1 00:00:16,760 --> 00:00:20,200 Speaker 1: And let me ask you this, man, y'all, you and 2 00:00:20,280 --> 00:00:22,520 Speaker 1: young y'all will always be tidy no matter what. 3 00:00:22,560 --> 00:00:25,440 Speaker 2: Man, y'all did one of the biggest records in music fucking. 4 00:00:25,200 --> 00:00:28,720 Speaker 1: History, nitty, So it's nowhere around it. 5 00:00:29,760 --> 00:00:34,959 Speaker 2: Can we I don't want to say, y'all what we talk? 6 00:00:35,760 --> 00:00:38,920 Speaker 1: Okay, talk, but we need to get y'all, y'all. We 7 00:00:38,960 --> 00:00:41,800 Speaker 1: gotta get y'all just on it. I mean, I know 8 00:00:41,800 --> 00:00:43,640 Speaker 1: how you are, niitty because I know we had a 9 00:00:43,720 --> 00:00:46,400 Speaker 1: talk off camera and uh, you know, I know Jack 10 00:00:46,560 --> 00:00:48,479 Speaker 1: is in the media now, he's on the radio, he's 11 00:00:48,520 --> 00:00:51,080 Speaker 1: on so there's been times where he spoke about it. 12 00:00:51,200 --> 00:00:53,240 Speaker 1: You I know you talked. You was like, Yo, why 13 00:00:54,080 --> 00:00:56,400 Speaker 1: why why Jared? I don't know why why he's talking 14 00:00:56,400 --> 00:00:59,040 Speaker 1: about this ship because it's you know so, But you 15 00:00:59,120 --> 00:01:02,720 Speaker 1: said you all spoke. So the chances of us, I 16 00:01:02,720 --> 00:01:05,119 Speaker 1: ain't gonna say, get more music, but the chances of us. 17 00:01:05,400 --> 00:01:07,080 Speaker 2: Of you all being amicable. 18 00:01:07,200 --> 00:01:10,680 Speaker 3: Yeah, Now, we're good jock jockers always you know, good people. 19 00:01:10,720 --> 00:01:10,880 Speaker 2: Man. 20 00:01:10,920 --> 00:01:14,199 Speaker 3: He's he's always looked at him like a little brother, 21 00:01:14,480 --> 00:01:15,679 Speaker 3: you know what I'm saying. So you know you have 22 00:01:15,720 --> 00:01:18,240 Speaker 3: a little brother. Y'all do something. But you know, we 23 00:01:18,280 --> 00:01:21,039 Speaker 3: don't have no issues. I was a little bit lost, 24 00:01:21,040 --> 00:01:23,480 Speaker 3: a little bit, but at the end of the day, 25 00:01:23,800 --> 00:01:26,080 Speaker 3: like I got a chance to see him. After all, 26 00:01:26,120 --> 00:01:29,720 Speaker 3: he's at this time in all these interviews, and I 27 00:01:29,760 --> 00:01:32,200 Speaker 3: saw him at the game, and you know, I walked 28 00:01:32,200 --> 00:01:35,160 Speaker 3: over to him, like you know, the gentleman I am, 29 00:01:35,440 --> 00:01:36,600 Speaker 3: and I spoke to him. 30 00:01:36,440 --> 00:01:37,160 Speaker 2: And I like that. 31 00:01:37,280 --> 00:01:38,720 Speaker 3: You know what I'm saying. It was no there was 32 00:01:38,760 --> 00:01:40,759 Speaker 3: no no type of friction or nothing. But I walked 33 00:01:40,760 --> 00:01:42,920 Speaker 3: to him. That's how I spoke to him, and we 34 00:01:42,959 --> 00:01:45,000 Speaker 3: talked one on one and he, you know, he said 35 00:01:45,000 --> 00:01:47,240 Speaker 3: some stuff to me. I said some stuff to him, 36 00:01:47,400 --> 00:01:50,560 Speaker 3: and I clearly saw that it wasn't any type of 37 00:01:50,640 --> 00:01:52,640 Speaker 3: issue or anything like that. And at the end of 38 00:01:52,640 --> 00:01:54,440 Speaker 3: the conversation, I told him I love him, you know 39 00:01:54,480 --> 00:01:56,720 Speaker 3: what I mean. So that's what I'm on, man. But 40 00:01:56,760 --> 00:01:58,040 Speaker 3: I'm all about positive man. 41 00:01:58,840 --> 00:01:59,000 Speaker 2: Job. 42 00:01:59,000 --> 00:02:01,240 Speaker 3: I appreciate you know, he's a good guy, and I 43 00:02:01,280 --> 00:02:04,320 Speaker 3: wish nothing but look and success, you know, and thank you, 44 00:02:05,160 --> 00:02:05,520 Speaker 3: thank you. 45 00:02:05,800 --> 00:02:06,640 Speaker 2: Defeciate that. 46 00:02:06,760 --> 00:02:12,519 Speaker 3: Yeah, you talking, you know, disagreements recently on big facts. 47 00:02:12,560 --> 00:02:15,520 Speaker 3: Michael Montana. It was a situation he brought your name up. 48 00:02:16,720 --> 00:02:19,239 Speaker 3: Have you told your side or did you see the 49 00:02:19,320 --> 00:02:21,720 Speaker 3: interview here? But no, I hadn't seen it. 50 00:02:23,320 --> 00:02:27,079 Speaker 2: Because I had neither what the words like swindle came up. 51 00:02:27,280 --> 00:02:32,880 Speaker 3: Swindle he swindled him, swindle him? Okay, Michael, Michael about 52 00:02:32,919 --> 00:02:35,200 Speaker 3: the guy that what her nails like? Yeah, we see 53 00:02:35,200 --> 00:02:36,520 Speaker 3: what I'm saying. You're talking about. 54 00:02:36,480 --> 00:02:41,080 Speaker 2: Michael Montana, big artist. Okay, go ahead, I'm just now 55 00:02:42,080 --> 00:02:45,919 Speaker 2: I know what you're talking about. Okay, you said he said, 56 00:02:45,919 --> 00:02:46,440 Speaker 2: I saw. 57 00:02:46,440 --> 00:02:49,799 Speaker 3: Him said contracts and and this is on the platform 58 00:02:49,880 --> 00:02:54,519 Speaker 3: like big facts where really this was recently seven months ago? Okay, No, 59 00:02:54,680 --> 00:02:57,520 Speaker 3: I mean I haven't heard that. I mean, I'm gonna 60 00:02:57,520 --> 00:03:00,400 Speaker 3: say this, man, I see a lot of you know people. 61 00:03:00,520 --> 00:03:03,480 Speaker 3: The last time I think I seen him, the person 62 00:03:03,520 --> 00:03:05,960 Speaker 3: you're talking about, was I seen him in a little 63 00:03:06,600 --> 00:03:09,480 Speaker 3: off more than a little little five points and he 64 00:03:09,600 --> 00:03:12,040 Speaker 3: came up to me. He gave me an apology about 65 00:03:12,040 --> 00:03:14,799 Speaker 3: some stuff that you know, he just wanted to make 66 00:03:14,840 --> 00:03:17,440 Speaker 3: it right with us. So I haven't seen him since 67 00:03:17,440 --> 00:03:17,919 Speaker 3: that time. 68 00:03:18,440 --> 00:03:20,320 Speaker 2: But nah, I man, he was. 69 00:03:20,600 --> 00:03:23,760 Speaker 3: He was an artist that was brought to me. Because 70 00:03:23,800 --> 00:03:26,200 Speaker 3: I have so many people bring artists to me, and 71 00:03:26,360 --> 00:03:27,920 Speaker 3: some of them I work with. Some of them, I 72 00:03:27,960 --> 00:03:31,800 Speaker 3: don't work with. But I took him in and I 73 00:03:31,840 --> 00:03:34,960 Speaker 3: think back then, man, I did the record with him. 74 00:03:34,960 --> 00:03:36,720 Speaker 3: And I tell any artists I worked with, you know, 75 00:03:37,400 --> 00:03:40,880 Speaker 3: I've been successful and been I ain't worked the job 76 00:03:40,960 --> 00:03:43,640 Speaker 3: since two thousands, so this is before I met any 77 00:03:43,640 --> 00:03:48,840 Speaker 3: of them artists. So you know, I've been comfortable since then. 78 00:03:48,960 --> 00:03:51,080 Speaker 3: So the only thing I've did since then is put 79 00:03:51,240 --> 00:03:54,119 Speaker 3: my personal money behind a lot of artists to try 80 00:03:54,120 --> 00:03:57,320 Speaker 3: to break a lot. And I spent hundreds of thousands 81 00:03:57,360 --> 00:04:00,840 Speaker 3: of dollars a lot with artists. And you know, I mean, 82 00:04:00,880 --> 00:04:03,000 Speaker 3: I ain't talking about it. I'm not even gonna name them, 83 00:04:03,000 --> 00:04:04,880 Speaker 3: but I'm gonna just say that. You know, at the 84 00:04:04,920 --> 00:04:08,160 Speaker 3: end of the day, you know, if you sit them 85 00:04:08,240 --> 00:04:10,680 Speaker 3: artists down, that anybody I ever work with and you 86 00:04:10,840 --> 00:04:13,600 Speaker 3: ask him, tell that you what really happened with Niitty? 87 00:04:13,640 --> 00:04:17,080 Speaker 3: Did he really? Did he really have your life? What 88 00:04:17,160 --> 00:04:19,560 Speaker 3: you happen? Yeah, So you know, it's like a lot 89 00:04:19,600 --> 00:04:21,480 Speaker 3: of people say, Puffs swindled a lot of people. But 90 00:04:21,520 --> 00:04:23,520 Speaker 3: I tell any artists and I tell him, now, if 91 00:04:23,520 --> 00:04:27,680 Speaker 3: you work with me or anybody else, get you a lawyer, because. 92 00:04:27,320 --> 00:04:28,960 Speaker 2: At the end of the day, you got a lawyer. 93 00:04:29,240 --> 00:04:32,040 Speaker 3: And you know, if you get a contract and you, 94 00:04:32,040 --> 00:04:33,840 Speaker 3: you know, take it to your lawyer whoever you take 95 00:04:33,880 --> 00:04:36,120 Speaker 3: it to that you trust, and they tell you to 96 00:04:36,160 --> 00:04:38,280 Speaker 3: go ahead and sign it. You know, because I'm never 97 00:04:38,320 --> 00:04:41,279 Speaker 3: believed in trying to take advantage of any artists because 98 00:04:41,320 --> 00:04:45,000 Speaker 3: I think that I think a lot of artists they 99 00:04:45,080 --> 00:04:49,760 Speaker 3: might come in and not really knowing the business. So yeah, 100 00:04:49,800 --> 00:04:52,160 Speaker 3: so I always want to be the person that if 101 00:04:52,200 --> 00:04:54,440 Speaker 3: I get an artist or a producer, I want to 102 00:04:54,440 --> 00:04:56,799 Speaker 3: do good business with them so we can keep making 103 00:04:56,839 --> 00:05:00,680 Speaker 3: money together. I'm not trying to I don't want to hear. 104 00:05:00,600 --> 00:05:02,839 Speaker 1: The quick There was more executives and more people behind 105 00:05:02,880 --> 00:05:04,400 Speaker 1: the scenes had that type mentality. 106 00:05:04,560 --> 00:05:06,200 Speaker 2: Yeah you know you got to. 107 00:05:07,839 --> 00:05:10,360 Speaker 3: Yeah, you gotta do that, man, And then I'm gonna 108 00:05:10,360 --> 00:05:13,279 Speaker 3: be honest man, like me what I did when I 109 00:05:13,320 --> 00:05:15,279 Speaker 3: came in the game. I came in the game, and 110 00:05:15,320 --> 00:05:18,120 Speaker 3: I immediately got me an attorney and a business manager 111 00:05:18,160 --> 00:05:19,720 Speaker 3: that taught me how not to go out here and 112 00:05:19,720 --> 00:05:21,720 Speaker 3: buy a bunch of jury and funck off money. 