Speaker 7: like everything about it imprinted on me. My mom went

1434
01:07:15,720 --> 01:07:18,040
Speaker 7: into labor with my little sister while we were watching

1435
01:07:18,080 --> 01:07:19,040
Speaker 7: Beetle Juice as a family.

1436
01:07:19,840 --> 01:07:27,800
Speaker 5: Wow, she's the beetle baby, but she also well I

1437
01:07:27,920 --> 01:07:28,680
Speaker 5: do remember like.

1438
01:07:29,400 --> 01:07:31,400
Speaker 7: Not really understanding what was going on and being like, well,

1439
01:07:31,480 --> 01:07:33,320
Speaker 7: it was the part where he turns into a snake,

1440
01:07:33,320 --> 01:07:35,360
Speaker 7: which is a really really scary part where he's the

1441
01:07:35,400 --> 01:07:36,440
Speaker 7: banister and he's a snake.

1442
01:07:36,640 --> 01:07:39,240
Speaker 5: Yeah, and my Mom was like, Felix, we have.

1443
01:07:39,240 --> 01:07:41,640
Speaker 3: To go to the hospital, and I was like, you

1444
01:07:41,760 --> 01:07:42,440
Speaker 3: associated it.

1445
01:07:42,680 --> 01:07:45,640
Speaker 7: Yeah, yes, Like that moment is like seared into my brain.

1446
01:07:45,720 --> 01:07:47,640
Speaker 7: And also I was like, well, but the movie's not over,

1447
01:07:48,600 --> 01:07:50,919
Speaker 7: and this is a really good part of the movie.

1448
01:07:51,080 --> 01:07:54,240
Speaker 7: And I guess I've always wondered, like if we started

1449
01:07:54,280 --> 01:07:56,479
Speaker 7: watching Beetle Juice because my mom was already in labor

1450
01:07:56,520 --> 01:07:58,600
Speaker 7: but didn't know that she need, like, but it wasn't

1451
01:07:58,640 --> 01:08:00,680
Speaker 7: time to go to the hospital yet, like I won't

1452
01:08:00,720 --> 01:08:04,120
Speaker 7: Actually yeah, I'm not actually sure and I have not

1453
01:08:04,400 --> 01:08:06,360
Speaker 7: asked her, but I do know that Beetle Juice was

1454
01:08:06,400 --> 01:08:09,120
Speaker 7: interrupted and we were watching it as a family when

1455
01:08:09,800 --> 01:08:11,320
Speaker 7: my sister made her appearance.

1456
01:08:12,640 --> 01:08:16,720
Speaker 1: Yeah, that is gonna stick in your head. Yeah, when

1457
01:08:16,800 --> 01:08:19,400
Speaker 1: mom's having the baby during bedle.

1458
01:08:20,840 --> 01:08:23,240
Speaker 6: And you know what's cool, it's like creative new. I

1459
01:08:23,360 --> 01:08:27,120
Speaker 6: p like, they don't do that anymore. It's all fucking

1460
01:08:27,240 --> 01:08:29,680
Speaker 6: they don't even try. They don't even try, you know,

1461
01:08:29,800 --> 01:08:32,439
Speaker 6: it's just like fucking new. And then now there's a

1462
01:08:32,560 --> 01:08:35,479
Speaker 6: show and there's like it's just I don't know, it's.

1463
01:08:35,320 --> 01:08:37,280
Speaker 3: Just like you must have been horny for this. Michael

1464
01:08:37,360 --> 01:08:38,200
Speaker 3: Keaton come back.

1465
01:08:38,120 --> 01:08:41,839
Speaker 7: Then, I mean I wish him all the best always

1466
01:08:42,320 --> 01:08:47,040
Speaker 7: I do best, best beetlejuice.

1467
01:08:46,680 --> 01:08:47,840
Speaker 6: Batman, best beetle Juice.

1468
01:08:47,880 --> 01:08:48,679
Speaker 2: There was a cartoon.

1469
01:08:49,080 --> 01:08:52,080
Speaker 6: There was a cartoon. There was a best bird Man,

1470
01:08:52,200 --> 01:08:59,080
Speaker 6: Best Batman. I guess what you know, Guy Fieri? I think, listen,

1471
01:08:59,520 --> 01:09:01,160
Speaker 6: you're at a are No, no, no, let me set

1472
01:09:01,200 --> 01:09:02,920
Speaker 6: the scene. Let's see set the scene, because I know

1473
01:09:03,000 --> 01:09:05,360
Speaker 6: everyone has an answer for this, okay, but it's like,

1474
01:09:05,560 --> 01:09:09,120
Speaker 6: who's the person who you know? Not necessarily like, oh,

1475
01:09:09,280 --> 01:09:12,080
Speaker 6: this guy's so sexy, but I'm like, this guy tucks game.

1476
01:09:12,680 --> 01:09:15,240
Speaker 6: I know, if you're at a bar and you're talking

1477
01:09:15,640 --> 01:09:18,080
Speaker 6: and Guy Fieri's spitting game, I'm going home with him,

1478
01:09:18,200 --> 01:09:20,439
Speaker 6: you know what I mean, like an unconventional But she's like,

1479
01:09:20,520 --> 01:09:22,559
Speaker 6: you know, this guy has game. Michael Keene has game.

1480
01:09:22,680 --> 01:09:23,320
Speaker 3: You know who's mine?

1481
01:09:23,360 --> 01:09:23,840
Speaker 6: Who's yours?

1482
01:09:23,960 --> 01:09:27,519
Speaker 1: Adrian Brodie he's cute though, but yes, but you know

1483
01:09:27,560 --> 01:09:30,360
Speaker 1: what he's got that like big old nose. He's got

1484
01:09:30,400 --> 01:09:32,320
Speaker 1: like the weird he's very skinny, like you know what

1485
01:09:32,360 --> 01:09:34,960
Speaker 1: I mean, you can tell he's like not really someone

1486
01:09:35,080 --> 01:09:37,880
Speaker 1: that like is classically handsome, but there's something about him

1487
01:09:37,880 --> 01:09:40,240
Speaker 1: I find so hot.

1488
01:09:40,680 --> 01:09:44,240
Speaker 6: But okay, this might be too explicit, but he has

1489
01:09:44,280 --> 01:09:48,040
Speaker 6: that pussy nose where it's like when the nose is

1490
01:09:48,080 --> 01:09:48,840
Speaker 6: big like that, You're like.

1491
01:09:49,439 --> 01:09:50,679
Speaker 2: Great, this is great for eating.

1492
01:09:51,479 --> 01:09:55,120
Speaker 6: That's straight man, that's straight culture, a big ass, You're

1493
01:09:55,120 --> 01:09:56,519
Speaker 6: like pussy nose.

1494
01:09:56,640 --> 01:10:00,920
Speaker 8: I mean, I have a good bu all that you're

1495
01:10:01,880 --> 01:10:05,760
Speaker 8: knows him. It's not quite the same, not the same,

1496
01:10:05,840 --> 01:10:10,240
Speaker 8: but key but okay, Adrian Brodie. But you know Adrian

1497
01:10:10,280 --> 01:10:13,599
Speaker 8: Brody has Game. You know he has definitely spitting game.

1498
01:10:13,680 --> 01:10:14,679
Speaker 6: Somebody who has Game?

1499
01:10:14,800 --> 01:10:15,519
Speaker 5: Who is game?

1500
01:10:15,880 --> 01:10:17,840
Speaker 2: Boeing. I can't think of someone, I really can.

1501
01:10:18,000 --> 01:10:19,960
Speaker 7: I know, I'm like trying to rack my brand for

1502
01:10:20,320 --> 01:10:24,519
Speaker 7: who I would say that's on the level of guy here.

1503
01:10:24,680 --> 01:10:29,200
Speaker 6: Tomorrow you're gonna text me. But there's some Yeah, some

1504
01:10:29,320 --> 01:10:31,400
Speaker 6: people have Game, and I'm like, guy, here is game?

1505
01:10:31,640 --> 01:10:32,519
Speaker 2: Damn right.

1506
01:10:32,640 --> 01:10:35,320
Speaker 3: I never thought about that, but now I'm not gonna

1507
01:10:35,320 --> 01:10:35,880
Speaker 3: stop thinking.

1508
01:10:36,479 --> 01:10:39,320
Speaker 6: He gives like pretzel machines to different high schools to

1509
01:10:39,479 --> 01:10:41,920
Speaker 6: like raise. Instead of like giving a school two thousand dollars,

1510
01:10:42,200 --> 01:10:44,080
Speaker 6: he buys them a pretzel machine so like at all

1511
01:10:44,120 --> 01:10:46,040
Speaker 6: their like events, they can like fundraise.