113 00:05:22,040 --> 00:05:23,920 Speaker 2: How did you know to do that? Did somebody tell 114 00:05:23,960 --> 00:05:26,480 Speaker 2: you that Ian Burke Ian burke Man? But shout out 115 00:05:26,480 --> 00:05:27,160 Speaker 2: to Ian burke Man. 116 00:05:27,200 --> 00:05:29,919 Speaker 3: Ian Burke was a person that hooked me up with 117 00:05:29,960 --> 00:05:33,640 Speaker 3: my attorney, got me with my business manager that takes 118 00:05:33,680 --> 00:05:35,480 Speaker 3: care of like you ain't never heard needy name on 119 00:05:35,600 --> 00:05:36,360 Speaker 3: no tax. 120 00:05:36,600 --> 00:05:37,719 Speaker 2: Problems or nothing like that. 121 00:05:37,880 --> 00:05:40,440 Speaker 3: Like a lot of people that might run into them issues, 122 00:05:40,440 --> 00:05:44,159 Speaker 3: but I never went through that. So with me, you know, 123 00:05:44,240 --> 00:05:46,440 Speaker 3: I signed so many artists, and then you might have 124 00:05:46,560 --> 00:05:49,000 Speaker 3: artists that might get jealous of the next artist. And 125 00:05:49,080 --> 00:05:51,080 Speaker 3: then some artists they might I might get them to 126 00:05:51,120 --> 00:05:54,320 Speaker 3: a level to work they have made you know, you know, 127 00:05:54,480 --> 00:05:58,320 Speaker 3: half million to a million dollars, and then the problem 128 00:05:58,360 --> 00:06:00,400 Speaker 3: come in when they blow that me and ain't got 129 00:06:00,480 --> 00:06:03,040 Speaker 3: no mo And then when you get that money, a 130 00:06:03,080 --> 00:06:04,800 Speaker 3: lot of them their egos start going up and they 131 00:06:04,800 --> 00:06:07,200 Speaker 3: don't want to listen until their money get back down here. 132 00:06:08,080 --> 00:06:11,040 Speaker 3: So when your money get back down here, you want 133 00:06:11,040 --> 00:06:12,880 Speaker 3: to listen to me. Now at that point, as a 134 00:06:12,880 --> 00:06:15,279 Speaker 3: business man, I'd be stupid to do business with you 135 00:06:15,360 --> 00:06:18,599 Speaker 3: again again. Yeah, so I'm gonna say no, you know what, 136 00:06:19,080 --> 00:06:21,000 Speaker 3: because we were never friends in the beginning. We was 137 00:06:21,040 --> 00:06:28,159 Speaker 3: always business partners. So I did good business with him, and. 138 00:06:26,440 --> 00:06:27,240 Speaker 2: Everything was done. 139 00:06:27,279 --> 00:06:31,120 Speaker 3: Everybody I worked with, they've had attorneys and you know, 140 00:06:31,240 --> 00:06:33,000 Speaker 3: like I said, I stay away from all that. 141 00:06:33,080 --> 00:06:35,320 Speaker 2: Yeah, I've had no lawsuits, you know what I'm saying. 142 00:06:35,320 --> 00:06:37,680 Speaker 3: Because if I had some lawsuits, you know, we would 143 00:06:37,720 --> 00:06:40,240 Speaker 3: have settled it and it would have been no issue. 144 00:06:40,240 --> 00:06:42,600 Speaker 3: But no, like any artists I ever worked with, man, 145 00:06:42,600 --> 00:06:43,840 Speaker 3: I give them a shot, and I want them to 146 00:06:43,880 --> 00:06:45,760 Speaker 3: make money because I know when I meet them, a 147 00:06:45,800 --> 00:06:47,599 Speaker 3: lot of them they they used to sleep on my 148 00:06:47,640 --> 00:06:49,080 Speaker 3: studio floors and stuff. 149 00:06:49,120 --> 00:06:51,280 Speaker 2: So you know, I want to see people come up. 150 00:06:51,320 --> 00:06:51,480 Speaker 3: Man. 151 00:06:51,520 --> 00:06:52,920 Speaker 2: That's what I was all about. Man. 152 00:06:52,960 --> 00:06:55,120 Speaker 3: But shout out to any artists I ever worked with, 153 00:06:55,320 --> 00:06:57,040 Speaker 3: you know, right now, I'm on to the new artists. 154 00:06:57,080 --> 00:06:59,320 Speaker 1: Who is that one producer here in Atlanta that really 155 00:07:00,160 --> 00:07:03,280 Speaker 1: that when it comes down to it, you peel everything back, 156 00:07:03,560 --> 00:07:04,360 Speaker 1: really looked out. 157 00:07:04,240 --> 00:07:04,760 Speaker 2: For you the most. 158 00:07:04,760 --> 00:07:09,600 Speaker 3: When he was coming up, JD, you know, yeah, shouting 159 00:07:09,680 --> 00:07:12,320 Speaker 3: my boy JD. Man, JD, that's my dog man like 160 00:07:12,400 --> 00:07:14,880 Speaker 3: me and him. You know, he was the person that 161 00:07:15,040 --> 00:07:17,800 Speaker 3: you know, shout out to Skeeter Rock too. Yeah you 162 00:07:17,880 --> 00:07:21,760 Speaker 3: know what I'm saying. Yeah, every time I see you know, Skiter, 163 00:07:21,880 --> 00:07:24,360 Speaker 3: I see JD. You know, the only thing I think 164 00:07:24,440 --> 00:07:27,560 Speaker 3: of is like, you know them my two brothers, you know, 165 00:07:27,680 --> 00:07:29,640 Speaker 3: and I want to eventually see them back on the 166 00:07:29,640 --> 00:07:33,760 Speaker 3: same page, you know, because them my dogs, they did 167 00:07:33,840 --> 00:07:36,840 Speaker 3: so much just Atlanta culture. Man, them two dudes together, 168 00:07:36,960 --> 00:07:41,200 Speaker 3: New Faith Rock and JD. Yeah yeah, but me and JD. 169 00:07:41,320 --> 00:07:43,320 Speaker 3: We talked at the game and stuff. Man, So it's 170 00:07:43,360 --> 00:07:45,960 Speaker 3: all love man, Like I've been seeing cats, like I 171 00:07:46,040 --> 00:07:48,760 Speaker 3: kind of took like a whole you know, just a 172 00:07:48,800 --> 00:07:51,880 Speaker 3: break from the music, just to kind of zero in 173 00:07:51,960 --> 00:07:54,520 Speaker 3: on a lot of other you know, family and personal stuff, 174 00:07:54,800 --> 00:07:56,560 Speaker 3: you know, because I'm a single dad. So you know, 175 00:07:56,600 --> 00:07:58,120 Speaker 3: I got my son, so I had to make sure 176 00:07:58,160 --> 00:07:59,800 Speaker 3: I was gonna let him be out here telling my game. 177 00:07:59,800 --> 00:07:59,960 Speaker 2: Game. 178 00:08:01,040 --> 00:08:02,800 Speaker 3: My son ain't on that, you know what I'm saying. 179 00:08:04,960 --> 00:08:06,640 Speaker 3: You and I respect how you do with your sons. 180 00:08:06,640 --> 00:08:08,800 Speaker 2: Man. You know you're doing a great job. Bro. Thank 181 00:08:08,840 --> 00:08:10,160 Speaker 2: you man, you know what I'm saying. So that's what 182 00:08:10,280 --> 00:08:10,560 Speaker 2: I want. 183 00:08:10,600 --> 00:08:13,040 Speaker 1: Father, and I watched Cash like you and New Face, 184 00:08:13,120 --> 00:08:14,280 Speaker 1: we take this fatherhood ship. 185 00:08:16,000 --> 00:08:16,160 Speaker 2: Man. 186 00:08:16,280 --> 00:08:19,360 Speaker 3: You talk about him so so deaf and pouring in 187 00:08:19,440 --> 00:08:21,800 Speaker 3: the artists man, and condolences too. 188 00:08:21,840 --> 00:08:23,600 Speaker 2: But you you introduced. 189 00:08:23,200 --> 00:08:25,880 Speaker 3: And first of all, like you said, you pointing the artists, 190 00:08:26,040 --> 00:08:27,680 Speaker 3: I'll always say this, if I. 191 00:08:27,640 --> 00:08:30,360 Speaker 2: Heard nitty beats into that tag, I'm listening. 192 00:08:31,000 --> 00:08:33,319 Speaker 3: So you introduced this young brother by the name of 193 00:08:33,400 --> 00:08:37,320 Speaker 3: Young Capone later transition to dope boy Rod, one of 194 00:08:37,320 --> 00:08:42,000 Speaker 3: the hardest, one of the voices. Man, Can you talk 195 00:08:42,040 --> 00:08:45,680 Speaker 3: about the introduction and how that relationship came about, man 196 00:08:45,760 --> 00:08:48,720 Speaker 3: and then just hearing about his transition and everything like that. 197 00:08:49,920 --> 00:08:52,839 Speaker 2: I mean, Man, I ain't gonna lie. 198 00:08:52,880 --> 00:08:57,000 Speaker 3: Man like him to be honest with ra rah Man, 199 00:08:57,120 --> 00:08:59,000 Speaker 3: Like I've been knowing him since he was a baby, 200 00:08:59,240 --> 00:09:03,120 Speaker 3: you know, since he's fifteen, sixteen years old, and I 201 00:09:03,160 --> 00:09:06,760 Speaker 3: ain't gonna lie. Like when when when I got the 202 00:09:06,800 --> 00:09:09,920 Speaker 3: news of what went on, Man, I cried like a 203 00:09:09,920 --> 00:09:13,680 Speaker 3: baby dog in the house by myself because I kept 204 00:09:13,720 --> 00:09:17,440 Speaker 3: having so many flashbacks, you know, those days and him 205 00:09:18,040 --> 00:09:20,360 Speaker 3: and what I think what hurt me the most was 206 00:09:20,400 --> 00:09:23,880 Speaker 3: because I knew his mind state prior to him going 207 00:09:23,880 --> 00:09:25,960 Speaker 3: into the state that he was in when he when he. 208 00:09:25,880 --> 00:09:28,320 Speaker 2: Passed, before losing his grandmother and. 209 00:09:28,320 --> 00:09:30,280 Speaker 3: Yeah, all that, and he you know, he was kind 210 00:09:30,280 --> 00:09:32,960 Speaker 3: of upset. I'm gonna just say that he was kind 211 00:09:32,960 --> 00:09:36,440 Speaker 3: of frustrated with a lot of the music industry and 212 00:09:36,559 --> 00:09:39,120 Speaker 3: he had a lot of stuff on his mind. Last 213 00:09:39,160 --> 00:09:41,360 Speaker 3: time I seen him, you know, I had to ride 214 00:09:41,400 --> 00:09:43,360 Speaker 3: him around in the car like, he cried like a 215 00:09:43,400 --> 00:09:46,440 Speaker 3: baby man, and was telling me, you know, what was 216 00:09:46,480 --> 00:09:48,160 Speaker 3: going on and things that he was happy with and 217 00:09:48,200 --> 00:09:51,680 Speaker 3: stuff that he wasn't happy with. And you know, after that, 218 00:09:51,760 --> 00:09:54,240 Speaker 3: the next thing I started getting was videos of him. 219 00:09:54,800 --> 00:09:56,920 Speaker 3: You know, we'll not getting stuff, but just seeing stuff 220 00:09:56,920 --> 00:10:00,560 Speaker 3: that you know, him acting out a character. So once 221 00:10:00,600 --> 00:10:03,920 Speaker 3: I got the word of him being missing, I kind 222 00:10:03,920 --> 00:10:06,440 Speaker 3: of got on my social media and asked everybody, you know, 223 00:10:06,559 --> 00:10:10,520 Speaker 3: let's put our lookout. And I say, within a couple 224 00:10:10,600 --> 00:10:13,760 Speaker 3: of days, I got a call from one of my 225 00:10:13,840 --> 00:10:17,240 Speaker 3: partners that told me, have y'all guys checked the moork 226 00:10:18,600 --> 00:10:20,960 Speaker 3: and he told me, you know, I don't you know, 227 00:10:21,679 --> 00:10:23,520 Speaker 3: I want to say his name, but he just told me, hey, 228 00:10:23,600 --> 00:10:25,559 Speaker 3: y'all might want to look up in the morgue. And 229 00:10:25,800 --> 00:10:28,560 Speaker 3: right after that, man, I got a call from Ross 230 00:10:28,679 --> 00:10:32,960 Speaker 3: Auntie said they found him and he was he was dead, 231 00:10:33,920 --> 00:10:35,560 Speaker 3: you know, but he was in Chicago. 232 00:10:35,800 --> 00:10:36,440 Speaker 2: You know what I'm saying. 233 00:10:36,440 --> 00:10:38,920 Speaker 1: But when I tell you, man, I know that's tough 234 00:10:38,920 --> 00:10:41,560 Speaker 1: for you to talk about, but that that dude, and 235 00:10:41,800 --> 00:10:44,360 Speaker 1: that the first time I ever met him was through you, Okay, 236 00:10:44,920 --> 00:10:47,760 Speaker 1: But it's from a lyrical standpoint. 237 00:10:47,200 --> 00:10:50,080 Speaker 2: Man, he was a beast. Hey, man, he to me, 238 00:10:50,200 --> 00:10:52,560 Speaker 2: cat's touching this dude. Nah, he was. He been like that. 239 00:10:52,720 --> 00:10:54,480 Speaker 3: Man when I met him, he was he was tearing 240 00:10:54,559 --> 00:10:57,280 Speaker 3: up talent shows and stuff at Columbia High School in 241 00:10:57,320 --> 00:11:00,880 Speaker 3: the catur and he was doing his thing. And I 242 00:11:00,960 --> 00:11:03,560 Speaker 3: was the first one to sign him. You know, he went, 243 00:11:03,720 --> 00:11:05,960 Speaker 3: you know and got with other camps and clicks and stuff. 