1512
01:10:46,120 --> 01:10:48,400
Speaker 4: And he's very smart about the way he likes quote

1513
01:10:48,439 --> 01:10:50,720
Speaker 4: unquote gives back in terms of like food and in

1514
01:10:50,840 --> 01:10:52,439
Speaker 4: terms of the things that he clearly loves.

1515
01:10:52,600 --> 01:10:54,160
Speaker 2: Yes, he's an amazing person.

1516
01:10:54,320 --> 01:10:56,680
Speaker 6: So I'm saying, if he's like spinning game at a bar,

1517
01:10:58,800 --> 01:10:59,960
Speaker 6: I'm going to flavor.

1518
01:10:59,720 --> 01:11:04,240
Speaker 2: To speaking of it, speaking of his time.

1519
01:11:05,000 --> 01:11:05,880
Speaker 3: I don't think so, honey.

1520
01:11:06,040 --> 01:11:09,080
Speaker 1: This is our sixty second segment where we take some

1521
01:11:09,320 --> 01:11:13,559
Speaker 1: time to enjoy the view, just kidding, rail against something

1522
01:11:13,600 --> 01:11:16,280
Speaker 1: in culture that needs it, that needs to be railed,

1523
01:11:17,080 --> 01:11:19,439
Speaker 1: like all over us, and then we'll go, yeah, let's

1524
01:11:19,640 --> 01:11:20,280
Speaker 1: start with natural.

1525
01:11:20,400 --> 01:11:23,400
Speaker 3: So I have something that I witnessed in Disney World.

1526
01:11:23,280 --> 01:11:24,840
Speaker 2: And I just feel like I have to speak on

1527
01:11:24,920 --> 01:11:26,120
Speaker 2: it on the last day.

1528
01:11:26,320 --> 01:11:27,960
Speaker 1: On the last day, you know, you know, because I

1529
01:11:28,040 --> 01:11:29,439
Speaker 1: pointed it out and I said, this has been I

1530
01:11:29,479 --> 01:11:31,400
Speaker 1: don't think, so, honey, don't let me forget, and I haven't.

1531
01:11:31,640 --> 01:11:33,360
Speaker 2: I didn't remind you, but I'm glad you didn't forget.

1532
01:11:33,400 --> 01:11:34,920
Speaker 2: It is Matt Rodgers. I don't think so many time

1533
01:11:34,960 --> 01:11:35,400
Speaker 2: starts now.

1534
01:11:35,479 --> 01:11:38,639
Speaker 1: I don't think so, honey, mothers and their sons being

1535
01:11:38,760 --> 01:11:41,720
Speaker 1: too sexual. Like if I see you standing in mine

1536
01:11:41,720 --> 01:11:43,800
Speaker 1: a Disney World and you're looking like a couple and

1537
01:11:43,840 --> 01:11:47,879
Speaker 1: you're a mother and a son, stop like stop separate

1538
01:11:48,320 --> 01:11:51,200
Speaker 1: and just literally, we need like that junior prom rule

1539
01:11:51,320 --> 01:11:53,599
Speaker 1: of like between mothers and sons, like you need there

1540
01:11:53,680 --> 01:11:55,080
Speaker 1: needs to be two bodies between you.

1541
01:11:55,760 --> 01:11:57,240
Speaker 2: A couple of these mothers and sons.

1542
01:11:57,320 --> 01:11:59,720
Speaker 1: I saw like the son would have his hand around

1543
01:11:59,720 --> 01:12:01,679
Speaker 1: his muther there's waste, and she would have her hands

1544
01:12:01,720 --> 01:12:03,880
Speaker 1: around like his neck. And I'm like mother and son,

1545
01:12:03,920 --> 01:12:06,640
Speaker 1: I understand, we're like close, and like I understand the

1546
01:12:06,680 --> 01:12:08,720
Speaker 1: contest of mommy's boy, like I get it, like I

1547
01:12:08,800 --> 01:12:09,760
Speaker 1: was a MoMA's boy when I.

1548
01:12:09,840 --> 01:12:11,600
Speaker 3: Was little and still identify as that.

1549
01:12:11,760 --> 01:12:14,560
Speaker 1: But like when you're being romantic with your mother or

1550
01:12:14,640 --> 01:12:16,760
Speaker 1: you're in a position that's romantic, it has to stop.

1551
01:12:16,840 --> 01:12:19,840
Speaker 1: I also, I'm sorry, don't love kissing on the mouth

1552
01:12:20,080 --> 01:12:23,080
Speaker 1: between parents and children. I understand this is their own thing,

1553
01:12:23,160 --> 01:12:25,719
Speaker 1: but it's just like I'm not ascribing any weird value

1554
01:12:25,760 --> 01:12:27,840
Speaker 1: to it. I'm just saying, it's just like the mouth

1555
01:12:27,960 --> 01:12:29,880
Speaker 1: feels like it's for lovers. I think we should save

1556
01:12:29,960 --> 01:12:32,840
Speaker 1: the mouth for lovers and romance and sexuality. Mothers and

1557
01:12:32,960 --> 01:12:34,320
Speaker 1: sons separate.

1558
01:12:34,479 --> 01:12:35,240
Speaker 2: And that's one minute.

1559
01:12:35,320 --> 01:12:39,679
Speaker 6: I don't think, no, no, no, it's getting Matt Rogers

1560
01:12:39,800 --> 01:12:41,599
Speaker 6: does not Oedipus, not here.

1561
01:12:41,960 --> 01:12:44,360
Speaker 1: No, I just it's something that just like I don't

1562
01:12:44,400 --> 01:12:46,840
Speaker 1: know what it is. It's just like I feel and

1563
01:12:47,040 --> 01:12:51,360
Speaker 1: people should express, you know, affection whatever. I love that

1564
01:12:51,640 --> 01:12:54,240
Speaker 1: And maybe this is me just responding to I think

1565
01:12:54,320 --> 01:12:56,479
Speaker 1: as I get older, like being less and less of

1566
01:12:56,560 --> 01:12:59,680
Speaker 1: a tack dial person. But I'm just like, I don't know.

1567
01:12:59,840 --> 01:13:02,040
Speaker 1: I see it in some situations and I'm like, that's

1568
01:13:02,120 --> 01:13:04,080
Speaker 1: your son. I think you don't need to be touching

1569
01:13:04,160 --> 01:13:09,800
Speaker 1: like the small of his back. I know, and I

1570
01:13:09,920 --> 01:13:11,040
Speaker 1: noticed it several times.

1571
01:13:11,960 --> 01:13:15,120
Speaker 6: And talk about another challenge of dating straight men. They

1572
01:13:15,240 --> 01:13:17,880
Speaker 6: love their mommy, and everyone's looking for mommy and mother

1573
01:13:18,800 --> 01:13:20,759
Speaker 6: a mom they can cheat on, that's what they're.

1574
01:13:20,600 --> 01:13:24,640
Speaker 1: Looking I really, I really like when a parental relationship

1575
01:13:24,800 --> 01:13:26,000
Speaker 1: is too close.

1576
01:13:26,520 --> 01:13:26,920
Speaker 6: I get the.

1577
01:13:29,320 --> 01:13:31,679
Speaker 7: Yeah they kiss on the mouth, will lose me every time. Yeah,

1578
01:13:31,920 --> 01:13:33,000
Speaker 7: I don't understand real.

1579
01:13:33,000 --> 01:13:35,840
Speaker 6: Chill when people like what about like people who would

1580
01:13:35,920 --> 01:13:37,920
Speaker 6: like tell their parents like, oh I just had sex

1581
01:13:38,000 --> 01:13:40,320
Speaker 6: less like like like you know what I mean, Like

1582
01:13:40,400 --> 01:13:42,759
Speaker 6: even in high school people would drink with their parents

1583
01:13:42,880 --> 01:13:43,960
Speaker 6: like oh the cool mom.

1584
01:13:45,040 --> 01:13:45,200
Speaker 2: Yeah.