244 00:11:06,000 --> 00:11:08,760 Speaker 3: But to me, I'm gonna always take that credit and 245 00:11:08,800 --> 00:11:11,200 Speaker 3: can't nobody take it from me that that was my 246 00:11:11,280 --> 00:11:13,360 Speaker 3: little dog first time I heard you know what I mean, 247 00:11:13,880 --> 00:11:17,720 Speaker 3: I'm hot and yeah, he was total package. 248 00:11:17,760 --> 00:11:17,920 Speaker 2: Man. 249 00:11:18,200 --> 00:11:19,960 Speaker 3: It's for him to be do that thing on Sway, 250 00:11:20,040 --> 00:11:23,439 Speaker 3: the freestyle, to see other people that didn't recognize him 251 00:11:23,440 --> 00:11:26,839 Speaker 3: and they love and how it went viral during the situation, unfortunately, 252 00:11:26,840 --> 00:11:29,199 Speaker 3: but to see him get his flowers and then everybody 253 00:11:29,200 --> 00:11:32,599 Speaker 3: that wasn't in Atlanta say, oh, dude, he rapping it, 254 00:11:33,000 --> 00:11:34,800 Speaker 3: and me and you guys are probably like, you know, 255 00:11:34,840 --> 00:11:36,880 Speaker 3: he's been this way Ben this time. 256 00:11:36,920 --> 00:11:37,319 Speaker 2: I'm telling you. 257 00:11:37,320 --> 00:11:39,280 Speaker 1: When I first met him, Nieddy brought him by my 258 00:11:39,320 --> 00:11:43,160 Speaker 1: house down in the basement. We set in my theater 259 00:11:43,200 --> 00:11:47,520 Speaker 1: and we talked and Nieddy was like, man, this is 260 00:11:47,920 --> 00:11:50,480 Speaker 1: start there. You know, me being in the business for 261 00:11:50,520 --> 00:11:52,720 Speaker 1: so long, I was like, okay, I met him. He 262 00:11:52,800 --> 00:11:54,600 Speaker 1: was cool to Niddy, of course, play some of. 263 00:11:54,520 --> 00:12:00,400 Speaker 3: Them, beat Usa, godg j Jerry. You know, I'm appreciated 264 00:12:00,520 --> 00:12:02,720 Speaker 3: him because he was one of the guys that handled 265 00:12:02,760 --> 00:12:05,000 Speaker 3: all the marketing. You know, a lot of people didn't 266 00:12:05,000 --> 00:12:07,480 Speaker 3: know that Jerry Clark was the mastermind behind that Young 267 00:12:07,559 --> 00:12:11,520 Speaker 3: Kapond campaign. Anything that I did with JD, Jerry Clark 268 00:12:11,600 --> 00:12:13,640 Speaker 3: was the one that was doing it. So, you know, 269 00:12:14,040 --> 00:12:15,800 Speaker 3: I seen that. You know, this guy was really an 270 00:12:15,840 --> 00:12:19,000 Speaker 3: expert in his field. What he does, you know. But 271 00:12:19,040 --> 00:12:22,040 Speaker 3: with Rob Man, Rob but he was just one of them. 272 00:12:22,559 --> 00:12:24,440 Speaker 3: He was a natural. He was a star. He just 273 00:12:24,520 --> 00:12:26,800 Speaker 3: didn't get that break Man. But I'm just so thankful 274 00:12:26,840 --> 00:12:28,719 Speaker 3: that it was so many people that came after me 275 00:12:29,120 --> 00:12:33,440 Speaker 3: that believed in him, from Nick Love to Tip to everybody, 276 00:12:33,640 --> 00:12:35,320 Speaker 3: you know, the boys. I think he was messing with 277 00:12:35,360 --> 00:12:38,720 Speaker 3: down in Augusta, Savannah somewhat making. But it was a 278 00:12:38,720 --> 00:12:40,680 Speaker 3: lot of people that saw the same thing I seen 279 00:12:40,720 --> 00:12:43,520 Speaker 3: when I first seen him. And you know, Rob Man, 280 00:12:43,600 --> 00:12:46,400 Speaker 3: he was just he he did. He made his mark, 281 00:12:46,559 --> 00:12:48,080 Speaker 3: and I think at the end of the day, Man, 282 00:12:48,240 --> 00:12:51,480 Speaker 3: you know, he was hurting, and I think that God 283 00:12:51,559 --> 00:12:52,920 Speaker 3: knew that he couldn't take no more. 284 00:12:53,200 --> 00:12:54,959 Speaker 2: And it was a period he was just dropping tapes 285 00:12:55,000 --> 00:12:57,280 Speaker 2: after tapes. And he was a producer too. 286 00:12:57,960 --> 00:13:02,120 Speaker 3: He was Yeah, he produced the hot record you know 287 00:13:02,240 --> 00:13:04,040 Speaker 3: when I when I signed him and I took him 288 00:13:04,080 --> 00:13:06,240 Speaker 3: to j D and then we took him to l 289 00:13:06,280 --> 00:13:08,880 Speaker 3: A Read I think or somewhere, but we did that deal. 290 00:13:08,920 --> 00:13:10,840 Speaker 2: But yeah, he was producing, He made beats. 291 00:13:11,200 --> 00:13:14,080 Speaker 3: The boy was like he was a beast man and 292 00:13:14,400 --> 00:13:16,480 Speaker 3: I just hate that he, you know, had to go 293 00:13:16,559 --> 00:13:18,839 Speaker 3: through what he went through. Man, but he was real 294 00:13:18,960 --> 00:13:23,199 Speaker 3: passionate about his music. Man, But shout out the dope boy, rah, shout. 295 00:13:22,960 --> 00:13:27,520 Speaker 2: Out who is And I know it. 296 00:13:27,679 --> 00:13:31,200 Speaker 1: I know it's gotta be one, Okay, one artist that 297 00:13:31,280 --> 00:13:33,959 Speaker 1: you had a chance that came to you. They said, niitny, 298 00:13:34,000 --> 00:13:35,920 Speaker 1: fuck with me, fuck with me, fuck with me, o 299 00:13:36,080 --> 00:13:38,200 Speaker 1: g fuck with me. Dog that you might have passed 300 00:13:38,240 --> 00:13:42,559 Speaker 1: up on side signing that you look back. 301 00:13:43,400 --> 00:13:48,360 Speaker 2: It's a it's a couple of Gucci yellow Beezy. 302 00:13:50,320 --> 00:13:53,120 Speaker 3: Yellow Beze and you're from Atlina. Yeah, Guccie, that's my dog, 303 00:13:53,280 --> 00:13:57,360 Speaker 3: like yea, yeah, man, Gucci was out here torching the streets. 304 00:13:57,400 --> 00:13:58,160 Speaker 2: Man you know what I mean. 305 00:13:58,200 --> 00:14:01,680 Speaker 3: He was on that decay, the ship but on Yeah. 306 00:14:01,679 --> 00:14:04,319 Speaker 3: But you gotta understand me and Gucci. We recorded so much, 307 00:14:04,360 --> 00:14:07,160 Speaker 3: We made so many records man, and he he was 308 00:14:07,200 --> 00:14:09,000 Speaker 3: at that point because you got to think Gucci was 309 00:14:09,040 --> 00:14:09,760 Speaker 3: an underdog. 310 00:14:10,320 --> 00:14:12,160 Speaker 2: People didn't want to mess with Gucci when I was 311 00:14:12,200 --> 00:14:12,840 Speaker 2: messing with him, and. 312 00:14:15,040 --> 00:14:18,480 Speaker 3: People are scared. People were staring, Yeah, you know, Gucci 313 00:14:18,520 --> 00:14:21,040 Speaker 3: come out there with that big ass chain somebody and 314 00:14:21,040 --> 00:14:24,800 Speaker 3: he acting ignorant. Real street nigga, real man. Let me 315 00:14:24,840 --> 00:14:28,960 Speaker 3: tell you something, Gucci one of the realest street you 316 00:14:29,640 --> 00:14:33,360 Speaker 3: want to come across. Having him a storytelling with talented man. 317 00:14:33,480 --> 00:14:35,960 Speaker 3: Talent one of the most talented artists I ever worked with. 318 00:14:36,040 --> 00:14:36,240 Speaker 2: Man. 319 00:14:36,240 --> 00:14:38,720 Speaker 3: But I remember we were being still talking a lot, 320 00:14:39,080 --> 00:14:40,880 Speaker 3: and he would come to the studio real early. He 321 00:14:40,880 --> 00:14:42,920 Speaker 3: had this long burging the car with a lot of 322 00:14:42,960 --> 00:14:45,680 Speaker 3: beating it on what it was then he had a 323 00:14:45,760 --> 00:14:48,320 Speaker 3: yellow Corvette. But he'll come to the studio Man, and 324 00:14:48,360 --> 00:14:49,960 Speaker 3: he would have these comes say. He was like, Nity 325 00:14:50,560 --> 00:14:53,040 Speaker 3: introduced me to that person. He was like, because I 326 00:14:53,080 --> 00:14:55,520 Speaker 3: just got a situation at Warner Brothers at the time. 327 00:14:55,560 --> 00:14:57,600 Speaker 3: He was like, Nita, sign me take me over there. 328 00:14:57,840 --> 00:15:00,560 Speaker 3: I said Gucci, No, I don't want to do that, man, 329 00:15:00,720 --> 00:15:02,200 Speaker 3: Let's just let you keep growing. 330 00:15:02,240 --> 00:15:03,720 Speaker 2: Why you ain't why you ain't sign. 331 00:15:03,840 --> 00:15:06,440 Speaker 3: Because it was like he was my partner, okay, and 332 00:15:06,520 --> 00:15:08,000 Speaker 3: I'm like, I don't fuck the personal. 333 00:15:08,320 --> 00:15:10,080 Speaker 2: Yeah, I didn't want to like now, bro, because he 334 00:15:10,160 --> 00:15:11,560 Speaker 2: was I knew what he was. 335 00:15:11,600 --> 00:15:13,760 Speaker 3: I'm like, nah, he's a beast, and I just wanted 336 00:15:13,800 --> 00:15:16,120 Speaker 3: him to Let's just keep working, Guccia, and they're gonna 337 00:15:16,120 --> 00:15:19,560 Speaker 3: come to you. And eventually they came to him and 338 00:15:19,640 --> 00:15:22,600 Speaker 3: he got his own situation going, and you know, we 339 00:15:22,640 --> 00:15:25,640 Speaker 3: made some good music man. And you know, like I said, Gucca, 340 00:15:25,680 --> 00:15:27,960 Speaker 3: he was he don't he write so quick? 341 00:15:28,040 --> 00:15:30,040 Speaker 2: Man? Like he's a beast in the studio. I was 342 00:15:30,080 --> 00:15:30,600 Speaker 2: in the studio. 343 00:15:30,600 --> 00:15:32,400 Speaker 3: I'm gonna tell you a story I never told people 344 00:15:33,080 --> 00:15:37,440 Speaker 3: and Gucci one day was in the studio at Patchwork 345 00:15:38,000 --> 00:15:40,360 Speaker 3: and somebody asked me about this and I had to 346 00:15:40,760 --> 00:15:42,080 Speaker 3: verify it on another interview. 347 00:15:42,120 --> 00:15:47,240 Speaker 2: But I introduced Gucca to Coach k oh Ship. 348 00:15:48,000 --> 00:15:52,240 Speaker 3: Yeah, Coach k came to Patchwork and he was like, 349 00:15:52,840 --> 00:15:55,200 Speaker 3: at the time, he had just got through managing Jez, 350 00:15:55,960 --> 00:16:00,360 Speaker 3: so you KNOWJZ history. So Coach k I was some 351 00:16:00,440 --> 00:16:02,920 Speaker 3: interesting ship yeah, Coach K was like, hey, I'm gonna 352 00:16:02,960 --> 00:16:05,520 Speaker 3: come over here. He was like, Nitty, you know, I 353 00:16:05,560 --> 00:16:07,240 Speaker 3: want you to introduce me to Gucci. I said, you 354 00:16:07,280 --> 00:16:09,960 Speaker 3: don't know me. He said, not like that. So I 355 00:16:10,040 --> 00:16:14,560 Speaker 3: connected Coach K with Gucci, which led to Coach K 356 00:16:14,720 --> 00:16:19,240 Speaker 3: eventually managing Gucci. Then Gucci signed the Migos, and then 357 00:16:19,320 --> 00:16:22,960 Speaker 3: once the Gucci got in some other issues, I think 358 00:16:23,120 --> 00:16:25,720 Speaker 3: the Migos ended up going up from the P and 359 00:16:25,840 --> 00:16:29,840 Speaker 3: Coach So I can say personally that I kind of 360 00:16:29,880 --> 00:16:32,360 Speaker 3: help help that birth of that. 361 00:16:32,320 --> 00:16:35,800 Speaker 2: Whole one degree of separation. 362 00:16:36,160 --> 00:16:38,080 Speaker 3: Yeah, and I was happy to say, you know what, 363 00:16:38,160 --> 00:16:40,360 Speaker 3: I made the connection with them guys, and they took 364 00:16:40,360 --> 00:16:42,000 Speaker 3: it and took it and made it into what it 365 00:16:42,040 --> 00:16:42,480 Speaker 3: is now. 366 00:16:42,880 --> 00:16:45,000 Speaker 2: And you know, shout out the Coach K. I called 367 00:16:45,040 --> 00:16:45,840 Speaker 2: him open toes. 368 00:16:45,880 --> 00:16:54,200 Speaker 3: That's my dog. But yeah, yeah, yeah, good people. So 369 00:16:54,320 --> 00:16:56,440 Speaker 3: I'm just glad to be a part of Atlanta history. Man, Like, 370 00:16:56,480 --> 00:16:59,360 Speaker 3: if I can connect this person with that person, hey man, 371 00:16:59,480 --> 00:17:01,360 Speaker 3: you know, cause I'm gonna hold my own down, you know, 372 00:17:01,920 --> 00:17:05,000 Speaker 3: but no, I mean I think that stuff like that. Man, 373 00:17:05,040 --> 00:17:07,000 Speaker 3: I'm just happy that I was you know, I can 374 00:17:07,119 --> 00:17:09,400 Speaker 3: play some type of part with that man. That's that's 375 00:17:09,400 --> 00:17:14,880 Speaker 3: a big story, right only only story time A new 376 00:17:14,920 --> 00:17:19,919 Speaker 3: face too, man like, because new face is always he's there. Man, 377 00:17:20,160 --> 00:17:22,959 Speaker 3: I'm glad to know him. What's up with Georgia Olds. Man, 378 00:17:22,960 --> 00:17:24,120 Speaker 3: you got a connection with them? 379 00:17:24,320 --> 00:17:29,000 Speaker 2: Yes, indeed, man, the biggest retail. I will even have. 380 00:17:29,000 --> 00:17:31,720 Speaker 3: Some gifts for you from Georgia. Man, I appreciate the Man. 381 00:17:31,720 --> 00:17:33,920 Speaker 3: I'm gonna tell you another secret. We're gonna We're gonna 382 00:17:33,920 --> 00:17:36,480 Speaker 3: tell some ship. Let's go, man, let me tell you something. 383 00:17:36,480 --> 00:17:36,680 Speaker 2: Man. 384 00:17:36,760 --> 00:17:39,760 Speaker 3: I used to work at Green bro And I used 385 00:17:39,760 --> 00:17:41,920 Speaker 3: to walk by Georgia Jolds every day and I look 386 00:17:41,960 --> 00:17:44,480 Speaker 3: at them suits and I'm like, who can pull these 387 00:17:44,520 --> 00:17:46,280 Speaker 3: them pimp suits and. 388 00:17:48,800 --> 00:17:50,600 Speaker 2: The mark and everything. 389 00:17:50,880 --> 00:17:53,320 Speaker 3: Man, it was just one cool, cool ast nigga used 390 00:17:53,359 --> 00:17:55,159 Speaker 3: to work there, and he would stand outside and let 391 00:17:55,200 --> 00:17:56,600 Speaker 3: everybody see the creases in his pin. 392 00:17:57,680 --> 00:17:59,560 Speaker 2: Cool last west side niggas. 393 00:17:59,240 --> 00:18:03,560 Speaker 3: Southwest that yeah, like yeah, man, green Brother, No shot 394 00:18:03,600 --> 00:18:06,119 Speaker 3: of Green brought Georgia Joe's man and that man. 395 00:18:06,160 --> 00:18:08,000 Speaker 2: Yeah see, we got a living legend right here. 396 00:18:08,080 --> 00:18:10,600 Speaker 1: Man. I want to tell you, man, new face this 397 00:18:10,760 --> 00:18:14,000 Speaker 1: is all hey, man, legend. 398 00:18:14,520 --> 00:18:18,080 Speaker 3: Too, man, so living legend of course, My Rushmore type 399 00:18:18,119 --> 00:18:20,960 Speaker 3: ship faces a hip hop producers. 400 00:18:20,960 --> 00:18:23,200 Speaker 2: But there was a generation. 401 00:18:22,840 --> 00:18:27,719 Speaker 3: After you guys as far as production man who production wise, 402 00:18:27,920 --> 00:18:30,320 Speaker 3: not even just South, but that you you heard and 403 00:18:30,520 --> 00:18:33,240 Speaker 3: appreciated that sound and you've seen something greater than them. 404 00:18:33,280 --> 00:18:36,240 Speaker 3: Maybe name about three good producers that you you know, admired, 405 00:18:37,320 --> 00:18:42,040 Speaker 3: not the South, but just anywhere. Yeah, I say, I 406 00:18:42,200 --> 00:18:46,720 Speaker 3: like DJ Quick, Oh Ship DJ Quick. I studied him 407 00:18:46,760 --> 00:18:49,240 Speaker 3: a lot because he was doing a lot of ghost producing, 408 00:18:49,320 --> 00:18:50,520 Speaker 3: producing and not getting credit. 409 00:18:51,160 --> 00:18:52,520 Speaker 2: But me, I was a nosy nigga. 410 00:18:52,560 --> 00:18:54,520 Speaker 3: So I'm going back reading credit, so I'm trying to 411 00:18:54,520 --> 00:18:58,800 Speaker 3: see who played the bungos, who played the PM string streams, 412 00:18:58,840 --> 00:19:02,080 Speaker 3: and back then a lot of producers were not getting 413 00:19:02,119 --> 00:19:07,600 Speaker 3: their credit. So let's just say it's just like for real, 414 00:19:08,359 --> 00:19:11,840 Speaker 3: he was somebody who I studied. He did a lot 415 00:19:11,840 --> 00:19:14,760 Speaker 3: of ghost producing up under Teddy Rally. Yeah, you know, 416 00:19:15,359 --> 00:19:17,960 Speaker 3: like I think that the s WV right here remix 417 00:19:18,040 --> 00:19:20,199 Speaker 3: he did that, you know. So it was a lot 418 00:19:20,240 --> 00:19:25,200 Speaker 3: of stuff that I seen Teddy Rally, of course, Doctor 419 00:19:25,280 --> 00:19:30,040 Speaker 3: Dre of course of course JD and catch like puff Man, 420 00:19:30,080 --> 00:19:32,679 Speaker 3: and you know, shout out to all them boys like that, 421 00:19:32,760 --> 00:19:34,680 Speaker 3: they're legends, man, And I just wanted to just get 422 00:19:34,680 --> 00:19:37,240 Speaker 3: their attention and get them to know me. You know, 423 00:19:37,320 --> 00:19:39,119 Speaker 3: first time I met Puff, that nigga scared the hill 424 00:19:39,160 --> 00:19:40,840 Speaker 3: out me because he told me to produce him. 425 00:19:41,320 --> 00:19:41,800 Speaker 2: Oh wow. 426 00:19:41,880 --> 00:19:44,520 Speaker 3: He was like, damn man, I didn't know because first 427 00:19:44,520 --> 00:19:46,879 Speaker 3: of all, when I ate Ball introduced me to him 428 00:19:46,880 --> 00:19:48,919 Speaker 3: and we put him on the Stop Playing Games record, 429 00:19:49,359 --> 00:19:51,199 Speaker 3: and when I met him, and you know, when you 430 00:19:51,240 --> 00:19:52,960 Speaker 3: first meet Puff and you ain't never seen him, you 431 00:19:52,960 --> 00:19:55,399 Speaker 3: don't see him on TV so much, and you just 432 00:19:55,560 --> 00:19:56,240 Speaker 3: you gotta just. 433 00:19:56,200 --> 00:19:57,160 Speaker 2: Be bigger than life. 434 00:19:57,440 --> 00:19:59,720 Speaker 3: Yeah, you gotta be like, damn, okay, you want to 435 00:19:59,760 --> 00:20:01,879 Speaker 3: talk to the nigga. But then once I got to 436 00:20:01,920 --> 00:20:03,639 Speaker 3: talk to him, and then he was like, nigga, you 437 00:20:03,640 --> 00:20:06,520 Speaker 3: gotta produce me. You made the record, Produce me, nigga. 438 00:20:06,560 --> 00:20:08,560 Speaker 3: That's how he talked to you. So I'm like, well, 439 00:20:08,560 --> 00:20:10,399 Speaker 3: I gotta produce this nigga, you know what I mean. So, 440 00:20:10,960 --> 00:20:13,760 Speaker 3: but now plump up to the plate. And yeah, Puff 441 00:20:13,800 --> 00:20:15,840 Speaker 3: taught me how to pick artists. He taught me who 442 00:20:16,080 --> 00:20:17,399 Speaker 3: how to decide who to work with. 443 00:20:17,480 --> 00:20:20,280 Speaker 2: Shout out to Sean Puffy K. Yeah, yeah, that's the 444 00:20:20,359 --> 00:20:20,960 Speaker 2: dog man. 445 00:20:21,119 --> 00:20:23,720 Speaker 1: So with as fire as you are as a producer, 446 00:20:25,800 --> 00:20:27,639 Speaker 1: what one producing a beat battle. 447 00:20:27,800 --> 00:20:31,440 Speaker 2: Would you be like, all right, I gotta I want 448 00:20:30,520 --> 00:20:35,000 Speaker 2: them put a million on it and one of them. 449 00:20:35,320 --> 00:20:38,159 Speaker 1: You you you feel that confidence because a lot of 450 00:20:38,200 --> 00:20:38,919 Speaker 1: all of them. 451 00:20:38,960 --> 00:20:41,280 Speaker 2: Who is that one more for you? Be like? Who okay, 452 00:20:41,480 --> 00:20:43,920 Speaker 2: I'm about to this, about to be a real man. 453 00:20:44,000 --> 00:20:47,919 Speaker 2: I like to come at Timbling. Can we make that happen? 454 00:20:47,960 --> 00:20:50,760 Speaker 2: Can wet? I like to come at tim Yeah, because 455 00:20:50,760 --> 00:20:52,640 Speaker 2: I'm gonna tell you imagine that. 456 00:20:53,680 --> 00:20:56,159 Speaker 3: I'd like to come at tim because I think that 457 00:20:56,440 --> 00:21:00,600 Speaker 3: out of Timbling, I think he kind of Timbling and 458 00:21:00,640 --> 00:21:04,080 Speaker 3: Rodney Jerks, but more so Timbling. I think because Timberland 459 00:21:04,160 --> 00:21:05,920 Speaker 3: he's one of them producers like me, like. 460 00:21:06,000 --> 00:21:09,000 Speaker 2: He got a lot of rains too, I'm one of them. 461 00:21:10,119 --> 00:21:13,560 Speaker 3: Because it's gonna be the only way I would do 462 00:21:13,640 --> 00:21:16,200 Speaker 3: that is I would have to make it to where 463 00:21:16,680 --> 00:21:19,840 Speaker 3: you can't bring no co producers with you. It's just you, 464 00:21:20,000 --> 00:21:22,000 Speaker 3: just me and you on that stage and we're gonna 465 00:21:22,000 --> 00:21:25,040 Speaker 3: create it right there. Yeah, We're gonna do it right 466 00:21:25,040 --> 00:21:27,080 Speaker 3: there on the spot. And I would do that, you 467 00:21:27,119 --> 00:21:29,359 Speaker 3: know what I'm saying. You know I put up an 468 00:21:29,760 --> 00:21:30,360 Speaker 3: on that. 469 00:21:32,720 --> 00:21:42,160 Speaker 1: St Jerry said, saying he got a million dollars. Yeah, 470 00:21:42,480 --> 00:21:46,040 Speaker 1: and it's a good healthy respect for Timbland. 471 00:21:46,520 --> 00:21:48,280 Speaker 2: Let's go. Yeah, let's go. 472 00:21:48,400 --> 00:21:51,360 Speaker 3: Let's man, because he's one of the greats that I respect. Boy, 473 00:21:51,600 --> 00:21:55,080 Speaker 3: he's talented, he's a I watched him do what he do, man, 474 00:21:55,119 --> 00:21:57,840 Speaker 3: and he's like that. He did a record on justin 475 00:21:57,880 --> 00:22:00,400 Speaker 3: timerlate album and like I said, he got a lot 476 00:22:00,400 --> 00:22:00,879 Speaker 3: of range. 477 00:22:00,960 --> 00:22:01,200 Speaker 2: Man. 478 00:22:01,560 --> 00:22:04,600 Speaker 3: I said, man, he got some it's like some Latino 479 00:22:04,680 --> 00:22:05,440 Speaker 3: stuff going on. 480 00:22:05,560 --> 00:22:05,760 Speaker 2: Man. 481 00:22:05,800 --> 00:22:08,840 Speaker 3: I'm like, you know what, this dude right here, he 482 00:22:08,920 --> 00:22:12,520 Speaker 3: might he might in his mind be like, Man, I 483 00:22:12,640 --> 00:22:14,840 Speaker 3: come swinging so hard at him on the beats man. 484 00:22:14,720 --> 00:22:17,320 Speaker 2: Because I'm like, boy, I got to impress him. Yeah, 485 00:22:17,359 --> 00:22:18,280 Speaker 2: because he's a goat. 486 00:22:18,480 --> 00:22:21,960 Speaker 3: You know what I'm saying. He on a different level. 