1585
01:13:45,240 --> 01:13:47,200
Speaker 1: I feel like when we were younger too, like probably

1586
01:13:47,200 --> 01:13:48,719
Speaker 1: when we were all in high school or middle school

1587
01:13:48,720 --> 01:13:51,080
Speaker 1: and stuff like that, like was really a thing that

1588
01:13:51,120 --> 01:13:53,719
Speaker 1: felt very taboo. Now I feel like there's a different

1589
01:13:53,800 --> 01:13:55,840
Speaker 1: wave of parenting or maybe people have always feeling this,

1590
01:13:55,920 --> 01:13:57,400
Speaker 1: but it feels more common now where it's just like

1591
01:13:57,720 --> 01:14:00,839
Speaker 1: it's more open we talk about sexuality or I'm establishing

1592
01:14:00,880 --> 01:14:03,080
Speaker 1: at a very young age, but even that has to

1593
01:14:03,160 --> 01:14:06,360
Speaker 1: be a boundary with that, like and of course, like

1594
01:14:06,600 --> 01:14:10,400
Speaker 1: as a parent, like you know, if you're normalizing sexuality,

1595
01:14:10,439 --> 01:14:12,439
Speaker 1: I do think that's great, and I think that we

1596
01:14:12,479 --> 01:14:15,720
Speaker 1: shouldn't be having the shame that we probably all grew

1597
01:14:15,880 --> 01:14:18,519
Speaker 1: up with and like probably as as our generation and

1598
01:14:18,680 --> 01:14:20,960
Speaker 1: ones before us are still dealing with, like the shame

1599
01:14:21,040 --> 01:14:21,599
Speaker 1: around sex.

1600
01:14:22,040 --> 01:14:23,759
Speaker 6: But it just I crossed the shame.

1601
01:14:24,240 --> 01:14:28,680
Speaker 1: I crossed a line that like y'all embracing in this

1602
01:14:28,920 --> 01:14:32,320
Speaker 1: way where it's like, you know, bodies fully facing each other.

1603
01:14:32,560 --> 01:14:34,040
Speaker 2: Like I don't know, I think in.

1604
01:14:34,080 --> 01:14:35,920
Speaker 4: The lobby we checked out of the hotel that day,

1605
01:14:36,040 --> 01:14:38,760
Speaker 4: it was the sun had his arms up around how old,

1606
01:14:38,840 --> 01:14:39,760
Speaker 4: how old he was?

1607
01:14:39,880 --> 01:14:44,320
Speaker 2: Thirteen? It was tough. It was tough. I read it

1608
01:14:44,400 --> 01:14:44,920
Speaker 2: the same way.

1609
01:14:45,160 --> 01:14:46,600
Speaker 1: Yeah, right, And it's like, I guess that has to

1610
01:14:46,640 --> 01:14:48,760
Speaker 1: be a weird transition, right from like you're the mother

1611
01:14:48,880 --> 01:14:52,560
Speaker 1: of this child, you like obviously clean the baby, like

1612
01:14:52,640 --> 01:14:55,040
Speaker 1: you know, you're holding the baby, you're rearing the baby, You're.

1613
01:14:54,920 --> 01:14:55,960
Speaker 3: Like obsessed with the baby.

1614
01:14:56,200 --> 01:14:56,920
Speaker 2: That's the baby.

1615
01:14:57,280 --> 01:14:58,960
Speaker 3: But then like as it gets older, it says like,

1616
01:14:59,320 --> 01:15:01,719
Speaker 3: I don't know, once.

1617
01:15:01,600 --> 01:15:05,479
Speaker 7: He's old enough to get a boner, yeah, there has

1618
01:15:05,600 --> 01:15:07,960
Speaker 7: to be something has to change.

1619
01:15:08,120 --> 01:15:11,679
Speaker 1: Yeah, yeah, yes, just something I noticed bowen Yang, Devin,

1620
01:15:11,680 --> 01:15:12,400
Speaker 1: I don't think so, honey.

1621
01:15:12,439 --> 01:15:15,519
Speaker 4: They do, and it is a little self indulgent, but

1622
01:15:15,600 --> 01:15:18,519
Speaker 4: I have to say this because it really really bothered.

1623
01:15:18,600 --> 01:15:21,760
Speaker 1: I don't think so, honey, met ye, I know, right,

1624
01:15:22,240 --> 01:15:24,880
Speaker 1: I think you've done me before I have all right, well,

1625
01:15:25,240 --> 01:15:27,280
Speaker 1: this is bowen Yang's I don't think so, honey, it's

1626
01:15:27,320 --> 01:15:28,000
Speaker 1: time starting out.

1627
01:15:28,240 --> 01:15:31,479
Speaker 2: I don't think so, honey. Peacock, you know, I love you, Peacock.

1628
01:15:31,520 --> 01:15:34,280
Speaker 4: But Peacock on May first, the first day of a

1629
01:15:34,479 --> 01:15:38,240
Speaker 4: PI Heritage month, put me front center on their AA

1630
01:15:38,360 --> 01:15:41,200
Speaker 4: p I Voices collection or whatever, next to Crystal Kung

1631
01:15:41,280 --> 01:15:44,320
Speaker 4: Minkoff in the Rock. And then I found and people

1632
01:15:44,360 --> 01:15:46,439
Speaker 4: are sending me photos all day like look, look, I'm like, oh,

1633
01:15:46,479 --> 01:15:47,040
Speaker 4: that's so nice.

1634
01:15:47,360 --> 01:15:49,200
Speaker 2: Then I find out that there is.

1635
01:15:49,200 --> 01:15:53,040
Speaker 1: A Bowen Yang collection on people that features you know,

1636
01:15:53,120 --> 01:15:54,960
Speaker 1: my skepches or whatever. Then I'm like, I had no

1637
01:15:55,080 --> 01:15:58,560
Speaker 1: input in and what was featured in this, and not

1638
01:15:58,680 --> 01:16:00,120
Speaker 1: that they had to like consult me.

1639
01:16:00,160 --> 01:16:02,000
Speaker 2: But I go, I don't want. I don't want people

1640
01:16:02,040 --> 01:16:04,320
Speaker 2: seeing that sketch. And it's the thing where I'm like,

1641
01:16:04,520 --> 01:16:06,599
Speaker 2: you know, not all sketches are gonna be hits.

1642
01:16:06,880 --> 01:16:08,800
Speaker 1: You're gonna get some DUTs no matter who you are,

1643
01:16:08,880 --> 01:16:11,000
Speaker 1: no matter what fifteen theory we were on in the show.

1644
01:16:11,280 --> 01:16:11,880
Speaker 6: But I don't want.

1645
01:16:11,920 --> 01:16:13,479
Speaker 2: And there's some sketches that I'm like, why is that

1646
01:16:13,560 --> 01:16:15,880
Speaker 2: above the fold? Why is that in this row or

1647
01:16:15,920 --> 01:16:17,760
Speaker 2: that row? And I go, yeah, yay.

1648
01:16:18,960 --> 01:16:23,080
Speaker 4: Collection sounds like a Bad Coals clothing line for gay boys.

1649
01:16:23,360 --> 01:16:25,679
Speaker 2: I don't. I don't think so, honey. And that's a minute.

1650
01:16:26,000 --> 01:16:28,439
Speaker 3: First of all, I love the Bonyang Collection, but I

1651
01:16:28,560 --> 01:16:29,880
Speaker 3: do understand.

1652
01:16:29,600 --> 01:16:31,920
Speaker 4: I love Peacock, and everyone over at NBC knows that

1653
01:16:31,920 --> 01:16:34,680
Speaker 4: I'm a company man. I will keep we love but

1654
01:16:34,800 --> 01:16:36,519
Speaker 4: the Bony Collection to shock me.

1655
01:16:38,320 --> 01:16:40,680
Speaker 2: On it's real close number one.

1656
01:16:41,240 --> 01:16:43,160
Speaker 1: But I will say I did go on Peacock last

1657
01:16:43,200 --> 01:16:45,799
Speaker 1: night to watch vander Pump, your face popping up immediately

1658
01:16:45,840 --> 01:16:49,040
Speaker 1: you were the It's so jarring sometimes where I'm like, oh,

1659
01:16:49,160 --> 01:16:50,599
Speaker 1: there's him right away.

1660
01:16:50,840 --> 01:16:53,439
Speaker 4: And We've been at least four different conversations this past week.

1661
01:16:53,479 --> 01:16:56,160
Speaker 4: I've been like, Peacock's my number one streamer, Peacocks the

1662
01:16:56,160 --> 01:16:57,000
Speaker 4: streamer I used the most.

1663
01:16:57,040 --> 01:17:00,200
Speaker 3: I mean the other day, Oh yeah, she.

1664
01:17:00,280 --> 01:17:03,160
Speaker 6: Said, she said, but you know, how else do we

1665
01:17:03,320 --> 01:17:04,400
Speaker 6: celebrate a A PI.

1666
01:17:05,160 --> 01:17:08,280
Speaker 2: There are no other Asians on the network on Bravo

1667
01:17:08,479 --> 01:17:10,880
Speaker 2: on like, you are one of the most prominent ones.