487 00:22:22,359 --> 00:22:24,280 Speaker 3: But I'm with it though, I'm with the ship. With 488 00:22:24,359 --> 00:22:28,080 Speaker 3: the ship, man, I bring that. I bring that back 489 00:22:28,160 --> 00:22:30,679 Speaker 3: up there in the controller untill me come on, let's go. 490 00:22:30,760 --> 00:22:33,439 Speaker 3: You say, no co producers, no co produce. You can't timbling, 491 00:22:33,440 --> 00:22:36,680 Speaker 3: you can't bring danger, you can't bring nobody with you. 492 00:22:37,160 --> 00:22:38,480 Speaker 2: Timbling hold his own down without that. 493 00:22:38,920 --> 00:22:41,080 Speaker 3: But I'm just saying, come by yourself and we can 494 00:22:41,119 --> 00:22:43,640 Speaker 3: get it on, bro, you know what I'm saying. 495 00:22:43,920 --> 00:22:44,400 Speaker 2: Can we can? 496 00:22:44,680 --> 00:22:46,960 Speaker 3: However, you want to do it, man, But I definitely 497 00:22:47,000 --> 00:22:48,560 Speaker 3: love to do that because he's like one of the 498 00:22:48,560 --> 00:22:49,960 Speaker 3: goats that I just be like. 499 00:22:50,680 --> 00:22:53,400 Speaker 1: Shout out the Timbling man to get him on storytime 500 00:22:53,560 --> 00:22:58,960 Speaker 1: legend J soon to sir, because man, I'm just imagining 501 00:22:59,000 --> 00:23:01,600 Speaker 1: you and Timbling ship that y'all got that y'all cooking 502 00:23:01,680 --> 00:23:03,680 Speaker 1: up man got new face. 503 00:23:04,320 --> 00:23:06,359 Speaker 3: Anything like that, we come right out and do an 504 00:23:06,359 --> 00:23:08,120 Speaker 3: album or something after that, you know what I mean? 505 00:23:08,880 --> 00:23:11,960 Speaker 2: Who you rather fuck? You rather fuck with established artists 506 00:23:12,080 --> 00:23:15,840 Speaker 2: or new and emerging artists, new ones. 507 00:23:16,160 --> 00:23:18,520 Speaker 3: I don't as a producer, you don't really get no 508 00:23:18,640 --> 00:23:21,560 Speaker 3: credit for breaking an artist that's already broken. 509 00:23:22,960 --> 00:23:23,199 Speaker 2: You know. 510 00:23:23,440 --> 00:23:25,720 Speaker 3: When you think about artists that's been broken, you know, 511 00:23:25,800 --> 00:23:29,280 Speaker 3: you think about you know, Barry Gordy's you know, the 512 00:23:29,280 --> 00:23:33,120 Speaker 3: stuff that he broke them, nobody gambling. 513 00:23:32,760 --> 00:23:36,639 Speaker 2: Hul a baby's face, you know. 514 00:23:36,880 --> 00:23:38,720 Speaker 3: So it's like, you know, I want to mess with 515 00:23:38,720 --> 00:23:41,959 Speaker 3: them artists that people can say, oh, they only had 516 00:23:41,960 --> 00:23:43,400 Speaker 3: a hit because they already was known. 517 00:23:43,880 --> 00:23:46,080 Speaker 2: I don't want to do a record of artists you 518 00:23:46,359 --> 00:23:48,080 Speaker 2: like gave this secret sauce. 519 00:23:48,160 --> 00:23:50,480 Speaker 3: Yeah, break something out the dirt, you know what I'm saying, 520 00:23:50,520 --> 00:23:53,400 Speaker 3: and make people move that's what I'm thankful that God 521 00:23:53,440 --> 00:23:55,920 Speaker 3: gave me the talent to do, you know what I'm saying. 522 00:23:55,920 --> 00:23:57,720 Speaker 3: And that's something that i'll, you know, shout out to 523 00:23:57,760 --> 00:23:59,960 Speaker 3: my little cousin, man Like. I got a little cut 524 00:24:00,119 --> 00:24:03,399 Speaker 3: a little girl cousin named Brite Trilla and Trilla too. 525 00:24:03,880 --> 00:24:08,600 Speaker 3: She don't she's new, but I promise y'all Atlanta and 526 00:24:08,680 --> 00:24:10,960 Speaker 3: not just Atlanta, but they gonna. They opened the door 527 00:24:10,960 --> 00:24:14,480 Speaker 3: for her slowly and she one of them ones that man, 528 00:24:15,320 --> 00:24:20,399 Speaker 3: she's so motive, she's so talented, man, you know. So 529 00:24:20,440 --> 00:24:22,359 Speaker 3: I just like working with new artists though, man like, 530 00:24:22,400 --> 00:24:25,119 Speaker 3: because the new artist is who you get the credit 531 00:24:25,240 --> 00:24:27,399 Speaker 3: for breaking. If you can make a new artist a hit, 532 00:24:27,720 --> 00:24:29,920 Speaker 3: making a record on a jay Z or something like that, 533 00:24:29,920 --> 00:24:32,679 Speaker 3: that's that's easy to do because he's gonna make the 534 00:24:32,720 --> 00:24:35,480 Speaker 3: record himself. But the new artist, that's what I like 535 00:24:35,560 --> 00:24:38,520 Speaker 3: to do, breaking new artist. There's a lot of artists that, 536 00:24:38,560 --> 00:24:41,040 Speaker 3: you know, some of the songs that all their fans love, 537 00:24:41,320 --> 00:24:44,119 Speaker 3: but they particularly didn't like it the best, Like Killer. 538 00:24:43,880 --> 00:24:45,040 Speaker 2: Mike never liked to do this. 539 00:24:45,240 --> 00:24:47,879 Speaker 3: Nor Jeger didn't like sometimes because it, you know, it 540 00:24:47,960 --> 00:24:50,760 Speaker 3: reminded me of his father. Is there a song or 541 00:24:50,760 --> 00:24:53,760 Speaker 3: something that you produced that you didn't really particularly like, 542 00:24:53,880 --> 00:24:56,280 Speaker 3: but it was it became a hit, Like you're probably 543 00:24:56,320 --> 00:24:58,919 Speaker 3: what to you personally like it wasn't one of your favorites, 544 00:24:58,960 --> 00:25:03,200 Speaker 3: but it was out of that one of the ones. Man, 545 00:25:03,359 --> 00:25:06,720 Speaker 3: it's a it's a couple of them that with some 546 00:25:06,760 --> 00:25:09,879 Speaker 3: ones that you know I did, but it's I can't 547 00:25:09,920 --> 00:25:13,919 Speaker 3: really think right off, man, But a lot of times 548 00:25:13,920 --> 00:25:15,840 Speaker 3: the records that I liked the most. 549 00:25:15,920 --> 00:25:18,000 Speaker 2: Didn't blow up, okay. 550 00:25:18,040 --> 00:25:20,360 Speaker 3: So it taught me that it's not about me when 551 00:25:20,359 --> 00:25:22,560 Speaker 3: it comes to making music. It's about the fans and 552 00:25:22,600 --> 00:25:25,439 Speaker 3: the people that we're letting get access to the music. 553 00:25:25,560 --> 00:25:27,439 Speaker 2: So, you know, whatever the people like. 554 00:25:27,560 --> 00:25:30,240 Speaker 3: Man, you know, I can take, you know, criticism, and 555 00:25:30,320 --> 00:25:32,680 Speaker 3: you don't like one of my beats, hey throw it away, 556 00:25:32,800 --> 00:25:34,720 Speaker 3: you know what I'm saying. In the first time I 557 00:25:34,720 --> 00:25:37,160 Speaker 3: started making beats, man Ian took me to left our 558 00:25:37,160 --> 00:25:40,280 Speaker 3: house and she had an engineer over there. Man, and 559 00:25:40,280 --> 00:25:42,960 Speaker 3: I was playing some beats for left Eye, and I 560 00:25:43,040 --> 00:25:45,080 Speaker 3: was trying to get on man and made her produce. 561 00:25:45,119 --> 00:25:46,800 Speaker 3: Her engineer laughed at my beat. 562 00:25:46,680 --> 00:25:48,960 Speaker 2: So hard, like trying to sun you out. 563 00:25:49,040 --> 00:25:50,760 Speaker 3: He tried to clown me because he wanted to be 564 00:25:50,800 --> 00:25:52,920 Speaker 3: the only one that produced her music. 565 00:25:53,280 --> 00:25:55,400 Speaker 2: And hey, what his puss sad sad? 566 00:25:55,480 --> 00:25:57,960 Speaker 3: Now, we ain't even gonna call him pussy man, Gonna 567 00:25:58,000 --> 00:25:59,040 Speaker 3: keep the good energy man. 568 00:25:59,040 --> 00:26:01,920 Speaker 2: But I've seen him. He wanted to do a meeting 569 00:26:02,000 --> 00:26:02,240 Speaker 2: with me. 570 00:26:02,359 --> 00:26:05,160 Speaker 3: I know, I kind of got my know and it 571 00:26:05,200 --> 00:26:07,720 Speaker 3: was I was like, nah, I told Ian, we're good, bro, 572 00:26:07,880 --> 00:26:10,359 Speaker 3: But you know that's the game bro, Like you know 573 00:26:10,520 --> 00:26:12,560 Speaker 3: I was. I just had to be tough and I 574 00:26:12,600 --> 00:26:14,879 Speaker 3: took it on the chin, but it made me go harder. 575 00:26:15,040 --> 00:26:18,000 Speaker 2: Yeah you know what I'm saying. Face. Oh yeah, man, 576 00:26:18,080 --> 00:26:19,200 Speaker 2: that that right there. Man. 577 00:26:19,280 --> 00:26:22,000 Speaker 3: You know, I was like, whoa, because I'm my first thing. 578 00:26:22,040 --> 00:26:23,480 Speaker 3: I was like, man, I'm about to pick this n 579 00:26:23,560 --> 00:26:25,560 Speaker 3: pc up and knock this nigga side of the head. 580 00:26:25,600 --> 00:26:28,679 Speaker 3: But Ian was like, nah, bro, this is politics, so 581 00:26:28,920 --> 00:26:30,080 Speaker 3: that the East side. 582 00:26:30,640 --> 00:26:32,600 Speaker 2: Yeah, you know, man, I grew up going the Golden 583 00:26:32,640 --> 00:26:35,240 Speaker 2: Glide and ship fighting niggas on the Shut up my 584 00:26:35,280 --> 00:26:38,880 Speaker 2: nigga Miko, man, you know what I mean. My nigga Miko. Man, 585 00:26:38,920 --> 00:26:43,200 Speaker 2: that's my best friend. No, I don't know who that is. Listen, man, 586 00:26:43,280 --> 00:26:46,280 Speaker 2: my nigga Miko though, you know what I mean? Hey, man, 587 00:26:46,320 --> 00:26:46,720 Speaker 2: my bad. 588 00:26:46,920 --> 00:26:52,000 Speaker 1: I thought, you know mand. 589 00:26:50,320 --> 00:26:53,320 Speaker 3: Man, listen, man, you know hey, this new album though, Man, 590 00:26:53,320 --> 00:26:54,600 Speaker 3: this new abn be crazy. 591 00:26:55,000 --> 00:26:56,760 Speaker 2: This new album. You know what I'm saying. It's gonna 592 00:26:56,920 --> 00:26:58,640 Speaker 2: I'm so proud of this new album we got. 593 00:26:59,840 --> 00:27:02,040 Speaker 3: I I've been talking with my little cousin Pooky Man, 594 00:27:02,119 --> 00:27:04,120 Speaker 3: so we're just trying to get the title right now. 595 00:27:04,600 --> 00:27:06,920 Speaker 3: I think the title gonna be the go to dun Sanders. 596 00:27:07,760 --> 00:27:09,720 Speaker 3: You know what I mean right here? 597 00:27:09,800 --> 00:27:13,119 Speaker 2: Oh yeah, storyteller legend. 598 00:27:13,359 --> 00:27:16,040 Speaker 1: Yeah, the album coming from Biddy. 599 00:27:16,160 --> 00:27:19,040 Speaker 2: This is his uh, his chronic Now this is my baby. Man. 600 00:27:19,080 --> 00:27:21,440 Speaker 1: I took my time with this. I've been blessed to 601 00:27:21,520 --> 00:27:25,000 Speaker 1: hear you like it though, Man, thank you? Come on 602 00:27:25,600 --> 00:27:26,119 Speaker 1: what I'll tell you? 603 00:27:26,119 --> 00:27:26,280 Speaker 2: Man? 604 00:27:26,280 --> 00:27:30,680 Speaker 1: When I left, I say, Man, you like new It's 605 00:27:30,760 --> 00:27:33,480 Speaker 1: some big, huge records on this product. I got a 606 00:27:33,480 --> 00:27:35,879 Speaker 1: record on that that I wrote initially for Selo call 607 00:27:35,960 --> 00:27:39,840 Speaker 1: when You're Gonna Trust Me? And it's like a poppish 608 00:27:39,880 --> 00:27:43,320 Speaker 1: record man, But unfortunately we didn't get a chance to 609 00:27:43,400 --> 00:27:43,960 Speaker 1: knock it out. 610 00:27:43,960 --> 00:27:44,200 Speaker 2: Man. 611 00:27:44,240 --> 00:27:46,800 Speaker 3: But that's one of my favorite ones. You know what 612 00:27:46,840 --> 00:27:49,040 Speaker 3: I'm saying, because it's gonna show a whole other side 613 00:27:49,080 --> 00:27:51,520 Speaker 3: of what I really do. And I'm just I'm at 614 00:27:51,520 --> 00:27:53,200 Speaker 3: the point right now where I'm about to have fun 615 00:27:53,240 --> 00:27:55,720 Speaker 3: with this ship, new ship. You know what I'm saying, 616 00:27:55,760 --> 00:27:57,879 Speaker 3: Like I think that people, you know, Like I was 617 00:27:57,880 --> 00:28:00,520 Speaker 3: talking to Hannah, you know, she was like, you know, 618 00:28:01,160 --> 00:28:03,080 Speaker 3: she said, you know, we need more people like you 619 00:28:03,160 --> 00:28:05,280 Speaker 3: to get out and come mess with us on different 620 00:28:05,320 --> 00:28:06,560 Speaker 3: stuff and put some music out. 621 00:28:06,600 --> 00:28:07,200 Speaker 2: You know what I'm saying. 622 00:28:07,200 --> 00:28:09,400 Speaker 3: I'm like, you know what, sometimes you just need that 623 00:28:09,400 --> 00:28:11,720 Speaker 3: that that little push to tell you gonna get it 624 00:28:11,760 --> 00:28:14,000 Speaker 3: to him. Because I like to see other people come up. 625 00:28:14,040 --> 00:28:16,119 Speaker 3: So when I see people like the Mike Wheels and 626 00:28:16,160 --> 00:28:19,840 Speaker 3: the the the Metros and all them, I'm like, I 627 00:28:19,880 --> 00:28:22,520 Speaker 3: love this ship because they keeping it going and they 628 00:28:22,640 --> 00:28:25,240 Speaker 3: out of Atlanta. So it's like I'm like, man, it 629 00:28:25,359 --> 00:28:26,879 Speaker 3: take a little bit of pressure off me because I 630 00:28:26,880 --> 00:28:29,600 Speaker 3: thought at one point I was like, damn, I got 631 00:28:29,640 --> 00:28:32,040 Speaker 3: to try to help keep the city going. And then 632 00:28:32,080 --> 00:28:34,840 Speaker 3: they came right behind us. I'm like, well, damn, were good. 633 00:28:35,000 --> 00:28:36,640 Speaker 3: Maybe torch yeah. 634 00:28:36,520 --> 00:28:37,520 Speaker 2: Passing that torch Man. 635 00:28:37,560 --> 00:28:39,400 Speaker 3: So right now, you know, I'm about to put out 636 00:28:39,440 --> 00:28:42,320 Speaker 3: some of the best music of my life because I'm 637 00:28:42,320 --> 00:28:45,000 Speaker 3: coming off of beaches and ship and I'm I'm relaxed 638 00:28:45,040 --> 00:28:46,600 Speaker 3: I'm going to the SPA and everything. 639 00:28:46,880 --> 00:28:47,880 Speaker 2: Let me just tell you something. 640 00:28:48,000 --> 00:28:52,480 Speaker 1: Let me tell you something brother, Hey man, we're looking 641 00:28:52,520 --> 00:28:53,200 Speaker 1: forward to that ship. 642 00:28:53,280 --> 00:28:53,400 Speaker 2: Man. 643 00:28:53,600 --> 00:28:56,520 Speaker 3: Thank you, Man, and I appreciate you Jay and anything 644 00:28:56,560 --> 00:28:58,400 Speaker 3: you ever need you in New Face Man. You know, 645 00:28:58,480 --> 00:29:01,600 Speaker 3: I know that I'm not the best you know, social 646 00:29:01,640 --> 00:29:04,720 Speaker 3: communication person, but anything y'all guys need me that I 647 00:29:04,760 --> 00:29:08,000 Speaker 3: can assist with. Man, you know, I'm back outside. Man, 648 00:29:08,160 --> 00:29:10,040 Speaker 3: I'm here, man, and I just want to keep you know, 649 00:29:10,200 --> 00:29:11,280 Speaker 3: let's keep Atlanta going. 650 00:29:11,560 --> 00:29:14,400 Speaker 2: Hey, thank you. I'm so thank you God for appreciate 651 00:29:14,400 --> 00:29:14,640 Speaker 2: your PI. 652 00:29:15,400 --> 00:29:20,360 Speaker 3: I can't wait to just hear that tag in four manha. 653 00:29:20,880 --> 00:29:24,480 Speaker 1: This is once again story Time with Legendary Jerry Man 654 00:29:25,320 --> 00:29:29,560 Speaker 1: New Face. Yeah, knitty beats before we sign off, Man, 655 00:29:29,840 --> 00:29:34,360 Speaker 1: this is powered by iHeart. Make sure you go subscribe 656 00:29:34,360 --> 00:29:37,600 Speaker 1: on YouTube. Storytime with Legendary Jerry before we get out. 657 00:29:38,040 --> 00:29:40,720 Speaker 1: Give me your social media handles and all that nitty Yeah, 658 00:29:40,720 --> 00:29:43,840 Speaker 1: it's simple, it's at nitty beats. N I T T 659 00:29:44,000 --> 00:29:46,959 Speaker 1: I B E A T Z not an S but 660 00:29:47,080 --> 00:29:50,400 Speaker 1: with a Z and pretty much I just what I 661 00:29:50,480 --> 00:29:52,600 Speaker 1: be on. Man, hit me on there, man, and you know, 662 00:29:52,720 --> 00:29:55,920 Speaker 1: let's follow the movement. Yeah, and new Face get yours 663 00:29:56,000 --> 00:29:58,960 Speaker 1: and the Legendary Jerry Podcast Socials. 664 00:29:59,000 --> 00:30:02,000 Speaker 3: Please hey, yo, we are live at story time with 665 00:30:02,160 --> 00:30:06,160 Speaker 3: Legendary Jerry Podcast. It's your boy new Face at New 666 00:30:06,200 --> 00:30:09,120 Speaker 3: Face on Everything or hashtag new Face was there. I'm 667 00:30:09,120 --> 00:30:12,480 Speaker 3: trying to be legendary like this brother right here, Legendary Jerry. 668 00:30:12,240 --> 00:30:16,720 Speaker 1: And I'm Jerry Clark man and listen this. This was 669 00:30:16,760 --> 00:30:17,480 Speaker 1: a great episode. 670 00:30:17,520 --> 00:30:21,880 Speaker 2: And he got a bunch of dopes and winds and something. 671 00:30:22,160 --> 00:30:26,040 Speaker 2: He's a cool right here. He got some work. Some 672 00:30:27,480 --> 00:30:33,760 Speaker 2: do put that man a joke now, man, I'm Jerry Clark, 673 00:30:34,280 --> 00:30:35,920 Speaker 2: a k a. The Legendary Jerry. 674 00:30:36,080 --> 00:30:41,080 Speaker 1: This story Time of Legendary Jerry, New Faceny Beats, New Face. 675 00:30:41,160 --> 00:31:00,000 Speaker 1: We sign it out peace, story Time with Legendary Jerry. 676 00:31:00,000 --> 00:31:03,360 Speaker 1: Once again. I am Jerry Clark. And of course, of 677 00:31:03,480 --> 00:31:08,360 Speaker 1: course we have our special segment rapid Fire with none 678 00:31:08,400 --> 00:31:13,040 Speaker 1: other than my brother New Face, New Face was Dead. 679 00:31:13,400 --> 00:31:18,320 Speaker 1: He's everywhere and he's here with the legendary super producer 680 00:31:18,600 --> 00:31:21,280 Speaker 1: Diddy Beats, and I'm gonna let New Face jump in. 681 00:31:21,800 --> 00:31:22,040 Speaker 2: Man. 682 00:31:22,080 --> 00:31:24,480 Speaker 3: We got a legend here, man, and it's always an honor. 683 00:31:24,520 --> 00:31:27,760 Speaker 3: Thank you for coming. Thank you. Please tap into this interview. 684 00:31:27,880 --> 00:31:29,840 Speaker 3: He dropped a lot of gems, but I just wanted 685 00:31:29,840 --> 00:31:32,480 Speaker 3: to personally, you know. You know, hip hop has celebrated 686 00:31:32,920 --> 00:31:36,280 Speaker 3: fifty years. Do you remember your earliest memory of hip 687 00:31:36,280 --> 00:31:39,800 Speaker 3: hop growing up? Yeah, I remember listening to Darren Fields 688 00:31:39,800 --> 00:31:43,920 Speaker 3: on The Fresh Party on one three. I remember listening 689 00:31:43,960 --> 00:31:47,600 Speaker 3: to Slick Rick the Show. I remember seeing Cool Mod 690 00:31:47,760 --> 00:31:50,520 Speaker 3: with the white zip up ankle boots on Soul Train. 691 00:31:51,400 --> 00:31:53,480 Speaker 2: You know what I mean. I remember all that Man. 692 00:31:54,840 --> 00:31:58,480 Speaker 3: No no, I think Jerry Clark had but no, I 693 00:31:58,480 --> 00:32:01,120 Speaker 3: remember back in the day man Base and all that. 694 00:32:01,200 --> 00:32:04,240 Speaker 3: So shout out to the NYC man Man and hip 695 00:32:04,240 --> 00:32:07,600 Speaker 3: hop has provided a lot of jobs and been very influential, 696 00:32:07,680 --> 00:32:10,160 Speaker 3: one of the biggest genres out here. But if I 697 00:32:10,200 --> 00:32:12,200 Speaker 3: were to ask you, like, what was the best thing 698 00:32:12,360 --> 00:32:13,960 Speaker 3: and the worst thing about hip hop? 699 00:32:13,960 --> 00:32:16,920 Speaker 2: What would be your answer? I would say, let's start 700 00:32:16,920 --> 00:32:17,560 Speaker 2: with the worst thing. 701 00:32:17,600 --> 00:32:21,000 Speaker 3: The worst thing is the energy that created violence and 702 00:32:21,120 --> 00:32:23,880 Speaker 3: murders and stuff that came from hip hop. You know, 703 00:32:24,760 --> 00:32:28,400 Speaker 3: because you know, I'm real, you know, biblical base, and 704 00:32:28,600 --> 00:32:30,840 Speaker 3: you know I believe that you know, the power the 705 00:32:30,840 --> 00:32:35,160 Speaker 3: tongue is, you know, very very strong. So I've seen 706 00:32:35,200 --> 00:32:38,080 Speaker 3: a lot of you know, things that have been said 707 00:32:38,120 --> 00:32:40,920 Speaker 3: and you know, it caused a lot of violence and 708 00:32:41,000 --> 00:32:41,720 Speaker 3: death and stuff. 709 00:32:41,760 --> 00:32:43,520 Speaker 2: Man, But that would be the worst thing. 710 00:32:43,560 --> 00:32:46,040 Speaker 3: But with the best thing, I would say hip hop 711 00:32:46,440 --> 00:32:50,480 Speaker 3: created a lot of jobs, opportunities and brought in a 712 00:32:50,520 --> 00:32:54,440 Speaker 3: lot of you know, resources and incomes to people you 713 00:32:54,480 --> 00:32:56,440 Speaker 3: know that you know, especially a lot of you know, 714 00:32:56,840 --> 00:32:59,719 Speaker 3: urban people that we wouldn't have been able to get 715 00:32:59,760 --> 00:33:03,360 Speaker 3: those corporate jobs because of you know, just because you know, 716 00:33:03,720 --> 00:33:05,800 Speaker 3: the way we were brought up, we didn't have the 717 00:33:05,840 --> 00:33:08,200 Speaker 3: opportunities like a lot of people that were fortunate enough 718 00:33:08,200 --> 00:33:10,800 Speaker 3: to go to colleges and stuff. You know, some of us, 719 00:33:10,880 --> 00:33:12,520 Speaker 3: you know, came up in the project. I grew up 720 00:33:12,520 --> 00:33:15,360 Speaker 3: in the project. So you know, it's one of those 721 00:33:15,360 --> 00:33:17,080 Speaker 3: things where hip hop saved my life. 722 00:33:17,400 --> 00:33:17,640 Speaker 2: Man. 723 00:33:17,680 --> 00:33:21,560 Speaker 3: And most recently Nas and Steve Stout had a foundation. 