1668
01:17:11,160 --> 01:17:13,200
Speaker 6: Would Crystal.

1669
01:17:14,800 --> 01:17:17,720
Speaker 4: For the first time ever? Yeah, let's actually put the

1670
01:17:17,800 --> 01:17:20,120
Speaker 4: light on Crystal Kong mink Off for once. Yeah, And

1671
01:17:20,160 --> 01:17:21,960
Speaker 4: I'm like, do it literally on the show.

1672
01:17:23,240 --> 01:17:25,840
Speaker 6: Well, that means Kyle has to let her talk first yeah,

1673
01:17:26,400 --> 01:17:29,320
Speaker 6: boo Blue Blue blo. But second of all, it's like,

1674
01:17:29,479 --> 01:17:32,000
Speaker 6: how else are they going to celebrate API heritage went

1675
01:17:32,120 --> 01:17:36,160
Speaker 6: without giving an Asian person any agent.

1676
01:17:36,520 --> 01:17:37,439
Speaker 2: No, let's listen, it's not.

1677
01:17:37,560 --> 01:17:40,240
Speaker 4: Actually it does just make me feel because I had

1678
01:17:40,280 --> 01:17:42,040
Speaker 4: the same thing I put on Peacock last I.

1679
01:17:42,040 --> 01:17:43,680
Speaker 2: Was like, oh my god, yeah, and you were like,

1680
01:17:43,760 --> 01:17:44,080
Speaker 2: there's me.

1681
01:17:44,360 --> 01:17:46,160
Speaker 7: I was like, you know, I want the heads up

1682
01:17:46,280 --> 01:17:47,920
Speaker 7: an email that's like, hey, by the way, you're going

1683
01:17:48,000 --> 01:17:49,280
Speaker 7: to be the face of Peacock tomorrow.

1684
01:17:49,320 --> 01:17:51,320
Speaker 5: And also we're doing not usable.

1685
01:17:52,520 --> 01:17:54,160
Speaker 6: Yeah that's what I'm saying an email and then be

1686
01:17:54,280 --> 01:17:57,200
Speaker 6: like do you and like, oh, I would love these sketches.

1687
01:17:57,400 --> 01:17:58,720
Speaker 4: I don't even have to, I just I would have

1688
01:17:58,760 --> 01:18:01,240
Speaker 4: loved like a little of a head, I will say, though,

1689
01:18:01,280 --> 01:18:05,280
Speaker 4: pretty cool to have a collection, Yeah, like you basically

1690
01:18:05,600 --> 01:18:08,519
Speaker 4: you basically could have one of those DVDs like the

1691
01:18:08,600 --> 01:18:10,280
Speaker 4: Best of Amy Polar DVD.

1692
01:18:10,120 --> 01:18:11,760
Speaker 2: Which is my favorite DVD that I ever.

1693
01:18:11,680 --> 01:18:15,720
Speaker 1: Read DVD, the Best of al the Best of a

1694
01:18:15,840 --> 01:18:17,719
Speaker 1: Polar DVD was like formative.

1695
01:18:17,840 --> 01:18:22,000
Speaker 2: Yeah, oh god, it's cobble something.

1696
01:18:23,560 --> 01:18:25,360
Speaker 3: Because you do have a lot of stuff. And I'm

1697
01:18:25,400 --> 01:18:26,960
Speaker 3: saying like, like as someone who's been there for.

1698
01:18:27,080 --> 01:18:30,160
Speaker 2: Four years for seasons on camera, Yeah yeah, so that's like.

1699
01:18:30,200 --> 01:18:34,000
Speaker 6: You got a collection, girl, you got a collection on us.

1700
01:18:34,840 --> 01:18:36,479
Speaker 2: That was I did not mean for that.

1701
01:18:36,960 --> 01:18:39,720
Speaker 6: No, no, no, no, that's your life though, that is

1702
01:18:39,800 --> 01:18:42,120
Speaker 6: your I mean, that's the reality is that, like people

1703
01:18:42,280 --> 01:18:45,320
Speaker 6: are gonna oh diversity. Listen. I someone who went to

1704
01:18:45,439 --> 01:18:48,400
Speaker 6: college and every time I was in the cafeteria, I

1705
01:18:48,560 --> 01:18:51,000
Speaker 6: get this campus photographer like get in that.

1706
01:18:51,120 --> 01:18:54,759
Speaker 2: Picture, you know what I mean, ye hold the chery smiling.

1707
01:18:54,920 --> 01:18:56,519
Speaker 6: It's like yeah, we get it.

1708
01:18:56,680 --> 01:18:56,840
Speaker 2: You know.

1709
01:18:56,920 --> 01:19:01,440
Speaker 6: It is it's truly like the diversity campus, like photographer

1710
01:19:01,960 --> 01:19:02,840
Speaker 6: of the industry.

1711
01:19:03,640 --> 01:19:06,080
Speaker 5: All these months, my thirteen year old son and I

1712
01:19:06,240 --> 01:19:07,880
Speaker 5: wore matching and collection.

1713
01:19:11,560 --> 01:19:12,439
Speaker 2: It was so horny.

1714
01:19:13,520 --> 01:19:15,880
Speaker 6: Well, the thing about mothers and their sons is like,

1715
01:19:16,200 --> 01:19:17,960
Speaker 6: then you're dating these guys. These guys don't know how

1716
01:19:18,000 --> 01:19:19,800
Speaker 6: to wipe their own house because mommy did it for them.

1717
01:19:19,880 --> 01:19:21,760
Speaker 2: That's like literally what I'm saying, so.

1718
01:19:22,600 --> 01:19:23,439
Speaker 6: So boeing collection.

1719
01:19:24,000 --> 01:19:26,600
Speaker 1: Or they have weird because they were too close with

1720
01:19:26,680 --> 01:19:28,760
Speaker 1: their mom. And then they're like, every time they fuck

1721
01:19:28,760 --> 01:19:30,400
Speaker 1: a woman, it's their mom and they get in their

1722
01:19:30,479 --> 01:19:31,120
Speaker 1: head and then.

1723
01:19:32,240 --> 01:19:36,120
Speaker 6: You know, let me tell you, well, that's how Millie

1724
01:19:36,200 --> 01:19:39,400
Speaker 6: is with six two guys. And somehow every time I

1725
01:19:39,479 --> 01:19:42,280
Speaker 6: wake up, I'm big Spoon. I'm like, how am I

1726
01:19:42,360 --> 01:19:45,080
Speaker 6: big spoon again? And it's like these guys.

1727
01:19:44,880 --> 01:19:51,760
Speaker 2: Want mommy look at spoon every time, Like I.

1728
01:19:51,840 --> 01:19:55,040
Speaker 6: Attract a small spoon energy, which is fine, But I

1729
01:19:55,040 --> 01:19:56,840
Speaker 6: don't want to be big spoon every time.

1730
01:19:56,960 --> 01:19:59,960
Speaker 1: No, no, no, because you have a big spoon personality.

1731
01:20:00,160 --> 01:20:02,000
Speaker 1: Are they misinterpreting both?

1732
01:20:02,240 --> 01:20:03,960
Speaker 2: Yeah? Both.

1733
01:20:04,080 --> 01:20:06,120
Speaker 1: I don't have big spoon personality, but that doesn't mean

1734
01:20:06,120 --> 01:20:07,240
Speaker 1: you want to be bigspoon all the time.

1735
01:20:09,400 --> 01:20:10,680
Speaker 6: To change, change up.

1736
01:20:10,840 --> 01:20:13,000
Speaker 5: Everyone has a big spoon and a little spoon inside

1737
01:20:13,000 --> 01:20:13,200
Speaker 5: of them.

1738
01:20:13,400 --> 01:20:16,680
Speaker 1: Yes, yes, yes, And with that profound comment, I'm we're

1739
01:20:16,800 --> 01:20:19,519
Speaker 1: ready to hear you elaborate and be even more profound

1740
01:20:19,600 --> 01:20:21,920
Speaker 1: with at least your I don't think so, honey, I

1741
01:20:22,000 --> 01:20:25,320
Speaker 1: got it. Yes, this is yeah, I mean a competitor,

1742
01:20:25,439 --> 01:20:27,519
Speaker 1: competitor in the past, at least morales.

1743
01:20:27,640 --> 01:20:29,280
Speaker 3: This is your I don't think so, honey. Her time

1744
01:20:29,320 --> 01:20:29,920
Speaker 3: starts now.

1745
01:20:29,880 --> 01:20:31,920
Speaker 7: Okay, And I think this is important to say on

1746
01:20:32,000 --> 01:20:34,200
Speaker 7: the eve of the writer's strike. I don't think so, honey.

1747
01:20:34,360 --> 01:20:41,120
Speaker 7: Spelling and grammar. Listen, there are so many words, so many,

1748
01:20:41,760 --> 01:20:43,160
Speaker 7: and I am supposed to know how to spell all

1749
01:20:43,200 --> 01:20:45,639
Speaker 7: of them, and also the little symbols that go in between.

1750
01:20:45,720 --> 01:20:48,679
Speaker 5: I don't think so. I don't think so, honey. Okay.

1751
01:20:48,840 --> 01:20:51,679
Speaker 7: I believe I believe it was Matt Rogers who once

1752
01:20:51,760 --> 01:20:53,680
Speaker 7: said I may not know my words, but I do

1753
01:20:53,840 --> 01:20:56,240
Speaker 7: know my heart. And if you really can understand what

1754
01:20:56,560 --> 01:20:59,800
Speaker 7: I am saying, let's move on.

1755
01:21:00,200 --> 01:21:02,479
Speaker 2: Yes, okay what I have said.

1756
01:21:02,560 --> 01:21:05,839
Speaker 7: If you know what I am typing, we can move forward.

1757
01:21:05,920 --> 01:21:08,479
Speaker 7: We're understanding each other. And as an addundum to that,

1758
01:21:09,320 --> 01:21:14,080
Speaker 7: if you are a person who cares about someone using

1759
01:21:14,200 --> 01:21:18,960
Speaker 7: the word literally when they actually mean figuratively.

1760
01:21:19,520 --> 01:21:21,840
Speaker 5: Okay, I want you to take that thought. I want

1761
01:21:21,840 --> 01:21:23,720
Speaker 5: you to hold it, I want you to choke on it.

1762
01:21:23,920 --> 01:21:25,599
Speaker 2: Just stop, just stop.

1763
01:21:25,840 --> 01:21:28,839
Speaker 5: It's it's a figure of speech. The word has evolved.

1764
01:21:29,120 --> 01:21:32,240
Speaker 5: The word has evolved, and.

1765
01:21:32,360 --> 01:21:33,160
Speaker 2: Thank you for saying it.

1766
01:21:33,240 --> 01:21:36,479
Speaker 1: And I also want to say that in addition to that,

1767
01:21:37,680 --> 01:21:40,760
Speaker 1: we've had two people on this podcast do I don't

1768
01:21:40,800 --> 01:21:43,760
Speaker 1: think so, honey, when people say the word like a

1769
01:21:43,880 --> 01:21:45,519
Speaker 1: lot that.

1770
01:21:46,040 --> 01:21:48,800
Speaker 2: Night freeze, it's so chilly, we're just like.

1771
01:21:50,720 --> 01:21:54,320
Speaker 6: Homophobic, groundbreaking cares. One time, this girl was like, I

1772
01:21:54,840 --> 01:21:56,960
Speaker 6: sat one time and counted how many times you said like,

1773
01:21:57,000 --> 01:21:58,719
Speaker 6: and it was like one hundred times in like five.

1774
01:21:59,760 --> 01:22:02,720
Speaker 4: Every language has filler words, yeah, every And it's part

1775
01:22:02,720 --> 01:22:04,920
Speaker 4: of the huge like the human brain operates in a

1776
01:22:04,960 --> 01:22:07,160
Speaker 4: way where like we have to take breaks in between

1777
01:22:07,240 --> 01:22:08,479
Speaker 4: our words as we express them.

1778
01:22:08,800 --> 01:22:10,240
Speaker 2: That's just having filler words.

1779
01:22:10,360 --> 01:22:12,760
Speaker 6: When you're used to being interrupted a lot, you use

1780
01:22:12,880 --> 01:22:16,920
Speaker 6: more filler words. That's why women queer people use a

1781
01:22:17,160 --> 01:22:18,880
Speaker 6: like about young girls.

1782
01:22:19,280 --> 01:22:19,479
Speaker 1: I know.

1783
01:22:20,520 --> 01:22:23,559
Speaker 6: Yeah, but anyway, Spelling and grammar, first of all, dating apps,

1784
01:22:23,600 --> 01:22:26,080
Speaker 6: when people are like like people who look they're there

1785
01:22:26,160 --> 01:22:28,479
Speaker 6: and they're or like they know the difference, it's just

1786
01:22:28,680 --> 01:22:29,519
Speaker 6: like fuck you.

1787
01:22:30,000 --> 01:22:32,000
Speaker 3: No, it's just superiority.

1788
01:22:32,080 --> 01:22:36,479
Speaker 1: And there's I have always said elitism, superiority, the idea

1789
01:22:36,560 --> 01:22:39,160
Speaker 1: that you are better than someone else. There is no

1790
01:22:39,720 --> 01:22:43,320
Speaker 1: more unattractive quality than those things. Yeah, superiority is.

1791
01:22:43,400 --> 01:22:47,120
Speaker 3: The least attractive, least fun thing to be.

1792
01:22:47,400 --> 01:22:49,599
Speaker 2: And I will say I will put myself on blast.

1793
01:22:49,800 --> 01:22:51,320
Speaker 4: You can grow out of that because I used to

1794
01:22:51,360 --> 01:22:53,479
Speaker 4: be someone who is like, you're not using literally right, yeah.

1795
01:22:53,600 --> 01:22:56,200
Speaker 2: But when I was like I'm sorry nineteen.

1796
01:22:55,960 --> 01:22:59,439
Speaker 4: Yeah right, and when that was a hierarchy, yeah, when

1797
01:22:59,439 --> 01:23:01,040
Speaker 4: there was a higher when like the thing you have

1798
01:23:01,160 --> 01:23:03,320
Speaker 4: control over was like, oh, like the way you like

1799
01:23:03,680 --> 01:23:04,280
Speaker 4: write words?

1800
01:23:04,960 --> 01:23:05,439
Speaker 2: Who cares?

1801
01:23:06,200 --> 01:23:10,120
Speaker 4: I'm texting lowercase, I'm not putting spaces between my emojis

1802
01:23:10,200 --> 01:23:13,000
Speaker 4: or afterwards, and there are no rules anymore.

1803
01:23:13,200 --> 01:23:16,320
Speaker 6: Let me tell you something too. As a bitch with acrylics,

1804
01:23:16,920 --> 01:23:19,720
Speaker 6: I'm gonna spell ship. It's gonna be all over the

1805
01:23:19,840 --> 01:23:24,880
Speaker 6: fucking la. You know, the if you and he's the

1806
01:23:24,960 --> 01:23:27,680
Speaker 6: producer knows because you're you look like you pull some

1807
01:23:27,800 --> 01:23:30,439
Speaker 6: bad bitches. And let me tell you, bad bitches with

1808
01:23:30,600 --> 01:23:33,200
Speaker 6: the crylics are not gonna spell things correctly, and it's

1809
01:23:33,200 --> 01:23:34,000
Speaker 6: not because we don't know.

1810
01:23:34,520 --> 01:23:38,400
Speaker 2: It's because the nail my nails, my fat fingers.

1811
01:23:38,439 --> 01:23:40,880
Speaker 6: Bitch, you know the first three letters of the word.

1812
01:23:41,160 --> 01:23:44,000
Speaker 6: You fucking know what the don't try to tell me,

1813
01:23:45,120 --> 01:23:48,200
Speaker 6: and that is exactly what I wanted to com exactly.

1814
01:23:48,600 --> 01:23:52,200
Speaker 4: Wow, bitch, wow, bitch. Now on that it's time for millies.

1815
01:23:52,240 --> 01:23:55,160
Speaker 4: I don't think so much. Yeah, militarymaries, I don't think so, honey,

1816
01:23:55,240 --> 01:23:56,800
Speaker 4: for time starts now, I.

1817
01:23:56,800 --> 01:23:58,920
Speaker 6: Don't think so honey. Sliding into my d MS asking

1818
01:23:59,000 --> 01:24:05,160
Speaker 6: me for favors and you don't even follow me to Hello, Hi,

1819
01:24:05,320 --> 01:24:06,960
Speaker 6: I love you, I loved you on blank.

1820
01:24:07,320 --> 01:24:07,720
Speaker 1: You know what.

1821
01:24:08,640 --> 01:24:10,760
Speaker 6: We all can agree that grooming is wrong, but you

1822
01:24:10,880 --> 01:24:12,800
Speaker 6: know if you want me to do something for you,

1823
01:24:13,360 --> 01:24:14,360
Speaker 6: you better groom me.