724 00:33:21,960 --> 00:33:25,680 Speaker 3: They honored Scarface and Rock Kim ordered them a quarter 725 00:33:25,760 --> 00:33:28,480 Speaker 3: million dollars honored them. I mean, if they were to 726 00:33:28,480 --> 00:33:31,280 Speaker 3: ask nitaty Beats, like who should we honor next year? 727 00:33:31,560 --> 00:33:33,480 Speaker 3: Which three names would you put up there, you know, 728 00:33:33,520 --> 00:33:34,760 Speaker 3: to honor some legends, And. 729 00:33:34,800 --> 00:33:38,400 Speaker 2: I would say all this like Kilo Ali. 730 00:33:40,240 --> 00:33:43,320 Speaker 3: I think somebody like Kilo has been around that helped 731 00:33:43,560 --> 00:33:49,160 Speaker 3: create this Atlanta Sound, somebody like, well, Scarface has already 732 00:33:49,240 --> 00:33:54,400 Speaker 3: been you know, known, but artist like, it's a lot 733 00:33:54,440 --> 00:33:58,680 Speaker 3: of them, man, that just deserved their shots. Like Project Pat. Yeah, 734 00:33:58,760 --> 00:34:02,400 Speaker 3: Project Pat. Everybody sample his music, his flow. 735 00:34:04,160 --> 00:34:05,960 Speaker 2: You know. You got a lot of them that's just 736 00:34:06,000 --> 00:34:06,480 Speaker 2: been around. 737 00:34:06,600 --> 00:34:09,759 Speaker 3: DJ Quick Yeah, he's one of the ones that you know, 738 00:34:09,880 --> 00:34:12,160 Speaker 3: he been around man, you know what I mean. So 739 00:34:12,520 --> 00:34:14,200 Speaker 3: it's a lot of them out there, man, But those 740 00:34:14,200 --> 00:34:16,600 Speaker 3: are like probably some you know, my top three. 741 00:34:16,640 --> 00:34:17,279 Speaker 2: Yeah, you know. 742 00:34:17,400 --> 00:34:20,279 Speaker 3: And you got a producer up there, quick, let's talk 743 00:34:20,320 --> 00:34:23,160 Speaker 3: about Mount Rushmore. It's four heads as far as production. 744 00:34:24,000 --> 00:34:30,320 Speaker 3: Who would you put Nitny Beats production, Mount Rushmore production, Man, 745 00:34:30,880 --> 00:34:37,600 Speaker 3: I would say, Shouty Red, Yeah. 746 00:34:37,360 --> 00:34:41,560 Speaker 2: Yeah, battle Cat Oh he doesn't get mentioned enough. High 747 00:34:41,600 --> 00:34:45,680 Speaker 2: Tech and yeah yeah. 748 00:34:45,719 --> 00:34:47,560 Speaker 3: I mean I stood a lot of producers, man, so 749 00:34:47,960 --> 00:34:54,160 Speaker 3: you know, but battle Cat, high Tech, Shouty Red. It's 750 00:34:54,160 --> 00:34:59,000 Speaker 3: a guy Mike Dean. Yeah, he did a lot of 751 00:34:59,000 --> 00:35:02,239 Speaker 3: the Kanye stuff. So it's a lot of them. Catch 752 00:35:02,280 --> 00:35:04,680 Speaker 3: that did a lot of music, man that I just studied, 753 00:35:05,040 --> 00:35:07,839 Speaker 3: and I'm like, good god, what were they thinking when 754 00:35:07,880 --> 00:35:09,120 Speaker 3: they made this beat? 755 00:35:09,280 --> 00:35:09,520 Speaker 2: You know? 756 00:35:09,560 --> 00:35:12,400 Speaker 3: And I couldn't really simple, so I had to play 757 00:35:12,400 --> 00:35:14,360 Speaker 3: a lot of stuff. I just play it, you know 758 00:35:14,400 --> 00:35:16,160 Speaker 3: what I mean, and make it sound like a simple 759 00:35:16,800 --> 00:35:20,040 Speaker 3: but you know, like catch like that. Man is people 760 00:35:20,040 --> 00:35:23,319 Speaker 3: who are salute you know. I'm always you know, pay 761 00:35:23,360 --> 00:35:25,799 Speaker 3: their hummage to them. And over this last fifty years 762 00:35:25,880 --> 00:35:28,120 Speaker 3: has been a lot of classic songs. Is there like 763 00:35:28,160 --> 00:35:30,880 Speaker 3: a rap verse or a couple of rap lines that 764 00:35:31,080 --> 00:35:33,480 Speaker 3: you can recite at any given moment if I put 765 00:35:33,520 --> 00:35:36,839 Speaker 3: you on the spot. Yeah, like Rob Bass, I want 766 00:35:36,840 --> 00:35:39,040 Speaker 3: to rock right now, I'm on rap bas and I 767 00:35:39,080 --> 00:35:42,919 Speaker 3: came to get down. I'm not internationally known, but I'm 768 00:35:42,960 --> 00:35:45,000 Speaker 3: known to write the microphone. 769 00:35:44,320 --> 00:35:49,120 Speaker 2: Because I get to come on you know. 770 00:35:49,320 --> 00:35:51,759 Speaker 3: Yeah, man, that's hip hop though, you know what I mean, 771 00:35:51,840 --> 00:35:54,839 Speaker 3: So you know, LLL. When I'm alone in my room 772 00:35:54,920 --> 00:35:56,879 Speaker 3: sometime I stay at the wall and in the back 773 00:35:56,920 --> 00:35:57,960 Speaker 3: of my mind, come on, bro. 774 00:35:58,880 --> 00:36:01,920 Speaker 2: It was a classics, a real hip hop. Yeah. 775 00:36:02,200 --> 00:36:04,640 Speaker 1: A lot of cats hain't really into the music, man. 776 00:36:04,400 --> 00:36:06,920 Speaker 1: I just tell just from the producers you named for 777 00:36:06,960 --> 00:36:10,360 Speaker 1: your mom Rushmoretin new Face, that is. I used to 778 00:36:10,400 --> 00:36:12,879 Speaker 1: be one of the producers that I used to take 779 00:36:12,920 --> 00:36:14,960 Speaker 1: my ear and put it up to the speaker late 780 00:36:15,000 --> 00:36:17,319 Speaker 1: at night when I supposed to be sleeping, I'm listening 781 00:36:17,360 --> 00:36:20,400 Speaker 1: to the drum sounds, the keyboard chords. That's how I 782 00:36:20,440 --> 00:36:22,399 Speaker 1: learned how to play keys because I play by ear. 783 00:36:22,520 --> 00:36:25,600 Speaker 1: I don't read music, So I learned how to play 784 00:36:25,640 --> 00:36:29,360 Speaker 1: songs like Ribbon in the Sky by Stevie Wonder. I 785 00:36:29,400 --> 00:36:31,959 Speaker 1: can play the whole song on the piano in front 786 00:36:31,960 --> 00:36:33,400 Speaker 1: of you, you know what I'm saying. So I did a 787 00:36:33,440 --> 00:36:34,960 Speaker 1: lot of stuff like that to what I kind of 788 00:36:35,000 --> 00:36:38,600 Speaker 1: self taught myself. But I just love producers and people 789 00:36:38,600 --> 00:36:42,520 Speaker 1: who put together good music. Quincy Jones, you know, you 790 00:36:42,560 --> 00:36:46,680 Speaker 1: know you're talking about somebody who made a theme and yeah, 791 00:36:46,800 --> 00:36:47,600 Speaker 1: that type of stuff. 792 00:36:47,600 --> 00:36:52,600 Speaker 3: Man off the wall, Rod Templeton, you know, the guy 793 00:36:52,680 --> 00:36:54,520 Speaker 3: came from overseas, got up on the Quincy. 794 00:36:55,000 --> 00:36:55,279 Speaker 2: You know. 795 00:36:55,560 --> 00:36:59,960 Speaker 3: Rod Templeton was like Brian Michael Cox with Jermaine Duprie. 796 00:37:00,840 --> 00:37:03,120 Speaker 3: You know, he was that extra ear that and JD. 797 00:37:03,320 --> 00:37:05,000 Speaker 3: You know, he know how to put it all together. 798 00:37:05,120 --> 00:37:07,759 Speaker 3: So shout out to people like j D's and the 799 00:37:07,840 --> 00:37:11,080 Speaker 3: Quincy's and the Dallas Austins and stuff, you know what 800 00:37:11,120 --> 00:37:14,279 Speaker 3: I mean. So I just it's it's Atlanta is a 801 00:37:14,280 --> 00:37:17,440 Speaker 3: gold mine. Sure, and you've been here for you know, 802 00:37:17,640 --> 00:37:20,760 Speaker 3: you're from Atlanta. Keith Lee just recently came to Atlanta 803 00:37:20,800 --> 00:37:22,400 Speaker 3: and caused a lot of stir with a lot of 804 00:37:22,440 --> 00:37:25,600 Speaker 3: eateies and everything. But if Keith Lee wanted to redeem 805 00:37:25,640 --> 00:37:27,680 Speaker 3: himself come to Atlanta and he asked, need to beats? 806 00:37:27,680 --> 00:37:29,960 Speaker 2: All right? Where can I go three spots in Atlanta 807 00:37:30,000 --> 00:37:30,439 Speaker 2: to eat? 808 00:37:31,000 --> 00:37:34,200 Speaker 3: And he gonna get that ten out of ten? What 809 00:37:34,360 --> 00:37:36,239 Speaker 3: would you take him at out of Atlanta? 810 00:37:36,320 --> 00:37:39,920 Speaker 2: Man, I probably tell him to go to this is it? Well? No, 811 00:37:40,080 --> 00:37:43,160 Speaker 2: I take that back, I take that back. Yeah, you 812 00:37:43,239 --> 00:37:43,480 Speaker 2: know I. 813 00:37:46,400 --> 00:37:48,400 Speaker 3: Would tell him no, no, no, no, I'm gonna tell you 814 00:37:48,440 --> 00:37:50,040 Speaker 3: what he would go. Well, I think he should go 815 00:37:50,239 --> 00:37:53,839 Speaker 3: is go to the spot called Woodies Chief Steaks. That's 816 00:37:53,880 --> 00:37:58,719 Speaker 3: a good spot you got, of course you got you 817 00:37:58,840 --> 00:38:01,160 Speaker 3: got different places like it used to be the beautiful 818 00:38:01,160 --> 00:38:03,799 Speaker 3: back in the days when everybody was trapping. Then they 819 00:38:03,800 --> 00:38:06,560 Speaker 3: stayed open all night. They was on Allen Avenue, you 820 00:38:06,560 --> 00:38:08,640 Speaker 3: know what I mean. People go there and you know, 821 00:38:08,760 --> 00:38:10,480 Speaker 3: all the d boys meet up in there about three 822 00:38:10,520 --> 00:38:12,680 Speaker 3: o'clock in the morning and eat grits and eggs. 823 00:38:12,719 --> 00:38:16,279 Speaker 2: But yeah, but it's it's a couple of places down here. 824 00:38:16,320 --> 00:38:22,200 Speaker 3: Of course, you got what's pinky spot, The vegan, slutdy vegan. 825 00:38:22,280 --> 00:38:25,600 Speaker 3: That's a spot that they're doing their thing at. Man. 826 00:38:25,680 --> 00:38:27,719 Speaker 2: So you got little spots like that that I think 827 00:38:27,760 --> 00:38:29,280 Speaker 2: you go there and get something good. 828 00:38:29,440 --> 00:38:31,000 Speaker 3: If you want to take it to adult. What about 829 00:38:31,000 --> 00:38:34,120 Speaker 3: strip clubs? Oh man, let's say you can keep the 830 00:38:34,560 --> 00:38:37,120 Speaker 3: East Side and Man, I like cheetah man, because you 831 00:38:37,239 --> 00:38:39,600 Speaker 3: going cheatah. You feel like you on a movie set 832 00:38:39,840 --> 00:38:42,760 Speaker 3: and get the chops, some lamb chops, lap that chicken 833 00:38:42,800 --> 00:38:44,240 Speaker 3: with that mashed potato. 834 00:38:44,320 --> 00:38:45,719 Speaker 2: Man, stream beans. 835 00:38:46,239 --> 00:38:47,799 Speaker 3: But I don't I don't know because I ain't been 836 00:38:47,840 --> 00:38:49,480 Speaker 3: in a while, and I know my girl looking at 837 00:38:49,480 --> 00:38:57,480 Speaker 3: this now, I'm just playing no, no, she's a pastor, So. 838 00:38:58,920 --> 00:39:00,880 Speaker 2: Go ahead. I went my vault, man. 839 00:39:00,760 --> 00:39:02,840 Speaker 3: And I tried to bring something out there. You know 840 00:39:02,880 --> 00:39:05,200 Speaker 3: it probably be special to you because you got a 841 00:39:05,239 --> 00:39:09,080 Speaker 3: couple wow and you know, like DJ Clue, a lot 842 00:39:09,160 --> 00:39:11,160 Speaker 3: of artists back in the day would say they would 843 00:39:11,200 --> 00:39:13,839 Speaker 3: love to have the first song on the DJ Clue song, Right, 844 00:39:14,280 --> 00:39:17,080 Speaker 3: So I opened up this uh DJ drama boys in 845 00:39:17,120 --> 00:39:19,840 Speaker 3: the hood, and you're telling them what that song. 846 00:39:19,840 --> 00:39:23,280 Speaker 2: Is that opened up right there? Oh man, them boys 847 00:39:23,320 --> 00:39:26,240 Speaker 2: is opening up that gangster grills, right yeah, them boys. 848 00:39:26,480 --> 00:39:29,600 Speaker 2: So you made a gangster grills. Wow, I never knew this. 849 00:39:29,920 --> 00:39:32,040 Speaker 3: Yeah, and you got your production a lot of because 850 00:39:32,080 --> 00:39:33,520 Speaker 3: it wasn't just them boys, right. 