1824
01:24:14,560 --> 01:24:16,360
Speaker 2: Bitch, four or five weeks.

1825
01:24:16,680 --> 01:24:19,840
Speaker 6: You better have liked everything on my fucking you better

1826
01:24:19,920 --> 01:24:21,800
Speaker 6: have bought a ticket to all the shows that I've

1827
01:24:21,840 --> 01:24:24,759
Speaker 6: got coming up before you come into my DMS.

1828
01:24:25,040 --> 01:24:27,840
Speaker 2: I have two non three thirty seconds that help people of.

1829
01:24:27,920 --> 01:24:31,360
Speaker 6: Color get careers and marketing and entertainment. You better have

1830
01:24:31,479 --> 01:24:35,280
Speaker 6: donated before you come into my DMS talking about oh,

1831
01:24:35,520 --> 01:24:37,559
Speaker 6: put me on or this and not who the fuck

1832
01:24:37,600 --> 01:24:37,800
Speaker 6: are you?

1833
01:24:38,280 --> 01:24:39,120
Speaker 2: Who the fuck am I?

1834
01:24:39,520 --> 01:24:42,280
Speaker 6: You're spelling our names because me and Elis.

1835
01:24:42,520 --> 01:24:44,599
Speaker 5: You spell my name wrong in the DM and you're

1836
01:24:44,640 --> 01:24:45,880
Speaker 5: asking your name not fucking thing.

1837
01:24:46,240 --> 01:24:47,240
Speaker 2: Who the fuck are you?

1838
01:24:47,840 --> 01:24:51,639
Speaker 6: Like my shit? Guess me up, please before you come

1839
01:24:51,720 --> 01:24:54,960
Speaker 6: through that and try to ask me for some shit. Okay,

1840
01:24:55,360 --> 01:24:56,679
Speaker 6: that is just tacked.

1841
01:24:56,800 --> 01:24:59,599
Speaker 4: Okay, and that's one minute because guess what not everything

1842
01:24:59,680 --> 01:25:01,880
Speaker 4: is tran actional. But if I don't know you, then

1843
01:25:01,960 --> 01:25:02,479
Speaker 4: it kind of.

1844
01:25:02,680 --> 01:25:05,519
Speaker 6: Has to be what is my benefit on helping you out?

1845
01:25:05,520 --> 01:25:07,120
Speaker 2: You want me to get you a job? Doug?

1846
01:25:07,200 --> 01:25:09,360
Speaker 6: Who the fuck are you? And then then I look,

1847
01:25:09,720 --> 01:25:11,800
Speaker 6: I look at your profile. You're not even following me.

1848
01:25:12,640 --> 01:25:14,720
Speaker 6: You want to eat? You're sending me a damn word

1849
01:25:14,760 --> 01:25:17,040
Speaker 6: an email being like, hey, can you help me get

1850
01:25:17,080 --> 01:25:20,080
Speaker 6: a job at this one place that basically only hired

1851
01:25:20,080 --> 01:25:21,799
Speaker 6: you because you're a diversity higher.

1852
01:25:23,200 --> 01:25:25,880
Speaker 2: And then and then it's just like, oh uh, you

1853
01:25:25,920 --> 01:25:27,120
Speaker 2: don't even follow I know?

1854
01:25:27,400 --> 01:25:27,560
Speaker 1: Do you?

1855
01:25:27,640 --> 01:25:28,080
Speaker 2: Guys? Also?

1856
01:25:28,280 --> 01:25:30,680
Speaker 1: Do you guys have those people that come in and

1857
01:25:30,920 --> 01:25:34,000
Speaker 1: like your photos but don't follow you, Like there's one person.

1858
01:25:33,960 --> 01:25:36,120
Speaker 2: There's one person who keeps.

1859
01:25:35,880 --> 01:25:38,880
Speaker 1: Returning to my profile to like photos or like and

1860
01:25:39,040 --> 01:25:41,640
Speaker 1: I see it because the person is verified and an

1861
01:25:41,720 --> 01:25:44,479
Speaker 1: actor that I know but doesn't follow me, and I'm

1862
01:25:44,520 --> 01:25:47,080
Speaker 1: just like, what I will tell you, and it's just

1863
01:25:47,200 --> 01:25:50,320
Speaker 1: like for me, I'll tell everyone, but my thing is

1864
01:25:50,360 --> 01:25:51,679
Speaker 1: just like, why wouldn't you just follow?

1865
01:25:52,080 --> 01:25:54,439
Speaker 2: It's like a weird power move that's not really a

1866
01:25:54,520 --> 01:25:55,080
Speaker 2: power move.

1867
01:25:55,360 --> 01:25:59,800
Speaker 7: Yeah, I don't believe situation, but Millie knows that. I

1868
01:26:00,439 --> 01:26:04,400
Speaker 7: get all the time people emailing me, d ming me

1869
01:26:04,920 --> 01:26:11,759
Speaker 7: asking me for ship and they spell a lease looking

1870
01:26:11,840 --> 01:26:14,840
Speaker 7: there And I've said on my close friends story, the

1871
01:26:15,000 --> 01:26:16,920
Speaker 7: only misspelling of my name that I will.

1872
01:26:16,800 --> 01:26:19,280
Speaker 5: Accept is slide because that's what it autocorrects.

1873
01:26:24,560 --> 01:26:33,240
Speaker 2: Slide milky milk, slide that side. But wait, that's actually

1874
01:26:33,360 --> 01:26:34,000
Speaker 2: really hot.

1875
01:26:34,439 --> 01:26:40,040
Speaker 6: Yeah, the company, and honestly I don't The only one

1876
01:26:40,080 --> 01:26:41,840
Speaker 6: that I don't even call out is the Russian lady

1877
01:26:41,880 --> 01:26:44,200
Speaker 6: that does my laser hair removal because she has all

1878
01:26:44,240 --> 01:26:48,240
Speaker 6: the power. Talk about money, I mean mother, but exactly

1879
01:26:48,479 --> 01:26:54,240
Speaker 6: no spell my name wrong. Mother. Listen, Irena, she she's mother,

1880
01:26:54,360 --> 01:26:56,160
Speaker 6: and she's seen my booty whole.

1881
01:26:56,520 --> 01:26:58,320
Speaker 2: You know what I'm talking. That's showing hole. You talk

1882
01:26:58,360 --> 01:27:00,720
Speaker 2: about showing hole first of all, the dangerous hole.

1883
01:27:00,760 --> 01:27:02,320
Speaker 6: And let me tell you first time I was laser

1884
01:27:02,400 --> 01:27:07,200
Speaker 6: hair removal, completely open. I'm like, this pussy price gone up?

1885
01:27:09,120 --> 01:27:12,400
Speaker 6: You know what I mean. But we'll talk about it.

1886
01:27:12,479 --> 01:27:14,600
Speaker 6: But no, well she ice is it?

1887
01:27:14,960 --> 01:27:15,240
Speaker 7: So no?

1888
01:27:15,800 --> 01:27:16,439
Speaker 2: But I.

1889
01:27:18,880 --> 01:27:22,800
Speaker 6: You know my pussy before. So if she calls me milky, fine,

1890
01:27:23,160 --> 01:27:25,439
Speaker 6: you bitch. I don't fucking know you and you don't

1891
01:27:25,439 --> 01:27:28,400
Speaker 6: follow my there's a there's a whole other thing about peers.

1892
01:27:28,680 --> 01:27:31,840
Speaker 6: I'm talking about industry peers who don't follow you back,

1893
01:27:32,000 --> 01:27:35,599
Speaker 6: and then they do the like shows like okay, fuck off.

1894
01:27:35,960 --> 01:27:38,080
Speaker 6: But it's just like if you're asking me for a favor,

1895
01:27:38,160 --> 01:27:39,519
Speaker 6: asking me to put you on her, asking me blah

1896
01:27:39,520 --> 01:27:41,599
Speaker 6: blah blah, you want me to get coffee. This one

1897
01:27:41,640 --> 01:27:43,800
Speaker 6: guy's like can we get coffee and talk about things?

1898
01:27:43,840 --> 01:27:45,320
Speaker 6: And I'm like sure because he was a friend of

1899
01:27:45,360 --> 01:27:48,120
Speaker 6: a friend. He's like, doesn't call me, no, this is

1900
01:27:48,240 --> 01:27:50,960
Speaker 6: listen to this. He's like, come to Astoria and I'm

1901
01:27:51,000 --> 01:27:54,080
Speaker 6: like a story. I'll go there once a year when

1902
01:27:54,080 --> 01:27:57,200
Speaker 6: I have sad sex. Like not because when I when

1903
01:27:57,240 --> 01:28:01,639
Speaker 6: I call the ex, fucking get would you? When you're

1904
01:28:01,680 --> 01:28:02,240
Speaker 6: asking me to.

1905
01:28:02,280 --> 01:28:04,639
Speaker 4: Get coughe like the follow and the follow back that's

1906
01:28:04,680 --> 01:28:06,920
Speaker 4: like the handshake yes and like you kind of that

1907
01:28:07,200 --> 01:28:10,080
Speaker 4: is like this weird formality. It's weird that it yes,

1908
01:28:10,400 --> 01:28:12,320
Speaker 4: and that it's it's part of it, but it is like,

1909
01:28:12,439 --> 01:28:16,120
Speaker 4: unfortunately the way you like initiate that kind of conversation, well,

1910
01:28:16,360 --> 01:28:17,040
Speaker 4: that's funny, is like.

1911
01:28:17,040 --> 01:28:19,599
Speaker 1: We just brought up like the Beverly Hills Housewives. Remember

1912
01:28:19,640 --> 01:28:22,799
Speaker 1: that they're they're constantly obsessed with who's unfollowing and following.

1913
01:28:22,840 --> 01:28:25,040
Speaker 4: I guess what, Crystal Coff doesn't follow me, so I'm

1914
01:28:25,040 --> 01:28:27,040
Speaker 4: there therefore, I'm like, wow, well, why is she.

1915
01:28:27,120 --> 01:28:28,639
Speaker 6: Next to you in the aa P I voices?

1916
01:28:28,760 --> 01:28:30,720
Speaker 2: Why why is she taking me into? Why is she

1917
01:28:30,840 --> 01:28:32,360
Speaker 2: dm me? I mean, exactly did she?

1918
01:28:33,160 --> 01:28:35,200
Speaker 4: I don't think she's like seen my stories and stuff.

1919
01:28:35,200 --> 01:28:37,400
Speaker 4: And I'm like Crystal, Crystal, she doesn't have.

1920
01:28:37,479 --> 01:28:40,479
Speaker 2: To do the seeing of the s.

1921
01:28:40,880 --> 01:28:43,120
Speaker 1: But not following is a power move, and I'm just like,

1922
01:28:43,240 --> 01:28:45,280
Speaker 1: don't you know we could be more powerful together.

1923
01:28:45,439 --> 01:28:48,880
Speaker 2: It's a very wicked. It's unlimit if you.

1924
01:28:49,000 --> 01:28:52,679
Speaker 1: Followed me back together, think of all we could do well,

1925
01:28:53,040 --> 01:28:54,519
Speaker 1: dream the way.

1926
01:28:56,040 --> 01:29:00,000
Speaker 6: But people people, but people again, you're talking about competition.

1927
01:29:00,720 --> 01:29:01,280
Speaker 6: They get scared.

1928
01:29:01,320 --> 01:29:05,120
Speaker 1: They don't what Alphaba and Glinda were so much better

1929
01:29:05,240 --> 01:29:08,040
Speaker 1: as sisters than they were as enemies, and it's a

1930
01:29:08,120 --> 01:29:11,040
Speaker 1: rule culture number six. Alphaba and Glinda were so much

1931
01:29:11,080 --> 01:29:14,120
Speaker 1: better as sisters than the enemy. And when Alphabet I'm

1932
01:29:14,120 --> 01:29:17,040
Speaker 1: gonna started following each other, uh huh, that's when I

1933
01:29:17,080 --> 01:29:17,960
Speaker 1: was ready to follow them.

1934
01:29:18,160 --> 01:29:20,680
Speaker 6: Well, and you know some say they only follow God,

1935
01:29:20,760 --> 01:29:23,680
Speaker 6: but no, not here. No, you know what, And I

1936
01:29:24,040 --> 01:29:27,160
Speaker 6: I won't get petty, like, if I really do believe

1937
01:29:27,200 --> 01:29:29,760
Speaker 6: that we are peers, you play that ship, I'll call

1938
01:29:29,840 --> 01:29:30,120
Speaker 6: it out.

1939
01:29:30,360 --> 01:29:31,960
Speaker 2: I'll be like, do you call it out?

1940
01:29:32,120 --> 01:29:39,720
Speaker 6: Asked Jared Goldstein. Ask Jared, we were at somebody's birthday, Kiki, Well,

1941
01:29:39,720 --> 01:29:41,719
Speaker 6: because I saw, you know, we did a show together

1942
01:29:42,080 --> 01:29:44,760
Speaker 6: three years before, you know whatever, He's really nice.

1943
01:29:44,840 --> 01:29:46,639
Speaker 2: We're gonna have him on to respond exactly.

1944
01:29:46,760 --> 01:29:48,880
Speaker 6: No, but I you know this and that we were

1945
01:29:48,960 --> 01:29:51,920
Speaker 6: kekey and then follow this motherfucker did not follow me back,

1946
01:29:51,920 --> 01:29:54,479
Speaker 6: and I was like, okay, motherfucker. Three years later, at

1947
01:29:54,560 --> 01:29:58,280
Speaker 6: Ja Cornell's birthday, I was like, he blather you talked

1948
01:29:58,280 --> 01:29:59,840
Speaker 6: about in I'm like, oh, that's funny you brought up

1949
01:29:59,840 --> 01:30:01,760
Speaker 6: into because you don't follow me back. You don't follow

1950
01:30:01,800 --> 01:30:04,960
Speaker 6: me back. And then he's like and I'm like, listen,

1951
01:30:05,479 --> 01:30:07,439
Speaker 6: I really do feel like we're peers. We have a

1952
01:30:07,520 --> 01:30:11,240
Speaker 6: lot of the same friends. We're doing the same ship. Okay,

1953
01:30:11,439 --> 01:30:14,280
Speaker 6: let's get let's get the follow back. Let's get the

1954
01:30:14,360 --> 01:30:17,240
Speaker 6: follow back. And it was three years I know whatever now,

1955
01:30:17,320 --> 01:30:19,200
Speaker 6: but I'm like, three years ago, you could have followed

1956
01:30:19,240 --> 01:30:20,360
Speaker 6: me back to Jared.

1957
01:30:20,479 --> 01:30:23,040
Speaker 1: Also, it's just like the thing too, I think that

1958
01:30:23,160 --> 01:30:25,000
Speaker 1: people get a little obsessed with when they get a

1959
01:30:25,000 --> 01:30:31,760
Speaker 1: little bit bigger followers, like their ratio. It's just like

1960
01:30:32,040 --> 01:30:34,720
Speaker 1: that doesn't matter. And then I'm like, but if you

1961
01:30:34,840 --> 01:30:36,720
Speaker 1: do think that matters, then like maybe you need to

1962
01:30:36,800 --> 01:30:39,880
Speaker 1: check that I understand the ratio of like photos of posts.

1963
01:30:39,920 --> 01:30:41,360
Speaker 1: Like sometimes I am like, let me clear some of

1964
01:30:41,400 --> 01:30:42,000
Speaker 1: these pictures.

1965
01:30:42,520 --> 01:30:43,519
Speaker 5: I love the archives.

1966
01:30:43,960 --> 01:30:44,559
Speaker 2: Love archives.

1967
01:30:45,280 --> 01:30:45,960
Speaker 3: I don't even know what.

1968
01:30:46,800 --> 01:30:48,760
Speaker 5: Oh yeah, I love looking back at me, like what

1969
01:30:48,960 --> 01:30:52,599
Speaker 5: was I doing? That's archive is good because you can

1970
01:30:52,720 --> 01:30:54,040
Speaker 5: go there archive.

1971
01:30:54,560 --> 01:30:56,080
Speaker 3: But the public doesn't know.

1972
01:30:57,880 --> 01:30:58,280
Speaker 2: Archives.

1973
01:30:58,439 --> 01:31:00,280
Speaker 6: You know why because I look back and I'm like,

1974
01:31:00,439 --> 01:31:04,599
Speaker 6: oh yeah, because before Instagram Stories, we were using Instagram

1975
01:31:04,680 --> 01:31:07,200
Speaker 6: grid as Instagram stories. I'm here today, blah blah blah

1976
01:31:07,200 --> 01:31:09,400
Speaker 6: blah blah. But this is what I'm saying though about

1977
01:31:09,400 --> 01:31:12,920
Speaker 6: the people that ask me for favors. There's some Honestly,

1978
01:31:13,120 --> 01:31:16,120
Speaker 6: I call them the ukulele white girls, who like the

1979
01:31:16,160 --> 01:31:19,040
Speaker 6: white girls who do musical comedy with ukuleles. Yep, So

1980
01:31:19,320 --> 01:31:25,040
Speaker 6: they'll follow me. They'll follow me, just ukulele white girl.