851 00:39:33,440 --> 00:39:36,799 Speaker 2: And I did three records on this album. 852 00:39:37,000 --> 00:39:39,400 Speaker 3: Wow, that's crazy. Yeah, we did this album man, and 853 00:39:40,160 --> 00:39:42,440 Speaker 3: out of West Studio. We did a lot of that 854 00:39:42,560 --> 00:39:46,840 Speaker 3: down at Patchwork Patchwork Shouts and Jez Look. So we 855 00:39:46,920 --> 00:39:48,480 Speaker 3: was all clubbing at that time. And then by the 856 00:39:48,560 --> 00:39:51,200 Speaker 3: time Jez got on that record and he put that 857 00:39:51,400 --> 00:39:56,879 Speaker 3: that historic verse on there, Yeah, that was like shout 858 00:39:56,920 --> 00:39:59,080 Speaker 3: out to Meach and all them boys. We was all 859 00:39:59,200 --> 00:40:02,680 Speaker 3: just hanging out at that time, man, and people thought 860 00:40:02,719 --> 00:40:06,000 Speaker 3: it was a BMF record, you know because every time 861 00:40:06,239 --> 00:40:08,839 Speaker 3: and shut out the meats man like Meach, you would 862 00:40:08,920 --> 00:40:12,240 Speaker 3: think the supporting love he would show when this record 863 00:40:12,360 --> 00:40:16,960 Speaker 3: came on. I got to the point I think I'm 864 00:40:17,000 --> 00:40:19,239 Speaker 3: thankful to meet that he made me stop spending money 865 00:40:19,239 --> 00:40:23,760 Speaker 3: in the club, because I'm like, you know, he made everybody. 866 00:40:24,560 --> 00:40:27,120 Speaker 2: I think he'd be like, whoa this is. 867 00:40:27,840 --> 00:40:30,359 Speaker 3: I'm like, man, I'm like, I done spent by five, 868 00:40:31,600 --> 00:40:33,919 Speaker 3: coming home soon, I'm thinking I'm doing something. 869 00:40:33,960 --> 00:40:36,839 Speaker 2: But Meach coming there with a backpack man, and boy, 870 00:40:36,880 --> 00:40:39,120 Speaker 2: he letting it go to one. But he was the 871 00:40:39,200 --> 00:40:40,000 Speaker 2: one that pack. 872 00:40:40,320 --> 00:40:42,960 Speaker 3: He did a lot of promo behind this song and 873 00:40:43,080 --> 00:40:44,680 Speaker 3: this whole boys in the Hood movement. 874 00:40:44,800 --> 00:40:47,239 Speaker 2: Man, but shut out the meats man. I tell people 875 00:40:47,719 --> 00:40:49,080 Speaker 2: said it on previous episode. 876 00:40:50,239 --> 00:40:53,160 Speaker 1: I've never seen a street marketing campaign like being that 877 00:40:53,360 --> 00:40:55,759 Speaker 1: bill for Gez And it won't be another one. It'll 878 00:40:55,840 --> 00:40:57,320 Speaker 1: never be a street marketing campaign. 879 00:40:57,880 --> 00:40:59,920 Speaker 2: It won't be another man like me did it? 880 00:41:00,120 --> 00:41:00,279 Speaker 1: Big? 881 00:41:00,440 --> 00:41:03,800 Speaker 3: He put Atlanta in a position to word, if you 882 00:41:03,840 --> 00:41:06,719 Speaker 3: didn't know about Atlanta, you would think Atlanta's paradise. 883 00:41:07,000 --> 00:41:07,200 Speaker 2: Yeah. 884 00:41:07,880 --> 00:41:10,600 Speaker 1: Man, I'm sure the Atlanta business borrel was very thankful 885 00:41:10,680 --> 00:41:14,600 Speaker 1: for me to being meth foh stuff because they drove 886 00:41:14,640 --> 00:41:16,560 Speaker 1: a lot of people to move here, to come here 887 00:41:16,560 --> 00:41:20,800 Speaker 1: and spend money on hotels, liquor stores everything. Yeah, So 888 00:41:21,400 --> 00:41:23,520 Speaker 1: Atlanta business bureau, y'all better think. 889 00:41:23,440 --> 00:41:25,960 Speaker 2: Big beach and being shut out man. 890 00:41:26,040 --> 00:41:28,200 Speaker 3: Yes, indeed, man, And I just closed this out with 891 00:41:28,560 --> 00:41:30,800 Speaker 3: you know, we all fathers, and we talked about fathers, 892 00:41:30,840 --> 00:41:32,160 Speaker 3: and I want to ask you. You know you got 893 00:41:32,200 --> 00:41:35,839 Speaker 3: a son, you say, fifteen years old, Christmas coming up? 894 00:41:36,800 --> 00:41:38,240 Speaker 3: What would you like for Christmas? 895 00:41:38,320 --> 00:41:38,480 Speaker 2: One? 896 00:41:38,840 --> 00:41:41,239 Speaker 3: Let's put I like, you know, power to tongue, but 897 00:41:41,360 --> 00:41:47,719 Speaker 3: also the best gift your son has ever gotten you. Man, 898 00:41:47,920 --> 00:41:51,440 Speaker 3: he gave me these socks. Man, that some type of 899 00:41:51,520 --> 00:41:54,680 Speaker 3: way he got my picture on the socks, and it 900 00:41:54,840 --> 00:41:58,040 Speaker 3: was just like that was creative thoughful. Yeah, you know, 901 00:41:58,080 --> 00:41:59,880 Speaker 3: because I tell everybody, you know, don't give me the 902 00:42:00,040 --> 00:42:02,520 Speaker 3: for Christmas, man, like, you know, just get me a 903 00:42:03,960 --> 00:42:05,000 Speaker 3: pair of socks or something. 904 00:42:05,040 --> 00:42:07,239 Speaker 2: And he got me something and that was just really cool, 905 00:42:07,320 --> 00:42:09,480 Speaker 2: you know what I mean, Like my little little dude. 906 00:42:09,480 --> 00:42:11,560 Speaker 2: And I'm like, you know, that's what made me like, 907 00:42:12,160 --> 00:42:14,800 Speaker 2: you know, I really love this little dude more. You know. 908 00:42:14,920 --> 00:42:16,759 Speaker 2: It ain't nothing like being a dad man. 909 00:42:16,880 --> 00:42:20,319 Speaker 3: So he my only boy, So you know, I'm like, man, 910 00:42:20,480 --> 00:42:22,160 Speaker 3: you know, he can't do no wrong in my eyes, 911 00:42:22,239 --> 00:42:24,360 Speaker 3: but I you know, I make sure and I'm thankful 912 00:42:24,400 --> 00:42:27,480 Speaker 3: that he's, you know, real respectful and he's definitely. 913 00:42:27,480 --> 00:42:30,320 Speaker 2: Respect he's very well put together young man. Yeah, I 914 00:42:30,360 --> 00:42:30,840 Speaker 2: appreciate it. 915 00:42:31,880 --> 00:42:35,160 Speaker 3: I mean, you got four girls, you know what, and 916 00:42:35,280 --> 00:42:37,480 Speaker 3: I've seen a picture of you and all of them 917 00:42:37,520 --> 00:42:40,160 Speaker 3: and they look all like you. Yeah, definitely, man, But 918 00:42:40,239 --> 00:42:42,839 Speaker 3: that's a blessing to man. What about you, Jay, what's 919 00:42:42,840 --> 00:42:44,600 Speaker 3: the best gift one of your children about you? 920 00:42:45,560 --> 00:42:48,759 Speaker 2: Uh? My kids sent a couple of strippers from Magic 921 00:42:48,800 --> 00:42:51,279 Speaker 2: City one year. Oh they got me. Yeah, they paid 922 00:42:51,440 --> 00:42:54,240 Speaker 2: for them and all that, so they knew what daddy 923 00:42:54,400 --> 00:42:57,600 Speaker 2: likes and they came with it. Well, you know, it's 924 00:42:58,160 --> 00:43:01,360 Speaker 2: the camera is watching. So I just wanted that like that. 925 00:43:01,800 --> 00:43:04,880 Speaker 2: Thank you for my children. Know what my vices are, girls, 926 00:43:04,960 --> 00:43:06,320 Speaker 2: and sometimes you know, you gotta know what. 927 00:43:06,400 --> 00:43:09,160 Speaker 1: You gotta know what your daddy vices are. I don't 928 00:43:09,400 --> 00:43:13,000 Speaker 1: no power, I don't pop no pills, you know, but 929 00:43:13,239 --> 00:43:15,960 Speaker 1: you know I got other things that other things that 930 00:43:16,040 --> 00:43:16,920 Speaker 1: would be considered vice. 931 00:43:17,160 --> 00:43:19,440 Speaker 2: Man. Well, I want to thank you Nitty for your 932 00:43:19,520 --> 00:43:20,960 Speaker 2: contribution to the culture. Man. 933 00:43:21,040 --> 00:43:24,040 Speaker 3: Again, that tag is influential. That's you powerful. It still 934 00:43:24,120 --> 00:43:26,399 Speaker 3: rings off. I just did the rock the bells cruise man. 935 00:43:26,600 --> 00:43:30,680 Speaker 3: Thank you them boys. It's going down. Were in the 936 00:43:30,760 --> 00:43:35,279 Speaker 3: middle of the ocean and Bahamas. I'm watching generational people, old, young, white, black, 937 00:43:35,320 --> 00:43:38,560 Speaker 3: all generations to your beach man. You're powerful, You're influential. 938 00:43:38,600 --> 00:43:40,239 Speaker 3: I want to say thank you for coming with story 939 00:43:40,320 --> 00:43:41,000 Speaker 3: camp there. 940 00:43:41,120 --> 00:43:41,279 Speaker 2: Jay. 941 00:43:41,400 --> 00:43:43,160 Speaker 3: Thank you when he said your name was on here. 942 00:43:43,640 --> 00:43:45,320 Speaker 3: It was an honor just to know it, you know, 943 00:43:45,520 --> 00:43:47,480 Speaker 3: So thank you for what you're doing being a real 944 00:43:47,560 --> 00:43:50,080 Speaker 3: solid brothers out here. Love saying to you man, you 945 00:43:50,200 --> 00:43:51,840 Speaker 3: keep doing what you're doing to new place. Man like 946 00:43:51,880 --> 00:43:54,640 Speaker 3: we Atlanta and not just Atlanta, but the culture needed 947 00:43:54,680 --> 00:43:56,839 Speaker 3: somebody like you to really know what you're talking about. Man, 948 00:43:56,880 --> 00:43:59,440 Speaker 3: I respect you, and I watch you a lot. I 949 00:43:59,520 --> 00:44:01,480 Speaker 3: watch every move you make. Man, So keep doing what 950 00:44:01,520 --> 00:44:02,560 Speaker 3: you're doing. Man, keep God. 951 00:44:02,640 --> 00:44:08,359 Speaker 1: First, Ninny Beaks special segment, New Face was there. I'm 952 00:44:08,440 --> 00:44:11,600 Speaker 1: Jerry Clark aka the Legendary Jed. We'll see y'all next week. 953 00:44:11,760 --> 00:44:12,279 Speaker 2: Sign it off. 954 00:44:17,760 --> 00:44:21,000 Speaker 1: Story Time with the Legendary Jerry's hosted by me, the 955 00:44:21,160 --> 00:44:26,919 Speaker 1: one and Only Jerry Clark. Music has been provided by July, 956 00:44:27,239 --> 00:44:31,920 Speaker 1: the producer. If you haven't already, please please make sure 957 00:44:31,960 --> 00:44:35,759 Speaker 1: you subscribe to Storytime with the Legendary Jerry on YouTube 958 00:44:36,160 --> 00:44:38,920 Speaker 1: and wherever you listen to podcasts, and make sure you 959 00:44:39,040 --> 00:44:43,120 Speaker 1: follow us on all social media platforms at the Legendary 960 00:44:43,200 --> 00:44:46,480 Speaker 1: Jerry Podcast. For more podcasts in my Heart media, visit 961 00:44:46,520 --> 00:44:49,200 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 962 00:44:49,239 --> 00:44:50,120 Speaker 1: your favorite shows