1981
01:31:25,080 --> 01:31:27,280
Speaker 6: And I'm telling you, like, there's at least forty of

1982
01:31:27,320 --> 01:31:30,400
Speaker 6: them will follow me. And I'm like, oh, I feel

1983
01:31:30,439 --> 01:31:32,599
Speaker 6: like I might have met her once a pit ten

1984
01:31:32,720 --> 01:31:35,840
Speaker 6: years ago. Let me follow her back. They immediately unfollow me.

1985
01:31:37,200 --> 01:31:39,040
Speaker 6: That has happened so many times. I'm like, uh uh,

1986
01:31:39,160 --> 01:31:41,599
Speaker 6: not you ukulele white girl with two hundred followers. Who

1987
01:31:41,720 --> 01:31:43,040
Speaker 6: the fuck do you think you are?

1988
01:31:43,600 --> 01:31:43,640
Speaker 7: Me?

1989
01:31:44,240 --> 01:31:46,760
Speaker 6: But that's what I'm saying, ukulele white girl. There's a

1990
01:31:46,840 --> 01:31:48,519
Speaker 6: lot of you know who I'm you know what I'm

1991
01:31:48,560 --> 01:31:50,160
Speaker 6: talking about? I do you know what I'm talking about?

1992
01:31:50,160 --> 01:31:51,880
Speaker 2: Anyway, Well, we're gonna have.

1993
01:31:54,479 --> 01:31:56,439
Speaker 6: No. He did really well and then he did follow me.

1994
01:31:56,560 --> 01:31:58,800
Speaker 3: But that's why I brought him up, because because you know,

1995
01:31:59,800 --> 01:32:01,040
Speaker 3: you know it was an oversight.

1996
01:32:01,240 --> 01:32:04,240
Speaker 1: Yes, you felt comfortable bringing it up, and I feel

1997
01:32:04,280 --> 01:32:05,679
Speaker 1: comfortable calling this a landmark.

1998
01:32:06,360 --> 01:32:07,600
Speaker 3: This has been incredible.

1999
01:32:08,000 --> 01:32:13,320
Speaker 1: Follow Slide and Milky Milky Slide, Milky and Slide host,

2000
01:32:13,479 --> 01:32:14,160
Speaker 1: that's just up.

2001
01:32:14,439 --> 01:32:17,320
Speaker 6: We talk to politician and you know, we're talking about abortion.

2002
01:32:18,000 --> 01:32:18,960
Speaker 6: We're doing a lot of ship.

2003
01:32:19,800 --> 01:32:22,720
Speaker 4: But it's like it's the way in for like it's

2004
01:32:22,800 --> 01:32:24,640
Speaker 4: for me. It's like, oh, let me like, let me

2005
01:32:24,760 --> 01:32:27,400
Speaker 4: understand this. Yeah, way that like my friends would let.

2006
01:32:27,320 --> 01:32:30,680
Speaker 2: Me understand this. Finally, Yeah, well, we love you so much.

2007
01:32:30,760 --> 01:32:32,320
Speaker 2: Thank you guys for thanks for having.

2008
01:32:33,000 --> 01:32:35,080
Speaker 3: Course, we love you back. I mean, this is this

2009
01:32:35,240 --> 01:32:36,080
Speaker 3: is just the beginning.

2010
01:32:36,160 --> 01:32:37,040
Speaker 5: I've been so excited.

2011
01:32:37,080 --> 01:32:39,000
Speaker 2: I I know you, and you know when I.

2012
01:32:39,040 --> 01:32:40,640
Speaker 1: Realized I was like the way I've known you for

2013
01:32:40,760 --> 01:32:44,599
Speaker 1: like thirteen a long as you've known like I remember

2014
01:32:44,760 --> 01:32:48,120
Speaker 1: like when I went to like u D for like

2015
01:32:49,400 --> 01:32:51,080
Speaker 1: like Improv festival.

2016
01:32:51,160 --> 01:32:54,280
Speaker 2: This was like two thousand and nine. I know, Wow, Wow,

2017
01:32:55,240 --> 01:32:55,559
Speaker 2: I know.

2018
01:32:57,360 --> 01:32:57,599
Speaker 7: Wow.

2019
01:32:57,800 --> 01:33:00,080
Speaker 1: And then for seven years ago, which is probably have

2020
01:33:00,200 --> 01:33:01,760
Speaker 1: that time for you to come on here and say,

2021
01:33:01,840 --> 01:33:04,320
Speaker 1: Harry Potter, for you to come on here today and

2022
01:33:04,560 --> 01:33:05,479
Speaker 1: denounce that.

2023
01:33:05,680 --> 01:33:09,640
Speaker 2: Is the growth exactly from at least an improv.

2024
01:33:09,400 --> 01:33:11,639
Speaker 1: Who did not know what was coming to at least

2025
01:33:11,680 --> 01:33:13,679
Speaker 1: the last coach seven years ago who said Harry Potter

2026
01:33:13,720 --> 01:33:17,080
Speaker 1: writes to now at least saying no, Potter.

2027
01:33:17,000 --> 01:33:18,519
Speaker 6: That's evolutions, progression.

2028
01:33:19,200 --> 01:33:22,559
Speaker 4: I could never yes, And then meanwhile sucking Bellas Strange, Voltemore,

2029
01:33:22,640 --> 01:33:24,920
Speaker 4: fucking Helena and Ray for the ones who are keeping

2030
01:33:24,960 --> 01:33:25,639
Speaker 4: for joe Ane.

2031
01:33:25,680 --> 01:33:29,800
Speaker 2: You're like, wait a minute, are they like by her?

2032
01:33:30,000 --> 01:33:33,080
Speaker 6: I'm not surprised Helena was miss Johnny Depp and also

2033
01:33:33,160 --> 01:33:36,280
Speaker 6: Helena tim Burton is a little problem my cheek, but.

2034
01:33:36,360 --> 01:33:44,800
Speaker 2: You know whatever, villains looking a little like she don't

2035
01:33:44,880 --> 01:33:48,200
Speaker 2: vaccinate and no, wait, can I say something?

2036
01:33:48,360 --> 01:33:51,800
Speaker 1: Luna Love Good sucks. I don't like Lunda love I

2037
01:33:51,960 --> 01:33:54,759
Speaker 1: never liked Luna Love Good, not like actually talk about.

2038
01:33:56,080 --> 01:34:00,760
Speaker 2: Ye, that's what libertarian.

2039
01:34:01,600 --> 01:34:04,280
Speaker 1: Yep, yep, yeah, give me libertarian and guess what, Actually,

2040
01:34:04,280 --> 01:34:04,960
Speaker 1: it's a real culture.

2041
01:34:05,000 --> 01:34:06,880
Speaker 3: All raven Claus were libertarians.

2042
01:34:07,400 --> 01:34:10,120
Speaker 2: Number thirty three libertarian.

2043
01:34:10,240 --> 01:34:12,519
Speaker 6: But you know it's a genre of white like when

2044
01:34:12,520 --> 01:34:14,200
Speaker 6: they're talking about like white people don't wash their legs.

2045
01:34:14,600 --> 01:34:15,439
Speaker 6: I don't believe that.

2046
01:34:15,680 --> 01:34:18,519
Speaker 2: But Luna Love Good type people, they don't watch it. Well,

2047
01:34:18,560 --> 01:34:21,840
Speaker 2: now you sound like Luna. Al Right, I have to

2048
01:34:21,880 --> 01:34:22,360
Speaker 2: go to therapy.

2049
01:34:22,400 --> 01:34:27,639
Speaker 1: We had diver episode with the song un limited Together.

2050
01:34:27,840 --> 01:34:33,200
Speaker 2: We're live together, will be the greatest team. There are

2051
01:34:33,360 --> 01:34:40,160
Speaker 2: bad Glena dreams the way we plan if we were good.

2052
01:34:41,600 --> 01:34:42,960
Speaker 1: If you want to hear more about that, you can

2053
01:34:43,000 --> 01:34:45,439
Speaker 1: listen to the Wicked original Broadway cast. You can go

2054
01:34:45,520 --> 01:34:50,080
Speaker 1: on YouTube and YouTube in Wicked define Gravity my tutorial.

2055
01:34:51,520 --> 01:34:53,519
Speaker 2: Yeah, all right, fe